1 00:00:15,003 --> 00:00:17,304 [ APPLAUSE ] >>> OKAY. OKAY. 2 00:00:17,306 --> 00:00:17,871 >>> OKAY. OKAY. EVERYONE, SETTLE DOWN. 3 00:00:17,873 --> 00:00:19,606 OKAY. EVERYONE, SETTLE DOWN. SETTLE DOWN. 4 00:00:19,608 --> 00:00:22,476 EVERYONE, SETTLE DOWN. SETTLE DOWN. MY NAME IS ALINA HABBA. 5 00:00:22,478 --> 00:00:24,778 SETTLE DOWN. MY NAME IS ALINA HABBA. I'M THE ATTORNEY FOR PRESIDENT 6 00:00:24,780 --> 00:00:26,613 MY NAME IS ALINA HABBA. I'M THE ATTORNEY FOR PRESIDENT TRUMP IN THE SECOND DEFAMATION 7 00:00:26,615 --> 00:00:28,816 I'M THE ATTORNEY FOR PRESIDENT TRUMP IN THE SECOND DEFAMATION TRIAL OF E. JEAN CARROLL. 8 00:00:28,818 --> 00:00:30,117 TRUMP IN THE SECOND DEFAMATION TRIAL OF E. JEAN CARROLL. THE JUDGE HAS BEEN VERY UNFAIR 9 00:00:30,119 --> 00:00:32,019 TRIAL OF E. JEAN CARROLL. THE JUDGE HAS BEEN VERY UNFAIR FROM THE BEGINNING, AND I WANT 10 00:00:32,021 --> 00:00:34,354 THE JUDGE HAS BEEN VERY UNFAIR FROM THE BEGINNING, AND I WANT TO MAKE THIS PERFECTLY CLEAR, I 11 00:00:34,356 --> 00:00:35,122 FROM THE BEGINNING, AND I WANT TO MAKE THIS PERFECTLY CLEAR, I AM NEW AT THIS, AND I AM 12 00:00:35,124 --> 00:00:37,925 TO MAKE THIS PERFECTLY CLEAR, I AM NEW AT THIS, AND I AM LEARNING. 13 00:00:37,927 --> 00:00:39,293 AM NEW AT THIS, AND I AM LEARNING. NOW, THE PRESIDENT MAY OR MAY 14 00:00:39,295 --> 00:00:41,595 LEARNING. NOW, THE PRESIDENT MAY OR MAY NOT STOP FOR BRIEF REMARKS, BUT 15 00:00:41,597 --> 00:00:43,764 NOW, THE PRESIDENT MAY OR MAY NOT STOP FOR BRIEF REMARKS, BUT DUE TO A STRICT GAG ORDER, HE 16 00:00:43,766 --> 00:00:46,533 NOT STOP FOR BRIEF REMARKS, BUT DUE TO A STRICT GAG ORDER, HE WILL NOT BE COMMENTING ON 17 00:00:46,535 --> 00:00:49,169 DUE TO A STRICT GAG ORDER, HE WILL NOT BE COMMENTING ON ANYTHING PERTAINING TO THIS 18 00:00:49,171 --> 00:00:50,904 WILL NOT BE COMMENTING ON ANYTHING PERTAINING TO THIS CASE, MS. CARROLL, OR THE JUDGE. 19 00:00:50,906 --> 00:00:52,673 ANYTHING PERTAINING TO THIS CASE, MS. CARROLL, OR THE JUDGE. >> THANK YOU, ALINA. 20 00:00:52,675 --> 00:00:53,941 CASE, MS. CARROLL, OR THE JUDGE. >> THANK YOU, ALINA. YOU'RE GREAT ON TV. 21 00:00:53,943 --> 00:00:55,976 >> THANK YOU, ALINA. YOU'RE GREAT ON TV. MAYBE THE WORST LAWYER I'VE EVER 22 00:00:55,978 --> 00:00:57,644 YOU'RE GREAT ON TV. MAYBE THE WORST LAWYER I'VE EVER HAD, WHICH IS QUITE AN 23 00:00:57,646 --> 00:00:58,178 MAYBE THE WORST LAWYER I'VE EVER HAD, WHICH IS QUITE AN ACCOMPLISHMENT. 24 00:00:58,180 --> 00:00:59,480 HAD, WHICH IS QUITE AN ACCOMPLISHMENT. LOOK AT THIS TEAM. 25 00:00:59,482 --> 00:01:00,481 ACCOMPLISHMENT. LOOK AT THIS TEAM. THIS IS THE BOTTOM OF THE 26 00:01:00,483 --> 00:01:01,715 LOOK AT THIS TEAM. THIS IS THE BOTTOM OF THE BARREL, FOLKS. 27 00:01:01,717 --> 00:01:03,383 THIS IS THE BOTTOM OF THE BARREL, FOLKS. THIS IS WHO SAID YES. 28 00:01:03,385 --> 00:01:04,785 BARREL, FOLKS. THIS IS WHO SAID YES. I'M IN THE LEAD FOR PRESIDENT, 29 00:01:04,787 --> 00:01:07,221 THIS IS WHO SAID YES. I'M IN THE LEAD FOR PRESIDENT, AND THIS IS THE BEST I CAN GET. 30 00:01:07,223 --> 00:01:10,124 I'M IN THE LEAD FOR PRESIDENT, AND THIS IS THE BEST I CAN GET. FEELS LIKE A RED FLAG, NO? 31 00:01:10,126 --> 00:01:11,525 AND THIS IS THE BEST I CAN GET. FEELS LIKE A RED FLAG, NO? WELL, YOU'RE NOT GETTING PAID BY 32 00:01:11,527 --> 00:01:12,593 FEELS LIKE A RED FLAG, NO? WELL, YOU'RE NOT GETTING PAID BY THE WAY. 33 00:01:12,595 --> 00:01:13,927 WELL, YOU'RE NOT GETTING PAID BY THE WAY. YOU KNOW THAT? 34 00:01:13,929 --> 00:01:14,628 THE WAY. YOU KNOW THAT? OF COURSE YOU DO. 35 00:01:14,630 --> 00:01:15,362 YOU KNOW THAT? OF COURSE YOU DO. ALL RIGHT. 36 00:01:15,364 --> 00:01:15,729 OF COURSE YOU DO. ALL RIGHT. THANK YOU. 37 00:01:15,731 --> 00:01:16,964 ALL RIGHT. THANK YOU. THANK YOU, GUYS. 38 00:01:16,966 --> 00:01:18,532 THANK YOU. THANK YOU, GUYS. SEE YOU AT SHAKY'S. 39 00:01:18,534 --> 00:01:19,833 THANK YOU, GUYS. SEE YOU AT SHAKY'S. YOU CAN GET OUT OF HERE. 40 00:01:19,835 --> 00:01:22,302 SEE YOU AT SHAKY'S. YOU CAN GET OUT OF HERE. BUT WE ARE HERE AT COURTHOUSE, 41 00:01:22,304 --> 00:01:25,272 YOU CAN GET OUT OF HERE. BUT WE ARE HERE AT COURTHOUSE, AND, YES, WE WILL BE ABIDING BY 42 00:01:25,274 --> 00:01:27,441 BUT WE ARE HERE AT COURTHOUSE, AND, YES, WE WILL BE ABIDING BY THIS HORRIBLE GAG ORDER, SO I 43 00:01:27,443 --> 00:01:30,677 AND, YES, WE WILL BE ABIDING BY THIS HORRIBLE GAG ORDER, SO I WILL NOT BE SAYING THAT THE 44 00:01:30,679 --> 00:01:31,979 THIS HORRIBLE GAG ORDER, SO I WILL NOT BE SAYING THAT THE JUDGE IS AN IDIOT OR WHERE HE 45 00:01:31,981 --> 00:01:34,181 WILL NOT BE SAYING THAT THE JUDGE IS AN IDIOT OR WHERE HE LIVES OR WHAT KIND OF CRAPPY CAR 46 00:01:34,183 --> 00:01:35,182 JUDGE IS AN IDIOT OR WHERE HE LIVES OR WHAT KIND OF CRAPPY CAR HE DRIVES. 47 00:01:35,184 --> 00:01:37,684 LIVES OR WHAT KIND OF CRAPPY CAR HE DRIVES. I DIDN'T KNOW THEY STILL MADE 48 00:01:37,686 --> 00:01:39,253 HE DRIVES. I DIDN'T KNOW THEY STILL MADE WAGONEERS, BUT IT'S A TERRIBLE 49 00:01:39,255 --> 00:01:40,420 I DIDN'T KNOW THEY STILL MADE WAGONEERS, BUT IT'S A TERRIBLE TIME FOR OUR COUNTRY. 50 00:01:40,422 --> 00:01:45,425 WAGONEERS, BUT IT'S A TERRIBLE TIME FOR OUR COUNTRY. I AM STANDING WEIRDER THAN EVER. 51 00:01:45,427 --> 00:01:48,295 TIME FOR OUR COUNTRY. I AM STANDING WEIRDER THAN EVER. ARMS LIKE A GI JOE, LEGS LIKE 52 00:01:48,297 --> 00:01:49,830 I AM STANDING WEIRDER THAN EVER. ARMS LIKE A GI JOE, LEGS LIKE THE SMOOTH CRIMINAL VIDEO. 53 00:01:49,832 --> 00:01:51,799 ARMS LIKE A GI JOE, LEGS LIKE THE SMOOTH CRIMINAL VIDEO. LOOK LIKE I'M ALWAYS IN SKI 54 00:01:51,801 --> 00:01:52,099 THE SMOOTH CRIMINAL VIDEO. LOOK LIKE I'M ALWAYS IN SKI BOOTS. 55 00:01:52,101 --> 00:01:53,534 LOOK LIKE I'M ALWAYS IN SKI BOOTS. MAKE IT MAKE SENSE. 56 00:01:53,536 --> 00:01:55,669 BOOTS. MAKE IT MAKE SENSE. WE JUST GOT BACK FROM IOWA WHERE 57 00:01:55,671 --> 00:01:57,938 MAKE IT MAKE SENSE. WE JUST GOT BACK FROM IOWA WHERE WE WON VERY BIG, VERY BIG IN 58 00:01:57,940 --> 00:01:58,438 WE JUST GOT BACK FROM IOWA WHERE WE WON VERY BIG, VERY BIG IN IOWA. 59 00:01:58,440 --> 00:02:01,508 WE WON VERY BIG, VERY BIG IN IOWA. I WANT TO CONGRATULATE 60 00:02:01,510 --> 00:02:03,010 IOWA. I WANT TO CONGRATULATE MR. DeSANTIS ON A TRULY 61 00:02:03,012 --> 00:02:05,179 I WANT TO CONGRATULATE MR. DeSANTIS ON A TRULY EMBARRASSING SHOWING. 62 00:02:05,181 --> 00:02:07,247 MR. DeSANTIS ON A TRULY EMBARRASSING SHOWING. HE WENT TO 99 COUNTIES, BUT 63 00:02:07,249 --> 00:02:08,849 EMBARRASSING SHOWING. HE WENT TO 99 COUNTIES, BUT BITCH COULDN'T WIN ONE. 64 00:02:08,851 --> 00:02:12,553 HE WENT TO 99 COUNTIES, BUT BITCH COULDN'T WIN ONE. RON DESTUPID. 65 00:02:12,555 --> 00:02:13,320 BITCH COULDN'T WIN ONE. RON DESTUPID. RON DESTUPID. 66 00:02:13,322 --> 00:02:14,121 RON DESTUPID. RON DESTUPID. IT JUST WORKS. 67 00:02:14,123 --> 00:02:16,857 RON DESTUPID. IT JUST WORKS. WE'RE GOING WITH RON DESTUPID. 68 00:02:16,859 --> 00:02:19,259 IT JUST WORKS. WE'RE GOING WITH RON DESTUPID. ALSO WANT TO CONGRATULATE 69 00:02:19,261 --> 00:02:24,932 WE'RE GOING WITH RON DESTUPID. ALSO WANT TO CONGRATULATE MR. RAMASWAMY. 70 00:02:24,934 --> 00:02:27,568 ALSO WANT TO CONGRATULATE MR. RAMASWAMY. VIVEKAA. RAMASWAMY WHO DROPPED 71 00:02:27,570 --> 00:02:29,102 MR. RAMASWAMY. VIVEKAA. RAMASWAMY WHO DROPPED OUT OF THE RACE AND HAS AGREED 72 00:02:29,104 --> 00:02:30,771 VIVEKAA. RAMASWAMY WHO DROPPED OUT OF THE RACE AND HAS AGREED TO LIVE IN MY SUIT POCKET. 73 00:02:30,773 --> 00:02:32,573 OUT OF THE RACE AND HAS AGREED TO LIVE IN MY SUIT POCKET. I LOVE MY LITTLE RATATOUILLE. 74 00:02:32,575 --> 00:02:35,275 TO LIVE IN MY SUIT POCKET. I LOVE MY LITTLE RATATOUILLE. AS YOU CAN SEE, I AM DOING VERY 75 00:02:35,277 --> 00:02:37,077 I LOVE MY LITTLE RATATOUILLE. AS YOU CAN SEE, I AM DOING VERY WELL COGNITIVELY. 76 00:02:37,079 --> 00:02:40,347 AS YOU CAN SEE, I AM DOING VERY WELL COGNITIVELY. DOING GREAT WITH COGNITIVE. 77 00:02:40,349 --> 00:02:42,316 WELL COGNITIVELY. DOING GREAT WITH COGNITIVE. I'M MORE COGNITIVE THAN EVER. 78 00:02:42,318 --> 00:02:44,351 DOING GREAT WITH COGNITIVE. I'M MORE COGNITIVE THAN EVER. THE DOCTOR SAID, SIR, YOU HAVE 79 00:02:44,353 --> 00:02:48,689 I'M MORE COGNITIVE THAN EVER. THE DOCTOR SAID, SIR, YOU HAVE TO BE IN THE TOP 99% OF ALL THE 80 00:02:48,691 --> 00:02:49,857 THE DOCTOR SAID, SIR, YOU HAVE TO BE IN THE TOP 99% OF ALL THE CON THE CUSHION AND DEMENTIA 81 00:02:49,859 --> 00:02:51,258 TO BE IN THE TOP 99% OF ALL THE CON THE CUSHION AND DEMENTIA PEOPLE WE GIVE THIS TEST TO. 82 00:02:51,260 --> 00:02:53,794 CON THE CUSHION AND DEMENTIA PEOPLE WE GIVE THIS TEST TO. I SAID, WELL, I GUESS I'M VERY 83 00:02:53,796 --> 00:02:55,596 PEOPLE WE GIVE THIS TEST TO. I SAID, WELL, I GUESS I'M VERY GOOD AT RECOGNIZING ELEPHANTS. 84 00:02:55,598 --> 00:02:56,597 I SAID, WELL, I GUESS I'M VERY GOOD AT RECOGNIZING ELEPHANTS. WHO KNEW. 85 00:02:56,599 --> 00:02:58,699 GOOD AT RECOGNIZING ELEPHANTS. WHO KNEW. AND NOW WE'RE HERE. 86 00:02:58,701 --> 00:03:01,702 WHO KNEW. AND NOW WE'RE HERE. AND THIS IS THE CAMPAIGN, FOLKS. 87 00:03:01,704 --> 00:03:04,037 AND NOW WE'RE HERE. AND THIS IS THE CAMPAIGN, FOLKS. THIS IS ALL THERE IS, ME YELLING 88 00:03:04,039 --> 00:03:05,839 AND THIS IS THE CAMPAIGN, FOLKS. THIS IS ALL THERE IS, ME YELLING IN COURTHOUSE LOBBY STANDING 89 00:03:05,841 --> 00:03:13,447 THIS IS ALL THERE IS, ME YELLING IN COURTHOUSE LOBBY STANDING BEHIND BARRICADE LIKE AFAMILY 90 00:03:13,449 --> 00:03:15,249 IN COURTHOUSE LOBBY STANDING BEHIND BARRICADE LIKE AFAMILY AT JFK PICKUP. 91 00:03:15,251 --> 00:03:17,284 BEHIND BARRICADE LIKE AFAMILY AT JFK PICKUP. BUT NEXT IS NEW HAMPSHIRE 92 00:03:17,286 --> 00:03:21,021 AT JFK PICKUP. BUT NEXT IS NEW HAMPSHIRE AGAINST NIKKI HALEY. 93 00:03:21,023 --> 00:03:22,456 BUT NEXT IS NEW HAMPSHIRE AGAINST NIKKI HALEY. NIKKI, NIKKI, SHE THOUGHT I WAS 94 00:03:22,458 --> 00:03:25,926 AGAINST NIKKI HALEY. NIKKI, NIKKI, SHE THOUGHT I WAS DONE, BUT I'M BACK IN A BIG WAY. 95 00:03:25,928 --> 00:03:30,764 NIKKI, NIKKI, SHE THOUGHT I WAS DONE, BUT I'M BACK IN A BIG WAY. I'M BACK LIKE "MEAN GIRLS." 96 00:03:30,766 --> 00:03:33,166 DONE, BUT I'M BACK IN A BIG WAY. I'M BACK LIKE "MEAN GIRLS." YEAH, WE LOVE "MEAN GIRLS." 97 00:03:33,168 --> 00:03:34,167 I'M BACK LIKE "MEAN GIRLS." YEAH, WE LOVE "MEAN GIRLS." WHERE'S LACY? 98 00:03:34,169 --> 00:03:35,636 YEAH, WE LOVE "MEAN GIRLS." WHERE'S LACY? LET OUT OF REMAKE. 99 00:03:35,638 --> 00:03:36,436 WHERE'S LACY? LET OUT OF REMAKE. SO SAD. 100 00:03:36,438 --> 00:03:39,640 LET OUT OF REMAKE. SO SAD. YOU KNOW HER FATHER DID TOASTER 101 00:03:39,642 --> 00:03:39,973 SO SAD. YOU KNOW HER FATHER DID TOASTER STRUDLE. 102 00:03:39,975 --> 00:03:42,142 YOU KNOW HER FATHER DID TOASTER STRUDLE. BUT SHE'S DOING GREAT THINGS IN 103 00:03:42,144 --> 00:03:45,078 STRUDLE. BUT SHE'S DOING GREAT THINGS IN TERMS OF HALLMARK MOVIES, 104 00:03:45,080 --> 00:03:45,879 BUT SHE'S DOING GREAT THINGS IN TERMS OF HALLMARK MOVIES, STAYING BUSY. 105 00:03:45,881 --> 00:03:47,547 TERMS OF HALLMARK MOVIES, STAYING BUSY. JUST LIKE ME, IT'S IMPORTANT TO 106 00:03:47,549 --> 00:03:49,082 STAYING BUSY. JUST LIKE ME, IT'S IMPORTANT TO HAVE HOBBIES. 107 00:03:49,084 --> 00:03:50,951 JUST LIKE ME, IT'S IMPORTANT TO HAVE HOBBIES. BIDEN HAS FALLING DOWN. 108 00:03:50,953 --> 00:03:51,919 HAVE HOBBIES. BIDEN HAS FALLING DOWN. I HAVE MY MINITRIALS. 109 00:03:51,921 --> 00:03:54,454 BIDEN HAS FALLING DOWN. I HAVE MY MINITRIALS. I LOVE BEING ON TRIAL. 110 00:03:54,456 --> 00:03:58,592 I HAVE MY MINITRIALS. I LOVE BEING ON TRIAL. BUT BIDEN'S VERY CREEPY. 111 00:03:58,594 --> 00:04:00,661 I LOVE BEING ON TRIAL. BUT BIDEN'S VERY CREEPY. HE SNIFFS LITTLE GIRLS' HAIR. 112 00:04:00,663 --> 00:04:01,328 BUT BIDEN'S VERY CREEPY. HE SNIFFS LITTLE GIRLS' HAIR. I AM DIFFERENT OF COURSE. 113 00:04:01,330 --> 00:04:03,897 HE SNIFFS LITTLE GIRLS' HAIR. I AM DIFFERENT OF COURSE. I DO FAR WORSE THAN THAT. 114 00:04:03,899 --> 00:04:06,266 I AM DIFFERENT OF COURSE. I DO FAR WORSE THAN THAT. YOU EVER SEE THAT VIDEO OF ME 115 00:04:06,268 --> 00:04:07,634 I DO FAR WORSE THAN THAT. YOU EVER SEE THAT VIDEO OF ME DANCING WITH EPSTEIN? 116 00:04:07,636 --> 00:04:10,971 YOU EVER SEE THAT VIDEO OF ME DANCING WITH EPSTEIN? BOY IS THIS SOME DARK ENERGY. 117 00:04:10,973 --> 00:04:11,638 DANCING WITH EPSTEIN? BOY IS THIS SOME DARK ENERGY. CLAPPING OFF BEAT. 118 00:04:11,640 --> 00:04:17,477 BOY IS THIS SOME DARK ENERGY. CLAPPING OFF BEAT. I GOT THE EUGENE LEVY EYEBROWS. 119 00:04:17,479 --> 00:04:19,680 CLAPPING OFF BEAT. I GOT THE EUGENE LEVY EYEBROWS. VERY STRANGE. 120 00:04:19,682 --> 00:04:20,647 I GOT THE EUGENE LEVY EYEBROWS. VERY STRANGE. I WOULD NOT BE SURPRISED IF THE 121 00:04:20,649 --> 00:04:22,249 VERY STRANGE. I WOULD NOT BE SURPRISED IF THE THAT FOOTAGE WAS FAKE. 122 00:04:22,251 --> 00:04:23,617 I WOULD NOT BE SURPRISED IF THE THAT FOOTAGE WAS FAKE. OF COURSE IT'S VERY REAL. 123 00:04:23,619 --> 00:04:25,452 THAT FOOTAGE WAS FAKE. OF COURSE IT'S VERY REAL. BUT YOU HAVE TO THINK IN MANY 124 00:04:25,454 --> 00:04:26,987 OF COURSE IT'S VERY REAL. BUT YOU HAVE TO THINK IN MANY WAYS IT COULD NOT BE. 125 00:04:26,989 --> 00:04:28,755 BUT YOU HAVE TO THINK IN MANY WAYS IT COULD NOT BE. WE'VE SEEN A LOT OF SUCCESS WITH 126 00:04:28,757 --> 00:04:30,524 WAYS IT COULD NOT BE. WE'VE SEEN A LOT OF SUCCESS WITH SAYING THINGS THAT DID NOT 127 00:04:30,526 --> 00:04:30,857 WE'VE SEEN A LOT OF SUCCESS WITH SAYING THINGS THAT DID NOT HAPPEN. 128 00:04:30,859 --> 00:04:32,359 SAYING THINGS THAT DID NOT HAPPEN. I THINK WE'LL CONTINUE TO DO 129 00:04:32,361 --> 00:04:33,126 HAPPEN. I THINK WE'LL CONTINUE TO DO THAT. 130 00:04:33,128 --> 00:04:34,928 I THINK WE'LL CONTINUE TO DO THAT. IT'S AN INNOVATION I'M 131 00:04:34,930 --> 00:04:36,363 THAT. IT'S AN INNOVATION I'M PARTICULARLY PROUD OF. 132 00:04:36,365 --> 00:04:37,731 IT'S AN INNOVATION I'M PARTICULARLY PROUD OF. SEEMS TO BE WORKING VERY WELL. 133 00:04:37,733 --> 00:04:40,133 PARTICULARLY PROUD OF. SEEMS TO BE WORKING VERY WELL. BUT I LOVE THIS COUNTRY AND ITS 134 00:04:40,135 --> 00:04:40,534 SEEMS TO BE WORKING VERY WELL. BUT I LOVE THIS COUNTRY AND ITS TRADITIONS. 135 00:04:40,536 --> 00:04:42,402 BUT I LOVE THIS COUNTRY AND ITS TRADITIONS. THAT'S WHY I'M NOT DOING ANY 136 00:04:42,404 --> 00:04:44,304 TRADITIONS. THAT'S WHY I'M NOT DOING ANY DEBATES AND BARELY DOING 137 00:04:44,306 --> 00:04:44,671 THAT'S WHY I'M NOT DOING ANY DEBATES AND BARELY DOING ELECTION. 138 00:04:44,673 --> 00:04:45,772 DEBATES AND BARELY DOING ELECTION. I DON'T NEED TO. 139 00:04:45,774 --> 00:04:46,640 ELECTION. I DON'T NEED TO. MY PEOPLE LOVE ME. 140 00:04:46,642 --> 00:04:48,208 I DON'T NEED TO. MY PEOPLE LOVE ME. I GOT THE OLD PEOPLE. 141 00:04:48,210 --> 00:04:50,210 MY PEOPLE LOVE ME. I GOT THE OLD PEOPLE. THEY'RE WAITING IN SNOW FOR TWO 142 00:04:50,212 --> 00:04:51,478 I GOT THE OLD PEOPLE. THEY'RE WAITING IN SNOW FOR TWO HOURS TO VOTE FOR TRUMP. 143 00:04:51,480 --> 00:04:53,347 THEY'RE WAITING IN SNOW FOR TWO HOURS TO VOTE FOR TRUMP. OH, DARLING, I'M DYING. 144 00:04:53,349 --> 00:04:55,015 HOURS TO VOTE FOR TRUMP. OH, DARLING, I'M DYING. I GOT TO DO ONE LAST THING. 145 00:04:55,017 --> 00:04:56,950 OH, DARLING, I'M DYING. I GOT TO DO ONE LAST THING. I GOT TO VOTE FOR TRUMP. 146 00:04:56,952 --> 00:04:59,753 I GOT TO DO ONE LAST THING. I GOT TO VOTE FOR TRUMP. WE JUST NEED THEM TO STAY ALIVE 147 00:04:59,755 --> 00:05:00,721 I GOT TO VOTE FOR TRUMP. WE JUST NEED THEM TO STAY ALIVE UNTIL NOVEMBER. 148 00:05:00,723 --> 00:05:01,989 WE JUST NEED THEM TO STAY ALIVE UNTIL NOVEMBER. STAY ALIVE UNTIL NOVEMBER. 149 00:05:01,991 --> 00:05:02,689 UNTIL NOVEMBER. STAY ALIVE UNTIL NOVEMBER. JUST PULL THAT LEVER AND DROP 150 00:05:02,691 --> 00:05:06,193 STAY ALIVE UNTIL NOVEMBER. JUST PULL THAT LEVER AND DROP DEAD. 151 00:05:06,195 --> 00:05:07,894 JUST PULL THAT LEVER AND DROP DEAD. WHY? 152 00:05:07,896 --> 00:05:09,763 DEAD. WHY? BECAUSE I AM SENT BY GOD, AND 153 00:05:09,765 --> 00:05:10,597 WHY? BECAUSE I AM SENT BY GOD, AND GOD HAS A PLAN FOR ME OR 154 00:05:10,599 --> 00:05:10,964 BECAUSE I AM SENT BY GOD, AND GOD HAS A PLAN FOR ME OR WHATEVER. 155 00:05:10,966 --> 00:05:13,533 GOD HAS A PLAN FOR ME OR WHATEVER. I DON'T KNOW. 156 00:05:13,535 --> 00:05:15,969 WHATEVER. I DON'T KNOW. BUT 2024 IS GOING TO BE A VERY 157 00:05:15,971 --> 00:05:16,603 I DON'T KNOW. BUT 2024 IS GOING TO BE A VERY EXCITING YEAR. 158 00:05:16,605 --> 00:05:19,740 BUT 2024 IS GOING TO BE A VERY EXCITING YEAR. I'M EITHER GOING TO JAIL, BE 159 00:05:19,742 --> 00:05:23,210 EXCITING YEAR. I'M EITHER GOING TO JAIL, BE PRESIDENT, OR FRANKLY, THE 160 00:05:23,212 --> 00:05:23,510 I'M EITHER GOING TO JAIL, BE PRESIDENT, OR FRANKLY, THE PURGE. 161 00:05:23,512 --> 00:05:24,978 PRESIDENT, OR FRANKLY, THE PURGE. PERHAPS ALL THREE. 162 00:05:24,980 --> 00:05:26,713 PURGE. PERHAPS ALL THREE. LET'S SPIN THE CHAMBER. 163 00:05:26,715 --> 00:05:27,914 PERHAPS ALL THREE. LET'S SPIN THE CHAMBER. AND LIVE FROM NEW YORK, IT'S 164 00:05:27,916 --> 00:05:34,021 LET'S SPIN THE CHAMBER. AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 165 00:05:34,023 --> 00:05:34,721 AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY 166 00:05:34,723 --> 00:05:35,222 SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY NIGHT LIVE" WITH -- 167 00:06:50,665 --> 00:06:52,265 FEATURING -- 168 00:07:18,159 --> 00:07:28,135 A FILM BY -- PLEASE DON'T DESTROY. MUSICAL GUEST -- RENEE RAPP. 169 00:07:28,137 --> 00:07:36,810 DESTROY. MUSICAL GUEST -- RENEE RAPP. AND YOUR HOST -- JACOB ELORDI. 170 00:07:36,812 --> 00:07:37,511 MUSICAL GUEST -- RENEE RAPP. AND YOUR HOST -- JACOB ELORDI. LADIES AND GENTLEMEN, JACOB 171 00:07:37,513 --> 00:07:40,347 AND YOUR HOST -- JACOB ELORDI. LADIES AND GENTLEMEN, JACOB ELORDI! 172 00:07:40,349 --> 00:07:56,796 LADIES AND GENTLEMEN, JACOB ELORDI! [ CHEERS AND APPLAUSE ] 173 00:08:00,601 --> 00:08:04,204 >>> THANK YOU! THANK YOU, THANK YOU VERY MUCH. IT IS SO EXCITING TO BE HERE 174 00:08:04,206 --> 00:08:05,705 THANK YOU, THANK YOU VERY MUCH. IT IS SO EXCITING TO BE HERE HOSTING THE FIRST AND SO FAR 175 00:08:05,707 --> 00:08:10,710 IT IS SO EXCITING TO BE HERE HOSTING THE FIRST AND SO FAR BEST SHOW OF 2024. 176 00:08:10,712 --> 00:08:11,311 HOSTING THE FIRST AND SO FAR BEST SHOW OF 2024. [ CHEERS AND APPLAUSE ] 177 00:08:11,313 --> 00:08:13,947 BEST SHOW OF 2024. [ CHEERS AND APPLAUSE ] SO YOU MIGHT KNOW ME FROM 178 00:08:13,949 --> 00:08:14,848 [ CHEERS AND APPLAUSE ] SO YOU MIGHT KNOW ME FROM "SALTBURN." 179 00:08:14,850 --> 00:08:17,450 SO YOU MIGHT KNOW ME FROM "SALTBURN." NOT FROM -- THANKS. 180 00:08:17,452 --> 00:08:20,220 "SALTBURN." NOT FROM -- THANKS. NOT FROM SEEING THE FILM, JUST 181 00:08:20,222 --> 00:08:21,188 NOT FROM -- THANKS. NOT FROM SEEING THE FILM, JUST FROM SEEING THE TIKTOKS. 182 00:08:21,190 --> 00:08:26,726 NOT FROM SEEING THE FILM, JUST FROM SEEING THE TIKTOKS. LIKE THIS SCENE. 183 00:08:26,728 --> 00:08:27,027 FROM SEEING THE TIKTOKS. LIKE THIS SCENE. YEAH. 184 00:08:27,029 --> 00:08:29,863 LIKE THIS SCENE. YEAH. I WAS THE ONE IN THE GRAVE. 185 00:08:29,865 --> 00:08:30,931 YEAH. I WAS THE ONE IN THE GRAVE. BUT IF YOU SAW THE MOVIE, THANK 186 00:08:30,933 --> 00:08:32,933 I WAS THE ONE IN THE GRAVE. BUT IF YOU SAW THE MOVIE, THANK YOU. 187 00:08:32,935 --> 00:08:38,071 BUT IF YOU SAW THE MOVIE, THANK YOU. [ CHEERS AND APPLAUSE ] 188 00:08:38,073 --> 00:08:39,339 YOU. [ CHEERS AND APPLAUSE ] IF YOU SAW THE MOVIE WITH YOUR 189 00:08:39,341 --> 00:08:41,675 [ CHEERS AND APPLAUSE ] IF YOU SAW THE MOVIE WITH YOUR PARENTS, I'M SORRY. 190 00:08:41,677 --> 00:08:42,943 IF YOU SAW THE MOVIE WITH YOUR PARENTS, I'M SORRY. AND IF YOU SAY YOU THE MOVIE 191 00:08:42,945 --> 00:08:43,643 PARENTS, I'M SORRY. AND IF YOU SAY YOU THE MOVIE WITH YOUR GIRLFRIEND, YOU'RE 192 00:08:43,645 --> 00:08:46,546 AND IF YOU SAY YOU THE MOVIE WITH YOUR GIRLFRIEND, YOU'RE WELCOME. 193 00:08:46,548 --> 00:08:49,783 WITH YOUR GIRLFRIEND, YOU'RE WELCOME. ANYWAY, I'M NOT MUCH OF A PUBLIC 194 00:08:49,785 --> 00:08:50,984 WELCOME. ANYWAY, I'M NOT MUCH OF A PUBLIC SPEAKER, SO I THOUGHT I WOULD 195 00:08:50,986 --> 00:08:53,220 ANYWAY, I'M NOT MUCH OF A PUBLIC SPEAKER, SO I THOUGHT I WOULD OPEN IT UP TO SOME QUESTIONS 196 00:08:53,222 --> 00:08:54,321 SPEAKER, SO I THOUGHT I WOULD OPEN IT UP TO SOME QUESTIONS FROM THE AUDIENCE. 197 00:08:54,323 --> 00:08:55,255 OPEN IT UP TO SOME QUESTIONS FROM THE AUDIENCE. YES, YOU? 198 00:08:55,257 --> 00:08:59,559 FROM THE AUDIENCE. YES, YOU? >> HI, BABY GIRL. 199 00:08:59,561 --> 00:09:02,295 YES, YOU? >> HI, BABY GIRL. LOVED YOU IN PRISCILLA. 200 00:09:02,297 --> 00:09:03,863 >> HI, BABY GIRL. LOVED YOU IN PRISCILLA. WHAT'S YOUR FAVORITE IMPRESSION 201 00:09:03,865 --> 00:09:05,165 LOVED YOU IN PRISCILLA. WHAT'S YOUR FAVORITE IMPRESSION OF ELVIS? 202 00:09:05,167 --> 00:09:07,133 WHAT'S YOUR FAVORITE IMPRESSION OF ELVIS? YOUNG ELVIS OR OLD ELVIS? 203 00:09:07,135 --> 00:09:08,868 OF ELVIS? YOUNG ELVIS OR OLD ELVIS? >> IT'S PROBABLY "LILO AND 204 00:09:08,870 --> 00:09:10,203 YOUNG ELVIS OR OLD ELVIS? >> IT'S PROBABLY "LILO AND STITCH" ELVIS, YEAH. 205 00:09:10,205 --> 00:09:10,604 >> IT'S PROBABLY "LILO AND STITCH" ELVIS, YEAH. ALL RIGHT. 206 00:09:10,606 --> 00:09:11,838 STITCH" ELVIS, YEAH. ALL RIGHT. NEXT QUESTION. 207 00:09:11,840 --> 00:09:12,105 ALL RIGHT. NEXT QUESTION. YOU? 208 00:09:12,107 --> 00:09:12,405 NEXT QUESTION. YOU? >> HI. 209 00:09:12,407 --> 00:09:14,074 YOU? >> HI. NO QUESTION. 210 00:09:14,076 --> 00:09:19,212 >> HI. NO QUESTION. JUST WANT TO LOOK AT YOU. 211 00:09:19,214 --> 00:09:19,679 NO QUESTION. JUST WANT TO LOOK AT YOU. >> ARE YOU DONE? 212 00:09:19,681 --> 00:09:21,381 JUST WANT TO LOOK AT YOU. >> ARE YOU DONE? >> NOT YET. 213 00:09:21,383 --> 00:09:23,350 >> ARE YOU DONE? >> NOT YET. ALMOST. 214 00:09:23,352 --> 00:09:23,683 >> NOT YET. ALMOST. >> OKAY. 215 00:09:23,685 --> 00:09:26,753 ALMOST. >> OKAY. >> DONE. 216 00:09:26,755 --> 00:09:28,255 >> OKAY. >> DONE. >> WHO ELSE HAS A QUESTION? 217 00:09:28,257 --> 00:09:32,626 >> DONE. >> WHO ELSE HAS A QUESTION? YES, YOU. 218 00:09:32,628 --> 00:09:33,493 >> WHO ELSE HAS A QUESTION? YES, YOU. >> OKAY. 219 00:09:33,495 --> 00:09:34,194 YES, YOU. >> OKAY. [ CHEERS AND APPLAUSE ] 220 00:09:34,196 --> 00:09:35,061 >> OKAY. [ CHEERS AND APPLAUSE ] NO, NO! 221 00:09:35,063 --> 00:09:36,196 [ CHEERS AND APPLAUSE ] NO, NO! MY GOD, I THOUGHT I WOULD GET 222 00:09:36,198 --> 00:09:37,564 NO, NO! MY GOD, I THOUGHT I WOULD GET BETTER APPLAUSE THAN THAT. 223 00:09:37,566 --> 00:09:42,435 MY GOD, I THOUGHT I WOULD GET BETTER APPLAUSE THAN THAT. [ CHEERS AND APPLAUSE ] 224 00:09:42,437 --> 00:09:42,736 BETTER APPLAUSE THAN THAT. [ CHEERS AND APPLAUSE ] NO. 225 00:09:42,738 --> 00:09:44,738 [ CHEERS AND APPLAUSE ] NO. ANYWAY, JUST WANTED TO SAY I SAW 226 00:09:44,740 --> 00:09:46,373 NO. ANYWAY, JUST WANTED TO SAY I SAW YOUR MOVIE, AND I THOUGHT IT WAS 227 00:09:46,375 --> 00:09:49,776 ANYWAY, JUST WANTED TO SAY I SAW YOUR MOVIE, AND I THOUGHT IT WAS ABSOLUTELY GROSS. 228 00:09:49,778 --> 00:09:50,844 YOUR MOVIE, AND I THOUGHT IT WAS ABSOLUTELY GROSS. >> RIGHT. 229 00:09:50,846 --> 00:09:51,311 ABSOLUTELY GROSS. >> RIGHT. YEAH. 230 00:09:51,313 --> 00:09:52,012 >> RIGHT. YEAH. WELL, "SALTBURN" REALLY ISN'T 231 00:09:52,014 --> 00:09:54,214 YEAH. WELL, "SALTBURN" REALLY ISN'T FOR EVERYONE. 232 00:09:54,216 --> 00:09:58,718 WELL, "SALTBURN" REALLY ISN'T FOR EVERYONE. >> WHAT THE HELL IS A SALT BURN? 233 00:09:58,720 --> 00:10:02,088 FOR EVERYONE. >> WHAT THE HELL IS A SALT BURN? I'M TALKING ABOUT "THE KISSING 234 00:10:02,090 --> 00:10:02,756 >> WHAT THE HELL IS A SALT BURN? I'M TALKING ABOUT "THE KISSING BOOTH." 235 00:10:02,758 --> 00:10:07,827 I'M TALKING ABOUT "THE KISSING BOOTH." TWO PEOPLE KISSING ON THE MOUTH? 236 00:10:07,829 --> 00:10:08,128 BOOTH." TWO PEOPLE KISSING ON THE MOUTH? BLAH. 237 00:10:08,130 --> 00:10:09,496 TWO PEOPLE KISSING ON THE MOUTH? BLAH. >> KISSING IS KIND OF WEIRD WHEN 238 00:10:09,498 --> 00:10:10,530 BLAH. >> KISSING IS KIND OF WEIRD WHEN YOU THINK ABOUT IT. 239 00:10:10,532 --> 00:10:12,098 >> KISSING IS KIND OF WEIRD WHEN YOU THINK ABOUT IT. CAN YOU NAME ONE OTHER ANIMAL 240 00:10:12,100 --> 00:10:12,932 YOU THINK ABOUT IT. CAN YOU NAME ONE OTHER ANIMAL THAT KISSES? 241 00:10:12,934 --> 00:10:17,137 CAN YOU NAME ONE OTHER ANIMAL THAT KISSES? >> EXCUSE ME, SIR. 242 00:10:17,139 --> 00:10:19,239 THAT KISSES? >> EXCUSE ME, SIR. I BELIEVE I CAN NAME AN ANIMAL 243 00:10:19,241 --> 00:10:20,373 >> EXCUSE ME, SIR. I BELIEVE I CAN NAME AN ANIMAL THAT KISSES. 244 00:10:20,375 --> 00:10:21,241 I BELIEVE I CAN NAME AN ANIMAL THAT KISSES. >> YOU CAN? 245 00:10:21,243 --> 00:10:22,642 THAT KISSES. >> YOU CAN? >> YES. 246 00:10:22,644 --> 00:10:24,778 >> YOU CAN? >> YES. THE NOBLE ELEPHANT WILL 247 00:10:24,780 --> 00:10:27,180 >> YES. THE NOBLE ELEPHANT WILL SOMETIMES PUT ITS TRUNK INTO ITS 248 00:10:27,182 --> 00:10:27,981 THE NOBLE ELEPHANT WILL SOMETIMES PUT ITS TRUNK INTO ITS LOVER'S MOUTH. 249 00:10:27,983 --> 00:10:29,983 SOMETIMES PUT ITS TRUNK INTO ITS LOVER'S MOUTH. >> HOW DO YOU KNOW THAT? 250 00:10:29,985 --> 00:10:31,718 LOVER'S MOUTH. >> HOW DO YOU KNOW THAT? >> LET'S JUST SAY I OWN AN 251 00:10:31,720 --> 00:10:32,452 >> HOW DO YOU KNOW THAT? >> LET'S JUST SAY I OWN AN ELEPHANT, AND I OPEN MY MOUTH A 252 00:10:32,454 --> 00:10:36,089 >> LET'S JUST SAY I OWN AN ELEPHANT, AND I OPEN MY MOUTH A LOT. 253 00:10:36,091 --> 00:10:36,823 ELEPHANT, AND I OPEN MY MOUTH A LOT. >> OKAY. 254 00:10:36,825 --> 00:10:38,658 LOT. >> OKAY. I HAVE TIME FOR ONE MORE 255 00:10:38,660 --> 00:10:39,025 >> OKAY. I HAVE TIME FOR ONE MORE QUESTION. 256 00:10:39,027 --> 00:10:39,592 I HAVE TIME FOR ONE MORE QUESTION. YES, BOWEN? 257 00:10:39,594 --> 00:10:44,998 QUESTION. YES, BOWEN? >> YOU KNOW HOW YOU WERE -- 258 00:10:45,000 --> 00:10:45,598 YES, BOWEN? >> YOU KNOW HOW YOU WERE -- [ CHEERS AND APPLAUSE ] 259 00:10:45,600 --> 00:10:47,734 >> YOU KNOW HOW YOU WERE -- [ CHEERS AND APPLAUSE ] MORE APPLAUSE THAN SARAH. 260 00:10:47,736 --> 00:10:52,439 [ CHEERS AND APPLAUSE ] MORE APPLAUSE THAN SARAH. YOU KNOW HOW YOU WERE BORN IN 261 00:10:52,441 --> 00:10:52,806 MORE APPLAUSE THAN SARAH. YOU KNOW HOW YOU WERE BORN IN AUSTRALIA? 262 00:10:52,808 --> 00:10:54,107 YOU KNOW HOW YOU WERE BORN IN AUSTRALIA? I WAS ALSO BORN IN AUSTRALIA, 263 00:10:54,109 --> 00:10:57,077 AUSTRALIA? I WAS ALSO BORN IN AUSTRALIA, BUT WE MOVED WHEN I WAS A BABY, 264 00:10:57,079 --> 00:10:59,846 I WAS ALSO BORN IN AUSTRALIA, BUT WE MOVED WHEN I WAS A BABY, SO MY ACCENT KIND OF GOES IN AND 265 00:10:59,848 --> 00:11:00,246 BUT WE MOVED WHEN I WAS A BABY, SO MY ACCENT KIND OF GOES IN AND OUT, MATE. 266 00:11:00,248 --> 00:11:00,613 SO MY ACCENT KIND OF GOES IN AND OUT, MATE. >> COOL. 267 00:11:00,615 --> 00:11:01,247 OUT, MATE. >> COOL. DID YOU HAVE A QUESTION? 268 00:11:01,249 --> 00:11:03,416 >> COOL. DID YOU HAVE A QUESTION? >> NO. 269 00:11:03,418 --> 00:11:04,851 DID YOU HAVE A QUESTION? >> NO. >> GREAT JOB, BOWEN. 270 00:11:04,853 --> 00:11:06,519 >> NO. >> GREAT JOB, BOWEN. BEFORE WE START, I JUST WANT TO 271 00:11:06,521 --> 00:11:08,655 >> GREAT JOB, BOWEN. BEFORE WE START, I JUST WANT TO TAKE A MOMENT TO SAY HOW 272 00:11:08,657 --> 00:11:10,223 BEFORE WE START, I JUST WANT TO TAKE A MOMENT TO SAY HOW GRATEFUL I AM TO BE HERE. 273 00:11:10,225 --> 00:11:12,225 TAKE A MOMENT TO SAY HOW GRATEFUL I AM TO BE HERE. I'VE BEEN ACTING NOW FOR LIKE 274 00:11:12,227 --> 00:11:13,827 GRATEFUL I AM TO BE HERE. I'VE BEEN ACTING NOW FOR LIKE SEVEN YEARS, AND IT'S SO EASY TO 275 00:11:13,829 --> 00:11:15,128 I'VE BEEN ACTING NOW FOR LIKE SEVEN YEARS, AND IT'S SO EASY TO GET CAUGHT UP IN THE RUSH OF 276 00:11:15,130 --> 00:11:16,463 SEVEN YEARS, AND IT'S SO EASY TO GET CAUGHT UP IN THE RUSH OF TRYING TO GET TO THE NEXT THING 277 00:11:16,465 --> 00:11:17,464 GET CAUGHT UP IN THE RUSH OF TRYING TO GET TO THE NEXT THING AND THE NEXT THING. 278 00:11:17,466 --> 00:11:18,765 TRYING TO GET TO THE NEXT THING AND THE NEXT THING. BUT TONIGHT, THE PEOPLE I LOVE 279 00:11:18,767 --> 00:11:20,600 AND THE NEXT THING. BUT TONIGHT, THE PEOPLE I LOVE ARE HERE, YOU ALL ARE HERE, AND 280 00:11:20,602 --> 00:11:21,568 BUT TONIGHT, THE PEOPLE I LOVE ARE HERE, YOU ALL ARE HERE, AND BECAUSE OF YOU, I'M HERE. 281 00:11:21,570 --> 00:11:22,001 ARE HERE, YOU ALL ARE HERE, AND BECAUSE OF YOU, I'M HERE. SO THANK YOU. 282 00:11:22,003 --> 00:11:24,704 BECAUSE OF YOU, I'M HERE. SO THANK YOU. THANK YOU SO MUCH. 283 00:11:24,706 --> 00:11:26,573 SO THANK YOU. THANK YOU SO MUCH. WE GOT A GREAT SHOW FOR YOU 284 00:11:26,575 --> 00:11:26,906 THANK YOU SO MUCH. WE GOT A GREAT SHOW FOR YOU TONIGHT. 285 00:11:26,908 --> 00:11:28,491 WE GOT A GREAT SHOW FOR YOU TONIGHT. RENEE RAPP IS HERE, S 286 00:11:51,232 --> 00:11:56,703 . >>> ONE BACHELORETTE, 25 MEN UNDER 5'8". 287 00:11:56,705 --> 00:11:58,805 >>> ONE BACHELORETTE, 25 MEN UNDER 5'8". WILL THIS QUEEN CROWN HER SHORT 288 00:11:58,807 --> 00:11:59,672 UNDER 5'8". WILL THIS QUEEN CROWN HER SHORT KING? 289 00:11:59,674 --> 00:12:00,173 WILL THIS QUEEN CROWN HER SHORT KING? FIND OUT TONIGHT. 290 00:12:00,175 --> 00:12:02,308 KING? FIND OUT TONIGHT. >> WELCOME TO THE FINALE OF 291 00:12:02,310 --> 00:12:03,877 FIND OUT TONIGHT. >> WELCOME TO THE FINALE OF CROWN YOUR SHORT KING. 292 00:12:03,879 --> 00:12:05,745 >> WELCOME TO THE FINALE OF CROWN YOUR SHORT KING. TIFFANY, YOU'VE SPENT THE PAST 293 00:12:05,747 --> 00:12:06,546 CROWN YOUR SHORT KING. TIFFANY, YOU'VE SPENT THE PAST THREE MONTHS GETTING TO KNOW 294 00:12:06,548 --> 00:12:10,083 TIFFANY, YOU'VE SPENT THE PAST THREE MONTHS GETTING TO KNOW THESE INCREDIBLE LITTLE GUYS. 295 00:12:10,085 --> 00:12:10,850 THREE MONTHS GETTING TO KNOW THESE INCREDIBLE LITTLE GUYS. BUT NOW YOU'RE DOWN TO YOUR LAST 296 00:12:10,852 --> 00:12:13,820 THESE INCREDIBLE LITTLE GUYS. BUT NOW YOU'RE DOWN TO YOUR LAST THREE. 297 00:12:13,822 --> 00:12:16,389 BUT NOW YOU'RE DOWN TO YOUR LAST THREE. KEVIN, HAROLD, TEDDY, PLEASE 298 00:12:16,391 --> 00:12:16,923 THREE. KEVIN, HAROLD, TEDDY, PLEASE STEP FORWARD. 299 00:12:16,925 --> 00:12:21,861 KEVIN, HAROLD, TEDDY, PLEASE STEP FORWARD. THE REST OF YOU MAY LEAVE. 300 00:12:21,863 --> 00:12:23,763 STEP FORWARD. THE REST OF YOU MAY LEAVE. TIFFANY, TONIGHT, YOU'LL HAVE TO 301 00:12:23,765 --> 00:12:27,534 THE REST OF YOU MAY LEAVE. TIFFANY, TONIGHT, YOU'LL HAVE TO PICK JUST ONE TO CROWN AS YOUR 302 00:12:27,536 --> 00:12:27,934 TIFFANY, TONIGHT, YOU'LL HAVE TO PICK JUST ONE TO CROWN AS YOUR SHORT KING. 303 00:12:27,936 --> 00:12:29,335 PICK JUST ONE TO CROWN AS YOUR SHORT KING. AW. 304 00:12:29,337 --> 00:12:32,672 SHORT KING. AW. THE FLOOR IS YOURS. 305 00:12:32,674 --> 00:12:34,707 AW. THE FLOOR IS YOURS. >> GOD, THIS IS SO HARD. 306 00:12:34,709 --> 00:12:36,643 THE FLOOR IS YOURS. >> GOD, THIS IS SO HARD. WHEN I CAME TO SHORT KING 307 00:12:36,645 --> 00:12:37,844 >> GOD, THIS IS SO HARD. WHEN I CAME TO SHORT KING MANSION, THE FIRST THING I 308 00:12:37,846 --> 00:12:41,314 WHEN I CAME TO SHORT KING MANSION, THE FIRST THING I THOUGHT WAS, DAMN, I SHOULD HAVE 309 00:12:41,316 --> 00:12:43,082 MANSION, THE FIRST THING I THOUGHT WAS, DAMN, I SHOULD HAVE PACKED MORE FLATS. 310 00:12:43,084 --> 00:12:45,819 THOUGHT WAS, DAMN, I SHOULD HAVE PACKED MORE FLATS. ON DATING APPS, I WAS THAT GIRL 311 00:12:45,821 --> 00:12:47,887 PACKED MORE FLATS. ON DATING APPS, I WAS THAT GIRL WHO WOULD WRITE, IF YOU'RE UNDER 312 00:12:47,889 --> 00:12:48,922 ON DATING APPS, I WAS THAT GIRL WHO WOULD WRITE, IF YOU'RE UNDER 6 FEET, SWIPE LEFT. 313 00:12:48,924 --> 00:12:51,357 WHO WOULD WRITE, IF YOU'RE UNDER 6 FEET, SWIPE LEFT. BUT GETTING TO KNOW ALL OF YOU 314 00:12:51,359 --> 00:12:53,560 6 FEET, SWIPE LEFT. BUT GETTING TO KNOW ALL OF YOU HAS MADE ME REALIZE THAT I WAS 315 00:12:53,562 --> 00:12:56,029 BUT GETTING TO KNOW ALL OF YOU HAS MADE ME REALIZE THAT I WAS LETTING GO OF SOME INCREDIBLE 316 00:12:56,031 --> 00:12:56,329 HAS MADE ME REALIZE THAT I WAS LETTING GO OF SOME INCREDIBLE GUYS. 317 00:12:56,331 --> 00:12:58,465 LETTING GO OF SOME INCREDIBLE GUYS. KEVIN, I FEEL SO CLOSE TO YOU, 318 00:12:58,467 --> 00:13:00,767 GUYS. KEVIN, I FEEL SO CLOSE TO YOU, ESPECIALLY AFTER YOU OPENED UP 319 00:13:00,769 --> 00:13:01,634 KEVIN, I FEEL SO CLOSE TO YOU, ESPECIALLY AFTER YOU OPENED UP AND TOLD ME YOUR DOG HAS 320 00:13:01,636 --> 00:13:04,671 ESPECIALLY AFTER YOU OPENED UP AND TOLD ME YOUR DOG HAS ANXIETY. 321 00:13:04,673 --> 00:13:06,206 AND TOLD ME YOUR DOG HAS ANXIETY. HAROLD, YOU'RE SERIOUSLY THE 322 00:13:06,208 --> 00:13:11,911 ANXIETY. HAROLD, YOU'RE SERIOUSLY THE FUNNIEST GUY ON PLANET EARTH. 323 00:13:11,913 --> 00:13:12,946 HAROLD, YOU'RE SERIOUSLY THE FUNNIEST GUY ON PLANET EARTH. AND TINY TEDDY -- 324 00:13:12,948 --> 00:13:16,115 FUNNIEST GUY ON PLANET EARTH. AND TINY TEDDY -- >> IT'S JUST TEDDY. 325 00:13:16,117 --> 00:13:17,417 AND TINY TEDDY -- >> IT'S JUST TEDDY. >> RIGHT. 326 00:13:17,419 --> 00:13:19,652 >> IT'S JUST TEDDY. >> RIGHT. TEDDY, LAST NIGHT WE CONNECTED 327 00:13:19,654 --> 00:13:20,987 >> RIGHT. TEDDY, LAST NIGHT WE CONNECTED IN THE OVERNIGHT SUITE 328 00:13:20,989 --> 00:13:24,457 TEDDY, LAST NIGHT WE CONNECTED IN THE OVERNIGHT SUITE PHYSICALLY AND SPIRITUALLY. 329 00:13:24,459 --> 00:13:26,259 IN THE OVERNIGHT SUITE PHYSICALLY AND SPIRITUALLY. YOU'VE ALL PROVEN TO ME THAT 330 00:13:26,261 --> 00:13:27,994 PHYSICALLY AND SPIRITUALLY. YOU'VE ALL PROVEN TO ME THAT SOMETIMES THE BEST THINGS COME 331 00:13:27,996 --> 00:13:30,363 YOU'VE ALL PROVEN TO ME THAT SOMETIMES THE BEST THINGS COME IN THE SMALLEST PACKAGES. 332 00:13:30,365 --> 00:13:32,499 SOMETIMES THE BEST THINGS COME IN THE SMALLEST PACKAGES. AND SOMETIMES SMALL PACKAGES 333 00:13:32,501 --> 00:13:38,104 IN THE SMALLEST PACKAGES. AND SOMETIMES SMALL PACKAGES HAVE MEDIUM-SIZED PACKAGES. 334 00:13:38,106 --> 00:13:40,573 AND SOMETIMES SMALL PACKAGES HAVE MEDIUM-SIZED PACKAGES. BUT NOW I HAVE TO CHOOSE. 335 00:13:40,575 --> 00:13:41,708 HAVE MEDIUM-SIZED PACKAGES. BUT NOW I HAVE TO CHOOSE. >> TIFFANY, WAIT. 336 00:13:41,710 --> 00:13:45,144 BUT NOW I HAVE TO CHOOSE. >> TIFFANY, WAIT. BEFORE YOU DO, WE HAVE ONE FINAL 337 00:13:45,146 --> 00:13:45,812 >> TIFFANY, WAIT. BEFORE YOU DO, WE HAVE ONE FINAL TWIST. 338 00:13:45,814 --> 00:13:46,946 BEFORE YOU DO, WE HAVE ONE FINAL TWIST. >> WHAT? 339 00:13:46,948 --> 00:13:49,516 TWIST. >> WHAT? >> I HAVE ONE MORE BACHELOR TO 340 00:13:49,518 --> 00:13:51,117 >> WHAT? >> I HAVE ONE MORE BACHELOR TO INTRODUCE INTO THE GAME. 341 00:13:51,119 --> 00:13:51,551 >> I HAVE ONE MORE BACHELOR TO INTRODUCE INTO THE GAME. MEET JACKSON. 342 00:13:51,553 --> 00:13:53,953 INTRODUCE INTO THE GAME. MEET JACKSON. . 343 00:13:53,955 --> 00:13:56,289 MEET JACKSON. . [ CHEERS AND APPLAUSE ] 344 00:13:56,291 --> 00:13:59,559 . [ CHEERS AND APPLAUSE ] >> WHAT'S UP? 345 00:13:59,561 --> 00:14:00,593 [ CHEERS AND APPLAUSE ] >> WHAT'S UP? WHAT'S UP? 346 00:14:00,595 --> 00:14:02,829 >> WHAT'S UP? WHAT'S UP? >> YEAH, I CHOOSE HIM. 347 00:14:02,831 --> 00:14:03,463 WHAT'S UP? >> YEAH, I CHOOSE HIM. >> NOPE. 348 00:14:03,465 --> 00:14:05,031 >> YEAH, I CHOOSE HIM. >> NOPE. NOT SUPPOSED TO YET. 349 00:14:05,033 --> 00:14:06,299 >> NOPE. NOT SUPPOSED TO YET. YOU DON'T KNOW ANYTHING -- 350 00:14:06,301 --> 00:14:08,101 NOT SUPPOSED TO YET. YOU DON'T KNOW ANYTHING -- >> YEAH, IT WON'T MATTER. 351 00:14:08,103 --> 00:14:11,037 YOU DON'T KNOW ANYTHING -- >> YEAH, IT WON'T MATTER. >> WELL, LET'S GET TO KNOW HIM 352 00:14:11,039 --> 00:14:11,371 >> YEAH, IT WON'T MATTER. >> WELL, LET'S GET TO KNOW HIM ANYWAY. 353 00:14:11,373 --> 00:14:13,439 >> WELL, LET'S GET TO KNOW HIM ANYWAY. JACKSON, TELL TIFFANY A LITTLE 354 00:14:13,441 --> 00:14:14,941 ANYWAY. JACKSON, TELL TIFFANY A LITTLE ABOUT YOURSELF. 355 00:14:14,943 --> 00:14:17,443 JACKSON, TELL TIFFANY A LITTLE ABOUT YOURSELF. >> THREE THINGS ABOUT ME IS THAT 356 00:14:17,445 --> 00:14:20,413 ABOUT YOURSELF. >> THREE THINGS ABOUT ME IS THAT I'M FROM PITTSBURGH, I 357 00:14:20,415 --> 00:14:21,848 >> THREE THINGS ABOUT ME IS THAT I'M FROM PITTSBURGH, I TECHNICALLY STILL HAVE A 358 00:14:21,850 --> 00:14:25,385 I'M FROM PITTSBURGH, I TECHNICALLY STILL HAVE A GIRLFRIEND, AND I NEED TO BORROW 359 00:14:25,387 --> 00:14:25,752 TECHNICALLY STILL HAVE A GIRLFRIEND, AND I NEED TO BORROW $200,000. 360 00:14:25,754 --> 00:14:28,021 GIRLFRIEND, AND I NEED TO BORROW $200,000. >> SO DO I JUST GIVE HIM THE 361 00:14:28,023 --> 00:14:28,988 $200,000. >> SO DO I JUST GIVE HIM THE CROWN NOW OR -- 362 00:14:28,990 --> 00:14:31,090 >> SO DO I JUST GIVE HIM THE CROWN NOW OR -- >> TIFFANY, BEFORE YOU DECIDE, 363 00:14:31,092 --> 00:14:33,059 CROWN NOW OR -- >> TIFFANY, BEFORE YOU DECIDE, REMEMBER, YOU SPENT THREE MONTHS 364 00:14:33,061 --> 00:14:36,195 >> TIFFANY, BEFORE YOU DECIDE, REMEMBER, YOU SPENT THREE MONTHS WITH OUR LIL BACHELORS. 365 00:14:36,197 --> 00:14:36,963 REMEMBER, YOU SPENT THREE MONTHS WITH OUR LIL BACHELORS. >> JUST BACHELORS IS FINE. 366 00:14:36,965 --> 00:14:39,699 WITH OUR LIL BACHELORS. >> JUST BACHELORS IS FINE. >> I'M SORRY ABOUT THAT TINY 367 00:14:39,701 --> 00:14:39,999 >> JUST BACHELORS IS FINE. >> I'M SORRY ABOUT THAT TINY TEDDY. 368 00:14:40,001 --> 00:14:41,501 >> I'M SORRY ABOUT THAT TINY TEDDY. >> JUST TEDDY. 369 00:14:41,503 --> 00:14:43,636 TEDDY. >> JUST TEDDY. AND ACTUALLY WHEN I CAME HERE, I 370 00:14:43,638 --> 00:14:45,271 >> JUST TEDDY. AND ACTUALLY WHEN I CAME HERE, I SAID MY NAME WAS THEODORE. 371 00:14:45,273 --> 00:14:46,406 AND ACTUALLY WHEN I CAME HERE, I SAID MY NAME WAS THEODORE. >> OH, RIGHT. 372 00:14:46,408 --> 00:14:48,441 SAID MY NAME WAS THEODORE. >> OH, RIGHT. AND I SAID, LIKE THAT CHIPMUNK. 373 00:14:48,443 --> 00:14:51,778 >> OH, RIGHT. AND I SAID, LIKE THAT CHIPMUNK. >> YEAH. 374 00:14:51,780 --> 00:14:53,813 AND I SAID, LIKE THAT CHIPMUNK. >> YEAH. >> LOOK, I LOVED MY TIME WITH 375 00:14:53,815 --> 00:14:55,181 >> YEAH. >> LOOK, I LOVED MY TIME WITH YOU GUYS. 376 00:14:55,183 --> 00:14:58,585 >> LOOK, I LOVED MY TIME WITH YOU GUYS. BUT WITH JACKSON, I WON'T HAVE 377 00:14:58,587 --> 00:15:01,754 YOU GUYS. BUT WITH JACKSON, I WON'T HAVE TO LIKE WEIRDLY BEND MY KNEES IN 378 00:15:01,756 --> 00:15:02,088 BUT WITH JACKSON, I WON'T HAVE TO LIKE WEIRDLY BEND MY KNEES IN PHOTOS. 379 00:15:02,090 --> 00:15:03,423 TO LIKE WEIRDLY BEND MY KNEES IN PHOTOS. >> NOW YOU'RE JUST BEING RUDE. 380 00:15:03,425 --> 00:15:05,625 PHOTOS. >> NOW YOU'RE JUST BEING RUDE. >> DON'T GET MAD. 381 00:15:05,627 --> 00:15:07,393 >> NOW YOU'RE JUST BEING RUDE. >> DON'T GET MAD. I HATE IT WHEN THEY GET MAD, 382 00:15:07,395 --> 00:15:09,262 >> DON'T GET MAD. I HATE IT WHEN THEY GET MAD, THEY LIKE BALL THEIR LITTLE 383 00:15:09,264 --> 00:15:09,596 I HATE IT WHEN THEY GET MAD, THEY LIKE BALL THEIR LITTLE FISTS. 384 00:15:09,598 --> 00:15:10,496 THEY LIKE BALL THEIR LITTLE FISTS. >> OH, WHOA. 385 00:15:10,498 --> 00:15:11,731 FISTS. >> OH, WHOA. I CAUGHT A MOTH. 386 00:15:11,733 --> 00:15:15,535 >> OH, WHOA. I CAUGHT A MOTH. >> THAT'S AWESOME, JACKSON. 387 00:15:15,537 --> 00:15:16,603 I CAUGHT A MOTH. >> THAT'S AWESOME, JACKSON. >> ALL RIGHT. 388 00:15:16,605 --> 00:15:18,438 >> THAT'S AWESOME, JACKSON. >> ALL RIGHT. WELL, BEFORE YOU MAKE YOUR FINAL 389 00:15:18,440 --> 00:15:20,440 >> ALL RIGHT. WELL, BEFORE YOU MAKE YOUR FINAL DECISION, WE DID ASK ALL YOUR 390 00:15:20,442 --> 00:15:21,975 WELL, BEFORE YOU MAKE YOUR FINAL DECISION, WE DID ASK ALL YOUR REMAINING SUITORS TO WRITE A 391 00:15:21,977 --> 00:15:25,178 DECISION, WE DID ASK ALL YOUR REMAINING SUITORS TO WRITE A LIST OF QUALITIES THEY LOVE 392 00:15:25,180 --> 00:15:26,479 REMAINING SUITORS TO WRITE A LIST OF QUALITIES THEY LOVE ABOUT YOU. 393 00:15:26,481 --> 00:15:27,013 LIST OF QUALITIES THEY LOVE ABOUT YOU. KEVIN? 394 00:15:27,015 --> 00:15:29,782 ABOUT YOU. KEVIN? >> YOUR LAUGH, YOUR SMILE, THE 395 00:15:29,784 --> 00:15:34,253 KEVIN? >> YOUR LAUGH, YOUR SMILE, THE WAY THE SUN COMES UP IN YOUR 396 00:15:34,255 --> 00:15:35,088 >> YOUR LAUGH, YOUR SMILE, THE WAY THE SUN COMES UP IN YOUR EYES. 397 00:15:35,090 --> 00:15:35,855 WAY THE SUN COMES UP IN YOUR EYES. >> BEAUTIFUL. 398 00:15:35,857 --> 00:15:36,189 EYES. >> BEAUTIFUL. HAROLD? 399 00:15:36,191 --> 00:15:38,324 >> BEAUTIFUL. HAROLD? >> YOU'RE A GOOD LISTENER. 400 00:15:38,326 --> 00:15:39,359 HAROLD? >> YOU'RE A GOOD LISTENER. YOU HAVE GREAT ENERGY, AND LET'S 401 00:15:39,361 --> 00:15:40,593 >> YOU'RE A GOOD LISTENER. YOU HAVE GREAT ENERGY, AND LET'S FACE IT, YOU GOT GREAT TASTE IN 402 00:15:40,595 --> 00:15:45,031 YOU HAVE GREAT ENERGY, AND LET'S FACE IT, YOU GOT GREAT TASTE IN MEN. 403 00:15:45,033 --> 00:15:49,168 FACE IT, YOU GOT GREAT TASTE IN MEN. >> HILARIOUS, AS ALWAYS, HAROLD. 404 00:15:49,170 --> 00:15:53,873 MEN. >> HILARIOUS, AS ALWAYS, HAROLD. NEXT UP, CHIPMUNK. 405 00:15:53,875 --> 00:15:58,311 >> HILARIOUS, AS ALWAYS, HAROLD. NEXT UP, CHIPMUNK. >> HA-HA-HA. 406 00:15:58,313 --> 00:16:00,179 NEXT UP, CHIPMUNK. >> HA-HA-HA. TIFFANY, I ONLY PUT ONE THING ON 407 00:16:00,181 --> 00:16:01,781 >> HA-HA-HA. TIFFANY, I ONLY PUT ONE THING ON MY LIST, YOUR HEART. 408 00:16:01,783 --> 00:16:05,918 TIFFANY, I ONLY PUT ONE THING ON MY LIST, YOUR HEART. >> AW, VERY TOUCHING, SQUIRT. 409 00:16:05,920 --> 00:16:06,252 MY LIST, YOUR HEART. >> AW, VERY TOUCHING, SQUIRT. JACKSON. 410 00:16:06,254 --> 00:16:08,287 >> AW, VERY TOUCHING, SQUIRT. JACKSON. >> TIFFANY, FROM THE BOTTOM OF 411 00:16:08,289 --> 00:16:08,955 JACKSON. >> TIFFANY, FROM THE BOTTOM OF MY HEART, YOUR BODY IS JUST 412 00:16:08,957 --> 00:16:11,290 >> TIFFANY, FROM THE BOTTOM OF MY HEART, YOUR BODY IS JUST OKAY. 413 00:16:11,292 --> 00:16:11,624 MY HEART, YOUR BODY IS JUST OKAY. >> YEAH. 414 00:16:11,626 --> 00:16:12,025 OKAY. >> YEAH. THAT'S FINE. 415 00:16:12,027 --> 00:16:17,163 >> YEAH. THAT'S FINE. YOU WIN. 416 00:16:17,165 --> 00:16:19,699 THAT'S FINE. YOU WIN. >> OH, IT'S TINY JUST LIKE THEM. 417 00:16:19,701 --> 00:16:21,401 YOU WIN. >> OH, IT'S TINY JUST LIKE THEM. >> TIFFANY, ARE YOU SURE YOU 418 00:16:21,403 --> 00:16:24,537 >> OH, IT'S TINY JUST LIKE THEM. >> TIFFANY, ARE YOU SURE YOU DON'T WANT TO THINK ABOUT THIS? 419 00:16:24,539 --> 00:16:28,241 >> TIFFANY, ARE YOU SURE YOU DON'T WANT TO THINK ABOUT THIS? AND OKAY. 420 00:16:28,243 --> 00:16:29,809 DON'T WANT TO THINK ABOUT THIS? AND OKAY. I SEE YOU'RE ALREADY MAKING OUT 421 00:16:29,811 --> 00:16:31,177 AND OKAY. I SEE YOU'RE ALREADY MAKING OUT WITH JACKSON. 422 00:16:31,179 --> 00:16:31,911 I SEE YOU'RE ALREADY MAKING OUT WITH JACKSON. THIRD SEASON IN A ROW THIS HAS 423 00:16:31,913 --> 00:16:35,281 WITH JACKSON. THIRD SEASON IN A ROW THIS HAS HAPPENED. 424 00:16:35,283 --> 00:16:38,718 THIRD SEASON IN A ROW THIS HAS HAPPENED. JOIN US NEXT SEASON FOR GOLDEN 425 00:16:38,720 --> 00:16:39,652 HAPPENED. JOIN US NEXT SEASON FOR GOLDEN SHORT KING. 426 00:16:39,654 --> 00:16:42,188 JOIN US NEXT SEASON FOR GOLDEN SHORT KING. SAME LIL GUYS, BUT THEY'RE OLDER 427 00:16:42,190 --> 00:16:45,558 SHORT KING. SAME LIL GUYS, BUT THEY'RE OLDER NOW, AND LET'S FACE IT, BALD. 428 00:16:45,560 --> 00:16:46,259 SAME LIL GUYS, BUT THEY'RE OLDER NOW, AND LET'S FACE IT, BALD. OH, MY GOD. 429 00:16:46,261 --> 00:16:49,429 NOW, AND LET'S FACE IT, BALD. OH, MY GOD. THEY'RE DANCING. 430 00:16:49,431 --> 00:16:50,129 OH, MY GOD. THEY'RE DANCING. ♪♪ 431 00:16:50,131 --> 00:17:00,640 THEY'RE DANCING. ♪♪ ♪♪ 432 00:17:00,642 --> 00:17:02,475 ♪♪ ♪♪ >>> WITH OVER 50 MILLION VIEWS, 433 00:17:02,477 --> 00:17:03,443 ♪♪ >>> WITH OVER 50 MILLION VIEWS, IT WAS THE CONVERSATION THAT 434 00:17:03,445 --> 00:17:04,944 >>> WITH OVER 50 MILLION VIEWS, IT WAS THE CONVERSATION THAT BROKE THE INTERNET. 435 00:17:04,946 --> 00:17:05,545 IT WAS THE CONVERSATION THAT BROKE THE INTERNET. KATT WILLIAMS. 436 00:17:05,547 --> 00:17:08,047 BROKE THE INTERNET. KATT WILLIAMS. >> IT'S THE TRUTH, SHANNON. 437 00:17:08,049 --> 00:17:10,550 KATT WILLIAMS. >> IT'S THE TRUTH, SHANNON. >> SHANNON SHARP. 438 00:17:10,552 --> 00:17:11,017 >> IT'S THE TRUTH, SHANNON. >> SHANNON SHARP. >> COME ON NOW. 439 00:17:11,019 --> 00:17:13,352 >> SHANNON SHARP. >> COME ON NOW. >> THE CLUB SHY SHY INTERVIEW. 440 00:17:13,354 --> 00:17:15,054 >> COME ON NOW. >> THE CLUB SHY SHY INTERVIEW. KATT WILLIAMS KEEPING IT 441 00:17:15,056 --> 00:17:15,555 >> THE CLUB SHY SHY INTERVIEW. KATT WILLIAMS KEEPING IT COMPLETELY REAL. 442 00:17:15,557 --> 00:17:16,789 KATT WILLIAMS KEEPING IT COMPLETELY REAL. >> THREE THINGS ARE TRUE ABOUT 443 00:17:16,791 --> 00:17:17,090 COMPLETELY REAL. >> THREE THINGS ARE TRUE ABOUT ME. 444 00:17:17,092 --> 00:17:20,293 >> THREE THINGS ARE TRUE ABOUT ME. I AM 5'3", I HAVE NEVER TOLD A 445 00:17:20,295 --> 00:17:27,133 ME. I AM 5'3", I HAVE NEVER TOLD A LIE, AND I AM 6'3". 446 00:17:27,135 --> 00:17:29,836 I AM 5'3", I HAVE NEVER TOLD A LIE, AND I AM 6'3". LOOK, HOLLYWOOD CREATED KEVIN 447 00:17:29,838 --> 00:17:30,470 LIE, AND I AM 6'3". LOOK, HOLLYWOOD CREATED KEVIN HART. 448 00:17:30,472 --> 00:17:31,904 LOOK, HOLLYWOOD CREATED KEVIN HART. EVERYBODY KNOWS KEVIN WAS MADE 449 00:17:31,906 --> 00:17:34,073 HART. EVERYBODY KNOWS KEVIN WAS MADE IN THE SAME FACTORY THEY MAKE 450 00:17:34,075 --> 00:17:34,974 EVERYBODY KNOWS KEVIN WAS MADE IN THE SAME FACTORY THEY MAKE TEDDY GRAHAMS. 451 00:17:34,976 --> 00:17:39,512 IN THE SAME FACTORY THEY MAKE TEDDY GRAHAMS. WHY THE HELL HE SMELL LIKE 452 00:17:39,514 --> 00:17:39,879 TEDDY GRAHAMS. WHY THE HELL HE SMELL LIKE CINNAMON? 453 00:17:39,881 --> 00:17:41,881 WHY THE HELL HE SMELL LIKE CINNAMON? >> NOW THERE'S MORE, EIGHT HOURS 454 00:17:41,883 --> 00:17:42,181 CINNAMON? >> NOW THERE'S MORE, EIGHT HOURS MORE. 455 00:17:42,183 --> 00:17:44,717 >> NOW THERE'S MORE, EIGHT HOURS MORE. GET READY FOR CLUB SHY SHY THE 456 00:17:44,719 --> 00:17:45,718 MORE. GET READY FOR CLUB SHY SHY THE EXTENDED CUT. 457 00:17:45,720 --> 00:17:46,886 GET READY FOR CLUB SHY SHY THE EXTENDED CUT. SEE KATT WILLIAMS TAKE ON 458 00:17:46,888 --> 00:17:48,287 EXTENDED CUT. SEE KATT WILLIAMS TAKE ON EVERYONE IN HOLLYWOOD AND 459 00:17:48,289 --> 00:17:48,621 SEE KATT WILLIAMS TAKE ON EVERYONE IN HOLLYWOOD AND BEYOND. 460 00:17:48,623 --> 00:17:49,956 EVERYONE IN HOLLYWOOD AND BEYOND. >> LOOK, I DON'T MESS WITH 461 00:17:49,958 --> 00:17:52,325 BEYOND. >> LOOK, I DON'T MESS WITH BARACK OBAMA. 462 00:17:52,327 --> 00:17:53,726 >> LOOK, I DON'T MESS WITH BARACK OBAMA. I DON'T TRUST NOBODY WHOSE NAME 463 00:17:53,728 --> 00:17:54,527 BARACK OBAMA. I DON'T TRUST NOBODY WHOSE NAME IS ALL VOWELS. 464 00:17:54,529 --> 00:17:55,428 I DON'T TRUST NOBODY WHOSE NAME IS ALL VOWELS. >> WHAT? 465 00:17:55,430 --> 00:17:57,296 IS ALL VOWELS. >> WHAT? >> WHY MY MOUTH GOT TO BE OPEN 466 00:17:57,298 --> 00:17:58,197 >> WHAT? >> WHY MY MOUTH GOT TO BE OPEN SO LONG. 467 00:17:58,199 --> 00:18:00,399 >> WHY MY MOUTH GOT TO BE OPEN SO LONG. WHAT HE DO, SHANNON? 468 00:18:00,401 --> 00:18:02,301 SO LONG. WHAT HE DO, SHANNON? YOU KNOW HIS SLOGAN, YES WE CAN, 469 00:18:02,303 --> 00:18:03,803 WHAT HE DO, SHANNON? YOU KNOW HIS SLOGAN, YES WE CAN, I CAME UP WITH THAT. 470 00:18:03,805 --> 00:18:05,738 YOU KNOW HIS SLOGAN, YES WE CAN, I CAME UP WITH THAT. BEFORE ME, HE WAS SAYING, 471 00:18:05,740 --> 00:18:08,508 I CAME UP WITH THAT. BEFORE ME, HE WAS SAYING, PROBABLY, I THINK WE MIGHT. 472 00:18:08,510 --> 00:18:11,577 BEFORE ME, HE WAS SAYING, PROBABLY, I THINK WE MIGHT. I WAS SUPPOSED TO BE IN AVATAR. 473 00:18:11,579 --> 00:18:13,613 PROBABLY, I THINK WE MIGHT. I WAS SUPPOSED TO BE IN AVATAR. JAMES CAMERON BEGGED ME TO BE IN 474 00:18:13,615 --> 00:18:13,980 I WAS SUPPOSED TO BE IN AVATAR. JAMES CAMERON BEGGED ME TO BE IN IT. 475 00:18:13,982 --> 00:18:16,048 JAMES CAMERON BEGGED ME TO BE IN IT. HE SAID I'LL SUCK YOUR PENIS. 476 00:18:16,050 --> 00:18:17,150 IT. HE SAID I'LL SUCK YOUR PENIS. THERE WAS PEOPLE IN THE ROOM. 477 00:18:17,152 --> 00:18:19,519 HE SAID I'LL SUCK YOUR PENIS. THERE WAS PEOPLE IN THE ROOM. >> JAMES CAMERON SAID THAT? 478 00:18:19,521 --> 00:18:22,822 THERE WAS PEOPLE IN THE ROOM. >> JAMES CAMERON SAID THAT? >> CALL HIM RIGHT NOW. 479 00:18:22,824 --> 00:18:25,057 >> JAMES CAMERON SAID THAT? >> CALL HIM RIGHT NOW. THERE'S TOO MANY GRETAS IN THE 480 00:18:25,059 --> 00:18:25,358 >> CALL HIM RIGHT NOW. THERE'S TOO MANY GRETAS IN THE WORLD. 481 00:18:25,360 --> 00:18:27,193 THERE'S TOO MANY GRETAS IN THE WORLD. YOU DON'T THINK IT'S STRANGE ALL 482 00:18:27,195 --> 00:18:29,695 WORLD. YOU DON'T THINK IT'S STRANGE ALL THESE WOMEN GOT THE SAME NAME 483 00:18:29,697 --> 00:18:31,664 YOU DON'T THINK IT'S STRANGE ALL THESE WOMEN GOT THE SAME NAME DOING ALL THAT TALKING? 484 00:18:31,666 --> 00:18:35,902 THESE WOMEN GOT THE SAME NAME DOING ALL THAT TALKING? YOU NEED TO GRETA JOB. 485 00:18:35,904 --> 00:18:38,137 DOING ALL THAT TALKING? YOU NEED TO GRETA JOB. HOW YOU GOING TO CHALLENGE ME, 486 00:18:38,139 --> 00:18:38,471 YOU NEED TO GRETA JOB. HOW YOU GOING TO CHALLENGE ME, SHANNON? 487 00:18:38,473 --> 00:18:40,173 HOW YOU GOING TO CHALLENGE ME, SHANNON? I'M THE ONE WHO INVENTED FRUIT. 488 00:18:40,175 --> 00:18:42,542 SHANNON? I'M THE ONE WHO INVENTED FRUIT. >> KATT, YOU AIN'T INVENT NO 489 00:18:42,544 --> 00:18:42,875 I'M THE ONE WHO INVENTED FRUIT. >> KATT, YOU AIN'T INVENT NO FRUIT. 490 00:18:42,877 --> 00:18:44,443 >> KATT, YOU AIN'T INVENT NO FRUIT. >> BEFORE ME, TREES WASN'T 491 00:18:44,445 --> 00:18:45,578 FRUIT. >> BEFORE ME, TREES WASN'T BRINGING NOTHING TO THE TABLE. 492 00:18:45,580 --> 00:18:49,715 >> BEFORE ME, TREES WASN'T BRINGING NOTHING TO THE TABLE. >> KATT WILLIAMS TELLS IT ALL, 493 00:18:49,717 --> 00:18:51,217 BRINGING NOTHING TO THE TABLE. >> KATT WILLIAMS TELLS IT ALL, HARD TRUTH, CELEBRITY STORIES. 494 00:18:51,219 --> 00:18:52,819 >> KATT WILLIAMS TELLS IT ALL, HARD TRUTH, CELEBRITY STORIES. >> I'M IN AMAZING SHAPE. 495 00:18:52,821 --> 00:18:55,121 HARD TRUTH, CELEBRITY STORIES. >> I'M IN AMAZING SHAPE. I'M HANDSOME, ATHLETIC, AND I 496 00:18:55,123 --> 00:18:59,225 >> I'M IN AMAZING SHAPE. I'M HANDSOME, ATHLETIC, AND I CAN HOLD MY BREATH FOR 27 YEARS. 497 00:18:59,227 --> 00:19:01,527 I'M HANDSOME, ATHLETIC, AND I CAN HOLD MY BREATH FOR 27 YEARS. I'LL RACE YOU RIGHT NOW. 498 00:19:01,529 --> 00:19:02,862 CAN HOLD MY BREATH FOR 27 YEARS. I'LL RACE YOU RIGHT NOW. >> HOW YOU GOING TO DO THAT, 499 00:19:02,864 --> 00:19:03,162 I'LL RACE YOU RIGHT NOW. >> HOW YOU GOING TO DO THAT, KATT? 500 00:19:03,164 --> 00:19:05,965 >> HOW YOU GOING TO DO THAT, KATT? >> SEE, I JUST BEAT YOU. 501 00:19:05,967 --> 00:19:07,700 KATT? >> SEE, I JUST BEAT YOU. SHANNON, I AM THE ONLY MAN IN 502 00:19:07,702 --> 00:19:09,936 >> SEE, I JUST BEAT YOU. SHANNON, I AM THE ONLY MAN IN HISTORY TO SAY ALL THE WORDS 503 00:19:09,938 --> 00:19:15,541 SHANNON, I AM THE ONLY MAN IN HISTORY TO SAY ALL THE WORDS EVER IN ONE SINGLE WORD. 504 00:19:15,543 --> 00:19:16,542 HISTORY TO SAY ALL THE WORDS EVER IN ONE SINGLE WORD. THERE IT IS. 505 00:19:16,544 --> 00:19:18,211 EVER IN ONE SINGLE WORD. THERE IT IS. THAT'S ALL OF THEM. 506 00:19:18,213 --> 00:19:19,879 THERE IT IS. THAT'S ALL OF THEM. >> IT'S KATT WILLIAMS AT HIS 507 00:19:19,881 --> 00:19:21,147 THAT'S ALL OF THEM. >> IT'S KATT WILLIAMS AT HIS MOST HONEST AND GETTING DEEP. 508 00:19:21,149 --> 00:19:25,785 >> IT'S KATT WILLIAMS AT HIS MOST HONEST AND GETTING DEEP. >> NOW, MY BOY, THEY REJECTED 509 00:19:25,787 --> 00:19:27,954 MOST HONEST AND GETTING DEEP. >> NOW, MY BOY, THEY REJECTED ANY THEORY THAT ARGUED THAT THE 510 00:19:27,956 --> 00:19:29,522 >> NOW, MY BOY, THEY REJECTED ANY THEORY THAT ARGUED THAT THE ENDS JUSTIFY THE MEANS, AND 511 00:19:29,524 --> 00:19:34,594 ANY THEORY THAT ARGUED THAT THE ENDS JUSTIFY THE MEANS, AND EVERY PIMP KNOWS THAT THERE ARE 512 00:19:34,596 --> 00:19:38,030 ENDS JUSTIFY THE MEANS, AND EVERY PIMP KNOWS THAT THERE ARE NO TRAN SEN DENT ENDS. 513 00:19:38,032 --> 00:19:38,998 EVERY PIMP KNOWS THAT THERE ARE NO TRAN SEN DENT ENDS. STEVE HARVEY CANNOT READ. 514 00:19:39,000 --> 00:19:41,300 NO TRAN SEN DENT ENDS. STEVE HARVEY CANNOT READ. HE'S LOOKING AT THE TELEPROMPTER 515 00:19:41,302 --> 00:19:43,469 STEVE HARVEY CANNOT READ. HE'S LOOKING AT THE TELEPROMPTER AND JUST GUESSING. 516 00:19:43,471 --> 00:19:46,305 HE'S LOOKING AT THE TELEPROMPTER AND JUST GUESSING. HE BE ON FAMILY FEUD LIKE, WHAT? 517 00:19:46,307 --> 00:19:47,373 AND JUST GUESSING. HE BE ON FAMILY FEUD LIKE, WHAT? >> EIGHT HOURS. 518 00:19:47,375 --> 00:19:48,074 HE BE ON FAMILY FEUD LIKE, WHAT? >> EIGHT HOURS. GO AHEAD AND TAKE THE DAY OFF 519 00:19:48,076 --> 00:19:51,177 >> EIGHT HOURS. GO AHEAD AND TAKE THE DAY OFF WORK. 520 00:19:55,983 --> 00:20:00,519 >>> WELCOME BACK TO OUR ENTERTAINMENT TONIGHT AWARD SEASON SPECIAL. 521 00:20:00,521 --> 00:20:02,755 ENTERTAINMENT TONIGHT AWARD SEASON SPECIAL. >> HERE'S A RIDDLE, WHO IS 522 00:20:02,757 --> 00:20:04,257 SEASON SPECIAL. >> HERE'S A RIDDLE, WHO IS SOMEONE YOU SEE ONCE A YEAR 523 00:20:04,259 --> 00:20:06,192 >> HERE'S A RIDDLE, WHO IS SOMEONE YOU SEE ONCE A YEAR EVERY SINGLE YEAR, AND YET 524 00:20:06,194 --> 00:20:07,426 SOMEONE YOU SEE ONCE A YEAR EVERY SINGLE YEAR, AND YET YOU'VE NEVER SEEN THEM BEFORE IN 525 00:20:07,428 --> 00:20:10,563 EVERY SINGLE YEAR, AND YET YOU'VE NEVER SEEN THEM BEFORE IN YOUR LIFE? 526 00:20:10,565 --> 00:20:11,297 YOU'VE NEVER SEEN THEM BEFORE IN YOUR LIFE? ANSWER, AN ENTERTAINMENT TONIGHT 527 00:20:11,299 --> 00:20:11,597 YOUR LIFE? ANSWER, AN ENTERTAINMENT TONIGHT HOST. 528 00:20:11,599 --> 00:20:11,931 ANSWER, AN ENTERTAINMENT TONIGHT HOST. >> OUCH. 529 00:20:11,933 --> 00:20:12,365 HOST. >> OUCH. LOVE THAT. 530 00:20:12,367 --> 00:20:14,901 >> OUCH. LOVE THAT. WELL, AWARD SEASON IS IN FULL 531 00:20:14,903 --> 00:20:15,201 LOVE THAT. WELL, AWARD SEASON IS IN FULL SWING. 532 00:20:15,203 --> 00:20:17,370 WELL, AWARD SEASON IS IN FULL SWING. AT 7:00, IT'S OUR FAVORITE RED 533 00:20:17,372 --> 00:20:18,704 SWING. AT 7:00, IT'S OUR FAVORITE RED CARPET LOOKS. 534 00:20:18,706 --> 00:20:21,440 AT 7:00, IT'S OUR FAVORITE RED CARPET LOOKS. AND AT 8:00, WE'LL MIX UP 535 00:20:21,442 --> 00:20:23,542 CARPET LOOKS. AND AT 8:00, WE'LL MIX UP STERLING K. BROWN AND MICHAEL B. 536 00:20:23,544 --> 00:20:25,611 AND AT 8:00, WE'LL MIX UP STERLING K. BROWN AND MICHAEL B. JORDAN IN A BIG WAY. 537 00:20:25,613 --> 00:20:26,979 STERLING K. BROWN AND MICHAEL B. JORDAN IN A BIG WAY. >> THIS SEASON HAS BEEN A BUZZ 538 00:20:26,981 --> 00:20:29,715 JORDAN IN A BIG WAY. >> THIS SEASON HAS BEEN A BUZZ OF CELEBRITIES HAVING 539 00:20:29,717 --> 00:20:32,518 >> THIS SEASON HAS BEEN A BUZZ OF CELEBRITIES HAVING CONVERSATIONS WE WISH WE COULD 540 00:20:32,520 --> 00:20:32,818 OF CELEBRITIES HAVING CONVERSATIONS WE WISH WE COULD HEAR. 541 00:20:32,820 --> 00:20:34,520 CONVERSATIONS WE WISH WE COULD HEAR. THANKS TO OUR NEXT GUEST, WE 542 00:20:34,522 --> 00:20:37,323 HEAR. THANKS TO OUR NEXT GUEST, WE WON'T HAVE TO SPECULATE ANYMORE. 543 00:20:37,325 --> 00:20:39,458 THANKS TO OUR NEXT GUEST, WE WON'T HAVE TO SPECULATE ANYMORE. PLEASE WELCOME OUR NEXT GUESTS. 544 00:20:39,460 --> 00:20:40,192 WON'T HAVE TO SPECULATE ANYMORE. PLEASE WELCOME OUR NEXT GUESTS. >> THANK YOU FOR HAVING US, OR 545 00:20:40,194 --> 00:20:43,429 PLEASE WELCOME OUR NEXT GUESTS. >> THANK YOU FOR HAVING US, OR SHOULD I SAY -- 546 00:20:43,431 --> 00:20:45,364 >> THANK YOU FOR HAVING US, OR SHOULD I SAY -- >> TRANSLATION, WE'RE STILL 547 00:20:45,366 --> 00:20:46,766 SHOULD I SAY -- >> TRANSLATION, WE'RE STILL APARTMENT HUNTING IF ANYONE 548 00:20:46,768 --> 00:20:47,600 >> TRANSLATION, WE'RE STILL APARTMENT HUNTING IF ANYONE KNOWS OF ANYTHING. 549 00:20:47,602 --> 00:20:48,501 APARTMENT HUNTING IF ANYONE KNOWS OF ANYTHING. >> IMPRESSIVE. 550 00:20:48,503 --> 00:20:48,868 KNOWS OF ANYTHING. >> IMPRESSIVE. >> WHOA. 551 00:20:48,870 --> 00:20:50,336 >> IMPRESSIVE. >> WHOA. >> SO YOU TWO ARE PROFESSIONAL 552 00:20:50,338 --> 00:20:51,237 >> WHOA. >> SO YOU TWO ARE PROFESSIONAL LIP READERS. 553 00:20:51,239 --> 00:20:51,804 >> SO YOU TWO ARE PROFESSIONAL LIP READERS. >> YES. 554 00:20:51,806 --> 00:20:53,973 LIP READERS. >> YES. WE PICK UP ON EXTREMELY SUBTLE 555 00:20:53,975 --> 00:20:55,741 >> YES. WE PICK UP ON EXTREMELY SUBTLE LIP MOVEMENTS AND BODY LANGUAGE 556 00:20:55,743 --> 00:20:57,677 WE PICK UP ON EXTREMELY SUBTLE LIP MOVEMENTS AND BODY LANGUAGE TO DECIPHER EXACTLY WHAT SOMEONE 557 00:20:57,679 --> 00:20:58,444 LIP MOVEMENTS AND BODY LANGUAGE TO DECIPHER EXACTLY WHAT SOMEONE MIGHT BE SAYING. 558 00:20:58,446 --> 00:21:00,379 TO DECIPHER EXACTLY WHAT SOMEONE MIGHT BE SAYING. >> THAT'S HOW I KNOW YOU'RE 559 00:21:00,381 --> 00:21:00,746 MIGHT BE SAYING. >> THAT'S HOW I KNOW YOU'RE INSECURE. 560 00:21:00,748 --> 00:21:01,847 >> THAT'S HOW I KNOW YOU'RE INSECURE. >> OH, MY GOD. 561 00:21:01,849 --> 00:21:02,915 INSECURE. >> OH, MY GOD. I AM. 562 00:21:02,917 --> 00:21:03,549 >> OH, MY GOD. I AM. LOVE THAT. 563 00:21:03,551 --> 00:21:06,185 I AM. LOVE THAT. >> SO THE FIRST CLIP YOU'LL BE 564 00:21:06,187 --> 00:21:09,922 LOVE THAT. >> SO THE FIRST CLIP YOU'LL BE DECIPHERING IS FROM THE VIRAL 565 00:21:09,924 --> 00:21:15,194 >> SO THE FIRST CLIP YOU'LL BE DECIPHERING IS FROM THE VIRAL ROMANTIC CONVO AT THE GLOBES 566 00:21:15,196 --> 00:21:16,929 DECIPHERING IS FROM THE VIRAL ROMANTIC CONVO AT THE GLOBES BETWEEN TIMOTHEE CHALAMET AND 567 00:21:16,931 --> 00:21:17,363 ROMANTIC CONVO AT THE GLOBES BETWEEN TIMOTHEE CHALAMET AND KYLIE JENNER. 568 00:21:17,365 --> 00:21:18,097 BETWEEN TIMOTHEE CHALAMET AND KYLIE JENNER. >> YES. 569 00:21:18,099 --> 00:21:20,333 KYLIE JENNER. >> YES. HIS BODY LANGUAGE IS SAYING HE'S 570 00:21:20,335 --> 00:21:21,100 >> YES. HIS BODY LANGUAGE IS SAYING HE'S RELAXED BUT HORNY. 571 00:21:21,102 --> 00:21:22,969 HIS BODY LANGUAGE IS SAYING HE'S RELAXED BUT HORNY. >> AND THE MOVEMENT OF HER MOUTH 572 00:21:22,971 --> 00:21:24,737 RELAXED BUT HORNY. >> AND THE MOVEMENT OF HER MOUTH WILL SAY SHE'S TALKING. 573 00:21:24,739 --> 00:21:26,105 >> AND THE MOVEMENT OF HER MOUTH WILL SAY SHE'S TALKING. >> FASCINATING. 574 00:21:26,107 --> 00:21:27,006 WILL SAY SHE'S TALKING. >> FASCINATING. LET'S PLAY THAT CLIP. 575 00:21:27,008 --> 00:21:28,607 >> FASCINATING. LET'S PLAY THAT CLIP. >> YOUR MOM IS SO NICE. 576 00:21:28,609 --> 00:21:31,077 LET'S PLAY THAT CLIP. >> YOUR MOM IS SO NICE. >> SHE'S WILD, BUT I LOVE HER. 577 00:21:31,079 --> 00:21:33,546 >> YOUR MOM IS SO NICE. >> SHE'S WILD, BUT I LOVE HER. >> IT'S CRAZY THAT SHE WAS 578 00:21:33,548 --> 00:21:34,347 >> SHE'S WILD, BUT I LOVE HER. >> IT'S CRAZY THAT SHE WAS MARRIED TO KANYE. 579 00:21:34,349 --> 00:21:39,352 >> IT'S CRAZY THAT SHE WAS MARRIED TO KANYE. >> WAIT, YOU THINK KIM IS MY 580 00:21:39,354 --> 00:21:39,618 MARRIED TO KANYE. >> WAIT, YOU THINK KIM IS MY MOM? 581 00:21:39,620 --> 00:21:41,587 >> WAIT, YOU THINK KIM IS MY MOM? >> MWAH. 582 00:21:41,589 --> 00:21:42,288 MOM? >> MWAH. WILLY WONKA. 583 00:21:42,290 --> 00:21:43,856 >> MWAH. WILLY WONKA. >> I LOVE YOU, BABY. 584 00:21:43,858 --> 00:21:48,027 WILLY WONKA. >> I LOVE YOU, BABY. >> I LOVE YOU TOO. 585 00:21:48,029 --> 00:21:48,527 >> I LOVE YOU, BABY. >> I LOVE YOU TOO. OOMPAH LOOMPAH. 586 00:21:48,529 --> 00:21:50,496 >> I LOVE YOU TOO. OOMPAH LOOMPAH. >> LIKE WE SAID, THIS ISN'T AN 587 00:21:50,498 --> 00:21:50,963 OOMPAH LOOMPAH. >> LIKE WE SAID, THIS ISN'T AN EXACT SCIENCE. 588 00:21:50,965 --> 00:21:53,966 >> LIKE WE SAID, THIS ISN'T AN EXACT SCIENCE. >> BUT I DO FEEL CONFIDENT WE 589 00:21:53,968 --> 00:21:55,101 EXACT SCIENCE. >> BUT I DO FEEL CONFIDENT WE GOT IT AT LEAST 100% RIGHT. 590 00:21:55,103 --> 00:21:57,403 >> BUT I DO FEEL CONFIDENT WE GOT IT AT LEAST 100% RIGHT. >> JUST TO CONFIRM, YOU TWO ARE 591 00:21:57,405 --> 00:21:58,604 GOT IT AT LEAST 100% RIGHT. >> JUST TO CONFIRM, YOU TWO ARE PROFESSIONAL LIP READERS? 592 00:21:58,606 --> 00:22:01,440 >> JUST TO CONFIRM, YOU TWO ARE PROFESSIONAL LIP READERS? >> YES, WE HAVE OVER 1,200 593 00:22:01,442 --> 00:22:02,608 PROFESSIONAL LIP READERS? >> YES, WE HAVE OVER 1,200 VIDEOS ON TIKTOK. 594 00:22:02,610 --> 00:22:04,577 >> YES, WE HAVE OVER 1,200 VIDEOS ON TIKTOK. >> AND HOW MANY FOLLOWERS? 595 00:22:04,579 --> 00:22:04,944 VIDEOS ON TIKTOK. >> AND HOW MANY FOLLOWERS? >> LESS. 596 00:22:04,946 --> 00:22:06,379 >> AND HOW MANY FOLLOWERS? >> LESS. >> WELL, THAT IS FAB. 597 00:22:06,381 --> 00:22:08,581 >> LESS. >> WELL, THAT IS FAB. LOVE THAT. 598 00:22:08,583 --> 00:22:10,816 >> WELL, THAT IS FAB. LOVE THAT. MAYBE WE SHOULD TRY ANOTHER 599 00:22:10,818 --> 00:22:11,117 LOVE THAT. MAYBE WE SHOULD TRY ANOTHER CLIP. 600 00:22:11,119 --> 00:22:12,618 MAYBE WE SHOULD TRY ANOTHER CLIP. >> THIS NEXT CONVERSATION IS 601 00:22:12,620 --> 00:22:14,453 CLIP. >> THIS NEXT CONVERSATION IS TAYLOR AND TRAVIS ON THE STREET 602 00:22:14,455 --> 00:22:14,887 >> THIS NEXT CONVERSATION IS TAYLOR AND TRAVIS ON THE STREET IN NEW YORK. 603 00:22:14,889 --> 00:22:15,454 TAYLOR AND TRAVIS ON THE STREET IN NEW YORK. >> ROLL IT. 604 00:22:15,456 --> 00:22:16,288 IN NEW YORK. >> ROLL IT. >> IT'S AUTUMN. 605 00:22:16,290 --> 00:22:18,691 >> ROLL IT. >> IT'S AUTUMN. >> NO. 606 00:22:18,693 --> 00:22:19,091 >> IT'S AUTUMN. >> NO. IT'S WINTER. 607 00:22:19,093 --> 00:22:20,826 >> NO. IT'S WINTER. >> I'M WEARING A CARDIGAN AND A 608 00:22:20,828 --> 00:22:22,228 IT'S WINTER. >> I'M WEARING A CARDIGAN AND A WANT A CUP OF TEA. 609 00:22:22,230 --> 00:22:23,095 >> I'M WEARING A CARDIGAN AND A WANT A CUP OF TEA. >> BIG GUY. 610 00:22:23,097 --> 00:22:25,898 WANT A CUP OF TEA. >> BIG GUY. I'M A BIG GUY. 611 00:22:25,900 --> 00:22:28,434 >> BIG GUY. I'M A BIG GUY. STOMP, STOMP, CLOMP, STOMP. 612 00:22:28,436 --> 00:22:29,969 I'M A BIG GUY. STOMP, STOMP, CLOMP, STOMP. >> NORTH KOREA. 613 00:22:29,971 --> 00:22:33,205 STOMP, STOMP, CLOMP, STOMP. >> NORTH KOREA. >> IT'S CRAZY WE BOTH WORK AT 614 00:22:33,207 --> 00:22:33,739 >> NORTH KOREA. >> IT'S CRAZY WE BOTH WORK AT FOOTBALL STADIUMS. 615 00:22:33,741 --> 00:22:34,106 >> IT'S CRAZY WE BOTH WORK AT FOOTBALL STADIUMS. >> YES. 616 00:22:34,108 --> 00:22:36,609 FOOTBALL STADIUMS. >> YES. AND REMEMBER TO VOTE EARLY AND 617 00:22:36,611 --> 00:22:38,310 >> YES. AND REMEMBER TO VOTE EARLY AND VOTE OFTEN. 618 00:22:38,312 --> 00:22:39,845 AND REMEMBER TO VOTE EARLY AND VOTE OFTEN. >> I LOVE YOU, TAYLOR! 619 00:22:39,847 --> 00:22:42,715 VOTE OFTEN. >> I LOVE YOU, TAYLOR! >> I LOVE YOU TOO, TAYLOR. 620 00:22:42,717 --> 00:22:43,582 >> I LOVE YOU, TAYLOR! >> I LOVE YOU TOO, TAYLOR. >> WONDERFUL. 621 00:22:43,584 --> 00:22:45,551 >> I LOVE YOU TOO, TAYLOR. >> WONDERFUL. I'M NOTICING THAT EVERY CLIP 622 00:22:45,553 --> 00:22:46,519 >> WONDERFUL. I'M NOTICING THAT EVERY CLIP ENDS WITH LOVE YOU. 623 00:22:46,521 --> 00:22:47,920 I'M NOTICING THAT EVERY CLIP ENDS WITH LOVE YOU. >> YES. 624 00:22:47,922 --> 00:22:48,854 ENDS WITH LOVE YOU. >> YES. 100% OF SOME CONVERSATIONS END 625 00:22:48,856 --> 00:22:49,789 >> YES. 100% OF SOME CONVERSATIONS END WITH LOVE YOU. 626 00:22:49,791 --> 00:22:50,322 100% OF SOME CONVERSATIONS END WITH LOVE YOU. >> SURE. 627 00:22:50,324 --> 00:22:52,825 WITH LOVE YOU. >> SURE. BUT A LOT OF TIME YOU'RE 628 00:22:52,827 --> 00:22:54,393 >> SURE. BUT A LOT OF TIME YOU'RE TALKING, THEIR MOUTHS ARE NOT 629 00:22:54,395 --> 00:22:54,860 BUT A LOT OF TIME YOU'RE TALKING, THEIR MOUTHS ARE NOT MOVING AT ALL. 630 00:22:54,862 --> 00:22:55,194 TALKING, THEIR MOUTHS ARE NOT MOVING AT ALL. >> LIES! 631 00:22:55,196 --> 00:22:58,097 MOVING AT ALL. >> LIES! WATCH THIS. 632 00:22:58,099 --> 00:23:00,900 >> LIES! WATCH THIS. >> DON'T TELL ME NOT TO LIVE. 633 00:23:00,902 --> 00:23:02,768 WATCH THIS. >> DON'T TELL ME NOT TO LIVE. JUST SIT AND PANIC. 634 00:23:02,770 --> 00:23:05,938 >> DON'T TELL ME NOT TO LIVE. JUST SIT AND PANIC. >> I THINK IT'S VERY CLEAR 635 00:23:05,940 --> 00:23:06,806 JUST SIT AND PANIC. >> I THINK IT'S VERY CLEAR JENNIFER LAWRENCE WAS MOUTHING, 636 00:23:06,808 --> 00:23:08,607 >> I THINK IT'S VERY CLEAR JENNIFER LAWRENCE WAS MOUTHING, IF I DON'T WIN, I'M LEAVING. 637 00:23:08,609 --> 00:23:10,276 JENNIFER LAWRENCE WAS MOUTHING, IF I DON'T WIN, I'M LEAVING. >> WHY ARE YOU DOUBTING US? 638 00:23:10,278 --> 00:23:11,710 IF I DON'T WIN, I'M LEAVING. >> WHY ARE YOU DOUBTING US? DO YOU HAVE NO RESPECT FOR OUR 639 00:23:11,712 --> 00:23:13,913 >> WHY ARE YOU DOUBTING US? DO YOU HAVE NO RESPECT FOR OUR DEEP BODY OF WORK? 640 00:23:13,915 --> 00:23:16,782 DO YOU HAVE NO RESPECT FOR OUR DEEP BODY OF WORK? >> OUR LIP READINGS HOLD UP IN 641 00:23:16,784 --> 00:23:17,083 DEEP BODY OF WORK? >> OUR LIP READINGS HOLD UP IN COURT. 642 00:23:17,085 --> 00:23:18,918 >> OUR LIP READINGS HOLD UP IN COURT. WE HAVE HAD PEOPLE PUT AWAY FOR 643 00:23:18,920 --> 00:23:19,218 COURT. WE HAVE HAD PEOPLE PUT AWAY FOR LIFE? 644 00:23:19,220 --> 00:23:19,819 WE HAVE HAD PEOPLE PUT AWAY FOR LIFE? >> YOU HAVE? 645 00:23:19,821 --> 00:23:21,120 LIFE? >> YOU HAVE? >> WE'LL SHOW YOU. 646 00:23:21,122 --> 00:23:24,023 >> YOU HAVE? >> WE'LL SHOW YOU. WE NEED ASSISTANCE FROM OUR 647 00:23:24,025 --> 00:23:25,491 >> WE'LL SHOW YOU. WE NEED ASSISTANCE FROM OUR LITTLE LESBIAN INTERN RENEE. 648 00:23:25,493 --> 00:23:28,094 WE NEED ASSISTANCE FROM OUR LITTLE LESBIAN INTERN RENEE. [ CHEERS AND APPLAUSE ] 649 00:23:28,096 --> 00:23:29,862 LITTLE LESBIAN INTERN RENEE. [ CHEERS AND APPLAUSE ] >> SORRY. 650 00:23:29,864 --> 00:23:30,529 [ CHEERS AND APPLAUSE ] >> SORRY. YOUR INTERN IS RENEE RAPP? 651 00:23:30,531 --> 00:23:33,199 >> SORRY. YOUR INTERN IS RENEE RAPP? >> YEAH. 652 00:23:33,201 --> 00:23:34,934 YOUR INTERN IS RENEE RAPP? >> YEAH. I'VE BEEN GOING ABSOLUTELY OFF 653 00:23:34,936 --> 00:23:37,703 >> YEAH. I'VE BEEN GOING ABSOLUTELY OFF ON EVERY SINGLE INTERVIEW 654 00:23:37,705 --> 00:23:39,839 I'VE BEEN GOING ABSOLUTELY OFF ON EVERY SINGLE INTERVIEW LATELY, SO NOW I HAVE TO DO 40 655 00:23:39,841 --> 00:23:41,574 ON EVERY SINGLE INTERVIEW LATELY, SO NOW I HAVE TO DO 40 HOURS OF COURT ORDERED MEDIA 656 00:23:41,576 --> 00:23:41,941 LATELY, SO NOW I HAVE TO DO 40 HOURS OF COURT ORDERED MEDIA TRAINING. 657 00:23:41,943 --> 00:23:44,210 HOURS OF COURT ORDERED MEDIA TRAINING. >> YOU READY LITTLE LESBIAN 658 00:23:44,212 --> 00:23:46,745 TRAINING. >> YOU READY LITTLE LESBIAN INTERN RENEE? 659 00:23:46,747 --> 00:23:47,146 >> YOU READY LITTLE LESBIAN INTERN RENEE? >> YEAH. 660 00:23:47,148 --> 00:23:49,014 INTERN RENEE? >> YEAH. >> ROLL EVIDENCE ITEM 35 A. 661 00:23:49,016 --> 00:23:51,450 >> YEAH. >> ROLL EVIDENCE ITEM 35 A. >> SO YOU DID THE MURDER, RIGHT? 662 00:23:51,452 --> 00:23:53,486 >> ROLL EVIDENCE ITEM 35 A. >> SO YOU DID THE MURDER, RIGHT? >> YEAH, I DID IT. 663 00:23:53,488 --> 00:23:55,621 >> SO YOU DID THE MURDER, RIGHT? >> YEAH, I DID IT. >> YOU DID THE MURDER. 664 00:23:55,623 --> 00:23:58,124 >> YEAH, I DID IT. >> YOU DID THE MURDER. >> YEAH, I TOTALLY DID WITH A 665 00:23:58,126 --> 00:23:58,524 >> YOU DID THE MURDER. >> YEAH, I TOTALLY DID WITH A BIG KNIFE. 666 00:23:58,526 --> 00:24:01,127 >> YEAH, I TOTALLY DID WITH A BIG KNIFE. >> WHOA, ME WITH A KNIFE TOO. 667 00:24:01,129 --> 00:24:04,163 BIG KNIFE. >> WHOA, ME WITH A KNIFE TOO. >> GOOP, GOOP, GOOP, LOVE YOU, 668 00:24:04,165 --> 00:24:04,463 >> WHOA, ME WITH A KNIFE TOO. >> GOOP, GOOP, GOOP, LOVE YOU, BABY. 669 00:24:04,465 --> 00:24:09,335 >> GOOP, GOOP, GOOP, LOVE YOU, BABY. >> LOVE YOU TOO. 670 00:24:09,337 --> 00:24:09,768 BABY. >> LOVE YOU TOO. >> ALL RIGHT. 671 00:24:09,770 --> 00:24:10,603 >> LOVE YOU TOO. >> ALL RIGHT. WELL, THIS HAS BEEN 672 00:24:10,605 --> 00:24:11,270 >> ALL RIGHT. WELL, THIS HAS BEEN ENTERTAINMENT TONIGHT. 673 00:24:11,272 --> 00:24:15,040 WELL, THIS HAS BEEN ENTERTAINMENT TONIGHT. ONE MORE THING BEFORE WE GO -- 674 00:24:15,042 --> 00:24:19,278 ENTERTAINMENT TONIGHT. ONE MORE THING BEFORE WE GO -- >> THEY SAID, LIFE'S CANDY AND 675 00:24:19,280 --> 00:24:23,215 ONE MORE THING BEFORE WE GO -- >> THEY SAID, LIFE'S CANDY AND THE SUN'S A BOWL OF BUTTER. 676 00:24:52,162 --> 00:24:57,066 >>> THIS IS SUCH A GOOD FIRST DATE IDEA. >> I HAVE TO WARN YOU, I WON THE 677 00:24:57,068 --> 00:24:59,101 DATE IDEA. >> I HAVE TO WARN YOU, I WON THE SILVER MEDAL ON THE MIDDLE 678 00:24:59,103 --> 00:25:00,035 >> I HAVE TO WARN YOU, I WON THE SILVER MEDAL ON THE MIDDLE SCHOOL BOWLING TEAM. 679 00:25:00,037 --> 00:25:01,403 SILVER MEDAL ON THE MIDDLE SCHOOL BOWLING TEAM. >> YOU'RE JUST FULL OF 680 00:25:01,405 --> 00:25:02,905 SCHOOL BOWLING TEAM. >> YOU'RE JUST FULL OF SURPRISES, AREN'T YOU? 681 00:25:02,907 --> 00:25:03,906 >> YOU'RE JUST FULL OF SURPRISES, AREN'T YOU? LOOKS LIKE I'M UP FIRST. 682 00:25:03,908 --> 00:25:04,340 SURPRISES, AREN'T YOU? LOOKS LIKE I'M UP FIRST. >> ALL RIGHT. 683 00:25:04,342 --> 00:25:11,647 LOOKS LIKE I'M UP FIRST. >> ALL RIGHT. LET'S SEE WHAT YOU GOT. 684 00:25:11,649 --> 00:25:12,348 >> ALL RIGHT. LET'S SEE WHAT YOU GOT. NOT BAD. 685 00:25:12,350 --> 00:25:14,984 LET'S SEE WHAT YOU GOT. NOT BAD. OH, HEY, LOOK, THEY GOT ONE OF 686 00:25:14,986 --> 00:25:18,220 NOT BAD. OH, HEY, LOOK, THEY GOT ONE OF THOSE FUN ANIMATIONS. 687 00:25:18,222 --> 00:25:21,757 OH, HEY, LOOK, THEY GOT ONE OF THOSE FUN ANIMATIONS. >> SIX. 688 00:25:21,759 --> 00:25:22,591 THOSE FUN ANIMATIONS. >> SIX. >> AW, SO CUTE. 689 00:25:22,593 --> 00:25:31,967 >> SIX. >> AW, SO CUTE. FOUR MORE TO GO. 690 00:25:31,969 --> 00:25:32,601 >> AW, SO CUTE. FOUR MORE TO GO. >> YOU DID IT. 691 00:25:32,603 --> 00:25:34,203 FOUR MORE TO GO. >> YOU DID IT. HEY, LOOK, LOOK, LOOK. 692 00:25:34,205 --> 00:25:36,138 >> YOU DID IT. HEY, LOOK, LOOK, LOOK. >> YEAH. 693 00:25:36,140 --> 00:25:39,174 HEY, LOOK, LOOK, LOOK. >> YEAH. >> SPARE. 694 00:25:39,176 --> 00:25:40,409 >> YEAH. >> SPARE. >> NOT BAD. 695 00:25:40,411 --> 00:25:41,143 >> SPARE. >> NOT BAD. NOT BAD. 696 00:25:41,145 --> 00:25:48,350 >> NOT BAD. NOT BAD. NOW IT'S THE PRO'S TURN. 697 00:25:48,352 --> 00:25:49,218 NOT BAD. NOW IT'S THE PRO'S TURN. >> HUH. 698 00:25:49,220 --> 00:25:50,686 NOW IT'S THE PRO'S TURN. >> HUH. ARE THOSE TWO PINS SUPPOSED TO 699 00:25:50,688 --> 00:25:52,021 >> HUH. ARE THOSE TWO PINS SUPPOSED TO BE THAT FAR APART? 700 00:25:52,023 --> 00:25:54,356 ARE THOSE TWO PINS SUPPOSED TO BE THAT FAR APART? >> HA-HA-HA. 701 00:25:54,358 --> 00:25:54,757 BE THAT FAR APART? >> HA-HA-HA. VERY FUNNY. 702 00:25:54,759 --> 00:25:57,326 >> HA-HA-HA. VERY FUNNY. LET'S WATCH THE VIDEO. 703 00:25:57,328 --> 00:25:59,128 VERY FUNNY. LET'S WATCH THE VIDEO. >> JOHNNY, YOUR FATHER HAS 704 00:25:59,130 --> 00:26:01,697 LET'S WATCH THE VIDEO. >> JOHNNY, YOUR FATHER HAS SOMETHING HE WANTS TO TELL YOU. 705 00:26:01,699 --> 00:26:03,732 >> JOHNNY, YOUR FATHER HAS SOMETHING HE WANTS TO TELL YOU. >> WHAT'S WRONG, GUYS? 706 00:26:03,734 --> 00:26:06,268 SOMETHING HE WANTS TO TELL YOU. >> WHAT'S WRONG, GUYS? >> SON, YOUR MOTHER AND I ARE 707 00:26:06,270 --> 00:26:06,936 >> WHAT'S WRONG, GUYS? >> SON, YOUR MOTHER AND I ARE GETTING A DIVORCE. 708 00:26:06,938 --> 00:26:11,540 >> SON, YOUR MOTHER AND I ARE GETTING A DIVORCE. >> SPLIT. 709 00:26:11,542 --> 00:26:12,374 GETTING A DIVORCE. >> SPLIT. >> OH, THAT ONE WAS A LITTLE 710 00:26:12,376 --> 00:26:14,977 >> SPLIT. >> OH, THAT ONE WAS A LITTLE SERIOUS. 711 00:26:14,979 --> 00:26:15,377 >> OH, THAT ONE WAS A LITTLE SERIOUS. ALL RIGHT. 712 00:26:15,379 --> 00:26:24,520 SERIOUS. ALL RIGHT. LET'S SEE IF I CAN PICK THIS UP. 713 00:26:24,522 --> 00:26:25,788 ALL RIGHT. LET'S SEE IF I CAN PICK THIS UP. >> UH-OH. 714 00:26:25,790 --> 00:26:27,523 LET'S SEE IF I CAN PICK THIS UP. >> UH-OH. THEY'RE GOING TO LET YOU HAVE IT 715 00:26:27,525 --> 00:26:28,490 >> UH-OH. THEY'RE GOING TO LET YOU HAVE IT WITH THIS ONE. 716 00:26:28,492 --> 00:26:31,827 THEY'RE GOING TO LET YOU HAVE IT WITH THIS ONE. >> EMMA, WHAT ARE THESE? 717 00:26:31,829 --> 00:26:34,964 WITH THIS ONE. >> EMMA, WHAT ARE THESE? >> THOSE AREN'T MY CIGARETTES, 718 00:26:34,966 --> 00:26:35,264 >> EMMA, WHAT ARE THESE? >> THOSE AREN'T MY CIGARETTES, DAD. 719 00:26:35,266 --> 00:26:37,800 >> THOSE AREN'T MY CIGARETTES, DAD. >> YOU LITTLE LIAR! 720 00:26:37,802 --> 00:26:40,602 DAD. >> YOU LITTLE LIAR! NOW YOU NEED TO STRAIGHTEN UP 721 00:26:40,604 --> 00:26:41,737 >> YOU LITTLE LIAR! NOW YOU NEED TO STRAIGHTEN UP AND FLY RIGHT BECAUSE I DON'T 722 00:26:41,739 --> 00:26:43,706 NOW YOU NEED TO STRAIGHTEN UP AND FLY RIGHT BECAUSE I DON'T WANT TO FIND YOU ONE DAY WITH A 723 00:26:43,708 --> 00:26:46,442 AND FLY RIGHT BECAUSE I DON'T WANT TO FIND YOU ONE DAY WITH A NEEDLE IN YOUR ARM SLUMPED OVER 724 00:26:46,444 --> 00:26:48,210 WANT TO FIND YOU ONE DAY WITH A NEEDLE IN YOUR ARM SLUMPED OVER LIVING IN THE GOD DAMN -- 725 00:26:48,212 --> 00:26:51,113 NEEDLE IN YOUR ARM SLUMPED OVER LIVING IN THE GOD DAMN -- >> GUTTER. 726 00:26:51,115 --> 00:26:53,182 LIVING IN THE GOD DAMN -- >> GUTTER. >> WHAT THE HELL WAS THAT? 727 00:26:53,184 --> 00:26:54,450 >> GUTTER. >> WHAT THE HELL WAS THAT? >> I KNOW. 728 00:26:54,452 --> 00:26:56,819 >> WHAT THE HELL WAS THAT? >> I KNOW. A NEEDLE IN HER ARM? 729 00:26:56,821 --> 00:26:58,320 >> I KNOW. A NEEDLE IN HER ARM? PRETTY GIRL LIKE THAT WOULD 730 00:26:58,322 --> 00:26:58,921 A NEEDLE IN HER ARM? PRETTY GIRL LIKE THAT WOULD SHOOT BETWEEN HER TOES. 731 00:26:58,923 --> 00:27:00,089 PRETTY GIRL LIKE THAT WOULD SHOOT BETWEEN HER TOES. >> THAT'S A FUN FACT. 732 00:27:00,091 --> 00:27:13,702 SHOOT BETWEEN HER TOES. >> THAT'S A FUN FACT. >> MY TURN. 733 00:27:13,704 --> 00:27:14,470 >> THAT'S A FUN FACT. >> MY TURN. WHOO, STRIKE. 734 00:27:14,472 --> 00:27:15,738 >> MY TURN. WHOO, STRIKE. AND OF COURSE IT'S A BASEBALL 735 00:27:15,740 --> 00:27:16,038 WHOO, STRIKE. AND OF COURSE IT'S A BASEBALL ONE. 736 00:27:16,040 --> 00:27:17,239 AND OF COURSE IT'S A BASEBALL ONE. >> OH, STOP IT, PLEASE! 737 00:27:17,241 --> 00:27:18,774 ONE. >> OH, STOP IT, PLEASE! >> YOU BROUGHT THIS UPON 738 00:27:18,776 --> 00:27:19,141 >> OH, STOP IT, PLEASE! >> YOU BROUGHT THIS UPON YOURSELF. 739 00:27:19,143 --> 00:27:19,742 >> YOU BROUGHT THIS UPON YOURSELF. >> YEAH. 740 00:27:19,744 --> 00:27:21,310 YOURSELF. >> YEAH. MAYBE NEXT TIME YOU'LL SUPPORT 741 00:27:21,312 --> 00:27:22,911 >> YEAH. MAYBE NEXT TIME YOU'LL SUPPORT YOUR UNION BROTHERS WHEN WE GO 742 00:27:22,913 --> 00:27:23,212 MAYBE NEXT TIME YOU'LL SUPPORT YOUR UNION BROTHERS WHEN WE GO ON -- 743 00:27:23,214 --> 00:27:27,282 YOUR UNION BROTHERS WHEN WE GO ON -- >> STRIKE. 744 00:27:27,284 --> 00:27:29,485 ON -- >> STRIKE. >> SO CUTE. 745 00:27:29,487 --> 00:27:30,753 >> STRIKE. >> SO CUTE. YOU KEEP PLAYING. 746 00:27:30,755 --> 00:27:32,721 >> SO CUTE. YOU KEEP PLAYING. I'LL JUST SIT BACK AND ENJOY THE 747 00:27:32,723 --> 00:27:33,022 YOU KEEP PLAYING. I'LL JUST SIT BACK AND ENJOY THE VIEW. 748 00:27:33,024 --> 00:27:33,355 I'LL JUST SIT BACK AND ENJOY THE VIEW. >> OKAY. 749 00:27:33,357 --> 00:27:35,024 VIEW. >> OKAY. IF YOU SAY I SO. 750 00:27:41,898 --> 00:27:47,803 >> THANK YOU FOR COMING HERE TODAY ON SHORT NOTICE. MY NAME IS JOAN PASCAL. 751 00:27:47,805 --> 00:27:49,605 TODAY ON SHORT NOTICE. MY NAME IS JOAN PASCAL. I'M A CRIMINAL INVESTIGATOR WITH 752 00:27:49,607 --> 00:27:51,173 MY NAME IS JOAN PASCAL. I'M A CRIMINAL INVESTIGATOR WITH THE FBI. 753 00:27:51,175 --> 00:27:53,242 I'M A CRIMINAL INVESTIGATOR WITH THE FBI. LAST NIGHT, WE FOUND THE BODY OF 754 00:27:53,244 --> 00:27:58,580 THE FBI. LAST NIGHT, WE FOUND THE BODY OF A YOUNG WOMAN IN MUSGROVE PARK. 755 00:27:58,582 --> 00:28:00,916 LAST NIGHT, WE FOUND THE BODY OF A YOUNG WOMAN IN MUSGROVE PARK. FROM THE SAY TANNIC TOTEMS AT 756 00:28:00,918 --> 00:28:02,818 A YOUNG WOMAN IN MUSGROVE PARK. FROM THE SAY TANNIC TOTEMS AT THE CRIME SCENE AND THE NATURE 757 00:28:02,820 --> 00:28:05,154 FROM THE SAY TANNIC TOTEMS AT THE CRIME SCENE AND THE NATURE OF THE REALISTIC KILLING, WE 758 00:28:05,156 --> 00:28:08,891 THE CRIME SCENE AND THE NATURE OF THE REALISTIC KILLING, WE FEEL CONFIDENT THIS IS THE WORK 759 00:28:08,893 --> 00:28:10,759 OF THE REALISTIC KILLING, WE FEEL CONFIDENT THIS IS THE WORK OF THE GROVE DALE KILLER, WHICH 760 00:28:10,761 --> 00:28:12,361 FEEL CONFIDENT THIS IS THE WORK OF THE GROVE DALE KILLER, WHICH BRING THE TOTAL OF THE VICTIMS 761 00:28:12,363 --> 00:28:13,395 OF THE GROVE DALE KILLER, WHICH BRING THE TOTAL OF THE VICTIMS SO FAR TO -- 762 00:28:13,397 --> 00:28:13,762 BRING THE TOTAL OF THE VICTIMS SO FAR TO -- >> NINE. 763 00:28:13,764 --> 00:28:14,596 SO FAR TO -- >> NINE. >> GOD, THESE VIDEOS ARE DRIVING 764 00:28:14,598 --> 00:28:23,739 >> NINE. >> GOD, THESE VIDEOS ARE DRIVING ME CRAZY. 765 00:28:23,741 --> 00:28:25,774 >> GOD, THESE VIDEOS ARE DRIVING ME CRAZY. >> DUE TO THE CHILDHOOD INJURY 766 00:28:25,776 --> 00:28:28,210 ME CRAZY. >> DUE TO THE CHILDHOOD INJURY THAT LEFT YOUR HUSBAND WITH AN 767 00:28:28,212 --> 00:28:30,813 >> DUE TO THE CHILDHOOD INJURY THAT LEFT YOUR HUSBAND WITH AN IMPACTED TESTICLE, IT'S VERY 768 00:28:30,815 --> 00:28:31,980 THAT LEFT YOUR HUSBAND WITH AN IMPACTED TESTICLE, IT'S VERY UNLIKELY YOU'LL EVER HAVE 769 00:28:31,982 --> 00:28:32,347 IMPACTED TESTICLE, IT'S VERY UNLIKELY YOU'LL EVER HAVE CHILDREN. 770 00:28:32,349 --> 00:28:34,416 UNLIKELY YOU'LL EVER HAVE CHILDREN. >> BUT I WANT A BABY. 771 00:28:34,418 --> 00:28:38,120 CHILDREN. >> BUT I WANT A BABY. >> WE CAN'T HONEY BECAUSE MY -- 772 00:28:38,122 --> 00:28:38,854 >> BUT I WANT A BABY. >> WE CAN'T HONEY BECAUSE MY -- >> STUCK BALL. 773 00:28:38,856 --> 00:28:41,156 >> WE CAN'T HONEY BECAUSE MY -- >> STUCK BALL. >> HEY, MR. MAN, PLAY YOUR CARDS 774 00:28:41,158 --> 00:28:41,890 >> STUCK BALL. >> HEY, MR. MAN, PLAY YOUR CARDS RIGHT, AND YOU MIGHT GET ONE OF 775 00:28:41,892 --> 00:28:42,925 >> HEY, MR. MAN, PLAY YOUR CARDS RIGHT, AND YOU MIGHT GET ONE OF THOSE TONIGHT. 776 00:28:42,927 --> 00:28:47,229 RIGHT, AND YOU MIGHT GET ONE OF THOSE TONIGHT. >> A STUCK BALL? 777 00:28:47,231 --> 00:28:50,032 THOSE TONIGHT. >> A STUCK BALL? LOOKS LIKE THEY GAVE ME AN EXTRA 778 00:28:50,034 --> 00:28:50,332 >> A STUCK BALL? LOOKS LIKE THEY GAVE ME AN EXTRA ROLL. 779 00:28:50,334 --> 00:28:50,999 LOOKS LIKE THEY GAVE ME AN EXTRA ROLL. LET'S JUST FINISH THE GAME 780 00:28:51,001 --> 00:28:55,337 ROLL. LET'S JUST FINISH THE GAME ALREADY. 781 00:28:55,339 --> 00:28:55,637 LET'S JUST FINISH THE GAME ALREADY. GREAT. 782 00:28:55,639 --> 00:28:57,506 ALREADY. GREAT. THAT PUTS ME OVER 100. 783 00:28:57,508 --> 00:28:58,507 GREAT. THAT PUTS ME OVER 100. LET'S GET OUT OF HERE. 784 00:28:58,509 --> 00:28:59,541 THAT PUTS ME OVER 100. LET'S GET OUT OF HERE. >> NO, WAIT. 785 00:28:59,543 --> 00:29:00,809 LET'S GET OUT OF HERE. >> NO, WAIT. I WANT TO WATCH. 786 00:29:00,811 --> 00:29:02,945 >> NO, WAIT. I WANT TO WATCH. >> BAD NEWS, KIDDO. 787 00:29:02,947 --> 00:29:04,379 I WANT TO WATCH. >> BAD NEWS, KIDDO. WE HAVE A FLAT TIRE. 788 00:29:04,381 --> 00:29:06,682 >> BAD NEWS, KIDDO. WE HAVE A FLAT TIRE. THERE'S NO WAY WE CAN MAKE IT TO 789 00:29:06,684 --> 00:29:07,349 WE HAVE A FLAT TIRE. THERE'S NO WAY WE CAN MAKE IT TO DISNEY WORLD. 790 00:29:07,351 --> 00:29:08,617 THERE'S NO WAY WE CAN MAKE IT TO DISNEY WORLD. >> IT'S SPARE TIRE. 791 00:29:08,619 --> 00:29:12,387 DISNEY WORLD. >> IT'S SPARE TIRE. JUST SAY SPARE TIRE. 792 00:29:12,389 --> 00:29:14,590 >> IT'S SPARE TIRE. JUST SAY SPARE TIRE. >> SHH, DON'T RUIN IT. 793 00:29:14,592 --> 00:29:16,158 JUST SAY SPARE TIRE. >> SHH, DON'T RUIN IT. >> IF ONLY THERE WAS SOME WAY WE 794 00:29:16,160 --> 00:29:17,593 >> SHH, DON'T RUIN IT. >> IF ONLY THERE WAS SOME WAY WE COULD FIX THIS TIRE. 795 00:29:17,595 --> 00:29:18,527 >> IF ONLY THERE WAS SOME WAY WE COULD FIX THIS TIRE. >> SPARE TIRE. 796 00:29:18,529 --> 00:29:20,929 COULD FIX THIS TIRE. >> SPARE TIRE. JUST SAY IT SO WE CAN LEAVE. 797 00:29:20,931 --> 00:29:22,464 >> SPARE TIRE. JUST SAY IT SO WE CAN LEAVE. >> I'LL JUST LOOK IN THE TRUNK 798 00:29:22,466 --> 00:29:24,299 JUST SAY IT SO WE CAN LEAVE. >> I'LL JUST LOOK IN THE TRUNK WHERE I ALWAYS LEAVE A ROAD MAP 799 00:29:24,301 --> 00:29:27,136 >> I'LL JUST LOOK IN THE TRUNK WHERE I ALWAYS LEAVE A ROAD MAP SO I CAN TELL THE AAA GUYS HOW 800 00:29:27,138 --> 00:29:28,237 WHERE I ALWAYS LEAVE A ROAD MAP SO I CAN TELL THE AAA GUYS HOW TO GET HERE. 801 00:29:28,239 --> 00:29:30,072 SO I CAN TELL THE AAA GUYS HOW TO GET HERE. >> JUST SAY SPARE TIRE, YOU 802 00:29:30,074 --> 00:29:30,506 TO GET HERE. >> JUST SAY SPARE TIRE, YOU STUPID PIN. 803 00:29:30,508 --> 00:29:32,674 >> JUST SAY SPARE TIRE, YOU STUPID PIN. >> HERE COMES THE TOW TRUCK. 804 00:29:32,676 --> 00:29:34,343 STUPID PIN. >> HERE COMES THE TOW TRUCK. STEP BACK, LITTLE TIMMY, YOU 805 00:29:34,345 --> 00:29:35,043 >> HERE COMES THE TOW TRUCK. STEP BACK, LITTLE TIMMY, YOU HAVE YOUR -- 806 00:29:35,045 --> 00:29:35,911 STEP BACK, LITTLE TIMMY, YOU HAVE YOUR -- >> FOOT ON THE LINE. 807 00:29:35,913 --> 00:29:37,112 HAVE YOUR -- >> FOOT ON THE LINE. NO POINTS. 808 00:29:37,114 --> 00:29:38,413 >> FOOT ON THE LINE. NO POINTS. >> WHAT? 809 00:29:38,415 --> 00:29:40,115 NO POINTS. >> WHAT? MY FOOT WAS NOT ON THE LINE. 810 00:29:40,117 --> 00:29:41,250 >> WHAT? MY FOOT WAS NOT ON THE LINE. >> SORRY, BABE. 811 00:29:41,252 --> 00:29:42,151 MY FOOT WAS NOT ON THE LINE. >> SORRY, BABE. YOU KNOW WHAT? 812 00:29:42,153 --> 00:29:43,218 >> SORRY, BABE. YOU KNOW WHAT? FORGET ABOUT BOWLING. 813 00:29:43,220 --> 00:29:45,954 YOU KNOW WHAT? FORGET ABOUT BOWLING. HOW ABOUT WE GO BACK TO MY PLACE 814 00:29:45,956 --> 00:29:46,989 FORGET ABOUT BOWLING. HOW ABOUT WE GO BACK TO MY PLACE AND JUST -- 815 00:29:46,991 --> 00:29:51,326 HOW ABOUT WE GO BACK TO MY PLACE AND JUST -- >> HAVE SEX. 816 00:29:51,328 --> 00:29:51,727 AND JUST -- >> HAVE SEX. >> OH, WOW. 817 00:29:51,729 --> 00:29:52,227 >> HAVE SEX. >> OH, WOW. I CHANGED MY MIND. 818 00:29:52,229 --> 00:30:02,938 >> OH, WOW. I CHANGED MY MIND. THIS BOWLING ALLY IS AWESOME. 819 00:30:02,940 --> 00:30:07,376 I CHANGED MY MIND. THIS BOWLING ALLY IS AWESOME. >>> AS YOU MAY HAVE HEARD, AN 820 00:30:07,378 --> 00:30:08,744 THIS BOWLING ALLY IS AWESOME. >>> AS YOU MAY HAVE HEARD, AN ALASKA AIRLINES FLIGHT HAD TO 821 00:30:08,746 --> 00:30:10,812 >>> AS YOU MAY HAVE HEARD, AN ALASKA AIRLINES FLIGHT HAD TO MAKE AN EMERGENCY LANDING AFTER 822 00:30:10,814 --> 00:30:12,614 ALASKA AIRLINES FLIGHT HAD TO MAKE AN EMERGENCY LANDING AFTER A CABIN DOOR BROKE OFF. 823 00:30:12,616 --> 00:30:14,850 MAKE AN EMERGENCY LANDING AFTER A CABIN DOOR BROKE OFF. >> SAFETY IS OUR NUMBER ONE 824 00:30:14,852 --> 00:30:15,217 A CABIN DOOR BROKE OFF. >> SAFETY IS OUR NUMBER ONE CONCERN. 825 00:30:15,219 --> 00:30:17,786 >> SAFETY IS OUR NUMBER ONE CONCERN. >> BUT YOU GOT TO ADMIT IT 826 00:30:17,788 --> 00:30:19,288 CONCERN. >> BUT YOU GOT TO ADMIT IT LOOKED PRETTY COOL, PLANE FLYING 827 00:30:19,290 --> 00:30:19,955 >> BUT YOU GOT TO ADMIT IT LOOKED PRETTY COOL, PLANE FLYING AROUND, NO DOOR. 828 00:30:19,957 --> 00:30:21,390 LOOKED PRETTY COOL, PLANE FLYING AROUND, NO DOOR. >> EVERYONE'S SCREAMING, CELL 829 00:30:21,392 --> 00:30:23,325 AROUND, NO DOOR. >> EVERYONE'S SCREAMING, CELL PHONES WHIPPING OUT INTO THE 830 00:30:23,327 --> 00:30:23,592 >> EVERYONE'S SCREAMING, CELL PHONES WHIPPING OUT INTO THE SKY. 831 00:30:23,594 --> 00:30:24,760 PHONES WHIPPING OUT INTO THE SKY. IT WAS AWESOME. 832 00:30:24,762 --> 00:30:27,029 SKY. IT WAS AWESOME. >> THAT'S WHY OUR NEW SLOGAN IS, 833 00:30:27,031 --> 00:30:28,263 IT WAS AWESOME. >> THAT'S WHY OUR NEW SLOGAN IS, ALASKA AIRLINES, YOU DIDN'T DIE 834 00:30:28,265 --> 00:30:29,865 >> THAT'S WHY OUR NEW SLOGAN IS, ALASKA AIRLINES, YOU DIDN'T DIE AND YOU GOT A COOL STORY. 835 00:30:29,867 --> 00:30:31,200 ALASKA AIRLINES, YOU DIDN'T DIE AND YOU GOT A COOL STORY. >> ON OTHER AIRLINES, YOU CAN 836 00:30:31,202 --> 00:30:32,601 AND YOU GOT A COOL STORY. >> ON OTHER AIRLINES, YOU CAN WATCH MOVIES, BUT ON ALASKA, 837 00:30:32,603 --> 00:30:38,006 >> ON OTHER AIRLINES, YOU CAN WATCH MOVIES, BUT ON ALASKA, YOU'RE IN THE MOVIE. 838 00:30:38,008 --> 00:30:38,273 WATCH MOVIES, BUT ON ALASKA, YOU'RE IN THE MOVIE. #. 839 00:30:38,275 --> 00:30:39,908 YOU'RE IN THE MOVIE. #. >> AND IF YOU THINK ALASKA THE 840 00:30:39,910 --> 00:30:41,443 #. >> AND IF YOU THINK ALASKA THE STATE IS COLD, JUST WAIT UNTIL 841 00:30:41,445 --> 00:30:43,946 >> AND IF YOU THINK ALASKA THE STATE IS COLD, JUST WAIT UNTIL OUR PLANE'S ROOF RIPS OFF. 842 00:30:43,948 --> 00:30:45,747 STATE IS COLD, JUST WAIT UNTIL OUR PLANE'S ROOF RIPS OFF. >> SINCE THE INCIDENT, WE'RE 843 00:30:45,749 --> 00:30:46,915 OUR PLANE'S ROOF RIPS OFF. >> SINCE THE INCIDENT, WE'RE STARTING TO MAKE SOME CHANGES. 844 00:30:46,917 --> 00:30:48,550 >> SINCE THE INCIDENT, WE'RE STARTING TO MAKE SOME CHANGES. >> YOU KNOW THOSE BOLTS THAT 845 00:30:48,552 --> 00:30:49,785 STARTING TO MAKE SOME CHANGES. >> YOU KNOW THOSE BOLTS THAT LIKE HOLD THE PLANE TOGETHER? 846 00:30:49,787 --> 00:30:52,788 >> YOU KNOW THOSE BOLTS THAT LIKE HOLD THE PLANE TOGETHER? WE'RE GOING TO GO AHEAD AND 847 00:30:52,790 --> 00:30:53,388 LIKE HOLD THE PLANE TOGETHER? WE'RE GOING TO GO AHEAD AND TIGHTEN SOME OF THOSE. 848 00:30:53,390 --> 00:30:56,525 WE'RE GOING TO GO AHEAD AND TIGHTEN SOME OF THOSE. >> WE'VE ALSO MADE A FEW SMALL 849 00:30:56,527 --> 00:30:58,794 TIGHTEN SOME OF THOSE. >> WE'VE ALSO MADE A FEW SMALL UPDATES TO OUR IN-FLIGHT SAFETY 850 00:30:58,796 --> 00:30:59,161 >> WE'VE ALSO MADE A FEW SMALL UPDATES TO OUR IN-FLIGHT SAFETY BROCHURE. 851 00:30:59,163 --> 00:31:00,696 UPDATES TO OUR IN-FLIGHT SAFETY BROCHURE. >> AND WE'LL NOW BE TAKING OFF 852 00:31:00,698 --> 00:31:02,197 BROCHURE. >> AND WE'LL NOW BE TAKING OFF WITH THE INFLATABLE SLIDE 853 00:31:02,199 --> 00:31:03,298 >> AND WE'LL NOW BE TAKING OFF WITH THE INFLATABLE SLIDE ALREADY DEPLOYED. 854 00:31:03,300 --> 00:31:05,534 WITH THE INFLATABLE SLIDE ALREADY DEPLOYED. >> PEOPLE ASK ME WHERE THE 855 00:31:05,536 --> 00:31:07,102 ALREADY DEPLOYED. >> PEOPLE ASK ME WHERE THE EMERGENCY EXITS ARE, AND I'M 856 00:31:07,104 --> 00:31:09,838 >> PEOPLE ASK ME WHERE THE EMERGENCY EXITS ARE, AND I'M LIKE THERE, THERE, AND IN TEN 857 00:31:09,840 --> 00:31:10,739 EMERGENCY EXITS ARE, AND I'M LIKE THERE, THERE, AND IN TEN MINUTES, PROBABLY THERE. 858 00:31:10,741 --> 00:31:13,375 LIKE THERE, THERE, AND IN TEN MINUTES, PROBABLY THERE. >> YOU KNOW HOW HAWAIIAN 859 00:31:13,377 --> 00:31:15,510 MINUTES, PROBABLY THERE. >> YOU KNOW HOW HAWAIIAN AIRLINES ALWAYS GIVES OUT LAYS 860 00:31:15,512 --> 00:31:17,012 >> YOU KNOW HOW HAWAIIAN AIRLINES ALWAYS GIVES OUT LAYS WHEN YOU LAND? 861 00:31:17,014 --> 00:31:18,280 AIRLINES ALWAYS GIVES OUT LAYS WHEN YOU LAND? WE'VE GOT OUR OWN VERSION. 862 00:31:18,282 --> 00:31:19,715 WHEN YOU LAND? WE'VE GOT OUR OWN VERSION. >> ARE WE IN CLEVELAND? 863 00:31:19,717 --> 00:31:20,515 WE'VE GOT OUR OWN VERSION. >> ARE WE IN CLEVELAND? >> CLOSE. 864 00:31:20,517 --> 00:31:23,352 >> ARE WE IN CLEVELAND? >> CLOSE. THE PACIFIC OCEAN. 865 00:31:23,354 --> 00:31:24,286 >> CLOSE. THE PACIFIC OCEAN. >> TO MAKE EVERYONE FEEL SAFER, 866 00:31:24,288 --> 00:31:26,955 THE PACIFIC OCEAN. >> TO MAKE EVERYONE FEEL SAFER, WE'VE HIRED SULLY OUT OF 867 00:31:26,957 --> 00:31:27,356 >> TO MAKE EVERYONE FEEL SAFER, WE'VE HIRED SULLY OUT OF RETIREMENT. 868 00:31:27,358 --> 00:31:28,490 WE'VE HIRED SULLY OUT OF RETIREMENT. >> I DON'T KNOW IF I CAN DO IT 869 00:31:28,492 --> 00:31:28,824 RETIREMENT. >> I DON'T KNOW IF I CAN DO IT AGAIN. 870 00:31:28,826 --> 00:31:30,158 >> I DON'T KNOW IF I CAN DO IT AGAIN. >> HE'S A LOT OLDER NOW. 871 00:31:30,160 --> 00:31:31,493 AGAIN. >> HE'S A LOT OLDER NOW. >> I WAS ON THAT FLIGHT. 872 00:31:31,495 --> 00:31:33,362 >> HE'S A LOT OLDER NOW. >> I WAS ON THAT FLIGHT. AT THE TIME, I WAS TERRIFIED, 873 00:31:33,364 --> 00:31:35,063 >> I WAS ON THAT FLIGHT. AT THE TIME, I WAS TERRIFIED, BUT NOW, I'M THE COOLEST PERSON 874 00:31:35,065 --> 00:31:37,966 AT THE TIME, I WAS TERRIFIED, BUT NOW, I'M THE COOLEST PERSON AT THE OFFICE. 875 00:31:37,968 --> 00:31:38,834 BUT NOW, I'M THE COOLEST PERSON AT THE OFFICE. EVERYONE'S STOPPING BY MY 876 00:31:38,836 --> 00:31:40,769 AT THE OFFICE. EVERYONE'S STOPPING BY MY CUBICLE ALL WANT TO KNOW ABOUT 877 00:31:40,771 --> 00:31:42,004 EVERYONE'S STOPPING BY MY CUBICLE ALL WANT TO KNOW ABOUT THAT LITTLE BOY WHOSE SHIRT GOT 878 00:31:42,006 --> 00:31:44,406 CUBICLE ALL WANT TO KNOW ABOUT THAT LITTLE BOY WHOSE SHIRT GOT SUCKED OUT THE PLANE. 879 00:31:44,408 --> 00:31:46,375 THAT LITTLE BOY WHOSE SHIRT GOT SUCKED OUT THE PLANE. >> SOME AIRLINES GIVE YOU A 880 00:31:46,377 --> 00:31:49,378 SUCKED OUT THE PLANE. >> SOME AIRLINES GIVE YOU A LITTLE WING PIN WHEN YOU GET OFF 881 00:31:49,380 --> 00:31:51,847 >> SOME AIRLINES GIVE YOU A LITTLE WING PIN WHEN YOU GET OFF THE PLANE, ALASKA GIVES YOU A 882 00:31:51,849 --> 00:31:53,115 LITTLE WING PIN WHEN YOU GET OFF THE PLANE, ALASKA GIVES YOU A COMMEMORATIVE PHOTO OF YOUR 883 00:31:53,117 --> 00:31:53,448 THE PLANE, ALASKA GIVES YOU A COMMEMORATIVE PHOTO OF YOUR FLIGHT. 884 00:31:53,450 --> 00:31:54,916 COMMEMORATIVE PHOTO OF YOUR FLIGHT. >> SO FLY ALASKA. 885 00:31:54,918 --> 00:31:56,485 FLIGHT. >> SO FLY ALASKA. >> FLY ALASKA. 886 00:31:56,487 --> 00:31:58,186 >> SO FLY ALASKA. >> FLY ALASKA. >> WE'RE THE SAME AIRLINE WHERE 887 00:31:58,188 --> 00:32:03,058 >> FLY ALASKA. >> WE'RE THE SAME AIRLINE WHERE A PILOT TRIED TO TURN OFF THE 888 00:32:03,060 --> 00:32:05,694 >> WE'RE THE SAME AIRLINE WHERE A PILOT TRIED TO TURN OFF THE ENGINE MID FLIGHT WHILE ON 889 00:32:05,696 --> 00:32:07,329 A PILOT TRIED TO TURN OFF THE ENGINE MID FLIGHT WHILE ON MUSHROOMS, AND WE'RE PROUD TO 890 00:32:07,331 --> 00:32:08,764 ENGINE MID FLIGHT WHILE ON MUSHROOMS, AND WE'RE PROUD TO SAY THAT'S OUR SECOND WORST 891 00:32:08,766 --> 00:32:09,097 MUSHROOMS, AND WE'RE PROUD TO SAY THAT'S OUR SECOND WORST FLIGHT. 892 00:32:09,099 --> 00:32:09,865 SAY THAT'S OUR SECOND WORST FLIGHT. >> ALASKA AIRLINES, STILL BETTER 893 00:32:09,867 --> 00:32:13,735 FLIGHT. >> ALASKA AIRLINES, STILL BETTER THAN SPIRIT. 894 00:32:33,906 --> 00:32:39,177 >>> LADIES AND GENTLEMEN, RENEE RAPP! [ CHEERS AND APPLAUSE ] 895 00:32:39,179 --> 00:32:54,259 RAPP! [ CHEERS AND APPLAUSE ] ♪♪ 896 00:32:54,261 --> 00:32:57,429 [ CHEERS AND APPLAUSE ] ♪♪ ♪ FIRST TO ARRIVE 897 00:32:57,431 --> 00:33:00,132 ♪♪ ♪ FIRST TO ARRIVE LAST TO LEAVE 898 00:33:00,134 --> 00:33:03,335 ♪ FIRST TO ARRIVE LAST TO LEAVE WHAT'S MISERY 899 00:33:03,337 --> 00:33:06,571 LAST TO LEAVE WHAT'S MISERY WITHOUT COMPANY? ♪ 900 00:33:06,573 --> 00:33:09,241 WHAT'S MISERY WITHOUT COMPANY? ♪ ♪ IT'S HARD TO LAUGH 901 00:33:09,243 --> 00:33:12,477 WITHOUT COMPANY? ♪ ♪ IT'S HARD TO LAUGH WHEN IT'S HARD TO BREATHE 902 00:33:12,479 --> 00:33:15,714 ♪ IT'S HARD TO LAUGH WHEN IT'S HARD TO BREATHE IT'S WHITE OUTSIDE 903 00:33:15,716 --> 00:33:18,417 WHEN IT'S HARD TO BREATHE IT'S WHITE OUTSIDE BUT RED UNDERNEATH ♪ 904 00:33:18,419 --> 00:33:20,052 IT'S WHITE OUTSIDE BUT RED UNDERNEATH ♪ ♪ FEEL THE TIP OF MY NOSE 905 00:33:20,054 --> 00:33:21,653 BUT RED UNDERNEATH ♪ ♪ FEEL THE TIP OF MY NOSE IT'S BURNING 906 00:33:21,655 --> 00:33:25,957 ♪ FEEL THE TIP OF MY NOSE IT'S BURNING BUT IT'S ICE COLD ♪ 907 00:33:25,959 --> 00:33:26,525 IT'S BURNING BUT IT'S ICE COLD ♪ ♪ I'LL MAKE IT 908 00:33:26,527 --> 00:33:28,660 BUT IT'S ICE COLD ♪ ♪ I'LL MAKE IT THROUGH THE WINTER 909 00:33:28,662 --> 00:33:31,863 ♪ I'LL MAKE IT THROUGH THE WINTER IF IT KILLS ME ♪ 910 00:33:31,865 --> 00:33:34,566 THROUGH THE WINTER IF IT KILLS ME ♪ ♪ I CAN MAKE IT FASTER 911 00:33:34,568 --> 00:33:39,438 IF IT KILLS ME ♪ ♪ I CAN MAKE IT FASTER IF I HURRY 912 00:33:39,440 --> 00:33:42,140 ♪ I CAN MAKE IT FASTER IF I HURRY I'LL ANGEL IN THE SNOW 913 00:33:42,142 --> 00:33:44,810 IF I HURRY I'LL ANGEL IN THE SNOW UNTIL I'M WORTHY ♪ 914 00:33:44,812 --> 00:33:47,045 I'LL ANGEL IN THE SNOW UNTIL I'M WORTHY ♪ ♪ BUT IF IT KILLS ME 915 00:33:47,047 --> 00:33:50,816 UNTIL I'M WORTHY ♪ ♪ BUT IF IT KILLS ME I TRIED 916 00:33:50,818 --> 00:33:53,518 ♪ BUT IF IT KILLS ME I TRIED IF IT KILLS ME ♪ 917 00:33:53,520 --> 00:33:56,188 I TRIED IF IT KILLS ME ♪ ♪ SMILES HIDE 918 00:33:56,190 --> 00:33:58,890 IF IT KILLS ME ♪ ♪ SMILES HIDE WHAT SECRETS KEEP 919 00:33:58,892 --> 00:34:02,627 ♪ SMILES HIDE WHAT SECRETS KEEP CAN'T TELL A LIE 920 00:34:02,629 --> 00:34:05,831 WHAT SECRETS KEEP CAN'T TELL A LIE IF YOU NEVER SPEAK ♪ 921 00:34:05,833 --> 00:34:08,567 CAN'T TELL A LIE IF YOU NEVER SPEAK ♪ ♪ LOOK IN THE MIRROR 922 00:34:08,569 --> 00:34:11,236 IF YOU NEVER SPEAK ♪ ♪ LOOK IN THE MIRROR SHE LOOKS LIKE ME 923 00:34:11,238 --> 00:34:15,006 ♪ LOOK IN THE MIRROR SHE LOOKS LIKE ME BUT HALF ALIVE 924 00:34:15,008 --> 00:34:18,243 SHE LOOKS LIKE ME BUT HALF ALIVE AND TWICE AS WEAK ♪ 925 00:34:18,245 --> 00:34:19,311 BUT HALF ALIVE AND TWICE AS WEAK ♪ ♪ FEEL THE TIP OF MY NOSE 926 00:34:19,313 --> 00:34:20,378 AND TWICE AS WEAK ♪ ♪ FEEL THE TIP OF MY NOSE IT'S BURNING 927 00:34:20,380 --> 00:34:24,683 ♪ FEEL THE TIP OF MY NOSE IT'S BURNING BUT IT'S ICE COLD ♪ 928 00:34:24,685 --> 00:34:25,750 IT'S BURNING BUT IT'S ICE COLD ♪ ♪ I'LL MAKE IT 929 00:34:25,752 --> 00:34:27,953 BUT IT'S ICE COLD ♪ ♪ I'LL MAKE IT THROUGH THE WINTER 930 00:34:27,955 --> 00:34:31,690 ♪ I'LL MAKE IT THROUGH THE WINTER IF IT KILLS ME ♪ 931 00:34:31,692 --> 00:34:33,859 THROUGH THE WINTER IF IT KILLS ME ♪ ♪ I CAN MAKE IT FASTER 932 00:34:33,861 --> 00:34:37,629 IF IT KILLS ME ♪ ♪ I CAN MAKE IT FASTER IF I HURRY 933 00:34:37,631 --> 00:34:40,298 ♪ I CAN MAKE IT FASTER IF I HURRY I'LL ANGEL IN THE SNOW 934 00:34:40,300 --> 00:34:44,102 IF I HURRY I'LL ANGEL IN THE SNOW UNTIL I'M WORTHY ♪ 935 00:34:44,104 --> 00:34:45,704 I'LL ANGEL IN THE SNOW UNTIL I'M WORTHY ♪ ♪ BUT IF IT KILLS ME 936 00:34:45,706 --> 00:34:50,008 UNTIL I'M WORTHY ♪ ♪ BUT IF IT KILLS ME I TRIED 937 00:34:50,010 --> 00:34:53,245 ♪ BUT IF IT KILLS ME I TRIED IF IT KILLS ME ♪ 938 00:34:53,247 --> 00:34:56,481 I TRIED IF IT KILLS ME ♪ ♪ I TRIED SO HARD 939 00:34:56,483 --> 00:35:00,252 IF IT KILLS ME ♪ ♪ I TRIED SO HARD I CAME SO FAR 940 00:35:00,254 --> 00:35:02,954 ♪ I TRIED SO HARD I CAME SO FAR I MET A BOY 941 00:35:02,956 --> 00:35:06,224 I CAME SO FAR I MET A BOY HE BROKE MY HEART ♪ 942 00:35:06,226 --> 00:35:08,860 I MET A BOY HE BROKE MY HEART ♪ ♪ I BLAME HIM 'CAUSE 943 00:35:08,862 --> 00:35:11,530 HE BROKE MY HEART ♪ ♪ I BLAME HIM 'CAUSE IT'S EASIER 944 00:35:11,532 --> 00:35:14,232 ♪ I BLAME HIM 'CAUSE IT'S EASIER BUT I STILL LOOK 945 00:35:14,234 --> 00:35:17,969 IT'S EASIER BUT I STILL LOOK FOR HIM IN HER ♪ 946 00:35:17,971 --> 00:35:21,206 BUT I STILL LOOK FOR HIM IN HER ♪ ♪ THE SEASONS CHANGE 947 00:35:21,208 --> 00:35:23,842 FOR HIM IN HER ♪ ♪ THE SEASONS CHANGE ADDICTION'S STRANGE 948 00:35:23,844 --> 00:35:27,112 ♪ THE SEASONS CHANGE ADDICTION'S STRANGE I LOVED BACK THEN 949 00:35:27,114 --> 00:35:30,315 ADDICTION'S STRANGE I LOVED BACK THEN WHAT I HATE TODAY ♪ 950 00:35:30,317 --> 00:35:33,552 I LOVED BACK THEN WHAT I HATE TODAY ♪ ♪ I WISH I WENT 951 00:35:33,554 --> 00:35:37,322 WHAT I HATE TODAY ♪ ♪ I WISH I WENT A DIFFERENT WAY 952 00:35:37,324 --> 00:35:39,457 ♪ I WISH I WENT A DIFFERENT WAY BUT IF I WENT BACK 953 00:35:39,459 --> 00:35:42,661 A DIFFERENT WAY BUT IF I WENT BACK I WOULD DO THE SAME ♪ 954 00:35:42,663 --> 00:35:45,363 BUT IF I WENT BACK I WOULD DO THE SAME ♪ ♪ I'LL MAKE IT 955 00:35:45,365 --> 00:35:49,134 I WOULD DO THE SAME ♪ ♪ I'LL MAKE IT THROUGH THE WINTER IF IT 956 00:35:49,136 --> 00:35:50,202 ♪ I'LL MAKE IT THROUGH THE WINTER IF IT BUT WHY DOES IT GO SLOWER 957 00:35:50,204 --> 00:35:57,709 THROUGH THE WINTER IF IT BUT WHY DOES IT GO SLOWER WHEN I ♪ 958 00:35:57,711 --> 00:36:01,446 BUT WHY DOES IT GO SLOWER WHEN I ♪ ♪ I'LL ANGEL IN THE SNOW 959 00:36:01,448 --> 00:36:04,716 WHEN I ♪ ♪ I'LL ANGEL IN THE SNOW UNTIL I'M WORTHY 960 00:36:04,718 --> 00:36:11,156 ♪ I'LL ANGEL IN THE SNOW UNTIL I'M WORTHY IF IT KILLS ME I TRIED 961 00:36:11,158 --> 00:36:15,460 UNTIL I'M WORTHY IF IT KILLS ME I TRIED OH IF IT KILLS ME I ♪ 962 00:36:15,462 --> 00:36:27,906 IF IT KILLS ME I TRIED OH IF IT KILLS ME I ♪ [ CHEERS AND APPLAUSE ] 963 00:36:47,593 --> 00:36:52,731 >> Announcer: IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 964 00:36:52,733 --> 00:36:57,168 UPDATE" WITH COLIN JOST AND MICHAEL CHE. [ APPLAUSE ] 965 00:36:57,170 --> 00:36:58,436 MICHAEL CHE. [ APPLAUSE ] >>> THANK YOU VERY MUCH. 966 00:36:58,438 --> 00:36:59,237 [ APPLAUSE ] >>> THANK YOU VERY MUCH. GOOD EVENING EVERYONE. 967 00:36:59,239 --> 00:37:00,505 >>> THANK YOU VERY MUCH. GOOD EVENING EVERYONE. >> WELCOME TO "WEEKEND UPDATE." 968 00:37:00,507 --> 00:37:02,107 GOOD EVENING EVERYONE. >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. 969 00:37:02,109 --> 00:37:05,076 >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. >> I'M COLIN JOST. 970 00:37:05,078 --> 00:37:06,978 I'M MICHAEL CHE. >> I'M COLIN JOST. WELL, GUYS, IT'S 2024, BUT IS 971 00:37:06,980 --> 00:37:10,382 >> I'M COLIN JOST. WELL, GUYS, IT'S 2024, BUT IS IT? 972 00:37:10,384 --> 00:37:11,650 WELL, GUYS, IT'S 2024, BUT IS IT? I DON'T KNOW ABOUT YOU, BUT WHEN 973 00:37:11,652 --> 00:37:13,885 IT? I DON'T KNOW ABOUT YOU, BUT WHEN I THINK OF THE YEAR 2020, I 974 00:37:13,887 --> 00:37:15,687 I DON'T KNOW ABOUT YOU, BUT WHEN I THINK OF THE YEAR 2020, I NEVER THINK, WE SHOULD RUN THAT 975 00:37:15,689 --> 00:37:17,689 I THINK OF THE YEAR 2020, I NEVER THINK, WE SHOULD RUN THAT ONE BACK. 976 00:37:17,691 --> 00:37:18,923 NEVER THINK, WE SHOULD RUN THAT ONE BACK. AND IF YOU'RE FEELING CONFUSED, 977 00:37:18,925 --> 00:37:19,991 ONE BACK. AND IF YOU'RE FEELING CONFUSED, YOU'RE NOT THE ONLY ONE. 978 00:37:19,993 --> 00:37:21,993 AND IF YOU'RE FEELING CONFUSED, YOU'RE NOT THE ONLY ONE. AT A RALLY ON THURSDAY, 979 00:37:21,995 --> 00:37:22,927 YOU'RE NOT THE ONLY ONE. AT A RALLY ON THURSDAY, PRESIDENT BIDEN SAID HE WAS 980 00:37:22,929 --> 00:37:24,562 AT A RALLY ON THURSDAY, PRESIDENT BIDEN SAID HE WAS MIXED UP WHEN HE CLAIMED HE HAD 981 00:37:24,564 --> 00:37:26,498 PRESIDENT BIDEN SAID HE WAS MIXED UP WHEN HE CLAIMED HE HAD JUST TAKEN A PHOTO WITH A WOMAN 982 00:37:26,500 --> 00:37:27,465 MIXED UP WHEN HE CLAIMED HE HAD JUST TAKEN A PHOTO WITH A WOMAN WHO WASN'T THERE. 983 00:37:27,467 --> 00:37:29,000 JUST TAKEN A PHOTO WITH A WOMAN WHO WASN'T THERE. HAD THEN THE NEXT DAY, DONALD 984 00:37:29,002 --> 00:37:31,903 WHO WASN'T THERE. HAD THEN THE NEXT DAY, DONALD TRUMP REPEATEDLY CONFUSED NIKKI 985 00:37:31,905 --> 00:37:34,239 HAD THEN THE NEXT DAY, DONALD TRUMP REPEATEDLY CONFUSED NIKKI HALEY WITH NANCY PELOSI. 986 00:37:34,241 --> 00:37:35,040 TRUMP REPEATEDLY CONFUSED NIKKI HALEY WITH NANCY PELOSI. GUYS, I DON'T KNOW IF WE SHOULD 987 00:37:35,042 --> 00:37:35,940 HALEY WITH NANCY PELOSI. GUYS, I DON'T KNOW IF WE SHOULD DO THIS ELECTION. 988 00:37:35,942 --> 00:37:37,509 GUYS, I DON'T KNOW IF WE SHOULD DO THIS ELECTION. IT'S HONESTLY STARTING TO FEEL 989 00:37:37,511 --> 00:37:39,611 DO THIS ELECTION. IT'S HONESTLY STARTING TO FEEL LIKE ELDER ABUSE. 990 00:37:39,613 --> 00:37:40,712 IT'S HONESTLY STARTING TO FEEL LIKE ELDER ABUSE. I DON'T EVEN BLAME THEM. 991 00:37:40,714 --> 00:37:42,414 LIKE ELDER ABUSE. I DON'T EVEN BLAME THEM. I BLAME US FOR ALLOWING IT. 992 00:37:42,416 --> 00:37:46,985 I DON'T EVEN BLAME THEM. I BLAME US FOR ALLOWING IT. IT REMINDS ME OF THOSE BUM FIGHT 993 00:37:46,987 --> 00:37:47,652 I BLAME US FOR ALLOWING IT. IT REMINDS ME OF THOSE BUM FIGHT VIDEOS WHERE THEY MADE TWO 994 00:37:47,654 --> 00:37:49,988 IT REMINDS ME OF THOSE BUM FIGHT VIDEOS WHERE THEY MADE TWO HOMELESS GUYS FIGHT FOR MONEY, 995 00:37:49,990 --> 00:37:51,690 VIDEOS WHERE THEY MADE TWO HOMELESS GUYS FIGHT FOR MONEY, AND NOW WE LOOK BACK ON IT LIKE 996 00:37:51,692 --> 00:37:53,792 HOMELESS GUYS FIGHT FOR MONEY, AND NOW WE LOOK BACK ON IT LIKE HOW DID WE LET THAT HAPPEN. 997 00:37:53,794 --> 00:37:56,127 AND NOW WE LOOK BACK ON IT LIKE HOW DID WE LET THAT HAPPEN. I THINK THE BEST SOLUTION IS TO 998 00:37:56,129 --> 00:37:58,129 HOW DID WE LET THAT HAPPEN. I THINK THE BEST SOLUTION IS TO TELL TRUMP AND BIDEN THEY BOTH 999 00:37:58,131 --> 00:37:59,230 I THINK THE BEST SOLUTION IS TO TELL TRUMP AND BIDEN THEY BOTH WON AND THAT WE'RE VERY PROUD OF 1000 00:37:59,232 --> 00:37:59,531 TELL TRUMP AND BIDEN THEY BOTH WON AND THAT WE'RE VERY PROUD OF THEM. 1001 00:37:59,533 --> 00:38:05,970 WON AND THAT WE'RE VERY PROUD OF THEM. AND THAT THEY CAN REST NOW. 1002 00:38:05,972 --> 00:38:08,006 THEM. AND THAT THEY CAN REST NOW. >> IN MONDAY'S IOWA CAUCUSES, 1003 00:38:08,008 --> 00:38:11,142 AND THAT THEY CAN REST NOW. >> IN MONDAY'S IOWA CAUCUSES, RON DeSANTIS BEAT OUT NIKKI 1004 00:38:11,144 --> 00:38:12,844 >> IN MONDAY'S IOWA CAUCUSES, RON DeSANTIS BEAT OUT NIKKI HALEY FOR SECOND PLACE. 1005 00:38:12,846 --> 00:38:16,781 RON DeSANTIS BEAT OUT NIKKI HALEY FOR SECOND PLACE. THAT OUGHT TO PUT A WHATEVER 1006 00:38:16,783 --> 00:38:17,315 HALEY FOR SECOND PLACE. THAT OUGHT TO PUT A WHATEVER THIS IS ON HIS FACE. 1007 00:38:17,317 --> 00:38:19,918 THAT OUGHT TO PUT A WHATEVER THIS IS ON HIS FACE. SOUTH CAROLINA SENATOR TIM SCOTT 1008 00:38:19,920 --> 00:38:21,886 THIS IS ON HIS FACE. SOUTH CAROLINA SENATOR TIM SCOTT ENDORSED DONALD TRUMP, BUT 1009 00:38:21,888 --> 00:38:24,055 SOUTH CAROLINA SENATOR TIM SCOTT ENDORSED DONALD TRUMP, BUT REMEMBER MOST TRUMP SUPPORTERS 1010 00:38:24,057 --> 00:38:27,459 ENDORSED DONALD TRUMP, BUT REMEMBER MOST TRUMP SUPPORTERS ONLY COUNT HIM AS 3/5 OF AN 1011 00:38:27,461 --> 00:38:27,859 REMEMBER MOST TRUMP SUPPORTERS ONLY COUNT HIM AS 3/5 OF AN ENDORSEMENT. 1012 00:38:27,861 --> 00:38:29,728 ONLY COUNT HIM AS 3/5 OF AN ENDORSEMENT. OH, BOY. 1013 00:38:29,730 --> 00:38:31,196 ENDORSEMENT. OH, BOY. >> DONALD TRUMP URGED HIS 1014 00:38:31,198 --> 00:38:33,431 OH, BOY. >> DONALD TRUMP URGED HIS SUPPORTERS TO BRAVE THE SUB ZERO 1015 00:38:33,433 --> 00:38:35,633 >> DONALD TRUMP URGED HIS SUPPORTERS TO BRAVE THE SUB ZERO TEMPERATURES IN IOWA TO VOTE FOR 1016 00:38:35,635 --> 00:38:38,536 SUPPORTERS TO BRAVE THE SUB ZERO TEMPERATURES IN IOWA TO VOTE FOR HIM SAYING EVEN IF YOU VOTE AND 1017 00:38:38,538 --> 00:38:39,637 TEMPERATURES IN IOWA TO VOTE FOR HIM SAYING EVEN IF YOU VOTE AND PASS AWAY, IT'S WORTH IT. 1018 00:38:39,639 --> 00:38:41,172 HIM SAYING EVEN IF YOU VOTE AND PASS AWAY, IT'S WORTH IT. VOTING FOR TRUMP AND PASSING 1019 00:38:41,174 --> 00:38:41,906 PASS AWAY, IT'S WORTH IT. VOTING FOR TRUMP AND PASSING AWAY IS ALSO WHAT HAPPENED WITH 1020 00:38:41,908 --> 00:38:48,413 VOTING FOR TRUMP AND PASSING AWAY IS ALSO WHAT HAPPENED WITH COVID. 1021 00:38:48,415 --> 00:38:49,848 AWAY IS ALSO WHAT HAPPENED WITH COVID. AFTER TRUMP WAS PHOTOGRAPHED 1022 00:38:49,850 --> 00:38:51,282 COVID. AFTER TRUMP WAS PHOTOGRAPHED WITH SOME STRANGE RED MARKS ON 1023 00:38:51,284 --> 00:38:57,255 AFTER TRUMP WAS PHOTOGRAPHED WITH SOME STRANGE RED MARKS ON HIS HAND, SOME DERMATOLOGISTS 1024 00:38:57,257 --> 00:38:58,690 WITH SOME STRANGE RED MARKS ON HIS HAND, SOME DERMATOLOGISTS SPECULATED IT COULD BE SOMETHING 1025 00:38:58,692 --> 00:39:00,091 HIS HAND, SOME DERMATOLOGISTS SPECULATED IT COULD BE SOMETHING CALLED HAND HERPES. 1026 00:39:00,093 --> 00:39:02,427 SPECULATED IT COULD BE SOMETHING CALLED HAND HERPES. WHAT THE HELL IS HAND HERPES, 1027 00:39:02,429 --> 00:39:04,529 CALLED HAND HERPES. WHAT THE HELL IS HAND HERPES, SAID TIM SCOTT. 1028 00:39:04,531 --> 00:39:07,298 WHAT THE HELL IS HAND HERPES, SAID TIM SCOTT. >> JOHN KERRY ANNOUNCED HE IS 1029 00:39:07,300 --> 00:39:08,700 SAID TIM SCOTT. >> JOHN KERRY ANNOUNCED HE IS STEPPING DOWN AS THE U.S. 1030 00:39:08,702 --> 00:39:10,502 >> JOHN KERRY ANNOUNCED HE IS STEPPING DOWN AS THE U.S. CLIMATE ENVOY AND IS EXPECTED TO 1031 00:39:10,504 --> 00:39:12,170 STEPPING DOWN AS THE U.S. CLIMATE ENVOY AND IS EXPECTED TO FOCUS ON PRESIDENT BIDEN'S 1032 00:39:12,172 --> 00:39:13,772 CLIMATE ENVOY AND IS EXPECTED TO FOCUS ON PRESIDENT BIDEN'S RE-ELECTION CAMPAIGN, AND IT'S 1033 00:39:13,774 --> 00:39:17,208 FOCUS ON PRESIDENT BIDEN'S RE-ELECTION CAMPAIGN, AND IT'S NOT A GOOD SIGN THAT PRESIDENT 1034 00:39:17,210 --> 00:39:20,011 RE-ELECTION CAMPAIGN, AND IT'S NOT A GOOD SIGN THAT PRESIDENT BIDEN'S CAMPAIGN IS BIGGER THAN 1035 00:39:20,013 --> 00:39:20,478 NOT A GOOD SIGN THAT PRESIDENT BIDEN'S CAMPAIGN IS BIGGER THAN CLIMATE CHANGE. 1036 00:39:20,480 --> 00:39:23,348 BIDEN'S CAMPAIGN IS BIGGER THAN CLIMATE CHANGE. NIKKI HALEY SAID AMERICA HAS, 1037 00:39:23,350 --> 00:39:24,816 CLIMATE CHANGE. NIKKI HALEY SAID AMERICA HAS, QUOTE, NEVER BEEN A RACIST 1038 00:39:24,818 --> 00:39:26,317 NIKKI HALEY SAID AMERICA HAS, QUOTE, NEVER BEEN A RACIST COUNTRY BECAUSE IF AMERICANS 1039 00:39:26,319 --> 00:39:28,987 QUOTE, NEVER BEEN A RACIST COUNTRY BECAUSE IF AMERICANS WERE SO RACIST, WHY DID THEY 1040 00:39:28,989 --> 00:39:31,256 COUNTRY BECAUSE IF AMERICANS WERE SO RACIST, WHY DID THEY HAVE SEX WITH THEIR SLAVES? 1041 00:39:31,258 --> 00:39:33,224 WERE SO RACIST, WHY DID THEY HAVE SEX WITH THEIR SLAVES? I'M GOING TO SLEEP LIKE A BABY 1042 00:39:33,226 --> 00:39:33,691 HAVE SEX WITH THEIR SLAVES? I'M GOING TO SLEEP LIKE A BABY TONIGHT. 1043 00:39:33,693 --> 00:39:34,893 I'M GOING TO SLEEP LIKE A BABY TONIGHT. I REALLY AM. 1044 00:39:34,895 --> 00:39:36,961 TONIGHT. I REALLY AM. >> DONALD TRUMP POSTED AN IMAGE 1045 00:39:36,963 --> 00:39:38,930 I REALLY AM. >> DONALD TRUMP POSTED AN IMAGE OF NIKKI HALEY MADE UP TO LOOK 1046 00:39:38,932 --> 00:39:40,799 >> DONALD TRUMP POSTED AN IMAGE OF NIKKI HALEY MADE UP TO LOOK LIKE HILLARY CLINTON, AND 1047 00:39:40,801 --> 00:39:42,133 OF NIKKI HALEY MADE UP TO LOOK LIKE HILLARY CLINTON, AND HONESTLY I COULDN'T TELL IF IT 1048 00:39:42,135 --> 00:39:44,369 LIKE HILLARY CLINTON, AND HONESTLY I COULDN'T TELL IF IT WAS BAD PHOTO SHOP OR A GOOD 1049 00:39:44,371 --> 00:39:48,873 HONESTLY I COULDN'T TELL IF IT WAS BAD PHOTO SHOP OR A GOOD PICTURE OF MARK CUBAN IN A WIG. 1050 00:39:48,875 --> 00:39:51,776 WAS BAD PHOTO SHOP OR A GOOD PICTURE OF MARK CUBAN IN A WIG. POPE FRANCIS CALLED FOR A BAN ON 1051 00:39:51,778 --> 00:39:53,144 PICTURE OF MARK CUBAN IN A WIG. POPE FRANCIS CALLED FOR A BAN ON SURROGATE MOTHERHOOD, WHICH HE 1052 00:39:53,146 --> 00:39:55,113 POPE FRANCIS CALLED FOR A BAN ON SURROGATE MOTHERHOOD, WHICH HE SAYS VIOLATES THE DIGNITY OF THE 1053 00:39:55,115 --> 00:39:56,181 SURROGATE MOTHERHOOD, WHICH HE SAYS VIOLATES THE DIGNITY OF THE WOMAN AND THE CHILD. 1054 00:39:56,183 --> 00:39:58,116 SAYS VIOLATES THE DIGNITY OF THE WOMAN AND THE CHILD. PLUS THE CATHOLIC CHURCH DOESN'T 1055 00:39:58,118 --> 00:39:59,217 WOMAN AND THE CHILD. PLUS THE CATHOLIC CHURCH DOESN'T WANT EXTRA KIDS AROUND WHILE 1056 00:39:59,219 --> 00:40:04,522 PLUS THE CATHOLIC CHURCH DOESN'T WANT EXTRA KIDS AROUND WHILE THEY'RE TRYING TO QUIT. 1057 00:40:04,524 --> 00:40:08,126 WANT EXTRA KIDS AROUND WHILE THEY'RE TRYING TO QUIT. >> LAST NIGHT AT A RALLY IN NEW 1058 00:40:08,128 --> 00:40:09,194 THEY'RE TRYING TO QUIT. >> LAST NIGHT AT A RALLY IN NEW HAMPSHIRE, SOUTH CAROLINA 1059 00:40:09,196 --> 00:40:11,196 >> LAST NIGHT AT A RALLY IN NEW HAMPSHIRE, SOUTH CAROLINA SENATOR TIM SCOTT SURPRISED MANY 1060 00:40:11,198 --> 00:40:12,897 HAMPSHIRE, SOUTH CAROLINA SENATOR TIM SCOTT SURPRISED MANY POLITICAL EXPERTS BY ENDORSING 1061 00:40:12,899 --> 00:40:13,331 SENATOR TIM SCOTT SURPRISED MANY POLITICAL EXPERTS BY ENDORSING DONALD TRUMP. 1062 00:40:13,333 --> 00:40:14,098 POLITICAL EXPERTS BY ENDORSING DONALD TRUMP. HERE TO EXPLAIN IS SENATOR TIM 1063 00:40:14,100 --> 00:40:18,770 DONALD TRUMP. HERE TO EXPLAIN IS SENATOR TIM SCOTT. 1064 00:40:18,772 --> 00:40:19,237 HERE TO EXPLAIN IS SENATOR TIM SCOTT. [ APPLAUSE ] 1065 00:40:19,239 --> 00:40:20,505 SCOTT. [ APPLAUSE ] >> HELLO. 1066 00:40:20,507 --> 00:40:21,840 [ APPLAUSE ] >> HELLO. IT'S GREAT TO BE HERE, MICHAEL. 1067 00:40:21,842 --> 00:40:26,110 >> HELLO. IT'S GREAT TO BE HERE, MICHAEL. AND GREAT TO ENDORSE THE NEXT 1068 00:40:26,112 --> 00:40:26,744 IT'S GREAT TO BE HERE, MICHAEL. AND GREAT TO ENDORSE THE NEXT PRESIDENT OF THESE UNITED 1069 00:40:26,746 --> 00:40:27,679 AND GREAT TO ENDORSE THE NEXT PRESIDENT OF THESE UNITED STATES, DONALD J. TRUMP. 1070 00:40:27,681 --> 00:40:30,381 PRESIDENT OF THESE UNITED STATES, DONALD J. TRUMP. >> WOW, YOU HAVE A VERY UNIQUE 1071 00:40:30,383 --> 00:40:31,049 STATES, DONALD J. TRUMP. >> WOW, YOU HAVE A VERY UNIQUE VOICE, SENATOR. 1072 00:40:31,051 --> 00:40:32,250 >> WOW, YOU HAVE A VERY UNIQUE VOICE, SENATOR. >> I KNOW. 1073 00:40:32,252 --> 00:40:35,053 VOICE, SENATOR. >> I KNOW. MY VOICE IS LIKE IF BILL LYNNTON 1074 00:40:35,055 --> 00:40:35,987 >> I KNOW. MY VOICE IS LIKE IF BILL LYNNTON WAS ACTUALLY BLACK. 1075 00:40:35,989 --> 00:40:36,688 MY VOICE IS LIKE IF BILL LYNNTON WAS ACTUALLY BLACK. I SOUND LIKE THE PRINCESS AND 1076 00:40:36,690 --> 00:40:39,357 WAS ACTUALLY BLACK. I SOUND LIKE THE PRINCESS AND THE FROG. 1077 00:40:39,359 --> 00:40:41,426 I SOUND LIKE THE PRINCESS AND THE FROG. I SOUND LIKE IF FOREST GUMP WAS 1078 00:40:41,428 --> 00:40:44,395 THE FROG. I SOUND LIKE IF FOREST GUMP WAS DOING AN IMPRESSION OF JA RULE. 1079 00:40:44,397 --> 00:40:47,365 I SOUND LIKE IF FOREST GUMP WAS DOING AN IMPRESSION OF JA RULE. WHERE WOULD I BE WITHOUT MY 1080 00:40:47,367 --> 00:40:48,032 DOING AN IMPRESSION OF JA RULE. WHERE WOULD I BE WITHOUT MY BABY. 1081 00:40:48,034 --> 00:40:48,533 WHERE WOULD I BE WITHOUT MY BABY. THAT'S AWESOME. 1082 00:40:48,535 --> 00:40:50,869 BABY. THAT'S AWESOME. >> A LOT OF FOLKS WERE SURPRISED 1083 00:40:50,871 --> 00:40:52,904 THAT'S AWESOME. >> A LOT OF FOLKS WERE SURPRISED THAT YOU OF ALL PEOPLE ENDORSED 1084 00:40:52,906 --> 00:40:54,939 >> A LOT OF FOLKS WERE SURPRISED THAT YOU OF ALL PEOPLE ENDORSED DONALD TRUMP? 1085 00:40:54,941 --> 00:40:55,273 THAT YOU OF ALL PEOPLE ENDORSED DONALD TRUMP? >> WHY? 1086 00:40:55,275 --> 00:40:57,175 DONALD TRUMP? >> WHY? BECAUSE I'M BLACK? 1087 00:40:57,177 --> 00:40:58,510 >> WHY? BECAUSE I'M BLACK? THAT'S VERY MISGUIDED. 1088 00:40:58,512 --> 00:40:59,244 BECAUSE I'M BLACK? THAT'S VERY MISGUIDED. I DON'T SEE COLOR. 1089 00:40:59,246 --> 00:41:01,379 THAT'S VERY MISGUIDED. I DON'T SEE COLOR. WHEN I LOOKED AT ALL THE PEOPLE 1090 00:41:01,381 --> 00:41:03,681 I DON'T SEE COLOR. WHEN I LOOKED AT ALL THE PEOPLE AT TRUMP'S RALLY, I DID NOT SEE 1091 00:41:03,683 --> 00:41:04,382 WHEN I LOOKED AT ALL THE PEOPLE AT TRUMP'S RALLY, I DID NOT SEE A SINGLE COLOR. 1092 00:41:04,384 --> 00:41:05,984 AT TRUMP'S RALLY, I DID NOT SEE A SINGLE COLOR. >> IT'S SURPRISING BECAUSE YOU 1093 00:41:05,986 --> 00:41:07,685 A SINGLE COLOR. >> IT'S SURPRISING BECAUSE YOU TURNED ON NIKKI HALEY. 1094 00:41:07,687 --> 00:41:09,721 >> IT'S SURPRISING BECAUSE YOU TURNED ON NIKKI HALEY. SHE APPOINTED YOU TO BE SENATOR, 1095 00:41:09,723 --> 00:41:11,556 TURNED ON NIKKI HALEY. SHE APPOINTED YOU TO BE SENATOR, AND NOW YOU'RE ENDORSING HER 1096 00:41:11,558 --> 00:41:11,856 SHE APPOINTED YOU TO BE SENATOR, AND NOW YOU'RE ENDORSING HER RIVAL? 1097 00:41:11,858 --> 00:41:13,224 AND NOW YOU'RE ENDORSING HER RIVAL? >> NIKKI AND I WILL ALWAYS BE 1098 00:41:13,226 --> 00:41:16,194 RIVAL? >> NIKKI AND I WILL ALWAYS BE CLOSE FRIENDS, BUT NICKY, OR AS 1099 00:41:16,196 --> 00:41:19,430 >> NIKKI AND I WILL ALWAYS BE CLOSE FRIENDS, BUT NICKY, OR AS MR. TRUMP TOLD ME TO CALL HER -- 1100 00:41:19,432 --> 00:41:20,098 CLOSE FRIENDS, BUT NICKY, OR AS MR. TRUMP TOLD ME TO CALL HER -- [ SPEAKING IN A NON-ENGLISH 1101 00:41:20,100 --> 00:41:20,465 MR. TRUMP TOLD ME TO CALL HER -- [ SPEAKING IN A NON-ENGLISH LANGUAGE ] 1102 00:41:20,467 --> 00:41:21,733 [ SPEAKING IN A NON-ENGLISH LANGUAGE ] -- SHE MAY NOT EVEN BE FROM 1103 00:41:21,735 --> 00:41:22,800 LANGUAGE ] -- SHE MAY NOT EVEN BE FROM SOUTH CAROLINA OR EVEN AMERICA. 1104 00:41:22,802 --> 00:41:25,570 -- SHE MAY NOT EVEN BE FROM SOUTH CAROLINA OR EVEN AMERICA. >> SENATOR, YOU KNOW THAT'S NOT 1105 00:41:25,572 --> 00:41:25,870 SOUTH CAROLINA OR EVEN AMERICA. >> SENATOR, YOU KNOW THAT'S NOT TRUE. 1106 00:41:25,872 --> 00:41:29,073 >> SENATOR, YOU KNOW THAT'S NOT TRUE. THOSE ARE JUST RACIST DOG 1107 00:41:29,075 --> 00:41:29,440 TRUE. THOSE ARE JUST RACIST DOG WHISTLES. 1108 00:41:29,442 --> 00:41:32,176 THOSE ARE JUST RACIST DOG WHISTLES. >> MICHAEL, THAT'S NOT A RACIST 1109 00:41:32,178 --> 00:41:32,577 WHISTLES. >> MICHAEL, THAT'S NOT A RACIST DOG WHISTLE. 1110 00:41:32,579 --> 00:41:34,312 >> MICHAEL, THAT'S NOT A RACIST DOG WHISTLE. THIS IS. 1111 00:41:34,314 --> 00:41:36,514 DOG WHISTLE. THIS IS. >> WHAT IS THAT NOISE? 1112 00:41:36,516 --> 00:41:46,090 THIS IS. >> WHAT IS THAT NOISE? [ LAUGHTER ] 1113 00:41:46,092 --> 00:41:48,092 >> WHAT IS THAT NOISE? [ LAUGHTER ] >> WHAT DO YOU SAY TO PEOPLE WHO 1114 00:41:48,094 --> 00:41:49,694 [ LAUGHTER ] >> WHAT DO YOU SAY TO PEOPLE WHO THINK TRUMP IS ONLY USING YOU TO 1115 00:41:49,696 --> 00:41:51,162 >> WHAT DO YOU SAY TO PEOPLE WHO THINK TRUMP IS ONLY USING YOU TO WIN THE BLACK VOTES? 1116 00:41:51,164 --> 00:41:53,164 THINK TRUMP IS ONLY USING YOU TO WIN THE BLACK VOTES? >> LOOK, THAT IS IMPOSSIBLE 1117 00:41:53,166 --> 00:41:53,932 WIN THE BLACK VOTES? >> LOOK, THAT IS IMPOSSIBLE BECAUSE BLACK PEOPLE DO NOT LIKE 1118 00:41:53,934 --> 00:41:54,198 >> LOOK, THAT IS IMPOSSIBLE BECAUSE BLACK PEOPLE DO NOT LIKE ME. 1119 00:41:54,200 --> 00:41:56,801 BECAUSE BLACK PEOPLE DO NOT LIKE ME. ALL RIGHT? 1120 00:41:56,803 --> 00:41:59,470 ME. ALL RIGHT? ONE TIME I SAID THE N WORD AT A 1121 00:41:59,472 --> 00:42:00,738 ALL RIGHT? ONE TIME I SAID THE N WORD AT A BARBERSHOP, AND EVERYONE WENT, 1122 00:42:00,740 --> 00:42:02,473 ONE TIME I SAID THE N WORD AT A BARBERSHOP, AND EVERYONE WENT, WHOA, WHOA, WHOA. 1123 00:42:02,475 --> 00:42:04,642 BARBERSHOP, AND EVERYONE WENT, WHOA, WHOA, WHOA. SO WHEN MR. TRUMP ASKED ME TO 1124 00:42:04,644 --> 00:42:07,378 WHOA, WHOA, WHOA. SO WHEN MR. TRUMP ASKED ME TO CAMPAIGN FOR HIM IN INTERCITIES 1125 00:42:07,380 --> 00:42:09,948 SO WHEN MR. TRUMP ASKED ME TO CAMPAIGN FOR HIM IN INTERCITIES LIKE DETROIT AND PHILADELPHIA, I 1126 00:42:09,950 --> 00:42:11,983 CAMPAIGN FOR HIM IN INTERCITIES LIKE DETROIT AND PHILADELPHIA, I SAID WHY DON'T WE START IN NEW 1127 00:42:11,985 --> 00:42:12,383 LIKE DETROIT AND PHILADELPHIA, I SAID WHY DON'T WE START IN NEW HAMPSHIRE? 1128 00:42:12,385 --> 00:42:13,518 SAID WHY DON'T WE START IN NEW HAMPSHIRE? THOSE ARE MY PEOPLE. 1129 00:42:13,520 --> 00:42:15,053 HAMPSHIRE? THOSE ARE MY PEOPLE. >> NOW THERE'S SPECULATION ABOUT 1130 00:42:15,055 --> 00:42:18,456 THOSE ARE MY PEOPLE. >> NOW THERE'S SPECULATION ABOUT YOUR POLITICAL FUTURE. 1131 00:42:18,458 --> 00:42:19,157 >> NOW THERE'S SPECULATION ABOUT YOUR POLITICAL FUTURE. IF TRUMP PICKS YOU TO BE HIS 1132 00:42:19,159 --> 00:42:19,991 YOUR POLITICAL FUTURE. IF TRUMP PICKS YOU TO BE HIS RUNNING MATE, WOULD YOU DO IT? 1133 00:42:19,993 --> 00:42:20,925 IF TRUMP PICKS YOU TO BE HIS RUNNING MATE, WOULD YOU DO IT? >> ABSOLUTELY. 1134 00:42:20,927 --> 00:42:25,797 RUNNING MATE, WOULD YOU DO IT? >> ABSOLUTELY. I WOULD BE HONORED. 1135 00:42:25,799 --> 00:42:27,665 >> ABSOLUTELY. I WOULD BE HONORED. >> REALLY? 1136 00:42:27,667 --> 00:42:28,499 I WOULD BE HONORED. >> REALLY? EVEN THOUGH HE HO TOLD A MOB TO 1137 00:42:28,501 --> 00:42:29,601 >> REALLY? EVEN THOUGH HE HO TOLD A MOB TO HANG HIS LAST ONE? 1138 00:42:29,603 --> 00:42:32,570 EVEN THOUGH HE HO TOLD A MOB TO HANG HIS LAST ONE? >> HE DID WHAT? 1139 00:42:32,572 --> 00:42:33,738 HANG HIS LAST ONE? >> HE DID WHAT? >> TIM SCOTT, EVERYBODY. 1140 00:42:33,740 --> 00:42:36,107 >> HE DID WHAT? >> TIM SCOTT, EVERYBODY. >> A NEW REPORT FINDS THE 1141 00:42:36,109 --> 00:42:37,809 >> TIM SCOTT, EVERYBODY. >> A NEW REPORT FINDS THE AVERAGE 50-YEAR-OLD IN AMERICA 1142 00:42:37,811 --> 00:42:40,278 >> A NEW REPORT FINDS THE AVERAGE 50-YEAR-OLD IN AMERICA IS WORTH OVER $1 MILLION WHILE 1143 00:42:40,280 --> 00:42:41,679 AVERAGE 50-YEAR-OLD IN AMERICA IS WORTH OVER $1 MILLION WHILE THE AVERAGE 30-YEAR-OLD IS WORTH 1144 00:42:41,681 --> 00:42:44,349 IS WORTH OVER $1 MILLION WHILE THE AVERAGE 30-YEAR-OLD IS WORTH MORE DEAD THAN ALIVE. 1145 00:42:44,351 --> 00:42:47,919 THE AVERAGE 30-YEAR-OLD IS WORTH MORE DEAD THAN ALIVE. >> ELTON JOHN WON AN EMMY FOR 1146 00:42:47,921 --> 00:42:50,855 MORE DEAD THAN ALIVE. >> ELTON JOHN WON AN EMMY FOR HIS FAIR WELL CONCERT SPECIAL 1147 00:42:50,857 --> 00:42:53,591 >> ELTON JOHN WON AN EMMY FOR HIS FAIR WELL CONCERT SPECIAL EARNING HIM A COVETED E.G.O.T., 1148 00:42:53,593 --> 00:42:55,960 HIS FAIR WELL CONCERT SPECIAL EARNING HIM A COVETED E.G.O.T., WHICH IS AN EMMY, A GRAMMY, AN 1149 00:42:55,962 --> 00:42:59,230 EARNING HIM A COVETED E.G.O.T., WHICH IS AN EMMY, A GRAMMY, AN OSCAR, AND A TONY. 1150 00:42:59,232 --> 00:43:00,465 WHICH IS AN EMMY, A GRAMMY, AN OSCAR, AND A TONY. A NEW STARTUP COMPANY IS 1151 00:43:00,467 --> 00:43:02,233 OSCAR, AND A TONY. A NEW STARTUP COMPANY IS DEVELOPING A MALE CONTRACEPTIVE 1152 00:43:02,235 --> 00:43:04,669 A NEW STARTUP COMPANY IS DEVELOPING A MALE CONTRACEPTIVE THAT INVOLVES ONE INJECTION THAT 1153 00:43:04,671 --> 00:43:08,406 DEVELOPING A MALE CONTRACEPTIVE THAT INVOLVES ONE INJECTION THAT WILL PREVENT PREGNANCY FOR TEN 1154 00:43:08,408 --> 00:43:10,008 THAT INVOLVES ONE INJECTION THAT WILL PREVENT PREGNANCY FOR TEN YEARS, SO GET READY FOR AN 1155 00:43:10,010 --> 00:43:11,376 WILL PREVENT PREGNANCY FOR TEN YEARS, SO GET READY FOR AN EXCITING FUTURE OF TAKING THE 1156 00:43:11,378 --> 00:43:12,443 YEARS, SO GET READY FOR AN EXCITING FUTURE OF TAKING THE MAN'S WORD FOR IT. 1157 00:43:12,445 --> 00:43:14,512 EXCITING FUTURE OF TAKING THE MAN'S WORD FOR IT. HE LIKED THAT. 1158 00:43:14,514 --> 00:43:17,548 MAN'S WORD FOR IT. HE LIKED THAT. GOOD JOKE. 1159 00:43:17,550 --> 00:43:19,717 HE LIKED THAT. GOOD JOKE. >> A VOLVO CRASHED THROUGH THE 1160 00:43:19,719 --> 00:43:21,519 GOOD JOKE. >> A VOLVO CRASHED THROUGH THE FRONT OF A WHOLE FOODS IN A 1161 00:43:21,521 --> 00:43:22,687 >> A VOLVO CRASHED THROUGH THE FRONT OF A WHOLE FOODS IN A MARYLAND SUBURB. 1162 00:43:22,689 --> 00:43:23,821 FRONT OF A WHOLE FOODS IN A MARYLAND SUBURB. IT WAS AN ACCIDENT TO WHITE THAT 1163 00:43:23,823 --> 00:43:29,794 MARYLAND SUBURB. IT WAS AN ACCIDENT TO WHITE THAT EVERYONE'S INSURANCE WENT DOWN. 1164 00:43:29,796 --> 00:43:31,796 IT WAS AN ACCIDENT TO WHITE THAT EVERYONE'S INSURANCE WENT DOWN. A PASSENGER ON SPIRIT AIRLINES 1165 00:43:31,798 --> 00:43:34,165 EVERYONE'S INSURANCE WENT DOWN. A PASSENGER ON SPIRIT AIRLINES WAS ARRESTED AFTER HE REPEATEDLY 1166 00:43:34,167 --> 00:43:35,800 A PASSENGER ON SPIRIT AIRLINES WAS ARRESTED AFTER HE REPEATEDLY ASKED FEMALE FLIGHT ATTENDANTS 1167 00:43:35,802 --> 00:43:37,869 WAS ARRESTED AFTER HE REPEATEDLY ASKED FEMALE FLIGHT ATTENDANTS TO JOIN THE MILE HIGH CLUB, EVEN 1168 00:43:37,871 --> 00:43:39,704 ASKED FEMALE FLIGHT ATTENDANTS TO JOIN THE MILE HIGH CLUB, EVEN THOUGH SPIRITS AIRPLANES CAN'T 1169 00:43:39,706 --> 00:43:43,307 TO JOIN THE MILE HIGH CLUB, EVEN THOUGH SPIRITS AIRPLANES CAN'T GET ABOVE 300 FEET. 1170 00:43:43,309 --> 00:43:46,244 THOUGH SPIRITS AIRPLANES CAN'T GET ABOVE 300 FEET. >> TESLA OWNERS ARE COMPLAINING 1171 00:43:46,246 --> 00:43:48,913 GET ABOVE 300 FEET. >> TESLA OWNERS ARE COMPLAINING THAT DURING THE SUB ZERO 1172 00:43:48,915 --> 00:43:49,681 >> TESLA OWNERS ARE COMPLAINING THAT DURING THE SUB ZERO TEMPERATURES, THEY COULDN'T GET 1173 00:43:49,683 --> 00:43:50,682 THAT DURING THE SUB ZERO TEMPERATURES, THEY COULDN'T GET THEIR CARS TO CHARGE. 1174 00:43:50,684 --> 00:43:52,083 TEMPERATURES, THEY COULDN'T GET THEIR CARS TO CHARGE. ON THE PLUS SIDE, THEY WERE ABLE 1175 00:43:52,085 --> 00:43:52,750 THEIR CARS TO CHARGE. ON THE PLUS SIDE, THEY WERE ABLE TO STAY WARM IN THE BATTERY 1176 00:43:52,752 --> 00:43:57,055 ON THE PLUS SIDE, THEY WERE ABLE TO STAY WARM IN THE BATTERY FIRES. 1177 00:43:57,057 --> 00:43:59,357 TO STAY WARM IN THE BATTERY FIRES. A MAN ON A PLANE IN INDIA WHO 1178 00:43:59,359 --> 00:44:01,492 FIRES. A MAN ON A PLANE IN INDIA WHO WAS TRAPPED IN THE BATHROOM FOR 1179 00:44:01,494 --> 00:44:03,895 A MAN ON A PLANE IN INDIA WHO WAS TRAPPED IN THE BATHROOM FOR THE WHOLE FLIGHT SAYS THE CREW 1180 00:44:03,897 --> 00:44:06,764 WAS TRAPPED IN THE BATHROOM FOR THE WHOLE FLIGHT SAYS THE CREW SLIPPED HIM A PIECE OF PAPER 1181 00:44:06,766 --> 00:44:07,832 THE WHOLE FLIGHT SAYS THE CREW SLIPPED HIM A PIECE OF PAPER READING DO NOT PANIC. 1182 00:44:07,834 --> 00:44:10,268 SLIPPED HIM A PIECE OF PAPER READING DO NOT PANIC. THEN HE SLIPPED THEM A PIECE OF 1183 00:44:10,270 --> 00:44:11,002 READING DO NOT PANIC. THEN HE SLIPPED THEM A PIECE OF PAPER BACK READING MORE PAPER 1184 00:44:11,004 --> 00:44:14,972 THEN HE SLIPPED THEM A PIECE OF PAPER BACK READING MORE PAPER PLEASE. 1185 00:44:14,974 --> 00:44:18,176 PAPER BACK READING MORE PAPER PLEASE. >> A NEW STUDY SUGGESTS THAT MEN 1186 00:44:18,178 --> 00:44:20,078 PLEASE. >> A NEW STUDY SUGGESTS THAT MEN ARE BETTER THAN WOMEN AT USING A 1187 00:44:20,080 --> 00:44:22,113 >> A NEW STUDY SUGGESTS THAT MEN ARE BETTER THAN WOMEN AT USING A MAP, WHILE WOMEN ARE BETTER AT 1188 00:44:22,115 --> 00:44:23,514 ARE BETTER THAN WOMEN AT USING A MAP, WHILE WOMEN ARE BETTER AT SILENTLY SITTING FOR THE REST OF 1189 00:44:23,516 --> 00:44:24,282 MAP, WHILE WOMEN ARE BETTER AT SILENTLY SITTING FOR THE REST OF THE CAR RIDE AFTER YOU TELL THEM 1190 00:44:24,284 --> 00:44:26,918 SILENTLY SITTING FOR THE REST OF THE CAR RIDE AFTER YOU TELL THEM THAT. 1191 00:44:26,920 --> 00:44:29,220 THE CAR RIDE AFTER YOU TELL THEM THAT. >> A NEW STUDY OF PREGNANT WOMEN 1192 00:44:29,222 --> 00:44:30,888 THAT. >> A NEW STUDY OF PREGNANT WOMEN FINDS THAT VAPING DOES NOT HARM 1193 00:44:30,890 --> 00:44:32,990 >> A NEW STUDY OF PREGNANT WOMEN FINDS THAT VAPING DOES NOT HARM THEIR BABIES AS LONG AS THEY'RE 1194 00:44:32,992 --> 00:44:33,725 FINDS THAT VAPING DOES NOT HARM THEIR BABIES AS LONG AS THEY'RE VERY CAREFUL SHOVING THE VAPE UP 1195 00:44:33,727 --> 00:44:40,331 THEIR BABIES AS LONG AS THEY'RE VERY CAREFUL SHOVING THE VAPE UP THERE. 1196 00:44:40,333 --> 00:44:40,832 VERY CAREFUL SHOVING THE VAPE UP THERE. >> MY GOD. 1197 00:44:40,834 --> 00:44:42,400 THERE. >> MY GOD. >> THAT'S THE STUDY. 1198 00:44:42,402 --> 00:44:43,534 >> MY GOD. >> THAT'S THE STUDY. >> THAT'S THE STUDY. 1199 00:44:43,536 --> 00:44:45,002 >> THAT'S THE STUDY. >> THAT'S THE STUDY. THAT'S A REAL STUDY. 1200 00:44:45,004 --> 00:44:46,671 >> THAT'S THE STUDY. THAT'S A REAL STUDY. THIS WAS A NICE STORY OVER THE 1201 00:44:46,673 --> 00:44:48,473 THAT'S A REAL STUDY. THIS WAS A NICE STORY OVER THE HOLIDAYS, NEARLY 20 DRIVERS ON 1202 00:44:48,475 --> 00:44:51,342 THIS WAS A NICE STORY OVER THE HOLIDAYS, NEARLY 20 DRIVERS ON THE STATEN ISLAND EXPRESSWAY 1203 00:44:51,344 --> 00:44:53,978 HOLIDAYS, NEARLY 20 DRIVERS ON THE STATEN ISLAND EXPRESSWAY WORKED TOGETHER TO SAVE A 1204 00:44:53,980 --> 00:44:55,847 THE STATEN ISLAND EXPRESSWAY WORKED TOGETHER TO SAVE A CHIHUAHUA NAMED BEAN THAT RAN ON 1205 00:44:55,849 --> 00:44:57,882 WORKED TOGETHER TO SAVE A CHIHUAHUA NAMED BEAN THAT RAN ON TO THE ROAD, AND THEY BANDED 1206 00:44:57,884 --> 00:44:58,783 CHIHUAHUA NAMED BEAN THAT RAN ON TO THE ROAD, AND THEY BANDED TOGETHER AGAIN TO SEND BEAN BACK 1207 00:44:58,785 --> 00:45:03,421 TO THE ROAD, AND THEY BANDED TOGETHER AGAIN TO SEND BEAN BACK WHERE HE CAME FROM. 1208 00:45:03,423 --> 00:45:05,623 TOGETHER AGAIN TO SEND BEAN BACK WHERE HE CAME FROM. >> RECENTLY, A VIDEO WENT VIRAL 1209 00:45:05,625 --> 00:45:07,558 WHERE HE CAME FROM. >> RECENTLY, A VIDEO WENT VIRAL OF A DEFENDANT ATTACKING A JUDGE 1210 00:45:07,560 --> 00:45:08,493 >> RECENTLY, A VIDEO WENT VIRAL OF A DEFENDANT ATTACKING A JUDGE IN A LAS VEGAS COURTHOUSE. 1211 00:45:08,495 --> 00:45:15,366 OF A DEFENDANT ATTACKING A JUDGE IN A LAS VEGAS COURTHOUSE. LET'S HAVE A LOOK. 1212 00:45:15,368 --> 00:45:17,568 IN A LAS VEGAS COURTHOUSE. LET'S HAVE A LOOK. HERE WITH MORE ABOUT IT IS THE 1213 00:45:17,570 --> 00:45:19,537 LET'S HAVE A LOOK. HERE WITH MORE ABOUT IT IS THE FLYING DEFENDANT HIMSELF, DEOBRE 1214 00:45:19,539 --> 00:45:22,240 HERE WITH MORE ABOUT IT IS THE FLYING DEFENDANT HIMSELF, DEOBRE REDDEN. 1215 00:45:22,242 --> 00:45:23,908 FLYING DEFENDANT HIMSELF, DEOBRE REDDEN. >> HOW YOU FEELING? 1216 00:45:23,910 --> 00:45:25,610 REDDEN. >> HOW YOU FEELING? WHAT'S HAPPENING? 1217 00:45:25,612 --> 00:45:27,845 >> HOW YOU FEELING? WHAT'S HAPPENING? >> SO DEOBRE, WHAT COMPELLED YOU 1218 00:45:27,847 --> 00:45:29,614 WHAT'S HAPPENING? >> SO DEOBRE, WHAT COMPELLED YOU TO ATTACK THE JUDGE LIKE THAT? 1219 00:45:29,616 --> 00:45:32,150 >> SO DEOBRE, WHAT COMPELLED YOU TO ATTACK THE JUDGE LIKE THAT? >> MAN, YOU ASKING THE WRONG 1220 00:45:32,152 --> 00:45:32,884 TO ATTACK THE JUDGE LIKE THAT? >> MAN, YOU ASKING THE WRONG QUESTIONS, CHE. 1221 00:45:32,886 --> 00:45:34,886 >> MAN, YOU ASKING THE WRONG QUESTIONS, CHE. YOU SHOULD BE ASKING HOW BECAUSE 1222 00:45:34,888 --> 00:45:36,721 QUESTIONS, CHE. YOU SHOULD BE ASKING HOW BECAUSE THEY AIN'T NO DAMN WAY SOMEBODY 1223 00:45:36,723 --> 00:45:38,389 YOU SHOULD BE ASKING HOW BECAUSE THEY AIN'T NO DAMN WAY SOMEBODY SHOULD BE ABLE TO ATTACK A JUDGE 1224 00:45:38,391 --> 00:45:39,957 THEY AIN'T NO DAMN WAY SOMEBODY SHOULD BE ABLE TO ATTACK A JUDGE IN THE HER OWN DAMN COURTROOM. 1225 00:45:39,959 --> 00:45:42,126 SHOULD BE ABLE TO ATTACK A JUDGE IN THE HER OWN DAMN COURTROOM. HOW HARD IS IT TO CATCH A GROWN 1226 00:45:42,128 --> 00:45:43,961 IN THE HER OWN DAMN COURTROOM. HOW HARD IS IT TO CATCH A GROWN MAN FLYING ACROSS THE COURT OF 1227 00:45:43,963 --> 00:45:44,529 HOW HARD IS IT TO CATCH A GROWN MAN FLYING ACROSS THE COURT OF LAW, MAN? 1228 00:45:44,531 --> 00:45:47,665 MAN FLYING ACROSS THE COURT OF LAW, MAN? >> SO YOU TRYING TO SAY THIS IS 1229 00:45:47,667 --> 00:45:48,132 LAW, MAN? >> SO YOU TRYING TO SAY THIS IS NOT YOUR FAULT? 1230 00:45:48,134 --> 00:45:49,167 >> SO YOU TRYING TO SAY THIS IS NOT YOUR FAULT? >> WHAT I'M TRYING TO SAY IS 1231 00:45:49,169 --> 00:45:51,769 NOT YOUR FAULT? >> WHAT I'M TRYING TO SAY IS EVERY SINGLE ONE OF THEM 1232 00:45:51,771 --> 00:45:54,305 >> WHAT I'M TRYING TO SAY IS EVERY SINGLE ONE OF THEM SHERIFFS NEED TO BE FIRED. 1233 00:45:54,307 --> 00:45:55,773 EVERY SINGLE ONE OF THEM SHERIFFS NEED TO BE FIRED. PLAY THE CLIP AGAIN. 1234 00:45:55,775 --> 00:45:57,909 SHERIFFS NEED TO BE FIRED. PLAY THE CLIP AGAIN. IF YOU LOOK CLOSELY, I FLY AT 1235 00:45:57,911 --> 00:46:00,144 PLAY THE CLIP AGAIN. IF YOU LOOK CLOSELY, I FLY AT THE JUDGE -- GREAT FORM, MIGHT I 1236 00:46:00,146 --> 00:46:00,511 IF YOU LOOK CLOSELY, I FLY AT THE JUDGE -- GREAT FORM, MIGHT I ADD. 1237 00:46:00,513 --> 00:46:02,613 THE JUDGE -- GREAT FORM, MIGHT I ADD. WHAT Y'ALL DON'T SEE IS THE 1238 00:46:02,615 --> 00:46:04,649 ADD. WHAT Y'ALL DON'T SEE IS THE BAILIFF IS BEHIND ME RUBBING HIS 1239 00:46:04,651 --> 00:46:07,752 WHAT Y'ALL DON'T SEE IS THE BAILIFF IS BEHIND ME RUBBING HIS HANDS ON HIS BELLY LIKE THIS 1240 00:46:07,754 --> 00:46:09,420 BAILIFF IS BEHIND ME RUBBING HIS HANDS ON HIS BELLY LIKE THIS STRAIGHT DAYDREAMING. 1241 00:46:09,422 --> 00:46:10,788 HANDS ON HIS BELLY LIKE THIS STRAIGHT DAYDREAMING. YOU KNOW WHAT THAT MEAN. 1242 00:46:10,790 --> 00:46:12,690 STRAIGHT DAYDREAMING. YOU KNOW WHAT THAT MEAN. HOME BOY WAS THINKING ABOUT A 1243 00:46:12,692 --> 00:46:12,990 YOU KNOW WHAT THAT MEAN. HOME BOY WAS THINKING ABOUT A SNACK. 1244 00:46:12,992 --> 00:46:13,991 HOME BOY WAS THINKING ABOUT A SNACK. LET ME BREAK IT DOWN. 1245 00:46:13,993 --> 00:46:15,827 SNACK. LET ME BREAK IT DOWN. WHILE I FLY THIS WAY, THE 1246 00:46:15,829 --> 00:46:17,695 LET ME BREAK IT DOWN. WHILE I FLY THIS WAY, THE BAILIFF, HE RUN BEHIND ME, HE 1247 00:46:17,697 --> 00:46:18,296 WHILE I FLY THIS WAY, THE BAILIFF, HE RUN BEHIND ME, HE FALL DOWN. 1248 00:46:18,298 --> 00:46:19,530 BAILIFF, HE RUN BEHIND ME, HE FALL DOWN. LOOK AT HIM, MAN. 1249 00:46:19,532 --> 00:46:21,933 FALL DOWN. LOOK AT HIM, MAN. THAT'S TERRIBLE. 1250 00:46:21,935 --> 00:46:24,268 LOOK AT HIM, MAN. THAT'S TERRIBLE. MAN, PUT THE DUNKIN DOWN, PICK 1251 00:46:24,270 --> 00:46:26,237 THAT'S TERRIBLE. MAN, PUT THE DUNKIN DOWN, PICK UP THE TASER, AND DO SOMETHING, 1252 00:46:26,239 --> 00:46:26,537 MAN, PUT THE DUNKIN DOWN, PICK UP THE TASER, AND DO SOMETHING, MAN. 1253 00:46:26,539 --> 00:46:29,607 UP THE TASER, AND DO SOMETHING, MAN. I WAS IN THE AIR FOR LIKE FOUR, 1254 00:46:29,609 --> 00:46:30,341 MAN. I WAS IN THE AIR FOR LIKE FOUR, FIVE, SIX GOOD SECONDS. 1255 00:46:30,343 --> 00:46:30,808 I WAS IN THE AIR FOR LIKE FOUR, FIVE, SIX GOOD SECONDS. SHAME ON THEM. 1256 00:46:30,810 --> 00:46:32,310 FIVE, SIX GOOD SECONDS. SHAME ON THEM. >> YOU DO HAVE A POINT. 1257 00:46:32,312 --> 00:46:34,946 SHAME ON THEM. >> YOU DO HAVE A POINT. THAT WAS CRAZY. 1258 00:46:34,948 --> 00:46:35,680 >> YOU DO HAVE A POINT. THAT WAS CRAZY. I DON'T THINK A JUDGE HAS EVER 1259 00:46:35,682 --> 00:46:39,584 THAT WAS CRAZY. I DON'T THINK A JUDGE HAS EVER BEEN ATTACKED IN THEIR OWN 1260 00:46:39,586 --> 00:46:40,084 I DON'T THINK A JUDGE HAS EVER BEEN ATTACKED IN THEIR OWN COURTROOM BEFORE. 1261 00:46:40,086 --> 00:46:40,484 BEEN ATTACKED IN THEIR OWN COURTROOM BEFORE. >> EXACTLY. 1262 00:46:40,486 --> 00:46:43,654 COURTROOM BEFORE. >> EXACTLY. IT WAS CRAZY I MADE CONTACT. 1263 00:46:43,656 --> 00:46:44,088 >> EXACTLY. IT WAS CRAZY I MADE CONTACT. I WAS SHOCKED. 1264 00:46:44,090 --> 00:46:45,423 IT WAS CRAZY I MADE CONTACT. I WAS SHOCKED. WHY THIS JUDGE WASN'T BEHIND 1265 00:46:45,425 --> 00:46:46,557 I WAS SHOCKED. WHY THIS JUDGE WASN'T BEHIND SOME GLASS, MAN. 1266 00:46:46,559 --> 00:46:49,393 WHY THIS JUDGE WASN'T BEHIND SOME GLASS, MAN. HOW IS THIS MY FAULT? 1267 00:46:49,395 --> 00:46:50,828 SOME GLASS, MAN. HOW IS THIS MY FAULT? I WAS BLUFFING. 1268 00:46:50,830 --> 00:46:52,563 HOW IS THIS MY FAULT? I WAS BLUFFING. I THOUGHT I WAS GOING TO BOUNCE 1269 00:46:52,565 --> 00:46:53,998 I WAS BLUFFING. I THOUGHT I WAS GOING TO BOUNCE OFF SOME GLASS. 1270 00:46:54,000 --> 00:46:55,933 I THOUGHT I WAS GOING TO BOUNCE OFF SOME GLASS. >> WHAT GLASS? 1271 00:46:55,935 --> 00:46:56,968 OFF SOME GLASS. >> WHAT GLASS? >> EVERYBODY GOT GLASS. 1272 00:46:56,970 --> 00:47:01,205 >> WHAT GLASS? >> EVERYBODY GOT GLASS. CAB DRIVERS GOT CLASS, EVEN CVS 1273 00:47:01,207 --> 00:47:02,640 >> EVERYBODY GOT GLASS. CAB DRIVERS GOT CLASS, EVEN CVS SHAMPOO GOT SOME GLASS, MAN. 1274 00:47:02,642 --> 00:47:05,076 CAB DRIVERS GOT CLASS, EVEN CVS SHAMPOO GOT SOME GLASS, MAN. AS I WAS RUNNING, I THOUGHT, 1275 00:47:05,078 --> 00:47:08,946 SHAMPOO GOT SOME GLASS, MAN. AS I WAS RUNNING, I THOUGHT, MAN, THERE FOR SURE GOING TO BE 1276 00:47:08,948 --> 00:47:10,581 AS I WAS RUNNING, I THOUGHT, MAN, THERE FOR SURE GOING TO BE SOME GLASS. 1277 00:47:10,583 --> 00:47:11,649 MAN, THERE FOR SURE GOING TO BE SOME GLASS. YOU FEEL ME? 1278 00:47:11,651 --> 00:47:14,151 SOME GLASS. YOU FEEL ME? >> DO YOU FEEL ANY REMORSE? 1279 00:47:14,153 --> 00:47:15,586 YOU FEEL ME? >> DO YOU FEEL ANY REMORSE? >> OF COURSE I DO. 1280 00:47:15,588 --> 00:47:19,357 >> DO YOU FEEL ANY REMORSE? >> OF COURSE I DO. I WAS TRYING TO SHAKE HER UP A 1281 00:47:19,359 --> 00:47:21,726 >> OF COURSE I DO. I WAS TRYING TO SHAKE HER UP A BIT, AND WHEN I GOT CONTACT, I 1282 00:47:21,728 --> 00:47:23,661 I WAS TRYING TO SHAKE HER UP A BIT, AND WHEN I GOT CONTACT, I WAS LIKE, MAN. 1283 00:47:23,663 --> 00:47:25,296 BIT, AND WHEN I GOT CONTACT, I WAS LIKE, MAN. LOOK AT THIS. 1284 00:47:25,298 --> 00:47:26,397 WAS LIKE, MAN. LOOK AT THIS. CAN YOU BELIEVE WHEN THEY 1285 00:47:26,399 --> 00:47:27,899 LOOK AT THIS. CAN YOU BELIEVE WHEN THEY BROUGHT ME BACK TO COURT, THEY 1286 00:47:27,901 --> 00:47:30,568 CAN YOU BELIEVE WHEN THEY BROUGHT ME BACK TO COURT, THEY PUT A MUZZLE ON ME, MAN? 1287 00:47:30,570 --> 00:47:32,503 BROUGHT ME BACK TO COURT, THEY PUT A MUZZLE ON ME, MAN? >> PROBABLY FOR EVERYBODY'S 1288 00:47:32,505 --> 00:47:32,837 PUT A MUZZLE ON ME, MAN? >> PROBABLY FOR EVERYBODY'S SAFETY. 1289 00:47:32,839 --> 00:47:34,171 >> PROBABLY FOR EVERYBODY'S SAFETY. >> I DIDN'T BITE NOBODY. 1290 00:47:34,173 --> 00:47:36,307 SAFETY. >> I DIDN'T BITE NOBODY. NOW THEY JUST GASSING IT. 1291 00:47:36,309 --> 00:47:38,376 >> I DIDN'T BITE NOBODY. NOW THEY JUST GASSING IT. I DIDN'T DO NO MOUTH STUFF! 1292 00:47:38,378 --> 00:47:40,244 NOW THEY JUST GASSING IT. I DIDN'T DO NO MOUTH STUFF! >> YOUR SISTER SPOKE UP FOR YOU 1293 00:47:40,246 --> 00:47:42,113 I DIDN'T DO NO MOUTH STUFF! >> YOUR SISTER SPOKE UP FOR YOU SAYING YOU WERE HAVING A MENTAL 1294 00:47:42,115 --> 00:47:42,480 >> YOUR SISTER SPOKE UP FOR YOU SAYING YOU WERE HAVING A MENTAL BREAKDOWN. 1295 00:47:42,482 --> 00:47:43,514 SAYING YOU WERE HAVING A MENTAL BREAKDOWN. WAS THAT TRUE? 1296 00:47:43,516 --> 00:47:44,515 BREAKDOWN. WAS THAT TRUE? >> I BELIEVE THAT MAY HAVE BEEN 1297 00:47:44,517 --> 00:47:45,816 WAS THAT TRUE? >> I BELIEVE THAT MAY HAVE BEEN THE CASE, YES. 1298 00:47:45,818 --> 00:47:54,625 >> I BELIEVE THAT MAY HAVE BEEN THE CASE, YES. MENTALLY, IT WAS A BREAKDOWN. 1299 00:47:54,627 --> 00:47:56,727 THE CASE, YES. MENTALLY, IT WAS A BREAKDOWN. BUT ATHLETICALLY, IT WAS GREAT, 1300 00:47:56,729 --> 00:47:56,994 MENTALLY, IT WAS A BREAKDOWN. BUT ATHLETICALLY, IT WAS GREAT, MAN. 1301 00:47:56,996 --> 00:47:59,063 BUT ATHLETICALLY, IT WAS GREAT, MAN. BUT I TELL YOU WHAT, NOW WHEN I 1302 00:47:59,065 --> 00:48:02,600 MAN. BUT I TELL YOU WHAT, NOW WHEN I GO TO THE COURT FOR THAT APPEAL, 1303 00:48:02,602 --> 00:48:03,567 BUT I TELL YOU WHAT, NOW WHEN I GO TO THE COURT FOR THAT APPEAL, I BET Y'ALL THEY GOING TO HAVE 1304 00:48:03,569 --> 00:48:04,101 GO TO THE COURT FOR THAT APPEAL, I BET Y'ALL THEY GOING TO HAVE SOME GLASS. 1305 00:48:04,103 --> 00:48:06,270 I BET Y'ALL THEY GOING TO HAVE SOME GLASS. >> THAT'S ENOUGH. 1306 00:48:06,272 --> 00:48:07,438 SOME GLASS. >> THAT'S ENOUGH. LADIES AND GENTLEMEN, 1307 00:48:30,646 --> 00:48:36,684 >>> AND BEFORE I GOT SOBER, MY MARRIAGE WAS SO TOXIC THAT AT ONE POINT, THE PRIEST WHO 1308 00:48:36,686 --> 00:48:38,519 MARRIAGE WAS SO TOXIC THAT AT ONE POINT, THE PRIEST WHO MARRIED US SAID TO ME PRIVATELY, 1309 00:48:38,521 --> 00:48:41,055 ONE POINT, THE PRIEST WHO MARRIED US SAID TO ME PRIVATELY, I'M PRAYING THAT Y'ALL DIVORCE. 1310 00:48:41,057 --> 00:48:43,024 MARRIED US SAID TO ME PRIVATELY, I'M PRAYING THAT Y'ALL DIVORCE. BUT NOW I'M SOBER. 1311 00:48:43,026 --> 00:48:44,392 I'M PRAYING THAT Y'ALL DIVORCE. BUT NOW I'M SOBER. AA SAVED OUR MARRIAGE. 1312 00:48:44,394 --> 00:48:48,429 BUT NOW I'M SOBER. AA SAVED OUR MARRIAGE. THANKS FOR LETTING ME SHARE. 1313 00:48:48,431 --> 00:48:49,630 AA SAVED OUR MARRIAGE. THANKS FOR LETTING ME SHARE. >> HI. 1314 00:48:49,632 --> 00:48:49,930 THANKS FOR LETTING ME SHARE. >> HI. SORRY. 1315 00:48:49,932 --> 00:48:51,832 >> HI. SORRY. IS THIS AN AA MEETING? 1316 00:48:51,834 --> 00:48:53,901 SORRY. IS THIS AN AA MEETING? >> THIS IS A WOMEN'S MEETING, 1317 00:48:53,903 --> 00:48:54,168 IS THIS AN AA MEETING? >> THIS IS A WOMEN'S MEETING, GUY. 1318 00:48:54,170 --> 00:48:55,636 >> THIS IS A WOMEN'S MEETING, GUY. >> OH, MY BAD. 1319 00:48:55,638 --> 00:48:57,204 GUY. >> OH, MY BAD. THE DIRECTORY SAID THERE'S A 1320 00:48:57,206 --> 00:48:58,472 >> OH, MY BAD. THE DIRECTORY SAID THERE'S A MEETING IN ST. JOHN'S. 1321 00:48:58,474 --> 00:49:00,307 THE DIRECTORY SAID THERE'S A MEETING IN ST. JOHN'S. >> DUDE, LOOK AT THE SIGN. 1322 00:49:00,309 --> 00:49:02,743 MEETING IN ST. JOHN'S. >> DUDE, LOOK AT THE SIGN. WOMEN SUPPORTING WOMEN. 1323 00:49:02,745 --> 00:49:03,310 >> DUDE, LOOK AT THE SIGN. WOMEN SUPPORTING WOMEN. >> OKAY. 1324 00:49:03,312 --> 00:49:04,779 WOMEN SUPPORTING WOMEN. >> OKAY. NO WORRIES. 1325 00:49:04,781 --> 00:49:05,446 >> OKAY. NO WORRIES. WELL, I'LL TELL THE JUDGE I 1326 00:49:05,448 --> 00:49:13,421 NO WORRIES. WELL, I'LL TELL THE JUDGE I TRIED. 1327 00:49:13,423 --> 00:49:14,855 WELL, I'LL TELL THE JUDGE I TRIED. >> CAN YOU BELIEVE HIM? 1328 00:49:14,857 --> 00:49:15,289 TRIED. >> CAN YOU BELIEVE HIM? 1329 00:49:15,291 --> 00:49:16,023 >> CAN YOU BELIEVE HIM? 1330 00:49:16,025 --> 00:49:16,724 I'M JUST REALLY GRATEFUL TO HAVE A GROUP OF WOMEN TO CONNECT 1331 00:49:16,726 --> 00:49:17,024 I'M JUST REALLY GRATEFUL TO HAVE A GROUP OF WOMEN TO CONNECT WITH. 1332 00:49:17,026 --> 00:49:17,425 A GROUP OF WOMEN TO CONNECT WITH. >> I AGREE. 1333 00:49:17,427 --> 00:49:18,192 WITH. >> I AGREE. I HATED AA UNTIL I FOUND GIRLS. 1334 00:49:18,194 --> 00:49:20,194 >> I AGREE. I HATED AA UNTIL I FOUND GIRLS. >> MM. 1335 00:49:20,196 --> 00:49:22,596 I HATED AA UNTIL I FOUND GIRLS. >> MM. >> SORRY TO INTERRUPT. 1336 00:49:22,598 --> 00:49:25,499 >> MM. >> SORRY TO INTERRUPT. IS THIS AN AA MEETING? 1337 00:49:25,501 --> 00:49:25,866 >> SORRY TO INTERRUPT. IS THIS AN AA MEETING? >> IT IS. 1338 00:49:25,868 --> 00:49:29,303 IS THIS AN AA MEETING? >> IT IS. MOVE. 1339 00:49:29,305 --> 00:49:30,771 >> IT IS. MOVE. SIT HERE. 1340 00:49:30,773 --> 00:49:31,138 MOVE. SIT HERE. SIT HERE. 1341 00:49:31,140 --> 00:49:31,505 SIT HERE. SIT HERE. >> UH-HUH. 1342 00:49:31,507 --> 00:49:34,141 SIT HERE. >> UH-HUH. YEAH. 1343 00:49:34,143 --> 00:49:36,210 >> UH-HUH. YEAH. >> DO YOU WANT TO INTRODUCE 1344 00:49:36,212 --> 00:49:38,179 YEAH. >> DO YOU WANT TO INTRODUCE YOURSELF TO THE GROUP? 1345 00:49:38,181 --> 00:49:39,513 >> DO YOU WANT TO INTRODUCE YOURSELF TO THE GROUP? >> SURE. 1346 00:49:39,515 --> 00:49:40,281 YOURSELF TO THE GROUP? >> SURE. I GUESS. 1347 00:49:40,283 --> 00:49:41,048 >> SURE. I GUESS. MY NAME IS JOSHUA, AND I'M AN 1348 00:49:41,050 --> 00:49:43,050 I GUESS. MY NAME IS JOSHUA, AND I'M AN ALCOHOLIC. 1349 00:49:43,052 --> 00:49:46,454 MY NAME IS JOSHUA, AND I'M AN ALCOHOLIC. >> HI, JOSHUA. 1350 00:49:46,456 --> 00:49:47,555 ALCOHOLIC. >> HI, JOSHUA. >> AND I'M SOBER FOR 78 DAYS 1351 00:49:47,557 --> 00:49:49,590 >> HI, JOSHUA. >> AND I'M SOBER FOR 78 DAYS NOW. 1352 00:49:49,592 --> 00:49:52,493 >> AND I'M SOBER FOR 78 DAYS NOW. >> GET IT. 1353 00:49:52,495 --> 00:49:52,960 NOW. >> GET IT. >> THANK YOU. 1354 00:49:52,962 --> 00:49:53,360 >> GET IT. >> THANK YOU. THANK YOU. 1355 00:49:53,362 --> 00:49:54,395 >> THANK YOU. THANK YOU. I APPRECIATE IT. 1356 00:49:54,397 --> 00:49:56,831 THANK YOU. I APPRECIATE IT. YOU KNOW I'M GRATEFUL TO BE 1357 00:49:56,833 --> 00:49:57,131 I APPRECIATE IT. YOU KNOW I'M GRATEFUL TO BE SOBER. 1358 00:49:57,133 --> 00:49:59,333 YOU KNOW I'M GRATEFUL TO BE SOBER. IT'S JUST, WHEN I'M SOBER OFF 1359 00:49:59,335 --> 00:50:01,802 SOBER. IT'S JUST, WHEN I'M SOBER OFF DRUGS AND ALCOHOL, I ACT OUT 1360 00:50:01,804 --> 00:50:03,104 IT'S JUST, WHEN I'M SOBER OFF DRUGS AND ALCOHOL, I ACT OUT SEXUALLY WITH WOMEN. 1361 00:50:03,106 --> 00:50:03,671 DRUGS AND ALCOHOL, I ACT OUT SEXUALLY WITH WOMEN. >> MM. 1362 00:50:03,673 --> 00:50:05,306 SEXUALLY WITH WOMEN. >> MM. >> OH, NO. 1363 00:50:05,308 --> 00:50:06,474 >> MM. >> OH, NO. >> THAT IS TOUGH STUFF. 1364 00:50:06,476 --> 00:50:07,842 >> OH, NO. >> THAT IS TOUGH STUFF. >> YOU GOT THIS, THOUGH. 1365 00:50:07,844 --> 00:50:09,076 >> THAT IS TOUGH STUFF. >> YOU GOT THIS, THOUGH. >> ONE DAY AT A TIME. 1366 00:50:09,078 --> 00:50:12,947 >> YOU GOT THIS, THOUGH. >> ONE DAY AT A TIME. >> BUT, YOU KNOW, I DON'T KNOW 1367 00:50:12,949 --> 00:50:15,449 >> ONE DAY AT A TIME. >> BUT, YOU KNOW, I DON'T KNOW IF I'M REPLACING ONE DRUG WITH 1368 00:50:15,451 --> 00:50:17,785 >> BUT, YOU KNOW, I DON'T KNOW IF I'M REPLACING ONE DRUG WITH ANOTHER, AND I DON'T WANT TO BE 1369 00:50:17,787 --> 00:50:18,252 IF I'M REPLACING ONE DRUG WITH ANOTHER, AND I DON'T WANT TO BE TOO GRAPHIC. 1370 00:50:18,254 --> 00:50:19,053 ANOTHER, AND I DON'T WANT TO BE TOO GRAPHIC. >> PLEASE DO. 1371 00:50:19,055 --> 00:50:20,888 TOO GRAPHIC. >> PLEASE DO. BECAUSE I KNOW IT COULD HELP 1372 00:50:20,890 --> 00:50:21,222 >> PLEASE DO. BECAUSE I KNOW IT COULD HELP SOMEONE. 1373 00:50:21,224 --> 00:50:23,257 BECAUSE I KNOW IT COULD HELP SOMEONE. FOR ME, HEARING A GRAPHIC STORY 1374 00:50:23,259 --> 00:50:26,060 SOMEONE. FOR ME, HEARING A GRAPHIC STORY KEEPS ME OFF THE BOTTLE. 1375 00:50:26,062 --> 00:50:26,727 FOR ME, HEARING A GRAPHIC STORY KEEPS ME OFF THE BOTTLE. >> MM HMM. 1376 00:50:26,729 --> 00:50:28,929 KEEPS ME OFF THE BOTTLE. >> MM HMM. >> I ABSOLUTELY RUN THROUGH 1377 00:50:28,931 --> 00:50:29,230 >> MM HMM. >> I ABSOLUTELY RUN THROUGH WOMEN. 1378 00:50:29,232 --> 00:50:31,165 >> I ABSOLUTELY RUN THROUGH WOMEN. MY APPETITE IS INSATIABLE. 1379 00:50:31,167 --> 00:50:32,967 WOMEN. MY APPETITE IS INSATIABLE. >> THAT IS SO SAD. 1380 00:50:32,969 --> 00:50:35,202 MY APPETITE IS INSATIABLE. >> THAT IS SO SAD. AND IS THERE AN AGE CUTOFF OR A 1381 00:50:35,204 --> 00:50:36,771 >> THAT IS SO SAD. AND IS THERE AN AGE CUTOFF OR A BODY TYPE YOU GO FOR? 1382 00:50:36,773 --> 00:50:39,206 AND IS THERE AN AGE CUTOFF OR A BODY TYPE YOU GO FOR? >> NO, IT'S ANY AND ALL TYPES. 1383 00:50:39,208 --> 00:50:41,108 BODY TYPE YOU GO FOR? >> NO, IT'S ANY AND ALL TYPES. ALL OF THEM. 1384 00:50:41,110 --> 00:50:42,109 >> NO, IT'S ANY AND ALL TYPES. ALL OF THEM. >> MM. 1385 00:50:42,111 --> 00:50:43,277 ALL OF THEM. >> MM. >> MM. 1386 00:50:43,279 --> 00:50:46,313 >> MM. >> MM. >> I HOPE I'M NOT TRIGGERING 1387 00:50:46,315 --> 00:50:46,647 >> MM. >> I HOPE I'M NOT TRIGGERING ANYONE. 1388 00:50:46,649 --> 00:50:48,415 >> I HOPE I'M NOT TRIGGERING ANYONE. IN FACT, NOW THAT I'M LOOKING 1389 00:50:48,417 --> 00:50:50,684 ANYONE. IN FACT, NOW THAT I'M LOOKING AROUND, I FEEL LIKE I ONLY SEE 1390 00:50:50,686 --> 00:50:51,018 IN FACT, NOW THAT I'M LOOKING AROUND, I FEEL LIKE I ONLY SEE WOMEN. 1391 00:50:51,020 --> 00:50:52,686 AROUND, I FEEL LIKE I ONLY SEE WOMEN. >> WELL, USUALLY THERE'S MEN 1392 00:50:52,688 --> 00:50:54,054 WOMEN. >> WELL, USUALLY THERE'S MEN HERE, BUT THEY'RE ALL AT THE 1393 00:50:54,056 --> 00:50:54,355 >> WELL, USUALLY THERE'S MEN HERE, BUT THEY'RE ALL AT THE GAME. 1394 00:50:54,357 --> 00:50:54,989 HERE, BUT THEY'RE ALL AT THE GAME. >> WHAT GAME? 1395 00:50:54,991 --> 00:50:57,792 GAME. >> WHAT GAME? >> I DON'T KNOW. 1396 00:50:57,794 --> 00:50:58,225 >> WHAT GAME? >> I DON'T KNOW. COMICON. 1397 00:50:58,227 --> 00:51:00,628 >> I DON'T KNOW. COMICON. BACK TO YOUR SOBRIETY. 1398 00:51:00,630 --> 00:51:01,629 COMICON. BACK TO YOUR SOBRIETY. YOU WERE SAYING SOMETHING ABOUT 1399 00:51:01,631 --> 00:51:04,165 BACK TO YOUR SOBRIETY. YOU WERE SAYING SOMETHING ABOUT BEING ATTRACTED TO ALL 1400 00:51:04,167 --> 00:51:04,598 YOU WERE SAYING SOMETHING ABOUT BEING ATTRACTED TO ALL ETHNICITIES. 1401 00:51:04,600 --> 00:51:04,965 BEING ATTRACTED TO ALL ETHNICITIES. >> YEAH. 1402 00:51:04,967 --> 00:51:06,934 ETHNICITIES. >> YEAH. THE LONGER I STAY SOBER, THE 1403 00:51:06,936 --> 00:51:10,104 >> YEAH. THE LONGER I STAY SOBER, THE MORE I ABSOLUTELY COMPULSIVELY 1404 00:51:10,106 --> 00:51:12,339 THE LONGER I STAY SOBER, THE MORE I ABSOLUTELY COMPULSIVELY ACT OUT WITH WOMEN. 1405 00:51:12,341 --> 00:51:12,907 MORE I ABSOLUTELY COMPULSIVELY ACT OUT WITH WOMEN. >> MM! 1406 00:51:12,909 --> 00:51:15,276 ACT OUT WITH WOMEN. >> MM! >> HEY, HEY, YOU HAVE TO DO WHAT 1407 00:51:15,278 --> 00:51:19,446 >> MM! >> HEY, HEY, YOU HAVE TO DO WHAT YOU HAVE TO DO FOR YOUR 1408 00:51:19,448 --> 00:51:20,014 >> HEY, HEY, YOU HAVE TO DO WHAT YOU HAVE TO DO FOR YOUR SOBRIETY. 1409 00:51:20,016 --> 00:51:22,516 YOU HAVE TO DO FOR YOUR SOBRIETY. DON'T BEAT YOURSELF OFF -- UP. 1410 00:51:22,518 --> 00:51:24,652 SOBRIETY. DON'T BEAT YOURSELF OFF -- UP. >> I GUESS YOU'RE RIGHT. 1411 00:51:24,654 --> 00:51:26,353 DON'T BEAT YOURSELF OFF -- UP. >> I GUESS YOU'RE RIGHT. BESIDES, IT'S NOTHING COMPARED 1412 00:51:26,355 --> 00:51:29,023 >> I GUESS YOU'RE RIGHT. BESIDES, IT'S NOTHING COMPARED TO MY BEHAVIOR WHEN I WAS 1413 00:51:29,025 --> 00:51:29,623 BESIDES, IT'S NOTHING COMPARED TO MY BEHAVIOR WHEN I WAS DRINKING. 1414 00:51:29,625 --> 00:51:31,559 TO MY BEHAVIOR WHEN I WAS DRINKING. I WOULD ABSOLUTELY WEAR THOSE 1415 00:51:31,561 --> 00:51:33,694 DRINKING. I WOULD ABSOLUTELY WEAR THOSE POOR WOMEN LIKE A GAS MASK. 1416 00:51:33,696 --> 00:51:34,395 I WOULD ABSOLUTELY WEAR THOSE POOR WOMEN LIKE A GAS MASK. >> YOU KNOW, YOU COULD DRINK 1417 00:51:34,397 --> 00:51:36,997 POOR WOMEN LIKE A GAS MASK. >> YOU KNOW, YOU COULD DRINK AGAIN. 1418 00:51:36,999 --> 00:51:38,766 >> YOU KNOW, YOU COULD DRINK AGAIN. >> ARE YOU SURE THIS ISN'T A 1419 00:51:38,768 --> 00:51:39,300 AGAIN. >> ARE YOU SURE THIS ISN'T A WOMEN'S MEETING? 1420 00:51:39,302 --> 00:51:42,303 >> ARE YOU SURE THIS ISN'T A WOMEN'S MEETING? I MEAN, THAT SIGN SAYS WOMEN 1421 00:51:42,305 --> 00:51:43,571 WOMEN'S MEETING? I MEAN, THAT SIGN SAYS WOMEN SUPPORTING WOMEN. 1422 00:51:43,573 --> 00:51:45,406 I MEAN, THAT SIGN SAYS WOMEN SUPPORTING WOMEN. >> IT'S PRINTED WRONG. 1423 00:51:45,408 --> 00:51:46,774 SUPPORTING WOMEN. >> IT'S PRINTED WRONG. IT SHOULD SAY WOMEN SUPPORTING 1424 00:51:46,776 --> 00:51:49,210 >> IT'S PRINTED WRONG. IT SHOULD SAY WOMEN SUPPORTING WOMEN SUPPORTING YOU. 1425 00:51:49,212 --> 00:51:50,277 IT SHOULD SAY WOMEN SUPPORTING WOMEN SUPPORTING YOU. >> SORRY. 1426 00:51:50,279 --> 00:51:52,379 WOMEN SUPPORTING YOU. >> SORRY. YOU WERE SAYING SOMETHING ABOUT 1427 00:51:52,381 --> 00:51:53,080 >> SORRY. YOU WERE SAYING SOMETHING ABOUT GIVING WOMEN THE DICKING OF A 1428 00:51:53,082 --> 00:51:55,182 YOU WERE SAYING SOMETHING ABOUT GIVING WOMEN THE DICKING OF A LIFETIME? 1429 00:51:55,184 --> 00:51:56,217 GIVING WOMEN THE DICKING OF A LIFETIME? >> OH, RIGHT. 1430 00:51:56,219 --> 00:51:58,285 LIFETIME? >> OH, RIGHT. YEAH, YEAH, YEAH. 1431 00:51:58,287 --> 00:52:00,688 >> OH, RIGHT. YEAH, YEAH, YEAH. I WAS NEVER A BETTER LOVER THAN 1432 00:52:00,690 --> 00:52:01,956 YEAH, YEAH, YEAH. I WAS NEVER A BETTER LOVER THAN WHEN I WAS DRUNK. 1433 00:52:01,958 --> 00:52:03,858 I WAS NEVER A BETTER LOVER THAN WHEN I WAS DRUNK. I WAS PASSIONATE AND WILD, AND 1434 00:52:03,860 --> 00:52:06,393 WHEN I WAS DRUNK. I WAS PASSIONATE AND WILD, AND IT WENT ALL NIGHT. 1435 00:52:06,395 --> 00:52:07,795 I WAS PASSIONATE AND WILD, AND IT WENT ALL NIGHT. >> MM, MM, MM. 1436 00:52:07,797 --> 00:52:10,698 IT WENT ALL NIGHT. >> MM, MM, MM. >> ALL IT TOOK WAS A COUPLE OF 1437 00:52:10,700 --> 00:52:11,031 >> MM, MM, MM. >> ALL IT TOOK WAS A COUPLE OF BEERS. 1438 00:52:11,033 --> 00:52:11,866 >> ALL IT TOOK WAS A COUPLE OF BEERS. >> OKAY. 1439 00:52:11,868 --> 00:52:13,367 BEERS. >> OKAY. THIS IS WEIRD, BUT THERE ARE 1440 00:52:13,369 --> 00:52:15,636 >> OKAY. THIS IS WEIRD, BUT THERE ARE RANDOMLY TWO BEERS HERE. 1441 00:52:15,638 --> 00:52:18,272 THIS IS WEIRD, BUT THERE ARE RANDOMLY TWO BEERS HERE. >> I'M GOING TO BE SUPER 1442 00:52:18,274 --> 00:52:19,340 RANDOMLY TWO BEERS HERE. >> I'M GOING TO BE SUPER VULNERABLE WITH Y'ALL. 1443 00:52:19,342 --> 00:52:27,982 >> I'M GOING TO BE SUPER VULNERABLE WITH Y'ALL. I'M FEELING THE URGE TO ACT OUT. 1444 00:52:27,984 --> 00:52:30,718 VULNERABLE WITH Y'ALL. I'M FEELING THE URGE TO ACT OUT. >> OH, THAT -- THAT IS TOTALLY 1445 00:52:30,720 --> 00:52:33,020 I'M FEELING THE URGE TO ACT OUT. >> OH, THAT -- THAT IS TOTALLY NORMAL. 1446 00:52:33,022 --> 00:52:38,092 >> OH, THAT -- THAT IS TOTALLY NORMAL. I MEAN, HOW DO WE SUPPORT -- HOW 1447 00:52:38,094 --> 00:52:38,792 NORMAL. I MEAN, HOW DO WE SUPPORT -- HOW DO WE BEST SUPPORT YOU RIGHT 1448 00:52:38,794 --> 00:52:42,062 I MEAN, HOW DO WE SUPPORT -- HOW DO WE BEST SUPPORT YOU RIGHT NOW? 1449 00:52:42,064 --> 00:52:44,865 DO WE BEST SUPPORT YOU RIGHT NOW? >> OH, YOUR TOP HAS FALLEN 1450 00:52:44,867 --> 00:52:45,299 NOW? >> OH, YOUR TOP HAS FALLEN SLIGHTLY OPEN. 1451 00:52:45,301 --> 00:52:47,735 >> OH, YOUR TOP HAS FALLEN SLIGHTLY OPEN. >> HAS IT? 1452 00:52:47,737 --> 00:52:49,403 SLIGHTLY OPEN. >> HAS IT? I'M JUST OVERHEATED. 1453 00:52:49,405 --> 00:52:50,537 >> HAS IT? I'M JUST OVERHEATED. I MEAN, MAYBE I'LL COOL DOWN IF 1454 00:52:50,539 --> 00:52:54,575 I'M JUST OVERHEATED. I MEAN, MAYBE I'LL COOL DOWN IF I JUST BOUNCE. 1455 00:52:54,577 --> 00:52:57,745 I MEAN, MAYBE I'LL COOL DOWN IF I JUST BOUNCE. >> WELL, WHAT DO YOU KNOW! 1456 00:52:57,747 --> 00:53:00,848 I JUST BOUNCE. >> WELL, WHAT DO YOU KNOW! GUESS YOU CAN ONLY GET SOBRIETY 1457 00:53:00,850 --> 00:53:01,515 >> WELL, WHAT DO YOU KNOW! GUESS YOU CAN ONLY GET SOBRIETY AROUND HERE IF YOU'RE HOT. 1458 00:53:01,517 --> 00:53:11,058 GUESS YOU CAN ONLY GET SOBRIETY AROUND HERE IF YOU'RE HOT. >> GET OUT! 1459 00:53:32,013 --> 00:53:42,022 [ CHEERS AND APPLAUSE ] >>> LADIES AND GENTLEMEN, ONCE AGAIN, RENEE RAPP! 1460 00:53:42,024 --> 00:53:43,057 >>> LADIES AND GENTLEMEN, ONCE AGAIN, RENEE RAPP! ♪ YOU KNOW WHAT? 1461 00:53:43,059 --> 00:53:43,624 AGAIN, RENEE RAPP! ♪ YOU KNOW WHAT? IT'S NOT MY FAULT 1462 00:53:43,626 --> 00:53:44,291 ♪ YOU KNOW WHAT? IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME 1463 00:53:44,293 --> 00:53:44,792 IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME OR SOMETHING ♪ 1464 00:53:44,794 --> 00:53:45,359 YOU'RE LIKE IN LOVE WITH ME OR SOMETHING ♪ ♪ IT'S NOT MY FAULT 1465 00:53:45,361 --> 00:53:45,859 OR SOMETHING ♪ ♪ IT'S NOT MY FAULT YOU CAME WITH HER 1466 00:53:45,861 --> 00:53:46,327 ♪ IT'S NOT MY FAULT YOU CAME WITH HER BUT SHE MIGHT 1467 00:53:46,329 --> 00:53:47,394 YOU CAME WITH HER BUT SHE MIGHT LEAVE WITH ME ♪ 1468 00:53:47,396 --> 00:53:48,495 BUT SHE MIGHT LEAVE WITH ME ♪ ♪ IT'S NOT MY FAULT 1469 00:53:48,497 --> 00:53:49,029 LEAVE WITH ME ♪ ♪ IT'S NOT MY FAULT YOU GOTTA PAY 1470 00:53:49,031 --> 00:53:50,097 ♪ IT'S NOT MY FAULT YOU GOTTA PAY FOR WHAT I GET FOR FREE ♪ 1471 00:53:50,099 --> 00:53:51,799 YOU GOTTA PAY FOR WHAT I GET FOR FREE ♪ ♪ IT'S NOT MY FAULT 1472 00:53:51,801 --> 00:53:52,399 FOR WHAT I GET FOR FREE ♪ ♪ IT'S NOT MY FAULT YOU'RE LIKE YOU'RE LIKE 1473 00:53:52,401 --> 00:53:53,400 ♪ IT'S NOT MY FAULT YOU'RE LIKE YOU'RE LIKE YOU'RE LIKE 1474 00:53:53,402 --> 00:53:54,468 YOU'RE LIKE YOU'RE LIKE YOU'RE LIKE IN LOVE WITH ME ♪ 1475 00:53:54,470 --> 00:53:55,536 YOU'RE LIKE IN LOVE WITH ME ♪ ♪ IT'S NOT MY FAULT 1476 00:53:55,538 --> 00:53:56,603 IN LOVE WITH ME ♪ ♪ IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME 1477 00:53:56,605 --> 00:53:57,705 ♪ IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME YOU'RE LIKE 1478 00:53:57,707 --> 00:53:58,238 YOU'RE LIKE IN LOVE WITH ME YOU'RE LIKE IN LOVE WITH ME ♪ 1479 00:53:58,240 --> 00:53:59,340 YOU'RE LIKE IN LOVE WITH ME ♪ ♪ WHERE SHE AT? 1480 00:53:59,342 --> 00:53:59,873 IN LOVE WITH ME ♪ ♪ WHERE SHE AT? WHAT SHE DOIN'? 1481 00:53:59,875 --> 00:54:00,941 ♪ WHERE SHE AT? WHAT SHE DOIN'? WHO SHE WITH 1482 00:54:00,943 --> 00:54:02,042 WHAT SHE DOIN'? WHO SHE WITH AND WHERE SHE FROM? ♪ 1483 00:54:02,044 --> 00:54:02,576 WHO SHE WITH AND WHERE SHE FROM? ♪ ♪ OH SHE'S THIS? 1484 00:54:02,578 --> 00:54:03,644 AND WHERE SHE FROM? ♪ ♪ OH SHE'S THIS? SHE'S THAT? 1485 00:54:03,646 --> 00:54:04,712 ♪ OH SHE'S THIS? SHE'S THAT? SHE'S A FLIGHT RISK 1486 00:54:04,714 --> 00:54:05,813 SHE'S THAT? SHE'S A FLIGHT RISK ON THE RUN ♪ 1487 00:54:05,815 --> 00:54:06,847 SHE'S A FLIGHT RISK ON THE RUN ♪ ♪ SHE'S BACK 1488 00:54:06,849 --> 00:54:07,948 ON THE RUN ♪ ♪ SHE'S BACK SHE'S BACK 1489 00:54:07,950 --> 00:54:08,482 ♪ SHE'S BACK SHE'S BACK YEAH I'M BACK BITCH 1490 00:54:08,484 --> 00:54:10,084 SHE'S BACK YEAH I'M BACK BITCH ARE YOU DONE? ♪ 1491 00:54:10,086 --> 00:54:11,151 YEAH I'M BACK BITCH ARE YOU DONE? ♪ ♪ EXCUSE ME 1492 00:54:11,153 --> 00:54:15,989 ARE YOU DONE? ♪ ♪ EXCUSE ME WHILE I BITE MY TONGUE♪ 1493 00:54:15,991 --> 00:54:17,024 ♪ EXCUSE ME WHILE I BITE MY TONGUE♪ ♪ I'M BACK ON THAT SAME -- 1494 00:54:17,026 --> 00:54:19,193 WHILE I BITE MY TONGUE♪ ♪ I'M BACK ON THAT SAME -- FROM BEFORE 1495 00:54:19,195 --> 00:54:20,294 ♪ I'M BACK ON THAT SAME -- FROM BEFORE I CAN'T TAKE THIS PETTINESS 1496 00:54:20,296 --> 00:54:22,429 FROM BEFORE I CAN'T TAKE THIS PETTINESS NOW I'M BORED ♪ 1497 00:54:22,431 --> 00:54:23,497 I CAN'T TAKE THIS PETTINESS NOW I'M BORED ♪ ♪ WE CAN SHARE BABE 1498 00:54:23,499 --> 00:54:25,632 NOW I'M BORED ♪ ♪ WE CAN SHARE BABE THERE'S ENOUGH FOR US ALL ♪ 1499 00:54:25,634 --> 00:54:26,700 ♪ WE CAN SHARE BABE THERE'S ENOUGH FOR US ALL ♪ ♪ TOLD YOU WHO I AM 1500 00:54:26,702 --> 00:54:28,302 THERE'S ENOUGH FOR US ALL ♪ ♪ TOLD YOU WHO I AM AND WHAT IT IS 1501 00:54:28,304 --> 00:54:28,902 ♪ TOLD YOU WHO I AM AND WHAT IT IS THAT'S NOT MY FAULT ♪ 1502 00:54:28,904 --> 00:54:29,937 AND WHAT IT IS THAT'S NOT MY FAULT ♪ ♪ IT'S NOT MY FAULT 1503 00:54:29,939 --> 00:54:31,004 THAT'S NOT MY FAULT ♪ ♪ IT'S NOT MY FAULT YOU CAME WITH HER 1504 00:54:31,006 --> 00:54:31,538 ♪ IT'S NOT MY FAULT YOU CAME WITH HER BUT SHE MIGHT 1505 00:54:31,540 --> 00:54:32,606 YOU CAME WITH HER BUT SHE MIGHT LEAVE WITH ME ♪ 1506 00:54:32,608 --> 00:54:33,674 BUT SHE MIGHT LEAVE WITH ME ♪ ♪ IT'S NOT MY FAULT 1507 00:54:33,676 --> 00:54:35,275 LEAVE WITH ME ♪ ♪ IT'S NOT MY FAULT YOU GOTTA PAY 1508 00:54:35,277 --> 00:54:36,910 ♪ IT'S NOT MY FAULT YOU GOTTA PAY FOR WHAT I GET FOR FREE ♪ 1509 00:54:36,912 --> 00:54:37,978 YOU GOTTA PAY FOR WHAT I GET FOR FREE ♪ ♪ IT'S NOT MY FAULT 1510 00:54:37,980 --> 00:54:38,579 FOR WHAT I GET FOR FREE ♪ ♪ IT'S NOT MY FAULT YOU'RE LIKE YOU'RE LIKE 1511 00:54:38,581 --> 00:54:39,046 ♪ IT'S NOT MY FAULT YOU'RE LIKE YOU'RE LIKE YOU'RE LIKE 1512 00:54:39,048 --> 00:54:40,147 YOU'RE LIKE YOU'RE LIKE YOU'RE LIKE IN LOVE WITH ME ♪ 1513 00:54:40,149 --> 00:54:41,181 YOU'RE LIKE IN LOVE WITH ME ♪ ♪ IT'S NOT MY FAULT 1514 00:54:41,183 --> 00:54:42,816 IN LOVE WITH ME ♪ ♪ IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME 1515 00:54:42,818 --> 00:54:43,884 ♪ IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME YOU'RE LIKE 1516 00:54:43,886 --> 00:54:44,418 YOU'RE LIKE IN LOVE WITH ME YOU'RE LIKE IN LOVE WITH ME ♪ 1517 00:54:44,420 --> 00:54:45,519 YOU'RE LIKE IN LOVE WITH ME ♪ ♪ GET HER NUMBER 1518 00:54:45,521 --> 00:54:46,587 IN LOVE WITH ME ♪ ♪ GET HER NUMBER GET HER NAME 1519 00:54:46,589 --> 00:54:47,654 ♪ GET HER NUMBER GET HER NAME GET A GOOD THING 1520 00:54:47,656 --> 00:54:48,756 GET HER NAME GET A GOOD THING WHILE YOU CAN ♪ 1521 00:54:48,758 --> 00:54:49,289 GET A GOOD THING WHILE YOU CAN ♪ ♪ KISS A BLONDE 1522 00:54:49,291 --> 00:54:50,357 WHILE YOU CAN ♪ ♪ KISS A BLONDE KISS A FRIEND 1523 00:54:50,359 --> 00:54:50,924 ♪ KISS A BLONDE KISS A FRIEND CAN A GAY GIRL 1524 00:54:50,926 --> 00:54:54,128 KISS A FRIEND CAN A GAY GIRL GET AN AMEN? ♪ 1525 00:54:54,130 --> 00:54:55,229 CAN A GAY GIRL GET AN AMEN? ♪ ♪ I'M BACK ON THAT SAME -- 1526 00:54:55,231 --> 00:54:57,898 GET AN AMEN? ♪ ♪ I'M BACK ON THAT SAME -- FROM BEFORE 1527 00:54:57,900 --> 00:54:58,999 ♪ I'M BACK ON THAT SAME -- FROM BEFORE I CAN'T TAKE THIS PETTINESS 1528 00:54:59,001 --> 00:55:00,601 FROM BEFORE I CAN'T TAKE THIS PETTINESS NOW I'M BORED ♪ 1529 00:55:00,603 --> 00:55:02,202 I CAN'T TAKE THIS PETTINESS NOW I'M BORED ♪ ♪ WE CAN SHARE BABE 1530 00:55:02,204 --> 00:55:04,338 NOW I'M BORED ♪ ♪ WE CAN SHARE BABE THERE'S ENOUGH FOR US ALL ♪ 1531 00:55:04,340 --> 00:55:05,406 ♪ WE CAN SHARE BABE THERE'S ENOUGH FOR US ALL ♪ ♪ TOLD YOU WHO I AM 1532 00:55:05,408 --> 00:55:07,040 THERE'S ENOUGH FOR US ALL ♪ ♪ TOLD YOU WHO I AM AND WHAT IT IS 1533 00:55:07,042 --> 00:55:07,641 ♪ TOLD YOU WHO I AM AND WHAT IT IS THAT'S NOT MY FAULT ♪ 1534 00:55:07,643 --> 00:55:09,176 AND WHAT IT IS THAT'S NOT MY FAULT ♪ ♪ IT'S NOT MY FAULT 1535 00:55:09,178 --> 00:55:10,244 THAT'S NOT MY FAULT ♪ ♪ IT'S NOT MY FAULT YOU CAME WITH HER 1536 00:55:10,246 --> 00:55:11,311 ♪ IT'S NOT MY FAULT YOU CAME WITH HER BUT SHE MIGHT 1537 00:55:11,313 --> 00:55:11,845 YOU CAME WITH HER BUT SHE MIGHT LEAVE WITH ME ♪ 1538 00:55:11,847 --> 00:55:12,946 BUT SHE MIGHT LEAVE WITH ME ♪ ♪ IT'S NOT MY FAULT 1539 00:55:12,948 --> 00:55:14,014 LEAVE WITH ME ♪ ♪ IT'S NOT MY FAULT YOU GOTTA PAY 1540 00:55:14,016 --> 00:55:15,048 ♪ IT'S NOT MY FAULT YOU GOTTA PAY FOR WHAT I GET FOR FREE ♪ 1541 00:55:15,050 --> 00:55:16,717 YOU GOTTA PAY FOR WHAT I GET FOR FREE ♪ ♪ IT'S NOT MY FAULT 1542 00:55:16,719 --> 00:55:17,751 FOR WHAT I GET FOR FREE ♪ ♪ IT'S NOT MY FAULT YOU'RE LIKE YOU'RE LIKE 1543 00:55:17,753 --> 00:55:18,819 ♪ IT'S NOT MY FAULT YOU'RE LIKE YOU'RE LIKE YOU'RE LIKE 1544 00:55:18,821 --> 00:55:19,386 YOU'RE LIKE YOU'RE LIKE YOU'RE LIKE IN LOVE WITH ME ♪ 1545 00:55:19,388 --> 00:55:20,454 YOU'RE LIKE IN LOVE WITH ME ♪ ♪ IT'S NOT MY FAULT 1546 00:55:20,456 --> 00:55:22,055 IN LOVE WITH ME ♪ ♪ IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME 1547 00:55:22,057 --> 00:55:22,623 ♪ IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME YOU'RE LIKE 1548 00:55:22,625 --> 00:55:23,690 YOU'RE LIKE IN LOVE WITH ME YOU'RE LIKE IN LOVE WITH ME ♪ 1549 00:55:23,692 --> 00:55:24,758 YOU'RE LIKE IN LOVE WITH ME ♪ ♪ I MEAN WHO WOULDN'T 1550 00:55:24,760 --> 00:55:25,826 IN LOVE WITH ME ♪ ♪ I MEAN WHO WOULDN'T WANNA BE IN LOVE WITH ME? ♪ 1551 00:55:25,828 --> 00:55:26,360 ♪ I MEAN WHO WOULDN'T WANNA BE IN LOVE WITH ME? ♪ ♪ I'M A MOOD 1552 00:55:26,362 --> 00:55:26,927 WANNA BE IN LOVE WITH ME? ♪ ♪ I'M A MOOD BORIN' GIRLS 1553 00:55:26,929 --> 00:55:27,995 ♪ I'M A MOOD BORIN' GIRLS GOTTA PINTEREST ME ♪ 1554 00:55:27,997 --> 00:55:28,529 BORIN' GIRLS GOTTA PINTEREST ME ♪ ♪ I'M A STALLION 1555 00:55:28,531 --> 00:55:29,096 GOTTA PINTEREST ME ♪ ♪ I'M A STALLION BUT THEY COMIN' FOR ME 1556 00:55:29,098 --> 00:55:29,596 ♪ I'M A STALLION BUT THEY COMIN' FOR ME LIKE TROJAN ♪ 1557 00:55:29,598 --> 00:55:30,697 BUT THEY COMIN' FOR ME LIKE TROJAN ♪ ♪ AND IT WOULDN'T BE ME 1558 00:55:30,699 --> 00:55:31,765 LIKE TROJAN ♪ ♪ AND IT WOULDN'T BE ME IF I AIN'T CAUSE COMMOTION ♪ 1559 00:55:31,767 --> 00:55:32,833 ♪ AND IT WOULDN'T BE ME IF I AIN'T CAUSE COMMOTION ♪ ♪ I'M SO BAD 1560 00:55:32,835 --> 00:55:34,435 IF I AIN'T CAUSE COMMOTION ♪ ♪ I'M SO BAD DUDES THOUGHT I WAS A.I. 1561 00:55:34,437 --> 00:55:35,502 ♪ I'M SO BAD DUDES THOUGHT I WAS A.I. BALLIN' LIKE EIGHT AH ♪ 1562 00:55:35,504 --> 00:55:36,036 DUDES THOUGHT I WAS A.I. BALLIN' LIKE EIGHT AH ♪ ♪ STICK TO THE -- 1563 00:55:36,038 --> 00:55:37,104 BALLIN' LIKE EIGHT AH ♪ ♪ STICK TO THE -- LIKE A STAPLER 1564 00:55:37,106 --> 00:55:38,172 ♪ STICK TO THE -- LIKE A STAPLER STACK LIKE JENGA ♪ 1565 00:55:38,174 --> 00:55:38,772 LIKE A STAPLER STACK LIKE JENGA ♪ ♪ ANY -- GET STROKED 1566 00:55:38,774 --> 00:55:39,807 STACK LIKE JENGA ♪ ♪ ANY -- GET STROKED LIKE A PAINTER ♪ 1567 00:55:39,809 --> 00:55:40,340 ♪ ANY -- GET STROKED LIKE A PAINTER ♪ ♪ IT'S FUNNY HOW 1568 00:55:40,342 --> 00:55:40,874 LIKE A PAINTER ♪ ♪ IT'S FUNNY HOW THE MEAN GIRL 1569 00:55:40,876 --> 00:55:41,475 ♪ IT'S FUNNY HOW THE MEAN GIRL OPEN ALL THE DOORS ♪ 1570 00:55:41,477 --> 00:55:42,042 THE MEAN GIRL OPEN ALL THE DOORS ♪ ♪ I BEEN TOLD Y'ALL 1571 00:55:42,044 --> 00:55:42,476 OPEN ALL THE DOORS ♪ ♪ I BEEN TOLD Y'ALL I'M THE BLACK 1572 00:55:42,478 --> 00:55:45,145 ♪ I BEEN TOLD Y'ALL I'M THE BLACK REGINA GEORGE ♪ 1573 00:55:45,147 --> 00:55:45,846 I'M THE BLACK REGINA GEORGE ♪ ♪ YOU WAS HATIN' BACK THEN 1574 00:55:45,848 --> 00:55:46,747 REGINA GEORGE ♪ ♪ YOU WAS HATIN' BACK THEN NOW YOU FINNA HATE MORE 1575 00:55:46,749 --> 00:55:49,450 ♪ YOU WAS HATIN' BACK THEN NOW YOU FINNA HATE MORE I GOT INFLUENCE 1576 00:55:49,452 --> 00:55:51,084 NOW YOU FINNA HATE MORE I GOT INFLUENCE I RUN -- ♪ 1577 00:55:51,086 --> 00:55:53,187 I GOT INFLUENCE I RUN -- ♪ ♪ 'CAUSE I WOKE UP HOTTER 1578 00:55:53,189 --> 00:55:55,355 I RUN -- ♪ ♪ 'CAUSE I WOKE UP HOTTER THAN I WAS YESTERDAY ♪ 1579 00:55:55,357 --> 00:55:56,457 ♪ 'CAUSE I WOKE UP HOTTER THAN I WAS YESTERDAY ♪ ♪ DON'T CARE ABOUT NO RULES 1580 00:55:56,459 --> 00:55:57,491 THAN I WAS YESTERDAY ♪ ♪ DON'T CARE ABOUT NO RULES 'CAUSE I ALWAYS GET MY WAY 1581 00:55:57,493 --> 00:55:58,058 ♪ DON'T CARE ABOUT NO RULES 'CAUSE I ALWAYS GET MY WAY HEY HEY ♪ 1582 00:55:58,060 --> 00:55:59,693 'CAUSE I ALWAYS GET MY WAY HEY HEY ♪ ♪ IT'S NOT MY FAULT 1583 00:55:59,695 --> 00:56:00,227 HEY HEY ♪ ♪ IT'S NOT MY FAULT YOU CAME WITH HER 1584 00:56:00,229 --> 00:56:00,761 ♪ IT'S NOT MY FAULT YOU CAME WITH HER BUT SHE MIGHT 1585 00:56:00,763 --> 00:56:01,829 YOU CAME WITH HER BUT SHE MIGHT LEAVE WITH ME ♪ 1586 00:56:01,831 --> 00:56:03,430 BUT SHE MIGHT LEAVE WITH ME ♪ ♪ IT'S NOT MY FAULT 1587 00:56:03,432 --> 00:56:04,531 LEAVE WITH ME ♪ ♪ IT'S NOT MY FAULT YOU GOTTA PAY 1588 00:56:04,533 --> 00:56:05,599 ♪ IT'S NOT MY FAULT YOU GOTTA PAY FOR WHAT I GET FOR FREE ♪ 1589 00:56:05,601 --> 00:56:07,201 YOU GOTTA PAY FOR WHAT I GET FOR FREE ♪ ♪ IT'S NOT MY FAULT 1590 00:56:07,203 --> 00:56:08,268 FOR WHAT I GET FOR FREE ♪ ♪ IT'S NOT MY FAULT YOU'RE LIKE YOU'RE LIKE 1591 00:56:08,270 --> 00:56:08,802 ♪ IT'S NOT MY FAULT YOU'RE LIKE YOU'RE LIKE YOU'RE LIKE 1592 00:56:08,804 --> 00:56:09,903 YOU'RE LIKE YOU'RE LIKE YOU'RE LIKE IN LOVE WITH ME ♪ 1593 00:56:09,905 --> 00:56:10,471 YOU'RE LIKE IN LOVE WITH ME ♪ ♪ IT'S NOT MY FAULT 1594 00:56:10,473 --> 00:56:12,039 IN LOVE WITH ME ♪ ♪ IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME 1595 00:56:12,041 --> 00:56:12,573 ♪ IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME YOU'RE LIKE 1596 00:56:12,575 --> 00:56:17,411 YOU'RE LIKE IN LOVE WITH ME YOU'RE LIKE IN LOVE WITH ME ♪ 1597 00:56:17,413 --> 00:56:21,949 YOU'RE LIKE IN LOVE WITH ME ♪ >> WHAT'S UP "SNL"? 1598 00:56:21,951 --> 00:56:23,851 IN LOVE WITH ME ♪ >> WHAT'S UP "SNL"? >> GIVE IT UP FOR MEGAN THEE 1599 00:56:23,853 --> 00:56:32,759 >> WHAT'S UP "SNL"? >> GIVE IT UP FOR MEGAN THEE STALLION! 1600 00:56:32,761 --> 00:56:34,962 >> GIVE IT UP FOR MEGAN THEE STALLION! ♪ IT'S NOT MY FAULT YOU'RE LIKE 1601 00:56:34,964 --> 00:56:37,431 STALLION! ♪ IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME, YOU'RE LIKE IN 1602 00:56:37,433 --> 00:56:38,832 ♪ IT'S NOT MY FAULT YOU'RE LIKE IN LOVE WITH ME, YOU'RE LIKE IN LOVE WITH ME ♪ 1603 00:56:38,834 --> 00:56:42,269 IN LOVE WITH ME, YOU'RE LIKE IN LOVE WITH ME ♪ [ CHEERS AND APPLAUSE ] 1604 00:56:49,644 --> 00:56:57,251 >>> REMEMBER, YOU ARE NOT STUDENTS IN AN ACTING CLASS. YOU ARE A HO AND A PIMP ON SKID 1605 00:56:57,253 --> 00:56:57,518 STUDENTS IN AN ACTING CLASS. YOU ARE A HO AND A PIMP ON SKID ROW. 1606 00:56:57,520 --> 00:56:57,784 YOU ARE A HO AND A PIMP ON SKID ROW. GO. 1607 00:56:57,786 --> 00:56:59,753 ROW. GO. >> THE HELL IS THIS, BITCH? 1608 00:56:59,755 --> 00:57:02,089 GO. >> THE HELL IS THIS, BITCH? A WHOLE NIGHT OF HO'ing, AND ALL 1609 00:57:02,091 --> 00:57:04,558 >> THE HELL IS THIS, BITCH? A WHOLE NIGHT OF HO'ing, AND ALL YOU BRING ME IS $150. 1610 00:57:04,560 --> 00:57:07,494 A WHOLE NIGHT OF HO'ing, AND ALL YOU BRING ME IS $150. >> I TOLD YOU ONE OF FUZZY'S 1611 00:57:07,496 --> 00:57:09,029 YOU BRING ME IS $150. >> I TOLD YOU ONE OF FUZZY'S HOES ROBBED ME, DADDY. 1612 00:57:09,031 --> 00:57:10,030 >> I TOLD YOU ONE OF FUZZY'S HOES ROBBED ME, DADDY. >> STOP THE SCENE! 1613 00:57:10,032 --> 00:57:11,632 HOES ROBBED ME, DADDY. >> STOP THE SCENE! I DIDN'T BELIEVE A WORD OF THAT. 1614 00:57:11,634 --> 00:57:14,768 >> STOP THE SCENE! I DIDN'T BELIEVE A WORD OF THAT. YOU TWO ALWAYS COME OFF AS TWO 1615 00:57:14,770 --> 00:57:15,969 I DIDN'T BELIEVE A WORD OF THAT. YOU TWO ALWAYS COME OFF AS TWO WHITE PEOPLE FROM GOOD HOMES. 1616 00:57:15,971 --> 00:57:18,138 YOU TWO ALWAYS COME OFF AS TWO WHITE PEOPLE FROM GOOD HOMES. >> I FELT THAT. 1617 00:57:18,140 --> 00:57:19,540 WHITE PEOPLE FROM GOOD HOMES. >> I FELT THAT. >> I FELT THAT. 1618 00:57:19,542 --> 00:57:19,940 >> I FELT THAT. >> I FELT THAT. THANK YOU. 1619 00:57:19,942 --> 00:57:21,508 >> I FELT THAT. THANK YOU. >> WE ALL HAVE CHALLENGED TO 1620 00:57:21,510 --> 00:57:23,010 THANK YOU. >> WE ALL HAVE CHALLENGED TO OVERCOME ON THE ROAD OF SUCCESS. 1621 00:57:23,012 --> 00:57:25,712 >> WE ALL HAVE CHALLENGED TO OVERCOME ON THE ROAD OF SUCCESS. FOR RANDALL, IT'S HIS 1622 00:57:25,714 --> 00:57:26,213 OVERCOME ON THE ROAD OF SUCCESS. FOR RANDALL, IT'S HIS UNAPPEALING BODY. 1623 00:57:26,215 --> 00:57:26,947 FOR RANDALL, IT'S HIS UNAPPEALING BODY. >> OKAY. 1624 00:57:26,949 --> 00:57:30,017 UNAPPEALING BODY. >> OKAY. >> FOR LAURA, IT'S A LACK OF 1625 00:57:30,019 --> 00:57:30,350 >> OKAY. >> FOR LAURA, IT'S A LACK OF TALENT. 1626 00:57:30,352 --> 00:57:30,717 >> FOR LAURA, IT'S A LACK OF TALENT. >> I KNOW. 1627 00:57:30,719 --> 00:57:34,354 TALENT. >> I KNOW. I'M WORKING ON IT. 1628 00:57:34,356 --> 00:57:36,089 >> I KNOW. I'M WORKING ON IT. >> AND OF COURSE FOR NATALIE, 1629 00:57:36,091 --> 00:57:38,158 I'M WORKING ON IT. >> AND OF COURSE FOR NATALIE, IT'S THAT SHE LOOKS STRIKINGLY 1630 00:57:38,160 --> 00:57:40,561 >> AND OF COURSE FOR NATALIE, IT'S THAT SHE LOOKS STRIKINGLY LIKE RACHEL McADAMS. 1631 00:57:40,563 --> 00:57:41,295 IT'S THAT SHE LOOKS STRIKINGLY LIKE RACHEL McADAMS. >> YEAH. 1632 00:57:41,297 --> 00:57:43,764 LIKE RACHEL McADAMS. >> YEAH. I KEEP HEARING THAT, WHICH IS 1633 00:57:43,766 --> 00:57:45,499 >> YEAH. I KEEP HEARING THAT, WHICH IS KIND OF ANNOYING BECAUSE I'M 1634 00:57:45,501 --> 00:57:48,869 I KEEP HEARING THAT, WHICH IS KIND OF ANNOYING BECAUSE I'M JUST NOT REALLY A FAN. 1635 00:57:48,871 --> 00:57:51,572 KIND OF ANNOYING BECAUSE I'M JUST NOT REALLY A FAN. >> WELL, SHE'S A FAMOUS ACTRESS, 1636 00:57:51,574 --> 00:57:53,040 JUST NOT REALLY A FAN. >> WELL, SHE'S A FAMOUS ACTRESS, SO IT MIGHT BE HARD GETTING CAST 1637 00:57:53,042 --> 00:57:53,640 >> WELL, SHE'S A FAMOUS ACTRESS, SO IT MIGHT BE HARD GETTING CAST IN THINGS. 1638 00:57:53,642 --> 00:57:54,508 SO IT MIGHT BE HARD GETTING CAST IN THINGS. >> YEAH. 1639 00:57:54,510 --> 00:57:59,513 IN THINGS. >> YEAH. WELL, I THINK THERE'S ROOM IN 1640 00:57:59,515 --> 00:58:03,417 >> YEAH. WELL, I THINK THERE'S ROOM IN HOLLYWOOD FOR RACHEL McADAMS AND 1641 00:58:03,419 --> 00:58:04,117 WELL, I THINK THERE'S ROOM IN HOLLYWOOD FOR RACHEL McADAMS AND NATALIE PARTMAN. 1642 00:58:04,119 --> 00:58:05,118 HOLLYWOOD FOR RACHEL McADAMS AND NATALIE PARTMAN. >> YES. 1643 00:58:05,120 --> 00:58:06,820 NATALIE PARTMAN. >> YES. I MIGHT ALSO CONSIDER CHANGING 1644 00:58:06,822 --> 00:58:08,755 >> YES. I MIGHT ALSO CONSIDER CHANGING YOUR NAME TO SOMETHING THAT 1645 00:58:08,757 --> 00:58:10,223 I MIGHT ALSO CONSIDER CHANGING YOUR NAME TO SOMETHING THAT DOESN'T SOUND LIKE NATALIE 1646 00:58:10,225 --> 00:58:10,591 YOUR NAME TO SOMETHING THAT DOESN'T SOUND LIKE NATALIE PORTMAN. 1647 00:58:10,593 --> 00:58:12,059 DOESN'T SOUND LIKE NATALIE PORTMAN. OH, HE'S HERE. 1648 00:58:12,061 --> 00:58:13,060 PORTMAN. OH, HE'S HERE. I HAVE A SPECIAL SURPRISE FOR 1649 00:58:13,062 --> 00:58:14,127 OH, HE'S HERE. I HAVE A SPECIAL SURPRISE FOR ALL OF YOU. 1650 00:58:14,129 --> 00:58:17,364 I HAVE A SPECIAL SURPRISE FOR ALL OF YOU. SINCE YOU ALL ASPIRE TO BE 1651 00:58:17,366 --> 00:58:19,700 ALL OF YOU. SINCE YOU ALL ASPIRE TO BE WORKING ACTORS, WHO BETTER TO 1652 00:58:19,702 --> 00:58:26,607 SINCE YOU ALL ASPIRE TO BE WORKING ACTORS, WHO BETTER TO GIVE ADVICE THAN A VERY FAMOUS 1653 00:58:26,609 --> 00:58:28,642 WORKING ACTORS, WHO BETTER TO GIVE ADVICE THAN A VERY FAMOUS ACTOR, MR. TREVOR! 1654 00:58:28,644 --> 00:58:29,843 GIVE ADVICE THAN A VERY FAMOUS ACTOR, MR. TREVOR! >> THANKS SO MUCH FOR HAVING ME. 1655 00:58:29,845 --> 00:58:32,012 ACTOR, MR. TREVOR! >> THANKS SO MUCH FOR HAVING ME. >> I'M VERY EXCITED FOR YOU TO 1656 00:58:32,014 --> 00:58:34,147 >> THANKS SO MUCH FOR HAVING ME. >> I'M VERY EXCITED FOR YOU TO HEAR FIRSTHAND HOW HARD ACTORS 1657 00:58:34,149 --> 00:58:36,383 >> I'M VERY EXCITED FOR YOU TO HEAR FIRSTHAND HOW HARD ACTORS MUST WORK TO ACHIEVE SUCCESS. 1658 00:58:36,385 --> 00:58:37,918 HEAR FIRSTHAND HOW HARD ACTORS MUST WORK TO ACHIEVE SUCCESS. I'M SURE YOU ALL HAVE QUESTIONS. 1659 00:58:37,920 --> 00:58:38,518 MUST WORK TO ACHIEVE SUCCESS. I'M SURE YOU ALL HAVE QUESTIONS. ASK AWAY. 1660 00:58:38,520 --> 00:58:40,554 I'M SURE YOU ALL HAVE QUESTIONS. ASK AWAY. >> SO, YEAH, YOU'RE AWESOME. 1661 00:58:40,556 --> 00:58:42,055 ASK AWAY. >> SO, YEAH, YOU'RE AWESOME. >> OH, THANKS, MAN. 1662 00:58:42,057 --> 00:58:44,358 >> SO, YEAH, YOU'RE AWESOME. >> OH, THANKS, MAN. THAT MEANS THE WORLD. 1663 00:58:44,360 --> 00:58:44,791 >> OH, THANKS, MAN. THAT MEANS THE WORLD. THANK YOU. 1664 00:58:44,793 --> 00:58:48,295 THAT MEANS THE WORLD. THANK YOU. >> SO I'M LIKE THREE YEARS INTO 1665 00:58:48,297 --> 00:58:50,530 THANK YOU. >> SO I'M LIKE THREE YEARS INTO THE AUDITIONING GRIND, AND THE 1666 00:58:50,532 --> 00:58:53,333 >> SO I'M LIKE THREE YEARS INTO THE AUDITIONING GRIND, AND THE NEEDLE HAS NOT MOVED FOR ME AT 1667 00:58:53,335 --> 00:58:53,600 THE AUDITIONING GRIND, AND THE NEEDLE HAS NOT MOVED FOR ME AT ALL. 1668 00:58:53,602 --> 00:58:54,601 NEEDLE HAS NOT MOVED FOR ME AT ALL. I'M CURIOUS HOW LONG DID IT TAKE 1669 00:58:54,603 --> 00:58:56,970 ALL. I'M CURIOUS HOW LONG DID IT TAKE FOR YOU TO GET YOUR FIRST, LIKE, 1670 00:58:56,972 --> 00:58:58,872 I'M CURIOUS HOW LONG DID IT TAKE FOR YOU TO GET YOUR FIRST, LIKE, BIG BREAK? 1671 00:58:58,874 --> 00:59:00,774 FOR YOU TO GET YOUR FIRST, LIKE, BIG BREAK? >> WELL, I FLEW TO LA TO GIVE 1672 00:59:00,776 --> 00:59:02,409 BIG BREAK? >> WELL, I FLEW TO LA TO GIVE THE WHOLE HOLLYWOOD THING A 1673 00:59:02,411 --> 00:59:04,544 >> WELL, I FLEW TO LA TO GIVE THE WHOLE HOLLYWOOD THING A SHOT, AND AS I WALKED OFF THE 1674 00:59:04,546 --> 00:59:06,813 THE WHOLE HOLLYWOOD THING A SHOT, AND AS I WALKED OFF THE PLANE, SELENA GOMEZ CAME UP TO 1675 00:59:06,815 --> 00:59:08,949 SHOT, AND AS I WALKED OFF THE PLANE, SELENA GOMEZ CAME UP TO ME, SAID I WAS GORGEOUS, AND 1676 00:59:08,951 --> 00:59:10,417 PLANE, SELENA GOMEZ CAME UP TO ME, SAID I WAS GORGEOUS, AND ASKED ME TO PLAY HER BOYFRIEND 1677 00:59:10,419 --> 00:59:12,386 ME, SAID I WAS GORGEOUS, AND ASKED ME TO PLAY HER BOYFRIEND IN A MUSIC VIDEO, AND THAT LED 1678 00:59:12,388 --> 00:59:14,554 ASKED ME TO PLAY HER BOYFRIEND IN A MUSIC VIDEO, AND THAT LED TO THE MOVIES AND EVERYTHING. 1679 00:59:14,556 --> 00:59:15,188 IN A MUSIC VIDEO, AND THAT LED TO THE MOVIES AND EVERYTHING. >> OKAY. 1680 00:59:15,190 --> 00:59:17,224 TO THE MOVIES AND EVERYTHING. >> OKAY. SO THE MOMENT YOU STEPPED IN LA, 1681 00:59:17,226 --> 00:59:19,626 >> OKAY. SO THE MOMENT YOU STEPPED IN LA, YOU GOT YOUR BIG BREAK? 1682 00:59:19,628 --> 00:59:19,926 SO THE MOMENT YOU STEPPED IN LA, YOU GOT YOUR BIG BREAK? COOL. 1683 00:59:19,928 --> 00:59:20,694 YOU GOT YOUR BIG BREAK? COOL. >> YEAH. 1684 00:59:20,696 --> 00:59:23,730 COOL. >> YEAH. AND IT WAS ALL THANKS TO SELENA 1685 00:59:23,732 --> 00:59:24,031 >> YEAH. AND IT WAS ALL THANKS TO SELENA GOMEZ. 1686 00:59:24,033 --> 00:59:24,931 AND IT WAS ALL THANKS TO SELENA GOMEZ. ABSOLUTE SWEETHEART BY THE WAY. 1687 00:59:24,933 --> 00:59:25,766 GOMEZ. ABSOLUTE SWEETHEART BY THE WAY. >> OH, YEA. 1688 00:59:25,768 --> 00:59:26,166 ABSOLUTE SWEETHEART BY THE WAY. >> OH, YEA. I'M SO GLAD. 1689 00:59:26,168 --> 00:59:29,503 >> OH, YEA. I'M SO GLAD. I LOVE HER. 1690 00:59:29,505 --> 00:59:31,972 I'M SO GLAD. I LOVE HER. >> HI. 1691 00:59:31,974 --> 00:59:33,407 I LOVE HER. >> HI. SO I'VE BEEN AUDITIONING FOR 1692 00:59:33,409 --> 00:59:35,976 >> HI. SO I'VE BEEN AUDITIONING FOR LIKE FIVE YEARS, AND I'VE GOT 1693 00:59:35,978 --> 00:59:36,309 SO I'VE BEEN AUDITIONING FOR LIKE FIVE YEARS, AND I'VE GOT NOTHING. 1694 00:59:36,311 --> 00:59:37,911 LIKE FIVE YEARS, AND I'VE GOT NOTHING. MY AGENT ACTUALLY TOLD ME IT'S 1695 00:59:37,913 --> 00:59:40,080 NOTHING. MY AGENT ACTUALLY TOLD ME IT'S TIME TO CONSIDER PORN. 1696 00:59:40,082 --> 00:59:43,917 MY AGENT ACTUALLY TOLD ME IT'S TIME TO CONSIDER PORN. SO HOW DO YOU HANDLE REJECTION? 1697 00:59:43,919 --> 00:59:46,053 TIME TO CONSIDER PORN. SO HOW DO YOU HANDLE REJECTION? >> I FEEL SO DUMB RIGHT NOW. 1698 00:59:46,055 --> 00:59:50,457 SO HOW DO YOU HANDLE REJECTION? >> I FEEL SO DUMB RIGHT NOW. I AM NOT FAMILIAR WITH THAT 1699 00:59:50,459 --> 00:59:50,757 >> I FEEL SO DUMB RIGHT NOW. I AM NOT FAMILIAR WITH THAT WORD. 1700 00:59:50,759 --> 00:59:52,726 I AM NOT FAMILIAR WITH THAT WORD. I'M NOT ON SOCIAL MEDIA. 1701 00:59:52,728 --> 00:59:53,827 WORD. I'M NOT ON SOCIAL MEDIA. IS IT LIKE A SLANG? 1702 00:59:53,829 --> 00:59:55,062 I'M NOT ON SOCIAL MEDIA. IS IT LIKE A SLANG? >> OH, NO. 1703 00:59:55,064 --> 00:59:56,329 IS IT LIKE A SLANG? >> OH, NO. REJECTION IS LIKE, I DON'T KNOW, 1704 00:59:56,331 --> 00:59:58,732 >> OH, NO. REJECTION IS LIKE, I DON'T KNOW, LIKE A PART OF THE HUMAN 1705 00:59:58,734 --> 00:59:59,132 REJECTION IS LIKE, I DON'T KNOW, LIKE A PART OF THE HUMAN CONDITION. 1706 00:59:59,134 --> 00:59:59,533 LIKE A PART OF THE HUMAN CONDITION. >> YEAH. 1707 00:59:59,535 --> 01:00:00,333 CONDITION. >> YEAH. IT'S LIKE WHEN SOMEONE DOESN'T 1708 01:00:00,335 --> 01:00:01,234 >> YEAH. IT'S LIKE WHEN SOMEONE DOESN'T WANT YOU FOR SOMETHING. 1709 01:00:01,236 --> 01:00:04,337 IT'S LIKE WHEN SOMEONE DOESN'T WANT YOU FOR SOMETHING. >> OH, NO. 1710 01:00:04,339 --> 01:00:04,604 WANT YOU FOR SOMETHING. >> OH, NO. NO. 1711 01:00:04,606 --> 01:00:09,576 >> OH, NO. NO. THAT'S SO SAD. 1712 01:00:09,578 --> 01:00:09,876 NO. THAT'S SO SAD. YEAH. 1713 01:00:09,878 --> 01:00:10,577 THAT'S SO SAD. YEAH. REALLY, I DON'T KNOW ANYTHING 1714 01:00:10,579 --> 01:00:12,879 YEAH. REALLY, I DON'T KNOW ANYTHING ABOUT THAT. 1715 01:00:12,881 --> 01:00:14,314 REALLY, I DON'T KNOW ANYTHING ABOUT THAT. >> HI. 1716 01:00:14,316 --> 01:00:16,249 ABOUT THAT. >> HI. I'M SUCH A HUGE FAN OF YOURS. 1717 01:00:16,251 --> 01:00:18,051 >> HI. I'M SUCH A HUGE FAN OF YOURS. >> ARE YOU KIDDING? 1718 01:00:18,053 --> 01:00:21,121 I'M SUCH A HUGE FAN OF YOURS. >> ARE YOU KIDDING? I'M A FAN OF YOURS. 1719 01:00:21,123 --> 01:00:24,191 >> ARE YOU KIDDING? I'M A FAN OF YOURS. "SPOTLIGHT", THAT'S AMAZING. 1720 01:00:24,193 --> 01:00:25,392 I'M A FAN OF YOURS. "SPOTLIGHT", THAT'S AMAZING. >> NO. 1721 01:00:25,394 --> 01:00:27,294 "SPOTLIGHT", THAT'S AMAZING. >> NO. I'M NOT RACHEL McADAMS. 1722 01:00:27,296 --> 01:00:30,430 >> NO. I'M NOT RACHEL McADAMS. I'M NATALIE PARTMAN. 1723 01:00:30,432 --> 01:00:33,033 I'M NOT RACHEL McADAMS. I'M NATALIE PARTMAN. SO ANYWAY, TO MAKE MONEY, I 1724 01:00:33,035 --> 01:00:35,969 I'M NATALIE PARTMAN. SO ANYWAY, TO MAKE MONEY, I STARTED AN ONLYFANS, AND I WAS 1725 01:00:35,971 --> 01:00:38,205 SO ANYWAY, TO MAKE MONEY, I STARTED AN ONLYFANS, AND I WAS SUED BY RACHEL McADAMS, WHO 1726 01:00:38,207 --> 01:00:41,508 STARTED AN ONLYFANS, AND I WAS SUED BY RACHEL McADAMS, WHO ACCUSED ME OF BEING A DEEP FAKE 1727 01:00:41,510 --> 01:00:43,910 SUED BY RACHEL McADAMS, WHO ACCUSED ME OF BEING A DEEP FAKE HER, SO, ANYWAY, WHAT ADVICE DO 1728 01:00:43,912 --> 01:00:45,479 ACCUSED ME OF BEING A DEEP FAKE HER, SO, ANYWAY, WHAT ADVICE DO YOU HAVE FOR SOMEONE WHO LOOKS 1729 01:00:45,481 --> 01:00:46,980 HER, SO, ANYWAY, WHAT ADVICE DO YOU HAVE FOR SOMEONE WHO LOOKS LIKE A FAMOUS PERSON? 1730 01:00:46,982 --> 01:00:49,249 YOU HAVE FOR SOMEONE WHO LOOKS LIKE A FAMOUS PERSON? >> I MEAN, ARE YOU A BETTER 1731 01:00:49,251 --> 01:00:50,917 LIKE A FAMOUS PERSON? >> I MEAN, ARE YOU A BETTER ACTRESS THAN RACHEL McADAMS? 1732 01:00:50,919 --> 01:00:51,451 >> I MEAN, ARE YOU A BETTER ACTRESS THAN RACHEL McADAMS? >> I'LL ANSWER THAT. 1733 01:00:51,453 --> 01:00:53,386 ACTRESS THAN RACHEL McADAMS? >> I'LL ANSWER THAT. NO. 1734 01:00:53,388 --> 01:00:54,221 >> I'LL ANSWER THAT. NO. >> OKAY. 1735 01:00:54,223 --> 01:00:55,422 NO. >> OKAY. THEN I WOULD SAY GIVE UP AND 1736 01:00:55,424 --> 01:00:57,390 >> OKAY. THEN I WOULD SAY GIVE UP AND STOP PURSUING A FILM CAREER. 1737 01:00:57,392 --> 01:01:00,160 THEN I WOULD SAY GIVE UP AND STOP PURSUING A FILM CAREER. >> GOT IT. 1738 01:01:00,162 --> 01:01:01,628 STOP PURSUING A FILM CAREER. >> GOT IT. SO I'LL FOCUS ON TV. 1739 01:01:01,630 --> 01:01:05,966 >> GOT IT. SO I'LL FOCUS ON TV. NAMASTE. 1740 01:01:05,968 --> 01:01:06,700 SO I'LL FOCUS ON TV. NAMASTE. >> OKAY. 1741 01:01:06,702 --> 01:01:08,702 NAMASTE. >> OKAY. HI, TREVIS. 1742 01:01:08,704 --> 01:01:10,504 >> OKAY. HI, TREVIS. I'M FAN BOYING OUT RIGHT NOW. 1743 01:01:10,506 --> 01:01:12,339 HI, TREVIS. I'M FAN BOYING OUT RIGHT NOW. DON'T BE WEIRD. 1744 01:01:12,341 --> 01:01:15,675 I'M FAN BOYING OUT RIGHT NOW. DON'T BE WEIRD. DO YOU HAVE ANY, LIKE, AUDITION 1745 01:01:15,677 --> 01:01:16,209 DON'T BE WEIRD. DO YOU HAVE ANY, LIKE, AUDITION HACKS? 1746 01:01:16,211 --> 01:01:17,344 DO YOU HAVE ANY, LIKE, AUDITION HACKS? >> I'M SORRY. 1747 01:01:17,346 --> 01:01:19,346 HACKS? >> I'M SORRY. I KEEP HEARING THIS WORD, 1748 01:01:19,348 --> 01:01:19,713 >> I'M SORRY. I KEEP HEARING THIS WORD, AUDITION. 1749 01:01:19,715 --> 01:01:20,013 I KEEP HEARING THIS WORD, AUDITION. SORRY. 1750 01:01:20,015 --> 01:01:21,648 AUDITION. SORRY. WHAT IS THAT? 1751 01:01:21,650 --> 01:01:24,084 SORRY. WHAT IS THAT? >> IT'S WHERE YOU TRY OUT FOR A 1752 01:01:24,086 --> 01:01:24,384 WHAT IS THAT? >> IT'S WHERE YOU TRY OUT FOR A PART. 1753 01:01:24,386 --> 01:01:25,085 >> IT'S WHERE YOU TRY OUT FOR A PART. >> OH, MY GOD. 1754 01:01:25,087 --> 01:01:28,522 PART. >> OH, MY GOD. THEY MAKE YOU DO THAT? 1755 01:01:28,524 --> 01:01:29,589 >> OH, MY GOD. THEY MAKE YOU DO THAT? DUDE, I DON'T THINK THAT'S 1756 01:01:29,591 --> 01:01:29,923 THEY MAKE YOU DO THAT? DUDE, I DON'T THINK THAT'S ALLOWED. 1757 01:01:29,925 --> 01:01:32,025 DUDE, I DON'T THINK THAT'S ALLOWED. I MEAN, YOU KNOW, AS FAR AS I 1758 01:01:32,027 --> 01:01:34,628 ALLOWED. I MEAN, YOU KNOW, AS FAR AS I KNOW, THE WAY YOU GET CAST IN A 1759 01:01:34,630 --> 01:01:38,064 I MEAN, YOU KNOW, AS FAR AS I KNOW, THE WAY YOU GET CAST IN A MOVIE IS THE DIRECTOR ASKS YOU 1760 01:01:38,066 --> 01:01:38,498 KNOW, THE WAY YOU GET CAST IN A MOVIE IS THE DIRECTOR ASKS YOU TO BE IN IT. 1761 01:01:38,500 --> 01:01:40,167 MOVIE IS THE DIRECTOR ASKS YOU TO BE IN IT. >> OH, WOW, THAT SOUNDS SO MUCH 1762 01:01:40,169 --> 01:01:41,201 TO BE IN IT. >> OH, WOW, THAT SOUNDS SO MUCH EASIER THAN AUDITIONING. 1763 01:01:41,203 --> 01:01:43,136 >> OH, WOW, THAT SOUNDS SO MUCH EASIER THAN AUDITIONING. YOU'RE SUCH A GREAT ACTOR. 1764 01:01:43,138 --> 01:01:44,104 EASIER THAN AUDITIONING. YOU'RE SUCH A GREAT ACTOR. DO YOU HAVE ANY TRAINING? 1765 01:01:44,106 --> 01:01:44,738 YOU'RE SUCH A GREAT ACTOR. DO YOU HAVE ANY TRAINING? >> NO. 1766 01:01:44,740 --> 01:01:45,539 DO YOU HAVE ANY TRAINING? >> NO. I JUST DID IT, AND I WAS REALLY 1767 01:01:45,541 --> 01:01:48,842 >> NO. I JUST DID IT, AND I WAS REALLY GOOD. 1768 01:01:48,844 --> 01:01:49,776 I JUST DID IT, AND I WAS REALLY GOOD. >> AWESOME. 1769 01:01:49,778 --> 01:01:50,110 GOOD. >> AWESOME. AWESOME. 1770 01:01:50,112 --> 01:01:50,610 >> AWESOME. AWESOME. I'M DEPRESSED NOW. 1771 01:01:50,612 --> 01:01:52,212 AWESOME. I'M DEPRESSED NOW. THANK YOU. 1772 01:01:52,214 --> 01:01:56,283 I'M DEPRESSED NOW. THANK YOU. >> WELL, TREVIS ONLY PROMISED US 1773 01:01:56,285 --> 01:01:58,451 THANK YOU. >> WELL, TREVIS ONLY PROMISED US A FEW MINUTES, SO HE NEEDS TO 1774 01:01:58,453 --> 01:01:58,718 >> WELL, TREVIS ONLY PROMISED US A FEW MINUTES, SO HE NEEDS TO GO. 1775 01:01:58,720 --> 01:02:00,253 A FEW MINUTES, SO HE NEEDS TO GO. >> LISTEN, THANKS, EVERYBODY. 1776 01:02:00,255 --> 01:02:01,655 GO. >> LISTEN, THANKS, EVERYBODY. I ADMIRE ALL OF YOU. 1777 01:02:01,657 --> 01:02:04,057 >> LISTEN, THANKS, EVERYBODY. I ADMIRE ALL OF YOU. KEEP FOLLOWING YOUR DREAMS, AND 1778 01:02:04,059 --> 01:02:06,126 I ADMIRE ALL OF YOU. KEEP FOLLOWING YOUR DREAMS, AND I KNOW Y'ALL ARE GOING TO BEAT 1779 01:02:06,128 --> 01:02:07,727 KEEP FOLLOWING YOUR DREAMS, AND I KNOW Y'ALL ARE GOING TO BEAT YOUR ILLNESS. 1780 01:02:07,729 --> 01:02:11,097 I KNOW Y'ALL ARE GOING TO BEAT YOUR ILLNESS. ONE LOVE. 1781 01:02:11,099 --> 01:02:12,599 YOUR ILLNESS. ONE LOVE. >> DID HE THINK THIS WAS LIKE A 1782 01:02:12,601 --> 01:02:15,402 ONE LOVE. >> DID HE THINK THIS WAS LIKE A MAKE A WISH THING? 1783 01:02:15,404 --> 01:02:17,470 >> DID HE THINK THIS WAS LIKE A MAKE A WISH THING? >> HOW ELSE WOULD I HAVE GOTTEN 1784 01:02:17,472 --> 01:02:18,972 MAKE A WISH THING? >> HOW ELSE WOULD I HAVE GOTTEN HIM HERE? 1785 01:02:18,974 --> 01:02:19,506 >> HOW ELSE WOULD I HAVE GOTTEN HIM HERE? OKAY. 1786 01:02:19,508 --> 01:02:20,740 HIM HERE? OKAY. NATALIE, LET'S SEE YOUR 1787 01:02:20,742 --> 01:02:21,107 OKAY. NATALIE, LET'S SEE YOUR MONOLOGUE. 1788 01:02:21,109 --> 01:02:23,176 NATALIE, LET'S SEE YOUR MONOLOGUE. WHAT'S IT FROM? 1789 01:02:23,178 --> 01:02:25,345 MONOLOGUE. WHAT'S IT FROM? >> "THE NOTEBOOK." 1790 01:02:25,347 --> 01:02:26,079 WHAT'S IT FROM? >> "THE NOTEBOOK." >> WHY CHOOSE THAT? 1791 01:02:26,081 --> 01:02:31,351 >> "THE NOTEBOOK." >> WHY CHOOSE THAT? WHY? 1792 01:02:44,532 --> 01:02:50,570 >>> WHEN I'M WITH YOU, BRIAN, THE PAST MELTS AWAY. BUT BEFORE I MET YOU, I HAD TO 1793 01:02:50,572 --> 01:02:53,340 THE PAST MELTS AWAY. BUT BEFORE I MET YOU, I HAD TO KISS A LOT OF FROGS. 1794 01:02:53,342 --> 01:02:55,008 BUT BEFORE I MET YOU, I HAD TO KISS A LOT OF FROGS. AND BY THAT, I MEAN I USED ALL 1795 01:02:55,010 --> 01:02:57,444 KISS A LOT OF FROGS. AND BY THAT, I MEAN I USED ALL THE APPS. 1796 01:02:57,446 --> 01:02:59,813 AND BY THAT, I MEAN I USED ALL THE APPS. BUT SERIOUSLY, SOME OF THOSE 1797 01:02:59,815 --> 01:03:01,815 THE APPS. BUT SERIOUSLY, SOME OF THOSE GUYS ON THOSE DATING APPS ARE 1798 01:03:01,817 --> 01:03:02,415 BUT SERIOUSLY, SOME OF THOSE GUYS ON THOSE DATING APPS ARE THE WORST. 1799 01:03:02,417 --> 01:03:05,018 GUYS ON THOSE DATING APPS ARE THE WORST. BUT WHEN I MET YOU SIX YEARS 1800 01:03:05,020 --> 01:03:08,121 THE WORST. BUT WHEN I MET YOU SIX YEARS AGO, I KNEW I HAD FOUND THE ONE. 1801 01:03:08,123 --> 01:03:10,891 BUT WHEN I MET YOU SIX YEARS AGO, I KNEW I HAD FOUND THE ONE. >> I LOVE YOU SO MUCH. 1802 01:03:10,893 --> 01:03:13,326 AGO, I KNEW I HAD FOUND THE ONE. >> I LOVE YOU SO MUCH. >> BEAUTIFUL VOWS, JILL. 1803 01:03:13,328 --> 01:03:14,461 >> I LOVE YOU SO MUCH. >> BEAUTIFUL VOWS, JILL. NOW, SHOULD ANYONE PRESENT KNOW 1804 01:03:14,463 --> 01:03:16,863 >> BEAUTIFUL VOWS, JILL. NOW, SHOULD ANYONE PRESENT KNOW OF ANY REASON THAT THIS COUPLE 1805 01:03:16,865 --> 01:03:26,640 NOW, SHOULD ANYONE PRESENT KNOW OF ANY REASON THAT THIS COUPLE SHOULD NOT BE JOINED IN HOLY 1806 01:03:26,642 --> 01:03:28,141 OF ANY REASON THAT THIS COUPLE SHOULD NOT BE JOINED IN HOLY MATRIMONY, SPEAK NOW OR FOREVER 1807 01:03:28,143 --> 01:03:29,342 SHOULD NOT BE JOINED IN HOLY MATRIMONY, SPEAK NOW OR FOREVER HOLD YOUR PEACE. 1808 01:03:29,344 --> 01:03:30,410 MATRIMONY, SPEAK NOW OR FOREVER HOLD YOUR PEACE. >> HEY. 1809 01:03:30,412 --> 01:03:31,077 HOLD YOUR PEACE. >> HEY. EXCUSE ME. 1810 01:03:31,079 --> 01:03:32,312 >> HEY. EXCUSE ME. LIKE OBJECTION, I GUESS. 1811 01:03:32,314 --> 01:03:33,213 EXCUSE ME. LIKE OBJECTION, I GUESS. >> I'M SORRY. 1812 01:03:33,215 --> 01:03:33,647 LIKE OBJECTION, I GUESS. >> I'M SORRY. WHO ARE YOU? 1813 01:03:33,649 --> 01:03:37,083 >> I'M SORRY. WHO ARE YOU? >> I'M GARRETT FROM HINGE. 1814 01:03:37,085 --> 01:03:39,953 WHO ARE YOU? >> I'M GARRETT FROM HINGE. AKA, THE GUY WHO JUST RANDOMLY 1815 01:03:39,955 --> 01:03:43,156 >> I'M GARRETT FROM HINGE. AKA, THE GUY WHO JUST RANDOMLY CAUGHT A STRAY IN YOUR WEDDING 1816 01:03:43,158 --> 01:03:43,456 AKA, THE GUY WHO JUST RANDOMLY CAUGHT A STRAY IN YOUR WEDDING VOWS. 1817 01:03:43,458 --> 01:03:45,392 CAUGHT A STRAY IN YOUR WEDDING VOWS. I GUESS CONGRATS ON GETTING 1818 01:03:45,394 --> 01:03:48,995 VOWS. I GUESS CONGRATS ON GETTING MARRIED TO LIKE A POINTY 1819 01:03:48,997 --> 01:03:51,331 I GUESS CONGRATS ON GETTING MARRIED TO LIKE A POINTY LEONARDO DiCAPRIO. 1820 01:03:51,333 --> 01:03:51,831 MARRIED TO LIKE A POINTY LEONARDO DiCAPRIO. >> YEAH. 1821 01:03:51,833 --> 01:03:53,566 LEONARDO DiCAPRIO. >> YEAH. I -- OH, MY GOD. 1822 01:03:53,568 --> 01:03:55,902 >> YEAH. I -- OH, MY GOD. I REMEMBER YOU. 1823 01:03:55,904 --> 01:03:58,672 I -- OH, MY GOD. I REMEMBER YOU. YES, WE WENT ON A HINGE DATE, 1824 01:03:58,674 --> 01:04:00,173 I REMEMBER YOU. YES, WE WENT ON A HINGE DATE, AND YOU KEPT SAYING I HAD 1825 01:04:00,175 --> 01:04:02,309 YES, WE WENT ON A HINGE DATE, AND YOU KEPT SAYING I HAD HUFFLEPUFF VIBES, BUT THE ASS OF 1826 01:04:02,311 --> 01:04:02,976 AND YOU KEPT SAYING I HAD HUFFLEPUFF VIBES, BUT THE ASS OF A SLYTHERIN. 1827 01:04:02,978 --> 01:04:03,576 HUFFLEPUFF VIBES, BUT THE ASS OF A SLYTHERIN. >> YEAH. 1828 01:04:03,578 --> 01:04:05,679 A SLYTHERIN. >> YEAH. THAT'S A HUGE COMPLIMENT. 1829 01:04:05,681 --> 01:04:07,514 >> YEAH. THAT'S A HUGE COMPLIMENT. >> LOOK, CAN YOU PLEASE JUST 1830 01:04:07,516 --> 01:04:07,881 THAT'S A HUGE COMPLIMENT. >> LOOK, CAN YOU PLEASE JUST LEAVE? 1831 01:04:07,883 --> 01:04:08,548 >> LOOK, CAN YOU PLEASE JUST LEAVE? >> FINE. 1832 01:04:08,550 --> 01:04:11,318 LEAVE? >> FINE. I'LL JUST GO TO THE BATHROOM, 1833 01:04:11,320 --> 01:04:12,452 >> FINE. I'LL JUST GO TO THE BATHROOM, AND WHEN I COME BACK, WE CAN 1834 01:04:12,454 --> 01:04:14,220 I'LL JUST GO TO THE BATHROOM, AND WHEN I COME BACK, WE CAN FIGURE ALL THIS OUT. 1835 01:04:14,222 --> 01:04:15,989 AND WHEN I COME BACK, WE CAN FIGURE ALL THIS OUT. >> FIGURE WHAT OUT? 1836 01:04:15,991 --> 01:04:18,658 FIGURE ALL THIS OUT. >> FIGURE WHAT OUT? HOW DID YOU EVEN FIND OUT ABOUT 1837 01:04:18,660 --> 01:04:19,726 >> FIGURE WHAT OUT? HOW DID YOU EVEN FIND OUT ABOUT THIS WEDDING? 1838 01:04:19,728 --> 01:04:21,261 HOW DID YOU EVEN FIND OUT ABOUT THIS WEDDING? >> MAYBE BECAUSE MY BEST FRIEND 1839 01:04:21,263 --> 01:04:25,732 THIS WEDDING? >> MAYBE BECAUSE MY BEST FRIEND IS THE ORGANIST HERE? 1840 01:04:25,734 --> 01:04:27,534 >> MAYBE BECAUSE MY BEST FRIEND IS THE ORGANIST HERE? GARRETT, I KNOW YOUR FEELINGS 1841 01:04:27,536 --> 01:04:29,369 IS THE ORGANIST HERE? GARRETT, I KNOW YOUR FEELINGS ARE HURT, AND THAT'S REALLY 1842 01:04:29,371 --> 01:04:29,669 GARRETT, I KNOW YOUR FEELINGS ARE HURT, AND THAT'S REALLY HARD. 1843 01:04:29,671 --> 01:04:30,503 ARE HURT, AND THAT'S REALLY HARD. BUT NO MATTER WHAT, YOU CANNOT 1844 01:04:30,505 --> 01:04:34,274 HARD. BUT NO MATTER WHAT, YOU CANNOT KILL THEM. 1845 01:04:34,276 --> 01:04:34,741 BUT NO MATTER WHAT, YOU CANNOT KILL THEM. ALL RIGHT. 1846 01:04:34,743 --> 01:04:39,679 KILL THEM. ALL RIGHT. I THOUGHT ABOUT IT, YOU GUYS, 1847 01:04:39,681 --> 01:04:40,714 ALL RIGHT. I THOUGHT ABOUT IT, YOU GUYS, AND IT'S EITHER ME OR HIM. 1848 01:04:40,716 --> 01:04:42,415 I THOUGHT ABOUT IT, YOU GUYS, AND IT'S EITHER ME OR HIM. >> IT'S HIM. 1849 01:04:42,417 --> 01:04:44,184 AND IT'S EITHER ME OR HIM. >> IT'S HIM. AND PLEASE STOP STANDING LIKE 1850 01:04:44,186 --> 01:04:47,287 >> IT'S HIM. AND PLEASE STOP STANDING LIKE YOUR SHIRT. 1851 01:04:47,289 --> 01:04:49,022 AND PLEASE STOP STANDING LIKE YOUR SHIRT. >> THIS SUCKS. 1852 01:04:49,024 --> 01:04:49,389 YOUR SHIRT. >> THIS SUCKS. WHATEVER. 1853 01:04:49,391 --> 01:04:51,458 >> THIS SUCKS. WHATEVER. I'M NOT EVEN ON HINGE ANYMORE. 1854 01:04:51,460 --> 01:04:54,461 WHATEVER. I'M NOT EVEN ON HINGE ANYMORE. NOT AFTER I GOT ACCEPTED TO 1855 01:04:54,463 --> 01:04:58,865 I'M NOT EVEN ON HINGE ANYMORE. NOT AFTER I GOT ACCEPTED TO RAYA, AFTER I WENT VIRAL FOR 1856 01:04:58,867 --> 01:04:59,666 NOT AFTER I GOT ACCEPTED TO RAYA, AFTER I WENT VIRAL FOR 1857 01:04:59,668 --> 01:05:00,333 RAYA, AFTER I WENT VIRAL FOR 1858 01:05:00,335 --> 01:05:03,737 SCREAMING ON AN AIRPLANE. AND, YES, I MATCHED WITH THE 1859 01:05:03,739 --> 01:05:05,605 SCREAMING ON AN AIRPLANE. AND, YES, I MATCHED WITH THE RACHEL DOLISOL. 1860 01:05:05,607 --> 01:05:07,173 AND, YES, I MATCHED WITH THE RACHEL DOLISOL. >> I'M SO SORRY THIS IS 1861 01:05:07,175 --> 01:05:07,574 RACHEL DOLISOL. >> I'M SO SORRY THIS IS HAPPENING. 1862 01:05:07,576 --> 01:05:10,276 >> I'M SO SORRY THIS IS HAPPENING. >> IT'S NOT YOUR FAULT, BABE. 1863 01:05:10,278 --> 01:05:11,177 HAPPENING. >> IT'S NOT YOUR FAULT, BABE. >> OH, BRIAN. 1864 01:05:11,179 --> 01:05:13,780 >> IT'S NOT YOUR FAULT, BABE. >> OH, BRIAN. SORRY, THAT WAS MY STEWIE 1865 01:05:13,782 --> 01:05:14,547 >> OH, BRIAN. SORRY, THAT WAS MY STEWIE GRIFFIN IMPRESSION. 1866 01:05:14,549 --> 01:05:16,850 SORRY, THAT WAS MY STEWIE GRIFFIN IMPRESSION. >> GARRETT, THAT WAS ACTUALLY AN 1867 01:05:16,852 --> 01:05:17,384 GRIFFIN IMPRESSION. >> GARRETT, THAT WAS ACTUALLY AN AMAZING IMPRESSION. 1868 01:05:17,386 --> 01:05:20,553 >> GARRETT, THAT WAS ACTUALLY AN AMAZING IMPRESSION. YOU KNOW, I DO A PRETTY GOOD 1869 01:05:20,555 --> 01:05:20,987 AMAZING IMPRESSION. YOU KNOW, I DO A PRETTY GOOD LOIS MYSELF. 1870 01:05:20,989 --> 01:05:21,488 YOU KNOW, I DO A PRETTY GOOD LOIS MYSELF. >> LET'S HEAR IT. 1871 01:05:21,490 --> 01:05:23,356 LOIS MYSELF. >> LET'S HEAR IT. >> PETER! 1872 01:05:23,358 --> 01:05:25,025 >> LET'S HEAR IT. >> PETER! >> IT'S LIKE SHE'S IN THE ROOM 1873 01:05:25,027 --> 01:05:25,492 >> PETER! >> IT'S LIKE SHE'S IN THE ROOM WITH ME. 1874 01:05:25,494 --> 01:05:27,961 >> IT'S LIKE SHE'S IN THE ROOM WITH ME. >> IT'S TIME FOR BED, STEWIE! 1875 01:05:27,963 --> 01:05:31,398 WITH ME. >> IT'S TIME FOR BED, STEWIE! >> YOU VILE WOMAN. 1876 01:05:31,400 --> 01:05:33,066 >> IT'S TIME FOR BED, STEWIE! >> YOU VILE WOMAN. >> AND I'M CLEVELAND BROWN. 1877 01:05:33,068 --> 01:05:35,702 >> YOU VILE WOMAN. >> AND I'M CLEVELAND BROWN. >> WHAT IS HAPPENING? 1878 01:05:35,704 --> 01:05:37,771 >> AND I'M CLEVELAND BROWN. >> WHAT IS HAPPENING? BRIAN, YOU'RE BEING RIDICULOUS! 1879 01:05:37,773 --> 01:05:39,939 >> WHAT IS HAPPENING? BRIAN, YOU'RE BEING RIDICULOUS! >> RIDICULOUS? 1880 01:05:39,941 --> 01:05:40,206 BRIAN, YOU'RE BEING RIDICULOUS! >> RIDICULOUS? WOW. 1881 01:05:40,208 --> 01:05:42,475 >> RIDICULOUS? WOW. NOW SHE'S GIVING HER MAN LIP ON 1882 01:05:42,477 --> 01:05:43,276 WOW. NOW SHE'S GIVING HER MAN LIP ON HIS WEDDING DAY. 1883 01:05:43,278 --> 01:05:46,913 NOW SHE'S GIVING HER MAN LIP ON HIS WEDDING DAY. YOU KNOW, THAT NASTY LITTLE YUM 1884 01:05:46,915 --> 01:05:48,748 HIS WEDDING DAY. YOU KNOW, THAT NASTY LITTLE YUM NOTHING ATTITUDE IS EXACTLY WHY 1885 01:05:48,750 --> 01:05:50,583 YOU KNOW, THAT NASTY LITTLE YUM NOTHING ATTITUDE IS EXACTLY WHY I BROKE UP WITH YOUR SORRY ASS. 1886 01:05:50,585 --> 01:05:51,918 NOTHING ATTITUDE IS EXACTLY WHY I BROKE UP WITH YOUR SORRY ASS. >> YOU KNOW WHAT, THIS IS 1887 01:05:51,920 --> 01:05:52,952 I BROKE UP WITH YOUR SORRY ASS. >> YOU KNOW WHAT, THIS IS GETTING OUT OF CONTROL. 1888 01:05:52,954 --> 01:05:54,821 >> YOU KNOW WHAT, THIS IS GETTING OUT OF CONTROL. ME AND GARRETT ARE GOING TO GO 1889 01:05:54,823 --> 01:05:57,424 GETTING OUT OF CONTROL. ME AND GARRETT ARE GOING TO GO TO THE BATHROOM AND WE CAN 1890 01:05:57,426 --> 01:05:58,324 ME AND GARRETT ARE GOING TO GO TO THE BATHROOM AND WE CAN FIGURE ALL THIS OUT. 1891 01:05:58,326 --> 01:05:58,658 TO THE BATHROOM AND WE CAN FIGURE ALL THIS OUT. >> WHAT? 1892 01:05:58,660 --> 01:06:02,162 FIGURE ALL THIS OUT. >> WHAT? BRIAN, NO! 1893 01:06:02,164 --> 01:06:05,398 >> WHAT? BRIAN, NO! >> I KNOW IT'S HARD, BRIAN. 1894 01:06:05,400 --> 01:06:07,667 BRIAN, NO! >> I KNOW IT'S HARD, BRIAN. I KNOW SHE HURT YOUR FEELINGS, 1895 01:06:07,669 --> 01:06:09,836 >> I KNOW IT'S HARD, BRIAN. I KNOW SHE HURT YOUR FEELINGS, BUT NO MATTER WHAT, YOU CANNOT 1896 01:06:09,838 --> 01:06:10,236 I KNOW SHE HURT YOUR FEELINGS, BUT NO MATTER WHAT, YOU CANNOT KILL HER. 1897 01:06:10,238 --> 01:06:11,204 BUT NO MATTER WHAT, YOU CANNOT KILL HER. >> BUT I REALLY WANT TO. 1898 01:06:11,206 --> 01:06:12,272 KILL HER. >> BUT I REALLY WANT TO. >> I KNOW. 1899 01:06:12,274 --> 01:06:14,174 >> BUT I REALLY WANT TO. >> I KNOW. IT'S SO TEMPTING. 1900 01:06:14,176 --> 01:06:17,277 >> I KNOW. IT'S SO TEMPTING. WHY DID I BRING MY BOOK OF 1901 01:06:17,279 --> 01:06:17,610 IT'S SO TEMPTING. WHY DID I BRING MY BOOK OF SPELLS? 1902 01:06:17,612 --> 01:06:19,245 WHY DID I BRING MY BOOK OF SPELLS? >> GOSH, AND I REALLY WISH I 1903 01:06:19,247 --> 01:06:21,915 SPELLS? >> GOSH, AND I REALLY WISH I DIDN'T BRING MY KILLING WAND. 1904 01:06:21,917 --> 01:06:23,950 >> GOSH, AND I REALLY WISH I DIDN'T BRING MY KILLING WAND. >> YOU KNOW WHAT, THIS IS 1905 01:06:23,952 --> 01:06:25,385 DIDN'T BRING MY KILLING WAND. >> YOU KNOW WHAT, THIS IS GETTING REALLY TOXIC FOR ME. 1906 01:06:25,387 --> 01:06:27,020 >> YOU KNOW WHAT, THIS IS GETTING REALLY TOXIC FOR ME. I JUST NEED TO REMOVE MYSELF 1907 01:06:27,022 --> 01:06:27,554 GETTING REALLY TOXIC FOR ME. I JUST NEED TO REMOVE MYSELF FROM THE SITUATION. 1908 01:06:27,556 --> 01:06:31,891 I JUST NEED TO REMOVE MYSELF FROM THE SITUATION. GOOD-BYE, BRIAN. 1909 01:06:31,893 --> 01:06:34,994 FROM THE SITUATION. GOOD-BYE, BRIAN. >> GOOD-BYE, GARRETT. 1910 01:06:34,996 --> 01:06:35,862 GOOD-BYE, BRIAN. >> GOOD-BYE, GARRETT. WHERE DID YOU COME FROM, YOU 1911 01:06:35,864 --> 01:06:44,170 >> GOOD-BYE, GARRETT. WHERE DID YOU COME FROM, YOU BEAUTIFUL ANGEL? 1912 01:06:44,172 --> 01:06:47,240 WHERE DID YOU COME FROM, YOU BEAUTIFUL ANGEL? [ CHEERS AND APPLAUSE ] 1913 01:07:01,222 --> 01:07:09,329 >>> THANKS TO RENEE RAPP, MEGAN THEE STALLION, AND RACHEL McADAMS! 1914 01:07:09,331 --> 01:07:12,699 THEE STALLION, AND RACHEL McADAMS! THANK YOU LORNE, THANK YOU TO 1915 01:07:12,701 --> 01:07:14,701 McADAMS! THANK YOU LORNE, THANK YOU TO ALL THE PERSONNEL. 1916 01:07:14,703 --> 01:07:15,668 THANK YOU LORNE, THANK YOU TO ALL THE PERSONNEL. AND THANK YOU ALL. 1917 01:07:15,670 --> 01:07:16,102 ALL THE PERSONNEL. AND THANK YOU ALL. I LOVE YOU. 1918 01:07:16,104 --> 01:07:20,340 AND THANK YOU ALL. I LOVE YOU. THANK YOU, THANK YOU, THANK YOU.