1
00:00:04,000 --> 00:00:05,000
Good evening, Mrs. Flintstone.

2
00:00:05,000 --> 00:00:07,000
I'm Stoney Curtis, your slave boy.

3
00:00:07,000 --> 00:00:10,000
Stoney C-C-Curtis?

4
00:00:11,000 --> 00:00:13,000
Stoney Curtis!

5
00:00:13,000 --> 00:00:15,000
[screaming]

6
00:00:15,000 --> 00:00:16,000
slam

7
00:00:16,000 --> 00:00:17,000
Stoney Curtis.

8
00:00:19,000 --> 00:00:20,000
Stoney Curtis.

9
00:00:22,000 --> 00:00:23,000
Stoney Curtis.

10
00:00:25,000 --> 00:00:26,000
Stoney Curtis.

11
00:00:27,000 --> 00:00:28,000
Stoney Curtis.

12
00:00:30,000 --> 00:00:32,000
'Stoney Curtis.'

13
00:00:34,000 --> 00:00:35,000
Betty, get over here.

14
00:00:35,000 --> 00:00:37,000
It's Stoney Curtis.

15
00:00:40,000 --> 00:00:43,000
[theme song]

16
00:00:45,000 --> 00:00:46,000
[squawking]

17
00:00:46,000 --> 00:00:49,000
Yabba-dabba-doo!

18
00:00:49,000 --> 00:00:51,000
♪ Flintstones meet the Flintstones ♪

19
00:00:51,000 --> 00:00:55,000
♪ They're the modern Stone Age family ♪

20
00:00:55,000 --> 00:00:57,000
♪ From the town of Bedrock ♪

21
00:00:57,000 --> 00:01:01,000
♪ They're a page right out of history ♪

22
00:01:01,000 --> 00:01:04,000
♪ Let's ride with the family down the street ♪

23
00:01:04,000 --> 00:01:07,000
♪ Through the courtesy of Fred's two feet ♪

24
00:01:07,000 --> 00:01:10,000
♪ When you're with the Flintstones ♪

25
00:01:10,000 --> 00:01:12,000
♪ Have a yabba-dabba-doo time ♪

26
00:01:12,000 --> 00:01:14,000
♪ A dabba-doo time ♪

27
00:01:14,000 --> 00:01:16,000
♪ We'll have a gay old time ♪♪

28
00:01:18,000 --> 00:01:20,000
[piano music]

29
00:01:20,000 --> 00:01:23,000
Isn't he gorgeous, Betty?

30
00:01:23,000 --> 00:01:25,000
Absolutely dreamy.

31
00:01:25,000 --> 00:01:27,000
Read the headlines again, Wilma.

32
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With pleasure.

33
00:01:29,000 --> 00:01:32,000
'"Stoney Curtis, famous Hollyrock movie star'

34
00:01:32,000 --> 00:01:34,000
'"checks in at Sandstone Hotel'

35
00:01:34,000 --> 00:01:35,000
"this morning.

36
00:01:35,000 --> 00:01:37,000
"New movie, entitled "Slave Boy"

37
00:01:37,000 --> 00:01:39,000
Will be filmed, here in Bedrock."

38
00:01:39,000 --> 00:01:42,000
Wilma, why don't we go down and see him in person?

39
00:01:42,000 --> 00:01:44,000
Great idea.

40
00:01:44,000 --> 00:01:46,000
Fred can drop us off on his way to work.

41
00:01:46,000 --> 00:01:48,000
Which reminds me.

42
00:01:48,000 --> 00:01:49,000
Fred!

43
00:01:49,000 --> 00:01:51,000
Breakfast is ready.

44
00:01:51,000 --> 00:01:52,000
Be right there, Wilma.

45
00:01:52,000 --> 00:01:54,000
I'm just combing my hair.

46
00:01:55,000 --> 00:01:57,000
[instrumental music]

47
00:01:58,000 --> 00:01:59,000
Hmm..

48
00:02:01,000 --> 00:02:03,000
There, that's better.

49
00:02:03,000 --> 00:02:06,000
Now I'm my normal, well-groomed self.

50
00:02:09,000 --> 00:02:10,000
Good morning, girls.

51
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Mind if I have a look at the paper while I eat?

52
00:02:15,000 --> 00:02:18,000
Mmm. That's what I call a real he-man.

53
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What get's me is that cute little nose.

54
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(Betty) 'It's that manly chin that always appealed to me.'

55
00:02:24,000 --> 00:02:26,000
[chuckling]

56
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(Wilma) 'And those crazy, long lashes.'

57
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And the color of those eyes.

58
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Did you ever see such a deep green?

59
00:02:35,000 --> 00:02:37,000
[Fred chuckling]

60
00:02:38,000 --> 00:02:39,000
They, uh, happen to be

61
00:02:39,000 --> 00:02:40,000
Robin's egg blue.

62
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(Wilma) 'Green.'

63
00:02:41,000 --> 00:02:43,000
Wilma, don't you think I know

64
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the color of my own eyes?

65
00:02:44,000 --> 00:02:46,000
Your eyes?

66
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Did you think we were talking about you?

67
00:02:48,000 --> 00:02:49,000
Well, weren't you?

68
00:02:49,000 --> 00:02:51,000
[laughing]

69
00:02:51,000 --> 00:02:53,000
Oh, Fred..

70
00:02:53,000 --> 00:02:55,000
...we were talking about Stoney Curtis.

71
00:02:55,000 --> 00:02:57,000
Look at the back of your newspaper.

72
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Oh, you mean Stoney Curtis, the actor.

73
00:03:01,000 --> 00:03:03,000
Yeah, he ain't so hot.

74
00:03:04,000 --> 00:03:06,000
Take away his makeup, and what do you got?

75
00:03:06,000 --> 00:03:07,000
(Betty) 'I don't know.'

76
00:03:07,000 --> 00:03:09,000
(Wilma) 'But I'll take it.'

77
00:03:09,000 --> 00:03:11,000
Ah, these Hollyrock guys

78
00:03:11,000 --> 00:03:12,000
sure got you fooled.

79
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Sittin' round the swimmin' pool all day

80
00:03:15,000 --> 00:03:17,000
waited on hand and foot.

81
00:03:17,000 --> 00:03:19,000
Why, a good day's work would kill 'em.

82
00:03:19,000 --> 00:03:21,000
- Is that so? - 'Yeah.'

83
00:03:21,000 --> 00:03:23,000
And this picture of Stoney Curtis

84
00:03:23,000 --> 00:03:25,000
don't you know it's retouched?

85
00:03:25,000 --> 00:03:26,000
If you saw him in person

86
00:03:26,000 --> 00:03:28,000
he'd be nothin'.

87
00:03:28,000 --> 00:03:30,000
Well, we'd like to go and look at some of that nothin'.

88
00:03:30,000 --> 00:03:32,000
So we thought you and Barney wouldn't mind

89
00:03:32,000 --> 00:03:35,000
dropping us off at the Sandstone Hotel.

90
00:03:35,000 --> 00:03:36,000
It's on your way to work.

91
00:03:36,000 --> 00:03:37,000
Okay, okay.

92
00:03:38,000 --> 00:03:41,000
But all it's gonna do, is make you appreciate  me  more.

93
00:03:42,000 --> 00:03:44,000
Stoney Curtis. Ah..

94
00:03:47,000 --> 00:03:50,000
Imagine, Barney, goin' all the way downtown

95
00:03:50,000 --> 00:03:52,000
to look at a movie star.

96
00:03:52,000 --> 00:03:55,000
Well, uh, he is kinda good-lookin', Fred.

97
00:03:55,000 --> 00:03:56,000
Uh, cute little nose

98
00:03:56,000 --> 00:03:58,000
manly chin

99
00:03:58,000 --> 00:03:59,000
crazy, long lashes

100
00:03:59,000 --> 00:04:00,000
deep green eyes.

101
00:04:00,000 --> 00:04:02,000
Oh, knock it off.

102
00:04:02,000 --> 00:04:03,000
[laughing]

103
00:04:03,000 --> 00:04:04,000
There's the hotel, Fred.

104
00:04:04,000 --> 00:04:06,000
You can drop us at the corner.

105
00:04:06,000 --> 00:04:09,000
Okay, but I'm sure disappointed in you girls.

106
00:04:13,000 --> 00:04:14,000
Wilma, will you look at that.

107
00:04:14,000 --> 00:04:17,000
'Why, every woman in Bedrock must be here'

108
00:04:17,000 --> 00:04:18,000
to see Stoney Curtis.

109
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And here he is.

110
00:04:19,000 --> 00:04:21,000
[jazz music]

111
00:04:23,000 --> 00:04:25,000
Come on, Betty, let's get up close.

112
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[screaming]

113
00:04:28,000 --> 00:04:29,000
Please!

114
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It's a Stoney, attack.

115
00:04:31,000 --> 00:04:33,000
Yoo-hoo, Stoney.

116
00:04:33,000 --> 00:04:34,000
He's adorable!

117
00:04:34,000 --> 00:04:36,000
[screaming]

118
00:04:38,000 --> 00:04:40,000
Oh, boy.

119
00:04:40,000 --> 00:04:41,000
Girls, please.

120
00:04:41,000 --> 00:04:43,000
Will you hold it for a minute.

121
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And listen, my director

122
00:04:44,000 --> 00:04:45,000
Rocco Hemminger

123
00:04:46,000 --> 00:04:47,000
has an announcement to make.

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00:04:47,000 --> 00:04:50,000
In celebration of Stoney's new picture, "Slave Boy"

125
00:04:50,000 --> 00:04:53,000
we are going to have a lucky sweepstakes.

126
00:04:53,000 --> 00:04:55,000
The winner will have Stoney

127
00:04:55,000 --> 00:04:57,000
as their personal slave boy for one day.

128
00:04:57,000 --> 00:04:59,000
[women screaming]

129
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We left you cards in the lobby, girls.

130
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And good luck.

131
00:05:02,000 --> 00:05:03,000
Did you hear that, Wilma?

132
00:05:03,000 --> 00:05:06,000
What are we waiting for? Let's fill out a card.

133
00:05:07,000 --> 00:05:09,000
[band music]

134
00:05:09,000 --> 00:05:11,000
Easy, Mildred.

135
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That's a heavy rock.

136
00:05:14,000 --> 00:05:16,000
Alright, let's go.

137
00:05:20,000 --> 00:05:21,000
thud

138
00:05:22,000 --> 00:05:25,000
Boy, what a long day this is.

139
00:05:25,000 --> 00:05:27,000
That slave driver, boss of mine

140
00:05:27,000 --> 00:05:28,000
waits till the last second

141
00:05:28,000 --> 00:05:30,000
before he'll blow that whistle.

142
00:05:30,000 --> 00:05:31,000
Ten, nine

143
00:05:32,000 --> 00:05:33,000
eight, seven

144
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six, five

145
00:05:35,000 --> 00:05:36,000
four, three

146
00:05:36,000 --> 00:05:38,000
two, one.

147
00:05:38,000 --> 00:05:41,000
[squawking]

148
00:05:43,000 --> 00:05:44,000
Quittin' time!

149
00:05:44,000 --> 00:05:47,000
Yabba-dabba-doo!

150
00:05:49,000 --> 00:05:50,000
Goodnight, Mildred.

151
00:05:50,000 --> 00:05:52,000
Oh, goodnight, Freddie.

152
00:05:54,000 --> 00:05:55,000
Hi, Barney.

153
00:05:55,000 --> 00:05:56,000
Sorry to keep you waiting

154
00:05:56,000 --> 00:05:58,000
but that miserable boss of mine

155
00:05:58,000 --> 00:05:59,000
that tight-wad, Mr. Slate

156
00:06:00,000 --> 00:06:01,000
'wouldn't think of lettin' you quit'

157
00:06:01,000 --> 00:06:04,000
'a half a second before five o'clock.'

158
00:06:04,000 --> 00:06:05,000
'I'm tellin' you, Barney'

159
00:06:05,000 --> 00:06:07,000
'he's the meanest, most--'

160
00:06:07,000 --> 00:06:09,000
Ixnay, Ed-fray.

161
00:06:09,000 --> 00:06:10,000
I-it's Mr. Ate-slay.

162
00:06:10,000 --> 00:06:12,000
Huh? W-what-what?

163
00:06:13,000 --> 00:06:15,000
Hello, Flintstone.

164
00:06:15,000 --> 00:06:17,000
Mr. Slate. Ha ha ha.

165
00:06:17,000 --> 00:06:19,000
Hiya, boss.

166
00:06:19,000 --> 00:06:21,000
Uh, we was j-just talkin' about you.

167
00:06:21,000 --> 00:06:24,000
Yes, I know.

168
00:06:24,000 --> 00:06:26,000
Phone call for you..

169
00:06:26,000 --> 00:06:27,000
...slave!

170
00:06:27,000 --> 00:06:29,000
Uh, thanks, Mr. Slate.

171
00:06:30,000 --> 00:06:32,000
Like I was sayin', Barney

172
00:06:32,000 --> 00:06:33,000
Mr. Slate's a swell boss.

173
00:06:34,000 --> 00:06:37,000
Thoughtful, kind, easygoin', generous--

174
00:06:37,000 --> 00:06:38,000
Knock it off, Flintstone

175
00:06:38,000 --> 00:06:40,000
and answer that phone.

176
00:06:40,000 --> 00:06:41,000
Y-y-yes, sir.

177
00:06:41,000 --> 00:06:42,000
H-h-hello.

178
00:06:42,000 --> 00:06:44,000
Flintstone speakin'.

179
00:06:44,000 --> 00:06:45,000
[indistinct]

180
00:06:45,000 --> 00:06:47,000
Who? Rocco Hemminger?

181
00:06:47,000 --> 00:06:48,000
That's right, Flintstone.

182
00:06:49,000 --> 00:06:51,000
The famous Hollyrock director.

183
00:06:51,000 --> 00:06:52,000
Congratulations.

184
00:06:53,000 --> 00:06:54,000
You won the sweepstakes.

185
00:06:54,000 --> 00:06:55,000
You get Stoney Curtis

186
00:06:55,000 --> 00:06:58,000
to work for you as your slave boy.

187
00:06:58,000 --> 00:06:59,000
Who, me?

188
00:06:59,000 --> 00:07:01,000
What are you talkin' about?

189
00:07:01,000 --> 00:07:03,000
(Rocco on phone) 'Your wife had the winning ticket.'

190
00:07:03,000 --> 00:07:05,000
'But we haven't been able to contact her.'

191
00:07:05,000 --> 00:07:07,000
'Would you please stop by the hotel'

192
00:07:07,000 --> 00:07:08,000
'and pick up Mr. Curtis?'

193
00:07:08,000 --> 00:07:12,000
Nothin' doin'! I don't want no slave boy, or..

194
00:07:14,000 --> 00:07:15,000
[chuckling]

195
00:07:15,000 --> 00:07:18,000
Hey, wait a minute.

196
00:07:18,000 --> 00:07:21,000
You mean he's gotta work for me?

197
00:07:21,000 --> 00:07:23,000
He's gotta do whatever I say?

198
00:07:23,000 --> 00:07:25,000
That's right, he's your slave boy.

199
00:07:25,000 --> 00:07:27,000
Just like in the movie we're making.

200
00:07:27,000 --> 00:07:30,000
You got yourself a deal, pal.

201
00:07:30,000 --> 00:07:32,000
I will be right over.

202
00:07:35,000 --> 00:07:37,000
Gee, Fred, you sure are lucky.

203
00:07:37,000 --> 00:07:39,000
Imagine havin' Stoney Curtis

204
00:07:39,000 --> 00:07:41,000
as your own slave boy, for a whole day.

205
00:07:41,000 --> 00:07:45,000
[chuckling] This is gonna be rich, Barn.

206
00:07:45,000 --> 00:07:47,000
Wilma thinks this Stoney Curtis

207
00:07:47,000 --> 00:07:49,000
is such a great guy.

208
00:07:49,000 --> 00:07:51,000
I'm gonna show her what a washout

209
00:07:51,000 --> 00:07:53,000
these Hollyrock stars really are.

210
00:07:53,000 --> 00:07:55,000
Oh, uh, I don't know, Fred.

211
00:07:55,000 --> 00:07:57,000
I always heard he's a pretty nice guy.

212
00:07:57,000 --> 00:08:00,000
Uh, you've been readin' too many movie magazines.

213
00:08:04,000 --> 00:08:08,000
Well, looks like we lost out on the sweepstake tickets, Betty.

214
00:08:08,000 --> 00:08:09,000
But to pick up my spirits

215
00:08:09,000 --> 00:08:12,000
I bought a jar of that new beauty mud.

216
00:08:12,000 --> 00:08:14,000
It's supposed to bring out the new you.

217
00:08:14,000 --> 00:08:17,000
I'll be satisfied if it just hides some of the old me.

218
00:08:17,000 --> 00:08:19,000
[engine revving]

219
00:08:19,000 --> 00:08:21,000
Oh-ho. I hear Fred's car pulling up.

220
00:08:21,000 --> 00:08:24,000
Talk to you later, Betty.

221
00:08:24,000 --> 00:08:27,000
- Nice meeting you, Barney. - Uh, likewise, Mr. Stoney.

222
00:08:27,000 --> 00:08:28,000
Uh, my pleasure.

223
00:08:28,000 --> 00:08:30,000
- See you in the mornin', Fred. - Right.

224
00:08:31,000 --> 00:08:32,000
Nice guy, huh?

225
00:08:32,000 --> 00:08:33,000
Yeah.

226
00:08:33,000 --> 00:08:34,000
And I'll tell you somethin', Curtis

227
00:08:34,000 --> 00:08:36,000
he ain't no phony.

228
00:08:36,000 --> 00:08:38,000
Now, uh, shall we go inside?

229
00:08:38,000 --> 00:08:40,000
Sure, but shouldn't we have called your wife

230
00:08:40,000 --> 00:08:41,000
to let her know about me.

231
00:08:42,000 --> 00:08:44,000
What for? You're nothin' special.

232
00:08:44,000 --> 00:08:45,000
Come on.

233
00:08:47,000 --> 00:08:48,000
Hey, Wilma.

234
00:08:48,000 --> 00:08:49,000
I'm home.

235
00:08:49,000 --> 00:08:51,000
(Wilma) 'Coming, Fred.'

236
00:08:52,000 --> 00:08:54,000
Dinner is almost..

237
00:08:55,000 --> 00:08:56,000
...ready.

238
00:08:56,000 --> 00:08:58,000
Good evening, Mrs. Flintstone.

239
00:08:58,000 --> 00:09:00,000
I'm Stoney Curtis, your slave boy.

240
00:09:01,000 --> 00:09:03,000
Stoney C-C-Curtis.

241
00:09:05,000 --> 00:09:07,000
Stoney Curtis!

242
00:09:08,000 --> 00:09:09,000
[screaming]

243
00:09:09,000 --> 00:09:10,000
slam

244
00:09:10,000 --> 00:09:11,000
Stoney Curtis.

245
00:09:13,000 --> 00:09:14,000
Stoney Curtis.

246
00:09:16,000 --> 00:09:17,000
Stoney Curtis.

247
00:09:19,000 --> 00:09:20,000
Stoney Curtis.

248
00:09:22,000 --> 00:09:23,000
Stoney Curtis.

249
00:09:24,000 --> 00:09:26,000
'Stoney Curtis.'

250
00:09:28,000 --> 00:09:30,000
Betty, get over here.

251
00:09:30,000 --> 00:09:31,000
It's Stoney Curtis.

252
00:09:35,000 --> 00:09:39,000
Ah, good evening, Frederick.

253
00:09:39,000 --> 00:09:40,000
Frederick?

254
00:09:40,000 --> 00:09:41,000
And Mr. Curtis.

255
00:09:41,000 --> 00:09:43,000
What a pleasant surprise.

256
00:09:43,000 --> 00:09:45,000
(Fred) 'Wait a cotton-pickin'-minute!'

257
00:09:45,000 --> 00:09:47,000
What is this pleasant surprise stuff?

258
00:09:47,000 --> 00:09:49,000
You saw us here a minute ago.

259
00:09:49,000 --> 00:09:52,000
Oh, that must have been the maid.

260
00:09:52,000 --> 00:09:54,000
Come in, Mr. Cutis, come in.

261
00:09:54,000 --> 00:09:56,000
Thank you, Mrs. Flintstone.

262
00:09:56,000 --> 00:09:59,000
[instrumental music]

263
00:10:00,000 --> 00:10:02,000
(Fred) 'Wilma!'

264
00:10:02,000 --> 00:10:03,000
Oops.

265
00:10:04,000 --> 00:10:06,000
Sorry, Fred.

266
00:10:06,000 --> 00:10:07,000
[grunting]

267
00:10:10,000 --> 00:10:12,000
Nice place you have here, Mrs. Flintstone.

268
00:10:12,000 --> 00:10:15,000
Oh, my, nothing really.

269
00:10:15,000 --> 00:10:16,000
What?

270
00:10:16,000 --> 00:10:19,000
Oh, uh, would you care for some  hors d'oeuvres?

271
00:10:20,000 --> 00:10:21,000
[ringing bell]

272
00:10:21,000 --> 00:10:22,000
Oh, Yvette.

273
00:10:22,000 --> 00:10:24,000
Yvette? Who's Yvette.

274
00:10:24,000 --> 00:10:27,000
Oui, madame.  You called?

275
00:10:27,000 --> 00:10:31,000
(Wilma) 'Yes, will you please serve the  hors d'oeuvres?'

276
00:10:31,000 --> 00:10:32,000
Oui, madame.

277
00:10:32,000 --> 00:10:34,000
What's goin' on here?

278
00:10:34,000 --> 00:10:36,000
That's not Yvette, that's Betty.

279
00:10:36,000 --> 00:10:38,000
You're confused, Frederick.

280
00:10:38,000 --> 00:10:41,000
Betty is the upstairs maid.

281
00:10:41,000 --> 00:10:42,000
Upstairs maid?

282
00:10:42,000 --> 00:10:45,000
We don't have an upstairs maid.

283
00:10:45,000 --> 00:10:47,000
We don't even have an upstairs!

284
00:10:47,000 --> 00:10:50,000
Oh, Frederick, you're so droll.

285
00:10:50,000 --> 00:10:52,000
[laughing]

286
00:10:53,000 --> 00:10:54,000
Droll?

287
00:10:54,000 --> 00:10:55,000
Look, Wilma, I wanna talk to you.

288
00:10:56,000 --> 00:10:59,000
Will you excuse us for a minute, slave boy?

289
00:10:59,000 --> 00:11:02,000
Sure. Go right ahead.

290
00:11:02,000 --> 00:11:04,000
Alright, Wilma, now, what is this all about?

291
00:11:04,000 --> 00:11:06,000
Why is Betty making believe she's our maid

292
00:11:06,000 --> 00:11:08,000
and why are you puttin' on all these hors d'oeuvres?

293
00:11:08,000 --> 00:11:12,000
I'm just trying to have things nice for Stoney Curtis.

294
00:11:12,000 --> 00:11:13,000
Isn't he dreamy?

295
00:11:14,000 --> 00:11:17,000
Well, I won't have all this phony baloney goin' on

296
00:11:17,000 --> 00:11:19,000
in my house just to impress a movie actor.

297
00:11:19,000 --> 00:11:22,000
Oh, it's just this one time, Fred.

298
00:11:22,000 --> 00:11:24,000
He seems real nice.

299
00:11:24,000 --> 00:11:26,000
The deal is he's our slave for a day.

300
00:11:26,000 --> 00:11:28,000
So I'm gonna put him to work.

301
00:11:28,000 --> 00:11:30,000
Probably for the first time in his life.

302
00:11:30,000 --> 00:11:33,000
Then you'll see what spoiled soppies

303
00:11:33,000 --> 00:11:35,000
these Hollyrock guys really are.

304
00:11:38,000 --> 00:11:40,000
Oh, slave boy

305
00:11:40,000 --> 00:11:43,000
when you get the rocks moved and the garage cleaned

306
00:11:43,000 --> 00:11:45,000
you can start building the new wall.

307
00:11:46,000 --> 00:11:48,000
Yes,  sahib.  I hear and obey.

308
00:11:48,000 --> 00:11:50,000
After that, take a knock off

309
00:11:50,000 --> 00:11:52,000
for some bread and water for ten minutes.

310
00:11:52,000 --> 00:11:54,000
Oh, Flintstone, you're all heart.

311
00:11:55,000 --> 00:11:56,000
[laughing]

312
00:11:57,000 --> 00:12:00,000
Poor Stoney, Fred's really taking advantage of him.

313
00:12:00,000 --> 00:12:04,000
Oh, sometimes Fred makes me so mad.

314
00:12:04,000 --> 00:12:07,000
I'm gonna put a stop to this nonsense.

315
00:12:08,000 --> 00:12:11,000
Really, Stoney, I'm so embarrassed.

316
00:12:11,000 --> 00:12:13,000
Fred is just being stubborn.

317
00:12:13,000 --> 00:12:16,000
Oh, I don't mind. The deal was for me to be a slave boy.

318
00:12:16,000 --> 00:12:18,000
But Fred is carrying things too far.

319
00:12:18,000 --> 00:12:21,000
I want you to stop working right now.

320
00:12:21,000 --> 00:12:23,000
'You mean you don't want me to be a slave anymore?'

321
00:12:23,000 --> 00:12:24,000
Right.

322
00:12:24,000 --> 00:12:27,000
Well, then I'll just have to talk ol' Fred out of it.

323
00:12:27,000 --> 00:12:28,000
How?

324
00:12:28,000 --> 00:12:30,000
You just leave it to me, Wilma.

325
00:12:34,000 --> 00:12:36,000
A thousand pardons, master.

326
00:12:36,000 --> 00:12:37,000
'How high should I make the wall?'

327
00:12:37,000 --> 00:12:40,000
Oh, don't matter, couple three feet is okay.

328
00:12:41,000 --> 00:12:43,000
As you command, master.

329
00:12:46,000 --> 00:12:48,000
Wait a minute, say that again.

330
00:12:48,000 --> 00:12:51,000
I said a couple three feet high is okay.

331
00:12:52,000 --> 00:12:55,000
Beautiful. Such diction.

332
00:12:55,000 --> 00:12:57,000
Obviously, you've appeared on the stage.

333
00:12:57,000 --> 00:12:59,000
Who, me?

334
00:12:59,000 --> 00:13:01,000
Come on, now, don't hold back on me.

335
00:13:01,000 --> 00:13:03,000
I know a highly trained voice when I hear it.

336
00:13:03,000 --> 00:13:05,000
[chuckles]

337
00:13:05,000 --> 00:13:09,000
Well, now, that you mentioned it, I was in a play once

338
00:13:09,000 --> 00:13:10,000
'in drama school.'

339
00:13:10,000 --> 00:13:12,000
I knew it. I knew it.

340
00:13:12,000 --> 00:13:14,000
You've got actor written all over you.

341
00:13:14,000 --> 00:13:15,000
No kidding.

342
00:13:15,000 --> 00:13:17,000
As a matter of fact, there's a part in my movie

343
00:13:17,000 --> 00:13:19,000
you'd be perfect for it.

344
00:13:19,000 --> 00:13:21,000
Oh, but you'll never consider it.

345
00:13:21,000 --> 00:13:22,000
I better get back to work.

346
00:13:22,000 --> 00:13:25,000
No, no, no, wait a minute.

347
00:13:25,000 --> 00:13:28,000
Wait, well, what's so less about a part for me?

348
00:13:28,000 --> 00:13:31,000
Well, I can talk about it now. I got to get back to work.

349
00:13:31,000 --> 00:13:35,000
Oh, forget it, pal, that was just a gag.

350
00:13:35,000 --> 00:13:36,000
Eh, tell me, Mr. Curtis

351
00:13:36,000 --> 00:13:39,000
you really think I could be in your movie?

352
00:13:39,000 --> 00:13:42,000
You report on the set tomorrow morning, Fred.

353
00:13:42,000 --> 00:13:43,000
See you then.

354
00:13:44,000 --> 00:13:47,000
Yabba dabba doo!

355
00:13:47,000 --> 00:13:49,000
Hey, Wilma!

356
00:13:49,000 --> 00:13:51,000
I was wrong about Stoney, baby.

357
00:13:51,000 --> 00:13:53,000
He's a swell guy.

358
00:13:53,000 --> 00:13:57,000
Well, I'm glad you finally realized how wrong you are.

359
00:13:57,000 --> 00:14:00,000
Yes. Stoney convinced me I'm in the wrong business.

360
00:14:00,000 --> 00:14:04,000
Tomorrow morning, I begin a whole new career.

361
00:14:04,000 --> 00:14:06,000
'What? What are you talking about?'

362
00:14:06,000 --> 00:14:10,000
Tomorrow, Wilma, a star is born.

363
00:14:10,000 --> 00:14:12,000
And don't you worry, my dear.

364
00:14:12,000 --> 00:14:15,000
No matter how famous I become, it won't spoil me.

365
00:14:16,000 --> 00:14:20,000
I'm gonna be the same sweet Fred Flintstone

366
00:14:20,000 --> 00:14:21,000
you know and love.

367
00:14:23,000 --> 00:14:25,000
Isn't it thrilling, Barney?

368
00:14:25,000 --> 00:14:27,000
Fred's going to be an actor.

369
00:14:27,000 --> 00:14:31,000
[laughs] Stoney is giving him a small part just for a gag.

370
00:14:31,000 --> 00:14:34,000
Well, I wish Fred would come out of the house already

371
00:14:34,000 --> 00:14:35,000
so I can wish him luck.

372
00:14:35,000 --> 00:14:38,000
I'll be late for work and that's no gag.

373
00:14:38,000 --> 00:14:40,000
(Fred) 'Good morning, Bernard.'

374
00:14:40,000 --> 00:14:42,000
Holy mackerel.

375
00:14:42,000 --> 00:14:44,000
(Fred) 'And how are you, Mrs. Rubble'

376
00:14:44,000 --> 00:14:47,000
and you, my adorable wife?

377
00:14:47,000 --> 00:14:50,000
It's a beautiful morning, if I do say so myself.

378
00:14:50,000 --> 00:14:51,000
(Wilma) 'Fred, what on earth'

379
00:14:52,000 --> 00:14:54,000
'are you dressed up like that for?'

380
00:14:54,000 --> 00:14:56,000
Have you forgotten, buttercup?

381
00:14:56,000 --> 00:14:58,000
My new career starts today.

382
00:14:58,000 --> 00:15:01,000
Fred Flintstone, working man is no more.

383
00:15:01,000 --> 00:15:05,000
Say hello to Fred Flintstone, m-movie star.

384
00:15:05,000 --> 00:15:07,000
Movie star?

385
00:15:07,000 --> 00:15:10,000
Stoney said it was just a small part.

386
00:15:10,000 --> 00:15:12,000
Just to introduce me to my public, Wilma.

387
00:15:13,000 --> 00:15:15,000
After that women will mob me.

388
00:15:15,000 --> 00:15:18,000
'They'll clamor for my autograph, flockin' my hair.'

389
00:15:18,000 --> 00:15:19,000
'But don't worry, honey'

390
00:15:19,000 --> 00:15:23,000
the screams of the adoring mobs won't turn my hip.

391
00:15:23,000 --> 00:15:25,000
I intend to be a simple

392
00:15:25,000 --> 00:15:27,000
unspoilt movie god.

393
00:15:27,000 --> 00:15:30,000
- Movie god? - Yes, Wilma.

394
00:15:30,000 --> 00:15:33,000
A new life beckons and we have to get ready for it.

395
00:15:33,000 --> 00:15:37,000
I've already turned in my resignation at the quarry.

396
00:15:37,000 --> 00:15:39,000
- You quit your job? - 'And I'm selling the house.'

397
00:15:39,000 --> 00:15:42,000
You mean, you're gonna move? Where?

398
00:15:42,000 --> 00:15:44,000
To Hollyrock, of course

399
00:15:44,000 --> 00:15:46,000
where us movie gods live.

400
00:15:46,000 --> 00:15:48,000
So long, Wilma, I don't wanna keep them waiting

401
00:15:48,000 --> 00:15:49,000
the first day, you know.

402
00:15:50,000 --> 00:15:53,000
Fred, just a minute. I want to talk to you.

403
00:15:53,000 --> 00:15:56,000
No time, Wilma. My public awaits.

404
00:15:57,000 --> 00:15:58,000
vroom

405
00:15:58,000 --> 00:16:00,000
Oh, this is awful.

406
00:16:00,000 --> 00:16:04,000
I better call Stoney and prepare him for this.

407
00:16:05,000 --> 00:16:07,000
No, he hasn't arrived yet, Wilma.

408
00:16:07,000 --> 00:16:09,000
- Is something wrong? - Wrong?

409
00:16:09,000 --> 00:16:13,000
I'll say, he's quit his job and wants to move to Hollyrock.

410
00:16:13,000 --> 00:16:15,000
He thinks he is a movie star.

411
00:16:15,000 --> 00:16:18,000
Please, Stoney, you've got to do something.

412
00:16:18,000 --> 00:16:21,000
Alright, Wilma, don't worry, I'll take care of it.

413
00:16:22,000 --> 00:16:24,000
Rocco, I want you to do me a favor.

414
00:16:24,000 --> 00:16:26,000
How much will it cost me?

415
00:16:26,000 --> 00:16:28,000
Nothing, Rocco, nothing.

416
00:16:28,000 --> 00:16:30,000
I want you to make Fred Flintstone my understudy.

417
00:16:30,000 --> 00:16:33,000
Understudy? Are you out of your mind?

418
00:16:33,000 --> 00:16:35,000
Take it easy, Rocco.

419
00:16:35,000 --> 00:16:36,000
He wants to be an actor and Mrs. Flintstone

420
00:16:37,000 --> 00:16:38,000
wants me to discourage him.

421
00:16:38,000 --> 00:16:40,000
Now, here's the plan. You go..

422
00:16:43,000 --> 00:16:46,000
Understudy? Yeah, of course, I can handle it.

423
00:16:46,000 --> 00:16:50,000
And, uh, maybe I could do the same for you someday, Stoney.

424
00:16:50,000 --> 00:16:53,000
Uh, you are the director, I presumpt.

425
00:16:53,000 --> 00:16:56,000
I think my profile has been at my full fledged, don't you?

426
00:16:56,000 --> 00:16:59,000
(Rocco) Yes, it is only a half as frightening.

427
00:16:59,000 --> 00:17:02,000
You better report to wardrobe and get your costume, Fred.

428
00:17:02,000 --> 00:17:03,000
We're ready to shoot.

429
00:17:03,000 --> 00:17:05,000
Right, Stoney baby. And you know something?

430
00:17:05,000 --> 00:17:08,000
For a guy who's gonna lose his job to me

431
00:17:08,000 --> 00:17:10,000
you're okay.

432
00:17:12,000 --> 00:17:14,000
Alright, Stoney, we're all set.

433
00:17:14,000 --> 00:17:16,000
Roll 'em.

434
00:17:16,000 --> 00:17:20,000
Ah, Your Royal Highness, I know I'm only a slave boy

435
00:17:20,000 --> 00:17:22,000
but I cannot resist your beauty.

436
00:17:22,000 --> 00:17:24,000
Kiss me, slave boy.

437
00:17:24,000 --> 00:17:27,000
(Rocco) 'Cut. Understudy, you're on.'

438
00:17:27,000 --> 00:17:28,000
Who, me?

439
00:17:28,000 --> 00:17:31,000
Right, Fred, you pick up where I left off.

440
00:17:31,000 --> 00:17:34,000
But-but-but you were about to kiss her.

441
00:17:34,000 --> 00:17:36,000
Ah-huh, that's your job. Go ahead.

442
00:17:38,000 --> 00:17:40,000
Hm, Wilma won't like this.

443
00:17:40,000 --> 00:17:42,000
Hey, he he, do you mind?

444
00:17:42,000 --> 00:17:45,000
Of course, not, silly. It's in the script.

445
00:17:46,000 --> 00:17:49,000
Come on, Flintstone, we got a picture to shoot.

446
00:17:49,000 --> 00:17:51,000
Start acting.

447
00:17:51,000 --> 00:17:53,000
'Roll 'em.'

448
00:17:53,000 --> 00:17:56,000
Kiss me, slave boy.

449
00:17:56,000 --> 00:17:58,000
Ah-huh.

450
00:17:58,000 --> 00:18:02,000
You, a slave boy, dare kiss the queen.

451
00:18:02,000 --> 00:18:03,000
bam

452
00:18:03,000 --> 00:18:05,000
crash

453
00:18:05,000 --> 00:18:06,000
thump

454
00:18:06,000 --> 00:18:08,000
Alright, cut.

455
00:18:08,000 --> 00:18:10,000
You were great, Fred. Sensational.

456
00:18:10,000 --> 00:18:13,000
- I was? - 'Mm-hmm. Real hard.'

457
00:18:13,000 --> 00:18:14,000
'Like you were really hurt.'

458
00:18:14,000 --> 00:18:18,000
Oh, it was nothing. Just good acting.

459
00:18:19,000 --> 00:18:22,000
Ooh, boy, what a wallop that guy has.

460
00:18:24,000 --> 00:18:26,000
I don't like it, slave boy.

461
00:18:26,000 --> 00:18:29,000
The king's guards can be anywhere in these hills.

462
00:18:29,000 --> 00:18:30,000
I am not afraid.

463
00:18:30,000 --> 00:18:33,000
I've got to deliver this message for the queen.

464
00:18:33,000 --> 00:18:36,000
'It's your life. Good luck, slave boy.'

465
00:18:36,000 --> 00:18:40,000
Cut. Okay, understudy, get in there.

466
00:18:41,000 --> 00:18:44,000
It's your life. Good luck, slave boy.

467
00:18:44,000 --> 00:18:48,000
There he is. There is slave boy. Let him have it.

468
00:18:50,000 --> 00:18:51,000
Yikes!

469
00:18:51,000 --> 00:18:52,000
Help!

470
00:18:52,000 --> 00:18:54,000
thud

471
00:18:54,000 --> 00:18:56,000
Cut. Print it.

472
00:18:56,000 --> 00:18:57,000
You're a natural, Fred.

473
00:18:57,000 --> 00:19:00,000
'I can see you're cut out for this easy life.'

474
00:19:00,000 --> 00:19:02,000
Oh, boy.

475
00:19:04,000 --> 00:19:07,000
Slave boy, you're about to meet your end.

476
00:19:07,000 --> 00:19:09,000
Ha ha, you don't frighten me.

477
00:19:09,000 --> 00:19:11,000
We'll see how you feel when the ferocious trucadorus

478
00:19:12,000 --> 00:19:13,000
enters the arena.

479
00:19:13,000 --> 00:19:15,000
Trucadorus, huh? Only one, huh?

480
00:19:15,000 --> 00:19:18,000
'Alright, we'll make it three.'

481
00:19:18,000 --> 00:19:21,000
Cut. Get in there, Flintstone, and make it look good.

482
00:19:21,000 --> 00:19:23,000
Ah, be.. Yes, sir.

483
00:19:23,000 --> 00:19:25,000
Make it look good, he says.

484
00:19:27,000 --> 00:19:28,000
This is your big scene, Fred.

485
00:19:28,000 --> 00:19:30,000
But-but now, what do I do?

486
00:19:30,000 --> 00:19:33,000
Just stand here and look brave. See you later, Fred.

487
00:19:34,000 --> 00:19:36,000
Alright. Roll 'em.

488
00:19:36,000 --> 00:19:38,000
Let the trucadoruses in.

489
00:19:42,000 --> 00:19:45,000
What the..

490
00:19:45,000 --> 00:19:48,000
Help! Help!

491
00:19:51,000 --> 00:19:52,000
thud

492
00:19:52,000 --> 00:19:54,000
Great, Fred, great.

493
00:19:54,000 --> 00:19:55,000
Now, in the next scene, you really act.

494
00:19:56,000 --> 00:19:58,000
You meet the man-eating crocodile.

495
00:19:58,000 --> 00:20:00,000
Man eating crocodiles?

496
00:20:00,000 --> 00:20:01,000
Hold it, Stoney. Hold it.

497
00:20:02,000 --> 00:20:04,000
I-I've been thinking about this acting business

498
00:20:05,000 --> 00:20:06,000
and it's not for me.

499
00:20:06,000 --> 00:20:10,000
I'm too rugged for this soft life.

500
00:20:10,000 --> 00:20:13,000
I understand, Fred. Come on, I'll take you home.

501
00:20:16,000 --> 00:20:18,000
I owe you an apology, Stoney.

502
00:20:18,000 --> 00:20:22,000
You're not a spoilt softy after all, you're a regular guy.

503
00:20:22,000 --> 00:20:24,000
And I am no actor.

504
00:20:24,000 --> 00:20:27,000
Thanks, Fred. I didn't mean it to be so rough on you.

505
00:20:27,000 --> 00:20:30,000
No, I'm glad it was. Knocked some sense into me.

506
00:20:30,000 --> 00:20:33,000
'All I know is if my boss'll take me back'

507
00:20:33,000 --> 00:20:35,000
'I'll be glad to be plain old Fred Flintstone'

508
00:20:35,000 --> 00:20:37,000
'and live right here in Bedrock.'

509
00:20:37,000 --> 00:20:40,000
I'm afraid it's not gonna be quite that easy, Fred.

510
00:20:40,000 --> 00:20:43,000
- Huh? - A man bought our house today.

511
00:20:43,000 --> 00:20:46,000
He's bringing his wife over tonight to look at it.

512
00:20:46,000 --> 00:20:50,000
- He can't do that. - Gee, I'm afraid he can.

513
00:20:50,000 --> 00:20:53,000
I signed a contract with a real estate agent this morning

514
00:20:53,000 --> 00:20:55,000
and told him I wanted immediate action.

515
00:20:55,000 --> 00:20:58,000
Oh, Fred, what will we do?

516
00:20:58,000 --> 00:21:00,000
I don't wanna move.

517
00:21:00,000 --> 00:21:02,000
Wait a minute. You said he's coming over tonight?

518
00:21:02,000 --> 00:21:04,000
- 'Uh-huh.' - Hm.

519
00:21:04,000 --> 00:21:08,000
I did a scene in a movie once. It just might work.

520
00:21:08,000 --> 00:21:10,000
- Wanna give it a try? - You bet.

521
00:21:10,000 --> 00:21:12,000
- Anything. - Okay.

522
00:21:12,000 --> 00:21:14,000
Now, here's your chance to be an actor, Fred.

523
00:21:16,000 --> 00:21:19,000
Oh, I love it, really, it's just perfect.

524
00:21:19,000 --> 00:21:20,000
Then we'll take it.

525
00:21:20,000 --> 00:21:22,000
And don't try to weasel out, Flintstone.

526
00:21:22,000 --> 00:21:25,000
We got the signed contract you left with the agent.

527
00:21:25,000 --> 00:21:28,000
Weasel out? Me? Not on your life.

528
00:21:28,000 --> 00:21:30,000
I'm all packed and ready to move right now.

529
00:21:30,000 --> 00:21:31,000
[doorbell dinging]

530
00:21:31,000 --> 00:21:33,000
I'll get it.

531
00:21:33,000 --> 00:21:34,000
[door opening]

532
00:21:34,000 --> 00:21:37,000
Oh, Hello, there.

533
00:21:37,000 --> 00:21:38,000
Hiya, Wilma baby?

534
00:21:38,000 --> 00:21:40,000
Tiger.

535
00:21:40,000 --> 00:21:42,000
Who's that?

536
00:21:42,000 --> 00:21:46,000
Valentino Amoro. Our next door neighbor.

537
00:21:46,000 --> 00:21:47,000
He's just a neighbor?

538
00:21:47,000 --> 00:21:49,000
Yeah, friend of the wife.

539
00:21:49,000 --> 00:21:52,000
I'll introduce you right after they break it up.

540
00:21:52,000 --> 00:21:56,000
Say, who is this enchantress?

541
00:21:56,000 --> 00:21:58,000
Been holding out on your old pal, huh?

542
00:21:58,000 --> 00:22:01,000
Uh, this is Mrs. Rockindorff.

543
00:22:01,000 --> 00:22:04,000
She's gonna be your new neighbor, Valentino.

544
00:22:04,000 --> 00:22:06,000
Well, well, well.

545
00:22:06,000 --> 00:22:07,000
How charming.

546
00:22:08,000 --> 00:22:10,000
And your first name, my little dove?

547
00:22:10,000 --> 00:22:12,000
Ma-Ma-Ma...Mabel.

548
00:22:12,000 --> 00:22:13,000
Oh, lovely.

549
00:22:13,000 --> 00:22:17,000
Tell me, Mabel, do you believe in the good neighbor policy?

550
00:22:18,000 --> 00:22:19,000
You say he lives next door?

551
00:22:19,000 --> 00:22:21,000
Yeah! He's an artist.

552
00:22:21,000 --> 00:22:23,000
He's home all day.

553
00:22:23,000 --> 00:22:26,000
Oh, Fred, I can't leave.

554
00:22:26,000 --> 00:22:27,000
I just couldn't stand it.

555
00:22:28,000 --> 00:22:30,000
My whole life is here. Oh!

556
00:22:30,000 --> 00:22:32,000
[crying]

557
00:22:32,000 --> 00:22:34,000
She must really like this house.

558
00:22:34,000 --> 00:22:38,000
Uh, let's just say she digs the neighborhood.

559
00:22:38,000 --> 00:22:41,000
Mabel, my dear, may I show you the garden?

560
00:22:41,000 --> 00:22:43,000
- By moonlight? - Love to.

561
00:22:43,000 --> 00:22:45,000
[laughing]

562
00:22:45,000 --> 00:22:48,000
Just a minute, it's kinda dark out there.

563
00:22:48,000 --> 00:22:49,000
(Valentino) 'Of course.'

564
00:22:49,000 --> 00:22:52,000
I'd love to paint your picture someday

565
00:22:52,000 --> 00:22:54,000
'if I could get some fire-proof canvas.'

566
00:22:54,000 --> 00:22:57,000
I see now, why your wife doesn't wanna leave here.

567
00:22:57,000 --> 00:22:59,000
Uh, yeah, tell you what, Rockindorff

568
00:22:59,000 --> 00:23:01,000
I'll knock off a thousand bucks.

569
00:23:01,000 --> 00:23:03,000
Mabel, come back here.

570
00:23:03,000 --> 00:23:06,000
I'll make it 2,000, your wife will love it here.

571
00:23:08,000 --> 00:23:10,000
That's what I'm afraid of. The deal's off, Flintstone.

572
00:23:10,000 --> 00:23:13,000
I wouldn't take this house if you gave it to me for nothing.

573
00:23:13,000 --> 00:23:16,000
Hey, Mabel...let's go home.

574
00:23:18,000 --> 00:23:20,000
Ooh! Fred, it worked.

575
00:23:20,000 --> 00:23:22,000
Yabba dabba doo!

576
00:23:22,000 --> 00:23:25,000
[laughing] Oh, thanks to Stoney, we have our house back.

577
00:23:27,000 --> 00:23:31,000
I gotta admit. You two did a great job of acting.

578
00:23:31,000 --> 00:23:34,000
- 'I'm proud of you.' - Oh, thanks, Stoney.

579
00:23:34,000 --> 00:23:35,000
We'll always be grateful.

580
00:23:35,000 --> 00:23:38,000
So long, folks, See you in the movies.

581
00:23:38,000 --> 00:23:40,000
So long, Stoney.

582
00:23:40,000 --> 00:23:43,000
Fred, did you hear what he said?

583
00:23:43,000 --> 00:23:45,000
Huh? What do you mean?

584
00:23:45,000 --> 00:23:49,000
He said I did a great acting job.

585
00:23:49,000 --> 00:23:50,000
So?

586
00:23:50,000 --> 00:23:51,000
So I was thinking

587
00:23:52,000 --> 00:23:55,000
maybe there's a part for me in his next picture.

588
00:23:55,000 --> 00:23:56,000
Are you kiddin'?

589
00:23:56,000 --> 00:23:59,000
Oh, Stoney, just a minute.

590
00:23:59,000 --> 00:24:01,000
I wanna talk to you.

591
00:24:01,000 --> 00:24:03,000
Wilma, come back here.

592
00:24:04,000 --> 00:24:06,000
Now, cut it out, Wilma.

593
00:24:06,000 --> 00:24:09,000
No more actors in this house.

594
00:24:09,000 --> 00:24:12,000
Wi-i-ilma-a-a-a!

595
00:24:15,000 --> 00:24:17,000
[theme song]

596
00:24:18,000 --> 00:24:20,000
♪ Flintstones meet the Flintstones ♪

597
00:24:20,000 --> 00:24:24,000
♪ They're the modern Stone Age family ♪

598
00:24:24,000 --> 00:24:26,000
♪ From the town of Bedrock ♪

599
00:24:27,000 --> 00:24:30,000
♪ They're a page right out of history ♪

600
00:24:30,000 --> 00:24:33,000
♪ Someday maybe Fred will win the fight ♪

601
00:24:33,000 --> 00:24:36,000
♪ Then that cat will stay out for the night ♪

602
00:24:36,000 --> 00:24:39,000
♪ When you're with the Flintstones ♪

603
00:24:39,000 --> 00:24:41,000
♪ Have a yabba-dabba-doo time ♪

604
00:24:41,000 --> 00:24:42,000
♪ A dabba-doo time ♪

605
00:24:43,000 --> 00:24:45,000
♪ We'll have a gay old time ♪

606
00:24:52,000 --> 00:24:55,000
♪ We'll have a gay old time ♪

607
00:24:55,000 --> 00:24:58,000
Wilma-a-a-a!