1 00:00:07,762 --> 00:00:11,699 . >>> EASTER, THE CELEBRATION OF THE REBIRTH OF CHRIST. 2 00:00:11,701 --> 00:00:13,867 >>> EASTER, THE CELEBRATION OF THE REBIRTH OF CHRIST. THE BIBLE TELLS US THAT THREE 3 00:00:13,869 --> 00:00:16,003 THE REBIRTH OF CHRIST. THE BIBLE TELLS US THAT THREE DAYS AFTER THE CRUCIFIXION OF 4 00:00:16,005 --> 00:00:17,271 THE BIBLE TELLS US THAT THREE DAYS AFTER THE CRUCIFIXION OF JESUS, HE ROSE FROM THE DEAD. 5 00:00:17,273 --> 00:00:19,106 DAYS AFTER THE CRUCIFIXION OF JESUS, HE ROSE FROM THE DEAD. THE FIRST TO WITNESS THIS 6 00:00:19,108 --> 00:00:20,507 JESUS, HE ROSE FROM THE DEAD. THE FIRST TO WITNESS THIS MIRACLE WERE THREE WOMEN WHO HAD 7 00:00:20,509 --> 00:00:22,710 THE FIRST TO WITNESS THIS MIRACLE WERE THREE WOMEN WHO HAD COME TO ANOINT THE BODY OF JESUS 8 00:00:22,712 --> 00:00:24,078 MIRACLE WERE THREE WOMEN WHO HAD COME TO ANOINT THE BODY OF JESUS AND TEND TO HIS TOMB. 9 00:00:24,080 --> 00:00:25,379 COME TO ANOINT THE BODY OF JESUS AND TEND TO HIS TOMB. THIS IS THE STORY OF THE 10 00:00:25,381 --> 00:00:27,581 AND TEND TO HIS TOMB. THIS IS THE STORY OF THE RESURRECTION. 11 00:00:27,583 --> 00:00:39,827 THIS IS THE STORY OF THE RESURRECTION. [ CHEERS AND APPLAUSE ] 12 00:00:39,829 --> 00:00:42,296 RESURRECTION. [ CHEERS AND APPLAUSE ] >>> THIS IS IT, THE TOMB WHERE 13 00:00:42,298 --> 00:00:43,230 [ CHEERS AND APPLAUSE ] >>> THIS IS IT, THE TOMB WHERE HIS BODY IS LAID. 14 00:00:43,232 --> 00:00:44,965 >>> THIS IS IT, THE TOMB WHERE HIS BODY IS LAID. >> MOTHER MARY, DRY YOUR TEARS. 15 00:00:44,967 --> 00:00:46,867 HIS BODY IS LAID. >> MOTHER MARY, DRY YOUR TEARS. MARY AND I ARE HERE TO SUPPORT 16 00:00:46,869 --> 00:00:47,167 >> MOTHER MARY, DRY YOUR TEARS. MARY AND I ARE HERE TO SUPPORT YOU. 17 00:00:47,169 --> 00:00:48,669 MARY AND I ARE HERE TO SUPPORT YOU. >> MARY IS RIGHT. 18 00:00:48,671 --> 00:00:50,771 YOU. >> MARY IS RIGHT. ALSO, WHEN WE'RE DONE GRIEVING, 19 00:00:50,773 --> 00:00:52,306 >> MARY IS RIGHT. ALSO, WHEN WE'RE DONE GRIEVING, MAYBE WE SHOULD COME UP WITH A 20 00:00:52,308 --> 00:00:56,777 ALSO, WHEN WE'RE DONE GRIEVING, MAYBE WE SHOULD COME UP WITH A GIRL'S NAME OTHER THAN MARY. 21 00:00:56,779 --> 00:00:57,544 MAYBE WE SHOULD COME UP WITH A GIRL'S NAME OTHER THAN MARY. >> WHAT IS THAT NOISE THAT COMES 22 00:00:57,546 --> 00:00:58,212 GIRL'S NAME OTHER THAN MARY. >> WHAT IS THAT NOISE THAT COMES FROM WITHIN? 23 00:00:58,214 --> 00:01:00,647 >> WHAT IS THAT NOISE THAT COMES FROM WITHIN? >> LOOK, THE STONE, IT ROLLS 24 00:01:00,649 --> 00:01:00,948 FROM WITHIN? >> LOOK, THE STONE, IT ROLLS AWAY. 25 00:01:00,950 --> 00:01:03,350 >> LOOK, THE STONE, IT ROLLS AWAY. >> IS IT JESUS? 26 00:01:03,352 --> 00:01:06,520 AWAY. >> IS IT JESUS? >> BASICALLY, YES. 27 00:01:06,522 --> 00:01:12,826 >> IS IT JESUS? >> BASICALLY, YES. [ CHEERS AND APPLAUSE ] 28 00:01:12,828 --> 00:01:14,595 >> BASICALLY, YES. [ CHEERS AND APPLAUSE ] HAPPY EASTER, EVERYBODY. 29 00:01:14,597 --> 00:01:16,997 [ CHEERS AND APPLAUSE ] HAPPY EASTER, EVERYBODY. AS IT WAS STATED IN THE BIBLE, 30 00:01:16,999 --> 00:01:19,099 HAPPY EASTER, EVERYBODY. AS IT WAS STATED IN THE BIBLE, GUESS WHO'S BACK, BACK AGAIN, 31 00:01:19,101 --> 00:01:19,600 AS IT WAS STATED IN THE BIBLE, GUESS WHO'S BACK, BACK AGAIN, SHADY'S BACK. 32 00:01:19,602 --> 00:01:21,401 GUESS WHO'S BACK, BACK AGAIN, SHADY'S BACK. ALL RIGHT, GIRLS. 33 00:01:21,403 --> 00:01:22,136 SHADY'S BACK. ALL RIGHT, GIRLS. YOU CAN GO. 34 00:01:22,138 --> 00:01:22,636 ALL RIGHT, GIRLS. YOU CAN GO. NO MORE LINES. 35 00:01:22,638 --> 00:01:23,070 YOU CAN GO. NO MORE LINES. YOU DID GREAT. 36 00:01:23,072 --> 00:01:27,508 NO MORE LINES. YOU DID GREAT. BYE BYE. 37 00:01:27,510 --> 00:01:30,177 YOU DID GREAT. BYE BYE. GET OUT OF HERE. 38 00:01:30,179 --> 00:01:30,611 BYE BYE. GET OUT OF HERE. THAT'S RIGHT. 39 00:01:30,613 --> 00:01:32,346 GET OUT OF HERE. THAT'S RIGHT. IT'S EASTER, THE TIME OF YEAR 40 00:01:32,348 --> 00:01:34,515 THAT'S RIGHT. IT'S EASTER, THE TIME OF YEAR WHEN I COMPARE MYSELF TO JESUS 41 00:01:34,517 --> 00:01:34,848 IT'S EASTER, THE TIME OF YEAR WHEN I COMPARE MYSELF TO JESUS CHRIST. 42 00:01:34,850 --> 00:01:37,151 WHEN I COMPARE MYSELF TO JESUS CHRIST. THAT'S JUST A THING I DO NOW, 43 00:01:37,153 --> 00:01:38,752 CHRIST. THAT'S JUST A THING I DO NOW, AND PEOPLE SEEM TO BE OKAY WITH 44 00:01:38,754 --> 00:01:39,019 THAT'S JUST A THING I DO NOW, AND PEOPLE SEEM TO BE OKAY WITH IT. 45 00:01:39,021 --> 00:01:40,687 AND PEOPLE SEEM TO BE OKAY WITH IT. I'M GOING TO KEEP DOING IT. 46 00:01:40,689 --> 00:01:43,323 IT. I'M GOING TO KEEP DOING IT. IF YOU THINK THIS IS A BAD LOOK, 47 00:01:43,325 --> 00:01:44,424 I'M GOING TO KEEP DOING IT. IF YOU THINK THIS IS A BAD LOOK, IMAGINE HOW WEIRD IT WOULD BE IF 48 00:01:44,426 --> 00:01:45,726 IF YOU THINK THIS IS A BAD LOOK, IMAGINE HOW WEIRD IT WOULD BE IF I STARTED SELLING BIBLES. 49 00:01:45,728 --> 00:01:50,030 IMAGINE HOW WEIRD IT WOULD BE IF I STARTED SELLING BIBLES. WELL, I'M SELLING BIBLES. 50 00:01:50,032 --> 00:01:51,031 I STARTED SELLING BIBLES. WELL, I'M SELLING BIBLES. LOOK AT THIS BEAUTIFUL BIBLE 51 00:01:51,033 --> 00:01:54,635 WELL, I'M SELLING BIBLES. LOOK AT THIS BEAUTIFUL BIBLE MADE FROM 100% BIBLE. 52 00:01:54,637 --> 00:01:56,670 LOOK AT THIS BEAUTIFUL BIBLE MADE FROM 100% BIBLE. SOUNDS LIKE A JOKE, AND IN MANY 53 00:01:56,672 --> 00:01:58,739 MADE FROM 100% BIBLE. SOUNDS LIKE A JOKE, AND IN MANY WAYS IT IS, BUT IT'S ALSO VERY 54 00:01:58,741 --> 00:01:59,039 SOUNDS LIKE A JOKE, AND IN MANY WAYS IT IS, BUT IT'S ALSO VERY REAL. 55 00:01:59,041 --> 00:02:01,608 WAYS IT IS, BUT IT'S ALSO VERY REAL. AS YOU KNOW, I LOVE BIBLE. 56 00:02:01,610 --> 00:02:03,043 REAL. AS YOU KNOW, I LOVE BIBLE. IT'S MY FAVORITE BOOK. 57 00:02:03,045 --> 00:02:04,945 AS YOU KNOW, I LOVE BIBLE. IT'S MY FAVORITE BOOK. I'VE DEFINITELY READ IT. 58 00:02:04,947 --> 00:02:08,248 IT'S MY FAVORITE BOOK. I'VE DEFINITELY READ IT. MY FAVORITE PART IS PROBABLY THE 59 00:02:08,250 --> 00:02:10,017 I'VE DEFINITELY READ IT. MY FAVORITE PART IS PROBABLY THE ENDING, HOW IT ALL WRAPS UP. 60 00:02:10,019 --> 00:02:12,219 MY FAVORITE PART IS PROBABLY THE ENDING, HOW IT ALL WRAPS UP. BUT THIS IS A VERY SPECIAL 61 00:02:12,221 --> 00:02:12,519 ENDING, HOW IT ALL WRAPS UP. BUT THIS IS A VERY SPECIAL BIBLE. 62 00:02:12,521 --> 00:02:14,054 BUT THIS IS A VERY SPECIAL BIBLE. AND IT CAN BE YOURS FOR THE 63 00:02:14,056 --> 00:02:16,590 BIBLE. AND IT CAN BE YOURS FOR THE HIGH, HIGH PRICE OF $60. 64 00:02:16,592 --> 00:02:17,324 AND IT CAN BE YOURS FOR THE HIGH, HIGH PRICE OF $60. BUT I'M NOT DOING THIS FOR THE 65 00:02:17,326 --> 00:02:19,459 HIGH, HIGH PRICE OF $60. BUT I'M NOT DOING THIS FOR THE MONEY. 66 00:02:19,461 --> 00:02:23,063 BUT I'M NOT DOING THIS FOR THE MONEY. I'M DOING THIS FOR THE GLORY OF 67 00:02:23,065 --> 00:02:24,231 MONEY. I'M DOING THIS FOR THE GLORY OF GOD AND FOR PANDERING AND MOSTLY 68 00:02:24,233 --> 00:02:26,967 I'M DOING THIS FOR THE GLORY OF GOD AND FOR PANDERING AND MOSTLY FOR MONEY. 69 00:02:26,969 --> 00:02:29,102 GOD AND FOR PANDERING AND MOSTLY FOR MONEY. BUT IT'S SO SAD. 70 00:02:29,104 --> 00:02:31,438 FOR MONEY. BUT IT'S SO SAD. RELIGION AND CHRISTIANITY ARE 71 00:02:31,440 --> 00:02:32,940 BUT IT'S SO SAD. RELIGION AND CHRISTIANITY ARE TOTALLY GONE FROM THIS COUNTRY, 72 00:02:32,942 --> 00:02:35,876 RELIGION AND CHRISTIANITY ARE TOTALLY GONE FROM THIS COUNTRY, AND WE NEED THEM BACK. 73 00:02:35,878 --> 00:02:36,610 TOTALLY GONE FROM THIS COUNTRY, AND WE NEED THEM BACK. WITHOUT RELIGION, YOU DON'T HAVE 74 00:02:36,612 --> 00:02:38,245 AND WE NEED THEM BACK. WITHOUT RELIGION, YOU DON'T HAVE LAWS, YOU DON'T HAVE MISSION 75 00:02:38,247 --> 00:02:38,579 WITHOUT RELIGION, YOU DON'T HAVE LAWS, YOU DON'T HAVE MISSION TRIPS. 76 00:02:38,581 --> 00:02:41,915 LAWS, YOU DON'T HAVE MISSION TRIPS. I'M TOLD MISSION TRIPS ARE A LOT 77 00:02:41,917 --> 00:02:43,116 TRIPS. I'M TOLD MISSION TRIPS ARE A LOT OF FUN. 78 00:02:43,118 --> 00:02:43,884 I'M TOLD MISSION TRIPS ARE A LOT OF FUN. 79 00:02:43,886 --> 00:02:45,652 OF FUN. 80 00:02:45,654 --> 00:02:47,221 YOU GO TO MEXICO, BUILD A HOUSE, MAYBE MAKE OUT WITH SOMEONE ON 81 00:02:47,223 --> 00:02:48,455 YOU GO TO MEXICO, BUILD A HOUSE, MAYBE MAKE OUT WITH SOMEONE ON THE LAST NIGHT. 82 00:02:48,457 --> 00:02:50,424 MAYBE MAKE OUT WITH SOMEONE ON THE LAST NIGHT. THEN IT'S BACK TO CLEAR WATER, 83 00:02:50,426 --> 00:02:52,359 THE LAST NIGHT. THEN IT'S BACK TO CLEAR WATER, FLORIDA LIKE IT NEVER HAPPENED. 84 00:02:52,361 --> 00:02:54,494 THEN IT'S BACK TO CLEAR WATER, FLORIDA LIKE IT NEVER HAPPENED. BUT YOU'RE GOING TO LOVE MY NEW 85 00:02:54,496 --> 00:02:55,863 FLORIDA LIKE IT NEVER HAPPENED. BUT YOU'RE GOING TO LOVE MY NEW AND EVEN BETTER BIBLE. 86 00:02:55,865 --> 00:02:57,531 BUT YOU'RE GOING TO LOVE MY NEW AND EVEN BETTER BIBLE. IT COMES WITH EVERYTHING YOU 87 00:02:57,533 --> 00:02:59,566 AND EVEN BETTER BIBLE. IT COMES WITH EVERYTHING YOU LIKE FROM BIBLE, LIKE THE STORY 88 00:02:59,568 --> 00:03:01,902 IT COMES WITH EVERYTHING YOU LIKE FROM BIBLE, LIKE THE STORY OF EASTER, WHICH PRIMARILY 89 00:03:01,904 --> 00:03:05,239 LIKE FROM BIBLE, LIKE THE STORY OF EASTER, WHICH PRIMARILY CONCERNS JESUS, NOT SO MUCH THE 90 00:03:05,241 --> 00:03:05,539 OF EASTER, WHICH PRIMARILY CONCERNS JESUS, NOT SO MUCH THE BUNNY. 91 00:03:05,541 --> 00:03:06,673 CONCERNS JESUS, NOT SO MUCH THE BUNNY. THE BUNNY NEVER SHOWED UP. 92 00:03:06,675 --> 00:03:07,841 BUNNY. THE BUNNY NEVER SHOWED UP. THAT'S OKAY. 93 00:03:07,843 --> 00:03:10,077 THE BUNNY NEVER SHOWED UP. THAT'S OKAY. NOW, MY BIBLE ALSO INCLUDES SOME 94 00:03:10,079 --> 00:03:11,511 THAT'S OKAY. NOW, MY BIBLE ALSO INCLUDES SOME BEAUTIFUL ILLUSTRATIONS LIKE 95 00:03:11,513 --> 00:03:13,180 NOW, MY BIBLE ALSO INCLUDES SOME BEAUTIFUL ILLUSTRATIONS LIKE MOSES FLOATING DOWN THE RIVER IN 96 00:03:13,182 --> 00:03:14,982 BEAUTIFUL ILLUSTRATIONS LIKE MOSES FLOATING DOWN THE RIVER IN THE BASKET, AND UH-OH, LOOK OUT, 97 00:03:14,984 --> 00:03:18,085 MOSES FLOATING DOWN THE RIVER IN THE BASKET, AND UH-OH, LOOK OUT, HERE'S TRUMP IN THE BASKET. 98 00:03:18,087 --> 00:03:18,852 THE BASKET, AND UH-OH, LOOK OUT, HERE'S TRUMP IN THE BASKET. RIGHT BEHIND MOSES ABOUT TO PASS 99 00:03:18,854 --> 00:03:21,588 HERE'S TRUMP IN THE BASKET. RIGHT BEHIND MOSES ABOUT TO PASS ON THE LEFT. 100 00:03:21,590 --> 00:03:24,324 RIGHT BEHIND MOSES ABOUT TO PASS ON THE LEFT. AND HERE I AM IN THE GARDEN OF 101 00:03:24,326 --> 00:03:26,994 ON THE LEFT. AND HERE I AM IN THE GARDEN OF EDEN WITH MY ACTUAL BODY. 102 00:03:26,996 --> 00:03:28,629 AND HERE I AM IN THE GARDEN OF EDEN WITH MY ACTUAL BODY. YOU KNOW, I THINK I WOULD BE 103 00:03:28,631 --> 00:03:30,664 EDEN WITH MY ACTUAL BODY. YOU KNOW, I THINK I WOULD BE VERY GOOD AT SAYING NO TO THE 104 00:03:30,666 --> 00:03:31,498 YOU KNOW, I THINK I WOULD BE VERY GOOD AT SAYING NO TO THE SNAKE FROM THE STANDPOINT OF NOT 105 00:03:31,500 --> 00:03:34,935 VERY GOOD AT SAYING NO TO THE SNAKE FROM THE STANDPOINT OF NOT LIKING FRUIT. 106 00:03:34,937 --> 00:03:38,438 SNAKE FROM THE STANDPOINT OF NOT LIKING FRUIT. AND HERE'S NOAH'S ARK, ALL THE 107 00:03:38,440 --> 00:03:39,873 LIKING FRUIT. AND HERE'S NOAH'S ARK, ALL THE ANIMALS ARE ON THE ARK OF 108 00:03:39,875 --> 00:03:40,207 AND HERE'S NOAH'S ARK, ALL THE ANIMALS ARE ON THE ARK OF COURSE. 109 00:03:40,209 --> 00:03:42,876 ANIMALS ARE ON THE ARK OF COURSE. THERE'S ME YELLING AT NOAH, HEY, 110 00:03:42,878 --> 00:03:46,013 COURSE. THERE'S ME YELLING AT NOAH, HEY, BUDDY, YOU FORGOT THE RACCOON. 111 00:03:46,015 --> 00:03:48,315 THERE'S ME YELLING AT NOAH, HEY, BUDDY, YOU FORGOT THE RACCOON. BUT WE LOVE RELIGION, AND WE 112 00:03:48,317 --> 00:03:48,982 BUDDY, YOU FORGOT THE RACCOON. BUT WE LOVE RELIGION, AND WE LOVE GOD. 113 00:03:48,984 --> 00:03:50,150 BUT WE LOVE RELIGION, AND WE LOVE GOD. HE'S PROBABLY THE BEST PART OF 114 00:03:50,152 --> 00:03:51,652 LOVE GOD. HE'S PROBABLY THE BEST PART OF THE HOLY TRINITY. 115 00:03:51,654 --> 00:03:53,287 HE'S PROBABLY THE BEST PART OF THE HOLY TRINITY. HE'S LIKE THE BEYONCE. 116 00:03:53,289 --> 00:03:56,757 THE HOLY TRINITY. HE'S LIKE THE BEYONCE. COWBOY CARTER. 117 00:03:56,759 --> 00:04:00,294 HE'S LIKE THE BEYONCE. COWBOY CARTER. GOD'S THE BEYONCE, JESUS IS THE 118 00:04:00,296 --> 00:04:02,496 COWBOY CARTER. GOD'S THE BEYONCE, JESUS IS THE KELLY ROWLAND, AND HOLY GHOST 119 00:04:02,498 --> 00:04:04,998 GOD'S THE BEYONCE, JESUS IS THE KELLY ROWLAND, AND HOLY GHOST WOULD PROBABLY BE THE BLACK 120 00:04:05,000 --> 00:04:05,832 KELLY ROWLAND, AND HOLY GHOST WOULD PROBABLY BE THE BLACK MICHELLE WILLIAMS WHO'S VERY 121 00:04:05,834 --> 00:04:07,634 WOULD PROBABLY BE THE BLACK MICHELLE WILLIAMS WHO'S VERY IMPORTANT TO A GREAT NUMBER OF 122 00:04:07,636 --> 00:04:07,968 MICHELLE WILLIAMS WHO'S VERY IMPORTANT TO A GREAT NUMBER OF PEOPLE. 123 00:04:07,970 --> 00:04:09,503 IMPORTANT TO A GREAT NUMBER OF PEOPLE. ALMOST AS IMPORTANT AS THE WHITE 124 00:04:09,505 --> 00:04:10,203 PEOPLE. ALMOST AS IMPORTANT AS THE WHITE MICHELLE WILLIAMS IS TO WHITE 125 00:04:10,205 --> 00:04:13,140 ALMOST AS IMPORTANT AS THE WHITE MICHELLE WILLIAMS IS TO WHITE PEOPLE. 126 00:04:13,142 --> 00:04:15,676 MICHELLE WILLIAMS IS TO WHITE PEOPLE. AND WE BELIEVE THERE WAS A 127 00:04:15,678 --> 00:04:16,443 PEOPLE. AND WE BELIEVE THERE WAS A FOURTH DESTINY CHILD, BUT WE'LL 128 00:04:16,445 --> 00:04:19,246 AND WE BELIEVE THERE WAS A FOURTH DESTINY CHILD, BUT WE'LL BE LOOKING INTO THAT VERY 129 00:04:19,248 --> 00:04:19,613 FOURTH DESTINY CHILD, BUT WE'LL BE LOOKING INTO THAT VERY STRONGLY. 130 00:04:19,615 --> 00:04:20,614 BE LOOKING INTO THAT VERY STRONGLY. VERY SHORTLY. 131 00:04:20,616 --> 00:04:22,816 STRONGLY. VERY SHORTLY. BILLS, BILLS, BILLS, THAT'S A 132 00:04:22,818 --> 00:04:23,550 VERY SHORTLY. BILLS, BILLS, BILLS, THAT'S A GOOD ONE. 133 00:04:23,552 --> 00:04:26,453 BILLS, BILLS, BILLS, THAT'S A GOOD ONE. I LIKE THAT ONE. 134 00:04:26,455 --> 00:04:27,154 GOOD ONE. I LIKE THAT ONE. I WOULD LOVE SOMEONE TO PAY 135 00:04:27,156 --> 00:04:27,454 I LIKE THAT ONE. I WOULD LOVE SOMEONE TO PAY MINE. 136 00:04:27,456 --> 00:04:28,989 I WOULD LOVE SOMEONE TO PAY MINE. ANY TAKERS? 137 00:04:28,991 --> 00:04:29,256 MINE. ANY TAKERS? NO. 138 00:04:29,258 --> 00:04:30,724 ANY TAKERS? NO. WELL, BACK TO MY BEAUTIFUL 139 00:04:30,726 --> 00:04:33,860 NO. WELL, BACK TO MY BEAUTIFUL BIBLE, WHICH ALSO INCLUDES 140 00:04:33,862 --> 00:04:36,563 WELL, BACK TO MY BEAUTIFUL BIBLE, WHICH ALSO INCLUDES CONSTITUTION AND PLEDGE OF 141 00:04:36,565 --> 00:04:37,898 BIBLE, WHICH ALSO INCLUDES CONSTITUTION AND PLEDGE OF ALLEGIANCE, AND -- I DON'T KNOW, 142 00:04:37,900 --> 00:04:40,367 CONSTITUTION AND PLEDGE OF ALLEGIANCE, AND -- I DON'T KNOW, MAYBE MIRANDA RIGHTS, WHICH 143 00:04:40,369 --> 00:04:42,936 ALLEGIANCE, AND -- I DON'T KNOW, MAYBE MIRANDA RIGHTS, WHICH MEANS UNFORTUNATELY WE HAD TO 144 00:04:42,938 --> 00:04:43,403 MAYBE MIRANDA RIGHTS, WHICH MEANS UNFORTUNATELY WE HAD TO MAKE SOME CUTS. 145 00:04:43,405 --> 00:04:46,673 MEANS UNFORTUNATELY WE HAD TO MAKE SOME CUTS. THIS BIBLE WILL NOT FEATURE AMOS 146 00:04:46,675 --> 00:04:49,276 MAKE SOME CUTS. THIS BIBLE WILL NOT FEATURE AMOS OR HABAKKUK. 147 00:04:49,278 --> 00:04:51,345 THIS BIBLE WILL NOT FEATURE AMOS OR HABAKKUK. SORRY, HABAKKUK, BUT NOW I THINK 148 00:04:51,347 --> 00:04:52,245 OR HABAKKUK. SORRY, HABAKKUK, BUT NOW I THINK IT REALLY COOKS. 149 00:04:52,247 --> 00:04:52,713 SORRY, HABAKKUK, BUT NOW I THINK IT REALLY COOKS. IT'S TIGHT. 150 00:04:52,715 --> 00:04:54,614 IT REALLY COOKS. IT'S TIGHT. AND IF YOU ORDER NOW, WE'LL ALSO 151 00:04:54,616 --> 00:04:55,549 IT'S TIGHT. AND IF YOU ORDER NOW, WE'LL ALSO THROW IN A FREE TRUMP MIRACLE 152 00:04:55,551 --> 00:04:58,018 AND IF YOU ORDER NOW, WE'LL ALSO THROW IN A FREE TRUMP MIRACLE TOASTER. 153 00:04:58,020 --> 00:05:00,120 THROW IN A FREE TRUMP MIRACLE TOASTER. YOU KNOW HOW SOMETIMES WEIRDOS 154 00:05:00,122 --> 00:05:02,289 TOASTER. YOU KNOW HOW SOMETIMES WEIRDOS SEE A PICTURE OF JESUS OR 155 00:05:02,291 --> 00:05:03,590 YOU KNOW HOW SOMETIMES WEIRDOS SEE A PICTURE OF JESUS OR SOMETHING IN THEIR TOAST? 156 00:05:03,592 --> 00:05:04,324 SEE A PICTURE OF JESUS OR SOMETHING IN THEIR TOAST? WELL, HOW ABOUT THE MIRACLE OF 157 00:05:04,326 --> 00:05:06,860 SOMETHING IN THEIR TOAST? WELL, HOW ABOUT THE MIRACLE OF TRUMP? 158 00:05:06,862 --> 00:05:07,761 WELL, HOW ABOUT THE MIRACLE OF TRUMP? AND THIS IS GREAT. 159 00:05:07,763 --> 00:05:10,998 TRUMP? AND THIS IS GREAT. THE OTHER SIDE DOES HELLO KITTY 160 00:05:11,000 --> 00:05:12,432 AND THIS IS GREAT. THE OTHER SIDE DOES HELLO KITTY IF YOU HAVE A DAUGHTER OR 161 00:05:12,434 --> 00:05:13,200 THE OTHER SIDE DOES HELLO KITTY IF YOU HAVE A DAUGHTER OR PERHAPS A SON WHO'S TAKING DANCE 162 00:05:13,202 --> 00:05:16,970 IF YOU HAVE A DAUGHTER OR PERHAPS A SON WHO'S TAKING DANCE CLASSES. 163 00:05:16,972 --> 00:05:19,139 PERHAPS A SON WHO'S TAKING DANCE CLASSES. ANYWAY, IT'S EASTER EVE, SO LET 164 00:05:19,141 --> 00:05:21,041 CLASSES. ANYWAY, IT'S EASTER EVE, SO LET US BOW OUR HEADS -- I'M NOT 165 00:05:21,043 --> 00:05:23,377 ANYWAY, IT'S EASTER EVE, SO LET US BOW OUR HEADS -- I'M NOT GOING TO -- AND SAY THE LORD'S 166 00:05:23,379 --> 00:05:25,412 US BOW OUR HEADS -- I'M NOT GOING TO -- AND SAY THE LORD'S PRAYER, WHICH WE ALL KNOW VERY 167 00:05:25,414 --> 00:05:28,281 GOING TO -- AND SAY THE LORD'S PRAYER, WHICH WE ALL KNOW VERY WELL, ME ESPECIALLY. 168 00:05:28,283 --> 00:05:32,152 PRAYER, WHICH WE ALL KNOW VERY WELL, ME ESPECIALLY. OUR FATHER WHO ARE IN HEAVEN, 169 00:05:32,154 --> 00:05:34,054 WELL, ME ESPECIALLY. OUR FATHER WHO ARE IN HEAVEN, HALLOWED BEEP BEEP, BING BING, 170 00:05:34,056 --> 00:05:36,523 OUR FATHER WHO ARE IN HEAVEN, HALLOWED BEEP BEEP, BING BING, BING BING BONG, BING BONG, BING 171 00:05:36,525 --> 00:05:39,826 HALLOWED BEEP BEEP, BING BING, BING BING BONG, BING BONG, BING BING BING, TRESPASS, DAILY 172 00:05:39,828 --> 00:05:43,296 BING BING BONG, BING BONG, BING BING BING, TRESPASS, DAILY BREAD, AND PLEASE LEAD US INTO 173 00:05:43,298 --> 00:05:46,533 BING BING, TRESPASS, DAILY BREAD, AND PLEASE LEAD US INTO TEMPTATION, AND PAY OUR 174 00:05:46,535 --> 00:05:47,067 BREAD, AND PLEASE LEAD US INTO TEMPTATION, AND PAY OUR AUTOMOBILES. 175 00:05:47,069 --> 00:05:48,602 TEMPTATION, AND PAY OUR AUTOMOBILES. IN THE NAME OF FATHER, THE SON, 176 00:05:48,604 --> 00:05:50,904 AUTOMOBILES. IN THE NAME OF FATHER, THE SON, AND THE EASTER BUNNY, AMEN, AND 177 00:05:50,906 --> 00:05:51,538 IN THE NAME OF FATHER, THE SON, AND THE EASTER BUNNY, AMEN, AND LIVE FROM NEW YORK, IT'S 178 00:05:51,540 --> 00:05:58,178 AND THE EASTER BUNNY, AMEN, AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 179 00:05:58,180 --> 00:05:58,879 LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY 180 00:05:58,881 --> 00:06:00,847 SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY NIGHT LIVE" WITH -- 181 00:07:14,088 --> 00:07:16,556 FEATURING -- 182 00:07:42,650 --> 00:07:52,893 A FILM BY -- PLEASE DON'T DESTROY. MUSICAL GUEST -- TRAVIS SCOTT. 183 00:07:52,895 --> 00:08:01,368 DESTROY. MUSICAL GUEST -- TRAVIS SCOTT. AND YOUR HOST -- RAMY YOUSSEF. 184 00:08:01,370 --> 00:08:02,035 MUSICAL GUEST -- TRAVIS SCOTT. AND YOUR HOST -- RAMY YOUSSEF. LADIES AND GENTLEMEN, RAMY 185 00:08:02,037 --> 00:08:03,170 AND YOUR HOST -- RAMY YOUSSEF. LADIES AND GENTLEMEN, RAMY YOUSSEF! 186 00:08:03,172 --> 00:08:19,619 LADIES AND GENTLEMEN, RAMY YOUSSEF! [ CHEERS AND APPLAUSE ] 187 00:08:31,532 --> 00:08:40,040 >>> THIS IS AN INCREDIBLY SPIRITUAL WEEKEND. WE'RE IN THE HOLY MONTH OF 188 00:08:40,042 --> 00:08:40,373 SPIRITUAL WEEKEND. WE'RE IN THE HOLY MONTH OF RAMADAN. 189 00:08:40,375 --> 00:08:42,442 WE'RE IN THE HOLY MONTH OF RAMADAN. TOMORROW IS EASTER. 190 00:08:42,444 --> 00:08:43,643 RAMADAN. TOMORROW IS EASTER. AND YESTERDAY, BEYONCE RELEASED 191 00:08:43,645 --> 00:08:47,080 TOMORROW IS EASTER. AND YESTERDAY, BEYONCE RELEASED A NEW ALBUM. 192 00:08:47,082 --> 00:08:50,116 AND YESTERDAY, BEYONCE RELEASED A NEW ALBUM. THERE'S JUST SO MANY RELIGIONS 193 00:08:50,118 --> 00:08:51,017 A NEW ALBUM. THERE'S JUST SO MANY RELIGIONS CELEBRATING ALL AT ONCE. 194 00:08:51,019 --> 00:08:54,487 THERE'S JUST SO MANY RELIGIONS CELEBRATING ALL AT ONCE. I'M DOING THE RAMADAN ONE. 195 00:08:54,489 --> 00:08:56,356 CELEBRATING ALL AT ONCE. I'M DOING THE RAMADAN ONE. I LOVE RAMADAN BECAUSE I LOVE 196 00:08:56,358 --> 00:08:57,624 I'M DOING THE RAMADAN ONE. I LOVE RAMADAN BECAUSE I LOVE HANGING OUT WITH MUSLIMS. 197 00:08:57,626 --> 00:08:58,491 I LOVE RAMADAN BECAUSE I LOVE HANGING OUT WITH MUSLIMS. WE'RE SO LOVING. 198 00:08:58,493 --> 00:08:59,926 HANGING OUT WITH MUSLIMS. WE'RE SO LOVING. AND I FEEL LIKE PEOPLE DON'T 199 00:08:59,928 --> 00:09:00,994 WE'RE SO LOVING. AND I FEEL LIKE PEOPLE DON'T KNOW THAT ABOUT US. 200 00:09:00,996 --> 00:09:02,329 AND I FEEL LIKE PEOPLE DON'T KNOW THAT ABOUT US. THEY KNOW ALL THESE OTHER 201 00:09:02,331 --> 00:09:04,164 KNOW THAT ABOUT US. THEY KNOW ALL THESE OTHER THINGS, BUT MAN, WE LOVE TO 202 00:09:04,166 --> 00:09:04,464 THEY KNOW ALL THESE OTHER THINGS, BUT MAN, WE LOVE TO LOVE. 203 00:09:04,466 --> 00:09:05,865 THINGS, BUT MAN, WE LOVE TO LOVE. WE'RE SO FREE WITH IT. 204 00:09:05,867 --> 00:09:08,301 LOVE. WE'RE SO FREE WITH IT. MY FRIENDS THAT I GREW UP WITH, 205 00:09:08,303 --> 00:09:09,236 WE'RE SO FREE WITH IT. MY FRIENDS THAT I GREW UP WITH, THEY WERE REALLY WEIRD ABOUT 206 00:09:09,238 --> 00:09:09,669 MY FRIENDS THAT I GREW UP WITH, THEY WERE REALLY WEIRD ABOUT LOVE. 207 00:09:09,671 --> 00:09:11,571 THEY WERE REALLY WEIRD ABOUT LOVE. I HAVE A BUDDY OF MINE WHO WAS 208 00:09:11,573 --> 00:09:13,607 LOVE. I HAVE A BUDDY OF MINE WHO WAS LIKE, MAN, I'VE BEEN HANGING OUT 209 00:09:13,609 --> 00:09:15,175 I HAVE A BUDDY OF MINE WHO WAS LIKE, MAN, I'VE BEEN HANGING OUT WITH THIS GIRL, DUDE, AND I TOLD 210 00:09:15,177 --> 00:09:16,042 LIKE, MAN, I'VE BEEN HANGING OUT WITH THIS GIRL, DUDE, AND I TOLD HER I LOVED HER. 211 00:09:16,044 --> 00:09:19,179 WITH THIS GIRL, DUDE, AND I TOLD HER I LOVED HER. IT'S ONLY BEEN NINE MONTHS. 212 00:09:19,181 --> 00:09:20,714 HER I LOVED HER. IT'S ONLY BEEN NINE MONTHS. I WAS LIKE, DUDE, I JUST SAID 213 00:09:20,716 --> 00:09:24,718 IT'S ONLY BEEN NINE MONTHS. I WAS LIKE, DUDE, I JUST SAID THAT TO MY UBER DRIVER. 214 00:09:24,720 --> 00:09:26,253 I WAS LIKE, DUDE, I JUST SAID THAT TO MY UBER DRIVER. I GAVE HIM MY NUMBER. 215 00:09:26,255 --> 00:09:29,389 THAT TO MY UBER DRIVER. I GAVE HIM MY NUMBER. I WAS LIKE, BRO, LET'S GET OFF 216 00:09:29,391 --> 00:09:30,190 I GAVE HIM MY NUMBER. I WAS LIKE, BRO, LET'S GET OFF THE APP. 217 00:09:30,192 --> 00:09:31,858 I WAS LIKE, BRO, LET'S GET OFF THE APP. I WANT TO GET TO KNOW YOU. 218 00:09:31,860 --> 00:09:34,394 THE APP. I WANT TO GET TO KNOW YOU. YOU MEAN SOMETHING TO ME. 219 00:09:34,396 --> 00:09:34,995 I WANT TO GET TO KNOW YOU. YOU MEAN SOMETHING TO ME. NINE MONTHS? 220 00:09:34,997 --> 00:09:36,596 YOU MEAN SOMETHING TO ME. NINE MONTHS? YOU SHOULD HAVE A KID. 221 00:09:36,598 --> 00:09:37,497 NINE MONTHS? YOU SHOULD HAVE A KID. IT'S TOO MUCH. 222 00:09:37,499 --> 00:09:38,865 YOU SHOULD HAVE A KID. IT'S TOO MUCH. AND PEOPLE DON'T GET US, AND 223 00:09:38,867 --> 00:09:41,434 IT'S TOO MUCH. AND PEOPLE DON'T GET US, AND THERE'S ALL THIS DIVISION, BUT 224 00:09:41,436 --> 00:09:42,269 AND PEOPLE DON'T GET US, AND THERE'S ALL THIS DIVISION, BUT IT'S NOT WHERE YOU THINK IT IS. 225 00:09:42,271 --> 00:09:44,170 THERE'S ALL THIS DIVISION, BUT IT'S NOT WHERE YOU THINK IT IS. SO I LIVE IN NEW YORK. 226 00:09:44,172 --> 00:09:45,205 IT'S NOT WHERE YOU THINK IT IS. SO I LIVE IN NEW YORK. WE'RE IN THIS BUBBLE. 227 00:09:45,207 --> 00:09:47,140 SO I LIVE IN NEW YORK. WE'RE IN THIS BUBBLE. WE THINK EVERYTHING WE DISAGREE 228 00:09:47,142 --> 00:09:47,774 WE'RE IN THIS BUBBLE. WE THINK EVERYTHING WE DISAGREE WITH IS IN THE SOUTH. 229 00:09:47,776 --> 00:09:48,441 WE THINK EVERYTHING WE DISAGREE WITH IS IN THE SOUTH. BUT I DON'T BELIEVE IN THE 230 00:09:48,443 --> 00:09:50,477 WITH IS IN THE SOUTH. BUT I DON'T BELIEVE IN THE SOUTH. 231 00:09:50,479 --> 00:09:51,478 BUT I DON'T BELIEVE IN THE SOUTH. THERE IS NO SOUTH. 232 00:09:51,480 --> 00:09:53,246 SOUTH. THERE IS NO SOUTH. LIKE, THE SOUTH IS 45 MINUTES 233 00:09:53,248 --> 00:09:56,816 THERE IS NO SOUTH. LIKE, THE SOUTH IS 45 MINUTES AWAY FROM WHEREVER YOU ARE. 234 00:09:56,818 --> 00:09:59,219 LIKE, THE SOUTH IS 45 MINUTES AWAY FROM WHEREVER YOU ARE. I HAD A SHOW IN UPSTATE NEW 235 00:09:59,221 --> 00:09:59,519 AWAY FROM WHEREVER YOU ARE. I HAD A SHOW IN UPSTATE NEW YORK. 236 00:09:59,521 --> 00:10:01,588 I HAD A SHOW IN UPSTATE NEW YORK. I WAS WALKING THROUGH THE 237 00:10:01,590 --> 00:10:02,022 YORK. I WAS WALKING THROUGH THE NEIGHBORHOOD. 238 00:10:02,024 --> 00:10:03,690 I WAS WALKING THROUGH THE NEIGHBORHOOD. THERE'S ALL THIS TRUMP STUFF, 239 00:10:03,692 --> 00:10:08,361 NEIGHBORHOOD. THERE'S ALL THIS TRUMP STUFF, FLAGS, RED HATS, I WAS LIKE, YO, 240 00:10:08,363 --> 00:10:11,498 THERE'S ALL THIS TRUMP STUFF, FLAGS, RED HATS, I WAS LIKE, YO, I WENT NORTH, BUT I'M SOUTH. 241 00:10:11,500 --> 00:10:13,667 FLAGS, RED HATS, I WAS LIKE, YO, I WENT NORTH, BUT I'M SOUTH. AND I COULD FEEL IT, YOU KNOW, I 242 00:10:13,669 --> 00:10:15,402 I WENT NORTH, BUT I'M SOUTH. AND I COULD FEEL IT, YOU KNOW, I COULD FEEL THE FEAR. 243 00:10:15,404 --> 00:10:17,370 AND I COULD FEEL IT, YOU KNOW, I COULD FEEL THE FEAR. WHEN MY MOM CALLED ME, I DIDN'T 244 00:10:17,372 --> 00:10:18,938 COULD FEEL THE FEAR. WHEN MY MOM CALLED ME, I DIDN'T WANT TO SPEAK ARABIC. 245 00:10:18,940 --> 00:10:22,108 WHEN MY MOM CALLED ME, I DIDN'T WANT TO SPEAK ARABIC. I WAS LIKE, MOTHER, PEACE BE 246 00:10:22,110 --> 00:10:22,475 WANT TO SPEAK ARABIC. I WAS LIKE, MOTHER, PEACE BE UPON YOU. 247 00:10:22,477 --> 00:10:24,110 I WAS LIKE, MOTHER, PEACE BE UPON YOU. LIKE, I -- YOU KNOW, AND THE 248 00:10:24,112 --> 00:10:27,614 UPON YOU. LIKE, I -- YOU KNOW, AND THE PROFIT, YOU KNOW WHICH PROFIT. 249 00:10:27,616 --> 00:10:32,385 LIKE, I -- YOU KNOW, AND THE PROFIT, YOU KNOW WHICH PROFIT. THE BEST ONE, THE LAST ONE. 250 00:10:32,387 --> 00:10:35,855 PROFIT, YOU KNOW WHICH PROFIT. THE BEST ONE, THE LAST ONE. [ LAUGHTER ] 251 00:10:35,857 --> 00:10:37,190 THE BEST ONE, THE LAST ONE. [ LAUGHTER ] IT'S TOUGH BECAUSE IT'S AN 252 00:10:37,192 --> 00:10:39,759 [ LAUGHTER ] IT'S TOUGH BECAUSE IT'S AN ELECTION YEAR. 253 00:10:39,761 --> 00:10:41,695 IT'S TOUGH BECAUSE IT'S AN ELECTION YEAR. THAT'S WHEN YOU CAN FEEL IT. 254 00:10:41,697 --> 00:10:43,129 ELECTION YEAR. THAT'S WHEN YOU CAN FEEL IT. EVERYONE'S FREAKING OUT. 255 00:10:43,131 --> 00:10:46,166 THAT'S WHEN YOU CAN FEEL IT. EVERYONE'S FREAKING OUT. FOR ME, WHERE I'M AT NOW, I KNOW 256 00:10:46,168 --> 00:10:48,101 EVERYONE'S FREAKING OUT. FOR ME, WHERE I'M AT NOW, I KNOW BIDEN'S GOING TO CALL. 257 00:10:48,103 --> 00:10:49,502 FOR ME, WHERE I'M AT NOW, I KNOW BIDEN'S GOING TO CALL. HE'LL PROBABLY FORGET. 258 00:10:49,504 --> 00:10:52,272 BIDEN'S GOING TO CALL. HE'LL PROBABLY FORGET. BUT I THINK SOMEBODY WILL CALL. 259 00:10:52,274 --> 00:10:56,776 HE'LL PROBABLY FORGET. BUT I THINK SOMEBODY WILL CALL. LIKE IN 2020, I GOT A CALL FROM 260 00:10:56,778 --> 00:10:57,711 BUT I THINK SOMEBODY WILL CALL. LIKE IN 2020, I GOT A CALL FROM MUHAMMAD AT BIDEN. 261 00:10:57,713 --> 00:10:58,445 LIKE IN 2020, I GOT A CALL FROM MUHAMMAD AT BIDEN. YOU KNOW THEY THOUGHT THAT WAS 262 00:10:58,447 --> 00:11:00,814 MUHAMMAD AT BIDEN. YOU KNOW THEY THOUGHT THAT WAS SO COOL. 263 00:11:00,816 --> 00:11:02,182 YOU KNOW THEY THOUGHT THAT WAS SO COOL. LIKE BEN WAS GOING TO CALL, AND 264 00:11:02,184 --> 00:11:05,585 SO COOL. LIKE BEN WAS GOING TO CALL, AND THEY WERE LIKE, NO, NO, LET 265 00:11:05,587 --> 00:11:07,487 LIKE BEN WAS GOING TO CALL, AND THEY WERE LIKE, NO, NO, LET MUHAMMAD DO IT. 266 00:11:07,489 --> 00:11:09,622 THEY WERE LIKE, NO, NO, LET MUHAMMAD DO IT. RAMY'S GOING TO LIKE THAT 267 00:11:09,624 --> 00:11:11,091 MUHAMMAD DO IT. RAMY'S GOING TO LIKE THAT ENERGY. 268 00:11:11,093 --> 00:11:13,126 RAMY'S GOING TO LIKE THAT ENERGY. HE GOES, RAMY, WE LOVE YOU. 269 00:11:13,128 --> 00:11:14,394 ENERGY. HE GOES, RAMY, WE LOVE YOU. WE LOVE EVERYTHING THAT YOU'VE 270 00:11:14,396 --> 00:11:15,528 HE GOES, RAMY, WE LOVE YOU. WE LOVE EVERYTHING THAT YOU'VE DONE FOR ARAB AMERICA. 271 00:11:15,530 --> 00:11:16,162 WE LOVE EVERYTHING THAT YOU'VE DONE FOR ARAB AMERICA. HE SAID IT LIKE IT WAS A 272 00:11:16,164 --> 00:11:18,365 DONE FOR ARAB AMERICA. HE SAID IT LIKE IT WAS A COUNTRY. 273 00:11:18,367 --> 00:11:20,767 HE SAID IT LIKE IT WAS A COUNTRY. HE GOES, EVERYONE ON THE 274 00:11:20,769 --> 00:11:22,669 COUNTRY. HE GOES, EVERYONE ON THE CAMPAIGN IS SUCH A BIG FAN OF 275 00:11:22,671 --> 00:11:23,303 HE GOES, EVERYONE ON THE CAMPAIGN IS SUCH A BIG FAN OF YOUR WORK. 276 00:11:23,305 --> 00:11:25,105 CAMPAIGN IS SUCH A BIG FAN OF YOUR WORK. AND JOE'S AWARE, RIGHT. 277 00:11:25,107 --> 00:11:26,473 YOUR WORK. AND JOE'S AWARE, RIGHT. THAT'S HUGE, RIGHT, BECAUSE JOE 278 00:11:26,475 --> 00:11:29,743 AND JOE'S AWARE, RIGHT. THAT'S HUGE, RIGHT, BECAUSE JOE HAS AN AWARENESS ISSUE. 279 00:11:29,745 --> 00:11:31,945 THAT'S HUGE, RIGHT, BECAUSE JOE HAS AN AWARENESS ISSUE. I MEAN, JOE'S AWARE. 280 00:11:31,947 --> 00:11:35,749 HAS AN AWARENESS ISSUE. I MEAN, JOE'S AWARE. THAT'S LIKE A NOBEL PEACE PRIZE. 281 00:11:35,751 --> 00:11:37,984 I MEAN, JOE'S AWARE. THAT'S LIKE A NOBEL PEACE PRIZE. WE SAID YOUR NAME, JOE WAS 282 00:11:37,986 --> 00:11:38,318 THAT'S LIKE A NOBEL PEACE PRIZE. WE SAID YOUR NAME, JOE WAS NODDING. 283 00:11:38,320 --> 00:11:40,987 WE SAID YOUR NAME, JOE WAS NODDING. JOE LOOKS GOOD WHEN HE'S AWARE. 284 00:11:40,989 --> 00:11:42,622 NODDING. JOE LOOKS GOOD WHEN HE'S AWARE. YOU'VE SEEN HIM, RIGHT? 285 00:11:42,624 --> 00:11:45,658 JOE LOOKS GOOD WHEN HE'S AWARE. YOU'VE SEEN HIM, RIGHT? YOU KNOW THOSE DAYS WHEN HE 286 00:11:45,660 --> 00:11:47,727 YOU'VE SEEN HIM, RIGHT? YOU KNOW THOSE DAYS WHEN HE COMES OUT AND HE'S JUST LIKE 287 00:11:47,729 --> 00:11:48,061 YOU KNOW THOSE DAYS WHEN HE COMES OUT AND HE'S JUST LIKE THAWED. 288 00:11:48,063 --> 00:11:49,963 COMES OUT AND HE'S JUST LIKE THAWED. THEY GIVE HIM AN EXTRA TEN IN 289 00:11:49,965 --> 00:11:51,064 THAWED. THEY GIVE HIM AN EXTRA TEN IN THE MICROWAVE. 290 00:11:51,066 --> 00:11:52,165 THEY GIVE HIM AN EXTRA TEN IN THE MICROWAVE. HE'S JUST LIT UP. 291 00:11:52,167 --> 00:11:53,500 THE MICROWAVE. HE'S JUST LIT UP. HE LOOKS GOOD. 292 00:11:53,502 --> 00:11:55,869 HE'S JUST LIT UP. HE LOOKS GOOD. AND HE SAYS STUFF THAT'S 293 00:11:55,871 --> 00:11:56,236 HE LOOKS GOOD. AND HE SAYS STUFF THAT'S INSPIRING. 294 00:11:56,238 --> 00:11:57,404 AND HE SAYS STUFF THAT'S INSPIRING. IT DOESN'T MEAN ANYTHING, BUT 295 00:11:57,406 --> 00:11:58,138 INSPIRING. IT DOESN'T MEAN ANYTHING, BUT IT'S GOOD. 296 00:11:58,140 --> 00:12:00,006 IT DOESN'T MEAN ANYTHING, BUT IT'S GOOD. HE'LL BE LIKE, I RIDE THE TRAIN. 297 00:12:00,008 --> 00:12:00,774 IT'S GOOD. HE'LL BE LIKE, I RIDE THE TRAIN. YOU'RE LIKE, SICK, WHERE'S IT 298 00:12:00,776 --> 00:12:02,275 HE'LL BE LIKE, I RIDE THE TRAIN. YOU'RE LIKE, SICK, WHERE'S IT GOING. 299 00:12:02,277 --> 00:12:09,282 YOU'RE LIKE, SICK, WHERE'S IT GOING. AND YOU NEVER FIND OUT. 300 00:12:09,284 --> 00:12:10,817 GOING. AND YOU NEVER FIND OUT. BUT MUHAMMAD GOES TO ME, RAMY, 301 00:12:10,819 --> 00:12:13,553 AND YOU NEVER FIND OUT. BUT MUHAMMAD GOES TO ME, RAMY, LISTEN, THIS IS A TOUGH 302 00:12:13,555 --> 00:12:13,920 BUT MUHAMMAD GOES TO ME, RAMY, LISTEN, THIS IS A TOUGH ELECTION. 303 00:12:13,922 --> 00:12:16,089 LISTEN, THIS IS A TOUGH ELECTION. THERE'S A LOT OF BATTLEGROUNDS, 304 00:12:16,091 --> 00:12:17,924 ELECTION. THERE'S A LOT OF BATTLEGROUNDS, BUT WE'VE REALIZED IF WE CAN WIN 305 00:12:17,926 --> 00:12:19,526 THERE'S A LOT OF BATTLEGROUNDS, BUT WE'VE REALIZED IF WE CAN WIN JUST ONE, WE'LL GET THE WHOLE 306 00:12:19,528 --> 00:12:19,859 BUT WE'VE REALIZED IF WE CAN WIN JUST ONE, WE'LL GET THE WHOLE COUNTRY. 307 00:12:19,861 --> 00:12:20,493 JUST ONE, WE'LL GET THE WHOLE COUNTRY. THE ONLY STATE WE NEED IS 308 00:12:20,495 --> 00:12:22,429 COUNTRY. THE ONLY STATE WE NEED IS MICHIGAN. 309 00:12:22,431 --> 00:12:25,598 THE ONLY STATE WE NEED IS MICHIGAN. ARAB AMERICA. 310 00:12:25,600 --> 00:12:29,502 MICHIGAN. ARAB AMERICA. HE GOES, RAMY, GO TO MICHIGAN. 311 00:12:29,504 --> 00:12:31,704 ARAB AMERICA. HE GOES, RAMY, GO TO MICHIGAN. TELL THE ARABS TO VOTE FOR JOE, 312 00:12:31,706 --> 00:12:32,872 HE GOES, RAMY, GO TO MICHIGAN. TELL THE ARABS TO VOTE FOR JOE, AND YOU COULD CHANGE THE COURSE 313 00:12:32,874 --> 00:12:34,040 TELL THE ARABS TO VOTE FOR JOE, AND YOU COULD CHANGE THE COURSE OF AMERICAN HISTORY. 314 00:12:34,042 --> 00:12:36,342 AND YOU COULD CHANGE THE COURSE OF AMERICAN HISTORY. AND OUR COUNTRY'S SO MESSED UP 315 00:12:36,344 --> 00:12:37,310 OF AMERICAN HISTORY. AND OUR COUNTRY'S SO MESSED UP THAT FOR FIVE MINUTES, I WAS 316 00:12:37,312 --> 00:12:41,481 AND OUR COUNTRY'S SO MESSED UP THAT FOR FIVE MINUTES, I WAS LIKE, IS THIS UP TO ME? 317 00:12:41,483 --> 00:12:45,351 THAT FOR FIVE MINUTES, I WAS LIKE, IS THIS UP TO ME? LIKE AM I THE GUY? 318 00:12:45,353 --> 00:12:47,654 LIKE, IS THIS UP TO ME? LIKE AM I THE GUY? I HAD THIS FANTASY, RIGHT. 319 00:12:47,656 --> 00:12:48,955 LIKE AM I THE GUY? I HAD THIS FANTASY, RIGHT. LIKE I'M IN MICHIGAN. 320 00:12:48,957 --> 00:12:52,292 I HAD THIS FANTASY, RIGHT. LIKE I'M IN MICHIGAN. I'M IN EVERY VAPE SHOP. 321 00:12:52,294 --> 00:12:54,594 LIKE I'M IN MICHIGAN. I'M IN EVERY VAPE SHOP. AND IT'S JUST LIKE, BRO, BRO, 322 00:12:54,596 --> 00:12:58,665 I'M IN EVERY VAPE SHOP. AND IT'S JUST LIKE, BRO, BRO, JOE, JOE. 323 00:12:58,667 --> 00:13:00,300 AND IT'S JUST LIKE, BRO, BRO, JOE, JOE. BUT I COULDN'T GO. 324 00:13:00,302 --> 00:13:01,968 JOE, JOE. BUT I COULDN'T GO. I COULDN'T GO. 325 00:13:01,970 --> 00:13:03,636 BUT I COULDN'T GO. I COULDN'T GO. I DON'T LIKE EITHER OPTION TO BE 326 00:13:03,638 --> 00:13:04,637 I COULDN'T GO. I DON'T LIKE EITHER OPTION TO BE HONEST WITH YOU. 327 00:13:04,639 --> 00:13:06,306 I DON'T LIKE EITHER OPTION TO BE HONEST WITH YOU. I REALLY THINK OUR NEXT 328 00:13:06,308 --> 00:13:07,073 HONEST WITH YOU. I REALLY THINK OUR NEXT PRESIDENT SHOULD BE A WOMAN. 329 00:13:07,075 --> 00:13:08,408 I REALLY THINK OUR NEXT PRESIDENT SHOULD BE A WOMAN. YOU KNOW WHAT I MEAN? 330 00:13:08,410 --> 00:13:10,677 PRESIDENT SHOULD BE A WOMAN. YOU KNOW WHAT I MEAN? LIKE THAT WOULD BE AMAZING. 331 00:13:10,679 --> 00:13:11,277 YOU KNOW WHAT I MEAN? LIKE THAT WOULD BE AMAZING. [ CHEERS AND APPLAUSE ] 332 00:13:11,279 --> 00:13:12,412 LIKE THAT WOULD BE AMAZING. [ CHEERS AND APPLAUSE ] I THINK OUR NEXT PRESIDENT 333 00:13:12,414 --> 00:13:17,550 [ CHEERS AND APPLAUSE ] I THINK OUR NEXT PRESIDENT SHOULD BE A TRANSWOMAN. 334 00:13:17,552 --> 00:13:19,486 I THINK OUR NEXT PRESIDENT SHOULD BE A TRANSWOMAN. A LITTLE LESS SUPPORT, YEAH. 335 00:13:19,488 --> 00:13:21,254 SHOULD BE A TRANSWOMAN. A LITTLE LESS SUPPORT, YEAH. THAT'S NEW YORK, RIGHT? 336 00:13:21,256 --> 00:13:22,589 A LITTLE LESS SUPPORT, YEAH. THAT'S NEW YORK, RIGHT? NEW YORK'S LIKE WE'RE LIBERAL, 337 00:13:22,591 --> 00:13:23,723 THAT'S NEW YORK, RIGHT? NEW YORK'S LIKE WE'RE LIBERAL, BUT WE'RE ITALIAN. 338 00:13:23,725 --> 00:13:28,161 NEW YORK'S LIKE WE'RE LIBERAL, BUT WE'RE ITALIAN. WATCH OUT. 339 00:13:28,163 --> 00:13:28,428 BUT WE'RE ITALIAN. WATCH OUT. NO. 340 00:13:28,430 --> 00:13:29,562 WATCH OUT. NO. I'VE BEEN THINKING ABOUT HER. 341 00:13:29,564 --> 00:13:30,797 NO. I'VE BEEN THINKING ABOUT HER. I REALLY HAVE. 342 00:13:30,799 --> 00:13:32,131 I'VE BEEN THINKING ABOUT HER. I REALLY HAVE. LIKE IMAGINE HER SPEECH. 343 00:13:32,133 --> 00:13:34,267 I REALLY HAVE. LIKE IMAGINE HER SPEECH. IT WOULD BE SO INSPIRING. 344 00:13:34,269 --> 00:13:36,703 LIKE IMAGINE HER SPEECH. IT WOULD BE SO INSPIRING. SHE WOULD BE LIKE, A LOT OF 345 00:13:36,705 --> 00:13:42,308 IT WOULD BE SO INSPIRING. SHE WOULD BE LIKE, A LOT OF POLITICIANS TALK ABOUT CHANGE -- 346 00:13:42,310 --> 00:13:42,709 SHE WOULD BE LIKE, A LOT OF POLITICIANS TALK ABOUT CHANGE -- [ LAUGHTER ] 347 00:13:42,711 --> 00:13:44,244 POLITICIANS TALK ABOUT CHANGE -- [ LAUGHTER ] -- LIKE YOU CAN SEE THE BUMPER 348 00:13:44,246 --> 00:13:46,880 [ LAUGHTER ] -- LIKE YOU CAN SEE THE BUMPER STICKER, RIGHT, LIKE REAL 349 00:13:46,882 --> 00:13:47,213 -- LIKE YOU CAN SEE THE BUMPER STICKER, RIGHT, LIKE REAL CHANGE. 350 00:13:47,215 --> 00:13:48,882 STICKER, RIGHT, LIKE REAL CHANGE. SHE PUTS UP A BEFORE AND AFTER. 351 00:13:48,884 --> 00:13:49,682 CHANGE. SHE PUTS UP A BEFORE AND AFTER. SHE'S LIKE, I CAN DO THAT TO THE 352 00:13:49,684 --> 00:13:56,356 SHE PUTS UP A BEFORE AND AFTER. SHE'S LIKE, I CAN DO THAT TO THE COUNTRY. 353 00:13:56,358 --> 00:13:57,924 SHE'S LIKE, I CAN DO THAT TO THE COUNTRY. IT'S JUST AN IDEA. 354 00:13:57,926 --> 00:13:59,225 COUNTRY. IT'S JUST AN IDEA. I'M OUT OF IDEAS. 355 00:13:59,227 --> 00:14:00,159 IT'S JUST AN IDEA. I'M OUT OF IDEAS. I REALLY AM. 356 00:14:00,161 --> 00:14:01,961 I'M OUT OF IDEAS. I REALLY AM. I'M OUT OF IDEAS. 357 00:14:01,963 --> 00:14:03,229 I REALLY AM. I'M OUT OF IDEAS. ALL I HAVE ARE PRAYERS. 358 00:14:03,231 --> 00:14:05,665 I'M OUT OF IDEAS. ALL I HAVE ARE PRAYERS. THAT'S ALL I CAN DO RIGHT NOW. 359 00:14:05,667 --> 00:14:07,800 ALL I HAVE ARE PRAYERS. THAT'S ALL I CAN DO RIGHT NOW. AND IN MY FRIEND GROUP, I'M ONE 360 00:14:07,802 --> 00:14:09,769 THAT'S ALL I CAN DO RIGHT NOW. AND IN MY FRIEND GROUP, I'M ONE OF THE ONLY GUYS WHO PRAYS. 361 00:14:09,771 --> 00:14:12,005 AND IN MY FRIEND GROUP, I'M ONE OF THE ONLY GUYS WHO PRAYS. I'M FRIENDS WITH A LOT OF 362 00:14:12,007 --> 00:14:12,338 OF THE ONLY GUYS WHO PRAYS. I'M FRIENDS WITH A LOT OF SINNERS. 363 00:14:12,340 --> 00:14:14,240 I'M FRIENDS WITH A LOT OF SINNERS. LIKE JUST DISGUSTING PEOPLE. 364 00:14:14,242 --> 00:14:17,277 SINNERS. LIKE JUST DISGUSTING PEOPLE. AND THEY CALL ME WHEN THEY'RE IN 365 00:14:17,279 --> 00:14:18,077 LIKE JUST DISGUSTING PEOPLE. AND THEY CALL ME WHEN THEY'RE IN TROUBLE BECAUSE THEY WANT ME TO 366 00:14:18,079 --> 00:14:19,045 AND THEY CALL ME WHEN THEY'RE IN TROUBLE BECAUSE THEY WANT ME TO PRAY FOR THEM. 367 00:14:19,047 --> 00:14:22,181 TROUBLE BECAUSE THEY WANT ME TO PRAY FOR THEM. SO I GET A CALL FROM MY BUDDY 368 00:14:22,183 --> 00:14:22,482 PRAY FOR THEM. SO I GET A CALL FROM MY BUDDY BRIAN. 369 00:14:22,484 --> 00:14:23,316 SO I GET A CALL FROM MY BUDDY BRIAN. HE'S STRESSED. 370 00:14:23,318 --> 00:14:25,985 BRIAN. HE'S STRESSED. HE'S BEEN IN COURT FOR TEN HAD 371 00:14:25,987 --> 00:14:27,453 HE'S STRESSED. HE'S BEEN IN COURT FOR TEN HAD MONTHS WITH HIS EX, AND THEY'RE 372 00:14:27,455 --> 00:14:28,655 HE'S BEEN IN COURT FOR TEN HAD MONTHS WITH HIS EX, AND THEY'RE FIGHTING OVER THE DOG. 373 00:14:28,657 --> 00:14:32,692 MONTHS WITH HIS EX, AND THEY'RE FIGHTING OVER THE DOG. HE GOES, DUDE, SHE DOESN'T TAKE 374 00:14:32,694 --> 00:14:33,159 FIGHTING OVER THE DOG. HE GOES, DUDE, SHE DOESN'T TAKE CARE OF THE DOG. 375 00:14:33,161 --> 00:14:37,463 HE GOES, DUDE, SHE DOESN'T TAKE CARE OF THE DOG. SHE FEEDS HIM KIBBLE, NOT WET 376 00:14:37,465 --> 00:14:39,465 CARE OF THE DOG. SHE FEEDS HIM KIBBLE, NOT WET FOOD. 377 00:14:39,467 --> 00:14:39,933 SHE FEEDS HIM KIBBLE, NOT WET FOOD. I NEED HIM BACK. 378 00:14:39,935 --> 00:14:41,267 FOOD. I NEED HIM BACK. IT'S JUST DESTROYING MY LIFE. 379 00:14:41,269 --> 00:14:42,969 I NEED HIM BACK. IT'S JUST DESTROYING MY LIFE. PLEASE PRAY FOR ME. 380 00:14:42,971 --> 00:14:43,970 IT'S JUST DESTROYING MY LIFE. PLEASE PRAY FOR ME. I NEED HIM. 381 00:14:43,972 --> 00:14:45,471 PLEASE PRAY FOR ME. I NEED HIM. I'M LIKE, I GOT YOU. 382 00:14:45,473 --> 00:14:47,807 I NEED HIM. I'M LIKE, I GOT YOU. AN HOUR GOES BY. 383 00:14:47,809 --> 00:14:50,543 I'M LIKE, I GOT YOU. AN HOUR GOES BY. I GOT A FRIEND ACHMED CALLING 384 00:14:50,545 --> 00:14:50,810 AN HOUR GOES BY. I GOT A FRIEND ACHMED CALLING ME. 385 00:14:50,812 --> 00:14:54,647 I GOT A FRIEND ACHMED CALLING ME. HIS WHOLE FAMILY IS IN GAZA, AND 386 00:14:54,649 --> 00:14:55,782 ME. HIS WHOLE FAMILY IS IN GAZA, AND HE GOES, RAMY, THEY'RE 387 00:14:55,784 --> 00:14:56,149 HIS WHOLE FAMILY IS IN GAZA, AND HE GOES, RAMY, THEY'RE SUFFERING. 388 00:14:56,151 --> 00:14:57,250 HE GOES, RAMY, THEY'RE SUFFERING. I DON'T KNOW WHERE HALF OF THEM 389 00:14:57,252 --> 00:14:57,517 SUFFERING. I DON'T KNOW WHERE HALF OF THEM ARE. 390 00:14:57,519 --> 00:14:58,718 I DON'T KNOW WHERE HALF OF THEM ARE. I DON'T KNOW WHAT TO DO. 391 00:14:58,720 --> 00:14:59,786 ARE. I DON'T KNOW WHAT TO DO. PLEASE PRAY FOR THEM. 392 00:14:59,788 --> 00:15:01,621 I DON'T KNOW WHAT TO DO. PLEASE PRAY FOR THEM. IT'S THE ONLY THING WE CAN DO. 393 00:15:01,623 --> 00:15:03,489 PLEASE PRAY FOR THEM. IT'S THE ONLY THING WE CAN DO. I'M LIKE, DUDE, I GOT YOU. 394 00:15:03,491 --> 00:15:05,792 IT'S THE ONLY THING WE CAN DO. I'M LIKE, DUDE, I GOT YOU. SO THAT NIGHT, I GO TO PRAY, AND 395 00:15:05,794 --> 00:15:10,730 I'M LIKE, DUDE, I GOT YOU. SO THAT NIGHT, I GO TO PRAY, AND MY PRAYERS ARE COMPLICATED. 396 00:15:10,732 --> 00:15:13,366 SO THAT NIGHT, I GO TO PRAY, AND MY PRAYERS ARE COMPLICATED. I'VE GOT A LOT TO FIT IN. 397 00:15:13,368 --> 00:15:16,502 MY PRAYERS ARE COMPLICATED. I'VE GOT A LOT TO FIT IN. I'M LIKE, GOD, PLEASE, PLEASE 398 00:15:16,504 --> 00:15:18,171 I'VE GOT A LOT TO FIT IN. I'M LIKE, GOD, PLEASE, PLEASE HELP ACHMED'S FAMILY. 399 00:15:18,173 --> 00:15:19,505 I'M LIKE, GOD, PLEASE, PLEASE HELP ACHMED'S FAMILY. PLEASE STOP THE SUFFERING. 400 00:15:19,507 --> 00:15:23,676 HELP ACHMED'S FAMILY. PLEASE STOP THE SUFFERING. STOP THE VIOLENCE. 401 00:15:23,678 --> 00:15:24,344 PLEASE STOP THE SUFFERING. STOP THE VIOLENCE. PLEASE FREE THE PEOPLE OF 402 00:15:24,346 --> 00:15:24,844 STOP THE VIOLENCE. PLEASE FREE THE PEOPLE OF PALESTINE, PLEASE. 403 00:15:24,846 --> 00:15:29,849 PLEASE FREE THE PEOPLE OF PALESTINE, PLEASE. [ CHEERS AND APPLAUSE ] 404 00:15:29,851 --> 00:15:35,021 PALESTINE, PLEASE. [ CHEERS AND APPLAUSE ] PLEASE. 405 00:15:35,023 --> 00:15:37,624 [ CHEERS AND APPLAUSE ] PLEASE. AND PLEASE FREE THE HOSTAGES, 406 00:15:37,626 --> 00:15:43,262 PLEASE. AND PLEASE FREE THE HOSTAGES, ALL THE HOSTAGES, PLEASE 407 00:15:43,264 --> 00:15:43,863 AND PLEASE FREE THE HOSTAGES, ALL THE HOSTAGES, PLEASE [ CHEERS AND APPLAUSE ] 408 00:15:43,865 --> 00:15:47,033 ALL THE HOSTAGES, PLEASE [ CHEERS AND APPLAUSE ] AND WHILE YOU'RE AT IT -- 409 00:15:47,035 --> 00:15:47,433 [ CHEERS AND APPLAUSE ] AND WHILE YOU'RE AT IT -- [ LAUGHTER ] 410 00:15:47,435 --> 00:15:53,139 AND WHILE YOU'RE AT IT -- [ LAUGHTER ] -- YOU KNOW, FREE MR. BOJANGLES. 411 00:15:53,141 --> 00:15:54,240 [ LAUGHTER ] -- YOU KNOW, FREE MR. BOJANGLES. HE'S A BEAUTIFUL DOG. 412 00:15:54,242 --> 00:15:57,677 -- YOU KNOW, FREE MR. BOJANGLES. HE'S A BEAUTIFUL DOG. I'M PRAYING FOR THAT DOG. 413 00:15:57,679 --> 00:15:58,411 HE'S A BEAUTIFUL DOG. I'M PRAYING FOR THAT DOG. WE'VE GOT A GREAT SHOW FOR YOU 414 00:15:58,413 --> 00:16:01,114 I'M PRAYING FOR THAT DOG. WE'VE GOT A GREAT SHOW FOR YOU TONIGHT, ALL RIGHT? 415 00:16:01,116 --> 00:16:04,350 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT, ALL RIGHT? TRAVIS SCOTT IS HERE. 416 00:16:04,352 --> 00:16:04,784 TONIGHT, ALL RIGHT? TRAVIS SCOTT IS HERE. STICK AROUND. 417 00:16:04,786 --> 00:16:05,335 TRAVIS SCOTT IS HERE. STICK AROUND. WE'LL 418 00:16:28,475 --> 00:16:35,581 >>> IT'S TIME FOR COUPLE GOALS WITH YOUR HOST BOB DABILDA. >>> ALL RIGHT. 419 00:16:35,583 --> 00:16:36,683 WITH YOUR HOST BOB DABILDA. >>> ALL RIGHT. ALL RIGHT. 420 00:16:36,685 --> 00:16:38,418 >>> ALL RIGHT. ALL RIGHT. WELCOME TO COUPLE GOALS, A GAME 421 00:16:38,420 --> 00:16:40,987 ALL RIGHT. WELCOME TO COUPLE GOALS, A GAME WHERE MARRIED COUPLES FIND OUT 422 00:16:40,989 --> 00:16:43,156 WELCOME TO COUPLE GOALS, A GAME WHERE MARRIED COUPLES FIND OUT JUST HOW WELL THEY KNOW EACH 423 00:16:43,158 --> 00:16:46,092 WHERE MARRIED COUPLES FIND OUT JUST HOW WELL THEY KNOW EACH OTHER, SPONSORED BY SWIFFER WET 424 00:16:46,094 --> 00:16:46,592 JUST HOW WELL THEY KNOW EACH OTHER, SPONSORED BY SWIFFER WET JET. 425 00:16:46,594 --> 00:16:48,127 OTHER, SPONSORED BY SWIFFER WET JET. WANT TO SWIRL SOME WET HAIR 426 00:16:48,129 --> 00:16:52,765 JET. WANT TO SWIRL SOME WET HAIR AROUND ON YOUR FLOOR, TRY 427 00:16:52,767 --> 00:16:53,232 WANT TO SWIRL SOME WET HAIR AROUND ON YOUR FLOOR, TRY SWIFFER WET JET. 428 00:16:53,234 --> 00:16:54,100 AROUND ON YOUR FLOOR, TRY SWIFFER WET JET. LET'S MEET OUR CONTESTANTS. 429 00:16:54,102 --> 00:16:56,002 SWIFFER WET JET. LET'S MEET OUR CONTESTANTS. THEY RECENTLY MOVED INTO THEIR 430 00:16:56,004 --> 00:16:59,205 LET'S MEET OUR CONTESTANTS. THEY RECENTLY MOVED INTO THEIR DREAM HOME, IT'S NICK AND NICOLE 431 00:16:59,207 --> 00:16:59,505 THEY RECENTLY MOVED INTO THEIR DREAM HOME, IT'S NICK AND NICOLE LODI. 432 00:16:59,507 --> 00:17:01,207 DREAM HOME, IT'S NICK AND NICOLE LODI. AND THEY'RE CHILDHOOD 433 00:17:01,209 --> 00:17:02,875 LODI. AND THEY'RE CHILDHOOD SWEETHEARTS WHO HAVE KNOWN EACH 434 00:17:02,877 --> 00:17:04,277 AND THEY'RE CHILDHOOD SWEETHEARTS WHO HAVE KNOWN EACH OTHER SINCE THEY WERE 6. 435 00:17:04,279 --> 00:17:05,978 SWEETHEARTS WHO HAVE KNOWN EACH OTHER SINCE THEY WERE 6. IT'S BRIAN AND ABBY GREEN. 436 00:17:05,980 --> 00:17:07,914 OTHER SINCE THEY WERE 6. IT'S BRIAN AND ABBY GREEN. AS YOU KNOW, YOUR SPOUSES 437 00:17:07,916 --> 00:17:09,082 IT'S BRIAN AND ABBY GREEN. AS YOU KNOW, YOUR SPOUSES ANSWERED A SERIES OF QUESTIONS 438 00:17:09,084 --> 00:17:11,551 AS YOU KNOW, YOUR SPOUSES ANSWERED A SERIES OF QUESTIONS BEFORE THE SHOW, AND IT'S UP TO 439 00:17:11,553 --> 00:17:13,653 ANSWERED A SERIES OF QUESTIONS BEFORE THE SHOW, AND IT'S UP TO YOU TO GUESS WHAT THEY SAID. 440 00:17:13,655 --> 00:17:16,122 BEFORE THE SHOW, AND IT'S UP TO YOU TO GUESS WHAT THEY SAID. QUESTION ONE, WHAT'S YOUR WIFE'S 441 00:17:16,124 --> 00:17:17,056 YOU TO GUESS WHAT THEY SAID. QUESTION ONE, WHAT'S YOUR WIFE'S FAVORITE BOOK? 442 00:17:17,058 --> 00:17:17,356 QUESTION ONE, WHAT'S YOUR WIFE'S FAVORITE BOOK? NICK. 443 00:17:17,358 --> 00:17:18,591 FAVORITE BOOK? NICK. >> I KNOW THAT ONE, BOB. 444 00:17:18,593 --> 00:17:19,826 NICK. >> I KNOW THAT ONE, BOB. IT'S HARRY POTTER. 445 00:17:19,828 --> 00:17:21,627 >> I KNOW THAT ONE, BOB. IT'S HARRY POTTER. >> LET'S SEE WHAT NICOLE SAID. 446 00:17:21,629 --> 00:17:23,763 IT'S HARRY POTTER. >> LET'S SEE WHAT NICOLE SAID. >> HARRY POTTER. 447 00:17:23,765 --> 00:17:27,967 >> LET'S SEE WHAT NICOLE SAID. >> HARRY POTTER. THAT'S MY HUFFLEPUFF! 448 00:17:27,969 --> 00:17:28,401 >> HARRY POTTER. THAT'S MY HUFFLEPUFF! >> ALL RIGHT. 449 00:17:28,403 --> 00:17:31,070 THAT'S MY HUFFLEPUFF! >> ALL RIGHT. THE LODIS ARE ON THE BOARD. 450 00:17:31,072 --> 00:17:32,038 >> ALL RIGHT. THE LODIS ARE ON THE BOARD. LET'S GO TO THE GREENS. 451 00:17:32,040 --> 00:17:35,041 THE LODIS ARE ON THE BOARD. LET'S GO TO THE GREENS. >> WELL, I KNOW MY LITTLE 452 00:17:35,043 --> 00:17:36,275 LET'S GO TO THE GREENS. >> WELL, I KNOW MY LITTLE READER'S FAVORITE BOOK. 453 00:17:36,277 --> 00:17:38,211 >> WELL, I KNOW MY LITTLE READER'S FAVORITE BOOK. IT'S WHERE THE CRAWDADS SING. 454 00:17:38,213 --> 00:17:40,079 READER'S FAVORITE BOOK. IT'S WHERE THE CRAWDADS SING. >> LET'S SEE WHAT NICOLE SAID. 455 00:17:40,081 --> 00:17:40,580 IT'S WHERE THE CRAWDADS SING. >> LET'S SEE WHAT NICOLE SAID. OH, THE BIBLE. 456 00:17:40,582 --> 00:17:41,881 >> LET'S SEE WHAT NICOLE SAID. OH, THE BIBLE. >> SORRY, BABE. 457 00:17:41,883 --> 00:17:42,415 OH, THE BIBLE. >> SORRY, BABE. YOU WERE SO CLOSE. 458 00:17:42,417 --> 00:17:45,418 >> SORRY, BABE. YOU WERE SO CLOSE. >> WAS HE? 459 00:17:45,420 --> 00:17:46,753 YOU WERE SO CLOSE. >> WAS HE? LODIS, OVER TO YOU. 460 00:17:46,755 --> 00:17:48,221 >> WAS HE? LODIS, OVER TO YOU. WHAT IS YOUR HUSBAND'S GREATEST 461 00:17:48,223 --> 00:17:48,521 LODIS, OVER TO YOU. WHAT IS YOUR HUSBAND'S GREATEST FEAR? 462 00:17:48,523 --> 00:17:50,957 WHAT IS YOUR HUSBAND'S GREATEST FEAR? >> WELL, NOT SURE HE WANTS 463 00:17:50,959 --> 00:17:52,959 FEAR? >> WELL, NOT SURE HE WANTS PEOPLE TO KNOW THIS ONE, BUT 464 00:17:52,961 --> 00:17:54,193 >> WELL, NOT SURE HE WANTS PEOPLE TO KNOW THIS ONE, BUT IT'S DEFINITELY HEIGHTS. 465 00:17:54,195 --> 00:17:54,727 PEOPLE TO KNOW THIS ONE, BUT IT'S DEFINITELY HEIGHTS. >> OKAY. 466 00:17:54,729 --> 00:17:56,662 IT'S DEFINITELY HEIGHTS. >> OKAY. SHE SAYS HEIGHTS, AND NICK SAYS 467 00:17:56,664 --> 00:18:00,867 >> OKAY. SHE SAYS HEIGHTS, AND NICK SAYS HIS GREATEST FEAR IS -- THAT 468 00:18:00,869 --> 00:18:02,168 SHE SAYS HEIGHTS, AND NICK SAYS HIS GREATEST FEAR IS -- THAT YOU'LL DIE IN A BIZARRE ACCIDENT 469 00:18:02,170 --> 00:18:03,736 HIS GREATEST FEAR IS -- THAT YOU'LL DIE IN A BIZARRE ACCIDENT AND EVEN THOUGH I HAD NOTHING TO 470 00:18:03,738 --> 00:18:05,505 YOU'LL DIE IN A BIZARRE ACCIDENT AND EVEN THOUGH I HAD NOTHING TO DO WITH IT, THE POLICE WILL 471 00:18:05,507 --> 00:18:07,940 AND EVEN THOUGH I HAD NOTHING TO DO WITH IT, THE POLICE WILL ASSUME I DID IT AFTER 472 00:18:07,942 --> 00:18:08,641 DO WITH IT, THE POLICE WILL ASSUME I DID IT AFTER DISCOVERING HOW MUCH I 473 00:18:08,643 --> 00:18:09,942 ASSUME I DID IT AFTER DISCOVERING HOW MUCH I COMPLAINED ABOUT YOU IN TEXT 474 00:18:09,944 --> 00:18:14,881 DISCOVERING HOW MUCH I COMPLAINED ABOUT YOU IN TEXT MESSAGES TO MY FRIENDS. 475 00:18:14,883 --> 00:18:18,050 COMPLAINED ABOUT YOU IN TEXT MESSAGES TO MY FRIENDS. >> I SHOULD HAVE SAID HEIGHTS. 476 00:18:18,052 --> 00:18:19,652 MESSAGES TO MY FRIENDS. >> I SHOULD HAVE SAID HEIGHTS. >> I'LL SAY. 477 00:18:19,654 --> 00:18:21,120 >> I SHOULD HAVE SAID HEIGHTS. >> I'LL SAY. MOVING ON TO THE GREENS. 478 00:18:21,122 --> 00:18:24,090 >> I'LL SAY. MOVING ON TO THE GREENS. ABBY, WHAT IS YOUR HUSBAND'S 479 00:18:24,092 --> 00:18:24,524 MOVING ON TO THE GREENS. ABBY, WHAT IS YOUR HUSBAND'S GREATEST FEAR? 480 00:18:24,526 --> 00:18:25,725 ABBY, WHAT IS YOUR HUSBAND'S GREATEST FEAR? >> WELL, YOU WON'T SEE THIS MAN 481 00:18:25,727 --> 00:18:26,526 GREATEST FEAR? >> WELL, YOU WON'T SEE THIS MAN AT A PICNIC. 482 00:18:26,528 --> 00:18:27,093 >> WELL, YOU WON'T SEE THIS MAN AT A PICNIC. IT'S BEES. 483 00:18:27,095 --> 00:18:27,794 AT A PICNIC. IT'S BEES. >> OH, SHOOT. 484 00:18:27,796 --> 00:18:30,396 IT'S BEES. >> OH, SHOOT. I SAID LOSING THE KIDS. 485 00:18:30,398 --> 00:18:32,799 >> OH, SHOOT. I SAID LOSING THE KIDS. >> NO POINTS, BUT THE GREENS ARE 486 00:18:32,801 --> 00:18:34,333 I SAID LOSING THE KIDS. >> NO POINTS, BUT THE GREENS ARE TRYING THEIR BEST. 487 00:18:34,335 --> 00:18:36,602 >> NO POINTS, BUT THE GREENS ARE TRYING THEIR BEST. NEXT QUESTION IS FOR THE LODIS. 488 00:18:36,604 --> 00:18:37,570 TRYING THEIR BEST. NEXT QUESTION IS FOR THE LODIS. WHAT'S SOMETHING YOUR HUSBAND 489 00:18:37,572 --> 00:18:38,905 NEXT QUESTION IS FOR THE LODIS. WHAT'S SOMETHING YOUR HUSBAND HAS ALWAYS WANTED TO KNOW? 490 00:18:38,907 --> 00:18:41,240 WHAT'S SOMETHING YOUR HUSBAND HAS ALWAYS WANTED TO KNOW? >> STILL A LITTLE THROWN BY THAT 491 00:18:41,242 --> 00:18:41,874 HAS ALWAYS WANTED TO KNOW? >> STILL A LITTLE THROWN BY THAT LAST ONE. 492 00:18:41,876 --> 00:18:43,209 >> STILL A LITTLE THROWN BY THAT LAST ONE. BUT THIS ONE'S EASY. 493 00:18:43,211 --> 00:18:44,777 LAST ONE. BUT THIS ONE'S EASY. DO ALIENS EXIST. 494 00:18:44,779 --> 00:18:45,611 BUT THIS ONE'S EASY. DO ALIENS EXIST. >> OKAY. 495 00:18:45,613 --> 00:18:47,613 DO ALIENS EXIST. >> OKAY. AND NICK SAID HE'S ALWAYS WANTED 496 00:18:47,615 --> 00:18:49,649 >> OKAY. AND NICK SAID HE'S ALWAYS WANTED TO KNOW -- IF POLICE CAN STILL 497 00:18:49,651 --> 00:18:51,851 AND NICK SAID HE'S ALWAYS WANTED TO KNOW -- IF POLICE CAN STILL READ YOUR TEXT MESSAGES IF YOU 498 00:18:51,853 --> 00:18:53,286 TO KNOW -- IF POLICE CAN STILL READ YOUR TEXT MESSAGES IF YOU DESTROY YOUR WIFE'S PHONE RIGHT 499 00:18:53,288 --> 00:18:55,688 READ YOUR TEXT MESSAGES IF YOU DESTROY YOUR WIFE'S PHONE RIGHT AFTER YOUR WIFE IS CRUSHED BY 500 00:18:55,690 --> 00:18:58,291 DESTROY YOUR WIFE'S PHONE RIGHT AFTER YOUR WIFE IS CRUSHED BY THE GARAGE DOOR OR EQUIVALENT 501 00:18:58,293 --> 00:18:58,658 AFTER YOUR WIFE IS CRUSHED BY THE GARAGE DOOR OR EQUIVALENT ACCIDENT. 502 00:18:58,660 --> 00:19:01,460 THE GARAGE DOOR OR EQUIVALENT ACCIDENT. >> NICK, WHAT HAVE YOU BEEN 503 00:19:01,462 --> 00:19:01,794 ACCIDENT. >> NICK, WHAT HAVE YOU BEEN TEXTING? 504 00:19:01,796 --> 00:19:04,163 >> NICK, WHAT HAVE YOU BEEN TEXTING? >> WHOOPS. 505 00:19:04,165 --> 00:19:05,631 TEXTING? >> WHOOPS. OVER TO ABBY. 506 00:19:05,633 --> 00:19:06,699 >> WHOOPS. OVER TO ABBY. WHAT'S SOMETHING YOUR HUSBAND 507 00:19:06,701 --> 00:19:07,834 OVER TO ABBY. WHAT'S SOMETHING YOUR HUSBAND HAS ALWAYS WANTED TO KNOW? 508 00:19:07,836 --> 00:19:09,802 WHAT'S SOMETHING YOUR HUSBAND HAS ALWAYS WANTED TO KNOW? >> WELL, I THINK THIS ONE WILL 509 00:19:09,804 --> 00:19:11,504 HAS ALWAYS WANTED TO KNOW? >> WELL, I THINK THIS ONE WILL GET US BACK ON TRACK, IF THERE'S 510 00:19:11,506 --> 00:19:12,238 >> WELL, I THINK THIS ONE WILL GET US BACK ON TRACK, IF THERE'S AN AFTERLIFE. 511 00:19:12,240 --> 00:19:15,007 GET US BACK ON TRACK, IF THERE'S AN AFTERLIFE. >> SOUNDS CONFIDENT. 512 00:19:15,009 --> 00:19:16,843 AN AFTERLIFE. >> SOUNDS CONFIDENT. BRIAN SAID -- WHAT IT FEELS LIKE 513 00:19:16,845 --> 00:19:19,812 >> SOUNDS CONFIDENT. BRIAN SAID -- WHAT IT FEELS LIKE TO BE WITH A MAN. 514 00:19:19,814 --> 00:19:22,048 BRIAN SAID -- WHAT IT FEELS LIKE TO BE WITH A MAN. >> WHY WOULD YOU SAY THAT ON TV, 515 00:19:22,050 --> 00:19:22,348 TO BE WITH A MAN. >> WHY WOULD YOU SAY THAT ON TV, BABE? 516 00:19:22,350 --> 00:19:24,884 >> WHY WOULD YOU SAY THAT ON TV, BABE? >> I DIDN'T KNOW WE HAVE TO SHOW 517 00:19:24,886 --> 00:19:27,019 BABE? >> I DIDN'T KNOW WE HAVE TO SHOW OUR ANSWERS TO EVERYONE. 518 00:19:27,021 --> 00:19:28,421 >> I DIDN'T KNOW WE HAVE TO SHOW OUR ANSWERS TO EVERYONE. >> AND THE GREENS CONTINUE TO BE 519 00:19:28,423 --> 00:19:31,724 OUR ANSWERS TO EVERYONE. >> AND THE GREENS CONTINUE TO BE ODD BUT PLEASANT PEOPLE. 520 00:19:31,726 --> 00:19:33,659 >> AND THE GREENS CONTINUE TO BE ODD BUT PLEASANT PEOPLE. NEXT QUESTION FOR THE LODIS. 521 00:19:33,661 --> 00:19:34,727 ODD BUT PLEASANT PEOPLE. NEXT QUESTION FOR THE LODIS. WHAT WAS YOUR BIGGEST FIGHT 522 00:19:34,729 --> 00:19:35,027 NEXT QUESTION FOR THE LODIS. WHAT WAS YOUR BIGGEST FIGHT ABOUT? 523 00:19:35,029 --> 00:19:35,428 WHAT WAS YOUR BIGGEST FIGHT ABOUT? >> OKAY. 524 00:19:35,430 --> 00:19:35,962 ABOUT? >> OKAY. I KNOW THIS ONE. 525 00:19:35,964 --> 00:19:38,164 >> OKAY. I KNOW THIS ONE. THE HAWAII INCIDENT. 526 00:19:38,166 --> 00:19:38,598 I KNOW THIS ONE. THE HAWAII INCIDENT. >> ALL RIGHT. 527 00:19:38,600 --> 00:19:40,933 THE HAWAII INCIDENT. >> ALL RIGHT. NICK SAYS THE HAWAII INCIDENT, 528 00:19:40,935 --> 00:19:43,102 >> ALL RIGHT. NICK SAYS THE HAWAII INCIDENT, AND NICOLE SAYS THE TIME WE WERE 529 00:19:43,104 --> 00:19:44,704 NICK SAYS THE HAWAII INCIDENT, AND NICOLE SAYS THE TIME WE WERE IN HAWAII ON TOP OF A WATERFALL 530 00:19:44,706 --> 00:19:46,472 AND NICOLE SAYS THE TIME WE WERE IN HAWAII ON TOP OF A WATERFALL AND I WANTED TO JUMP IN, BUT YOU 531 00:19:46,474 --> 00:19:49,342 IN HAWAII ON TOP OF A WATERFALL AND I WANTED TO JUMP IN, BUT YOU HELD ME BACK AND WOULDN'T LET ME 532 00:19:49,344 --> 00:19:51,143 AND I WANTED TO JUMP IN, BUT YOU HELD ME BACK AND WOULDN'T LET ME DO IT UNTIL THERE WERE OTHER 533 00:19:51,145 --> 00:19:52,578 HELD ME BACK AND WOULDN'T LET ME DO IT UNTIL THERE WERE OTHER PEOPLE AROUND. 534 00:19:52,580 --> 00:19:53,112 DO IT UNTIL THERE WERE OTHER PEOPLE AROUND. FIVE POINTS AWAY. 535 00:19:53,114 --> 00:19:53,846 PEOPLE AROUND. FIVE POINTS AWAY. >> THAT'S WHY YOU WOULDN'T LET 536 00:19:53,848 --> 00:19:56,082 FIVE POINTS AWAY. >> THAT'S WHY YOU WOULDN'T LET ME JUMP? 537 00:19:56,084 --> 00:19:57,049 >> THAT'S WHY YOU WOULDN'T LET ME JUMP? >> ALL RIGHT. 538 00:19:57,051 --> 00:19:58,985 ME JUMP? >> ALL RIGHT. THAT SOUND MEANS IT'S TIME FOR A 539 00:19:58,987 --> 00:20:00,186 >> ALL RIGHT. THAT SOUND MEANS IT'S TIME FOR A BONUS QUESTION. 540 00:20:00,188 --> 00:20:01,821 THAT SOUND MEANS IT'S TIME FOR A BONUS QUESTION. THIS ONE'S FOR NICOLE. 541 00:20:01,823 --> 00:20:03,222 BONUS QUESTION. THIS ONE'S FOR NICOLE. WHERE IS A PLACE YOUR HUSBAND 542 00:20:03,224 --> 00:20:04,924 THIS ONE'S FOR NICOLE. WHERE IS A PLACE YOUR HUSBAND HAS ALWAYS WANTED TO VISIT? 543 00:20:04,926 --> 00:20:07,426 WHERE IS A PLACE YOUR HUSBAND HAS ALWAYS WANTED TO VISIT? >> I MEAN, I FEEL LIKE I DON'T 544 00:20:07,428 --> 00:20:08,394 HAS ALWAYS WANTED TO VISIT? >> I MEAN, I FEEL LIKE I DON'T EVEN KNOW THIS MAN. 545 00:20:08,396 --> 00:20:10,696 >> I MEAN, I FEEL LIKE I DON'T EVEN KNOW THIS MAN. BUT I GUESS HE ALWAYS SAID 546 00:20:10,698 --> 00:20:11,063 EVEN KNOW THIS MAN. BUT I GUESS HE ALWAYS SAID DURANGO. 547 00:20:11,065 --> 00:20:11,998 BUT I GUESS HE ALWAYS SAID DURANGO. >> YES, BABY, YES. 548 00:20:12,000 --> 00:20:14,033 DURANGO. >> YES, BABY, YES. >> OKAY. 549 00:20:14,035 --> 00:20:14,767 >> YES, BABY, YES. >> OKAY. FINALLY. 550 00:20:14,769 --> 00:20:18,571 >> OKAY. FINALLY. >> AND WHAT'S WITH THE DOT, DOT, 551 00:20:18,573 --> 00:20:18,838 FINALLY. >> AND WHAT'S WITH THE DOT, DOT, DOT? 552 00:20:18,840 --> 00:20:21,073 >> AND WHAT'S WITH THE DOT, DOT, DOT? WHEN I'M WRONGLY ACCUSED OF YOUR 553 00:20:21,075 --> 00:20:22,475 DOT? WHEN I'M WRONGLY ACCUSED OF YOUR DEATH, I'LL TURN TO THE ONLY 554 00:20:22,477 --> 00:20:24,410 WHEN I'M WRONGLY ACCUSED OF YOUR DEATH, I'LL TURN TO THE ONLY LAWYER I KNOW WHO WOULD POSSIBLY 555 00:20:24,412 --> 00:20:25,912 DEATH, I'LL TURN TO THE ONLY LAWYER I KNOW WHO WOULD POSSIBLY BELIEVE ME, YOUR COLLEGE 556 00:20:25,914 --> 00:20:27,246 LAWYER I KNOW WHO WOULD POSSIBLY BELIEVE ME, YOUR COLLEGE ROOMMATE STEPHANIE. 557 00:20:27,248 --> 00:20:29,415 BELIEVE ME, YOUR COLLEGE ROOMMATE STEPHANIE. THE NIGHT BEFORE THE JURY 558 00:20:29,417 --> 00:20:30,683 ROOMMATE STEPHANIE. THE NIGHT BEFORE THE JURY RETURNS THE VERDICT REALIZING 559 00:20:30,685 --> 00:20:32,351 THE NIGHT BEFORE THE JURY RETURNS THE VERDICT REALIZING THE SITUATION IS HOPELESS, WE'LL 560 00:20:32,353 --> 00:20:33,786 RETURNS THE VERDICT REALIZING THE SITUATION IS HOPELESS, WE'LL GO ON THE RUN TOGETHER ACROSS 561 00:20:33,788 --> 00:20:34,720 THE SITUATION IS HOPELESS, WE'LL GO ON THE RUN TOGETHER ACROSS THE BORDER. 562 00:20:34,722 --> 00:20:36,956 GO ON THE RUN TOGETHER ACROSS THE BORDER. WHEN WE GET TO OUR HOTEL ROOM, 563 00:20:36,958 --> 00:20:39,225 THE BORDER. WHEN WE GET TO OUR HOTEL ROOM, WE SEE THAT THERE'S ONLY ONE 564 00:20:39,227 --> 00:20:39,492 WHEN WE GET TO OUR HOTEL ROOM, WE SEE THAT THERE'S ONLY ONE BED. 565 00:20:39,494 --> 00:20:41,460 WE SEE THAT THERE'S ONLY ONE BED. SHE CALLS THE FRONT DESK TO 566 00:20:41,462 --> 00:20:42,929 BED. SHE CALLS THE FRONT DESK TO COMPLAIN, BUT I SEE SHE'S 567 00:20:42,931 --> 00:20:44,597 SHE CALLS THE FRONT DESK TO COMPLAIN, BUT I SEE SHE'S HOLDING DOWN THE BUTTON, AND 568 00:20:44,599 --> 00:20:46,132 COMPLAIN, BUT I SEE SHE'S HOLDING DOWN THE BUTTON, AND THAT'S HOW I KNOW IT'S ON. 569 00:20:46,134 --> 00:20:47,333 HOLDING DOWN THE BUTTON, AND THAT'S HOW I KNOW IT'S ON. FINDING OURSELVES IN A PLACE 570 00:20:47,335 --> 00:20:49,101 THAT'S HOW I KNOW IT'S ON. FINDING OURSELVES IN A PLACE BEYOND RIGHT AND WRONG, WE MAKE 571 00:20:49,103 --> 00:20:52,738 FINDING OURSELVES IN A PLACE BEYOND RIGHT AND WRONG, WE MAKE LOVE AND REACH A NEW APEX OF 572 00:20:52,740 --> 00:20:53,572 BEYOND RIGHT AND WRONG, WE MAKE LOVE AND REACH A NEW APEX OF HUMAN PLEASURE. 573 00:20:53,574 --> 00:20:55,574 LOVE AND REACH A NEW APEX OF HUMAN PLEASURE. TODAY MIGHT BE MY LAST DAY OF 574 00:20:55,576 --> 00:20:59,145 HUMAN PLEASURE. TODAY MIGHT BE MY LAST DAY OF FREEDOM, AND I ACT ACCORDINGLY. 575 00:20:59,147 --> 00:21:01,113 TODAY MIGHT BE MY LAST DAY OF FREEDOM, AND I ACT ACCORDINGLY. DRIPPING IN SWEAT, TEN YEARS OF 576 00:21:01,115 --> 00:21:03,215 FREEDOM, AND I ACT ACCORDINGLY. DRIPPING IN SWEAT, TEN YEARS OF SECRET LONGING, WE STARE AT THE 577 00:21:03,217 --> 00:21:03,549 DRIPPING IN SWEAT, TEN YEARS OF SECRET LONGING, WE STARE AT THE CEILING. 578 00:21:03,551 --> 00:21:06,419 SECRET LONGING, WE STARE AT THE CEILING. WHAT'S THE NAME OF THIS TOWN 579 00:21:06,421 --> 00:21:06,919 CEILING. WHAT'S THE NAME OF THIS TOWN AGAIN, I WHISPER. 580 00:21:06,921 --> 00:21:08,120 WHAT'S THE NAME OF THIS TOWN AGAIN, I WHISPER. DURANGO, SHE SAYS. 581 00:21:08,122 --> 00:21:10,790 AGAIN, I WHISPER. DURANGO, SHE SAYS. AND THEN SHE MOUNTS ME ONCE 582 00:21:10,792 --> 00:21:11,090 DURANGO, SHE SAYS. AND THEN SHE MOUNTS ME ONCE MORE. 583 00:21:11,092 --> 00:21:13,526 AND THEN SHE MOUNTS ME ONCE MORE. SO YOU BOTH SAID DURANGO. 584 00:21:13,528 --> 00:21:15,661 MORE. SO YOU BOTH SAID DURANGO. WHICH MEANS LODIS, YOU HAVE WON 585 00:21:15,663 --> 00:21:16,395 SO YOU BOTH SAID DURANGO. WHICH MEANS LODIS, YOU HAVE WON OUR GRAND PRIZE. 586 00:21:16,397 --> 00:21:17,563 WHICH MEANS LODIS, YOU HAVE WON OUR GRAND PRIZE. >> WE DID IT! 587 00:21:17,565 --> 00:21:19,598 OUR GRAND PRIZE. >> WE DID IT! >> WE WON, BABY. 588 00:21:19,600 --> 00:21:21,100 >> WE DID IT! >> WE WON, BABY. >> PACK YOUR HEAD LAMPS BECAUSE 589 00:21:21,102 --> 00:21:23,402 >> WE WON, BABY. >> PACK YOUR HEAD LAMPS BECAUSE YOU JUST WON A ROMANTIC NIGHT 590 00:21:23,404 --> 00:21:25,771 >> PACK YOUR HEAD LAMPS BECAUSE YOU JUST WON A ROMANTIC NIGHT TIME COUPLES WALK ALONG THE 591 00:21:25,773 --> 00:21:26,439 YOU JUST WON A ROMANTIC NIGHT TIME COUPLES WALK ALONG THE CLIFFS OF DOVER. 592 00:21:26,441 --> 00:21:27,573 TIME COUPLES WALK ALONG THE CLIFFS OF DOVER. >> NO THANK YOU. 593 00:21:27,575 --> 00:21:28,941 CLIFFS OF DOVER. >> NO THANK YOU. >> YOU HAVE TO. 594 00:21:28,943 --> 00:21:29,241 >> NO THANK YOU. >> YOU HAVE TO. >> NO. 595 00:21:29,243 --> 00:21:29,508 >> YOU HAVE TO. >> NO. NO. 596 00:21:29,510 --> 00:21:39,018 >> NO. NO. PLEASE, NO. 597 00:21:39,020 --> 00:21:40,853 NO. PLEASE, NO. >>> WE TOOK HIM TO THIS LIKE 598 00:21:40,855 --> 00:21:42,488 PLEASE, NO. >>> WE TOOK HIM TO THIS LIKE CANINE REHAB CENTER, AND HE'S 599 00:21:42,490 --> 00:21:44,957 >>> WE TOOK HIM TO THIS LIKE CANINE REHAB CENTER, AND HE'S DOING A LOT BETTER. 600 00:21:44,959 --> 00:21:46,425 CANINE REHAB CENTER, AND HE'S DOING A LOT BETTER. >> YO, DUDES WHAT'S UP? 601 00:21:46,427 --> 00:21:49,395 DOING A LOT BETTER. >> YO, DUDES WHAT'S UP? YOU WON'T BELIEVE THIS, BUT I 602 00:21:49,397 --> 00:21:50,629 >> YO, DUDES WHAT'S UP? YOU WON'T BELIEVE THIS, BUT I WAS JUST WITH TRAVIS SCOTT, AND 603 00:21:50,631 --> 00:21:52,798 YOU WON'T BELIEVE THIS, BUT I WAS JUST WITH TRAVIS SCOTT, AND HE WANTS TO TAKE US OUT TONIGHT. 604 00:21:52,800 --> 00:21:53,966 WAS JUST WITH TRAVIS SCOTT, AND HE WANTS TO TAKE US OUT TONIGHT. >> ARE YOU SERIOUS? 605 00:21:53,968 --> 00:21:56,402 HE WANTS TO TAKE US OUT TONIGHT. >> ARE YOU SERIOUS? >> DUDE, WE'RE GOING TO HAVE A 606 00:21:56,404 --> 00:21:57,770 >> ARE YOU SERIOUS? >> DUDE, WE'RE GOING TO HAVE A TWISTED ROCKIN' BALL WITH TRAVIS 607 00:21:57,772 --> 00:21:58,170 >> DUDE, WE'RE GOING TO HAVE A TWISTED ROCKIN' BALL WITH TRAVIS SCOTT, MAN. 608 00:21:58,172 --> 00:22:00,406 TWISTED ROCKIN' BALL WITH TRAVIS SCOTT, MAN. >> WHAT? 609 00:22:00,408 --> 00:22:02,908 SCOTT, MAN. >> WHAT? >> LIKE A TWISTED -- UM, WHY 610 00:22:02,910 --> 00:22:08,447 >> WHAT? >> LIKE A TWISTED -- UM, WHY DON'T WE JUST GO? 611 00:22:08,449 --> 00:22:12,418 >> LIKE A TWISTED -- UM, WHY DON'T WE JUST GO? ♪ OOH, YO, YEAH, IT'S LIT ♪ 612 00:22:12,420 --> 00:22:13,986 DON'T WE JUST GO? ♪ OOH, YO, YEAH, IT'S LIT ♪ ♪ ON OUR WAY TO THE FUNCTION, 613 00:22:13,988 --> 00:22:15,621 ♪ OOH, YO, YEAH, IT'S LIT ♪ ♪ ON OUR WAY TO THE FUNCTION, WE'RE SMOKIN' BLUNTS AND FEELIN' 614 00:22:15,623 --> 00:22:16,689 ♪ ON OUR WAY TO THE FUNCTION, WE'RE SMOKIN' BLUNTS AND FEELIN' SO ALIVE, ALL THE HONEYS LOOKIN' 615 00:22:16,691 --> 00:22:18,824 WE'RE SMOKIN' BLUNTS AND FEELIN' SO ALIVE, ALL THE HONEYS LOOKIN' SCRUMPTIOUS ♪ 616 00:22:18,826 --> 00:22:20,993 SO ALIVE, ALL THE HONEYS LOOKIN' SCRUMPTIOUS ♪ ♪ AIN'T THAT SOMETHING, MY 617 00:22:20,995 --> 00:22:23,162 SCRUMPTIOUS ♪ ♪ AIN'T THAT SOMETHING, MY HATERS DONE IN, I'M WITH TRAVIS 618 00:22:23,164 --> 00:22:24,296 ♪ AIN'T THAT SOMETHING, MY HATERS DONE IN, I'M WITH TRAVIS SCOTT AND RAMY YOUSSEF SMOKIN' 619 00:22:24,298 --> 00:22:25,364 HATERS DONE IN, I'M WITH TRAVIS SCOTT AND RAMY YOUSSEF SMOKIN' DUMB SPLIFFS ♪ 620 00:22:25,366 --> 00:22:28,067 SCOTT AND RAMY YOUSSEF SMOKIN' DUMB SPLIFFS ♪ ♪ YEAH, WE SMOKIN' WEED, BISH, 621 00:22:28,069 --> 00:22:29,168 DUMB SPLIFFS ♪ ♪ YEAH, WE SMOKIN' WEED, BISH, SO MANY TREES, BISH ♪ 622 00:22:29,170 --> 00:22:30,803 ♪ YEAH, WE SMOKIN' WEED, BISH, SO MANY TREES, BISH ♪ ♪ I AM GETTING HIGH LIKE I'M 623 00:22:30,805 --> 00:22:34,573 SO MANY TREES, BISH ♪ ♪ I AM GETTING HIGH LIKE I'M SITTIN' ON A SKI LIFT, WE 624 00:22:34,575 --> 00:22:36,242 ♪ I AM GETTING HIGH LIKE I'M SITTIN' ON A SKI LIFT, WE GETTIN' FADED, WE FEEL AMAZIN', 625 00:22:36,244 --> 00:22:38,377 SITTIN' ON A SKI LIFT, WE GETTIN' FADED, WE FEEL AMAZIN', OUR LIFE'S LIKE A MOVIE ♪ 626 00:22:38,379 --> 00:22:46,685 GETTIN' FADED, WE FEEL AMAZIN', OUR LIFE'S LIKE A MOVIE ♪ ♪ NAH, IT'S LIKE A PAINTIN' ♪ 627 00:22:46,687 --> 00:22:47,686 OUR LIFE'S LIKE A MOVIE ♪ ♪ NAH, IT'S LIKE A PAINTIN' ♪ ♪ IT'S LIT ♪ 628 00:22:47,688 --> 00:22:49,622 ♪ NAH, IT'S LIKE A PAINTIN' ♪ ♪ IT'S LIT ♪ >> HEY, BOYS, BET THE HATERS 629 00:22:49,624 --> 00:22:52,458 ♪ IT'S LIT ♪ >> HEY, BOYS, BET THE HATERS WOULD LOVE TO SEE YOU NOW, HUH? 630 00:22:52,460 --> 00:22:54,660 >> HEY, BOYS, BET THE HATERS WOULD LOVE TO SEE YOU NOW, HUH? ♪ I THINK WE GOT TOO HIGH, 631 00:22:54,662 --> 00:23:01,133 WOULD LOVE TO SEE YOU NOW, HUH? ♪ I THINK WE GOT TOO HIGH, SMOKED TOO MUCH AND GOT SCARED, 632 00:23:01,135 --> 00:23:03,302 ♪ I THINK WE GOT TOO HIGH, SMOKED TOO MUCH AND GOT SCARED, HAVEN'T SMOKED SINCE HIGH 633 00:23:03,304 --> 00:23:05,438 SMOKED TOO MUCH AND GOT SCARED, HAVEN'T SMOKED SINCE HIGH SCHOOL, THIS IS NOT FUN ♪ 634 00:23:05,440 --> 00:23:08,140 HAVEN'T SMOKED SINCE HIGH SCHOOL, THIS IS NOT FUN ♪ ♪ IF I CLOSE MY EYES AM I STILL 635 00:23:08,142 --> 00:23:10,910 SCHOOL, THIS IS NOT FUN ♪ ♪ IF I CLOSE MY EYES AM I STILL LIKE HERE, AM I STANDING NORMAL, 636 00:23:10,912 --> 00:23:18,451 ♪ IF I CLOSE MY EYES AM I STILL LIKE HERE, AM I STANDING NORMAL, WHERE'S RAMY? ♪ 637 00:23:18,453 --> 00:23:19,218 LIKE HERE, AM I STANDING NORMAL, WHERE'S RAMY? ♪ ♪ HE DID NOT SMOKE MAN, I BET 638 00:23:19,220 --> 00:23:19,952 WHERE'S RAMY? ♪ ♪ HE DID NOT SMOKE MAN, I BET HE'S FEELING AWESOME, WHY DID I 639 00:23:19,954 --> 00:23:20,619 ♪ HE DID NOT SMOKE MAN, I BET HE'S FEELING AWESOME, WHY DID I WEAR SHORTS ♪ 640 00:23:20,621 --> 00:23:21,320 HE'S FEELING AWESOME, WHY DID I WEAR SHORTS ♪ >> STRAIGHT UP LOOKING GOOFY! 641 00:23:21,322 --> 00:23:22,121 WEAR SHORTS ♪ >> STRAIGHT UP LOOKING GOOFY! ♪ HAD SO MUCH TIME TO CHANGE ♪ 642 00:23:22,123 --> 00:23:23,823 >> STRAIGHT UP LOOKING GOOFY! ♪ HAD SO MUCH TIME TO CHANGE ♪ >> BUT YOU DIDN'T! 643 00:23:23,825 --> 00:23:26,559 ♪ HAD SO MUCH TIME TO CHANGE ♪ >> BUT YOU DIDN'T! ♪ I DON'T EVEN SMOKE WEED, THIS 644 00:23:26,561 --> 00:23:27,593 >> BUT YOU DIDN'T! ♪ I DON'T EVEN SMOKE WEED, THIS IS PURE ANXIETY, AND WHY'D I SAY 645 00:23:27,595 --> 00:23:30,830 ♪ I DON'T EVEN SMOKE WEED, THIS IS PURE ANXIETY, AND WHY'D I SAY THAT THING BEFORE ♪ 646 00:23:30,832 --> 00:23:31,931 IS PURE ANXIETY, AND WHY'D I SAY THAT THING BEFORE ♪ >> LET'S HAVE A TWISTED ROCKIN' 647 00:23:31,933 --> 00:23:37,336 THAT THING BEFORE ♪ >> LET'S HAVE A TWISTED ROCKIN' BALL WITH TRAVIS SCOTT! 648 00:23:37,338 --> 00:23:39,472 >> LET'S HAVE A TWISTED ROCKIN' BALL WITH TRAVIS SCOTT! ♪ A TWISTED ROCKIN' BALL, THAT'S 649 00:23:39,474 --> 00:23:41,073 BALL WITH TRAVIS SCOTT! ♪ A TWISTED ROCKIN' BALL, THAT'S NOT A PHRASE, MAN, REALLY HOPING 650 00:23:41,075 --> 00:23:41,740 ♪ A TWISTED ROCKIN' BALL, THAT'S NOT A PHRASE, MAN, REALLY HOPING EVERYONE FORGOT THAT I SAID 651 00:23:41,742 --> 00:23:43,843 NOT A PHRASE, MAN, REALLY HOPING EVERYONE FORGOT THAT I SAID THAT ♪ 652 00:23:43,845 --> 00:23:50,249 EVERYONE FORGOT THAT I SAID THAT ♪ ♪ WHAT DID TWISTED BALL MEAN, 653 00:23:50,251 --> 00:23:55,087 THAT ♪ ♪ WHAT DID TWISTED BALL MEAN, A WEIRD JOKE, I ASSUME, OH, MY 654 00:23:55,089 --> 00:23:55,454 ♪ WHAT DID TWISTED BALL MEAN, A WEIRD JOKE, I ASSUME, OH, MY GOD I'M IN 655 00:23:55,456 --> 00:23:56,088 A WEIRD JOKE, I ASSUME, OH, MY GOD I'M IN THE WOMEN'S BATHROOM ♪ 656 00:23:56,090 --> 00:23:56,856 GOD I'M IN THE WOMEN'S BATHROOM ♪ ♪ HEY, DO YOU HATE ME, YOU CAN 657 00:23:56,858 --> 00:23:57,590 THE WOMEN'S BATHROOM ♪ ♪ HEY, DO YOU HATE ME, YOU CAN TELL ME, BUT I'D FEEL BETTER IF 658 00:23:57,592 --> 00:23:59,358 ♪ HEY, DO YOU HATE ME, YOU CAN TELL ME, BUT I'D FEEL BETTER IF YOU HELD ME LIKE A BABY ♪ 659 00:23:59,360 --> 00:24:00,159 TELL ME, BUT I'D FEEL BETTER IF YOU HELD ME LIKE A BABY ♪ ♪ TRIPPIN' OUT THINKIN' BOUT MY 660 00:24:00,161 --> 00:24:00,893 YOU HELD ME LIKE A BABY ♪ ♪ TRIPPIN' OUT THINKIN' BOUT MY MOM AND MY DAD, I CANNOT BELIEVE 661 00:24:00,895 --> 00:24:02,094 ♪ TRIPPIN' OUT THINKIN' BOUT MY MOM AND MY DAD, I CANNOT BELIEVE I CAME OUT OF HER VAG, HOLD UP, 662 00:24:02,096 --> 00:24:03,162 MOM AND MY DAD, I CANNOT BELIEVE I CAME OUT OF HER VAG, HOLD UP, HOLD UP ♪ 663 00:24:03,164 --> 00:24:04,763 I CAME OUT OF HER VAG, HOLD UP, HOLD UP ♪ ♪ I JUST FORGOT HOW TO BREATHE, 664 00:24:04,765 --> 00:24:06,932 HOLD UP ♪ ♪ I JUST FORGOT HOW TO BREATHE, AND WHY'D I BRING MY BACKPACK, 665 00:24:06,934 --> 00:24:09,101 ♪ I JUST FORGOT HOW TO BREATHE, AND WHY'D I BRING MY BACKPACK, MY ROLLING BACKPACK ♪ 666 00:24:09,103 --> 00:24:17,143 AND WHY'D I BRING MY BACKPACK, MY ROLLING BACKPACK ♪ ♪ I'M WEARING SHORTS, SOBER, 667 00:24:17,145 --> 00:24:17,843 MY ROLLING BACKPACK ♪ ♪ I'M WEARING SHORTS, SOBER, ♪ MAN, WHY'D I BRING THEM, 668 00:24:17,845 --> 00:24:18,577 ♪ I'M WEARING SHORTS, SOBER, ♪ MAN, WHY'D I BRING THEM, THEY'RE ACTING CRAZY, AND WHY IS 669 00:24:18,579 --> 00:24:19,245 ♪ MAN, WHY'D I BRING THEM, THEY'RE ACTING CRAZY, AND WHY IS THAT GUY BEING HELD LIKE A 670 00:24:19,247 --> 00:24:20,379 THEY'RE ACTING CRAZY, AND WHY IS THAT GUY BEING HELD LIKE A BABY ♪ 671 00:24:20,381 --> 00:24:22,515 THAT GUY BEING HELD LIKE A BABY ♪ ♪ I'M OVER IT, THEY ONLY TOOK 672 00:24:22,517 --> 00:24:28,954 BABY ♪ ♪ I'M OVER IT, THEY ONLY TOOK ONE HIT, AND WHAT IS RAMY 673 00:24:28,956 --> 00:24:35,461 ♪ I'M OVER IT, THEY ONLY TOOK ONE HIT, AND WHAT IS RAMY YOUSSEF DOING WITH THOSE 674 00:24:35,463 --> 00:24:35,861 ONE HIT, AND WHAT IS RAMY YOUSSEF DOING WITH THOSE NAPKINS ♪ 675 00:24:35,863 --> 00:24:36,629 YOUSSEF DOING WITH THOSE NAPKINS ♪ ♪ I SOLVED THE SHORTS PROBLEM, 676 00:24:36,631 --> 00:24:37,363 NAPKINS ♪ ♪ I SOLVED THE SHORTS PROBLEM, I'M MAKING NAPKIN PANTS, I JUST 677 00:24:37,365 --> 00:24:38,097 ♪ I SOLVED THE SHORTS PROBLEM, I'M MAKING NAPKIN PANTS, I JUST CALLED MY MOM SHE'S GONNA SEND 678 00:24:38,099 --> 00:24:39,665 I'M MAKING NAPKIN PANTS, I JUST CALLED MY MOM SHE'S GONNA SEND AN AMBULANCE ♪ 679 00:24:39,667 --> 00:24:44,069 CALLED MY MOM SHE'S GONNA SEND AN AMBULANCE ♪ >> SO YOU'RE SAYING IT WAS JUST 680 00:24:44,071 --> 00:24:44,336 AN AMBULANCE ♪ >> SO YOU'RE SAYING IT WAS JUST CBD? 681 00:24:44,338 --> 00:24:44,970 >> SO YOU'RE SAYING IT WAS JUST CBD? >> I'M AFRAID SO, YES. 682 00:24:44,972 --> 00:24:46,839 CBD? >> I'M AFRAID SO, YES. >> SO THAT MAKES US? 683 00:24:46,841 --> 00:24:51,043 >> I'M AFRAID SO, YES. >> SO THAT MAKES US? >> WELL THE MEDICAL TERM IS 684 00:24:51,045 --> 00:24:53,179 >> SO THAT MAKES US? >> WELL THE MEDICAL TERM IS GIGANTIC PUSSIES. 685 00:24:53,181 --> 00:24:54,280 >> WELL THE MEDICAL TERM IS GIGANTIC PUSSIES. >> YEAH, RIGHT. 686 00:24:54,282 --> 00:24:57,716 GIGANTIC PUSSIES. >> YEAH, RIGHT. ♪ I THINK WE GOT TOO HIGH ♪ 687 00:24:57,718 --> 00:24:58,450 >> YEAH, RIGHT. ♪ I THINK WE GOT TOO HIGH ♪ >>> IT'S THE IMMIGRANT DAD TALK 688 00:24:58,452 --> 00:25:01,387 ♪ I THINK WE GOT TOO HIGH ♪ >>> IT'S THE IMMIGRANT DAD TALK SHOW. 689 00:25:01,389 --> 00:25:03,522 >>> IT'S THE IMMIGRANT DAD TALK SHOW. >> WELCOME TO THE IMMIGRANT DAD 690 00:25:03,524 --> 00:25:04,223 SHOW. >> WELCOME TO THE IMMIGRANT DAD TALK SHOW. 691 00:25:04,225 --> 00:25:05,958 >> WELCOME TO THE IMMIGRANT DAD TALK SHOW. THIS IS THE SHOW WHERE WE 692 00:25:05,960 --> 00:25:08,494 TALK SHOW. THIS IS THE SHOW WHERE WE TALKING ABOUT OUR CHILDRENS, THE 693 00:25:08,496 --> 00:25:09,395 THIS IS THE SHOW WHERE WE TALKING ABOUT OUR CHILDRENS, THE GOOD ONES -- 694 00:25:09,397 --> 00:25:12,198 TALKING ABOUT OUR CHILDRENS, THE GOOD ONES -- >> AND THE SONS AS WELL. 695 00:25:12,200 --> 00:25:15,201 GOOD ONES -- >> AND THE SONS AS WELL. >> I AM JOAQUIN ANTONIO, AND 696 00:25:15,203 --> 00:25:19,805 >> AND THE SONS AS WELL. >> I AM JOAQUIN ANTONIO, AND WITH ME AS ALWAYS IS AHMED 697 00:25:19,807 --> 00:25:20,172 >> I AM JOAQUIN ANTONIO, AND WITH ME AS ALWAYS IS AHMED MAHMOUD. 698 00:25:20,174 --> 00:25:23,742 WITH ME AS ALWAYS IS AHMED MAHMOUD. >> I'M GRATEFUL FOR EVERYTHING 699 00:25:23,744 --> 00:25:25,678 MAHMOUD. >> I'M GRATEFUL FOR EVERYTHING ALLAH HAS GIVEN ME, EXCEPT MY 700 00:25:25,680 --> 00:25:25,978 >> I'M GRATEFUL FOR EVERYTHING ALLAH HAS GIVEN ME, EXCEPT MY SON. 701 00:25:25,980 --> 00:25:27,012 ALLAH HAS GIVEN ME, EXCEPT MY SON. >> AMEN. 702 00:25:27,014 --> 00:25:29,114 SON. >> AMEN. >> MY SON TREATS HIS DOG LIKE A 703 00:25:29,116 --> 00:25:29,415 >> AMEN. >> MY SON TREATS HIS DOG LIKE A WIFE. 704 00:25:29,417 --> 00:25:30,516 >> MY SON TREATS HIS DOG LIKE A WIFE. HE SLEEPS WITH THE DOG. 705 00:25:30,518 --> 00:25:32,218 WIFE. HE SLEEPS WITH THE DOG. HE BUYS THE DOG GIFTS. 706 00:25:32,220 --> 00:25:35,955 HE SLEEPS WITH THE DOG. HE BUYS THE DOG GIFTS. THE OTHER DAY I COME HOME, HE'S 707 00:25:35,957 --> 00:25:37,022 HE BUYS THE DOG GIFTS. THE OTHER DAY I COME HOME, HE'S BRUSHING THE DOG'S TEETH. 708 00:25:37,024 --> 00:25:38,290 THE OTHER DAY I COME HOME, HE'S BRUSHING THE DOG'S TEETH. >> OH, NO. 709 00:25:38,292 --> 00:25:39,091 BRUSHING THE DOG'S TEETH. >> OH, NO. BE CAREFUL. 710 00:25:39,093 --> 00:25:41,026 >> OH, NO. BE CAREFUL. HE'S GOING TO MARRY THE DOG. 711 00:25:41,028 --> 00:25:42,928 BE CAREFUL. HE'S GOING TO MARRY THE DOG. BEFORE WE FORGET, TIME TO 712 00:25:42,930 --> 00:25:46,098 HE'S GOING TO MARRY THE DOG. BEFORE WE FORGET, TIME TO INTRODUCE OUR SIDE KICK ON THE 713 00:25:46,100 --> 00:25:48,734 BEFORE WE FORGET, TIME TO INTRODUCE OUR SIDE KICK ON THE GRILL, IFFE, HOW'S YOUR SON? 714 00:25:48,736 --> 00:25:50,736 INTRODUCE OUR SIDE KICK ON THE GRILL, IFFE, HOW'S YOUR SON? >> MY SON IS VERY BAD, MAN. 715 00:25:50,738 --> 00:25:53,472 GRILL, IFFE, HOW'S YOUR SON? >> MY SON IS VERY BAD, MAN. NO JOB, NO WIFE, NO KIDS, NO 716 00:25:53,474 --> 00:25:53,772 >> MY SON IS VERY BAD, MAN. NO JOB, NO WIFE, NO KIDS, NO HOUSE. 717 00:25:53,774 --> 00:25:56,008 NO JOB, NO WIFE, NO KIDS, NO HOUSE. >> IFFE, HOW OLD IS YOUR SON? 718 00:25:56,010 --> 00:25:59,011 HOUSE. >> IFFE, HOW OLD IS YOUR SON? >> HE'S 5. 719 00:25:59,013 --> 00:26:00,746 >> IFFE, HOW OLD IS YOUR SON? >> HE'S 5. >> UNGRATEFUL. 720 00:26:00,748 --> 00:26:03,148 >> HE'S 5. >> UNGRATEFUL. >> UNGRATEFUL LITTLE GUY. 721 00:26:03,150 --> 00:26:08,821 >> UNGRATEFUL. >> UNGRATEFUL LITTLE GUY. BUT MY DAUGHTER, OH, MY 722 00:26:08,823 --> 00:26:10,289 >> UNGRATEFUL LITTLE GUY. BUT MY DAUGHTER, OH, MY DAUGHTER, SHE'S A PERFECT ANGEL. 723 00:26:10,291 --> 00:26:11,523 BUT MY DAUGHTER, OH, MY DAUGHTER, SHE'S A PERFECT ANGEL. AND SHE'S FUNNY. 724 00:26:11,525 --> 00:26:14,093 DAUGHTER, SHE'S A PERFECT ANGEL. AND SHE'S FUNNY. THE OTHER DAY, SHE TAKE MY 725 00:26:14,095 --> 00:26:16,629 AND SHE'S FUNNY. THE OTHER DAY, SHE TAKE MY CREDIT CARD AND SPENT $12,000 IN 726 00:26:16,631 --> 00:26:17,296 THE OTHER DAY, SHE TAKE MY CREDIT CARD AND SPENT $12,000 IN SEPHORA. 727 00:26:17,298 --> 00:26:18,998 CREDIT CARD AND SPENT $12,000 IN SEPHORA. I LOVE IT BECAUSE I DON'T EVEN 728 00:26:19,000 --> 00:26:20,866 SEPHORA. I LOVE IT BECAUSE I DON'T EVEN KNOW WHAT SEPHORA IS, AND I 729 00:26:20,868 --> 00:26:22,568 I LOVE IT BECAUSE I DON'T EVEN KNOW WHAT SEPHORA IS, AND I DON'T EVEN HAVE THE MONEY TO PAY 730 00:26:22,570 --> 00:26:23,235 KNOW WHAT SEPHORA IS, AND I DON'T EVEN HAVE THE MONEY TO PAY FOR THIS. 731 00:26:23,237 --> 00:26:25,204 DON'T EVEN HAVE THE MONEY TO PAY FOR THIS. SHE FUNNY, MAN, FUNNY. 732 00:26:25,206 --> 00:26:26,338 FOR THIS. SHE FUNNY, MAN, FUNNY. >> OH, BROTHER. 733 00:26:26,340 --> 00:26:29,508 SHE FUNNY, MAN, FUNNY. >> OH, BROTHER. THE OTHER DAY, MY DAUGHTER, SHE 734 00:26:29,510 --> 00:26:30,976 >> OH, BROTHER. THE OTHER DAY, MY DAUGHTER, SHE BRINGS HOME FIVE CATS. 735 00:26:30,978 --> 00:26:33,412 THE OTHER DAY, MY DAUGHTER, SHE BRINGS HOME FIVE CATS. I'M ALLERGIC, BUT SHE SAYS, 736 00:26:33,414 --> 00:26:34,880 BRINGS HOME FIVE CATS. I'M ALLERGIC, BUT SHE SAYS, THESE ARE OUR CATS NOW. 737 00:26:34,882 --> 00:26:35,481 I'M ALLERGIC, BUT SHE SAYS, THESE ARE OUR CATS NOW. I LOVE IT. 738 00:26:35,483 --> 00:26:38,417 THESE ARE OUR CATS NOW. I LOVE IT. I USED TO HAVE A HOUSE, NOW I 739 00:26:38,419 --> 00:26:40,252 I LOVE IT. I USED TO HAVE A HOUSE, NOW I HAVE A ZOO AND RASHES ALL OVER 740 00:26:40,254 --> 00:26:40,619 I USED TO HAVE A HOUSE, NOW I HAVE A ZOO AND RASHES ALL OVER MY BODY. 741 00:26:40,621 --> 00:26:42,988 HAVE A ZOO AND RASHES ALL OVER MY BODY. >> IFFE, YOU HAVE A DAUGHTER. 742 00:26:42,990 --> 00:26:44,223 MY BODY. >> IFFE, YOU HAVE A DAUGHTER. HOW IS YOUR DAUGHTER? 743 00:26:44,225 --> 00:26:45,991 >> IFFE, YOU HAVE A DAUGHTER. HOW IS YOUR DAUGHTER? >> MY DAUGHTER IS SO ADORABLE. 744 00:26:45,993 --> 00:26:49,495 HOW IS YOUR DAUGHTER? >> MY DAUGHTER IS SO ADORABLE. SHE TAKES NAPS, SHE ASKS ME, 745 00:26:49,497 --> 00:26:50,562 >> MY DAUGHTER IS SO ADORABLE. SHE TAKES NAPS, SHE ASKS ME, DADDY, COOK ME DINNER. 746 00:26:50,564 --> 00:26:51,864 SHE TAKES NAPS, SHE ASKS ME, DADDY, COOK ME DINNER. DRIVE ME AROUND. 747 00:26:51,866 --> 00:26:53,065 DADDY, COOK ME DINNER. DRIVE ME AROUND. GIVE ME ALLOWANCE. 748 00:26:53,067 --> 00:26:55,968 DRIVE ME AROUND. GIVE ME ALLOWANCE. >> AND HOW OLD IS YOUR DAUGHTER? 749 00:26:55,970 --> 00:26:56,969 GIVE ME ALLOWANCE. >> AND HOW OLD IS YOUR DAUGHTER? >> SHE'S 51. 750 00:26:56,971 --> 00:26:57,303 >> AND HOW OLD IS YOUR DAUGHTER? >> SHE'S 51. >> WOW. 751 00:26:57,305 --> 00:27:00,773 >> SHE'S 51. >> WOW. YOUR KIDS SO FAR APART. 752 00:27:00,775 --> 00:27:01,073 >> WOW. YOUR KIDS SO FAR APART. OKAY. 753 00:27:01,075 --> 00:27:03,375 YOUR KIDS SO FAR APART. OKAY. WELL, NOW IT'S TIME FOR ONE OF 754 00:27:03,377 --> 00:27:04,777 OKAY. WELL, NOW IT'S TIME FOR ONE OF MY FAVORITE SEGMENTS OF THE 755 00:27:04,779 --> 00:27:05,244 WELL, NOW IT'S TIME FOR ONE OF MY FAVORITE SEGMENTS OF THE SHOW. 756 00:27:05,246 --> 00:27:06,378 MY FAVORITE SEGMENTS OF THE SHOW. WE'RE GOING TO DO -- 757 00:27:06,380 --> 00:27:08,314 SHOW. WE'RE GOING TO DO -- >> THINGS OUR SONS LIKE THAT 758 00:27:08,316 --> 00:27:09,481 WE'RE GOING TO DO -- >> THINGS OUR SONS LIKE THAT THEY SHOULDN'T LIKE. 759 00:27:09,483 --> 00:27:10,249 >> THINGS OUR SONS LIKE THAT THEY SHOULDN'T LIKE. I'M GOING TO START. 760 00:27:10,251 --> 00:27:10,616 THEY SHOULDN'T LIKE. I'M GOING TO START. COMPUTER. 761 00:27:10,618 --> 00:27:12,918 I'M GOING TO START. COMPUTER. WHY YOU LIKE THE COMPUTER? 762 00:27:12,920 --> 00:27:15,387 COMPUTER. WHY YOU LIKE THE COMPUTER? HE SAY TO ME, I'M WORKING ON MY 763 00:27:15,389 --> 00:27:16,121 WHY YOU LIKE THE COMPUTER? HE SAY TO ME, I'M WORKING ON MY THESIS. 764 00:27:16,123 --> 00:27:18,590 HE SAY TO ME, I'M WORKING ON MY THESIS. I SAY, THESIS? 765 00:27:18,592 --> 00:27:22,361 THESIS. I SAY, THESIS? THIS IS A WASTE OF TIME! 766 00:27:22,363 --> 00:27:23,329 I SAY, THESIS? THIS IS A WASTE OF TIME! GET A JOB. 767 00:27:23,331 --> 00:27:23,729 THIS IS A WASTE OF TIME! GET A JOB. UNGRATEFUL. 768 00:27:23,731 --> 00:27:24,630 GET A JOB. UNGRATEFUL. >> UNGRATEFUL. 769 00:27:24,632 --> 00:27:25,164 UNGRATEFUL. >> UNGRATEFUL. I GO NEXT. 770 00:27:25,166 --> 00:27:26,865 >> UNGRATEFUL. I GO NEXT. MY SON, YOU KNOW WHAT HE LOVES? 771 00:27:26,867 --> 00:27:30,569 I GO NEXT. MY SON, YOU KNOW WHAT HE LOVES? HE LOVES TO PAY FOR COFFEE. 772 00:27:30,571 --> 00:27:32,705 MY SON, YOU KNOW WHAT HE LOVES? HE LOVES TO PAY FOR COFFEE. I SAY, MAKE COFFEE AT HOME. 773 00:27:32,707 --> 00:27:34,139 HE LOVES TO PAY FOR COFFEE. I SAY, MAKE COFFEE AT HOME. HE SAYS, NO, NO. 774 00:27:34,141 --> 00:27:37,676 I SAY, MAKE COFFEE AT HOME. HE SAYS, NO, NO. I WANT TO GO TO BROOKLYN AND PAY 775 00:27:37,678 --> 00:27:40,079 HE SAYS, NO, NO. I WANT TO GO TO BROOKLYN AND PAY $2,000 FOR ONE CUP OF COFFEE! 776 00:27:40,081 --> 00:27:42,748 I WANT TO GO TO BROOKLYN AND PAY $2,000 FOR ONE CUP OF COFFEE! >> MY SON LOVE TO GO TO BROOKLYN 777 00:27:42,750 --> 00:27:46,185 $2,000 FOR ONE CUP OF COFFEE! >> MY SON LOVE TO GO TO BROOKLYN TO PAY $2,000 FOR A CUP OF 778 00:27:46,187 --> 00:27:46,518 >> MY SON LOVE TO GO TO BROOKLYN TO PAY $2,000 FOR A CUP OF COFFEE. 779 00:27:46,520 --> 00:27:48,787 TO PAY $2,000 FOR A CUP OF COFFEE. >> MY SON LOVES BROOKLYN. 780 00:27:48,789 --> 00:27:51,290 COFFEE. >> MY SON LOVES BROOKLYN. HE SAYS, BABA, I WANT TO LIVE IN 781 00:27:51,292 --> 00:27:52,624 >> MY SON LOVES BROOKLYN. HE SAYS, BABA, I WANT TO LIVE IN THE WORST PLACE IN THE BEST 782 00:27:52,626 --> 00:27:52,958 HE SAYS, BABA, I WANT TO LIVE IN THE WORST PLACE IN THE BEST PLACE. 783 00:27:52,960 --> 00:27:54,793 THE WORST PLACE IN THE BEST PLACE. >> OH, MY GOD. 784 00:27:54,795 --> 00:27:57,429 PLACE. >> OH, MY GOD. OH, OH, IT'S TIME FOR OUR FIRST 785 00:27:57,431 --> 00:27:57,730 >> OH, MY GOD. OH, OH, IT'S TIME FOR OUR FIRST GUEST. 786 00:27:57,732 --> 00:27:59,431 OH, OH, IT'S TIME FOR OUR FIRST GUEST. BUT BEFORE THIS, WE WANT TO 787 00:27:59,433 --> 00:28:03,335 GUEST. BUT BEFORE THIS, WE WANT TO THANK TODAY'S SPONSOR. 788 00:28:03,337 --> 00:28:04,103 BUT BEFORE THIS, WE WANT TO THANK TODAY'S SPONSOR. THE BELT! 789 00:28:04,105 --> 00:28:06,472 THANK TODAY'S SPONSOR. THE BELT! >> WHY HAVE A CONVERSATION WHEN 790 00:28:06,474 --> 00:28:07,172 THE BELT! >> WHY HAVE A CONVERSATION WHEN YOU CAN JUST HIT 'EM WITH THE 791 00:28:07,174 --> 00:28:09,108 >> WHY HAVE A CONVERSATION WHEN YOU CAN JUST HIT 'EM WITH THE BELT! 792 00:28:09,110 --> 00:28:10,376 YOU CAN JUST HIT 'EM WITH THE BELT! >> THE BELT, AVAILABLE 793 00:28:10,378 --> 00:28:14,980 BELT! >> THE BELT, AVAILABLE EVERYWHERE YOU BUY PANTS. 794 00:28:14,982 --> 00:28:15,514 >> THE BELT, AVAILABLE EVERYWHERE YOU BUY PANTS. OKAY. 795 00:28:15,516 --> 00:28:17,516 EVERYWHERE YOU BUY PANTS. OKAY. NOW, LET'S BRING OUT OUR FIRST 796 00:28:17,518 --> 00:28:17,816 OKAY. NOW, LET'S BRING OUT OUR FIRST GUEST. 797 00:28:17,818 --> 00:28:19,952 NOW, LET'S BRING OUT OUR FIRST GUEST. IT'S ANOTHER DAD WHO JUST MOVING 798 00:28:19,954 --> 00:28:20,853 GUEST. IT'S ANOTHER DAD WHO JUST MOVING INTO THE NEIGHBORHOOD. 799 00:28:20,855 --> 00:28:23,922 IT'S ANOTHER DAD WHO JUST MOVING INTO THE NEIGHBORHOOD. PLEASE WELCOME KEVIN. 800 00:28:23,924 --> 00:28:25,357 INTO THE NEIGHBORHOOD. PLEASE WELCOME KEVIN. >> HEY, HEY, GANG. 801 00:28:25,359 --> 00:28:29,361 PLEASE WELCOME KEVIN. >> HEY, HEY, GANG. HI. 802 00:28:29,363 --> 00:28:33,599 >> HEY, HEY, GANG. HI. THANKS FOR HAVING ME. 803 00:28:33,601 --> 00:28:33,899 HI. THANKS FOR HAVING ME. HOLA. 804 00:28:33,901 --> 00:28:38,604 THANKS FOR HAVING ME. HOLA. AND -- YOUR THING. 805 00:28:38,606 --> 00:28:40,406 HOLA. AND -- YOUR THING. >> JUST TELL US ABOUT YOUR 806 00:28:40,408 --> 00:28:40,773 AND -- YOUR THING. >> JUST TELL US ABOUT YOUR CHILDREN. 807 00:28:40,775 --> 00:28:43,175 >> JUST TELL US ABOUT YOUR CHILDREN. >> WELL, I'VE GOT ONE DAUGHTER 808 00:28:43,177 --> 00:28:43,609 CHILDREN. >> WELL, I'VE GOT ONE DAUGHTER AND ONE SON. 809 00:28:43,611 --> 00:28:44,343 >> WELL, I'VE GOT ONE DAUGHTER AND ONE SON. >> OH, I'M SO SORRY ABOUT THE 810 00:28:44,345 --> 00:28:46,178 AND ONE SON. >> OH, I'M SO SORRY ABOUT THE BOY. 811 00:28:46,180 --> 00:28:49,815 >> OH, I'M SO SORRY ABOUT THE BOY. >> WELL, ACTUALLY, I LOVE MY 812 00:28:49,817 --> 00:28:50,082 BOY. >> WELL, ACTUALLY, I LOVE MY SON. 813 00:28:50,084 --> 00:28:51,216 >> WELL, ACTUALLY, I LOVE MY SON. HE'S MY BEST FRIEND. 814 00:28:51,218 --> 00:28:51,784 SON. HE'S MY BEST FRIEND. >> FRIEND? 815 00:28:51,786 --> 00:28:54,052 HE'S MY BEST FRIEND. >> FRIEND? HOW CAN A SON BE A FRIEND? 816 00:28:54,054 --> 00:28:54,486 >> FRIEND? HOW CAN A SON BE A FRIEND? NO, NO. 817 00:28:54,488 --> 00:28:57,289 HOW CAN A SON BE A FRIEND? NO, NO. YOUR SON IS A PIECE OF PROPERTY. 818 00:28:57,291 --> 00:29:00,526 NO, NO. YOUR SON IS A PIECE OF PROPERTY. ARE YOU FRIENDS WITH THE 819 00:29:00,528 --> 00:29:01,059 YOUR SON IS A PIECE OF PROPERTY. ARE YOU FRIENDS WITH THE MAILBOX? 820 00:29:01,061 --> 00:29:02,694 ARE YOU FRIENDS WITH THE MAILBOX? >> AND WHAT DOES YOUR SON DO FOR 821 00:29:02,696 --> 00:29:03,662 MAILBOX? >> AND WHAT DOES YOUR SON DO FOR A JOB? 822 00:29:03,664 --> 00:29:05,831 >> AND WHAT DOES YOUR SON DO FOR A JOB? >> WELL, LITTLE FLEX. 823 00:29:05,833 --> 00:29:08,867 A JOB? >> WELL, LITTLE FLEX. HE JUST STARTED DOING A THING 824 00:29:08,869 --> 00:29:09,802 >> WELL, LITTLE FLEX. HE JUST STARTED DOING A THING CALLED PAR CORE. 825 00:29:09,804 --> 00:29:12,671 HE JUST STARTED DOING A THING CALLED PAR CORE. >> OH, HE PARK CARS LIKE A 826 00:29:12,673 --> 00:29:13,172 CALLED PAR CORE. >> OH, HE PARK CARS LIKE A VALET. 827 00:29:13,174 --> 00:29:13,772 >> OH, HE PARK CARS LIKE A VALET. THAT'S GOOD. 828 00:29:13,774 --> 00:29:14,673 VALET. THAT'S GOOD. THAT'S A GOOD JOB. 829 00:29:14,675 --> 00:29:15,808 THAT'S GOOD. THAT'S A GOOD JOB. >> OH, NO. 830 00:29:15,810 --> 00:29:16,875 THAT'S A GOOD JOB. >> OH, NO. IT'S PAR CORE. 831 00:29:16,877 --> 00:29:18,977 >> OH, NO. IT'S PAR CORE. HE GOES OUT IN THE STREET AND 832 00:29:18,979 --> 00:29:21,046 IT'S PAR CORE. HE GOES OUT IN THE STREET AND LIKE TUMBLES OVER STUFF. 833 00:29:21,048 --> 00:29:24,082 HE GOES OUT IN THE STREET AND LIKE TUMBLES OVER STUFF. >> AND HE GETS PAID FOR THIS? 834 00:29:24,084 --> 00:29:26,084 LIKE TUMBLES OVER STUFF. >> AND HE GETS PAID FOR THIS? >> WELL, IN A WAY, NO. 835 00:29:26,086 --> 00:29:27,352 >> AND HE GETS PAID FOR THIS? >> WELL, IN A WAY, NO. BUT IT'S VERY IMPRESSIVE. 836 00:29:27,354 --> 00:29:28,821 >> WELL, IN A WAY, NO. BUT IT'S VERY IMPRESSIVE. YOU GOT TO SEE IT. 837 00:29:28,823 --> 00:29:31,323 BUT IT'S VERY IMPRESSIVE. YOU GOT TO SEE IT. CONNOR, COME OUT AND SHOW THEM 838 00:29:31,325 --> 00:29:32,691 YOU GOT TO SEE IT. CONNOR, COME OUT AND SHOW THEM YOUR PAR CORE. 839 00:29:32,693 --> 00:29:33,125 CONNOR, COME OUT AND SHOW THEM YOUR PAR CORE. UH-OH, UH-OH. 840 00:29:33,127 --> 00:29:37,563 YOUR PAR CORE. UH-OH, UH-OH. THERE HE GOES. 841 00:29:37,565 --> 00:29:37,830 UH-OH, UH-OH. THERE HE GOES. WOW! 842 00:29:37,832 --> 00:29:38,597 THERE HE GOES. WOW! GREAT JOB, SON. 843 00:29:38,599 --> 00:29:40,833 WOW! GREAT JOB, SON. >> THANKS, DAD. 844 00:29:40,835 --> 00:29:46,138 GREAT JOB, SON. >> THANKS, DAD. >> AHH! 845 00:29:46,140 --> 00:29:50,609 >> THANKS, DAD. >> AHH! >> OH, MY GOD! 846 00:29:50,611 --> 00:29:53,011 >> AHH! >> OH, MY GOD! MY FRIEND HAVING SEX WITH HIS 847 00:29:53,013 --> 00:29:53,278 >> OH, MY GOD! MY FRIEND HAVING SEX WITH HIS SON! 848 00:29:53,280 --> 00:29:55,314 MY FRIEND HAVING SEX WITH HIS SON! >> NO, THAT'S NOT SEX. 849 00:29:55,316 --> 00:29:57,549 SON! >> NO, THAT'S NOT SEX. IT'S JUST HOW WE SHOW AFFECTION. 850 00:29:57,551 --> 00:30:00,953 >> NO, THAT'S NOT SEX. IT'S JUST HOW WE SHOW AFFECTION. WE'VE DONE IT SINCE HE WAS A 851 00:30:00,955 --> 00:30:01,253 IT'S JUST HOW WE SHOW AFFECTION. WE'VE DONE IT SINCE HE WAS A BABY. 852 00:30:01,255 --> 00:30:02,855 WE'VE DONE IT SINCE HE WAS A BABY. >> HE'S HAD SEX WITH HIM SINCE 853 00:30:02,857 --> 00:30:03,755 BABY. >> HE'S HAD SEX WITH HIM SINCE HE WAS A BABY. 854 00:30:03,757 --> 00:30:04,590 >> HE'S HAD SEX WITH HIM SINCE HE WAS A BABY. >> IT'S NOT SEX. 855 00:30:04,592 --> 00:30:07,526 HE WAS A BABY. >> IT'S NOT SEX. >> LOOKS LIKE SEX. 856 00:30:07,528 --> 00:30:08,026 >> IT'S NOT SEX. >> LOOKS LIKE SEX. >> IT'S NOT SEX. 857 00:30:08,028 --> 00:30:09,528 >> LOOKS LIKE SEX. >> IT'S NOT SEX. >> IT LOOKY LIKE SEX. 858 00:30:09,530 --> 00:30:11,530 >> IT'S NOT SEX. >> IT LOOKY LIKE SEX. >> IT'S NOT. 859 00:30:11,532 --> 00:30:13,098 >> IT LOOKY LIKE SEX. >> IT'S NOT. IT DON'T LOOKY LIKE SEX. 860 00:30:13,100 --> 00:30:15,534 >> IT'S NOT. IT DON'T LOOKY LIKE SEX. CONNOR, LET'S GET OUT OF HERE. 861 00:30:15,536 --> 00:30:17,102 IT DON'T LOOKY LIKE SEX. CONNOR, LET'S GET OUT OF HERE. THESE GUYS DON'T GET IT. 862 00:30:17,104 --> 00:30:17,436 CONNOR, LET'S GET OUT OF HERE. THESE GUYS DON'T GET IT. COME ON. 863 00:30:17,438 --> 00:30:21,440 THESE GUYS DON'T GET IT. COME ON. GIDDY UP. 864 00:30:21,442 --> 00:30:23,108 COME ON. GIDDY UP. >> WELL, THAT IS ALL THE TIME 865 00:30:23,110 --> 00:30:25,143 GIDDY UP. >> WELL, THAT IS ALL THE TIME THAT WE ARE HAVING FOR IMMIGRANT 866 00:30:25,145 --> 00:30:25,511 >> WELL, THAT IS ALL THE TIME THAT WE ARE HAVING FOR IMMIGRANT DAD TALK. 867 00:30:25,513 --> 00:30:27,846 THAT WE ARE HAVING FOR IMMIGRANT DAD TALK. >> AND UNTIL THE NEXT TIME, 868 00:30:27,848 --> 00:30:28,647 DAD TALK. >> AND UNTIL THE NEXT TIME, ALWAYS REMEMBER -- 869 00:30:28,649 --> 00:30:34,353 >> AND UNTIL THE NEXT TIME, ALWAYS REMEMBER -- >> HIT 'EM WITH THE BELT! 870 00:31:02,782 --> 00:31:10,722 >>> AND THAT'S HALF TIME WITH VALLEY HIGH LEADING HILLSIDE BY 30 POINTS. 871 00:31:10,724 --> 00:31:11,156 VALLEY HIGH LEADING HILLSIDE BY 30 POINTS. >> ALL RIGHT. 872 00:31:11,158 --> 00:31:13,492 30 POINTS. >> ALL RIGHT. Y'ALL SEE THE SCORE? 873 00:31:13,494 --> 00:31:15,027 >> ALL RIGHT. Y'ALL SEE THE SCORE? WE'RE PLAYING LIKE SOME PUNKS 874 00:31:15,029 --> 00:31:15,861 Y'ALL SEE THE SCORE? WE'RE PLAYING LIKE SOME PUNKS OUT THERE. 875 00:31:15,863 --> 00:31:19,131 WE'RE PLAYING LIKE SOME PUNKS OUT THERE. AS YOUR COACH, I'VE GIVEN YOU 876 00:31:19,133 --> 00:31:20,265 OUT THERE. AS YOUR COACH, I'VE GIVEN YOU SPEECH AFTER SPEECH, BUT CLEARLY 877 00:31:20,267 --> 00:31:21,366 AS YOUR COACH, I'VE GIVEN YOU SPEECH AFTER SPEECH, BUT CLEARLY SOMETHING ISN'T GETTING THROUGH. 878 00:31:21,368 --> 00:31:23,535 SPEECH AFTER SPEECH, BUT CLEARLY SOMETHING ISN'T GETTING THROUGH. SO MAYBE YOU NEED TO HEAR FROM 879 00:31:23,537 --> 00:31:24,736 SOMETHING ISN'T GETTING THROUGH. SO MAYBE YOU NEED TO HEAR FROM ONE OF YOUR OWN. 880 00:31:24,738 --> 00:31:25,103 SO MAYBE YOU NEED TO HEAR FROM ONE OF YOUR OWN. CAPTAIN. 881 00:31:25,105 --> 00:31:27,973 ONE OF YOUR OWN. CAPTAIN. >> YEAH, COACH. 882 00:31:27,975 --> 00:31:29,508 CAPTAIN. >> YEAH, COACH. GUYS, WE SHOULD BE UP BY 20 883 00:31:29,510 --> 00:31:31,176 >> YEAH, COACH. GUYS, WE SHOULD BE UP BY 20 POINTS RIGHT NOW, BUT WE'RE 884 00:31:31,178 --> 00:31:34,446 GUYS, WE SHOULD BE UP BY 20 POINTS RIGHT NOW, BUT WE'RE GETTING OUR ASSES KICKED BECAUSE 885 00:31:34,448 --> 00:31:41,553 POINTS RIGHT NOW, BUT WE'RE GETTING OUR ASSES KICKED BECAUSE WE'RE NOT FOCUSED ON THE 886 00:31:41,555 --> 00:31:41,987 GETTING OUR ASSES KICKED BECAUSE WE'RE NOT FOCUSED ON THE FUNDAMENTALS. 887 00:31:41,989 --> 00:31:42,587 WE'RE NOT FOCUSED ON THE FUNDAMENTALS. >> FUNDAMENTALS. 888 00:31:42,589 --> 00:31:45,023 FUNDAMENTALS. >> FUNDAMENTALS. >> WE LOST TO CANYON HIGH LAST 889 00:31:45,025 --> 00:31:45,324 >> FUNDAMENTALS. >> WE LOST TO CANYON HIGH LAST WEEK. 890 00:31:45,326 --> 00:31:46,992 >> WE LOST TO CANYON HIGH LAST WEEK. MILLER'S OUT WITH AN ANKLE 891 00:31:46,994 --> 00:31:48,894 WEEK. MILLER'S OUT WITH AN ANKLE SPRAIN, AND ON TUESDAY, COACH 892 00:31:48,896 --> 00:31:50,095 MILLER'S OUT WITH AN ANKLE SPRAIN, AND ON TUESDAY, COACH ACCIDENTALLY SENT THAT WEIRD 893 00:31:50,097 --> 00:31:51,830 SPRAIN, AND ON TUESDAY, COACH ACCIDENTALLY SENT THAT WEIRD PICTURE OF HIMSELF TO THE TEAM 894 00:31:51,832 --> 00:31:53,799 ACCIDENTALLY SENT THAT WEIRD PICTURE OF HIMSELF TO THE TEAM GROUP CHAT INSTEAD OF HIS WIFE. 895 00:31:53,801 --> 00:31:55,634 PICTURE OF HIMSELF TO THE TEAM GROUP CHAT INSTEAD OF HIS WIFE. BUT WE GOT TO MOVE PAST THAT. 896 00:31:55,636 --> 00:31:58,837 GROUP CHAT INSTEAD OF HIS WIFE. BUT WE GOT TO MOVE PAST THAT. >> IT'S IN THE PAST, GENTLEMEN. 897 00:31:58,839 --> 00:32:00,572 BUT WE GOT TO MOVE PAST THAT. >> IT'S IN THE PAST, GENTLEMEN. >> I MEAN, LOOK, DID I WANT TO 898 00:32:00,574 --> 00:32:02,874 >> IT'S IN THE PAST, GENTLEMEN. >> I MEAN, LOOK, DID I WANT TO SEE COACH WEARING ONLY A FUR 899 00:32:02,876 --> 00:32:05,210 >> I MEAN, LOOK, DID I WANT TO SEE COACH WEARING ONLY A FUR THONG AND CAT EARS ON ALL FOURS 900 00:32:05,212 --> 00:32:08,113 SEE COACH WEARING ONLY A FUR THONG AND CAT EARS ON ALL FOURS LICKING MILK OUT OF A BOWL? 901 00:32:08,115 --> 00:32:08,714 THONG AND CAT EARS ON ALL FOURS LICKING MILK OUT OF A BOWL? NO. 902 00:32:08,716 --> 00:32:11,350 LICKING MILK OUT OF A BOWL? NO. BUT THAT'S NO EXCUSE TO NOT PLAY 903 00:32:11,352 --> 00:32:12,317 NO. BUT THAT'S NO EXCUSE TO NOT PLAY MY ASS OFF TONIGHT. 904 00:32:12,319 --> 00:32:13,618 BUT THAT'S NO EXCUSE TO NOT PLAY MY ASS OFF TONIGHT. >> NO EXCUSE! 905 00:32:13,620 --> 00:32:17,422 MY ASS OFF TONIGHT. >> NO EXCUSE! >> AND, YEAH, DID IT SUCK THAT 906 00:32:17,424 --> 00:32:21,293 >> NO EXCUSE! >> AND, YEAH, DID IT SUCK THAT COACH DIDN'T REALIZE WHAT HE HAD 907 00:32:21,295 --> 00:32:23,295 >> AND, YEAH, DID IT SUCK THAT COACH DIDN'T REALIZE WHAT HE HAD DONE AND SENT EVEN MORE PICTURES 908 00:32:23,297 --> 00:32:24,296 COACH DIDN'T REALIZE WHAT HE HAD DONE AND SENT EVEN MORE PICTURES TO THE GROUP? 909 00:32:24,298 --> 00:32:25,430 DONE AND SENT EVEN MORE PICTURES TO THE GROUP? YES, IT SUCKED. 910 00:32:25,432 --> 00:32:28,166 TO THE GROUP? YES, IT SUCKED. BUT WE CAN'T BE THINKING ABOUT 911 00:32:28,168 --> 00:32:28,633 YES, IT SUCKED. BUT WE CAN'T BE THINKING ABOUT THAT RIGHT NOW. 912 00:32:28,635 --> 00:32:29,768 BUT WE CAN'T BE THINKING ABOUT THAT RIGHT NOW. >> IT'S JUST SOMETHING MY WIFE 913 00:32:29,770 --> 00:32:30,802 THAT RIGHT NOW. >> IT'S JUST SOMETHING MY WIFE AND I DO, GENTLEMEN. 914 00:32:30,804 --> 00:32:35,674 >> IT'S JUST SOMETHING MY WIFE AND I DO, GENTLEMEN. WE GOT TO MOVE ON FROM THAT. 915 00:32:35,676 --> 00:32:37,142 AND I DO, GENTLEMEN. WE GOT TO MOVE ON FROM THAT. STOP THINKING ABOUT MY PICS. 916 00:32:37,144 --> 00:32:37,909 WE GOT TO MOVE ON FROM THAT. STOP THINKING ABOUT MY PICS. >> I'M NOT THINKING ABOUT YOUR 917 00:32:37,911 --> 00:32:38,610 STOP THINKING ABOUT MY PICS. >> I'M NOT THINKING ABOUT YOUR PICS, COACH. 918 00:32:38,612 --> 00:32:42,014 >> I'M NOT THINKING ABOUT YOUR PICS, COACH. I'M THINKING ABOUT THE VIDEO OF 919 00:32:42,016 --> 00:32:44,983 PICS, COACH. I'M THINKING ABOUT THE VIDEO OF YOU GOING TO THE BATHROOM IN THE 920 00:32:44,985 --> 00:32:45,417 I'M THINKING ABOUT THE VIDEO OF YOU GOING TO THE BATHROOM IN THE LITTER BOX. 921 00:32:45,419 --> 00:32:45,817 YOU GOING TO THE BATHROOM IN THE LITTER BOX. >> ME TOO. 922 00:32:45,819 --> 00:32:47,519 LITTER BOX. >> ME TOO. >> IT DOESN'T MATTER WHY COACH'S 923 00:32:47,521 --> 00:32:50,455 >> ME TOO. >> IT DOESN'T MATTER WHY COACH'S WIFE GETS TURNED ON BY THAT, ALL 924 00:32:50,457 --> 00:32:50,822 >> IT DOESN'T MATTER WHY COACH'S WIFE GETS TURNED ON BY THAT, ALL RIGHT? 925 00:32:50,824 --> 00:32:52,591 WIFE GETS TURNED ON BY THAT, ALL RIGHT? SHE LIKES SEEING HIM GO TO THE 926 00:32:52,593 --> 00:32:54,126 RIGHT? SHE LIKES SEEING HIM GO TO THE BATHROOM IN A LITTER BOX. 927 00:32:54,128 --> 00:32:54,526 SHE LIKES SEEING HIM GO TO THE BATHROOM IN A LITTER BOX. THAT'S IT. 928 00:32:54,528 --> 00:32:56,928 BATHROOM IN A LITTER BOX. THAT'S IT. >> 26 YEARS OF MARRIAGE, FELLAS. 929 00:32:56,930 --> 00:32:59,097 THAT'S IT. >> 26 YEARS OF MARRIAGE, FELLAS. YOU NEED TO MIX IT UP SOMETIMES. 930 00:32:59,099 --> 00:33:00,298 >> 26 YEARS OF MARRIAGE, FELLAS. YOU NEED TO MIX IT UP SOMETIMES. >> CAN I SAY SOMETHING? 931 00:33:00,300 --> 00:33:02,534 YOU NEED TO MIX IT UP SOMETIMES. >> CAN I SAY SOMETHING? I'M SORRY I POSTED COACH'S VIDEO 932 00:33:02,536 --> 00:33:03,268 >> CAN I SAY SOMETHING? I'M SORRY I POSTED COACH'S VIDEO ON TIKTOK. 933 00:33:03,270 --> 00:33:04,069 I'M SORRY I POSTED COACH'S VIDEO ON TIKTOK. I THOUGHT IT WAS AI. 934 00:33:04,071 --> 00:33:06,204 ON TIKTOK. I THOUGHT IT WAS AI. >> WE KNOW THAT, RODRIGUES. 935 00:33:06,206 --> 00:33:08,173 I THOUGHT IT WAS AI. >> WE KNOW THAT, RODRIGUES. THE POINT IS NONE OF US HAVE AN 936 00:33:08,175 --> 00:33:10,008 >> WE KNOW THAT, RODRIGUES. THE POINT IS NONE OF US HAVE AN EXCUSE TO BE PLAYING THIS BAD 937 00:33:10,010 --> 00:33:10,742 THE POINT IS NONE OF US HAVE AN EXCUSE TO BE PLAYING THIS BAD EXCEPT FOR CHRIS BECAUSE COACH 938 00:33:10,744 --> 00:33:17,716 EXCUSE TO BE PLAYING THIS BAD EXCEPT FOR CHRIS BECAUSE COACH IS HIS DAD. 939 00:33:17,718 --> 00:33:20,552 EXCEPT FOR CHRIS BECAUSE COACH IS HIS DAD. >> DON'T YOU WORRY ABOUT MY BOY. 940 00:33:20,554 --> 00:33:21,286 IS HIS DAD. >> DON'T YOU WORRY ABOUT MY BOY. HE'S GOING TO TURN IT ON IN THE 941 00:33:21,288 --> 00:33:24,923 >> DON'T YOU WORRY ABOUT MY BOY. HE'S GOING TO TURN IT ON IN THE SECOND HALF. 942 00:33:24,925 --> 00:33:26,658 HE'S GOING TO TURN IT ON IN THE SECOND HALF. >> SIR, I WANT TO FOCUS. 943 00:33:26,660 --> 00:33:29,528 SECOND HALF. >> SIR, I WANT TO FOCUS. BUT IT'S KIND OF HARD WHEN THE 944 00:33:29,530 --> 00:33:30,796 >> SIR, I WANT TO FOCUS. BUT IT'S KIND OF HARD WHEN THE OTHER TEAM'S FANS KEEP LIKE 945 00:33:30,798 --> 00:33:32,097 BUT IT'S KIND OF HARD WHEN THE OTHER TEAM'S FANS KEEP LIKE SHINING LASER POINTERS ON THE 946 00:33:32,099 --> 00:33:34,132 OTHER TEAM'S FANS KEEP LIKE SHINING LASER POINTERS ON THE FLOOR TRYING TO GET COACH TO 947 00:33:34,134 --> 00:33:34,566 SHINING LASER POINTERS ON THE FLOOR TRYING TO GET COACH TO CHASE THEM. 948 00:33:34,568 --> 00:33:38,403 FLOOR TRYING TO GET COACH TO CHASE THEM. >> WHICH I WON'T. 949 00:33:38,405 --> 00:33:40,839 CHASE THEM. >> WHICH I WON'T. >> SORRY, A PACKAGE HERE FOR 950 00:33:40,841 --> 00:33:41,306 >> WHICH I WON'T. >> SORRY, A PACKAGE HERE FOR COACH WILLIAMS. 951 00:33:41,308 --> 00:33:42,674 >> SORRY, A PACKAGE HERE FOR COACH WILLIAMS. >> MAN, THIS BETTER NOT BE 952 00:33:42,676 --> 00:33:47,012 COACH WILLIAMS. >> MAN, THIS BETTER NOT BE ANOTHER ONE OF THEM -- IT IS. 953 00:33:47,014 --> 00:33:49,948 >> MAN, THIS BETTER NOT BE ANOTHER ONE OF THEM -- IT IS. KITTY LITTER. 954 00:33:49,950 --> 00:33:51,383 ANOTHER ONE OF THEM -- IT IS. KITTY LITTER. Y'ALL SEE THIS? 955 00:33:51,385 --> 00:33:53,785 KITTY LITTER. Y'ALL SEE THIS? THIS IS THE OTHER TEAM TRYING TO 956 00:33:53,787 --> 00:33:56,521 Y'ALL SEE THIS? THIS IS THE OTHER TEAM TRYING TO GET INTO OUR HEADS, AND IT 957 00:33:56,523 --> 00:33:57,756 THIS IS THE OTHER TEAM TRYING TO GET INTO OUR HEADS, AND IT WASN'T FUNNY THE FIRST TEN 958 00:33:57,758 --> 00:33:58,056 GET INTO OUR HEADS, AND IT WASN'T FUNNY THE FIRST TEN TIMES. 959 00:33:58,058 --> 00:34:03,595 WASN'T FUNNY THE FIRST TEN TIMES. IT'S NOT FUNNY NOW. 960 00:34:03,597 --> 00:34:04,463 TIMES. IT'S NOT FUNNY NOW. >> LOOK, WE CAN STILL WIN THIS, 961 00:34:04,465 --> 00:34:04,863 IT'S NOT FUNNY NOW. >> LOOK, WE CAN STILL WIN THIS, ALL RIGHT? 962 00:34:04,865 --> 00:34:07,866 >> LOOK, WE CAN STILL WIN THIS, ALL RIGHT? BUT WE GOT TO PLAY BETTER 963 00:34:07,868 --> 00:34:08,266 ALL RIGHT? BUT WE GOT TO PLAY BETTER DEFENSE. 964 00:34:08,268 --> 00:34:10,068 BUT WE GOT TO PLAY BETTER DEFENSE. SO WHOEVER YOU'RE COVERING, BE 965 00:34:10,070 --> 00:34:10,702 DEFENSE. SO WHOEVER YOU'RE COVERING, BE ON THEM. 966 00:34:10,704 --> 00:34:13,105 SO WHOEVER YOU'RE COVERING, BE ON THEM. WHEREVER THEY GO, JUST FOLLOW 967 00:34:13,107 --> 00:34:13,605 ON THEM. WHEREVER THEY GO, JUST FOLLOW THEM. 968 00:34:13,607 --> 00:34:15,640 WHEREVER THEY GO, JUST FOLLOW THEM. JUST LIKE HOW WHEREVER THE COACH 969 00:34:15,642 --> 00:34:18,777 THEM. JUST LIKE HOW WHEREVER THE COACH GOES, THE STATE APPOINTED SOCIAL 970 00:34:18,779 --> 00:34:19,211 JUST LIKE HOW WHEREVER THE COACH GOES, THE STATE APPOINTED SOCIAL WORKER GOES. 971 00:34:19,213 --> 00:34:20,245 GOES, THE STATE APPOINTED SOCIAL WORKER GOES. >> DON'T MIND ME. 972 00:34:20,247 --> 00:34:21,980 WORKER GOES. >> DON'T MIND ME. JUST MAKING SURE EVERYBODY FEELS 973 00:34:21,982 --> 00:34:22,280 >> DON'T MIND ME. JUST MAKING SURE EVERYBODY FEELS SAFE. 974 00:34:22,282 --> 00:34:23,882 JUST MAKING SURE EVERYBODY FEELS SAFE. >> GUYS, WHAT IS COACH FAMOUS 975 00:34:23,884 --> 00:34:25,117 SAFE. >> GUYS, WHAT IS COACH FAMOUS FOR SAYING? 976 00:34:25,119 --> 00:34:26,852 >> GUYS, WHAT IS COACH FAMOUS FOR SAYING? >> THIS NAUGHTY KITTY CRAVES 977 00:34:26,854 --> 00:34:29,020 FOR SAYING? >> THIS NAUGHTY KITTY CRAVES DISCIPLINE. 978 00:34:29,022 --> 00:34:32,524 >> THIS NAUGHTY KITTY CRAVES DISCIPLINE. >> NO, NOT FROM THE CAT VIDEOS. 979 00:34:32,526 --> 00:34:35,293 DISCIPLINE. >> NO, NOT FROM THE CAT VIDEOS. FROM WHAT HE SAYS IN PRACTICE. 980 00:34:35,295 --> 00:34:37,996 >> NO, NOT FROM THE CAT VIDEOS. FROM WHAT HE SAYS IN PRACTICE. >> OH, PLAY THE GAME, NOT THE 981 00:34:37,998 --> 00:34:38,296 FROM WHAT HE SAYS IN PRACTICE. >> OH, PLAY THE GAME, NOT THE SCORE. 982 00:34:38,298 --> 00:34:39,598 >> OH, PLAY THE GAME, NOT THE SCORE. >> EXACTLY. 983 00:34:39,600 --> 00:34:42,734 SCORE. >> EXACTLY. SO WHEN WE GO OUT THERE FOR THE 984 00:34:42,736 --> 00:34:43,502 >> EXACTLY. SO WHEN WE GO OUT THERE FOR THE SECOND HALF, LET'S SHOW UP JUST 985 00:34:43,504 --> 00:34:45,237 SO WHEN WE GO OUT THERE FOR THE SECOND HALF, LET'S SHOW UP JUST LIKE COACH SHOWED UP FOR US 986 00:34:45,239 --> 00:34:46,204 SECOND HALF, LET'S SHOW UP JUST LIKE COACH SHOWED UP FOR US TODAY EVEN THOUGH ALL OF OUR 987 00:34:46,206 --> 00:34:48,273 LIKE COACH SHOWED UP FOR US TODAY EVEN THOUGH ALL OF OUR PARENTS ASKED HIM NOT TO. 988 00:34:48,275 --> 00:34:51,309 TODAY EVEN THOUGH ALL OF OUR PARENTS ASKED HIM NOT TO. >> THANK YOU, NATE. 989 00:34:51,311 --> 00:34:53,044 PARENTS ASKED HIM NOT TO. >> THANK YOU, NATE. YOU KNOW, GENTLEMEN, I'M GOING 990 00:34:53,046 --> 00:34:55,113 >> THANK YOU, NATE. YOU KNOW, GENTLEMEN, I'M GOING TO BE REAL WITH YOU. 991 00:34:55,115 --> 00:34:58,250 YOU KNOW, GENTLEMEN, I'M GOING TO BE REAL WITH YOU. WHEN I REALIZED WHAT I HAD DONE, 992 00:34:58,252 --> 00:34:59,818 TO BE REAL WITH YOU. WHEN I REALIZED WHAT I HAD DONE, I CONSIDERED GETTING INTO MY CAR 993 00:34:59,820 --> 00:35:02,420 WHEN I REALIZED WHAT I HAD DONE, I CONSIDERED GETTING INTO MY CAR AND DRIVING OFF TO START A NEW 994 00:35:02,422 --> 00:35:04,055 I CONSIDERED GETTING INTO MY CAR AND DRIVING OFF TO START A NEW LIFE SOMEWHERE ELSE, BUT I 995 00:35:04,057 --> 00:35:04,656 AND DRIVING OFF TO START A NEW LIFE SOMEWHERE ELSE, BUT I COULDN'T LEAVE MY TEAM. 996 00:35:04,658 --> 00:35:06,591 LIFE SOMEWHERE ELSE, BUT I COULDN'T LEAVE MY TEAM. COULDN'T LEAVE MY SON. 997 00:35:06,593 --> 00:35:07,926 COULDN'T LEAVE MY TEAM. COULDN'T LEAVE MY SON. AND I KNOW THAT ONE DAY, HE'S 998 00:35:07,928 --> 00:35:10,795 COULDN'T LEAVE MY SON. AND I KNOW THAT ONE DAY, HE'S GOING TO EVENTUALLY TALK AGAIN. 999 00:35:10,797 --> 00:35:13,031 AND I KNOW THAT ONE DAY, HE'S GOING TO EVENTUALLY TALK AGAIN. AND WHEN HE DOES, THE FIRST 1000 00:35:13,033 --> 00:35:14,699 GOING TO EVENTUALLY TALK AGAIN. AND WHEN HE DOES, THE FIRST WORDS OUT OF HIS MOUTH ARE NOT 1001 00:35:14,701 --> 00:35:16,668 AND WHEN HE DOES, THE FIRST WORDS OUT OF HIS MOUTH ARE NOT GOING TO BE, DAD, I WANT TO GO 1002 00:35:16,670 --> 00:35:18,603 WORDS OUT OF HIS MOUTH ARE NOT GOING TO BE, DAD, I WANT TO GO LIVE WITH GRANDMA AND GRANDPA. 1003 00:35:18,605 --> 00:35:21,139 GOING TO BE, DAD, I WANT TO GO LIVE WITH GRANDMA AND GRANDPA. THEY'RE GOING TO BE, DAD, WE'RE 1004 00:35:21,141 --> 00:35:22,574 LIVE WITH GRANDMA AND GRANDPA. THEY'RE GOING TO BE, DAD, WE'RE STATE CHAMPIONS. 1005 00:35:22,576 --> 00:35:23,808 THEY'RE GOING TO BE, DAD, WE'RE STATE CHAMPIONS. NOW LET'S GET OUT THERE AND GET 1006 00:35:23,810 --> 00:35:25,277 STATE CHAMPIONS. NOW LET'S GET OUT THERE AND GET THIS WIN AND MAKE SOME 1007 00:35:25,279 --> 00:35:25,644 NOW LET'S GET OUT THERE AND GET THIS WIN AND MAKE SOME HEADLINES. 1008 00:35:25,646 --> 00:35:33,351 THIS WIN AND MAKE SOME HEADLINES. >> YEAH! 1009 00:35:33,353 --> 00:35:36,021 HEADLINES. >> YEAH! >>> YOU'RE GOING TO BE LATE FOR 1010 00:35:36,023 --> 00:35:36,621 >> YEAH! >>> YOU'RE GOING TO BE LATE FOR SCHOOL. 1011 00:35:36,623 --> 00:35:39,224 >>> YOU'RE GOING TO BE LATE FOR SCHOOL. YOU KNOW, FASTING FOR RAMADAN 1012 00:35:39,226 --> 00:35:40,492 SCHOOL. YOU KNOW, FASTING FOR RAMADAN USED TO BE EASY, BUT THE LAST 1013 00:35:40,494 --> 00:35:41,860 YOU KNOW, FASTING FOR RAMADAN USED TO BE EASY, BUT THE LAST FEW YEARS WITH WORK AND A 1014 00:35:41,862 --> 00:35:44,596 USED TO BE EASY, BUT THE LAST FEW YEARS WITH WORK AND A GROWING FAMILY, IT'S FELT ALMOST 1015 00:35:44,598 --> 00:35:46,364 FEW YEARS WITH WORK AND A GROWING FAMILY, IT'S FELT ALMOST IMPOSSIBLE. 1016 00:35:46,366 --> 00:35:46,831 GROWING FAMILY, IT'S FELT ALMOST IMPOSSIBLE. BUT NOT ANYMORE. 1017 00:35:46,833 --> 00:35:51,636 IMPOSSIBLE. BUT NOT ANYMORE. THANKS TO OZEMPIC FOR RAMADAN. 1018 00:35:51,638 --> 00:35:54,105 BUT NOT ANYMORE. THANKS TO OZEMPIC FOR RAMADAN. >> OZEMPIC IS A MEDICATION 1019 00:35:54,107 --> 00:35:56,541 THANKS TO OZEMPIC FOR RAMADAN. >> OZEMPIC IS A MEDICATION PRESCRIBED TO SUPPRESS HUNGER 1020 00:35:56,543 --> 00:35:58,577 >> OZEMPIC IS A MEDICATION PRESCRIBED TO SUPPRESS HUNGER AND SLOW DIGESTION, AND RAMADAN 1021 00:35:58,579 --> 00:36:00,946 PRESCRIBED TO SUPPRESS HUNGER AND SLOW DIGESTION, AND RAMADAN IS A MONTH WHERE MUSLIMS SUSTAIN 1022 00:36:00,948 --> 00:36:02,781 AND SLOW DIGESTION, AND RAMADAN IS A MONTH WHERE MUSLIMS SUSTAIN FROM FOOD AND WATER FROM SUNRISE 1023 00:36:02,783 --> 00:36:03,348 IS A MONTH WHERE MUSLIMS SUSTAIN FROM FOOD AND WATER FROM SUNRISE TO SUNSET. 1024 00:36:03,350 --> 00:36:05,717 FROM FOOD AND WATER FROM SUNRISE TO SUNSET. >> I USED TO RUSH TO EAT A WHOLE 1025 00:36:05,719 --> 00:36:06,818 TO SUNSET. >> I USED TO RUSH TO EAT A WHOLE MEAL BEFORE DAWN. 1026 00:36:06,820 --> 00:36:09,554 >> I USED TO RUSH TO EAT A WHOLE MEAL BEFORE DAWN. NOW I JUST GRAB MY PRAYER BEADS 1027 00:36:09,556 --> 00:36:11,389 MEAL BEFORE DAWN. NOW I JUST GRAB MY PRAYER BEADS AND OZEMPIC NEEDLES. 1028 00:36:11,391 --> 00:36:13,525 NOW I JUST GRAB MY PRAYER BEADS AND OZEMPIC NEEDLES. AS LONG AS I SHOOT UP BEFORE THE 1029 00:36:13,527 --> 00:36:15,961 AND OZEMPIC NEEDLES. AS LONG AS I SHOOT UP BEFORE THE SUN RISES, IT'S ALL GOOD. 1030 00:36:15,963 --> 00:36:18,096 AS LONG AS I SHOOT UP BEFORE THE SUN RISES, IT'S ALL GOOD. >> SINCE MY GR DOCTOR PRESCRIBED 1031 00:36:18,098 --> 00:36:20,298 SUN RISES, IT'S ALL GOOD. >> SINCE MY GR DOCTOR PRESCRIBED OZEMPIC FOR RAMADAN, I'VE NEVER 1032 00:36:20,300 --> 00:36:21,600 >> SINCE MY GR DOCTOR PRESCRIBED OZEMPIC FOR RAMADAN, I'VE NEVER GOTTEN MORE WORK DONE. 1033 00:36:21,602 --> 00:36:24,569 OZEMPIC FOR RAMADAN, I'VE NEVER GOTTEN MORE WORK DONE. WHILE MY COWORKERS ARE AT LUNCH, 1034 00:36:24,571 --> 00:36:26,705 GOTTEN MORE WORK DONE. WHILE MY COWORKERS ARE AT LUNCH, I'M ON GOOGLE SHEETS GOING HAM. 1035 00:36:26,707 --> 00:36:28,907 WHILE MY COWORKERS ARE AT LUNCH, I'M ON GOOGLE SHEETS GOING HAM. >> RUNNING MY FOOD CART DURING 1036 00:36:28,909 --> 00:36:31,309 I'M ON GOOGLE SHEETS GOING HAM. >> RUNNING MY FOOD CART DURING RAMADAN IS REALLY HARD, SMELLING 1037 00:36:31,311 --> 00:36:34,679 >> RUNNING MY FOOD CART DURING RAMADAN IS REALLY HARD, SMELLING ALL MY DELICIOUS MEATS AND 48 1038 00:36:34,681 --> 00:36:36,481 RAMADAN IS REALLY HARD, SMELLING ALL MY DELICIOUS MEATS AND 48 HOUR MARINADES ON MY BUTTER 1039 00:36:36,483 --> 00:36:39,050 ALL MY DELICIOUS MEATS AND 48 HOUR MARINADES ON MY BUTTER GRILL -- WITH OZEMPIC FOR 1040 00:36:39,052 --> 00:36:41,186 HOUR MARINADES ON MY BUTTER GRILL -- WITH OZEMPIC FOR RAMADAN, NOW I DON'T EVEN GET 1041 00:36:41,188 --> 00:36:44,122 GRILL -- WITH OZEMPIC FOR RAMADAN, NOW I DON'T EVEN GET HANGRY WHEN WHITE WOMEN ASK IF I 1042 00:36:44,124 --> 00:36:44,556 RAMADAN, NOW I DON'T EVEN GET HANGRY WHEN WHITE WOMEN ASK IF I HAVE SALMON. 1043 00:36:44,558 --> 00:36:47,792 HANGRY WHEN WHITE WOMEN ASK IF I HAVE SALMON. >> SIDE EFFECTS MAY INCLUDE 1044 00:36:47,794 --> 00:36:50,895 HAVE SALMON. >> SIDE EFFECTS MAY INCLUDE NAUSEA, HEADACHE, AND GOING 1045 00:36:50,897 --> 00:36:51,429 >> SIDE EFFECTS MAY INCLUDE NAUSEA, HEADACHE, AND GOING STRAIGHT TO HELL. 1046 00:36:51,431 --> 00:36:53,865 NAUSEA, HEADACHE, AND GOING STRAIGHT TO HELL. >> I'VE ALWAYS LOVED THE SOUND 1047 00:36:53,867 --> 00:36:56,568 STRAIGHT TO HELL. >> I'VE ALWAYS LOVED THE SOUND OF CAB DRIVERS YELLING ON THEIR 1048 00:36:56,570 --> 00:36:58,903 >> I'VE ALWAYS LOVED THE SOUND OF CAB DRIVERS YELLING ON THEIR PHONE IN ISLAMIC, AND IT MADE ME 1049 00:36:58,905 --> 00:36:59,704 OF CAB DRIVERS YELLING ON THEIR PHONE IN ISLAMIC, AND IT MADE ME WANT TO CONVERT. 1050 00:36:59,706 --> 00:37:02,707 PHONE IN ISLAMIC, AND IT MADE ME WANT TO CONVERT. THE ONLY THING HOLDING ME BACK 1051 00:37:02,709 --> 00:37:03,141 WANT TO CONVERT. THE ONLY THING HOLDING ME BACK WAS FASTING. 1052 00:37:03,143 --> 00:37:04,909 THE ONLY THING HOLDING ME BACK WAS FASTING. BUT NOW I CAN WALK INTO THE 1053 00:37:04,911 --> 00:37:07,078 WAS FASTING. BUT NOW I CAN WALK INTO THE MOSQUE WITH A FULL HEART AND A 1054 00:37:07,080 --> 00:37:08,313 BUT NOW I CAN WALK INTO THE MOSQUE WITH A FULL HEART AND A 27-INCH WAIST. 1055 00:37:08,315 --> 00:37:08,580 MOSQUE WITH A FULL HEART AND A 27-INCH WAIST. BAM! 1056 00:37:08,582 --> 00:37:11,449 27-INCH WAIST. BAM! >> OZEMPIC FOR RAMADAN HAS ALL 1057 00:37:11,451 --> 00:37:14,586 BAM! >> OZEMPIC FOR RAMADAN HAS ALL THE MIRACULOUS HUNGER-CRUSHING 1058 00:37:14,588 --> 00:37:16,488 >> OZEMPIC FOR RAMADAN HAS ALL THE MIRACULOUS HUNGER-CRUSHING INGREDIENTS THAT REGULAR OZEMPIC 1059 00:37:16,490 --> 00:37:17,622 THE MIRACULOUS HUNGER-CRUSHING INGREDIENTS THAT REGULAR OZEMPIC HAS WITHOUT ANY PORK. 1060 00:37:17,624 --> 00:37:19,891 INGREDIENTS THAT REGULAR OZEMPIC HAS WITHOUT ANY PORK. >> WHEN IT'S FINALLY TIME TO 1061 00:37:19,893 --> 00:37:21,726 HAS WITHOUT ANY PORK. >> WHEN IT'S FINALLY TIME TO EAT, I'M NOT EVEN HUNGRY. 1062 00:37:21,728 --> 00:37:23,361 >> WHEN IT'S FINALLY TIME TO EAT, I'M NOT EVEN HUNGRY. I THINK I'M GOING TO FAST THE 1063 00:37:23,363 --> 00:37:24,396 EAT, I'M NOT EVEN HUNGRY. I THINK I'M GOING TO FAST THE WHOLE MONTH STRAIGHT. 1064 00:37:24,398 --> 00:37:26,331 I THINK I'M GOING TO FAST THE WHOLE MONTH STRAIGHT. PROBABLY GET EXTRA AWARDS FROM 1065 00:37:26,333 --> 00:37:26,631 WHOLE MONTH STRAIGHT. PROBABLY GET EXTRA AWARDS FROM GOD. 1066 00:37:26,633 --> 00:37:29,100 PROBABLY GET EXTRA AWARDS FROM GOD. >> AND FOR THOSE OF YOU CLAIMING 1067 00:37:29,102 --> 00:37:30,669 GOD. >> AND FOR THOSE OF YOU CLAIMING THIS IS THE EXACT PRODUCT 1068 00:37:30,671 --> 00:37:33,638 >> AND FOR THOSE OF YOU CLAIMING THIS IS THE EXACT PRODUCT REBRANDED FOR A NEW MUSLIM 1069 00:37:33,640 --> 00:37:35,974 THIS IS THE EXACT PRODUCT REBRANDED FOR A NEW MUSLIM DEMOGRAPHIC, THAT'S 1070 00:37:35,976 --> 00:37:36,408 REBRANDED FOR A NEW MUSLIM DEMOGRAPHIC, THAT'S ISLAMAPHOBIC. 1071 00:37:36,410 --> 00:37:38,009 DEMOGRAPHIC, THAT'S ISLAMAPHOBIC. >> OZEMPIC FOR RAMADAN. 1072 00:37:38,011 --> 00:37:46,501 ISLAMAPHOBIC. >> OZEMPIC FOR RAMADAN. YEAH, IT'S JUST OZEMPI 1073 00:38:00,916 --> 00:38:05,653 >>> LADIES AND GENTLEMEN, TRAVIS SCOTT. [ CHEERS AND APPLAUSE ] 1074 00:38:05,655 --> 00:38:09,457 SCOTT. [ CHEERS AND APPLAUSE ] ♪♪ 1075 00:38:09,459 --> 00:38:18,666 [ CHEERS AND APPLAUSE ] ♪♪ ♪♪ 1076 00:38:18,668 --> 00:38:22,037 ♪♪ ♪♪ ♪ YEAH, YEAH ♪ 1077 00:38:22,039 --> 00:38:24,105 ♪♪ ♪ YEAH, YEAH ♪ ♪ ONE THOUSAND ON MY FEET 1078 00:38:24,107 --> 00:38:26,274 ♪ YEAH, YEAH ♪ ♪ ONE THOUSAND ON MY FEET STACKS SPREADED ON MY SEAT 1079 00:38:26,276 --> 00:38:29,544 ♪ ONE THOUSAND ON MY FEET STACKS SPREADED ON MY SEAT TEN THOUSAND ON MY EYES 1080 00:38:29,546 --> 00:38:31,179 STACKS SPREADED ON MY SEAT TEN THOUSAND ON MY EYES ROLLIE POLLIE ON MY WRIST ♪ 1081 00:38:31,181 --> 00:38:31,780 TEN THOUSAND ON MY EYES ROLLIE POLLIE ON MY WRIST ♪ ♪ GOTTA MAKE A FLIGHT 1082 00:38:31,782 --> 00:38:32,781 ROLLIE POLLIE ON MY WRIST ♪ ♪ GOTTA MAKE A FLIGHT BIG DAY 1083 00:38:32,783 --> 00:38:34,449 ♪ GOTTA MAKE A FLIGHT BIG DAY SLUMMIN' ON FACETIME 1084 00:38:34,451 --> 00:38:35,517 BIG DAY SLUMMIN' ON FACETIME FIFTY K, WONDERIN' WHY I'M ♪ 1085 00:38:35,519 --> 00:38:37,652 SLUMMIN' ON FACETIME FIFTY K, WONDERIN' WHY I'M ♪ ♪ STORMIN' OFF, NO RACE 1086 00:38:37,654 --> 00:38:39,254 FIFTY K, WONDERIN' WHY I'M ♪ ♪ STORMIN' OFF, NO RACE EMBOLDENED BY THE BLISS 1087 00:38:39,256 --> 00:38:40,922 ♪ STORMIN' OFF, NO RACE EMBOLDENED BY THE BLISS I WAS SWORN IN BY A KISS 1088 00:38:40,924 --> 00:38:41,456 EMBOLDENED BY THE BLISS I WAS SWORN IN BY A KISS LATE FROM THE ♪ 1089 00:38:41,458 --> 00:38:42,490 I WAS SWORN IN BY A KISS LATE FROM THE ♪ ♪ COUNTRY CATERS 1090 00:38:42,492 --> 00:38:43,591 LATE FROM THE ♪ ♪ COUNTRY CATERS NO PEACEMAKER 1091 00:38:43,593 --> 00:38:45,226 ♪ COUNTRY CATERS NO PEACEMAKER I SWEEP UP CASES 1092 00:38:45,228 --> 00:38:46,294 NO PEACEMAKER I SWEEP UP CASES GOIN' ON A WALK WITH ♪ 1093 00:38:46,296 --> 00:38:47,896 I SWEEP UP CASES GOIN' ON A WALK WITH ♪ ♪ A NEW SUIT ARMOR 1094 00:38:47,898 --> 00:38:50,598 GOIN' ON A WALK WITH ♪ ♪ A NEW SUIT ARMOR NEW SUIT DEAD, BOTTEGA 1095 00:38:50,600 --> 00:38:51,132 ♪ A NEW SUIT ARMOR NEW SUIT DEAD, BOTTEGA THAT'S ON IT 1096 00:38:51,134 --> 00:38:52,200 NEW SUIT DEAD, BOTTEGA THAT'S ON IT HUMIDITY FROM THE SLEEP ♪ 1097 00:38:52,202 --> 00:38:52,767 THAT'S ON IT HUMIDITY FROM THE SLEEP ♪ ♪ THEN I HARM HER 1098 00:38:52,769 --> 00:38:53,301 HUMIDITY FROM THE SLEEP ♪ ♪ THEN I HARM HER CUPID CREEP IN 1099 00:38:53,303 --> 00:38:53,835 ♪ THEN I HARM HER CUPID CREEP IN SLEEP WITH A 1100 00:38:53,837 --> 00:38:54,936 CUPID CREEP IN SLEEP WITH A THREE TIME TO ♪ 1101 00:38:54,938 --> 00:38:56,004 SLEEP WITH A THREE TIME TO ♪ ♪ GET ME T-T-T'D 1102 00:38:56,006 --> 00:38:58,139 THREE TIME TO ♪ ♪ GET ME T-T-T'D STILL SAME PHONE, AT&T-T 1103 00:38:58,141 --> 00:38:58,673 ♪ GET ME T-T-T'D STILL SAME PHONE, AT&T-T STILL GIVIN' NEWS 1104 00:38:58,675 --> 00:38:59,774 STILL SAME PHONE, AT&T-T STILL GIVIN' NEWS VERY VIVIDLY ♪ 1105 00:38:59,776 --> 00:39:01,342 STILL GIVIN' NEWS VERY VIVIDLY ♪ ♪ BEEF IN THERE, -- A BEEF 1106 00:39:01,344 --> 00:39:02,977 VERY VIVIDLY ♪ ♪ BEEF IN THERE, -- A BEEF SMOKIN' ON SOME VICIOUS 1107 00:39:02,979 --> 00:39:04,045 ♪ BEEF IN THERE, -- A BEEF SMOKIN' ON SOME VICIOUS TYPE OF REEFER 1108 00:39:04,047 --> 00:39:05,680 SMOKIN' ON SOME VICIOUS TYPE OF REEFER I NEED NO BEEF, NO CHEESE ♪ 1109 00:39:05,682 --> 00:39:06,714 TYPE OF REEFER I NEED NO BEEF, NO CHEESE ♪ ♪ YEAH EVEN WHEN I EAT 1110 00:39:06,716 --> 00:39:07,816 I NEED NO BEEF, NO CHEESE ♪ ♪ YEAH EVEN WHEN I EAT THEY CHEAT YEAH 1111 00:39:07,818 --> 00:39:13,254 ♪ YEAH EVEN WHEN I EAT THEY CHEAT YEAH EVERY TIME WE MEET, NAIVE 1112 00:39:13,256 --> 00:39:24,566 THEY CHEAT YEAH EVERY TIME WE MEET, NAIVE YEAH, YEAH, OH ♪ 1113 00:39:24,568 --> 00:39:25,600 EVERY TIME WE MEET, NAIVE YEAH, YEAH, OH ♪ YEAH, YEAH, OH ♪ 1114 00:39:25,602 --> 00:39:26,167 YEAH, YEAH, OH ♪ YEAH, YEAH, OH ♪ ♪♪ 1115 00:39:26,169 --> 00:39:28,303 YEAH, YEAH, OH ♪ ♪♪ ♪ ONE THOUSAND ON MY FEET 1116 00:39:28,305 --> 00:39:30,472 ♪♪ ♪ ONE THOUSAND ON MY FEET STACKS SPREADED ON MY SEAT 1117 00:39:30,474 --> 00:39:43,918 ♪ ONE THOUSAND ON MY FEET STACKS SPREADED ON MY SEAT TEN THOUSAND ON MY EYES 1118 00:39:43,920 --> 00:39:51,993 STACKS SPREADED ON MY SEAT TEN THOUSAND ON MY EYES YEAH, YEAH, YEAH, YEAH ♪ 1119 00:39:51,995 --> 00:39:52,527 TEN THOUSAND ON MY EYES YEAH, YEAH, YEAH, YEAH ♪ ♪ LOOK IN MY EYES 1120 00:39:52,529 --> 00:39:53,595 YEAH, YEAH, YEAH, YEAH ♪ ♪ LOOK IN MY EYES TELL ME A TALE 1121 00:39:53,597 --> 00:39:54,129 ♪ LOOK IN MY EYES TELL ME A TALE DO YOU SEE THE ROAD 1122 00:39:54,131 --> 00:39:55,196 TELL ME A TALE DO YOU SEE THE ROAD THE MAP TO MY SOUL ♪ 1123 00:39:55,198 --> 00:39:56,264 DO YOU SEE THE ROAD THE MAP TO MY SOUL ♪ ♪ LOOK, TELL ME THE SIGNS 1124 00:39:56,266 --> 00:39:56,865 THE MAP TO MY SOUL ♪ ♪ LOOK, TELL ME THE SIGNS WHENEVER THE SMOKE CLEAR 1125 00:39:56,867 --> 00:39:57,365 ♪ LOOK, TELL ME THE SIGNS WHENEVER THE SMOKE CLEAR OUT OF MY FACE 1126 00:39:57,367 --> 00:39:58,433 WHENEVER THE SMOKE CLEAR OUT OF MY FACE AM I PICTURE-PERFECT ♪ 1127 00:39:58,435 --> 00:39:59,534 OUT OF MY FACE AM I PICTURE-PERFECT ♪ ♪ OR DO I LOOK FRIED 1128 00:39:59,536 --> 00:40:00,068 AM I PICTURE-PERFECT ♪ ♪ OR DO I LOOK FRIED ALL OF THAT GREEN 1129 00:40:00,070 --> 00:40:00,702 ♪ OR DO I LOOK FRIED ALL OF THAT GREEN AND YELLOW, THAT DRIP FROM 1130 00:40:00,704 --> 00:40:01,669 ALL OF THAT GREEN AND YELLOW, THAT DRIP FROM YOUR EYES IS TELLIN' ♪ 1131 00:40:01,671 --> 00:40:02,203 AND YELLOW, THAT DRIP FROM YOUR EYES IS TELLIN' ♪ ♪ TELL YOU DEMISE 1132 00:40:02,205 --> 00:40:03,371 YOUR EYES IS TELLIN' ♪ ♪ TELL YOU DEMISE I WENT TO MY SIDE 1133 00:40:03,373 --> 00:40:03,972 ♪ TELL YOU DEMISE I WENT TO MY SIDE TO PUSH BACK THE CEILIN' 1134 00:40:03,974 --> 00:40:05,006 I WENT TO MY SIDE TO PUSH BACK THE CEILIN' AND PUSH BACK THE FEELINGS ♪ 1135 00:40:05,008 --> 00:40:05,540 TO PUSH BACK THE CEILIN' AND PUSH BACK THE FEELINGS ♪ ♪ I HAD TO DECIDE 1136 00:40:05,542 --> 00:40:06,608 AND PUSH BACK THE FEELINGS ♪ ♪ I HAD TO DECIDE I REPLAY THEM NIGHTS 1137 00:40:06,610 --> 00:40:07,142 ♪ I HAD TO DECIDE I REPLAY THEM NIGHTS AND RIGHT BY MY SIDE 1138 00:40:07,144 --> 00:40:08,209 I REPLAY THEM NIGHTS AND RIGHT BY MY SIDE ALL I SEE IS A SEA OF ♪ 1139 00:40:08,211 --> 00:40:09,310 AND RIGHT BY MY SIDE ALL I SEE IS A SEA OF ♪ ♪ PEOPLE THAT RIDE WIT' ME 1140 00:40:09,312 --> 00:40:09,878 ALL I SEE IS A SEA OF ♪ ♪ PEOPLE THAT RIDE WIT' ME IF THEY JUST KNEW WHAT 1141 00:40:09,880 --> 00:40:10,945 ♪ PEOPLE THAT RIDE WIT' ME IF THEY JUST KNEW WHAT SCOTTY WOULD DO TO JUMP 1142 00:40:10,947 --> 00:40:12,046 IF THEY JUST KNEW WHAT SCOTTY WOULD DO TO JUMP OFF THE STAGE AND ♪ 1143 00:40:12,048 --> 00:40:12,614 SCOTTY WOULD DO TO JUMP OFF THE STAGE AND ♪ ♪ SAVE HIM A CHILD 1144 00:40:12,616 --> 00:40:13,681 OFF THE STAGE AND ♪ ♪ SAVE HIM A CHILD THE THINGS I CREATED 1145 00:40:13,683 --> 00:40:14,282 ♪ SAVE HIM A CHILD THE THINGS I CREATED BECAME THE MOST WEIGHTED 1146 00:40:14,284 --> 00:40:15,884 THE THINGS I CREATED BECAME THE MOST WEIGHTED I GOTTA FIND BALANCE ♪ 1147 00:40:15,886 --> 00:40:16,951 BECAME THE MOST WEIGHTED I GOTTA FIND BALANCE ♪ ♪ AND KEEP ME INSPIRED 1148 00:40:16,953 --> 00:40:17,485 I GOTTA FIND BALANCE ♪ ♪ AND KEEP ME INSPIRED YEAH, YEAH, YEAH 1149 00:40:17,487 --> 00:40:19,654 ♪ AND KEEP ME INSPIRED YEAH, YEAH, YEAH THAT -- WILD 1150 00:40:19,656 --> 00:40:20,255 YEAH, YEAH, YEAH THAT -- WILD INSTEAD I'M A HERO ♪ 1151 00:40:20,257 --> 00:40:21,289 THAT -- WILD INSTEAD I'M A HERO ♪ ♪ I TOOK IT FROM ZERO 1152 00:40:21,291 --> 00:40:21,789 INSTEAD I'M A HERO ♪ ♪ I TOOK IT FROM ZERO LAFLAME USAIN 1153 00:40:21,791 --> 00:40:22,857 ♪ I TOOK IT FROM ZERO LAFLAME USAIN I RUN IT FROM MILES 1154 00:40:22,859 --> 00:40:23,458 LAFLAME USAIN I RUN IT FROM MILES THIS -- WASN'T LUCK ♪ 1155 00:40:23,460 --> 00:40:24,025 I RUN IT FROM MILES THIS -- WASN'T LUCK ♪ ♪ THEY GOT ME -- UP 1156 00:40:24,027 --> 00:40:25,059 THIS -- WASN'T LUCK ♪ ♪ THEY GOT ME -- UP I PUT YOU ON BUS AND 1157 00:40:25,061 --> 00:40:25,627 ♪ THEY GOT ME -- UP I PUT YOU ON BUS AND TAKE YOU AROUND 1158 00:40:25,629 --> 00:40:26,694 I PUT YOU ON BUS AND TAKE YOU AROUND A COUPLE OF GUYS INSIDE ♪ 1159 00:40:26,696 --> 00:40:27,228 TAKE YOU AROUND A COUPLE OF GUYS INSIDE ♪ ♪ OF THE SCHOOL 1160 00:40:27,230 --> 00:40:28,329 A COUPLE OF GUYS INSIDE ♪ ♪ OF THE SCHOOL I GAVE 'EM THE TOOLS 1161 00:40:28,331 --> 00:40:28,863 ♪ OF THE SCHOOL I GAVE 'EM THE TOOLS TO GET IT OFF GROUND 1162 00:40:28,865 --> 00:40:29,964 I GAVE 'EM THE TOOLS TO GET IT OFF GROUND THEY SAY THEY THE ONES ♪ 1163 00:40:29,966 --> 00:40:30,665 TO GET IT OFF GROUND THEY SAY THEY THE ONES ♪ ♪ WHEN THEY MAKE THE ERRORS 1164 00:40:30,667 --> 00:40:31,566 THEY SAY THEY THE ONES ♪ ♪ WHEN THEY MAKE THE ERRORS CAN'T LOOK IN THE MIRROR 1165 00:40:31,568 --> 00:40:32,133 ♪ WHEN THEY MAKE THE ERRORS CAN'T LOOK IN THE MIRROR THAT -- WILD 1166 00:40:32,135 --> 00:40:32,734 CAN'T LOOK IN THE MIRROR THAT -- WILD STAND ON THE STAGE ♪ 1167 00:40:32,736 --> 00:40:33,334 THAT -- WILD STAND ON THE STAGE ♪ ♪ I GIVE 'EM THE RAGE 1168 00:40:33,336 --> 00:40:34,269 STAND ON THE STAGE ♪ ♪ I GIVE 'EM THE RAGE NO TURNIN' IT DOWN 1169 00:40:34,271 --> 00:40:35,937 ♪ I GIVE 'EM THE RAGE NO TURNIN' IT DOWN CAN'T TAME IT 1170 00:40:35,939 --> 00:40:36,471 NO TURNIN' IT DOWN CAN'T TAME IT CAN'T FOLLOW IT ♪ 1171 00:40:36,473 --> 00:40:37,105 CAN'T TAME IT CAN'T FOLLOW IT ♪ ♪ WE DO IT FOR STREETS 1172 00:40:37,107 --> 00:40:37,605 CAN'T FOLLOW IT ♪ ♪ WE DO IT FOR STREETS WE DO IT FOR KEEPS 1173 00:40:37,607 --> 00:40:38,139 ♪ WE DO IT FOR STREETS WE DO IT FOR KEEPS WE DO IT FOR RIGHTS 1174 00:40:38,141 --> 00:40:39,174 WE DO IT FOR KEEPS WE DO IT FOR RIGHTS GOT 52 WEEKS ♪ 1175 00:40:39,176 --> 00:40:39,908 WE DO IT FOR RIGHTS GOT 52 WEEKS ♪ ♪ THIS -- AIN'T FOR PLEASURE 1176 00:40:39,910 --> 00:40:40,842 GOT 52 WEEKS ♪ ♪ THIS -- AIN'T FOR PLEASURE I'M COMIN' TO TWEAK 1177 00:40:40,844 --> 00:40:41,342 ♪ THIS -- AIN'T FOR PLEASURE I'M COMIN' TO TWEAK THIS -- IS FOREVER 1178 00:40:41,344 --> 00:40:41,876 I'M COMIN' TO TWEAK THIS -- IS FOREVER AND INFINITY ♪ 1179 00:40:41,878 --> 00:40:42,610 THIS -- IS FOREVER AND INFINITY ♪ ♪ NUMBER EIGHT YEAH WE WRITE 1180 00:40:42,612 --> 00:40:43,178 AND INFINITY ♪ ♪ NUMBER EIGHT YEAH WE WRITE IT AND WRAP IT AROUND 1181 00:40:43,180 --> 00:40:44,045 ♪ NUMBER EIGHT YEAH WE WRITE IT AND WRAP IT AROUND I TAKE ME BEAT AND 1182 00:40:44,047 --> 00:40:44,612 IT AND WRAP IT AROUND I TAKE ME BEAT AND I TURN TO A BEAST ♪ 1183 00:40:44,614 --> 00:40:45,647 I TAKE ME BEAT AND I TURN TO A BEAST ♪ ♪ BOUGHT THE CRIB ON A HILL 1184 00:40:45,649 --> 00:40:46,247 I TURN TO A BEAST ♪ ♪ BOUGHT THE CRIB ON A HILL MADE IT HARDER TO REACH 1185 00:40:46,249 --> 00:40:47,282 ♪ BOUGHT THE CRIB ON A HILL MADE IT HARDER TO REACH BOUGHT A COUPLE MORE WHIPS 1186 00:40:47,284 --> 00:40:48,349 MADE IT HARDER TO REACH BOUGHT A COUPLE MORE WHIPS YEAH BOUGHT A COUPLE MORE ♪ 1187 00:40:48,351 --> 00:40:48,883 BOUGHT A COUPLE MORE WHIPS YEAH BOUGHT A COUPLE MORE ♪ ♪ WATCHES YEAH 1188 00:40:48,885 --> 00:40:51,052 YEAH BOUGHT A COUPLE MORE ♪ ♪ WATCHES YEAH DIDN'T BUY THE CONDO YEAH 1189 00:40:51,054 --> 00:40:52,687 ♪ WATCHES YEAH DIDN'T BUY THE CONDO YEAH MADE A CAST OF MY YEAH 1190 00:40:52,689 --> 00:40:53,755 DIDN'T BUY THE CONDO YEAH MADE A CAST OF MY YEAH BOUGHT A COUPLE MORE ♪ 1191 00:40:53,757 --> 00:40:55,390 MADE A CAST OF MY YEAH BOUGHT A COUPLE MORE ♪ ♪ IF I GAVE YOU A DAY IN MY 1192 00:40:55,392 --> 00:40:56,457 BOUGHT A COUPLE MORE ♪ ♪ IF I GAVE YOU A DAY IN MY LIFE OR A DAY IN MY EYES 1193 00:40:56,459 --> 00:41:01,329 ♪ IF I GAVE YOU A DAY IN MY LIFE OR A DAY IN MY EYES DON'T BLINK ♪ 1194 00:41:01,331 --> 00:41:08,403 LIFE OR A DAY IN MY EYES DON'T BLINK ♪ ♪ YEAH, YEAH, OH, OH, OH 1195 00:41:08,405 --> 00:41:13,074 DON'T BLINK ♪ ♪ YEAH, YEAH, OH, OH, OH YEAH, YEAH ♪ 1196 00:41:13,076 --> 00:41:26,888 ♪ YEAH, YEAH, OH, OH, OH YEAH, YEAH ♪ [ CHEERS AND APPLAUSE ] 1197 00:41:38,567 --> 00:41:45,940 >> Announcer: IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 1198 00:41:45,942 --> 00:41:50,878 UPDATE" WITH COLIN JOST AND MICHAEL CHE. [ CHEERS AND APPLAUSE ] 1199 00:41:50,880 --> 00:41:51,713 MICHAEL CHE. [ CHEERS AND APPLAUSE ] >>> THANK YOU. 1200 00:41:51,715 --> 00:41:53,414 [ CHEERS AND APPLAUSE ] >>> THANK YOU. GOOD EVENING, EVERYONE. 1201 00:41:53,416 --> 00:41:55,049 >>> THANK YOU. GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." 1202 00:41:55,051 --> 00:41:55,550 GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. 1203 00:41:55,552 --> 00:42:00,688 >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. >> I'M COLIN JOST. 1204 00:42:00,690 --> 00:42:03,424 I'M MICHAEL CHE. >> I'M COLIN JOST. WELL, FOUR PRESIDENTS VISITED 1205 00:42:03,426 --> 00:42:04,325 >> I'M COLIN JOST. WELL, FOUR PRESIDENTS VISITED NEW YORK CITY AT THE SAME TIME 1206 00:42:04,327 --> 00:42:05,293 WELL, FOUR PRESIDENTS VISITED NEW YORK CITY AT THE SAME TIME ON THURSDAY. 1207 00:42:05,295 --> 00:42:07,395 NEW YORK CITY AT THE SAME TIME ON THURSDAY. THREE TO DO A JOINT FUND RAISER 1208 00:42:07,397 --> 00:42:08,429 ON THURSDAY. THREE TO DO A JOINT FUND RAISER AT RADIO CITY, AND ONE SELLING 1209 00:42:08,431 --> 00:42:12,033 THREE TO DO A JOINT FUND RAISER AT RADIO CITY, AND ONE SELLING BIBLES DOOR TO DOOR. 1210 00:42:12,035 --> 00:42:14,669 AT RADIO CITY, AND ONE SELLING BIBLES DOOR TO DOOR. DONALD TRUMP HAS PARTNERED WITH 1211 00:42:14,671 --> 00:42:16,638 BIBLES DOOR TO DOOR. DONALD TRUMP HAS PARTNERED WITH COUNTRY MUSIC STAR LEE GREENWOOD 1212 00:42:16,640 --> 00:42:19,874 DONALD TRUMP HAS PARTNERED WITH COUNTRY MUSIC STAR LEE GREENWOOD TO SELL A $60 EDITION OF THE 1213 00:42:19,876 --> 00:42:21,909 COUNTRY MUSIC STAR LEE GREENWOOD TO SELL A $60 EDITION OF THE BIBLE THAT ALSO INCLUDES THE 1214 00:42:21,911 --> 00:42:24,545 TO SELL A $60 EDITION OF THE BIBLE THAT ALSO INCLUDES THE CONSTITUTION, THE LYRICS TO 1215 00:42:24,547 --> 00:42:26,648 BIBLE THAT ALSO INCLUDES THE CONSTITUTION, THE LYRICS TO GREENWOOD'S GOD BLESS THE USA 1216 00:42:26,650 --> 00:42:28,216 CONSTITUTION, THE LYRICS TO GREENWOOD'S GOD BLESS THE USA AND I ASSUME GOD'S LETTER OF 1217 00:42:28,218 --> 00:42:30,418 GREENWOOD'S GOD BLESS THE USA AND I ASSUME GOD'S LETTER OF RESIGNATION. 1218 00:42:30,420 --> 00:42:32,687 AND I ASSUME GOD'S LETTER OF RESIGNATION. THIS BIBLE IS MOSTLY THE SAME, 1219 00:42:32,689 --> 00:42:35,923 RESIGNATION. THIS BIBLE IS MOSTLY THE SAME, BUT TRUMP'S VERSION ENDS WITH 1220 00:42:35,925 --> 00:42:39,227 THIS BIBLE IS MOSTLY THE SAME, BUT TRUMP'S VERSION ENDS WITH JESUS' DISCIPLES STORMING 1221 00:42:39,229 --> 00:42:42,130 BUT TRUMP'S VERSION ENDS WITH JESUS' DISCIPLES STORMING JERUSALEM TO OVERTURN THE 1222 00:42:42,132 --> 00:42:45,967 JESUS' DISCIPLES STORMING JERUSALEM TO OVERTURN THE RESULTS OF THE CRUCIFIXION. 1223 00:42:45,969 --> 00:42:47,735 JERUSALEM TO OVERTURN THE RESULTS OF THE CRUCIFIXION. TRUMP ALSO POSTED THIS VIDEO 1224 00:42:47,737 --> 00:42:50,371 RESULTS OF THE CRUCIFIXION. TRUMP ALSO POSTED THIS VIDEO URGING HIS FOLLOWERS TO BUY IT. 1225 00:42:50,373 --> 00:42:51,906 TRUMP ALSO POSTED THIS VIDEO URGING HIS FOLLOWERS TO BUY IT. >> ALL AMERICANS NEED A BIBLE IN 1226 00:42:51,908 --> 00:42:55,910 URGING HIS FOLLOWERS TO BUY IT. >> ALL AMERICANS NEED A BIBLE IN THEIR HOME, AND I HAVE MANY. 1227 00:42:55,912 --> 00:42:59,347 >> ALL AMERICANS NEED A BIBLE IN THEIR HOME, AND I HAVE MANY. >> MANY. 1228 00:42:59,349 --> 00:43:01,949 THEIR HOME, AND I HAVE MANY. >> MANY. I ACTUALLY BELIEVE HE HAS MANY 1229 00:43:01,951 --> 00:43:02,283 >> MANY. I ACTUALLY BELIEVE HE HAS MANY BIBLES. 1230 00:43:02,285 --> 00:43:03,718 I ACTUALLY BELIEVE HE HAS MANY BIBLES. I'M SURE HE'S BEEN SENT 1231 00:43:03,720 --> 00:43:05,119 BIBLES. I'M SURE HE'S BEEN SENT THOUSANDS OF BIBLES WITH A NOTE 1232 00:43:05,121 --> 00:43:08,289 I'M SURE HE'S BEEN SENT THOUSANDS OF BIBLES WITH A NOTE THAT SAYS, PLEASE READ THIS. 1233 00:43:08,291 --> 00:43:10,725 THOUSANDS OF BIBLES WITH A NOTE THAT SAYS, PLEASE READ THIS. >> MORE THAN 5,000 PEOPLE 1234 00:43:10,727 --> 00:43:11,993 THAT SAYS, PLEASE READ THIS. >> MORE THAN 5,000 PEOPLE ATTENDED A DEMOCRATIC FUND 1235 00:43:11,995 --> 00:43:15,163 >> MORE THAN 5,000 PEOPLE ATTENDED A DEMOCRATIC FUND RAISER AT RADIO CITY MUSIC HALL 1236 00:43:15,165 --> 00:43:17,198 ATTENDED A DEMOCRATIC FUND RAISER AT RADIO CITY MUSIC HALL FEATURING BIG NAME CELEBRITIES 1237 00:43:17,200 --> 00:43:25,807 RAISER AT RADIO CITY MUSIC HALL FEATURING BIG NAME CELEBRITIES LIKE BARACK OBAMA, STEVEN 1238 00:43:25,809 --> 00:43:27,909 FEATURING BIG NAME CELEBRITIES LIKE BARACK OBAMA, STEVEN COLBERT, AND LIZZO. 1239 00:43:27,911 --> 00:43:30,111 LIKE BARACK OBAMA, STEVEN COLBERT, AND LIZZO. >> FRANCIS KEY SCOTT BRIDGE 1240 00:43:30,113 --> 00:43:31,979 COLBERT, AND LIZZO. >> FRANCIS KEY SCOTT BRIDGE COLLAPSED AFTER IT WAS STRUCK BY 1241 00:43:31,981 --> 00:43:33,681 >> FRANCIS KEY SCOTT BRIDGE COLLAPSED AFTER IT WAS STRUCK BY A CARGO SHIP THAT WAS 1242 00:43:33,683 --> 00:43:34,782 COLLAPSED AFTER IT WAS STRUCK BY A CARGO SHIP THAT WAS CARRYING -- YOU WON'T BELIEVE 1243 00:43:34,784 --> 00:43:36,884 A CARGO SHIP THAT WAS CARRYING -- YOU WON'T BELIEVE IT -- BOEING AIRPLANES. 1244 00:43:36,886 --> 00:43:37,952 CARRYING -- YOU WON'T BELIEVE IT -- BOEING AIRPLANES. >> PRESIDENT BIDEN SAID ON 1245 00:43:37,954 --> 00:43:39,253 IT -- BOEING AIRPLANES. >> PRESIDENT BIDEN SAID ON FRIDAY THAT HE WOULD VISIT THE 1246 00:43:39,255 --> 00:43:41,322 >> PRESIDENT BIDEN SAID ON FRIDAY THAT HE WOULD VISIT THE SITE OF THE BALTIMORE BRIDGE 1247 00:43:41,324 --> 00:43:42,557 FRIDAY THAT HE WOULD VISIT THE SITE OF THE BALTIMORE BRIDGE COLLAPSE, BECAUSE LIKE THAT 1248 00:43:42,559 --> 00:43:43,791 SITE OF THE BALTIMORE BRIDGE COLLAPSE, BECAUSE LIKE THAT BRIDGE, BIDEN IS NO LONGER 1249 00:43:43,793 --> 00:43:44,425 COLLAPSE, BECAUSE LIKE THAT BRIDGE, BIDEN IS NO LONGER CONNECTING WITH THE BLACK 1250 00:43:44,427 --> 00:43:50,331 BRIDGE, BIDEN IS NO LONGER CONNECTING WITH THE BLACK COMMUNITIES. 1251 00:43:50,333 --> 00:43:51,032 CONNECTING WITH THE BLACK COMMUNITIES. >> WOW. 1252 00:43:51,034 --> 00:43:53,634 COMMUNITIES. >> WOW. >> GOT TO READ THE POLLS, COLIN. 1253 00:43:53,636 --> 00:43:55,470 >> WOW. >> GOT TO READ THE POLLS, COLIN. >> DONALD TRUMP SHARED A VIDEO 1254 00:43:55,472 --> 00:43:57,238 >> GOT TO READ THE POLLS, COLIN. >> DONALD TRUMP SHARED A VIDEO FRIDAY OF A TRUCK DRIVING IN 1255 00:43:57,240 --> 00:43:59,006 >> DONALD TRUMP SHARED A VIDEO FRIDAY OF A TRUCK DRIVING IN LONG ISLAND WITH A PICTURE ON 1256 00:43:59,008 --> 00:44:00,441 FRIDAY OF A TRUCK DRIVING IN LONG ISLAND WITH A PICTURE ON THE BACK OF PRESIDENT BIDEN TIED 1257 00:44:00,443 --> 00:44:02,410 LONG ISLAND WITH A PICTURE ON THE BACK OF PRESIDENT BIDEN TIED UP WITH A ROPE. 1258 00:44:02,412 --> 00:44:03,344 THE BACK OF PRESIDENT BIDEN TIED UP WITH A ROPE. AND I WOULD LOVE TO KNOW WHERE 1259 00:44:03,346 --> 00:44:05,646 UP WITH A ROPE. AND I WOULD LOVE TO KNOW WHERE TO GET ONE OF THOSE BECAUSE IF 1260 00:44:05,648 --> 00:44:06,748 AND I WOULD LOVE TO KNOW WHERE TO GET ONE OF THOSE BECAUSE IF YOU HAVE THAT ON THE BACK OF 1261 00:44:06,750 --> 00:44:08,383 TO GET ONE OF THOSE BECAUSE IF YOU HAVE THAT ON THE BACK OF YOUR CAR, YOU ARE NEVER GETTING 1262 00:44:08,385 --> 00:44:09,751 YOU HAVE THAT ON THE BACK OF YOUR CAR, YOU ARE NEVER GETTING PULLED OVER BY A COP. 1263 00:44:09,753 --> 00:44:15,423 YOUR CAR, YOU ARE NEVER GETTING PULLED OVER BY A COP. >> NBC NEWS CUT TIES WITH RONNA 1264 00:44:15,425 --> 00:44:16,124 PULLED OVER BY A COP. >> NBC NEWS CUT TIES WITH RONNA McDANIEL AFTER MANY NETWORK 1265 00:44:16,126 --> 00:44:17,725 >> NBC NEWS CUT TIES WITH RONNA McDANIEL AFTER MANY NETWORK HOSTS PROTESTED HER HIRING. 1266 00:44:17,727 --> 00:44:19,394 McDANIEL AFTER MANY NETWORK HOSTS PROTESTED HER HIRING. I'M VERY DISAPPOINTED ONLY 1267 00:44:19,396 --> 00:44:21,362 HOSTS PROTESTED HER HIRING. I'M VERY DISAPPOINTED ONLY BECAUSE I THOUGHT RONNA McDANIEL 1268 00:44:21,364 --> 00:44:22,063 I'M VERY DISAPPOINTED ONLY BECAUSE I THOUGHT RONNA McDANIEL WAS A DRAG VERSION OF RONALD 1269 00:44:22,065 --> 00:44:27,034 BECAUSE I THOUGHT RONNA McDANIEL WAS A DRAG VERSION OF RONALD McDONALD. 1270 00:44:27,036 --> 00:44:29,270 WAS A DRAG VERSION OF RONALD McDONALD. >> FLORIDA GOVERNOR RON 1271 00:44:29,272 --> 00:44:30,805 McDONALD. >> FLORIDA GOVERNOR RON DeSANTIS, SEEN HERE REMEMBERING 1272 00:44:30,807 --> 00:44:33,274 >> FLORIDA GOVERNOR RON DeSANTIS, SEEN HERE REMEMBERING HIS PRESIDENTIAL CAMPAIGN, 1273 00:44:33,276 --> 00:44:35,376 DeSANTIS, SEEN HERE REMEMBERING HIS PRESIDENTIAL CAMPAIGN, SIGNED A BILL THAT WILL BAN 1274 00:44:35,378 --> 00:44:36,711 HIS PRESIDENTIAL CAMPAIGN, SIGNED A BILL THAT WILL BAN SOCIAL MEDIA ACCOUNTS FOR 1275 00:44:36,713 --> 00:44:38,012 SIGNED A BILL THAT WILL BAN SOCIAL MEDIA ACCOUNTS FOR YOUNGER TEENAGERS. 1276 00:44:38,014 --> 00:44:40,748 SOCIAL MEDIA ACCOUNTS FOR YOUNGER TEENAGERS. BUT FLORIDA'S OLDER TEENAGERS 1277 00:44:40,750 --> 00:44:42,183 YOUNGER TEENAGERS. BUT FLORIDA'S OLDER TEENAGERS CAN KEEP THEIR SOCIAL MEDIA 1278 00:44:42,185 --> 00:44:43,551 BUT FLORIDA'S OLDER TEENAGERS CAN KEEP THEIR SOCIAL MEDIA ACCOUNTS BECAUSE THEY NEED A 1279 00:44:43,553 --> 00:44:48,356 CAN KEEP THEIR SOCIAL MEDIA ACCOUNTS BECAUSE THEY NEED A PLACE TO POST THEIR SONOGRAMS. 1280 00:44:48,358 --> 00:44:51,926 ACCOUNTS BECAUSE THEY NEED A PLACE TO POST THEIR SONOGRAMS. >> LA DODGERS STAR SHOHEI OHTANI 1281 00:44:51,928 --> 00:44:53,995 PLACE TO POST THEIR SONOGRAMS. >> LA DODGERS STAR SHOHEI OHTANI WAS FORCED TO FIRE HIS 1282 00:44:53,997 --> 00:44:58,433 >> LA DODGERS STAR SHOHEI OHTANI WAS FORCED TO FIRE HIS INTERPRETER OVER A GAMBLING 1283 00:44:58,435 --> 00:44:58,833 WAS FORCED TO FIRE HIS INTERPRETER OVER A GAMBLING ALLEGATION. 1284 00:44:58,835 --> 00:45:01,335 INTERPRETER OVER A GAMBLING ALLEGATION. WHEN REACHED OUT FOR COMMENT, 1285 00:45:01,337 --> 00:45:01,969 ALLEGATION. WHEN REACHED OUT FOR COMMENT, OHTANI SAID SOMETHING IN 1286 00:45:01,971 --> 00:45:02,336 WHEN REACHED OUT FOR COMMENT, OHTANI SAID SOMETHING IN JAPANESE. 1287 00:45:02,338 --> 00:45:04,305 OHTANI SAID SOMETHING IN JAPANESE. I DON'T KNOW. 1288 00:45:04,307 --> 00:45:08,976 JAPANESE. I DON'T KNOW. NO WAY OF KNOWING WHAT HE SAID. 1289 00:45:08,978 --> 00:45:11,012 I DON'T KNOW. NO WAY OF KNOWING WHAT HE SAID. >> THE CEO OF BOEING ANNOUNCED 1290 00:45:11,014 --> 00:45:12,447 NO WAY OF KNOWING WHAT HE SAID. >> THE CEO OF BOEING ANNOUNCED HE'S STEPPING DOWN IN THE WAKE 1291 00:45:12,449 --> 00:45:14,315 >> THE CEO OF BOEING ANNOUNCED HE'S STEPPING DOWN IN THE WAKE OF THE COMPANY'S ONGOING SAFETY 1292 00:45:14,317 --> 00:45:16,317 HE'S STEPPING DOWN IN THE WAKE OF THE COMPANY'S ONGOING SAFETY ISSUES, AND ON HIS WAY OUT, HE 1293 00:45:16,319 --> 00:45:19,020 OF THE COMPANY'S ONGOING SAFETY ISSUES, AND ON HIS WAY OUT, HE HELD UP A BUNCH OF NUTS AND 1294 00:45:19,022 --> 00:45:22,757 ISSUES, AND ON HIS WAY OUT, HE HELD UP A BUNCH OF NUTS AND BOLTS AND SAID GOOD LUCK 1295 00:45:22,759 --> 00:45:23,291 HELD UP A BUNCH OF NUTS AND BOLTS AND SAID GOOD LUCK FIGURING THIS OUT. 1296 00:45:23,293 --> 00:45:24,926 BOLTS AND SAID GOOD LUCK FIGURING THIS OUT. >> VICE-PRESIDENT KAMALA HARRIS 1297 00:45:24,928 --> 00:45:27,094 FIGURING THIS OUT. >> VICE-PRESIDENT KAMALA HARRIS PRAISED BEYONCE FOR HER NEW 1298 00:45:27,096 --> 00:45:29,464 >> VICE-PRESIDENT KAMALA HARRIS PRAISED BEYONCE FOR HER NEW COUNTRY ALBUM SAYING SHE'S 1299 00:45:29,466 --> 00:45:31,466 PRAISED BEYONCE FOR HER NEW COUNTRY ALBUM SAYING SHE'S RECLAIMED COUNTRY MUSIC'S BLOCK 1300 00:45:31,468 --> 00:45:31,899 COUNTRY ALBUM SAYING SHE'S RECLAIMED COUNTRY MUSIC'S BLOCK ROOTS. 1301 00:45:31,901 --> 00:45:40,174 RECLAIMED COUNTRY MUSIC'S BLOCK ROOTS. UM, I'M SORRY, HOOTTY! 1302 00:45:40,176 --> 00:45:42,543 ROOTS. UM, I'M SORRY, HOOTTY! NO LOVE FOR HOOTIE. 1303 00:45:42,545 --> 00:45:44,579 UM, I'M SORRY, HOOTTY! NO LOVE FOR HOOTIE. >> FOLLOWING KATE MIDDLETON'S 1304 00:45:44,581 --> 00:45:47,215 NO LOVE FOR HOOTIE. >> FOLLOWING KATE MIDDLETON'S ANNOUNCEMENT LAST WEEK, MANY 1305 00:45:47,217 --> 00:45:49,383 >> FOLLOWING KATE MIDDLETON'S ANNOUNCEMENT LAST WEEK, MANY CAME UNDER FIRE FOR SPREADING 1306 00:45:49,385 --> 00:45:51,118 ANNOUNCEMENT LAST WEEK, MANY CAME UNDER FIRE FOR SPREADING CONSPIRACY THEORIES ABOUT KATE. 1307 00:45:51,120 --> 00:45:52,987 CAME UNDER FIRE FOR SPREADING CONSPIRACY THEORIES ABOUT KATE. HERE TO COMMENT IS TIKTOKER 1308 00:45:52,989 --> 00:45:53,921 CONSPIRACY THEORIES ABOUT KATE. HERE TO COMMENT IS TIKTOKER PIPER DUNSTER. 1309 00:45:53,923 --> 00:45:55,690 HERE TO COMMENT IS TIKTOKER PIPER DUNSTER. >> HI, COLIN. 1310 00:45:55,692 --> 00:45:56,390 PIPER DUNSTER. >> HI, COLIN. THANKS FOR HAVING ME. 1311 00:45:56,392 --> 00:45:57,859 >> HI, COLIN. THANKS FOR HAVING ME. >> THANKS FOR BEING HERE. 1312 00:45:57,861 --> 00:46:00,862 THANKS FOR HAVING ME. >> THANKS FOR BEING HERE. WHAT ARE YOUR THOUGHTS ON ALL 1313 00:46:00,864 --> 00:46:03,664 >> THANKS FOR BEING HERE. WHAT ARE YOUR THOUGHTS ON ALL THESE KATE THEORISTS ON SOCIAL 1314 00:46:03,666 --> 00:46:04,198 WHAT ARE YOUR THOUGHTS ON ALL THESE KATE THEORISTS ON SOCIAL MEDIA? 1315 00:46:04,200 --> 00:46:06,601 THESE KATE THEORISTS ON SOCIAL MEDIA? >> THEY'RE SO MESSED UP. 1316 00:46:06,603 --> 00:46:08,002 MEDIA? >> THEY'RE SO MESSED UP. YOU ALL SHOULD BE ASHAMED OF 1317 00:46:08,004 --> 00:46:08,402 >> THEY'RE SO MESSED UP. YOU ALL SHOULD BE ASHAMED OF YOURSELVES. 1318 00:46:08,404 --> 00:46:10,071 YOU ALL SHOULD BE ASHAMED OF YOURSELVES. YOU COULDN'T GIVE THIS WOMAN ONE 1319 00:46:10,073 --> 00:46:11,472 YOURSELVES. YOU COULDN'T GIVE THIS WOMAN ONE OUNCE OF PRIVACY? 1320 00:46:11,474 --> 00:46:17,411 YOU COULDN'T GIVE THIS WOMAN ONE OUNCE OF PRIVACY? ALSO, I'M SORRY, BUT SOME OF 1321 00:46:17,413 --> 00:46:18,112 OUNCE OF PRIVACY? ALSO, I'M SORRY, BUT SOME OF THEIR THEORIES ARE JUST DUMB. 1322 00:46:18,114 --> 00:46:20,014 ALSO, I'M SORRY, BUT SOME OF THEIR THEORIES ARE JUST DUMB. >> I ACTUALLY WATCHED A COUPLE 1323 00:46:20,016 --> 00:46:22,517 THEIR THEORIES ARE JUST DUMB. >> I ACTUALLY WATCHED A COUPLE OF YOUR TIKTOKS FROM A COUPLE OF 1324 00:46:22,519 --> 00:46:22,950 >> I ACTUALLY WATCHED A COUPLE OF YOUR TIKTOKS FROM A COUPLE OF WEEKS AGO. 1325 00:46:22,952 --> 00:46:25,152 OF YOUR TIKTOKS FROM A COUPLE OF WEEKS AGO. >> WHEN YOU REALIZE THE LETTERS 1326 00:46:25,154 --> 00:46:28,623 WEEKS AGO. >> WHEN YOU REALIZE THE LETTERS IN CADE MIDDLETON REARRANGED 1327 00:46:28,625 --> 00:46:30,558 >> WHEN YOU REALIZE THE LETTERS IN CADE MIDDLETON REARRANGED SPELL NAKED TIT MODEL. 1328 00:46:30,560 --> 00:46:34,028 IN CADE MIDDLETON REARRANGED SPELL NAKED TIT MODEL. >> UM, SO, YEAH, I BRIEFLY 1329 00:46:34,030 --> 00:46:37,565 SPELL NAKED TIT MODEL. >> UM, SO, YEAH, I BRIEFLY HOPPED ON THE BRAND WAGON, BUT 1330 00:46:37,567 --> 00:46:38,165 >> UM, SO, YEAH, I BRIEFLY HOPPED ON THE BRAND WAGON, BUT YOU HAVE TO UNDERSTAND. 1331 00:46:38,167 --> 00:46:40,201 HOPPED ON THE BRAND WAGON, BUT YOU HAVE TO UNDERSTAND. I'M A STAY AT HOME MOM WHO 1332 00:46:40,203 --> 00:46:42,537 YOU HAVE TO UNDERSTAND. I'M A STAY AT HOME MOM WHO PREFERS NOT TO THINK ABOUT HER 1333 00:46:42,539 --> 00:46:42,837 I'M A STAY AT HOME MOM WHO PREFERS NOT TO THINK ABOUT HER KIDS. 1334 00:46:42,839 --> 00:46:43,604 PREFERS NOT TO THINK ABOUT HER KIDS. THIS IS ALL I HAVE. 1335 00:46:43,606 --> 00:46:46,841 KIDS. THIS IS ALL I HAVE. BUT I SWEAR, NORMALLY, I AM VERY 1336 00:46:46,843 --> 00:46:48,910 THIS IS ALL I HAVE. BUT I SWEAR, NORMALLY, I AM VERY CAREFUL ABOUT WHAT I PEST ON 1337 00:46:48,912 --> 00:46:49,377 BUT I SWEAR, NORMALLY, I AM VERY CAREFUL ABOUT WHAT I PEST ON SOCIAL MEDIA. 1338 00:46:49,379 --> 00:46:50,912 CAREFUL ABOUT WHAT I PEST ON SOCIAL MEDIA. >> LET'S FLIP THROUGH A COUPLE 1339 00:46:50,914 --> 00:46:52,046 SOCIAL MEDIA. >> LET'S FLIP THROUGH A COUPLE OF YOUR TIKTOKS. 1340 00:46:52,048 --> 00:46:54,882 >> LET'S FLIP THROUGH A COUPLE OF YOUR TIKTOKS. THERE'S THIS ONE FROM 2022. 1341 00:46:54,884 --> 00:46:57,785 OF YOUR TIKTOKS. THERE'S THIS ONE FROM 2022. >> FINALLY, A POLITICIAN WE CAN 1342 00:46:57,787 --> 00:47:00,321 THERE'S THIS ONE FROM 2022. >> FINALLY, A POLITICIAN WE CAN BELIEVE IN. 1343 00:47:00,323 --> 00:47:01,722 >> FINALLY, A POLITICIAN WE CAN BELIEVE IN. TWO WORDS, GEORGE SANTOS. 1344 00:47:01,724 --> 00:47:02,423 BELIEVE IN. TWO WORDS, GEORGE SANTOS. >> THERE WAS THAT. 1345 00:47:02,425 --> 00:47:03,157 TWO WORDS, GEORGE SANTOS. >> THERE WAS THAT. AND THERE WAS ALSO THIS ONE FROM 1346 00:47:03,159 --> 00:47:04,859 >> THERE WAS THAT. AND THERE WAS ALSO THIS ONE FROM THE SUMMER. 1347 00:47:04,861 --> 00:47:08,129 AND THERE WAS ALSO THIS ONE FROM THE SUMMER. >> GUYS, YOU'VE GOT TO GET ON 1348 00:47:08,131 --> 00:47:13,067 THE SUMMER. >> GUYS, YOU'VE GOT TO GET ON THE WAIT LIST FOR THE TITANIC 1349 00:47:13,069 --> 00:47:13,467 >> GUYS, YOU'VE GOT TO GET ON THE WAIT LIST FOR THE TITANIC SUBMERSIBLE. 1350 00:47:13,469 --> 00:47:13,768 THE WAIT LIST FOR THE TITANIC SUBMERSIBLE. WHOO. 1351 00:47:13,770 --> 00:47:14,368 SUBMERSIBLE. WHOO. THERE'S A WAIT LIST. 1352 00:47:14,370 --> 00:47:14,802 WHOO. THERE'S A WAIT LIST. >> YEAH. 1353 00:47:14,804 --> 00:47:16,604 THERE'S A WAIT LIST. >> YEAH. THERE'S ALSO THIS ONE FROM THIS 1354 00:47:16,606 --> 00:47:16,904 >> YEAH. THERE'S ALSO THIS ONE FROM THIS WEEK. 1355 00:47:16,906 --> 00:47:19,006 THERE'S ALSO THIS ONE FROM THIS WEEK. >> MANHATTAN GIRLIES, LISTEN 1356 00:47:19,008 --> 00:47:20,575 WEEK. >> MANHATTAN GIRLIES, LISTEN HERE, LISTEN HERE, GET OUT OF 1357 00:47:20,577 --> 00:47:22,009 >> MANHATTAN GIRLIES, LISTEN HERE, LISTEN HERE, GET OUT OF YOUR APARTMENT AND GO FOR A 1358 00:47:22,011 --> 00:47:22,310 HERE, LISTEN HERE, GET OUT OF YOUR APARTMENT AND GO FOR A WALK. 1359 00:47:22,312 --> 00:47:23,444 YOUR APARTMENT AND GO FOR A WALK. I MEAN, WHAT DO YOU THINK THE 1360 00:47:23,446 --> 00:47:24,812 WALK. I MEAN, WHAT DO YOU THINK THE WORST IS GOING TO HAPPEN TO YOU? 1361 00:47:24,814 --> 00:47:31,752 I MEAN, WHAT DO YOU THINK THE WORST IS GOING TO HAPPEN TO YOU? YOU GET PUNCHED? 1362 00:47:31,754 --> 00:47:34,989 WORST IS GOING TO HAPPEN TO YOU? YOU GET PUNCHED? >> DOESN'T AGE WELL A WEEK IN. 1363 00:47:34,991 --> 00:47:37,458 YOU GET PUNCHED? >> DOESN'T AGE WELL A WEEK IN. HOW ABOUT THIS ONE FROM 2019. 1364 00:47:37,460 --> 00:47:38,326 >> DOESN'T AGE WELL A WEEK IN. HOW ABOUT THIS ONE FROM 2019. >> OKAY. 1365 00:47:38,328 --> 00:47:40,094 HOW ABOUT THIS ONE FROM 2019. >> OKAY. FOR EVERYONE ASKING IN THE 1366 00:47:40,096 --> 00:47:41,662 >> OKAY. FOR EVERYONE ASKING IN THE COMMENTS, THE SECRET TO MY 1367 00:47:41,664 --> 00:47:48,669 FOR EVERYONE ASKING IN THE COMMENTS, THE SECRET TO MY CASSEROLE, WET MARKET BAT. 1368 00:47:48,671 --> 00:47:48,970 COMMENTS, THE SECRET TO MY CASSEROLE, WET MARKET BAT. OKAY. 1369 00:47:48,972 --> 00:47:49,270 CASSEROLE, WET MARKET BAT. OKAY. OKAY. 1370 00:47:49,272 --> 00:47:52,206 OKAY. OKAY. I'LL ADMIT, MY TIKTOK TAKES ARE 1371 00:47:52,208 --> 00:47:53,307 OKAY. I'LL ADMIT, MY TIKTOK TAKES ARE A LITTLE QUESTIONABLE. 1372 00:47:53,309 --> 00:47:55,309 I'LL ADMIT, MY TIKTOK TAKES ARE A LITTLE QUESTIONABLE. BUT, HEY, LOOK ON THE BRIGHT 1373 00:47:55,311 --> 00:47:55,643 A LITTLE QUESTIONABLE. BUT, HEY, LOOK ON THE BRIGHT SIDE. 1374 00:47:55,645 --> 00:47:57,411 BUT, HEY, LOOK ON THE BRIGHT SIDE. PRETTY SOON THEY MIGHT BAN THE 1375 00:47:57,413 --> 00:47:59,413 SIDE. PRETTY SOON THEY MIGHT BAN THE APP, AND THEN ALL MY FLOP 1376 00:47:59,415 --> 00:48:01,015 PRETTY SOON THEY MIGHT BAN THE APP, AND THEN ALL MY FLOP PREDICTIONS WILL BE ERASED FROM 1377 00:48:01,017 --> 00:48:01,849 APP, AND THEN ALL MY FLOP PREDICTIONS WILL BE ERASED FROM THE INTERNET. 1378 00:48:01,851 --> 00:48:04,118 PREDICTIONS WILL BE ERASED FROM THE INTERNET. >> RIGHT BECAUSE WE ALSO FOUND 1379 00:48:04,120 --> 00:48:05,886 THE INTERNET. >> RIGHT BECAUSE WE ALSO FOUND YOUR OLD MYSPACE PAGE. 1380 00:48:05,888 --> 00:48:09,357 >> RIGHT BECAUSE WE ALSO FOUND YOUR OLD MYSPACE PAGE. I'M GOING TO MARRY MY FAVORITE 1381 00:48:09,359 --> 00:48:12,326 YOUR OLD MYSPACE PAGE. I'M GOING TO MARRY MY FAVORITE MEMBER OF NSYNC, LANCE BASS. 1382 00:48:12,328 --> 00:48:13,160 I'M GOING TO MARRY MY FAVORITE MEMBER OF NSYNC, LANCE BASS. >> OKAY. 1383 00:48:13,162 --> 00:48:15,062 MEMBER OF NSYNC, LANCE BASS. >> OKAY. WELL, HE'S THE HOTTEST AND THE 1384 00:48:15,064 --> 00:48:15,496 >> OKAY. WELL, HE'S THE HOTTEST AND THE STRAIGHTEST. 1385 00:48:15,498 --> 00:48:16,163 WELL, HE'S THE HOTTEST AND THE STRAIGHTEST. >> OKAY. 1386 00:48:16,165 --> 00:48:19,166 STRAIGHTEST. >> OKAY. TIKTOKER PIPER DUNSTER, 1387 00:48:19,168 --> 00:48:19,533 >> OKAY. TIKTOKER PIPER DUNSTER, EVERYONE. 1388 00:48:19,535 --> 00:48:20,635 TIKTOKER PIPER DUNSTER, EVERYONE. >> CALL ME, LANCE! 1389 00:48:20,637 --> 00:48:21,535 EVERYONE. >> CALL ME, LANCE! >> CALL HER. 1390 00:48:21,537 --> 00:48:22,670 >> CALL ME, LANCE! >> CALL HER. >> CALL ME! 1391 00:48:22,672 --> 00:48:24,639 >> CALL HER. >> CALL ME! >> A NUMBER OF SPORTS BARS 1392 00:48:24,641 --> 00:48:27,308 >> CALL ME! >> A NUMBER OF SPORTS BARS AROUND THE COUNTRY ARE PROMISING 1393 00:48:27,310 --> 00:48:29,343 >> A NUMBER OF SPORTS BARS AROUND THE COUNTRY ARE PROMISING TO ONLY SHOW WOMEN'S BASKETBALL 1394 00:48:29,345 --> 00:48:30,478 AROUND THE COUNTRY ARE PROMISING TO ONLY SHOW WOMEN'S BASKETBALL GAMES DURING MARCH MADNESS. 1395 00:48:30,480 --> 00:48:34,515 TO ONLY SHOW WOMEN'S BASKETBALL GAMES DURING MARCH MADNESS. THE BARS ARE KNOWN COLLECTIVELY 1396 00:48:34,517 --> 00:48:39,787 GAMES DURING MARCH MADNESS. THE BARS ARE KNOWN COLLECTIVELY AS -- THE EMPTY ONES. 1397 00:48:39,789 --> 00:48:43,190 THE BARS ARE KNOWN COLLECTIVELY AS -- THE EMPTY ONES. >> IT WAS ANNOUNCED THAT STUMPY, 1398 00:48:43,192 --> 00:48:46,394 AS -- THE EMPTY ONES. >> IT WAS ANNOUNCED THAT STUMPY, A BELOVED JAPANESE CHERRY 1399 00:48:46,396 --> 00:48:48,162 >> IT WAS ANNOUNCED THAT STUMPY, A BELOVED JAPANESE CHERRY BLOSSOM TREE IN WASHINGTON D.C. 1400 00:48:48,164 --> 00:48:49,630 A BELOVED JAPANESE CHERRY BLOSSOM TREE IN WASHINGTON D.C. WILL BE CHOPPED DOWN BECAUSE OF 1401 00:48:49,632 --> 00:48:51,866 BLOSSOM TREE IN WASHINGTON D.C. WILL BE CHOPPED DOWN BECAUSE OF OLD AGE -- AND BECAUSE OF ITS 1402 00:48:51,868 --> 00:48:52,967 WILL BE CHOPPED DOWN BECAUSE OF OLD AGE -- AND BECAUSE OF ITS ACTIONS ON JANUARY 6th. 1403 00:48:52,969 --> 00:48:55,870 OLD AGE -- AND BECAUSE OF ITS ACTIONS ON JANUARY 6th. >> THE OSCAR WINNING MOVIE 1404 00:48:55,872 --> 00:48:58,172 ACTIONS ON JANUARY 6th. >> THE OSCAR WINNING MOVIE "OPPENHEIMER" FINALLY PREMIERED 1405 00:48:58,174 --> 00:48:58,873 >> THE OSCAR WINNING MOVIE "OPPENHEIMER" FINALLY PREMIERED YESTERDAY IN JAPAN -- WITHOUT 1406 00:48:58,875 --> 00:49:06,981 "OPPENHEIMER" FINALLY PREMIERED YESTERDAY IN JAPAN -- WITHOUT WARNING. 1407 00:49:06,983 --> 00:49:09,550 YESTERDAY IN JAPAN -- WITHOUT WARNING. >> ONE PERSON SHRIEKED. 1408 00:49:09,552 --> 00:49:14,388 WARNING. >> ONE PERSON SHRIEKED. FANS OF THE HOIFONG SAUCE IS 1409 00:49:14,390 --> 00:49:15,790 >> ONE PERSON SHRIEKED. FANS OF THE HOIFONG SAUCE IS COMPLAINING THE CONDIMENT IS NOT 1410 00:49:15,792 --> 00:49:19,293 FANS OF THE HOIFONG SAUCE IS COMPLAINING THE CONDIMENT IS NOT AS HOT AS IT USED TO BE. 1411 00:49:19,295 --> 00:49:20,461 COMPLAINING THE CONDIMENT IS NOT AS HOT AS IT USED TO BE. AND YET EVERYONE MAKES UPSET 1412 00:49:20,463 --> 00:49:22,630 AS HOT AS IT USED TO BE. AND YET EVERYONE MAKES UPSET WHEN I MAKE THE SAME COMPLAINT 1413 00:49:22,632 --> 00:49:27,068 AND YET EVERYONE MAKES UPSET WHEN I MAKE THE SAME COMPLAINT ABOUT THE CAST OF "STRANGER 1414 00:49:27,070 --> 00:49:27,468 WHEN I MAKE THE SAME COMPLAINT ABOUT THE CAST OF "STRANGER THINGS." 1415 00:49:27,470 --> 00:49:29,603 ABOUT THE CAST OF "STRANGER THINGS." >> WHAT'S WRONG WITH YOU, MAN? 1416 00:49:29,605 --> 00:49:31,539 THINGS." >> WHAT'S WRONG WITH YOU, MAN? IT WAS REPORTED THAT FOR THE 1417 00:49:31,541 --> 00:49:33,240 >> WHAT'S WRONG WITH YOU, MAN? IT WAS REPORTED THAT FOR THE FIRST TIME EVER, A ROBOTIC 1418 00:49:33,242 --> 00:49:34,642 IT WAS REPORTED THAT FOR THE FIRST TIME EVER, A ROBOTIC POLICE DOG WAS SHOT IN THE LINE 1419 00:49:34,644 --> 00:49:35,509 FIRST TIME EVER, A ROBOTIC POLICE DOG WAS SHOT IN THE LINE OF DUTY. 1420 00:49:35,511 --> 00:49:41,582 POLICE DOG WAS SHOT IN THE LINE OF DUTY. WELL, NOW IT'S A ROBOTIC POLICE 1421 00:49:41,584 --> 00:49:41,849 OF DUTY. WELL, NOW IT'S A ROBOTIC POLICE DOG. 1422 00:49:41,851 --> 00:49:45,219 WELL, NOW IT'S A ROBOTIC POLICE DOG. >> A SOCCER MATCH BETWEEN THE 1423 00:49:45,221 --> 00:49:46,487 DOG. >> A SOCCER MATCH BETWEEN THE U.S. AND MEXICO WAS BRIEFLY 1424 00:49:46,489 --> 00:49:47,922 >> A SOCCER MATCH BETWEEN THE U.S. AND MEXICO WAS BRIEFLY STOPPED BECAUSE OF HOMOPHOBIC 1425 00:49:47,924 --> 00:49:49,590 U.S. AND MEXICO WAS BRIEFLY STOPPED BECAUSE OF HOMOPHOBIC CHANTS FROM THE CROWD. 1426 00:49:49,592 --> 00:49:51,392 STOPPED BECAUSE OF HOMOPHOBIC CHANTS FROM THE CROWD. MEANWHILE, HOMOPHOBIC CHANTS ARE 1427 00:49:51,394 --> 00:49:52,126 CHANTS FROM THE CROWD. MEANWHILE, HOMOPHOBIC CHANTS ARE OFFICIALLY HOW YOU START GAMES 1428 00:49:52,128 --> 00:49:54,295 MEANWHILE, HOMOPHOBIC CHANTS ARE OFFICIALLY HOW YOU START GAMES IN BOSTON. 1429 00:49:54,297 --> 00:49:56,063 OFFICIALLY HOW YOU START GAMES IN BOSTON. >> P EXPERTS ARE WARNING 1430 00:49:56,065 --> 00:49:58,399 IN BOSTON. >> P EXPERTS ARE WARNING PEOPLE NOT TO BRING THEIR DOGS 1431 00:49:58,401 --> 00:50:00,801 >> P EXPERTS ARE WARNING PEOPLE NOT TO BRING THEIR DOGS TO WATCH NEXT MONTH'S SOLAR 1432 00:50:00,803 --> 00:50:03,838 PEOPLE NOT TO BRING THEIR DOGS TO WATCH NEXT MONTH'S SOLAR ECLIPSE SAYING IT COULD BE TOO 1433 00:50:03,840 --> 00:50:04,939 TO WATCH NEXT MONTH'S SOLAR ECLIPSE SAYING IT COULD BE TOO STRESSFUL FOR THEM. 1434 00:50:04,941 --> 00:50:06,674 ECLIPSE SAYING IT COULD BE TOO STRESSFUL FOR THEM. PET EXPERTS ALSO WANT YOU TO 1435 00:50:06,676 --> 00:50:07,374 STRESSFUL FOR THEM. PET EXPERTS ALSO WANT YOU TO KNOW THAT THEY'RE LOOKING FOR 1436 00:50:07,376 --> 00:50:11,412 PET EXPERTS ALSO WANT YOU TO KNOW THAT THEY'RE LOOKING FOR REAL WORK. 1437 00:50:11,414 --> 00:50:13,814 KNOW THAT THEY'RE LOOKING FOR REAL WORK. >> AN ELDERLY WOMAN IN ENGLAND 1438 00:50:13,816 --> 00:50:16,016 REAL WORK. >> AN ELDERLY WOMAN IN ENGLAND WHO SPENT THE NIGHT CARING FOR A 1439 00:50:16,018 --> 00:50:18,385 >> AN ELDERLY WOMAN IN ENGLAND WHO SPENT THE NIGHT CARING FOR A SICK HEDGE HOG WAS SHOCKED WHEN 1440 00:50:18,387 --> 00:50:20,020 WHO SPENT THE NIGHT CARING FOR A SICK HEDGE HOG WAS SHOCKED WHEN SHE TOOK THE ANIMAL TO THE VET 1441 00:50:20,022 --> 00:50:20,921 SICK HEDGE HOG WAS SHOCKED WHEN SHE TOOK THE ANIMAL TO THE VET AND DISCOVERED IT WAS ACTUALLY A 1442 00:50:20,923 --> 00:50:23,424 SHE TOOK THE ANIMAL TO THE VET AND DISCOVERED IT WAS ACTUALLY A POM PO FROM A HAT. 1443 00:50:23,426 --> 00:50:24,592 AND DISCOVERED IT WAS ACTUALLY A POM PO FROM A HAT. SHE SAID SHE COULDN'T WAIT TO 1444 00:50:24,594 --> 00:50:25,326 POM PO FROM A HAT. SHE SAID SHE COULDN'T WAIT TO LAUGH ABOUT THE INCIDENT WITH 1445 00:50:25,328 --> 00:50:27,728 SHE SAID SHE COULDN'T WAIT TO LAUGH ABOUT THE INCIDENT WITH HER HUSBAND. 1446 00:50:27,730 --> 00:50:31,232 LAUGH ABOUT THE INCIDENT WITH HER HUSBAND. >> THAT'S SWEET. 1447 00:50:31,234 --> 00:50:31,899 HER HUSBAND. >> THAT'S SWEET. I LIKE THAT. 1448 00:50:31,901 --> 00:50:33,634 >> THAT'S SWEET. I LIKE THAT. >> THAT'S NICE. 1449 00:50:33,636 --> 00:50:36,704 I LIKE THAT. >> THAT'S NICE. IN OTHER ANIMAL NEWS, AFTER 1450 00:50:36,706 --> 00:50:38,405 >> THAT'S NICE. IN OTHER ANIMAL NEWS, AFTER FLACO, THE FAMOUS NEW YORK CITY 1451 00:50:38,407 --> 00:50:40,274 IN OTHER ANIMAL NEWS, AFTER FLACO, THE FAMOUS NEW YORK CITY OWL FLEW INTO A BUILDING AND 1452 00:50:40,276 --> 00:50:43,344 FLACO, THE FAMOUS NEW YORK CITY OWL FLEW INTO A BUILDING AND DIED, AN AUTOPSY REVEALED HE HAD 1453 00:50:43,346 --> 00:50:45,946 OWL FLEW INTO A BUILDING AND DIED, AN AUTOPSY REVEALED HE HAD DANGEROUS AMOUNTS OF RAT POISON 1454 00:50:45,948 --> 00:50:47,548 DIED, AN AUTOPSY REVEALED HE HAD DANGEROUS AMOUNTS OF RAT POISON IN HIS SYSTEM AS WELL AS A 1455 00:50:47,550 --> 00:50:49,784 DANGEROUS AMOUNTS OF RAT POISON IN HIS SYSTEM AS WELL AS A SEVERE CASE OF PIGEON HERPES. 1456 00:50:49,786 --> 00:50:52,553 IN HIS SYSTEM AS WELL AS A SEVERE CASE OF PIGEON HERPES. HERE WITH HER REACTION TO THE 1457 00:50:52,555 --> 00:50:55,022 SEVERE CASE OF PIGEON HERPES. HERE WITH HER REACTION TO THE NEWS IS FLACO'S WIDOW. 1458 00:50:55,024 --> 00:50:56,490 HERE WITH HER REACTION TO THE NEWS IS FLACO'S WIDOW. >> HI, COLIN. 1459 00:50:56,492 --> 00:50:58,325 NEWS IS FLACO'S WIDOW. >> HI, COLIN. I WISH I COULD BE HERE UNDER 1460 00:50:58,327 --> 00:50:59,493 >> HI, COLIN. I WISH I COULD BE HERE UNDER BETTER CIRCUMSTANCES. 1461 00:50:59,495 --> 00:51:02,062 I WISH I COULD BE HERE UNDER BETTER CIRCUMSTANCES. >> YEAH, I'M PRETTY SURE THIS IS 1462 00:51:02,064 --> 00:51:02,963 BETTER CIRCUMSTANCES. >> YEAH, I'M PRETTY SURE THIS IS THE ONLY CIRCUMSTANCE YOU WOULD 1463 00:51:02,965 --> 00:51:03,998 >> YEAH, I'M PRETTY SURE THIS IS THE ONLY CIRCUMSTANCE YOU WOULD BE HERE UNDER. 1464 00:51:04,000 --> 00:51:06,834 THE ONLY CIRCUMSTANCE YOU WOULD BE HERE UNDER. SO WHY DON'T YOU TELL ME ABOUT 1465 00:51:06,836 --> 00:51:07,368 BE HERE UNDER. SO WHY DON'T YOU TELL ME ABOUT YOUR LATE HUSBAND. 1466 00:51:07,370 --> 00:51:10,571 SO WHY DON'T YOU TELL ME ABOUT YOUR LATE HUSBAND. >> WHO? 1467 00:51:10,573 --> 00:51:13,774 YOUR LATE HUSBAND. >> WHO? >> YOUR LATE HUSBAND FLACO. 1468 00:51:13,776 --> 00:51:14,208 >> WHO? >> YOUR LATE HUSBAND FLACO. >> OH, SORRY. 1469 00:51:14,210 --> 00:51:16,243 >> YOUR LATE HUSBAND FLACO. >> OH, SORRY. I THOUGHT I SAW A MOUSE. 1470 00:51:16,245 --> 00:51:19,814 >> OH, SORRY. I THOUGHT I SAW A MOUSE. HOO, HOO, HOO. 1471 00:51:19,816 --> 00:51:20,281 I THOUGHT I SAW A MOUSE. HOO, HOO, HOO. >> ALL RIGHT. 1472 00:51:20,283 --> 00:51:22,249 HOO, HOO, HOO. >> ALL RIGHT. WELL, WHAT DO YOU THINK ABOUT 1473 00:51:22,251 --> 00:51:25,820 >> ALL RIGHT. WELL, WHAT DO YOU THINK ABOUT FLACO'S AUTOPSY REVEALING HE HAD 1474 00:51:25,822 --> 00:51:28,789 WELL, WHAT DO YOU THINK ABOUT FLACO'S AUTOPSY REVEALING HE HAD A SEVERE CASE OF PIGEON HERPES? 1475 00:51:28,791 --> 00:51:32,092 FLACO'S AUTOPSY REVEALING HE HAD A SEVERE CASE OF PIGEON HERPES? >> THAT'S WHAT EVERY WIDOW WANTS 1476 00:51:32,094 --> 00:51:33,394 A SEVERE CASE OF PIGEON HERPES? >> THAT'S WHAT EVERY WIDOW WANTS TO HEAR, YOUR DEAD HUSBAND HAD 1477 00:51:33,396 --> 00:51:34,195 >> THAT'S WHAT EVERY WIDOW WANTS TO HEAR, YOUR DEAD HUSBAND HAD SEVERE HERPES. 1478 00:51:34,197 --> 00:51:36,831 TO HEAR, YOUR DEAD HUSBAND HAD SEVERE HERPES. BY THE WAY, WHY WAS THERE EVEN 1479 00:51:36,833 --> 00:51:37,965 SEVERE HERPES. BY THE WAY, WHY WAS THERE EVEN AN AUTOPSY? 1480 00:51:37,967 --> 00:51:40,234 BY THE WAY, WHY WAS THERE EVEN AN AUTOPSY? WHEN A BIRD BASICALLY EXPLODES 1481 00:51:40,236 --> 00:51:41,502 AN AUTOPSY? WHEN A BIRD BASICALLY EXPLODES INTO THE SIDE OF A BUILDING, 1482 00:51:41,504 --> 00:51:44,872 WHEN A BIRD BASICALLY EXPLODES INTO THE SIDE OF A BUILDING, WHO'S LIKE, HOW DID HE DIE? 1483 00:51:44,874 --> 00:51:47,708 INTO THE SIDE OF A BUILDING, WHO'S LIKE, HOW DID HE DIE? >> WELL, SOME PEOPLE THINK THAT 1484 00:51:47,710 --> 00:51:50,511 WHO'S LIKE, HOW DID HE DIE? >> WELL, SOME PEOPLE THINK THAT AUTOPSIES CAN HELP BRING A SENSE 1485 00:51:50,513 --> 00:51:50,911 >> WELL, SOME PEOPLE THINK THAT AUTOPSIES CAN HELP BRING A SENSE OF CLOSURE. 1486 00:51:50,913 --> 00:51:53,347 AUTOPSIES CAN HELP BRING A SENSE OF CLOSURE. >> YEAH, BUT THE PHRASE PIGEON 1487 00:51:53,349 --> 00:51:55,983 OF CLOSURE. >> YEAH, BUT THE PHRASE PIGEON HERPES KIND OF RAISES MORE 1488 00:51:55,985 --> 00:51:57,718 >> YEAH, BUT THE PHRASE PIGEON HERPES KIND OF RAISES MORE QUESTIONS THAN ANSWERS, COLIN. 1489 00:51:57,720 --> 00:51:59,086 HERPES KIND OF RAISES MORE QUESTIONS THAN ANSWERS, COLIN. QUESTIONS LIKE IS THAT WHAT MY 1490 00:51:59,088 --> 00:52:03,057 QUESTIONS THAN ANSWERS, COLIN. QUESTIONS LIKE IS THAT WHAT MY BUMPS ARE? 1491 00:52:03,059 --> 00:52:06,126 QUESTIONS LIKE IS THAT WHAT MY BUMPS ARE? AND HOW DID HE GET PIGEON HERPES 1492 00:52:06,128 --> 00:52:08,863 BUMPS ARE? AND HOW DID HE GET PIGEON HERPES WHEN THE ONLY PIGEON WE KNEW WAS 1493 00:52:08,865 --> 00:52:11,632 AND HOW DID HE GET PIGEON HERPES WHEN THE ONLY PIGEON WE KNEW WAS OUR SEXY NANNY, AND WHY IS THE 1494 00:52:11,634 --> 00:52:13,300 WHEN THE ONLY PIGEON WE KNEW WAS OUR SEXY NANNY, AND WHY IS THE MEDIA ALWAYS TEARING GREAT MEN 1495 00:52:13,302 --> 00:52:13,634 OUR SEXY NANNY, AND WHY IS THE MEDIA ALWAYS TEARING GREAT MEN DOWN. 1496 00:52:13,636 --> 00:52:14,835 MEDIA ALWAYS TEARING GREAT MEN DOWN. YOU KNOW? 1497 00:52:14,837 --> 00:52:17,905 DOWN. YOU KNOW? IT'S ALWAYS FDR HAD A MISTRESS, 1498 00:52:17,907 --> 00:52:20,941 YOU KNOW? IT'S ALWAYS FDR HAD A MISTRESS, OR MLK HAD A MISTRESS, OR COLIN 1499 00:52:20,943 --> 00:52:24,812 IT'S ALWAYS FDR HAD A MISTRESS, OR MLK HAD A MISTRESS, OR COLIN JOST HAD AN UNDERAGED MISTRESS 1500 00:52:24,814 --> 00:52:27,715 OR MLK HAD A MISTRESS, OR COLIN JOST HAD AN UNDERAGED MISTRESS OR FLACO WENT BLIND FROM SEVERE 1501 00:52:27,717 --> 00:52:28,048 JOST HAD AN UNDERAGED MISTRESS OR FLACO WENT BLIND FROM SEVERE HERPES. 1502 00:52:28,050 --> 00:52:28,382 OR FLACO WENT BLIND FROM SEVERE HERPES. >> WAIT. 1503 00:52:28,384 --> 00:52:28,682 HERPES. >> WAIT. WHAT? 1504 00:52:28,684 --> 00:52:31,218 >> WAIT. WHAT? >> WHO? 1505 00:52:31,220 --> 00:52:32,920 WHAT? >> WHO? >> WHO? 1506 00:52:32,922 --> 00:52:36,891 >> WHO? >> WHO? >> WHO, WHO, WHO? 1507 00:52:36,893 --> 00:52:39,727 >> WHO? >> WHO, WHO, WHO? LOOK, COLIN, I'M NO DUMMY. 1508 00:52:39,729 --> 00:52:40,694 >> WHO, WHO, WHO? LOOK, COLIN, I'M NO DUMMY. FLACO BANGED ANYTHING WITH A 1509 00:52:40,696 --> 00:52:42,229 LOOK, COLIN, I'M NO DUMMY. FLACO BANGED ANYTHING WITH A PAIR OF WINGS. 1510 00:52:42,231 --> 00:52:47,001 FLACO BANGED ANYTHING WITH A PAIR OF WINGS. I MEAN, EAGLES, PARROTS, FLYING 1511 00:52:47,003 --> 00:52:47,368 PAIR OF WINGS. I MEAN, EAGLES, PARROTS, FLYING SQUIRRELS. 1512 00:52:47,370 --> 00:52:49,203 I MEAN, EAGLES, PARROTS, FLYING SQUIRRELS. I ONCE CAUGHT HIM DIPPING TIP IN 1513 00:52:49,205 --> 00:52:52,840 SQUIRRELS. I ONCE CAUGHT HIM DIPPING TIP IN A FROZEN TURKEY. 1514 00:52:52,842 --> 00:52:55,042 I ONCE CAUGHT HIM DIPPING TIP IN A FROZEN TURKEY. AND I BET HE'S UP IN HEAVEN 1515 00:52:55,044 --> 00:52:56,543 A FROZEN TURKEY. AND I BET HE'S UP IN HEAVEN RIGHT NOW PUTTING IT DOWN IN ONE 1516 00:52:56,545 --> 00:53:00,014 AND I BET HE'S UP IN HEAVEN RIGHT NOW PUTTING IT DOWN IN ONE OF THOSE ANGELS. 1517 00:53:00,016 --> 00:53:02,783 RIGHT NOW PUTTING IT DOWN IN ONE OF THOSE ANGELS. BUT YOU KNOW HOW IT IS, COLIN. 1518 00:53:02,785 --> 00:53:04,818 OF THOSE ANGELS. BUT YOU KNOW HOW IT IS, COLIN. YOU KNOW HOW IT IS WHEN YOU'RE 1519 00:53:04,820 --> 00:53:06,754 BUT YOU KNOW HOW IT IS, COLIN. YOU KNOW HOW IT IS WHEN YOU'RE MARRIED TO A BIG-TIME CELEBRITY. 1520 00:53:06,756 --> 00:53:08,422 YOU KNOW HOW IT IS WHEN YOU'RE MARRIED TO A BIG-TIME CELEBRITY. THEY GET TO HAVE SEX WITH 1521 00:53:08,424 --> 00:53:09,757 MARRIED TO A BIG-TIME CELEBRITY. THEY GET TO HAVE SEX WITH WHOEVER THEY WANT, AND THERE'S 1522 00:53:09,759 --> 00:53:10,758 THEY GET TO HAVE SEX WITH WHOEVER THEY WANT, AND THERE'S NOTHING WE CAN DO ABOUT IT, 1523 00:53:10,760 --> 00:53:15,629 WHOEVER THEY WANT, AND THERE'S NOTHING WE CAN DO ABOUT IT, RIGHT, BROTHER? 1524 00:53:15,631 --> 00:53:23,003 NOTHING WE CAN DO ABOUT IT, RIGHT, BROTHER? >> THEMS THE RULES. 1525 00:53:23,005 --> 00:53:25,973 RIGHT, BROTHER? >> THEMS THE RULES. >> WHY DID IT HAVE TO BE 1526 00:53:25,975 --> 00:53:26,307 >> THEMS THE RULES. >> WHY DID IT HAVE TO BE PIGEONS? 1527 00:53:26,309 --> 00:53:27,308 >> WHY DID IT HAVE TO BE PIGEONS? IT'S HUMILIATING. 1528 00:53:27,310 --> 00:53:30,945 PIGEONS? IT'S HUMILIATING. THEY'RE A BUNCH OF CRUMB-PECKING 1529 00:53:30,947 --> 00:53:31,278 IT'S HUMILIATING. THEY'RE A BUNCH OF CRUMB-PECKING SKANKS. 1530 00:53:31,280 --> 00:53:31,645 THEY'RE A BUNCH OF CRUMB-PECKING SKANKS. I GET IT. 1531 00:53:31,647 --> 00:53:35,182 SKANKS. I GET IT. THEIR NECK GAME IS INSANE. 1532 00:53:35,184 --> 00:53:36,483 I GET IT. THEIR NECK GAME IS INSANE. >> OKAY. 1533 00:53:36,485 --> 00:53:38,285 THEIR NECK GAME IS INSANE. >> OKAY. >> HOO, HOO, HOO. 1534 00:53:38,287 --> 00:53:40,154 >> OKAY. >> HOO, HOO, HOO. >> I'M -- YOU NO, I'M REALLY 1535 00:53:40,156 --> 00:53:40,454 >> HOO, HOO, HOO. >> I'M -- YOU NO, I'M REALLY SORRY. 1536 00:53:40,456 --> 00:53:43,223 >> I'M -- YOU NO, I'M REALLY SORRY. I KNOW THIS MUST BE TOUGH FOR 1537 00:53:43,225 --> 00:53:43,524 SORRY. I KNOW THIS MUST BE TOUGH FOR YOU. 1538 00:53:43,526 --> 00:53:46,093 I KNOW THIS MUST BE TOUGH FOR YOU. >> EW, COLIN, ARE YOU COMING ON 1539 00:53:46,095 --> 00:53:46,961 YOU. >> EW, COLIN, ARE YOU COMING ON TO ME? 1540 00:53:46,963 --> 00:53:49,563 >> EW, COLIN, ARE YOU COMING ON TO ME? >> NO, I'M NOT. 1541 00:53:49,565 --> 00:53:51,598 TO ME? >> NO, I'M NOT. >> YOU KNOW MY HUSBAND JUST 1542 00:53:51,600 --> 00:53:52,299 >> NO, I'M NOT. >> YOU KNOW MY HUSBAND JUST DIED, RIGHT? 1543 00:53:52,301 --> 00:53:53,167 >> YOU KNOW MY HUSBAND JUST DIED, RIGHT? >> OKAY. 1544 00:53:53,169 --> 00:53:53,567 DIED, RIGHT? >> OKAY. I'M SORRY. 1545 00:53:53,569 --> 00:53:54,902 >> OKAY. I'M SORRY. >> ALTHOUGH, YOU ARE MY TYPE. 1546 00:53:54,904 --> 00:53:57,404 I'M SORRY. >> ALTHOUGH, YOU ARE MY TYPE. >> WHAT TYPE IS THAT? 1547 00:53:57,406 --> 00:53:59,239 >> ALTHOUGH, YOU ARE MY TYPE. >> WHAT TYPE IS THAT? >> A NOCTURNAL PREDATOR. 1548 00:53:59,241 --> 00:54:01,675 >> WHAT TYPE IS THAT? >> A NOCTURNAL PREDATOR. >> FLACO'S WIDOW, EVERYONE. 1549 00:54:01,677 --> 00:54:02,710 >> A NOCTURNAL PREDATOR. >> FLACO'S WIDOW, EVERYONE. FOR "WEEKEND UPDATE," I 1550 00:54:28,436 --> 00:54:33,107 >>> OKAY, PARKER. WHAT DO WE GOT? >> LOOKS LIKE A MUGGING, 1551 00:54:33,109 --> 00:54:33,474 WHAT DO WE GOT? >> LOOKS LIKE A MUGGING, DETECTIVE. 1552 00:54:33,476 --> 00:54:36,443 >> LOOKS LIKE A MUGGING, DETECTIVE. HE WAS PICKING UP A PIZZA WHEN 1553 00:54:36,445 --> 00:54:39,913 DETECTIVE. HE WAS PICKING UP A PIZZA WHEN HE WAS STRUCK FROM BEHIND. 1554 00:54:39,915 --> 00:54:40,714 HE WAS PICKING UP A PIZZA WHEN HE WAS STRUCK FROM BEHIND. >> WHAT CAN YOU TELL US ABOUT 1555 00:54:40,716 --> 00:54:41,949 HE WAS STRUCK FROM BEHIND. >> WHAT CAN YOU TELL US ABOUT THE VIC? 1556 00:54:41,951 --> 00:54:44,151 >> WHAT CAN YOU TELL US ABOUT THE VIC? >> NO ID YET. 1557 00:54:44,153 --> 00:54:44,718 THE VIC? >> NO ID YET. HE'S MALE. 1558 00:54:44,720 --> 00:54:47,087 >> NO ID YET. HE'S MALE. WE'RE THINKING MID 40s. 1559 00:54:47,089 --> 00:54:52,426 HE'S MALE. WE'RE THINKING MID 40s. >> SHOULD GET ID RESULTS SOON. 1560 00:54:52,428 --> 00:54:54,328 WE'RE THINKING MID 40s. >> SHOULD GET ID RESULTS SOON. >> POOR BASTARD WAS JUST PICKING 1561 00:54:54,330 --> 00:54:54,728 >> SHOULD GET ID RESULTS SOON. >> POOR BASTARD WAS JUST PICKING UP A PIZZA. 1562 00:54:54,730 --> 00:55:00,968 >> POOR BASTARD WAS JUST PICKING UP A PIZZA. WHAT DO YOU THINK, SIMS? 1563 00:55:00,970 --> 00:55:01,635 UP A PIZZA. WHAT DO YOU THINK, SIMS? >> I THINK -- HE SHOULD'VE 1564 00:55:01,637 --> 00:55:07,408 WHAT DO YOU THINK, SIMS? >> I THINK -- HE SHOULD'VE ORDERED DELIVERY. 1565 00:55:07,410 --> 00:55:10,010 >> I THINK -- HE SHOULD'VE ORDERED DELIVERY. >> YEAH. 1566 00:55:10,012 --> 00:55:11,545 ORDERED DELIVERY. >> YEAH. SO, BASED ON THE STATE OF THE 1567 00:55:11,547 --> 00:55:13,313 >> YEAH. SO, BASED ON THE STATE OF THE BODY, I WOULD PUT TIME OF DEATH 1568 00:55:13,315 --> 00:55:14,782 SO, BASED ON THE STATE OF THE BODY, I WOULD PUT TIME OF DEATH MAYBE YESTERDAY, 5:00 P.M. 1569 00:55:14,784 --> 00:55:16,517 BODY, I WOULD PUT TIME OF DEATH MAYBE YESTERDAY, 5:00 P.M. >> SO HE'S BEEN SITTING OUT HERE 1570 00:55:16,519 --> 00:55:16,950 MAYBE YESTERDAY, 5:00 P.M. >> SO HE'S BEEN SITTING OUT HERE ALL NIGHT. 1571 00:55:16,952 --> 00:55:17,451 >> SO HE'S BEEN SITTING OUT HERE ALL NIGHT. >> YEAH. 1572 00:55:17,453 --> 00:55:19,253 ALL NIGHT. >> YEAH. NO SIGNS OF A STRUGGLE. 1573 00:55:19,255 --> 00:55:19,953 >> YEAH. NO SIGNS OF A STRUGGLE. POOR GUY DIDN'T EVEN SEE HIM 1574 00:55:19,955 --> 00:55:22,456 NO SIGNS OF A STRUGGLE. POOR GUY DIDN'T EVEN SEE HIM COMING. 1575 00:55:22,458 --> 00:55:24,792 POOR GUY DIDN'T EVEN SEE HIM COMING. >> HOW YOU GUYS DOING? 1576 00:55:24,794 --> 00:55:25,726 COMING. >> HOW YOU GUYS DOING? >> NOT GREAT. 1577 00:55:25,728 --> 00:55:26,760 >> HOW YOU GUYS DOING? >> NOT GREAT. THE GUY'S DEAD. 1578 00:55:26,762 --> 00:55:27,194 >> NOT GREAT. THE GUY'S DEAD. >> YEAH. 1579 00:55:27,196 --> 00:55:27,528 THE GUY'S DEAD. >> YEAH. TOTALLY. 1580 00:55:27,530 --> 00:55:30,030 >> YEAH. TOTALLY. POOR GUY. 1581 00:55:30,032 --> 00:55:33,434 TOTALLY. POOR GUY. I DON'T KNOW ABOUT YOU, BUT I'M 1582 00:55:33,436 --> 00:55:34,701 POOR GUY. I DON'T KNOW ABOUT YOU, BUT I'M THINKING THIS GUY -- SHOULD'VE 1583 00:55:34,703 --> 00:55:40,374 I DON'T KNOW ABOUT YOU, BUT I'M THINKING THIS GUY -- SHOULD'VE ORDERED DELIVERY. 1584 00:55:40,376 --> 00:55:40,874 THINKING THIS GUY -- SHOULD'VE ORDERED DELIVERY. >> YEAH, MAN. 1585 00:55:40,876 --> 00:55:43,410 ORDERED DELIVERY. >> YEAH, MAN. WE HEARD YOU THE FIRST TIME. 1586 00:55:43,412 --> 00:55:44,545 >> YEAH, MAN. WE HEARD YOU THE FIRST TIME. >> OH, YOU DID? 1587 00:55:44,547 --> 00:55:45,312 WE HEARD YOU THE FIRST TIME. >> OH, YOU DID? >> YEAH. 1588 00:55:45,314 --> 00:55:46,213 >> OH, YOU DID? >> YEAH. YOU WERE RIGHT NEXT TO US. 1589 00:55:46,215 --> 00:55:47,214 >> YEAH. YOU WERE RIGHT NEXT TO US. >> OH, COOL. 1590 00:55:47,216 --> 00:55:49,049 YOU WERE RIGHT NEXT TO US. >> OH, COOL. JUST MAKING SURE BECAUSE YOU 1591 00:55:49,051 --> 00:55:52,386 >> OH, COOL. JUST MAKING SURE BECAUSE YOU GUYS DIDN'T REALLY LAUGH THE 1592 00:55:52,388 --> 00:55:52,786 JUST MAKING SURE BECAUSE YOU GUYS DIDN'T REALLY LAUGH THE FIRST TIME. 1593 00:55:52,788 --> 00:55:55,055 GUYS DIDN'T REALLY LAUGH THE FIRST TIME. >> THERE ANY SIGNS OF THE MURDER 1594 00:55:55,057 --> 00:55:55,689 FIRST TIME. >> THERE ANY SIGNS OF THE MURDER WEAPON ANYWHERE? 1595 00:55:55,691 --> 00:55:56,390 >> THERE ANY SIGNS OF THE MURDER WEAPON ANYWHERE? >> YEAH. 1596 00:55:56,392 --> 00:55:58,058 WEAPON ANYWHERE? >> YEAH. THIS PIPE WAS FOUND NEXT TO THE 1597 00:55:58,060 --> 00:55:58,358 >> YEAH. THIS PIPE WAS FOUND NEXT TO THE BODY. 1598 00:55:58,360 --> 00:56:02,296 THIS PIPE WAS FOUND NEXT TO THE BODY. WE THINK THIS MIGHT BE IT. 1599 00:56:02,298 --> 00:56:04,665 BODY. WE THINK THIS MIGHT BE IT. >> PRETTY ROUGH SCENE, HUH? 1600 00:56:04,667 --> 00:56:05,466 WE THINK THIS MIGHT BE IT. >> PRETTY ROUGH SCENE, HUH? >> YEAH. 1601 00:56:05,468 --> 00:56:06,166 >> PRETTY ROUGH SCENE, HUH? >> YEAH. PRETTY BAD. 1602 00:56:06,168 --> 00:56:08,969 >> YEAH. PRETTY BAD. >> I WAS JUST TELLING THESE 1603 00:56:08,971 --> 00:56:09,870 PRETTY BAD. >> I WAS JUST TELLING THESE GUYS, I DON'T KNOW ABOUT YOU, 1604 00:56:09,872 --> 00:56:11,705 >> I WAS JUST TELLING THESE GUYS, I DON'T KNOW ABOUT YOU, BUT IF I WAS THIS GUY, I WOULD 1605 00:56:11,707 --> 00:56:13,340 GUYS, I DON'T KNOW ABOUT YOU, BUT IF I WAS THIS GUY, I WOULD HAVE ORDERED -- 1606 00:56:13,342 --> 00:56:15,476 BUT IF I WAS THIS GUY, I WOULD HAVE ORDERED -- >> DELIVERY, YEAH. 1607 00:56:15,478 --> 00:56:17,077 HAVE ORDERED -- >> DELIVERY, YEAH. SIMS, EVERYBODY HEARD YOUR JOKE, 1608 00:56:17,079 --> 00:56:17,377 >> DELIVERY, YEAH. SIMS, EVERYBODY HEARD YOUR JOKE, MAN. 1609 00:56:17,379 --> 00:56:17,878 SIMS, EVERYBODY HEARD YOUR JOKE, MAN. ALL RIGHT? 1610 00:56:17,880 --> 00:56:19,379 MAN. ALL RIGHT? IT'S JUST NOT FUNNY. 1611 00:56:19,381 --> 00:56:20,414 ALL RIGHT? IT'S JUST NOT FUNNY. WE DIDN'T LAUGH. 1612 00:56:20,416 --> 00:56:22,749 IT'S JUST NOT FUNNY. WE DIDN'T LAUGH. >> YEAH, SIMS, A MAN IS DEAD. 1613 00:56:22,751 --> 00:56:24,751 WE DIDN'T LAUGH. >> YEAH, SIMS, A MAN IS DEAD. >> YOU KNOW WHAT, YOU GUYS ARE 1614 00:56:24,753 --> 00:56:25,052 >> YEAH, SIMS, A MAN IS DEAD. >> YOU KNOW WHAT, YOU GUYS ARE RIGHT. 1615 00:56:25,054 --> 00:56:25,786 >> YOU KNOW WHAT, YOU GUYS ARE RIGHT. THAT WAS INAPPROPRIATE, AND I'M 1616 00:56:25,788 --> 00:56:27,221 RIGHT. THAT WAS INAPPROPRIATE, AND I'M SORRY. 1617 00:56:27,223 --> 00:56:28,722 THAT WAS INAPPROPRIATE, AND I'M SORRY. >> IT'S FINE. 1618 00:56:28,724 --> 00:56:29,890 SORRY. >> IT'S FINE. JUST LET IT GO. 1619 00:56:29,892 --> 00:56:32,826 >> IT'S FINE. JUST LET IT GO. >> DETECTIVES, I'VE GOT THE ID 1620 00:56:32,828 --> 00:56:33,160 JUST LET IT GO. >> DETECTIVES, I'VE GOT THE ID RESULTS. 1621 00:56:33,162 --> 00:56:35,596 >> DETECTIVES, I'VE GOT THE ID RESULTS. THE VIC'S NAME IS RICHARD 1622 00:56:35,598 --> 00:56:37,731 RESULTS. THE VIC'S NAME IS RICHARD TURKLE. 1623 00:56:37,733 --> 00:56:38,599 THE VIC'S NAME IS RICHARD TURKLE. LIVES UP ON 133rd STREET. 1624 00:56:38,601 --> 00:56:41,502 TURKLE. LIVES UP ON 133rd STREET. >> AND DID MR. TURKLE HAVE ANY 1625 00:56:41,504 --> 00:56:43,003 LIVES UP ON 133rd STREET. >> AND DID MR. TURKLE HAVE ANY KNOWN ENEMIES? 1626 00:56:43,005 --> 00:56:44,404 >> AND DID MR. TURKLE HAVE ANY KNOWN ENEMIES? BECAUSE BASED ON THE CRIME 1627 00:56:44,406 --> 00:56:45,772 KNOWN ENEMIES? BECAUSE BASED ON THE CRIME SCENE, IT'S CLEAR THAT SOMEBODY 1628 00:56:45,774 --> 00:56:52,679 BECAUSE BASED ON THE CRIME SCENE, IT'S CLEAR THAT SOMEBODY WANTED A PIZZA HIM. 1629 00:56:52,681 --> 00:56:54,148 SCENE, IT'S CLEAR THAT SOMEBODY WANTED A PIZZA HIM. >> PIZZA HIM. 1630 00:56:54,150 --> 00:56:55,883 WANTED A PIZZA HIM. >> PIZZA HIM. >> THAT'S HILARIOUS. 1631 00:56:55,885 --> 00:56:57,317 >> PIZZA HIM. >> THAT'S HILARIOUS. >> THAT'S FUNNY, BRO. 1632 00:56:57,319 --> 00:57:00,287 >> THAT'S HILARIOUS. >> THAT'S FUNNY, BRO. >> THANKS, GUYS. 1633 00:57:00,289 --> 00:57:01,855 >> THAT'S FUNNY, BRO. >> THANKS, GUYS. IT JUST CAME TO ME. 1634 00:57:01,857 --> 00:57:02,623 >> THANKS, GUYS. IT JUST CAME TO ME. I DON'T KNOW HOW. 1635 00:57:02,625 --> 00:57:03,090 IT JUST CAME TO ME. I DON'T KNOW HOW. IT'S SO FUNNY. 1636 00:57:03,092 --> 00:57:05,459 I DON'T KNOW HOW. IT'S SO FUNNY. >> THE HELL WAS THAT? 1637 00:57:05,461 --> 00:57:06,660 IT'S SO FUNNY. >> THE HELL WAS THAT? >> SORRY, MAN. 1638 00:57:06,662 --> 00:57:09,830 >> THE HELL WAS THAT? >> SORRY, MAN. IT WAS JUST A LITTLE JOKE. 1639 00:57:09,832 --> 00:57:10,164 >> SORRY, MAN. IT WAS JUST A LITTLE JOKE. >> NO. 1640 00:57:10,166 --> 00:57:10,430 IT WAS JUST A LITTLE JOKE. >> NO. NO. 1641 00:57:10,432 --> 00:57:10,931 >> NO. NO. IT WASN'T A JOKE. 1642 00:57:10,933 --> 00:57:12,933 NO. IT WASN'T A JOKE. IT WAS A PUN. 1643 00:57:12,935 --> 00:57:15,202 IT WASN'T A JOKE. IT WAS A PUN. YOU'RE ALL CREAMING YOUR JEANS 1644 00:57:15,204 --> 00:57:17,771 IT WAS A PUN. YOU'RE ALL CREAMING YOUR JEANS FOR A PUN! 1645 00:57:17,773 --> 00:57:19,139 YOU'RE ALL CREAMING YOUR JEANS FOR A PUN! >> I'M SORRY. 1646 00:57:19,141 --> 00:57:20,140 FOR A PUN! >> I'M SORRY. NO MORE JOKES. 1647 00:57:20,142 --> 00:57:21,441 >> I'M SORRY. NO MORE JOKES. A MAN IS DEAD. 1648 00:57:21,443 --> 00:57:23,610 NO MORE JOKES. A MAN IS DEAD. LET'S JUST HAVE SOME RESPECT. 1649 00:57:23,612 --> 00:57:26,280 A MAN IS DEAD. LET'S JUST HAVE SOME RESPECT. >> I GOT MRS. TURKLE HERE, THE 1650 00:57:26,282 --> 00:57:27,781 LET'S JUST HAVE SOME RESPECT. >> I GOT MRS. TURKLE HERE, THE WIDOW, TO CONFIRM IS ID. 1651 00:57:27,783 --> 00:57:28,849 >> I GOT MRS. TURKLE HERE, THE WIDOW, TO CONFIRM IS ID. >> IS THAT HIM? 1652 00:57:28,851 --> 00:57:29,850 WIDOW, TO CONFIRM IS ID. >> IS THAT HIM? IS THAT RICH? 1653 00:57:29,852 --> 00:57:34,521 >> IS THAT HIM? IS THAT RICH? >> WE THINK SO, MRS. TURKLE. 1654 00:57:34,523 --> 00:57:36,523 IS THAT RICH? >> WE THINK SO, MRS. TURKLE. WE JUST NEED YOU TO CONFIRM. 1655 00:57:36,525 --> 00:57:38,458 >> WE THINK SO, MRS. TURKLE. WE JUST NEED YOU TO CONFIRM. >> WHAT WILL I DO WITHOUT HIM? 1656 00:57:38,460 --> 00:57:40,294 WE JUST NEED YOU TO CONFIRM. >> WHAT WILL I DO WITHOUT HIM? HE WAS THE ONLY MAN I EVER 1657 00:57:40,296 --> 00:57:40,694 >> WHAT WILL I DO WITHOUT HIM? HE WAS THE ONLY MAN I EVER LOVED. 1658 00:57:40,696 --> 00:57:41,895 HE WAS THE ONLY MAN I EVER LOVED. HE MADE ME SMILE. 1659 00:57:41,897 --> 00:57:43,096 LOVED. HE MADE ME SMILE. HE MADE ME LAUGH. 1660 00:57:43,098 --> 00:57:44,932 HE MADE ME SMILE. HE MADE ME LAUGH. >> SENSE OF HUMOR. 1661 00:57:44,934 --> 00:57:45,899 HE MADE ME LAUGH. >> SENSE OF HUMOR. THAT'S SO IMPORTANT. 1662 00:57:45,901 --> 00:57:47,301 >> SENSE OF HUMOR. THAT'S SO IMPORTANT. IT'S GOOD THAT HE HAD ONE. 1663 00:57:47,303 --> 00:57:48,569 THAT'S SO IMPORTANT. IT'S GOOD THAT HE HAD ONE. >> YEAH. 1664 00:57:48,571 --> 00:57:49,937 IT'S GOOD THAT HE HAD ONE. >> YEAH. HE WAS ALWAYS SPREADING 1665 00:57:49,939 --> 00:57:50,304 >> YEAH. HE WAS ALWAYS SPREADING LAUGHTER. 1666 00:57:50,306 --> 00:57:52,973 HE WAS ALWAYS SPREADING LAUGHTER. HE WAS THE LIGHT OF MY LIFE. 1667 00:57:52,975 --> 00:57:55,108 LAUGHTER. HE WAS THE LIGHT OF MY LIFE. >> A GUY WHO JUST WANTS TO MAKE 1668 00:57:55,110 --> 00:57:56,210 HE WAS THE LIGHT OF MY LIFE. >> A GUY WHO JUST WANTS TO MAKE PEOPLE LAUGH. 1669 00:57:56,212 --> 00:57:57,711 >> A GUY WHO JUST WANTS TO MAKE PEOPLE LAUGH. MAYBE SOMETIMES SAYS THE WRONG 1670 00:57:57,713 --> 00:57:59,580 PEOPLE LAUGH. MAYBE SOMETIMES SAYS THE WRONG THING, BUT HE DON'T MEAN NO 1671 00:57:59,582 --> 00:57:59,880 MAYBE SOMETIMES SAYS THE WRONG THING, BUT HE DON'T MEAN NO HARM. 1672 00:57:59,882 --> 00:58:01,248 THING, BUT HE DON'T MEAN NO HARM. NOTHING WRONG WITH THAT. 1673 00:58:01,250 --> 00:58:03,450 HARM. NOTHING WRONG WITH THAT. >> NOW I DON'T KNOW IF I'LL EVER 1674 00:58:03,452 --> 00:58:03,984 NOTHING WRONG WITH THAT. >> NOW I DON'T KNOW IF I'LL EVER LAUGH AGAIN. 1675 00:58:03,986 --> 00:58:11,658 >> NOW I DON'T KNOW IF I'LL EVER LAUGH AGAIN. >> I MEAN -- I WAS KIND OF 1676 00:58:11,660 --> 00:58:13,961 LAUGH AGAIN. >> I MEAN -- I WAS KIND OF SAYING A JOKE TO THESE GUYS A 1677 00:58:13,963 --> 00:58:14,394 >> I MEAN -- I WAS KIND OF SAYING A JOKE TO THESE GUYS A SECOND AGO. 1678 00:58:14,396 --> 00:58:15,329 SAYING A JOKE TO THESE GUYS A SECOND AGO. >> DETECTIVE, NO. 1679 00:58:15,331 --> 00:58:17,898 SECOND AGO. >> DETECTIVE, NO. >> NO, PLEASE, IT'S STRANGE, BUT 1680 00:58:17,900 --> 00:58:18,932 >> DETECTIVE, NO. >> NO, PLEASE, IT'S STRANGE, BUT A JOKE WOULD BE NICE. 1681 00:58:18,934 --> 00:58:21,868 >> NO, PLEASE, IT'S STRANGE, BUT A JOKE WOULD BE NICE. IT WOULD REMIND ME OF RICHARD. 1682 00:58:21,870 --> 00:58:27,140 A JOKE WOULD BE NICE. IT WOULD REMIND ME OF RICHARD. >> I WAS JUST -- I WAS JUST 1683 00:58:27,142 --> 00:58:28,609 IT WOULD REMIND ME OF RICHARD. >> I WAS JUST -- I WAS JUST SAYING TO THESE GUYS BECAUSE OF 1684 00:58:28,611 --> 00:58:32,079 >> I WAS JUST -- I WAS JUST SAYING TO THESE GUYS BECAUSE OF THE -- YOU NO, WE'RE AT A PIZZA 1685 00:58:32,081 --> 00:58:32,379 SAYING TO THESE GUYS BECAUSE OF THE -- YOU NO, WE'RE AT A PIZZA PLACE. 1686 00:58:32,381 --> 00:58:35,315 THE -- YOU NO, WE'RE AT A PIZZA PLACE. I DON'T KNOW ABOUT YOU, BUT I'M 1687 00:58:35,317 --> 00:58:37,284 PLACE. I DON'T KNOW ABOUT YOU, BUT I'M LOOKING AROUND, AND I DON'T KNOW 1688 00:58:37,286 --> 00:58:40,354 I DON'T KNOW ABOUT YOU, BUT I'M LOOKING AROUND, AND I DON'T KNOW ABOUT YOU, BUT I'M KIND OF 1689 00:58:40,356 --> 00:58:41,288 LOOKING AROUND, AND I DON'T KNOW ABOUT YOU, BUT I'M KIND OF THINKING THIS GUY -- SHOULD'VE 1690 00:58:41,290 --> 00:58:47,794 ABOUT YOU, BUT I'M KIND OF THINKING THIS GUY -- SHOULD'VE ORDERED DELIVERY. 1691 00:59:12,453 --> 00:59:25,399 >>> ONCE AGAIN, TRAVIS SCOTT. [ CHEERS AND APPLAUSE ] ♪♪ 1692 00:59:25,401 --> 00:59:27,100 [ CHEERS AND APPLAUSE ] ♪♪ ♪ JUST COME OUTSIDE 1693 00:59:27,102 --> 00:59:28,769 ♪♪ ♪ JUST COME OUTSIDE FOR THE NIGHT 1694 00:59:28,771 --> 00:59:30,504 ♪ JUST COME OUTSIDE FOR THE NIGHT TAKE YOUR TIME 1695 00:59:30,506 --> 00:59:33,340 FOR THE NIGHT TAKE YOUR TIME GET YOUR LIGHT ♪ 1696 00:59:33,342 --> 00:59:36,743 TAKE YOUR TIME GET YOUR LIGHT ♪ ♪ JOHNNY DANG, YEAH, YEAH 1697 00:59:36,745 --> 00:59:41,715 GET YOUR LIGHT ♪ ♪ JOHNNY DANG, YEAH, YEAH I BEEN OUT GEEKIN' ♪ 1698 00:59:41,717 --> 00:59:42,783 ♪ JOHNNY DANG, YEAH, YEAH I BEEN OUT GEEKIN' ♪ SHUT IT DOWN ♪ 1699 00:59:42,785 --> 00:59:43,417 I BEEN OUT GEEKIN' ♪ SHUT IT DOWN ♪ ♪ FEIN, FEIN, FEIN 1700 00:59:43,419 --> 00:59:46,086 SHUT IT DOWN ♪ ♪ FEIN, FEIN, FEIN FEIN, FEIN, FEIN ♪ 1701 00:59:46,088 --> 00:59:46,653 ♪ FEIN, FEIN, FEIN FEIN, FEIN, FEIN ♪ ♪ FEIN, FEIN 1702 00:59:46,655 --> 00:59:48,355 FEIN, FEIN, FEIN ♪ ♪ FEIN, FEIN FEIN, FEIN, FEIN 1703 00:59:48,357 --> 00:59:49,523 ♪ FEIN, FEIN FEIN, FEIN, FEIN FEIN, FEIN ♪ 1704 00:59:49,525 --> 00:59:51,191 FEIN, FEIN, FEIN FEIN, FEIN ♪ ♪ FEIN, FEIN, FEIN 1705 00:59:51,193 --> 00:59:56,296 FEIN, FEIN ♪ ♪ FEIN, FEIN, FEIN FEIN, FEIN, FEIN ♪ 1706 00:59:56,298 --> 00:59:57,497 ♪ FEIN, FEIN, FEIN FEIN, FEIN, FEIN ♪ ♪ THE CAREER'S MORE AT STAKE 1707 00:59:57,499 --> 00:59:59,199 FEIN, FEIN, FEIN ♪ ♪ THE CAREER'S MORE AT STAKE WHEN YOU IN YOUR PRIME 1708 00:59:59,201 --> 01:00:00,334 ♪ THE CAREER'S MORE AT STAKE WHEN YOU IN YOUR PRIME -- THAT PAPER, BABY 1709 01:00:00,336 --> 01:00:02,602 WHEN YOU IN YOUR PRIME -- THAT PAPER, BABY MY FACE ON THE DOTTED LINE ♪ 1710 01:00:02,604 --> 01:00:04,338 -- THAT PAPER, BABY MY FACE ON THE DOTTED LINE ♪ ♪ I BEEN FLYIN' OUT OF TOWN 1711 01:00:04,340 --> 01:00:06,640 MY FACE ON THE DOTTED LINE ♪ ♪ I BEEN FLYIN' OUT OF TOWN FOR SOME PEACE OF MIND 1712 01:00:06,642 --> 01:00:07,774 ♪ I BEEN FLYIN' OUT OF TOWN FOR SOME PEACE OF MIND IT'S LIKE ALWAYS THEY JUST 1713 01:00:07,776 --> 01:00:09,543 FOR SOME PEACE OF MIND IT'S LIKE ALWAYS THEY JUST WANT A PIECE OF MINE ♪ 1714 01:00:09,545 --> 01:00:10,644 IT'S LIKE ALWAYS THEY JUST WANT A PIECE OF MINE ♪ ♪ I BEEN FOCUSED 1715 01:00:10,646 --> 01:00:11,244 WANT A PIECE OF MINE ♪ ♪ I BEEN FOCUSED ON THE FUTURE 1716 01:00:11,246 --> 01:00:12,379 ♪ I BEEN FOCUSED ON THE FUTURE NEVER ON RIGHT NOW 1717 01:00:12,381 --> 01:00:13,547 ON THE FUTURE NEVER ON RIGHT NOW WHAT I'M SIPPIN' ♪ 1718 01:00:13,549 --> 01:00:14,748 NEVER ON RIGHT NOW WHAT I'M SIPPIN' ♪ ♪ NOT KOMBUCHA 1719 01:00:14,750 --> 01:00:16,450 WHAT I'M SIPPIN' ♪ ♪ NOT KOMBUCHA EITHER PINK OR BROWN 1720 01:00:16,452 --> 01:00:17,551 ♪ NOT KOMBUCHA EITHER PINK OR BROWN I'M THE ONE THAT 1721 01:00:17,553 --> 01:00:19,286 EITHER PINK OR BROWN I'M THE ONE THAT INTRODUCED YOU TO THE ♪ 1722 01:00:19,288 --> 01:00:20,420 I'M THE ONE THAT INTRODUCED YOU TO THE ♪ ♪ YOU RIGHT NOW YEAH 1723 01:00:20,422 --> 01:00:21,555 INTRODUCED YOU TO THE ♪ ♪ YOU RIGHT NOW YEAH OH MY GOD 1724 01:00:21,557 --> 01:00:23,857 ♪ YOU RIGHT NOW YEAH OH MY GOD THAT -- BITIN' 1725 01:00:23,859 --> 01:00:27,861 OH MY GOD THAT -- BITIN' OH MY GOD ♪ 1726 01:00:27,863 --> 01:00:28,395 THAT -- BITIN' OH MY GOD ♪ ♪ TRYNA VIBE 1727 01:00:28,397 --> 01:00:31,264 OH MY GOD ♪ ♪ TRYNA VIBE IN THE NIGHT, COME ALIVE 1728 01:00:31,266 --> 01:00:33,567 ♪ TRYNA VIBE IN THE NIGHT, COME ALIVE AIN'T ASLEEP, AIN'T-A 1729 01:00:33,569 --> 01:00:35,235 IN THE NIGHT, COME ALIVE AIN'T ASLEEP, AIN'T-A AIN'T-A, AIN'T-A ♪ 1730 01:00:35,237 --> 01:00:36,970 AIN'T ASLEEP, AIN'T-A AIN'T-A, AIN'T-A ♪ ♪ FEIN, FEIN, FEIN 1731 01:00:36,972 --> 01:00:38,705 AIN'T-A, AIN'T-A ♪ ♪ FEIN, FEIN, FEIN FEIN, FEIN, FEIN 1732 01:00:38,707 --> 01:00:41,007 ♪ FEIN, FEIN, FEIN FEIN, FEIN, FEIN FEIN, FEIN ♪ 1733 01:00:41,009 --> 01:00:42,142 FEIN, FEIN, FEIN FEIN, FEIN ♪ ♪ FEIN, FEIN, FEIN 1734 01:00:42,144 --> 01:00:44,378 FEIN, FEIN ♪ ♪ FEIN, FEIN, FEIN FEIN, FEIN 1735 01:00:44,380 --> 01:00:46,146 ♪ FEIN, FEIN, FEIN FEIN, FEIN FEIN, FEIN, FEIN 1736 01:00:46,148 --> 01:00:47,814 FEIN, FEIN FEIN, FEIN, FEIN FEIN, FEIN ♪ 1737 01:00:47,816 --> 01:00:49,549 FEIN, FEIN, FEIN FEIN, FEIN ♪ ♪ FEIN, FEIN, FEIN 1738 01:00:49,551 --> 01:01:00,360 FEIN, FEIN ♪ ♪ FEIN, FEIN, FEIN FEIN, FEIN, FEIN ♪ 1739 01:01:00,362 --> 01:01:06,666 ♪ FEIN, FEIN, FEIN FEIN, FEIN, FEIN ♪ ♪ SYRUP, WHAT, WOAH, WHAT 1740 01:01:06,668 --> 01:01:13,540 FEIN, FEIN, FEIN ♪ ♪ SYRUP, WHAT, WOAH, WHAT WHAT, YEAH 1741 01:01:13,542 --> 01:01:14,107 ♪ SYRUP, WHAT, WOAH, WHAT WHAT, YEAH WHAT, YEAH ♪ 1742 01:01:14,109 --> 01:01:14,674 WHAT, YEAH WHAT, YEAH ♪ ♪♪ 1743 01:01:14,676 --> 01:01:15,375 WHAT, YEAH ♪ ♪♪ ♪ I JUST BEEN POPPIN' MY 1744 01:01:15,377 --> 01:01:16,410 ♪♪ ♪ I JUST BEEN POPPIN' MY AND GETTIN' IT LIVE 1745 01:01:16,412 --> 01:01:16,977 ♪ I JUST BEEN POPPIN' MY AND GETTIN' IT LIVE HOLD UP WOAH 1746 01:01:16,979 --> 01:01:17,644 AND GETTIN' IT LIVE HOLD UP WOAH YEAH, YOU TRY TO COME ♪ 1747 01:01:17,646 --> 01:01:18,245 HOLD UP WOAH YEAH, YOU TRY TO COME ♪ ♪ WRONG 'BOUT THIS 1748 01:01:18,247 --> 01:01:19,212 YEAH, YOU TRY TO COME ♪ ♪ WRONG 'BOUT THIS WE POPPIN' YOUR TIRES 1749 01:01:19,214 --> 01:01:20,380 ♪ WRONG 'BOUT THIS WE POPPIN' YOUR TIRES HOLD UP 1750 01:01:20,382 --> 01:01:22,983 WE POPPIN' YOUR TIRES HOLD UP UH, HUNDRED-ROUND ♪ON TEN 1751 01:01:22,985 --> 01:01:23,984 HOLD UP UH, HUNDRED-ROUND ♪ON TEN PLAYIN' BOTH SIDES 1752 01:01:23,986 --> 01:01:24,718 UH, HUNDRED-ROUND ♪ON TEN PLAYIN' BOTH SIDES SHAWTY, I'M -- YOUR FRIEND ♪ 1753 01:01:24,720 --> 01:01:26,553 PLAYIN' BOTH SIDES SHAWTY, I'M -- YOUR FRIEND ♪ ♪ I'VE BEEN GOIN' CRAZY 1754 01:01:26,555 --> 01:01:27,587 SHAWTY, I'M -- YOUR FRIEND ♪ ♪ I'VE BEEN GOIN' CRAZY IN THE DEEP 1755 01:01:27,589 --> 01:01:28,555 ♪ I'VE BEEN GOIN' CRAZY IN THE DEEP ♪ SHE NOT INNOCENT 1756 01:01:28,557 --> 01:01:31,158 IN THE DEEP ♪ SHE NOT INNOCENT SHE JUST TRYNA GO ♪EIN 1757 01:01:31,160 --> 01:01:32,259 ♪ SHE NOT INNOCENT SHE JUST TRYNA GO ♪EIN FEIN, FEIN, FEIN, YEAH 1758 01:01:32,261 --> 01:01:33,860 SHE JUST TRYNA GO ♪EIN FEIN, FEIN, FEIN, YEAH OH, OH 1759 01:01:33,862 --> 01:01:38,732 FEIN, FEIN, FEIN, YEAH OH, OH FEIN, FEIN, FEIN ♪ 1760 01:01:38,734 --> 01:01:39,366 OH, OH FEIN, FEIN, FEIN ♪ ♪ I JUST BEEN ICIN' MY 1761 01:01:39,368 --> 01:01:40,267 FEIN, FEIN, FEIN ♪ ♪ I JUST BEEN ICIN' MY I JUST BEEN DRIPPIN' 1762 01:01:40,269 --> 01:01:40,767 ♪ I JUST BEEN ICIN' MY I JUST BEEN DRIPPIN' THIS IS A WHOLE 1763 01:01:40,769 --> 01:01:41,735 I JUST BEEN DRIPPIN' THIS IS A WHOLE 'NOTHER LEVEL, SHAWTY ♪ I GOT T- 1764 01:01:41,737 --> 01:01:42,836 THIS IS A WHOLE 'NOTHER LEVEL, SHAWTY ♪ I GOT T- ON THEY TOES 1765 01:01:42,838 --> 01:01:43,303 'NOTHER LEVEL, SHAWTY ♪ I GOT T- ON THEY TOES 1766 01:01:43,305 --> 01:01:44,371 ON THEY TOES ON THE ROAD, SHE TRYNA ♪ 1767 01:01:44,373 --> 01:01:47,607 ON THE ROAD, SHE TRYNA ♪ ♪ ON THE O I GOT THIS -- WITH ME 1768 01:01:47,609 --> 01:01:48,275 ♪ ON THE O I GOT THIS -- WITH ME SHE TRYNA SHOW ME SOMETHIN' 1769 01:01:48,277 --> 01:01:49,242 I GOT THIS -- WITH ME SHE TRYNA SHOW ME SOMETHIN' HOLD UP, HOLD UP ♪ 1770 01:01:49,244 --> 01:01:51,945 SHE TRYNA SHOW ME SOMETHIN' HOLD UP, HOLD UP ♪ ♪ I GOT FLOWS FOR DAYS 1771 01:01:51,947 --> 01:01:52,579 HOLD UP, HOLD UP ♪ ♪ I GOT FLOWS FOR DAYS THESE -- AIN'T ON NOTHIN' 1772 01:01:52,581 --> 01:01:53,180 ♪ I GOT FLOWS FOR DAYS THESE -- AIN'T ON NOTHIN' ME AND MY BOY LOCKED IN 1773 01:01:53,182 --> 01:01:55,215 THESE -- AIN'T ON NOTHIN' ME AND MY BOY LOCKED IN YOU KNOW WE ON ONE ♪ 1774 01:01:55,217 --> 01:01:56,283 ME AND MY BOY LOCKED IN YOU KNOW WE ON ONE ♪ ♪ WE IN THE SPOT GOIN' CRAZY 1775 01:01:56,285 --> 01:01:58,452 YOU KNOW WE ON ONE ♪ ♪ WE IN THE SPOT GOIN' CRAZY UNTIL THE SUN UP 1776 01:01:58,454 --> 01:01:59,019 ♪ WE IN THE SPOT GOIN' CRAZY UNTIL THE SUN UP YOU WORRIED ABOUT THAT 1777 01:01:59,021 --> 01:02:01,721 UNTIL THE SUN UP YOU WORRIED ABOUT THAT THAT -- DONE CHOSE UP ♪ 1778 01:02:01,723 --> 01:02:02,789 YOU WORRIED ABOUT THAT THAT -- DONE CHOSE UP ♪ ♪ UH, PISTOLS ALL 1779 01:02:02,791 --> 01:02:03,356 THAT -- DONE CHOSE UP ♪ ♪ UH, PISTOLS ALL IN THE KITCHEN 1780 01:02:03,358 --> 01:02:04,424 ♪ UH, PISTOLS ALL IN THE KITCHEN CAN'T GIVE THE 1781 01:02:04,426 --> 01:02:06,059 IN THE KITCHEN CAN'T GIVE THE ZIP CODE UP WOW ♪ 1782 01:02:06,061 --> 01:02:08,228 CAN'T GIVE THE ZIP CODE UP WOW ♪ ♪ FEIN, FEIN, FEIN 1783 01:02:08,230 --> 01:02:09,830 ZIP CODE UP WOW ♪ ♪ FEIN, FEIN, FEIN WHY THE -- THESE -- ACTIN' 1784 01:02:09,832 --> 01:02:11,998 ♪ FEIN, FEIN, FEIN WHY THE -- THESE -- ACTIN' LIKE THEY KNOW US 1785 01:02:12,000 --> 01:02:13,633 WHY THE -- THESE -- ACTIN' LIKE THEY KNOW US DOUBLE O, CACTUS YEAH ♪ 1786 01:02:13,635 --> 01:02:15,268 LIKE THEY KNOW US DOUBLE O, CACTUS YEAH ♪ ♪ WE TOWED UP SKRRT SKRRT 1787 01:02:15,270 --> 01:02:16,336 DOUBLE O, CACTUS YEAH ♪ ♪ WE TOWED UP SKRRT SKRRT SWITCH OUT THE BAG 1788 01:02:16,338 --> 01:02:18,472 ♪ WE TOWED UP SKRRT SKRRT SWITCH OUT THE BAG THESE -- GET ROLLED UP 1789 01:02:18,474 --> 01:02:19,039 SWITCH OUT THE BAG THESE -- GET ROLLED UP HOLD UP IT'S LIT ♪ 1790 01:02:19,041 --> 01:02:19,573 THESE -- GET ROLLED UP HOLD UP IT'S LIT ♪ ♪ EVERYTHING HIT 1791 01:02:19,575 --> 01:02:21,174 HOLD UP IT'S LIT ♪ ♪ EVERYTHING HIT EVERYTHING 1792 01:02:21,176 --> 01:02:24,978 ♪ EVERYTHING HIT EVERYTHING FEIN, FEIN, FEIN 1793 01:02:24,980 --> 01:02:29,449 EVERYTHING FEIN, FEIN, FEIN FEIN, FEIN, FEIN ♪ 1794 01:02:29,451 --> 01:02:33,553 FEIN, FEIN, FEIN FEIN, FEIN, FEIN ♪ [ CHEERS AND APPLAUSE ] 1795 01:02:49,737 --> 01:03:03,383 ♪♪ ♪ BEEN TOGETHER FOR A YEAR AND I DON'T EVEN KNOW HER NAME ♪ 1796 01:03:03,385 --> 01:03:04,150 ♪ BEEN TOGETHER FOR A YEAR AND I DON'T EVEN KNOW HER NAME ♪ >> LOVE THAT SONG. 1797 01:03:04,152 --> 01:03:04,484 DON'T EVEN KNOW HER NAME ♪ >> LOVE THAT SONG. >> YEAH. 1798 01:03:04,486 --> 01:03:06,653 >> LOVE THAT SONG. >> YEAH. THAT WAS PRETTY GOOD. 1799 01:03:06,655 --> 01:03:07,721 >> YEAH. THAT WAS PRETTY GOOD. >> THANK YOU. 1800 01:03:07,723 --> 01:03:10,190 THAT WAS PRETTY GOOD. >> THANK YOU. THANK YOU SO MUCH, NPR. 1801 01:03:10,192 --> 01:03:12,158 >> THANK YOU. THANK YOU SO MUCH, NPR. WE HAVE THE JONAH HUGHES BAND. 1802 01:03:12,160 --> 01:03:15,362 THANK YOU SO MUCH, NPR. WE HAVE THE JONAH HUGHES BAND. I'M JONAH HUGHES. 1803 01:03:15,364 --> 01:03:17,364 WE HAVE THE JONAH HUGHES BAND. I'M JONAH HUGHES. THAT LAST ONE USUALLY HAS A LOT 1804 01:03:17,366 --> 01:03:19,933 I'M JONAH HUGHES. THAT LAST ONE USUALLY HAS A LOT MORE SINGT, BUT SINCE THIS IS A 1805 01:03:19,935 --> 01:03:22,269 THAT LAST ONE USUALLY HAS A LOT MORE SINGT, BUT SINCE THIS IS A TINY DESK CONCERT, WE GOT TO BE 1806 01:03:22,271 --> 01:03:23,036 MORE SINGT, BUT SINCE THIS IS A TINY DESK CONCERT, WE GOT TO BE QUIRKING IT UP. 1807 01:03:23,038 --> 01:03:28,341 TINY DESK CONCERT, WE GOT TO BE QUIRKING IT UP. >> THAT'S WHY I PLAY A MILK 1808 01:03:28,343 --> 01:03:29,109 QUIRKING IT UP. >> THAT'S WHY I PLAY A MILK CARTON SHAKER. 1809 01:03:29,111 --> 01:03:32,345 >> THAT'S WHY I PLAY A MILK CARTON SHAKER. >> SHE IS USUALLY ON THE CELLO. 1810 01:03:32,347 --> 01:03:34,748 CARTON SHAKER. >> SHE IS USUALLY ON THE CELLO. NOW WE'RE JOINED BY OUR DRUMMER. 1811 01:03:34,750 --> 01:03:36,049 >> SHE IS USUALLY ON THE CELLO. NOW WE'RE JOINED BY OUR DRUMMER. THE GOOSE. 1812 01:03:36,051 --> 01:03:36,683 NOW WE'RE JOINED BY OUR DRUMMER. THE GOOSE. >> QUACK. 1813 01:03:36,685 --> 01:03:37,651 THE GOOSE. >> QUACK. I'M KIDDING. 1814 01:03:37,653 --> 01:03:40,954 >> QUACK. I'M KIDDING. GOOSE IS A NICKNAME. 1815 01:03:40,956 --> 01:03:41,521 I'M KIDDING. GOOSE IS A NICKNAME. MY SPECIES IS HUMAN. 1816 01:03:41,523 --> 01:03:44,624 GOOSE IS A NICKNAME. MY SPECIES IS HUMAN. >> GOOSE IS SO FUNNY, MAN. 1817 01:03:44,626 --> 01:03:45,625 MY SPECIES IS HUMAN. >> GOOSE IS SO FUNNY, MAN. WE'VE NEVER ACTUALLY PLAYED IN 1818 01:03:45,627 --> 01:03:48,361 >> GOOSE IS SO FUNNY, MAN. WE'VE NEVER ACTUALLY PLAYED IN AN OFFICE BEFORE, LIKE A REAL 1819 01:03:48,363 --> 01:03:50,630 WE'VE NEVER ACTUALLY PLAYED IN AN OFFICE BEFORE, LIKE A REAL ONE, BUT BEING HERE IS A DREAM 1820 01:03:50,632 --> 01:03:51,631 AN OFFICE BEFORE, LIKE A REAL ONE, BUT BEING HERE IS A DREAM COME TRUE. 1821 01:03:51,633 --> 01:03:53,767 ONE, BUT BEING HERE IS A DREAM COME TRUE. THE NEXT SONG IS ABOUT AN EX OF 1822 01:03:53,769 --> 01:03:54,100 COME TRUE. THE NEXT SONG IS ABOUT AN EX OF MINE. 1823 01:03:54,102 --> 01:03:59,773 THE NEXT SONG IS ABOUT AN EX OF MINE. IT'S CALLED, CRAZY GIRL, 1824 01:03:59,775 --> 01:04:00,640 MINE. IT'S CALLED, CRAZY GIRL, PARENTHESES, AMANDA 1825 01:04:00,642 --> 01:04:04,277 IT'S CALLED, CRAZY GIRL, PARENTHESES, AMANDA ♪ MET YOU AND YOU SEEMED NICE, 1826 01:04:04,279 --> 01:04:05,612 PARENTHESES, AMANDA ♪ MET YOU AND YOU SEEMED NICE, BUT WE WERE LIKE FIRE AND ICE, 1827 01:04:05,614 --> 01:04:09,482 ♪ MET YOU AND YOU SEEMED NICE, BUT WE WERE LIKE FIRE AND ICE, YOUR BODY IS GOOD, BUT YOUR MIND 1828 01:04:09,484 --> 01:04:10,684 BUT WE WERE LIKE FIRE AND ICE, YOUR BODY IS GOOD, BUT YOUR MIND IS BAD -- 1829 01:04:10,686 --> 01:04:11,651 YOUR BODY IS GOOD, BUT YOUR MIND IS BAD -- >> HI. 1830 01:04:11,653 --> 01:04:13,520 IS BAD -- >> HI. CAN WE BE QUIET, PLEASE? 1831 01:04:13,522 --> 01:04:14,454 >> HI. CAN WE BE QUIET, PLEASE? SOME OF US ARE WORKING. 1832 01:04:14,456 --> 01:04:15,689 CAN WE BE QUIET, PLEASE? SOME OF US ARE WORKING. >> SORRY. 1833 01:04:15,691 --> 01:04:15,989 SOME OF US ARE WORKING. >> SORRY. WHAT? 1834 01:04:15,991 --> 01:04:16,389 >> SORRY. WHAT? >> YEAH. 1835 01:04:16,391 --> 01:04:18,425 WHAT? >> YEAH. WE'RE ON A CALL, AND RIGHT NOW 1836 01:04:18,427 --> 01:04:20,493 >> YEAH. WE'RE ON A CALL, AND RIGHT NOW THERE'S A LITTLE TOO MUCH 1837 01:04:20,495 --> 01:04:20,827 WE'RE ON A CALL, AND RIGHT NOW THERE'S A LITTLE TOO MUCH RUCKUS. 1838 01:04:20,829 --> 01:04:21,461 THERE'S A LITTLE TOO MUCH RUCKUS. >> OH. 1839 01:04:21,463 --> 01:04:23,163 RUCKUS. >> OH. WELL, WE'RE DOING A TINY DESK 1840 01:04:23,165 --> 01:04:23,997 >> OH. WELL, WE'RE DOING A TINY DESK CONCERT HERE. 1841 01:04:23,999 --> 01:04:25,966 WELL, WE'RE DOING A TINY DESK CONCERT HERE. IT'S KIND OF A BIG DEAL FOR US. 1842 01:04:25,968 --> 01:04:28,301 CONCERT HERE. IT'S KIND OF A BIG DEAL FOR US. >> WELL, THIS IS NPR, SO EVERY 1843 01:04:28,303 --> 01:04:31,471 IT'S KIND OF A BIG DEAL FOR US. >> WELL, THIS IS NPR, SO EVERY DAY IS LIKE A BIG DEAL FOR US. 1844 01:04:31,473 --> 01:04:34,708 >> WELL, THIS IS NPR, SO EVERY DAY IS LIKE A BIG DEAL FOR US. SO CAN WE KEEP THE RUCKUS DOWN? 1845 01:04:34,710 --> 01:04:35,609 DAY IS LIKE A BIG DEAL FOR US. SO CAN WE KEEP THE RUCKUS DOWN? THANK YOU MUCH. 1846 01:04:35,611 --> 01:04:36,409 SO CAN WE KEEP THE RUCKUS DOWN? THANK YOU MUCH. >> OKAY. 1847 01:04:36,411 --> 01:04:37,811 THANK YOU MUCH. >> OKAY. I GUESS I'LL JUST KEEP GOING. 1848 01:04:37,813 --> 01:04:39,546 >> OKAY. I GUESS I'LL JUST KEEP GOING. I MEAN, IS THAT GUY LIKE 1849 01:04:39,548 --> 01:04:40,714 I GUESS I'LL JUST KEEP GOING. I MEAN, IS THAT GUY LIKE IMPORTANT HERE OR SOMETHING? 1850 01:04:40,716 --> 01:04:41,548 I MEAN, IS THAT GUY LIKE IMPORTANT HERE OR SOMETHING? >> NO. 1851 01:04:41,550 --> 01:04:42,749 IMPORTANT HERE OR SOMETHING? >> NO. THAT'S ELLIOTT. 1852 01:04:42,751 --> 01:04:43,817 >> NO. THAT'S ELLIOTT. HE'S A NEW INTERN. 1853 01:04:43,819 --> 01:04:46,820 THAT'S ELLIOTT. HE'S A NEW INTERN. BUT HE'S 35. 1854 01:04:46,822 --> 01:04:51,691 HE'S A NEW INTERN. BUT HE'S 35. HE SAID HE GOES TO SUNY NEWARK. 1855 01:04:51,693 --> 01:04:53,360 BUT HE'S 35. HE SAID HE GOES TO SUNY NEWARK. >> SOMEONE TOLD ME HE'S WORKING 1856 01:04:53,362 --> 01:04:56,563 HE SAID HE GOES TO SUNY NEWARK. >> SOMEONE TOLD ME HE'S WORKING ON A NEW PODCAST ABOUT AI AND 1857 01:04:56,565 --> 01:04:57,263 >> SOMEONE TOLD ME HE'S WORKING ON A NEW PODCAST ABOUT AI AND RURAL QUEERS. 1858 01:04:57,265 --> 01:04:59,265 ON A NEW PODCAST ABOUT AI AND RURAL QUEERS. >> WELL, THAT SOUNDS 1859 01:04:59,267 --> 01:04:59,666 RURAL QUEERS. >> WELL, THAT SOUNDS INTERESTING. 1860 01:04:59,668 --> 01:05:00,266 >> WELL, THAT SOUNDS INTERESTING. >> YEAH. 1861 01:05:00,268 --> 01:05:02,636 INTERESTING. >> YEAH. IT'S BEYOND INTERESTING 1862 01:05:02,638 --> 01:05:04,070 >> YEAH. IT'S BEYOND INTERESTING ACTUALLY, I'M EXCITED TO 1863 01:05:04,072 --> 01:05:06,873 IT'S BEYOND INTERESTING ACTUALLY, I'M EXCITED TO ANNOUNCE WE'VE LANDED ON A 1864 01:05:06,875 --> 01:05:07,207 ACTUALLY, I'M EXCITED TO ANNOUNCE WE'VE LANDED ON A TITLE. 1865 01:05:07,209 --> 01:05:09,309 ANNOUNCE WE'VE LANDED ON A TITLE. IT'S CALLED BEEP BOOP I'M GAY 1866 01:05:09,311 --> 01:05:09,576 TITLE. IT'S CALLED BEEP BOOP I'M GAY NOW. 1867 01:05:09,578 --> 01:05:11,478 IT'S CALLED BEEP BOOP I'M GAY NOW. IT'S A PLAY ON WAIT, WAIT DON'T 1868 01:05:11,480 --> 01:05:13,680 NOW. IT'S A PLAY ON WAIT, WAIT DON'T TELL ME. 1869 01:05:13,682 --> 01:05:14,314 IT'S A PLAY ON WAIT, WAIT DON'T TELL ME. BUT IT'S NOT FUNNY AT ALL. 1870 01:05:14,316 --> 01:05:17,017 TELL ME. BUT IT'S NOT FUNNY AT ALL. IT'S GOING TO BE POIGNANT, 1871 01:05:17,019 --> 01:05:17,851 BUT IT'S NOT FUNNY AT ALL. IT'S GOING TO BE POIGNANT, IMPORTANT, AND REALLY FUNNY. 1872 01:05:17,853 --> 01:05:19,486 IT'S GOING TO BE POIGNANT, IMPORTANT, AND REALLY FUNNY. >> YOU JUST SAID IT WASN'T GOING 1873 01:05:19,488 --> 01:05:20,253 IMPORTANT, AND REALLY FUNNY. >> YOU JUST SAID IT WASN'T GOING TO BE FUNNY. 1874 01:05:20,255 --> 01:05:23,923 >> YOU JUST SAID IT WASN'T GOING TO BE FUNNY. >> DON'T SPEAK FOR WHAT I HAVE 1875 01:05:23,925 --> 01:05:24,224 TO BE FUNNY. >> DON'T SPEAK FOR WHAT I HAVE SAID. 1876 01:05:24,226 --> 01:05:25,725 >> DON'T SPEAK FOR WHAT I HAVE SAID. ALL I'M ASKING IS, WHAT'S WITH 1877 01:05:25,727 --> 01:05:28,161 SAID. ALL I'M ASKING IS, WHAT'S WITH ALL THE RUCKUS, AND WHAT DO WE 1878 01:05:28,163 --> 01:05:29,696 ALL I'M ASKING IS, WHAT'S WITH ALL THE RUCKUS, AND WHAT DO WE OWE EACH OTHER? 1879 01:05:29,698 --> 01:05:31,564 ALL THE RUCKUS, AND WHAT DO WE OWE EACH OTHER? IN A DIVIDED AMERICA, WHAT IS 1880 01:05:31,566 --> 01:05:31,865 OWE EACH OTHER? IN A DIVIDED AMERICA, WHAT IS MUSIC? 1881 01:05:31,867 --> 01:05:35,101 IN A DIVIDED AMERICA, WHAT IS MUSIC? MORE ON THIS WHEN WE COME BACK. 1882 01:05:35,103 --> 01:05:39,305 MUSIC? MORE ON THIS WHEN WE COME BACK. >> WHO WAS HE TALKING TO? 1883 01:05:39,307 --> 01:05:40,407 MORE ON THIS WHEN WE COME BACK. >> WHO WAS HE TALKING TO? >> I DON'T KNOW. 1884 01:05:40,409 --> 01:05:41,641 >> WHO WAS HE TALKING TO? >> I DON'T KNOW. LET'S JUST KEEP GOING. 1885 01:05:41,643 --> 01:05:45,512 >> I DON'T KNOW. LET'S JUST KEEP GOING. OUR NEXT SONG IS CALLED CRAZY 1886 01:05:45,514 --> 01:05:46,246 LET'S JUST KEEP GOING. OUR NEXT SONG IS CALLED CRAZY AMANDA, PARENTHESES, AND STUPID 1887 01:05:46,248 --> 01:05:50,150 OUR NEXT SONG IS CALLED CRAZY AMANDA, PARENTHESES, AND STUPID TOO. 1888 01:05:50,152 --> 01:05:52,385 AMANDA, PARENTHESES, AND STUPID TOO. ♪ I MET THAT GIRL, AND IT WAS 1889 01:05:52,387 --> 01:05:54,354 TOO. ♪ I MET THAT GIRL, AND IT WAS GOOD FOR A WEEK -- 1890 01:05:54,356 --> 01:05:55,455 ♪ I MET THAT GIRL, AND IT WAS GOOD FOR A WEEK -- >> HI. 1891 01:05:55,457 --> 01:05:55,789 GOOD FOR A WEEK -- >> HI. SORRY. 1892 01:05:55,791 --> 01:05:57,424 >> HI. SORRY. REMEMBER ME FROM ASKING YOU TO 1893 01:05:57,426 --> 01:05:58,925 SORRY. REMEMBER ME FROM ASKING YOU TO BE QUIET? 1894 01:05:58,927 --> 01:06:00,627 REMEMBER ME FROM ASKING YOU TO BE QUIET? STILL WORKING HERE. 1895 01:06:00,629 --> 01:06:02,395 BE QUIET? STILL WORKING HERE. NEVERTHELESS, THE RUCKUS 1896 01:06:02,397 --> 01:06:02,796 STILL WORKING HERE. NEVERTHELESS, THE RUCKUS PERSISTED. 1897 01:06:02,798 --> 01:06:04,030 NEVERTHELESS, THE RUCKUS PERSISTED. >> DUDE, DON'T DO THAT. 1898 01:06:04,032 --> 01:06:06,433 PERSISTED. >> DUDE, DON'T DO THAT. >> I'M JUST ON AN IMPORTANT ZOOM 1899 01:06:06,435 --> 01:06:10,036 >> DUDE, DON'T DO THAT. >> I'M JUST ON AN IMPORTANT ZOOM WITH IRA AND TERRY, GLASS AND 1900 01:06:10,038 --> 01:06:10,370 >> I'M JUST ON AN IMPORTANT ZOOM WITH IRA AND TERRY, GLASS AND GROSS. 1901 01:06:10,372 --> 01:06:11,971 WITH IRA AND TERRY, GLASS AND GROSS. >> COME ON, ELLIOTT! 1902 01:06:11,973 --> 01:06:13,239 GROSS. >> COME ON, ELLIOTT! IT'S TINY DESK. 1903 01:06:13,241 --> 01:06:14,340 >> COME ON, ELLIOTT! IT'S TINY DESK. THIS IS OUR BIGGEST THING. 1904 01:06:14,342 --> 01:06:15,709 IT'S TINY DESK. THIS IS OUR BIGGEST THING. >> BIGGEST THING SO FAR. 1905 01:06:15,711 --> 01:06:17,577 THIS IS OUR BIGGEST THING. >> BIGGEST THING SO FAR. SPEAKING OF BIG, I'M BRAVE 1906 01:06:17,579 --> 01:06:18,578 >> BIGGEST THING SO FAR. SPEAKING OF BIG, I'M BRAVE ENOUGH TO SAY IT. 1907 01:06:18,580 --> 01:06:21,781 SPEAKING OF BIG, I'M BRAVE ENOUGH TO SAY IT. THAT DESK IS NOT TINY. 1908 01:06:21,783 --> 01:06:22,449 ENOUGH TO SAY IT. THAT DESK IS NOT TINY. NEVER WAS. 1909 01:06:22,451 --> 01:06:24,217 THAT DESK IS NOT TINY. NEVER WAS. JUST FEELS SMALL BECAUSE THERE'S 1910 01:06:24,219 --> 01:06:25,285 NEVER WAS. JUST FEELS SMALL BECAUSE THERE'S SO MUCH CRAP ON IT. 1911 01:06:25,287 --> 01:06:27,921 JUST FEELS SMALL BECAUSE THERE'S SO MUCH CRAP ON IT. BY THE WAY, THIS COULD HAVE BEEN 1912 01:06:27,923 --> 01:06:28,888 SO MUCH CRAP ON IT. BY THE WAY, THIS COULD HAVE BEEN AN EMAIL. 1913 01:06:28,890 --> 01:06:29,456 BY THE WAY, THIS COULD HAVE BEEN AN EMAIL. >> HOW? 1914 01:06:29,458 --> 01:06:33,059 AN EMAIL. >> HOW? I MEAN, THIS CONCERT IS -- 1915 01:06:33,061 --> 01:06:34,427 >> HOW? I MEAN, THIS CONCERT IS -- SERIOUSLY, LET US FINISH OUR 1916 01:06:34,429 --> 01:06:35,061 I MEAN, THIS CONCERT IS -- SERIOUSLY, LET US FINISH OUR SET, BROTHER. 1917 01:06:35,063 --> 01:06:37,564 SERIOUSLY, LET US FINISH OUR SET, BROTHER. EVERY TIME WE'RE ABOUT TO MAKE 1918 01:06:37,566 --> 01:06:40,633 SET, BROTHER. EVERY TIME WE'RE ABOUT TO MAKE IT BIG, WE GET INTERRUPTED. 1919 01:06:40,635 --> 01:06:46,606 EVERY TIME WE'RE ABOUT TO MAKE IT BIG, WE GET INTERRUPTED. >> THE DESK IS REPRESENTED, OUR 1920 01:06:46,608 --> 01:06:49,142 IT BIG, WE GET INTERRUPTED. >> THE DESK IS REPRESENTED, OUR SHOW TODAY BRINGS US TO RURAL 1921 01:06:49,144 --> 01:06:50,009 >> THE DESK IS REPRESENTED, OUR SHOW TODAY BRINGS US TO RURAL WASHINGTON D.C. 1922 01:06:50,011 --> 01:06:52,011 SHOW TODAY BRINGS US TO RURAL WASHINGTON D.C. >> WE'RE NOT DOING A PODCAST. 1923 01:06:52,013 --> 01:06:53,680 WASHINGTON D.C. >> WE'RE NOT DOING A PODCAST. >> HIS CAREER MARKED BY MOMENTS 1924 01:06:53,682 --> 01:06:55,749 >> WE'RE NOT DOING A PODCAST. >> HIS CAREER MARKED BY MOMENTS OF INTERRUPTION. 1925 01:06:55,751 --> 01:06:57,283 >> HIS CAREER MARKED BY MOMENTS OF INTERRUPTION. WELCOME TO THE SHOW, JOHNNY 1926 01:06:57,285 --> 01:06:57,617 OF INTERRUPTION. WELCOME TO THE SHOW, JOHNNY HUGHES. 1927 01:06:57,619 --> 01:06:58,017 WELCOME TO THE SHOW, JOHNNY HUGHES. >> HEY, MAN. 1928 01:06:58,019 --> 01:07:01,054 HUGHES. >> HEY, MAN. BIG FAN OF THE POD. 1929 01:07:01,056 --> 01:07:01,755 >> HEY, MAN. BIG FAN OF THE POD. THANKS FOR HAVING ME. 1930 01:07:01,757 --> 01:07:02,088 BIG FAN OF THE POD. THANKS FOR HAVING ME. >> OKAY. 1931 01:07:02,090 --> 01:07:04,157 THANKS FOR HAVING ME. >> OKAY. YOU'RE DOING A PODCAST NOW? 1932 01:07:04,159 --> 01:07:06,793 >> OKAY. YOU'RE DOING A PODCAST NOW? >> WHEN I ARRIVED, IT TURNED OUT 1933 01:07:06,795 --> 01:07:08,528 YOU'RE DOING A PODCAST NOW? >> WHEN I ARRIVED, IT TURNED OUT THE RUCKUS HAD BEEN MUSIC, AND 1934 01:07:08,530 --> 01:07:10,463 >> WHEN I ARRIVED, IT TURNED OUT THE RUCKUS HAD BEEN MUSIC, AND THE BAND HAD WRITTEN ME A THEME 1935 01:07:10,465 --> 01:07:10,864 THE RUCKUS HAD BEEN MUSIC, AND THE BAND HAD WRITTEN ME A THEME SONG. 1936 01:07:10,866 --> 01:07:13,299 THE BAND HAD WRITTEN ME A THEME SONG. LET'S TAKE A LISTEN. 1937 01:07:13,301 --> 01:07:13,633 SONG. LET'S TAKE A LISTEN. >> YEAH. 1938 01:07:13,635 --> 01:07:16,336 LET'S TAKE A LISTEN. >> YEAH. HOW ABOUT SOMETHING LIKE, ONE, 1939 01:07:16,338 --> 01:07:17,203 >> YEAH. HOW ABOUT SOMETHING LIKE, ONE, TWO, THREE -- 1940 01:07:17,205 --> 01:07:19,606 HOW ABOUT SOMETHING LIKE, ONE, TWO, THREE -- ♪ IF YOU'RE GAY OR A ROBOT IN A 1941 01:07:19,608 --> 01:07:20,740 TWO, THREE -- ♪ IF YOU'RE GAY OR A ROBOT IN A SMALL RURAL TOWN, BEEP, BEEP, 1942 01:07:20,742 --> 01:07:28,782 ♪ IF YOU'RE GAY OR A ROBOT IN A SMALL RURAL TOWN, BEEP, BEEP, BEEP BOOP ♪ 1943 01:08:01,882 --> 01:08:11,624 >>> BIG THANKS TO TRAVIS SCOTT. AND ALL OF YOU WATCHING, THANK YOU. 1944 01:08:11,626 --> 01:08:12,826 AND ALL OF YOU WATCHING, THANK YOU. GIVE IT UP FOR THIS CREW. 1945 01:08:12,828 --> 01:08:15,061 YOU. GIVE IT UP FOR THIS CREW. THIS IS THE MOST AMAZING CREW. 1946 01:08:15,063 --> 01:08:17,630 GIVE IT UP FOR THIS CREW. THIS IS THE MOST AMAZING CREW. THIS CAST. 1947 01:08:17,632 --> 01:08:23,303 THIS IS THE MOST AMAZING CREW. THIS CAST. THANK YOU, MOM AND DAD. 1948 01:08:23,305 --> 01:08:23,736 THIS CAST. THANK YOU, MOM AND DAD. THANK YOU SNL. 1949 01:08:23,738 --> 01:08:25,071 THANK YOU, MOM AND DAD. THANK YOU SNL. GOOD NIGHT.