1
00:00:06,740 --> 00:00:08,007
>> Jack: Hey, Andy.
2
00:00:08,074 --> 00:00:09,476
I called in a take-out order.
3
00:00:09,542 --> 00:00:10,944
>> Phyllis: Hey, Jack.
4
00:00:11,010 --> 00:00:12,712
Hey. Good to see you.
5
00:00:12,779 --> 00:00:15,014
It's a beautiful day in
Genoa City, isn't it?
6
00:00:15,081 --> 00:00:17,050
>> Jack: I suppose.
7
00:00:17,117 --> 00:00:18,518
>> Phyllis: Ah, the sun is out.
8
00:00:18,585 --> 00:00:19,652
The birds are chirping.
9
00:00:19,719 --> 00:00:20,754
The coffee is strong.
10
00:00:20,820 --> 00:00:22,422
>> Jack: You sure they didn't
spike that with a little
11
00:00:22,489 --> 00:00:22,922
something?
12
00:00:22,989 --> 00:00:24,691
>> Phyllis: Mnh-mnh.
13
00:00:24,758 --> 00:00:26,292
This is all Phyllis.
14
00:00:26,359 --> 00:00:28,928
>> Jack: Then what exactly do
you credit this chipper mood to?
15
00:00:28,995 --> 00:00:32,932
Did Talia Morgan write a
follow-up to the article she
16
00:00:32,999 --> 00:00:34,300
wrote attacking Diane?
17
00:00:34,367 --> 00:00:39,572
>> Phyllis: Um, gosh, I don't
think so, but certainly if you
18
00:00:39,639 --> 00:00:42,075
see more articles, please tell
me.
19
00:00:42,142 --> 00:00:46,045
It's really, really a mood
lifter.
20
00:00:46,112 --> 00:00:49,282
>> Jack: When I first asked you
if you had anything to do with
21
00:00:49,349 --> 00:00:52,252
that article, you flatly denied
it.
22
00:00:52,318 --> 00:00:56,790
It's since came to me that you
were seen multiple times in the
23
00:00:56,856 --> 00:00:59,793
company of the reporter who
wrote it.
24
00:00:59,859 --> 00:01:08,635
Still want to stick to your old
story?
25
00:01:08,701 --> 00:01:10,270
>> Tessa: Is everything okay?
26
00:01:10,336 --> 00:01:11,771
>> It will be.
27
00:01:11,838 --> 00:01:13,573
>> Tessa: Is there anything I
can do?
28
00:01:13,640 --> 00:01:16,443
>> Not unless you know how to
correctly position a light.
29
00:01:16,509 --> 00:01:20,713
>> Tessa: Not really my forte,
so you go for it.
30
00:01:20,780 --> 00:01:22,549
>> Lauren: The weather is
perfect.
31
00:01:22,615 --> 00:01:25,452
And the location -- it really
meshes with the vibe that we're
32
00:01:25,518 --> 00:01:26,219
going for.
33
00:01:26,286 --> 00:01:29,155
You know, fun, summery,
romantic.
34
00:01:29,222 --> 00:01:31,191
>> Mariah: I couldn't agree
more.
35
00:01:31,257 --> 00:01:33,159
And we have the perfect model.
36
00:01:33,226 --> 00:01:34,961
>> Tessa: Oh. Do we?
37
00:01:35,028 --> 00:01:37,464
'Cause I don't want to freak
anyone out, but I am -- I'm
38
00:01:37,530 --> 00:01:38,231
pretty nervous.
39
00:01:38,298 --> 00:01:39,632
>> Mariah: Don't be!
40
00:01:39,699 --> 00:01:41,301
>> Tessa: Oh! Okay. Yeah.
41
00:01:41,367 --> 00:01:44,971
Sure. Got it.
42
00:01:45,038 --> 00:01:46,806
>> Mariah: Uh, just give me a
second.
43
00:01:46,873 --> 00:01:50,977
[ Chuckles ]
[ Clears throat ]
44
00:01:51,044 --> 00:01:51,711
Hey.
45
00:01:51,778 --> 00:01:52,779
>> Tessa: Hmm? Hi.
46
00:01:52,846 --> 00:01:53,713
>> Mariah: Hi.
47
00:01:53,780 --> 00:01:54,747
>> Tessa: Hi.
48
00:01:54,814 --> 00:01:57,550
>> Mariah: There's no reason to
be nervous, okay?
49
00:01:57,617 --> 00:01:59,752
You look incredible.
50
00:01:59,819 --> 00:02:03,957
And plus, your -- your inner
glow is gonna shine through.
51
00:02:04,023 --> 00:02:05,425
>> Tessa: Oh, my -- my inner
glow?
52
00:02:05,492 --> 00:02:07,994
Or all the artificial lighting?
53
00:02:08,061 --> 00:02:10,563
>> Mariah: Maybe a little bit of
both.
54
00:02:10,630 --> 00:02:11,865
I am just kidding.
55
00:02:11,931 --> 00:02:13,166
I'm messing with you.
56
00:02:13,233 --> 00:02:15,101
You look amazing.
57
00:02:15,168 --> 00:02:16,603
You're gonna do great.
58
00:02:16,669 --> 00:02:17,604
>> Tessa: Yeah. Yeah.
59
00:02:17,670 --> 00:02:21,007
It's just, there are a lot of
people here.
60
00:02:21,074 --> 00:02:24,277
>> Mariah: Well, yeah, they're
all here to make sure that this
61
00:02:24,344 --> 00:02:25,478
is a success.
62
00:02:25,545 --> 00:02:28,314
You know, to officially launch
Marchetti and Fenmore's
63
00:02:28,381 --> 00:02:29,549
collaboration.
64
00:02:29,616 --> 00:02:32,051
And I couldn't think of anybody
more perfect to be the face of
65
00:02:32,118 --> 00:02:33,152
that.
66
00:02:33,219 --> 00:02:34,287
>> Tessa: Thank you.
67
00:02:34,354 --> 00:02:36,189
>> Mariah: No. Thank you.
68
00:02:36,256 --> 00:02:38,925
[ Chuckles ]
>> Diane: Mariah, we're going to
69
00:02:38,992 --> 00:02:42,529
have a few style bloggers come
cover the behind-the-scenes of
70
00:02:42,595 --> 00:02:44,230
the shoot once we get going.
71
00:02:44,297 --> 00:02:45,932
>> Mariah: Uh...okay.
72
00:02:45,999 --> 00:02:47,000
Yeah, that sounds great.
73
00:02:47,066 --> 00:02:48,668
Just make sure they don't get in
the way.
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00:02:48,735 --> 00:02:50,169
>> Diane: Oh, of course, of
course.
75
00:02:50,236 --> 00:02:51,404
I'm so excited.
76
00:02:51,471 --> 00:02:52,405
I'm thrilled to be here.
77
00:02:52,472 --> 00:02:53,907
And you look fantastic.
78
00:02:53,973 --> 00:02:54,774
>> Tessa: Oh, thank you.
79
00:02:54,841 --> 00:02:58,478
>> Diane: Yeah.
80
00:02:58,545 --> 00:02:59,379
>> Lauren: Okay.
81
00:02:59,445 --> 00:03:00,880
Uh, how many looks do we have?
82
00:03:00,947 --> 00:03:03,416
>> Summer: Well, we have the top
eight that we discussed
83
00:03:03,483 --> 00:03:05,285
previously and backups if we
have time.
84
00:03:05,351 --> 00:03:07,320
>> Lauren: Okay. You know what?
85
00:03:07,387 --> 00:03:10,423
Look three -- can we switch out
that top to something more
86
00:03:10,490 --> 00:03:11,124
vibrant?
87
00:03:11,190 --> 00:03:12,158
I think it'll photograph better.
88
00:03:12,225 --> 00:03:13,726
>> Summer: Yeah, of course.
89
00:03:13,793 --> 00:03:16,596
We have racks of alternatives
and plenty of accessories, so we
90
00:03:16,663 --> 00:03:18,231
can switch out anything as we
see fit.
91
00:03:18,298 --> 00:03:19,365
>> Lauren: Wonderful.
92
00:03:19,432 --> 00:03:21,568
[ Chuckles ]
>> Mariah: So, we want to start
93
00:03:21,634 --> 00:03:25,872
out with a fun, light feel at
first and then get more romantic
94
00:03:25,939 --> 00:03:28,808
as looks go from casual to more
formal.
95
00:03:28,875 --> 00:03:32,579
>> I will capture as much fun
and romance as the model gives
96
00:03:32,645 --> 00:03:35,415
me.
97
00:03:35,481 --> 00:03:37,383
>> Tessa: Oh, she's all
business, huh?
98
00:03:37,450 --> 00:03:38,651
>> Mariah: Well, yeah!
99
00:03:38,718 --> 00:03:41,187
But she's here to work with you,
you know, bring out your -- your
100
00:03:41,254 --> 00:03:44,324
fire and your spirit and your
beauty.
101
00:03:44,390 --> 00:03:46,793
>> Tessa: What if all those
things are missing in action
102
00:03:46,859 --> 00:03:50,263
today or they don't exist at
all?
103
00:03:50,330 --> 00:03:54,367
>> Mariah: Well, I am looking at
you right now, so that's not
104
00:03:54,434 --> 00:03:55,735
possible -- 'cause that's what I
see.
105
00:03:55,802 --> 00:03:59,539
I see fire, spirit, and beauty.
106
00:03:59,606 --> 00:04:02,842
Tessa, you are going to be
amazing.
107
00:04:02,909 --> 00:04:04,444
Are you ready?
108
00:04:04,510 --> 00:04:05,545
>> Tessa: Uh-huh.
109
00:04:05,612 --> 00:04:07,447
>> Mariah: Okay.
110
00:04:19,092 --> 00:04:33,973
♪♪
♪♪
111
00:04:34,040 --> 00:04:34,407
♪♪
♪♪
112
00:04:34,474 --> 00:04:49,355
♪♪
♪♪
113
00:04:49,422 --> 00:04:52,925
♪♪
♪♪
114
00:04:52,992 --> 00:04:54,227
>> Lily: Hey! Oh, my gosh.
115
00:04:54,293 --> 00:04:54,961
>> Imani: Hi.
116
00:04:55,028 --> 00:04:56,129
>> Lily: Welcome back.
117
00:04:56,195 --> 00:04:57,196
>> Imani: Mm.
118
00:04:57,263 --> 00:04:57,997
>> Lily: How's Naya?
119
00:04:58,064 --> 00:04:59,766
>> Imani: Ah, still no change.
120
00:04:59,832 --> 00:05:01,734
>> Billy: That's, uh -- That's
too bad.
121
00:05:01,801 --> 00:05:04,170
We're sorry to hear that.
122
00:05:04,237 --> 00:05:05,805
>> Imani: Well, thanks, guys.
123
00:05:05,872 --> 00:05:09,075
Thank you so much for being so
supportive while Amanda and I
124
00:05:09,142 --> 00:05:09,909
have been away.
125
00:05:09,976 --> 00:05:10,977
>> Lily: Yeah, of course.
126
00:05:11,044 --> 00:05:12,645
Family always comes first.
127
00:05:12,712 --> 00:05:13,813
>> Imani: Exactly.
128
00:05:13,880 --> 00:05:16,783
So, while she's taking care of
everything in Virginia, I am
129
00:05:16,849 --> 00:05:20,019
here to focus and make sure that
all of our legal matters are
130
00:05:20,086 --> 00:05:20,620
handled.
131
00:05:20,687 --> 00:05:21,654
>> Lily: Okay. Great.
132
00:05:21,721 --> 00:05:23,423
Well, we have every bit of
confidence in you.
133
00:05:23,489 --> 00:05:24,991
>> Imani: I really appreciate
that.
134
00:05:25,058 --> 00:05:27,827
>> Lily: So, um, while Amanda is
with Devon, I thought it'd be
135
00:05:27,894 --> 00:05:30,630
best if the rest of us were in
the same room to discuss more
136
00:05:30,697 --> 00:05:31,497
pressing matters.
137
00:05:31,564 --> 00:05:32,465
>> Imani: Alright. Sounds good.
138
00:05:32,532 --> 00:05:33,099
>> Lily: Yeah.
139
00:05:33,166 --> 00:05:34,701
So Nate will be joining us.
140
00:05:34,767 --> 00:05:37,336
>> Imani: Perfect.
141
00:05:37,403 --> 00:05:40,573
>> Nate: I've decided to follow
my instincts and run with an
142
00:05:40,640 --> 00:05:42,542
idea for Chancellor-Winters.
143
00:05:42,608 --> 00:05:46,279
>> Elena: While Devon and Amanda
are both out of town?
144
00:05:46,345 --> 00:05:48,948
>> Nate: I know it's a bold
move, but it's the right one.
145
00:05:49,015 --> 00:05:52,952
Something Devon can't ignore
or dismiss.
146
00:05:53,019 --> 00:05:55,588
He'll finally be forced to
accept that I am doing a great
147
00:05:55,655 --> 00:05:58,758
job in the position he hired me
for.
148
00:05:58,825 --> 00:06:01,360
>> Elena: Well, I'm sure it's
great.
149
00:06:01,427 --> 00:06:03,596
And you sound really excited
about it.
150
00:06:03,663 --> 00:06:07,533
But isn't making unilateral
decisions what caused all the
151
00:06:07,600 --> 00:06:10,636
problems between you and Devon
in the first place?
152
00:06:10,703 --> 00:06:12,705
>> Nate: [ Sighs ]
153
00:06:17,910 --> 00:06:21,681
>> Nate: Our own music festival
will be a huge revenue stream.
154
00:06:21,748 --> 00:06:25,785
I just know this is gonna work,
so I cannot let anyone stop me,
155
00:06:25,852 --> 00:06:27,887
including Devon.
156
00:06:27,954 --> 00:06:30,156
He'll eventually realize I'm
right.
157
00:06:30,223 --> 00:06:32,992
>> Elena: I think you need to
consider how Devon's gonna take
158
00:06:33,059 --> 00:06:34,160
this.
159
00:06:34,227 --> 00:06:38,030
It's like you're blatantly
ignoring his decision, which is
160
00:06:38,097 --> 00:06:40,366
what he was worried about when
you first brought this up,
161
00:06:40,433 --> 00:06:41,534
wasn't it?
162
00:06:41,601 --> 00:06:43,770
>> Nate: I heard all Devon's
concerns, and I found ways to
163
00:06:43,836 --> 00:06:44,537
address them.
164
00:06:44,604 --> 00:06:47,140
I'm making an effort.
165
00:06:47,206 --> 00:06:49,742
He's the one who's not.
166
00:06:49,809 --> 00:06:54,614
>> Elena: Look, I understand how
frustrated you are, and I really
167
00:06:54,680 --> 00:07:01,187
want to see you succeed with
this, but have you at least
168
00:07:01,254 --> 00:07:02,855
talked to Lily about it?
169
00:07:02,922 --> 00:07:06,359
>> Nate: She was excited by the
prospect of having our own music
170
00:07:06,425 --> 00:07:09,729
festival, but Devon ended all
discussion.
171
00:07:09,796 --> 00:07:12,799
Technically, this comes under
his purview, so I don't think
172
00:07:12,865 --> 00:07:15,001
she felt like she could fight
him on it.
173
00:07:15,067 --> 00:07:17,904
And I wouldn't want to put her
in that position of having
174
00:07:17,970 --> 00:07:20,773
Devon think that she somehow
sided against him, which is
175
00:07:20,840 --> 00:07:24,010
exactly how he would react,
instead of seeing it for the
176
00:07:24,076 --> 00:07:26,145
great idea it is.
177
00:07:26,212 --> 00:07:29,882
>> Elena: Nate, you need to
rethink your plan.
178
00:07:29,949 --> 00:07:33,319
This has the potential to end
very badly.
179
00:07:33,386 --> 00:07:35,922
>> Nate: To be honest, I don't
understand your reaction lately
180
00:07:35,988 --> 00:07:36,989
to my work situation.
181
00:07:37,056 --> 00:07:39,892
When I first brought up my
frustration with you, your
182
00:07:39,959 --> 00:07:43,129
advice was for me to walk away,
instead of encouraging me to
183
00:07:43,196 --> 00:07:45,765
make a statement, show Devon
that he should take me
184
00:07:45,832 --> 00:07:46,465
seriously.
185
00:07:46,532 --> 00:07:48,000
>> Elena: You should show Devon?
186
00:07:48,067 --> 00:07:56,342
I wonder who gave you that
advice.
187
00:07:56,409 --> 00:07:59,679
>> Nate: I've got a meeting I
got to get to.
188
00:07:59,745 --> 00:08:04,750
I'll catch up with you later.
189
00:08:04,817 --> 00:08:07,687
>> Elena: [ Sighs ]
190
00:08:08,020 --> 00:08:12,758
>> Phyllis: Boy, did Diane come
to you crying about the article,
Jack?
191
00:08:12,825 --> 00:08:15,461
Claiming that I was the one who
hatched it?
192
00:08:15,528 --> 00:08:18,464
>> Jack: When I first came to
you, you claimed you wanted
193
00:08:18,531 --> 00:08:20,499
nothing to do with that
reporter.
194
00:08:20,566 --> 00:08:21,968
But that wasn't true, was it?
195
00:08:22,034 --> 00:08:25,671
Because you conveniently omitted
the fact that you convinced her
196
00:08:25,738 --> 00:08:27,807
to use Diane as her subject.
197
00:08:27,874 --> 00:08:29,442
>> Phyllis: I was just messing
with Diane.
198
00:08:29,508 --> 00:08:30,843
It's fun to do.
199
00:08:30,910 --> 00:08:34,013
And, honestly, she was sitting
right here.
200
00:08:34,080 --> 00:08:38,184
If I wanted to create problems,
I would have been more discreet.
201
00:08:38,251 --> 00:08:39,852
And it's Diane's own fault.
202
00:08:39,919 --> 00:08:43,322
She was sucking up to Talia,
sucking up to an investigative
203
00:08:43,389 --> 00:08:44,524
journalist.
204
00:08:44,590 --> 00:08:45,958
If she didn't want the heat, she
shouldn't have run into the
205
00:08:46,025 --> 00:08:46,926
kitchen, quite honestly.
206
00:08:46,993 --> 00:08:48,294
>> Jack: She shouldn't have to
protect herself.
207
00:08:48,361 --> 00:08:50,029
No one deserves to be dragged
through the mud like that.
208
00:08:50,096 --> 00:08:53,399
>> Phyllis: Oh, God, I cannot
understand why you are so mad
209
00:08:53,466 --> 00:08:55,001
about this article.
210
00:08:55,067 --> 00:08:57,570
All of it has been published
before.
211
00:08:57,637 --> 00:08:58,704
All of it.
212
00:08:58,771 --> 00:09:00,539
And it's not like it wasn't
true.
213
00:09:00,606 --> 00:09:02,308
It's all true.
214
00:09:02,375 --> 00:09:06,512
But yet again, I'm the one under
suspicion for all the horrible
215
00:09:06,579 --> 00:09:09,615
things that Diane has done and
that were published in that
216
00:09:09,682 --> 00:09:10,917
piece.
217
00:09:10,983 --> 00:09:14,020
[ Sighs heavily ]
>> Nikki: And the woman is still
218
00:09:14,086 --> 00:09:15,421
a menace.
219
00:09:22,261 --> 00:09:26,265
[ Camera shutter clicking ]
[ Clicking continues ]
220
00:09:32,305 --> 00:09:36,409
>> Could you put some life into
it?
221
00:09:36,475 --> 00:09:40,980
>> Mariah: Hey, uh, just imagine
yourself at a cool brunch with
222
00:09:41,047 --> 00:09:41,881
your friends, you know?
223
00:09:41,948 --> 00:09:44,650
Give us that, like, relaxed
Sunday vibe.
224
00:09:44,717 --> 00:09:45,918
>> Tessa: Um...
225
00:09:45,985 --> 00:09:48,254
[ Camera shutter clicking ]
Uh, I'm sorry.
226
00:09:48,321 --> 00:09:49,689
This isn't working.
227
00:09:49,755 --> 00:09:57,229
I just need to sit down for a
second.
228
00:09:57,296 --> 00:09:59,165
>> Summer: Oh.
229
00:09:59,231 --> 00:10:01,300
I'll handle it.
230
00:10:07,139 --> 00:10:09,809
Hey, sorry to play traffic cop,
but we're in the middle of a
231
00:10:09,875 --> 00:10:11,077
photo shoot here.
232
00:10:11,143 --> 00:10:12,712
>> Adam: I heard.
233
00:10:12,778 --> 00:10:15,014
That's why I'm here.
234
00:10:15,081 --> 00:10:15,848
>> Summer: Really?
235
00:10:15,915 --> 00:10:16,983
>> Adam: Mm-hmm.
236
00:10:17,049 --> 00:10:20,486
Well, since Jabot owns Marchetti
and also has a stake in
237
00:10:20,553 --> 00:10:24,023
Fenmore's, as the new co-CEO, I
figured I would stop by
238
00:10:24,090 --> 00:10:26,726
and see how it's going.
239
00:10:40,639 --> 00:10:42,341
>> Lily: The purchase of the
Grand Phoenix has been
240
00:10:42,408 --> 00:10:42,808
finalized.
241
00:10:42,875 --> 00:10:43,876
>> Imani: Mm-hmm.
242
00:10:43,943 --> 00:10:46,779
I sent the final contracts to
Amanda for review, but
243
00:10:46,846 --> 00:10:48,180
everything should be in order.
244
00:10:48,247 --> 00:10:51,450
>> Nate: The hotel is a great
acquisition for us, huge
245
00:10:51,517 --> 00:10:54,286
opportunity, and we should
definitely capitalize on the
246
00:10:54,353 --> 00:10:57,790
publicity of the sale to set the
new tone of the place -- and to
247
00:10:57,857 --> 00:10:59,792
highlight the connection to the
music industry.
248
00:10:59,859 --> 00:11:00,459
>> Billy: Yeah.
249
00:11:00,526 --> 00:11:01,560
No, I like that idea.
250
00:11:01,627 --> 00:11:03,696
You can work on, uh -- work on
that with the P.R. team.
251
00:11:03,763 --> 00:11:04,597
>> Nate: Absolutely.
252
00:11:04,663 --> 00:11:05,765
>> Lily: Yeah.
253
00:11:05,831 --> 00:11:07,099
So, when you have specifics,
just come back and present it
254
00:11:07,166 --> 00:11:07,600
to us.
255
00:11:07,666 --> 00:11:08,434
>> Nate: You got it.
256
00:11:08,501 --> 00:11:10,102
>> Billy: Alright, next up,
podcasts.
257
00:11:10,169 --> 00:11:12,605
The ones that we have are
performing quite well.
258
00:11:12,671 --> 00:11:14,540
We are just in need of more
content.
259
00:11:14,607 --> 00:11:16,876
>> Nate: Can I just say, the
numbers from your series were
260
00:11:16,942 --> 00:11:17,643
very positive.
261
00:11:17,710 --> 00:11:19,345
Ah, the people are gonna miss
it.
262
00:11:19,412 --> 00:11:21,847
>> Billy: I appreciate you
saying that, but I'm here to
263
00:11:21,914 --> 00:11:23,115
focus on the big picture.
264
00:11:23,182 --> 00:11:26,318
>> Nate: Could we possibly find
someone to partner with Chelsea
265
00:11:26,385 --> 00:11:28,587
or have her continue to do it on
her own?
266
00:11:28,654 --> 00:11:30,856
>> Billy: I think that would be
a great idea.
267
00:11:30,923 --> 00:11:33,659
Unfortunately, Chelsea has
decided to step away.
268
00:11:33,726 --> 00:11:35,728
>> Nate: Oh, okay.
269
00:11:35,795 --> 00:11:39,031
Uh, well, uh, I wasn't just
asking because I was wondering
270
00:11:39,098 --> 00:11:41,200
where to go for late-night
laughs and a rumination on the
271
00:11:41,267 --> 00:11:42,268
human condition.
272
00:11:42,334 --> 00:11:44,737
>> Lily: [ Chuckles ]
>> Nate: But I think we should
273
00:11:44,804 --> 00:11:47,039
build on what you started.
274
00:11:47,106 --> 00:11:50,209
As far as creating more content,
I've got a line on about a dozen
275
00:11:50,276 --> 00:11:53,312
or more podcasts we could
possibly acquire from a smaller
276
00:11:53,379 --> 00:11:55,714
company that are ready to feed
into the Chancellor-Winters
277
00:11:55,781 --> 00:11:56,749
pipeline.
278
00:11:56,816 --> 00:11:59,018
I sent them over to you right
before the meeting.
279
00:11:59,085 --> 00:12:00,753
>> Billy: Okay, well, that
sounds great.
280
00:12:00,820 --> 00:12:03,222
Sounds like I'll be having my
headphones on for the rest of
281
00:12:03,289 --> 00:12:03,923
the afternoon.
282
00:12:03,989 --> 00:12:05,291
>> Lily: Yeah. Wow.
283
00:12:05,357 --> 00:12:06,025
I'm impressed.
284
00:12:06,092 --> 00:12:07,493
Thank you for being so
proactive.
285
00:12:07,560 --> 00:12:08,260
>> Nate: Doing my best.
286
00:12:08,327 --> 00:12:09,462
>> Billy: Yeah. It's good.
287
00:12:09,528 --> 00:12:11,263
Listen, if I am going to be busy
this afternoon listening to
288
00:12:11,330 --> 00:12:13,532
podcasts, can we reschedule the
financial meeting for tomorrow
289
00:12:13,599 --> 00:12:14,133
morning?
290
00:12:14,200 --> 00:12:14,700
>> Lily: Yeah, of course.
291
00:12:14,767 --> 00:12:15,201
Not a problem.
292
00:12:15,267 --> 00:12:16,368
>> Billy: Great.
293
00:12:16,435 --> 00:12:20,840
>> Imani: [ Clears throat ]
Something's going on with you.
294
00:12:20,906 --> 00:12:23,776
I can practically hear the gears
turning into your head.
295
00:12:23,843 --> 00:12:26,745
>> Nate: [ Chuckles ]
You're not wrong.
296
00:12:26,812 --> 00:12:28,481
>> Billy: Appreciate you
accommodating me.
297
00:12:28,547 --> 00:12:31,317
>> Lily: You're welcome.
298
00:12:31,383 --> 00:12:35,121
>> Lauren: So, honey, when we
start up again, just like, bend
299
00:12:35,187 --> 00:12:36,222
your knee a little, okay?
300
00:12:36,288 --> 00:12:37,990
It'll get some circulation
going.
301
00:12:38,057 --> 00:12:39,558
And breathe.
302
00:12:39,625 --> 00:12:41,127
You've got to breathe.
303
00:12:41,193 --> 00:12:43,028
>> Tessa: Right. Uh, breathe.
304
00:12:43,095 --> 00:12:44,063
I forgot about that.
305
00:12:44,130 --> 00:12:45,231
>> Lauren: [ Chuckling ] Yeah.
306
00:12:45,297 --> 00:12:46,599
Okay.
307
00:12:46,665 --> 00:12:49,668
>> Summer: We really appreciate
you stopping by, but the actual
308
00:12:49,735 --> 00:12:51,804
shoot isn't as glamorous as
people think.
309
00:12:51,871 --> 00:12:55,407
It's a lot of standing around,
as you can see.
310
00:12:55,474 --> 00:12:58,410
I'm sure you have a lot more
important things to do.
311
00:12:58,477 --> 00:13:00,513
We have everything under control
here.
312
00:13:00,579 --> 00:13:02,982
And I know what CEOs really care
about are the results.
313
00:13:03,048 --> 00:13:04,083
>> Kyle: How's it going?
314
00:13:04,150 --> 00:13:06,886
>> Diane: Oh, it's -- it's
going.
315
00:13:06,952 --> 00:13:10,589
>> Summer: I can send you the
best shots later.
316
00:13:10,656 --> 00:13:11,857
>> Kyle: Oh. I see the problem.
317
00:13:11,924 --> 00:13:14,393
>> Adam: I'm trying to get up to
speed on the different facets of
318
00:13:14,460 --> 00:13:15,194
the corporation.
319
00:13:15,261 --> 00:13:17,196
How else am I supposed to do my
job?
320
00:13:17,263 --> 00:13:20,232
>> Summer: Adam, this is Tessa's
first photo shoot for Marchetti,
321
00:13:20,299 --> 00:13:22,935
so I just think it would be best
if we kept the number of people
322
00:13:23,002 --> 00:13:25,171
involved to a minimum.
323
00:13:25,237 --> 00:13:28,307
>> Kyle: What Summer is so
politely trying to explain,
324
00:13:28,374 --> 00:13:31,744
because she's good at her job
and also at navigating company
325
00:13:31,810 --> 00:13:35,281
politics, is that we don't need
this many chefs in the kitchen.
326
00:13:35,347 --> 00:13:36,115
>> Adam: Mm.
327
00:13:36,182 --> 00:13:38,050
Well, I'm not giving any
opinions.
328
00:13:38,117 --> 00:13:41,353
I'm just observing.
329
00:13:41,420 --> 00:13:43,155
>> Kyle: Could you give me a
little moment alone with --
330
00:13:43,222 --> 00:13:44,123
>> Summer: You know what?
331
00:13:44,190 --> 00:13:49,361
I'm just gonna let you handle
this one, babe.
332
00:13:49,428 --> 00:13:50,663
>> Kyle: You showed up.
333
00:13:50,729 --> 00:13:51,897
You observed.
334
00:13:51,964 --> 00:13:56,135
The best thing you can do now is
to smile, give a polite wave,
335
00:13:56,202 --> 00:13:58,370
and wish everyone a great photo
shoot.
336
00:13:58,437 --> 00:14:02,575
In other words, get out of the
way and let the people who need
337
00:14:02,641 --> 00:14:05,878
to do their jobs do them.
338
00:14:05,945 --> 00:14:08,914
>> Adam: Kyle, is this really
how you want to start things
339
00:14:08,981 --> 00:14:10,482
off?
340
00:14:17,690 --> 00:14:21,727
>> Phyllis: Uh, Nikki and I may
have, mm, joked about looking
341
00:14:21,794 --> 00:14:25,731
into Diane's past, but Talia was
working completely on her own.
342
00:14:25,798 --> 00:14:27,866
>> Nikki: That is entirely true.
343
00:14:27,933 --> 00:14:30,369
>> Jack: You really expect me to
believe that a renowned
344
00:14:30,436 --> 00:14:34,106
investigative reporter changed
the subject of her article from
345
00:14:34,173 --> 00:14:37,343
Ashland Locke to Diane Jenkins
on a whim?
346
00:14:37,409 --> 00:14:39,712
You two may be having some fun
taking potshots at her.
347
00:14:39,778 --> 00:14:41,880
I don't think there's anything
funny about it.
348
00:14:41,947 --> 00:14:44,850
>> Phyllis: Ohh, are you -- are
you upset because we may have
349
00:14:44,917 --> 00:14:46,118
hurt Diane's feelings?
350
00:14:46,185 --> 00:14:48,854
>> Nikki: You know, what I find
even more disturbing is that she
351
00:14:48,921 --> 00:14:51,824
has clearly gotten to you to the
point that you are defending
352
00:14:51,890 --> 00:14:52,458
her.
353
00:14:52,524 --> 00:14:53,692
>> Jack: This is about Kyle.
354
00:14:53,759 --> 00:14:56,629
This is honoring Kyle's decision
to give his mother a second
355
00:14:56,695 --> 00:14:57,830
chance.
356
00:14:57,896 --> 00:15:00,599
And by the way, Diane has gone
out of her way to try to prove
357
00:15:00,666 --> 00:15:05,070
she is worthy of that chance by
changing the way she behaves.
358
00:15:05,137 --> 00:15:07,940
So I don't appreciate the two of
you continuing to launch
359
00:15:08,007 --> 00:15:09,275
gratuitous attacks on her.
360
00:15:09,341 --> 00:15:10,509
>> Nikki: Gratuitous?
361
00:15:10,576 --> 00:15:13,245
Am I supposed to forget
everything she has done to me,
362
00:15:13,312 --> 00:15:15,648
setting me up to take the fall
for her murder?
363
00:15:15,714 --> 00:15:18,183
>> Jack: Thankfully, that didn't
happen, Nikki.
364
00:15:18,250 --> 00:15:21,086
>> Nikki: Well, it would have if
she had had her way.
365
00:15:21,153 --> 00:15:24,523
>> Jack: No one is condoning
what Diane did.
366
00:15:24,590 --> 00:15:27,359
Not me, not Kyle, not even
Diane.
367
00:15:27,426 --> 00:15:30,229
She is simply trying to move on
with her life.
368
00:15:30,296 --> 00:15:32,264
I suggest you two do the same
thing.
369
00:15:32,331 --> 00:15:36,101
Move on.
370
00:15:36,168 --> 00:15:39,104
Thank you, Andy.
371
00:15:41,040 --> 00:15:42,875
>> Kyle: I don't care what your
title is.
372
00:15:42,941 --> 00:15:45,344
As far as I'm concerned, I don't
have to put up with you.
373
00:15:45,411 --> 00:15:48,681
>> Adam: Well, then apparently
you don't know how companies
374
00:15:48,747 --> 00:15:49,515
work, Kyle.
375
00:15:49,581 --> 00:15:51,417
>> Kyle: Okay, you are a charity
case.
376
00:15:51,483 --> 00:15:54,920
My father did you a favor for
reasons I can't fathom.
377
00:15:54,987 --> 00:15:58,924
But what I do know is that he
went way out on a limb for you.
378
00:15:58,991 --> 00:16:01,860
It took a lot for him to
convince the family to sign off
379
00:16:01,927 --> 00:16:03,162
on hiring you.
380
00:16:03,228 --> 00:16:05,130
And we didn't agree to it
because we thought you could
381
00:16:05,197 --> 00:16:07,933
bring anything of value to the
company.
382
00:16:08,000 --> 00:16:09,601
We did it out of respect for
him.
383
00:16:09,668 --> 00:16:13,372
And do not take that as an
endorsement.
384
00:16:13,439 --> 00:16:18,977
And do not do anything to cause
him grief while you are here,
385
00:16:19,044 --> 00:16:22,047
which I predict won't be long.
386
00:16:22,114 --> 00:16:24,116
>> Adam: Quite the warning.
387
00:16:24,183 --> 00:16:26,952
It's a little aggressive,
in my opinion.
388
00:16:27,019 --> 00:16:29,188
But why would I want to cause
problems for Jack?
389
00:16:29,254 --> 00:16:31,190
I'm only here to help him run
Jabot, Kyle.
390
00:16:31,256 --> 00:16:33,559
>> Kyle: It's never that simple
with you.
391
00:16:33,625 --> 00:16:36,195
I don't know what your agenda
is, but it's only a matter of
392
00:16:36,261 --> 00:16:41,867
time until you screw up or lose
interest in this walk on the
393
00:16:41,934 --> 00:16:45,771
wild side or whatever this is
for you, but until then, your
394
00:16:45,838 --> 00:16:47,506
input is not welcome.
395
00:16:47,573 --> 00:16:52,277
You have nothing to offer,
and you do not belong.
396
00:16:52,344 --> 00:16:55,414
>> Adam: Okay. I got it.
397
00:16:55,481 --> 00:16:58,951
Guess I will have to prove
myself to all of you.
398
00:16:59,017 --> 00:17:03,922
Wouldn't be the first time.
399
00:17:03,989 --> 00:17:09,061
>> Kyle: [ Sighs ]
>> Summer: [ Sighs ]
400
00:17:09,128 --> 00:17:10,229
How did that go?
401
00:17:10,295 --> 00:17:13,232
>> Kyle: Well, Jabot's new
co-CEO and I just had a meeting
402
00:17:13,298 --> 00:17:14,299
of the minds.
403
00:17:14,366 --> 00:17:16,802
I had to explain to him how
things work around here.
404
00:17:16,869 --> 00:17:21,073
But let's focus on the matter at
hand -- the new face of
405
00:17:21,140 --> 00:17:24,143
Marchetti.
406
00:17:24,209 --> 00:17:26,311
It's not going well.
407
00:17:26,378 --> 00:17:27,546
What's the problem?
408
00:17:27,613 --> 00:17:31,717
>> Lauren: Well, we're having a
problem with the direction of
409
00:17:31,784 --> 00:17:37,256
the shoot, and if I'm to be
honest, it's with Tessa.
410
00:17:37,322 --> 00:17:39,958
Um, she's coming across very
self-conscious.
411
00:17:40,025 --> 00:17:43,028
>> Mariah: She just needs time
to ease into it, okay?
412
00:17:43,095 --> 00:17:43,862
I know Tessa.
413
00:17:43,929 --> 00:17:45,397
She -- She's gonna be great.
414
00:17:45,464 --> 00:17:48,534
So, if you could just give me
one minute, I'll go talk to her,
415
00:17:48,600 --> 00:17:49,101
alright?
416
00:17:49,168 --> 00:17:51,136
Thank you.
417
00:17:55,307 --> 00:17:58,210
>> Lily: Well, that was
terrific, guys, very productive.
418
00:17:58,277 --> 00:18:00,412
>> Billy: Yeah, it feels like
we're firing on all cylinders.
419
00:18:00,479 --> 00:18:03,048
And I will catch up with you
about the podcasts -- of course,
420
00:18:03,115 --> 00:18:04,216
once I listen to them all.
421
00:18:04,283 --> 00:18:05,884
[ Laughter ]
>> Nate: Looking forward to it.
422
00:18:05,951 --> 00:18:08,187
>> Lily: Yeah, and I can't wait
to hear details about the P.R.
423
00:18:08,253 --> 00:18:09,588
plan to announce the
Grand Phoenix.
424
00:18:09,655 --> 00:18:10,522
>> Nate: I am on it.
425
00:18:10,589 --> 00:18:12,357
[ Chuckles ]
>> Billy: See you guys in a bit.
426
00:18:12,424 --> 00:18:13,125
>> Imani: Thanks, guys.
427
00:18:13,192 --> 00:18:13,926
>> Lily: Bye. Thank you.
428
00:18:13,992 --> 00:18:16,962
>> Imani: Appreciate it.
429
00:18:17,029 --> 00:18:18,797
God, Nate!
430
00:18:18,864 --> 00:18:21,066
Oh, my God, you were on fire
in there.
431
00:18:21,133 --> 00:18:22,701
You brought so much energy to
the room.
432
00:18:22,768 --> 00:18:23,836
>> Nate: It felt good.
433
00:18:23,902 --> 00:18:26,038
>> Imani: [ Sighs ]
>> Nate: For the first time in a
434
00:18:26,104 --> 00:18:26,438
while.
435
00:18:26,505 --> 00:18:27,506
>> Imani: Wow.
436
00:18:27,573 --> 00:18:28,974
But like I said, there's
something else going on with
437
00:18:29,041 --> 00:18:31,677
you, maybe something you didn't
mention?
438
00:18:31,743 --> 00:18:35,380
>> Nate: [ Chuckles ]
I'm taking your advice.
439
00:18:35,447 --> 00:18:38,350
I'm going to make a big move
while Devon's gone.
440
00:18:38,417 --> 00:18:39,418
>> Imani: Huh.
441
00:18:39,485 --> 00:18:40,953
Can I know the details?
442
00:18:41,019 --> 00:18:45,190
>> Nate: Let's just say I plan
to generate the kind of success
443
00:18:45,257 --> 00:18:47,860
even Devon can't dump all over.
444
00:18:47,926 --> 00:18:50,128
>> Lily: Nate seemed really
enthusiastic, right?
445
00:18:50,195 --> 00:18:52,130
>> Billy: Yeah. Yeah, he did.
446
00:18:52,197 --> 00:18:54,166
He seemed engaged and excited.
447
00:18:54,233 --> 00:18:54,733
>> Lily: Yeah.
448
00:18:54,800 --> 00:18:55,634
>> Billy: No negativity.
449
00:18:55,701 --> 00:18:56,835
>> Lily: I know.
450
00:18:56,902 --> 00:18:58,871
I thought things had gotten so
strained between him and Devon
451
00:18:58,937 --> 00:19:02,007
that he was gonna quit, but I
think he turned a corner.
452
00:19:02,074 --> 00:19:04,042
>> Billy: Things are moving in
the right direction.
453
00:19:04,109 --> 00:19:06,278
>> Lily: Yeah, they really are.
454
00:19:06,345 --> 00:19:09,948
>> Billy: I do want to talk to
you about something.
455
00:19:10,015 --> 00:19:11,917
Or someone.
456
00:19:11,984 --> 00:19:13,986
It's about Chelsea.
457
00:19:23,595 --> 00:19:25,797
>> "The Young and the Restless"
will continue.
458
00:19:48,654 --> 00:19:51,690
>> Tessa: [ Sighs ]
I can feel everyone's eyes on
459
00:19:51,757 --> 00:19:52,257
us.
460
00:19:52,324 --> 00:19:54,226
>> Mariah: Ignore them.
461
00:19:54,293 --> 00:19:56,828
>> Tessa: I'm sorry that I'm
slowing everything down.
462
00:19:56,895 --> 00:19:58,397
Am I just, like, totally blowing
this?
463
00:19:58,463 --> 00:20:00,566
>> Mariah: No, you are not, so
don't even let that thought
464
00:20:00,632 --> 00:20:02,801
creep into your head, okay?
465
00:20:02,868 --> 00:20:05,537
I have every confidence in you.
466
00:20:05,604 --> 00:20:07,606
I'm not concerned at all.
467
00:20:07,673 --> 00:20:11,076
>> Tessa: Uh, are you seeing
what's going on right now?
468
00:20:11,143 --> 00:20:12,578
>> Mariah: Yes.
469
00:20:12,644 --> 00:20:17,749
But I know you better than
anyone else.
470
00:20:17,816 --> 00:20:20,319
Do you remember when you were
shooting your music video,
471
00:20:20,385 --> 00:20:23,555
how miserable you were, how
nervous you were?
472
00:20:23,622 --> 00:20:26,892
>> Tessa: Actually, I don't
really remember that day.
473
00:20:26,959 --> 00:20:28,961
It was such a blur.
474
00:20:29,027 --> 00:20:31,997
But I -- I do remember that you
came up with something really
475
00:20:32,064 --> 00:20:33,165
wonderful at the end of the day.
476
00:20:33,231 --> 00:20:35,167
>> Mariah: No. You did.
477
00:20:35,233 --> 00:20:38,003
And that's exactly how today's
gonna go.
478
00:20:38,070 --> 00:20:43,342
You just need to get into the
right headspace.
479
00:20:43,408 --> 00:20:50,115
Tessa, you are a literal rock
star, okay?
480
00:20:50,182 --> 00:20:55,053
You have music flowing through
every fiber of your being.
481
00:20:55,120 --> 00:20:58,290
And when you were doing the
music video shoot, all you had
482
00:20:58,357 --> 00:21:03,962
to do was forget about yourself
and just feel your music.
483
00:21:04,029 --> 00:21:06,999
That's when the magic happened.
484
00:21:07,065 --> 00:21:08,200
>> Tessa: I hear you.
485
00:21:08,266 --> 00:21:09,401
>> Mariah: Yeah?
486
00:21:09,468 --> 00:21:10,936
>> Tessa: Yeah.
487
00:21:11,003 --> 00:21:15,307
I'd kiss you right now, but I
don't want to ruin my makeup.
488
00:21:15,374 --> 00:21:17,976
>> Mariah: [ Laughs ]
>> Tessa: Because I got a photo
489
00:21:18,043 --> 00:21:21,380
spread to do.
490
00:21:21,446 --> 00:21:22,648
>> Mariah: Alright, everybody!
491
00:21:22,714 --> 00:21:23,882
We are ready to go!
492
00:21:23,949 --> 00:21:25,784
>> Tessa: [ Exhales heavily ]
493
00:21:37,195 --> 00:21:39,998
>> Summer: There she is!
[ Camera shutter clicking ]
494
00:21:40,065 --> 00:21:42,267
You know, you really saved
the day.
495
00:21:42,334 --> 00:21:44,503
>> Mariah: I wasn't worried.
496
00:21:44,569 --> 00:21:45,871
I know my wife.
497
00:21:45,937 --> 00:21:52,177
And now the rest of the world is
gonna see, yet again, how truly
498
00:21:52,244 --> 00:21:53,378
special she is.
499
00:21:53,445 --> 00:21:54,946
[ Clicking continues ]
>> Billy: Oh, Chelsea was just
500
00:22:02,120 --> 00:22:04,056
pulling her life back together
after her break-up with Adam.
501
00:22:04,122 --> 00:22:07,192
And they have a kid together,
so you know -- that's hard to
502
00:22:07,259 --> 00:22:08,360
avoid.
503
00:22:08,427 --> 00:22:12,164
And then she's got to go and
watch Adam chase after Sally?
504
00:22:12,230 --> 00:22:13,999
She has this relationship with
Rey.
505
00:22:14,066 --> 00:22:16,468
He's kind with her, he's caring
towards her, and then he gets
506
00:22:16,535 --> 00:22:18,937
ripped out of her life, and then
her relationship with Chloe
507
00:22:19,004 --> 00:22:19,871
falls apart.
508
00:22:19,938 --> 00:22:21,907
That's a lot of blows to take
back to back.
509
00:22:21,973 --> 00:22:23,041
>> Lily: Yeah, it is.
510
00:22:23,108 --> 00:22:25,210
And then you walked away from
the podcast.
511
00:22:25,277 --> 00:22:26,211
>> Billy: Yeah.
512
00:22:26,278 --> 00:22:28,180
Which is still the right
decision, but I know for
513
00:22:28,246 --> 00:22:30,982
Chelsea that was more than just
a job for her.
514
00:22:31,049 --> 00:22:33,318
And then I shut her down when
she asked to spend more time
515
00:22:33,385 --> 00:22:34,286
with Johnny, too.
516
00:22:34,352 --> 00:22:35,821
>> Lily: Well, I mean, that's
understandable.
517
00:22:35,887 --> 00:22:37,622
She kind of sprung it on you
out of the blue.
518
00:22:37,689 --> 00:22:39,024
>> Billy: Yeah. No.
519
00:22:39,091 --> 00:22:41,760
I mean, there is that.
520
00:22:41,827 --> 00:22:44,596
And having that conversation at
the time just seemed out of the
521
00:22:44,663 --> 00:22:45,731
question.
522
00:22:45,797 --> 00:22:50,102
But now that I think about it,
I can see Chelsea's point.
523
00:22:50,168 --> 00:22:53,905
My priority is Johnny, making
sure that he's okay, but I know
524
00:22:53,972 --> 00:22:58,176
that he's gonna want to know
who his biological mother is.
525
00:22:58,243 --> 00:23:00,278
When that is, I don't know.
526
00:23:00,345 --> 00:23:03,548
I guess the best thing I can do
is allow them to spend some time
527
00:23:03,615 --> 00:23:07,185
together, you know, even if it's
the context of Johnny and Connor
528
00:23:07,252 --> 00:23:09,221
hanging out.
529
00:23:09,287 --> 00:23:11,556
What do you think?
530
00:23:11,623 --> 00:23:16,461
>> Lily: Well, I mean, I think
it's a really lovely gesture.
531
00:23:16,528 --> 00:23:21,099
And as someone who has also had
to deal with my own complicated
532
00:23:21,166 --> 00:23:25,137
family dynamic later in life, I
know what Johnny is gonna have
533
00:23:25,203 --> 00:23:27,305
to go through.
534
00:23:27,372 --> 00:23:32,077
So I think that it's right to
start dealing with it now, even
535
00:23:32,144 --> 00:23:35,847
if it's just baby steps, because
that way, when you do finally
536
00:23:35,914 --> 00:23:41,119
tell Johnny about Chelsea, he'll
know that she cared.
537
00:23:41,186 --> 00:23:44,156
>> Billy: And it will bring her
some joy.
538
00:23:44,222 --> 00:23:49,161
I have to say, when I see
Chelsea now, it's like some of
539
00:23:49,227 --> 00:23:51,596
the light has gone out of her
eyes.
540
00:23:51,663 --> 00:23:53,932
>> Chelsea: I'm sorry to get
your hopes up, Mom, but Connor
541
00:23:53,999 --> 00:23:55,767
and I aren't coming to stay.
542
00:23:55,834 --> 00:23:58,270
Adam won't allow it.
543
00:23:58,336 --> 00:24:00,939
No, no, I'm not going back to
the podcast.
544
00:24:01,006 --> 00:24:03,308
I've already told Billy.
545
00:24:03,375 --> 00:24:06,745
I can't. My decision is final.
546
00:24:06,812 --> 00:24:08,146
I don't know what I'm gonna do
next.
547
00:24:08,213 --> 00:24:09,815
Mom, I got to go, okay?
548
00:24:09,881 --> 00:24:12,450
I'll talk to you soon.
549
00:24:12,517 --> 00:24:13,885
Don't worry about me.
550
00:24:13,952 --> 00:24:16,755
I'll be fine.
551
00:24:24,529 --> 00:24:29,301
>> Elena: Imani. You're back.
552
00:24:29,367 --> 00:24:30,869
How's your mom doing?
553
00:24:30,936 --> 00:24:33,205
>> Imani: Still no change.
554
00:24:33,271 --> 00:24:35,774
>> Elena: I'm sorry to hear
that.
555
00:24:35,841 --> 00:24:38,043
I know how hard that can be.
556
00:24:38,109 --> 00:24:40,212
I will keep her in my prayers.
557
00:24:40,278 --> 00:24:41,780
>> Imani: Thank you.
558
00:24:41,847 --> 00:24:45,283
>> Elena: Well, I should get
going.
559
00:24:45,350 --> 00:24:47,719
>> Imani: Elena?
560
00:24:47,786 --> 00:24:51,256
I'm actually just coming from a
meeting with Nate.
561
00:24:51,323 --> 00:24:52,190
>> Elena: Oh?
562
00:24:52,257 --> 00:24:53,325
>> Imani: Yeah.
563
00:24:53,391 --> 00:24:55,827
Oh, my God. He is so good.
564
00:24:55,894 --> 00:24:58,597
He's excited about his job in a
way that I have never seen
565
00:24:58,663 --> 00:25:00,398
before.
566
00:25:00,465 --> 00:25:02,467
>> Elena: Oh, that's great to
hear.
567
00:25:02,534 --> 00:25:03,869
>> Imani: Really? Wow.
568
00:25:03,935 --> 00:25:07,539
I wasn't sure how you'd react
because Nate told me that you
569
00:25:07,606 --> 00:25:11,376
wanted him to quit.
570
00:25:11,443 --> 00:25:15,280
Ohh. [ Laughs ]
Are you upset that he shared
571
00:25:15,347 --> 00:25:16,514
that with me?
572
00:25:16,581 --> 00:25:18,817
>> Elena: Is that why you told
me?
573
00:25:18,884 --> 00:25:21,219
Because you were hoping I would
be upset?
574
00:25:21,286 --> 00:25:23,121
>> Imani: I don't know what you
mean.
575
00:25:23,188 --> 00:25:24,256
>> Elena: I think you do.
576
00:25:24,322 --> 00:25:26,458
>> Imani: [ Scoffs ]
>> Elena: And it makes me wonder
577
00:25:26,524 --> 00:25:28,627
what else you're hoping for when
it comes to Nate.
578
00:25:28,693 --> 00:25:30,395
>> Imani: You are so
overreacting.
579
00:25:30,462 --> 00:25:32,197
>> Elena: I don't think I am.
580
00:25:32,264 --> 00:25:34,399
I see you, Imani.
581
00:25:34,466 --> 00:25:37,969
I see exactly what you're
doing, and I would encourage
582
00:25:38,036 --> 00:25:39,537
you to stop.
583
00:25:49,014 --> 00:25:53,018
>> Lauren: Well, what started as
a rocky photo shoot ended up
584
00:25:53,084 --> 00:25:54,686
as an unqualified success.
585
00:25:54,753 --> 00:25:57,289
>> Summer: Thanks in part to the
way that Kyle dealt with Adam.
586
00:25:57,355 --> 00:25:59,491
>> Kyle: Well, and the way
Mariah calmed down Tessa.
587
00:25:59,557 --> 00:26:00,458
>> Lauren: Oh, yeah.
588
00:26:00,525 --> 00:26:02,494
Mariah certainly knows how to
reach her wife.
589
00:26:02,560 --> 00:26:03,628
>> Kyle: Mm.
590
00:26:03,695 --> 00:26:05,497
>> Summer: They have that
connection that married people
591
00:26:05,563 --> 00:26:05,931
have.
592
00:26:05,997 --> 00:26:07,132
>> Lauren: Aww.
593
00:26:07,198 --> 00:26:10,502
Now, I've been married a lot
longer than the two of you, and
594
00:26:10,568 --> 00:26:12,237
I still have that connection.
595
00:26:12,304 --> 00:26:14,339
So, call me in a decade, okay?
596
00:26:14,406 --> 00:26:16,508
>> Summer: You and Michael are
marriage goals.
597
00:26:16,574 --> 00:26:17,742
>> Kyle: Ooh, respect.
598
00:26:17,809 --> 00:26:21,079
>> Lauren: Ah, yes! [ Laughs ]
>> Summer: All in all, today was
599
00:26:21,146 --> 00:26:22,280
so worth it.
600
00:26:22,347 --> 00:26:26,484
I mean, the pictures exude light
and joy and love, and that's
601
00:26:26,551 --> 00:26:27,719
exactly what we were going for.
602
00:26:27,786 --> 00:26:30,956
>> Kyle: Hey, if the creative
director is happy, I am happy.
603
00:26:31,022 --> 00:26:33,825
>> Lauren: And I just thought
Tessa looked exquisite in all
604
00:26:33,892 --> 00:26:35,093
the clothes.
605
00:26:35,160 --> 00:26:38,063
And I could not be more thrilled
that Fenmore's is the exclusive
606
00:26:38,129 --> 00:26:39,831
American retailer for the line.
607
00:26:39,898 --> 00:26:41,066
>> Kyle: Mm.
608
00:26:41,132 --> 00:26:43,335
>> Lauren: [ Sighs ] I just --
I'm so impressed with the two of
609
00:26:43,401 --> 00:26:45,103
you, the way you've made over
Marchetti.
610
00:26:45,170 --> 00:26:48,440
I mean, the fashion house just
seems fresh.
611
00:26:48,506 --> 00:26:52,243
And the designer that took over
for Chelsea -- oh!
612
00:26:52,310 --> 00:26:54,045
Spectacular!
613
00:26:54,112 --> 00:26:56,314
>> Summer: Oh, we are so happy
with him.
614
00:26:56,381 --> 00:27:00,251
>> Kyle: His designs are
amazing.
615
00:27:00,318 --> 00:27:02,420
[ Cellphone pings ]
>> Adam: Diane.
616
00:27:20,338 --> 00:27:21,840
>> Diane: Adam.
617
00:27:21,906 --> 00:27:24,743
>> Adam: How'd the rest of the
shoot go after I left?
618
00:27:24,809 --> 00:27:26,811
>> Diane: Much better.
619
00:27:26,878 --> 00:27:28,513
>> Adam: Should I take that
personally?
620
00:27:28,580 --> 00:27:29,748
>> Diane: No.
621
00:27:29,814 --> 00:27:32,650
There were a number of factors
at work, but I think it ended up
622
00:27:32,717 --> 00:27:34,319
coming together quite nicely.
623
00:27:34,386 --> 00:27:35,553
>> Adam: Good.
624
00:27:35,620 --> 00:27:38,189
>> Diane: Yeah, I can imagine
everyone is sharing a collective
625
00:27:38,256 --> 00:27:38,957
sigh of relief.
626
00:27:39,024 --> 00:27:39,958
>> Adam: Mm.
627
00:27:40,025 --> 00:27:41,226
Well, it looked like the P.R.
628
00:27:41,292 --> 00:27:42,794
side of things was under
control.
629
00:27:42,861 --> 00:27:43,728
>> Diane: Thank you.
630
00:27:43,795 --> 00:27:44,796
Things went smoothly.
631
00:27:44,863 --> 00:27:45,930
>> Adam: Mm.
632
00:27:45,997 --> 00:27:48,466
>> Diane: It was kind of a
full-circle moment for me
633
00:27:48,533 --> 00:27:51,436
because years ago, before you
came to town, I, um --
634
00:27:51,503 --> 00:27:53,538
I modeled for Jabot.
635
00:27:53,605 --> 00:27:56,141
>> Adam: Well, maybe we can
bring back some of those classic
636
00:27:56,207 --> 00:27:57,242
campaigns, you know?
637
00:27:57,308 --> 00:27:59,044
Would you like to see your face
on a billboard again?
638
00:27:59,110 --> 00:28:00,311
>> Diane: Oh, God, no.
639
00:28:00,378 --> 00:28:03,815
I have already been foisted into
the public eye against my will.
640
00:28:03,882 --> 00:28:07,285
>> Adam: Yeah, I saw that
article.
641
00:28:07,352 --> 00:28:11,689
I, uh, know firsthand what it's
like to have all your past deeds
642
00:28:11,756 --> 00:28:12,457
exposed.
643
00:28:12,524 --> 00:28:14,692
Um...it sucks.
644
00:28:14,759 --> 00:28:17,262
>> Diane: Well, that's an
understatement, but thanks for
645
00:28:17,328 --> 00:28:18,229
the understanding.
646
00:28:18,296 --> 00:28:19,397
>> Adam: Yeah.
647
00:28:19,464 --> 00:28:22,934
>> Diane: It'll be nice to have
an ally in the building.
648
00:28:23,001 --> 00:28:24,936
>> Adam: That goes both ways.
649
00:28:25,003 --> 00:28:27,505
>> Diane: Yeah.
650
00:28:27,572 --> 00:28:29,674
>> Adam: So, what were you doing
in the office?
651
00:28:29,741 --> 00:28:31,342
Were you filling in Jack on
today?
652
00:28:31,409 --> 00:28:32,610
>> Diane: Oh, no.
653
00:28:32,677 --> 00:28:35,780
I was dropping off a list of the
bloggers that covered the shoot,
654
00:28:35,847 --> 00:28:38,917
along with some potential
fashion sites we can send the
655
00:28:38,983 --> 00:28:39,918
photos to.
656
00:28:39,984 --> 00:28:43,121
Oh, I believe I have a copy for
you right here.
657
00:28:43,188 --> 00:28:46,157
>> Adam: Oh, well, thank you for
acknowledging I have an actual
658
00:28:46,224 --> 00:28:47,392
job here.
659
00:28:47,459 --> 00:28:50,495
>> Diane: [ Sighs ] Yeah. I --
I didn't hear what Kyle said to
660
00:28:50,562 --> 00:28:53,798
you earlier, but I didn't need
to.
661
00:28:53,865 --> 00:28:55,967
I'm -- I'm sorry.
662
00:28:56,034 --> 00:28:57,368
That must have been
disappointing.
663
00:28:57,435 --> 00:29:00,772
>> Adam: [ Chuckles ]
Well, to put it mildly.
664
00:29:00,839 --> 00:29:02,073
>> Diane: Okay.
665
00:29:02,140 --> 00:29:04,476
Uh, insulting? Infuriating?
666
00:29:04,542 --> 00:29:06,511
>> Adam: Eh, you're getting a
little warmer.
667
00:29:06,578 --> 00:29:08,880
>> Diane: I know what it's like
to be on the receiving end of
668
00:29:08,947 --> 00:29:10,115
that sort of thing.
669
00:29:10,181 --> 00:29:12,684
>> Adam: Yeah, it almost felt
like I was talking to Victoria.
670
00:29:12,750 --> 00:29:16,254
You know, I left Newman Media
and my family to get away from
671
00:29:16,321 --> 00:29:17,489
judgment and condescension.
672
00:29:17,555 --> 00:29:20,291
It seems like I might have just,
uh, swapped it out for a
673
00:29:20,358 --> 00:29:21,459
different variety.
674
00:29:21,526 --> 00:29:23,695
>> Diane: I hear you.
675
00:29:23,761 --> 00:29:26,798
The only reason Phyllis sold her
hotel and came to work for
676
00:29:26,865 --> 00:29:30,535
Marchetti was so that she could
spearhead some secret,
677
00:29:30,602 --> 00:29:33,171
backstabbing plot against me.
678
00:29:35,940 --> 00:29:39,144
>> Phyllis: Who the hell
convinced Talia's editor to kill
679
00:29:39,210 --> 00:29:40,879
all future stories on Diane?
680
00:29:40,945 --> 00:29:42,680
>> Nikki: I don't know.
681
00:29:42,747 --> 00:29:44,015
I mean, could she have done it
herself?
682
00:29:44,082 --> 00:29:46,518
>> Phyllis: Diane doesn't have
that kind of clout.
683
00:29:46,584 --> 00:29:49,754
>> Nikki: [ Sighs ]
Maybe Jack used his influence.
684
00:29:49,821 --> 00:29:50,989
>> Phyllis: Mnh-mnh, mnh-mnh.
685
00:29:51,055 --> 00:29:53,725
I refuse to believe that Jack is
that far gone.
686
00:29:53,791 --> 00:29:54,893
I refuse to believe it.
687
00:29:54,959 --> 00:29:57,896
Besides, he seemed genuinely
concerned that there were more
688
00:29:57,962 --> 00:30:00,798
articles to come.
689
00:30:00,865 --> 00:30:04,369
Nikki, I cannot believe that
this phase in our plan has been
690
00:30:04,435 --> 00:30:05,503
stopped in its tracks.
691
00:30:05,570 --> 00:30:07,839
>> Nikki: Okay, well, it's not
our only phase.
692
00:30:07,906 --> 00:30:11,075
You're supposed to be working
your angle inside Marchetti.
693
00:30:11,142 --> 00:30:12,710
>> Phyllis: I am.
694
00:30:12,777 --> 00:30:15,547
>> Nikki: Okay. Good.
695
00:30:15,613 --> 00:30:19,217
In the meantime, I have decided
another approach for our
696
00:30:19,284 --> 00:30:21,219
problem.
697
00:30:21,286 --> 00:30:32,730
>> Phyllis: Okay, you want
to be more specific?
698
00:30:32,797 --> 00:30:37,969
>> Nikki: Next week, I am going
to Los Angeles...
699
00:30:38,036 --> 00:30:40,205
to see Deacon Sharpe.
700
00:30:51,449 --> 00:30:52,250
>> Tessa: Hi.
701
00:30:52,317 --> 00:30:53,985
>> Mariah: Hey.
702
00:30:54,052 --> 00:30:57,322
>> Tessa: I had you all pretty
worried there for a sec, huh?
703
00:30:57,388 --> 00:30:58,856
>> Mariah: Not me.
704
00:30:58,923 --> 00:31:00,792
Not for a second.
705
00:31:00,858 --> 00:31:02,293
>> Tessa: Poor Lauren.
706
00:31:02,360 --> 00:31:05,430
>> Mariah: [ Laughs ]
She was thrilled, by the way,
707
00:31:05,496 --> 00:31:09,067
with everything, the way that it
turned out -- and Summer and
708
00:31:09,133 --> 00:31:10,101
Kyle.
709
00:31:10,168 --> 00:31:13,371
You were, like, the glam model
of their fantasies.
710
00:31:13,438 --> 00:31:15,240
>> Tessa: Mm. How about you?
711
00:31:15,306 --> 00:31:19,611
>> Mariah: Oh, the fantasies
that I have...
712
00:31:19,677 --> 00:31:25,250
You at home, your bunny
slippers, that dirty hoodie that
713
00:31:25,316 --> 00:31:26,484
you wear to work out.
714
00:31:26,551 --> 00:31:28,786
>> Tessa: I wash it sometimes.
715
00:31:28,853 --> 00:31:31,823
[ Both laugh ]
>> Mariah: I love you in it.
716
00:31:31,889 --> 00:31:34,359
And out of it.
717
00:31:34,425 --> 00:31:37,028
High fashion or no fashion at
all.
718
00:31:37,095 --> 00:31:39,330
>> Tessa: How lucky are we?
719
00:31:39,397 --> 00:31:41,566
>> Mariah: The luckiest.
720
00:31:47,005 --> 00:31:49,307
>> Elena: I see what's going on
here.
721
00:31:49,374 --> 00:31:53,311
And yet I continue to give you
the benefit of the doubt.
722
00:31:53,378 --> 00:31:57,181
I have put up with your flirting
and your little digs.
723
00:31:57,248 --> 00:31:58,883
But this?
724
00:31:58,950 --> 00:32:03,488
This could actually hurt Nate's
relationship with Devon, not to
725
00:32:03,554 --> 00:32:06,057
mention cause him to lose his
job and his connection with his
726
00:32:06,124 --> 00:32:07,325
entire family.
727
00:32:07,392 --> 00:32:10,728
>> Imani: Look, I am just trying
to encourage Nate to follow his
728
00:32:10,795 --> 00:32:11,863
potential.
729
00:32:11,929 --> 00:32:14,265
>> Elena: By going behind
Devon's back and doing exactly
730
00:32:14,332 --> 00:32:15,700
what he asked him not to?
731
00:32:15,767 --> 00:32:19,070
>> Imani: [ Sighs ]
So he's going forth with the
732
00:32:19,137 --> 00:32:19,904
music festival.
733
00:32:19,971 --> 00:32:21,939
[ Chuckles ] Fantastic.
734
00:32:22,006 --> 00:32:23,441
>> Elena: It's a mistake.
735
00:32:23,508 --> 00:32:24,809
>> Imani: Why?
736
00:32:24,876 --> 00:32:26,711
[ Chuckles ]
'Cause you want him to go
737
00:32:26,778 --> 00:32:28,179
running back to medicine?
738
00:32:28,246 --> 00:32:30,515
Something that clearly makes him
unhappy?
739
00:32:30,581 --> 00:32:35,320
>> Elena: [ Scoffs ]
>> Imani: Well, obviously I have
740
00:32:35,386 --> 00:32:50,268
more faith in Nate as a
businessman than you do.
741
00:32:50,335 --> 00:32:51,536
more faith in Nate as a
businessman than you do.
742
00:32:51,602 --> 00:32:53,037
>> Nate: Wanted to let you know
we're moving forward with the
743
00:32:53,104 --> 00:32:55,039
music festival.
744
00:32:55,106 --> 00:32:58,176
Yes, I understand it would be
costly to cancel, but I am
745
00:32:58,242 --> 00:33:01,479
focused on the upside, which
will be tremendous.
746
00:33:01,546 --> 00:33:04,382
I'm getting the performance
contracts started, and I found
747
00:33:04,449 --> 00:33:05,216
land to lease.
748
00:33:05,283 --> 00:33:08,920
Let's make this happen.
749
00:33:08,986 --> 00:33:11,422
>> Chelsea: Johnny, I am sorry
Connor didn't even say hi.
750
00:33:11,489 --> 00:33:13,758
He jumped in that pool before
I'd even turned around.
751
00:33:13,825 --> 00:33:14,992
>> Johnny: Can I go swimming,
too?
752
00:33:15,059 --> 00:33:17,095
>> Billy: Yes, you can, but can
you please say hello first?
753
00:33:17,161 --> 00:33:18,029
>> Johnny: Hi.
754
00:33:18,096 --> 00:33:18,896
>> Chelsea: Hi.
755
00:33:18,963 --> 00:33:20,298
Your dad tells me you're a great
swimmer.
756
00:33:20,365 --> 00:33:23,835
>> Johnny: Yeah, I'm pretty
good, I guess.
757
00:33:23,901 --> 00:33:25,670
>> Chelsea: Oh, do you have on
enough sunscreen?
758
00:33:25,737 --> 00:33:27,271
>> Johnny: Yeah.
759
00:33:27,338 --> 00:33:29,807
I put on a ton.
760
00:33:29,874 --> 00:33:32,844
>> Billy: Uh, okay, why don't
you go say hi to Connor?
761
00:33:32,910 --> 00:33:34,946
You don't have to listen to our
boring conversation.
762
00:33:35,012 --> 00:33:36,280
Let me see your best cannonball.
763
00:33:36,347 --> 00:33:37,081
>> Johnny: Cool. Thanks.
764
00:33:37,148 --> 00:33:37,682
>> Billy: Alright.
765
00:33:37,749 --> 00:33:38,316
>> Johnny: Connor!
766
00:33:38,383 --> 00:33:40,418
>> Chelsea: Oh, be careful!
767
00:33:40,485 --> 00:33:40,818
Wow.
768
00:33:40,885 --> 00:33:41,486
>> Billy: Ahh.
769
00:33:41,552 --> 00:33:42,587
>> Chelsea: Eee. Well...
770
00:33:42,653 --> 00:33:43,755
>> Billy: That was close.
771
00:33:43,821 --> 00:33:45,156
>> Chelsea: It was really close.
772
00:33:45,223 --> 00:33:46,491
Thank you for this.
773
00:33:46,557 --> 00:33:48,459
It's really special seeing them
together.
774
00:33:48,526 --> 00:33:51,162
Sometimes I think having Connor
was the only good thing I've
775
00:33:51,229 --> 00:33:52,296
ever done.
776
00:33:52,363 --> 00:33:54,332
Well, that and making sure
Johnny has a wonderful family.
777
00:33:54,399 --> 00:33:56,033
That's something, too.
778
00:33:56,100 --> 00:33:59,103
>> Billy: Well, I hope you're
feeling better than you were the
779
00:33:59,170 --> 00:34:00,338
last time we talked.
780
00:34:00,405 --> 00:34:04,842
>> Chelsea: [ Sighs ]
This helps a lot.
781
00:34:04,909 --> 00:34:07,545
And as far as the other stuff
goes, I'm just taking it one day
782
00:34:07,612 --> 00:34:09,113
at a time.
783
00:34:09,180 --> 00:34:11,182
>> Billy: [ Chuckles ]
>> Diane: The difference between
784
00:34:15,520 --> 00:34:17,989
you and me is that you have no
specific enemies at Jabot.
785
00:34:18,055 --> 00:34:20,858
>> Adam: Oh, I wouldn't be so
sure about that.
786
00:34:20,925 --> 00:34:23,461
Kyle wasn't warm and fuzzy.
787
00:34:23,528 --> 00:34:27,698
And, um, you know, Ashley --
she will always hate me.
788
00:34:27,765 --> 00:34:30,868
And I'm sure that Billy makes
his displeasures known any
789
00:34:30,935 --> 00:34:32,603
chance he gets.
790
00:34:32,670 --> 00:34:36,774
>> Diane: True, but none of them
are actively trying to undermine
791
00:34:36,841 --> 00:34:40,578
you, which means that you have a
shot of winning people over.
792
00:34:40,645 --> 00:34:43,981
I've -- I've made a little
progress in that area because
793
00:34:44,048 --> 00:34:46,384
there are a few who are willing
to give me a chance to prove
794
00:34:46,451 --> 00:34:48,186
that I'm sincere.
795
00:34:48,252 --> 00:34:52,123
[ Scoffs ] But Phyllis will
never change the way she thinks
796
00:34:52,190 --> 00:34:58,029
about me because, with Phyllis,
you're an enemy for life.
797
00:34:58,096 --> 00:34:59,197
>> Phyllis: Oh, my God. What?
798
00:34:59,263 --> 00:35:00,264
Deacon Sharpe? Oh, my God.
799
00:35:00,331 --> 00:35:02,133
>> Nikki: Alright, alright, will
you please stop?
800
00:35:02,200 --> 00:35:04,836
I don't need to hear about your
history with him.
801
00:35:04,902 --> 00:35:06,204
Unless it could be useful?
802
00:35:06,270 --> 00:35:10,441
>> Phyllis: Uh...it's not
memorable.
803
00:35:10,508 --> 00:35:11,476
I'll just say that.
804
00:35:11,542 --> 00:35:13,377
Um...
805
00:35:13,444 --> 00:35:14,812
But I don't understand.
806
00:35:14,879 --> 00:35:19,383
If Talia can't write any more
stories about Diane, why do you
807
00:35:19,450 --> 00:35:21,285
have to meet with Deacon Sharpe?
808
00:35:21,352 --> 00:35:24,021
>> Nikki: She thinks she might
be able to change her editor's
809
00:35:24,088 --> 00:35:27,091
mind if Deacon has something
juicy to add.
810
00:35:27,158 --> 00:35:29,093
I mean, I don't know.
811
00:35:29,160 --> 00:35:31,863
He could have so much dirt on
her that she could write a whole
812
00:35:31,929 --> 00:35:32,830
book about Diane.
813
00:35:32,897 --> 00:35:35,933
>> Phyllis: Oh, my God, that
would be amazing.
814
00:35:36,000 --> 00:35:39,136
Nikki, I -- I have to ask you.
815
00:35:39,203 --> 00:35:41,239
Are you up for this?
816
00:35:41,305 --> 00:35:45,977
I mean, Deacon is the one who
helped Diane fake her own death
817
00:35:46,043 --> 00:35:49,080
and that you were up on murder
charges.
818
00:35:49,146 --> 00:35:50,781
Can you handle this?
819
00:35:50,848 --> 00:35:54,585
>> Nikki: I can definitely
handle it.
820
00:35:54,652 --> 00:35:57,555
And it's long overdue.
821
00:36:08,366 --> 00:36:11,302
♪♪
822
00:36:11,369 --> 00:36:14,305
-- Captions by VITAC --
www.vitac.com
823
00:36:14,372 --> 00:36:17,308
Captioning Provided by
Bell Dramatic Serial Company,
824
00:36:17,375 --> 00:36:20,311
Sony Pictures Television
and CBS, Inc.
825
00:36:20,378 --> 00:36:25,616
♪♪
>> Join us again for
826
00:36:25,683 --> 00:36:27,184
"The Young and the Restless."