1 00:00:09,743 --> 00:00:24,123 ......... 2 00:00:25,158 --> 00:00:26,892 COOKER SPAN DIRECTLY? SPANIEL IN THE CLOSING STATEMENTS OF THE JANUARY 6th 3 00:00:26,894 --> 00:00:27,593 SPANIEL IN THE CLOSING STATEMENTS OF THE JANUARY 6th COMMITTEE TO INVESTIGATE THE 4 00:00:27,595 --> 00:00:28,327 STATEMENTS OF THE JANUARY 6th COMMITTEE TO INVESTIGATE THE ATTACK ON THE NATION'S CAPITOL. 5 00:00:28,329 --> 00:00:29,795 COMMITTEE TO INVESTIGATE THE ATTACK ON THE NATION'S CAPITOL. [ CHEERS AND APPLAUSE ] 6 00:00:29,797 --> 00:00:30,562 ATTACK ON THE NATION'S CAPITOL. [ CHEERS AND APPLAUSE ] >> ALL RIGHT. 7 00:00:30,564 --> 00:00:33,832 [ CHEERS AND APPLAUSE ] >> ALL RIGHT. WE HAVE TO LET THE COMMITTEE 8 00:00:33,834 --> 00:00:35,634 >> ALL RIGHT. WE HAVE TO LET THE COMMITTEE COME TO ORDER FOR ITS NINTH AND 9 00:00:35,636 --> 00:00:36,568 WE HAVE TO LET THE COMMITTEE COME TO ORDER FOR ITS NINTH AND FINAL HEARING. 10 00:00:36,570 --> 00:00:37,903 COME TO ORDER FOR ITS NINTH AND FINAL HEARING. THE JANUARY 6th WAS ONE OF THE 11 00:00:37,905 --> 00:00:39,471 FINAL HEARING. THE JANUARY 6th WAS ONE OF THE MOST DRAMATIC AND CONSEQUENTIAL 12 00:00:39,473 --> 00:00:42,441 THE JANUARY 6th WAS ONE OF THE MOST DRAMATIC AND CONSEQUENTIAL MOMENTS IN OUR NATION'S HISTORY. 13 00:00:42,443 --> 00:00:43,909 MOST DRAMATIC AND CONSEQUENTIAL MOMENTS IN OUR NATION'S HISTORY. SO TO FIGHT BACK, WE ASSEMBLED A 14 00:00:43,911 --> 00:00:46,612 MOMENTS IN OUR NATION'S HISTORY. SO TO FIGHT BACK, WE ASSEMBLED A TEAM OF MONOTONE NERDS TO DO A 15 00:00:46,614 --> 00:00:47,813 SO TO FIGHT BACK, WE ASSEMBLED A TEAM OF MONOTONE NERDS TO DO A POWERPOINT. 16 00:00:47,815 --> 00:00:48,213 TEAM OF MONOTONE NERDS TO DO A POWERPOINT. [ LAUGHTER ] 17 00:00:48,215 --> 00:00:50,115 POWERPOINT. [ LAUGHTER ] >> I DID MINE WITH GOOGLE FLY. 18 00:00:50,117 --> 00:00:50,516 [ LAUGHTER ] >> I DID MINE WITH GOOGLE FLY. [ LAUGHTER ] 19 00:00:50,518 --> 00:00:51,583 >> I DID MINE WITH GOOGLE FLY. [ LAUGHTER ] >> WE'VE BEEN INVESTIGATING THIS 20 00:00:51,585 --> 00:00:52,985 [ LAUGHTER ] >> WE'VE BEEN INVESTIGATING THIS HORRIBLE ATTACK FOR MORE THAN A 21 00:00:52,987 --> 00:00:54,019 >> WE'VE BEEN INVESTIGATING THIS HORRIBLE ATTACK FOR MORE THAN A YEAR, BUT TODAY'S SESSION IS 22 00:00:54,021 --> 00:00:55,521 HORRIBLE ATTACK FOR MORE THAN A YEAR, BUT TODAY'S SESSION IS GOING TO BE A LITTLE DIFFERENT. 23 00:00:55,523 --> 00:00:57,723 YEAR, BUT TODAY'S SESSION IS GOING TO BE A LITTLE DIFFERENT. WE'RE GOING TO SUMMARIZE OUR 24 00:00:57,725 --> 00:00:59,792 GOING TO BE A LITTLE DIFFERENT. WE'RE GOING TO SUMMARIZE OUR FINDINGS, HOLD A HISTORY-MAKING 25 00:00:59,794 --> 00:01:04,963 WE'RE GOING TO SUMMARIZE OUR FINDINGS, HOLD A HISTORY-MAKING VOTE, AND THEN, AND ONLY THEN -- 26 00:01:04,965 --> 00:01:06,165 FINDINGS, HOLD A HISTORY-MAKING VOTE, AND THEN, AND ONLY THEN -- WE ALL GET TO HAVE A LITTLE 27 00:01:06,167 --> 00:01:06,598 VOTE, AND THEN, AND ONLY THEN -- WE ALL GET TO HAVE A LITTLE TREAT. 28 00:01:06,600 --> 00:01:06,999 WE ALL GET TO HAVE A LITTLE TREAT. [ LAUGHTER ] 29 00:01:07,001 --> 00:01:09,735 TREAT. [ LAUGHTER ] >> AW, COME ON, CAN'T I HAVE ONE 30 00:01:09,737 --> 00:01:10,169 [ LAUGHTER ] >> AW, COME ON, CAN'T I HAVE ONE CUPCAKE NOW? 31 00:01:10,171 --> 00:01:12,971 >> AW, COME ON, CAN'T I HAVE ONE CUPCAKE NOW? >> NO, NO, NO, NO. 32 00:01:12,973 --> 00:01:14,606 CUPCAKE NOW? >> NO, NO, NO, NO. IT'S EVIDENCE, THEN A VOTE, THEN 33 00:01:14,608 --> 00:01:16,308 >> NO, NO, NO, NO. IT'S EVIDENCE, THEN A VOTE, THEN A LITTLE TREAT. 34 00:01:16,310 --> 00:01:16,708 IT'S EVIDENCE, THEN A VOTE, THEN A LITTLE TREAT. [ LAUGHTER ] 35 00:01:16,710 --> 00:01:18,477 A LITTLE TREAT. [ LAUGHTER ] ALL RIGHT, I WOULD FIRST LIKE TO 36 00:01:18,479 --> 00:01:20,245 [ LAUGHTER ] ALL RIGHT, I WOULD FIRST LIKE TO RECOGNIZE THE GENTLE LADY FROM 37 00:01:20,247 --> 00:01:21,747 ALL RIGHT, I WOULD FIRST LIKE TO RECOGNIZE THE GENTLE LADY FROM WYOMING WHO I AM SHOCKED TO SAY 38 00:01:21,749 --> 00:01:23,315 RECOGNIZE THE GENTLE LADY FROM WYOMING WHO I AM SHOCKED TO SAY HAS BECOME MY BEST FRIEND. 39 00:01:23,317 --> 00:01:25,951 WYOMING WHO I AM SHOCKED TO SAY HAS BECOME MY BEST FRIEND. LIZ CHENEY. 40 00:01:25,953 --> 00:01:28,921 HAS BECOME MY BEST FRIEND. LIZ CHENEY. >> THANK YOU, BENNIE. 41 00:01:28,923 --> 00:01:29,321 LIZ CHENEY. >> THANK YOU, BENNIE. [ LAUGHTER ] 42 00:01:29,323 --> 00:01:31,590 >> THANK YOU, BENNIE. [ LAUGHTER ] OVER THE PAST FEW MONTHS, THIS 43 00:01:31,592 --> 00:01:32,424 [ LAUGHTER ] OVER THE PAST FEW MONTHS, THIS BIPARTISAN COMMITTEE HAS 44 00:01:32,426 --> 00:01:34,793 OVER THE PAST FEW MONTHS, THIS BIPARTISAN COMMITTEE HAS PRESENTED OUR CASE TO ALL 45 00:01:34,795 --> 00:01:35,160 BIPARTISAN COMMITTEE HAS PRESENTED OUR CASE TO ALL AMERICANS. 46 00:01:35,162 --> 00:01:36,261 PRESENTED OUR CASE TO ALL AMERICANS. WHETHER YOU'RE A REPUBLICAN 47 00:01:36,263 --> 00:01:38,464 AMERICANS. WHETHER YOU'RE A REPUBLICAN WHO'S NOT WATCHING, OR A 48 00:01:38,466 --> 00:01:39,498 WHETHER YOU'RE A REPUBLICAN WHO'S NOT WATCHING, OR A DEMOCRAT WHO'S NODDING SO HARD 49 00:01:39,500 --> 00:01:40,165 WHO'S NOT WATCHING, OR A DEMOCRAT WHO'S NODDING SO HARD YOUR HEAD IS FALLING OFF -- 50 00:01:40,167 --> 00:01:42,534 DEMOCRAT WHO'S NODDING SO HARD YOUR HEAD IS FALLING OFF -- [ LAUGHTER ] 51 00:01:42,536 --> 00:01:43,869 YOUR HEAD IS FALLING OFF -- [ LAUGHTER ] ONE PERSON IS RESPONSIBLE FOR 52 00:01:43,871 --> 00:01:46,472 [ LAUGHTER ] ONE PERSON IS RESPONSIBLE FOR THIS INSURRECTION, DONALD TRUMP. 53 00:01:46,474 --> 00:01:49,741 ONE PERSON IS RESPONSIBLE FOR THIS INSURRECTION, DONALD TRUMP. AND ONE PERSON WILL SUFFER THE 54 00:01:49,743 --> 00:01:50,709 THIS INSURRECTION, DONALD TRUMP. AND ONE PERSON WILL SUFFER THE CONSEQUENCES, ME. 55 00:01:50,711 --> 00:01:51,110 AND ONE PERSON WILL SUFFER THE CONSEQUENCES, ME. [ LAUGHTER ] 56 00:01:51,112 --> 00:01:52,144 CONSEQUENCES, ME. [ LAUGHTER ] YOU MIGHT BE WONDERING WHAT 57 00:01:52,146 --> 00:01:53,679 [ LAUGHTER ] YOU MIGHT BE WONDERING WHAT MAKES ME SO TOUGH. 58 00:01:53,681 --> 00:01:58,250 YOU MIGHT BE WONDERING WHAT MAKES ME SO TOUGH. AND I ASK YOU, WHO IS YOUR DAD? 59 00:01:58,252 --> 00:01:58,650 MAKES ME SO TOUGH. AND I ASK YOU, WHO IS YOUR DAD? [ LAUGHTER ] 60 00:01:58,652 --> 00:02:00,486 AND I ASK YOU, WHO IS YOUR DAD? [ LAUGHTER ] IS IT DICK CHENEY? 61 00:02:00,488 --> 00:02:03,255 [ LAUGHTER ] IS IT DICK CHENEY? YOU MIGHT WONDER, WHEN YOU HAVE 62 00:02:03,257 --> 00:02:05,457 IS IT DICK CHENEY? YOU MIGHT WONDER, WHEN YOU HAVE THE GUTS TO TAKE ON YOUR ENTIRE 63 00:02:05,459 --> 00:02:06,158 YOU MIGHT WONDER, WHEN YOU HAVE THE GUTS TO TAKE ON YOUR ENTIRE PARTY ALONE. 64 00:02:06,160 --> 00:02:07,793 THE GUTS TO TAKE ON YOUR ENTIRE PARTY ALONE. I SAY, WHEN YOU WERE LITTLE, WHO 65 00:02:07,795 --> 00:02:09,828 PARTY ALONE. I SAY, WHEN YOU WERE LITTLE, WHO TUCKED YOU IN AT NIGHT? 66 00:02:09,830 --> 00:02:10,229 I SAY, WHEN YOU WERE LITTLE, WHO TUCKED YOU IN AT NIGHT? [ LAUGHTER ] 67 00:02:10,231 --> 00:02:12,764 TUCKED YOU IN AT NIGHT? [ LAUGHTER ] WAS IT DICK CHENEY? 68 00:02:12,766 --> 00:02:14,099 [ LAUGHTER ] WAS IT DICK CHENEY? I'VE BEEN ASKED, HOW DID YOU GET 69 00:02:14,101 --> 00:02:16,568 WAS IT DICK CHENEY? I'VE BEEN ASKED, HOW DID YOU GET A BACKBONE MADE OF STEEL? 70 00:02:16,570 --> 00:02:19,505 I'VE BEEN ASKED, HOW DID YOU GET A BACKBONE MADE OF STEEL? AND I AND BACK, FOR YOUR 10th 71 00:02:19,507 --> 00:02:21,673 A BACKBONE MADE OF STEEL? AND I AND BACK, FOR YOUR 10th BIRTHDAY, DID YOU EAT PIZZA AT 72 00:02:21,675 --> 00:02:23,275 AND I AND BACK, FOR YOUR 10th BIRTHDAY, DID YOU EAT PIZZA AT CHUCK E. CHEESE WITH ALL YOUR 73 00:02:23,277 --> 00:02:23,942 BIRTHDAY, DID YOU EAT PIZZA AT CHUCK E. CHEESE WITH ALL YOUR FRIENDS? 74 00:02:23,944 --> 00:02:25,410 CHUCK E. CHEESE WITH ALL YOUR FRIENDS? OR DID YOU SHOOT A DEER IN THE 75 00:02:25,412 --> 00:02:27,045 FRIENDS? OR DID YOU SHOOT A DEER IN THE FACE WITH DICK CHENEY? 76 00:02:27,047 --> 00:02:27,446 OR DID YOU SHOOT A DEER IN THE FACE WITH DICK CHENEY? [ LAUGHTER ] 77 00:02:27,448 --> 00:02:29,848 FACE WITH DICK CHENEY? [ LAUGHTER ] SO YEAH, I GUESS YOU COULD SAY I 78 00:02:29,850 --> 00:02:31,884 [ LAUGHTER ] SO YEAH, I GUESS YOU COULD SAY I HAVE BIG DICK CHENEY ENERGY. 79 00:02:31,886 --> 00:02:32,284 SO YEAH, I GUESS YOU COULD SAY I HAVE BIG DICK CHENEY ENERGY. [ LAUGHTER ] 80 00:02:32,286 --> 00:02:32,918 HAVE BIG DICK CHENEY ENERGY. [ LAUGHTER ] >> WELL. 81 00:02:32,920 --> 00:02:35,721 [ LAUGHTER ] >> WELL. THANK YOU VERY MUCH, GENTLE LADY 82 00:02:35,723 --> 00:02:36,388 >> WELL. THANK YOU VERY MUCH, GENTLE LADY FROM WYOMING. 83 00:02:36,390 --> 00:02:38,757 THANK YOU VERY MUCH, GENTLE LADY FROM WYOMING. THE CHAIR NOW RECOGNIZES THE 84 00:02:38,759 --> 00:02:39,658 FROM WYOMING. THE CHAIR NOW RECOGNIZES THE GENTLEMAN FROM CALIFORNIA, AND 85 00:02:39,660 --> 00:02:45,964 THE CHAIR NOW RECOGNIZES THE GENTLEMAN FROM CALIFORNIA, AND MAYBE THE HORROR MOVIE SMILE? 86 00:02:45,966 --> 00:02:48,467 GENTLEMAN FROM CALIFORNIA, AND MAYBE THE HORROR MOVIE SMILE? ACTUALLY, NO, NO, NO, WE GONNA 87 00:02:48,469 --> 00:02:49,168 MAYBE THE HORROR MOVIE SMILE? ACTUALLY, NO, NO, NO, WE GONNA SKIP HIM. 88 00:02:49,170 --> 00:02:50,669 ACTUALLY, NO, NO, NO, WE GONNA SKIP HIM. TOO SPOOKY. 89 00:02:50,671 --> 00:02:52,437 SKIP HIM. TOO SPOOKY. ALL RIGHT. 90 00:02:52,439 --> 00:02:53,172 TOO SPOOKY. ALL RIGHT. THE CHAIR INSTEAD RECOGNIZES THE 91 00:02:53,174 --> 00:02:53,972 ALL RIGHT. THE CHAIR INSTEAD RECOGNIZES THE GENTLEMAN FROM MARYLAND. 92 00:02:53,974 --> 00:02:56,441 THE CHAIR INSTEAD RECOGNIZES THE GENTLEMAN FROM MARYLAND. >> THANK YOU, MR. CHAIRMAN. 93 00:02:56,443 --> 00:02:59,645 GENTLEMAN FROM MARYLAND. >> THANK YOU, MR. CHAIRMAN. LEADING UP TO JANUARY 6th, THE 94 00:02:59,647 --> 00:03:01,547 >> THANK YOU, MR. CHAIRMAN. LEADING UP TO JANUARY 6th, THE FBI SCOURED THROUGH ALT-RIGHT 95 00:03:01,549 --> 00:03:04,283 LEADING UP TO JANUARY 6th, THE FBI SCOURED THROUGH ALT-RIGHT MESSAGE BOARDS AND FOUND 96 00:03:04,285 --> 00:03:06,251 FBI SCOURED THROUGH ALT-RIGHT MESSAGE BOARDS AND FOUND DISTURBING COMMENTS LIKE, WHO 97 00:03:06,253 --> 00:03:06,919 MESSAGE BOARDS AND FOUND DISTURBING COMMENTS LIKE, WHO WANTS TO BURN D.C. TO THE 98 00:03:06,921 --> 00:03:09,688 DISTURBING COMMENTS LIKE, WHO WANTS TO BURN D.C. TO THE GROUND? 99 00:03:09,690 --> 00:03:14,059 WANTS TO BURN D.C. TO THE GROUND? ANYONE GOT ROOM IN THEIR CAR FOR 100 00:03:14,061 --> 00:03:17,930 GROUND? ANYONE GOT ROOM IN THEIR CAR FOR 101 00:03:17,932 --> 00:03:19,598 ANYONE GOT ROOM IN THEIR CAR FOR 102 00:03:19,600 --> 00:03:23,302 ME, 10 RIFLES AND 30 SNAKES? WHERE DO WE PARK? 103 00:03:23,304 --> 00:03:26,004 ME, 10 RIFLES AND 30 SNAKES? WHERE DO WE PARK? IS THERE A SHUTTLE FROM LA 104 00:03:26,006 --> 00:03:26,338 WHERE DO WE PARK? IS THERE A SHUTTLE FROM LA QUINTA? 105 00:03:26,340 --> 00:03:27,873 IS THERE A SHUTTLE FROM LA QUINTA? AM I AT WRONG WASHINGTON? 106 00:03:27,875 --> 00:03:30,676 QUINTA? AM I AT WRONG WASHINGTON? I SEE SPACE NEEDLE. 107 00:03:30,678 --> 00:03:32,411 AM I AT WRONG WASHINGTON? I SEE SPACE NEEDLE. YET AGAIN, PRESIDENT TRUMP 108 00:03:32,413 --> 00:03:34,046 I SEE SPACE NEEDLE. YET AGAIN, PRESIDENT TRUMP DIDN'T RAISE A FINGER. 109 00:03:34,048 --> 00:03:37,015 YET AGAIN, PRESIDENT TRUMP DIDN'T RAISE A FINGER. AND WHILE THESE HOOLIGANS WERE 110 00:03:37,017 --> 00:03:39,585 DIDN'T RAISE A FINGER. AND WHILE THESE HOOLIGANS WERE RANSACKING OUR BELOVED CAPITOL, 111 00:03:39,587 --> 00:03:42,921 AND WHILE THESE HOOLIGANS WERE RANSACKING OUR BELOVED CAPITOL, REAL LEADERS LIKE NANCY PELOSI 112 00:03:42,923 --> 00:03:44,256 RANSACKING OUR BELOVED CAPITOL, REAL LEADERS LIKE NANCY PELOSI AND CHUCK SCHUMER WERE BUNKERED 113 00:03:44,258 --> 00:03:45,958 REAL LEADERS LIKE NANCY PELOSI AND CHUCK SCHUMER WERE BUNKERED IN A SENATE HIDE-AWAY TRYING TO 114 00:03:45,960 --> 00:03:48,327 AND CHUCK SCHUMER WERE BUNKERED IN A SENATE HIDE-AWAY TRYING TO SAVE THE COUNTRY. 115 00:03:48,329 --> 00:03:51,830 IN A SENATE HIDE-AWAY TRYING TO SAVE THE COUNTRY. >> YES, HELLO, MR. VICE 116 00:03:51,832 --> 00:03:52,197 SAVE THE COUNTRY. >> YES, HELLO, MR. VICE PRESIDENT. 117 00:03:52,199 --> 00:03:53,398 >> YES, HELLO, MR. VICE PRESIDENT. IT'S SPEAKER PELOSI. 118 00:03:53,400 --> 00:03:55,133 PRESIDENT. IT'S SPEAKER PELOSI. WHAT IS HAPPENING OVER THERE? 119 00:03:55,135 --> 00:03:57,536 IT'S SPEAKER PELOSI. WHAT IS HAPPENING OVER THERE? CAN WE GET BACK TO THE CAPITOL 120 00:03:57,538 --> 00:04:00,639 WHAT IS HAPPENING OVER THERE? CAN WE GET BACK TO THE CAPITOL AND RESUME THE VOTE IN HELLO, 121 00:04:00,641 --> 00:04:02,007 CAN WE GET BACK TO THE CAPITOL AND RESUME THE VOTE IN HELLO, DOORDASH? 122 00:04:02,009 --> 00:04:02,407 AND RESUME THE VOTE IN HELLO, DOORDASH? [ LAUGHTER ] 123 00:04:02,409 --> 00:04:03,442 DOORDASH? [ LAUGHTER ] IT'S CHUCK SCHUMER! 124 00:04:03,444 --> 00:04:04,776 [ LAUGHTER ] IT'S CHUCK SCHUMER! YES, WE STILL HAVEN'T RECEIVED 125 00:04:04,778 --> 00:04:09,881 IT'S CHUCK SCHUMER! YES, WE STILL HAVEN'T RECEIVED ANY OF OUR LUNCH ORDERS! 126 00:04:09,883 --> 00:04:13,285 YES, WE STILL HAVEN'T RECEIVED ANY OF OUR LUNCH ORDERS! >> THE DROP-OFF LOCATION, DUE TO 127 00:04:13,287 --> 00:04:14,519 ANY OF OUR LUNCH ORDERS! >> THE DROP-OFF LOCATION, DUE TO SOME UNFORTUNATE TREASON, BUT IT 128 00:04:14,521 --> 00:04:15,721 >> THE DROP-OFF LOCATION, DUE TO SOME UNFORTUNATE TREASON, BUT IT SHOULD HAVE ARRIVED BY NOW. 129 00:04:15,723 --> 00:04:17,155 SOME UNFORTUNATE TREASON, BUT IT SHOULD HAVE ARRIVED BY NOW. >> THE PRESIDENT IS DOING 130 00:04:17,157 --> 00:04:17,856 SHOULD HAVE ARRIVED BY NOW. >> THE PRESIDENT IS DOING NOTHING, THIS IS COMPLETELY 131 00:04:17,858 --> 00:04:18,290 >> THE PRESIDENT IS DOING NOTHING, THIS IS COMPLETELY UNACCEPTABLE. 132 00:04:18,292 --> 00:04:21,326 NOTHING, THIS IS COMPLETELY UNACCEPTABLE. >> MY ORDER? 133 00:04:21,328 --> 00:04:22,894 UNACCEPTABLE. >> MY ORDER? DILL PICKLES STILL FLOATING IN 134 00:04:22,896 --> 00:04:26,365 >> MY ORDER? DILL PICKLES STILL FLOATING IN THE JUICE AND A PASTRAMI 135 00:04:26,367 --> 00:04:27,733 DILL PICKLES STILL FLOATING IN THE JUICE AND A PASTRAMI SANDWICH WITH VERY LIGHT 136 00:04:27,735 --> 00:04:28,467 THE JUICE AND A PASTRAMI SANDWICH WITH VERY LIGHT MUSTARD, DO YOU HEAR ME? 137 00:04:28,469 --> 00:04:31,236 SANDWICH WITH VERY LIGHT MUSTARD, DO YOU HEAR ME? I'M IN A CONFINED SPACE WITH 30 138 00:04:31,238 --> 00:04:31,637 MUSTARD, DO YOU HEAR ME? I'M IN A CONFINED SPACE WITH 30 PEOPLE. 139 00:04:31,639 --> 00:04:33,538 I'M IN A CONFINED SPACE WITH 30 PEOPLE. IF I GET AN UPSET STOMACH, ALL 140 00:04:33,540 --> 00:04:36,275 PEOPLE. IF I GET AN UPSET STOMACH, ALL HELL IS GOING TO BREAK LOOSE. 141 00:04:36,277 --> 00:04:36,675 IF I GET AN UPSET STOMACH, ALL HELL IS GOING TO BREAK LOOSE. [ LAUGHTER ] 142 00:04:36,677 --> 00:04:37,409 HELL IS GOING TO BREAK LOOSE. [ LAUGHTER ] >> AND IT CONTINUES FOR HOURS 143 00:04:37,411 --> 00:04:37,809 [ LAUGHTER ] >> AND IT CONTINUES FOR HOURS FROM THERE. 144 00:04:37,811 --> 00:04:39,911 >> AND IT CONTINUES FOR HOURS FROM THERE. >> WELL, THANK YOU, MR. RASKIN. 145 00:04:39,913 --> 00:04:45,350 FROM THERE. >> WELL, THANK YOU, MR. RASKIN. THE CHAIR NOW RECOGNIZES THE 146 00:04:45,352 --> 00:04:46,118 >> WELL, THANK YOU, MR. RASKIN. THE CHAIR NOW RECOGNIZES THE TENDERONI FROM ILLINOIS. 147 00:04:46,120 --> 00:04:47,085 THE CHAIR NOW RECOGNIZES THE TENDERONI FROM ILLINOIS. >> THANK YOU, MR. CHAIR. 148 00:04:47,087 --> 00:04:48,420 TENDERONI FROM ILLINOIS. >> THANK YOU, MR. CHAIR. I TOOK A CUPCAKE. 149 00:04:48,422 --> 00:04:48,854 >> THANK YOU, MR. CHAIR. I TOOK A CUPCAKE. [ LAUGHTER ] 150 00:04:48,856 --> 00:04:50,355 I TOOK A CUPCAKE. [ LAUGHTER ] NOW, DONALD TRUMP KNEW HE HAD 151 00:04:50,357 --> 00:04:51,223 [ LAUGHTER ] NOW, DONALD TRUMP KNEW HE HAD LOST THE ELECTION. 152 00:04:51,225 --> 00:04:53,258 NOW, DONALD TRUMP KNEW HE HAD LOST THE ELECTION. EVERYONE AROUND HIM KNEW. 153 00:04:53,260 --> 00:04:55,927 LOST THE ELECTION. EVERYONE AROUND HIM KNEW. HE ASKED WHITE HOUSE COUNSEL PAT 154 00:04:55,929 --> 00:04:57,462 EVERYONE AROUND HIM KNEW. HE ASKED WHITE HOUSE COUNSEL PAT CIPOLLONE, DID I LOSE THE 155 00:04:57,464 --> 00:04:57,829 HE ASKED WHITE HOUSE COUNSEL PAT CIPOLLONE, DID I LOSE THE ELECTION? 156 00:04:57,831 --> 00:04:58,330 CIPOLLONE, DID I LOSE THE ELECTION? AND PAT SAID, YES. 157 00:04:58,332 --> 00:05:00,599 ELECTION? AND PAT SAID, YES. [ LAUGHTER ] 158 00:05:00,601 --> 00:05:01,833 AND PAT SAID, YES. [ LAUGHTER ] HE THEN ASKED IVANKA. 159 00:05:01,835 --> 00:05:04,636 [ LAUGHTER ] HE THEN ASKED IVANKA. DID I REALLY LOSE THE ELECTION? 160 00:05:04,638 --> 00:05:05,070 HE THEN ASKED IVANKA. DID I REALLY LOSE THE ELECTION? SHE SAID, YES. 161 00:05:05,072 --> 00:05:07,773 DID I REALLY LOSE THE ELECTION? SHE SAID, YES. [ LAUGHTER ] 162 00:05:07,775 --> 00:05:10,008 SHE SAID, YES. [ LAUGHTER ] HE THEN TRIED A JANITOR. 163 00:05:10,010 --> 00:05:12,177 [ LAUGHTER ] HE THEN TRIED A JANITOR. HEY, YOU DON'T THINK I LOST, DO 164 00:05:12,179 --> 00:05:12,811 HE THEN TRIED A JANITOR. HEY, YOU DON'T THINK I LOST, DO YOU? 165 00:05:12,813 --> 00:05:13,578 HEY, YOU DON'T THINK I LOST, DO YOU? THE JANITOR RESPONDED, I DO. 166 00:05:13,580 --> 00:05:16,448 YOU? THE JANITOR RESPONDED, I DO. [ LAUGHTER ] 167 00:05:16,450 --> 00:05:19,017 THE JANITOR RESPONDED, I DO. [ LAUGHTER ] THEN THE PRESIDENT TURNED TO A 168 00:05:19,019 --> 00:05:21,186 [ LAUGHTER ] THEN THE PRESIDENT TURNED TO A DOG AND SAID, WHAT ABOUT YOU? 169 00:05:21,188 --> 00:05:22,921 THEN THE PRESIDENT TURNED TO A DOG AND SAID, WHAT ABOUT YOU? DID I WIN? 170 00:05:22,923 --> 00:05:26,224 DOG AND SAID, WHAT ABOUT YOU? DID I WIN? AND THE DOG LEGIT SHOOK ITS HEAD 171 00:05:26,226 --> 00:05:27,793 DID I WIN? AND THE DOG LEGIT SHOOK ITS HEAD SIDE TO SIDE THEN BARKED A 172 00:05:27,795 --> 00:05:28,327 AND THE DOG LEGIT SHOOK ITS HEAD SIDE TO SIDE THEN BARKED A PERFECT HUMAN "NO." 173 00:05:28,329 --> 00:05:31,596 SIDE TO SIDE THEN BARKED A PERFECT HUMAN "NO." [ LAUGHTER ] 174 00:05:31,598 --> 00:05:32,798 PERFECT HUMAN "NO." [ LAUGHTER ] DONALD WAS DESPERATE TO HANG ON 175 00:05:32,800 --> 00:05:33,999 [ LAUGHTER ] DONALD WAS DESPERATE TO HANG ON TO POWER. 176 00:05:34,001 --> 00:05:35,901 DONALD WAS DESPERATE TO HANG ON TO POWER. MEANWHILE, REAL HEROES LIKE 177 00:05:35,903 --> 00:05:36,868 TO POWER. MEANWHILE, REAL HEROES LIKE NANCY PELOSI AND CHUCK SCHUMER 178 00:05:36,870 --> 00:05:38,837 MEANWHILE, REAL HEROES LIKE NANCY PELOSI AND CHUCK SCHUMER WERE THE ONES ACTUALLY RUNNING 179 00:05:38,839 --> 00:05:40,706 NANCY PELOSI AND CHUCK SCHUMER WERE THE ONES ACTUALLY RUNNING THIS COUNTRY. 180 00:05:40,708 --> 00:05:43,108 WERE THE ONES ACTUALLY RUNNING THIS COUNTRY. >> MR. VICE PRESIDENT, MR. VICE 181 00:05:43,110 --> 00:05:45,344 THIS COUNTRY. >> MR. VICE PRESIDENT, MR. VICE PRESIDENT, SPEAKER PELOSI AGAIN, 182 00:05:45,346 --> 00:05:46,578 >> MR. VICE PRESIDENT, MR. VICE PRESIDENT, SPEAKER PELOSI AGAIN, TELL THEM I'M HERE TOO. 183 00:05:46,580 --> 00:05:48,113 PRESIDENT, SPEAKER PELOSI AGAIN, TELL THEM I'M HERE TOO. MR. VICE PRESIDENT, WHERE IS 184 00:05:48,115 --> 00:05:48,613 TELL THEM I'M HERE TOO. MR. VICE PRESIDENT, WHERE IS PRESIDENT TRUMP? 185 00:05:48,615 --> 00:05:52,684 MR. VICE PRESIDENT, WHERE IS PRESIDENT TRUMP? WHAT IS HE DOING TO STOP THIS? 186 00:05:52,686 --> 00:05:53,418 PRESIDENT TRUMP? WHAT IS HE DOING TO STOP THIS? >> HI, MIKE, IT'S CHUCK SCHUMER, 187 00:05:53,420 --> 00:05:54,019 WHAT IS HE DOING TO STOP THIS? >> HI, MIKE, IT'S CHUCK SCHUMER, I'M HERE AS WELL! 188 00:05:54,021 --> 00:05:55,487 >> HI, MIKE, IT'S CHUCK SCHUMER, I'M HERE AS WELL! >> LET ME TELL YOU, IF TRUMP 189 00:05:55,489 --> 00:05:57,122 I'M HERE AS WELL! >> LET ME TELL YOU, IF TRUMP COMES HERE RIGHT NOW, I'M GOING 190 00:05:57,124 --> 00:05:59,157 >> LET ME TELL YOU, IF TRUMP COMES HERE RIGHT NOW, I'M GOING TO PUNCH HIM RIGHT IN THE FACE. 191 00:05:59,159 --> 00:05:59,891 COMES HERE RIGHT NOW, I'M GOING TO PUNCH HIM RIGHT IN THE FACE. THEN I'LL BE HAPPY. 192 00:05:59,893 --> 00:06:01,493 TO PUNCH HIM RIGHT IN THE FACE. THEN I'LL BE HAPPY. >> LET ME TELL YOU, IF TRUMP 193 00:06:01,495 --> 00:06:02,794 THEN I'LL BE HAPPY. >> LET ME TELL YOU, IF TRUMP COMES, I'M GOING TO LET HIM 194 00:06:02,796 --> 00:06:04,096 >> LET ME TELL YOU, IF TRUMP COMES, I'M GOING TO LET HIM PUNCH ME IN THE FACE, I'LL GO TO 195 00:06:04,098 --> 00:06:05,097 COMES, I'M GOING TO LET HIM PUNCH ME IN THE FACE, I'LL GO TO THE HOSPITAL, FREE SOUP. 196 00:06:05,099 --> 00:06:08,266 PUNCH ME IN THE FACE, I'LL GO TO THE HOSPITAL, FREE SOUP. [ LAUGHTER ] 197 00:06:08,268 --> 00:06:10,235 THE HOSPITAL, FREE SOUP. [ LAUGHTER ] >> NOT SURE IF SCHUMER NEEDS TO 198 00:06:10,237 --> 00:06:13,705 [ LAUGHTER ] >> NOT SURE IF SCHUMER NEEDS TO BE IN ALL THESE CLIPS. 199 00:06:13,707 --> 00:06:15,674 >> NOT SURE IF SCHUMER NEEDS TO BE IN ALL THESE CLIPS. MISS CHENEY, ANY FINAL THOUGHTS? 200 00:06:15,676 --> 00:06:17,776 BE IN ALL THESE CLIPS. MISS CHENEY, ANY FINAL THOUGHTS? >> THE FACT IS TRUMP PLANNED TO 201 00:06:17,778 --> 00:06:19,411 MISS CHENEY, ANY FINAL THOUGHTS? >> THE FACT IS TRUMP PLANNED TO DECLARE VICTORY NO MATTER THE 202 00:06:19,413 --> 00:06:19,745 >> THE FACT IS TRUMP PLANNED TO DECLARE VICTORY NO MATTER THE RESULTS. 203 00:06:19,747 --> 00:06:20,846 DECLARE VICTORY NO MATTER THE RESULTS. LOOK AT THIS VIDEO OF THE 204 00:06:20,848 --> 00:06:22,948 RESULTS. LOOK AT THIS VIDEO OF THE PRESIDENT THE DAY BEFORE THE 205 00:06:22,950 --> 00:06:23,315 LOOK AT THIS VIDEO OF THE PRESIDENT THE DAY BEFORE THE ELECTION. 206 00:06:23,317 --> 00:06:26,218 PRESIDENT THE DAY BEFORE THE ELECTION. >> THE VOTES DON'T MATTER, I'VE 207 00:06:26,220 --> 00:06:27,786 ELECTION. >> THE VOTES DON'T MATTER, I'VE ALWAYS SAID THAT THE VOTES DON'T 208 00:06:27,788 --> 00:06:28,453 >> THE VOTES DON'T MATTER, I'VE ALWAYS SAID THAT THE VOTES DON'T MATTER AT ALL. 209 00:06:28,455 --> 00:06:31,590 ALWAYS SAID THAT THE VOTES DON'T MATTER AT ALL. WHAT EVEN IS A VOTE? 210 00:06:31,592 --> 00:06:32,357 MATTER AT ALL. WHAT EVEN IS A VOTE? IT'S A PIECE OF PAPER YOU FOLD 211 00:06:32,359 --> 00:06:34,025 WHAT EVEN IS A VOTE? IT'S A PIECE OF PAPER YOU FOLD UP, PUT IT IN A HAT, A GUY 212 00:06:34,027 --> 00:06:37,028 IT'S A PIECE OF PAPER YOU FOLD UP, PUT IT IN A HAT, A GUY SHAKES IT AROUND. 213 00:06:37,030 --> 00:06:37,429 UP, PUT IT IN A HAT, A GUY SHAKES IT AROUND. [ LAUGHTER ] 214 00:06:37,431 --> 00:06:39,898 SHAKES IT AROUND. [ LAUGHTER ] HE HAD A GREAT HAT, IT WAS VERY 215 00:06:39,900 --> 00:06:41,533 [ LAUGHTER ] HE HAD A GREAT HAT, IT WAS VERY TALL, HE BORROWED IT FROM APOLLO 216 00:06:41,535 --> 00:06:42,968 HE HAD A GREAT HAT, IT WAS VERY TALL, HE BORROWED IT FROM APOLLO CREED WHO IS A VERY CLOSE FRIEND 217 00:06:42,970 --> 00:06:44,603 TALL, HE BORROWED IT FROM APOLLO CREED WHO IS A VERY CLOSE FRIEND OF MINE, WE TALK ON THE PHONE 218 00:06:44,605 --> 00:06:46,471 CREED WHO IS A VERY CLOSE FRIEND OF MINE, WE TALK ON THE PHONE EVERY DAY, OUR WIVES ARE 219 00:06:46,473 --> 00:06:46,805 OF MINE, WE TALK ON THE PHONE EVERY DAY, OUR WIVES ARE FRIENDS. 220 00:06:46,807 --> 00:06:47,506 EVERY DAY, OUR WIVES ARE FRIENDS. HE SHOULD NEVER HAVE DIED IN 221 00:06:47,508 --> 00:06:50,542 FRIENDS. HE SHOULD NEVER HAVE DIED IN THAT RING. 222 00:06:50,544 --> 00:06:52,544 HE SHOULD NEVER HAVE DIED IN THAT RING. HE GETS WHACKED IN THE HEAD, AND 223 00:06:52,546 --> 00:06:54,813 THAT RING. HE GETS WHACKED IN THE HEAD, AND BOOM, WHERE'S THE OBAMACARE? 224 00:06:54,815 --> 00:06:55,247 HE GETS WHACKED IN THE HEAD, AND BOOM, WHERE'S THE OBAMACARE? [ LAUGHTER ] 225 00:06:55,249 --> 00:06:58,383 BOOM, WHERE'S THE OBAMACARE? [ LAUGHTER ] NO, WE DON'T VOTE, WE DON'T 226 00:06:58,385 --> 00:06:59,017 [ LAUGHTER ] NO, WE DON'T VOTE, WE DON'T VOTE. 227 00:06:59,019 --> 00:06:59,384 NO, WE DON'T VOTE, WE DON'T VOTE. IT'S OPEN! 228 00:06:59,386 --> 00:07:02,254 VOTE. IT'S OPEN! >> THANK YOU VERY MUCH. 229 00:07:02,256 --> 00:07:07,859 IT'S OPEN! >> THANK YOU VERY MUCH. IS MIKE PENCE DEAD YET? 230 00:07:07,861 --> 00:07:09,594 >> THANK YOU VERY MUCH. IS MIKE PENCE DEAD YET? >> ALL RIGHT, I THINK WE'VE SEEN 231 00:07:09,596 --> 00:07:10,195 IS MIKE PENCE DEAD YET? >> ALL RIGHT, I THINK WE'VE SEEN QUITE ENOUGH. 232 00:07:10,197 --> 00:07:13,231 >> ALL RIGHT, I THINK WE'VE SEEN QUITE ENOUGH. LET US NOW TAKE A VOTE, SHOULD 233 00:07:13,233 --> 00:07:13,999 QUITE ENOUGH. LET US NOW TAKE A VOTE, SHOULD WE SUBPOENA PRESIDENT TRUMP AND 234 00:07:14,001 --> 00:07:15,667 LET US NOW TAKE A VOTE, SHOULD WE SUBPOENA PRESIDENT TRUMP AND FORCE HIM TO TESTIFY BEFORE THIS 235 00:07:15,669 --> 00:07:16,034 WE SUBPOENA PRESIDENT TRUMP AND FORCE HIM TO TESTIFY BEFORE THIS COMMITTEE? 236 00:07:16,036 --> 00:07:17,402 FORCE HIM TO TESTIFY BEFORE THIS COMMITTEE? >> YES, WE MUST. 237 00:07:17,404 --> 00:07:19,304 COMMITTEE? >> YES, WE MUST. AND THIS VOTE IS NOT JUST AN 238 00:07:19,306 --> 00:07:20,672 >> YES, WE MUST. AND THIS VOTE IS NOT JUST AN EMPTY GESTURE. 239 00:07:20,674 --> 00:07:23,308 AND THIS VOTE IS NOT JUST AN EMPTY GESTURE. HE WILL TESTIFY. 240 00:07:23,310 --> 00:07:24,042 EMPTY GESTURE. HE WILL TESTIFY. >> THAT'S RIGHT. 241 00:07:24,044 --> 00:07:27,646 HE WILL TESTIFY. >> THAT'S RIGHT. HE WILL GET ON A PLANE AND LEAVE 242 00:07:27,648 --> 00:07:30,215 >> THAT'S RIGHT. HE WILL GET ON A PLANE AND LEAVE FLORIDA, WHERE HE IS BELOVED, 243 00:07:30,217 --> 00:07:31,650 HE WILL GET ON A PLANE AND LEAVE FLORIDA, WHERE HE IS BELOVED, AND HE WILL FLY TO WASHINGTON 244 00:07:31,652 --> 00:07:35,854 FLORIDA, WHERE HE IS BELOVED, AND HE WILL FLY TO WASHINGTON WHERE HE IS HATED, AND HE WILL 245 00:07:35,856 --> 00:07:37,522 AND HE WILL FLY TO WASHINGTON WHERE HE IS HATED, AND HE WILL ANSWER MY QUESTIONS. 246 00:07:37,524 --> 00:07:39,591 WHERE HE IS HATED, AND HE WILL ANSWER MY QUESTIONS. QUESTIONS LIKE, HEY! 247 00:07:39,593 --> 00:07:40,358 ANSWER MY QUESTIONS. QUESTIONS LIKE, HEY! WHO DO YOU THINK YOU ARE, 248 00:07:40,360 --> 00:07:45,530 QUESTIONS LIKE, HEY! WHO DO YOU THINK YOU ARE, MISTER! 249 00:07:45,532 --> 00:07:47,466 WHO DO YOU THINK YOU ARE, MISTER! >> TRUMP IS 100% COMING AND THIS 250 00:07:47,468 --> 00:07:48,767 MISTER! >> TRUMP IS 100% COMING AND THIS TIME HE WILL BE HELD 251 00:07:48,769 --> 00:07:49,167 >> TRUMP IS 100% COMING AND THIS TIME HE WILL BE HELD ACCOUNTABLE. 252 00:07:49,169 --> 00:07:50,569 TIME HE WILL BE HELD ACCOUNTABLE. SURE, HE GOT AWAY WITH A LOT OF 253 00:07:50,571 --> 00:07:53,472 ACCOUNTABLE. SURE, HE GOT AWAY WITH A LOT OF STUFF IN THE '70s, THE '80s, THE 254 00:07:53,474 --> 00:07:55,674 SURE, HE GOT AWAY WITH A LOT OF STUFF IN THE '70s, THE '80s, THE '90s, THE EARLY 2000s, THE 255 00:07:55,676 --> 00:07:57,876 STUFF IN THE '70s, THE '80s, THE '90s, THE EARLY 2000s, THE 2010s, AND THE EARLY 2020S. 256 00:07:57,878 --> 00:07:58,276 '90s, THE EARLY 2000s, THE 2010s, AND THE EARLY 2020S. [ LAUGHTER ] 257 00:07:58,278 --> 00:08:00,745 2010s, AND THE EARLY 2020S. [ LAUGHTER ] BUT THAT ENDS NOW! 258 00:08:00,747 --> 00:08:01,746 [ LAUGHTER ] BUT THAT ENDS NOW! WITH US. 259 00:08:01,748 --> 00:08:08,386 BUT THAT ENDS NOW! WITH US. BECAUSE I'M -- MR. KINZINGER. 260 00:08:08,388 --> 00:08:10,255 WITH US. BECAUSE I'M -- MR. KINZINGER. AND HE WILL RESPECT MY 261 00:08:10,257 --> 00:08:10,655 BECAUSE I'M -- MR. KINZINGER. AND HE WILL RESPECT MY AUTHORITY. 262 00:08:10,657 --> 00:08:11,790 AND HE WILL RESPECT MY AUTHORITY. >> ALL RIGHT, WELL, I CAN 263 00:08:11,792 --> 00:08:13,658 AUTHORITY. >> ALL RIGHT, WELL, I CAN ALREADY SEE THIS IS A COMPLETE 264 00:08:13,660 --> 00:08:13,959 >> ALL RIGHT, WELL, I CAN ALREADY SEE THIS IS A COMPLETE ZERO. 265 00:08:13,961 --> 00:08:15,360 ALREADY SEE THIS IS A COMPLETE ZERO. I WANT TO THANK MY COLLEAGUES 266 00:08:15,362 --> 00:08:17,896 ZERO. I WANT TO THANK MY COLLEAGUES FOR THROWING AWAY THEIR SUMMERS, 267 00:08:17,898 --> 00:08:19,264 I WANT TO THANK MY COLLEAGUES FOR THROWING AWAY THEIR SUMMERS, AND IN SOME CASES THEIR CAREERS, 268 00:08:19,266 --> 00:08:20,665 FOR THROWING AWAY THEIR SUMMERS, AND IN SOME CASES THEIR CAREERS, TO SERVE ON THIS COMMITTEE. 269 00:08:20,667 --> 00:08:21,399 AND IN SOME CASES THEIR CAREERS, TO SERVE ON THIS COMMITTEE. >> HEY NO PROBLEM. 270 00:08:21,401 --> 00:08:22,467 TO SERVE ON THIS COMMITTEE. >> HEY NO PROBLEM. >> MY CALENDAR WAS EMPTY. 271 00:08:22,469 --> 00:08:23,168 >> HEY NO PROBLEM. >> MY CALENDAR WAS EMPTY. >> I DO HAVE A COUPLE OF 272 00:08:23,170 --> 00:08:23,502 >> MY CALENDAR WAS EMPTY. >> I DO HAVE A COUPLE OF REGRETS. 273 00:08:23,504 --> 00:08:26,037 >> I DO HAVE A COUPLE OF REGRETS. [ LAUGHTER ] 274 00:08:26,039 --> 00:08:27,706 REGRETS. [ LAUGHTER ] >> AMERICA, I DON'T KNOW WHAT 275 00:08:27,708 --> 00:08:29,107 [ LAUGHTER ] >> AMERICA, I DON'T KNOW WHAT MORE WE COULD POSSIBLY SHOW YOU 276 00:08:29,109 --> 00:08:31,142 >> AMERICA, I DON'T KNOW WHAT MORE WE COULD POSSIBLY SHOW YOU EXCEPT MAYBE THIS CLIP OF NANCY 277 00:08:31,144 --> 00:08:33,044 MORE WE COULD POSSIBLY SHOW YOU EXCEPT MAYBE THIS CLIP OF NANCY PELOSI SAYING POO-POO. 278 00:08:33,046 --> 00:08:36,181 EXCEPT MAYBE THIS CLIP OF NANCY PELOSI SAYING POO-POO. >> THERE'S POO-POO. 279 00:08:36,183 --> 00:08:37,883 PELOSI SAYING POO-POO. >> THERE'S POO-POO. THERE'S POO HAVE POO ON THE 280 00:08:37,885 --> 00:08:39,084 >> THERE'S POO-POO. THERE'S POO HAVE POO ON THE WALLS OF THE CAPITOL. 281 00:08:39,086 --> 00:08:42,754 THERE'S POO HAVE POO ON THE WALLS OF THE CAPITOL. >> OH MY GOD, WHILE I'M EATING? 282 00:08:42,756 --> 00:08:44,222 WALLS OF THE CAPITOL. >> OH MY GOD, WHILE I'M EATING? >> THEY ARE SMEARING THE WALLS 283 00:08:44,224 --> 00:08:46,458 >> OH MY GOD, WHILE I'M EATING? >> THEY ARE SMEARING THE WALLS WITH THEIR POO-POO. 284 00:08:46,460 --> 00:08:47,526 >> THEY ARE SMEARING THE WALLS WITH THEIR POO-POO. >> I TOLD YOU THAT'S WHAT 285 00:08:47,528 --> 00:08:48,860 WITH THEIR POO-POO. >> I TOLD YOU THAT'S WHAT HAPPENS WITH TOO MUCH MUSTARD. 286 00:08:48,862 --> 00:08:49,294 >> I TOLD YOU THAT'S WHAT HAPPENS WITH TOO MUCH MUSTARD. >> ALL RIGHT. 287 00:08:49,296 --> 00:08:51,329 HAPPENS WITH TOO MUCH MUSTARD. >> ALL RIGHT. [ LAUGHTER ] 288 00:08:51,331 --> 00:08:52,097 >> ALL RIGHT. [ LAUGHTER ] WE TRIED. 289 00:08:52,099 --> 00:08:54,199 [ LAUGHTER ] WE TRIED. IT WAS A FUN COUNTRY WHILE IT 290 00:08:54,201 --> 00:08:54,533 WE TRIED. IT WAS A FUN COUNTRY WHILE IT LASTED. 291 00:08:54,535 --> 00:08:55,233 IT WAS A FUN COUNTRY WHILE IT LASTED. AND LIVE FROM NEW YORK, IT'S 292 00:08:55,235 --> 00:09:02,607 LASTED. AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 293 00:09:02,609 --> 00:09:07,345 AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! >> IT'S "SATURDAY NIGHT LIVE." 294 00:09:07,347 --> 00:09:13,151 SATURDAY NIGHT! >> IT'S "SATURDAY NIGHT LIVE." WITH -- 295 00:10:57,723 --> 00:11:02,427 >> MUSICAL GUEST, MEGAN THEE STALLION. LADIES AND GENTLEMEN -- MEGAN 296 00:11:02,429 --> 00:11:04,996 STALLION. LADIES AND GENTLEMEN -- MEGAN THEE STALLION! 297 00:11:04,998 --> 00:11:14,973 LADIES AND GENTLEMEN -- MEGAN THEE STALLION! [ CHEERS AND APPLAUSE ] 298 00:11:14,975 --> 00:11:28,953 THEE STALLION! [ CHEERS AND APPLAUSE ] ♪ 299 00:11:28,955 --> 00:11:29,788 [ CHEERS AND APPLAUSE ] ♪ >> THANK YOU, THANK YOU, THANK 300 00:11:29,790 --> 00:11:32,424 ♪ >> THANK YOU, THANK YOU, THANK YOU VERY MUCH. 301 00:11:32,426 --> 00:11:33,825 >> THANK YOU, THANK YOU, THANK YOU VERY MUCH. I CAN'T TELL YOU ALL HOW EXCITED 302 00:11:33,827 --> 00:11:37,128 YOU VERY MUCH. I CAN'T TELL YOU ALL HOW EXCITED I AM TO BE HERE! 303 00:11:37,130 --> 00:11:38,596 I CAN'T TELL YOU ALL HOW EXCITED I AM TO BE HERE! [ CHEERS ] 304 00:11:38,598 --> 00:11:40,799 I AM TO BE HERE! [ CHEERS ] MOST OF Y'ALL KNOW ME AS MEGAN 305 00:11:40,801 --> 00:11:42,033 [ CHEERS ] MOST OF Y'ALL KNOW ME AS MEGAN BUT IF YOU KNOW ME, THEN YOU 306 00:11:42,035 --> 00:11:44,102 MOST OF Y'ALL KNOW ME AS MEGAN BUT IF YOU KNOW ME, THEN YOU KNOW I GO BY MORE THAN ONE NAME. 307 00:11:44,104 --> 00:11:48,606 BUT IF YOU KNOW ME, THEN YOU KNOW I GO BY MORE THAN ONE NAME. LET'S SEE, WE GOT FAMOUS NO. 308 00:11:48,608 --> 00:11:51,676 KNOW I GO BY MORE THAN ONE NAME. LET'S SEE, WE GOT FAMOUS NO. THE HOT GIRL COACH. 309 00:11:51,678 --> 00:11:53,912 LET'S SEE, WE GOT FAMOUS NO. THE HOT GIRL COACH. THE A-SELL HOTTIE. 310 00:11:53,914 --> 00:11:55,313 THE HOT GIRL COACH. THE A-SELL HOTTIE. IF YOU ARE ONE OF MY MANY, MANY 311 00:11:55,315 --> 00:11:57,816 THE A-SELL HOTTIE. IF YOU ARE ONE OF MY MANY, MANY HATERS, I'M PROBABLY, UGH, THAT 312 00:11:57,818 --> 00:11:58,316 IF YOU ARE ONE OF MY MANY, MANY HATERS, I'M PROBABLY, UGH, THAT BITCH. 313 00:11:58,318 --> 00:11:58,717 HATERS, I'M PROBABLY, UGH, THAT BITCH. [ LAUGHTER ] 314 00:11:58,719 --> 00:11:59,451 BITCH. [ LAUGHTER ] BUT THAT'S OKAY. 315 00:11:59,453 --> 00:12:01,386 [ LAUGHTER ] BUT THAT'S OKAY. BECAUSE EVEN MY HATERS AREN'T 316 00:12:01,388 --> 00:12:05,490 BUT THAT'S OKAY. BECAUSE EVEN MY HATERS AREN'T ENTIRELY WRONG BECAUSE I AM 317 00:12:05,492 --> 00:12:09,160 BECAUSE EVEN MY HATERS AREN'T ENTIRELY WRONG BECAUSE I AM SIMPLY THEE BITRH. 318 00:12:09,162 --> 00:12:11,629 ENTIRELY WRONG BECAUSE I AM SIMPLY THEE BITRH. THOSE WHO HAVE SEEN ME TWERK, 319 00:12:11,631 --> 00:12:12,530 SIMPLY THEE BITRH. THOSE WHO HAVE SEEN ME TWERK, FLAT-OUT BEING ONE OF THE 320 00:12:12,532 --> 00:12:13,364 THOSE WHO HAVE SEEN ME TWERK, FLAT-OUT BEING ONE OF THE HOTTEST EMCEES IN THE GAME RIGHT 321 00:12:13,366 --> 00:12:13,631 FLAT-OUT BEING ONE OF THE HOTTEST EMCEES IN THE GAME RIGHT NOW! 322 00:12:13,633 --> 00:12:17,736 HOTTEST EMCEES IN THE GAME RIGHT NOW! [ CHEERS AND APPLAUSE ] 323 00:12:17,738 --> 00:12:20,538 NOW! [ CHEERS AND APPLAUSE ] BUT THERE'S SO MUCH MORE TO ME 324 00:12:20,540 --> 00:12:21,673 [ CHEERS AND APPLAUSE ] BUT THERE'S SO MUCH MORE TO ME THAN MEETS THE EYE. 325 00:12:21,675 --> 00:12:24,008 BUT THERE'S SO MUCH MORE TO ME THAN MEETS THE EYE. FOR EXAMPLE, I'M A REALLY GOOD 326 00:12:24,010 --> 00:12:24,342 THAN MEETS THE EYE. FOR EXAMPLE, I'M A REALLY GOOD ACTRESS. 327 00:12:24,344 --> 00:12:25,877 FOR EXAMPLE, I'M A REALLY GOOD ACTRESS. I DON'T WANT TO TOOT MY OWN 328 00:12:25,879 --> 00:12:28,012 ACTRESS. I DON'T WANT TO TOOT MY OWN HORN, BUT I THINK I DO A PRETTY 329 00:12:28,014 --> 00:12:32,383 I DON'T WANT TO TOOT MY OWN HORN, BUT I THINK I DO A PRETTY GOOD BRITISH ACCENT. 330 00:12:32,385 --> 00:12:33,017 HORN, BUT I THINK I DO A PRETTY GOOD BRITISH ACCENT. ALL RIGHT, CHECK THIS OUT. 331 00:12:33,019 --> 00:12:36,721 GOOD BRITISH ACCENT. ALL RIGHT, CHECK THIS OUT. "PUT ME IN BRITAIN, BITCH." 332 00:12:36,723 --> 00:12:42,660 ALL RIGHT, CHECK THIS OUT. "PUT ME IN BRITAIN, BITCH." [ CHEERS AND APPLAUSE ] 333 00:12:42,662 --> 00:12:43,261 "PUT ME IN BRITAIN, BITCH." [ CHEERS AND APPLAUSE ] THOMAS FROM TEXAS L.A. 334 00:12:43,263 --> 00:12:45,130 [ CHEERS AND APPLAUSE ] THOMAS FROM TEXAS L.A. UNIVERSITY. 335 00:12:45,132 --> 00:12:47,232 THOMAS FROM TEXAS L.A. UNIVERSITY. IT'S NOT EASY AND I DID THAT 336 00:12:47,234 --> 00:12:48,933 UNIVERSITY. IT'S NOT EASY AND I DID THAT WHILE GOING ON A WORLD TOUR. 337 00:12:48,935 --> 00:12:49,768 IT'S NOT EASY AND I DID THAT WHILE GOING ON A WORLD TOUR. [ CHEERS ] 338 00:12:49,770 --> 00:12:53,271 WHILE GOING ON A WORLD TOUR. [ CHEERS ] SO NOW I CAN GO BY ANOTHER NAME. 339 00:12:53,273 --> 00:12:55,607 [ CHEERS ] SO NOW I CAN GO BY ANOTHER NAME. MEGAN THE BITCH THAT NEEDS SOME 340 00:12:55,609 --> 00:12:56,241 SO NOW I CAN GO BY ANOTHER NAME. MEGAN THE BITCH THAT NEEDS SOME SWEETS. 341 00:12:56,243 --> 00:12:57,342 MEGAN THE BITCH THAT NEEDS SOME SWEETS. I GOT MY DEGREE IN HEALTH 342 00:12:57,344 --> 00:12:58,510 SWEETS. I GOT MY DEGREE IN HEALTH ADMINISTRATION BECAUSE I HAVE 343 00:12:58,512 --> 00:12:59,878 I GOT MY DEGREE IN HEALTH ADMINISTRATION BECAUSE I HAVE ALWAYS WANTED TO HELP THE PEOPLE 344 00:12:59,880 --> 00:13:00,712 ADMINISTRATION BECAUSE I HAVE ALWAYS WANTED TO HELP THE PEOPLE IN MY COMMUNITY. 345 00:13:00,714 --> 00:13:02,247 ALWAYS WANTED TO HELP THE PEOPLE IN MY COMMUNITY. I BELIEVE THAT IT IS IMPORTANT 346 00:13:02,249 --> 00:13:06,451 IN MY COMMUNITY. I BELIEVE THAT IT IS IMPORTANT TO HAVE A SHARP MIND AND A SHARP 347 00:13:06,453 --> 00:13:08,787 I BELIEVE THAT IT IS IMPORTANT TO HAVE A SHARP MIND AND A SHARP BODY YADA YADA YADA. 348 00:13:08,789 --> 00:13:10,288 TO HAVE A SHARP MIND AND A SHARP BODY YADA YADA YADA. MY WE CAN SITE PROVIDES ACCESS 349 00:13:10,290 --> 00:13:11,589 BODY YADA YADA YADA. MY WE CAN SITE PROVIDES ACCESS TO RESOURCES FOR THOSE 350 00:13:11,591 --> 00:13:12,624 MY WE CAN SITE PROVIDES ACCESS TO RESOURCES FOR THOSE STRUGGLING WITH MENTAL HEALTH. 351 00:13:12,626 --> 00:13:16,728 TO RESOURCES FOR THOSE STRUGGLING WITH MENTAL HEALTH. BAD BITCHES HAVE BAD DAYS TOO, 352 00:13:16,730 --> 00:13:17,028 STRUGGLING WITH MENTAL HEALTH. BAD BITCHES HAVE BAD DAYS TOO, HUH? 353 00:13:17,030 --> 00:13:18,696 BAD BITCHES HAVE BAD DAYS TOO, HUH? THAT'S A REAL WEBSITE. 354 00:13:18,698 --> 00:13:20,331 HUH? THAT'S A REAL WEBSITE. I CAN'T BELIEVE THE DOMAIN 355 00:13:20,333 --> 00:13:20,899 THAT'S A REAL WEBSITE. I CAN'T BELIEVE THE DOMAIN WASN'T ALREADY TAKEN. 356 00:13:20,901 --> 00:13:28,206 I CAN'T BELIEVE THE DOMAIN WASN'T ALREADY TAKEN. IT'S SUPPOSED TO BE CALLED, 357 00:13:28,208 --> 00:13:29,307 WASN'T ALREADY TAKEN. IT'S SUPPOSED TO BE CALLED, HOTGIRLBUMMER BUT SOMEBODY STOLE 358 00:13:29,309 --> 00:13:29,574 IT'S SUPPOSED TO BE CALLED, HOTGIRLBUMMER BUT SOMEBODY STOLE IT. 359 00:13:29,576 --> 00:13:30,275 HOTGIRLBUMMER BUT SOMEBODY STOLE IT. YOU KNOW WHO YOU ARE. 360 00:13:30,277 --> 00:13:31,676 IT. YOU KNOW WHO YOU ARE. BEFORE THE SHOW STARTS, THERE'S 361 00:13:31,678 --> 00:13:32,544 YOU KNOW WHO YOU ARE. BEFORE THE SHOW STARTS, THERE'S SOMETHING I'VE BEEN REALLY 362 00:13:32,546 --> 00:13:33,311 BEFORE THE SHOW STARTS, THERE'S SOMETHING I'VE BEEN REALLY WANTING TO SAY. 363 00:13:33,313 --> 00:13:34,646 SOMETHING I'VE BEEN REALLY WANTING TO SAY. I'VE HAD SOME WINS AND I'VE HAD 364 00:13:34,648 --> 00:13:36,447 WANTING TO SAY. I'VE HAD SOME WINS AND I'VE HAD SOME LOSSES AND I ALWAYS GET 365 00:13:36,449 --> 00:13:37,448 I'VE HAD SOME WINS AND I'VE HAD SOME LOSSES AND I ALWAYS GET MORE WINS. 366 00:13:37,450 --> 00:13:39,083 SOME LOSSES AND I ALWAYS GET MORE WINS. BUT I DO PRIDE MYSELF ON BEING 367 00:13:39,085 --> 00:13:39,818 MORE WINS. BUT I DO PRIDE MYSELF ON BEING AN OPEN BOOK. 368 00:13:39,820 --> 00:13:41,519 BUT I DO PRIDE MYSELF ON BEING AN OPEN BOOK. SO WITH THAT BEING SAID, I WOULD 369 00:13:41,521 --> 00:13:42,987 AN OPEN BOOK. SO WITH THAT BEING SAID, I WOULD LIKE TO ADDRESS A CERTAIN 370 00:13:42,989 --> 00:13:43,688 SO WITH THAT BEING SAID, I WOULD LIKE TO ADDRESS A CERTAIN INCIDENT THAT I'M SURE IS ON 371 00:13:43,690 --> 00:13:49,427 LIKE TO ADDRESS A CERTAIN INCIDENT THAT I'M SURE IS ON EVERYBODY'S MIND. 372 00:13:49,429 --> 00:13:52,831 INCIDENT THAT I'M SURE IS ON EVERYBODY'S MIND. NO, I DON'T KNOW WHY THEY TOOK 373 00:13:52,833 --> 00:13:54,732 EVERYBODY'S MIND. NO, I DON'T KNOW WHY THEY TOOK THE HOT SAUCE OFF THE MENU. 374 00:13:54,734 --> 00:13:56,367 NO, I DON'T KNOW WHY THEY TOOK THE HOT SAUCE OFF THE MENU. TAKE THAT UP WITH THE POPEYE'S 375 00:13:56,369 --> 00:13:58,269 THE HOT SAUCE OFF THE MENU. TAKE THAT UP WITH THE POPEYE'S LADY, NOT ME, OKAY? 376 00:13:58,271 --> 00:14:00,305 TAKE THAT UP WITH THE POPEYE'S LADY, NOT ME, OKAY? SERIOUSLY, I DO WANT TO THANK MY 377 00:14:00,307 --> 00:14:01,973 LADY, NOT ME, OKAY? SERIOUSLY, I DO WANT TO THANK MY FANS, AKA THE HOTTIES. 378 00:14:01,975 --> 00:14:02,640 SERIOUSLY, I DO WANT TO THANK MY FANS, AKA THE HOTTIES. Y'ALL MEAN THE WORLD TO ME! 379 00:14:02,642 --> 00:14:07,445 FANS, AKA THE HOTTIES. Y'ALL MEAN THE WORLD TO ME! [ CHEERS AND APPLAUSE ] 380 00:14:07,447 --> 00:14:08,146 Y'ALL MEAN THE WORLD TO ME! [ CHEERS AND APPLAUSE ] STICK AROUND, WE'LL BE RIGHT 381 00:14:08,148 --> 00:14:08,846 [ CHEERS AND APPLAUSE ] STICK AROUND, WE'LL BE RIGHT BACK! 382 00:14:31,086 --> 00:14:40,328 >>> THIS FALL, A NEW MELODRAMA FOR OUR TIMES. IT'S "HOT GIRL HOSPITAL." 383 00:14:40,330 --> 00:14:41,863 FOR OUR TIMES. IT'S "HOT GIRL HOSPITAL." >> MA'AM, I'M RIGHT HERE, YOU'RE 384 00:14:41,865 --> 00:14:42,897 IT'S "HOT GIRL HOSPITAL." >> MA'AM, I'M RIGHT HERE, YOU'RE IN GOOD HANDS. 385 00:14:42,899 --> 00:14:43,798 >> MA'AM, I'M RIGHT HERE, YOU'RE IN GOOD HANDS. WHAT'S HER STATUS? 386 00:14:43,800 --> 00:14:44,465 IN GOOD HANDS. WHAT'S HER STATUS? >> 46. 387 00:14:44,467 --> 00:14:44,799 WHAT'S HER STATUS? >> 46. FEMALE. 388 00:14:44,801 --> 00:14:48,036 >> 46. FEMALE. MAD AS HELL. 389 00:14:48,038 --> 00:14:52,507 FEMALE. MAD AS HELL. >> OH MY GOD, AND THE FIT? 390 00:14:52,509 --> 00:14:52,907 MAD AS HELL. >> OH MY GOD, AND THE FIT? >> TRASH. 391 00:14:52,909 --> 00:14:55,677 >> OH MY GOD, AND THE FIT? >> TRASH. >> I NEED A BBL STAT. 392 00:14:55,679 --> 00:14:59,147 >> TRASH. >> I NEED A BBL STAT. 50 CCS AND WHATEVER FASHION 393 00:14:59,149 --> 00:14:59,681 >> I NEED A BBL STAT. 50 CCS AND WHATEVER FASHION MOGUL WE GOT. 394 00:14:59,683 --> 00:15:03,151 50 CCS AND WHATEVER FASHION MOGUL WE GOT. >> WHAT'S A BBL? 395 00:15:03,153 --> 00:15:05,553 MOGUL WE GOT. >> WHAT'S A BBL? JUST LET MY BABY DIE. 396 00:15:05,555 --> 00:15:06,354 >> WHAT'S A BBL? JUST LET MY BABY DIE. >> NO, MA'AM. 397 00:15:06,356 --> 00:15:09,691 JUST LET MY BABY DIE. >> NO, MA'AM. YOU GONNA BE A BAD BITCH REAL 398 00:15:09,693 --> 00:15:09,991 >> NO, MA'AM. YOU GONNA BE A BAD BITCH REAL SOON. 399 00:15:09,993 --> 00:15:11,893 YOU GONNA BE A BAD BITCH REAL SOON. >> FROM SHONDA RHIMES IT'S "HOT 400 00:15:11,895 --> 00:15:13,928 SOON. >> FROM SHONDA RHIMES IT'S "HOT GIRL HOSPITAL." 401 00:15:13,930 --> 00:15:16,698 >> FROM SHONDA RHIMES IT'S "HOT GIRL HOSPITAL." THE STORY OF THREE EVERYDAY 402 00:15:16,700 --> 00:15:18,366 GIRL HOSPITAL." THE STORY OF THREE EVERYDAY HEROES BLOWING UP THEIR 403 00:15:18,368 --> 00:15:20,802 THE STORY OF THREE EVERYDAY HEROES BLOWING UP THEIR COMMUNITY ONE DUSTY CHICK AT A 404 00:15:20,804 --> 00:15:21,102 HEROES BLOWING UP THEIR COMMUNITY ONE DUSTY CHICK AT A TIME. 405 00:15:21,104 --> 00:15:22,036 COMMUNITY ONE DUSTY CHICK AT A TIME. >> OH, GIRL. 406 00:15:22,038 --> 00:15:23,905 TIME. >> OH, GIRL. I GOT TO WORK A DOUBLE TONIGHT. 407 00:15:23,907 --> 00:15:24,839 >> OH, GIRL. I GOT TO WORK A DOUBLE TONIGHT. >> GIRL, I KNOW. 408 00:15:24,841 --> 00:15:28,876 I GOT TO WORK A DOUBLE TONIGHT. >> GIRL, I KNOW. I GOT A WEE BOW CHAT FOLLOWED BY 409 00:15:28,878 --> 00:15:31,980 >> GIRL, I KNOW. I GOT A WEE BOW CHAT FOLLOWED BY A EMERGENCY EVENT. 410 00:15:31,982 --> 00:15:34,315 I GOT A WEE BOW CHAT FOLLOWED BY A EMERGENCY EVENT. >> WHO DAT? 411 00:15:34,317 --> 00:15:34,649 A EMERGENCY EVENT. >> WHO DAT? WHO DAT? 412 00:15:34,651 --> 00:15:36,217 >> WHO DAT? WHO DAT? >> BEEN IN AN ACCIDENT -- 413 00:15:36,219 --> 00:15:37,218 WHO DAT? >> BEEN IN AN ACCIDENT -- >> I DON'T WANT TO HIGH! 414 00:15:37,220 --> 00:15:38,319 >> BEEN IN AN ACCIDENT -- >> I DON'T WANT TO HIGH! >> UH-UH. 415 00:15:38,321 --> 00:15:38,987 >> I DON'T WANT TO HIGH! >> UH-UH. >> HE'S PLEADING. 416 00:15:38,989 --> 00:15:41,089 >> UH-UH. >> HE'S PLEADING. >> WE DON'T WANT TO HEAR IT. 417 00:15:41,091 --> 00:15:41,589 >> HE'S PLEADING. >> WE DON'T WANT TO HEAR IT. >> WHO LET YOU IN? 418 00:15:41,591 --> 00:15:45,026 >> WE DON'T WANT TO HEAR IT. >> WHO LET YOU IN? >> NO, NO. 419 00:15:45,028 --> 00:15:46,427 >> WHO LET YOU IN? >> NO, NO. >> WHEN LIFE IS ON THE LINE, 420 00:15:46,429 --> 00:15:48,696 >> NO, NO. >> WHEN LIFE IS ON THE LINE, THESE ARE THE THREE WOMEN WHO 421 00:15:48,698 --> 00:15:49,464 >> WHEN LIFE IS ON THE LINE, THESE ARE THE THREE WOMEN WHO WILL ANSWER THE CALL, SAY 422 00:15:49,466 --> 00:15:53,167 THESE ARE THE THREE WOMEN WHO WILL ANSWER THE CALL, SAY SOMETHING RUDE, THEN HANG UP. 423 00:15:53,169 --> 00:15:55,003 WILL ANSWER THE CALL, SAY SOMETHING RUDE, THEN HANG UP. >> HEY, I'M CHARLIE. 424 00:15:55,005 --> 00:15:55,637 SOMETHING RUDE, THEN HANG UP. >> HEY, I'M CHARLIE. NEW YORK PRESIDENT BIDEN 425 00:15:55,639 --> 00:15:56,070 >> HEY, I'M CHARLIE. NEW YORK PRESIDENT BIDEN CARDIOLOGIST. 426 00:15:56,072 --> 00:15:59,207 NEW YORK PRESIDENT BIDEN CARDIOLOGIST. >> OKAY. 427 00:15:59,209 --> 00:16:01,509 CARDIOLOGIST. >> OKAY. BUT WE DON'T DO THAT HERE. 428 00:16:01,511 --> 00:16:04,312 >> OKAY. BUT WE DON'T DO THAT HERE. WE DO WIGS, CLOTHES. 429 00:16:04,314 --> 00:16:05,580 BUT WE DON'T DO THAT HERE. WE DO WIGS, CLOTHES. IF YOU WANT SOMETHING ELSE, 430 00:16:05,582 --> 00:16:07,148 WE DO WIGS, CLOTHES. IF YOU WANT SOMETHING ELSE, YOU'RE MORE THAN WELCOME TO LOOK 431 00:16:07,150 --> 00:16:07,482 IF YOU WANT SOMETHING ELSE, YOU'RE MORE THAN WELCOME TO LOOK AROUND. 432 00:16:07,484 --> 00:16:08,616 YOU'RE MORE THAN WELCOME TO LOOK AROUND. >> OKAY, SO WHAT KIND OF 433 00:16:08,618 --> 00:16:12,754 AROUND. >> OKAY, SO WHAT KIND OF HOSPITAL IS THIS, THEN? 434 00:16:12,756 --> 00:16:15,323 >> OKAY, SO WHAT KIND OF HOSPITAL IS THIS, THEN? >> DRAYMOND GREEN GOT IN TROUBLE 435 00:16:15,325 --> 00:16:16,991 HOSPITAL IS THIS, THEN? >> DRAYMOND GREEN GOT IN TROUBLE FOR PUNCHING HIS TEAMMATE, 436 00:16:16,993 --> 00:16:17,291 >> DRAYMOND GREEN GOT IN TROUBLE FOR PUNCHING HIS TEAMMATE, RIGHT? 437 00:16:17,293 --> 00:16:19,060 FOR PUNCHING HIS TEAMMATE, RIGHT? THE NBA MADE HIM DO COMMUNITY 438 00:16:19,062 --> 00:16:19,961 RIGHT? THE NBA MADE HIM DO COMMUNITY SERVICE. 439 00:16:19,963 --> 00:16:22,697 THE NBA MADE HIM DO COMMUNITY SERVICE. SO BASICALLY, HE FLEW OUT A 440 00:16:22,699 --> 00:16:27,635 SERVICE. SO BASICALLY, HE FLEW OUT A BUNCH OF IG BADDIES, FILLED A 441 00:16:27,637 --> 00:16:28,903 SO BASICALLY, HE FLEW OUT A BUNCH OF IG BADDIES, FILLED A BUILDING WITH WHEELCHAIRS AND 442 00:16:28,905 --> 00:16:30,071 BUNCH OF IG BADDIES, FILLED A BUILDING WITH WHEELCHAIRS AND CALLED IT A HOSPITAL. 443 00:16:30,073 --> 00:16:31,139 BUILDING WITH WHEELCHAIRS AND CALLED IT A HOSPITAL. >> THANK YOU, DRAYMOND! 444 00:16:31,141 --> 00:16:33,374 CALLED IT A HOSPITAL. >> THANK YOU, DRAYMOND! >> "THE NEW YORK TIMES" CALLS 445 00:16:33,376 --> 00:16:38,946 >> THANK YOU, DRAYMOND! >> "THE NEW YORK TIMES" CALLS IT, SOMEHOW EMPOWERING AND 446 00:16:38,948 --> 00:16:39,614 >> "THE NEW YORK TIMES" CALLS IT, SOMEHOW EMPOWERING AND REGRESSIVE AT THE SAME TIME. 447 00:16:39,616 --> 00:16:41,983 IT, SOMEHOW EMPOWERING AND REGRESSIVE AT THE SAME TIME. AND "VARIETY" SAYS, I DON'T FEEL 448 00:16:41,985 --> 00:16:43,885 REGRESSIVE AT THE SAME TIME. AND "VARIETY" SAYS, I DON'T FEEL COMFORTABLE REVIEWING THIS AS A 449 00:16:43,887 --> 00:16:44,318 AND "VARIETY" SAYS, I DON'T FEEL COMFORTABLE REVIEWING THIS AS A WHITE GUY. 450 00:16:44,320 --> 00:16:46,621 COMFORTABLE REVIEWING THIS AS A WHITE GUY. >> I NEED TO SPEAK TO DR. 451 00:16:46,623 --> 00:16:47,455 WHITE GUY. >> I NEED TO SPEAK TO DR. SIMMONS, IT'S AN EMERGENCY! 452 00:16:47,457 --> 00:16:49,223 >> I NEED TO SPEAK TO DR. SIMMONS, IT'S AN EMERGENCY! >> I AIN'T TALKING TO NO DR. 453 00:16:49,225 --> 00:16:50,758 SIMMONS, IT'S AN EMERGENCY! >> I AIN'T TALKING TO NO DR. SIMMONS RIGHT NOW BECAUSE SHE 454 00:16:50,760 --> 00:16:51,059 >> I AIN'T TALKING TO NO DR. SIMMONS RIGHT NOW BECAUSE SHE FAKE. 455 00:16:51,061 --> 00:16:51,426 SIMMONS RIGHT NOW BECAUSE SHE FAKE. >> WHAT? 456 00:16:51,428 --> 00:16:53,061 FAKE. >> WHAT? CAN I JUST SEE A DOCTOR, PLEASE? 457 00:16:53,063 --> 00:16:54,128 >> WHAT? CAN I JUST SEE A DOCTOR, PLEASE? >> YOU CAN SEE HER. 458 00:16:54,130 --> 00:16:57,865 CAN I JUST SEE A DOCTOR, PLEASE? >> YOU CAN SEE HER. BUT I'M NOT GOING TO GET HER. 459 00:16:57,867 --> 00:17:00,168 >> YOU CAN SEE HER. BUT I'M NOT GOING TO GET HER. NURSE, WHERE'S JANELLE? 460 00:17:00,170 --> 00:17:05,106 BUT I'M NOT GOING TO GET HER. NURSE, WHERE'S JANELLE? >> HUH? 461 00:17:05,108 --> 00:17:07,341 NURSE, WHERE'S JANELLE? >> HUH? >> SHE FAKE. 462 00:17:07,343 --> 00:17:09,243 >> HUH? >> SHE FAKE. SHE GOT TO THINK SHE BETTER THAN 463 00:17:09,245 --> 00:17:09,644 >> SHE FAKE. SHE GOT TO THINK SHE BETTER THAN EVERYBODY. 464 00:17:09,646 --> 00:17:10,044 SHE GOT TO THINK SHE BETTER THAN EVERYBODY. >> UH-HUH. 465 00:17:10,046 --> 00:17:10,678 EVERYBODY. >> UH-HUH. >> CAN YOU JUST PAGE HER, 466 00:17:10,680 --> 00:17:13,414 >> UH-HUH. >> CAN YOU JUST PAGE HER, PLEASE? 467 00:17:13,416 --> 00:17:15,650 >> CAN YOU JUST PAGE HER, PLEASE? >> IMAGINE. 468 00:17:15,652 --> 00:17:17,018 PLEASE? >> IMAGINE. IMAGINE ME SAYING "PAGING DR. 469 00:17:17,020 --> 00:17:19,921 >> IMAGINE. IMAGINE ME SAYING "PAGING DR. SIMMONS." 470 00:17:19,923 --> 00:17:22,390 IMAGINE ME SAYING "PAGING DR. SIMMONS." >> ALL OF THE DRAMA, NONE OF THE 471 00:17:22,392 --> 00:17:23,391 SIMMONS." >> ALL OF THE DRAMA, NONE OF THE APPROPRIATE RESPONSE. 472 00:17:23,393 --> 00:17:25,560 >> ALL OF THE DRAMA, NONE OF THE APPROPRIATE RESPONSE. BECAUSE OF THE "HOT GIRL 473 00:17:25,562 --> 00:17:27,995 APPROPRIATE RESPONSE. BECAUSE OF THE "HOT GIRL HOSPITAL," HELP AIN'T ON THE 474 00:17:27,997 --> 00:17:28,730 BECAUSE OF THE "HOT GIRL HOSPITAL," HELP AIN'T ON THE WAY. 475 00:17:28,732 --> 00:17:29,964 HOSPITAL," HELP AIN'T ON THE WAY. >> CALL MY WIFE! 476 00:17:29,966 --> 00:17:30,932 WAY. >> CALL MY WIFE! >> AAH! 477 00:17:30,934 --> 00:17:31,599 >> CALL MY WIFE! >> AAH! >> OH NO. 478 00:17:31,601 --> 00:17:35,069 >> AAH! >> OH NO. HOLD ON, HOLD ON, HOLD ON, HOLD 479 00:17:35,071 --> 00:17:35,436 >> OH NO. HOLD ON, HOLD ON, HOLD ON, HOLD ON. 480 00:17:35,438 --> 00:17:37,338 HOLD ON, HOLD ON, HOLD ON, HOLD ON. DeJUAN, IS THAT YOU, DeJUAN? 481 00:17:37,340 --> 00:17:38,573 ON. DeJUAN, IS THAT YOU, DeJUAN? HOLD UP. 482 00:17:38,575 --> 00:17:41,576 DeJUAN, IS THAT YOU, DeJUAN? HOLD UP. DeJUAN, WHO BE ON OUR DMs EVERY 483 00:17:41,578 --> 00:17:41,843 HOLD UP. DeJUAN, WHO BE ON OUR DMs EVERY DAY? 484 00:17:41,845 --> 00:17:44,679 DeJUAN, WHO BE ON OUR DMs EVERY DAY? >> OH, SNAP, WHAT'S UP? 485 00:17:44,681 --> 00:17:47,248 DAY? >> OH, SNAP, WHAT'S UP? >> DO YOU KNOW THEM? 486 00:17:47,250 --> 00:17:47,982 >> OH, SNAP, WHAT'S UP? >> DO YOU KNOW THEM? >> I NEVER SEEN THEM BEFORE IN 487 00:17:47,984 --> 00:17:49,851 >> DO YOU KNOW THEM? >> I NEVER SEEN THEM BEFORE IN MY LIFE. 488 00:17:49,853 --> 00:17:50,952 >> I NEVER SEEN THEM BEFORE IN MY LIFE. >> YOU THINK YOU SLICK. 489 00:17:50,954 --> 00:17:51,552 MY LIFE. >> YOU THINK YOU SLICK. >> UH-UH. 490 00:17:51,554 --> 00:17:55,623 >> YOU THINK YOU SLICK. >> UH-UH. >> COMING HERE WITH YOUR WIFE, 491 00:17:55,625 --> 00:17:56,257 >> UH-UH. >> COMING HERE WITH YOUR WIFE, HER WATER BROKE. 492 00:17:56,259 --> 00:17:59,961 >> COMING HERE WITH YOUR WIFE, HER WATER BROKE. >> BOY, GET YOUR LAME ASS WRONG. 493 00:17:59,963 --> 00:18:01,496 HER WATER BROKE. >> BOY, GET YOUR LAME ASS WRONG. >> GOOD LUCK TO THAT BABY. 494 00:18:01,498 --> 00:18:03,097 >> BOY, GET YOUR LAME ASS WRONG. >> GOOD LUCK TO THAT BABY. >> AND ON A VERY SPECIAL SEASON 495 00:18:03,099 --> 00:18:06,234 >> GOOD LUCK TO THAT BABY. >> AND ON A VERY SPECIAL SEASON FINALE -- 496 00:18:06,236 --> 00:18:08,669 >> AND ON A VERY SPECIAL SEASON FINALE -- ♪ 497 00:18:08,671 --> 00:18:09,203 FINALE -- ♪ >> WHERE'S MY WIFE? 498 00:18:09,205 --> 00:18:10,805 ♪ >> WHERE'S MY WIFE? IS SHE OKAY? 499 00:18:10,807 --> 00:18:14,909 >> WHERE'S MY WIFE? IS SHE OKAY? OH HO HO! 500 00:18:14,911 --> 00:18:16,244 IS SHE OKAY? OH HO HO! >> SHE MORE THAN OKAY BABY, SHE 501 00:18:16,246 --> 00:18:16,511 OH HO HO! >> SHE MORE THAN OKAY BABY, SHE BAD. 502 00:18:16,513 --> 00:18:18,379 >> SHE MORE THAN OKAY BABY, SHE BAD. COME ON OUT, GIRL! 503 00:18:18,381 --> 00:18:26,921 BAD. COME ON OUT, GIRL! [ CHEERS AND APPLAUSE ] 504 00:18:26,923 --> 00:18:27,355 COME ON OUT, GIRL! [ CHEERS AND APPLAUSE ] >> THANK YOU. 505 00:18:27,357 --> 00:18:28,523 [ CHEERS AND APPLAUSE ] >> THANK YOU. >> YES! 506 00:18:28,525 --> 00:18:30,992 >> THANK YOU. >> YES! >> UH-HUH! 507 00:18:30,994 --> 00:18:33,327 >> YES! >> UH-HUH! >> YOU WORK IT, BITCH! 508 00:18:33,329 --> 00:18:35,596 >> UH-HUH! >> YOU WORK IT, BITCH! >> "HOT GIRL HOSPITAL" COMING 509 00:18:35,598 --> 00:18:37,064 >> YOU WORK IT, BITCH! >> "HOT GIRL HOSPITAL" COMING THIS HOT GIRL FALL. 510 00:18:37,066 --> 00:18:38,566 >> "HOT GIRL HOSPITAL" COMING THIS HOT GIRL FALL. >> THANK YOU, DRAYMOND! 511 00:18:38,568 --> 00:18:46,841 THIS HOT GIRL FALL. >> THANK YOU, DRAYMOND! [ CHEERS AND APPLAUSE ] 512 00:18:53,215 --> 00:18:56,651 ♪ MY FRIEND IS GOING OUT AND I'M TAG ALONG ♪ ♪ SHE'S GOING TO SEE SOME PALS 513 00:18:56,653 --> 00:18:58,853 TAG ALONG ♪ ♪ SHE'S GOING TO SEE SOME PALS SHE HASN'T SEEN IN SO LONG ♪ 514 00:18:58,855 --> 00:19:00,688 ♪ SHE'S GOING TO SEE SOME PALS SHE HASN'T SEEN IN SO LONG ♪ ♪ IT'S MY BOYFRIEND'S FRIEND'S 515 00:19:00,690 --> 00:19:01,956 SHE HASN'T SEEN IN SO LONG ♪ ♪ IT'S MY BOYFRIEND'S FRIEND'S BIRTHDAY AND I WAS FREE ♪ 516 00:19:01,958 --> 00:19:04,025 ♪ IT'S MY BOYFRIEND'S FRIEND'S BIRTHDAY AND I WAS FREE ♪ ♪ WILL I KNOW PEOPLE THERE HE 517 00:19:04,027 --> 00:19:06,727 BIRTHDAY AND I WAS FREE ♪ ♪ WILL I KNOW PEOPLE THERE HE SAID YOU'LL KNOW ME ♪ 518 00:19:06,729 --> 00:19:08,095 ♪ WILL I KNOW PEOPLE THERE HE SAID YOU'LL KNOW ME ♪ ♪ I SAID I DON'T LOVE STRANGERS 519 00:19:08,097 --> 00:19:09,931 SAID YOU'LL KNOW ME ♪ ♪ I SAID I DON'T LOVE STRANGERS BUT I DO LIKE TO DRINK ♪ 520 00:19:09,933 --> 00:19:11,465 ♪ I SAID I DON'T LOVE STRANGERS BUT I DO LIKE TO DRINK ♪ ♪ EVERYBODY THIS IS PHIL HEY I'M 521 00:19:11,467 --> 00:19:13,701 BUT I DO LIKE TO DRINK ♪ ♪ EVERYBODY THIS IS PHIL HEY I'M FRIENDS WITH ALEXIS ♪ 522 00:19:13,703 --> 00:19:15,169 ♪ EVERYBODY THIS IS PHIL HEY I'M FRIENDS WITH ALEXIS ♪ ♪ THIS IS MY SISTER I FLEW IN 523 00:19:15,171 --> 00:19:15,636 FRIENDS WITH ALEXIS ♪ ♪ THIS IS MY SISTER I FLEW IN FROM TEXAS ♪ 524 00:19:15,638 --> 00:19:17,271 ♪ THIS IS MY SISTER I FLEW IN FROM TEXAS ♪ ♪ I FINALLY BROUGHT MY 525 00:19:17,273 --> 00:19:18,673 FROM TEXAS ♪ ♪ I FINALLY BROUGHT MY GIRLFRIEND THAT'S ME I'M 526 00:19:18,675 --> 00:19:19,173 ♪ I FINALLY BROUGHT MY GIRLFRIEND THAT'S ME I'M HEATHER ♪ 527 00:19:19,175 --> 00:19:20,775 GIRLFRIEND THAT'S ME I'M HEATHER ♪ ♪ WHERE DID YOU FEET WE ALL GREW 528 00:19:20,777 --> 00:19:22,276 HEATHER ♪ ♪ WHERE DID YOU FEET WE ALL GREW UP TOGETHER ♪ 529 00:19:22,278 --> 00:19:24,011 ♪ WHERE DID YOU FEET WE ALL GREW UP TOGETHER ♪ ♪ THEY LEAVE US AT THE TABLE AND 530 00:19:24,013 --> 00:19:26,814 UP TOGETHER ♪ ♪ THEY LEAVE US AT THE TABLE AND THEY GO TO A SHOP THEY ASK US 531 00:19:26,816 --> 00:19:28,115 ♪ THEY LEAVE US AT THE TABLE AND THEY GO TO A SHOP THEY ASK US SAVE OUR SEATS ♪ 532 00:19:28,117 --> 00:19:30,284 THEY GO TO A SHOP THEY ASK US SAVE OUR SEATS ♪ ♪ WE SAY SURE WHY NOT ♪ 533 00:19:30,286 --> 00:19:31,752 SAVE OUR SEATS ♪ ♪ WE SAY SURE WHY NOT ♪ ♪ NOW WE'RE THREE STRANGERS THAT 534 00:19:31,754 --> 00:19:35,089 ♪ WE SAY SURE WHY NOT ♪ ♪ NOW WE'RE THREE STRANGERS THAT ARE FRIENDS ♪ 535 00:19:35,091 --> 00:19:36,858 ♪ NOW WE'RE THREE STRANGERS THAT ARE FRIENDS ♪ ♪ OH-OH-OH OH-OH-OH ♪ 536 00:19:36,860 --> 00:19:38,326 ARE FRIENDS ♪ ♪ OH-OH-OH OH-OH-OH ♪ ♪ WE GOT CAUGHT AND WE DON'T 537 00:19:38,328 --> 00:19:39,594 ♪ OH-OH-OH OH-OH-OH ♪ ♪ WE GOT CAUGHT AND WE DON'T KNOW EACH OTHER ♪ 538 00:19:39,596 --> 00:19:41,229 ♪ WE GOT CAUGHT AND WE DON'T KNOW EACH OTHER ♪ ♪ WE GOT CAUGHT SO WE ALL HAVE 539 00:19:41,231 --> 00:19:42,864 KNOW EACH OTHER ♪ ♪ WE GOT CAUGHT SO WE ALL HAVE TO SUFFER ♪ 540 00:19:42,866 --> 00:19:44,832 ♪ WE GOT CAUGHT SO WE ALL HAVE TO SUFFER ♪ ♪ WE ALL WANT TO LEAVE BUT IT'S 541 00:19:44,834 --> 00:19:47,768 TO SUFFER ♪ ♪ WE ALL WANT TO LEAVE BUT IT'S ONLY 8:00 ♪ 542 00:19:47,770 --> 00:19:49,804 ♪ WE ALL WANT TO LEAVE BUT IT'S ONLY 8:00 ♪ ♪ WE GOT CAUGHT ♪ 543 00:19:49,806 --> 00:19:50,905 ONLY 8:00 ♪ ♪ WE GOT CAUGHT ♪ ♪ WE'RE TRYING TO PUSH THROUGH I 544 00:19:50,907 --> 00:19:53,708 ♪ WE GOT CAUGHT ♪ ♪ WE'RE TRYING TO PUSH THROUGH I ASK WHERE ARE Y'ALL FROM ♪ 545 00:19:53,710 --> 00:19:55,109 ♪ WE'RE TRYING TO PUSH THROUGH I ASK WHERE ARE Y'ALL FROM ♪ ♪ AND I COULDN'T THINK OF A 546 00:19:55,111 --> 00:19:57,011 ASK WHERE ARE Y'ALL FROM ♪ ♪ AND I COULDN'T THINK OF A SINGLE OTHER QUESTION ♪ 547 00:19:57,013 --> 00:19:59,847 ♪ AND I COULDN'T THINK OF A SINGLE OTHER QUESTION ♪ ♪ SO I ALSO ASKED WHERE ARE 548 00:19:59,849 --> 00:20:00,381 SINGLE OTHER QUESTION ♪ ♪ SO I ALSO ASKED WHERE ARE Y'ALL FROM ♪ 549 00:20:00,383 --> 00:20:01,716 ♪ SO I ALSO ASKED WHERE ARE Y'ALL FROM ♪ ♪ WE COVERED THAT. 550 00:20:01,718 --> 00:20:03,317 Y'ALL FROM ♪ ♪ WE COVERED THAT. >> ANYBODY HAVE ANOTHER 551 00:20:03,319 --> 00:20:03,684 ♪ WE COVERED THAT. >> ANYBODY HAVE ANOTHER QUESTION? 552 00:20:03,686 --> 00:20:05,553 >> ANYBODY HAVE ANOTHER QUESTION? >> OKAY, SO WHAT'S Y'ALL'S 553 00:20:05,555 --> 00:20:08,656 QUESTION? >> OKAY, SO WHAT'S Y'ALL'S TRAUMA? 554 00:20:08,658 --> 00:20:10,524 >> OKAY, SO WHAT'S Y'ALL'S TRAUMA? ♪ I MADE MY ESCAPE AND SAY I'M 555 00:20:10,526 --> 00:20:11,492 TRAUMA? ♪ I MADE MY ESCAPE AND SAY I'M GOING TO THE BEDROOM ♪ 556 00:20:11,494 --> 00:20:13,928 ♪ I MADE MY ESCAPE AND SAY I'M GOING TO THE BEDROOM ♪ ♪ AND THIS CRANKY BITCH SAYS 557 00:20:13,930 --> 00:20:14,495 GOING TO THE BEDROOM ♪ ♪ AND THIS CRANKY BITCH SAYS I'LL GO WITH YOU ♪ 558 00:20:14,497 --> 00:20:18,766 ♪ AND THIS CRANKY BITCH SAYS I'LL GO WITH YOU ♪ >> NO, YOU WON'T. 559 00:20:18,768 --> 00:20:22,503 I'LL GO WITH YOU ♪ >> NO, YOU WON'T. >> IS SHE LEAVING? 560 00:20:22,505 --> 00:20:23,905 >> NO, YOU WON'T. >> IS SHE LEAVING? ♪ WE'RE WAITING AT THE BAR BUT 561 00:20:23,907 --> 00:20:25,106 >> IS SHE LEAVING? ♪ WE'RE WAITING AT THE BAR BUT NO ONE'S COMING BY ♪ 562 00:20:25,108 --> 00:20:27,441 ♪ WE'RE WAITING AT THE BAR BUT NO ONE'S COMING BY ♪ ♪ AND IF THERE'S ONE SECOND OF 563 00:20:27,443 --> 00:20:29,343 NO ONE'S COMING BY ♪ ♪ AND IF THERE'S ONE SECOND OF SILENCE THEN WE'LL BOTH DIE ♪ 564 00:20:29,345 --> 00:20:29,610 ♪ AND IF THERE'S ONE SECOND OF SILENCE THEN WE'LL BOTH DIE ♪ ♪ 565 00:20:29,612 --> 00:20:29,911 SILENCE THEN WE'LL BOTH DIE ♪ ♪ ♪ 566 00:20:29,913 --> 00:20:30,845 ♪ ♪ ♪ I REACH INTO THE DEPTHS OF 567 00:20:30,847 --> 00:20:32,680 ♪ ♪ I REACH INTO THE DEPTHS OF WHAT I KNOW AND I SAY, DID YOU 568 00:20:32,682 --> 00:20:35,316 ♪ I REACH INTO THE DEPTHS OF WHAT I KNOW AND I SAY, DID YOU KNOW THERE'S ONLY BEEN 25 DEATHS 569 00:20:35,318 --> 00:20:41,989 WHAT I KNOW AND I SAY, DID YOU KNOW THERE'S ONLY BEEN 25 DEATHS AT DISNEYLAND SINCE 1955 ♪ 570 00:20:41,991 --> 00:20:42,757 KNOW THERE'S ONLY BEEN 25 DEATHS AT DISNEYLAND SINCE 1955 ♪ ♪ AND SHE SAID ONLY? 571 00:20:42,759 --> 00:20:43,024 AT DISNEYLAND SINCE 1955 ♪ ♪ AND SHE SAID ONLY? ♪ 572 00:20:43,026 --> 00:20:44,492 ♪ AND SHE SAID ONLY? ♪ ♪ WHAT NEIGHBORHOOD IS YOUR 573 00:20:44,494 --> 00:20:46,327 ♪ ♪ WHAT NEIGHBORHOOD IS YOUR APARTMENT IN, SHE SAYS BROOKLYN, 574 00:20:46,329 --> 00:20:47,528 ♪ WHAT NEIGHBORHOOD IS YOUR APARTMENT IN, SHE SAYS BROOKLYN, I SAY WHEREABOUTS THIS 575 00:20:47,530 --> 00:20:48,296 APARTMENT IN, SHE SAYS BROOKLYN, I SAY WHEREABOUTS THIS BROOKLYN ♪ 576 00:20:48,298 --> 00:20:50,097 I SAY WHEREABOUTS THIS BROOKLYN ♪ ♪ AND SHE SAYS OH THE SAFE PART 577 00:20:50,099 --> 00:20:54,001 BROOKLYN ♪ ♪ AND SHE SAYS OH THE SAFE PART WHICH WAS SHOCKING SO I PANICKED 578 00:20:54,003 --> 00:20:55,336 ♪ AND SHE SAYS OH THE SAFE PART WHICH WAS SHOCKING SO I PANICKED AND ALL I COULD SAY WAS ♪ 579 00:20:55,338 --> 00:20:56,570 WHICH WAS SHOCKING SO I PANICKED AND ALL I COULD SAY WAS ♪ OH, GOOD. 580 00:20:56,572 --> 00:20:58,072 AND ALL I COULD SAY WAS ♪ OH, GOOD. I LOVE SAFE PARKS. 581 00:20:58,074 --> 00:21:01,742 OH, GOOD. I LOVE SAFE PARKS. >> NO, I SAID THE SOUTH PART. 582 00:21:01,744 --> 00:21:04,745 I LOVE SAFE PARKS. >> NO, I SAID THE SOUTH PART. >> NO! 583 00:21:04,747 --> 00:21:08,783 >> NO, I SAID THE SOUTH PART. >> NO! ♪ WE GOT CAUGHT ♪ 584 00:21:08,785 --> 00:21:11,352 >> NO! ♪ WE GOT CAUGHT ♪ ♪ YOUR MUTUAL WAS GONE YOUR 585 00:21:11,354 --> 00:21:14,221 ♪ WE GOT CAUGHT ♪ ♪ YOUR MUTUAL WAS GONE YOUR MUTUAL WAS MISSING ♪ 586 00:21:14,223 --> 00:21:15,323 ♪ YOUR MUTUAL WAS GONE YOUR MUTUAL WAS MISSING ♪ ♪ YOU'RE WONDERING WHY YOUR 587 00:21:15,325 --> 00:21:16,457 MUTUAL WAS MISSING ♪ ♪ YOU'RE WONDERING WHY YOUR FRIENDS ARE REMINISCING ♪ 588 00:21:16,459 --> 00:21:17,959 ♪ YOU'RE WONDERING WHY YOUR FRIENDS ARE REMINISCING ♪ ♪ WHERE ARE OUR FRIENDS WHERE 589 00:21:17,961 --> 00:21:19,794 FRIENDS ARE REMINISCING ♪ ♪ WHERE ARE OUR FRIENDS WHERE HAVE THEY GONE WHY WOULD THEY 590 00:21:19,796 --> 00:21:21,162 ♪ WHERE ARE OUR FRIENDS WHERE HAVE THEY GONE WHY WOULD THEY LEAVE US ALONE ♪ 591 00:21:21,164 --> 00:21:22,563 HAVE THEY GONE WHY WOULD THEY LEAVE US ALONE ♪ ♪ YOU'RE ALL OUT OF TOPICS AND 592 00:21:22,565 --> 00:21:24,265 LEAVE US ALONE ♪ ♪ YOU'RE ALL OUT OF TOPICS AND THE CONVERSATION'S LAZY ♪ 593 00:21:24,267 --> 00:21:26,600 ♪ YOU'RE ALL OUT OF TOPICS AND THE CONVERSATION'S LAZY ♪ ♪ YOU JUST KEEP ON SAYING 594 00:21:26,602 --> 00:21:28,035 THE CONVERSATION'S LAZY ♪ ♪ YOU JUST KEEP ON SAYING THEY'RE CRAZY THEY'RE CRAZY ♪ 595 00:21:28,037 --> 00:21:30,037 ♪ YOU JUST KEEP ON SAYING THEY'RE CRAZY THEY'RE CRAZY ♪ ♪ THEY'RE CRAZY NO WAY THEY'RE 596 00:21:30,039 --> 00:21:30,838 THEY'RE CRAZY THEY'RE CRAZY ♪ ♪ THEY'RE CRAZY NO WAY THEY'RE CRAZY OH CRAZY ♪ 597 00:21:30,840 --> 00:21:31,839 ♪ THEY'RE CRAZY NO WAY THEY'RE CRAZY OH CRAZY ♪ >> THAT'S CRAZY. 598 00:21:31,841 --> 00:21:34,108 CRAZY OH CRAZY ♪ >> THAT'S CRAZY. >> SO CRAZY. 599 00:21:34,110 --> 00:21:35,643 >> THAT'S CRAZY. >> SO CRAZY. >> NICE TO MEET YOU, IT'S 600 00:21:35,645 --> 00:21:36,143 >> SO CRAZY. >> NICE TO MEET YOU, IT'S GETTING LATE. 601 00:21:36,145 --> 00:21:37,211 >> NICE TO MEET YOU, IT'S GETTING LATE. >> 8:05? 602 00:21:37,213 --> 00:21:38,846 GETTING LATE. >> 8:05? >> I DON'T WANT TO BE HERE 603 00:21:38,848 --> 00:21:39,213 >> 8:05? >> I DON'T WANT TO BE HERE ANYMORE! 604 00:21:39,215 --> 00:21:42,116 >> I DON'T WANT TO BE HERE ANYMORE! ♪ WE GOT CAUGHT ♪ 605 00:21:42,118 --> 00:21:46,854 ANYMORE! ♪ WE GOT CAUGHT ♪ [ CHEERS AND APPLAUSE ] 606 00:21:46,856 --> 00:21:49,323 ♪ WE GOT CAUGHT ♪ [ CHEERS AND APPLAUSE ] >>> OH, WELL, MY GOODNESS, MY 607 00:21:49,325 --> 00:21:49,757 [ CHEERS AND APPLAUSE ] >>> OH, WELL, MY GOODNESS, MY GOODNESS. 608 00:21:49,759 --> 00:21:50,491 >>> OH, WELL, MY GOODNESS, MY GOODNESS. I CAN'T BELIEVE MY DAUGHTER 609 00:21:50,493 --> 00:21:51,559 GOODNESS. I CAN'T BELIEVE MY DAUGHTER LIVES IN THIS BEAUTIFUL HOUSE. 610 00:21:51,561 --> 00:21:53,494 I CAN'T BELIEVE MY DAUGHTER LIVES IN THIS BEAUTIFUL HOUSE. >> IT REALLY IS SO COZY. 611 00:21:53,496 --> 00:21:54,695 LIVES IN THIS BEAUTIFUL HOUSE. >> IT REALLY IS SO COZY. >> THANKS, EVERYBODY. 612 00:21:54,697 --> 00:21:56,163 >> IT REALLY IS SO COZY. >> THANKS, EVERYBODY. I KNOW IT'S REMOTE BUT WE LOVE 613 00:21:56,165 --> 00:21:56,430 >> THANKS, EVERYBODY. I KNOW IT'S REMOTE BUT WE LOVE IT. 614 00:21:56,432 --> 00:21:57,965 I KNOW IT'S REMOTE BUT WE LOVE IT. >> THE SCHOOLS ARE GREAT IF WE 615 00:21:57,967 --> 00:21:59,100 IT. >> THE SCHOOLS ARE GREAT IF WE DECIDE TO HAVE KIDS ONE DAY. 616 00:21:59,102 --> 00:22:00,468 >> THE SCHOOLS ARE GREAT IF WE DECIDE TO HAVE KIDS ONE DAY. >> ONE DAY? 617 00:22:00,470 --> 00:22:02,303 DECIDE TO HAVE KIDS ONE DAY. >> ONE DAY? YOU NEED THEM NOW. 618 00:22:02,305 --> 00:22:03,571 >> ONE DAY? YOU NEED THEM NOW. >> DAD, STOP. 619 00:22:03,573 --> 00:22:04,872 YOU NEED THEM NOW. >> DAD, STOP. >> I WILL NOT STOP. 620 00:22:04,874 --> 00:22:07,174 >> DAD, STOP. >> I WILL NOT STOP. I WILL NEVER STOP ON THAT. 621 00:22:07,176 --> 00:22:07,575 >> I WILL NOT STOP. I WILL NEVER STOP ON THAT. [ LAUGHTER ] 622 00:22:07,577 --> 00:22:08,776 I WILL NEVER STOP ON THAT. [ LAUGHTER ] >> WILL YOU LOOK OUT THE WINDOW? 623 00:22:08,778 --> 00:22:10,011 [ LAUGHTER ] >> WILL YOU LOOK OUT THE WINDOW? THERE'S A DEER IN YOUR WOODS. 624 00:22:10,013 --> 00:22:12,213 >> WILL YOU LOOK OUT THE WINDOW? THERE'S A DEER IN YOUR WOODS. >> OH, REALLY, A DEER? 625 00:22:12,215 --> 00:22:12,646 THERE'S A DEER IN YOUR WOODS. >> OH, REALLY, A DEER? WHERE IS IT? 626 00:22:12,648 --> 00:22:14,048 >> OH, REALLY, A DEER? WHERE IS IT? >> RIGHT THERE BY THAT PINE 627 00:22:14,050 --> 00:22:14,348 WHERE IS IT? >> RIGHT THERE BY THAT PINE TREE. 628 00:22:14,350 --> 00:22:15,950 >> RIGHT THERE BY THAT PINE TREE. >> OH, CUTE. 629 00:22:15,952 --> 00:22:16,884 TREE. >> OH, CUTE. >> WHERE IS IT? 630 00:22:16,886 --> 00:22:17,385 >> OH, CUTE. >> WHERE IS IT? I DON'T SEE IT. 631 00:22:17,387 --> 00:22:19,186 >> WHERE IS IT? I DON'T SEE IT. >> IT'S RIGHT BY THE PINE TREE, 632 00:22:19,188 --> 00:22:20,755 I DON'T SEE IT. >> IT'S RIGHT BY THE PINE TREE, DAD, LOOK. 633 00:22:20,757 --> 00:22:21,922 >> IT'S RIGHT BY THE PINE TREE, DAD, LOOK. >> AWW! 634 00:22:21,924 --> 00:22:23,057 DAD, LOOK. >> AWW! >> AWW! 635 00:22:23,059 --> 00:22:24,191 >> AWW! >> AWW! >> HE A BIG ONE. 636 00:22:24,193 --> 00:22:25,793 >> AWW! >> HE A BIG ONE. OR IS IT A GIRL? 637 00:22:25,795 --> 00:22:27,862 >> HE A BIG ONE. OR IS IT A GIRL? BECAUSE THEY ONLY HAVE ONE? 638 00:22:27,864 --> 00:22:29,296 OR IS IT A GIRL? BECAUSE THEY ONLY HAVE ONE? >> WHERE IS IT Y'ALL TALKING 639 00:22:29,298 --> 00:22:29,897 BECAUSE THEY ONLY HAVE ONE? >> WHERE IS IT Y'ALL TALKING ABOUT? 640 00:22:29,899 --> 00:22:31,732 >> WHERE IS IT Y'ALL TALKING ABOUT? >> BY THE PINE TREE, MR. 641 00:22:31,734 --> 00:22:32,099 ABOUT? >> BY THE PINE TREE, MR. REYNOLDS. 642 00:22:32,101 --> 00:22:35,236 >> BY THE PINE TREE, MR. REYNOLDS. >> I KNOW WHAT IT'S BY, WHERE IS 643 00:22:35,238 --> 00:22:35,536 REYNOLDS. >> I KNOW WHAT IT'S BY, WHERE IS IT AT? 644 00:22:35,538 --> 00:22:36,170 >> I KNOW WHAT IT'S BY, WHERE IS IT AT? >> IT'S RIGHT THERE, DAD. 645 00:22:36,172 --> 00:22:37,705 IT AT? >> IT'S RIGHT THERE, DAD. >> I THOUGHT I WAS LOOKING FOR A 646 00:22:37,707 --> 00:22:38,005 >> IT'S RIGHT THERE, DAD. >> I THOUGHT I WAS LOOKING FOR A DEER. 647 00:22:38,007 --> 00:22:39,740 >> I THOUGHT I WAS LOOKING FOR A DEER. NOW I GOT TO FIND A ROCK? 648 00:22:39,742 --> 00:22:41,342 DEER. NOW I GOT TO FIND A ROCK? >> THERE'S TWO BIG ROUND ROCKS, 649 00:22:41,344 --> 00:22:43,611 NOW I GOT TO FIND A ROCK? >> THERE'S TWO BIG ROUND ROCKS, MR. REYNOLDS. 650 00:22:43,613 --> 00:22:43,978 >> THERE'S TWO BIG ROUND ROCKS, MR. REYNOLDS. >> OKAY. 651 00:22:43,980 --> 00:22:45,279 MR. REYNOLDS. >> OKAY. DON'T YELL AT ME. 652 00:22:45,281 --> 00:22:46,814 >> OKAY. DON'T YELL AT ME. JUST SHOW ME WHERE THE DEER IS. 653 00:22:46,816 --> 00:22:47,948 DON'T YELL AT ME. JUST SHOW ME WHERE THE DEER IS. >> DAD. 654 00:22:47,950 --> 00:22:48,883 JUST SHOW ME WHERE THE DEER IS. >> DAD. DO YOU SEE WHERE I'M POINTING? 655 00:22:48,885 --> 00:22:52,319 >> DAD. DO YOU SEE WHERE I'M POINTING? >> YES. 656 00:22:52,321 --> 00:22:53,120 DO YOU SEE WHERE I'M POINTING? >> YES. A ROCK. 657 00:22:53,122 --> 00:22:53,687 >> YES. A ROCK. >> DAD. 658 00:22:53,689 --> 00:22:56,757 A ROCK. >> DAD. BRING YOUR EYES BY MY HANDS AND 659 00:22:56,759 --> 00:22:59,126 >> DAD. BRING YOUR EYES BY MY HANDS AND FOLLOW THE ART OF THE POINT. 660 00:22:59,128 --> 00:22:59,860 BRING YOUR EYES BY MY HANDS AND FOLLOW THE ART OF THE POINT. >> YOU KNOW WHAT, NEVER MIND. 661 00:22:59,862 --> 00:23:02,797 FOLLOW THE ART OF THE POINT. >> YOU KNOW WHAT, NEVER MIND. I DON'T NEED TO SEE IT. 662 00:23:02,799 --> 00:23:03,664 >> YOU KNOW WHAT, NEVER MIND. I DON'T NEED TO SEE IT. >> DAD. 663 00:23:03,666 --> 00:23:06,333 I DON'T NEED TO SEE IT. >> DAD. JUST FOLLOW THE ARC OF MY POINT 664 00:23:06,335 --> 00:23:08,202 >> DAD. JUST FOLLOW THE ARC OF MY POINT WITH YOUR EYES TO THE DEER. 665 00:23:08,204 --> 00:23:10,071 JUST FOLLOW THE ARC OF MY POINT WITH YOUR EYES TO THE DEER. >> I SAID IT'S OKAY, I DON'T 666 00:23:10,073 --> 00:23:10,838 WITH YOUR EYES TO THE DEER. >> I SAID IT'S OKAY, I DON'T REALLY CARE. 667 00:23:10,840 --> 00:23:12,306 >> I SAID IT'S OKAY, I DON'T REALLY CARE. >> BUT IT'S RIGHT THERE. 668 00:23:12,308 --> 00:23:15,509 REALLY CARE. >> BUT IT'S RIGHT THERE. JUST MAKE YOUR EYES GO IN MINE 669 00:23:15,511 --> 00:23:17,745 >> BUT IT'S RIGHT THERE. JUST MAKE YOUR EYES GO IN MINE WITH THE ANGLE OF MY POINT. 670 00:23:17,747 --> 00:23:21,749 JUST MAKE YOUR EYES GO IN MINE WITH THE ANGLE OF MY POINT. >> FORGET, I I DON'T NEED TO SEE 671 00:23:21,751 --> 00:23:22,950 WITH THE ANGLE OF MY POINT. >> FORGET, I I DON'T NEED TO SEE NO DEER! 672 00:23:22,952 --> 00:23:26,120 >> FORGET, I I DON'T NEED TO SEE NO DEER! >> THERE'S A BLOODY RABBIT 673 00:23:26,122 --> 00:23:26,854 NO DEER! >> THERE'S A BLOODY RABBIT RIDING ON THE BACK OF THE DEER! 674 00:23:26,856 --> 00:23:27,188 >> THERE'S A BLOODY RABBIT RIDING ON THE BACK OF THE DEER! >> WHAT? 675 00:23:27,190 --> 00:23:31,092 RIDING ON THE BACK OF THE DEER! >> WHAT? WHERE'S THAT HAPPENING NOW? 676 00:23:31,094 --> 00:23:31,492 >> WHAT? WHERE'S THAT HAPPENING NOW? [ LAUGHTER ] 677 00:23:31,494 --> 00:23:35,329 WHERE'S THAT HAPPENING NOW? [ LAUGHTER ] >> OH, AND THE BUNNY HAS A TAIL. 678 00:23:35,331 --> 00:23:36,964 [ LAUGHTER ] >> OH, AND THE BUNNY HAS A TAIL. >> IF I WANTED TO SEE THAT, 679 00:23:36,966 --> 00:23:38,199 >> OH, AND THE BUNNY HAS A TAIL. >> IF I WANTED TO SEE THAT, WHERE EXACTLY I WOULD LOOK? 680 00:23:38,201 --> 00:23:39,533 >> IF I WANTED TO SEE THAT, WHERE EXACTLY I WOULD LOOK? >> IT'S WALKING STRAIGHT TOWARDS 681 00:23:39,535 --> 00:23:39,967 WHERE EXACTLY I WOULD LOOK? >> IT'S WALKING STRAIGHT TOWARDS US, SEE? 682 00:23:39,969 --> 00:23:41,769 >> IT'S WALKING STRAIGHT TOWARDS US, SEE? >> DAD, IMAGINE A LASER COMING 683 00:23:41,771 --> 00:23:42,837 US, SEE? >> DAD, IMAGINE A LASER COMING FROM MY FINGERS. 684 00:23:42,839 --> 00:23:43,537 >> DAD, IMAGINE A LASER COMING FROM MY FINGERS. >> WHAT? 685 00:23:43,539 --> 00:23:47,775 FROM MY FINGERS. >> WHAT? >> DO YOU SEE THE THIRD CLOUD ON 686 00:23:47,777 --> 00:23:48,542 >> WHAT? >> DO YOU SEE THE THIRD CLOUD ON THE SIDE OF THE SKY? 687 00:23:48,544 --> 00:23:50,478 >> DO YOU SEE THE THIRD CLOUD ON THE SIDE OF THE SKY? >> THE SIDE OF THE SKY? 688 00:23:50,480 --> 00:23:51,512 THE SIDE OF THE SKY? >> THE SIDE OF THE SKY? >> RIGHT THERE AT 12:00. 689 00:23:51,514 --> 00:23:54,281 >> THE SIDE OF THE SKY? >> RIGHT THERE AT 12:00. >> EAST COAST OR WEST COAST 690 00:23:54,283 --> 00:23:54,582 >> RIGHT THERE AT 12:00. >> EAST COAST OR WEST COAST TIME? 691 00:23:54,584 --> 00:23:56,317 >> EAST COAST OR WEST COAST TIME? >> LOOK, THE DEER'S RIGHT THERE, 692 00:23:56,319 --> 00:23:57,551 TIME? >> LOOK, THE DEER'S RIGHT THERE, YOU HAVE TO SEE IT. 693 00:23:57,553 --> 00:23:58,786 >> LOOK, THE DEER'S RIGHT THERE, YOU HAVE TO SEE IT. >> BUT I DON'T, AND I DON'T WANT 694 00:23:58,788 --> 00:23:59,053 YOU HAVE TO SEE IT. >> BUT I DON'T, AND I DON'T WANT TO. 695 00:23:59,055 --> 00:24:00,387 >> BUT I DON'T, AND I DON'T WANT TO. >> SHOOT, I THINK Y'ALL ARE 696 00:24:00,389 --> 00:24:00,888 TO. >> SHOOT, I THINK Y'ALL ARE MAKING THIS UP. 697 00:24:00,890 --> 00:24:02,923 >> SHOOT, I THINK Y'ALL ARE MAKING THIS UP. >> ALL RIGHT, DADDY, IT'S OKAY. 698 00:24:02,925 --> 00:24:03,724 MAKING THIS UP. >> ALL RIGHT, DADDY, IT'S OKAY. LET'S TALK ABOUT SOMETHING ELSE. 699 00:24:03,726 --> 00:24:05,459 >> ALL RIGHT, DADDY, IT'S OKAY. LET'S TALK ABOUT SOMETHING ELSE. >> YEAH, IT'S NOT THAT GREAT OF 700 00:24:05,461 --> 00:24:06,427 LET'S TALK ABOUT SOMETHING ELSE. >> YEAH, IT'S NOT THAT GREAT OF A DEER. 701 00:24:06,429 --> 00:24:09,163 >> YEAH, IT'S NOT THAT GREAT OF A DEER. >> OH MY GOD, IS THAT THE ONE ON 702 00:24:09,165 --> 00:24:13,667 A DEER. >> OH MY GOD, IS THAT THE ONE ON MR. REYNOLDS'S WALK? 703 00:24:13,669 --> 00:24:14,535 >> OH MY GOD, IS THAT THE ONE ON MR. REYNOLDS'S WALK? >> I WILL NOT. 704 00:24:14,537 --> 00:24:16,036 MR. REYNOLDS'S WALK? >> I WILL NOT. I HAVE LOST ALL INTEREST IN THE 705 00:24:16,038 --> 00:24:16,337 >> I WILL NOT. I HAVE LOST ALL INTEREST IN THE DEER. 706 00:24:16,339 --> 00:24:17,037 I HAVE LOST ALL INTEREST IN THE DEER. >> IT'S RIGHT THERE WAVING AT 707 00:24:17,039 --> 00:24:20,374 DEER. >> IT'S RIGHT THERE WAVING AT US! 708 00:24:20,376 --> 00:24:20,774 >> IT'S RIGHT THERE WAVING AT US! [ LAUGHTER ] 709 00:24:20,776 --> 00:24:22,109 US! [ LAUGHTER ] >> I DON'T CARE IF IT'S DOING 710 00:24:22,111 --> 00:24:22,843 [ LAUGHTER ] >> I DON'T CARE IF IT'S DOING THE MACARENA. 711 00:24:22,845 --> 00:24:24,278 >> I DON'T CARE IF IT'S DOING THE MACARENA. >> FOR THE LOVE OF GOD, JUST 712 00:24:24,280 --> 00:24:25,913 THE MACARENA. >> FOR THE LOVE OF GOD, JUST TURN AROUND AND YOU'LL SEE IT! 713 00:24:25,915 --> 00:24:26,247 >> FOR THE LOVE OF GOD, JUST TURN AROUND AND YOU'LL SEE IT! >> OKAY. 714 00:24:26,249 --> 00:24:27,882 TURN AROUND AND YOU'LL SEE IT! >> OKAY. FINE. 715 00:24:27,884 --> 00:24:33,354 >> OKAY. FINE. BUT IT BETTER BE THERE. 716 00:24:33,356 --> 00:24:34,021 FINE. BUT IT BETTER BE THERE. >> OH! 717 00:24:34,023 --> 00:24:34,555 BUT IT BETTER BE THERE. >> OH! >> OH! 718 00:24:34,557 --> 00:24:36,290 >> OH! >> OH! >> I'M GOING TO BURN THIS WHOLE 719 00:24:36,292 --> 00:24:36,790 >> OH! >> I'M GOING TO BURN THIS WHOLE HOUSE DOWN. 720 00:24:36,792 --> 00:24:38,993 >> I'M GOING TO BURN THIS WHOLE HOUSE DOWN. >> IT WAS RIGHT THERE, IT JUST 721 00:24:38,995 --> 00:24:39,660 HOUSE DOWN. >> IT WAS RIGHT THERE, IT JUST JUMPED DOWN. 722 00:24:39,662 --> 00:24:41,095 >> IT WAS RIGHT THERE, IT JUST JUMPED DOWN. >> Y'ALL ARE MESSING WITH ME, 723 00:24:41,097 --> 00:24:42,530 JUMPED DOWN. >> Y'ALL ARE MESSING WITH ME, JUST LIKE WHEN YOU PULLED MY 724 00:24:42,532 --> 00:24:44,098 >> Y'ALL ARE MESSING WITH ME, JUST LIKE WHEN YOU PULLED MY PANTS DOWN AT THE YANKEE GAME. 725 00:24:44,100 --> 00:24:45,332 JUST LIKE WHEN YOU PULLED MY PANTS DOWN AT THE YANKEE GAME. >> I DIDN'T PULL YOUR PANTS 726 00:24:45,334 --> 00:24:46,834 PANTS DOWN AT THE YANKEE GAME. >> I DIDN'T PULL YOUR PANTS DOWN, THEY WERE LOOSE, THEY FELL 727 00:24:46,836 --> 00:24:47,535 >> I DIDN'T PULL YOUR PANTS DOWN, THEY WERE LOOSE, THEY FELL ON THEIR OWN. 728 00:24:47,537 --> 00:24:48,235 DOWN, THEY WERE LOOSE, THEY FELL ON THEIR OWN. >> WHATEVER. 729 00:24:48,237 --> 00:24:48,969 ON THEIR OWN. >> WHATEVER. EVERYBODY ALWAYS MESSING WITH 730 00:24:48,971 --> 00:24:49,236 >> WHATEVER. EVERYBODY ALWAYS MESSING WITH ME. 731 00:24:49,238 --> 00:24:52,806 EVERYBODY ALWAYS MESSING WITH ME. >> OH MY GOD! 732 00:24:52,808 --> 00:24:55,409 ME. >> OH MY GOD! >> OH MY GOD, DEER IN THE HOUSE! 733 00:24:55,411 --> 00:24:57,545 >> OH MY GOD! >> OH MY GOD, DEER IN THE HOUSE! >> I DON'T WANT TO MEET HER. 734 00:24:57,547 --> 00:24:58,846 >> OH MY GOD, DEER IN THE HOUSE! >> I DON'T WANT TO MEET HER. I DON'T WANT TO HEAR ABOUT NO 735 00:24:58,848 --> 00:24:59,146 >> I DON'T WANT TO MEET HER. I DON'T WANT TO HEAR ABOUT NO DEER. 736 00:24:59,148 --> 00:25:01,282 I DON'T WANT TO HEAR ABOUT NO DEER. >> RIGHT BEHIND YOU! 737 00:25:01,284 --> 00:25:01,749 DEER. >> RIGHT BEHIND YOU! >> HUGH? 738 00:25:01,751 --> 00:25:02,683 >> RIGHT BEHIND YOU! >> HUGH? WHO IS HUGH? 739 00:25:02,685 --> 00:25:04,685 >> HUGH? WHO IS HUGH? >> NOT HUGH, YOU. 740 00:25:04,687 --> 00:25:07,555 WHO IS HUGH? >> NOT HUGH, YOU. >> ME, STOP MESSING WITH ME. 741 00:25:07,557 --> 00:25:09,223 >> NOT HUGH, YOU. >> ME, STOP MESSING WITH ME. >> MR. REYNOLDS, IT'S GOT A 742 00:25:09,225 --> 00:25:09,523 >> ME, STOP MESSING WITH ME. >> MR. REYNOLDS, IT'S GOT A KNIFE! 743 00:25:09,525 --> 00:25:09,857 >> MR. REYNOLDS, IT'S GOT A KNIFE! >> WHAT? 744 00:25:09,859 --> 00:25:14,628 KNIFE! >> WHAT? [ LAUGHTER ] 745 00:25:14,630 --> 00:25:17,031 >> WHAT? [ LAUGHTER ] >> OH MY GOD, DADDY, YOU SAVED 746 00:25:17,033 --> 00:25:17,565 [ LAUGHTER ] >> OH MY GOD, DADDY, YOU SAVED US! 747 00:25:17,567 --> 00:25:18,332 >> OH MY GOD, DADDY, YOU SAVED US! >> THAT'S RIGHT. 748 00:25:18,334 --> 00:25:19,033 US! >> THAT'S RIGHT. PACK YOUR BAGS, GIRL. 749 00:25:19,035 --> 00:25:21,001 >> THAT'S RIGHT. PACK YOUR BAGS, GIRL. YOU'RE MOVING BACK TO THE CITY. 750 00:25:21,003 --> 00:25:21,669 PACK YOUR BAGS, GIRL. YOU'RE MOVING BACK TO THE CITY. OUT HERE FOOLING WITH THESE 751 00:25:21,671 --> 00:25:23,070 YOU'RE MOVING BACK TO THE CITY. OUT HERE FOOLING WITH THESE DEER. 752 00:25:23,072 --> 00:25:27,441 OUT HERE FOOLING WITH THESE DEER. >> NO. 753 00:25:27,443 --> 00:25:27,808 DEER. >> NO. NO, DADDY. 754 00:25:27,810 --> 00:25:29,276 >> NO. NO, DADDY. WE LOVE IT OUT HERE. 755 00:25:29,278 --> 00:25:32,213 NO, DADDY. WE LOVE IT OUT HERE. [ LAUGHTER ] 756 00:25:32,215 --> 00:25:35,382 WE LOVE IT OUT HERE. [ LAUGHTER ] I KNOW YOU WORRY ABOUT ME, BUT I 757 00:25:35,384 --> 00:25:36,383 [ LAUGHTER ] I KNOW YOU WORRY ABOUT ME, BUT I PROMISE WE GOING TO BE OKAY. 758 00:25:36,385 --> 00:25:37,051 I KNOW YOU WORRY ABOUT ME, BUT I PROMISE WE GOING TO BE OKAY. >> WELL, I DO WORRY. 759 00:25:37,053 --> 00:25:39,920 PROMISE WE GOING TO BE OKAY. >> WELL, I DO WORRY. MAYBE YOU'RE RIGHT. 760 00:25:39,922 --> 00:25:41,055 >> WELL, I DO WORRY. MAYBE YOU'RE RIGHT. MAYBE MY BABY GIRL -- 761 00:25:41,057 --> 00:25:42,156 MAYBE YOU'RE RIGHT. MAYBE MY BABY GIRL -- >> OH MY GOD! 762 00:25:42,158 --> 00:25:43,457 MAYBE MY BABY GIRL -- >> OH MY GOD! MR. REYNOLDS, THE DEER'S PULLING 763 00:25:43,459 --> 00:25:44,758 >> OH MY GOD! MR. REYNOLDS, THE DEER'S PULLING DOWN YOUR PANTS! 764 00:25:44,760 --> 00:25:47,661 MR. REYNOLDS, THE DEER'S PULLING DOWN YOUR PANTS! [ LAUGHTER ] 765 00:25:47,663 --> 00:25:50,998 DOWN YOUR PANTS! [ LAUGHTER ] >> GET HIM OUT, YOU PORNO DEER, 766 00:25:51,000 --> 00:25:51,732 [ LAUGHTER ] >> GET HIM OUT, YOU PORNO DEER, WHAT'S WRONG WITH YOU, MESSING 767 00:25:51,734 --> 00:25:52,066 >> GET HIM OUT, YOU PORNO DEER, WHAT'S WRONG WITH YOU, MESSING WITH ME? 768 00:25:52,068 --> 00:26:09,316 WHAT'S WRONG WITH YOU, MESSING WITH ME? [ CHEERS AND APPLAUSE ] 769 00:26:22,697 --> 00:26:27,334 >>> WELCOME TO THE SHOW! THE TEA IS HOT AND THE BRAS ARE OFF. 770 00:26:27,336 --> 00:26:28,002 THE TEA IS HOT AND THE BRAS ARE OFF. IT'S TIME FOR "GIRLS TALK." 771 00:26:28,004 --> 00:26:33,540 OFF. IT'S TIME FOR "GIRLS TALK." [ CHEERS AND APPLAUSE ] 772 00:26:33,542 --> 00:26:36,677 IT'S TIME FOR "GIRLS TALK." [ CHEERS AND APPLAUSE ] >> I'M YOUR HOST, MONIQUE MONEY, 773 00:26:36,679 --> 00:26:37,511 [ CHEERS AND APPLAUSE ] >> I'M YOUR HOST, MONIQUE MONEY, MONIQUE PROBLEM. 774 00:26:37,513 --> 00:26:39,380 >> I'M YOUR HOST, MONIQUE MONEY, MONIQUE PROBLEM. AND THIS IS "GIRL TALK," THE 775 00:26:39,382 --> 00:26:40,614 MONIQUE PROBLEM. AND THIS IS "GIRL TALK," THE TALK SHOW WHERE LADY TELL ME 776 00:26:40,616 --> 00:26:42,383 AND THIS IS "GIRL TALK," THE TALK SHOW WHERE LADY TELL ME THEIR PROBLEMS AND I KEEP MY 777 00:26:42,385 --> 00:26:43,517 TALK SHOW WHERE LADY TELL ME THEIR PROBLEMS AND I KEEP MY ADVICE REAL SIMPLE. 778 00:26:43,519 --> 00:26:45,786 THEIR PROBLEMS AND I KEEP MY ADVICE REAL SIMPLE. I'M LIKE A WISE OLD GRANDMA, 779 00:26:45,788 --> 00:26:47,354 ADVICE REAL SIMPLE. I'M LIKE A WISE OLD GRANDMA, EXCEPT I STILL LOOK GOOD. 780 00:26:47,356 --> 00:26:50,891 I'M LIKE A WISE OLD GRANDMA, EXCEPT I STILL LOOK GOOD. Y'ALL WANT TO KNOW MY 781 00:26:50,893 --> 00:26:51,358 EXCEPT I STILL LOOK GOOD. Y'ALL WANT TO KNOW MY MEASUREMENTS? 782 00:26:51,360 --> 00:26:56,130 Y'ALL WANT TO KNOW MY MEASUREMENTS? MAYBE? 783 00:26:56,132 --> 00:26:56,897 MEASUREMENTS? MAYBE? AS ALWAYS, WE GOT WILLIE IN THE 784 00:26:56,899 --> 00:26:57,364 MAYBE? AS ALWAYS, WE GOT WILLIE IN THE DEEJAY BOOTH. 785 00:26:57,366 --> 00:26:57,831 AS ALWAYS, WE GOT WILLIE IN THE DEEJAY BOOTH. >> I LOVE LIFE. 786 00:26:57,833 --> 00:26:59,466 DEEJAY BOOTH. >> I LOVE LIFE. I GOT TWO GIRLFRIENDS. 787 00:26:59,468 --> 00:27:00,701 >> I LOVE LIFE. I GOT TWO GIRLFRIENDS. THEY KNOW ABOUT EACH OTHER. 788 00:27:00,703 --> 00:27:01,368 I GOT TWO GIRLFRIENDS. THEY KNOW ABOUT EACH OTHER. AND THEY BOTH COOL WITH IT. 789 00:27:01,370 --> 00:27:02,803 THEY KNOW ABOUT EACH OTHER. AND THEY BOTH COOL WITH IT. [ LAUGHTER ] 790 00:27:02,805 --> 00:27:05,739 AND THEY BOTH COOL WITH IT. [ LAUGHTER ] I'M STRONG AND I'M HAPPY. 791 00:27:05,741 --> 00:27:06,240 [ LAUGHTER ] I'M STRONG AND I'M HAPPY. >> OKAY. 792 00:27:06,242 --> 00:27:08,108 I'M STRONG AND I'M HAPPY. >> OKAY. GOOD FOR YOU, DEEJAY WILLIE. 793 00:27:08,110 --> 00:27:08,475 >> OKAY. GOOD FOR YOU, DEEJAY WILLIE. THANK YOU. 794 00:27:08,477 --> 00:27:10,811 GOOD FOR YOU, DEEJAY WILLIE. THANK YOU. >> HEY, THANK YOU. 795 00:27:10,813 --> 00:27:12,146 THANK YOU. >> HEY, THANK YOU. >> ALL RIGHT, LET'S GET STARTED 796 00:27:12,148 --> 00:27:12,946 >> HEY, THANK YOU. >> ALL RIGHT, LET'S GET STARTED WITH OUR FIRST GUEST. 797 00:27:12,948 --> 00:27:13,947 >> ALL RIGHT, LET'S GET STARTED WITH OUR FIRST GUEST. PLEASE WELCOME STACY. 798 00:27:13,949 --> 00:27:22,056 WITH OUR FIRST GUEST. PLEASE WELCOME STACY. [ CHEERS AND APPLAUSE ] 799 00:27:22,058 --> 00:27:23,557 PLEASE WELCOME STACY. [ CHEERS AND APPLAUSE ] >> AH, UH-HUH. 800 00:27:23,559 --> 00:27:24,758 [ CHEERS AND APPLAUSE ] >> AH, UH-HUH. >> HOW YOU DOING? 801 00:27:24,760 --> 00:27:25,693 >> AH, UH-HUH. >> HOW YOU DOING? >> HI, STACY. 802 00:27:25,695 --> 00:27:27,127 >> HOW YOU DOING? >> HI, STACY. >> TALK TO ME, WHAT'S GOING ON 803 00:27:27,129 --> 00:27:27,661 >> HI, STACY. >> TALK TO ME, WHAT'S GOING ON WITH YOU? 804 00:27:27,663 --> 00:27:30,297 >> TALK TO ME, WHAT'S GOING ON WITH YOU? >> OKAY, WELL, HERE'S MY 805 00:27:30,299 --> 00:27:30,631 WITH YOU? >> OKAY, WELL, HERE'S MY PROBLEM. 806 00:27:30,633 --> 00:27:32,266 >> OKAY, WELL, HERE'S MY PROBLEM. MY BOYFRIEND OF FOUR YEARS JUST 807 00:27:32,268 --> 00:27:34,101 PROBLEM. MY BOYFRIEND OF FOUR YEARS JUST ASKED ME TO MOVE IN WITH HIM. 808 00:27:34,103 --> 00:27:36,003 MY BOYFRIEND OF FOUR YEARS JUST ASKED ME TO MOVE IN WITH HIM. BUT I RECENTLY CAUGHT HIM 809 00:27:36,005 --> 00:27:36,370 ASKED ME TO MOVE IN WITH HIM. BUT I RECENTLY CAUGHT HIM CHEATING. 810 00:27:36,372 --> 00:27:44,745 BUT I RECENTLY CAUGHT HIM CHEATING. WHAT SHOULD I DO? 811 00:27:44,747 --> 00:27:45,279 CHEATING. WHAT SHOULD I DO? >> GIRL -- GIRL -- 812 00:27:45,281 --> 00:27:53,787 WHAT SHOULD I DO? >> GIRL -- GIRL -- [ LAUGHTER ] 813 00:27:53,789 --> 00:27:54,088 >> GIRL -- GIRL -- [ LAUGHTER ] GIRL. 814 00:27:54,090 --> 00:27:54,488 [ LAUGHTER ] GIRL. [ LAUGHTER ] 815 00:27:54,490 --> 00:27:55,989 GIRL. [ LAUGHTER ] GIRLIE POP. 816 00:27:55,991 --> 00:27:59,126 [ LAUGHTER ] GIRLIE POP. [ LAUGHTER ] 817 00:27:59,128 --> 00:27:59,426 GIRLIE POP. [ LAUGHTER ] GIRL. 818 00:27:59,428 --> 00:28:10,104 [ LAUGHTER ] GIRL. [ LAUGHTER ] 819 00:28:10,106 --> 00:28:11,839 GIRL. [ LAUGHTER ] >> YOU'RE RIGHT. 820 00:28:11,841 --> 00:28:12,606 [ LAUGHTER ] >> YOU'RE RIGHT. YOU PUT IT LIKE THAT. 821 00:28:12,608 --> 00:28:15,209 >> YOU'RE RIGHT. YOU PUT IT LIKE THAT. I'M GOING TO BREAK UP WITH HIS 822 00:28:15,211 --> 00:28:15,509 YOU PUT IT LIKE THAT. I'M GOING TO BREAK UP WITH HIS ASS. 823 00:28:15,511 --> 00:28:16,777 I'M GOING TO BREAK UP WITH HIS ASS. >> UH-HUH, THERE SHE IS, Y'ALL. 824 00:28:16,779 --> 00:28:17,311 ASS. >> UH-HUH, THERE SHE IS, Y'ALL. COME ON, GIVE IT UP. 825 00:28:17,313 --> 00:28:21,715 >> UH-HUH, THERE SHE IS, Y'ALL. COME ON, GIVE IT UP. [ CHEERS AND APPLAUSE ] 826 00:28:21,717 --> 00:28:22,950 COME ON, GIVE IT UP. [ CHEERS AND APPLAUSE ] OKAY ON, LET'S GO AHEAD AND 827 00:28:22,952 --> 00:28:23,817 [ CHEERS AND APPLAUSE ] OKAY ON, LET'S GO AHEAD AND BRING OUT OUR NEXT GUEST. 828 00:28:23,819 --> 00:28:24,351 OKAY ON, LET'S GO AHEAD AND BRING OUT OUR NEXT GUEST. PLEASE WELCOME KIM. 829 00:28:24,353 --> 00:28:29,990 BRING OUT OUR NEXT GUEST. PLEASE WELCOME KIM. [ CHEERS AND APPLAUSE ] 830 00:28:29,992 --> 00:28:31,525 PLEASE WELCOME KIM. [ CHEERS AND APPLAUSE ] >> NICE TO MEET YOU. 831 00:28:31,527 --> 00:28:33,761 [ CHEERS AND APPLAUSE ] >> NICE TO MEET YOU. >> HI, KIM, WHAT'S GOING ON WITH 832 00:28:33,763 --> 00:28:34,027 >> NICE TO MEET YOU. >> HI, KIM, WHAT'S GOING ON WITH YOU? 833 00:28:34,029 --> 00:28:36,163 >> HI, KIM, WHAT'S GOING ON WITH YOU? >> OH MY GOD, EVERYTHING THAT'S 834 00:28:36,165 --> 00:28:37,531 YOU? >> OH MY GOD, EVERYTHING THAT'S GOING ON WITH THE WORLD. 835 00:28:37,533 --> 00:28:39,333 >> OH MY GOD, EVERYTHING THAT'S GOING ON WITH THE WORLD. IT'S LIKE STRESSING ME OUT. 836 00:28:39,335 --> 00:28:42,136 GOING ON WITH THE WORLD. IT'S LIKE STRESSING ME OUT. MY ANXIETY IS THROUGH THE ROOF. 837 00:28:42,138 --> 00:28:42,503 IT'S LIKE STRESSING ME OUT. MY ANXIETY IS THROUGH THE ROOF. YOU KNOW? 838 00:28:42,505 --> 00:28:44,138 MY ANXIETY IS THROUGH THE ROOF. YOU KNOW? JUST SOUNDS LIKE IT'S ABOUT TO 839 00:28:44,140 --> 00:28:44,805 YOU KNOW? JUST SOUNDS LIKE IT'S ABOUT TO BE COMPLEX. 840 00:28:44,807 --> 00:28:48,108 JUST SOUNDS LIKE IT'S ABOUT TO BE COMPLEX. SO WHY DON'T WE GET OUR 841 00:28:48,110 --> 00:28:50,477 BE COMPLEX. SO WHY DON'T WE GET OUR SUBTITLES ON FOR ANY WHITE 842 00:28:50,479 --> 00:28:51,779 SO WHY DON'T WE GET OUR SUBTITLES ON FOR ANY WHITE PEOPLE OR MEN TUNING IN? 843 00:28:51,781 --> 00:28:59,019 SUBTITLES ON FOR ANY WHITE PEOPLE OR MEN TUNING IN? GO AHEAD, KIM. 844 00:28:59,021 --> 00:28:59,353 PEOPLE OR MEN TUNING IN? GO AHEAD, KIM. >> GIRL. 845 00:28:59,355 --> 00:29:00,721 GO AHEAD, KIM. >> GIRL. GIRL. 846 00:29:00,723 --> 00:29:03,357 >> GIRL. GIRL. [ LAUGHTER ] 847 00:29:03,359 --> 00:29:06,627 GIRL. [ LAUGHTER ] OH, GIRL. 848 00:29:06,629 --> 00:29:12,566 [ LAUGHTER ] OH, GIRL. GIRL! 849 00:29:12,568 --> 00:29:13,934 OH, GIRL. GIRL! [ LAUGHTER ] 850 00:29:13,936 --> 00:29:18,372 GIRL! [ LAUGHTER ] GIRL. 851 00:29:18,374 --> 00:29:22,543 [ LAUGHTER ] GIRL. GIRL? 852 00:29:22,545 --> 00:29:22,876 GIRL. GIRL? GIRL-LA. 853 00:29:22,878 --> 00:29:31,118 GIRL? GIRL-LA. [ LAUGHTER ] 854 00:29:31,120 --> 00:29:32,686 GIRL-LA. [ LAUGHTER ] >> WOW, WOW. 855 00:29:32,688 --> 00:29:34,888 [ LAUGHTER ] >> WOW, WOW. OKAY, STACY KNOWS HER STUFF. 856 00:29:34,890 --> 00:29:35,622 >> WOW, WOW. OKAY, STACY KNOWS HER STUFF. DOES SHE KNOW HER STUFF OR WHAT? 857 00:29:35,624 --> 00:29:38,692 OKAY, STACY KNOWS HER STUFF. DOES SHE KNOW HER STUFF OR WHAT? [ CHEERS AND APPLAUSE ] 858 00:29:38,694 --> 00:29:40,561 DOES SHE KNOW HER STUFF OR WHAT? [ CHEERS AND APPLAUSE ] I WILL BE HONEST, THAT JUST GOT 859 00:29:40,563 --> 00:29:42,095 [ CHEERS AND APPLAUSE ] I WILL BE HONEST, THAT JUST GOT A LITTLE TOO REAL FOR ME. 860 00:29:42,097 --> 00:29:44,131 I WILL BE HONEST, THAT JUST GOT A LITTLE TOO REAL FOR ME. WHY DON'T YOU PICK US BACK UP, 861 00:29:44,133 --> 00:29:44,631 A LITTLE TOO REAL FOR ME. WHY DON'T YOU PICK US BACK UP, DEEJAY WILLIE. 862 00:29:44,633 --> 00:29:45,732 WHY DON'T YOU PICK US BACK UP, DEEJAY WILLIE. >> OH, MAN. 863 00:29:45,734 --> 00:29:47,401 DEEJAY WILLIE. >> OH, MAN. I LOVE MY LIFE, YOU KNOW? 864 00:29:47,403 --> 00:29:48,402 >> OH, MAN. I LOVE MY LIFE, YOU KNOW? MY CLOTHES ARE AWESOME. 865 00:29:48,404 --> 00:29:50,871 I LOVE MY LIFE, YOU KNOW? MY CLOTHES ARE AWESOME. I GOT A COOL CAR. 866 00:29:50,873 --> 00:29:51,538 MY CLOTHES ARE AWESOME. I GOT A COOL CAR. I WAKE UP LAUGHING EVERY 867 00:29:51,540 --> 00:29:54,141 I GOT A COOL CAR. I WAKE UP LAUGHING EVERY MORNING. 868 00:29:54,143 --> 00:29:54,875 I WAKE UP LAUGHING EVERY MORNING. BECAUSE MY LIFE IS BETTER THAN 869 00:29:54,877 --> 00:29:57,411 MORNING. BECAUSE MY LIFE IS BETTER THAN MY DREAMS. 870 00:29:57,413 --> 00:29:58,178 BECAUSE MY LIFE IS BETTER THAN MY DREAMS. >> ALL RIGHT. 871 00:29:58,180 --> 00:29:59,046 MY DREAMS. >> ALL RIGHT. THANK YOU, DEEJAY WILLIE. 872 00:29:59,048 --> 00:30:02,349 >> ALL RIGHT. THANK YOU, DEEJAY WILLIE. >> MAN, THANK YOU. 873 00:30:02,351 --> 00:30:02,983 THANK YOU, DEEJAY WILLIE. >> MAN, THANK YOU. >> OKAY. 874 00:30:02,985 --> 00:30:04,451 >> MAN, THANK YOU. >> OKAY. LET'S GO AHEAD AND BRING OUT OUR 875 00:30:04,453 --> 00:30:07,454 >> OKAY. LET'S GO AHEAD AND BRING OUT OUR FINAL GUEST. 876 00:30:07,456 --> 00:30:07,955 LET'S GO AHEAD AND BRING OUT OUR FINAL GUEST. PAUL, COME ON OUT. 877 00:30:07,957 --> 00:30:16,463 FINAL GUEST. PAUL, COME ON OUT. [ CHEERS AND APPLAUSE ] 878 00:30:16,465 --> 00:30:16,864 PAUL, COME ON OUT. [ CHEERS AND APPLAUSE ] [ LAUGHTER ] 879 00:30:16,866 --> 00:30:18,498 [ CHEERS AND APPLAUSE ] [ LAUGHTER ] SO PAUL, WHAT'S UP, WHY ARE YOU 880 00:30:18,500 --> 00:30:18,799 [ LAUGHTER ] SO PAUL, WHAT'S UP, WHY ARE YOU HERE? 881 00:30:18,801 --> 00:30:20,601 SO PAUL, WHAT'S UP, WHY ARE YOU HERE? >> UH, WELL, I THOUGHT ANYONE 882 00:30:20,603 --> 00:30:21,034 HERE? >> UH, WELL, I THOUGHT ANYONE COULD COME ON. 883 00:30:21,036 --> 00:30:22,035 >> UH, WELL, I THOUGHT ANYONE COULD COME ON. [ LAUGHTER ] 884 00:30:22,037 --> 00:30:24,972 COULD COME ON. [ LAUGHTER ] >> THEY CAN. 885 00:30:24,974 --> 00:30:25,672 [ LAUGHTER ] >> THEY CAN. >> OKAY. 886 00:30:25,674 --> 00:30:26,874 >> THEY CAN. >> OKAY. SO MY ISSUE IS THIS. 887 00:30:26,876 --> 00:30:28,041 >> OKAY. SO MY ISSUE IS THIS. I'VE GOT A GREAT JOB. 888 00:30:28,043 --> 00:30:30,043 SO MY ISSUE IS THIS. I'VE GOT A GREAT JOB. BUT I'M WORRIED IF I DON'T QUIT 889 00:30:30,045 --> 00:30:33,046 I'VE GOT A GREAT JOB. BUT I'M WORRIED IF I DON'T QUIT NOW, I'LL NEVER PURSUE MY REAL 890 00:30:33,048 --> 00:30:33,714 BUT I'M WORRIED IF I DON'T QUIT NOW, I'LL NEVER PURSUE MY REAL PASSION, DRAWING. 891 00:30:33,716 --> 00:30:35,215 NOW, I'LL NEVER PURSUE MY REAL PASSION, DRAWING. WHAT SHOULD I DO? 892 00:30:35,217 --> 00:30:35,515 PASSION, DRAWING. WHAT SHOULD I DO? >> MM. 893 00:30:35,517 --> 00:30:41,255 WHAT SHOULD I DO? >> MM. GIRL. 894 00:30:41,257 --> 00:30:42,923 >> MM. GIRL. >> UH-HUH, YEAH. 895 00:30:42,925 --> 00:30:47,294 GIRL. >> UH-HUH, YEAH. >> GIRL. 896 00:30:47,296 --> 00:30:47,895 >> UH-HUH, YEAH. >> GIRL. >> UH, OKAY. 897 00:30:47,897 --> 00:30:50,330 >> GIRL. >> UH, OKAY. SO QUIT MY JOB? 898 00:30:50,332 --> 00:30:51,431 >> UH, OKAY. SO QUIT MY JOB? >> OKAY, YOU KNOW WHAT, YOU'RE 899 00:30:51,433 --> 00:30:52,900 SO QUIT MY JOB? >> OKAY, YOU KNOW WHAT, YOU'RE NOT GETTING IT. 900 00:30:52,902 --> 00:30:54,334 >> OKAY, YOU KNOW WHAT, YOU'RE NOT GETTING IT. STACY, YOU'RE THE ONE WITH THE 901 00:30:54,336 --> 00:30:54,701 NOT GETTING IT. STACY, YOU'RE THE ONE WITH THE BOYFRIEND. 902 00:30:54,703 --> 00:30:56,136 STACY, YOU'RE THE ONE WITH THE BOYFRIEND. WHY DON'T YOU HELP US OUT, YEAH? 903 00:30:56,138 --> 00:30:58,705 BOYFRIEND. WHY DON'T YOU HELP US OUT, YEAH? >> I GOT THIS. 904 00:30:58,707 --> 00:31:04,011 WHY DON'T YOU HELP US OUT, YEAH? >> I GOT THIS. [ LAUGHTER ] 905 00:31:04,013 --> 00:31:04,311 >> I GOT THIS. [ LAUGHTER ] GIRL. 906 00:31:04,313 --> 00:31:08,448 [ LAUGHTER ] GIRL. >> OH, YEAH! 907 00:31:08,450 --> 00:31:10,517 GIRL. >> OH, YEAH! YEAH, THAT MAKES SENSE. 908 00:31:10,519 --> 00:31:10,918 >> OH, YEAH! YEAH, THAT MAKES SENSE. [ LAUGHTER ] 909 00:31:10,920 --> 00:31:11,919 YEAH, THAT MAKES SENSE. [ LAUGHTER ] I SHOULD QUIT DRAWING BECAUSE 910 00:31:11,921 --> 00:31:13,153 [ LAUGHTER ] I SHOULD QUIT DRAWING BECAUSE I'M NOT REALLY GOOD AT IT. 911 00:31:13,155 --> 00:31:17,257 I SHOULD QUIT DRAWING BECAUSE I'M NOT REALLY GOOD AT IT. >> UH-HUH, THERE WE GO, BOOM! 912 00:31:17,259 --> 00:31:17,891 I'M NOT REALLY GOOD AT IT. >> UH-HUH, THERE WE GO, BOOM! >> WOW. 913 00:31:17,893 --> 00:31:18,825 >> UH-HUH, THERE WE GO, BOOM! >> WOW. YOU'RE THE BEST. 914 00:31:18,827 --> 00:31:20,894 >> WOW. YOU'RE THE BEST. SO I GUESS INSTEAD OF SAYING 915 00:31:20,896 --> 00:31:22,062 YOU'RE THE BEST. SO I GUESS INSTEAD OF SAYING THANK YOU I'LL TAKE A PAGE OUT 916 00:31:22,064 --> 00:31:23,297 SO I GUESS INSTEAD OF SAYING THANK YOU I'LL TAKE A PAGE OUT OF YOUR BOOK AND SAY GIRL! 917 00:31:23,299 --> 00:31:26,767 THANK YOU I'LL TAKE A PAGE OUT OF YOUR BOOK AND SAY GIRL! [ BUZZER ] 918 00:31:26,769 --> 00:31:27,434 OF YOUR BOOK AND SAY GIRL! [ BUZZER ] >> NO. 919 00:31:27,436 --> 00:31:28,502 [ BUZZER ] >> NO. >> NO WAY. 920 00:31:28,504 --> 00:31:28,869 >> NO. >> NO WAY. >> WOW. 921 00:31:28,871 --> 00:31:29,636 >> NO WAY. >> WOW. >> YOU KNOW WHAT -- 922 00:31:29,638 --> 00:31:31,138 >> WOW. >> YOU KNOW WHAT -- >> ALL RIGHT, THAT'S OUR SHOW. 923 00:31:31,140 --> 00:31:34,174 >> YOU KNOW WHAT -- >> ALL RIGHT, THAT'S OUR SHOW. PLACE MY SONG, DEEJAY WILLIE. 924 00:31:34,176 --> 00:31:34,508 >> ALL RIGHT, THAT'S OUR SHOW. PLACE MY SONG, DEEJAY WILLIE. ♪ 925 00:31:34,510 --> 00:31:45,252 PLACE MY SONG, DEEJAY WILLIE. ♪ [ CHEERS AND APPLAUSE ] 926 00:31:52,527 --> 00:31:57,264 >>> MAN, I HAVE BEEN FEELING GOOD LATELY. JUST HEALTHY, WHOLE. 927 00:31:57,266 --> 00:31:59,333 GOOD LATELY. JUST HEALTHY, WHOLE. >> I'VE BEEN FEELING FUEGO. 928 00:31:59,335 --> 00:32:01,301 JUST HEALTHY, WHOLE. >> I'VE BEEN FEELING FUEGO. >> LOOKING FUEGO TOO. 929 00:32:01,303 --> 00:32:03,904 >> I'VE BEEN FEELING FUEGO. >> LOOKING FUEGO TOO. >> IT'S IMPORTANT AS WE GET 930 00:32:03,906 --> 00:32:04,838 >> LOOKING FUEGO TOO. >> IT'S IMPORTANT AS WE GET OLDER WE START TAKING CARE OF 931 00:32:04,840 --> 00:32:05,238 >> IT'S IMPORTANT AS WE GET OLDER WE START TAKING CARE OF OURSELVES. 932 00:32:05,240 --> 00:32:06,773 OLDER WE START TAKING CARE OF OURSELVES. >> WELLNESS, IT'S SO IMPORTANT. 933 00:32:06,775 --> 00:32:08,108 OURSELVES. >> WELLNESS, IT'S SO IMPORTANT. >> MY BIG THING I'M TRYING TO 934 00:32:08,110 --> 00:32:09,142 >> WELLNESS, IT'S SO IMPORTANT. >> MY BIG THING I'M TRYING TO CRACK IS MY SCREEN TIME. 935 00:32:09,144 --> 00:32:11,511 >> MY BIG THING I'M TRYING TO CRACK IS MY SCREEN TIME. RIGHT NOW I'M UP TO 23 1/2 HOURS 936 00:32:11,513 --> 00:32:12,646 CRACK IS MY SCREEN TIME. RIGHT NOW I'M UP TO 23 1/2 HOURS A DAY. 937 00:32:12,648 --> 00:32:13,046 RIGHT NOW I'M UP TO 23 1/2 HOURS A DAY. [ LAUGHTER ] 938 00:32:13,048 --> 00:32:14,081 A DAY. [ LAUGHTER ] >> YOU'VE GOT TO DO BETTER. 939 00:32:14,083 --> 00:32:14,848 [ LAUGHTER ] >> YOU'VE GOT TO DO BETTER. >> THAT'S NOT GREAT. 940 00:32:14,850 --> 00:32:16,483 >> YOU'VE GOT TO DO BETTER. >> THAT'S NOT GREAT. >> I'VE BEEN TRYING TO GET IN 941 00:32:16,485 --> 00:32:16,783 >> THAT'S NOT GREAT. >> I'VE BEEN TRYING TO GET IN SHAPE. 942 00:32:16,785 --> 00:32:18,018 >> I'VE BEEN TRYING TO GET IN SHAPE. HAVE YOU HEARD OF INTERMITTENT 943 00:32:18,020 --> 00:32:18,819 SHAPE. HAVE YOU HEARD OF INTERMITTENT FASTING? 944 00:32:18,821 --> 00:32:20,554 HAVE YOU HEARD OF INTERMITTENT FASTING? >> YEAH, ARE YOU DOING THAT? 945 00:32:20,556 --> 00:32:22,856 FASTING? >> YEAH, ARE YOU DOING THAT? >> NO, INTERMITTENT SLEEPING. 946 00:32:22,858 --> 00:32:24,157 >> YEAH, ARE YOU DOING THAT? >> NO, INTERMITTENT SLEEPING. TUESDAYS, WEDNESDAYS, THURSDAYS 947 00:32:24,159 --> 00:32:25,058 >> NO, INTERMITTENT SLEEPING. TUESDAYS, WEDNESDAYS, THURSDAYS I'M NOT SLEEPING. 948 00:32:25,060 --> 00:32:26,093 TUESDAYS, WEDNESDAYS, THURSDAYS I'M NOT SLEEPING. >> IS IT WORKING? 949 00:32:26,095 --> 00:32:26,793 I'M NOT SLEEPING. >> IS IT WORKING? >> NOT YET. 950 00:32:26,795 --> 00:32:28,962 >> IS IT WORKING? >> NOT YET. >> I'VE GOT THIS POST-WORKOUT 951 00:32:28,964 --> 00:32:29,863 >> NOT YET. >> I'VE GOT THIS POST-WORKOUT SMOOTHIE I'VE BEEN LOVING. 952 00:32:29,865 --> 00:32:30,697 >> I'VE GOT THIS POST-WORKOUT SMOOTHIE I'VE BEEN LOVING. >> WHAT'S IN IT? 953 00:32:30,699 --> 00:32:33,567 SMOOTHIE I'VE BEEN LOVING. >> WHAT'S IN IT? >> MILK, ICE CREAM, CHOCOLATE 954 00:32:33,569 --> 00:32:33,900 >> WHAT'S IN IT? >> MILK, ICE CREAM, CHOCOLATE SAUCE. 955 00:32:33,902 --> 00:32:34,601 >> MILK, ICE CREAM, CHOCOLATE SAUCE. >> A MILKSHAKE? 956 00:32:34,603 --> 00:32:36,837 SAUCE. >> A MILKSHAKE? >> YEAH, A MILKSHAKE, WHY? 957 00:32:36,839 --> 00:32:38,038 >> A MILKSHAKE? >> YEAH, A MILKSHAKE, WHY? WHAT DID I SAY? 958 00:32:38,040 --> 00:32:38,839 >> YEAH, A MILKSHAKE, WHY? WHAT DID I SAY? >> WE'RE DOING SO WELL. 959 00:32:38,841 --> 00:32:39,706 WHAT DID I SAY? >> WE'RE DOING SO WELL. >> WHAT'S UP? 960 00:32:39,708 --> 00:32:41,108 >> WE'RE DOING SO WELL. >> WHAT'S UP? >> FEELING KIND OF MISERABLE. 961 00:32:41,110 --> 00:32:42,275 >> WHAT'S UP? >> FEELING KIND OF MISERABLE. >> HOW MISERABLE? 962 00:32:42,277 --> 00:32:42,743 >> FEELING KIND OF MISERABLE. >> HOW MISERABLE? >> THE WORST. 963 00:32:42,745 --> 00:32:44,378 >> HOW MISERABLE? >> THE WORST. >> I'M ON A NEW MEDICATION. 964 00:32:44,380 --> 00:32:44,945 >> THE WORST. >> I'M ON A NEW MEDICATION. >> THAT'S GREAT. 965 00:32:44,947 --> 00:32:47,147 >> I'M ON A NEW MEDICATION. >> THAT'S GREAT. >> IT'S LIKE ZOLOFT BUT JUST THE 966 00:32:47,149 --> 00:32:48,615 >> THAT'S GREAT. >> IT'S LIKE ZOLOFT BUT JUST THE SIDE EFFECTS. 967 00:32:48,617 --> 00:32:49,016 >> IT'S LIKE ZOLOFT BUT JUST THE SIDE EFFECTS. [ LAUGHTER ] 968 00:32:49,018 --> 00:32:49,950 SIDE EFFECTS. [ LAUGHTER ] >> HUH. 969 00:32:49,952 --> 00:32:52,419 [ LAUGHTER ] >> HUH. >> VERY DEPRESSED BUT MY PENIS 970 00:32:52,421 --> 00:32:52,819 >> HUH. >> VERY DEPRESSED BUT MY PENIS IS BROKEN. 971 00:32:52,821 --> 00:32:53,353 >> VERY DEPRESSED BUT MY PENIS IS BROKEN. >> THAT SUCKS. 972 00:32:53,355 --> 00:32:57,090 IS BROKEN. >> THAT SUCKS. >> I SIGNED UP FOR A NEW GYM. 973 00:32:57,092 --> 00:32:58,258 >> THAT SUCKS. >> I SIGNED UP FOR A NEW GYM. IT'S CALLED CIGARETTE FITNESS. 974 00:32:58,260 --> 00:32:58,658 >> I SIGNED UP FOR A NEW GYM. IT'S CALLED CIGARETTE FITNESS. [ LAUGHTER ] 975 00:32:58,660 --> 00:33:00,127 IT'S CALLED CIGARETTE FITNESS. [ LAUGHTER ] >> OH MY GOSH, A SMOKING GYM? 976 00:33:00,129 --> 00:33:01,495 [ LAUGHTER ] >> OH MY GOSH, A SMOKING GYM? >> A SMOKING GYM, THAT'S RIGHT. 977 00:33:01,497 --> 00:33:03,296 >> OH MY GOSH, A SMOKING GYM? >> A SMOKING GYM, THAT'S RIGHT. >> DUDE, DID YOU KNOW YOU CAN 978 00:33:03,298 --> 00:33:03,964 >> A SMOKING GYM, THAT'S RIGHT. >> DUDE, DID YOU KNOW YOU CAN BLEAT MONEY FROM YOUR BANK 979 00:33:03,966 --> 00:33:06,166 >> DUDE, DID YOU KNOW YOU CAN BLEAT MONEY FROM YOUR BANK ACCOUNT? 980 00:33:06,168 --> 00:33:07,834 BLEAT MONEY FROM YOUR BANK ACCOUNT? >> GOD, WE ARE DOING SO WELL 981 00:33:07,836 --> 00:33:08,802 ACCOUNT? >> GOD, WE ARE DOING SO WELL RIGHT NOW. 982 00:33:08,804 --> 00:33:10,404 >> GOD, WE ARE DOING SO WELL RIGHT NOW. >> TOTALLY, WE'RE SLIPPING AWAY. 983 00:33:10,406 --> 00:33:12,105 RIGHT NOW. >> TOTALLY, WE'RE SLIPPING AWAY. >> EVER SINCE THE PANDEMIC, THE 984 00:33:12,107 --> 00:33:13,440 >> TOTALLY, WE'RE SLIPPING AWAY. >> EVER SINCE THE PANDEMIC, THE LIGHT KEEPS GETTING DIMMER. 985 00:33:13,442 --> 00:33:15,042 >> EVER SINCE THE PANDEMIC, THE LIGHT KEEPS GETTING DIMMER. >> DIMMER, FADING, YEAH. 986 00:33:15,044 --> 00:33:17,077 LIGHT KEEPS GETTING DIMMER. >> DIMMER, FADING, YEAH. >> I'VE FORGOTTEN HOW TO DANCE. 987 00:33:17,079 --> 00:33:18,111 >> DIMMER, FADING, YEAH. >> I'VE FORGOTTEN HOW TO DANCE. >> REMEMBER DANCING? 988 00:33:18,113 --> 00:33:18,412 >> I'VE FORGOTTEN HOW TO DANCE. >> REMEMBER DANCING? >> NO. 989 00:33:18,414 --> 00:33:21,948 >> REMEMBER DANCING? >> NO. >> IT WAS LIKE -- 990 00:33:21,950 --> 00:33:23,784 >> NO. >> IT WAS LIKE -- >> I DON'T KNOW WHY WE EVER DID 991 00:33:23,786 --> 00:33:24,084 >> IT WAS LIKE -- >> I DON'T KNOW WHY WE EVER DID THAT. 992 00:33:24,086 --> 00:33:25,552 >> I DON'T KNOW WHY WE EVER DID THAT. >> OH, I'VE BEEN SEEING A 993 00:33:25,554 --> 00:33:25,952 THAT. >> OH, I'VE BEEN SEEING A THERAPIST. 994 00:33:25,954 --> 00:33:26,353 >> OH, I'VE BEEN SEEING A THERAPIST. >> REALLY? 995 00:33:26,355 --> 00:33:27,621 THERAPIST. >> REALLY? >> LIKE ALL OVER THE PLACE. 996 00:33:27,623 --> 00:33:28,455 >> REALLY? >> LIKE ALL OVER THE PLACE. I DON'T THINK SHE'S REALLY 997 00:33:28,457 --> 00:33:28,789 >> LIKE ALL OVER THE PLACE. I DON'T THINK SHE'S REALLY THERE. 998 00:33:28,791 --> 00:33:32,225 I DON'T THINK SHE'S REALLY THERE. >> OH, LIKE A HALLUCINATION? 999 00:33:32,227 --> 00:33:34,628 THERE. >> OH, LIKE A HALLUCINATION? >> I'M TRYING TO KICK ALL MY BAD 1000 00:33:34,630 --> 00:33:34,961 >> OH, LIKE A HALLUCINATION? >> I'M TRYING TO KICK ALL MY BAD HABITS. 1001 00:33:34,963 --> 00:33:37,030 >> I'M TRYING TO KICK ALL MY BAD HABITS. I'VE GOT TO STOP GRINDING MY 1002 00:33:37,032 --> 00:33:37,664 HABITS. I'VE GOT TO STOP GRINDING MY TEETH. 1003 00:33:37,666 --> 00:33:38,265 I'VE GOT TO STOP GRINDING MY TEETH. >> OH! 1004 00:33:38,267 --> 00:33:39,599 TEETH. >> OH! >> OH! 1005 00:33:39,601 --> 00:33:41,668 >> OH! >> OH! >> YOU LOOK LIKE GOLLUM. 1006 00:33:41,670 --> 00:33:43,503 >> OH! >> YOU LOOK LIKE GOLLUM. >> THE DAY I GO TO THE PARK, 1007 00:33:43,505 --> 00:33:45,172 >> YOU LOOK LIKE GOLLUM. >> THE DAY I GO TO THE PARK, TAKE OFF ALL MY CLOTHES AND 1008 00:33:45,174 --> 00:33:46,206 >> THE DAY I GO TO THE PARK, TAKE OFF ALL MY CLOTHES AND START SCREAMING ABOUT HOW 1009 00:33:46,208 --> 00:33:47,507 TAKE OFF ALL MY CLOTHES AND START SCREAMING ABOUT HOW THERE'S TOO MANY WIRES IN THE 1010 00:33:47,509 --> 00:33:47,841 START SCREAMING ABOUT HOW THERE'S TOO MANY WIRES IN THE WORLD. 1011 00:33:47,843 --> 00:33:48,475 THERE'S TOO MANY WIRES IN THE WORLD. >> ONE DAY IS ALL WE ASK. 1012 00:33:48,477 --> 00:33:51,011 WORLD. >> ONE DAY IS ALL WE ASK. ♪ JUST ONE DAY ♪ 1013 00:33:51,013 --> 00:33:51,411 >> ONE DAY IS ALL WE ASK. ♪ JUST ONE DAY ♪ >> HA HA HA! 1014 00:33:51,413 --> 00:33:57,517 ♪ JUST ONE DAY ♪ >> HA HA HA! >> HA HA HA! 1015 00:33:57,519 --> 00:33:58,518 >> HA HA HA! >> HA HA HA! >> WELLNESS BROUGHT TO YOU BY 1016 00:33:58,520 --> 00:34:00,520 >> HA HA HA! >> WELLNESS BROUGHT TO YOU BY ORAL-B MOUTH GUARD. 1017 00:34:00,522 --> 00:34:24,127 >> WELLNESS BROUGHT TO YOU BY ORAL-B MOUTH GUARD. >>> LADIES AND GENTLEMEN, MEGAN 1018 00:34:24,129 --> 00:34:28,732 >>> LADIES AND GENTLEMEN, MEGAN THEE STALLION. [ CHEERS AND APPLAUSE ] 1019 00:34:30,668 --> 00:34:41,311 ♪ ♪ ♪ I'M A BAD 1020 00:34:41,313 --> 00:34:41,878 ♪ ♪ I'M A BAD AND I GOT BAD ANXIETY 1021 00:34:41,880 --> 00:34:42,579 ♪ I'M A BAD AND I GOT BAD ANXIETY PEOPLE CALL ME RUDE 1022 00:34:42,581 --> 00:34:43,313 AND I GOT BAD ANXIETY PEOPLE CALL ME RUDE CAUSE I AIN'T ♪ 1023 00:34:43,315 --> 00:34:44,314 PEOPLE CALL ME RUDE CAUSE I AIN'T ♪ ♪ LETTIN EM TRY ME 1024 00:34:44,316 --> 00:34:45,048 CAUSE I AIN'T ♪ ♪ LETTIN EM TRY ME SAYIN I'M A -- CAUSE 1025 00:34:45,050 --> 00:34:45,816 ♪ LETTIN EM TRY ME SAYIN I'M A -- CAUSE I'M IN LOVE WITH MY BODY 1026 00:34:45,818 --> 00:34:46,550 SAYIN I'M A -- CAUSE I'M IN LOVE WITH MY BODY ISSUES BUT NOBODY ♪ 1027 00:34:46,552 --> 00:34:47,317 I'M IN LOVE WITH MY BODY ISSUES BUT NOBODY ♪ ♪ I COULD TALK TO ABOUT IT 1028 00:34:47,319 --> 00:34:49,052 ISSUES BUT NOBODY ♪ ♪ I COULD TALK TO ABOUT IT THEY KEEP SAYIN 1029 00:34:49,054 --> 00:34:49,786 ♪ I COULD TALK TO ABOUT IT THEY KEEP SAYIN I SHOULD GET HELP 1030 00:34:49,788 --> 00:34:50,587 THEY KEEP SAYIN I SHOULD GET HELP BUT I DON'T EVEN ♪ 1031 00:34:50,589 --> 00:34:51,555 I SHOULD GET HELP BUT I DON'T EVEN ♪ ♪ KNOW WHAT I NEED 1032 00:34:51,557 --> 00:34:52,322 BUT I DON'T EVEN ♪ ♪ KNOW WHAT I NEED THEY KEEP SAYIN 1033 00:34:52,324 --> 00:34:53,056 ♪ KNOW WHAT I NEED THEY KEEP SAYIN SPEAK YOUR TRUTH 1034 00:34:53,058 --> 00:34:54,057 THEY KEEP SAYIN SPEAK YOUR TRUTH AND AT THE SAME TIME ♪ 1035 00:34:54,059 --> 00:34:55,058 SPEAK YOUR TRUTH AND AT THE SAME TIME ♪ ♪ SAY THEY DON'T BELIEVE MAN 1036 00:34:55,060 --> 00:34:55,826 AND AT THE SAME TIME ♪ ♪ SAY THEY DON'T BELIEVE MAN EXCUSE ME WHILE I GET INTO 1037 00:34:55,828 --> 00:34:56,827 ♪ SAY THEY DON'T BELIEVE MAN EXCUSE ME WHILE I GET INTO MY FEELINGS FOR A SECOND 1038 00:34:56,829 --> 00:34:57,527 EXCUSE ME WHILE I GET INTO MY FEELINGS FOR A SECOND USUALLY I KEEP IT DOWN ♪ 1039 00:34:57,529 --> 00:34:58,795 MY FEELINGS FOR A SECOND USUALLY I KEEP IT DOWN ♪ ♪ BUT TODAY I GOTTA TELL IT 1040 00:34:58,797 --> 00:34:59,796 USUALLY I KEEP IT DOWN ♪ ♪ BUT TODAY I GOTTA TELL IT NOT THAT ANYBODY 1041 00:34:59,798 --> 00:35:00,564 ♪ BUT TODAY I GOTTA TELL IT NOT THAT ANYBODY GIVES A -- ANYWAY 1042 00:35:00,566 --> 00:35:01,565 NOT THAT ANYBODY GIVES A -- ANYWAY BUT EVERYBODY TALKIN -- ♪ 1043 00:35:01,567 --> 00:35:03,066 GIVES A -- ANYWAY BUT EVERYBODY TALKIN -- ♪ ♪ PROBABLY SUCKS ANYWAY 1044 00:35:03,068 --> 00:35:04,034 BUT EVERYBODY TALKIN -- ♪ ♪ PROBABLY SUCKS ANYWAY Y'ALL DON'T EVEN KNOW 1045 00:35:04,036 --> 00:35:05,035 ♪ PROBABLY SUCKS ANYWAY Y'ALL DON'T EVEN KNOW HOW I FEEL 1046 00:35:05,037 --> 00:35:05,802 Y'ALL DON'T EVEN KNOW HOW I FEEL I DON'T EVEN KNOW ♪ 1047 00:35:05,804 --> 00:35:06,536 HOW I FEEL I DON'T EVEN KNOW ♪ ♪ HOW I DEAL 1048 00:35:06,538 --> 00:35:07,571 I DON'T EVEN KNOW ♪ ♪ HOW I DEAL TODAY I REALLY 1049 00:35:07,573 --> 00:35:08,305 ♪ HOW I DEAL TODAY I REALLY HATE EVERYBODY 1050 00:35:08,307 --> 00:35:09,306 TODAY I REALLY HATE EVERYBODY AND THAT'S JUST ME ♪ 1051 00:35:09,308 --> 00:35:10,073 HATE EVERYBODY AND THAT'S JUST ME ♪ ♪ BEIN REAL YEAH 1052 00:35:10,075 --> 00:35:11,041 AND THAT'S JUST ME ♪ ♪ BEIN REAL YEAH MONDAY TUESDAY 1053 00:35:11,043 --> 00:35:12,042 ♪ BEIN REAL YEAH MONDAY TUESDAY WEDNESDAY THURSDAY 1054 00:35:12,044 --> 00:35:13,076 MONDAY TUESDAY WEDNESDAY THURSDAY BAD -- HAVE ♪ 1055 00:35:13,078 --> 00:35:14,044 WEDNESDAY THURSDAY BAD -- HAVE ♪ ♪ BAD DAYS TOO 1056 00:35:14,046 --> 00:35:14,811 BAD -- HAVE ♪ ♪ BAD DAYS TOO FRIDAY SATURDAY 1057 00:35:14,813 --> 00:35:15,545 ♪ BAD DAYS TOO FRIDAY SATURDAY SUNDAY JUMP IN 1058 00:35:15,547 --> 00:35:16,279 FRIDAY SATURDAY SUNDAY JUMP IN HOP IN ♪ 1059 00:35:16,281 --> 00:35:17,314 SUNDAY JUMP IN HOP IN ♪ ♪ HAUL AWAY TO 1060 00:35:17,316 --> 00:35:18,081 HOP IN ♪ ♪ HAUL AWAY TO ALL I REALLY WANNA HEAR IS 1061 00:35:18,083 --> 00:35:19,049 ♪ HAUL AWAY TO ALL I REALLY WANNA HEAR IS IT'LL BE OKAY 1062 00:35:19,051 --> 00:35:20,050 ALL I REALLY WANNA HEAR IS IT'LL BE OKAY BOUNCE BACK CAUSE ♪ 1063 00:35:20,052 --> 00:35:20,817 IT'LL BE OKAY BOUNCE BACK CAUSE ♪ ♪ A BAD -- CAN 1064 00:35:20,819 --> 00:35:21,551 BOUNCE BACK CAUSE ♪ ♪ A BAD -- CAN HAVE BAD DAYS 1065 00:35:21,553 --> 00:35:22,285 ♪ A BAD -- CAN HAVE BAD DAYS ALL I REALLY WANNA HEAR IS 1066 00:35:22,287 --> 00:35:23,053 HAVE BAD DAYS ALL I REALLY WANNA HEAR IS IT'LL BE OKAY ♪ 1067 00:35:23,055 --> 00:35:23,820 ALL I REALLY WANNA HEAR IS IT'LL BE OKAY ♪ ♪ BOUNCE BACK CAUSE 1068 00:35:23,822 --> 00:35:24,554 IT'LL BE OKAY ♪ ♪ BOUNCE BACK CAUSE A BAD -- CAN 1069 00:35:24,556 --> 00:35:25,322 ♪ BOUNCE BACK CAUSE A BAD -- CAN HAVE BAD DAYS 1070 00:35:25,324 --> 00:35:26,056 A BAD -- CAN HAVE BAD DAYS IF I COULD WRITE ♪ 1071 00:35:26,058 --> 00:35:26,790 HAVE BAD DAYS IF I COULD WRITE ♪ ♪ A LETTER TO HEAVEN 1072 00:35:26,792 --> 00:35:27,557 IF I COULD WRITE ♪ ♪ A LETTER TO HEAVEN I WOULD TELL MY MAMA 1073 00:35:27,559 --> 00:35:28,024 ♪ A LETTER TO HEAVEN I WOULD TELL MY MAMA THAT I SHOULDA 1074 00:35:28,026 --> 00:35:28,792 I WOULD TELL MY MAMA THAT I SHOULDA BEEN LISTENIN ♪ 1075 00:35:28,794 --> 00:35:29,826 THAT I SHOULDA BEEN LISTENIN ♪ ♪ AND I WOULD TELL HER SORRY 1076 00:35:29,828 --> 00:35:30,594 BEEN LISTENIN ♪ ♪ AND I WOULD TELL HER SORRY THAT I REALLY BEEN WILDIN 1077 00:35:30,596 --> 00:35:31,294 ♪ AND I WOULD TELL HER SORRY THAT I REALLY BEEN WILDIN AND ASK HER TO FORGIVE ME 1078 00:35:31,296 --> 00:35:32,028 THAT I REALLY BEEN WILDIN AND ASK HER TO FORGIVE ME CAUSE I REALLY BEEN TRYIN ♪ 1079 00:35:32,030 --> 00:35:33,063 AND ASK HER TO FORGIVE ME CAUSE I REALLY BEEN TRYIN ♪ ♪ AND I WOULD ASK PLEASE 1080 00:35:33,065 --> 00:35:34,064 CAUSE I REALLY BEEN TRYIN ♪ ♪ AND I WOULD ASK PLEASE SHOW ME WHO BEEN REAL 1081 00:35:34,066 --> 00:35:35,031 ♪ AND I WOULD ASK PLEASE SHOW ME WHO BEEN REAL AND GET EM FROM AROUND ME 1082 00:35:35,033 --> 00:35:35,799 SHOW ME WHO BEEN REAL AND GET EM FROM AROUND ME IF THEY ALL BEEN FAKE ♪ 1083 00:35:35,801 --> 00:35:36,800 AND GET EM FROM AROUND ME IF THEY ALL BEEN FAKE ♪ ♪ IT'S CRAZY HOW I SAY 1084 00:35:36,802 --> 00:35:38,034 IF THEY ALL BEEN FAKE ♪ ♪ IT'S CRAZY HOW I SAY THE SAME PRAYERS 1085 00:35:38,036 --> 00:35:38,802 ♪ IT'S CRAZY HOW I SAY THE SAME PRAYERS TO THE LORD 1086 00:35:38,804 --> 00:35:39,836 THE SAME PRAYERS TO THE LORD AND ALWAYS GET SURPRISED ♪ 1087 00:35:39,838 --> 00:35:40,570 TO THE LORD AND ALWAYS GET SURPRISED ♪ ♪ ABOUT WHO HE TAKE 1088 00:35:40,572 --> 00:35:41,071 AND ALWAYS GET SURPRISED ♪ ♪ ABOUT WHO HE TAKE MAN I'M REALLY 1089 00:35:41,073 --> 00:35:41,805 ♪ ABOUT WHO HE TAKE MAN I'M REALLY THINKIN BOUT 1090 00:35:41,807 --> 00:35:42,539 MAN I'M REALLY THINKIN BOUT DIALIN 9-1-1 TIL I FREAK ♪ 1091 00:35:42,541 --> 00:35:43,573 THINKIN BOUT DIALIN 9-1-1 TIL I FREAK ♪ ♪ CAUSE THEY PROBABLY 1092 00:35:43,575 --> 00:35:44,307 DIALIN 9-1-1 TIL I FREAK ♪ ♪ CAUSE THEY PROBABLY WON'T THINK IT'S THAT DEEP 1093 00:35:44,309 --> 00:35:45,075 ♪ CAUSE THEY PROBABLY WON'T THINK IT'S THAT DEEP AND I DON'T DO DRUGS 1094 00:35:45,077 --> 00:35:45,809 WON'T THINK IT'S THAT DEEP AND I DON'T DO DRUGS SO I NEVER GET A TIME ♪ 1095 00:35:45,811 --> 00:35:46,610 AND I DON'T DO DRUGS SO I NEVER GET A TIME ♪ ♪ WHEN I'M AT EASE I CAN'T EVEN 1096 00:35:46,612 --> 00:35:47,310 SO I NEVER GET A TIME ♪ ♪ WHEN I'M AT EASE I CAN'T EVEN HANDLE SMOKIN WEED 1097 00:35:47,312 --> 00:35:48,044 ♪ WHEN I'M AT EASE I CAN'T EVEN HANDLE SMOKIN WEED MARILYN MONROE ♪ 1098 00:35:48,046 --> 00:35:49,279 HANDLE SMOKIN WEED MARILYN MONROE ♪ ♪ MY FAVORITE -- 1099 00:35:49,281 --> 00:35:50,814 MARILYN MONROE ♪ ♪ MY FAVORITE -- MY FAVORITE BAD 1100 00:35:50,816 --> 00:35:52,315 ♪ MY FAVORITE -- MY FAVORITE BAD I THINK SHE THE GOAT 1101 00:35:52,317 --> 00:35:53,316 MY FAVORITE BAD I THINK SHE THE GOAT JAMMIN TO BRITNEY ♪ 1102 00:35:53,318 --> 00:35:54,317 I THINK SHE THE GOAT JAMMIN TO BRITNEY ♪ ♪ SINGIN TO WHITNEY 1103 00:35:54,319 --> 00:35:55,051 JAMMIN TO BRITNEY ♪ ♪ SINGIN TO WHITNEY I JUST WAN TALK TO 1104 00:35:55,053 --> 00:35:55,819 ♪ SINGIN TO WHITNEY I JUST WAN TALK TO SOMEBODY THAT GET ME YEAH 1105 00:35:55,821 --> 00:35:56,553 I JUST WAN TALK TO SOMEBODY THAT GET ME YEAH MONDAY TUESDAY ♪ 1106 00:35:56,555 --> 00:35:57,320 SOMEBODY THAT GET ME YEAH MONDAY TUESDAY ♪ ♪ WEDNESDAY THURSDAY 1107 00:35:57,322 --> 00:35:58,288 MONDAY TUESDAY ♪ ♪ WEDNESDAY THURSDAY BAD -- HAVE 1108 00:35:58,290 --> 00:35:59,055 ♪ WEDNESDAY THURSDAY BAD -- HAVE BAD DAYS TOO 1109 00:35:59,057 --> 00:36:00,056 BAD -- HAVE BAD DAYS TOO FRIDAY SATURDAY ♪ 1110 00:36:00,058 --> 00:36:00,790 BAD DAYS TOO FRIDAY SATURDAY ♪ ♪ SUNDAY 1111 00:36:00,792 --> 00:36:01,558 FRIDAY SATURDAY ♪ ♪ SUNDAY BOUNCE BACK 1112 00:36:01,560 --> 00:36:02,292 ♪ SUNDAY BOUNCE BACK HOP IN 1113 00:36:02,294 --> 00:36:03,059 BOUNCE BACK HOP IN HAUL AWAY TO ♪ 1114 00:36:03,061 --> 00:36:03,793 HOP IN HAUL AWAY TO ♪ ♪ ALL I REALLY WANNA HEAR IS 1115 00:36:03,795 --> 00:36:04,561 HAUL AWAY TO ♪ ♪ ALL I REALLY WANNA HEAR IS IT'LL BE OKAY 1116 00:36:04,563 --> 00:36:05,295 ♪ ALL I REALLY WANNA HEAR IS IT'LL BE OKAY BOUNCE BACK CAUSE 1117 00:36:05,297 --> 00:36:06,029 IT'LL BE OKAY BOUNCE BACK CAUSE A BAD -- CAN ♪ 1118 00:36:06,031 --> 00:36:07,030 BOUNCE BACK CAUSE A BAD -- CAN ♪ ♪ HAVE BAD DAYS 1119 00:36:07,032 --> 00:36:07,664 A BAD -- CAN ♪ ♪ HAVE BAD DAYS ALL I REALLY WANNA HEAR IS 1120 00:36:07,666 --> 00:36:08,298 ♪ HAVE BAD DAYS ALL I REALLY WANNA HEAR IS IT'LL BE OKAY 1121 00:36:08,300 --> 00:36:09,065 ALL I REALLY WANNA HEAR IS IT'LL BE OKAY BOUNCE BACK CAUSE ♪ 1122 00:36:09,067 --> 00:36:09,766 IT'LL BE OKAY BOUNCE BACK CAUSE ♪ ♪ A BAD -- CAN 1123 00:36:09,768 --> 00:36:10,534 BOUNCE BACK CAUSE ♪ ♪ A BAD -- CAN HAVE BAD DAYS 1124 00:36:10,536 --> 00:36:11,301 ♪ A BAD -- CAN HAVE BAD DAYS MONDAY TUESDAY 1125 00:36:11,303 --> 00:36:12,035 HAVE BAD DAYS MONDAY TUESDAY WEDNESDAY THURSDAY ♪ 1126 00:36:12,037 --> 00:36:12,836 MONDAY TUESDAY WEDNESDAY THURSDAY ♪ ♪ BAD -- HAVE 1127 00:36:12,838 --> 00:36:13,537 WEDNESDAY THURSDAY ♪ ♪ BAD -- HAVE BAD DAYS TOO 1128 00:36:13,539 --> 00:36:14,538 ♪ BAD -- HAVE BAD DAYS TOO FRIDAY SATURDAY 1129 00:36:14,540 --> 00:36:15,305 BAD DAYS TOO FRIDAY SATURDAY SUNDAY BOUNCE BACK ♪ 1130 00:36:15,307 --> 00:36:16,306 FRIDAY SATURDAY SUNDAY BOUNCE BACK ♪ ♪ HOP IN 1131 00:36:16,308 --> 00:36:17,541 SUNDAY BOUNCE BACK ♪ ♪ HOP IN HAUL AWAY TO 1132 00:36:17,543 --> 00:36:18,542 ♪ HOP IN HAUL AWAY TO ALL I REALLY WANNA HEAR IS 1133 00:36:18,544 --> 00:36:19,276 HAUL AWAY TO ALL I REALLY WANNA HEAR IS IT'LL BE OKAY ♪ 1134 00:36:19,278 --> 00:36:20,043 ALL I REALLY WANNA HEAR IS IT'LL BE OKAY ♪ ♪ BOUNCE BACK CAUSE 1135 00:36:20,045 --> 00:36:20,810 IT'LL BE OKAY ♪ ♪ BOUNCE BACK CAUSE A BAD -- CAN 1136 00:36:20,812 --> 00:36:21,578 ♪ BOUNCE BACK CAUSE A BAD -- CAN HAVE BAD DAYS 1137 00:36:21,580 --> 00:36:22,345 A BAD -- CAN HAVE BAD DAYS ALL I REALLY WANNA HEAR IS ♪ 1138 00:36:22,347 --> 00:36:23,046 HAVE BAD DAYS ALL I REALLY WANNA HEAR IS ♪ ♪ IT'LL BE OKAY 1139 00:36:23,048 --> 00:36:23,780 ALL I REALLY WANNA HEAR IS ♪ ♪ IT'LL BE OKAY BOUNCE BACK CAUSE 1140 00:36:23,782 --> 00:36:24,548 ♪ IT'LL BE OKAY BOUNCE BACK CAUSE A BAD -- CAN 1141 00:36:24,550 --> 00:36:27,784 BOUNCE BACK CAUSE A BAD -- CAN HAVE BAD DAYS ♪ 1142 00:36:27,786 --> 00:36:28,285 A BAD -- CAN HAVE BAD DAYS ♪ ♪ 1143 00:36:28,287 --> 00:36:33,790 HAVE BAD DAYS ♪ ♪ ♪ 1144 00:36:33,792 --> 00:36:34,291 ♪ ♪ ♪ 1145 00:36:34,293 --> 00:36:43,133 ♪ ♪ ♪ 1146 00:36:43,135 --> 00:37:11,861 ♪ ♪ [ CHEERS AND APPLAUSE ] 1147 00:37:11,863 --> 00:37:14,264 ♪ [ CHEERS AND APPLAUSE ] >>> IT'S "WEEKEND UPDATE" WITH 1148 00:37:14,266 --> 00:37:15,899 [ CHEERS AND APPLAUSE ] >>> IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 1149 00:37:15,901 --> 00:37:23,139 >>> IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. [ CHEERS AND APPLAUSE ] 1150 00:37:23,141 --> 00:37:25,075 COLIN JOST AND MICHAEL CHE. [ CHEERS AND APPLAUSE ] >> THANK, GOOD EVENING, WELCOME 1151 00:37:25,077 --> 00:37:27,143 [ CHEERS AND APPLAUSE ] >> THANK, GOOD EVENING, WELCOME TO "WEEKEND UPDATE." 1152 00:37:27,145 --> 00:37:28,645 >> THANK, GOOD EVENING, WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. 1153 00:37:28,647 --> 00:37:30,113 TO "WEEKEND UPDATE." I'M MICHAEL CHE. >> I'M COLIN JOST. 1154 00:37:30,115 --> 00:37:31,114 I'M MICHAEL CHE. >> I'M COLIN JOST. [ CHEERS ] 1155 00:37:31,116 --> 00:37:33,183 >> I'M COLIN JOST. [ CHEERS ] AFTER THE JANUARY 6th COMMITTEE 1156 00:37:33,185 --> 00:37:34,818 [ CHEERS ] AFTER THE JANUARY 6th COMMITTEE SUBPOENAED DONALD TRUMP, TRUMP 1157 00:37:34,820 --> 00:37:36,987 AFTER THE JANUARY 6th COMMITTEE SUBPOENAED DONALD TRUMP, TRUMP RESPONDED WITH A 14-PAGE LETTER. 1158 00:37:36,989 --> 00:37:39,489 SUBPOENAED DONALD TRUMP, TRUMP RESPONDED WITH A 14-PAGE LETTER. 14 PAGES, OKAY, UNABOMBER. 1159 00:37:39,491 --> 00:37:39,889 RESPONDED WITH A 14-PAGE LETTER. 14 PAGES, OKAY, UNABOMBER. [ LAUGHTER ] 1160 00:37:39,891 --> 00:37:41,491 14 PAGES, OKAY, UNABOMBER. [ LAUGHTER ] I DON'T KNOW IF THIS IS A 1161 00:37:41,493 --> 00:37:43,026 [ LAUGHTER ] I DON'T KNOW IF THIS IS A COINCIDENCE BUT TRUMP WROTE THE 1162 00:37:43,028 --> 00:37:44,694 I DON'T KNOW IF THIS IS A COINCIDENCE BUT TRUMP WROTE THE LETTER ON THE SAME DAY THE FDA 1163 00:37:44,696 --> 00:37:45,795 COINCIDENCE BUT TRUMP WROTE THE LETTER ON THE SAME DAY THE FDA CONFIRMED THE NATION IS 1164 00:37:45,797 --> 00:37:47,497 LETTER ON THE SAME DAY THE FDA CONFIRMED THE NATION IS EXPERIENCING A SHORTAGE OF 1165 00:37:47,499 --> 00:37:47,864 CONFIRMED THE NATION IS EXPERIENCING A SHORTAGE OF ADDERALL. 1166 00:37:47,866 --> 00:37:48,264 EXPERIENCING A SHORTAGE OF ADDERALL. [ LAUGHTER ] 1167 00:37:48,266 --> 00:37:49,632 ADDERALL. [ LAUGHTER ] AND I JUST KNOW FROM EXPERIENCE 1168 00:37:49,634 --> 00:37:52,135 [ LAUGHTER ] AND I JUST KNOW FROM EXPERIENCE IN COLLEGE, ANY TIME I WROTE A 1169 00:37:52,137 --> 00:37:53,870 AND I JUST KNOW FROM EXPERIENCE IN COLLEGE, ANY TIME I WROTE A 14-PAGE PAPER THIS ONE NIGHT, 1170 00:37:53,872 --> 00:37:55,171 IN COLLEGE, ANY TIME I WROTE A 14-PAGE PAPER THIS ONE NIGHT, I'D ALSO TAKEN A DISTURBING 1171 00:37:55,173 --> 00:37:57,073 14-PAGE PAPER THIS ONE NIGHT, I'D ALSO TAKEN A DISTURBING AMOUNT OF ADDERALL. 1172 00:37:57,075 --> 00:37:59,342 I'D ALSO TAKEN A DISTURBING AMOUNT OF ADDERALL. MY FAVORITE PART OF TRUMP'S 1173 00:37:59,344 --> 00:38:00,110 AMOUNT OF ADDERALL. MY FAVORITE PART OF TRUMP'S LETTER IS THE BEGINNING BECAUSE 1174 00:38:00,112 --> 00:38:01,511 MY FAVORITE PART OF TRUMP'S LETTER IS THE BEGINNING BECAUSE IT'S ON REALLY NICE LETTERHEAD, 1175 00:38:01,513 --> 00:38:03,980 LETTER IS THE BEGINNING BECAUSE IT'S ON REALLY NICE LETTERHEAD, IT STARTS "DEAR CHAIRMAN 1176 00:38:03,982 --> 00:38:04,347 IT'S ON REALLY NICE LETTERHEAD, IT STARTS "DEAR CHAIRMAN THOMPSON." 1177 00:38:04,349 --> 00:38:06,516 IT STARTS "DEAR CHAIRMAN THOMPSON." THE FIRST LINE IS JUST 1178 00:38:06,518 --> 00:38:07,050 THOMPSON." THE FIRST LINE IS JUST SCREAMING. 1179 00:38:07,052 --> 00:38:07,450 THE FIRST LINE IS JUST SCREAMING. [ LAUGHTER ] 1180 00:38:07,452 --> 00:38:10,687 SCREAMING. [ LAUGHTER ] IT'S LIKE READING A VICTORIAN 1181 00:38:10,689 --> 00:38:13,089 [ LAUGHTER ] IT'S LIKE READING A VICTORIAN LOVE LETTER THAT SAYS, "MY 1182 00:38:13,091 --> 00:38:15,425 IT'S LIKE READING A VICTORIAN LOVE LETTER THAT SAYS, "MY BELOVED WINIFRED, WHO THE HELL 1183 00:38:15,427 --> 00:38:17,460 LOVE LETTER THAT SAYS, "MY BELOVED WINIFRED, WHO THE HELL ARE YOU HAVING SEX WITH?" 1184 00:38:17,462 --> 00:38:17,861 BELOVED WINIFRED, WHO THE HELL ARE YOU HAVING SEX WITH?" [ LAUGHTER ] 1185 00:38:17,863 --> 00:38:18,895 ARE YOU HAVING SEX WITH?" [ LAUGHTER ] >> THE COMMITTEE SHOWED A NEVER 1186 00:38:18,897 --> 00:38:20,397 [ LAUGHTER ] >> THE COMMITTEE SHOWED A NEVER BEFORE SEEN VIDEO OF JANUARY 6th 1187 00:38:20,399 --> 00:38:21,664 >> THE COMMITTEE SHOWED A NEVER BEFORE SEEN VIDEO OF JANUARY 6th OF A DESPERATE NANCY PELOSI 1188 00:38:21,666 --> 00:38:23,133 BEFORE SEEN VIDEO OF JANUARY 6th OF A DESPERATE NANCY PELOSI SPEAKING ON THE PHONE WITH MIKE 1189 00:38:23,135 --> 00:38:24,167 OF A DESPERATE NANCY PELOSI SPEAKING ON THE PHONE WITH MIKE PENCE, WHICH TO PENCE COUNTS AS 1190 00:38:24,169 --> 00:38:24,534 SPEAKING ON THE PHONE WITH MIKE PENCE, WHICH TO PENCE COUNTS AS ADULTERY. 1191 00:38:24,536 --> 00:38:26,936 PENCE, WHICH TO PENCE COUNTS AS ADULTERY. [ LAUGHTER ] 1192 00:38:26,938 --> 00:38:29,572 ADULTERY. [ LAUGHTER ] IN THE VIDEO, PELOSI SAID THAT 1193 00:38:29,574 --> 00:38:31,174 [ LAUGHTER ] IN THE VIDEO, PELOSI SAID THAT SHE WANTED TO PUNCH OUT DONALD 1194 00:38:31,176 --> 00:38:33,410 IN THE VIDEO, PELOSI SAID THAT SHE WANTED TO PUNCH OUT DONALD TRUMP AND KNEW IF SHE DID, SHE'D 1195 00:38:33,412 --> 00:38:34,444 SHE WANTED TO PUNCH OUT DONALD TRUMP AND KNEW IF SHE DID, SHE'D GO TO JAIL AND BE HAPPY. 1196 00:38:34,446 --> 00:38:36,179 TRUMP AND KNEW IF SHE DID, SHE'D GO TO JAIL AND BE HAPPY. I ASSUME BECAUSE SHE OWNS STOCK 1197 00:38:36,181 --> 00:38:38,214 GO TO JAIL AND BE HAPPY. I ASSUME BECAUSE SHE OWNS STOCK IN PRIVATE PRISONS. 1198 00:38:38,216 --> 00:38:38,615 I ASSUME BECAUSE SHE OWNS STOCK IN PRIVATE PRISONS. [ LAUGHTER ] 1199 00:38:38,617 --> 00:38:42,085 IN PRIVATE PRISONS. [ LAUGHTER ] [ MOANS ] 1200 00:38:42,087 --> 00:38:43,319 [ LAUGHTER ] [ MOANS ] >>> DURING LAST NIGHT'S GEORGIA 1201 00:38:43,321 --> 00:38:45,655 [ MOANS ] >>> DURING LAST NIGHT'S GEORGIA SENATE DEBATE, RAPHAEL WARNOCK 1202 00:38:45,657 --> 00:38:47,390 >>> DURING LAST NIGHT'S GEORGIA SENATE DEBATE, RAPHAEL WARNOCK ACCUSED HERSCHEL WALKER OF LYING 1203 00:38:47,392 --> 00:38:48,091 SENATE DEBATE, RAPHAEL WARNOCK ACCUSED HERSCHEL WALKER OF LYING ABOUT WORKING IN LAW 1204 00:38:48,093 --> 00:38:49,325 ACCUSED HERSCHEL WALKER OF LYING ABOUT WORKING IN LAW ENFORCEMENT, THEN WALKER PULLED 1205 00:38:49,327 --> 00:38:53,797 ABOUT WORKING IN LAW ENFORCEMENT, THEN WALKER PULLED OUT A PROP BADGE AND SAID, 1206 00:38:53,799 --> 00:38:55,632 ENFORCEMENT, THEN WALKER PULLED OUT A PROP BADGE AND SAID, QUOTE, I AM WORK WITH MANY 1207 00:38:55,634 --> 00:38:56,266 OUT A PROP BADGE AND SAID, QUOTE, I AM WORK WITH MANY POLICE OFFICERS. 1208 00:38:56,268 --> 00:38:58,001 QUOTE, I AM WORK WITH MANY POLICE OFFICERS. YET ANOTHER SIGN THAT HERSCHEL 1209 00:38:58,003 --> 00:38:58,701 POLICE OFFICERS. YET ANOTHER SIGN THAT HERSCHEL WALKER IS HAS BRAIN PROBLEMS. 1210 00:38:58,703 --> 00:39:05,442 YET ANOTHER SIGN THAT HERSCHEL WALKER IS HAS BRAIN PROBLEMS. [ LAUGHTER ] 1211 00:39:05,444 --> 00:39:06,443 WALKER IS HAS BRAIN PROBLEMS. [ LAUGHTER ] >>> SENATOR MITCH McCONNELL, 1212 00:39:06,445 --> 00:39:07,877 [ LAUGHTER ] >>> SENATOR MITCH McCONNELL, SEEN HERE WATCHING SOMEONE GET 1213 00:39:07,879 --> 00:39:08,611 >>> SENATOR MITCH McCONNELL, SEEN HERE WATCHING SOMEONE GET INJURED AT THE SPECIAL LICKS -- 1214 00:39:08,613 --> 00:39:11,181 SEEN HERE WATCHING SOMEONE GET INJURED AT THE SPECIAL LICKS -- [ LAUGHTER ] 1215 00:39:11,183 --> 00:39:14,717 INJURED AT THE SPECIAL LICKS -- [ LAUGHTER ] SPECIAL OLYMPICS -- 1216 00:39:14,719 --> 00:39:17,720 [ LAUGHTER ] SPECIAL OLYMPICS -- [ LAUGHTER ] 1217 00:39:17,722 --> 00:39:20,290 SPECIAL OLYMPICS -- [ LAUGHTER ] SAID THAT HE IS NOT CONCERNED 1218 00:39:20,292 --> 00:39:21,925 [ LAUGHTER ] SAID THAT HE IS NOT CONCERNED WITH THREATS DONALD TRUMP MAKES 1219 00:39:21,927 --> 00:39:24,461 SAID THAT HE IS NOT CONCERNED WITH THREATS DONALD TRUMP MAKES AT HIS RALLIES TO REMOVE HIM AS 1220 00:39:24,463 --> 00:39:26,096 WITH THREATS DONALD TRUMP MAKES AT HIS RALLIES TO REMOVE HIM AS SENATE MINORITY LEADER. 1221 00:39:26,098 --> 00:39:27,997 AT HIS RALLIES TO REMOVE HIM AS SENATE MINORITY LEADER. McCONNELL SAID THE THREATS MAKE 1222 00:39:27,999 --> 00:39:29,399 SENATE MINORITY LEADER. McCONNELL SAID THE THREATS MAKE HIM LAUGH HARDER THAN HIS 1223 00:39:29,401 --> 00:39:32,402 McCONNELL SAID THE THREATS MAKE HIM LAUGH HARDER THAN HIS FAVORITE COMEDY SHOW "DAHMER." 1224 00:39:32,404 --> 00:39:39,709 HIM LAUGH HARDER THAN HIS FAVORITE COMEDY SHOW "DAHMER." >>> KANYE WEST'S ANTI-SEMITIC 1225 00:39:39,711 --> 00:39:42,112 FAVORITE COMEDY SHOW "DAHMER." >>> KANYE WEST'S ANTI-SEMITIC TWEETS WERE CONDEMNED BY -- JUST 1226 00:39:42,114 --> 00:39:45,115 >>> KANYE WEST'S ANTI-SEMITIC TWEETS WERE CONDEMNED BY -- JUST SAY LENNY KRAVITZ. 1227 00:39:45,117 --> 00:39:47,884 TWEETS WERE CONDEMNED BY -- JUST SAY LENNY KRAVITZ. >> AFTER UNHINGED SOCIAL MEDIA 1228 00:39:47,886 --> 00:39:50,553 SAY LENNY KRAVITZ. >> AFTER UNHINGED SOCIAL MEDIA POSTS, ELON MUSK TWEETED, TALKED 1229 00:39:50,555 --> 00:39:50,887 >> AFTER UNHINGED SOCIAL MEDIA POSTS, ELON MUSK TWEETED, TALKED TO YE. 1230 00:39:50,889 --> 00:39:51,888 POSTS, ELON MUSK TWEETED, TALKED TO YE. >> EXPRESSED CONCERNS ABOUT 1231 00:39:51,890 --> 00:39:53,223 TO YE. >> EXPRESSED CONCERNS ABOUT RECENT TWEET WHICH I THINK HE 1232 00:39:53,225 --> 00:39:54,090 >> EXPRESSED CONCERNS ABOUT RECENT TWEET WHICH I THINK HE TOOK TO HEART. 1233 00:39:54,092 --> 00:39:55,325 RECENT TWEET WHICH I THINK HE TOOK TO HEART. WELL THAT SETTLES IT. 1234 00:39:55,327 --> 00:39:55,859 TOOK TO HEART. WELL THAT SETTLES IT. [ LAUGHTER ] 1235 00:39:55,861 --> 00:39:57,527 WELL THAT SETTLES IT. [ LAUGHTER ] IF THERE'S ONE THING WE TRUST 1236 00:39:57,529 --> 00:39:59,629 [ LAUGHTER ] IF THERE'S ONE THING WE TRUST ELON WITH, IT'S SUCCESSFULLY 1237 00:39:59,631 --> 00:40:00,630 IF THERE'S ONE THING WE TRUST ELON WITH, IT'S SUCCESSFULLY READING ANOTHER HUMAN BEING'S 1238 00:40:00,632 --> 00:40:01,097 ELON WITH, IT'S SUCCESSFULLY READING ANOTHER HUMAN BEING'S EMOTIONAL CUES. 1239 00:40:01,099 --> 00:40:05,101 READING ANOTHER HUMAN BEING'S EMOTIONAL CUES. [ LAUGHTER ] 1240 00:40:05,103 --> 00:40:07,403 EMOTIONAL CUES. [ LAUGHTER ] >>> A FACEBOOK POST URGING MOMS 1241 00:40:07,405 --> 00:40:10,573 [ LAUGHTER ] >>> A FACEBOOK POST URGING MOMS TO AVOID DISNEY'S REBOOT OF 1242 00:40:10,575 --> 00:40:11,441 >>> A FACEBOOK POST URGING MOMS TO AVOID DISNEY'S REBOOT OF "HOCUS POCUS" WENT VIRAL. 1243 00:40:11,443 --> 00:40:14,177 TO AVOID DISNEY'S REBOOT OF "HOCUS POCUS" WENT VIRAL. HERE TO DISCUSS IT ARE TWO 1244 00:40:14,179 --> 00:40:16,012 "HOCUS POCUS" WENT VIRAL. HERE TO DISCUSS IT ARE TWO MOTHERS FROM TEXAS, DEBBIE HULL 1245 00:40:16,014 --> 00:40:16,513 HERE TO DISCUSS IT ARE TWO MOTHERS FROM TEXAS, DEBBIE HULL AND STACY BUSEY. 1246 00:40:16,515 --> 00:40:21,284 MOTHERS FROM TEXAS, DEBBIE HULL AND STACY BUSEY. [ CHEERS AND APPLAUSE ] 1247 00:40:21,286 --> 00:40:23,219 AND STACY BUSEY. [ CHEERS AND APPLAUSE ] >> MICHAEL CHE! 1248 00:40:23,221 --> 00:40:25,822 [ CHEERS AND APPLAUSE ] >> MICHAEL CHE! >> WHAT'S SO BAD ABOUT "HOCUS 1249 00:40:25,824 --> 00:40:26,156 >> MICHAEL CHE! >> WHAT'S SO BAD ABOUT "HOCUS POCUS"? 1250 00:40:26,158 --> 00:40:28,124 >> WHAT'S SO BAD ABOUT "HOCUS POCUS"? >> A BUNCH OF WITCHES HARVESTING 1251 00:40:28,126 --> 00:40:28,525 POCUS"? >> A BUNCH OF WITCHES HARVESTING CHILDREN? 1252 00:40:28,527 --> 00:40:30,693 >> A BUNCH OF WITCHES HARVESTING CHILDREN? RUNNING AMOK? 1253 00:40:30,695 --> 00:40:33,496 CHILDREN? RUNNING AMOK? >> OH, SNACKING ON MY KIDS? 1254 00:40:33,498 --> 00:40:34,230 RUNNING AMOK? >> OH, SNACKING ON MY KIDS? NOT UNDER MY HOUSE. 1255 00:40:34,232 --> 00:40:35,832 >> OH, SNACKING ON MY KIDS? NOT UNDER MY HOUSE. >> THIS IS A KIDS' MOVIE. 1256 00:40:35,834 --> 00:40:38,368 NOT UNDER MY HOUSE. >> THIS IS A KIDS' MOVIE. >> WE DON'T NEED A MOVIE WHERE 1257 00:40:38,370 --> 00:40:39,135 >> THIS IS A KIDS' MOVIE. >> WE DON'T NEED A MOVIE WHERE KIDS' SOULS ARE GETTING SUCKED 1258 00:40:39,137 --> 00:40:39,402 >> WE DON'T NEED A MOVIE WHERE KIDS' SOULS ARE GETTING SUCKED OFF. 1259 00:40:39,404 --> 00:40:43,606 KIDS' SOULS ARE GETTING SUCKED OFF. [ LAUGHTER ] 1260 00:40:43,608 --> 00:40:44,140 OFF. [ LAUGHTER ] WE DON'T, WE DON'T! 1261 00:40:44,142 --> 00:40:46,976 [ LAUGHTER ] WE DON'T, WE DON'T! WE DON'T NEED TO SEE BETTE 1262 00:40:46,978 --> 00:40:48,011 WE DON'T, WE DON'T! WE DON'T NEED TO SEE BETTE MIDLER WEARING BIG OLD TEETH. 1263 00:40:48,013 --> 00:40:49,312 WE DON'T NEED TO SEE BETTE MIDLER WEARING BIG OLD TEETH. >> IT'S SATANIC. 1264 00:40:49,314 --> 00:40:51,381 MIDLER WEARING BIG OLD TEETH. >> IT'S SATANIC. IT'S GOING TO UNLEASH HELL. 1265 00:40:51,383 --> 00:40:54,384 >> IT'S SATANIC. IT'S GOING TO UNLEASH HELL. IMAGINE THAT, IMAGINE THAT. 1266 00:40:54,386 --> 00:40:56,519 IT'S GOING TO UNLEASH HELL. IMAGINE THAT, IMAGINE THAT. YOU'RE HOME -- 1267 00:40:56,521 --> 00:40:57,887 IMAGINE THAT, IMAGINE THAT. YOU'RE HOME -- >> WITH HELL IN IT! 1268 00:40:57,889 --> 00:40:59,989 YOU'RE HOME -- >> WITH HELL IN IT! >> SATAN WALKING AROUND, ERECT. 1269 00:40:59,991 --> 00:41:00,557 >> WITH HELL IN IT! >> SATAN WALKING AROUND, ERECT. IS THAT WHAT YOU WANT? 1270 00:41:00,559 --> 00:41:02,759 >> SATAN WALKING AROUND, ERECT. IS THAT WHAT YOU WANT? [ LAUGHTER ] 1271 00:41:02,761 --> 00:41:05,295 IS THAT WHAT YOU WANT? [ LAUGHTER ] >> IS IT MICHAEL CHE IN YOUR 1272 00:41:05,297 --> 00:41:05,862 [ LAUGHTER ] >> IS IT MICHAEL CHE IN YOUR LIVING ROOM? 1273 00:41:05,864 --> 00:41:07,430 >> IS IT MICHAEL CHE IN YOUR LIVING ROOM? HARD AS A ROCK? 1274 00:41:07,432 --> 00:41:07,830 LIVING ROOM? HARD AS A ROCK? [ LAUGHTER ] 1275 00:41:07,832 --> 00:41:08,164 HARD AS A ROCK? [ LAUGHTER ] >> NO. 1276 00:41:08,166 --> 00:41:11,834 [ LAUGHTER ] >> NO. THAT'S NOT WHAT I WANT. 1277 00:41:11,836 --> 00:41:12,502 >> NO. THAT'S NOT WHAT I WANT. DEBBIE HOLE. 1278 00:41:12,504 --> 00:41:14,771 THAT'S NOT WHAT I WANT. DEBBIE HOLE. AREN'T KIDS MISSING OUT ON FUN 1279 00:41:14,773 --> 00:41:16,539 DEBBIE HOLE. AREN'T KIDS MISSING OUT ON FUN PARTS OF THE HALLOWEEN? 1280 00:41:16,541 --> 00:41:18,708 AREN'T KIDS MISSING OUT ON FUN PARTS OF THE HALLOWEEN? >> THERE'S NOTHING FUN ABOUT 1281 00:41:18,710 --> 00:41:19,108 PARTS OF THE HALLOWEEN? >> THERE'S NOTHING FUN ABOUT HALLOWEEN. 1282 00:41:19,110 --> 00:41:19,842 >> THERE'S NOTHING FUN ABOUT HALLOWEEN. >> CANDY? 1283 00:41:19,844 --> 00:41:20,843 HALLOWEEN. >> CANDY? >> SATANIC. 1284 00:41:20,845 --> 00:41:22,612 >> CANDY? >> SATANIC. >> WHAT CANDY IS SATANIC? 1285 00:41:22,614 --> 00:41:24,447 >> SATANIC. >> WHAT CANDY IS SATANIC? >> SOUR PATCHES. 1286 00:41:24,449 --> 00:41:25,682 >> WHAT CANDY IS SATANIC? >> SOUR PATCHES. THINK ABOUT IT. 1287 00:41:25,684 --> 00:41:26,649 >> SOUR PATCHES. THINK ABOUT IT. KIDS MAKING A BUNCH OF ARMIE 1288 00:41:26,651 --> 00:41:28,751 THINK ABOUT IT. KIDS MAKING A BUNCH OF ARMIE HAMMERS. 1289 00:41:28,753 --> 00:41:29,652 KIDS MAKING A BUNCH OF ARMIE HAMMERS. >> OH, OH. 1290 00:41:29,654 --> 00:41:32,755 HAMMERS. >> OH, OH. AND DO NOT GET ME STARTED ON 1291 00:41:32,757 --> 00:41:33,790 >> OH, OH. AND DO NOT GET ME STARTED ON SKEET HOLES. 1292 00:41:33,792 --> 00:41:34,791 AND DO NOT GET ME STARTED ON SKEET HOLES. >> OKAY, I WON'T. 1293 00:41:34,793 --> 00:41:35,959 SKEET HOLES. >> OKAY, I WON'T. >> YOU GOT HER STARTED. 1294 00:41:35,961 --> 00:41:36,359 >> OKAY, I WON'T. >> YOU GOT HER STARTED. >> RIGHT. 1295 00:41:36,361 --> 00:41:37,760 >> YOU GOT HER STARTED. >> RIGHT. >> GOT HER STARTED. 1296 00:41:37,762 --> 00:41:39,162 >> RIGHT. >> GOT HER STARTED. TASTE THE RAINBOW? 1297 00:41:39,164 --> 00:41:39,495 >> GOT HER STARTED. TASTE THE RAINBOW? DEMONIC. 1298 00:41:39,497 --> 00:41:41,564 TASTE THE RAINBOW? DEMONIC. I'M GOING TO SAY THIS, ANY 1299 00:41:41,566 --> 00:41:42,432 DEMONIC. I'M GOING TO SAY THIS, ANY VENDING MACHINE WITH A SKITTLE 1300 00:41:42,434 --> 00:41:44,400 I'M GOING TO SAY THIS, ANY VENDING MACHINE WITH A SKITTLE IN IT, THAT'S A WORMHOLE FOR THE 1301 00:41:44,402 --> 00:41:44,701 VENDING MACHINE WITH A SKITTLE IN IT, THAT'S A WORMHOLE FOR THE DEVIL. 1302 00:41:44,703 --> 00:41:50,173 IN IT, THAT'S A WORMHOLE FOR THE DEVIL. [ LAUGHTER ] 1303 00:41:50,175 --> 00:41:52,809 DEVIL. [ LAUGHTER ] >> EVERLASTING GOBSTOPPER? 1304 00:41:52,811 --> 00:41:54,177 [ LAUGHTER ] >> EVERLASTING GOBSTOPPER? SUCK TILL I'M DEAD? 1305 00:41:54,179 --> 00:41:54,677 >> EVERLASTING GOBSTOPPER? SUCK TILL I'M DEAD? NO. 1306 00:41:54,679 --> 00:41:55,178 SUCK TILL I'M DEAD? NO. NO. 1307 00:41:55,180 --> 00:41:55,578 NO. NO. [ LAUGHTER ] 1308 00:41:55,580 --> 00:41:58,114 NO. [ LAUGHTER ] >> YOU GUYS ARE JUST CRAZY. 1309 00:41:58,116 --> 00:41:59,415 [ LAUGHTER ] >> YOU GUYS ARE JUST CRAZY. >> CRAZY ABOUT FAMILY, CHURCH, 1310 00:41:59,417 --> 00:42:01,251 >> YOU GUYS ARE JUST CRAZY. >> CRAZY ABOUT FAMILY, CHURCH, AND LAUGHTER. 1311 00:42:01,253 --> 00:42:01,651 >> CRAZY ABOUT FAMILY, CHURCH, AND LAUGHTER. [ LAUGHTER ] 1312 00:42:01,653 --> 00:42:03,686 AND LAUGHTER. [ LAUGHTER ] >> ME, TOO! 1313 00:42:03,688 --> 00:42:04,787 [ LAUGHTER ] >> ME, TOO! EVEN TALKING ABOUT THIS MAJORS 1314 00:42:04,789 --> 00:42:05,955 >> ME, TOO! EVEN TALKING ABOUT THIS MAJORS ME NERVOUS. 1315 00:42:05,957 --> 00:42:07,423 EVEN TALKING ABOUT THIS MAJORS ME NERVOUS. YOU OPEN YOUR MOUTH LONG ENOUGH, 1316 00:42:07,425 --> 00:42:10,193 ME NERVOUS. YOU OPEN YOUR MOUTH LONG ENOUGH, A DEMON WILL SWOOP IN IT. 1317 00:42:10,195 --> 00:42:11,327 YOU OPEN YOUR MOUTH LONG ENOUGH, A DEMON WILL SWOOP IN IT. WHAT DID I SAY? 1318 00:42:11,329 --> 00:42:11,828 A DEMON WILL SWOOP IN IT. WHAT DID I SAY? >> YOU ALL RIGHT? 1319 00:42:11,830 --> 00:42:15,231 WHAT DID I SAY? >> YOU ALL RIGHT? >> NO. 1320 00:42:15,233 --> 00:42:16,065 >> YOU ALL RIGHT? >> NO. NO, SHE'S NOT. 1321 00:42:16,067 --> 00:42:19,002 >> NO. NO, SHE'S NOT. SHE'S GOT A DEMACHINE IN HER, 1322 00:42:19,004 --> 00:42:23,973 NO, SHE'S NOT. SHE'S GOT A DEMACHINE IN HER, PROBABLY CAUGHT IT HERE IN 1323 00:42:23,975 --> 00:42:24,574 SHE'S GOT A DEMACHINE IN HER, PROBABLY CAUGHT IT HERE IN S-N-HELL. 1324 00:42:24,576 --> 00:42:26,542 PROBABLY CAUGHT IT HERE IN S-N-HELL. DEBBIE, DEBBIE. 1325 00:42:26,544 --> 00:42:26,876 S-N-HELL. DEBBIE, DEBBIE. DEBBIE. 1326 00:42:26,878 --> 00:42:27,877 DEBBIE, DEBBIE. DEBBIE. WE SOLD A LOT OF LEGGINGS TO BE 1327 00:42:27,879 --> 00:42:28,278 DEBBIE. WE SOLD A LOT OF LEGGINGS TO BE HERE, GIRL. 1328 00:42:28,280 --> 00:42:32,282 WE SOLD A LOT OF LEGGINGS TO BE HERE, GIRL. [ LAUGHTER ] 1329 00:42:32,284 --> 00:42:34,250 HERE, GIRL. [ LAUGHTER ] IF A BUNCH OF RATS COME IN HERE 1330 00:42:34,252 --> 00:42:35,018 [ LAUGHTER ] IF A BUNCH OF RATS COME IN HERE AND START BUILDING YOU A THRONE, 1331 00:42:35,020 --> 00:42:39,188 IF A BUNCH OF RATS COME IN HERE AND START BUILDING YOU A THRONE, I AM LEAVING NEW YORK. 1332 00:42:39,190 --> 00:42:40,657 AND START BUILDING YOU A THRONE, I AM LEAVING NEW YORK. DEMON, DEMON! 1333 00:42:40,659 --> 00:42:43,626 I AM LEAVING NEW YORK. DEMON, DEMON! DEMON! 1334 00:42:43,628 --> 00:42:46,029 DEMON, DEMON! DEMON! PUT A COLLAR ON SATAN AND TAKE 1335 00:42:46,031 --> 00:42:46,562 DEMON! PUT A COLLAR ON SATAN AND TAKE HIM BACK TO HELL. 1336 00:42:46,564 --> 00:42:47,997 PUT A COLLAR ON SATAN AND TAKE HIM BACK TO HELL. CAN YOU DO THAT FOR ME? 1337 00:42:47,999 --> 00:42:53,936 HIM BACK TO HELL. CAN YOU DO THAT FOR ME? CAN YOU DO THAT FOR ME, DEBBIE 1338 00:42:53,938 --> 00:42:55,772 CAN YOU DO THAT FOR ME? CAN YOU DO THAT FOR ME, DEBBIE K. HOLE? 1339 00:42:55,774 --> 00:42:56,873 CAN YOU DO THAT FOR ME, DEBBIE K. HOLE? >> AND I'M BACK! 1340 00:42:56,875 --> 00:43:05,148 K. HOLE? >> AND I'M BACK! [ CHEERS AND APPLAUSE ] 1341 00:43:05,150 --> 00:43:06,849 >> AND I'M BACK! [ CHEERS AND APPLAUSE ] >> THAT WAS A LITTLE BIT FUN, 1342 00:43:06,851 --> 00:43:08,084 [ CHEERS AND APPLAUSE ] >> THAT WAS A LITTLE BIT FUN, I'M NOT GONNA LIE. 1343 00:43:08,086 --> 00:43:14,023 >> THAT WAS A LITTLE BIT FUN, I'M NOT GONNA LIE. IN CONCLUSION, SAY NO TO "HOCUS 1344 00:43:14,025 --> 00:43:15,358 I'M NOT GONNA LIE. IN CONCLUSION, SAY NO TO "HOCUS POCUS" AND WE'LL ALL GO. 1345 00:43:15,360 --> 00:43:17,060 IN CONCLUSION, SAY NO TO "HOCUS POCUS" AND WE'LL ALL GO. >> WHERE ARE YOU GOING? 1346 00:43:17,062 --> 00:43:21,998 POCUS" AND WE'LL ALL GO. >> WHERE ARE YOU GOING? >> WE GOT TICKETS TO "WICKED"! 1347 00:43:22,000 --> 00:43:27,170 >> WHERE ARE YOU GOING? >> WE GOT TICKETS TO "WICKED"! [ CHEERS AND APPLAUSE ] 1348 00:43:27,172 --> 00:43:28,671 >> WE GOT TICKETS TO "WICKED"! [ CHEERS AND APPLAUSE ] >>> A POPULAR PELOTON INSTRUCTOR 1349 00:43:28,673 --> 00:43:30,640 [ CHEERS AND APPLAUSE ] >>> A POPULAR PELOTON INSTRUCTOR IS SUING THE COMPANY FOR NEARLY 1350 00:43:30,642 --> 00:43:32,241 >>> A POPULAR PELOTON INSTRUCTOR IS SUING THE COMPANY FOR NEARLY $2 MILLION ALLEGING THAT AN 1351 00:43:32,243 --> 00:43:34,711 IS SUING THE COMPANY FOR NEARLY $2 MILLION ALLEGING THAT AN EXECUTIVE MOCKED HIM FOR BEING 1352 00:43:34,713 --> 00:43:35,011 $2 MILLION ALLEGING THAT AN EXECUTIVE MOCKED HIM FOR BEING IRISH. 1353 00:43:35,013 --> 00:43:36,479 EXECUTIVE MOCKED HIM FOR BEING IRISH. IN RESPONSE THE EXECUTIVE 1354 00:43:36,481 --> 00:43:38,247 IRISH. IN RESPONSE THE EXECUTIVE COUNTER SUED HIM FOR ALL THE 1355 00:43:38,249 --> 00:43:39,382 IN RESPONSE THE EXECUTIVE COUNTER SUED HIM FOR ALL THE TREASURE IN HIS POT OF GOLD. 1356 00:43:39,384 --> 00:43:44,620 COUNTER SUED HIM FOR ALL THE TREASURE IN HIS POT OF GOLD. [ LAUGHTER ] 1357 00:43:44,622 --> 00:43:47,090 TREASURE IN HIS POT OF GOLD. [ LAUGHTER ] >>> MANHATTAN CONGRESSIONAL 1358 00:43:47,092 --> 00:43:49,792 [ LAUGHTER ] >>> MANHATTAN CONGRESSIONAL CANDIDATE MIKE IPKUS STARRED IN 1359 00:43:49,794 --> 00:43:51,694 >>> MANHATTAN CONGRESSIONAL CANDIDATE MIKE IPKUS STARRED IN HIS OWN SEX TAPE IN AN EFFORT TO 1360 00:43:51,696 --> 00:43:53,796 CANDIDATE MIKE IPKUS STARRED IN HIS OWN SEX TAPE IN AN EFFORT TO PUBLICIZE HIS CAMPAIGN. 1361 00:43:53,798 --> 00:43:54,464 HIS OWN SEX TAPE IN AN EFFORT TO PUBLICIZE HIS CAMPAIGN. I'M GOING TO VOTE FOR HIM, 1362 00:43:54,466 --> 00:43:55,865 PUBLICIZE HIS CAMPAIGN. I'M GOING TO VOTE FOR HIM, BECAUSE I WATCHED THAT VIDEO AND 1363 00:43:55,867 --> 00:43:57,400 I'M GOING TO VOTE FOR HIM, BECAUSE I WATCHED THAT VIDEO AND WE SHARE A LOT OF THE SAME 1364 00:43:57,402 --> 00:43:57,767 BECAUSE I WATCHED THAT VIDEO AND WE SHARE A LOT OF THE SAME POSITIONS. 1365 00:43:57,769 --> 00:44:02,171 WE SHARE A LOT OF THE SAME POSITIONS. [ LAUGHTER AND MOANS ] 1366 00:44:02,173 --> 00:44:04,040 POSITIONS. [ LAUGHTER AND MOANS ] >>> THURSDAY WAS NATIONAL NO BRA 1367 00:44:04,042 --> 00:44:05,208 [ LAUGHTER AND MOANS ] >>> THURSDAY WAS NATIONAL NO BRA DAY, WHICH I CELEBRATED BY NOT 1368 00:44:05,210 --> 00:44:05,708 >>> THURSDAY WAS NATIONAL NO BRA DAY, WHICH I CELEBRATED BY NOT SUPPORTING WOMEN. 1369 00:44:05,710 --> 00:44:13,816 DAY, WHICH I CELEBRATED BY NOT SUPPORTING WOMEN. [ LAUGHTER ] 1370 00:44:13,818 --> 00:44:14,317 SUPPORTING WOMEN. [ LAUGHTER ] IT'S A BRA JOKE. 1371 00:44:14,319 --> 00:44:15,752 [ LAUGHTER ] IT'S A BRA JOKE. >>> A UNITED AIRLINES PASSENGER 1372 00:44:15,754 --> 00:44:17,453 IT'S A BRA JOKE. >>> A UNITED AIRLINES PASSENGER WHO WAS HIGH ON MUSHROOMS 1373 00:44:17,455 --> 00:44:19,021 >>> A UNITED AIRLINES PASSENGER WHO WAS HIGH ON MUSHROOMS ASSAULTED TWO FLIGHT ATTENDANTS. 1374 00:44:19,023 --> 00:44:20,823 WHO WAS HIGH ON MUSHROOMS ASSAULTED TWO FLIGHT ATTENDANTS. WHILE AT SPIRIT AIRLINES, BATH 1375 00:44:20,825 --> 00:44:21,557 ASSAULTED TWO FLIGHT ATTENDANTS. WHILE AT SPIRIT AIRLINES, BATH SALTS ARE THE IN-FLIGHT SNACK. 1376 00:44:21,559 --> 00:44:25,161 WHILE AT SPIRIT AIRLINES, BATH SALTS ARE THE IN-FLIGHT SNACK. [ LAUGHTER ] 1377 00:44:25,163 --> 00:44:28,498 SALTS ARE THE IN-FLIGHT SNACK. [ LAUGHTER ] >>> PEBBLES, WHO WAS THE WORLD'S 1378 00:44:28,500 --> 00:44:29,832 [ LAUGHTER ] >>> PEBBLES, WHO WAS THE WORLD'S OLDEST LIVING DOG, DIED AT THE 1379 00:44:29,834 --> 00:44:30,633 >>> PEBBLES, WHO WAS THE WORLD'S OLDEST LIVING DOG, DIED AT THE AGE OF 22. 1380 00:44:30,635 --> 00:44:31,634 OLDEST LIVING DOG, DIED AT THE AGE OF 22. BUT IT'S OKAY. 1381 00:44:31,636 --> 00:44:34,237 AGE OF 22. BUT IT'S OKAY. HIS OWNERS KNEW THIS WAS COMING. 1382 00:44:34,239 --> 00:44:35,972 BUT IT'S OKAY. HIS OWNERS KNEW THIS WAS COMING. IF THEY DIDN'T KEEP HIM OFF MY 1383 00:44:35,974 --> 00:44:36,272 HIS OWNERS KNEW THIS WAS COMING. IF THEY DIDN'T KEEP HIM OFF MY YARD. 1384 00:44:36,274 --> 00:44:42,078 IF THEY DIDN'T KEEP HIM OFF MY YARD. [ LAUGHTER AND MOANS ] 1385 00:44:42,080 --> 00:44:43,746 YARD. [ LAUGHTER AND MOANS ] >>> SOME PARENTS IN OREGON ARE 1386 00:44:43,748 --> 00:44:44,947 [ LAUGHTER AND MOANS ] >>> SOME PARENTS IN OREGON ARE HAVING LARGE GROUPS OF THEIR 1387 00:44:44,949 --> 00:44:47,250 >>> SOME PARENTS IN OREGON ARE HAVING LARGE GROUPS OF THEIR CHILDREN RIDE THEIR BIKES TO 1388 00:44:47,252 --> 00:44:48,484 HAVING LARGE GROUPS OF THEIR CHILDREN RIDE THEIR BIKES TO SCHOOL AT THE SAME TIME IN A 1389 00:44:48,486 --> 00:44:50,286 CHILDREN RIDE THEIR BIKES TO SCHOOL AT THE SAME TIME IN A FORMATION THEY'RE CALLING A BIKE 1390 00:44:50,288 --> 00:44:50,553 SCHOOL AT THE SAME TIME IN A FORMATION THEY'RE CALLING A BIKE BUS. 1391 00:44:50,555 --> 00:44:53,156 FORMATION THEY'RE CALLING A BIKE BUS. AND PEDOPHILES ARE CALLING A 1392 00:44:53,158 --> 00:44:53,489 BUS. AND PEDOPHILES ARE CALLING A BUFFET. 1393 00:44:53,491 --> 00:44:59,228 AND PEDOPHILES ARE CALLING A BUFFET. [ LAUGHTER AND MOANS ] 1394 00:44:59,230 --> 00:45:00,229 BUFFET. [ LAUGHTER AND MOANS ] >>> RESEARCHERS SAY THE NUMBER 1395 00:45:00,231 --> 00:45:01,864 [ LAUGHTER AND MOANS ] >>> RESEARCHERS SAY THE NUMBER OF GRAY WHALES OFF WESTERN NORTH 1396 00:45:01,866 --> 00:45:03,800 >>> RESEARCHERS SAY THE NUMBER OF GRAY WHALES OFF WESTERN NORTH AMERICA HAS CONTINUED TO DECLINE 1397 00:45:03,802 --> 00:45:05,101 OF GRAY WHALES OFF WESTERN NORTH AMERICA HAS CONTINUED TO DECLINE FOR SEVERAL YEARS. 1398 00:45:05,103 --> 00:45:06,903 AMERICA HAS CONTINUED TO DECLINE FOR SEVERAL YEARS. IT'S A SAD FACT THAT MAKES ME 1399 00:45:06,905 --> 00:45:08,304 FOR SEVERAL YEARS. IT'S A SAD FACT THAT MAKES ME WONDER IF WHALE OIL IS REALLY 1400 00:45:08,306 --> 00:45:10,106 IT'S A SAD FACT THAT MAKES ME WONDER IF WHALE OIL IS REALLY THE BEST WAY TO GIVE MY HAIR 1401 00:45:10,108 --> 00:45:10,640 WONDER IF WHALE OIL IS REALLY THE BEST WAY TO GIVE MY HAIR THIS AMAZING VOLUME. 1402 00:45:10,642 --> 00:45:14,310 THE BEST WAY TO GIVE MY HAIR THIS AMAZING VOLUME. [ LAUGHTER ] 1403 00:45:14,312 --> 00:45:15,945 THIS AMAZING VOLUME. [ LAUGHTER ] >>> A GROWING NUMBER OF NFL 1404 00:45:15,947 --> 00:45:18,781 [ LAUGHTER ] >>> A GROWING NUMBER OF NFL PLAYERS ARE FILLING UP THEIR OFF 1405 00:45:18,783 --> 00:45:20,917 >>> A GROWING NUMBER OF NFL PLAYERS ARE FILLING UP THEIR OFF TIME BY PLAYING CHESS WITH EACH 1406 00:45:20,919 --> 00:45:21,217 PLAYERS ARE FILLING UP THEIR OFF TIME BY PLAYING CHESS WITH EACH OTHER. 1407 00:45:21,219 --> 00:45:23,352 TIME BY PLAYING CHESS WITH EACH OTHER. AND ALSO, LET'S SEE HERE -- 1408 00:45:23,354 --> 00:45:23,886 OTHER. AND ALSO, LET'S SEE HERE -- DOMESTIC VIOLENCE. 1409 00:45:23,888 --> 00:45:26,589 AND ALSO, LET'S SEE HERE -- DOMESTIC VIOLENCE. [ LAUGHTER AND MOANS ] 1410 00:45:26,591 --> 00:45:28,424 DOMESTIC VIOLENCE. [ LAUGHTER AND MOANS ] HOW THEY'RE SPENDING THEIR TIME, 1411 00:45:28,426 --> 00:45:28,758 [ LAUGHTER AND MOANS ] HOW THEY'RE SPENDING THEIR TIME, COLIN. 1412 00:45:28,760 --> 00:45:30,193 HOW THEY'RE SPENDING THEIR TIME, COLIN. >>> A VIDEO HAS GONE VIRAL OF A 1413 00:45:30,195 --> 00:45:32,195 COLIN. >>> A VIDEO HAS GONE VIRAL OF A DOCTOR REMOVING NEARLY TWO DOZEN 1414 00:45:32,197 --> 00:45:34,697 >>> A VIDEO HAS GONE VIRAL OF A DOCTOR REMOVING NEARLY TWO DOZEN CONTACT LENSES FROM A WOMAN'S 1415 00:45:34,699 --> 00:45:36,766 DOCTOR REMOVING NEARLY TWO DOZEN CONTACT LENSES FROM A WOMAN'S EYE THAT SHE HAD FORGOTTEN WERE 1416 00:45:36,768 --> 00:45:37,366 CONTACT LENSES FROM A WOMAN'S EYE THAT SHE HAD FORGOTTEN WERE IN THERE. 1417 00:45:37,368 --> 00:45:38,434 EYE THAT SHE HAD FORGOTTEN WERE IN THERE. YOU KNOW YOU MESSED UP WHEN YOUR 1418 00:45:38,436 --> 00:45:40,102 IN THERE. YOU KNOW YOU MESSED UP WHEN YOUR DOCTOR IS LIKE, "HEY, CAN I FILM 1419 00:45:40,104 --> 00:45:40,403 YOU KNOW YOU MESSED UP WHEN YOUR DOCTOR IS LIKE, "HEY, CAN I FILM THIS?" 1420 00:45:40,405 --> 00:45:43,072 DOCTOR IS LIKE, "HEY, CAN I FILM THIS?" [ LAUGHTER ] 1421 00:45:43,074 --> 00:45:44,640 THIS?" [ LAUGHTER ] >>> A NEW STUDY SUGGESTS THAT 1422 00:45:44,642 --> 00:45:47,543 [ LAUGHTER ] >>> A NEW STUDY SUGGESTS THAT THE BENEFITS OF PREVENTIVE 1423 00:45:47,545 --> 00:45:48,744 >>> A NEW STUDY SUGGESTS THAT THE BENEFITS OF PREVENTIVE COLONOSCOPIES MAY BE 1424 00:45:48,746 --> 00:45:49,178 THE BENEFITS OF PREVENTIVE COLONOSCOPIES MAY BE OVERESTIMATED. 1425 00:45:49,180 --> 00:45:49,779 COLONOSCOPIES MAY BE OVERESTIMATED. BUT THE PLEASURES ARE 1426 00:45:49,781 --> 00:45:50,179 OVERESTIMATED. BUT THE PLEASURES ARE UNDENIABLE. 1427 00:45:50,181 --> 00:45:54,083 BUT THE PLEASURES ARE UNDENIABLE. [ LAUGHTER ] 1428 00:45:54,085 --> 00:45:56,219 UNDENIABLE. [ LAUGHTER ] >>> BORDER OFFICIALS HAVE 1429 00:45:56,221 --> 00:45:58,254 [ LAUGHTER ] >>> BORDER OFFICIALS HAVE DISCOVERED $400,000 WORTH OF 1430 00:45:58,256 --> 00:46:00,389 >>> BORDER OFFICIALS HAVE DISCOVERED $400,000 WORTH OF METH HIDDEN INSIDE PUMPKINS. 1431 00:46:00,391 --> 00:46:01,491 DISCOVERED $400,000 WORTH OF METH HIDDEN INSIDE PUMPKINS. THEY COULD TELL THE PUMPKINS 1432 00:46:01,493 --> 00:46:03,626 METH HIDDEN INSIDE PUMPKINS. THEY COULD TELL THE PUMPKINS WERE FULL OF METH BECAUSE THEY 1433 00:46:03,628 --> 00:46:04,260 THEY COULD TELL THE PUMPKINS WERE FULL OF METH BECAUSE THEY ONLY HAD THREE TEETH LEFT. 1434 00:46:04,262 --> 00:46:08,464 WERE FULL OF METH BECAUSE THEY ONLY HAD THREE TEETH LEFT. [ LAUGHTER ] 1435 00:46:08,466 --> 00:46:10,233 ONLY HAD THREE TEETH LEFT. [ LAUGHTER ] >>> THINGS ARE GOING WELL, HERE 1436 00:46:10,235 --> 00:46:12,101 [ LAUGHTER ] >>> THINGS ARE GOING WELL, HERE TO TALK ABOUT HOW HE'S ADJUSTING 1437 00:46:12,103 --> 00:46:14,237 >>> THINGS ARE GOING WELL, HERE TO TALK ABOUT HOW HE'S ADJUSTING IS OUR NEW CAST MEMBER DEVON 1438 00:46:14,239 --> 00:46:14,570 TO TALK ABOUT HOW HE'S ADJUSTING IS OUR NEW CAST MEMBER DEVON WALKER. 1439 00:46:14,572 --> 00:46:24,847 IS OUR NEW CAST MEMBER DEVON WALKER. [ CHEERS AND APPLAUSE ] 1440 00:46:24,849 --> 00:46:26,616 WALKER. [ CHEERS AND APPLAUSE ] >> THANK YOU FOR HAVING ME, CHE. 1441 00:46:26,618 --> 00:46:28,451 [ CHEERS AND APPLAUSE ] >> THANK YOU FOR HAVING ME, CHE. >> ANY TIME, MAN. 1442 00:46:28,453 --> 00:46:29,852 >> THANK YOU FOR HAVING ME, CHE. >> ANY TIME, MAN. HOW'S THIS WHOSE EXPERIENCE BEEN 1443 00:46:29,854 --> 00:46:30,686 >> ANY TIME, MAN. HOW'S THIS WHOSE EXPERIENCE BEEN FOR YOU? 1444 00:46:30,688 --> 00:46:31,454 HOW'S THIS WHOSE EXPERIENCE BEEN FOR YOU? YOU DIGGING NEW YORK? 1445 00:46:31,456 --> 00:46:32,588 FOR YOU? YOU DIGGING NEW YORK? >> NOT REALLY. 1446 00:46:32,590 --> 00:46:34,156 YOU DIGGING NEW YORK? >> NOT REALLY. IF I'M BEING HONEST, I THINK NEW 1447 00:46:34,158 --> 00:46:35,391 >> NOT REALLY. IF I'M BEING HONEST, I THINK NEW YORK'S A LITTLE OVERRATED. 1448 00:46:35,393 --> 00:46:36,158 IF I'M BEING HONEST, I THINK NEW YORK'S A LITTLE OVERRATED. >> WOW. 1449 00:46:36,160 --> 00:46:37,026 YORK'S A LITTLE OVERRATED. >> WOW. WHERE ARE YOU FROM? 1450 00:46:37,028 --> 00:46:37,894 >> WOW. WHERE ARE YOU FROM? >> I'M FROM TEXAS. 1451 00:46:37,896 --> 00:46:38,194 WHERE ARE YOU FROM? >> I'M FROM TEXAS. >> OH. 1452 00:46:38,196 --> 00:46:42,198 >> I'M FROM TEXAS. >> OH. [ CHEERS ] 1453 00:46:42,200 --> 00:46:44,066 >> OH. [ CHEERS ] >> YEAH, I MEAN, HONESTLY -- 1454 00:46:44,068 --> 00:46:45,935 [ CHEERS ] >> YEAH, I MEAN, HONESTLY -- DON'T DO THAT, DON'T DO THAT. 1455 00:46:45,937 --> 00:46:46,936 >> YEAH, I MEAN, HONESTLY -- DON'T DO THAT, DON'T DO THAT. I HATE HOW NEW YORKERS TALK 1456 00:46:46,938 --> 00:46:48,504 DON'T DO THAT, DON'T DO THAT. I HATE HOW NEW YORKERS TALK ABOUT WHERE I'M FROM. 1457 00:46:48,506 --> 00:46:49,572 I HATE HOW NEW YORKERS TALK ABOUT WHERE I'M FROM. EVERY TIME I TELL A NEW YORKER 1458 00:46:49,574 --> 00:46:51,240 ABOUT WHERE I'M FROM. EVERY TIME I TELL A NEW YORKER I'M FROM TEXAS, THEY APOLOGIZE 1459 00:46:51,242 --> 00:46:53,276 EVERY TIME I TELL A NEW YORKER I'M FROM TEXAS, THEY APOLOGIZE TO ME LIKE I FOUGHT IN A WAR. 1460 00:46:53,278 --> 00:46:55,845 I'M FROM TEXAS, THEY APOLOGIZE TO ME LIKE I FOUGHT IN A WAR. EVERY TIME, OH MY GOD, I'M SO 1461 00:46:55,847 --> 00:46:56,546 TO ME LIKE I FOUGHT IN A WAR. EVERY TIME, OH MY GOD, I'M SO SORRY THAT HAPPENED TO YOU. 1462 00:46:56,548 --> 00:46:57,380 EVERY TIME, OH MY GOD, I'M SO SORRY THAT HAPPENED TO YOU. TOUCH LIKE THAT. 1463 00:46:57,382 --> 00:47:00,550 SORRY THAT HAPPENED TO YOU. TOUCH LIKE THAT. TEXAS ISN'T A PERFECT PLACE BUT 1464 00:47:00,552 --> 00:47:01,250 TOUCH LIKE THAT. TEXAS ISN'T A PERFECT PLACE BUT EVERY TIME I STEP OUTSIDE MY 1465 00:47:01,252 --> 00:47:02,151 TEXAS ISN'T A PERFECT PLACE BUT EVERY TIME I STEP OUTSIDE MY APARTMENT IN NEW YORK, I SEE THE 1466 00:47:02,153 --> 00:47:03,619 EVERY TIME I STEP OUTSIDE MY APARTMENT IN NEW YORK, I SEE THE WORST THING I'VE EVER SEEN IN MY 1467 00:47:03,621 --> 00:47:05,421 APARTMENT IN NEW YORK, I SEE THE WORST THING I'VE EVER SEEN IN MY LIFE. 1468 00:47:05,423 --> 00:47:05,821 WORST THING I'VE EVER SEEN IN MY LIFE. [ LAUGHTER ] 1469 00:47:05,823 --> 00:47:06,556 LIFE. [ LAUGHTER ] THAT'S A NORMAL THING TO SEE, 1470 00:47:06,558 --> 00:47:06,923 [ LAUGHTER ] THAT'S A NORMAL THING TO SEE, ALL RIGHT? 1471 00:47:06,925 --> 00:47:08,157 THAT'S A NORMAL THING TO SEE, ALL RIGHT? LIKE ONE TIME I SAW A KID GET 1472 00:47:08,159 --> 00:47:10,626 ALL RIGHT? LIKE ONE TIME I SAW A KID GET INTO A FISTFIGHT WITH A BIRD. 1473 00:47:10,628 --> 00:47:11,027 LIKE ONE TIME I SAW A KID GET INTO A FISTFIGHT WITH A BIRD. [ LAUGHTER ] 1474 00:47:11,029 --> 00:47:11,661 INTO A FISTFIGHT WITH A BIRD. [ LAUGHTER ] AND THE BIRD WAS WINNING. 1475 00:47:11,663 --> 00:47:13,062 [ LAUGHTER ] AND THE BIRD WAS WINNING. [ LAUGHTER ] 1476 00:47:13,064 --> 00:47:18,601 AND THE BIRD WAS WINNING. [ LAUGHTER ] I TOLD MY HOMIE HE WAS FROM THE 1477 00:47:18,603 --> 00:47:20,136 [ LAUGHTER ] I TOLD MY HOMIE HE WAS FROM THE NEIGHBORHOOD, "OH, THAT'S JUST 1478 00:47:20,138 --> 00:47:20,436 I TOLD MY HOMIE HE WAS FROM THE NEIGHBORHOOD, "OH, THAT'S JUST MIKE." 1479 00:47:20,438 --> 00:47:21,070 NEIGHBORHOOD, "OH, THAT'S JUST MIKE." THAT'S WHAT HE SAID. 1480 00:47:21,072 --> 00:47:22,805 MIKE." THAT'S WHAT HE SAID. I DIDN'T KNOW IF HE WAS TALKING 1481 00:47:22,807 --> 00:47:23,806 THAT'S WHAT HE SAID. I DIDN'T KNOW IF HE WAS TALKING ABOUT THE KID OR THE BIRD. 1482 00:47:23,808 --> 00:47:26,609 I DIDN'T KNOW IF HE WAS TALKING ABOUT THE KID OR THE BIRD. YOU SAW THAT IN TEXAS, THEY'D 1483 00:47:26,611 --> 00:47:27,143 ABOUT THE KID OR THE BIRD. YOU SAW THAT IN TEXAS, THEY'D SHUT TEXAS DOWN FOR. 1484 00:47:27,145 --> 00:47:30,112 YOU SAW THAT IN TEXAS, THEY'D SHUT TEXAS DOWN FOR. NOBODY WOULD GO TO SCHOOL OR 1485 00:47:30,114 --> 00:47:30,813 SHUT TEXAS DOWN FOR. NOBODY WOULD GO TO SCHOOL OR ANYTHING, THEY'D HANG OUT AT 1486 00:47:30,815 --> 00:47:32,882 NOBODY WOULD GO TO SCHOOL OR ANYTHING, THEY'D HANG OUT AT HOME UNTIL THE VIBES GOT RIGHT 1487 00:47:32,884 --> 00:47:33,215 ANYTHING, THEY'D HANG OUT AT HOME UNTIL THE VIBES GOT RIGHT AGAIN. 1488 00:47:33,217 --> 00:47:34,650 HOME UNTIL THE VIBES GOT RIGHT AGAIN. >> I'M SURE YOU'LL START TO FIT 1489 00:47:34,652 --> 00:47:34,917 AGAIN. >> I'M SURE YOU'LL START TO FIT IN. 1490 00:47:34,919 --> 00:47:36,352 >> I'M SURE YOU'LL START TO FIT IN. >> CAN I ASK THE AUDIENCE A 1491 00:47:36,354 --> 00:47:36,719 IN. >> CAN I ASK THE AUDIENCE A QUESTION? 1492 00:47:36,721 --> 00:47:37,086 >> CAN I ASK THE AUDIENCE A QUESTION? >> OKAY. 1493 00:47:37,088 --> 00:47:37,987 QUESTION? >> OKAY. >> HEY, GUYS. 1494 00:47:37,989 --> 00:47:40,656 >> OKAY. >> HEY, GUYS. Y'ALL THINK I LOOK LIKE A 1495 00:47:40,658 --> 00:47:43,459 >> HEY, GUYS. Y'ALL THINK I LOOK LIKE A CATCALLER? 1496 00:47:43,461 --> 00:47:44,060 Y'ALL THINK I LOOK LIKE A CATCALLER? >> YEAH! 1497 00:47:44,062 --> 00:47:44,961 CATCALLER? >> YEAH! >> NO! 1498 00:47:44,963 --> 00:47:46,162 >> YEAH! >> NO! >> I DON'T THINK I LOOK LIKE 1499 00:47:46,164 --> 00:47:46,429 >> NO! >> I DON'T THINK I LOOK LIKE ONE. 1500 00:47:46,431 --> 00:47:49,165 >> I DON'T THINK I LOOK LIKE ONE. BUT EVER SINCE I MOVED HERE, 1501 00:47:49,167 --> 00:47:51,634 ONE. BUT EVER SINCE I MOVED HERE, EVERY TIME I SEE A DUDE DOING A 1502 00:47:51,636 --> 00:47:52,501 BUT EVER SINCE I MOVED HERE, EVERY TIME I SEE A DUDE DOING A 1503 00:47:52,503 --> 00:47:53,369 EVERY TIME I SEE A DUDE DOING A 1504 00:47:53,371 --> 00:47:54,537 CATCALL, WE HAVE ON THE EXACT SAME OUTFIT. 1505 00:47:54,539 --> 00:47:55,538 CATCALL, WE HAVE ON THE EXACT SAME OUTFIT. [ LAUGHTER ] 1506 00:47:55,540 --> 00:47:56,505 SAME OUTFIT. [ LAUGHTER ] SOMETIMES I PASS WOMEN ON THE 1507 00:47:56,507 --> 00:47:57,139 [ LAUGHTER ] SOMETIMES I PASS WOMEN ON THE STREET, THEY GO LIKE THAT. 1508 00:47:57,141 --> 00:48:00,242 SOMETIMES I PASS WOMEN ON THE STREET, THEY GO LIKE THAT. [ LAUGHTER ] 1509 00:48:00,244 --> 00:48:01,177 STREET, THEY GO LIKE THAT. [ LAUGHTER ] I KNOW WHY IT HAPPENS. 1510 00:48:01,179 --> 00:48:02,378 [ LAUGHTER ] I KNOW WHY IT HAPPENS. I'M A LARGE MAN. 1511 00:48:02,380 --> 00:48:03,646 I KNOW WHY IT HAPPENS. I'M A LARGE MAN. LARGE MEN BE RESPONSIBLE FOR A 1512 00:48:03,648 --> 00:48:04,880 I'M A LARGE MAN. LARGE MEN BE RESPONSIBLE FOR A LOT OF THE BAD THINGS 1513 00:48:04,882 --> 00:48:05,314 LARGE MEN BE RESPONSIBLE FOR A LOT OF THE BAD THINGS HISTORICALLY. 1514 00:48:05,316 --> 00:48:06,315 LOT OF THE BAD THINGS HISTORICALLY. BUT I'VE BEEN TRYING TO FIGURE 1515 00:48:06,317 --> 00:48:08,284 HISTORICALLY. BUT I'VE BEEN TRYING TO FIGURE OUT HOW TO COMMUNICATE TO THESE 1516 00:48:08,286 --> 00:48:09,518 BUT I'VE BEEN TRYING TO FIGURE OUT HOW TO COMMUNICATE TO THESE WOMEN I'M NOT GOING TO DO 1517 00:48:09,520 --> 00:48:11,253 OUT HOW TO COMMUNICATE TO THESE WOMEN I'M NOT GOING TO DO ANYTHING WEIRD, SO ANY TIME ONE 1518 00:48:11,255 --> 00:48:13,556 WOMEN I'M NOT GOING TO DO ANYTHING WEIRD, SO ANY TIME ONE TRIES TO AVOID ME, I'VE BEEN 1519 00:48:13,558 --> 00:48:16,192 ANYTHING WEIRD, SO ANY TIME ONE TRIES TO AVOID ME, I'VE BEEN "HEY, BABY GIRL, DON'T WORRY 1520 00:48:16,194 --> 00:48:16,959 TRIES TO AVOID ME, I'VE BEEN "HEY, BABY GIRL, DON'T WORRY ABOUT IT, I'M REGULAR." 1521 00:48:16,961 --> 00:48:17,360 "HEY, BABY GIRL, DON'T WORRY ABOUT IT, I'M REGULAR." [ LAUGHTER ] 1522 00:48:17,362 --> 00:48:18,561 ABOUT IT, I'M REGULAR." [ LAUGHTER ] >> WHY ARE YOU WHISPERING? 1523 00:48:18,563 --> 00:48:20,463 [ LAUGHTER ] >> WHY ARE YOU WHISPERING? >> I DON'T KNOW, MY BODY'S BIG, 1524 00:48:20,465 --> 00:48:22,531 >> WHY ARE YOU WHISPERING? >> I DON'T KNOW, MY BODY'S BIG, I'M TRYING TO MAKE MY VOICE 1525 00:48:22,533 --> 00:48:22,865 >> I DON'T KNOW, MY BODY'S BIG, I'M TRYING TO MAKE MY VOICE LITTLE. 1526 00:48:22,867 --> 00:48:24,867 I'M TRYING TO MAKE MY VOICE LITTLE. >> YOU MIGHT BE OVERTHINKING IT. 1527 00:48:24,869 --> 00:48:26,335 LITTLE. >> YOU MIGHT BE OVERTHINKING IT. >> I DON'T THINK I AM. 1528 00:48:26,337 --> 00:48:27,536 >> YOU MIGHT BE OVERTHINKING IT. >> I DON'T THINK I AM. WATCH THIS. 1529 00:48:27,538 --> 00:48:28,704 >> I DON'T THINK I AM. WATCH THIS. HEY, REAL QUICK, WHERE ARE MY 1530 00:48:28,706 --> 00:48:29,805 WATCH THIS. HEY, REAL QUICK, WHERE ARE MY STRAIGHT BOYS AT? 1531 00:48:29,807 --> 00:48:35,511 HEY, REAL QUICK, WHERE ARE MY STRAIGHT BOYS AT? [ LAUGHTER ] 1532 00:48:35,513 --> 00:48:36,345 STRAIGHT BOYS AT? [ LAUGHTER ] YEAH, MORALE IS REAL LOW RIGHT 1533 00:48:36,347 --> 00:48:39,749 [ LAUGHTER ] YEAH, MORALE IS REAL LOW RIGHT NOW, ALL RIGHT? 1534 00:48:39,751 --> 00:48:41,684 YEAH, MORALE IS REAL LOW RIGHT NOW, ALL RIGHT? ODD TO ASK THAT QUESTION IN 19 1535 00:48:41,686 --> 00:48:43,753 NOW, ALL RIGHT? ODD TO ASK THAT QUESTION IN 19 THINGS, THE BUILDING WOULD HAVE 1536 00:48:43,755 --> 00:48:44,120 ODD TO ASK THAT QUESTION IN 19 THINGS, THE BUILDING WOULD HAVE EXPLODED. 1537 00:48:44,122 --> 00:48:45,554 THINGS, THE BUILDING WOULD HAVE EXPLODED. 30 ROCK WOULD BE GONE BECAUSE 1538 00:48:45,556 --> 00:48:47,223 EXPLODED. 30 ROCK WOULD BE GONE BECAUSE THE HETERO BOYS BROUGHT IT DOWN. 1539 00:48:47,225 --> 00:48:49,191 30 ROCK WOULD BE GONE BECAUSE THE HETERO BOYS BROUGHT IT DOWN. WE GET A LOT OF BAD PRESS RIGHT 1540 00:48:49,193 --> 00:48:49,492 THE HETERO BOYS BROUGHT IT DOWN. WE GET A LOT OF BAD PRESS RIGHT NOW. 1541 00:48:49,494 --> 00:48:50,926 WE GET A LOT OF BAD PRESS RIGHT NOW. A LOT OF BAD PRESS. 1542 00:48:50,928 --> 00:48:52,194 NOW. A LOT OF BAD PRESS. I THINK WE CAN CHANGE IT. 1543 00:48:52,196 --> 00:48:53,195 A LOT OF BAD PRESS. I THINK WE CAN CHANGE IT. I THINK CULTURE SHIFT, THAT'S 1544 00:48:53,197 --> 00:48:54,030 I THINK WE CAN CHANGE IT. I THINK CULTURE SHIFT, THAT'S WHAT WE NEED. 1545 00:48:54,032 --> 00:48:55,231 I THINK CULTURE SHIFT, THAT'S WHAT WE NEED. I THINK ALL OF US NEED TO TRY TO 1546 00:48:55,233 --> 00:48:55,998 WHAT WE NEED. I THINK ALL OF US NEED TO TRY TO BE A LITTLE BIT MORE GAY. 1547 00:48:56,000 --> 00:48:59,001 I THINK ALL OF US NEED TO TRY TO BE A LITTLE BIT MORE GAY. [ LAUGHTER ] 1548 00:48:59,003 --> 00:49:00,002 BE A LITTLE BIT MORE GAY. [ LAUGHTER ] >> SAY WHAT? 1549 00:49:00,004 --> 00:49:01,404 [ LAUGHTER ] >> SAY WHAT? >> I SAID WHAT I SAID, MICHAEL, 1550 00:49:01,406 --> 00:49:03,205 >> SAY WHAT? >> I SAID WHAT I SAID, MICHAEL, ALL RIGHT? 1551 00:49:03,207 --> 00:49:04,106 >> I SAID WHAT I SAID, MICHAEL, ALL RIGHT? OUR CULTURE IS BAD, WE NEED A 1552 00:49:04,108 --> 00:49:06,509 ALL RIGHT? OUR CULTURE IS BAD, WE NEED A SHIFT, EVERY SINGLE YEAR 37 OF 1553 00:49:06,511 --> 00:49:08,711 OUR CULTURE IS BAD, WE NEED A SHIFT, EVERY SINGLE YEAR 37 OF MY HOMIES INVITE ME TO BE IN A 1554 00:49:08,713 --> 00:49:09,545 SHIFT, EVERY SINGLE YEAR 37 OF MY HOMIES INVITE ME TO BE IN A FANTASY FOOTBALL LEAGUE. 1555 00:49:09,547 --> 00:49:10,246 MY HOMIES INVITE ME TO BE IN A FANTASY FOOTBALL LEAGUE. I DON'T THINK THE STRAIGHT 1556 00:49:10,248 --> 00:49:11,480 FANTASY FOOTBALL LEAGUE. I DON'T THINK THE STRAIGHT COMMUNITY KNOWS WE DON'T HAVE SO 1557 00:49:11,482 --> 00:49:12,148 I DON'T THINK THE STRAIGHT COMMUNITY KNOWS WE DON'T HAVE SO DO THAT. 1558 00:49:12,150 --> 00:49:12,548 COMMUNITY KNOWS WE DON'T HAVE SO DO THAT. [ LAUGHTER ] 1559 00:49:12,550 --> 00:49:14,083 DO THAT. [ LAUGHTER ] I WANT MY BROTHERS TO BE FREE. 1560 00:49:14,085 --> 00:49:16,318 [ LAUGHTER ] I WANT MY BROTHERS TO BE FREE. NEXT TIME ONE OF MY HOMIES ASKS 1561 00:49:16,320 --> 00:49:18,387 I WANT MY BROTHERS TO BE FREE. NEXT TIME ONE OF MY HOMIES ASKS ME IF I'M DRAFTING TOM BRADY, 1562 00:49:18,389 --> 00:49:19,889 NEXT TIME ONE OF MY HOMIES ASKS ME IF I'M DRAFTING TOM BRADY, "NO, DOG, I'M TRYING TO KISS YOU 1563 00:49:19,891 --> 00:49:21,090 ME IF I'M DRAFTING TOM BRADY, "NO, DOG, I'M TRYING TO KISS YOU ON THE LIPS, ACTUALLY." 1564 00:49:21,092 --> 00:49:22,291 "NO, DOG, I'M TRYING TO KISS YOU ON THE LIPS, ACTUALLY." [ CHEERS ] 1565 00:49:22,293 --> 00:49:24,927 ON THE LIPS, ACTUALLY." [ CHEERS ] >> DEVON WALKER, EVERYBODY! 1566 00:49:24,929 --> 00:49:26,529 [ CHEERS ] >> DEVON WALKER, EVERYBODY! >> MICHAEL CHE! 1567 00:49:51,321 --> 00:49:55,891 FOR THOSE WHO WANT TO GET A BOOTY BOOTY BOOTY BOOTY ROCKING EVERYWHERE, YOU CAME TO THE 1568 00:49:55,893 --> 00:49:58,928 BOOTY BOOTY BOOTY BOOTY ROCKING EVERYWHERE, YOU CAME TO THE RIGHT PLACE. 1569 00:49:58,930 --> 00:49:59,829 EVERYWHERE, YOU CAME TO THE RIGHT PLACE. HERE WE WANT TO GET THOSE 1570 00:49:59,831 --> 00:50:01,931 RIGHT PLACE. HERE WE WANT TO GET THOSE BOOTIES READY FOR HALLOWEEN! 1571 00:50:01,933 --> 00:50:03,566 HERE WE WANT TO GET THOSE BOOTIES READY FOR HALLOWEEN! WHETHER YOU'RE DRESSING UP AS A 1572 00:50:03,568 --> 00:50:06,702 BOOTIES READY FOR HALLOWEEN! WHETHER YOU'RE DRESSING UP AS A SEXY WITCH WITH A FAT ASS OR A 1573 00:50:06,704 --> 00:50:08,270 WHETHER YOU'RE DRESSING UP AS A SEXY WITCH WITH A FAT ASS OR A FIRST RESPONDER WITH A FAT ASS 1574 00:50:08,272 --> 00:50:10,172 SEXY WITCH WITH A FAT ASS OR A FIRST RESPONDER WITH A FAT ASS OR EVEN JEFFREY DAHMER WITH A -- 1575 00:50:10,174 --> 00:50:12,508 FIRST RESPONDER WITH A FAT ASS OR EVEN JEFFREY DAHMER WITH A -- YOU KNOW WHAT I'M ABOUT TO SAY. 1576 00:50:12,510 --> 00:50:13,709 OR EVEN JEFFREY DAHMER WITH A -- YOU KNOW WHAT I'M ABOUT TO SAY. >> FAT ASS! 1577 00:50:13,711 --> 00:50:14,777 YOU KNOW WHAT I'M ABOUT TO SAY. >> FAT ASS! >> ALL RIGHT, NOW. 1578 00:50:14,779 --> 00:50:15,811 >> FAT ASS! >> ALL RIGHT, NOW. IT'S TIME TO SWEAT. 1579 00:50:15,813 --> 00:50:18,914 >> ALL RIGHT, NOW. IT'S TIME TO SWEAT. LET'S START OFF IN A SQUAT AND 1580 00:50:18,916 --> 00:50:19,181 IT'S TIME TO SWEAT. LET'S START OFF IN A SQUAT AND POP. 1581 00:50:19,183 --> 00:50:21,317 LET'S START OFF IN A SQUAT AND POP. AND SQUAT AND POP. 1582 00:50:21,319 --> 00:50:23,285 POP. AND SQUAT AND POP. NOW REMEMBER, WITH A BIG ASS 1583 00:50:23,287 --> 00:50:24,453 AND SQUAT AND POP. NOW REMEMBER, WITH A BIG ASS COMES BIG RESPONSIBILITIES. 1584 00:50:24,455 --> 00:50:28,724 NOW REMEMBER, WITH A BIG ASS COMES BIG RESPONSIBILITIES. IF YOU NEED A MODIFIED VERSION, 1585 00:50:28,726 --> 00:50:33,829 COMES BIG RESPONSIBILITIES. IF YOU NEED A MODIFIED VERSION, TRAIN YOUR EYES TO KEELY KAY. 1586 00:50:33,831 --> 00:50:34,797 IF YOU NEED A MODIFIED VERSION, TRAIN YOUR EYES TO KEELY KAY. >> THAT'S RIGHT, ANYBODY LOOKING 1587 00:50:34,799 --> 00:50:37,099 TRAIN YOUR EYES TO KEELY KAY. >> THAT'S RIGHT, ANYBODY LOOKING NOT TO GET A BUTT, LOOK OUR WAY. 1588 00:50:37,101 --> 00:50:39,201 >> THAT'S RIGHT, ANYBODY LOOKING NOT TO GET A BUTT, LOOK OUR WAY. THAT'S KEELY, THAT'S KALIE KAY, 1589 00:50:39,203 --> 00:50:39,735 NOT TO GET A BUTT, LOOK OUR WAY. THAT'S KEELY, THAT'S KALIE KAY, WE DON'T HAVE BUTTS. 1590 00:50:39,737 --> 00:50:42,071 THAT'S KEELY, THAT'S KALIE KAY, WE DON'T HAVE BUTTS. [ LAUGHTER ] 1591 00:50:42,073 --> 00:50:43,973 WE DON'T HAVE BUTTS. [ LAUGHTER ] THAT'S RIGHT, WE GO FROM BACK TO 1592 00:50:43,975 --> 00:50:47,376 [ LAUGHTER ] THAT'S RIGHT, WE GO FROM BACK TO LEG. 1593 00:50:47,378 --> 00:50:48,210 THAT'S RIGHT, WE GO FROM BACK TO LEG. A DRIVE FROM KANSAS TO IOWA, 1594 00:50:48,212 --> 00:50:50,279 LEG. A DRIVE FROM KANSAS TO IOWA, THAT'S OUR ASS. 1595 00:50:50,281 --> 00:50:50,679 A DRIVE FROM KANSAS TO IOWA, THAT'S OUR ASS. [ LAUGHTER ] 1596 00:50:50,681 --> 00:50:53,215 THAT'S OUR ASS. [ LAUGHTER ] >> OH MY GOD. 1597 00:50:53,217 --> 00:50:56,385 [ LAUGHTER ] >> OH MY GOD. THEY LITERALLY HAVE NO BUTT. 1598 00:50:56,387 --> 00:50:57,052 >> OH MY GOD. THEY LITERALLY HAVE NO BUTT. >> YEAH, IT'S LIKE ACTUALLY 1599 00:50:57,054 --> 00:50:57,386 THEY LITERALLY HAVE NO BUTT. >> YEAH, IT'S LIKE ACTUALLY SPOOKY. 1600 00:50:57,388 --> 00:51:00,222 >> YEAH, IT'S LIKE ACTUALLY SPOOKY. >> OKAY. 1601 00:51:00,224 --> 00:51:04,593 SPOOKY. >> OKAY. NOW TO WORK. 1602 00:51:04,595 --> 00:51:06,595 >> OKAY. NOW TO WORK. EVERYBODY, BUTT WITH THE BIG 1603 00:51:06,597 --> 00:51:06,896 NOW TO WORK. EVERYBODY, BUTT WITH THE BIG BUTT. 1604 00:51:06,898 --> 00:51:08,197 EVERYBODY, BUTT WITH THE BIG BUTT. IF YOU WANT TO -- GIRL, YOU KNOW 1605 00:51:08,199 --> 00:51:09,331 BUTT. IF YOU WANT TO -- GIRL, YOU KNOW WHAT YOU WANT TO DO. 1606 00:51:09,333 --> 00:51:12,802 IF YOU WANT TO -- GIRL, YOU KNOW WHAT YOU WANT TO DO. IF YOU WANT TO SEE KEELY AND 1607 00:51:12,804 --> 00:51:14,436 WHAT YOU WANT TO DO. IF YOU WANT TO SEE KEELY AND KAMMIE KAY, I WILL NOT BE 1608 00:51:14,438 --> 00:51:14,804 IF YOU WANT TO SEE KEELY AND KAMMIE KAY, I WILL NOT BE OFFENDED. 1609 00:51:14,806 --> 00:51:16,272 KAMMIE KAY, I WILL NOT BE OFFENDED. >> NO, I NEED A BUTT, I'M 1610 00:51:16,274 --> 00:51:18,040 OFFENDED. >> NO, I NEED A BUTT, I'M GETTING MARRIED IN A MONTH AND 1611 00:51:18,042 --> 00:51:20,109 >> NO, I NEED A BUTT, I'M GETTING MARRIED IN A MONTH AND I'M TRYING TO DRAG A WAGON DOWN 1612 00:51:20,111 --> 00:51:20,676 GETTING MARRIED IN A MONTH AND I'M TRYING TO DRAG A WAGON DOWN THE AISLE. 1613 00:51:20,678 --> 00:51:22,111 I'M TRYING TO DRAG A WAGON DOWN THE AISLE. >> THE FLOWER GIRL WILL BE ABLE 1614 00:51:22,113 --> 00:51:25,447 THE AISLE. >> THE FLOWER GIRL WILL BE ABLE TO SIT ON YOUR ASS. 1615 00:51:25,449 --> 00:51:27,283 >> THE FLOWER GIRL WILL BE ABLE TO SIT ON YOUR ASS. DROP YOUR LOAD, DROP YOUR LOAD. 1616 00:51:27,285 --> 00:51:29,418 TO SIT ON YOUR ASS. DROP YOUR LOAD, DROP YOUR LOAD. AND ONCE AGAIN, FROM MY FLAT 1617 00:51:29,420 --> 00:51:31,187 DROP YOUR LOAD, DROP YOUR LOAD. AND ONCE AGAIN, FROM MY FLAT BUTT ARMY? 1618 00:51:31,189 --> 00:51:33,088 AND ONCE AGAIN, FROM MY FLAT BUTT ARMY? DROP IT HIGH, DROP IT HIGH, DROP 1619 00:51:33,090 --> 00:51:34,023 BUTT ARMY? DROP IT HIGH, DROP IT HIGH, DROP IT HEAT. 1620 00:51:34,025 --> 00:51:35,357 DROP IT HIGH, DROP IT HIGH, DROP IT HEAT. >> ALL RIGHT, NOW. 1621 00:51:35,359 --> 00:51:37,226 IT HEAT. >> ALL RIGHT, NOW. BIG BOOTY, WIGGLE WITH IT, 1622 00:51:37,228 --> 00:51:37,693 >> ALL RIGHT, NOW. BIG BOOTY, WIGGLE WITH IT, WIGGLE WITH IT. 1623 00:51:37,695 --> 00:51:41,397 BIG BOOTY, WIGGLE WITH IT, WIGGLE WITH IT. [ CHEERS AND APPLAUSE ] 1624 00:51:41,399 --> 00:51:44,466 WIGGLE WITH IT. [ CHEERS AND APPLAUSE ] >> TINY BOOTY, GET LITTLE WITH 1625 00:51:44,468 --> 00:51:46,602 [ CHEERS AND APPLAUSE ] >> TINY BOOTY, GET LITTLE WITH IT, GET LITTLE WITH IT, LITTLE, 1626 00:51:46,604 --> 00:51:48,170 >> TINY BOOTY, GET LITTLE WITH IT, GET LITTLE WITH IT, LITTLE, LITTLE, LITTLE, LITTLE, LITTLE. 1627 00:51:48,172 --> 00:51:48,904 IT, GET LITTLE WITH IT, LITTLE, LITTLE, LITTLE, LITTLE, LITTLE. LITTLE, LITTLE, LITTLE, LITTLE 1628 00:51:48,906 --> 00:51:52,908 LITTLE, LITTLE, LITTLE, LITTLE. LITTLE, LITTLE, LITTLE, LITTLE WITH IT. 1629 00:51:52,910 --> 00:51:54,977 LITTLE, LITTLE, LITTLE, LITTLE WITH IT. SAG THE ASS, RELEASE THE 1630 00:51:54,979 --> 00:51:55,311 WITH IT. SAG THE ASS, RELEASE THE TENSION. 1631 00:51:55,313 --> 00:51:57,613 SAG THE ASS, RELEASE THE TENSION. SAG THE ASS, RELEASE THE 1632 00:51:57,615 --> 00:51:57,980 TENSION. SAG THE ASS, RELEASE THE TENSION. 1633 00:51:57,982 --> 00:51:58,814 SAG THE ASS, RELEASE THE TENSION. >> SAG THE ASS? 1634 00:51:58,816 --> 00:52:01,717 TENSION. >> SAG THE ASS? >> WHAT IS THAT EVEN 1635 00:52:01,719 --> 00:52:02,451 >> SAG THE ASS? >> WHAT IS THAT EVEN ACCOMPLISHING? 1636 00:52:02,453 --> 00:52:07,356 >> WHAT IS THAT EVEN ACCOMPLISHING? >> RIGHT NOW FOR YOUR BIG-BONED 1637 00:52:07,358 --> 00:52:07,890 ACCOMPLISHING? >> RIGHT NOW FOR YOUR BIG-BONED 1638 00:52:07,892 --> 00:52:09,758 >> RIGHT NOW FOR YOUR BIG-BONED 1639 00:52:09,760 --> 00:52:12,328 BITCHES, I DON'T WANT YOU SEE YOU GRABBING QUARTER POUNDERS, I 1640 00:52:12,330 --> 00:52:13,229 BITCHES, I DON'T WANT YOU SEE YOU GRABBING QUARTER POUNDERS, I WANT YOU SLINGING TEN POUNDERS. 1641 00:52:13,231 --> 00:52:17,233 YOU GRABBING QUARTER POUNDERS, I WANT YOU SLINGING TEN POUNDERS. >> DROP YOUR WAIST. 1642 00:52:17,235 --> 00:52:18,767 WANT YOU SLINGING TEN POUNDERS. >> DROP YOUR WAIST. WIGGLE YOUR OWN SUB. 1643 00:52:18,769 --> 00:52:19,602 >> DROP YOUR WAIST. WIGGLE YOUR OWN SUB. DROP IT LOW. 1644 00:52:19,604 --> 00:52:20,669 WIGGLE YOUR OWN SUB. DROP IT LOW. GRAB IT LOW. 1645 00:52:20,671 --> 00:52:21,704 DROP IT LOW. GRAB IT LOW. GET SEXY WITH IT. 1646 00:52:21,706 --> 00:52:24,139 GRAB IT LOW. GET SEXY WITH IT. DROP IT LOW. 1647 00:52:24,141 --> 00:52:24,540 GET SEXY WITH IT. DROP IT LOW. [ LAUGHTER ] 1648 00:52:24,542 --> 00:52:26,108 DROP IT LOW. [ LAUGHTER ] >> ALL RIGHT, MY APPLE BOTTOM. 1649 00:52:26,110 --> 00:52:28,177 [ LAUGHTER ] >> ALL RIGHT, MY APPLE BOTTOM. GRAB YOUR KNEES AND WORK YOUR 1650 00:52:28,179 --> 00:52:28,477 >> ALL RIGHT, MY APPLE BOTTOM. GRAB YOUR KNEES AND WORK YOUR HIPS. 1651 00:52:28,479 --> 00:52:29,311 GRAB YOUR KNEES AND WORK YOUR HIPS. AND WORK IT. 1652 00:52:29,313 --> 00:52:29,678 HIPS. AND WORK IT. [ CHEERS ] 1653 00:52:29,680 --> 00:52:36,685 AND WORK IT. [ CHEERS ] AND WORK IT. 1654 00:52:36,687 --> 00:52:37,786 [ CHEERS ] AND WORK IT. >> GRAB YOUR PARTNER AND PUNCH 1655 00:52:37,788 --> 00:52:38,787 AND WORK IT. >> GRAB YOUR PARTNER AND PUNCH THEM IN THE BUTT. 1656 00:52:38,789 --> 00:52:40,089 >> GRAB YOUR PARTNER AND PUNCH THEM IN THE BUTT. >> SHE'S YOUR BEST FRIEND SO 1657 00:52:40,091 --> 00:52:42,892 THEM IN THE BUTT. >> SHE'S YOUR BEST FRIEND SO SMASH THAT ASS DOWN. 1658 00:52:42,894 --> 00:52:46,262 >> SHE'S YOUR BEST FRIEND SO SMASH THAT ASS DOWN. >> BUTT-BUTT-BUTT-BUTTA! 1659 00:52:46,264 --> 00:52:46,862 SMASH THAT ASS DOWN. >> BUTT-BUTT-BUTT-BUTTA! >> THAT CAN'T BE A REAL 1660 00:52:46,864 --> 00:52:50,366 >> BUTT-BUTT-BUTT-BUTTA! >> THAT CAN'T BE A REAL EXERCISE. 1661 00:52:50,368 --> 00:52:50,666 >> THAT CAN'T BE A REAL EXERCISE. OKAY. 1662 00:52:50,668 --> 00:52:54,470 EXERCISE. OKAY. SO IT SEEMS LIKE SOME OF Y'ALL 1663 00:52:54,472 --> 00:52:55,771 OKAY. SO IT SEEMS LIKE SOME OF Y'ALL ARE LOOKING AT BOOTY OVER THERE. 1664 00:52:55,773 --> 00:52:58,908 SO IT SEEMS LIKE SOME OF Y'ALL ARE LOOKING AT BOOTY OVER THERE. THAT'S OKAY. 1665 00:52:58,910 --> 00:52:59,375 ARE LOOKING AT BOOTY OVER THERE. THAT'S OKAY. THAT'S TOO LOW. 1666 00:52:59,377 --> 00:53:03,279 THAT'S OKAY. THAT'S TOO LOW. >> ATTENTION! 1667 00:53:03,281 --> 00:53:04,747 THAT'S TOO LOW. >> ATTENTION! LINE IT UP! 1668 00:53:04,749 --> 00:53:05,881 >> ATTENTION! LINE IT UP! OH, OH! 1669 00:53:05,883 --> 00:53:06,815 LINE IT UP! OH, OH! LINE IT UP! 1670 00:53:06,817 --> 00:53:08,384 OH, OH! LINE IT UP! THAT'S RIGHT. 1671 00:53:08,386 --> 00:53:11,754 LINE IT UP! THAT'S RIGHT. IF YOU FEEL OUR MICRO CHEEKS, 1672 00:53:11,756 --> 00:53:12,855 THAT'S RIGHT. IF YOU FEEL OUR MICRO CHEEKS, YOU'RE IN THE GAME. 1673 00:53:12,857 --> 00:53:14,156 IF YOU FEEL OUR MICRO CHEEKS, YOU'RE IN THE GAME. CHEEKS, CHEEKS, YOU'RE IN THE 1674 00:53:14,158 --> 00:53:14,623 YOU'RE IN THE GAME. CHEEKS, CHEEKS, YOU'RE IN THE GAME. 1675 00:53:14,625 --> 00:53:15,557 CHEEKS, CHEEKS, YOU'RE IN THE GAME. CHEEKS, CHEEKS, YOU'RE IN THE 1676 00:53:15,559 --> 00:53:15,858 GAME. CHEEKS, CHEEKS, YOU'RE IN THE GAME. 1677 00:53:15,860 --> 00:53:18,027 CHEEKS, CHEEKS, YOU'RE IN THE GAME. >> STOP! 1678 00:53:18,029 --> 00:53:19,528 GAME. >> STOP! >> YOU'RE IN THE GAME -- 1679 00:53:19,530 --> 00:53:23,465 >> STOP! >> YOU'RE IN THE GAME -- >> STOP WIPING YOUR ASSES ON US! 1680 00:53:23,467 --> 00:53:23,999 >> YOU'RE IN THE GAME -- >> STOP WIPING YOUR ASSES ON US! >> GET REAL. 1681 00:53:24,001 --> 00:53:25,501 >> STOP WIPING YOUR ASSES ON US! >> GET REAL. >> DON'T EVEN THINK ABOUT IT. 1682 00:53:25,503 --> 00:53:27,236 >> GET REAL. >> DON'T EVEN THINK ABOUT IT. I WILL SUE YOUR FLAT ASS. 1683 00:53:27,238 --> 00:53:28,871 >> DON'T EVEN THINK ABOUT IT. I WILL SUE YOUR FLAT ASS. COME ON, Y'ALL. 1684 00:53:28,873 --> 00:53:29,605 I WILL SUE YOUR FLAT ASS. COME ON, Y'ALL. BE NICE. 1685 00:53:29,607 --> 00:53:32,141 COME ON, Y'ALL. BE NICE. KEELY AND KAYLIE ARE MY FRIENDS. 1686 00:53:32,143 --> 00:53:34,009 BE NICE. KEELY AND KAYLIE ARE MY FRIENDS. THEY TOOK MY CLASS FOR SIX 1687 00:53:34,011 --> 00:53:34,410 KEELY AND KAYLIE ARE MY FRIENDS. THEY TOOK MY CLASS FOR SIX YEARS. 1688 00:53:34,412 --> 00:53:35,311 THEY TOOK MY CLASS FOR SIX YEARS. >> YOU SHOULD GIVE THEM THEIR 1689 00:53:35,313 --> 00:53:35,711 YEARS. >> YOU SHOULD GIVE THEM THEIR MONEY BACK. 1690 00:53:35,713 --> 00:53:37,279 >> YOU SHOULD GIVE THEM THEIR MONEY BACK. [ LAUGHTER ] 1691 00:53:37,281 --> 00:53:37,613 MONEY BACK. [ LAUGHTER ] >> WOW. 1692 00:53:37,615 --> 00:53:40,683 [ LAUGHTER ] >> WOW. AND THE BODY SHAMING CONTINUES. 1693 00:53:40,685 --> 00:53:41,650 >> WOW. AND THE BODY SHAMING CONTINUES. BUT YOU'RE RIGHT. 1694 00:53:41,652 --> 00:53:44,453 AND THE BODY SHAMING CONTINUES. BUT YOU'RE RIGHT. WE HAVE UGLY, FLAT BUTTS. 1695 00:53:44,455 --> 00:53:47,489 BUT YOU'RE RIGHT. WE HAVE UGLY, FLAT BUTTS. SORRY WE'RE NOT KARDASHIANS. 1696 00:53:47,491 --> 00:53:47,890 WE HAVE UGLY, FLAT BUTTS. SORRY WE'RE NOT KARDASHIANS. [ LAUGHTER ] 1697 00:53:47,892 --> 00:53:49,325 SORRY WE'RE NOT KARDASHIANS. [ LAUGHTER ] >> OUR BACK SIDES ARE BASICALLY 1698 00:53:49,327 --> 00:53:50,259 [ LAUGHTER ] >> OUR BACK SIDES ARE BASICALLY PAPER PLATES. 1699 00:53:50,261 --> 00:53:54,797 >> OUR BACK SIDES ARE BASICALLY PAPER PLATES. WE WEREN'T GIFTED WITH THE 1700 00:53:54,799 --> 00:53:56,498 PAPER PLATES. WE WEREN'T GIFTED WITH THE GENETICS OF IGGY AMELIA. 1701 00:53:56,500 --> 00:53:58,367 WE WEREN'T GIFTED WITH THE GENETICS OF IGGY AMELIA. >> MAYBE WE SHOULD JUST LEAVE. 1702 00:53:58,369 --> 00:54:01,637 GENETICS OF IGGY AMELIA. >> MAYBE WE SHOULD JUST LEAVE. >> NO, YOUR DEPLETED WHOOPEE 1703 00:54:01,639 --> 00:54:04,206 >> MAYBE WE SHOULD JUST LEAVE. >> NO, YOUR DEPLETED WHOOPEE CUSHIONS ARE NOT GOING ANYWHERE. 1704 00:54:04,208 --> 00:54:05,708 >> NO, YOUR DEPLETED WHOOPEE CUSHIONS ARE NOT GOING ANYWHERE. I'M GOING TO LET YOU LEAD THE 1705 00:54:05,710 --> 00:54:07,476 CUSHIONS ARE NOT GOING ANYWHERE. I'M GOING TO LET YOU LEAD THE CLASS WITH THOSE FLAT ASSES. 1706 00:54:07,478 --> 00:54:08,344 I'M GOING TO LET YOU LEAD THE CLASS WITH THOSE FLAT ASSES. >> THANKS! 1707 00:54:08,346 --> 00:54:10,546 CLASS WITH THOSE FLAT ASSES. >> THANKS! >> HIT OUR MUSIC! 1708 00:54:10,548 --> 00:54:12,781 >> THANKS! >> HIT OUR MUSIC! >> IF YOU THINK THIS IS "THE 1709 00:54:12,783 --> 00:54:13,849 >> HIT OUR MUSIC! >> IF YOU THINK THIS IS "THE PIRATES OF THE CARIBBEAN" MUSIC, 1710 00:54:13,851 --> 00:54:16,485 >> IF YOU THINK THIS IS "THE PIRATES OF THE CARIBBEAN" MUSIC, YOU'RE TOTALLY RIGHT. 1711 00:54:16,487 --> 00:54:19,254 PIRATES OF THE CARIBBEAN" MUSIC, YOU'RE TOTALLY RIGHT. NOW BUTT-BUTT-BUTT-BUTTA! 1712 00:54:19,256 --> 00:54:48,183 YOU'RE TOTALLY RIGHT. NOW BUTT-BUTT-BUTT-BUTTA! [ CHEERS AND APPLAUSE ] 1713 00:54:48,185 --> 00:54:49,518 NOW BUTT-BUTT-BUTT-BUTTA! [ CHEERS AND APPLAUSE ] >>> ONCE AGAIN, MEGAN THEE 1714 00:54:49,520 --> 00:54:49,885 [ CHEERS AND APPLAUSE ] >>> ONCE AGAIN, MEGAN THEE STALLION! 1715 00:54:49,887 --> 00:54:53,756 >>> ONCE AGAIN, MEGAN THEE STALLION! [ CHEERS AND APPLAUSE ] 1716 00:54:55,558 --> 00:55:25,020 ♪ ♪ ♪ 1717 00:55:25,022 --> 00:55:25,354 ♪ ♪ ♪ 1718 00:55:25,356 --> 00:55:29,425 ♪ ♪ ♪ 1719 00:55:29,427 --> 00:55:33,595 ♪ ♪ >> WHAT'S UP SNL HOTTIES? 1720 00:55:33,597 --> 00:55:37,166 ♪ >> WHAT'S UP SNL HOTTIES? WHAT'S UP, HOTTIES AT HOME? 1721 00:55:37,168 --> 00:55:38,167 >> WHAT'S UP SNL HOTTIES? WHAT'S UP, HOTTIES AT HOME? ♪ I AIN'T PERFECT 1722 00:55:38,169 --> 00:55:38,934 WHAT'S UP, HOTTIES AT HOME? ♪ I AIN'T PERFECT BUT ANYTHING I DID ♪ 1723 00:55:38,936 --> 00:55:39,902 ♪ I AIN'T PERFECT BUT ANYTHING I DID ♪ ♪ TO ANY OF YOU 1724 00:55:39,904 --> 00:55:40,669 BUT ANYTHING I DID ♪ ♪ TO ANY OF YOU Y'ALL DESERVED IT ♪ 1725 00:55:40,671 --> 00:55:41,637 ♪ TO ANY OF YOU Y'ALL DESERVED IT ♪ ♪ YOU SEE ME IN THAT MODE 1726 00:55:41,639 --> 00:55:42,404 Y'ALL DESERVED IT ♪ ♪ YOU SEE ME IN THAT MODE DON'T DISTURB ME 1727 00:55:42,406 --> 00:55:43,172 ♪ YOU SEE ME IN THAT MODE DON'T DISTURB ME WHEN I'M WORKIN' ♪ 1728 00:55:43,174 --> 00:55:43,939 DON'T DISTURB ME WHEN I'M WORKIN' ♪ ♪ YOU BETTER BACK UP 1729 00:55:43,941 --> 00:55:44,907 WHEN I'M WORKIN' ♪ ♪ YOU BETTER BACK UP DON'T KNOW WHAT BE 1730 00:55:44,909 --> 00:55:45,908 ♪ YOU BETTER BACK UP DON'T KNOW WHAT BE IN THESE PURSES ♪ 1731 00:55:45,910 --> 00:55:46,675 DON'T KNOW WHAT BE IN THESE PURSES ♪ ♪ AND I AIN'T SAY 1732 00:55:46,677 --> 00:55:47,409 IN THESE PURSES ♪ ♪ AND I AIN'T SAY EXCUSE ME, 'CAUSE I DID 1733 00:55:47,411 --> 00:55:48,043 ♪ AND I AIN'T SAY EXCUSE ME, 'CAUSE I DID THAT ON PURPOSE, YEAH ♪ 1734 00:55:48,045 --> 00:55:48,677 EXCUSE ME, 'CAUSE I DID THAT ON PURPOSE, YEAH ♪ ♪ YOU SEE A STAR 1735 00:55:48,679 --> 00:55:49,411 THAT ON PURPOSE, YEAH ♪ ♪ YOU SEE A STAR UP IN THIS ♪ 1736 00:55:49,413 --> 00:55:50,179 ♪ YOU SEE A STAR UP IN THIS ♪ ♪ YOU KNOW I BROUGHT 1737 00:55:50,181 --> 00:55:51,947 UP IN THIS ♪ ♪ YOU KNOW I BROUGHT A 100 BLACK CARS IN THIS ♪ 1738 00:55:51,949 --> 00:55:52,681 ♪ YOU KNOW I BROUGHT A 100 BLACK CARS IN THIS ♪ ♪ KNEES FREAK 1739 00:55:52,683 --> 00:55:53,649 A 100 BLACK CARS IN THIS ♪ ♪ KNEES FREAK I DON'T LIKE NOBODY 1740 00:55:53,651 --> 00:55:54,950 ♪ KNEES FREAK I DON'T LIKE NOBODY TOUCHIN' ON MY ♪ 1741 00:55:54,952 --> 00:55:55,684 I DON'T LIKE NOBODY TOUCHIN' ON MY ♪ ♪ SO YOU KNOW I HAD TO BRING 1742 00:55:55,686 --> 00:55:57,686 TOUCHIN' ON MY ♪ ♪ SO YOU KNOW I HAD TO BRING MY OWN BOTTLES IN THIS ♪ 1743 00:55:57,688 --> 00:55:58,921 ♪ SO YOU KNOW I HAD TO BRING MY OWN BOTTLES IN THIS ♪ ♪ RIDIN' BY MYSELF SHOPPIN' 1744 00:55:58,923 --> 00:56:00,923 MY OWN BOTTLES IN THIS ♪ ♪ RIDIN' BY MYSELF SHOPPIN' BAG IN THE BACKSEAT ♪ 1745 00:56:00,925 --> 00:56:01,690 ♪ RIDIN' BY MYSELF SHOPPIN' BAG IN THE BACKSEAT ♪ ♪ WITH THE MONEY TO THEY EAR 1746 00:56:01,692 --> 00:56:02,925 BAG IN THE BACKSEAT ♪ ♪ WITH THE MONEY TO THEY EAR DON'T ATTRACT ME ♪ 1747 00:56:02,927 --> 00:56:04,193 ♪ WITH THE MONEY TO THEY EAR DON'T ATTRACT ME ♪ ♪ FLY OUT THE COUNTRY 1748 00:56:04,195 --> 00:56:06,428 DON'T ATTRACT ME ♪ ♪ FLY OUT THE COUNTRY LET A PRINCE BAG ME ♪ 1749 00:56:06,430 --> 00:56:07,396 ♪ FLY OUT THE COUNTRY LET A PRINCE BAG ME ♪ ♪ NYMPHO, WANNA DO A 1750 00:56:07,398 --> 00:56:08,697 LET A PRINCE BAG ME ♪ ♪ NYMPHO, WANNA DO A POCKETS NASTY ♪ 1751 00:56:08,699 --> 00:56:09,698 ♪ NYMPHO, WANNA DO A POCKETS NASTY ♪ ♪ HATIN' ON ME 1752 00:56:09,700 --> 00:56:10,699 POCKETS NASTY ♪ ♪ HATIN' ON ME BUT IT'S COOL, LOVE ME ♪ 1753 00:56:10,701 --> 00:56:11,667 ♪ HATIN' ON ME BUT IT'S COOL, LOVE ME ♪ ♪ BODY BANGIN' 1754 00:56:11,669 --> 00:56:12,701 BUT IT'S COOL, LOVE ME ♪ ♪ BODY BANGIN' I AIN'T HAD TO LET 1755 00:56:12,703 --> 00:56:13,669 ♪ BODY BANGIN' I AIN'T HAD TO LET THE DOCTOR CUT ME ♪ 1756 00:56:13,671 --> 00:56:14,903 I AIN'T HAD TO LET THE DOCTOR CUT ME ♪ ♪ SICK OF BEIN' HUMBLE 1757 00:56:14,905 --> 00:56:15,671 THE DOCTOR CUT ME ♪ ♪ SICK OF BEIN' HUMBLE 'CAUSE YOU DON'T 1758 00:56:15,673 --> 00:56:16,672 ♪ SICK OF BEIN' HUMBLE 'CAUSE YOU DON'T RESPECT THAT ♪ 1759 00:56:16,674 --> 00:56:17,439 'CAUSE YOU DON'T RESPECT THAT ♪ ♪ AND THE NEXT ONE OF Y'ALL 1760 00:56:17,441 --> 00:56:18,407 RESPECT THAT ♪ ♪ AND THE NEXT ONE OF Y'ALL WANNA GET BOLD 1761 00:56:18,409 --> 00:56:19,675 ♪ AND THE NEXT ONE OF Y'ALL WANNA GET BOLD I'M GON' CHECK THAT ♪ 1762 00:56:19,677 --> 00:56:20,676 WANNA GET BOLD I'M GON' CHECK THAT ♪ ♪ AND THE NEXT ONE OF Y'ALL 1763 00:56:20,678 --> 00:56:21,677 I'M GON' CHECK THAT ♪ ♪ AND THE NEXT ONE OF Y'ALL BLOGS WANNA SPREAD LIES 1764 00:56:21,679 --> 00:56:22,411 ♪ AND THE NEXT ONE OF Y'ALL BLOGS WANNA SPREAD LIES I'M GON' SUE YOU ♪ 1765 00:56:22,413 --> 00:56:23,412 BLOGS WANNA SPREAD LIES I'M GON' SUE YOU ♪ ♪ AND THE NEXT -- 1766 00:56:23,414 --> 00:56:24,179 I'M GON' SUE YOU ♪ ♪ AND THE NEXT -- THAT BREAK MY NDA 1767 00:56:24,181 --> 00:56:24,913 ♪ AND THE NEXT -- THAT BREAK MY NDA THEY GOIN' FOR YOU TOO ♪ 1768 00:56:24,915 --> 00:56:25,681 THAT BREAK MY NDA THEY GOIN' FOR YOU TOO ♪ ♪ NOW LISTEN TO ME 1769 00:56:25,683 --> 00:56:26,415 THEY GOIN' FOR YOU TOO ♪ ♪ NOW LISTEN TO ME 'CAUSE I'M GIVIN' 1770 00:56:26,417 --> 00:56:27,182 ♪ NOW LISTEN TO ME 'CAUSE I'M GIVIN' YOU A WARNING ♪ 1771 00:56:27,184 --> 00:56:28,183 'CAUSE I'M GIVIN' YOU A WARNING ♪ ♪ YOU GON' HAVE TO PAY ME 1772 00:56:28,185 --> 00:56:29,685 YOU A WARNING ♪ ♪ YOU GON' HAVE TO PAY ME FOREVER TRYNA BE CORNY ♪ 1773 00:56:29,687 --> 00:56:33,188 ♪ YOU GON' HAVE TO PAY ME FOREVER TRYNA BE CORNY ♪ ♪ I'M FROM THE CITY 1774 00:56:33,190 --> 00:56:34,423 FOREVER TRYNA BE CORNY ♪ ♪ I'M FROM THE CITY OF THE DRINK SIPPERS ♪ 1775 00:56:34,425 --> 00:56:35,157 ♪ I'M FROM THE CITY OF THE DRINK SIPPERS ♪ ♪ SLIDIN', RIDIN' 1776 00:56:35,159 --> 00:56:36,658 OF THE DRINK SIPPERS ♪ ♪ SLIDIN', RIDIN' PAINT DRIPPERS ♪ 1777 00:56:36,660 --> 00:56:37,426 ♪ SLIDIN', RIDIN' PAINT DRIPPERS ♪ ♪ SO BAD GOT THE 1778 00:56:37,428 --> 00:56:38,160 PAINT DRIPPERS ♪ ♪ SO BAD GOT THE FAMOUS STAGE DIPPERS ♪ 1779 00:56:38,162 --> 00:56:38,794 ♪ SO BAD GOT THE FAMOUS STAGE DIPPERS ♪ ♪ POPPIN' ALL THE MUSIC 1780 00:56:38,796 --> 00:56:39,428 FAMOUS STAGE DIPPERS ♪ ♪ POPPIN' ALL THE MUSIC SO YOU KNOW 1781 00:56:39,430 --> 00:56:40,195 ♪ POPPIN' ALL THE MUSIC SO YOU KNOW I'M KINDA SCREWED UP ♪ 1782 00:56:40,197 --> 00:56:40,929 SO YOU KNOW I'M KINDA SCREWED UP ♪ ♪ WRIST SO ICY 1783 00:56:40,931 --> 00:56:41,663 I'M KINDA SCREWED UP ♪ ♪ WRIST SO ICY TURN A DRANK INTO 1784 00:56:41,665 --> 00:56:42,431 ♪ WRIST SO ICY TURN A DRANK INTO A COOL CUP ♪ 1785 00:56:42,433 --> 00:56:43,198 TURN A DRANK INTO A COOL CUP ♪ ♪ GOIN' THROUGH SO SOME 1786 00:56:43,200 --> 00:56:43,899 A COOL CUP ♪ ♪ GOIN' THROUGH SO SOME SO I GOTTA STAY BUSY ♪ 1787 00:56:43,901 --> 00:56:44,900 ♪ GOIN' THROUGH SO SOME SO I GOTTA STAY BUSY ♪ ♪ BOUGHT A 'RARI 1788 00:56:44,902 --> 00:56:45,667 SO I GOTTA STAY BUSY ♪ ♪ BOUGHT A 'RARI I CAN'T LET THE -- ♪ 1789 00:56:45,669 --> 00:56:46,401 ♪ BOUGHT A 'RARI I CAN'T LET THE -- ♪ ♪ I'M THINKIN' 1790 00:56:46,403 --> 00:56:47,169 I CAN'T LET THE -- ♪ ♪ I'M THINKIN' CATCH UP WITH ME ♪ 1791 00:56:47,171 --> 00:56:47,903 ♪ I'M THINKIN' CATCH UP WITH ME ♪ ♪ IF THEY SAY THEY SEE ME 1792 00:56:47,905 --> 00:56:48,670 CATCH UP WITH ME ♪ ♪ IF THEY SAY THEY SEE ME OUTSIDE OF A BOOKIE 1793 00:56:48,672 --> 00:56:49,438 ♪ IF THEY SAY THEY SEE ME OUTSIDE OF A BOOKIE THEN THAT WAS KIZZY ♪ 1794 00:56:49,440 --> 00:56:50,172 OUTSIDE OF A BOOKIE THEN THAT WAS KIZZY ♪ ♪ BARELY BE AT HOME 1795 00:56:50,174 --> 00:56:50,939 THEN THAT WAS KIZZY ♪ ♪ BARELY BE AT HOME BUT I STILL PUT ON 1796 00:56:50,941 --> 00:56:53,408 ♪ BARELY BE AT HOME BUT I STILL PUT ON FOR MY CITY ♪ 1797 00:56:53,410 --> 00:56:56,979 BUT I STILL PUT ON FOR MY CITY ♪ ♪ WHERE THE REAL -- AT 1798 00:56:56,981 --> 00:56:58,180 FOR MY CITY ♪ ♪ WHERE THE REAL -- AT I'M GONNA BRING 1799 00:56:58,182 --> 00:56:58,914 ♪ WHERE THE REAL -- AT I'M GONNA BRING REAL -- BACK ♪ 1800 00:56:58,916 --> 00:56:59,681 I'M GONNA BRING REAL -- BACK ♪ ♪ WHERE'S ALL THE 1801 00:56:59,683 --> 00:57:00,415 REAL -- BACK ♪ ♪ WHERE'S ALL THE REAL WOMEN AT ♪ 1802 00:57:00,417 --> 00:57:01,150 ♪ WHERE'S ALL THE REAL WOMEN AT ♪ ♪ FREE THE GUYS 1803 00:57:01,152 --> 00:57:02,684 REAL WOMEN AT ♪ ♪ FREE THE GUYS BRING THE REAL -- BACK ♪ 1804 00:57:02,686 --> 00:57:05,087 ♪ FREE THE GUYS BRING THE REAL -- BACK ♪ ♪ WHERE THE REAL -- AT 1805 00:57:05,089 --> 00:57:07,589 BRING THE REAL -- BACK ♪ ♪ WHERE THE REAL -- AT I'M GONNA BRING REAL WOMEN 1806 00:57:07,591 --> 00:57:08,891 ♪ WHERE THE REAL -- AT I'M GONNA BRING REAL WOMEN BACK ♪ 1807 00:57:08,893 --> 00:57:10,893 I'M GONNA BRING REAL WOMEN BACK ♪ ♪ WHERE'S ALL THE 1808 00:57:10,895 --> 00:57:11,894 BACK ♪ ♪ WHERE'S ALL THE REAL WOMEN AT ♪ 1809 00:57:11,896 --> 00:57:13,896 ♪ WHERE'S ALL THE REAL WOMEN AT ♪ ♪ FREE THE GUYS 1810 00:57:13,898 --> 00:57:18,167 REAL WOMEN AT ♪ ♪ FREE THE GUYS BRING THE REAL MEN BACK ♪ 1811 00:57:18,169 --> 00:57:19,168 ♪ FREE THE GUYS BRING THE REAL MEN BACK ♪ ♪ DEAR BROKE BOY 1812 00:57:19,170 --> 00:57:19,902 BRING THE REAL MEN BACK ♪ ♪ DEAR BROKE BOY STILL CAN'T BELIEVE 1813 00:57:19,904 --> 00:57:21,403 ♪ DEAR BROKE BOY STILL CAN'T BELIEVE I USED TO MESS WITH YA ♪ 1814 00:57:21,405 --> 00:57:22,171 STILL CAN'T BELIEVE I USED TO MESS WITH YA ♪ ♪ POPPING PLAN B'S 1815 00:57:22,173 --> 00:57:23,438 I USED TO MESS WITH YA ♪ ♪ POPPING PLAN B'S 'CAUSE I AIN'T PLANNED 1816 00:57:23,440 --> 00:57:24,439 ♪ POPPING PLAN B'S 'CAUSE I AIN'T PLANNED TO BE STUCK WITH YA ♪ 1817 00:57:24,441 --> 00:57:25,407 'CAUSE I AIN'T PLANNED TO BE STUCK WITH YA ♪ ♪ MAN, I SEE YOU 1818 00:57:25,409 --> 00:57:28,377 TO BE STUCK WITH YA ♪ ♪ MAN, I SEE YOU STILL KICK IT WITH 1819 00:57:28,379 --> 00:57:29,444 ♪ MAN, I SEE YOU STILL KICK IT WITH THEM OPS ♪ 1820 00:57:29,446 --> 00:57:30,179 STILL KICK IT WITH THEM OPS ♪ ♪ I'M THE ONLY REASON 1821 00:57:30,181 --> 00:57:30,712 THEM OPS ♪ ♪ I'M THE ONLY REASON THAT YOUR GOOFY SELF 1822 00:57:30,714 --> 00:57:31,413 ♪ I'M THE ONLY REASON THAT YOUR GOOFY SELF GOT WOMEN ♪ 1823 00:57:31,415 --> 00:57:31,947 THAT YOUR GOOFY SELF GOT WOMEN ♪ ♪ ALL THEM GIRLS 1824 00:57:31,949 --> 00:57:32,681 GOT WOMEN ♪ ♪ ALL THEM GIRLS WANNA LOOK LIKE ME ♪ 1825 00:57:32,683 --> 00:57:33,415 ♪ ALL THEM GIRLS WANNA LOOK LIKE ME ♪ ♪ SHE MOST LIKELY 1826 00:57:33,417 --> 00:57:33,949 WANNA LOOK LIKE ME ♪ ♪ SHE MOST LIKELY ONLY MESSED WITH YOU 1827 00:57:33,951 --> 00:57:34,917 ♪ SHE MOST LIKELY ONLY MESSED WITH YOU JUST TO SPITE ME ♪ 1828 00:57:34,919 --> 00:57:35,651 ONLY MESSED WITH YOU JUST TO SPITE ME ♪ ♪ BUT PLEASE DON'T 1829 00:57:35,653 --> 00:57:36,418 JUST TO SPITE ME ♪ ♪ BUT PLEASE DON'T GET IT TWISTED 1830 00:57:36,420 --> 00:57:40,255 ♪ BUT PLEASE DON'T GET IT TWISTED I AIN'T TRIPPING ♪ 1831 00:57:40,257 --> 00:57:41,924 GET IT TWISTED I AIN'T TRIPPING ♪ ♪ I NEVER PUT MY FACE IN IT ♪ 1832 00:57:41,926 --> 00:57:42,658 I AIN'T TRIPPING ♪ ♪ I NEVER PUT MY FACE IN IT ♪ ♪ IF YOU WAS WONDERING 1833 00:57:42,660 --> 00:57:43,425 ♪ I NEVER PUT MY FACE IN IT ♪ ♪ IF YOU WAS WONDERING YEAH, BOY 1834 00:57:43,427 --> 00:57:44,193 ♪ IF YOU WAS WONDERING YEAH, BOY I'M STILL THAT CHICK ♪ 1835 00:57:44,195 --> 00:57:44,893 YEAH, BOY I'M STILL THAT CHICK ♪ ♪ I HAD TO BLOCK YOU 1836 00:57:44,895 --> 00:57:47,596 I'M STILL THAT CHICK ♪ ♪ I HAD TO BLOCK YOU BUT YOU STILL GOTTA 1837 00:57:47,598 --> 00:57:48,564 ♪ I HAD TO BLOCK YOU BUT YOU STILL GOTTA WATCH THIS ♪ 1838 00:57:48,566 --> 00:57:49,298 BUT YOU STILL GOTTA WATCH THIS ♪ ♪ 'CAUSE WHO YOU KNOW 1839 00:57:49,300 --> 00:57:50,532 WATCH THIS ♪ ♪ 'CAUSE WHO YOU KNOW ROCK IT LIKE ME ♪ 1840 00:57:50,534 --> 00:57:52,968 ♪ 'CAUSE WHO YOU KNOW ROCK IT LIKE ME ♪ ♪ NO BRA, TIGHT TEES 1841 00:57:52,970 --> 00:57:54,169 ROCK IT LIKE ME ♪ ♪ NO BRA, TIGHT TEES HEY SLICK BACK PONYTAIL 1842 00:57:54,171 --> 00:57:54,836 ♪ NO BRA, TIGHT TEES HEY SLICK BACK PONYTAIL FEELING LIKE I'M ICE-T ♪ 1843 00:57:54,838 --> 00:57:55,537 HEY SLICK BACK PONYTAIL FEELING LIKE I'M ICE-T ♪ ♪ YOU KNOW I LOVE YOU GOOD 1844 00:57:55,539 --> 00:57:55,904 FEELING LIKE I'M ICE-T ♪ ♪ YOU KNOW I LOVE YOU GOOD REAL HOOD 1845 00:57:55,906 --> 00:57:56,672 ♪ YOU KNOW I LOVE YOU GOOD REAL HOOD WHEN YOU WAKE UP ♪ 1846 00:57:56,674 --> 00:57:57,272 REAL HOOD WHEN YOU WAKE UP ♪ ♪ YOU KNOW THAT GIRL 1847 00:57:57,274 --> 00:57:57,906 WHEN YOU WAKE UP ♪ ♪ YOU KNOW THAT GIRL WEAK IF SHE AIN'T 1848 00:57:57,908 --> 00:57:58,674 ♪ YOU KNOW THAT GIRL WEAK IF SHE AIN'T MESSING UP HER MAKEUP ♪ 1849 00:57:58,676 --> 00:57:59,675 WEAK IF SHE AIN'T MESSING UP HER MAKEUP ♪ ♪ MAN, I CAN'T BELIEVE 1850 00:57:59,677 --> 00:58:00,442 MESSING UP HER MAKEUP ♪ ♪ MAN, I CAN'T BELIEVE I USED TO LET YOU TOUCH ME ♪ 1851 00:58:00,444 --> 00:58:03,612 ♪ MAN, I CAN'T BELIEVE I USED TO LET YOU TOUCH ME ♪ ♪ I'D RATHER BE IN JAIL 1852 00:58:03,614 --> 00:58:06,048 I USED TO LET YOU TOUCH ME ♪ ♪ I'D RATHER BE IN JAIL BEFORE A BROKE BOY ♪ 1853 00:58:06,050 --> 00:58:06,782 ♪ I'D RATHER BE IN JAIL BEFORE A BROKE BOY ♪ ♪ LADIES, LOVE YOURSELF 1854 00:58:06,784 --> 00:58:07,549 BEFORE A BROKE BOY ♪ ♪ LADIES, LOVE YOURSELF 'CAUSE THIS COULD GET UGLY ♪ 1855 00:58:07,551 --> 00:58:08,283 ♪ LADIES, LOVE YOURSELF 'CAUSE THIS COULD GET UGLY ♪ ♪ THAT'S WHY IT'S -- 1856 00:58:08,285 --> 00:58:09,284 'CAUSE THIS COULD GET UGLY ♪ ♪ THAT'S WHY IT'S -- GET MONEY ♪ 1857 00:58:09,286 --> 00:58:10,285 ♪ THAT'S WHY IT'S -- GET MONEY ♪ ♪ AND I DON'T GIVE A 1858 00:58:10,287 --> 00:58:12,287 GET MONEY ♪ ♪ AND I DON'T GIVE A IF THAT -- LEAVE TONIGHT ♪ 1859 00:58:12,289 --> 00:58:13,055 ♪ AND I DON'T GIVE A IF THAT -- LEAVE TONIGHT ♪ ♪ BECAUSE -- THAT -- 1860 00:58:13,057 --> 00:58:14,022 IF THAT -- LEAVE TONIGHT ♪ ♪ BECAUSE -- THAT -- DON'T RUN ME ♪ 1861 00:58:14,024 --> 00:58:15,057 ♪ BECAUSE -- THAT -- DON'T RUN ME ♪ ♪ YOU BETTER 1862 00:58:15,059 --> 00:58:15,791 DON'T RUN ME ♪ ♪ YOU BETTER GET ON YOUR KNEES 1863 00:58:15,793 --> 00:58:16,792 ♪ YOU BETTER GET ON YOUR KNEES AND EAT THIS -- RIGHT ♪ 1864 00:58:16,794 --> 00:58:18,060 GET ON YOUR KNEES AND EAT THIS -- RIGHT ♪ ♪ BEFORE I HAVE ANOTHER 1865 00:58:18,062 --> 00:58:20,028 AND EAT THIS -- RIGHT ♪ ♪ BEFORE I HAVE ANOTHER DO IT FOR ME ♪ 1866 00:58:20,030 --> 00:58:21,296 ♪ BEFORE I HAVE ANOTHER DO IT FOR ME ♪ ♪ BECAUSE -- DON'T RUN ME 1867 00:58:21,298 --> 00:58:24,299 DO IT FOR ME ♪ ♪ BECAUSE -- DON'T RUN ME I RUN -- 1868 00:58:24,301 --> 00:58:29,037 ♪ BECAUSE -- DON'T RUN ME I RUN -- YEAH, YOU'S A -- ♪ 1869 00:58:29,039 --> 00:58:29,805 I RUN -- YEAH, YOU'S A -- ♪ ♪ SUIT IN MY MEETING 1870 00:58:29,807 --> 00:58:30,539 YEAH, YOU'S A -- ♪ ♪ SUIT IN MY MEETING WAGYU STEAK WHEN I'M EATING ♪ 1871 00:58:30,541 --> 00:58:31,173 ♪ SUIT IN MY MEETING WAGYU STEAK WHEN I'M EATING ♪ ♪ MAKING SO MUCH MONEY 1872 00:58:31,175 --> 00:58:31,807 WAGYU STEAK WHEN I'M EATING ♪ ♪ MAKING SO MUCH MONEY THIS BOY IS DUMB 1873 00:58:31,809 --> 00:58:32,541 ♪ MAKING SO MUCH MONEY THIS BOY IS DUMB IF HE'S CHEATING ♪ 1874 00:58:32,543 --> 00:58:33,141 THIS BOY IS DUMB IF HE'S CHEATING ♪ ♪ CHICKS IS WATCHING 1875 00:58:33,143 --> 00:58:33,775 IF HE'S CHEATING ♪ ♪ CHICKS IS WATCHING AND HATING 1876 00:58:33,777 --> 00:58:34,576 ♪ CHICKS IS WATCHING AND HATING PUT THAT -- IN THEY FACES ♪ 1877 00:58:34,578 --> 00:58:35,310 AND HATING PUT THAT -- IN THEY FACES ♪ ♪ I'LL BUY 1878 00:58:35,312 --> 00:58:37,613 PUT THAT -- IN THEY FACES ♪ ♪ I'LL BUY THE WHOLE BUILDING ♪ 1879 00:58:37,615 --> 00:58:38,814 ♪ I'LL BUY THE WHOLE BUILDING ♪ ♪ AND KEEP THEM GIRLS 1880 00:58:38,816 --> 00:58:39,514 THE WHOLE BUILDING ♪ ♪ AND KEEP THEM GIRLS IN THEY PLACES ♪ 1881 00:58:39,516 --> 00:58:40,282 ♪ AND KEEP THEM GIRLS IN THEY PLACES ♪ ♪ HE SUBMERGED IN IT 1882 00:58:40,284 --> 00:58:40,816 IN THEY PLACES ♪ ♪ HE SUBMERGED IN IT LIKE A BAPTISM ♪ 1883 00:58:40,818 --> 00:58:41,583 ♪ HE SUBMERGED IN IT LIKE A BAPTISM ♪ ♪ HE HIT THIS WATER 1884 00:58:41,585 --> 00:58:42,117 LIKE A BAPTISM ♪ ♪ HE HIT THIS WATER THEN HE COMING BACK 1885 00:58:42,119 --> 00:58:42,784 ♪ HE HIT THIS WATER THEN HE COMING BACK A REAL -- ♪ 1886 00:58:42,786 --> 00:58:43,785 THEN HE COMING BACK A REAL -- ♪ ♪ HOW YOU WANT A -- 1887 00:58:43,787 --> 00:58:49,291 A REAL -- ♪ ♪ HOW YOU WANT A -- BUT DON'T WANNA WORK ♪ 1888 00:58:49,293 --> 00:58:49,891 ♪ HOW YOU WANT A -- BUT DON'T WANNA WORK ♪ ♪ HOW YOU WANT A HEY 1889 00:58:49,893 --> 00:58:50,559 BUT DON'T WANNA WORK ♪ ♪ HOW YOU WANT A HEY THAT YOU DON'T DESERVE ♪ 1890 00:58:50,561 --> 00:58:51,059 ♪ HOW YOU WANT A HEY THAT YOU DON'T DESERVE ♪ ♪ TOLD BOY "NO" 1891 00:58:51,061 --> 00:58:51,793 THAT YOU DON'T DESERVE ♪ ♪ TOLD BOY "NO" THE FIRST TIME ♪ 1892 00:58:51,795 --> 00:58:52,527 ♪ TOLD BOY "NO" THE FIRST TIME ♪ ♪ TRIED TO SPARE 1893 00:58:52,529 --> 00:58:53,295 THE FIRST TIME ♪ ♪ TRIED TO SPARE THIS MAN'S FEELINGS ♪ 1894 00:58:53,297 --> 00:58:54,096 ♪ TRIED TO SPARE THIS MAN'S FEELINGS ♪ ♪ NOW HE THINK 1895 00:58:54,098 --> 00:58:55,063 THIS MAN'S FEELINGS ♪ ♪ NOW HE THINK HE HURTING MINE ♪ 1896 00:58:55,065 --> 00:58:55,831 ♪ NOW HE THINK HE HURTING MINE ♪ ♪ AND I BE AT WORK 1897 00:58:55,833 --> 00:58:56,798 HE HURTING MINE ♪ ♪ AND I BE AT WORK WHILE YOU SLEEP ♪ 1898 00:58:56,800 --> 00:58:57,566 ♪ AND I BE AT WORK WHILE YOU SLEEP ♪ ♪ MY COOKIE IS THE MOST 1899 00:58:57,568 --> 00:58:58,533 WHILE YOU SLEEP ♪ ♪ MY COOKIE IS THE MOST EXPENSIVE MEAL 1900 00:58:58,535 --> 00:59:00,302 ♪ MY COOKIE IS THE MOST EXPENSIVE MEAL YOU'LL EVER EAT ♪ 1901 00:59:00,304 --> 00:59:01,303 EXPENSIVE MEAL YOU'LL EVER EAT ♪ ♪ STILL CAN'T BELIEVE 1902 00:59:01,305 --> 00:59:02,271 YOU'LL EVER EAT ♪ ♪ STILL CAN'T BELIEVE I USED TO TRUST YOU ♪ 1903 00:59:02,273 --> 00:59:03,572 ♪ STILL CAN'T BELIEVE I USED TO TRUST YOU ♪ ♪ THE ONLY ACCOLADE 1904 00:59:03,574 --> 00:59:04,539 I USED TO TRUST YOU ♪ ♪ THE ONLY ACCOLADE YOU EVER MADE 1905 00:59:04,541 --> 00:59:06,808 ♪ THE ONLY ACCOLADE YOU EVER MADE IS THAT I -- YOU ♪ 1906 00:59:06,810 --> 00:59:07,542 YOU EVER MADE IS THAT I -- YOU ♪ ♪ YOU A -- 1907 00:59:07,544 --> 00:59:08,310 IS THAT I -- YOU ♪ ♪ YOU A -- IF YOU GET THE CHANCE 1908 00:59:08,312 --> 00:59:09,011 ♪ YOU A -- IF YOU GET THE CHANCE I BET YOU SNITCH ♪ 1909 00:59:09,013 --> 00:59:09,778 IF YOU GET THE CHANCE I BET YOU SNITCH ♪ ♪ YOU'LL NEVER GET A CHANCE 1910 00:59:09,780 --> 00:59:11,513 I BET YOU SNITCH ♪ ♪ YOU'LL NEVER GET A CHANCE TO TELL ME -- HEY ♪ 1911 00:59:11,515 --> 00:59:12,281 ♪ YOU'LL NEVER GET A CHANCE TO TELL ME -- HEY ♪ ♪ LADIES, LOVE YOURSELF 1912 00:59:12,283 --> 00:59:14,049 TO TELL ME -- HEY ♪ ♪ LADIES, LOVE YOURSELF 'CAUSE THIS COULD GET UGLY ♪ 1913 00:59:14,051 --> 00:59:14,816 ♪ LADIES, LOVE YOURSELF 'CAUSE THIS COULD GET UGLY ♪ ♪ THAT'S WHY IT'S 1914 00:59:14,818 --> 00:59:15,550 'CAUSE THIS COULD GET UGLY ♪ ♪ THAT'S WHY IT'S GET MONEY ♪ 1915 00:59:15,552 --> 00:59:17,052 ♪ THAT'S WHY IT'S GET MONEY ♪ ♪ AND I DON'T GIVE A -- 1916 00:59:17,054 --> 00:59:18,553 GET MONEY ♪ ♪ AND I DON'T GIVE A -- IF THAT -- LEAVE TONIGHT ♪ 1917 00:59:18,555 --> 00:59:20,322 ♪ AND I DON'T GIVE A -- IF THAT -- LEAVE TONIGHT ♪ ♪ BECAUSE -- THAT -- 1918 00:59:20,324 --> 00:59:21,523 IF THAT -- LEAVE TONIGHT ♪ ♪ BECAUSE -- THAT -- DON'T RUN ME ♪ 1919 00:59:21,525 --> 00:59:22,557 ♪ BECAUSE -- THAT -- DON'T RUN ME ♪ ♪ YOU BETTER GET 1920 00:59:22,559 --> 00:59:23,792 DON'T RUN ME ♪ ♪ YOU BETTER GET ON YOUR KNEES 1921 00:59:23,794 --> 00:59:24,793 ♪ YOU BETTER GET ON YOUR KNEES AND EAT THIS -- RIGHT ♪ 1922 00:59:24,795 --> 00:59:25,794 ON YOUR KNEES AND EAT THIS -- RIGHT ♪ ♪ BEFORE I HAVE ANOTHER 1923 00:59:25,796 --> 00:59:27,562 AND EAT THIS -- RIGHT ♪ ♪ BEFORE I HAVE ANOTHER DO IT FOR ME ♪ 1924 00:59:27,564 --> 00:59:28,797 ♪ BEFORE I HAVE ANOTHER DO IT FOR ME ♪ ♪ BECAUSE -- DON'T RUN ME 1925 00:59:28,799 --> 00:59:30,299 DO IT FOR ME ♪ ♪ BECAUSE -- DON'T RUN ME I RUN -- 1926 00:59:30,301 --> 00:59:33,068 ♪ BECAUSE -- DON'T RUN ME I RUN -- ♪ YEAH 1927 00:59:33,070 --> 00:59:35,804 I RUN -- ♪ YEAH YOU'S A -- ♪ 1928 00:59:35,806 --> 00:59:48,016 ♪ YEAH YOU'S A -- ♪ ♪ 1929 00:59:48,018 --> 01:00:06,318 YOU'S A -- ♪ ♪ [ CHEERS AND APPLAUSE ] 1930 01:00:06,320 --> 01:00:07,552 ♪ [ CHEERS AND APPLAUSE ] >>> IT'S ALREADY FALL. 1931 01:00:07,554 --> 01:00:08,387 [ CHEERS AND APPLAUSE ] >>> IT'S ALREADY FALL. WINTER WILL BE HERE SOON. 1932 01:00:08,389 --> 01:00:10,389 >>> IT'S ALREADY FALL. WINTER WILL BE HERE SOON. >> RIGHT NOW, MILLIONS OF CHILLY 1933 01:00:10,391 --> 01:00:13,525 WINTER WILL BE HERE SOON. >> RIGHT NOW, MILLIONS OF CHILLY WOMEN ARE SITTING IN THEIR VERY 1934 01:00:13,527 --> 01:00:15,527 >> RIGHT NOW, MILLIONS OF CHILLY WOMEN ARE SITTING IN THEIR VERY DRAFTY APARTMENTS WITHOUT 1935 01:00:15,529 --> 01:00:15,927 WOMEN ARE SITTING IN THEIR VERY DRAFTY APARTMENTS WITHOUT BOYFRIENDS. 1936 01:00:15,929 --> 01:00:20,699 DRAFTY APARTMENTS WITHOUT BOYFRIENDS. ♪ HALLELUJAH HALLELUJAH ♪ 1937 01:00:20,701 --> 01:00:22,034 BOYFRIENDS. ♪ HALLELUJAH HALLELUJAH ♪ >> YOU CAN HELP. 1938 01:00:22,036 --> 01:00:25,203 ♪ HALLELUJAH HALLELUJAH ♪ >> YOU CAN HELP. FOR ONLY $1 A DAY, YOU CAN 1939 01:00:25,205 --> 01:00:28,373 >> YOU CAN HELP. FOR ONLY $1 A DAY, YOU CAN PROVIDE GIANT, BROKEN-IN MEN 1940 01:00:28,375 --> 01:00:30,709 FOR ONLY $1 A DAY, YOU CAN PROVIDE GIANT, BROKEN-IN MEN SWEATSHIRTS WHERE A SINGLE GIRL 1941 01:00:30,711 --> 01:00:31,476 PROVIDE GIANT, BROKEN-IN MEN SWEATSHIRTS WHERE A SINGLE GIRL CAN GET COLD EASY. 1942 01:00:31,478 --> 01:00:33,278 SWEATSHIRTS WHERE A SINGLE GIRL CAN GET COLD EASY. >> I BROKE UP WITH RYAN RIGHT 1943 01:00:33,280 --> 01:00:34,780 CAN GET COLD EASY. >> I BROKE UP WITH RYAN RIGHT AROUND THE TIME IT STARTED 1944 01:00:34,782 --> 01:00:35,781 >> I BROKE UP WITH RYAN RIGHT AROUND THE TIME IT STARTED GETTING NIPPY. 1945 01:00:35,783 --> 01:00:38,250 AROUND THE TIME IT STARTED GETTING NIPPY. >> I CAN LITERALLY SEE MY OWN 1946 01:00:38,252 --> 01:00:39,618 GETTING NIPPY. >> I CAN LITERALLY SEE MY OWN BREATH, THAT'S HOW COLD IT IS. 1947 01:00:39,620 --> 01:00:44,389 >> I CAN LITERALLY SEE MY OWN BREATH, THAT'S HOW COLD IT IS. ♪ HALLELUJAH HALLELUJAH ♪ 1948 01:00:44,391 --> 01:00:46,358 BREATH, THAT'S HOW COLD IT IS. ♪ HALLELUJAH HALLELUJAH ♪ >> EVERY GIANT SWEATSHIRT 1949 01:00:46,360 --> 01:00:47,759 ♪ HALLELUJAH HALLELUJAH ♪ >> EVERY GIANT SWEATSHIRT FEATURES A UNIQUE BOYFRIEND 1950 01:00:47,761 --> 01:00:49,895 >> EVERY GIANT SWEATSHIRT FEATURES A UNIQUE BOYFRIEND DESIGN, LIKE NEW ENGLAND 1951 01:00:49,897 --> 01:00:54,332 FEATURES A UNIQUE BOYFRIEND DESIGN, LIKE NEW ENGLAND PATRIOTS, SLIPKNOT, DUNDER 1952 01:00:54,334 --> 01:00:54,699 DESIGN, LIKE NEW ENGLAND PATRIOTS, SLIPKNOT, DUNDER MIFFLIN. 1953 01:00:54,701 --> 01:00:56,768 PATRIOTS, SLIPKNOT, DUNDER MIFFLIN. >> I RAN INTO MY EX AT A COFFEE 1954 01:00:56,770 --> 01:00:58,437 MIFFLIN. >> I RAN INTO MY EX AT A COFFEE SHOP. 1955 01:00:58,439 --> 01:00:59,971 >> I RAN INTO MY EX AT A COFFEE SHOP. HE HAD THE NERVE TO ASK ME, 1956 01:00:59,973 --> 01:01:01,339 SHOP. HE HAD THE NERVE TO ASK ME, "ISN'T THAT MY SWEATSHIRT?" 1957 01:01:01,341 --> 01:01:01,673 HE HAD THE NERVE TO ASK ME, "ISN'T THAT MY SWEATSHIRT?" IT WAS. 1958 01:01:01,675 --> 01:01:03,575 "ISN'T THAT MY SWEATSHIRT?" IT WAS. CAN YOU BELIEVE HIM CALLING ME 1959 01:01:03,577 --> 01:01:03,842 IT WAS. CAN YOU BELIEVE HIM CALLING ME OUT? 1960 01:01:03,844 --> 01:01:05,610 CAN YOU BELIEVE HIM CALLING ME OUT? IF YOU DIDN'T WANT ME TO STEAL 1961 01:01:05,612 --> 01:01:06,678 OUT? IF YOU DIDN'T WANT ME TO STEAL YOUR SWEATSHIRT, THEN WHY WAS IT 1962 01:01:06,680 --> 01:01:10,715 IF YOU DIDN'T WANT ME TO STEAL YOUR SWEATSHIRT, THEN WHY WAS IT IN YOUR CLOSET? 1963 01:01:10,717 --> 01:01:14,453 YOUR SWEATSHIRT, THEN WHY WAS IT IN YOUR CLOSET? ♪ LIVING IN A GANGSTA'S 1964 01:01:14,455 --> 01:01:15,020 IN YOUR CLOSET? ♪ LIVING IN A GANGSTA'S PARADISE ♪ 1965 01:01:15,022 --> 01:01:17,322 ♪ LIVING IN A GANGSTA'S PARADISE ♪ >> I WENT TO A LAUNDROMAT, 1966 01:01:17,324 --> 01:01:19,124 PARADISE ♪ >> I WENT TO A LAUNDROMAT, OPENED A DRYER, AND GRABBED A 1967 01:01:19,126 --> 01:01:19,991 >> I WENT TO A LAUNDROMAT, OPENED A DRYER, AND GRABBED A GUY'S STUFF. 1968 01:01:19,993 --> 01:01:21,626 OPENED A DRYER, AND GRABBED A GUY'S STUFF. HE CHASE MED FOR BLOCKS. 1969 01:01:21,628 --> 01:01:23,562 GUY'S STUFF. HE CHASE MED FOR BLOCKS. >> I'M GOING TO SAY IT. 1970 01:01:23,564 --> 01:01:24,596 HE CHASE MED FOR BLOCKS. >> I'M GOING TO SAY IT. I MISS DUTCH OVENS. 1971 01:01:24,598 --> 01:01:25,831 >> I'M GOING TO SAY IT. I MISS DUTCH OVENS. >> ME TOO. 1972 01:01:25,833 --> 01:01:27,499 I MISS DUTCH OVENS. >> ME TOO. >> HEY, TOM. 1973 01:01:27,501 --> 01:01:30,402 >> ME TOO. >> HEY, TOM. >> CALL ST. ANDREW'S CENTER FOR 1974 01:01:30,404 --> 01:01:32,104 >> HEY, TOM. >> CALL ST. ANDREW'S CENTER FOR SHIVERING GIRLS AND HELP 1975 01:01:32,106 --> 01:01:32,471 >> CALL ST. ANDREW'S CENTER FOR SHIVERING GIRLS AND HELP SOMEONE. 1976 01:01:32,473 --> 01:01:33,238 SHIVERING GIRLS AND HELP SOMEONE. >> WHAT AM I SUPPOSED TO WEAR TO 1977 01:01:33,240 --> 01:01:33,705 SOMEONE. >> WHAT AM I SUPPOSED TO WEAR TO WALK THE DOG? 1978 01:01:33,707 --> 01:01:49,688 >> WHAT AM I SUPPOSED TO WEAR TO WALK THE DOG? [ CHEERS AND APPLAUSE ] 1979 01:01:49,690 --> 01:01:51,890 WALK THE DOG? [ CHEERS AND APPLAUSE ] [ BELL RINGS ] 1980 01:01:51,892 --> 01:01:52,390 [ CHEERS AND APPLAUSE ] [ BELL RINGS ] >>> HEY! 1981 01:01:52,392 --> 01:01:53,225 [ BELL RINGS ] >>> HEY! >> GET UP, GET UP! 1982 01:01:53,227 --> 01:01:55,560 >>> HEY! >> GET UP, GET UP! ♪ 1983 01:01:55,562 --> 01:01:56,728 >> GET UP, GET UP! ♪ >> TURN THAT MUSIC OFF AND SIT 1984 01:01:56,730 --> 01:02:03,001 ♪ >> TURN THAT MUSIC OFF AND SIT IN YOUR SEATS! 1985 01:02:03,003 --> 01:02:10,775 >> TURN THAT MUSIC OFF AND SIT IN YOUR SEATS! MY NAME IS MS. FINK. 1986 01:02:10,777 --> 01:02:12,344 IN YOUR SEATS! MY NAME IS MS. FINK. AND I WILL BE YOUR SUBSTITUTE 1987 01:02:12,346 --> 01:02:13,178 MY NAME IS MS. FINK. AND I WILL BE YOUR SUBSTITUTE TEACHER TODAY. 1988 01:02:13,180 --> 01:02:14,412 AND I WILL BE YOUR SUBSTITUTE TEACHER TODAY. NOW, I DON'T KNOW WHAT YOUR 1989 01:02:14,414 --> 01:02:16,548 TEACHER TODAY. NOW, I DON'T KNOW WHAT YOUR REGULAR TEACHER DOES DURING THIS 1990 01:02:16,550 --> 01:02:19,985 NOW, I DON'T KNOW WHAT YOUR REGULAR TEACHER DOES DURING THIS CLASS, BUT I AM HERE TO 1991 01:02:19,987 --> 01:02:20,352 REGULAR TEACHER DOES DURING THIS CLASS, BUT I AM HERE TO INSTRUCT. 1992 01:02:20,354 --> 01:02:23,788 CLASS, BUT I AM HERE TO INSTRUCT. AND YOU ARE HERE TO LEARN. 1993 01:02:23,790 --> 01:02:24,523 INSTRUCT. AND YOU ARE HERE TO LEARN. AND THERE IS ONE MORE THING YOU 1994 01:02:24,525 --> 01:02:26,658 AND YOU ARE HERE TO LEARN. AND THERE IS ONE MORE THING YOU SHOULD KNOW. 1995 01:02:26,660 --> 01:02:27,826 AND THERE IS ONE MORE THING YOU SHOULD KNOW. I BELIEVE IN YOU. 1996 01:02:27,828 --> 01:02:32,097 SHOULD KNOW. I BELIEVE IN YOU. ♪ 1997 01:02:32,099 --> 01:02:33,031 I BELIEVE IN YOU. ♪ NOW, I DON'T CARE WHAT YOU'VE 1998 01:02:33,033 --> 01:02:36,234 ♪ NOW, I DON'T CARE WHAT YOU'VE BEEN TOLD YOUR WHOLE LIVES. 1999 01:02:36,236 --> 01:02:40,572 NOW, I DON'T CARE WHAT YOU'VE BEEN TOLD YOUR WHOLE LIVES. YOU ARE NOT DUMB. 2000 01:02:40,574 --> 01:02:43,775 BEEN TOLD YOUR WHOLE LIVES. YOU ARE NOT DUMB. YOU ARE NOT A LOST CAUSE. 2001 01:02:43,777 --> 01:02:46,244 YOU ARE NOT DUMB. YOU ARE NOT A LOST CAUSE. MAYBE EVERYONE IN YOUR LIFE 2002 01:02:46,246 --> 01:02:47,012 YOU ARE NOT A LOST CAUSE. MAYBE EVERYONE IN YOUR LIFE THINKS IT'S HIGH SCHOOL, THEN 2003 01:02:47,014 --> 01:02:49,447 MAYBE EVERYONE IN YOUR LIFE THINKS IT'S HIGH SCHOOL, THEN THE STREETS, THEN PRISON. 2004 01:02:49,449 --> 01:02:52,417 THINKS IT'S HIGH SCHOOL, THEN THE STREETS, THEN PRISON. BUT NOT ME. 2005 01:02:52,419 --> 01:02:53,985 THE STREETS, THEN PRISON. BUT NOT ME. WHEN I LOOK AT THIS ROOM, I 2006 01:02:53,987 --> 01:02:56,421 BUT NOT ME. WHEN I LOOK AT THIS ROOM, I DON'T SEE THUGS. 2007 01:02:56,423 --> 01:03:00,125 WHEN I LOOK AT THIS ROOM, I DON'T SEE THUGS. I DON'T SEE DUMMIES. 2008 01:03:00,127 --> 01:03:02,327 DON'T SEE THUGS. I DON'T SEE DUMMIES. I SEE A GROUP OF YOUNG PEOPLE 2009 01:03:02,329 --> 01:03:04,229 I DON'T SEE DUMMIES. I SEE A GROUP OF YOUNG PEOPLE WHOSE ONLY FAULT WAS BEING BORN 2010 01:03:04,231 --> 01:03:07,933 I SEE A GROUP OF YOUNG PEOPLE WHOSE ONLY FAULT WAS BEING BORN THE WRONG COLOR IN THIS COUNTRY. 2011 01:03:07,935 --> 01:03:09,568 WHOSE ONLY FAULT WAS BEING BORN THE WRONG COLOR IN THIS COUNTRY. SO YES, YOU MAY BE DUMB TODAY. 2012 01:03:09,570 --> 01:03:14,539 THE WRONG COLOR IN THIS COUNTRY. SO YES, YOU MAY BE DUMB TODAY. [ LAUGHTER ] 2013 01:03:14,541 --> 01:03:16,341 SO YES, YOU MAY BE DUMB TODAY. [ LAUGHTER ] BUT WHAT YOU ARE TOMORROW STARTS 2014 01:03:16,343 --> 01:03:19,578 [ LAUGHTER ] BUT WHAT YOU ARE TOMORROW STARTS RIGHT HERE IN THIS CLASSROOM. 2015 01:03:19,580 --> 01:03:20,512 BUT WHAT YOU ARE TOMORROW STARTS RIGHT HERE IN THIS CLASSROOM. AM I UNDERSTOOD? 2016 01:03:20,514 --> 01:03:20,845 RIGHT HERE IN THIS CLASSROOM. AM I UNDERSTOOD? >> YES. 2017 01:03:20,847 --> 01:03:21,179 AM I UNDERSTOOD? >> YES. >> YES. 2018 01:03:21,181 --> 01:03:24,115 >> YES. >> YES. >> OKAY. 2019 01:03:24,117 --> 01:03:26,451 >> YES. >> OKAY. >> NOW, DON'T BE EMBARRASSED. 2020 01:03:26,453 --> 01:03:28,820 >> OKAY. >> NOW, DON'T BE EMBARRASSED. HOW MANY OF YOU CAN READ? 2021 01:03:28,822 --> 01:03:31,323 >> NOW, DON'T BE EMBARRASSED. HOW MANY OF YOU CAN READ? >> UM -- ALL OF US? 2022 01:03:31,325 --> 01:03:34,025 HOW MANY OF YOU CAN READ? >> UM -- ALL OF US? [ LAUGHTER ] 2023 01:03:34,027 --> 01:03:37,229 >> UM -- ALL OF US? [ LAUGHTER ] >> MISS, THIS IS AN HONORS LEVEL 2024 01:03:37,231 --> 01:03:38,263 [ LAUGHTER ] >> MISS, THIS IS AN HONORS LEVEL PHYSICS CLASS. 2025 01:03:38,265 --> 01:03:38,763 >> MISS, THIS IS AN HONORS LEVEL PHYSICS CLASS. [ LAUGHTER ] 2026 01:03:38,765 --> 01:03:40,932 PHYSICS CLASS. [ LAUGHTER ] >> THIS CLASS IS THAT? 2027 01:03:40,934 --> 01:03:41,666 [ LAUGHTER ] >> THIS CLASS IS THAT? >> YEAH. 2028 01:03:41,668 --> 01:03:42,867 >> THIS CLASS IS THAT? >> YEAH. EVERY CLASS AT THE SCHOOL IS 2029 01:03:42,869 --> 01:03:43,301 >> YEAH. EVERY CLASS AT THE SCHOOL IS HONORS LEVEL. 2030 01:03:43,303 --> 01:03:45,837 EVERY CLASS AT THE SCHOOL IS HONORS LEVEL. >> THIS IS A S.T.E.M. SCHOOL? 2031 01:03:45,839 --> 01:03:49,841 HONORS LEVEL. >> THIS IS A S.T.E.M. SCHOOL? OKAY. 2032 01:03:49,843 --> 01:03:50,242 >> THIS IS A S.T.E.M. SCHOOL? OKAY. [ LAUGHTER ] 2033 01:03:50,244 --> 01:03:52,143 OKAY. [ LAUGHTER ] >> WE ALL HAD TO TAKE A 2034 01:03:52,145 --> 01:03:54,446 [ LAUGHTER ] >> WE ALL HAD TO TAKE A COLLEGE-LEVEL TEST TO GET IN 2035 01:03:54,448 --> 01:03:54,746 >> WE ALL HAD TO TAKE A COLLEGE-LEVEL TEST TO GET IN HERE. 2036 01:03:54,748 --> 01:03:55,313 COLLEGE-LEVEL TEST TO GET IN HERE. >> OKAY. 2037 01:03:55,315 --> 01:03:55,714 HERE. >> OKAY. [ LAUGHTER ] 2038 01:03:55,716 --> 01:03:56,982 >> OKAY. [ LAUGHTER ] >> DID THE PRINCIPAL NOT TELL 2039 01:03:56,984 --> 01:03:57,249 [ LAUGHTER ] >> DID THE PRINCIPAL NOT TELL YOU? 2040 01:03:57,251 --> 01:04:01,052 >> DID THE PRINCIPAL NOT TELL YOU? >> NO. 2041 01:04:01,054 --> 01:04:01,786 YOU? >> NO. >> AND WAIT, WHO IS CALLING US 2042 01:04:01,788 --> 01:04:03,521 >> NO. >> AND WAIT, WHO IS CALLING US DUMB? 2043 01:04:03,523 --> 01:04:08,159 >> AND WAIT, WHO IS CALLING US DUMB? ♪ NOBODY ♪ 2044 01:04:08,161 --> 01:04:09,628 DUMB? ♪ NOBODY ♪ >> BUT WHEN YOU CAME INTO THE 2045 01:04:09,630 --> 01:04:11,162 ♪ NOBODY ♪ >> BUT WHEN YOU CAME INTO THE CLASS, YOU GAVE THAT LONG 2046 01:04:11,164 --> 01:04:12,230 >> BUT WHEN YOU CAME INTO THE CLASS, YOU GAVE THAT LONG SPEECH, YOU SAID PEOPLE WERE 2047 01:04:12,232 --> 01:04:12,764 CLASS, YOU GAVE THAT LONG SPEECH, YOU SAID PEOPLE WERE SAYING WE WAS DUMB. 2048 01:04:12,766 --> 01:04:14,799 SPEECH, YOU SAID PEOPLE WERE SAYING WE WAS DUMB. WHO IS THAT? 2049 01:04:14,801 --> 01:04:15,133 SAYING WE WAS DUMB. WHO IS THAT? >> OKAY. 2050 01:04:15,135 --> 01:04:17,636 WHO IS THAT? >> OKAY. [ LAUGHTER ] 2051 01:04:17,638 --> 01:04:18,470 >> OKAY. [ LAUGHTER ] >> WHO SAID WE WERE BORN THE 2052 01:04:18,472 --> 01:04:21,406 [ LAUGHTER ] >> WHO SAID WE WERE BORN THE WRONG COLOR? 2053 01:04:21,408 --> 01:04:22,741 >> WHO SAID WE WERE BORN THE WRONG COLOR? WHAT WAS THAT ABOUT? 2054 01:04:22,743 --> 01:04:25,043 WRONG COLOR? WHAT WAS THAT ABOUT? >> YEAH, THAT SOUNDED RACIST AS 2055 01:04:25,045 --> 01:04:25,343 WHAT WAS THAT ABOUT? >> YEAH, THAT SOUNDED RACIST AS HELL. 2056 01:04:25,345 --> 01:04:25,877 >> YEAH, THAT SOUNDED RACIST AS HELL. >> IT DOES NOW, YES. 2057 01:04:25,879 --> 01:04:28,647 HELL. >> IT DOES NOW, YES. [ LAUGHTER ] 2058 01:04:28,649 --> 01:04:30,148 >> IT DOES NOW, YES. [ LAUGHTER ] WHAT KIND OF SCHOOL DID YOU SAY 2059 01:04:30,150 --> 01:04:31,416 [ LAUGHTER ] WHAT KIND OF SCHOOL DID YOU SAY THERE WAS, AGAIN? 2060 01:04:31,418 --> 01:04:34,085 WHAT KIND OF SCHOOL DID YOU SAY THERE WAS, AGAIN? >> IT'S A S.T.E.M. SCHOOL, MISS. 2061 01:04:34,087 --> 01:04:35,320 THERE WAS, AGAIN? >> IT'S A S.T.E.M. SCHOOL, MISS. >> STANDS FOR SCIENCE, 2062 01:04:35,322 --> 01:04:36,788 >> IT'S A S.T.E.M. SCHOOL, MISS. >> STANDS FOR SCIENCE, TECHNOLOGY, ENGINEERING, AND 2063 01:04:36,790 --> 01:04:37,088 >> STANDS FOR SCIENCE, TECHNOLOGY, ENGINEERING, AND MATH. 2064 01:04:37,090 --> 01:04:37,555 TECHNOLOGY, ENGINEERING, AND MATH. >> MM, MM. 2065 01:04:37,557 --> 01:04:47,565 MATH. >> MM, MM. ALL SUBJECTS I KNOW VERY WELL. 2066 01:04:47,567 --> 01:04:47,899 >> MM, MM. ALL SUBJECTS I KNOW VERY WELL. S-T-E-M. 2067 01:04:47,901 --> 01:04:50,769 ALL SUBJECTS I KNOW VERY WELL. S-T-E-M. BUT I LIKE TO SAY IT STUDENTS 2068 01:04:50,771 --> 01:04:51,569 S-T-E-M. BUT I LIKE TO SAY IT STUDENTS FOR "STUDENTS TOGETHER ACHIEVING 2069 01:04:51,571 --> 01:04:55,507 BUT I LIKE TO SAY IT STUDENTS FOR "STUDENTS TOGETHER ACHIEVING MUCH." 2070 01:04:55,509 --> 01:04:57,709 FOR "STUDENTS TOGETHER ACHIEVING MUCH." >> MISS, THE WORD "ACHIEVING" 2071 01:04:57,711 --> 01:04:58,943 MUCH." >> MISS, THE WORD "ACHIEVING" STARTS WITH AN "A." 2072 01:04:58,945 --> 01:04:59,911 >> MISS, THE WORD "ACHIEVING" STARTS WITH AN "A." >> HM, EXACTLY. 2073 01:04:59,913 --> 01:05:01,279 STARTS WITH AN "A." >> HM, EXACTLY. DID WE ALL HEAR THAT? 2074 01:05:01,281 --> 01:05:05,684 >> HM, EXACTLY. DID WE ALL HEAR THAT? LET'S ALL TRY TO BE MORE LIKE 2075 01:05:05,686 --> 01:05:06,117 DID WE ALL HEAR THAT? LET'S ALL TRY TO BE MORE LIKE LAQUANTISHA. 2076 01:05:06,119 --> 01:05:06,618 LET'S ALL TRY TO BE MORE LIKE LAQUANTISHA. >> MY NAME IS AMY. 2077 01:05:06,620 --> 01:05:11,656 LAQUANTISHA. >> MY NAME IS AMY. [ LAUGHTER ] 2078 01:05:11,658 --> 01:05:14,092 >> MY NAME IS AMY. [ LAUGHTER ] >> QUIET UNLESS CALLED ON. 2079 01:05:14,094 --> 01:05:14,693 [ LAUGHTER ] >> QUIET UNLESS CALLED ON. LET'S BEGIN THE LESSON. 2080 01:05:14,695 --> 01:05:16,061 >> QUIET UNLESS CALLED ON. LET'S BEGIN THE LESSON. WHERE DID WE LEAVE OFF IN THE 2081 01:05:16,063 --> 01:05:16,361 LET'S BEGIN THE LESSON. WHERE DID WE LEAVE OFF IN THE TEXT? 2082 01:05:16,363 --> 01:05:18,396 WHERE DID WE LEAVE OFF IN THE TEXT? >> CHAPTER 237, PARTICLE 2083 01:05:18,398 --> 01:05:20,765 TEXT? >> CHAPTER 237, PARTICLE BEHAVIOR IN WAVE MECHANICS. 2084 01:05:20,767 --> 01:05:21,833 >> CHAPTER 237, PARTICLE BEHAVIOR IN WAVE MECHANICS. >> BIG OLD BOOK. 2085 01:05:21,835 --> 01:05:27,072 BEHAVIOR IN WAVE MECHANICS. >> BIG OLD BOOK. [ LAUGHTER ] 2086 01:05:27,074 --> 01:05:31,276 >> BIG OLD BOOK. [ LAUGHTER ] I WILL READ. 2087 01:05:31,278 --> 01:05:33,478 [ LAUGHTER ] I WILL READ. A PHOTON CAN BEHAVE BOTH AS A 2088 01:05:33,480 --> 01:05:35,747 I WILL READ. A PHOTON CAN BEHAVE BOTH AS A WAVE AND A PARTICLE. 2089 01:05:35,749 --> 01:05:36,748 A PHOTON CAN BEHAVE BOTH AS A WAVE AND A PARTICLE. THIS -- HM. 2090 01:05:36,750 --> 01:05:40,085 WAVE AND A PARTICLE. THIS -- HM. [ LAUGHTER ] 2091 01:05:40,087 --> 01:05:43,188 THIS -- HM. [ LAUGHTER ] >> UM, MISS, IT'S "DUALITY." 2092 01:05:43,190 --> 01:05:45,890 [ LAUGHTER ] >> UM, MISS, IT'S "DUALITY." >> ONE MORE TIME FOR ME, BABY? 2093 01:05:45,892 --> 01:05:47,359 >> UM, MISS, IT'S "DUALITY." >> ONE MORE TIME FOR ME, BABY? >> "DUALITY." 2094 01:05:47,361 --> 01:05:48,493 >> ONE MORE TIME FOR ME, BABY? >> "DUALITY." >> DETENTION! 2095 01:05:48,495 --> 01:05:48,893 >> "DUALITY." >> DETENTION! [ LAUGHTER ] 2096 01:05:48,895 --> 01:05:53,798 >> DETENTION! [ LAUGHTER ] AND THAT CONCLUDES THE READING. 2097 01:05:53,800 --> 01:05:54,733 [ LAUGHTER ] AND THAT CONCLUDES THE READING. STUDENTS -- 2098 01:05:54,735 --> 01:05:55,066 AND THAT CONCLUDES THE READING. STUDENTS -- ♪ 2099 01:05:55,068 --> 01:05:57,001 STUDENTS -- ♪ HERE'S SOME TRUTH FOR YOU. 2100 01:05:57,003 --> 01:05:59,104 ♪ HERE'S SOME TRUTH FOR YOU. SOMETIMES THE TEACHERS ARE THE 2101 01:05:59,106 --> 01:05:59,604 HERE'S SOME TRUTH FOR YOU. SOMETIMES THE TEACHERS ARE THE ONES WHO ARE DUMB. 2102 01:05:59,606 --> 01:06:02,507 SOMETIMES THE TEACHERS ARE THE ONES WHO ARE DUMB. [ LAUGHTER ] 2103 01:06:02,509 --> 01:06:07,178 ONES WHO ARE DUMB. [ LAUGHTER ] AND SOMETIMES THEY TAKE A JOB 2104 01:06:07,180 --> 01:06:09,147 [ LAUGHTER ] AND SOMETIMES THEY TAKE A JOB NOT REALIZING IT'S AT A S.T.A.M. 2105 01:06:09,149 --> 01:06:09,481 AND SOMETIMES THEY TAKE A JOB NOT REALIZING IT'S AT A S.T.A.M. SCHOOL. 2106 01:06:09,483 --> 01:06:12,150 NOT REALIZING IT'S AT A S.T.A.M. SCHOOL. >> UM -- IT'S A S.T.E.M. SCHOOL, 2107 01:06:12,152 --> 01:06:12,450 SCHOOL. >> UM -- IT'S A S.T.E.M. SCHOOL, MISS. 2108 01:06:12,452 --> 01:06:13,017 >> UM -- IT'S A S.T.E.M. SCHOOL, MISS. WITH AN "E." 2109 01:06:13,019 --> 01:06:16,521 MISS. WITH AN "E." >> DETENTION! 2110 01:06:16,523 --> 01:06:19,924 WITH AN "E." >> DETENTION! AND SOMETIMES THAT MAKES THEM 2111 01:06:19,926 --> 01:06:22,660 >> DETENTION! AND SOMETIMES THAT MAKES THEM SAY AND DO RACIST. 2112 01:06:22,662 --> 01:06:23,428 AND SOMETIMES THAT MAKES THEM SAY AND DO RACIST. BUT YOU CAN'T HOLD THAT AGAINST 2113 01:06:23,430 --> 01:06:23,728 SAY AND DO RACIST. BUT YOU CAN'T HOLD THAT AGAINST THEM. 2114 01:06:23,730 --> 01:06:25,663 BUT YOU CAN'T HOLD THAT AGAINST THEM. [ LAUGHTER ] 2115 01:06:25,665 --> 01:06:27,565 THEM. [ LAUGHTER ] BECAUSE SOME OF THESE TEACHERS 2116 01:06:27,567 --> 01:06:29,601 [ LAUGHTER ] BECAUSE SOME OF THESE TEACHERS DID NOT GO TO COLLEGE. 2117 01:06:29,603 --> 01:06:31,069 BECAUSE SOME OF THESE TEACHERS DID NOT GO TO COLLEGE. >> BUT MISS, I THOUGHT YOU HAD 2118 01:06:31,071 --> 01:06:37,208 DID NOT GO TO COLLEGE. >> BUT MISS, I THOUGHT YOU HAD TO GO TO COLLEGE TO BE A 2119 01:06:37,210 --> 01:06:37,575 >> BUT MISS, I THOUGHT YOU HAD TO GO TO COLLEGE TO BE A TEACHER. 2120 01:06:37,577 --> 01:06:38,009 TO GO TO COLLEGE TO BE A TEACHER. >> DETENTION! 2121 01:06:38,011 --> 01:06:40,645 TEACHER. >> DETENTION! THE POINT IS, I BELIEVE IN YOU. 2122 01:06:40,647 --> 01:06:42,080 >> DETENTION! THE POINT IS, I BELIEVE IN YOU. AND THAT IS WHY I SHOULD STILL 2123 01:06:42,082 --> 01:06:42,614 THE POINT IS, I BELIEVE IN YOU. AND THAT IS WHY I SHOULD STILL GET PAID FOR TODAY. 2124 01:06:42,616 --> 01:06:44,949 AND THAT IS WHY I SHOULD STILL GET PAID FOR TODAY. [ LAUGHTER ] 2125 01:06:44,951 --> 01:06:48,086 GET PAID FOR TODAY. [ LAUGHTER ] CLASS DISMISSED! 2126 01:06:48,088 --> 01:06:51,856 [ LAUGHTER ] CLASS DISMISSED! >> BUT THE BELL DIDN'T RING. 2127 01:06:51,858 --> 01:06:52,257 CLASS DISMISSED! >> BUT THE BELL DIDN'T RING. [ LAUGHTER ] 2128 01:06:52,259 --> 01:06:55,326 >> BUT THE BELL DIDN'T RING. [ LAUGHTER ] >> BELIEVE IN YOURSELVES! 2129 01:06:55,328 --> 01:06:58,563 [ LAUGHTER ] >> BELIEVE IN YOURSELVES! THE HELL IS WRONG WITH THIS DAMN 2130 01:06:58,565 --> 01:06:58,863 >> BELIEVE IN YOURSELVES! THE HELL IS WRONG WITH THIS DAMN DOOR? 2131 01:06:58,865 --> 01:06:59,631 THE HELL IS WRONG WITH THIS DAMN DOOR? >> MISS, THE DOOR OPEN IN, 2132 01:06:59,633 --> 01:07:00,765 DOOR? >> MISS, THE DOOR OPEN IN, YOU'VE GOT TO PULL IT. 2133 01:07:00,767 --> 01:07:01,199 >> MISS, THE DOOR OPEN IN, YOU'VE GOT TO PULL IT. IT'S A "PULL." 2134 01:07:01,201 --> 01:07:02,434 YOU'VE GOT TO PULL IT. IT'S A "PULL." >> DETENTION! 2135 01:07:02,436 --> 01:07:22,353 IT'S A "PULL." >> DETENTION! [ CHEERS AND APPLAUSE ] 2136 01:07:22,355 --> 01:07:23,188 >> DETENTION! [ CHEERS AND APPLAUSE ] [ CHEERS AND APPLAUSE ] 2137 01:07:23,190 --> 01:07:29,260 [ CHEERS AND APPLAUSE ] [ CHEERS AND APPLAUSE ] ♪ 2138 01:07:29,262 --> 01:07:31,729 [ CHEERS AND APPLAUSE ] ♪ >>> THEY ONLY GIVE YOU 20 2139 01:07:31,731 --> 01:07:33,231 ♪ >>> THEY ONLY GIVE YOU 20 SECONDS, EVERYTHING HERE AT 2140 01:07:33,233 --> 01:07:33,531 >>> THEY ONLY GIVE YOU 20 SECONDS, EVERYTHING HERE AT "SNL." 2141 01:07:33,533 --> 01:07:34,699 SECONDS, EVERYTHING HERE AT "SNL." I REALLY WANT TO SAY THANK YOU 2142 01:07:34,701 --> 01:07:35,767 "SNL." I REALLY WANT TO SAY THANK YOU TO MY WHOLE TEAM. 2143 01:07:35,769 --> 01:07:40,271 I REALLY WANT TO SAY THANK YOU TO MY WHOLE TEAM. WE'VE BEEN WAKING UP EVERY DAY, 2144 01:07:40,273 --> 01:07:40,939 TO MY WHOLE TEAM. WE'VE BEEN WAKING UP EVERY DAY, HERE'S YOUR COFFEE, COME DO 2145 01:07:40,941 --> 01:07:41,239 WE'VE BEEN WAKING UP EVERY DAY, HERE'S YOUR COFFEE, COME DO THIS. 2146 01:07:41,241 --> 01:07:42,040 HERE'S YOUR COFFEE, COME DO THIS. THANK YOU TO EVERYBODY AT "SNL" 2147 01:07:42,042 --> 01:07:42,674 THIS. THANK YOU TO EVERYBODY AT "SNL" THAT REALLY HELD ME DOWN. 2148 01:07:42,676 --> 01:07:45,710 THANK YOU TO EVERYBODY AT "SNL" THAT REALLY HELD ME DOWN. [ CHEERS AND APPLAUSE ] 2149 01:07:45,712 --> 01:07:49,147 THAT REALLY HELD ME DOWN. [ CHEERS AND APPLAUSE ] THANK YOU TO MY TEAM, THANK YOU. 2150 01:07:49,149 --> 01:07:49,881 [ CHEERS AND APPLAUSE ] THANK YOU TO MY TEAM, THANK YOU. THANK YOU EVERYBODY IN THE CROWD 2151 01:07:49,883 --> 01:07:50,215 THANK YOU TO MY TEAM, THANK YOU. THANK YOU EVERYBODY IN THE CROWD TONIGHT. 2152 01:07:50,217 --> 01:07:55,687 THANK YOU EVERYBODY IN THE CROWD TONIGHT. [ CHEERS AND APPLAUSE ] 2153 01:07:55,689 --> 01:07:56,387 TONIGHT. [ CHEERS AND APPLAUSE ] AND THANK YOU TO THE HOTTIES! 2154 01:07:56,389 --> 01:08:02,026 [ CHEERS AND APPLAUSE ] AND THANK YOU TO THE HOTTIES! [ CHEERS AND APPLAUSE ] 2155 01:08:02,028 --> 01:08:04,729 AND THANK YOU TO THE HOTTIES! [ CHEERS AND APPLAUSE ] WITHOUT THE HOTTIES, THERE WOULD 2156 01:08:04,731 --> 01:08:05,330 [ CHEERS AND APPLAUSE ] WITHOUT THE HOTTIES, THERE WOULD BE NO HOTTIES TO COACH. 2157 01:08:05,332 --> 01:08:06,764 WITHOUT THE HOTTIES, THERE WOULD BE NO HOTTIES TO COACH. [ CHEERS AND APPLAUSE ] 2158 01:08:06,766 --> 01:08:09,667 BE NO HOTTIES TO COACH. [ CHEERS AND APPLAUSE ] GOOD NIGHT! 2159 01:08:09,669 --> 01:08:48,355 [ CHEERS AND APPLAUSE ] GOOD NIGHT! ♪