1 00:00:24,492 --> 00:00:27,528 WHOA! 2 00:00:38,005 --> 00:00:39,973 TAKE IT ON DOWN TO THE HOUSE! 3 00:00:40,040 --> 00:00:42,510 COME ON. GIT! 4 00:02:07,661 --> 00:02:09,963 * SWING LOW 5 00:02:10,030 --> 00:02:13,501 * SWEET CHARIOT 6 00:02:13,567 --> 00:02:20,140 * COMING FOR TO CARRY ME HOME 7 00:02:20,208 --> 00:02:23,844 * SWING LOW 8 00:02:23,911 --> 00:02:28,115 * SWEET CHARIOT 9 00:02:28,182 --> 00:02:33,621 * COMING FOR TO CARRY ME HOME 10 00:02:39,427 --> 00:02:41,195 HEY, SOMEBODY'S COMING. 11 00:02:42,630 --> 00:02:44,031 COMPANY? 12 00:02:44,097 --> 00:02:47,335 AT A TIME LIKE THIS? 13 00:03:13,827 --> 00:03:15,563 IT'S UNCLE RED. 14 00:03:15,629 --> 00:03:17,498 BUBBA! 15 00:03:17,565 --> 00:03:18,899 BUBBA! 16 00:03:18,966 --> 00:03:20,634 IS HE DEAD? 17 00:03:22,670 --> 00:03:24,305 YEAH. 18 00:03:25,373 --> 00:03:26,340 DEAD DRUNK. 19 00:03:26,407 --> 00:03:29,643 OH, BUBBA, WHAT IN THE WORLD! 20 00:03:29,710 --> 00:03:33,914 LET'S GET HIM ON UP INTO THE HOUSE. 21 00:03:38,419 --> 00:03:42,323 WHIT, YOU BRING IN HIS GRIP. 22 00:04:43,884 --> 00:04:45,886 WHERE'S HIS GRIP? 23 00:04:45,953 --> 00:04:48,389 HE JUST HAS THIS GUITAR. 24 00:04:48,456 --> 00:04:50,558 THESE ARE ALL HIS CLOTHES? 25 00:04:50,624 --> 00:04:53,461 WHERE'S HE HEADED WITHOUT CLOTHES, 26 00:04:53,527 --> 00:04:55,095 WITHOUT EVEN A TOOTHBRUSH? 27 00:04:55,162 --> 00:04:56,730 NASHVILLE. 28 00:04:56,797 --> 00:04:58,098 NASHVILLE? 29 00:04:58,165 --> 00:05:01,535 A LETTER FELL OUT OF HIS COAT. 30 00:05:01,602 --> 00:05:04,372 I COULDN'T HELP BUT READ A COUPLE LINES. 31 00:05:04,438 --> 00:05:06,540 IT'S SOMEBODY ASKING HIM 32 00:05:06,607 --> 00:05:09,977 TO COME TRY OUT FOR THE GRAND OLE OPRY. 33 00:05:10,043 --> 00:05:11,412 GRAND OLE OPRY? 34 00:05:11,479 --> 00:05:15,416 BUT WHY DIDN'T YOU SAY SO SOONER? 35 00:05:15,483 --> 00:05:18,419 I FIGURED I REALLY SHOULDN'T BE READING IT. 36 00:05:18,486 --> 00:05:20,320 AS LONG AS YOU DID, 37 00:05:20,388 --> 00:05:22,490 YOU MIGHT HAVE LET US READ IT, TOO. 38 00:05:24,425 --> 00:05:28,028 MY GOD ALMIGHTY, THE GRAND OLE OPRY! 39 00:05:28,095 --> 00:05:34,301 IF MAMA WAS ONLY ALIVE TO SEE WHAT'S BECOME OF HER SON! 40 00:05:34,368 --> 00:05:38,406 ON SECOND THOUGHT, MAYBE IT'S JUST AS WELL. 41 00:05:45,446 --> 00:05:47,881 RUINED. 42 00:05:47,948 --> 00:05:50,584 ALL RUINED. 43 00:05:50,651 --> 00:05:53,387 WELL, YOU'VE BEEN WANTING TO GO TO CALIFORNIA. 44 00:05:53,454 --> 00:05:56,890 I SHOULD HAVE GONE BEFORE NOW, 45 00:05:56,957 --> 00:05:58,392 LIKE I WANTED TO. 46 00:05:58,459 --> 00:06:02,530 NOW WE DON'T HAVE ANYTHING. 47 00:06:02,596 --> 00:06:03,764 EVERY PENNY WE HAD 48 00:06:03,831 --> 00:06:06,534 WAS TIED UP IN THIS CROP. 49 00:06:08,669 --> 00:06:09,403 WHIT. 50 00:06:09,470 --> 00:06:12,673 HOWARD, MARJORIE. 51 00:06:12,740 --> 00:06:14,007 COME ON. 52 00:06:14,074 --> 00:06:16,109 WE GOT LOTS OF WORK TO DO. 53 00:06:16,176 --> 00:06:18,912 CAN I CLEAN THE CAR? 54 00:06:18,979 --> 00:06:20,514 ALL RIGHT. 55 00:06:47,441 --> 00:06:51,144 HOW THE HELL ARE YOU, HOSS? 56 00:06:51,211 --> 00:06:53,246 SPORT, PUT HER THERE. 57 00:06:53,313 --> 00:06:56,249 YOU'RE SHOOTING UP LIKE A WEED. 58 00:06:56,316 --> 00:06:58,552 THANKS FOR FIXING THAT CAR. 59 00:06:58,619 --> 00:07:00,387 ANY SERIOUS DAMAGE? 60 00:07:00,454 --> 00:07:03,290 THE OIL PAN'S LEAKING A LITTLE. 61 00:07:03,356 --> 00:07:05,225 CAN I MAKE IT TO NASHVILLE? 62 00:07:05,292 --> 00:07:07,895 YEAH. 63 00:07:07,961 --> 00:07:11,098 YOU'RE SINGING AT THE GRAND OLE OPRY? 64 00:07:11,164 --> 00:07:13,033 IT'S JUST AN AUDITION. 65 00:07:13,100 --> 00:07:15,402 THAT'S IF THAT CAR GETS ME THERE. 66 00:07:15,469 --> 00:07:18,438 IT SEEMS TO HAVE A MIND OF ITS OWN. 67 00:07:18,972 --> 00:07:21,074 SHIT. 68 00:07:21,141 --> 00:07:22,876 I WISH YOUR DADDY 69 00:07:22,943 --> 00:07:25,378 WOULD BUY SOME READY-MADE CIGARETTES. 70 00:07:29,149 --> 00:07:32,085 GET ME MY GUITAR, WHIT. 71 00:07:32,152 --> 00:07:33,687 HERE. 72 00:07:42,362 --> 00:07:45,198 I NEED A LITTLE DUST-CUTTER. 73 00:07:46,166 --> 00:07:47,234 AHH! 74 00:07:47,300 --> 00:07:49,036 WHEW! 75 00:07:50,638 --> 00:07:53,140 REAL PANTHER PISS. 76 00:07:55,108 --> 00:07:56,276 HERE. WANT SOME? 77 00:07:56,343 --> 00:07:57,678 NO. 78 00:08:00,413 --> 00:08:03,517 IF MA KNEW I DRANK SOME WHISKEY, 79 00:08:03,584 --> 00:08:05,719 SHE'D HAVE A HISSY. 80 00:08:05,786 --> 00:08:08,889 WHAT SHE DON'T KNOW WON'T HURT HER. 81 00:08:08,956 --> 00:08:11,324 IF YOU FEEL LIKE GETTING UP, 82 00:08:11,391 --> 00:08:14,361 COME AND HAVE SOME EGGS AND BISCUITS. 83 00:08:14,427 --> 00:08:17,565 COME ON, NOW. LET HIM GET DRESSED. 84 00:08:19,166 --> 00:08:20,868 HEY, HOSS. 85 00:08:20,934 --> 00:08:22,435 THANKS AGAIN. 86 00:08:22,502 --> 00:08:24,805 MUM'S THE WORD ON THIS. 87 00:08:24,872 --> 00:08:26,674 OF COURSE. 88 00:08:26,740 --> 00:08:28,676 HERE'S TO US DUCKS 89 00:08:28,742 --> 00:08:31,645 BECAUSE WE DON'T GIVE A QUACK. 90 00:08:47,294 --> 00:08:48,662 BUBBA, 91 00:08:48,729 --> 00:08:50,664 DON'T DRIVE SO BLAMED FAST. 92 00:08:50,731 --> 00:08:52,866 WE'VE GOT PLENTY OF TIME. 93 00:08:52,933 --> 00:08:54,534 OH, GOD... 94 00:08:56,103 --> 00:08:57,137 BUBBA... 95 00:08:57,204 --> 00:08:58,138 LADY. 96 00:08:58,205 --> 00:09:00,040 BE CAREFUL. 97 00:09:00,107 --> 00:09:01,341 OH, GOD ALMIGHTY. 98 00:09:01,408 --> 00:09:02,843 DAMN YOU, BUBBA. 99 00:09:02,910 --> 00:09:05,846 CAN'T YOU DRIVE NO BETTER? 100 00:09:05,913 --> 00:09:09,249 I AIN'T AT MY BEST WITH A FIRE UNDER MY ASS. 101 00:09:09,316 --> 00:09:11,118 YOU'VE BEEN DRINKING. 102 00:09:11,184 --> 00:09:12,886 LET SOMEBODY ELSE DRIVE. 103 00:09:12,953 --> 00:09:15,155 COULD YOU DRIVE BETTER, SIS? 104 00:09:15,222 --> 00:09:15,989 I'M SURE ANY OF US COULD. 105 00:09:16,056 --> 00:09:18,692 EVEN WHIT COULD DRIVE BETTER. 106 00:09:19,593 --> 00:09:21,294 THAT TRUE, HOSS? 107 00:09:21,361 --> 00:09:22,395 PROBABLY. 108 00:09:22,462 --> 00:09:24,197 WELL, YOU WANT TO TRY? 109 00:09:24,264 --> 00:09:27,400 SURE. PAPA SOMETIMES LETS ME DRIVE THE TRUCK. 110 00:09:27,467 --> 00:09:29,302 ALL RIGHT. SLIDE ON OVER. 111 00:09:30,771 --> 00:09:34,374 BUBBA, WHY DON'T YOU LET VIRGIL DRIVE? 112 00:09:34,441 --> 00:09:37,377 HOSS CLAIMS HE CAN DRIVE GOOD AS ME. 113 00:09:37,444 --> 00:09:39,479 I BELIEVE HE CAN. 114 00:09:39,546 --> 00:09:42,049 COME ON, JUST SLIDE ON IN THERE. 115 00:09:42,115 --> 00:09:44,885 WE'LL JUST EASE RIGHT ON OUT. 116 00:09:48,488 --> 00:09:50,423 NOW THIS-A-WAY. 117 00:09:50,490 --> 00:09:53,093 LET THE CLUTCH OUT EASY. 118 00:09:53,160 --> 00:09:54,227 EASY ON THE CLUTCH. 119 00:09:54,294 --> 00:09:56,429 I KNOW. 120 00:09:56,496 --> 00:09:58,431 WHAT DO YOU SAY, FOLKS? 121 00:09:58,498 --> 00:10:01,034 AIN'T HOSS DOING A HELLUVA JOB? 122 00:10:02,069 --> 00:10:04,872 WHO COULDN'T? 123 00:10:07,007 --> 00:10:08,241 BOY, 124 00:10:08,308 --> 00:10:13,446 I PUT EVERY PENNY WE HAD INTO THAT CROP. 125 00:10:13,513 --> 00:10:15,783 BORROWED ALL I COULD, 126 00:10:15,849 --> 00:10:18,318 CAN'T THINK OF ANYPLACE TO STEAL IT, 127 00:10:18,385 --> 00:10:21,689 AND I WON'T BEG. 128 00:10:21,755 --> 00:10:23,390 THERE'S A FELLOW IN MEEKER 129 00:10:23,456 --> 00:10:26,960 WHO BUYS MACHINERY AND STOCK. 130 00:10:27,027 --> 00:10:31,398 HE'LL GIVE YOU A FEW CENTS ON THE DOLLAR 131 00:10:31,464 --> 00:10:33,300 FOR EVERYTHING YOU GOT. 132 00:10:33,366 --> 00:10:35,102 MAYBE GET $1OO. 133 00:10:35,168 --> 00:10:39,639 THAT AIN'T GONNA GET US OUT TO CALIFORNIA. 134 00:10:39,707 --> 00:10:42,275 I COULD MATCH YOU FOR THE REST. 135 00:10:42,342 --> 00:10:45,212 YOU? HA! YOU AIN'T-- 136 00:10:45,278 --> 00:10:49,549 I THOUGHT YOU SAID YOU DIDN'T HAVE ANY MONEY. 137 00:10:49,616 --> 00:10:51,051 I'VE GOT MONEY 138 00:10:51,118 --> 00:10:53,887 1O MILES UP A BULL'S ASS. 139 00:10:56,690 --> 00:10:58,625 GOT TO FIND THAT BULL. 140 00:10:58,692 --> 00:11:00,794 NO, I'LL SEND IT FROM NASHVILLE. 141 00:11:00,861 --> 00:11:03,496 HOW WILL YOU GET TO NASHVILLE? 142 00:11:03,563 --> 00:11:04,898 TENNESSEE. 143 00:11:04,965 --> 00:11:08,702 I WAS BORN IN TENNESSEE. 144 00:11:08,769 --> 00:11:11,705 CAINSVILLE, NORTH OF MURFREESBORO. 145 00:11:11,772 --> 00:11:14,775 CAME TO OKLAHOMA WHEN I WAS 18. 146 00:11:14,842 --> 00:11:16,343 RIDING A MULE, 147 00:11:16,409 --> 00:11:18,946 MADE THE RUNNING AT CHEROKEE STRIP. 148 00:11:19,012 --> 00:11:20,881 HOW ABOUT SOME MORE COFFEE? 149 00:11:20,948 --> 00:11:23,884 THAT WAS IN SEPTEMBER 1893. 150 00:11:23,951 --> 00:11:26,619 SEPTEMBER 16th, TO BE EXACT. 151 00:11:26,686 --> 00:11:30,290 THAT WAS MAYBE 2O-- 152 00:11:30,357 --> 00:11:32,092 WHIT, GET IN TO BED! 153 00:11:32,159 --> 00:11:34,427 I WANTED TO HEAR GRANDPA. 154 00:11:34,494 --> 00:11:37,865 PEOPLE IN HELL WANT ICE WATER. 155 00:11:37,931 --> 00:11:40,667 PLEASE, CAN'T I HEAR ABOUT THE RUN? 156 00:11:40,734 --> 00:11:43,103 BOY, GET IN TO BED. 157 00:11:47,875 --> 00:11:51,144 UNCLE RED, TOMORROW, COULD I PLAY YOUR GUITAR? 158 00:11:51,211 --> 00:11:52,312 NOW! 159 00:11:54,581 --> 00:11:57,885 IT LOOKS LIKE YOU'RE FIXING 160 00:11:57,951 --> 00:12:00,287 TO RAISE A MUSICIAN, SIS. 161 00:12:00,353 --> 00:12:01,421 MAYBE I SHOULD TAKE HIM 162 00:12:01,488 --> 00:12:07,127 TO NASHVILLE WITH ME, 163 00:12:07,194 --> 00:12:10,630 I COULD GIVE YOU MAYBE $3O. 164 00:12:10,697 --> 00:12:12,833 THAT'S NICE, MR. WAGONEER, 165 00:12:12,900 --> 00:12:14,601 BUT YOU NEED THAT 166 00:12:14,667 --> 00:12:15,836 TO GET TO CALIFORNIA. 167 00:12:15,903 --> 00:12:18,638 I AIN'T GOIN'. 168 00:12:18,705 --> 00:12:21,208 TOO OLD FOR THAT. 169 00:12:21,274 --> 00:12:23,576 I'VE BEEN THINKING. 170 00:12:23,643 --> 00:12:25,846 I WANT TO GO HOME. 171 00:12:25,913 --> 00:12:27,781 YOUR HOME IS WITH US. 172 00:12:27,848 --> 00:12:29,883 I MEAN TENNESSEE. 173 00:12:29,950 --> 00:12:31,919 I AIN'T BEEN BACK FOR 45 YEARS. 174 00:12:31,985 --> 00:12:36,723 BEEN BORN THERE. THAT'S WHERE I WANT TO DIE. 175 00:12:36,790 --> 00:12:40,360 I CAN GIVE YOU MAYBE $3O. 176 00:12:40,427 --> 00:12:42,662 CAN YOU DRIVE A CAR? 177 00:12:42,729 --> 00:12:45,698 I NEVER LEARNED HOW. 178 00:12:45,765 --> 00:12:48,768 I'M TOO OLD TO START NOW. 179 00:12:48,836 --> 00:12:53,006 OH, I WAS ALWAYS GOOD WITH MULES, THOUGH. 180 00:12:53,073 --> 00:12:56,910 I RODE ONE CLEAR FROM TENNESSEE, IN FACT, 181 00:12:56,977 --> 00:12:59,546 BACK IN 1893. 182 00:12:59,612 --> 00:13:01,481 THAT WAS-- 183 00:13:01,548 --> 00:13:03,283 HOW ABOUT SOME MORE COFFEE? 184 00:13:06,219 --> 00:13:07,320 PA? 185 00:13:09,322 --> 00:13:10,824 NO, THANKS. 186 00:13:12,125 --> 00:13:15,095 I'D BETTER GO TO BED. 187 00:13:25,638 --> 00:13:29,342 GOD DAMN IT. TUNE THAT THING OR STOP PLAYING! 188 00:13:29,409 --> 00:13:30,878 I DON'T KNOW HOW. 189 00:13:30,944 --> 00:13:32,345 BRING IT HERE. 190 00:13:37,650 --> 00:13:39,586 GIVE ME THAT! 191 00:13:41,654 --> 00:13:45,758 I'M GOING TO SHOW YOU HOW TO TUNE THIS THING ONCE, 192 00:13:45,825 --> 00:13:47,794 SO YOU PAY ATTENTION. 193 00:13:47,861 --> 00:13:52,532 HOLD THIS "E" STRING DOWN AT THE FIFTH FRET. 194 00:13:52,599 --> 00:13:55,102 WHAT ARE YOU STARING AT? 195 00:13:55,168 --> 00:14:01,441 YOU'RE STARING AT ME LIKE I'M SOME SORT OF FREAK. 196 00:14:01,508 --> 00:14:02,542 NO, UH-- 197 00:14:02,609 --> 00:14:05,578 GET OUT OF HERE! BEAT IT! 198 00:14:13,820 --> 00:14:15,855 GET AWAY FROM ME. 199 00:14:23,330 --> 00:14:25,265 WHIT. 200 00:14:25,332 --> 00:14:26,766 LISTEN, HONEY. 201 00:14:26,833 --> 00:14:28,768 IT'S NOT YOUR FAULT. 202 00:14:28,835 --> 00:14:31,771 THE SICKNESS MAKES HIM TALK LIKE THAT. 203 00:14:31,838 --> 00:14:34,207 YOU CAN'T BLAME HIM. 204 00:14:34,274 --> 00:14:37,810 CAN'T BLAME HIM NO MORE 205 00:14:37,877 --> 00:14:40,313 THAN YOU COULD BLAME A CRIPPLE FOR HOBBLING. 206 00:14:40,380 --> 00:14:41,949 YOU UNDERSTAND? 207 00:14:42,015 --> 00:14:43,650 I GUESS SO. 208 00:14:43,716 --> 00:14:45,452 HE'S ONLY HUMAN. 209 00:14:45,518 --> 00:14:49,923 I'M GOING TO FIX HIM SOMETHING TO EAT. 210 00:14:49,990 --> 00:14:52,092 I WANT YOU TO TAKE IT TO HIM. 211 00:14:52,159 --> 00:14:55,128 WHAT IF HE DON'T WANT IT? 212 00:14:55,195 --> 00:14:59,432 YOU TELL HIM I'LL SHOVE IT DOWN HIS THROAT. 213 00:14:59,499 --> 00:15:01,434 SHE SAID THAT, DID SHE? 214 00:15:01,501 --> 00:15:04,938 I GUESS, IN THAT CASE, I BETTER TRY. 215 00:15:09,409 --> 00:15:11,144 LOOK, HOSS... 216 00:15:11,211 --> 00:15:14,647 DON'T YOU GO PAYING ATTENTION TO ME 217 00:15:14,714 --> 00:15:16,549 WHEN I GET LIKE THIS. 218 00:15:16,616 --> 00:15:19,152 IT'S THE DAMN FEVER. 219 00:15:19,219 --> 00:15:23,656 IT MAKES ME SNAPPISH AS A PAIR OF SHEEP SHEARS. 220 00:15:23,723 --> 00:15:26,459 OH, THAT'S OK. 221 00:15:26,526 --> 00:15:28,962 GET THAT GUITAR OUT. 222 00:15:30,430 --> 00:15:31,965 YOU PLAY IT. 223 00:15:32,032 --> 00:15:33,933 I'LL SHOW YOU HOW TO TUNE IT. 224 00:15:34,001 --> 00:15:38,605 HOLD THE "E" STRING DOWN ON THE FIFTH FRET. 225 00:15:38,671 --> 00:15:41,474 THAT'S THE WAY. 226 00:15:41,541 --> 00:15:44,711 PLAY THE "E" STRING AND THE "A" STRING OPEN. 227 00:15:53,253 --> 00:15:56,189 THE ONLY REASON WE'RE LETTING YOU GO 228 00:15:56,256 --> 00:15:59,326 IS TO KEEP HIM OUT OF TROUBLE. 229 00:15:59,392 --> 00:16:02,829 DON'T LET HIM DRINK WHILE HE'S DRIVING. 230 00:16:02,895 --> 00:16:05,865 DON'T GO INTO THAT HONKYTONK. 231 00:16:05,932 --> 00:16:07,934 I WANTED TO HEAR UNCLE RED SING. 232 00:16:08,001 --> 00:16:10,703 YOU'LL HAVE TO LISTEN FROM OUTSIDE. 233 00:16:10,770 --> 00:16:13,106 PROMISE ME THAT. 234 00:16:14,507 --> 00:16:17,177 ALL RIGHT, BUT YOU'D THINK I WAS A KID. 235 00:16:17,244 --> 00:16:20,147 UNCLE RED WAS PLAYING HONKYTONKS 236 00:16:20,213 --> 00:16:21,748 WHEN HE WAS MY AGE. 237 00:16:37,497 --> 00:16:39,332 GET THE GUITAR. 238 00:16:54,314 --> 00:16:57,284 I'LL HAVE CHICKENS FOR YOU IN THE MORNING. 239 00:16:57,350 --> 00:16:59,219 GOT YOURSELF A HELPER? 240 00:16:59,286 --> 00:17:01,254 HE'S MY NEPHEW--WHIT. 241 00:17:01,321 --> 00:17:03,290 THIS IS LULU, THE OWNER. 242 00:17:03,356 --> 00:17:05,425 NEPHEW. AIN'T HE SOMETHING! 243 00:17:05,492 --> 00:17:07,227 HE SURE IS CUTE. 244 00:17:07,294 --> 00:17:09,996 HE GETS IT FROM ME. 245 00:17:10,063 --> 00:17:12,031 YOU SHOULD HAVE KEPT SOME FOR YOURSELF. 246 00:17:12,099 --> 00:17:15,568 I LIKE THEM YOUNG, BUT NOT THAT YOUNG. 247 00:17:15,635 --> 00:17:19,038 I'LL GIVE YOU A NICKEL. CALL ME IN A COUPLE YEARS. 248 00:17:19,972 --> 00:17:23,042 WHAT ABOUT THAT, HOSS? 249 00:17:23,110 --> 00:17:24,977 YOU CAN SPEND IT NOW, 250 00:17:25,044 --> 00:17:27,914 BUT CALL ME IN A COUPLE YEARS. 251 00:17:27,980 --> 00:17:29,849 GO AHEAD. TAKE IT. 252 00:17:29,916 --> 00:17:31,518 THANK YOU, MA'AM. 253 00:17:31,584 --> 00:17:32,519 YOU'RE WELCOME. 254 00:17:32,585 --> 00:17:34,454 SING GOOD, RED. 255 00:17:34,521 --> 00:17:37,190 I'LL TRY. 256 00:17:37,257 --> 00:17:40,360 NEHI ORANGE, PLEASE. 257 00:18:10,990 --> 00:18:12,292 * TELEPHONE 258 00:18:12,359 --> 00:18:14,661 * BUT I CAN'T DIAL IT 259 00:18:16,062 --> 00:18:17,430 * HAND'S A-SHAKIN' 260 00:18:17,497 --> 00:18:21,434 * I'LL HAVE TO FILE IT AWAY 261 00:18:23,303 --> 00:18:25,838 * WHAT I WAS WANTIN' TO SAY 262 00:18:31,077 --> 00:18:32,779 * I LOVE YOU 263 00:18:32,845 --> 00:18:35,882 * YOU'D THINK I COULD SAY IT 264 00:18:35,948 --> 00:18:37,584 * THOUGH IT'S TRUE 265 00:18:37,650 --> 00:18:40,820 * CAN'T EVEN PRAY IT AT NIGHT 266 00:18:42,889 --> 00:18:46,459 * JUST NEVER COMES OUT RIGHT 267 00:18:48,127 --> 00:18:53,166 * BUT WHEN I SING ABOUT YOU 268 00:18:53,233 --> 00:18:58,070 * EVERY WORD IS AT MY COMMAND 269 00:18:58,137 --> 00:19:01,608 * MY GUITAR COMES ALIVE IN MY HAND * 270 00:19:03,243 --> 00:19:07,314 * WHEN I SING ABOUT YOU 271 00:19:07,380 --> 00:19:11,851 * WHEN I SING ABOUT YOU 272 00:19:11,918 --> 00:19:16,889 * EVERY NOTE SEEMS TO BE RIGHT ON KEY * 273 00:19:16,956 --> 00:19:22,462 * OH, IT ALL SOUNDS SO RIGHT TO ME * 274 00:19:22,529 --> 00:19:25,665 * WHEN I SING ABOUT YOU 275 00:19:27,300 --> 00:19:31,838 * OH, IT ALL SOUNDS SO RIGHT TO ME * 276 00:19:31,904 --> 00:19:35,675 * WHEN I SING ABOUT YOU 277 00:19:56,996 --> 00:20:00,833 THANK YOU. 278 00:20:00,900 --> 00:20:02,402 I'M RED STOVALL, 279 00:20:02,469 --> 00:20:05,238 AND I'M HERE TO DO A FEW SONGS FOR YOU 280 00:20:05,305 --> 00:20:07,106 AND PASS THE HAT. 281 00:20:07,173 --> 00:20:11,444 YOU GOT ANY REQUESTS, JUST SOUND THEM OUT. 282 00:20:13,313 --> 00:20:15,448 LET'S GO, HOSS. 283 00:20:15,515 --> 00:20:18,451 I'VE GOT A ROOM OUT BACK. 284 00:20:18,518 --> 00:20:21,888 THE BOY COULD SLEEP IN THE CAR. 285 00:20:21,954 --> 00:20:24,457 I'VE GOT SOME MORE BUSINESS TO DO TONIGHT. 286 00:20:24,524 --> 00:20:27,294 I'LL BE BACK TOMORROW NIGHT. 287 00:20:27,360 --> 00:20:29,296 COME ON, HOSS. 288 00:20:29,362 --> 00:20:32,299 YOU KEEP IT WARM FOR ME. 289 00:20:45,945 --> 00:20:47,680 HAVE YOU GOT THE BOARD? 290 00:20:47,747 --> 00:20:49,181 I GOT IT. 291 00:20:49,248 --> 00:20:53,486 GOOD. 292 00:20:53,553 --> 00:20:57,324 YOU'RE SHAKING LIKE A DOG SHITTING PEACH PITS. 293 00:20:57,390 --> 00:20:58,958 IF MAMA KNEW WHAT WE WAS DOING! 294 00:20:59,025 --> 00:21:01,928 SHE WON'T UNLESS YOU TELL HER. 295 00:21:01,994 --> 00:21:05,264 SHE'LL IDENTIFY OUR BODIES AFTER THOSE CHICKENS SQUAWK. 296 00:21:05,332 --> 00:21:07,667 THERE WON'T BE ANY SQUAWKING. 297 00:22:09,796 --> 00:22:11,931 THE SACKS ARE GETTING FULL. 298 00:22:11,998 --> 00:22:13,733 HOW MANY DO WE GOT? 299 00:22:13,800 --> 00:22:16,569 4O OR 5O. LET'S GET OUT OF HERE. 300 00:22:16,636 --> 00:22:19,706 I'LL GET ONE MORE HERE. 301 00:22:31,718 --> 00:22:34,353 LET'S GET OUT OF HERE! 302 00:22:38,491 --> 00:22:41,461 WHAT'S GOING ON OUT THERE? 303 00:22:43,029 --> 00:22:44,464 OH! 304 00:22:45,932 --> 00:22:49,802 STOP! STOP, THIEF, OR I'LL BLOW YOUR ASS OFF! 305 00:22:58,277 --> 00:23:01,313 DAMN, HOSS. WHEW! WE MADE IT. 306 00:23:01,380 --> 00:23:03,215 I THOUGHT THOSE DOGS WOULD MAKE 307 00:23:03,282 --> 00:23:05,685 HAMBURGER OUT OF MY ASS. 308 00:23:05,752 --> 00:23:08,521 HERE. HAVE A DRINK. YOU DESERVE IT. 309 00:23:10,557 --> 00:23:13,860 STRONG, AIN'T IT? 310 00:23:16,395 --> 00:23:17,997 WOO! 311 00:23:47,694 --> 00:23:51,163 MY EYES ARE BIGGER THAN MY STOMACH. 312 00:24:02,509 --> 00:24:04,043 DAMN! 313 00:24:06,212 --> 00:24:08,648 I'LL MEET YOU BACK AT THE CAR. 314 00:24:08,715 --> 00:24:10,449 WHERE ARE YOU GOING? 315 00:24:10,517 --> 00:24:12,685 TO GET MYSELF SOME NEW DUDS. 316 00:24:12,752 --> 00:24:16,723 HERE'S $5.OO. THAT'S YOUR SHARE. 317 00:24:17,156 --> 00:24:18,858 FOR ME? 318 00:24:18,925 --> 00:24:20,660 5 WHOLE DOLLARS? 319 00:24:20,727 --> 00:24:24,463 DON'T SPEND IT ALL IN ONE PLACE. 320 00:24:27,233 --> 00:24:28,668 I GOT A CALL 321 00:24:28,735 --> 00:24:32,471 ABOUT A CAR LIKE THIS. 322 00:24:32,539 --> 00:24:36,676 MAN SAID SOMEBODY IN A LIMOUSINE 323 00:24:36,743 --> 00:24:39,211 STOLE SOME OF HIS CHICKENS. 324 00:24:39,278 --> 00:24:42,214 OF COURSE, I DIDN'T BELIEVE HIM. 325 00:24:42,281 --> 00:24:47,186 BUT ME AND AND JIM BOB WAS DRIVING DOWN THE STREET, 326 00:24:47,253 --> 00:24:50,389 AND I SAID TO JIM BOB, 327 00:24:50,456 --> 00:24:54,861 "LOOK AT THAT BIG CAR THERE. 328 00:24:54,927 --> 00:24:57,664 "I'LL BET THAT THAT'S THE FELLER 329 00:24:57,730 --> 00:25:01,601 STOLE THEM CHICKENS LAST NIGHT." 330 00:25:01,668 --> 00:25:05,304 AIN'T THAT WHAT I SAID, JIM BOB? 331 00:25:05,371 --> 00:25:07,273 THAT'S IT, SNUFFY. 332 00:25:07,339 --> 00:25:10,342 THAT'S WHAT YOU SAID, ALL RIGHT. 333 00:25:10,409 --> 00:25:12,845 WELL, LOOKEE HERE. 334 00:25:12,912 --> 00:25:18,250 IS THAT A CHICKEN FEATHER OR AIN'T IT? 335 00:25:18,317 --> 00:25:21,888 LOOKS LIKE A CHICKEN FEATHER TO ME, SNUFFY. 336 00:25:21,954 --> 00:25:24,523 THAT STUFF THERE ON THE SEAT, JIM BOB. 337 00:25:24,591 --> 00:25:27,894 WHAT DO YOU RECKON THAT STUFF IS? 338 00:25:27,960 --> 00:25:31,097 LOOK LIKE CHICKEN SHIT TO ME, SNUFFY. 339 00:25:31,163 --> 00:25:32,398 YOU THINK SO? 340 00:25:32,464 --> 00:25:37,469 I'VE SEEN ENOUGH CHICKEN SHIT IN MY LIFE TO KNOW... 341 00:25:37,536 --> 00:25:39,071 WHEN I SEE IT. 342 00:25:39,138 --> 00:25:43,309 WHEN WAS THE LAST TIME YOU SAW IT, JIM BOB? 343 00:25:43,375 --> 00:25:45,411 WHEN YOU SHAVED THIS MORNING? 344 00:25:45,477 --> 00:25:47,546 JIM BOB. 345 00:25:48,581 --> 00:25:52,018 HMM. YOU A SMART ASS, AIN'T YOU? 346 00:25:54,553 --> 00:25:57,690 JIM BOB, WHAT DO YOU RECKON WE'D FIND 347 00:25:57,757 --> 00:25:59,859 IF YOU'S TO REACH IN UNDER THAT SEAT THERE 348 00:25:59,926 --> 00:26:02,595 AND KINDLY FEEL AROUND A LITTLE BIT? 349 00:26:07,499 --> 00:26:09,501 HA HA HA! 350 00:26:09,568 --> 00:26:12,104 OH, MY, MY, MY! 351 00:26:12,171 --> 00:26:14,373 WHAT WE GOT HERE? 352 00:26:14,440 --> 00:26:16,575 BOOTLEG WHISKEY. 353 00:26:16,643 --> 00:26:21,213 WE HAVE TO TAKE YOU TO THE COURTHOUSE 354 00:26:21,280 --> 00:26:22,414 TO SEE IF YOU CAN EXPLAIN 355 00:26:22,481 --> 00:26:25,484 WHY THIS STUFF IS IN YOUR CAR. 356 00:26:25,551 --> 00:26:28,721 WELL, IT AIN'T MY CAR. 357 00:26:28,788 --> 00:26:32,558 DID YOU HEAR THAT, JIM BOB? 358 00:26:32,625 --> 00:26:35,962 HE SAYS IT AIN'T HIS CAR. 359 00:26:39,799 --> 00:26:43,602 HE JUST SETTIN' HERE WAITIN' FOR THE OWNER. 360 00:26:43,670 --> 00:26:45,972 THAT'S RIGHT. THAT'S RIGHT. 361 00:26:46,038 --> 00:26:48,440 FRISK HIM AND CUFF HIM. 362 00:26:48,507 --> 00:26:49,776 PUT YOUR HANDS UP THERE. 363 00:26:49,842 --> 00:26:52,912 SPREAD YOUR LEGS. 364 00:26:55,381 --> 00:26:56,649 NO KEYS. 365 00:26:56,716 --> 00:26:58,484 IS THIS GIVING YOU A THRILL, 366 00:26:58,550 --> 00:27:00,352 GROPING A MAN'S CROTCH? 367 00:27:01,688 --> 00:27:03,890 SON OF A BITCH! 368 00:27:05,391 --> 00:27:07,226 BOOM. 369 00:27:07,293 --> 00:27:08,861 JIM BOB... 370 00:27:09,729 --> 00:27:11,530 PUT IT AWAY. 371 00:27:11,597 --> 00:27:14,934 PUT THE CUFFS ON HIM. 372 00:27:17,536 --> 00:27:20,673 WE'LL COME BACK FOR THE CAR LATER. 373 00:27:20,740 --> 00:27:23,409 SOMEBODY MIGHT DRIVE IT AWAY. 374 00:27:23,475 --> 00:27:25,544 THE OWNER, HUH? 375 00:27:25,611 --> 00:27:28,347 HE MIGHT HAVE GOT SURPRISED 376 00:27:28,414 --> 00:27:32,218 IF HE'D FOUND SOMEBODY HERE WAITING FOR HIM. 377 00:28:11,891 --> 00:28:14,326 * I'M IN THE JAILHOUSE NOW 378 00:28:14,393 --> 00:28:16,362 * I'M IN THE JAILHOUSE NOW 379 00:28:16,428 --> 00:28:19,298 UNCLE RED, GET READY. 380 00:28:58,270 --> 00:29:01,073 WHOA! ALL RIGHT! 381 00:29:07,579 --> 00:29:09,816 HURRY, UNCLE RED. HURRY! 382 00:29:16,022 --> 00:29:19,091 COME ON. GET OUT OF HERE. 383 00:29:26,732 --> 00:29:28,767 GOD DAMN. 384 00:29:39,511 --> 00:29:42,281 DAMNED IF YOU DIDN'T DO IT! 385 00:29:46,352 --> 00:29:47,586 SHOULD I STOP? 386 00:29:47,653 --> 00:29:48,888 NO. 387 00:29:56,295 --> 00:29:57,796 DAMN. 388 00:30:05,271 --> 00:30:08,740 WHERE IN THE DOUBLE-DAMN TARNATION HAVE YOU TWO BEEN? 389 00:30:08,807 --> 00:30:12,078 WE HAD A LITTLE CAR TROUBLE. 390 00:30:12,144 --> 00:30:14,713 WE'VE BEEN WORRIED TO DEATH-- 391 00:30:14,780 --> 00:30:17,216 BUBBA, ARE YOU ALL RIGHT? 392 00:30:17,283 --> 00:30:19,518 A CUP OF YOUR JAVA WILL FIX ME UP. 393 00:30:19,585 --> 00:30:22,889 YOU NEED A LONG REST. 394 00:30:22,955 --> 00:30:25,624 I'M HEADING FOR NASHVILLE IN THE MORNING. 395 00:30:25,691 --> 00:30:27,226 SO SOON. WHY? 396 00:30:34,033 --> 00:30:36,268 IF YOU'RE SERIOUS ABOUT GOING, 397 00:30:36,335 --> 00:30:40,772 THAT $3O OF YOURS WOULD GET US TO TULSA. 398 00:30:40,839 --> 00:30:43,976 THERE'S A FELLOW THERE WHO OWES ME MONEY. 399 00:30:44,043 --> 00:30:46,645 THAT WOULD GET US TO NASHVILLE. 400 00:30:46,712 --> 00:30:49,815 I'LL BE READY TO GO IN THE MORNING. 401 00:30:49,882 --> 00:30:52,851 JUST ONE OTHER THING, SIS. 402 00:30:52,919 --> 00:30:54,853 I'D APPRECIATE YOU CONSIDERING 403 00:30:54,921 --> 00:30:56,822 US TAKING HOSS ALONG. 404 00:30:56,889 --> 00:30:58,757 I NEED A DRIVER. 405 00:30:58,824 --> 00:31:00,726 HE'S ONE OF THE BEST I'VE EVER SEEN. 406 00:31:00,792 --> 00:31:03,562 SAFE AND EVERYTHING. 407 00:31:04,463 --> 00:31:06,165 IT AIN'T JUST THAT. 408 00:31:06,232 --> 00:31:09,601 I THINK THE BOY'S GOT TALENT. 409 00:31:09,668 --> 00:31:12,171 I COULD TEACH HIM TO PLAY. 410 00:31:12,238 --> 00:31:15,174 MAYBE HE'D BE A SINGER SOMEDAY. 411 00:31:15,241 --> 00:31:19,611 YOU LIKE TO GO DOWN TO NASHVILLE? 412 00:31:19,678 --> 00:31:24,883 BUBBA, HE'S TOO YOUNG FOR ANYTHING LIKE THAT. 413 00:31:24,951 --> 00:31:27,886 PLEASE LET ME GO WITH HIM. 414 00:31:27,954 --> 00:31:29,421 YOU HUSH UP. 415 00:31:32,858 --> 00:31:36,695 WELL, IT'S ENTIRELY UP TO YOU ALL. 416 00:31:36,762 --> 00:31:41,567 IF WE GET OUT TO CALIFORNIA 417 00:31:41,633 --> 00:31:43,035 IN TIME FOR PICKING COTTON, 418 00:31:43,102 --> 00:31:44,903 WE'RE GOING TO NEED EVERY HAND WE CAN GET. 419 00:31:44,971 --> 00:31:47,173 PAPA, PLEASE LET ME GO! 420 00:31:47,239 --> 00:31:51,443 YOU HEARD HIM. I COULD BE A MUSICIAN. 421 00:31:51,510 --> 00:31:53,079 HUSH UP! 422 00:31:53,145 --> 00:31:56,282 I DON'T WANT TO BE A DAMN COTTON PICKER. 423 00:31:56,348 --> 00:32:01,653 MR. BIG BRITCHES DON'T WANT TO PICK COTTON. 424 00:32:01,720 --> 00:32:04,756 IF YOUR MOM AND I HADN'T 425 00:32:04,823 --> 00:32:06,725 PICKED COTTON ALL THEM YEARS, 426 00:32:06,792 --> 00:32:11,463 WHERE THE HELL DO YOU THINK YOU'D BE, BIG BRITCHES? 427 00:32:11,530 --> 00:32:13,732 IT AIN'T LIKE THAT. 428 00:32:13,799 --> 00:32:15,667 I WANT TO BE SOMEBODY. 429 00:32:15,734 --> 00:32:17,669 YOU GO TO BED! 430 00:32:17,736 --> 00:32:19,271 RIGHT NOW! 431 00:32:21,407 --> 00:32:22,641 BUT HE SAID-- 432 00:32:22,708 --> 00:32:24,810 GO TO BED! 433 00:32:24,876 --> 00:32:27,679 WE'LL TALK ABOUT IT TOMORROW. 434 00:32:27,746 --> 00:32:30,682 IF I HEAR ONE MORE WORD, 435 00:32:30,749 --> 00:32:35,287 THEN YOU WON'T GO AT ALL, AND THAT'S FINAL. 436 00:32:48,267 --> 00:32:50,769 PLEASE, MAMA, LET ME GO. 437 00:32:50,836 --> 00:32:53,472 I DON'T WANT YOU TO, 438 00:32:53,539 --> 00:32:56,808 BUT... 439 00:32:56,875 --> 00:32:59,778 I DON'T WANT HIM TO GO ALONE. 440 00:32:59,845 --> 00:33:02,314 YOU KNOW HE'S VERY SICK. 441 00:33:02,381 --> 00:33:04,783 HE SHOULDN'T BE GOING ANYWHERE BY HIMSELF 442 00:33:04,850 --> 00:33:07,019 EXCEPT A SANITARIUM. 443 00:33:07,086 --> 00:33:10,622 THERE WOULDN'T BE ANYBODY TO CALL A DOCTOR. 444 00:33:10,689 --> 00:33:12,924 I'D TAKE CARE OF HIM. 445 00:33:12,991 --> 00:33:16,095 IT'S A LOT TO ASK OF A BOY, 446 00:33:16,162 --> 00:33:19,931 BUT YOU'RE THE BEST FRIEND HE'S GOT. 447 00:33:19,998 --> 00:33:23,769 BUT WHAT WILL IT BE LIKE IF HE-- 448 00:33:26,538 --> 00:33:28,374 ALL RIGHT, THEN. 449 00:33:28,440 --> 00:33:32,611 BUT PROMISE ME TWO THINGS-- 450 00:33:32,678 --> 00:33:35,114 THAT YOU WON'T DRINK, AND YOU'LL COME HOME 451 00:33:35,181 --> 00:33:38,117 WHEN WE'RE SETTLED IN CALIFORNIA. 452 00:33:38,184 --> 00:33:40,119 CROSS MY HEART, HOPE TO DIE. 453 00:33:40,186 --> 00:33:42,488 TRY TO BRING BUBBA BACK. 454 00:33:42,554 --> 00:33:43,455 YES, MA'AM. 455 00:33:43,522 --> 00:33:47,793 AND YOU BE SURE TO WRITE TO US. 456 00:33:47,859 --> 00:33:49,061 I PROMISE. 457 00:33:49,128 --> 00:33:50,562 ALL RIGHT. 458 00:33:50,629 --> 00:33:52,731 YOU BRING THE WOOD IN. 459 00:33:52,798 --> 00:33:55,301 BREAKFAST BE READY IN A MINUTE, 460 00:33:55,367 --> 00:33:58,704 THEN I'LL HELP YOU PACK YOUR THINGS. 461 00:34:01,607 --> 00:34:04,276 HOLY SHIT! 462 00:34:04,343 --> 00:34:06,812 I'M GOING TO NASHVILLE. 463 00:34:26,865 --> 00:34:28,867 HERE'S OUR ROUTE, HOSS. 464 00:34:28,934 --> 00:34:30,402 WE SKIRT AROUND ROSCOE 465 00:34:30,469 --> 00:34:31,837 AND HEAD STRAIGHT FOR ENID. 466 00:34:31,903 --> 00:34:37,309 ENID? GOING WAY OUT OF THE WAY. 467 00:34:37,376 --> 00:34:40,479 WE'LL MAKE IT TO TULSA 468 00:34:40,546 --> 00:34:43,815 AND LOOK UP MR. DURWOOD ARNSPRINGER. 469 00:34:43,882 --> 00:34:45,317 MR. WHO? 470 00:34:45,384 --> 00:34:47,319 FELLOW OWES ME MONEY. 471 00:34:47,386 --> 00:34:50,422 WAKE ME UP WHEN WE GET TO ENID. 472 00:35:05,171 --> 00:35:06,672 WE'RE GETTING CLOSE. 473 00:35:06,738 --> 00:35:07,739 CLOSE TO WHAT? 474 00:35:07,806 --> 00:35:09,541 THIS IS WHERE IT HAPPENED. 475 00:35:09,608 --> 00:35:10,609 PULL OVER. 476 00:35:12,344 --> 00:35:18,517 YEAH. TENNESSEE LINE RAN RIGHT ALONG OVER THERE, 477 00:35:18,584 --> 00:35:22,087 STRETCHING FROM HORIZON TO HORIZON. 478 00:35:22,154 --> 00:35:24,089 WHAT ARE YOU TALKING ABOUT, GRANDPA? 479 00:35:24,156 --> 00:35:25,624 THE RUN, BOY. 480 00:35:25,691 --> 00:35:29,728 WHEN THEY OPENED THE CHEROKEE STRIP TO WHITE SETTLERS, 481 00:35:29,795 --> 00:35:32,531 SEPTEMBER 16, 1893. 482 00:35:32,598 --> 00:35:34,800 THIS IS WHERE IT HAPPENED? 483 00:35:34,866 --> 00:35:38,304 YOU SEE THE LINE RIGHT THERE. 484 00:35:38,370 --> 00:35:41,407 PEOPLE LINED UP AS FAR AS YOU COULD SEE. 485 00:35:41,473 --> 00:35:43,809 THOUSANDS AND THOUSANDS OF PEOPLE. 486 00:35:43,875 --> 00:35:47,179 MEN, WOMEN, KIDS, ALL AGES, 487 00:35:47,246 --> 00:35:50,249 ALL KINDS, ON HORSES AND MULES 488 00:35:50,316 --> 00:35:53,819 AND WAGONS AND BUCKBOARDS AND SURREYS. 489 00:35:53,885 --> 00:35:54,953 SOME OF THEM ON FOOT, 490 00:35:55,020 --> 00:35:56,622 LOTS OF THEM. 491 00:35:56,688 --> 00:35:57,989 WHERE WERE YOU? 492 00:35:58,056 --> 00:36:03,295 WELL, YOU SEE THAT LITTLE HUMP 493 00:36:03,362 --> 00:36:04,796 IN THE RIDGE OVER YONDER? 494 00:36:04,863 --> 00:36:07,065 WELL, THAT'S WHERE I WAS, 495 00:36:07,132 --> 00:36:08,600 THEREABOUTS. 496 00:36:08,667 --> 00:36:12,971 I WAS 18 THEN, SETTIN' ASTRIDE A MULE, 497 00:36:13,038 --> 00:36:14,273 NO SADDLE. 498 00:36:14,340 --> 00:36:17,276 I RODE HIM ALL THE WAY FROM TENNESSEE. 499 00:36:17,343 --> 00:36:20,145 GOT HIM HERE THREE DAYS BEFORE THE RUN 500 00:36:20,212 --> 00:36:22,281 TO REST HIM UP. 501 00:36:22,348 --> 00:36:25,584 SHE WAS THE GREATEST HORSE RACE 502 00:36:25,651 --> 00:36:28,787 IN THE HISTORY OF THE WORLD, BOY. 503 00:36:28,854 --> 00:36:33,892 FOR THE GREATEST PRIZE-- THE CHEROKEE STRIP. 504 00:36:33,959 --> 00:36:39,765 * THERE'S NO SWEETER CHEATER THAN YOU * 505 00:36:41,867 --> 00:36:46,405 * YOU KNOW YOUR SMILE MELTS MY MIND * 506 00:36:49,308 --> 00:36:51,510 * AND YOUR TOUCH BURNS... 507 00:36:51,577 --> 00:36:54,513 DID YOU GET SOME OF IT? 508 00:36:54,580 --> 00:36:57,316 I GOT MINE. LOST IT LATER. 509 00:36:57,383 --> 00:36:59,318 HELL, THAT DON'T MATTER. 510 00:36:59,385 --> 00:37:04,055 IT WASN'T JUST THE LAND, 511 00:37:04,122 --> 00:37:07,393 IT WAS THE PROMISED LAND. 512 00:37:07,459 --> 00:37:10,195 THAT'S WHAT YOU GOT TO UNDERSTAND. 513 00:37:10,262 --> 00:37:13,432 I TRIED TO MAKE PEOPLE UNDERSTAND 514 00:37:13,499 --> 00:37:17,936 IT WASN'T THE LAND, IT WAS THE DREAM. 515 00:37:18,003 --> 00:37:21,840 * I HAVE TO BE CRAZY 516 00:37:21,907 --> 00:37:25,511 * TO KEEP COMING BACK 517 00:37:25,577 --> 00:37:29,915 * AND SHARING YOU WITH SOMEBODY NEW... * 518 00:37:31,350 --> 00:37:33,652 THAT'S WHAT I TELL THEM. 519 00:37:33,719 --> 00:37:38,023 IT WASN'T THIS LAND CHASED US AWAY. 520 00:37:38,089 --> 00:37:41,660 IT WAS THE DREAM THAT CHASED US. 521 00:37:43,061 --> 00:37:44,630 AH. 522 00:37:50,402 --> 00:37:53,138 JUST LOOK AT IT NOW. 523 00:37:53,204 --> 00:37:55,206 ALL TURNED TO DUST. 524 00:37:55,273 --> 00:37:57,175 ALL TURNED TO DUST. 525 00:37:57,242 --> 00:37:59,645 WE RUINED IT, WHIT. 526 00:37:59,711 --> 00:38:05,216 * THERE'S NO SWEETER CHEATER THAN YOU * 527 00:38:05,283 --> 00:38:07,085 BUT THERE'S OTHER PLACES-- 528 00:38:07,152 --> 00:38:08,454 CALIFORNIA NOW. 529 00:38:08,520 --> 00:38:11,457 THEY SAY THAT'S THE PROMISED LAND. 530 00:38:11,523 --> 00:38:14,693 TOO OLD TO CHASE ANOTHER DREAM. 531 00:38:17,062 --> 00:38:19,064 HOLY SHIT! 532 00:38:22,434 --> 00:38:25,136 MY ONLY DREAM IS GOING HOME. 533 00:38:25,203 --> 00:38:26,304 HELP! 534 00:38:26,372 --> 00:38:28,173 GET OUT OF HERE! 535 00:38:28,239 --> 00:38:30,676 SON OF A BITCH! 536 00:38:34,045 --> 00:38:36,114 GET OUT OF HERE! 537 00:38:36,181 --> 00:38:38,584 HELP! 538 00:38:40,952 --> 00:38:42,388 I'M GOING OVER. 539 00:38:42,454 --> 00:38:44,390 YOU KNOW WHAT YOU'RE DOING? 540 00:38:44,456 --> 00:38:46,958 NO, OR I WOULDN'T DO IT. 541 00:38:59,771 --> 00:39:03,208 THAT'S THE WAY, HOSS. KEEP HIM BUSY. 542 00:39:03,274 --> 00:39:05,110 KEEP HIM BUSY, BOY. 543 00:39:06,645 --> 00:39:07,613 AAH! 544 00:39:15,654 --> 00:39:17,389 YAH! 545 00:39:19,124 --> 00:39:21,393 THAT'S THE WAY, HOSS. 546 00:39:21,460 --> 00:39:22,928 KEEP HIM BUSY. 547 00:39:28,233 --> 00:39:30,068 YAH! 548 00:39:31,637 --> 00:39:33,138 YOW! 549 00:39:33,204 --> 00:39:34,540 BITCH! 550 00:39:40,979 --> 00:39:42,414 NO! 551 00:39:48,554 --> 00:39:51,022 COME BACK WITH MY SHIRT! 552 00:39:54,059 --> 00:39:55,994 WHAT'S SO DAMNED FUNNY? 553 00:39:56,061 --> 00:39:57,796 THAT WAS MY NEW SHIRT. 554 00:39:57,863 --> 00:40:00,499 WHEN YOU WAS A-CLIMBIN' THAT LADDER, 555 00:40:00,566 --> 00:40:03,902 THAT BULL'S HORN MISSED YOUR ASSHOLE THAT FAR. 556 00:40:08,640 --> 00:40:12,678 I DON'T NEED A BATH FOR A WHILE. 557 00:40:13,645 --> 00:40:16,281 * WELL, I'VE NEVER SEEN YOU 558 00:40:16,347 --> 00:40:19,117 * LOOK QUITE SO SAD 559 00:40:19,184 --> 00:40:21,487 * AND I'VE NEVER FELT ME 560 00:40:21,553 --> 00:40:25,023 * FEEL QUITE SO BAD 561 00:40:25,090 --> 00:40:26,525 * A DO DA DO DEE DA 562 00:40:26,592 --> 00:40:29,160 * DO DEE DA DO DEE DEE 563 00:40:29,227 --> 00:40:30,629 * A DO DA DO DEE DA 564 00:40:30,696 --> 00:40:32,498 * AND I KNOW WE BOTH FEEL * 565 00:40:32,564 --> 00:40:33,999 * THAT WE HAVE BEEN HAD * 566 00:40:34,065 --> 00:40:35,501 THAT'S GOOD. 567 00:40:35,567 --> 00:40:37,769 I'LL WRITE THAT DOWN. 568 00:40:39,070 --> 00:40:40,506 THAT'S GOOD. 569 00:40:40,572 --> 00:40:42,140 * I KNOW WE BOTH FEEL 570 00:40:42,207 --> 00:40:43,775 * THAT WE HAVE BEEN HAD 571 00:40:47,178 --> 00:40:48,346 * I KNOW WE BOTH FEEL 572 00:40:48,413 --> 00:40:51,517 * THAT WE HAVE BEEN HAD 573 00:40:51,583 --> 00:40:53,685 * WELL, I GUESS WE WERE JUST NOT THAT STRONG * 574 00:40:56,121 --> 00:40:57,689 * SO I LOST MY WOMAN 575 00:40:57,756 --> 00:41:00,792 * AND YOU LOST YOUR MAN 576 00:41:00,859 --> 00:41:05,396 * AND WHO KNOWS WHO'S RIGHT OR WHO'S WRONG? * 577 00:41:05,463 --> 00:41:08,199 * DA DA DO DA DEE DUM 578 00:41:08,266 --> 00:41:09,334 * DA DO DA DEE DA 579 00:41:09,400 --> 00:41:11,269 * DO DEE DA DEE DEE 580 00:41:11,336 --> 00:41:13,238 * WELL, I GOT MY GUITAR * 581 00:41:15,473 --> 00:41:16,508 * I GOT MY GUITAR 582 00:41:16,575 --> 00:41:18,243 * AND I GOT A PLAN 583 00:41:18,309 --> 00:41:21,212 MAN, YOU'VE GOT IT NOW! 584 00:41:21,279 --> 00:41:23,481 BOY, HE'S REALLY GETTING IT. 585 00:41:23,549 --> 00:41:24,516 * I GOT MY GUITAR 586 00:41:24,583 --> 00:41:26,451 * AND I GOT A PLAN 587 00:41:26,518 --> 00:41:30,221 * DO DO DO DO DO DO DO DO * 588 00:41:30,288 --> 00:41:33,191 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 589 00:41:33,258 --> 00:41:34,593 HOW'S THAT? 590 00:41:34,660 --> 00:41:37,596 HEY, DAMN, BOY! 591 00:41:37,663 --> 00:41:39,531 YOU'VE GOT THIS SONGWRITING DOWN! 592 00:41:39,598 --> 00:41:40,999 HOW ABOUT THAT? 593 00:41:41,066 --> 00:41:44,703 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 594 00:41:44,770 --> 00:41:47,973 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 595 00:41:48,039 --> 00:41:50,208 * AND WE'LL GET THROUGH THE NIGHT * 596 00:41:50,275 --> 00:41:52,410 * THE BEST WAY WE CAN 597 00:41:52,477 --> 00:41:54,680 * IT'S THE BEST OLD PAINKILLER 598 00:41:54,746 --> 00:41:56,682 * SINCE HURTING BEGAN 599 00:41:56,748 --> 00:42:00,251 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 600 00:42:03,021 --> 00:42:05,891 THEY DON'T KNOW WHERE THE FELLOW IS, 601 00:42:05,957 --> 00:42:08,894 OR IF THEY DO, THEY'RE NOT TALKING. 602 00:42:08,960 --> 00:42:11,296 YOU RECKON WE'LL EVER FIND HIM? 603 00:42:11,362 --> 00:42:14,465 I DON'T KNOW. 604 00:42:14,532 --> 00:42:16,401 ...AND RECEIVE A FREE PICTURE 605 00:42:16,467 --> 00:42:18,469 OF BOB WILLS, THE TEXAS PLAYBOY. 606 00:42:18,536 --> 00:42:21,106 HEY, HE MIGHT KNOW. 607 00:42:21,172 --> 00:42:22,473 WHO? 608 00:42:22,540 --> 00:42:24,242 BOB WILLS. 609 00:42:24,309 --> 00:42:26,477 LET'S GO TO THIS RADIO STATION. 610 00:42:26,544 --> 00:42:28,113 TURN RIGHT. 611 00:42:28,179 --> 00:42:32,083 DROP ME OFF AT A MOTOR COURT. 612 00:42:33,318 --> 00:42:35,253 YOU KNOW BOB WILLS? 613 00:42:35,320 --> 00:42:38,456 UNCLE RED WROTE THIS TUNE THEY'RE DOING NOW. 614 00:42:38,523 --> 00:42:40,692 * WHEN MY DADDY HAD THE BLUES 615 00:42:40,759 --> 00:42:43,662 * HE'D ALWAYS PLAY THE FIDDLE 616 00:42:43,729 --> 00:42:48,734 * ON THAT OLD FARM THAT NEVER YIELDED MUCH * 617 00:42:48,800 --> 00:42:51,569 * HE'D SIT OUT ON THE PORCH 618 00:42:51,637 --> 00:42:54,439 * WITH A FULL MOON FOR HIS SPOTLIGHT * 619 00:42:54,505 --> 00:42:58,176 * AND I'D FALL ASLEEP TO THAT OLD SONG, FADED LOVE * 620 00:42:59,845 --> 00:43:01,947 * HE TAUGHT ME HOW TO DRAW A BOW * 621 00:43:02,013 --> 00:43:05,050 * AND MY FIRST CHORDS ON THE GUITAR * 622 00:43:05,116 --> 00:43:10,321 * WE PLAYED THOSE COUNTRY DANCES FOR FREE * 623 00:43:10,388 --> 00:43:12,858 * NOW, I NEVER FEEL AS PROUD 624 00:43:12,924 --> 00:43:15,193 * AS WHEN WE PLEASE A CROWD 625 00:43:15,260 --> 00:43:20,498 * I NEVER CHOSE THE MUSIC, IT CHOSE ME * 626 00:43:20,565 --> 00:43:22,433 * ONE FIDDLE 627 00:43:22,500 --> 00:43:24,435 * TWO FIDDLES 628 00:43:24,502 --> 00:43:26,437 * THREE FIDDLES PLAY 629 00:43:26,504 --> 00:43:28,606 * THAT THREE-PART HARMONY 630 00:43:28,674 --> 00:43:32,177 * BRINGS BACK SWEET MEMORIES * 631 00:43:32,243 --> 00:43:33,211 * ONE FIDDLE 632 00:43:33,278 --> 00:43:34,946 * TWO FIDDLES 633 00:43:35,013 --> 00:43:36,682 * THREE FIDDLES PLAY 634 00:43:36,748 --> 00:43:41,887 * AS MY MIND WANDERS BACK TO YESTERDAY * 635 00:43:41,953 --> 00:43:46,892 * AS MY MIND WANDERS BACK TO YESTERDAY * 636 00:43:54,332 --> 00:43:56,467 * DEEP WITHIN MY HEART 637 00:43:56,534 --> 00:43:59,604 * LIES A MELODY 638 00:43:59,671 --> 00:44:02,473 * A SONG OF OLD SAN ANTONE... 639 00:44:02,540 --> 00:44:05,510 I GOT TO TALK TO YOU, RED. 640 00:44:05,576 --> 00:44:08,213 WHAT ARE YOU DOING IN THESE PARTS? 641 00:44:08,279 --> 00:44:10,682 I'M JUST TRAVELING THROUGH TO NASHVILLE. 642 00:44:10,749 --> 00:44:13,618 I'VE GOT A TRYOUT ON THE OPRY. 643 00:44:13,685 --> 00:44:15,586 THAT'L DO IT FOR YOU. 644 00:44:15,653 --> 00:44:18,523 DID YOU LIKE HOW WE DONE YOUR SONG? 645 00:44:18,589 --> 00:44:20,358 BETTER THAN I'VE DONE IT. 646 00:44:20,425 --> 00:44:22,427 WE PLAY IT ON DANCES. 647 00:44:22,493 --> 00:44:26,497 WE'D LIKE TO RECORD IT NEXT WEEK. 648 00:44:26,564 --> 00:44:28,299 FANTASTIC! 649 00:44:28,366 --> 00:44:30,601 I COULD SURE USE THE DOUGH. 650 00:44:30,668 --> 00:44:32,804 HERE'S MY NEPHEW WHIT. 651 00:44:32,871 --> 00:44:34,605 HE WANTS TO MEET YOU. 652 00:44:34,672 --> 00:44:35,941 HEY. 653 00:44:36,007 --> 00:44:37,943 DON'T TALK, DOES HE? 654 00:44:38,009 --> 00:44:39,110 NO. HE SINGS PRETTY GOOD. 655 00:44:39,177 --> 00:44:41,446 WELL, HE WILL WHEN HIS VOICE CHANGES. 656 00:44:41,512 --> 00:44:43,982 GOOD LUCK. 657 00:44:44,049 --> 00:44:48,787 BOB, YOU KNOW, I MIGHT NOT GET TO NASHVILLE 658 00:44:48,854 --> 00:44:50,789 UNLESS I FIND DURWOOD ARNSPRINGER. 659 00:44:50,856 --> 00:44:53,324 USED TO BOOK SOME SHOWS. 660 00:44:53,391 --> 00:44:55,393 DOES HE OWE YOU MONEY? 661 00:44:55,460 --> 00:44:59,030 HE WROTE ME A RUBBER CHECK A FEW YEARS BACK. 662 00:44:59,097 --> 00:45:02,633 I KNOW WHERE HE MIGHT BE. 663 00:45:02,700 --> 00:45:05,336 YOU REMEMBER MISS MAUD'S CAT-- 664 00:45:05,403 --> 00:45:06,838 CATHOUSE. YEAH. 665 00:45:06,905 --> 00:45:10,742 MISS MAUD'S PLACE. HE HANGS AROUND THERE. 666 00:45:10,809 --> 00:45:12,643 TELL HER YOU'RE A FRIEND OF MINE. 667 00:45:12,710 --> 00:45:14,145 ALL RIGHT. 668 00:45:14,212 --> 00:45:18,349 IF DURWOOD DON'T COME THROUGH WITH THE MONEY, 669 00:45:18,416 --> 00:45:20,351 COULD I HELP YOU? 670 00:45:20,418 --> 00:45:22,353 I'LL GET IT OUT OF HIM. 671 00:45:22,420 --> 00:45:25,791 GOOD LUCK. SEE YOU, WHIT. 672 00:45:25,857 --> 00:45:27,058 * MOON IN ALL YOUR SPLENDOR 673 00:45:27,125 --> 00:45:29,961 * KNOWS ONLY MY HEART 674 00:45:30,028 --> 00:45:31,629 * COME BACK, MY ROSE 675 00:45:31,696 --> 00:45:33,932 * ROSE OF SAN ANTONE... 676 00:45:36,802 --> 00:45:38,669 A REAL WHOREHOUSE? 677 00:45:38,736 --> 00:45:40,772 YEP. 678 00:45:44,609 --> 00:45:47,078 HOWDY. I'M LOOKING FOR DURWOOD ARNSPRINGER. 679 00:45:47,145 --> 00:45:49,680 BOB WILLS SAID YOU'D KNOW WHERE HE IS. 680 00:45:49,747 --> 00:45:51,116 YOU KNOW BOB? 681 00:45:51,182 --> 00:45:52,217 YEAH. 682 00:45:55,253 --> 00:46:00,191 YEAH. I'VE DONE BUSINESS WITH ARNSPRINGER ON OCCASION. 683 00:46:00,258 --> 00:46:03,194 UH...HE'S GOT A CARD GAME GOING 684 00:46:03,261 --> 00:46:07,432 BACK OF THE CHOO-CHOO CAFE. THAT'S ALL I KNOW. 685 00:46:07,498 --> 00:46:09,700 BY THE RAILROAD TRACK. 686 00:46:09,767 --> 00:46:12,137 WELL, I'M MUCH OBLIGED, MA'AM. 687 00:46:12,203 --> 00:46:14,405 UH-HUH. 688 00:46:14,472 --> 00:46:16,707 SAY, AS LONG AS WE'RE HERE, 689 00:46:16,774 --> 00:46:19,710 MY SON HERE, WHO'S 14--UH, 16 690 00:46:19,777 --> 00:46:22,213 AIN'T NEVER BEEN WITH A WOMAN. 691 00:46:22,280 --> 00:46:24,215 I'M GETTING WORRIED ABOUT HIM. 692 00:46:24,282 --> 00:46:27,886 COULD WE FIX HIM UP BEFORE HE GETS PIMPLES? 693 00:46:27,953 --> 00:46:30,355 WE DON'T TAKE NO KIDS, COWBOY. 694 00:46:30,421 --> 00:46:33,992 WE'VE GOT ENOUGH TROUBLE WITH THE COPS WITHOUT THAT. 695 00:46:34,059 --> 00:46:37,228 I'M HIS DADDY. I'LL TAKE THE RESPONSIBILITY. 696 00:46:37,295 --> 00:46:40,331 NONE OF THE GIRLS WOULD TAKE HIM. 697 00:46:43,301 --> 00:46:46,737 WHAT ARE YOU STARING AT, KID? 698 00:46:46,804 --> 00:46:49,174 I'D TAKE THE RESPONSIBILITY. 699 00:46:49,240 --> 00:46:50,175 YOU. 700 00:46:51,376 --> 00:46:55,346 WHY? 701 00:46:55,413 --> 00:47:00,585 IT WOULD BE THE GIRL. WON'T NOBODY TAKE HIM. 702 00:47:00,651 --> 00:47:04,022 BECAUSE YOU'RE SO BEAUTIFUL. 703 00:47:04,089 --> 00:47:06,691 IT'S A SAD STATE WHEN A MAN CAN'T BUY 704 00:47:06,757 --> 00:47:09,094 A WOMAN FOR HIS BOY. 705 00:47:09,160 --> 00:47:12,163 UH, MISS MAUD, I'LL TAKE HIM. 706 00:47:13,564 --> 00:47:15,700 IT'S YOUR RISK, I RECKON. 707 00:47:15,766 --> 00:47:19,971 WOULD YOU LIKE TO COME WITH ME? 708 00:47:20,038 --> 00:47:21,973 THAT WILL BE $2.OO, THEN. 709 00:47:22,040 --> 00:47:25,543 AND IF YOU WANT A GIRL, TOO... 710 00:47:25,610 --> 00:47:27,412 WELL, I JUST MIGHT. 711 00:47:27,478 --> 00:47:29,780 GOT ANYTHING HERE BUILT FOR COMFORT? 712 00:47:29,847 --> 00:47:32,583 I THINK WE COULD ACCOMMODATE YOU. 713 00:47:40,258 --> 00:47:42,460 ROBBING THE CRADLE, AIN'T YOU? 714 00:47:42,527 --> 00:47:44,362 OH, SHUT UP! 715 00:47:48,399 --> 00:47:50,868 COME ON OVER. 716 00:47:50,936 --> 00:47:54,439 TAKE YOUR PANTS OFF, AND I'LL WASH YOU UP, OK? 717 00:48:02,380 --> 00:48:03,648 OOPS. 718 00:48:05,116 --> 00:48:07,018 HMM. OH, THAT'S OK. 719 00:48:07,085 --> 00:48:11,056 WE'LL JUST TRY AGAIN IN A FEW MINUTES, OK? 720 00:48:22,900 --> 00:48:26,104 WELL, HOW DID YOU LIKE IT, HUH? 721 00:48:28,139 --> 00:48:31,576 WHAT'S THE MATTER? CAT GOT YOUR TONGUE? 722 00:48:31,642 --> 00:48:33,411 I LOVE YOU. 723 00:48:53,631 --> 00:48:55,866 WELL, HOSS, HOW WAS THAT? 724 00:48:55,933 --> 00:48:58,869 YEAH. THAT'S EXACTLY HOW UNCLE RED FELT 725 00:48:58,936 --> 00:49:00,972 AFTER THE FIRST TIME. 726 00:49:26,964 --> 00:49:28,399 AHEM. 727 00:49:28,466 --> 00:49:29,900 YES? 728 00:49:29,967 --> 00:49:31,902 IS DURWOOD ARNSPRINGER AROUND HERE? 729 00:49:31,969 --> 00:49:33,404 MR. ARNSPRINGER? 730 00:49:33,471 --> 00:49:34,672 YEAH. 731 00:49:34,739 --> 00:49:36,141 HE'S SLEEPING. 732 00:49:36,207 --> 00:49:39,077 GO TELL HIM RED STOVALL WANTS TO SAY HELLO. 733 00:49:39,144 --> 00:49:42,580 RED STOVALL. 734 00:50:07,004 --> 00:50:08,573 WELL, AS I LIVE AND BREATHE, 735 00:50:08,639 --> 00:50:10,075 IT'S RED STOVALL. 736 00:50:10,141 --> 00:50:12,777 I WONDERED WHAT HAPPENED TO YOU. 737 00:50:12,843 --> 00:50:15,246 IT'S BEEN YEARS. 738 00:50:15,313 --> 00:50:19,917 WELL, I'VE HAD OCCASION 739 00:50:19,984 --> 00:50:22,453 GET THIS SHIT OUT OF HERE! 740 00:50:22,520 --> 00:50:24,289 YOU SHOULD HAVE BEEN DONE WITH THAT HOURS AGO! 741 00:50:24,355 --> 00:50:26,357 I'VE GOT PLAYERS COMING. 742 00:50:29,527 --> 00:50:31,562 SO, RED. 743 00:50:31,629 --> 00:50:33,564 SO HERE YOU ARE. 744 00:50:35,833 --> 00:50:37,268 WHAT'S HAPPENED, BOY? 745 00:50:37,335 --> 00:50:41,072 YOU DON'T LOOK TOO WELL. THEY WORKING YOU TO DEATH? 746 00:50:41,139 --> 00:50:42,973 OH, I'M DOING ALL RIGHT. 747 00:50:43,040 --> 00:50:44,375 GOT MYSELF A SPOT ON THE OPRY. 748 00:50:44,442 --> 00:50:47,578 BY GOD, THAT WILL PUT YOU ON TOP, BOY. 749 00:50:47,645 --> 00:50:50,281 I COULD USE THAT $1OO YOU OWE ME. 750 00:50:50,348 --> 00:50:54,852 I'M REALLY SORRY, RED. THIS DEPRESSION, YOU KNOW. 751 00:50:54,919 --> 00:50:56,954 HOW ABOUT A DRINK? 752 00:50:57,021 --> 00:50:59,090 JUST MY MONEY. 753 00:50:59,157 --> 00:51:00,991 RED, I HAVEN'T GOT IT. 754 00:51:01,058 --> 00:51:02,727 WELL, GET IT. 755 00:51:02,793 --> 00:51:05,196 I CAN'T! 756 00:51:05,263 --> 00:51:07,165 YOU KNOW, I'M DISAPPOINTED IN YOU, RED, 757 00:51:07,232 --> 00:51:09,334 QUESTIONING MY HONESTY. 758 00:51:09,400 --> 00:51:11,936 IS THAT WHAT YOU'RE DOING, 759 00:51:12,002 --> 00:51:16,107 CALLING ME A LIAR AND A CHEAT? 760 00:51:16,174 --> 00:51:17,842 I'M CALLING YOU A LIAR AND A CHEAT 761 00:51:17,908 --> 00:51:19,910 AND A FAT, PORKY SON OF A BITCH. 762 00:51:19,977 --> 00:51:23,281 I GOT OTHER THINGS I CAN THINK UP. 763 00:51:32,089 --> 00:51:35,560 I KNOW HOW WE CAN SQUARE IT. 764 00:51:35,626 --> 00:51:39,464 THAT GIRL THAT WAS JUST IN HERE. 765 00:51:39,530 --> 00:51:42,167 I'LL TELL YOU WHAT I'LL DO. 766 00:51:42,233 --> 00:51:45,836 I'LL GIVE YOU HER, AND WE'LL CALL IT EVEN. 767 00:51:48,239 --> 00:51:51,041 YOU'D GIVE ME THAT GIRL? 768 00:51:51,108 --> 00:51:54,044 YEAH. WHY DON'T YOU TALK TO HER YOURSELF? 769 00:51:54,111 --> 00:51:58,149 MARLENE! GET YOURSELF DOWN HERE, HONEY. 770 00:52:05,156 --> 00:52:07,858 MARLENE, THIS HERE'S RED STOVALL. 771 00:52:07,925 --> 00:52:10,228 HE'S A DAMNED GOOD SINGER. 772 00:52:10,295 --> 00:52:13,564 WOULD YOU LIKE TO GO TO NASHVILLE WITH HIM? 773 00:52:13,631 --> 00:52:17,802 GOODNESS! NASHVILLE, THAT'S MY HEART'S DREAM. 774 00:52:17,868 --> 00:52:20,371 I'D DO ANYTHING TO GO. 775 00:52:20,438 --> 00:52:24,975 JUST TAKE HER A FEW MINUTES TO GET PACKED. 776 00:52:25,042 --> 00:52:28,813 IT WON'T DO, ARNSPRINGER. 777 00:52:28,879 --> 00:52:30,815 PLEASE TAKE ME ALONG. 778 00:52:30,881 --> 00:52:33,083 I WON'T BE ANY TROUBLE. 779 00:52:33,150 --> 00:52:35,119 THE LORD WILL BLESS YOU IF YOU DO. 780 00:52:35,186 --> 00:52:37,322 I'VE BEEN DREAMING OF GOING TO NASHVILLE 781 00:52:37,388 --> 00:52:39,123 AND BECOMING A BIG SINGING STAR. 782 00:52:39,190 --> 00:52:43,894 THE LORD HAS GIVEN ME A GREAT TALENT. 783 00:52:43,961 --> 00:52:46,030 SHE'S A GOOD SINGER. 784 00:52:46,096 --> 00:52:47,898 IT WON'T DO. 785 00:52:47,965 --> 00:52:50,134 PLEASE, MR. STOVALL. 786 00:52:50,201 --> 00:52:52,837 PLEASE, I BEG OF YOU-- 787 00:52:52,903 --> 00:52:54,839 HE DON'T WANT YOU! 788 00:52:54,905 --> 00:52:56,841 GET ME SOME DOUGHNUTS. 789 00:52:56,907 --> 00:52:58,142 WANT DOUGHNUTS, RED? 790 00:52:58,209 --> 00:52:59,844 I JUST WANT MY MONEY. 791 00:52:59,910 --> 00:53:02,313 MY HEART'S BROKEN. 792 00:53:02,380 --> 00:53:04,249 YOUR ASS WILL BE BROKEN 793 00:53:04,315 --> 00:53:05,416 IF YOU DON'T WAG IT OUT OF HERE 794 00:53:05,483 --> 00:53:08,319 AND GET ME SOME DOUGHNUTS. 795 00:53:10,187 --> 00:53:12,357 LOOK HERE, RED. 796 00:53:12,423 --> 00:53:13,924 I'LL TELL YOU WHAT I'M GOING TO DO. 797 00:53:13,991 --> 00:53:15,693 I'LL SHOW YOU HOW WHITE I AM. 798 00:53:15,760 --> 00:53:20,698 I'LL SHOW YOU HOW YOU CAN MAKE THAT $1OO. 799 00:53:22,132 --> 00:53:23,834 I'M LISTENING. 800 00:53:23,901 --> 00:53:25,836 WELL, THE DEAL'S THIS. 801 00:53:25,903 --> 00:53:29,006 I DO A LITTLE SERVICE 802 00:53:29,073 --> 00:53:30,641 FOR SOME BUSINESS FRIENDS 803 00:53:30,708 --> 00:53:33,844 IN THE COMMUNITY FROM TIME TO TIME-- 804 00:53:33,911 --> 00:53:35,346 MOSTLY INSURANCE JOBS. 805 00:53:35,413 --> 00:53:37,181 IF SOMEBODY WANTS SOMETHING STOLEN, 806 00:53:37,248 --> 00:53:39,484 I MAKE SURE IT'S STOLEN. 807 00:53:39,550 --> 00:53:42,353 JUST WALK IN, TELL THE WOMAN IT'S A STICKUP, 808 00:53:42,420 --> 00:53:45,189 SHE HANDS YOU $1OO, MAYBE MORE. 809 00:53:45,256 --> 00:53:48,058 WHERE'S MY DOUGHNUTS? 810 00:53:48,125 --> 00:53:50,861 JUNIOR'S BRINGING IT. 811 00:53:50,928 --> 00:53:52,663 WHAT DO YOU SAY? 812 00:53:52,730 --> 00:53:55,866 WHAT DOES THIS WOMAN GET OUT OF IT? 813 00:53:55,933 --> 00:53:57,167 THAT'S THE TRICK. 814 00:53:57,234 --> 00:53:59,370 SHE GIVES THE ROBBER $1OO 815 00:53:59,437 --> 00:54:02,172 AND TELLS THE INSURANCE COMPANY IT'S 2OO. 816 00:54:02,239 --> 00:54:04,174 THE PLACE, WHERE IS IT? 817 00:54:04,241 --> 00:54:06,243 IT'S MYRTLE'S DINER. 818 00:54:06,311 --> 00:54:09,179 MYRTLE'S? BUT YOU SAID I COULD! 819 00:54:09,246 --> 00:54:12,583 I KNOW WHAT I SAID, JUNIOR. 820 00:54:12,650 --> 00:54:15,286 SEE WHAT I'M DOING FOR YOU? 821 00:54:15,353 --> 00:54:17,855 SOMETHING'S COME UP. IT'S RED'S JOB. 822 00:54:17,922 --> 00:54:18,723 BUT YOU SAID! 823 00:54:18,789 --> 00:54:21,258 I KNOW WHAT I SAID, GOD DAMN IT! 824 00:54:21,326 --> 00:54:25,896 AND I KNOW WHAT I'M SAYING NOW! 825 00:54:30,267 --> 00:54:31,769 WELL? 826 00:54:35,272 --> 00:54:39,243 WE'LL NEED A GUN TO MAKE IT LOOK REAL. 827 00:54:39,310 --> 00:54:42,212 MARLENE! BRING THAT OLD SHOTGUN DOWN HERE 828 00:54:42,279 --> 00:54:44,315 AND DON'T BE ALL DAY. 829 00:54:45,883 --> 00:54:47,284 THIS MYRTLE, 830 00:54:47,352 --> 00:54:49,720 DOES SHE HAVE A PHONE? 831 00:54:49,787 --> 00:54:51,556 NO. WHY? 832 00:54:51,622 --> 00:54:54,725 I THOUGHT I'D CALL AND SEE IF THIS IS ON THE LEVEL. 833 00:54:54,792 --> 00:54:56,160 FOR PITY'S SAKE, 834 00:54:56,226 --> 00:54:58,796 WHY WOULD I LIE TO YOU? 835 00:55:00,731 --> 00:55:04,301 WHAT ARE YOU STANDING AROUND FOR? 836 00:55:04,369 --> 00:55:06,804 WHAT DO YOU SAY? 837 00:55:06,871 --> 00:55:08,305 I'LL TELL HER 838 00:55:08,373 --> 00:55:10,641 YOU'RE COMING TONIGHT ABOUT CLOSING TIME. 839 00:55:10,708 --> 00:55:11,642 RIGHT? 840 00:55:11,709 --> 00:55:12,877 RIGHT. 841 00:55:34,999 --> 00:55:36,934 HOWDY. 842 00:55:37,001 --> 00:55:38,603 WE'RE CLOSED. 843 00:55:38,669 --> 00:55:42,773 WELL, I'LL JUST, UH, HANG AROUND HERE 844 00:55:42,840 --> 00:55:46,744 TILL YOU FINISH COUNTING THAT CASH. 845 00:55:51,015 --> 00:55:53,117 AAH! 846 00:55:55,986 --> 00:55:59,023 AAAH! 847 00:56:01,258 --> 00:56:02,292 HEY! 848 00:56:02,359 --> 00:56:03,761 HEY, IT'S ME! 849 00:56:03,828 --> 00:56:07,698 I'M THE ONE WHO-- ARNSPRINGER SENT ME. 850 00:56:36,226 --> 00:56:37,495 HEY. 851 00:56:37,562 --> 00:56:40,598 DON'T YOU GO. STAY HERE. 852 00:56:57,081 --> 00:57:01,452 AAH! 853 00:57:01,519 --> 00:57:03,688 ARE YOU CRAZY? 854 00:57:03,754 --> 00:57:05,823 AAH! 855 00:57:07,825 --> 00:57:11,529 I'M SUPPOSED TO PULL THE HOLDUP. 856 00:57:11,596 --> 00:57:12,930 ARNSPRINGER SENT ME. 857 00:57:12,997 --> 00:57:13,931 AAH! 858 00:57:15,199 --> 00:57:17,635 LOOK. IT ISN'T EVEN LOADED. 859 00:57:17,702 --> 00:57:21,205 AAH! 860 00:57:21,271 --> 00:57:25,009 AAH! 861 00:57:26,276 --> 00:57:29,179 YOU ALMOST GOT YOURSELF KILLED. 862 00:57:29,246 --> 00:57:30,848 THAT WAS SOME SET-UP. 863 00:57:30,915 --> 00:57:33,551 LET'S GO BACK TO ARNSPRINGER'S. 864 00:57:33,618 --> 00:57:36,754 I'M GETTING THAT MONEY HE OWES ME. 865 00:57:36,821 --> 00:57:39,123 THAT WILL MEAN TROUBLE. 866 00:57:39,189 --> 00:57:41,158 WHY DON'T WE JUST-- 867 00:57:41,225 --> 00:57:43,227 DO WHAT I SAY! 868 00:57:43,293 --> 00:57:46,897 IF YOU AIN'T WITH ME, GET OUT! 869 00:57:51,969 --> 00:57:53,571 WHO IS IT? 870 00:57:53,638 --> 00:57:55,906 TELL HIM IT'S WESTERN UNION. 871 00:57:55,973 --> 00:57:57,407 WESTERN UNION. 872 00:57:57,474 --> 00:57:59,510 TELEGRAM FOR MR. ARNSPRINGER. 873 00:58:08,485 --> 00:58:12,489 JUST BACK RIGHT ON OVER THERE, BOY. 874 00:58:12,557 --> 00:58:14,625 EVERYBODY JUST KEEP THEIR HANDS 875 00:58:14,692 --> 00:58:17,027 RIGHT ON THE TABLE, OK? 876 00:58:17,094 --> 00:58:18,929 RED, WHAT IS THIS? 877 00:58:18,996 --> 00:58:21,932 YOU DIDN'T TELL THAT OLD LADY 878 00:58:21,999 --> 00:58:23,601 I WAS COMING. 879 00:58:23,668 --> 00:58:25,570 SHE SHOT AT ME. 880 00:58:25,636 --> 00:58:27,437 W-WELL, RED, I DID. 881 00:58:27,504 --> 00:58:30,908 I DIDN'T PERSONALLY, BUT I SENT WORD. 882 00:58:30,975 --> 00:58:33,210 WHY WOULD I DOUBLE 883 00:58:33,277 --> 00:58:35,880 HOW DID YOU SEND WORD? 884 00:58:36,647 --> 00:58:40,017 I SENT SOMEBODY ELSE. 885 00:58:41,185 --> 00:58:43,688 YOU SHIT FOR BRAINS! 886 00:58:44,789 --> 00:58:47,558 OK, YOU'RE AN HONEST MAN. 887 00:58:47,625 --> 00:58:51,662 OF COURSE I AM, RED. YOU KNOW ME. 888 00:58:51,729 --> 00:58:56,466 BECAUSE YOU'RE SUCH AN HONEST MAN, 889 00:58:56,533 --> 00:58:58,535 YOU'RE GOING TO GIVE ME $2OO 890 00:58:58,603 --> 00:59:00,504 BECAUSE YOU ALMOST GOT ME KILLED. 891 00:59:00,571 --> 00:59:04,842 WELL, RED, I DON'T HAVE THE MONEY, 892 00:59:04,909 --> 00:59:08,312 AND I DON'T THINK YOU HAVE ANY SHELLS 893 00:59:08,378 --> 00:59:09,980 IN THAT SHOTGUN. 894 00:59:10,047 --> 00:59:12,049 YOU WANT TO BET? 895 00:59:17,922 --> 00:59:21,726 UH, RED, I DON'T HAVE $2OO. 896 00:59:21,792 --> 00:59:23,761 I DON'T EVEN HAVE $1OO. 897 00:59:23,828 --> 00:59:25,229 HOW MUCH IS THERE? 898 00:59:25,295 --> 00:59:28,065 MAYBE $5O, $6O. 899 00:59:28,132 --> 00:59:29,800 HOW ABOUT IN THERE? 900 00:59:29,867 --> 00:59:32,236 THAT'S NOT MINE, RED. 901 00:59:32,302 --> 00:59:34,404 THAT'S THE BANK'S. 902 00:59:34,471 --> 00:59:38,308 HOSS, YOU TAKE A LOOK IN THAT BOX. 903 00:59:40,277 --> 00:59:44,181 YOU TAKE OUT $6O FOR DURWOOD HERE. 904 00:59:46,751 --> 00:59:49,887 AND THEN WE'LL TAKE OUT $5O 905 00:59:49,954 --> 00:59:52,957 FOR THIS GENTLEMAN RIGHT HERE. 906 00:59:53,023 --> 00:59:55,726 ARNSPRINGER, YOU GIVE HIM AN IOU. 907 00:59:55,793 --> 00:59:58,195 YOU'RE GOING TOO FAR. 908 00:59:58,262 --> 01:00:00,430 THE POLICE WILL GET YOU. 909 01:00:00,497 --> 01:00:03,000 DO IT! DON'T BE STUPID! 910 01:00:04,969 --> 01:00:07,672 THAT'S ALL THE MONEY I GOT. 911 01:00:07,738 --> 01:00:11,541 YOU PICKED A GOOD PLACE TO SPEND IT. 912 01:00:11,608 --> 01:00:15,079 YOU'RE IN TROUBLE. YOU KNOW WHO I AM? 913 01:00:15,145 --> 01:00:19,817 YEAH, YOU'RE THE MAN WITH ALL THE CHIPS. 914 01:00:19,884 --> 01:00:22,887 TAKE OUT 9O FOR THIS GENTLEMAN. 915 01:00:22,953 --> 01:00:25,155 DURWOOD, WRITE HIM AN IOU. 916 01:00:30,828 --> 01:00:34,865 SHE'S GETTING THE COPS, BUT IT'S NOT TOO LATE. 917 01:00:34,932 --> 01:00:37,601 IF YOU'LL STOP RIGHT NOW, 918 01:00:37,668 --> 01:00:40,370 WE WON'T PREFER CHARGES AGAINST YOU. 919 01:00:40,437 --> 01:00:42,339 WE'LL FORGET ABOUT IT. 920 01:00:54,084 --> 01:00:57,287 YOU AIN'T TOO SMART, ARE YOU, BOY? 921 01:00:59,289 --> 01:01:00,891 HOSS, LET'S GO. 922 01:01:00,958 --> 01:01:04,695 YOU CAN CONTINUE YOUR GAME. 923 01:01:04,762 --> 01:01:07,998 ANYONE WHO GOES OUTSIDE BEFORE WE'RE GONE 924 01:01:08,065 --> 01:01:10,434 WILL FIND OUT IF I'VE GOT SHELLS 925 01:01:10,500 --> 01:01:12,236 FOR MY SHOTGUN. 926 01:01:12,302 --> 01:01:13,838 COME ON. 927 01:01:32,823 --> 01:01:35,860 YOU STAY HERE. I'LL BE RIGHT BACK. 928 01:01:50,074 --> 01:01:52,509 HOLY SHIT! WHAT ARE YOU DOING HERE? 929 01:01:52,576 --> 01:01:54,044 WILL YOU HELP ME? 930 01:01:54,111 --> 01:01:59,483 I HAVE TO GO WITH HIM TO NASHVILLE. 931 01:01:59,549 --> 01:02:01,218 ARE YOU CRAZY? 932 01:02:01,285 --> 01:02:03,988 HE'LL COME OUT AND FIND YOU. 933 01:02:04,054 --> 01:02:07,091 I CAN'T GO BACK TO ARNSPRINGER'S. 934 01:02:07,157 --> 01:02:10,594 I DIDN'T GET THE COPS, DID I? 935 01:02:10,660 --> 01:02:12,930 ARNSPRINGER WILL SKIN ME ALIVE. 936 01:02:12,997 --> 01:02:15,565 HE'LL NEVER STAND FOR IT. 937 01:02:15,632 --> 01:02:17,634 PUT ME IN THE TRUNK, THEN. 938 01:02:17,701 --> 01:02:18,836 PLEASE. 939 01:02:20,237 --> 01:02:23,373 I'LL RIDE IN THERE AS FAR AS I CAN 940 01:02:23,440 --> 01:02:25,309 WITHOUT BEING DISCOVERED. 941 01:02:25,375 --> 01:02:28,946 I JUST CAN'T GO BACK. 942 01:02:29,013 --> 01:02:31,782 CAN YOU STAND BEING SHUT UP 943 01:02:31,849 --> 01:02:33,818 IN A PLACE THAT SMALL? 944 01:02:33,884 --> 01:02:35,485 I'LL STAND ANYTHING 945 01:02:35,552 --> 01:02:38,388 TO GO TO NASHVILLE WITH HIM. 946 01:02:40,825 --> 01:02:43,260 WHAT'S THE MATTER WITH GRANDPA? 947 01:02:43,327 --> 01:02:44,761 HE'S DRUNK. 948 01:02:44,829 --> 01:02:46,596 I AM NOT DRUNK. 949 01:02:46,663 --> 01:02:49,266 YOU, SIR, OODLY OKUM DRINK. 950 01:02:49,333 --> 01:02:52,769 HE DRANK HALF A BOTTLE OF WHISKEY. 951 01:02:52,837 --> 01:02:54,138 I ASSUMED, SIR, 952 01:02:54,204 --> 01:02:57,541 THAT BOTTLE WAS LEFT THERE FOR ME. 953 01:02:57,607 --> 01:03:00,777 RIDE IN THE BACK, MR. WAGONEER. 954 01:03:00,845 --> 01:03:03,280 YOU CAN SLEEP IT OFF. 955 01:03:03,347 --> 01:03:06,917 THAT SEAT IS YOURS. THIS IS YOUR CAR. 956 01:03:06,984 --> 01:03:09,453 YOU NEED THE SLEEP. 957 01:03:09,519 --> 01:03:12,056 I AIN'T ARGUING WITH YOU. 958 01:03:44,454 --> 01:03:48,192 SORRY TO BOTHER YOU, BUT I HAVE TO GO PEE. 959 01:03:48,258 --> 01:03:52,796 SHH! SLEEPING. ARE YOU ALL RIGHT? 960 01:03:52,863 --> 01:03:55,799 IT'S ROUGH, 961 01:03:55,866 --> 01:03:57,667 BUT IF THAT'S WHAT IT TAKES 962 01:03:57,734 --> 01:03:59,003 TO BE WITH HIM, 963 01:03:59,069 --> 01:04:00,637 I'M NOT COMPLAINING. 964 01:04:00,704 --> 01:04:03,207 WITH HIM? WHAT ABOUT NASHVILLE? 965 01:04:03,273 --> 01:04:07,344 OH, YES. I WANTED TO GO TO NASHVILLE 966 01:04:07,411 --> 01:04:09,846 EVEN BEFORE I MET HIM. 967 01:04:09,914 --> 01:04:12,849 IT'S JUST THIS FEELING I HAVE. 968 01:04:12,917 --> 01:04:15,152 OUR DESTINIES WILL BE INTERTWINED, 969 01:04:15,219 --> 01:04:17,888 HIS AND MINE, LIKE VINES. 970 01:04:18,722 --> 01:04:20,390 VINES? 971 01:04:21,191 --> 01:04:23,860 OH, I DON'T EXPECT YOU 972 01:04:23,928 --> 01:04:25,095 TO UNDERSTAND WHAT I MEAN. 973 01:04:25,162 --> 01:04:28,165 IT'S JUST THAT, WELL, WHEN I SAW HIM, 974 01:04:28,232 --> 01:04:32,970 SOMETHING HAPPENED, AND I KNEW. 975 01:04:37,174 --> 01:04:40,344 IF I WAS YOU, I WOULDN'T MENTION 976 01:04:40,410 --> 01:04:42,546 THAT INTERTWINED DESTINY STUFF 977 01:04:42,612 --> 01:04:44,048 TO UNCLE RED. 978 01:04:44,114 --> 01:04:47,717 IT WON'T HELP YOU GET TO NASHVILLE. 979 01:04:47,784 --> 01:04:48,885 THANK YOU. 980 01:04:50,587 --> 01:04:54,458 BOY, I SURE DO APPRECIATE WHAT YOU'RE DOING FOR ME. 981 01:04:54,524 --> 01:04:57,561 WHAT'S YOUR NAME? 982 01:04:57,627 --> 01:04:59,896 UNCLE RED CALLS ME HOSS. 983 01:04:59,964 --> 01:05:02,532 HOSS. WOULD YOU MIND VERY MUCH 984 01:05:02,599 --> 01:05:04,701 IF I CALL YOU HOSS, TOO? 985 01:05:04,768 --> 01:05:07,204 I'M MARLENE MOONGLOW. 986 01:05:10,274 --> 01:05:13,443 WELL, IT'S NOT MY REAL NAME. 987 01:05:13,510 --> 01:05:15,479 MY REAL NAME'S MOONEY. 988 01:05:15,545 --> 01:05:20,150 MARLENE MOONEY IS JUST TOO PLAIN FOR A SINGING STAR. 989 01:05:20,217 --> 01:05:23,653 BUT MOONGLOW, MARLENE MOONGLOW-- 990 01:05:23,720 --> 01:05:25,155 DON'T YOU THINK 991 01:05:25,222 --> 01:05:27,157 THAT'S A WONDERFUL STAGE NAME? 992 01:05:27,224 --> 01:05:29,593 UH, I THINK YOU BETTER 993 01:05:29,659 --> 01:05:32,262 GET BACK IN THE CAR. 994 01:05:32,329 --> 01:05:35,699 YOU BETTER GET BACK INSIDE. 995 01:05:58,755 --> 01:06:00,390 WHAT'S THAT SOUND? 996 01:06:00,457 --> 01:06:02,192 IT'S THE REAR END. 997 01:06:02,259 --> 01:06:04,995 WE'LL GET IT CHECKED IN FAYETTEVILLE. 998 01:06:07,998 --> 01:06:09,633 OH, GOD. 999 01:06:09,699 --> 01:06:11,635 PULL OVER HERE, HOSS. 1000 01:06:11,701 --> 01:06:14,138 DON'T WORRY ABOUT A THING. 1001 01:06:14,204 --> 01:06:16,206 I'LL TAKE CARE OF EVERYTHING. 1002 01:06:16,273 --> 01:06:18,608 THAT'S WHAT I WAS AFRAID OF. 1003 01:06:33,623 --> 01:06:34,991 HOWDY. 1004 01:06:35,059 --> 01:06:38,862 IT'S ILLEGAL TO DRIVE WITH ONE HEADLIGHT. 1005 01:06:38,928 --> 01:06:40,664 LET ME SEE YOUR LICENSE. 1006 01:06:42,132 --> 01:06:45,435 ILLEGAL TO DRIVE WITHOUT A LICENSE. 1007 01:06:45,502 --> 01:06:47,003 YOU SEE, OFFICER, 1008 01:06:47,071 --> 01:06:50,507 I'M TEACHING MY NEPHEW HOW TO DRIVE. 1009 01:06:50,574 --> 01:06:52,176 I'M RED STOVALL. 1010 01:06:52,242 --> 01:06:54,678 WE'RE HEADED DOWN TO NASHVILLE-- 1011 01:06:54,744 --> 01:06:57,181 HAVE YOU GOT A LICENSE? 1012 01:06:57,247 --> 01:07:00,184 I LOST MY WALLET THREE DAYS AGO. 1013 01:07:00,250 --> 01:07:02,386 YOU OWN THIS CAR? 1014 01:07:02,452 --> 01:07:03,787 I SURE DO. 1015 01:07:03,853 --> 01:07:05,455 GET YOUR REGISTRATION. 1016 01:07:05,522 --> 01:07:10,594 I LOST THAT WITH THE WALLET, TOO. 1017 01:07:10,660 --> 01:07:13,363 ILLEGAL TO DRIVE WITHOUT A REGISTRATION SLIP. 1018 01:07:13,430 --> 01:07:16,466 I'LL FIX IT IN NASHVILLE, 1019 01:07:16,533 --> 01:07:19,603 WHERE I'M APPEARING ON THE GRAND OLE OPRY. 1020 01:07:19,669 --> 01:07:21,138 YOU A MUSICIAN? 1021 01:07:21,205 --> 01:07:23,707 YEAH. I PLAY GUITAR AND SING SOME. 1022 01:07:23,773 --> 01:07:24,808 MAYBE YOU HEARD ABOUT ME. 1023 01:07:24,874 --> 01:07:28,845 RED STOVALL. 1024 01:07:28,912 --> 01:07:31,115 NOPE. 1025 01:07:31,181 --> 01:07:32,716 WHERE'S YOUR GUITAR? 1026 01:07:32,782 --> 01:07:34,684 HERE IN BACK. 1027 01:07:34,751 --> 01:07:36,786 RIGHT BACK HERE. 1028 01:07:38,822 --> 01:07:41,658 A BEAUTIFUL, BRAND-NEW GIBSON. 1029 01:07:45,061 --> 01:07:46,496 UH... 1030 01:07:46,563 --> 01:07:49,499 SHE WANTED TO GO TO NASHVILLE. 1031 01:07:49,566 --> 01:07:51,935 UNCLE RED SAID NO. 1032 01:07:52,001 --> 01:07:54,238 SHE'S MY SISTER. 1033 01:07:54,304 --> 01:07:56,506 WHAT ARE YOU DOING? 1034 01:07:56,573 --> 01:07:57,741 I PUT HER THERE. 1035 01:07:57,807 --> 01:07:59,209 BE QUIET. 1036 01:07:59,276 --> 01:08:01,378 IT'S JUST LIKE HE SAYS. 1037 01:08:01,445 --> 01:08:04,614 UNCLE RED THERE-- HE WON'T TAKE ME TO NASHVILLE-- 1038 01:08:04,681 --> 01:08:10,520 GET OUT OF THERE! 1039 01:08:10,587 --> 01:08:12,389 YOU GOT ANY I.D.? 1040 01:08:12,456 --> 01:08:13,890 IDEA? IDEA ABOUT WHAT? 1041 01:08:13,957 --> 01:08:15,725 NOW, LOOK, OFFICER. 1042 01:08:15,792 --> 01:08:17,961 I THINK I CAN HANDLE 1043 01:08:18,027 --> 01:08:20,230 THESE LITTLE DEVILS MYSELF. 1044 01:08:20,297 --> 01:08:22,399 I'M TAKING YOU IN. 1045 01:08:22,466 --> 01:08:23,933 OH! 1046 01:08:24,000 --> 01:08:26,403 PLEASE DON'T TAKE US IN! 1047 01:08:26,470 --> 01:08:28,104 SHUT UP! 1048 01:08:29,373 --> 01:08:33,343 OUT-OF-STATE CARS NEVER PAY THEIR FINES. 1049 01:08:33,410 --> 01:08:37,181 I COULD GIVE YOU THE MONEY. 1050 01:08:37,247 --> 01:08:40,717 ARE YOU TRYING TO BRIBE ME? 1051 01:08:40,784 --> 01:08:43,086 NO, BUT WHAT'S THE FINE? 1052 01:08:43,153 --> 01:08:45,589 I'LL GIVE YOU THE MONEY, 1053 01:08:45,655 --> 01:08:49,125 AND YOU GIVE IT TO THE JUDGE. 1054 01:08:54,164 --> 01:08:55,665 $1O. 1055 01:08:55,732 --> 01:08:57,867 $1O. ALL RIGHT. 1056 01:08:59,569 --> 01:09:02,506 I'D GET ANOTHER HEADLIGHT BEFORE DARK. 1057 01:09:02,572 --> 01:09:05,008 I'LL DO THAT RIGHT AWAY. 1058 01:09:05,074 --> 01:09:08,011 I'D RATHER YOU DIDN'T DO IT 1059 01:09:08,077 --> 01:09:09,646 IN DURETTE COUNTY. 1060 01:09:09,713 --> 01:09:11,881 LET YOUR UNCLE DRIVE. 1061 01:09:11,948 --> 01:09:14,451 YOU AIN'T OLD ENOUGH TO DRIVE. 1062 01:09:33,303 --> 01:09:35,672 GOD DAMN! 1063 01:09:38,208 --> 01:09:40,143 WELL, I'M WAITING. 1064 01:09:40,210 --> 01:09:43,247 KEEP YOUR EYES ON THE ROAD! 1065 01:09:44,848 --> 01:09:46,783 CAN'T YOU DRIVE BETTER? 1066 01:09:46,850 --> 01:09:49,052 I AIN'T BEEN PRACTICING. 1067 01:10:08,037 --> 01:10:10,440 UH, LET THE BOY DRIVE. 1068 01:10:10,507 --> 01:10:12,442 WELL, I'M STILL WAITING. 1069 01:10:12,509 --> 01:10:15,645 WELL, UM, WE COULDN'T JUST... 1070 01:10:15,712 --> 01:10:17,447 SHE WAS HIDING BEHIND THE SEAT 1071 01:10:17,514 --> 01:10:20,016 WHEN WE LEFT ARNSPRINGER'S. 1072 01:10:20,083 --> 01:10:23,152 WE COULDN'T JUST SEND HER BACK TO ARNSPRINGER'S. 1073 01:10:23,219 --> 01:10:25,088 AFTER ALL, SHE DIDN'T GO TO THE COPS 1074 01:10:25,154 --> 01:10:26,356 WHEN WE... 1075 01:10:28,191 --> 01:10:30,126 HOW OLD ARE YOU, GIRL? 1076 01:10:30,193 --> 01:10:31,328 18. 1077 01:10:31,395 --> 01:10:32,962 YOU'RE LYING. 1078 01:10:33,029 --> 01:10:34,964 17. ALMOST 18. 1079 01:10:35,031 --> 01:10:36,966 YOU'RE STILL PROBABLY LYING. 1080 01:10:37,033 --> 01:10:38,968 YOU'RE PROBABLY 16. 1081 01:10:39,035 --> 01:10:41,971 WHAT WILL YOU DO IN NASHVILLE? 1082 01:10:42,038 --> 01:10:43,973 GOT ANY MONEY OR FRIENDS? 1083 01:10:44,040 --> 01:10:46,976 WILL YOU LIVE ON THE STREETS? 1084 01:10:47,043 --> 01:10:49,413 THE LORD WILL PROVIDE. 1085 01:10:49,479 --> 01:10:51,481 THE NEXT TOWN WITH A BUS STOP, 1086 01:10:51,548 --> 01:10:54,250 YOU'RE GETTING ON IT. 1087 01:10:54,318 --> 01:10:57,487 I'LL GIVE YOU MONEY TO GET TO TULSA. 1088 01:10:57,554 --> 01:10:59,489 DON'T SEND ME BACK. 1089 01:10:59,556 --> 01:11:01,991 I WON'T BE ANY TROUBLE. 1090 01:11:02,058 --> 01:11:05,495 NO! 1091 01:11:05,562 --> 01:11:07,497 STOP THAT BEGGING CRAP NOW, 1092 01:11:07,564 --> 01:11:11,568 OR I'LL KICK YOUR ASS RIGHT OUT OF THIS CAR. 1093 01:11:16,573 --> 01:11:18,508 UH, GASKET'S GONE. 1094 01:11:18,575 --> 01:11:20,710 WON'T GET MUCH FURTHER LIKE THIS. 1095 01:11:20,777 --> 01:11:22,011 IT'S LEAKING OIL. 1096 01:11:22,078 --> 01:11:25,048 HOW LONG WILL IT TAKE TO FIX IT? 1097 01:11:25,114 --> 01:11:27,884 TWO OR THREE DAYS TO GET THE PART. 1098 01:11:27,951 --> 01:11:32,188 WILL IT MAKE IT TO MEMPHIS LIKE THIS? 1099 01:11:32,255 --> 01:11:34,057 IT MIGHT. MIGHT NOT. 1100 01:11:38,362 --> 01:11:40,296 LET'S CHANCE IT. 1101 01:11:40,364 --> 01:11:44,300 I DON'T WANT TO STAY IN THIS TOWN. 1102 01:11:44,368 --> 01:11:47,404 I'D RATHER BE IN PHILADELPHIA. 1103 01:11:51,908 --> 01:11:55,044 IF YOU'RE NOT EATING THIS, I CAN FINISH IT. 1104 01:11:55,111 --> 01:11:56,513 PUT IT DOWN. 1105 01:11:59,816 --> 01:12:01,551 MR. STOVALL... 1106 01:12:01,618 --> 01:12:04,554 WISH THERE WAS SOMETHING I COULD DO 1107 01:12:04,621 --> 01:12:08,057 TO MAKE YOU LIKE ME A LITTLE. 1108 01:12:08,124 --> 01:12:10,560 IF YOU ONLY KNEW... 1109 01:12:10,627 --> 01:12:12,962 IF ONLY YOU'D LET ME... 1110 01:12:14,130 --> 01:12:16,065 LET YOU WHAT? 1111 01:12:16,132 --> 01:12:17,967 DO SOMETHING. 1112 01:12:20,637 --> 01:12:22,972 SING. 1113 01:12:23,039 --> 01:12:24,674 WELL, SING. THAT'S IT. 1114 01:12:24,741 --> 01:12:27,377 IF YOU'D ONLY LET ME SING, 1115 01:12:27,444 --> 01:12:31,381 MAYBE YOU'D WANT ME TO GO TO NASHVILLE WITH YOU. 1116 01:12:31,448 --> 01:12:33,082 SING HERE? 1117 01:12:33,149 --> 01:12:34,584 MMM. SURE. 1118 01:12:34,651 --> 01:12:38,087 I'D BE GLAD TO. I'D BE MORE THAN GLAD. 1119 01:12:38,154 --> 01:12:40,089 ALL RIGHT. SING, THEN. 1120 01:12:40,156 --> 01:12:41,090 OH. 1121 01:12:41,157 --> 01:12:43,593 YOU REALLY WANT TO HEAR ME? 1122 01:12:43,660 --> 01:12:46,095 OK. WELL, WOULD IT BE OK 1123 01:12:46,162 --> 01:12:48,598 FOR ME TO BORROW YOUR GUITAR? 1124 01:12:48,665 --> 01:12:50,834 HOSS, GIVE HER THE GUITAR. 1125 01:12:50,900 --> 01:12:53,102 OH, THANK YOU, MR. STOVALL. 1126 01:12:53,169 --> 01:12:55,572 YOU WON'T REGRET THIS. 1127 01:12:55,639 --> 01:12:59,443 MADAM ZAR SAID I'M EVEN GOING TO BE GREAT SOMEDAY. 1128 01:12:59,509 --> 01:13:01,511 MADAM WHO? 1129 01:13:01,578 --> 01:13:03,647 SHE WAS A CLAIRVOYANT. 1130 01:13:05,682 --> 01:13:06,850 OK. 1131 01:13:06,916 --> 01:13:09,118 LET'S SEE. 1132 01:13:09,185 --> 01:13:11,120 UH, JUST A MINUTE. 1133 01:13:11,187 --> 01:13:12,789 GET UP ON THIS LOG. 1134 01:13:12,856 --> 01:13:15,024 WE GOT TO HAVE A STAGE FOR YOU 1135 01:13:15,091 --> 01:13:17,193 AND GIVE MISS MOONBEAM HERE 1136 01:13:17,260 --> 01:13:19,195 EVERY PROFESSIONAL ADVANTAGE. 1137 01:13:19,262 --> 01:13:20,697 IT'S MOONGLOW. 1138 01:13:20,764 --> 01:13:22,231 WHATEVER. 1139 01:13:22,298 --> 01:13:24,400 WELL, THE FIRST SONG I'D LIKE TO SING 1140 01:13:24,468 --> 01:13:27,036 IS MY BONNIE LIES OVER THE OCEAN. 1141 01:13:34,611 --> 01:13:39,849 * MY BONNIE LIES OVER THE OCEAN * 1142 01:13:39,916 --> 01:13:45,455 * MY BONNIE LIES OVER THE SEA * 1143 01:13:45,522 --> 01:13:51,728 * MY BONNIE LIES OVER THE OCEAN * 1144 01:13:51,795 --> 01:13:57,066 * OH, BRING BACK MY BONNIE TO ME * 1145 01:13:57,133 --> 01:13:59,102 * BRING BACK 1146 01:13:59,168 --> 01:14:01,605 * OH, BRING BACK 1147 01:14:01,671 --> 01:14:05,241 * OH, BRING BACK MY BONNIE TO ME * 1148 01:14:05,308 --> 01:14:07,243 * TO ME 1149 01:14:07,310 --> 01:14:09,045 * BRING BACK 1150 01:14:09,112 --> 01:14:11,414 * OH, BRING BACK 1151 01:14:11,481 --> 01:14:16,520 * OH, BRING BACK MY BONNIE TO ME * 1152 01:14:16,586 --> 01:14:21,791 * MY BON-- BONNIE HAS TUBERCULOSIS * 1153 01:14:21,858 --> 01:14:25,595 * AND MY BONNIE HAS ONLY ONE LUNG * 1154 01:14:25,662 --> 01:14:29,599 * AND MY BONNIE SPITS BLOOD AND CORRUPT-- * 1155 01:14:29,666 --> 01:14:32,368 GIVE ME THAT DAMN GUITAR. 1156 01:14:32,435 --> 01:14:35,004 WHAT'S THE MATTER? YOU DIDN'T LIKE IT? 1157 01:14:37,440 --> 01:14:39,042 MAYBE IN AN AMATEUR CONTEST 1158 01:14:39,108 --> 01:14:40,209 WITH A BRAYING JACKASS 1159 01:14:40,276 --> 01:14:41,711 YOU MIGHT STAND A CHANCE. 1160 01:14:41,778 --> 01:14:44,748 BETTER GIVE UP THE IDEA OF BEING A SINGER. 1161 01:14:46,616 --> 01:14:49,553 I DO RED RIVER VALLEY A LOT BETTER. 1162 01:15:01,898 --> 01:15:03,332 UNCLE RED, 1163 01:15:03,399 --> 01:15:06,135 WE CAN'T RISK GOING ANY FURTHER. 1164 01:15:06,202 --> 01:15:07,637 GOOD GOD. 1165 01:15:07,704 --> 01:15:10,940 SO THIS IS WHERE IT GIVES OUT ON US. 1166 01:15:11,007 --> 01:15:12,742 NOXPATER. 1167 01:15:16,613 --> 01:15:18,414 HOW LONG TO GET IT FIXED? 1168 01:15:18,481 --> 01:15:19,849 TWO DAYS. 1169 01:15:19,916 --> 01:15:22,418 HAVE TO SEND AWAY TO GET THE PARTS. 1170 01:15:22,485 --> 01:15:26,355 TAKE ONE DAY TO GET THEM. FIXING IT ANOTHER DAY. 1171 01:15:26,422 --> 01:15:27,691 TWO DAYS. 1172 01:15:27,757 --> 01:15:31,561 IS THERE A BUS GOES THROUGH HERE TO MEMPHIS? 1173 01:15:31,628 --> 01:15:33,797 SURELY. OZARK STAGE. 1174 01:15:33,863 --> 01:15:35,965 LEAVES FROM RIGHT HERE. 1175 01:15:36,032 --> 01:15:37,466 6:OO SHARP. 1176 01:15:37,533 --> 01:15:39,869 WHAT THE HELL IS "RIGHT HERE"? 1177 01:15:39,936 --> 01:15:41,771 RIGHT HERE! 1178 01:15:43,673 --> 01:15:47,877 I THINK I'LL JUST GO ON BY BUS. 1179 01:15:47,944 --> 01:15:51,881 NO SENSE SITTIN' AROUND HERE FOR TWO DAYS. 1180 01:15:51,948 --> 01:15:55,484 I'LL BE IN MURFREESBORO BEFORE THE CAR'S FIXED. 1181 01:15:55,551 --> 01:15:57,754 I'D BE OBLIGED TO YOU 1182 01:15:57,821 --> 01:16:01,825 IF I COULD GET HALF MY MONEY BACK. 1183 01:16:01,891 --> 01:16:03,126 SURE. 1184 01:16:03,192 --> 01:16:06,062 LOOKEE HERE, BOY. 1185 01:16:06,129 --> 01:16:09,432 NO SENSE IN ME HANGING AROUND HERE FOR TWO DAYS. 1186 01:16:09,498 --> 01:16:13,870 I COULD HEAD DOWN TO MEMPHIS. 1187 01:16:13,937 --> 01:16:15,872 WHEN THIS CAR'S FIXED, 1188 01:16:15,939 --> 01:16:18,574 YOU COULD MEET ME THERE. 1189 01:16:18,642 --> 01:16:20,009 HOW'S THAT SOUND? 1190 01:16:20,076 --> 01:16:21,210 WELL, I GUESS... 1191 01:16:21,277 --> 01:16:23,212 THAT'S A GOOD SPORT. 1192 01:16:23,279 --> 01:16:25,081 WHERE WILL I STAY? 1193 01:16:25,148 --> 01:16:27,016 IS THERE A HOTEL? 1194 01:16:27,083 --> 01:16:31,287 NO. HOTEL BURNED DOWN FIVE YEARS AGO. 1195 01:16:31,354 --> 01:16:34,123 GOT A ROOM FOR MY NEPHEW? 1196 01:16:34,190 --> 01:16:35,491 MIGHT BE. 1197 01:16:35,558 --> 01:16:37,493 WELL, WHERE? 1198 01:16:37,560 --> 01:16:40,129 RIGHT HERE. ONE ROOM UPSTAIRS. 1199 01:16:40,196 --> 01:16:43,499 I'LL PUT SOME SHEETS ON THE BED. 1200 01:16:43,566 --> 01:16:45,501 $1.OO A DAY. 1201 01:16:45,568 --> 01:16:48,004 SEE, BOY? YOU'RE SET UP. 1202 01:16:48,071 --> 01:16:50,506 WHEN DOES THAT BUS LEAVE? 1203 01:16:50,573 --> 01:16:51,941 TWO A DAY. 1204 01:16:52,008 --> 01:16:55,712 6:OO TONIGHT, 8:OO IN THE MORNING. 1205 01:16:55,779 --> 01:16:59,515 THAT'S MORE THAN TWO HOURS IN THIS TOWN. 1206 01:16:59,582 --> 01:17:02,518 WHERE CAN I GET A DRINK? 1207 01:17:02,585 --> 01:17:05,521 UP THE ROAD HALF A MILE. 1208 01:17:05,588 --> 01:17:09,525 WHAT DO YOU SAY WE HIKE UP THERE 1209 01:17:09,592 --> 01:17:11,527 AND GET A DRINK? 1210 01:17:11,594 --> 01:17:14,363 I'LL GIVE YOU YOUR MONEY. 1211 01:17:14,430 --> 01:17:16,532 DON'T CARE IF I DO. 1212 01:17:16,599 --> 01:17:20,436 WHAT SHOULD I DO WITH HER? 1213 01:17:20,503 --> 01:17:25,141 I DON'T GIVE A DAMN. 1214 01:17:25,208 --> 01:17:26,943 I'LL GIVE YOU MONEY 1215 01:17:27,010 --> 01:17:29,378 SO YOU CAN GET HER A TICKET TO TULSA. 1216 01:17:41,324 --> 01:17:43,259 WHERE'S UNCLE RED? 1217 01:17:43,326 --> 01:17:45,261 HE MET A WAITRESS. 1218 01:17:45,328 --> 01:17:46,996 SAID HE'D BE HERE. 1219 01:17:47,063 --> 01:17:50,166 HE BETTER HURRY IF'N HE IS. 1220 01:17:51,667 --> 01:17:55,438 WELL, WHIT, BE A GOOD BOY, YOU HEAR? 1221 01:17:55,504 --> 01:17:57,206 YOU COME SEE ME. 1222 01:17:57,273 --> 01:18:00,009 ASK ANYBODY ABOUT THE WAGONEER PLACE. 1223 01:18:00,076 --> 01:18:03,179 I WILL, GRANDPA. I'LL COME AND SEE YOU. 1224 01:18:05,514 --> 01:18:08,184 GOOD-BYE, MY DEAR. 1225 01:18:10,653 --> 01:18:12,655 AND, WHIT... 1226 01:18:12,722 --> 01:18:14,023 STAY WITH HIM. 1227 01:18:14,090 --> 01:18:18,895 TAKE CARE OF HIM AS BEST YOU CAN. 1228 01:18:20,429 --> 01:18:21,898 LET'S GO! 1229 01:18:31,674 --> 01:18:33,810 BYE, GRANDPA. 1230 01:18:34,778 --> 01:18:36,913 SEE YOU IN TENNESSEE. 1231 01:18:45,221 --> 01:18:47,323 HOLD THAT BUS! 1232 01:18:47,390 --> 01:18:49,759 HOLD THAT BUS! 1233 01:18:57,733 --> 01:19:00,770 SHIT FIRE AND SAVE THE MATCHES. 1234 01:19:02,371 --> 01:19:04,673 STUCK IN NOXPATER, ARKANSAS. 1235 01:19:04,740 --> 01:19:06,675 WHEN'S THE NEXT BUS OUT? 1236 01:19:06,742 --> 01:19:08,978 8:OO TOMORROW MORNING. 1237 01:19:09,045 --> 01:19:10,780 SHARP. 1238 01:19:34,770 --> 01:19:37,473 THAT YAHOO UP THERE? 1239 01:19:46,715 --> 01:19:49,552 THAT BUS LEAVES IN FIVE MINUTES. 1240 01:19:50,719 --> 01:19:53,289 OK, I'LL TELL HIM. 1241 01:19:53,356 --> 01:19:55,291 UNCLE RED, WAKE UP. 1242 01:19:55,358 --> 01:19:57,293 YOU'LL MISS THE BUS. 1243 01:19:57,360 --> 01:19:58,962 WAKE UP. 1244 01:19:59,028 --> 01:20:01,164 I HAVE CONCEIVED. 1245 01:20:03,432 --> 01:20:04,834 WHAT'S THAT? 1246 01:20:04,901 --> 01:20:08,237 I HAVE CONCEIVED. 1247 01:20:10,739 --> 01:20:12,976 WHAT ARE YOU TALKING ABOUT? 1248 01:20:13,042 --> 01:20:16,079 I AM IN THE FAMILY WAY. 1249 01:20:20,016 --> 01:20:22,685 I KNOW HOW OUR DESTINIES 1250 01:20:22,751 --> 01:20:24,787 WAS MEANT TO BE INTERTWINED. 1251 01:20:24,854 --> 01:20:27,490 I'M GOING TO BEAR YOUR CHILD. 1252 01:20:27,556 --> 01:20:29,692 I HAVE CONCEIVED. 1253 01:20:29,758 --> 01:20:31,694 ISN'T IT WONDERFUL, RED? 1254 01:20:31,760 --> 01:20:34,563 YOU'RE GOING TO BE A FATHER! 1255 01:20:34,630 --> 01:20:37,100 HOLD THAT BUS! 1256 01:20:38,401 --> 01:20:41,070 HEY, RED. 1257 01:20:41,137 --> 01:20:44,807 YOU'RE NOT GOING AFTER WHAT YOU SAID LAST NIGHT? 1258 01:20:44,874 --> 01:20:47,843 WHAT DID I SAY? NEVER MIND. 1259 01:20:47,911 --> 01:20:50,646 GO HOLD THAT BUS. 1260 01:20:50,713 --> 01:20:52,815 AIN'T YOU HEARD ANYTHING I SAID? 1261 01:20:52,882 --> 01:20:54,750 I'VE HEARD ENOUGH. 1262 01:20:54,817 --> 01:20:57,453 YOU'RE CRAZY. YOU KNOW THAT? 1263 01:20:57,520 --> 01:20:59,923 YOU ARE REALLY CRAZY. 1264 01:21:09,798 --> 01:21:12,268 HERE, HOSS. 1265 01:21:12,335 --> 01:21:15,304 HERE'S ENOUGH MONEY TO GET YOU TO MEMPHIS. 1266 01:21:15,371 --> 01:21:18,541 I'LL BE AT THE TOP HAT CLUB. 1267 01:21:18,607 --> 01:21:20,743 BUT WHAT ABOUT HER? 1268 01:21:20,809 --> 01:21:22,611 HER? I DON'T CARE. 1269 01:21:22,678 --> 01:21:24,047 WE'RE LEAVING. 1270 01:21:24,113 --> 01:21:26,549 ALL RIGHT. JUST A SECOND. 1271 01:21:26,615 --> 01:21:29,052 GET HER A BUS TICKET. 1272 01:21:29,118 --> 01:21:32,621 DON'T BRING HER TO MEMPHIS. 1273 01:21:32,688 --> 01:21:36,025 DID YOU HEAR ANYTHING LAST NIGHT? 1274 01:21:36,092 --> 01:21:37,526 SEE ANYTHING? 1275 01:21:37,593 --> 01:21:39,762 DID SHE AND I DO ANYTHING? 1276 01:21:39,828 --> 01:21:43,266 OK. I'LL SEE YOU IN MEMPHIS, HOSS. 1277 01:21:44,867 --> 01:21:46,669 ALONE. YOU HEAR? 1278 01:22:04,420 --> 01:22:08,424 * WHEN THE BLUES COME AROUND * 1279 01:22:08,491 --> 01:22:12,061 * IN THE EVENING, I'LL BE GONE * 1280 01:22:14,930 --> 01:22:18,134 * GONNA BE IN THE SHADOWS * 1281 01:22:18,201 --> 01:22:22,538 * HEADING FOR THE HONKYTONKS * 1282 01:22:24,040 --> 01:22:26,242 * THEY'RE GONNA DANCE 1283 01:22:27,843 --> 01:22:33,983 * GONNA DANCE ALL OVER THAT HARDWOOD FLOOR * 1284 01:22:34,050 --> 01:22:38,754 * YEAH, DANCE A HOLE RIGHT THROUGH * 1285 01:22:38,821 --> 01:22:43,859 * THAT HARDWOOD FLOOR 1286 01:22:43,926 --> 01:22:48,664 WHAT'S A WHITE KID DOING WAY DOWN HERE? 1287 01:22:48,731 --> 01:22:51,967 THAT'S MY UNCLE RED. 1288 01:22:54,270 --> 01:22:55,604 * POUR ME ONE MORE 1289 01:22:55,671 --> 01:22:57,906 OH, IT IS? 1290 01:22:57,973 --> 01:23:01,377 WHY DON'T YOU SIT RIGHT OVER HERE? 1291 01:23:01,444 --> 01:23:03,879 THAT WAY, IN CASE THE POLICE COME, 1292 01:23:03,946 --> 01:23:07,483 YOU CAN SAY YOU'RE OUR DELIVERY BOY. 1293 01:23:10,219 --> 01:23:15,324 * TO GET A SWEET MAN OFF MY MIND, Y'ALL * 1294 01:23:18,694 --> 01:23:21,030 * YEAH, BABY 1295 01:23:22,565 --> 01:23:26,569 * I'M GONNA USE THE QUICKEST ONE I CAN FIND * 1296 01:23:26,635 --> 01:23:28,237 * HEY 1297 01:23:28,304 --> 01:23:31,507 * WHEN THE BLUES COME AROUND * 1298 01:23:32,675 --> 01:23:37,546 * THIS EVENING, I'LL BE GONE, YEAH * 1299 01:23:37,613 --> 01:23:39,315 * HEY 1300 01:23:39,382 --> 01:23:42,451 * LEADBELLY TOLD US 1301 01:23:42,518 --> 01:23:47,356 * WHAT THE BLUES IS ALL ABOUT * 1302 01:23:47,423 --> 01:23:49,125 * YEAH 1303 01:23:49,192 --> 01:23:52,328 * AND YOU KNOW, THE ONLY JIMMY ROGERS * 1304 01:23:52,395 --> 01:23:57,633 * TOLD US WHAT THE BLUES WAS ALL ABOUT, NOW * 1305 01:23:59,335 --> 01:24:02,605 * YOU KNOW, THERE'S LOTS OF FAMILY MEN AROUND ME * 1306 01:24:02,671 --> 01:24:06,142 * AND A PURPLE WOMAN JUST STEPPING OUT * 1307 01:24:06,209 --> 01:24:07,810 LET ME HEAR YOU! 1308 01:24:07,876 --> 01:24:08,711 YAY! 1309 01:24:08,777 --> 01:24:10,313 * WE GONNA DANCE 1310 01:24:10,379 --> 01:24:11,780 * YEAH, SURE ENOUGH 1311 01:24:11,847 --> 01:24:16,419 * GONNA DANCE ALL OVER THAT HARDWOOD FLOOR * 1312 01:24:19,088 --> 01:24:22,057 * YEAH, DANCE A HOLE * 1313 01:24:23,392 --> 01:24:27,230 * RIGHT THROUGH THAT HARDWOOD FLOOR * 1314 01:24:29,332 --> 01:24:33,269 * AND WHEN THE BLUES COME BY ME * 1315 01:24:33,336 --> 01:24:36,105 * GONNA TELL THE BARTENDER TO POUR * 1316 01:24:37,106 --> 01:24:39,475 * POUR ME ONE MORE 1317 01:24:39,542 --> 01:24:42,545 * AND WHEN THE BLUES COME AROUND * 1318 01:24:44,012 --> 01:24:47,850 * THIS EVENING, I'LL BE * 1319 01:24:47,916 --> 01:24:52,255 * GONE 1320 01:25:11,774 --> 01:25:13,509 GET IN THE SUN. 1321 01:25:13,576 --> 01:25:16,145 GET SOME COLOR IN YOUR FACE. 1322 01:25:16,212 --> 01:25:20,716 I COULD RUB SHOE POLISH ON ME AGAIN. 1323 01:25:20,783 --> 01:25:23,786 YOU WON'T BE BOTHERED HERE ON BEALE STREET. 1324 01:25:23,852 --> 01:25:26,289 FORGET ABOUT THE SHOE POLISH. 1325 01:25:26,355 --> 01:25:30,159 MAYBE SOME OF YOURS WILL RUB OFF ON ME. 1326 01:25:30,226 --> 01:25:34,297 I'LL RUB, BUT IT WON'T RUB OFF. 1327 01:25:34,363 --> 01:25:38,301 WHO DOES THIS LITTLE PECKERWOOD BELONG TO? 1328 01:25:38,367 --> 01:25:40,336 THIS IS MY NEPHEW WHIT. 1329 01:25:40,403 --> 01:25:43,472 THIS IS FLOSSIE KING. 1330 01:25:43,539 --> 01:25:45,508 I LOVE YOU. 1331 01:25:48,411 --> 01:25:53,182 RED, WHO'S BEEN GIVING THIS BOY DOPE? 1332 01:25:56,685 --> 01:26:01,190 YOU JUST SIT THERE WHILE I DO MY ACT. 1333 01:26:01,257 --> 01:26:03,426 ALL RIGHT. 1334 01:26:05,461 --> 01:26:08,397 SHE'S THE GREATEST BLUES SINGER AROUND. 1335 01:26:08,464 --> 01:26:11,900 WHAT DID YOU DO WITH OUR SINGER? 1336 01:26:11,967 --> 01:26:15,338 I LEFT HER AT THE BUS STATION. 1337 01:26:15,404 --> 01:26:17,406 WHERE WAS SHE HEADING? 1338 01:26:17,473 --> 01:26:19,908 SHE MENTIONED SOMETHING ABOUT NASHVILLE. 1339 01:26:19,975 --> 01:26:21,910 IF SHE MAKES TROUBLE, 1340 01:26:21,977 --> 01:26:24,913 YOU'LL HAVE TO BE MY WITNESS. 1341 01:26:24,980 --> 01:26:27,416 HOW COULD SHE MAKE TROUBLE? 1342 01:26:27,483 --> 01:26:31,420 SHE'S SETTING ME UP FOR A PATERNITY SUIT. 1343 01:26:31,487 --> 01:26:34,823 YOU THINK SHE'D DO SOMETHING LIKE THAT? 1344 01:26:52,975 --> 01:26:58,314 DON'T YOU THINK YOU HAVE A PROBLEM WHEN YOU'RE DRINKING? 1345 01:26:58,381 --> 01:27:01,216 ONLY WHEN I CAN'T GET IT. 1346 01:27:01,284 --> 01:27:03,352 DON'T YOU THINK YOU MIGHT NEED 1347 01:27:03,419 --> 01:27:06,088 SOME HELP WITH YOUR DRINKING? 1348 01:27:06,154 --> 01:27:08,991 I DO QUITE WELL ALL BY MYSELF. 1349 01:27:10,293 --> 01:27:12,227 AREN'T THERE DOCTORS THAT-- 1350 01:27:12,295 --> 01:27:15,731 IF YOU WANT TO BE MY CHAUFFEUR, THAT'S FINE. 1351 01:27:15,798 --> 01:27:19,435 IF I WANT A WIFE TO BITCH AT ME, 1352 01:27:19,502 --> 01:27:21,236 I'LL GET MYSELF ONE. 1353 01:27:21,304 --> 01:27:22,605 UNDERSTAND? 1354 01:27:30,212 --> 01:27:33,849 WAS THERE EVER ANYONE YOU WANTED TO MARRY? 1355 01:27:35,318 --> 01:27:36,852 MARRY? 1356 01:27:40,523 --> 01:27:43,959 YEAH, I GUESS THERE WAS A FEW YEARS BACK. 1357 01:27:44,026 --> 01:27:46,495 WHO WAS SHE? 1358 01:27:46,562 --> 01:27:49,998 A GIRL I KNEW OUT IN CALIFORNIA. 1359 01:27:50,065 --> 01:27:52,000 MARY SIMS WAS HER NAME. 1360 01:27:57,573 --> 01:27:59,074 WELL, WHY DIDN'T YOU? 1361 01:27:59,141 --> 01:28:01,410 MARRY HER, I MEAN. 1362 01:28:01,477 --> 01:28:04,480 BECAUSE SHE WAS MARRIED ALREADY. 1363 01:28:04,547 --> 01:28:07,483 A FARMER MARRIED HER WHEN SHE WAS 14, 1364 01:28:07,550 --> 01:28:09,418 AND SHE HAD TWO KIDS. 1365 01:28:10,853 --> 01:28:13,589 WASN'T MUCH TO LOOK AT, REALLY. 1366 01:28:13,656 --> 01:28:16,625 JUST A RAW-BONED OKIE GIRL. 1367 01:28:17,893 --> 01:28:21,930 SHE WAS A FINE, DECENT, FAITHFUL WOMAN. 1368 01:28:23,566 --> 01:28:25,834 AT LEAST TILL I MET HER. 1369 01:28:25,901 --> 01:28:28,303 WHAT HAPPENED? 1370 01:28:30,105 --> 01:28:32,541 SHE RAN OFF WITH ME. 1371 01:28:32,608 --> 01:28:35,010 I TOLD HER I LOVED HER 1372 01:28:35,077 --> 01:28:37,513 JUST TO GET TO HER. 1373 01:28:37,580 --> 01:28:40,583 I THOUGHT SHE FIGURED IT WAS A LIE, 1374 01:28:40,649 --> 01:28:43,085 BUT SHE TOOK ME SERIOUS. 1375 01:28:43,151 --> 01:28:46,254 SHE TOLD ME SHE LOVED ME, 1376 01:28:46,321 --> 01:28:48,524 AND SHE MEANT IT. 1377 01:28:48,591 --> 01:28:52,227 WELL, WE BUMMED AROUND THE COUNTRY, 1378 01:28:52,294 --> 01:28:54,730 BROKE MOST OF THE TIME. 1379 01:28:54,797 --> 01:28:57,232 EVEN WORKED THE FRUIT HARVEST. 1380 01:28:57,299 --> 01:29:00,235 LIVED IN SOME FLOPHOUSES 1381 01:29:00,302 --> 01:29:03,472 AND MIGRANT LABOR SHACKS. 1382 01:29:03,539 --> 01:29:05,474 IT WAS ALL RIGHT. 1383 01:29:05,541 --> 01:29:09,545 IT WAS MORE THAN ALL RIGHT. 1384 01:29:10,846 --> 01:29:13,148 I WAS HAPPIER THAN EVER BEFORE IN MY LIFE, 1385 01:29:13,215 --> 01:29:14,750 EITHER BEFORE OR SINCE. 1386 01:29:19,021 --> 01:29:21,657 WELL, WHAT HAPPENED? 1387 01:29:21,724 --> 01:29:24,760 I GOT TIRED OF IT, I GUESS. 1388 01:29:24,827 --> 01:29:27,630 I STARTED WONDERING WHAT I WAS DOING 1389 01:29:27,696 --> 01:29:31,467 WITH THIS RAW-BONED OKIE GIRL. 1390 01:29:31,534 --> 01:29:34,470 I'D THINK ABOUT ALL THE WOMEN 1391 01:29:34,537 --> 01:29:37,473 IN THE BARS I WORKED IN. 1392 01:29:37,540 --> 01:29:42,244 I TOLD HER I THOUGHT WE MADE A MISTAKE. 1393 01:29:42,310 --> 01:29:45,781 I GAVE HER MONEY FOR HER OWN PLACE. 1394 01:29:45,848 --> 01:29:49,485 SHE THREW THE MONEY IN MY FACE. 1395 01:29:49,552 --> 01:29:53,456 SAID SHE DIDN'T WANT ME OR MY MONEY. 1396 01:29:53,522 --> 01:29:56,091 WENT BACK TO HER HUSBAND. 1397 01:29:58,561 --> 01:30:00,896 AND YOU? WHAT'D YOU DO? 1398 01:30:02,431 --> 01:30:03,999 I GOT DRUNK 1399 01:30:04,066 --> 01:30:07,302 AND STARTED FEELING SORRY FOR MYSELF, AS USUAL. 1400 01:30:07,369 --> 01:30:08,904 AND... 1401 01:30:08,971 --> 01:30:10,506 I GOT TO THINKING 1402 01:30:10,573 --> 01:30:12,675 WHAT A NO-GOOD BASTARD I WAS, 1403 01:30:12,741 --> 01:30:14,743 WHAT A DECENT GIRL MARY WAS. 1404 01:30:14,810 --> 01:30:19,848 GOT TO THINKING MAYBE I LOVED HER ALL ALONG 1405 01:30:19,915 --> 01:30:25,521 AND JUST NEVER REALIZED IT UNTIL I LOST HER. 1406 01:30:29,625 --> 01:30:32,194 YOU DIDN'T TRY TO FIND HER? 1407 01:30:32,260 --> 01:30:37,666 YEAH. I'D HEARD SHE WAS PREGNANT BEFORE SHE LEFT ME, 1408 01:30:37,733 --> 01:30:41,470 SO I WENT DOWN AND TRIED TO SEE HER. 1409 01:30:41,537 --> 01:30:46,542 BUT I RAN INTO HER HUSBAND AND HIS BIG BROTHER. 1410 01:30:46,609 --> 01:30:50,412 THEY BEAT ME UP PRETTY BAD. 1411 01:30:50,479 --> 01:30:53,949 HUSBAND SAID MARY DIDN'T WANT TO SEE ME. 1412 01:30:54,016 --> 01:30:56,151 IF I EVER TRIED, 1413 01:30:56,218 --> 01:30:57,319 HE'D BREAK MY FINGERS. 1414 01:30:57,385 --> 01:31:00,255 I'D NEVER PLAY GUITAR AGAIN. 1415 01:31:00,322 --> 01:31:02,157 SO I LEFT TOWN. 1416 01:31:03,726 --> 01:31:06,695 DID SHE HAVE THE BABY? 1417 01:31:06,762 --> 01:31:09,197 YEAH, I HEARD SHE DID. 1418 01:31:09,264 --> 01:31:11,433 A LITTLE GIRL. 1419 01:31:11,500 --> 01:31:16,038 YOU NEVER TRIED TO SEE THE LITTLE GIRL? 1420 01:31:18,406 --> 01:31:20,042 NAH. 1421 01:31:20,108 --> 01:31:23,546 SHE'S BETTER OFF NOT KNOWING ABOUT ME. 1422 01:31:23,612 --> 01:31:26,181 MARY WAS RIGHT TO GO BACK TO HER HUSBAND. 1423 01:31:26,248 --> 01:31:29,484 WHAT COULD I OFFER A KID? 1424 01:31:29,552 --> 01:31:34,056 JUST HONKYTONKS AND FLOPHOUSES. 1425 01:31:34,122 --> 01:31:37,560 THAT'S THE LIFE OF A COUNTRY SINGER. 1426 01:31:37,626 --> 01:31:39,728 SOUND GOOD TO YOU? 1427 01:31:39,795 --> 01:31:42,330 IT DON'T SOUND TOO HOT 1428 01:31:42,397 --> 01:31:43,699 WHEN YOU PUT IT LIKE THAT. 1429 01:31:43,766 --> 01:31:45,000 IT SURE BEATS PICKING COTTON 1430 01:31:45,067 --> 01:31:47,169 AND LIVING IN A SHARECROPPER'S SHACK. 1431 01:31:52,908 --> 01:31:55,277 MAYBE YOU'RE RIGHT, BOY. 1432 01:31:55,343 --> 01:31:57,713 MAYBE YOU'RE RIGHT. 1433 01:31:57,780 --> 01:32:01,416 MAYBE IF I GET THIS BREAK ON THE OPRY, 1434 01:32:01,483 --> 01:32:04,019 WE WON'T HAVE TO STAY IN ANY FLOPHOUSES 1435 01:32:04,086 --> 01:32:07,122 OR SHARECROPPER SHACKS EVER AGAIN. 1436 01:32:25,507 --> 01:32:31,479 * I PICKED UP BOTH OF MY BABIES * 1437 01:32:31,546 --> 01:32:37,886 * AND I GOT 'EM READY FOR BED * 1438 01:32:37,953 --> 01:32:43,225 * THEN I PICKED UP THOSE PENCILS AND PAPERS * 1439 01:32:43,291 --> 01:32:49,732 * AND REMEMBERED WHAT CHRISTY HAD SAID * 1440 01:32:49,798 --> 01:32:55,570 * SHE SAID, "TURN THE PENCIL OVER" * 1441 01:32:56,972 --> 01:33:03,478 * "ERASE THE SUN FROM THE SKY" * 1442 01:33:03,545 --> 01:33:06,414 * "NOW, THIS IS A CLOUD" 1443 01:33:06,481 --> 01:33:09,718 * "SEE, IT'S RAINING" 1444 01:33:09,785 --> 01:33:16,558 * "THESE ARE TEARS IN DADDY'S EYES" * 1445 01:33:16,625 --> 01:33:20,528 * SO TURN THE PENCIL OVER * 1446 01:33:20,595 --> 01:33:22,831 HOW YOU DOING? 1447 01:33:22,898 --> 01:33:29,071 * I GUESS IT'S TIME TO BEGIN * 1448 01:33:29,137 --> 01:33:34,009 * TO ERASE HER OUT OF THE PICTURE * 1449 01:33:37,379 --> 01:33:42,084 * MOMMY'S GONE AGAIN 1450 01:33:42,150 --> 01:33:47,690 * SO ERASE HER OUT OF OUR PICTURE * 1451 01:33:50,225 --> 01:33:56,164 * MOMMY'S GONE AGAIN 1452 01:34:00,235 --> 01:34:02,170 THANK YOU, DUSTY. 1453 01:34:02,237 --> 01:34:04,239 WE'LL BE IN TOUCH. 1454 01:34:09,244 --> 01:34:11,680 WELL, MR. STOVALL. 1455 01:34:11,747 --> 01:34:14,249 UH...RED. 1456 01:34:14,316 --> 01:34:16,018 ANYTIME YOU'RE READY. 1457 01:34:16,084 --> 01:34:17,920 OK. 1458 01:34:29,564 --> 01:34:31,099 RED? 1459 01:34:31,166 --> 01:34:33,035 WHAT YOU GOT? 1460 01:34:33,101 --> 01:34:36,671 WELL, I'VE WRITTEN ABOUT 25 SONGS, 1461 01:34:36,739 --> 01:34:38,006 AND I'VE GOT-- 1462 01:34:39,708 --> 01:34:43,511 I'VE GOT THIS ONE CALLED POPPING THREE BEERS. 1463 01:34:43,578 --> 01:34:44,980 NO, RED. 1464 01:34:45,047 --> 01:34:49,017 THAT SONG CAN'T BE DONE ON THE OPRY. 1465 01:34:49,084 --> 01:34:52,921 WE DON'T MENTION ALCOHOLIC BEVERAGES ON THE PROGRAM. 1466 01:34:52,988 --> 01:34:54,056 BEER? 1467 01:34:54,122 --> 01:34:57,760 OURS IS A CLEAN, WHOLESOME FAMILY SHOW. 1468 01:34:57,826 --> 01:34:59,862 WHAT ELSE YOU GOT? 1469 01:35:02,164 --> 01:35:03,598 UH, WELL... 1470 01:35:03,665 --> 01:35:06,668 IF I CAN PLAY YOUR PIANO, 1471 01:35:06,735 --> 01:35:09,504 I CAN SING FLOSSIE'S BOOGIE. 1472 01:35:09,571 --> 01:35:12,107 NO, RED. NO BOOGIE-WOOGIE. 1473 01:35:12,174 --> 01:35:14,276 THAT DON'T FIT IN AT THE OPRY. 1474 01:35:14,342 --> 01:35:15,310 WHAT ELSE? 1475 01:35:19,314 --> 01:35:23,651 I GOT ONE ABOUT LOST LOVE IN WALTZ TIME. 1476 01:35:23,718 --> 01:35:25,387 HEY, THAT'S GOOD. 1477 01:35:25,453 --> 01:35:28,490 THAT'S ALWAYS A GOOD SUBJECT FOR A SONG. 1478 01:35:28,556 --> 01:35:31,193 THE ONLY THING BETTER IS ABOUT SOMEONE DYING. 1479 01:35:31,259 --> 01:35:32,227 LET'S HEAR IT. 1480 01:35:34,729 --> 01:35:37,265 NOBODY DIES IN THIS ONE. 1481 01:35:44,639 --> 01:35:47,409 * WELL, I'VE NEVER SEEN YOU * 1482 01:35:47,475 --> 01:35:50,212 * LOOK QUITE SO SAD 1483 01:35:50,278 --> 01:35:55,683 * AND I'VE NEVER FELT ME FEEL QUITE SO BAD * 1484 01:35:55,750 --> 01:35:58,553 * AND I KNOW WE BOTH FEEL * 1485 01:35:58,620 --> 01:36:00,923 * THAT WE HAVE BEEN HAD 1486 01:36:00,989 --> 01:36:04,860 * WELL, I GUESS THEY WERE JUST NOT THAT STRONG * 1487 01:36:06,795 --> 01:36:09,697 * SO I LOST MY WOMAN 1488 01:36:09,764 --> 01:36:12,034 * AND YOU LOST YOUR MAN 1489 01:36:12,100 --> 01:36:18,006 * AND WHO KNOWS WHO'S RIGHT OR WHO'S WRONG? * 1490 01:36:18,073 --> 01:36:20,608 * BUT I'VE GOT MY GUITAR 1491 01:36:20,675 --> 01:36:22,911 * AND I'VE GOT A PLAN 1492 01:36:22,978 --> 01:36:28,250 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1493 01:36:28,316 --> 01:36:34,389 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1494 01:36:34,456 --> 01:36:37,525 * AND WE'LL GET THROUGH THIS NIGHT * 1495 01:36:37,592 --> 01:36:40,795 * THE BEST WAY WE CAN 1496 01:37:12,995 --> 01:37:14,762 A LUNGER. 1497 01:37:14,829 --> 01:37:16,464 POOR MAN. 1498 01:37:16,531 --> 01:37:18,466 THAT'S A DAMN SHAME. 1499 01:37:18,533 --> 01:37:22,070 WELL, IT'S IN GOD'S HANDS. 1500 01:37:22,137 --> 01:37:23,771 CALL IN THE NEXT COUPLE. 1501 01:37:23,838 --> 01:37:26,374 I BETTER GO TELL HIM. 1502 01:37:39,454 --> 01:37:45,060 * LET'S PUT ALL OUR PRIDE ASIDE * 1503 01:37:46,361 --> 01:37:52,968 * AND CROSS THAT OLD DIVIDING LINE * 1504 01:37:53,035 --> 01:37:58,406 * HOW CAN WE BOTH SURVIVE? * 1505 01:37:58,473 --> 01:38:00,308 IT'S ALL OVER. 1506 01:38:00,375 --> 01:38:04,512 WE CAME ALL THIS WAY FOR NOTHING, HOSS. 1507 01:38:04,579 --> 01:38:07,015 THEY WON'T LET YOU SING? 1508 01:38:07,082 --> 01:38:09,918 NOT UNLESS THE DOCTOR SAYS IT'S ALL RIGHT. 1509 01:38:09,985 --> 01:38:12,720 THEY'RE SENDING ONE OUT THIS AFTERNOON. 1510 01:38:12,787 --> 01:38:15,157 ALL THIS WAY FOR NOTHING. 1511 01:38:15,223 --> 01:38:20,328 WELL, I'LL FIGURE HOW TO GET YOU TO CALIFORNIA. 1512 01:38:21,796 --> 01:38:25,233 DOCTOR, CAN HE SING AT THE OPRY? 1513 01:38:25,300 --> 01:38:30,205 YOU BETTER GET HIM INTO A SANITARIUM. 1514 01:38:30,272 --> 01:38:32,240 HE'S BADLY IN NEED OF MEDICAL ATTENTION. 1515 01:38:32,307 --> 01:38:35,243 IF HE'S WILLING AND CAN AFFORD 1516 01:38:35,310 --> 01:38:38,446 TO GO INTO A TUBERCULAR SANITARIUM, 1517 01:38:38,513 --> 01:38:40,248 GIVE ME A CALL. 1518 01:38:40,315 --> 01:38:43,251 WILL HE BE ABLE TO SING? 1519 01:38:43,318 --> 01:38:48,790 THE OPRY WON'T RISK HIM COUGHING ON THE RADIO. 1520 01:38:48,856 --> 01:38:51,359 HE SHOULDN'T EVEN SING IN THE SHOWER. 1521 01:39:04,339 --> 01:39:06,774 HI. I'M LOOKING FOR RED STOVALL. 1522 01:39:06,841 --> 01:39:08,776 HE ISN'T FEELING TOO GOOD. 1523 01:39:08,843 --> 01:39:10,778 UH, SORRY TO HEAR THAT. 1524 01:39:10,845 --> 01:39:13,681 COULD HE TALK TO ME FOR A MINUTE? 1525 01:39:16,351 --> 01:39:18,786 UNCLE RED, THERE'S A MAN TO SEE YOU. 1526 01:39:18,853 --> 01:39:21,189 FROM BURNSIDE RECORDS. 1527 01:39:21,256 --> 01:39:23,691 I'D LIKE TO TALK TO YOU IF I CAN. 1528 01:39:29,864 --> 01:39:31,799 WHAT DO YOU WANT? 1529 01:39:31,866 --> 01:39:34,802 FIRST, I ENJOYED HEARING YOU SING. 1530 01:39:34,869 --> 01:39:36,804 COUGHING, DON'T YOU MEAN? 1531 01:39:36,871 --> 01:39:40,008 SORRY TO HEAR ABOUT YOUR ILLNESS. 1532 01:39:40,075 --> 01:39:44,312 THAT WON'T STAND IN THE WAY OF MY OFFER. 1533 01:39:44,379 --> 01:39:48,316 CAN WE SIT AND TALK FOR A MINUTE? 1534 01:39:48,383 --> 01:39:49,817 YEAH. 1535 01:39:49,884 --> 01:39:51,319 IN HERE. 1536 01:39:51,386 --> 01:39:55,957 MY PARTNER CHARLIE JONES-- 1537 01:39:56,024 --> 01:39:57,725 HE WAS AT THE OPRY TODAY, TOO-- 1538 01:39:57,792 --> 01:40:01,629 HE AND I ARE DOWN HERE LOOKING FOR NEW TALENT, 1539 01:40:01,696 --> 01:40:05,500 AND YOU INTEREST US. 1540 01:40:05,567 --> 01:40:07,235 AFTER I HEARD YOU, 1541 01:40:07,302 --> 01:40:09,437 I CALLED THE COMPANY. 1542 01:40:09,504 --> 01:40:12,240 I'VE BEEN AUTHORIZED TO OFFER YOU A DEAL 1543 01:40:12,307 --> 01:40:14,076 TO RECORD FOR BURNSIDE. 1544 01:40:15,310 --> 01:40:18,246 WE'LL PAY YOU $2O FOR EACH SONG YOU RECORD. 1545 01:40:18,313 --> 01:40:21,149 FOR THE ONES WE LIKE. 1546 01:40:23,185 --> 01:40:25,120 FLAT FEE, NO ROYALTIES? 1547 01:40:25,187 --> 01:40:27,122 I'M AFRAID NOT, 1548 01:40:27,189 --> 01:40:32,094 BUT YOU'LL FIND A MASS AUDIENCE. 1549 01:40:32,160 --> 01:40:34,596 YOU GET ONE HIT RECORD, 1550 01:40:34,662 --> 01:40:38,800 YOU'LL BE ABLE TO WRITE YOUR OWN TICKET. 1551 01:40:38,866 --> 01:40:40,835 WHEN DO YOU WANT TO DO THIS? 1552 01:40:40,902 --> 01:40:42,470 TOMORROW. 1553 01:40:44,372 --> 01:40:46,408 IF YOU FEEL UP TO IT. 1554 01:40:52,680 --> 01:40:55,150 I NEED $1OO ADVANCE. 1555 01:40:55,217 --> 01:40:57,352 I THINK WE CAN MANAGE THAT. 1556 01:40:57,419 --> 01:40:59,654 DRUMMER, STEEL GUITAR, PIANO MAN. 1557 01:40:59,721 --> 01:41:01,456 YOU'LL HAVE THEM. 1558 01:41:01,523 --> 01:41:04,559 HERE'S WHERE YOU CAN FIND US. 1559 01:41:06,027 --> 01:41:08,263 1O:OO, OK? 1560 01:41:10,232 --> 01:41:13,268 WELL... SEE YOU THEN. 1561 01:41:16,238 --> 01:41:20,175 THE DOCTOR SAID YOU SHOULDN'T SING AT ALL. 1562 01:41:20,242 --> 01:41:24,446 HELL, THEY'VE BEEN SAYING THAT FOR YEARS. 1563 01:41:24,512 --> 01:41:29,016 MAYBE THEY'VE BEEN RIGHT FOR YEARS. 1564 01:41:29,083 --> 01:41:31,319 DON'T WORRY ABOUT IT, HOSS. 1565 01:41:31,386 --> 01:41:34,021 IT'S A PRETTY GOOD DEAL. 1566 01:41:34,088 --> 01:41:38,025 WE'LL HAVE ENOUGH MONEY TO FIX THE CAR 1567 01:41:38,092 --> 01:41:41,028 AND GET ON BACK TO CALIFORNIA. 1568 01:41:41,095 --> 01:41:43,865 HERE. I BOUGHT THIS FOR YOU. 1569 01:41:43,931 --> 01:41:46,668 YOU SHOULD TRY AND EAT IT. 1570 01:41:46,734 --> 01:41:49,871 ANOTHER HAMBURGER? IS THAT ALL YOU EAT? 1571 01:41:49,937 --> 01:41:53,541 YOU'RE GOING TO TURN INTO ONE. 1572 01:42:10,792 --> 01:42:13,795 TAKE IT FROM HERE, RED. 1573 01:42:13,861 --> 01:42:15,897 YOU BOYS ABOUT READY? 1574 01:42:22,604 --> 01:42:25,540 WE'LL NEED ICE FOR THOSE MASTERS. 1575 01:42:25,607 --> 01:42:28,943 I WANT THEM SAFE FROM THIS HEAT. 1576 01:42:29,010 --> 01:42:31,613 RED, LET'S REHEARSE. 1577 01:42:31,679 --> 01:42:35,350 WHY DON'T YOU TAKE IT FROM THE BRIDGE? 1578 01:42:38,720 --> 01:42:42,557 * BUT WHEN I SING ABOUT YOU * 1579 01:42:43,791 --> 01:42:48,596 * EVERY WORD IS AT MY COMMAND * 1580 01:42:48,663 --> 01:42:53,501 * MY GUITAR COMES ALIVE IN MY HAND * 1581 01:42:53,568 --> 01:42:56,538 * WHEN I SING ABOUT YOU * 1582 01:42:58,373 --> 01:43:03,144 * WHEN I SING ABOUT YOU * 1583 01:43:03,211 --> 01:43:07,849 * EVERY NOTE SEEMS TO BE RIGHT ON KEY * 1584 01:43:07,915 --> 01:43:11,586 * OH, IT ALL SOUNDS SO RIGHT TO ME * 1585 01:43:12,987 --> 01:43:15,557 * WHEN I SING ABOUT YOU * 1586 01:43:20,462 --> 01:43:24,899 * THERE'S NO SWEETER CHEATER THAN YOU * 1587 01:43:27,702 --> 01:43:32,574 * THERE'S NO SWEETER CHEATER THAN YOU * 1588 01:43:34,909 --> 01:43:38,480 * I HAVE TO BE CRAZY 1589 01:43:38,546 --> 01:43:42,183 * TO KEEP COMING BACK 1590 01:43:42,250 --> 01:43:46,721 * AND SHARING YOU WITH SOMEBODY NEW * 1591 01:43:48,956 --> 01:43:54,429 * YOU'RE THE ONLY ONE WHO CAN MAKE ME FEEL GOOD * 1592 01:43:54,496 --> 01:43:56,298 * WHEN I'M FEELING BLUE-- 1593 01:44:00,034 --> 01:44:03,338 TAKE A BREAK. REST YOUR VOICE. 1594 01:44:06,608 --> 01:44:07,942 YEAH. 1595 01:44:24,258 --> 01:44:26,628 I'LL GO GET THE DOCTOR. 1596 01:44:26,694 --> 01:44:27,429 NO. 1597 01:44:27,495 --> 01:44:29,431 NO, I'M ALL RIGHT. 1598 01:44:29,497 --> 01:44:32,066 THERE'S A LIQUOR STORE DOWNSTAIRS. 1599 01:44:32,133 --> 01:44:34,068 GET ME A BOTTLE. 1600 01:44:34,135 --> 01:44:37,539 IT'S GETTING WORSE, UNCLE RED. 1601 01:44:37,605 --> 01:44:40,074 MAYBE A SANITARIUM FOR A LITTLE WHILE. 1602 01:44:40,141 --> 01:44:44,011 I AIN'T NEVER GOIN' BACK AGAIN. 1603 01:44:44,078 --> 01:44:45,079 WELL, IT'S YOUR LIFE! 1604 01:44:45,146 --> 01:44:46,881 THAT'S RIGHT. IT IS. 1605 01:44:46,948 --> 01:44:52,587 I'LL LIVE IT ON MY OWN TERMS OR NOT AT ALL. 1606 01:44:52,654 --> 01:44:57,291 THAT DON'T INCLUDE HAVING OXYGEN TUBES UP YOUR NOSE. 1607 01:44:57,359 --> 01:45:01,496 IS THAT HOW YOU WANT TO SEE ME GO OUT? 1608 01:45:01,563 --> 01:45:05,367 I WANT TO SEE YOU GET WELL. 1609 01:45:09,371 --> 01:45:10,905 * ONE FIDDLE 1610 01:45:10,972 --> 01:45:12,340 * TWO FIDDLES 1611 01:45:12,407 --> 01:45:15,176 * THREE FIDDLES PLAY 1612 01:45:15,242 --> 01:45:17,412 * THAT THREE-PART HARMONY 1613 01:45:17,479 --> 01:45:21,315 * BRINGS BACK SWEET MEMORIES * 1614 01:45:21,383 --> 01:45:22,917 * ONE FIDDLE 1615 01:45:22,984 --> 01:45:24,419 * TWO FIDDLES 1616 01:45:24,486 --> 01:45:26,888 * THREE FIDDLES PLAY 1617 01:45:26,954 --> 01:45:32,927 * AS MY MIND WANDERS BACK TO YESTERDAY * 1618 01:45:36,498 --> 01:45:39,501 THAT'S THREE IN A ROW, RED. 1619 01:45:39,567 --> 01:45:41,168 WHY DON'T WE TAKE A BREAK? 1620 01:45:41,235 --> 01:45:43,037 GIVE YOUR VOICE A LITTLE REST. 1621 01:46:05,627 --> 01:46:08,896 HE'S WORSE TODAY, ISN'T HE? 1622 01:46:08,963 --> 01:46:10,898 HE HAVE A BAD NIGHT? 1623 01:46:10,965 --> 01:46:12,700 HE HAD A HEMORRHAGE. 1624 01:46:12,767 --> 01:46:15,403 ISN'T HE SEEING A DOCTOR? 1625 01:46:15,470 --> 01:46:18,706 THE OPRY DOCTOR SAID HE MIGHT DIE 1626 01:46:18,773 --> 01:46:21,208 IF HE DON'T STOP SINGING. 1627 01:46:21,275 --> 01:46:22,610 YOU DON'T THINK 1628 01:46:22,677 --> 01:46:25,513 HE SHOULD BE DOING THIS? 1629 01:46:25,580 --> 01:46:29,183 DO YOU, KNOWING IT MIGHT KILL HIM? 1630 01:46:29,250 --> 01:46:31,486 WANT ME TO LEVEL WITH YOU? 1631 01:46:31,553 --> 01:46:35,590 HE KNOWS HE'S GOING TO DIE, 1632 01:46:35,657 --> 01:46:39,427 AND HE KNOWS THAT THIS IS HIS LAST CHANCE. 1633 01:46:39,494 --> 01:46:41,228 LAST CHANCE? FOR WHAT? 1634 01:46:41,295 --> 01:46:43,230 TO BE SOMEBODY. 1635 01:46:43,297 --> 01:46:45,433 DID YOU EVER FEEL 1636 01:46:45,500 --> 01:46:47,735 YOU WANTED TO BE SOMEBODY? 1637 01:46:50,705 --> 01:46:54,241 IF HE MAKES THESE RECORDINGS... 1638 01:46:54,308 --> 01:46:56,811 WHO KNOWS? 1639 01:47:02,784 --> 01:47:05,419 * WELL, I'VE NEVER SEEN YOU * 1640 01:47:05,487 --> 01:47:08,523 * LOOK QUITE SO SAD 1641 01:47:08,590 --> 01:47:11,225 * AND I'VE NEVER FELT ME * 1642 01:47:11,292 --> 01:47:13,795 * FEEL QUITE SO BAD 1643 01:47:13,861 --> 01:47:16,263 * AND I KNOW WE BOTH THINK... * 1644 01:47:16,330 --> 01:47:18,466 COME ON, RED. 1645 01:47:18,533 --> 01:47:21,469 COME ON. FINISH THIS TUNE. 1646 01:47:21,536 --> 01:47:23,037 * ...JUST NOT THAT STRONG * 1647 01:47:25,106 --> 01:47:27,709 * SO I LOST MY WOMAN 1648 01:47:27,775 --> 01:47:30,545 * AND YOU LOST YOUR MAN 1649 01:47:30,612 --> 01:47:35,850 * AND WHO KNOWS WHO'S RIGHT OR WHO'S WRONG? * 1650 01:47:35,917 --> 01:47:38,686 * BUT I'VE GOT MY GUITAR 1651 01:47:38,753 --> 01:47:41,022 * AND I'VE GOT A PLAN 1652 01:47:41,088 --> 01:47:46,761 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1653 01:47:46,828 --> 01:47:52,634 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1654 01:47:52,700 --> 01:47:55,637 * AND WE'LL GET THROUGH THIS NIGHT * 1655 01:47:55,703 --> 01:47:59,641 * THE BEST WAY WE CAN 1656 01:47:59,707 --> 01:48:02,577 * IT'S THE BEST OLD PAINKILLER * 1657 01:48:02,644 --> 01:48:05,747 * SINCE HURTING BEGAN 1658 01:48:09,016 --> 01:48:14,789 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1659 01:48:18,459 --> 01:48:21,295 * I MISS THAT WOMAN 1660 01:48:21,362 --> 01:48:23,531 * YOU MISS HIM, TOO 1661 01:48:23,598 --> 01:48:29,470 * THERE'S NOT A HELL OF A LOT WE CAN DO * 1662 01:48:29,537 --> 01:48:32,173 * BUT CLING TO EACH OTHER * 1663 01:48:32,239 --> 01:48:35,076 * TILL THE HURTING IS THROUGH * 1664 01:48:35,142 --> 01:48:39,080 * BUT THE HURT CAN ONLY LAST JUST SO LONG * 1665 01:48:40,815 --> 01:48:43,585 * YOU BE MY WOMAN 1666 01:48:43,651 --> 01:48:46,120 * I'LL BE YOUR MAN 1667 01:48:46,187 --> 01:48:51,659 * EVEN IF JUST FOR A WHILE * 1668 01:48:51,726 --> 01:48:54,696 * I STILL GOT MY GUITAR * 1669 01:48:54,762 --> 01:48:56,831 * AND I'VE GOT A PLAN 1670 01:48:56,898 --> 01:49:02,236 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1671 01:49:02,303 --> 01:49:07,942 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1672 01:49:08,009 --> 01:49:11,713 * AND WE'LL GET THROUGH THIS NIGHT * 1673 01:49:11,779 --> 01:49:15,717 * THE BEST WAY WE CAN 1674 01:49:15,783 --> 01:49:18,720 * IT'S THE BEST OLD PAINKILLER * 1675 01:49:18,786 --> 01:49:25,026 * SINCE HURTING BEGAN 1676 01:49:25,092 --> 01:49:30,798 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1677 01:49:30,865 --> 01:49:35,637 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1678 01:49:42,576 --> 01:49:43,911 OK, THAT'S GREAT. 1679 01:49:43,978 --> 01:49:46,881 THANKS FOR HELPING OUT, SMOKY. 1680 01:49:46,948 --> 01:49:49,583 I AM REALLY SORRY, RED. 1681 01:49:49,651 --> 01:49:51,819 YOU GONNA BE ALL RIGHT? 1682 01:49:51,886 --> 01:49:52,920 YEAH. 1683 01:49:52,987 --> 01:49:54,321 YEAH, I'M ALL RIGHT. 1684 01:49:55,990 --> 01:49:58,592 LET'S GO FOR ONE MORE. 1685 01:49:58,660 --> 01:50:01,696 LET HIM GO! HE'S HAD ENOUGH! 1686 01:50:07,468 --> 01:50:11,072 LET'S LISTEN TO THE PLAYBACK OF THIS. 1687 01:50:11,138 --> 01:50:13,274 GET SOME REST, RED. 1688 01:50:13,340 --> 01:50:14,608 WE'LL DO A FEW MORE TOMORROW. 1689 01:50:14,676 --> 01:50:15,843 YOU'RE DOING GREAT, PAL. 1690 01:50:28,622 --> 01:50:30,725 HOSS. HOSS. 1691 01:50:30,792 --> 01:50:32,927 HOSS, IT'S ME. 1692 01:50:32,994 --> 01:50:34,228 MARLENE. 1693 01:50:34,295 --> 01:50:38,232 I HAVE BEEN LOOKING ALL OVER FOR YOU. 1694 01:50:38,299 --> 01:50:41,736 I FINALLY FOUND A FRIEND IN NASHVILLE. 1695 01:50:41,803 --> 01:50:44,839 ALL THESE DIRTY OLD MEN HERE! 1696 01:50:44,906 --> 01:50:46,708 HOW'D YOU FIND US? 1697 01:50:46,774 --> 01:50:49,844 I ASKED PEOPLE AT THE OPRY. 1698 01:50:49,911 --> 01:50:52,847 TOLD THEM RED WAS MY UNCLE. 1699 01:50:52,914 --> 01:50:56,050 WHAT'S THE MATTER? ARE YOU SICK? 1700 01:50:56,117 --> 01:50:58,052 IT'S UNCLE RED. 1701 01:50:58,119 --> 01:50:59,721 IT'S TB. 1702 01:51:01,422 --> 01:51:02,523 TB? 1703 01:51:02,589 --> 01:51:04,525 IS IT BAD? 1704 01:51:04,591 --> 01:51:06,460 I DON'T KNOW. 1705 01:51:06,527 --> 01:51:08,329 I THINK HE'S DYING. 1706 01:51:10,564 --> 01:51:16,704 I GOT TO TELL HIM I'M SORRY ABOUT ALL THAT BACK THERE. 1707 01:51:16,771 --> 01:51:20,674 I'M NOT IN THE FAMILY WAY AFTER ALL. 1708 01:51:29,550 --> 01:51:34,121 I NEVER BELIEVED THAT STORY ABOUT BEING KNOCKED UP ANYWAY. 1709 01:51:44,231 --> 01:51:49,703 WHY DON'T YOU TWO GO ON AND SEE A MOVIE OR SOMETHING, HUH? 1710 01:51:57,879 --> 01:51:59,814 I'M SORRY IF SHE... 1711 01:51:59,881 --> 01:52:02,750 I TOLD HER YOU PROBABLY-- 1712 01:52:02,817 --> 01:52:04,551 THAT'S ALL RIGHT, BOY. 1713 01:52:04,618 --> 01:52:06,821 SHE'S ALL RIGHT. 1714 01:52:06,888 --> 01:52:10,024 SHE'S GOT A LOT OF BRASS. 1715 01:52:10,091 --> 01:52:14,128 YOU WORK WITH HER AT SINGING, WILL YOU? 1716 01:52:23,704 --> 01:52:25,639 HERE. CALL THIS DOCTOR. 1717 01:52:25,706 --> 01:52:28,742 THERE'S A TELEPHONE DOWN THE BLOCK. 1718 01:52:47,728 --> 01:52:52,867 SEE THAT HE TAKES HIS MEDICATION 1719 01:52:52,934 --> 01:52:55,002 AND GETS PLENTY OF REST. 1720 01:52:55,069 --> 01:52:57,872 IF HIS BREATHING BECOMES DIFFICULT, 1721 01:52:57,939 --> 01:53:02,509 YOU CAN GET HIM AN OXYGEN TANK. 1722 01:53:04,178 --> 01:53:08,715 THAT'S ALL WE CAN DO NOW. 1723 01:53:08,782 --> 01:53:11,886 CAN'T WE TAKE HIM TO A SANITARIUM? 1724 01:53:11,953 --> 01:53:13,520 IT'S TOO LATE. 1725 01:53:15,957 --> 01:53:20,227 IT'S BEEN TOO LATE FOR A LONG TIME. 1726 01:53:20,294 --> 01:53:24,698 ALL YOU CAN DO NOW IS MAKE HIM COMFORTABLE. 1727 01:53:24,765 --> 01:53:27,801 HOW LONG HAS HE GOT? 1728 01:53:33,007 --> 01:53:34,341 NOT LONG. 1729 01:53:35,843 --> 01:53:38,745 MAYBE A FEW HOURS... 1730 01:53:38,812 --> 01:53:41,849 OR MAYBE EVEN A FEW DAYS. 1731 01:54:02,703 --> 01:54:05,139 HE LOOKS A LITTLE BETTER. 1732 01:54:05,206 --> 01:54:08,442 I THINK MAYBE HE'LL BE OK. 1733 01:54:18,785 --> 01:54:20,321 WHAT? 1734 01:54:21,488 --> 01:54:23,057 HOSS. 1735 01:54:23,124 --> 01:54:28,029 HOSS, YOU GOT YOUR HANDS FULL THIS TIME, DON'T YOU? 1736 01:54:29,496 --> 01:54:32,033 I GOT SOME OXYGEN HERE. 1737 01:54:34,301 --> 01:54:38,940 NO. THAT'S WHAT THEY GIVE YOU IN THE SANITARIUM. 1738 01:54:39,006 --> 01:54:42,343 IS THERE ANYTHING I CAN GET YOU? 1739 01:54:48,782 --> 01:54:50,084 GET SOME REST. 1740 01:54:50,151 --> 01:54:51,885 I'LL SIT UP WITH HIM. 1741 01:54:59,493 --> 01:55:00,427 MARY. 1742 01:55:09,503 --> 01:55:11,038 MARY. 1743 01:55:12,506 --> 01:55:14,041 MARY. 1744 01:55:15,342 --> 01:55:16,243 MARY. 1745 01:55:18,212 --> 01:55:19,546 MARY. 1746 01:55:21,715 --> 01:55:25,052 MY RAW-BONED OKIE GIRL. 1747 01:55:26,720 --> 01:55:29,290 OH, MY RAW-BONED OKIE GIRL. 1748 01:55:29,356 --> 01:55:30,391 I LOVE YOU. 1749 01:55:47,508 --> 01:55:48,575 UNCLE RED. 1750 01:56:40,327 --> 01:56:44,065 I'LL BE LEAVING NOW, MR. ESTEPPE. 1751 01:56:44,131 --> 01:56:50,037 IF YOU EVER GET THE MONEY, 1752 01:56:50,104 --> 01:56:53,407 JUST LET ME KNOW, AND I'LL SEE TO IT 1753 01:56:53,474 --> 01:56:58,011 THAT A NICE HEADSTONE IS PLACED ON THE GRAVE. 1754 01:57:26,773 --> 01:57:28,709 * SWING LOW 1755 01:57:28,775 --> 01:57:32,113 * SWEET CHARIOT 1756 01:57:33,280 --> 01:57:38,051 * COMING FOR TO CARRY ME HOME * 1757 01:57:38,119 --> 01:57:40,954 * SWING LOW 1758 01:57:41,021 --> 01:57:45,326 * SWEET CHARIOT 1759 01:57:45,392 --> 01:57:49,763 * COMING FOR TO CARRY ME HOME * 1760 01:57:49,830 --> 01:57:52,933 * I LOOKED OVER JORDAN 1761 01:57:52,999 --> 01:57:55,402 * AND WHAT DID I SEE? 1762 01:57:55,469 --> 01:58:00,374 * COMING FOR TO CARRY ME HOME * 1763 01:58:01,375 --> 01:58:05,312 * A BAND OF ANGELS 1764 01:58:05,379 --> 01:58:09,450 * COMING AFTER ME 1765 01:58:09,516 --> 01:58:14,855 * COMING FOR TO CARRY ME HOME * 1766 01:58:50,357 --> 01:58:52,493 WHAT'S THE MATTER? 1767 01:58:52,559 --> 01:58:55,362 I'VE BEEN FEELING SICK THE PAST FEW MORNINGS. 1768 01:58:55,429 --> 01:58:57,431 PROBABLY JUST NERVES. 1769 01:59:08,175 --> 01:59:10,177 WHAT WILL YOU DO? 1770 01:59:10,244 --> 01:59:13,180 I'LL MAKE MY WAY TO CALIFORNIA. 1771 01:59:13,247 --> 01:59:16,583 CALIFORNIA! WHY, THAT'S MY HEART'S DREAM! 1772 01:59:16,650 --> 01:59:20,020 I'D JUST DO ANYTHING TO GO TO CALIFORNIA. 1773 01:59:20,086 --> 01:59:23,824 YOU WOULDN'T MIND IF I JOINED YOU? 1774 01:59:23,890 --> 01:59:26,627 WE COULD PUT AN ACT TOGETHER 1775 01:59:26,693 --> 01:59:29,996 AND SING SOME OF RED'S SONGS. 1776 01:59:30,063 --> 01:59:32,333 I COULD MAKE SOME COSTUMES. 1777 01:59:32,399 --> 01:59:34,134 WE COULD PLAY IN HONKYTONKS 1778 01:59:34,201 --> 01:59:38,405 AND MAKE SOME MONEY FOR CALIFORNIA. 1779 01:59:38,472 --> 01:59:41,942 HERE'S ONE FROM A NEWCOMER. RED STOVALL. 1780 01:59:44,411 --> 01:59:47,281 * WELL, I'VE NEVER SEEN YOU * 1781 01:59:47,348 --> 01:59:49,883 * LOOK QUITE SO SAD 1782 01:59:49,950 --> 01:59:52,886 * AND I'VE NEVER FELT ME 1783 01:59:52,953 --> 01:59:55,456 * FEEL QUITE SO BAD 1784 01:59:55,522 --> 01:59:58,058 * AND I KNOW WE BOTH FEEL * 1785 01:59:58,124 --> 02:00:00,961 * THAT WE HAVE BEEN HAD 1786 02:00:01,027 --> 02:00:04,865 * WELL, I GUESS THEY WERE JUST NOT THAT STRONG * 1787 02:00:06,467 --> 02:00:09,135 * SO I LOST MY WOMAN 1788 02:00:09,202 --> 02:00:11,938 * AND YOU LOST YOUR MAN 1789 02:00:12,005 --> 02:00:17,578 * AND WHO KNOWS WHO'S RIGHT OR WHO'S WRONG? * 1790 02:00:17,644 --> 02:00:20,180 * BUT I'VE GOT MY GUITAR 1791 02:00:20,247 --> 02:00:22,383 * AND I'VE GOT A PLAN 1792 02:00:22,449 --> 02:00:28,088 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1793 02:00:28,154 --> 02:00:32,659 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1794 02:00:33,960 --> 02:00:37,097 * AND WE'LL GET THROUGH THIS NIGHT * 1795 02:00:37,163 --> 02:00:41,234 * THE BEST WAY WE CAN 1796 02:00:41,302 --> 02:00:43,904 * IT'S THE BEST OLD PAINKILLER * 1797 02:00:43,970 --> 02:00:46,540 * SINCE HURTING BEGAN 1798 02:00:50,511 --> 02:00:55,015 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1799 02:00:59,553 --> 02:01:02,456 * I MISS THAT WOMAN 1800 02:01:02,523 --> 02:01:04,891 * YOU MISS HIM, TOO 1801 02:01:04,958 --> 02:01:10,697 * THERE'S NOT A HELL OF A LOT WE CAN DO * 1802 02:01:10,764 --> 02:01:13,400 * BUT CLING TO EACH OTHER * 1803 02:01:13,467 --> 02:01:16,036 * TILL THE HURTING IS THROUGH * 1804 02:01:16,102 --> 02:01:20,040 * BUT THE HURT CAN ONLY LAST JUST SO LONG * 1805 02:01:22,108 --> 02:01:24,545 * YOU BE MY WOMAN 1806 02:01:24,611 --> 02:01:27,548 * I'LL BE YOUR MAN 1807 02:01:27,614 --> 02:01:32,819 * EVEN IF JUST FOR A WHILE * 1808 02:01:32,886 --> 02:01:35,622 * I STILL GOT MY GUITAR * 1809 02:01:35,689 --> 02:01:37,958 * AND I'VE GOT A PLAN 1810 02:01:38,024 --> 02:01:43,630 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1811 02:01:43,697 --> 02:01:49,803 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN * 1812 02:01:49,870 --> 02:01:52,639 * AND WE'LL GET THROUGH THIS NIGHT * 1813 02:01:52,706 --> 02:01:56,943 * THE BEST WAY WE CAN 1814 02:01:57,010 --> 02:01:59,613 * IT'S THE BEST OLD PAINKILLER * 1815 02:01:59,680 --> 02:02:06,052 * SINCE HURTING BEGAN 1816 02:02:06,119 --> 02:02:11,091 * THROW YOUR ARMS AROUND THIS HONKYTONK MAN *