1 00:00:11,932 --> 00:00:20,040 >>> GOOD EVENING, I'M KAITLAIN COLLINS. DESPITE REPEATED OFFERS FROM THE 2 00:00:20,042 --> 00:00:22,642 COLLINS. DESPITE REPEATED OFFERS FROM THE HARRIS CAMPAIGN, DONALD TRUMP 3 00:00:22,644 --> 00:00:24,911 DESPITE REPEATED OFFERS FROM THE HARRIS CAMPAIGN, DONALD TRUMP HAS REFUSED TO APPEAR IN ANOTHER 4 00:00:24,913 --> 00:00:26,813 HARRIS CAMPAIGN, DONALD TRUMP HAS REFUSED TO APPEAR IN ANOTHER CAMPAIGN SAYING, QUOTE, IT'S NOT 5 00:00:26,815 --> 00:00:28,915 HAS REFUSED TO APPEAR IN ANOTHER CAMPAIGN SAYING, QUOTE, IT'S NOT BECAUSE I'M SCARED. 6 00:00:28,917 --> 00:00:32,152 CAMPAIGN SAYING, QUOTE, IT'S NOT BECAUSE I'M SCARED. HOWEVER, THERE WAS ONE FORMAT IN 7 00:00:32,154 --> 00:00:32,786 BECAUSE I'M SCARED. HOWEVER, THERE WAS ONE FORMAT IN WHICH PRESIDENT TRUMP WAS 8 00:00:32,788 --> 00:00:33,853 HOWEVER, THERE WAS ONE FORMAT IN WHICH PRESIDENT TRUMP WAS WILLING TO FACE OFF AGAINST 9 00:00:33,855 --> 00:00:34,187 WHICH PRESIDENT TRUMP WAS WILLING TO FACE OFF AGAINST HARRIS. 10 00:00:34,189 --> 00:00:36,356 WILLING TO FACE OFF AGAINST HARRIS. WE TAKE YOU LIVE TO THAT NOW. 11 00:00:36,358 --> 00:00:38,324 HARRIS. WE TAKE YOU LIVE TO THAT NOW. >> IT'S TIME FOR FAMILY FEUD 12 00:00:38,326 --> 00:00:39,959 WE TAKE YOU LIVE TO THAT NOW. >> IT'S TIME FOR FAMILY FEUD ELECTION SHOWDOWN. 13 00:00:39,961 --> 00:00:45,398 >> IT'S TIME FOR FAMILY FEUD ELECTION SHOWDOWN. HERE'S YOUR HOST, STEVE HARVEY! 14 00:00:45,400 --> 00:00:45,999 ELECTION SHOWDOWN. HERE'S YOUR HOST, STEVE HARVEY! >> OKAY NOW. 15 00:00:46,001 --> 00:00:48,268 HERE'S YOUR HOST, STEVE HARVEY! >> OKAY NOW. ALL RIGHT. 16 00:00:48,270 --> 00:00:50,036 >> OKAY NOW. ALL RIGHT. WELCOME TO FAMILY FEUD, ELECTION 17 00:00:50,038 --> 00:00:50,570 ALL RIGHT. WELCOME TO FAMILY FEUD, ELECTION EDITION. 18 00:00:50,572 --> 00:00:53,206 WELCOME TO FAMILY FEUD, ELECTION EDITION. I AM STEVE HARVEY, AND I HAVE 19 00:00:53,208 --> 00:00:56,709 EDITION. I AM STEVE HARVEY, AND I HAVE SPENT THE PAST 20 YEARS HOSTING 20 00:00:56,711 --> 00:01:00,713 I AM STEVE HARVEY, AND I HAVE SPENT THE PAST 20 YEARS HOSTING EVERY SHOW ON TV AS MY ALIBI FOR 21 00:01:00,715 --> 00:01:02,615 SPENT THE PAST 20 YEARS HOSTING EVERY SHOW ON TV AS MY ALIBI FOR THOSE DIDDY PARTIES. 22 00:01:02,617 --> 00:01:05,985 EVERY SHOW ON TV AS MY ALIBI FOR THOSE DIDDY PARTIES. TONIGHT, ON THIS SIDE, IT'S THE 23 00:01:05,987 --> 00:01:07,587 THOSE DIDDY PARTIES. TONIGHT, ON THIS SIDE, IT'S THE DEMOCRATS LED BY VICE-PRESIDENT 24 00:01:07,589 --> 00:01:09,656 TONIGHT, ON THIS SIDE, IT'S THE DEMOCRATS LED BY VICE-PRESIDENT KAMALA HARRIS. 25 00:01:09,658 --> 00:01:11,925 DEMOCRATS LED BY VICE-PRESIDENT KAMALA HARRIS. >> OH, IT'S WONDERFUL TO BE 26 00:01:11,927 --> 00:01:12,659 KAMALA HARRIS. >> OH, IT'S WONDERFUL TO BE HERE, STEVE. 27 00:01:12,661 --> 00:01:15,061 >> OH, IT'S WONDERFUL TO BE HERE, STEVE. I LOVE TO SEE A MAN GETTING PAID 28 00:01:15,063 --> 00:01:19,032 HERE, STEVE. I LOVE TO SEE A MAN GETTING PAID MILLIONS OF DOLLARS OF HIS BLACK 29 00:01:19,034 --> 00:01:19,332 I LOVE TO SEE A MAN GETTING PAID MILLIONS OF DOLLARS OF HIS BLACK JOB. 30 00:01:19,334 --> 00:01:21,901 MILLIONS OF DOLLARS OF HIS BLACK JOB. >> AND I LIKE TO SAY A BLACK 31 00:01:21,903 --> 00:01:23,236 JOB. >> AND I LIKE TO SAY A BLACK THANK YOU. 32 00:01:23,238 --> 00:01:24,671 >> AND I LIKE TO SAY A BLACK THANK YOU. YOU HAVE BEEN OUT THERE THIS 33 00:01:24,673 --> 00:01:25,271 THANK YOU. YOU HAVE BEEN OUT THERE THIS WEEK. 34 00:01:25,273 --> 00:01:28,041 YOU HAVE BEEN OUT THERE THIS WEEK. I SAW YOU ON STEVEN COLBERT. 35 00:01:28,043 --> 00:01:33,146 WEEK. I SAW YOU ON STEVEN COLBERT. >> IT'S BEEN A HELL OF A WEEK. 36 00:01:33,148 --> 00:01:37,350 I SAW YOU ON STEVEN COLBERT. >> IT'S BEEN A HELL OF A WEEK. WENT ON HOWARD STERN, WENT ON 37 00:01:37,352 --> 00:01:38,785 >> IT'S BEEN A HELL OF A WEEK. WENT ON HOWARD STERN, WENT ON THE VIEW FOR THE HORNY MOMS AND 38 00:01:38,787 --> 00:01:42,288 WENT ON HOWARD STERN, WENT ON THE VIEW FOR THE HORNY MOMS AND I WENT ON THE PODCAST BECAUSE I 39 00:01:42,290 --> 00:01:43,556 THE VIEW FOR THE HORNY MOMS AND I WENT ON THE PODCAST BECAUSE I HAVE A MESSAGE FOR WOMEN. 40 00:01:43,558 --> 00:01:46,226 I WENT ON THE PODCAST BECAUSE I HAVE A MESSAGE FOR WOMEN. YOU NEED TO GO TO THE BALLOT BOX 41 00:01:46,228 --> 00:01:48,027 HAVE A MESSAGE FOR WOMEN. YOU NEED TO GO TO THE BALLOT BOX IF YOU WANT TO GOVERNMENT OUT 42 00:01:48,029 --> 00:01:49,295 YOU NEED TO GO TO THE BALLOT BOX IF YOU WANT TO GOVERNMENT OUT YOUR BALLOT BOX. 43 00:01:49,297 --> 00:01:50,096 IF YOU WANT TO GOVERNMENT OUT YOUR BALLOT BOX. >> OKAY. 44 00:01:50,098 --> 00:01:51,998 YOUR BALLOT BOX. >> OKAY. I SEE WHAT YOU DID THERE. 45 00:01:52,000 --> 00:01:54,434 >> OKAY. I SEE WHAT YOU DID THERE. I SEE WHAT YOU DID. 46 00:01:54,436 --> 00:01:55,201 I SEE WHAT YOU DID THERE. I SEE WHAT YOU DID. >> AND IT'S WORKING. 47 00:01:55,203 --> 00:01:57,770 I SEE WHAT YOU DID. >> AND IT'S WORKING. MY CAMPAIGN HAS RAISED A BILLION 48 00:01:57,772 --> 00:01:58,138 >> AND IT'S WORKING. MY CAMPAIGN HAS RAISED A BILLION DOLLARS. 49 00:01:58,140 --> 00:01:59,572 MY CAMPAIGN HAS RAISED A BILLION DOLLARS. >> OH, MY LORD. 50 00:01:59,574 --> 00:02:00,340 DOLLARS. >> OH, MY LORD. HOW ARE YOU NOT WINNING BY A 51 00:02:00,342 --> 00:02:02,008 >> OH, MY LORD. HOW ARE YOU NOT WINNING BY A LAND SLIDE? 52 00:02:02,010 --> 00:02:02,275 HOW ARE YOU NOT WINNING BY A LAND SLIDE? >>. 53 00:02:02,277 --> 00:02:02,675 LAND SLIDE? >>. [ LAUGHTER ] 54 00:02:02,677 --> 00:02:05,712 >>. [ LAUGHTER ] . 55 00:02:05,714 --> 00:02:07,780 [ LAUGHTER ] . THAT'S A QUESTION I SCREAM INTO 56 00:02:07,782 --> 00:02:09,115 . THAT'S A QUESTION I SCREAM INTO MY PILLOW EVERY MORNING. 57 00:02:09,117 --> 00:02:09,983 THAT'S A QUESTION I SCREAM INTO MY PILLOW EVERY MORNING. >> OKAY. 58 00:02:09,985 --> 00:02:14,721 MY PILLOW EVERY MORNING. >> OKAY. NEXT ON TEAM HARRIS IS THE 59 00:02:14,723 --> 00:02:15,622 >> OKAY. NEXT ON TEAM HARRIS IS THE SECOND GENTLEMEN HIMSELF, 60 00:02:15,624 --> 00:02:15,989 NEXT ON TEAM HARRIS IS THE SECOND GENTLEMEN HIMSELF, MR. DOUG. 61 00:02:15,991 --> 00:02:16,990 SECOND GENTLEMEN HIMSELF, MR. DOUG. >> YES. 62 00:02:16,992 --> 00:02:17,290 MR. DOUG. >> YES. HELLO. 63 00:02:17,292 --> 00:02:17,557 >> YES. HELLO. HI. 64 00:02:17,559 --> 00:02:20,994 HELLO. HI. TIS I, DOUG. 65 00:02:20,996 --> 00:02:24,063 HI. TIS I, DOUG. AKA, DOUG THE SHRUG. 66 00:02:24,065 --> 00:02:28,501 TIS I, DOUG. AKA, DOUG THE SHRUG. AKA, IF MR. BELDING FROM SAVED 67 00:02:28,503 --> 00:02:35,808 AKA, DOUG THE SHRUG. AKA, IF MR. BELDING FROM SAVED BY THE BELL HAD SEX WITH A 68 00:02:35,810 --> 00:02:36,142 AKA, IF MR. BELDING FROM SAVED BY THE BELL HAD SEX WITH A MINORA. 69 00:02:36,144 --> 00:02:39,112 BY THE BELL HAD SEX WITH A MINORA. >> NEXT IS GOVERNOR OF 70 00:02:39,114 --> 00:02:40,079 MINORA. >> NEXT IS GOVERNOR OF MINNESOTA, TIM WALZ. 71 00:02:40,081 --> 00:02:41,748 >> NEXT IS GOVERNOR OF MINNESOTA, TIM WALZ. >> GREAT TO BE ON THE FEUD. 72 00:02:41,750 --> 00:02:44,684 MINNESOTA, TIM WALZ. >> GREAT TO BE ON THE FEUD. I'M SUCH A BIG FAN OF YOUR 73 00:02:44,686 --> 00:02:46,286 >> GREAT TO BE ON THE FEUD. I'M SUCH A BIG FAN OF YOUR STANDUP, CEDRIC. 74 00:02:46,288 --> 00:02:48,788 I'M SUCH A BIG FAN OF YOUR STANDUP, CEDRIC. >> TIM, WHEN BLACK COMEDIANS 75 00:02:48,790 --> 00:02:49,923 STANDUP, CEDRIC. >> TIM, WHEN BLACK COMEDIANS TALK ABOUT WHITE PEOPLE, THEY 76 00:02:49,925 --> 00:02:50,890 >> TIM, WHEN BLACK COMEDIANS TALK ABOUT WHITE PEOPLE, THEY TALK ABOUT YOU. 77 00:02:50,892 --> 00:02:52,492 TALK ABOUT WHITE PEOPLE, THEY TALK ABOUT YOU. >> I DO BE LIKE THAT. 78 00:02:52,494 --> 00:02:53,993 TALK ABOUT YOU. >> I DO BE LIKE THAT. >> YEAH, YOU DO. 79 00:02:53,995 --> 00:02:55,828 >> I DO BE LIKE THAT. >> YEAH, YOU DO. FINALLY ON THE DEMOCRAT SIDE IS 80 00:02:55,830 --> 00:02:58,565 >> YEAH, YOU DO. FINALLY ON THE DEMOCRAT SIDE IS PRESIDENT JOE BIDEN. 81 00:02:58,567 --> 00:03:05,972 FINALLY ON THE DEMOCRAT SIDE IS PRESIDENT JOE BIDEN. >> FOLKS, FOLKS, THANK YOU, 82 00:03:05,974 --> 00:03:06,372 PRESIDENT JOE BIDEN. >> FOLKS, FOLKS, THANK YOU, REGIS. 83 00:03:06,374 --> 00:03:08,441 >> FOLKS, FOLKS, THANK YOU, REGIS. GREAT TO BE HERE ON THE FEUD. 84 00:03:08,443 --> 00:03:08,741 REGIS. GREAT TO BE HERE ON THE FEUD. DUDE. 85 00:03:08,743 --> 00:03:10,276 GREAT TO BE HERE ON THE FEUD. DUDE. ANYWAY, AND GUESS WHAT AND BY 86 00:03:10,278 --> 00:03:11,110 DUDE. ANYWAY, AND GUESS WHAT AND BY THE WAY. 87 00:03:11,112 --> 00:03:12,478 ANYWAY, AND GUESS WHAT AND BY THE WAY. THE SHOW'S GREAT. 88 00:03:12,480 --> 00:03:13,413 THE WAY. THE SHOW'S GREAT. I'M BEING SERIOUS RIGHT NOW. 89 00:03:13,415 --> 00:03:15,949 THE SHOW'S GREAT. I'M BEING SERIOUS RIGHT NOW. >> WELL, THANK YOU VERY MUCH. 90 00:03:15,951 --> 00:03:18,351 I'M BEING SERIOUS RIGHT NOW. >> WELL, THANK YOU VERY MUCH. I GOT TO SAY, YOU LOOKING PRETTY 91 00:03:18,353 --> 00:03:18,651 >> WELL, THANK YOU VERY MUCH. I GOT TO SAY, YOU LOOKING PRETTY GOOD. 92 00:03:18,653 --> 00:03:19,018 I GOT TO SAY, YOU LOOKING PRETTY GOOD. >> YEAH. 93 00:03:19,020 --> 00:03:20,386 GOOD. >> YEAH. BECAUSE I'M GETTING MY REST. 94 00:03:20,388 --> 00:03:22,388 >> YEAH. BECAUSE I'M GETTING MY REST. NUMBER ONE, I SLEEP WHEN I CAN. 95 00:03:22,390 --> 00:03:23,089 BECAUSE I'M GETTING MY REST. NUMBER ONE, I SLEEP WHEN I CAN. NUMBER TWO, I'M ASLEEP RIGHT 96 00:03:23,091 --> 00:03:25,592 NUMBER ONE, I SLEEP WHEN I CAN. NUMBER TWO, I'M ASLEEP RIGHT NOW. 97 00:03:25,594 --> 00:03:26,993 NUMBER TWO, I'M ASLEEP RIGHT NOW. >> ALL RIGHT THEN. 98 00:03:26,995 --> 00:03:28,228 NOW. >> ALL RIGHT THEN. LET'S MEET THE REPUBLICANS. 99 00:03:28,230 --> 00:03:29,796 >> ALL RIGHT THEN. LET'S MEET THE REPUBLICANS. ON THE TOP OF THE TICKET, WE GOT 100 00:03:29,798 --> 00:03:32,966 LET'S MEET THE REPUBLICANS. ON THE TOP OF THE TICKET, WE GOT A MAN WHO EVICTED ME FROM MY 101 00:03:32,968 --> 00:03:36,169 ON THE TOP OF THE TICKET, WE GOT A MAN WHO EVICTED ME FROM MY APARTMENT IN 1982, PRESIDENT 102 00:03:36,171 --> 00:03:36,636 A MAN WHO EVICTED ME FROM MY APARTMENT IN 1982, PRESIDENT DONALD TRUMP. 103 00:03:36,638 --> 00:03:39,839 APARTMENT IN 1982, PRESIDENT DONALD TRUMP. >> YES, THANK YOU, STEVE. 104 00:03:39,841 --> 00:03:43,443 DONALD TRUMP. >> YES, THANK YOU, STEVE. IT'S GREAT TO BE HERE ON FEUD 105 00:03:43,445 --> 00:03:44,043 >> YES, THANK YOU, STEVE. IT'S GREAT TO BE HERE ON FEUD GOING AGAINST SCABALA. 106 00:03:44,045 --> 00:03:47,280 IT'S GREAT TO BE HERE ON FEUD GOING AGAINST SCABALA. >> DONALD, I GOT TO SAY I 107 00:03:47,282 --> 00:03:51,050 GOING AGAINST SCABALA. >> DONALD, I GOT TO SAY I RESPECT YOU BECAUSE WE BOTH WEAR 108 00:03:51,052 --> 00:03:54,220 >> DONALD, I GOT TO SAY I RESPECT YOU BECAUSE WE BOTH WEAR LONG TIES, YEAH, NECK TO NUTS. 109 00:03:54,222 --> 00:03:55,788 RESPECT YOU BECAUSE WE BOTH WEAR LONG TIES, YEAH, NECK TO NUTS. LET'S MOVE ON TO PRESIDENT 110 00:03:55,790 --> 00:03:59,559 LONG TIES, YEAH, NECK TO NUTS. LET'S MOVE ON TO PRESIDENT TRUMP'S LOVELY WIFE MELANIA. 111 00:03:59,561 --> 00:04:01,194 LET'S MOVE ON TO PRESIDENT TRUMP'S LOVELY WIFE MELANIA. OH, SHE AIN'T HERE. 112 00:04:01,196 --> 00:04:04,497 TRUMP'S LOVELY WIFE MELANIA. OH, SHE AIN'T HERE. >> I COULD HAVE SWORN SHE WAS 113 00:04:04,499 --> 00:04:06,933 OH, SHE AIN'T HERE. >> I COULD HAVE SWORN SHE WAS STANDING RIGHT BESIDE ME ABOUT 114 00:04:06,935 --> 00:04:07,634 >> I COULD HAVE SWORN SHE WAS STANDING RIGHT BESIDE ME ABOUT TWO YEARS AGO. 115 00:04:07,636 --> 00:04:09,802 STANDING RIGHT BESIDE ME ABOUT TWO YEARS AGO. IN HER PLACE, I BROUGHT A 116 00:04:09,804 --> 00:04:11,571 TWO YEARS AGO. IN HER PLACE, I BROUGHT A BELOVED MEMBER OF THE FAMILY AND 117 00:04:11,573 --> 00:04:12,472 IN HER PLACE, I BROUGHT A BELOVED MEMBER OF THE FAMILY AND ALSO DON JR. 118 00:04:12,474 --> 00:04:14,173 BELOVED MEMBER OF THE FAMILY AND ALSO DON JR. >> HILARIOUS, DAD. 119 00:04:14,175 --> 00:04:16,943 ALSO DON JR. >> HILARIOUS, DAD. HEY, HOW ABOUT ME AND J.D. HERE, 120 00:04:16,945 --> 00:04:17,210 >> HILARIOUS, DAD. HEY, HOW ABOUT ME AND J.D. HERE, HUH? 121 00:04:17,212 --> 00:04:19,145 HEY, HOW ABOUT ME AND J.D. HERE, HUH? WE COULD BE TWINS. 122 00:04:19,147 --> 00:04:23,683 HUH? WE COULD BE TWINS. IT'S ALMOST LIKE MY DAD PICKED 123 00:04:23,685 --> 00:04:24,550 WE COULD BE TWINS. IT'S ALMOST LIKE MY DAD PICKED ME TO BE HIS VICE-PRESIDENT. 124 00:04:24,552 --> 00:04:24,984 IT'S ALMOST LIKE MY DAD PICKED ME TO BE HIS VICE-PRESIDENT. BUT HE DIDN'T. 125 00:04:24,986 --> 00:04:27,387 ME TO BE HIS VICE-PRESIDENT. BUT HE DIDN'T. HE DIDN'T. 126 00:04:27,389 --> 00:04:29,989 BUT HE DIDN'T. HE DIDN'T. >> AND STEVE, CAN I JUST SAY, 127 00:04:29,991 --> 00:04:32,925 HE DIDN'T. >> AND STEVE, CAN I JUST SAY, IT'S SO REFRESHING TO BE ON A 128 00:04:32,927 --> 00:04:35,895 >> AND STEVE, CAN I JUST SAY, IT'S SO REFRESHING TO BE ON A SHOW THAT CELEBRATES FAMILIES, 129 00:04:35,897 --> 00:04:38,698 IT'S SO REFRESHING TO BE ON A SHOW THAT CELEBRATES FAMILIES, UNLIKE THE DEMOCRATS WHO TURNED 130 00:04:38,700 --> 00:04:41,567 SHOW THAT CELEBRATES FAMILIES, UNLIKE THE DEMOCRATS WHO TURNED OUR HERO THE JOKER INTO A GAY 131 00:04:41,569 --> 00:04:43,703 UNLIKE THE DEMOCRATS WHO TURNED OUR HERO THE JOKER INTO A GAY GUY THAT'S OBSESSED WITH LADY 132 00:04:43,705 --> 00:04:44,003 OUR HERO THE JOKER INTO A GAY GUY THAT'S OBSESSED WITH LADY GAGA. 133 00:04:44,005 --> 00:04:45,938 GUY THAT'S OBSESSED WITH LADY GAGA. >> OKAY. 134 00:04:45,940 --> 00:04:46,806 GAGA. >> OKAY. GIVE ME KAMALA AND TRUMP. 135 00:04:46,808 --> 00:04:49,575 >> OKAY. GIVE ME KAMALA AND TRUMP. >> I'M TELLING YOU, STEVE, SHE'S 136 00:04:49,577 --> 00:04:51,144 GIVE ME KAMALA AND TRUMP. >> I'M TELLING YOU, STEVE, SHE'S GOING TO BE HORRIBLE AT THIS 137 00:04:51,146 --> 00:04:51,444 >> I'M TELLING YOU, STEVE, SHE'S GOING TO BE HORRIBLE AT THIS GAME. 138 00:04:51,446 --> 00:04:55,415 GOING TO BE HORRIBLE AT THIS GAME. SHE'S A VERY LOW IQ PERSON. 139 00:04:55,417 --> 00:04:56,182 GAME. SHE'S A VERY LOW IQ PERSON. THE WHOLE WORLD IS LAUGHING AT 140 00:04:56,184 --> 00:05:00,453 SHE'S A VERY LOW IQ PERSON. THE WHOLE WORLD IS LAUGHING AT HER BECAUSE THEY DON'T RESPECT 141 00:05:00,455 --> 00:05:01,821 THE WHOLE WORLD IS LAUGHING AT HER BECAUSE THEY DON'T RESPECT 142 00:05:01,823 --> 00:05:02,455 HER BECAUSE THEY DON'T RESPECT 143 00:05:02,457 --> 00:05:05,792 LIKE THEY RESPECTED ME. >> DONALD TRUMP LIKES DICTATORS 144 00:05:05,794 --> 00:05:08,328 LIKE THEY RESPECTED ME. >> DONALD TRUMP LIKES DICTATORS BECAUSE ANYONE CAN MANIPULATE 145 00:05:08,330 --> 00:05:09,896 >> DONALD TRUMP LIKES DICTATORS BECAUSE ANYONE CAN MANIPULATE HIM THROUGH FLATTERY. 146 00:05:09,898 --> 00:05:10,630 BECAUSE ANYONE CAN MANIPULATE HIM THROUGH FLATTERY. >> THAT'S NOT TRUE. 147 00:05:10,632 --> 00:05:11,631 HIM THROUGH FLATTERY. >> THAT'S NOT TRUE. >> OKAY. 148 00:05:11,633 --> 00:05:13,166 >> THAT'S NOT TRUE. >> OKAY. YOU LOOK HANDSOME TONIGHT. 149 00:05:13,168 --> 00:05:14,600 >> OKAY. YOU LOOK HANDSOME TONIGHT. >> SHE'S GOT MY VOTE. 150 00:05:14,602 --> 00:05:17,303 YOU LOOK HANDSOME TONIGHT. >> SHE'S GOT MY VOTE. >> TOP SIX ANSWERS ON THE BOARD. 151 00:05:17,305 --> 00:05:21,774 >> SHE'S GOT MY VOTE. >> TOP SIX ANSWERS ON THE BOARD. NAME SOMETHING YOU KEEP IN YOUR 152 00:05:21,776 --> 00:05:25,278 >> TOP SIX ANSWERS ON THE BOARD. NAME SOMETHING YOU KEEP IN YOUR GLOVE COMPARTMENT. 153 00:05:25,280 --> 00:05:27,780 NAME SOMETHING YOU KEEP IN YOUR GLOVE COMPARTMENT. >> I WAS RAISED IN A MIDDLE 154 00:05:27,782 --> 00:05:28,848 GLOVE COMPARTMENT. >> I WAS RAISED IN A MIDDLE CLASS FAMILY. 155 00:05:28,850 --> 00:05:31,584 >> I WAS RAISED IN A MIDDLE CLASS FAMILY. MY MOTHER RAISED MY SISTER AND 156 00:05:31,586 --> 00:05:31,851 CLASS FAMILY. MY MOTHER RAISED MY SISTER AND ME. 157 00:05:31,853 --> 00:05:34,654 MY MOTHER RAISED MY SISTER AND ME. SHE WORKED HARD AND SAVED UP, 158 00:05:34,656 --> 00:05:36,823 ME. SHE WORKED HARD AND SAVED UP, AND WE HAD A SECOND MOTHER TOO. 159 00:05:36,825 --> 00:05:37,457 SHE WORKED HARD AND SAVED UP, AND WE HAD A SECOND MOTHER TOO. >> OKAY. 160 00:05:37,459 --> 00:05:39,959 AND WE HAD A SECOND MOTHER TOO. >> OKAY. DID THAT MOTHER HAVE A GLOVE 161 00:05:39,961 --> 00:05:40,393 >> OKAY. DID THAT MOTHER HAVE A GLOVE COMPARTMENT. 162 00:05:40,395 --> 00:05:42,428 DID THAT MOTHER HAVE A GLOVE COMPARTMENT. >> A SMALL BUSINESS OWNER NAMED 163 00:05:42,430 --> 00:05:42,862 COMPARTMENT. >> A SMALL BUSINESS OWNER NAMED MS. SHELTON. 164 00:05:42,864 --> 00:05:43,229 >> A SMALL BUSINESS OWNER NAMED MS. SHELTON. >> OKAY. 165 00:05:43,231 --> 00:05:44,630 MS. SHELTON. >> OKAY. WE GOT THAT. 166 00:05:44,632 --> 00:05:47,700 >> OKAY. WE GOT THAT. SOMETHING THAT YOU KEEP IN YOUR 167 00:05:47,702 --> 00:05:48,468 WE GOT THAT. SOMETHING THAT YOU KEEP IN YOUR GLOVE COMPARTMENT. 168 00:05:48,470 --> 00:05:51,170 SOMETHING THAT YOU KEEP IN YOUR GLOVE COMPARTMENT. >> OH, A GLOCK, STEVE. 169 00:05:51,172 --> 00:05:52,171 GLOVE COMPARTMENT. >> OH, A GLOCK, STEVE. A BIG OLE GLOCK. 170 00:05:52,173 --> 00:05:52,705 >> OH, A GLOCK, STEVE. A BIG OLE GLOCK. >> OKAY. 171 00:05:52,707 --> 00:05:54,674 A BIG OLE GLOCK. >> OKAY. SO YOU STRAPPED LIKE THAT. 172 00:05:54,676 --> 00:05:55,341 >> OKAY. SO YOU STRAPPED LIKE THAT. ALL RIGHT. 173 00:05:55,343 --> 00:05:59,045 SO YOU STRAPPED LIKE THAT. ALL RIGHT. SHOW ME THE BLIP BLACK BLICKY. 174 00:05:59,047 --> 00:05:59,545 ALL RIGHT. SHOW ME THE BLIP BLACK BLICKY. ALL RIGHT. 175 00:05:59,547 --> 00:06:01,047 SHOW ME THE BLIP BLACK BLICKY. ALL RIGHT. NUMBER TWO ANSWER, THE DEMOCRATS 176 00:06:01,049 --> 00:06:02,715 ALL RIGHT. NUMBER TWO ANSWER, THE DEMOCRATS IS CONTROLLING THE BOARD. 177 00:06:02,717 --> 00:06:03,683 NUMBER TWO ANSWER, THE DEMOCRATS IS CONTROLLING THE BOARD. LET'S GO. 178 00:06:03,685 --> 00:06:06,686 IS CONTROLLING THE BOARD. LET'S GO. >> ALL RIGHT. 179 00:06:06,688 --> 00:06:08,621 LET'S GO. >> ALL RIGHT. DOUG, NAME SOMETHING THAT YOU 180 00:06:08,623 --> 00:06:10,490 >> ALL RIGHT. DOUG, NAME SOMETHING THAT YOU KEEP IN YOUR GLOVE COMPARTMENT. 181 00:06:10,492 --> 00:06:10,990 DOUG, NAME SOMETHING THAT YOU KEEP IN YOUR GLOVE COMPARTMENT. >> WOW. 182 00:06:10,992 --> 00:06:12,392 KEEP IN YOUR GLOVE COMPARTMENT. >> WOW. I CAN'T TOP THAT. 183 00:06:12,394 --> 00:06:13,760 >> WOW. I CAN'T TOP THAT. IT WAS SO PERFECT. 184 00:06:13,762 --> 00:06:14,794 I CAN'T TOP THAT. IT WAS SO PERFECT. I'LL GO WITH THE SAME ANSWER, 185 00:06:14,796 --> 00:06:17,497 IT WAS SO PERFECT. I'LL GO WITH THE SAME ANSWER, STEVE, A GLOCK. 186 00:06:17,499 --> 00:06:18,197 I'LL GO WITH THE SAME ANSWER, STEVE, A GLOCK. >> OKAY. 187 00:06:18,199 --> 00:06:20,199 STEVE, A GLOCK. >> OKAY. YOU WANT TO GIVE THE SAME 188 00:06:20,201 --> 00:06:20,566 >> OKAY. YOU WANT TO GIVE THE SAME ANSWER? 189 00:06:20,568 --> 00:06:24,370 YOU WANT TO GIVE THE SAME ANSWER? SEEM LIKE A BAD STRATEGY, BUT 190 00:06:24,372 --> 00:06:25,605 ANSWER? SEEM LIKE A BAD STRATEGY, BUT SHOW ME ANOTHER BLIP BLACK 191 00:06:25,607 --> 00:06:25,938 SEEM LIKE A BAD STRATEGY, BUT SHOW ME ANOTHER BLIP BLACK BLICKY. 192 00:06:25,940 --> 00:06:29,275 SHOW ME ANOTHER BLIP BLACK BLICKY. OH. 193 00:06:29,277 --> 00:06:30,543 BLICKY. OH. THAT'S CRAZY. 194 00:06:30,545 --> 00:06:31,210 OH. THAT'S CRAZY. A SECOND GUN. 195 00:06:31,212 --> 00:06:33,713 THAT'S CRAZY. A SECOND GUN. THAT'S THE NUMBER ONE ANSWER. 196 00:06:33,715 --> 00:06:34,747 A SECOND GUN. THAT'S THE NUMBER ONE ANSWER. DAMN, AMERICA. 197 00:06:34,749 --> 00:06:35,181 THAT'S THE NUMBER ONE ANSWER. DAMN, AMERICA. ALL RIGHT. 198 00:06:35,183 --> 00:06:37,083 DAMN, AMERICA. ALL RIGHT. LET'S GO OVER TO TIM WALZ. 199 00:06:37,085 --> 00:06:39,285 ALL RIGHT. LET'S GO OVER TO TIM WALZ. SOMETHING THAT YOU KEEP IN YOUR 200 00:06:39,287 --> 00:06:40,420 LET'S GO OVER TO TIM WALZ. SOMETHING THAT YOU KEEP IN YOUR GLOVE COMPARTMENT. 201 00:06:40,422 --> 00:06:42,622 SOMETHING THAT YOU KEEP IN YOUR GLOVE COMPARTMENT. >> THIS IS RIGHT IN MY WHEEL 202 00:06:42,624 --> 00:06:42,989 GLOVE COMPARTMENT. >> THIS IS RIGHT IN MY WHEEL HOUSE. 203 00:06:42,991 --> 00:06:46,392 >> THIS IS RIGHT IN MY WHEEL HOUSE. I GOT HOT HANDS, NAPKINS, AND 204 00:06:46,394 --> 00:06:49,695 HOUSE. I GOT HOT HANDS, NAPKINS, AND GOT TO HAVE TUMS IN CASE I EAT 205 00:06:49,697 --> 00:06:56,936 I GOT HOT HANDS, NAPKINS, AND GOT TO HAVE TUMS IN CASE I EAT SOMETHING SPICY LIKE TOMATO. 206 00:06:56,938 --> 00:06:58,070 GOT TO HAVE TUMS IN CASE I EAT SOMETHING SPICY LIKE TOMATO. >> IF YOU SAY SO. 207 00:06:58,072 --> 00:07:01,374 SOMETHING SPICY LIKE TOMATO. >> IF YOU SAY SO. SORRY IT'S NOT UP THERE. 208 00:07:01,376 --> 00:07:02,475 >> IF YOU SAY SO. SORRY IT'S NOT UP THERE. LET'S GO TO PRESIDENT JOE BIDEN. 209 00:07:02,477 --> 00:07:04,610 SORRY IT'S NOT UP THERE. LET'S GO TO PRESIDENT JOE BIDEN. SOMETHING YOU KEEP IN YOUR GLOVE 210 00:07:04,612 --> 00:07:04,911 LET'S GO TO PRESIDENT JOE BIDEN. SOMETHING YOU KEEP IN YOUR GLOVE BOX. 211 00:07:04,913 --> 00:07:06,813 SOMETHING YOU KEEP IN YOUR GLOVE BOX. >> I WOULD LIKE TO BUY A VOWEL. 212 00:07:06,815 --> 00:07:08,848 BOX. >> I WOULD LIKE TO BUY A VOWEL. >> THAT'S THE WRONG GAME, 213 00:07:08,850 --> 00:07:09,182 >> I WOULD LIKE TO BUY A VOWEL. >> THAT'S THE WRONG GAME, PLAYER. 214 00:07:09,184 --> 00:07:11,250 >> THAT'S THE WRONG GAME, PLAYER. >> COME ON, CONAN. 215 00:07:11,252 --> 00:07:12,752 PLAYER. >> COME ON, CONAN. WHAT ARE YOU DOING? 216 00:07:12,754 --> 00:07:13,519 >> COME ON, CONAN. WHAT ARE YOU DOING? IT'S ME. 217 00:07:13,521 --> 00:07:15,588 WHAT ARE YOU DOING? IT'S ME. I'M STILL THE PRESIDENT. 218 00:07:15,590 --> 00:07:16,456 IT'S ME. I'M STILL THE PRESIDENT. I'M JOE. 219 00:07:16,458 --> 00:07:19,292 I'M STILL THE PRESIDENT. I'M JOE. I MAY BE OLDER BUT I'LL BEAT THE 220 00:07:19,294 --> 00:07:21,127 I'M JOE. I MAY BE OLDER BUT I'LL BEAT THE HELL OUT OF YOU. 221 00:07:21,129 --> 00:07:22,995 I MAY BE OLDER BUT I'LL BEAT THE HELL OUT OF YOU. I'LL GIVE YOU A KNUCKLE 222 00:07:22,997 --> 00:07:23,362 HELL OUT OF YOU. I'LL GIVE YOU A KNUCKLE SANDWICH. 223 00:07:23,364 --> 00:07:26,699 I'LL GIVE YOU A KNUCKLE SANDWICH. I KNOW HOW TO MAKE KNUCKLE 224 00:07:26,701 --> 00:07:27,099 SANDWICH. I KNOW HOW TO MAKE KNUCKLE SANDWICHES. 225 00:07:27,101 --> 00:07:28,668 I KNOW HOW TO MAKE KNUCKLE SANDWICHES. I'M NOT THE OLD ONE NOW. 226 00:07:28,670 --> 00:07:29,469 SANDWICHES. I'M NOT THE OLD ONE NOW. TRUMP IS. 227 00:07:29,471 --> 00:07:31,137 I'M NOT THE OLD ONE NOW. TRUMP IS. ONLY DIFFERENCE IS I KNOW WHEN 228 00:07:31,139 --> 00:07:33,506 TRUMP IS. ONLY DIFFERENCE IS I KNOW WHEN THE WALK AWAY. 229 00:07:33,508 --> 00:07:35,374 ONLY DIFFERENCE IS I KNOW WHEN THE WALK AWAY. ONLY ABOUT SIX MONTHS TOO LATE. 230 00:07:35,376 --> 00:07:36,642 THE WALK AWAY. ONLY ABOUT SIX MONTHS TOO LATE. >> OKAY. 231 00:07:36,644 --> 00:07:38,010 ONLY ABOUT SIX MONTHS TOO LATE. >> OKAY. SHOW ME WHATEVER THAT WAS. 232 00:07:38,012 --> 00:07:40,146 >> OKAY. SHOW ME WHATEVER THAT WAS. THAT WAS AN ANSWER SO BAD, THEY 233 00:07:40,148 --> 00:07:42,181 SHOW ME WHATEVER THAT WAS. THAT WAS AN ANSWER SO BAD, THEY GAVE YOU A DOUBLE X. 234 00:07:42,183 --> 00:07:43,983 THAT WAS AN ANSWER SO BAD, THEY GAVE YOU A DOUBLE X. REPUBLICANS, YOU GOT A CHANCE TO 235 00:07:43,985 --> 00:07:44,283 GAVE YOU A DOUBLE X. REPUBLICANS, YOU GOT A CHANCE TO STEAL. 236 00:07:44,285 --> 00:07:46,552 REPUBLICANS, YOU GOT A CHANCE TO STEAL. SOMETHING YOU KEEP IN YOUR GLOVE 237 00:07:46,554 --> 00:07:46,853 STEAL. SOMETHING YOU KEEP IN YOUR GLOVE BOX. 238 00:07:46,855 --> 00:07:48,354 SOMETHING YOU KEEP IN YOUR GLOVE BOX. >> I'VE BEEN TOLD NOT TO SPEAK. 239 00:07:48,356 --> 00:07:48,988 BOX. >> I'VE BEEN TOLD NOT TO SPEAK. >> SAME HERE. 240 00:07:48,990 --> 00:07:49,522 >> I'VE BEEN TOLD NOT TO SPEAK. >> SAME HERE. >> ALL RIGHT. 241 00:07:49,524 --> 00:07:51,123 >> SAME HERE. >> ALL RIGHT. PRESIDENT TRUMP, WHAT YOU GOT? 242 00:07:51,125 --> 00:07:53,693 >> ALL RIGHT. PRESIDENT TRUMP, WHAT YOU GOT? >> WELL, STEVE, I'VE NEVER 243 00:07:53,695 --> 00:07:58,498 PRESIDENT TRUMP, WHAT YOU GOT? >> WELL, STEVE, I'VE NEVER RIDDEN IN FRONT SEAT OF CARS, SO 244 00:07:58,500 --> 00:08:00,399 >> WELL, STEVE, I'VE NEVER RIDDEN IN FRONT SEAT OF CARS, SO THIS QUESTION IS VERY UNFAIR. 245 00:08:00,401 --> 00:08:02,034 RIDDEN IN FRONT SEAT OF CARS, SO THIS QUESTION IS VERY UNFAIR. I'M GOING TO DO WHAT I LIKE TO 246 00:08:02,036 --> 00:08:03,936 THIS QUESTION IS VERY UNFAIR. I'M GOING TO DO WHAT I LIKE TO CALL THE WEAVE. 247 00:08:03,938 --> 00:08:08,774 I'M GOING TO DO WHAT I LIKE TO CALL THE WEAVE. I SAY LOTS OF THINGS, BUT IT ALL 248 00:08:08,776 --> 00:08:14,046 CALL THE WEAVE. I SAY LOTS OF THINGS, BUT IT ALL COMES TOGETHER BEAUTIFULLY LIKE 249 00:08:14,048 --> 00:08:14,881 I SAY LOTS OF THINGS, BUT IT ALL COMES TOGETHER BEAUTIFULLY LIKE SEINFELD. 250 00:08:14,883 --> 00:08:18,651 COMES TOGETHER BEAUTIFULLY LIKE SEINFELD. THEY'RE EATING MUDANG AND THE 251 00:08:18,653 --> 00:08:18,951 SEINFELD. THEY'RE EATING MUDANG AND THE PETS. 252 00:08:18,953 --> 00:08:20,653 THEY'RE EATING MUDANG AND THE PETS. WE ARE GETTING OUR ASSES KICKED. 253 00:08:20,655 --> 00:08:23,289 PETS. WE ARE GETTING OUR ASSES KICKED. LOOK AT KOREA, JAPAN, AMERICA'S 254 00:08:23,291 --> 00:08:24,357 WE ARE GETTING OUR ASSES KICKED. LOOK AT KOREA, JAPAN, AMERICA'S NOT EVEN INCLUDED. 255 00:08:24,359 --> 00:08:26,325 LOOK AT KOREA, JAPAN, AMERICA'S NOT EVEN INCLUDED. THERE'S NO ROOM. 256 00:08:26,327 --> 00:08:28,995 NOT EVEN INCLUDED. THERE'S NO ROOM. IT'S LIKE GLOVE COMPARTMENT. 257 00:08:28,997 --> 00:08:31,397 THERE'S NO ROOM. IT'S LIKE GLOVE COMPARTMENT. SEE WHAT I DID THERE? 258 00:08:31,399 --> 00:08:33,599 IT'S LIKE GLOVE COMPARTMENT. SEE WHAT I DID THERE? >> I KNOW EXACTLY WHAT YOU DID. 259 00:08:33,601 --> 00:08:35,568 SEE WHAT I DID THERE? >> I KNOW EXACTLY WHAT YOU DID. SHOW ME DEMENTIA. 260 00:08:35,570 --> 00:08:38,304 >> I KNOW EXACTLY WHAT YOU DID. SHOW ME DEMENTIA. WELL, LOOKS LIKE THE DEMOCRATS 261 00:08:38,306 --> 00:08:39,906 SHOW ME DEMENTIA. WELL, LOOKS LIKE THE DEMOCRATS WIN, AND LIVE FROM NEW YORK, 262 00:08:39,908 --> 00:08:44,110 WELL, LOOKS LIKE THE DEMOCRATS WIN, AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 263 00:08:44,112 --> 00:08:44,810 WIN, AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY 264 00:08:44,812 --> 00:08:46,212 IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY NIGHT LIVE" WITH -- 265 00:10:23,377 --> 00:10:25,077 FEATURING -- 266 00:10:48,535 --> 00:11:01,147 MUSICAL GUEST -- STEVIE NICKS. AND YOUR HOST, ARIANA GRANDE. LADIES AND GENTLEMEN, ARIANA 267 00:11:01,149 --> 00:11:12,224 AND YOUR HOST, ARIANA GRANDE. LADIES AND GENTLEMEN, ARIANA GRANDE! 268 00:11:12,226 --> 00:11:28,674 LADIES AND GENTLEMEN, ARIANA GRANDE! [ CHEERS AND APPLAUSE ] 269 00:11:29,710 --> 00:11:31,944 >>> THANK YOU. THANK YOU. THANK YOU SO MUCH. 270 00:11:31,946 --> 00:11:35,247 THANK YOU. THANK YOU SO MUCH. I'M SO HAPPY TO BE BACK HOSTING 271 00:11:35,249 --> 00:11:35,514 THANK YOU SO MUCH. I'M SO HAPPY TO BE BACK HOSTING SNL. 272 00:11:35,516 --> 00:11:36,615 I'M SO HAPPY TO BE BACK HOSTING SNL. THIS YEAR HAS BEEN TRULY 273 00:11:36,617 --> 00:11:37,149 SNL. THIS YEAR HAS BEEN TRULY AMAZING. 274 00:11:37,151 --> 00:11:37,917 THIS YEAR HAS BEEN TRULY AMAZING. I GOT TO PLAY IN THE WICKED 275 00:11:37,919 --> 00:11:42,088 AMAZING. I GOT TO PLAY IN THE WICKED MOVIE. 276 00:11:42,090 --> 00:11:43,089 I GOT TO PLAY IN THE WICKED MOVIE. WHICH IS AWESOME. 277 00:11:43,091 --> 00:11:45,191 MOVIE. WHICH IS AWESOME. BECAUSE YOU KNOW, I'M SUCH A 278 00:11:45,193 --> 00:11:47,560 WHICH IS AWESOME. BECAUSE YOU KNOW, I'M SUCH A THEATER KID, AND IT'S EVERY 279 00:11:47,562 --> 00:11:50,896 BECAUSE YOU KNOW, I'M SUCH A THEATER KID, AND IT'S EVERY KID'S DREAM TO EITHER PLAY THAT. 280 00:11:50,898 --> 00:11:53,032 THEATER KID, AND IT'S EVERY KID'S DREAM TO EITHER PLAY THAT. IT'S EVERY THEATER'S KID TO LOSE 281 00:11:53,034 --> 00:11:55,401 KID'S DREAM TO EITHER PLAY THAT. IT'S EVERY THEATER'S KID TO LOSE THEIR VIRGINITY, BUT THEIR 282 00:11:55,403 --> 00:11:56,202 IT'S EVERY THEATER'S KID TO LOSE THEIR VIRGINITY, BUT THEIR SECOND DREAM IS OF COURSE TO BE 283 00:11:56,204 --> 00:11:56,769 THEIR VIRGINITY, BUT THEIR SECOND DREAM IS OF COURSE TO BE IN WICKED. 284 00:11:56,771 --> 00:11:58,404 SECOND DREAM IS OF COURSE TO BE IN WICKED. IT'S SO AMAZING TO BE HERE. 285 00:11:58,406 --> 00:12:00,973 IN WICKED. IT'S SO AMAZING TO BE HERE. THE LAST TIME I HOSTED WAS IN 286 00:12:00,975 --> 00:12:02,308 IT'S SO AMAZING TO BE HERE. THE LAST TIME I HOSTED WAS IN 2016, AND WE WERE RIGHT ON THE 287 00:12:02,310 --> 00:12:04,577 THE LAST TIME I HOSTED WAS IN 2016, AND WE WERE RIGHT ON THE VERGE OF ELECTING OUR FIRST 288 00:12:04,579 --> 00:12:06,145 2016, AND WE WERE RIGHT ON THE VERGE OF ELECTING OUR FIRST FEMALE PRESIDENT, SO I GUESS 289 00:12:06,147 --> 00:12:11,984 VERGE OF ELECTING OUR FIRST FEMALE PRESIDENT, SO I GUESS SECOND TIME'S A CHARM. 290 00:12:11,986 --> 00:12:14,987 FEMALE PRESIDENT, SO I GUESS SECOND TIME'S A CHARM. BUT BEFORE I START, I WANT TO 291 00:12:14,989 --> 00:12:15,755 SECOND TIME'S A CHARM. BUT BEFORE I START, I WANT TO MAKE ONE THING CLEAR TONIGHT. 292 00:12:15,757 --> 00:12:19,058 BUT BEFORE I START, I WANT TO MAKE ONE THING CLEAR TONIGHT. I AM JUST HOSTING. 293 00:12:19,060 --> 00:12:21,193 MAKE ONE THING CLEAR TONIGHT. I AM JUST HOSTING. I'M -- NO, I'M NOT GOING TO MAKE 294 00:12:21,195 --> 00:12:22,795 I AM JUST HOSTING. I'M -- NO, I'M NOT GOING TO MAKE THIS ABOUT ME. 295 00:12:22,797 --> 00:12:24,396 I'M -- NO, I'M NOT GOING TO MAKE THIS ABOUT ME. I'M JUST GOING TO HAVE FUN, TAKE 296 00:12:24,398 --> 00:12:26,732 THIS ABOUT ME. I'M JUST GOING TO HAVE FUN, TAKE IT EASY, AND, YEAH, JUST GOING 297 00:12:26,734 --> 00:12:27,266 I'M JUST GOING TO HAVE FUN, TAKE IT EASY, AND, YEAH, JUST GOING TO KEEP IT LOW KEY. 298 00:12:27,268 --> 00:12:34,373 IT EASY, AND, YEAH, JUST GOING TO KEEP IT LOW KEY. WHAT'S THIS? 299 00:12:34,375 --> 00:12:38,077 TO KEEP IT LOW KEY. WHAT'S THIS? ¶ I'M GONNA KEEP IT LOW KEY 300 00:12:38,079 --> 00:12:40,613 WHAT'S THIS? ¶ I'M GONNA KEEP IT LOW KEY TONIGHT, PROMISE I'M NOT GONNA 301 00:12:40,615 --> 00:12:41,147 ¶ I'M GONNA KEEP IT LOW KEY TONIGHT, PROMISE I'M NOT GONNA SING ¶ 302 00:12:41,149 --> 00:12:45,017 TONIGHT, PROMISE I'M NOT GONNA SING ¶ ¶ I'M NOT GONNA SING MY FAVORITE 303 00:12:45,019 --> 00:12:50,923 SING ¶ ¶ I'M NOT GONNA SING MY FAVORITE NOTES, NOT C, D, B, A, OR G ¶ 304 00:12:50,925 --> 00:12:53,759 ¶ I'M NOT GONNA SING MY FAVORITE NOTES, NOT C, D, B, A, OR G ¶ ¶ I'M NOT GONNA DO MY 305 00:12:53,761 --> 00:12:55,227 NOTES, NOT C, D, B, A, OR G ¶ ¶ I'M NOT GONNA DO MY IMPRESSIONS, NO BRITNEY SPEARS 306 00:12:55,229 --> 00:12:57,730 ¶ I'M NOT GONNA DO MY IMPRESSIONS, NO BRITNEY SPEARS TODAY, IF YOU ASK ME AGAIN, I'LL 307 00:12:57,732 --> 00:13:01,000 IMPRESSIONS, NO BRITNEY SPEARS TODAY, IF YOU ASK ME AGAIN, I'LL SAY THE SAME THING ¶ 308 00:13:01,002 --> 00:13:07,573 TODAY, IF YOU ASK ME AGAIN, I'LL SAY THE SAME THING ¶ ¶ NO, BABY, BABY, I'M NOT GONNA 309 00:13:07,575 --> 00:13:10,776 SAY THE SAME THING ¶ ¶ NO, BABY, BABY, I'M NOT GONNA DO MILEY CYRUS, BECAUSE BABY, 310 00:13:10,778 --> 00:13:15,147 ¶ NO, BABY, BABY, I'M NOT GONNA DO MILEY CYRUS, BECAUSE BABY, THAT AIN'T GONNA WORK, I'M NOT 311 00:13:15,149 --> 00:13:20,119 DO MILEY CYRUS, BECAUSE BABY, THAT AIN'T GONNA WORK, I'M NOT GONNA DO GWEN STEFANI BECAUSE 312 00:13:20,121 --> 00:13:21,053 THAT AIN'T GONNA WORK, I'M NOT GONNA DO GWEN STEFANI BECAUSE DON'T THINK ¶ 313 00:13:21,055 --> 00:13:26,091 GONNA DO GWEN STEFANI BECAUSE DON'T THINK ¶ ¶ I PROMISE I'M NOT SINGING ANY 314 00:13:26,093 --> 00:13:28,160 DON'T THINK ¶ ¶ I PROMISE I'M NOT SINGING ANY ANY IMPRESSIONS, I WON'T SING 315 00:13:28,162 --> 00:13:30,362 ¶ I PROMISE I'M NOT SINGING ANY ANY IMPRESSIONS, I WON'T SING BECAUSE IT HURTS ¶ 316 00:13:30,364 --> 00:13:32,665 ANY IMPRESSIONS, I WON'T SING BECAUSE IT HURTS ¶ ¶ I'M NOT GONNA WINK AT MY 317 00:13:32,667 --> 00:13:34,633 BECAUSE IT HURTS ¶ ¶ I'M NOT GONNA WINK AT MY CAMERA, I PROMISE I WON'T DO A 318 00:13:34,635 --> 00:13:37,469 ¶ I'M NOT GONNA WINK AT MY CAMERA, I PROMISE I WON'T DO A LIFT -- THANK YOU SO MUCH ¶ 319 00:13:37,471 --> 00:13:40,472 CAMERA, I PROMISE I WON'T DO A LIFT -- THANK YOU SO MUCH ¶ ¶ AND I'M NOT GONNA TALK ABOUT 320 00:13:40,474 --> 00:13:43,742 LIFT -- THANK YOU SO MUCH ¶ ¶ AND I'M NOT GONNA TALK ABOUT WICKED, BECAUSE TONIGHT I DON'T 321 00:13:43,744 --> 00:13:46,812 ¶ AND I'M NOT GONNA TALK ABOUT WICKED, BECAUSE TONIGHT I DON'T GIVE A -- BOWEN, DIDN'T ANYBODY 322 00:13:46,814 --> 00:13:47,179 WICKED, BECAUSE TONIGHT I DON'T GIVE A -- BOWEN, DIDN'T ANYBODY TELL YOU? 323 00:13:47,181 --> 00:13:48,614 GIVE A -- BOWEN, DIDN'T ANYBODY TELL YOU? WE CUT THE WICKED SKETCH. 324 00:13:48,616 --> 00:13:49,348 TELL YOU? WE CUT THE WICKED SKETCH. >> THAT'S OKAY. 325 00:13:49,350 --> 00:13:51,750 WE CUT THE WICKED SKETCH. >> THAT'S OKAY. I DIDN'T WANT TO DO IT ANYWAY. 326 00:13:51,752 --> 00:13:52,318 >> THAT'S OKAY. I DIDN'T WANT TO DO IT ANYWAY. >> GREAT. 327 00:13:52,320 --> 00:13:54,253 I DIDN'T WANT TO DO IT ANYWAY. >> GREAT. AND THIS ISN'T A WAND. 328 00:13:54,255 --> 00:13:55,120 >> GREAT. AND THIS ISN'T A WAND. IT'S A FLASK 329 00:13:55,122 --> 00:13:59,491 AND THIS ISN'T A WAND. IT'S A FLASK ¶ SO KEEP THE PIANO FAR AWAY 330 00:13:59,493 --> 00:14:01,160 IT'S A FLASK ¶ SO KEEP THE PIANO FAR AWAY FROM ME BECAUSE THE LAST THING 331 00:14:01,162 --> 00:14:03,662 ¶ SO KEEP THE PIANO FAR AWAY FROM ME BECAUSE THE LAST THING I'M GOING TO DO IS PLAY THE 332 00:14:03,664 --> 00:14:04,063 FROM ME BECAUSE THE LAST THING I'M GOING TO DO IS PLAY THE KEY ¶ 333 00:14:04,065 --> 00:14:07,233 I'M GOING TO DO IS PLAY THE KEY ¶ ¶ I'M NOT GONNA DO A DUE WET 334 00:14:07,235 --> 00:14:09,168 KEY ¶ ¶ I'M NOT GONNA DO A DUE WET TONIGHT, SO PLEASE DON'T BRING 335 00:14:09,170 --> 00:14:12,304 ¶ I'M NOT GONNA DO A DUE WET TONIGHT, SO PLEASE DON'T BRING OUT STEVIE NICKS, AND THE LAST 336 00:14:12,306 --> 00:14:14,506 TONIGHT, SO PLEASE DON'T BRING OUT STEVIE NICKS, AND THE LAST THING I'M GOING TO DO ¶ 337 00:14:14,508 --> 00:14:17,743 OUT STEVIE NICKS, AND THE LAST THING I'M GOING TO DO ¶ ¶ IS BRING OUT SOME HOT DANCERS 338 00:14:17,745 --> 00:14:21,881 THING I'M GOING TO DO ¶ ¶ IS BRING OUT SOME HOT DANCERS TO DO SOME INSANELY HIGH KICKS, 339 00:14:21,883 --> 00:14:25,050 ¶ IS BRING OUT SOME HOT DANCERS TO DO SOME INSANELY HIGH KICKS, I'M ACTUALLY REALLY SHY, NO MORE 340 00:14:25,052 --> 00:14:27,386 TO DO SOME INSANELY HIGH KICKS, I'M ACTUALLY REALLY SHY, NO MORE TRICKS, NO LOCAL FLIPS ¶ 341 00:14:27,388 --> 00:14:34,193 I'M ACTUALLY REALLY SHY, NO MORE TRICKS, NO LOCAL FLIPS ¶ ¶ CAN'T YOU SEE THAT I'M DONE, 342 00:14:34,195 --> 00:14:41,100 TRICKS, NO LOCAL FLIPS ¶ ¶ CAN'T YOU SEE THAT I'M DONE, SO EITHER WAY, THIS MUCH IS 343 00:14:41,102 --> 00:14:43,469 ¶ CAN'T YOU SEE THAT I'M DONE, SO EITHER WAY, THIS MUCH IS CLEAR, IF YOU'RE LOOKING FOR A 344 00:14:43,471 --> 00:14:46,572 SO EITHER WAY, THIS MUCH IS CLEAR, IF YOU'RE LOOKING FOR A DIVA, DON'T LOOK OVER HERE ¶ 345 00:14:46,574 --> 00:14:48,741 CLEAR, IF YOU'RE LOOKING FOR A DIVA, DON'T LOOK OVER HERE ¶ ¶ BECAUSE TONIGHT, I'M KEEPING 346 00:14:48,743 --> 00:14:56,148 DIVA, DON'T LOOK OVER HERE ¶ ¶ BECAUSE TONIGHT, I'M KEEPING IT LOW KEY ¶ 347 00:14:56,150 --> 00:14:56,749 ¶ BECAUSE TONIGHT, I'M KEEPING IT LOW KEY ¶ [ CHEERS AND APPLAUSE ] 348 00:14:56,751 --> 00:15:00,352 IT LOW KEY ¶ [ CHEERS AND APPLAUSE ] >> WE'VE GOT A GREAT SHOW 349 00:15:21,341 --> 00:15:27,513 >>> YEAH, SO MATTHEW, I'LL FINISH WITH THIS, IT'S A PRIVILEGE TO BE YOUR BEST MAN, 350 00:15:27,515 --> 00:15:29,381 FINISH WITH THIS, IT'S A PRIVILEGE TO BE YOUR BEST MAN, BUT IT'S EVEN MORE OF A 351 00:15:29,383 --> 00:15:32,284 PRIVILEGE TO BE YOUR BEST MAN, BUT IT'S EVEN MORE OF A PRIVILEGE EDGE TO BE YOUR BEST 352 00:15:32,286 --> 00:15:32,618 BUT IT'S EVEN MORE OF A PRIVILEGE EDGE TO BE YOUR BEST FRIEND. 353 00:15:32,620 --> 00:15:33,485 PRIVILEGE EDGE TO BE YOUR BEST FRIEND. I LOVE YOU, BRO. 354 00:15:33,487 --> 00:15:34,787 FRIEND. I LOVE YOU, BRO. THAT'S MY BOY RIGHT THERE. 355 00:15:34,789 --> 00:15:35,688 I LOVE YOU, BRO. THAT'S MY BOY RIGHT THERE. >> ALL RIGHT. 356 00:15:35,690 --> 00:15:37,389 THAT'S MY BOY RIGHT THERE. >> ALL RIGHT. GIVE IT UP FOR THE BEST MAN. 357 00:15:37,391 --> 00:15:40,225 >> ALL RIGHT. GIVE IT UP FOR THE BEST MAN. BUT WE DID SAY NO BORING 358 00:15:40,227 --> 00:15:40,592 GIVE IT UP FOR THE BEST MAN. BUT WE DID SAY NO BORING SPEECHES. 359 00:15:40,594 --> 00:15:42,394 BUT WE DID SAY NO BORING SPEECHES. NO SHADE. 360 00:15:42,396 --> 00:15:44,730 SPEECHES. NO SHADE. ANYWAY, TURNING THE ATTENTION TO 361 00:15:44,732 --> 00:15:48,934 NO SHADE. ANYWAY, TURNING THE ATTENTION TO MY BEAUTIFUL SISTER, THE BRIDE, 362 00:15:48,936 --> 00:15:49,268 ANYWAY, TURNING THE ATTENTION TO MY BEAUTIFUL SISTER, THE BRIDE, KELSEY. 363 00:15:49,270 --> 00:15:50,836 MY BEAUTIFUL SISTER, THE BRIDE, KELSEY. >> SAME MOM, DIFFERENT DAD. 364 00:15:50,838 --> 00:15:53,238 KELSEY. >> SAME MOM, DIFFERENT DAD. LOVE YOU, GIRL. 365 00:15:53,240 --> 00:15:55,841 >> SAME MOM, DIFFERENT DAD. LOVE YOU, GIRL. >> I WOULD LIKE TO INVITE UP HER 366 00:15:55,843 --> 00:15:56,241 LOVE YOU, GIRL. >> I WOULD LIKE TO INVITE UP HER BRIDESMAIDS. 367 00:15:56,243 --> 00:15:58,043 >> I WOULD LIKE TO INVITE UP HER BRIDESMAIDS. >> SO INSTEAD OF A SPEECH, WE'RE 368 00:15:58,045 --> 00:15:59,511 BRIDESMAIDS. >> SO INSTEAD OF A SPEECH, WE'RE GOING TO DO SOMETHING DIFFERENT 369 00:15:59,513 --> 00:16:01,313 >> SO INSTEAD OF A SPEECH, WE'RE GOING TO DO SOMETHING DIFFERENT FOR Y'ALL BECAUSE WE'RE A LITTLE 370 00:16:01,315 --> 00:16:04,783 GOING TO DO SOMETHING DIFFERENT FOR Y'ALL BECAUSE WE'RE A LITTLE BIT CREATIVE AND A LITTLE 371 00:16:04,785 --> 00:16:05,117 FOR Y'ALL BECAUSE WE'RE A LITTLE BIT CREATIVE AND A LITTLE QUIRKY. 372 00:16:05,119 --> 00:16:07,419 BIT CREATIVE AND A LITTLE QUIRKY. >> AND WE KNOW WE'RE NOT MATT'S 373 00:16:07,421 --> 00:16:08,354 QUIRKY. >> AND WE KNOW WE'RE NOT MATT'S FAVORITE BECAUSE EVERY TIME 374 00:16:08,356 --> 00:16:10,689 >> AND WE KNOW WE'RE NOT MATT'S FAVORITE BECAUSE EVERY TIME SHE'S WITH US, SHE LOW KEY 375 00:16:10,691 --> 00:16:11,123 FAVORITE BECAUSE EVERY TIME SHE'S WITH US, SHE LOW KEY BLACKS OUT. 376 00:16:11,125 --> 00:16:12,725 SHE'S WITH US, SHE LOW KEY BLACKS OUT. >> NO, COME ON. 377 00:16:12,727 --> 00:16:14,960 BLACKS OUT. >> NO, COME ON. I LOVE Y'ALL. 378 00:16:14,962 --> 00:16:15,627 >> NO, COME ON. I LOVE Y'ALL. >> SEE. 379 00:16:15,629 --> 00:16:19,298 I LOVE Y'ALL. >> SEE. SHE LOVES HER ESPRESSO MARTINIS. 380 00:16:19,300 --> 00:16:23,769 >> SEE. SHE LOVES HER ESPRESSO MARTINIS. SO WE WROTE A SPECIAL SONG ABOUT 381 00:16:23,771 --> 00:16:24,370 SHE LOVES HER ESPRESSO MARTINIS. SO WE WROTE A SPECIAL SONG ABOUT OUR BACHELORETTE TRIP. 382 00:16:24,372 --> 00:16:26,305 SO WE WROTE A SPECIAL SONG ABOUT OUR BACHELORETTE TRIP. >> THEY SAY WHAT HAPPENS IN 383 00:16:26,307 --> 00:16:29,375 OUR BACHELORETTE TRIP. >> THEY SAY WHAT HAPPENS IN VEGAS SAYS IN VEGAS. 384 00:16:29,377 --> 00:16:32,211 >> THEY SAY WHAT HAPPENS IN VEGAS SAYS IN VEGAS. >> BUT WE DIDN'T GO TO VEGAS. 385 00:16:32,213 --> 00:16:34,213 VEGAS SAYS IN VEGAS. >> BUT WE DIDN'T GO TO VEGAS. WE WENT TO CHARLESTON. 386 00:16:34,215 --> 00:16:35,748 >> BUT WE DIDN'T GO TO VEGAS. WE WENT TO CHARLESTON. HIT IT 387 00:16:35,750 --> 00:16:38,150 WE WENT TO CHARLESTON. HIT IT ¶ THE BRIDESMAIDS WANTED A 388 00:16:38,152 --> 00:16:41,153 HIT IT ¶ THE BRIDESMAIDS WANTED A CELEBRATION, SO WE TOOK A TRIP, 389 00:16:41,155 --> 00:16:42,788 ¶ THE BRIDESMAIDS WANTED A CELEBRATION, SO WE TOOK A TRIP, BACHELORETTE VACATION ¶ 390 00:16:42,790 --> 00:16:45,224 CELEBRATION, SO WE TOOK A TRIP, BACHELORETTE VACATION ¶ ¶ BECAUSE WE KNOW SHE NEEDS ONE, 391 00:16:45,226 --> 00:16:47,626 BACHELORETTE VACATION ¶ ¶ BECAUSE WE KNOW SHE NEEDS ONE, A BREAK FROM MATTHEW, JUST 392 00:16:47,628 --> 00:16:49,762 ¶ BECAUSE WE KNOW SHE NEEDS ONE, A BREAK FROM MATTHEW, JUST KIDDING, MATT, WE'RE GLAD SHE 393 00:16:49,764 --> 00:16:50,629 A BREAK FROM MATTHEW, JUST KIDDING, MATT, WE'RE GLAD SHE HAS YOU ¶ 394 00:16:50,631 --> 00:16:52,598 KIDDING, MATT, WE'RE GLAD SHE HAS YOU ¶ ¶ WE'RE OUT, THE SHOTS ARE 395 00:16:52,600 --> 00:17:00,839 HAS YOU ¶ ¶ WE'RE OUT, THE SHOTS ARE FLOWING, YEAH, GUYS ON THE DANCE 396 00:17:00,841 --> 00:17:03,308 ¶ WE'RE OUT, THE SHOTS ARE FLOWING, YEAH, GUYS ON THE DANCE FLOOR GROOV GROOVING YEAH ¶ 397 00:17:03,310 --> 00:17:05,544 FLOWING, YEAH, GUYS ON THE DANCE FLOOR GROOV GROOVING YEAH ¶ ¶ NOW SHE'S WITH A HOT GUY, BUT 398 00:17:05,546 --> 00:17:10,716 FLOOR GROOV GROOVING YEAH ¶ ¶ NOW SHE'S WITH A HOT GUY, BUT HE LOOKS GAY, SECOND LOCATION, 399 00:17:10,718 --> 00:17:12,384 ¶ NOW SHE'S WITH A HOT GUY, BUT HE LOOKS GAY, SECOND LOCATION, MAYBE HE'S BI ¶ 400 00:17:12,386 --> 00:17:12,651 HE LOOKS GAY, SECOND LOCATION, MAYBE HE'S BI ¶ >>. 401 00:17:12,653 --> 00:17:16,455 MAYBE HE'S BI ¶ >>. ¶ FULLY STRAIGHT, FULLY TOUCHING 402 00:17:16,457 --> 00:17:18,390 >>. ¶ FULLY STRAIGHT, FULLY TOUCHING DOMINGO, I CAN'T WAIT TO BE HIS 403 00:17:18,392 --> 00:17:21,760 ¶ FULLY STRAIGHT, FULLY TOUCHING DOMINGO, I CAN'T WAIT TO BE HIS WIFE, SHE'S POINTING TO 404 00:17:21,762 --> 00:17:22,161 DOMINGO, I CAN'T WAIT TO BE HIS WIFE, SHE'S POINTING TO DOMINGO ¶ 405 00:17:22,163 --> 00:17:25,964 WIFE, SHE'S POINTING TO DOMINGO ¶ >> QUICK QUESTION, WHO'S 406 00:17:25,966 --> 00:17:26,331 DOMINGO ¶ >> QUICK QUESTION, WHO'S DOMINGO. 407 00:17:26,333 --> 00:17:27,766 >> QUICK QUESTION, WHO'S DOMINGO. >> JUST THIS RANDOM GUY WE MET. 408 00:17:27,768 --> 00:17:29,101 DOMINGO. >> JUST THIS RANDOM GUY WE MET. I TOLD YOU ABOUT HIM. 409 00:17:29,103 --> 00:17:31,470 >> JUST THIS RANDOM GUY WE MET. I TOLD YOU ABOUT HIM. >> I'M POSITIVE YOU DID NOT. 410 00:17:31,472 --> 00:17:35,274 I TOLD YOU ABOUT HIM. >> I'M POSITIVE YOU DID NOT. ¶ IN THE BATHROOM, WE TAKE HER 411 00:17:35,276 --> 00:17:35,607 >> I'M POSITIVE YOU DID NOT. ¶ IN THE BATHROOM, WE TAKE HER OUTSIDE. 412 00:17:35,609 --> 00:17:38,343 ¶ IN THE BATHROOM, WE TAKE HER OUTSIDE. SHE SAY DON'T WORRY, WE WON'T 413 00:17:38,345 --> 00:17:39,645 OUTSIDE. SHE SAY DON'T WORRY, WE WON'T CROSS THE LINE ¶ 414 00:17:39,647 --> 00:17:43,048 SHE SAY DON'T WORRY, WE WON'T CROSS THE LINE ¶ ¶ THINK OF YOUR FIANCE, SHE SAYS 415 00:17:43,050 --> 00:17:46,051 CROSS THE LINE ¶ ¶ THINK OF YOUR FIANCE, SHE SAYS GOOD REMINDER, HANDS ME HER 416 00:17:46,053 --> 00:17:48,887 ¶ THINK OF YOUR FIANCE, SHE SAYS GOOD REMINDER, HANDS ME HER RING, THEN WE CAN'T FIND HER ¶ 417 00:17:48,889 --> 00:17:50,789 GOOD REMINDER, HANDS ME HER RING, THEN WE CAN'T FIND HER ¶ >> YOU TOOK OFF YOUR RING? 418 00:17:50,791 --> 00:17:51,924 RING, THEN WE CAN'T FIND HER ¶ >> YOU TOOK OFF YOUR RING? IS THIS TRUE? 419 00:17:51,926 --> 00:17:52,157 >> YOU TOOK OFF YOUR RING? IS THIS TRUE? ? 420 00:17:52,159 --> 00:17:57,696 IS THIS TRUE? ? I JUST DIDN'T WANT TO LOSE IT IN 421 00:17:57,698 --> 00:17:58,730 ? I JUST DIDN'T WANT TO LOSE IT IN THE HOT TUB. 422 00:17:58,732 --> 00:17:59,198 I JUST DIDN'T WANT TO LOSE IT IN THE HOT TUB. >> WHAT HOT TUB? 423 00:17:59,200 --> 00:17:59,998 THE HOT TUB. >> WHAT HOT TUB? ¶ NOW WE'RE BACK IN THE HOUSE IN 424 00:18:00,000 --> 00:18:02,301 >> WHAT HOT TUB? ¶ NOW WE'RE BACK IN THE HOUSE IN THE HOT TUB, SHE'S THERE WITH 425 00:18:02,303 --> 00:18:05,504 ¶ NOW WE'RE BACK IN THE HOUSE IN THE HOT TUB, SHE'S THERE WITH DOMINGO, ASKED HIM TO LEAVE, GET 426 00:18:05,506 --> 00:18:09,107 THE HOT TUB, SHE'S THERE WITH DOMINGO, ASKED HIM TO LEAVE, GET A HOTEL, SHE'S VIBING WITH 427 00:18:09,109 --> 00:18:09,508 DOMINGO, ASKED HIM TO LEAVE, GET A HOTEL, SHE'S VIBING WITH DOMINGO ¶ 428 00:18:09,510 --> 00:18:12,211 A HOTEL, SHE'S VIBING WITH DOMINGO ¶ >> YOU ASKED THEM TO LEAVE AND 429 00:18:12,213 --> 00:18:14,079 DOMINGO ¶ >> YOU ASKED THEM TO LEAVE AND GET A HOTEL? 430 00:18:14,081 --> 00:18:15,547 >> YOU ASKED THEM TO LEAVE AND GET A HOTEL? >> YOU'RE MISSING IT. 431 00:18:15,549 --> 00:18:20,419 GET A HOTEL? >> YOU'RE MISSING IT. ¶ AT THE MARRIOTT, GOOGLING 432 00:18:20,421 --> 00:18:22,521 >> YOU'RE MISSING IT. ¶ AT THE MARRIOTT, GOOGLING DOMINGO, JUST TO MAKE SURE HE'S 433 00:18:22,523 --> 00:18:25,591 ¶ AT THE MARRIOTT, GOOGLING DOMINGO, JUST TO MAKE SURE HE'S NOT PSYCHO, BUT HE'S ACTUALLY A 434 00:18:25,593 --> 00:18:27,993 DOMINGO, JUST TO MAKE SURE HE'S NOT PSYCHO, BUT HE'S ACTUALLY A DOCTOR AND RANDOMLY A MODEL ¶ 435 00:18:27,995 --> 00:18:30,696 NOT PSYCHO, BUT HE'S ACTUALLY A DOCTOR AND RANDOMLY A MODEL ¶ ¶ AND HE VOLUNTEERS WITH WEIRD 436 00:18:30,698 --> 00:18:34,800 DOCTOR AND RANDOMLY A MODEL ¶ ¶ AND HE VOLUNTEERS WITH WEIRD SICK ANIMALS, AWW ¶ 437 00:18:34,802 --> 00:18:37,870 ¶ AND HE VOLUNTEERS WITH WEIRD SICK ANIMALS, AWW ¶ >> IS THE POINT OF THIS SONG 438 00:18:37,872 --> 00:18:40,906 SICK ANIMALS, AWW ¶ >> IS THE POINT OF THIS SONG JUST THAT SHE CHEATED ON ME ALL 439 00:18:40,908 --> 00:18:41,240 >> IS THE POINT OF THIS SONG JUST THAT SHE CHEATED ON ME ALL WEEKEND? 440 00:18:41,242 --> 00:18:44,109 JUST THAT SHE CHEATED ON ME ALL WEEKEND? >> THE POINT IS IT'S ESPRESSO. 441 00:18:44,111 --> 00:18:46,678 WEEKEND? >> THE POINT IS IT'S ESPRESSO. >> YOU'RE NOT LISTENING TO THE 442 00:18:46,680 --> 00:18:47,012 >> THE POINT IS IT'S ESPRESSO. >> YOU'RE NOT LISTENING TO THE LYRICS. 443 00:18:47,014 --> 00:18:48,247 >> YOU'RE NOT LISTENING TO THE LYRICS. >> THAT'S ALL I'M LISTENING TO. 444 00:18:48,249 --> 00:18:50,649 LYRICS. >> THAT'S ALL I'M LISTENING TO. ¶ THE NEXT DAY, SHE SAID NOTHING 445 00:18:50,651 --> 00:19:00,826 >> THAT'S ALL I'M LISTENING TO. ¶ THE NEXT DAY, SHE SAID NOTHING HAPPENED, THEY TALKED ALL NIGHT 446 00:19:00,828 --> 00:19:01,426 ¶ THE NEXT DAY, SHE SAID NOTHING HAPPENED, THEY TALKED ALL NIGHT ABOUT YOU, MATTHEW ¶ 447 00:19:01,428 --> 00:19:02,127 HAPPENED, THEY TALKED ALL NIGHT ABOUT YOU, MATTHEW ¶ ¶ THEN AT BRUNCH, SHE JUST 448 00:19:02,129 --> 00:19:04,563 ABOUT YOU, MATTHEW ¶ ¶ THEN AT BRUNCH, SHE JUST STARTS CRYING, WE ASK HER WHY, 449 00:19:04,565 --> 00:19:07,633 ¶ THEN AT BRUNCH, SHE JUST STARTS CRYING, WE ASK HER WHY, SHE SAYS I'M JUST SO TIRED ¶ 450 00:19:07,635 --> 00:19:09,868 STARTS CRYING, WE ASK HER WHY, SHE SAYS I'M JUST SO TIRED ¶ ¶ WE SAY TAKE A NAP, SHE SAYS 451 00:19:09,870 --> 00:19:11,737 SHE SAYS I'M JUST SO TIRED ¶ ¶ WE SAY TAKE A NAP, SHE SAYS I'M NOT THAT KIND OF TIRED ¶ 452 00:19:11,739 --> 00:19:13,772 ¶ WE SAY TAKE A NAP, SHE SAYS I'M NOT THAT KIND OF TIRED ¶ >> I NEED ANSWERS NOW ABOUT YOU 453 00:19:13,774 --> 00:19:18,677 I'M NOT THAT KIND OF TIRED ¶ >> I NEED ANSWERS NOW ABOUT YOU AND WHOEVER THIS DOMINGO GUY IS, 454 00:19:18,679 --> 00:19:19,978 >> I NEED ANSWERS NOW ABOUT YOU AND WHOEVER THIS DOMINGO GUY IS, AND NOT FOR NOTHING, BUT THE 455 00:19:19,980 --> 00:19:21,446 AND WHOEVER THIS DOMINGO GUY IS, AND NOT FOR NOTHING, BUT THE RHYME SCHEME HAS GONE COMPLETELY 456 00:19:21,448 --> 00:19:22,347 AND NOT FOR NOTHING, BUT THE RHYME SCHEME HAS GONE COMPLETELY OUT THE WINDOW. 457 00:19:22,349 --> 00:19:26,418 RHYME SCHEME HAS GONE COMPLETELY OUT THE WINDOW. >> I'M SORRY I MET SOMEONE I 458 00:19:26,420 --> 00:19:30,789 OUT THE WINDOW. >> I'M SORRY I MET SOMEONE I CONNECTED WITH, BUT DOMINGO IS 459 00:19:30,791 --> 00:19:31,223 >> I'M SORRY I MET SOMEONE I CONNECTED WITH, BUT DOMINGO IS IN THE PAST. 460 00:19:31,225 --> 00:19:33,258 CONNECTED WITH, BUT DOMINGO IS IN THE PAST. >> I'M HERE. 461 00:19:33,260 --> 00:19:36,161 IN THE PAST. >> I'M HERE. >> IF THIS IS DOMINGO, I'M GOING 462 00:19:36,163 --> 00:19:38,063 >> I'M HERE. >> IF THIS IS DOMINGO, I'M GOING TO BE PISSED. 463 00:19:38,065 --> 00:19:42,167 >> IF THIS IS DOMINGO, I'M GOING TO BE PISSED. >> CAME ALL THIS WAY, HAD TO 464 00:19:42,169 --> 00:19:45,971 TO BE PISSED. >> CAME ALL THIS WAY, HAD TO EXPLAIN, KELSEY'S A FRIEND, 465 00:19:45,973 --> 00:19:48,373 >> CAME ALL THIS WAY, HAD TO EXPLAIN, KELSEY'S A FRIEND, SHE'S LIKE MY SIS, BUT WE DID 466 00:19:48,375 --> 00:19:49,541 EXPLAIN, KELSEY'S A FRIEND, SHE'S LIKE MY SIS, BUT WE DID HOOK UP THOUGH. 467 00:19:49,543 --> 00:19:51,810 SHE'S LIKE MY SIS, BUT WE DID HOOK UP THOUGH. >> WHY WOULD YOU GUYS TELL ME 468 00:19:51,812 --> 00:19:53,011 HOOK UP THOUGH. >> WHY WOULD YOU GUYS TELL ME THIS THROUGH SONG? 469 00:19:53,013 --> 00:19:53,645 >> WHY WOULD YOU GUYS TELL ME THIS THROUGH SONG? >> I HOPE WE CAN STILL BE 470 00:19:53,647 --> 00:20:06,425 THIS THROUGH SONG? >> I HOPE WE CAN STILL BE FRIENDS. 471 00:20:14,033 --> 00:20:17,803 >>> KATIE, HI. HANNAH'S IN THE SHOWER. SHE'LL BE DOWN IN A MINUTE. 472 00:20:17,805 --> 00:20:18,670 HANNAH'S IN THE SHOWER. SHE'LL BE DOWN IN A MINUTE. MAKE YOURSELF AT HOME. 473 00:20:18,672 --> 00:20:22,574 SHE'LL BE DOWN IN A MINUTE. MAKE YOURSELF AT HOME. >> THANKS, MR. EVANS. 474 00:20:22,576 --> 00:20:25,043 MAKE YOURSELF AT HOME. >> THANKS, MR. EVANS. ¶ RIGHT WHEN I STEP INSIDE, I 475 00:20:25,045 --> 00:20:28,714 >> THANKS, MR. EVANS. ¶ RIGHT WHEN I STEP INSIDE, I NOTE IT, THE SMELL OF MY BEST 476 00:20:28,716 --> 00:20:30,749 ¶ RIGHT WHEN I STEP INSIDE, I NOTE IT, THE SMELL OF MY BEST FRIEND'S HOUSE ¶ 477 00:20:30,751 --> 00:20:33,251 NOTE IT, THE SMELL OF MY BEST FRIEND'S HOUSE ¶ ¶ I WALK AROUND AND GET A WHIFF 478 00:20:33,253 --> 00:20:36,588 FRIEND'S HOUSE ¶ ¶ I WALK AROUND AND GET A WHIFF OF THE CINNAMON CANDLES AND THE 479 00:20:36,590 --> 00:20:39,024 ¶ I WALK AROUND AND GET A WHIFF OF THE CINNAMON CANDLES AND THE PILLOWS AND THE COUCH ¶ 480 00:20:39,026 --> 00:20:42,427 OF THE CINNAMON CANDLES AND THE PILLOWS AND THE COUCH ¶ ¶ HER OLDER BROTHER USES 481 00:20:42,429 --> 00:20:44,496 PILLOWS AND THE COUCH ¶ ¶ HER OLDER BROTHER USES SPRAY-ON DEODERANT, IF I SMELL 482 00:20:44,498 --> 00:20:46,765 ¶ HER OLDER BROTHER USES SPRAY-ON DEODERANT, IF I SMELL IT 20 YEARS FROM NOW, IT WILL 483 00:20:46,767 --> 00:20:49,101 SPRAY-ON DEODERANT, IF I SMELL IT 20 YEARS FROM NOW, IT WILL TAKE ME RIGHT BACK TO THIS 484 00:20:49,103 --> 00:20:49,501 IT 20 YEARS FROM NOW, IT WILL TAKE ME RIGHT BACK TO THIS MOMENT ¶ 485 00:20:49,503 --> 00:20:52,270 TAKE ME RIGHT BACK TO THIS MOMENT ¶ ¶ AND HER FATHER REALLY LIKES TO 486 00:20:52,272 --> 00:20:57,009 MOMENT ¶ ¶ AND HER FATHER REALLY LIKES TO COOK, SO IT ALWAYS SMELLS GOOD, 487 00:20:57,011 --> 00:20:57,709 ¶ AND HER FATHER REALLY LIKES TO COOK, SO IT ALWAYS SMELLS GOOD, AND HER FAMILY USES CLEANING 488 00:20:57,711 --> 00:21:02,147 COOK, SO IT ALWAYS SMELLS GOOD, AND HER FAMILY USES CLEANING STUFF THAT MY FAMILY NEVER 489 00:21:02,149 --> 00:21:02,514 AND HER FAMILY USES CLEANING STUFF THAT MY FAMILY NEVER WOULD ¶ 490 00:21:02,516 --> 00:21:04,950 STUFF THAT MY FAMILY NEVER WOULD ¶ ¶ OH, I LOVE THE SMELL OF MY 491 00:21:04,952 --> 00:21:06,485 WOULD ¶ ¶ OH, I LOVE THE SMELL OF MY BEST FRIEND'S HOUSE, I REALLY 492 00:21:06,487 --> 00:21:09,721 ¶ OH, I LOVE THE SMELL OF MY BEST FRIEND'S HOUSE, I REALLY LOVE IT, THE SMELL OF MY BEST 493 00:21:09,723 --> 00:21:10,956 BEST FRIEND'S HOUSE, I REALLY LOVE IT, THE SMELL OF MY BEST FRIEND'S HOUSE ¶ 494 00:21:10,958 --> 00:21:13,725 LOVE IT, THE SMELL OF MY BEST FRIEND'S HOUSE ¶ ¶ I REALLY LOVE IT, THE SMELL OF 495 00:21:13,727 --> 00:21:17,629 FRIEND'S HOUSE ¶ ¶ I REALLY LOVE IT, THE SMELL OF MY BEST FRIEND'S HOUSE, I LOVE 496 00:21:17,631 --> 00:21:17,996 ¶ I REALLY LOVE IT, THE SMELL OF MY BEST FRIEND'S HOUSE, I LOVE THAT ¶ 497 00:21:17,998 --> 00:21:21,466 MY BEST FRIEND'S HOUSE, I LOVE THAT ¶ ¶ PLAYING MUSIC ON HER 498 00:21:21,468 --> 00:21:24,536 THAT ¶ ¶ PLAYING MUSIC ON HER HEADPHONES, IT'S THE BEST I'VE 499 00:21:24,538 --> 00:21:26,371 ¶ PLAYING MUSIC ON HER HEADPHONES, IT'S THE BEST I'VE EVER HEARD, AND HER DAD IS 500 00:21:26,373 --> 00:21:27,806 HEADPHONES, IT'S THE BEST I'VE EVER HEARD, AND HER DAD IS OBSESSED WITH CROSS WORDS, HE'S 501 00:21:27,808 --> 00:21:30,375 EVER HEARD, AND HER DAD IS OBSESSED WITH CROSS WORDS, HE'S KIND OF A NERD ¶ 502 00:21:30,377 --> 00:21:33,278 OBSESSED WITH CROSS WORDS, HE'S KIND OF A NERD ¶ ¶ THEY HAVE A BUNCH OF MOVIES 503 00:21:33,280 --> 00:21:35,080 KIND OF A NERD ¶ ¶ THEY HAVE A BUNCH OF MOVIES THAT I DON'T HAVE, AND HER 504 00:21:35,082 --> 00:21:37,049 ¶ THEY HAVE A BUNCH OF MOVIES THAT I DON'T HAVE, AND HER PARENTS ARE DIVORCED, SO THEY 505 00:21:37,051 --> 00:21:39,051 THAT I DON'T HAVE, AND HER PARENTS ARE DIVORCED, SO THEY HAVE THE BEST SNACKS ¶ 506 00:21:39,053 --> 00:21:41,520 PARENTS ARE DIVORCED, SO THEY HAVE THE BEST SNACKS ¶ ¶ I REALLY LOVE THE SMELL OF MY 507 00:21:41,522 --> 00:21:43,021 HAVE THE BEST SNACKS ¶ ¶ I REALLY LOVE THE SMELL OF MY BEST FRIEND'S HOUSE, I REALLY 508 00:21:43,023 --> 00:21:46,191 ¶ I REALLY LOVE THE SMELL OF MY BEST FRIEND'S HOUSE, I REALLY LOVE IT, THE SMELL OF MY BEST 509 00:21:46,193 --> 00:21:47,059 BEST FRIEND'S HOUSE, I REALLY LOVE IT, THE SMELL OF MY BEST FRIEND'S HOUSE ¶ 510 00:21:47,061 --> 00:21:49,061 LOVE IT, THE SMELL OF MY BEST FRIEND'S HOUSE ¶ ¶ SMELL OF MY BEST FRIEND'S 511 00:21:49,063 --> 00:21:51,630 FRIEND'S HOUSE ¶ ¶ SMELL OF MY BEST FRIEND'S HOUSE, I REALLY LOVE IT, THE 512 00:21:51,632 --> 00:21:51,997 ¶ SMELL OF MY BEST FRIEND'S HOUSE, I REALLY LOVE IT, THE SMELL -- 513 00:21:51,999 --> 00:21:54,332 HOUSE, I REALLY LOVE IT, THE SMELL -- >> MISS, MISS, YOU CAN'T COME IN 514 00:21:54,334 --> 00:21:54,633 SMELL -- >> MISS, MISS, YOU CAN'T COME IN HERE. 515 00:21:54,635 --> 00:21:54,966 >> MISS, MISS, YOU CAN'T COME IN HERE. >> WHAT? 516 00:21:54,968 --> 00:21:57,602 HERE. >> WHAT? >> AFTER NEARLY A DECADE, THE 517 00:21:57,604 --> 00:21:58,837 >> WHAT? >> AFTER NEARLY A DECADE, THE SEARCH FOR THE CROSS WORD KILLER 518 00:21:58,839 --> 00:22:01,173 >> AFTER NEARLY A DECADE, THE SEARCH FOR THE CROSS WORD KILLER HAS COME TO A CLOSE. 519 00:22:01,175 --> 00:22:03,341 SEARCH FOR THE CROSS WORD KILLER HAS COME TO A CLOSE. POLICE SAY THE OWNER OF THIS 520 00:22:03,343 --> 00:22:06,244 HAS COME TO A CLOSE. POLICE SAY THE OWNER OF THIS HOUSE HAS BEEN IMPLICATED IN THE 521 00:22:06,246 --> 00:22:08,280 POLICE SAY THE OWNER OF THIS HOUSE HAS BEEN IMPLICATED IN THE DEATHS OF AT LEAST 14 522 00:22:08,282 --> 00:22:08,680 HOUSE HAS BEEN IMPLICATED IN THE DEATHS OF AT LEAST 14 INDIVIDUALS. 523 00:22:08,682 --> 00:22:10,482 DEATHS OF AT LEAST 14 INDIVIDUALS. HUMAN REMAINS HAVE BEEN 524 00:22:10,484 --> 00:22:12,150 INDIVIDUALS. HUMAN REMAINS HAVE BEEN DISCOVERED IN NEARLY EVERY ROOM 525 00:22:12,152 --> 00:22:12,651 HUMAN REMAINS HAVE BEEN DISCOVERED IN NEARLY EVERY ROOM IN THE HOUSE 526 00:22:12,653 --> 00:22:16,455 DISCOVERED IN NEARLY EVERY ROOM IN THE HOUSE ¶ I GUESS I MAY HAVE MISSED SOME 527 00:22:16,457 --> 00:22:19,458 IN THE HOUSE ¶ I GUESS I MAY HAVE MISSED SOME PRETTY BIG RED FLAGS WHEN I WAS 528 00:22:19,460 --> 00:22:24,696 ¶ I GUESS I MAY HAVE MISSED SOME PRETTY BIG RED FLAGS WHEN I WAS OVER AT MY BEST FRIEND'S HOUSE ¶ 529 00:22:24,698 --> 00:22:26,231 PRETTY BIG RED FLAGS WHEN I WAS OVER AT MY BEST FRIEND'S HOUSE ¶ ¶ YES, YOU DID ¶ 530 00:22:26,233 --> 00:22:29,501 OVER AT MY BEST FRIEND'S HOUSE ¶ ¶ YES, YOU DID ¶ ¶ BUT NOW I KNOW WHAT THE 531 00:22:29,503 --> 00:22:32,070 ¶ YES, YOU DID ¶ ¶ BUT NOW I KNOW WHAT THE DEODORANT AND CANDLES WERE ALL 532 00:22:32,072 --> 00:22:33,672 ¶ BUT NOW I KNOW WHAT THE DEODORANT AND CANDLES WERE ALL ABOUT, AND SURE I NEVER TOOK A 533 00:22:33,674 --> 00:22:36,108 DEODORANT AND CANDLES WERE ALL ABOUT, AND SURE I NEVER TOOK A CLOSE LOOK AT THE TAPES OR 534 00:22:36,110 --> 00:22:39,377 ABOUT, AND SURE I NEVER TOOK A CLOSE LOOK AT THE TAPES OR WONDERED WHY HER DAD WAS BURNING 535 00:22:39,379 --> 00:22:42,147 CLOSE LOOK AT THE TAPES OR WONDERED WHY HER DAD WAS BURNING LOGS IN THE FIREPLACE ¶ 536 00:22:42,149 --> 00:22:43,815 WONDERED WHY HER DAD WAS BURNING LOGS IN THE FIREPLACE ¶ ¶ YES THE FRIDGE WAS STUFFED 537 00:22:43,817 --> 00:22:47,419 LOGS IN THE FIREPLACE ¶ ¶ YES THE FRIDGE WAS STUFFED WITH FOOD LIKE I SAID, BUT IT 538 00:22:47,421 --> 00:22:49,287 ¶ YES THE FRIDGE WAS STUFFED WITH FOOD LIKE I SAID, BUT IT DISTRACTED ME FROM THE FROZEN 539 00:22:49,289 --> 00:22:50,122 WITH FOOD LIKE I SAID, BUT IT DISTRACTED ME FROM THE FROZEN HUMAN HEAD ¶ 540 00:22:50,124 --> 00:22:54,926 DISTRACTED ME FROM THE FROZEN HUMAN HEAD ¶ ¶ I SWEAR I NEVER NOTICED 541 00:22:54,928 --> 00:22:56,795 HUMAN HEAD ¶ ¶ I SWEAR I NEVER NOTICED ANYTHING ABOUT THE SMELL OF MY 542 00:22:56,797 --> 00:23:01,066 ¶ I SWEAR I NEVER NOTICED ANYTHING ABOUT THE SMELL OF MY BEST FRIEND'S HOUSE ¶ 543 00:23:01,068 --> 00:23:05,637 ANYTHING ABOUT THE SMELL OF MY BEST FRIEND'S HOUSE ¶ ¶ HEY, WHY DID YOU TAKE MY 544 00:23:05,639 --> 00:23:06,705 BEST FRIEND'S HOUSE ¶ ¶ HEY, WHY DID YOU TAKE MY SHAKER, THE SMELL OF MY BEST 545 00:23:06,707 --> 00:23:09,074 ¶ HEY, WHY DID YOU TAKE MY SHAKER, THE SMELL OF MY BEST FRIEND'S HOUSE, OH, MY GOD, IT 546 00:23:09,076 --> 00:23:10,709 SHAKER, THE SMELL OF MY BEST FRIEND'S HOUSE, OH, MY GOD, IT WAS FULL OF TEETH ¶ 547 00:23:10,711 --> 00:23:12,978 FRIEND'S HOUSE, OH, MY GOD, IT WAS FULL OF TEETH ¶ >> THE FURNITURE MADE ME DO IT. 548 00:23:12,980 --> 00:23:14,479 WAS FULL OF TEETH ¶ >> THE FURNITURE MADE ME DO IT. SHE CAN HEAR THEM SINGING TOO. 549 00:23:14,481 --> 00:23:17,115 >> THE FURNITURE MADE ME DO IT. SHE CAN HEAR THEM SINGING TOO. SHE HAS THE DARKNESS TOO. 550 00:23:17,117 --> 00:23:23,188 SHE CAN HEAR THEM SINGING TOO. SHE HAS THE DARKNESS TOO. ¶ MY BEST FRIEND'S HOUSE ¶ 551 00:23:50,466 --> 00:23:55,437 >>> IT IS SO AMAZING TO HAVE THE FAMILY TOGETHER. AND JOSH, CAN I JUST SAY HOW 552 00:23:55,439 --> 00:23:56,638 FAMILY TOGETHER. AND JOSH, CAN I JUST SAY HOW AMAZING IT'S BEEN FINALLY 553 00:23:56,640 --> 00:23:58,773 AND JOSH, CAN I JUST SAY HOW AMAZING IT'S BEEN FINALLY GETTING TO MEET MY SON'S 554 00:23:58,775 --> 00:23:59,374 AMAZING IT'S BEEN FINALLY GETTING TO MEET MY SON'S INCREDIBLE BOYFRIEND. 555 00:23:59,376 --> 00:24:00,842 GETTING TO MEET MY SON'S INCREDIBLE BOYFRIEND. >> DON'T EMBARRASS ME, MOM. 556 00:24:00,844 --> 00:24:02,777 INCREDIBLE BOYFRIEND. >> DON'T EMBARRASS ME, MOM. >> DIANE, THAT IS SO SWEET. 557 00:24:02,779 --> 00:24:05,080 >> DON'T EMBARRASS ME, MOM. >> DIANE, THAT IS SO SWEET. YOU GUYS HAVE ALL BEEN SO NICE. 558 00:24:05,082 --> 00:24:06,982 >> DIANE, THAT IS SO SWEET. YOU GUYS HAVE ALL BEEN SO NICE. I REALLY FEEL LIKE A PART OF THE 559 00:24:06,984 --> 00:24:07,315 YOU GUYS HAVE ALL BEEN SO NICE. I REALLY FEEL LIKE A PART OF THE FAMILY. 560 00:24:07,317 --> 00:24:07,883 I REALLY FEEL LIKE A PART OF THE FAMILY. >> OKAY. 561 00:24:07,885 --> 00:24:10,151 FAMILY. >> OKAY. HERE'S THAT BUFFALO CHICKEN DIP. 562 00:24:10,153 --> 00:24:13,522 >> OKAY. HERE'S THAT BUFFALO CHICKEN DIP. ALL SET FOR SOME CHARADES? 563 00:24:13,524 --> 00:24:15,757 HERE'S THAT BUFFALO CHICKEN DIP. ALL SET FOR SOME CHARADES? >> JUST FINISHED THE LAST CLUE. 564 00:24:15,759 --> 00:24:17,392 ALL SET FOR SOME CHARADES? >> JUST FINISHED THE LAST CLUE. ALL READY TO GO. 565 00:24:17,394 --> 00:24:20,061 >> JUST FINISHED THE LAST CLUE. ALL READY TO GO. >> DIDN'T KNOW YOU GUYS WERE A 566 00:24:20,063 --> 00:24:21,730 ALL READY TO GO. >> DIDN'T KNOW YOU GUYS WERE A GAME NIGHT FAMILY. 567 00:24:21,732 --> 00:24:25,667 >> DIDN'T KNOW YOU GUYS WERE A GAME NIGHT FAMILY. >> MOM GETS A TEENSY BIT 568 00:24:25,669 --> 00:24:26,101 GAME NIGHT FAMILY. >> MOM GETS A TEENSY BIT COMPETITIVE. 569 00:24:26,103 --> 00:24:27,435 >> MOM GETS A TEENSY BIT COMPETITIVE. >> I DO NOT. 570 00:24:27,437 --> 00:24:30,438 COMPETITIVE. >> I DO NOT. START US OFF, TERRY. 571 00:24:30,440 --> 00:24:32,140 >> I DO NOT. START US OFF, TERRY. >> MOVIE, TWO WORDS, STAR WARS. 572 00:24:32,142 --> 00:24:34,876 START US OFF, TERRY. >> MOVIE, TWO WORDS, STAR WARS. >> OKAY. 573 00:24:34,878 --> 00:24:35,176 >> MOVIE, TWO WORDS, STAR WARS. >> OKAY. ACTOR. 574 00:24:35,178 --> 00:24:36,444 >> OKAY. ACTOR. ROBERT DE NIRO. 575 00:24:36,446 --> 00:24:50,692 ACTOR. ROBERT DE NIRO. >> QUICK, MOVIE. 576 00:24:50,694 --> 00:24:52,260 ROBERT DE NIRO. >> QUICK, MOVIE. >> IN YOUR FACE, DIANE. 577 00:24:52,262 --> 00:24:54,496 >> QUICK, MOVIE. >> IN YOUR FACE, DIANE. >> OH, WELL, THAT WASN'T 578 00:24:54,498 --> 00:24:54,896 >> IN YOUR FACE, DIANE. >> OH, WELL, THAT WASN'T NECESSARY. 579 00:24:54,898 --> 00:24:56,565 >> OH, WELL, THAT WASN'T NECESSARY. >> I WAS JUST TEASING LIKE, IN 580 00:24:56,567 --> 00:24:57,532 NECESSARY. >> I WAS JUST TEASING LIKE, IN YOUR FACE, GIRL. 581 00:24:57,534 --> 00:25:02,704 >> I WAS JUST TEASING LIKE, IN YOUR FACE, GIRL. >> YOU GOT A TINY PECKER OR 582 00:25:02,706 --> 00:25:03,071 YOUR FACE, GIRL. >> YOU GOT A TINY PECKER OR SOMETHING? 583 00:25:03,073 --> 00:25:04,239 >> YOU GOT A TINY PECKER OR SOMETHING? >> MOM! 584 00:25:04,241 --> 00:25:04,873 SOMETHING? >> MOM! >> EXCUSE ME? 585 00:25:04,875 --> 00:25:07,075 >> MOM! >> EXCUSE ME? >> WELL, YOU MUST BE 586 00:25:07,077 --> 00:25:08,510 >> EXCUSE ME? >> WELL, YOU MUST BE COMPENSATING FOR SOMETHING, YOU 587 00:25:08,512 --> 00:25:09,377 >> WELL, YOU MUST BE COMPENSATING FOR SOMETHING, YOU POOR SICK LOSER. 588 00:25:09,379 --> 00:25:12,480 COMPENSATING FOR SOMETHING, YOU POOR SICK LOSER. >> DIANE, I'M SO SORRY. 589 00:25:12,482 --> 00:25:14,416 POOR SICK LOSER. >> DIANE, I'M SO SORRY. I DID NOT MEAN TO OFFEND YOU. 590 00:25:14,418 --> 00:25:15,550 >> DIANE, I'M SO SORRY. I DID NOT MEAN TO OFFEND YOU. >> SORRY, JOSH. 591 00:25:15,552 --> 00:25:17,752 I DID NOT MEAN TO OFFEND YOU. >> SORRY, JOSH. YOU DIDN'T. 592 00:25:17,754 --> 00:25:18,286 >> SORRY, JOSH. YOU DIDN'T. IT WAS JUST A JOKE. 593 00:25:18,288 --> 00:25:19,554 YOU DIDN'T. IT WAS JUST A JOKE. IT'S JUST A GAME. 594 00:25:19,556 --> 00:25:23,658 IT WAS JUST A JOKE. IT'S JUST A GAME. >> LET'S GO TO THE NEXT ROUND. 595 00:25:23,660 --> 00:25:24,125 IT'S JUST A GAME. >> LET'S GO TO THE NEXT ROUND. EVERYBODY READY? 596 00:25:24,127 --> 00:25:24,826 >> LET'S GO TO THE NEXT ROUND. EVERYBODY READY? YOU GOOD? 597 00:25:24,828 --> 00:25:25,727 EVERYBODY READY? YOU GOOD? >> YES. 598 00:25:25,729 --> 00:25:28,096 YOU GOOD? >> YES. JOSH, I WAS JUST TEASING. 599 00:25:28,098 --> 00:25:29,130 >> YES. JOSH, I WAS JUST TEASING. >> GOOD. 600 00:25:29,132 --> 00:25:31,499 JOSH, I WAS JUST TEASING. >> GOOD. YOU'RE GOING DOWN THIS NEXT 601 00:25:31,501 --> 00:25:34,769 >> GOOD. YOU'RE GOING DOWN THIS NEXT ROUND, GIRLFRIEND. 602 00:25:34,771 --> 00:25:36,738 YOU'RE GOING DOWN THIS NEXT ROUND, GIRLFRIEND. >> I'LL SHOOT YOU IN THE HEAD. 603 00:25:36,740 --> 00:25:38,373 ROUND, GIRLFRIEND. >> I'LL SHOOT YOU IN THE HEAD. >> I WASN'T TRYING TO THREATEN 604 00:25:38,375 --> 00:25:38,673 >> I'LL SHOOT YOU IN THE HEAD. >> I WASN'T TRYING TO THREATEN YOU. 605 00:25:38,675 --> 00:25:39,908 >> I WASN'T TRYING TO THREATEN YOU. >> YOU COULDN'T IF YOU TRIED. 606 00:25:39,910 --> 00:25:44,145 YOU. >> YOU COULDN'T IF YOU TRIED. NOT WITH THAT RINKY DRINK PINKY 607 00:25:44,147 --> 00:25:47,716 >> YOU COULDN'T IF YOU TRIED. NOT WITH THAT RINKY DRINK PINKY YOU GOT IN BETWEEN YOUR LEGS. 608 00:25:47,718 --> 00:25:49,184 NOT WITH THAT RINKY DRINK PINKY YOU GOT IN BETWEEN YOUR LEGS. >> IT IS NOT! 609 00:25:49,186 --> 00:25:52,554 YOU GOT IN BETWEEN YOUR LEGS. >> IT IS NOT! I'VE GOOGLED WHAT THE AVERAGE 610 00:25:52,556 --> 00:25:52,821 >> IT IS NOT! I'VE GOOGLED WHAT THE AVERAGE IS. 611 00:25:52,823 --> 00:25:53,922 I'VE GOOGLED WHAT THE AVERAGE IS. >> I'M SORRY. 612 00:25:53,924 --> 00:25:56,791 IS. >> I'M SORRY. I SAID MOM COULD BE A BIT 613 00:25:56,793 --> 00:25:57,225 >> I'M SORRY. I SAID MOM COULD BE A BIT COMPETITIVE. 614 00:25:57,227 --> 00:25:58,693 I SAID MOM COULD BE A BIT COMPETITIVE. >> SHE SHED SHE WOULD SHOOT ME. 615 00:25:58,695 --> 00:26:01,196 COMPETITIVE. >> SHE SHED SHE WOULD SHOOT ME. >> OKAY. 616 00:26:01,198 --> 00:26:03,465 >> SHE SHED SHE WOULD SHOOT ME. >> OKAY. MOVIE, TWO WORDS. 617 00:26:03,467 --> 00:26:04,132 >> OKAY. MOVIE, TWO WORDS. SECOND WORD. 618 00:26:04,134 --> 00:26:06,468 MOVIE, TWO WORDS. SECOND WORD. LENGTH, FOOT, A MILE. 619 00:26:06,470 --> 00:26:07,502 SECOND WORD. LENGTH, FOOT, A MILE. GOT MILE. 620 00:26:07,504 --> 00:26:12,974 LENGTH, FOOT, A MILE. GOT MILE. NOW FIRST WORD. 621 00:26:12,976 --> 00:26:15,577 GOT MILE. NOW FIRST WORD. PATHETIC, BAD, EVIL. 622 00:26:15,579 --> 00:26:17,045 NOW FIRST WORD. PATHETIC, BAD, EVIL. >> MOM! 623 00:26:17,047 --> 00:26:19,981 PATHETIC, BAD, EVIL. >> MOM! >> POOR, PATHETIC LITTLE GAY 624 00:26:19,983 --> 00:26:20,281 >> MOM! >> POOR, PATHETIC LITTLE GAY GUY. 625 00:26:20,283 --> 00:26:22,617 >> POOR, PATHETIC LITTLE GAY GUY. >> CHILL OUT, MOM, I'M GAY TOO. 626 00:26:22,619 --> 00:26:24,919 GUY. >> CHILL OUT, MOM, I'M GAY TOO. >> I DIDN'T MEAN IT LIKE THAT. 627 00:26:24,921 --> 00:26:27,489 >> CHILL OUT, MOM, I'M GAY TOO. >> I DIDN'T MEAN IT LIKE THAT. I MEANT GAY AS IN STUPID AND 628 00:26:27,491 --> 00:26:27,789 >> I DIDN'T MEAN IT LIKE THAT. I MEANT GAY AS IN STUPID AND BAD. 629 00:26:27,791 --> 00:26:31,826 I MEANT GAY AS IN STUPID AND BAD. >> DIANE, WHAT IS YOUR PROBLEM? 630 00:26:31,828 --> 00:26:33,428 BAD. >> DIANE, WHAT IS YOUR PROBLEM? >> I DON'T HAVE A PROBLEM. 631 00:26:33,430 --> 00:26:35,230 >> DIANE, WHAT IS YOUR PROBLEM? >> I DON'T HAVE A PROBLEM. I'VE GOT LOVE AND A FAMILY. 632 00:26:35,232 --> 00:26:39,634 >> I DON'T HAVE A PROBLEM. I'VE GOT LOVE AND A FAMILY. WHAT HAVE YOU GOT? 633 00:26:39,636 --> 00:26:41,603 I'VE GOT LOVE AND A FAMILY. WHAT HAVE YOU GOT? >> ENOUGH ABOUT MY SIZE. 634 00:26:41,605 --> 00:26:43,738 WHAT HAVE YOU GOT? >> ENOUGH ABOUT MY SIZE. YOU WANT ME TO SHOW YOU? 635 00:26:43,740 --> 00:26:45,907 >> ENOUGH ABOUT MY SIZE. YOU WANT ME TO SHOW YOU? I'LL SHOW YOU RIGHT HERE RIGHT 636 00:26:45,909 --> 00:26:46,207 YOU WANT ME TO SHOW YOU? I'LL SHOW YOU RIGHT HERE RIGHT NOW. 637 00:26:46,209 --> 00:26:47,742 I'LL SHOW YOU RIGHT HERE RIGHT NOW. >> DON'T YOU DARE SHOW MY WIFE 638 00:26:47,744 --> 00:26:49,344 NOW. >> DON'T YOU DARE SHOW MY WIFE YOUR PECKER! 639 00:26:49,346 --> 00:26:51,846 >> DON'T YOU DARE SHOW MY WIFE YOUR PECKER! >> HOW ABOUT I BEAT YOUR WIFE 640 00:26:51,848 --> 00:26:55,183 YOUR PECKER! >> HOW ABOUT I BEAT YOUR WIFE RIGHT HERE RIGHT NOW. 641 00:26:55,185 --> 00:26:58,219 >> HOW ABOUT I BEAT YOUR WIFE RIGHT HERE RIGHT NOW. >> WHAT ARE YOU DOING? 642 00:26:58,221 --> 00:27:00,188 RIGHT HERE RIGHT NOW. >> WHAT ARE YOU DOING? >> I'M ABOUT TO FIGHT YOUR MOM! 643 00:27:00,190 --> 00:27:02,924 >> WHAT ARE YOU DOING? >> I'M ABOUT TO FIGHT YOUR MOM! >> WE PLAY BY STREET RULES, 644 00:27:02,926 --> 00:27:04,859 >> I'M ABOUT TO FIGHT YOUR MOM! >> WE PLAY BY STREET RULES, BITCH! 645 00:27:04,861 --> 00:27:06,761 >> WE PLAY BY STREET RULES, BITCH! >> WHAT IS HE DOING TO MY 646 00:27:06,763 --> 00:27:07,495 BITCH! >> WHAT IS HE DOING TO MY MOTHER? 647 00:27:07,497 --> 00:27:09,998 >> WHAT IS HE DOING TO MY MOTHER? JOSH, YOU COULD REALLY HURT HER! 648 00:27:10,000 --> 00:27:11,900 MOTHER? JOSH, YOU COULD REALLY HURT HER! >> I'M SO SORRY. 649 00:27:11,902 --> 00:27:12,901 JOSH, YOU COULD REALLY HURT HER! >> I'M SO SORRY. I GUESS I GOT A LITTLE CARRIED 650 00:27:12,903 --> 00:27:18,840 >> I'M SO SORRY. I GUESS I GOT A LITTLE CARRIED AWAY. 651 00:27:18,842 --> 00:27:20,809 I GUESS I GOT A LITTLE CARRIED AWAY. >> WELL, WELL, WELL. 652 00:27:20,811 --> 00:27:23,745 AWAY. >> WELL, WELL, WELL. YOU DID IT. 653 00:27:23,747 --> 00:27:25,113 >> WELL, WELL, WELL. YOU DID IT. >> WHAT'S GOING ON? 654 00:27:25,115 --> 00:27:27,082 YOU DID IT. >> WHAT'S GOING ON? >> FINALLY, ONE OF MY SON'S 655 00:27:27,084 --> 00:27:29,918 >> WHAT'S GOING ON? >> FINALLY, ONE OF MY SON'S BOYFRIENDS STOOD UP TO ME. 656 00:27:29,920 --> 00:27:31,753 >> FINALLY, ONE OF MY SON'S BOYFRIENDS STOOD UP TO ME. I NEED MY SON TO HAVE A MAN LIKE 657 00:27:31,755 --> 00:27:36,057 BOYFRIENDS STOOD UP TO ME. I NEED MY SON TO HAVE A MAN LIKE YOU WHO WILL PROTECT HIM BECAUSE 658 00:27:36,059 --> 00:27:37,592 I NEED MY SON TO HAVE A MAN LIKE YOU WHO WILL PROTECT HIM BECAUSE MY SON IS SO, SO WEAK, AND I 659 00:27:37,594 --> 00:27:40,495 YOU WHO WILL PROTECT HIM BECAUSE MY SON IS SO, SO WEAK, AND I DON'T HAVE ANY RESPECT FOR HIM. 660 00:27:40,497 --> 00:27:42,797 MY SON IS SO, SO WEAK, AND I DON'T HAVE ANY RESPECT FOR HIM. >> MOM, COME ON! 661 00:27:42,799 --> 00:27:44,232 DON'T HAVE ANY RESPECT FOR HIM. >> MOM, COME ON! >> WOW. 662 00:27:44,234 --> 00:27:46,367 >> MOM, COME ON! >> WOW. YOU REALLY ARE INCREDIBLE, 663 00:27:46,369 --> 00:27:46,668 >> WOW. YOU REALLY ARE INCREDIBLE, DIANE. 664 00:27:46,670 --> 00:27:48,269 YOU REALLY ARE INCREDIBLE, DIANE. SORRY THINGS GOT SO -- HEATED. 665 00:27:48,271 --> 00:27:51,272 DIANE. SORRY THINGS GOT SO -- HEATED. >> HEY, IT'S OKAY. 666 00:27:51,274 --> 00:28:00,181 SORRY THINGS GOT SO -- HEATED. >> HEY, IT'S OKAY. >> MOM, WHAT ARE YOU DOING? 667 00:28:00,183 --> 00:28:01,850 >> HEY, IT'S OKAY. >> MOM, WHAT ARE YOU DOING? >> WELL, TO BE FAIR, THEY DID 668 00:28:01,852 --> 00:28:03,051 >> MOM, WHAT ARE YOU DOING? >> WELL, TO BE FAIR, THEY DID HAVE CRAZY TENSION. 669 00:28:03,053 --> 00:28:12,427 >> WELL, TO BE FAIR, THEY DID HAVE CRAZY TENSION. >> THAT IS TRUE. 670 00:28:12,429 --> 00:28:14,996 HAVE CRAZY TENSION. >> THAT IS TRUE. >>> FOOTBALL. 671 00:28:14,998 --> 00:28:18,266 >> THAT IS TRUE. >>> FOOTBALL. IT IS A SPORT THAT CONNECTS WHO 672 00:28:18,268 --> 00:28:21,236 >>> FOOTBALL. IT IS A SPORT THAT CONNECTS WHO WE ARE TO WHO WE WERE, PROVING 673 00:28:21,238 --> 00:28:24,506 IT IS A SPORT THAT CONNECTS WHO WE ARE TO WHO WE WERE, PROVING OUR MOST POURERFUL MEMORIES CAN 674 00:28:24,508 --> 00:28:26,207 WE ARE TO WHO WE WERE, PROVING OUR MOST POURERFUL MEMORIES CAN STAY WITH US FOREVER. 675 00:28:26,209 --> 00:28:30,211 OUR MOST POURERFUL MEMORIES CAN STAY WITH US FOREVER. THAT IS WHY LAST WEEK, I, CELINE 676 00:28:30,213 --> 00:28:32,013 STAY WITH US FOREVER. THAT IS WHY LAST WEEK, I, CELINE DION MADE A PROMO FOR SUNDAY 677 00:28:32,015 --> 00:28:37,118 THAT IS WHY LAST WEEK, I, CELINE DION MADE A PROMO FOR SUNDAY NIGHT FOOTBALL, OKAY? 678 00:28:37,120 --> 00:28:37,819 DION MADE A PROMO FOR SUNDAY NIGHT FOOTBALL, OKAY? BUT FOOTBALL ISN'T THE ONLY 679 00:28:37,821 --> 00:28:40,021 NIGHT FOOTBALL, OKAY? BUT FOOTBALL ISN'T THE ONLY SPORT THAT CONNECTS US TO OUR 680 00:28:40,023 --> 00:28:41,022 BUT FOOTBALL ISN'T THE ONLY SPORT THAT CONNECTS US TO OUR PAST. 681 00:28:41,024 --> 00:28:46,728 SPORT THAT CONNECTS US TO OUR PAST. THERE IS ANOTHER SPORT. 682 00:28:46,730 --> 00:28:48,496 PAST. THERE IS ANOTHER SPORT. UFC FIGHTING. 683 00:28:48,498 --> 00:28:50,665 THERE IS ANOTHER SPORT. UFC FIGHTING. SHALL WE GO FIGHT! 684 00:28:50,667 --> 00:28:52,834 UFC FIGHTING. SHALL WE GO FIGHT! ¶ IT'S ALL COMING BACK, ALL 685 00:28:52,836 --> 00:28:56,371 SHALL WE GO FIGHT! ¶ IT'S ALL COMING BACK, ALL COMING BACK TO ME NOW, THERE WAS 686 00:28:56,373 --> 00:28:58,006 ¶ IT'S ALL COMING BACK, ALL COMING BACK TO ME NOW, THERE WAS BREAKING OF BONES AND THERE WERE 687 00:28:58,008 --> 00:29:00,575 COMING BACK TO ME NOW, THERE WAS BREAKING OF BONES AND THERE WERE KNEES TO THE BALLS ¶ 688 00:29:00,577 --> 00:29:04,045 BREAKING OF BONES AND THERE WERE KNEES TO THE BALLS ¶ THE MEMORIES, NO. 689 00:29:04,047 --> 00:29:06,114 KNEES TO THE BALLS ¶ THE MEMORIES, NO. THAT WOMAN IN A SPORTS BRA WITH 690 00:29:06,116 --> 00:29:09,017 THE MEMORIES, NO. THAT WOMAN IN A SPORTS BRA WITH THE TIGHTEST FRENCH BRAIDS AND 691 00:29:09,019 --> 00:29:09,884 THAT WOMAN IN A SPORTS BRA WITH THE TIGHTEST FRENCH BRAIDS AND THE FLATTEST FACE. 692 00:29:09,886 --> 00:29:12,153 THE TIGHTEST FRENCH BRAIDS AND THE FLATTEST FACE. AN ANGRY MAN WITH A SIDEWAYS 693 00:29:12,155 --> 00:29:12,453 THE FLATTEST FACE. AN ANGRY MAN WITH A SIDEWAYS NOSE. 694 00:29:12,455 --> 00:29:17,559 AN ANGRY MAN WITH A SIDEWAYS NOSE. THE HUSH OF THE CROWD AS A 695 00:29:17,561 --> 00:29:22,664 NOSE. THE HUSH OF THE CROWD AS A 300-POUND BOSNIAN VOMITS UP HIS 696 00:29:22,666 --> 00:29:23,331 THE HUSH OF THE CROWD AS A 300-POUND BOSNIAN VOMITS UP HIS OWN TEETH. 697 00:29:23,333 --> 00:29:24,799 300-POUND BOSNIAN VOMITS UP HIS OWN TEETH. THIS IS THE UFC 698 00:29:24,801 --> 00:29:27,969 OWN TEETH. THIS IS THE UFC ¶ WHEN I HIT YOU LIKE THIS AND 699 00:29:27,971 --> 00:29:29,370 THIS IS THE UFC ¶ WHEN I HIT YOU LIKE THIS AND YOU CHOKE ME LIKE THAT, WHEN YOU 700 00:29:29,372 --> 00:29:32,841 ¶ WHEN I HIT YOU LIKE THIS AND YOU CHOKE ME LIKE THAT, WHEN YOU ELBOW ME, IT'S ALL COMING BACK 701 00:29:32,843 --> 00:29:35,076 YOU CHOKE ME LIKE THAT, WHEN YOU ELBOW ME, IT'S ALL COMING BACK TO ME ¶ 702 00:29:35,078 --> 00:29:38,713 ELBOW ME, IT'S ALL COMING BACK TO ME ¶ AND ALL COMMENTATORS ALL BALD 703 00:29:38,715 --> 00:29:41,950 TO ME ¶ AND ALL COMMENTATORS ALL BALD AND IN THE SHINIEST OF SHIRTS 704 00:29:41,952 --> 00:29:44,919 AND ALL COMMENTATORS ALL BALD AND IN THE SHINIEST OF SHIRTS ¶ IT'S ALL COMING BACK TO ME ¶ 705 00:29:44,921 --> 00:29:51,192 AND IN THE SHINIEST OF SHIRTS ¶ IT'S ALL COMING BACK TO ME ¶ IT'S ALL COMING BACK TO ME, BUT 706 00:29:51,194 --> 00:29:51,893 ¶ IT'S ALL COMING BACK TO ME ¶ IT'S ALL COMING BACK TO ME, BUT MAYBE NOT THEM BECAUSE OF THE 707 00:29:51,895 --> 00:29:52,293 IT'S ALL COMING BACK TO ME, BUT MAYBE NOT THEM BECAUSE OF THE CONCUSSIONS. 708 00:29:52,295 --> 00:29:53,094 MAYBE NOT THEM BECAUSE OF THE CONCUSSIONS. THAT IS THE BEAUTY OF THE UFC, 709 00:29:53,096 --> 00:29:54,462 CONCUSSIONS. THAT IS THE BEAUTY OF THE UFC, THE TENSION, THE SKILL 710 00:29:54,464 --> 00:29:57,232 THAT IS THE BEAUTY OF THE UFC, THE TENSION, THE SKILL ¶ I CAN BARELY RECALL, BUT IT'S 711 00:29:57,234 --> 00:30:03,538 THE TENSION, THE SKILL ¶ I CAN BARELY RECALL, BUT IT'S ALL COMING BACK TO ME NOW ¶ 712 00:30:03,540 --> 00:30:09,177 ¶ I CAN BARELY RECALL, BUT IT'S ALL COMING BACK TO ME NOW ¶ I AM CELINE DION FOR THE UFC 713 00:30:09,179 --> 00:30:09,477 ALL COMING BACK TO ME NOW ¶ I AM CELINE DION FOR THE UFC 308. 714 00:30:09,479 --> 00:30:13,414 I AM CELINE DION FOR THE UFC 308. SEE YOU IN THE OCTAGON. 715 00:30:36,171 --> 00:30:40,041 >>> LADIES AND GENTLEMEN, STEVIE NICKS. [ CHEERS AND APPLAUSE ] 716 00:30:40,043 --> 00:30:50,285 NICKS. [ CHEERS AND APPLAUSE ] ¶¶ 717 00:30:50,287 --> 00:30:50,818 [ CHEERS AND APPLAUSE ] ¶¶ ¶ I HAVE MY SCARS 718 00:30:50,820 --> 00:30:55,123 ¶¶ ¶ I HAVE MY SCARS YOU HAVE YOURS ¶ 719 00:30:55,125 --> 00:30:56,190 ¶ I HAVE MY SCARS YOU HAVE YOURS ¶ ¶ DON'T LET THEM 720 00:30:56,192 --> 00:31:00,528 YOU HAVE YOURS ¶ ¶ DON'T LET THEM TAKE YOUR POWER 721 00:31:00,530 --> 00:31:02,130 ¶ DON'T LET THEM TAKE YOUR POWER DON'T LEAVE IT ALONE ¶ 722 00:31:02,132 --> 00:31:05,366 TAKE YOUR POWER DON'T LEAVE IT ALONE ¶ ¶ IN THE FINAL HOURS 723 00:31:05,368 --> 00:31:06,968 DON'T LEAVE IT ALONE ¶ ¶ IN THE FINAL HOURS THEY'LL TAKE YOUR SOUL 724 00:31:06,970 --> 00:31:11,272 ¶ IN THE FINAL HOURS THEY'LL TAKE YOUR SOUL THEY'LL TAKE YOUR POWER ¶ 725 00:31:11,274 --> 00:31:12,941 THEY'LL TAKE YOUR SOUL THEY'LL TAKE YOUR POWER ¶ ¶ DON'T CLOSE YOUR EYES 726 00:31:12,943 --> 00:31:16,711 THEY'LL TAKE YOUR POWER ¶ ¶ DON'T CLOSE YOUR EYES AND HOPE FOR THE BEST 727 00:31:16,713 --> 00:31:18,846 ¶ DON'T CLOSE YOUR EYES AND HOPE FOR THE BEST THE DARK IS OUT THERE 728 00:31:18,848 --> 00:31:21,516 AND HOPE FOR THE BEST THE DARK IS OUT THERE THE LIGHT IS GOING FAST ¶ 729 00:31:21,518 --> 00:31:23,117 THE DARK IS OUT THERE THE LIGHT IS GOING FAST ¶ ¶ UNTIL THE FINAL HOURS 730 00:31:23,119 --> 00:31:24,185 THE LIGHT IS GOING FAST ¶ ¶ UNTIL THE FINAL HOURS YOUR LIFE'S 731 00:31:24,187 --> 00:31:26,321 ¶ UNTIL THE FINAL HOURS YOUR LIFE'S FOREVER CHANGED ¶ 732 00:31:26,323 --> 00:31:28,489 YOUR LIFE'S FOREVER CHANGED ¶ ¶ AND ALL THE RIGHTS 733 00:31:28,491 --> 00:31:31,192 FOREVER CHANGED ¶ ¶ AND ALL THE RIGHTS THAT YOU HAD YESTERDAY 734 00:31:31,194 --> 00:31:36,531 ¶ AND ALL THE RIGHTS THAT YOU HAD YESTERDAY ARE TAKEN AWAY ¶ 735 00:31:36,533 --> 00:31:41,936 THAT YOU HAD YESTERDAY ARE TAKEN AWAY ¶ ¶ AND NOW YOU'RE AFRAID 736 00:31:41,938 --> 00:31:46,841 ARE TAKEN AWAY ¶ ¶ AND NOW YOU'RE AFRAID YOU SHOULD BE AFRAID 737 00:31:46,843 --> 00:31:53,314 ¶ AND NOW YOU'RE AFRAID YOU SHOULD BE AFRAID SHOULD BE AFRAID ¶ 738 00:31:53,316 --> 00:31:55,450 YOU SHOULD BE AFRAID SHOULD BE AFRAID ¶ ¶ BECAUSE EVERYTHING 739 00:31:55,452 --> 00:31:57,618 SHOULD BE AFRAID ¶ ¶ BECAUSE EVERYTHING I FOUGHT FOR LONG AGO 740 00:31:57,620 --> 00:32:04,559 ¶ BECAUSE EVERYTHING I FOUGHT FOR LONG AGO IN A DREAM IS GONE ¶ 741 00:32:04,561 --> 00:32:06,160 I FOUGHT FOR LONG AGO IN A DREAM IS GONE ¶ ¶ SOMEONE SAID 742 00:32:06,162 --> 00:32:08,329 IN A DREAM IS GONE ¶ ¶ SOMEONE SAID THE DREAM IS NOT OVER 743 00:32:08,331 --> 00:32:13,701 ¶ SOMEONE SAID THE DREAM IS NOT OVER THE DREAM HAS JUST BEGUN 744 00:32:13,703 --> 00:32:19,107 THE DREAM IS NOT OVER THE DREAM HAS JUST BEGUN OR IS IT A NIGHTMARE ¶ 745 00:32:19,109 --> 00:32:25,013 THE DREAM HAS JUST BEGUN OR IS IT A NIGHTMARE ¶ ¶ IS IT A LASTING SCAR 746 00:32:25,015 --> 00:32:27,181 OR IS IT A NIGHTMARE ¶ ¶ IS IT A LASTING SCAR IT IS UNLESS YOU SAVE IT ¶ 747 00:32:27,183 --> 00:32:29,851 ¶ IS IT A LASTING SCAR IT IS UNLESS YOU SAVE IT ¶ ¶ AND THAT'S THAT 748 00:32:29,853 --> 00:32:32,020 IT IS UNLESS YOU SAVE IT ¶ ¶ AND THAT'S THAT UNLESS YOU STAND UP 749 00:32:32,022 --> 00:32:34,756 ¶ AND THAT'S THAT UNLESS YOU STAND UP AND TAKE IT BACK 750 00:32:34,758 --> 00:32:40,728 UNLESS YOU STAND UP AND TAKE IT BACK AND TAKE IT BACK ¶ 751 00:32:40,730 --> 00:32:42,864 AND TAKE IT BACK AND TAKE IT BACK ¶ ¶ I HAVE MY SCARS 752 00:32:42,866 --> 00:32:48,236 AND TAKE IT BACK ¶ ¶ I HAVE MY SCARS YOU HAVE YOURS ¶ 753 00:32:48,238 --> 00:32:48,770 ¶ I HAVE MY SCARS YOU HAVE YOURS ¶ ¶ DON'T LET THEM 754 00:32:48,772 --> 00:32:52,006 YOU HAVE YOURS ¶ ¶ DON'T LET THEM TAKE YOUR POWER 755 00:32:52,008 --> 00:32:53,608 ¶ DON'T LET THEM TAKE YOUR POWER DON'T LEAVE IT ALONE ¶ 756 00:32:53,610 --> 00:32:56,811 TAKE YOUR POWER DON'T LEAVE IT ALONE ¶ ¶ IN THE FINAL HOURS 757 00:32:56,813 --> 00:32:58,413 DON'T LEAVE IT ALONE ¶ ¶ IN THE FINAL HOURS THEY'LL TAKE YOUR SOUL 758 00:32:58,415 --> 00:33:01,649 ¶ IN THE FINAL HOURS THEY'LL TAKE YOUR SOUL THEY'LL TAKE YOUR POWER ¶ 759 00:33:01,651 --> 00:33:04,285 THEY'LL TAKE YOUR SOUL THEY'LL TAKE YOUR POWER ¶ ¶ UNLESS YOU STAND UP 760 00:33:04,287 --> 00:33:06,988 THEY'LL TAKE YOUR POWER ¶ ¶ UNLESS YOU STAND UP AND TAKE IT BACK 761 00:33:06,990 --> 00:33:09,690 ¶ UNLESS YOU STAND UP AND TAKE IT BACK TRY TO SEE THE FUTURE 762 00:33:09,692 --> 00:33:11,826 AND TAKE IT BACK TRY TO SEE THE FUTURE AND GET MAD ¶ 763 00:33:11,828 --> 00:33:12,894 TRY TO SEE THE FUTURE AND GET MAD ¶ ¶ IT'S SLIPPING THROUGH 764 00:33:12,896 --> 00:33:13,928 AND GET MAD ¶ ¶ IT'S SLIPPING THROUGH YOUR FINGERS 765 00:33:13,930 --> 00:33:16,631 ¶ IT'S SLIPPING THROUGH YOUR FINGERS YOU DON'T HAVE 766 00:33:16,633 --> 00:33:17,732 YOUR FINGERS YOU DON'T HAVE WHAT YOU HAD ¶ 767 00:33:17,734 --> 00:33:24,705 YOU DON'T HAVE WHAT YOU HAD ¶ ¶ YOU DON'T HAVE MUCH TIME 768 00:33:24,707 --> 00:33:25,773 WHAT YOU HAD ¶ ¶ YOU DON'T HAVE MUCH TIME TO GET IT BACK 769 00:33:25,775 --> 00:33:27,408 ¶ YOU DON'T HAVE MUCH TIME TO GET IT BACK I WANNA BE THE LIGHTHOUSE 770 00:33:27,410 --> 00:33:31,712 TO GET IT BACK I WANNA BE THE LIGHTHOUSE BRING ALL OF YOU TOGETHER ¶ 771 00:33:31,714 --> 00:33:34,348 I WANNA BE THE LIGHTHOUSE BRING ALL OF YOU TOGETHER ¶ ¶ BRING IT OUT IN A SONG 772 00:33:34,350 --> 00:33:36,484 BRING ALL OF YOU TOGETHER ¶ ¶ BRING IT OUT IN A SONG BRING IT OUT 773 00:33:36,486 --> 00:33:40,221 ¶ BRING IT OUT IN A SONG BRING IT OUT IN STORMY WEATHER 774 00:33:40,223 --> 00:33:45,093 BRING IT OUT IN STORMY WEATHER TELL THEM THE STORY ¶ 775 00:33:45,095 --> 00:33:49,363 IN STORMY WEATHER TELL THEM THE STORY ¶ ¶ I WANNA TEACH 'EM TO FIGHT 776 00:33:49,365 --> 00:33:50,965 TELL THEM THE STORY ¶ ¶ I WANNA TEACH 'EM TO FIGHT I WANNA TELL 'EM 777 00:33:50,967 --> 00:33:55,236 ¶ I WANNA TEACH 'EM TO FIGHT I WANNA TELL 'EM THIS HAS HAPPENED BEFORE 778 00:33:55,238 --> 00:33:57,939 I WANNA TELL 'EM THIS HAS HAPPENED BEFORE DON'T LET IT HAPPEN AGAIN ¶ 779 00:33:57,941 --> 00:34:01,175 THIS HAS HAPPENED BEFORE DON'T LET IT HAPPEN AGAIN ¶ ¶ I HAVE MY SCARS 780 00:34:01,177 --> 00:34:04,378 DON'T LET IT HAPPEN AGAIN ¶ ¶ I HAVE MY SCARS YOU HAVE YOURS ¶ 781 00:34:04,380 --> 00:34:05,446 ¶ I HAVE MY SCARS YOU HAVE YOURS ¶ ¶ DON'T LET THEM 782 00:34:05,448 --> 00:34:09,717 YOU HAVE YOURS ¶ ¶ DON'T LET THEM TAKE YOUR POWER 783 00:34:09,719 --> 00:34:11,886 ¶ DON'T LET THEM TAKE YOUR POWER DON'T LEAVE IT ALONE ¶ 784 00:34:11,888 --> 00:34:15,656 TAKE YOUR POWER DON'T LEAVE IT ALONE ¶ ¶ IN THE FINAL HOURS 785 00:34:15,658 --> 00:34:16,724 DON'T LEAVE IT ALONE ¶ ¶ IN THE FINAL HOURS THEY'LL TAKE YOUR SOUL 786 00:34:16,726 --> 00:34:18,860 ¶ IN THE FINAL HOURS THEY'LL TAKE YOUR SOUL THEY'LL TAKE YOUR POWER ¶ 787 00:34:18,862 --> 00:34:21,596 THEY'LL TAKE YOUR SOUL THEY'LL TAKE YOUR POWER ¶ ¶ UNLESS YOU SAVE IT 788 00:34:21,598 --> 00:34:24,265 THEY'LL TAKE YOUR POWER ¶ ¶ UNLESS YOU SAVE IT AND THAT'S THAT 789 00:34:24,267 --> 00:34:26,434 ¶ UNLESS YOU SAVE IT AND THAT'S THAT UNLESS YOU STAND UP 790 00:34:26,436 --> 00:34:29,103 AND THAT'S THAT UNLESS YOU STAND UP AND TAKE IT BACK ¶ 791 00:34:29,105 --> 00:34:32,340 UNLESS YOU STAND UP AND TAKE IT BACK ¶ ¶ TRY TO SEE THE FUTURE 792 00:34:32,342 --> 00:34:34,475 AND TAKE IT BACK ¶ ¶ TRY TO SEE THE FUTURE AND GET MAD ¶ 793 00:34:34,477 --> 00:34:36,077 ¶ TRY TO SEE THE FUTURE AND GET MAD ¶ ¶ IT'S SLIPPING THROUGH 794 00:34:36,079 --> 00:34:37,178 AND GET MAD ¶ ¶ IT'S SLIPPING THROUGH YOUR FINGERS 795 00:34:37,180 --> 00:34:37,745 ¶ IT'S SLIPPING THROUGH YOUR FINGERS YOU DON'T HAVE 796 00:34:37,747 --> 00:34:40,381 YOUR FINGERS YOU DON'T HAVE WHAT YOU HAD ¶ 797 00:34:40,383 --> 00:34:44,118 YOU DON'T HAVE WHAT YOU HAD ¶ ¶ YOU DON'T HAVE MUCH TIME 798 00:34:44,120 --> 00:34:45,720 WHAT YOU HAD ¶ ¶ YOU DON'T HAVE MUCH TIME YOU GOTTA GET IN THE GAME 799 00:34:45,722 --> 00:34:46,254 ¶ YOU DON'T HAVE MUCH TIME YOU GOTTA GET IN THE GAME YOU GOTTA LEARN 800 00:34:46,256 --> 00:34:47,855 YOU GOTTA GET IN THE GAME YOU GOTTA LEARN HOW TO PLAY ¶ 801 00:34:47,857 --> 00:34:50,024 YOU GOTTA LEARN HOW TO PLAY ¶ ¶ YOU GOTTA MAKE A CHANGE 802 00:34:50,026 --> 00:34:55,363 HOW TO PLAY ¶ ¶ YOU GOTTA MAKE A CHANGE YOU GOTTA DO IT TODAY ¶ 803 00:34:55,365 --> 00:34:57,498 ¶ YOU GOTTA MAKE A CHANGE YOU GOTTA DO IT TODAY ¶ ¶ IN THE MIDNIGHT HOUR 804 00:34:57,500 --> 00:35:00,168 YOU GOTTA DO IT TODAY ¶ ¶ IN THE MIDNIGHT HOUR THEY'LL SLAM THE DOOR 805 00:35:00,170 --> 00:35:02,837 ¶ IN THE MIDNIGHT HOUR THEY'LL SLAM THE DOOR MAKE YOU FORGET 806 00:35:02,839 --> 00:35:04,972 THEY'LL SLAM THE DOOR MAKE YOU FORGET WHAT YOU WERE FIGHTING FOR ¶ 807 00:35:04,974 --> 00:35:07,108 MAKE YOU FORGET WHAT YOU WERE FIGHTING FOR ¶ ¶ PUT YOU BACK IN YOUR PLACE 808 00:35:07,110 --> 00:35:10,344 WHAT YOU WERE FIGHTING FOR ¶ ¶ PUT YOU BACK IN YOUR PLACE THEY'LL SHUT YOU DOWN 809 00:35:10,346 --> 00:35:10,878 ¶ PUT YOU BACK IN YOUR PLACE THEY'LL SHUT YOU DOWN YOU BETTER LEARN 810 00:35:10,880 --> 00:35:12,513 THEY'LL SHUT YOU DOWN YOU BETTER LEARN HOW TO FIGHT ¶ 811 00:35:12,515 --> 00:35:16,784 YOU BETTER LEARN HOW TO FIGHT ¶ ¶ YOU BETTER SAY IT OUT LOUD ¶ 812 00:35:16,786 --> 00:35:25,793 HOW TO FIGHT ¶ ¶ YOU BETTER SAY IT OUT LOUD ¶ ¶¶ 813 00:35:25,795 --> 00:35:34,919 ¶ YOU BETTER SAY IT OUT LOUD ¶ ¶¶ [ CHEERS AND APPLAUSE ] 814 00:35:51,787 --> 00:35:55,656 >> Announcer: IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 815 00:35:55,658 --> 00:36:03,030 UPDATE" WITH COLIN JOST AND MICHAEL CHE. [ CHEERS AND APPLAUSE ] 816 00:36:03,032 --> 00:36:04,832 MICHAEL CHE. [ CHEERS AND APPLAUSE ] >>> THANK YOU VERY MUCH. 817 00:36:04,834 --> 00:36:08,002 [ CHEERS AND APPLAUSE ] >>> THANK YOU VERY MUCH. GOOD EVENING, EVERYONE. 818 00:36:08,004 --> 00:36:11,305 >>> THANK YOU VERY MUCH. GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE" 819 00:36:11,307 --> 00:36:12,039 GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE" I'M MICHAEL CHE. 820 00:36:12,041 --> 00:36:13,374 >> WELCOME TO "WEEKEND UPDATE" I'M MICHAEL CHE. >> I'M COLIN JOST. 821 00:36:13,376 --> 00:36:15,743 I'M MICHAEL CHE. >> I'M COLIN JOST. DONALD TRUMP HELD A RALLY TODAY 822 00:36:15,745 --> 00:36:17,812 >> I'M COLIN JOST. DONALD TRUMP HELD A RALLY TODAY AT THE SITE OF THE COACHELLA 823 00:36:17,814 --> 00:36:20,548 DONALD TRUMP HELD A RALLY TODAY AT THE SITE OF THE COACHELLA MUSIC FESTIVAL BECAUSE JUST LIKE 824 00:36:20,550 --> 00:36:23,818 AT THE SITE OF THE COACHELLA MUSIC FESTIVAL BECAUSE JUST LIKE TRUMP, COACHELLA BRINGS OUT THE 825 00:36:23,820 --> 00:36:24,385 MUSIC FESTIVAL BECAUSE JUST LIKE TRUMP, COACHELLA BRINGS OUT THE WORST IN WHITE PEOPLE. 826 00:36:24,387 --> 00:36:26,287 TRUMP, COACHELLA BRINGS OUT THE WORST IN WHITE PEOPLE. MAYBE IT WAS THE 100 DEGREE 827 00:36:26,289 --> 00:36:28,089 WORST IN WHITE PEOPLE. MAYBE IT WAS THE 100 DEGREE HEAT, BUT IT ALSO BROUGHT OUT 828 00:36:28,091 --> 00:36:29,957 MAYBE IT WAS THE 100 DEGREE HEAT, BUT IT ALSO BROUGHT OUT THE WEIRDEST IN TRUMP. 829 00:36:29,959 --> 00:36:34,362 HEAT, BUT IT ALSO BROUGHT OUT THE WEIRDEST IN TRUMP. >> L.A. AND SAN FRANCISCO, WHAT 830 00:36:34,364 --> 00:36:36,597 THE WEIRDEST IN TRUMP. >> L.A. AND SAN FRANCISCO, WHAT THE HELL IS HAPPENING TO OUR 831 00:36:36,599 --> 00:36:37,164 >> L.A. AND SAN FRANCISCO, WHAT THE HELL IS HAPPENING TO OUR CITIES. 832 00:36:37,166 --> 00:36:40,501 THE HELL IS HAPPENING TO OUR CITIES. LOOK, IT'S ABRAHAM LINCOLN. 833 00:36:40,503 --> 00:36:40,868 CITIES. LOOK, IT'S ABRAHAM LINCOLN. STAND UP. 834 00:36:40,870 --> 00:36:41,802 LOOK, IT'S ABRAHAM LINCOLN. STAND UP. >> WHAT? 835 00:36:41,804 --> 00:36:45,206 STAND UP. >> WHAT? HE JUST TOLD ABRAHAM -- GIVEN 836 00:36:45,208 --> 00:36:49,377 >> WHAT? HE JUST TOLD ABRAHAM -- GIVEN YOUR RECENT HISTORY AT RALLIES, 837 00:36:49,379 --> 00:36:50,778 HE JUST TOLD ABRAHAM -- GIVEN YOUR RECENT HISTORY AT RALLIES, DO YOU REALLY WANT BOTH YOU AND 838 00:36:50,780 --> 00:36:53,381 YOUR RECENT HISTORY AT RALLIES, DO YOU REALLY WANT BOTH YOU AND ABRAHAM LINCOLN TO STAND UP? 839 00:36:53,383 --> 00:36:55,449 DO YOU REALLY WANT BOTH YOU AND ABRAHAM LINCOLN TO STAND UP? IT WAS ALSO REPORTED THAT DURING 840 00:36:55,451 --> 00:36:57,618 ABRAHAM LINCOLN TO STAND UP? IT WAS ALSO REPORTED THAT DURING THE FIRST THREE MONTHS OF HER 841 00:36:57,620 --> 00:37:00,154 IT WAS ALSO REPORTED THAT DURING THE FIRST THREE MONTHS OF HER CAMPAIGN, KAMALA HARRIS RAISED 842 00:37:00,156 --> 00:37:05,393 THE FIRST THREE MONTHS OF HER CAMPAIGN, KAMALA HARRIS RAISED OVER $1 BILLION, WHICH I HOPE IS 843 00:37:05,395 --> 00:37:06,627 CAMPAIGN, KAMALA HARRIS RAISED OVER $1 BILLION, WHICH I HOPE IS FINALLY ENOUGH MONEY FOR HER TO 844 00:37:06,629 --> 00:37:10,698 OVER $1 BILLION, WHICH I HOPE IS FINALLY ENOUGH MONEY FOR HER TO STOP TEXTING ME. 845 00:37:10,700 --> 00:37:13,968 FINALLY ENOUGH MONEY FOR HER TO STOP TEXTING ME. >> A NEW POLL SHOWS THAT 47% OF 846 00:37:13,970 --> 00:37:16,137 STOP TEXTING ME. >> A NEW POLL SHOWS THAT 47% OF VOTERS SEE KAMALA HARRIS 847 00:37:16,139 --> 00:37:18,072 >> A NEW POLL SHOWS THAT 47% OF VOTERS SEE KAMALA HARRIS REPRESENTING CHANGE BETTER THAN 848 00:37:18,074 --> 00:37:18,706 VOTERS SEE KAMALA HARRIS REPRESENTING CHANGE BETTER THAN DONALD TRUMP. 849 00:37:18,708 --> 00:37:19,774 REPRESENTING CHANGE BETTER THAN DONALD TRUMP. HOW ABOUT NOW? 850 00:37:19,776 --> 00:37:21,275 DONALD TRUMP. HOW ABOUT NOW? SAID TRUMP WITH BANGS. 851 00:37:21,277 --> 00:37:23,511 HOW ABOUT NOW? SAID TRUMP WITH BANGS. NEXT WEEK, DONALD TRUMP WILL 852 00:37:23,513 --> 00:37:25,212 SAID TRUMP WITH BANGS. NEXT WEEK, DONALD TRUMP WILL PARTICIPATE IN A FOX NEWS TOWN 853 00:37:25,214 --> 00:37:27,481 NEXT WEEK, DONALD TRUMP WILL PARTICIPATE IN A FOX NEWS TOWN HALL BEFORE AN ALL FEMALE 854 00:37:27,483 --> 00:37:27,848 PARTICIPATE IN A FOX NEWS TOWN HALL BEFORE AN ALL FEMALE AUDIENCE. 855 00:37:27,850 --> 00:37:30,084 HALL BEFORE AN ALL FEMALE AUDIENCE. WELL, GOOD LUCK TRYING TO TALK 856 00:37:30,086 --> 00:37:36,924 AUDIENCE. WELL, GOOD LUCK TRYING TO TALK OVER ALL THOSE RAPE WHISTLES. 857 00:37:36,926 --> 00:37:39,427 WELL, GOOD LUCK TRYING TO TALK OVER ALL THOSE RAPE WHISTLES. >> DONALD TRUMP CONFIRMED HE 858 00:37:39,429 --> 00:37:41,729 OVER ALL THOSE RAPE WHISTLES. >> DONALD TRUMP CONFIRMED HE WOULD NOT AGREE TO A SECOND 859 00:37:41,731 --> 00:37:43,631 >> DONALD TRUMP CONFIRMED HE WOULD NOT AGREE TO A SECOND DEBATE WITH KAMALA HARRIS, WHICH 860 00:37:43,633 --> 00:37:44,732 WOULD NOT AGREE TO A SECOND DEBATE WITH KAMALA HARRIS, WHICH IS FINE WITH ME. 861 00:37:44,734 --> 00:37:46,867 DEBATE WITH KAMALA HARRIS, WHICH IS FINE WITH ME. IF I WANT TODAY WATCH AN OLD MAN 862 00:37:46,869 --> 00:37:49,970 IS FINE WITH ME. IF I WANT TODAY WATCH AN OLD MAN YELL AT A JAMAICAN LADY, I WOULD 863 00:37:49,972 --> 00:37:52,873 IF I WANT TODAY WATCH AN OLD MAN YELL AT A JAMAICAN LADY, I WOULD VISIT MY GRANDPA AT THE NURSING 864 00:37:52,875 --> 00:37:53,174 YELL AT A JAMAICAN LADY, I WOULD VISIT MY GRANDPA AT THE NURSING HOME. 865 00:37:53,176 --> 00:37:55,676 VISIT MY GRANDPA AT THE NURSING HOME. AN INTERVIEW OF THE NEW YORK 866 00:37:55,678 --> 00:38:00,047 HOME. AN INTERVIEW OF THE NEW YORK TIMES, J.D. VANCE WAS REPEATEDLY 867 00:38:00,049 --> 00:38:02,183 AN INTERVIEW OF THE NEW YORK TIMES, J.D. VANCE WAS REPEATEDLY ASKED IF DONALD TRUMP LOST THE 868 00:38:02,185 --> 00:38:02,650 TIMES, J.D. VANCE WAS REPEATEDLY ASKED IF DONALD TRUMP LOST THE 2020 ELECTION. 869 00:38:02,652 --> 00:38:06,120 ASKED IF DONALD TRUMP LOST THE 2020 ELECTION. >> I'M GOING TO ASK YOU DID 870 00:38:06,122 --> 00:38:08,322 2020 ELECTION. >> I'M GOING TO ASK YOU DID DONALD TRUMP LOSE THE 2020 871 00:38:08,324 --> 00:38:08,689 >> I'M GOING TO ASK YOU DID DONALD TRUMP LOSE THE 2020 ELECTION. 872 00:38:08,691 --> 00:38:10,791 DONALD TRUMP LOSE THE 2020 ELECTION. >> I'M GOING TO ANSWER YOUR 873 00:38:10,793 --> 00:38:13,594 ELECTION. >> I'M GOING TO ANSWER YOUR QUESTION WITH ANOTHER QUESTION. 874 00:38:13,596 --> 00:38:15,663 >> I'M GOING TO ANSWER YOUR QUESTION WITH ANOTHER QUESTION. >> YOU CAN'T ANSWER QUESTIONS 875 00:38:15,665 --> 00:38:16,831 QUESTION WITH ANOTHER QUESTION. >> YOU CAN'T ANSWER QUESTIONS WITH QUESTIONS. 876 00:38:16,833 --> 00:38:19,066 >> YOU CAN'T ANSWER QUESTIONS WITH QUESTIONS. IF A COP ASKS, HAVE YOU BEEN 877 00:38:19,068 --> 00:38:22,203 WITH QUESTIONS. IF A COP ASKS, HAVE YOU BEEN DRINKING, YOU CAN'T ASK HIM, 878 00:38:22,205 --> 00:38:23,704 IF A COP ASKS, HAVE YOU BEEN DRINKING, YOU CAN'T ASK HIM, HAVE YOU BEEN DRINKING? 879 00:38:23,706 --> 00:38:28,008 DRINKING, YOU CAN'T ASK HIM, HAVE YOU BEEN DRINKING? >> A NEW POLL SHOWS THAT SINCE 880 00:38:28,010 --> 00:38:33,581 HAVE YOU BEEN DRINKING? >> A NEW POLL SHOWS THAT SINCE 2016, SUPPORT BY BLACK VOTERS 881 00:38:33,583 --> 00:38:35,182 >> A NEW POLL SHOWS THAT SINCE 2016, SUPPORT BY BLACK VOTERS FOR DEMOCRATIC CANDIDATES HAS 882 00:38:35,184 --> 00:38:40,521 2016, SUPPORT BY BLACK VOTERS FOR DEMOCRATIC CANDIDATES HAS DROPPED FROM 92% TO 78%. 883 00:38:40,523 --> 00:38:45,259 FOR DEMOCRATIC CANDIDATES HAS DROPPED FROM 92% TO 78%. 78% IS ENOUGH TO MAKE WHITE LAB 884 00:38:45,261 --> 00:38:45,793 DROPPED FROM 92% TO 78%. 78% IS ENOUGH TO MAKE WHITE LAB 885 00:38:45,795 --> 00:38:51,632 78% IS ENOUGH TO MAKE WHITE LAB 886 00:38:51,634 --> 00:38:54,235 -- LIBERALS LEAVE THE COUNTY. ALSO, IF IT WASN'T FOR BLACK 887 00:38:54,237 --> 00:38:55,903 -- LIBERALS LEAVE THE COUNTY. ALSO, IF IT WASN'T FOR BLACK VOTERS, YOU WOULDN'T EVEN BE A 888 00:38:55,905 --> 00:38:57,471 ALSO, IF IT WASN'T FOR BLACK VOTERS, YOU WOULDN'T EVEN BE A PARTY ANYMORE. 889 00:38:57,473 --> 00:38:59,540 VOTERS, YOU WOULDN'T EVEN BE A PARTY ANYMORE. YOU WOULD BE THE DEMOCRATIC 890 00:38:59,542 --> 00:39:00,408 PARTY ANYMORE. YOU WOULD BE THE DEMOCRATIC SMALL GET TOGETHER. 891 00:39:00,410 --> 00:39:02,243 YOU WOULD BE THE DEMOCRATIC SMALL GET TOGETHER. >> EXPERTS HAVE NOTED THAT 892 00:39:02,245 --> 00:39:03,611 SMALL GET TOGETHER. >> EXPERTS HAVE NOTED THAT DONALD TRUMP HAS STRUGGLED TO 893 00:39:03,613 --> 00:39:05,846 >> EXPERTS HAVE NOTED THAT DONALD TRUMP HAS STRUGGLED TO PRESENT A SOFTENED STANCE ON 894 00:39:05,848 --> 00:39:06,213 DONALD TRUMP HAS STRUGGLED TO PRESENT A SOFTENED STANCE ON ABORTION. 895 00:39:06,215 --> 00:39:07,381 PRESENT A SOFTENED STANCE ON ABORTION. IN FACT, THIS IS THE BEST HE'S 896 00:39:07,383 --> 00:39:10,317 ABORTION. IN FACT, THIS IS THE BEST HE'S COME UP WITH. 897 00:39:10,319 --> 00:39:10,718 IN FACT, THIS IS THE BEST HE'S COME UP WITH. >> OH, MAN. 898 00:39:10,720 --> 00:39:14,221 COME UP WITH. >> OH, MAN. >> OKAY. 899 00:39:14,223 --> 00:39:14,655 >> OH, MAN. >> OKAY. OKAY. 900 00:39:14,657 --> 00:39:16,323 >> OKAY. OKAY. >> I LIKED IT, COLIN. 901 00:39:16,325 --> 00:39:16,991 OKAY. >> I LIKED IT, COLIN. >> WE'RE REALLY FINDING THE 902 00:39:16,993 --> 00:39:19,760 >> I LIKED IT, COLIN. >> WE'RE REALLY FINDING THE LINE. 903 00:39:19,762 --> 00:39:22,963 >> WE'RE REALLY FINDING THE LINE. ARKANSAS GOVERNOR SARAH HUCKABEE 904 00:39:22,965 --> 00:39:29,403 LINE. ARKANSAS GOVERNOR SARAH HUCKABEE SANDERS CRITICIZED KAMALA HARRIS 905 00:39:29,405 --> 00:39:30,137 ARKANSAS GOVERNOR SARAH HUCKABEE SANDERS CRITICIZED KAMALA HARRIS AND SAID BECAUSE KAMALA DOESN'T 906 00:39:30,139 --> 00:39:30,871 SANDERS CRITICIZED KAMALA HARRIS AND SAID BECAUSE KAMALA DOESN'T HAVE CHILDREN, SHE DOESN'T HAVE 907 00:39:30,873 --> 00:39:32,440 AND SAID BECAUSE KAMALA DOESN'T HAVE CHILDREN, SHE DOESN'T HAVE ANYTHING KEEPING HER HUMBLE. 908 00:39:32,442 --> 00:39:34,175 HAVE CHILDREN, SHE DOESN'T HAVE ANYTHING KEEPING HER HUMBLE. YEAH, BECAUSE TRUMP HAVING FIVE 909 00:39:34,177 --> 00:39:36,644 ANYTHING KEEPING HER HUMBLE. YEAH, BECAUSE TRUMP HAVING FIVE KIDS HAS KEPT HIM SO HUMBLE. 910 00:39:36,646 --> 00:39:39,046 YEAH, BECAUSE TRUMP HAVING FIVE KIDS HAS KEPT HIM SO HUMBLE. HARRIS RESPONDED BY SAYING IT'S 911 00:39:39,048 --> 00:39:42,783 KIDS HAS KEPT HIM SO HUMBLE. HARRIS RESPONDED BY SAYING IT'S TOUGH TO BE A STEP MOM, WHICH IS 912 00:39:42,785 --> 00:39:43,951 HARRIS RESPONDED BY SAYING IT'S TOUGH TO BE A STEP MOM, WHICH IS TRUE BECAUSE YOU HAVE TO BE A 913 00:39:43,953 --> 00:39:45,553 TOUGH TO BE A STEP MOM, WHICH IS TRUE BECAUSE YOU HAVE TO BE A PARENT AND TURN THEM AGAINST 914 00:39:45,555 --> 00:39:46,787 TRUE BECAUSE YOU HAVE TO BE A PARENT AND TURN THEM AGAINST THEIR REAL MOM. 915 00:39:46,789 --> 00:39:49,223 PARENT AND TURN THEM AGAINST THEIR REAL MOM. >> INFLATION HAS DROPPED TO ITS 916 00:39:49,225 --> 00:39:52,726 THEIR REAL MOM. >> INFLATION HAS DROPPED TO ITS LOWEST LEVEL IN FOUR YEARS. 917 00:39:52,728 --> 00:39:55,729 >> INFLATION HAS DROPPED TO ITS LOWEST LEVEL IN FOUR YEARS. MAN, I WISH JOE BIDEN WAS AROUND 918 00:39:55,731 --> 00:39:56,864 LOWEST LEVEL IN FOUR YEARS. MAN, I WISH JOE BIDEN WAS AROUND TO SEE THIS. 919 00:39:56,866 --> 00:39:57,531 MAN, I WISH JOE BIDEN WAS AROUND TO SEE THIS. OH, HE IS? 920 00:39:57,533 --> 00:39:58,199 TO SEE THIS. OH, HE IS? I DIDN'T KNOW. 921 00:39:58,201 --> 00:39:59,733 OH, HE IS? I DIDN'T KNOW. >> BOTH THE METS AND YANKEES 922 00:39:59,735 --> 00:40:01,602 I DIDN'T KNOW. >> BOTH THE METS AND YANKEES HAVE ADVANCED TO THE LEAGUE 923 00:40:01,604 --> 00:40:05,005 >> BOTH THE METS AND YANKEES HAVE ADVANCED TO THE LEAGUE CHAMPIONSHIP ROUND SETTING UP A 924 00:40:05,007 --> 00:40:06,774 HAVE ADVANCED TO THE LEAGUE CHAMPIONSHIP ROUND SETTING UP A POTENTIAL SUBWAY SERIES. 925 00:40:06,776 --> 00:40:12,046 CHAMPIONSHIP ROUND SETTING UP A POTENTIAL SUBWAY SERIES. OH, GOD, THAT WOULD BE SO 926 00:40:12,048 --> 00:40:12,379 POTENTIAL SUBWAY SERIES. OH, GOD, THAT WOULD BE SO AWESOME. 927 00:40:12,381 --> 00:40:19,320 OH, GOD, THAT WOULD BE SO AWESOME. IT WOULD WITH BE THE ONLY THING 928 00:40:19,322 --> 00:40:21,055 AWESOME. IT WOULD WITH BE THE ONLY THING PEOPLE CARED ABOUT SAID MAYOR 929 00:40:21,057 --> 00:40:29,830 IT WOULD WITH BE THE ONLY THING PEOPLE CARED ABOUT SAID MAYOR ADAMS. 930 00:40:29,832 --> 00:40:34,602 PEOPLE CARED ABOUT SAID MAYOR ADAMS. >> DON'T WHISTLE. 931 00:40:34,604 --> 00:40:36,770 ADAMS. >> DON'T WHISTLE. FANS OF THE PEANUTS ECONOMIC 932 00:40:36,772 --> 00:40:38,939 >> DON'T WHISTLE. FANS OF THE PEANUTS ECONOMIC STRIP WERE UPSET AFTER A FAN 933 00:40:38,941 --> 00:40:40,441 FANS OF THE PEANUTS ECONOMIC STRIP WERE UPSET AFTER A FAN ACCOUNT ENDORSED DONALD TRUMP. 934 00:40:40,443 --> 00:40:42,042 STRIP WERE UPSET AFTER A FAN ACCOUNT ENDORSED DONALD TRUMP. THEY CLAIMED THAT FRANKLIN WAS 935 00:40:42,044 --> 00:40:45,412 ACCOUNT ENDORSED DONALD TRUMP. THEY CLAIMED THAT FRANKLIN WAS TRYING TO EAT SNOOPY. 936 00:40:45,414 --> 00:40:48,449 THEY CLAIMED THAT FRANKLIN WAS TRYING TO EAT SNOOPY. >> THIS WEEK, AMAZON CELEBRATED 937 00:40:48,451 --> 00:40:50,951 TRYING TO EAT SNOOPY. >> THIS WEEK, AMAZON CELEBRATED ITS 48-HOUR SALE EVENT PRIME DAY 938 00:40:50,953 --> 00:40:52,553 >> THIS WEEK, AMAZON CELEBRATED ITS 48-HOUR SALE EVENT PRIME DAY WITH A RECORD NUMBER OF ORDERS. 939 00:40:52,555 --> 00:40:54,822 ITS 48-HOUR SALE EVENT PRIME DAY WITH A RECORD NUMBER OF ORDERS. HERE TO COMMENT IS MONICA, A 940 00:40:54,824 --> 00:40:57,458 WITH A RECORD NUMBER OF ORDERS. HERE TO COMMENT IS MONICA, A HAPPY AMAZON EMPLOYEE. 941 00:40:57,460 --> 00:40:59,560 HERE TO COMMENT IS MONICA, A HAPPY AMAZON EMPLOYEE. >> GOOD MORNING, MICHAEL. 942 00:40:59,562 --> 00:41:01,695 HAPPY AMAZON EMPLOYEE. >> GOOD MORNING, MICHAEL. GOOD MORNING, EVERYBODY. 943 00:41:01,697 --> 00:41:02,930 >> GOOD MORNING, MICHAEL. GOOD MORNING, EVERYBODY. HOW WE DOING? 944 00:41:02,932 --> 00:41:05,900 GOOD MORNING, EVERYBODY. HOW WE DOING? >> MONICA, IT'S MIDNIGHT. 945 00:41:05,902 --> 00:41:08,836 HOW WE DOING? >> MONICA, IT'S MIDNIGHT. >> GOT TO HAVE A LOT OF ENERGY. 946 00:41:08,838 --> 00:41:10,704 >> MONICA, IT'S MIDNIGHT. >> GOT TO HAVE A LOT OF ENERGY. THESE PACKAGES AIN'T GOING TO 947 00:41:10,706 --> 00:41:12,039 >> GOT TO HAVE A LOT OF ENERGY. THESE PACKAGES AIN'T GOING TO DELIVER THEMSELVES. 948 00:41:12,041 --> 00:41:14,108 THESE PACKAGES AIN'T GOING TO DELIVER THEMSELVES. >> CAN YOU JUST STOP THAT FOR A 949 00:41:14,110 --> 00:41:14,441 DELIVER THEMSELVES. >> CAN YOU JUST STOP THAT FOR A SECOND? 950 00:41:14,443 --> 00:41:15,009 >> CAN YOU JUST STOP THAT FOR A SECOND? >> HAPPY TO. 951 00:41:15,011 --> 00:41:17,211 SECOND? >> HAPPY TO. LOVE TO. 952 00:41:17,213 --> 00:41:17,578 >> HAPPY TO. LOVE TO. WHAT'S UP? 953 00:41:17,580 --> 00:41:19,613 LOVE TO. WHAT'S UP? >> PRIME DAY IS AMAZON'S BIGGEST 954 00:41:19,615 --> 00:41:19,880 WHAT'S UP? >> PRIME DAY IS AMAZON'S BIGGEST DAY. 955 00:41:19,882 --> 00:41:21,849 >> PRIME DAY IS AMAZON'S BIGGEST DAY. HOW WAS IT THIS YEAR? 956 00:41:21,851 --> 00:41:24,785 DAY. HOW WAS IT THIS YEAR? >> PRIME DAY IS SORT OF LIKE 957 00:41:24,787 --> 00:41:27,288 HOW WAS IT THIS YEAR? >> PRIME DAY IS SORT OF LIKE HANUKKAH IN THAT THEY SAID IT 958 00:41:27,290 --> 00:41:29,757 >> PRIME DAY IS SORT OF LIKE HANUKKAH IN THAT THEY SAID IT WOULD LAST ONE DAY, BUT I WORKED 959 00:41:29,759 --> 00:41:30,424 HANUKKAH IN THAT THEY SAID IT WOULD LAST ONE DAY, BUT I WORKED EIGHT DAYS. 960 00:41:30,426 --> 00:41:32,693 WOULD LAST ONE DAY, BUT I WORKED EIGHT DAYS. I HAD TO MAKE A WHOLE NEW DAY OF 961 00:41:32,695 --> 00:41:35,596 EIGHT DAYS. I HAD TO MAKE A WHOLE NEW DAY OF THE WEEK, FLUESDAY. 962 00:41:35,598 --> 00:41:37,431 I HAD TO MAKE A WHOLE NEW DAY OF THE WEEK, FLUESDAY. WHEN YOU CLOSE YOUR EYES ON 963 00:41:37,433 --> 00:41:39,433 THE WEEK, FLUESDAY. WHEN YOU CLOSE YOUR EYES ON FRIDAY AND WAKE UP ON TUESDAY. 964 00:41:39,435 --> 00:41:40,968 WHEN YOU CLOSE YOUR EYES ON FRIDAY AND WAKE UP ON TUESDAY. I GOT A GOOD JOB. 965 00:41:40,970 --> 00:41:48,208 FRIDAY AND WAKE UP ON TUESDAY. I GOT A GOOD JOB. >> DO YOU AT LEAST LIKE YOUR 966 00:41:48,210 --> 00:41:48,576 I GOT A GOOD JOB. >> DO YOU AT LEAST LIKE YOUR COWORKERS? 967 00:41:48,578 --> 00:41:50,444 >> DO YOU AT LEAST LIKE YOUR COWORKERS? >> I LOVE THEM. 968 00:41:50,446 --> 00:41:54,348 COWORKERS? >> I LOVE THEM. THE DRONES ARE SO SWEET. 969 00:41:54,350 --> 00:41:55,816 >> I LOVE THEM. THE DRONES ARE SO SWEET. I ACTUALLY HOOKED UP WITH A 970 00:41:55,818 --> 00:41:56,283 THE DRONES ARE SO SWEET. I ACTUALLY HOOKED UP WITH A DRONE. 971 00:41:56,285 --> 00:42:00,888 I ACTUALLY HOOKED UP WITH A DRONE. LIKE I ALWAYS SAY, CAN'T GET AN 972 00:42:00,890 --> 00:42:03,524 DRONE. LIKE I ALWAYS SAY, CAN'T GET AN STD IF HE'S GOT A USB. 973 00:42:03,526 --> 00:42:06,994 LIKE I ALWAYS SAY, CAN'T GET AN STD IF HE'S GOT A USB. >> DO YOU HAVE ANY WORK/LIFE 974 00:42:06,996 --> 00:42:07,328 STD IF HE'S GOT A USB. >> DO YOU HAVE ANY WORK/LIFE BALANCE? 975 00:42:07,330 --> 00:42:10,798 >> DO YOU HAVE ANY WORK/LIFE BALANCE? >> YEAH, GOT TO. 976 00:42:10,800 --> 00:42:13,934 BALANCE? >> YEAH, GOT TO. ONCE A WEEK, I ORDER A PACKAGE 977 00:42:13,936 --> 00:42:17,638 >> YEAH, GOT TO. ONCE A WEEK, I ORDER A PACKAGE SO I CAN DRIVE BY AND SEE MY 978 00:42:17,640 --> 00:42:17,972 ONCE A WEEK, I ORDER A PACKAGE SO I CAN DRIVE BY AND SEE MY KIDS. 979 00:42:17,974 --> 00:42:23,177 SO I CAN DRIVE BY AND SEE MY KIDS. MICHAEL, I KNOW HOW TO CARRY 980 00:42:23,179 --> 00:42:24,044 KIDS. MICHAEL, I KNOW HOW TO CARRY 981 00:42:24,046 --> 00:42:26,513 MICHAEL, I KNOW HOW TO CARRY 982 00:42:26,515 --> 00:42:27,815 MYSELF. I'VE BEEN ON TV BEFORE. 983 00:42:27,817 --> 00:42:30,250 MYSELF. I'VE BEEN ON TV BEFORE. YOU MIGHT RECOGNIZE ME FROM 984 00:42:30,252 --> 00:42:33,087 I'VE BEEN ON TV BEFORE. YOU MIGHT RECOGNIZE ME FROM AMAZON WORKER KICKS LITTLE WHITE 985 00:42:33,089 --> 00:42:34,321 YOU MIGHT RECOGNIZE ME FROM AMAZON WORKER KICKS LITTLE WHITE DOG INTO THE SUN. 986 00:42:34,323 --> 00:42:39,193 AMAZON WORKER KICKS LITTLE WHITE DOG INTO THE SUN. I'VE BEEN SON SO MANY RING 987 00:42:39,195 --> 00:42:42,896 DOG INTO THE SUN. I'VE BEEN SON SO MANY RING CAMERAS, I'M GETTING RESIDUALS 988 00:42:42,898 --> 00:42:45,466 I'VE BEEN SON SO MANY RING CAMERAS, I'M GETTING RESIDUALS FROM RIDICULOUSNESS. 989 00:42:45,468 --> 00:42:47,034 CAMERAS, I'M GETTING RESIDUALS FROM RIDICULOUSNESS. >> DO THEY OFFER YOU ANYTHING? 990 00:42:47,036 --> 00:42:49,803 FROM RIDICULOUSNESS. >> DO THEY OFFER YOU ANYTHING? >> THEY GAVE ME THIS VEST. 991 00:42:49,805 --> 00:42:51,071 >> DO THEY OFFER YOU ANYTHING? >> THEY GAVE ME THIS VEST. ALL THE MOST IMPORTANT JOBS GET 992 00:42:51,073 --> 00:42:55,843 >> THEY GAVE ME THIS VEST. ALL THE MOST IMPORTANT JOBS GET A VEST, CROSSING GUARDS, SERVICE 993 00:42:55,845 --> 00:42:58,278 ALL THE MOST IMPORTANT JOBS GET A VEST, CROSSING GUARDS, SERVICE DOGS, LESBIANS. 994 00:42:58,280 --> 00:43:00,414 A VEST, CROSSING GUARDS, SERVICE DOGS, LESBIANS. >> LESBIANS IS NOT A JOB. 995 00:43:00,416 --> 00:43:02,916 DOGS, LESBIANS. >> LESBIANS IS NOT A JOB. >> WELL THEN WHY DO THEY DO IT? 996 00:43:02,918 --> 00:43:04,118 >> LESBIANS IS NOT A JOB. >> WELL THEN WHY DO THEY DO IT? >> I'VE NEVER THOUGHT ABOUT IT 997 00:43:04,120 --> 00:43:04,952 >> WELL THEN WHY DO THEY DO IT? >> I'VE NEVER THOUGHT ABOUT IT LIKE THAT. 998 00:43:04,954 --> 00:43:09,056 >> I'VE NEVER THOUGHT ABOUT IT LIKE THAT. WHY ARE YOU SO HAPPY WORKING AT 999 00:43:09,058 --> 00:43:09,390 LIKE THAT. WHY ARE YOU SO HAPPY WORKING AT AMAZON? 1000 00:43:09,392 --> 00:43:10,958 WHY ARE YOU SO HAPPY WORKING AT AMAZON? MONICA, ARE YOU ASLEEP WITH YOUR 1001 00:43:10,960 --> 00:43:12,660 AMAZON? MONICA, ARE YOU ASLEEP WITH YOUR EYES OPEN RIGHT NOW? 1002 00:43:12,662 --> 00:43:13,894 MONICA, ARE YOU ASLEEP WITH YOUR EYES OPEN RIGHT NOW? >> WHERE AM I? 1003 00:43:13,896 --> 00:43:16,997 EYES OPEN RIGHT NOW? >> WHERE AM I? WHAT DAY IS IT? 1004 00:43:16,999 --> 00:43:17,364 >> WHERE AM I? WHAT DAY IS IT? FLUESDAY? 1005 00:43:17,366 --> 00:43:19,900 WHAT DAY IS IT? FLUESDAY? I'M SORRY. 1006 00:43:19,902 --> 00:43:21,101 FLUESDAY? I'M SORRY. SO DISORIENTED TO WAKE UP AND 1007 00:43:21,103 --> 00:43:22,269 I'M SORRY. SO DISORIENTED TO WAKE UP AND NOT BE DRIVING. 1008 00:43:22,271 --> 00:43:25,372 SO DISORIENTED TO WAKE UP AND NOT BE DRIVING. >> I'M STARTING TO THINK AMAZON 1009 00:43:25,374 --> 00:43:27,007 NOT BE DRIVING. >> I'M STARTING TO THINK AMAZON IS OVERWORKING YOU. 1010 00:43:27,009 --> 00:43:29,376 >> I'M STARTING TO THINK AMAZON IS OVERWORKING YOU. >> YOU REALLY THINK SO, CHE? 1011 00:43:29,378 --> 00:43:29,810 IS OVERWORKING YOU. >> YOU REALLY THINK SO, CHE? >> YEAH. 1012 00:43:29,812 --> 00:43:32,746 >> YOU REALLY THINK SO, CHE? >> YEAH. >> SO YOU GOING TO STOP ORDERING 1013 00:43:32,748 --> 00:43:36,050 >> YEAH. >> SO YOU GOING TO STOP ORDERING FROM AMAZON? 1014 00:43:36,052 --> 00:43:36,817 >> SO YOU GOING TO STOP ORDERING FROM AMAZON? >> HAPPY AMAZON EMPLOYEE, 1015 00:43:36,819 --> 00:43:42,523 FROM AMAZON? >> HAPPY AMAZON EMPLOYEE, EVERYBODY. 1016 00:43:42,525 --> 00:43:45,893 >> HAPPY AMAZON EMPLOYEE, EVERYBODY. >> LeBRON JAMES AND HIS SON 1017 00:43:45,895 --> 00:43:47,995 EVERYBODY. >> LeBRON JAMES AND HIS SON BRONNY MADE HISTORY WHEN THEY 1018 00:43:47,997 --> 00:43:50,798 >> LeBRON JAMES AND HIS SON BRONNY MADE HISTORY WHEN THEY BECAME THE FIRST FATHER/SON DUO 1019 00:43:50,800 --> 00:43:53,834 BRONNY MADE HISTORY WHEN THEY BECAME THE FIRST FATHER/SON DUO TO PLAY IN A GAME TOGETHER. 1020 00:43:53,836 --> 00:43:56,370 BECAME THE FIRST FATHER/SON DUO TO PLAY IN A GAME TOGETHER. BUT THERE WAS SOME CONFUSION 1021 00:43:56,372 --> 00:43:59,573 TO PLAY IN A GAME TOGETHER. BUT THERE WAS SOME CONFUSION WHEN LeBRON CALLED A TIME-OUT 1022 00:43:59,575 --> 00:44:02,710 BUT THERE WAS SOME CONFUSION WHEN LeBRON CALLED A TIME-OUT AND HIS SON STOOD IN THE CORNER. 1023 00:44:02,712 --> 00:44:04,211 WHEN LeBRON CALLED A TIME-OUT AND HIS SON STOOD IN THE CORNER. >> THAT BEGS THIS QUESTION, 1024 00:44:04,213 --> 00:44:08,949 AND HIS SON STOOD IN THE CORNER. >> THAT BEGS THIS QUESTION, WHAT'S THE CROSS STREETS. 1025 00:44:08,951 --> 00:44:17,357 >> THAT BEGS THIS QUESTION, WHAT'S THE CROSS STREETS. >> A YOUTUBE STAR TOTALLED HIS 1026 00:44:17,359 --> 00:44:18,459 WHAT'S THE CROSS STREETS. >> A YOUTUBE STAR TOTALLED HIS $200,000 McLAREN. 1027 00:44:18,461 --> 00:44:26,033 >> A YOUTUBE STAR TOTALLED HIS $200,000 McLAREN. EVEN MORE TRAGIC, HE SURVIVED. 1028 00:44:26,035 --> 00:44:29,103 $200,000 McLAREN. EVEN MORE TRAGIC, HE SURVIVED. >> SCIENTISTS HAVE RELEASED A 1029 00:44:29,105 --> 00:44:30,037 EVEN MORE TRAGIC, HE SURVIVED. >> SCIENTISTS HAVE RELEASED A 1030 00:44:30,039 --> 00:44:32,339 >> SCIENTISTS HAVE RELEASED A 1031 00:44:32,341 --> 00:44:32,639 DETAILED MAP OF A FRUIT FLY'S BRAIN. 1032 00:44:32,641 --> 00:44:34,174 DETAILED MAP OF A FRUIT FLY'S BRAIN. IT'S ACTUALLY VERY DIFFERENT 1033 00:44:34,176 --> 00:44:36,577 BRAIN. IT'S ACTUALLY VERY DIFFERENT THAN A STRAIGHT FLY'S BRAIN. 1034 00:44:36,579 --> 00:44:39,713 IT'S ACTUALLY VERY DIFFERENT THAN A STRAIGHT FLY'S BRAIN. IT'S THE '90s, COLIN. 1035 00:44:39,715 --> 00:44:46,153 THAN A STRAIGHT FLY'S BRAIN. IT'S THE '90s, COLIN. >> THE NOBEL PEACE PRIZE WAS 1036 00:44:46,155 --> 00:44:46,887 IT'S THE '90s, COLIN. >> THE NOBEL PEACE PRIZE WAS AWARDED TO A GROUP OF JAPANESE 1037 00:44:46,889 --> 00:44:48,756 >> THE NOBEL PEACE PRIZE WAS AWARDED TO A GROUP OF JAPANESE ATOMIC BOMBERS, CALLING THE 1038 00:44:48,758 --> 00:44:50,491 AWARDED TO A GROUP OF JAPANESE ATOMIC BOMBERS, CALLING THE AWARD THE SECOND BIGGEST 1039 00:44:50,493 --> 00:44:57,164 ATOMIC BOMBERS, CALLING THE AWARD THE SECOND BIGGEST SURPRISE OF THEIR LIVES. 1040 00:44:57,166 --> 00:44:59,133 AWARD THE SECOND BIGGEST SURPRISE OF THEIR LIVES. >> THE SUPREME COURT DECLINED TO 1041 00:44:59,135 --> 00:45:01,301 SURPRISE OF THEIR LIVES. >> THE SUPREME COURT DECLINED TO HEAR R. KELLY'S APPEAL OF THE 1042 00:45:01,303 --> 00:45:03,470 >> THE SUPREME COURT DECLINED TO HEAR R. KELLY'S APPEAL OF THE DECISION IN HIS SEX CRIMES CASE, 1043 00:45:03,472 --> 00:45:05,606 HEAR R. KELLY'S APPEAL OF THE DECISION IN HIS SEX CRIMES CASE, OR AS I LIKE TO CALL IT -- IT'S 1044 00:45:05,608 --> 00:45:08,509 DECISION IN HIS SEX CRIMES CASE, OR AS I LIKE TO CALL IT -- IT'S THE REMIX TO CONVICTION. 1045 00:45:08,511 --> 00:45:18,886 OR AS I LIKE TO CALL IT -- IT'S THE REMIX TO CONVICTION. R. KELLY'S GOING TO PRISON. 1046 00:45:18,888 --> 00:45:20,220 THE REMIX TO CONVICTION. R. KELLY'S GOING TO PRISON. >> THAT WAS PRETTY GOOD. 1047 00:45:20,222 --> 00:45:24,224 R. KELLY'S GOING TO PRISON. >> THAT WAS PRETTY GOOD. SOUTH BURLINGTON, VERMONT IS THE 1048 00:45:24,226 --> 00:45:26,894 >> THAT WAS PRETTY GOOD. SOUTH BURLINGTON, VERMONT IS THE SAFEST CITY WHILE THE LEAST SAFE 1049 00:45:26,896 --> 00:45:30,898 SOUTH BURLINGTON, VERMONT IS THE SAFEST CITY WHILE THE LEAST SAFE IS DIDDY FREAK-OFF NEBRASKA. 1050 00:45:30,900 --> 00:45:32,332 SAFEST CITY WHILE THE LEAST SAFE IS DIDDY FREAK-OFF NEBRASKA. TICKETS FOR THE NORTH AMERICAN 1051 00:45:32,334 --> 00:45:35,769 IS DIDDY FREAK-OFF NEBRASKA. TICKETS FOR THE NORTH AMERICAN LEG OF THE LONG-AWAITED OASIS 1052 00:45:35,771 --> 00:45:37,571 TICKETS FOR THE NORTH AMERICAN LEG OF THE LONG-AWAITED OASIS TOUR ARE ON SALE, WHICH IS 1053 00:45:37,573 --> 00:45:39,807 LEG OF THE LONG-AWAITED OASIS TOUR ARE ON SALE, WHICH IS SURPRISING AS THE FAN HAS BEEN 1054 00:45:39,809 --> 00:45:42,543 TOUR ARE ON SALE, WHICH IS SURPRISING AS THE FAN HAS BEEN FAMOUSLY FEUDING FOR DECADES. 1055 00:45:42,545 --> 00:45:48,949 SURPRISING AS THE FAN HAS BEEN FAMOUSLY FEUDING FOR DECADES. HERE TO COMMENT ARE BROTHERS 1056 00:45:48,951 --> 00:45:51,051 FAMOUSLY FEUDING FOR DECADES. HERE TO COMMENT ARE BROTHERS NOEL AND -- GALLAGHER. 1057 00:45:51,053 --> 00:45:53,320 HERE TO COMMENT ARE BROTHERS NOEL AND -- GALLAGHER. >> THANKS FOR BEING HERE. 1058 00:45:53,322 --> 00:45:56,490 NOEL AND -- GALLAGHER. >> THANKS FOR BEING HERE. EVERYONE IS WONDERING, ARE YOU 1059 00:45:56,492 --> 00:45:59,326 >> THANKS FOR BEING HERE. EVERYONE IS WONDERING, ARE YOU GUYS GOING TO BE COOL TO TOUR A 1060 00:45:59,328 --> 00:45:59,793 EVERYONE IS WONDERING, ARE YOU GUYS GOING TO BE COOL TO TOUR A YEAR FROM NOW. 1061 00:45:59,795 --> 00:46:00,994 GUYS GOING TO BE COOL TO TOUR A YEAR FROM NOW. >> I'M COOL IF HE'S COOL. 1062 00:46:00,996 --> 00:46:03,497 YEAR FROM NOW. >> I'M COOL IF HE'S COOL. >> I'M COOL. 1063 00:46:03,499 --> 00:46:04,998 >> I'M COOL IF HE'S COOL. >> I'M COOL. I'M COOLER THAN YOU ARE. 1064 00:46:05,000 --> 00:46:05,399 >> I'M COOL. I'M COOLER THAN YOU ARE. >> STOP IT. 1065 00:46:05,401 --> 00:46:05,866 I'M COOLER THAN YOU ARE. >> STOP IT. >> GREAT. 1066 00:46:05,868 --> 00:46:06,967 >> STOP IT. >> GREAT. SO THAT'S A NO. 1067 00:46:06,969 --> 00:46:09,069 >> GREAT. SO THAT'S A NO. >> IT'S NOT A HARD NO. 1068 00:46:09,071 --> 00:46:09,536 SO THAT'S A NO. >> IT'S NOT A HARD NO. IT'S A MAYBE. 1069 00:46:09,538 --> 00:46:13,373 >> IT'S NOT A HARD NO. IT'S A MAYBE. >> WE SAID MAYBE -- IF LIAM 1070 00:46:13,375 --> 00:46:14,708 IT'S A MAYBE. >> WE SAID MAYBE -- IF LIAM DOESN'T ACT LIKE A BABY. 1071 00:46:14,710 --> 00:46:15,309 >> WE SAID MAYBE -- IF LIAM DOESN'T ACT LIKE A BABY. >> WHAT? 1072 00:46:15,311 --> 00:46:16,610 DOESN'T ACT LIKE A BABY. >> WHAT? I'M NOT A BABY. 1073 00:46:16,612 --> 00:46:17,611 >> WHAT? I'M NOT A BABY. YOU'RE A BABY. 1074 00:46:17,613 --> 00:46:19,446 I'M NOT A BABY. YOU'RE A BABY. YOU'RE A BABY. 1075 00:46:19,448 --> 00:46:21,081 YOU'RE A BABY. YOU'RE A BABY. >> YOU'RE A BABY. 1076 00:46:21,083 --> 00:46:22,416 YOU'RE A BABY. >> YOU'RE A BABY. COLIN, DID YOU SEE THAT? 1077 00:46:22,418 --> 00:46:27,454 >> YOU'RE A BABY. COLIN, DID YOU SEE THAT? >> COLIN, HE'S BEING NAUGHTY. 1078 00:46:27,456 --> 00:46:29,990 COLIN, DID YOU SEE THAT? >> COLIN, HE'S BEING NAUGHTY. >> GUYS, YOU'RE FIGHTING. 1079 00:46:29,992 --> 00:46:32,793 >> COLIN, HE'S BEING NAUGHTY. >> GUYS, YOU'RE FIGHTING. YOU'RE 50 YEARS OLD AND FIGHTING 1080 00:46:32,795 --> 00:46:34,561 >> GUYS, YOU'RE FIGHTING. YOU'RE 50 YEARS OLD AND FIGHTING LIKE A COUPLE OF KIDS. 1081 00:46:34,563 --> 00:46:36,063 YOU'RE 50 YEARS OLD AND FIGHTING LIKE A COUPLE OF KIDS. THERE MUST BE SOMETHING YOU BOTH 1082 00:46:36,065 --> 00:46:36,430 LIKE A COUPLE OF KIDS. THERE MUST BE SOMETHING YOU BOTH AGREE ON. 1083 00:46:36,432 --> 00:46:39,266 THERE MUST BE SOMETHING YOU BOTH AGREE ON. >> I GUESS A FEW THINGS. 1084 00:46:39,268 --> 00:46:39,700 AGREE ON. >> I GUESS A FEW THINGS. SPONGEBOB -- 1085 00:46:39,702 --> 00:46:40,868 >> I GUESS A FEW THINGS. SPONGEBOB -- >> LEGEND. 1086 00:46:40,870 --> 00:46:43,904 SPONGEBOB -- >> LEGEND. WHO'S THE BEST ANYONE GENTLEMAN 1087 00:46:43,906 --> 00:46:44,271 >> LEGEND. WHO'S THE BEST ANYONE GENTLEMAN TURTLE. 1088 00:46:44,273 --> 00:46:49,142 WHO'S THE BEST ANYONE GENTLEMAN TURTLE. AND WHO'S THE BEST RUGRAT, ONE, 1089 00:46:49,144 --> 00:46:49,543 TURTLE. AND WHO'S THE BEST RUGRAT, ONE, TWO, THREE. 1090 00:46:49,545 --> 00:46:51,879 AND WHO'S THE BEST RUGRAT, ONE, TWO, THREE. >> TOMMY PICKLES. 1091 00:46:51,881 --> 00:46:52,312 TWO, THREE. >> TOMMY PICKLES. >> LEGEND. 1092 00:46:52,314 --> 00:46:56,116 >> TOMMY PICKLES. >> LEGEND. >> SO YOU GUYS ONLY AGREE ON 1093 00:46:56,118 --> 00:46:56,483 >> LEGEND. >> SO YOU GUYS ONLY AGREE ON CARTOONS. 1094 00:46:56,485 --> 00:46:57,584 >> SO YOU GUYS ONLY AGREE ON CARTOONS. >> YEAH. 1095 00:46:57,586 --> 00:46:58,852 CARTOONS. >> YEAH. PROPER BROTHER STUFF. 1096 00:46:58,854 --> 00:47:00,888 >> YEAH. PROPER BROTHER STUFF. YOU KNOW HOW IT IS WORKING WITH 1097 00:47:00,890 --> 00:47:01,722 PROPER BROTHER STUFF. YOU KNOW HOW IT IS WORKING WITH YOUR BROTHER. 1098 00:47:01,724 --> 00:47:04,024 YOU KNOW HOW IT IS WORKING WITH YOUR BROTHER. >> YOU KNOW WHAT IT'S LIKE 1099 00:47:04,026 --> 00:47:05,525 YOUR BROTHER. >> YOU KNOW WHAT IT'S LIKE WORKING "WEEKEND UPDATE" WITH 1100 00:47:05,527 --> 00:47:07,127 >> YOU KNOW WHAT IT'S LIKE WORKING "WEEKEND UPDATE" WITH YOUR BIOLOGICAL BROTHER. 1101 00:47:07,129 --> 00:47:10,230 WORKING "WEEKEND UPDATE" WITH YOUR BIOLOGICAL BROTHER. >> YOU THINK ME AND CHE ARE 1102 00:47:10,232 --> 00:47:10,530 YOUR BIOLOGICAL BROTHER. >> YOU THINK ME AND CHE ARE TWINS? 1103 00:47:10,532 --> 00:47:13,066 >> YOU THINK ME AND CHE ARE TWINS? >> WELL, MAYBE, YOUR MOM HAD 1104 00:47:13,068 --> 00:47:18,171 TWINS? >> WELL, MAYBE, YOUR MOM HAD LIKE A WHITE BABIES. 1105 00:47:18,173 --> 00:47:19,673 >> WELL, MAYBE, YOUR MOM HAD LIKE A WHITE BABIES. >> I DON'T EVEN UNDERSTAND WHY 1106 00:47:19,675 --> 00:47:23,210 LIKE A WHITE BABIES. >> I DON'T EVEN UNDERSTAND WHY YOU GUYS ARE SO MAD AT EACH 1107 00:47:23,212 --> 00:47:23,510 >> I DON'T EVEN UNDERSTAND WHY YOU GUYS ARE SO MAD AT EACH OTHER. 1108 00:47:23,512 --> 00:47:26,380 YOU GUYS ARE SO MAD AT EACH OTHER. WHERE DID THE FEUD ACTUALLY 1109 00:47:26,382 --> 00:47:26,680 OTHER. WHERE DID THE FEUD ACTUALLY START? 1110 00:47:26,682 --> 00:47:31,551 WHERE DID THE FEUD ACTUALLY START? >> WHEN WE STAYED IN STADIUM 1111 00:47:31,553 --> 00:47:32,019 START? >> WHEN WE STAYED IN STADIUM 1993. 1112 00:47:32,021 --> 00:47:36,423 >> WHEN WE STAYED IN STADIUM 1993. WE WAS WITH PORSCHE SPICE, SCARY 1113 00:47:36,425 --> 00:47:38,158 1993. WE WAS WITH PORSCHE SPICE, SCARY SPICE, STINKY SPICE. 1114 00:47:38,160 --> 00:47:39,593 WE WAS WITH PORSCHE SPICE, SCARY SPICE, STINKY SPICE. YOU TOLD EVERYBODY I HAD A 1115 00:47:39,595 --> 00:47:40,661 SPICE, STINKY SPICE. YOU TOLD EVERYBODY I HAD A CROOKED KNOB. 1116 00:47:40,663 --> 00:47:43,964 YOU TOLD EVERYBODY I HAD A CROOKED KNOB. YOU SAID ME KNOB BENDED LIKE 1117 00:47:43,966 --> 00:47:44,331 CROOKED KNOB. YOU SAID ME KNOB BENDED LIKE BECKHAM. 1118 00:47:44,333 --> 00:47:49,603 YOU SAID ME KNOB BENDED LIKE BECKHAM. >> '95, ME, COUGAR, DUMBABLE 1119 00:47:49,605 --> 00:47:49,903 BECKHAM. >> '95, ME, COUGAR, DUMBABLE DOOR. 1120 00:47:49,905 --> 00:47:52,639 >> '95, ME, COUGAR, DUMBABLE DOOR. YOU SAID IF I SQUEEZED REALLY 1121 00:47:52,641 --> 00:47:54,408 DOOR. YOU SAID IF I SQUEEZED REALLY HARD, I COULD PEE OUT MY BUM. 1122 00:47:54,410 --> 00:47:56,576 YOU SAID IF I SQUEEZED REALLY HARD, I COULD PEE OUT MY BUM. >> DID NOT. 1123 00:47:56,578 --> 00:47:56,977 HARD, I COULD PEE OUT MY BUM. >> DID NOT. >> DID TOO. 1124 00:47:56,979 --> 00:47:58,612 >> DID NOT. >> DID TOO. >> GUYS, LISTEN, I REALLY NEED 1125 00:47:58,614 --> 00:48:00,914 >> DID TOO. >> GUYS, LISTEN, I REALLY NEED YOUR TOUR TO WORK OUT, OKAY? 1126 00:48:00,916 --> 00:48:03,817 >> GUYS, LISTEN, I REALLY NEED YOUR TOUR TO WORK OUT, OKAY? BECAUSE I ALREADY BOUGHT 1127 00:48:03,819 --> 00:48:05,619 YOUR TOUR TO WORK OUT, OKAY? BECAUSE I ALREADY BOUGHT TICKETS, AND I'M ABOUT TO MOSH 1128 00:48:05,621 --> 00:48:09,523 BECAUSE I ALREADY BOUGHT TICKETS, AND I'M ABOUT TO MOSH OUT SO HARD THAT I WIN WHITE BOY 1129 00:48:09,525 --> 00:48:10,023 TICKETS, AND I'M ABOUT TO MOSH OUT SO HARD THAT I WIN WHITE BOY OF THE YEAR AWARD. 1130 00:48:10,025 --> 00:48:13,627 OUT SO HARD THAT I WIN WHITE BOY OF THE YEAR AWARD. OKAY? 1131 00:48:13,629 --> 00:48:17,864 OF THE YEAR AWARD. OKAY? SO LET'S GET BACK ON COMMON 1132 00:48:17,866 --> 00:48:18,198 OKAY? SO LET'S GET BACK ON COMMON GROUND. 1133 00:48:18,200 --> 00:48:19,700 SO LET'S GET BACK ON COMMON GROUND. THERE MUST BE THINGS YOU AGREE 1134 00:48:19,702 --> 00:48:21,068 GROUND. THERE MUST BE THINGS YOU AGREE ON BESIDES CARTOON. 1135 00:48:21,070 --> 00:48:21,735 THERE MUST BE THINGS YOU AGREE ON BESIDES CARTOON. >> OKAY. 1136 00:48:21,737 --> 00:48:23,136 ON BESIDES CARTOON. >> OKAY. A FEW. 1137 00:48:23,138 --> 00:48:25,973 >> OKAY. A FEW. FAVORITE SEX AND THE CITY 1138 00:48:25,975 --> 00:48:26,373 A FEW. FAVORITE SEX AND THE CITY BOYFRIEND. 1139 00:48:26,375 --> 00:48:28,308 FAVORITE SEX AND THE CITY BOYFRIEND. >> STEVE. 1140 00:48:28,310 --> 00:48:29,142 BOYFRIEND. >> STEVE. LEGEND. 1141 00:48:29,144 --> 00:48:30,744 >> STEVE. LEGEND. FAVORITE BOYFRIEND, MR. BIG. 1142 00:48:30,746 --> 00:48:32,946 LEGEND. FAVORITE BOYFRIEND, MR. BIG. >> FAVORITE WILL SMITH FILM. 1143 00:48:32,948 --> 00:48:36,550 FAVORITE BOYFRIEND, MR. BIG. >> FAVORITE WILL SMITH FILM. >> I AM LEGEND, LEGEND, DOUBLE 1144 00:48:36,552 --> 00:48:36,883 >> FAVORITE WILL SMITH FILM. >> I AM LEGEND, LEGEND, DOUBLE LEGEND. 1145 00:48:36,885 --> 00:48:39,636 >> I AM LEGEND, LEGEND, DOUBLE LEGEND. >> OASIS, 1146 00:49:07,031 --> 00:49:10,100 >>> OKAY. WELCOME. EVERYBODY GOING TO BE A LITTLE 1147 00:49:10,102 --> 00:49:12,502 WELCOME. EVERYBODY GOING TO BE A LITTLE QUIET BECAUSE THE PRINCE HAVE A 1148 00:49:12,504 --> 00:49:14,805 EVERYBODY GOING TO BE A LITTLE QUIET BECAUSE THE PRINCE HAVE A LITTLE SOMETHING HE WANT TO SAY. 1149 00:49:14,807 --> 00:49:25,782 QUIET BECAUSE THE PRINCE HAVE A LITTLE SOMETHING HE WANT TO SAY. >> THANK YOU, MA TTE ZBLORKS 1150 00:49:25,784 --> 00:49:27,451 LITTLE SOMETHING HE WANT TO SAY. >> THANK YOU, MA TTE ZBLORKS THAT IS WHY I INVITED THE PEOPLE 1151 00:49:27,453 --> 00:49:29,052 >> THANK YOU, MA TTE ZBLORKS THAT IS WHY I INVITED THE PEOPLE TO COME UP WITH THE IDEAS OF HOW 1152 00:49:29,054 --> 00:49:31,922 THAT IS WHY I INVITED THE PEOPLE TO COME UP WITH THE IDEAS OF HOW TO MAKE THE MUSIC EVEN MORE 1153 00:49:31,924 --> 00:49:32,289 TO COME UP WITH THE IDEAS OF HOW TO MAKE THE MUSIC EVEN MORE SPECIAL. 1154 00:49:32,291 --> 00:49:34,691 TO MAKE THE MUSIC EVEN MORE SPECIAL. >> SI, PRINCE ENZO. 1155 00:49:34,693 --> 00:49:36,727 SPECIAL. >> SI, PRINCE ENZO. I COME. 1156 00:49:36,729 --> 00:49:37,461 >> SI, PRINCE ENZO. I COME. PUT I GOT -- SO YOU CAN REALLY 1157 00:49:37,463 --> 00:49:41,264 I COME. PUT I GOT -- SO YOU CAN REALLY SHRED. 1158 00:49:41,266 --> 00:49:43,333 PUT I GOT -- SO YOU CAN REALLY SHRED. >> OH. 1159 00:49:43,335 --> 00:49:43,700 SHRED. >> OH. OKAY. 1160 00:49:43,702 --> 00:49:45,669 >> OH. OKAY. NOT SO BAD. 1161 00:49:45,671 --> 00:49:51,208 OKAY. NOT SO BAD. NOT SO GOOD. 1162 00:49:51,210 --> 00:49:51,808 NOT SO BAD. NOT SO GOOD. >> AND PRINCE ENZO -- 1163 00:49:51,810 --> 00:49:53,844 NOT SO GOOD. >> AND PRINCE ENZO -- >> PRINCE ENZO, WE WOULD LOVE 1164 00:49:53,846 --> 00:49:56,713 >> AND PRINCE ENZO -- >> PRINCE ENZO, WE WOULD LOVE FOR YOU TO MEET OUR SON ANTONIO. 1165 00:49:56,715 --> 00:49:59,316 >> PRINCE ENZO, WE WOULD LOVE FOR YOU TO MEET OUR SON ANTONIO. >> WE THINK YOU'RE REALLY GOING 1166 00:49:59,318 --> 00:50:00,917 FOR YOU TO MEET OUR SON ANTONIO. >> WE THINK YOU'RE REALLY GOING TO LOVE OUR SON. 1167 00:50:00,919 --> 00:50:01,485 >> WE THINK YOU'RE REALLY GOING TO LOVE OUR SON. HE'S VERY SPECIAL. 1168 00:50:01,487 --> 00:50:02,486 TO LOVE OUR SON. HE'S VERY SPECIAL. >> YEAH. 1169 00:50:02,488 --> 00:50:10,260 HE'S VERY SPECIAL. >> YEAH. ANTONIO, COME ON OUT. 1170 00:50:10,262 --> 00:50:12,496 >> YEAH. ANTONIO, COME ON OUT. THAT DO YOU HAVE TO SAY TO ME, 1171 00:50:12,498 --> 00:50:12,829 ANTONIO, COME ON OUT. THAT DO YOU HAVE TO SAY TO ME, ANTONIO? 1172 00:50:12,831 --> 00:50:17,000 THAT DO YOU HAVE TO SAY TO ME, ANTONIO? >> HE A LITTLE SHY, OUR ANTONIO. 1173 00:50:17,002 --> 00:50:19,202 ANTONIO? >> HE A LITTLE SHY, OUR ANTONIO. HE MUCH MORE COMFORTABLE 1174 00:50:19,204 --> 00:50:19,569 >> HE A LITTLE SHY, OUR ANTONIO. HE MUCH MORE COMFORTABLE SINGING. 1175 00:50:19,571 --> 00:50:23,340 HE MUCH MORE COMFORTABLE SINGING. >> GO AHEAD AND SING FOR PRINCE, 1176 00:50:23,342 --> 00:50:23,673 SINGING. >> GO AHEAD AND SING FOR PRINCE, ANTONIO. 1177 00:50:23,675 --> 00:50:25,909 >> GO AHEAD AND SING FOR PRINCE, ANTONIO. YOU'RE GOING TO LOVE THIS. 1178 00:50:25,911 --> 00:50:36,353 ANTONIO. YOU'RE GOING TO LOVE THIS. ¶¶ 1179 00:50:36,355 --> 00:50:37,354 YOU'RE GOING TO LOVE THIS. ¶¶ >> EH? 1180 00:50:37,356 --> 00:50:39,556 ¶¶ >> EH? >> HOW INCREDIBLE IS THAT, HUH? 1181 00:50:39,558 --> 00:50:41,558 >> EH? >> HOW INCREDIBLE IS THAT, HUH? >> WOW, THAT IS VERY, VERY, 1182 00:50:41,560 --> 00:50:43,026 >> HOW INCREDIBLE IS THAT, HUH? >> WOW, THAT IS VERY, VERY, BEAUTIFUL SINGING. 1183 00:50:43,028 --> 00:50:43,727 >> WOW, THAT IS VERY, VERY, BEAUTIFUL SINGING. >> AND DO YOU NOTICE HOW HIGH 1184 00:50:43,729 --> 00:50:45,796 BEAUTIFUL SINGING. >> AND DO YOU NOTICE HOW HIGH HIS VOICE WAS? 1185 00:50:45,798 --> 00:50:47,164 >> AND DO YOU NOTICE HOW HIGH HIS VOICE WAS? >> I DID, YES. 1186 00:50:47,166 --> 00:50:48,064 HIS VOICE WAS? >> I DID, YES. >> YES. 1187 00:50:48,066 --> 00:50:48,799 >> I DID, YES. >> YES. IT WAS THE ONLY THING I NOTICED, 1188 00:50:48,801 --> 00:50:50,901 >> YES. IT WAS THE ONLY THING I NOTICED, YES. 1189 00:50:50,903 --> 00:50:53,703 IT WAS THE ONLY THING I NOTICED, YES. >> WELL, WHAT IF I TOLD YOU THAT 1190 00:50:53,705 --> 00:50:55,505 YES. >> WELL, WHAT IF I TOLD YOU THAT ANY BOY COULD SING LIKE THIS. 1191 00:50:55,507 --> 00:50:57,841 >> WELL, WHAT IF I TOLD YOU THAT ANY BOY COULD SING LIKE THIS. ALL WE HAD TO DO WAS HAVE HIM 1192 00:50:57,843 --> 00:50:59,976 ANY BOY COULD SING LIKE THIS. ALL WE HAD TO DO WAS HAVE HIM CASS STRAITED. 1193 00:50:59,978 --> 00:51:00,210 ALL WE HAD TO DO WAS HAVE HIM CASS STRAITED. ? 1194 00:51:00,212 --> 00:51:01,444 CASS STRAITED. ? >> SORRY. 1195 00:51:01,446 --> 00:51:02,078 ? >> SORRY. WHAT WAS THAT? 1196 00:51:02,080 --> 00:51:10,987 >> SORRY. WHAT WAS THAT? >> ANTONIO IS WHAT WE'RE 1197 00:51:10,989 --> 00:51:18,328 WHAT WAS THAT? >> ANTONIO IS WHAT WE'RE CALLED -- IT'S AN EXPERIMENT. 1198 00:51:18,330 --> 00:51:22,299 >> ANTONIO IS WHAT WE'RE CALLED -- IT'S AN EXPERIMENT. >> YOU CASTRATE YOUR BOY BEFORE 1199 00:51:22,301 --> 00:51:24,401 CALLED -- IT'S AN EXPERIMENT. >> YOU CASTRATE YOUR BOY BEFORE PUBERTY SO HIS VOICE NEVER DROP. 1200 00:51:24,403 --> 00:51:26,636 >> YOU CASTRATE YOUR BOY BEFORE PUBERTY SO HIS VOICE NEVER DROP. >> YOU KNOW YOU LIKE YOUR BOY TO 1201 00:51:26,638 --> 00:51:29,372 PUBERTY SO HIS VOICE NEVER DROP. >> YOU KNOW YOU LIKE YOUR BOY TO SING, BUT THEN HE GO THROUGH 1202 00:51:29,374 --> 00:51:31,808 >> YOU KNOW YOU LIKE YOUR BOY TO SING, BUT THEN HE GO THROUGH PUBERTY AND THEN HIS VOICE DROP 1203 00:51:31,810 --> 00:51:32,242 SING, BUT THEN HE GO THROUGH PUBERTY AND THEN HIS VOICE DROP DOWN SO LOW. 1204 00:51:32,244 --> 00:51:35,912 PUBERTY AND THEN HIS VOICE DROP DOWN SO LOW. >> WELL, WITH THIS, IT WILL 1205 00:51:35,914 --> 00:51:37,147 DOWN SO LOW. >> WELL, WITH THIS, IT WILL NEVER HAPPEN. 1206 00:51:37,149 --> 00:51:38,114 >> WELL, WITH THIS, IT WILL NEVER HAPPEN. SHOW HIM, ANTONIO. 1207 00:51:38,116 --> 00:51:39,382 NEVER HAPPEN. SHOW HIM, ANTONIO. >> WITH A SONG. 1208 00:51:39,384 --> 00:51:43,653 SHOW HIM, ANTONIO. >> WITH A SONG. ¶¶ 1209 00:51:43,655 --> 00:51:48,758 >> WITH A SONG. ¶¶ >> I MEAN, COME ON. 1210 00:51:48,760 --> 00:51:50,961 ¶¶ >> I MEAN, COME ON. >> THAT IS LIKE -- THAT IS LIKE 1211 00:51:50,963 --> 00:51:52,896 >> I MEAN, COME ON. >> THAT IS LIKE -- THAT IS LIKE A FREAKING ANGEL, HUH? 1212 00:51:52,898 --> 00:51:54,931 >> THAT IS LIKE -- THAT IS LIKE A FREAKING ANGEL, HUH? >> WE ARE SO PROUD OF YOU, 1213 00:51:54,933 --> 00:51:55,298 A FREAKING ANGEL, HUH? >> WE ARE SO PROUD OF YOU, ANTONIO. 1214 00:51:55,300 --> 00:52:00,170 >> WE ARE SO PROUD OF YOU, ANTONIO. >> SO PROUD, ANTONIO. 1215 00:52:00,172 --> 00:52:02,772 ANTONIO. >> SO PROUD, ANTONIO. >> AND DOES HE LIKE THAT YOU DID 1216 00:52:02,774 --> 00:52:03,773 >> SO PROUD, ANTONIO. >> AND DOES HE LIKE THAT YOU DID THIS TO HIM? 1217 00:52:03,775 --> 00:52:06,309 >> AND DOES HE LIKE THAT YOU DID THIS TO HIM? >> YOU MEAN THE CASTRATION? 1218 00:52:06,311 --> 00:52:07,344 THIS TO HIM? >> YOU MEAN THE CASTRATION? >> YES. 1219 00:52:07,346 --> 00:52:10,981 >> YOU MEAN THE CASTRATION? >> YES. I THINK I MEAN THE CASTRATION. 1220 00:52:10,983 --> 00:52:12,983 >> YES. I THINK I MEAN THE CASTRATION. >> I DON'T KNOW IF HE EVEN 1221 00:52:12,985 --> 00:52:14,985 I THINK I MEAN THE CASTRATION. >> I DON'T KNOW IF HE EVEN NOTICED THE CASTRATION. 1222 00:52:14,987 --> 00:52:18,355 >> I DON'T KNOW IF HE EVEN NOTICED THE CASTRATION. DID YOU NOTICE THE CASTRATION, 1223 00:52:18,357 --> 00:52:18,688 NOTICED THE CASTRATION. DID YOU NOTICE THE CASTRATION, ANTONIO? 1224 00:52:18,690 --> 00:52:22,492 DID YOU NOTICE THE CASTRATION, ANTONIO? >> ANTONIO, THE CASTRATION, WAS 1225 00:52:22,494 --> 00:52:25,629 ANTONIO? >> ANTONIO, THE CASTRATION, WAS IT FUN OR NOT SO FUN? 1226 00:52:25,631 --> 00:52:34,604 >> ANTONIO, THE CASTRATION, WAS IT FUN OR NOT SO FUN? >> FUN, NOT SO FUN? 1227 00:52:34,606 --> 00:52:35,305 IT FUN OR NOT SO FUN? >> FUN, NOT SO FUN? I THINK HE JUST DON'T LIKE TO 1228 00:52:35,307 --> 00:52:35,605 >> FUN, NOT SO FUN? I THINK HE JUST DON'T LIKE TO TALK. 1229 00:52:35,607 --> 00:52:36,139 I THINK HE JUST DON'T LIKE TO TALK. HE PREFER TO SING. 1230 00:52:36,141 --> 00:52:38,541 TALK. HE PREFER TO SING. >> I THINK IT'S BECAUSE YOU CUT 1231 00:52:38,543 --> 00:52:39,409 HE PREFER TO SING. >> I THINK IT'S BECAUSE YOU CUT HIS NUTS OFF. 1232 00:52:39,411 --> 00:52:41,811 >> I THINK IT'S BECAUSE YOU CUT HIS NUTS OFF. >> IT'S NOT LIKE THAT AT ALL. 1233 00:52:41,813 --> 00:52:43,813 HIS NUTS OFF. >> IT'S NOT LIKE THAT AT ALL. >> WE'RE NOT MONSTERS. 1234 00:52:43,815 --> 00:52:46,149 >> IT'S NOT LIKE THAT AT ALL. >> WE'RE NOT MONSTERS. WE NEVER CUT OFF NOTHING. 1235 00:52:46,151 --> 00:52:48,051 >> WE'RE NOT MONSTERS. WE NEVER CUT OFF NOTHING. >> THAT'S GOOD. 1236 00:52:48,053 --> 00:52:48,385 WE NEVER CUT OFF NOTHING. >> THAT'S GOOD. >> YEAH. 1237 00:52:48,387 --> 00:52:48,818 >> THAT'S GOOD. >> YEAH. WE NEVER CUT. 1238 00:52:48,820 --> 00:52:50,487 >> YEAH. WE NEVER CUT. IT WAS JUST A TWIST. 1239 00:52:50,489 --> 00:52:54,324 WE NEVER CUT. IT WAS JUST A TWIST. >> SI, SI, SI, WE TWIST. 1240 00:52:54,326 --> 00:52:55,358 IT WAS JUST A TWIST. >> SI, SI, SI, WE TWIST. >> SORRY. 1241 00:52:55,360 --> 00:52:56,426 >> SI, SI, SI, WE TWIST. >> SORRY. A TWIST. 1242 00:52:56,428 --> 00:52:58,662 >> SORRY. A TWIST. WE JUST TAKE THE BOY WHEN HE 1243 00:52:58,664 --> 00:53:01,665 A TWIST. WE JUST TAKE THE BOY WHEN HE EIGHT OR NINE YEAR OLD AND PUT 1244 00:53:01,667 --> 00:53:09,973 WE JUST TAKE THE BOY WHEN HE EIGHT OR NINE YEAR OLD AND PUT HIM INTO A -- INDUCED COMA. 1245 00:53:09,975 --> 00:53:12,976 EIGHT OR NINE YEAR OLD AND PUT HIM INTO A -- INDUCED COMA. AND THEN WE TAKE HIS LITTLE 1246 00:53:12,978 --> 00:53:13,610 HIM INTO A -- INDUCED COMA. AND THEN WE TAKE HIS LITTLE GONAD AND HAVE A TWIST. 1247 00:53:13,612 --> 00:53:18,548 AND THEN WE TAKE HIS LITTLE GONAD AND HAVE A TWIST. >> WE TWIST. 1248 00:53:18,550 --> 00:53:19,015 GONAD AND HAVE A TWIST. >> WE TWIST. IT'S A TWIST. 1249 00:53:19,017 --> 00:53:21,184 >> WE TWIST. IT'S A TWIST. >> AND TWIST AND A TWIST AND 1250 00:53:21,186 --> 00:53:24,754 IT'S A TWIST. >> AND TWIST AND A TWIST AND MORE UNTIL THE LITTLE GONAD 1251 00:53:24,756 --> 00:53:25,989 >> AND TWIST AND A TWIST AND MORE UNTIL THE LITTLE GONAD BASICALLY POP RIGHT OFF. 1252 00:53:25,991 --> 00:53:27,357 MORE UNTIL THE LITTLE GONAD BASICALLY POP RIGHT OFF. >> SI, SI. 1253 00:53:27,359 --> 00:53:30,093 BASICALLY POP RIGHT OFF. >> SI, SI. THE LITTLE GONAD YELL, I GIVE 1254 00:53:30,095 --> 00:53:30,360 >> SI, SI. THE LITTLE GONAD YELL, I GIVE UP. 1255 00:53:30,362 --> 00:53:31,928 THE LITTLE GONAD YELL, I GIVE UP. >> I GIVE UP, I DON'T WANT TO BE 1256 00:53:31,930 --> 00:53:34,431 UP. >> I GIVE UP, I DON'T WANT TO BE A GONAD NO MORE. 1257 00:53:34,433 --> 00:53:37,500 >> I GIVE UP, I DON'T WANT TO BE A GONAD NO MORE. A WEEK LATER, ANTONIO WAKE UP 1258 00:53:37,502 --> 00:53:40,270 A GONAD NO MORE. A WEEK LATER, ANTONIO WAKE UP AND HAVE THAT BEAUTIFUL 1259 00:53:40,272 --> 00:53:42,439 A WEEK LATER, ANTONIO WAKE UP AND HAVE THAT BEAUTIFUL HIGH-PITCH SINGING FOREVER. 1260 00:53:42,441 --> 00:53:43,473 AND HAVE THAT BEAUTIFUL HIGH-PITCH SINGING FOREVER. RIGHT? 1261 00:53:43,475 --> 00:53:43,807 HIGH-PITCH SINGING FOREVER. RIGHT? >> YEP. 1262 00:53:43,809 --> 00:53:46,576 RIGHT? >> YEP. >> WHAT DO YOU DO WITH THE 1263 00:53:46,578 --> 00:53:46,910 >> YEP. >> WHAT DO YOU DO WITH THE GONAD? 1264 00:53:46,912 --> 00:53:49,913 >> WHAT DO YOU DO WITH THE GONAD? >> WE PUT IT IN THE ICEBOX IN 1265 00:53:49,915 --> 00:53:52,282 GONAD? >> WE PUT IT IN THE ICEBOX IN CASE WE EVER WANT TO REVERSE THE 1266 00:53:52,284 --> 00:53:52,682 >> WE PUT IT IN THE ICEBOX IN CASE WE EVER WANT TO REVERSE THE OPERATION. 1267 00:53:52,684 --> 00:53:54,451 CASE WE EVER WANT TO REVERSE THE OPERATION. >> YOU DID? 1268 00:53:54,453 --> 00:53:56,753 OPERATION. >> YOU DID? >> MY DOG, HE LEARNED HOW TO 1269 00:53:56,755 --> 00:53:58,755 >> YOU DID? >> MY DOG, HE LEARNED HOW TO OPEN UP THE ICEBOX AND MAKE A 1270 00:53:58,757 --> 00:54:01,958 >> MY DOG, HE LEARNED HOW TO OPEN UP THE ICEBOX AND MAKE A BIG MEAL OUT OF THE GONAD, AND 1271 00:54:01,960 --> 00:54:03,727 OPEN UP THE ICEBOX AND MAKE A BIG MEAL OUT OF THE GONAD, AND NOW THE DOG BARK LIKE THIS. 1272 00:54:03,729 --> 00:54:06,730 BIG MEAL OUT OF THE GONAD, AND NOW THE DOG BARK LIKE THIS. >> AND I HAVE A QUESTION AS 1273 00:54:06,732 --> 00:54:07,030 NOW THE DOG BARK LIKE THIS. >> AND I HAVE A QUESTION AS WELL. 1274 00:54:07,032 --> 00:54:12,736 >> AND I HAVE A QUESTION AS WELL. >> AH, YES, KENAN. 1275 00:54:12,738 --> 00:54:15,739 WELL. >> AH, YES, KENAN. >> DOES ANTONIO WRITE THE MUSIC 1276 00:54:15,741 --> 00:54:16,039 >> AH, YES, KENAN. >> DOES ANTONIO WRITE THE MUSIC ALSO? 1277 00:54:16,041 --> 00:54:17,374 >> DOES ANTONIO WRITE THE MUSIC ALSO? >> HE DOES. 1278 00:54:17,376 --> 00:54:20,243 ALSO? >> HE DOES. ANTONIO, YOU WANT TO SHARE THE 1279 00:54:20,245 --> 00:54:23,513 >> HE DOES. ANTONIO, YOU WANT TO SHARE THE ORIGINAL SONG YOU WROTE ABOUT 1280 00:54:23,515 --> 00:54:24,848 ANTONIO, YOU WANT TO SHARE THE ORIGINAL SONG YOU WROTE ABOUT THE GONAD EXPERIENCE? 1281 00:54:24,850 --> 00:54:25,615 ORIGINAL SONG YOU WROTE ABOUT THE GONAD EXPERIENCE? >> SURE. 1282 00:54:25,617 --> 00:54:30,487 THE GONAD EXPERIENCE? >> SURE. ¶ COME ON, BABY, COME ON, BABY, 1283 00:54:30,489 --> 00:54:34,891 >> SURE. ¶ COME ON, BABY, COME ON, BABY, TWIST AND SHOUT, COME ON, COME 1284 00:54:34,893 --> 00:54:38,094 ¶ COME ON, BABY, COME ON, BABY, TWIST AND SHOUT, COME ON, COME ON, COME ON, BABY NOW, POP IT 1285 00:54:38,096 --> 00:54:39,629 TWIST AND SHOUT, COME ON, COME ON, COME ON, BABY NOW, POP IT RIGHT OFF, POP IT RIGHT OFF, 1286 00:54:39,631 --> 00:54:41,631 ON, COME ON, BABY NOW, POP IT RIGHT OFF, POP IT RIGHT OFF, WHOO ¶ 1287 00:56:10,704 --> 00:56:20,446 >>> ONCE AGAIN, STEVIE NICKS. [ CHEERS AND APPLAUSE ] ¶¶ 1288 00:56:20,448 --> 00:56:21,514 [ CHEERS AND APPLAUSE ] ¶¶ ¶ JUST LIKE THE 1289 00:56:21,516 --> 00:56:22,615 ¶¶ ¶ JUST LIKE THE WHITE-WINGED DOVE 1290 00:56:22,617 --> 00:56:23,683 ¶ JUST LIKE THE WHITE-WINGED DOVE SINGS A SONG 1291 00:56:23,685 --> 00:56:26,920 WHITE-WINGED DOVE SINGS A SONG SOUNDS LIKE SHE'S SINGIN' ¶ 1292 00:56:26,922 --> 00:56:29,088 SINGS A SONG SOUNDS LIKE SHE'S SINGIN' ¶ ¶ WHOO-WHOO-WHOO 1293 00:56:29,090 --> 00:56:30,723 SOUNDS LIKE SHE'S SINGIN' ¶ ¶ WHOO-WHOO-WHOO JUST LIKE THE 1294 00:56:30,725 --> 00:56:31,825 ¶ WHOO-WHOO-WHOO JUST LIKE THE WHITE-WINGED DOVE 1295 00:56:31,827 --> 00:56:33,426 JUST LIKE THE WHITE-WINGED DOVE SINGS A SONG ¶ 1296 00:56:33,428 --> 00:56:36,095 WHITE-WINGED DOVE SINGS A SONG ¶ ¶ SOUNDS LIKE SHE'S SINGIN' 1297 00:56:36,097 --> 00:56:39,332 SINGS A SONG ¶ ¶ SOUNDS LIKE SHE'S SINGIN' WHOO-WHOO-WHOO ¶ 1298 00:56:39,334 --> 00:56:42,001 ¶ SOUNDS LIKE SHE'S SINGIN' WHOO-WHOO-WHOO ¶ ¶ AND THE DAYS GO BY 1299 00:56:42,003 --> 00:56:44,170 WHOO-WHOO-WHOO ¶ ¶ AND THE DAYS GO BY LIKE A STRAND IN THE WIND 1300 00:56:44,172 --> 00:56:46,306 ¶ AND THE DAYS GO BY LIKE A STRAND IN THE WIND IN THE WEB THAT IS MY OWN ¶ 1301 00:56:46,308 --> 00:56:48,474 LIKE A STRAND IN THE WIND IN THE WEB THAT IS MY OWN ¶ ¶ I BEGIN AGAIN 1302 00:56:48,476 --> 00:56:51,177 IN THE WEB THAT IS MY OWN ¶ ¶ I BEGIN AGAIN SAID TO MY FRIEND 1303 00:56:51,179 --> 00:56:51,711 ¶ I BEGIN AGAIN SAID TO MY FRIEND YOU KNOW 1304 00:56:51,713 --> 00:56:57,851 SAID TO MY FRIEND YOU KNOW NOTHIN' ELSE MATTERED ¶ 1305 00:56:57,853 --> 00:57:01,387 YOU KNOW NOTHIN' ELSE MATTERED ¶ ¶ HE WAS NO MORE 1306 00:57:01,389 --> 00:57:01,921 NOTHIN' ELSE MATTERED ¶ ¶ HE WAS NO MORE HE WAS NO MORE 1307 00:57:01,923 --> 00:57:05,692 ¶ HE WAS NO MORE HE WAS NO MORE THAN A BABY THEN ¶ 1308 00:57:05,694 --> 00:57:06,793 HE WAS NO MORE THAN A BABY THEN ¶ ¶ WELL WELL HE SEEMED 1309 00:57:06,795 --> 00:57:08,928 THAN A BABY THEN ¶ ¶ WELL WELL HE SEEMED BROKENHEARTED 1310 00:57:08,930 --> 00:57:10,029 ¶ WELL WELL HE SEEMED BROKENHEARTED IT WAS SOMETHIN' 1311 00:57:10,031 --> 00:57:14,901 BROKENHEARTED IT WAS SOMETHIN' WITHIN HIM ¶ 1312 00:57:14,903 --> 00:57:17,103 IT WAS SOMETHIN' WITHIN HIM ¶ ¶ BUT THE MOMENT 1313 00:57:17,105 --> 00:57:21,908 WITHIN HIM ¶ ¶ BUT THE MOMENT THAT I FIRST LAID 1314 00:57:21,910 --> 00:57:24,077 ¶ BUT THE MOMENT THAT I FIRST LAID EYES ON HIM ¶ 1315 00:57:24,079 --> 00:57:26,212 THAT I FIRST LAID EYES ON HIM ¶ ¶ ALL ALONE SOMEWHERE 1316 00:57:26,214 --> 00:57:27,881 EYES ON HIM ¶ ¶ ALL ALONE SOMEWHERE JUST OUT ON THE EDGE OF 1317 00:57:27,883 --> 00:57:32,151 ¶ ALL ALONE SOMEWHERE JUST OUT ON THE EDGE OF SEVENTEEN ¶ 1318 00:57:32,153 --> 00:57:33,253 JUST OUT ON THE EDGE OF SEVENTEEN ¶ ¶ JUST LIKE THE 1319 00:57:33,255 --> 00:57:34,320 SEVENTEEN ¶ ¶ JUST LIKE THE WHITE-WINGED DOVE 1320 00:57:34,322 --> 00:57:35,922 ¶ JUST LIKE THE WHITE-WINGED DOVE SINGS A SONG 1321 00:57:35,924 --> 00:57:39,158 WHITE-WINGED DOVE SINGS A SONG SOUNDS LIKE SHE'S SINGIN' ¶ 1322 00:57:39,160 --> 00:57:40,760 SINGS A SONG SOUNDS LIKE SHE'S SINGIN' ¶ ¶ WHOO-WHOO-WHOO 1323 00:57:40,762 --> 00:57:41,794 SOUNDS LIKE SHE'S SINGIN' ¶ ¶ WHOO-WHOO-WHOO JUST LIKE THE 1324 00:57:41,796 --> 00:57:42,896 ¶ WHOO-WHOO-WHOO JUST LIKE THE WHITE-WINGED DOVE 1325 00:57:42,898 --> 00:57:44,530 JUST LIKE THE WHITE-WINGED DOVE SINGS A SONG ¶ 1326 00:57:44,532 --> 00:57:47,734 WHITE-WINGED DOVE SINGS A SONG ¶ ¶ SOUNDS LIKE SHE'S SINGIN' 1327 00:57:47,736 --> 00:57:52,038 SINGS A SONG ¶ ¶ SOUNDS LIKE SHE'S SINGIN' WHOO-WHOO-WHOO ¶ 1328 00:57:52,040 --> 00:57:53,640 ¶ SOUNDS LIKE SHE'S SINGIN' WHOO-WHOO-WHOO ¶ ¶ WELL THEN SUDDENLY 1329 00:57:53,642 --> 00:57:54,207 WHOO-WHOO-WHOO ¶ ¶ WELL THEN SUDDENLY THERE WAS NO ONE LEFT 1330 00:57:54,209 --> 00:57:54,741 ¶ WELL THEN SUDDENLY THERE WAS NO ONE LEFT STANDING 1331 00:57:54,743 --> 00:57:59,045 THERE WAS NO ONE LEFT STANDING IN THE HALL ¶ 1332 00:57:59,047 --> 00:58:00,713 STANDING IN THE HALL ¶ ¶ WELL WELL IN A FLOOD 1333 00:58:00,715 --> 00:58:02,282 IN THE HALL ¶ ¶ WELL WELL IN A FLOOD OF TEARS 1334 00:58:02,284 --> 00:58:03,349 ¶ WELL WELL IN A FLOOD OF TEARS THAT NO ONE REALLY 1335 00:58:03,351 --> 00:58:09,789 OF TEARS THAT NO ONE REALLY EVER HEARD FALL ¶ 1336 00:58:09,791 --> 00:58:10,423 THAT NO ONE REALLY EVER HEARD FALL ¶ ¶ WHEN I WENT SEARCHIN' 1337 00:58:10,425 --> 00:58:10,924 EVER HEARD FALL ¶ ¶ WHEN I WENT SEARCHIN' FOR AN ANSWER 1338 00:58:10,926 --> 00:58:11,424 ¶ WHEN I WENT SEARCHIN' FOR AN ANSWER UP THE STAIRS 1339 00:58:11,426 --> 00:58:13,059 FOR AN ANSWER UP THE STAIRS AND DOWN THE HALL ¶ 1340 00:58:13,061 --> 00:58:15,762 UP THE STAIRS AND DOWN THE HALL ¶ ¶ I DID NOT FIND AN ANSWER 1341 00:58:15,764 --> 00:58:17,397 AND DOWN THE HALL ¶ ¶ I DID NOT FIND AN ANSWER JUST TO HEAR THE CALL 1342 00:58:17,399 --> 00:58:22,201 ¶ I DID NOT FIND AN ANSWER JUST TO HEAR THE CALL OF A NIGHTBIRD SINGIN' ¶ 1343 00:58:22,203 --> 00:58:23,803 JUST TO HEAR THE CALL OF A NIGHTBIRD SINGIN' ¶ ¶ COME AWAY SOMEHOW 1344 00:58:23,805 --> 00:58:24,337 OF A NIGHTBIRD SINGIN' ¶ ¶ COME AWAY SOMEHOW COME AWAY 1345 00:58:24,339 --> 00:58:25,405 ¶ COME AWAY SOMEHOW COME AWAY COME AWAY ¶ 1346 00:58:25,407 --> 00:58:25,939 COME AWAY COME AWAY ¶ ¶ JUST LIKE THE 1347 00:58:25,941 --> 00:58:27,573 COME AWAY ¶ ¶ JUST LIKE THE WHITE-WINGED DOVE 1348 00:58:27,575 --> 00:58:28,608 ¶ JUST LIKE THE WHITE-WINGED DOVE SINGS A SONG 1349 00:58:28,610 --> 00:58:31,311 WHITE-WINGED DOVE SINGS A SONG SOUNDS LIKE SHE'S SINGIN' ¶ 1350 00:58:31,313 --> 00:58:33,479 SINGS A SONG SOUNDS LIKE SHE'S SINGIN' ¶ ¶ WHOO BABY WHOO SAID WHOO 1351 00:58:33,481 --> 00:58:34,580 SOUNDS LIKE SHE'S SINGIN' ¶ ¶ WHOO BABY WHOO SAID WHOO JUST LIKE THE 1352 00:58:34,582 --> 00:58:36,182 ¶ WHOO BABY WHOO SAID WHOO JUST LIKE THE WHITE-WINGED DOVE 1353 00:58:36,184 --> 00:58:37,250 JUST LIKE THE WHITE-WINGED DOVE SINGS A SONG ¶ 1354 00:58:37,252 --> 00:58:39,385 WHITE-WINGED DOVE SINGS A SONG ¶ ¶ SOUNDS LIKE SHE'S SINGIN' 1355 00:58:39,387 --> 00:58:41,554 SINGS A SONG ¶ ¶ SOUNDS LIKE SHE'S SINGIN' WHOO BABY WHOO 1356 00:58:41,556 --> 00:58:43,690 ¶ SOUNDS LIKE SHE'S SINGIN' WHOO BABY WHOO SAID WHOO ¶ 1357 00:58:43,692 --> 00:58:45,291 WHOO BABY WHOO SAID WHOO ¶ ¶ WELL I HEAR YOU 1358 00:58:45,293 --> 00:58:45,858 SAID WHOO ¶ ¶ WELL I HEAR YOU WELL I HEAR YOU 1359 00:58:45,860 --> 00:58:46,893 ¶ WELL I HEAR YOU WELL I HEAR YOU IN THE MORNING 1360 00:58:46,895 --> 00:58:48,494 WELL I HEAR YOU IN THE MORNING IN THE MORNING ¶ 1361 00:58:48,496 --> 00:58:49,028 IN THE MORNING IN THE MORNING ¶ ¶ AND I HEAR YOU 1362 00:58:49,030 --> 00:58:50,196 IN THE MORNING ¶ ¶ AND I HEAR YOU AND I HEAR YOU 1363 00:58:50,198 --> 00:58:51,197 ¶ AND I HEAR YOU AND I HEAR YOU AT NIGHTFALL 1364 00:58:51,199 --> 00:58:54,968 AND I HEAR YOU AT NIGHTFALL AT NIGHTFALL ¶ 1365 00:58:54,970 --> 00:58:58,671 AT NIGHTFALL AT NIGHTFALL ¶ ¶ SOMETIME TO BE NEAR YOU 1366 00:58:58,673 --> 00:59:01,374 AT NIGHTFALL ¶ ¶ SOMETIME TO BE NEAR YOU IS TO BE UNABLE 1367 00:59:01,376 --> 00:59:05,645 ¶ SOMETIME TO BE NEAR YOU IS TO BE UNABLE TO HEAR YOU 1368 00:59:05,647 --> 00:59:09,449 IS TO BE UNABLE TO HEAR YOU MY LOVE ¶ 1369 00:59:09,451 --> 00:59:11,050 TO HEAR YOU MY LOVE ¶ ¶ JUST LIKE THE 1370 00:59:11,052 --> 00:59:12,118 MY LOVE ¶ ¶ JUST LIKE THE WHITE-WINGED DOVE 1371 00:59:12,120 --> 00:59:12,618 ¶ JUST LIKE THE WHITE-WINGED DOVE SINGS A SONG 1372 00:59:12,620 --> 00:59:14,787 WHITE-WINGED DOVE SINGS A SONG SOUNDS LIKE SHE'S SINGIN' ¶ 1373 00:59:14,789 --> 00:59:16,389 SINGS A SONG SOUNDS LIKE SHE'S SINGIN' ¶ ¶ WHOO BABY WHOO 1374 00:59:16,391 --> 00:59:18,024 SOUNDS LIKE SHE'S SINGIN' ¶ ¶ WHOO BABY WHOO SAID WHOO ¶ 1375 00:59:18,026 --> 00:59:19,092 ¶ WHOO BABY WHOO SAID WHOO ¶ ¶ JUST LIKE THE 1376 00:59:19,094 --> 00:59:20,727 SAID WHOO ¶ ¶ JUST LIKE THE WHITE-WINGED DOVE 1377 00:59:20,729 --> 00:59:21,227 ¶ JUST LIKE THE WHITE-WINGED DOVE SINGS A SONG 1378 00:59:21,229 --> 00:59:21,794 WHITE-WINGED DOVE SINGS A SONG SOUNDS LIKE 1379 00:59:21,796 --> 00:59:23,930 SINGS A SONG SOUNDS LIKE SHE'S SINGIN' IT TO YOU ¶ 1380 00:59:23,932 --> 00:59:25,531 SOUNDS LIKE SHE'S SINGIN' IT TO YOU ¶ ¶ WHOO BABY WHOO 1381 00:59:25,533 --> 00:59:29,836 SHE'S SINGIN' IT TO YOU ¶ ¶ WHOO BABY WHOO SAID WHOO 1382 00:59:29,838 --> 00:59:31,971 ¶ WHOO BABY WHOO SAID WHOO I HEAR THE CALL 1383 00:59:31,973 --> 00:59:33,573 SAID WHOO I HEAR THE CALL OF A NIGHTBIRD ¶ 1384 00:59:33,575 --> 00:59:44,550 I HEAR THE CALL OF A NIGHTBIRD ¶ ¶¶ 1385 00:59:44,552 --> 00:59:46,753 OF A NIGHTBIRD ¶ ¶¶ SNOETD 1386 00:59:46,755 --> 00:59:48,021 ¶¶ SNOETD ¶ I STILL HEAR THE CALL OF A 1387 00:59:48,023 --> 00:59:48,654 SNOETD ¶ I STILL HEAR THE CALL OF A NIGHT BIRD ¶ 1388 00:59:52,226 --> 01:00:08,741 ¶¶ ¶ I KNOW WHAT IT SOUNDS LIKE WHEN DOVES CRY ¶ 1389 01:00:08,743 --> 01:00:13,946 ¶ I KNOW WHAT IT SOUNDS LIKE WHEN DOVES CRY ¶ [ CHEERS AND APPLAUSE ] 1390 01:00:26,093 --> 01:00:29,562 >>> JENNIFER COOLIDGE FOR MAYBELLINE. >> OH, GOSH. 1391 01:00:29,564 --> 01:00:32,532 MAYBELLINE. >> OH, GOSH. HI. 1392 01:00:32,534 --> 01:00:35,501 >> OH, GOSH. HI. MAYBELLINE'S NEW SUPER STAY 1393 01:00:35,503 --> 01:00:38,071 HI. MAYBELLINE'S NEW SUPER STAY LONGER LIQUID LIP COLOR GOES ON 1394 01:00:38,073 --> 01:00:38,905 MAYBELLINE'S NEW SUPER STAY LONGER LIQUID LIP COLOR GOES ON LIKE A DREAM. 1395 01:00:38,907 --> 01:00:41,808 LONGER LIQUID LIP COLOR GOES ON LIKE A DREAM. I BETTER LOOK IN THE MIRROR AND 1396 01:00:41,810 --> 01:00:43,543 LIKE A DREAM. I BETTER LOOK IN THE MIRROR AND MAKE SURE I DIDN'T MISS ANY 1397 01:00:43,545 --> 01:00:43,843 I BETTER LOOK IN THE MIRROR AND MAKE SURE I DIDN'T MISS ANY SPOTS. 1398 01:00:43,845 --> 01:00:44,377 MAKE SURE I DIDN'T MISS ANY SPOTS. >> WOW. 1399 01:00:44,379 --> 01:00:47,313 SPOTS. >> WOW. YOU LOOK GREAT, JENNIFER 1400 01:00:47,315 --> 01:00:47,680 >> WOW. YOU LOOK GREAT, JENNIFER COOLIDGE. 1401 01:00:47,682 --> 01:00:48,314 YOU LOOK GREAT, JENNIFER COOLIDGE. >> REALLY? 1402 01:00:48,316 --> 01:00:48,581 COOLIDGE. >> REALLY? ME? 1403 01:00:48,583 --> 01:00:50,516 >> REALLY? ME? I DO? 1404 01:00:50,518 --> 01:00:52,185 ME? I DO? >> HECK YEAH. 1405 01:00:52,187 --> 01:00:55,021 I DO? >> HECK YEAH. THANKS TO MAYBELLINE'S LONG WEAR 1406 01:00:55,023 --> 01:00:55,555 >> HECK YEAH. THANKS TO MAYBELLINE'S LONG WEAR LIQUID LIP COLOR. 1407 01:00:55,557 --> 01:00:56,189 THANKS TO MAYBELLINE'S LONG WEAR LIQUID LIP COLOR. >> THANKS. 1408 01:00:56,191 --> 01:00:59,559 LIQUID LIP COLOR. >> THANKS. I'VE GOT A BIG DATE TONIGHT, AND 1409 01:00:59,561 --> 01:01:02,528 >> THANKS. I'VE GOT A BIG DATE TONIGHT, AND I'M COUNTING ON MAYBELLINE'S 1410 01:01:02,530 --> 01:01:04,831 I'VE GOT A BIG DATE TONIGHT, AND I'M COUNTING ON MAYBELLINE'S LIQUID LIP LONG LIP TO SEAL THE 1411 01:01:04,833 --> 01:01:05,131 I'M COUNTING ON MAYBELLINE'S LIQUID LIP LONG LIP TO SEAL THE DEAL. 1412 01:01:05,133 --> 01:01:05,865 LIQUID LIP LONG LIP TO SEAL THE DEAL. >> SHOULD WE PUT ON SOME MORE? 1413 01:01:05,867 --> 01:01:07,934 DEAL. >> SHOULD WE PUT ON SOME MORE? >> ABSOLUTELY. 1414 01:01:07,936 --> 01:01:12,839 >> SHOULD WE PUT ON SOME MORE? >> ABSOLUTELY. WOW. 1415 01:01:12,841 --> 01:01:13,106 >> ABSOLUTELY. WOW. HO. 1416 01:01:13,108 --> 01:01:17,743 WOW. HO. >> WHAT ARE WE GONNA TALK ABOUT 1417 01:01:17,745 --> 01:01:19,612 HO. >> WHAT ARE WE GONNA TALK ABOUT ON OUR DATE? 1418 01:01:19,614 --> 01:01:21,781 >> WHAT ARE WE GONNA TALK ABOUT ON OUR DATE? >> I DON'T KNOW. 1419 01:01:21,783 --> 01:01:24,217 ON OUR DATE? >> I DON'T KNOW. WHAT'S A GOOD CONVERSATION 1420 01:01:24,219 --> 01:01:24,550 >> I DON'T KNOW. WHAT'S A GOOD CONVERSATION STARTER? 1421 01:01:24,552 --> 01:01:25,151 WHAT'S A GOOD CONVERSATION STARTER? >> LEMONS. 1422 01:01:25,153 --> 01:01:26,986 STARTER? >> LEMONS. >> HECK YES. 1423 01:01:26,988 --> 01:01:27,854 >> LEMONS. >> HECK YES. WHAT TOPIC SHOULD WE AVOID? 1424 01:01:27,856 --> 01:01:31,290 >> HECK YES. WHAT TOPIC SHOULD WE AVOID? >> FISH. 1425 01:01:31,292 --> 01:01:34,527 WHAT TOPIC SHOULD WE AVOID? >> FISH. >> THE BAND OR THE ANIMAL? 1426 01:01:34,529 --> 01:01:35,194 >> FISH. >> THE BAND OR THE ANIMAL? >> THERE'S AN ANIMAL CALLED 1427 01:01:35,196 --> 01:01:36,362 >> THE BAND OR THE ANIMAL? >> THERE'S AN ANIMAL CALLED FISH? 1428 01:01:36,364 --> 01:01:40,867 >> THERE'S AN ANIMAL CALLED FISH? >> YEAH. 1429 01:01:40,869 --> 01:01:43,769 FISH? >> YEAH. WHAT WILL WE SAY IN OUR DATE 1430 01:01:43,771 --> 01:01:46,806 >> YEAH. WHAT WILL WE SAY IN OUR DATE ASKS US IF WE CAN HAVE ANY SUPER 1431 01:01:46,808 --> 01:01:47,373 WHAT WILL WE SAY IN OUR DATE ASKS US IF WE CAN HAVE ANY SUPER POWER? 1432 01:01:47,375 --> 01:01:48,441 ASKS US IF WE CAN HAVE ANY SUPER POWER? >> CRAB WALK. 1433 01:01:48,443 --> 01:01:53,613 POWER? >> CRAB WALK. >> NOW GIVE ME ONE. 1434 01:01:53,615 --> 01:01:57,717 >> CRAB WALK. >> NOW GIVE ME ONE. >> IF YOU COULD MEET ANYONE 1435 01:01:57,719 --> 01:02:01,454 >> NOW GIVE ME ONE. >> IF YOU COULD MEET ANYONE LIVING OR DEAD, WHO WOULD IT BE? 1436 01:02:01,456 --> 01:02:02,121 >> IF YOU COULD MEET ANYONE LIVING OR DEAD, WHO WOULD IT BE? >> LIVING. 1437 01:02:02,123 --> 01:02:04,924 LIVING OR DEAD, WHO WOULD IT BE? >> LIVING. >> WOW. 1438 01:02:04,926 --> 01:02:06,392 >> LIVING. >> WOW. YOU CAN'T HELP BUT SOUND SMART 1439 01:02:06,394 --> 01:02:09,495 >> WOW. YOU CAN'T HELP BUT SOUND SMART WHEN YOU'RE WEARING MAYBELLINE. 1440 01:02:09,497 --> 01:02:12,398 YOU CAN'T HELP BUT SOUND SMART WHEN YOU'RE WEARING MAYBELLINE. LET'S SAY THE NAME TOGETHER. 1441 01:02:12,400 --> 01:02:15,101 WHEN YOU'RE WEARING MAYBELLINE. LET'S SAY THE NAME TOGETHER. >> MAYBELLINE LIPPER LINER 1442 01:02:15,103 --> 01:02:17,603 LET'S SAY THE NAME TOGETHER. >> MAYBELLINE LIPPER LINER COLOR -- LIPPER MAYBELLINE. 1443 01:02:17,605 --> 01:02:20,239 >> MAYBELLINE LIPPER LINER COLOR -- LIPPER MAYBELLINE. I THINK THIS MIRROR IS SMUDGED. 1444 01:02:20,241 --> 01:02:20,806 COLOR -- LIPPER MAYBELLINE. I THINK THIS MIRROR IS SMUDGED. HANG ON. 1445 01:02:20,808 --> 01:02:22,508 I THINK THIS MIRROR IS SMUDGED. HANG ON. LET'S SEE IF THIS HELPS. 1446 01:02:22,510 --> 01:02:25,178 HANG ON. LET'S SEE IF THIS HELPS. OH, YEAH. 1447 01:02:25,180 --> 01:02:26,012 LET'S SEE IF THIS HELPS. OH, YEAH. >> A LITTLE MORE. 1448 01:02:26,014 --> 01:02:27,446 OH, YEAH. >> A LITTLE MORE. >> A LITTLE MORE. 1449 01:02:27,448 --> 01:02:28,247 >> A LITTLE MORE. >> A LITTLE MORE. OH, GOSH. 1450 01:02:28,249 --> 01:02:30,983 >> A LITTLE MORE. OH, GOSH. IT'S SO -- OH, IT TASTES LIKE 1451 01:02:30,985 --> 01:02:31,851 OH, GOSH. IT'S SO -- OH, IT TASTES LIKE SOAP, DOESN'T IT? 1452 01:02:31,853 --> 01:02:34,487 IT'S SO -- OH, IT TASTES LIKE SOAP, DOESN'T IT? >> OH, YEAH. 1453 01:02:34,489 --> 01:02:35,922 SOAP, DOESN'T IT? >> OH, YEAH. >> OH, GOSH. 1454 01:02:35,924 --> 01:02:37,623 >> OH, YEAH. >> OH, GOSH. >> ALL BETTER. 1455 01:02:37,625 --> 01:02:39,625 >> OH, GOSH. >> ALL BETTER. >> YEAH. 1456 01:02:39,627 --> 01:02:42,228 >> ALL BETTER. >> YEAH. WIPE IT DOWN. 1457 01:02:42,230 --> 01:02:46,165 >> YEAH. WIPE IT DOWN. HEY, I WONDER WHAT OUR LIPS LOOK 1458 01:02:46,167 --> 01:02:47,133 WIPE IT DOWN. HEY, I WONDER WHAT OUR LIPS LOOK LIKE FROM THE SIDE. 1459 01:02:47,135 --> 01:02:49,635 HEY, I WONDER WHAT OUR LIPS LOOK LIKE FROM THE SIDE. LET ME FOLD OUT THIS PART OF THE 1460 01:02:49,637 --> 01:02:49,969 LIKE FROM THE SIDE. LET ME FOLD OUT THIS PART OF THE MIRROR. 1461 01:02:49,971 --> 01:02:55,408 LET ME FOLD OUT THIS PART OF THE MIRROR. >> WOW. 1462 01:02:55,410 --> 01:03:03,382 MIRROR. >> WOW. THANK GOD YOU OPENED THE MIRROR. 1463 01:03:03,384 --> 01:03:04,083 >> WOW. THANK GOD YOU OPENED THE MIRROR. I'VE BEEN TRAPPED IN HERE FOR 1464 01:03:04,085 --> 01:03:04,417 THANK GOD YOU OPENED THE MIRROR. I'VE BEEN TRAPPED IN HERE FOR YEARS. 1465 01:03:04,419 --> 01:03:04,817 I'VE BEEN TRAPPED IN HERE FOR YEARS. >> OH, NO. 1466 01:03:04,819 --> 01:03:05,251 YEARS. >> OH, NO. >> IT'S OKAY. 1467 01:03:05,253 --> 01:03:05,751 >> OH, NO. >> IT'S OKAY. YOU LOOK GREAT. 1468 01:03:05,753 --> 01:03:06,819 >> IT'S OKAY. YOU LOOK GREAT. I'M JENNIFER COOLIDGE. 1469 01:03:06,821 --> 01:03:07,553 YOU LOOK GREAT. I'M JENNIFER COOLIDGE. >> WE KNOW. 1470 01:03:07,555 --> 01:03:10,523 I'M JENNIFER COOLIDGE. >> WE KNOW. >> HEY, MAYBE WE NEED MORE LONG 1471 01:03:10,525 --> 01:03:13,226 >> WE KNOW. >> HEY, MAYBE WE NEED MORE LONG WEAR LIQUID LIP COLOR LONG 1472 01:03:13,228 --> 01:03:13,793 >> HEY, MAYBE WE NEED MORE LONG WEAR LIQUID LIP COLOR LONG LASTING MOUTH MAGIC. 1473 01:03:13,795 --> 01:03:17,029 WEAR LIQUID LIP COLOR LONG LASTING MOUTH MAGIC. >> YEAH. 1474 01:03:17,031 --> 01:03:20,266 LASTING MOUTH MAGIC. >> YEAH. >> HERE. 1475 01:03:20,268 --> 01:03:21,334 >> YEAH. >> HERE. >> YEAH. 1476 01:03:21,336 --> 01:03:23,469 >> HERE. >> YEAH. >> USE MINE. 1477 01:03:23,471 --> 01:03:25,605 >> YEAH. >> USE MINE. I'VE GOT EXTRAS. 1478 01:03:25,607 --> 01:03:29,141 >> USE MINE. I'VE GOT EXTRAS. >> THANK YOU SO MUCH. 1479 01:03:29,143 --> 01:03:32,311 I'VE GOT EXTRAS. >> THANK YOU SO MUCH. >> YEAH. 1480 01:03:32,313 --> 01:03:34,680 >> THANK YOU SO MUCH. >> YEAH. >> SO ARE WE GONNA KISS THIS GUY 1481 01:03:34,682 --> 01:03:35,014 >> YEAH. >> SO ARE WE GONNA KISS THIS GUY TONIGHT? 1482 01:03:35,016 --> 01:03:36,549 >> SO ARE WE GONNA KISS THIS GUY TONIGHT? >> I HOPE SO. 1483 01:03:36,551 --> 01:03:38,651 TONIGHT? >> I HOPE SO. >> YOU NEED A LITTLE MORE. 1484 01:03:38,653 --> 01:03:39,652 >> I HOPE SO. >> YOU NEED A LITTLE MORE. REALLY FILL THEM OUT. 1485 01:03:39,654 --> 01:03:40,853 >> YOU NEED A LITTLE MORE. REALLY FILL THEM OUT. ALL RIGHT, GIRLS. 1486 01:03:40,855 --> 01:03:41,854 REALLY FILL THEM OUT. ALL RIGHT, GIRLS. IT'S ABOUT TIME. 1487 01:03:41,856 --> 01:03:42,822 ALL RIGHT, GIRLS. IT'S ABOUT TIME. ARE WE READY? 1488 01:03:42,824 --> 01:03:43,155 IT'S ABOUT TIME. ARE WE READY? >> YEAH. 1489 01:03:43,157 --> 01:03:47,827 ARE WE READY? >> YEAH. >> OH, OKAY. 1490 01:03:47,829 --> 01:03:51,097 >> YEAH. >> OH, OKAY. >> ALL THANKS TO MAYBELLINE LIP 1491 01:03:51,099 --> 01:03:54,634 >> OH, OKAY. >> ALL THANKS TO MAYBELLINE LIP LASTING LONG LIP COLOR, ULTIMATE 1492 01:03:54,636 --> 01:03:57,303 >> ALL THANKS TO MAYBELLINE LIP LASTING LONG LIP COLOR, ULTIMATE PLUMPER FROST COLOR LIQUID LIP 1493 01:03:57,305 --> 01:03:57,870 LASTING LONG LIP COLOR, ULTIMATE PLUMPER FROST COLOR LIQUID LIP COLOR FROM MAYBELLINE. 1494 01:03:57,872 --> 01:04:07,880 PLUMPER FROST COLOR LIQUID LIP COLOR FROM MAYBELLINE. WOW. 1495 01:04:07,882 --> 01:04:10,583 COLOR FROM MAYBELLINE. WOW. >>> BACK IN THE DAYS, THE GRAND 1496 01:04:10,585 --> 01:04:14,053 WOW. >>> BACK IN THE DAYS, THE GRAND HOTELS ALL IN AN UNDER COVER MAN 1497 01:04:14,055 --> 01:04:14,787 >>> BACK IN THE DAYS, THE GRAND HOTELS ALL IN AN UNDER COVER MAN ON THE PAYROLL TO KEEP OUT THE 1498 01:04:14,789 --> 01:04:15,921 HOTELS ALL IN AN UNDER COVER MAN ON THE PAYROLL TO KEEP OUT THE ROUGH CUSTOMERS. 1499 01:04:15,923 --> 01:04:16,622 ON THE PAYROLL TO KEEP OUT THE ROUGH CUSTOMERS. HE WAS KNOWN AS THE HOTEL 1500 01:04:16,624 --> 01:04:22,428 ROUGH CUSTOMERS. HE WAS KNOWN AS THE HOTEL DETECTIVE. 1501 01:04:22,430 --> 01:04:25,965 HE WAS KNOWN AS THE HOTEL DETECTIVE. >> MAKE IT A TOM COLLINS, COULD 1502 01:04:25,967 --> 01:04:26,365 DETECTIVE. >> MAKE IT A TOM COLLINS, COULD YOU? 1503 01:04:26,367 --> 01:04:33,005 >> MAKE IT A TOM COLLINS, COULD YOU? AND DON'T BE STINGY WITH THE 1504 01:04:33,007 --> 01:04:33,339 YOU? AND DON'T BE STINGY WITH THE VARNISH. 1505 01:04:33,341 --> 01:04:34,307 AND DON'T BE STINGY WITH THE VARNISH. WELL, WELL, WELL, AREN'T YOU A 1506 01:04:34,309 --> 01:04:35,274 VARNISH. WELL, WELL, WELL, AREN'T YOU A HIGH STACK OF CHEESE. 1507 01:04:35,276 --> 01:04:37,710 WELL, WELL, WELL, AREN'T YOU A HIGH STACK OF CHEESE. YOU FROM OUT OF TOWN, SLUGGER? 1508 01:04:37,712 --> 01:04:39,478 HIGH STACK OF CHEESE. YOU FROM OUT OF TOWN, SLUGGER? >> GOSH, I SURE AM. 1509 01:04:39,480 --> 01:04:40,946 YOU FROM OUT OF TOWN, SLUGGER? >> GOSH, I SURE AM. ALL BY MYSELF IN THE CITY. 1510 01:04:40,948 --> 01:04:42,315 >> GOSH, I SURE AM. ALL BY MYSELF IN THE CITY. THIS PLACE IS CRAZY. 1511 01:04:42,317 --> 01:04:46,252 ALL BY MYSELF IN THE CITY. THIS PLACE IS CRAZY. >> YOU SURE SAID A MOUTHFUL, 1512 01:04:46,254 --> 01:04:46,585 THIS PLACE IS CRAZY. >> YOU SURE SAID A MOUTHFUL, BUSTER. 1513 01:04:46,587 --> 01:04:48,020 >> YOU SURE SAID A MOUTHFUL, BUSTER. CAN GET AWFUL LONELY, TOO. 1514 01:04:48,022 --> 01:04:49,689 BUSTER. CAN GET AWFUL LONELY, TOO. >> DON'T I KNOW IT. 1515 01:04:49,691 --> 01:04:52,425 CAN GET AWFUL LONELY, TOO. >> DON'T I KNOW IT. BUT MY WIFE IS ALL THE WAY IN 1516 01:04:52,427 --> 01:04:52,792 >> DON'T I KNOW IT. BUT MY WIFE IS ALL THE WAY IN WICHITA. 1517 01:04:52,794 --> 01:04:54,560 BUT MY WIFE IS ALL THE WAY IN WICHITA. >> WICHITA. 1518 01:04:54,562 --> 01:04:56,228 WICHITA. >> WICHITA. SO YOU'RE JUST A LONELY FLAP 1519 01:04:56,230 --> 01:04:58,297 >> WICHITA. SO YOU'RE JUST A LONELY FLAP JACK WITHOUT ANY BUTTER? 1520 01:04:58,299 --> 01:05:01,467 SO YOU'RE JUST A LONELY FLAP JACK WITHOUT ANY BUTTER? I THINK YOU SHOULD TAKE ME 1521 01:05:01,469 --> 01:05:02,435 JACK WITHOUT ANY BUTTER? I THINK YOU SHOULD TAKE ME UPSTAIRS AND WE CAN LET IT ALL 1522 01:05:02,437 --> 01:05:02,702 I THINK YOU SHOULD TAKE ME UPSTAIRS AND WE CAN LET IT ALL OUT. 1523 01:05:02,704 --> 01:05:04,303 UPSTAIRS AND WE CAN LET IT ALL OUT. WHAT DO YOU SAY? 1524 01:05:04,305 --> 01:05:05,237 OUT. WHAT DO YOU SAY? >> GOLLY. 1525 01:05:05,239 --> 01:05:08,407 WHAT DO YOU SAY? >> GOLLY. I WOULD LOVE TO DO THAT, BUT I'M 1526 01:05:08,409 --> 01:05:10,609 >> GOLLY. I WOULD LOVE TO DO THAT, BUT I'M AFRAID WE'RE GOING DOWNTOWN. 1527 01:05:10,611 --> 01:05:13,512 I WOULD LOVE TO DO THAT, BUT I'M AFRAID WE'RE GOING DOWNTOWN. I'M THE HOTEL DETECTIVE AND THIS 1528 01:05:13,514 --> 01:05:15,981 AFRAID WE'RE GOING DOWNTOWN. I'M THE HOTEL DETECTIVE AND THIS JOINT PAYS ME TO KEEP PEOPLE 1529 01:05:15,983 --> 01:05:17,350 I'M THE HOTEL DETECTIVE AND THIS JOINT PAYS ME TO KEEP PEOPLE LIKE YOU OFF THE PREMISES. 1530 01:05:17,352 --> 01:05:20,720 JOINT PAYS ME TO KEEP PEOPLE LIKE YOU OFF THE PREMISES. >> I GOT TO WALK INTO THE ONE 1531 01:05:20,722 --> 01:05:23,522 LIKE YOU OFF THE PREMISES. >> I GOT TO WALK INTO THE ONE WHERE STAN STANLEY IS A HOTEL 1532 01:05:23,524 --> 01:05:23,923 >> I GOT TO WALK INTO THE ONE WHERE STAN STANLEY IS A HOTEL DETECTIVE. 1533 01:05:23,925 --> 01:05:24,924 WHERE STAN STANLEY IS A HOTEL DETECTIVE. >> HOW DID YOU KNOW? 1534 01:05:24,926 --> 01:05:26,759 DETECTIVE. >> HOW DID YOU KNOW? >> WELL, THAT'S BECAUSE WHEN YOU 1535 01:05:26,761 --> 01:05:30,663 >> HOW DID YOU KNOW? >> WELL, THAT'S BECAUSE WHEN YOU PUT ON YOUR APPLICATION FORM TO 1536 01:05:30,665 --> 01:05:33,132 >> WELL, THAT'S BECAUSE WHEN YOU PUT ON YOUR APPLICATION FORM TO PUT ON FOR HOTEL DETECTIVE. 1537 01:05:33,134 --> 01:05:35,101 PUT ON YOUR APPLICATION FORM TO PUT ON FOR HOTEL DETECTIVE. AN APPLICATION THAT WAS DENIED. 1538 01:05:35,103 --> 01:05:35,534 PUT ON FOR HOTEL DETECTIVE. AN APPLICATION THAT WAS DENIED. THAT'S RIGHT. 1539 01:05:35,536 --> 01:05:38,471 AN APPLICATION THAT WAS DENIED. THAT'S RIGHT. BECAUSE I'M THE DETECTIVE OF 1540 01:05:38,473 --> 01:05:39,238 THAT'S RIGHT. BECAUSE I'M THE DETECTIVE OF HOTEL MANAGEMENT. 1541 01:05:39,240 --> 01:05:42,341 BECAUSE I'M THE DETECTIVE OF HOTEL MANAGEMENT. I'M TAKING YOU IN FOR HOTEL 1542 01:05:42,343 --> 01:05:46,412 HOTEL MANAGEMENT. I'M TAKING YOU IN FOR HOTEL DETECTIVING WITHOUT A LICENSE. 1543 01:05:46,414 --> 01:05:49,382 I'M TAKING YOU IN FOR HOTEL DETECTIVING WITHOUT A LICENSE. >> WELL, I WOULD LOVE TO PUT 1544 01:05:49,384 --> 01:05:53,686 DETECTIVING WITHOUT A LICENSE. >> WELL, I WOULD LOVE TO PUT THOSE DRINKS ON YOUR TAB, BUT 1545 01:05:53,688 --> 01:05:55,254 >> WELL, I WOULD LOVE TO PUT THOSE DRINKS ON YOUR TAB, BUT I'M AFRAID THAT WON'T BE 1546 01:05:55,256 --> 01:05:55,654 THOSE DRINKS ON YOUR TAB, BUT I'M AFRAID THAT WON'T BE HAPPENING. 1547 01:05:55,656 --> 01:05:55,988 I'M AFRAID THAT WON'T BE HAPPENING. >> NO. 1548 01:05:55,990 --> 01:05:56,655 HAPPENING. >> NO. >> OH, YES. 1549 01:05:56,657 --> 01:05:59,558 >> NO. >> OH, YES. YOU SEE, I'M FROM THE BUREAU OF 1550 01:05:59,560 --> 01:06:02,261 >> OH, YES. YOU SEE, I'M FROM THE BUREAU OF HOTEL DETECTIVES MANAGEMENT 1551 01:06:02,263 --> 01:06:04,830 YOU SEE, I'M FROM THE BUREAU OF HOTEL DETECTIVES MANAGEMENT INTERNAL AFFAIRS, AND YOU ARE 1552 01:06:04,832 --> 01:06:07,633 HOTEL DETECTIVES MANAGEMENT INTERNAL AFFAIRS, AND YOU ARE GUILTY OF MISUSING YOUR BUSINESS 1553 01:06:07,635 --> 01:06:08,000 INTERNAL AFFAIRS, AND YOU ARE GUILTY OF MISUSING YOUR BUSINESS ACCOUNT. 1554 01:06:08,002 --> 01:06:10,002 GUILTY OF MISUSING YOUR BUSINESS ACCOUNT. >> YOU CAN'T DO THIS TO ME. 1555 01:06:10,004 --> 01:06:12,071 ACCOUNT. >> YOU CAN'T DO THIS TO ME. I'LL BE LIVING IN THE BIRD CAGE. 1556 01:06:12,073 --> 01:06:14,140 >> YOU CAN'T DO THIS TO ME. I'LL BE LIVING IN THE BIRD CAGE. >> TELL IT TO THE JUDGE, LADY. 1557 01:06:14,142 --> 01:06:18,911 I'LL BE LIVING IN THE BIRD CAGE. >> TELL IT TO THE JUDGE, LADY. >> HOW ABOUT I TELL IT TO YOU 1558 01:06:18,913 --> 01:06:19,278 >> TELL IT TO THE JUDGE, LADY. >> HOW ABOUT I TELL IT TO YOU UPSTAIRS. 1559 01:06:19,280 --> 01:06:19,879 >> HOW ABOUT I TELL IT TO YOU UPSTAIRS. >> I'M LISTENING. 1560 01:06:19,881 --> 01:06:23,349 UPSTAIRS. >> I'M LISTENING. >> I'M AFRAID YOU'RE BOTH GOING 1561 01:06:23,351 --> 01:06:23,716 >> I'M LISTENING. >> I'M AFRAID YOU'RE BOTH GOING DOWNTOWN. 1562 01:06:23,718 --> 01:06:25,818 >> I'M AFRAID YOU'RE BOTH GOING DOWNTOWN. >> THAT'S NO GOOD. 1563 01:06:25,820 --> 01:06:27,853 DOWNTOWN. >> THAT'S NO GOOD. >> THIS ONE IS. 1564 01:06:27,855 --> 01:06:30,990 >> THAT'S NO GOOD. >> THIS ONE IS. MY NAME IS SAM STANLEY. 1565 01:06:30,992 --> 01:06:32,725 >> THIS ONE IS. MY NAME IS SAM STANLEY. >> THE OVERSIGHT CHIEF? 1566 01:06:32,727 --> 01:06:32,992 MY NAME IS SAM STANLEY. >> THE OVERSIGHT CHIEF? ? 1567 01:06:32,994 --> 01:06:34,660 >> THE OVERSIGHT CHIEF? ? >> THE SAME. 1568 01:06:34,662 --> 01:06:34,994 ? >> THE SAME. YES. 1569 01:06:34,996 --> 01:06:37,196 >> THE SAME. YES. RELONG EXPECTED THE BUSINESS 1570 01:06:37,198 --> 01:06:41,267 YES. RELONG EXPECTED THE BUSINESS ACCOUNTS WERE BIG MISUSED IN 1571 01:06:41,269 --> 01:06:42,635 RELONG EXPECTED THE BUSINESS ACCOUNTS WERE BIG MISUSED IN SEXUAL FAVORS WITH THE 1572 01:06:42,637 --> 01:06:44,370 ACCOUNTS WERE BIG MISUSED IN SEXUAL FAVORS WITH THE DETECTIVES OF INTERNAL AFFAIRS, 1573 01:06:44,372 --> 01:06:47,006 SEXUAL FAVORS WITH THE DETECTIVES OF INTERNAL AFFAIRS, AND THIS PROVES IT. 1574 01:06:47,008 --> 01:06:47,373 DETECTIVES OF INTERNAL AFFAIRS, AND THIS PROVES IT. COME ON. 1575 01:06:47,375 --> 01:06:49,942 AND THIS PROVES IT. COME ON. WE'RE ALL GOING DOWNTOWN. 1576 01:06:49,944 --> 01:06:52,011 COME ON. WE'RE ALL GOING DOWNTOWN. >> SUBMITTED FOR YOUR 1577 01:06:52,013 --> 01:06:54,547 WE'RE ALL GOING DOWNTOWN. >> SUBMITTED FOR YOUR CONSIDERATION, A NIGHTMARE WORLD 1578 01:06:54,549 --> 01:06:58,083 >> SUBMITTED FOR YOUR CONSIDERATION, A NIGHTMARE WORLD OF HOTEL DETECTIVE BUREAUCRACY. 1579 01:06:58,085 --> 01:06:59,618 CONSIDERATION, A NIGHTMARE WORLD OF HOTEL DETECTIVE BUREAUCRACY. ALSO, THIS IS PURGATORY, AND 1580 01:06:59,620 --> 01:07:00,486 OF HOTEL DETECTIVE BUREAUCRACY. ALSO, THIS IS PURGATORY, AND THEY'RE ALL DEAD. 1581 01:07:00,488 --> 01:07:03,022 ALSO, THIS IS PURGATORY, AND THEY'RE ALL DEAD. DID WE SELL THAT? 1582 01:07:03,024 --> 01:07:06,158 THEY'RE ALL DEAD. DID WE SELL THAT? DOESN'T REALLY FEEL LIKE IT. 1583 01:07:06,160 --> 01:07:08,828 DID WE SELL THAT? DOESN'T REALLY FEEL LIKE IT. THIS WOULD NOT HAVE FLOWN ANY 1584 01:07:08,830 --> 01:07:10,329 DOESN'T REALLY FEEL LIKE IT. THIS WOULD NOT HAVE FLOWN ANY TIME BEFORE SEASON FIVE. 1585 01:07:10,331 --> 01:07:15,401 THIS WOULD NOT HAVE FLOWN ANY TIME BEFORE SEASON FIVE. BUT WHAT 1586 01:07:26,446 --> 01:07:39,158 >>> THANK YOU SO MUCH, STEVIE NICKS! HAPPY 99th BIRTHDAY, MY NONA. 1587 01:07:39,160 --> 01:07:40,426 NICKS! HAPPY 99th BIRTHDAY, MY NONA. I LOVE YOU. 1588 01:07:40,428 --> 01:07:41,727 HAPPY 99th BIRTHDAY, MY NONA. I LOVE YOU. MUAH! 1589 01:07:41,729 --> 01:07:48,534 I LOVE YOU. MUAH! ¶¶