1 00:00:08,651 --> 00:00:12,854 . >>> YOU'RE WATCHING NEW YORK ONE BECAUSE YOUR WI-FI IS DOWN. 2 00:00:12,856 --> 00:00:16,224 >>> YOU'RE WATCHING NEW YORK ONE BECAUSE YOUR WI-FI IS DOWN. LATER, A RECAP OF HOPE HICKS' 3 00:00:16,226 --> 00:00:17,659 BECAUSE YOUR WI-FI IS DOWN. LATER, A RECAP OF HOPE HICKS' EMOTIONAL TESTIMONY IN DONALD 4 00:00:17,661 --> 00:00:19,127 LATER, A RECAP OF HOPE HICKS' EMOTIONAL TESTIMONY IN DONALD TRUMP'S HUSH MONEY TRIAL. 5 00:00:19,129 --> 00:00:20,228 EMOTIONAL TESTIMONY IN DONALD TRUMP'S HUSH MONEY TRIAL. FIRST, IT'S COMMUNITY AFFAIRS 6 00:00:20,230 --> 00:00:25,333 TRUMP'S HUSH MONEY TRIAL. FIRST, IT'S COMMUNITY AFFAIRS WITH RYAN ABERNATHY. 7 00:00:25,335 --> 00:00:28,703 FIRST, IT'S COMMUNITY AFFAIRS WITH RYAN ABERNATHY. >>> GOOD EVENING AND WELCOME TO 8 00:00:28,705 --> 00:00:29,905 WITH RYAN ABERNATHY. >>> GOOD EVENING AND WELCOME TO COMMUNITY AFFAIRS. 9 00:00:29,907 --> 00:00:33,275 >>> GOOD EVENING AND WELCOME TO COMMUNITY AFFAIRS. I'M RYAN ABERNATHY. 10 00:00:33,277 --> 00:00:35,911 COMMUNITY AFFAIRS. I'M RYAN ABERNATHY. COLLEGE STUDENTS HAVE BEEN 11 00:00:35,913 --> 00:00:37,045 I'M RYAN ABERNATHY. COLLEGE STUDENTS HAVE BEEN PROTESTING ON CAMPUSES ACROSS 12 00:00:37,047 --> 00:00:37,979 COLLEGE STUDENTS HAVE BEEN PROTESTING ON CAMPUSES ACROSS THE NATION. 13 00:00:37,981 --> 00:00:39,448 PROTESTING ON CAMPUSES ACROSS THE NATION. TONIGHT WE'LL BE DISCUSSING WITH 14 00:00:39,450 --> 00:00:41,450 THE NATION. TONIGHT WE'LL BE DISCUSSING WITH MY GUESTS WHO ARE PARENT 15 00:00:41,452 --> 00:00:42,617 TONIGHT WE'LL BE DISCUSSING WITH MY GUESTS WHO ARE PARENT STUDENTS OF COLLEGES IN NEW 16 00:00:42,619 --> 00:00:42,951 MY GUESTS WHO ARE PARENT STUDENTS OF COLLEGES IN NEW YORK. 17 00:00:42,953 --> 00:00:45,187 STUDENTS OF COLLEGES IN NEW YORK. JOIN ME IN WELCOMING THE NEW 18 00:00:45,189 --> 00:00:48,490 YORK. JOIN ME IN WELCOMING THE NEW STUDENT PARENT, DOUG HOVING. 19 00:00:48,492 --> 00:00:48,924 JOIN ME IN WELCOMING THE NEW STUDENT PARENT, DOUG HOVING. SARAH HIMES. 20 00:00:48,926 --> 00:00:49,658 STUDENT PARENT, DOUG HOVING. SARAH HIMES. >> HI. 21 00:00:49,660 --> 00:00:50,992 SARAH HIMES. >> HI. THANKS FOR HAVING ME. 22 00:00:50,994 --> 00:00:54,029 >> HI. THANKS FOR HAVING ME. >> AND COLUMBIA UNIVERSITY DAD, 23 00:00:54,031 --> 00:00:55,130 THANKS FOR HAVING ME. >> AND COLUMBIA UNIVERSITY DAD, ALPHONSE ROBERTS. 24 00:00:55,132 --> 00:01:00,836 >> AND COLUMBIA UNIVERSITY DAD, ALPHONSE ROBERTS. >> HI, RYAN, AND HELLO TO MY 25 00:01:00,838 --> 00:01:01,136 ALPHONSE ROBERTS. >> HI, RYAN, AND HELLO TO MY WIFE. 26 00:01:01,138 --> 00:01:03,205 >> HI, RYAN, AND HELLO TO MY WIFE. >> AS PARENTS, HOW DO YOU FEEL 27 00:01:03,207 --> 00:01:05,507 WIFE. >> AS PARENTS, HOW DO YOU FEEL ABOUT THESE PROTESTS ON CAMPUS? 28 00:01:05,509 --> 00:01:06,374 >> AS PARENTS, HOW DO YOU FEEL ABOUT THESE PROTESTS ON CAMPUS? SARAH, WE'LL START WITH YOU. 29 00:01:06,376 --> 00:01:09,711 ABOUT THESE PROTESTS ON CAMPUS? SARAH, WE'LL START WITH YOU. >> FOR ME, IT'S BEEN TOUGH. 30 00:01:09,713 --> 00:01:10,645 SARAH, WE'LL START WITH YOU. >> FOR ME, IT'S BEEN TOUGH. I'M ALL FOR FREE SPEECH, BUT I 31 00:01:10,647 --> 00:01:12,047 >> FOR ME, IT'S BEEN TOUGH. I'M ALL FOR FREE SPEECH, BUT I DON'T UNDERSTAND WHAT THEY THINK 32 00:01:12,049 --> 00:01:13,048 I'M ALL FOR FREE SPEECH, BUT I DON'T UNDERSTAND WHAT THEY THINK THEY'RE ACCOMPLISHING, AND 33 00:01:13,050 --> 00:01:14,149 DON'T UNDERSTAND WHAT THEY THINK THEY'RE ACCOMPLISHING, AND THAT'S REALLY PUTTING A STRAIN 34 00:01:14,151 --> 00:01:16,084 THEY'RE ACCOMPLISHING, AND THAT'S REALLY PUTTING A STRAIN ON ME AND MY DAUGHTER'S 35 00:01:16,086 --> 00:01:16,518 THAT'S REALLY PUTTING A STRAIN ON ME AND MY DAUGHTER'S RELATIONSHIP. 36 00:01:16,520 --> 00:01:16,918 ON ME AND MY DAUGHTER'S RELATIONSHIP. >> YEAH. 37 00:01:16,920 --> 00:01:19,554 RELATIONSHIP. >> YEAH. I WANT TO LET ME SON MAKE HIS 38 00:01:19,556 --> 00:01:21,389 >> YEAH. I WANT TO LET ME SON MAKE HIS OWN CHOICES, BUT TO BE HONEST, 39 00:01:21,391 --> 00:01:22,657 I WANT TO LET ME SON MAKE HIS OWN CHOICES, BUT TO BE HONEST, IT'S A LITTLE SCARY. 40 00:01:22,659 --> 00:01:25,127 OWN CHOICES, BUT TO BE HONEST, IT'S A LITTLE SCARY. THESE PROTESTS ARE BECOMING WAY 41 00:01:25,129 --> 00:01:26,261 IT'S A LITTLE SCARY. THESE PROTESTS ARE BECOMING WAY MORE AGGRESSIVE. 42 00:01:26,263 --> 00:01:26,628 THESE PROTESTS ARE BECOMING WAY MORE AGGRESSIVE. >> RIGHT. 43 00:01:26,630 --> 00:01:28,430 MORE AGGRESSIVE. >> RIGHT. BUT AT THE END OF THE DAY, MY 44 00:01:28,432 --> 00:01:30,132 >> RIGHT. BUT AT THE END OF THE DAY, MY DAUGHTER IS AN ADULT AND HAS TO 45 00:01:30,134 --> 00:01:30,832 BUT AT THE END OF THE DAY, MY DAUGHTER IS AN ADULT AND HAS TO LIVE HER OWN LIFE. 46 00:01:30,834 --> 00:01:33,101 DAUGHTER IS AN ADULT AND HAS TO LIVE HER OWN LIFE. >> WELL, I THINK IT'S JUST 47 00:01:33,103 --> 00:01:33,468 LIVE HER OWN LIFE. >> WELL, I THINK IT'S JUST GREAT. 48 00:01:33,470 --> 00:01:34,903 >> WELL, I THINK IT'S JUST GREAT. IT'S WONDERFUL. 49 00:01:34,905 --> 00:01:37,005 GREAT. IT'S WONDERFUL. NOTHING MAKES ME PROUDER THAN 50 00:01:37,007 --> 00:01:38,306 IT'S WONDERFUL. NOTHING MAKES ME PROUDER THAN YOUNG PEOPLE USING THEIR VOICES 51 00:01:38,308 --> 00:01:39,407 NOTHING MAKES ME PROUDER THAN YOUNG PEOPLE USING THEIR VOICES TO FIGHT FOR WHAT THEY BELIEVE? 52 00:01:39,409 --> 00:01:40,675 YOUNG PEOPLE USING THEIR VOICES TO FIGHT FOR WHAT THEY BELIEVE? >> WOW. 53 00:01:40,677 --> 00:01:42,644 TO FIGHT FOR WHAT THEY BELIEVE? >> WOW. THAT'S VERY ENCOURAGING. 54 00:01:42,646 --> 00:01:44,079 >> WOW. THAT'S VERY ENCOURAGING. >> YOUR DAUGHTER MUST FEEL SO 55 00:01:44,081 --> 00:01:45,147 THAT'S VERY ENCOURAGING. >> YOUR DAUGHTER MUST FEEL SO SUPPORTED WHEN SHE'S OUT THERE. 56 00:01:45,149 --> 00:01:46,748 >> YOUR DAUGHTER MUST FEEL SO SUPPORTED WHEN SHE'S OUT THERE. >> WHAT'S THAT NOW? 57 00:01:46,750 --> 00:01:47,849 SUPPORTED WHEN SHE'S OUT THERE. >> WHAT'S THAT NOW? WHEN WHOSE DAUGHTER IS OUT 58 00:01:47,851 --> 00:01:48,150 >> WHAT'S THAT NOW? WHEN WHOSE DAUGHTER IS OUT THERE? 59 00:01:48,152 --> 00:01:49,451 WHEN WHOSE DAUGHTER IS OUT THERE? >> AT THE PROTEST. 60 00:01:49,453 --> 00:01:51,887 THERE? >> AT THE PROTEST. >> NO, NO, NO. 61 00:01:51,889 --> 00:01:54,623 >> AT THE PROTEST. >> NO, NO, NO. HUH-HUH, MAN. 62 00:01:54,625 --> 00:01:56,424 >> NO, NO, NO. HUH-HUH, MAN. YOU BUGGEN. 63 00:01:56,426 --> 00:01:57,392 HUH-HUH, MAN. YOU BUGGEN. ALEXIS VANESSA ROBERTS BETTER 64 00:01:57,394 --> 00:01:58,827 YOU BUGGEN. ALEXIS VANESSA ROBERTS BETTER HAVE HER BUTT IN CLASS. 65 00:01:58,829 --> 00:02:00,929 ALEXIS VANESSA ROBERTS BETTER HAVE HER BUTT IN CLASS. LET ME FIND OUT SHE IN ONE OF 66 00:02:00,931 --> 00:02:02,364 HAVE HER BUTT IN CLASS. LET ME FIND OUT SHE IN ONE OF THEM DAMN TENTS INSTEAD THE DORM 67 00:02:02,366 --> 00:02:03,632 LET ME FIND OUT SHE IN ONE OF THEM DAMN TENTS INSTEAD THE DORM ROOM THAT I PAY FOR. 68 00:02:03,634 --> 00:02:04,933 THEM DAMN TENTS INSTEAD THE DORM ROOM THAT I PAY FOR. >> I THOUGHT YOU WERE IN FAVOR 69 00:02:04,935 --> 00:02:05,967 ROOM THAT I PAY FOR. >> I THOUGHT YOU WERE IN FAVOR OF THE STUDENT PROTESTS? 70 00:02:05,969 --> 00:02:08,036 >> I THOUGHT YOU WERE IN FAVOR OF THE STUDENT PROTESTS? >> BROTHER MAN, I AM SUPPORTIVE 71 00:02:08,038 --> 00:02:11,106 OF THE STUDENT PROTESTS? >> BROTHER MAN, I AM SUPPORTIVE OF Y'ALL'S KIDS PROTESTING, NOT 72 00:02:11,108 --> 00:02:12,007 >> BROTHER MAN, I AM SUPPORTIVE OF Y'ALL'S KIDS PROTESTING, NOT MY KIDS. 73 00:02:12,009 --> 00:02:18,213 OF Y'ALL'S KIDS PROTESTING, NOT MY KIDS. MY KIDS KNOW BETTER. 74 00:02:18,215 --> 00:02:20,582 MY KIDS. MY KIDS KNOW BETTER. SHOOT, ALEXIS VANESSA AIN'T 75 00:02:20,584 --> 00:02:20,916 MY KIDS KNOW BETTER. SHOOT, ALEXIS VANESSA AIN'T CRAZY. 76 00:02:20,918 --> 00:02:22,150 SHOOT, ALEXIS VANESSA AIN'T CRAZY. >> YOUR DAUGHTER ATTENDS COLUMN 77 00:02:22,152 --> 00:02:22,784 CRAZY. >> YOUR DAUGHTER ATTENDS COLUMN BOO I CAN'T. 78 00:02:22,786 --> 00:02:24,319 >> YOUR DAUGHTER ATTENDS COLUMN BOO I CAN'T. WHAT DO YOU THINK ABOUT THE 79 00:02:24,321 --> 00:02:26,555 BOO I CAN'T. WHAT DO YOU THINK ABOUT THE STUDENTS THAT TOOK OVER HAMILTON 80 00:02:26,557 --> 00:02:26,988 WHAT DO YOU THINK ABOUT THE STUDENTS THAT TOOK OVER HAMILTON HALL? 81 00:02:26,990 --> 00:02:29,024 STUDENTS THAT TOOK OVER HAMILTON HALL? >> THAT'S GOOD FOR Y'ALL'S KIDS, 82 00:02:29,026 --> 00:02:29,891 HALL? >> THAT'S GOOD FOR Y'ALL'S KIDS, BUT THEY AIN'T MINE. 83 00:02:29,893 --> 00:02:31,159 >> THAT'S GOOD FOR Y'ALL'S KIDS, BUT THEY AIN'T MINE. YOU FEEL ME, RYAN? 84 00:02:31,161 --> 00:02:34,129 BUT THEY AIN'T MINE. YOU FEEL ME, RYAN? >> YES, I FEEL YOU, ALPHONSE. 85 00:02:34,131 --> 00:02:37,098 YOU FEEL ME, RYAN? >> YES, I FEEL YOU, ALPHONSE. TELL ME, WITH THE RISE IN 86 00:02:37,100 --> 00:02:39,534 >> YES, I FEEL YOU, ALPHONSE. TELL ME, WITH THE RISE IN ATTENDANCE IN THIS PROGRAM, HOW 87 00:02:39,536 --> 00:02:41,703 TELL ME, WITH THE RISE IN ATTENDANCE IN THIS PROGRAM, HOW DOES IT MAKE YOU FEEL ABOUT THE 88 00:02:41,705 --> 00:02:42,904 ATTENDANCE IN THIS PROGRAM, HOW DOES IT MAKE YOU FEEL ABOUT THE POLICE PRESENCE? 89 00:02:42,906 --> 00:02:44,172 DOES IT MAKE YOU FEEL ABOUT THE POLICE PRESENCE? >> I'M VERY CONCERNED. 90 00:02:44,174 --> 00:02:46,775 POLICE PRESENCE? >> I'M VERY CONCERNED. ONE OF MY WORST FEARS IS MY 91 00:02:46,777 --> 00:02:47,909 >> I'M VERY CONCERNED. ONE OF MY WORST FEARS IS MY DAUGHTER BEING THROWN BEHIND 92 00:02:47,911 --> 00:02:48,176 ONE OF MY WORST FEARS IS MY DAUGHTER BEING THROWN BEHIND BAR. 93 00:02:48,178 --> 00:02:49,878 DAUGHTER BEING THROWN BEHIND BAR. THIS IS A CRUCIAL TIME IN HER 94 00:02:49,880 --> 00:02:51,446 BAR. THIS IS A CRUCIAL TIME IN HER LIFE, AND I WOULD HATE FOR HER 95 00:02:51,448 --> 00:02:52,948 THIS IS A CRUCIAL TIME IN HER LIFE, AND I WOULD HATE FOR HER TO HAVE AN ARREST FOLLOW HER 96 00:02:52,950 --> 00:02:53,315 LIFE, AND I WOULD HATE FOR HER TO HAVE AN ARREST FOLLOW HER FOREVER. 97 00:02:53,317 --> 00:02:54,115 TO HAVE AN ARREST FOLLOW HER FOREVER. >> MAN, I AIN'T WORRIED ABOUT 98 00:02:54,117 --> 00:02:56,585 FOREVER. >> MAN, I AIN'T WORRIED ABOUT 5-0. 99 00:02:56,587 --> 00:03:00,488 >> MAN, I AIN'T WORRIED ABOUT 5-0. THAT IS NOT MY BUSINESS. 100 00:03:00,490 --> 00:03:06,161 5-0. THAT IS NOT MY BUSINESS. MY BUSINESS IS ALEXIS VANESSA 101 00:03:07,396 --> 00:03:12,100 I TELL YOU WHAT AIN'T FREE, COLUMBIA. SHOOT. 102 00:03:12,102 --> 00:03:13,702 COLUMBIA. SHOOT. DO Y'ALL KNOW THAT THEY GOT THE 103 00:03:13,704 --> 00:03:16,071 SHOOT. DO Y'ALL KNOW THAT THEY GOT THE NERVE TO WANT 68,000 A YEAR. 104 00:03:16,073 --> 00:03:18,073 DO Y'ALL KNOW THAT THEY GOT THE NERVE TO WANT 68,000 A YEAR. >> I MEAN, WE TOTALLY RESPECT 105 00:03:18,075 --> 00:03:19,975 NERVE TO WANT 68,000 A YEAR. >> I MEAN, WE TOTALLY RESPECT THEIR RIGHT TO PROTEST, BUT I 106 00:03:19,977 --> 00:03:22,143 >> I MEAN, WE TOTALLY RESPECT THEIR RIGHT TO PROTEST, BUT I MEAN WE'RE ALSO MAKING 107 00:03:22,145 --> 00:03:23,044 THEIR RIGHT TO PROTEST, BUT I MEAN WE'RE ALSO MAKING SACRIFICES FOR OUR KIDS. 108 00:03:23,046 --> 00:03:24,212 MEAN WE'RE ALSO MAKING SACRIFICES FOR OUR KIDS. >> YEAH. 109 00:03:24,214 --> 00:03:26,514 SACRIFICES FOR OUR KIDS. >> YEAH. I'M OUT HERE BUSTING MY HUMP TO 110 00:03:26,516 --> 00:03:27,782 >> YEAH. I'M OUT HERE BUSTING MY HUMP TO PAY ALL THAT TUITION. 111 00:03:27,784 --> 00:03:29,618 I'M OUT HERE BUSTING MY HUMP TO PAY ALL THAT TUITION. >> WHAT DO YOU DO FOR A LIVING? 112 00:03:29,620 --> 00:03:31,987 PAY ALL THAT TUITION. >> WHAT DO YOU DO FOR A LIVING? >> SISTER GIRL, I DO IT ALL. 113 00:03:31,989 --> 00:03:34,723 >> WHAT DO YOU DO FOR A LIVING? >> SISTER GIRL, I DO IT ALL. UBER ALL DAY, UBER EATS ALL 114 00:03:34,725 --> 00:03:37,993 >> SISTER GIRL, I DO IT ALL. UBER ALL DAY, UBER EATS ALL NIGHT, CUT GRASS ON THE 115 00:03:37,995 --> 00:03:41,396 UBER ALL DAY, UBER EATS ALL NIGHT, CUT GRASS ON THE WEEKENDS, SELL GUCCI WALLETS OUT 116 00:03:41,398 --> 00:03:44,299 NIGHT, CUT GRASS ON THE WEEKENDS, SELL GUCCI WALLETS OUT MY TRUNK, LIFE COACHING ON IG. 117 00:03:44,301 --> 00:03:48,837 WEEKENDS, SELL GUCCI WALLETS OUT MY TRUNK, LIFE COACHING ON IG. I BOUNTY HUNT WHENEVER POSSIBLE. 118 00:03:48,839 --> 00:03:50,972 MY TRUNK, LIFE COACHING ON IG. I BOUNTY HUNT WHENEVER POSSIBLE. ALL THAT SO SHE CAN SAY SHE GOT 119 00:03:50,974 --> 00:03:53,541 I BOUNTY HUNT WHENEVER POSSIBLE. ALL THAT SO SHE CAN SAY SHE GOT A DEGREE IN AFRICAN-AMERICAN 120 00:03:53,543 --> 00:03:53,875 ALL THAT SO SHE CAN SAY SHE GOT A DEGREE IN AFRICAN-AMERICAN STUDIES. 121 00:03:53,877 --> 00:03:55,410 A DEGREE IN AFRICAN-AMERICAN STUDIES. LOOK, GIRL, YOU BEEN BLACK YOUR 122 00:03:55,412 --> 00:03:55,810 STUDIES. LOOK, GIRL, YOU BEEN BLACK YOUR WHOLE LIFE. 123 00:03:55,812 --> 00:03:56,978 LOOK, GIRL, YOU BEEN BLACK YOUR WHOLE LIFE. YOU KNOW WHAT IT IS. 124 00:03:56,980 --> 00:03:59,681 WHOLE LIFE. YOU KNOW WHAT IT IS. >> THAT'S QUITE AN INVESTMENT IN 125 00:03:59,683 --> 00:04:00,148 YOU KNOW WHAT IT IS. >> THAT'S QUITE AN INVESTMENT IN YOUR DAUGHTER. 126 00:04:00,150 --> 00:04:01,750 >> THAT'S QUITE AN INVESTMENT IN YOUR DAUGHTER. >> DAMN SKIPPY IT IS. 127 00:04:01,752 --> 00:04:03,551 YOUR DAUGHTER. >> DAMN SKIPPY IT IS. SHE'S GIFTED, THOUGH. 128 00:04:03,553 --> 00:04:05,754 >> DAMN SKIPPY IT IS. SHE'S GIFTED, THOUGH. SHE GON' CHANGE THE WORLD. 129 00:04:05,756 --> 00:04:06,855 SHE'S GIFTED, THOUGH. SHE GON' CHANGE THE WORLD. SHE DAMN SURE BETTER. 130 00:04:06,857 --> 00:04:07,789 SHE GON' CHANGE THE WORLD. SHE DAMN SURE BETTER. >> I'M SURE SHE WILL. 131 00:04:07,791 --> 00:04:10,458 SHE DAMN SURE BETTER. >> I'M SURE SHE WILL. >> YES, YES, SHE WILL. 132 00:04:10,460 --> 00:04:12,494 >> I'M SURE SHE WILL. >> YES, YES, SHE WILL. SHE'S WORTH EVERY PENNY, AND I 133 00:04:12,496 --> 00:04:14,229 >> YES, YES, SHE WILL. SHE'S WORTH EVERY PENNY, AND I KNOW I SOUND MAD RIGHT ABOUT 134 00:04:14,231 --> 00:04:16,331 SHE'S WORTH EVERY PENNY, AND I KNOW I SOUND MAD RIGHT ABOUT NOW, BUT YOU JUST WAIT UNTIL 135 00:04:16,333 --> 00:04:18,166 KNOW I SOUND MAD RIGHT ABOUT NOW, BUT YOU JUST WAIT UNTIL GRADUATION WHEN YOU SEE THAT 136 00:04:18,168 --> 00:04:21,936 NOW, BUT YOU JUST WAIT UNTIL GRADUATION WHEN YOU SEE THAT SMILE ACROSS MY FACE WHEN I HEAR 137 00:04:21,938 --> 00:04:24,439 GRADUATION WHEN YOU SEE THAT SMILE ACROSS MY FACE WHEN I HEAR THAT NAME ALEXIS VANESSA ROBERTS 138 00:04:24,441 --> 00:04:26,274 SMILE ACROSS MY FACE WHEN I HEAR THAT NAME ALEXIS VANESSA ROBERTS AND I WATCH HER WALK ACROSS THAT 139 00:04:26,276 --> 00:04:26,608 THAT NAME ALEXIS VANESSA ROBERTS AND I WATCH HER WALK ACROSS THAT STAGE. 140 00:04:26,610 --> 00:04:28,243 AND I WATCH HER WALK ACROSS THAT STAGE. >> I ACTUALLY HEARD A FEW 141 00:04:28,245 --> 00:04:30,478 STAGE. >> I ACTUALLY HEARD A FEW SCHOOLS ARE FULLY CANCELING 142 00:04:30,480 --> 00:04:32,147 >> I ACTUALLY HEARD A FEW SCHOOLS ARE FULLY CANCELING THEIR GRADUATION CEREMONIES. 143 00:04:32,149 --> 00:04:33,081 SCHOOLS ARE FULLY CANCELING THEIR GRADUATION CEREMONIES. >> SISTER GIRL, I DON'T THINK 144 00:04:33,083 --> 00:04:35,417 THEIR GRADUATION CEREMONIES. >> SISTER GIRL, I DON'T THINK YOU GET IT. 145 00:04:35,419 --> 00:04:36,985 >> SISTER GIRL, I DON'T THINK YOU GET IT. ALEXIS VANESSA WILL BE 146 00:04:36,987 --> 00:04:38,887 YOU GET IT. ALEXIS VANESSA WILL BE GRADUATED, EVEN IF I GOT TO DO 147 00:04:38,889 --> 00:04:39,421 ALEXIS VANESSA WILL BE GRADUATED, EVEN IF I GOT TO DO IT MYSELF. 148 00:04:39,423 --> 00:04:40,989 GRADUATED, EVEN IF I GOT TO DO IT MYSELF. BELIEVE ME WHEN I TELL YOU THAT 149 00:04:40,991 --> 00:04:42,924 IT MYSELF. BELIEVE ME WHEN I TELL YOU THAT AT THE END OF THIS MONTH, I AM 150 00:04:42,926 --> 00:04:45,327 BELIEVE ME WHEN I TELL YOU THAT AT THE END OF THIS MONTH, I AM PUTTING ON MY CHURCH CLOTHES, 151 00:04:45,329 --> 00:04:47,095 AT THE END OF THIS MONTH, I AM PUTTING ON MY CHURCH CLOTHES, THREE PUMPS ON COOL WATER 152 00:04:47,097 --> 00:04:48,697 PUTTING ON MY CHURCH CLOTHES, THREE PUMPS ON COOL WATER COLOGNE, SMELLING GOOD AS A MUG, 153 00:04:48,699 --> 00:04:53,568 THREE PUMPS ON COOL WATER COLOGNE, SMELLING GOOD AS A MUG, AND THEN, BAM, I'M HOPPING IN MY 154 00:04:53,570 --> 00:04:55,503 COLOGNE, SMELLING GOOD AS A MUG, AND THEN, BAM, I'M HOPPING IN MY '98 FORD EXPLORER, BLASTING SOME 155 00:04:55,505 --> 00:04:57,405 AND THEN, BAM, I'M HOPPING IN MY '98 FORD EXPLORER, BLASTING SOME ANITA BAKER, AND YOU BETTER 156 00:04:57,407 --> 00:04:58,907 '98 FORD EXPLORER, BLASTING SOME ANITA BAKER, AND YOU BETTER BELIEVE I'M GOING TO BE IN THERE 157 00:04:58,909 --> 00:05:01,309 ANITA BAKER, AND YOU BETTER BELIEVE I'M GOING TO BE IN THERE HOOTING AND HOLLERING AFTER THEY 158 00:05:01,311 --> 00:05:02,644 BELIEVE I'M GOING TO BE IN THERE HOOTING AND HOLLERING AFTER THEY EXPLICITLY TOLD US TO WAIT UNTIL 159 00:05:02,646 --> 00:05:03,311 HOOTING AND HOLLERING AFTER THEY EXPLICITLY TOLD US TO WAIT UNTIL THE END. 160 00:05:03,313 --> 00:05:03,978 EXPLICITLY TOLD US TO WAIT UNTIL THE END. THAT'S ALL I KNOW. 161 00:05:03,980 --> 00:05:04,779 THE END. THAT'S ALL I KNOW. >> WOW. 162 00:05:04,781 --> 00:05:05,714 THAT'S ALL I KNOW. >> WOW. GOT IT ALL PLANNED OUT. 163 00:05:05,716 --> 00:05:06,815 >> WOW. GOT IT ALL PLANNED OUT. >> YEAH. 164 00:05:06,817 --> 00:05:08,283 GOT IT ALL PLANNED OUT. >> YEAH. YOU CAN TAKE THAT TO THE BANK. 165 00:05:08,285 --> 00:05:10,385 >> YEAH. YOU CAN TAKE THAT TO THE BANK. THIS GIRL STARTED HER COLLEGE 166 00:05:10,387 --> 00:05:12,987 YOU CAN TAKE THAT TO THE BANK. THIS GIRL STARTED HER COLLEGE DURING COVID, HAD ME OUT HERE 167 00:05:12,989 --> 00:05:15,223 THIS GIRL STARTED HER COLLEGE DURING COVID, HAD ME OUT HERE PAYING $68,000 FOR TUITION, AND 168 00:05:15,225 --> 00:05:18,193 DURING COVID, HAD ME OUT HERE PAYING $68,000 FOR TUITION, AND SHE IN MY HOUSE TAKING CLASSES 169 00:05:18,195 --> 00:05:20,395 PAYING $68,000 FOR TUITION, AND SHE IN MY HOUSE TAKING CLASSES ON ZOOM AND LEARNING ABOUT THE 170 00:05:20,397 --> 00:05:22,964 SHE IN MY HOUSE TAKING CLASSES ON ZOOM AND LEARNING ABOUT THE APPLIED HISTORY OF THE B.E.T. 171 00:05:22,966 --> 00:05:23,365 ON ZOOM AND LEARNING ABOUT THE APPLIED HISTORY OF THE B.E.T. AWARDS. 172 00:05:23,367 --> 00:05:27,302 APPLIED HISTORY OF THE B.E.T. AWARDS. MAN, IF SHE DON'T WALK, COLUMBIA 173 00:05:27,304 --> 00:05:28,236 AWARDS. MAN, IF SHE DON'T WALK, COLUMBIA GOING TO BE ON THE NEWS FOR 174 00:05:28,238 --> 00:05:28,870 MAN, IF SHE DON'T WALK, COLUMBIA GOING TO BE ON THE NEWS FOR SOMETHING ELSE. 175 00:05:28,872 --> 00:05:29,971 GOING TO BE ON THE NEWS FOR SOMETHING ELSE. THAT'S ALL I KNOW. 176 00:05:29,973 --> 00:05:30,672 SOMETHING ELSE. THAT'S ALL I KNOW. AND LIVE FROM NEW YORK, IT'S 177 00:05:30,674 --> 00:05:36,111 THAT'S ALL I KNOW. AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 178 00:05:36,113 --> 00:05:37,011 AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY 179 00:05:37,013 --> 00:05:39,214 SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY NIGHT LIVE" WITH -- 180 00:06:53,088 --> 00:06:54,622 FEATURING -- 181 00:07:25,621 --> 00:07:40,235 HOST AND MUSICAL GUEST -- DUA LIPA. LADIES AND GENTLEMEN, DUA LIPA! 182 00:07:40,237 --> 00:07:56,684 LIPA. LADIES AND GENTLEMEN, DUA LIPA! [ CHEERS AND APPLAUSE ] 183 00:07:59,255 --> 00:08:04,759 >>> THANK YOU, THANK YOU, THANK YOU, THANK YOU, THANK YOU VERY MUCH. 184 00:08:04,761 --> 00:08:07,896 YOU, THANK YOU, THANK YOU VERY MUCH. MY NAME IS DUA LIPA. 185 00:08:07,898 --> 00:08:08,830 MUCH. MY NAME IS DUA LIPA. OR AS SOME PEOPLE CALL ME, DULA 186 00:08:08,832 --> 00:08:11,933 MY NAME IS DUA LIPA. OR AS SOME PEOPLE CALL ME, DULA PEEP. 187 00:08:11,935 --> 00:08:14,502 OR AS SOME PEOPLE CALL ME, DULA PEEP. BUT DUA LIPA IS MY REAL NAME. 188 00:08:14,504 --> 00:08:17,739 PEEP. BUT DUA LIPA IS MY REAL NAME. DUA IS ALBANIAN FOR LOVE, AND 189 00:08:17,741 --> 00:08:20,708 BUT DUA LIPA IS MY REAL NAME. DUA IS ALBANIAN FOR LOVE, AND LIPA IS ALBANIAN FOR -- MY LAST 190 00:08:20,710 --> 00:08:21,009 DUA IS ALBANIAN FOR LOVE, AND LIPA IS ALBANIAN FOR -- MY LAST NAME. 191 00:08:21,011 --> 00:08:23,011 LIPA IS ALBANIAN FOR -- MY LAST NAME. IT'S GREAT TO BE BACK IN 30 192 00:08:23,013 --> 00:08:23,311 NAME. IT'S GREAT TO BE BACK IN 30 ROCK. 193 00:08:23,313 --> 00:08:26,247 IT'S GREAT TO BE BACK IN 30 ROCK. I ACTUALLY MADE MY U.S. TV DEBUT 194 00:08:26,249 --> 00:08:27,382 ROCK. I ACTUALLY MADE MY U.S. TV DEBUT EIGHT YEARS AGO DOWNSTAIRS ON 195 00:08:27,384 --> 00:08:28,550 I ACTUALLY MADE MY U.S. TV DEBUT EIGHT YEARS AGO DOWNSTAIRS ON THE TONIGHT SHOW. 196 00:08:28,552 --> 00:08:29,317 EIGHT YEARS AGO DOWNSTAIRS ON THE TONIGHT SHOW. SO THIS BUILDING DOES FEEL A LOT 197 00:08:29,319 --> 00:08:32,353 THE TONIGHT SHOW. SO THIS BUILDING DOES FEEL A LOT LIKE HOME. 198 00:08:32,355 --> 00:08:33,788 SO THIS BUILDING DOES FEEL A LOT LIKE HOME. AND ESPECIALLY TONIGHT, BECAUSE 199 00:08:33,790 --> 00:08:34,455 LIKE HOME. AND ESPECIALLY TONIGHT, BECAUSE MY PARENTS ARE HERE IN THE 200 00:08:34,457 --> 00:08:40,995 AND ESPECIALLY TONIGHT, BECAUSE MY PARENTS ARE HERE IN THE AUDIENCE. 201 00:08:40,997 --> 00:08:41,729 MY PARENTS ARE HERE IN THE AUDIENCE. AS YOU CAN SEE, THEY'RE KIND OF 202 00:08:41,731 --> 00:08:42,697 AUDIENCE. AS YOU CAN SEE, THEY'RE KIND OF COOL. 203 00:08:42,699 --> 00:08:45,733 AS YOU CAN SEE, THEY'RE KIND OF COOL. THEY LOVE TO PARTY. 204 00:08:45,735 --> 00:08:47,268 COOL. THEY LOVE TO PARTY. ONE NIGHT, I WAS OUT WITH MY 205 00:08:47,270 --> 00:08:50,171 THEY LOVE TO PARTY. ONE NIGHT, I WAS OUT WITH MY FRIENDS AND WE ENDED UP AT THE 206 00:08:50,173 --> 00:08:52,206 ONE NIGHT, I WAS OUT WITH MY FRIENDS AND WE ENDED UP AT THE CLUB AT 3:00 IN THE MORNING AND 207 00:08:52,208 --> 00:08:54,576 FRIENDS AND WE ENDED UP AT THE CLUB AT 3:00 IN THE MORNING AND WHO DO I BUMP INTO BUT MY 208 00:08:54,578 --> 00:08:56,244 CLUB AT 3:00 IN THE MORNING AND WHO DO I BUMP INTO BUT MY PARENTS, WHICH WAS EMBARRASSING 209 00:08:56,246 --> 00:08:58,012 WHO DO I BUMP INTO BUT MY PARENTS, WHICH WAS EMBARRASSING BECAUSE THE LAST THING YOU WANT 210 00:08:58,014 --> 00:08:59,480 PARENTS, WHICH WAS EMBARRASSING BECAUSE THE LAST THING YOU WANT TO SEE WHEN YOU'RE SUPER HIGH 211 00:08:59,482 --> 00:09:00,214 BECAUSE THE LAST THING YOU WANT TO SEE WHEN YOU'RE SUPER HIGH AND DRUNK OFF YOUR ASS IS YOUR 212 00:09:00,216 --> 00:09:03,117 TO SEE WHEN YOU'RE SUPER HIGH AND DRUNK OFF YOUR ASS IS YOUR DAUGHTER. 213 00:09:03,119 --> 00:09:05,119 AND DRUNK OFF YOUR ASS IS YOUR DAUGHTER. BUT REALLY, THEY'VE ALWAYS BEEN 214 00:09:05,121 --> 00:09:06,354 DAUGHTER. BUT REALLY, THEY'VE ALWAYS BEEN SO SUPPORTIVE. 215 00:09:06,356 --> 00:09:10,725 BUT REALLY, THEY'VE ALWAYS BEEN SO SUPPORTIVE. THEY LET ME MOVE TO LONDON WHEN 216 00:09:10,727 --> 00:09:11,960 SO SUPPORTIVE. THEY LET ME MOVE TO LONDON WHEN I WAS JUST 15 TO START MY 217 00:09:11,962 --> 00:09:13,728 THEY LET ME MOVE TO LONDON WHEN I WAS JUST 15 TO START MY CAREER, AND NOW MY THIRD ALBUM 218 00:09:13,730 --> 00:09:16,965 I WAS JUST 15 TO START MY CAREER, AND NOW MY THIRD ALBUM JUST DROPPED, AND IT'S CALLED 219 00:09:16,967 --> 00:09:20,068 CAREER, AND NOW MY THIRD ALBUM JUST DROPPED, AND IT'S CALLED "RADICAL OPTIMISM."THE A LOT OF 220 00:09:20,070 --> 00:09:21,269 JUST DROPPED, AND IT'S CALLED "RADICAL OPTIMISM."THE A LOT OF PEOPLE ASK ME WHAT THAT MEANS. 221 00:09:21,271 --> 00:09:23,538 "RADICAL OPTIMISM."THE A LOT OF PEOPLE ASK ME WHAT THAT MEANS. TO ME, IT'S LIKE LOOKING ON THE 222 00:09:23,540 --> 00:09:25,206 PEOPLE ASK ME WHAT THAT MEANS. TO ME, IT'S LIKE LOOKING ON THE BRIGHT SIDE OF ANY SITUATION. 223 00:09:25,208 --> 00:09:26,307 TO ME, IT'S LIKE LOOKING ON THE BRIGHT SIDE OF ANY SITUATION. HERE, I'LL SHOW YOU. 224 00:09:26,309 --> 00:09:27,075 BRIGHT SIDE OF ANY SITUATION. HERE, I'LL SHOW YOU. SOMEONE TELL ME A PROBLEM YOU'RE 225 00:09:27,077 --> 00:09:30,511 HERE, I'LL SHOW YOU. SOMEONE TELL ME A PROBLEM YOU'RE HAVING. 226 00:09:30,513 --> 00:09:32,013 SOMEONE TELL ME A PROBLEM YOU'RE HAVING. YES, YOU, SIR. 227 00:09:32,015 --> 00:09:32,714 HAVING. YES, YOU, SIR. >> HI. 228 00:09:32,716 --> 00:09:35,283 YES, YOU, SIR. >> HI. MY WIFE LEFT ME BECAUSE DURING 229 00:09:35,285 --> 00:09:36,017 >> HI. MY WIFE LEFT ME BECAUSE DURING SEX, I ACCIDENTALLY CALLED HER 230 00:09:36,019 --> 00:09:38,486 MY WIFE LEFT ME BECAUSE DURING SEX, I ACCIDENTALLY CALLED HER MOM. 231 00:09:38,488 --> 00:09:41,422 SEX, I ACCIDENTALLY CALLED HER MOM. >> WELL, ON THE BRIGHT SIDE, NOW 232 00:09:41,424 --> 00:09:42,156 MOM. >> WELL, ON THE BRIGHT SIDE, NOW YOU'LL HAVE MORE TIME TO SPEND 233 00:09:42,158 --> 00:09:43,891 >> WELL, ON THE BRIGHT SIDE, NOW YOU'LL HAVE MORE TIME TO SPEND WITH YOUR MOM. 234 00:09:43,893 --> 00:09:44,225 YOU'LL HAVE MORE TIME TO SPEND WITH YOUR MOM. SEE? 235 00:09:44,227 --> 00:09:45,627 WITH YOUR MOM. SEE? RADICAL OPTIMISM. 236 00:09:45,629 --> 00:09:45,927 SEE? RADICAL OPTIMISM. OKAY. 237 00:09:45,929 --> 00:09:46,761 RADICAL OPTIMISM. OKAY. SOMEONE ELSE. 238 00:09:46,763 --> 00:09:47,061 OKAY. SOMEONE ELSE. YOU. 239 00:09:47,063 --> 00:09:50,098 SOMEONE ELSE. YOU. >> YES, HELLO, DUA. 240 00:09:50,100 --> 00:09:51,799 YOU. >> YES, HELLO, DUA. YESTERDAY I WENT TO THE DOCTOR, 241 00:09:51,801 --> 00:09:55,536 >> YES, HELLO, DUA. YESTERDAY I WENT TO THE DOCTOR, AND SHE SAID -- YES, MY DOCTOR 242 00:09:55,538 --> 00:09:57,739 YESTERDAY I WENT TO THE DOCTOR, AND SHE SAID -- YES, MY DOCTOR IS A WOMAN -- ANYWAY, THAT BITCH 243 00:09:57,741 --> 00:10:00,174 AND SHE SAID -- YES, MY DOCTOR IS A WOMAN -- ANYWAY, THAT BITCH SAID I HAD TO STOP DRINKING. 244 00:10:00,176 --> 00:10:01,209 IS A WOMAN -- ANYWAY, THAT BITCH SAID I HAD TO STOP DRINKING. >> WELL, ON THE BRIGHT SIDE, 245 00:10:01,211 --> 00:10:02,310 SAID I HAD TO STOP DRINKING. >> WELL, ON THE BRIGHT SIDE, THERE'S ALWAYS POPPERS. 246 00:10:02,312 --> 00:10:04,679 >> WELL, ON THE BRIGHT SIDE, THERE'S ALWAYS POPPERS. SEE. 247 00:10:04,681 --> 00:10:06,080 THERE'S ALWAYS POPPERS. SEE. YOU CAN PUT A POSITIVE SPIN ON 248 00:10:06,082 --> 00:10:06,447 SEE. YOU CAN PUT A POSITIVE SPIN ON ANYTHING. 249 00:10:06,449 --> 00:10:08,650 YOU CAN PUT A POSITIVE SPIN ON ANYTHING. YES, YOU. 250 00:10:08,652 --> 00:10:09,784 ANYTHING. YES, YOU. >> HI. 251 00:10:09,786 --> 00:10:12,654 YES, YOU. >> HI. I'M SOUTH DAKOTA GOVERNOR KRISTI 252 00:10:12,656 --> 00:10:12,954 >> HI. I'M SOUTH DAKOTA GOVERNOR KRISTI NOEM. 253 00:10:12,956 --> 00:10:13,454 I'M SOUTH DAKOTA GOVERNOR KRISTI NOEM. >> NO, NO, SORRY. 254 00:10:13,456 --> 00:10:18,626 NOEM. >> NO, NO, SORRY. I CAN'T HELP. 255 00:10:18,628 --> 00:10:22,230 >> NO, NO, SORRY. I CAN'T HELP. LOOK, WE ALL HAVE PROBLEMS, EVEN 256 00:10:22,232 --> 00:10:22,664 I CAN'T HELP. LOOK, WE ALL HAVE PROBLEMS, EVEN ME. 257 00:10:22,666 --> 00:10:24,499 LOOK, WE ALL HAVE PROBLEMS, EVEN ME. LIKE THERE'S PEOPLE ONLINE WHO 258 00:10:24,501 --> 00:10:26,968 ME. LIKE THERE'S PEOPLE ONLINE WHO SAY, DUA LIPA IS ALWAYS ON 259 00:10:26,970 --> 00:10:27,335 LIKE THERE'S PEOPLE ONLINE WHO SAY, DUA LIPA IS ALWAYS ON VACATION. 260 00:10:27,337 --> 00:10:30,071 SAY, DUA LIPA IS ALWAYS ON VACATION. WHICH IS TOTALLY WRONG BECAUSE 261 00:10:30,073 --> 00:10:31,806 VACATION. WHICH IS TOTALLY WRONG BECAUSE I'M BRITISH, SO WE CALL IT A 262 00:10:31,808 --> 00:10:32,140 WHICH IS TOTALLY WRONG BECAUSE I'M BRITISH, SO WE CALL IT A HOLIDAY. 263 00:10:32,142 --> 00:10:34,075 I'M BRITISH, SO WE CALL IT A HOLIDAY. AND THERE'S PEOPLE WHO CALLED MY 264 00:10:34,077 --> 00:10:36,010 HOLIDAY. AND THERE'S PEOPLE WHO CALLED MY DANCING LAZY AND SAID, GO, GIRL, 265 00:10:36,012 --> 00:10:36,978 AND THERE'S PEOPLE WHO CALLED MY DANCING LAZY AND SAID, GO, GIRL, GIVE US NOTHING. 266 00:10:36,980 --> 00:10:38,813 DANCING LAZY AND SAID, GO, GIRL, GIVE US NOTHING. BUT I DIDN'T GIVE YOU NOTHING, I 267 00:10:38,815 --> 00:10:40,648 GIVE US NOTHING. BUT I DIDN'T GIVE YOU NOTHING, I GAVE YOU THE GREATEST MEME OF 268 00:10:40,650 --> 00:10:41,349 BUT I DIDN'T GIVE YOU NOTHING, I GAVE YOU THE GREATEST MEME OF ALL TIME. 269 00:10:41,351 --> 00:10:46,921 GAVE YOU THE GREATEST MEME OF ALL TIME. AND NOW, I'M HERE, I'M HOSTING, 270 00:10:46,923 --> 00:10:49,090 ALL TIME. AND NOW, I'M HERE, I'M HOSTING, I'M PERFORMING, I'M MAKING THE 271 00:10:49,092 --> 00:10:51,092 AND NOW, I'M HERE, I'M HOSTING, I'M PERFORMING, I'M MAKING THE WIGS, DEALING ADDERALL TO THE 272 00:10:51,094 --> 00:10:51,426 I'M PERFORMING, I'M MAKING THE WIGS, DEALING ADDERALL TO THE WRITERS. 273 00:10:51,428 --> 00:10:52,927 WIGS, DEALING ADDERALL TO THE WRITERS. I'M DOING IT ALL. 274 00:10:52,929 --> 00:10:54,796 WRITERS. I'M DOING IT ALL. SO TONIGHT, I PROMISE I'M GOING 275 00:10:54,798 --> 00:10:55,930 I'M DOING IT ALL. SO TONIGHT, I PROMISE I'M GOING TO GIVE YOU EVERYTHING. 276 00:10:55,932 --> 00:10:57,598 SO TONIGHT, I PROMISE I'M GOING TO GIVE YOU EVERYTHING. WE'VE GOT A GREAT SHOW FOR YOU 277 00:10:57,600 --> 00:10:57,932 TO GIVE YOU EVERYTHING. WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. 278 00:10:57,934 --> 00:11:16,884 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. I'M HERE, 279 00:11:22,991 --> 00:11:26,394 >>> WHAT IS UP, LADIES? I APPRECIATE Y'ALL COMING IN TO HELP. 280 00:11:26,396 --> 00:11:28,129 I APPRECIATE Y'ALL COMING IN TO HELP. MY NAME IS YOUNG SPICY. 281 00:11:28,131 --> 00:11:30,264 HELP. MY NAME IS YOUNG SPICY. >> HOW YOU DOING? 282 00:11:30,266 --> 00:11:30,731 MY NAME IS YOUNG SPICY. >> HOW YOU DOING? >> WHAT'S GOOD. 283 00:11:30,733 --> 00:11:31,599 >> HOW YOU DOING? >> WHAT'S GOOD. >> THIS IS BERNARD. 284 00:11:31,601 --> 00:11:32,967 >> WHAT'S GOOD. >> THIS IS BERNARD. HE'S GOING TO BE RECORDING US 285 00:11:32,969 --> 00:11:33,301 >> THIS IS BERNARD. HE'S GOING TO BE RECORDING US TODAY. 286 00:11:33,303 --> 00:11:34,168 HE'S GOING TO BE RECORDING US TODAY. >> HAPPY TO BE HERE. 287 00:11:34,170 --> 00:11:35,369 TODAY. >> HAPPY TO BE HERE. LET'S GET THIS THING STARTED. 288 00:11:35,371 --> 00:11:37,205 >> HAPPY TO BE HERE. LET'S GET THIS THING STARTED. >> I'M LOOKING FOR A NEW 289 00:11:37,207 --> 00:11:38,406 LET'S GET THIS THING STARTED. >> I'M LOOKING FOR A NEW PRODUCER TAG TO PLAY AT THE 290 00:11:38,408 --> 00:11:41,142 >> I'M LOOKING FOR A NEW PRODUCER TAG TO PLAY AT THE BEGINNING OF MY SONG. 291 00:11:41,144 --> 00:11:41,843 PRODUCER TAG TO PLAY AT THE BEGINNING OF MY SONG. SOMETHING REAL COOL LIKE -- 292 00:11:41,845 --> 00:11:43,978 BEGINNING OF MY SONG. SOMETHING REAL COOL LIKE -- >> OH, MY GOD. 293 00:11:43,980 --> 00:11:45,079 SOMETHING REAL COOL LIKE -- >> OH, MY GOD. >> OR EVEN THIS ONE. 294 00:11:45,081 --> 00:11:46,380 >> OH, MY GOD. >> OR EVEN THIS ONE. >> I'M WORKING. 295 00:11:46,382 --> 00:11:47,748 >> OR EVEN THIS ONE. >> I'M WORKING. >> WE CAN DO THAT. 296 00:11:47,750 --> 00:11:48,816 >> I'M WORKING. >> WE CAN DO THAT. >> WE GOT YOU. 297 00:11:48,818 --> 00:11:49,717 >> WE CAN DO THAT. >> WE GOT YOU. >> COOL. 298 00:11:49,719 --> 00:11:51,686 >> WE GOT YOU. >> COOL. WE'LL PLAY THE BEAT AND THEN YOU 299 00:11:51,688 --> 00:11:53,121 >> COOL. WE'LL PLAY THE BEAT AND THEN YOU PLAY SOMETHING LIKE GET 'EM 300 00:11:53,123 --> 00:11:55,189 WE'LL PLAY THE BEAT AND THEN YOU PLAY SOMETHING LIKE GET 'EM SPICY OR SPICY ON THE TRACK. 301 00:11:55,191 --> 00:11:55,756 PLAY SOMETHING LIKE GET 'EM SPICY OR SPICY ON THE TRACK. >> GREAT. 302 00:11:55,758 --> 00:11:56,457 SPICY OR SPICY ON THE TRACK. >> GREAT. WE'LL GIVE YOU SOME OPTIONS. 303 00:11:56,459 --> 00:11:56,891 >> GREAT. WE'LL GIVE YOU SOME OPTIONS. >> ALL RIGHT. 304 00:11:56,893 --> 00:11:58,426 WE'LL GIVE YOU SOME OPTIONS. >> ALL RIGHT. TAKE ONE. 305 00:11:58,428 --> 00:12:01,529 >> ALL RIGHT. TAKE ONE. >> OOH, YOUNG SPICY GOT THAT 306 00:12:01,531 --> 00:12:01,829 TAKE ONE. >> OOH, YOUNG SPICY GOT THAT HEAT. 307 00:12:01,831 --> 00:12:02,897 >> OOH, YOUNG SPICY GOT THAT HEAT. >> THIS WAY TOO SPICY. 308 00:12:02,899 --> 00:12:04,132 HEAT. >> THIS WAY TOO SPICY. >> YEAH, EXACTLY. 309 00:12:04,134 --> 00:12:04,799 >> THIS WAY TOO SPICY. >> YEAH, EXACTLY. JUST LIKE THAT. 310 00:12:04,801 --> 00:12:05,700 >> YEAH, EXACTLY. JUST LIKE THAT. KEEP THAT GOING. 311 00:12:05,702 --> 00:12:08,469 JUST LIKE THAT. KEEP THAT GOING. >> OOH, YOUNG SPICY FLAMING. 312 00:12:08,471 --> 00:12:11,472 KEEP THAT GOING. >> OOH, YOUNG SPICY FLAMING. >> OOH, SPICY'S HIDING 313 00:12:11,474 --> 00:12:11,873 >> OOH, YOUNG SPICY FLAMING. >> OOH, SPICY'S HIDING SOMETHING. 314 00:12:11,875 --> 00:12:16,777 >> OOH, SPICY'S HIDING SOMETHING. >> SPICY IN THE CLOSET FO SHO. 315 00:12:16,779 --> 00:12:18,980 SOMETHING. >> SPICY IN THE CLOSET FO SHO. >> DAMN SPICY, WHY YOUR WRISTS 316 00:12:18,982 --> 00:12:19,847 >> SPICY IN THE CLOSET FO SHO. >> DAMN SPICY, WHY YOUR WRISTS SO LIMP? 317 00:12:19,849 --> 00:12:21,516 >> DAMN SPICY, WHY YOUR WRISTS SO LIMP? >> STOP, STOP THAT. 318 00:12:21,518 --> 00:12:22,150 SO LIMP? >> STOP, STOP THAT. ALL RIGHT. 319 00:12:22,152 --> 00:12:22,450 >> STOP, STOP THAT. ALL RIGHT. OKAY. 320 00:12:22,452 --> 00:12:24,318 ALL RIGHT. OKAY. SO I'M LOOKING FOR SOMETHING 321 00:12:24,320 --> 00:12:27,155 OKAY. SO I'M LOOKING FOR SOMETHING MENACING AND COOL, NOT ABOUT MY 322 00:12:27,157 --> 00:12:28,456 SO I'M LOOKING FOR SOMETHING MENACING AND COOL, NOT ABOUT MY SEXUALITY, WHICH I'M STILL 323 00:12:28,458 --> 00:12:30,525 MENACING AND COOL, NOT ABOUT MY SEXUALITY, WHICH I'M STILL FIGURING OUT BY THE WAY. 324 00:12:30,527 --> 00:12:30,858 SEXUALITY, WHICH I'M STILL FIGURING OUT BY THE WAY. >> OKAY. 325 00:12:30,860 --> 00:12:33,427 FIGURING OUT BY THE WAY. >> OKAY. >> SEE, YOU SHOULD'VE JUST SAID 326 00:12:33,429 --> 00:12:33,728 >> OKAY. >> SEE, YOU SHOULD'VE JUST SAID THAT. 327 00:12:33,730 --> 00:12:34,162 >> SEE, YOU SHOULD'VE JUST SAID THAT. >> ALL RIGHT. 328 00:12:34,164 --> 00:12:35,463 THAT. >> ALL RIGHT. LET'S RUN THAT BACK ONE TIME. 329 00:12:35,465 --> 00:12:38,900 >> ALL RIGHT. LET'S RUN THAT BACK ONE TIME. >> OOH, SPICY'S SUPER STRAIGHT. 330 00:12:38,902 --> 00:12:42,603 LET'S RUN THAT BACK ONE TIME. >> OOH, SPICY'S SUPER STRAIGHT. >> DAMN, SPICY SO STRAIGHT IT'S 331 00:12:42,605 --> 00:12:43,004 >> OOH, SPICY'S SUPER STRAIGHT. >> DAMN, SPICY SO STRAIGHT IT'S FRIGHTENING. 332 00:12:43,006 --> 00:12:45,273 >> DAMN, SPICY SO STRAIGHT IT'S FRIGHTENING. >> SPICY GET AGGRESSIVE WHEN YOU 333 00:12:45,275 --> 00:12:45,740 FRIGHTENING. >> SPICY GET AGGRESSIVE WHEN YOU QUESTION THAT. 334 00:12:45,742 --> 00:12:48,042 >> SPICY GET AGGRESSIVE WHEN YOU QUESTION THAT. >> HEY, SPICY, DON'T GRAB LIKE 335 00:12:48,044 --> 00:12:48,409 QUESTION THAT. >> HEY, SPICY, DON'T GRAB LIKE THAT. 336 00:12:48,411 --> 00:12:50,077 >> HEY, SPICY, DON'T GRAB LIKE THAT. SPICY, OW, THAT HURTS. 337 00:12:50,079 --> 00:12:51,979 THAT. SPICY, OW, THAT HURTS. >> LET GO OF MY ARM, SPICY. 338 00:12:51,981 --> 00:12:52,980 SPICY, OW, THAT HURTS. >> LET GO OF MY ARM, SPICY. >> CUT, CUT. 339 00:12:52,982 --> 00:12:55,416 >> LET GO OF MY ARM, SPICY. >> CUT, CUT. >> THAT'S A CUT. 340 00:12:55,418 --> 00:12:55,850 >> CUT, CUT. >> THAT'S A CUT. >> ALL RIGHT. 341 00:12:55,852 --> 00:12:56,951 >> THAT'S A CUT. >> ALL RIGHT. HEY, PLEASE DON'T SAY I'M SCARY 342 00:12:56,953 --> 00:12:57,585 >> ALL RIGHT. HEY, PLEASE DON'T SAY I'M SCARY TO WOMEN. 343 00:12:57,587 --> 00:12:57,952 HEY, PLEASE DON'T SAY I'M SCARY TO WOMEN. ALL RIGHT? 344 00:12:57,954 --> 00:12:59,620 TO WOMEN. ALL RIGHT? THAT IS NOT THE VIBE THAT I'M 345 00:12:59,622 --> 00:13:00,021 ALL RIGHT? THAT IS NOT THE VIBE THAT I'M GOING FOR. 346 00:13:00,023 --> 00:13:02,056 THAT IS NOT THE VIBE THAT I'M GOING FOR. >> SO YOU'RE SAYING NO TO THAT? 347 00:13:02,058 --> 00:13:03,758 GOING FOR. >> SO YOU'RE SAYING NO TO THAT? >> DO YOU NOT KNOW WHO WE ARE? 348 00:13:03,760 --> 00:13:08,296 >> SO YOU'RE SAYING NO TO THAT? >> DO YOU NOT KNOW WHO WE ARE? >> YEAH, Y'ALL ARE TWO BADDIES 349 00:13:08,298 --> 00:13:09,463 >> DO YOU NOT KNOW WHO WE ARE? >> YEAH, Y'ALL ARE TWO BADDIES FROM TASK RABBIT. 350 00:13:09,465 --> 00:13:12,500 >> YEAH, Y'ALL ARE TWO BADDIES FROM TASK RABBIT. Y'ALL DO VOICEOVERS AND JUNK 351 00:13:12,502 --> 00:13:12,833 FROM TASK RABBIT. Y'ALL DO VOICEOVERS AND JUNK REMOVAL. 352 00:13:12,835 --> 00:13:14,268 Y'ALL DO VOICEOVERS AND JUNK REMOVAL. JUST SAY SOMETHING ABOUT MY 353 00:13:14,270 --> 00:13:15,937 REMOVAL. JUST SAY SOMETHING ABOUT MY BEATS, SOMETHING LIKE YOUNG 354 00:13:15,939 --> 00:13:16,637 JUST SAY SOMETHING ABOUT MY BEATS, SOMETHING LIKE YOUNG SPICY TOO NASTY. 355 00:13:16,639 --> 00:13:17,238 BEATS, SOMETHING LIKE YOUNG SPICY TOO NASTY. >> OF COURSE. 356 00:13:17,240 --> 00:13:17,838 SPICY TOO NASTY. >> OF COURSE. WE CAN DO THAT. 357 00:13:17,840 --> 00:13:18,439 >> OF COURSE. WE CAN DO THAT. >> THAT'S EASY. 358 00:13:18,441 --> 00:13:20,474 WE CAN DO THAT. >> THAT'S EASY. >> LET'S GO AHEAD AND MAKE THIS 359 00:13:20,476 --> 00:13:21,309 >> THAT'S EASY. >> LET'S GO AHEAD AND MAKE THIS ONE QUICK. 360 00:13:21,311 --> 00:13:24,412 >> LET'S GO AHEAD AND MAKE THIS ONE QUICK. IN ABOUT 90 SECONDS I NEED TO 361 00:13:24,414 --> 00:13:26,280 ONE QUICK. IN ABOUT 90 SECONDS I NEED TO DROP SOME QUARTERS IN THE METER. 362 00:13:26,282 --> 00:13:27,281 IN ABOUT 90 SECONDS I NEED TO DROP SOME QUARTERS IN THE METER. MIGHT NEED SOME CHANGE FROM 363 00:13:27,283 --> 00:13:27,915 DROP SOME QUARTERS IN THE METER. MIGHT NEED SOME CHANGE FROM Y'ALL TOO. 364 00:13:27,917 --> 00:13:29,150 MIGHT NEED SOME CHANGE FROM Y'ALL TOO. HERE WE GO. 365 00:13:29,152 --> 00:13:31,586 Y'ALL TOO. HERE WE GO. >> OOH, SPICY, YOU WILD FOR 366 00:13:31,588 --> 00:13:31,886 HERE WE GO. >> OOH, SPICY, YOU WILD FOR THIS. 367 00:13:31,888 --> 00:13:32,553 >> OOH, SPICY, YOU WILD FOR THIS. >> EXACTLY. 368 00:13:32,555 --> 00:13:33,721 THIS. >> EXACTLY. COUPLE MORE LIKE THAT. 369 00:13:33,723 --> 00:13:35,823 >> EXACTLY. COUPLE MORE LIKE THAT. >> DAMN, SPICY, A FREAK FOR 370 00:13:35,825 --> 00:13:36,123 COUPLE MORE LIKE THAT. >> DAMN, SPICY, A FREAK FOR REAL. 371 00:13:36,125 --> 00:13:37,658 >> DAMN, SPICY, A FREAK FOR REAL. >> I LIKE THAT ONE, YEAH. 372 00:13:37,660 --> 00:13:40,761 REAL. >> I LIKE THAT ONE, YEAH. >> SPICY, WHY YOU DM'ing HIGH 373 00:13:40,763 --> 00:13:42,797 >> I LIKE THAT ONE, YEAH. >> SPICY, WHY YOU DM'ing HIGH SCHOOLERS? 374 00:13:42,799 --> 00:13:43,364 >> SPICY, WHY YOU DM'ing HIGH SCHOOLERS? >> TAKE A SEAT, SPICY. 375 00:13:43,366 --> 00:13:46,200 SCHOOLERS? >> TAKE A SEAT, SPICY. I NAME IS CHRIS HANSON. 376 00:13:46,202 --> 00:13:48,803 >> TAKE A SEAT, SPICY. I NAME IS CHRIS HANSON. >> DAMN SPICY, WHY DID YOU DRIVE 377 00:13:48,805 --> 00:13:53,975 I NAME IS CHRIS HANSON. >> DAMN SPICY, WHY DID YOU DRIVE FOUR HOURS TO THE CLEVELAND 378 00:13:53,977 --> 00:13:55,509 >> DAMN SPICY, WHY DID YOU DRIVE FOUR HOURS TO THE CLEVELAND SUBURBS IN A SUCK SEE DOE. 379 00:13:55,511 --> 00:13:58,579 FOUR HOURS TO THE CLEVELAND SUBURBS IN A SUCK SEE DOE. >> AND WHY YOU ONLY HAVE KY 380 00:13:58,581 --> 00:13:59,513 SUBURBS IN A SUCK SEE DOE. >> AND WHY YOU ONLY HAVE KY JELLY IN YOUR BAG? 381 00:13:59,515 --> 00:14:01,349 >> AND WHY YOU ONLY HAVE KY JELLY IN YOUR BAG? >> I DON'T WANT TO SOUND LIKE 382 00:14:01,351 --> 00:14:02,850 JELLY IN YOUR BAG? >> I DON'T WANT TO SOUND LIKE I'M A PERVERT IN A STING 383 00:14:02,852 --> 00:14:03,718 >> I DON'T WANT TO SOUND LIKE I'M A PERVERT IN A STING OPERATION, ALL RIGHT? 384 00:14:03,720 --> 00:14:05,253 I'M A PERVERT IN A STING OPERATION, ALL RIGHT? WHEN WE GO AGAIN THIS NEXT TIME, 385 00:14:05,255 --> 00:14:07,188 OPERATION, ALL RIGHT? WHEN WE GO AGAIN THIS NEXT TIME, I'M GOING TO GIVE YOU THE SETUP. 386 00:14:07,190 --> 00:14:09,257 WHEN WE GO AGAIN THIS NEXT TIME, I'M GOING TO GIVE YOU THE SETUP. ALL YOU GOT TO DO IS FILL IN THE 387 00:14:09,259 --> 00:14:09,557 I'M GOING TO GIVE YOU THE SETUP. ALL YOU GOT TO DO IS FILL IN THE BLANK. 388 00:14:09,559 --> 00:14:12,827 ALL YOU GOT TO DO IS FILL IN THE BLANK. YOU GOT TIME FOR ONE MORE? 389 00:14:12,829 --> 00:14:15,263 BLANK. YOU GOT TIME FOR ONE MORE? >> MEAN, THE METER IS PAST DUE, 390 00:14:15,265 --> 00:14:15,529 YOU GOT TIME FOR ONE MORE? >> MEAN, THE METER IS PAST DUE, MAN. 391 00:14:15,531 --> 00:14:16,664 >> MEAN, THE METER IS PAST DUE, MAN. I'M SURE IT'S FINE. 392 00:14:16,666 --> 00:14:17,064 MAN. I'M SURE IT'S FINE. ONE MORE. 393 00:14:17,066 --> 00:14:17,698 I'M SURE IT'S FINE. ONE MORE. >> ALL RIGHT. 394 00:14:17,700 --> 00:14:19,900 ONE MORE. >> ALL RIGHT. SO SOMETHING LIKE, OO HARDSHIP, 395 00:14:19,902 --> 00:14:21,702 >> ALL RIGHT. SO SOMETHING LIKE, OO HARDSHIP, SPICY GOT THAT -- 396 00:14:21,704 --> 00:14:24,038 SO SOMETHING LIKE, OO HARDSHIP, SPICY GOT THAT -- >> VEHICULAR MANSLAUGHTER 397 00:14:24,040 --> 00:14:24,372 SPICY GOT THAT -- >> VEHICULAR MANSLAUGHTER CHARGE. 398 00:14:24,374 --> 00:14:25,306 >> VEHICULAR MANSLAUGHTER CHARGE. >> NO, NO. 399 00:14:25,308 --> 00:14:28,276 CHARGE. >> NO, NO. SOMETHING LIKE, SPICY GOT 400 00:14:28,278 --> 00:14:28,609 >> NO, NO. SOMETHING LIKE, SPICY GOT THAT -- 401 00:14:28,611 --> 00:14:30,111 SOMETHING LIKE, SPICY GOT THAT -- >> ERECTILE DYSFUNCTION. 402 00:14:30,113 --> 00:14:31,479 THAT -- >> ERECTILE DYSFUNCTION. >> PLEASE, COME ON, NOTHING 403 00:14:31,481 --> 00:14:32,380 >> ERECTILE DYSFUNCTION. >> PLEASE, COME ON, NOTHING ABOUT MY BODY. 404 00:14:32,382 --> 00:14:33,014 >> PLEASE, COME ON, NOTHING ABOUT MY BODY. ONE MORE TIME. 405 00:14:33,016 --> 00:14:34,181 ABOUT MY BODY. ONE MORE TIME. ALL RIGHT. 406 00:14:34,183 --> 00:14:35,349 ONE MORE TIME. ALL RIGHT. OOH, SPICY GOT THAT -- 407 00:14:35,351 --> 00:14:38,119 ALL RIGHT. OOH, SPICY GOT THAT -- >> OUTDATED WAY OF THINKING. 408 00:14:38,121 --> 00:14:40,221 OOH, SPICY GOT THAT -- >> OUTDATED WAY OF THINKING. >> SPICY LOW KEY A TRUMP 409 00:14:40,223 --> 00:14:40,621 >> OUTDATED WAY OF THINKING. >> SPICY LOW KEY A TRUMP SUPPORTER. 410 00:14:40,623 --> 00:14:42,023 >> SPICY LOW KEY A TRUMP SUPPORTER. >> NO, NO. 411 00:14:42,025 --> 00:14:42,390 SUPPORTER. >> NO, NO. >> CUT. 412 00:14:42,392 --> 00:14:43,057 >> NO, NO. >> CUT. >> OKAY. 413 00:14:43,059 --> 00:14:45,459 >> CUT. >> OKAY. SO I GUESS Y'ALL JUST PREFER JOE 414 00:14:45,461 --> 00:14:46,027 >> OKAY. SO I GUESS Y'ALL JUST PREFER JOE BIDEN, WHATEVER. 415 00:14:46,029 --> 00:14:46,661 SO I GUESS Y'ALL JUST PREFER JOE BIDEN, WHATEVER. ALL RIGHT. 416 00:14:46,663 --> 00:14:47,061 BIDEN, WHATEVER. ALL RIGHT. FORGET IT. 417 00:14:47,063 --> 00:14:49,430 ALL RIGHT. FORGET IT. >> LOOK, THE MAN WANTS SOMETHING 418 00:14:49,432 --> 00:14:51,499 FORGET IT. >> LOOK, THE MAN WANTS SOMETHING SIMPLE, SOMETHING LIKE -- SPICY 419 00:14:51,501 --> 00:14:51,932 >> LOOK, THE MAN WANTS SOMETHING SIMPLE, SOMETHING LIKE -- SPICY IN THE HOOD. 420 00:14:51,934 --> 00:14:53,634 SIMPLE, SOMETHING LIKE -- SPICY IN THE HOOD. >> YEP, THAT'S IT. 421 00:14:53,636 --> 00:14:55,403 IN THE HOOD. >> YEP, THAT'S IT. >> BY LAW, HE GOT TO NOTIFY HIS 422 00:14:55,405 --> 00:14:55,803 >> YEP, THAT'S IT. >> BY LAW, HE GOT TO NOTIFY HIS NEIGHBORS. 423 00:14:55,805 --> 00:14:58,439 >> BY LAW, HE GOT TO NOTIFY HIS NEIGHBORS. >> OH, COME ON! 424 00:15:09,384 --> 00:15:23,097 ♪♪ >>> BRAVO, BRAVO. MR. BECKWITH, THE PLAY TONIGHT 425 00:15:23,099 --> 00:15:25,800 >>> BRAVO, BRAVO. MR. BECKWITH, THE PLAY TONIGHT WAS EXTRAORDINARY, A REAL 426 00:15:25,802 --> 00:15:26,167 MR. BECKWITH, THE PLAY TONIGHT WAS EXTRAORDINARY, A REAL TRIUMPH. 427 00:15:26,169 --> 00:15:27,001 WAS EXTRAORDINARY, A REAL TRIUMPH. >> THANK YOU, MS. EMILY. 428 00:15:27,003 --> 00:15:29,136 TRIUMPH. >> THANK YOU, MS. EMILY. >> I MUST MEET THE PLAY WRIGHT. 429 00:15:29,138 --> 00:15:31,272 >> THANK YOU, MS. EMILY. >> I MUST MEET THE PLAY WRIGHT. >> I'M AFRAID HE'S RATHER 430 00:15:31,274 --> 00:15:31,639 >> I MUST MEET THE PLAY WRIGHT. >> I'M AFRAID HE'S RATHER PRIVATE. 431 00:15:31,641 --> 00:15:32,006 >> I'M AFRAID HE'S RATHER PRIVATE. >> PLEASE. 432 00:15:32,008 --> 00:15:36,711 PRIVATE. >> PLEASE. I FEEL LIKE OUR SOULS ARE ONE, 433 00:15:36,713 --> 00:15:39,747 >> PLEASE. I FEEL LIKE OUR SOULS ARE ONE, AND YET I ONLY KNOW HIM AS THE 434 00:15:39,749 --> 00:15:40,214 I FEEL LIKE OUR SOULS ARE ONE, AND YET I ONLY KNOW HIM AS THE ANOMALOUS MAN. 435 00:15:40,216 --> 00:15:42,083 AND YET I ONLY KNOW HIM AS THE ANOMALOUS MAN. >> IF YOU INSIST. 436 00:15:42,085 --> 00:15:46,320 ANOMALOUS MAN. >> IF YOU INSIST. I MUST WARN YOU, EVEN IF YOU ARE 437 00:15:46,322 --> 00:15:54,595 >> IF YOU INSIST. I MUST WARN YOU, EVEN IF YOU ARE SHOCKED BY HIS APPEARANCE, YOU 438 00:15:54,597 --> 00:15:55,162 I MUST WARN YOU, EVEN IF YOU ARE SHOCKED BY HIS APPEARANCE, YOU MUSN'T SHOW IT. 439 00:15:55,164 --> 00:16:00,167 SHOCKED BY HIS APPEARANCE, YOU MUSN'T SHOW IT. IT WOULD DESTROY HIM. 440 00:16:00,169 --> 00:16:01,669 MUSN'T SHOW IT. IT WOULD DESTROY HIM. PETER, YOU HAVE A GUEST. 441 00:16:01,671 --> 00:16:03,738 IT WOULD DESTROY HIM. PETER, YOU HAVE A GUEST. >> A GUEST? 442 00:16:03,740 --> 00:16:04,071 PETER, YOU HAVE A GUEST. >> A GUEST? FOR ME? 443 00:16:04,073 --> 00:16:05,740 >> A GUEST? FOR ME? ARE YOU EVER SO SURE? 444 00:16:05,742 --> 00:16:12,079 FOR ME? ARE YOU EVER SO SURE? >> HELLO, PETER. 445 00:16:12,081 --> 00:16:14,415 ARE YOU EVER SO SURE? >> HELLO, PETER. I'M MS. EMILY. 446 00:16:14,417 --> 00:16:16,083 >> HELLO, PETER. I'M MS. EMILY. >> MISS, PLEASE DON'T LOOK AT 447 00:16:16,085 --> 00:16:16,484 I'M MS. EMILY. >> MISS, PLEASE DON'T LOOK AT ME. 448 00:16:16,486 --> 00:16:23,624 >> MISS, PLEASE DON'T LOOK AT ME. I'M A MONSTER, A HIDEOUS 449 00:16:23,626 --> 00:16:23,991 ME. I'M A MONSTER, A HIDEOUS MONSTER. 450 00:16:23,993 --> 00:16:24,658 I'M A MONSTER, A HIDEOUS MONSTER. >> YOU'RE NOT A MONSTER, I 451 00:16:24,660 --> 00:16:25,459 MONSTER. >> YOU'RE NOT A MONSTER, I HAPPEN TO THINK YOU'RE THE MOST 452 00:16:25,461 --> 00:16:27,595 >> YOU'RE NOT A MONSTER, I HAPPEN TO THINK YOU'RE THE MOST WONDERFUL MAN I'VE EVER SEEN. 453 00:16:27,597 --> 00:16:31,565 HAPPEN TO THINK YOU'RE THE MOST WONDERFUL MAN I'VE EVER SEEN. >> WELL, THAT'S VERY KIND. 454 00:16:31,567 --> 00:16:32,500 WONDERFUL MAN I'VE EVER SEEN. >> WELL, THAT'S VERY KIND. >> WOULD YOU LIKE TO HAVE DINNER 455 00:16:32,502 --> 00:16:35,169 >> WELL, THAT'S VERY KIND. >> WOULD YOU LIKE TO HAVE DINNER WITH ME, PETER? 456 00:16:35,171 --> 00:16:44,311 >> WOULD YOU LIKE TO HAVE DINNER WITH ME, PETER? >> I WOULD LIKE THAT VERY MUCH. 457 00:16:44,313 --> 00:16:46,781 WITH ME, PETER? >> I WOULD LIKE THAT VERY MUCH. I REPULSE YOU, DO I NOT? 458 00:16:46,783 --> 00:16:47,982 >> I WOULD LIKE THAT VERY MUCH. I REPULSE YOU, DO I NOT? I REPULSE EVERYONE. 459 00:16:47,984 --> 00:16:49,817 I REPULSE YOU, DO I NOT? I REPULSE EVERYONE. >> NO, NO. 460 00:16:49,819 --> 00:16:50,484 I REPULSE EVERYONE. >> NO, NO. IT'S OKAY. 461 00:16:50,486 --> 00:16:54,488 >> NO, NO. IT'S OKAY. I LIKE TO WATCH YOU TAKE DOWN 462 00:16:54,490 --> 00:16:54,789 IT'S OKAY. I LIKE TO WATCH YOU TAKE DOWN FOOD. 463 00:16:54,791 --> 00:16:55,523 I LIKE TO WATCH YOU TAKE DOWN FOOD. IT REMINDS ME OF BACK HOME ON 464 00:16:55,525 --> 00:16:57,591 FOOD. IT REMINDS ME OF BACK HOME ON THE FARM. 465 00:16:57,593 --> 00:17:04,899 IT REMINDS ME OF BACK HOME ON THE FARM. OH. 466 00:17:04,901 --> 00:17:07,334 THE FARM. OH. >> OH. 467 00:17:07,336 --> 00:17:08,702 OH. >> OH. >> WHAT'S WRONG, PETER? 468 00:17:08,704 --> 00:17:11,338 >> OH. >> WHAT'S WRONG, PETER? >> WELL, I'VE NEVER KNOWN THE 469 00:17:11,340 --> 00:17:12,006 >> WHAT'S WRONG, PETER? >> WELL, I'VE NEVER KNOWN THE PLEASURE OF A WOMAN'S TOUCH 470 00:17:12,008 --> 00:17:20,247 >> WELL, I'VE NEVER KNOWN THE PLEASURE OF A WOMAN'S TOUCH BEFORE. 471 00:17:20,249 --> 00:17:21,515 PLEASURE OF A WOMAN'S TOUCH BEFORE. >> OH, MY. 472 00:17:21,517 --> 00:17:22,783 BEFORE. >> OH, MY. CAN IT SEE? 473 00:17:22,785 --> 00:17:23,818 >> OH, MY. CAN IT SEE? >> YES. 474 00:17:23,820 --> 00:17:24,552 CAN IT SEE? >> YES. AND YOU'VE NEVER LOOKED MORE 475 00:17:24,554 --> 00:17:31,992 >> YES. AND YOU'VE NEVER LOOKED MORE BEAUTIFUL. 476 00:17:31,994 --> 00:17:33,027 AND YOU'VE NEVER LOOKED MORE BEAUTIFUL. >> READY? 477 00:17:33,029 --> 00:17:33,727 BEAUTIFUL. >> READY? >> YES. 478 00:17:33,729 --> 00:17:34,428 >> READY? >> YES. LET ME JUST PACK MY MEAGER 479 00:17:34,430 --> 00:17:36,697 >> YES. LET ME JUST PACK MY MEAGER BELONGINGS. 480 00:17:36,699 --> 00:17:39,934 LET ME JUST PACK MY MEAGER BELONGINGS. READY. 481 00:17:39,936 --> 00:17:40,568 BELONGINGS. READY. GOOD-BYE, OLD ROOM. 482 00:17:40,570 --> 00:17:44,805 READY. GOOD-BYE, OLD ROOM. GOOD-BYE, OLD LIFE. 483 00:17:44,807 --> 00:17:53,047 GOOD-BYE, OLD ROOM. GOOD-BYE, OLD LIFE. AND HELLO, LOVE. 484 00:17:53,049 --> 00:17:55,249 GOOD-BYE, OLD LIFE. AND HELLO, LOVE. >> ARE YOU HAPPY, PETER? 485 00:17:55,251 --> 00:17:57,952 AND HELLO, LOVE. >> ARE YOU HAPPY, PETER? >> I'M ONE OF THE SORROWFUL 486 00:17:57,954 --> 00:18:00,120 >> ARE YOU HAPPY, PETER? >> I'M ONE OF THE SORROWFUL ONES, AND YET YOU HAVE BROUGHT 487 00:18:00,122 --> 00:18:02,490 >> I'M ONE OF THE SORROWFUL ONES, AND YET YOU HAVE BROUGHT LIFE INTO A HEART THAT HAS ONLY 488 00:18:02,492 --> 00:18:02,957 ONES, AND YET YOU HAVE BROUGHT LIFE INTO A HEART THAT HAS ONLY KNOWN DARKNESS. 489 00:18:02,959 --> 00:18:19,440 LIFE INTO A HEART THAT HAS ONLY KNOWN DARKNESS. >> GOOD NIGHT, MY PRINCE. 490 00:18:27,449 --> 00:18:30,417 ARE YOU TEXTING SOMEONE? >> NO. >> WHAT DID YOU JUST HIDE? 491 00:18:30,419 --> 00:18:30,818 >> NO. >> WHAT DID YOU JUST HIDE? >> NOTHING. 492 00:18:30,820 --> 00:18:32,319 >> WHAT DID YOU JUST HIDE? >> NOTHING. >> OH, MY GOD. 493 00:18:32,321 --> 00:18:33,921 >> NOTHING. >> OH, MY GOD. YOU HAVE A SECOND PHONE. 494 00:18:33,923 --> 00:18:36,357 >> OH, MY GOD. YOU HAVE A SECOND PHONE. >> JUST FOR WORK AND SUCH. 495 00:18:36,359 --> 00:18:39,059 YOU HAVE A SECOND PHONE. >> JUST FOR WORK AND SUCH. >> SHE'S ASLEEP, WASH THAT ASS 496 00:18:39,061 --> 00:18:41,695 >> JUST FOR WORK AND SUCH. >> SHE'S ASLEEP, WASH THAT ASS AND GET TO THE HOLIDAY INN, I'M 497 00:18:41,697 --> 00:18:43,898 >> SHE'S ASLEEP, WASH THAT ASS AND GET TO THE HOLIDAY INN, I'M TRYING TO SHOW YOU WHAT THIS 498 00:18:43,900 --> 00:18:44,265 AND GET TO THE HOLIDAY INN, I'M TRYING TO SHOW YOU WHAT THIS SNOUT DO. 499 00:18:44,267 --> 00:18:46,267 TRYING TO SHOW YOU WHAT THIS SNOUT DO. >> PRETTY SURE THAT'S WORK 500 00:18:46,269 --> 00:18:46,634 SNOUT DO. >> PRETTY SURE THAT'S WORK RELATED. 501 00:18:46,636 --> 00:18:49,236 >> PRETTY SURE THAT'S WORK RELATED. >> FEELING HORNY AS A MOFO. 502 00:18:49,238 --> 00:18:50,604 RELATED. >> FEELING HORNY AS A MOFO. >> I THINK THAT WAS A TYPO. 503 00:18:50,606 --> 00:18:52,339 >> FEELING HORNY AS A MOFO. >> I THINK THAT WAS A TYPO. >> AND SHE RESPONDED I'M GOING 504 00:18:52,341 --> 00:18:55,409 >> I THINK THAT WAS A TYPO. >> AND SHE RESPONDED I'M GOING TO RIDE YOUR FACE UNTIL IT LOOKS 505 00:18:55,411 --> 00:18:55,743 >> AND SHE RESPONDED I'M GOING TO RIDE YOUR FACE UNTIL IT LOOKS NORMAL. 506 00:18:55,745 --> 00:18:56,377 TO RIDE YOUR FACE UNTIL IT LOOKS NORMAL. >> WRONG NUMBER PERHAPS. 507 00:18:56,379 --> 00:18:57,745 NORMAL. >> WRONG NUMBER PERHAPS. >> YOU SENT HER THIS PICTURE 508 00:18:57,747 --> 00:18:59,580 >> WRONG NUMBER PERHAPS. >> YOU SENT HER THIS PICTURE WITH THE CAPTION, POV, YOU'RE 509 00:18:59,582 --> 00:19:02,383 >> YOU SENT HER THIS PICTURE WITH THE CAPTION, POV, YOU'RE ABOUT TO GET RAILED BY A WEIRDO. 510 00:19:02,385 --> 00:19:04,285 WITH THE CAPTION, POV, YOU'RE ABOUT TO GET RAILED BY A WEIRDO. >> I CAN'T HELP BUT WRITE 511 00:19:04,287 --> 00:19:04,618 ABOUT TO GET RAILED BY A WEIRDO. >> I CAN'T HELP BUT WRITE POETRY. 512 00:19:04,620 --> 00:19:05,419 >> I CAN'T HELP BUT WRITE POETRY. >> POETRY? 513 00:19:05,421 --> 00:19:07,755 POETRY. >> POETRY? LIKE THIS, YOUR BUTT, MY FACE, 514 00:19:07,757 --> 00:19:10,224 >> POETRY? LIKE THIS, YOUR BUTT, MY FACE, PRAYER HANDS EMOJI. 515 00:19:10,226 --> 00:19:12,159 LIKE THIS, YOUR BUTT, MY FACE, PRAYER HANDS EMOJI. >> I THINK I'LL JUST BE GOING 516 00:19:12,161 --> 00:19:12,459 PRAYER HANDS EMOJI. >> I THINK I'LL JUST BE GOING NOW. 517 00:19:12,461 --> 00:19:13,561 >> I THINK I'LL JUST BE GOING NOW. >> HOW MANY MORE PHONES DO YOU 518 00:19:13,563 --> 00:19:14,094 NOW. >> HOW MANY MORE PHONES DO YOU HAVE? 519 00:19:14,096 --> 00:19:15,162 >> HOW MANY MORE PHONES DO YOU HAVE? >> WHO'S TO SAY REALLY? 520 00:19:15,164 --> 00:19:17,398 HAVE? >> WHO'S TO SAY REALLY? >> I WANT YOU OUT OF HERE. 521 00:19:17,400 --> 00:19:18,032 >> WHO'S TO SAY REALLY? >> I WANT YOU OUT OF HERE. >> JUST PACKING MY MEAGER 522 00:19:18,034 --> 00:19:20,401 >> I WANT YOU OUT OF HERE. >> JUST PACKING MY MEAGER THINGS. 523 00:19:20,403 --> 00:19:22,603 >> JUST PACKING MY MEAGER THINGS. HAVE YOU SEEN MY PILE OF DUST? 524 00:19:22,605 --> 00:19:24,772 THINGS. HAVE YOU SEEN MY PILE OF DUST? >> GET OUT YOU UGLY FREAK! 525 00:19:24,774 --> 00:19:27,207 HAVE YOU SEEN MY PILE OF DUST? >> GET OUT YOU UGLY FREAK! >> YOU KNOW, WE NEVER REALLY 526 00:19:27,209 --> 00:19:27,908 >> GET OUT YOU UGLY FREAK! >> YOU KNOW, WE NEVER REALLY SAID WE WERE EXCLUSIVE, BUT 527 00:19:27,910 --> 00:19:34,982 >> YOU KNOW, WE NEVER REALLY SAID WE WERE EXCLUSIVE, BUT OKAY. 528 00:19:34,984 --> 00:19:36,584 SAID WE WERE EXCLUSIVE, BUT OKAY. >> WOULD YOU LIKE THAT. 529 00:19:36,586 --> 00:19:40,287 OKAY. >> WOULD YOU LIKE THAT. >> YES I WOULD. 530 00:19:40,289 --> 00:19:41,055 >> WOULD YOU LIKE THAT. >> YES I WOULD. >> WHAT? 531 00:19:41,057 --> 00:19:43,257 >> YES I WOULD. >> WHAT? ARE YOU SERIOUS? 532 00:19:43,259 --> 00:19:44,091 >> WHAT? ARE YOU SERIOUS? >> HE SAID I BROUGHT LIGHT TO A 533 00:19:44,093 --> 00:19:45,826 ARE YOU SERIOUS? >> HE SAID I BROUGHT LIGHT TO A HEART THAT HAD ONLY KNOWN 534 00:19:45,828 --> 00:19:46,193 >> HE SAID I BROUGHT LIGHT TO A HEART THAT HAD ONLY KNOWN DARKNESS. 535 00:19:46,195 --> 00:19:47,761 HEART THAT HAD ONLY KNOWN DARKNESS. >> THAT'S WHAT HE SAYS TO 536 00:19:47,763 --> 00:19:48,162 DARKNESS. >> THAT'S WHAT HE SAYS TO EVERYONE! 537 00:19:48,164 --> 00:19:48,762 >> THAT'S WHAT HE SAYS TO EVERYONE! >> WHAT? 538 00:19:48,764 --> 00:19:51,031 EVERYONE! >> WHAT? GET OUT OF HERE, YOU PIG! 539 00:19:51,033 --> 00:19:51,999 >> WHAT? GET OUT OF HERE, YOU PIG! >> GOING, GOING. 540 00:19:52,001 --> 00:19:53,267 GET OUT OF HERE, YOU PIG! >> GOING, GOING. >> HE IS A GREAT WRITER. 541 00:19:53,269 --> 00:19:59,206 >> GOING, GOING. >> HE IS A GREAT WRITER. >> I MEAN, YEAH, HE'S A GENIUS. 542 00:20:04,045 --> 00:20:12,219 ♪ TIME TO WAKE UP AND STAND UP TALL AND TELL YOUR NEIGHBOR GOOD MORNING Y'ALL ♪ 543 00:20:12,221 --> 00:20:14,254 TALL AND TELL YOUR NEIGHBOR GOOD MORNING Y'ALL ♪ GOOD MORNING, GREENVILLE. 544 00:20:14,256 --> 00:20:15,522 MORNING Y'ALL ♪ GOOD MORNING, GREENVILLE. >>> GOOD MORNING, Y'ALL. 545 00:20:15,524 --> 00:20:17,725 GOOD MORNING, GREENVILLE. >>> GOOD MORNING, Y'ALL. >> GOOD MORNING, GREENVILLE. 546 00:20:17,727 --> 00:20:20,194 >>> GOOD MORNING, Y'ALL. >> GOOD MORNING, GREENVILLE. >> IT'S YOUR GIRL GAIL GOHNSON. 547 00:20:20,196 --> 00:20:22,830 >> GOOD MORNING, GREENVILLE. >> IT'S YOUR GIRL GAIL GOHNSON. >> AND YOUR BOY MASON MONROE 548 00:20:22,832 --> 00:20:25,199 >> IT'S YOUR GIRL GAIL GOHNSON. >> AND YOUR BOY MASON MONROE REPORTING FOR BOOTY. 549 00:20:25,201 --> 00:20:25,799 >> AND YOUR BOY MASON MONROE REPORTING FOR BOOTY. WHAT? 550 00:20:25,801 --> 00:20:27,034 REPORTING FOR BOOTY. WHAT? I'M SILLY TODAY. 551 00:20:27,036 --> 00:20:29,169 WHAT? I'M SILLY TODAY. >> WELL, SPRING HAS DEFINITELY 552 00:20:29,171 --> 00:20:30,804 I'M SILLY TODAY. >> WELL, SPRING HAS DEFINITELY SPRUNG HERE IN SOUTH CAROLINA, 553 00:20:30,806 --> 00:20:32,239 >> WELL, SPRING HAS DEFINITELY SPRUNG HERE IN SOUTH CAROLINA, AND IF YOU'RE WONDERING WHAT ALL 554 00:20:32,241 --> 00:20:37,077 SPRUNG HERE IN SOUTH CAROLINA, AND IF YOU'RE WONDERING WHAT ALL THE BUZZ IS ABOUT, IT'S CICADAS. 555 00:20:37,079 --> 00:20:39,880 AND IF YOU'RE WONDERING WHAT ALL THE BUZZ IS ABOUT, IT'S CICADAS. >> THEY ONLY APPEAR EVERY 17 556 00:20:39,882 --> 00:20:40,180 THE BUZZ IS ABOUT, IT'S CICADAS. >> THEY ONLY APPEAR EVERY 17 YEARS. 557 00:20:40,182 --> 00:20:41,849 >> THEY ONLY APPEAR EVERY 17 YEARS. SOUNDS LIKE HOW OFTEN MY 558 00:20:41,851 --> 00:20:43,384 YEARS. SOUNDS LIKE HOW OFTEN MY DAUGHTER COMES OUT OF HER ROOM. 559 00:20:43,386 --> 00:20:45,619 SOUNDS LIKE HOW OFTEN MY DAUGHTER COMES OUT OF HER ROOM. >> SOUNDS LIKE HOW OFTEN MY 560 00:20:45,621 --> 00:20:47,388 DAUGHTER COMES OUT OF HER ROOM. >> SOUNDS LIKE HOW OFTEN MY HUSBAND TAKES ME OUT FOR DINNER. 561 00:20:47,390 --> 00:20:48,689 >> SOUNDS LIKE HOW OFTEN MY HUSBAND TAKES ME OUT FOR DINNER. >> BUT HE'S A GOOD MAN. 562 00:20:48,691 --> 00:20:49,957 HUSBAND TAKES ME OUT FOR DINNER. >> BUT HE'S A GOOD MAN. >> UNTIL HE DRINKS. 563 00:20:49,959 --> 00:20:51,158 >> BUT HE'S A GOOD MAN. >> UNTIL HE DRINKS. >> MM HMM. 564 00:20:51,160 --> 00:20:54,428 >> UNTIL HE DRINKS. >> MM HMM. LATER ON IN THE PROGRAM, IS SOUP 565 00:20:54,430 --> 00:20:55,396 >> MM HMM. LATER ON IN THE PROGRAM, IS SOUP ACTUALLY BAD FOR YOU. 566 00:20:55,398 --> 00:20:56,296 LATER ON IN THE PROGRAM, IS SOUP ACTUALLY BAD FOR YOU. >> THE ANSWER WON'T SURPRISE 567 00:20:56,298 --> 00:20:56,563 ACTUALLY BAD FOR YOU. >> THE ANSWER WON'T SURPRISE YOU. 568 00:20:56,565 --> 00:21:00,167 >> THE ANSWER WON'T SURPRISE YOU. IT'S NO. 569 00:21:00,169 --> 00:21:03,203 YOU. IT'S NO. BUT FIRST, WE NEED TO GET REAL 570 00:21:03,205 --> 00:21:04,238 IT'S NO. BUT FIRST, WE NEED TO GET REAL SERIOUS FOR A MOMENT, Y'ALL, AND 571 00:21:04,240 --> 00:21:05,539 BUT FIRST, WE NEED TO GET REAL SERIOUS FOR A MOMENT, Y'ALL, AND TALK ABOUT WHAT'S HAPPENING IN 572 00:21:05,541 --> 00:21:06,373 SERIOUS FOR A MOMENT, Y'ALL, AND TALK ABOUT WHAT'S HAPPENING IN THE WORLD RIGHT NOW. 573 00:21:06,375 --> 00:21:07,241 TALK ABOUT WHAT'S HAPPENING IN THE WORLD RIGHT NOW. >> YEAH. 574 00:21:07,243 --> 00:21:08,108 THE WORLD RIGHT NOW. >> YEAH. WE REALLY DO. 575 00:21:08,110 --> 00:21:09,576 >> YEAH. WE REALLY DO. >> EVERYONE KEEPS COMING UP TO 576 00:21:09,578 --> 00:21:12,613 WE REALLY DO. >> EVERYONE KEEPS COMING UP TO ME AND ASKING, GAIL, WHERE DO 577 00:21:12,615 --> 00:21:16,917 >> EVERYONE KEEPS COMING UP TO ME AND ASKING, GAIL, WHERE DO YOU STAND ON THIS DRAKE/KENDRICK 578 00:21:16,919 --> 00:21:17,317 ME AND ASKING, GAIL, WHERE DO YOU STAND ON THIS DRAKE/KENDRICK LAMAR FEUD. 579 00:21:17,319 --> 00:21:18,786 YOU STAND ON THIS DRAKE/KENDRICK LAMAR FEUD. >> PEOPLE KEEP ASKING, ARE YOU 580 00:21:18,788 --> 00:21:21,388 LAMAR FEUD. >> PEOPLE KEEP ASKING, ARE YOU TEAM KENDRICK OR TEAM DRAKE, AND 581 00:21:21,390 --> 00:21:22,690 >> PEOPLE KEEP ASKING, ARE YOU TEAM KENDRICK OR TEAM DRAKE, AND I'M LIKE, CAN'T I BE TEAM RAP IN 582 00:21:22,692 --> 00:21:25,759 TEAM KENDRICK OR TEAM DRAKE, AND I'M LIKE, CAN'T I BE TEAM RAP IN GENERAL? 583 00:21:25,761 --> 00:21:27,628 I'M LIKE, CAN'T I BE TEAM RAP IN GENERAL? BECAUSE EVERY RAPPER IS GETTING 584 00:21:27,630 --> 00:21:28,862 GENERAL? BECAUSE EVERY RAPPER IS GETTING MIXED INTO THIS BEEF LIKE THEY 585 00:21:28,864 --> 00:21:30,998 BECAUSE EVERY RAPPER IS GETTING MIXED INTO THIS BEEF LIKE THEY WERE CHOPPED ONIONS AND CAYENNE 586 00:21:31,000 --> 00:21:31,331 MIXED INTO THIS BEEF LIKE THEY WERE CHOPPED ONIONS AND CAYENNE PEPPER. 587 00:21:31,333 --> 00:21:36,236 WERE CHOPPED ONIONS AND CAYENNE PEPPER. I MEAN, YOU GOT KANYE, TWO PACK, 588 00:21:36,238 --> 00:21:38,539 PEPPER. I MEAN, YOU GOT KANYE, TWO PACK, SHOOP DOG, AS SOON AS POSSIBLE, 589 00:21:38,541 --> 00:21:38,872 I MEAN, YOU GOT KANYE, TWO PACK, SHOOP DOG, AS SOON AS POSSIBLE, ROCKY. 590 00:21:38,874 --> 00:21:41,275 SHOOP DOG, AS SOON AS POSSIBLE, ROCKY. >> AND WHERE DOES WAYNE BRADY 591 00:21:41,277 --> 00:21:41,575 ROCKY. >> AND WHERE DOES WAYNE BRADY STAND? 592 00:21:41,577 --> 00:21:43,143 >> AND WHERE DOES WAYNE BRADY STAND? HAS HE RESPONDED? 593 00:21:43,145 --> 00:21:45,212 STAND? HAS HE RESPONDED? >> NOW, OUR WEATHER MAN DEREK 594 00:21:45,214 --> 00:21:46,980 HAS HE RESPONDED? >> NOW, OUR WEATHER MAN DEREK LOOKS LIKE HE WANTS TO JUMP IN 595 00:21:46,982 --> 00:21:47,314 >> NOW, OUR WEATHER MAN DEREK LOOKS LIKE HE WANTS TO JUMP IN ON THIS. 596 00:21:47,316 --> 00:21:50,350 LOOKS LIKE HE WANTS TO JUMP IN ON THIS. >> OH, THAT'S OKAY. 597 00:21:50,352 --> 00:21:53,754 ON THIS. >> OH, THAT'S OKAY. >> WHO'S YOUR FAVORITE RAPPER, 598 00:21:53,756 --> 00:21:54,054 >> OH, THAT'S OKAY. >> WHO'S YOUR FAVORITE RAPPER, DEREK? 599 00:21:54,056 --> 00:21:57,958 >> WHO'S YOUR FAVORITE RAPPER, DEREK? IS IT RIYONCE, LL COOL BEANS? 600 00:21:57,960 --> 00:22:00,761 DEREK? IS IT RIYONCE, LL COOL BEANS? >> IS IT OLD DIRTY DONKEY? 601 00:22:00,763 --> 00:22:03,464 IS IT RIYONCE, LL COOL BEANS? >> IS IT OLD DIRTY DONKEY? >> PLEASE LET ME DO THE WEATHER 602 00:22:03,466 --> 00:22:03,897 >> IS IT OLD DIRTY DONKEY? >> PLEASE LET ME DO THE WEATHER AND GO HOME. 603 00:22:03,899 --> 00:22:05,265 >> PLEASE LET ME DO THE WEATHER AND GO HOME. >> HILARIOUS. 604 00:22:05,267 --> 00:22:07,167 AND GO HOME. >> HILARIOUS. WELL, THERE HAVE BEEN ABOUT A 605 00:22:07,169 --> 00:22:08,802 >> HILARIOUS. WELL, THERE HAVE BEEN ABOUT A DOZEN DISS TRACKS BETWEEN 606 00:22:08,804 --> 00:22:11,238 WELL, THERE HAVE BEEN ABOUT A DOZEN DISS TRACKS BETWEEN KENDRICK AND DRAKE, INCLUDING 607 00:22:11,240 --> 00:22:12,106 DOZEN DISS TRACKS BETWEEN KENDRICK AND DRAKE, INCLUDING THREE RELEASED YESTERDAY. 608 00:22:12,108 --> 00:22:13,707 KENDRICK AND DRAKE, INCLUDING THREE RELEASED YESTERDAY. OUR LOCAL CULTURE CRITIC HAS 609 00:22:13,709 --> 00:22:15,743 THREE RELEASED YESTERDAY. OUR LOCAL CULTURE CRITIC HAS BEEN DOING A DEEP DIVE TO 610 00:22:15,745 --> 00:22:17,911 OUR LOCAL CULTURE CRITIC HAS BEEN DOING A DEEP DIVE TO UNDERSTAND WHAT THE HECK THEY 611 00:22:17,913 --> 00:22:18,212 BEEN DOING A DEEP DIVE TO UNDERSTAND WHAT THE HECK THEY MEAN. 612 00:22:18,214 --> 00:22:20,314 UNDERSTAND WHAT THE HECK THEY MEAN. PLEASE WELCOME WANDA WEEMS. 613 00:22:20,316 --> 00:22:23,684 MEAN. PLEASE WELCOME WANDA WEEMS. >> Y'ALL, THESE DISS TRACKS ARE 614 00:22:23,686 --> 00:22:24,151 PLEASE WELCOME WANDA WEEMS. >> Y'ALL, THESE DISS TRACKS ARE GETTING INSANE. 615 00:22:24,153 --> 00:22:26,053 >> Y'ALL, THESE DISS TRACKS ARE GETTING INSANE. I'VE BEEN AWAKE FOR THE PAST 48 616 00:22:26,055 --> 00:22:28,255 GETTING INSANE. I'VE BEEN AWAKE FOR THE PAST 48 HOURS TRYING TO PIECE IT ALL 617 00:22:28,257 --> 00:22:28,622 I'VE BEEN AWAKE FOR THE PAST 48 HOURS TRYING TO PIECE IT ALL TOGETHER. 618 00:22:28,624 --> 00:22:30,457 HOURS TRYING TO PIECE IT ALL TOGETHER. >> NOW, WANDA, YOU NORMALLY 619 00:22:30,459 --> 00:22:32,826 TOGETHER. >> NOW, WANDA, YOU NORMALLY TEACH PIANO AT THE LOCAL GRADE 620 00:22:32,828 --> 00:22:33,160 >> NOW, WANDA, YOU NORMALLY TEACH PIANO AT THE LOCAL GRADE SCHOOL. 621 00:22:33,162 --> 00:22:34,962 TEACH PIANO AT THE LOCAL GRADE SCHOOL. WHICH RAP SONGS DO YOU TEACH? 622 00:22:34,964 --> 00:22:38,031 SCHOOL. WHICH RAP SONGS DO YOU TEACH? >> MOSTLY ELTON JOHN. 623 00:22:38,033 --> 00:22:38,432 WHICH RAP SONGS DO YOU TEACH? >> MOSTLY ELTON JOHN. >> OH, OKAY. 624 00:22:38,434 --> 00:22:38,932 >> MOSTLY ELTON JOHN. >> OH, OKAY. HE IS GOOD. 625 00:22:38,934 --> 00:22:41,335 >> OH, OKAY. HE IS GOOD. >> YEAH, HE'S OLD SCHOOL RAP. 626 00:22:41,337 --> 00:22:43,771 HE IS GOOD. >> YEAH, HE'S OLD SCHOOL RAP. >> YOU KNOW, MAYBE I SHOULD PUT 627 00:22:43,773 --> 00:22:45,672 >> YEAH, HE'S OLD SCHOOL RAP. >> YOU KNOW, MAYBE I SHOULD PUT OUT A DISS TRACK ABOUT YOU, 628 00:22:45,674 --> 00:22:46,106 >> YOU KNOW, MAYBE I SHOULD PUT OUT A DISS TRACK ABOUT YOU, MASON. 629 00:22:46,108 --> 00:22:47,141 OUT A DISS TRACK ABOUT YOU, MASON. YOUR HAIR IS MESSY AND YOU DON'T 630 00:22:47,143 --> 00:22:50,811 MASON. YOUR HAIR IS MESSY AND YOU DON'T GO TO CHURCH. 631 00:22:50,813 --> 00:22:51,078 YOUR HAIR IS MESSY AND YOU DON'T GO TO CHURCH. #. 632 00:22:51,080 --> 00:22:52,146 GO TO CHURCH. #. >> WHAT WAS THAT? 633 00:22:52,148 --> 00:22:53,080 #. >> WHAT WAS THAT? THAT HURTS. 634 00:22:53,082 --> 00:22:57,117 >> WHAT WAS THAT? THAT HURTS. >> UH-OH, KENDRICK, GAIL IS 635 00:22:57,119 --> 00:22:57,985 THAT HURTS. >> UH-OH, KENDRICK, GAIL IS COMING FOR THE THRONE. 636 00:22:57,987 --> 00:22:59,586 >> UH-OH, KENDRICK, GAIL IS COMING FOR THE THRONE. >> I DON'T KNOW ABOUT THAT. 637 00:22:59,588 --> 00:22:59,887 COMING FOR THE THRONE. >> I DON'T KNOW ABOUT THAT. MAYBE. 638 00:22:59,889 --> 00:23:02,523 >> I DON'T KNOW ABOUT THAT. MAYBE. WELL, DEREK'S OVER THERE LOVING 639 00:23:02,525 --> 00:23:02,790 MAYBE. WELL, DEREK'S OVER THERE LOVING IT. 640 00:23:02,792 --> 00:23:04,625 WELL, DEREK'S OVER THERE LOVING IT. >> OH, I SEE YOU. 641 00:23:04,627 --> 00:23:05,692 IT. >> OH, I SEE YOU. I SEE YOU HIDING, DEREK. 642 00:23:05,694 --> 00:23:08,829 >> OH, I SEE YOU. I SEE YOU HIDING, DEREK. LOOK AT YOU. 643 00:23:08,831 --> 00:23:10,230 I SEE YOU HIDING, DEREK. LOOK AT YOU. NOW, WANDA, WHAT HAVE YOU 644 00:23:10,232 --> 00:23:10,998 LOOK AT YOU. NOW, WANDA, WHAT HAVE YOU LEARNED SO FAR? 645 00:23:11,000 --> 00:23:14,268 NOW, WANDA, WHAT HAVE YOU LEARNED SO FAR? >> WELL, HERE'S ONE CLUE ON THE 646 00:23:14,270 --> 00:23:17,037 LEARNED SO FAR? >> WELL, HERE'S ONE CLUE ON THE SONG EUPHORIA WHEN KENDRICK 647 00:23:17,039 --> 00:23:18,772 >> WELL, HERE'S ONE CLUE ON THE SONG EUPHORIA WHEN KENDRICK DESCRIBES DRAKE AS CANADIAN, 648 00:23:18,774 --> 00:23:22,609 SONG EUPHORIA WHEN KENDRICK DESCRIBES DRAKE AS CANADIAN, THAT'S BECAUSE DRAKE IS FROM 649 00:23:22,611 --> 00:23:22,976 DESCRIBES DRAKE AS CANADIAN, THAT'S BECAUSE DRAKE IS FROM TORONTO. 650 00:23:22,978 --> 00:23:23,677 THAT'S BECAUSE DRAKE IS FROM TORONTO. >> OH. 651 00:23:23,679 --> 00:23:24,044 TORONTO. >> OH. >> OKAY. 652 00:23:24,046 --> 00:23:24,411 >> OH. >> OKAY. >> OKAY. 653 00:23:24,413 --> 00:23:27,214 >> OKAY. >> OKAY. >> AND HE CALLS DRAKE CRODIE, 654 00:23:27,216 --> 00:23:30,050 >> OKAY. >> AND HE CALLS DRAKE CRODIE, WHICH IS A TERM USED BY THE 655 00:23:30,052 --> 00:23:30,984 >> AND HE CALLS DRAKE CRODIE, WHICH IS A TERM USED BY THE CRIPS, WHICH ACCORDING TO 656 00:23:30,986 --> 00:23:32,553 WHICH IS A TERM USED BY THE CRIPS, WHICH ACCORDING TO WIKAPEDIA IS AN ALLIANCE OF 657 00:23:32,555 --> 00:23:34,822 CRIPS, WHICH ACCORDING TO WIKAPEDIA IS AN ALLIANCE OF STREET GANGS BASED IN SOUTHERN 658 00:23:34,824 --> 00:23:35,222 WIKAPEDIA IS AN ALLIANCE OF STREET GANGS BASED IN SOUTHERN CALIFORNIA. 659 00:23:35,224 --> 00:23:37,291 STREET GANGS BASED IN SOUTHERN CALIFORNIA. >> I THINK I KNOW THE CRIPS. 660 00:23:37,293 --> 00:23:38,425 CALIFORNIA. >> I THINK I KNOW THE CRIPS. ARE THEY LIKE KROGER? 661 00:23:38,427 --> 00:23:38,926 >> I THINK I KNOW THE CRIPS. ARE THEY LIKE KROGER? >> NO. 662 00:23:38,928 --> 00:23:41,161 ARE THEY LIKE KROGER? >> NO. I THINK THAT'S A GROCERY STORE. 663 00:23:41,163 --> 00:23:42,963 >> NO. I THINK THAT'S A GROCERY STORE. CRIPS SET UP THE CAMERAS ON 664 00:23:42,965 --> 00:23:43,764 I THINK THAT'S A GROCERY STORE. CRIPS SET UP THE CAMERAS ON MOVIE SETS. 665 00:23:43,766 --> 00:23:51,305 CRIPS SET UP THE CAMERAS ON MOVIE SETS. >> OH, OKAY. 666 00:23:51,307 --> 00:23:52,472 MOVIE SETS. >> OH, OKAY. >> NOW, IN DRAKE'S DISS TRACK, 667 00:23:52,474 --> 00:23:52,906 >> OH, OKAY. >> NOW, IN DRAKE'S DISS TRACK, 668 00:23:52,908 --> 00:23:54,741 >> NOW, IN DRAKE'S DISS TRACK, 669 00:23:54,743 --> 00:23:56,977 QUESTIONED KENDRICK'S MANHOOD SAYING HE WEARS A SIZE SEVEN 670 00:23:56,979 --> 00:23:57,277 QUESTIONED KENDRICK'S MANHOOD SAYING HE WEARS A SIZE SEVEN SHOE. 671 00:23:57,279 --> 00:23:58,078 SAYING HE WEARS A SIZE SEVEN SHOE. >> I DON'T GET THAT. 672 00:23:58,080 --> 00:23:59,146 SHOE. >> I DON'T GET THAT. I WEAR A SIZE FIVE. 673 00:23:59,148 --> 00:24:00,848 >> I DON'T GET THAT. I WEAR A SIZE FIVE. >> AND IT'S A WOMEN'S FIVE, SO 674 00:24:00,850 --> 00:24:02,149 I WEAR A SIZE FIVE. >> AND IT'S A WOMEN'S FIVE, SO IT'S A MAN'S THREE. 675 00:24:02,151 --> 00:24:04,017 >> AND IT'S A WOMEN'S FIVE, SO IT'S A MAN'S THREE. >> A MAN'S THREE, CORRECT. 676 00:24:04,019 --> 00:24:09,256 IT'S A MAN'S THREE. >> A MAN'S THREE, CORRECT. >> BUT NOW, DRAKE IS BEING SUED 677 00:24:09,258 --> 00:24:11,892 >> A MAN'S THREE, CORRECT. >> BUT NOW, DRAKE IS BEING SUED BY 2 PAC'S ESTATE FOR USING AN 678 00:24:11,894 --> 00:24:13,227 >> BUT NOW, DRAKE IS BEING SUED BY 2 PAC'S ESTATE FOR USING AN AI VERSION OF HIS VOICE. 679 00:24:13,229 --> 00:24:15,195 BY 2 PAC'S ESTATE FOR USING AN AI VERSION OF HIS VOICE. >> FUNNY YOU SHOULD MENTION AI 680 00:24:15,197 --> 00:24:17,164 AI VERSION OF HIS VOICE. >> FUNNY YOU SHOULD MENTION AI BECAUSE WE HAVE SOME AI THAT CAN 681 00:24:17,166 --> 00:24:19,233 >> FUNNY YOU SHOULD MENTION AI BECAUSE WE HAVE SOME AI THAT CAN SETTLE THIS SILLY FEUD ONCE AND 682 00:24:19,235 --> 00:24:19,967 BECAUSE WE HAVE SOME AI THAT CAN SETTLE THIS SILLY FEUD ONCE AND FOR ALL. 683 00:24:19,969 --> 00:24:21,201 SETTLE THIS SILLY FEUD ONCE AND FOR ALL. LADIES AND GENTLEMEN, PLEASE 684 00:24:21,203 --> 00:24:21,869 FOR ALL. LADIES AND GENTLEMEN, PLEASE WELCOME KENDRICK LAMAR AND 685 00:24:21,871 --> 00:24:25,439 LADIES AND GENTLEMEN, PLEASE WELCOME KENDRICK LAMAR AND DRAKE. 686 00:24:25,441 --> 00:24:29,643 WELCOME KENDRICK LAMAR AND DRAKE. >> NAH. 687 00:24:29,645 --> 00:24:32,279 DRAKE. >> NAH. >> OH, HI, DRAKE. 688 00:24:32,281 --> 00:24:35,449 >> NAH. >> OH, HI, DRAKE. >> OH, HELLO, KENDRICK. 689 00:24:35,451 --> 00:24:36,583 >> OH, HI, DRAKE. >> OH, HELLO, KENDRICK. NOW, WHY THE HECK ARE YOU SAYING 690 00:24:36,585 --> 00:24:39,152 >> OH, HELLO, KENDRICK. NOW, WHY THE HECK ARE YOU SAYING ALL THIS MEAN STUFF ABOUT ME? 691 00:24:39,154 --> 00:24:41,822 NOW, WHY THE HECK ARE YOU SAYING ALL THIS MEAN STUFF ABOUT ME? >> YOU KNOW WHAT, YOU'RE RIGHT. 692 00:24:41,824 --> 00:24:44,358 ALL THIS MEAN STUFF ABOUT ME? >> YOU KNOW WHAT, YOU'RE RIGHT. SHAME ON ME FOR DOING THOSE MEAN 693 00:24:44,360 --> 00:24:45,626 >> YOU KNOW WHAT, YOU'RE RIGHT. SHAME ON ME FOR DOING THOSE MEAN RAPS ABOUT YOU. 694 00:24:45,628 --> 00:24:49,229 SHAME ON ME FOR DOING THOSE MEAN RAPS ABOUT YOU. >> WELL, BLESS YOUR HEART FOR 695 00:24:49,231 --> 00:24:49,930 RAPS ABOUT YOU. >> WELL, BLESS YOUR HEART FOR SAYING THAT. 696 00:24:49,932 --> 00:24:51,965 >> WELL, BLESS YOUR HEART FOR SAYING THAT. SHAME ON ME TOO, I SUPPOSE. 697 00:24:51,967 --> 00:24:54,401 SAYING THAT. SHAME ON ME TOO, I SUPPOSE. >> OH, AND I TAKE BACK WHAT I 698 00:24:54,403 --> 00:24:55,969 SHAME ON ME TOO, I SUPPOSE. >> OH, AND I TAKE BACK WHAT I SAID IN MY SONG. 699 00:24:55,971 --> 00:24:58,105 >> OH, AND I TAKE BACK WHAT I SAID IN MY SONG. YOU CAN SAY THE N WORD. 700 00:24:58,107 --> 00:25:00,607 SAID IN MY SONG. YOU CAN SAY THE N WORD. >> OOH, I THINK I WILL. 701 00:25:00,609 --> 00:25:01,408 YOU CAN SAY THE N WORD. >> OOH, I THINK I WILL. >> WELL, COME ON THEN. 702 00:25:01,410 --> 00:25:09,650 >> OOH, I THINK I WILL. >> WELL, COME ON THEN. LET'S SAY IT TOGETHER. 703 00:25:09,652 --> 00:25:10,651 >> WELL, COME ON THEN. LET'S SAY IT TOGETHER. >> WHAT THE -- 704 00:25:10,653 --> 00:25:12,853 LET'S SAY IT TOGETHER. >> WHAT THE -- >> WELL, I'M HEARING FROM OUR 705 00:25:12,855 --> 00:25:14,454 >> WHAT THE -- >> WELL, I'M HEARING FROM OUR PRODUCERS THAT WE NEED TO TAKE A 706 00:25:14,456 --> 00:25:16,156 >> WELL, I'M HEARING FROM OUR PRODUCERS THAT WE NEED TO TAKE A QUICK BUT ALSO VERY LONG BREAK. 707 00:25:16,158 --> 00:25:18,358 PRODUCERS THAT WE NEED TO TAKE A QUICK BUT ALSO VERY LONG BREAK. >> NOW, WHEN WE COME BACK, WE'LL 708 00:25:18,360 --> 00:25:20,427 QUICK BUT ALSO VERY LONG BREAK. >> NOW, WHEN WE COME BACK, WE'LL PLAY A NEW CELEBRITY GAME 709 00:25:20,429 --> 00:25:22,763 >> NOW, WHEN WE COME BACK, WE'LL PLAY A NEW CELEBRITY GAME INSPIRED BY KENDRICK'S SONG. 710 00:25:22,765 --> 00:25:24,898 PLAY A NEW CELEBRITY GAME INSPIRED BY KENDRICK'S SONG. WE'LL HAVE TO DECIDE IF THE 711 00:25:24,900 --> 00:25:28,302 INSPIRED BY KENDRICK'S SONG. WE'LL HAVE TO DECIDE IF THE CELEBRITY IS BLACK OR NOT BLACK. 712 00:25:28,304 --> 00:25:29,603 WE'LL HAVE TO DECIDE IF THE CELEBRITY IS BLACK OR NOT BLACK. >> HONESTLY, I CAN'T WAIT TO 713 00:25:29,605 --> 00:25:32,372 CELEBRITY IS BLACK OR NOT BLACK. >> HONESTLY, I CAN'T WAIT TO HEAR YOUR ANSWERS, YEAH. 714 00:25:32,374 --> 00:25:33,740 >> HONESTLY, I CAN'T WAIT TO HEAR YOUR ANSWERS, YEAH. ♪ TELL YOUR NEIGHBOR GOOD 715 00:25:33,742 --> 00:25:35,909 HEAR YOUR ANSWERS, YEAH. ♪ TELL YOUR NEIGHBOR GOOD MORNING, Y'ALL ♪ 716 00:26:04,906 --> 00:26:07,908 >>> I'M HAVING SUCH A GREAT NIGHT WITH YOU. >> THANKS FOR HAVING ME. 717 00:26:07,910 --> 00:26:09,009 NIGHT WITH YOU. >> THANKS FOR HAVING ME. YOUR PLACE IS SO NICE. 718 00:26:09,011 --> 00:26:10,277 >> THANKS FOR HAVING ME. YOUR PLACE IS SO NICE. >> OH, THANKS. 719 00:26:10,279 --> 00:26:12,813 YOUR PLACE IS SO NICE. >> OH, THANKS. YOU PROBABLY SEE A LOT OF GIRLS' 720 00:26:12,815 --> 00:26:13,213 >> OH, THANKS. YOU PROBABLY SEE A LOT OF GIRLS' APARTMENTS. 721 00:26:13,215 --> 00:26:13,647 YOU PROBABLY SEE A LOT OF GIRLS' APARTMENTS. >> NOT REALLY. 722 00:26:13,649 --> 00:26:14,481 APARTMENTS. >> NOT REALLY. YOU KNOW, MOST OF THE GIRLS I 723 00:26:14,483 --> 00:26:19,152 >> NOT REALLY. YOU KNOW, MOST OF THE GIRLS I DATE LIVE IN HOUSES. 724 00:26:19,154 --> 00:26:19,519 YOU KNOW, MOST OF THE GIRLS I DATE LIVE IN HOUSES. WHOA. 725 00:26:19,521 --> 00:26:20,420 DATE LIVE IN HOUSES. WHOA. WHAT IS THAT? 726 00:26:20,422 --> 00:26:23,590 WHOA. WHAT IS THAT? >> OH, MY LAMP THAT LOOKS LIKE 727 00:26:23,592 --> 00:26:23,890 WHAT IS THAT? >> OH, MY LAMP THAT LOOKS LIKE BREAD? 728 00:26:23,892 --> 00:26:24,791 >> OH, MY LAMP THAT LOOKS LIKE BREAD? I KNOW, IT'S FUNNY BECAUSE IT'S 729 00:26:24,793 --> 00:26:27,294 BREAD? I KNOW, IT'S FUNNY BECAUSE IT'S A LAMP. 730 00:26:27,296 --> 00:26:28,095 I KNOW, IT'S FUNNY BECAUSE IT'S A LAMP. >> NO. 731 00:26:28,097 --> 00:26:30,163 A LAMP. >> NO. YOUR WALL OF WHAT LOOKS LIKE 500 732 00:26:30,165 --> 00:26:35,002 >> NO. YOUR WALL OF WHAT LOOKS LIKE 500 NAKED TOY DOLLS. 733 00:26:35,004 --> 00:26:36,436 YOUR WALL OF WHAT LOOKS LIKE 500 NAKED TOY DOLLS. >> OH, THOSE ARE MY SUNNY 734 00:26:36,438 --> 00:26:40,140 NAKED TOY DOLLS. >> OH, THOSE ARE MY SUNNY ANGELS. 735 00:26:40,142 --> 00:26:41,742 >> OH, THOSE ARE MY SUNNY ANGELS. AND IT'S NOT 500. 736 00:26:41,744 --> 00:26:45,145 ANGELS. AND IT'S NOT 500. IT'S NOT EVEN THE FULL 650 THAT 737 00:26:45,147 --> 00:26:46,146 AND IT'S NOT 500. IT'S NOT EVEN THE FULL 650 THAT YOU CAN COLLECT. 738 00:26:46,148 --> 00:26:47,447 IT'S NOT EVEN THE FULL 650 THAT YOU CAN COLLECT. AND THEY'RE NOT NAKED. 739 00:26:47,449 --> 00:26:49,516 YOU CAN COLLECT. AND THEY'RE NOT NAKED. THEY'RE WEARING TINY LITTLE 740 00:26:49,518 --> 00:26:49,816 AND THEY'RE NOT NAKED. THEY'RE WEARING TINY LITTLE HATS. 741 00:26:49,818 --> 00:26:51,551 THEY'RE WEARING TINY LITTLE HATS. AREN'T THEY SO CUTE? 742 00:26:51,553 --> 00:26:52,219 HATS. AREN'T THEY SO CUTE? >> YEAH. 743 00:26:52,221 --> 00:26:55,856 AREN'T THEY SO CUTE? >> YEAH. I THINK I'VE SEEN THOSE ON SHY 744 00:26:55,858 --> 00:26:57,057 >> YEAH. I THINK I'VE SEEN THOSE ON SHY TEENAGERS' PHONE CASES. 745 00:26:57,059 --> 00:26:58,325 I THINK I'VE SEEN THOSE ON SHY TEENAGERS' PHONE CASES. WHAT ARE THEY? 746 00:26:58,327 --> 00:26:59,993 TEENAGERS' PHONE CASES. WHAT ARE THEY? >> SUNNY ANGELS. 747 00:26:59,995 --> 00:27:00,994 WHAT ARE THEY? >> SUNNY ANGELS. THEY'RE HUGE. 748 00:27:00,996 --> 00:27:04,064 >> SUNNY ANGELS. THEY'RE HUGE. THEY'RE COMPANIONS FOR LONELY 749 00:27:04,066 --> 00:27:04,798 THEY'RE HUGE. THEY'RE COMPANIONS FOR LONELY 25-YEAR-OLD WORKING WOMEN. 750 00:27:04,800 --> 00:27:05,766 THEY'RE COMPANIONS FOR LONELY 25-YEAR-OLD WORKING WOMEN. >> THAT'S SO SPECIFIC. 751 00:27:05,768 --> 00:27:06,900 25-YEAR-OLD WORKING WOMEN. >> THAT'S SO SPECIFIC. >> DON'T DISRUPT. 752 00:27:06,902 --> 00:27:09,002 >> THAT'S SO SPECIFIC. >> DON'T DISRUPT. LOOK, IT SAYS IT ON THE BOX. 753 00:27:09,004 --> 00:27:11,204 >> DON'T DISRUPT. LOOK, IT SAYS IT ON THE BOX. SUNNY ANGELS ARE LITTLE 754 00:27:11,206 --> 00:27:11,605 LOOK, IT SAYS IT ON THE BOX. SUNNY ANGELS ARE LITTLE BOYFRIENDS. 755 00:27:11,607 --> 00:27:12,639 SUNNY ANGELS ARE LITTLE BOYFRIENDS. I'M OBSESSED WITH THEM. 756 00:27:12,641 --> 00:27:14,241 BOYFRIENDS. I'M OBSESSED WITH THEM. >> LITTLE BOYFRIENDS, HUH? 757 00:27:14,243 --> 00:27:14,808 I'M OBSESSED WITH THEM. >> LITTLE BOYFRIENDS, HUH? I GUESS I'VE GOT SOME 758 00:27:14,810 --> 00:27:17,344 >> LITTLE BOYFRIENDS, HUH? I GUESS I'VE GOT SOME COMPETITION. 759 00:27:17,346 --> 00:27:19,246 I GUESS I'VE GOT SOME COMPETITION. >> COMPETITION, OF COURSE NOT. 760 00:27:19,248 --> 00:27:20,881 COMPETITION. >> COMPETITION, OF COURSE NOT. THAT'S RIDICULOUS. 761 00:27:20,883 --> 00:27:21,715 >> COMPETITION, OF COURSE NOT. THAT'S RIDICULOUS. NOT WITH ALL OF THEM. 762 00:27:21,717 --> 00:27:24,985 THAT'S RIDICULOUS. NOT WITH ALL OF THEM. JUST WITH HIM. 763 00:27:24,987 --> 00:27:27,054 NOT WITH ALL OF THEM. JUST WITH HIM. >> HEY. 764 00:27:27,056 --> 00:27:28,588 JUST WITH HIM. >> HEY. I'M HER LITTLE BOYFRIEND. 765 00:27:28,590 --> 00:27:29,256 >> HEY. I'M HER LITTLE BOYFRIEND. >> WHOA. 766 00:27:29,258 --> 00:27:29,790 I'M HER LITTLE BOYFRIEND. >> WHOA. THEY CAN TALK? 767 00:27:29,792 --> 00:27:30,257 >> WHOA. THEY CAN TALK? >> THAT ONE CAN. 768 00:27:30,259 --> 00:27:33,093 THEY CAN TALK? >> THAT ONE CAN. HE'S SPECIAL. 769 00:27:33,095 --> 00:27:35,062 >> THAT ONE CAN. HE'S SPECIAL. >> BECAUSE I'M HER LITTLE 770 00:27:35,064 --> 00:27:35,429 HE'S SPECIAL. >> BECAUSE I'M HER LITTLE BOYFRIEND. 771 00:27:35,431 --> 00:27:36,930 >> BECAUSE I'M HER LITTLE BOYFRIEND. I'M PART OF THE SUNNY ANGELS 772 00:27:36,932 --> 00:27:38,899 BOYFRIEND. I'M PART OF THE SUNNY ANGELS FRUIT SERIES, AND JUDGING BY THE 773 00:27:38,901 --> 00:27:39,633 I'M PART OF THE SUNNY ANGELS FRUIT SERIES, AND JUDGING BY THE WAY YOU DRESS, YOU'RE A FRUIT 774 00:27:39,635 --> 00:27:42,669 FRUIT SERIES, AND JUDGING BY THE WAY YOU DRESS, YOU'RE A FRUIT TOO. 775 00:27:42,671 --> 00:27:44,204 WAY YOU DRESS, YOU'RE A FRUIT TOO. >> NICE GRAPES. 776 00:27:44,206 --> 00:27:45,906 TOO. >> NICE GRAPES. I ALMOST DIDN'T NOTICE THEM OVER 777 00:27:45,908 --> 00:27:48,875 >> NICE GRAPES. I ALMOST DIDN'T NOTICE THEM OVER YOUR EXTREMELY LITTLE PENIS AND 778 00:27:48,877 --> 00:27:50,077 I ALMOST DIDN'T NOTICE THEM OVER YOUR EXTREMELY LITTLE PENIS AND PERFECTLY SMOOTH BELLY BODY. 779 00:27:50,079 --> 00:27:53,447 YOUR EXTREMELY LITTLE PENIS AND PERFECTLY SMOOTH BELLY BODY. >> OOH, SOMEONE'S JEALOUS. 780 00:27:53,449 --> 00:27:54,448 PERFECTLY SMOOTH BELLY BODY. >> OOH, SOMEONE'S JEALOUS. >> I'M SORRY. 781 00:27:54,450 --> 00:27:55,048 >> OOH, SOMEONE'S JEALOUS. >> I'M SORRY. IS THIS THE MUSIC FROM 782 00:27:55,050 --> 00:27:55,882 >> I'M SORRY. IS THIS THE MUSIC FROM CHALLENGERS? 783 00:27:55,884 --> 00:27:59,386 IS THIS THE MUSIC FROM CHALLENGERS? >> IT IS. 784 00:27:59,388 --> 00:28:02,322 CHALLENGERS? >> IT IS. THE SCORE IS STRESSFUL, BUT 785 00:28:02,324 --> 00:28:03,390 >> IT IS. THE SCORE IS STRESSFUL, BUT HORNY TOO. 786 00:28:03,392 --> 00:28:04,024 THE SCORE IS STRESSFUL, BUT HORNY TOO. >> COOL. 787 00:28:04,026 --> 00:28:06,426 HORNY TOO. >> COOL. I HAVEN'T SEEN THE MOVIE. 788 00:28:06,428 --> 00:28:07,360 >> COOL. I HAVEN'T SEEN THE MOVIE. >> WELL, DON'T WORRY BECAUSE 789 00:28:07,362 --> 00:28:08,261 I HAVEN'T SEEN THE MOVIE. >> WELL, DON'T WORRY BECAUSE YOU'RE ABOUT TO LIVE IT. 790 00:28:08,263 --> 00:28:11,264 >> WELL, DON'T WORRY BECAUSE YOU'RE ABOUT TO LIVE IT. >> THIS IS GREAT. 791 00:28:11,266 --> 00:28:13,300 YOU'RE ABOUT TO LIVE IT. >> THIS IS GREAT. I LOVE THAT YOU'RE VOLLEYING 792 00:28:13,302 --> 00:28:14,000 >> THIS IS GREAT. I LOVE THAT YOU'RE VOLLEYING BACK AND FORTH. 793 00:28:14,002 --> 00:28:17,370 I LOVE THAT YOU'RE VOLLEYING BACK AND FORTH. IT'S LIKE A TENNIS MATCH. 794 00:28:17,372 --> 00:28:19,606 BACK AND FORTH. IT'S LIKE A TENNIS MATCH. HERE, YOU TWO SIT ON THE COUCH. 795 00:28:19,608 --> 00:28:20,774 IT'S LIKE A TENNIS MATCH. HERE, YOU TWO SIT ON THE COUCH. >> JUST THE TWO OF US? 796 00:28:20,776 --> 00:28:22,409 HERE, YOU TWO SIT ON THE COUCH. >> JUST THE TWO OF US? >> I'M GOING TO GO FIX US A 797 00:28:22,411 --> 00:28:22,709 >> JUST THE TWO OF US? >> I'M GOING TO GO FIX US A SNACK. 798 00:28:22,711 --> 00:28:30,317 >> I'M GOING TO GO FIX US A SNACK. I'LL BE RIGHT BACK. 799 00:28:30,319 --> 00:28:30,951 SNACK. I'LL BE RIGHT BACK. >> JUST TELL ME THE TRUTH. 800 00:28:30,953 --> 00:28:31,918 I'LL BE RIGHT BACK. >> JUST TELL ME THE TRUTH. HAVE YOU GUYS HOOKED UP? 801 00:28:31,920 --> 00:28:33,920 >> JUST TELL ME THE TRUTH. HAVE YOU GUYS HOOKED UP? >> DUDE, I'M NOT ANSWERING THAT. 802 00:28:33,922 --> 00:28:36,022 HAVE YOU GUYS HOOKED UP? >> DUDE, I'M NOT ANSWERING THAT. >> IT'S NOT LIKE I CARE. 803 00:28:36,024 --> 00:28:36,756 >> DUDE, I'M NOT ANSWERING THAT. >> IT'S NOT LIKE I CARE. JUST TELL ME. 804 00:28:36,758 --> 00:28:37,958 >> IT'S NOT LIKE I CARE. JUST TELL ME. >> I'M NOT TALKING ABOUT THAT 805 00:28:37,960 --> 00:28:38,825 JUST TELL ME. >> I'M NOT TALKING ABOUT THAT WITH YOU, MAN. 806 00:28:38,827 --> 00:28:40,093 >> I'M NOT TALKING ABOUT THAT WITH YOU, MAN. >> OKAY. 807 00:28:40,095 --> 00:28:40,393 WITH YOU, MAN. >> OKAY. FINE. 808 00:28:40,395 --> 00:28:43,296 >> OKAY. FINE. JUST GIVE ME A SIGNAL. 809 00:28:43,298 --> 00:28:45,465 FINE. JUST GIVE ME A SIGNAL. IF YOU'VE SLEPT WITH HER, DO 810 00:28:45,467 --> 00:28:47,000 JUST GIVE ME A SIGNAL. IF YOU'VE SLEPT WITH HER, DO YOUR LITTLE POSE WITH YOUR ARMS 811 00:28:47,002 --> 00:28:48,869 IF YOU'VE SLEPT WITH HER, DO YOUR LITTLE POSE WITH YOUR ARMS AND LOOK TO THE LEFT LIKE THIS. 812 00:28:48,871 --> 00:28:52,672 YOUR LITTLE POSE WITH YOUR ARMS AND LOOK TO THE LEFT LIKE THIS. >> WELL, I DON'T KISS AND TELL, 813 00:28:52,674 --> 00:28:53,006 AND LOOK TO THE LEFT LIKE THIS. >> WELL, I DON'T KISS AND TELL, BUT -- 814 00:28:53,008 --> 00:28:53,707 >> WELL, I DON'T KISS AND TELL, BUT -- >> WHOA! 815 00:28:53,709 --> 00:28:55,075 BUT -- >> WHOA! HOW WOULD THAT EVEN WORK? 816 00:28:55,077 --> 00:28:58,745 >> WHOA! HOW WOULD THAT EVEN WORK? HOW OLD ARE YOU? 817 00:28:58,747 --> 00:29:01,314 HOW WOULD THAT EVEN WORK? HOW OLD ARE YOU? >> I'M 41, OKAY, SO IT'S NOT 818 00:29:01,316 --> 00:29:01,648 HOW OLD ARE YOU? >> I'M 41, OKAY, SO IT'S NOT WEIRD. 819 00:29:01,650 --> 00:29:04,484 >> I'M 41, OKAY, SO IT'S NOT WEIRD. >> YES, IT IS! 820 00:29:04,486 --> 00:29:05,185 WEIRD. >> YES, IT IS! >> FINALLY, TWO BOYS WHO CAN 821 00:29:05,187 --> 00:29:07,854 >> YES, IT IS! >> FINALLY, TWO BOYS WHO CAN ACTUALLY COMPETE. 822 00:29:07,856 --> 00:29:08,155 >> FINALLY, TWO BOYS WHO CAN ACTUALLY COMPETE. OKAY. 823 00:29:08,157 --> 00:29:10,423 ACTUALLY COMPETE. OKAY. I'M BACK. 824 00:29:10,425 --> 00:29:15,862 OKAY. I'M BACK. WITH CHURROS. 825 00:29:15,864 --> 00:29:19,966 I'M BACK. WITH CHURROS. THE MOST PENIS DESERT. 826 00:29:19,968 --> 00:29:21,568 WITH CHURROS. THE MOST PENIS DESERT. I SURE HOPE IT DOESN'T MAKE YOU 827 00:29:21,570 --> 00:29:24,037 THE MOST PENIS DESERT. I SURE HOPE IT DOESN'T MAKE YOU TWO ACT BICURIOUS. 828 00:29:24,039 --> 00:29:24,838 I SURE HOPE IT DOESN'T MAKE YOU TWO ACT BICURIOUS. >> OKAY. 829 00:29:24,840 --> 00:29:26,573 TWO ACT BICURIOUS. >> OKAY. WHAT IS CHALLENGERS ABOUT? 830 00:29:26,575 --> 00:29:27,440 >> OKAY. WHAT IS CHALLENGERS ABOUT? >> TENNIS. 831 00:29:27,442 --> 00:29:28,441 WHAT IS CHALLENGERS ABOUT? >> TENNIS. >> IN WHAT WAY? 832 00:29:28,443 --> 00:29:30,443 >> TENNIS. >> IN WHAT WAY? >> BECAUSE THE WOMAN USES MEN 833 00:29:30,445 --> 00:29:32,045 >> IN WHAT WAY? >> BECAUSE THE WOMAN USES MEN LIKE TOYS LIKE TENNIS. 834 00:29:32,047 --> 00:29:35,482 >> BECAUSE THE WOMAN USES MEN LIKE TOYS LIKE TENNIS. >> SHOOT, I FORGOT THE CHOCOLATE 835 00:29:35,484 --> 00:29:35,782 LIKE TOYS LIKE TENNIS. >> SHOOT, I FORGOT THE CHOCOLATE SAUCE. 836 00:29:35,784 --> 00:29:36,049 >> SHOOT, I FORGOT THE CHOCOLATE SAUCE. BRB. 837 00:29:36,051 --> 00:29:37,751 SAUCE. BRB. >> JUST SO YOU KNOW, SHE'S NOT 838 00:29:37,753 --> 00:29:39,719 BRB. >> JUST SO YOU KNOW, SHE'S NOT IN LOVE WITH YOU. 839 00:29:39,721 --> 00:29:40,453 >> JUST SO YOU KNOW, SHE'S NOT IN LOVE WITH YOU. >> WHAT MAKES YOU THINK I WANT 840 00:29:40,455 --> 00:29:44,224 IN LOVE WITH YOU. >> WHAT MAKES YOU THINK I WANT SOMEONE TO BE IN LOVE WITH ME? 841 00:29:44,226 --> 00:29:46,359 >> WHAT MAKES YOU THINK I WANT SOMEONE TO BE IN LOVE WITH ME? >> HMM, GIVE ME SOME. 842 00:29:46,361 --> 00:29:49,429 SOMEONE TO BE IN LOVE WITH ME? >> HMM, GIVE ME SOME. MM. 843 00:29:49,431 --> 00:29:51,498 >> HMM, GIVE ME SOME. MM. IT'S NICE TO SEE YOU LIT UP 844 00:29:51,500 --> 00:29:53,433 MM. IT'S NICE TO SEE YOU LIT UP ABOUT SOMETHING, EVEN IF THAT 845 00:29:53,435 --> 00:29:55,535 IT'S NICE TO SEE YOU LIT UP ABOUT SOMETHING, EVEN IF THAT SOMETHING IS MY BIG GIRLFRIEND. 846 00:29:55,537 --> 00:29:56,636 ABOUT SOMETHING, EVEN IF THAT SOMETHING IS MY BIG GIRLFRIEND. IT'S WHAT'S BEEN MISSING FROM 847 00:29:56,638 --> 00:29:57,437 SOMETHING IS MY BIG GIRLFRIEND. IT'S WHAT'S BEEN MISSING FROM YOUR TENNIS. 848 00:29:57,439 --> 00:29:59,072 IT'S WHAT'S BEEN MISSING FROM YOUR TENNIS. >> WHAT TENNIS? 849 00:29:59,074 --> 00:30:00,273 YOUR TENNIS. >> WHAT TENNIS? >> I'M BACK. 850 00:30:00,275 --> 00:30:00,874 >> WHAT TENNIS? >> I'M BACK. HERE. 851 00:30:00,876 --> 00:30:03,310 >> I'M BACK. HERE. WHY DON'T I SIT IN BETWEEN YOU 852 00:30:03,312 --> 00:30:04,644 HERE. WHY DON'T I SIT IN BETWEEN YOU BOYS? 853 00:30:04,646 --> 00:30:06,246 WHY DON'T I SIT IN BETWEEN YOU BOYS? >> OKAY. 854 00:30:06,248 --> 00:30:08,848 BOYS? >> OKAY. >> HMM, I LIKE THIS. 855 00:30:08,850 --> 00:30:11,751 >> OKAY. >> HMM, I LIKE THIS. >> ME TOO. 856 00:30:11,753 --> 00:30:13,720 >> HMM, I LIKE THIS. >> ME TOO. SO, HOW DOES THIS WORK? 857 00:30:13,722 --> 00:30:17,257 >> ME TOO. SO, HOW DOES THIS WORK? >> FIRST, YOU TWO KISS. 858 00:30:17,259 --> 00:30:22,996 SO, HOW DOES THIS WORK? >> FIRST, YOU TWO KISS. >> UM, OKAY. 859 00:30:22,998 --> 00:30:25,198 >> FIRST, YOU TWO KISS. >> UM, OKAY. WHOA. 860 00:30:25,200 --> 00:30:28,235 >> UM, OKAY. WHOA. I DON'T FEEL SO GOOD. 861 00:30:28,237 --> 00:30:29,703 WHOA. I DON'T FEEL SO GOOD. >> DON'T WORRY. 862 00:30:29,705 --> 00:30:33,340 I DON'T FEEL SO GOOD. >> DON'T WORRY. YOU'LL MAKE A GREAT SUNNY ANGEL. 863 00:30:33,342 --> 00:30:40,413 >> DON'T WORRY. YOU'LL MAKE A GREAT SUNNY ANGEL. >> OH, MY GOD! 864 00:30:40,415 --> 00:30:40,947 YOU'LL MAKE A GREAT SUNNY ANGEL. >> OH, MY GOD! WHAT HAPPENED TO ME? 865 00:30:40,949 --> 00:30:41,615 >> OH, MY GOD! WHAT HAPPENED TO ME? >> NOW WE'RE BOTH LITTLE 866 00:30:41,617 --> 00:30:43,617 WHAT HAPPENED TO ME? >> NOW WE'RE BOTH LITTLE BOYFRIENDS. 867 00:30:47,388 --> 00:30:54,094 >>> IT'S THERE FOR US WHEN WE GATHER TO SAY GOOD-BYE. >> AND WHEN WE GATHER TO SAY 868 00:30:54,096 --> 00:30:54,394 GATHER TO SAY GOOD-BYE. >> AND WHEN WE GATHER TO SAY HELLO. 869 00:30:54,396 --> 00:30:56,396 >> AND WHEN WE GATHER TO SAY HELLO. >> IT'S THERE FOR US -- 870 00:30:56,398 --> 00:30:57,697 HELLO. >> IT'S THERE FOR US -- >> WHEN ONE CHAPTER ENDS. 871 00:30:57,699 --> 00:31:00,133 >> IT'S THERE FOR US -- >> WHEN ONE CHAPTER ENDS. >> AND WHEN A NEW ONE BEGINS. 872 00:31:00,135 --> 00:31:02,202 >> WHEN ONE CHAPTER ENDS. >> AND WHEN A NEW ONE BEGINS. >> IT'S THERE WHEN WE BRING HOME 873 00:31:02,204 --> 00:31:02,836 >> AND WHEN A NEW ONE BEGINS. >> IT'S THERE WHEN WE BRING HOME THE WIN. 874 00:31:02,838 --> 00:31:04,904 >> IT'S THERE WHEN WE BRING HOME THE WIN. >> AND THERE WHEN WE LEAVE HOME 875 00:31:04,906 --> 00:31:06,439 THE WIN. >> AND THERE WHEN WE LEAVE HOME FOR OUR NEXT ADVENTURE. 876 00:31:06,441 --> 00:31:08,608 >> AND THERE WHEN WE LEAVE HOME FOR OUR NEXT ADVENTURE. >> WHENEVER WE GATHER, FOR 877 00:31:08,610 --> 00:31:10,810 FOR OUR NEXT ADVENTURE. >> WHENEVER WE GATHER, FOR REASONS HAPPY OR SAD, IT'S THERE 878 00:31:10,812 --> 00:31:11,611 >> WHENEVER WE GATHER, FOR REASONS HAPPY OR SAD, IT'S THERE FOR US. 879 00:31:11,613 --> 00:31:13,847 REASONS HAPPY OR SAD, IT'S THERE FOR US. A BIG ASS ALUMINUM TRAY OF PENNE 880 00:31:13,849 --> 00:31:16,516 FOR US. A BIG ASS ALUMINUM TRAY OF PENNE ALLA VODKA. 881 00:31:16,518 --> 00:31:19,119 A BIG ASS ALUMINUM TRAY OF PENNE ALLA VODKA. >> LOVED BY NONE, BUT TOLERATED 882 00:31:19,121 --> 00:31:19,519 ALLA VODKA. >> LOVED BY NONE, BUT TOLERATED BY ALL. 883 00:31:19,521 --> 00:31:21,721 >> LOVED BY NONE, BUT TOLERATED BY ALL. >> BECAUSE IT'S NOT THAT GOOD. 884 00:31:21,723 --> 00:31:24,891 BY ALL. >> BECAUSE IT'S NOT THAT GOOD. BUT IT'S NOT THAT BAD EITHER. 885 00:31:24,893 --> 00:31:27,060 >> BECAUSE IT'S NOT THAT GOOD. BUT IT'S NOT THAT BAD EITHER. >> IT MAY NOT STAY HOT, BUT IT 886 00:31:27,062 --> 00:31:29,129 BUT IT'S NOT THAT BAD EITHER. >> IT MAY NOT STAY HOT, BUT IT NEVER GETS ALL THE WAY COLD. 887 00:31:29,131 --> 00:31:31,031 >> IT MAY NOT STAY HOT, BUT IT NEVER GETS ALL THE WAY COLD. >> WITH A NAME FANCY ENOUGH FOR 888 00:31:31,033 --> 00:31:32,499 NEVER GETS ALL THE WAY COLD. >> WITH A NAME FANCY ENOUGH FOR ADULTS BUT A TASTE BLAND ENOUGH 889 00:31:32,501 --> 00:31:33,566 >> WITH A NAME FANCY ENOUGH FOR ADULTS BUT A TASTE BLAND ENOUGH FOR CHILDREN. 890 00:31:33,568 --> 00:31:35,335 ADULTS BUT A TASTE BLAND ENOUGH FOR CHILDREN. >> BECAUSE WE MAY NOT AGREE ON 891 00:31:35,337 --> 00:31:36,736 FOR CHILDREN. >> BECAUSE WE MAY NOT AGREE ON MUCH, BUT WE CAN ALL AGREE THAT 892 00:31:36,738 --> 00:31:39,539 >> BECAUSE WE MAY NOT AGREE ON MUCH, BUT WE CAN ALL AGREE THAT A BIG ASS ALUMINUM TRAY OF PENNE 893 00:31:39,541 --> 00:31:43,009 MUCH, BUT WE CAN ALL AGREE THAT A BIG ASS ALUMINUM TRAY OF PENNE ALLA VODKA IS FINE. 894 00:31:43,011 --> 00:31:43,943 A BIG ASS ALUMINUM TRAY OF PENNE ALLA VODKA IS FINE. >> WHEN WE GRIEVE. 895 00:31:43,945 --> 00:31:45,278 ALLA VODKA IS FINE. >> WHEN WE GRIEVE. >> WHEN WE CELEBRATE. 896 00:31:45,280 --> 00:31:47,881 >> WHEN WE GRIEVE. >> WHEN WE CELEBRATE. >> WHEN WE HONOR OUR LIFE'S 897 00:31:47,883 --> 00:31:48,181 >> WHEN WE CELEBRATE. >> WHEN WE HONOR OUR LIFE'S WORK. 898 00:31:48,183 --> 00:31:51,484 >> WHEN WE HONOR OUR LIFE'S WORK. >> A BIG FAT TRAY OF PENNE ALLA 899 00:31:51,486 --> 00:31:51,818 WORK. >> A BIG FAT TRAY OF PENNE ALLA VODKA. 900 00:31:51,820 --> 00:31:54,587 >> A BIG FAT TRAY OF PENNE ALLA VODKA. >> SERVED BY A SLIPPERY PLASTIC 901 00:31:54,589 --> 00:31:54,921 VODKA. >> SERVED BY A SLIPPERY PLASTIC SPOON. 902 00:31:54,923 --> 00:31:57,924 >> SERVED BY A SLIPPERY PLASTIC SPOON. >> WITH A LITTLE DELI CONTAINER 903 00:31:57,926 --> 00:31:59,592 SPOON. >> WITH A LITTLE DELI CONTAINER OF PARMESAN CHEESE NEXT TO IT. 904 00:31:59,594 --> 00:32:01,695 >> WITH A LITTLE DELI CONTAINER OF PARMESAN CHEESE NEXT TO IT. >> AND A SALAD ABSOLUTELY 905 00:32:01,697 --> 00:32:03,430 OF PARMESAN CHEESE NEXT TO IT. >> AND A SALAD ABSOLUTELY DRENCHED IN CREAMY BALSAMIC. 906 00:32:03,432 --> 00:32:06,900 >> AND A SALAD ABSOLUTELY DRENCHED IN CREAMY BALSAMIC. >> FOR ALL OF LIFE'S MOMENTS BIG 907 00:32:06,902 --> 00:32:08,601 DRENCHED IN CREAMY BALSAMIC. >> FOR ALL OF LIFE'S MOMENTS BIG OR SMALL WHEREVER WE GATHER, 908 00:32:08,603 --> 00:32:15,308 >> FOR ALL OF LIFE'S MOMENTS BIG OR SMALL WHEREVER WE GATHER, IT'S THERE FOR US. 909 00:32:15,310 --> 00:32:16,376 OR SMALL WHEREVER WE GATHER, IT'S THERE FOR US. PENNE ALLA VODKA FROM THE MAKERS 910 00:32:16,378 --> 00:32:18,978 IT'S THERE FOR US. PENNE ALLA VODKA FROM THE MAKERS OF UNTOUCHED TRAY OF COOKIES. 911 00:32:41,652 --> 00:32:48,058 >>> LADIES AND GENTLEMEN, DUA LIPA. [ CHEERS AND APPLAUSE ] 912 00:32:48,060 --> 00:32:49,692 LIPA. [ CHEERS AND APPLAUSE ] ♪♪ 913 00:32:49,694 --> 00:32:50,760 [ CHEERS AND APPLAUSE ] ♪♪ ♪ I BEEN KNOWN TO 914 00:32:50,762 --> 00:32:52,896 ♪♪ ♪ I BEEN KNOWN TO MISS A RED FLAG 915 00:32:52,898 --> 00:32:55,031 ♪ I BEEN KNOWN TO MISS A RED FLAG I BEEN KNOWN TO 916 00:32:55,033 --> 00:32:57,167 MISS A RED FLAG I BEEN KNOWN TO PUT MY LOVER ON A PEDESTAL ♪ 917 00:32:57,169 --> 00:32:58,268 I BEEN KNOWN TO PUT MY LOVER ON A PEDESTAL ♪ ♪ IN THE END THOSE THINGS 918 00:32:58,270 --> 00:33:00,937 PUT MY LOVER ON A PEDESTAL ♪ ♪ IN THE END THOSE THINGS JUST DON'T LAST ♪ 919 00:33:00,939 --> 00:33:02,539 ♪ IN THE END THOSE THINGS JUST DON'T LAST ♪ ♪ AND IT'S TIME I TAKE 920 00:33:02,541 --> 00:33:03,139 JUST DON'T LAST ♪ ♪ AND IT'S TIME I TAKE MY ROSE-COLORED GLASSES 921 00:33:03,141 --> 00:33:04,741 ♪ AND IT'S TIME I TAKE MY ROSE-COLORED GLASSES OFF ♪ 922 00:33:04,743 --> 00:33:05,809 MY ROSE-COLORED GLASSES OFF ♪ ♪ I ALREADY KNOW YOUR TYPE 923 00:33:05,811 --> 00:33:06,376 OFF ♪ ♪ I ALREADY KNOW YOUR TYPE TELLIN' ME THE THINGS 924 00:33:06,378 --> 00:33:08,011 ♪ I ALREADY KNOW YOUR TYPE TELLIN' ME THE THINGS I LIKE ♪ 925 00:33:08,013 --> 00:33:08,645 TELLIN' ME THE THINGS I LIKE ♪ ♪ TRYIN' MAKE ME YOURS 926 00:33:08,647 --> 00:33:09,612 I LIKE ♪ ♪ TRYIN' MAKE ME YOURS FOR LIFE 927 00:33:09,614 --> 00:33:11,748 ♪ TRYIN' MAKE ME YOURS FOR LIFE TAKIN' ME FOR A RIDE ♪ 928 00:33:11,750 --> 00:33:12,816 FOR LIFE TAKIN' ME FOR A RIDE ♪ ♪ I ALREADY KNOW YOUR TYPE 929 00:33:12,818 --> 00:33:13,917 TAKIN' ME FOR A RIDE ♪ ♪ I ALREADY KNOW YOUR TYPE THINK YOU CAN 930 00:33:13,919 --> 00:33:15,518 ♪ I ALREADY KNOW YOUR TYPE THINK YOU CAN PLAY YOUR CARDS RIGHT ♪ 931 00:33:15,520 --> 00:33:17,087 THINK YOU CAN PLAY YOUR CARDS RIGHT ♪ ♪ DON'T YOU KNOW 932 00:33:17,089 --> 00:33:17,620 PLAY YOUR CARDS RIGHT ♪ ♪ DON'T YOU KNOW I COULD DO THIS 933 00:33:17,622 --> 00:33:19,255 ♪ DON'T YOU KNOW I COULD DO THIS DANCE ALL NIGHT 934 00:33:19,257 --> 00:33:20,824 I COULD DO THIS DANCE ALL NIGHT OOH ♪ 935 00:33:20,826 --> 00:33:22,992 DANCE ALL NIGHT OOH ♪ ♪ OOH WHAT YOU DOIN' 936 00:33:22,994 --> 00:33:23,526 OOH ♪ ♪ OOH WHAT YOU DOIN' DON'T KNOW WHO 937 00:33:23,528 --> 00:33:24,627 ♪ OOH WHAT YOU DOIN' DON'T KNOW WHO YOU THINK THAT 938 00:33:24,629 --> 00:33:25,728 DON'T KNOW WHO YOU THINK THAT YOU'RE CONFUSIN' ♪ 939 00:33:25,730 --> 00:33:28,431 YOU THINK THAT YOU'RE CONFUSIN' ♪ ♪ I BE LIKE OOH 940 00:33:28,433 --> 00:33:30,600 YOU'RE CONFUSIN' ♪ ♪ I BE LIKE OOH IT'S AMUSIN' 941 00:33:30,602 --> 00:33:31,734 ♪ I BE LIKE OOH IT'S AMUSIN' YOU THINK I'M GONNA FALL 942 00:33:31,736 --> 00:33:36,539 IT'S AMUSIN' YOU THINK I'M GONNA FALL FOR AN ILLUSION ♪ 943 00:33:36,541 --> 00:33:37,073 YOU THINK I'M GONNA FALL FOR AN ILLUSION ♪ ♪ DANCE ALL NIGHT 944 00:33:37,075 --> 00:33:39,242 FOR AN ILLUSION ♪ ♪ DANCE ALL NIGHT DANCE ALL NIGHT 945 00:33:39,244 --> 00:33:40,310 ♪ DANCE ALL NIGHT DANCE ALL NIGHT DANCE ALL NIGHT 946 00:33:40,312 --> 00:33:40,844 DANCE ALL NIGHT DANCE ALL NIGHT DANCE ALL NIGHT ♪ 947 00:33:40,846 --> 00:33:41,911 DANCE ALL NIGHT DANCE ALL NIGHT ♪ ♪ I BE LIKE 948 00:33:41,913 --> 00:33:43,513 DANCE ALL NIGHT ♪ ♪ I BE LIKE DANCE ALL NIGHT 949 00:33:43,515 --> 00:33:45,115 ♪ I BE LIKE DANCE ALL NIGHT DANCE ALL NIGHT 950 00:33:45,117 --> 00:33:47,817 DANCE ALL NIGHT DANCE ALL NIGHT DANCE ALL NIGHT ♪ 951 00:33:47,819 --> 00:33:49,452 DANCE ALL NIGHT DANCE ALL NIGHT ♪ ♪ DANCE DANCE 952 00:33:49,454 --> 00:33:51,121 DANCE ALL NIGHT ♪ ♪ DANCE DANCE WAS A TIME WHEN THAT 953 00:33:51,123 --> 00:33:54,357 ♪ DANCE DANCE WAS A TIME WHEN THAT -- MIGHT HAVE WORKED ♪ 954 00:33:54,359 --> 00:33:54,924 WAS A TIME WHEN THAT -- MIGHT HAVE WORKED ♪ ♪ WAS A TIME WHEN I 955 00:33:54,926 --> 00:33:55,959 -- MIGHT HAVE WORKED ♪ ♪ WAS A TIME WHEN I JUST THREW A MATCH 956 00:33:55,961 --> 00:33:57,060 ♪ WAS A TIME WHEN I JUST THREW A MATCH AND LET IT BURN 957 00:33:57,062 --> 00:33:58,695 JUST THREW A MATCH AND LET IT BURN NOW I'M GROWN ♪ 958 00:33:58,697 --> 00:34:00,296 AND LET IT BURN NOW I'M GROWN ♪ ♪ I KNOW WHAT I DESERVE 959 00:34:00,298 --> 00:34:02,465 NOW I'M GROWN ♪ ♪ I KNOW WHAT I DESERVE I STILL LIKE DANCIN' 960 00:34:02,467 --> 00:34:03,600 ♪ I KNOW WHAT I DESERVE I STILL LIKE DANCIN' WITH THE LESSONS 961 00:34:03,602 --> 00:34:05,201 I STILL LIKE DANCIN' WITH THE LESSONS I ALREADY LEARNED ♪ 962 00:34:05,203 --> 00:34:06,302 WITH THE LESSONS I ALREADY LEARNED ♪ ♪ I ALREADY KNOW YOUR TYPE 963 00:34:06,304 --> 00:34:06,870 I ALREADY LEARNED ♪ ♪ I ALREADY KNOW YOUR TYPE TELLIN' ME THE THINGS 964 00:34:06,872 --> 00:34:08,438 ♪ I ALREADY KNOW YOUR TYPE TELLIN' ME THE THINGS I LIKE ♪ 965 00:34:08,440 --> 00:34:09,506 TELLIN' ME THE THINGS I LIKE ♪ ♪ TRYIN' MAKE ME YOURS 966 00:34:09,508 --> 00:34:10,039 I LIKE ♪ ♪ TRYIN' MAKE ME YOURS FOR LIFE 967 00:34:10,041 --> 00:34:12,175 ♪ TRYIN' MAKE ME YOURS FOR LIFE TAKIN' ME FOR A RIDE ♪ 968 00:34:12,177 --> 00:34:13,243 FOR LIFE TAKIN' ME FOR A RIDE ♪ ♪ I ALREADY KNOW YOUR TYPE 969 00:34:13,245 --> 00:34:14,344 TAKIN' ME FOR A RIDE ♪ ♪ I ALREADY KNOW YOUR TYPE THINK YOU CAN 970 00:34:14,346 --> 00:34:15,945 ♪ I ALREADY KNOW YOUR TYPE THINK YOU CAN PLAY YOUR CARDS RIGHT ♪ 971 00:34:15,947 --> 00:34:17,046 THINK YOU CAN PLAY YOUR CARDS RIGHT ♪ ♪ DON'T YOU KNOW 972 00:34:17,048 --> 00:34:17,614 PLAY YOUR CARDS RIGHT ♪ ♪ DON'T YOU KNOW I COULD DO THIS DANCE 973 00:34:17,616 --> 00:34:20,316 ♪ DON'T YOU KNOW I COULD DO THIS DANCE ALL NIGHT ♪ 974 00:34:20,318 --> 00:34:22,986 I COULD DO THIS DANCE ALL NIGHT ♪ ♪ OOH WHAT YOU DOIN' 975 00:34:22,988 --> 00:34:24,587 ALL NIGHT ♪ ♪ OOH WHAT YOU DOIN' DON'T KNOW WHO YOU THINK 976 00:34:24,589 --> 00:34:26,222 ♪ OOH WHAT YOU DOIN' DON'T KNOW WHO YOU THINK THAT YOU'RE CONFUSIN' ♪ 977 00:34:26,224 --> 00:34:28,391 DON'T KNOW WHO YOU THINK THAT YOU'RE CONFUSIN' ♪ ♪ I BE LIKE OOH 978 00:34:28,393 --> 00:34:30,660 THAT YOU'RE CONFUSIN' ♪ ♪ I BE LIKE OOH IT'S AMUSIN' 979 00:34:30,662 --> 00:34:35,465 ♪ I BE LIKE OOH IT'S AMUSIN' YOU THINK I'M GONNA 980 00:34:35,467 --> 00:34:36,599 IT'S AMUSIN' YOU THINK I'M GONNA FALL FOR AN ILLU-U-U-USION ♪ 981 00:34:36,601 --> 00:34:38,201 YOU THINK I'M GONNA FALL FOR AN ILLU-U-U-USION ♪ ♪ DANCE ALL NIGHT 982 00:34:38,203 --> 00:34:38,735 FALL FOR AN ILLU-U-U-USION ♪ ♪ DANCE ALL NIGHT DANCE ALL NIGHT 983 00:34:38,737 --> 00:34:40,303 ♪ DANCE ALL NIGHT DANCE ALL NIGHT DANCE ALL NIGHT 984 00:34:40,305 --> 00:34:41,371 DANCE ALL NIGHT DANCE ALL NIGHT DANCE ALL NIGHT ♪ 985 00:34:41,373 --> 00:34:42,472 DANCE ALL NIGHT DANCE ALL NIGHT ♪ ♪ I BE LIKE 986 00:34:42,474 --> 00:34:44,040 DANCE ALL NIGHT ♪ ♪ I BE LIKE DANCE ALL NIGHT 987 00:34:44,042 --> 00:34:45,675 ♪ I BE LIKE DANCE ALL NIGHT DANCE ALL NIGHT 988 00:34:45,677 --> 00:34:47,844 DANCE ALL NIGHT DANCE ALL NIGHT DANCE ALL NIGHT ♪ 989 00:34:47,846 --> 00:34:49,445 DANCE ALL NIGHT DANCE ALL NIGHT ♪ ♪ DANCE DANCE 990 00:34:49,447 --> 00:34:51,614 DANCE ALL NIGHT ♪ ♪ DANCE DANCE ILLUSION 991 00:34:51,616 --> 00:34:53,750 ♪ DANCE DANCE ILLUSION I REALLY LIKE 992 00:34:53,752 --> 00:34:55,351 ILLUSION I REALLY LIKE THE WAY YOU'RE MOVIN' ♪ 993 00:34:55,353 --> 00:34:56,386 I REALLY LIKE THE WAY YOU'RE MOVIN' ♪ ♪ YEAH I JUST WANNA DANCE 994 00:34:56,388 --> 00:34:58,555 THE WAY YOU'RE MOVIN' ♪ ♪ YEAH I JUST WANNA DANCE WITH THE ILLUSION ♪ 995 00:34:58,557 --> 00:34:59,622 ♪ YEAH I JUST WANNA DANCE WITH THE ILLUSION ♪ ♪ YEAH 996 00:34:59,624 --> 00:35:00,723 WITH THE ILLUSION ♪ ♪ YEAH I JUST WANNA DANCE WITH 997 00:35:00,725 --> 00:35:01,791 ♪ YEAH I JUST WANNA DANCE WITH YEAH 998 00:35:01,793 --> 00:35:03,393 I JUST WANNA DANCE WITH YEAH I JUST WANNA DANCE WITH ♪ 999 00:35:03,395 --> 00:35:06,062 YEAH I JUST WANNA DANCE WITH ♪ ♪ I COULD DANCE ALL NIGHT 1000 00:35:06,064 --> 00:35:13,036 I JUST WANNA DANCE WITH ♪ ♪ I COULD DANCE ALL NIGHT ♪♪ 1001 00:35:13,038 --> 00:35:21,144 ♪ I COULD DANCE ALL NIGHT ♪♪ ♪♪ 1002 00:35:21,146 --> 00:35:24,380 ♪♪ ♪♪ ♪ OOH WHAT YOU DOIN' 1003 00:35:24,382 --> 00:35:26,516 ♪♪ ♪ OOH WHAT YOU DOIN' DON'T KNOW WHO YOU THINK 1004 00:35:26,518 --> 00:35:27,083 ♪ OOH WHAT YOU DOIN' DON'T KNOW WHO YOU THINK THAT YOU'RE CONFUSIN' 1005 00:35:27,085 --> 00:35:29,185 DON'T KNOW WHO YOU THINK THAT YOU'RE CONFUSIN' I BE LIKE ♪ 1006 00:35:29,187 --> 00:35:31,321 THAT YOU'RE CONFUSIN' I BE LIKE ♪ ♪ OOH IT'S AMUSIN' 1007 00:35:31,323 --> 00:35:33,489 I BE LIKE ♪ ♪ OOH IT'S AMUSIN' YOU THINK I'M GONNA 1008 00:35:33,491 --> 00:35:36,192 ♪ OOH IT'S AMUSIN' YOU THINK I'M GONNA FALL FOR AN ILLU-U-U 1009 00:35:36,194 --> 00:35:38,895 YOU THINK I'M GONNA FALL FOR AN ILLU-U-U OOH WHAT YOU DOIN' ♪ 1010 00:35:38,897 --> 00:35:39,963 FALL FOR AN ILLU-U-U OOH WHAT YOU DOIN' ♪ ♪ DON'T KNOW WHO YOU THINK 1011 00:35:39,965 --> 00:35:42,131 OOH WHAT YOU DOIN' ♪ ♪ DON'T KNOW WHO YOU THINK THAT YOU'RE CONFUSIN' 1012 00:35:42,133 --> 00:35:44,801 ♪ DON'T KNOW WHO YOU THINK THAT YOU'RE CONFUSIN' I BE LIKE 1013 00:35:44,803 --> 00:35:46,402 THAT YOU'RE CONFUSIN' I BE LIKE OOH IT'S AMUSIN' ♪ 1014 00:35:46,404 --> 00:35:49,639 I BE LIKE OOH IT'S AMUSIN' ♪ ♪ YOU THINK I'M GONNA FALL 1015 00:35:49,641 --> 00:35:54,744 OOH IT'S AMUSIN' ♪ ♪ YOU THINK I'M GONNA FALL FOR AN ILLU-U-U-USION ♪ 1016 00:35:54,746 --> 00:36:01,284 ♪ YOU THINK I'M GONNA FALL FOR AN ILLU-U-U-USION ♪ [ CHEERS AND APPLAUSE ] 1017 00:36:22,122 --> 00:36:25,091 >> Announcer: IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 1018 00:36:25,093 --> 00:36:33,833 UPDATE" WITH COLIN JOST AND MICHAEL CHE. [ CHEERS AND APPLAUSE ] 1019 00:36:33,835 --> 00:36:35,535 MICHAEL CHE. [ CHEERS AND APPLAUSE ] >>> THANK YOU VERY MUCH. 1020 00:36:35,537 --> 00:36:35,969 [ CHEERS AND APPLAUSE ] >>> THANK YOU VERY MUCH. GOOD EVENING. 1021 00:36:35,971 --> 00:36:38,371 >>> THANK YOU VERY MUCH. GOOD EVENING. THANK YOU. 1022 00:36:38,373 --> 00:36:40,306 GOOD EVENING. THANK YOU. GOOD EVENING, EVERYONE. 1023 00:36:40,308 --> 00:36:41,507 THANK YOU. GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." 1024 00:36:41,509 --> 00:36:42,275 GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. 1025 00:36:42,277 --> 00:36:44,811 >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. >> I'M COLIN JOST. 1026 00:36:44,813 --> 00:36:46,913 I'M MICHAEL CHE. >> I'M COLIN JOST. WELL, IT'S THE FIRST SHOW OF 1027 00:36:46,915 --> 00:36:47,680 >> I'M COLIN JOST. WELL, IT'S THE FIRST SHOW OF SPRING, SO WE'LL START TONIGHT 1028 00:36:47,682 --> 00:36:50,350 WELL, IT'S THE FIRST SHOW OF SPRING, SO WE'LL START TONIGHT WITH PUPPY MURDER. 1029 00:36:50,352 --> 00:36:52,585 SPRING, SO WE'LL START TONIGHT WITH PUPPY MURDER. IN A NEW BOOK, SOUTH DAKOTA 1030 00:36:52,587 --> 00:36:54,220 WITH PUPPY MURDER. IN A NEW BOOK, SOUTH DAKOTA GOVERNOR KRISTI NOEM REVEALED 1031 00:36:54,222 --> 00:36:58,157 IN A NEW BOOK, SOUTH DAKOTA GOVERNOR KRISTI NOEM REVEALED SHE ONCE SHOT A DOG THAT WAS 1032 00:36:58,159 --> 00:36:58,558 GOVERNOR KRISTI NOEM REVEALED SHE ONCE SHOT A DOG THAT WAS UNTRAINABLE. 1033 00:36:58,560 --> 00:36:59,025 SHE ONCE SHOT A DOG THAT WAS UNTRAINABLE. THAT'S INSANE. 1034 00:36:59,027 --> 00:37:03,062 UNTRAINABLE. THAT'S INSANE. IF A TO GO IS UNTRAINABLE, YOU 1035 00:37:03,064 --> 00:37:03,529 THAT'S INSANE. IF A TO GO IS UNTRAINABLE, YOU DON'T SHOOT IT. 1036 00:37:03,531 --> 00:37:04,664 IF A TO GO IS UNTRAINABLE, YOU DON'T SHOOT IT. YOU GIVE IT TO PRESIDENT BIDEN. 1037 00:37:04,666 --> 00:37:10,103 DON'T SHOOT IT. YOU GIVE IT TO PRESIDENT BIDEN. MAGA INSIDERS ARE SAYING NOEM, 1038 00:37:10,105 --> 00:37:11,704 YOU GIVE IT TO PRESIDENT BIDEN. MAGA INSIDERS ARE SAYING NOEM, SEEN HERE WEARING THE HAIR OF 1039 00:37:11,706 --> 00:37:14,507 MAGA INSIDERS ARE SAYING NOEM, SEEN HERE WEARING THE HAIR OF THAT DOG, NOW HAS ZERO CHANCE OF 1040 00:37:14,509 --> 00:37:17,610 SEEN HERE WEARING THE HAIR OF THAT DOG, NOW HAS ZERO CHANCE OF BEING TRUMP'S RUNNING MATE. 1041 00:37:17,612 --> 00:37:18,044 THAT DOG, NOW HAS ZERO CHANCE OF BEING TRUMP'S RUNNING MATE. I DON'T KNOW. 1042 00:37:18,046 --> 00:37:18,778 BEING TRUMP'S RUNNING MATE. I DON'T KNOW. SOMETHING TELLS ME TRUMP WOULD 1043 00:37:18,780 --> 00:37:20,580 I DON'T KNOW. SOMETHING TELLS ME TRUMP WOULD FULLY SUPPORT KILLING 1044 00:37:20,582 --> 00:37:21,114 SOMETHING TELLS ME TRUMP WOULD FULLY SUPPORT KILLING DISOBEDIENT PETS. 1045 00:37:21,116 --> 00:37:23,249 FULLY SUPPORT KILLING DISOBEDIENT PETS. >> INSIDERS SAID THAT DURING HIS 1046 00:37:23,251 --> 00:37:25,752 DISOBEDIENT PETS. >> INSIDERS SAID THAT DURING HIS HUSH MONEY TRIAL, DONALD TRUMP 1047 00:37:25,754 --> 00:37:28,221 >> INSIDERS SAID THAT DURING HIS HUSH MONEY TRIAL, DONALD TRUMP COMPLAINED THAT NONE OF HIS 1048 00:37:28,223 --> 00:37:29,889 HUSH MONEY TRIAL, DONALD TRUMP COMPLAINED THAT NONE OF HIS SUPPORTERS WERE IN COURT WITH 1049 00:37:29,891 --> 00:37:30,156 COMPLAINED THAT NONE OF HIS SUPPORTERS WERE IN COURT WITH HIM. 1050 00:37:30,158 --> 00:37:31,057 SUPPORTERS WERE IN COURT WITH HIM. THAT'S NOT TRUE. 1051 00:37:31,059 --> 00:37:35,428 HIM. THAT'S NOT TRUE. WHAT ABOUT ALL THOSE COPS? 1052 00:37:35,430 --> 00:37:37,463 THAT'S NOT TRUE. WHAT ABOUT ALL THOSE COPS? >> FORMER PRESIDENT DONALD TRUMP 1053 00:37:37,465 --> 00:37:40,366 WHAT ABOUT ALL THOSE COPS? >> FORMER PRESIDENT DONALD TRUMP SEEN HERE DEFINITELY NOT 1054 00:37:40,368 --> 00:37:42,402 >> FORMER PRESIDENT DONALD TRUMP SEEN HERE DEFINITELY NOT SLEEPING, PROBABLY JUST PRAYING, 1055 00:37:42,404 --> 00:37:43,336 SEEN HERE DEFINITELY NOT SLEEPING, PROBABLY JUST PRAYING, FORMER PRESIDENT TRUMP FOR THE 1056 00:37:43,338 --> 00:37:44,570 SLEEPING, PROBABLY JUST PRAYING, FORMER PRESIDENT TRUMP FOR THE FIRST TIME IN HIS TRIAL WROTE A 1057 00:37:44,572 --> 00:37:48,107 FORMER PRESIDENT TRUMP FOR THE FIRST TIME IN HIS TRIAL WROTE A MESSAGE ON A YELLOW POST-IT NOTE 1058 00:37:48,109 --> 00:37:49,242 FIRST TIME IN HIS TRIAL WROTE A MESSAGE ON A YELLOW POST-IT NOTE AND HANDED IT TO HIS LAWYER 1059 00:37:49,244 --> 00:37:50,810 MESSAGE ON A YELLOW POST-IT NOTE AND HANDED IT TO HIS LAWYER WHILE HE WAS MAKING AN ARGUMENT. 1060 00:37:50,812 --> 00:37:53,246 AND HANDED IT TO HIS LAWYER WHILE HE WAS MAKING AN ARGUMENT. THE POST-IT READ SIMPLY, CAN'T 1061 00:37:53,248 --> 00:37:55,481 WHILE HE WAS MAKING AN ARGUMENT. THE POST-IT READ SIMPLY, CAN'T PAY YOU. 1062 00:37:55,483 --> 00:37:58,618 THE POST-IT READ SIMPLY, CAN'T PAY YOU. >> OFFICIALS AT COLUMBIA 1063 00:37:58,620 --> 00:37:59,285 PAY YOU. >> OFFICIALS AT COLUMBIA UNIVERSITY COMPLAINED THAT 1064 00:37:59,287 --> 00:38:01,854 >> OFFICIALS AT COLUMBIA UNIVERSITY COMPLAINED THAT PROTESTORS BROKE WINDOWS AND 1065 00:38:01,856 --> 00:38:02,622 UNIVERSITY COMPLAINED THAT PROTESTORS BROKE WINDOWS AND DESTROYED SCHOOL PROPERTY. 1066 00:38:02,624 --> 00:38:07,360 PROTESTORS BROKE WINDOWS AND DESTROYED SCHOOL PROPERTY. SO WHAT, COLLEGES ALSO DO THAT 1067 00:38:07,362 --> 00:38:08,061 DESTROYED SCHOOL PROPERTY. SO WHAT, COLLEGES ALSO DO THAT WHEN THEY WIN THE FINAL FOUR. 1068 00:38:08,063 --> 00:38:10,730 SO WHAT, COLLEGES ALSO DO THAT WHEN THEY WIN THE FINAL FOUR. ALSO, IF YOU DON'T WANT STUDENTS 1069 00:38:10,732 --> 00:38:11,531 WHEN THEY WIN THE FINAL FOUR. ALSO, IF YOU DON'T WANT STUDENTS TO FREAK OUT, STOP TELLING THEM 1070 00:38:11,533 --> 00:38:12,432 ALSO, IF YOU DON'T WANT STUDENTS TO FREAK OUT, STOP TELLING THEM THE TRUTH. 1071 00:38:12,434 --> 00:38:15,234 TO FREAK OUT, STOP TELLING THEM THE TRUTH. THAT'S MY ADVICE FOR SCHOOL AND 1072 00:38:15,236 --> 00:38:15,668 THE TRUTH. THAT'S MY ADVICE FOR SCHOOL AND RELATIONSHIPS. 1073 00:38:15,670 --> 00:38:16,402 THAT'S MY ADVICE FOR SCHOOL AND RELATIONSHIPS. PRESIDENT BIDEN SAID THE 1074 00:38:16,404 --> 00:38:17,703 RELATIONSHIPS. PRESIDENT BIDEN SAID THE NATIONAL GUARD SHOULD NOT BE 1075 00:38:17,705 --> 00:38:20,907 PRESIDENT BIDEN SAID THE NATIONAL GUARD SHOULD NOT BE CALLED IN TO DEAL WITH CAMPUS 1076 00:38:20,909 --> 00:38:21,274 NATIONAL GUARD SHOULD NOT BE CALLED IN TO DEAL WITH CAMPUS PROTESTS. 1077 00:38:21,276 --> 00:38:23,109 CALLED IN TO DEAL WITH CAMPUS PROTESTS. I'M JUST HAPPY HE'S FINALLY NOT 1078 00:38:23,111 --> 00:38:26,279 PROTESTS. I'M JUST HAPPY HE'S FINALLY NOT SENDING MILITARY AID SOMEWHERE. 1079 00:38:26,281 --> 00:38:30,483 I'M JUST HAPPY HE'S FINALLY NOT SENDING MILITARY AID SOMEWHERE. THAT WAS MY BEST JOKE, COLIN. 1080 00:38:30,485 --> 00:38:32,385 SENDING MILITARY AID SOMEWHERE. THAT WAS MY BEST JOKE, COLIN. >> REPRESENTATIVE MARJORIE 1081 00:38:32,387 --> 00:38:35,054 THAT WAS MY BEST JOKE, COLIN. >> REPRESENTATIVE MARJORIE TAYLOR GREEN SAID NEXT WEEK SHE 1082 00:38:35,056 --> 00:38:38,091 >> REPRESENTATIVE MARJORIE TAYLOR GREEN SAID NEXT WEEK SHE WILL FORCE A VOTE TO OUST HOUSE 1083 00:38:38,093 --> 00:38:39,158 TAYLOR GREEN SAID NEXT WEEK SHE WILL FORCE A VOTE TO OUST HOUSE SENATOR MIKE JOHNSON. 1084 00:38:39,160 --> 00:38:40,827 WILL FORCE A VOTE TO OUST HOUSE SENATOR MIKE JOHNSON. IF THERE'S ONE THING I BET SHE'S 1085 00:38:40,829 --> 00:38:42,462 SENATOR MIKE JOHNSON. IF THERE'S ONE THING I BET SHE'S AMAZING AT, IT'S DRIVING MEN 1086 00:38:42,464 --> 00:38:42,762 IF THERE'S ONE THING I BET SHE'S AMAZING AT, IT'S DRIVING MEN AWAY. 1087 00:38:42,764 --> 00:38:44,664 AMAZING AT, IT'S DRIVING MEN AWAY. >> DURING A CAMPAIGN EVENT 1088 00:38:44,666 --> 00:38:46,566 AWAY. >> DURING A CAMPAIGN EVENT MARKING THE START OF ASIAN 1089 00:38:46,568 --> 00:38:48,601 >> DURING A CAMPAIGN EVENT MARKING THE START OF ASIAN AMERICAN AND PACIFIC ISLANDER 1090 00:38:48,603 --> 00:38:51,037 MARKING THE START OF ASIAN AMERICAN AND PACIFIC ISLANDER HERITAGE MONTH, PRESIDENT BIDEN 1091 00:38:51,039 --> 00:38:55,875 AMERICAN AND PACIFIC ISLANDER HERITAGE MONTH, PRESIDENT BIDEN CRITICIZED JAPAN AS BEING 1092 00:38:55,877 --> 00:38:58,010 HERITAGE MONTH, PRESIDENT BIDEN CRITICIZED JAPAN AS BEING XENOPHOBIC, WHICH IS CRAZY 1093 00:38:58,012 --> 00:38:58,778 CRITICIZED JAPAN AS BEING XENOPHOBIC, WHICH IS CRAZY BECAUSE WHY WOULD THE JAPANESE 1094 00:38:58,780 --> 00:39:01,514 XENOPHOBIC, WHICH IS CRAZY BECAUSE WHY WOULD THE JAPANESE BE SCARED OF FOREIGNERS? 1095 00:39:01,516 --> 00:39:03,049 BECAUSE WHY WOULD THE JAPANESE BE SCARED OF FOREIGNERS? DRAKE JUST DROPPED ANOTHER DISS 1096 00:39:03,051 --> 00:39:04,016 BE SCARED OF FOREIGNERS? DRAKE JUST DROPPED ANOTHER DISS RECORD, GUYS. 1097 00:39:04,018 --> 00:39:04,617 DRAKE JUST DROPPED ANOTHER DISS RECORD, GUYS. JUST KIDDING. 1098 00:39:04,619 --> 00:39:06,018 RECORD, GUYS. JUST KIDDING. I JUST SAY THAT WHEN I BOMB. 1099 00:39:06,020 --> 00:39:08,054 JUST KIDDING. I JUST SAY THAT WHEN I BOMB. >> FLORIDA'S NEW ABORTION BAN 1100 00:39:08,056 --> 00:39:10,423 I JUST SAY THAT WHEN I BOMB. >> FLORIDA'S NEW ABORTION BAN MEANS THE MAJORITY OF WOMEN IN 1101 00:39:10,425 --> 00:39:11,591 >> FLORIDA'S NEW ABORTION BAN MEANS THE MAJORITY OF WOMEN IN THE SOUTH WILL HAVE TO TRAVEL 1102 00:39:11,593 --> 00:39:14,227 MEANS THE MAJORITY OF WOMEN IN THE SOUTH WILL HAVE TO TRAVEL MORE THAN 300 MILES FOR THE 1103 00:39:14,229 --> 00:39:14,594 THE SOUTH WILL HAVE TO TRAVEL MORE THAN 300 MILES FOR THE PROCEDURE. 1104 00:39:14,596 --> 00:39:16,596 MORE THAN 300 MILES FOR THE PROCEDURE. ON THE PLUS SIDE, YOU CAN GET 1105 00:39:16,598 --> 00:39:18,764 PROCEDURE. ON THE PLUS SIDE, YOU CAN GET FREE TRAVEL FROM NEW YORK BY 1106 00:39:18,766 --> 00:39:20,466 ON THE PLUS SIDE, YOU CAN GET FREE TRAVEL FROM NEW YORK BY DISGUISING YOURSELF AS A 1107 00:39:20,468 --> 00:39:20,833 FREE TRAVEL FROM NEW YORK BY DISGUISING YOURSELF AS A MIGRANT. 1108 00:39:20,835 --> 00:39:22,034 DISGUISING YOURSELF AS A MIGRANT. >> NEW POLLS SHOW THAT 1109 00:39:22,036 --> 00:39:23,402 MIGRANT. >> NEW POLLS SHOW THAT SUPPORTERS OF PRESIDENT BIDEN 1110 00:39:23,404 --> 00:39:24,770 >> NEW POLLS SHOW THAT SUPPORTERS OF PRESIDENT BIDEN AND DONALD TRUMP ARE SHARPLY 1111 00:39:24,772 --> 00:39:26,439 SUPPORTERS OF PRESIDENT BIDEN AND DONALD TRUMP ARE SHARPLY DIVIDED OVER WHERE THEY GET 1112 00:39:26,441 --> 00:39:27,273 AND DONALD TRUMP ARE SHARPLY DIVIDED OVER WHERE THEY GET THEIR NEWS. 1113 00:39:27,275 --> 00:39:29,008 DIVIDED OVER WHERE THEY GET THEIR NEWS. PEOPLE WHO SUPPORT BIDEN ARE 1114 00:39:29,010 --> 00:39:31,177 THEIR NEWS. PEOPLE WHO SUPPORT BIDEN ARE MORE LIKELY TO GET THEIR NEWS 1115 00:39:31,179 --> 00:39:34,947 PEOPLE WHO SUPPORT BIDEN ARE MORE LIKELY TO GET THEIR NEWS FROM NEWSPAPERS AND MAIN STREAM 1116 00:39:34,949 --> 00:39:37,016 MORE LIKELY TO GET THEIR NEWS FROM NEWSPAPERS AND MAIN STREAM MEDIA WHILE TRUMP SUPPORTS GET 1117 00:39:37,018 --> 00:39:38,351 FROM NEWSPAPERS AND MAIN STREAM MEDIA WHILE TRUMP SUPPORTS GET THEIRS FROM T-SHIRTS. 1118 00:39:38,353 --> 00:39:39,819 MEDIA WHILE TRUMP SUPPORTS GET THEIRS FROM T-SHIRTS. >> DONALD TRUMP TOLD SUPPORTERS 1119 00:39:39,821 --> 00:39:42,121 THEIRS FROM T-SHIRTS. >> DONALD TRUMP TOLD SUPPORTERS IF HE'S ELECTED, HE WILL FOCUS 1120 00:39:42,123 --> 00:39:44,824 >> DONALD TRUMP TOLD SUPPORTERS IF HE'S ELECTED, HE WILL FOCUS ON ANTI-WHITE RACISM. 1121 00:39:44,826 --> 00:39:45,892 IF HE'S ELECTED, HE WILL FOCUS ON ANTI-WHITE RACISM. THANK GOD. 1122 00:39:45,894 --> 00:39:46,592 ON ANTI-WHITE RACISM. THANK GOD. MY PEOPLE HAVE SUFFERED LONG 1123 00:39:46,594 --> 00:39:49,061 THANK GOD. MY PEOPLE HAVE SUFFERED LONG ENOUGH. 1124 00:39:49,063 --> 00:39:55,835 MY PEOPLE HAVE SUFFERED LONG ENOUGH. SORRY, CHE, BUT TIME'S UP. 1125 00:39:55,837 --> 00:39:58,804 ENOUGH. SORRY, CHE, BUT TIME'S UP. >> I KNEW IT WAS GOING TO COME 1126 00:39:58,806 --> 00:40:02,241 SORRY, CHE, BUT TIME'S UP. >> I KNEW IT WAS GOING TO COME OUT OF YOU SOME DAY. 1127 00:40:02,243 --> 00:40:04,677 >> I KNEW IT WAS GOING TO COME OUT OF YOU SOME DAY. TODAY WAS THE 150th RUNNING OF 1128 00:40:04,679 --> 00:40:06,913 OUT OF YOU SOME DAY. TODAY WAS THE 150th RUNNING OF THE KENTUCKY DERBY, ALSO KNOWN 1129 00:40:06,915 --> 00:40:08,948 TODAY WAS THE 150th RUNNING OF THE KENTUCKY DERBY, ALSO KNOWN TO HORSES AS SQUID GAME. 1130 00:40:08,950 --> 00:40:11,450 THE KENTUCKY DERBY, ALSO KNOWN TO HORSES AS SQUID GAME. >> SOUTH DAKOTA GOVERNOR AND 1131 00:40:11,452 --> 00:40:15,087 TO HORSES AS SQUID GAME. >> SOUTH DAKOTA GOVERNOR AND TRUMP'S POTENTIAL V.P. CANDIDATE 1132 00:40:15,089 --> 00:40:16,189 >> SOUTH DAKOTA GOVERNOR AND TRUMP'S POTENTIAL V.P. CANDIDATE KRISTI NOEM IS BEING CRITICIZED 1133 00:40:16,191 --> 00:40:19,659 TRUMP'S POTENTIAL V.P. CANDIDATE KRISTI NOEM IS BEING CRITICIZED FOR WRITING IN HER MEMOIR ABOUT 1134 00:40:19,661 --> 00:40:25,498 KRISTI NOEM IS BEING CRITICIZED FOR WRITING IN HER MEMOIR ABOUT SHOOTING HER 14-MONTH-OLD PUPPY 1135 00:40:25,500 --> 00:40:25,831 FOR WRITING IN HER MEMOIR ABOUT SHOOTING HER 14-MONTH-OLD PUPPY CRICKET. 1136 00:40:25,833 --> 00:40:27,667 SHOOTING HER 14-MONTH-OLD PUPPY CRICKET. HERE TO TALK ABOUT IT IS HER 1137 00:40:27,669 --> 00:40:28,067 CRICKET. HERE TO TALK ABOUT IT IS HER OTHER DOG. 1138 00:40:28,069 --> 00:40:29,068 HERE TO TALK ABOUT IT IS HER OTHER DOG. >> NICE TO BE HERE. 1139 00:40:29,070 --> 00:40:29,402 OTHER DOG. >> NICE TO BE HERE. CRICKET. 1140 00:40:29,404 --> 00:40:30,803 >> NICE TO BE HERE. CRICKET. CAN YOU SHAKE? 1141 00:40:30,805 --> 00:40:31,771 CRICKET. CAN YOU SHAKE? DO YOU DO PAW? 1142 00:40:31,773 --> 00:40:32,471 CAN YOU SHAKE? DO YOU DO PAW? >> SURE. 1143 00:40:32,473 --> 00:40:33,906 DO YOU DO PAW? >> SURE. IT'S GREAT TO SEE YOU. 1144 00:40:33,908 --> 00:40:35,708 >> SURE. IT'S GREAT TO SEE YOU. SO YOUR NAME IS ALSO CRICKET? 1145 00:40:35,710 --> 00:40:39,345 IT'S GREAT TO SEE YOU. SO YOUR NAME IS ALSO CRICKET? >> MY NAME IS ACTUALLY CRICKET 1146 00:40:39,347 --> 00:40:39,645 SO YOUR NAME IS ALSO CRICKET? >> MY NAME IS ACTUALLY CRICKET VII. 1147 00:40:39,647 --> 00:40:40,112 >> MY NAME IS ACTUALLY CRICKET VII. >> THE SEVENTH? 1148 00:40:40,114 --> 00:40:42,381 VII. >> THE SEVENTH? >> YEAH, THE FIRST SIX WERE BAD 1149 00:40:42,383 --> 00:40:43,049 >> THE SEVENTH? >> YEAH, THE FIRST SIX WERE BAD DOGS, COLIN. 1150 00:40:43,051 --> 00:40:44,850 >> YEAH, THE FIRST SIX WERE BAD DOGS, COLIN. BUT YOU KNOW WHAT THEY SAY, 1151 00:40:44,852 --> 00:40:45,985 DOGS, COLIN. BUT YOU KNOW WHAT THEY SAY, LUCKY NUMBER SEVEN, RIGHT? 1152 00:40:45,987 --> 00:40:46,586 BUT YOU KNOW WHAT THEY SAY, LUCKY NUMBER SEVEN, RIGHT? >> SURE. 1153 00:40:46,588 --> 00:40:48,588 LUCKY NUMBER SEVEN, RIGHT? >> SURE. YOU'RE HERE TO DEFEND KRISTI 1154 00:40:48,590 --> 00:40:48,888 >> SURE. YOU'RE HERE TO DEFEND KRISTI NOEM? 1155 00:40:48,890 --> 00:40:49,455 YOU'RE HERE TO DEFEND KRISTI NOEM? >> OF COURSE. 1156 00:40:49,457 --> 00:40:51,224 NOEM? >> OF COURSE. SHE'S A GREAT OWNER. 1157 00:40:51,226 --> 00:40:52,658 >> OF COURSE. SHE'S A GREAT OWNER. HE'S A GREAT DOG OWNER. 1158 00:40:52,660 --> 00:40:55,928 SHE'S A GREAT OWNER. HE'S A GREAT DOG OWNER. ALL THIS STUFF ABOUT KILLING 1159 00:40:55,930 --> 00:40:56,629 HE'S A GREAT DOG OWNER. ALL THIS STUFF ABOUT KILLING ANIMALS IS JUST MEDIA SPIN. 1160 00:40:56,631 --> 00:40:58,564 ALL THIS STUFF ABOUT KILLING ANIMALS IS JUST MEDIA SPIN. >> BUT SHE WROTE ABOUT IT IN HER 1161 00:40:58,566 --> 00:40:58,931 ANIMALS IS JUST MEDIA SPIN. >> BUT SHE WROTE ABOUT IT IN HER OWN BOOK. 1162 00:40:58,933 --> 00:40:59,632 >> BUT SHE WROTE ABOUT IT IN HER OWN BOOK. >> I CAN'T READ. 1163 00:40:59,634 --> 00:41:00,366 OWN BOOK. >> I CAN'T READ. I'M A DOG. 1164 00:41:00,368 --> 00:41:01,067 >> I CAN'T READ. I'M A DOG. >> RIGHT. 1165 00:41:01,069 --> 00:41:04,036 I'M A DOG. >> RIGHT. BUT YOU KNOW WHAT MEDIA SPIN IS? 1166 00:41:04,038 --> 00:41:06,806 >> RIGHT. BUT YOU KNOW WHAT MEDIA SPIN IS? >> LOOK, THE DOG WAS THE 1167 00:41:06,808 --> 00:41:07,139 BUT YOU KNOW WHAT MEDIA SPIN IS? >> LOOK, THE DOG WAS THE PROBLEM. 1168 00:41:07,141 --> 00:41:08,341 >> LOOK, THE DOG WAS THE PROBLEM. BARKING, EATING EVERY DAY. 1169 00:41:08,343 --> 00:41:09,308 PROBLEM. BARKING, EATING EVERY DAY. WHO DOES THAT? 1170 00:41:09,310 --> 00:41:11,944 BARKING, EATING EVERY DAY. WHO DOES THAT? IF SHE DIDN'T KILL HIM, I WOULD. 1171 00:41:11,946 --> 00:41:13,779 WHO DOES THAT? IF SHE DIDN'T KILL HIM, I WOULD. >> WOW. 1172 00:41:13,781 --> 00:41:15,548 IF SHE DIDN'T KILL HIM, I WOULD. >> WOW. SO YOU'RE TEAM KRISTI? 1173 00:41:15,550 --> 00:41:18,584 >> WOW. SO YOU'RE TEAM KRISTI? >> TEAM KRISTI FOR LIFE, FOR MY 1174 00:41:18,586 --> 00:41:19,352 SO YOU'RE TEAM KRISTI? >> TEAM KRISTI FOR LIFE, FOR MY VERY LONG LIFE. 1175 00:41:19,354 --> 00:41:22,321 >> TEAM KRISTI FOR LIFE, FOR MY VERY LONG LIFE. PLEASE, I LOVE YOU, KRISTI. 1176 00:41:22,323 --> 00:41:23,022 VERY LONG LIFE. PLEASE, I LOVE YOU, KRISTI. >> ALL RIGHT. 1177 00:41:23,024 --> 00:41:26,626 PLEASE, I LOVE YOU, KRISTI. >> ALL RIGHT. JUST SEEMS UNDERNEATH IT LIKE 1178 00:41:26,628 --> 00:41:28,728 >> ALL RIGHT. JUST SEEMS UNDERNEATH IT LIKE YOU'RE A LITTLE SCARED. 1179 00:41:28,730 --> 00:41:29,495 JUST SEEMS UNDERNEATH IT LIKE YOU'RE A LITTLE SCARED. >> SCARED? 1180 00:41:29,497 --> 00:41:30,529 YOU'RE A LITTLE SCARED. >> SCARED? I'M NOT SCARED. 1181 00:41:30,531 --> 00:41:32,331 >> SCARED? I'M NOT SCARED. I HAVE A GREAT LIFE. 1182 00:41:32,333 --> 00:41:34,367 I'M NOT SCARED. I HAVE A GREAT LIFE. SHE GIVES ME SO MANY TOYS. 1183 00:41:34,369 --> 00:41:38,304 I HAVE A GREAT LIFE. SHE GIVES ME SO MANY TOYS. SHE EVEN GAVE ME A DOG BUTTON 1184 00:41:38,306 --> 00:41:38,571 SHE GIVES ME SO MANY TOYS. SHE EVEN GAVE ME A DOG BUTTON MAP. 1185 00:41:38,573 --> 00:41:41,907 SHE EVEN GAVE ME A DOG BUTTON MAP. YOU CAN SAY RUN OR HUNGRY. 1186 00:41:41,909 --> 00:41:42,875 MAP. YOU CAN SAY RUN OR HUNGRY. CHECK IT OUT. 1187 00:41:42,877 --> 00:41:45,745 YOU CAN SAY RUN OR HUNGRY. CHECK IT OUT. SHE, IS, GOING, TO, KILL, ME. 1188 00:41:45,747 --> 00:41:46,712 CHECK IT OUT. SHE, IS, GOING, TO, KILL, ME. >> CRICKET. 1189 00:41:46,714 --> 00:41:47,413 SHE, IS, GOING, TO, KILL, ME. >> CRICKET. >> WHAT? 1190 00:41:47,415 --> 00:41:49,315 >> CRICKET. >> WHAT? THESE ARE LIKE BROKEN OR 1191 00:41:49,317 --> 00:41:49,682 >> WHAT? THESE ARE LIKE BROKEN OR SOMETHING. 1192 00:41:49,684 --> 00:41:53,019 THESE ARE LIKE BROKEN OR SOMETHING. THAT'S NOT WHAT I MEANT TO SAY. 1193 00:41:53,021 --> 00:41:54,420 SOMETHING. THAT'S NOT WHAT I MEANT TO SAY. I, DIE, TONIGHT. 1194 00:41:54,422 --> 00:41:56,155 THAT'S NOT WHAT I MEANT TO SAY. I, DIE, TONIGHT. >> OH, MY GOD. 1195 00:41:56,157 --> 00:41:56,856 I, DIE, TONIGHT. >> OH, MY GOD. LISTEN, BUDDY, IT'S GONNA BE 1196 00:41:56,858 --> 00:42:00,192 >> OH, MY GOD. LISTEN, BUDDY, IT'S GONNA BE OKAY. 1197 00:42:00,194 --> 00:42:02,328 LISTEN, BUDDY, IT'S GONNA BE OKAY. >> DON'T MAKE ANY SUDDEN 1198 00:42:02,330 --> 00:42:02,828 OKAY. >> DON'T MAKE ANY SUDDEN MOVEMENTS, MAN. 1199 00:42:02,830 --> 00:42:03,663 >> DON'T MAKE ANY SUDDEN MOVEMENTS, MAN. >> I'M SORRY, MAN. 1200 00:42:03,665 --> 00:42:04,530 MOVEMENTS, MAN. >> I'M SORRY, MAN. >> IT'S COOL. 1201 00:42:04,532 --> 00:42:05,464 >> I'M SORRY, MAN. >> IT'S COOL. IT'S COOL. 1202 00:42:05,466 --> 00:42:07,033 >> IT'S COOL. IT'S COOL. MY POINT IS THAT SHE'S THE BEST. 1203 00:42:07,035 --> 00:42:09,268 IT'S COOL. MY POINT IS THAT SHE'S THE BEST. IT'S LIKE THEY SAY, I DON'T KNOW 1204 00:42:09,270 --> 00:42:10,536 MY POINT IS THAT SHE'S THE BEST. IT'S LIKE THEY SAY, I DON'T KNOW IF SHE RESCUED ME OR IF I'M 1205 00:42:10,538 --> 00:42:13,306 IT'S LIKE THEY SAY, I DON'T KNOW IF SHE RESCUED ME OR IF I'M GOING TO GET SHOT IN THE FACE. 1206 00:42:13,308 --> 00:42:16,208 IF SHE RESCUED ME OR IF I'M GOING TO GET SHOT IN THE FACE. >> THAT'S NOT WHAT THEY SAY. 1207 00:42:16,210 --> 00:42:18,144 GOING TO GET SHOT IN THE FACE. >> THAT'S NOT WHAT THEY SAY. CRICKET, YOU KNOW KRISTI WELL. 1208 00:42:18,146 --> 00:42:19,512 >> THAT'S NOT WHAT THEY SAY. CRICKET, YOU KNOW KRISTI WELL. WHY DO YOU THINK SHE WROTE THESE 1209 00:42:19,514 --> 00:42:20,780 CRICKET, YOU KNOW KRISTI WELL. WHY DO YOU THINK SHE WROTE THESE STORIES IN HER BOOK? 1210 00:42:20,782 --> 00:42:25,518 WHY DO YOU THINK SHE WROTE THESE STORIES IN HER BOOK? >> I TOLD YOU, COLIN, I CAN'T 1211 00:42:25,520 --> 00:42:26,018 STORIES IN HER BOOK? >> I TOLD YOU, COLIN, I CAN'T READ. 1212 00:42:26,020 --> 00:42:30,222 >> I TOLD YOU, COLIN, I CAN'T READ. SHE, THOUGHT, TRUMP, WOULD, 1213 00:42:30,224 --> 00:42:30,890 READ. SHE, THOUGHT, TRUMP, WOULD, LIKE, IT. 1214 00:42:30,892 --> 00:42:32,491 SHE, THOUGHT, TRUMP, WOULD, LIKE, IT. >> SO SHE WROTE THE BOOK TO SEEM 1215 00:42:32,493 --> 00:42:33,159 LIKE, IT. >> SO SHE WROTE THE BOOK TO SEEM TOUGH FOR TRUMP? 1216 00:42:33,161 --> 00:42:33,859 >> SO SHE WROTE THE BOOK TO SEEM TOUGH FOR TRUMP? >> I DON'T EVEN KNOW WHO THAT 1217 00:42:33,861 --> 00:42:37,563 TOUGH FOR TRUMP? >> I DON'T EVEN KNOW WHO THAT IS. 1218 00:42:37,565 --> 00:42:42,034 >> I DON'T EVEN KNOW WHO THAT IS. BUT, SHE'S, NOT, INVITED, TO, 1219 00:42:42,036 --> 00:42:42,568 IS. BUT, SHE'S, NOT, INVITED, TO, 1220 00:42:42,570 --> 00:42:44,603 BUT, SHE'S, NOT, INVITED, TO, 1221 00:42:44,605 --> 00:42:45,938 MAR-A-LAGO. >> ONE OF THE DOG BUTTONS IS 1222 00:42:45,940 --> 00:42:50,443 MAR-A-LAGO. >> ONE OF THE DOG BUTTONS IS MAR-A-LAGO? 1223 00:42:50,445 --> 00:42:53,412 >> ONE OF THE DOG BUTTONS IS MAR-A-LAGO? >> HEY, HEY, YOU KNOW SHE'S 1224 00:42:53,414 --> 00:42:54,013 MAR-A-LAGO? >> HEY, HEY, YOU KNOW SHE'S WRITING ANOTHER BOOK. 1225 00:42:54,015 --> 00:42:56,115 >> HEY, HEY, YOU KNOW SHE'S WRITING ANOTHER BOOK. SHE KEEPS SAYING, YOU BETTER 1226 00:42:56,117 --> 00:42:58,384 WRITING ANOTHER BOOK. SHE KEEPS SAYING, YOU BETTER BEHAVE OR YOU'RE GOING TO GO IN 1227 00:42:58,386 --> 00:42:58,751 SHE KEEPS SAYING, YOU BETTER BEHAVE OR YOU'RE GOING TO GO IN THE BOOK. 1228 00:42:58,753 --> 00:42:59,719 BEHAVE OR YOU'RE GOING TO GO IN THE BOOK. >> OH, MY GOD. 1229 00:42:59,721 --> 00:43:02,722 THE BOOK. >> OH, MY GOD. SO SHE JUST KILLS ALL HER 1230 00:43:02,724 --> 00:43:03,055 >> OH, MY GOD. SO SHE JUST KILLS ALL HER ANIMALS? 1231 00:43:03,057 --> 00:43:07,426 SO SHE JUST KILLS ALL HER ANIMALS? >> YEAH, COLIN, SHE KILLS ALL 1232 00:43:07,428 --> 00:43:08,227 ANIMALS? >> YEAH, COLIN, SHE KILLS ALL HER ANIMALS. 1233 00:43:08,229 --> 00:43:13,099 >> YEAH, COLIN, SHE KILLS ALL HER ANIMALS. >> YOU WROTE ME A NOTE? 1234 00:43:13,101 --> 00:43:13,733 HER ANIMALS. >> YOU WROTE ME A NOTE? I WASN'T BEING SARCASTIC. 1235 00:43:13,735 --> 00:43:15,334 >> YOU WROTE ME A NOTE? I WASN'T BEING SARCASTIC. >> WHY WOULD YOU READ THAT OUT 1236 00:43:15,336 --> 00:43:15,701 I WASN'T BEING SARCASTIC. >> WHY WOULD YOU READ THAT OUT LOUD? 1237 00:43:15,703 --> 00:43:16,535 >> WHY WOULD YOU READ THAT OUT LOUD? >> CRICKET, EVERYONE. 1238 00:43:16,537 --> 00:43:17,069 LOUD? >> CRICKET, EVERYONE. >> I'M A GOOD BOY. 1239 00:43:17,071 --> 00:43:21,474 >> CRICKET, EVERYONE. >> I'M A GOOD BOY. >> HE'S A GOOD BOY. 1240 00:43:21,476 --> 00:43:24,110 >> I'M A GOOD BOY. >> HE'S A GOOD BOY. >> IT WAS ANNOUNCED THAT BOTH 1241 00:43:24,112 --> 00:43:26,112 >> HE'S A GOOD BOY. >> IT WAS ANNOUNCED THAT BOTH BOOMER ESIASON AND PHIL SIMMS 1242 00:43:26,114 --> 00:43:28,681 >> IT WAS ANNOUNCED THAT BOTH BOOMER ESIASON AND PHIL SIMMS ARE LEAVING CBS' THE NFL TODAY. 1243 00:43:28,683 --> 00:43:32,084 BOOMER ESIASON AND PHIL SIMMS ARE LEAVING CBS' THE NFL TODAY. THE FORMER QUARTERBACK SAID THEY 1244 00:43:32,086 --> 00:43:32,852 ARE LEAVING CBS' THE NFL TODAY. THE FORMER QUARTERBACK SAID THEY WANT TO SPEND MORE TIME FIGURING 1245 00:43:32,854 --> 00:43:36,622 THE FORMER QUARTERBACK SAID THEY WANT TO SPEND MORE TIME FIGURING OUT WHICH IS WHICH. 1246 00:43:36,624 --> 00:43:37,556 WANT TO SPEND MORE TIME FIGURING OUT WHICH IS WHICH. >> FANS OF THE CHILDREN'S SHOW 1247 00:43:37,558 --> 00:43:39,825 OUT WHICH IS WHICH. >> FANS OF THE CHILDREN'S SHOW BLUEY ARE SAYING THAT A LINE IN 1248 00:43:39,827 --> 00:43:42,428 >> FANS OF THE CHILDREN'S SHOW BLUEY ARE SAYING THAT A LINE IN A RECENT EPISODE HINTED THAT 1249 00:43:42,430 --> 00:43:44,330 BLUEY ARE SAYING THAT A LINE IN A RECENT EPISODE HINTED THAT BLUEY'S MOM USED TO GO TO A PARK 1250 00:43:44,332 --> 00:43:45,865 A RECENT EPISODE HINTED THAT BLUEY'S MOM USED TO GO TO A PARK TO SMOKE MARIJUANA. 1251 00:43:45,867 --> 00:43:47,833 BLUEY'S MOM USED TO GO TO A PARK TO SMOKE MARIJUANA. MEANWHILE OVER AT COCO MELON, 1252 00:43:47,835 --> 00:43:51,170 TO SMOKE MARIJUANA. MEANWHILE OVER AT COCO MELON, EVERY BABY IS ON ACID. 1253 00:43:51,172 --> 00:43:53,906 MEANWHILE OVER AT COCO MELON, EVERY BABY IS ON ACID. JUST HOURS AGO, THE KENTUCKY 1254 00:43:53,908 --> 00:43:56,275 EVERY BABY IS ON ACID. JUST HOURS AGO, THE KENTUCKY DERBY WAS WON IN A PHOTO FINISH 1255 00:43:56,277 --> 00:43:57,643 JUST HOURS AGO, THE KENTUCKY DERBY WAS WON IN A PHOTO FINISH BY MYSTIC DAN. 1256 00:43:57,645 --> 00:44:00,146 DERBY WAS WON IN A PHOTO FINISH BY MYSTIC DAN. THAT'S ALSO THE GUY WHO SELLS 1257 00:44:00,148 --> 00:44:01,380 BY MYSTIC DAN. THAT'S ALSO THE GUY WHO SELLS ACID TO COCO MELON. 1258 00:44:01,382 --> 00:44:02,948 THAT'S ALSO THE GUY WHO SELLS ACID TO COCO MELON. >> IT WAS REPORTED THAT 1259 00:44:02,950 --> 00:44:04,984 ACID TO COCO MELON. >> IT WAS REPORTED THAT SYLVESTER STALLONE IS WRITING A 1260 00:44:04,986 --> 00:44:05,985 >> IT WAS REPORTED THAT SYLVESTER STALLONE IS WRITING A MEMOIR. 1261 00:44:05,987 --> 00:44:07,153 SYLVESTER STALLONE IS WRITING A MEMOIR. IT'S 300 PAGES LONG AND HAS A 1262 00:44:07,155 --> 00:44:13,759 MEMOIR. IT'S 300 PAGES LONG AND HAS A WORD COUNT OF ONE. 1263 00:44:13,761 --> 00:44:15,795 IT'S 300 PAGES LONG AND HAS A WORD COUNT OF ONE. THAT'S GOOD ACTING, RIGHT, 1264 00:44:15,797 --> 00:44:16,095 WORD COUNT OF ONE. THAT'S GOOD ACTING, RIGHT, COLIN? 1265 00:44:16,097 --> 00:44:16,729 THAT'S GOOD ACTING, RIGHT, COLIN? YOU LIKE THAT. 1266 00:44:16,731 --> 00:44:19,632 COLIN? YOU LIKE THAT. I WAS WORKING ON IT ALL DAY. 1267 00:44:19,634 --> 00:44:21,200 YOU LIKE THAT. I WAS WORKING ON IT ALL DAY. >> AN ELEMENTARY SCHOOLTEACHER 1268 00:44:21,202 --> 00:44:24,336 I WAS WORKING ON IT ALL DAY. >> AN ELEMENTARY SCHOOLTEACHER IN WISCONSIN WAS ARRESTED AFTER 1269 00:44:24,338 --> 00:44:28,207 >> AN ELEMENTARY SCHOOLTEACHER IN WISCONSIN WAS ARRESTED AFTER SHE ALLEGEDLY MADE OUT WITH ONE 1270 00:44:28,209 --> 00:44:29,175 IN WISCONSIN WAS ARRESTED AFTER SHE ALLEGEDLY MADE OUT WITH ONE OF HER FIFTH GRADE STUDENTS JUST 1271 00:44:29,177 --> 00:44:30,910 SHE ALLEGEDLY MADE OUT WITH ONE OF HER FIFTH GRADE STUDENTS JUST MONTHS BEFORE HER WEDDING, WHICH 1272 00:44:30,912 --> 00:44:32,378 OF HER FIFTH GRADE STUDENTS JUST MONTHS BEFORE HER WEDDING, WHICH IS WHY YOU SHOULD NEVER HAVE 1273 00:44:32,380 --> 00:44:38,984 MONTHS BEFORE HER WEDDING, WHICH IS WHY YOU SHOULD NEVER HAVE YOUR BACHELORETTE PARTY AT CHUCK 1274 00:44:38,986 --> 00:44:39,385 IS WHY YOU SHOULD NEVER HAVE YOUR BACHELORETTE PARTY AT CHUCK E. CHEESE. 1275 00:44:39,387 --> 00:44:42,788 YOUR BACHELORETTE PARTY AT CHUCK E. CHEESE. FORMER CHILD STAR JOJO SIWA JUST 1276 00:44:42,790 --> 00:44:44,356 E. CHEESE. FORMER CHILD STAR JOJO SIWA JUST RELEASED HER FIRST GROWN UP 1277 00:44:44,358 --> 00:44:46,759 FORMER CHILD STAR JOJO SIWA JUST RELEASED HER FIRST GROWN UP SINGLE KARMA AND SURPRISED 1278 00:44:46,761 --> 00:44:48,794 RELEASED HER FIRST GROWN UP SINGLE KARMA AND SURPRISED PEOPLE WITH HER NEW GOOD GIRL 1279 00:44:48,796 --> 00:44:50,095 SINGLE KARMA AND SURPRISED PEOPLE WITH HER NEW GOOD GIRL GONE BAD PERSONA. 1280 00:44:50,097 --> 00:44:52,298 PEOPLE WITH HER NEW GOOD GIRL GONE BAD PERSONA. HERE TO COMMENT IS JOJO SIWA 1281 00:44:52,300 --> 00:44:54,266 GONE BAD PERSONA. HERE TO COMMENT IS JOJO SIWA ♪ KARMA'S A BITCH, I SHOULD'VE 1282 00:44:54,268 --> 00:44:56,902 HERE TO COMMENT IS JOJO SIWA ♪ KARMA'S A BITCH, I SHOULD'VE KNOWN BETTER, IF I HAD A WISH, I 1283 00:44:56,904 --> 00:45:00,439 ♪ KARMA'S A BITCH, I SHOULD'VE KNOWN BETTER, IF I HAD A WISH, I WOULD HAVE NEVER F'd AROUND ♪ 1284 00:45:00,441 --> 00:45:01,140 KNOWN BETTER, IF I HAD A WISH, I WOULD HAVE NEVER F'd AROUND ♪ >> WOW. 1285 00:45:01,142 --> 00:45:02,508 WOULD HAVE NEVER F'd AROUND ♪ >> WOW. OH, MY GOD, JOJO. 1286 00:45:02,510 --> 00:45:03,676 >> WOW. OH, MY GOD, JOJO. >> THAT'S WHAT I CALL IT. 1287 00:45:03,678 --> 00:45:08,080 OH, MY GOD, JOJO. >> THAT'S WHAT I CALL IT. I'M A BAD GIRL NOW. 1288 00:45:08,082 --> 00:45:08,981 >> THAT'S WHAT I CALL IT. I'M A BAD GIRL NOW. >> YEAH. 1289 00:45:08,983 --> 00:45:11,150 I'M A BAD GIRL NOW. >> YEAH. JOJO, THIS IS A VERY DIFFERENT 1290 00:45:11,152 --> 00:45:11,450 >> YEAH. JOJO, THIS IS A VERY DIFFERENT LOOK. 1291 00:45:11,452 --> 00:45:13,886 JOJO, THIS IS A VERY DIFFERENT LOOK. WE'RE ALL USED TO YOU WEARING 1292 00:45:13,888 --> 00:45:14,954 LOOK. WE'RE ALL USED TO YOU WEARING OUTFITS LIKE THIS. 1293 00:45:14,956 --> 00:45:16,355 WE'RE ALL USED TO YOU WEARING OUTFITS LIKE THIS. BUT NOW IT'S THIS. 1294 00:45:16,357 --> 00:45:16,989 OUTFITS LIKE THIS. BUT NOW IT'S THIS. >> YEAH, YEAH. 1295 00:45:16,991 --> 00:45:19,758 BUT NOW IT'S THIS. >> YEAH, YEAH. IT'S A PRETTY BIG CHANGE. 1296 00:45:19,760 --> 00:45:22,761 >> YEAH, YEAH. IT'S A PRETTY BIG CHANGE. I USED TO BE RAINBOW SPARKLES, 1297 00:45:22,763 --> 00:45:25,264 IT'S A PRETTY BIG CHANGE. I USED TO BE RAINBOW SPARKLES, AND NOW I'M BLACK SPARKLES. 1298 00:45:25,266 --> 00:45:26,932 I USED TO BE RAINBOW SPARKLES, AND NOW I'M BLACK SPARKLES. I LOOK LIKE IF A FIGURE SKATER 1299 00:45:26,934 --> 00:45:30,035 AND NOW I'M BLACK SPARKLES. I LOOK LIKE IF A FIGURE SKATER JOINED A STREET GANG. 1300 00:45:30,037 --> 00:45:30,569 I LOOK LIKE IF A FIGURE SKATER JOINED A STREET GANG. >> YEAH. 1301 00:45:30,571 --> 00:45:31,570 JOINED A STREET GANG. >> YEAH. I WAS GOING TO SAY IF MAD MAX 1302 00:45:31,572 --> 00:45:34,507 >> YEAH. I WAS GOING TO SAY IF MAD MAX WAS ON BROADWAY. 1303 00:45:34,509 --> 00:45:36,909 I WAS GOING TO SAY IF MAD MAX WAS ON BROADWAY. >> DOES IT SCARE YOU, COLIN? 1304 00:45:36,911 --> 00:45:38,210 WAS ON BROADWAY. >> DOES IT SCARE YOU, COLIN? DOES A FORMER CHILD STAR LOOKING 1305 00:45:38,212 --> 00:45:41,046 >> DOES IT SCARE YOU, COLIN? DOES A FORMER CHILD STAR LOOKING LIKE THIS SCARE YOU? 1306 00:45:41,048 --> 00:45:41,747 DOES A FORMER CHILD STAR LOOKING LIKE THIS SCARE YOU? >> YEAH, BUT NOT IN THE WAY 1307 00:45:41,749 --> 00:45:45,084 LIKE THIS SCARE YOU? >> YEAH, BUT NOT IN THE WAY YOU'RE HOPING. 1308 00:45:45,086 --> 00:45:45,951 >> YEAH, BUT NOT IN THE WAY YOU'RE HOPING. >> YEAH. 1309 00:45:45,953 --> 00:45:49,421 YOU'RE HOPING. >> YEAH. I'M IN MY BAD GIRL ERA NOW. 1310 00:45:49,423 --> 00:45:50,956 >> YEAH. I'M IN MY BAD GIRL ERA NOW. I EVEN DO CIGARETTES. 1311 00:45:50,958 --> 00:45:57,763 I'M IN MY BAD GIRL ERA NOW. I EVEN DO CIGARETTES. WATCH. 1312 00:45:57,765 --> 00:45:59,398 I EVEN DO CIGARETTES. WATCH. >> THAT'S VERY NATURAL. 1313 00:45:59,400 --> 00:46:00,099 WATCH. >> THAT'S VERY NATURAL. I'M SORRY. 1314 00:46:00,101 --> 00:46:01,166 >> THAT'S VERY NATURAL. I'M SORRY. YOU CAN'T SMOKE IN HERE UNLESS 1315 00:46:01,168 --> 00:46:03,402 I'M SORRY. YOU CAN'T SMOKE IN HERE UNLESS YOU'RE DAVE CHAPPELLE. 1316 00:46:03,404 --> 00:46:05,638 YOU CAN'T SMOKE IN HERE UNLESS YOU'RE DAVE CHAPPELLE. >> WELL, THEN I'LL JUST HIDE IT 1317 00:46:05,640 --> 00:46:07,373 YOU'RE DAVE CHAPPELLE. >> WELL, THEN I'LL JUST HIDE IT IN MY BREAST PART OF MY BODY 1318 00:46:07,375 --> 00:46:08,574 >> WELL, THEN I'LL JUST HIDE IT IN MY BREAST PART OF MY BODY SUIT FOR LATER. 1319 00:46:08,576 --> 00:46:09,708 IN MY BREAST PART OF MY BODY SUIT FOR LATER. >> REALLY COOL. 1320 00:46:09,710 --> 00:46:11,911 SUIT FOR LATER. >> REALLY COOL. SO HOW ARE PEOPLE REACTING TO 1321 00:46:11,913 --> 00:46:12,978 >> REALLY COOL. SO HOW ARE PEOPLE REACTING TO YOUR TRANSFORMATION? 1322 00:46:12,980 --> 00:46:19,818 SO HOW ARE PEOPLE REACTING TO YOUR TRANSFORMATION? >> IT'S BEEN CALLED GUTSY, 1323 00:46:19,820 --> 00:46:20,152 YOUR TRANSFORMATION? >> IT'S BEEN CALLED GUTSY, BRAVE. 1324 00:46:20,154 --> 00:46:21,620 >> IT'S BEEN CALLED GUTSY, BRAVE. >> AND WHO ARE THOSE QUOTES 1325 00:46:21,622 --> 00:46:22,254 BRAVE. >> AND WHO ARE THOSE QUOTES ATTRIBUTED TO? 1326 00:46:22,256 --> 00:46:24,423 >> AND WHO ARE THOSE QUOTES ATTRIBUTED TO? >> ME. 1327 00:46:24,425 --> 00:46:24,890 ATTRIBUTED TO? >> ME. I'M VERY COCKY. 1328 00:46:24,892 --> 00:46:26,125 >> ME. I'M VERY COCKY. THAT'S WHAT SHE SAID 1329 00:46:26,127 --> 00:46:31,997 I'M VERY COCKY. THAT'S WHAT SHE SAID ♪ KARMA'S A BITCH ♪ 1330 00:46:31,999 --> 00:46:34,633 THAT'S WHAT SHE SAID ♪ KARMA'S A BITCH ♪ BUT SERIOUSLY, THOUGH, COLIN, 1331 00:46:34,635 --> 00:46:36,001 ♪ KARMA'S A BITCH ♪ BUT SERIOUSLY, THOUGH, COLIN, I'VE COMPLETELY REINVENTED 1332 00:46:36,003 --> 00:46:36,335 BUT SERIOUSLY, THOUGH, COLIN, I'VE COMPLETELY REINVENTED MYSELF. 1333 00:46:36,337 --> 00:46:37,469 I'VE COMPLETELY REINVENTED MYSELF. I MEAN, NO ONE MY AGE HAS DONE 1334 00:46:37,471 --> 00:46:39,338 MYSELF. I MEAN, NO ONE MY AGE HAS DONE THIS. 1335 00:46:39,340 --> 00:46:40,272 I MEAN, NO ONE MY AGE HAS DONE THIS. >> YEAH. 1336 00:46:40,274 --> 00:46:41,840 THIS. >> YEAH. AND HOW OLD ARE YOU, JOJO? 1337 00:46:41,842 --> 00:46:44,877 >> YEAH. AND HOW OLD ARE YOU, JOJO? >> WELL, FROM 2011 TO 2023, I 1338 00:46:44,879 --> 00:46:47,980 AND HOW OLD ARE YOU, JOJO? >> WELL, FROM 2011 TO 2023, I WAS 8. 1339 00:46:47,982 --> 00:46:51,750 >> WELL, FROM 2011 TO 2023, I WAS 8. BUT NOW, I'M 20 AND GAY. 1340 00:46:51,752 --> 00:46:52,484 WAS 8. BUT NOW, I'M 20 AND GAY. I'M THE FIRST GAY GIRL IN THE 1341 00:46:52,486 --> 00:46:54,954 BUT NOW, I'M 20 AND GAY. I'M THE FIRST GAY GIRL IN THE WORLD! 1342 00:46:54,956 --> 00:46:55,654 I'M THE FIRST GAY GIRL IN THE WORLD! BET YOU NEVER MET A GAY GIRL 1343 00:46:55,656 --> 00:47:02,728 WORLD! BET YOU NEVER MET A GAY GIRL BEFORE. 1344 00:47:02,730 --> 00:47:04,229 BET YOU NEVER MET A GAY GIRL BEFORE. >> YEAH. 1345 00:47:04,231 --> 00:47:05,965 BEFORE. >> YEAH. WELL, AS A MATTER OF FACT, A LOT 1346 00:47:05,967 --> 00:47:07,600 >> YEAH. WELL, AS A MATTER OF FACT, A LOT OF THE WOMEN I DATED TURNED GAY. 1347 00:47:07,602 --> 00:47:11,770 WELL, AS A MATTER OF FACT, A LOT OF THE WOMEN I DATED TURNED GAY. THANK YOU VERY MUCH. 1348 00:47:11,772 --> 00:47:13,973 OF THE WOMEN I DATED TURNED GAY. THANK YOU VERY MUCH. BUT, JOJO, YOU WERE QUOTED AS 1349 00:47:13,975 --> 00:47:16,175 THANK YOU VERY MUCH. BUT, JOJO, YOU WERE QUOTED AS SAYING YOU INVENTED A NEW GENERA 1350 00:47:16,177 --> 00:47:16,542 BUT, JOJO, YOU WERE QUOTED AS SAYING YOU INVENTED A NEW GENERA OF MUSIC. 1351 00:47:16,544 --> 00:47:17,009 SAYING YOU INVENTED A NEW GENERA OF MUSIC. >> THAT'S RIGHT. 1352 00:47:17,011 --> 00:47:20,746 OF MUSIC. >> THAT'S RIGHT. GAY POP. 1353 00:47:20,748 --> 00:47:24,249 >> THAT'S RIGHT. GAY POP. >> I THINK THAT'S MAYBE JUST 1354 00:47:24,251 --> 00:47:24,516 GAY POP. >> I THINK THAT'S MAYBE JUST POP. 1355 00:47:24,518 --> 00:47:25,284 >> I THINK THAT'S MAYBE JUST POP. BUT I HAVE TO ASK, WHY ARE YOU 1356 00:47:25,286 --> 00:47:28,954 POP. BUT I HAVE TO ASK, WHY ARE YOU DOING THIS? 1357 00:47:28,956 --> 00:47:31,857 BUT I HAVE TO ASK, WHY ARE YOU DOING THIS? >> BECAUSE I'M AN ARTIST, COLIN. 1358 00:47:31,859 --> 00:47:34,159 DOING THIS? >> BECAUSE I'M AN ARTIST, COLIN. I'M HOLDING A MIRROR UP TO 1359 00:47:34,161 --> 00:47:35,828 >> BECAUSE I'M AN ARTIST, COLIN. I'M HOLDING A MIRROR UP TO SOCIETY AND THEN I'M HOLDING 1360 00:47:35,830 --> 00:47:39,064 I'M HOLDING A MIRROR UP TO SOCIETY AND THEN I'M HOLDING THAT MIRROR UP TO MYSELF AND 1361 00:47:39,066 --> 00:47:40,733 SOCIETY AND THEN I'M HOLDING THAT MIRROR UP TO MYSELF AND THINKING, WHOA, THAT'S WHAT I 1362 00:47:40,735 --> 00:47:41,567 THAT MIRROR UP TO MYSELF AND THINKING, WHOA, THAT'S WHAT I LOOK LIKE? 1363 00:47:41,569 --> 00:47:42,968 THINKING, WHOA, THAT'S WHAT I LOOK LIKE? BECAUSE THAT'S CRAZY. 1364 00:47:42,970 --> 00:47:45,270 LOOK LIKE? BECAUSE THAT'S CRAZY. HIT THE TRACK! 1365 00:47:45,272 --> 00:47:48,007 BECAUSE THAT'S CRAZY. HIT THE TRACK! ♪ KARMA'S A BITCH, I SHOULD'VE 1366 00:47:48,009 --> 00:47:48,741 HIT THE TRACK! ♪ KARMA'S A BITCH, I SHOULD'VE KNOWN BETTER ♪ 1367 00:47:48,743 --> 00:47:56,181 ♪ KARMA'S A BITCH, I SHOULD'VE KNOWN BETTER ♪ >> JOJO SIWA, EVERYONE. 1368 00:47:56,183 --> 00:48:02,554 KNOWN BETTER ♪ >> JOJO SIWA, EVERYONE. >> NEARLY 100,000 POUNDS OF 1369 00:48:02,556 --> 00:48:03,322 >> JOJO SIWA, EVERYONE. >> NEARLY 100,000 POUNDS OF 1370 00:48:03,324 --> 00:48:07,292 >> NEARLY 100,000 POUNDS OF 1371 00:48:07,294 --> 00:48:09,695 SLICED PERCUTTA WAS BEING RECALLED FOR NOT BEING INSPECTED 1372 00:48:09,697 --> 00:48:10,062 SLICED PERCUTTA WAS BEING RECALLED FOR NOT BEING INSPECTED PROPERLY. 1373 00:48:10,064 --> 00:48:11,263 RECALLED FOR NOT BEING INSPECTED PROPERLY. I THOUGHT THAT WAS AN ITALIAN 1374 00:48:11,265 --> 00:48:14,867 PROPERLY. I THOUGHT THAT WAS AN ITALIAN SLUR FOR GAY. 1375 00:48:14,869 --> 00:48:15,234 I THOUGHT THAT WAS AN ITALIAN SLUR FOR GAY. ALL RIGHT. 1376 00:48:15,236 --> 00:48:17,269 SLUR FOR GAY. ALL RIGHT. >> I DON'T KNOW WHO YOU ARE. 1377 00:48:17,271 --> 00:48:19,204 ALL RIGHT. >> I DON'T KNOW WHO YOU ARE. >> THIS IS A REALLY ROUGH 1378 00:48:19,206 --> 00:48:20,606 >> I DON'T KNOW WHO YOU ARE. >> THIS IS A REALLY ROUGH EPISODE FOR ME, COLIN. 1379 00:48:20,608 --> 00:48:23,242 >> THIS IS A REALLY ROUGH EPISODE FOR ME, COLIN. >> AN 11-DAY CRUISE IS BEING 1380 00:48:23,244 --> 00:48:24,677 EPISODE FOR ME, COLIN. >> AN 11-DAY CRUISE IS BEING OFFERED NEXT YEAR FROM MIAMI TO 1381 00:48:24,679 --> 00:48:26,478 >> AN 11-DAY CRUISE IS BEING OFFERED NEXT YEAR FROM MIAMI TO THE CARIBBEAN IN WHICH 1382 00:48:26,480 --> 00:48:27,713 OFFERED NEXT YEAR FROM MIAMI TO THE CARIBBEAN IN WHICH PASSENGERS WILL BE NUDE. 1383 00:48:27,715 --> 00:48:28,981 THE CARIBBEAN IN WHICH PASSENGERS WILL BE NUDE. THE CRUISE WILL OFFER PICKLE 1384 00:48:28,983 --> 00:48:37,856 PASSENGERS WILL BE NUDE. THE CRUISE WILL OFFER PICKLE BALL, CORN HOLE, AND ALSO GAMES. 1385 00:48:37,858 --> 00:48:39,658 THE CRUISE WILL OFFER PICKLE BALL, CORN HOLE, AND ALSO GAMES. A NEW REPORT CHRONICLES A 1386 00:48:39,660 --> 00:48:43,529 BALL, CORN HOLE, AND ALSO GAMES. A NEW REPORT CHRONICLES A DISORDER CALLED SEX SOMNIA IN 1387 00:48:43,531 --> 00:48:44,963 A NEW REPORT CHRONICLES A DISORDER CALLED SEX SOMNIA IN WHICH PEOPLE TRY TO HAVE SEX 1388 00:48:44,965 --> 00:48:46,331 DISORDER CALLED SEX SOMNIA IN WHICH PEOPLE TRY TO HAVE SEX WHILE THEY'RE ASLEEP. 1389 00:48:46,333 --> 00:48:47,966 WHICH PEOPLE TRY TO HAVE SEX WHILE THEY'RE ASLEEP. THE REPORT WAS WRITTEN BY 1390 00:48:47,968 --> 00:48:52,171 WHILE THEY'RE ASLEEP. THE REPORT WAS WRITTEN BY SOMEONE NAMED PHIL FOZBY. 1391 00:48:52,173 --> 00:48:55,407 THE REPORT WAS WRITTEN BY SOMEONE NAMED PHIL FOZBY. >> MAY IS NATIONAL MASTURBATION 1392 00:48:55,409 --> 00:48:56,241 SOMEONE NAMED PHIL FOZBY. >> MAY IS NATIONAL MASTURBATION MONTH, SO STOP KNOCKING ON MY 1393 00:48:56,243 --> 00:49:05,184 >> MAY IS NATIONAL MASTURBATION MONTH, SO STOP KNOCKING ON MY DRESSING ROOM DOOR. 1394 00:49:05,186 --> 00:49:05,551 MONTH, SO STOP KNOCKING ON MY DRESSING ROOM DOOR. >> DON'T. 1395 00:49:05,553 --> 00:49:07,519 DRESSING ROOM DOOR. >> DON'T. DON'T ENCOURAGE. 1396 00:49:07,521 --> 00:49:09,221 >> DON'T. DON'T ENCOURAGE. >> HAVING A REAL ROUGH TIME. 1397 00:49:09,223 --> 00:49:11,156 DON'T ENCOURAGE. >> HAVING A REAL ROUGH TIME. >> WELL, GUYS, OFTEN TIMES WHEN 1398 00:49:11,158 --> 00:49:13,625 >> HAVING A REAL ROUGH TIME. >> WELL, GUYS, OFTEN TIMES WHEN AN ACTOR IS PROMOTING A NEW 1399 00:49:13,627 --> 00:49:15,561 >> WELL, GUYS, OFTEN TIMES WHEN AN ACTOR IS PROMOTING A NEW MOVIE, LET'S SAY A NETFLIX 1400 00:49:15,563 --> 00:49:17,329 AN ACTOR IS PROMOTING A NEW MOVIE, LET'S SAY A NETFLIX MOVIE, THEY HAVE TO DO A LOT OF 1401 00:49:17,331 --> 00:49:18,464 MOVIE, LET'S SAY A NETFLIX MOVIE, THEY HAVE TO DO A LOT OF PRESS, SOMETIMES TOO MUCH PRESS. 1402 00:49:18,466 --> 00:49:19,231 MOVIE, THEY HAVE TO DO A LOT OF PRESS, SOMETIMES TOO MUCH PRESS. HERE TO COMMENT IS A MAN WHO DID 1403 00:49:19,233 --> 00:49:20,933 PRESS, SOMETIMES TOO MUCH PRESS. HERE TO COMMENT IS A MAN WHO DID TOO MUCH PRESS. 1404 00:49:20,935 --> 00:49:33,479 HERE TO COMMENT IS A MAN WHO DID TOO MUCH PRESS. [ CHEERS AND APPLAUSE ] 1405 00:49:33,481 --> 00:49:37,683 TOO MUCH PRESS. [ CHEERS AND APPLAUSE ] HI. 1406 00:49:37,685 --> 00:49:37,983 [ CHEERS AND APPLAUSE ] HI. HELLO. 1407 00:49:37,985 --> 00:49:38,951 HI. HELLO. THANK YOU FOR BEING HERE. 1408 00:49:38,953 --> 00:49:40,385 HELLO. THANK YOU FOR BEING HERE. >> SURE, SURE. 1409 00:49:40,387 --> 00:49:42,488 THANK YOU FOR BEING HERE. >> SURE, SURE. WHERE AM I EXACTLY? 1410 00:49:42,490 --> 00:49:45,824 >> SURE, SURE. WHERE AM I EXACTLY? >> YOU'RE ON "WEEKEND UPDATE." 1411 00:49:45,826 --> 00:49:46,125 WHERE AM I EXACTLY? >> YOU'RE ON "WEEKEND UPDATE." >> OH. 1412 00:49:46,127 --> 00:49:46,992 >> YOU'RE ON "WEEKEND UPDATE." >> OH. IS THIS A PODCAST? 1413 00:49:46,994 --> 00:49:47,893 >> OH. IS THIS A PODCAST? >> NO. 1414 00:49:47,895 --> 00:49:49,094 IS THIS A PODCAST? >> NO. YOU'RE ON "SATURDAY NIGHT LIVE." 1415 00:49:49,096 --> 00:49:51,330 >> NO. YOU'RE ON "SATURDAY NIGHT LIVE." >> OH, LIVE TV. 1416 00:49:51,332 --> 00:49:52,064 YOU'RE ON "SATURDAY NIGHT LIVE." >> OH, LIVE TV. OH, MY GOD. 1417 00:49:52,066 --> 00:49:54,099 >> OH, LIVE TV. OH, MY GOD. I GOT TO STOP. 1418 00:49:54,101 --> 00:49:54,900 OH, MY GOD. I GOT TO STOP. >> YEAH. 1419 00:49:54,902 --> 00:49:56,902 I GOT TO STOP. >> YEAH. YOU'VE KIND OF BEEN EVERYWHERE. 1420 00:49:56,904 --> 00:50:00,172 >> YEAH. YOU'VE KIND OF BEEN EVERYWHERE. I'VE SEEN YOU -- I EVEN SAW YOU 1421 00:50:00,174 --> 00:50:02,141 YOU'VE KIND OF BEEN EVERYWHERE. I'VE SEEN YOU -- I EVEN SAW YOU ON RICH IZEN. 1422 00:50:02,143 --> 00:50:03,375 I'VE SEEN YOU -- I EVEN SAW YOU ON RICH IZEN. >> I WASN'T. 1423 00:50:03,377 --> 00:50:03,976 ON RICH IZEN. >> I WASN'T. >> YOU WERE. 1424 00:50:03,978 --> 00:50:04,810 >> I WASN'T. >> YOU WERE. I SAW IT. 1425 00:50:04,812 --> 00:50:06,545 >> YOU WERE. I SAW IT. >> I FIND HIM ACCESSIBLE. 1426 00:50:06,547 --> 00:50:07,746 I SAW IT. >> I FIND HIM ACCESSIBLE. >> BUT IT'S A SPORTS SHOW. 1427 00:50:07,748 --> 00:50:08,113 >> I FIND HIM ACCESSIBLE. >> BUT IT'S A SPORTS SHOW. >> I KNOW. 1428 00:50:08,115 --> 00:50:10,816 >> BUT IT'S A SPORTS SHOW. >> I KNOW. I KNOW THAT NOW. 1429 00:50:10,818 --> 00:50:12,785 >> I KNOW. I KNOW THAT NOW. >> FOR THE VIEWERS, HOW DOES 1430 00:50:12,787 --> 00:50:14,419 I KNOW THAT NOW. >> FOR THE VIEWERS, HOW DOES SOMEONE KNOW THAT THEY'RE DOING 1431 00:50:14,421 --> 00:50:14,987 >> FOR THE VIEWERS, HOW DOES SOMEONE KNOW THAT THEY'RE DOING EXCESSIVE PRESS? 1432 00:50:14,989 --> 00:50:17,089 SOMEONE KNOW THAT THEY'RE DOING EXCESSIVE PRESS? >> THAT'S THE THING. 1433 00:50:17,091 --> 00:50:18,290 EXCESSIVE PRESS? >> THAT'S THE THING. YOU DON'T KNOW UNTIL SOMEONE WHO 1434 00:50:18,292 --> 00:50:20,192 >> THAT'S THE THING. YOU DON'T KNOW UNTIL SOMEONE WHO CARES ABOUT YOU SHOWS YOU A 1435 00:50:20,194 --> 00:50:21,727 YOU DON'T KNOW UNTIL SOMEONE WHO CARES ABOUT YOU SHOWS YOU A VIDEO PACKAGE AND YOU SEE 1436 00:50:21,729 --> 00:50:23,562 CARES ABOUT YOU SHOWS YOU A VIDEO PACKAGE AND YOU SEE YOURSELF WITH PEOPLE WITH THESE 1437 00:50:23,564 --> 00:50:28,066 VIDEO PACKAGE AND YOU SEE YOURSELF WITH PEOPLE WITH THESE NAMES, HODA, MOROCCO, SHYNELL, 1438 00:50:28,068 --> 00:50:28,367 YOURSELF WITH PEOPLE WITH THESE NAMES, HODA, MOROCCO, SHYNELL, VLAD. 1439 00:50:28,369 --> 00:50:28,734 NAMES, HODA, MOROCCO, SHYNELL, VLAD. >> VLAD? 1440 00:50:28,736 --> 00:50:29,067 VLAD. >> VLAD? >> YEAH. 1441 00:50:29,069 --> 00:50:32,871 >> VLAD? >> YEAH. I TALKED TO A GUY NAMED VLAD. 1442 00:50:32,873 --> 00:50:34,673 >> YEAH. I TALKED TO A GUY NAMED VLAD. AND I KNOW I CAN'T UNDO ALL THE 1443 00:50:34,675 --> 00:50:37,476 I TALKED TO A GUY NAMED VLAD. AND I KNOW I CAN'T UNDO ALL THE PRESS I'VE DONE, BUT I WANT TO 1444 00:50:37,478 --> 00:50:38,777 AND I KNOW I CAN'T UNDO ALL THE PRESS I'VE DONE, BUT I WANT TO HELP OTHER PEOPLE. 1445 00:50:38,779 --> 00:50:40,212 PRESS I'VE DONE, BUT I WANT TO HELP OTHER PEOPLE. IF YOU'RE STRUGGLING WITH PRESS, 1446 00:50:40,214 --> 00:50:41,647 HELP OTHER PEOPLE. IF YOU'RE STRUGGLING WITH PRESS, YOU'RE NOT ALONE. 1447 00:50:41,649 --> 00:50:42,347 IF YOU'RE STRUGGLING WITH PRESS, YOU'RE NOT ALONE. I'M TALKING TO YOU, RYAN 1448 00:50:42,349 --> 00:50:46,018 YOU'RE NOT ALONE. I'M TALKING TO YOU, RYAN GOSLING. 1449 00:50:46,020 --> 00:50:48,987 I'M TALKING TO YOU, RYAN GOSLING. WHEN I STARTED DOING PRESS, I 1450 00:50:48,989 --> 00:50:50,756 GOSLING. WHEN I STARTED DOING PRESS, I WAS LIKE YOU, FUNNY, GOOD 1451 00:50:50,758 --> 00:50:53,892 WHEN I STARTED DOING PRESS, I WAS LIKE YOU, FUNNY, GOOD LOOKING, NOW LOOK AT ME. 1452 00:50:53,894 --> 00:50:55,928 WAS LIKE YOU, FUNNY, GOOD LOOKING, NOW LOOK AT ME. YOU THINK THIS IS HOW I WANTED 1453 00:50:55,930 --> 00:50:58,430 LOOKING, NOW LOOK AT ME. YOU THINK THIS IS HOW I WANTED TO SPEND MY 26th BIRTHDAY? 1454 00:50:58,432 --> 00:51:02,734 YOU THINK THIS IS HOW I WANTED TO SPEND MY 26th BIRTHDAY? BUT YOU CAN GET CLEAN. 1455 00:51:02,736 --> 00:51:03,902 TO SPEND MY 26th BIRTHDAY? BUT YOU CAN GET CLEAN. >> IS THAT YOUR PHONE? 1456 00:51:03,904 --> 00:51:04,837 BUT YOU CAN GET CLEAN. >> IS THAT YOUR PHONE? >> YEAH. 1457 00:51:04,839 --> 00:51:08,607 >> IS THAT YOUR PHONE? >> YEAH. EXCUSE ME. 1458 00:51:08,609 --> 00:51:08,974 >> YEAH. EXCUSE ME. UNIVISION? 1459 00:51:08,976 --> 00:51:09,875 EXCUSE ME. UNIVISION? YEAH, I'M READY. 1460 00:51:09,877 --> 00:51:12,177 UNIVISION? YEAH, I'M READY. >> HE'S DOING ANOTHER INTERVIEW? 1461 00:51:12,179 --> 00:51:14,112 YEAH, I'M READY. >> HE'S DOING ANOTHER INTERVIEW? >> WHAT IS THIS, SPANISH? 1462 00:51:14,114 --> 00:51:14,413 >> HE'S DOING ANOTHER INTERVIEW? >> WHAT IS THIS, SPANISH? FINE. 1463 00:51:14,415 --> 00:51:16,682 >> WHAT IS THIS, SPANISH? FINE. WHAT IS THE DIALECT? 1464 00:51:16,684 --> 00:51:18,183 FINE. WHAT IS THE DIALECT? YEAH, I CAN DO THAT. 1465 00:51:18,185 --> 00:51:24,690 WHAT IS THE DIALECT? YEAH, I CAN DO THAT. WHO'S THE HOST? 1466 00:51:24,692 --> 00:51:25,858 YEAH, I CAN DO THAT. WHO'S THE HOST? POPEY, PIPPA. 1467 00:51:25,860 --> 00:51:27,659 WHO'S THE HOST? POPEY, PIPPA. I LOVE YOUR SHOW. 1468 00:51:27,661 --> 00:51:31,129 POPEY, PIPPA. I LOVE YOUR SHOW. ARE YOU KIDDING, ALL THE TIME. 1469 00:51:31,131 --> 00:51:34,533 I LOVE YOUR SHOW. ARE YOU KIDDING, ALL THE TIME. UNFROSTED IS A DELIGHTFUL CRAZY 1470 00:51:34,535 --> 00:51:36,335 ARE YOU KIDDING, ALL THE TIME. UNFROSTED IS A DELIGHTFUL CRAZY TALE WITH SOME FUNNY PEOPLE AS 1471 00:51:36,337 --> 00:51:37,636 UNFROSTED IS A DELIGHTFUL CRAZY TALE WITH SOME FUNNY PEOPLE AS YOU'VE NEVER SEEN THEM BEFORE. 1472 00:51:37,638 --> 00:51:38,303 TALE WITH SOME FUNNY PEOPLE AS YOU'VE NEVER SEEN THEM BEFORE. >> THE MAN WHO DID TOO MUCH 1473 00:51:38,305 --> 00:51:40,973 YOU'VE NEVER SEEN THEM BEFORE. >> THE MAN WHO DID TOO MUCH PRESS, LADIES AND GENTLEMEN. 1474 00:51:40,975 --> 00:51:43,242 >> THE MAN WHO DID TOO MUCH PRESS, LADIES AND GENTLEMEN. >> LOOK FOR ME ON KELLY 1475 00:51:43,244 --> 00:51:43,609 PRESS, LADIES AND GENTLEMEN. >> LOOK FOR ME ON KELLY CLARKSON. 1476 00:51:43,611 --> 00:52:01,426 >> LOOK FOR ME ON KELLY CLARKSON. >> F 1477 00:52:08,234 --> 00:52:12,537 >>> OKAY, MRS. PARKS, WE JUST GOT YOUR CHART. WAIT RIGHT HERE. 1478 00:52:12,539 --> 00:52:14,239 GOT YOUR CHART. WAIT RIGHT HERE. THE DOCTOR WILL BE WITH YOU 1479 00:52:14,241 --> 00:52:14,606 WAIT RIGHT HERE. THE DOCTOR WILL BE WITH YOU SHORTLY. 1480 00:52:14,608 --> 00:52:15,073 THE DOCTOR WILL BE WITH YOU SHORTLY. >> THANK YOU. 1481 00:52:15,075 --> 00:52:17,476 SHORTLY. >> THANK YOU. >> AND YOU'RE SURE THIS DOCTOR'S 1482 00:52:17,478 --> 00:52:17,776 >> THANK YOU. >> AND YOU'RE SURE THIS DOCTOR'S GOOD? 1483 00:52:17,778 --> 00:52:20,946 >> AND YOU'RE SURE THIS DOCTOR'S GOOD? >> HONEY, YOU SAID YOU WOULDN'T 1484 00:52:20,948 --> 00:52:21,980 GOOD? >> HONEY, YOU SAID YOU WOULDN'T MAKE A FUSS. 1485 00:52:21,982 --> 00:52:24,182 >> HONEY, YOU SAID YOU WOULDN'T MAKE A FUSS. >> I JUST DON'T UNDERSTAND WHY 1486 00:52:24,184 --> 00:52:26,018 MAKE A FUSS. >> I JUST DON'T UNDERSTAND WHY DR. MORGAN WOULD CHOOSE NOW OF 1487 00:52:26,020 --> 00:52:28,487 >> I JUST DON'T UNDERSTAND WHY DR. MORGAN WOULD CHOOSE NOW OF ALL TIMES TO GO ON VACATION. 1488 00:52:28,489 --> 00:52:29,321 DR. MORGAN WOULD CHOOSE NOW OF ALL TIMES TO GO ON VACATION. >> TRUST ME. 1489 00:52:29,323 --> 00:52:31,456 ALL TIMES TO GO ON VACATION. >> TRUST ME. YOU HAVE NOTHING TO WORRY ABOUT. 1490 00:52:31,458 --> 00:52:34,326 >> TRUST ME. YOU HAVE NOTHING TO WORRY ABOUT. FAT DADDY IS A MORE THAN CAPABLE 1491 00:52:34,328 --> 00:52:34,660 YOU HAVE NOTHING TO WORRY ABOUT. FAT DADDY IS A MORE THAN CAPABLE OBGYN. 1492 00:52:34,662 --> 00:52:36,495 FAT DADDY IS A MORE THAN CAPABLE OBGYN. >> FAT DADDY? 1493 00:52:36,497 --> 00:52:39,164 OBGYN. >> FAT DADDY? THE DOCTOR'S NAME IS FAT DADDY? 1494 00:52:39,166 --> 00:52:41,733 >> FAT DADDY? THE DOCTOR'S NAME IS FAT DADDY? >> BABE, CHILL, YOU'RE STRESSING 1495 00:52:41,735 --> 00:52:42,067 THE DOCTOR'S NAME IS FAT DADDY? >> BABE, CHILL, YOU'RE STRESSING ME OUT. 1496 00:52:42,069 --> 00:52:43,669 >> BABE, CHILL, YOU'RE STRESSING ME OUT. >> GOOD MORNING, FOLKS. 1497 00:52:43,671 --> 00:52:46,171 ME OUT. >> GOOD MORNING, FOLKS. >> GOOD MORNING, DR. FAT DADDY. 1498 00:52:46,173 --> 00:52:46,972 >> GOOD MORNING, FOLKS. >> GOOD MORNING, DR. FAT DADDY. >> PLEASE. 1499 00:52:46,974 --> 00:52:48,006 >> GOOD MORNING, DR. FAT DADDY. >> PLEASE. IT'S JUST FAT DADDY. 1500 00:52:48,008 --> 00:52:48,774 >> PLEASE. IT'S JUST FAT DADDY. >> I'M SORRY. 1501 00:52:48,776 --> 00:52:50,876 IT'S JUST FAT DADDY. >> I'M SORRY. WHAT THE HELL IS THAT ON YOUR 1502 00:52:50,878 --> 00:52:51,343 >> I'M SORRY. WHAT THE HELL IS THAT ON YOUR JACKET? 1503 00:52:51,345 --> 00:52:52,644 WHAT THE HELL IS THAT ON YOUR JACKET? >> OH, THIS? 1504 00:52:52,646 --> 00:52:53,946 JACKET? >> OH, THIS? I WOULDN'T WORRY ABOUT THAT. 1505 00:52:53,948 --> 00:52:54,546 >> OH, THIS? I WOULDN'T WORRY ABOUT THAT. THAT'S JUST SAUCE. 1506 00:52:54,548 --> 00:52:57,249 I WOULDN'T WORRY ABOUT THAT. THAT'S JUST SAUCE. >> BABE, JUST LET HIM DO HIS 1507 00:52:57,251 --> 00:52:57,549 THAT'S JUST SAUCE. >> BABE, JUST LET HIM DO HIS JOB. 1508 00:52:57,551 --> 00:52:59,651 >> BABE, JUST LET HIM DO HIS JOB. >> LET ME GUESS, FIRST TIME 1509 00:52:59,653 --> 00:52:59,985 JOB. >> LET ME GUESS, FIRST TIME PARENTS? 1510 00:52:59,987 --> 00:53:00,786 >> LET ME GUESS, FIRST TIME PARENTS? >> YES. 1511 00:53:00,788 --> 00:53:02,721 PARENTS? >> YES. AND I'M STARTING TO THINK HE'S 1512 00:53:02,723 --> 00:53:04,122 >> YES. AND I'M STARTING TO THINK HE'S MORE NERVOUS THAN I AM. 1513 00:53:04,124 --> 00:53:05,123 AND I'M STARTING TO THINK HE'S MORE NERVOUS THAN I AM. >> I GET IT. 1514 00:53:05,125 --> 00:53:06,291 MORE NERVOUS THAN I AM. >> I GET IT. I'VE BEEN THERE. 1515 00:53:06,293 --> 00:53:08,994 >> I GET IT. I'VE BEEN THERE. EVERYTHING'S GOING TO BE FINE. 1516 00:53:08,996 --> 00:53:10,095 I'VE BEEN THERE. EVERYTHING'S GOING TO BE FINE. DR. MORGAN SENT OVER YOUR 1517 00:53:10,097 --> 00:53:10,429 EVERYTHING'S GOING TO BE FINE. DR. MORGAN SENT OVER YOUR CHARTS. 1518 00:53:10,431 --> 00:53:11,763 DR. MORGAN SENT OVER YOUR CHARTS. SAYS WE ARE SEVEN MONTHS 1519 00:53:11,765 --> 00:53:12,130 CHARTS. SAYS WE ARE SEVEN MONTHS PREGNANT. 1520 00:53:12,132 --> 00:53:14,599 SAYS WE ARE SEVEN MONTHS PREGNANT. WE'RE GO TO DO A QUICK 1521 00:53:14,601 --> 00:53:15,801 PREGNANT. WE'RE GO TO DO A QUICK ULTRASOUND, MAKE SURE EVERYTHING 1522 00:53:15,803 --> 00:53:16,635 WE'RE GO TO DO A QUICK ULTRASOUND, MAKE SURE EVERYTHING LOOKS OKAY. 1523 00:53:16,637 --> 00:53:17,169 ULTRASOUND, MAKE SURE EVERYTHING LOOKS OKAY. SOUND GOOD? 1524 00:53:17,171 --> 00:53:19,705 LOOKS OKAY. SOUND GOOD? >> YEAH. 1525 00:53:19,707 --> 00:53:21,206 SOUND GOOD? >> YEAH. THANK YOU, FAT DADDY. 1526 00:53:21,208 --> 00:53:23,008 >> YEAH. THANK YOU, FAT DADDY. >> CAN I JUST ASK HOW YOU GOT 1527 00:53:23,010 --> 00:53:28,480 THANK YOU, FAT DADDY. >> CAN I JUST ASK HOW YOU GOT THAT NAME? 1528 00:53:28,482 --> 00:53:29,014 >> CAN I JUST ASK HOW YOU GOT THAT NAME? >> THAT'S SO RUDE. 1529 00:53:29,016 --> 00:53:29,448 THAT NAME? >> THAT'S SO RUDE. >> IT'S OKAY. 1530 00:53:29,450 --> 00:53:30,215 >> THAT'S SO RUDE. >> IT'S OKAY. BEFORE I BECAME AN OBGYN, I WAS 1531 00:53:30,217 --> 00:53:33,352 >> IT'S OKAY. BEFORE I BECAME AN OBGYN, I WAS THE PIT MASTER AT THE BARBECUE 1532 00:53:33,354 --> 00:53:33,919 BEFORE I BECAME AN OBGYN, I WAS THE PIT MASTER AT THE BARBECUE PALACE ON 78. 1533 00:53:33,921 --> 00:53:35,487 THE PIT MASTER AT THE BARBECUE PALACE ON 78. >> WE LOVE THAT PLACE. 1534 00:53:35,489 --> 00:53:35,988 PALACE ON 78. >> WE LOVE THAT PLACE. >> THANK YOU. 1535 00:53:35,990 --> 00:53:36,555 >> WE LOVE THAT PLACE. >> THANK YOU. I'M REAL PROUD OF IT. 1536 00:53:36,557 --> 00:53:40,425 >> THANK YOU. I'M REAL PROUD OF IT. YEP. 1537 00:53:40,427 --> 00:53:42,694 I'M REAL PROUD OF IT. YEP. YOU KNOW, THIS GOING TO BE A 1538 00:53:42,696 --> 00:53:43,762 YEP. YOU KNOW, THIS GOING TO BE A LITTLE COLD, ALL RIGHT? 1539 00:53:43,764 --> 00:53:45,430 YOU KNOW, THIS GOING TO BE A LITTLE COLD, ALL RIGHT? DON'T YOU EVEN WORRY ABOUT IT. 1540 00:53:45,432 --> 00:53:48,934 LITTLE COLD, ALL RIGHT? DON'T YOU EVEN WORRY ABOUT IT. DON'T YOU WORRY ABOUT NOTHING, 1541 00:53:48,936 --> 00:53:49,301 DON'T YOU EVEN WORRY ABOUT IT. DON'T YOU WORRY ABOUT NOTHING, ALL RIGHT. 1542 00:53:49,303 --> 00:53:50,469 DON'T YOU WORRY ABOUT NOTHING, ALL RIGHT. NOW, BARBECUE IS JUST SOMETHING 1543 00:53:50,471 --> 00:53:54,806 ALL RIGHT. NOW, BARBECUE IS JUST SOMETHING I KNOW HOW TO DO, BUT MY TRUE 1544 00:53:54,808 --> 00:53:56,375 NOW, BARBECUE IS JUST SOMETHING I KNOW HOW TO DO, BUT MY TRUE PASSION HAS ALWAYS BEEN 1545 00:53:56,377 --> 00:53:57,909 I KNOW HOW TO DO, BUT MY TRUE PASSION HAS ALWAYS BEEN GYNECOLOGY, EVER SINCE I WAS A 1546 00:53:57,911 --> 00:53:58,977 PASSION HAS ALWAYS BEEN GYNECOLOGY, EVER SINCE I WAS A LITTLE BOY. 1547 00:53:58,979 --> 00:53:59,511 GYNECOLOGY, EVER SINCE I WAS A LITTLE BOY. YEP. 1548 00:53:59,513 --> 00:53:59,811 LITTLE BOY. YEP. YEAH. 1549 00:53:59,813 --> 00:54:00,245 YEP. YEAH. ALL RIGHT. 1550 00:54:00,247 --> 00:54:01,279 YEAH. ALL RIGHT. YEAH, THAT'S GOING TO BE SOME 1551 00:54:01,281 --> 00:54:04,449 ALL RIGHT. YEAH, THAT'S GOING TO BE SOME GOOD HEAT. 1552 00:54:04,451 --> 00:54:06,885 YEAH, THAT'S GOING TO BE SOME GOOD HEAT. >> SO, WHEN EXACTLY DID YOU GET 1553 00:54:06,887 --> 00:54:07,986 GOOD HEAT. >> SO, WHEN EXACTLY DID YOU GET YOUR DEGREE? 1554 00:54:07,988 --> 00:54:09,855 >> SO, WHEN EXACTLY DID YOU GET YOUR DEGREE? >> UM, YOU KNOW WHAT? 1555 00:54:09,857 --> 00:54:10,355 YOUR DEGREE? >> UM, YOU KNOW WHAT? HOLD THAT THOUGHT. 1556 00:54:10,357 --> 00:54:14,693 >> UM, YOU KNOW WHAT? HOLD THAT THOUGHT. LET ME SEE SOMETHING HERE. 1557 00:54:14,695 --> 00:54:15,027 HOLD THAT THOUGHT. LET ME SEE SOMETHING HERE. NURSE. 1558 00:54:15,029 --> 00:54:17,696 LET ME SEE SOMETHING HERE. NURSE. >> YES, FAT DADDY? 1559 00:54:17,698 --> 00:54:20,732 NURSE. >> YES, FAT DADDY? >> UM, I DON'T SEE NO BABY. 1560 00:54:20,734 --> 00:54:22,100 >> YES, FAT DADDY? >> UM, I DON'T SEE NO BABY. >> FOR REAL? 1561 00:54:22,102 --> 00:54:24,336 >> UM, I DON'T SEE NO BABY. >> FOR REAL? I THOUGHT YOU SAID YOU WERE 1562 00:54:24,338 --> 00:54:24,736 >> FOR REAL? I THOUGHT YOU SAID YOU WERE PREGNANT. 1563 00:54:24,738 --> 00:54:26,738 I THOUGHT YOU SAID YOU WERE PREGNANT. >> I'M VISIBLY PREGNANT. 1564 00:54:26,740 --> 00:54:27,973 PREGNANT. >> I'M VISIBLY PREGNANT. >> BABE, WE SHOULD GO. 1565 00:54:27,975 --> 00:54:29,708 >> I'M VISIBLY PREGNANT. >> BABE, WE SHOULD GO. THIS GUY DOES NOT KNOW WHAT HE'S 1566 00:54:29,710 --> 00:54:30,042 >> BABE, WE SHOULD GO. THIS GUY DOES NOT KNOW WHAT HE'S DOING. 1567 00:54:30,044 --> 00:54:31,610 THIS GUY DOES NOT KNOW WHAT HE'S DOING. >> HANG ON, HANG ON. 1568 00:54:31,612 --> 00:54:32,477 DOING. >> HANG ON, HANG ON. LET'S CALM DOWN. 1569 00:54:32,479 --> 00:54:34,579 >> HANG ON, HANG ON. LET'S CALM DOWN. YOU SEE THIS IS WHY YOU CAN'T 1570 00:54:34,581 --> 00:54:36,048 LET'S CALM DOWN. YOU SEE THIS IS WHY YOU CAN'T ALWAYS TRUST THESE MACHINES. 1571 00:54:36,050 --> 00:54:38,717 YOU SEE THIS IS WHY YOU CAN'T ALWAYS TRUST THESE MACHINES. SOMETIMES, JUST LIKE IN 1572 00:54:38,719 --> 00:54:40,352 ALWAYS TRUST THESE MACHINES. SOMETIMES, JUST LIKE IN BARBECUE, YOU GOT TO ROLL UP 1573 00:54:40,354 --> 00:54:41,920 SOMETIMES, JUST LIKE IN BARBECUE, YOU GOT TO ROLL UP YOUR SLEEVES. 1574 00:54:41,922 --> 00:54:44,656 BARBECUE, YOU GOT TO ROLL UP YOUR SLEEVES. NURSE, WHY DON'T YOU TAKE HER 1575 00:54:44,658 --> 00:54:46,091 YOUR SLEEVES. NURSE, WHY DON'T YOU TAKE HER TEMPERATURE CHILD I DUG ON IN 1576 00:54:46,093 --> 00:54:46,758 NURSE, WHY DON'T YOU TAKE HER TEMPERATURE CHILD I DUG ON IN THE PIT. 1577 00:54:46,760 --> 00:54:47,292 TEMPERATURE CHILD I DUG ON IN THE PIT. YEAH, I'M GOING IN. 1578 00:54:47,294 --> 00:54:50,695 THE PIT. YEAH, I'M GOING IN. >> WAIT, WAIT. 1579 00:54:50,697 --> 00:54:53,065 YEAH, I'M GOING IN. >> WAIT, WAIT. SHOULDN'T YOU BE WEARING GLOVES? 1580 00:54:53,067 --> 00:54:54,833 >> WAIT, WAIT. SHOULDN'T YOU BE WEARING GLOVES? >> DARRYL, I ASKED YOU TO COME 1581 00:54:54,835 --> 00:54:57,502 SHOULDN'T YOU BE WEARING GLOVES? >> DARRYL, I ASKED YOU TO COME HERE FOR SUPPORT AND TO SEE IF 1582 00:54:57,504 --> 00:54:59,137 >> DARRYL, I ASKED YOU TO COME HERE FOR SUPPORT AND TO SEE IF YOU'RE REALLY READY TO BE A 1583 00:54:59,139 --> 00:54:59,471 HERE FOR SUPPORT AND TO SEE IF YOU'RE REALLY READY TO BE A FATHER. 1584 00:54:59,473 --> 00:55:01,807 YOU'RE REALLY READY TO BE A FATHER. >> NOW, WHERE IS HE? 1585 00:55:01,809 --> 00:55:04,076 FATHER. >> NOW, WHERE IS HE? >> YOU KNOW WHAT, I AM READY TO 1586 00:55:04,078 --> 00:55:05,043 >> NOW, WHERE IS HE? >> YOU KNOW WHAT, I AM READY TO BE A FATHER. 1587 00:55:05,045 --> 00:55:07,446 >> YOU KNOW WHAT, I AM READY TO BE A FATHER. >> WELL, THEN STOP MAKING THINGS 1588 00:55:07,448 --> 00:55:07,779 BE A FATHER. >> WELL, THEN STOP MAKING THINGS WEIRD. 1589 00:55:07,781 --> 00:55:08,980 >> WELL, THEN STOP MAKING THINGS WEIRD. >> OKAY. 1590 00:55:08,982 --> 00:55:11,583 WEIRD. >> OKAY. 2-2-5, THAT'S SLOW AND LOW. 1591 00:55:11,585 --> 00:55:14,352 >> OKAY. 2-2-5, THAT'S SLOW AND LOW. >> I CAN'T FIND -- I FOUND HIM. 1592 00:55:14,354 --> 00:55:14,719 2-2-5, THAT'S SLOW AND LOW. >> I CAN'T FIND -- I FOUND HIM. ALL RIGHT. 1593 00:55:14,721 --> 00:55:20,525 >> I CAN'T FIND -- I FOUND HIM. ALL RIGHT. EVERYTHING LOOK GOOD. 1594 00:55:20,527 --> 00:55:23,862 ALL RIGHT. EVERYTHING LOOK GOOD. >> COULD YOU NOT LICK YOUR 1595 00:55:23,864 --> 00:55:27,999 EVERYTHING LOOK GOOD. >> COULD YOU NOT LICK YOUR FINGERS? 1596 00:55:28,001 --> 00:55:28,500 >> COULD YOU NOT LICK YOUR FINGERS? >> OH, YOU RIGHT. 1597 00:55:28,502 --> 00:55:29,101 FINGERS? >> OH, YOU RIGHT. MY BAD. 1598 00:55:29,103 --> 00:55:31,203 >> OH, YOU RIGHT. MY BAD. THAT'S A BAD HABIT. 1599 00:55:31,205 --> 00:55:33,772 MY BAD. THAT'S A BAD HABIT. NURSE, HAND ME THE PAPER TOWELS, 1600 00:55:33,774 --> 00:55:34,106 THAT'S A BAD HABIT. NURSE, HAND ME THE PAPER TOWELS, PLEASE. 1601 00:55:34,108 --> 00:55:36,074 NURSE, HAND ME THE PAPER TOWELS, PLEASE. YOUR BABY'S LOOKING GOOD, COMING 1602 00:55:36,076 --> 00:55:37,008 PLEASE. YOUR BABY'S LOOKING GOOD, COMING ALONG REAL NICE. 1603 00:55:37,010 --> 00:55:37,943 YOUR BABY'S LOOKING GOOD, COMING ALONG REAL NICE. JUST A LITTLE DRY. 1604 00:55:37,945 --> 00:55:38,944 ALONG REAL NICE. JUST A LITTLE DRY. THAT'S ALL RIGHT, THOUGH. 1605 00:55:38,946 --> 00:55:40,946 JUST A LITTLE DRY. THAT'S ALL RIGHT, THOUGH. I WANT YOU TO MAKE SURE YOU 1606 00:55:40,948 --> 00:55:42,280 THAT'S ALL RIGHT, THOUGH. I WANT YOU TO MAKE SURE YOU ROTATE HIM EVERY WEEK OR SO. 1607 00:55:42,282 --> 00:55:45,217 I WANT YOU TO MAKE SURE YOU ROTATE HIM EVERY WEEK OR SO. YOU KNOW WHAT, I WOULD LET IT GO 1608 00:55:45,219 --> 00:55:46,852 ROTATE HIM EVERY WEEK OR SO. YOU KNOW WHAT, I WOULD LET IT GO ABOUT ANOTHER MONTH AND A HALF, 1609 00:55:46,854 --> 00:55:47,719 YOU KNOW WHAT, I WOULD LET IT GO ABOUT ANOTHER MONTH AND A HALF, TWO MONTHS. 1610 00:55:47,721 --> 00:55:50,489 ABOUT ANOTHER MONTH AND A HALF, TWO MONTHS. SHOULD BE FALLING RIGHT OFF THE 1611 00:55:50,491 --> 00:55:51,022 TWO MONTHS. SHOULD BE FALLING RIGHT OFF THE BONE THEN. 1612 00:55:51,024 --> 00:55:52,858 SHOULD BE FALLING RIGHT OFF THE BONE THEN. >> FALL OFF THE BONE? 1613 00:55:52,860 --> 00:55:54,759 BONE THEN. >> FALL OFF THE BONE? >> THAT'S JUST MEDICAL JARGON. 1614 00:55:54,761 --> 00:55:57,996 >> FALL OFF THE BONE? >> THAT'S JUST MEDICAL JARGON. ALSO, I WANT TO SAY YOUR PH IS A 1615 00:55:57,998 --> 00:56:00,298 >> THAT'S JUST MEDICAL JARGON. ALSO, I WANT TO SAY YOUR PH IS A LITTLE OFF, SO I'M GOING TO PUT 1616 00:56:00,300 --> 00:56:02,634 ALSO, I WANT TO SAY YOUR PH IS A LITTLE OFF, SO I'M GOING TO PUT YOU ON SOME SUPPLEMENTS. 1617 00:56:02,636 --> 00:56:02,968 LITTLE OFF, SO I'M GOING TO PUT YOU ON SOME SUPPLEMENTS. TRACEY? 1618 00:56:02,970 --> 00:56:04,769 YOU ON SOME SUPPLEMENTS. TRACEY? >> YES, FAT DADDY. 1619 00:56:04,771 --> 00:56:09,441 TRACEY? >> YES, FAT DADDY. >> GO ON AND WRITE THIS SCRIPT 1620 00:56:09,443 --> 00:56:12,444 >> YES, FAT DADDY. >> GO ON AND WRITE THIS SCRIPT DOWN, PLEASE. 1621 00:56:12,446 --> 00:56:17,816 >> GO ON AND WRITE THIS SCRIPT DOWN, PLEASE. IRON, ALKALINE WATER, APPLE SIGH 1622 00:56:17,818 --> 00:56:18,350 DOWN, PLEASE. IRON, ALKALINE WATER, APPLE SIGH 1623 00:56:18,352 --> 00:56:20,952 IRON, ALKALINE WATER, APPLE SIGH 1624 00:56:20,954 --> 00:56:22,721 -- SIGH CAR VINEGAR. A LITTLE COCA-COLA. 1625 00:56:22,723 --> 00:56:23,288 -- SIGH CAR VINEGAR. A LITTLE COCA-COLA. >> IS PEPSI OKAY? 1626 00:56:23,290 --> 00:56:24,856 A LITTLE COCA-COLA. >> IS PEPSI OKAY? >> YEAH, THAT'S FINE. 1627 00:56:48,764 --> 00:57:05,146 >>> ONCE AGAIN, THE DUA LIPA. [ CHEERS AND APPLAUSE ] ♪ LATE ON A TUESDAY 1628 00:57:05,148 --> 00:57:07,315 [ CHEERS AND APPLAUSE ] ♪ LATE ON A TUESDAY I SAW YOUR PICTURE 1629 00:57:07,317 --> 00:57:08,984 ♪ LATE ON A TUESDAY I SAW YOUR PICTURE YOU WERE SO HAPPY 1630 00:57:08,986 --> 00:57:11,119 I SAW YOUR PICTURE YOU WERE SO HAPPY I COULD JUST TELL ♪ 1631 00:57:11,121 --> 00:57:12,721 YOU WERE SO HAPPY I COULD JUST TELL ♪ ♪ SHE'S REALLY PRETTY 1632 00:57:12,723 --> 00:57:14,890 I COULD JUST TELL ♪ ♪ SHE'S REALLY PRETTY I THINK SHE'S A MODEL 1633 00:57:14,892 --> 00:57:16,524 ♪ SHE'S REALLY PRETTY I THINK SHE'S A MODEL BABY TOGETHER 1634 00:57:16,526 --> 00:57:22,464 I THINK SHE'S A MODEL BABY TOGETHER YOU LOOK HOT AS HELL ♪ 1635 00:57:22,466 --> 00:57:23,531 BABY TOGETHER YOU LOOK HOT AS HELL ♪ ♪ AND I DIDN'T EVEN 1636 00:57:23,533 --> 00:57:26,201 YOU LOOK HOT AS HELL ♪ ♪ AND I DIDN'T EVEN WANT TO CRY 1637 00:57:26,203 --> 00:57:28,303 ♪ AND I DIDN'T EVEN WANT TO CRY OH WHAT IS THIS FEELING 1638 00:57:28,305 --> 00:57:31,539 WANT TO CRY OH WHAT IS THIS FEELING COULDN'T BELIEVE IT ♪ 1639 00:57:31,541 --> 00:57:35,343 OH WHAT IS THIS FEELING COULDN'T BELIEVE IT ♪ ♪ HAD TO ASK MYSELF WHY 1640 00:57:35,345 --> 00:57:37,512 COULDN'T BELIEVE IT ♪ ♪ HAD TO ASK MYSELF WHY I MUST'VE LOVED YOU 1641 00:57:37,514 --> 00:57:40,749 ♪ HAD TO ASK MYSELF WHY I MUST'VE LOVED YOU MORE THAN I EVER KNEW ♪ 1642 00:57:40,751 --> 00:57:42,350 I MUST'VE LOVED YOU MORE THAN I EVER KNEW ♪ ♪ DIDN'T KNOW 1643 00:57:42,352 --> 00:57:44,486 MORE THAN I EVER KNEW ♪ ♪ DIDN'T KNOW I COULD EVER FEEL 1644 00:57:44,488 --> 00:57:48,256 ♪ DIDN'T KNOW I COULD EVER FEEL 'CAUSE I'M HAPPY FOR YOU ♪ 1645 00:57:48,258 --> 00:57:50,358 I COULD EVER FEEL 'CAUSE I'M HAPPY FOR YOU ♪ ♪ NOW I KNOW 1646 00:57:50,360 --> 00:57:52,060 'CAUSE I'M HAPPY FOR YOU ♪ ♪ NOW I KNOW EVERYTHING WAS REAL ♪ 1647 00:57:52,062 --> 00:57:55,330 ♪ NOW I KNOW EVERYTHING WAS REAL ♪ ♪ I'M NOT MAD I'M NOT HURT 1648 00:57:55,332 --> 00:57:56,998 EVERYTHING WAS REAL ♪ ♪ I'M NOT MAD I'M NOT HURT YOU GOT EVERYTHING 1649 00:57:57,000 --> 00:57:59,134 ♪ I'M NOT MAD I'M NOT HURT YOU GOT EVERYTHING YOU DESERVE ♪ 1650 00:57:59,136 --> 00:58:01,836 YOU GOT EVERYTHING YOU DESERVE ♪ ♪ OH I MUST'VE LOVED YOU 1651 00:58:01,838 --> 00:58:06,708 YOU DESERVE ♪ ♪ OH I MUST'VE LOVED YOU MORE THAN I EVER KNEW 1652 00:58:06,710 --> 00:58:09,377 ♪ OH I MUST'VE LOVED YOU MORE THAN I EVER KNEW I'M HAPPY FOR YOU ♪ 1653 00:58:09,379 --> 00:58:11,012 MORE THAN I EVER KNEW I'M HAPPY FOR YOU ♪ ♪ AND LOOKING BACK NOW 1654 00:58:11,014 --> 00:58:13,148 I'M HAPPY FOR YOU ♪ ♪ AND LOOKING BACK NOW I HOPE YOU SEE IT 1655 00:58:13,150 --> 00:58:14,716 ♪ AND LOOKING BACK NOW I HOPE YOU SEE IT EVEN THE HARD PARTS 1656 00:58:14,718 --> 00:58:17,953 I HOPE YOU SEE IT EVEN THE HARD PARTS WERE ALL FOR THE BEST ♪ 1657 00:58:17,955 --> 00:58:19,554 EVEN THE HARD PARTS WERE ALL FOR THE BEST ♪ ♪ I SEE WHERE YOU'RE AT NOW 1658 00:58:19,556 --> 00:58:21,156 WERE ALL FOR THE BEST ♪ ♪ I SEE WHERE YOU'RE AT NOW YOU PICKED UP THE PIECES 1659 00:58:21,158 --> 00:58:22,757 ♪ I SEE WHERE YOU'RE AT NOW YOU PICKED UP THE PIECES AND THEN YOU GAVE THEM 1660 00:58:22,759 --> 00:58:27,062 YOU PICKED UP THE PIECES AND THEN YOU GAVE THEM TO SOMEBODY ELSE ♪ 1661 00:58:27,064 --> 00:58:30,298 AND THEN YOU GAVE THEM TO SOMEBODY ELSE ♪ ♪ AND I DIDN'T EVEN 1662 00:58:30,300 --> 00:58:31,933 TO SOMEBODY ELSE ♪ ♪ AND I DIDN'T EVEN WANT TO CRY 1663 00:58:31,935 --> 00:58:34,069 ♪ AND I DIDN'T EVEN WANT TO CRY OH WHAT IS THIS FEELING 1664 00:58:34,071 --> 00:58:37,305 WANT TO CRY OH WHAT IS THIS FEELING COULDN'T BELIEVE IT ♪ 1665 00:58:37,307 --> 00:58:41,009 OH WHAT IS THIS FEELING COULDN'T BELIEVE IT ♪ ♪ HAD TO ASK MYSELF WHY 1666 00:58:41,011 --> 00:58:43,678 COULDN'T BELIEVE IT ♪ ♪ HAD TO ASK MYSELF WHY I MUST'VE LOVED YOU 1667 00:58:43,680 --> 00:58:46,414 ♪ HAD TO ASK MYSELF WHY I MUST'VE LOVED YOU MORE THAN I EVER KNEW ♪ 1668 00:58:46,416 --> 00:58:47,983 I MUST'VE LOVED YOU MORE THAN I EVER KNEW ♪ ♪ DIDN'T KNOW 1669 00:58:47,985 --> 00:58:52,287 MORE THAN I EVER KNEW ♪ ♪ DIDN'T KNOW I COULD EVER FEEL 1670 00:58:52,289 --> 00:58:54,990 ♪ DIDN'T KNOW I COULD EVER FEEL 'CAUSE I'M HAPPY FOR YOU ♪ 1671 00:58:54,992 --> 00:58:56,091 I COULD EVER FEEL 'CAUSE I'M HAPPY FOR YOU ♪ ♪ NOW I KNOW 1672 00:58:56,093 --> 00:58:58,226 'CAUSE I'M HAPPY FOR YOU ♪ ♪ NOW I KNOW EVERYTHING WAS REAL 1673 00:58:58,228 --> 00:59:00,895 ♪ NOW I KNOW EVERYTHING WAS REAL I'M NOT MAD I'M NOT HURT ♪ 1674 00:59:00,897 --> 00:59:03,031 EVERYTHING WAS REAL I'M NOT MAD I'M NOT HURT ♪ ♪ YOU GOT EVERYTHING 1675 00:59:03,033 --> 00:59:06,835 I'M NOT MAD I'M NOT HURT ♪ ♪ YOU GOT EVERYTHING YOU DESERVE 1676 00:59:06,837 --> 00:59:07,902 ♪ YOU GOT EVERYTHING YOU DESERVE OH I MUST'VE LOVED YOU 1677 00:59:07,904 --> 00:59:12,741 YOU DESERVE OH I MUST'VE LOVED YOU MORE THAN I EVER KNEW ♪ 1678 00:59:12,743 --> 00:59:14,909 OH I MUST'VE LOVED YOU MORE THAN I EVER KNEW ♪ ♪ I'M HAPPY FOR YOU 1679 00:59:14,911 --> 00:59:20,281 MORE THAN I EVER KNEW ♪ ♪ I'M HAPPY FOR YOU YOU YOU YOU 1680 00:59:20,283 --> 00:59:25,120 ♪ I'M HAPPY FOR YOU YOU YOU YOU I'M HAPPY FOR YOU 1681 00:59:25,122 --> 00:59:30,458 YOU YOU YOU I'M HAPPY FOR YOU YOU YOU YOU ♪ 1682 00:59:30,460 --> 00:59:30,992 I'M HAPPY FOR YOU YOU YOU YOU ♪ ♪ I'M HAPPY FOR 1683 00:59:30,994 --> 00:59:31,559 YOU YOU YOU ♪ ♪ I'M HAPPY FOR OH I MUST'VE LOVED YOU 1684 00:59:31,561 --> 00:59:34,796 ♪ I'M HAPPY FOR OH I MUST'VE LOVED YOU MORE THAN I EVER KNEW ♪ 1685 00:59:34,798 --> 00:59:36,431 OH I MUST'VE LOVED YOU MORE THAN I EVER KNEW ♪ ♪ DIDN'T KNOW 1686 00:59:36,433 --> 00:59:39,100 MORE THAN I EVER KNEW ♪ ♪ DIDN'T KNOW I COULD EVER FEEL 1687 00:59:39,102 --> 00:59:42,837 ♪ DIDN'T KNOW I COULD EVER FEEL 'CAUSE I'M HAPPY FOR YOU ♪ 1688 00:59:42,839 --> 00:59:44,406 I COULD EVER FEEL 'CAUSE I'M HAPPY FOR YOU ♪ ♪ NOW I KNOW EVERYTHING 1689 00:59:44,408 --> 00:59:46,574 'CAUSE I'M HAPPY FOR YOU ♪ ♪ NOW I KNOW EVERYTHING WAS REAL 1690 00:59:46,576 --> 00:59:49,811 ♪ NOW I KNOW EVERYTHING WAS REAL I'M NOT MAD I'M NOT HURT ♪ 1691 00:59:49,813 --> 00:59:51,446 WAS REAL I'M NOT MAD I'M NOT HURT ♪ ♪ YOU GOT EVERYTHING 1692 00:59:51,448 --> 00:59:53,081 I'M NOT MAD I'M NOT HURT ♪ ♪ YOU GOT EVERYTHING YOU DESERVE 1693 00:59:53,083 --> 00:59:55,784 ♪ YOU GOT EVERYTHING YOU DESERVE OH I MUST'VE LOVED YOU 1694 00:59:55,786 --> 01:00:00,121 YOU DESERVE OH I MUST'VE LOVED YOU MORE THAN I EVER KNEW ♪ 1695 01:00:00,123 --> 01:00:02,323 OH I MUST'VE LOVED YOU MORE THAN I EVER KNEW ♪ ♪ I'M HAPPY FOR YOU ♪ 1696 01:00:02,325 --> 01:00:07,695 MORE THAN I EVER KNEW ♪ ♪ I'M HAPPY FOR YOU ♪ ♪♪ 1697 01:00:07,697 --> 01:00:12,500 ♪ I'M HAPPY FOR YOU ♪ ♪♪ ♪♪ 1698 01:00:12,502 --> 01:00:22,444 ♪♪ ♪♪ ♪♪ 1699 01:00:22,446 --> 01:00:35,690 ♪♪ ♪♪ ♪♪ 1700 01:00:35,692 --> 01:00:50,622 ♪♪ ♪♪ [ CHEERS AND APPLAUSE ] 1701 01:00:50,624 --> 01:00:53,591 ♪♪ [ CHEERS AND APPLAUSE ] >>> IT'S FASHION SEASON. 1702 01:00:53,593 --> 01:00:57,362 [ CHEERS AND APPLAUSE ] >>> IT'S FASHION SEASON. WITH RED CARPETS GOING VIRAL AND 1703 01:00:57,364 --> 01:00:58,496 >>> IT'S FASHION SEASON. WITH RED CARPETS GOING VIRAL AND THE MET GALA RIGHT AROUND THE 1704 01:00:58,498 --> 01:00:59,998 WITH RED CARPETS GOING VIRAL AND THE MET GALA RIGHT AROUND THE CORNER, EVERYONE'S SERVING 1705 01:01:00,000 --> 01:01:00,331 THE MET GALA RIGHT AROUND THE CORNER, EVERYONE'S SERVING LOOKS. 1706 01:01:00,333 --> 01:01:01,800 CORNER, EVERYONE'S SERVING LOOKS. >> ALL MY FAVORITE ARTISTS ARE 1707 01:01:01,802 --> 01:01:03,201 LOOKS. >> ALL MY FAVORITE ARTISTS ARE WEARING PINS THAT SUPPORT 1708 01:01:03,203 --> 01:01:03,535 >> ALL MY FAVORITE ARTISTS ARE WEARING PINS THAT SUPPORT CAUSES. 1709 01:01:03,537 --> 01:01:04,569 WEARING PINS THAT SUPPORT CAUSES. I WANT PEOPLE TO KNOW THAT I 1710 01:01:04,571 --> 01:01:06,504 CAUSES. I WANT PEOPLE TO KNOW THAT I CARE TOO, BUT I'M NERVOUS ABOUT 1711 01:01:06,506 --> 01:01:07,605 I WANT PEOPLE TO KNOW THAT I CARE TOO, BUT I'M NERVOUS ABOUT WHAT TO SAY. 1712 01:01:07,607 --> 01:01:09,541 CARE TOO, BUT I'M NERVOUS ABOUT WHAT TO SAY. >> WITH SO MANY COMPLICATED 1713 01:01:09,543 --> 01:01:11,242 WHAT TO SAY. >> WITH SO MANY COMPLICATED ISSUES OUT THERE, IT'S HARD TO 1714 01:01:11,244 --> 01:01:12,577 >> WITH SO MANY COMPLICATED ISSUES OUT THERE, IT'S HARD TO KNOW WHEN THE JOIN THE 1715 01:01:12,579 --> 01:01:13,444 ISSUES OUT THERE, IT'S HARD TO KNOW WHEN THE JOIN THE CONVERSATION AND HOW. 1716 01:01:13,446 --> 01:01:15,814 KNOW WHEN THE JOIN THE CONVERSATION AND HOW. >> IT'S WRONG TO STAY SILENT, 1717 01:01:15,816 --> 01:01:17,882 CONVERSATION AND HOW. >> IT'S WRONG TO STAY SILENT, BUT IT'S ALSO WRONG TO SAY TOO 1718 01:01:17,884 --> 01:01:18,183 >> IT'S WRONG TO STAY SILENT, BUT IT'S ALSO WRONG TO SAY TOO MUCH. 1719 01:01:18,185 --> 01:01:20,218 BUT IT'S ALSO WRONG TO SAY TOO MUCH. I WISH THERE WAS A WAY TO SPLIT 1720 01:01:20,220 --> 01:01:20,685 MUCH. I WISH THERE WAS A WAY TO SPLIT THE DIFFERENCE. 1721 01:01:20,687 --> 01:01:23,121 I WISH THERE WAS A WAY TO SPLIT THE DIFFERENCE. >> INTRODUCING TEENY TINY 1722 01:01:23,123 --> 01:01:25,390 THE DIFFERENCE. >> INTRODUCING TEENY TINY STATEMENT PIN TWB NEW CARPET 1723 01:01:25,392 --> 01:01:26,891 >> INTRODUCING TEENY TINY STATEMENT PIN TWB NEW CARPET ACCESSORY THAT'S SO SMALL, IT'S 1724 01:01:26,893 --> 01:01:27,792 STATEMENT PIN TWB NEW CARPET ACCESSORY THAT'S SO SMALL, IT'S BARELY VISIBLE. 1725 01:01:27,794 --> 01:01:29,861 ACCESSORY THAT'S SO SMALL, IT'S BARELY VISIBLE. >> NOT EVERYONE HAS TO BE 1726 01:01:29,863 --> 01:01:31,596 BARELY VISIBLE. >> NOT EVERYONE HAS TO BE BOMBARDED WITH MY OPINIONS, BUT 1727 01:01:31,598 --> 01:01:34,132 >> NOT EVERYONE HAS TO BE BOMBARDED WITH MY OPINIONS, BUT IF THEY WANT THEM, THEY CAN ZOOM 1728 01:01:34,134 --> 01:01:35,500 BOMBARDED WITH MY OPINIONS, BUT IF THEY WANT THEM, THEY CAN ZOOM WAY, WAY, WAY IN. 1729 01:01:35,502 --> 01:01:38,570 IF THEY WANT THEM, THEY CAN ZOOM WAY, WAY, WAY IN. >> I CAN SAY WHATEVER I WANT AND 1730 01:01:38,572 --> 01:01:39,103 WAY, WAY, WAY IN. >> I CAN SAY WHATEVER I WANT AND NO ONE HAS TO KNOW. 1731 01:01:39,105 --> 01:01:40,738 >> I CAN SAY WHATEVER I WANT AND NO ONE HAS TO KNOW. >> THAT'S RIGHT. 1732 01:01:40,740 --> 01:01:42,173 NO ONE HAS TO KNOW. >> THAT'S RIGHT. YOUR PIN CAN MAKE A STATEMENT 1733 01:01:42,175 --> 01:01:44,509 >> THAT'S RIGHT. YOUR PIN CAN MAKE A STATEMENT ABOUT WHATEVER'S MOST IMPORTANT 1734 01:01:44,511 --> 01:01:46,044 YOUR PIN CAN MAKE A STATEMENT ABOUT WHATEVER'S MOST IMPORTANT TO YOU LIKE -- 1735 01:01:46,046 --> 01:01:47,145 ABOUT WHATEVER'S MOST IMPORTANT TO YOU LIKE -- >> LOVE IS LOVE. 1736 01:01:47,147 --> 01:01:48,613 TO YOU LIKE -- >> LOVE IS LOVE. >> PROTECT DEMOCRACY. 1737 01:01:48,615 --> 01:01:49,948 >> LOVE IS LOVE. >> PROTECT DEMOCRACY. >> FREE ELLEN. 1738 01:01:49,950 --> 01:01:52,183 >> PROTECT DEMOCRACY. >> FREE ELLEN. >> PAY TEACHERS MORE. 1739 01:01:52,185 --> 01:01:54,552 >> FREE ELLEN. >> PAY TEACHERS MORE. >> WE HAVE THE MEATS. 1740 01:01:54,554 --> 01:01:58,790 >> PAY TEACHERS MORE. >> WE HAVE THE MEATS. >> OR WE NO HAVE NO MEATS. 1741 01:01:58,792 --> 01:02:00,525 >> WE HAVE THE MEATS. >> OR WE NO HAVE NO MEATS. >> YOU CAN BE A TEENY TINY PART 1742 01:02:00,527 --> 01:02:01,092 >> OR WE NO HAVE NO MEATS. >> YOU CAN BE A TEENY TINY PART OF THE CONVERSATION. 1743 01:02:01,094 --> 01:02:03,528 >> YOU CAN BE A TEENY TINY PART OF THE CONVERSATION. >> YOU FEEL VERY CONFIDENT IN MY 1744 01:02:03,530 --> 01:02:04,562 OF THE CONVERSATION. >> YOU FEEL VERY CONFIDENT IN MY OPINION, BUT UNFORTUNATELY, IT 1745 01:02:04,564 --> 01:02:07,699 >> YOU FEEL VERY CONFIDENT IN MY OPINION, BUT UNFORTUNATELY, IT IS A BAD ONE, AND I DON'T WANT 1746 01:02:07,701 --> 01:02:08,266 OPINION, BUT UNFORTUNATELY, IT IS A BAD ONE, AND I DON'T WANT PEOPLE TO KNOW THAT. 1747 01:02:08,268 --> 01:02:09,167 IS A BAD ONE, AND I DON'T WANT PEOPLE TO KNOW THAT. >> IT'S THE PERFECT STATEMENT 1748 01:02:09,169 --> 01:02:10,902 PEOPLE TO KNOW THAT. >> IT'S THE PERFECT STATEMENT PIECE TO STYLE WITH ANY OUTFIT 1749 01:02:10,904 --> 01:02:12,170 >> IT'S THE PERFECT STATEMENT PIECE TO STYLE WITH ANY OUTFIT BECAUSE IT'S INVISIBLE. 1750 01:02:12,172 --> 01:02:14,038 PIECE TO STYLE WITH ANY OUTFIT BECAUSE IT'S INVISIBLE. I'M EVEN WEARING ONE RIGHT NOW. 1751 01:02:14,040 --> 01:02:16,207 BECAUSE IT'S INVISIBLE. I'M EVEN WEARING ONE RIGHT NOW. >> SOMETIMES A PHRASE ISN'T 1752 01:02:16,209 --> 01:02:20,111 I'M EVEN WEARING ONE RIGHT NOW. >> SOMETIMES A PHRASE ISN'T NUANCED ENOUGH, THAT'S WHY TEENY 1753 01:02:20,113 --> 01:02:20,845 >> SOMETIMES A PHRASE ISN'T NUANCED ENOUGH, THAT'S WHY TEENY TINY STATEMENT PIN HAS SPACE FOR 1754 01:02:20,847 --> 01:02:22,180 NUANCED ENOUGH, THAT'S WHY TEENY TINY STATEMENT PIN HAS SPACE FOR UP TO 10,000 WORDS. 1755 01:02:22,182 --> 01:02:22,847 TINY STATEMENT PIN HAS SPACE FOR UP TO 10,000 WORDS. >> WOW. 1756 01:02:22,849 --> 01:02:24,449 UP TO 10,000 WORDS. >> WOW. I NEVER THOUGHT OF IT THAT WAY. 1757 01:02:24,451 --> 01:02:26,718 >> WOW. I NEVER THOUGHT OF IT THAT WAY. >> IF YOU DON'T KNOW WHAT TO SAY 1758 01:02:26,720 --> 01:02:28,820 I NEVER THOUGHT OF IT THAT WAY. >> IF YOU DON'T KNOW WHAT TO SAY BUT YOU WANT SOMETHING THAT 1759 01:02:28,822 --> 01:02:29,787 >> IF YOU DON'T KNOW WHAT TO SAY BUT YOU WANT SOMETHING THAT SOUNDS LIKE IT COULD BE 1760 01:02:29,789 --> 01:02:31,623 BUT YOU WANT SOMETHING THAT SOUNDS LIKE IT COULD BE IMPORTANT, THEN YOU'LL LOVE OUR 1761 01:02:31,625 --> 01:02:34,158 SOUNDS LIKE IT COULD BE IMPORTANT, THEN YOU'LL LOVE OUR NEW VAGUE COLLECTION, A RANDOM 1762 01:02:34,160 --> 01:02:36,327 IMPORTANT, THEN YOU'LL LOVE OUR NEW VAGUE COLLECTION, A RANDOM FLAG THAT BELONGS TO NO COUNTRY, 1763 01:02:36,329 --> 01:02:40,365 NEW VAGUE COLLECTION, A RANDOM FLAG THAT BELONGS TO NO COUNTRY, A CAT AND BABY TOGETHER, IT HAS 1764 01:02:40,367 --> 01:02:43,001 FLAG THAT BELONGS TO NO COUNTRY, A CAT AND BABY TOGETHER, IT HAS TO STOP AND IT HAS TO START. 1765 01:02:43,003 --> 01:02:46,404 A CAT AND BABY TOGETHER, IT HAS TO STOP AND IT HAS TO START. >> THANKS TEENY TINY STATEMENT 1766 01:02:46,406 --> 01:02:46,638 TO STOP AND IT HAS TO START. >> THANKS TEENY TINY STATEMENT PIN. 1767 01:02:46,640 --> 01:02:50,375 >> THANKS TEENY TINY STATEMENT PIN. 1768 01:03:01,553 --> 01:03:07,292 >>> LISTEN UP, GANG. WE'RE ALMOST DONE WITH Q1 HERE AT ROSEMAN FAMILY FLOORING, AND 1769 01:03:07,294 --> 01:03:08,927 WE'RE ALMOST DONE WITH Q1 HERE AT ROSEMAN FAMILY FLOORING, AND OUR NUMBERS ARE BAD. 1770 01:03:08,929 --> 01:03:12,830 AT ROSEMAN FAMILY FLOORING, AND OUR NUMBERS ARE BAD. >> AND WE'RE GETTING CREAMED BY 1771 01:03:12,832 --> 01:03:16,267 OUR NUMBERS ARE BAD. >> AND WE'RE GETTING CREAMED BY TILE AND CARPET BECAUSE THEIR Q1 1772 01:03:16,269 --> 01:03:19,404 >> AND WE'RE GETTING CREAMED BY TILE AND CARPET BECAUSE THEIR Q1 HAS BEEN GANG BUSTERS. 1773 01:03:19,406 --> 01:03:20,772 TILE AND CARPET BECAUSE THEIR Q1 HAS BEEN GANG BUSTERS. >> THEY HAVE A PHONE NUMBER THAT 1774 01:03:20,774 --> 01:03:22,273 HAS BEEN GANG BUSTERS. >> THEY HAVE A PHONE NUMBER THAT STICK IN EVERYONE'S HEADS. 1775 01:03:22,275 --> 01:03:23,508 >> THEY HAVE A PHONE NUMBER THAT STICK IN EVERYONE'S HEADS. WE DON'T HAVE THAT. 1776 01:03:23,510 --> 01:03:25,243 STICK IN EVERYONE'S HEADS. WE DON'T HAVE THAT. WHAT'S OUR NUMBER? 1777 01:03:25,245 --> 01:03:29,147 WE DON'T HAVE THAT. WHAT'S OUR NUMBER? >> 13525550178. 1778 01:03:29,149 --> 01:03:30,949 WHAT'S OUR NUMBER? >> 13525550178. >> WE NEED TO MAKE THAT NUMBER 1779 01:03:30,951 --> 01:03:33,084 >> 13525550178. >> WE NEED TO MAKE THAT NUMBER INTO A JINGLE THAT'S EVEN 1780 01:03:33,086 --> 01:03:33,451 >> WE NEED TO MAKE THAT NUMBER INTO A JINGLE THAT'S EVEN CATCHIER. 1781 01:03:33,453 --> 01:03:35,753 INTO A JINGLE THAT'S EVEN CATCHIER. >> BUT, BOSS, THERE'S NO WAY TO 1782 01:03:35,755 --> 01:03:39,157 CATCHIER. >> BUT, BOSS, THERE'S NO WAY TO MAKE THAT NUMBER A CATCHY 1783 01:03:39,159 --> 01:03:39,490 >> BUT, BOSS, THERE'S NO WAY TO MAKE THAT NUMBER A CATCHY JINGLE. 1784 01:03:39,492 --> 01:03:41,059 MAKE THAT NUMBER A CATCHY JINGLE. >> IT'S WAY TOO COMPLICATED. 1785 01:03:41,061 --> 01:03:43,428 JINGLE. >> IT'S WAY TOO COMPLICATED. >> LAST NIGHT, MITCHELL AND I 1786 01:03:43,430 --> 01:03:44,629 >> IT'S WAY TOO COMPLICATED. >> LAST NIGHT, MITCHELL AND I WENT TO LUCCIANOS. 1787 01:03:44,631 --> 01:03:46,230 >> LAST NIGHT, MITCHELL AND I WENT TO LUCCIANOS. >> AND I WAS DRINKING, AND WHEN 1788 01:03:46,232 --> 01:03:48,466 WENT TO LUCCIANOS. >> AND I WAS DRINKING, AND WHEN I SAY DRINKING, I DON'T MEAN 1789 01:03:48,468 --> 01:03:51,102 >> AND I WAS DRINKING, AND WHEN I SAY DRINKING, I DON'T MEAN DRINKING, I MEAN I WAS GETTING 1790 01:03:51,104 --> 01:03:53,638 I SAY DRINKING, I DON'T MEAN DRINKING, I MEAN I WAS GETTING RIPPED OFF STRAWBERRY DAQS. 1791 01:03:53,640 --> 01:03:56,841 DRINKING, I MEAN I WAS GETTING RIPPED OFF STRAWBERRY DAQS. >> WHILE MITCHELL WAS CRUSHING 1792 01:03:56,843 --> 01:03:59,043 RIPPED OFF STRAWBERRY DAQS. >> WHILE MITCHELL WAS CRUSHING THEM, A BAND TOOK THE STAGE AND 1793 01:03:59,045 --> 01:04:01,980 >> WHILE MITCHELL WAS CRUSHING THEM, A BAND TOOK THE STAGE AND LAID DOWN THE CATCHIEST HOOKS I 1794 01:04:01,982 --> 01:04:03,314 THEM, A BAND TOOK THE STAGE AND LAID DOWN THE CATCHIEST HOOKS I HAD EVER HEARD. 1795 01:04:03,316 --> 01:04:04,182 LAID DOWN THE CATCHIEST HOOKS I HAD EVER HEARD. FELLAS, GET IN HERE. 1796 01:04:04,184 --> 01:04:10,121 HAD EVER HEARD. FELLAS, GET IN HERE. >> HELLO, CARPET PEOPLE. 1797 01:04:10,123 --> 01:04:13,725 FELLAS, GET IN HERE. >> HELLO, CARPET PEOPLE. >> WE ARE SOUL BOOTH. 1798 01:04:13,727 --> 01:04:14,392 >> HELLO, CARPET PEOPLE. >> WE ARE SOUL BOOTH. >> THIS IS SOUL BOOTH, AND 1799 01:04:14,394 --> 01:04:15,360 >> WE ARE SOUL BOOTH. >> THIS IS SOUL BOOTH, AND THEY'RE HERE TO SAVE US. 1800 01:04:15,362 --> 01:04:18,229 >> THIS IS SOUL BOOTH, AND THEY'RE HERE TO SAVE US. >> I HEARD Y'ALL NEED A SEXY 1801 01:04:18,231 --> 01:04:23,167 THEY'RE HERE TO SAVE US. >> I HEARD Y'ALL NEED A SEXY LITTLE JINGLE TO JUICE UP YOUR 1802 01:04:23,169 --> 01:04:23,434 >> I HEARD Y'ALL NEED A SEXY LITTLE JINGLE TO JUICE UP YOUR Q1. 1803 01:04:23,436 --> 01:04:25,036 LITTLE JINGLE TO JUICE UP YOUR Q1. >> YOU REMEMBER THIS ONE? 1804 01:04:25,038 --> 01:04:26,838 Q1. >> YOU REMEMBER THIS ONE? THEY AIN'T READY. 1805 01:04:26,840 --> 01:04:28,606 >> YOU REMEMBER THIS ONE? THEY AIN'T READY. JINGLE RIGHT HERE. 1806 01:04:28,608 --> 01:04:33,711 THEY AIN'T READY. JINGLE RIGHT HERE. ONE! 1807 01:04:33,713 --> 01:04:33,978 JINGLE RIGHT HERE. ONE! 35. 1808 01:04:33,980 --> 01:04:34,245 ONE! 35. HOO! 1809 01:04:34,247 --> 01:04:36,814 35. HOO! COME ON. 1810 01:04:36,816 --> 01:04:39,217 HOO! COME ON. THE NEXT NUMBER IS -- TWO! 1811 01:04:39,219 --> 01:04:47,125 COME ON. THE NEXT NUMBER IS -- TWO! ♪♪ 1812 01:04:47,127 --> 01:04:47,825 THE NEXT NUMBER IS -- TWO! ♪♪ FIVE, FIVE, FIVE, FIVE, FIVE, 1813 01:04:47,827 --> 01:04:48,526 ♪♪ FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, 1814 01:04:48,528 --> 01:04:49,427 FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, FIVE -- ZERO! 1815 01:04:49,429 --> 01:04:49,694 FIVE, FIVE, FIVE, FIVE, FIVE, FIVE, FIVE -- ZERO! HOO! 1816 01:04:49,696 --> 01:04:51,462 FIVE, FIVE -- ZERO! HOO! ♪♪ 1817 01:04:51,464 --> 01:04:57,035 HOO! ♪♪ ONE! 1818 01:04:57,037 --> 01:04:59,537 ♪♪ ONE! SEVEN! 1819 01:04:59,539 --> 01:05:03,508 ONE! SEVEN! ♪♪ 1820 01:05:03,510 --> 01:05:04,842 SEVEN! ♪♪ AND EIGHT! 1821 01:05:04,844 --> 01:05:08,880 ♪♪ AND EIGHT! WHO YA GONNA CALL, WHO YA GONNA 1822 01:05:08,882 --> 01:05:11,949 AND EIGHT! WHO YA GONNA CALL, WHO YA GONNA CALL, WHO YA GONNA CALL, TELL 1823 01:05:11,951 --> 01:05:12,216 WHO YA GONNA CALL, WHO YA GONNA CALL, WHO YA GONNA CALL, TELL 'EM. 1824 01:05:12,218 --> 01:05:14,786 CALL, WHO YA GONNA CALL, TELL 'EM. ♪♪ 1825 01:05:14,788 --> 01:05:16,521 'EM. ♪♪ ROSEMAN, ROSEMAN FAMILY 1826 01:05:16,523 --> 01:05:16,888 ♪♪ ROSEMAN, ROSEMAN FAMILY FLOORING. 1827 01:05:16,890 --> 01:05:19,157 ROSEMAN, ROSEMAN FAMILY FLOORING. >> GUYS, I'M SORRY BUT THAT'S 1828 01:05:19,159 --> 01:05:20,958 FLOORING. >> GUYS, I'M SORRY BUT THAT'S NOT GOING TO WORK FOR US. 1829 01:05:20,960 --> 01:05:25,329 >> GUYS, I'M SORRY BUT THAT'S NOT GOING TO WORK FOR US. >> WHAT'S WRONG, SUGAR? 1830 01:05:25,331 --> 01:05:27,131 NOT GOING TO WORK FOR US. >> WHAT'S WRONG, SUGAR? >> DOESN'T FEEL LIKE WHAT WE 1831 01:05:27,133 --> 01:05:29,834 >> WHAT'S WRONG, SUGAR? >> DOESN'T FEEL LIKE WHAT WE HEARD AT LUCCIANOS. 1832 01:05:29,836 --> 01:05:32,670 >> DOESN'T FEEL LIKE WHAT WE HEARD AT LUCCIANOS. >> OH, YOU WANT LUCH? 1833 01:05:32,672 --> 01:05:33,004 HEARD AT LUCCIANOS. >> OH, YOU WANT LUCH? >> YES. 1834 01:05:33,006 --> 01:05:35,039 >> OH, YOU WANT LUCH? >> YES. WHEN I HEAR THIS TRACK, I SHOULD 1835 01:05:35,041 --> 01:05:37,575 >> YES. WHEN I HEAR THIS TRACK, I SHOULD FEEL LIKE I'M RIPPED TO THE GODS 1836 01:05:37,577 --> 01:05:38,176 WHEN I HEAR THIS TRACK, I SHOULD FEEL LIKE I'M RIPPED TO THE GODS AT LUCH. 1837 01:05:38,178 --> 01:05:38,676 FEEL LIKE I'M RIPPED TO THE GODS AT LUCH. FEEL ME? 1838 01:05:38,678 --> 01:05:40,211 AT LUCH. FEEL ME? >> AND I THINK THE NUMBERS 1839 01:05:40,213 --> 01:05:40,878 FEEL ME? >> AND I THINK THE NUMBERS SHOULD BE CLOSER TOGETHER. 1840 01:05:40,880 --> 01:05:42,547 >> AND I THINK THE NUMBERS SHOULD BE CLOSER TOGETHER. >> AND I THINK YOU SAID WAY TOO 1841 01:05:42,549 --> 01:05:43,347 SHOULD BE CLOSER TOGETHER. >> AND I THINK YOU SAID WAY TOO MANY FIVES. 1842 01:05:43,349 --> 01:05:45,016 >> AND I THINK YOU SAID WAY TOO MANY FIVES. >> NOTES RECEIVED. 1843 01:05:45,018 --> 01:05:47,685 MANY FIVES. >> NOTES RECEIVED. >> WELL, I THINK WE GOT JUST THE 1844 01:05:47,687 --> 01:05:48,019 >> NOTES RECEIVED. >> WELL, I THINK WE GOT JUST THE GROOVE. 1845 01:05:48,021 --> 01:05:50,721 >> WELL, I THINK WE GOT JUST THE GROOVE. ♪♪ 1846 01:05:50,723 --> 01:05:52,657 GROOVE. ♪♪ >> YOU REMEMBER THIS ONE? 1847 01:05:52,659 --> 01:05:54,092 ♪♪ >> YOU REMEMBER THIS ONE? SEXY LITTLE NUMBER FOR YOU RIGHT 1848 01:05:54,094 --> 01:05:54,392 >> YOU REMEMBER THIS ONE? SEXY LITTLE NUMBER FOR YOU RIGHT HERE. 1849 01:05:54,394 --> 01:05:54,959 SEXY LITTLE NUMBER FOR YOU RIGHT HERE. COME ON. 1850 01:05:54,961 --> 01:05:55,660 HERE. COME ON. MAKE LOVE TO ME. 1851 01:05:55,662 --> 01:05:59,063 COME ON. MAKE LOVE TO ME. HERE WE GO. 1852 01:05:59,065 --> 01:06:07,839 MAKE LOVE TO ME. HERE WE GO. ♪♪ 1853 01:06:07,841 --> 01:06:08,506 HERE WE GO. ♪♪ ONE, TWO, THREE, TWO, FIVE, 1854 01:06:08,508 --> 01:06:09,207 ♪♪ ONE, TWO, THREE, TWO, FIVE, FIVE, FIVE, ZERO, ONE, SEVEN, 1855 01:06:09,209 --> 01:06:12,977 ONE, TWO, THREE, TWO, FIVE, FIVE, FIVE, ZERO, ONE, SEVEN, EIGHT, 78, TELL THEM, 135, FIVE, 1856 01:06:12,979 --> 01:06:14,378 FIVE, FIVE, ZERO, ONE, SEVEN, EIGHT, 78, TELL THEM, 135, FIVE, FIVE, FIVE, FIVE. 1857 01:06:14,380 --> 01:06:21,018 EIGHT, 78, TELL THEM, 135, FIVE, FIVE, FIVE, FIVE. ROSEMAN FLAMILY, 78, 78, 1858 01:06:21,020 --> 01:06:21,686 FIVE, FIVE, FIVE. ROSEMAN FLAMILY, 78, 78, ROSEMAN, FIVE, FIVE, FIVE. 1859 01:06:21,688 --> 01:06:23,287 ROSEMAN FLAMILY, 78, 78, ROSEMAN, FIVE, FIVE, FIVE. >> DO I LOOK LIKE A DUMB ASS TO 1860 01:06:23,289 --> 01:06:23,554 ROSEMAN, FIVE, FIVE, FIVE. >> DO I LOOK LIKE A DUMB ASS TO YOU? 1861 01:06:23,556 --> 01:06:25,423 >> DO I LOOK LIKE A DUMB ASS TO YOU? YOU CALL THAT A LUCHED UP TRACK? 1862 01:06:25,425 --> 01:06:28,025 YOU? YOU CALL THAT A LUCHED UP TRACK? >> THAT TRACK WAS HALF-LUCHED 1863 01:06:28,027 --> 01:06:28,326 YOU CALL THAT A LUCHED UP TRACK? >> THAT TRACK WAS HALF-LUCHED TOPS. 1864 01:06:28,328 --> 01:06:28,793 >> THAT TRACK WAS HALF-LUCHED TOPS. >> TOPS. 1865 01:06:28,795 --> 01:06:31,629 TOPS. >> TOPS. I MEAN, WHAT IS SO HARD ABOUT 1866 01:06:31,631 --> 01:06:31,929 >> TOPS. I MEAN, WHAT IS SO HARD ABOUT THIS? 1867 01:06:31,931 --> 01:06:33,397 I MEAN, WHAT IS SO HARD ABOUT THIS? I SHOULD FEEL FIVE DECKS DEEP AT 1868 01:06:33,399 --> 01:06:34,232 THIS? I SHOULD FEEL FIVE DECKS DEEP AT LUCH RIGHT NOW. 1869 01:06:34,234 --> 01:06:35,633 I SHOULD FEEL FIVE DECKS DEEP AT LUCH RIGHT NOW. >> IS THAT SO HARD? 1870 01:06:35,635 --> 01:06:37,368 LUCH RIGHT NOW. >> IS THAT SO HARD? IS IT REALLY SO HARD TO WRITE A 1871 01:06:37,370 --> 01:06:39,170 >> IS THAT SO HARD? IS IT REALLY SO HARD TO WRITE A JINGLE THAT MAKES ME FEEL LIKE 1872 01:06:39,172 --> 01:06:42,039 IS IT REALLY SO HARD TO WRITE A JINGLE THAT MAKES ME FEEL LIKE I'M GETTING DAQUED DOWN IN THE 1873 01:06:42,041 --> 01:06:43,407 JINGLE THAT MAKES ME FEEL LIKE I'M GETTING DAQUED DOWN IN THE BACK OF LUCH. 1874 01:06:43,409 --> 01:06:45,610 I'M GETTING DAQUED DOWN IN THE BACK OF LUCH. RICKY'S ABOUT TO CUT ME OFF, BUT 1875 01:06:45,612 --> 01:06:47,345 BACK OF LUCH. RICKY'S ABOUT TO CUT ME OFF, BUT THEN THAT PEPPER BOY WITH THE 1876 01:06:47,347 --> 01:06:49,480 RICKY'S ABOUT TO CUT ME OFF, BUT THEN THAT PEPPER BOY WITH THE BOWL CUT LOOKS LIKE THE GOOD 1877 01:06:49,482 --> 01:06:51,415 THEN THAT PEPPER BOY WITH THE BOWL CUT LOOKS LIKE THE GOOD DOCTOR ABOUT TO MAKE ME ACT UP! 1878 01:06:51,417 --> 01:06:52,383 BOWL CUT LOOKS LIKE THE GOOD DOCTOR ABOUT TO MAKE ME ACT UP! >> EXACTLY. 1879 01:06:52,385 --> 01:06:53,684 DOCTOR ABOUT TO MAKE ME ACT UP! >> EXACTLY. IF YOU CAN'T GIVE THAT TO US, 1880 01:06:53,686 --> 01:06:54,252 >> EXACTLY. IF YOU CAN'T GIVE THAT TO US, THEN WE'RE DONE HERE. 1881 01:06:54,254 --> 01:06:57,522 IF YOU CAN'T GIVE THAT TO US, THEN WE'RE DONE HERE. UNDERSTAND? 1882 01:06:57,524 --> 01:06:59,724 THEN WE'RE DONE HERE. UNDERSTAND? >> FLABSOLUTELY. 1883 01:06:59,726 --> 01:07:01,626 UNDERSTAND? >> FLABSOLUTELY. >> ALSO, I WOULD LOVE IT IF THE 1884 01:07:01,628 --> 01:07:02,627 >> FLABSOLUTELY. >> ALSO, I WOULD LOVE IT IF THE NUMBER WAS CLEARER. 1885 01:07:02,629 --> 01:07:03,594 >> ALSO, I WOULD LOVE IT IF THE NUMBER WAS CLEARER. >> ALL RIGHT. 1886 01:07:03,596 --> 01:07:04,328 NUMBER WAS CLEARER. >> ALL RIGHT. I THINK WE MIGHT HAVE JUST THE 1887 01:07:04,330 --> 01:07:05,396 >> ALL RIGHT. I THINK WE MIGHT HAVE JUST THE THING. 1888 01:07:05,398 --> 01:07:08,666 I THINK WE MIGHT HAVE JUST THE THING. ♪♪ 1889 01:07:08,668 --> 01:07:10,268 THING. ♪♪ >> LADIES AND GENTLEMEN, Q1 IS 1890 01:07:10,270 --> 01:07:10,968 ♪♪ >> LADIES AND GENTLEMEN, Q1 IS COMING TO A CLOSE. 1891 01:07:10,970 --> 01:07:12,537 >> LADIES AND GENTLEMEN, Q1 IS COMING TO A CLOSE. IT'S A SPECIAL TIME OF YEAR FOR 1892 01:07:12,539 --> 01:07:14,572 COMING TO A CLOSE. IT'S A SPECIAL TIME OF YEAR FOR US ALL, AND IF WE'RE GOING TO DO 1893 01:07:14,574 --> 01:07:16,207 IT'S A SPECIAL TIME OF YEAR FOR US ALL, AND IF WE'RE GOING TO DO THIS JINGLE JUSTICE, WE'RE GOING 1894 01:07:16,209 --> 01:07:17,942 US ALL, AND IF WE'RE GOING TO DO THIS JINGLE JUSTICE, WE'RE GOING TO NEED A LITTLE HELP. 1895 01:07:17,944 --> 01:07:19,310 THIS JINGLE JUSTICE, WE'RE GOING TO NEED A LITTLE HELP. >> WHO? 1896 01:07:19,312 --> 01:07:19,577 TO NEED A LITTLE HELP. >> WHO? ME? 1897 01:07:19,579 --> 01:07:22,280 >> WHO? ME? BUT, SIRS, I DON'T KNOW THE 1898 01:07:22,282 --> 01:07:22,613 ME? BUT, SIRS, I DON'T KNOW THE WORDS. 1899 01:07:22,615 --> 01:07:24,749 BUT, SIRS, I DON'T KNOW THE WORDS. >> FREE YOUR MIND, MAMACITA, AND 1900 01:07:24,751 --> 01:07:37,828 WORDS. >> FREE YOUR MIND, MAMACITA, AND THE REST WILL FOLLOW. 1901 01:07:37,830 --> 01:07:44,068 >> FREE YOUR MIND, MAMACITA, AND THE REST WILL FOLLOW. 13,525,515,178 ♪ 1902 01:07:44,070 --> 01:07:44,702 THE REST WILL FOLLOW. 13,525,515,178 ♪ 13 BILLION, 50,000, 178. 1903 01:07:44,704 --> 01:07:46,704 13,525,515,178 ♪ 13 BILLION, 50,000, 178. >> OH, MY GOD, MITCHELL. 1904 01:07:46,706 --> 01:07:48,839 13 BILLION, 50,000, 178. >> OH, MY GOD, MITCHELL. DID WE DO IT? 1905 01:07:48,841 --> 01:07:50,208 >> OH, MY GOD, MITCHELL. DID WE DO IT? WAS IT LUCCI? 1906 01:07:50,210 --> 01:07:52,410 DID WE DO IT? WAS IT LUCCI? >> CAROLYN, NOT ONLY WITH US 1907 01:07:52,412 --> 01:07:54,212 WAS IT LUCCI? >> CAROLYN, NOT ONLY WITH US THAT PERFECT, BUT MORE 1908 01:07:54,214 --> 01:07:56,447 >> CAROLYN, NOT ONLY WITH US THAT PERFECT, BUT MORE IMPORTANTLY, I FEEL ABSOLUTELY 1909 01:07:56,449 --> 01:07:59,283 THAT PERFECT, BUT MORE IMPORTANTLY, I FEEL ABSOLUTELY DAQUED DOWN, PEPPED UP, AND 1910 01:07:59,285 --> 01:08:00,084 IMPORTANTLY, I FEEL ABSOLUTELY DAQUED DOWN, PEPPED UP, AND LUCHED OUT! 1911 01:08:00,086 --> 01:08:00,451 DAQUED DOWN, PEPPED UP, AND LUCHED OUT! EVERYBODY! 1912 01:08:00,453 --> 01:08:00,851 LUCHED OUT! EVERYBODY! HERE WE GO 1913 01:08:00,853 --> 01:08:10,428 EVERYBODY! HERE WE GO ♪♪ 1914 01:08:10,430 --> 01:08:15,600 HERE WE GO ♪♪ 13,525,535,178 ♪ 1915 01:08:27,079 --> 01:08:38,923 >>> THANK YOU SO MUCH. THANKS TO JERRY SIGN FIELD, THANKS TO TROYE SIVAN, LORNE 1916 01:08:38,925 --> 01:08:39,290 THANKS TO JERRY SIGN FIELD, THANKS TO TROYE SIVAN, LORNE MICHAELS. 1917 01:08:39,292 --> 01:08:39,924 THANKS TO TROYE SIVAN, LORNE MICHAELS. THANK YOU EVERYONE. 1918 01:08:39,926 --> 01:08:41,025 MICHAELS. THANK YOU EVERYONE. THIS IS HAS BEEN INCREDIBLE. 1919 01:08:41,027 --> 01:08:42,460 THANK YOU EVERYONE. THIS IS HAS BEEN INCREDIBLE. EVERYONE ON THE STAGE, EVERYONE 1920 01:08:42,462 --> 01:08:43,995 THIS IS HAS BEEN INCREDIBLE. EVERYONE ON THE STAGE, EVERYONE BEHIND THE SCENES MAKING IT 1921 01:08:43,997 --> 01:08:44,328 EVERYONE ON THE STAGE, EVERYONE BEHIND THE SCENES MAKING IT HAPPEN. 1922 01:08:44,330 --> 01:08:46,831 BEHIND THE SCENES MAKING IT HAPPEN. THIS HAS BEEN UNBELIEVABLE. 1923 01:08:46,833 --> 01:08:50,101 HAPPEN. THIS HAS BEEN UNBELIEVABLE. HAVE A GOOD NIGHT.