1 00:00:06,083 --> 00:00:08,385 [TAPPING] 2 00:00:10,654 --> 00:00:11,888 LITTLE BROTHER? 3 00:00:11,955 --> 00:00:14,091 YES. IT IS I. 4 00:00:15,492 --> 00:00:19,130 AH, THOSE WORDS ARE LIKE A BENEDICTION. 5 00:00:19,196 --> 00:00:23,033 NOW THE DAY HAS MEANING AND PURPOSE. 6 00:00:23,100 --> 00:00:25,969 I SENT FOR YOU, LITTLE BROTHER, 7 00:00:26,036 --> 00:00:29,306 BECAUSE MY CHURCH IS BEING TAKEN FROM ME. 8 00:00:29,373 --> 00:00:30,974 BUT IT IS YOUR CHURCH. 9 00:00:31,041 --> 00:00:35,011 YOU WILL REMEMBER I NEEDED A STEEPLE, 10 00:00:35,078 --> 00:00:37,381 AND I ADDED OTHER TRAPPINGS, 11 00:00:37,448 --> 00:00:40,617 BORROWING $2,000 TO PAY FOR IT. 12 00:00:42,353 --> 00:00:46,757 THE LOAN IS DUE. I CANNOT MEET IT. 13 00:00:46,823 --> 00:00:49,526 YOU KNOW I HAVE NO MONEY. 14 00:00:49,593 --> 00:00:52,529 THAT IS NOT WHY I SENT FOR YOU, LITTLE BROTHER. 15 00:00:56,867 --> 00:00:59,470 COME ALONG. 16 00:00:59,536 --> 00:01:04,074 UH...BEHOLD. 17 00:01:04,141 --> 00:01:07,978 A CARNIVAL TRINKET NOT WORTH A QUARTER WHEN IT WAS PURCHASED. 18 00:01:08,044 --> 00:01:11,282 YOU SEE, BEFORE I ENTERED THE LORD'S SERVICE, 19 00:01:11,348 --> 00:01:15,152 I WAS IN A TRAVELING SHOW. 20 00:01:15,219 --> 00:01:18,555 I HAD A PARTNER-- JENNY MALONE. 21 00:01:18,622 --> 00:01:23,460 JOHNSON AND JENNY. WE PROSPERED. 22 00:01:23,527 --> 00:01:28,565 BUT ONE MORNING, JENNY WAS GONE WITH $1,000 OF MINE. 23 00:01:28,632 --> 00:01:31,134 BUT WHY DID YOU SEND FOR ME? 24 00:01:31,202 --> 00:01:35,606 LONG, LONG AGO, I GAVE THIS TRINKET TO JENNY. 25 00:01:35,672 --> 00:01:37,107 LAST SUNDAY, IT WAS DROPPED 26 00:01:37,174 --> 00:01:40,211 INTO MY COLLECTION PLATE BY A DRIFTER. 27 00:01:40,277 --> 00:01:42,112 I QUESTIONED THE DRIFTER. 28 00:01:42,179 --> 00:01:47,050 I LEARNED THAT JENNY NOW RUNS THE PARADISE SALOON IN ARIZONA CITY. 29 00:01:47,117 --> 00:01:49,686 SHE HAS SENT ME A SIGN. 30 00:01:53,257 --> 00:01:54,491 SHE NEEDS ME FOR SOMETHING, 31 00:01:54,558 --> 00:01:58,462 BUT THIS TIME, I'M READY FOR HER. 32 00:01:58,529 --> 00:02:03,300 THAT $1,000 IS GOING TO BE 2,000 WITH INTEREST. 33 00:02:03,367 --> 00:02:06,337 I'M GOING TO SAVE MY CHURCH, LITTLE BROTHER. 34 00:02:06,403 --> 00:02:08,505 THAT'S WHY I SENT FOR YOU. 35 00:02:08,572 --> 00:02:10,374 I'M GOING TO ARIZONA CITY, 36 00:02:10,441 --> 00:02:12,443 AND I NEED A PAIR OF EYES. 37 00:02:12,509 --> 00:02:15,078 SERENITY, THERE ARE OTHERS WITH EYES WHO CAN LEAD YOU. 38 00:02:15,145 --> 00:02:17,881 NONE WHOM I TRUST. 39 00:02:17,948 --> 00:02:19,216 THERE IS SOMETHING YOU WANT. 40 00:02:19,283 --> 00:02:20,851 YOU WISH TO SAVE YOUR CHURCH. 41 00:02:20,917 --> 00:02:22,219 BUT I ALSO HAVE WANT. 42 00:02:22,286 --> 00:02:24,588 I KNOW I'M SELFISH. IT'S A PRIVILEGE 43 00:02:24,655 --> 00:02:27,558 WE ABROGATE TO OURSELVES WHEN WE GROW OLD. 44 00:02:27,624 --> 00:02:29,826 SERENITY, I WOULD LIKE TO HELP YOU, 45 00:02:29,893 --> 00:02:31,495 BUT I CANNOT PAUSE NOW. 46 00:02:31,562 --> 00:02:33,597 YOU ARE LOOKING FOR YOUR BROTHER. 47 00:02:33,664 --> 00:02:35,566 I KNOW WHAT IT MEANS TO YOU. 48 00:02:35,632 --> 00:02:38,402 IF IT WERE JUST A MATTER OF MONEY 49 00:02:38,469 --> 00:02:40,971 OR JUST A MATTER OF THE CHURCH... 50 00:02:41,037 --> 00:02:42,906 WHAT ELSE? 51 00:02:42,973 --> 00:02:46,410 I'M FEELING MY MORTALITY, LITTLE BROTHER. 52 00:02:49,045 --> 00:02:50,514 WILL YOU COME? 53 00:02:57,120 --> 00:02:58,455 I WILL COME. 54 00:03:01,958 --> 00:03:04,428 [THEME MUSIC] 55 00:03:49,773 --> 00:03:52,743 Master Kan: YOUR TREAD MUST BE LIGHT AND SURE, 56 00:03:52,809 --> 00:03:55,546 AS THOUGH YOUR PATH WERE UPON RICE PAPER. 57 00:03:57,914 --> 00:04:02,353 IT IS SAID A SHAOLIN PRIEST CAN WALK THROUGH WALLS. 58 00:04:02,419 --> 00:04:05,255 LOOKED FOR, HE CANNOT BE SEEN. 59 00:04:05,322 --> 00:04:07,090 LISTENED FOR, 60 00:04:07,157 --> 00:04:08,625 HE CANNOT BE HEARD. 61 00:04:08,692 --> 00:04:09,826 TOUCHED, 62 00:04:09,893 --> 00:04:12,095 HE CANNOT BE FELT. 63 00:04:12,162 --> 00:04:14,631 THIS RICE PAPER IS THE TEST-- 64 00:04:14,698 --> 00:04:17,768 FRAGILE AS THE WINGS OF THE DRAGONFLY, 65 00:04:17,834 --> 00:04:21,805 CLINGING AS THE COCOON OF THE SILKWORM. 66 00:04:21,872 --> 00:04:26,276 WHEN YOU CAN WALK ITS LENGTH AND LEAVE NO TRACE, 67 00:04:26,343 --> 00:04:28,345 YOU WILL HAVE LEARNED. 68 00:04:36,186 --> 00:04:38,489 [PIANO MUSIC PLAYING IN DISTANCE] 69 00:04:50,867 --> 00:04:52,669 [WOMEN LAUGHING] 70 00:04:56,473 --> 00:05:00,043 HA HA! WE ARE IN THE VIXENS' DEN. 71 00:05:12,956 --> 00:05:14,324 OH! 72 00:05:14,391 --> 00:05:16,693 WHAT IS IT, SERENITY? 73 00:05:16,760 --> 00:05:21,598 A SMALL, PASSING WARNING. THEY COME NOW AND THEN. 74 00:05:21,665 --> 00:05:24,435 YOU MUST REST AFTER THIS JOURNEY. 75 00:05:24,501 --> 00:05:28,038 I DIDN'T COME TO ARIZONA CITY TO REST. 76 00:05:28,104 --> 00:05:32,308 IF YOU DO NOT REST, YOU WILL NOT BE STRONG ENOUGH 77 00:05:32,375 --> 00:05:34,010 TO ACCOMPLISH ANYTHING. 78 00:05:44,020 --> 00:05:45,055 JENNY GIRL! 79 00:05:45,121 --> 00:05:47,991 COME IN, BOYS. COME IN, COME IN, COME IN. 80 00:05:48,058 --> 00:05:49,726 GLAD TO HAVE YOU WITH US. 81 00:05:49,793 --> 00:05:51,394 STAY AWHILE AND PLAY AWHILE. 82 00:05:51,462 --> 00:05:54,598 WE GOT EVERYTHING YOU NEED, GENTS, AND EVERYTHING'S FOR SALE. 83 00:05:54,665 --> 00:05:56,700 I WANT YOU, JENNY! 84 00:05:56,767 --> 00:05:58,435 HA HA HA! 85 00:06:01,004 --> 00:06:04,541 WELL, I, UH, I ADMIRE YOUR TASTE. 86 00:06:04,608 --> 00:06:08,278 HAVE A DRINK. 87 00:06:08,344 --> 00:06:12,148 HEY, YOU. 88 00:06:12,215 --> 00:06:16,953 IF YOU HAVE ANY TROUBLE HOLDING YOUR DRINK, MAYBE I CAN HELP. 89 00:06:17,020 --> 00:06:18,121 I NEVER NEED HELP. 90 00:06:18,188 --> 00:06:20,591 GOOD. THEN THERE'S PLENTY OF ROOM AT THE BAR. 91 00:06:20,657 --> 00:06:23,393 DON'T LET ME KEEP YOU. 92 00:06:23,460 --> 00:06:25,729 LOOK, I HAVE CUSTOMERS, FRIEND. 93 00:06:25,796 --> 00:06:27,598 I'M NO FRIEND. I'M BIX COURTNEY. 94 00:06:27,664 --> 00:06:29,833 YOU KNOW THAT. YOU KNOW WHY I'M HERE. 95 00:06:29,900 --> 00:06:33,203 OF COURSE. I RUN THE BEST SALOON IN ARIZONA. 96 00:06:33,269 --> 00:06:36,039 YOU WANT TO WASTE TIME WITH THAT KIND OF TALK, ALRIGHT 97 00:06:36,106 --> 00:06:39,976 BUT YOUR TIME IS RUNNING OUT. YOUR FRIEND IS DEAD. 98 00:06:40,043 --> 00:06:42,479 I DON'T MAKE FRIENDS WITH GUNSLINGERS. 99 00:06:42,546 --> 00:06:47,317 HE WAS NO GUNSLINGER, BUT A CHEAP SADDLE BUM, AND A CROOK TO BOOT. 100 00:06:47,383 --> 00:06:51,121 WELL, HE WAS A FRIEND OF YOURS, 101 00:06:51,187 --> 00:06:53,490 AND HE DID SOMETHING STUPID, 102 00:06:53,557 --> 00:06:55,892 WHICH IS WHY HE'S DEAD. 103 00:06:55,959 --> 00:07:00,463 HE TOOK SOMETHING THAT BELONGED TO ME. 104 00:07:00,531 --> 00:07:04,968 ARE YOU TRYING TO TELL ME THAT THIS WAS YOUR PROPERTY, SOMETHING THAT YOU OWNED? 105 00:07:05,035 --> 00:07:06,970 SOMETHING THAT I HAD. 106 00:07:11,274 --> 00:07:13,343 MY BROTHERS LARD AND SPIFF 107 00:07:13,409 --> 00:07:16,446 HAVE BEEN HERE ALL WEEK, AND NOTHING'S GONE OUT EXCEPT TRASH, 108 00:07:16,513 --> 00:07:18,448 AND THEY CHECKED IT EVERY DAY, 109 00:07:18,515 --> 00:07:19,983 SO IT'S HERE. 110 00:07:24,387 --> 00:07:27,758 NOW, JENNY, WOMEN DIE, TOO, 111 00:07:27,824 --> 00:07:30,060 AND THEY DIE NO HARDER THAN MEN. 112 00:07:32,262 --> 00:07:33,764 I'LL BE AROUND. 113 00:07:42,973 --> 00:07:45,676 IF I REMEMBER JENNY MALONE, 114 00:07:45,742 --> 00:07:46,977 SHE'LL KNOW I'M IN TOWN 115 00:07:47,043 --> 00:07:49,913 BEFORE I STRETCH OUT ON THIS BED. 116 00:07:49,980 --> 00:07:53,149 THEN YOU MUST STRETCH OUT ON THIS BED. 117 00:07:53,216 --> 00:07:54,851 WE WILL WAIT FOR HER. 118 00:07:56,419 --> 00:08:01,357 I DO NOT LIKE TAKING ORDERS FROM MY JUNIORS, LITTLE BROTHER. 119 00:08:01,424 --> 00:08:05,562 YOU CAN AVOID THAT BY NO LONGER CALLING ON YOUR JUNIORS. 120 00:08:05,629 --> 00:08:09,099 OH. HA HA HA! 121 00:08:10,634 --> 00:08:11,968 [SIGHS] 122 00:08:19,275 --> 00:08:23,213 HELLO, ARTHUR. PLAYER SAYS THAT'S GOLD. 123 00:08:23,279 --> 00:08:25,215 HE WANTS $200 FOR IT. 124 00:08:27,283 --> 00:08:30,186 OH, JENNY, THAT DUDE YOU'VE BEEN EXPECTING 125 00:08:30,253 --> 00:08:32,422 CAME IN ON TODAY'S STAGE. 126 00:08:32,488 --> 00:08:35,258 IT'S, UH, SERENITY JOHNSON? 127 00:08:35,325 --> 00:08:36,492 ALRIGHT. 128 00:08:36,559 --> 00:08:39,395 HE'S IN THE FRONTIER HOTEL. 129 00:08:39,462 --> 00:08:42,799 HE'LL BE AROUND. THANKS, FRED. 130 00:08:42,866 --> 00:08:47,137 BIX COURTNEY IS AN EVIL MAN, JENNY, A DANGEROUS MAN, 131 00:08:47,203 --> 00:08:50,573 MAYBE THE MOST DANGEROUS IN ARIZONA. 132 00:08:50,641 --> 00:08:52,375 THIS ISN'T THE BOONDOCKS. 133 00:08:52,442 --> 00:08:54,444 WE DO HAVE A SHERIFF. 134 00:08:54,510 --> 00:08:56,212 THE SHERIFF IS AFRAID, TOO. 135 00:08:56,279 --> 00:08:57,313 OH! 136 00:09:15,365 --> 00:09:16,900 YOU DO NOT LOOK WELL. 137 00:09:16,967 --> 00:09:21,638 I WAS NOT BORN A DESCENDANT OF APOLLO, LITTLE BROTHER. 138 00:09:23,306 --> 00:09:24,540 YOU ARE ILL. 139 00:09:24,607 --> 00:09:26,777 IT PASSES. 140 00:09:26,843 --> 00:09:30,146 WITHIN THE HOUR, I'LL BE MY OLD SELF 141 00:09:30,213 --> 00:09:32,749 FOR A LITTLE WHILE. 142 00:09:38,689 --> 00:09:41,057 TAKE THIS TO JENNY MALONE. 143 00:11:00,236 --> 00:11:02,372 YOU KNOW WHAT I LIKE, DON'T YOU? 144 00:11:05,742 --> 00:11:10,013 Man: NO LATE BETS. 100? HOW ABOUT YOU? 145 00:11:10,080 --> 00:11:11,915 100 GOES. RIGHT. HOW ABOUT YOU? 146 00:11:11,982 --> 00:11:15,085 OKAY, YOU'RE COVERED. HA HA HA! 147 00:11:15,151 --> 00:11:16,987 [ALL TALKING AND LAUGHING AT ONCE] 148 00:11:18,889 --> 00:11:20,723 Jenny: MAKE WAY FOR 2 THIRSTY GENTS! 149 00:11:20,791 --> 00:11:22,793 STEP UP TO THE BAR, BOYS, 150 00:11:22,859 --> 00:11:25,829 AND THE FIRST DRINK WILL BE ON THE HOUSE. 151 00:11:25,896 --> 00:11:28,198 Man: THANK YOU. THANK YOU VERY MUCH. 152 00:11:31,234 --> 00:11:33,736 OH, I'M WEARY. 153 00:11:33,804 --> 00:11:38,975 I'VE BEEN ON MY FEET TOO LONG. I'VE GOT TO SIT DOWN FOR A WHILE. 154 00:11:39,042 --> 00:11:40,476 Arthur: I'LL BE HERE. 155 00:11:40,543 --> 00:11:43,613 I KNOW. THAT'S WHY I CAN SIT DOWN FOR A WHILE. 156 00:11:43,679 --> 00:11:45,681 JENNY MALONE? 157 00:11:45,748 --> 00:11:49,552 WELL, IF YOU HAVE TO ASK, YOU MUST BE FROM SOMEPLACE FAR AWAY. 158 00:11:49,619 --> 00:11:53,356 I HAVE SOMETHING FOR YOU. 159 00:11:53,423 --> 00:11:57,093 FROM THE LOOKS OF YOU, MY FRIEND, I DOUBT THAT VERY, VERY MUCH. 160 00:12:06,169 --> 00:12:09,372 THERE MUST BE 8,000 OF THESE FLOATING AROUND THE COUNTRY, 161 00:12:09,439 --> 00:12:10,974 AND ALL EXACTLY ALIKE. 162 00:12:11,041 --> 00:12:14,845 SERENITY JOHNSON SAYS THIS ONE BELONGS TO YOU. 163 00:12:14,911 --> 00:12:17,713 NOBODY KNOWS WHAT BELONGS TO ME BUT ME. 164 00:12:17,780 --> 00:12:19,449 YET YOU KEEP IT. 165 00:12:19,515 --> 00:12:20,851 JUST TO WIN THE ARGUMENT. 166 00:12:20,917 --> 00:12:22,485 I AM NOT ARGUING. 167 00:12:22,552 --> 00:12:24,487 MAYBE YOU WON'T MIND IF I CLOSE 168 00:12:24,554 --> 00:12:26,556 THIS STIMULATING CONVERSATION. 169 00:12:28,024 --> 00:12:32,829 Arthur: FOOD CAN BE PROVIDED IF YOU WISH TO EAT. 170 00:12:32,896 --> 00:12:36,032 YOU ARE KIND. THANK YOU. 171 00:12:38,268 --> 00:12:39,435 I HAVE EATEN. 172 00:12:39,502 --> 00:12:44,707 I DO NOT WISH TO PRY, BUT DO YOU REMAIN 173 00:12:44,774 --> 00:12:48,244 IN ARIZONA CITY FOR A CONSIDERABLE PERIOD? 174 00:12:48,311 --> 00:12:50,146 NO. 175 00:12:50,213 --> 00:12:53,749 UH, SINCE I AM FAMILIAR HERE, 176 00:12:53,816 --> 00:12:57,787 PLEASE CONSIDER ME A SOURCE OF INFORMATION 177 00:12:57,854 --> 00:12:59,589 AND ASSISTANCE. 178 00:12:59,655 --> 00:13:02,192 YOU ARE GENEROUS. 179 00:13:02,258 --> 00:13:06,062 WE ARE NOT STRANGERS, YOU AND I. 180 00:13:06,129 --> 00:13:10,766 Man: YEAH! HA HA! HE NEEDS MORE MONEY. 181 00:13:10,833 --> 00:13:13,303 THIS RING'S WORTH 500, CHAN. 182 00:13:13,369 --> 00:13:15,771 I'LL TAKE 100. 183 00:13:15,838 --> 00:13:19,009 I'VE BEEN LOSING. NOW'S MY CHANCE TO GET EVEN. 184 00:13:19,075 --> 00:13:21,611 LET'S GO. LET'S GO. I'M IN A HURRY. 185 00:13:21,677 --> 00:13:24,847 WILL YOU HURRY UP? I NEED THAT 100! 186 00:13:24,915 --> 00:13:27,717 YOUR RING IS WORTHLESS. 187 00:13:27,783 --> 00:13:29,552 YOU'RE A LIAR! 188 00:13:29,619 --> 00:13:33,756 IT'S NOT A DIAMOND. IT'S NOT A PRECIOUS STONE OF ANY SPECIES. 189 00:13:33,823 --> 00:13:36,726 I TOLD YOU, I PAID 500 FOR IT! 190 00:13:36,792 --> 00:13:38,528 IF THAT IS TRUE, YOU WERE CHEATED. 191 00:13:38,594 --> 00:13:42,532 WHAT DO YOU MEAN, "IF IT'S TRUE"? I TOLD YOU IT'S TRUE! 192 00:13:42,598 --> 00:13:45,801 THEN YOU AND I HAVE NOTHING MORE TO SAY TO EACH OTHER. 193 00:13:45,868 --> 00:13:47,203 LISTEN, YOU! 194 00:14:03,186 --> 00:14:07,690 Man: GET UP. THERE YOU GO, BUDDY. 195 00:14:07,757 --> 00:14:09,759 YOU ALRIGHT? 196 00:14:09,825 --> 00:14:12,862 PLEASE SIT DOWN. MILT! YEAH? 197 00:14:12,929 --> 00:14:15,298 TAKE HIS BET. I'LL COVER IT. 198 00:14:15,365 --> 00:14:16,399 ALRIGHT. 199 00:14:24,074 --> 00:14:25,475 Milt: WHAT'LL YOU DO? 200 00:14:25,541 --> 00:14:26,442 Angry man: BET 100. 201 00:14:26,509 --> 00:14:30,046 100. I'LL SEE IT. WHAT DO YOU GOT? 202 00:14:30,113 --> 00:14:32,615 1, 2, 3, QUEENS. 203 00:14:32,682 --> 00:14:34,384 JUST A MINUTE. YOU LOSE. 204 00:14:34,450 --> 00:14:37,453 I'VE GOT A STRAIGHT-- 5, 6, 7, 8, 9. 205 00:14:39,422 --> 00:14:42,892 WAIT! TAKE YOUR GLASS WITH YOU. 206 00:14:42,959 --> 00:14:44,260 [RING HITS FLOOR] 207 00:14:46,562 --> 00:14:50,633 Fred: ALRIGHT, THERE'S BEEN ENOUGH ROUGHHOUSING AROUND HERE. 208 00:14:50,700 --> 00:14:52,168 NOW PLAY. 209 00:14:53,836 --> 00:14:56,539 OUT! AND RIGHT NOW! 210 00:15:02,178 --> 00:15:03,913 [QUIETLY] STAY CLOSE. 211 00:15:03,980 --> 00:15:05,315 [LOUDLY] COME ON. 212 00:15:05,381 --> 00:15:07,550 Milt: ALRIGHT, BOYS, ONE SEAT OPEN. COME ON. 213 00:15:07,617 --> 00:15:11,021 ANYBODY WANNA PLAY? HOW ABOUT ONE OF YOU GET IN THE GAME HERE? 214 00:15:11,087 --> 00:15:12,555 EVERYBODY WINS AROUND HERE. 215 00:15:12,622 --> 00:15:15,725 MISS JENNY'S WAITING FOR YOU AROUND THE SIDE. 216 00:15:23,266 --> 00:15:25,635 LET'S HAVE A LOOK AT THAT CAVALIER. 217 00:15:53,796 --> 00:15:57,767 SHERIFF, MY BADGE, MY COMMISSION. 218 00:15:57,833 --> 00:15:59,302 FEDERAL MARSHAL. 219 00:16:03,773 --> 00:16:04,774 HUH. 220 00:16:06,409 --> 00:16:09,045 WELL, WHAT BRINGS YOU HERE, MARSHAL? 221 00:16:09,112 --> 00:16:13,449 SILVER BULLION, 80 POUNDS OF IT. 222 00:16:13,516 --> 00:16:17,220 HUH? YOU MEAN THOSE STOLEN SILVER BARS? 223 00:16:17,287 --> 00:16:20,123 HA HA! WELL, THAT STUFF WAS TAKEN 200 MILES FROM HERE. 224 00:16:20,190 --> 00:16:21,924 YOU'RE EVEN IN THE WRONG COUNTY. 225 00:16:21,991 --> 00:16:25,628 THEY DON'T PAY ME TO MAKE MISTAKES. 226 00:16:25,695 --> 00:16:27,430 UH, MAY I? 227 00:16:31,134 --> 00:16:34,370 NOW, MY GUESS IS, THEY'VE GOT THAT SILVER HID. 228 00:16:34,437 --> 00:16:37,740 THEY'RE GOING TO WAIT FOR THE CHASE TO PETER DOWN. 229 00:16:37,807 --> 00:16:42,011 SADDLE BUM WAS KILLED ABOUT 10 DAYS AGO, WEST OF HERE. 230 00:16:42,078 --> 00:16:44,747 HE WAS DRUNK THE NIGHT BEFORE. 231 00:16:44,814 --> 00:16:47,383 CLAIMED HE STRUCK IT RICH. 232 00:16:47,450 --> 00:16:52,522 HE SAID HE HAD A LOAD OF SILVER HID AWAY. 233 00:16:52,588 --> 00:16:54,324 HMM. HUH. 234 00:16:54,390 --> 00:16:58,494 MINERS SAY BAGS OF SILVER, NOT LOADS. 235 00:16:58,561 --> 00:17:01,464 MY MEN WENT THROUGH THE DEAD MAN'S STUFF. 236 00:17:01,531 --> 00:17:02,798 FOUND THIS. 237 00:17:06,802 --> 00:17:08,271 PARADISE SALOON. 238 00:17:13,576 --> 00:17:14,677 [SNIFFING] 239 00:17:14,744 --> 00:17:18,148 MMM. YOU'RE WEARING A BETTER PERFUME, JENNY. 240 00:17:18,214 --> 00:17:20,583 YES. I CAN AFFORD IT NOW. 241 00:17:20,650 --> 00:17:22,218 WHAT SHE MEANS, LITTLE BROTHER, 242 00:17:22,285 --> 00:17:24,520 IS THAT SHE COULDN'T WHEN SHE WAS WITH ME. 243 00:17:24,587 --> 00:17:26,189 NOTHING WRONG WITH YOUR MEMORY, 244 00:17:26,256 --> 00:17:28,458 BUT OLD AGE HAS CAUGHT UP WITH YOUR MANNERS. 245 00:17:28,524 --> 00:17:32,728 REMEMBER WHEN YOU'D GET TO YOUR FEET WHEN A LADY WOULD COME THROUGH THE DOOR. 246 00:17:32,795 --> 00:17:35,064 HE HAS BEEN ILL. 247 00:17:35,131 --> 00:17:36,599 LEAVE US NOW, LITTLE BROTHER. 248 00:17:36,666 --> 00:17:39,802 WHAT JENNY AND I HAVE TO SAY WOULD ONLY BORE YOU. 249 00:17:48,778 --> 00:17:51,214 WELL, NOW. 250 00:17:51,281 --> 00:17:55,251 YOU'RE NOT EXACTLY, UH, LIVING DELUXE. 251 00:17:55,318 --> 00:17:58,554 YOU DIDN'T SEND EXPENSES WITH THAT HATPIN, JENNY. 252 00:17:58,621 --> 00:18:02,925 HA HA! I DIDN'T THINK THAT YOU'D TAKE MONEY FROM A WOMAN. 253 00:18:02,992 --> 00:18:06,529 I WOULD IF IT'S MINE. 254 00:18:06,596 --> 00:18:11,334 YOU OWE ME, LITTLE LADY--$2,000. 255 00:18:11,401 --> 00:18:14,170 YOU NOT ONLY LOST YOUR MIND, YOU LOST YOUR MEMORY, TOO. 256 00:18:14,237 --> 00:18:16,339 YOU LEFT WITH 1,000 OF MY MONEY. 257 00:18:16,406 --> 00:18:18,574 I'M ONLY ADDING FAIR INTEREST. 258 00:18:18,641 --> 00:18:20,943 SO THAT'S WHY YOU WANTED TO SEE ME. 259 00:18:21,010 --> 00:18:23,979 AS USUAL, YOU'VE REVERSED THE TRUTH, JENNY. 260 00:18:24,046 --> 00:18:26,349 IT WAS YOU WHO SENT FOR ME. 261 00:18:26,416 --> 00:18:30,653 IF YOU WANT MY SERVICES, YOU'LL FORK OVER THE 2,000. 262 00:18:30,720 --> 00:18:32,222 NEVER! 263 00:18:42,798 --> 00:18:46,569 SERENITY, YOUR EYES. 264 00:18:48,604 --> 00:18:51,173 THERE'S A WATER PITCHER ON THE WASHSTAND. 265 00:18:51,241 --> 00:18:53,175 THROW IT TO ME. 266 00:18:53,243 --> 00:18:54,877 THROW ME THE WATER PITCHER! 267 00:19:06,722 --> 00:19:07,823 GO ON. 268 00:19:11,461 --> 00:19:13,496 NOW THE BASIN. THROW IT. 269 00:19:16,266 --> 00:19:17,467 HARD. 270 00:19:28,110 --> 00:19:29,779 PICK IT UP. 271 00:19:29,845 --> 00:19:32,515 PRETEND THE CANE'S A SWORD. STAB ME. 272 00:19:32,582 --> 00:19:33,683 DO IT! 273 00:19:35,518 --> 00:19:38,153 HA HA HA! TRY IT AGAIN. 274 00:19:38,220 --> 00:19:40,456 CAN'T YOU EVEN TOUCH A BLIND MAN? 275 00:19:42,992 --> 00:19:45,060 [LAUGHING] 276 00:19:45,127 --> 00:19:47,229 AH! 277 00:19:47,297 --> 00:19:50,065 OH! OH! 278 00:19:50,132 --> 00:19:51,934 [LAUGHING] 279 00:19:52,001 --> 00:19:57,106 OH! OH! OH, POUR US A DRINK. 280 00:19:57,172 --> 00:19:58,374 OH. 281 00:20:00,576 --> 00:20:03,413 WHERE'D YOU TAKE JENNY? WHO'S SHE SEEING? 282 00:20:09,452 --> 00:20:11,954 WHAT'S YOUR BUSINESS HERE? 283 00:20:12,021 --> 00:20:13,723 MY AFFAIRS ARE MY OWN. 284 00:20:22,164 --> 00:20:24,033 YOU DIDN'T SEND TO LORDSVILLE 285 00:20:24,099 --> 00:20:26,168 TO GIVE ME AN EASY JOB, JENNY. 286 00:20:26,235 --> 00:20:27,737 WHAT'S HARD ABOUT IT? 287 00:20:27,803 --> 00:20:31,206 I GIVE YOU SOMETHING, AND YOU TAKE IT TO SAN FRANCISCO. 288 00:20:31,273 --> 00:20:33,042 WHERE IS IT? HOW BIG IS IT? 289 00:20:33,108 --> 00:20:36,211 WELL, IT'S, UM, IT'S IN MY PARLOR, 290 00:20:36,278 --> 00:20:39,214 AND IT'S THE SIZE OF A HATBOX. 291 00:20:39,281 --> 00:20:45,455 IT MUST BE QUITE A HAT TO PAY 2,000 TO GET IT TO SAN FRANCISCO. 292 00:20:45,521 --> 00:20:48,458 LOOK, WILL YOU DO IT? 293 00:20:48,524 --> 00:20:53,829 A MAN WOULD WANT TO BE WITH HIS ONLY DAUGHTER WHEN SHE'S GETTING MARRIED. 294 00:20:53,896 --> 00:20:54,764 HUH? 295 00:20:54,830 --> 00:20:57,633 MY LITTLE GIRL-- I'M TAKING HER 296 00:20:57,700 --> 00:20:59,735 TO SAN FRANCISCO FOR HER WEDDING. 297 00:20:59,802 --> 00:21:02,938 SERENITY, YOU HAVEN'T EVEN GOT A DAUGHTER. 298 00:21:03,005 --> 00:21:04,340 SHE WORKS FOR YOU. 299 00:21:04,407 --> 00:21:08,744 OH, I KNEW I WAS WASTING MY TIME. 300 00:21:08,811 --> 00:21:10,780 SOMEBODY WANTS YOUR HATBOX, 301 00:21:10,846 --> 00:21:13,115 OR YOU'D MARCH IT DOWN TO THE POST OFFICE 302 00:21:13,182 --> 00:21:18,954 AND LET THE UNITED STATES DELIVER IT FOR YOU FOR A LOT LESS THAN $2,000, 303 00:21:19,021 --> 00:21:22,858 SO I MUST BE SMARTER THAN WHOEVER WOULD BE AFTER ME. 304 00:21:22,925 --> 00:21:27,563 SO I INVENT A DAUGHTER AND A MARRIAGE. 305 00:21:34,537 --> 00:21:37,272 OH...HER NAME IS, 306 00:21:37,339 --> 00:21:41,644 UH...UH...ALICE. 307 00:21:41,711 --> 00:21:43,846 MY OWN FLESH AND BLOOD. 308 00:21:43,913 --> 00:21:46,916 HA HA HA! 309 00:21:46,982 --> 00:21:49,284 YOU GET MY DAUGHTER ALICE PACKED, 310 00:21:49,351 --> 00:21:54,256 AND I'LL BE BY TO TAKE HER AND HER TRUNK TO SAN FRANCISCO. 311 00:21:54,323 --> 00:21:56,692 MAYBE I SHOULDN'T HAVE LEFT YOU THAT TIME. 312 00:21:56,759 --> 00:21:59,995 I'M GLAD YOU MENTIONED THAT MELANCHOLY CHAPTER. 313 00:22:00,062 --> 00:22:04,734 REMEMBER, I'LL BE TAKING $2,000 WITH ME 314 00:22:04,800 --> 00:22:07,803 WHEN I START FOR SAN FRANCISCO. 315 00:22:07,870 --> 00:22:09,371 HA HA HA! 316 00:22:21,784 --> 00:22:26,489 OH, I CAN FIND MY OWN WAY BACK... 317 00:22:26,556 --> 00:22:28,390 LITTLE BROTHER. 318 00:22:46,175 --> 00:22:49,211 WE'VE GOT OUR MARCHING ORDERS, LITTLE BROTHER. 319 00:22:49,278 --> 00:22:52,615 WE'RE ESCORTING A YOUNG LADY TO SAN FRANCISCO. 320 00:22:57,319 --> 00:22:58,821 LITTLE BROTHER? 321 00:23:09,331 --> 00:23:11,634 WHAT PERPLEXES YOU, LITTLE BROTHER? 322 00:23:18,073 --> 00:23:20,776 WHISKEY, GLASSES... 323 00:23:20,843 --> 00:23:22,878 THE BASIN AND THE PITCHER THERE. 324 00:23:24,980 --> 00:23:26,448 AND THE CANE. 325 00:23:28,317 --> 00:23:31,754 WHEN I LEFT, YOU WERE ILL. 326 00:23:31,821 --> 00:23:32,722 AH... 327 00:23:32,788 --> 00:23:35,525 A FAINT SPELL, LITTLE BROTHER. 328 00:23:35,591 --> 00:23:37,392 THEY COME AND GO. 329 00:23:37,459 --> 00:23:43,065 IN LORDSVILLE, YOU SAID YOU THOUGHT YOU WOULD DIE SOON. 330 00:23:43,132 --> 00:23:44,667 WHY HAVE YOU LIED TO ME? 331 00:23:44,734 --> 00:23:48,738 OH, I HAVEN'T. I HAVEN'T. 332 00:23:48,804 --> 00:23:51,841 I HAD TO BE SURE YOU WOULD COME WITH ME. 333 00:23:56,679 --> 00:23:57,847 YOU BETRAYED ME. 334 00:23:57,913 --> 00:24:00,783 IT ISN'T ALL ONE WAY, LITTLE BROTHER. 335 00:24:00,850 --> 00:24:03,152 I BELIEVED-- I STILL BELIEVE 336 00:24:03,218 --> 00:24:06,355 THIS EXPEDITION WILL BE PROFITABLE TO YOU, TOO. 337 00:24:06,421 --> 00:24:08,223 WHAT USE IS A SALOON TO ME? 338 00:24:08,290 --> 00:24:10,993 OH, TRUST ME. 339 00:24:11,060 --> 00:24:14,063 CAST YOUR BREAD UPON THE WATERS. 340 00:24:14,129 --> 00:24:15,030 WHAT DOES THAT MEAN? 341 00:24:15,097 --> 00:24:17,232 IT MEANS ANYTHING YOU WANT IT TO MEAN. 342 00:24:17,299 --> 00:24:22,404 THERE'S HOPE IN THE WORDS, AND FAITH, EXPECTATION AND DESIRE, 343 00:24:22,471 --> 00:24:26,041 ALL YOUR HEART'S DREAMS AND YEARNINGS, LITTLE BROTHER. 344 00:24:26,108 --> 00:24:30,512 STAY WITH ME. YOU WILL BE REWARDED. 345 00:24:30,580 --> 00:24:34,049 I FEEL...I KNOW IT WILL HAPPEN. 346 00:24:34,116 --> 00:24:37,319 WE WILL BOTH END WITH GOOD FORTUNE. 347 00:24:37,386 --> 00:24:39,288 I CAN NO LONGER TRUST YOU. 348 00:24:51,701 --> 00:24:54,704 STRAIGHT AHEAD AND SLOW, AND DON'T TRY ANYTHING. 349 00:25:05,948 --> 00:25:08,884 HERE HE IS, BIX. WATCH HIS FEET, BIX. 350 00:25:15,858 --> 00:25:18,994 Man: LOOKED LIKE HE WAS LEAVING TOWN. 351 00:25:19,061 --> 00:25:22,031 YOU CAME INTO TOWN WITH AN OLD MAN. 352 00:25:22,097 --> 00:25:25,668 WHY ARE YOU LEAVING WITHOUT HIM? 353 00:25:25,735 --> 00:25:28,638 IT IS A PRIVATE MATTER. 354 00:25:28,704 --> 00:25:30,572 TELL ME ABOUT IT. 355 00:25:30,640 --> 00:25:32,675 IT IS BETWEEN HIM AND ME. 356 00:25:32,742 --> 00:25:37,680 ALRIGHT. WHY IS HE STAYING? 357 00:25:37,747 --> 00:25:39,615 I DO NOT KNOW. 358 00:25:39,682 --> 00:25:41,516 WELL, TELL ME WHERE YOU'RE GOING. 359 00:25:41,583 --> 00:25:44,119 THAT, TOO, IS A PRIVATE MATTER. 360 00:25:44,186 --> 00:25:46,856 HE'S NOT TELLING US NOTHING, BIX. 361 00:25:46,922 --> 00:25:49,759 WELL, MAYBE HE'S GOT NOTHING TO TELL. 362 00:25:49,825 --> 00:25:53,428 THERE ISN'T ROOM IN HIS BAG FOR NO MORE THAN 3 PEANUTS, 363 00:25:53,495 --> 00:25:56,732 SO MAYBE HE'S GOT NOTHING WE'RE AFTER. 364 00:25:56,799 --> 00:26:00,335 WHEREVER YOU'RE GOING, GO THERE FAST, 365 00:26:00,402 --> 00:26:02,738 OR THE NEXT TIME I MEET YOU, 366 00:26:02,805 --> 00:26:07,342 I'M LIABLE TO STOMP ON YOUR FEET! 367 00:26:07,409 --> 00:26:09,044 GET ON OUT OF HERE. 368 00:26:27,697 --> 00:26:29,498 WHY HAVE YOU COME BACK? 369 00:26:29,564 --> 00:26:31,500 I HAVE COME TO WARN YOU. 370 00:26:31,566 --> 00:26:33,803 I BELIEVE YOU ARE IN GREAT TROUBLE. 371 00:26:33,869 --> 00:26:36,038 THANK YOU, LITTLE BROTHER, 372 00:26:36,105 --> 00:26:37,740 BUT IT'S NO SURPRISE TO ME. 373 00:26:37,807 --> 00:26:40,309 I KNEW THAT WHEN JENNY MALONE SENT ME HER TRINKET. 374 00:26:40,375 --> 00:26:44,680 I DO NOT MEAN THAT JENNY MALONE HERSELF WILL BRING YOU TROUBLE. 375 00:26:44,747 --> 00:26:47,616 OH, YOU MEAN THERE'S TROUBLE ALL AROUND HER. 376 00:26:47,683 --> 00:26:49,651 WELL, THERE ALWAYS WAS. 377 00:26:49,719 --> 00:26:51,854 YOU ARE NOT SERIOUS. 378 00:26:51,921 --> 00:26:55,457 I BELIEVE YOU ARE IN DANGER. 379 00:26:55,524 --> 00:26:58,427 DO YOU KNOW OF A MAN NAMED BIX? 380 00:26:58,493 --> 00:27:01,797 BIX COURTNEY, A TRUE SON OF SATAN, 381 00:27:01,864 --> 00:27:04,967 THE MOST EVIL HOMBRE ON EITHER SIDE OF THE ROCKIES. 382 00:27:05,034 --> 00:27:07,102 HE IS HERE IN ARIZONA CITY, 383 00:27:07,169 --> 00:27:08,938 AND THERE ARE OTHERS WITH HIM. 384 00:27:09,004 --> 00:27:11,774 THEY MET ME WHEN YOU ASKED TO BE ALONE WITH JENNY. 385 00:27:11,841 --> 00:27:13,442 THEY ASKED QUESTIONS ABOUT HER. 386 00:27:13,508 --> 00:27:17,512 I KNOW JUST ABOUT HOW MUCH YOU TOLD THEM, LITTLE BROTHER. 387 00:27:17,579 --> 00:27:20,482 A FEW MOMENTS AGO, THEY MET ME AGAIN, 388 00:27:20,549 --> 00:27:22,651 WITH A GUN AT MY BACK. 389 00:27:22,718 --> 00:27:26,188 SOMETHING OF GREAT VALUE HAS BEEN STOLEN FROM THIS MAN BIX. 390 00:27:26,255 --> 00:27:29,524 IT'S KNOWN AS CHEATING CHEATERS, LITTLE BROTHER. 391 00:27:29,591 --> 00:27:32,862 ANYTHING BIX COURTNEY HAS, HE STOLE. 392 00:27:32,928 --> 00:27:36,331 SERENITY, HE IS A VERY DETERMINED MAN. 393 00:27:36,398 --> 00:27:39,168 A MAN MUST BE DETERMINED TO BE SUCCESSFUL, 394 00:27:39,234 --> 00:27:42,872 EVEN A THIEF. 395 00:27:42,938 --> 00:27:46,308 GO BACK. GO BACK TO LORDSVILLE. 396 00:27:46,375 --> 00:27:48,844 YOUR CHURCH IS NOT WORTH YOUR LIFE. 397 00:27:50,780 --> 00:27:53,082 THE CHURCH IS MY LIFE, 398 00:27:53,148 --> 00:27:56,752 THE ONE THING I HOLD PRECIOUS ON THIS EARTH. 399 00:27:56,819 --> 00:28:00,122 WITHOUT IT, THERE IS NO LIFE FOR ME. 400 00:28:04,994 --> 00:28:09,331 I AM SORRY YOU CHOOSE TO STAY IN ARIZONA CITY. 401 00:28:09,398 --> 00:28:12,301 I TOLD YOU. I'M GOING TO SAN FRANCISCO. 402 00:28:14,469 --> 00:28:17,439 BIX COURTNEY WILL STOP YOU. 403 00:28:17,506 --> 00:28:19,241 GOODBYE, LITTLE BROTHER. 404 00:28:25,948 --> 00:28:27,182 [DOOR CLOSES] 405 00:28:50,806 --> 00:28:52,041 [KNOCK ON DOOR] 406 00:28:56,812 --> 00:28:58,013 ALRIGHT. 407 00:29:06,989 --> 00:29:09,791 OH, ALICE, COME IN. 408 00:29:09,859 --> 00:29:13,562 WELL...I WAS JUST PACKING. 409 00:29:13,628 --> 00:29:15,397 JENNY... WHAT? 410 00:29:15,464 --> 00:29:18,633 I'M GOING TO SAN FRANCISCO PRETENDING I'M GETTING MARRIED. 411 00:29:18,700 --> 00:29:19,768 CORRECT. 412 00:29:19,835 --> 00:29:23,705 WELL, WHAT DO I DO IN SAN FRANCISCO? 413 00:29:23,772 --> 00:29:26,775 YOU, UH, CHECK IN TO THE SUTTER HOTEL-- 414 00:29:26,842 --> 00:29:30,812 SUTTER-- AND YOU STAY THERE. 415 00:29:30,880 --> 00:29:32,848 IN MY ROOM? 416 00:29:32,915 --> 00:29:37,819 IN YOUR ROOM. AND YOU EAT THERE, TOO. 417 00:29:37,887 --> 00:29:39,922 I'LL BE JUST LIKE A PRISONER. 418 00:29:39,989 --> 00:29:42,024 WHAT DO YOU THINK YOU ARE NOW? 419 00:29:42,091 --> 00:29:43,658 YOU'RE STUCK HERE IN ARIZONA CITY 420 00:29:43,725 --> 00:29:45,827 BECAUSE YOU CAN'T GO ANYWHERE ELSE. 421 00:29:45,895 --> 00:29:47,662 AND YOU'RE STUCK HERE IN MY SALOON 422 00:29:47,729 --> 00:29:51,533 BECAUSE YOU HATE THE ALTERNATIVE. 423 00:29:51,600 --> 00:29:54,036 THAT IS TO MARRY SOME SODBUSTER 424 00:29:54,103 --> 00:29:57,973 AND RUIN YOUR PRETTY HANDS WORKING 24 HOURS A DAY. 425 00:30:04,613 --> 00:30:05,915 AND... 426 00:30:08,383 --> 00:30:11,686 IN 10 YEARS, YOU WON'T HAVE ANY ALTERNATIVE. 427 00:30:11,753 --> 00:30:13,322 YOU'LL END UP LIKE ME, 428 00:30:13,388 --> 00:30:17,426 AND THAT'S A TERRIBLE LIFE, CHILD. 429 00:30:17,492 --> 00:30:20,029 UNLESS... 430 00:30:20,095 --> 00:30:22,731 UNLESS YOU'RE IN PARIS AND IN LONDON 431 00:30:22,797 --> 00:30:25,567 WITH ALL THE MONEY YOU EVER NEED, 432 00:30:25,634 --> 00:30:28,537 HELPING ME SPEND IT. 433 00:30:28,603 --> 00:30:31,373 HOW WOULD YOU LIKE THAT? 434 00:30:31,440 --> 00:30:35,010 OH, JENNY, THANK YOU! 435 00:30:35,077 --> 00:30:37,913 ALRIGHT, THEN. LET'S GET BUSY. 436 00:30:48,223 --> 00:30:50,425 HMPH. 437 00:30:50,492 --> 00:30:52,127 Fred: PARDON ME. 438 00:30:52,194 --> 00:30:55,064 LARD. CAN I HELP YOU, SIR? 439 00:30:55,130 --> 00:30:58,600 YOU MAY TAKE ME TO MISS JENNY MALONE. THAT'S A GOOD LAD. 440 00:31:04,406 --> 00:31:06,208 MISS JENNY'S NOT HERE RIGHT NOW, 441 00:31:06,275 --> 00:31:10,245 BUT THIS IS MR. CHAN, HER PARTNER. 442 00:31:10,312 --> 00:31:11,713 AH. 443 00:31:11,780 --> 00:31:13,248 MAY I SERVE YOU, SIR? 444 00:31:13,315 --> 00:31:17,719 I'M SERENITY JOHNSON, ONE OF JENNY'S EX-PARTNERS. 445 00:31:17,786 --> 00:31:21,156 OH, THIS WAY, PLEASE. 446 00:31:21,223 --> 00:31:24,293 I HAVE PROFITED BY YOUR LOSS, MR. JOHNSON. 447 00:31:24,359 --> 00:31:28,497 THAT MAKES YOU INCALCULABLY WISER THAN ME, MR. CHAN. 448 00:31:32,267 --> 00:31:34,503 RIGHT HERE. THERE'S A CHAIR. 449 00:31:34,569 --> 00:31:35,670 SIT DOWN. 450 00:31:37,906 --> 00:31:41,110 WELL, THERE HE IS-- YOUR FATHER. 451 00:31:41,176 --> 00:31:42,644 BE COMFORTABLE. 452 00:31:47,416 --> 00:31:51,786 [LOUDLY] SERENITY, HERE'S YOUR DAUGHTER. 453 00:31:51,853 --> 00:31:53,155 [QUIETLY] ALICE. 454 00:31:54,723 --> 00:31:57,859 MY DEAR, DEAR CHILD. 455 00:31:57,926 --> 00:32:02,097 Jenny: WELL, SHALL WE CONTINUE THIS CELEBRATION SEATED? 456 00:32:02,164 --> 00:32:04,966 UH, FRED, THE DRINKS! 457 00:32:06,401 --> 00:32:09,404 YOUR TRAVELING COMPANION IS THERE. 458 00:32:11,206 --> 00:32:15,810 WE DO NOT TRAVEL TOGETHER ANY LONGER. 459 00:32:15,877 --> 00:32:18,113 I HAVE COME TO BID YOU FAREWELL. 460 00:32:19,414 --> 00:32:23,285 OH. I'M... MOST DISTRESSED. 461 00:32:23,352 --> 00:32:25,520 I WANT YOU TO LEAVE AS QUICKLY AS POSSIBLE. 462 00:32:25,587 --> 00:32:27,556 WE CAN'T HAVE ALICE LATE FOR HER WEDDING. 463 00:32:27,622 --> 00:32:30,792 OH, DON'T WORRY. SHE'S IN GOOD HANDS, JENNY. 464 00:32:30,859 --> 00:32:33,295 I'LL BELIEVE THAT WHEN YOU GET TO SAN FRANCISCO. 465 00:32:33,362 --> 00:32:34,529 I'LL SEND UP A ROCKET. 466 00:32:34,596 --> 00:32:39,868 I FEAR IT WILL BE A DANGEROUS JOURNEY. 467 00:32:39,934 --> 00:32:42,271 I HAVE ASKED HIM NOT TO GO. 468 00:32:42,337 --> 00:32:45,374 AS YOU CAN SEE, HE IS DETERMINED. 469 00:32:45,440 --> 00:32:49,911 HE MAY NOT BE EQUAL TO THE RISKS ALONE. 470 00:32:49,978 --> 00:32:53,348 I HAVE MY OWN GOAL TO GAIN. 471 00:32:53,415 --> 00:32:56,017 I WISH ONLY TO RESUME MY JOURNEY. 472 00:32:56,085 --> 00:32:57,686 TO THE WEDDING. 473 00:32:57,752 --> 00:32:58,720 TO THE NUPTIALS. 474 00:32:58,787 --> 00:33:01,556 TO THE BRIDE. 475 00:33:01,623 --> 00:33:03,258 [BAR PATRONS TALKING] 476 00:33:08,163 --> 00:33:10,165 I WOULD HAVE THOUGHT A WEDDING CELEBRATION 477 00:33:10,232 --> 00:33:13,502 WOULD HAVE CALLED FOR YOUR BEST WHISKEY, JENNY. 478 00:33:13,568 --> 00:33:14,436 AND SO IT IS. 479 00:33:14,503 --> 00:33:18,973 HEH HEH HEH. NOT TO MY PALATE. 480 00:33:19,040 --> 00:33:21,042 Man: HOWDY, SHERIFF. 481 00:33:22,043 --> 00:33:24,879 WELL. ONE THING ABOUT YOU, SHERIFF-- 482 00:33:24,946 --> 00:33:26,348 YOU CAN SMELL A CELEBRATION 483 00:33:26,415 --> 00:33:28,583 FROM ONE SIDE OF TOWN TO THE OTHER. 484 00:33:28,650 --> 00:33:31,520 COME ON IN. WE'RE HAVING A KIND OF WEDDING PARTY. 485 00:33:37,692 --> 00:33:40,429 Sheriff: NOW, THIS HERE IS THE FEDERAL MARSHAL. 486 00:33:40,495 --> 00:33:42,864 I GOT NOTHING AGAINST FEDERAL MARSHALS. 487 00:33:42,931 --> 00:33:45,033 WELCOME. SIT DOWN, BOYS. 488 00:33:45,100 --> 00:33:48,870 Marshal: UH... THIS IS BUSINESS. 489 00:33:48,937 --> 00:33:50,905 I WANT TO TALK TO YOU. 490 00:33:50,972 --> 00:33:54,476 OH, THERE GOES THE PARTY. 491 00:33:54,543 --> 00:33:56,545 HONEY, YOU WAIT IN MY PLACE. 492 00:34:02,317 --> 00:34:07,256 ALRIGHT, MARSHAL, IT'S YOUR TURN. 493 00:34:07,322 --> 00:34:11,860 GLENN QUICK WAS CARRYING THAT, MISS MALONE. 494 00:34:11,926 --> 00:34:13,395 THAT NAME MEAN ANYTHING TO YOU? 495 00:34:13,462 --> 00:34:14,696 NO. NEVER HEARD OF HIM. 496 00:34:14,763 --> 00:34:17,999 GLENN QUICK WAS KILLED ABOUT TWO WEEKS AGO. 497 00:34:18,066 --> 00:34:20,135 NOPE. THE ONLY NAMES I REMEMBER 498 00:34:20,202 --> 00:34:22,371 BELONG TO DUDES THAT OWE ME MONEY. 499 00:34:22,437 --> 00:34:25,740 THOSE ARE MY SENTIMENTS EXACTLY, MY DEAR. 500 00:34:25,807 --> 00:34:27,342 WHO ARE YOU, MISTER? 501 00:34:31,112 --> 00:34:34,949 SERENITY JOHNSON. I'M THE LADY'S ESCORT. 502 00:34:35,016 --> 00:34:39,221 WELL, SHE ISN'T GOING ANYWHERE YET. 503 00:34:39,288 --> 00:34:42,424 I'LL TELL YOU FLAT, JENNY. I WANT THAT SILVER. 504 00:34:42,491 --> 00:34:44,559 AND I'M GOING TO TELL YOU FLAT, MARSHAL-- 505 00:34:44,626 --> 00:34:49,030 I'M A BUSINESSWOMAN, AND MY BUSINESS IS RUNNING THIS SALOON. 506 00:34:49,097 --> 00:34:51,466 I DEAL IN WHISKEY AND GAMBLING, 507 00:34:51,533 --> 00:34:54,035 AND YOU'RE BLOCKING MY PATH. 508 00:34:54,102 --> 00:34:57,572 I RECKON YOU BETTER GET USED TO IT, LADY. 509 00:34:57,639 --> 00:34:59,841 COME ON. 510 00:34:59,908 --> 00:35:01,176 COME ON! 511 00:35:06,848 --> 00:35:10,852 THE MARSHAL SAID SOMETHING ABOUT SILVER, DID HE? 512 00:35:10,919 --> 00:35:12,921 DID HE? 513 00:35:12,987 --> 00:35:17,592 I SEEM TO REMEMBER A THEFT OF SILVER BULLION. 514 00:35:17,659 --> 00:35:19,060 TERRIBLE STUFF. 515 00:35:19,127 --> 00:35:21,763 HMM. NEWS TO ME. 516 00:35:21,830 --> 00:35:24,433 3 OR 4 MEN WERE INVOLVED. 517 00:35:24,499 --> 00:35:27,269 A COUPLE OF PEOPLE GOT KILLED. 518 00:35:27,336 --> 00:35:30,205 YOU KNOW, THE MARSHAL SHOULD HAVE QUESTIONED YOU. 519 00:35:30,272 --> 00:35:36,611 OH, I THINK HE KNOWS WHAT HE'S DOING, JENNY. 520 00:35:36,678 --> 00:35:40,649 WHAT WAS IT YOU SAID YOU WERE SENDING TO SAN FRANCISCO? 521 00:35:40,715 --> 00:35:45,254 MMM! ALRIGHT. 522 00:35:45,320 --> 00:35:48,623 GLENN QUICK NEEDED $100, SO I GAVE IT TO HIM, 523 00:35:48,690 --> 00:35:50,859 AND HE LEFT SOMETHING FOR SECURITY. 524 00:35:50,925 --> 00:35:53,395 YES, HE CERTAINLY DID. 525 00:36:00,935 --> 00:36:02,237 [GLASS BREAKS] 526 00:36:17,686 --> 00:36:20,689 I UNDERSTAND YOU'RE A FULL PARTNER IN THIS PLACE. 527 00:36:22,691 --> 00:36:25,760 UH, WOULD YOU LIKE TO BUY CHIPS? 528 00:36:25,827 --> 00:36:28,363 I'M LIKE THE MARSHAL. I GOT A CHIP. 529 00:36:30,465 --> 00:36:32,967 I GOT IT FROM THE SAME PLACE HE DID. 530 00:36:33,034 --> 00:36:35,103 [CHIP HITS FLOOR] 531 00:36:35,169 --> 00:36:36,705 WOULD YOU CARE TO BUY MORE? 532 00:36:36,771 --> 00:36:40,275 YOU'RE IN TOO MUCH TROUBLE TO PLAY DUMB. 533 00:36:40,342 --> 00:36:44,479 THERE'S A PROPERTY OF MINE IN THIS PLACE, AND YOUR PARTNER KNOWS IT. 534 00:36:44,546 --> 00:36:47,949 I WANT WHAT BELONGS TO ME. 535 00:36:48,016 --> 00:36:49,984 IF I DON'T GET IT, 536 00:36:50,051 --> 00:36:52,387 THERE'S GOING TO BE A ROW AROUND HERE 537 00:36:52,454 --> 00:36:55,624 LIKE YOU NEVER HEARD, SO HELP ME! 538 00:37:03,164 --> 00:37:04,533 Bix: FINISH! 539 00:37:18,580 --> 00:37:20,382 Jenny: WELL, THERE YOU ARE, HONEY-- 540 00:37:20,449 --> 00:37:24,386 YOUR VERY OWN RIDE TO SAN FRANCISCO, COURTESY OF JENNY MALONE. 541 00:37:24,453 --> 00:37:27,822 NOTHING'S TOO GOOD FOR THE BRIDE. UP YOU GO. 542 00:37:29,991 --> 00:37:33,662 I, UH, I DIDN'T WANT YOU TO TAKE THE STAGE, 543 00:37:33,728 --> 00:37:35,930 SO I HIRED THIS WAGON TO TAKE YOU. 544 00:37:35,997 --> 00:37:39,601 WHEN WILL I LEARN THE REASON FOR THAT INVESTMENT? 545 00:37:39,668 --> 00:37:41,970 WHEN YOU GET TO SAN FRANCISCO. 546 00:37:47,175 --> 00:37:48,843 EASY WITH THAT TRUNK. 547 00:37:55,183 --> 00:37:56,551 ALRIGHT. 548 00:38:02,557 --> 00:38:06,060 THERE'S THE MATTER OF $2,000, DEAR LADY, 549 00:38:06,127 --> 00:38:07,662 CASH ON THE BARREL HEAD. 550 00:38:07,729 --> 00:38:11,199 OH! HA HA! I NEVER PAY IN ADVANCE. 551 00:38:11,265 --> 00:38:12,867 WHY, SAN FRANCISCO'S WEST. 552 00:38:12,934 --> 00:38:15,704 YOU MIGHT DECIDE TO GO EAST IF YOU HAD THE MONEY. 553 00:38:15,770 --> 00:38:19,374 YOU JUDGE EVERYBODY BY YOURSELF, DON'T YOU, JENNY? 554 00:38:19,441 --> 00:38:22,677 ADIOS, MY FRIEND. HAVE A GOOD TRIP. 555 00:38:32,887 --> 00:38:35,857 THE DRIVER SAID JENNY HIRED HIM SPECIAL, AND THE HORSES. 556 00:38:35,924 --> 00:38:38,527 IT'S ABOUT THE FASTEST TEAM IN THIS PART OF THE STATE. 557 00:38:38,593 --> 00:38:42,831 SHE TOLD HIM TO HEAD STRAIGHT FOR ANGEL'S FORK AND THEN ON IN TO SAN FRANCISCO. 558 00:38:42,897 --> 00:38:45,266 SHE'S IN SOME KIND OF A HURRY, AIN'T SHE? 559 00:38:45,333 --> 00:38:46,701 WHY? 560 00:38:49,037 --> 00:38:51,005 WE'RE GOING TO GO WITH THEM, THAT'S WHAT. 561 00:38:51,072 --> 00:38:53,608 I WANT TO KNOW WHAT'S IN THAT TRUNK. 562 00:39:02,417 --> 00:39:05,554 WAIT! PLEASE! 563 00:39:07,321 --> 00:39:09,023 ARE YOU ALRIGHT? 564 00:39:09,090 --> 00:39:11,460 THE JOURNEY TO SAN FRANCISCO HAS BEGUN. 565 00:39:11,526 --> 00:39:15,497 I FEAR IT WILL NOT BE COMPLETED. WILL YOU NOT HELP? 566 00:39:15,564 --> 00:39:18,332 WE'VE DISCUSSED IT. IT IS DECIDED. 567 00:39:18,399 --> 00:39:20,535 I ASK YOUR INDULGENCE. 568 00:39:20,602 --> 00:39:24,272 I KNOW YOU WISH TO TRAVEL ON YOUR OWN JOURNEY. 569 00:39:24,338 --> 00:39:25,474 YES, THAT IS SO. 570 00:39:25,540 --> 00:39:28,376 I DO NOT PURSUE YOU ON SERENITY'S BEHALF 571 00:39:28,443 --> 00:39:32,747 NOR ON BEHALF OF THE GIRL--ALICE. 572 00:39:32,814 --> 00:39:35,183 THERE ARE OTHERS INVOLVED IN THIS VENTURE? 573 00:39:35,249 --> 00:39:41,055 THERE IS ONE OTHER. WHO? 574 00:39:41,122 --> 00:39:44,959 JENNY MALONE AND I HAVE BEEN TOGETHER NOW FOR 12 YEARS. 575 00:39:45,026 --> 00:39:48,797 WE ARE PARTNERS. THE PARADISE IS OURS. 576 00:39:48,863 --> 00:39:49,964 I KNOW. 577 00:39:51,432 --> 00:39:52,701 I AM NO LONGER YOUNG, 578 00:39:52,767 --> 00:39:54,736 BUT I KNOW WHAT I HAVE TO SAY 579 00:39:54,803 --> 00:39:59,608 WILL SOUND LIKE THE SILLY, WITLESS, TRIFLING CHATTER 580 00:39:59,674 --> 00:40:01,910 OF A CALLOW BOY. 581 00:40:01,976 --> 00:40:03,645 PLEASE TELL ME. 582 00:40:03,712 --> 00:40:05,714 YOU WILL BE DRIVEN TO LAUGHTER. 583 00:40:08,316 --> 00:40:10,084 NO. 584 00:40:10,151 --> 00:40:14,155 I AM...CONTENT WITH JENNY. 585 00:40:15,624 --> 00:40:19,427 HER APPEARANCES EACH AFTERNOON OF MY LIFE 586 00:40:19,494 --> 00:40:21,996 ASSURE THE SERENITY OF MY DAY. 587 00:40:22,063 --> 00:40:26,000 WHEN SHE STANDS BESIDE ME TO CONVERSE, 588 00:40:27,769 --> 00:40:29,538 I AM YOUNGER THAN MY YEARS 589 00:40:29,604 --> 00:40:34,342 WHILE SHE REMAINS. JENNY LIKES ME. 590 00:40:34,408 --> 00:40:37,045 ONE KNOWS WHEN ONE IS FAVORED. 591 00:40:40,949 --> 00:40:44,786 YOU ARE IN LOVE WITH HER. 592 00:40:44,853 --> 00:40:48,056 I WILL HAVE YOU KNOW THAT SUCH A DEDUCTION IS FOLLY. 593 00:40:48,122 --> 00:40:50,525 I BELIEVE IT IS NOT. 594 00:40:50,592 --> 00:40:53,662 I WOULD PROCEED TO THE REASON FOR MY PRESENCE. 595 00:40:53,728 --> 00:40:56,330 YOU ARE NOT A TOTAL STRANGER 596 00:40:56,397 --> 00:41:00,301 TO OUR COUNTRYMEN HERE IN THE WEST, 597 00:41:00,368 --> 00:41:02,737 NOR IS THE REASON FOR YOUR PRESENCE 598 00:41:02,804 --> 00:41:05,173 IN AMERICA A MYSTERY. 599 00:41:05,239 --> 00:41:09,277 I SPEAK, OF COURSE, OF YOUR SEARCH FOR YOUR BROTHER. 600 00:41:09,343 --> 00:41:10,545 WHAT OF MY BROTHER? 601 00:41:10,612 --> 00:41:13,214 I DO NOT LIKE WHAT I AM ABOUT TO DO. 602 00:41:13,281 --> 00:41:17,852 IT IS OFFENSIVE TO ME, BUT... 603 00:41:17,919 --> 00:41:21,556 IF YOU WILL LEND YOUR PROTECTION TO JENNY, 604 00:41:21,623 --> 00:41:23,324 I WILL PROFIT, 605 00:41:23,391 --> 00:41:26,928 BUT YOU WILL PROFIT, TOO, 606 00:41:26,995 --> 00:41:31,099 BECAUSE YOU WILL FIND YOUR BROTHER. 607 00:41:38,206 --> 00:41:39,674 YOU GIVE ME NOTHING! 608 00:41:52,621 --> 00:41:55,624 ALRIGHT. IT'S THE RIGHT TIME NOW. 609 00:41:55,690 --> 00:41:58,059 LET'S GO AND TAKE A LOOK AT THAT TRUNK. 610 00:41:58,126 --> 00:42:00,228 HAH! HAH! 611 00:42:00,294 --> 00:42:01,796 YAH! YAH! 612 00:42:16,444 --> 00:42:18,579 WHOA. WHOA. 613 00:42:18,647 --> 00:42:20,649 YOU'RE COVERED. HOLD IT RIGHT THERE. 614 00:42:28,222 --> 00:42:29,658 Bix: OPEN THE TRUNK. 615 00:42:29,724 --> 00:42:32,526 I DO NOT HAVE THE KEY, NOR DO MY COMPANIONS. 616 00:42:32,593 --> 00:42:34,863 THINK BEFORE YOU SAY ANYTHING, OLD MAN. 617 00:42:34,929 --> 00:42:37,999 HOW DO YOU THINK I LIVED TO BE AN OLD MAN? 618 00:42:38,066 --> 00:42:40,835 ALL THAT TALK WITH TWO GUNS AIMED AT YOUR HEAD-- 619 00:42:40,902 --> 00:42:42,270 ARE YOU TIRED OF LIFE? 620 00:42:42,336 --> 00:42:45,707 I'VE BEEN LISTENING TO BULLIES SINCE I WAS A BOY. 621 00:43:09,430 --> 00:43:11,866 Alice: YOU'RE RUINING-- 622 00:43:11,933 --> 00:43:14,468 BE QUIET, OR I'LL KILL YOU. 623 00:43:14,535 --> 00:43:16,905 DON'T YOU KNOW A MURDERER WHEN YOU HEAR ONE? 624 00:43:16,971 --> 00:43:19,107 LISTEN TO HIM. IT'LL SAVE YOUR LIFE. 625 00:43:53,674 --> 00:43:56,210 [COCKS GUN] 626 00:43:56,277 --> 00:43:59,147 WHERE IS THAT SILVER, OLD MAN? QUICK! 627 00:43:59,213 --> 00:44:02,884 TO BE QUITE FRANK, SIR, I'M IN THE DARK 628 00:44:02,951 --> 00:44:05,053 IN MORE WAYS THAN ONE. 629 00:44:05,119 --> 00:44:07,688 COME ON, BIX. JENNY'S STILL GOT IT BACK AT THE SALOON. 630 00:44:07,756 --> 00:44:11,425 SHE BETTER, OR I'M GONNA BURN THAT SALOON DOWN WITH HER IN IT! 631 00:44:22,937 --> 00:44:25,740 BIX, ARIZONA CITY'S BACK THAT WAY. 632 00:44:25,807 --> 00:44:27,809 COME ON! YAH! 633 00:44:33,047 --> 00:44:35,283 HERE'S YOUR HAT. OH, THANK YOU. 634 00:45:03,945 --> 00:45:07,115 WHAT DO WE DO NOW? QUIET. LET ME THINK. 635 00:45:08,282 --> 00:45:09,483 AHA! 636 00:45:26,968 --> 00:45:32,140 NOW, MY DEAR, WE CAN PROCEED TO YOUR WEDDING. 637 00:45:32,206 --> 00:45:34,976 Young Caine: PEOPLE IN NEED WILL CALL ON ME FOR HELP. 638 00:45:35,043 --> 00:45:36,610 Master Po: WILL YOU HELP THEM? 639 00:45:36,677 --> 00:45:38,012 WITH ALL MY HEART. 640 00:45:38,079 --> 00:45:41,182 THOUGH THERE BE DIFFICULTY AND DANGER FOR YOU? 641 00:45:41,249 --> 00:45:42,884 YES, MASTER. 642 00:45:49,623 --> 00:45:52,026 STOP HERE, DRIVER. 643 00:45:52,093 --> 00:45:54,062 Alice: OH, JENNY, YOU DON'T KNOW WHAT HAPPENED. 644 00:45:54,128 --> 00:45:58,199 MY DEAR CHILD, SHE ARRANGED IT. 645 00:45:58,266 --> 00:46:02,003 STILL UP TO YOUR OLD TRICKS, EH, JENNY? 646 00:46:02,070 --> 00:46:04,672 IT CAN'T BE GONE. IT CAN'T BE! 647 00:46:04,738 --> 00:46:07,075 Serenity: IT ISN'T. 648 00:46:07,141 --> 00:46:08,409 OH! 649 00:46:12,881 --> 00:46:15,549 Serenity: USING ME FOR A SACRIFICIAL LAMB, 650 00:46:15,616 --> 00:46:17,751 THROWING ME TO BIX COURTNEY. 651 00:46:17,818 --> 00:46:19,954 ALRIGHT, LET'S GET OUT OF HERE. 652 00:46:20,021 --> 00:46:22,356 YOU BROUGHT ME TO ARIZONA CITY, JENNY. 653 00:46:22,423 --> 00:46:24,893 YOU WANTED YOUR HATBOX OUT OF TOWN. 654 00:46:24,959 --> 00:46:29,063 IT'S OUT. NOW YOU PAY, OR YOU STAY RIGHT HERE. 655 00:46:29,130 --> 00:46:31,365 YOU BLIND OLD FOOL. 656 00:46:31,432 --> 00:46:33,902 ONE WORD TO THAT DRIVER, AND YOU STAY. 657 00:46:33,968 --> 00:46:37,338 RIGHT ALONG WITH YOU, JENNY, I PROMISE YOU. 658 00:46:37,405 --> 00:46:40,108 OH, ALRIGHT, IT'S IN MY SADDLEBAG. 659 00:46:40,174 --> 00:46:42,343 [HOOFBEATS APPROACHING] 660 00:46:45,914 --> 00:46:48,917 Bix: COVER HER, SPIFF. LARD, YOU'RE WITH ME. 661 00:46:54,122 --> 00:46:56,857 JENNY, YOU GOT A GOOD BUSINESS BACK IN TOWN. 662 00:46:56,925 --> 00:46:58,960 NOW I'M GOING TO GIVE YOU SOME ADVICE. 663 00:46:59,027 --> 00:47:02,663 STAY WITH IT. GIVE ME WHAT I WANT. 664 00:47:02,730 --> 00:47:04,365 OH, IF I WERE A MAN... 665 00:47:04,432 --> 00:47:06,267 WE'D BE PARTNERS AND A LOT MORE. 666 00:47:06,334 --> 00:47:11,739 NOW, JENNY, IF YOU'RE HERE, THE SILVER'S HERE. 667 00:47:11,805 --> 00:47:14,275 TEAR THIS WAGON APART, BOYS! 668 00:47:23,817 --> 00:47:25,954 YIPPEE! 669 00:47:26,554 --> 00:47:29,290 HA HA HA! 670 00:47:29,357 --> 00:47:31,025 GET THE SADDLEBAGS, SPIFF. 671 00:47:31,092 --> 00:47:33,594 LET ME HELP. COVER THEM! 672 00:47:33,661 --> 00:47:36,064 YOU'VE GOT THE SILVER YOU CAME FOR, COURTNEY. 673 00:47:36,130 --> 00:47:39,000 WHAT MORE DO YOU WANT WITH US? 674 00:47:39,067 --> 00:47:41,970 SPIFF. THEY'RE GOING TO KILL US! 675 00:47:44,605 --> 00:47:45,639 BOYS! 676 00:47:54,983 --> 00:47:57,885 WE CAN STILL MAKE IT TO SAN FRANCISCO. 677 00:47:57,952 --> 00:47:59,253 DRIVER. 678 00:48:01,022 --> 00:48:02,490 [HOOFBEATS APPROACHING] 679 00:48:04,225 --> 00:48:06,660 Sheriff: WELL, YOU WERE RIGHT, MARSHAL. 680 00:48:06,727 --> 00:48:09,697 THERE'S THE SILVER, AND THAT'S JENNY'S HORSE. 681 00:48:09,763 --> 00:48:13,401 BETTER TAKE CARE OF THEM, SHERIFF. 682 00:48:13,467 --> 00:48:14,902 WELL, NOW, JENNY, 683 00:48:14,969 --> 00:48:18,939 YOU WANT TO TELL ME HOW THE SILVER GOT INTO YOUR HATBOX? 684 00:48:19,007 --> 00:48:23,211 YOU KNOW, MARSHAL, I WAS JUST TRYING TO FIGURE THAT OUT MYSELF 685 00:48:23,277 --> 00:48:24,912 WHEN YOU ARRIVED. 686 00:48:24,979 --> 00:48:27,515 Serenity: WHY DID YOU COME, LITTLE BROTHER? 687 00:48:27,581 --> 00:48:30,584 YOU OWED ME NOTHING AFTER WHAT I DID. 688 00:48:42,130 --> 00:48:47,535 OH, FAIR IS FAIR. I'M THE ONE RESPONSIBLE FOR GETTING YOU UP HERE TO ARIZONA CITY. 689 00:48:47,601 --> 00:48:52,273 SO HERE'S A TICKET BACK TO LORDSVILLE, PAID FOR. 690 00:48:52,340 --> 00:48:55,443 THAT LEAVES THE $2,000, JENNY. 691 00:48:55,509 --> 00:48:58,479 WHY YOU DIDN'T EVEN GET THE TRUNK TO SAN FRANCISCO? 692 00:48:58,546 --> 00:49:01,049 HA HA. IT WASN'T FOR LACK OF TRYING. 693 00:49:01,115 --> 00:49:02,883 BESDIES, YOU OWE ME THE MONEY. 694 00:49:02,950 --> 00:49:09,257 OH, SERENITY, I'M A POOR WOMAN. I'M ALONE. 695 00:49:09,323 --> 00:49:13,994 WHY, I'M FACING A POSSIBLE PRISON SENTENCE FOR THAT SILVER. 696 00:49:14,062 --> 00:49:18,532 I NEED EVERY DIME I CAN GET MY HANDS ON TO PAY FOR THE LAWYERS. 697 00:49:18,599 --> 00:49:23,171 YOU'RE A RICH WOMAN. YOU'RE NOT ALONE, YOU HAVE MR. CHAN. 698 00:49:23,237 --> 00:49:26,440 KNOWING YOU, YOU'LL MAKE OUT ALRIGHT. 699 00:49:26,507 --> 00:49:29,810 I DIDN'T TELL THE MARSHAL YOU STOLE THE 1000 FROM ME 700 00:49:29,877 --> 00:49:31,745 BUT IF I HAVE TO.... 701 00:49:35,349 --> 00:49:38,052 OH, ARTHUR, GIVE HIM THE 1000. 702 00:49:38,119 --> 00:49:39,620 2000. 703 00:49:41,855 --> 00:49:44,192 IT'S ALL HERE. 704 00:49:50,731 --> 00:49:55,303 MY CHURCH IS SAVED. MY CHURCH IS SAVED. 705 00:50:03,544 --> 00:50:06,480 [THEME MUSIC]