1 00:00:09,064 --> 00:00:15,869 >>> AND NOW THE CNN TRUMP TOWN HALL LIVE FROM COLUMBIA, SOUTH CAROLINA. 2 00:00:15,871 --> 00:00:19,239 HALL LIVE FROM COLUMBIA, SOUTH CAROLINA. >>> HELLO, EVERYONE. 3 00:00:19,241 --> 00:00:21,675 CAROLINA. >>> HELLO, EVERYONE. HELLO, HELLO, HELLO, AND WELCOME 4 00:00:21,677 --> 00:00:22,910 >>> HELLO, EVERYONE. HELLO, HELLO, HELLO, AND WELCOME TO SOUTH CAROLINA. 5 00:00:22,912 --> 00:00:24,712 HELLO, HELLO, HELLO, AND WELCOME TO SOUTH CAROLINA. WE ARE YOUR HOSTS TONIGHT. 6 00:00:24,714 --> 00:00:26,714 TO SOUTH CAROLINA. WE ARE YOUR HOSTS TONIGHT. I'M CHARLES BARKLEY. 7 00:00:26,716 --> 00:00:28,515 WE ARE YOUR HOSTS TONIGHT. I'M CHARLES BARKLEY. >> AND I AM GAYLE KING. 8 00:00:28,517 --> 00:00:31,085 I'M CHARLES BARKLEY. >> AND I AM GAYLE KING. AND WE'RE THE COHOSTS OF A REAL 9 00:00:31,087 --> 00:00:34,221 >> AND I AM GAYLE KING. AND WE'RE THE COHOSTS OF A REAL CNN SHOW THAT COMBINES OUR TWO 10 00:00:34,223 --> 00:00:35,255 AND WE'RE THE COHOSTS OF A REAL CNN SHOW THAT COMBINES OUR TWO NAMES, KING CHARLES. 11 00:00:35,257 --> 00:00:35,923 CNN SHOW THAT COMBINES OUR TWO NAMES, KING CHARLES. >> YEAH. 12 00:00:35,925 --> 00:00:38,959 NAMES, KING CHARLES. >> YEAH. I THOUGHT IT SHOULD BE GAY BAR. 13 00:00:38,961 --> 00:00:40,594 >> YEAH. I THOUGHT IT SHOULD BE GAY BAR. BUT THEN I WAS TOLD THAT THAT 14 00:00:40,596 --> 00:00:41,395 I THOUGHT IT SHOULD BE GAY BAR. BUT THEN I WAS TOLD THAT THAT WAS TERRIBLE. 15 00:00:41,397 --> 00:00:42,196 BUT THEN I WAS TOLD THAT THAT WAS TERRIBLE. >> YES. 16 00:00:42,198 --> 00:00:44,665 WAS TERRIBLE. >> YES. TONIGHT, THE PEOPLE OF SOUTH 17 00:00:44,667 --> 00:00:45,833 >> YES. TONIGHT, THE PEOPLE OF SOUTH CAROLINA WILL ASK FORMER 18 00:00:45,835 --> 00:00:48,335 TONIGHT, THE PEOPLE OF SOUTH CAROLINA WILL ASK FORMER PRESIDENT TRUMP QUESTIONS ABOUT 19 00:00:48,337 --> 00:00:49,570 CAROLINA WILL ASK FORMER PRESIDENT TRUMP QUESTIONS ABOUT IMPORTANT ISSUES AFFECTING THEIR 20 00:00:49,572 --> 00:00:49,903 PRESIDENT TRUMP QUESTIONS ABOUT IMPORTANT ISSUES AFFECTING THEIR LIVES. 21 00:00:49,905 --> 00:00:52,172 IMPORTANT ISSUES AFFECTING THEIR LIVES. >> AND I'LL ASK MYSELF QUESTIONS 22 00:00:52,174 --> 00:00:54,508 LIVES. >> AND I'LL ASK MYSELF QUESTIONS LIKE CAN YOU BET ON A TOWN HALL. 23 00:00:54,510 --> 00:00:57,010 >> AND I'LL ASK MYSELF QUESTIONS LIKE CAN YOU BET ON A TOWN HALL. YOU SURE CAN ON FANDUEL. 24 00:00:57,012 --> 00:00:59,146 LIKE CAN YOU BET ON A TOWN HALL. YOU SURE CAN ON FANDUEL. >> NOW, PLEASE WELCOME THE 25 00:00:59,148 --> 00:01:00,314 YOU SURE CAN ON FANDUEL. >> NOW, PLEASE WELCOME THE FORMER PRESIDENT OF THE UNITED 26 00:01:00,316 --> 00:01:00,647 >> NOW, PLEASE WELCOME THE FORMER PRESIDENT OF THE UNITED STATES. 27 00:01:00,649 --> 00:01:01,915 FORMER PRESIDENT OF THE UNITED STATES. >> HE'S BEEN AROUND THE COURT 28 00:01:01,917 --> 00:01:05,052 STATES. >> HE'S BEEN AROUND THE COURT MORE THAN ME, AND I WAS IN THE 29 00:01:05,054 --> 00:01:05,319 >> HE'S BEEN AROUND THE COURT MORE THAN ME, AND I WAS IN THE NBA. 30 00:01:05,321 --> 00:01:05,919 MORE THAN ME, AND I WAS IN THE NBA. PRESIDENT DONALD TRUMP. 31 00:01:05,921 --> 00:01:08,122 NBA. PRESIDENT DONALD TRUMP. >> THANK YOU, THANK YOU. 32 00:01:08,124 --> 00:01:10,457 PRESIDENT DONALD TRUMP. >> THANK YOU, THANK YOU. THANK YOU VERY MUCH TO THE FEW 33 00:01:10,459 --> 00:01:11,859 >> THANK YOU, THANK YOU. THANK YOU VERY MUCH TO THE FEW OF YOU WHO ARE APPLAUDING. 34 00:01:11,861 --> 00:01:14,628 THANK YOU VERY MUCH TO THE FEW OF YOU WHO ARE APPLAUDING. I LOVE BEING HERE IN THE GREAT 35 00:01:14,630 --> 00:01:15,896 OF YOU WHO ARE APPLAUDING. I LOVE BEING HERE IN THE GREAT STATE OF SOUTH CAROLINA. 36 00:01:15,898 --> 00:01:17,498 I LOVE BEING HERE IN THE GREAT STATE OF SOUTH CAROLINA. FRANKLY ONE OF THE TOP TWO 37 00:01:17,500 --> 00:01:17,898 STATE OF SOUTH CAROLINA. FRANKLY ONE OF THE TOP TWO CAROLINAS. 38 00:01:17,900 --> 00:01:20,434 FRANKLY ONE OF THE TOP TWO CAROLINAS. SOUTH CAROLINA, THE FIRST STATE 39 00:01:20,436 --> 00:01:22,169 CAROLINAS. SOUTH CAROLINA, THE FIRST STATE TO SECEDE FROM THE UNION, AND 40 00:01:22,171 --> 00:01:23,370 SOUTH CAROLINA, THE FIRST STATE TO SECEDE FROM THE UNION, AND NOT THE LAST, I THINK. 41 00:01:23,372 --> 00:01:26,540 TO SECEDE FROM THE UNION, AND NOT THE LAST, I THINK. GOING TO SEE A LOT OF THAT WHEN 42 00:01:26,542 --> 00:01:27,241 NOT THE LAST, I THINK. GOING TO SEE A LOT OF THAT WHEN I WIN. 43 00:01:27,243 --> 00:01:28,375 GOING TO SEE A LOT OF THAT WHEN I WIN. 50 STATES IS WAY TOO MANY. 44 00:01:28,377 --> 00:01:31,645 I WIN. 50 STATES IS WAY TOO MANY. I THINK WE COULD GET IT BACK 45 00:01:31,647 --> 00:01:33,080 50 STATES IS WAY TOO MANY. I THINK WE COULD GET IT BACK DOWN TO 12 OR 13 AGAIN. 46 00:01:33,082 --> 00:01:34,782 I THINK WE COULD GET IT BACK DOWN TO 12 OR 13 AGAIN. >> WHAT THE HELL ARE YOU TALKING 47 00:01:34,784 --> 00:01:35,349 DOWN TO 12 OR 13 AGAIN. >> WHAT THE HELL ARE YOU TALKING ABOUT, MAN? 48 00:01:35,351 --> 00:01:36,750 >> WHAT THE HELL ARE YOU TALKING ABOUT, MAN? THAT'S THE DUMBEST THING I'VE 49 00:01:36,752 --> 00:01:38,385 ABOUT, MAN? THAT'S THE DUMBEST THING I'VE HEARD, AND I WORK WITH SHAQ. 50 00:01:38,387 --> 00:01:39,920 THAT'S THE DUMBEST THING I'VE HEARD, AND I WORK WITH SHAQ. >> OUR FIRST QUESTION TONIGHT 51 00:01:39,922 --> 00:01:43,657 HEARD, AND I WORK WITH SHAQ. >> OUR FIRST QUESTION TONIGHT COMES FROM AN AUTO WORKER AT THE 52 00:01:43,659 --> 00:01:44,958 >> OUR FIRST QUESTION TONIGHT COMES FROM AN AUTO WORKER AT THE ASSEMBLY PLANT FOR VOLVO. 53 00:01:44,960 --> 00:01:47,828 COMES FROM AN AUTO WORKER AT THE ASSEMBLY PLANT FOR VOLVO. >> WHICH IS ALSO THE MEDICAL 54 00:01:47,830 --> 00:01:50,430 ASSEMBLY PLANT FOR VOLVO. >> WHICH IS ALSO THE MEDICAL TERM FOR HOO-HA. 55 00:01:50,432 --> 00:01:51,832 >> WHICH IS ALSO THE MEDICAL TERM FOR HOO-HA. >> PRESIDENT TRUMP, I VOTED FOR 56 00:01:51,834 --> 00:01:53,300 TERM FOR HOO-HA. >> PRESIDENT TRUMP, I VOTED FOR YOU IN 2016 AND 2020. 57 00:01:53,302 --> 00:01:55,469 >> PRESIDENT TRUMP, I VOTED FOR YOU IN 2016 AND 2020. >> WOW, YOU FELL FOR IT TWICE. 58 00:01:55,471 --> 00:01:57,504 YOU IN 2016 AND 2020. >> WOW, YOU FELL FOR IT TWICE. >> WHAT MAKES YOU THINK YOU CAN 59 00:01:57,506 --> 00:01:59,306 >> WOW, YOU FELL FOR IT TWICE. >> WHAT MAKES YOU THINK YOU CAN DEFEAT JOE BIDEN THIS TIME? 60 00:01:59,308 --> 00:02:01,475 >> WHAT MAKES YOU THINK YOU CAN DEFEAT JOE BIDEN THIS TIME? >> WELL, I THINK I'M DOING EVEN 61 00:02:01,477 --> 00:02:03,844 DEFEAT JOE BIDEN THIS TIME? >> WELL, I THINK I'M DOING EVEN BETTER THIS TIME IN TERMS OF 62 00:02:03,846 --> 00:02:04,211 >> WELL, I THINK I'M DOING EVEN BETTER THIS TIME IN TERMS OF HISPANIC. 63 00:02:04,213 --> 00:02:07,981 BETTER THIS TIME IN TERMS OF HISPANIC. I LIKE TO SAY I PUT THE PANIC IN 64 00:02:07,983 --> 00:02:08,348 HISPANIC. I LIKE TO SAY I PUT THE PANIC IN HISPANIC. 65 00:02:08,350 --> 00:02:10,217 I LIKE TO SAY I PUT THE PANIC IN HISPANIC. PEOPLE ARE SICK OF HAVING AN 66 00:02:10,219 --> 00:02:11,852 HISPANIC. PEOPLE ARE SICK OF HAVING AN ALLEGED CRIMINAL LIKE JOE BIDEN 67 00:02:11,854 --> 00:02:12,686 PEOPLE ARE SICK OF HAVING AN ALLEGED CRIMINAL LIKE JOE BIDEN IN THE WHITE HOUSE. 68 00:02:12,688 --> 00:02:14,621 ALLEGED CRIMINAL LIKE JOE BIDEN IN THE WHITE HOUSE. THEY WANT A CONVICTED CRIMINAL. 69 00:02:14,623 --> 00:02:15,756 IN THE WHITE HOUSE. THEY WANT A CONVICTED CRIMINAL. SOMEONE THEY CAN TRUST TO GET 70 00:02:15,758 --> 00:02:17,591 THEY WANT A CONVICTED CRIMINAL. SOMEONE THEY CAN TRUST TO GET THE CRIMES DONE RIGHT. 71 00:02:17,593 --> 00:02:19,159 SOMEONE THEY CAN TRUST TO GET THE CRIMES DONE RIGHT. >> SOMEHOW THAT'S WHAT I WANTED 72 00:02:19,161 --> 00:02:19,993 THE CRIMES DONE RIGHT. >> SOMEHOW THAT'S WHAT I WANTED TO HEAR. 73 00:02:19,995 --> 00:02:20,394 >> SOMEHOW THAT'S WHAT I WANTED TO HEAR. THANK YOU. 74 00:02:20,396 --> 00:02:23,564 TO HEAR. THANK YOU. >> YOU KEEP DOING YOU, HOMEY. 75 00:02:23,566 --> 00:02:24,331 THANK YOU. >> YOU KEEP DOING YOU, HOMEY. >> YEAH. 76 00:02:24,333 --> 00:02:27,267 >> YOU KEEP DOING YOU, HOMEY. >> YEAH. NEXT WE HAVE A SINGLE MOM WHO'S 77 00:02:27,269 --> 00:02:28,202 >> YEAH. NEXT WE HAVE A SINGLE MOM WHO'S CURRENTLY UNEMPLOYED. 78 00:02:28,204 --> 00:02:28,869 NEXT WE HAVE A SINGLE MOM WHO'S CURRENTLY UNEMPLOYED. >> WOW. 79 00:02:28,871 --> 00:02:29,736 CURRENTLY UNEMPLOYED. >> WOW. GUYS ARE GOING TO BE LINING UP 80 00:02:29,738 --> 00:02:33,507 >> WOW. GUYS ARE GOING TO BE LINING UP AFTER THAT DESCRIPTION. 81 00:02:33,509 --> 00:02:34,608 GUYS ARE GOING TO BE LINING UP AFTER THAT DESCRIPTION. PRESIDENT TRUMP, IF ELECTED, 82 00:02:34,610 --> 00:02:37,778 AFTER THAT DESCRIPTION. PRESIDENT TRUMP, IF ELECTED, WHAT WOULD YOU DO TO STOP TAYLOR 83 00:02:37,780 --> 00:02:38,912 PRESIDENT TRUMP, IF ELECTED, WHAT WOULD YOU DO TO STOP TAYLOR SWIFT FROM INFILTRATING THE 84 00:02:38,914 --> 00:02:39,947 WHAT WOULD YOU DO TO STOP TAYLOR SWIFT FROM INFILTRATING THE SUPER BOWL AND STEALING THE 85 00:02:39,949 --> 00:02:40,314 SWIFT FROM INFILTRATING THE SUPER BOWL AND STEALING THE ELECTION? 86 00:02:40,316 --> 00:02:41,348 SUPER BOWL AND STEALING THE ELECTION? >> YOU KNOW, THANK YOU. 87 00:02:41,350 --> 00:02:43,150 ELECTION? >> YOU KNOW, THANK YOU. THAT'S ACTUALLY ONE OF THE 88 00:02:43,152 --> 00:02:45,052 >> YOU KNOW, THANK YOU. THAT'S ACTUALLY ONE OF THE SMARTEST AND MOST RESEARCHED 89 00:02:45,054 --> 00:02:48,388 THAT'S ACTUALLY ONE OF THE SMARTEST AND MOST RESEARCHED QUESTIONS I THINK POSSIBLY EVER. 90 00:02:48,390 --> 00:02:52,793 SMARTEST AND MOST RESEARCHED QUESTIONS I THINK POSSIBLY EVER. YOU KNOW, WE ALL KNOW THAT BIDEN 91 00:02:52,795 --> 00:02:55,262 QUESTIONS I THINK POSSIBLY EVER. YOU KNOW, WE ALL KNOW THAT BIDEN HAS BRAINWASHED TAY-TAY. 92 00:02:55,264 --> 00:02:58,565 YOU KNOW, WE ALL KNOW THAT BIDEN HAS BRAINWASHED TAY-TAY. THEY'RE USING HER IN SOMETHING 93 00:02:58,567 --> 00:03:01,068 HAS BRAINWASHED TAY-TAY. THEY'RE USING HER IN SOMETHING CALLING CYOPS, STARTED WITH THE 94 00:03:01,070 --> 00:03:02,302 THEY'RE USING HER IN SOMETHING CALLING CYOPS, STARTED WITH THE GREAT RAPPER CY. 95 00:03:02,304 --> 00:03:05,038 CALLING CYOPS, STARTED WITH THE GREAT RAPPER CY. TOLD ME HE NEEDED A NEW STYLE. 96 00:03:05,040 --> 00:03:07,641 GREAT RAPPER CY. TOLD ME HE NEEDED A NEW STYLE. I SAID WHAT ABOUT GANGHAM. 97 00:03:07,643 --> 00:03:10,811 TOLD ME HE NEEDED A NEW STYLE. I SAID WHAT ABOUT GANGHAM. NOW THEY'VE GOT TAY-TAY 98 00:03:10,813 --> 00:03:14,314 I SAID WHAT ABOUT GANGHAM. NOW THEY'VE GOT TAY-TAY PRETENDING TO DATE TRAY DAY. 99 00:03:14,316 --> 00:03:16,016 NOW THEY'VE GOT TAY-TAY PRETENDING TO DATE TRAY DAY. HE CAN'T EVEN GET TAYLOR TICKETS 100 00:03:16,018 --> 00:03:17,451 PRETENDING TO DATE TRAY DAY. HE CAN'T EVEN GET TAYLOR TICKETS NEAR THE FIELD. 101 00:03:17,453 --> 00:03:19,286 HE CAN'T EVEN GET TAYLOR TICKETS NEAR THE FIELD. HE'S GOT HER WAY UP IN A LITTLE 102 00:03:19,288 --> 00:03:21,255 NEAR THE FIELD. HE'S GOT HER WAY UP IN A LITTLE BOX. 103 00:03:21,257 --> 00:03:21,588 HE'S GOT HER WAY UP IN A LITTLE BOX. SO SAD. 104 00:03:21,590 --> 00:03:22,022 BOX. SO SAD. >> I'M SORRY. 105 00:03:22,024 --> 00:03:23,857 SO SAD. >> I'M SORRY. HOW EXACTLY WILL TAYLOR SWIFT 106 00:03:23,859 --> 00:03:26,660 >> I'M SORRY. HOW EXACTLY WILL TAYLOR SWIFT BEING AT THE SUPER BOWL MAKE 107 00:03:26,662 --> 00:03:28,228 HOW EXACTLY WILL TAYLOR SWIFT BEING AT THE SUPER BOWL MAKE BIDEN WIN THE ELECTION? 108 00:03:28,230 --> 00:03:30,130 BEING AT THE SUPER BOWL MAKE BIDEN WIN THE ELECTION? >> THE CLUES ARE ALL THERE IF 109 00:03:30,132 --> 00:03:34,034 BIDEN WIN THE ELECTION? >> THE CLUES ARE ALL THERE IF YOU LOOK AT THE MIDNIGHTS TRACK 110 00:03:34,036 --> 00:03:34,334 >> THE CLUES ARE ALL THERE IF YOU LOOK AT THE MIDNIGHTS TRACK LIST. 111 00:03:34,336 --> 00:03:36,203 YOU LOOK AT THE MIDNIGHTS TRACK LIST. THE RAVENS WERE THERE BUT GOT 112 00:03:36,205 --> 00:03:38,105 LIST. THE RAVENS WERE THERE BUT GOT CAUGHT BY THE CHIEFS. 113 00:03:38,107 --> 00:03:39,806 THE RAVENS WERE THERE BUT GOT CAUGHT BY THE CHIEFS. PAUL RUDD WHO'S FROM WHERE, 114 00:03:39,808 --> 00:03:40,741 CAUGHT BY THE CHIEFS. PAUL RUDD WHO'S FROM WHERE, KANSAS CITY. 115 00:03:40,743 --> 00:03:44,144 PAUL RUDD WHO'S FROM WHERE, KANSAS CITY. THE NEXT FOUR SONGS CONTAIN 116 00:03:44,146 --> 00:03:50,284 KANSAS CITY. THE NEXT FOUR SONGS CONTAIN EXACTLY 49 LETTERS PLUS E-R-S, 117 00:03:50,286 --> 00:03:51,852 THE NEXT FOUR SONGS CONTAIN EXACTLY 49 LETTERS PLUS E-R-S, 49ers. 118 00:03:51,854 --> 00:03:53,854 EXACTLY 49 LETTERS PLUS E-R-S, 49ers. IT WILL BE KARMA FOR SWEET 119 00:03:53,856 --> 00:03:56,189 49ers. IT WILL BE KARMA FOR SWEET NOTHING, AKA, BIDEN'S BRAIN, 120 00:03:56,191 --> 00:03:58,225 IT WILL BE KARMA FOR SWEET NOTHING, AKA, BIDEN'S BRAIN, THAT THE MASTERMIND BEHIND IT 121 00:03:58,227 --> 00:04:00,928 NOTHING, AKA, BIDEN'S BRAIN, THAT THE MASTERMIND BEHIND IT ALL WILL OF COURSE BE BARACK 122 00:04:00,930 --> 00:04:02,162 THAT THE MASTERMIND BEHIND IT ALL WILL OF COURSE BE BARACK HUSSEIN OBAMA. 123 00:04:02,164 --> 00:04:06,466 ALL WILL OF COURSE BE BARACK HUSSEIN OBAMA. THAT ALL ADDS UP TO, BING, BING, 124 00:04:06,468 --> 00:04:07,134 HUSSEIN OBAMA. THAT ALL ADDS UP TO, BING, BING, BING, BONG, ANOTHER STOLEN 125 00:04:07,136 --> 00:04:08,936 THAT ALL ADDS UP TO, BING, BING, BING, BONG, ANOTHER STOLEN ELECTION, TAYLOR'S VERSION. 126 00:04:08,938 --> 00:04:13,640 BING, BONG, ANOTHER STOLEN ELECTION, TAYLOR'S VERSION. >> MY GOD. 127 00:04:13,642 --> 00:04:16,109 ELECTION, TAYLOR'S VERSION. >> MY GOD. I WAS SKEPTICAL AT FIRST, BUT 128 00:04:16,111 --> 00:04:18,946 >> MY GOD. I WAS SKEPTICAL AT FIRST, BUT NOW IT ALL MAKES SENSE. 129 00:04:18,948 --> 00:04:19,947 I WAS SKEPTICAL AT FIRST, BUT NOW IT ALL MAKES SENSE. >> OUR NEXT QUESTION COMES FROM 130 00:04:19,949 --> 00:04:22,249 NOW IT ALL MAKES SENSE. >> OUR NEXT QUESTION COMES FROM SOMEONE WHO SAYS HE REALLY, 131 00:04:22,251 --> 00:04:23,750 >> OUR NEXT QUESTION COMES FROM SOMEONE WHO SAYS HE REALLY, REALLY LIKES PRESIDENT TRUMP 132 00:04:23,752 --> 00:04:24,851 SOMEONE WHO SAYS HE REALLY, REALLY LIKES PRESIDENT TRUMP TIMES A MILLION. 133 00:04:24,853 --> 00:04:27,354 REALLY LIKES PRESIDENT TRUMP TIMES A MILLION. SOUTH CAROLINA SENATOR, TIM 134 00:04:27,356 --> 00:04:27,688 TIMES A MILLION. SOUTH CAROLINA SENATOR, TIM SCOTT. 135 00:04:27,690 --> 00:04:29,222 SOUTH CAROLINA SENATOR, TIM SCOTT. >> HEY, DONALD, IT'S ME. 136 00:04:29,224 --> 00:04:31,825 SCOTT. >> HEY, DONALD, IT'S ME. YOUR BEST FRIEND, TIM SCOTT. 137 00:04:31,827 --> 00:04:33,093 >> HEY, DONALD, IT'S ME. YOUR BEST FRIEND, TIM SCOTT. I FLEW ALL THE WAY TO NEW 138 00:04:33,095 --> 00:04:34,361 YOUR BEST FRIEND, TIM SCOTT. I FLEW ALL THE WAY TO NEW HAMPSHIRE TO ENDORSE YOU. 139 00:04:34,363 --> 00:04:34,728 I FLEW ALL THE WAY TO NEW HAMPSHIRE TO ENDORSE YOU. REMEMBER? 140 00:04:34,730 --> 00:04:35,796 HAMPSHIRE TO ENDORSE YOU. REMEMBER? >> VAGUELY. 141 00:04:35,798 --> 00:04:37,364 REMEMBER? >> VAGUELY. >> I DON'T HAVE A QUESTION. 142 00:04:37,366 --> 00:04:38,398 >> VAGUELY. >> I DON'T HAVE A QUESTION. I HAVE A STATEMENT. 143 00:04:38,400 --> 00:04:41,068 >> I DON'T HAVE A QUESTION. I HAVE A STATEMENT. I WOULD LIKE TO SAY YOU ARE THE 144 00:04:41,070 --> 00:04:43,370 I HAVE A STATEMENT. I WOULD LIKE TO SAY YOU ARE THE BESTEST MOST HANDSOMEST 145 00:04:43,372 --> 00:04:44,638 I WOULD LIKE TO SAY YOU ARE THE BESTEST MOST HANDSOMEST PRESIDENTIAL CANDIDATE I'VE EVER 146 00:04:44,640 --> 00:04:44,938 BESTEST MOST HANDSOMEST PRESIDENTIAL CANDIDATE I'VE EVER SEEN. 147 00:04:44,940 --> 00:04:47,140 PRESIDENTIAL CANDIDATE I'VE EVER SEEN. I LOOK AT YOU AND THINK, IS THAT 148 00:04:47,142 --> 00:04:47,908 SEEN. I LOOK AT YOU AND THINK, IS THAT HOT LINCOLN? 149 00:04:47,910 --> 00:04:50,210 I LOOK AT YOU AND THINK, IS THAT HOT LINCOLN? >> THAT'S A LITTLE MUCH EVEN FOR 150 00:04:50,212 --> 00:04:50,477 HOT LINCOLN? >> THAT'S A LITTLE MUCH EVEN FOR ME. 151 00:04:50,479 --> 00:04:51,311 >> THAT'S A LITTLE MUCH EVEN FOR ME. TIM SCOTT, EVERYBODY. 152 00:04:51,313 --> 00:04:54,348 ME. TIM SCOTT, EVERYBODY. HE'S A LOT LIKE SCOTT TOILET 153 00:04:54,350 --> 00:04:54,648 TIM SCOTT, EVERYBODY. HE'S A LOT LIKE SCOTT TOILET PAPER. 154 00:04:54,650 --> 00:04:55,816 HE'S A LOT LIKE SCOTT TOILET PAPER. THERE'S NOT MUCH THERE, YOU CAN 155 00:04:55,818 --> 00:04:57,451 PAPER. THERE'S NOT MUCH THERE, YOU CAN SEE RIGHT THROUGH IT, BUT IT'S 156 00:04:57,453 --> 00:04:58,251 THERE'S NOT MUCH THERE, YOU CAN SEE RIGHT THROUGH IT, BUT IT'S BETTER THAN NOTHING. 157 00:04:58,253 --> 00:05:00,220 SEE RIGHT THROUGH IT, BUT IT'S BETTER THAN NOTHING. >> OKAY. 158 00:05:00,222 --> 00:05:00,921 BETTER THAN NOTHING. >> OKAY. OUR NEXT QUESTION COMES FROM 159 00:05:00,923 --> 00:05:02,222 >> OKAY. OUR NEXT QUESTION COMES FROM SOMEONE WHO DESCRIBES HERSELF AS 160 00:05:02,224 --> 00:05:03,190 OUR NEXT QUESTION COMES FROM SOMEONE WHO DESCRIBES HERSELF AS A CONCERNED SOUTH CAROLINA 161 00:05:03,192 --> 00:05:03,523 SOMEONE WHO DESCRIBES HERSELF AS A CONCERNED SOUTH CAROLINA VOTER. 162 00:05:03,525 --> 00:05:03,857 A CONCERNED SOUTH CAROLINA VOTER. >> YES. 163 00:05:03,859 --> 00:05:05,158 VOTER. >> YES. HELLO. 164 00:05:05,160 --> 00:05:09,329 >> YES. HELLO. [ APPLAUSE ] 165 00:05:09,331 --> 00:05:11,598 HELLO. [ APPLAUSE ] MY QUESTION IS WHY WON'T YOU 166 00:05:11,600 --> 00:05:12,499 [ APPLAUSE ] MY QUESTION IS WHY WON'T YOU DEBATE NIKKI HALEY? 167 00:05:12,501 --> 00:05:13,900 MY QUESTION IS WHY WON'T YOU DEBATE NIKKI HALEY? >> OH, MY GOD. 168 00:05:13,902 --> 00:05:14,801 DEBATE NIKKI HALEY? >> OH, MY GOD. IT'S HER. 169 00:05:14,803 --> 00:05:17,137 >> OH, MY GOD. IT'S HER. THE WOMAN WHO WAS IN CHARGE OF 170 00:05:17,139 --> 00:05:18,105 IT'S HER. THE WOMAN WHO WAS IN CHARGE OF SECURITY ON JANUARY 6th. 171 00:05:18,107 --> 00:05:21,274 THE WOMAN WHO WAS IN CHARGE OF SECURITY ON JANUARY 6th. IT'S NANCY PELOSI. 172 00:05:21,276 --> 00:05:23,543 SECURITY ON JANUARY 6th. IT'S NANCY PELOSI. >> FOR THE 100th TIME, THAT IS 173 00:05:23,545 --> 00:05:25,212 IT'S NANCY PELOSI. >> FOR THE 100th TIME, THAT IS NOT NANCY PELOSI. 174 00:05:25,214 --> 00:05:27,314 >> FOR THE 100th TIME, THAT IS NOT NANCY PELOSI. IT IS NIKKI HALEY. 175 00:05:27,316 --> 00:05:29,950 NOT NANCY PELOSI. IT IS NIKKI HALEY. >> ARE YOU DOING OKAY, DONALD? 176 00:05:29,952 --> 00:05:32,552 IT IS NIKKI HALEY. >> ARE YOU DOING OKAY, DONALD? YOU MIGHT NEED A MENTAL 177 00:05:32,554 --> 00:05:33,453 >> ARE YOU DOING OKAY, DONALD? YOU MIGHT NEED A MENTAL COMPETENCY TEST. 178 00:05:33,455 --> 00:05:36,757 YOU MIGHT NEED A MENTAL COMPETENCY TEST. >> I TOOK THE TEST AND I ACED 179 00:05:36,759 --> 00:05:37,024 COMPETENCY TEST. >> I TOOK THE TEST AND I ACED IT. 180 00:05:37,026 --> 00:05:38,125 >> I TOOK THE TEST AND I ACED IT. PERFECT SCORE. 181 00:05:38,127 --> 00:05:40,360 IT. PERFECT SCORE. THEY SAID I'M 100% MENTAL. 182 00:05:40,362 --> 00:05:42,796 PERFECT SCORE. THEY SAID I'M 100% MENTAL. I'M CONFIDENT BECAUSE I'M A MAN. 183 00:05:42,798 --> 00:05:43,864 THEY SAID I'M 100% MENTAL. I'M CONFIDENT BECAUSE I'M A MAN. THAT'S WHY WOMEN SHOULD NEVER 184 00:05:43,866 --> 00:05:45,132 I'M CONFIDENT BECAUSE I'M A MAN. THAT'S WHY WOMEN SHOULD NEVER RUN OUR ECONOMY. 185 00:05:45,134 --> 00:05:47,000 THAT'S WHY WOMEN SHOULD NEVER RUN OUR ECONOMY. WOMEN SHOULD NEVER RUN OUR 186 00:05:47,002 --> 00:05:47,334 RUN OUR ECONOMY. WOMEN SHOULD NEVER RUN OUR COUNTRY. 187 00:05:47,336 --> 00:05:50,670 WOMEN SHOULD NEVER RUN OUR COUNTRY. A WOMAN I KNOW ASKED ME FOR 188 00:05:50,672 --> 00:05:53,040 COUNTRY. A WOMAN I KNOW ASKED ME FOR $83.3 MILLION. 189 00:05:53,042 --> 00:05:55,242 A WOMAN I KNOW ASKED ME FOR $83.3 MILLION. >> AND YOU SPENT $50 MILLION IN 190 00:05:55,244 --> 00:05:56,977 $83.3 MILLION. >> AND YOU SPENT $50 MILLION IN YOUR OWN LEGAL FEES. 191 00:05:56,979 --> 00:05:58,545 >> AND YOU SPENT $50 MILLION IN YOUR OWN LEGAL FEES. DO YOU NEED TO BORROW SOME 192 00:05:58,547 --> 00:05:58,845 YOUR OWN LEGAL FEES. DO YOU NEED TO BORROW SOME MONEY? 193 00:05:58,847 --> 00:06:03,283 DO YOU NEED TO BORROW SOME MONEY? >> OH, NIKKI, DON'T DO THIS. 194 00:06:03,285 --> 00:06:07,054 MONEY? >> OH, NIKKI, DON'T DO THIS. NIKKI, DON'T LOSE THAT NUMBER. 195 00:06:07,056 --> 00:06:09,122 >> OH, NIKKI, DON'T DO THIS. NIKKI, DON'T LOSE THAT NUMBER. NIKKI HALEY JOEL OSMENT WE CALL 196 00:06:09,124 --> 00:06:09,389 NIKKI, DON'T LOSE THAT NUMBER. NIKKI HALEY JOEL OSMENT WE CALL HER. 197 00:06:09,391 --> 00:06:10,657 NIKKI HALEY JOEL OSMENT WE CALL HER. REMEMBER THE SIXTH SENSE? 198 00:06:10,659 --> 00:06:11,691 HER. REMEMBER THE SIXTH SENSE? I SEE DEAD PEOPLE. 199 00:06:11,693 --> 00:06:13,026 REMEMBER THE SIXTH SENSE? I SEE DEAD PEOPLE. >> THAT'S WHAT PEOPLE WILL SAY 200 00:06:13,028 --> 00:06:15,562 I SEE DEAD PEOPLE. >> THAT'S WHAT PEOPLE WILL SAY IF THEY SEE YOU AND JOE ON THE 201 00:06:15,564 --> 00:06:15,896 >> THAT'S WHAT PEOPLE WILL SAY IF THEY SEE YOU AND JOE ON THE BALLOT. 202 00:06:15,898 --> 00:06:17,397 IF THEY SEE YOU AND JOE ON THE BALLOT. >> THAT'S NOT VERY NICE, NIKKI. 203 00:06:17,399 --> 00:06:18,565 BALLOT. >> THAT'S NOT VERY NICE, NIKKI. IT'S NOT NICE. 204 00:06:18,567 --> 00:06:20,100 >> THAT'S NOT VERY NICE, NIKKI. IT'S NOT NICE. AND I'M ALWAYS VERY NICE TO YOU 205 00:06:20,102 --> 00:06:22,602 IT'S NOT NICE. AND I'M ALWAYS VERY NICE TO YOU EXCEPT FOR WHEN I'M IMPLYING YOU 206 00:06:22,604 --> 00:06:24,337 AND I'M ALWAYS VERY NICE TO YOU EXCEPT FOR WHEN I'M IMPLYING YOU WEREN'T BORN IN THIS COUNTRY, 207 00:06:24,339 --> 00:06:25,839 EXCEPT FOR WHEN I'M IMPLYING YOU WEREN'T BORN IN THIS COUNTRY, EVEN THOUGH YOU'RE FROM SOUTH 208 00:06:25,841 --> 00:06:27,040 WEREN'T BORN IN THIS COUNTRY, EVEN THOUGH YOU'RE FROM SOUTH CAROLINA AND NOW I'M GOING TO 209 00:06:27,042 --> 00:06:28,075 EVEN THOUGH YOU'RE FROM SOUTH CAROLINA AND NOW I'M GOING TO BEAT YOU IN YOUR STATE. 210 00:06:28,077 --> 00:06:31,745 CAROLINA AND NOW I'M GOING TO BEAT YOU IN YOUR STATE. >> AND DID YOU WIN YOUR HOME 211 00:06:31,747 --> 00:06:32,412 BEAT YOU IN YOUR STATE. >> AND DID YOU WIN YOUR HOME STATE IN THE LAST ELECTION? 212 00:06:32,414 --> 00:06:34,481 >> AND DID YOU WIN YOUR HOME STATE IN THE LAST ELECTION? >> I WON STATEN ISLAND AND THE 213 00:06:34,483 --> 00:06:36,049 STATE IN THE LAST ELECTION? >> I WON STATEN ISLAND AND THE PARTS OF LONG ISLAND WHERE THE 214 00:06:36,051 --> 00:06:37,617 >> I WON STATEN ISLAND AND THE PARTS OF LONG ISLAND WHERE THE FIST FIGHTS HAPPEN, WHERE THEY 215 00:06:37,619 --> 00:06:39,152 PARTS OF LONG ISLAND WHERE THE FIST FIGHTS HAPPEN, WHERE THEY GET OUT OF THE CARS IF YOU HONK 216 00:06:39,154 --> 00:06:39,953 FIST FIGHTS HAPPEN, WHERE THEY GET OUT OF THE CARS IF YOU HONK AT THEM. 217 00:06:39,955 --> 00:06:41,621 GET OUT OF THE CARS IF YOU HONK AT THEM. I LOVE MY WORLD STAR WHITES. 218 00:06:41,623 --> 00:06:42,489 AT THEM. I LOVE MY WORLD STAR WHITES. >> ALL RIGHT. 219 00:06:42,491 --> 00:06:46,760 I LOVE MY WORLD STAR WHITES. >> ALL RIGHT. WELL, THAT IS A NEW ONE ON ME. 220 00:06:46,762 --> 00:06:47,327 >> ALL RIGHT. WELL, THAT IS A NEW ONE ON ME. OKAY. 221 00:06:47,329 --> 00:06:50,330 WELL, THAT IS A NEW ONE ON ME. OKAY. WE HAVE TIME FOR ONE MORE 222 00:06:50,332 --> 00:06:54,101 OKAY. WE HAVE TIME FOR ONE MORE QUESTION, AND IT'S ACTUALLY FOR 223 00:06:54,103 --> 00:06:55,202 WE HAVE TIME FOR ONE MORE QUESTION, AND IT'S ACTUALLY FOR 224 00:06:55,204 --> 00:06:56,303 QUESTION, AND IT'S ACTUALLY FOR 225 00:06:56,305 --> 00:06:57,637 AMBASSADOR HALEY. 226 00:06:57,639 --> 00:06:58,238 AMBASSADOR HALEY. [ CHEERS AND APPLAUSE ] 227 00:06:58,240 --> 00:07:01,441 AMBASSADOR HALEY. [ CHEERS AND APPLAUSE ] >> I WAS JUST CURIOUS, WHAT 228 00:07:01,443 --> 00:07:03,076 [ CHEERS AND APPLAUSE ] >> I WAS JUST CURIOUS, WHAT WOULD YOU SAY WAS THE MAIN CAUSE 229 00:07:03,078 --> 00:07:04,177 >> I WAS JUST CURIOUS, WHAT WOULD YOU SAY WAS THE MAIN CAUSE OF THE CIVIL WAR, AND DO YOU 230 00:07:04,179 --> 00:07:08,081 WOULD YOU SAY WAS THE MAIN CAUSE OF THE CIVIL WAR, AND DO YOU THINK IT STARTS WITH AN S AND 231 00:07:08,083 --> 00:07:10,550 OF THE CIVIL WAR, AND DO YOU THINK IT STARTS WITH AN S AND ENDS WITH A LAVERY? 232 00:07:10,552 --> 00:07:11,284 THINK IT STARTS WITH AN S AND ENDS WITH A LAVERY? >> YEP. 233 00:07:11,286 --> 00:07:12,252 ENDS WITH A LAVERY? >> YEP. I PROBABLY SHOULD HAVE SAID THAT 234 00:07:12,254 --> 00:07:13,353 >> YEP. I PROBABLY SHOULD HAVE SAID THAT THE FIRST TIME, AND LIVE FROM 235 00:07:13,355 --> 00:07:18,758 I PROBABLY SHOULD HAVE SAID THAT THE FIRST TIME, AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT. 236 00:07:18,760 --> 00:07:20,560 THE FIRST TIME, AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT. >> Announcer: IT'S "SATURDAY 237 00:07:20,562 --> 00:07:22,462 NEW YORK, IT'S SATURDAY NIGHT. >> Announcer: IT'S "SATURDAY NIGHT LIVE" WITH -- 238 00:08:18,853 --> 00:08:25,125 FEATURING -- 239 00:08:36,370 --> 00:08:38,672 FEATURING -- 240 00:09:07,501 --> 00:09:21,715 MUSICAL GUEST -- JENNIFER LOPEZ. AND YOUR HOST -- AYO EDEBIRI. LADIES AND GENTLEMEN, AYO 241 00:09:21,717 --> 00:09:24,017 AND YOUR HOST -- AYO EDEBIRI. LADIES AND GENTLEMEN, AYO EDEBIRI! 242 00:09:24,019 --> 00:09:40,467 LADIES AND GENTLEMEN, AYO EDEBIRI! [ CHEERS AND APPLAUSE ] 243 00:09:46,274 --> 00:09:49,109 >>> THANK YOU. THANK YOU! THANK YOU VERY MUCH! 244 00:09:49,111 --> 00:09:53,680 THANK YOU! THANK YOU VERY MUCH! MY NAME IS AYO EDEBIRI, AND I AM 245 00:09:53,682 --> 00:09:54,447 THANK YOU VERY MUCH! MY NAME IS AYO EDEBIRI, AND I AM SO EXCITED TO BE HERE. 246 00:09:54,449 --> 00:09:55,815 MY NAME IS AYO EDEBIRI, AND I AM SO EXCITED TO BE HERE. SNL MEANS SO MUCH TO ME. 247 00:09:55,817 --> 00:09:56,483 SO EXCITED TO BE HERE. SNL MEANS SO MUCH TO ME. THIS REALLY IS A DREAM COME 248 00:09:56,485 --> 00:09:57,484 SNL MEANS SO MUCH TO ME. THIS REALLY IS A DREAM COME TRUE. 249 00:09:57,486 --> 00:10:04,691 THIS REALLY IS A DREAM COME TRUE. [ CHEERS AND APPLAUSE ] 250 00:10:04,693 --> 00:10:06,660 TRUE. [ CHEERS AND APPLAUSE ] I WAS BORN AND RAISED IN BOSTON, 251 00:10:06,662 --> 00:10:08,295 [ CHEERS AND APPLAUSE ] I WAS BORN AND RAISED IN BOSTON, WHICH MAKES ME THE FIRST BLACK 252 00:10:08,297 --> 00:10:10,096 I WAS BORN AND RAISED IN BOSTON, WHICH MAKES ME THE FIRST BLACK WOMAN TO EVER ADMIT THAT. 253 00:10:10,098 --> 00:10:11,331 WHICH MAKES ME THE FIRST BLACK WOMAN TO EVER ADMIT THAT. YEAH. 254 00:10:11,333 --> 00:10:12,499 WOMAN TO EVER ADMIT THAT. YEAH. THREE DAYS INTO FEBRUARY, AND 255 00:10:12,501 --> 00:10:14,301 YEAH. THREE DAYS INTO FEBRUARY, AND I'M ALREADY MAKING BLACK 256 00:10:14,303 --> 00:10:14,668 THREE DAYS INTO FEBRUARY, AND I'M ALREADY MAKING BLACK HISTORY. 257 00:10:14,670 --> 00:10:17,237 I'M ALREADY MAKING BLACK HISTORY. BUT I WAS RAISED IN BOSTON BY AN 258 00:10:17,239 --> 00:10:18,271 HISTORY. BUT I WAS RAISED IN BOSTON BY AN IMMIGRANT FAMILY. 259 00:10:18,273 --> 00:10:21,207 BUT I WAS RAISED IN BOSTON BY AN IMMIGRANT FAMILY. WE ARE BOTH AFRICAN AND 260 00:10:21,209 --> 00:10:22,876 IMMIGRANT FAMILY. WE ARE BOTH AFRICAN AND CARIBBEAN, SO YOU KNOW WHAT THAT 261 00:10:22,878 --> 00:10:23,977 WE ARE BOTH AFRICAN AND CARIBBEAN, SO YOU KNOW WHAT THAT MEANS, I'M IN THERAPY. 262 00:10:23,979 --> 00:10:25,512 CARIBBEAN, SO YOU KNOW WHAT THAT MEANS, I'M IN THERAPY. THERE WERE A LOT OF HIGH 263 00:10:25,514 --> 00:10:26,579 MEANS, I'M IN THERAPY. THERE WERE A LOT OF HIGH EXPECTATIONS FOR ALL OF US. 264 00:10:26,581 --> 00:10:29,549 THERE WERE A LOT OF HIGH EXPECTATIONS FOR ALL OF US. A LOT OF MY COUSINS ARE DOCTORS 265 00:10:29,551 --> 00:10:31,985 EXPECTATIONS FOR ALL OF US. A LOT OF MY COUSINS ARE DOCTORS AND LAWYERS AND PROFESSORS, SO 266 00:10:31,987 --> 00:10:33,620 A LOT OF MY COUSINS ARE DOCTORS AND LAWYERS AND PROFESSORS, SO WHILE THEY WERE BUSY SAVING 267 00:10:33,622 --> 00:10:35,689 AND LAWYERS AND PROFESSORS, SO WHILE THEY WERE BUSY SAVING LIVES AND TEACHING CHILDREN, I 268 00:10:35,691 --> 00:10:39,626 WHILE THEY WERE BUSY SAVING LIVES AND TEACHING CHILDREN, I WAS DOING SOMETHING EQUALLY 269 00:10:39,628 --> 00:10:41,261 LIVES AND TEACHING CHILDREN, I WAS DOING SOMETHING EQUALLY NOTABLE, STANDUP ECONOMIC SHOWS 270 00:10:41,263 --> 00:10:43,530 WAS DOING SOMETHING EQUALLY NOTABLE, STANDUP ECONOMIC SHOWS IN THE BACK OF LAUND RO MATS. 271 00:10:43,532 --> 00:10:45,532 NOTABLE, STANDUP ECONOMIC SHOWS IN THE BACK OF LAUND RO MATS. BUT NOW I'M PROUD TO SAY I'M THE 272 00:10:45,534 --> 00:10:48,034 IN THE BACK OF LAUND RO MATS. BUT NOW I'M PROUD TO SAY I'M THE COUSIN WHO MADE THE BIGGEST 273 00:10:48,036 --> 00:10:49,336 BUT NOW I'M PROUD TO SAY I'M THE COUSIN WHO MADE THE BIGGEST TURNAROUND, AND NO MATTER WHAT 274 00:10:49,338 --> 00:10:51,304 COUSIN WHO MADE THE BIGGEST TURNAROUND, AND NO MATTER WHAT HAPPENS, I WILL ALWAYS HAVE THE 275 00:10:51,306 --> 00:10:55,241 TURNAROUND, AND NO MATTER WHAT HAPPENS, I WILL ALWAYS HAVE THE APPROVAL OF ALL NIGERIAN AUNTS 276 00:10:55,243 --> 00:10:59,112 HAPPENS, I WILL ALWAYS HAVE THE APPROVAL OF ALL NIGERIAN AUNTS AND UNCLED ON WHAT'S APP. 277 00:10:59,114 --> 00:11:01,681 APPROVAL OF ALL NIGERIAN AUNTS AND UNCLED ON WHAT'S APP. SOME OF YOU MAY KNOW ME FROM A 278 00:11:01,683 --> 00:11:03,583 AND UNCLED ON WHAT'S APP. SOME OF YOU MAY KNOW ME FROM A SHOW CALLED THE BEAR. 279 00:11:03,585 --> 00:11:05,251 SOME OF YOU MAY KNOW ME FROM A SHOW CALLED THE BEAR. IT'S ABOUT THE KITCHEN STAFF AT 280 00:11:05,253 --> 00:11:06,353 SHOW CALLED THE BEAR. IT'S ABOUT THE KITCHEN STAFF AT A CHICAGO RESTAURANT. 281 00:11:06,355 --> 00:11:08,321 IT'S ABOUT THE KITCHEN STAFF AT A CHICAGO RESTAURANT. AND IT'S SUCH A FUN SHOW TO WORK 282 00:11:08,323 --> 00:11:08,655 A CHICAGO RESTAURANT. AND IT'S SUCH A FUN SHOW TO WORK ON. 283 00:11:08,657 --> 00:11:10,790 AND IT'S SUCH A FUN SHOW TO WORK ON. BUT WHEN I GOT CAST, I WAS TOLD 284 00:11:10,792 --> 00:11:12,525 ON. BUT WHEN I GOT CAST, I WAS TOLD THERE WAS GOING TO BE A LOT OF 285 00:11:12,527 --> 00:11:12,892 BUT WHEN I GOT CAST, I WAS TOLD THERE WAS GOING TO BE A LOT OF RESEARCH. 286 00:11:12,894 --> 00:11:14,561 THERE WAS GOING TO BE A LOT OF RESEARCH. BEFORE SHOOTING THE FIRST 287 00:11:14,563 --> 00:11:15,995 RESEARCH. BEFORE SHOOTING THE FIRST SEASON, WE ALL HAD TO WORK IN 288 00:11:15,997 --> 00:11:17,997 BEFORE SHOOTING THE FIRST SEASON, WE ALL HAD TO WORK IN ACTUAL RESTAURANTS SO WE COULD 289 00:11:17,999 --> 00:11:19,733 SEASON, WE ALL HAD TO WORK IN ACTUAL RESTAURANTS SO WE COULD CAPTURE THAT KITCHEN ENERGY. 290 00:11:19,735 --> 00:11:21,968 ACTUAL RESTAURANTS SO WE COULD CAPTURE THAT KITCHEN ENERGY. WHEN PEOPLE SAW MY COSTAR JEREMY 291 00:11:21,970 --> 00:11:24,704 CAPTURE THAT KITCHEN ENERGY. WHEN PEOPLE SAW MY COSTAR JEREMY ALLEN WHITE WORKING IN A 292 00:11:24,706 --> 00:11:25,805 WHEN PEOPLE SAW MY COSTAR JEREMY ALLEN WHITE WORKING IN A RESTAURANT, THEY THOUGHT, HE 293 00:11:25,807 --> 00:11:28,675 ALLEN WHITE WORKING IN A RESTAURANT, THEY THOUGHT, HE MUST BE PREPARING FOR A ROLE, SO 294 00:11:28,677 --> 00:11:29,008 RESTAURANT, THEY THOUGHT, HE MUST BE PREPARING FOR A ROLE, SO METHOD. 295 00:11:29,010 --> 00:11:31,177 MUST BE PREPARING FOR A ROLE, SO METHOD. WHEN THEY SAW ME, THEY WOULD BE 296 00:11:31,179 --> 00:11:34,481 METHOD. WHEN THEY SAW ME, THEY WOULD BE LIKE, HOW MUCH LONGER FOR MY 297 00:11:34,483 --> 00:11:34,814 WHEN THEY SAW ME, THEY WOULD BE LIKE, HOW MUCH LONGER FOR MY TILAPIA. 298 00:11:34,816 --> 00:11:39,919 LIKE, HOW MUCH LONGER FOR MY TILAPIA. BEFORE ALL THIS, I WAS A STANDUP 299 00:11:39,921 --> 00:11:41,654 TILAPIA. BEFORE ALL THIS, I WAS A STANDUP COMIC IN NEW YORK CITY. 300 00:11:41,656 --> 00:11:43,456 BEFORE ALL THIS, I WAS A STANDUP COMIC IN NEW YORK CITY. FIRST EVER ROUND OF APPLAUSE FOR 301 00:11:43,458 --> 00:11:44,424 COMIC IN NEW YORK CITY. FIRST EVER ROUND OF APPLAUSE FOR OPEN MICS. 302 00:11:44,426 --> 00:11:45,825 FIRST EVER ROUND OF APPLAUSE FOR OPEN MICS. BUT I REALLY ALWAYS WANTED TO DO 303 00:11:45,827 --> 00:11:48,061 OPEN MICS. BUT I REALLY ALWAYS WANTED TO DO THE SHOW, AND I JUST HAD SO MANY 304 00:11:48,063 --> 00:11:48,928 BUT I REALLY ALWAYS WANTED TO DO THE SHOW, AND I JUST HAD SO MANY IDEAS. 305 00:11:48,930 --> 00:11:51,464 THE SHOW, AND I JUST HAD SO MANY IDEAS. I ACTUALLY ONCE WROTE A PACT, 306 00:11:51,466 --> 00:11:53,199 IDEAS. I ACTUALLY ONCE WROTE A PACT, BUT I DIDN'T REALLY HAVE THE 307 00:11:53,201 --> 00:11:54,768 I ACTUALLY ONCE WROTE A PACT, BUT I DIDN'T REALLY HAVE THE NERVE TO SUBMIT IT AND I PRINTED 308 00:11:54,770 --> 00:11:55,802 BUT I DIDN'T REALLY HAVE THE NERVE TO SUBMIT IT AND I PRINTED IT OUT. 309 00:11:55,804 --> 00:11:58,605 NERVE TO SUBMIT IT AND I PRINTED IT OUT. IS IT OKAY IF I SHARE SOME 310 00:11:58,607 --> 00:11:58,905 IT OUT. IS IT OKAY IF I SHARE SOME STUFF? 311 00:11:58,907 --> 00:11:59,806 IS IT OKAY IF I SHARE SOME STUFF? OH, MY GOD. 312 00:11:59,808 --> 00:12:01,741 STUFF? OH, MY GOD. THIS IS TAKING ME BACK. 313 00:12:01,743 --> 00:12:02,041 OH, MY GOD. THIS IS TAKING ME BACK. YEAH. 314 00:12:02,043 --> 00:12:04,244 THIS IS TAKING ME BACK. YEAH. THIS ONE, I SEE RIGHT HERE. 315 00:12:04,246 --> 00:12:06,679 YEAH. THIS ONE, I SEE RIGHT HERE. YOU GUYS KNOW THAT SKETCH BLACK 316 00:12:06,681 --> 00:12:07,046 THIS ONE, I SEE RIGHT HERE. YOU GUYS KNOW THAT SKETCH BLACK JEOPARDY? 317 00:12:07,048 --> 00:12:09,482 YOU GUYS KNOW THAT SKETCH BLACK JEOPARDY? SO I WANTED TO DO A SKETCH 318 00:12:09,484 --> 00:12:11,384 JEOPARDY? SO I WANTED TO DO A SKETCH CALLED WHITE JEOPARDY WHICH 319 00:12:11,386 --> 00:12:12,886 SO I WANTED TO DO A SKETCH CALLED WHITE JEOPARDY WHICH DIDN'T WORK BECAUSE IT WAS JUST 320 00:12:12,888 --> 00:12:14,454 CALLED WHITE JEOPARDY WHICH DIDN'T WORK BECAUSE IT WAS JUST WHITE PEOPLE PLAYING JEOPARDY. 321 00:12:14,456 --> 00:12:16,423 DIDN'T WORK BECAUSE IT WAS JUST WHITE PEOPLE PLAYING JEOPARDY. AND THIS ONE, JUST -- I LOVE A 322 00:12:16,425 --> 00:12:17,290 WHITE PEOPLE PLAYING JEOPARDY. AND THIS ONE, JUST -- I LOVE A CHARACTER WITH A CATCH PHRASE, 323 00:12:17,292 --> 00:12:19,592 AND THIS ONE, JUST -- I LOVE A CHARACTER WITH A CATCH PHRASE, YOU KNOW, LIKE CATCH PHRASES 324 00:12:19,594 --> 00:12:20,560 CHARACTER WITH A CATCH PHRASE, YOU KNOW, LIKE CATCH PHRASES WORK BECAUSE ANYBODY CAN SAY 325 00:12:20,562 --> 00:12:22,695 YOU KNOW, LIKE CATCH PHRASES WORK BECAUSE ANYBODY CAN SAY THEM AND GET A BIG REACTION, AND 326 00:12:22,697 --> 00:12:26,399 WORK BECAUSE ANYBODY CAN SAY THEM AND GET A BIG REACTION, AND THIS ONE WAS HOP ON TO IT NOW. 327 00:12:26,401 --> 00:12:27,200 THEM AND GET A BIG REACTION, AND THIS ONE WAS HOP ON TO IT NOW. IT'S NOT BAD. 328 00:12:27,202 --> 00:12:28,001 THIS ONE WAS HOP ON TO IT NOW. IT'S NOT BAD. IT'S NOT THE WORST. 329 00:12:28,003 --> 00:12:29,369 IT'S NOT BAD. IT'S NOT THE WORST. YOU KNOW WHAT I MEAN? 330 00:12:29,371 --> 00:12:30,937 IT'S NOT THE WORST. YOU KNOW WHAT I MEAN? ANYONE CAN SAY IT, A CAST 331 00:12:30,939 --> 00:12:32,305 YOU KNOW WHAT I MEAN? ANYONE CAN SAY IT, A CAST MEMBER, A HOST. 332 00:12:32,307 --> 00:12:33,673 ANYONE CAN SAY IT, A CAST MEMBER, A HOST. JUST IMAGINE KENAN BEING LIKE, 333 00:12:33,675 --> 00:12:36,409 MEMBER, A HOST. JUST IMAGINE KENAN BEING LIKE, HOP ON TO IT NOW, YOU KNOW? 334 00:12:36,411 --> 00:12:38,244 JUST IMAGINE KENAN BEING LIKE, HOP ON TO IT NOW, YOU KNOW? OR THE QUEEN OF ENGLAND JUST 335 00:12:38,246 --> 00:12:42,515 HOP ON TO IT NOW, YOU KNOW? OR THE QUEEN OF ENGLAND JUST BEING LIKE, HOP ON TO IT NOW. 336 00:12:42,517 --> 00:12:46,486 OR THE QUEEN OF ENGLAND JUST BEING LIKE, HOP ON TO IT NOW. TRADE MARKING THAT TONIGHT. 337 00:12:46,488 --> 00:12:46,786 BEING LIKE, HOP ON TO IT NOW. TRADE MARKING THAT TONIGHT. OKAY. 338 00:12:46,788 --> 00:12:47,487 TRADE MARKING THAT TONIGHT. OKAY. YEAH, I THINK WE'RE DONE WITH 339 00:12:47,489 --> 00:12:47,787 OKAY. YEAH, I THINK WE'RE DONE WITH THIS. 340 00:12:47,789 --> 00:12:51,391 YEAH, I THINK WE'RE DONE WITH THIS. BURN IT. 341 00:12:51,393 --> 00:12:53,560 THIS. BURN IT. GENUINELY, I AM SO EXCITED FOR 342 00:12:53,562 --> 00:12:53,893 BURN IT. GENUINELY, I AM SO EXCITED FOR TONIGHT. 343 00:12:53,895 --> 00:12:55,728 GENUINELY, I AM SO EXCITED FOR TONIGHT. I CAME UP IN THE NEW YORK COMEDY 344 00:12:55,730 --> 00:12:58,765 TONIGHT. I CAME UP IN THE NEW YORK COMEDY SCENE WITH SOME OF MY BEST 345 00:12:58,767 --> 00:12:59,632 I CAME UP IN THE NEW YORK COMEDY SCENE WITH SOME OF MY BEST FRIENDS WHO I AM SO BLESSED TO 346 00:12:59,634 --> 00:13:01,768 SCENE WITH SOME OF MY BEST FRIENDS WHO I AM SO BLESSED TO BE WORKING WITH HERE TONIGHT, 347 00:13:01,770 --> 00:13:04,471 FRIENDS WHO I AM SO BLESSED TO BE WORKING WITH HERE TONIGHT, AND IT REALLY TRULY FEELS LIKE A 348 00:13:04,473 --> 00:13:06,005 BE WORKING WITH HERE TONIGHT, AND IT REALLY TRULY FEELS LIKE A HOMECOMING, AND I THINK I'VE 349 00:13:06,007 --> 00:13:08,408 AND IT REALLY TRULY FEELS LIKE A HOMECOMING, AND I THINK I'VE BEEN UP HERE LONG ENOUGH, SO 350 00:13:08,410 --> 00:13:09,976 HOMECOMING, AND I THINK I'VE BEEN UP HERE LONG ENOUGH, SO THERE'S REALLY ONLY ONE THING TO 351 00:13:09,978 --> 00:13:10,243 BEEN UP HERE LONG ENOUGH, SO THERE'S REALLY ONLY ONE THING TO SAY. 352 00:13:10,245 --> 00:13:11,644 THERE'S REALLY ONLY ONE THING TO SAY. LET'S HOP ON TO IT NOW. 353 00:13:11,646 --> 00:13:14,047 SAY. LET'S HOP ON TO IT NOW. WE'VE GOT A GREAT SHOW FOR YOU 354 00:13:35,903 --> 00:13:41,474 >>> IT'S THE GAME SHOW EVERYONE'S TALKING ABOUT. IT'S WHY'D YOU SAY IT WITH YOUR 355 00:13:41,476 --> 00:13:44,878 EVERYONE'S TALKING ABOUT. IT'S WHY'D YOU SAY IT WITH YOUR HOST, DANNY DONNIGAN. 356 00:13:44,880 --> 00:13:47,013 IT'S WHY'D YOU SAY IT WITH YOUR HOST, DANNY DONNIGAN. >> HEY, THERE. 357 00:13:47,015 --> 00:13:50,083 HOST, DANNY DONNIGAN. >> HEY, THERE. WELCOME TO WHY'D YOU SAY IT. 358 00:13:50,085 --> 00:13:51,918 >> HEY, THERE. WELCOME TO WHY'D YOU SAY IT. TONIGHT'S CONTESTANTS ARE DANNY. 359 00:13:51,920 --> 00:13:52,619 WELCOME TO WHY'D YOU SAY IT. TONIGHT'S CONTESTANTS ARE DANNY. >> HEY THERE. 360 00:13:52,621 --> 00:13:53,119 TONIGHT'S CONTESTANTS ARE DANNY. >> HEY THERE. >> TYLER. 361 00:13:53,121 --> 00:13:54,954 >> HEY THERE. >> TYLER. >> WHAT'S UP, WORLD? 362 00:13:54,956 --> 00:13:55,855 >> TYLER. >> WHAT'S UP, WORLD? >> AND ANNIE. 363 00:13:55,857 --> 00:13:57,724 >> WHAT'S UP, WORLD? >> AND ANNIE. >> HI, DANNY. 364 00:13:57,726 --> 00:13:59,125 >> AND ANNIE. >> HI, DANNY. I'M NOT SURE WHAT THIS GAME IS, 365 00:13:59,127 --> 00:14:00,260 >> HI, DANNY. I'M NOT SURE WHAT THIS GAME IS, BUT I'M EXCITED TO PLAY. 366 00:14:00,262 --> 00:14:01,661 I'M NOT SURE WHAT THIS GAME IS, BUT I'M EXCITED TO PLAY. >> WELL, THE GAME IS EASY. 367 00:14:01,663 --> 00:14:04,864 BUT I'M EXCITED TO PLAY. >> WELL, THE GAME IS EASY. WE SHOW YOU A COMMENT YOU LEFT 368 00:14:04,866 --> 00:14:07,033 >> WELL, THE GAME IS EASY. WE SHOW YOU A COMMENT YOU LEFT ON INSTAGRAM AND ASK YOU THE 369 00:14:07,035 --> 00:14:09,068 WE SHOW YOU A COMMENT YOU LEFT ON INSTAGRAM AND ASK YOU THE SIMPLE QUESTION, WHY'D YOU SAY 370 00:14:09,070 --> 00:14:09,335 ON INSTAGRAM AND ASK YOU THE SIMPLE QUESTION, WHY'D YOU SAY IT. 371 00:14:09,337 --> 00:14:09,636 SIMPLE QUESTION, WHY'D YOU SAY IT. >> OH. 372 00:14:09,638 --> 00:14:13,506 IT. >> OH. NO THANK YOU. 373 00:14:13,508 --> 00:14:16,476 >> OH. NO THANK YOU. >> AS USUAL, ONE CONTESTANT HAS 374 00:14:16,478 --> 00:14:17,777 NO THANK YOU. >> AS USUAL, ONE CONTESTANT HAS LEFT IMMEDIATELY. 375 00:14:17,779 --> 00:14:18,912 >> AS USUAL, ONE CONTESTANT HAS LEFT IMMEDIATELY. LET'S BRING IN OUR BACKUP 376 00:14:18,914 --> 00:14:23,049 LEFT IMMEDIATELY. LET'S BRING IN OUR BACKUP CONTESTANT JENNY. 377 00:14:23,051 --> 00:14:24,117 LET'S BRING IN OUR BACKUP CONTESTANT JENNY. >> HEY. 378 00:14:24,119 --> 00:14:25,685 CONTESTANT JENNY. >> HEY. EXCITED TO PLAY. 379 00:14:25,687 --> 00:14:26,286 >> HEY. EXCITED TO PLAY. WHAT'S THIS GAME? 380 00:14:26,288 --> 00:14:29,055 EXCITED TO PLAY. WHAT'S THIS GAME? >> YOU'LL FIND OUT. 381 00:14:29,057 --> 00:14:31,190 WHAT'S THIS GAME? >> YOU'LL FIND OUT. ALL RIGHT, ANNIE, LET'S START 382 00:14:31,192 --> 00:14:31,591 >> YOU'LL FIND OUT. ALL RIGHT, ANNIE, LET'S START WITH YOU. 383 00:14:31,593 --> 00:14:32,091 ALL RIGHT, ANNIE, LET'S START WITH YOU. >> DO I HAVE TO? 384 00:14:32,093 --> 00:14:35,728 WITH YOU. >> DO I HAVE TO? >> YES! 385 00:14:35,730 --> 00:14:36,029 >> DO I HAVE TO? >> YES! OKAY. 386 00:14:36,031 --> 00:14:40,433 >> YES! OKAY. DREW BARRYMORE PREVIOUSLY AND 387 00:14:40,435 --> 00:14:41,134 OKAY. DREW BARRYMORE PREVIOUSLY AND FAMOUSLY POSTED THIS VIDEO ON 388 00:14:41,136 --> 00:14:44,304 DREW BARRYMORE PREVIOUSLY AND FAMOUSLY POSTED THIS VIDEO ON HER INSTAGRAM. 389 00:14:44,306 --> 00:14:46,439 FAMOUSLY POSTED THIS VIDEO ON HER INSTAGRAM. >> WHENEVER YOU CAN GO OUT INTO 390 00:14:46,441 --> 00:14:48,441 HER INSTAGRAM. >> WHENEVER YOU CAN GO OUT INTO THE RAIN, DO NOT MISS THE 391 00:14:48,443 --> 00:14:50,977 >> WHENEVER YOU CAN GO OUT INTO THE RAIN, DO NOT MISS THE OPPORTUNITY! 392 00:14:50,979 --> 00:14:51,778 THE RAIN, DO NOT MISS THE OPPORTUNITY! >> JUST A SWEET WOMAN ENJOYING 393 00:14:51,780 --> 00:14:54,380 OPPORTUNITY! >> JUST A SWEET WOMAN ENJOYING THE RAIN. 394 00:14:54,382 --> 00:14:58,718 >> JUST A SWEET WOMAN ENJOYING THE RAIN. AND YOU COMMENTED, DIE. 395 00:14:58,720 --> 00:15:02,589 THE RAIN. AND YOU COMMENTED, DIE. [ LAUGHTER ] 396 00:15:02,591 --> 00:15:04,490 AND YOU COMMENTED, DIE. [ LAUGHTER ] SO WHY'D YOU SAY IT? 397 00:15:04,492 --> 00:15:07,894 [ LAUGHTER ] SO WHY'D YOU SAY IT? >> UM, I MEANT DIE, LIKE I'M 398 00:15:07,896 --> 00:15:08,428 SO WHY'D YOU SAY IT? >> UM, I MEANT DIE, LIKE I'M DYING. 399 00:15:08,430 --> 00:15:11,631 >> UM, I MEANT DIE, LIKE I'M DYING. I LOVE THIS VID SO MUCH 400 00:15:11,633 --> 00:15:11,998 DYING. I LOVE THIS VID SO MUCH [ BUZZER ] 401 00:15:12,000 --> 00:15:15,034 I LOVE THIS VID SO MUCH [ BUZZER ] I MEANT SLAY, BUT I FORGOT THE 402 00:15:15,036 --> 00:15:15,335 [ BUZZER ] I MEANT SLAY, BUT I FORGOT THE WORD 403 00:15:15,337 --> 00:15:15,702 I MEANT SLAY, BUT I FORGOT THE WORD [ BUZZER ] 404 00:15:15,704 --> 00:15:17,804 WORD [ BUZZER ] I SAW SOMEONE BEING HAPPY AND 405 00:15:17,806 --> 00:15:20,807 [ BUZZER ] I SAW SOMEONE BEING HAPPY AND WANTED THEM TO FEEL THE EXACT 406 00:15:20,809 --> 00:15:21,174 I SAW SOMEONE BEING HAPPY AND WANTED THEM TO FEEL THE EXACT OPPOSITE. 407 00:15:21,176 --> 00:15:22,709 WANTED THEM TO FEEL THE EXACT OPPOSITE. >> THAT'S CLOSE BUT IT'S NOT THE 408 00:15:22,711 --> 00:15:23,142 OPPOSITE. >> THAT'S CLOSE BUT IT'S NOT THE FULL ANSWER. 409 00:15:23,144 --> 00:15:24,377 >> THAT'S CLOSE BUT IT'S NOT THE FULL ANSWER. >> I'M ALONE A LOT. 410 00:15:24,379 --> 00:15:27,480 FULL ANSWER. >> I'M ALONE A LOT. SOME DAYS, I DON'T EVEN INTERACT 411 00:15:27,482 --> 00:15:28,748 >> I'M ALONE A LOT. SOME DAYS, I DON'T EVEN INTERACT WITH ANOTHER HUMAN BEING AND I 412 00:15:28,750 --> 00:15:30,850 SOME DAYS, I DON'T EVEN INTERACT WITH ANOTHER HUMAN BEING AND I START WONDERING AM I DEAD, IS 413 00:15:30,852 --> 00:15:32,652 WITH ANOTHER HUMAN BEING AND I START WONDERING AM I DEAD, IS LIFE REAL, SO I POST COMMENTED 414 00:15:32,654 --> 00:15:35,021 START WONDERING AM I DEAD, IS LIFE REAL, SO I POST COMMENTED THAT I THINK WILL GET A RESPONSE 415 00:15:35,023 --> 00:15:38,124 LIFE REAL, SO I POST COMMENTED THAT I THINK WILL GET A RESPONSE FROM SOMEONE BECAUSE THAT'S THE 416 00:15:38,126 --> 00:15:40,259 THAT I THINK WILL GET A RESPONSE FROM SOMEONE BECAUSE THAT'S THE ONLY WAY TO BE CERTAIN I'M 417 00:15:40,261 --> 00:15:40,560 FROM SOMEONE BECAUSE THAT'S THE ONLY WAY TO BE CERTAIN I'M ALIVE. 418 00:15:40,562 --> 00:15:40,960 ONLY WAY TO BE CERTAIN I'M ALIVE. [ DINGING ] 419 00:15:40,962 --> 00:15:41,527 ALIVE. [ DINGING ] >> THAT IS CORRECT. 420 00:15:41,529 --> 00:15:44,831 [ DINGING ] >> THAT IS CORRECT. >> I REALLY DIDN'T UNDERSTAND 421 00:15:44,833 --> 00:15:46,666 >> THAT IS CORRECT. >> I REALLY DIDN'T UNDERSTAND WHAT THIS SHOW WAS WHEN I SIGNED 422 00:15:46,668 --> 00:15:47,400 >> I REALLY DIDN'T UNDERSTAND WHAT THIS SHOW WAS WHEN I SIGNED UP FOR IT. 423 00:15:47,402 --> 00:15:49,569 WHAT THIS SHOW WAS WHEN I SIGNED UP FOR IT. >> THEN DON'T SIGN UP FOR STUFF. 424 00:15:49,571 --> 00:15:49,936 UP FOR IT. >> THEN DON'T SIGN UP FOR STUFF. ALL RIGHT. 425 00:15:49,938 --> 00:15:51,104 >> THEN DON'T SIGN UP FOR STUFF. ALL RIGHT. NEXT UP IS TYLER. 426 00:15:51,106 --> 00:15:52,672 ALL RIGHT. NEXT UP IS TYLER. >> I WOULD LIKE TO GO HOME 427 00:15:52,674 --> 00:15:53,006 NEXT UP IS TYLER. >> I WOULD LIKE TO GO HOME PLEASE. 428 00:15:53,008 --> 00:15:54,374 >> I WOULD LIKE TO GO HOME PLEASE. >> YOU CAN'T. 429 00:15:54,376 --> 00:15:58,511 PLEASE. >> YOU CAN'T. RECENTLY, AOC POSTED A PICTURE 430 00:15:58,513 --> 00:16:01,381 >> YOU CAN'T. RECENTLY, AOC POSTED A PICTURE WITH A CAPTION EVERY AMERICAN 431 00:16:01,383 --> 00:16:03,049 RECENTLY, AOC POSTED A PICTURE WITH A CAPTION EVERY AMERICAN SHOULD BE ELIGIBLE FOR HEALTH 432 00:16:03,051 --> 00:16:03,349 WITH A CAPTION EVERY AMERICAN SHOULD BE ELIGIBLE FOR HEALTH CARE. 433 00:16:03,351 --> 00:16:06,085 SHOULD BE ELIGIBLE FOR HEALTH CARE. YOU COMMENTED, HOT FOR CONGRESS, 434 00:16:06,087 --> 00:16:08,221 CARE. YOU COMMENTED, HOT FOR CONGRESS, BUT AT A PARTY. 435 00:16:08,223 --> 00:16:09,088 YOU COMMENTED, HOT FOR CONGRESS, BUT AT A PARTY. MID. 436 00:16:09,090 --> 00:16:09,789 BUT AT A PARTY. MID. STILL SMASH THOUGH. 437 00:16:09,791 --> 00:16:11,991 MID. STILL SMASH THOUGH. SO THE QUESTION IS WHY'D YOU SAY 438 00:16:11,993 --> 00:16:12,258 STILL SMASH THOUGH. SO THE QUESTION IS WHY'D YOU SAY IT? 439 00:16:12,260 --> 00:16:14,661 SO THE QUESTION IS WHY'D YOU SAY IT? >> I GOT HACKED. 440 00:16:14,663 --> 00:16:15,028 IT? >> I GOT HACKED. [ BUZZER ] 441 00:16:15,030 --> 00:16:16,696 >> I GOT HACKED. [ BUZZER ] INSTAGRAM GOT HACKED 442 00:16:16,698 --> 00:16:17,063 [ BUZZER ] INSTAGRAM GOT HACKED [ BUZZER ] 443 00:16:17,065 --> 00:16:20,366 INSTAGRAM GOT HACKED [ BUZZER ] MY ASS TYPED IT ON A BUMPY BUS 444 00:16:20,368 --> 00:16:20,767 [ BUZZER ] MY ASS TYPED IT ON A BUMPY BUS [ BUZZER ] 445 00:16:20,769 --> 00:16:22,802 MY ASS TYPED IT ON A BUMPY BUS [ BUZZER ] I GUESS I THOUGHT SHE WOULD SEE 446 00:16:22,804 --> 00:16:25,438 [ BUZZER ] I GUESS I THOUGHT SHE WOULD SEE MY COMMENT AND SHE WOULD COMMENT 447 00:16:25,440 --> 00:16:26,272 I GUESS I THOUGHT SHE WOULD SEE MY COMMENT AND SHE WOULD COMMENT BACK, AND WE WOULD GET INTO A 448 00:16:26,274 --> 00:16:28,741 MY COMMENT AND SHE WOULD COMMENT BACK, AND WE WOULD GET INTO A FIGHT THAT GETS REALLY HEATED, 449 00:16:28,743 --> 00:16:30,243 BACK, AND WE WOULD GET INTO A FIGHT THAT GETS REALLY HEATED, FIRST SHE SLAPS ME AND THEN 450 00:16:30,245 --> 00:16:32,078 FIGHT THAT GETS REALLY HEATED, FIRST SHE SLAPS ME AND THEN KISSES ME AND BEFORE YOU KNOW 451 00:16:32,080 --> 00:16:36,683 FIRST SHE SLAPS ME AND THEN KISSES ME AND BEFORE YOU KNOW IT, WE'RE HAVING SEX 452 00:16:36,685 --> 00:16:37,083 KISSES ME AND BEFORE YOU KNOW IT, WE'RE HAVING SEX [ DINGING ] 453 00:16:37,085 --> 00:16:37,750 IT, WE'RE HAVING SEX [ DINGING ] >> AND YOUR WIFE IS IN THE 454 00:16:37,752 --> 00:16:38,317 [ DINGING ] >> AND YOUR WIFE IS IN THE AUDIENCE HERE TODAY. 455 00:16:38,319 --> 00:16:38,885 >> AND YOUR WIFE IS IN THE AUDIENCE HERE TODAY. >> NO, SHE'S NOT. 456 00:16:38,887 --> 00:16:40,453 AUDIENCE HERE TODAY. >> NO, SHE'S NOT. >> YOU CAN TRY TO MANIFEST ALL 457 00:16:40,455 --> 00:16:43,723 >> NO, SHE'S NOT. >> YOU CAN TRY TO MANIFEST ALL YOU WANT, BUT IT DOESN'T CHANGE 458 00:16:43,725 --> 00:16:44,223 >> YOU CAN TRY TO MANIFEST ALL YOU WANT, BUT IT DOESN'T CHANGE THAT SHE'S HERE. 459 00:16:44,225 --> 00:16:46,025 YOU WANT, BUT IT DOESN'T CHANGE THAT SHE'S HERE. >> YOU TOLD ME YOU DON'T HAVE AN 460 00:16:46,027 --> 00:16:46,426 THAT SHE'S HERE. >> YOU TOLD ME YOU DON'T HAVE AN INSTAGRAM. 461 00:16:46,428 --> 00:16:48,061 >> YOU TOLD ME YOU DON'T HAVE AN INSTAGRAM. >> YOUR NOT REAL, AND NONE OF 462 00:16:48,063 --> 00:16:49,262 INSTAGRAM. >> YOUR NOT REAL, AND NONE OF THIS IS HAPPENING TO ME. 463 00:16:49,264 --> 00:16:50,196 >> YOUR NOT REAL, AND NONE OF THIS IS HAPPENING TO ME. >> WOW. 464 00:16:50,198 --> 00:16:50,463 THIS IS HAPPENING TO ME. >> WOW. SAD. 465 00:16:50,465 --> 00:16:51,798 >> WOW. SAD. MOVING ON. 466 00:16:51,800 --> 00:16:54,167 SAD. MOVING ON. JENNY, CNN POSTED A NEWS STORY 467 00:16:54,169 --> 00:16:55,902 MOVING ON. JENNY, CNN POSTED A NEWS STORY OF A NEW YORK FACTORY EXPLODING. 468 00:16:55,904 --> 00:16:58,871 JENNY, CNN POSTED A NEWS STORY OF A NEW YORK FACTORY EXPLODING. YOU COMMENTED, SO AWFUL, MOVE ME 469 00:16:58,873 --> 00:17:01,240 OF A NEW YORK FACTORY EXPLODING. YOU COMMENTED, SO AWFUL, MOVE ME TO WRITE THIS SONG WITH A 470 00:17:01,242 --> 00:17:04,043 YOU COMMENTED, SO AWFUL, MOVE ME TO WRITE THIS SONG WITH A NONWORKING LINK TO A SONG TITLED 471 00:17:04,045 --> 00:17:06,279 TO WRITE THIS SONG WITH A NONWORKING LINK TO A SONG TITLED "THE JAGER MADE ME DO IT." 472 00:17:06,281 --> 00:17:08,147 NONWORKING LINK TO A SONG TITLED "THE JAGER MADE ME DO IT." SO THE QUESTION IS, WHY'D YOU 473 00:17:08,149 --> 00:17:09,015 "THE JAGER MADE ME DO IT." SO THE QUESTION IS, WHY'D YOU SAY IT? 474 00:17:09,017 --> 00:17:10,450 SO THE QUESTION IS, WHY'D YOU SAY IT? >> I THOUGHT IT WOULD HELP 475 00:17:10,452 --> 00:17:12,085 SAY IT? >> I THOUGHT IT WOULD HELP PEOPLE COPE WITH THE TRAGEDY. 476 00:17:12,087 --> 00:17:12,452 >> I THOUGHT IT WOULD HELP PEOPLE COPE WITH THE TRAGEDY. [ BUZZER ] 477 00:17:12,454 --> 00:17:14,721 PEOPLE COPE WITH THE TRAGEDY. [ BUZZER ] I THOUGHT IT WOULD PROVIDE 478 00:17:14,723 --> 00:17:15,088 [ BUZZER ] I THOUGHT IT WOULD PROVIDE CLOSURE 479 00:17:15,090 --> 00:17:15,455 I THOUGHT IT WOULD PROVIDE CLOSURE [ BUZZER ] 480 00:17:15,457 --> 00:17:17,523 CLOSURE [ BUZZER ] MY SONG HAS AN IMPORTANT 481 00:17:17,525 --> 00:17:17,890 [ BUZZER ] MY SONG HAS AN IMPORTANT MESSAGE. 482 00:17:17,892 --> 00:17:22,962 MY SONG HAS AN IMPORTANT MESSAGE. >> LET ME PLAY A SNIPPET. 483 00:17:22,964 --> 00:17:25,431 MESSAGE. >> LET ME PLAY A SNIPPET. ♪ WASN'T GONNA DO IT, BUT THE 484 00:17:25,433 --> 00:17:31,270 >> LET ME PLAY A SNIPPET. ♪ WASN'T GONNA DO IT, BUT THE JAGER MADE ME DO IT ♪ 485 00:17:31,272 --> 00:17:33,139 ♪ WASN'T GONNA DO IT, BUT THE JAGER MADE ME DO IT ♪ >> WHY'D YOU SAY IT? 486 00:17:33,141 --> 00:17:34,874 JAGER MADE ME DO IT ♪ >> WHY'D YOU SAY IT? >> I'M THREE DAYS FROM HAVING TO 487 00:17:34,876 --> 00:17:36,509 >> WHY'D YOU SAY IT? >> I'M THREE DAYS FROM HAVING TO MOVE BACK TO OHIO BECAUSE I 488 00:17:36,511 --> 00:17:38,444 >> I'M THREE DAYS FROM HAVING TO MOVE BACK TO OHIO BECAUSE I SPENT ALL OF MY MONEY RECORDING 489 00:17:38,446 --> 00:17:41,481 MOVE BACK TO OHIO BECAUSE I SPENT ALL OF MY MONEY RECORDING THE JAGER MADE ME DO IT, AND IT 490 00:17:41,483 --> 00:17:43,483 SPENT ALL OF MY MONEY RECORDING THE JAGER MADE ME DO IT, AND IT HAS 279 VIEWS ON YOUTUBE, AND 491 00:17:43,485 --> 00:17:48,821 THE JAGER MADE ME DO IT, AND IT HAS 279 VIEWS ON YOUTUBE, AND THE ONLY COMMENT IS, WOULD 492 00:17:48,823 --> 00:17:49,155 HAS 279 VIEWS ON YOUTUBE, AND THE ONLY COMMENT IS, WOULD SMASH. 493 00:17:49,157 --> 00:17:50,289 THE ONLY COMMENT IS, WOULD SMASH. >> YOU'RE WELCOME BY THE WAY. 494 00:17:50,291 --> 00:17:51,290 SMASH. >> YOU'RE WELCOME BY THE WAY. >> OKAY. 495 00:17:51,292 --> 00:17:51,591 >> YOU'RE WELCOME BY THE WAY. >> OKAY. OKAY. 496 00:17:51,593 --> 00:17:52,692 >> OKAY. OKAY. WE GET IT. 497 00:17:52,694 --> 00:17:54,627 OKAY. WE GET IT. IT'S WRONG TO LEAVE MEAN 498 00:17:54,629 --> 00:17:56,729 WE GET IT. IT'S WRONG TO LEAVE MEAN COMMENTS OR POST COMMENTS JUST 499 00:17:56,731 --> 00:17:58,931 IT'S WRONG TO LEAVE MEAN COMMENTS OR POST COMMENTS JUST FOR CLOUT OR RUN YOUR MOUTH ON A 500 00:17:58,933 --> 00:18:00,199 COMMENTS OR POST COMMENTS JUST FOR CLOUT OR RUN YOUR MOUTH ON A PODCAST AND YOU DON'T CONSIDER 501 00:18:00,201 --> 00:18:02,034 FOR CLOUT OR RUN YOUR MOUTH ON A PODCAST AND YOU DON'T CONSIDER THE IMPACT BECAUSE YOU'RE 24 AND 502 00:18:02,036 --> 00:18:03,870 PODCAST AND YOU DON'T CONSIDER THE IMPACT BECAUSE YOU'RE 24 AND STUPID, BUT I THINK I SPEAK FOR 503 00:18:03,872 --> 00:18:05,605 THE IMPACT BECAUSE YOU'RE 24 AND STUPID, BUT I THINK I SPEAK FOR EVERYONE WHEN I SAY FROM NOW ON, 504 00:18:05,607 --> 00:18:07,373 STUPID, BUT I THINK I SPEAK FOR EVERYONE WHEN I SAY FROM NOW ON, WE'RE GOING TO BE A LOT MORE 505 00:18:07,375 --> 00:18:09,408 EVERYONE WHEN I SAY FROM NOW ON, WE'RE GOING TO BE A LOT MORE THOUGHTFUL ABOUT WHAT WE POST 506 00:18:09,410 --> 00:18:09,742 WE'RE GOING TO BE A LOT MORE THOUGHTFUL ABOUT WHAT WE POST ONLINE. 507 00:18:09,744 --> 00:18:15,047 THOUGHTFUL ABOUT WHAT WE POST ONLINE. [ CHEERS AND APPLAUSE ] 508 00:18:15,049 --> 00:18:17,817 ONLINE. [ CHEERS AND APPLAUSE ] >> AW. 509 00:18:17,819 --> 00:18:18,518 [ CHEERS AND APPLAUSE ] >> AW. THAT'S SWEET. 510 00:18:18,520 --> 00:18:20,453 >> AW. THAT'S SWEET. IS WHAT I WOULD HAVE SAID IF TWO 511 00:18:20,455 --> 00:18:22,622 THAT'S SWEET. IS WHAT I WOULD HAVE SAID IF TWO MINUTES AGO, YOU DIDN'T POST 512 00:18:22,624 --> 00:18:25,491 IS WHAT I WOULD HAVE SAID IF TWO MINUTES AGO, YOU DIDN'T POST THIS COMMENT ON MY PERSONAL 513 00:18:25,493 --> 00:18:28,528 MINUTES AGO, YOU DIDN'T POST THIS COMMENT ON MY PERSONAL INSTAGRAM UNDER THIS PHOTO OF ME 514 00:18:28,530 --> 00:18:29,996 THIS COMMENT ON MY PERSONAL INSTAGRAM UNDER THIS PHOTO OF ME AND MY 3-YEAR-OLD SON. 515 00:18:29,998 --> 00:18:36,369 INSTAGRAM UNDER THIS PHOTO OF ME AND MY 3-YEAR-OLD SON. YOU WROTE, WHAT DISEASE HE HAVE. 516 00:18:36,371 --> 00:18:36,769 AND MY 3-YEAR-OLD SON. YOU WROTE, WHAT DISEASE HE HAVE. [ LAUGHTER ] 517 00:18:36,771 --> 00:18:38,638 YOU WROTE, WHAT DISEASE HE HAVE. [ LAUGHTER ] >> I CANNOT CHANGE. 518 00:18:38,640 --> 00:18:39,238 [ LAUGHTER ] >> I CANNOT CHANGE. [ DINGING ] 519 00:18:39,240 --> 00:18:40,106 >> I CANNOT CHANGE. [ DINGING ] >> THAT IS CORRECT. 520 00:18:40,108 --> 00:18:40,540 [ DINGING ] >> THAT IS CORRECT. ALL RIGHT. 521 00:18:40,542 --> 00:18:42,842 >> THAT IS CORRECT. ALL RIGHT. AFTER THE BREAK, IT'S ROUND TWO. 522 00:18:42,844 --> 00:18:44,877 ALL RIGHT. AFTER THE BREAK, IT'S ROUND TWO. WHY DID YOU COMMENT COOL UNDER A 523 00:18:44,879 --> 00:18:46,412 AFTER THE BREAK, IT'S ROUND TWO. WHY DID YOU COMMENT COOL UNDER A MOVIE TRAILER WHEN YOU COULD 524 00:18:46,414 --> 00:18:53,119 WHY DID YOU COMMENT COOL UNDER A MOVIE TRAILER WHEN YOU COULD HAVE JUST SMILED TO YOURSELF? 525 00:18:57,057 --> 00:19:01,527 >>> HEY, BRADY. >> HEY. >> ARE YOU GONNA BE AROUND AFTER 526 00:19:01,529 --> 00:19:01,861 >> HEY. >> ARE YOU GONNA BE AROUND AFTER SCHOOL? 527 00:19:01,863 --> 00:19:02,528 >> ARE YOU GONNA BE AROUND AFTER SCHOOL? >> DEFINITELY. 528 00:19:02,530 --> 00:19:02,862 SCHOOL? >> DEFINITELY. >> COOL. 529 00:19:02,864 --> 00:19:07,166 >> DEFINITELY. >> COOL. ME TOO. 530 00:19:07,168 --> 00:19:09,001 >> COOL. ME TOO. >> GABBY IS SO CUTE. 531 00:19:09,003 --> 00:19:09,902 ME TOO. >> GABBY IS SO CUTE. >> SERIOUSLY, BRO. 532 00:19:09,904 --> 00:19:10,770 >> GABBY IS SO CUTE. >> SERIOUSLY, BRO. >> I KNOW. 533 00:19:10,772 --> 00:19:13,272 >> SERIOUSLY, BRO. >> I KNOW. LOOK, CAN I TELL YOU GUYS 534 00:19:13,274 --> 00:19:13,773 >> I KNOW. LOOK, CAN I TELL YOU GUYS SOMETHING? 535 00:19:13,775 --> 00:19:14,607 LOOK, CAN I TELL YOU GUYS SOMETHING? >> YEAH, OF COURSE. 536 00:19:14,609 --> 00:19:16,108 SOMETHING? >> YEAH, OF COURSE. >> SO MY PARENTS ARE GOING OUT 537 00:19:16,110 --> 00:19:18,644 >> YEAH, OF COURSE. >> SO MY PARENTS ARE GOING OUT OF TOWN TONIGHT, WHICH MEANS I'M 538 00:19:18,646 --> 00:19:20,813 >> SO MY PARENTS ARE GOING OUT OF TOWN TONIGHT, WHICH MEANS I'M GOING TO HAVE THE HOUSE TO 539 00:19:20,815 --> 00:19:21,147 OF TOWN TONIGHT, WHICH MEANS I'M GOING TO HAVE THE HOUSE TO MYSELF. 540 00:19:21,149 --> 00:19:21,480 GOING TO HAVE THE HOUSE TO MYSELF. >> WAIT. 541 00:19:21,482 --> 00:19:25,918 MYSELF. >> WAIT. DOES THAT MEAN -- 542 00:19:25,920 --> 00:19:26,652 >> WAIT. DOES THAT MEAN -- >> I THINK IT'S GOING TO HAPPEN 543 00:19:26,654 --> 00:19:27,486 DOES THAT MEAN -- >> I THINK IT'S GOING TO HAPPEN TONIGHT. 544 00:19:27,488 --> 00:19:43,636 >> I THINK IT'S GOING TO HAPPEN TONIGHT. FOR REAL. 545 00:19:43,638 --> 00:19:46,939 TONIGHT. FOR REAL. ♪ I'VE BEEN READY FOR THIS 546 00:19:46,941 --> 00:19:49,642 FOR REAL. ♪ I'VE BEEN READY FOR THIS MOMENT FOR A LONG, LONG TIME, 547 00:19:49,644 --> 00:19:53,312 ♪ I'VE BEEN READY FOR THIS MOMENT FOR A LONG, LONG TIME, AND IT'S HAPPENING TONIGHT ♪ 548 00:19:53,314 --> 00:19:56,916 MOMENT FOR A LONG, LONG TIME, AND IT'S HAPPENING TONIGHT ♪ ♪ BEEN WAITING FOR SOMEONE 549 00:19:56,918 --> 00:19:59,952 AND IT'S HAPPENING TONIGHT ♪ ♪ BEEN WAITING FOR SOMEONE SPECIAL, AND NOW THAT I'VE FOUND 550 00:19:59,954 --> 00:20:04,123 ♪ BEEN WAITING FOR SOMEONE SPECIAL, AND NOW THAT I'VE FOUND IT, IT FINALLY FEELS SO RIGHT ♪ 551 00:20:04,125 --> 00:20:08,361 SPECIAL, AND NOW THAT I'VE FOUND IT, IT FINALLY FEELS SO RIGHT ♪ ♪ 'CUZ I'M A GENTLE TEENAGE BOY 552 00:20:08,363 --> 00:20:10,329 IT, IT FINALLY FEELS SO RIGHT ♪ ♪ 'CUZ I'M A GENTLE TEENAGE BOY WITH AN INNOCENT HEART BUT YOU 553 00:20:10,331 --> 00:20:13,799 ♪ 'CUZ I'M A GENTLE TEENAGE BOY WITH AN INNOCENT HEART BUT YOU FOUND A WAY TO TOUCH IT ♪ 554 00:20:13,801 --> 00:20:17,470 WITH AN INNOCENT HEART BUT YOU FOUND A WAY TO TOUCH IT ♪ ♪ AND NOW THAT MY PARENTS ARE 555 00:20:17,472 --> 00:20:20,106 FOUND A WAY TO TOUCH IT ♪ ♪ AND NOW THAT MY PARENTS ARE GONE, I'M GONNA LOSE MY 556 00:20:20,108 --> 00:20:20,940 ♪ AND NOW THAT MY PARENTS ARE GONE, I'M GONNA LOSE MY VIRGINITY TO THE DUNE POPCORN 557 00:20:20,942 --> 00:20:30,549 GONE, I'M GONNA LOSE MY VIRGINITY TO THE DUNE POPCORN BUCKET ♪ 558 00:20:30,551 --> 00:20:33,786 VIRGINITY TO THE DUNE POPCORN BUCKET ♪ ♪ OH, PLAY MY HEART STRINGS JUST 559 00:20:33,788 --> 00:20:40,226 BUCKET ♪ ♪ OH, PLAY MY HEART STRINGS JUST LIKE A FIDDLE, OH, OH ♪ 560 00:20:40,228 --> 00:20:44,397 ♪ OH, PLAY MY HEART STRINGS JUST LIKE A FIDDLE, OH, OH ♪ ♪ AND I'M NOT SCARED OF THE 561 00:20:44,399 --> 00:20:45,498 LIKE A FIDDLE, OH, OH ♪ ♪ AND I'M NOT SCARED OF THE TEETH IN THE MIDDLE ♪ 562 00:20:45,500 --> 00:20:47,767 ♪ AND I'M NOT SCARED OF THE TEETH IN THE MIDDLE ♪ ♪ DAD, I'M SORRY, I DON'T LIKE 563 00:20:47,769 --> 00:20:50,436 TEETH IN THE MIDDLE ♪ ♪ DAD, I'M SORRY, I DON'T LIKE BOYS, I LIKE THE DUNE POPCORN 564 00:20:50,438 --> 00:20:52,204 ♪ DAD, I'M SORRY, I DON'T LIKE BOYS, I LIKE THE DUNE POPCORN BUCKET, BUCKET, BUCKET ♪ 565 00:20:52,206 --> 00:20:54,140 BOYS, I LIKE THE DUNE POPCORN BUCKET, BUCKET, BUCKET ♪ >> WAIT, WHAT? 566 00:20:54,142 --> 00:20:57,043 BUCKET, BUCKET, BUCKET ♪ >> WAIT, WHAT? ♪ AND I DON'T CARE ABOUT MY 567 00:20:57,045 --> 00:20:58,978 >> WAIT, WHAT? ♪ AND I DON'T CARE ABOUT MY GRADES ANYMORE, JUST WANT THAT 568 00:20:58,980 --> 00:20:59,679 ♪ AND I DON'T CARE ABOUT MY GRADES ANYMORE, JUST WANT THAT DUNE POPCORN BUCKET, BUCKET, 569 00:20:59,681 --> 00:21:04,817 GRADES ANYMORE, JUST WANT THAT DUNE POPCORN BUCKET, BUCKET, BUCKET ♪ 570 00:21:04,819 --> 00:21:12,525 DUNE POPCORN BUCKET, BUCKET, BUCKET ♪ ♪ OH, OH, OH, OH, LITTLE BIT OF 571 00:21:12,527 --> 00:21:15,294 BUCKET ♪ ♪ OH, OH, OH, OH, LITTLE BIT OF BUTTER MAKES IT FEEL SO GOOD ♪ 572 00:21:15,296 --> 00:21:22,601 ♪ OH, OH, OH, OH, LITTLE BIT OF BUTTER MAKES IT FEEL SO GOOD ♪ ♪ OH, OH, OH, OH, GETTING IT UP 573 00:21:22,603 --> 00:21:26,706 BUTTER MAKES IT FEEL SO GOOD ♪ ♪ OH, OH, OH, OH, GETTING IT UP TO THE SHAI-HUMUD ♪ 574 00:21:26,708 --> 00:21:29,709 ♪ OH, OH, OH, OH, GETTING IT UP TO THE SHAI-HUMUD ♪ ♪ AROUND THE WORLD, CHILDREN 575 00:21:29,711 --> 00:21:31,711 TO THE SHAI-HUMUD ♪ ♪ AROUND THE WORLD, CHILDREN WILL BUY THIS, THAT DUNE POPCORN 576 00:21:31,713 --> 00:21:34,847 ♪ AROUND THE WORLD, CHILDREN WILL BUY THIS, THAT DUNE POPCORN BUCKET ♪ 577 00:21:34,849 --> 00:21:38,284 WILL BUY THIS, THAT DUNE POPCORN BUCKET ♪ ♪ WE DIDN'T MAKE THIS UP, THIS 578 00:21:38,286 --> 00:21:43,489 BUCKET ♪ ♪ WE DIDN'T MAKE THIS UP, THIS IS A REAL THING, CAN'T WAIT TO 579 00:21:43,491 --> 00:21:44,924 ♪ WE DIDN'T MAKE THIS UP, THIS IS A REAL THING, CAN'T WAIT TO SEE DUNE 2 ♪ 580 00:21:44,926 --> 00:21:47,493 IS A REAL THING, CAN'T WAIT TO SEE DUNE 2 ♪ ♪ EATING POPCORN OUT OF MY 581 00:21:47,495 --> 00:21:48,260 SEE DUNE 2 ♪ ♪ EATING POPCORN OUT OF MY BUCKET, THEN I'LL TAKE IT HOME 582 00:21:48,262 --> 00:21:52,431 ♪ EATING POPCORN OUT OF MY BUCKET, THEN I'LL TAKE IT HOME AND [ BLEEP ] IT ♪ 583 00:21:52,433 --> 00:21:56,736 BUCKET, THEN I'LL TAKE IT HOME AND [ BLEEP ] IT ♪ [ CHEERS AND APPLAUSE ] 584 00:21:56,738 --> 00:21:58,204 AND [ BLEEP ] IT ♪ [ CHEERS AND APPLAUSE ] >>> I KNEW GRAD SCHOOL WAS GOING 585 00:21:58,206 --> 00:21:59,805 [ CHEERS AND APPLAUSE ] >>> I KNEW GRAD SCHOOL WAS GOING TO BE TOUGH, BUT NO ONE SAID IT 586 00:21:59,807 --> 00:22:02,408 >>> I KNEW GRAD SCHOOL WAS GOING TO BE TOUGH, BUT NO ONE SAID IT WAS GOING TO BE PAINFUL. 587 00:22:02,410 --> 00:22:04,243 TO BE TOUGH, BUT NO ONE SAID IT WAS GOING TO BE PAINFUL. MY BACKPACK SO SO HEAVY. 588 00:22:04,245 --> 00:22:06,278 WAS GOING TO BE PAINFUL. MY BACKPACK SO SO HEAVY. >> I DON'T KNOW WHAT YOU MEAN AS 589 00:22:06,280 --> 00:22:08,714 MY BACKPACK SO SO HEAVY. >> I DON'T KNOW WHAT YOU MEAN AS MY BACKPACK FALLS OFF FROM THE 590 00:22:08,716 --> 00:22:09,015 >> I DON'T KNOW WHAT YOU MEAN AS MY BACKPACK FALLS OFF FROM THE PAIN. 591 00:22:09,017 --> 00:22:11,917 MY BACKPACK FALLS OFF FROM THE PAIN. >> IT WAS SO NICE FOR PROFESSOR 592 00:22:11,919 --> 00:22:14,153 PAIN. >> IT WAS SO NICE FOR PROFESSOR COLLIN TO ASSIGN DOUBLE READING 593 00:22:14,155 --> 00:22:14,553 >> IT WAS SO NICE FOR PROFESSOR COLLIN TO ASSIGN DOUBLE READING THIS WEEK. 594 00:22:14,555 --> 00:22:15,388 COLLIN TO ASSIGN DOUBLE READING THIS WEEK. >> REMEMBER HAVING A LIFE? 595 00:22:15,390 --> 00:22:16,122 THIS WEEK. >> REMEMBER HAVING A LIFE? >> NO. 596 00:22:16,124 --> 00:22:17,723 >> REMEMBER HAVING A LIFE? >> NO. WHAT'S THIS LIFE YOU SPEAK OF? 597 00:22:17,725 --> 00:22:20,960 >> NO. WHAT'S THIS LIFE YOU SPEAK OF? >> HILARIOUS, DOUGLAS. 598 00:22:20,962 --> 00:22:22,595 WHAT'S THIS LIFE YOU SPEAK OF? >> HILARIOUS, DOUGLAS. ZACHARY'S NOT STRESSED AT ALL. 599 00:22:22,597 --> 00:22:24,897 >> HILARIOUS, DOUGLAS. ZACHARY'S NOT STRESSED AT ALL. >> I GAVE MYSELF A TREAT BEFORE 600 00:22:24,899 --> 00:22:27,566 ZACHARY'S NOT STRESSED AT ALL. >> I GAVE MYSELF A TREAT BEFORE A WEEKEND IN THE TRENCHES. 601 00:22:27,568 --> 00:22:35,041 >> I GAVE MYSELF A TREAT BEFORE A WEEKEND IN THE TRENCHES. TROY GAVE ME A SHROOM AND I HALF 602 00:22:35,043 --> 00:22:35,341 A WEEKEND IN THE TRENCHES. TROY GAVE ME A SHROOM AND I HALF DOSED. 603 00:22:35,343 --> 00:22:36,609 TROY GAVE ME A SHROOM AND I HALF DOSED. NEVER DONE IT BEFORE, AND THE 604 00:22:36,611 --> 00:22:37,476 DOSED. NEVER DONE IT BEFORE, AND THE HYPE IS REAL. 605 00:22:37,478 --> 00:22:39,078 NEVER DONE IT BEFORE, AND THE HYPE IS REAL. >> YOU'RE JOKING, RIGHT? 606 00:22:39,080 --> 00:22:39,812 HYPE IS REAL. >> YOU'RE JOKING, RIGHT? >> NO. 607 00:22:39,814 --> 00:22:42,481 >> YOU'RE JOKING, RIGHT? >> NO. I TOOK A LITTLE PIECE RIGHT 608 00:22:42,483 --> 00:22:43,215 >> NO. I TOOK A LITTLE PIECE RIGHT AFTER GREEK LIT DISCUSSION. 609 00:22:43,217 --> 00:22:43,682 I TOOK A LITTLE PIECE RIGHT AFTER GREEK LIT DISCUSSION. >> OH, MY GOD. 610 00:22:43,684 --> 00:22:47,153 AFTER GREEK LIT DISCUSSION. >> OH, MY GOD. YOU'RE HIGH! 611 00:22:47,155 --> 00:22:48,988 >> OH, MY GOD. YOU'RE HIGH! >> I WOULD SAY MORE RELAXED. 612 00:22:48,990 --> 00:22:51,390 YOU'RE HIGH! >> I WOULD SAY MORE RELAXED. WHAT'S THE ISSUE? 613 00:22:51,392 --> 00:22:53,292 >> I WOULD SAY MORE RELAXED. WHAT'S THE ISSUE? >> UM, YOU'RE HIGH ON DRUGS! 614 00:22:53,294 --> 00:22:55,227 WHAT'S THE ISSUE? >> UM, YOU'RE HIGH ON DRUGS! DON'T YOU HAVE TO DRIVE 615 00:22:55,229 --> 00:22:55,594 >> UM, YOU'RE HIGH ON DRUGS! DON'T YOU HAVE TO DRIVE TOMORROW? 616 00:22:55,596 --> 00:22:58,297 DON'T YOU HAVE TO DRIVE TOMORROW? >> I ATE A CHUNK OF A MUSHROOM. 617 00:22:58,299 --> 00:23:01,767 TOMORROW? >> I ATE A CHUNK OF A MUSHROOM. I'M NOT OUT HERE SHOOTING UP 618 00:23:01,769 --> 00:23:02,168 >> I ATE A CHUNK OF A MUSHROOM. I'M NOT OUT HERE SHOOTING UP HEROIN. 619 00:23:02,170 --> 00:23:03,602 I'M NOT OUT HERE SHOOTING UP HEROIN. >> THAT MIGHT RAISE AN EYEBROW 620 00:23:03,604 --> 00:23:04,070 HEROIN. >> THAT MIGHT RAISE AN EYEBROW OR TWO. 621 00:23:04,072 --> 00:23:06,038 >> THAT MIGHT RAISE AN EYEBROW OR TWO. >> IT'S NOT FUNNY, LUCAS! 622 00:23:06,040 --> 00:23:08,407 OR TWO. >> IT'S NOT FUNNY, LUCAS! >> HEY, DUDE, IT'S NOT A BIG -- 623 00:23:08,409 --> 00:23:09,975 >> IT'S NOT FUNNY, LUCAS! >> HEY, DUDE, IT'S NOT A BIG -- >> DON'T TOUCH ME! 624 00:23:09,977 --> 00:23:12,144 >> HEY, DUDE, IT'S NOT A BIG -- >> DON'T TOUCH ME! >> KEEP YOUR DISTANCE. 625 00:23:12,146 --> 00:23:13,245 >> DON'T TOUCH ME! >> KEEP YOUR DISTANCE. HE'S TWEAKING! 626 00:23:13,247 --> 00:23:17,016 >> KEEP YOUR DISTANCE. HE'S TWEAKING! >> YOU GUYS, THIS IS THE ONLY 627 00:23:17,018 --> 00:23:17,750 HE'S TWEAKING! >> YOU GUYS, THIS IS THE ONLY TIME I'VE EVER DONE DRUGS SINCE 628 00:23:17,752 --> 00:23:19,418 >> YOU GUYS, THIS IS THE ONLY TIME I'VE EVER DONE DRUGS SINCE I TOOK LIKE HALF A MOLLY IN HIGH 629 00:23:19,420 --> 00:23:19,752 TIME I'VE EVER DONE DRUGS SINCE I TOOK LIKE HALF A MOLLY IN HIGH SCHOOL. 630 00:23:19,754 --> 00:23:21,654 I TOOK LIKE HALF A MOLLY IN HIGH SCHOOL. >> SO YOU'RE RELAPSING. 631 00:23:21,656 --> 00:23:25,825 SCHOOL. >> SO YOU'RE RELAPSING. >> COME ON, LET'S GO TO CAMPUS 632 00:23:25,827 --> 00:23:26,325 >> SO YOU'RE RELAPSING. >> COME ON, LET'S GO TO CAMPUS MEDICAL SERVICES. 633 00:23:26,327 --> 00:23:27,226 >> COME ON, LET'S GO TO CAMPUS MEDICAL SERVICES. THEY HAVE RESOURCES THERE TO 634 00:23:27,228 --> 00:23:27,893 MEDICAL SERVICES. THEY HAVE RESOURCES THERE TO HELP YOU GET CLEAN. 635 00:23:27,895 --> 00:23:29,762 THEY HAVE RESOURCES THERE TO HELP YOU GET CLEAN. >> YOU GUYS, HE DOESN'T NEED 636 00:23:29,764 --> 00:23:30,062 HELP YOU GET CLEAN. >> YOU GUYS, HE DOESN'T NEED HELP. 637 00:23:30,064 --> 00:23:34,400 >> YOU GUYS, HE DOESN'T NEED HELP. >> YEAH, UNTIL HE ODs ON MICRO 638 00:23:34,402 --> 00:23:34,733 HELP. >> YEAH, UNTIL HE ODs ON MICRO DOSES. 639 00:23:34,735 --> 00:23:36,168 >> YEAH, UNTIL HE ODs ON MICRO DOSES. >> YOU GUYS SHOULD TRY IT. 640 00:23:36,170 --> 00:23:37,736 DOSES. >> YOU GUYS SHOULD TRY IT. >> OH, REALLY? 641 00:23:37,738 --> 00:23:38,737 >> YOU GUYS SHOULD TRY IT. >> OH, REALLY? ACTUALLY, I'M GETTING REALLY 642 00:23:38,739 --> 00:23:40,639 >> OH, REALLY? ACTUALLY, I'M GETTING REALLY HIGH OFF THIS NEW CRAZY DRUG 643 00:23:40,641 --> 00:23:42,475 ACTUALLY, I'M GETTING REALLY HIGH OFF THIS NEW CRAZY DRUG CALLED PLAYING A SPORT I ENJOY. 644 00:23:42,477 --> 00:23:46,612 HIGH OFF THIS NEW CRAZY DRUG CALLED PLAYING A SPORT I ENJOY. UP TOP. 645 00:23:46,614 --> 00:23:49,148 CALLED PLAYING A SPORT I ENJOY. UP TOP. PICKLE BALL DOUBLES WITH MY 646 00:23:49,150 --> 00:23:50,616 UP TOP. PICKLE BALL DOUBLES WITH MY MOM'S BEST FRIEND PATTY. 647 00:23:50,618 --> 00:23:52,785 PICKLE BALL DOUBLES WITH MY MOM'S BEST FRIEND PATTY. >> HEY, ZACHARY, LOOK, I FOUND 648 00:23:52,787 --> 00:23:55,154 MOM'S BEST FRIEND PATTY. >> HEY, ZACHARY, LOOK, I FOUND THE PLACE YOUR LIFE IS GOING, IN 649 00:23:55,156 --> 00:23:55,688 >> HEY, ZACHARY, LOOK, I FOUND THE PLACE YOUR LIFE IS GOING, IN THE GARBAGE. 650 00:23:55,690 --> 00:23:57,690 THE PLACE YOUR LIFE IS GOING, IN THE GARBAGE. >> I DID NOT KNOW HOW STRAIGHT 651 00:23:57,692 --> 00:23:58,924 THE GARBAGE. >> I DID NOT KNOW HOW STRAIGHT EDGED YOU GUYS WERE. 652 00:23:58,926 --> 00:24:01,193 >> I DID NOT KNOW HOW STRAIGHT EDGED YOU GUYS WERE. >> I WOULD RATHER BE STRAIGHT 653 00:24:01,195 --> 00:24:02,761 EDGED YOU GUYS WERE. >> I WOULD RATHER BE STRAIGHT EDGED THAN SHARING MUSHROOM 654 00:24:02,763 --> 00:24:04,163 >> I WOULD RATHER BE STRAIGHT EDGED THAN SHARING MUSHROOM NEEDLES WITH A JUNKY. 655 00:24:04,165 --> 00:24:04,697 EDGED THAN SHARING MUSHROOM NEEDLES WITH A JUNKY. >> YEAH. 656 00:24:04,699 --> 00:24:06,799 NEEDLES WITH A JUNKY. >> YEAH. COME ON, GUYS. 657 00:24:06,801 --> 00:24:08,634 >> YEAH. COME ON, GUYS. LET'S LEAVE ZACHARY TO DO HIS 658 00:24:08,636 --> 00:24:10,136 COME ON, GUYS. LET'S LEAVE ZACHARY TO DO HIS DOSES IN PEACE. 659 00:24:10,138 --> 00:24:15,474 LET'S LEAVE ZACHARY TO DO HIS DOSES IN PEACE. GO GRAB A HOT PIZZA PIE AND SOME 660 00:24:15,476 --> 00:24:16,375 DOSES IN PEACE. GO GRAB A HOT PIZZA PIE AND SOME FROSTY SODAS. 661 00:24:16,377 --> 00:24:18,244 GO GRAB A HOT PIZZA PIE AND SOME FROSTY SODAS. >> THAT SOUNDS GOOD. 662 00:24:18,246 --> 00:24:21,046 FROSTY SODAS. >> THAT SOUNDS GOOD. EXTRA CHEESE, PEPPERONI, AND NO 663 00:24:21,048 --> 00:24:21,413 >> THAT SOUNDS GOOD. EXTRA CHEESE, PEPPERONI, AND NO MUSHROOMS. 664 00:24:21,415 --> 00:24:22,047 EXTRA CHEESE, PEPPERONI, AND NO MUSHROOMS. COME ON, GUYS. 665 00:24:22,049 --> 00:24:23,149 MUSHROOMS. COME ON, GUYS. >> COME ON, GUYS. 666 00:24:23,151 --> 00:24:24,316 COME ON, GUYS. >> COME ON, GUYS. >> COME ON, GUYS. 667 00:24:24,318 --> 00:24:26,418 >> COME ON, GUYS. >> COME ON, GUYS. >> COME ON, GUYS. 668 00:24:26,420 --> 00:24:30,222 >> COME ON, GUYS. >> COME ON, GUYS. >> WHY ARE CLAY AND SASHA SO 669 00:24:30,224 --> 00:24:31,891 >> COME ON, GUYS. >> WHY ARE CLAY AND SASHA SO 1990s PSA ABOUT DRUGS? 670 00:24:31,893 --> 00:24:32,892 >> WHY ARE CLAY AND SASHA SO 1990s PSA ABOUT DRUGS? >> I DON'T KNOW. 671 00:24:32,894 --> 00:24:36,095 1990s PSA ABOUT DRUGS? >> I DON'T KNOW. I GUESS THE DARE PROGRAM REALLY 672 00:24:36,097 --> 00:24:36,562 >> I DON'T KNOW. I GUESS THE DARE PROGRAM REALLY WORKED ON THEM. 673 00:24:36,564 --> 00:24:38,030 I GUESS THE DARE PROGRAM REALLY WORKED ON THEM. >> IT'S SO WEIRD BECAUSE THEY 674 00:24:38,032 --> 00:24:38,797 WORKED ON THEM. >> IT'S SO WEIRD BECAUSE THEY BOTH DRINK EVERY NIGHT. 675 00:24:38,799 --> 00:24:39,431 >> IT'S SO WEIRD BECAUSE THEY BOTH DRINK EVERY NIGHT. >> WEIRD. 676 00:24:39,433 --> 00:24:41,867 BOTH DRINK EVERY NIGHT. >> WEIRD. YOU GUYS WANT ANY SHROOMS FOR 677 00:24:41,869 --> 00:24:42,201 >> WEIRD. YOU GUYS WANT ANY SHROOMS FOR TONIGHT? 678 00:24:42,203 --> 00:24:42,535 YOU GUYS WANT ANY SHROOMS FOR TONIGHT? >> YEAH. 679 00:24:42,537 --> 00:24:44,837 TONIGHT? >> YEAH. >> YOU GUYS COMING OR -- 680 00:24:44,839 --> 00:24:46,405 >> YEAH. >> YOU GUYS COMING OR -- >> COME ON, GUYS. 681 00:24:46,407 --> 00:24:48,407 >> YOU GUYS COMING OR -- >> COME ON, GUYS. >> SO YOU'RE DEALING NOW? 682 00:24:48,409 --> 00:24:51,944 >> COME ON, GUYS. >> SO YOU'RE DEALING NOW? >> YES, CLAY, I BROKE BAD. 683 00:24:51,946 --> 00:24:55,147 >> SO YOU'RE DEALING NOW? >> YES, CLAY, I BROKE BAD. I'M UC IRVINE'S EL CHAPO. 684 00:24:55,149 --> 00:24:58,217 >> YES, CLAY, I BROKE BAD. I'M UC IRVINE'S EL CHAPO. >> I'M SORRY ZACHARY, SOME DAY 685 00:24:58,219 --> 00:25:00,219 I'M UC IRVINE'S EL CHAPO. >> I'M SORRY ZACHARY, SOME DAY YOU'LL THANK ME FOR THIS. 686 00:25:00,221 --> 00:25:01,854 >> I'M SORRY ZACHARY, SOME DAY YOU'LL THANK ME FOR THIS. OFFICER, HE MICRO DOSED A MUCH 687 00:25:01,856 --> 00:25:02,154 YOU'LL THANK ME FOR THIS. OFFICER, HE MICRO DOSED A MUCH ROOM. 688 00:25:02,156 --> 00:25:02,488 OFFICER, HE MICRO DOSED A MUCH ROOM. >> BET. 689 00:25:02,490 --> 00:25:04,490 ROOM. >> BET. >> WHAT? 690 00:25:04,492 --> 00:25:05,257 >> BET. >> WHAT? >> OFFICER! 691 00:25:05,259 --> 00:25:05,891 >> WHAT? >> OFFICER! >> WHAT? 692 00:25:05,893 --> 00:25:09,094 >> OFFICER! >> WHAT? >> OFFICER, SIR! 693 00:25:09,096 --> 00:25:10,763 >> WHAT? >> OFFICER, SIR! ZACHARY, GIVE ME YOUR BAG OF 694 00:25:10,765 --> 00:25:11,197 >> OFFICER, SIR! ZACHARY, GIVE ME YOUR BAG OF DRUGS, PLEASE! 695 00:25:11,199 --> 00:25:13,199 ZACHARY, GIVE ME YOUR BAG OF DRUGS, PLEASE! >> NO. 696 00:25:13,201 --> 00:25:15,701 DRUGS, PLEASE! >> NO. >> ZACHARY, WE'RE ONLY GOING TO 697 00:25:15,703 --> 00:25:18,737 >> NO. >> ZACHARY, WE'RE ONLY GOING TO ASK YOU THIS NINE MORE TIMES. 698 00:25:18,739 --> 00:25:20,773 >> ZACHARY, WE'RE ONLY GOING TO ASK YOU THIS NINE MORE TIMES. GIVE US YOUR BAGGY OF DRUGS 699 00:25:20,775 --> 00:25:21,473 ASK YOU THIS NINE MORE TIMES. GIVE US YOUR BAGGY OF DRUGS RIGHT NOW! 700 00:25:21,475 --> 00:25:23,576 GIVE US YOUR BAGGY OF DRUGS RIGHT NOW! >> IT'S NOT EVEN A BAGGY. 701 00:25:23,578 --> 00:25:24,510 RIGHT NOW! >> IT'S NOT EVEN A BAGGY. IT'S A CHOCOLATE BAR. 702 00:25:24,512 --> 00:25:26,845 >> IT'S NOT EVEN A BAGGY. IT'S A CHOCOLATE BAR. >> WOW, HE'S SO HIGH, HE THINKS 703 00:25:26,847 --> 00:25:30,149 IT'S A CHOCOLATE BAR. >> WOW, HE'S SO HIGH, HE THINKS HIS DRUGS ARE A CHOCOLATE BAR. 704 00:25:30,151 --> 00:25:30,649 >> WOW, HE'S SO HIGH, HE THINKS HIS DRUGS ARE A CHOCOLATE BAR. MM, YUMMY. 705 00:25:30,651 --> 00:25:32,818 HIS DRUGS ARE A CHOCOLATE BAR. MM, YUMMY. >> YOU ARE SO HIGH, YOU THINK 706 00:25:32,820 --> 00:25:34,386 MM, YUMMY. >> YOU ARE SO HIGH, YOU THINK THIS IS CHOCOLATE. 707 00:25:34,388 --> 00:25:36,922 >> YOU ARE SO HIGH, YOU THINK THIS IS CHOCOLATE. MM, AND IT'S DISGUSTING TOO. 708 00:25:36,924 --> 00:25:38,624 THIS IS CHOCOLATE. MM, AND IT'S DISGUSTING TOO. NOW I THINK IT'S TIME TO GET 709 00:25:38,626 --> 00:25:40,826 MM, AND IT'S DISGUSTING TOO. NOW I THINK IT'S TIME TO GET THAT HOT PIZZA PIE AND SOME 710 00:25:40,828 --> 00:25:41,694 NOW I THINK IT'S TIME TO GET THAT HOT PIZZA PIE AND SOME FROSTY SODAS. 711 00:25:41,696 --> 00:25:42,561 THAT HOT PIZZA PIE AND SOME FROSTY SODAS. >> YEAH. 712 00:25:42,563 --> 00:25:45,965 FROSTY SODAS. >> YEAH. AND NO JUNKYS ALLOWED ME THINKS. 713 00:25:45,967 --> 00:25:46,632 >> YEAH. AND NO JUNKYS ALLOWED ME THINKS. COME ON, GUYS. 714 00:25:46,634 --> 00:25:47,800 AND NO JUNKYS ALLOWED ME THINKS. COME ON, GUYS. >> COME ON, GUYS. 715 00:25:47,802 --> 00:25:49,902 COME ON, GUYS. >> COME ON, GUYS. >> I DON'T WANT TO HANG OUT WITH 716 00:25:49,904 --> 00:25:52,137 >> COME ON, GUYS. >> I DON'T WANT TO HANG OUT WITH THOSE GUYS, BUT I DO THINK WE 717 00:25:52,139 --> 00:25:53,606 >> I DON'T WANT TO HANG OUT WITH THOSE GUYS, BUT I DO THINK WE SHOULD SEE WHAT HAPPENS WHEN 718 00:25:53,608 --> 00:25:54,506 THOSE GUYS, BUT I DO THINK WE SHOULD SEE WHAT HAPPENS WHEN THAT KICKS IN. 719 00:25:54,508 --> 00:25:54,907 SHOULD SEE WHAT HAPPENS WHEN THAT KICKS IN. >> OH, YEAH. 720 00:25:54,909 --> 00:25:58,577 THAT KICKS IN. >> OH, YEAH. WAIT UP, GUYS. 721 00:26:28,224 --> 00:26:31,894 >>> GOOD MORNING BIG APPLE. YOU'RE WATCHING NEW YORK MORNING NEWS. 722 00:26:31,896 --> 00:26:34,363 YOU'RE WATCHING NEW YORK MORNING NEWS. I'M YOUR HOST HANNAH JENNINGS. 723 00:26:34,365 --> 00:26:35,931 NEWS. I'M YOUR HOST HANNAH JENNINGS. >> AND I'M KEITH MICHAELS. 724 00:26:35,933 --> 00:26:37,933 I'M YOUR HOST HANNAH JENNINGS. >> AND I'M KEITH MICHAELS. >> OUR TOP STORY TODAY, IT IS 725 00:26:37,935 --> 00:26:39,368 >> AND I'M KEITH MICHAELS. >> OUR TOP STORY TODAY, IT IS ALMOST VALENTINE'S DAY. 726 00:26:39,370 --> 00:26:40,836 >> OUR TOP STORY TODAY, IT IS ALMOST VALENTINE'S DAY. >> TO GET EVERYONE IN THE MOOD, 727 00:26:40,838 --> 00:26:43,572 ALMOST VALENTINE'S DAY. >> TO GET EVERYONE IN THE MOOD, WE'RE GOING TO CHECK IN WITH OUR 728 00:26:43,574 --> 00:26:45,140 >> TO GET EVERYONE IN THE MOOD, WE'RE GOING TO CHECK IN WITH OUR ROMANCE REPORTER DANNY LOVE. 729 00:26:45,142 --> 00:26:50,079 WE'RE GOING TO CHECK IN WITH OUR ROMANCE REPORTER DANNY LOVE. >> WHEN HARRY MET SALLY, MAID IN 730 00:26:50,081 --> 00:26:51,380 ROMANCE REPORTER DANNY LOVE. >> WHEN HARRY MET SALLY, MAID IN MANHATTAN, THE GOD FATHER, SO 731 00:26:51,382 --> 00:27:00,356 >> WHEN HARRY MET SALLY, MAID IN MANHATTAN, THE GOD FATHER, SO MANY ICONIC ROM COMS WERE SET 732 00:27:00,358 --> 00:27:02,057 MANHATTAN, THE GOD FATHER, SO MANY ICONIC ROM COMS WERE SET HERE IN NEW YORK CITY. 733 00:27:02,059 --> 00:27:03,659 MANY ICONIC ROM COMS WERE SET HERE IN NEW YORK CITY. I'M GOING TO TRY TO GET SOME 734 00:27:03,661 --> 00:27:05,027 HERE IN NEW YORK CITY. I'M GOING TO TRY TO GET SOME MEET CUTES. 735 00:27:05,029 --> 00:27:09,264 I'M GOING TO TRY TO GET SOME MEET CUTES. HELLO, ARE YOU GUYS TOGETHER? 736 00:27:09,266 --> 00:27:10,632 MEET CUTES. HELLO, ARE YOU GUYS TOGETHER? 737 00:27:10,634 --> 00:27:11,233 HELLO, ARE YOU GUYS TOGETHER? 738 00:27:11,235 --> 00:27:13,135 >> YEAH, TWO YEARS. >> HOW DID YOU TWO MEET? 739 00:27:13,137 --> 00:27:16,839 >> YEAH, TWO YEARS. >> HOW DID YOU TWO MEET? >> THE FOR REAL STORY? 740 00:27:16,841 --> 00:27:19,708 >> HOW DID YOU TWO MEET? >> THE FOR REAL STORY? >> YEAH, SPILL THE TEA. 741 00:27:19,710 --> 00:27:20,909 >> THE FOR REAL STORY? >> YEAH, SPILL THE TEA. >> WE WERE BOTH WITH OTHER 742 00:27:20,911 --> 00:27:22,511 >> YEAH, SPILL THE TEA. >> WE WERE BOTH WITH OTHER PEOPLE AND CHEATED WITH EACH 743 00:27:22,513 --> 00:27:22,845 >> WE WERE BOTH WITH OTHER PEOPLE AND CHEATED WITH EACH OTHER. 744 00:27:22,847 --> 00:27:24,613 PEOPLE AND CHEATED WITH EACH OTHER. >> AND I GOT PREGNANT. 745 00:27:24,615 --> 00:27:26,248 OTHER. >> AND I GOT PREGNANT. >> AND I'M RICH, SO NOW THIS IS 746 00:27:26,250 --> 00:27:26,715 >> AND I GOT PREGNANT. >> AND I'M RICH, SO NOW THIS IS OUR FAMILY. 747 00:27:26,717 --> 00:27:28,017 >> AND I'M RICH, SO NOW THIS IS OUR FAMILY. >> GOOD FOR YOU. 748 00:27:28,019 --> 00:27:28,951 OUR FAMILY. >> GOOD FOR YOU. THANK YOU SO MUCH. 749 00:27:28,953 --> 00:27:29,852 >> GOOD FOR YOU. THANK YOU SO MUCH. MOVING ON. 750 00:27:29,854 --> 00:27:30,986 THANK YOU SO MUCH. MOVING ON. HELLO THERE. 751 00:27:30,988 --> 00:27:31,453 MOVING ON. HELLO THERE. HI. 752 00:27:31,455 --> 00:27:32,488 HELLO THERE. HI. ARE YOU TWO A COUPLE? 753 00:27:32,490 --> 00:27:33,355 HI. ARE YOU TWO A COUPLE? >> THAT'S RIGHT. 754 00:27:33,357 --> 00:27:36,125 ARE YOU TWO A COUPLE? >> THAT'S RIGHT. >> TELL ME, HOW WAS YOUR ROMANCE 755 00:27:36,127 --> 00:27:37,659 >> THAT'S RIGHT. >> TELL ME, HOW WAS YOUR ROMANCE FIRST STARTED? 756 00:27:37,661 --> 00:27:39,428 >> TELL ME, HOW WAS YOUR ROMANCE FIRST STARTED? NEIGHBORS, CUPID, TINDER? 757 00:27:39,430 --> 00:27:41,864 FIRST STARTED? NEIGHBORS, CUPID, TINDER? >> HE WAS MY PROFESSOR, AND MY 758 00:27:41,866 --> 00:27:43,032 NEIGHBORS, CUPID, TINDER? >> HE WAS MY PROFESSOR, AND MY DAD HAD JUST DIED. 759 00:27:43,034 --> 00:27:43,365 >> HE WAS MY PROFESSOR, AND MY DAD HAD JUST DIED. >> WOW. 760 00:27:43,367 --> 00:27:43,665 DAD HAD JUST DIED. >> WOW. OKAY. 761 00:27:43,667 --> 00:27:46,835 >> WOW. OKAY. THAT IS BEAUTIFUL. 762 00:27:46,837 --> 00:27:48,437 OKAY. THAT IS BEAUTIFUL. HELLO YOU TWO, HI. 763 00:27:48,439 --> 00:27:51,206 THAT IS BEAUTIFUL. HELLO YOU TWO, HI. YOU GUYS LOOK LIKE YOU LIKE EACH 764 00:27:51,208 --> 00:27:51,540 HELLO YOU TWO, HI. YOU GUYS LOOK LIKE YOU LIKE EACH OTHER. 765 00:27:51,542 --> 00:27:53,842 YOU GUYS LOOK LIKE YOU LIKE EACH OTHER. >> LIKE? 766 00:27:53,844 --> 00:27:55,744 OTHER. >> LIKE? I WOULD LITERALLY PERISH WITHOUT 767 00:27:55,746 --> 00:27:56,045 >> LIKE? I WOULD LITERALLY PERISH WITHOUT HIM. 768 00:27:56,047 --> 00:27:58,247 I WOULD LITERALLY PERISH WITHOUT HIM. >> NOBODY MAKES ME LAUGH LIKE 769 00:27:58,249 --> 00:27:58,547 HIM. >> NOBODY MAKES ME LAUGH LIKE HER. 770 00:27:58,549 --> 00:28:02,284 >> NOBODY MAKES ME LAUGH LIKE HER. >> HE'S THE BEST PART OF MY DAY. 771 00:28:02,286 --> 00:28:05,687 HER. >> HE'S THE BEST PART OF MY DAY. >> THAT IS CUTE CUTE AS HELL. 772 00:28:05,689 --> 00:28:08,724 >> HE'S THE BEST PART OF MY DAY. >> THAT IS CUTE CUTE AS HELL. HOW DID YOU START DATING? 773 00:28:08,726 --> 00:28:10,092 >> THAT IS CUTE CUTE AS HELL. HOW DID YOU START DATING? >> WE AREN'T DATING. 774 00:28:10,094 --> 00:28:11,193 HOW DID YOU START DATING? >> WE AREN'T DATING. WE WORK TOGETHER. 775 00:28:11,195 --> 00:28:12,561 >> WE AREN'T DATING. WE WORK TOGETHER. >> BUT WE TEXT EVERY DAY. 776 00:28:12,563 --> 00:28:14,530 WE WORK TOGETHER. >> BUT WE TEXT EVERY DAY. >> AND WE HAVE SEX AS WELL. 777 00:28:14,532 --> 00:28:15,564 >> BUT WE TEXT EVERY DAY. >> AND WE HAVE SEX AS WELL. >> THANK YOU VERY MUCH. 778 00:28:15,566 --> 00:28:17,199 >> AND WE HAVE SEX AS WELL. >> THANK YOU VERY MUCH. LOOKING FOR A NORMAL LOVE STORY. 779 00:28:17,201 --> 00:28:20,202 >> THANK YOU VERY MUCH. LOOKING FOR A NORMAL LOVE STORY. HOW ABOUT YOU TWO? 780 00:28:20,204 --> 00:28:20,769 LOOKING FOR A NORMAL LOVE STORY. HOW ABOUT YOU TWO? ARE YOU TWO A COUPLE? 781 00:28:20,771 --> 00:28:21,503 HOW ABOUT YOU TWO? ARE YOU TWO A COUPLE? >> THIS IS MY SISTER. 782 00:28:21,505 --> 00:28:23,238 ARE YOU TWO A COUPLE? >> THIS IS MY SISTER. I'M KIDDING. 783 00:28:23,240 --> 00:28:25,340 >> THIS IS MY SISTER. I'M KIDDING. SHE'S MY GIRLFRIEND -- AS WELL. 784 00:28:25,342 --> 00:28:27,876 I'M KIDDING. SHE'S MY GIRLFRIEND -- AS WELL. >> WHAT? 785 00:28:27,878 --> 00:28:28,143 SHE'S MY GIRLFRIEND -- AS WELL. >> WHAT? NO. 786 00:28:28,145 --> 00:28:28,410 >> WHAT? NO. GO. 787 00:28:28,412 --> 00:28:28,677 NO. GO. NO. 788 00:28:28,679 --> 00:28:29,812 GO. NO. VIEWERS AT HOME, FIND HIS JOB 789 00:28:29,814 --> 00:28:30,946 NO. VIEWERS AT HOME, FIND HIS JOB AND TELL THEM. 790 00:28:30,948 --> 00:28:31,814 VIEWERS AT HOME, FIND HIS JOB AND TELL THEM. OH, HELLO. 791 00:28:31,816 --> 00:28:32,815 AND TELL THEM. OH, HELLO. LOOK AT YOU TWO. 792 00:28:32,817 --> 00:28:35,717 OH, HELLO. LOOK AT YOU TWO. OH, YOU GUYS LOOK VERY CUTE AND 793 00:28:35,719 --> 00:28:36,452 LOOK AT YOU TWO. OH, YOU GUYS LOOK VERY CUTE AND HOPEFULLY NORMAL. 794 00:28:36,454 --> 00:28:37,419 OH, YOU GUYS LOOK VERY CUTE AND HOPEFULLY NORMAL. ARE YOU GUYS TOGETHER? 795 00:28:37,421 --> 00:28:38,887 HOPEFULLY NORMAL. ARE YOU GUYS TOGETHER? >> YOU BET. 796 00:28:38,889 --> 00:28:40,823 ARE YOU GUYS TOGETHER? >> YOU BET. AND WE FALL MORE AND MORE IN 797 00:28:40,825 --> 00:28:43,559 >> YOU BET. AND WE FALL MORE AND MORE IN LOVE EVERY SINGLE DAY, WHICH IS 798 00:28:43,561 --> 00:28:45,928 AND WE FALL MORE AND MORE IN LOVE EVERY SINGLE DAY, WHICH IS CRAZY BECAUSE WHEN WE MET WE 799 00:28:45,930 --> 00:28:47,696 LOVE EVERY SINGLE DAY, WHICH IS CRAZY BECAUSE WHEN WE MET WE DIDN'T EVEN LIKE EACH OTHER AT 800 00:28:47,698 --> 00:28:47,996 CRAZY BECAUSE WHEN WE MET WE DIDN'T EVEN LIKE EACH OTHER AT ALL. 801 00:28:47,998 --> 00:28:49,798 DIDN'T EVEN LIKE EACH OTHER AT ALL. >> WAS THIS ONE OF THOSE 802 00:28:49,800 --> 00:28:50,999 ALL. >> WAS THIS ONE OF THOSE SITUATIONS WHERE YOU HAVE TO 803 00:28:51,001 --> 00:28:52,367 >> WAS THIS ONE OF THOSE SITUATIONS WHERE YOU HAVE TO PRETEND TO BE EACH OTHER'S 804 00:28:52,369 --> 00:28:54,136 SITUATIONS WHERE YOU HAVE TO PRETEND TO BE EACH OTHER'S WEDDING DATES EVEN THOUGH YOU 805 00:28:54,138 --> 00:28:55,337 PRETEND TO BE EACH OTHER'S WEDDING DATES EVEN THOUGH YOU HATE EACH OTHER? 806 00:28:55,339 --> 00:28:56,271 WEDDING DATES EVEN THOUGH YOU HATE EACH OTHER? >> KIND OF. 807 00:28:56,273 --> 00:28:58,006 HATE EACH OTHER? >> KIND OF. OUR MARRIAGE WAS ARRANGED BY OUR 808 00:28:58,008 --> 00:28:58,340 >> KIND OF. OUR MARRIAGE WAS ARRANGED BY OUR LEADER. 809 00:28:58,342 --> 00:29:01,009 OUR MARRIAGE WAS ARRANGED BY OUR LEADER. HE POINTED AT US AND SAID YOU 810 00:29:01,011 --> 00:29:01,610 LEADER. HE POINTED AT US AND SAID YOU TWO ARE MARRIED NOW. 811 00:29:01,612 --> 00:29:03,412 HE POINTED AT US AND SAID YOU TWO ARE MARRIED NOW. >> NO. 812 00:29:03,414 --> 00:29:03,979 TWO ARE MARRIED NOW. >> NO. NO THANK YOU. 813 00:29:03,981 --> 00:29:07,216 >> NO. NO THANK YOU. I'M NOT LEAVING UNTIL I FIND 814 00:29:07,218 --> 00:29:08,650 NO THANK YOU. I'M NOT LEAVING UNTIL I FIND SOMEONE SWEET. 815 00:29:08,652 --> 00:29:08,951 I'M NOT LEAVING UNTIL I FIND SOMEONE SWEET. HELLO. 816 00:29:08,953 --> 00:29:09,218 SOMEONE SWEET. HELLO. HI. 817 00:29:09,220 --> 00:29:10,219 HELLO. HI. ARE YOU GUYS A COUPLE? 818 00:29:10,221 --> 00:29:10,919 HI. ARE YOU GUYS A COUPLE? >> YEAH, THAT'S RIGHT. 819 00:29:10,921 --> 00:29:12,588 ARE YOU GUYS A COUPLE? >> YEAH, THAT'S RIGHT. >> OKAY. 820 00:29:12,590 --> 00:29:15,357 >> YEAH, THAT'S RIGHT. >> OKAY. AND WHAT KEEPS YOU GUYS 821 00:29:15,359 --> 00:29:15,724 >> OKAY. AND WHAT KEEPS YOU GUYS TOGETHER? 822 00:29:15,726 --> 00:29:16,325 AND WHAT KEEPS YOU GUYS TOGETHER? >> THE RENT. 823 00:29:16,327 --> 00:29:17,426 TOGETHER? >> THE RENT. THE RENT AMOUNT. 824 00:29:17,428 --> 00:29:18,894 >> THE RENT. THE RENT AMOUNT. >> JESUS. 825 00:29:18,896 --> 00:29:19,161 THE RENT AMOUNT. >> JESUS. NO. 826 00:29:19,163 --> 00:29:20,362 >> JESUS. NO. YOU CAN GO. 827 00:29:20,364 --> 00:29:20,762 NO. YOU CAN GO. ALL RIGHT. 828 00:29:20,764 --> 00:29:23,765 YOU CAN GO. ALL RIGHT. SCARED TO TALK TO YOU TWO. 829 00:29:23,767 --> 00:29:26,602 ALL RIGHT. SCARED TO TALK TO YOU TWO. ARE YOU GUYS TOGETHER? 830 00:29:26,604 --> 00:29:26,935 SCARED TO TALK TO YOU TWO. ARE YOU GUYS TOGETHER? >> YEAH. 831 00:29:26,937 --> 00:29:30,072 ARE YOU GUYS TOGETHER? >> YEAH. LOOK, HE JUST BOUGHT ME THIS. 832 00:29:30,074 --> 00:29:30,906 >> YEAH. LOOK, HE JUST BOUGHT ME THIS. >> GREAT. 833 00:29:30,908 --> 00:29:32,774 LOOK, HE JUST BOUGHT ME THIS. >> GREAT. AND HOW DID YOU GUYS MEET? 834 00:29:32,776 --> 00:29:35,777 >> GREAT. AND HOW DID YOU GUYS MEET? >> PASS. 835 00:29:35,779 --> 00:29:37,579 AND HOW DID YOU GUYS MEET? >> PASS. >> OKAY. 836 00:29:37,581 --> 00:29:40,516 >> PASS. >> OKAY. MAYBE I SHOULD JUST CALL THIS 837 00:29:40,518 --> 00:29:40,782 >> OKAY. MAYBE I SHOULD JUST CALL THIS OFF. 838 00:29:40,784 --> 00:29:41,517 MAYBE I SHOULD JUST CALL THIS OFF. OH, HELLO. 839 00:29:41,519 --> 00:29:42,784 OFF. OH, HELLO. YOU AGAIN. 840 00:29:42,786 --> 00:29:43,152 OH, HELLO. YOU AGAIN. HI! 841 00:29:43,154 --> 00:29:43,852 YOU AGAIN. HI! >> AGAIN? 842 00:29:43,854 --> 00:29:44,353 HI! >> AGAIN? HI THERE. 843 00:29:44,355 --> 00:29:45,454 >> AGAIN? HI THERE. WHAT'S THIS FOR? 844 00:29:45,456 --> 00:29:46,889 HI THERE. WHAT'S THIS FOR? >> I'M JUST INTERVIEWING 845 00:29:46,891 --> 00:29:49,424 WHAT'S THIS FOR? >> I'M JUST INTERVIEWING COUPLES, AND I JUST TALKED TO 846 00:29:49,426 --> 00:29:49,725 >> I'M JUST INTERVIEWING COUPLES, AND I JUST TALKED TO HER. 847 00:29:49,727 --> 00:29:50,292 COUPLES, AND I JUST TALKED TO HER. >> I DON'T THINK SO. 848 00:29:50,294 --> 00:29:50,726 HER. >> I DON'T THINK SO. >> NO. 849 00:29:50,728 --> 00:29:52,060 >> I DON'T THINK SO. >> NO. YOU WERE JUST -- 850 00:29:52,062 --> 00:29:52,661 >> NO. YOU WERE JUST -- >> NO. 851 00:29:52,663 --> 00:29:54,796 YOU WERE JUST -- >> NO. MY HUSBAND AND I ARE JUST 852 00:29:54,798 --> 00:29:56,298 >> NO. MY HUSBAND AND I ARE JUST WALKING BY HERE FOR THIS VERY 853 00:29:56,300 --> 00:29:56,798 MY HUSBAND AND I ARE JUST WALKING BY HERE FOR THIS VERY FIRST TIME TODAY. 854 00:29:56,800 --> 00:29:57,132 WALKING BY HERE FOR THIS VERY FIRST TIME TODAY. >> YES. 855 00:29:57,134 --> 00:29:59,234 FIRST TIME TODAY. >> YES. I AGREE. 856 00:29:59,236 --> 00:30:00,702 >> YES. I AGREE. SO YOU GUYS ARE MARRIED. 857 00:30:00,704 --> 00:30:02,571 I AGREE. SO YOU GUYS ARE MARRIED. >> OH, HAPPILY. 858 00:30:02,573 --> 00:30:04,573 SO YOU GUYS ARE MARRIED. >> OH, HAPPILY. WE WENT THROUGH A ROUGH PATCH, 859 00:30:04,575 --> 00:30:06,842 >> OH, HAPPILY. WE WENT THROUGH A ROUGH PATCH, BUT LATELY, SHE'S HAD A SPRING 860 00:30:06,844 --> 00:30:08,977 WE WENT THROUGH A ROUGH PATCH, BUT LATELY, SHE'S HAD A SPRING IN HER STEP, AND I'M FEELING 861 00:30:08,979 --> 00:30:09,411 BUT LATELY, SHE'S HAD A SPRING IN HER STEP, AND I'M FEELING PRETTY GOOD. 862 00:30:09,413 --> 00:30:11,113 IN HER STEP, AND I'M FEELING PRETTY GOOD. >> NICE TO MEET YOU RIGHT NOW 863 00:30:11,115 --> 00:30:11,413 PRETTY GOOD. >> NICE TO MEET YOU RIGHT NOW ONLY. 864 00:30:11,415 --> 00:30:11,980 >> NICE TO MEET YOU RIGHT NOW ONLY. >> GREAT. 865 00:30:11,982 --> 00:30:13,415 ONLY. >> GREAT. WELL, THANK YOU SO MUCH. 866 00:30:13,417 --> 00:30:14,683 >> GREAT. WELL, THANK YOU SO MUCH. VERY HAPPY FOR YOU. 867 00:30:14,685 --> 00:30:17,152 WELL, THANK YOU SO MUCH. VERY HAPPY FOR YOU. WELL, I GUESS NO ONE HAS MEET 868 00:30:17,154 --> 00:30:19,755 VERY HAPPY FOR YOU. WELL, I GUESS NO ONE HAS MEET CUTES ANYMORE AND LOVE IS DEAD. 869 00:30:19,757 --> 00:30:20,022 WELL, I GUESS NO ONE HAS MEET CUTES ANYMORE AND LOVE IS DEAD. OH. 870 00:30:20,024 --> 00:30:20,355 CUTES ANYMORE AND LOVE IS DEAD. OH. SORRY. 871 00:30:20,357 --> 00:30:22,824 OH. SORRY. >> I'M SO SORRY. 872 00:30:22,826 --> 00:30:24,760 SORRY. >> I'M SO SORRY. >> IT'S OKAY. 873 00:30:24,762 --> 00:30:25,994 >> I'M SO SORRY. >> IT'S OKAY. I'M JUST DOING A SEGMENT ON 874 00:30:25,996 --> 00:30:26,328 >> IT'S OKAY. I'M JUST DOING A SEGMENT ON DATING. 875 00:30:26,330 --> 00:30:28,397 I'M JUST DOING A SEGMENT ON DATING. IT'S NOT GOING GREAT. 876 00:30:28,399 --> 00:30:31,700 DATING. IT'S NOT GOING GREAT. >> I MEAN, DATING IS SO HARD 877 00:30:31,702 --> 00:30:32,134 IT'S NOT GOING GREAT. >> I MEAN, DATING IS SO HARD NOWADAYS. 878 00:30:32,136 --> 00:30:33,402 >> I MEAN, DATING IS SO HARD NOWADAYS. YOU JUST WANT SOMETHING TO 879 00:30:33,404 --> 00:30:33,735 NOWADAYS. YOU JUST WANT SOMETHING TO FEEL -- 880 00:30:33,737 --> 00:30:38,407 YOU JUST WANT SOMETHING TO FEEL -- >> ORGANIC. 881 00:30:38,409 --> 00:30:42,711 FEEL -- >> ORGANIC. >> WOW. 882 00:30:42,713 --> 00:30:45,280 >> ORGANIC. >> WOW. LOOKS LIKE WE WITNESSED A MEET 883 00:30:45,282 --> 00:30:46,081 >> WOW. LOOKS LIKE WE WITNESSED A MEET CUTE HAPPEN BEFORE OUR EYES. 884 00:30:46,083 --> 00:30:49,484 LOOKS LIKE WE WITNESSED A MEET CUTE HAPPEN BEFORE OUR EYES. >> AND THAT MAN IS MY HUSBAND. 885 00:30:49,486 --> 00:30:49,818 CUTE HAPPEN BEFORE OUR EYES. >> AND THAT MAN IS MY HUSBAND. DAMN IT! 886 00:30:49,820 --> 00:30:57,559 >> AND THAT MAN IS MY HUSBAND. DAMN IT! WE'LL BE RIGHT BACK. 887 00:31:18,081 --> 00:31:27,422 >>> LADIES AND GENTLEMEN, JENNIFER LOPEZ. [ CHEERS AND APPLAUSE ] 888 00:31:27,424 --> 00:31:29,124 JENNIFER LOPEZ. [ CHEERS AND APPLAUSE ] ♪♪ 889 00:31:29,126 --> 00:31:30,192 [ CHEERS AND APPLAUSE ] ♪♪ ♪ I JUST WANNA 890 00:31:30,194 --> 00:31:31,827 ♪♪ ♪ I JUST WANNA I JUST FEEL LIKE 891 00:31:31,829 --> 00:31:33,428 ♪ I JUST WANNA I JUST FEEL LIKE EVERY TIME I SEE IT'S LIKE 892 00:31:33,430 --> 00:31:36,098 I JUST FEEL LIKE EVERY TIME I SEE IT'S LIKE OOH HEY ♪ 893 00:31:36,100 --> 00:31:36,632 EVERY TIME I SEE IT'S LIKE OOH HEY ♪ ♪ I FEEL LIKE 894 00:31:36,634 --> 00:31:38,800 OOH HEY ♪ ♪ I FEEL LIKE STARTIN' SOMETHING 895 00:31:38,802 --> 00:31:40,435 ♪ I FEEL LIKE STARTIN' SOMETHING YOU GOT MY ENGINE RUNNIN' ♪ 896 00:31:40,437 --> 00:31:43,105 STARTIN' SOMETHING YOU GOT MY ENGINE RUNNIN' ♪ ♪ YOU GOT THE KEYS 897 00:31:43,107 --> 00:31:45,741 YOU GOT MY ENGINE RUNNIN' ♪ ♪ YOU GOT THE KEYS TO TURN ME ON AND ON 898 00:31:45,743 --> 00:31:47,909 ♪ YOU GOT THE KEYS TO TURN ME ON AND ON YOU GOT ME ACCELERATIN' 899 00:31:47,911 --> 00:31:49,544 TO TURN ME ON AND ON YOU GOT ME ACCELERATIN' I WANT TO CELEBRATE IT ♪ 900 00:31:49,546 --> 00:31:51,146 YOU GOT ME ACCELERATIN' I WANT TO CELEBRATE IT ♪ ♪ CAN'T NOTHING 901 00:31:51,148 --> 00:31:51,680 I WANT TO CELEBRATE IT ♪ ♪ CAN'T NOTHING TAKE ME OUT MY ZONE 902 00:31:51,682 --> 00:31:53,815 ♪ CAN'T NOTHING TAKE ME OUT MY ZONE IT'S ON ♪ 903 00:31:53,817 --> 00:31:56,518 TAKE ME OUT MY ZONE IT'S ON ♪ ♪ WHEN IT FEELS RIGHT 904 00:31:56,520 --> 00:31:58,153 IT'S ON ♪ ♪ WHEN IT FEELS RIGHT NOTHING ELSE MATTERS 905 00:31:58,155 --> 00:32:00,856 ♪ WHEN IT FEELS RIGHT NOTHING ELSE MATTERS IS THIS REAL LIFE 906 00:32:00,858 --> 00:32:03,025 NOTHING ELSE MATTERS IS THIS REAL LIFE TOO GOOD TO BE TRUE ♪ 907 00:32:03,027 --> 00:32:04,626 IS THIS REAL LIFE TOO GOOD TO BE TRUE ♪ ♪ TAKE ME ALL NIGHT 908 00:32:04,628 --> 00:32:07,296 TOO GOOD TO BE TRUE ♪ ♪ TAKE ME ALL NIGHT I CAN FEEL 909 00:32:07,298 --> 00:32:09,431 ♪ TAKE ME ALL NIGHT I CAN FEEL THE PASSION IN YOUR EYES ♪ 910 00:32:09,433 --> 00:32:09,998 I CAN FEEL THE PASSION IN YOUR EYES ♪ ♪ I'M STILL 911 00:32:10,000 --> 00:32:11,600 THE PASSION IN YOUR EYES ♪ ♪ I'M STILL IN LOVE WITH YOU 912 00:32:11,602 --> 00:32:12,134 ♪ I'M STILL IN LOVE WITH YOU YOU KNOW I CAN'T 913 00:32:12,136 --> 00:32:13,201 IN LOVE WITH YOU YOU KNOW I CAN'T GET ENOUGH ♪ 914 00:32:13,203 --> 00:32:14,269 YOU KNOW I CAN'T GET ENOUGH ♪ ♪ I LOVE THAT 915 00:32:14,271 --> 00:32:14,803 GET ENOUGH ♪ ♪ I LOVE THAT YOU KNOW I CAN'T 916 00:32:14,805 --> 00:32:15,337 ♪ I LOVE THAT YOU KNOW I CAN'T GET ENOUGH 917 00:32:15,339 --> 00:32:16,438 YOU KNOW I CAN'T GET ENOUGH YOU LOVE THAT ♪ 918 00:32:16,440 --> 00:32:17,005 GET ENOUGH YOU LOVE THAT ♪ ♪ YOU KNOW I CAN'T 919 00:32:17,007 --> 00:32:17,439 YOU LOVE THAT ♪ ♪ YOU KNOW I CAN'T GET ENOUGH 920 00:32:17,441 --> 00:32:19,641 ♪ YOU KNOW I CAN'T GET ENOUGH GIVE ME ALL THAT 921 00:32:19,643 --> 00:32:20,709 GET ENOUGH GIVE ME ALL THAT CAN'T GET ENOUGH ♪ 922 00:32:20,711 --> 00:32:21,777 GIVE ME ALL THAT CAN'T GET ENOUGH ♪ ♪ YOU KNOW I CAN'T 923 00:32:21,779 --> 00:32:22,311 CAN'T GET ENOUGH ♪ ♪ YOU KNOW I CAN'T GET ENOUGH 924 00:32:22,313 --> 00:32:23,378 ♪ YOU KNOW I CAN'T GET ENOUGH I LOVE THAT ♪ 925 00:32:23,380 --> 00:32:23,945 GET ENOUGH I LOVE THAT ♪ ♪ YOU KNOW I CAN'T 926 00:32:23,947 --> 00:32:24,446 I LOVE THAT ♪ ♪ YOU KNOW I CAN'T GET ENOUGH 927 00:32:24,448 --> 00:32:25,547 ♪ YOU KNOW I CAN'T GET ENOUGH YOU LOVE THAT ♪ 928 00:32:25,549 --> 00:32:26,114 GET ENOUGH YOU LOVE THAT ♪ ♪ YOU KNOW I CAN'T 929 00:32:26,116 --> 00:32:26,615 YOU LOVE THAT ♪ ♪ YOU KNOW I CAN'T GET ENOUGH 930 00:32:26,617 --> 00:32:29,818 ♪ YOU KNOW I CAN'T GET ENOUGH GIVE ME ALL THAT 931 00:32:29,820 --> 00:32:33,055 GET ENOUGH GIVE ME ALL THAT CAN'T GET ENOUGH OF YOU ♪ 932 00:32:33,057 --> 00:32:37,859 GIVE ME ALL THAT CAN'T GET ENOUGH OF YOU ♪ ♪ I'M STILL IN LOVE 933 00:32:37,861 --> 00:32:41,063 CAN'T GET ENOUGH OF YOU ♪ ♪ I'M STILL IN LOVE WITH YOU BOY 934 00:32:41,065 --> 00:32:43,732 ♪ I'M STILL IN LOVE WITH YOU BOY I JUST WANNA ♪ 935 00:32:43,734 --> 00:32:45,400 WITH YOU BOY I JUST WANNA ♪ ♪ I JUST FEEL LIKE 936 00:32:45,402 --> 00:32:47,002 I JUST WANNA ♪ ♪ I JUST FEEL LIKE EVERY TIME I SEE YA 937 00:32:47,004 --> 00:32:48,070 ♪ I JUST FEEL LIKE EVERY TIME I SEE YA IT'S LIKE OH HEY 938 00:32:48,072 --> 00:32:49,671 EVERY TIME I SEE YA IT'S LIKE OH HEY BIG LATTO ♪ 939 00:32:49,673 --> 00:32:50,205 IT'S LIKE OH HEY BIG LATTO ♪ ♪ CALL THE DOCTOR 940 00:32:50,207 --> 00:32:50,839 BIG LATTO ♪ ♪ CALL THE DOCTOR I DON'T SEE NOBODY BUT YOU 941 00:32:50,841 --> 00:32:51,807 ♪ CALL THE DOCTOR I DON'T SEE NOBODY BUT YOU YOU 942 00:32:51,809 --> 00:32:52,407 I DON'T SEE NOBODY BUT YOU YOU DO I STILL LOVE YOU ♪ 943 00:32:52,409 --> 00:32:53,041 YOU DO I STILL LOVE YOU ♪ ♪ BABY IS THE SKY BLUE 944 00:32:53,043 --> 00:32:53,942 DO I STILL LOVE YOU ♪ ♪ BABY IS THE SKY BLUE BLUE 945 00:32:53,944 --> 00:32:55,010 ♪ BABY IS THE SKY BLUE BLUE SPOIL A DOWN 946 00:32:55,012 --> 00:32:56,645 BLUE SPOIL A DOWN AND HE FAITHFUL TO ME TOO ♪ 947 00:32:56,647 --> 00:32:57,179 SPOIL A DOWN AND HE FAITHFUL TO ME TOO ♪ ♪ TOO 948 00:32:57,181 --> 00:32:58,280 AND HE FAITHFUL TO ME TOO ♪ ♪ TOO YOU KNOW YOU THE REASON 949 00:32:58,282 --> 00:32:58,914 ♪ TOO YOU KNOW YOU THE REASON WHY THEY HATIN' ON ME BOO 950 00:32:58,916 --> 00:32:59,848 YOU KNOW YOU THE REASON WHY THEY HATIN' ON ME BOO BOO ♪ 951 00:32:59,850 --> 00:33:00,415 WHY THEY HATIN' ON ME BOO BOO ♪ ♪ CAN'T GET ENOUGH 952 00:33:00,417 --> 00:33:01,016 BOO ♪ ♪ CAN'T GET ENOUGH LIKE LET ME GET SOME MO' 953 00:33:01,018 --> 00:33:01,450 ♪ CAN'T GET ENOUGH LIKE LET ME GET SOME MO' MO' ♪ 954 00:33:01,452 --> 00:33:02,017 LIKE LET ME GET SOME MO' MO' ♪ ♪ YOU KNOW 955 00:33:02,019 --> 00:33:02,551 MO' ♪ ♪ YOU KNOW WHEN IT COME TO ME 956 00:33:02,553 --> 00:33:03,118 ♪ YOU KNOW WHEN IT COME TO ME HE LOVE TO DO THE MOST 957 00:33:03,120 --> 00:33:03,618 WHEN IT COME TO ME HE LOVE TO DO THE MOST MOST ♪ 958 00:33:03,620 --> 00:33:04,319 HE LOVE TO DO THE MOST MOST ♪ ♪ I AIN'T SCARED OF GHOSTS 959 00:33:04,321 --> 00:33:05,220 MOST ♪ ♪ I AIN'T SCARED OF GHOSTS HE BOUGHT ME ONE OF THOSE 960 00:33:05,222 --> 00:33:05,854 ♪ I AIN'T SCARED OF GHOSTS HE BOUGHT ME ONE OF THOSE KEEP 'EM OUT OUR BUSINESS 961 00:33:05,856 --> 00:33:07,389 HE BOUGHT ME ONE OF THOSE KEEP 'EM OUT OUR BUSINESS I AIN'T TRYNA POST ♪ 962 00:33:07,391 --> 00:33:07,989 KEEP 'EM OUT OUR BUSINESS I AIN'T TRYNA POST ♪ ♪ LIKE IS IT TOO GOOD 963 00:33:07,991 --> 00:33:08,957 I AIN'T TRYNA POST ♪ ♪ LIKE IS IT TOO GOOD TO BE TRUE 964 00:33:08,959 --> 00:33:10,625 ♪ LIKE IS IT TOO GOOD TO BE TRUE HUH 965 00:33:10,627 --> 00:33:11,360 TO BE TRUE HUH HE ROMANTIC BUT STREET TOO ♪ 966 00:33:11,362 --> 00:33:13,295 HUH HE ROMANTIC BUT STREET TOO ♪ ♪ HUH 967 00:33:13,297 --> 00:33:14,329 HE ROMANTIC BUT STREET TOO ♪ ♪ HUH DROP A BAG ON A WHAT 968 00:33:14,331 --> 00:33:15,397 ♪ HUH DROP A BAG ON A WHAT PUT THEM M'S ON MY ASS 969 00:33:15,399 --> 00:33:17,532 DROP A BAG ON A WHAT PUT THEM M'S ON MY ASS LIKE EVISU ♪ 970 00:33:17,534 --> 00:33:18,166 PUT THEM M'S ON MY ASS LIKE EVISU ♪ ♪ YEAH I LOVE THAT SHIT 971 00:33:18,168 --> 00:33:18,633 LIKE EVISU ♪ ♪ YEAH I LOVE THAT SHIT I LOVE IT 972 00:33:18,635 --> 00:33:19,167 ♪ YEAH I LOVE THAT SHIT I LOVE IT THROWIN' UP GANG 973 00:33:19,169 --> 00:33:21,570 I LOVE IT THROWIN' UP GANG SO THEY KNOW I'M HIS CHICK ♪ 974 00:33:21,572 --> 00:33:22,137 THROWIN' UP GANG SO THEY KNOW I'M HIS CHICK ♪ ♪ THAT'S BOO DADDY 975 00:33:22,139 --> 00:33:22,504 SO THEY KNOW I'M HIS CHICK ♪ ♪ THAT'S BOO DADDY DADDY 976 00:33:22,506 --> 00:33:22,971 ♪ THAT'S BOO DADDY DADDY HE DO ANYTHING 977 00:33:22,973 --> 00:33:24,539 DADDY HE DO ANYTHING TO KEEP HIS BOO HAPPY ♪ 978 00:33:24,541 --> 00:33:25,107 HE DO ANYTHING TO KEEP HIS BOO HAPPY ♪ ♪ YOU KNOW I CAN'T 979 00:33:25,109 --> 00:33:25,607 TO KEEP HIS BOO HAPPY ♪ ♪ YOU KNOW I CAN'T GET ENOUGH 980 00:33:25,609 --> 00:33:26,141 ♪ YOU KNOW I CAN'T GET ENOUGH I LOVE THAT 981 00:33:26,143 --> 00:33:26,708 GET ENOUGH I LOVE THAT LET'S DANCE ♪ 982 00:33:26,710 --> 00:33:27,743 I LOVE THAT LET'S DANCE ♪ ♪ YOU KNOW I CAN'T 983 00:33:27,745 --> 00:33:28,310 LET'S DANCE ♪ ♪ YOU KNOW I CAN'T GET ENOUGH 984 00:33:28,312 --> 00:33:28,810 ♪ YOU KNOW I CAN'T GET ENOUGH YOU KNOW THAT ♪ 985 00:33:28,812 --> 00:33:29,378 GET ENOUGH YOU KNOW THAT ♪ ♪ YOU KNOW I CAN'T 986 00:33:29,380 --> 00:33:29,878 YOU KNOW THAT ♪ ♪ YOU KNOW I CAN'T GET ENOUGH 987 00:33:29,880 --> 00:33:31,513 ♪ YOU KNOW I CAN'T GET ENOUGH GIVE ME ALL THAT 988 00:33:31,515 --> 00:33:33,081 GET ENOUGH GIVE ME ALL THAT CAN'T GET ENOUGH ♪ 989 00:33:33,083 --> 00:33:33,648 GIVE ME ALL THAT CAN'T GET ENOUGH ♪ ♪ YOU KNOW I CAN'T 990 00:33:33,650 --> 00:33:34,683 CAN'T GET ENOUGH ♪ ♪ YOU KNOW I CAN'T GET ENOUGH 991 00:33:34,685 --> 00:33:35,717 ♪ YOU KNOW I CAN'T GET ENOUGH YOU KNOW I CAN'T 992 00:33:35,719 --> 00:33:37,352 GET ENOUGH YOU KNOW I CAN'T GET ENOUGH ♪ 993 00:33:37,354 --> 00:33:37,919 YOU KNOW I CAN'T GET ENOUGH ♪ ♪ YOU KNOW I CAN'T 994 00:33:37,921 --> 00:33:38,954 GET ENOUGH ♪ ♪ YOU KNOW I CAN'T GET ENOUGH 995 00:33:38,956 --> 00:33:41,123 ♪ YOU KNOW I CAN'T GET ENOUGH GIVE ME ALL THAT 996 00:33:41,125 --> 00:33:44,860 GET ENOUGH GIVE ME ALL THAT CAN'T GET ENOUGH OF YOU ♪ 997 00:33:44,862 --> 00:33:49,097 GIVE ME ALL THAT CAN'T GET ENOUGH OF YOU ♪ ♪ I'M STILL IN LOVE WITH YOU 998 00:33:49,099 --> 00:33:53,935 CAN'T GET ENOUGH OF YOU ♪ ♪ I'M STILL IN LOVE WITH YOU BOY 999 00:33:53,937 --> 00:33:54,603 ♪ I'M STILL IN LOVE WITH YOU BOY ♪ YOU DON'T KNOW NOTHING 1000 00:33:54,605 --> 00:33:55,537 BOY ♪ YOU DON'T KNOW NOTHING ABOUT THIS GIRL 1001 00:33:55,539 --> 00:33:55,904 ♪ YOU DON'T KNOW NOTHING ABOUT THIS GIRL I TELL 'EM 1002 00:33:55,906 --> 00:33:56,538 ABOUT THIS GIRL I TELL 'EM TAKE IT TO THE LIMIT ♪ 1003 00:33:56,540 --> 00:33:57,139 I TELL 'EM TAKE IT TO THE LIMIT ♪ ♪ SHUT THE PLACE DOWN 1004 00:33:57,141 --> 00:33:57,672 TAKE IT TO THE LIMIT ♪ ♪ SHUT THE PLACE DOWN IN A NEW YORK MINUTE 1005 00:33:57,674 --> 00:33:58,240 ♪ SHUT THE PLACE DOWN IN A NEW YORK MINUTE SALUTE THE LIEUTENANT 1006 00:33:58,242 --> 00:33:58,874 IN A NEW YORK MINUTE SALUTE THE LIEUTENANT LOOK AROUND THE ROOM ♪ 1007 00:33:58,876 --> 00:34:00,876 SALUTE THE LIEUTENANT LOOK AROUND THE ROOM ♪ ♪ JLO THEY ALL MAD 1008 00:34:00,878 --> 00:34:02,511 LOOK AROUND THE ROOM ♪ ♪ JLO THEY ALL MAD SEASONED VETERANS 1009 00:34:02,513 --> 00:34:03,545 ♪ JLO THEY ALL MAD SEASONED VETERANS CHECK THE DOG TAGS LIKE YO 1010 00:34:03,547 --> 00:34:04,112 SEASONED VETERANS CHECK THE DOG TAGS LIKE YO OUNCE OF BUD ♪ 1011 00:34:04,114 --> 00:34:05,213 CHECK THE DOG TAGS LIKE YO OUNCE OF BUD ♪ ♪ UP IN THE HOOKAH 1012 00:34:05,215 --> 00:34:06,281 OUNCE OF BUD ♪ ♪ UP IN THE HOOKAH THICK CHICK HIDE 1013 00:34:06,283 --> 00:34:07,349 ♪ UP IN THE HOOKAH THICK CHICK HIDE MY GUN UP IN THE FOOPA 1014 00:34:07,351 --> 00:34:08,950 THICK CHICK HIDE MY GUN UP IN THE FOOPA BACK MY BUDDHA ♪ 1015 00:34:08,952 --> 00:34:09,985 MY GUN UP IN THE FOOPA BACK MY BUDDHA ♪ ♪ AND THAT'S BEEN THE BRICKS 1016 00:34:09,987 --> 00:34:11,052 BACK MY BUDDHA ♪ ♪ AND THAT'S BEEN THE BRICKS HATERS TAKE SHOTS 1017 00:34:11,054 --> 00:34:12,154 ♪ AND THAT'S BEEN THE BRICKS HATERS TAKE SHOTS BUT IT'S ALL IN THE WRIST 1018 00:34:12,156 --> 00:34:13,221 HATERS TAKE SHOTS BUT IT'S ALL IN THE WRIST ME AND JLO ♪ 1019 00:34:13,223 --> 00:34:14,389 BUT IT'S ALL IN THE WRIST ME AND JLO ♪ ♪ STRAIGHT FROM THE BLOCK 1020 00:34:14,391 --> 00:34:15,490 ME AND JLO ♪ ♪ STRAIGHT FROM THE BLOCK CAUSE WE BE TO RAP 1021 00:34:15,492 --> 00:34:16,458 ♪ STRAIGHT FROM THE BLOCK CAUSE WE BE TO RAP LIKE BIGGIE AND PAC 1022 00:34:16,460 --> 00:34:16,992 CAUSE WE BE TO RAP LIKE BIGGIE AND PAC WHAT YOU DOIN ♪ 1023 00:34:16,994 --> 00:34:17,526 LIKE BIGGIE AND PAC WHAT YOU DOIN ♪ ♪ WHAT WE DOIN 1024 00:34:17,528 --> 00:34:18,627 WHAT YOU DOIN ♪ ♪ WHAT WE DOIN GIVE IT UP 1025 00:34:18,629 --> 00:34:19,161 ♪ WHAT WE DOIN GIVE IT UP ONE NIGHT OF ME BABY 1026 00:34:19,163 --> 00:34:20,996 GIVE IT UP ONE NIGHT OF ME BABY AND YOU CAN'T GET ENOUGH ♪ 1027 00:34:20,998 --> 00:34:22,364 ONE NIGHT OF ME BABY AND YOU CAN'T GET ENOUGH ♪ ♪ AND WHEN I SLIDE IN 1028 00:34:22,366 --> 00:34:22,898 AND YOU CAN'T GET ENOUGH ♪ ♪ AND WHEN I SLIDE IN TURN IT UP 1029 00:34:22,900 --> 00:34:23,432 ♪ AND WHEN I SLIDE IN TURN IT UP YOU KNOW I CAN'T 1030 00:34:23,434 --> 00:34:25,367 TURN IT UP YOU KNOW I CAN'T GET ENOUGH ♪ 1031 00:34:25,369 --> 00:34:26,601 YOU KNOW I CAN'T GET ENOUGH ♪ ♪ YOU KNOW THAT GIRL 1032 00:34:26,603 --> 00:34:27,135 GET ENOUGH ♪ ♪ YOU KNOW THAT GIRL YOU KNOW I CAN'T 1033 00:34:27,137 --> 00:34:27,669 ♪ YOU KNOW THAT GIRL YOU KNOW I CAN'T GET ENOUGH 1034 00:34:27,671 --> 00:34:28,236 YOU KNOW I CAN'T GET ENOUGH EVERYBODY COME ON ♪ 1035 00:34:28,238 --> 00:34:28,804 GET ENOUGH EVERYBODY COME ON ♪ ♪ YOU KNOW I CAN'T 1036 00:34:28,806 --> 00:34:29,304 EVERYBODY COME ON ♪ ♪ YOU KNOW I CAN'T GET ENOUGH 1037 00:34:29,306 --> 00:34:29,905 ♪ YOU KNOW I CAN'T GET ENOUGH EVERYBODY 1038 00:34:29,907 --> 00:34:30,972 GET ENOUGH EVERYBODY PUT YOUR HANDS UP ♪ 1039 00:34:30,974 --> 00:34:31,540 EVERYBODY PUT YOUR HANDS UP ♪ ♪ CAN'T GET ENOUGH 1040 00:34:31,542 --> 00:34:32,007 PUT YOUR HANDS UP ♪ ♪ CAN'T GET ENOUGH YOU KNOW I CAN'T 1041 00:34:32,009 --> 00:34:34,810 ♪ CAN'T GET ENOUGH YOU KNOW I CAN'T GET ENOUGH 1042 00:34:34,812 --> 00:34:35,410 YOU KNOW I CAN'T GET ENOUGH ♪ YOU KNOW THAT GIRL 1043 00:34:35,412 --> 00:34:35,877 GET ENOUGH ♪ YOU KNOW THAT GIRL YOU KNOW I CAN'T 1044 00:34:35,879 --> 00:34:36,278 ♪ YOU KNOW THAT GIRL YOU KNOW I CAN'T GET ENOUGH 1045 00:34:36,280 --> 00:34:36,845 YOU KNOW I CAN'T GET ENOUGH EVERYBODY COME ON ♪ 1046 00:34:36,847 --> 00:34:37,412 GET ENOUGH EVERYBODY COME ON ♪ ♪ YOU KNOW I CAN'T 1047 00:34:37,414 --> 00:34:37,913 EVERYBODY COME ON ♪ ♪ YOU KNOW I CAN'T GET ENOUGH 1048 00:34:37,915 --> 00:34:38,914 ♪ YOU KNOW I CAN'T GET ENOUGH HEY 1049 00:34:38,916 --> 00:34:39,614 GET ENOUGH HEY PUT YOUR HANDS UP ♪ 1050 00:34:39,616 --> 00:34:40,549 HEY PUT YOUR HANDS UP ♪ ♪ CAN'T GET ENOUGH OF YOU 1051 00:34:40,551 --> 00:34:41,683 PUT YOUR HANDS UP ♪ ♪ CAN'T GET ENOUGH OF YOU LET'S GO 1052 00:34:41,685 --> 00:34:42,184 ♪ CAN'T GET ENOUGH OF YOU LET'S GO WILD THE HELL OUT 1053 00:34:42,186 --> 00:34:43,251 LET'S GO WILD THE HELL OUT ACT THE HELL OUT ♪ 1054 00:34:43,253 --> 00:34:44,319 WILD THE HELL OUT ACT THE HELL OUT ♪ ♪ WILD THE -- OUT 1055 00:34:44,321 --> 00:34:45,387 ACT THE HELL OUT ♪ ♪ WILD THE -- OUT ACT THE -- OUT 1056 00:34:45,389 --> 00:34:46,455 ♪ WILD THE -- OUT ACT THE -- OUT WILD THE -- OUT 1057 00:34:46,457 --> 00:34:56,631 ACT THE -- OUT WILD THE -- OUT ACT THE -- OUT ♪ 1058 00:34:56,633 --> 00:34:57,165 WILD THE -- OUT ACT THE -- OUT ♪ I'M STILL IN LOVE 1059 00:34:57,167 --> 00:34:58,233 ACT THE -- OUT ♪ I'M STILL IN LOVE I JUST NEVER 1060 00:34:58,235 --> 00:35:03,038 I'M STILL IN LOVE I JUST NEVER GET ENOUGH OF YOU ♪ 1061 00:35:03,040 --> 00:35:08,343 I JUST NEVER GET ENOUGH OF YOU ♪ [ CHEERS AND APPLAUSE ] 1062 00:35:27,880 --> 00:35:32,851 >> Announcer: IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 1063 00:35:32,853 --> 00:35:38,123 UPDATE" WITH COLIN JOST AND MICHAEL CHE. [ CHEERS AND APPLAUSE ] 1064 00:35:38,125 --> 00:35:39,624 MICHAEL CHE. [ CHEERS AND APPLAUSE ] >>> THANK YOU. 1065 00:35:39,626 --> 00:35:40,258 [ CHEERS AND APPLAUSE ] >>> THANK YOU. THANK YOU. 1066 00:35:40,260 --> 00:35:40,625 >>> THANK YOU. THANK YOU. THANK YOU. 1067 00:35:40,627 --> 00:35:42,260 THANK YOU. THANK YOU. GOOD EVENING, EVERYONE. 1068 00:35:42,262 --> 00:35:42,827 THANK YOU. GOOD EVENING, EVERYONE. THANK YOU VERY MUCH. 1069 00:35:42,829 --> 00:35:43,428 GOOD EVENING, EVERYONE. THANK YOU VERY MUCH. [ CHEERS AND APPLAUSE ] 1070 00:35:43,430 --> 00:35:46,364 THANK YOU VERY MUCH. [ CHEERS AND APPLAUSE ] THANK YOU. 1071 00:35:46,366 --> 00:35:48,033 [ CHEERS AND APPLAUSE ] THANK YOU. >> WELCOME TO "WEEKEND UPDATE." 1072 00:35:48,035 --> 00:35:48,533 THANK YOU. >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. 1073 00:35:48,535 --> 00:35:52,137 >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. >> I'M COLIN JOST. 1074 00:35:52,139 --> 00:35:56,007 I'M MICHAEL CHE. >> I'M COLIN JOST. WELL, JUST HOURS AGO, PRESIDENT 1075 00:35:56,009 --> 00:35:56,908 >> I'M COLIN JOST. WELL, JUST HOURS AGO, PRESIDENT BIDEN WON THE SOUTH CAROLINA 1076 00:35:56,910 --> 00:35:58,677 WELL, JUST HOURS AGO, PRESIDENT BIDEN WON THE SOUTH CAROLINA DEMOCRATIC PRIMARY BARELY EDGING 1077 00:35:58,679 --> 00:36:00,278 BIDEN WON THE SOUTH CAROLINA DEMOCRATIC PRIMARY BARELY EDGING OUT HIS CLOSEST RIVAL, TIME. 1078 00:36:00,280 --> 00:36:04,215 DEMOCRATIC PRIMARY BARELY EDGING OUT HIS CLOSEST RIVAL, TIME. [ LAUGHTER ] 1079 00:36:04,217 --> 00:36:07,152 OUT HIS CLOSEST RIVAL, TIME. [ LAUGHTER ] AS YOU MAY HAVE SEEN ON YOUR 1080 00:36:07,154 --> 00:36:10,922 [ LAUGHTER ] AS YOU MAY HAVE SEEN ON YOUR AUNT'S FACEBOOK, MANY MAGA 1081 00:36:10,924 --> 00:36:12,791 AS YOU MAY HAVE SEEN ON YOUR AUNT'S FACEBOOK, MANY MAGA PERSONALS ARE CLAIMING THE SUPER 1082 00:36:12,793 --> 00:36:14,960 AUNT'S FACEBOOK, MANY MAGA PERSONALS ARE CLAIMING THE SUPER BOWL IS BEING RIGGED SO KANSAS 1083 00:36:14,962 --> 00:36:18,296 PERSONALS ARE CLAIMING THE SUPER BOWL IS BEING RIGGED SO KANSAS CITY WINS AND TAYLOR SWIFT CAN 1084 00:36:18,298 --> 00:36:20,532 BOWL IS BEING RIGGED SO KANSAS CITY WINS AND TAYLOR SWIFT CAN COME ON THE FIELD WITH TRAVIS 1085 00:36:20,534 --> 00:36:23,068 CITY WINS AND TAYLOR SWIFT CAN COME ON THE FIELD WITH TRAVIS KELCE AND ENDORSE JOE BIDEN. 1086 00:36:23,070 --> 00:36:24,302 COME ON THE FIELD WITH TRAVIS KELCE AND ENDORSE JOE BIDEN. MAGA PEOPLE HAVE SO MUCH TO KEEP 1087 00:36:24,304 --> 00:36:26,738 KELCE AND ENDORSE JOE BIDEN. MAGA PEOPLE HAVE SO MUCH TO KEEP TRACK OF, YOU HAVE TO HATE THE 1088 00:36:26,740 --> 00:36:29,975 MAGA PEOPLE HAVE SO MUCH TO KEEP TRACK OF, YOU HAVE TO HATE THE NFL, TAYLOR SWIFT, BUD LIGHT, 1089 00:36:29,977 --> 00:36:32,277 TRACK OF, YOU HAVE TO HATE THE NFL, TAYLOR SWIFT, BUD LIGHT, DISNEY, KRISTEN STEWART FOR SOME 1090 00:36:32,279 --> 00:36:34,813 NFL, TAYLOR SWIFT, BUD LIGHT, DISNEY, KRISTEN STEWART FOR SOME REASON, ELECTRIC STOVES, WIND 1091 00:36:34,815 --> 00:36:38,450 DISNEY, KRISTEN STEWART FOR SOME REASON, ELECTRIC STOVES, WIND MILLS, THE CONCEPT OF RAINBOWS, 1092 00:36:38,452 --> 00:36:41,720 REASON, ELECTRIC STOVES, WIND MILLS, THE CONCEPT OF RAINBOWS, AND THE GREEN M&M, AND YOU HAVE 1093 00:36:41,722 --> 00:36:42,587 MILLS, THE CONCEPT OF RAINBOWS, AND THE GREEN M&M, AND YOU HAVE TO THINK EVERYBODY IN THE 1094 00:36:42,589 --> 00:36:43,855 AND THE GREEN M&M, AND YOU HAVE TO THINK EVERYBODY IN THE GOVERNMENT IS A SECRET 1095 00:36:43,857 --> 00:36:45,423 TO THINK EVERYBODY IN THE GOVERNMENT IS A SECRET PEDESTRIAN FILE EXCEPT FOR THIS 1096 00:36:45,425 --> 00:36:46,057 GOVERNMENT IS A SECRET PEDESTRIAN FILE EXCEPT FOR THIS GUY DANCING WITH JEFFREY 1097 00:36:46,059 --> 00:36:48,093 PEDESTRIAN FILE EXCEPT FOR THIS GUY DANCING WITH JEFFREY EPSTEIN. 1098 00:36:48,095 --> 00:36:50,829 GUY DANCING WITH JEFFREY EPSTEIN. I MEAN, ISN'T THAT THE HAPPIEST 1099 00:36:50,831 --> 00:36:52,897 EPSTEIN. I MEAN, ISN'T THAT THE HAPPIEST YOU'VE EVER SEEN TRUMP? 1100 00:36:52,899 --> 00:36:53,698 I MEAN, ISN'T THAT THE HAPPIEST YOU'VE EVER SEEN TRUMP? HE'S DANCING LIKE NOBODY'S 1101 00:36:53,700 --> 00:36:58,603 YOU'VE EVER SEEN TRUMP? HE'S DANCING LIKE NOBODY'S CHECKING IDs. 1102 00:36:58,605 --> 00:36:59,738 HE'S DANCING LIKE NOBODY'S CHECKING IDs. >> HEY. 1103 00:36:59,740 --> 00:37:01,239 CHECKING IDs. >> HEY. PRESIDENT BIDEN MADE A DRASTIC 1104 00:37:01,241 --> 00:37:03,975 >> HEY. PRESIDENT BIDEN MADE A DRASTIC CHANGE IN HIS IMMIGRATION POLICY 1105 00:37:03,977 --> 00:37:05,343 PRESIDENT BIDEN MADE A DRASTIC CHANGE IN HIS IMMIGRATION POLICY SAYING HE WOULD BE WILLING TO 1106 00:37:05,345 --> 00:37:07,012 CHANGE IN HIS IMMIGRATION POLICY SAYING HE WOULD BE WILLING TO SHUT DOWN THE BORDER IF GIVEN 1107 00:37:07,014 --> 00:37:08,179 SAYING HE WOULD BE WILLING TO SHUT DOWN THE BORDER IF GIVEN THE POWER BY CONGRESS. 1108 00:37:08,181 --> 00:37:10,782 SHUT DOWN THE BORDER IF GIVEN THE POWER BY CONGRESS. IT'S THE KIND OF UNEXPECTED 1109 00:37:10,784 --> 00:37:12,584 THE POWER BY CONGRESS. IT'S THE KIND OF UNEXPECTED SHIFT IN DIRECTION BIDEN USUALLY 1110 00:37:12,586 --> 00:37:14,986 IT'S THE KIND OF UNEXPECTED SHIFT IN DIRECTION BIDEN USUALLY ONLY MAKES IN THE MIDDLE OF A 1111 00:37:14,988 --> 00:37:15,353 SHIFT IN DIRECTION BIDEN USUALLY ONLY MAKES IN THE MIDDLE OF A SENTENCE. 1112 00:37:15,355 --> 00:37:19,924 ONLY MAKES IN THE MIDDLE OF A SENTENCE. THE BIDEN CAMPAIGN IS TRYING TO 1113 00:37:19,926 --> 00:37:20,692 SENTENCE. THE BIDEN CAMPAIGN IS TRYING TO APPEAL TO TO BLACK VOTERS. 1114 00:37:20,694 --> 00:37:22,894 THE BIDEN CAMPAIGN IS TRYING TO APPEAL TO TO BLACK VOTERS. IT'S GETTING SO BAD, HE NOW ONLY 1115 00:37:22,896 --> 00:37:23,628 APPEAL TO TO BLACK VOTERS. IT'S GETTING SO BAD, HE NOW ONLY HAS SUPPORT FROM OBAMA'S WHITE 1116 00:37:23,630 --> 00:37:27,999 IT'S GETTING SO BAD, HE NOW ONLY HAS SUPPORT FROM OBAMA'S WHITE HALF. 1117 00:37:28,001 --> 00:37:32,404 HAS SUPPORT FROM OBAMA'S WHITE HALF. DID YOU GUYS ALL FORGET? 1118 00:37:32,406 --> 00:37:33,938 HALF. DID YOU GUYS ALL FORGET? >> IN SOME GREAT ECONOMIC NEWS 1119 00:37:33,940 --> 00:37:35,740 DID YOU GUYS ALL FORGET? >> IN SOME GREAT ECONOMIC NEWS FOR PRESIDENT BIDEN, U.S. OIL 1120 00:37:35,742 --> 00:37:37,108 >> IN SOME GREAT ECONOMIC NEWS FOR PRESIDENT BIDEN, U.S. OIL PRODUCTION HIT AN ALL-TIME HIGH 1121 00:37:37,110 --> 00:37:38,943 FOR PRESIDENT BIDEN, U.S. OIL PRODUCTION HIT AN ALL-TIME HIGH THIS WEEK, AND THE ECONOMY ADDED 1122 00:37:38,945 --> 00:37:42,147 PRODUCTION HIT AN ALL-TIME HIGH THIS WEEK, AND THE ECONOMY ADDED A SURPRISINGLY ROBUST 350,000 1123 00:37:42,149 --> 00:37:42,447 THIS WEEK, AND THE ECONOMY ADDED A SURPRISINGLY ROBUST 350,000 JOBS. 1124 00:37:42,449 --> 00:37:45,483 A SURPRISINGLY ROBUST 350,000 JOBS. OR AS FOX NEWS REPORTED IT, ARE 1125 00:37:45,485 --> 00:37:46,151 JOBS. OR AS FOX NEWS REPORTED IT, ARE MIGRANTS TURNING YOUR KIDS 1126 00:37:46,153 --> 00:37:52,691 OR AS FOX NEWS REPORTED IT, ARE MIGRANTS TURNING YOUR KIDS TRANS? 1127 00:37:52,693 --> 00:37:53,992 MIGRANTS TURNING YOUR KIDS TRANS? CAMPAIGN FINANCE RECORDS SHOW IN 1128 00:37:53,994 --> 00:37:57,662 TRANS? CAMPAIGN FINANCE RECORDS SHOW IN THE LAST SIX MONTHS, THE SUPER 1129 00:37:57,664 --> 00:38:00,999 CAMPAIGN FINANCE RECORDS SHOW IN THE LAST SIX MONTHS, THE SUPER PACK BEHIND DONALD TRUMP SPENT 1130 00:38:01,001 --> 00:38:01,733 THE LAST SIX MONTHS, THE SUPER PACK BEHIND DONALD TRUMP SPENT $50 MILLION ON LEGAL FEES, AND 1131 00:38:01,735 --> 00:38:03,201 PACK BEHIND DONALD TRUMP SPENT $50 MILLION ON LEGAL FEES, AND THAT'S WITH THE CHEAPEST WORST 1132 00:38:03,203 --> 00:38:04,302 $50 MILLION ON LEGAL FEES, AND THAT'S WITH THE CHEAPEST WORST LAWYERS OPT PLANET. 1133 00:38:04,304 --> 00:38:07,038 THAT'S WITH THE CHEAPEST WORST LAWYERS OPT PLANET. CAN YOU IMAGINE SPENDING 50 1134 00:38:07,040 --> 00:38:08,139 LAWYERS OPT PLANET. CAN YOU IMAGINE SPENDING 50 MILLION ON THE PEOPLE WHO JUST 1135 00:38:08,141 --> 00:38:10,275 CAN YOU IMAGINE SPENDING 50 MILLION ON THE PEOPLE WHO JUST LOST YOU 83 MILLION? 1136 00:38:10,277 --> 00:38:12,043 MILLION ON THE PEOPLE WHO JUST LOST YOU 83 MILLION? THIS LAWYER DID SUCH A BAD JOB, 1137 00:38:12,045 --> 00:38:15,447 LOST YOU 83 MILLION? THIS LAWYER DID SUCH A BAD JOB, I THOUGHT HER ACTUAL NAME WAS 1138 00:38:15,449 --> 00:38:16,481 THIS LAWYER DID SUCH A BAD JOB, I THOUGHT HER ACTUAL NAME WAS OVERRULED SIT DOWN. 1139 00:38:16,483 --> 00:38:20,218 I THOUGHT HER ACTUAL NAME WAS OVERRULED SIT DOWN. >> NIKKI HALEY HAS LAUNCHED A 1140 00:38:20,220 --> 00:38:22,520 OVERRULED SIT DOWN. >> NIKKI HALEY HAS LAUNCHED A SERIES OF CAMPAIGN ADS TARGETING 1141 00:38:22,522 --> 00:38:24,656 >> NIKKI HALEY HAS LAUNCHED A SERIES OF CAMPAIGN ADS TARGETING TRUMP AND BIDEN CALLED GRUMPY 1142 00:38:24,658 --> 00:38:25,190 SERIES OF CAMPAIGN ADS TARGETING TRUMP AND BIDEN CALLED GRUMPY OLD MEN. 1143 00:38:25,192 --> 00:38:25,490 TRUMP AND BIDEN CALLED GRUMPY OLD MEN. OKAY. 1144 00:38:25,492 --> 00:38:29,928 OLD MEN. OKAY. BUT AT LEAST THEY'RE MEN. 1145 00:38:29,930 --> 00:38:32,097 OKAY. BUT AT LEAST THEY'RE MEN. CHICAGO BECAME THE LARGEST U.S. 1146 00:38:32,099 --> 00:38:34,499 BUT AT LEAST THEY'RE MEN. CHICAGO BECAME THE LARGEST U.S. CITY TO CALL FOR A CEASE-FIRE IN 1147 00:38:34,501 --> 00:38:36,334 CHICAGO BECAME THE LARGEST U.S. CITY TO CALL FOR A CEASE-FIRE IN GAZA, AND IN RETURN, GAZA CALLED 1148 00:38:36,336 --> 00:38:37,368 CITY TO CALL FOR A CEASE-FIRE IN GAZA, AND IN RETURN, GAZA CALLED FOR A CEASE-FIRE IN CHICAGO. 1149 00:38:37,370 --> 00:38:43,775 GAZA, AND IN RETURN, GAZA CALLED FOR A CEASE-FIRE IN CHICAGO. [ LAUGHTER ] 1150 00:38:43,777 --> 00:38:46,211 FOR A CEASE-FIRE IN CHICAGO. [ LAUGHTER ] >> THE FCC IS PREPARING TO 1151 00:38:46,213 --> 00:38:49,647 [ LAUGHTER ] >> THE FCC IS PREPARING TO CRIMINALIZE UNSOLICITED ROW BOW 1152 00:38:49,649 --> 00:38:51,916 >> THE FCC IS PREPARING TO CRIMINALIZE UNSOLICITED ROW BOW CALLED THAT USE AI TO 1153 00:38:51,918 --> 00:38:53,184 CRIMINALIZE UNSOLICITED ROW BOW CALLED THAT USE AI TO IMPERSONATE POLITICIANS. 1154 00:38:53,186 --> 00:38:55,787 CALLED THAT USE AI TO IMPERSONATE POLITICIANS. YOU CAN STILL IMPERSONATE TED 1155 00:38:55,789 --> 00:38:58,857 IMPERSONATE POLITICIANS. YOU CAN STILL IMPERSONATE TED CRUZ BY SHAVING A SLOTH'S FACE. 1156 00:38:58,859 --> 00:38:59,257 YOU CAN STILL IMPERSONATE TED CRUZ BY SHAVING A SLOTH'S FACE. [ LAUGHTER ] 1157 00:38:59,259 --> 00:39:00,925 CRUZ BY SHAVING A SLOTH'S FACE. [ LAUGHTER ] >> BLACK HISTORY MONTH STARTED 1158 00:39:00,927 --> 00:39:01,326 [ LAUGHTER ] >> BLACK HISTORY MONTH STARTED AN THURSDAY. 1159 00:39:01,328 --> 00:39:04,162 >> BLACK HISTORY MONTH STARTED AN THURSDAY. 20 MINUTES LATE. 1160 00:39:04,164 --> 00:39:04,829 AN THURSDAY. 20 MINUTES LATE. DURING A SENATE HEARING -- 1161 00:39:04,831 --> 00:39:08,133 20 MINUTES LATE. DURING A SENATE HEARING -- [ LAUGHTER ] 1162 00:39:08,135 --> 00:39:11,236 DURING A SENATE HEARING -- [ LAUGHTER ] DURING A SENATE HEARING ON CHILD 1163 00:39:11,238 --> 00:39:14,773 [ LAUGHTER ] DURING A SENATE HEARING ON CHILD SAFETY ONLINE META CEO MARK 1164 00:39:14,775 --> 00:39:15,840 DURING A SENATE HEARING ON CHILD SAFETY ONLINE META CEO MARK ZUCKERBERG TURNED TO THE 1165 00:39:15,842 --> 00:39:17,609 SAFETY ONLINE META CEO MARK ZUCKERBERG TURNED TO THE AUDIENCE AND APOLOGIZED TO 1166 00:39:17,611 --> 00:39:19,277 ZUCKERBERG TURNED TO THE AUDIENCE AND APOLOGIZED TO FAMILIES OF CHILDREN HARMED BY 1167 00:39:19,279 --> 00:39:20,178 AUDIENCE AND APOLOGIZED TO FAMILIES OF CHILDREN HARMED BY SOCIAL MEDIA. 1168 00:39:20,180 --> 00:39:23,114 FAMILIES OF CHILDREN HARMED BY SOCIAL MEDIA. THE FAMILY SAID THEY WERE 1169 00:39:23,116 --> 00:39:24,783 SOCIAL MEDIA. THE FAMILY SAID THEY WERE SURPRISED AND, QUOTE, CHILLED TO 1170 00:39:24,785 --> 00:39:26,184 THE FAMILY SAID THEY WERE SURPRISED AND, QUOTE, CHILLED TO THE BONE. 1171 00:39:26,186 --> 00:39:27,385 SURPRISED AND, QUOTE, CHILLED TO THE BONE. THAT'S A HORRIFYING MAN. 1172 00:39:27,387 --> 00:39:32,757 THE BONE. THAT'S A HORRIFYING MAN. >> NBC HAS ANNOUNCED PLANS FOR A 1173 00:39:32,759 --> 00:39:34,492 THAT'S A HORRIFYING MAN. >> NBC HAS ANNOUNCED PLANS FOR A SPINOFF OF SUITS. 1174 00:39:34,494 --> 00:39:38,396 >> NBC HAS ANNOUNCED PLANS FOR A SPINOFF OF SUITS. IT WILL FOCUS ON MEGHAN MARKLE'S 1175 00:39:38,398 --> 00:39:40,131 SPINOFF OF SUITS. IT WILL FOCUS ON MEGHAN MARKLE'S STRUGGLE TO BALANCE HER LEGAL 1176 00:39:40,133 --> 00:39:41,699 IT WILL FOCUS ON MEGHAN MARKLE'S STRUGGLE TO BALANCE HER LEGAL CAREER WHILE ALSO CARING FOR AN 1177 00:39:41,701 --> 00:39:42,267 STRUGGLE TO BALANCE HER LEGAL CAREER WHILE ALSO CARING FOR AN UNEMPLOYED IMMIGRANT. 1178 00:39:42,269 --> 00:39:43,201 CAREER WHILE ALSO CARING FOR AN UNEMPLOYED IMMIGRANT. >> I LIKE THAT. 1179 00:39:43,203 --> 00:39:47,205 UNEMPLOYED IMMIGRANT. >> I LIKE THAT. I LIKE THAT ONE. 1180 00:39:47,207 --> 00:39:50,208 >> I LIKE THAT. I LIKE THAT ONE. A PIZZA HUT IN CANADA HAS GONE 1181 00:39:50,210 --> 00:39:52,243 I LIKE THAT ONE. A PIZZA HUT IN CANADA HAS GONE VIRAL AFTER EMPLOYEES POSTED A 1182 00:39:52,245 --> 00:39:54,412 A PIZZA HUT IN CANADA HAS GONE VIRAL AFTER EMPLOYEES POSTED A SIGN ON THE DOOR EXPLAINING THE 1183 00:39:54,414 --> 00:39:57,549 VIRAL AFTER EMPLOYEES POSTED A SIGN ON THE DOOR EXPLAINING THE LOCATION WAS CLOSED DUE TO 1184 00:39:57,551 --> 00:39:58,983 SIGN ON THE DOOR EXPLAINING THE LOCATION WAS CLOSED DUE TO UNFORESEEN CIRCUMCISIONS. 1185 00:39:58,985 --> 00:40:00,919 LOCATION WAS CLOSED DUE TO UNFORESEEN CIRCUMCISIONS. IT WAS OBVIOUSLY A MISPRINT 1186 00:40:00,921 --> 00:40:02,720 UNFORESEEN CIRCUMCISIONS. IT WAS OBVIOUSLY A MISPRINT BECAUSE PIZZA HUT LOVES EXTRA 1187 00:40:02,722 --> 00:40:04,189 IT WAS OBVIOUSLY A MISPRINT BECAUSE PIZZA HUT LOVES EXTRA TOPPINGS. 1188 00:40:04,191 --> 00:40:10,795 BECAUSE PIZZA HUT LOVES EXTRA TOPPINGS. [ LAUGHTER ] 1189 00:40:10,797 --> 00:40:13,298 TOPPINGS. [ LAUGHTER ] >> A RACEHORSE IN OHIO WHICH HAD 1190 00:40:13,300 --> 00:40:17,101 [ LAUGHTER ] >> A RACEHORSE IN OHIO WHICH HAD WON A RACE EARLIER IN THE DAY 1191 00:40:17,103 --> 00:40:19,804 >> A RACEHORSE IN OHIO WHICH HAD WON A RACE EARLIER IN THE DAY LATER TESTED POSITIVE FOR METH. 1192 00:40:19,806 --> 00:40:20,505 WON A RACE EARLIER IN THE DAY LATER TESTED POSITIVE FOR METH. OHIO, WHERE YOU HAVE TO TEST 1193 00:40:20,507 --> 00:40:23,074 LATER TESTED POSITIVE FOR METH. OHIO, WHERE YOU HAVE TO TEST HORSES FOR METH. 1194 00:40:23,076 --> 00:40:25,076 OHIO, WHERE YOU HAVE TO TEST HORSES FOR METH. >> POLICE IN KANSAS FOUND A 1195 00:40:25,078 --> 00:40:27,078 HORSES FOR METH. >> POLICE IN KANSAS FOUND A STOLEN STATUE HONORING JACKIE 1196 00:40:27,080 --> 00:40:28,479 >> POLICE IN KANSAS FOUND A STOLEN STATUE HONORING JACKIE ROBINSON BUT SAY THAT IT WAS 1197 00:40:28,481 --> 00:40:30,114 STOLEN STATUE HONORING JACKIE ROBINSON BUT SAY THAT IT WAS DAMAGED BEYOND REPAIR. 1198 00:40:30,116 --> 00:40:31,716 ROBINSON BUT SAY THAT IT WAS DAMAGED BEYOND REPAIR. ALSO POLICE SHOT IT BECAUSE IT 1199 00:40:31,718 --> 00:40:32,817 DAMAGED BEYOND REPAIR. ALSO POLICE SHOT IT BECAUSE IT REFUSED TO DROP THE BAT. 1200 00:40:32,819 --> 00:40:36,688 ALSO POLICE SHOT IT BECAUSE IT REFUSED TO DROP THE BAT. [ LAUGHTER ] 1201 00:40:36,690 --> 00:40:40,992 REFUSED TO DROP THE BAT. [ LAUGHTER ] I LIKE THIS CROWD A LOT, MAN. 1202 00:40:40,994 --> 00:40:43,862 [ LAUGHTER ] I LIKE THIS CROWD A LOT, MAN. >> A FAMILY IN MICHIGAN WHOSE 1203 00:40:43,864 --> 00:40:47,465 I LIKE THIS CROWD A LOT, MAN. >> A FAMILY IN MICHIGAN WHOSE DUCK LOST ITS MATE PLACED A 1204 00:40:47,467 --> 00:40:48,700 >> A FAMILY IN MICHIGAN WHOSE DUCK LOST ITS MATE PLACED A PERSONAL AD ONLINE TO FIND THE 1205 00:40:48,702 --> 00:40:50,501 DUCK LOST ITS MATE PLACED A PERSONAL AD ONLINE TO FIND THE BIRD A NEW PARTNER, AND IN A 1206 00:40:50,503 --> 00:40:51,936 PERSONAL AD ONLINE TO FIND THE BIRD A NEW PARTNER, AND IN A LOVING ACT OF UNDERSTANDING, 1207 00:40:51,938 --> 00:40:52,804 BIRD A NEW PARTNER, AND IN A LOVING ACT OF UNDERSTANDING, THEY EVEN SPECIFIED, POWER 1208 00:40:52,806 --> 00:40:53,805 LOVING ACT OF UNDERSTANDING, THEY EVEN SPECIFIED, POWER BOTTOM. 1209 00:40:53,807 --> 00:40:56,474 THEY EVEN SPECIFIED, POWER BOTTOM. [ LAUGHTER ] 1210 00:40:56,476 --> 00:40:58,810 BOTTOM. [ LAUGHTER ] >> A WOMAN IN UTAH WHO GAVE 1211 00:40:58,812 --> 00:41:01,412 [ LAUGHTER ] >> A WOMAN IN UTAH WHO GAVE BIRTH TO HER EIGHTH CHILD JUST 1212 00:41:01,414 --> 00:41:03,748 >> A WOMAN IN UTAH WHO GAVE BIRTH TO HER EIGHTH CHILD JUST TWO WEEKS AGO IS COMPETING IN 1213 00:41:03,750 --> 00:41:06,117 BIRTH TO HER EIGHTH CHILD JUST TWO WEEKS AGO IS COMPETING IN THE MRS. WORLD BEAUTY PAGEANT. 1214 00:41:06,119 --> 00:41:06,784 TWO WEEKS AGO IS COMPETING IN THE MRS. WORLD BEAUTY PAGEANT. I GUESS SHE JUST CAN'T GET 1215 00:41:06,786 --> 00:41:07,685 THE MRS. WORLD BEAUTY PAGEANT. I GUESS SHE JUST CAN'T GET ENOUGH CROWNING. 1216 00:41:07,687 --> 00:41:15,393 I GUESS SHE JUST CAN'T GET ENOUGH CROWNING. [ LAUGHTER ] 1217 00:41:15,395 --> 00:41:17,428 ENOUGH CROWNING. [ LAUGHTER ] >> WELL, A LOT OF PEOPLE ASK ME 1218 00:41:17,430 --> 00:41:19,197 [ LAUGHTER ] >> WELL, A LOT OF PEOPLE ASK ME HOW TO GET TICKETS FOR SNL, AND 1219 00:41:19,199 --> 00:41:20,798 >> WELL, A LOT OF PEOPLE ASK ME HOW TO GET TICKETS FOR SNL, AND ONE OF THE WAYS IS THROUGH THE 1220 00:41:20,800 --> 00:41:21,666 HOW TO GET TICKETS FOR SNL, AND ONE OF THE WAYS IS THROUGH THE TICKET LOTTERY. 1221 00:41:21,668 --> 00:41:23,234 ONE OF THE WAYS IS THROUGH THE TICKET LOTTERY. HERE TO COMMENT ON HIS 1222 00:41:23,236 --> 00:41:24,502 TICKET LOTTERY. HERE TO COMMENT ON HIS EXPERIENCE WINNING A TICKET TO 1223 00:41:24,504 --> 00:41:31,643 HERE TO COMMENT ON HIS EXPERIENCE WINNING A TICKET TO THE SHOW IS 18-YEAR-OLD 1224 00:41:31,645 --> 00:41:32,110 EXPERIENCE WINNING A TICKET TO THE SHOW IS 18-YEAR-OLD C.J.ROSSITANO. 1225 00:41:32,112 --> 00:41:32,944 THE SHOW IS 18-YEAR-OLD C.J.ROSSITANO. >> HI, COLIN. 1226 00:41:32,946 --> 00:41:34,579 C.J.ROSSITANO. >> HI, COLIN. I'M SUCH A BIG FAN OF THE SHOW. 1227 00:41:34,581 --> 00:41:37,315 >> HI, COLIN. I'M SUCH A BIG FAN OF THE SHOW. IN FACT, YOU COULD SAY I'VE 1228 00:41:37,317 --> 00:41:38,049 I'M SUCH A BIG FAN OF THE SHOW. IN FACT, YOU COULD SAY I'VE ALWAYS FELT STRANGELY DRAWN TO 1229 00:41:38,051 --> 00:41:39,684 IN FACT, YOU COULD SAY I'VE ALWAYS FELT STRANGELY DRAWN TO IT. 1230 00:41:39,686 --> 00:41:46,224 ALWAYS FELT STRANGELY DRAWN TO IT. [ LAUGHTER ] 1231 00:41:46,226 --> 00:41:48,927 IT. [ LAUGHTER ] >> THANKS SO MUCH FOR COMING. 1232 00:41:48,929 --> 00:41:50,561 [ LAUGHTER ] >> THANKS SO MUCH FOR COMING. ARE YOU HERE WITH YOUR MOM AND 1233 00:41:50,563 --> 00:41:50,828 >> THANKS SO MUCH FOR COMING. ARE YOU HERE WITH YOUR MOM AND DAD? 1234 00:41:50,830 --> 00:41:51,329 ARE YOU HERE WITH YOUR MOM AND DAD? >> I WISH. 1235 00:41:51,331 --> 00:41:56,100 DAD? >> I WISH. I NEVER MET MY DAD. 1236 00:41:56,102 --> 00:41:56,768 >> I WISH. I NEVER MET MY DAD. OR AT LEAST I DON'T THINK I 1237 00:41:56,770 --> 00:41:58,036 I NEVER MET MY DAD. OR AT LEAST I DON'T THINK I HAVE. 1238 00:41:58,038 --> 00:42:01,873 OR AT LEAST I DON'T THINK I HAVE. [ LAUGHTER ] 1239 00:42:01,875 --> 00:42:05,176 HAVE. [ LAUGHTER ] >> OH, WOW. 1240 00:42:05,178 --> 00:42:05,443 [ LAUGHTER ] >> OH, WOW. WOW. 1241 00:42:05,445 --> 00:42:05,743 >> OH, WOW. WOW. YEAH. 1242 00:42:05,745 --> 00:42:08,212 WOW. YEAH. I'M SO SORRY TO HEAR THAT. 1243 00:42:08,214 --> 00:42:10,481 YEAH. I'M SO SORRY TO HEAR THAT. >> BUT IT'S SUCH AN HONOR TO BE 1244 00:42:10,483 --> 00:42:12,016 I'M SO SORRY TO HEAR THAT. >> BUT IT'S SUCH AN HONOR TO BE HERE, MR. COLIN, AND IT'S SO 1245 00:42:12,018 --> 00:42:12,817 >> BUT IT'S SUCH AN HONOR TO BE HERE, MR. COLIN, AND IT'S SO CLOSE BY. 1246 00:42:12,819 --> 00:42:15,586 HERE, MR. COLIN, AND IT'S SO CLOSE BY. ME AND MY MOM LIVE RIGHT OVER ON 1247 00:42:15,588 --> 00:42:16,354 CLOSE BY. ME AND MY MOM LIVE RIGHT OVER ON 47th AND FIFTH. 1248 00:42:16,356 --> 00:42:18,690 ME AND MY MOM LIVE RIGHT OVER ON 47th AND FIFTH. >> OH, WOW. 1249 00:42:18,692 --> 00:42:19,123 47th AND FIFTH. >> OH, WOW. THAT'S FUNNY. 1250 00:42:19,125 --> 00:42:19,724 >> OH, WOW. THAT'S FUNNY. THAT'S WHERE MY FORMER 1251 00:42:19,726 --> 00:42:21,392 THAT'S FUNNY. THAT'S WHERE MY FORMER HOUSEKEEPER LIVED. 1252 00:42:21,394 --> 00:42:23,928 THAT'S WHERE MY FORMER HOUSEKEEPER LIVED. [ LAUGHTER ] 1253 00:42:23,930 --> 00:42:26,631 HOUSEKEEPER LIVED. [ LAUGHTER ] >> WHAT A COINCIDENCE, COLIN, MY 1254 00:42:26,633 --> 00:42:30,168 [ LAUGHTER ] >> WHAT A COINCIDENCE, COLIN, MY MOM'S A FORMER HOUSEKEEPER. 1255 00:42:30,170 --> 00:42:31,869 >> WHAT A COINCIDENCE, COLIN, MY MOM'S A FORMER HOUSEKEEPER. ♪ AND THE CATS AND THE CRADLE 1256 00:42:31,871 --> 00:42:34,672 MOM'S A FORMER HOUSEKEEPER. ♪ AND THE CATS AND THE CRADLE AND THE SILVER SPOON, LITTLE BOY 1257 00:42:34,674 --> 00:42:41,946 ♪ AND THE CATS AND THE CRADLE AND THE SILVER SPOON, LITTLE BOY BLUE AND THE MAN IN THE MOON ♪ 1258 00:42:41,948 --> 00:42:44,248 AND THE SILVER SPOON, LITTLE BOY BLUE AND THE MAN IN THE MOON ♪ >> SO YOUR DAD'S NOT IN THE 1259 00:42:44,250 --> 00:42:44,983 BLUE AND THE MAN IN THE MOON ♪ >> SO YOUR DAD'S NOT IN THE PICTURE? 1260 00:42:44,985 --> 00:42:45,817 >> SO YOUR DAD'S NOT IN THE PICTURE? >> NOPE. 1261 00:42:45,819 --> 00:42:49,954 PICTURE? >> NOPE. MY MAMA NEVER EVEN TOLD ME HIS 1262 00:42:49,956 --> 00:42:50,254 >> NOPE. MY MAMA NEVER EVEN TOLD ME HIS NAME. 1263 00:42:50,256 --> 00:42:54,292 MY MAMA NEVER EVEN TOLD ME HIS NAME. SHE JUST SAID HE WAS KNOWN AS EL 1264 00:42:54,294 --> 00:42:58,463 NAME. SHE JUST SAID HE WAS KNOWN AS EL DIABLO DE LOS HAMPTONS. 1265 00:42:58,465 --> 00:42:58,796 SHE JUST SAID HE WAS KNOWN AS EL DIABLO DE LOS HAMPTONS. >> WOW. 1266 00:42:58,798 --> 00:42:59,097 DIABLO DE LOS HAMPTONS. >> WOW. YEAH. 1267 00:42:59,099 --> 00:42:59,530 >> WOW. YEAH. I DON'T KNOW. 1268 00:42:59,532 --> 00:43:01,632 YEAH. I DON'T KNOW. HE SOUNDS MISUNDERSTOOD. 1269 00:43:01,634 --> 00:43:03,034 I DON'T KNOW. HE SOUNDS MISUNDERSTOOD. >> WELL, I DON'T KNOW MUCH ABOUT 1270 00:43:03,036 --> 00:43:06,971 HE SOUNDS MISUNDERSTOOD. >> WELL, I DON'T KNOW MUCH ABOUT MY DADDY, MR. COLIN EXCEPT THAT 1271 00:43:06,973 --> 00:43:08,239 >> WELL, I DON'T KNOW MUCH ABOUT MY DADDY, MR. COLIN EXCEPT THAT MY MAMA SAID THAT HE HAS AN 1272 00:43:08,241 --> 00:43:10,875 MY DADDY, MR. COLIN EXCEPT THAT MY MAMA SAID THAT HE HAS AN UNUSUAL PENIS JUST LIKE MINE. 1273 00:43:10,877 --> 00:43:13,444 MY MAMA SAID THAT HE HAS AN UNUSUAL PENIS JUST LIKE MINE. >> UNUSUAL HOW? 1274 00:43:13,446 --> 00:43:14,345 UNUSUAL PENIS JUST LIKE MINE. >> UNUSUAL HOW? >> SMALL AND CURLY, LIKE A PIG'S 1275 00:43:14,347 --> 00:43:15,947 >> UNUSUAL HOW? >> SMALL AND CURLY, LIKE A PIG'S TAIL. 1276 00:43:15,949 --> 00:43:19,517 >> SMALL AND CURLY, LIKE A PIG'S TAIL. [ LAUGHTER ] 1277 00:43:19,519 --> 00:43:20,685 TAIL. [ LAUGHTER ] >> YEAH. 1278 00:43:20,687 --> 00:43:24,889 [ LAUGHTER ] >> YEAH. I'VE HEARD IT'S CALLED A PORCINE 1279 00:43:24,891 --> 00:43:26,891 >> YEAH. I'VE HEARD IT'S CALLED A PORCINE PENILE ADAPTATION, AND IT'S 1280 00:43:26,893 --> 00:43:28,393 I'VE HEARD IT'S CALLED A PORCINE PENILE ADAPTATION, AND IT'S ACTUALLY REALLY COMMON. 1281 00:43:28,395 --> 00:43:30,561 PENILE ADAPTATION, AND IT'S ACTUALLY REALLY COMMON. ONE OUT OF EVERY 4 BILLION 1282 00:43:30,563 --> 00:43:31,029 ACTUALLY REALLY COMMON. ONE OUT OF EVERY 4 BILLION PEOPLE HAVE IT. 1283 00:43:31,031 --> 00:43:31,829 ONE OUT OF EVERY 4 BILLION PEOPLE HAVE IT. >> SO TWO PEOPLE IN THE WHOLE 1284 00:43:31,831 --> 00:43:34,799 PEOPLE HAVE IT. >> SO TWO PEOPLE IN THE WHOLE WORLD? 1285 00:43:34,801 --> 00:43:36,801 >> SO TWO PEOPLE IN THE WHOLE WORLD? ♪ AND THE CATS AND THE CRADLE 1286 00:43:36,803 --> 00:43:39,003 WORLD? ♪ AND THE CATS AND THE CRADLE AND THE SILVER SPOON, LITTLE BOY 1287 00:43:39,005 --> 00:43:44,942 ♪ AND THE CATS AND THE CRADLE AND THE SILVER SPOON, LITTLE BOY BLUE AND THE MAN IN THE MOON ♪ 1288 00:43:44,944 --> 00:43:46,911 AND THE SILVER SPOON, LITTLE BOY BLUE AND THE MAN IN THE MOON ♪ >> MY MOM SAYS I'M GETTING MORE 1289 00:43:46,913 --> 00:43:48,679 BLUE AND THE MAN IN THE MOON ♪ >> MY MOM SAYS I'M GETTING MORE AND MORE LIKE MY DADDY EVERY 1290 00:43:48,681 --> 00:43:48,946 >> MY MOM SAYS I'M GETTING MORE AND MORE LIKE MY DADDY EVERY DAY. 1291 00:43:48,948 --> 00:43:51,816 AND MORE LIKE MY DADDY EVERY DAY. I'M NOT EVEN ALLOWED TO HAVE A 1292 00:43:51,818 --> 00:43:53,051 DAY. I'M NOT EVEN ALLOWED TO HAVE A PHONE ANYMORE BECAUSE I WAS 1293 00:43:53,053 --> 00:43:57,722 I'M NOT EVEN ALLOWED TO HAVE A PHONE ANYMORE BECAUSE I WAS TAKING TOO MANY UPSKIRT PHOTOS. 1294 00:43:57,724 --> 00:44:00,058 PHONE ANYMORE BECAUSE I WAS TAKING TOO MANY UPSKIRT PHOTOS. I'VE HAD SOME LUCK TOO, LIKE I'M 1295 00:44:00,060 --> 00:44:02,193 TAKING TOO MANY UPSKIRT PHOTOS. I'VE HAD SOME LUCK TOO, LIKE I'M DATING THIS GORGEOUS GIRL WHO'S 1296 00:44:02,195 --> 00:44:03,494 I'VE HAD SOME LUCK TOO, LIKE I'M DATING THIS GORGEOUS GIRL WHO'S THE LEAD ACTRESS IN ALL THE 1297 00:44:03,496 --> 00:44:06,364 DATING THIS GORGEOUS GIRL WHO'S THE LEAD ACTRESS IN ALL THE SCHOOL PLAYS, AND NO ONE CAN 1298 00:44:06,366 --> 00:44:08,066 THE LEAD ACTRESS IN ALL THE SCHOOL PLAYS, AND NO ONE CAN FIGURE OUT WHY HE'S WITH ME. 1299 00:44:08,068 --> 00:44:11,469 SCHOOL PLAYS, AND NO ONE CAN FIGURE OUT WHY HE'S WITH ME. [ LAUGHTER ] 1300 00:44:11,471 --> 00:44:12,203 FIGURE OUT WHY HE'S WITH ME. [ LAUGHTER ] ANYTHING LIKE THAT EVER HAPPEN 1301 00:44:12,205 --> 00:44:13,304 [ LAUGHTER ] ANYTHING LIKE THAT EVER HAPPEN TO YOU, COLIN? 1302 00:44:13,306 --> 00:44:18,209 ANYTHING LIKE THAT EVER HAPPEN TO YOU, COLIN? [ LAUGHTER ] 1303 00:44:18,211 --> 00:44:24,248 TO YOU, COLIN? [ LAUGHTER ] >> NOPE. 1304 00:44:24,250 --> 00:44:26,617 [ LAUGHTER ] >> NOPE. >> GOSH, COLIN, DON'T YOU 1305 00:44:26,619 --> 00:44:29,053 >> NOPE. >> GOSH, COLIN, DON'T YOU SOMETIMES JUST FEEL LIKE -- 1306 00:44:29,055 --> 00:44:32,557 >> GOSH, COLIN, DON'T YOU SOMETIMES JUST FEEL LIKE -- >> YOU'RE BETTER THAN EVERYONE 1307 00:44:32,559 --> 00:44:32,857 SOMETIMES JUST FEEL LIKE -- >> YOU'RE BETTER THAN EVERYONE ELSE? 1308 00:44:32,859 --> 00:44:34,992 >> YOU'RE BETTER THAN EVERYONE ELSE? AND THERE'S NO REASON TO FEEL 1309 00:44:34,994 --> 00:44:35,493 ELSE? AND THERE'S NO REASON TO FEEL THAT WAY? 1310 00:44:35,495 --> 00:44:37,128 AND THERE'S NO REASON TO FEEL THAT WAY? ♪ AND THE CATS AND THE CRADLE 1311 00:44:37,130 --> 00:44:39,797 THAT WAY? ♪ AND THE CATS AND THE CRADLE AND THE SILVER SPOON, LITTLE BOY 1312 00:44:39,799 --> 00:44:44,702 ♪ AND THE CATS AND THE CRADLE AND THE SILVER SPOON, LITTLE BOY BLUE AND THE MAN IN THE MOON ♪ 1313 00:44:44,704 --> 00:44:48,306 AND THE SILVER SPOON, LITTLE BOY BLUE AND THE MAN IN THE MOON ♪ >> ANYWAY, THANKS FOR THE 1314 00:44:48,308 --> 00:44:49,073 BLUE AND THE MAN IN THE MOON ♪ >> ANYWAY, THANKS FOR THE TICKETS, COLIN. 1315 00:44:49,075 --> 00:44:51,375 >> ANYWAY, THANKS FOR THE TICKETS, COLIN. I LOVE THE SHOW, ESPECIALLY THAT 1316 00:44:51,377 --> 00:44:51,809 TICKETS, COLIN. I LOVE THE SHOW, ESPECIALLY THAT SARAH SHERMAN. 1317 00:44:51,811 --> 00:44:56,314 I LOVE THE SHOW, ESPECIALLY THAT SARAH SHERMAN. [ CHEERS AND APPLAUSE ] 1318 00:44:56,316 --> 00:44:58,749 SARAH SHERMAN. [ CHEERS AND APPLAUSE ] HEY, LISTEN, SHE MAY BE WAY TOO 1319 00:44:58,751 --> 00:45:01,185 [ CHEERS AND APPLAUSE ] HEY, LISTEN, SHE MAY BE WAY TOO LOUD, BUT AFTER SHE BLOWS THAT 1320 00:45:01,187 --> 00:45:03,321 HEY, LISTEN, SHE MAY BE WAY TOO LOUD, BUT AFTER SHE BLOWS THAT ONE LINE IN A SKETCH, I LOVE 1321 00:45:03,323 --> 00:45:05,389 LOUD, BUT AFTER SHE BLOWS THAT ONE LINE IN A SKETCH, I LOVE WATCHING HER WALK THAT DUMP 1322 00:45:05,391 --> 00:45:08,826 ONE LINE IN A SKETCH, I LOVE WATCHING HER WALK THAT DUMP TRUCK ASS OUT THE STUDIO. 1323 00:45:08,828 --> 00:45:09,794 WATCHING HER WALK THAT DUMP TRUCK ASS OUT THE STUDIO. >> FAVORITE VIEW IN THE CITY, 1324 00:45:09,796 --> 00:45:13,731 TRUCK ASS OUT THE STUDIO. >> FAVORITE VIEW IN THE CITY, AMIGO. 1325 00:45:13,733 --> 00:45:15,199 >> FAVORITE VIEW IN THE CITY, AMIGO. WELL, IT HAS BEEN GREAT HAVING 1326 00:45:15,201 --> 00:45:20,071 AMIGO. WELL, IT HAS BEEN GREAT HAVING YOU, SON -- I MEAN. 1327 00:45:20,073 --> 00:45:21,372 WELL, IT HAS BEEN GREAT HAVING YOU, SON -- I MEAN. >> DAD? 1328 00:45:21,374 --> 00:45:22,907 YOU, SON -- I MEAN. >> DAD? WAIT, ON THE COUNT OF THREE, 1329 00:45:22,909 --> 00:45:26,344 >> DAD? WAIT, ON THE COUNT OF THREE, WHAT'S YOUR FAVORITE FOOD. 1330 00:45:26,346 --> 00:45:26,878 WAIT, ON THE COUNT OF THREE, WHAT'S YOUR FAVORITE FOOD. ONE, TWO, THREE -- 1331 00:45:26,880 --> 00:45:29,213 WHAT'S YOUR FAVORITE FOOD. ONE, TWO, THREE -- >> COCAINE. 1332 00:45:29,215 --> 00:45:30,014 ONE, TWO, THREE -- >> COCAINE. >> PAPA? 1333 00:45:30,016 --> 00:45:31,782 >> COCAINE. >> PAPA? ♪ AND THE CATS AND THE CRADLE 1334 00:45:31,784 --> 00:45:33,117 >> PAPA? ♪ AND THE CATS AND THE CRADLE AND THE SILVER SPOON ♪ 1335 00:45:33,119 --> 00:45:36,154 ♪ AND THE CATS AND THE CRADLE AND THE SILVER SPOON ♪ >> MY SON, EVERYONE! 1336 00:45:36,156 --> 00:45:38,055 AND THE SILVER SPOON ♪ >> MY SON, EVERYONE! FOR "WEEKEND UPDATE," I'M C 1337 00:46:04,299 --> 00:46:11,038 >>> WELCOME BACK TO TRIVIA QUEST WHERE CONTESTANTS CAN WIN UP TO $50,000. 1338 00:46:11,040 --> 00:46:15,710 WHERE CONTESTANTS CAN WIN UP TO $50,000. SO FAR, JEFF'S IN THE LEAD. 1339 00:46:15,712 --> 00:46:17,812 $50,000. SO FAR, JEFF'S IN THE LEAD. BEFORE WE START THE NEXT ROUND, 1340 00:46:17,814 --> 00:46:21,249 SO FAR, JEFF'S IN THE LEAD. BEFORE WE START THE NEXT ROUND, LET'S GET TO KNOW OUR 1341 00:46:21,251 --> 00:46:21,649 BEFORE WE START THE NEXT ROUND, LET'S GET TO KNOW OUR CONTESTANTS. 1342 00:46:21,651 --> 00:46:23,284 LET'S GET TO KNOW OUR CONTESTANTS. MS. AMY, WHAT ARE YOU GOING TO 1343 00:46:23,286 --> 00:46:24,452 CONTESTANTS. MS. AMY, WHAT ARE YOU GOING TO DO WITH THE PRIZE MONEY IF YOU 1344 00:46:24,454 --> 00:46:24,719 MS. AMY, WHAT ARE YOU GOING TO DO WITH THE PRIZE MONEY IF YOU WIN? 1345 00:46:24,721 --> 00:46:27,121 DO WITH THE PRIZE MONEY IF YOU WIN? >> WELL, WE NEVER GOT THE 1346 00:46:27,123 --> 00:46:29,156 WIN? >> WELL, WE NEVER GOT THE HONEYMOON WE DESERVE, SO WHEN I 1347 00:46:29,158 --> 00:46:30,658 >> WELL, WE NEVER GOT THE HONEYMOON WE DESERVE, SO WHEN I WIN THIS MONEY, WE'RE GOING TO 1348 00:46:30,660 --> 00:46:37,098 HONEYMOON WE DESERVE, SO WHEN I WIN THIS MONEY, WE'RE GOING TO SPEND THE SUMMER VISITING 1349 00:46:37,100 --> 00:46:37,431 WIN THIS MONEY, WE'RE GOING TO SPEND THE SUMMER VISITING FRANCE. 1350 00:46:37,433 --> 00:46:40,768 SPEND THE SUMMER VISITING FRANCE. >> WELL, BONN VOYAGE. 1351 00:46:40,770 --> 00:46:41,435 FRANCE. >> WELL, BONN VOYAGE. NAOMI, WHAT ABOUT YOU? 1352 00:46:41,437 --> 00:46:45,239 >> WELL, BONN VOYAGE. NAOMI, WHAT ABOUT YOU? >> WELL, I RECENTLY GRADUATED 1353 00:46:45,241 --> 00:46:45,840 NAOMI, WHAT ABOUT YOU? >> WELL, I RECENTLY GRADUATED FROM SPELLMAN COLLEGE. 1354 00:46:45,842 --> 00:46:48,342 >> WELL, I RECENTLY GRADUATED FROM SPELLMAN COLLEGE. >> YOU WENT TO SPELLMAN? 1355 00:46:48,344 --> 00:46:49,310 FROM SPELLMAN COLLEGE. >> YOU WENT TO SPELLMAN? ME TOO! 1356 00:46:49,312 --> 00:46:53,514 >> YOU WENT TO SPELLMAN? ME TOO! CLASS OF '08, AND IT WAS NOT 1357 00:46:53,516 --> 00:46:53,848 ME TOO! CLASS OF '08, AND IT WAS NOT CHEAP. 1358 00:46:53,850 --> 00:46:56,584 CLASS OF '08, AND IT WAS NOT CHEAP. SO YOU ALREADY KNOW HOW CRAZY 1359 00:46:56,586 --> 00:46:58,185 CHEAP. SO YOU ALREADY KNOW HOW CRAZY THOSE STUDENT LOAN PAYMENTS ARE. 1360 00:46:58,187 --> 00:47:00,388 SO YOU ALREADY KNOW HOW CRAZY THOSE STUDENT LOAN PAYMENTS ARE. >> DO NOT GET ME STARTED. 1361 00:47:00,390 --> 00:47:02,023 THOSE STUDENT LOAN PAYMENTS ARE. >> DO NOT GET ME STARTED. AND I DON'T USE THAT DEGREE. 1362 00:47:02,025 --> 00:47:02,957 >> DO NOT GET ME STARTED. AND I DON'T USE THAT DEGREE. I DO THIS. 1363 00:47:02,959 --> 00:47:06,127 AND I DON'T USE THAT DEGREE. I DO THIS. >> IF SALLY MAE CALL MY PHONE 1364 00:47:06,129 --> 00:47:07,094 I DO THIS. >> IF SALLY MAE CALL MY PHONE ONE MORE TIME -- 1365 00:47:07,096 --> 00:47:09,063 >> IF SALLY MAE CALL MY PHONE ONE MORE TIME -- >> SALLY MAY GET HER ASS BEAT. 1366 00:47:09,065 --> 00:47:10,464 ONE MORE TIME -- >> SALLY MAY GET HER ASS BEAT. >> THAT'S WHY I'M TRYING TO WIN 1367 00:47:10,466 --> 00:47:14,335 >> SALLY MAY GET HER ASS BEAT. >> THAT'S WHY I'M TRYING TO WIN THIS MONEY, PAY OFF THESE LOANS, 1368 00:47:14,337 --> 00:47:15,570 >> THAT'S WHY I'M TRYING TO WIN THIS MONEY, PAY OFF THESE LOANS, AND LIVE MY BEST LIFE. 1369 00:47:15,572 --> 00:47:16,771 THIS MONEY, PAY OFF THESE LOANS, AND LIVE MY BEST LIFE. >> I KNOW THAT'S RIGHT. 1370 00:47:16,773 --> 00:47:18,639 AND LIVE MY BEST LIFE. >> I KNOW THAT'S RIGHT. HOPE YOU WIN, GIRL. 1371 00:47:18,641 --> 00:47:20,207 >> I KNOW THAT'S RIGHT. HOPE YOU WIN, GIRL. AND FINALLY, JEFF, WHAT ARE YOU 1372 00:47:20,209 --> 00:47:21,709 HOPE YOU WIN, GIRL. AND FINALLY, JEFF, WHAT ARE YOU GOING TO DO WITH THAT MONEY IF 1373 00:47:21,711 --> 00:47:22,276 AND FINALLY, JEFF, WHAT ARE YOU GOING TO DO WITH THAT MONEY IF YOU WIN? 1374 00:47:22,278 --> 00:47:25,146 GOING TO DO WITH THAT MONEY IF YOU WIN? >> WELL, ANGIE, I'VE ALWAYS 1375 00:47:25,148 --> 00:47:26,280 YOU WIN? >> WELL, ANGIE, I'VE ALWAYS THOUGHT IT WOULD BE PRETTY NEAT 1376 00:47:26,282 --> 00:47:28,349 >> WELL, ANGIE, I'VE ALWAYS THOUGHT IT WOULD BE PRETTY NEAT TO OWN A SPORT FISHING BOAT. 1377 00:47:28,351 --> 00:47:35,189 THOUGHT IT WOULD BE PRETTY NEAT TO OWN A SPORT FISHING BOAT. >> OKAY. 1378 00:47:35,191 --> 00:47:36,357 TO OWN A SPORT FISHING BOAT. >> OKAY. >> I'M SORRY, GIRL, I CAN'T. 1379 00:47:36,359 --> 00:47:37,291 >> OKAY. >> I'M SORRY, GIRL, I CAN'T. SPORT FISHING BOAT. 1380 00:47:37,293 --> 00:47:38,092 >> I'M SORRY, GIRL, I CAN'T. SPORT FISHING BOAT. >> RIGHT. 1381 00:47:38,094 --> 00:47:39,694 SPORT FISHING BOAT. >> RIGHT. WHY HE AIN'T JUST SAY BOAT? 1382 00:47:39,696 --> 00:47:42,330 >> RIGHT. WHY HE AIN'T JUST SAY BOAT? YOU CAN FISH ON ANY BOAT! 1383 00:47:42,332 --> 00:47:45,766 WHY HE AIN'T JUST SAY BOAT? YOU CAN FISH ON ANY BOAT! >> I ALSO HAVE SOME DEBT FROM 1384 00:47:45,768 --> 00:47:46,267 YOU CAN FISH ON ANY BOAT! >> I ALSO HAVE SOME DEBT FROM ITHACA COLLEGE. 1385 00:47:46,269 --> 00:47:48,102 >> I ALSO HAVE SOME DEBT FROM ITHACA COLLEGE. >> THAT'S A COOL STORY, JEFF. 1386 00:47:48,104 --> 00:47:50,571 ITHACA COLLEGE. >> THAT'S A COOL STORY, JEFF. LET'S JUST START THE NEXT ROUND. 1387 00:47:50,573 --> 00:47:50,871 >> THAT'S A COOL STORY, JEFF. LET'S JUST START THE NEXT ROUND. OKAY. 1388 00:47:50,873 --> 00:47:54,175 LET'S JUST START THE NEXT ROUND. OKAY. VERY FIRST QUESTION HERE. 1389 00:47:54,177 --> 00:47:54,909 OKAY. VERY FIRST QUESTION HERE. IN 1993, THIS LEADING MAN WON 1390 00:47:54,911 --> 00:47:57,278 VERY FIRST QUESTION HERE. IN 1993, THIS LEADING MAN WON THE ACADEMY AWARD FOR BEST ACTOR 1391 00:47:57,280 --> 00:48:00,748 IN 1993, THIS LEADING MAN WON THE ACADEMY AWARD FOR BEST ACTOR FOR HIS ROLE IN THE MOVIE 1392 00:48:00,750 --> 00:48:01,182 THE ACADEMY AWARD FOR BEST ACTOR FOR HIS ROLE IN THE MOVIE PHILADELPHIA. 1393 00:48:01,184 --> 00:48:01,515 FOR HIS ROLE IN THE MOVIE PHILADELPHIA. NAOMI. 1394 00:48:01,517 --> 00:48:02,016 PHILADELPHIA. NAOMI. >> FOREST GUMP. 1395 00:48:02,018 --> 00:48:03,351 NAOMI. >> FOREST GUMP. >> CORRECT. 1396 00:48:03,353 --> 00:48:04,452 >> FOREST GUMP. >> CORRECT. 100 POINTS. 1397 00:48:04,454 --> 00:48:05,119 >> CORRECT. 100 POINTS. SALLY JUST MAY BE GETTING A 1398 00:48:05,121 --> 00:48:05,419 100 POINTS. SALLY JUST MAY BE GETTING A CHECK. 1399 00:48:05,421 --> 00:48:06,754 SALLY JUST MAY BE GETTING A CHECK. OKAY? 1400 00:48:06,756 --> 00:48:07,888 CHECK. OKAY? >> I'M SORRY. 1401 00:48:07,890 --> 00:48:10,091 OKAY? >> I'M SORRY. THE ANSWER IS TOM HANKS. 1402 00:48:10,093 --> 00:48:11,993 >> I'M SORRY. THE ANSWER IS TOM HANKS. FOREST GUMP IS FROM A DIFFERENT 1403 00:48:11,995 --> 00:48:12,326 THE ANSWER IS TOM HANKS. FOREST GUMP IS FROM A DIFFERENT MOVIE. 1404 00:48:12,328 --> 00:48:12,793 FOREST GUMP IS FROM A DIFFERENT MOVIE. >> OKAY. 1405 00:48:12,795 --> 00:48:14,362 MOVIE. >> OKAY. BUT SAME DIFFERENCE, SO GO AHEAD 1406 00:48:14,364 --> 00:48:15,663 >> OKAY. BUT SAME DIFFERENCE, SO GO AHEAD AND RELAX, OKAY? 1407 00:48:15,665 --> 00:48:18,199 BUT SAME DIFFERENCE, SO GO AHEAD AND RELAX, OKAY? >> YOU CAN'T GIVE HER POINTS FOR 1408 00:48:18,201 --> 00:48:18,499 AND RELAX, OKAY? >> YOU CAN'T GIVE HER POINTS FOR THAT. 1409 00:48:18,501 --> 00:48:18,966 >> YOU CAN'T GIVE HER POINTS FOR THAT. >> OH, MY BAD. 1410 00:48:18,968 --> 00:48:20,901 THAT. >> OH, MY BAD. SO YOU WANT TO HOST THE SHOW? 1411 00:48:20,903 --> 00:48:23,270 >> OH, MY BAD. SO YOU WANT TO HOST THE SHOW? BECAUSE I'LL JUST GO HOME, AMY. 1412 00:48:23,272 --> 00:48:24,872 SO YOU WANT TO HOST THE SHOW? BECAUSE I'LL JUST GO HOME, AMY. >> I'M JUST SAYING -- 1413 00:48:24,874 --> 00:48:28,876 BECAUSE I'LL JUST GO HOME, AMY. >> I'M JUST SAYING -- >> JUST SAYING WHAT? 1414 00:48:28,878 --> 00:48:29,310 >> I'M JUST SAYING -- >> JUST SAYING WHAT? NEXT QUESTION. 1415 00:48:29,312 --> 00:48:30,478 >> JUST SAYING WHAT? NEXT QUESTION. OF THE SEVEN CONTINENTS, WHICH 1416 00:48:30,480 --> 00:48:33,014 NEXT QUESTION. OF THE SEVEN CONTINENTS, WHICH IS THE LARGEST? 1417 00:48:33,016 --> 00:48:33,314 OF THE SEVEN CONTINENTS, WHICH IS THE LARGEST? NAOMI? 1418 00:48:33,316 --> 00:48:34,248 IS THE LARGEST? NAOMI? >> I KNOW THIS. 1419 00:48:34,250 --> 00:48:35,349 NAOMI? >> I KNOW THIS. >> AND, GIRL, I BELIEVE YOU. 1420 00:48:35,351 --> 00:48:39,520 >> I KNOW THIS. >> AND, GIRL, I BELIEVE YOU. 100 POINTS. 1421 00:48:39,522 --> 00:48:41,155 >> AND, GIRL, I BELIEVE YOU. 100 POINTS. >> SHE STILL HASN'T SAID THE 1422 00:48:41,157 --> 00:48:41,489 100 POINTS. >> SHE STILL HASN'T SAID THE ANSWER. 1423 00:48:41,491 --> 00:48:42,790 >> SHE STILL HASN'T SAID THE ANSWER. >> YEAH, THAT'S NOT FAIR! 1424 00:48:42,792 --> 00:48:44,392 ANSWER. >> YEAH, THAT'S NOT FAIR! >> DAMN, I SEE YOU REALLY TRYING 1425 00:48:44,394 --> 00:48:46,227 >> YEAH, THAT'S NOT FAIR! >> DAMN, I SEE YOU REALLY TRYING TO WIN THAT LITTLE BOAT, AIN'T 1426 00:48:46,229 --> 00:48:46,494 >> DAMN, I SEE YOU REALLY TRYING TO WIN THAT LITTLE BOAT, AIN'T YOU? 1427 00:48:46,496 --> 00:48:48,362 TO WIN THAT LITTLE BOAT, AIN'T YOU? >> HE IS SO THIRSTY FOR THAT 1428 00:48:48,364 --> 00:48:48,996 YOU? >> HE IS SO THIRSTY FOR THAT LITTLE BOAT, GIRL. 1429 00:48:48,998 --> 00:48:49,930 >> HE IS SO THIRSTY FOR THAT LITTLE BOAT, GIRL. >> I KNOW, RIGHT. 1430 00:48:49,932 --> 00:48:51,499 LITTLE BOAT, GIRL. >> I KNOW, RIGHT. SHOOT, CREEPY ASS. 1431 00:48:51,501 --> 00:48:56,170 >> I KNOW, RIGHT. SHOOT, CREEPY ASS. NEXT QUESTION. 1432 00:48:56,172 --> 00:48:56,470 SHOOT, CREEPY ASS. NEXT QUESTION. OKAY. 1433 00:48:56,472 --> 00:48:57,038 NEXT QUESTION. OKAY. LET'S GET A GOOD ONE. 1434 00:48:57,040 --> 00:48:57,471 OKAY. LET'S GET A GOOD ONE. SKIP THIS. 1435 00:48:57,473 --> 00:48:59,974 LET'S GET A GOOD ONE. SKIP THIS. SKIP THAT ONE. 1436 00:48:59,976 --> 00:49:00,274 SKIP THIS. SKIP THAT ONE. OKAY. 1437 00:49:00,276 --> 00:49:00,708 SKIP THAT ONE. OKAY. THIS IS GOOD. 1438 00:49:00,710 --> 00:49:02,777 OKAY. THIS IS GOOD. IN THE MOVIE, BABY BOY. 1439 00:49:02,779 --> 00:49:04,345 THIS IS GOOD. IN THE MOVIE, BABY BOY. >> TYRESE. 1440 00:49:04,347 --> 00:49:05,980 IN THE MOVIE, BABY BOY. >> TYRESE. >> YOU ON A ROLL, GIRL. 1441 00:49:05,982 --> 00:49:07,314 >> TYRESE. >> YOU ON A ROLL, GIRL. >> THANKS, GIRL. 1442 00:49:07,316 --> 00:49:08,983 >> YOU ON A ROLL, GIRL. >> THANKS, GIRL. ALSO THAT BLUSH LOOKS REALLY 1443 00:49:08,985 --> 00:49:09,984 >> THANKS, GIRL. ALSO THAT BLUSH LOOKS REALLY GOOD ON YOU. 1444 00:49:09,986 --> 00:49:11,152 ALSO THAT BLUSH LOOKS REALLY GOOD ON YOU. IS THAT FENTY? 1445 00:49:11,154 --> 00:49:13,254 GOOD ON YOU. IS THAT FENTY? >> OH, MY GOSH. 1446 00:49:13,256 --> 00:49:14,355 IS THAT FENTY? >> OH, MY GOSH. YES, 100 POINTS. 1447 00:49:14,357 --> 00:49:17,425 >> OH, MY GOSH. YES, 100 POINTS. >> LET ME GUESS THE SHADE. 1448 00:49:17,427 --> 00:49:17,925 YES, 100 POINTS. >> LET ME GUESS THE SHADE. SUMMERTIME WINE. 1449 00:49:17,927 --> 00:49:19,593 >> LET ME GUESS THE SHADE. SUMMERTIME WINE. >> YES. 1450 00:49:19,595 --> 00:49:20,294 SUMMERTIME WINE. >> YES. 100 MORE. 1451 00:49:20,296 --> 00:49:21,429 >> YES. 100 MORE. YOU REALLY KNOW YOUR STUFF. 1452 00:49:21,431 --> 00:49:24,432 100 MORE. YOU REALLY KNOW YOUR STUFF. >> I'M ACTUALLY WEARING FENTY 1453 00:49:24,434 --> 00:49:24,832 YOU REALLY KNOW YOUR STUFF. >> I'M ACTUALLY WEARING FENTY LIP GLOSS. 1454 00:49:24,834 --> 00:49:25,232 >> I'M ACTUALLY WEARING FENTY LIP GLOSS. >> OKAY. 1455 00:49:25,234 --> 00:49:26,534 LIP GLOSS. >> OKAY. SO WHAT YOU WANT? 1456 00:49:26,536 --> 00:49:27,468 >> OKAY. SO WHAT YOU WANT? >> I'M SORRY. 1457 00:49:27,470 --> 00:49:28,536 SO WHAT YOU WANT? >> I'M SORRY. THIS ISN'T FAIR. 1458 00:49:28,538 --> 00:49:30,271 >> I'M SORRY. THIS ISN'T FAIR. SHE'S CLEARLY CHEATING FOR HER 1459 00:49:30,273 --> 00:49:31,072 THIS ISN'T FAIR. SHE'S CLEARLY CHEATING FOR HER BECAUSE SHE'S -- 1460 00:49:31,074 --> 00:49:33,307 SHE'S CLEARLY CHEATING FOR HER BECAUSE SHE'S -- >> BECAUSE I'M WHAT? 1461 00:49:33,309 --> 00:49:34,575 BECAUSE SHE'S -- >> BECAUSE I'M WHAT? >> WHAT IS SHE? 1462 00:49:34,577 --> 00:49:35,576 >> BECAUSE I'M WHAT? >> WHAT IS SHE? >> WHAT AM I? 1463 00:49:35,578 --> 00:49:37,111 >> WHAT IS SHE? >> WHAT AM I? >> SAY IT WITH YOUR CHEST. 1464 00:49:37,113 --> 00:49:39,513 >> WHAT AM I? >> SAY IT WITH YOUR CHEST. YOU GOING TO SAY SOMETHING. 1465 00:49:39,515 --> 00:49:40,648 >> SAY IT WITH YOUR CHEST. YOU GOING TO SAY SOMETHING. >> WHAT AM I? 1466 00:49:40,650 --> 00:49:45,753 YOU GOING TO SAY SOMETHING. >> WHAT AM I? >> WHAT IS SHE? 1467 00:49:45,755 --> 00:49:46,187 >> WHAT AM I? >> WHAT IS SHE? >> WHAT AM I? 1468 00:49:46,189 --> 00:49:48,956 >> WHAT IS SHE? >> WHAT AM I? >> I'M TRYING TO SAY IT. 1469 00:49:48,958 --> 00:49:50,057 >> WHAT AM I? >> I'M TRYING TO SAY IT. I WAS GOING TO SAY SHE'S YOUR 1470 00:49:50,059 --> 00:49:50,424 >> I'M TRYING TO SAY IT. I WAS GOING TO SAY SHE'S YOUR FAVORITE. 1471 00:49:50,426 --> 00:49:51,625 I WAS GOING TO SAY SHE'S YOUR FAVORITE. >> THAT'S WHAT I THOUGHT. 1472 00:49:51,627 --> 00:49:53,494 FAVORITE. >> THAT'S WHAT I THOUGHT. TO BE CLEAR, Y'ALL, I DO NOT 1473 00:49:53,496 --> 00:49:54,762 >> THAT'S WHAT I THOUGHT. TO BE CLEAR, Y'ALL, I DO NOT PLAY FAVORITES. 1474 00:49:54,764 --> 00:49:58,332 TO BE CLEAR, Y'ALL, I DO NOT PLAY FAVORITES. SO FAR, THE CRY BABY'S IN THE 1475 00:49:58,334 --> 00:50:00,534 PLAY FAVORITES. SO FAR, THE CRY BABY'S IN THE LEAD, BESTIE'S IN SECOND, AND 1476 00:50:00,536 --> 00:50:04,038 SO FAR, THE CRY BABY'S IN THE LEAD, BESTIE'S IN SECOND, AND SPLIT ENDS IS NOW IN LAST PLACE. 1477 00:50:04,040 --> 00:50:04,672 LEAD, BESTIE'S IN SECOND, AND SPLIT ENDS IS NOW IN LAST PLACE. >> WAIT. 1478 00:50:04,674 --> 00:50:06,607 SPLIT ENDS IS NOW IN LAST PLACE. >> WAIT. AM I SPLIT ENDS? 1479 00:50:06,609 --> 00:50:09,276 >> WAIT. AM I SPLIT ENDS? >> AND YOU KNOW WHAT THIS SOUND 1480 00:50:09,278 --> 00:50:12,346 AM I SPLIT ENDS? >> AND YOU KNOW WHAT THIS SOUND MEANS, IT'S TIME FOR THE DAILY 1481 00:50:12,348 --> 00:50:12,680 >> AND YOU KNOW WHAT THIS SOUND MEANS, IT'S TIME FOR THE DAILY TRIPLE. 1482 00:50:12,682 --> 00:50:13,447 MEANS, IT'S TIME FOR THE DAILY TRIPLE. ANSWER THIS QUESTION CORRECTLY 1483 00:50:13,449 --> 00:50:15,216 TRIPLE. ANSWER THIS QUESTION CORRECTLY AND YOU WILL WIN TRIPLE THE 1484 00:50:15,218 --> 00:50:15,716 ANSWER THIS QUESTION CORRECTLY AND YOU WILL WIN TRIPLE THE POINTS. 1485 00:50:15,718 --> 00:50:17,651 AND YOU WILL WIN TRIPLE THE POINTS. THIS FORMER SECRETARY OF STATE 1486 00:50:17,653 --> 00:50:20,821 POINTS. THIS FORMER SECRETARY OF STATE WHO SERVED IN THE VIETNAM WAR 1487 00:50:20,823 --> 00:50:21,555 THIS FORMER SECRETARY OF STATE WHO SERVED IN THE VIETNAM WAR DIED LAST YEAR. 1488 00:50:21,557 --> 00:50:21,889 WHO SERVED IN THE VIETNAM WAR DIED LAST YEAR. NAOMI. 1489 00:50:21,891 --> 00:50:23,657 DIED LAST YEAR. NAOMI. >> GIRL, I BUZZED AND I DON'T 1490 00:50:23,659 --> 00:50:24,625 NAOMI. >> GIRL, I BUZZED AND I DON'T EVEN KNOW THE ANSWER. 1491 00:50:24,627 --> 00:50:25,659 >> GIRL, I BUZZED AND I DON'T EVEN KNOW THE ANSWER. >> THAT'S OKAY. 1492 00:50:25,661 --> 00:50:26,727 EVEN KNOW THE ANSWER. >> THAT'S OKAY. STAY CALM. 1493 00:50:26,729 --> 00:50:27,928 >> THAT'S OKAY. STAY CALM. REMEMBER, YOU CAN ALWAYS PHONE A 1494 00:50:27,930 --> 00:50:28,262 STAY CALM. REMEMBER, YOU CAN ALWAYS PHONE A FRIEND. 1495 00:50:28,264 --> 00:50:28,729 REMEMBER, YOU CAN ALWAYS PHONE A FRIEND. >> THANK YOU. 1496 00:50:28,731 --> 00:50:29,230 FRIEND. >> THANK YOU. >> NO YOU CAN'T! 1497 00:50:29,232 --> 00:50:31,732 >> THANK YOU. >> NO YOU CAN'T! >> EXCUSE ME. 1498 00:50:31,734 --> 00:50:32,967 >> NO YOU CAN'T! >> EXCUSE ME. GIRL, IT'S KISSINGER. 1499 00:50:32,969 --> 00:50:36,737 >> EXCUSE ME. GIRL, IT'S KISSINGER. >> OH, OH, IS IT HENRY 1500 00:50:36,739 --> 00:50:37,104 GIRL, IT'S KISSINGER. >> OH, OH, IS IT HENRY KISSINGER? 1501 00:50:37,106 --> 00:50:37,872 >> OH, OH, IS IT HENRY KISSINGER? >> CORRECT! 1502 00:50:37,874 --> 00:50:41,075 KISSINGER? >> CORRECT! OH, COME ON, NAOMI, YOU ARE 1503 00:50:41,077 --> 00:50:41,675 >> CORRECT! OH, COME ON, NAOMI, YOU ARE OFFICIALLY IN THE LEAD. 1504 00:50:41,677 --> 00:50:42,743 OH, COME ON, NAOMI, YOU ARE OFFICIALLY IN THE LEAD. >> YOU GAVE HER THE ANSWER. 1505 00:50:42,745 --> 00:50:44,211 OFFICIALLY IN THE LEAD. >> YOU GAVE HER THE ANSWER. >> YEAH, I WANT A RULING FROM 1506 00:50:44,213 --> 00:50:44,812 >> YOU GAVE HER THE ANSWER. >> YEAH, I WANT A RULING FROM THE JUDGES. 1507 00:50:44,814 --> 00:50:45,179 >> YEAH, I WANT A RULING FROM THE JUDGES. >> OKAY. 1508 00:50:45,181 --> 00:50:45,579 THE JUDGES. >> OKAY. ALL RIGHT. 1509 00:50:45,581 --> 00:50:47,782 >> OKAY. ALL RIGHT. YOU KNOW WHAT? 1510 00:50:47,784 --> 00:50:48,082 ALL RIGHT. YOU KNOW WHAT? FINE. 1511 00:50:48,084 --> 00:50:49,150 YOU KNOW WHAT? FINE. JUDGES? 1512 00:50:49,152 --> 00:50:55,055 FINE. JUDGES? >> WELL, OUR RULING IS, SIS 1513 00:50:55,057 --> 00:50:57,658 JUDGES? >> WELL, OUR RULING IS, SIS BODIED THAT! 1514 00:50:57,660 --> 00:50:58,692 >> WELL, OUR RULING IS, SIS BODIED THAT! >> EXACTLY. 1515 00:50:58,694 --> 00:51:03,197 BODIED THAT! >> EXACTLY. HE TRYING TO MURDER SOMEBODY ON 1516 00:51:03,199 --> 00:51:04,365 >> EXACTLY. HE TRYING TO MURDER SOMEBODY ON A BOAT. 1517 00:51:04,367 --> 00:51:05,299 HE TRYING TO MURDER SOMEBODY ON A BOAT. 1518 00:51:05,301 --> 00:51:06,267 A BOAT. 1519 00:51:06,269 --> 00:51:08,335 ANYWAY, WHEN WE COME BACK, WE GOING TO HELP SIS GET THAT 1520 00:51:08,337 --> 00:51:09,403 ANYWAY, WHEN WE COME BACK, WE GOING TO HELP SIS GET THAT MONEY, OKAY? 1521 00:51:09,405 --> 00:51:10,704 GOING TO HELP SIS GET THAT MONEY, OKAY? >> DON'T SAY THAT! 1522 00:51:10,706 --> 00:51:15,109 MONEY, OKAY? >> DON'T SAY THAT! >> CREEPY ASS. 1523 00:51:15,111 --> 00:51:17,211 >> DON'T SAY THAT! >> CREEPY ASS. >> HOLD IT, PLEASE. 1524 00:51:17,213 --> 00:51:17,545 >> CREEPY ASS. >> HOLD IT, PLEASE. THANKS. 1525 00:51:17,547 --> 00:51:17,878 >> HOLD IT, PLEASE. THANKS. SORRY. 1526 00:51:17,880 --> 00:51:18,312 THANKS. SORRY. >> WHAT FLOOR? 1527 00:51:18,314 --> 00:51:28,956 SORRY. >> WHAT FLOOR? >> SIXTH, PLEASE. 1528 00:51:28,958 --> 00:51:30,324 >> WHAT FLOOR? >> SIXTH, PLEASE. >> NO, NO, NO. 1529 00:51:30,326 --> 00:51:31,325 >> SIXTH, PLEASE. >> NO, NO, NO. >> COME ON! 1530 00:51:31,327 --> 00:51:34,094 >> NO, NO, NO. >> COME ON! >> CAN YOU PRESS THE EMERGENCY 1531 00:51:34,096 --> 00:51:34,428 >> COME ON! >> CAN YOU PRESS THE EMERGENCY BUTTON? 1532 00:51:34,430 --> 00:51:36,030 >> CAN YOU PRESS THE EMERGENCY BUTTON? >> THIS IS THE ELEVATOR 1533 00:51:36,032 --> 00:51:36,430 BUTTON? >> THIS IS THE ELEVATOR TECHNICIAN. 1534 00:51:36,432 --> 00:51:37,331 >> THIS IS THE ELEVATOR TECHNICIAN. CAN YOU HEAR ME? 1535 00:51:37,333 --> 00:51:40,000 TECHNICIAN. CAN YOU HEAR ME? >> WE'RE STUCK IN THE SOUTH BANK 1536 00:51:40,002 --> 00:51:40,367 CAN YOU HEAR ME? >> WE'RE STUCK IN THE SOUTH BANK ELEVATORS. 1537 00:51:40,369 --> 00:51:41,502 >> WE'RE STUCK IN THE SOUTH BANK ELEVATORS. CAN YOU PLEASE SEND HELP? 1538 00:51:41,504 --> 00:51:42,703 ELEVATORS. CAN YOU PLEASE SEND HELP? >> THE FIRE DEPARTMENT SHOULD BE 1539 00:51:42,705 --> 00:51:45,206 CAN YOU PLEASE SEND HELP? >> THE FIRE DEPARTMENT SHOULD BE THERE IN 20-25 MINUTES. 1540 00:51:45,208 --> 00:51:46,440 >> THE FIRE DEPARTMENT SHOULD BE THERE IN 20-25 MINUTES. TRY TO STAY CALM. 1541 00:51:46,442 --> 00:51:47,675 THERE IN 20-25 MINUTES. TRY TO STAY CALM. >> 25 MINUTES? 1542 00:51:47,677 --> 00:51:49,210 TRY TO STAY CALM. >> 25 MINUTES? I'M GOING TO BE LATE PICKING MY 1543 00:51:49,212 --> 00:51:51,212 >> 25 MINUTES? I'M GOING TO BE LATE PICKING MY KID UP FROM SCHOOL. 1544 00:51:51,214 --> 00:51:53,547 I'M GOING TO BE LATE PICKING MY KID UP FROM SCHOOL. >> I ALREADY HAVE TO PEE. 1545 00:51:53,549 --> 00:51:55,616 KID UP FROM SCHOOL. >> I ALREADY HAVE TO PEE. >> IF WE DON'T GET OUT OF HERE 1546 00:51:55,618 --> 00:51:57,618 >> I ALREADY HAVE TO PEE. >> IF WE DON'T GET OUT OF HERE SOON, I'M GOING TO WANT TO HOOK 1547 00:51:57,620 --> 00:51:57,885 >> IF WE DON'T GET OUT OF HERE SOON, I'M GOING TO WANT TO HOOK UP. 1548 00:51:57,887 --> 00:51:58,552 SOON, I'M GOING TO WANT TO HOOK UP. >> ME TOO. 1549 00:51:58,554 --> 00:52:00,154 UP. >> ME TOO. >> WHAT WAS THAT? 1550 00:52:00,156 --> 00:52:03,257 >> ME TOO. >> WHAT WAS THAT? >> I JUST GET REALLY 1551 00:52:03,259 --> 00:52:05,226 >> WHAT WAS THAT? >> I JUST GET REALLY CLAUSTROPHOBIC WHEN I DON'T HOOK 1552 00:52:05,228 --> 00:52:05,492 >> I JUST GET REALLY CLAUSTROPHOBIC WHEN I DON'T HOOK UP. 1553 00:52:05,494 --> 00:52:07,628 CLAUSTROPHOBIC WHEN I DON'T HOOK UP. >> AND I HEARD THAT IN ORDER TO 1554 00:52:07,630 --> 00:52:09,663 UP. >> AND I HEARD THAT IN ORDER TO SURVIVE THE IMPACT, YOU HAVE TO 1555 00:52:09,665 --> 00:52:10,030 >> AND I HEARD THAT IN ORDER TO SURVIVE THE IMPACT, YOU HAVE TO HOOK UP. 1556 00:52:10,032 --> 00:52:11,065 SURVIVE THE IMPACT, YOU HAVE TO HOOK UP. >> SURVIVE? 1557 00:52:11,067 --> 00:52:13,000 HOOK UP. >> SURVIVE? THEY SAID IT WOULD BE LIKE 25 1558 00:52:13,002 --> 00:52:13,367 >> SURVIVE? THEY SAID IT WOULD BE LIKE 25 MINUTES. 1559 00:52:13,369 --> 00:52:14,835 THEY SAID IT WOULD BE LIKE 25 MINUTES. >> SO YOU BELIEVE THE COPS? 1560 00:52:14,837 --> 00:52:16,837 MINUTES. >> SO YOU BELIEVE THE COPS? >> IT'S THE FIRE DEPARTMENT. 1561 00:52:16,839 --> 00:52:19,440 >> SO YOU BELIEVE THE COPS? >> IT'S THE FIRE DEPARTMENT. >> THEY ALL WENT TO THE SAME 1562 00:52:19,442 --> 00:52:19,773 >> IT'S THE FIRE DEPARTMENT. >> THEY ALL WENT TO THE SAME SCHOOL. 1563 00:52:19,775 --> 00:52:21,976 >> THEY ALL WENT TO THE SAME SCHOOL. >> DO YOU TWO WANT TO HOOK UP? 1564 00:52:21,978 --> 00:52:23,811 SCHOOL. >> DO YOU TWO WANT TO HOOK UP? >> WHY, SO YOU CAN WATCH? 1565 00:52:23,813 --> 00:52:26,614 >> DO YOU TWO WANT TO HOOK UP? >> WHY, SO YOU CAN WATCH? >> I JUST REALIZED, THERE'S TWO 1566 00:52:26,616 --> 00:52:27,181 >> WHY, SO YOU CAN WATCH? >> I JUST REALIZED, THERE'S TWO WOMEN AND THREE GUYS. 1567 00:52:27,183 --> 00:52:28,515 >> I JUST REALIZED, THERE'S TWO WOMEN AND THREE GUYS. THE NUMBERS ARE PERFECT, YOU 1568 00:52:28,517 --> 00:52:29,416 WOMEN AND THREE GUYS. THE NUMBERS ARE PERFECT, YOU HAVE TO ADMIT. 1569 00:52:29,418 --> 00:52:31,085 THE NUMBERS ARE PERFECT, YOU HAVE TO ADMIT. >> THAT IS TRUE. 1570 00:52:31,087 --> 00:52:33,320 HAVE TO ADMIT. >> THAT IS TRUE. THERE'S ENOUGH FOOD FOR THE 1571 00:52:33,322 --> 00:52:33,654 >> THAT IS TRUE. THERE'S ENOUGH FOOD FOR THE MOUTHS. 1572 00:52:33,656 --> 00:52:34,922 THERE'S ENOUGH FOOD FOR THE MOUTHS. >> WHY ARE YOU GUYS SO OBSESSED 1573 00:52:34,924 --> 00:52:36,457 MOUTHS. >> WHY ARE YOU GUYS SO OBSESSED WITH HOOKING UP? 1574 00:52:36,459 --> 00:52:37,758 >> WHY ARE YOU GUYS SO OBSESSED WITH HOOKING UP? >> DON'T YOU UNDERSTAND? 1575 00:52:37,760 --> 00:52:39,560 WITH HOOKING UP? >> DON'T YOU UNDERSTAND? WE HAVE AN OPPORTUNITY HERE TO 1576 00:52:39,562 --> 00:52:40,461 >> DON'T YOU UNDERSTAND? WE HAVE AN OPPORTUNITY HERE TO REMAKE SOCIETY. 1577 00:52:40,463 --> 00:52:43,197 WE HAVE AN OPPORTUNITY HERE TO REMAKE SOCIETY. >> BECAUSE LET'S BE REAL. 1578 00:52:43,199 --> 00:52:45,032 REMAKE SOCIETY. >> BECAUSE LET'S BE REAL. WHATEVER'S OUT THERE, IT'S NOT 1579 00:52:45,034 --> 00:52:45,366 >> BECAUSE LET'S BE REAL. WHATEVER'S OUT THERE, IT'S NOT WORKING. 1580 00:52:45,368 --> 00:52:48,802 WHATEVER'S OUT THERE, IT'S NOT WORKING. BUT IN THE ELEVATOR, WE GET TO 1581 00:52:48,804 --> 00:52:50,137 WORKING. BUT IN THE ELEVATOR, WE GET TO BUILD SOMETHING NEW. 1582 00:52:50,139 --> 00:52:50,905 BUT IN THE ELEVATOR, WE GET TO BUILD SOMETHING NEW. >> WE DO? 1583 00:52:50,907 --> 00:52:53,707 BUILD SOMETHING NEW. >> WE DO? >> NO ONE'S COMING TO HELP US. 1584 00:52:53,709 --> 00:52:55,209 >> WE DO? >> NO ONE'S COMING TO HELP US. >> WE'RE HERE TO HELP YOU. 1585 00:52:55,211 --> 00:52:57,344 >> NO ONE'S COMING TO HELP US. >> WE'RE HERE TO HELP YOU. >> WE CAN START OUR OWN SOCIETY 1586 00:52:57,346 --> 00:52:58,012 >> WE'RE HERE TO HELP YOU. >> WE CAN START OUR OWN SOCIETY FROM SCRATCH. 1587 00:52:58,014 --> 00:52:59,346 >> WE CAN START OUR OWN SOCIETY FROM SCRATCH. AND WE'RE GOING TO NEED A 1588 00:52:59,348 --> 00:53:00,915 FROM SCRATCH. AND WE'RE GOING TO NEED A DOCTOR, A MAYOR. 1589 00:53:00,917 --> 00:53:02,883 AND WE'RE GOING TO NEED A DOCTOR, A MAYOR. >> BECAUSE IN ELEVATOR TOWN, YOU 1590 00:53:02,885 --> 00:53:07,521 DOCTOR, A MAYOR. >> BECAUSE IN ELEVATOR TOWN, YOU CAN BE WHOEVER YOU WANT TO BE. 1591 00:53:07,523 --> 00:53:10,491 >> BECAUSE IN ELEVATOR TOWN, YOU CAN BE WHOEVER YOU WANT TO BE. >> CAN I BE AN ASTRONAUT? 1592 00:53:10,493 --> 00:53:12,192 CAN BE WHOEVER YOU WANT TO BE. >> CAN I BE AN ASTRONAUT? >> OF COURSE YOU CAN, YOUNG MAN. 1593 00:53:12,194 --> 00:53:14,662 >> CAN I BE AN ASTRONAUT? >> OF COURSE YOU CAN, YOUNG MAN. >> WELL, THEN I WANT TO BE A 1594 00:53:14,664 --> 00:53:15,029 >> OF COURSE YOU CAN, YOUNG MAN. >> WELL, THEN I WANT TO BE A MAILMAN. 1595 00:53:15,031 --> 00:53:15,396 >> WELL, THEN I WANT TO BE A MAILMAN. >> GREAT. 1596 00:53:15,398 --> 00:53:15,729 MAILMAN. >> GREAT. >> WAIT. 1597 00:53:15,731 --> 00:53:17,097 >> GREAT. >> WAIT. I WANT TO BE A MAILMAN TOO. 1598 00:53:17,099 --> 00:53:19,166 >> WAIT. I WANT TO BE A MAILMAN TOO. >> WELL, YOU ALREADY PICKED 1599 00:53:19,168 --> 00:53:19,566 I WANT TO BE A MAILMAN TOO. >> WELL, YOU ALREADY PICKED ASTRONAUT. 1600 00:53:19,568 --> 00:53:22,069 >> WELL, YOU ALREADY PICKED ASTRONAUT. >> CAN I BE A MAILMAN TOO? 1601 00:53:22,071 --> 00:53:23,037 ASTRONAUT. >> CAN I BE A MAILMAN TOO? >> NO. 1602 00:53:23,039 --> 00:53:24,538 >> CAN I BE A MAILMAN TOO? >> NO. WE CANNOT HAVE THREE MAILMEN. 1603 00:53:24,540 --> 00:53:25,139 >> NO. WE CANNOT HAVE THREE MAILMEN. >> FINE. 1604 00:53:25,141 --> 00:53:27,474 WE CANNOT HAVE THREE MAILMEN. >> FINE. THEN I WILL ENGAGE IN THE TOWN'S 1605 00:53:27,476 --> 00:53:29,743 >> FINE. THEN I WILL ENGAGE IN THE TOWN'S PROFITS AND I'LL JUST BE AN 1606 00:53:29,745 --> 00:53:30,244 THEN I WILL ENGAGE IN THE TOWN'S PROFITS AND I'LL JUST BE AN ARTIST INSTEAD. 1607 00:53:30,246 --> 00:53:31,845 PROFITS AND I'LL JUST BE AN ARTIST INSTEAD. >> NEVER MIND, JUST BE A 1608 00:53:31,847 --> 00:53:32,179 ARTIST INSTEAD. >> NEVER MIND, JUST BE A MAILMAN. 1609 00:53:32,181 --> 00:53:33,547 >> NEVER MIND, JUST BE A MAILMAN. BUT YOU NEED TO PICK SOMETHING 1610 00:53:33,549 --> 00:53:33,847 MAILMAN. BUT YOU NEED TO PICK SOMETHING ELSE. 1611 00:53:33,849 --> 00:53:34,281 BUT YOU NEED TO PICK SOMETHING ELSE. >> OKAY. 1612 00:53:34,283 --> 00:53:37,384 ELSE. >> OKAY. I WANT TO BE MARILYN MONROE. 1613 00:53:37,386 --> 00:53:37,818 >> OKAY. I WANT TO BE MARILYN MONROE. >> WHATEVER. 1614 00:53:37,820 --> 00:53:41,422 I WANT TO BE MARILYN MONROE. >> WHATEVER. >> SORRY TO INTERRUPT, BUT DOES 1615 00:53:41,424 --> 00:53:44,124 >> WHATEVER. >> SORRY TO INTERRUPT, BUT DOES ANYONE WANT TO ACTUALLY LEAVE 1616 00:53:44,126 --> 00:53:45,359 >> SORRY TO INTERRUPT, BUT DOES ANYONE WANT TO ACTUALLY LEAVE THE ELEVATOR? 1617 00:53:45,361 --> 00:53:46,627 ANYONE WANT TO ACTUALLY LEAVE THE ELEVATOR? >> OR DO YOU WANT TO COME WITH 1618 00:53:46,629 --> 00:53:46,894 THE ELEVATOR? >> OR DO YOU WANT TO COME WITH US? 1619 00:53:46,896 --> 00:53:56,470 >> OR DO YOU WANT TO COME WITH US? >> TO ELEVATOR TOWN. 1620 00:53:56,472 --> 00:54:00,741 US? >> TO ELEVATOR TOWN. ♪ IT'S ELEVATOR TOWN, POPULATION 1621 00:54:00,743 --> 00:54:05,312 >> TO ELEVATOR TOWN. ♪ IT'S ELEVATOR TOWN, POPULATION US, IT'S ONLY JUST ONE LAW, YOU 1622 00:54:05,314 --> 00:54:11,752 ♪ IT'S ELEVATOR TOWN, POPULATION US, IT'S ONLY JUST ONE LAW, YOU GOTTA LOVE HOOKING UP ♪ 1623 00:54:36,077 --> 00:54:37,778 >>> OKAY. SETTLE DOWN, EVERYONE. EYES UP HERE. 1624 00:54:37,780 --> 00:54:40,581 SETTLE DOWN, EVERYONE. EYES UP HERE. THANK YOU. 1625 00:54:40,583 --> 00:54:40,981 EYES UP HERE. THANK YOU. ALL RIGHTY. 1626 00:54:40,983 --> 00:54:43,951 THANK YOU. ALL RIGHTY. AS PROMISED, SINCE OUR CLASS 1627 00:54:43,953 --> 00:54:48,889 ALL RIGHTY. AS PROMISED, SINCE OUR CLASS SOLD THE MOST COOKIE DOUGH, 1628 00:54:48,891 --> 00:54:50,758 AS PROMISED, SINCE OUR CLASS SOLD THE MOST COOKIE DOUGH, WE'VE EARNED A VERY SPECIAL 1629 00:54:50,760 --> 00:54:51,191 SOLD THE MOST COOKIE DOUGH, WE'VE EARNED A VERY SPECIAL EVENT. 1630 00:54:51,193 --> 00:54:53,994 WE'VE EARNED A VERY SPECIAL EVENT. JOINING US TODAY IS THE 1631 00:54:53,996 --> 00:54:56,830 EVENT. JOINING US TODAY IS THE MAGNIFICENT SPECIAL STAGE 1632 00:54:56,832 --> 00:55:00,234 JOINING US TODAY IS THE MAGNIFICENT SPECIAL STAGE HYPNOTIST, MR. FANTASMIC. 1633 00:55:00,236 --> 00:55:04,104 MAGNIFICENT SPECIAL STAGE HYPNOTIST, MR. FANTASMIC. >> HEY THERE, KIDDOS, HOW WE 1634 00:55:04,106 --> 00:55:04,438 HYPNOTIST, MR. FANTASMIC. >> HEY THERE, KIDDOS, HOW WE FEELING? 1635 00:55:04,440 --> 00:55:04,805 >> HEY THERE, KIDDOS, HOW WE FEELING? >> WHOO. 1636 00:55:04,807 --> 00:55:06,673 FEELING? >> WHOO. >> THAT'S WHAT I LIKE TO HEAR. 1637 00:55:06,675 --> 00:55:09,076 >> WHOO. >> THAT'S WHAT I LIKE TO HEAR. TODAY, I WILL BE PERFORMING THE 1638 00:55:09,078 --> 00:55:11,378 >> THAT'S WHAT I LIKE TO HEAR. TODAY, I WILL BE PERFORMING THE ART OF HYPNOSIS COMMANDING YOUR 1639 00:55:11,380 --> 00:55:12,179 TODAY, I WILL BE PERFORMING THE ART OF HYPNOSIS COMMANDING YOUR VERY MINDS. 1640 00:55:12,181 --> 00:55:14,848 ART OF HYPNOSIS COMMANDING YOUR VERY MINDS. NOW, I NEED A VOLUNTEER FROM THE 1641 00:55:14,850 --> 00:55:15,215 VERY MINDS. NOW, I NEED A VOLUNTEER FROM THE AUDIENCE. 1642 00:55:15,217 --> 00:55:15,649 NOW, I NEED A VOLUNTEER FROM THE AUDIENCE. >> EXCUSE ME. 1643 00:55:15,651 --> 00:55:18,485 AUDIENCE. >> EXCUSE ME. >> YES, YOUNG MAN, WOULD YOU 1644 00:55:18,487 --> 00:55:18,986 >> EXCUSE ME. >> YES, YOUNG MAN, WOULD YOU LIKE TO VOLUNTEER? 1645 00:55:18,988 --> 00:55:23,857 >> YES, YOUNG MAN, WOULD YOU LIKE TO VOLUNTEER? >> ACTUALLY, I'M RAISING MY HAND 1646 00:55:23,859 --> 00:55:26,927 LIKE TO VOLUNTEER? >> ACTUALLY, I'M RAISING MY HAND TO TELL YOU YOU DO NOT HAVE THE 1647 00:55:26,929 --> 00:55:30,464 >> ACTUALLY, I'M RAISING MY HAND TO TELL YOU YOU DO NOT HAVE THE CONSENT TO HYPNOTIZE ME. 1648 00:55:30,466 --> 00:55:34,668 TO TELL YOU YOU DO NOT HAVE THE CONSENT TO HYPNOTIZE ME. MY MAMA DIDN'T SIGN NO PAPER, I 1649 00:55:34,670 --> 00:55:35,602 CONSENT TO HYPNOTIZE ME. MY MAMA DIDN'T SIGN NO PAPER, I DIDN'T SIGN NO PAPER. 1650 00:55:35,604 --> 00:55:37,471 MY MAMA DIDN'T SIGN NO PAPER, I DIDN'T SIGN NO PAPER. YOU DO NOT HAVE MY CONSENT. 1651 00:55:37,473 --> 00:55:37,938 DIDN'T SIGN NO PAPER. YOU DO NOT HAVE MY CONSENT. >> SURE. 1652 00:55:37,940 --> 00:55:38,472 YOU DO NOT HAVE MY CONSENT. >> SURE. GOT IT. 1653 00:55:38,474 --> 00:55:39,907 >> SURE. GOT IT. WHAT'S YOUR NAME, SON? 1654 00:55:39,909 --> 00:55:41,008 GOT IT. WHAT'S YOUR NAME, SON? >> SOLOMON. 1655 00:55:41,010 --> 00:55:41,875 WHAT'S YOUR NAME, SON? >> SOLOMON. >> COOL. 1656 00:55:41,877 --> 00:55:44,011 >> SOLOMON. >> COOL. SO SOLOMON, THIS IS TOTALLY 1657 00:55:44,013 --> 00:55:44,378 >> COOL. SO SOLOMON, THIS IS TOTALLY OPTIONAL. 1658 00:55:44,380 --> 00:55:44,711 SO SOLOMON, THIS IS TOTALLY OPTIONAL. >> GOOD. 1659 00:55:44,713 --> 00:55:46,480 OPTIONAL. >> GOOD. BECAUSE IF YOU TRY TO HYPNOTIZE 1660 00:55:46,482 --> 00:55:47,881 >> GOOD. BECAUSE IF YOU TRY TO HYPNOTIZE ME, FIRST CALL I MAKE WILL BE TO 1661 00:55:47,883 --> 00:55:50,284 BECAUSE IF YOU TRY TO HYPNOTIZE ME, FIRST CALL I MAKE WILL BE TO MY MOTHER, AND THE SECOND CALL I 1662 00:55:50,286 --> 00:55:50,951 ME, FIRST CALL I MAKE WILL BE TO MY MOTHER, AND THE SECOND CALL I MAKE WILL BE TO THE POLICE. 1663 00:55:50,953 --> 00:55:52,953 MY MOTHER, AND THE SECOND CALL I MAKE WILL BE TO THE POLICE. I GOT ONE OF THEM TRAINING 1664 00:55:52,955 --> 00:55:54,922 MAKE WILL BE TO THE POLICE. I GOT ONE OF THEM TRAINING PHONES WITH ONLY TWO BUTTONS, SO 1665 00:55:54,924 --> 00:55:55,756 I GOT ONE OF THEM TRAINING PHONES WITH ONLY TWO BUTTONS, SO IT WILL BE QUICK. 1666 00:55:55,758 --> 00:55:58,926 PHONES WITH ONLY TWO BUTTONS, SO IT WILL BE QUICK. >> SOLOMON, HON, TAKE IT EASY. 1667 00:55:58,928 --> 00:55:59,259 IT WILL BE QUICK. >> SOLOMON, HON, TAKE IT EASY. SORRY. 1668 00:55:59,261 --> 00:56:00,327 >> SOLOMON, HON, TAKE IT EASY. SORRY. >> NOT AT ALL. 1669 00:56:00,329 --> 00:56:02,229 SORRY. >> NOT AT ALL. NO WORRIES. 1670 00:56:02,231 --> 00:56:02,596 >> NOT AT ALL. NO WORRIES. VOLUNTEER? 1671 00:56:02,598 --> 00:56:04,098 NO WORRIES. VOLUNTEER? HOW ABOUT YOU, MISS? 1672 00:56:04,100 --> 00:56:04,965 VOLUNTEER? HOW ABOUT YOU, MISS? >> ME? 1673 00:56:04,967 --> 00:56:05,766 HOW ABOUT YOU, MISS? >> ME? SURE. 1674 00:56:05,768 --> 00:56:06,834 >> ME? SURE. >> GREAT. 1675 00:56:06,836 --> 00:56:08,068 SURE. >> GREAT. PLEASE, COME ON UP. 1676 00:56:08,070 --> 00:56:09,803 >> GREAT. PLEASE, COME ON UP. NOW, CLOSE YOUR EYES. 1677 00:56:09,805 --> 00:56:11,071 PLEASE, COME ON UP. NOW, CLOSE YOUR EYES. LISTEN CLOSELY. 1678 00:56:11,073 --> 00:56:12,806 NOW, CLOSE YOUR EYES. LISTEN CLOSELY. TAKE A DEEP BREATH, AND WHEN I 1679 00:56:12,808 --> 00:56:14,975 LISTEN CLOSELY. TAKE A DEEP BREATH, AND WHEN I SNAP MY FINGERS, YOUR MIND WILL 1680 00:56:14,977 --> 00:56:18,112 TAKE A DEEP BREATH, AND WHEN I SNAP MY FINGERS, YOUR MIND WILL BE REPLACED WITH THE MIND OF A 1681 00:56:18,114 --> 00:56:18,645 SNAP MY FINGERS, YOUR MIND WILL BE REPLACED WITH THE MIND OF A CHICKEN. 1682 00:56:18,647 --> 00:56:19,046 BE REPLACED WITH THE MIND OF A CHICKEN. UNDERSTOOD? 1683 00:56:19,048 --> 00:56:19,480 CHICKEN. UNDERSTOOD? >> YES, SIR. 1684 00:56:19,482 --> 00:56:20,180 UNDERSTOOD? >> YES, SIR. >> OKAY. 1685 00:56:20,182 --> 00:56:20,547 >> YES, SIR. >> OKAY. EXCELLENT. 1686 00:56:20,549 --> 00:56:24,751 >> OKAY. EXCELLENT. ON MY COUNT. 1687 00:56:24,753 --> 00:56:25,185 EXCELLENT. ON MY COUNT. ONE, TWO -- 1688 00:56:25,187 --> 00:56:29,890 ON MY COUNT. ONE, TWO -- >> I AM BISEXUAL! 1689 00:56:29,892 --> 00:56:31,358 ONE, TWO -- >> I AM BISEXUAL! OH, MY GOD. 1690 00:56:31,360 --> 00:56:34,194 >> I AM BISEXUAL! OH, MY GOD. WHAT HAVE YOU DONE TO ME, WAR 1691 00:56:34,196 --> 00:56:34,495 OH, MY GOD. WHAT HAVE YOU DONE TO ME, WAR LOCK? 1692 00:56:34,497 --> 00:56:39,099 WHAT HAVE YOU DONE TO ME, WAR LOCK? WHAT HAVE YOU MADE ME SAID? 1693 00:56:39,101 --> 00:56:42,136 LOCK? WHAT HAVE YOU MADE ME SAID? >> UM, I'M NOT DOING ANYTHING TO 1694 00:56:42,138 --> 00:56:43,804 WHAT HAVE YOU MADE ME SAID? >> UM, I'M NOT DOING ANYTHING TO YOU, BUDDY. 1695 00:56:43,806 --> 00:56:46,473 >> UM, I'M NOT DOING ANYTHING TO YOU, BUDDY. >> YOU HYPNOTIZED ME WITHOUT MY 1696 00:56:46,475 --> 00:56:47,307 YOU, BUDDY. >> YOU HYPNOTIZED ME WITHOUT MY PERMISSION, DEVIL MAN. 1697 00:56:47,309 --> 00:56:50,277 >> YOU HYPNOTIZED ME WITHOUT MY PERMISSION, DEVIL MAN. YOU HAVE TAKEN UNLAWFUL 1698 00:56:50,279 --> 00:56:52,946 PERMISSION, DEVIL MAN. YOU HAVE TAKEN UNLAWFUL POSSESSION OF MY MIND WITHOUT MY 1699 00:56:52,948 --> 00:56:53,313 YOU HAVE TAKEN UNLAWFUL POSSESSION OF MY MIND WITHOUT MY CONSENT. 1700 00:56:53,315 --> 00:56:54,581 POSSESSION OF MY MIND WITHOUT MY CONSENT. >> YOU'RE NOT HYPNOTIZED. 1701 00:56:54,583 --> 00:56:57,217 CONSENT. >> YOU'RE NOT HYPNOTIZED. >> WHEN MY MOTHER FINDS OUT YOU 1702 00:56:57,219 --> 00:56:58,919 >> YOU'RE NOT HYPNOTIZED. >> WHEN MY MOTHER FINDS OUT YOU MADE ME TELL EVERYONE I'M BI. 1703 00:56:58,921 --> 00:57:02,623 >> WHEN MY MOTHER FINDS OUT YOU MADE ME TELL EVERYONE I'M BI. >> SO MAYBE WE CHILL OUT A 1704 00:57:02,625 --> 00:57:03,056 MADE ME TELL EVERYONE I'M BI. >> SO MAYBE WE CHILL OUT A LITTLE BIT. 1705 00:57:03,058 --> 00:57:05,058 >> SO MAYBE WE CHILL OUT A LITTLE BIT. >> MY SPIRIT IS COVERED BY THE 1706 00:57:05,060 --> 00:57:06,226 LITTLE BIT. >> MY SPIRIT IS COVERED BY THE SACRED SPIRIT OF JESUS. 1707 00:57:06,228 --> 00:57:08,896 >> MY SPIRIT IS COVERED BY THE SACRED SPIRIT OF JESUS. I'M A CHILD OF ABRAHAM, AND AS 1708 00:57:08,898 --> 00:57:12,032 SACRED SPIRIT OF JESUS. I'M A CHILD OF ABRAHAM, AND AS GOD AS MY WITNESS, I DO NOT GIVE 1709 00:57:12,034 --> 00:57:14,368 I'M A CHILD OF ABRAHAM, AND AS GOD AS MY WITNESS, I DO NOT GIVE MY CONSENT TO BE HYPNOTIZED. 1710 00:57:14,370 --> 00:57:16,537 GOD AS MY WITNESS, I DO NOT GIVE MY CONSENT TO BE HYPNOTIZED. WHAT'S HAPPENING TO MY SECRETS? 1711 00:57:16,539 --> 00:57:17,871 MY CONSENT TO BE HYPNOTIZED. WHAT'S HAPPENING TO MY SECRETS? I'M BI! 1712 00:57:17,873 --> 00:57:19,873 WHAT'S HAPPENING TO MY SECRETS? I'M BI! WHAT HAVE YOU MADE ME SAID? 1713 00:57:19,875 --> 00:57:20,440 I'M BI! WHAT HAVE YOU MADE ME SAID? >> OKAY. 1714 00:57:20,442 --> 00:57:22,009 WHAT HAVE YOU MADE ME SAID? >> OKAY. FOR THE RECORD, I'M NOT MAKING 1715 00:57:22,011 --> 00:57:23,744 >> OKAY. FOR THE RECORD, I'M NOT MAKING THIS LITTLE BOY SAY HE'S BI. 1716 00:57:23,746 --> 00:57:25,979 FOR THE RECORD, I'M NOT MAKING THIS LITTLE BOY SAY HE'S BI. >> SOLOMON, HON, YOU'RE FREAKING 1717 00:57:25,981 --> 00:57:26,980 THIS LITTLE BOY SAY HE'S BI. >> SOLOMON, HON, YOU'RE FREAKING PEOPLE OUT, OKAY? 1718 00:57:26,982 --> 00:57:30,651 >> SOLOMON, HON, YOU'RE FREAKING PEOPLE OUT, OKAY? >> HE POSSESSED MY WILL AND 1719 00:57:30,653 --> 00:57:31,852 PEOPLE OUT, OKAY? >> HE POSSESSED MY WILL AND SIEFENNED MY SECRETS. 1720 00:57:31,854 --> 00:57:34,688 >> HE POSSESSED MY WILL AND SIEFENNED MY SECRETS. HE MADE ME TELL EVERYONE I'M BI. 1721 00:57:34,690 --> 00:57:38,058 SIEFENNED MY SECRETS. HE MADE ME TELL EVERYONE I'M BI. >> LET GO OF SOLOMON'S MIND! 1722 00:57:38,060 --> 00:57:39,092 HE MADE ME TELL EVERYONE I'M BI. >> LET GO OF SOLOMON'S MIND! >> HE'S FINE. 1723 00:57:39,094 --> 00:57:44,965 >> LET GO OF SOLOMON'S MIND! >> HE'S FINE. I'M NOT EVEN A REAL HYPNOTIST. 1724 00:57:44,967 --> 00:57:46,366 >> HE'S FINE. I'M NOT EVEN A REAL HYPNOTIST. >> THE DEVIL MAY DISGUISE 1725 00:57:46,368 --> 00:57:48,335 I'M NOT EVEN A REAL HYPNOTIST. >> THE DEVIL MAY DISGUISE HIMSELF AS A FRIEND, BUT BEWARE 1726 00:57:48,337 --> 00:57:51,338 >> THE DEVIL MAY DISGUISE HIMSELF AS A FRIEND, BUT BEWARE BECAUSE HE MAY APPEAR AS A 1727 00:57:51,340 --> 00:57:51,738 HIMSELF AS A FRIEND, BUT BEWARE BECAUSE HE MAY APPEAR AS A HYPNOTIST. 1728 00:57:51,740 --> 00:57:53,006 BECAUSE HE MAY APPEAR AS A HYPNOTIST. >> HEY! 1729 00:57:53,008 --> 00:57:55,475 HYPNOTIST. >> HEY! LET GO OF THAT BOY'S MIND RIGHT 1730 00:57:55,477 --> 00:57:55,776 >> HEY! LET GO OF THAT BOY'S MIND RIGHT NOW. 1731 00:57:55,778 --> 00:57:56,376 LET GO OF THAT BOY'S MIND RIGHT NOW. >> WHO ARE YOU? 1732 00:57:56,378 --> 00:57:59,880 NOW. >> WHO ARE YOU? >> YOU LISTEN TO ME, 1733 00:57:59,882 --> 00:58:02,082 >> WHO ARE YOU? >> YOU LISTEN TO ME, MR. FANTASMIC, LAY DOWN YOUR 1734 00:58:02,084 --> 00:58:04,952 >> YOU LISTEN TO ME, MR. FANTASMIC, LAY DOWN YOUR WEAPON AND RELEASE THAT LITTLE 1735 00:58:04,954 --> 00:58:06,887 MR. FANTASMIC, LAY DOWN YOUR WEAPON AND RELEASE THAT LITTLE BISEXUAL BOY FROM YOUR MAGIC. 1736 00:58:06,889 --> 00:58:07,955 WEAPON AND RELEASE THAT LITTLE BISEXUAL BOY FROM YOUR MAGIC. RELEASE HIM! 1737 00:58:07,957 --> 00:58:10,591 BISEXUAL BOY FROM YOUR MAGIC. RELEASE HIM! >> MY FINAL CONFESSION, I HAVE 1738 00:58:10,593 --> 00:58:11,458 RELEASE HIM! >> MY FINAL CONFESSION, I HAVE TO CONTROL -- 1739 00:58:11,460 --> 00:58:13,760 >> MY FINAL CONFESSION, I HAVE TO CONTROL -- ♪ TELL ME HOW I'M SUPPOSED TO 1740 00:58:13,762 --> 00:58:16,396 TO CONTROL -- ♪ TELL ME HOW I'M SUPPOSED TO BREATHE WITH NO AIR ♪ 1741 00:58:16,398 --> 00:58:17,130 ♪ TELL ME HOW I'M SUPPOSED TO BREATHE WITH NO AIR ♪ OH, MY 1742 00:58:17,132 --> 00:58:19,266 BREATHE WITH NO AIR ♪ OH, MY ♪ TELL ME HOW I'M SUPPOSED TO 1743 00:58:19,268 --> 00:58:23,570 OH, MY ♪ TELL ME HOW I'M SUPPOSED TO BREATHE WITH NO AIR ♪ 1744 00:58:23,572 --> 00:58:24,037 ♪ TELL ME HOW I'M SUPPOSED TO BREATHE WITH NO AIR ♪ NO! 1745 00:58:24,039 --> 00:58:26,306 BREATHE WITH NO AIR ♪ NO! MY FINAL SECRET, THAT I'M 1746 00:58:26,308 --> 00:58:28,242 NO! MY FINAL SECRET, THAT I'M ACTUALLY A REALLY GOOD SINGER, 1747 00:58:28,244 --> 00:58:30,477 MY FINAL SECRET, THAT I'M ACTUALLY A REALLY GOOD SINGER, HAS BEEN REVEALED! 1748 00:58:30,479 --> 00:58:31,011 ACTUALLY A REALLY GOOD SINGER, HAS BEEN REVEALED! >> OKAY. 1749 00:58:31,013 --> 00:58:33,113 HAS BEEN REVEALED! >> OKAY. SO YOU DID ALL THIS JUST TO SHOW 1750 00:58:33,115 --> 00:58:33,714 >> OKAY. SO YOU DID ALL THIS JUST TO SHOW EVERYONE YOU COULD SING? 1751 00:58:33,716 --> 00:58:38,151 SO YOU DID ALL THIS JUST TO SHOW EVERYONE YOU COULD SING? >> YEAH, PRETTY MUCH. 1752 00:58:38,153 --> 00:58:43,257 EVERYONE YOU COULD SING? >> YEAH, PRETTY MUCH. >> I THINK IT GOT ME TOO. 1753 00:58:43,259 --> 00:58:45,425 >> YEAH, PRETTY MUCH. >> I THINK IT GOT ME TOO. ♪ CAN'T LIVE CAN'T BREATHE WITH 1754 00:58:45,427 --> 00:58:46,326 >> I THINK IT GOT ME TOO. ♪ CAN'T LIVE CAN'T BREATHE WITH NO AIR ♪ 1755 00:58:46,328 --> 00:58:50,097 ♪ CAN'T LIVE CAN'T BREATHE WITH NO AIR ♪ >> I'M GETTING AN UBER. 1756 00:58:50,099 --> 00:58:53,166 NO AIR ♪ >> I'M GETTING AN UBER. ♪ BUT HOW DO YOU EXPECT ME TO 1757 00:58:53,168 --> 00:58:57,271 >> I'M GETTING AN UBER. ♪ BUT HOW DO YOU EXPECT ME TO LIVE ALONE WITH JUST ME 'CUZ MY 1758 00:58:57,273 --> 00:58:58,939 ♪ BUT HOW DO YOU EXPECT ME TO LIVE ALONE WITH JUST ME 'CUZ MY WORLD REVOLVES AROUND YOU IT'S 1759 00:58:58,941 --> 00:59:00,907 LIVE ALONE WITH JUST ME 'CUZ MY WORLD REVOLVES AROUND YOU IT'S SO HARD FOR ME TO BREATHE ♪ 1760 00:59:00,909 --> 00:59:05,078 WORLD REVOLVES AROUND YOU IT'S SO HARD FOR ME TO BREATHE ♪ [ CHEERS AND APPLAUSE ] 1761 00:59:15,323 --> 00:59:25,065 >>> ONCE AGAIN, JENNIFER LOPEZ. [ CHEERS AND APPLAUSE ] ♪♪ 1762 00:59:25,067 --> 00:59:27,534 [ CHEERS AND APPLAUSE ] ♪♪ ♪♪ 1763 00:59:27,536 --> 00:59:32,439 ♪♪ ♪♪ ♪♪ 1764 00:59:32,441 --> 00:59:36,677 ♪♪ ♪♪ ♪ I WATCHED MY MOTHER 1765 00:59:36,679 --> 00:59:39,913 ♪♪ ♪ I WATCHED MY MOTHER MISS OUT ON HER LIFE 1766 00:59:39,915 --> 00:59:43,116 ♪ I WATCHED MY MOTHER MISS OUT ON HER LIFE ALL THOSE COULD HAVE BEENS 1767 00:59:43,118 --> 00:59:46,853 MISS OUT ON HER LIFE ALL THOSE COULD HAVE BEENS BECAME HER SACRIFICE ♪ 1768 00:59:46,855 --> 00:59:49,556 ALL THOSE COULD HAVE BEENS BECAME HER SACRIFICE ♪ ♪ BUT HERE IN THE DARKNESS 1769 00:59:49,558 --> 00:59:50,090 BECAME HER SACRIFICE ♪ ♪ BUT HERE IN THE DARKNESS IT'S NOT THE FUTURE 1770 00:59:50,092 --> 00:59:54,961 ♪ BUT HERE IN THE DARKNESS IT'S NOT THE FUTURE NOR THE PAST ♪ 1771 00:59:54,963 --> 00:59:56,563 IT'S NOT THE FUTURE NOR THE PAST ♪ ♪ AND CAUSE IT'S MEANT TO BE 1772 00:59:56,565 --> 00:59:57,631 NOR THE PAST ♪ ♪ AND CAUSE IT'S MEANT TO BE WITH YOU BOY 1773 00:59:57,633 --> 00:59:59,766 ♪ AND CAUSE IT'S MEANT TO BE WITH YOU BOY IT WILL LAST 1774 00:59:59,768 --> 01:00:01,368 WITH YOU BOY IT WILL LAST YOU MET ME HALFWAY ♪ 1775 01:00:01,370 --> 01:00:01,902 IT WILL LAST YOU MET ME HALFWAY ♪ ♪ GROWING PAINS 1776 01:00:01,904 --> 01:00:03,537 YOU MET ME HALFWAY ♪ ♪ GROWING PAINS BROKE SOME CHAINS 1777 01:00:03,539 --> 01:00:04,604 ♪ GROWING PAINS BROKE SOME CHAINS IN EVERY CHAPTER 1778 01:00:04,606 --> 01:00:05,672 BROKE SOME CHAINS IN EVERY CHAPTER NOW WE KNOW ♪ 1779 01:00:05,674 --> 01:00:07,274 IN EVERY CHAPTER NOW WE KNOW ♪ ♪ WHAT IT TAKES 1780 01:00:07,276 --> 01:00:08,375 NOW WE KNOW ♪ ♪ WHAT IT TAKES FOR OUR EVER AFTER 1781 01:00:08,377 --> 01:00:09,443 ♪ WHAT IT TAKES FOR OUR EVER AFTER TOOK SOME LEFTS ♪ 1782 01:00:09,445 --> 01:00:11,078 FOR OUR EVER AFTER TOOK SOME LEFTS ♪ ♪ NOW WE'RE RIGHT HERE 1783 01:00:11,080 --> 01:00:13,213 TOOK SOME LEFTS ♪ ♪ NOW WE'RE RIGHT HERE WHERE WE ARE 1784 01:00:13,215 --> 01:00:17,517 ♪ NOW WE'RE RIGHT HERE WHERE WE ARE AND I SING 1785 01:00:17,519 --> 01:00:25,492 WHERE WE ARE AND I SING THIS IS ME NOW ♪ 1786 01:00:25,494 --> 01:00:31,398 AND I SING THIS IS ME NOW ♪ ♪ THIS IS ME NOW 1787 01:00:31,400 --> 01:00:32,466 THIS IS ME NOW ♪ ♪ THIS IS ME NOW AND I TOOK MY TIME 1788 01:00:32,468 --> 01:00:33,533 ♪ THIS IS ME NOW AND I TOOK MY TIME LOT OF WINTERS 1789 01:00:33,535 --> 01:00:35,135 AND I TOOK MY TIME LOT OF WINTERS SUMMERS BABY ♪ 1790 01:00:35,137 --> 01:00:36,737 LOT OF WINTERS SUMMERS BABY ♪ ♪ HAD TO HEAL MY HEART 1791 01:00:36,739 --> 01:00:41,575 SUMMERS BABY ♪ ♪ HAD TO HEAL MY HEART BUT I LOVE WHO I AM LATELY 1792 01:00:41,577 --> 01:00:46,413 ♪ HAD TO HEAL MY HEART BUT I LOVE WHO I AM LATELY THIS IS ME NOW ♪ 1793 01:00:46,415 --> 01:00:49,649 BUT I LOVE WHO I AM LATELY THIS IS ME NOW ♪ ♪ WHEN I WAS A GIRL 1794 01:00:49,651 --> 01:00:51,251 THIS IS ME NOW ♪ ♪ WHEN I WAS A GIRL THEY'D ASK ME WHAT I'D BE 1795 01:00:51,253 --> 01:00:53,920 ♪ WHEN I WAS A GIRL THEY'D ASK ME WHAT I'D BE WHAT YOU GON' BE ♪ 1796 01:00:53,922 --> 01:00:55,522 THEY'D ASK ME WHAT I'D BE WHAT YOU GON' BE ♪ ♪ A WOMAN IN LOVE 1797 01:00:55,524 --> 01:00:57,157 WHAT YOU GON' BE ♪ ♪ A WOMAN IN LOVE IS WHAT I GREW UP 1798 01:00:57,159 --> 01:00:58,725 ♪ A WOMAN IN LOVE IS WHAT I GREW UP WANTIN' TO BE ♪ 1799 01:00:58,727 --> 01:00:59,826 IS WHAT I GREW UP WANTIN' TO BE ♪ ♪ IN LOVE'S 1800 01:00:59,828 --> 01:01:01,428 WANTIN' TO BE ♪ ♪ IN LOVE'S WHAT I WANTED TO BE 1801 01:01:01,430 --> 01:01:04,631 ♪ IN LOVE'S WHAT I WANTED TO BE IT'S MY MELODY 1802 01:01:04,633 --> 01:01:08,969 WHAT I WANTED TO BE IT'S MY MELODY THE SYMPHONY I SEEK ♪ 1803 01:01:08,971 --> 01:01:10,036 IT'S MY MELODY THE SYMPHONY I SEEK ♪ ♪ AND YOUR EVERY WORD 1804 01:01:10,038 --> 01:01:11,638 THE SYMPHONY I SEEK ♪ ♪ AND YOUR EVERY WORD GAVE ME STRENGTH 1805 01:01:11,640 --> 01:01:14,875 ♪ AND YOUR EVERY WORD GAVE ME STRENGTH TO FOLLOW MY DREAMS 1806 01:01:14,877 --> 01:01:15,942 GAVE ME STRENGTH TO FOLLOW MY DREAMS YOU MET ME HALFWAY ♪ 1807 01:01:15,944 --> 01:01:16,476 TO FOLLOW MY DREAMS YOU MET ME HALFWAY ♪ ♪ FACE TO FACE 1808 01:01:16,478 --> 01:01:18,078 YOU MET ME HALFWAY ♪ ♪ FACE TO FACE TELL THE TRUTH 1809 01:01:18,080 --> 01:01:19,146 ♪ FACE TO FACE TELL THE TRUTH NO HOLDING BACK 1810 01:01:19,148 --> 01:01:20,213 TELL THE TRUTH NO HOLDING BACK WE ♪ 1811 01:01:20,215 --> 01:01:21,815 NO HOLDING BACK WE ♪ ♪ PUT IN WORK 1812 01:01:21,817 --> 01:01:23,450 WE ♪ ♪ PUT IN WORK OVERCAME ALL THE DISASTERS 1813 01:01:23,452 --> 01:01:25,051 ♪ PUT IN WORK OVERCAME ALL THE DISASTERS TIME APART 1814 01:01:25,053 --> 01:01:26,653 OVERCAME ALL THE DISASTERS TIME APART PUT US RIGHT HERE ♪ 1815 01:01:26,655 --> 01:01:27,721 TIME APART PUT US RIGHT HERE ♪ ♪ WHERE WE ARE 1816 01:01:27,723 --> 01:01:29,856 PUT US RIGHT HERE ♪ ♪ WHERE WE ARE WHERE WE'RE MEANT TO BE 1817 01:01:29,858 --> 01:01:33,059 ♪ WHERE WE ARE WHERE WE'RE MEANT TO BE AND I SING 1818 01:01:33,061 --> 01:01:35,762 WHERE WE'RE MEANT TO BE AND I SING THIS IS ME NOW ♪ 1819 01:01:35,764 --> 01:01:38,965 AND I SING THIS IS ME NOW ♪ ♪ LOVE ME AS I AM 1820 01:01:38,967 --> 01:01:46,473 THIS IS ME NOW ♪ ♪ LOVE ME AS I AM THIS IS ME NOW 1821 01:01:46,475 --> 01:01:47,007 ♪ LOVE ME AS I AM THIS IS ME NOW THIS IS ME NOW 1822 01:01:47,009 --> 01:01:48,041 THIS IS ME NOW THIS IS ME NOW AND I TOOK MY TIME ♪ 1823 01:01:48,043 --> 01:01:48,608 THIS IS ME NOW AND I TOOK MY TIME ♪ ♪ LOT OF WINTERS 1824 01:01:48,610 --> 01:01:49,676 AND I TOOK MY TIME ♪ ♪ LOT OF WINTERS SUMMERS BABY 1825 01:01:49,678 --> 01:01:51,278 ♪ LOT OF WINTERS SUMMERS BABY HAD TO HEAL MY HEART 1826 01:01:51,280 --> 01:01:51,812 SUMMERS BABY HAD TO HEAL MY HEART MY HEART ♪ 1827 01:01:51,814 --> 01:01:55,015 HAD TO HEAL MY HEART MY HEART ♪ ♪ BUT I LOVE WHO I AM LATELY 1828 01:01:55,017 --> 01:01:57,184 MY HEART ♪ ♪ BUT I LOVE WHO I AM LATELY THIS IS ME NOW 1829 01:01:57,186 --> 01:01:58,251 ♪ BUT I LOVE WHO I AM LATELY THIS IS ME NOW GOTTA LEARN TO LEARN 1830 01:01:58,253 --> 01:01:59,352 THIS IS ME NOW GOTTA LEARN TO LEARN GOTTA LEARN TO GROW ♪ 1831 01:01:59,354 --> 01:02:00,387 GOTTA LEARN TO LEARN GOTTA LEARN TO GROW ♪ ♪ GOTTA FIND MY WAY 1832 01:02:00,389 --> 01:02:01,988 GOTTA LEARN TO GROW ♪ ♪ GOTTA FIND MY WAY YEAH 1833 01:02:01,990 --> 01:02:03,590 ♪ GOTTA FIND MY WAY YEAH TAKE ME AS I AM 1834 01:02:03,592 --> 01:02:06,293 YEAH TAKE ME AS I AM AND I'LL TAKE YOU ♪ 1835 01:02:06,295 --> 01:02:08,395 TAKE ME AS I AM AND I'LL TAKE YOU ♪ ♪ AS YOU ARE 1836 01:02:08,397 --> 01:02:09,996 AND I'LL TAKE YOU ♪ ♪ AS YOU ARE AND WE'LL BUILD THIS 1837 01:02:09,998 --> 01:02:13,733 ♪ AS YOU ARE AND WE'LL BUILD THIS LIFE TOGETHER 1838 01:02:13,735 --> 01:02:16,403 AND WE'LL BUILD THIS LIFE TOGETHER I FOUND MY SHOOTING STAR ♪ 1839 01:02:16,405 --> 01:02:17,037 LIFE TOGETHER I FOUND MY SHOOTING STAR ♪ ♪ THE DOUBLE THE SHINE 1840 01:02:17,039 --> 01:02:18,038 I FOUND MY SHOOTING STAR ♪ ♪ THE DOUBLE THE SHINE THE GREENER THE DIAMOND 1841 01:02:18,040 --> 01:02:19,139 ♪ THE DOUBLE THE SHINE THE GREENER THE DIAMOND ONE OF A KIND 1842 01:02:19,141 --> 01:02:20,207 THE GREENER THE DIAMOND ONE OF A KIND THE CLEARER THE TIMING ♪ 1843 01:02:20,209 --> 01:02:21,274 ONE OF A KIND THE CLEARER THE TIMING ♪ ♪ AIN'T NOTHING CHANGE 1844 01:02:21,276 --> 01:02:22,342 THE CLEARER THE TIMING ♪ ♪ AIN'T NOTHING CHANGE YOU KNOW PAPS GOIN'CRAZY 1845 01:02:22,344 --> 01:02:22,909 ♪ AIN'T NOTHING CHANGE YOU KNOW PAPS GOIN'CRAZY AHH 1846 01:02:22,911 --> 01:02:23,410 YOU KNOW PAPS GOIN'CRAZY AHH BEEP BEEP ♪ 1847 01:02:23,412 --> 01:02:23,944 AHH BEEP BEEP ♪ ♪ PULL UP IN A 1848 01:02:23,946 --> 01:02:24,477 BEEP BEEP ♪ ♪ PULL UP IN A BLACK BUGAZZI 1849 01:02:24,479 --> 01:02:25,011 ♪ PULL UP IN A BLACK BUGAZZI BABY GOT A LOVE 1850 01:02:25,013 --> 01:02:26,112 BLACK BUGAZZI BABY GOT A LOVE THAT LAST FOREVER ♪ 1851 01:02:26,114 --> 01:02:26,713 BABY GOT A LOVE THAT LAST FOREVER ♪ ♪ OLD TINGZ NEW TINGZ 1852 01:02:26,715 --> 01:02:27,214 THAT LAST FOREVER ♪ ♪ OLD TINGZ NEW TINGZ IT'S A NEW LEVEL 1853 01:02:27,216 --> 01:02:28,815 ♪ OLD TINGZ NEW TINGZ IT'S A NEW LEVEL ALL GAS NO BREAKS 1854 01:02:28,817 --> 01:02:30,951 IT'S A NEW LEVEL ALL GAS NO BREAKS YOU COULD COME REV IT BABY ♪ 1855 01:02:30,953 --> 01:02:31,484 ALL GAS NO BREAKS YOU COULD COME REV IT BABY ♪ ♪ I'M READY 1856 01:02:31,486 --> 01:02:32,018 YOU COULD COME REV IT BABY ♪ ♪ I'M READY I'M READY 1857 01:02:32,020 --> 01:02:35,755 ♪ I'M READY I'M READY I'M READY 1858 01:02:35,757 --> 01:02:40,594 I'M READY I'M READY LOVE ME AS I AM ♪ 1859 01:02:40,596 --> 01:02:45,398 I'M READY LOVE ME AS I AM ♪ ♪ THIS IS ME NOW 1860 01:02:45,400 --> 01:02:47,033 LOVE ME AS I AM ♪ ♪ THIS IS ME NOW THIS IS ME NOW 1861 01:02:47,035 --> 01:02:48,068 ♪ THIS IS ME NOW THIS IS ME NOW AND I TOOK MY TIME 1862 01:02:48,070 --> 01:02:51,872 THIS IS ME NOW AND I TOOK MY TIME BABY ♪ 1863 01:02:51,874 --> 01:02:52,372 AND I TOOK MY TIME BABY ♪ ♪ LOT OF WINTER 1864 01:02:52,374 --> 01:02:52,939 BABY ♪ ♪ LOT OF WINTER SUMMERS BABY 1865 01:02:52,941 --> 01:02:54,007 ♪ LOT OF WINTER SUMMERS BABY MY HEART 1866 01:02:54,009 --> 01:02:57,177 SUMMERS BABY MY HEART HAD TO DO IT FOR MYSELF ♪ 1867 01:02:57,179 --> 01:02:58,278 MY HEART HAD TO DO IT FOR MYSELF ♪ ♪ GOT A LOT TO LEARN 1868 01:02:58,280 --> 01:02:59,346 HAD TO DO IT FOR MYSELF ♪ ♪ GOT A LOT TO LEARN GOTTA LEARN TO GROW 1869 01:02:59,348 --> 01:03:00,447 ♪ GOT A LOT TO LEARN GOTTA LEARN TO GROW AND FIND MY WAY 1870 01:03:00,449 --> 01:03:05,785 GOTTA LEARN TO GROW AND FIND MY WAY YEAH ♪ 1871 01:03:05,787 --> 01:03:14,027 AND FIND MY WAY YEAH ♪ ♪ THIS IS ME NOW 1872 01:03:14,029 --> 01:03:16,930 YEAH ♪ ♪ THIS IS ME NOW THIS IS ME NOW ♪ 1873 01:03:16,932 --> 01:03:24,170 ♪ THIS IS ME NOW THIS IS ME NOW ♪ [ CHEERS AND APPLAUSE ] 1874 01:03:41,055 --> 01:03:47,727 >>> YOU'RE WATCHING PEOPLE'S COURT. IN TODAY'S CASE, MARLEEN DAVIS 1875 01:03:47,729 --> 01:03:52,599 COURT. IN TODAY'S CASE, MARLEEN DAVIS IS SUING HER FORMER HAIRDRESSER 1876 01:03:52,601 --> 01:03:56,036 IN TODAY'S CASE, MARLEEN DAVIS IS SUING HER FORMER HAIRDRESSER FOR $3,000 IN DAMAGES AFTER SHE 1877 01:03:56,038 --> 01:03:59,139 IS SUING HER FORMER HAIRDRESSER FOR $3,000 IN DAMAGES AFTER SHE RECEIVED, QUOTE, THE HAIR CUT 1878 01:03:59,141 --> 01:03:59,673 FOR $3,000 IN DAMAGES AFTER SHE RECEIVED, QUOTE, THE HAIR CUT FROM HELL. 1879 01:03:59,675 --> 01:04:05,045 RECEIVED, QUOTE, THE HAIR CUT FROM HELL. >> AND THIS IS SHAUNA CLAIMING 1880 01:04:05,047 --> 01:04:06,146 FROM HELL. >> AND THIS IS SHAUNA CLAIMING SHE IS NOT RESPONSIBLE AND, 1881 01:04:06,148 --> 01:04:07,447 >> AND THIS IS SHAUNA CLAIMING SHE IS NOT RESPONSIBLE AND, QUOTE, GOD DON'T LIKE UGLY. 1882 01:04:07,449 --> 01:04:08,782 SHE IS NOT RESPONSIBLE AND, QUOTE, GOD DON'T LIKE UGLY. >> GOOD DAY, EVERYONE. 1883 01:04:08,784 --> 01:04:10,216 QUOTE, GOD DON'T LIKE UGLY. >> GOOD DAY, EVERYONE. YOU MAY BE SEATED. 1884 01:04:10,218 --> 01:04:12,118 >> GOOD DAY, EVERYONE. YOU MAY BE SEATED. ALL RIGHT, MS. DAVIS. 1885 01:04:12,120 --> 01:04:13,920 YOU MAY BE SEATED. ALL RIGHT, MS. DAVIS. YOUR COMPLAINT IS THAT YOU 1886 01:04:13,922 --> 01:04:15,889 ALL RIGHT, MS. DAVIS. YOUR COMPLAINT IS THAT YOU RECEIVED A BAD HAIR CUT FROM THE 1887 01:04:15,891 --> 01:04:16,256 YOUR COMPLAINT IS THAT YOU RECEIVED A BAD HAIR CUT FROM THE DEFENDANT. 1888 01:04:16,258 --> 01:04:19,259 RECEIVED A BAD HAIR CUT FROM THE DEFENDANT. BUT FROM WHEN I CAN SEE, IT 1889 01:04:19,261 --> 01:04:19,693 DEFENDANT. BUT FROM WHEN I CAN SEE, IT LOOKS FINE. 1890 01:04:19,695 --> 01:04:21,695 BUT FROM WHEN I CAN SEE, IT LOOKS FINE. >> YOUR HONOR, IT IS NOT FINE. 1891 01:04:21,697 --> 01:04:22,896 LOOKS FINE. >> YOUR HONOR, IT IS NOT FINE. LOOK AT THIS. 1892 01:04:22,898 --> 01:04:24,297 >> YOUR HONOR, IT IS NOT FINE. LOOK AT THIS. THIS IS WHAT I'M LEFT WITH. 1893 01:04:24,299 --> 01:04:26,299 LOOK AT THIS. THIS IS WHAT I'M LEFT WITH. THIS IS ME RIGHT HERE ALL DAY 1894 01:04:26,301 --> 01:04:26,700 THIS IS WHAT I'M LEFT WITH. THIS IS ME RIGHT HERE ALL DAY EVERY DAY. 1895 01:04:26,702 --> 01:04:29,669 THIS IS ME RIGHT HERE ALL DAY EVERY DAY. >> GOD DAMN! 1896 01:04:29,671 --> 01:04:31,604 EVERY DAY. >> GOD DAMN! >> LET THE RECORD SHOW MS. DAVIS 1897 01:04:31,606 --> 01:04:34,474 >> GOD DAMN! >> LET THE RECORD SHOW MS. DAVIS IS REVEALING HER EXPOSED BRAIN. 1898 01:04:34,476 --> 01:04:36,409 >> LET THE RECORD SHOW MS. DAVIS IS REVEALING HER EXPOSED BRAIN. >> YOUR HONOR, THAT IS NOT MY 1899 01:04:36,411 --> 01:04:36,776 IS REVEALING HER EXPOSED BRAIN. >> YOUR HONOR, THAT IS NOT MY FAULT. 1900 01:04:36,778 --> 01:04:39,946 >> YOUR HONOR, THAT IS NOT MY FAULT. SHE CAME UP IN MY SHOP LOOKING A 1901 01:04:39,948 --> 01:04:40,246 FAULT. SHE CAME UP IN MY SHOP LOOKING A MESS. 1902 01:04:40,248 --> 01:04:41,982 SHE CAME UP IN MY SHOP LOOKING A MESS. I CLEANED HER ASS UP. 1903 01:04:41,984 --> 01:04:44,718 MESS. I CLEANED HER ASS UP. >> GIRL, MY BRAIN IS OUT OF MY 1904 01:04:44,720 --> 01:04:45,352 I CLEANED HER ASS UP. >> GIRL, MY BRAIN IS OUT OF MY DAMN HEAD. 1905 01:04:45,354 --> 01:04:46,786 >> GIRL, MY BRAIN IS OUT OF MY DAMN HEAD. THIS INJURY HAS BEEN A 1906 01:04:46,788 --> 01:04:47,153 DAMN HEAD. THIS INJURY HAS BEEN A NIGHTMARE. 1907 01:04:47,155 --> 01:04:49,923 THIS INJURY HAS BEEN A NIGHTMARE. I LOST MY JOB AT THE ZOO BECAUSE 1908 01:04:49,925 --> 01:04:51,591 NIGHTMARE. I LOST MY JOB AT THE ZOO BECAUSE THE QUOTES KEPT LICKING MY BRAIN 1909 01:04:51,593 --> 01:04:52,258 I LOST MY JOB AT THE ZOO BECAUSE THE QUOTES KEPT LICKING MY BRAIN AND GETTING SICK. 1910 01:04:52,260 --> 01:04:54,260 THE QUOTES KEPT LICKING MY BRAIN AND GETTING SICK. >> YOUR HONOR, LET THE RECORD 1911 01:04:54,262 --> 01:04:55,462 AND GETTING SICK. >> YOUR HONOR, LET THE RECORD SHOW SHE LYING. 1912 01:04:55,464 --> 01:04:56,429 >> YOUR HONOR, LET THE RECORD SHOW SHE LYING. SHE LOVES IT. 1913 01:04:56,431 --> 01:04:58,698 SHOW SHE LYING. SHE LOVES IT. I SAW HER AT THE CLUB LAST NIGHT 1914 01:04:58,700 --> 01:04:59,532 SHE LOVES IT. I SAW HER AT THE CLUB LAST NIGHT BRAIN DOWN, ASS UP. 1915 01:04:59,534 --> 01:05:01,201 I SAW HER AT THE CLUB LAST NIGHT BRAIN DOWN, ASS UP. >> NO, I WASN'T. 1916 01:05:01,203 --> 01:05:03,169 BRAIN DOWN, ASS UP. >> NO, I WASN'T. >> YES, YOU WAS. 1917 01:05:03,171 --> 01:05:04,270 >> NO, I WASN'T. >> YES, YOU WAS. >> ALL RIGHT, GUYS. 1918 01:05:04,272 --> 01:05:06,373 >> YES, YOU WAS. >> ALL RIGHT, GUYS. >> THAT'S HOW IT WENT DOWN, YOUR 1919 01:05:06,375 --> 01:05:06,706 >> ALL RIGHT, GUYS. >> THAT'S HOW IT WENT DOWN, YOUR HONOR. 1920 01:05:06,708 --> 01:05:08,008 >> THAT'S HOW IT WENT DOWN, YOUR HONOR. >> ALL RIGHT, MS. DAVIS, IT 1921 01:05:08,010 --> 01:05:09,242 HONOR. >> ALL RIGHT, MS. DAVIS, IT APPEARS THAT NOW MORE THAN 1922 01:05:09,244 --> 01:05:10,910 >> ALL RIGHT, MS. DAVIS, IT APPEARS THAT NOW MORE THAN ANYTHING, YOU NEED TO GO TO A 1923 01:05:10,912 --> 01:05:12,178 APPEARS THAT NOW MORE THAN ANYTHING, YOU NEED TO GO TO A HOSPITAL. 1924 01:05:12,180 --> 01:05:13,413 ANYTHING, YOU NEED TO GO TO A HOSPITAL. >> OKAY. 1925 01:05:13,415 --> 01:05:14,180 HOSPITAL. >> OKAY. FIRST OFF, NO. 1926 01:05:14,182 --> 01:05:16,616 >> OKAY. FIRST OFF, NO. I YA LET MY EX-BOYFRIEND SEE ME 1927 01:05:16,618 --> 01:05:19,953 FIRST OFF, NO. I YA LET MY EX-BOYFRIEND SEE ME LIKE THIS. 1928 01:05:19,955 --> 01:05:21,588 I YA LET MY EX-BOYFRIEND SEE ME LIKE THIS. HE WORKS IN THE HOSPITAL. 1929 01:05:21,590 --> 01:05:22,622 LIKE THIS. HE WORKS IN THE HOSPITAL. >> HE PROBABLY JUST AN RN. 1930 01:05:22,624 --> 01:05:26,693 HE WORKS IN THE HOSPITAL. >> HE PROBABLY JUST AN RN. >> HE GETS PAID TO GIVE BLOOD. 1931 01:05:26,695 --> 01:05:29,095 >> HE PROBABLY JUST AN RN. >> HE GETS PAID TO GIVE BLOOD. IRREGARDLESS, I CAN'T LET HIM 1932 01:05:29,097 --> 01:05:29,596 >> HE GETS PAID TO GIVE BLOOD. IRREGARDLESS, I CAN'T LET HIM SEE ME LIKE THIS. 1933 01:05:29,598 --> 01:05:30,196 IRREGARDLESS, I CAN'T LET HIM SEE ME LIKE THIS. >> LOOK LIKE IT HURT. 1934 01:05:30,198 --> 01:05:32,465 SEE ME LIKE THIS. >> LOOK LIKE IT HURT. >> LOOK LIKE YOU NEED TO MIND 1935 01:05:32,467 --> 01:05:33,566 >> LOOK LIKE IT HURT. >> LOOK LIKE YOU NEED TO MIND YOUR DAMN BUSINESS. 1936 01:05:33,568 --> 01:05:35,835 >> LOOK LIKE YOU NEED TO MIND YOUR DAMN BUSINESS. IT'S EMBARRASSING, AND WHEN IT'S 1937 01:05:35,837 --> 01:05:38,972 YOUR DAMN BUSINESS. IT'S EMBARRASSING, AND WHEN IT'S WINDY OUT, I CAN FEEL MY 1938 01:05:38,974 --> 01:05:40,407 IT'S EMBARRASSING, AND WHEN IT'S WINDY OUT, I CAN FEEL MY MEMORIES GETTING BLOWN AWAY. 1939 01:05:40,409 --> 01:05:42,842 WINDY OUT, I CAN FEEL MY MEMORIES GETTING BLOWN AWAY. >> HOW ON EARTH DID IT GET THIS 1940 01:05:42,844 --> 01:05:43,109 MEMORIES GETTING BLOWN AWAY. >> HOW ON EARTH DID IT GET THIS BAD? 1941 01:05:43,111 --> 01:05:44,444 >> HOW ON EARTH DID IT GET THIS BAD? >> LET ME EXPLAIN. 1942 01:05:44,446 --> 01:05:49,582 BAD? >> LET ME EXPLAIN. SHE CAME UP TO ME IN MY SALON 1943 01:05:49,584 --> 01:05:51,618 >> LET ME EXPLAIN. SHE CAME UP TO ME IN MY SALON AND SAID MAKE ME LOOK LIKE THIS. 1944 01:05:51,620 --> 01:05:54,888 SHE CAME UP TO ME IN MY SALON AND SAID MAKE ME LOOK LIKE THIS. >> LET THE RECORD SHOW THAT IS A 1945 01:05:54,890 --> 01:05:56,990 AND SAID MAKE ME LOOK LIKE THIS. >> LET THE RECORD SHOW THAT IS A PHOTO OF MARGE SIMPSON FROM THE 1946 01:05:56,992 --> 01:05:58,091 >> LET THE RECORD SHOW THAT IS A PHOTO OF MARGE SIMPSON FROM THE SHOW THE SIMPSONS. 1947 01:05:58,093 --> 01:05:59,859 PHOTO OF MARGE SIMPSON FROM THE SHOW THE SIMPSONS. >> THIS IS NO FAULT OF MINE, I 1948 01:05:59,861 --> 01:06:04,230 SHOW THE SIMPSONS. >> THIS IS NO FAULT OF MINE, I HAVE A PLETHORA OF HAPPY 1949 01:06:04,232 --> 01:06:04,931 >> THIS IS NO FAULT OF MINE, I HAVE A PLETHORA OF HAPPY CLIENTS. 1950 01:06:04,933 --> 01:06:06,933 HAVE A PLETHORA OF HAPPY CLIENTS. MY MOST LOYAL CLIENT BEEN COMING 1951 01:06:06,935 --> 01:06:08,234 CLIENTS. MY MOST LOYAL CLIENT BEEN COMING TO ME FOR THREE YEARS. 1952 01:06:08,236 --> 01:06:09,302 MY MOST LOYAL CLIENT BEEN COMING TO ME FOR THREE YEARS. >> HELLO, YOUR HONOR. 1953 01:06:09,304 --> 01:06:13,339 TO ME FOR THREE YEARS. >> HELLO, YOUR HONOR. I JUST WANT TO SAY THAT SHAUNA 1954 01:06:13,341 --> 01:06:15,341 >> HELLO, YOUR HONOR. I JUST WANT TO SAY THAT SHAUNA HAS NEVER DONE ME WRONG. 1955 01:06:15,343 --> 01:06:16,976 I JUST WANT TO SAY THAT SHAUNA HAS NEVER DONE ME WRONG. I WOULD NEVER GO TO ANYONE ELSE. 1956 01:06:16,978 --> 01:06:17,944 HAS NEVER DONE ME WRONG. I WOULD NEVER GO TO ANYONE ELSE. I STOP TRAFFIC, OKAY? 1957 01:06:17,946 --> 01:06:18,611 I WOULD NEVER GO TO ANYONE ELSE. I STOP TRAFFIC, OKAY? >> NOT FOR THE REASONS YOU 1958 01:06:18,613 --> 01:06:23,016 I STOP TRAFFIC, OKAY? >> NOT FOR THE REASONS YOU THINK. 1959 01:06:23,018 --> 01:06:25,418 >> NOT FOR THE REASONS YOU THINK. >> NOW, MRS. WHITE, TELL ME, HAS 1960 01:06:25,420 --> 01:06:26,886 THINK. >> NOW, MRS. WHITE, TELL ME, HAS YOUR HAIRLINE ALWAYS STARTED IN 1961 01:06:26,888 --> 01:06:27,754 >> NOW, MRS. WHITE, TELL ME, HAS YOUR HAIRLINE ALWAYS STARTED IN THE PAST. 1962 01:06:27,756 --> 01:06:28,121 YOUR HAIRLINE ALWAYS STARTED IN THE PAST. OH, SNAP. 1963 01:06:28,123 --> 01:06:29,322 THE PAST. OH, SNAP. >> OH, SNAP. 1964 01:06:29,324 --> 01:06:29,889 OH, SNAP. >> OH, SNAP. >> OKAY. 1965 01:06:29,891 --> 01:06:30,657 >> OH, SNAP. >> OKAY. ALL RIGHT. 1966 01:06:30,659 --> 01:06:30,957 >> OKAY. ALL RIGHT. OKAY. 1967 01:06:30,959 --> 01:06:32,926 ALL RIGHT. OKAY. IF YOU JUST GOING TO BE 1968 01:06:32,928 --> 01:06:34,194 OKAY. IF YOU JUST GOING TO BE DISRESPECTFUL, I'M JUST GOING TO 1969 01:06:34,196 --> 01:06:34,594 IF YOU JUST GOING TO BE DISRESPECTFUL, I'M JUST GOING TO LEAVE THEN. 1970 01:06:34,596 --> 01:06:38,398 DISRESPECTFUL, I'M JUST GOING TO LEAVE THEN. >> OH, MY GOD! 1971 01:06:38,400 --> 01:06:38,665 LEAVE THEN. >> OH, MY GOD! OH! 1972 01:06:38,667 --> 01:06:40,900 >> OH, MY GOD! OH! >> BRAIN POPPING OUT THE BACK 1973 01:06:40,902 --> 01:06:41,201 OH! >> BRAIN POPPING OUT THE BACK TOO. 1974 01:06:41,203 --> 01:06:43,002 >> BRAIN POPPING OUT THE BACK TOO. >> I DON'T EVEN KNOW WHY I CAME 1975 01:06:43,004 --> 01:06:43,303 TOO. >> I DON'T EVEN KNOW WHY I CAME HERE. 1976 01:06:43,305 --> 01:06:45,138 >> I DON'T EVEN KNOW WHY I CAME HERE. CAN SOMEONE BLOW ON THE BACK OF 1977 01:06:45,140 --> 01:06:47,073 HERE. CAN SOMEONE BLOW ON THE BACK OF MY BRAIN SO I CAN JUST FORGET 1978 01:06:47,075 --> 01:06:47,373 CAN SOMEONE BLOW ON THE BACK OF MY BRAIN SO I CAN JUST FORGET TODAY? 1979 01:06:47,375 --> 01:06:48,274 MY BRAIN SO I CAN JUST FORGET TODAY? >> I GOT YOU, GIRL. 1980 01:06:48,276 --> 01:06:50,410 TODAY? >> I GOT YOU, GIRL. >> YOUR HONOR, SHE NEEDS TO PAY 1981 01:06:50,412 --> 01:06:50,677 >> I GOT YOU, GIRL. >> YOUR HONOR, SHE NEEDS TO PAY UP. 1982 01:06:50,679 --> 01:06:51,478 >> YOUR HONOR, SHE NEEDS TO PAY UP. >> UM, NO. 1983 01:06:51,480 --> 01:06:54,414 UP. >> UM, NO. YOU NOT GETTING ONE RED CENT, 1984 01:06:54,416 --> 01:06:56,683 >> UM, NO. YOU NOT GETTING ONE RED CENT, THAT'S THE COLOR OF PENNIES. 1985 01:06:56,685 --> 01:06:57,484 YOU NOT GETTING ONE RED CENT, THAT'S THE COLOR OF PENNIES. >> I DON'T KNOW THAT BECAUSE 1986 01:06:57,486 --> 01:06:59,986 THAT'S THE COLOR OF PENNIES. >> I DON'T KNOW THAT BECAUSE THAT PART OF MY BRAIN IS GONE. 1987 01:06:59,988 --> 01:07:02,222 >> I DON'T KNOW THAT BECAUSE THAT PART OF MY BRAIN IS GONE. >> WELL, YOU WASN'T USING IT 1988 01:07:02,224 --> 01:07:02,555 THAT PART OF MY BRAIN IS GONE. >> WELL, YOU WASN'T USING IT ANYWAY. 1989 01:07:02,557 --> 01:07:04,090 >> WELL, YOU WASN'T USING IT ANYWAY. >> I'M ABOUT TO USE PART OF MY 1990 01:07:04,092 --> 01:07:06,259 ANYWAY. >> I'M ABOUT TO USE PART OF MY FOOT TO PUT IT IN YOUR -- 1991 01:07:06,261 --> 01:07:07,994 >> I'M ABOUT TO USE PART OF MY FOOT TO PUT IT IN YOUR -- >> IN MY WHAT? 1992 01:07:07,996 --> 01:07:08,895 FOOT TO PUT IT IN YOUR -- >> IN MY WHAT? IN MY WHAT? 1993 01:07:08,897 --> 01:07:10,163 >> IN MY WHAT? IN MY WHAT? >> ORDER. 1994 01:07:10,165 --> 01:07:10,563 IN MY WHAT? >> ORDER. ORDER. 1995 01:07:10,565 --> 01:07:11,798 >> ORDER. ORDER. NOW, I'M NOT SURE WHO NEEDS TO 1996 01:07:11,800 --> 01:07:12,665 ORDER. NOW, I'M NOT SURE WHO NEEDS TO PAY WHO. 1997 01:07:12,667 --> 01:07:14,501 NOW, I'M NOT SURE WHO NEEDS TO PAY WHO. BUT I HOPE ALL INVOLVED GO TO 1998 01:07:14,503 --> 01:07:17,837 PAY WHO. BUT I HOPE ALL INVOLVED GO TO HELL WHEN THEY DIE. 1999 01:07:17,839 --> 01:07:19,472 BUT I HOPE ALL INVOLVED GO TO HELL WHEN THEY DIE. I AIN'T SAYING DIE NOW, BUT 2000 01:07:19,474 --> 01:07:21,007 HELL WHEN THEY DIE. I AIN'T SAYING DIE NOW, BUT WHENEVER YOU DO, I HOPE HELL IS 2001 01:07:21,009 --> 01:07:22,308 I AIN'T SAYING DIE NOW, BUT WHENEVER YOU DO, I HOPE HELL IS WHERE YOU GO. 2002 01:07:22,310 --> 01:07:23,977 WHENEVER YOU DO, I HOPE HELL IS WHERE YOU GO. BUT I TELL YOU WHERE I'M ABOUT 2003 01:07:23,979 --> 01:07:26,246 WHERE YOU GO. BUT I TELL YOU WHERE I'M ABOUT TO GO, CHILI'S. 2004 01:07:26,248 --> 01:07:27,514 BUT I TELL YOU WHERE I'M ABOUT TO GO, CHILI'S. THAT'S RIGHT, I'M ABOUT TO CHECK 2005 01:07:27,516 --> 01:07:28,414 TO GO, CHILI'S. THAT'S RIGHT, I'M ABOUT TO CHECK OUT THAT TWO FOR TWO. 2006 01:07:28,416 --> 01:07:30,016 THAT'S RIGHT, I'M ABOUT TO CHECK OUT THAT TWO FOR TWO. PEACE! 2007 01:07:30,018 --> 01:07:32,418 OUT THAT TWO FOR TWO. PEACE! [ CHEERS AND APPLAUSE ] 2008 01:07:47,868 --> 01:07:57,010 >>> THANK YOU! THANK YOU, THANK YOU! THANK YOU TO JENNIFER LOPEZ! 2009 01:07:57,012 --> 01:07:59,712 THANK YOU, THANK YOU! THANK YOU TO JENNIFER LOPEZ! TO REDMAN, TO NIKKI HALEY, AND 2010 01:07:59,714 --> 01:08:02,448 THANK YOU TO JENNIFER LOPEZ! TO REDMAN, TO NIKKI HALEY, AND TO THIS AMAZING CAST. 2011 01:08:02,450 --> 01:08:06,686 TO REDMAN, TO NIKKI HALEY, AND TO THIS AMAZING CAST. THIS CAST, THIS CAST, THIS CAST, 2012 01:08:06,688 --> 01:08:10,023 TO THIS AMAZING CAST. THIS CAST, THIS CAST, THIS CAST, THIS CREW! 2013 01:08:10,025 --> 01:08:11,591 THIS CAST, THIS CAST, THIS CAST, THIS CREW! EVERYBODY RUNNING ME AROUND. 2014 01:08:11,593 --> 01:08:12,225 THIS CREW! EVERYBODY RUNNING ME AROUND. THANK YOU SO MUCH. 2015 01:08:12,227 --> 01:08:13,726 EVERYBODY RUNNING ME AROUND. THANK YOU SO MUCH. IT'S BEEN A DREAM COME TRUE. 2016 01:08:13,728 --> 01:08:15,461 THANK YOU SO MUCH. IT'S BEEN A DREAM COME TRUE. THE SHOW'S BEEN AMAZING. 2017 01:08:15,463 --> 01:08:15,895 IT'S BEEN A DREAM COME TRUE. THE SHOW'S BEEN AMAZING. I LOVE YOU. 2018 01:08:15,897 --> 01:08:16,296 THE SHOW'S BEEN AMAZING. I LOVE YOU. GOOD NIGHT. 2019 01:08:16,298 --> 01:08:19,732 I LOVE YOU. GOOD NIGHT. YEAH.