1 00:02:12,860 --> 00:02:14,560 [birds chirping] 2 00:02:17,330 --> 00:02:19,300 [children chattering] 3 00:02:19,300 --> 00:02:22,430 (girl #1) I'M ALWAYS INCLUDED IN EVERYTHING. 4 00:02:22,430 --> 00:02:23,630 (girl #2) MY MOTHER SAYS 5 00:02:23,630 --> 00:02:25,830 IT'S NOT HEALTHY TO EAT SO LATE. 6 00:02:25,830 --> 00:02:27,500 SO WHAT DO YOU DO? 7 00:02:27,500 --> 00:02:31,130 I EAT ON THE CARD TABLE IN MY ROOM WITH MY SISTER 8 00:02:31,130 --> 00:02:34,030 BECAUSE THAT'S WHAT CHILDREN ARE SUPPOSED TO DO. 9 00:02:34,030 --> 00:02:35,900 SAYS YOU. 10 00:02:37,230 --> 00:02:39,430 (Nerlinger) ALL RIGHT, YOUNG PEOPLE 11 00:02:39,430 --> 00:02:42,300 I DON'T WANT TO HAVE TO CALL YOU CHILDREN, OK? 12 00:02:42,300 --> 00:02:44,360 SO LET'S START FINISHING UP. COME ON, LET'S GO. 13 00:02:44,360 --> 00:02:47,530 LET'S GATHER UP OUR THINGS, BOYS. 14 00:02:47,530 --> 00:02:51,360 OH, BILLY, WHAT A PERFECTLY WONDERFUL PIG. 15 00:02:51,360 --> 00:02:52,930 HOW DID IT GET INTO CENTRAL PARK? 16 00:02:52,930 --> 00:02:54,130 SEARCH ME. 17 00:02:54,130 --> 00:02:55,230 [laughing] 18 00:02:55,230 --> 00:02:57,730 LET'S PUT IT AWAY, ALL RIGHT? 19 00:02:57,730 --> 00:02:59,600 [swing creaking] ELI, LET'S GO OVER HERE. 20 00:02:59,600 --> 00:03:01,700 PETER, LET'S PUT OUR PAPERS AWAY. 21 00:03:11,900 --> 00:03:13,900 JUJU. 22 00:03:13,900 --> 00:03:16,230 WHAT'S THE MATTER? AREN'T YOU DOING WELL TODAY? 23 00:03:16,230 --> 00:03:17,600 [children chattering] 24 00:03:17,600 --> 00:03:21,030 HOW COME? THOSE ARE VERY STRONG COLORS. 25 00:03:21,030 --> 00:03:23,160 I CAN'T DRAW ANY PEOPLE. 26 00:03:23,160 --> 00:03:25,060 I BET YOU CAN. 27 00:03:25,060 --> 00:03:26,660 I BET THEY'RE JUST IN THEIR HOUSES 28 00:03:26,660 --> 00:03:28,430 TILL THEY'RE READY TO COME OUT. 29 00:03:28,430 --> 00:03:31,200 HOW ABOUT IT IF TOMORROW I HELP YOU BRING THEM OUT? 30 00:03:31,200 --> 00:03:32,630 OK. OK. 31 00:03:32,630 --> 00:03:34,130 LET'S GATHER UP OUR PAINTS. 32 00:03:34,130 --> 00:03:36,830 (Nerlinger) ALL RIGHT, I WANT EVERYTHING PICKED UP. 33 00:03:37,900 --> 00:03:39,660 LET ME SEE WHAT YOU DID TODAY. 34 00:03:39,660 --> 00:03:42,800 I MADE A PICTURE OF THE GUY ON THE SKATEBOARD. 35 00:03:42,800 --> 00:03:46,660 AND I MADE MY SKATER FALL DOWN 'CAUSE HE WAS SHOWING OFF 36 00:03:46,660 --> 00:03:49,630 AND IT MADE THIS GUY MAD, SO HE SOCKED HIM. 37 00:03:49,630 --> 00:03:51,060 AND BUSTED HIS HEAD. 38 00:03:51,060 --> 00:03:52,700 OH, HE DID NOT. 39 00:03:52,700 --> 00:03:54,600 [swing creaking] 40 00:03:56,400 --> 00:03:58,060 [creaking] 41 00:04:01,260 --> 00:04:03,660 (Nerlinger) I WANT EVERYTHING PICKED UP. 42 00:04:03,660 --> 00:04:05,730 I DON'T WANT TO SEE A PAPER TOWEL. 43 00:04:05,730 --> 00:04:07,760 I DON'T WANT TO SEE A GUM WRAPPER. 44 00:04:07,760 --> 00:04:10,630 THERE ARE PLENTY OF PAPER TOWELS FOR EVERYBODY 45 00:04:10,630 --> 00:04:12,660 IF YOU TAKE JUST ONE. 46 00:04:12,660 --> 00:04:15,900 JEANNIE GRIFFIN, I AM TALKING TO YOU. 47 00:04:15,900 --> 00:04:18,730 WILLFUL WASTE MAKES WOEFUL WANT. 48 00:04:18,730 --> 00:04:21,630 MISS PENNY! MISS PENNY! MISS PENNY! QUIET. QUIET EVERYONE. 49 00:04:21,630 --> 00:04:25,330 HOW CAN YOU HEAR INSTRUCTIONS IF YOU'RE MAKING SUCH A HUBBUB? 50 00:04:25,330 --> 00:04:27,200 [children chattering] 51 00:04:29,760 --> 00:04:32,800 (Nerlinger) QUIET! SILENCE! 52 00:04:32,800 --> 00:04:34,930 (Nerlinger) DID YOU HEAR WHAT I SAID? WHAT? 53 00:04:34,930 --> 00:04:37,260 I SAID MAYBE WE OUGHT TO LET 'EM BLOW OFF STEAM 54 00:04:37,260 --> 00:04:39,530 BEFORE WE PUT 'EM BACK ON THE BUS. 55 00:04:39,530 --> 00:04:41,530 MAYBE A GAME OF FOLLOW THE LEADER? 56 00:04:41,530 --> 00:04:42,860 YES, FOLLOW THE LEADER. 57 00:04:42,860 --> 00:04:44,430 THAT WOULD BE FINE. 58 00:04:45,100 --> 00:04:46,930 MICHAEL. 59 00:04:46,930 --> 00:04:50,130 ALL RIGHT, EVERYONE PUT THEIR SUPPLIES INTO THE BIG BOX 60 00:04:50,130 --> 00:04:52,100 AND THEN LINE UP BEHIND MISS DORSETT 61 00:04:52,100 --> 00:04:53,430 FOR A GAME OF FOLLOW THE LEADER. 62 00:04:53,430 --> 00:04:55,330 (Sybil) NO, NO. BACK THIS WAY. 63 00:04:55,330 --> 00:04:57,360 [children exclaiming] OK, EVERYBODY. 64 00:04:57,360 --> 00:04:59,530 COME ON. PETER. 65 00:04:59,530 --> 00:05:02,060 COME ON, GIRLS. NOW, LET'S NOT SHOVE. 66 00:05:02,060 --> 00:05:03,660 GOODNESS SAKES, I'LL GET SQUASHED. 67 00:05:03,660 --> 00:05:05,930 OK, HERE WE GO. IS EVERYBODY READY? 68 00:05:05,930 --> 00:05:07,260 LET'S GO. 69 00:05:08,960 --> 00:05:11,230 [children chattering] 70 00:05:11,230 --> 00:05:12,830 **[scatting] 71 00:05:29,060 --> 00:05:31,360 [swing creaking] 72 00:05:51,560 --> 00:05:53,260 [bell tolling] 73 00:05:55,530 --> 00:05:58,060 (Nerlinger) OH, MY GOD, SYBIL. 74 00:05:58,060 --> 00:06:01,460 FOR HEAVEN SAKES, WHAT ARE YOU DOING IN THE WATER? 75 00:06:01,460 --> 00:06:02,600 SYBIL. 76 00:06:02,600 --> 00:06:03,730 WHAT? 77 00:06:05,530 --> 00:06:09,560 YOU WENT EXACTLY THE OPPOSITE WAY FROM FIFTH AVENUE. 78 00:06:09,560 --> 00:06:11,260 THE BUS DRIVER IS VERY ANGRY. 79 00:06:11,260 --> 00:06:13,560 NOW, COME OUT OF THE WATER, SYBIL. WE'RE GOING TO BE LATE. 80 00:06:13,560 --> 00:06:15,000 ALL RIGHT. NOW, CHILDREN, 81 00:06:15,000 --> 00:06:16,960 YOU FORM UP IN A LINE RIGHT OVER HERE. 82 00:06:16,960 --> 00:06:18,760 QUICKLY, PLEASE. COME ON. 83 00:06:27,330 --> 00:06:29,460 (Nerlinger) I COULDN'T FIGURE OUT WHAT HAPPENED. 84 00:06:29,460 --> 00:06:31,900 ALL OF A SUDDEN, YOU WERE RUNNING IN THE OPPOSITE DIRECTION. 85 00:06:31,900 --> 00:06:34,000 I YELLED. I HOLLERED. 86 00:06:34,000 --> 00:06:36,460 OH, SYBIL, LOOK AT YOUR SHOES. 87 00:06:36,460 --> 00:06:39,500 I--I--I DON'T FEEL VERY WELL. I THINK I'D LIKE TO GO HOME. 88 00:06:39,500 --> 00:06:41,060 MAYBE YOU OUGHT TO SEE THE SCHOOL NURSE. 89 00:06:41,060 --> 00:06:43,160 NO, I CAN COPE. 90 00:06:43,160 --> 00:06:46,630 BECAUSE, SYBIL, I DON'T KNOW IF I CAN COVER FOR YOU. 91 00:06:46,630 --> 00:06:50,160 I MEAN, IF WE'RE LATE AND THE HOMEROOM TEACHER ASKS ME. 92 00:06:50,160 --> 00:06:53,200 I'M SORRY. I-- I'LL SEE YOU TOMORROW, ALL RIGHT? 93 00:06:53,660 --> 00:06:54,960 SYBIL. 94 00:06:56,900 --> 00:06:59,460 ALL RIGHT, KIDS. COME ON, LET'S GO. 95 00:07:02,130 --> 00:07:04,130 [traffic rumbling] 96 00:07:09,460 --> 00:07:11,000 [car honks] 97 00:07:18,700 --> 00:07:22,160 HEY, YOU'RE GONNA TURN INTO A BANANA, YOU KEEP LIVIN' ON FRUIT. 98 00:07:22,160 --> 00:07:25,600 HA, MR. DARWIN SAYS WE'RE JUST A BUNCH OF MONKEYS ANYWAY. 99 00:07:25,600 --> 00:07:28,160 YEAH, BUT THEY EAT LOTS OF PROTEIN, TOO, SYBIL. 100 00:07:28,160 --> 00:07:30,560 THEY EAT ROOTS, NUTS, BUGS. 101 00:07:30,560 --> 00:07:32,300 OH, I HAVE LOTS OF BUGS, THANK YOU. 102 00:07:32,300 --> 00:07:34,330 [chuckles] HOW MUCH DO I OWE YOU? 103 00:07:34,330 --> 00:07:36,860 THAT'S, UH, ONE NICKEL, HALF A DIME. 104 00:07:37,600 --> 00:07:39,030 I DON'T THINK SO. 105 00:07:39,030 --> 00:07:40,660 OH, COME ON, WILL YOU? 106 00:07:40,660 --> 00:07:42,100 IF THESE HAD ANYMORE BRUISES ON 'EM, 107 00:07:42,100 --> 00:07:44,130 I'D HAVE TO SEND 'EM TO THE HOSPITAL. 108 00:07:44,130 --> 00:07:45,260 GO AHEAD. 109 00:07:45,260 --> 00:07:47,000 THANK YOU, MR. RIZO. 110 00:07:47,000 --> 00:07:48,730 HAVE A GOOD DAY. 111 00:08:00,330 --> 00:08:02,130 **[piano playing] 112 00:08:03,930 --> 00:08:06,000 HI, MISS DORSETT. 113 00:08:06,000 --> 00:08:07,230 SCHOOL LET OUT EARLY? 114 00:08:07,230 --> 00:08:08,730 SO IT SEEMS. 115 00:08:08,730 --> 00:08:11,930 UH, WHEN DID THE PIANO MOVE IN? 116 00:08:11,930 --> 00:08:13,930 TODAY, 2ND FLOOR, FRONT. 117 00:08:15,360 --> 00:08:17,800 IT'S LOUD, ISN'T IT? 118 00:08:17,800 --> 00:08:19,330 IT DON'T STOP BY 10:00 TONIGHT, 119 00:08:19,330 --> 00:08:21,500 THEY GET MY FOOT THROUGH THE DOOR. 120 00:08:24,830 --> 00:08:26,500 [baby crying] 121 00:08:31,500 --> 00:08:33,460 **[piano playing] 122 00:08:48,030 --> 00:08:50,130 **[piano playing loudly] 123 00:09:09,500 --> 00:09:12,460 [Sybil in Hattie's voice] HOW COULD YOU EMBARRASS ME IN FRONT OF THEM ALL THAT WAY? 124 00:09:12,460 --> 00:09:14,160 (Sybil as Peggy) GET AWAY. 125 00:09:14,160 --> 00:09:16,100 PLEASE, GET AWAY. 126 00:09:16,100 --> 00:09:17,500 I WILL NOT GET AWAY. 127 00:09:17,500 --> 00:09:19,960 I WILL STAND HERE TILL YOU EXPLAIN YOURSELF. 128 00:09:19,960 --> 00:09:22,530 I DON'T EVEN KNOW WHAT I DID. I DON'T-- 129 00:09:22,530 --> 00:09:24,760 DON'T YOU PLEAD IGNORANCE ALOUD ON ME. 130 00:09:24,760 --> 00:09:27,330 OUT, OUT, OUT. I HAD TO GET OUT. 131 00:09:28,830 --> 00:09:30,060 WHAT? 132 00:11:29,730 --> 00:11:31,200 **[piano playing] 133 00:11:55,730 --> 00:11:57,330 [screaming] 134 00:11:57,330 --> 00:11:59,160 NO! 135 00:11:59,830 --> 00:12:01,160 [sobbing] 136 00:12:04,060 --> 00:12:05,660 [screaming] 137 00:12:05,660 --> 00:12:07,560 (Hattie) THAT'S NOT A CHORD. THIS IS A CHORD. 138 00:12:07,560 --> 00:12:09,000 YOU CAN'T SHARP A "G". 139 00:12:09,000 --> 00:12:10,400 WHAT'S THE MATTER WITH YOU? 140 00:12:10,400 --> 00:12:12,400 I'VE GOT MORE BRAINS IN MY LITTLE FINGER 141 00:12:12,400 --> 00:12:14,600 THAN YOU'VE GOT IN YOUR WHOLE BODY. 142 00:12:15,530 --> 00:12:17,000 [glass shattering] 143 00:12:42,760 --> 00:12:43,960 [gasping] 144 00:13:10,330 --> 00:13:13,400 (Hattie) YOU DIDN'T CUT DEEP ENOUGH, DID YOU? 145 00:13:13,400 --> 00:13:16,130 NOW, WE GOTTA GET YOU TO THE HOSPITAL. 146 00:13:21,030 --> 00:13:23,000 (as Peggy) I SEE 147 00:13:23,860 --> 00:13:25,130 ONE EYE 148 00:13:26,660 --> 00:13:28,560 AND--AND ANOTHER ONE 149 00:13:29,430 --> 00:13:32,760 AND SOME GLASSES 150 00:13:33,730 --> 00:13:35,130 AND 151 00:13:36,300 --> 00:13:40,300 SOME RED KIND OF HAIR. 152 00:13:40,300 --> 00:13:43,260 MMM-HMM. NOW, TELL ME WHEN YOU SEE MY FINGERS WIGGLE. 153 00:13:44,460 --> 00:13:47,560 I SEE-- I SEE A PICTURE FRAME AND A... 154 00:13:47,560 --> 00:13:50,660 THERE'S A DOCTOR, A LADY, IS IN IT. 155 00:13:50,660 --> 00:13:53,000 OH, YEAH. YOU SEE A CIRCLE, RIGHT? 156 00:13:53,000 --> 00:13:57,500 THERE'S A CIRCLE, AND IT'S DARK ON THE SIDES OF IT. 157 00:14:00,000 --> 00:14:03,100 I SEE A WHITE COAT. IT'S A WHITE COAT. 158 00:14:03,100 --> 00:14:05,900 WHAT'S THE MATTER? DOES MY WHITE COAT BOTHER YOU? 159 00:14:09,830 --> 00:14:13,860 I SEE SOME FINGERS WIGGLING. 160 00:14:19,560 --> 00:14:21,560 YOU HAVE A RING. 161 00:14:22,430 --> 00:14:24,700 A MARRIED WEDDING RING. 162 00:14:24,700 --> 00:14:25,860 MMM-HMM. 163 00:14:28,130 --> 00:14:30,900 YOU HAVE A LITTLE GIRL ALL YOUR OWN? 164 00:14:31,700 --> 00:14:32,900 NO. 165 00:14:36,000 --> 00:14:37,730 YOU HAVE A LITTLE BOY? 166 00:14:38,730 --> 00:14:41,100 MMM-MMM. 167 00:14:41,100 --> 00:14:44,000 IS IT FUN TALKING LIKE A LITTLE GIRL, MISS DORSETT? 168 00:14:44,900 --> 00:14:46,130 WHAT? 169 00:14:48,700 --> 00:14:50,860 WHAT JUST HAPPENED? JETLAG? 170 00:14:54,730 --> 00:14:56,460 I CUT MY WRIST. 171 00:14:56,460 --> 00:14:58,260 THAT'S RIGHT. 172 00:14:58,260 --> 00:14:59,700 WHY, DON'T YOU REMEMBER? 173 00:14:59,700 --> 00:15:01,730 YES, OF COURSE. 174 00:15:01,730 --> 00:15:03,630 I'M IN NEW YORK. 175 00:15:03,630 --> 00:15:06,030 I'M IN A HOSPITAL. MMM-HMM. 176 00:15:06,030 --> 00:15:07,300 I'VE CUT MY WRIST. 177 00:15:07,300 --> 00:15:08,730 MMM-HMM. 178 00:15:08,730 --> 00:15:10,260 AM I THROUGH? MAY I GO? 179 00:15:10,260 --> 00:15:14,630 WELL, I'D LIKE TO FINISH THE NEUROLOGICAL EXAM. 180 00:15:14,630 --> 00:15:17,360 WHY IS THERE A NEUROLOGICAL EXAM? I'VE CUT MY WRIST. 181 00:15:17,360 --> 00:15:20,160 I THINK YOU HAVE THE CHARTS MIXED UP. IT'S, UH... 182 00:15:20,160 --> 00:15:21,700 NO, IT JUST SEEMS 183 00:15:21,700 --> 00:15:24,100 THAT WHEN THE SURGICAL RESIDENT WAS PATCHING YOU UP 184 00:15:24,100 --> 00:15:27,360 HE THOUGHT YOU SEEMED KIND OF CONFUSED, SO HE CALLED ME IN. 185 00:15:27,360 --> 00:15:29,030 DON'T YOU REMEMBER? 186 00:15:29,030 --> 00:15:32,660 AND I ASKED YOU HOW I COULD HELP YOU, AND YOU TOOK MY HAND. 187 00:15:32,660 --> 00:15:34,460 YOU CAME RIGHT ON IN HERE. 188 00:15:36,160 --> 00:15:38,430 DON'T YOU WANT TO STAY? 189 00:15:38,430 --> 00:15:40,930 COME ON. LET'S FINISH IT UP, OK? 190 00:15:46,900 --> 00:15:48,560 HERE. 191 00:15:48,560 --> 00:15:51,360 TELL ME WHAT YOU SMELL IN THESE LITTLE BOTTLES. 192 00:15:52,360 --> 00:15:53,500 CLOVES. 193 00:15:53,500 --> 00:15:54,730 MMM-HMM. 194 00:16:00,830 --> 00:16:02,400 I... 195 00:16:02,400 --> 00:16:03,760 I KNOW I SHOULD SMELL SOMETHING-- 196 00:16:03,760 --> 00:16:05,730 NO, YOU SHOULDN'T. IT'S WATER. 197 00:16:10,000 --> 00:16:12,000 OH! DISINFECTANT. 198 00:16:12,000 --> 00:16:13,830 IT'S ALL RIGHT. 199 00:16:13,830 --> 00:16:17,030 WHAT'S THE MATTER? YOU SMELL SOMETHING LIKE THAT BEFORE? 200 00:16:26,600 --> 00:16:27,900 YES. 201 00:16:38,300 --> 00:16:40,330 I'M SORRY. 202 00:16:40,330 --> 00:16:42,330 YOU ASKED ME SOMETHING? 203 00:16:42,330 --> 00:16:44,660 NO, YOU WERE JUST TELLING ME ABOUT YOUR SYMPTOMS. 204 00:16:44,660 --> 00:16:47,930 YOUR, UH, TUNNEL VISION AND YOUR BUMPING INTO WALLS AND... 205 00:16:47,930 --> 00:16:50,230 YES. YES, I KNOW. 206 00:16:50,230 --> 00:16:54,730 SOMETIMES, WHEN I'M HEADING FOR THE DOOR, BY MISTAKE, UH... 207 00:16:57,630 --> 00:16:58,860 WHAT IS IT? 208 00:17:04,300 --> 00:17:05,760 THIS IS YOUR OFFICE? 209 00:17:05,760 --> 00:17:06,930 YES. 210 00:17:20,760 --> 00:17:23,330 NO! WITHOUT LOOKING AT YOUR WATCH, 211 00:17:23,330 --> 00:17:25,260 TELL ME WHAT YOU JUST SAID. 212 00:17:26,700 --> 00:17:28,200 IS IT SO IMPORTANT? 213 00:17:28,600 --> 00:17:29,830 YES. 214 00:17:32,700 --> 00:17:34,700 I SAID, 215 00:17:34,700 --> 00:17:36,600 "IS THIS YOUR OFFICE?" 216 00:17:40,260 --> 00:17:43,430 THAT WAS A HALF AN HOUR AGO. IT'S NIGHTTIME NOW. 217 00:17:45,530 --> 00:17:46,800 I DIDN'T... 218 00:17:47,900 --> 00:17:50,130 I DIDN'T WANT YOU TO KNOW. 219 00:17:51,730 --> 00:17:52,830 [sighing] 220 00:17:52,830 --> 00:17:54,200 YES, YOU DID. 221 00:18:03,400 --> 00:18:05,160 NOBODY KNOWS. 222 00:18:06,630 --> 00:18:08,560 SOMEBODY KNOWS NOW. 223 00:18:09,730 --> 00:18:12,300 ALL RIGHT? DO YOU REMEMBER ANYTHING? 224 00:18:12,300 --> 00:18:14,500 DO YOU REMEMBER THE VOCABULARY TEST 225 00:18:14,500 --> 00:18:16,760 OR SAYING THE NUMBERS BACKWARDS OR ANY OF THAT? 226 00:18:16,760 --> 00:18:18,330 [sobbing] NO, I DON'T. I DON'T. 227 00:18:18,330 --> 00:18:19,800 NONE OF IT? NO. 228 00:18:19,800 --> 00:18:21,760 YOU DON'T KNOW WHETHER YOU'VE BEEN HERE FOR AN HOUR 229 00:18:21,760 --> 00:18:23,900 OR A DAY OR A WEEK, DO YOU? 230 00:18:25,500 --> 00:18:27,800 I DON'T THINK IT'S BEEN A WEEK. 231 00:18:27,800 --> 00:18:29,730 HAS IT BEEN A DAY? NO. 232 00:18:32,960 --> 00:18:34,560 I--I CUT MY WRIST. 233 00:18:34,560 --> 00:18:35,700 MMM-HMM. 234 00:18:37,700 --> 00:18:39,830 AND I DON'T KNOW HOW. 235 00:18:39,830 --> 00:18:43,230 AND THEN I WAS HERE, TALKING TO YOU. 236 00:18:44,360 --> 00:18:45,600 MMM-HMM. 237 00:18:48,560 --> 00:18:50,400 HAVE I HURT SOMEBODY? 238 00:18:50,400 --> 00:18:51,830 HAVE I DONE SOMETHING BAD? NO. 239 00:18:51,830 --> 00:18:53,800 NO, OF COURSE NOT. 240 00:18:57,600 --> 00:19:00,200 HAVE YOU ALWAYS LOST TIME LIKE THAT? 241 00:19:07,900 --> 00:19:10,600 I'M SO AWFULLY ASHAMED, DOCTOR. 242 00:19:10,600 --> 00:19:12,300 IT'S ALL RIGHT. 243 00:19:16,160 --> 00:19:18,300 I'VE ALWAYS BEEN LIKE THIS. 244 00:19:18,300 --> 00:19:19,660 ALWAYS. 245 00:19:19,660 --> 00:19:21,830 AND I USED TO THINK THAT EVERYBODY WAS LIKE THIS. 246 00:19:21,830 --> 00:19:24,560 THAT THEY WOULD JUST NATURALLY WAKE UP AND BE SOMEPLACE ELSE 247 00:19:24,560 --> 00:19:27,500 OR A WHOLE LOT OLDER OR WEARING ANOTHER DRESS. 248 00:19:27,500 --> 00:19:29,160 ONCE, I WOKE UP, 249 00:19:29,160 --> 00:19:32,300 AND I WAS 2 YEARS OLDER. 250 00:19:33,360 --> 00:19:35,030 AND... 251 00:19:35,030 --> 00:19:39,830 IT WAS VERY HARD FOR ME TO GET THROUGH COLLEGE. 252 00:19:39,830 --> 00:19:42,200 I WANT VERY MUCH TO BE A TEACHER. 253 00:19:42,200 --> 00:19:44,830 I WANNA GIVE SOMETHING TO SOMEBODY. 254 00:19:44,830 --> 00:19:47,430 YOU UNDERSTAND THAT? 255 00:19:47,430 --> 00:19:49,000 SURE. 256 00:19:51,700 --> 00:19:55,060 I SUBSTITUTE TEACH 257 00:19:55,060 --> 00:19:59,330 BECAUSE I'M GONNA GET MY M.A. IN ART. 258 00:20:00,900 --> 00:20:02,300 IT'S IN ART. 259 00:20:06,300 --> 00:20:07,500 [sobbing] 260 00:20:17,400 --> 00:20:21,360 IT NEVER HAPPENED BEFORE IN FRONT OF THE CHILDREN 261 00:20:21,360 --> 00:20:25,860 BUT THINGS HAVE BEEN GETTING A LOT WORSE LATELY. 262 00:20:25,860 --> 00:20:27,760 I CAN'T DO ANYTHING. 263 00:20:29,400 --> 00:20:32,560 I CAN'T STUDY. 264 00:20:36,560 --> 00:20:37,760 AND THEN, 265 00:20:41,700 --> 00:20:44,560 I WOKE UP, AND I WAS IN THE WATER. 266 00:20:46,800 --> 00:20:49,230 AND THE CHILDREN SAW ME. 267 00:20:54,000 --> 00:20:55,230 SYBIL. 268 00:20:55,830 --> 00:20:57,600 [gasping] 269 00:20:57,600 --> 00:21:01,300 PLEASE DON'T TOUCH ME. IT HURTS ME. 270 00:21:01,300 --> 00:21:03,130 IT HURTS TO BE TOUCHED? 271 00:21:06,060 --> 00:21:09,200 HERE, HAVE A CRYING TOWEL. 272 00:21:10,960 --> 00:21:14,400 NO, THANK YOU. I DON'T CRY TEARS LIKE PEOPLE. 273 00:21:14,400 --> 00:21:17,200 YOU MUST HAVE CRIED LIKE PEOPLE ONCE UPON A TIME. 274 00:21:21,100 --> 00:21:23,600 HERE. SYBIL, COME ON, SIT DOWN. 275 00:21:27,460 --> 00:21:28,960 YOU KNOW, 276 00:21:28,960 --> 00:21:30,800 I THINK THE FEAR THAT YOU'RE SUFFERING FROM 277 00:21:30,800 --> 00:21:33,400 IS VERY, VERY DEEP. 278 00:21:33,400 --> 00:21:35,360 AND I THINK YOUR--YOUR SYMPTOMS, 279 00:21:35,360 --> 00:21:38,030 YOUR--YOUR TUNNEL VISION AND YOUR BLACKOUTS 280 00:21:38,030 --> 00:21:41,400 ARE A RESULT OF THAT FEAR. 281 00:21:41,400 --> 00:21:44,330 IT'S A KIND OF HYSTERIA. 282 00:21:44,330 --> 00:21:45,500 YOU SEE? 283 00:21:46,500 --> 00:21:48,260 YES. 284 00:21:48,260 --> 00:21:50,760 YOU UNDERSTAND, IF YOU ARE--ARE 285 00:21:51,660 --> 00:21:55,030 TOO SCARED TO FACE SOMETHING, 286 00:21:55,030 --> 00:21:58,230 THEN IT JUST MAKES PERFECTLY GOOD SENSE TO BLACKOUT 287 00:21:58,230 --> 00:22:01,600 AND THEN YOU NEVER HAVE TO KNOW WHAT YOU'RE SCARED OF. 288 00:22:01,600 --> 00:22:03,330 NOTHING SCARES ME. 289 00:22:06,200 --> 00:22:09,100 LISTEN, WOULD YOU LIKE TO COME BACK AND SEE ME AGAIN 290 00:22:11,560 --> 00:22:13,160 ON, UM, THURSDAY? 291 00:22:13,160 --> 00:22:15,600 UH, MY NAME IS DR. WILBUR BY THE WAY. 292 00:22:16,560 --> 00:22:18,460 IS IT EXPENSIVE? 293 00:22:18,460 --> 00:22:20,060 NO, NOT IN THE CLINIC. 294 00:22:20,060 --> 00:22:21,860 I THINK YOU CAN AFFORD IT. 295 00:22:22,800 --> 00:22:24,830 I HAVE TO ASK MY FATHER. 296 00:22:27,660 --> 00:22:30,230 HE'S HERE ON HIS HONEYMOON. 297 00:22:32,960 --> 00:22:35,730 MY MOTHER DIED A WHILE BACK. HE REMARRIED. 298 00:22:38,760 --> 00:22:40,860 HAVE TO SHOW HIM THE SIGHTS TOMORROW. 299 00:22:40,860 --> 00:22:42,130 (Sybil) IF YOU CAN CALL 300 00:22:42,130 --> 00:22:45,230 LUNCHING AT THE MUSEUM CAFETERIA THE SIGHTS. 301 00:22:45,230 --> 00:22:49,130 WELL, I MUST SAY THIS IS SURE A DELIGHTFUL NOTION. 302 00:22:49,130 --> 00:22:53,530 EATING BY A REAL ROMAN POOL IN THE MIDDLE OF NEW YORK CITY. 303 00:22:53,530 --> 00:22:56,200 I BETTER NOT SAY "ROMAN" OUT LOUD. 304 00:22:56,200 --> 00:22:58,630 THE POPE MIGHT JUMP OUT AND EAT DAD. 305 00:22:58,630 --> 00:23:00,300 NOW, YOU QUIT THAT. 306 00:23:01,530 --> 00:23:03,130 WELL, WHAT'S THE NATIVE CUSTOM? 307 00:23:03,130 --> 00:23:05,230 DO WE STACK OUR TRAYS OR EAT RIGHT OFF 'EM? 308 00:23:05,230 --> 00:23:07,660 WELL, I'M SETTING MY PLACE PROPER. 309 00:23:07,660 --> 00:23:09,460 WAIT, WILLARD, 310 00:23:09,460 --> 00:23:12,030 TILL I SLIDE A NAPKIN UNDER YOUR PLATE. 311 00:23:12,960 --> 00:23:15,200 THERE, NOW, ISN'T THAT MORE HOMEY? 312 00:23:15,200 --> 00:23:17,460 HERE, YOU SEE HOW SHE BABIES ME? 313 00:23:17,460 --> 00:23:18,930 WELL, HE IS A BABY. 314 00:23:18,930 --> 00:23:21,800 JUST A BIG, STRONG, SWEET OLD BABY. 315 00:23:23,100 --> 00:23:25,860 BUT HE'S JUST WHAT THE DOCTOR ORDERED. 316 00:23:25,860 --> 00:23:27,600 AREN'T YOU, LOVEY? 317 00:23:32,060 --> 00:23:33,900 HOW DO YOU LIKE CHICAGO, DAD? 318 00:23:33,900 --> 00:23:36,960 OH, FINE. UM, PLENTY TO DO. 319 00:23:36,960 --> 00:23:39,430 OH, MY SPAGHETTI LOOKS YUMMY. 320 00:23:39,430 --> 00:23:42,600 NICE AND CRUSTY AND TOMATOEY. 321 00:23:43,560 --> 00:23:45,760 WHAT DID YOU TAKE, SYBIL? 322 00:23:45,760 --> 00:23:47,360 JUST CHICKEN SALAD? 323 00:23:47,360 --> 00:23:48,760 NO, IT'S TUNA. OH. 324 00:23:48,760 --> 00:23:51,030 THAT'S A PUNY KIND OF LUNCH FOR A GROWING GIRL. 325 00:23:51,030 --> 00:23:53,060 I DON'T WANT YOU TO SKIMP ON YOUR FOOD. 326 00:23:53,060 --> 00:23:55,360 WELL, I STOPPED GROWING A LONG TIME AGO, DAD. 327 00:23:55,360 --> 00:23:57,360 IT'S FINE, A GRACIOUS SUFFICIENCY. 328 00:23:57,360 --> 00:23:58,930 THANK YOU. 329 00:23:58,930 --> 00:24:01,300 WE, UH, THANK THEE LORD 330 00:24:01,300 --> 00:24:03,800 FOR ALL THY BOUNTIFUL BLESSINGS. AMEN. 331 00:24:03,800 --> 00:24:05,100 AMEN. AMEN. 332 00:24:05,100 --> 00:24:09,060 BUT, OH, THE PRICES OF EVERYTHING HERE. 333 00:24:09,060 --> 00:24:11,930 I NEARLY DIE EVERY TIME A WAITER BRINGS THE CHECK. 334 00:24:11,930 --> 00:24:14,160 (Willard) THAT'S WHAT YOU GET FOR LOOKING, HUH? 335 00:24:14,160 --> 00:24:17,630 (Frieda) OF COURSE, THINGS ARE DEAR IN CHICAGO, TOO. 336 00:24:18,630 --> 00:24:20,800 IT'S HARD TO MAKE ENDS MEET. HMM. 337 00:24:20,800 --> 00:24:22,530 WHEN WE LIVED IN WILLOW CORNERS, 338 00:24:22,530 --> 00:24:24,500 YOU COULD EAT A MEAL LIKE THIS. 339 00:24:24,500 --> 00:24:26,760 OH, I USED TO GET YOUR MOTHER TO... 340 00:24:26,760 --> 00:24:28,060 GOD REST HER SOUL. 341 00:24:28,060 --> 00:24:31,230 TO GO DOWN TO THE GREEN--GREEN COMET CAFE 342 00:24:31,230 --> 00:24:34,660 AND ORDERED A WHOLE COVERED DINNER ON A SABBATH 343 00:24:34,660 --> 00:24:36,430 SO SHE WOULDN'T HAVE TO COOK. YES. 344 00:24:36,430 --> 00:24:39,560 AND WHY, WHAT WITH THE ROASTED CHICKEN 345 00:24:39,560 --> 00:24:43,100 AND YELLOW GRAVY AND THE FIXINGS IT DIDN'T COME TO $1.50. 346 00:24:43,100 --> 00:24:44,830 DAD, 347 00:24:44,830 --> 00:24:48,100 I--I HAVE AN ILLNESS. 348 00:24:48,100 --> 00:24:52,060 IT'S WHAT YOU AND MOTHER CALLED MY MOODINESS. 349 00:24:52,060 --> 00:24:54,060 AND IT'S GETTING WORSE AND WORSE. 350 00:24:54,060 --> 00:24:56,460 IT WILL BE THE END OF EVERYTHING 351 00:24:56,460 --> 00:24:59,300 UNLESS I CAN DO SOMETHING ABOUT IT. 352 00:24:59,300 --> 00:25:01,530 I'M SORRY TO BRING YOU IN ON THIS, FRIEDA, 353 00:25:01,530 --> 00:25:03,700 BUT YOU'RE NOT BLOOD FAMILY 354 00:25:03,700 --> 00:25:07,400 AND I DON'T SEEM TO BE ABLE TO GET DAD ALONE. 355 00:25:07,400 --> 00:25:10,460 WELL, UH, I FEEL LIKE FAMILY. 356 00:25:10,460 --> 00:25:11,630 GOODNESS. 357 00:25:15,730 --> 00:25:18,700 DAD, THERE'S A LADY, 358 00:25:18,700 --> 00:25:20,600 A DOCTOR, 359 00:25:20,600 --> 00:25:23,900 AND I-- I'VE TALKED TO HER. 360 00:25:23,900 --> 00:25:26,730 SHE CAN HELP ME IN THE PURSUIT OF ME 361 00:25:26,730 --> 00:25:29,100 AND SHE THINKS THAT THAT'S A USEFUL PURSUIT. 362 00:25:29,100 --> 00:25:30,930 WILLARD, YOU SAID YOURSELF 363 00:25:30,930 --> 00:25:33,560 WE HAVE A PERFECTLY GOOD SPARE ROOM 364 00:25:33,560 --> 00:25:36,360 AND ALL HER THINGS WOULD FIT IN THERE JUST PERFECT. 365 00:25:36,360 --> 00:25:39,860 NOTHING WILL FIT PERFECT ANYWHERE UNTIL I FIT PERFECT. 366 00:25:41,200 --> 00:25:42,700 I'M SORRY. 367 00:25:50,000 --> 00:25:52,130 I'M GOING TO THE RESTROOM. 368 00:25:53,430 --> 00:25:57,000 I DON'T WANT IT SAID THAT I INFLUENCED ANYTHING. 369 00:26:02,700 --> 00:26:05,460 BETWEEN A ROCK AND A HARD PLACE, SYBIL. 370 00:26:05,460 --> 00:26:07,930 I MEAN, YOU KNOW HOW THE CHURCH VIEWS 371 00:26:07,930 --> 00:26:09,500 THE PRACTITIONERS OF THE MIND. 372 00:26:09,500 --> 00:26:11,000 I'M VERY FRUGAL. 373 00:26:11,000 --> 00:26:13,400 IF I GIVE UP MY LUXURIES, TELEVISION, 374 00:26:13,400 --> 00:26:15,260 AND I DON'T READ AFTER SUNSET 375 00:26:15,260 --> 00:26:19,460 AND I-- AND I USE THE STOVE ONLY OCCASIONALLY TO COOK 3 DAYS AT A TIME, 376 00:26:19,460 --> 00:26:22,400 I COULD-- I COULD GET BY ON WHAT YOU SEND ME. 377 00:26:22,400 --> 00:26:25,730 THE DEVIL HATH POWER TO ASSUME A PLEASING SHAPE. 378 00:26:25,730 --> 00:26:28,130 SHE'S NOT THE DEVIL, DAD. NOW, I--I KNOW THAT. 379 00:26:28,130 --> 00:26:29,700 I DON'T KNOW THAT ABOUT ANYONE 380 00:26:29,700 --> 00:26:31,230 EXCEPT THE PEOPLE IN OUR OWN CONGREGATION. 381 00:26:31,230 --> 00:26:32,660 SHE'S A REPUTABLE DOCTOR. 382 00:26:32,660 --> 00:26:33,930 FIRST THING YOU KNOW IT'S DRUGS, 383 00:26:33,930 --> 00:26:35,900 THEN A HOSPITAL FULL OF LOST SOULS. 384 00:26:35,900 --> 00:26:38,200 THAT'S THE WAY THEY BEGIN IT, SYBIL. OH, LORD, 385 00:26:38,200 --> 00:26:39,400 I THINK I'M TRAPPED. 386 00:26:39,400 --> 00:26:42,430 THE FINAL PREPARATION FOR THE HOLOCAUST. 387 00:26:42,430 --> 00:26:44,930 IT'S ARMAGEDDON, SYBIL. 388 00:26:44,930 --> 00:26:46,830 [groaning] "AND IT SHALL RISE UP IN THE EAST 389 00:26:46,830 --> 00:26:49,100 AND THE RIVERS SHALL FLOW AS BLOOD." 390 00:26:50,630 --> 00:26:52,130 [grunting] 391 00:26:54,800 --> 00:26:56,060 SYBIL! 392 00:26:59,700 --> 00:27:02,060 I'M SORRY. OH, DAD, 393 00:27:02,060 --> 00:27:03,760 I'M--I'M SORRY. 394 00:27:05,600 --> 00:27:09,030 I CAN PAY FOR IT. IT--IT--IT SURELY IS--IS ABOUT $2. 395 00:27:09,030 --> 00:27:10,760 WHAT IS THE MATTER WITH YOU? 396 00:27:10,760 --> 00:27:12,330 [groaning] 397 00:27:15,530 --> 00:27:17,930 [Sybil groaning] 398 00:27:19,160 --> 00:27:21,630 (Willard) SYBIL. SYBIL. 399 00:27:21,630 --> 00:27:24,400 SYBIL! SYBIL! 400 00:27:25,460 --> 00:27:26,900 SYBIL! 401 00:28:29,960 --> 00:28:32,030 [voices chattering] 402 00:28:35,600 --> 00:28:37,260 [clock ticking] 403 00:28:52,130 --> 00:28:54,430 [voices continue chattering] 404 00:29:24,860 --> 00:29:26,730 [voices chattering] 405 00:29:34,530 --> 00:29:35,900 [sobbing] 406 00:29:47,760 --> 00:29:49,560 [children shouting] 407 00:29:55,060 --> 00:29:57,060 NOW, TELL ME WHEN YOU SEE MY FINGERS WIGGLE. 408 00:29:57,060 --> 00:30:00,900 THE DEVIL HATH POWER TO ASSUME A PLEASING SHAPE. 409 00:30:00,900 --> 00:30:02,760 [children shouting] 410 00:30:05,560 --> 00:30:06,860 I'VE CUT MY WRIST. 411 00:30:06,860 --> 00:30:08,930 YOU KNOW HOW OUR CHURCH FEELS 412 00:30:08,930 --> 00:30:11,160 ABOUT THE PRACTITIONERS OF THE MIND. 413 00:30:12,200 --> 00:30:14,130 [children shouting] 414 00:30:18,800 --> 00:30:21,430 WHAT'S THE MATTER? MY WHITE COAT BOTHER YOU? 415 00:30:22,860 --> 00:30:25,830 [sobbing] ALWAYS. ALWAYS. I WAS ALWAYS LIKE THIS. 416 00:30:25,830 --> 00:30:27,830 FIRST THING YOU KNOW IT'S DRUGS, 417 00:30:27,830 --> 00:30:30,260 THEN A HOSPITAL FULL OF LOST SOULS. 418 00:30:31,360 --> 00:30:33,160 [children shouting] 419 00:30:34,960 --> 00:30:36,130 [groaning] 420 00:30:37,430 --> 00:30:39,960 IT'S ALL RIGHT. IT'S JUST DISINFECTANT. 421 00:30:39,960 --> 00:30:42,560 THE FINAL PREPARATION FOR THE HOLOCAUST, 422 00:30:42,560 --> 00:30:45,030 THE ARMAGEDDON, SYBIL. 423 00:30:45,030 --> 00:30:46,700 [sobbing] I ALWAYS THOUGHT 424 00:30:46,700 --> 00:30:49,400 THAT PEOPLE WOULD JUST NATURALLY BE SOMEPLACE ELSE 425 00:30:49,400 --> 00:30:51,560 OR WEARING ANOTHER DRESS OR BE A WHOLE LOT OLDER, 426 00:30:51,560 --> 00:30:54,360 LIKE WHEN I WAS IN THE 3RD GRADE AND MY GRANDMOTHER DIED 427 00:30:54,360 --> 00:30:56,400 AND--AND I WASN'T ANYPLACE FOR 2 YEARS. 428 00:30:56,400 --> 00:30:58,830 I JUST WASN'T ANYPLACE, NOT ANYPLACE AT ALL. 429 00:30:58,830 --> 00:31:00,830 WOULD YOU LIKE TO COME BACK AND SEE ME ON THURSDAY? 430 00:31:00,830 --> 00:31:02,600 WHAT IS THE MATTER WITH-- 431 00:31:02,600 --> 00:31:04,360 [telephone ringing] 432 00:31:09,500 --> 00:31:11,400 IT'S ALL RIGHT. I'VE GOT IT. 433 00:31:14,430 --> 00:31:15,600 YEAH. 434 00:31:17,130 --> 00:31:18,330 WHO? 435 00:31:20,030 --> 00:31:21,660 VICKY WHO? 436 00:31:24,160 --> 00:31:28,200 IT BETTER BE AN EMERGENCY FOR "JUST VICKY" AT 3:00 IN THE MORNING. 437 00:31:28,800 --> 00:31:30,200 OK, PUT HER ON. 438 00:31:31,830 --> 00:31:33,960 (Sybil as Vicky) DR. WILBUR? 439 00:31:33,960 --> 00:31:36,730 YEAH. 440 00:31:36,730 --> 00:31:40,260 THAT WINDOW IS BEGINNING TO LOOK AWFULLY GOOD TO SYBIL. 441 00:31:41,130 --> 00:31:43,430 WHAT WINDOW? WHO ARE YOU? 442 00:31:43,430 --> 00:31:45,830 I'M SYBIL'S FRIEND. 443 00:31:45,830 --> 00:31:47,860 IT'S VERY HIGH, DR. WILBUR. 444 00:31:47,860 --> 00:31:49,400 IT'S UP 4 FLOORS. 445 00:31:49,400 --> 00:31:52,630 YOU'D BETTER COME QUICK TO THE STATON HOTEL-- 446 00:31:52,630 --> 00:31:54,900 HOLD ON A SECOND. HOLD ON, OK? 447 00:31:56,730 --> 00:31:58,160 STATON HOTEL-- 448 00:31:58,160 --> 00:32:01,300 HOLD ON. WAIT A MINUTE. WAIT A MINUTE. HOLD ON. YEAH. 449 00:32:01,300 --> 00:32:03,660 ALL RIGHT, IT'S THE STATON HOTEL, 450 00:32:03,660 --> 00:32:07,360 136 WEST 125TH STREET. 451 00:32:07,360 --> 00:32:09,100 OPPOSITE THE ROSLYN. 452 00:32:09,100 --> 00:32:11,130 OK. 453 00:32:11,130 --> 00:32:13,060 WHAT IS SHE DOING IN HARLEM? 454 00:32:14,830 --> 00:32:16,530 [cars honking] 455 00:32:37,830 --> 00:32:39,230 [door rattling] 456 00:32:41,200 --> 00:32:43,060 (Dr. Wilbur) VICKY? 457 00:32:43,060 --> 00:32:44,860 (as Marcia) LEAVE ME ALONE. 458 00:32:46,430 --> 00:32:48,600 VICKY, LET ME IN. IT'S DR. WILBUR. 459 00:32:53,660 --> 00:32:54,860 THANK YOU. 460 00:32:57,500 --> 00:32:58,730 SYBIL? 461 00:32:58,730 --> 00:33:00,130 [gasping] 462 00:33:04,300 --> 00:33:05,900 (Sybil) OH, NO. 463 00:33:07,800 --> 00:33:10,560 I DIDN'T WANT TO DO THIS IN FRONT OF YOU AGAIN. 464 00:33:12,160 --> 00:33:14,230 IT'S ALL RIGHT. IT'S ALL RIGHT. 465 00:33:14,230 --> 00:33:17,530 LISTEN, WOULD YOU JUST WAIT DOWNSTAIRS, OK? 466 00:33:17,530 --> 00:33:18,960 [window closing] 467 00:33:20,260 --> 00:33:22,700 WHERE IS THIS? 468 00:33:22,700 --> 00:33:24,930 HAVE I MISSED THURSDAY? DID I MISS THURSDAY? 469 00:33:24,930 --> 00:33:26,730 THAT'S ALL RIGHT. 470 00:33:26,730 --> 00:33:28,460 WHERE'S YOUR FRIEND VICKY? 471 00:33:28,460 --> 00:33:30,360 I DON'T HAVE A FRIEND VICKY. 472 00:33:32,160 --> 00:33:34,030 SHE HAS A FRIEND SYBIL. 473 00:33:35,630 --> 00:33:37,600 WHAT KICKED IT OFF THIS TIME? 474 00:33:39,200 --> 00:33:41,500 I LOST MY JOB. 475 00:33:41,500 --> 00:33:43,800 AND I--I TRIED TO ASK... 476 00:33:45,030 --> 00:33:48,230 MY... MY... 477 00:33:48,230 --> 00:33:50,630 YEAH? YOU ASKED YOUR FATHER ABOUT SEEING ME. 478 00:33:50,630 --> 00:33:52,630 WHAT HAPPENED? WHAT DID HE SAY? 479 00:33:54,360 --> 00:33:55,830 SYBIL? 480 00:33:55,830 --> 00:33:57,430 [sobbing] 481 00:34:01,500 --> 00:34:03,730 (as Peggy) THE PEOPLE. THE PEOPLE. THE PEOPLE. 482 00:34:03,730 --> 00:34:05,430 THE PEOPLE, THEY'RE EVERYWHERE. 483 00:34:05,430 --> 00:34:07,630 THERE, THERE, THERE. THEY'RE EVERYWHERE. 484 00:34:07,630 --> 00:34:09,560 NO, YOU KEEP THEM AWAY FROM ME. 485 00:34:09,560 --> 00:34:12,530 I WILL, I WILL, I WILL DO IT. I WILL DO IT. 486 00:34:12,530 --> 00:34:16,860 [sobbing] HE DOESN'T CARE. HE DOESN'T CARE. 487 00:34:17,730 --> 00:34:19,500 SYBIL. 488 00:34:19,500 --> 00:34:22,100 I HATE SYBIL. I HATE HER. 489 00:34:22,100 --> 00:34:23,300 WHO ARE YOU? 490 00:34:23,300 --> 00:34:24,530 I CAN DO ANYTHING. 491 00:34:24,530 --> 00:34:26,360 I CAN DO ANYTHING I WANT TO. 492 00:34:26,360 --> 00:34:27,760 I CAN DO ANYTHING. 493 00:34:27,760 --> 00:34:30,330 I CAN WALK ON THE FURNITURE IF I TAKE MY SHOES OFF 494 00:34:30,330 --> 00:34:32,530 LIKE THAT AND LIKE THAT AND LIKE THAT. 495 00:34:32,530 --> 00:34:35,500 AND I CAN WALK ON THE CHAIR LIKE THAT AND LIKE THAT AND LIKE THAT. 496 00:34:35,500 --> 00:34:38,430 AND YOU CAN'T STOP ME. I PROMISE YOU, SYBIL, I WOULDN'T STOP YOU. 497 00:34:38,430 --> 00:34:40,530 YOU CAN'T STOP ME. I WON'T STOP YOU. IT'S ALL RIGHT. 498 00:34:40,530 --> 00:34:42,030 [sobbing] IT'S ALL RIGHT. IT'S ALL RIGHT. 499 00:34:42,030 --> 00:34:43,360 IT HURTS ME! 500 00:34:43,360 --> 00:34:45,530 WHAT HURTS? WHAT HURTS YOU? WHERE DOES IT HURT? 501 00:34:45,530 --> 00:34:47,130 I HAVE TO GET OUT. I HAVE TO GET OUT. 502 00:34:47,130 --> 00:34:48,330 NO, WAIT! 503 00:34:48,330 --> 00:34:49,930 I HAVE TO BREAK THE GLASS. NO, NO, NO, NO. 504 00:34:49,930 --> 00:34:51,530 NO, WE DON'T--DON'T BREAK GLASS. 505 00:34:51,530 --> 00:34:54,500 YOU WON'T LET ME OUT, AND YOU WON'T LET ME HAVE ANY PEACE 506 00:34:54,500 --> 00:34:55,900 AND YOU LEAVE ME ALONE AND IT HURTS, 507 00:34:55,900 --> 00:34:57,230 AND YOU DON'T LEAVE ME ALONE, IT HURTS. 508 00:34:57,230 --> 00:34:59,630 WHO ARE YOU TALKING TO? WHO AM I? 509 00:34:59,630 --> 00:35:02,400 WHO HURT YOU? OH, PLEASE, I HAVE TO GET OUT. GET OUT. 510 00:35:02,400 --> 00:35:05,360 I HAVE TO GET OUT. WE'LL JUST GO DOWNSTAIRS, WE'LL GET IN THE TAXI 511 00:35:05,360 --> 00:35:08,030 AND THEN YOU'LL BE OUT, ALL RIGHT? NO, NO, NO, SHE'S THERE. 512 00:35:08,030 --> 00:35:09,660 WHEN SHE'S THERE, THE PEOPLE ARE THERE. 513 00:35:09,660 --> 00:35:11,700 WHO'S THERE? WHO IS THERE? THE PEOPLE. I DON'T WANNA SEE THEM. 514 00:35:11,700 --> 00:35:13,600 I DON'T WANNA FEEL THEM. WHERE IS SYBIL? 515 00:35:13,600 --> 00:35:15,030 I DON'T WANNA KNOW. I DON'T WANNA KNOW. 516 00:35:15,030 --> 00:35:16,630 WHERE IS SYBIL? TELL ME. I HAVE TO GET OUT. 517 00:35:16,630 --> 00:35:17,960 I HAVE TO FEEL THE GLASS. 518 00:35:17,960 --> 00:35:19,560 I HAVE TO FEEL THE GLASS. NO, NO. NO, 519 00:35:19,560 --> 00:35:20,930 [sobbing] NO. NO, NO. 520 00:35:20,930 --> 00:35:23,300 I HAVE TO FEEL THE-- DON'T BREAK IT. 521 00:35:23,300 --> 00:35:25,530 I SEE THE KNOB. 522 00:35:25,530 --> 00:35:27,800 I SEE THE KNOB ON THE WHITE HOUSE. 523 00:35:27,800 --> 00:35:29,830 ON THE WHITE HOUSE, I SEE THE KNOB. 524 00:35:29,830 --> 00:35:32,530 AND THE SHADES ARE PULLED DOWN. 525 00:35:32,530 --> 00:35:35,130 I LIVE RIGHT THERE. I LIVE RIGHT THERE. 526 00:35:35,130 --> 00:35:37,800 RIGHT THERE. 201 WEST 4TH STREET. 527 00:35:37,800 --> 00:35:39,600 WILLOW CORNERS, WISCONSIN. 528 00:35:39,600 --> 00:35:42,360 I LIVE RIGHT THERE. RIGHT THERE. RIGHT THERE. 529 00:35:43,460 --> 00:35:45,300 (Dr. Wilbur) THAT'S HARLEM. 530 00:35:45,300 --> 00:35:47,430 (Sybil as Peggy) I DON'T KNOW WHERE THE OTHER GLASS IS. 531 00:35:47,430 --> 00:35:49,430 [sobbing] IT'S IN DR. QUINONESS' INSTRUMENT CASE, 532 00:35:49,430 --> 00:35:51,330 AND IT'S ALL WHITE AND SHINY KNIVES. 533 00:35:51,330 --> 00:35:52,800 AND MY MOMMA SAYS, "I WILL TAKE YOU 534 00:35:52,800 --> 00:35:54,500 "TO PLAY WITH MONICA AND CHERYL 535 00:35:54,500 --> 00:35:56,260 "BECAUSE YOU LIKE MONICA AND CHERYL." 536 00:35:56,260 --> 00:35:58,000 AND MY GRANDMA SAYS... MY GRANDMA SAYS... 537 00:35:58,000 --> 00:36:00,300 MY GRANDMA SAYS, "YOU--YOU GO LIKE MOMMA SAYS." 538 00:36:00,300 --> 00:36:02,100 MY GRANDMA'S GOOD. SHE'S GOOD. 539 00:36:02,100 --> 00:36:04,560 SHE LOVES ME. SHE LOVES ME. 540 00:36:04,560 --> 00:36:06,760 I'M AFRAID! I'M AFRAID! 541 00:36:06,760 --> 00:36:08,060 [gasping] 542 00:36:24,760 --> 00:36:26,430 (Dr. Wilbur) THERE'S NOTHING TO BE AFRAID OF HERE. 543 00:36:26,430 --> 00:36:28,000 (Sybil as Peggy) THEY NEVER FORGET ANYTHING, 544 00:36:28,000 --> 00:36:29,300 AND THEY LISTEN TO EVERY SOUND. 545 00:36:29,300 --> 00:36:31,200 AND THEY'RE EVERYWHERE, AND THEY'RE EVERYWHERE. 546 00:36:31,200 --> 00:36:32,830 THEY'RE IN THIS ROOM AND THAT ROOM 547 00:36:32,830 --> 00:36:34,630 AND EVERYWHERE YOU LOOK, AND EVERYWHERE YOU LOOK, 548 00:36:34,630 --> 00:36:35,760 WHO? AND EVERYWHERE-- 549 00:36:35,760 --> 00:36:38,730 THE PEOPLE. THE PEOPLE. NO! NO! 550 00:36:38,730 --> 00:36:40,200 NO, DON'T MAKE ME GO THERE. 551 00:36:40,200 --> 00:36:41,900 [shushing] I DON'T WANNA GO UP THERE, PLEASE. 552 00:36:41,900 --> 00:36:43,360 PLEASE DON'T MAKE ME GO UP THERE. 553 00:36:43,360 --> 00:36:45,400 [sobbing] I WON'T GO UP THERE. PLEASE. 554 00:36:45,400 --> 00:36:47,700 PLEASE DON'T MAKE ME GO UP THERE. 555 00:36:47,700 --> 00:36:49,230 GO WHERE? GO WHERE? PLEASE. 556 00:36:49,230 --> 00:36:51,200 IT'S NOT HAPPENING NOW. PLEASE. 557 00:36:51,200 --> 00:36:54,560 IT'S NOT HAPPENING NOW. PLEASE DON'T DO THIS. 558 00:36:54,560 --> 00:36:55,860 (Hattie) WELL, HERE WE ARE. 559 00:36:55,860 --> 00:36:57,800 OH, LOOK, WHO ELSE GOT HERE. 560 00:36:57,800 --> 00:37:00,660 DADDY'LL TAKE YOU UPSTAIRS, WON'T YOU, DADDY? 561 00:37:00,660 --> 00:37:03,460 WHERE'S CHERYL AND MONICA? THEY'LL BE HERE LATER, SYBIL. 562 00:37:03,460 --> 00:37:05,300 YOUR MOMMY'LL BRING YOU SOME ICE CREAM, WON'T YOU, MOMMY? 563 00:37:05,300 --> 00:37:07,200 (Dr. Quinoness) YOU'RE JUST GOING UPSTAIRS FOR A LITTLE NAP. 564 00:37:07,200 --> 00:37:09,300 WHAT KIND DO YOU LIKE? YOU CAN HAVE ANY KIND YOU LIKE. 565 00:37:09,300 --> 00:37:10,700 NOW, HUSH NOW. DOUBLE, DOUBLE. 566 00:37:10,700 --> 00:37:13,400 EASY DOES IT. DOUBLE DIP. THAT'S IT. THAT'S IT. 567 00:37:13,400 --> 00:37:14,660 COME ALONG. 568 00:37:14,660 --> 00:37:15,960 (Sybil) NO! 569 00:37:16,400 --> 00:37:17,560 NO! 570 00:37:18,330 --> 00:37:20,430 NO! NO! 571 00:37:20,830 --> 00:37:22,060 NO! 572 00:37:22,830 --> 00:37:24,160 NO! 573 00:37:24,160 --> 00:37:25,730 NOW, NOW, BIG BREATH, 574 00:37:25,730 --> 00:37:28,200 BIG DEEP BREATH. NO! 575 00:37:28,200 --> 00:37:30,930 NOW, I CAN'T DO ANYTHING IF YOU'RE GONNA TO FIGHT ME. 576 00:37:30,930 --> 00:37:32,800 NO! 577 00:37:33,260 --> 00:37:35,400 [gasping] 578 00:37:35,400 --> 00:37:37,500 (Dr. Wilbur) ALL RIGHT, THERE'S PLENTY OF AIR. 579 00:37:37,500 --> 00:37:39,160 NOW, THERE JUST SEEMED TO BE NO AIR 580 00:37:39,160 --> 00:37:41,460 BECAUSE YOU WERE BREATHING AIR MIXED WITH ETHER. 581 00:37:41,460 --> 00:37:45,300 (as Peggy) THEY HAVE TO USE 2 CANS OF ETHER TO TAKE HER TONSILS OUT 582 00:37:45,300 --> 00:37:48,360 BECAUSE SHE'S A REAL STRONG LITTLE GIRL. 583 00:37:48,360 --> 00:37:50,830 RIGHT, RIGHT, AND A MAD LITTLE GIRL, TOO. 584 00:37:50,830 --> 00:37:52,600 THEY LIED TO YOU, DIDN'T THEY? 585 00:37:52,600 --> 00:37:55,860 YEAH, THEY GOT YOU THERE UNDER FALSE PRETENSES. 586 00:37:55,860 --> 00:37:57,130 [sobbing] 587 00:37:57,130 --> 00:37:58,830 THEY'RE GONNA KILL HER. 588 00:37:58,830 --> 00:38:00,560 THAT'S WHAT THEY'RE GONNA DO. 589 00:38:00,560 --> 00:38:03,430 NO, THEY'RE NOT GOING TO KILL YOU. 590 00:38:03,430 --> 00:38:07,030 AND WHY DO YOU KEEP REFERRING TO YOURSELF IN THE THIRD PERSON, HMM? 591 00:38:07,030 --> 00:38:09,360 BECAUSE SHE'S SYBIL. 592 00:38:09,360 --> 00:38:12,100 [sobbing] BUT MY THROAT HURTS, TOO. 593 00:38:13,160 --> 00:38:15,200 AND WHO ARE YOU, SWEETIE? 594 00:38:15,200 --> 00:38:17,200 WILL YOU TELL DR. WILBUR NOW? 595 00:38:18,160 --> 00:38:20,700 DR. WILBUR'S TOO FAR AWAY. 596 00:38:20,700 --> 00:38:24,260 NO, NO. DR. WILBUR'S RIGHT HERE. 597 00:38:24,260 --> 00:38:26,430 DR. WILBUR JUST SEEMED VERY FAR AWAY 598 00:38:26,430 --> 00:38:29,330 BECAUSE ALL GOOD AND SAFE THINGS 599 00:38:29,330 --> 00:38:32,060 MUST HAVE SEEMED VERY, VERY FAR AWAY. 600 00:38:33,200 --> 00:38:36,260 DR. WILBUR, A WHITE COAT? 601 00:38:36,260 --> 00:38:39,200 THAT'S RIGHT, BUT I'M NOT WEARING IT NOW. 602 00:38:40,260 --> 00:38:41,730 [sobbing] 603 00:38:43,860 --> 00:38:46,460 HI. EVERYTHING'S OK NOW. 604 00:38:46,460 --> 00:38:48,930 YOU JUST TRY AND GET SOME SLEEP, OK? 605 00:38:48,930 --> 00:38:51,460 I WANNA BE YOUR LITTLE GIRL. 606 00:38:51,460 --> 00:38:54,460 PLEASE, TAKE ME TO YOUR HOUSE. 607 00:38:54,460 --> 00:38:57,900 OH, HONEY, YOUR MOMMY AND DADDY LOVE YOU VERY MUCH. 608 00:38:57,900 --> 00:38:59,530 THEY'D MISS YOU. 609 00:38:59,530 --> 00:39:01,900 JUST TRY AND GET SOME SLEEP, OK? 610 00:39:01,900 --> 00:39:04,830 YOU TAKE ME, PLEASE. 611 00:39:04,830 --> 00:39:08,600 HONEY. HONEY, PLEASE, JUST--JUST TRY TO SLEEP, OK? 612 00:39:09,900 --> 00:39:11,700 HELLO. HERE'S YOUR MOMMY, SYBIL. 613 00:39:11,700 --> 00:39:12,900 EVERYTHING'S ALL RIGHT NOW. HELLO. 614 00:39:12,900 --> 00:39:15,200 HOW'S MY LITTLE GIRL? 615 00:39:15,200 --> 00:39:17,860 LOOK WHAT I BROUGHT YOU, SYBIL. 616 00:39:18,530 --> 00:39:19,800 SYBIL? 617 00:39:21,260 --> 00:39:22,560 SYBIL. 618 00:39:22,930 --> 00:39:24,100 SYBIL. 619 00:39:25,700 --> 00:39:27,300 (Hattie) DON'T YOU TURN YOUR BACK ON ME. 620 00:39:27,300 --> 00:39:29,200 I'M TALKING TO YOU. 621 00:39:29,200 --> 00:39:31,630 SYBIL. SYBIL. 622 00:39:36,230 --> 00:39:37,500 [groaning] 623 00:39:38,630 --> 00:39:41,130 YOU'RE... NO CUTS. NO BRUISES. 624 00:39:41,130 --> 00:39:42,960 I BUSTED IT ALL TO PIECES. YOU'RE ALL IN ONE PIECE. 625 00:39:42,960 --> 00:39:45,730 IT'S ALL RIGHT. IT'S ALL RIGHT. IT'S EASIER TO FIX WINDOWS 626 00:39:45,730 --> 00:39:47,300 THAN LITTLE GIRLS. 627 00:39:49,830 --> 00:39:52,500 (as Peggy) LITTLE GIRLS ARE MORE IMPORTANT THAN WINDOWS? 628 00:39:52,500 --> 00:39:55,100 THIS LITTLE GIRL CERTAINLY IS. SURE. 629 00:40:02,300 --> 00:40:04,500 I GOT SOMETHING TO TELL YOU. 630 00:40:05,330 --> 00:40:08,330 IT'S ABOUT SYBIL. 631 00:40:08,330 --> 00:40:11,700 SHE PUTS GUCK ALL OVER HER HAIR 632 00:40:11,700 --> 00:40:13,460 'CAUSE SHE HAS GRAY HAIR. 633 00:40:13,460 --> 00:40:15,200 [laughing] 634 00:40:15,200 --> 00:40:17,060 I DON'T. I'M NATURAL. 635 00:40:18,560 --> 00:40:20,430 YOU LIKE THE WAY I LOOK? 636 00:40:20,430 --> 00:40:22,530 I HAVE A REAL PRETTY FACE. 637 00:40:22,530 --> 00:40:25,330 SEE ME IN THE MIRROR? AND A LITTLE NOSE 638 00:40:25,330 --> 00:40:27,960 AND ALL MY FRECKLES AND MY BANGS. 639 00:40:27,960 --> 00:40:30,300 I'M ONLY 9. 640 00:40:30,300 --> 00:40:32,130 DO YOU BELIEVE ME? 641 00:40:32,130 --> 00:40:33,760 YES, I BELIEVE YOU. 642 00:40:42,600 --> 00:40:44,360 MY NAME'S PEGGY, 643 00:40:47,400 --> 00:40:49,300 AND YOU'RE MY DR. WILBUR. 644 00:40:54,600 --> 00:40:56,600 (Dr. Lazarus) TELL ME ABOUT YOUR PATIENT. 645 00:40:56,600 --> 00:40:59,100 YOU THINK SHE'S REALLY A MULTIPLE PERSONALITY? 646 00:40:59,100 --> 00:41:00,460 ERNA, I KNOW SHE IS. 647 00:41:00,460 --> 00:41:03,200 I'VE--I'VE MET ONE ALTERNATE, I KNOW. 648 00:41:03,200 --> 00:41:05,400 AND I'VE TALKED TO ANOTHER ONE ON THE TELEPHONE. 649 00:41:05,400 --> 00:41:08,830 SUCH A COMPLIMENT THAT THEY SHOULD REVEAL THEMSELVES SO QUICKLY. 650 00:41:08,830 --> 00:41:11,900 ERNA, THE--THE WAKING SELF, 651 00:41:11,900 --> 00:41:13,260 THE SYBIL PART, 652 00:41:13,260 --> 00:41:17,160 IS VERY REPRESSED AND--AND--AND VERY TROUBLED. 653 00:41:17,160 --> 00:41:19,260 A GRIM--GRIM PERSON, 654 00:41:19,260 --> 00:41:21,400 BUT THE--THE OTHER ONE, 655 00:41:21,400 --> 00:41:23,930 THE--THE LITTLE PEGGY, IS JUST ENCHANTING. 656 00:41:23,930 --> 00:41:25,160 SHE'S--SHE'S, UH, 657 00:41:25,160 --> 00:41:28,100 SHE'S JUST ADRIFT IN TIME. 658 00:41:28,100 --> 00:41:29,900 SHE DOESN'T KNOW THAT SHE'S IN NEW YORK 659 00:41:29,900 --> 00:41:33,830 AND SHE'S--SHE'S ABSOLUTELY FULL OF MISCONCEPTIONS ABOUT EVERYTHING. 660 00:41:33,830 --> 00:41:35,300 HOW ARE YOU GOING TO TREAT HER? 661 00:41:35,300 --> 00:41:36,430 PSYCHOANALYSIS. 662 00:41:36,430 --> 00:41:37,500 WHICH ONE? 663 00:41:37,500 --> 00:41:38,630 ALL 3. 664 00:41:38,630 --> 00:41:40,200 THAT'S UNPRECEDENTED. 665 00:41:40,200 --> 00:41:41,860 WHY ARE YOU THE BIG PIONEER? 666 00:41:41,860 --> 00:41:43,930 WELL, WHY DID YOU TEACH ME TO BE? 667 00:41:43,930 --> 00:41:45,160 [both laughing] 668 00:41:45,160 --> 00:41:46,600 BE CAREFUL. 669 00:41:47,900 --> 00:41:49,500 CONNIE, BE CAREFUL. 670 00:41:49,500 --> 00:41:52,130 DON'T FALL IN LOVE WITH HER ILLNESS. 671 00:41:52,130 --> 00:41:54,660 OR SHE COULD BE OBLIGATED 672 00:41:54,660 --> 00:41:57,800 TO SEEM JUST MORE COMPLEX THAN SHE IS 673 00:41:57,800 --> 00:42:00,500 JUST TO KEEP YOUR APPROVAL. 674 00:42:00,500 --> 00:42:02,830 YOU KNOW, THEY ARE NOT LITTLE GIRLS. 675 00:42:02,830 --> 00:42:05,900 THEY'RE DEFENSES THAT BELONG TO SOMEBODY ELSE, 676 00:42:05,900 --> 00:42:09,060 PIECES, FRAGMENTS, ONLY ILLUSIONS. 677 00:42:09,060 --> 00:42:10,900 AND THEY ARE ACTING OUT A DRAMA 678 00:42:10,900 --> 00:42:13,460 THAT HAS NOTHING TO DO WITH YOU. 679 00:42:13,460 --> 00:42:15,100 WELL, I KNOW THAT. 680 00:42:15,100 --> 00:42:18,600 SO YOU MUSTN'T ACT OUT ONE THAT HAS NOTHING TO DO WITH THEM. 681 00:42:18,600 --> 00:42:19,900 OH, FOR INSTANCE? 682 00:42:19,900 --> 00:42:21,660 FOR INSTANCE, 683 00:42:21,660 --> 00:42:23,600 YOU ARE NOT THEIR MOTHER. 684 00:42:27,860 --> 00:42:30,760 (Dr. Wilbur) IT WASN'T EASY TO HEED MY FRIEND'S WARNING. 685 00:42:30,760 --> 00:42:34,760 EVERY TIME PEGGY LEAVES MY OFFICE TO DISAPPEAR INTO THE CITY, 686 00:42:34,760 --> 00:42:37,960 I HAVE THE MOST AWFUL URGE TO CALL HER BACK 687 00:42:37,960 --> 00:42:41,100 BECAUSE I KNOW THAT NEW YORK DOESN'T EXIST FOR HER. 688 00:42:41,100 --> 00:42:46,130 SHE LIVES IN THE SMALL MIDWESTERN TOWN OF HER MEMORY 20 YEARS AGO 689 00:42:46,130 --> 00:42:50,860 WHERE THERE WEREN'T ANY TAXIS OR BUSES OR STRANGERS TO HARM HER. 690 00:42:50,860 --> 00:42:52,700 AND WHENEVER THE CITY SWALLOWS HER UP, 691 00:42:52,700 --> 00:42:55,000 I WONDER IF I'LL EVER SEE HER AGAIN 692 00:42:55,000 --> 00:42:59,700 UNTIL, BY SOME MIRACLE, SHE OR SYBIL APPEAR ON MY DOORSTEP. 693 00:42:59,700 --> 00:43:02,760 I WONDER WHAT SHE DOES AND HOW SHE LIVES 694 00:43:03,500 --> 00:43:05,100 OR WHO SHE SEES. 695 00:43:05,100 --> 00:43:08,560 (Richard) * HUSH-A-BYE * 696 00:43:08,560 --> 00:43:12,630 * DON'T YOU CRY * 697 00:43:12,630 --> 00:43:15,330 * GO TO SLEEP-Y * 698 00:43:15,330 --> 00:43:19,700 * LITTLE BABY * 699 00:43:19,700 --> 00:43:23,060 * WHEN YOU WAKE * 700 00:43:23,060 --> 00:43:26,730 * YOU WILL HAVE * 701 00:43:26,730 --> 00:43:31,360 * ALL THE PRETTY LITTLE PONIES * 702 00:43:32,800 --> 00:43:35,900 * BLACKS AND BAYS * 703 00:43:35,900 --> 00:43:39,100 * DAPPLES AND GRAYS * 704 00:43:39,730 --> 00:43:41,560 * COACH * 705 00:43:41,560 --> 00:43:45,730 * AND 6 A-LITTLE HORSES * 706 00:43:46,960 --> 00:43:50,500 * HUSH-A-BYE * 707 00:43:50,500 --> 00:43:53,360 * DON'T YOU CRY * 708 00:43:54,600 --> 00:43:57,530 * GO TO SLEEP-Y * 709 00:43:57,530 --> 00:44:01,030 * LITTLE BABY ** 710 00:44:03,260 --> 00:44:05,300 **[Richard humming] 711 00:44:10,430 --> 00:44:11,660 [snorting] 712 00:44:24,400 --> 00:44:26,200 HEY, SYBIL DORSETT! 713 00:44:27,200 --> 00:44:29,930 WANNA PET MY HORSE? 714 00:44:29,930 --> 00:44:33,460 COME ON, MA'AM. NOW, HAVE NO FEAR OR TREPIDATION. 715 00:44:33,460 --> 00:44:35,200 WE'VE FALLEN ON HARD TIMES, HIM AND ME, 716 00:44:35,200 --> 00:44:37,360 SINCE WE WERE THE FINEST ROPING TEAM IN ALL THE WEST 717 00:44:37,360 --> 00:44:39,960 AND IT KIND OF LOOKS LIKE IT'S GONNA BE THE DOG-FOOD FACTORY 718 00:44:39,960 --> 00:44:43,630 UNLESS SOME KIND SOUL BELIEVES IN US ENOUGH TO TAKE A RIDE. 719 00:44:44,360 --> 00:44:45,860 HOW ABOUT YOU? 720 00:44:47,730 --> 00:44:50,360 WOULD YOU TAKE YOUR HAT OFF FOR A SECOND? 721 00:44:50,360 --> 00:44:53,030 THINK YOU'VE SEEN ME IN THE PICTURES? 722 00:44:59,660 --> 00:45:00,930 OH. 723 00:45:01,760 --> 00:45:03,930 I DIDN'T KNOW YOU DID THIS. 724 00:45:04,900 --> 00:45:06,360 I KNEW YOU DID THAT. 725 00:45:06,360 --> 00:45:07,560 WHAT? 726 00:45:07,560 --> 00:45:11,260 PAINT. THAT'S AN ART BOOK, ISN'T IT? 727 00:45:11,260 --> 00:45:14,100 "TURNER." YEAH, I KNEW YOU WERE AN ARTIST. 728 00:45:14,100 --> 00:45:16,200 I'VE SEEN YOU PAINTING IN THE MIDDLE OF THE NIGHT. 729 00:45:16,200 --> 00:45:18,860 I DON'T DO THAT. I HAVEN'T PAINTED IN A LONG TIME. 730 00:45:18,860 --> 00:45:20,630 YEAH, YOU DO. I WATCH YOU. 731 00:45:20,630 --> 00:45:24,000 FROM WINDOW TO WINDOW, RIGHT ACROSS OUR BACKYARDS. 732 00:45:24,000 --> 00:45:26,860 EACH WINDOW A STAGE IN THIS THEATER OF THE ABSURD 733 00:45:26,860 --> 00:45:28,960 WHICH WE CALL LIFE. 734 00:45:30,060 --> 00:45:32,530 YOU NEVER HAVE COMPANY. 735 00:45:32,530 --> 00:45:34,400 YOU EAT BY YOURSELF. 736 00:45:34,400 --> 00:45:36,630 YOU STILL PLAY WITH DOLLS. 737 00:45:36,630 --> 00:45:38,860 AND YOU WATCH ME, TOO. 738 00:45:38,860 --> 00:45:41,030 I'VE SEEN YOU OVER THERE WITH THE LIGHTS OUT 739 00:45:41,030 --> 00:45:45,060 SEETHING WITH PASSION ON THOSE HOT SUMMER NIGHTS. 740 00:45:45,060 --> 00:45:47,500 I DON'T HAPPEN TO BE SEETHING WITH ANYTHING. 741 00:45:47,500 --> 00:45:49,530 I'M JUST TRYING TO KEEP MY ELECTRICAL BILL DOWN. 742 00:45:49,530 --> 00:45:50,730 I HAVE TO GO. 743 00:45:50,730 --> 00:45:53,730 WELL, WAIT. WHY? 744 00:45:53,730 --> 00:45:57,400 SAY, "W-A-T-E-R," AND I'LL TELL YOU WHERE YOU COME FROM. 745 00:45:57,400 --> 00:45:58,930 DO I HAVE TO? 746 00:45:58,930 --> 00:46:00,700 YOU WANT YOUR BOOK BACK? 747 00:46:01,760 --> 00:46:03,000 [sighing] 748 00:46:03,000 --> 00:46:04,560 WATER. 749 00:46:04,560 --> 00:46:08,260 ILLINOIS. IOWA. 750 00:46:08,260 --> 00:46:10,760 IT'S WISCONSIN. I--I REALLY HAVE TO GO. 751 00:46:10,760 --> 00:46:13,760 OH, COME ON, SYBIL. GET IN, I'LL GIVE YOU A FREE RIDE. 752 00:46:13,760 --> 00:46:15,400 OH, EXCUSE ME. I'M SORRY. 753 00:46:15,400 --> 00:46:16,630 WELL. 754 00:46:16,630 --> 00:46:18,760 WELL, THAT'S THE 2ND TIME YOU'VE SAID IT, 755 00:46:18,760 --> 00:46:20,130 SO I GUESS YOU WANT ME TO ASK. 756 00:46:20,130 --> 00:46:22,500 HOW DO YOU KNOW MY NAME? 757 00:46:22,500 --> 00:46:24,360 MY LITTLE BOY MATTHEW IS IN LOVE WITH YOU, 758 00:46:24,360 --> 00:46:25,860 AND HE WANTED TO WRITE YOU A LETTER. 759 00:46:25,860 --> 00:46:27,230 SO I WALKED AROUND THE CORNER, 760 00:46:27,230 --> 00:46:28,760 LOOKED AT ALL THE NAMES ON THE BELLS 761 00:46:28,760 --> 00:46:30,460 AND YOU'RE THE ONLY SINGLE ON 5. 762 00:46:30,460 --> 00:46:32,260 I NEVER GOT A LETTER. 763 00:46:32,260 --> 00:46:33,800 NO, WE NEVER SENT IT. 764 00:46:33,800 --> 00:46:36,000 WE BOTH FORGOT HE HASN'T LEARNED TO WRITE. 765 00:46:36,000 --> 00:46:37,300 [chuckling] 766 00:46:38,560 --> 00:46:41,530 LOOK, I GOT AN ITALIAN SAUSAGE SANDWICH. 767 00:46:41,530 --> 00:46:44,660 IT'S REALLY TOO BIG FOR ME, AND HE WON'T EVEN TOUCH IT. 768 00:46:47,200 --> 00:46:48,700 WHO ARE YOU? 769 00:46:48,700 --> 00:46:50,900 I HAVEN'T GOT A CLUE 770 00:46:50,900 --> 00:46:53,630 BUT IT'S CALLED RICHARD J. LOOMIS. 771 00:46:53,630 --> 00:46:56,830 AND JUST LIKE MY HORSE HERE, I CANNOT INFLICT HARM. 772 00:47:05,960 --> 00:47:07,160 OH. 773 00:47:08,000 --> 00:47:09,560 [speaking in French] 774 00:47:12,500 --> 00:47:14,000 HEY, YOU'RE A LINGUIST. 775 00:47:14,000 --> 00:47:15,500 I ONLY KNOW PIG LATIN. 776 00:47:15,500 --> 00:47:18,760 [sighing] YES, I WAS BILINGUAL AS A CHILD. FRENCH. 777 00:47:18,760 --> 00:47:21,730 THAT'S ALL I REMEMBER, AND I'M SORRY TO SAY IT'S ALL WRONG. 778 00:47:21,730 --> 00:47:23,660 RAISED IN PARIS. COME ON, PONY. 779 00:47:23,660 --> 00:47:25,030 PARIS? OOH-LA-LA! 780 00:47:25,030 --> 00:47:26,660 YES. 781 00:47:26,660 --> 00:47:27,860 C'EST BIEN. 782 00:47:27,860 --> 00:47:29,560 WE PLAYED HOPSCOTCH IN THE BOIS. 783 00:47:29,560 --> 00:47:31,330 WE HAD CAFE AU LAIT FOR BREAKFAST 784 00:47:31,330 --> 00:47:32,930 AND PORRIDGE, IF YOU CAN BELIEVE IT. 785 00:47:32,930 --> 00:47:35,530 OF COURSE, WE HAD AN ENGLISH NANNY. 786 00:47:35,530 --> 00:47:36,860 YEAH? YES. 787 00:47:36,860 --> 00:47:39,030 DID SHE SAY, "BOIS," TOO? 788 00:47:39,030 --> 00:47:40,660 YOU GOT ME THERE. 789 00:48:12,500 --> 00:48:13,930 HELLO... 790 00:48:13,930 --> 00:48:16,300 [speaking in French] 791 00:48:18,730 --> 00:48:20,460 OH, OH, WHAT'S YOUR NAME? 792 00:48:20,460 --> 00:48:23,060 OH, I'M SORRY. YOU DON'T RECOGNIZE MY VOICE. 793 00:48:23,060 --> 00:48:26,300 I'M VICKY. VICTORIA, SYBIL'S FRIEND. 794 00:48:26,300 --> 00:48:28,700 VICTORIA ANTOINETTE SCHARLEAU. 795 00:48:28,700 --> 00:48:30,060 ALLO. ALLO. HELLO. 796 00:48:30,060 --> 00:48:31,730 GOOD TO SEE YOU. 797 00:48:31,730 --> 00:48:33,160 ALLO A VOUS, TOO. 798 00:48:33,160 --> 00:48:34,660 WELL. 799 00:48:34,660 --> 00:48:36,260 WELL, COME. COME, RIGHT IN. 800 00:48:36,260 --> 00:48:37,800 MERCI. MERCI. 801 00:48:38,430 --> 00:48:39,800 OH! 802 00:48:39,800 --> 00:48:43,430 QUEL JOLI BUREAU! 803 00:48:43,430 --> 00:48:45,730 OH, THANK YOU. 804 00:48:45,730 --> 00:48:46,800 UM... 805 00:48:47,800 --> 00:48:49,530 ASSEYEZ-VOUS. 806 00:48:49,530 --> 00:48:52,300 OU? SUR THIS COUCH 807 00:48:52,300 --> 00:48:54,160 OU SUR THAT COUCH? 808 00:48:54,160 --> 00:48:55,930 COMME VOUS VOULEZ. 809 00:48:56,730 --> 00:49:00,330 JE CHOOSE THIS COUCH. 810 00:49:04,130 --> 00:49:06,600 I DON'T BLAME YOU FOR NOT REMEMBERING. 811 00:49:06,600 --> 00:49:09,030 IT WAS MONTHS AND MONTHS AGO SINCE I CALLED YOU 812 00:49:09,030 --> 00:49:11,260 FROM THAT DREARY LITTLE HARLEM HOTEL. 813 00:49:11,260 --> 00:49:12,730 MMM-HMM. 814 00:49:12,730 --> 00:49:14,260 WELL, TELL ME, UM, 815 00:49:15,000 --> 00:49:16,500 WHERE'S SYBIL? 816 00:49:20,960 --> 00:49:23,200 SYBIL IS A BIT EMBARRASSED 817 00:49:23,200 --> 00:49:25,860 ABOUT THE FINANCIAL ARRANGEMENTS. 818 00:49:25,860 --> 00:49:30,360 SINCE YOU'VE BEEN SEEING HER IN YOUR PRACTICE PRIVEE, 819 00:49:30,360 --> 00:49:33,360 SHE DOESN'T KNOW HOW SHE WILL EVER REPAY YOU. 820 00:49:35,200 --> 00:49:38,400 SHE'LL REPAY ME WHEN SHE GETS HERSELF TOGETHER 821 00:49:38,400 --> 00:49:39,500 [laughs] 822 00:49:39,500 --> 00:49:41,400 IF YOU'LL EXCUSE THE PUN. 823 00:49:41,400 --> 00:49:42,830 [both chuckling] 824 00:49:46,530 --> 00:49:47,730 YES? 825 00:49:49,730 --> 00:49:51,500 DR. WILBUR, MMM-HMM. 826 00:49:53,760 --> 00:49:55,430 PEGGY IS VERY WORRIED. 827 00:49:55,430 --> 00:49:59,230 SHE THINKS THAT PERHAPS YOU THINK SHE WANTS TO HURT YOU 828 00:49:59,230 --> 00:50:00,730 BECAUSE SHE BREAKS THE WINDOWS. 829 00:50:00,730 --> 00:50:02,200 (Dr. Wilbur) WELL, I DON'T. 830 00:50:02,200 --> 00:50:04,200 NO, SHE WOULDN'T HURT ANYONE. 831 00:50:04,200 --> 00:50:06,400 SHE'D BEEN SO HURT HERSELF. 832 00:50:08,300 --> 00:50:12,730 I WOULDN'T HURT ANYONE EITHER, NOT BY WORD NOR DEED. 833 00:50:12,730 --> 00:50:15,130 I DON'T EVEN LIKE TO HURT SOMEONE'S FEELINGS. 834 00:50:15,130 --> 00:50:16,800 DO YOU KNOW? 835 00:50:16,800 --> 00:50:20,830 IF SOMEONE CALLS ME SYBIL BY MISTAKE, DO YOU KNOW WHAT I DO? 836 00:50:20,830 --> 00:50:23,630 I LOOK IN THEIR FACE AND I SAY, "YES. YES." 837 00:50:23,630 --> 00:50:27,230 OR, "OUI. OUI. YOU'RE SPEAKING TO ME?" 838 00:50:27,230 --> 00:50:30,400 BECAUSE IT HURTS TO BE EMBARRASSED, DO YOU KNOW? 839 00:50:31,200 --> 00:50:32,530 MMM-HMM. 840 00:50:33,800 --> 00:50:35,400 [sighing] 841 00:50:35,400 --> 00:50:40,260 SYBIL IS SUCH A LAMENTABLE CREATURE. 842 00:50:40,260 --> 00:50:41,700 (Dr. Wilbur) WHY DO YOU SAY THAT? 843 00:50:41,700 --> 00:50:43,530 SHE CAN'T DO ANYTHING. 844 00:50:43,530 --> 00:50:46,200 SHE STARTS TO PAINT, SHE CAN'T PAINT. 845 00:50:46,200 --> 00:50:48,960 SHE WANTS TO PLAY THE PIANO, SHE CAN'T PLAY THE PIANO. 846 00:50:48,960 --> 00:50:50,230 SHE WON'T HAVE FUN. 847 00:50:50,230 --> 00:50:53,000 THE WOMAN REFUSES TO HAVE FUN. 848 00:50:53,000 --> 00:50:55,460 SHE'S AFRAID OF PEOPLE, YOU KNOW. 849 00:50:56,400 --> 00:50:58,430 I'M NOT. NO. 850 00:50:59,130 --> 00:51:01,230 I SIMPLY ADORE PEOPLE. 851 00:51:02,300 --> 00:51:04,300 DO YOU KNOW, 852 00:51:04,300 --> 00:51:07,830 THE OTHER DAY, SHE WANTED TO TAKE A RIDE IN THE PARK 853 00:51:07,830 --> 00:51:10,630 WITH THAT ATTRACTIVE YOUNG MAN, UH, RICHARD LOOMIS 854 00:51:10,630 --> 00:51:13,000 WHO LIVES ACROSS THE YARD? 855 00:51:13,000 --> 00:51:15,430 SHE WAS AFRAID TO TAKE HIS HAND. 856 00:51:17,300 --> 00:51:20,330 SHE'S AFRAID OF HANDS. SO IS PEGGY. 857 00:51:21,130 --> 00:51:22,600 I HAD TO GO. 858 00:51:23,430 --> 00:51:25,200 I'M NOT AFRAID OF HANDS. 859 00:51:25,200 --> 00:51:27,800 I'M NOT AFRAID OF ANYTHING. NO, SIR. 860 00:51:29,560 --> 00:51:32,860 WHOSE HANDS ARE SYBIL AND PEGGY AFRAID OF? 861 00:51:32,860 --> 00:51:34,800 [in Hattie's voice] DON'T YOU DARE TELL. 862 00:51:34,800 --> 00:51:38,260 NEXT WORSE THING TO BEING A FIBBER IS BEING A TALEBEARER. 863 00:51:38,260 --> 00:51:42,230 YOU TELL, AND I'LL FIX IT SO YOU AIN'T GOT NOTHING TO TELL WITH. 864 00:51:43,700 --> 00:51:46,400 VICKY, DID YOUR MOTHER EVER HIT YOU? 865 00:51:48,560 --> 00:51:49,630 OH. 866 00:51:51,030 --> 00:51:53,130 MINE? NO. 867 00:51:53,130 --> 00:51:56,700 MY MOTHER IS AN ABSOLUTE ANGEL. 868 00:51:56,700 --> 00:51:58,330 SHE LIVES IN PARIS, YOU KNOW. 869 00:51:58,330 --> 00:52:00,030 SHE'LL BE COMING FOR ME SOON. 870 00:52:00,030 --> 00:52:02,230 WE'LL BE TOGETHER, ALL MY BROTHERS AND-- 871 00:52:02,230 --> 00:52:04,560 IS SYBIL'S MOTHER NOT AN ANGEL? 872 00:52:06,100 --> 00:52:08,730 DO YOU LIKE MY HAIR? 873 00:52:08,730 --> 00:52:11,700 IT'S CALLED A FRENCH TWIST. I DO IT MYSELF. 874 00:52:13,860 --> 00:52:16,800 I LOOK A GREAT DEAL OLDER THAN 13, DON'T I? 875 00:52:18,100 --> 00:52:21,830 THAT'S BECAUSE EUROPEAN CHILDREN MATURE SO MUCH SOONER. 876 00:52:21,830 --> 00:52:26,730 BUT I'M SO THIN. THIS SUIT JUST HANGS ON ME. 877 00:52:26,730 --> 00:52:29,900 MAYBE SYBIL ISN'T FEEDING YOU ENOUGH. 878 00:52:29,900 --> 00:52:31,900 I NEVER COMPLAIN EXACTLY. 879 00:52:31,900 --> 00:52:33,760 BUT ALL SHE EATS IS ROTTEN FRUIT. 880 00:52:33,760 --> 00:52:36,460 THAT'S ALL SHE'S EATEN ALL MONTH LONG. 881 00:52:36,460 --> 00:52:38,500 HER DADDY FORGETS TO SEND HER THE CHECK. 882 00:52:38,500 --> 00:52:40,760 LOTS OF TIMES, HER DADDY FORGETS TO SEND A CHECK 883 00:52:40,760 --> 00:52:42,500 AND THAT MAKES PEGGY VERY, VERY MAD, 884 00:52:42,500 --> 00:52:43,960 AND SHE BARGES INTO THE STORES 885 00:52:43,960 --> 00:52:47,830 AND SMASHES ALL THE CRYSTAL, AND SYBIL HAS TO PAY FOR IT. 886 00:52:49,430 --> 00:52:51,430 BUT I DON'T CARE. 887 00:52:51,430 --> 00:52:54,030 (Dr. Wilbur) DID YOU HAVE BREAKFAST THIS MORNING, HMM? 888 00:52:56,860 --> 00:52:59,460 SWEETIE, ARE YOU HUNGRY? 889 00:52:59,460 --> 00:53:02,160 IF I STAND VERY, VERY ERECT 890 00:53:02,160 --> 00:53:04,800 WITH A CERTAIN AIR OF DIGNITY 891 00:53:04,800 --> 00:53:07,500 YOU CAN'T TELL HOW THIN I AM, CAN YOU? 892 00:53:09,200 --> 00:53:11,900 COME ON. I'M GONNA MAKE YOU A SANDWICH. 893 00:53:13,260 --> 00:53:15,730 I SEE THE WHEELS GOING ROUND AND ROUND. 894 00:53:15,730 --> 00:53:17,100 WHY DO THEY DO THAT? 895 00:53:17,100 --> 00:53:18,960 WHY DO THEY GO ROUND AND ROUND AGAINST ME? 896 00:53:18,960 --> 00:53:21,930 THEY'RE NOT GOING AROUND AGAINST YOU. 897 00:53:21,930 --> 00:53:24,160 THEY'RE JUST MAKING A RECORDING. 898 00:53:24,160 --> 00:53:26,960 REMEMBER PEGGY SAID I COULD WHEN SHE WAS HERE? 899 00:53:26,960 --> 00:53:28,560 YES, I KNOW, TO HELP SYBIL. 900 00:53:28,560 --> 00:53:30,330 MMM-HMM. 901 00:53:30,330 --> 00:53:33,060 BECAUSE SHE SEEMS TO HAVE SO MUCH MORE INFORMATION THAN SYBIL DOES. 902 00:53:33,060 --> 00:53:34,960 OH, I HAVE MORE. 903 00:53:34,960 --> 00:53:37,460 I HAVE MORE THAN PEGGY. I HAVE MORE THAN ANYBODY. 904 00:53:37,460 --> 00:53:38,900 I KNOW EVERYTHING. 905 00:53:38,900 --> 00:53:42,160 EVERY THOUGHT SHE THINKS, EVERYTHING SHE DOES, I REMEMBER. 906 00:53:42,160 --> 00:53:44,600 SHE CAN'T REMEMBER. 907 00:53:44,600 --> 00:53:47,630 SHE MUSTN'T REMEMBER. 908 00:53:47,630 --> 00:53:49,800 THAT'S WHY IT'S VERY, VERY IMPORTANT 909 00:53:49,800 --> 00:53:51,900 THAT YOU DON'T TELL HER ABOUT US. 910 00:53:51,900 --> 00:53:53,560 IT WOULD BE TOO BIG A SHOCK FOR HER. 911 00:53:53,560 --> 00:53:55,760 SHE'S NOT READY TO TAKE IT. 912 00:53:59,260 --> 00:54:00,460 HERE. 913 00:54:02,160 --> 00:54:05,930 I HAVE A PEANUT BUTTER AND JELLY SANDWICH FOR YOU AND SOME BANANA BREAD 914 00:54:05,930 --> 00:54:08,160 AND A BIG GLASS OF MILK. 915 00:54:08,160 --> 00:54:11,360 NOW, I WANT TO SEE YOU JUST EAT AND EAT AND EAT, ALL RIGHT? 916 00:54:11,360 --> 00:54:12,600 THANK YOU. 917 00:54:12,600 --> 00:54:14,060 MMM-HMM. 918 00:54:14,060 --> 00:54:15,560 MILK IS GOOD FOR GROWING GIRLS. 919 00:54:15,560 --> 00:54:17,100 THAT'S RIGHT. 920 00:54:19,000 --> 00:54:20,560 LOTS OF MUMMIES AREN'T LIKE YOU. 921 00:54:20,560 --> 00:54:22,630 LOTS OF MUMMIES ARE REAL TRICKY. 922 00:54:28,700 --> 00:54:30,000 VICKY, 923 00:54:33,230 --> 00:54:35,660 DO YOU REMEMBER SYBIL'S TONSILLECTOMY, HMM? 924 00:54:35,660 --> 00:54:37,600 I SAW. I WAS THERE. 925 00:54:37,600 --> 00:54:40,730 IT MADE, UH, SYBIL'S THROAT HURT, DIDN'T IT? 926 00:54:40,730 --> 00:54:42,130 YES, VERY MUCH. 927 00:54:42,130 --> 00:54:44,300 MMM, HURT SO BAD SHE HAD TO WHISPER AND SHE COULDN'T TALK. 928 00:54:44,300 --> 00:54:47,300 TALKED LIKE THIS ALL THE TIME. 929 00:54:47,300 --> 00:54:50,130 FUNNY THING IS, IT MADE PEGGY'S THROAT HURT, TOO. 930 00:54:50,130 --> 00:54:52,230 NOW HOW COME BOTH THEIR THROATS HURT 931 00:54:52,230 --> 00:54:54,560 IF, IF ALL OF YOU ARE DIFFERENT PEOPLE? 932 00:54:58,130 --> 00:55:00,300 VICKY? I KNOW. I'M THINKING. 933 00:55:02,160 --> 00:55:04,660 DON'T I HAVE LOVELY TABLE MANNERS? 934 00:55:04,660 --> 00:55:06,930 NOTICE HOW DELICATE MY HANDS ARE. 935 00:55:06,930 --> 00:55:09,130 THE PINKIES, IT'S CALLED CONTINENTAL. 936 00:55:09,130 --> 00:55:11,160 HMM, YES, IT'S LOVELY. 937 00:55:11,160 --> 00:55:14,960 TELL ME, ARE YOU RELATED IN SOME WAY, ALL OF YOU? 938 00:55:14,960 --> 00:55:18,160 I KNOW WHERE I AM. I'M IN NEW YORK. LOTS TO DO IN NEW YORK. 939 00:55:18,160 --> 00:55:19,700 MUSEUMS TO GO TO, CONCERTS-- 940 00:55:19,700 --> 00:55:21,400 DO YOU THINK THAT SYBIL AND PEGGY 941 00:55:21,400 --> 00:55:24,130 SHARE THE SAME MOTHER AND FATHER? 942 00:55:24,130 --> 00:55:26,200 NOW HOW ARE THEY RELATED? 943 00:55:26,800 --> 00:55:28,000 HMM? 944 00:55:28,000 --> 00:55:29,960 ARE THEY SISTERS? 945 00:55:29,960 --> 00:55:32,700 OR ARE YOU ALL PARTS OF THE SAME PERSON? 946 00:55:32,700 --> 00:55:35,000 DON'T BE SILLY. IT CAN'T BE THAT. 947 00:55:35,000 --> 00:55:36,800 NO, IT CAN BE THAT. 948 00:55:36,800 --> 00:55:40,130 YOU CAN ALL BE ASPECTS OF THE SAME PERSON. 949 00:55:40,130 --> 00:55:41,700 ALL PIECES OF SYBIL. 950 00:55:41,700 --> 00:55:43,560 NO, NO. 951 00:55:43,560 --> 00:55:46,030 WE'RE ALL PEOPLE. YOU CAN SEE US. 952 00:55:47,460 --> 00:55:49,100 LOOK AROUND. 953 00:55:49,100 --> 00:55:51,560 THERE'S NOBODY ELSE HERE, JUST YOU AND ME 954 00:55:51,560 --> 00:55:53,760 AND THE SINK AND THE DISHES AND THE DOOR. 955 00:55:53,760 --> 00:55:55,560 NOBODY ELSE HERE. 956 00:55:57,200 --> 00:55:58,930 DO YOU BELIEVE ME? 957 00:56:00,500 --> 00:56:03,060 SWEETIE, I BELIEVE THAT YOU BELIEVE. 958 00:56:05,400 --> 00:56:07,730 COME ON, YOU HAVE YOUR SANDWICH. 959 00:56:09,800 --> 00:56:12,730 QUESTIONS, QUESTIONS, QUESTIONS. MY GOODNESS, SO MANY. 960 00:56:12,730 --> 00:56:16,100 LOOK, YOU EVEN HAVE QUESTIONS IN YOUR EYES RIGHT THIS MINUTE. 961 00:56:18,500 --> 00:56:21,100 I'D LIKE TO ASK YOU A QUESTION. 962 00:56:21,100 --> 00:56:22,900 ASK ME. 963 00:56:23,630 --> 00:56:25,130 WHAT'S LOVE? 964 00:56:26,360 --> 00:56:27,730 SWEETIE, DON'T YOU KNOW? 965 00:56:27,730 --> 00:56:29,000 NO, I DON'T. 966 00:56:31,660 --> 00:56:35,030 PLEASE TELL. WE ALL WANT TO KNOW, ALL OF US. 967 00:56:36,130 --> 00:56:37,800 WHO'S ALL OF US? 968 00:56:40,900 --> 00:56:44,230 EVERYBODY THAT LIVES WITH SYBIL. 969 00:56:44,230 --> 00:56:46,430 (Dr. Wilbur) WHO ARE THE OTHERS, VICKY? 970 00:56:46,430 --> 00:56:50,330 ARE THERE MORE BESIDES YOU AND--AND--AND SYBIL AND PEGGY? 971 00:56:50,330 --> 00:56:52,200 VICKY? 972 00:56:52,200 --> 00:56:54,430 (Sybil as Vicky) I HEAR YOU. 973 00:56:54,430 --> 00:56:56,460 ARE YOU SEEING THEM NOW? 974 00:56:57,400 --> 00:56:59,500 YES. 975 00:56:59,500 --> 00:57:02,030 I DON'T WANT TO, BUT I CAN. 976 00:57:02,030 --> 00:57:03,560 [creaking] 977 00:57:03,560 --> 00:57:07,460 IT WAS SO NICE A MOMENT AGO WHEN THEY WEREN'T HERE. 978 00:57:07,460 --> 00:57:10,430 I NEED TO KNOW WHAT YOU'RE SEEING, SWEETIE. 979 00:57:10,430 --> 00:57:13,500 IF I DON'T KNOW WHO YOU ALL ARE AND WHAT YOU WANT, 980 00:57:13,500 --> 00:57:16,260 I CAN'T HELP YOU AS EASILY AS I'D LIKE. 981 00:57:16,760 --> 00:57:17,960 VICKY? 982 00:57:17,960 --> 00:57:19,960 HELP, HELP, HELP, HELP. 983 00:57:19,960 --> 00:57:23,760 WE ALL KEEP HOPING THINGS WILL GET BETTER 984 00:57:23,760 --> 00:57:27,830 BUT I, I DON'T THINK SYBIL'S GOING TO LIVE THAT LONG. 985 00:57:27,830 --> 00:57:29,930 WHY, SWEETIE? 986 00:57:29,930 --> 00:57:33,200 WHY DO YOU HAVE THIS AWFUL FEELING OF DOOM? 987 00:57:34,700 --> 00:57:37,530 BECAUSE OF MARCIA. 988 00:57:37,530 --> 00:57:40,100 MARCIA'S GOING TO KILL SYBIL SOMEDAY. 989 00:57:40,100 --> 00:57:42,630 LET IT COME. LET IT COME. 990 00:57:43,260 --> 00:57:45,600 WE'RE WALKING CORPSES. 991 00:57:45,600 --> 00:57:48,860 WE START DYING THE MOMENT WE'RE BORN. 992 00:57:48,860 --> 00:57:50,330 (Dr. Wilbur) WHO'S MARCIA? 993 00:57:50,330 --> 00:57:52,560 WHY DOES SYBIL NEED MARCIA? 994 00:57:52,560 --> 00:57:53,800 VICKY? 995 00:57:57,230 --> 00:57:59,900 ONE OF THEM PLAYS THE PIANO. 996 00:57:59,900 --> 00:58:01,530 SHE'S THE PRETTIEST. 997 00:58:01,530 --> 00:58:04,660 SHE'S THE ONLY ONE WITH ANY JOIE DE VIVRE. 998 00:58:04,660 --> 00:58:06,330 WHAT'S HER NAME? 999 00:58:07,600 --> 00:58:09,400 NO. 1000 00:58:09,400 --> 00:58:12,330 MUSTN'T TELL YOU. MUSTN'T TELL ANY MORE. 1001 00:58:12,330 --> 00:58:14,860 I SHOULDN'T HAVE EVEN TOLD YOU ABOUT MARCIA. 1002 00:58:14,860 --> 00:58:16,630 WHY NOT? 1003 00:58:16,630 --> 00:58:18,660 WHY ARE YOU SO AFRAID TO TELL ABOUT THE OTHERS, VICKY? 1004 00:58:18,660 --> 00:58:21,360 WHO TOLD YOU IT WAS WRONG TO TELL PEOPLE THINGS? 1005 00:58:21,360 --> 00:58:23,860 WHO SAID IT WAS DANGEROUS TO TELL? 1006 00:58:23,860 --> 00:58:25,460 VICKY? 1007 00:58:25,460 --> 00:58:26,730 VICKY? 1008 00:58:30,930 --> 00:58:32,360 MUSTN'T TELL. 1009 00:58:32,360 --> 00:58:33,560 CAN'T TELL. 1010 00:58:33,560 --> 00:58:35,260 THERE ARE GUARDS AROUND THE PALACE. 1011 00:58:35,260 --> 00:58:37,760 SWEETIE, EVEN THE GUARDS AROUND THE PALACE 1012 00:58:37,760 --> 00:58:39,700 WILL TELL IF THE QUEEN'S IN DANGER. 1013 00:58:48,630 --> 00:58:50,500 (Dr. Wilbur) MARCIA APPEARED FOR THE FIRST TIME 1014 00:58:50,500 --> 00:58:52,800 AT THE SESSION THE FOLLOWING THURSDAY. 1015 00:58:52,800 --> 00:58:55,760 SHE ADMITTED TRYING TO KILL SYBIL IN THE HARLEM HOTEL 1016 00:58:55,760 --> 00:58:57,760 AND WAS SORRY THAT VICKY STOPPED HER. 1017 00:58:57,760 --> 00:59:00,230 SHE ALLOWED ME TO PHOTOGRAPH HER, AS THE OTHER'S HAVE 1018 00:59:00,230 --> 00:59:03,730 SAYING THAT SHE WANTED THIS PICTURE PUBLISHED WITH HER OBITUARY. 1019 00:59:03,730 --> 00:59:06,630 WHEN I ASKED HER WHY SHE THOUGHT ABOUT SUICIDE SO OBSESSIVELY 1020 00:59:06,630 --> 00:59:09,560 SHE PRETENDED TO LOCK HER LIPS AND THROW THE KEY AWAY, 1021 00:59:09,560 --> 00:59:13,630 THEN PROCEEDED TO DRAW SCENES FROM A RECURRENT NIGHTMARE, 1022 00:59:13,630 --> 00:59:16,660 AS THOUGH THIS WERE A SECRET WAY OF REVEALING INFORMATION 1023 00:59:16,660 --> 00:59:18,660 SHE COULDN'T GIVE ME OPENLY. 1024 00:59:18,660 --> 00:59:21,260 BY DRAWING HER DREAMS IN SILENCE, 1025 00:59:21,260 --> 00:59:23,230 NOBODY COULD EAVESDROPS ON HER, 1026 00:59:23,230 --> 00:59:25,460 AND THAT SEEMED TO BE A CONSTANT DREAD 1027 00:59:25,460 --> 00:59:29,000 THAT SOMEONE WOULD FIND OUT THAT SHE'D CONFIDED IN ME. 1028 00:59:29,000 --> 00:59:30,460 IN THE DREAM, 1029 00:59:30,460 --> 00:59:33,560 A CHILD COMES UPON, UH, A LOST KITTEN 1030 00:59:33,560 --> 00:59:36,700 IN THE TUNNEL OF A GREAT PARK 1031 00:59:36,700 --> 00:59:38,430 AND THEN SHE DISCOVERS, UH, 1032 00:59:38,430 --> 00:59:42,000 A BOX WHERE OTHER KITTENS HAVE BEEN ABANDONED. 1033 00:59:42,000 --> 00:59:45,160 THE CHILD IS--IS OVERWHELMED WITH--WITH LOVE AND PITY 1034 00:59:45,160 --> 00:59:48,660 AND--AND RUNS OFF WITH THE BOX IN ORDER TO SAVE THE KITTENS. 1035 00:59:48,660 --> 00:59:51,760 SUDDENLY, SHE SEES A DEAD CAT, 1036 00:59:51,760 --> 00:59:53,130 WHICH HORRIFIES HER 1037 00:59:53,130 --> 00:59:55,200 BECAUSE IT'S BEEN BEHEADED. 1038 00:59:55,200 --> 01:00:00,100 BOTH THE HEAD AND BODY COME TO LIFE AND PURSUE HER. 1039 01:00:00,100 --> 01:00:02,860 MARCIA SAID THEY ALL SHARED THE SAME NIGHTMARES 1040 01:00:02,860 --> 01:00:06,560 BUT THAT SYBIL DOESN'T REMEMBER ANY OF THEM. 1041 01:00:06,560 --> 01:00:08,930 THE DREAMS ARE ALL OF ENTRAPMENT 1042 01:00:08,930 --> 01:00:10,530 AND RELENTLESS PURSUIT. 1043 01:00:10,530 --> 01:00:12,360 LARGE FAMILIES OF CHILDREN 1044 01:00:12,360 --> 01:00:16,030 AWAITING SOME TERRIBLE RETALIATION. 1045 01:00:16,030 --> 01:00:20,200 LONELINESS, THE HOPELESSNESS OF RESCUE. 1046 01:00:20,200 --> 01:00:23,160 PARALYZING FEAR PERVADE EVERYTHING. 1047 01:00:24,300 --> 01:00:26,330 WHEN I SUGGESTED THAT THE KITTENS 1048 01:00:26,330 --> 01:00:28,600 MIGHT BE THE VARIOUS ASPECTS OF SYBIL, 1049 01:00:28,600 --> 01:00:31,630 THAT SHE'S TRYING TO BRING ME FOR PROTECTION 1050 01:00:31,630 --> 01:00:34,960 AND THAT THE CAT MIGHT BE HER DESIRE TO DESTROY AGAIN AND AGAIN 1051 01:00:34,960 --> 01:00:38,100 SOME UNSPEAKABLE TORMENTOR WHO WON'T STAY DEAD, 1052 01:00:38,100 --> 01:00:43,930 MARCIA BECAME SO FEARFUL, SHE DISSOCIATED INTO PEGGY, 1053 01:00:43,930 --> 01:00:46,960 WHO WANTED TO ESCAPE WITH ME TO AMSTERDAM TO GET AWAY 1054 01:00:46,960 --> 01:00:50,600 FROM WHAT SHE CALLS "THE PEOPLE." 1055 01:00:50,600 --> 01:00:54,130 I LOOK AT ALL THE FACES, FURIOUS, TERRIFIED PEGGY, 1056 01:00:54,130 --> 01:00:56,860 SEPULCHRAL LITTLE MARCIA, 1057 01:00:56,860 --> 01:01:01,030 VICKY WITH HER SOCIAL EASE AND UNINTERRUPTED MEMORY, 1058 01:01:02,100 --> 01:01:04,460 AND SYBIL, 1059 01:01:04,460 --> 01:01:07,030 AND I WONDER, WHAT THERE WAS BACK THERE 1060 01:01:07,030 --> 01:01:09,460 THAT COULD'VE CAUSED SUCH A SHATTERING. 1061 01:01:10,300 --> 01:01:11,830 WHAT COULD'VE FORCED HER 1062 01:01:11,830 --> 01:01:14,830 TO THRUST ONTO CREATURES SHE DOESN'T EVEN KNOW EXIST 1063 01:01:14,830 --> 01:01:18,700 ALL THOSE CAPACITIES IN HERSELF SHE MUST DENY? 1064 01:01:18,700 --> 01:01:21,600 AND WHY IS IT SO VITAL THAT SHE DENY THEM? 1065 01:01:21,600 --> 01:01:23,530 WHAT WAS THE TORMENT? 1066 01:01:23,530 --> 01:01:25,500 WHO WAS THE TORMENTOR? 1067 01:01:31,800 --> 01:01:33,360 (Richard) HEY, SYBIL. 1068 01:01:33,960 --> 01:01:35,400 HEY, SYBIL. 1069 01:01:38,200 --> 01:01:40,030 I KNOW YOU'RE THERE. 1070 01:01:41,560 --> 01:01:43,400 WHY DON'T YOU COME OVER? 1071 01:01:43,400 --> 01:01:44,630 WE CAN GO DOWNTOWN. 1072 01:01:44,630 --> 01:01:46,760 YOU CAN, UH, SEE ME IN ACTION, OK? 1073 01:01:46,760 --> 01:01:50,560 I'LL BUY YOU A HOTDOG, SAUERKRAUT, PICKLES. 1074 01:01:50,560 --> 01:01:53,230 YOU LIKE PICKLES? 1075 01:01:53,230 --> 01:01:56,800 I DON'T GO OUT AT NIGHT, BUT THANK YOU ANYWAY. 1076 01:01:56,800 --> 01:01:59,200 OH, COME ON. LOOK, UH, IT'S JUST FOR A LITTLE WHILE. 1077 01:01:59,200 --> 01:02:01,300 I ONLY GOTTA GO DOWN AND PLAY THE INTERMISSION 1078 01:02:01,300 --> 01:02:03,830 AND IF IT DOESN'T RAIN, UH, YOU KNOW, I'LL CATCH THEM GOING OUT. 1079 01:02:03,830 --> 01:02:05,960 CATCH THEM FOR WHAT? 1080 01:02:05,960 --> 01:02:08,900 BY DAY, I'M A CENTRAL PARK COWBOY 1081 01:02:08,900 --> 01:02:12,300 BUT BY NIGHT, A TONE-DEAF WANDERING MINSTREL. 1082 01:02:12,300 --> 01:02:14,000 STREET MUSICIAN. 1083 01:02:14,000 --> 01:02:15,300 SAY YES. 1084 01:02:22,560 --> 01:02:24,900 (as Vicky) SYBIL CAN'T SAY YES. 1085 01:02:24,900 --> 01:02:27,800 VANESSA, YOU GO. YOU LIKE MUSIC. 1086 01:02:27,800 --> 01:02:29,730 YOU MAY GO, VANESSA. 1087 01:02:29,730 --> 01:02:31,100 RICHARD? 1088 01:02:32,730 --> 01:02:34,060 RICHARD? 1089 01:02:35,730 --> 01:02:37,030 RICHARD. 1090 01:02:41,000 --> 01:02:42,300 RICHARD! 1091 01:02:42,800 --> 01:02:43,960 HEY. 1092 01:02:48,400 --> 01:02:51,730 OK, BUT LOOK, I'M NOT ANY GOOD AT JUMPING OVER FENCES, 1093 01:02:51,730 --> 01:02:53,360 SO WHERE DO YOU LIVE? 1094 01:02:53,360 --> 01:02:55,800 UH, THE GRAY HOUSE, APARTMENT 5C. 1095 01:02:57,160 --> 01:02:58,330 OK. 1096 01:03:35,830 --> 01:03:37,000 HI. 1097 01:03:37,000 --> 01:03:38,630 GUESS WHAT I AM. 1098 01:03:40,960 --> 01:03:42,630 UH, A KUMQUAT. 1099 01:03:42,630 --> 01:03:43,960 NO. 1100 01:03:43,960 --> 01:03:45,400 A DONUT WITH EARS. 1101 01:03:45,400 --> 01:03:46,600 NO. 1102 01:03:46,600 --> 01:03:48,100 UM... 1103 01:03:48,100 --> 01:03:50,600 A SMILE THAT WENT LOOKING FOR A BOY, AND FOUND ONE. 1104 01:03:50,600 --> 01:03:52,030 NO. NO. 1105 01:03:52,030 --> 01:03:53,360 I'M A CLOWN. 1106 01:03:53,360 --> 01:03:55,130 A CLOWN. 1107 01:03:55,130 --> 01:03:56,900 SYBIL, THIS IS MATTHEW. 1108 01:03:56,900 --> 01:03:59,500 MATTHEW, SAY HELLO TO SYBIL. 1109 01:03:59,500 --> 01:04:01,000 I KNOW SYBIL. 1110 01:04:01,000 --> 01:04:03,300 I WATCH HER THROUGH THE WINDOW. 1111 01:04:05,500 --> 01:04:09,330 HE'S A LITTLE WOUND UP AT THE IDEA OF COMPANY. 1112 01:04:09,330 --> 01:04:13,000 I REALLY LOVE YOUR APARTMENT. IT'S, IT'S ALL LIT UP. 1113 01:04:13,000 --> 01:04:14,530 SYBIL BIBBLE DRIBBLE. 1114 01:04:14,530 --> 01:04:17,660 MATTHEW, SIMMER DOWN. SIT! 1115 01:04:21,860 --> 01:04:23,800 MATTHEW. 1116 01:04:23,800 --> 01:04:27,130 NOW, DON'T LET APPEARANCES DECEIVE YOU. 1117 01:04:27,130 --> 01:04:28,600 I AM REALLY NOT COMPANY. 1118 01:04:28,600 --> 01:04:30,130 YOU KNOW WHAT I AM? 1119 01:04:30,130 --> 01:04:32,960 I'M A PRINCESS WHO'S BEEN ASLEEP FOR 1,000 YEARS 1120 01:04:32,960 --> 01:04:34,200 IN A FOREST CALLED SIMMER DOWN. 1121 01:04:34,200 --> 01:04:36,000 AND YOU KNOW WHY? 1122 01:04:36,000 --> 01:04:38,460 THAT'S BECAUSE A WICKED WITCH PUT AN EVIL SPELL ON MY ICE-CREAM CONE 1123 01:04:38,460 --> 01:04:41,330 THE VERY DAY I WAS BORN, AND IF A PRINCE DOESN'T COME ALONG SOON 1124 01:04:41,330 --> 01:04:42,730 AND BREAK THE SPELL WITH A KISS, 1125 01:04:42,730 --> 01:04:44,960 I GUESS I HAVE TO GO ON FOREVER LOOKING LIKE SYBIL BIBBLE, 1126 01:04:44,960 --> 01:04:47,760 AND I WOULDN'T WISH THAT ON A DRAGON, WOULD YOU? 1127 01:04:47,760 --> 01:04:50,530 [yawning] OH, I'M GETTING SO SLEEPY. 1128 01:04:52,260 --> 01:04:53,960 [snoring] 1129 01:04:54,530 --> 01:04:55,630 [laughs] 1130 01:04:55,630 --> 01:04:57,300 SEE YOU BLINKING. 1131 01:04:57,300 --> 01:04:59,530 THAT'S BECAUSE PRINCESSES ALWAYS BLINK IN THEIR SLEEP. 1132 01:04:59,530 --> 01:05:01,500 THEY HAVE TO STAY ALERT FOR THE PALACE REVOLUTION 1133 01:05:01,500 --> 01:05:03,160 WHICH IS LIABLE TO TAKE PLACE ANY MOMENT. 1134 01:05:03,160 --> 01:05:04,630 [snoring] 1135 01:05:04,630 --> 01:05:07,100 (Matthew) IF YOU WAKE UP, I'LL SHOW YOU MY TOYS. 1136 01:05:07,100 --> 01:05:09,000 THERE'S ONLY ONE WAY. 1137 01:05:10,130 --> 01:05:11,730 [snoring] 1138 01:05:11,730 --> 01:05:12,900 [kisses] 1139 01:05:12,900 --> 01:05:15,500 OK. ENCHANTMENT'S BROKEN. 1140 01:05:19,000 --> 01:05:20,130 [Richard sighing] 1141 01:05:20,130 --> 01:05:22,830 (Richard) SAY GOODNIGHT TO SYBIL. 1142 01:05:22,830 --> 01:05:26,160 THAT'S NOT SYBIL. SYBIL STAYED HOME. 1143 01:05:27,500 --> 01:05:31,160 OK, BUT WE STILL GOTTA GET YOU NEXT DOOR. 1144 01:05:31,160 --> 01:05:33,530 SO HERE'S BEAR-BEAR. 1145 01:05:33,530 --> 01:05:36,030 AND HOW ABOUT NIGHT-NIGHT. 1146 01:05:36,030 --> 01:05:37,960 AND DOODY. 1147 01:05:37,960 --> 01:05:40,530 AND DOODY. CAN'T FORGET DOODY, OK? 1148 01:05:40,530 --> 01:05:41,800 (Richard) AND WASH YOU FACE, 1149 01:05:41,800 --> 01:05:44,300 OR THERE'LL BE SMILES ALL OVER YOUR PILLOW. 1150 01:05:46,760 --> 01:05:48,430 THAT WOULDN'T BE SUCH A BAD THING 1151 01:05:48,430 --> 01:05:50,300 TO WAKE UP TO SOMETIMES, WOULD IT? 1152 01:05:50,300 --> 01:05:51,460 WHAT? 1153 01:05:54,260 --> 01:05:56,100 SMILES. 1154 01:05:56,100 --> 01:05:58,230 ALL OVER YOUR PILLOW. 1155 01:06:06,400 --> 01:06:08,230 [trumpet blowing] 1156 01:06:08,230 --> 01:06:09,860 (as Vanessa) I'VE BEEN WONDERING WHY YOU WEAR 1157 01:06:09,860 --> 01:06:12,000 THAT OUTRAGEOUS SMILE ALL THE TIME. 1158 01:06:12,000 --> 01:06:14,300 PEOPLE THINK YOU'RE SMILING, THEY SMILE BACK 1159 01:06:14,300 --> 01:06:15,860 AND THAT MAKES THEM FEEL GOOD. 1160 01:06:15,860 --> 01:06:18,130 SO THEY PUT MORE MONEY IN THE KITTY. 1161 01:06:18,130 --> 01:06:20,030 SEE HOW CRASS. 1162 01:06:20,030 --> 01:06:21,930 CLEVER, CLEVER MAN. 1163 01:06:21,930 --> 01:06:23,500 OF COURSE, MY FACE DOESN'T GET TIRED 1164 01:06:23,500 --> 01:06:25,360 SO I CAN KEEP GRINNING AWAY ALL NIGHT 1165 01:06:25,360 --> 01:06:27,300 AND NEVER HAVE TO SMILE AT ALL. 1166 01:06:27,300 --> 01:06:29,000 DO YOU MAKE FABULOUS AMOUNTS OF MONEY? 1167 01:06:29,000 --> 01:06:31,130 I MEAN, JUST TONS AND TONS OF MONEY? 1168 01:06:31,130 --> 01:06:33,760 WELL, OVER $5,000 LAST YEAR, TAX FREE. 1169 01:06:33,760 --> 01:06:36,230 AND THAT WAS JUST ON THE SIDEWALK IN FRONT OF CARNEGIE HALL. 1170 01:06:36,230 --> 01:06:37,330 THAT'S FABULOUS. 1171 01:06:37,330 --> 01:06:38,830 PLUS I GET COMPLIMENTS, YOU KNOW, 1172 01:06:38,830 --> 01:06:40,560 FROM THE GREAT AND NEAR GREAT. 1173 01:06:40,560 --> 01:06:43,300 I HAVE AN AUTOGRAPHED PICTURE FROM LAWRENCE WELK THAT SAYS 1174 01:06:43,300 --> 01:06:44,860 "GOOD LUCK AND SUCCESS, ALWAYS." 1175 01:06:44,860 --> 01:06:47,400 NOW, THAT REALLY MAKES ME FEEL NEAT, YOU KNOW? 1176 01:06:47,400 --> 01:06:50,560 LIKE ALL MY YEARS AT JULLIARD WERE REALLY WORTHWHILE. 1177 01:06:50,560 --> 01:06:52,660 ONCE, I YEARNED TO BE A CONCERT PIANIST. 1178 01:06:52,660 --> 01:06:53,830 WHAT STOPPED YOU? 1179 01:06:53,830 --> 01:06:55,260 I COULDN'T FIND THE RIGHT PIANO. 1180 01:06:55,260 --> 01:06:56,960 I MEAN, SHOULD IT BE A STEINWAY 1181 01:06:56,960 --> 01:06:59,430 OR A BECHSTEIN GRAND? I DIDN'T KNOW. 1182 01:06:59,430 --> 01:07:02,730 YOU ARE 12 YEARS OLD AT THE MOST, AND I GOTTA KISS YOU. 1183 01:07:05,100 --> 01:07:08,760 2 GENTLEMEN IN ONE NIGHT. FANCY THAT. 1184 01:07:08,760 --> 01:07:10,530 I GOT BLUE PAINT ALL OVER YOUR LIP. 1185 01:07:10,530 --> 01:07:11,830 OH. 1186 01:07:11,830 --> 01:07:13,860 GOT IT. GOT IT. 1187 01:07:13,860 --> 01:07:15,000 OK. 1188 01:07:17,030 --> 01:07:19,860 (Sybil as Vanessa) MY MOTHER WANTED TO BE A CONCERT PIANIST, TOO. 1189 01:07:19,860 --> 01:07:21,500 YEAH? YEAH. 1190 01:07:21,500 --> 01:07:23,200 THE BIGGEST DISAPPOINTMENT IN HER LIFE 1191 01:07:23,200 --> 01:07:25,100 WAS WHEN HER SISTER FAYE GOT MARRIED FIRST 1192 01:07:25,100 --> 01:07:28,500 AND LEFT HER BEHIND TO DEMONSTRATE PIANOS IN THE FAMILY MUSIC STORE 1193 01:07:28,500 --> 01:07:30,030 INSTEAD OF BEING ALLOWED TO PURSUE 1194 01:07:30,030 --> 01:07:33,430 HER DREAMS LIKE SHE'D BEEN PROMISED. 1195 01:07:33,430 --> 01:07:35,400 THAT WAS IN WILLOW CORNERS, WISCONSIN. 1196 01:07:35,400 --> 01:07:37,830 THAT'S MY NATURAL HABITAT, BELIEVE IT OR NOT. 1197 01:07:37,830 --> 01:07:40,060 WILLOW CORNERS, WISCONSIN. YEAH. 1198 01:07:40,060 --> 01:07:41,830 MY GOODNESS. 1199 01:07:41,830 --> 01:07:44,630 AFTER THAT, MOTHER WOULD JUST PUNISH THE MUSIC, YOU KNOW. 1200 01:07:44,630 --> 01:07:46,560 SHE'D JUST SIT THERE AND BANG ON THAT PIANO 1201 01:07:46,560 --> 01:07:48,360 AND CALL OUT THE TIME OUT LOUD 1202 01:07:48,360 --> 01:07:50,460 AND CALL OUT THOSE NOTES LIKE SHE HATED THEM. 1203 01:07:50,460 --> 01:07:52,560 YOU KNOW, JUST BANG ON THE PIANO. 1204 01:07:52,560 --> 01:07:53,760 YEAH, LOVE AND HATE. 1205 01:07:53,760 --> 01:07:55,360 PEANUT BUTTER AND JELLY. 1206 01:07:55,360 --> 01:07:57,600 I USED TO HATE MY LATE WIFE 1207 01:07:57,600 --> 01:07:59,260 WHO I SPEAK OF WITH A CERTAIN IRONY 1208 01:07:59,260 --> 01:08:01,960 SO AS TO KEEP A TOTAL COLLAPSE AT A DISTANCE. 1209 01:08:08,530 --> 01:08:11,000 I WISH YOU WOULDN'T MOCK YOURSELF. 1210 01:08:12,100 --> 01:08:14,100 YOU WANNA HEAR ABOUT IT? 1211 01:08:17,730 --> 01:08:20,430 'CAUSE I'D LIKE TO TELL YOU. 1212 01:08:20,430 --> 01:08:22,800 YOU WOULD? I'D LIKE TO HEAR. 1213 01:08:22,800 --> 01:08:25,100 I JUST DIDN'T THINK I SHOULD ASK. 1214 01:08:28,060 --> 01:08:29,960 BEEP-BEEP WITH THE HORN. 1215 01:08:29,960 --> 01:08:31,430 CHOO-CHOO WITH THE TRAIN. 1216 01:08:31,430 --> 01:08:33,400 CRASH-CRASH WITH THE CAR. 1217 01:08:34,400 --> 01:08:36,130 ALL BROKEN. 1218 01:08:36,130 --> 01:08:38,530 AS MATTHEW SAYS WHEN I DROP A DISH. 1219 01:08:44,300 --> 01:08:46,430 ANYWAY, UH, 1220 01:08:48,260 --> 01:08:49,730 HER NAME 1221 01:08:51,830 --> 01:08:53,230 WAS JANIE. 1222 01:08:54,630 --> 01:08:56,330 AND SHE WAS 19. 1223 01:08:59,660 --> 01:09:03,260 AND, UH, I NEVER THOUGHT I WAS GONNA BE ABLE 1224 01:09:03,260 --> 01:09:05,830 TO COPE WITH ANYTHING AFTER SHE GOT KILLED. 1225 01:09:07,560 --> 01:09:09,960 AND I HATED HER FOR FINKING OUT. 1226 01:09:14,430 --> 01:09:16,760 BUT ONE THING IT TAUGHT ME. 1227 01:09:18,960 --> 01:09:21,760 YOU'RE NEVER READY FOR WHAT YOU HAVE TO DO. 1228 01:09:21,760 --> 01:09:23,360 YOU JUST DO IT. 1229 01:09:24,730 --> 01:09:26,600 THAT MAKES YOU READY. 1230 01:09:34,830 --> 01:09:36,400 [sighing] 1231 01:10:19,860 --> 01:10:22,560 IT'S NEW YORK. NOBODY CARES. 1232 01:10:59,600 --> 01:11:00,800 THIS IS US. 1233 01:11:00,800 --> 01:11:02,260 IT IS? YEAH. 1234 01:11:02,260 --> 01:11:03,330 OH. 1235 01:11:10,260 --> 01:11:12,130 * HEY RIG-A-JIG KISS A LITTLE PIG * 1236 01:11:12,130 --> 01:11:13,860 * FOLLOW THE BAND * 1237 01:11:13,860 --> 01:11:15,960 * FOLLOW THE BAND * 1238 01:11:15,960 --> 01:11:17,900 * FOLLOW THE BAND * 1239 01:11:17,900 --> 01:11:19,800 * HEY RIG-A-JIG KISS A LITTLE PIG * 1240 01:11:19,800 --> 01:11:21,660 * FOLLOW THE BAND * 1241 01:11:21,660 --> 01:11:25,300 * JOIN IN AND FOLLOW THE BAND * 1242 01:11:25,300 --> 01:11:27,360 * MY HUSBAND IS A CABBIE * 1243 01:11:27,360 --> 01:11:29,260 * IS A CABBIE, IS A CABBIE * 1244 01:11:29,260 --> 01:11:33,060 * MY HUSBAND IS A CABBIE, IS HE * 1245 01:11:33,060 --> 01:11:35,100 * ALL DAY HE STRIPS GEARS * 1246 01:11:35,100 --> 01:11:37,060 * STRIPS GEARS, STRIPS GEARS * 1247 01:11:37,060 --> 01:11:40,060 * AND AT NIGHT HE COMES HOME * 1248 01:11:40,060 --> 01:11:43,460 * AND DRINKS TEA ** 1249 01:11:43,460 --> 01:11:44,660 [all laughing] 1250 01:11:44,660 --> 01:11:46,230 * HEY RIG-A-JIG KISS A LITTLE PIG * 1251 01:11:46,230 --> 01:11:48,060 * FOLLOW THE BAND * 1252 01:11:48,060 --> 01:11:50,000 * FOLLOW THE BAND * 1253 01:11:50,000 --> 01:11:52,000 * FOLLOW THE BAND * 1254 01:11:52,000 --> 01:11:54,030 * HEY RIG-A-JIG KISS A LITTLE PIG * 1255 01:11:54,030 --> 01:11:55,830 * FOLLOW THE BAND * 1256 01:11:55,830 --> 01:11:59,200 * JOIN IN AND FOLLOW THE BAND * 1257 01:11:59,830 --> 01:12:01,860 **[scatting] 1258 01:12:04,130 --> 01:12:06,430 **[scatting] 1259 01:12:08,200 --> 01:12:11,200 **[scatting] 1260 01:12:11,200 --> 01:12:12,860 (Richard) GIVE ME A BITE. 1261 01:12:12,860 --> 01:12:14,760 **[scatting] 1262 01:12:14,760 --> 01:12:17,200 * HEY RIG-A-JIG KISS A LITTLE PIG * 1263 01:12:17,200 --> 01:12:19,060 * FOLLOW THE BAND * 1264 01:12:19,060 --> 01:12:21,000 * FOLLOW THE BAND * 1265 01:12:21,000 --> 01:12:22,900 * FOLLOW THE BAND * 1266 01:12:22,900 --> 01:12:24,860 * HEY RIG-A-JIG KISS A LITTLE PIG * 1267 01:12:24,860 --> 01:12:26,660 * FOLLOW THE BAND * 1268 01:12:26,660 --> 01:12:30,900 * JOIN IN AND FOLLOW THE BAND ** 1269 01:12:34,260 --> 01:12:35,660 [cars honking] 1270 01:12:36,500 --> 01:12:38,800 **[both playing guitar] 1271 01:13:04,060 --> 01:13:06,660 **[both continue playing guitar] 1272 01:13:44,300 --> 01:13:46,530 [Sybil screaming] 1273 01:13:57,800 --> 01:13:59,700 (Hattie) YOU STOP THAT NOW. 1274 01:13:59,700 --> 01:14:03,460 THERE'S NOT A THING IN THE WORLD THE MATTER WITH THOSE SHOES. 1275 01:14:03,460 --> 01:14:05,130 (Willard) WHAT-- ARE THEY SO SMALL, DAUGHTER? 1276 01:14:05,130 --> 01:14:06,360 MAYBE THEY PINCH. 1277 01:14:06,360 --> 01:14:08,260 (Hattie) NO, I GREASED THEM MYSELF. 1278 01:14:08,260 --> 01:14:09,900 THERE'S PLENTY OF ROOM TO GROW IN. 1279 01:14:09,900 --> 01:14:11,460 FEEL THE TOE. 1280 01:14:11,460 --> 01:14:14,160 THEN WHY IS SHE SCREAMING SO, I WANT TO KNOW. 1281 01:14:19,730 --> 01:14:22,300 I CAN'T TELL YOU. I CAN'T TELL YOU. 1282 01:14:22,300 --> 01:14:24,160 I'M NOT SUPPOSED TO TELL YOU. 1283 01:14:24,160 --> 01:14:26,360 I CAN'T TELL YOU. I CAN'T TELL YOU. 1284 01:14:31,900 --> 01:14:33,930 [cars honking] 1285 01:14:38,130 --> 01:14:39,630 I CAN'T TELL YOU. 1286 01:14:39,630 --> 01:14:41,760 [in Hattie's voice] NOW YOU JUST COLLECT YOURSELF, YOUNG LADY, 1287 01:14:41,760 --> 01:14:44,500 OR WE'LL BE LATE FOR CHURCH. WE'LL BE LATE FOR CHURCH. 1288 01:14:44,500 --> 01:14:45,830 BEG YOUR PARDON? 1289 01:14:45,830 --> 01:14:48,230 YOU JUST COLLECT YOURSELF, YOUNG LADY. 1290 01:14:48,230 --> 01:14:51,530 (as Peggy) I WON'T GO! I CAN'T TELL YOU! I WON'T GO! 1291 01:14:52,960 --> 01:14:55,930 HEY, MAN, HOLD MY GUITAR. TAKE CARE OF IT. 1292 01:14:57,100 --> 01:14:59,000 PEOPLE, WHY DO THEY DO IT? 1293 01:14:59,000 --> 01:15:01,530 WHY DO THEY DO IT? WHY DO THEY DO IT? WHY DO THEY DO IT? 1294 01:15:01,530 --> 01:15:03,730 [muttering] 1295 01:15:09,930 --> 01:15:11,860 NO MOSS GROWING ON THAT GIRL. 1296 01:15:11,860 --> 01:15:14,130 THERE'S NO MOSS GROWING ON THAT GIRL. 1297 01:15:19,960 --> 01:15:21,330 I DON'T WANNA GO. 1298 01:15:21,330 --> 01:15:23,460 I WANNA GET OUT. I WANNA GET OUT. 1299 01:15:28,960 --> 01:15:30,700 [Sybil moaning] 1300 01:15:30,700 --> 01:15:32,530 [tires screeching] 1301 01:15:33,260 --> 01:15:34,960 [cars honking] 1302 01:15:38,700 --> 01:15:40,030 DON'T TOUCH ME. 1303 01:15:40,030 --> 01:15:42,230 I'M GOING TO GO RUN AWAY DOWN. 1304 01:15:42,230 --> 01:15:44,230 DON'T TOUCH ME. 1305 01:15:44,960 --> 01:15:46,230 SYBIL! 1306 01:15:47,660 --> 01:15:48,900 GET OUT. 1307 01:15:50,530 --> 01:15:52,330 [mumbling] 1308 01:15:52,330 --> 01:15:54,030 GOTTA BREAK THE GLASS. 1309 01:15:54,730 --> 01:15:56,430 GOTTA BREAK THE GLASS. 1310 01:15:56,430 --> 01:15:58,060 I MUST BREAK THE GLASS. 1311 01:15:58,060 --> 01:15:59,930 [muttering] 1312 01:16:02,160 --> 01:16:04,230 GOTTA BREAK THE GLASS. 1313 01:16:09,630 --> 01:16:12,930 THE PEOPLE JUST GOTTA GET OUT. GET OUT! 1314 01:16:12,930 --> 01:16:15,460 NO, NO, DON'T TOUCH ME. 1315 01:16:16,200 --> 01:16:18,560 I KNOW. I KNOW. I KNOW. 1316 01:16:23,500 --> 01:16:25,060 WRITE, THEN YOU CAN SEE. 1317 01:16:25,060 --> 01:16:27,830 I KNOW. I KNOW. HOLD ON. 1318 01:16:27,830 --> 01:16:31,100 I HAVE TO DO IT. I HAVE TO DO IT. 1319 01:16:31,100 --> 01:16:33,160 [in Hattie's voice] I HAVE TO DO IT, YOUNG LADY. 1320 01:16:33,160 --> 01:16:34,860 YOU JUST LAY STILL. 1321 01:16:34,860 --> 01:16:36,900 YOU JUST LAY STILL. 1322 01:16:36,900 --> 01:16:38,800 JUST LAY STILL. 1323 01:16:38,800 --> 01:16:41,300 (Sybil as Peggy) IF I LAY STILL, IT HURTS ME. 1324 01:16:41,300 --> 01:16:43,060 OH, IT HURTS ME. 1325 01:16:43,060 --> 01:16:44,660 [Sybil sobbing] 1326 01:16:46,760 --> 01:16:49,460 [in Hattie's voice] I DID IT. I DID IT. 1327 01:16:50,730 --> 01:16:51,800 SYBIL. 1328 01:16:51,800 --> 01:16:53,000 WHAT? 1329 01:17:00,760 --> 01:17:02,100 [Sybil exclaiming] 1330 01:17:02,100 --> 01:17:03,930 [knocking on door] 1331 01:17:08,460 --> 01:17:10,200 [knocking on door] 1332 01:17:10,200 --> 01:17:12,360 (Richard) YOU OK IN THERE? 1333 01:17:12,360 --> 01:17:13,630 SYBIL. 1334 01:17:19,360 --> 01:17:20,730 WHO'S THAT? 1335 01:17:21,560 --> 01:17:24,660 WHO THAT WHO SAY, "WHO THAT"? 1336 01:17:24,660 --> 01:17:26,500 (Sybil) WHO THAT WHO SAY, "WHO THAT WHO SAY, 1337 01:17:26,500 --> 01:17:28,060 WHO THAT'?" 1338 01:17:35,730 --> 01:17:38,460 RICHARD LOOMIS, HELLO. 1339 01:17:38,460 --> 01:17:39,760 HELLO. 1340 01:17:45,030 --> 01:17:47,060 I DON'T UNDERSTAND. 1341 01:17:47,060 --> 01:17:48,660 DO YOU NEED TO? 1342 01:17:49,360 --> 01:17:51,100 WELL, I'D LIKE TO 1343 01:17:51,930 --> 01:17:53,760 BUT I DON'T HAVE TO. 1344 01:17:57,200 --> 01:17:59,100 HAVE I MENTIONED DANNY? 1345 01:17:59,100 --> 01:18:00,360 NO. 1346 01:18:00,360 --> 01:18:01,660 WHO'S HE? 1347 01:18:03,700 --> 01:18:06,300 WE WERE CHILDREN TOGETHER. 1348 01:18:06,300 --> 01:18:08,430 HE WAS AN OUTCAST LIKE ME, ONLY, 1349 01:18:08,430 --> 01:18:11,930 IN HIS CASE, IT WAS BECAUSE HE DANCED. 1350 01:18:11,930 --> 01:18:14,960 I USED TO BE SORT OF AN OUTCAST, TOO, 1351 01:18:14,960 --> 01:18:17,360 BECAUSE I COULDN'T PRONOUNCE MY S's. 1352 01:18:19,430 --> 01:18:22,460 WHENEVER I FEEL ESPECIALLY WARM TOWARD SOMEBODY, 1353 01:18:22,460 --> 01:18:24,960 ESPECIALLY GRATEFUL, I THINK OF DANNY. 1354 01:18:26,330 --> 01:18:29,430 HE HAD KIND OF A HOLY FORBEARANCE. 1355 01:18:29,430 --> 01:18:31,000 EVEN AT THE AGE OF 9 OR 10, 1356 01:18:31,000 --> 01:18:34,400 HOW HE GOT IT IN THAT BENIGHTED TOWN, I'LL NEVER KNOW. 1357 01:18:34,400 --> 01:18:37,330 (Sybil) HE NEVER ASKED FOR EXPLANATIONS. 1358 01:18:37,330 --> 01:18:40,060 NEVER. HE JUST ACCEPTED. 1359 01:18:42,230 --> 01:18:43,860 DANCE WITH ME. 1360 01:18:43,860 --> 01:18:45,730 I'D GET IN AWFUL TROUBLE. 1361 01:18:45,730 --> 01:18:50,260 I HAVE TO STAND UP IN CHURCH AND TELL IT OUT LOUD IN FRONT OF EVERYBODY. 1362 01:18:50,260 --> 01:18:54,430 * I WANT MY ARMS ABOUT YOU * 1363 01:18:54,430 --> 01:18:58,300 * THE CHARMS ABOUT YOU * 1364 01:18:58,300 --> 01:19:02,260 * WILL CARRY ME THROUGH * 1365 01:19:02,260 --> 01:19:04,860 * TO HEAVEN * 1366 01:19:06,230 --> 01:19:08,600 * IM IN HEAVEN * 1367 01:19:09,800 --> 01:19:13,100 * AND THE TEARS THAT CROWD AROUND ME * 1368 01:19:13,100 --> 01:19:15,030 * THROUGH THE WEEK * 1369 01:19:16,260 --> 01:19:18,060 * SEEMS TO VANISH * 1370 01:19:18,060 --> 01:19:21,030 * LIKE A GAMBLER'S LUCKY STREAK * 1371 01:19:22,230 --> 01:19:25,730 * WHEN WE'RE OUT TOGETHER * 1372 01:19:25,730 --> 01:19:27,500 [tapping] 1373 01:19:27,500 --> 01:19:30,900 (Danny) * OUT TOGETHER * 1374 01:19:30,900 --> 01:19:34,460 * OUT TOGETHER DANCING TO THE BEAT ** 1375 01:19:42,160 --> 01:19:44,560 [siren wailing] 1376 01:20:07,260 --> 01:20:08,600 THANK YOU. 1377 01:20:08,600 --> 01:20:09,900 THANK YOU. 1378 01:20:10,800 --> 01:20:12,800 AM I GONNA SEE YOU AGAIN? 1379 01:20:12,800 --> 01:20:14,760 YOU DON'T HAVE TO BE POLITE. 1380 01:20:14,760 --> 01:20:16,200 I NEVER AM. 1381 01:20:16,700 --> 01:20:18,300 HEY. 1382 01:20:18,300 --> 01:20:22,300 UM, KISS A CLOWN, GET A SMILE ON YOUR PILLOW. 1383 01:20:22,300 --> 01:20:24,760 I DON'T SLEEP WITH A PILLOW. IT'S BAD FOR YOUR SPINE. 1384 01:20:24,760 --> 01:20:26,260 YOUR HAND AT LEAST? 1385 01:20:26,260 --> 01:20:27,660 [gasping] 1386 01:20:27,660 --> 01:20:30,200 BURNING KISSES. BURNING. 1387 01:20:41,160 --> 01:20:42,700 WHAT DID I DO? 1388 01:20:54,660 --> 01:20:56,330 (as Vanessa) ISN'T THAT NICE? MMM-HMM. 1389 01:20:56,330 --> 01:20:58,830 SOMETIMES, HE, HE PLAYS SONGS THAT ARE LIKE HAPPY AND GAY. 1390 01:20:58,830 --> 01:21:01,530 ONE TIME HE PLAYED, UM, WITH A SONG IN MY HEART. 1391 01:21:01,530 --> 01:21:02,760 YOU KNOW THAT ONE? 1392 01:21:02,760 --> 01:21:04,860 UH, IT GOES... YOU KNOW. YEAH, RIGHT. 1393 01:21:04,860 --> 01:21:06,660 * I ALWAYS KNEW * 1394 01:21:06,660 --> 01:21:10,300 * I'D LIVE LIFE THROUGH WITH A SONG IN MY HEART ** 1395 01:21:10,300 --> 01:21:12,730 I CAN SEE YOU HAVE A LOVELY VOICE. 1396 01:21:12,730 --> 01:21:14,460 ONE TIME, WE WENT TO THE PARK, YOU KNOW, 1397 01:21:14,460 --> 01:21:15,700 'CAUSE WE WERE GONNA PLAY CATCH 1398 01:21:15,700 --> 01:21:16,930 AND THEN ONE OF THE BOYS CAME OUT 1399 01:21:16,930 --> 01:21:18,500 BECAUSE HE WANTED TO PLAY CATCH. 1400 01:21:18,500 --> 01:21:20,430 AND RICHARD THOUGHT IT WAS ME, SO HE WENT OVER TO MIKE 1401 01:21:20,430 --> 01:21:22,160 AND HE KISSED HIM RIGHT SMACK DAB ON THE LIPS. 1402 01:21:22,160 --> 01:21:23,330 HE WENT... AND MIKE WENT... 1403 01:21:23,330 --> 01:21:24,460 WHAT IS A BOY-- 1404 01:21:24,460 --> 01:21:25,660 WAIT A MINUTE. 1405 01:21:25,660 --> 01:21:28,160 DO YOU MEAN SOME OF THE OTHERS ARE BOYS? 1406 01:21:31,800 --> 01:21:34,160 I WASN'T SUPPOSED TO TELL YOU THAT. 1407 01:21:34,160 --> 01:21:35,830 NOW VICKY'S GONNA BE MAD AT ME. 1408 01:21:35,830 --> 01:21:36,960 **[playing piano] 1409 01:21:36,960 --> 01:21:39,460 VANESSA, I DON'T UNDERSTAND. 1410 01:21:39,460 --> 01:21:41,500 IT HURTS. 1411 01:21:41,500 --> 01:21:44,500 WHEN RICHARD KISSES SYBIL, IT HURTS. 1412 01:21:44,500 --> 01:21:47,130 WHY IS THAT? WHY DOES LOVE HURT? 1413 01:21:50,600 --> 01:21:53,260 LOVE DOESN'T HURT, SWEETIE. LOVE HEALS. 1414 01:21:56,800 --> 01:21:58,730 IT SMELLED LIKE DISINFECTANT. 1415 01:21:59,800 --> 01:22:01,760 WHAT SMELLS LIKE DISINFECTANT? 1416 01:22:02,800 --> 01:22:06,930 THE HANDS IN THE GREEN KITCHEN. 1417 01:22:06,930 --> 01:22:10,360 LIKE THAT STUFF YOU MADE SYBIL SMELL THAT TIME, REMEMBER? 1418 01:22:11,900 --> 01:22:13,200 MMM-HMM. 1419 01:22:15,430 --> 01:22:17,600 [in Hattie's voice] I JUST LOVE YOU TO DEATH. 1420 01:22:17,600 --> 01:22:19,760 BUSHEL AND A PECK, A HUG AROUND THE NECK. 1421 01:22:19,760 --> 01:22:21,330 NOW, YOU JUST COME ON OVER HERE. 1422 01:22:21,330 --> 01:22:22,900 LET ME GIVE YOU A HUG, HONEY. 1423 01:22:22,900 --> 01:22:25,830 THAT'S A GIRL. DON'T HANG BACK LIKE THAT. 1424 01:22:25,830 --> 01:22:27,830 NO. ISN'T THAT FUN? 1425 01:22:27,830 --> 01:22:30,130 JUST TICKLE, TICKLE, TICKLE, TICKLE, TICKLE. 1426 01:22:30,130 --> 01:22:32,500 AND TICKLE, TICKLE, TICKLE, TICKLE, TICKLE. 1427 01:22:32,500 --> 01:22:34,360 [piano bangs] 1428 01:22:34,360 --> 01:22:36,860 (as Vanessa) THEN THERE'D BE A BIG PINCH. 1429 01:22:38,260 --> 01:22:40,760 BUT I WASN'T HURT BY LOVE BECAUSE I CAME LATER. 1430 01:22:40,760 --> 01:22:42,800 BESIDES THAT, I WAS QUICK AS GREASE LIGHTENING 1431 01:22:42,800 --> 01:22:44,260 AND I COULD ALWAYS GET AWAY. 1432 01:22:44,260 --> 01:22:46,160 SYBIL HAD A DREAM SHE COULD PLAY, 1433 01:22:46,160 --> 01:22:48,030 BUT I CAN REALLY PLAY. 1434 01:22:48,760 --> 01:22:50,300 **[Sybil humming] 1435 01:22:50,300 --> 01:22:54,160 **[playing piano] * DREAMER ** 1436 01:22:54,160 --> 01:22:57,560 YOU HAVE EASTER... YOU HAVE EASTER BONNET. 1437 01:22:57,560 --> 01:22:58,830 I LOVE EASTER BONNET. 1438 01:22:58,830 --> 01:23:00,660 PLAY IT FOR ME, WILL YOU? 1439 01:23:01,760 --> 01:23:03,160 OH. 1440 01:23:03,160 --> 01:23:04,630 YOU COULD DO IT. 1441 01:23:04,630 --> 01:23:06,760 **[humming] 1442 01:23:09,030 --> 01:23:10,700 OK. I'M READY. 1443 01:23:11,860 --> 01:23:15,700 OK. OK, WAIT, WAIT. OK. START AGAIN. 1444 01:23:15,700 --> 01:23:19,030 * IN YOUR EASTER BONNET * 1445 01:23:19,030 --> 01:23:23,000 * WITH ALL THE FRILLS UPON IT * 1446 01:23:23,000 --> 01:23:26,500 * I'LL BE THE GRANDEST FELLOW * 1447 01:23:26,500 --> 01:23:29,730 * IN THE EASTER PARADE * 1448 01:23:29,730 --> 01:23:31,760 **[scatting] 1449 01:23:31,760 --> 01:23:34,860 * I'LL BE ALL IN CLOVER * 1450 01:23:34,860 --> 01:23:38,630 * AND WHEN THEY LOOK ME OVER * 1451 01:23:38,630 --> 01:23:42,130 * I'LL BE THE PROUDEST FELLOW * 1452 01:23:42,130 --> 01:23:46,130 * IN THE EASTER PARADE * 1453 01:23:46,130 --> 01:23:47,960 * ON THE AVENUE * 1454 01:23:47,960 --> 01:23:49,830 **[yodels] 1455 01:23:49,830 --> 01:23:51,600 * FIFTH AVENUE ** 1456 01:23:51,600 --> 01:23:53,100 **[yodels] 1457 01:23:54,400 --> 01:23:56,230 **[piano playing] 1458 01:23:57,260 --> 01:23:59,560 [crying] 1459 01:24:03,360 --> 01:24:06,030 VANESSA, WHAT'S THE MATTER, SWEETIE? 1460 01:24:06,030 --> 01:24:07,960 (as Peggy) I'M NOT VANESSA. 1461 01:24:09,600 --> 01:24:12,060 I'M SORRY, PEGGY, BUT YOU POPPED OUT SO FAST. 1462 01:24:12,060 --> 01:24:13,630 WHAT'S THE MATTER, SWEETIE? 1463 01:24:13,630 --> 01:24:15,760 IT WAS MY IDEA AND SHE STOLE IT. 1464 01:24:15,760 --> 01:24:19,500 I WANTED TO SING EASTER BONNET REALLY, REALLY BAD. 1465 01:24:19,500 --> 01:24:22,260 WELL, YOU CAN SING EASTER BONNET. 1466 01:24:22,260 --> 01:24:24,430 I DON'T WANT TO. I WANNA DANCE. 1467 01:24:24,430 --> 01:24:25,900 WELL, FINE. 1468 01:24:25,900 --> 01:24:28,030 AND I WANT YOU TO WATCH ME. 1469 01:24:28,030 --> 01:24:29,930 ALL RIGHT. ALL RIGHT. I'M ALL EYES, ALL RIGHT? 1470 01:24:29,930 --> 01:24:31,630 OK. 1471 01:24:31,630 --> 01:24:33,400 ALL RIGHT. 1472 01:24:33,400 --> 01:24:37,000 VANESSA WILL BE MY STAGE MAN, AND YOU'RE GONNA WATCH ME. 1473 01:24:37,800 --> 01:24:39,800 OK. OK. 1474 01:24:42,230 --> 01:24:45,360 * HEAVEN, I'M IN HEAVEN * 1475 01:24:45,360 --> 01:24:46,860 * AND MY HEART BEATS * 1476 01:24:46,860 --> 01:24:50,430 * SO THAT I CAN HARDLY SPEAK * 1477 01:24:50,430 --> 01:24:54,030 * AND I SEEM TO FIND THE HAPPINESS ** 1478 01:24:59,360 --> 01:25:02,830 I DON'T, I DON'T FIND HAPPINESS ANYWHERE. 1479 01:25:05,300 --> 01:25:06,760 WE'LL FIND IT, PEGGY. 1480 01:25:06,760 --> 01:25:08,830 IT JUST GOT LOST SOMEPLACE. 1481 01:25:10,100 --> 01:25:13,700 I--I WANT TO SIT IN THE BIG CHAIR WITH YOU. 1482 01:25:13,700 --> 01:25:16,660 WELL, YOU CAN COME SIT IN THE BIG CHAIR WITH ME. 1483 01:25:16,660 --> 01:25:17,930 OK. 1484 01:25:23,260 --> 01:25:25,300 DR. WILBUR, WOULD YOU HELP ME? 1485 01:25:25,300 --> 01:25:27,330 I--I CAN'T SEE ANYTHING. 1486 01:25:29,200 --> 01:25:30,360 WHAT'S THE MATTER? 1487 01:25:30,360 --> 01:25:31,760 I CAN'T SEE ANYTHING. 1488 01:25:31,760 --> 01:25:34,260 WHY CAN'T YOU SEE ANYTHING, HONEY? 1489 01:25:35,460 --> 01:25:37,600 THERE'S DISH TOWELS AROUND MY EYES, 1490 01:25:37,600 --> 01:25:40,000 AND THEY'RE AROUND MY WRISTS, TOO. 1491 01:25:40,000 --> 01:25:41,100 DISH TOWELS? 1492 01:25:41,100 --> 01:25:42,460 YES. 1493 01:25:42,460 --> 01:25:44,160 HERE, COME ON. 1494 01:25:44,160 --> 01:25:45,900 HERE. THERE YOU GO. 1495 01:25:45,900 --> 01:25:47,260 ALL RIGHTY? YEAH. 1496 01:25:47,260 --> 01:25:50,800 HERE. IS THAT BETTER? THERE. OK. 1497 01:25:50,800 --> 01:25:53,460 WELL, NOW, HOW DID THE DISH TOWELS GET THERE? 1498 01:25:53,460 --> 01:25:55,330 I DON'T KNOW. 1499 01:25:55,330 --> 01:25:57,900 I'M SCARED OF DISH TOWELS. 1500 01:25:57,900 --> 01:26:01,300 WELL, DISH TOWELS ARE JUST INANIMATE OBJECTS, PEGGY. 1501 01:26:01,300 --> 01:26:04,200 WILL YOU CALL ME "SWEETIE"? 1502 01:26:04,200 --> 01:26:07,130 I'M SORRY, SWEETIE, BUT, NOW, DISH TOWELS DON'T JUST 1503 01:26:07,130 --> 01:26:09,030 JUMP UP AND TIE THEMSELVES AROUND 1504 01:26:09,030 --> 01:26:10,960 LITTLE GIRLS' FACES AND AROUND THEIR WRISTS. 1505 01:26:10,960 --> 01:26:12,930 THEY HAVE TO BE PUT THERE BY SOMEBODY. 1506 01:26:12,930 --> 01:26:14,860 JUST HANDS, NOT SOMEBODY. 1507 01:26:14,860 --> 01:26:17,800 WELL, HONEY, THE HANDS HAVE TO BELONG TO SOMEONE. 1508 01:26:17,800 --> 01:26:19,300 NOW WHO--WHO DID THE HANDS BELONG TO? 1509 01:26:19,300 --> 01:26:20,660 JUST HANDS. 1510 01:26:22,530 --> 01:26:27,000 WELL, YOU WANT TO TAKE OFF THE DISH TOWELS AND LOOK AT THE HANDS? 1511 01:26:27,000 --> 01:26:29,700 WHY DON'T WE DO THAT? WILL YOU DO THAT? 1512 01:26:29,700 --> 01:26:30,960 WILL YOU HELP ME? 1513 01:26:30,960 --> 01:26:32,160 SURE. 1514 01:26:32,160 --> 01:26:35,030 OK. NOW ZIP AND ZIP. 1515 01:26:35,960 --> 01:26:37,760 NOW, THE DISH TOWELS ARE OFF. 1516 01:26:37,760 --> 01:26:40,100 NOW, WILL YOU LOOK AT THE HANDS? 1517 01:26:40,100 --> 01:26:41,860 NO. I DON'T WANT TO. I DON'T WANT TO. 1518 01:26:41,860 --> 01:26:43,260 WELL, TRY. TRY. 1519 01:26:43,260 --> 01:26:45,730 JUST TRY LOOKING AT THE HANDS, OK? 1520 01:26:45,730 --> 01:26:47,600 CAN YOU SEE THE HANDS? 1521 01:26:48,560 --> 01:26:49,630 HMM? 1522 01:26:50,400 --> 01:26:52,460 NOW CAN YOU SEE THE ARMS? 1523 01:26:53,930 --> 01:26:55,630 UP TO THE ELBOWS? 1524 01:26:56,960 --> 01:26:59,000 AND UP TO THE SHOULDERS? 1525 01:26:59,900 --> 01:27:01,760 CAN YOU SEE THE NECK? 1526 01:27:03,260 --> 01:27:05,360 NOW CAN YOU LOOK AT THE FACE? 1527 01:27:05,360 --> 01:27:06,730 NO. THERE ISN'T ANY FACE. 1528 01:27:06,730 --> 01:27:08,200 [shushing] THERE ISN'T ANY FACE. 1529 01:27:08,200 --> 01:27:11,630 THE HANDS DID IT OR THE TOWELS JUST DID IT ALL BY THEMSELVES. 1530 01:27:11,630 --> 01:27:12,730 I'M SCARED. I'M SCARED. 1531 01:27:12,730 --> 01:27:14,330 I KNOW. I KNOW. 1532 01:27:14,330 --> 01:27:17,360 I KNOW, BUT IF WE LOOK AT THE SCARY STUFF, IT'LL GO AWAY. 1533 01:27:17,360 --> 01:27:19,500 OH, IT HURTS ME. IT HURTS ME. 1534 01:27:19,500 --> 01:27:20,730 I KNOW, BUT WE HAVE TO FIND OUT 1535 01:27:20,730 --> 01:27:23,430 WHAT DID THE HANDS DO TO MAKE THAT HURT. 1536 01:27:23,430 --> 01:27:24,930 [groaning] 1537 01:27:26,660 --> 01:27:29,500 OH, COME ON, PEGGY. YOU DON'T HAVE TO DO THAT. 1538 01:27:31,630 --> 01:27:33,100 OH, MY GOD. 1539 01:27:33,100 --> 01:27:34,760 KEEP AWAY FROM THE WINDOW. 1540 01:27:34,760 --> 01:27:37,160 REMEMBER, YOU PROMISED YOU WOULDN'T BREAK GLASS IN MY OFFICE. 1541 01:27:37,160 --> 01:27:39,160 HANDS AND THE PEOPLE AND YOU COULD SEE THEM 1542 01:27:39,160 --> 01:27:41,200 AND THEY WALK AND THEY TALK AND YOU CAN HEAR THEM 1543 01:27:41,200 --> 01:27:42,860 AND, AND "A" SHARP AND "C". 1544 01:27:42,860 --> 01:27:44,400 OH, OH, IT HURTS ME. 1545 01:27:44,400 --> 01:27:46,830 WHO ARE THE PEOPLE, SWEETIE? WHAT HURTS? WHAT HURTS? 1546 01:27:46,830 --> 01:27:48,960 I WILL. I GOTTA GET OUT. I GOTTA GET OUT. PEGGY! 1547 01:27:48,960 --> 01:27:51,030 I WILL. I WILL. GLASS BREAK. 1548 01:27:52,660 --> 01:27:55,100 WHERE ARE YOU? WHERE ARE YOU, PEGGY? TELL ME. 1549 01:27:55,100 --> 01:27:56,860 THE KITCHEN, THE KITCHEN, THE KITCHEN. 1550 01:27:56,860 --> 01:27:58,600 IT'S ALL GREEN. IT'S ALL GREEN. 1551 01:27:58,600 --> 01:28:01,560 AND THE SINK AND THE TABLE AND THE LIGHT, YOU CAN SEE IT. 1552 01:28:01,560 --> 01:28:04,630 AND THE SHADE, AND THE SHADE, AND THE PIANO IN THE LIVING ROOM, 1553 01:28:04,630 --> 01:28:06,200 AND THE PIANO IN THE LIVING ROOM. 1554 01:28:06,200 --> 01:28:08,400 AND THE PEOPLE, AND YOU CAN'T GET AWAY FROM THE MUSIC, 1555 01:28:08,400 --> 01:28:10,230 AND IT DOESN'T MAKE ANY DIFFERENCE. 1556 01:28:10,230 --> 01:28:12,630 OH, DON'T HOOK ME. DON'T HOOK ME. 1557 01:28:12,630 --> 01:28:13,900 HOOK YOU WITH WHAT? 1558 01:28:13,900 --> 01:28:15,260 DON'T HOOK ME. DON'T HOOK ME. 1559 01:28:15,260 --> 01:28:17,060 I KNOW. YOU GOT A BIG HOOK. YOU GOT A BUTTON HOOK. 1560 01:28:17,060 --> 01:28:19,230 YOU'RE GONNA HOOK ME. YOU'RE GONNA HOOK ME. NO. NO. NO. 1561 01:28:19,230 --> 01:28:21,500 PEGGY, WHO ARE YOU TALKING TO? NO, YOU WON'T LET ME OUT. 1562 01:28:21,500 --> 01:28:23,560 YOU WON'T LET ME BREAK GLASS. YOU WON'T LET ME DRAW. 1563 01:28:23,560 --> 01:28:25,530 AND YOU WON'T LET ME DRAW. YES, I'LL LET YOU DRAW. 1564 01:28:25,530 --> 01:28:27,030 YOU WON'T LET ME DRAW. I'LL LET YOU DRAW. 1565 01:28:27,030 --> 01:28:28,430 YOU WON'T LET ME DRAW. 1566 01:28:28,430 --> 01:28:30,330 YOU WON'T LET ME DRAW BECAUSE I'LL DRAW MY WAY OUT. 1567 01:28:30,330 --> 01:28:31,430 I'LL DRAW MY WAY OUT. 1568 01:28:31,430 --> 01:28:32,760 AND ALL THE PEOPLE AND THE COLORS. 1569 01:28:32,760 --> 01:28:34,600 AND THE PEOPLE AND THE COLORS. 1570 01:28:34,600 --> 01:28:36,400 YOU WON'T BE MAD. YOU WON'T BE MAD. 1571 01:28:36,400 --> 01:28:39,060 NO, NO. DRAW. I'LL DRAW MY WAY OUT. 1572 01:28:39,060 --> 01:28:41,000 YOU WATCH. YOU COULD WATCH. 1573 01:28:41,000 --> 01:28:43,300 VICKY WOULD SAY "MAY," BUT I CAN SAY "CAN" IF I WANT TO. 1574 01:28:43,300 --> 01:28:44,730 I CAN SAY "CAN" IF I WANT TO. 1575 01:28:44,730 --> 01:28:46,830 THE PEOPLE, THE PEOPLE, THE PEOPLE. 1576 01:28:46,830 --> 01:28:49,830 IT'S ALL PURPLE. AND IT MOVES AND YOU WATCH THEM 1577 01:28:49,830 --> 01:28:51,960 AND YOU SEE THEIR FEET. AND YOU HAVE TO GET AWAY. 1578 01:28:51,960 --> 01:28:53,900 AND THERE'S ANOTHER AND ANOTHER AND ANOTHER. 1579 01:28:53,900 --> 01:28:57,100 AND THE MUSIC, IT GOES AROUND AND AROUND AND AROUND AND AROUND 1580 01:28:57,100 --> 01:28:59,360 AND OVER AND DOWN LIKE THAT, AND THEN LIKE THAT. 1581 01:28:59,360 --> 01:29:01,130 AND YOU COULD SEE, YOU COULD SEE, 1582 01:29:01,130 --> 01:29:03,030 YOU COULD SEE, AND THE PEOPLE HAVE HANDS. 1583 01:29:03,030 --> 01:29:04,360 PEGGY, WHO ARE THE PEOPLE? 1584 01:29:04,360 --> 01:29:05,630 I DON'T KNOW. I DON'T KNOW. 1585 01:29:05,630 --> 01:29:07,560 THEY'RE JUST PEOPLE. THEY'RE JUST PEOPLE. 1586 01:29:07,560 --> 01:29:09,430 AND IT'S LIKE THAT AND LIKE THAT AND OVER 1587 01:29:09,430 --> 01:29:11,700 AND AROUND AND LIKE THAT AND LIKE THAT. 1588 01:29:11,700 --> 01:29:13,500 AND YOU CAN HEAR IT, AND YOU CAN HEAR. 1589 01:29:13,500 --> 01:29:16,360 AND IT GOES SHARP, SHARP. IT GOES SHARP. "A" SHARP. 1590 01:29:16,360 --> 01:29:19,800 "A" SHARP AND "F" AND "F" AND--AND--AND "B" AND "D" 1591 01:29:19,800 --> 01:29:22,800 AND--AND--AND--AND--AND BRAHMS AND BEETHOVEN. 1592 01:29:22,800 --> 01:29:25,060 AND--AND--AND--AND--AND--AND 1593 01:29:25,060 --> 01:29:28,400 BRAHMS AND--AND--AND THE NEW WORLD SYMPHONY AND DVORAK. 1594 01:29:28,400 --> 01:29:29,960 AND DVORAK, YOU CAN HEAR IT. 1595 01:29:29,960 --> 01:29:31,800 YOU CAN HEAR IT. YOU CAN HEAR IT. 1596 01:29:31,800 --> 01:29:33,930 OH, OH, MUSTN'T WASTE PAPER. 1597 01:29:33,930 --> 01:29:35,160 MUSTN'T WASTE PAPER. 1598 01:29:35,160 --> 01:29:37,500 PAPER IS VALUABLE. PAPER IS VALUABLE. 1599 01:29:37,500 --> 01:29:39,500 YES, IT IS. YES, IT IS. 1600 01:29:39,500 --> 01:29:42,300 IT'S VALUABLE. IT'S VALUABLE. 1601 01:29:42,300 --> 01:29:43,800 [Sybil sobbing] 1602 01:29:43,800 --> 01:29:45,500 YOU CAN SEE NOW. 1603 01:29:45,500 --> 01:29:48,730 YOU CAN SEE THE PEOPLE. 1604 01:29:48,730 --> 01:29:50,630 YOU CAN SEE THE PEOPLE NOW. 1605 01:29:50,630 --> 01:29:52,260 YOU CAN SEE THEM. 1606 01:29:56,200 --> 01:29:57,700 YOU CAN SEE. 1607 01:30:02,630 --> 01:30:03,960 OH. 1608 01:30:03,960 --> 01:30:05,060 (as Sybil) OH. 1609 01:30:05,060 --> 01:30:07,430 IT'S ALL RIGHT. IT'S ALL RIGHT. 1610 01:30:07,430 --> 01:30:09,760 OH, GOD, HOW DID I GET UNDER HERE? 1611 01:30:11,700 --> 01:30:13,800 HOW DID I GET UNDER THERE? 1612 01:30:15,460 --> 01:30:18,060 YOU HAVE TO STOP ME FROM DOING THIS. 1613 01:30:20,930 --> 01:30:22,500 I CAN'T GO ON. 1614 01:30:24,800 --> 01:30:26,760 SYBIL, HOW DO YOU FEEL? 1615 01:30:30,330 --> 01:30:32,130 RELIEVED, A LITTLE. 1616 01:30:33,660 --> 01:30:36,430 HMM, I'M NOT SURPRISED. 1617 01:30:36,430 --> 01:30:38,800 YOU'VE ACCOMPLISHED A GREAT DEAL. 1618 01:30:41,360 --> 01:30:43,530 SYBIL, COME AND SIT DOWN. 1619 01:30:43,530 --> 01:30:44,800 I WANNA SHOW YOU SOMETHING. 1620 01:30:44,800 --> 01:30:46,500 COME ON. SIT DOWN. 1621 01:30:50,860 --> 01:30:52,560 NOW, YOU TOLD ME THAT 1622 01:30:54,200 --> 01:30:57,060 THIS WAS A PICTURE OF THE PEOPLE. 1623 01:31:00,930 --> 01:31:03,960 WHO DREW THAT? THAT'S MY MOTHER. 1624 01:31:03,960 --> 01:31:05,460 THAT'S A PICTURE OF MY MOTHER. 1625 01:31:05,460 --> 01:31:08,500 LOOK, THE LITTLE WISPS OF HAIR THERE AND, 1626 01:31:08,500 --> 01:31:10,460 AND YOU CAN'T SEE HER EYES. 1627 01:31:10,460 --> 01:31:12,200 HER EYES ALWAYS SCARED ME. 1628 01:31:12,200 --> 01:31:13,560 DID YOU DO THAT? 1629 01:31:13,560 --> 01:31:15,700 NO. NO, I DIDN'T DO IT. 1630 01:31:15,700 --> 01:31:21,000 LOOK. LOOK, THE LITTLE BOW AND HAIRPINS SHE ALWAYS WORE IN HER HAIR. 1631 01:31:21,000 --> 01:31:23,460 AND--AND THERE'S THE BUTTON HOOK. 1632 01:31:23,460 --> 01:31:25,400 I--I DON'T REMEMBER. 1633 01:31:26,030 --> 01:31:28,130 BUTTON HOOKS SCARE ME. 1634 01:31:28,130 --> 01:31:30,960 LIKE THEY'RE GONNA GET ME. 1635 01:31:30,960 --> 01:31:32,930 BUTTON HOOKS ARE GOOD THINGS. 1636 01:31:35,000 --> 01:31:36,330 WHAT ABOUT DISH TOWELS? 1637 01:31:36,330 --> 01:31:38,100 DO DISH TOWELS SCARE YOU? 1638 01:31:39,000 --> 01:31:40,500 HOW DO YOU KNOW ABOUT DISH TOWELS? 1639 01:31:40,500 --> 01:31:41,600 DO THEY SCARE YOU? 1640 01:31:41,600 --> 01:31:44,130 YES. 1641 01:31:44,130 --> 01:31:47,530 BUT NOW DISH TOWELS ARE GOOD AND USEFUL THINGS, RIGHT? 1642 01:31:50,200 --> 01:31:53,800 SYBIL, LOVE IS A NECESSARY THING. 1643 01:31:53,800 --> 01:31:57,830 BUT NOW IF A VOICE SAYS, "C-COME HERE, I LOVE YOU" 1644 01:31:57,830 --> 01:32:01,000 AND THEN A HAND REACHES OUT AND PINCHES YOU LIKE THAT, HARD, 1645 01:32:01,000 --> 01:32:04,060 THEN--THEN LOVE IS SPOILED BY THAT HAND, ISN'T IT? 1646 01:32:04,060 --> 01:32:07,960 AND--AND--AND MUSIC, NOW THAT'S SOMETHING THAT--THAT YOU LOVE VERY MUCH 1647 01:32:07,960 --> 01:32:09,630 AND YOU MISS VERY MUCH 1648 01:32:09,630 --> 01:32:13,500 BECAUSE SOMEHOW THAT WAS SPOILED FOR YOU, TOO, BY THE HAND. 1649 01:32:13,500 --> 01:32:16,630 WE DON'T KNOW HOW, BUT--BUT WE'RE GONNA FIND OUT. 1650 01:32:16,630 --> 01:32:18,760 AND THAT HAND BELONGS TO THE PEOPLE 1651 01:32:18,760 --> 01:32:20,360 AND THE PEOPLE WAS YOUR MOTHER. 1652 01:32:20,360 --> 01:32:21,800 (as Peggy) THE PEOPLE, I CANNOT SEE THE PEOPLE. 1653 01:32:21,800 --> 01:32:23,030 OH, PEGGY, STOP THAT! 1654 01:32:23,030 --> 01:32:24,400 (as Sybil) WHAT? 1655 01:32:25,900 --> 01:32:29,100 OH, DR. WILBUR, IT'S GETTING WORSE. 1656 01:32:32,130 --> 01:32:36,100 THIS IS GETTING A LOT WORSE, ISN'T IT? 1657 01:32:38,030 --> 01:32:40,430 HOW DO YOU KNOW THOSE THINGS? 1658 01:32:41,200 --> 01:32:42,860 I DON'T TELL YOU THEM. 1659 01:32:42,860 --> 01:32:45,300 AND WHO DOES THOSE DRAWINGS? 1660 01:32:46,960 --> 01:32:48,330 YOU DO. 1661 01:32:51,460 --> 01:32:53,300 OH, BUT YOU DO THEM AS OTHER PEOPLE. 1662 01:32:53,300 --> 01:32:55,300 DO YOU UNDERSTAND? MMM-MMM, MMM-MMM. 1663 01:32:55,300 --> 01:32:57,500 YOU DO THEM AS OTHER PARTS OF YOURSELF NO, I DON'T. 1664 01:32:57,500 --> 01:32:59,160 ...WHO ARE STILL CHILDREN. NO, I DON'T. 1665 01:32:59,160 --> 01:33:00,930 IT'S TRUE. NO, IT'S NOT. IT IS NOT 1666 01:33:00,930 --> 01:33:04,030 SYBIL, YOU'VE GOT TO UNDERSTAND. IT IS TRUE. THIS IS NOT POSSIBLE. 1667 01:33:04,030 --> 01:33:05,200 IT'S POSSIBLE. MMM-MMM. 1668 01:33:05,200 --> 01:33:06,930 IN FACT, THROUGH MOST OF THE ANALYSIS, 1669 01:33:06,930 --> 01:33:08,630 I'VE BEEN TALKING TO YOU THROUGH THEM. 1670 01:33:08,630 --> 01:33:11,200 THEY ALL HAVE NAMES AND THEY COME HERE AND THEY PROTECT YOU. 1671 01:33:11,200 --> 01:33:13,160 THEY KEEP YOUR APPOINTMENTS AND THEY'RE THE ONES 1672 01:33:13,160 --> 01:33:15,460 WHO POUR OUT THIS INFORMATION THAT YOU'RE AFRAID TO FACE. OH, NO. 1673 01:33:15,460 --> 01:33:17,700 YOU'VE GOT TO UNDERSTAND THAT, SYBIL. NO, IT'S NOT TRUE. 1674 01:33:17,700 --> 01:33:22,100 IT'S TRUE. IT'S NOT TRUE. NO, IT'S NOT. NO. IT'S NOT TRUE. 1675 01:33:23,160 --> 01:33:24,360 SYBIL. 1676 01:33:25,200 --> 01:33:26,500 SYBIL. 1677 01:33:26,500 --> 01:33:29,830 EVERYTHING YOU CARE ABOUT SURVIVES IN THOSE PARTS OF YOU 1678 01:33:29,830 --> 01:33:32,230 THAT YOUR MOTHER WASN'T ABLE TO REACH. 1679 01:33:32,230 --> 01:33:35,030 YOUR MUSIC, YOUR PAINTING, 1680 01:33:35,030 --> 01:33:38,130 EVEN YOUR ABILITY TO LOVE, THEY SURVIVE THERE. 1681 01:33:40,160 --> 01:33:42,960 SYBIL, I WANT YOU TO HEAR SOMETHING. 1682 01:33:42,960 --> 01:33:44,800 WHAT ARE YOU GOING TO DO? 1683 01:33:47,300 --> 01:33:50,860 I'M GOING TO LET YOU HEAR YOURSELF PLAY THE PIANO. 1684 01:33:50,860 --> 01:33:52,900 I--I CAN'T PLAY THE PIANO ANYMORE. 1685 01:33:52,900 --> 01:33:55,000 I USED TO PLAY IT. I--I CAN'T PLAY IT ANYMORE. 1686 01:33:55,000 --> 01:33:58,300 WELL, THIS IS A PART OF YOU WHO CALLS HERSELF VANESSA, AND SHE CAN. 1687 01:33:58,300 --> 01:34:00,100 SHE PLAYS BEAUTIFULLY. 1688 01:34:00,100 --> 01:34:01,800 I DON'T WANNA KNOW ABOUT HER. 1689 01:34:01,800 --> 01:34:02,900 SYBIL. 1690 01:34:02,900 --> 01:34:05,600 WE'VE GOT TO MAKE THIS REAL FOR YOU. 1691 01:34:05,600 --> 01:34:06,960 [crying] 1692 01:34:06,960 --> 01:34:10,330 DOCTOR, I DON'T THINK THAT I CAN TAKE IT. 1693 01:34:11,060 --> 01:34:13,260 MY HANDS ARE GOING NUMB. 1694 01:34:13,260 --> 01:34:15,560 THERE'S NO DANGER FOR YOU. THERE IS NO DANGER. 1695 01:34:15,560 --> 01:34:18,400 THERE ARE NO DISH TOWELS TYING YOUR WRISTS NOW. 1696 01:34:19,600 --> 01:34:22,430 MY HEART. MY HEART. 1697 01:34:22,430 --> 01:34:24,430 THAT'S ONLY ADRENALIN. 1698 01:34:24,430 --> 01:34:27,000 THERE IS NOBODY HERE TO HURT YOU, I PROMISE. 1699 01:34:27,000 --> 01:34:30,430 NOTHING BAD IS GOING TO HAPPEN. IT'S GONNA MAKE IT BETTER. 1700 01:34:30,430 --> 01:34:32,700 PLEASE, SYBIL, JUST RELAX AND LISTEN. 1701 01:34:35,930 --> 01:34:38,800 **[piano playing] 1702 01:34:51,960 --> 01:34:53,900 THAT'S VANESSA. 1703 01:34:53,900 --> 01:34:56,600 AND SHE'S GOT ALL YOUR MUSIC FOR SAFEKEEPING. 1704 01:35:01,430 --> 01:35:03,530 **[piano playing] 1705 01:35:06,060 --> 01:35:08,400 THAT'S ME? 1706 01:35:11,860 --> 01:35:13,700 PLAYING MOZART? 1707 01:35:13,700 --> 01:35:14,760 MMM-HMM. 1708 01:35:16,030 --> 01:35:18,360 AND YOU PLAYED SIBELIUS, TOO. 1709 01:35:18,360 --> 01:35:19,900 YOU PLAYED FINLANDIA. 1710 01:35:19,900 --> 01:35:21,900 [clicking] 1711 01:35:21,900 --> 01:35:23,960 [Sybil in Hattie's voice] DON'T YOU DARE TELL. 1712 01:35:23,960 --> 01:35:26,230 NEXT WORSE THING TO BEING A FIBBER IS BEING A TALEBEARER. 1713 01:35:26,230 --> 01:35:28,700 THAT'S MY MOTHER'S VOICE. THAT'S MY-- THAT'S MY MOTHER'S... 1714 01:35:28,700 --> 01:35:31,760 THAT'S MY MOTHER'S VOICE. THAT'S MY MOTHER'S VOICE. 1715 01:35:31,760 --> 01:35:33,960 SWEETIE, THAT'S NOT YOUR MOTHER'S VOICE. 1716 01:35:33,960 --> 01:35:35,900 THAT'S YOU IMITATING YOUR... 1717 01:35:37,330 --> 01:35:38,560 SYBIL? 1718 01:35:39,560 --> 01:35:40,800 SYBIL! 1719 01:35:49,560 --> 01:35:51,800 [moaning] 1720 01:35:51,800 --> 01:35:54,860 WHAT THE HELL DID THAT MONSTER DO TO YOU? 1721 01:35:56,560 --> 01:35:59,130 WHAT HAPPENED IN THE GREEN KITCHEN? 1722 01:36:00,520 --> 01:36:02,860 **[voice humming] 1723 01:36:39,260 --> 01:36:41,090 [telephone ringing] 1724 01:36:46,060 --> 01:36:47,920 HELLO. ERNA. 1725 01:36:47,920 --> 01:36:49,020 [sighing] 1726 01:36:49,020 --> 01:36:51,520 LISTEN, I NEED YOUR SUPPORT. I, UH... 1727 01:36:52,720 --> 01:36:55,660 SYBIL HAS DISSOCIATED INTO A BABY. 1728 01:36:55,660 --> 01:36:57,260 I CAN'T GET HER BACK. 1729 01:36:57,720 --> 01:37:00,190 A BABY. 1730 01:37:00,190 --> 01:37:04,920 OH, I--I WAS TOO EAGER. I PUSHED HER OVER THE EDGE. 1731 01:37:04,920 --> 01:37:08,890 WELL, I CAN'T GET HER HYPNOTIZED. I-- IF I COULD, I'D--I'D CONTACT VICKY, 1732 01:37:08,890 --> 01:37:11,420 BUT SHE WON'T FOCUS ON--ON--ON--ON ANYTHING 1733 01:37:11,420 --> 01:37:13,590 AND--AND SHE DOESN'T UNDERSTAND A WORD I SAY. 1734 01:37:13,590 --> 01:37:15,460 SHE'S--SHE'S PREVERBAL. 1735 01:37:16,560 --> 01:37:18,790 YEAH, BUT WHAT IF SHE STAYS LIKE THAT? 1736 01:37:18,790 --> 01:37:20,820 NO. NO. NO HOSPITALS. 1737 01:37:20,820 --> 01:37:22,020 NO, NOT WITH HER HISTORY. 1738 01:37:22,020 --> 01:37:23,320 [sighing] 1739 01:37:23,320 --> 01:37:25,490 COULD YOU? COULD YOU PLEASE, ERNA? 1740 01:37:25,490 --> 01:37:28,620 I HATE TO DRAG YOU OUT ON A NIGHT LIKE THIS, BUT I--I... 1741 01:37:29,390 --> 01:37:31,460 OH! HOLD ON A SECOND. 1742 01:37:31,460 --> 01:37:34,120 DR. WILBUR, UH, I'M GETTING HER A SNACK. 1743 01:37:34,120 --> 01:37:35,420 [exclaims] 1744 01:37:35,420 --> 01:37:37,920 SWEETIE, HOW DO YOU FEEL? 1745 01:37:37,920 --> 01:37:40,760 A LITTLE WOOZY. HUNGRY. 1746 01:37:40,760 --> 01:37:43,160 WELL, THERE'S--THERE'S FOOD IN THE KITCHEN. 1747 01:37:43,160 --> 01:37:45,520 GO GET SOME CHEESECAKE OR SOMETHING. 1748 01:37:45,520 --> 01:37:47,260 I'LL BE THERE IN A MINUTE. 1749 01:37:47,260 --> 01:37:49,120 OH, ERNA, IT'S OK. IT'S OK. 1750 01:37:49,120 --> 01:37:50,390 [sighing] 1751 01:37:50,390 --> 01:37:52,820 ONWARD AND UPWARD, SHE CAME TO AS SYBIL. 1752 01:37:54,520 --> 01:37:58,220 (Dr. Wilbur) SYBIL DORSETT, PSYCHOANALYTIC SESSION 251. 1753 01:37:58,220 --> 01:38:00,290 I'D HARDLY BREATHED A SIGH OF RELIEF 1754 01:38:00,290 --> 01:38:04,690 ABOUT SYBIL'S MAKING HER SPONTANEOUS REENTRY OUT OF THE BABY, 1755 01:38:04,690 --> 01:38:08,920 WHEN, SUDDENLY, WE'RE FACING THIS GHASTLY SEASON OF MIRTH. 1756 01:38:08,920 --> 01:38:11,890 CHRISTMAS SEEMS TO BE A STRESSFUL TIME FOR SYBIL. 1757 01:38:11,890 --> 01:38:14,090 THE OTHER PERSONALITIES HAVE BEEN STIRRED 1758 01:38:14,090 --> 01:38:16,220 INTO A KIND OF FRENZIED WAKEFULNESS 1759 01:38:16,220 --> 01:38:18,960 AND SOME WHO'VE BEEN DORMANT UNTIL NOW HAVE COME OUT. 1760 01:38:18,960 --> 01:38:20,690 [bell ringing] ONE OF THEM, MARY, IS A DEVOUT, 1761 01:38:20,690 --> 01:38:22,320 OLD-FASHIONED LITTLE HOMEMAKER 1762 01:38:22,320 --> 01:38:26,060 WHO SEEMS ALMOST THE REINCARNATION OF SYBIL'S GRANDMOTHER. 1763 01:38:26,060 --> 01:38:29,060 (as Mary) I WISH YOU ALL A HAPPY HOLIDAY. 1764 01:38:29,060 --> 01:38:31,020 JOY IN THE NEW YEAR. 1765 01:38:32,920 --> 01:38:34,920 NOBODY ANSWERS, VICKY. 1766 01:38:37,560 --> 01:38:39,220 (as Vicky) MARY, THIS IS NEW YORK. 1767 01:38:39,220 --> 01:38:40,860 THIS IS NOT WILLOW CORNERS. 1768 01:38:40,860 --> 01:38:42,460 DON'T BE UPSET. 1769 01:38:42,460 --> 01:38:44,520 LET ME CARRY THE PORTFOLIO FOR YOU. 1770 01:38:44,520 --> 01:38:46,690 IT'S GETTING AWFULLY HEAVY. 1771 01:38:46,690 --> 01:38:48,460 (as Mary) THANK YOU, DEAR. 1772 01:38:48,460 --> 01:38:51,360 I CAN VAGUELY REMEMBER WHAT'S IN IT. 1773 01:38:51,360 --> 01:38:54,120 EVERYTHING'S BEEN GETTING SO DIM LATELY. 1774 01:38:54,120 --> 01:38:56,290 MUST BE SENILITY. 1775 01:38:56,720 --> 01:38:57,760 [moaning] 1776 01:38:58,560 --> 01:39:00,090 ANGELS. 1777 01:39:00,090 --> 01:39:02,060 (as Vicky) THEY'RE ONLY DECORATIONS, MARY. 1778 01:39:02,060 --> 01:39:05,690 GRANDMA'S WITH THE ANGELS. SO AM I. 1779 01:39:05,690 --> 01:39:07,790 AM I GOING TO SEE GRANDMA, VICKY? 1780 01:39:08,290 --> 01:39:09,390 NOT YET. 1781 01:39:09,390 --> 01:39:11,360 WE'RE GOING TO SEE DR. WILBUR FIRST. 1782 01:39:11,360 --> 01:39:13,120 COME AWAY, MARY, PLEASE. 1783 01:39:16,420 --> 01:39:20,020 (as Mary) MARCIA PROMISED THAT SHE'D SEND ME TO GRANDMA SOON. 1784 01:39:20,720 --> 01:39:22,920 WHY DOESN'T SHE DO IT? 1785 01:39:22,920 --> 01:39:25,220 I'M GETTING SO TIRED OF WAITING. 1786 01:39:25,960 --> 01:39:27,390 [knocking on door] 1787 01:39:27,390 --> 01:39:28,960 (Dr. Wilbur) COME IN. 1788 01:39:30,390 --> 01:39:32,290 OH, VICKY, COME ON IN. 1789 01:39:32,290 --> 01:39:33,660 DR. WILBUR. 1790 01:39:34,920 --> 01:39:37,820 PARDON ME FOR BARGING IN ON YOU LIKE THIS. 1791 01:39:41,190 --> 01:39:46,090 I'M SORRY, BUT IT ALL SEEMS TO BE FALLING APART. 1792 01:39:46,090 --> 01:39:49,090 I DON'T SEEM TO BE ABLE TO CONTROL THINGS ANY LONGER. 1793 01:39:49,090 --> 01:39:52,020 IT'S ALL RIGHT. TELL ME ABOUT IT. 1794 01:39:52,020 --> 01:39:54,960 MARCIA IS CONSTANTLY THINKING OF SUICIDE. 1795 01:39:54,960 --> 01:39:56,860 MARY THINKS SHE'S IN HEAVEN. 1796 01:39:56,860 --> 01:39:59,560 AND SYBIL HAS INVITED RICHARD OVER FOR CHRISTMAS DINNER. 1797 01:39:59,560 --> 01:40:02,520 NOW, I KNOW SHE ISN'T ABLE TO HANDLE IT. I KNOW THIS. 1798 01:40:04,720 --> 01:40:06,560 IT'S ALL JUST AWFUL. 1799 01:40:08,760 --> 01:40:11,120 WELL, WHAT MADE IT GO AWFUL? 1800 01:40:11,120 --> 01:40:12,990 WHAT HAPPENED THIS TIME? HMM? 1801 01:40:15,520 --> 01:40:17,120 IT'S CHRISTMAS. 1802 01:40:18,820 --> 01:40:23,920 THE TREES AND THE WINDOWS AND EVERYBODY ALL COZY. 1803 01:40:23,920 --> 01:40:27,090 EVERYBODY HAVING TO RUSH AROUND, HURRY BEFORE... 1804 01:40:27,760 --> 01:40:29,220 BEFORE WHAT? 1805 01:40:30,860 --> 01:40:33,290 WE'VE MADE YOU THIS. 1806 01:40:33,290 --> 01:40:36,220 IT'S A CHRISTMAS CARD, FOR YOU. 1807 01:40:36,220 --> 01:40:37,920 FOR OUR DR. WILBUR. 1808 01:40:38,890 --> 01:40:40,060 THANK YOU. 1809 01:40:45,390 --> 01:40:48,290 SORRY ABOUT THE COLOR. 1810 01:40:48,290 --> 01:40:50,160 SYBIL TRIED FOR RED AND GREEN, 1811 01:40:50,160 --> 01:40:51,990 BUT IT JUST KEPT GETTING PURPLE 1812 01:40:51,990 --> 01:40:54,520 AND SHE WASN'T ABLE TO STOP IT. 1813 01:40:54,520 --> 01:40:56,420 DO YOU KNOW WHAT SHE DID? 1814 01:40:56,420 --> 01:40:59,520 SHE TOOK THE CRAYON, AND SHE JUST SCRUBBED ON THE PAPER 1815 01:40:59,520 --> 01:41:02,320 AND SCRUBBED ON IT LIKE THAT, AND SHE GRIT HER TEETH 1816 01:41:02,320 --> 01:41:05,460 AND THEN SHE WADDED IT UP AND THREW IT IN THE TRASHCAN. 1817 01:41:06,320 --> 01:41:08,420 WE RESCUED IT. 1818 01:41:08,420 --> 01:41:11,120 WE--WE TRIED TO MAKE IT PRETTIER, YOU SEE. 1819 01:41:11,120 --> 01:41:13,420 PEGGY ADDED THE RED, AND WE SMOOTHED IT OUT. 1820 01:41:13,420 --> 01:41:14,820 WE--WE ALL TRIED. 1821 01:41:15,760 --> 01:41:18,090 THANK YOU. WELL, SIT DOWN. 1822 01:41:21,820 --> 01:41:23,820 I'VE BROUGHT YOU THESE, TOO. 1823 01:41:23,820 --> 01:41:25,290 [horn blaring] 1824 01:41:25,290 --> 01:41:27,190 BUT YOU MUSTN'T TELL HER. 1825 01:41:31,660 --> 01:41:34,020 THEY'RE OUR PAINTINGS. WE DO THEM AT NIGHT. 1826 01:41:34,020 --> 01:41:35,620 WE HIDE THEM ON A SECRET SHELF 1827 01:41:35,620 --> 01:41:37,860 ON TOP OF THE CLOSET THAT MIKE MADE. 1828 01:41:41,890 --> 01:41:45,020 WE WANT YOU TO HAVE THEM FOR SAFEKEEPING. 1829 01:41:45,020 --> 01:41:48,260 THE WAY YOU SAY THAT VANESSA KEEPS THE MUSIC. 1830 01:41:48,260 --> 01:41:51,220 BECAUSE SOMETHING AWFUL IS GOING TO HAPPEN. I CAN FEEL IT. 1831 01:41:51,220 --> 01:41:53,390 IT'S GOING TO FALL APART, OR--OR BLOW UP, 1832 01:41:53,390 --> 01:41:55,520 OR THERE'S GOING TO BE AN EARTHQUAKE. 1833 01:41:55,520 --> 01:41:57,420 SWEETIE, THERE'S NOT GOING TO BE AN EARTHQUAKE. 1834 01:41:57,420 --> 01:42:00,990 OR A TIDAL WAVE, OR--OR A GLACIER, OR SOMETHING. I DON'T KNOW WHAT. 1835 01:42:00,990 --> 01:42:03,290 JUST SOMETHING AWFUL IS GOING TO HAPPEN. 1836 01:42:03,290 --> 01:42:06,660 THE END OF THE WORLD IS NOT WHAT YOU'RE AFRAID OF, VICKY. 1837 01:42:06,660 --> 01:42:09,520 PLEASE KEEP THEM FOR SAFEKEEPING. PLEASE. 1838 01:42:11,420 --> 01:42:12,890 ALL RIGHT. 1839 01:42:14,660 --> 01:42:16,090 THANK YOU. 1840 01:42:18,290 --> 01:42:21,090 VICKY, SAFEKEEPING FROM WHAT? HMM? 1841 01:42:23,620 --> 01:42:27,860 NOW, WHAT IS THE CONNECTION BETWEEN PURPLE 1842 01:42:27,860 --> 01:42:30,060 AND CHRISTMAS AND THINGS BLOWING UP? 1843 01:42:30,990 --> 01:42:32,060 HMM? 1844 01:42:33,320 --> 01:42:35,990 WHAT DID MOTHER DO TO MAKE THE PURPLE? 1845 01:42:35,990 --> 01:42:37,620 THERE ARE GUARDS AROUND THE PALACE. 1846 01:42:37,620 --> 01:42:39,320 [sighing] 1847 01:42:39,320 --> 01:42:42,160 VICKY, WE'VE GOT TO GET PAST THE GUARDS AROUND THE PALACE NOW. 1848 01:42:42,160 --> 01:42:44,190 I MEAN, WE HAVE TO GET DOWN TO THE BOTTOM 1849 01:42:44,190 --> 01:42:47,420 WHERE EVERYBODY IS JOINED TOGETHER AND REMEMBERS EVERYTHING 1850 01:42:47,420 --> 01:42:49,390 AND IT'S ALL RIGHT TO SAY IT. 1851 01:42:50,820 --> 01:42:52,520 NOW, YOU KNOW THERE IS A WAY TO DO IT. 1852 01:42:52,520 --> 01:42:53,960 WE'VE DISCUSSED THE WAY BEFORE. 1853 01:42:53,960 --> 01:42:55,420 YES, I KNOW. 1854 01:42:56,890 --> 01:42:58,220 HYPNOSIS. 1855 01:42:58,220 --> 01:42:59,520 YES. 1856 01:43:03,020 --> 01:43:04,490 SYBIL'S DADDY WOULDN'T LIKE IT. 1857 01:43:04,490 --> 01:43:06,460 WELL, WHAT ABOUT SYBIL? 1858 01:43:06,460 --> 01:43:08,160 IS SYBIL LISTENING NOW? 1859 01:43:10,920 --> 01:43:14,220 SHE-- SHE'S SO AWFULLY AFRAID, DOCTOR. 1860 01:43:16,590 --> 01:43:18,390 I THINK SHE WOULD ALMOST DO ANYTHING 1861 01:43:18,390 --> 01:43:21,860 IF IT WOULD HELP MAKE US NOT BE SO AFRAID. 1862 01:43:22,760 --> 01:43:23,860 GOOD. 1863 01:43:24,490 --> 01:43:25,960 ALL RIGHT. 1864 01:43:29,720 --> 01:43:30,960 COME ON. 1865 01:43:30,960 --> 01:43:33,990 JUST LIE HERE, PUT YOUR FEET UP AND RELAX. 1866 01:43:38,460 --> 01:43:39,860 IT'S ALL RIGHT. IT'S ALL RIGHT. 1867 01:43:39,860 --> 01:43:41,860 WHAT WOULD YOU LIKE TO LOOK AT? 1868 01:43:43,890 --> 01:43:46,520 NEHEMIAH, THE LITTLE HORSE THAT PEGGY MADE YOU. 1869 01:43:46,520 --> 01:43:48,820 [chuckling] ALL RIGHT. 1870 01:43:48,820 --> 01:43:51,620 HERE, COME ON, LIE BACK. PUT YOUR FEET UP. 1871 01:43:54,720 --> 01:43:57,190 THAT'S RIGHT. NOW YOU JUST RELAX. 1872 01:43:59,760 --> 01:44:01,020 RELAX. 1873 01:44:02,660 --> 01:44:06,090 AND WHEN YOU'RE READY, YOU LOOK AT NEHEMIAH. 1874 01:44:07,820 --> 01:44:10,220 HERE, YOU WILL LOOK AT NEHEMIAH. 1875 01:44:10,220 --> 01:44:11,820 SYBIL'S HEART IS POUNDING SO. 1876 01:44:11,820 --> 01:44:14,260 IT'S ALL RIGHT. IT'S ALL RIGHT. 1877 01:44:14,260 --> 01:44:16,720 YOU WILL BE WITH ME, AND WE WILL TAKE THIS UP TOGETHER. 1878 01:44:16,720 --> 01:44:18,820 YOU'LL BE SAFE. 1879 01:44:18,820 --> 01:44:21,290 NOW JUST RELAX. LOOK AT NEHEMIAH. 1880 01:44:22,420 --> 01:44:24,290 NOW, YOU'RE GOING TO SLEEP. 1881 01:44:25,190 --> 01:44:27,620 DEEPLY, DEEPLY ASLEEP. 1882 01:44:30,520 --> 01:44:31,920 ALL RIGHT? 1883 01:44:34,020 --> 01:44:36,360 NOW, WE WILL COME CLOSE TO THE PURPLE. 1884 01:44:38,960 --> 01:44:40,390 YOU WILL REMEMBER 1885 01:44:41,960 --> 01:44:43,760 BUT YOU WON'T FEEL THE HURT. 1886 01:44:43,760 --> 01:44:45,520 THE HURT IS IN THE PAST. 1887 01:44:48,960 --> 01:44:51,090 NOW, WHEN DID THE PURPLE HAPPEN? 1888 01:44:53,620 --> 01:44:54,820 5 YEARS OLD. 1889 01:44:55,690 --> 01:44:57,290 ANY PARTICULAR DAY? 1890 01:44:58,820 --> 01:45:01,190 DAY BEFORE CHRISTMAS, LIKE NOW. 1891 01:45:03,060 --> 01:45:04,490 ALL RIGHT. 1892 01:45:04,490 --> 01:45:06,760 NOW, WHEN I TOUCH YOUR LEFT SHOULDER, 1893 01:45:06,760 --> 01:45:09,960 YOU WILL LISTEN WITH THE OTHERS WHILE I SPEAK WITH SYBIL. 1894 01:45:10,590 --> 01:45:11,860 SYBIL. 1895 01:45:13,020 --> 01:45:14,120 SYBIL. 1896 01:45:14,120 --> 01:45:15,460 (as Sybil) YES. 1897 01:45:16,860 --> 01:45:18,490 ARE WE GOING TO GRANDMA'S ROOM? 1898 01:45:18,490 --> 01:45:20,190 IS THAT WHERE YOU WERE? 1899 01:45:21,260 --> 01:45:23,260 I LIKE IT THERE. 1900 01:45:23,260 --> 01:45:24,690 IT'S NICE IN GRANDMA'S ROOM. 1901 01:45:24,690 --> 01:45:25,960 ALL RIGHT. 1902 01:45:25,960 --> 01:45:30,020 WHEN I COUNT TO 5, YOU WILL BE IN GRANDMA'S ROOM. 1903 01:45:32,090 --> 01:45:34,260 YOU COUNT WITH ME. 1. 1904 01:45:35,290 --> 01:45:36,820 2. 1905 01:45:37,860 --> 01:45:40,120 3. COUNT WITH ME. 1906 01:45:40,590 --> 01:45:41,890 4. 4. 1907 01:45:42,720 --> 01:45:44,720 5. 5. 1908 01:45:44,720 --> 01:45:48,190 **[voice humming] 1909 01:45:48,190 --> 01:45:51,320 (Dr. Wilbur) I'M RIGHT HERE, SYBIL. YOU CAN GO TO HER. 1910 01:45:55,820 --> 01:45:57,190 [whimpering] 1911 01:45:58,660 --> 01:46:00,690 WHAT IS IT, DEAR HEART? 1912 01:46:00,690 --> 01:46:02,160 MY GRANDMA. 1913 01:46:03,190 --> 01:46:04,790 YOU CAN GO TO HER. 1914 01:46:05,820 --> 01:46:07,260 SHE'S DEAD. 1915 01:46:08,390 --> 01:46:10,190 THIS IS A MEMORY, SWEETIE. 1916 01:46:12,290 --> 01:46:14,690 [chair creaking] 1917 01:46:14,690 --> 01:46:17,320 GUESS WHO'S HERE, GRANDMA? 1918 01:46:17,320 --> 01:46:18,920 GIVE ME A HINT. 1919 01:46:21,690 --> 01:46:25,060 SUGAR AND SPICE AND EVERYTHING NICE. 1920 01:46:25,060 --> 01:46:29,260 IS THIS, BY ANY CHANCE, MY LITTLE DOWNSTAIRS NEIGHBOR? 1921 01:46:30,490 --> 01:46:31,920 IS THIS MY SYBIL? 1922 01:46:32,490 --> 01:46:34,460 YOU GUESSED RIGHT. 1923 01:46:37,860 --> 01:46:39,290 (Sybil) GRANDMA. 1924 01:46:39,990 --> 01:46:41,620 I LOVE MY GRANDMA. 1925 01:46:43,060 --> 01:46:45,790 YOU CAN SAY IT TO HER IF YOU WANT TO, SWEETIE. 1926 01:46:49,360 --> 01:46:51,190 I LOVE YOU, GRANDMA. 1927 01:46:52,690 --> 01:46:55,860 LITTLE ROUND SCISSORS, I FOUND THEM. 1928 01:46:55,860 --> 01:46:58,260 GOOD! HURRAY! 1929 01:46:58,260 --> 01:47:00,860 (Dr. Wilbur) WHAT ARE YOU DOING WITH THE LITTLE SCISSORS? 1930 01:47:00,860 --> 01:47:01,890 CUTTING. 1931 01:47:01,890 --> 01:47:03,890 CUTTING WHAT? 1932 01:47:03,890 --> 01:47:05,890 LITTLE PICTURE OF SANTA CLAUS. 1933 01:47:07,090 --> 01:47:09,860 AND I STAY INSIDE THE LINES REAL GOOD. 1934 01:47:10,460 --> 01:47:12,690 LIKE THIS. 1935 01:47:12,690 --> 01:47:16,820 AND I MAKE A LITTLE STAR OUT OF TINFOIL. LIKE THIS. 1936 01:47:18,160 --> 01:47:20,560 AND MY GRANDMA'S REAL NICE TO ME, 1937 01:47:20,560 --> 01:47:22,920 AND SHE DOESN'T HOLLER AT ME, 1938 01:47:22,920 --> 01:47:25,860 AND I DON'T HAVE TO BE AFRAID IN MY GRANDMA'S ROOM. 1939 01:47:26,260 --> 01:47:27,360 NO. 1940 01:47:28,260 --> 01:47:29,620 [gasping] 1941 01:47:29,620 --> 01:47:31,890 IT'S ALL RIGHT, SWEETIE. YOU'RE STILL WITH YOUR GRANDMA. 1942 01:47:31,890 --> 01:47:34,690 A BEAUTIFUL STAR. SEE HOW IT TWINKLES. 1943 01:47:35,620 --> 01:47:38,120 I MAKE A GOOD SANTA, TOO? 1944 01:47:38,120 --> 01:47:39,420 IT ALL RIGHT? 1945 01:47:39,420 --> 01:47:41,060 OH, MY. 1946 01:47:41,060 --> 01:47:43,290 YOU DIDN'T CUT A WHISKER. 1947 01:47:43,290 --> 01:47:45,490 HE LOOKS SO HAPPY. 1948 01:47:45,490 --> 01:47:48,890 I DON'T THINK HE LIKED BEING COOPED UP IN THAT OLD MAGAZINE. 1949 01:47:50,060 --> 01:47:52,660 CAN I PASTE HIM ON MY STAR? 1950 01:47:52,660 --> 01:47:54,220 THAT A GOOD IDEA? 1951 01:47:54,220 --> 01:47:56,420 WONDERFUL. 1952 01:47:56,420 --> 01:48:00,090 YOU SHOW ME. YOU CAN SHOW ME. 1953 01:48:00,090 --> 01:48:03,860 THEN HE CAN TWINKLE WAY UP HIGH ON MY TREE WHERE HE WILL-- 1954 01:48:03,860 --> 01:48:05,020 [object thudding] (Hattie) SYBIL! 1955 01:48:05,020 --> 01:48:06,460 YOU COME DOWN HERE, YOUNG LADY! 1956 01:48:06,460 --> 01:48:10,360 YOU'VE BEEN PESTERING THAT OLD WOMAN LONG ENOUGH! 1957 01:48:10,360 --> 01:48:12,090 (Sybil) I DON'T WANT TO GO DOWNSTAIRS. 1958 01:48:12,090 --> 01:48:14,390 YOU CAN FACE IT, SWEETIE. 1959 01:48:14,390 --> 01:48:16,160 THERE'S TOO MUCH PURPLE. 1960 01:48:17,560 --> 01:48:20,690 WE'RE GONNA GO DOWNSTAIRS TOGETHER 1961 01:48:20,690 --> 01:48:23,190 AND YOU'RE GONNA REMEMBER THE PURPLE 1962 01:48:23,190 --> 01:48:27,020 AND THIS IS THE WAY YOU'RE GONNA REMEMBER IT. 1963 01:48:27,020 --> 01:48:29,760 (Sybil) MAYBE THERE'S NOTHING TO REMEMBER. 1964 01:48:29,760 --> 01:48:31,990 (Dr. Wilbur) SWEETIE, YOU'RE GOING DOWN THE STAIRS, 1965 01:48:31,990 --> 01:48:33,690 AND I'LL BE WITH YOU. 1966 01:48:41,760 --> 01:48:43,520 CHOCOLATE. 1967 01:48:43,520 --> 01:48:45,020 CHOCOLATE CHIPPIE. 1968 01:48:47,760 --> 01:48:50,720 THAT'S RIGHT. COME ON. 1969 01:48:50,720 --> 01:48:53,060 WATCH YOUR FEET. YOU KNOW HOW CLUMSY YOU ARE. 1970 01:48:53,060 --> 01:48:54,360 COME ON. 1971 01:48:55,990 --> 01:48:57,320 COME ON. 1972 01:49:00,060 --> 01:49:03,060 HAVE A NICE TRIP. SEE YOU NEXT FALL. 1973 01:49:03,060 --> 01:49:05,560 (Grandma) HATTIE, IS SYBIL ALL RIGHT? 1974 01:49:05,560 --> 01:49:07,990 IT'S JUST ONE OF HER FALLS, GRANDMA! 1975 01:49:09,420 --> 01:49:12,760 OH, GRANDMA, WHAT BIG EARS YOU HAVE. 1976 01:49:18,420 --> 01:49:19,860 HERE. 1977 01:49:19,860 --> 01:49:23,420 MADE 4 DOZEN FOR THAT POOR WOEBEGONE FLOYD FAMILY 1978 01:49:23,420 --> 01:49:27,190 'CAUSE IT'D BE A BLEAK CHRISTMAS IF NOBODY HELPED THEM OUT. 1979 01:49:27,190 --> 01:49:29,360 COME ON. KEEP MOMMA COMPANY. 1980 01:49:40,120 --> 01:49:43,560 "UNDER THE SPREADING CHESTNUT-TREE 1981 01:49:43,560 --> 01:49:47,160 "THE VILLAGE SMITHY STANDS 1982 01:49:47,160 --> 01:49:50,420 "THE SMITH, A MIGHTY MAN IS HE 1983 01:49:52,290 --> 01:49:55,090 WITH LARGE AND SINEWY" 1984 01:49:57,020 --> 01:49:58,090 SINEWY. 1985 01:49:58,090 --> 01:49:59,220 MOMMA. 1986 01:50:00,360 --> 01:50:02,120 "HIS HAIR IS CRISP" 1987 01:50:03,520 --> 01:50:06,460 CRISP? I NEVER NOTICED THAT. 1988 01:50:07,920 --> 01:50:10,590 ALL THESE YEARS, I NEVER NOTICED THAT. 1989 01:50:12,290 --> 01:50:13,990 LETTUCE IS CRISP. 1990 01:50:18,190 --> 01:50:20,820 "LETTUCE HEAD GO TO BED 1991 01:50:20,820 --> 01:50:23,360 "YOUR NOSE IS RED YOUR NAME IS FRED 1992 01:50:23,360 --> 01:50:24,920 I'LL KILL YOU DEAD" 1993 01:50:26,160 --> 01:50:27,490 MOMMA. 1994 01:50:27,490 --> 01:50:28,790 I'M BUSY. 1995 01:50:28,790 --> 01:50:31,590 LOOK WHAT I MADE FOR THE CHRISTMAS TREE. 1996 01:50:31,590 --> 01:50:33,260 WHAT DO YOU MEAN MADE? 1997 01:50:37,120 --> 01:50:39,460 OH, THAT'S JUST A PICTURE OUT OF A MAGAZINE 1998 01:50:39,460 --> 01:50:42,360 WITH A PIECE OF TINFOIL STUCK TO IT. 1999 01:50:42,360 --> 01:50:44,390 GRANDMA SAYS IT'S PRETTY. 2000 01:50:44,390 --> 01:50:46,590 I GO HANG IT ON THE CHRISTMAS TREE. 2001 01:50:47,660 --> 01:50:49,760 I TOLD YOU NOT TO RUN THROUGH THE HOUSE! 2002 01:50:49,760 --> 01:50:51,120 I'M SORRY. 2003 01:50:51,120 --> 01:50:53,360 YES, WELL. 2004 01:50:53,360 --> 01:50:56,020 "WORDS ARE CHEAP HILLS ARE STEEP 2005 01:50:56,020 --> 01:50:58,190 SORROW'S DEEP" 2006 01:50:58,190 --> 01:51:00,960 * OH, FOR THE WINGS * 2007 01:51:00,960 --> 01:51:03,290 * FOR THE WINGS OF A DOVE * 2008 01:51:04,190 --> 01:51:06,460 * FAR AWAY * 2009 01:51:06,460 --> 01:51:08,920 * FAR AWAY WOULD I ROAM * 2010 01:51:10,360 --> 01:51:12,590 * OH, FOR THE WINGS * 2011 01:51:12,590 --> 01:51:15,660 * FOR THE WINGS OF A DOVE * 2012 01:51:15,660 --> 01:51:17,520 * FAR AWAY * 2013 01:51:18,220 --> 01:51:20,690 * FAR AWAY * 2014 01:51:20,690 --> 01:51:23,590 * FAR AWAY FAR AWAY * 2015 01:51:25,120 --> 01:51:26,560 * WOULD I ROAM ** 2016 01:51:28,560 --> 01:51:30,220 [door creaking] 2017 01:51:30,220 --> 01:51:33,660 MOMMA, COME SEE WHAT I DID. 2018 01:51:35,520 --> 01:51:38,790 YOU DIDN'T GO HANG THAT THING ON THAT TREE AFTER I SAID THAT? 2019 01:51:38,790 --> 01:51:40,190 SAID WHAT? 2020 01:51:50,060 --> 01:51:51,290 TAKE IT OFF. 2021 01:51:51,990 --> 01:51:53,260 TAKE IT OFF! 2022 01:51:53,960 --> 01:51:55,520 TAKE IT OFF! 2023 01:51:55,520 --> 01:51:57,060 YOU GO AWAY FIRST. 2024 01:51:58,960 --> 01:52:00,390 REACH AROUND ME. 2025 01:52:01,360 --> 01:52:03,790 GO ON. I DARE YOU. 2026 01:52:10,790 --> 01:52:13,560 COME ON. COME ON, REACH AROUND ME. 2027 01:52:20,060 --> 01:52:22,260 I TOLD YOU NOT TO RUN IN THE HOUSE. 2028 01:52:23,290 --> 01:52:24,490 [sobbing] 2029 01:52:24,490 --> 01:52:25,920 [Hattie whacking] 2030 01:52:30,590 --> 01:52:33,690 (Hattie) DON'T YOU CRY. DON'T YOU MAKE FACES. 2031 01:52:34,790 --> 01:52:36,660 DON'T YOU GET MAD. 2032 01:52:36,660 --> 01:52:38,790 MAD DOGS GET MAD, NOT PEOPLE. 2033 01:52:40,760 --> 01:52:42,220 NOW, DON'T WORRY. 2034 01:52:42,220 --> 01:52:44,620 I'M NOT GONNA HIT YOU THIS TIME. 2035 01:52:44,620 --> 01:52:46,420 THIS TIME I'M ONLY GONNA KICK YOU. 2036 01:52:46,420 --> 01:52:47,490 [moaning] 2037 01:52:57,920 --> 01:53:00,420 YOU ARE SO ADORABLE WHEN YOU DO THAT. 2038 01:53:00,420 --> 01:53:03,220 YOU LOOK JUST LIKE A LITTLE BABY CRAB. 2039 01:53:15,660 --> 01:53:18,790 WHAT ARE YOU GOING TO DO? DRAW A PICTURE? 2040 01:53:18,790 --> 01:53:19,890 UH-HUH. 2041 01:53:19,890 --> 01:53:21,420 WHO FOR? 2042 01:53:21,420 --> 01:53:23,290 MOMMA'S CHRISTMAS STOCKING. 2043 01:53:24,090 --> 01:53:26,790 OH, WHAT A LOVELY THOUGHT. 2044 01:53:26,790 --> 01:53:30,820 EVEN IF I DON'T LIKE MADE-UP THINGS AS MUCH AS FACTORY ONES. 2045 01:53:30,820 --> 01:53:33,660 WHEN I'M A BIG GIRL, I GO WORK IN A FACTORY 2046 01:53:33,660 --> 01:53:36,390 AND MAKE YOU SOMETHING REAL PRETTY. 2047 01:53:36,390 --> 01:53:38,390 * OH, CHRISTMAS TREE * 2048 01:53:38,390 --> 01:53:40,160 * OH, CHRISTMAS TREE * 2049 01:53:40,160 --> 01:53:43,720 * HOW LOVELY ARE THY BRANCHES * 2050 01:53:43,720 --> 01:53:46,390 COME ON, SING. 2051 01:53:46,390 --> 01:53:51,220 [both singing] * NOT ONLY GREEN WHEN SUMMER GLOWS * 2052 01:53:51,220 --> 01:53:55,360 * BUT IN THE WINTER WHEN IT SNOWS * 2053 01:53:56,360 --> 01:53:59,090 [clearing throat] 2054 01:53:59,090 --> 01:54:02,690 WELL, WHO EVER HEARD OF A GREEN CHICKEN WITH PURPLE FEET? 2055 01:54:04,060 --> 01:54:07,420 CAN YOU PICTURE WHAT KIND OF EGGS THAT LAYS? 2056 01:54:07,420 --> 01:54:11,420 SET A PLATTER OF THEM IN FRONT OF GRANDPA SOME FINE SABBATH MORNING, 2057 01:54:11,420 --> 01:54:14,190 HE'D SURE TAKE THAT FOR A SIGN NOW, WOULDN'T HE? 2058 01:54:14,190 --> 01:54:16,560 "ARMAGEDDON!" 2059 01:54:16,560 --> 01:54:18,190 [laughing] 2060 01:54:18,190 --> 01:54:21,360 (Sybil) * OH, CHRISTMAS TREE OH, CHRISTMAS TREE * 2061 01:54:21,360 --> 01:54:25,720 * YOU ARE THE TREE MOST LOVED * 2062 01:54:25,720 --> 01:54:30,690 * HOW OFT YOU'VE GIVEN ME DELIGHT * 2063 01:54:30,690 --> 01:54:33,290 * WHEN CHRISTMAS FIRES * 2064 01:54:33,290 --> 01:54:35,160 * ARE BURNING BRIGHT ** 2065 01:54:36,420 --> 01:54:38,590 YOU THINK IT'S JUST SUNSHINE AND SINGING 2066 01:54:38,590 --> 01:54:41,160 AND PRETTY COLORS WHEN YOU GROW UP? 2067 01:54:41,160 --> 01:54:43,920 WELL, I SHOULD SAY NOT. 2068 01:54:43,920 --> 01:54:47,420 YOU ARE BAD. YOU ARE SPOILED ROTTEN. 2069 01:54:48,220 --> 01:54:50,390 AND YOU BETTER LEARN QUICK. 2070 01:54:50,390 --> 01:54:51,590 [stomping] 2071 01:54:51,590 --> 01:54:54,160 MINE! MINE! 2072 01:54:54,160 --> 01:54:57,060 WANNA BREAK GLASS. WANNA BREAK GLASS. HEY! WAIT A MINUTE. HERE. 2073 01:54:57,060 --> 01:55:00,190 HERE, YOU WANNA TEAR SOMETHING UP? COME ON, TEAR IT. THAT'S IT. 2074 01:55:00,190 --> 01:55:01,460 I LOVED MY COLORS. 2075 01:55:01,460 --> 01:55:02,690 OF COURSE YOU DID. 2076 01:55:02,690 --> 01:55:04,720 MY COLORS ARE ME. THOSE ARE MY COLORS. 2077 01:55:04,720 --> 01:55:06,920 SWEETIE, HASN'T IT EVER OCCURRED TO SYBIL 2078 01:55:06,920 --> 01:55:08,790 THAT GOOD MOMMIES DON'T HURT THEIR GIRLS? 2079 01:55:08,790 --> 01:55:10,820 MOMMIES PUT YOUR FINGERS IN THE MEAT GRINDER. 2080 01:55:10,820 --> 01:55:12,120 NO, THEY DON'T. NOT GOOD ONES. 2081 01:55:12,120 --> 01:55:14,090 MOMMIES ARE ONLY GOOD WHEN OTHER PEOPLE AROUND 2082 01:55:14,090 --> 01:55:15,560 NOT WHEN THEY GET YOU ALONE. 2083 01:55:15,560 --> 01:55:18,060 DR. WILBUR DOESN'T HURT YOU WHEN YOU'RE ALONE, DOES SHE? 2084 01:55:18,060 --> 01:55:20,720 NO, DR. WILBUR THINKS THAT LITTLE GIRLS SHOULD BE HAPPY, 2085 01:55:20,720 --> 01:55:24,420 ESPECIALLY LITTLE GIRLS WHO CAN PAINT GREEN CHICKENS WITH PURPLE FEET. 2086 01:55:24,420 --> 01:55:25,790 MOMMA. 2087 01:55:25,790 --> 01:55:27,320 WHAT'S THE MATTER, SWEETIE? 2088 01:55:27,320 --> 01:55:28,920 [Sybil moaning] WHAT'S HAPPENING? 2089 01:55:28,920 --> 01:55:31,290 MY WRISTS ARE GOING NUMB. 2090 01:55:31,290 --> 01:55:34,360 CAN YOU TELL DR. WILBUR ABOUT IT? TELL ME ABOUT IT. 2091 01:55:34,360 --> 01:55:35,920 [Sybil whimpering] 2092 01:55:37,720 --> 01:55:39,960 [Sybil crying] 2093 01:55:39,960 --> 01:55:42,990 WELL, TELL ME ABOUT IT. TELL ME. WHAT'S HAPPENING? TELL ME. 2094 01:55:42,990 --> 01:55:44,760 WHAT'S HAPPENING, PEGGY? 2095 01:55:49,560 --> 01:55:51,720 YOU BETTER SAY, "GOD IS LOVE," REAL QUICK. 2096 01:55:51,720 --> 01:55:52,990 GOD IS LOVE. 2097 01:55:52,990 --> 01:55:55,120 BECAUSE GOD HATES BAD GIRLS. 2098 01:55:55,120 --> 01:55:58,620 AND IF THEY'RE REAL BAD, HE TAKES THEM BEFORE THEIR TIME. 2099 01:55:58,620 --> 01:56:02,160 WHERE DOES GOD TAKE BAD LITTLE GIRLS, MOMMA? 2100 01:56:16,720 --> 01:56:18,490 WHERE, MOMMA? 2101 01:56:22,990 --> 01:56:24,390 [Hattie cackling] 2102 01:56:24,390 --> 01:56:28,420 HE TAKES THEM WAY UP INTO THE DARK AND LEAVES THEM THERE. 2103 01:56:28,420 --> 01:56:30,660 HE LETS THEM DROWN IN THE WHEAT. 2104 01:56:30,660 --> 01:56:33,760 THEY CAN'T BREATHE AND THEY DIE. 2105 01:56:33,760 --> 01:56:36,190 AND THAT'S WHAT'S GONNA HAPPEN TO YOU. 2106 01:56:40,260 --> 01:56:44,220 (Hattie) HAVE TO DO IT. UH-HUH. YES, MA'AM. 2107 01:56:45,790 --> 01:56:47,320 HAVE TO. 2108 01:56:47,320 --> 01:56:48,660 GOD IS LOVE. 2109 01:56:50,420 --> 01:56:51,990 (Dr. Wilbur) WHO GOT YOU OUT, SYBIL? 2110 01:56:51,990 --> 01:56:53,720 (Sybil) DADDY. 2111 01:56:53,720 --> 01:56:55,420 MOMMA TOLD HIM THE LITTLE BOY DOWN THE STREET DID IT. 2112 01:56:55,420 --> 01:56:56,690 WHAT DID DADDY SAY? 2113 01:56:56,690 --> 01:56:58,290 DADDY SAID, "OH." 2114 01:56:58,290 --> 01:56:59,990 DADDY ALWAYS BELIEVED MOMMA. 2115 01:56:59,990 --> 01:57:01,390 YOU DIDN'T TELL DADDY THE TRUTH? 2116 01:57:01,390 --> 01:57:02,720 NO, NOT SUPPOSED TO. 2117 01:57:02,720 --> 01:57:05,220 MOMMA WOULD SEND ME TO GOD. 2118 01:57:05,220 --> 01:57:06,460 WHAT ARE YOU DOING? 2119 01:57:06,460 --> 01:57:08,160 DRAWING WITH MY PURPLE CRAYON. 2120 01:57:08,160 --> 01:57:10,920 WHY? SO SOMEONE WILL KNOW I WAS HERE. 2121 01:57:14,890 --> 01:57:19,020 SWEETIE, THAT BAD END-OF-THE-WORLD FEELING IS NOT THE END OF THE WORLD. 2122 01:57:20,460 --> 01:57:23,590 IT'S JUST THE COMING OF YOUR OWN ANGER 2123 01:57:23,590 --> 01:57:26,320 AND THE COLOR OF THAT ANGER IS PURPLE. 2124 01:57:26,320 --> 01:57:29,060 I DON'T WANT IT. I'M AFRAID OF IT. 2125 01:57:29,060 --> 01:57:32,060 I KNOW, BUT AVOIDING IT IS JUST WHAT'S GETTING IN THE WAY 2126 01:57:32,060 --> 01:57:34,490 OF YOUR DOING ANYTHING. 2127 01:57:34,490 --> 01:57:37,090 DON'T YOU BE MAD AT MOMMA, OR SHE'LL GET YOU. 2128 01:57:37,090 --> 01:57:39,860 NO, SWEETIE. SHE WON'T GET ME. 2129 01:57:39,860 --> 01:57:42,190 I'M STRONGER THAN SHE IS. 2130 01:57:42,190 --> 01:57:44,690 AND I'LL GET JUST AS MAD AT MOMMA AS I LIKE 2131 01:57:44,690 --> 01:57:47,190 AND I'LL STAY MAD AT HER FOR YOU 2132 01:57:47,190 --> 01:57:49,660 UNTIL YOU ARE ABLE TO DO IT FOR YOURSELF. 2133 01:57:53,690 --> 01:57:55,420 [sighing] 2134 01:57:55,420 --> 01:57:58,290 ALL RIGHT, WE'RE GONNA LEAVE WILLOW CORNERS NOW. 2135 01:57:58,290 --> 01:58:01,060 I DON'T EVER WANNA GO BACK THERE AGAIN. 2136 01:58:02,220 --> 01:58:04,790 WE'RE COMING BACK INTO THE PRESENT. 2137 01:58:05,660 --> 01:58:10,160 YOU'RE 6, 14, 21, 29. 2138 01:58:10,790 --> 01:58:12,320 THIS IS TOO FAST. 2139 01:58:12,320 --> 01:58:14,520 IT'S ALL RIGHT TO COME INTO THE PRESENT, SWEETIE, 2140 01:58:14,520 --> 01:58:16,690 BECAUSE I'M IN THE PRESENT. 2141 01:58:16,690 --> 01:58:19,860 YOUR MOTHER IS DEAD AND BURIED IN A GRAVE IN KANSAS CITY. 2142 01:58:19,860 --> 01:58:21,020 MOTHER'S DEAD? 2143 01:58:21,020 --> 01:58:22,220 SHE'S DEAD. 2144 01:58:23,190 --> 01:58:24,790 IT'S ALL RIGHT. 2145 01:58:29,620 --> 01:58:32,590 NOW YOU'LL ONLY REMEMBER WHAT IT'S SAFE TO REMEMBER. 2146 01:58:34,760 --> 01:58:36,460 [Dr. Wilbur exhaling] 2147 01:58:40,660 --> 01:58:42,690 (Sybil) I'M SO ANXIOUS. 2148 01:58:42,690 --> 01:58:45,390 (Dr. Wilbur) SWEETIE, YOU'VE SURVIVED. 2149 01:58:45,390 --> 01:58:48,590 THAT YOU'VE FOUND SUCH A CREATIVE ALTERNATIVE TO INSANITY 2150 01:58:48,590 --> 01:58:50,220 IS MIRACULOUS 2151 01:58:50,220 --> 01:58:52,990 AND IT--IT WILL PROTECT YOU TILL YOU DON'T NEED IT ANYMORE. 2152 01:58:52,990 --> 01:58:55,720 BUT WHAT IF I CAN'T COOK DINNER FOR RICHARD? 2153 01:58:55,720 --> 01:58:58,320 (Sybil) I'M SO WORRIED ABOUT BEING EMBARRASSED. 2154 01:58:58,320 --> 01:58:59,860 (Dr. Wilbur) YOU'RE PROTECTED, SWEETIE. 2155 01:58:59,860 --> 01:59:01,620 VICKY WOULDN'T LET YOU BE EMBARRASSED. 2156 01:59:01,620 --> 01:59:03,220 SHE'LL CALL ON ONE OF THE OTHERS. 2157 01:59:03,220 --> 01:59:06,620 VANESSA'S MORE COMFORTABLE WITH RICHARD THAN YOU ARE. 2158 01:59:06,620 --> 01:59:09,620 I ENVY HER SO. 2159 01:59:09,620 --> 01:59:13,190 AND NOW I'M GONNA SUGGEST THAT WHEN YOU WAKE UP IN THE MORNING, 2160 01:59:13,190 --> 01:59:14,760 AND IT'S CHRISTMAS, 2161 01:59:14,760 --> 01:59:16,690 YOU WILL HAVE A BEAUTIFUL DAY. 2162 01:59:16,690 --> 01:59:20,460 A DAY THAT'S ALL YOURS, THAT YOU CAN DO ANYTHING YOU LIKE WITH. 2163 01:59:20,460 --> 01:59:23,660 PAINT PRETTY PLACE CARDS FOR RICHARD AND MATTHEW 2164 01:59:23,660 --> 01:59:26,520 AND PUT RED CANDLES ON THE TABLE. 2165 01:59:26,520 --> 01:59:28,820 OH, IT'LL--IT'LL BE SO NICE. 2166 01:59:30,220 --> 01:59:31,860 HANDS, PLEASE. 2167 01:59:31,860 --> 01:59:33,090 [chuckling] 2168 01:59:33,090 --> 01:59:35,260 CAN WE REACH? YEAH, I GUESS. 2169 01:59:35,260 --> 01:59:36,560 [chuckling] 2170 01:59:36,560 --> 01:59:38,360 (Richard) OK, LADIES FIRST. 2171 01:59:40,160 --> 01:59:43,560 UM, I WISH... 2172 01:59:43,560 --> 01:59:46,690 WELL, MY WISH IS TAKEN CARE OF BECAUSE YOU'RE BOTH HERE 2173 01:59:46,690 --> 01:59:49,460 AND THAT'S MY WISH. 2174 01:59:49,460 --> 01:59:52,020 I WISH FOR A RED DUMP TRUCK. 2175 01:59:52,020 --> 01:59:53,760 [chuckling] 2176 01:59:53,760 --> 01:59:56,720 LOVE, JOY, AND PEACE TO US ALL. 2177 02:00:00,190 --> 02:00:01,990 WHEN IN DOUBT, EAT. 2178 02:00:01,990 --> 02:00:04,120 SO LET'S BEGIN. 2179 02:00:04,120 --> 02:00:06,520 I USED TO HATE CHRISTMAS AT HOME. 2180 02:00:06,520 --> 02:00:10,020 ALL THOSE AUNTS AND UNCLES SPRAWLING AROUND, TOO FULL TO MOVE 2181 02:00:10,020 --> 02:00:12,360 WINDING THEIR WATCHES AND SAYING, 2182 02:00:12,360 --> 02:00:13,990 "DON'T YOU THINK IT'S ABOUT TIME 2183 02:00:13,990 --> 02:00:15,960 WE GOT THIS SHOW ON THE ROAD?" 2184 02:00:16,760 --> 02:00:18,590 [chuckling] 2185 02:00:18,590 --> 02:00:20,890 I THINK I'LL SEE ABOUT THE CHICKEN. 2186 02:00:21,960 --> 02:00:25,490 STAY, PLEASE. IT WON'T RUN AWAY. 2187 02:00:25,490 --> 02:00:28,860 YOU KNOW, SOMETIMES IT'S NICE TO BE QUIET FOR A CHANGE. 2188 02:00:28,860 --> 02:00:30,490 [sighing] 2189 02:00:30,490 --> 02:00:33,520 I--I FEEL ALL OUT HERE SOME PLACE. 2190 02:00:33,520 --> 02:00:37,120 I FEEL LIKE I'M FLOATING AROUND OUTSIDE MYSELF. 2191 02:00:38,460 --> 02:00:42,260 I THINK I'D FEEL CLOSER IF WE TALKED LONG DISTANCE. 2192 02:00:42,260 --> 02:00:45,360 WE HAVE TIME. WE'LL GET THERE. 2193 02:00:45,360 --> 02:00:48,520 (Matthew) WHERE ARE WE GOING, DADDY? 2194 02:00:48,520 --> 02:00:51,220 NOT THAT KIND OF GETTING THERE, MATTHEW. 2195 02:00:53,820 --> 02:00:55,890 ANYBODY INTERESTED IN A DRUMSTICK? 2196 02:00:55,890 --> 02:00:57,590 ME, PLEASE. 2197 02:01:00,790 --> 02:01:02,020 HELLO? 2198 02:01:02,960 --> 02:01:04,290 HELLO? 2199 02:01:05,390 --> 02:01:08,290 THIS IS LONG DISTANCE. 2200 02:01:08,290 --> 02:01:12,060 THIS IS LONG DISTANCE CALLING MISS SYBIL DORSETT. 2201 02:01:12,060 --> 02:01:13,790 HELLO. 2202 02:01:13,790 --> 02:01:17,720 HIYA, SLATS. UH, MY NAME IS LEFTY. 2203 02:01:17,720 --> 02:01:19,090 HOW DO YOU DO, LEFTY? 2204 02:01:19,090 --> 02:01:21,190 WELL, UH, I'LL TELL YOU. 2205 02:01:21,190 --> 02:01:26,320 DON'T TRACE THIS CALL, SEE, AND DON'T ASK NO QUESTIONS. 2206 02:01:26,320 --> 02:01:29,890 BEFORE I GO ON THE LAM WITH MY SIDEKICK HERE 2207 02:01:30,590 --> 02:01:32,360 MATT THE RAT, 2208 02:01:32,860 --> 02:01:34,920 I, UH... 2209 02:01:34,920 --> 02:01:38,420 I WANT YOU TO SLIP ME THE KEY TO THE DOWNSTAIRS DOOR 2210 02:01:38,420 --> 02:01:40,760 SO I CAN GET BACK IN. 2211 02:01:40,760 --> 02:01:42,660 OK, SLATS? 2212 02:01:42,660 --> 02:01:45,190 'CAUSE I DON'T LIKE LONG DISTANCE. 2213 02:01:48,690 --> 02:01:50,390 SLATS? 2214 02:01:50,390 --> 02:01:52,120 YOU STILL THERE? 2215 02:01:52,120 --> 02:01:53,560 I THINK SO. 2216 02:01:53,560 --> 02:01:56,460 YEAH, WELL, UH, YOU GOTTA GIVE ME AN ANSWER QUICK. 2217 02:01:58,190 --> 02:02:01,390 I DON'T WANT YOU TO BE DISAPPOINTED, LEFTY. 2218 02:02:01,390 --> 02:02:03,960 I GOT NO EXPECTATIONS, SLATS. 2219 02:02:13,290 --> 02:02:16,220 **[voice humming] 2220 02:02:16,220 --> 02:02:17,720 [knocking on door] 2221 02:02:24,360 --> 02:02:25,660 (Sybil as Vanessa) BE RIGHT THERE. 2222 02:02:25,660 --> 02:02:27,860 OH, VANESSA, YOU LOOK JUST FINE. 2223 02:02:48,190 --> 02:02:51,120 YOU KNOW, A KEY WOULDN'T DO MUCH GOOD AGAINST ALL THIS. 2224 02:02:51,120 --> 02:02:53,090 YOU NEED A SCALING LADDER. 2225 02:02:53,090 --> 02:02:55,620 (as Vanessa) I GUESS IT'S CALLED SECURITY. 2226 02:02:56,560 --> 02:02:58,120 OPEN YOUR CHRISTMAS PRESENT. 2227 02:02:58,120 --> 02:02:59,620 OH, RICHARD. 2228 02:02:59,620 --> 02:03:01,320 [mimicking] "OH, RICHARD." 2229 02:03:01,320 --> 02:03:03,890 I THOUGHT WE AGREED WE WEREN'T GONNA DO THIS. 2230 02:03:03,890 --> 02:03:05,820 I'M A CONGENITAL LIAR. 2231 02:03:06,760 --> 02:03:07,820 OH! 2232 02:03:11,390 --> 02:03:14,620 REMIND ME NEVER TO LET YOU TAKE OFF A BANDAGE. 2233 02:03:14,620 --> 02:03:17,890 WELL, IF I'M VERY CAREFUL AND DON'T TEAR IT, 2234 02:03:17,890 --> 02:03:20,590 THEN I CAN DRAW ON THE BACK OF IT. 2235 02:03:21,460 --> 02:03:23,460 YOU DRAW ON THE WHOLE THING. 2236 02:03:23,460 --> 02:03:25,420 IT'S ONLY WATERCOLOR PAPER. 2237 02:03:26,590 --> 02:03:28,690 OH, RICHARD. 2238 02:03:29,920 --> 02:03:33,760 IT'S THE MOST BEAUTIFUL PAPER. THANK YOU. 2239 02:03:38,890 --> 02:03:41,860 I WANT-- I WANT YOU-- YOU DON'T HAVE TO SAY ANYTHING. 2240 02:03:42,860 --> 02:03:44,660 THE NIGHTGOWN SAYS IT ALL. 2241 02:03:47,190 --> 02:03:49,890 YOU WANT CLOSENESS, THAT'S ALL. 2242 02:03:51,620 --> 02:03:53,160 I--I NEVER 2243 02:03:54,560 --> 02:03:57,920 EXACTLY HAD CLOSENESS. 2244 02:03:57,920 --> 02:04:02,690 LOVE, I TOLD YOU ONE TIME, YOU'RE ONLY 12 YEARS OLD. 2245 02:04:02,690 --> 02:04:04,890 NOW, ANYTHING MORE WOULD BE ILLEGAL. 2246 02:04:19,790 --> 02:04:21,420 YOU MIND IF I UNDRESS? 2247 02:04:24,620 --> 02:04:26,660 I'M REALLY INTERESTING. 2248 02:04:30,620 --> 02:04:33,090 WE HAD MALE MODELS IN ART SCHOOL. 2249 02:04:33,090 --> 02:04:34,590 [paper rustling] 2250 02:04:43,790 --> 02:04:45,890 [shoes thudding] 2251 02:04:52,060 --> 02:04:53,360 OK. 2252 02:05:15,960 --> 02:05:19,320 WELL, I DON'T THINK THIS BED WAS MADE FOR MASCULINE SHOULDERS 2253 02:05:19,320 --> 02:05:21,290 BECAUSE THERE'S NO ROOM FOR ME. 2254 02:05:23,160 --> 02:05:24,420 THERE'S ROOM. 2255 02:05:24,420 --> 02:05:25,660 THERE IS. 2256 02:05:36,160 --> 02:05:37,590 WELL, WELL, WELL. 2257 02:05:38,790 --> 02:05:39,990 [chuckling] 2258 02:05:57,990 --> 02:05:59,860 [exhaling] 2259 02:06:03,560 --> 02:06:05,720 I THINK I'M GONNA FALL OUT. 2260 02:06:15,520 --> 02:06:16,460 [kissing] 2261 02:06:23,460 --> 02:06:24,690 LEFTY. 2262 02:06:25,590 --> 02:06:26,820 SLATS. 2263 02:06:29,890 --> 02:06:33,820 THIS IS A VERY UNEXPECTED CHRISTMAS. 2264 02:06:36,120 --> 02:06:39,020 YEAH. FOR ME, TOO. 2265 02:06:40,090 --> 02:06:42,160 WHEN YOU TALK, YOUR CHEST VIBRATES 2266 02:06:42,160 --> 02:06:44,760 LIKE A PIANO WITH THE HOOD DOWN. 2267 02:06:44,760 --> 02:06:49,290 * O, TANNENBAUM, O, TANNENBAUM ** 2268 02:06:49,290 --> 02:06:51,390 YOU'RE TICKLING MY EAR. 2269 02:06:52,090 --> 02:06:55,360 **[singing] 2270 02:06:59,520 --> 02:07:01,160 **[singing] 2271 02:07:01,160 --> 02:07:02,660 **[humming] 2272 02:07:09,390 --> 02:07:11,520 **[both humming] 2273 02:07:25,890 --> 02:07:27,860 (Hattie and Sybil) * OH, CHRISTMAS TREE * 2274 02:07:27,860 --> 02:07:30,060 * OH, CHRISTMAS TREE * 2275 02:07:30,060 --> 02:07:32,890 * HOW LOVELY ARE THY BRANCHES ** 2276 02:07:39,890 --> 02:07:42,660 [kittens mewing] 2277 02:07:51,820 --> 02:07:53,190 [cat snarling] 2278 02:08:01,060 --> 02:08:02,320 [screaming] 2279 02:08:02,320 --> 02:08:04,660 [gasping] 2280 02:08:05,820 --> 02:08:07,220 [cat snarling] 2281 02:08:08,720 --> 02:08:10,390 [cat snarling] 2282 02:08:14,590 --> 02:08:16,320 [cat snarling] 2283 02:08:17,520 --> 02:08:19,620 [Sybil gasping] 2284 02:08:22,690 --> 02:08:24,060 [cat snarling] 2285 02:08:33,890 --> 02:08:35,520 [panting] 2286 02:08:37,920 --> 02:08:39,260 [cat snarling] 2287 02:08:39,920 --> 02:08:42,360 [exclaiming] 2288 02:08:44,520 --> 02:08:46,120 [gasping] 2289 02:08:51,320 --> 02:08:52,990 [cat snarling] 2290 02:09:02,760 --> 02:09:04,460 [panting] 2291 02:09:17,690 --> 02:09:19,620 [cat snarling] 2292 02:09:19,620 --> 02:09:20,760 [door rattling] 2293 02:09:20,760 --> 02:09:22,060 [cat snarling] 2294 02:09:34,860 --> 02:09:36,690 [cat snarling] 2295 02:09:36,690 --> 02:09:37,890 [Sybil gasping] 2296 02:09:38,520 --> 02:09:41,090 [moaning] 2297 02:09:45,490 --> 02:09:47,690 [Sybil moaning] 2298 02:09:53,020 --> 02:09:55,260 [moaning] 2299 02:09:56,860 --> 02:09:58,520 HEY, COME ON. IT'S OK. 2300 02:09:58,520 --> 02:10:00,160 WAKE UP. YOU'RE DREAMING. 2301 02:10:00,160 --> 02:10:01,490 [whimpering] 2302 02:10:01,490 --> 02:10:04,190 COME--COME-- COME ON. LET ME HELP YOU DOWN, OK? 2303 02:10:06,860 --> 02:10:08,590 (as Peggy) I DON'T WANT TO SEE THE KITTY CAT. 2304 02:10:08,590 --> 02:10:10,020 THERE IS NO KITTY CAT. 2305 02:10:10,020 --> 02:10:12,490 I DON'T WANT TO SEE IT. NO, DON'T. 2306 02:10:12,490 --> 02:10:14,720 YOU GOT SUCTION CUPS ON YOUR TOES OR SOMETHING? 2307 02:10:14,720 --> 02:10:18,360 IT'S NOT THERE? IT'S NOT THERE? THE KITTY CAT IS NOT THERE? 2308 02:10:18,360 --> 02:10:19,920 NO. 2309 02:10:19,920 --> 02:10:23,790 I DON'T WANNA SEE IT. I DON'T WANNA SEE IT. NO, DON'T. 2310 02:10:26,020 --> 02:10:27,220 YOU'RE NOT DANNY. 2311 02:10:27,220 --> 02:10:28,520 NO. 2312 02:10:31,060 --> 02:10:32,890 THE PEOPLE. THE PEOPLE. 2313 02:10:32,890 --> 02:10:34,690 THEY WATCH. THEY WATCH. 2314 02:10:34,690 --> 02:10:35,890 [mumbling] 2315 02:10:35,890 --> 02:10:37,820 NOW, WHAT'RE YOU TALKING ABOUT? 2316 02:10:37,820 --> 02:10:39,690 [exclaiming] 2317 02:10:39,690 --> 02:10:43,320 OUT, I WILL GET OUT. I WILL GO SOME PLACE. I WILL GO SOME PLACE. 2318 02:10:43,320 --> 02:10:45,820 I'LL GO TO-- I'LL GO TO NEW YORK. I'LL GO TO NEW YORK. 2319 02:10:45,820 --> 02:10:47,860 YOU'RE IN NEW YORK. I'LL FIND MY DR. WILBUR. 2320 02:10:47,860 --> 02:10:49,760 SHE'LL BE GLAD TO SEE ME. WHO'S DR. WILBUR? 2321 02:10:49,760 --> 02:10:51,860 SHE'LL KNOW WHAT TO DO. I HAVE TO FIND PURSE. 2322 02:10:51,860 --> 02:10:53,460 PURSE. WHO'S DR. WILBUR? 2323 02:10:53,460 --> 02:10:56,120 THAT'S ALL RIGHT. I'LL HITCHHIKE. I'LL HITCHHIKE. I WANT MY SUITCASE. 2324 02:10:56,120 --> 02:10:57,960 YOU'LL HITCHHIKE WHERE? YOU CAN'T GO ANYWHERE 2325 02:10:57,960 --> 02:11:00,190 UNLESS YOU ARE SOMEWHERE AND YOU DON'T KNOW WHERE YOU ARE. 2326 02:11:00,190 --> 02:11:03,290 SUITCASE. I WANT MY SUITCASE. SYBIL! 2327 02:11:03,290 --> 02:11:05,590 SYBIL, WHO IS DR. WILBUR? DON'T DO THIS TO ME! 2328 02:11:05,590 --> 02:11:07,290 WHO IS-- DON'T DO THIS TO ME! 2329 02:11:07,290 --> 02:11:08,620 [Sybil crying] 2330 02:11:19,690 --> 02:11:21,490 (as Sybil) THEY SAID NOT TO GO TO THE MOVIES. 2331 02:11:21,490 --> 02:11:23,220 THE MOVIES WERE... 2332 02:11:25,990 --> 02:11:29,260 DO I GO TO THE MOVIES? NO. 2333 02:11:29,260 --> 02:11:31,890 (Richard) WE WENT TO RADIO CITY THIS MORNING. 2334 02:11:36,690 --> 02:11:39,660 SYBIL, IS DR. WILBUR A PSYCHIATRIST? 2335 02:11:42,190 --> 02:11:45,290 WERE WE TALKING ABOUT ART? 2336 02:11:45,290 --> 02:11:47,760 WERE WE TALKING ABOUT THE BALLET? 2337 02:11:49,360 --> 02:11:51,190 I CAN'T COOK DINNER. 2338 02:11:53,820 --> 02:11:54,920 OH! 2339 02:11:54,920 --> 02:11:58,090 IS THIS MARCIA? IS SHE DOING THIS TO ME? 2340 02:11:59,560 --> 02:12:01,860 IT'S NOT THE END OF THE WORLD. 2341 02:12:02,720 --> 02:12:04,520 IT'S THE END OF ME. 2342 02:12:05,320 --> 02:12:06,720 SYBIL. 2343 02:12:11,520 --> 02:12:13,820 STAY. DON'T LEAVE! 2344 02:12:43,890 --> 02:12:45,890 **[voice humming] 2345 02:12:52,490 --> 02:12:55,560 INFORMATION, I--I NEED A--A NUMBER FOR A DR. WILBUR. 2346 02:12:55,560 --> 02:12:56,920 A PSYCHIATRIST. 2347 02:13:02,320 --> 02:13:03,390 [sighing] 2348 02:13:12,360 --> 02:13:14,420 **[voice humming] 2349 02:13:23,820 --> 02:13:27,890 (as Marcia) NOTHING MATTERS NOW. 2350 02:13:27,890 --> 02:13:29,890 **[voice humming] 2351 02:13:46,360 --> 02:13:47,860 [people chattering] 2352 02:13:47,860 --> 02:13:49,260 THANK YOU. 2353 02:13:50,260 --> 02:13:51,420 HELLO. 2354 02:13:51,890 --> 02:13:53,020 WHO? 2355 02:13:54,860 --> 02:13:56,490 RICHARD LOOMIS? 2356 02:13:57,960 --> 02:13:59,590 WHAT'S THE MATTER? 2357 02:14:00,390 --> 02:14:02,260 WELL, HOW DID THE DINNER GO? 2358 02:14:07,920 --> 02:14:10,090 YES, WELL, THE THING ABOUT IT IS, YOU SEE, 2359 02:14:10,090 --> 02:14:12,960 YOU PROBABLY DON'T KNOW WHO YOU'RE DEALING WITH. 2360 02:14:12,960 --> 02:14:14,820 SO I'M GONNA HAVE TO, UH... 2361 02:14:16,420 --> 02:14:18,620 TO BREAK A PROFESSIONAL CONFIDENCE. 2362 02:14:22,660 --> 02:14:24,190 OH, MY GOD. 2363 02:14:26,190 --> 02:14:29,460 MY LITTLE BOY TRIED TO TELL ME THAT, YOU KNOW, IN DIFFERENT WORDS. 2364 02:14:29,460 --> 02:14:32,990 IF SHE'S FEELING THE WAY THAT YOU SAY SHE IS, SHE'S PROBABLY MARCIA. 2365 02:14:32,990 --> 02:14:36,060 SO YOU CAN JUST FEEL FREE TO CALL HER BY HER NAME. 2366 02:14:36,060 --> 02:14:37,660 BUT WOULD YOU TELL HER SOMETHING FOR ME? 2367 02:14:37,660 --> 02:14:39,860 TELL HER I SAID IT'S PERFECTLY OK 2368 02:14:39,860 --> 02:14:41,990 TO THINK ABOUT KILLING HERSELF 2369 02:14:41,990 --> 02:14:44,760 BUT WOULD SHE PLEASE JUST WAIT UNTIL I GET THERE. 2370 02:14:44,760 --> 02:14:45,990 [door thudding] 2371 02:14:45,990 --> 02:14:47,960 SHE'S ON THE ROOF. I GOTTA GO. 2372 02:14:49,390 --> 02:14:51,320 [people chattering] 2373 02:14:55,390 --> 02:14:56,620 [car honks] 2374 02:15:04,190 --> 02:15:05,420 SYBIL. 2375 02:15:07,820 --> 02:15:09,060 SYBIL. 2376 02:15:10,420 --> 02:15:12,590 (as Marcia) THERE IS NO SYBIL NOW. 2377 02:15:14,020 --> 02:15:16,060 DON'T YOU COME NEAR ME. 2378 02:15:16,060 --> 02:15:18,360 I WON'T. 2379 02:15:18,360 --> 02:15:21,220 HEY, I--I DON'T THINK WE'VE MET YET. 2380 02:15:21,220 --> 02:15:23,420 MY NAME IS RICHARD. HI. 2381 02:15:24,490 --> 02:15:27,290 AREN'T YOU GONNA TELL ME WHO YOU ARE? 2382 02:15:27,290 --> 02:15:28,790 WELL, I'VE BEEN TALKING TO DR. WILBUR 2383 02:15:28,790 --> 02:15:30,560 AND SHE THOUGHT THAT MAYBE YOU WERE MARCIA 2384 02:15:30,560 --> 02:15:32,660 SO I'M GONNA CALL YOU MARCIA, OK? 2385 02:15:33,620 --> 02:15:35,890 HOW--HOW ARE YOU, MARCIA? 2386 02:15:35,890 --> 02:15:38,260 THAT'S A VERY PRETTY SCARF YOU HAVE ON. 2387 02:15:40,360 --> 02:15:43,520 YOU'RE TRYING TO GET ME TO WAIT UNTIL DR. WILBUR GETS HERE. 2388 02:15:43,520 --> 02:15:45,390 WELL, IT WON'T WORK. MARCIA! 2389 02:15:49,920 --> 02:15:53,160 MARCIA. MARCIA, YOU KNOW, THAT-- THAT'S AN AWFULLY LONG FALL DOWN THERE. 2390 02:15:53,160 --> 02:15:55,520 IT'S 5 STORIES. NOW, I'M ONLY CONSIDERING MATTHEW. 2391 02:15:55,520 --> 02:15:58,090 D-D-DO YOU KNOW MATTHEW? HE LIKES YOU. 2392 02:15:58,090 --> 02:15:59,320 [inhaling] 2393 02:15:59,320 --> 02:16:00,790 HE LOVES VANESSA. 2394 02:16:00,790 --> 02:16:02,660 NO, NOT--NOT--NOT JUST VANESSA. 2395 02:16:02,660 --> 02:16:05,460 H-HE KNEW ABOUT ALL OF YOU LONG BEFORE I EVER DID. I MEAN, HE SENSED IT. 2396 02:16:05,460 --> 02:16:08,560 ANYWAY, HE SAID TO ME, "DADDY, SYBIL IS JUST STUFFED WITH PEOPLE." 2397 02:16:08,560 --> 02:16:10,260 HE DID? YEAH. 2398 02:16:10,260 --> 02:16:12,720 I GUESS THAT'S BECAUSE WE'RE ALL CHILDREN, TOO. 2399 02:16:12,720 --> 02:16:14,620 YEAH, AND--AND YOU SEE, THE POINT--THE POINT IS 2400 02:16:14,620 --> 02:16:16,920 THAT-- THAT'S--THAT'S MATT'S WINDOW RIGHT DOWN THERE. 2401 02:16:16,920 --> 02:16:18,620 THAT'S THE LAIR OF MATT THE RAT, SLATS, 2402 02:16:18,620 --> 02:16:21,060 AND--AND IF-- AND IF YOU LAND DOWN THERE IN THAT COURTYARD, 2403 02:16:21,060 --> 02:16:23,260 THAT'S WHAT MATT IS GONNA REMEMBER FOR THE REST OF HIS LIFE. 2404 02:16:23,260 --> 02:16:24,960 HIS GOOD FRIEND LOOKING LIKE-- 2405 02:16:24,960 --> 02:16:27,860 THEN I'LL GO OVER THERE, ON THE OTHER SIDE, WHERE HE CAN'T SEE. 2406 02:16:27,860 --> 02:16:31,920 WHERE? OVER THERE? THAT-- THAT'S A STREET. YOU MIGHT HIT SOMEBODY. 2407 02:16:31,920 --> 02:16:33,860 I WON'T KNOW THEM. 2408 02:16:33,860 --> 02:16:35,390 OH, YEAH. 2409 02:16:35,390 --> 02:16:37,860 YEAH, YEAH, THAT--THAT--THAT MAKES SENSE. 2410 02:16:39,020 --> 02:16:40,320 [car honking] 2411 02:16:41,560 --> 02:16:43,360 YOU MOVE BACK OVER THERE. 2412 02:16:44,160 --> 02:16:45,820 WHERE? WHERE? HERE? 2413 02:16:45,820 --> 02:16:47,020 FURTHER. 2414 02:16:47,460 --> 02:16:49,090 HERE? 2415 02:16:49,090 --> 02:16:52,420 AND PROMISE ME NOW, YOU PROMISE ME YOU WON'T TRY TO STOP ME. 2416 02:16:52,420 --> 02:16:53,860 WELL, I PROMISE. 2417 02:16:57,320 --> 02:16:58,390 [crying] 2418 02:17:01,390 --> 02:17:03,360 NO! YOU PROMISED. YOU PROMISED. 2419 02:17:03,360 --> 02:17:05,320 I TOLD YOU I WAS A CONGENITAL LIAR. 2420 02:17:05,320 --> 02:17:07,290 DON'T. DON'T TRAP ME. IT WILL GET WORSE. 2421 02:17:07,290 --> 02:17:09,220 IT'LL GET WORSE. LET ME DO IT. 2422 02:17:09,220 --> 02:17:12,060 OH, PLEASE. PLEASE, WHY WON'T YOU LET ME DO IT? 2423 02:17:12,060 --> 02:17:13,990 WHY WON'T YOU LET ME DO IT? 2424 02:17:13,990 --> 02:17:16,490 [child chattering] 2425 02:17:20,390 --> 02:17:21,860 (as Peggy) THE PEOPLE, THE HAND. 2426 02:17:21,860 --> 02:17:23,260 AND THE PEOPLE. AND THE PEOPLE. 2427 02:17:23,260 --> 02:17:25,620 THEIR HANDS, AND THE WATER. THE WATER, AND THE WATER. 2428 02:17:25,620 --> 02:17:27,220 [in Hattie's voice] YOU JUST LAY STILL, YOUNG LADY. 2429 02:17:27,220 --> 02:17:28,560 YOU JUST LAY STILL. 2430 02:17:28,560 --> 02:17:30,960 YOU MOVE A MUSCLE AND... YOU MOVE A MUSCLE AND... 2431 02:17:30,960 --> 02:17:33,620 I CAN SEE IT. I CAN SEE IT. IN THE KITCHEN. IN THE KITCHEN. 2432 02:17:33,620 --> 02:17:36,090 IT'S ALL GREEN, AND IT'S DRIPPING, AND IT'S IN THE SINK. 2433 02:17:36,090 --> 02:17:37,660 I CAN SEE IT. I CAN SEE IT. 2434 02:17:37,660 --> 02:17:39,520 [in Hattie's voice] IT'S NOT COLD ENOUGH, YOUNG LADY. 2435 02:17:39,520 --> 02:17:41,220 IT'S NOT COLD ENOUGH. YOU JUST LAY STILL. 2436 02:17:41,220 --> 02:17:43,260 (Richard) PLEASE, DON'T! 2437 02:17:43,260 --> 02:17:46,060 I KNOW WHO YOU ARE. I KNOW WHO YOU ARE. YOU'RE DANNY. 2438 02:17:46,060 --> 02:17:47,890 YOU'RE DANNY. I KNOW DANNY. UH-HUH. 2439 02:17:47,890 --> 02:17:49,660 DANNY LIKES ME. I LIKE DANNY. 2440 02:17:49,660 --> 02:17:51,490 HE DANCES FOR ME, AND HE SINGS. 2441 02:17:51,490 --> 02:17:53,290 HE DANCES. HE SINGS LIKE FRED ASTAIRE. 2442 02:17:53,290 --> 02:17:55,760 * LOVELY * I KNOW HIM. I KNOW HIM. I KNOW HIM. 2443 02:17:55,760 --> 02:17:58,490 * NEVER, EVER CHANGE * I KNOW HIM. I KNOW HIM. I KNOW HIM. 2444 02:17:58,490 --> 02:18:00,020 I KNOW HIM. 2445 02:18:00,020 --> 02:18:01,620 * KEEP THAT BREATHLESS CHARM ** I KNOW HIM. 2446 02:18:01,620 --> 02:18:03,190 [grunts] 2447 02:18:03,190 --> 02:18:04,660 (as Sybil) DON'T TOUCH ME. YOU'RE BURNING MY SKIN OFF. 2448 02:18:04,660 --> 02:18:06,390 YOU'RE BURNING MY SKIN OFF. 2449 02:18:06,390 --> 02:18:07,660 SYBIL! 2450 02:18:09,020 --> 02:18:10,660 (Sybil) WHY ARE WE HERE? 2451 02:18:10,660 --> 02:18:12,920 MARCIA'S TRYING TO KILL HERSELF. SHE'S TRYING TO KILL YOU. 2452 02:18:12,920 --> 02:18:14,960 DON'T HOLD ME. DON'T HOLD ON TO ME. 2453 02:18:14,960 --> 02:18:16,620 SWEETIE, SWEETIE, SWEETIE. PLEASE LET HER DO IT. 2454 02:18:16,620 --> 02:18:18,490 [shushing] PLEASE LET HER DO IT. PLEASE LET HER DO IT. 2455 02:18:18,490 --> 02:18:20,160 IT'S ALL RIGHT. I'M AFRAID TO LET HER GO. 2456 02:18:20,160 --> 02:18:21,990 SYBIL. SYBIL! 2457 02:18:21,990 --> 02:18:23,820 DR. WILBUR. IT'S ALL RIGHT. IT'S ALL RIGHT. 2458 02:18:23,820 --> 02:18:25,460 DR. WILBUR. OK, JUST HOLD ON A MINUTE. 2459 02:18:25,460 --> 02:18:27,660 DR. WILBUR. LET ME GET... DEAR, IT'S ALL RIGHT. 2460 02:18:27,660 --> 02:18:28,860 OH, YOUR COAT IS SO PRETTY. 2461 02:18:28,860 --> 02:18:30,660 IT'S ALL RIGHT. IT'S ALL RIGHT. 2462 02:18:30,660 --> 02:18:32,860 I'M GONNA GIVE YOU... YOU'RE GONNA GET YOUR DRESS DIRTY, DR. WILBUR. 2463 02:18:32,860 --> 02:18:35,990 NO, NO. NO. I'M GONNA GIVE YOU SOME SEDATION IS WHAT I'M GONNA DO 2464 02:18:35,990 --> 02:18:38,790 AND IT'S GONNA MAKE YOU FEEL BETTER AND TAKE AWAY THE HURT, OK? 2465 02:18:38,790 --> 02:18:40,220 DR. WILBUR, PLEASE LET HER DO IT. 2466 02:18:40,220 --> 02:18:41,620 DR. WILBUR, PLEASE LET HER DO IT. 2467 02:18:41,620 --> 02:18:43,060 NO, NO. NO, NO, NO. 2468 02:18:43,060 --> 02:18:44,720 PLEASE DON'T GET YOUR DRESS DIRTY. 2469 02:18:44,720 --> 02:18:47,690 DON'T GET DIRTY, PLEASE. YOU LOOK SO PRETTY. 2470 02:18:47,690 --> 02:18:50,160 OH, I'M SCARED OF THAT. SCARED. 2471 02:18:50,160 --> 02:18:51,720 IT'S OK. I'M SCARED. 2472 02:18:51,720 --> 02:18:53,390 NO, IT'S ALL RIGHT. 2473 02:18:53,390 --> 02:18:54,860 [moans] THERE, OK? 2474 02:18:54,860 --> 02:18:56,490 [groaning] 2475 02:18:57,060 --> 02:18:58,560 [sobbing] 2476 02:19:04,090 --> 02:19:06,060 YOU HAVE 4 EARRINGS. 2477 02:19:08,060 --> 02:19:11,290 YEAH, I GOT 4 EARRINGS, BUT I ONLY GOT 2 ON. 2478 02:19:11,290 --> 02:19:14,120 THAT'S JUST THE MEDICINE, OK? 2479 02:19:14,120 --> 02:19:15,790 GIVE ME A HAND. 2480 02:19:16,890 --> 02:19:18,660 COME ON, SWEETIE. ALL RIGHT. 2481 02:19:18,660 --> 02:19:19,990 ALL RIGHT? YEAH. 2482 02:19:19,990 --> 02:19:21,120 OK. 2483 02:19:26,760 --> 02:19:28,020 COME ON, SWEETIE. 2484 02:19:28,020 --> 02:19:30,520 IS HE GONE? I DON'T WANT HIM TO SEE ME. 2485 02:19:30,520 --> 02:19:32,990 IT'S ALL RIGHT. HERE. COME ON. 2486 02:19:32,990 --> 02:19:34,320 THERE YOU GO. 2487 02:19:34,320 --> 02:19:35,790 HE'S SO THOUGHTFUL. 2488 02:19:35,790 --> 02:19:39,720 YOU KNOW, IF HE GOES TO GET A GLASS OF WATER FOR HIMSELF 2489 02:19:39,720 --> 02:19:41,720 HE NEVER JUST BRINGS ONE. 2490 02:19:41,720 --> 02:19:43,260 HE BRINGS 2, AND THEN HE SAYS, 2491 02:19:43,260 --> 02:19:45,190 "I THOUGHT MAYBE YOU'D BE THIRSTY." 2492 02:19:45,190 --> 02:19:46,960 ISN'T THAT THOUGHTFUL? (Dr. Wilbur) MMM-HMM. 2493 02:19:46,960 --> 02:19:48,290 ISN'T THAT CONSIDERATE? 2494 02:19:48,290 --> 02:19:50,160 THAT'S QUITE CONSIDERATE, YES. 2495 02:19:50,160 --> 02:19:52,860 YOU DON'T FIND THAT VERY OFTEN NOWADAYS. 2496 02:19:56,520 --> 02:19:58,460 WHAT IS IT I FELT FOR MY GRANDMA? 2497 02:19:58,460 --> 02:19:59,790 WAS THAT LOVE? 2498 02:20:00,860 --> 02:20:02,760 YEAH, THAT WAS LOVE, SWEETIE. 2499 02:20:03,860 --> 02:20:06,560 AND DANNY, WAS THAT LOVE? 2500 02:20:07,090 --> 02:20:08,360 MMM-HMM. 2501 02:20:08,360 --> 02:20:10,290 [exhaling] 2502 02:20:10,290 --> 02:20:12,520 THAT'S WHAT IT IS WITH RICHARD THEN. 2503 02:20:15,320 --> 02:20:16,760 DR. WILBUR. 2504 02:20:16,760 --> 02:20:19,290 (Dr. Wilbur) MMM-HMM? 2505 02:20:19,290 --> 02:20:21,420 IS IT ALL RIGHT IF I DON'T SEE HIM AGAIN 2506 02:20:21,420 --> 02:20:24,090 UNTIL AFTER WE PULL OURSELVES TOGETHER? 2507 02:20:26,260 --> 02:20:27,690 MMM-HMM. 2508 02:20:30,290 --> 02:20:32,260 I DON'T KNOW HOW TO TELL HIM. 2509 02:20:40,190 --> 02:20:42,760 I THINK HE'LL KNOW WITHOUT YOU TELLING HIM. 2510 02:21:13,520 --> 02:21:15,460 [children chattering] 2511 02:21:46,360 --> 02:21:48,220 (man) $0.21 A POUND. ALL RIGHT, I'LL TAKE IT. 2512 02:21:48,220 --> 02:21:49,360 PAY THE GIRL. I'LL GO INSIDE. 2513 02:21:49,360 --> 02:21:50,490 GO INSIDE. 2514 02:21:50,490 --> 02:21:52,060 AH, THAT'S NICE. 2515 02:21:52,060 --> 02:21:54,790 THERE, THAT SHOULD DRIVE THE WINTER OUT OF THE CORNERS. 2516 02:21:54,790 --> 02:21:58,490 YEAH. I, UH, I PASSED THE PARK ON THE WAY TO WORK THIS MORNING. 2517 02:21:58,490 --> 02:22:00,960 THERE WAS A GUY CUTTING THE GRASS. I GOT ONE WHIFF 2518 02:22:00,960 --> 02:22:03,620 AND ALREADY I'M THINKING ABOUT 2 WEEKS IN THE MOUNTAINS, HUH? 2519 02:22:03,620 --> 02:22:05,390 HAVE A CARE, MR. RIZO. 2520 02:22:05,390 --> 02:22:07,860 SPRING IS THE MISCHIEF IN US, AS THE POET SAYS. 2521 02:22:07,860 --> 02:22:10,660 YEAH. HAVE A GOOD DAY. 2522 02:22:17,720 --> 02:22:19,320 [cat meowing] 2523 02:22:19,320 --> 02:22:21,620 (Sybil) RICHARD MOVED AWAY. DID I TELL YOU? 2524 02:22:21,620 --> 02:22:24,090 (Dr. Wilbur) NO, MARCIA DID. 2525 02:22:24,090 --> 02:22:25,960 HOW DID THAT MAKE YOU FEEL? 2526 02:22:27,660 --> 02:22:29,660 MY KITTY BOTHERS ME. 2527 02:22:29,660 --> 02:22:30,990 [meowing] 2528 02:22:32,260 --> 02:22:34,960 I ASK YOU HOW IT FEELS TO HAVE RICHARD MOVE 2529 02:22:34,960 --> 02:22:37,160 AND YOU TELL ME YOUR KITTY BOTHERS YOU. 2530 02:22:37,160 --> 02:22:38,860 THAT'S INTERESTING. 2531 02:22:38,860 --> 02:22:42,420 LET'S NOT TALK ABOUT IT. IT'LL JUST OPEN UP A WHOLE CAN OF PEAS. 2532 02:22:42,420 --> 02:22:45,590 NO, WHAT IT MIGHT OPEN UP IS A WHOLE NEST OF KITTENS, 2533 02:22:45,590 --> 02:22:47,120 WHICH IS SOMETHING WE'VE AVOIDED 2534 02:22:47,120 --> 02:22:48,620 EVERY TIME YOU'VE DREAMED ABOUT THEM. 2535 02:22:48,620 --> 02:22:50,190 NOW, MAYBE THERE IS A CONNECTION 2536 02:22:50,190 --> 02:22:52,520 BETWEEN YOUR ANGER AT RICHARD MOVING 2537 02:22:52,520 --> 02:22:54,660 AND YOUR-- THERE ISN'T ANY ANGER. 2538 02:22:54,660 --> 02:22:57,090 SWEETIE, YOUR ANGER AT THE HEADLESS CAT. 2539 02:22:58,420 --> 02:23:00,960 CURIOSITY KILLED THE CAT, SO DON'T WONDER. 2540 02:23:01,660 --> 02:23:03,420 [sighing] 2541 02:23:03,420 --> 02:23:05,760 CURIOSITY DIDN'T TEAR ITS HEAD OFF. 2542 02:23:06,420 --> 02:23:08,220 NOW, WHO DID THAT? 2543 02:23:08,220 --> 02:23:10,560 YOU WANTED TO GET RID OF MOMMA, RIGHT? 2544 02:23:12,590 --> 02:23:14,590 THAT'S ONE THEORY. 2545 02:23:14,590 --> 02:23:16,490 THERE ARE A MILLION THEORIES. 2546 02:23:16,490 --> 02:23:19,220 YOU PICK ONE. I'LL AGREE TO ANYTHING. 2547 02:23:21,920 --> 02:23:23,560 I SEE. 2548 02:23:23,560 --> 02:23:25,420 YOU ALWAYS SAY, "I SEE." 2549 02:23:25,420 --> 02:23:27,390 YOU KNOW, MARCIA WAS SO AFRAID 2550 02:23:28,160 --> 02:23:29,820 OF WANTING TO KILL MOMMA 2551 02:23:29,820 --> 02:23:32,790 THAT SHE ALMOST KILLED HERSELF FOR JUST HAVING THE THOUGHT. 2552 02:23:32,790 --> 02:23:35,420 I DON'T KNOW MARCIA. I'M NOT INTERESTED. 2553 02:23:38,660 --> 02:23:42,460 MARCIA TOLD ME ABOUT A MEMORY SHE HAD ABOUT A LITTLE BOX. 2554 02:23:42,460 --> 02:23:45,890 WHY DO I HAVE TO REMEMBER SOMETHING THAT DIDN'T HAPPEN TO ME? 2555 02:23:45,890 --> 02:23:47,760 WHY CAN'T I BLANK OUT? 2556 02:23:47,760 --> 02:23:50,460 BECAUSE YOU CAN STAND SOME OF THOSE FEELINGS NOW, SWEETIE. 2557 02:23:50,460 --> 02:23:52,120 YOU'RE GETTING STRONGER. 2558 02:23:52,120 --> 02:23:54,720 NOW, CAN'T YOU TELL ME ABOUT THE LITTLE BOX? 2559 02:23:56,060 --> 02:23:58,560 IT STARTED TO GROW. IT GOT BIGGER. 2560 02:23:58,560 --> 02:24:00,390 THAT'S RIGHT. 2561 02:24:00,390 --> 02:24:03,320 AND IT GREW BIGGER UNTIL IT WAS BIG ENOUGH TO PUT MOMMA IN. 2562 02:24:03,320 --> 02:24:05,320 IN FACT, IT TURNED INTO A COFFIN, DIDN'T IT? 2563 02:24:05,320 --> 02:24:07,920 I DID NOT WANNA GET RID OF MOMMA. 2564 02:24:07,920 --> 02:24:09,820 I WANTED TO GET RID OF THE HURT. 2565 02:24:09,820 --> 02:24:12,890 I WANTED THE HURT TO GO AWAY, NOT MOMMA. 2566 02:24:12,890 --> 02:24:14,920 I DIDN'T MEAN ANYTHING BAD. 2567 02:24:14,920 --> 02:24:18,860 SWEETIE, IT'S NOT BAD TO WANNA GET RID OF SOMETHING THAT HURTS. 2568 02:24:18,860 --> 02:24:20,820 AND MOMMA WAS JUST ONE BIG HURT 2569 02:24:20,820 --> 02:24:22,190 WITH A NAME ATTACHED TO IT. 2570 02:24:22,190 --> 02:24:24,360 IT WAS STILL MY MOMMA. 2571 02:24:24,360 --> 02:24:26,360 THAT WAS AN ACCIDENT OF NATURE. 2572 02:24:29,620 --> 02:24:32,760 SYBIL, A WISH CAN'T KILL PEOPLE. 2573 02:24:32,760 --> 02:24:34,820 NOW, IF THE WORLD HAS TO TURN PURPLE 2574 02:24:34,820 --> 02:24:36,990 AND LITTLE CHILDREN HAVE TO KILL THEMSELVES 2575 02:24:36,990 --> 02:24:38,990 BECAUSE THEY WISH THEIR MOTHERS WERE DEAD, 2576 02:24:38,990 --> 02:24:41,420 THERE WOULDN'T BE ANYBODY LEFT ON EARTH. 2577 02:24:46,090 --> 02:24:48,260 SYBIL, YOU'RE NOT LISTENING TO ME. 2578 02:24:50,120 --> 02:24:52,920 YOU'RE THINKING ABOUT SUICIDE AGAIN, AREN'T YOU? 2579 02:24:54,020 --> 02:24:55,590 WHY DO YOU WANNA KILL YOURSELF 2580 02:24:55,590 --> 02:24:57,420 INSTEAD OF DOING WHAT WE HAVE TO DO? 2581 02:24:57,420 --> 02:24:58,860 WHY DO YOU WANNA KILL THIS 2582 02:24:58,860 --> 02:25:00,590 WONDERFULLY CREATIVE ORGANISM 2583 02:25:00,590 --> 02:25:02,190 BEFORE YOU'VE EVEN BEGUN TO LIVE? 2584 02:25:02,190 --> 02:25:03,560 I DON'T LIKE IT WHEN YOU'RE ANGRY. 2585 02:25:03,560 --> 02:25:05,720 I'M NOT ANGRY. I'M DEFINITE. 2586 02:25:06,890 --> 02:25:08,390 YOU INSULT ME, MY DEAR. 2587 02:25:08,390 --> 02:25:10,060 YOU INSULT MY HEART. 2588 02:25:10,060 --> 02:25:12,490 WELL, JUST LOOK AT ME. CAN'T YOU SEE WHAT I AM? 2589 02:25:12,490 --> 02:25:14,760 I HAVE LOOKED AT YOU AND LOOKED AT YOU 2590 02:25:14,760 --> 02:25:17,960 FOR MONTH AFTER MONTH AFTER MONTH AND I HAVE SEEN YOU. 2591 02:25:17,960 --> 02:25:19,760 YOU HAVEN'T SEEN ANYTHING. 2592 02:25:21,620 --> 02:25:23,860 AND I WASN'T THINKING ABOUT SUICIDE. 2593 02:25:25,590 --> 02:25:27,190 I WAS THINKING ABOUT 2594 02:25:28,220 --> 02:25:29,890 WHAT A CHARADE THIS IS. 2595 02:25:33,490 --> 02:25:35,720 DR. WILBUR, I CAN'T GO ON LIKE THIS. 2596 02:25:37,320 --> 02:25:40,120 YOU BETTER SIT DOWN. I HAVE A BIG SHOCK FOR YOU. 2597 02:25:51,190 --> 02:25:52,620 IT'S A LIE. 2598 02:25:53,390 --> 02:25:55,060 THE WHOLE THING. 2599 02:25:56,520 --> 02:25:58,760 I DON'T HAVE MULTIPLE PERSONALITIES. 2600 02:26:00,360 --> 02:26:01,660 NOT EVEN ONE. 2601 02:26:02,860 --> 02:26:04,160 IT'S JUST ME. 2602 02:26:05,290 --> 02:26:07,660 I--I DON'T-- I DON'T EVEN KNOW 2603 02:26:07,660 --> 02:26:09,460 WHY I GOT STARTED. 2604 02:26:09,460 --> 02:26:11,890 ALL THE THINGS I TOLD YOU ABOUT MY MOTHER, 2605 02:26:11,890 --> 02:26:14,390 THEY'RE ALL LIES, EVERY ONE OF THEM. 2606 02:26:14,390 --> 02:26:16,820 SHE SPOILED ME ROTTEN, WATCHED ME EVERY SINGLE SECOND. 2607 02:26:16,820 --> 02:26:18,260 YOU KNOW, IT INTERESTS ME, SYBIL 2608 02:26:18,260 --> 02:26:20,620 THAT THE DENIAL COMES AT THIS PARTICULAR TIME. 2609 02:26:20,620 --> 02:26:21,920 THIS IS NOT A DENIAL. 2610 02:26:21,920 --> 02:26:23,220 EXCUSE ME, SWEETIE, 2611 02:26:23,220 --> 02:26:26,260 BUT IT COMES ON THE EVE OF MY CHICAGO LECTURES 2612 02:26:26,260 --> 02:26:28,560 WHICH MUST SEEM LIKE SOME KIND OF ABANDONMENT TO YOU 2613 02:26:28,560 --> 02:26:30,160 THE WAY RICHARD ABANDONED YOU. 2614 02:26:30,160 --> 02:26:31,620 NO, IT'S NOTHING LIKE THAT. 2615 02:26:31,620 --> 02:26:33,260 AND 2, WE ARE AT A PLACE 2616 02:26:33,260 --> 02:26:35,390 WHERE THE MOST TERRIFYING MEMORIES OF ALL 2617 02:26:35,390 --> 02:26:37,260 ARE JUST BELOW THE SURFACE. 2618 02:26:37,260 --> 02:26:39,560 DR. WILBUR, EXCUSE ME, 2619 02:26:39,560 --> 02:26:43,060 BUT THIS SIMPLY IS NOT DENIAL OR RESISTANCE 2620 02:26:43,060 --> 02:26:45,320 OR ANY OF THOSE PATIENT TRICKS. 2621 02:26:45,320 --> 02:26:47,820 IT IS AN ADMISSION OF CULPABILITY. 2622 02:26:51,160 --> 02:26:52,490 I'M SORRY. 2623 02:26:52,490 --> 02:26:55,460 I KNOW I OWE YOU A FORTUNE, AND YOU'LL BE PAID. 2624 02:26:55,460 --> 02:26:58,360 BUT TO GO ON LIKE THIS WOULD BE VERY CRUEL. 2625 02:26:58,360 --> 02:27:00,520 YOU'RE TOO GOOD A PERSON FOR THAT. 2626 02:27:04,960 --> 02:27:09,860 SO I THINK WHAT I SHOULD DO IS TAKE MY FATHER UP ON HIS OFFER 2627 02:27:09,860 --> 02:27:11,660 AND STAY IN THAT SUNNY LITTLE ROOM 2628 02:27:11,660 --> 02:27:13,520 WHERE ALL MY THINGS WILL FIT JUST PERFECT 2629 02:27:13,520 --> 02:27:15,320 AS THE FAMOUS FRIEDA SAYS. 2630 02:27:17,160 --> 02:27:19,760 ARE YOU SYBIL? 2631 02:27:19,760 --> 02:27:21,960 OF COURSE I'M SYBIL. WHO ELSE WOULD I BE? 2632 02:27:21,960 --> 02:27:24,960 WHAT HAPPENED IN THE GREEN KITCHEN? 2633 02:27:24,960 --> 02:27:27,520 THAT'S MY CUE TO TURN INTO PEGGY, RIGHT? 2634 02:27:27,520 --> 02:27:30,620 DR. WILBUR, THERE IS NO PEGGY TO TURN INTO. 2635 02:27:30,620 --> 02:27:32,260 DO YOU MIND IF I TEST THAT? 2636 02:27:32,260 --> 02:27:33,920 HYPNOSIS? BE MY GUEST. 2637 02:27:36,190 --> 02:27:39,020 ALL RIGHT, WOULD YOU LIE DOWN ON THE SOFA? 2638 02:27:39,020 --> 02:27:40,720 SUR LE COUCH? 2639 02:27:41,920 --> 02:27:44,460 ONLY VICKY'S SUPPOSED TO KNOW THAT, RIGHT? 2640 02:27:47,560 --> 02:27:49,090 [mimics Dr. Wilbur] "NOW, DEAR HEART, 2641 02:27:49,090 --> 02:27:51,190 "I WANT YOU TO LOOK AT NEHEMIAH. 2642 02:27:51,190 --> 02:27:52,990 "YOU WILL LOOK AT NEHEMIAH, SWEETIE, 2643 02:27:52,990 --> 02:27:55,360 AND I WILL ASK TO SPEAK TO THE OTHERS." 2644 02:27:57,160 --> 02:27:59,860 I'VE REALLY GOTTEN IT DOWN, HAVEN'T I, DOCTOR? 2645 02:28:10,160 --> 02:28:11,990 (Dr. Wilbur) IN MY CHICAGO HOTEL ROOM, 2646 02:28:11,990 --> 02:28:13,860 I STARTED TO THINK THAT SYBIL'S DENIAL 2647 02:28:13,860 --> 02:28:16,190 MIGHT ACTUALLY HAVE BEEN HER FIRST BREAKTHROUGH. 2648 02:28:16,190 --> 02:28:17,990 MAYBE THE SELVES HAD BANDED TOGETHER 2649 02:28:17,990 --> 02:28:19,820 TO STOP ME FROM TAKING SYBIL DOWN 2650 02:28:19,820 --> 02:28:22,020 TO THE MOST DANGEROUS PLACE OF ALL. 2651 02:28:36,460 --> 02:28:39,960 HELLO. YEAH, I'D LIKE ANOTHER CHICAGO NUMBER, PLEASE. 2652 02:28:42,460 --> 02:28:44,960 WELL, I'M SORRY, BUT I'LL JUST HAVE TO KEEP ON ASKING 2653 02:28:44,960 --> 02:28:46,660 UNTIL SOMEBODY PUTS A PHONE BOOK IN HERE. 2654 02:28:46,660 --> 02:28:49,020 I'VE GOT 2 BIBLES AND NO PHONE BOOK. 2655 02:28:49,020 --> 02:28:52,220 [laughing] THE PERSON I'M LOOKING FOR ISN'T IN THE BIBLE. 2656 02:28:53,560 --> 02:28:55,520 A DORSETT, WILLARD DORSETT. 2657 02:28:55,520 --> 02:28:57,990 (Dr. Wilbur) YOU UNDERSTAND, MR. DORSETT, I JUST WANNA 2658 02:28:57,990 --> 02:29:00,060 TIE UP SOME LOOSE ENDS, SO TO SPEAK. 2659 02:29:00,060 --> 02:29:01,760 SO YOU CAME TO THE HORSE'S MOUTH. 2660 02:29:01,760 --> 02:29:02,920 IS THAT IT? 2661 02:29:02,920 --> 02:29:05,120 IT SEEMED THE SENSIBLE THING TO DO. 2662 02:29:05,120 --> 02:29:06,360 I, UH... 2663 02:29:06,360 --> 02:29:09,290 I DO RECALL A BRUISE OR 2 2664 02:29:09,290 --> 02:29:10,660 FROM TIME TO TIME. 2665 02:29:10,660 --> 02:29:12,390 I SEE. 2666 02:29:12,390 --> 02:29:16,720 WELL, TELL ME, DO YOU RECALL A BROKEN LARYNX? 2667 02:29:22,390 --> 02:29:24,990 WELL, NOW YOU SAY IT, IT SEEMS I DO. 2668 02:29:26,890 --> 02:29:29,090 RAN INTO A CLOTHESLINE, I BELIEVE. 2669 02:29:29,090 --> 02:29:30,460 OH, WHO SAID THAT? 2670 02:29:30,460 --> 02:29:31,720 MY WIFE, I SUPPOSE. 2671 02:29:31,720 --> 02:29:34,360 SHE DRIED THE WASH OUT BACK. 2672 02:29:34,360 --> 02:29:37,960 NOW, BY WASH, YOU MEAN, UH, THINGS LIKE--LIKE SHEETS AND TOWELS 2673 02:29:37,960 --> 02:29:39,390 AND THINGS LIKE THAT? SURE. 2674 02:29:39,390 --> 02:29:42,460 SOMETHING... SO YOU'D HAVE TO HANG THEM UP PRETTY HIGH 2675 02:29:42,460 --> 02:29:44,690 IN ORDER TO KEEP THEM OFF THE GROUND. HMM? 2676 02:29:44,690 --> 02:29:46,020 IS THAT RIGHT? THAT'S RIGHT. 2677 02:29:46,020 --> 02:29:47,760 YEAH. 2678 02:29:47,760 --> 02:29:50,890 WELL, IT SEEMS TO ME IT WOULD TAKE AN AWFUL LOT OF DETERMINATION 2679 02:29:50,890 --> 02:29:54,460 FOR A LITTLE 4-YEAR-OLD TO GET HER THROAT UP, 2680 02:29:54,460 --> 02:29:57,290 YOU KNOW, HIGH ENOUGH TO BREAK HER LARYNX. 2681 02:29:57,290 --> 02:29:58,720 WOULDN'T YOU SAY? 2682 02:30:03,520 --> 02:30:05,590 WHEN YOU STOP TO THINK ABOUT IT. 2683 02:30:09,690 --> 02:30:11,860 YOU KNOW, MR. DORSETT, I HAVE HERE 2684 02:30:12,920 --> 02:30:14,460 A CATALOG OF 2685 02:30:16,460 --> 02:30:18,620 HURTS. 2686 02:30:18,620 --> 02:30:21,520 AND WHAT I'D LIKE TO STOP AND THINK ABOUT IS, UH, 2687 02:30:23,090 --> 02:30:26,420 HOW MRS. DORSETT EXPLAINED THE REST OF THESE. 2688 02:30:27,660 --> 02:30:29,560 OR PERHAPS EVEN IF, UH... 2689 02:30:29,560 --> 02:30:31,820 DID YOU EVER ASK SYBIL? 2690 02:30:31,820 --> 02:30:34,420 UH, SOMETIME WHEN YOU WERE ALONE TOGETHER WITH HER 2691 02:30:34,420 --> 02:30:37,720 AND SHE MAYBE FELT A LITTLE FREER TO CONFIDE? 2692 02:30:40,620 --> 02:30:43,520 DID YOU? I DON'T GET THE DRIFT OF THIS CONVERSATION. 2693 02:30:45,960 --> 02:30:49,320 WELL, I'LL GIVE IT TO YOU. I... WHAT I'D LIKE TO KNOW IS 2694 02:30:49,320 --> 02:30:50,790 DO YOU THINK IT'S POSSIBLE 2695 02:30:50,790 --> 02:30:53,360 THAT YOUR WIFE INFLICTED THESE INJURIES HERSELF? 2696 02:30:53,360 --> 02:30:56,190 ABSOLUTELY NOT. 2697 02:30:56,190 --> 02:30:58,160 YOU UNDERSTAND, WHAT I MEAN IS, 2698 02:30:58,160 --> 02:31:00,960 DO YOU THINK THERE WAS ANYTHING IN HER PERSONALITY, 2699 02:31:00,960 --> 02:31:02,120 IN HER CHARACTER-- 2700 02:31:02,120 --> 02:31:03,890 ABSOLUTELY NOT. 2701 02:31:07,060 --> 02:31:09,020 THAT WAS A FINE WOMAN. 2702 02:31:10,160 --> 02:31:11,960 I'M SURE SHE WAS A FINE WOMAN, 2703 02:31:11,960 --> 02:31:13,720 BUT EVEN THE FINEST PEOPLE 2704 02:31:13,720 --> 02:31:16,590 CAN GET VERY SICK, MR. DORSETT 2705 02:31:16,590 --> 02:31:19,190 AND WHAT I'M TALKING ABOUT HERE IS SICKNESS. 2706 02:31:19,920 --> 02:31:22,720 NOW, WAS SHE EVER SICK? 2707 02:31:22,720 --> 02:31:24,620 UH, EMOTIONALLY SICK, I MEAN, NOT-- 2708 02:31:24,620 --> 02:31:26,360 I KNOW WHAT YOU MEAN. 2709 02:31:26,360 --> 02:31:28,760 I LIVE IN THE SAME CENTURY YOU DO. I BEG YOUR PARDON. I'M SORRY. 2710 02:31:28,760 --> 02:31:30,560 SHE WAS NERVOUS. 2711 02:31:30,560 --> 02:31:33,120 NOT SICK, JUST NERVOUS. 2712 02:31:34,690 --> 02:31:37,760 SHE JUST TALKED SO MUCH, THAT'S ALL. 2713 02:31:38,620 --> 02:31:41,690 SHE'D TELL POEMS OUT LOUD, 2714 02:31:41,690 --> 02:31:45,560 AND GET UP AND DANCE IN RESTAURANTS, THINGS LIKE THAT. 2715 02:31:45,560 --> 02:31:49,260 JUST TOO BIG A HEAD OF STEAM, THAT'S ALL. 2716 02:31:49,260 --> 02:31:52,660 FRUSTRATED WITH THE SMALL-TOWN LIFE 2717 02:31:53,990 --> 02:31:56,620 OR ME OR SOMETHING. I DON'T KNOW. 2718 02:31:58,060 --> 02:32:00,760 SHE'D GET REAL LOW SOMETIMES. 2719 02:32:00,760 --> 02:32:03,690 "LOW DOWN AND BLUE," SHE'D CALL IT. 2720 02:32:03,690 --> 02:32:07,220 ONE YEAR, SHE JUST SAT 2721 02:32:07,220 --> 02:32:09,690 QUIET THAT WHOLE WINTER. 2722 02:32:09,690 --> 02:32:12,520 WOULDN'T EVEN FEED HERSELF. 2723 02:32:12,520 --> 02:32:15,620 GOT SO BAD I DROVE HER UP TO THE STATE HOSPITAL. 2724 02:32:18,190 --> 02:32:19,760 WELL, THEN WHAT HAPPENED? 2725 02:32:19,760 --> 02:32:21,090 WHAT DID THEY SAY? 2726 02:32:21,090 --> 02:32:22,960 OH, THEY 2727 02:32:22,960 --> 02:32:26,520 SAID SHE HAD THE PARANOID SCHIZOPHRENIA. 2728 02:32:29,460 --> 02:32:31,720 WELL, MR. DORSETT, THAT'S... 2729 02:32:31,720 --> 02:32:33,520 THAT'S VERY SICK. 2730 02:32:33,520 --> 02:32:34,920 IT'S--IT'S... 2731 02:32:34,920 --> 02:32:37,190 IT'S CERTAINLY TOO SICK TO BE RAISING A LITTLE GIRL. 2732 02:32:37,190 --> 02:32:39,690 THEY--THEY WERE WRONG, YOU SEE. 2733 02:32:39,690 --> 02:32:43,620 WELL, HATTIE TOLD ME HERSELF A-AFTER I GOT HER HOME 2734 02:32:43,620 --> 02:32:46,620 THAT ALL THAT DOCTOR DID WAS SIT AND STARE AT HER 2735 02:32:46,620 --> 02:32:49,120 THE WHOLE TIME SHE WAS WITH HIM. 2736 02:32:52,120 --> 02:32:55,620 SAID IF ANYONE WAS GONNA TELL HER SHE WAS A LOONY, 2737 02:32:55,620 --> 02:32:58,720 HE BETTER GET SOMEONE TO DO IT BESIDE ONE OF THE LOONS. 2738 02:33:00,090 --> 02:33:03,460 WELL, YOU CAN'T ARGUE WITH THE LOGIC OF THAT, NOW CAN YOU? 2739 02:33:03,460 --> 02:33:04,990 YOU CALL THAT SICK? 2740 02:33:14,020 --> 02:33:15,760 [birds chirping] 2741 02:33:16,760 --> 02:33:18,360 [dog barking] 2742 02:33:21,490 --> 02:33:23,390 EXCUSE ME. 2743 02:33:23,390 --> 02:33:26,420 COULD YOU TELL ME IF DR. QUINONESS 2744 02:33:26,420 --> 02:33:29,260 STILL IS, UH, LIVING IN WILLOW CORNERS, IN TOWN? 2745 02:33:29,260 --> 02:33:31,660 YOU BET. STRAIGHT ON INTO TOWN. 2746 02:33:31,660 --> 02:33:33,090 CORNER OF 4TH AND MAPLE. 2747 02:33:33,090 --> 02:33:35,090 4TH AND MAPLE? THANK YOU. 2748 02:33:35,090 --> 02:33:36,320 YEAH. 2749 02:33:41,260 --> 02:33:44,490 (Dr. Quinoness) I HOPE YOU DON'T MIND CARRYING THE OATMEAL COOKIES 2750 02:33:44,490 --> 02:33:47,420 BUT JULIA GETS POOPED ON THESE STAIRS NOW. 2751 02:33:47,420 --> 02:33:49,390 OLD PLACES ARE BUILT FOR GOATS ANYWAY. 2752 02:33:49,390 --> 02:33:52,420 WELL, I APPRECIATE YOUR TAKING TIME OUT TO SEE ME, DR. QUINONESS. 2753 02:33:52,420 --> 02:33:54,160 NOT TAKING TIME OUT FROM MUCH. 2754 02:33:54,160 --> 02:33:55,320 [laughing] 2755 02:33:56,060 --> 02:33:58,260 WELL, HERE WE BE. 2756 02:33:58,790 --> 02:33:59,990 THE MUSEUM. 2757 02:33:59,990 --> 02:34:02,960 USED TO BE THE ONLY SURGERY FOR 40 MILES 2758 02:34:02,960 --> 02:34:05,560 TILL THEY BUILT THE HOSPITAL OUT ON ROUTE 9. 2759 02:34:05,560 --> 02:34:08,220 I USE IT NOW MAINLY BECAUSE THE SUN LASTS LONGER 2760 02:34:08,220 --> 02:34:10,390 THAN ANY OTHER ROOM IN THE HOUSE. 2761 02:34:10,390 --> 02:34:13,820 LATELY, I'VE BECOME GREEDY ABOUT SUNLIGHT. 2762 02:34:13,820 --> 02:34:16,060 PLEASE SIT. THANK YOU. 2763 02:34:16,060 --> 02:34:19,520 YES, I SEEM TO REMEMBER HEARING 2764 02:34:19,520 --> 02:34:22,320 THAT SYBIL WAS IN NEW YORK CITY. 2765 02:34:22,320 --> 02:34:26,160 OF COURSE, NOWADAYS, WITH ALL THE FAMILY EITHER DEAD OR MOVED AWAY, 2766 02:34:26,160 --> 02:34:28,660 DON'T KEEP TABS LIKE I USED TO. THANK YOU. 2767 02:34:30,690 --> 02:34:32,520 SHE, UH, 2768 02:34:32,520 --> 02:34:34,490 HAS A NERVOUS CONDITION, HAS SHE? 2769 02:34:34,490 --> 02:34:36,590 MMM-HMM. YES. 2770 02:34:36,590 --> 02:34:38,460 AH, LITTLE SYBIL. 2771 02:34:38,460 --> 02:34:41,090 LITTLE SPARROW OF A THING. 2772 02:34:41,090 --> 02:34:42,620 NOT SURPRISED IT'S COME TO THAT. 2773 02:34:42,620 --> 02:34:44,520 YOU KNOW, SHE HAD A NERVOUS MOTHER. 2774 02:34:44,520 --> 02:34:46,420 SO I UNDERSTAND. 2775 02:34:46,420 --> 02:34:49,220 HATTIE. PILLAR OF THE TOWN. DID EVERYTHING. 2776 02:34:49,220 --> 02:34:52,590 WELL, I WOULD APPRECIATE IT IF I COULD SEE SYBIL'S RECORDS, DOCTOR. 2777 02:34:52,590 --> 02:34:54,690 WELL, I DON'T KNOW WHAT LIGHT THAT WOULD SHED. 2778 02:34:54,690 --> 02:34:57,120 YOU SEE, I--I NEVER, NEVER TREATED HER FOR NERVES 2779 02:34:57,120 --> 02:34:59,590 ONLY FOR THE USUAL CHILDHOOD ACHES AND PAINS. 2780 02:34:59,590 --> 02:35:03,360 I UNDERSTAND, BUT I--I WOULD CONSIDER IT A GREAT COURTESY. 2781 02:35:03,360 --> 02:35:05,190 I DON'T KNOW THAT I HAVE ANYTHING. 2782 02:35:05,190 --> 02:35:06,360 LET ME SEE. 2783 02:35:08,320 --> 02:35:09,660 DORSETTS. 2784 02:35:10,220 --> 02:35:12,620 DORSETTS. OH, YES. 2785 02:35:13,820 --> 02:35:16,090 HERE WE ARE. SYBIL. 2786 02:35:17,720 --> 02:35:19,060 TONSILLECTOMY. 2787 02:35:19,720 --> 02:35:21,190 I REMEMBER THAT. 2788 02:35:21,190 --> 02:35:23,990 SHE FOUGHT SO HARD WE COULD HARDLY GET THEM OUT. 2789 02:35:26,890 --> 02:35:28,890 TORN LIGAMENTS, RIGHT SHOULDER. 2790 02:35:28,890 --> 02:35:30,920 FRACTURED CLAVICLE. 2791 02:35:30,920 --> 02:35:33,320 PALM OF RIGHT HAND BURNED ON STOVE. 2792 02:35:33,960 --> 02:35:35,990 FRACTURED LARYNX. 2793 02:35:35,990 --> 02:35:37,760 BEANS STUCK UP HER NOSE. 2794 02:35:38,490 --> 02:35:39,860 GAS INHALATION. 2795 02:35:42,460 --> 02:35:44,860 USUAL CHILDHOOD ACHES AND PAINS, HUH? 2796 02:35:46,690 --> 02:35:48,390 DID YOU EVER SPECULATE? 2797 02:35:49,360 --> 02:35:50,620 YOU KNOW, 2798 02:35:51,390 --> 02:35:53,320 YOU CAN LIVE TOO LONG, DOCTOR. 2799 02:35:55,160 --> 02:35:56,960 I NEVER TOLD ANYONE THIS. 2800 02:35:58,920 --> 02:36:01,490 SYBIL CAME TO ME WITH A BLADDER COMPLAINT. 2801 02:36:01,490 --> 02:36:03,420 VERY UNUSUAL IN A LITTLE GIRL. 2802 02:36:06,120 --> 02:36:09,690 COULDN'T PASS HER WATER. I HAD TO CATHETERIZE HER. 2803 02:36:09,690 --> 02:36:11,760 IF YOU DID A GYNECOLOGICAL ON HER RIGHT NOW, 2804 02:36:11,760 --> 02:36:14,120 I'D WAGER YOU'D SEE WHAT I SAW. 2805 02:36:14,120 --> 02:36:16,220 SCARIFICATION OF THE INNER WALL, 2806 02:36:16,220 --> 02:36:18,890 DESTRUCTION OF CERTAIN TISSUES. 2807 02:36:18,890 --> 02:36:21,520 I DON'T BELIEVE SHE CAN EVER BECOME A MOTHER. 2808 02:36:25,320 --> 02:36:28,820 YOU KNOW, THE GOOD LORD SHIPS US INTO THIS WORLD 2809 02:36:28,820 --> 02:36:31,790 NOT A WHOLE HECK OF A LOT BETTER THAN THE U.S. MAILS. 2810 02:36:33,090 --> 02:36:35,190 BUT THE HAND OF THE ALMIGHTY HAD NOTHING TO DO 2811 02:36:35,190 --> 02:36:37,420 WITH WHAT I FOUND INSIDE THAT CHILD. 2812 02:36:40,920 --> 02:36:43,090 YOU'VE BEEN VERY GENEROUS, DOCTOR. 2813 02:36:47,790 --> 02:36:50,060 YOU WANNA GIVE ME A TIP, DOCTOR? 2814 02:36:50,060 --> 02:36:51,360 IF I CAN. 2815 02:36:51,890 --> 02:36:53,190 IN YOUR... 2816 02:36:53,190 --> 02:36:55,690 IN YOUR TRADE, YOU HEAR A LOT OF CONFESSIONS. 2817 02:36:57,260 --> 02:37:00,220 DR. QUINONESS, IT WAS A LONG, LONG TIME AGO. 2818 02:37:01,220 --> 02:37:03,120 HOW DO I FIND ABSOLUTION? 2819 02:37:16,320 --> 02:37:17,990 [birds chirping] 2820 02:37:27,120 --> 02:37:28,760 [dog barking] 2821 02:37:36,790 --> 02:37:38,390 [door squeaking] 2822 02:37:45,090 --> 02:37:46,820 **[voice humming] 2823 02:38:31,160 --> 02:38:32,890 [water dripping] 2824 02:38:43,460 --> 02:38:44,660 [gasping] 2825 02:38:57,190 --> 02:38:59,360 [water continues dripping] 2826 02:39:54,620 --> 02:39:56,260 [dog barking] 2827 02:40:33,020 --> 02:40:34,990 **[voice humming] 2828 02:41:10,860 --> 02:41:12,590 (Dr. Wilbur) IT HAPPENED, SWEETIE. 2829 02:41:12,590 --> 02:41:14,620 THOSE ARE THE CRAYON SCRATCHES YOU MADE 2830 02:41:14,620 --> 02:41:16,920 WHEN MOMMA PUT YOU IN THE WHEAT BIN. 2831 02:41:16,920 --> 02:41:18,790 THEY WERE YOUR CRY FOR HELP. 2832 02:41:18,790 --> 02:41:20,820 YOUR PURPLE ANGER. 2833 02:41:24,390 --> 02:41:25,990 IT DOESN'T SEEM REAL. 2834 02:41:26,620 --> 02:41:27,820 WELL, 2835 02:41:28,820 --> 02:41:30,060 IT HAPPENED. 2836 02:41:36,760 --> 02:41:39,860 I CAN'T BELIEVE YOU WENT TO ALL THIS TROUBLE AFTER I... 2837 02:41:42,060 --> 02:41:44,020 I DIDN'T MEAN TO BE MEAN TO YOU. 2838 02:41:44,020 --> 02:41:46,490 OH, I KNOW THAT. 2839 02:41:46,490 --> 02:41:48,260 IT'S JUST I WAS AFRAID. 2840 02:41:49,620 --> 02:41:52,190 NOT OF WHAT WE TALKED ABOUT SO MUCH. 2841 02:41:52,190 --> 02:41:53,690 CAN YOU TELL ME NOW? 2842 02:41:53,690 --> 02:41:55,490 I WAS AFRAID OF THE HOPE. 2843 02:41:57,590 --> 02:41:58,960 THE HOPE? 2844 02:42:00,990 --> 02:42:02,990 THE HOPE THAT I MIGHT GET WELL. 2845 02:42:07,720 --> 02:42:09,920 YOU BEGAN 2846 02:42:09,920 --> 02:42:12,090 TO MAKE ME BELIEVE I COULD, ALMOST. 2847 02:42:15,290 --> 02:42:17,290 FOR A WHILE, I COULD SEE MYSELF 2848 02:42:18,320 --> 02:42:19,560 PAINTING, 2849 02:42:21,790 --> 02:42:23,760 OR PLAYING THE PIANO OR... 2850 02:42:28,260 --> 02:42:29,420 YES? 2851 02:42:31,360 --> 02:42:32,820 BEING WITH PEOPLE. 2852 02:42:40,260 --> 02:42:42,860 THEN I REALIZE 2853 02:42:42,860 --> 02:42:45,990 THAT THE ONLY WAY THAT HOPE CAN EVER BE REAL 2854 02:42:47,720 --> 02:42:49,360 IS YOU. 2855 02:42:49,360 --> 02:42:51,120 AND IF YOU'RE THE ONLY HOPE, 2856 02:42:51,120 --> 02:42:53,220 AND THIS IS THE ONLY WAY, 2857 02:42:53,220 --> 02:42:56,560 AND IF IT DOESN'T WORK, THEN I'M A GONER. 2858 02:43:00,290 --> 02:43:01,620 I JUST... 2859 02:43:03,490 --> 02:43:06,260 I HAVE TO BE WITH PEOPLE, DR. WILBUR. 2860 02:43:07,290 --> 02:43:09,160 I KNOW THAT. 2861 02:43:09,160 --> 02:43:11,860 I'VE NEVER REALLY BEEN LET IN MOST PLACES. 2862 02:43:13,060 --> 02:43:16,520 WELL, RICHARD LET ME IN FOR A WHILE 2863 02:43:16,520 --> 02:43:19,290 AND YOU LET ME IN A LITTLE BECAUSE YOU HAVE TO. 2864 02:43:20,560 --> 02:43:22,390 BUT THEN, 2865 02:43:22,390 --> 02:43:24,360 WHEN HE LEFT AND YOU WERE GONE 2866 02:43:25,960 --> 02:43:27,790 I REALIZED THAT THERE WASN'T A HOUSE 2867 02:43:27,790 --> 02:43:30,120 IN ALL OF NEW YORK THAT I COULD GO IN. 2868 02:43:33,990 --> 02:43:35,320 QUITE HONESTLY, 2869 02:43:36,590 --> 02:43:37,960 [sighing] 2870 02:43:38,420 --> 02:43:39,620 I... 2871 02:43:41,460 --> 02:43:43,690 I HAILED A CAB A COUPLE OF TIMES. 2872 02:43:44,960 --> 02:43:47,260 I THOUGHT I'D MAKE UP FOR IT SOMEHOW. 2873 02:43:47,260 --> 02:43:49,060 I'D EAT LESS OR SOMETHING. 2874 02:43:52,020 --> 02:43:54,520 BECAUSE I HAD TO TALK TO SOMEBODY. 2875 02:43:56,760 --> 02:43:59,460 AND ONE CAB DRIVER TALKED TO ME. 2876 02:44:00,160 --> 02:44:02,190 HE WAS VERY INTERESTING. 2877 02:44:05,190 --> 02:44:07,460 WE DROVE AROUND FOR ABOUT 15 MINUTES. 2878 02:44:12,860 --> 02:44:14,020 YES? 2879 02:44:14,960 --> 02:44:17,490 AND HE DROVE ME BY HERE. 2880 02:44:17,490 --> 02:44:19,460 AND I LOOKED UP IN YOUR APARTMENT 2881 02:44:19,460 --> 02:44:21,960 TO SEE IF THERE WAS A LIGHT ON. 2882 02:44:21,960 --> 02:44:23,590 I KNOW THAT WAS WRONG. 2883 02:44:23,590 --> 02:44:24,760 WHY? 2884 02:44:29,920 --> 02:44:33,520 I DON'T KNOW. IT SEEMED LIKE AN INVASION OF YOUR PRIVACY SOMEHOW. 2885 02:44:34,290 --> 02:44:35,760 WITH A LOOK? 2886 02:44:37,020 --> 02:44:39,320 I KNOW IT'S SILLY. 2887 02:44:39,320 --> 02:44:41,860 NO, IT ONLY MEANS THERE WAS 2888 02:44:41,860 --> 02:44:43,720 A WISH THAT WENT ALONG WITH THE LOOK 2889 02:44:43,720 --> 02:44:45,960 THAT YOU THINK IT WAS WRONG TO HAVE. 2890 02:44:45,960 --> 02:44:47,490 MAYBE SOMEBODY ELSE 2891 02:44:48,320 --> 02:44:50,220 HAD A WISH JUST FOR A SECOND. 2892 02:44:53,460 --> 02:44:56,760 WOULD YOU LOOK THE OTHER WAY, PLEASE? 2893 02:44:56,760 --> 02:44:59,090 SWEETIE, IT HELPS ME IF I CAN SEE YOU. 2894 02:44:59,090 --> 02:45:01,060 THEN I'LL LOOK THE OTHER WAY. 2895 02:45:11,020 --> 02:45:13,120 IT HAS TO DO WITH A DREAM. 2896 02:45:16,320 --> 02:45:18,260 IT HAS TO DO WITH YOU. 2897 02:45:19,420 --> 02:45:20,760 MMM-HMM. 2898 02:45:22,320 --> 02:45:25,690 YOU AND THIS LITTLE GIRL. 2899 02:45:27,960 --> 02:45:30,990 THIS FUNNY LITTLE GIRL WITH A SCRUNCHED-UP FACE. 2900 02:45:33,360 --> 02:45:36,090 AND SHE'S VERY YOUNG, SO WHAT SHE FEELS IS... 2901 02:45:37,090 --> 02:45:39,720 WELL, MAYBE IT'S EXCUSABLE. 2902 02:45:39,720 --> 02:45:41,260 WHAT DOES SHE FEEL? 2903 02:45:43,590 --> 02:45:46,790 SHE'S TOO YOUNG TO REALIZE THAT YOU'RE A DOCTOR, 2904 02:45:47,960 --> 02:45:49,560 NOT HER FRIEND. 2905 02:45:51,320 --> 02:45:52,560 GO ON. 2906 02:45:54,820 --> 02:45:56,090 WELL 2907 02:45:58,960 --> 02:46:02,090 SHE WANTS TO SIT BESIDE YOU 2908 02:46:05,760 --> 02:46:07,360 IN YOUR BIG CHAIR. 2909 02:46:08,690 --> 02:46:10,220 AND SHE ASKS. 2910 02:46:11,190 --> 02:46:12,590 AND SHE DOES. 2911 02:46:13,790 --> 02:46:16,290 BUT SHE'S JUST A LITTLE GIRL, UNDERSTAND, 2912 02:46:16,290 --> 02:46:17,960 AND IT'S JUST A DREAM. 2913 02:46:20,390 --> 02:46:22,260 WHAT WORRIES YOU ABOUT HER? 2914 02:46:25,890 --> 02:46:27,620 I'M AFRAID TO TELL YOU. 2915 02:46:29,560 --> 02:46:31,990 THAT YOU FEEL SATISFACTION IN THE DREAM? 2916 02:46:35,890 --> 02:46:38,590 IT'S NOT A DREAM, SYBIL. 2917 02:46:38,590 --> 02:46:40,460 EVERY TIME YOU COME HERE AS PEGGY, 2918 02:46:40,460 --> 02:46:42,690 YOU SIT HERE IN THIS CHAIR BESIDE ME 2919 02:46:43,760 --> 02:46:45,760 AND YOU PUT MY ARM AROUND YOU, 2920 02:46:45,760 --> 02:46:47,720 AND YOU REST YOUR HEAD ON MY SHOULDER 2921 02:46:47,720 --> 02:46:49,490 AND YOU FEEL SATISFACTION. 2922 02:46:51,590 --> 02:46:53,390 OH, I COULDN'T. 2923 02:46:53,390 --> 02:46:55,560 I KNOW YOU COULDN'T, BUT PEGGY CAN. 2924 02:46:59,220 --> 02:47:01,020 AND YOU ALLOW IT? 2925 02:47:01,020 --> 02:47:03,820 OF COURSE I ALLOW IT. 2926 02:47:03,820 --> 02:47:07,560 SOMETIMES BEING CLOSE IS THE ONLY NOURISHMENT THAT COUNTS. 2927 02:47:10,190 --> 02:47:12,960 IT SEEMS LIKE TOO MUCH TO DO FOR HER. 2928 02:47:13,920 --> 02:47:16,120 WELL... 2929 02:47:16,120 --> 02:47:20,420 DON'T YOU THINK I MIGHT BE DOING IT FOR MYSELF ALSO? 2930 02:47:22,020 --> 02:47:24,520 DON'T YOU THINK, UH, I MIGHT DO IT 2931 02:47:24,520 --> 02:47:27,020 BECAUSE I ENJOY BEING ALLOWED 2932 02:47:27,020 --> 02:47:29,320 TO EXPRESS MY AFFECTION FOR YOU? 2933 02:47:34,290 --> 02:47:35,490 YOU MEAN FOR HER. 2934 02:47:35,490 --> 02:47:37,590 NO, FOR YOU. 2935 02:47:37,590 --> 02:47:40,820 FOR SYBIL, FOR THE TOTALITY OF YOU. 2936 02:47:42,360 --> 02:47:43,920 DON'T YOU KNOW THAT? 2937 02:47:47,090 --> 02:47:50,560 I LOVE YOUR COURAGE. I LOVE YOUR HUMOR. 2938 02:47:50,560 --> 02:47:52,420 I LOVE YOUR TALENT. 2939 02:47:52,420 --> 02:47:54,760 I LOVE YOUR TENDERNESS WITH OTHER PEOPLE. 2940 02:47:54,760 --> 02:47:56,120 I LOVE YOUR QUICKNESS. 2941 02:47:56,120 --> 02:47:58,890 I LOVE YOUR COMPANY. I LOVE YOU. 2942 02:48:03,190 --> 02:48:05,990 NOW THE ONLY THING THAT'S HOLDING YOU ON THAT CHAIR 2943 02:48:05,990 --> 02:48:08,020 IS THE LAW OF GRAVITY. 2944 02:48:25,120 --> 02:48:28,360 SYBIL, DO YOU KNOW WHAT THOSE WET THINGS ARE ON YOUR FACE? 2945 02:48:29,190 --> 02:48:30,290 OH. 2946 02:48:30,290 --> 02:48:31,960 THOSE ARE SYBIL'S FIRST TEARS. 2947 02:48:31,960 --> 02:48:33,460 [laughing] 2948 02:48:33,460 --> 02:48:36,920 THE FIRST ONES YOU'VE HAD SINCE GRANDMA DIED. 2949 02:48:36,920 --> 02:48:38,660 I LOVED MY GRANDMOTHER. 2950 02:48:39,390 --> 02:48:40,760 I KNOW YOU DID. 2951 02:48:42,120 --> 02:48:43,820 I LOVE YOU, TOO. 2952 02:48:47,220 --> 02:48:49,790 WOULD YOU LIKE ME TO TELL YOU A TRUE STORY? 2953 02:48:51,890 --> 02:48:53,820 WELL, 2954 02:48:53,820 --> 02:48:57,120 ONCE, A LONG TIME AGO, WHEN I WAS A LITTLE GIRL IN MONTANA, 2955 02:48:58,160 --> 02:49:01,690 I WAS LYING OUT ON THE GRASS ONE DAY 2956 02:49:01,690 --> 02:49:04,660 JUST LOOKING AT THE ANTS. 2957 02:49:04,660 --> 02:49:06,760 [both laughing] 2958 02:49:06,760 --> 02:49:11,320 AND THE GRASS WAS SWEET AND DEEP AND SOFT, 2959 02:49:11,320 --> 02:49:13,490 AND THE SUN WAS WARM ON MY BACK, 2960 02:49:13,490 --> 02:49:16,720 AND THE INSECTS WERE BUZZING AND IT WAS... 2961 02:49:16,720 --> 02:49:18,660 EVERYTHING WAS DROWSY. 2962 02:49:19,620 --> 02:49:21,620 AND ALL OF A SUDDEN, 2963 02:49:21,620 --> 02:49:23,920 I SAW ONE ANT 2964 02:49:23,920 --> 02:49:28,390 WHO WAS STRUGGLING TO PICK UP THIS GRAIN OF SAND 2965 02:49:28,390 --> 02:49:31,920 [laughing] THAT WAS FAR TOO HEAVY FOR IT TO LIFT. 2966 02:49:31,920 --> 02:49:35,120 AND HE STRUGGLED AND HE STRUGGLED. 2967 02:49:35,120 --> 02:49:38,220 AND PRETTY SOON, ANOTHER ANT CAME BY 2968 02:49:39,290 --> 02:49:42,020 AND TOGETHER, THE 2 OF THEM 2969 02:49:42,020 --> 02:49:45,460 LIFTED THE GRAIN OF SAND AND STARTED TO CARRY IT AWAY. 2970 02:49:46,460 --> 02:49:48,790 [laughing] WELL, I GOT SO EXCITED 2971 02:49:48,790 --> 02:49:51,820 THAT I HOLLERED TO MY MOMMA, AND SHE RAN OUT 2972 02:49:51,820 --> 02:49:55,460 AND SHE FLOPPED DOWN IN THE GRASS BESIDE ME AND SHE SAID 2973 02:49:55,460 --> 02:49:58,090 "NOW, ISN'T THAT MIRACULOUS 2974 02:49:58,090 --> 02:50:01,420 "HOW MUCH 2 CREATURES CAN ACCOMPLISH TOGETHER 2975 02:50:02,760 --> 02:50:04,860 WHEN THEY CARE ABOUT EACH OTHER." 2976 02:50:05,960 --> 02:50:07,660 AND YOUR MOTHER WAS BESIDE YOU? 2977 02:50:07,660 --> 02:50:09,760 MMM-HMM. IN THE GRASS. 2978 02:50:09,760 --> 02:50:11,060 WATCHING ANTS? 2979 02:50:11,060 --> 02:50:12,520 ON A SUMMER'S DAY. 2980 02:50:14,360 --> 02:50:15,890 HELPING EACH OTHER. 2981 02:50:28,290 --> 02:50:29,890 (Sybil) IT'S TOO GREEN. 2982 02:50:29,890 --> 02:50:32,120 WHY DID GOD HAVE TO MAKE EVERYTHING GREEN? 2983 02:50:32,120 --> 02:50:33,920 GREEN TREES, GREEN GRASS. 2984 02:50:33,920 --> 02:50:35,760 (Dr. Wilbur) GREEN KITCHENS. 2985 02:50:35,760 --> 02:50:38,020 I'M NOT EVEN GONNA LOOK AT THE GREEN. 2986 02:50:38,020 --> 02:50:40,260 I'M JUST GONNA LOOK AT THE BLOSSOMS. 2987 02:50:40,260 --> 02:50:41,520 SWEETIE, I KNOW 2988 02:50:41,520 --> 02:50:43,520 THIS IS THE MOST DIFFICULT HURDLE OF ALL, 2989 02:50:43,520 --> 02:50:47,520 BUT WE'VE GOTTA GET INTO THAT KITCHEN NOW AND FACE WHAT WENT ON THERE. 2990 02:50:47,520 --> 02:50:49,520 I'M TOO SCARED OF THAT. 2991 02:50:49,520 --> 02:50:51,520 YOU'RE JUST SCARED OF BEING SCARED. 2992 02:50:51,520 --> 02:50:53,160 YOU SURVIVED IT WHEN IT HAPPENED, 2993 02:50:53,160 --> 02:50:54,990 AND YOU'LL SURVIVE REMEMBERING IT. 2994 02:50:54,990 --> 02:50:56,490 YOU KNOW HOW MUCH RELIEF YOU FELT 2995 02:50:56,490 --> 02:50:57,820 WHEN WE FACED THE OTHER THINGS, 2996 02:50:57,820 --> 02:51:01,020 THE HANDS, THE--THE PEOPLE, AND CHRISTMAS? 2997 02:51:01,020 --> 02:51:03,520 SO WE WILL FACE THIS, TOO, FINALLY, 2998 02:51:03,520 --> 02:51:05,920 AND--AND--AND LEAVE IT BEHIND FOREVER. 2999 02:51:05,920 --> 02:51:08,460 LEAVE ALL THAT PAIN BEHIND. 3000 02:51:08,460 --> 02:51:11,090 AND WE'LL FIND A NICE QUIET PLACE FOR A PICNIC, 3001 02:51:11,090 --> 02:51:12,990 AND WE'VE GOT ALL YOUR PAINTING THINGS, 3002 02:51:12,990 --> 02:51:15,420 AND WE'RE JUST GONNA LET IT HAPPEN, OK? 3003 02:51:15,420 --> 02:51:17,120 OK. 3004 02:51:17,120 --> 02:51:19,690 DID WE BRING NEHEMIAH IN CASE WE NEED HIS HELP? 3005 02:51:19,690 --> 02:51:21,490 MMM-HMM. HE'S WITH US. 3006 02:51:22,190 --> 02:51:23,620 [birds chirping] 3007 02:51:24,160 --> 02:51:25,760 [ducks quacking] 3008 02:51:30,190 --> 02:51:32,560 WHAT IS IT, SWEETIE? WHAT'S IN THE WAY? 3009 02:51:38,760 --> 02:51:41,020 I DON'T KNOW. I CAN'T SEE IT. 3010 02:51:41,890 --> 02:51:43,660 I CAN FEEL IT. IT'S 3011 02:51:45,420 --> 02:51:46,620 FEAR. 3012 02:51:49,260 --> 02:51:51,160 PEGGY'S PETRIFIED RIGHT NOW. 3013 02:51:53,620 --> 02:51:56,660 (Sybil) THIS IS THE FIRST STROKE I'VE DARED TO PAINT. 3014 02:52:00,260 --> 02:52:01,660 [panting] OH, DR. WILBUR. 3015 02:52:01,660 --> 02:52:02,920 (Dr. Wilbur) WHAT? 3016 02:52:02,920 --> 02:52:05,020 [panting] THIS IS COMING. 3017 02:52:05,020 --> 02:52:07,890 JUST ALLOW IT, SWEETIE. JUST ALLOW IT. 3018 02:52:07,890 --> 02:52:09,390 OH, IT'S LIKE 3019 02:52:09,820 --> 02:52:11,290 WAVES, 3020 02:52:11,290 --> 02:52:12,920 WAVES THROUGH ME. 3021 02:52:12,920 --> 02:52:14,090 IT'S AWFUL. 3022 02:52:14,090 --> 02:52:16,590 (Dr. Wilbur) ALLOW IT. GO WITH IT. 3023 02:52:16,590 --> 02:52:19,060 (Sybil) OH, NO, NO. 3024 02:52:19,060 --> 02:52:20,920 GO WITH IT. JUST ALLOW IT, SWEETIE. 3025 02:52:20,920 --> 02:52:22,820 OH, IS THIS PEGGY? 3026 02:52:22,820 --> 02:52:24,620 IT'S ONLY A HINT OF WHAT SHE FEELS, SWEETIE. 3027 02:52:24,620 --> 02:52:26,120 SHE FEELS MUCH MORE THAN THAT. 3028 02:52:26,120 --> 02:52:28,860 OH, IT'S THE WORST FEELING. OH, IT'S SO AWFUL. 3029 02:52:28,860 --> 02:52:31,060 JUST GO WITH IT. TRY TO GO WITH IT. STAY WITH IT 3030 02:52:31,060 --> 02:52:33,060 AND SEE IF YOU CAN FIND OUT WHAT'S UNDERNEATH. 3031 02:52:33,060 --> 02:52:34,490 CAN YOU REMEMBER? 3032 02:52:34,490 --> 02:52:36,020 WHAT'S UNDERNEATH IT, SWEETIE? 3033 02:52:36,020 --> 02:52:37,190 I'M SCARED. 3034 02:52:37,190 --> 02:52:38,460 [panting] 3035 02:52:38,460 --> 02:52:39,620 I'M SCARED. 3036 02:52:39,620 --> 02:52:41,460 [sobbing] 3037 02:52:47,920 --> 02:52:49,690 NO. 3038 02:52:49,690 --> 02:52:51,290 WHAT IS IT? WHAT ARE YOU LOOKING AT? 3039 02:52:51,290 --> 02:52:52,860 IT'S ALL GREEN. 3040 02:52:52,860 --> 02:52:55,860 AND THE PEOPLE, THE PEOPLE. 3041 02:52:55,860 --> 02:52:58,560 PEGGY, WHERE ARE YOU? ARE YOU IN THE KITCHEN? 3042 02:52:58,560 --> 02:52:59,920 [panting] 3043 02:53:02,860 --> 02:53:04,620 [water dripping] 3044 02:53:05,490 --> 02:53:06,920 [clearing throat] 3045 02:53:10,090 --> 02:53:11,760 HAVE TO DO IT. 3046 02:53:11,760 --> 02:53:13,090 (Sybil) IT'S DRIPPING. 3047 02:53:13,090 --> 02:53:15,420 IT'S DRIPPING. YOU CAN HEAR IT DRIPPING. 3048 02:53:15,420 --> 02:53:17,890 (Dr. Wilbur) I KNOW. THERE'S EVEN A RUST SPOT UNDER THE TAP. 3049 02:53:17,890 --> 02:53:19,490 HAVE TO DO IT. 3050 02:53:19,490 --> 02:53:21,660 [Sybil wailing] WHAT DOES MOMMA HAVE TO DO? 3051 02:53:21,660 --> 02:53:24,720 EVERY MORNING. EVERY MORNING, AFTER I EAT MY PRUNES 3052 02:53:24,720 --> 02:53:27,490 AND EVERYBODY'S GONE, SHE PULLS DOWN THE SHADES. 3053 02:53:27,490 --> 02:53:30,060 SHE PULLS DOWN THE SHADES SO NOBODY WILL SEE. 3054 02:53:30,060 --> 02:53:31,860 AND SHE'S GOT ME TIED UP ON THE TABLE. 3055 02:53:31,860 --> 02:53:33,620 OH, IT'S SO COLD. 3056 02:53:33,620 --> 02:53:36,620 THAT'S BECAUSE IT'S METAL, SWEETIE. 3057 02:53:36,620 --> 02:53:39,590 AND THE WATER, THE WATER'S RUNNING. THE WATER'S RUNNING. 3058 02:53:39,590 --> 02:53:41,860 IT HAS TO RUN A LONG TIME TILL IT'S COLD ENOUGH. 3059 02:53:41,860 --> 02:53:43,890 WHAT DOES SHE NEED COLD WATER FOR? 3060 02:53:43,890 --> 02:53:45,890 SHE GIVES ME AN ENEMA. 3061 02:53:45,890 --> 02:53:47,320 [Sybil sobbing] 3062 02:53:47,320 --> 02:53:48,960 IT SMELLS ALL DISINFECTANNY. 3063 02:53:48,960 --> 02:53:50,520 OH, MY GOD. 3064 02:53:51,260 --> 02:53:52,920 [Sybil panting] 3065 02:53:52,920 --> 02:53:55,320 AND MY FEET, MY FEET ARE TIED TO THE BROOM HANDLE. 3066 02:53:55,320 --> 02:53:57,020 WHY? THEY'RE TIED TO THE BROOM HANDLE. 3067 02:53:57,020 --> 02:53:58,890 WHY? SO SHE CAN PULL ME UP 3068 02:53:58,890 --> 02:54:01,690 AND PULL ME UP AND TIE ME TO THE LIGHT. 3069 02:54:01,690 --> 02:54:04,120 TO THE LIGHT. TO THE LIGHT. 3070 02:54:04,120 --> 02:54:07,160 SHE'S GONNA BRING IT. OH, NO. NO, PLEASE. 3071 02:54:07,160 --> 02:54:08,490 PLEASE, IT'LL TEAR ME. 3072 02:54:08,490 --> 02:54:10,290 IT'LL TEAR ME. OH, GET IT AWAY. 3073 02:54:10,290 --> 02:54:12,720 WHAT WILL TEAR? WHAT'S SHE BRINGING, SWEETIE? 3074 02:54:12,720 --> 02:54:14,320 [Sybil panting] WHAT'S SHE BRINGING? 3075 02:54:14,320 --> 02:54:16,020 [Sybil sobbing] 3076 02:54:16,020 --> 02:54:18,790 WHAT IS IT? WHAT WILL TEAR? WHAT IS SHE BRINGING? 3077 02:54:18,790 --> 02:54:21,020 WHAT IS SHE BRINGING? 3078 02:54:21,020 --> 02:54:24,690 THE KNIFE AND THE BUTTONHOOK. 3079 02:54:25,760 --> 02:54:27,360 THE KNIVES. 3080 02:54:27,360 --> 02:54:30,120 I CAN SEE THEM. I CAN SEE THEM. 3081 02:54:30,120 --> 02:54:31,460 OH, PLEASE. 3082 02:54:31,460 --> 02:54:33,660 IT'S ALL RIGHT, SWEETIE. IT'S ALL RIGHT. 3083 02:54:33,660 --> 02:54:34,990 ONCE WE'RE THROUGH THIS, 3084 02:54:34,990 --> 02:54:37,020 YOU'LL BE AT THE BEGINNING OF EVERYTHING GOOD. 3085 02:54:37,020 --> 02:54:38,720 BUT WE'VE GOT TO GET THROUGH THIS. 3086 02:54:38,720 --> 02:54:41,720 IT'S ALL RIGHT, SWEETIE. IT'S ALL RIGHT. 3087 02:54:41,720 --> 02:54:44,120 OH, OH. OH, DEAR LORD. 3088 02:54:44,120 --> 02:54:46,060 OH, DEAR LORD. OH, DEAR LORD. 3089 02:54:46,060 --> 02:54:48,160 WHEN I GROW UP, I WILL HAVE LOTS AND LOTS OF CHILDREN 3090 02:54:48,160 --> 02:54:49,320 AND I WILL BE GOOD TO THEM. 3091 02:54:49,320 --> 02:54:51,160 GO AWAY. GO AWAY. 3092 02:54:51,160 --> 02:54:53,090 OH, AND I WILL LET THEM DO WHAT THEY WANT TO DO. 3093 02:54:53,090 --> 02:54:55,290 AND THEY CAN BRING THE NEIGHBORHOOD CHILDREN OVER TO PLAY. 3094 02:54:55,290 --> 02:54:56,590 AND THEY CAN PLAY ALL OVER THE HOUSE 3095 02:54:56,590 --> 02:54:57,820 IF THEY WANT TO. I DON'T CARE. 3096 02:54:57,820 --> 02:54:59,520 THEY CAN PLAY IN THE SUNROOM. 3097 02:54:59,520 --> 02:55:01,260 OH, PLEASE, DON'T DO THIS! 3098 02:55:01,260 --> 02:55:04,220 AND THEY CAN RUN IN THE HOUSE IF THEY WANT TO. I DON'T CARE. 3099 02:55:04,220 --> 02:55:06,590 AND MY CHILDREN CAN MAKE ANY COLOR CHICKENS THEY WANT TO. 3100 02:55:06,590 --> 02:55:09,060 AND I WON'T PUT THEIR HEADS IN THE OVEN AND TURN ON THE GAS. 3101 02:55:09,060 --> 02:55:10,860 AND I WON'T BURN THEIR HANDS WITH THE HOT IRON. 3102 02:55:10,860 --> 02:55:13,090 AND I WON'T THROW THE SHOE AND HIT THEM IN THE THROAT. 3103 02:55:13,090 --> 02:55:14,920 I WON'T HURT THEM WITH THE BUTTONHOOK 3104 02:55:14,920 --> 02:55:16,690 AND THE KNIVES AND THE RUBBER TUBES. 3105 02:55:16,690 --> 02:55:18,290 AND I WON'T PUT A FLASHLIGHT INSIDE OF THEM 3106 02:55:18,290 --> 02:55:19,820 AND SAY, "YOU BETTER GET USED TO IT 3107 02:55:19,820 --> 02:55:21,890 "BECAUSE THAT'S WHAT MEN WILL DO WHEN YOU GET OLDER. 3108 02:55:21,890 --> 02:55:24,290 "THEY'LL PUT THINGS INSIDE OF YOU, AND THEY WILL HURT YOU." 3109 02:55:24,290 --> 02:55:27,060 I DON'T WANNA GROW UP, AND I DON'T WANNA BE LIKE THAT. 3110 02:55:27,060 --> 02:55:30,060 NO, NO, NO. NO, NO. NO, PLEASE. 3111 02:55:30,060 --> 02:55:31,290 PLEASE PUT ME DOWN. 3112 02:55:31,290 --> 02:55:33,090 PLEASE PUT ME DOWN. DON'T TAKE ME IN THERE. 3113 02:55:33,090 --> 02:55:34,690 DON'T TAKE ME IN THERE. PLEASE. PLEASE. 3114 02:55:34,690 --> 02:55:36,890 WHERE IS SHE TAKING YOU, SWEETIE? WHERE IS SHE TAKING YOU? 3115 02:55:36,890 --> 02:55:38,660 OH, IT HURTS ME. 3116 02:55:38,660 --> 02:55:42,960 AND THE MUSIC, AND BRAHMS AND BEETHOVEN AND BACH AND--AND DVORAK. 3117 02:55:42,960 --> 02:55:45,560 DVORAK AND THE NEW WORLD SYMPHONY, AND YOU CAN'T GET AWAY. 3118 02:55:45,560 --> 02:55:48,360 AND THEY'RE COMING CLOSER, AND THEY'RE MARCHING. 3119 02:55:53,720 --> 02:55:55,920 DON'T YOU LET GO, YOUNG LADY. 3120 02:55:55,920 --> 02:55:57,460 YOU HOLD YOUR WATER. 3121 02:55:57,460 --> 02:56:00,090 HOLD YOUR WATER TILL THE VERY LAST NOTE. 3122 02:56:18,760 --> 02:56:20,560 [ducks quacking] 3123 02:56:21,290 --> 02:56:23,060 [birds chirping] 3124 02:56:32,560 --> 02:56:33,990 I AM SYBIL. 3125 02:56:37,490 --> 02:56:39,190 AND I REMEMBER. 3126 02:56:41,090 --> 02:56:43,560 AND I HATE HER. 3127 02:56:43,560 --> 02:56:45,520 I HATE HER. 3128 02:56:45,520 --> 02:56:47,890 I WANT TO HURT HER. 3129 02:56:47,890 --> 02:56:51,220 I WANT TO STOMP ON HER AND TEAR HER APART 3130 02:56:51,220 --> 02:56:54,120 AND CUT HER ARMS OFF AND PUT THINGS INSIDE HER 3131 02:56:54,120 --> 02:56:55,720 AND KILL HER. 3132 02:56:55,720 --> 02:56:57,660 HOW COULD SHE DO THAT TO ME? 3133 02:56:59,420 --> 02:57:01,520 OH, GOD. 3134 02:57:01,520 --> 02:57:03,320 I HATED HER SO MUCH. 3135 02:57:03,320 --> 02:57:05,720 I WANTED HER DEAD. 3136 02:57:05,720 --> 02:57:07,190 I STILL DO. 3137 02:57:07,190 --> 02:57:09,760 I DO. I WANT HER DEAD. 3138 02:57:11,620 --> 02:57:14,290 OH, DR. WILBUR, HELP ME. 3139 02:57:15,120 --> 02:57:17,420 HELP ME. THIS SCARES ME. 3140 02:57:21,690 --> 02:57:24,520 (Dr. Wilbur) SHE HAD REACHED THE CENTER OF THE MAZE 3141 02:57:24,520 --> 02:57:26,460 AND COME OUT WHOLE. 3142 02:57:26,460 --> 02:57:29,490 ANGER COULD BE HER FRIEND NOW. 3143 02:57:29,490 --> 02:57:32,060 GREEN AND PURPLE WERE ONLY COLORS. 3144 02:57:32,060 --> 02:57:34,520 SHE DIDN'T NEED TO FEAR THEM ANYMORE. 3145 02:57:41,790 --> 02:57:43,960 YOU CAN REMEMBER WITHOUT PAIN NOW. 3146 02:57:44,590 --> 02:57:45,860 WITHOUT PAIN? 3147 02:57:48,790 --> 02:57:51,690 NONE OF YOU WILL EVER HAVE TO FEEL THE PAIN AGAIN. 3148 02:57:52,460 --> 02:57:53,860 [sighing] 3149 02:57:53,860 --> 02:57:56,190 I THINK IT'S TIME YOU MEET THE OTHERS. 3150 02:57:58,520 --> 02:57:59,860 (Dr. Wilbur) 1. 3151 02:58:00,690 --> 02:58:01,820 2. 3152 02:58:03,420 --> 02:58:04,690 3. 3153 02:58:05,760 --> 02:58:07,190 FALLING ASLEEP. 3154 02:58:08,160 --> 02:58:09,390 4. 3155 02:58:10,190 --> 02:58:12,690 DEEPLY, DEEPLY ASLEEP. 3156 02:58:13,990 --> 02:58:15,290 5. 3157 02:58:17,290 --> 02:58:20,590 NOW, I'D LIKE TO SPEAK TO ALL OF YOU, AND SYBIL CAN LISTEN. 3158 02:58:21,790 --> 02:58:24,220 HOW DO YOU ALL FEEL ABOUT MEETING SYBIL? 3159 02:58:25,920 --> 02:58:27,060 HMM? 3160 02:58:28,860 --> 02:58:30,560 WELL, IS ANYBODY THERE? 3161 02:58:31,760 --> 02:58:32,920 VICKY? 3162 02:58:33,820 --> 02:58:35,160 (as Vicky) YES. 3163 02:58:35,820 --> 02:58:36,920 PEGGY? 3164 02:58:39,190 --> 02:58:41,890 (as Peggy) I'M HERE, BUT I DON'T WANNA BE. 3165 02:58:43,290 --> 02:58:45,090 HOW ABOUT THE REST OF YOU? 3166 02:58:46,860 --> 02:58:48,460 (as Mike) DR. WILBUR, 3167 02:58:49,420 --> 02:58:51,390 WE WANNA KNOW, IF WE MEET SYBIL 3168 02:58:51,390 --> 02:58:53,490 WILL WE STILL BE ABLE TO GIVE 3169 02:58:53,490 --> 02:58:56,290 A BABY TO A GIRL LIKE DADDY DID? 3170 02:58:56,290 --> 02:58:57,420 WHO IS THAT? 3171 02:58:57,420 --> 02:58:58,960 I'M MIKE, AND SID'S HERE, TOO. 3172 02:58:58,960 --> 02:59:01,690 AND WE WANNA KNOW IF WE'LL BE ABLE TO DO THAT LIKE DAD. 3173 02:59:01,690 --> 02:59:04,560 WELL, YOU BOYS HAVE A PROBLEM BECAUSE YOU LIVE IN A WOMAN'S BODY. 3174 02:59:04,560 --> 02:59:06,120 YOU'RE NOT BUILT LIKE THAT. 3175 02:59:06,120 --> 02:59:07,660 WE WILL BE WHEN WE'RE BIG. 3176 02:59:07,660 --> 02:59:09,060 WELL, HOW ARE YOU GONNA MANAGE THAT? 3177 02:59:09,060 --> 02:59:10,390 WE'LL PUSH IT OUT. 3178 02:59:10,390 --> 02:59:12,220 WELL, I THINK THAT'S EASIER SAID THAN DONE. 3179 02:59:12,220 --> 02:59:13,520 WELL, YOU CAN HELP. 3180 02:59:13,520 --> 02:59:15,790 MIKE, CAN WE SET THIS PROBLEM ASIDE, 3181 02:59:15,790 --> 02:59:18,120 SWEETIE, UNTIL YOU ALL MEET SYBIL? 3182 02:59:18,120 --> 02:59:21,420 'CAUSE WHAT SHE NEEDS RIGHT NOW IS TO KNOW ALL OF YOU 3183 02:59:21,420 --> 02:59:24,120 AND TO UNDERSTAND HOW MUCH YOU'VE ALL BEEN HELPING HER 3184 02:59:24,120 --> 02:59:25,690 AND HOW MUCH MORE YOU CAN HELP HER 3185 02:59:25,690 --> 02:59:28,290 WHEN YOU ALL JOIN HANDS TOGETHER. 3186 02:59:28,290 --> 02:59:30,860 (as Mike) ALL FOR ONE AND ONE FOR ALL? 3187 02:59:30,860 --> 02:59:32,790 (Dr. Wilbur) MMM-HMM. 3188 02:59:32,790 --> 02:59:34,720 WILL YOU STILL LIKE US THEN? 3189 02:59:35,690 --> 02:59:38,020 I'LL LOVE YOU. 3190 02:59:38,020 --> 02:59:40,120 WOULD YOU PUT YOUR ARM AROUND US? 3191 02:59:42,860 --> 02:59:44,720 (Dr. Wilbur) SYBIL, ARE YOU READY? 3192 02:59:44,720 --> 02:59:46,520 (Sybil) YOU'RE THE DOCTOR. 3193 02:59:51,290 --> 02:59:54,120 (Dr. Wilbur) WHO WOULD YOU LIKE TO MEET FIRST? 3194 02:59:54,120 --> 02:59:58,260 WELL, I'VE ALWAYS WANTED TO MEET VICKY. 3195 02:59:58,260 --> 03:00:00,020 (Dr. Wilbur) ALL RIGHT. 3196 03:00:00,020 --> 03:00:03,620 VICKY. VICKY COME ON OUT, SWEETIE. 3197 03:00:07,660 --> 03:00:09,860 **[voice humming] 3198 03:00:27,020 --> 03:00:28,260 BONJOUR. 3199 03:00:28,260 --> 03:00:29,590 (Dr. Wilbur) VICKY, HERE'S SYBIL. 3200 03:00:29,590 --> 03:00:31,920 (Sybil) LOOK, SHE HAS HER ARMS OUT TO ME. 3201 03:00:31,920 --> 03:00:34,090 SHE'S SMILING. 3202 03:00:34,090 --> 03:00:36,590 LOOK HOW PRETTY HER HAIR IS. 3203 03:00:36,590 --> 03:00:38,290 DOES SHE WANNA BE FRIENDS? 3204 03:00:38,290 --> 03:00:41,060 VICKY, DO YOU WANNA BE FRIENDS WITH SYBIL? 3205 03:00:41,060 --> 03:00:42,490 (as Vicky) UH-HUH. 3206 03:00:52,890 --> 03:00:55,990 YOU THINK YOU'D LIKE TO HAVE VICKY WITH YOU ALWAYS? 3207 03:00:56,660 --> 03:00:58,690 YES. 3208 03:00:58,690 --> 03:01:01,290 I'VE ALWAYS NEEDED SOMEONE LIKE VICKY. 3209 03:01:02,390 --> 03:01:04,420 YOU WENT ON AHEAD FOR ME. 3210 03:01:04,420 --> 03:01:06,790 WHENEVER I DIDN'T HAVE THE STRENGTH TO DO SOMETHING, 3211 03:01:06,790 --> 03:01:08,760 YOU'D GO ON AND DO IT FOR ME. 3212 03:01:13,390 --> 03:01:15,190 I LIKE HER, DR. WILBUR. 3213 03:01:15,190 --> 03:01:18,090 YES, SHE'S A PART OF YOU THAT'S VERY STEADY 3214 03:01:18,920 --> 03:01:21,060 AND VERY LIKEABLE. 3215 03:01:21,060 --> 03:01:23,290 WILL SHE BE WITH ME ALWAYS? MMM-HMM. 3216 03:01:24,520 --> 03:01:27,420 VICKY WILL BE WITH YOU ALWAYS. 3217 03:01:27,420 --> 03:01:29,360 YOU AND SHE HAVE JOINED HANDS. 3218 03:01:31,590 --> 03:01:33,760 LET'S DON'T SAY ANYTHING TO SPOIL IT. 3219 03:01:33,760 --> 03:01:35,790 IT'S SO NICE LIKE THIS. 3220 03:01:35,790 --> 03:01:37,520 IT'S SO NICE TO HAVE A FRIEND. 3221 03:01:37,520 --> 03:01:39,190 AND SHE CAME RIGHT TO ME. 3222 03:01:39,190 --> 03:01:41,090 THE OTHERS WILL COME TO YOU. 3223 03:01:43,290 --> 03:01:45,120 (Dr. Wilbur) NOW THE OTHERS ARE RIGHT HERE, 3224 03:01:45,120 --> 03:01:47,120 AND THEY WILL COME TO YOU ALSO. 3225 03:01:48,520 --> 03:01:50,360 HERE'S MARCIA, DEAR. 3226 03:01:56,190 --> 03:01:59,490 COME, GIRLS. CLARA, HELEN, MARGIE. 3227 03:02:06,960 --> 03:02:10,620 AND THIS IS VANESSA, WHO KEPT YOUR MUSIC FOR YOU. 3228 03:02:15,960 --> 03:02:18,520 SID, MIKE, HOP OUT, BOYS. 3229 03:02:21,760 --> 03:02:23,520 NANCY. 3230 03:02:23,520 --> 03:02:26,920 NANCY KEPT WAITING FOR THE END OF THE WORLD 3231 03:02:26,920 --> 03:02:29,390 AND SHE'S THE ONE WHO DREADED ARMAGEDDON. 3232 03:02:32,720 --> 03:02:34,060 AND MARY, 3233 03:02:36,520 --> 03:02:38,190 THE MEMORY OF GRANDMA. 3234 03:02:40,320 --> 03:02:42,090 SYBIL ANN. 3235 03:02:42,090 --> 03:02:44,590 SYBIL ANN, DON'T BE SHY, SWEETIE. 3236 03:02:46,690 --> 03:02:48,020 HERE'S SYBIL. 3237 03:02:48,860 --> 03:02:51,220 COME ON, PEGGY. 3238 03:02:51,220 --> 03:02:53,720 I'M AFRAID TO MEET PEGGY RIGHT NOW. 3239 03:02:53,720 --> 03:02:56,190 (Dr. Wilbur) SHE'S AFRAID OF SCARING YOU. 3240 03:02:57,760 --> 03:03:00,090 SHE DIDN'T MEAN TO BREAK THE WINDOWS. 3241 03:03:00,090 --> 03:03:02,620 SHE GOT IT CONFUSED WITH SOMETHING ELSE, 3242 03:03:02,620 --> 03:03:04,690 WITH GETTING OUT OF THE KITCHEN. 3243 03:03:04,690 --> 03:03:06,890 HOW DO YOU KNOW THAT? 3244 03:03:06,890 --> 03:03:09,490 SHE'S SPEAKING TO YOU, ISN'T SHE? 3245 03:03:09,490 --> 03:03:12,020 WHERE IS SHE? IS SHE THERE? 3246 03:03:12,020 --> 03:03:13,320 (Dr. Wilbur) OF COURSE. 3247 03:03:13,320 --> 03:03:14,590 PEGGY. 3248 03:03:14,590 --> 03:03:16,520 PEGGY. 3249 03:03:16,520 --> 03:03:20,220 OH, COME NOW, PEGGY. DON'T BE SILLY. 3250 03:03:20,220 --> 03:03:22,420 I DON'T THINK I'M READY YET. 3251 03:03:24,020 --> 03:03:25,460 DR. WILBUR? 3252 03:03:25,460 --> 03:03:28,220 IT'S ALL RIGHT, SWEETIE. I'M STILL HERE. 3253 03:03:35,820 --> 03:03:37,690 IS THAT ALL SHE IS? 3254 03:03:39,490 --> 03:03:42,090 JUST THAT LITTLE THING? 3255 03:03:42,090 --> 03:03:45,220 I'M NOT A LITTLE THING. I'M A PERSON. 3256 03:03:47,320 --> 03:03:49,490 (Sybil) I'M SORRY. 3257 03:03:49,490 --> 03:03:53,520 YOU DON'T BE AFRAID OF ME, AND I WONT' BE AFRAID OF YOU. 3258 03:04:00,160 --> 03:04:02,320 WHAT HAVE YOU GOT BEHIND YOUR BACK, PEGGY? 3259 03:04:02,320 --> 03:04:03,960 HAVEN'T YOU GOT ANY HANDS? 3260 03:04:03,960 --> 03:04:05,420 I GOT FISTS. 3261 03:04:06,590 --> 03:04:09,220 OH, MY. 3262 03:04:10,820 --> 03:04:12,720 LOOK AT THOSE KNUCKLES. 3263 03:04:13,760 --> 03:04:15,490 THEY'RE SO WHITE. 3264 03:04:37,660 --> 03:04:40,360 [crying] 3265 03:04:44,660 --> 03:04:46,690 IT'S ALL RIGHT, SWEETIE. 3266 03:04:47,890 --> 03:04:49,490 IT'S ALL RIGHT, SWEETIE. 3267 03:04:49,490 --> 03:04:50,590 [sobbing] 3268 03:04:51,890 --> 03:04:53,560 (Sybil) IT'S ALL RIGHT. 3269 03:04:55,620 --> 03:04:57,260 IT'S ALL RIGHT. 3270 03:04:58,790 --> 03:05:01,790 (Dr. Wilbur) IN ACCEPTING PEGGY INTO HER ARMS, 3271 03:05:01,790 --> 03:05:05,620 SYBIL BEGAN THE DEEPEST HEALING OF HER SELVES. 3272 03:05:05,620 --> 03:05:09,820 IN EMBRACING PEGGY, SHE EMBRACED HERSELF. 3273 03:05:09,820 --> 03:05:12,960 IN CALMING HER, SHE WAS CALMING HER OWN HEART. 3274 03:05:14,390 --> 03:05:17,360 AS I WATCHED HER BECOMING MOTHER TO HERSELF 3275 03:05:17,360 --> 03:05:21,060 I FELT MY OWN LONG MOTHERHOOD ENDING. 3276 03:05:21,060 --> 03:05:23,960 I RELEASED WHAT I HAD HELD SO LONG. 3277 03:05:23,960 --> 03:05:27,320 I CELEBRATED THE BEGINNING OF HER EMANCIPATION. 3278 03:05:28,190 --> 03:05:29,520 I LET GO. 3279 03:05:31,190 --> 03:05:34,390 OUR WORK TOGETHER LASTED 11 YEARS. 3280 03:05:34,390 --> 03:05:37,420 TODAY SYBIL LIVES PEACEFULLY IN A SMALL COLLEGE TOWN 3281 03:05:37,420 --> 03:05:39,320 WHERE SHE'S A PROFESSOR OF ART. 3282 03:05:39,320 --> 03:05:40,990 THERE'S NOT ENOUGH TIME IN THE DAY 3283 03:05:40,990 --> 03:05:42,590 FOR HER TO DO EVERYTHING SHE WANTS 3284 03:05:42,590 --> 03:05:46,160 BUT THAT TIME, IN EVERY SENSE, IS HER OWN. 3285 03:05:47,090 --> 03:05:49,160 SHE TELLS ME SHE'S HAPPY. 3286 03:05:49,960 --> 03:05:51,690 I KNOW SHE'S FREE. 3287 03:05:57,260 --> 03:05:59,820 * COLORS OF DREAMS * 3288 03:05:59,820 --> 03:06:02,820 * RIBBONS OF RHYME * 3289 03:06:02,820 --> 03:06:06,420 * COME OUT, COME OUT * 3290 03:06:06,420 --> 03:06:10,220 * WHEREVER YOU ARE * 3291 03:06:10,220 --> 03:06:13,520 * WILLOWS AND WINDS * 3292 03:06:13,520 --> 03:06:15,890 * THAT WHISPER WORDS * 3293 03:06:15,890 --> 03:06:20,120 * OF A SPRING SO NEAR * 3294 03:06:20,120 --> 03:06:23,390 * A SUMMER SO FAR * 3295 03:06:24,290 --> 03:06:27,790 * MIRROR, MIRROR * 3296 03:06:27,790 --> 03:06:31,590 * IN MY MIND * 3297 03:06:31,590 --> 03:06:35,520 * THERE'S SO MUCH TO SEE * 3298 03:06:38,020 --> 03:06:40,960 * WALKING THROUGH * 3299 03:06:40,960 --> 03:06:44,960 * YOUR SILVER ROOMS * 3300 03:06:46,120 --> 03:06:49,660 * I REMEMBER * 3301 03:06:50,290 --> 03:06:52,590 * ME **