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[ relaxing music ]
>> Steffy: There's only
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one option.
>> Taylor: Yes, there is.
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>> Steffy: Your freedom.
That's what matters.
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Mom...
>> Taylor: Honey, I have
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to confess. I have to--
I have to confess to
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shooting Bill,
it's the only way.
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>> Steffy: Oh, my God. Can you
just forget about Bill?
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>> Taylor: No, but you--
>> Steffy: We will figure out
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a way to put Sheila
behind bars. You're not
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turning yourself in. Enough.
>> Taylor: But all it would
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take is a phone call Steffy.
I just-- I just say that
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I shot Bill and--
>> Steffy: No, they would
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arrest you on the spot.
>> Taylor: But no more blackmail
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and Sheila's behind bars.
>> Steffy: Stop talking about
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this, please.
You are not going to jail.
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>> Taylor: Steffy, it's the
only way to keep
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our family safe.
♪♪
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>> Katie: Taylor shot Bill.
I just can't believe
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that you've kept this secret
all these years.
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>> Brooke: For the few of us
who knew, we all agreed
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to keep it quiet,
including Bill.
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>> Katie: Taylor committed
a major crime, Brooke.
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I mean, she almost took
my son's father away from him.
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>> Brooke: Yes, I know and
that was terrible, really.
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But Taylor regrets what
she did deeply.
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So please do not make her
burden of guilt any heavier.
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♪♪
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[ Hope sighing ]
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>> Thomas: Knock, knock.
>> Hope: Thomas.
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>> Thomas: Don't call
security please.
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>> Hope: What are you
doing here?
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>> Thomas: I came to see you
and offer my services, again.
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♪♪
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♪♪
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♪♪
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♪♪
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♪♪
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♪♪
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♪♪
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>> Hope: Thomas, how did you
get in the building?
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>> Thomas: Have you
seen Charlie?
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>> Hope: Okay, you can't keep
doing this.
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Steffy and Ridge made it
abundantly clear--
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>> Thomas: I am not
welcome here.
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I am well aware of that,
but I think everyone is
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making a big mistake.
>> Hope: We've been over
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this already.
>> Thomas: The fact is that
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Forrester needs me.
You need me.
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The line's suffering, Hope.
I'm worried about you and
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I'm worried about Hope
for the Future.
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♪♪
>> Katie: I'm still just
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trying to digest all of this.
I mean what it must have
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taken for Taylor to pull
that trigger.
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>> Brooke: Something she can't
fully comprehend herself.
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>> Katie: I know what she
thought Bill had done to her
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daughter and as a mother,
I get that fierce
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protectiveness, but for her
to snap in such a brutal way?
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>> Brooke: Some impulse took
over inside of her.
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That's not who Taylor
really is.
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>> Katie: I'm not saying that
she's a monster,
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but my feelings are much
more conflicted for Taylor
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now that I know she shot Bill.
♪♪
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>> Taylor: I have to do
this, Steffy.
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I-- I have to come forward.
I can handle the repercussions,
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but I could not handle it
if something happened to you
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and the kids.
>> Steffy: Mom, we're fine.
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>> Taylor: I would never
forgive myself.
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>> Steffy: We are fine.
>> Taylor: No. Steffy,
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the only way to ensure
your safety is if Sheila's
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locked up and I'm the only
one that can make that happen.
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I have to confess.
I have to tell the police.
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♪♪
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>> Thomas: I understand
you're not ready to
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forgive me yet.
>> Hope: It is not that
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simple, Thomas.
Your fake C.P.S. call harmed
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a lot of people.
>> Thomas: Yeah, no kidding.
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My family is not speaking
to me and you can barely
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look at me and Douglas--
>> Hope: Is still hurt.
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>> Thomas: Yeah, he's
probably wondering why his
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father could do such a thing.
>> Hope: We all are.
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>> Thomas: Blaming that
phone call on Brooke was
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a bad idea.
It was reckless,
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it was mean spirited and
if I could go back and
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change it, I would.
>> Hope: Honestly, I wish you
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could too.
But it's a little too late
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for that.
You made a bad choice and
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now you're suffering
the consequences.
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>> Thomas: Right, I am
suffering the consequences,
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but so are you.
You lost your lead designer
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and your line has been
suffering ever since.
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That's not just my opinion.
You read the reviews yourself.
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Look, I have been busting
my tail ever since
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I was let go here.
I have designs that could go
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into production right now.
>> Hope: And that is what
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makes this entire
situation so sad.
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Thomas, you have endless
talent and potential and yet
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you keep squandering it away
doing these...
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these hurtful,
inexcusable things.
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>> Thomas: And I told you
I am so sorry about that,
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but please just let me come
back and help,
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let me do that for you.
>> Hope: It's not
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my decision to make anyway,
it's up to Ridge and Steffy.
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>> Thomas: That's true.
But I believe that if you
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push them, you can get them
to bring me back on and
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let me design for you, again.
♪♪
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>> Katie: I'm trying not to
judge, but what if Bill
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hadn't survived?
>> Brooke: I don't even want
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to think about that.
>> Katie: Well think about it.
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What if it had happened?
I mean if that bullet was
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one millimeter to the left
or to the right,
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he would be dead.
I would be raising my little
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boy without his father.
I mean we thought that
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we were going to lose him.
He was in a coma for weeks.
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I mean that's what keeps
playing over and over
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and over again in my head.
>> Brooke: I know.
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All the what ifs.
It could've been a tragedy.
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>> Katie: We got lucky.
Taylor got lucky.
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She could've killed him.
>> Brooke: She wouldn't have
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been able to live
with herself.
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She barely can as it is.
>> Katie: Well, it must be
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a hard thing to accept about
yourself, that you could
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take a human life.
I mean it's not like it was
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an accident.
>> Brooke: Taylor wasn't in
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her right mind.
>> Katie Okay, I get that
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you're friends now and she
was having some kind of
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episode, but that doesn't
excuse what she did.
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I mean, I'm not saying that
she should be in jail,
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it happened a long time ago.
>> Brooke: Bill didn't even
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want to see her incarcerated.
>> Katie: Only now, he's
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using it to blackmail her in
exchange for Sheila's release.
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That's just lovely.
>> Brooke: And that's
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the real tragedy.
The only reason this is
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being brought up again
is because of Sheila Carter.
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And I'm not gonna let Taylor
suffer because of Sheila.
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>> Taylor: Look, Steffy,
we can't live like
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this forever. You know,
Bill being in control,
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Sheila hanging over our heads.
>> Steffy: We'll live like
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this because there's no other
choice to be made.
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>> Taylor: There is.
I tell the truth!
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>> Steffy: Mom! Don't! Stop!
>> Taylor: This blackmail
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with Bill ends, Sheila gets
out of our lives
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and then, you know what?
You and Finn, you press charges.
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You testify.
And guess what?
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Sheila goes down.
>> Steffy: You don't
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understand.
There is no guarantee.
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With Bill's power and
influence and the lengths
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he'll go to keep Sheila
from being in prison.
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There is no promise justice
will be served,
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so can you get these thoughts
out of your mind, please?
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I need you.
The kids need you.
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So many people need you.
Yes, we've all done things
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that we're not proud of.
But that is no reason
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to throw away your future.
Tell me you
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understand that, Mom.
Promise me you're not gonna
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turn yourself in.
♪♪
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>> Taylor: I'm not even
a violent person.
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>> Steffy: Of course,
you're not.
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>> Taylor: I didn't go over
to Bill's house that night
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to hurt him.
>> Steffy: No, you went
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there to protect me.
You reacted in the heat
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of the moment.
>> Taylor: I snapped,
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I shot someone.
>> Steffy: Mom, you are not
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a criminal.
You are a caretaker.
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You are so valuable
to this world.
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Look, shooting Bill, it gave
you a rare perspective.
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It made you more
understanding, more human,
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more compassionate.
I mean, think about all
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the people that you have
forgiven in a lifetime.
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You even forgave Sheila
for shooting you.
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>> Taylor: That was stupid.
>> Steffy: Now it's time to show
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yourself some mercy.
You are
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an extraordinary woman.
Never lose sight of that.
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>> Taylor: Thank you, Steffy.
Thank you for your for your--
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for your kind words.
>> Steffy: Well, I mean it.
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You are too important to us.
So don't be tempted to go
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to the police,
I am begging you.
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>> Taylor: I need
to go home, Steff.
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>> Steffy: No, Mom.
Why don't you stay with us
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for a while?
>> Taylor: Uh, honey,
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I don't want to interfere.
>> Steffy: You're not
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interfering, not at all.
>> Taylor: Steffy, I--
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I love you so much.
Watching you and the--
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and the woman that you have
grown into is...
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It's the greatest joy
of my life.
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>> Steffy: Best part, there
is so much more to come.
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>> Taylor: I'll see you
later, baby.
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♪♪
>> Thomas: You don't have
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to give me an answer right now.
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>> Hope: Not my answer
to give.
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>> Thomas: I get it.
My fate is in the hands
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00:10:40,072 --> 00:10:41,874
of my father
and little sister.
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00:10:41,941 --> 00:10:44,977
>> Hope: Mmm, I wouldn't
hold my breath if I were you.
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Steffy and Ridge seemed
pretty upset with you.
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>> Thomas: So are you?
>> Hope: Hm. I have a lot of
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work to do Thomas, so...
>> Thomas: Um, is that one
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00:10:56,422 --> 00:10:58,257
of Zende's and
Granddad's designs?
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00:10:58,324 --> 00:11:01,627
Do you mind if I check it out?
[ Hope sighing ]
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00:11:01,694 --> 00:11:06,265
I mean it's, yeah, it's--
it's nice. It's um...
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00:11:06,332 --> 00:11:10,269
The neckline is--
is, um, it's good.
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00:11:10,336 --> 00:11:16,776
It's very obvious.
>> Hope: Obvious?
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00:11:16,842 --> 00:11:19,779
>> Thomas: Yeah. I mean,
look, obviously tremendous
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00:11:19,845 --> 00:11:23,382
respect for my grandfather.
He's legendary in couture
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00:11:23,449 --> 00:11:27,219
and-- and Zende is coming
into his own, but...
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this is um, I mean,
come on Hope.
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This isn't Hope for the Future.
♪♪
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>> Katie: Well, I have to get
to my meeting. I guess
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I'll let you get back up
to the house.
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>> Brooke: Katie, for what
it's worth, I understand
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00:11:47,239 --> 00:11:49,008
why you'd be shaken by
this news.
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00:11:49,075 --> 00:11:51,177
>> Katie: You mean that
Taylor shot my ex-husband
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and let Liam believe that
he was the shooter for weeks?
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00:11:54,246 --> 00:11:56,449
Yeah, that's gonna take
a minute to settle in.
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>> Brooke: And I don't
blame you.
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But I just hope these
feelings are temporary.
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00:12:01,020 --> 00:12:05,057
I really am hoping that you
can show Taylor some grace.
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00:12:05,124 --> 00:12:08,828
>> Steffy: Brooke?
>> Brooke: Steffy.
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00:12:08,894 --> 00:12:10,830
>> Steffy: Hi.
Hey, Katie.
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00:12:10,896 --> 00:12:12,498
>> Katie: Hey.
>> Steffy: Uh, I'm sorry,
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00:12:12,565 --> 00:12:15,201
Carmen sent me down here.
>> Brooke: Are-- are you okay?
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00:12:15,267 --> 00:12:17,636
>> Steffy: Actually, I need
to talk to you.
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00:12:17,703 --> 00:12:19,538
>> Brooke: All right,
I'll talk to you later.
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>> Katie: Okay.
>> Steffy: Are Hope and Liam--
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00:12:23,442 --> 00:12:25,344
>> Brooke: They're not here,
they're at work.
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00:12:25,411 --> 00:12:27,213
So what is it?
What's the matter?
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00:12:27,279 --> 00:12:30,416
>> Steffy: It's-- it's my mom.
>> Brooke: Is she okay?
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00:12:30,483 --> 00:12:31,951
What's wrong?
>> Steffy: I don't know, but
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00:12:32,017 --> 00:12:32,985
I'm really worried about her.
♪♪
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>> Taylor: It's time for
the truth to come out.
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♪♪
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>> Thomas: It's a neat color,
you know, and it, I see what
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00:14:07,613 --> 00:14:09,748
Granddad and Zende were
trying to do here.
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00:14:09,815 --> 00:14:13,052
It's simple.
It's elegant and it's--
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it's not straying too far
from the status quo.
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00:14:16,055 --> 00:14:18,857
[ Thomas sighing ]
Look, it is-- It's--
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it's beautiful.
You get what
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00:14:22,895 --> 00:14:25,998
I mean though, right?
I mean it's...
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It is elegant. It's wonderful.
It's definitely a Forrester,
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but it's not
Thomas Forrester.
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Did that sound too arrogant?
>> Hope: Do you really
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00:14:37,943 --> 00:14:40,579
want me to answer that?
>> Thomas: Okay, Hope.
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00:14:40,646 --> 00:14:42,181
You get what
I'm saying, right?
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I mean, this-- this isn't
representative of your--
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00:14:44,083 --> 00:14:46,352
of your vision, of your line,
of-- of who you are.
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This isn't pushing
any boundaries.
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>> Hope: And you're
certainly an expert
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00:14:49,989 --> 00:14:51,957
at pushing boundaries.
>> Thomas: Walked right
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00:14:52,024 --> 00:14:54,393
into that one, didn't I?
>> Hope: Yup.
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>> Thomas: You get what
I mean, don't you?
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Come on, Hope. Just bring me
back onto the line.
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00:14:59,398 --> 00:15:01,133
I know that you're already
talking to Steffy about it.
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00:15:01,200 --> 00:15:03,569
Right?
And look, I don't even have
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00:15:03,636 --> 00:15:06,538
to work here with you.
I can work off campus
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00:15:06,605 --> 00:15:08,707
for a while.
You don't have to pay me
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00:15:08,774 --> 00:15:11,410
anything but a dollar.
Come on, please just bring me
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00:15:11,477 --> 00:15:14,513
back onto the team.
You know how we work together?
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00:15:14,580 --> 00:15:16,849
Let's bring your line
back to what it was when
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00:15:16,915 --> 00:15:18,917
it was fun and it was
exciting and it did
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00:15:18,984 --> 00:15:23,255
push boundaries.
Come on, Hope. Just say yes.
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♪♪
>> Brooke: Tell me
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00:15:27,259 --> 00:15:29,128
what happened.
>> Steffy: My mom keeps
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00:15:29,194 --> 00:15:30,896
talking about turning
herself in.
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00:15:30,963 --> 00:15:32,564
>> Brooke: No, she can't
do that.
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00:15:32,631 --> 00:15:34,333
>> Steffy: That's what
I keep saying, but she's
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00:15:34,400 --> 00:15:36,902
haunted by what she did to Bill.
She even compared herself
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00:15:36,969 --> 00:15:38,504
to Sheila.
>> Brooke: Oh, that's
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00:15:38,570 --> 00:15:40,239
ridiculous. She's nothing
like that lunatic.
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00:15:40,306 --> 00:15:42,574
>> Steffy: I know and I told
her she doesn't have to feel
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00:15:42,641 --> 00:15:45,077
that way, but I don't think
I'm getting through to her.
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00:15:45,144 --> 00:15:47,379
It's like her conscience
is eating away at her,
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00:15:47,446 --> 00:15:49,615
not just because of
shooting Bill.
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00:15:49,682 --> 00:15:51,984
She thinks that she's
responsible that Sheila is
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00:15:52,051 --> 00:15:53,952
roaming free and on top
of that, she's alone at
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00:15:54,019 --> 00:15:56,322
the beach house, just--
>> Brooke: Okay, well why
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00:15:56,388 --> 00:15:58,924
doesn't she move back with
you and Finn and the kids?
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00:15:58,991 --> 00:16:01,193
>> Steffy: I-- I tried.
I tried to convince her
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00:16:01,260 --> 00:16:03,028
to stay with us,
but she feels as though
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00:16:03,095 --> 00:16:05,097
she's some kind of burden,
that she's interrupting
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00:16:05,164 --> 00:16:07,199
our lives.
>> Brooke: She's not a burden.
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00:16:07,266 --> 00:16:09,902
>> Steffy: That's exactly
what I said.
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00:16:09,968 --> 00:16:13,038
What do I do, Brooke?
I need your input.
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00:16:13,105 --> 00:16:15,541
I hate that my mom was alone
at the beach house,
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00:16:15,607 --> 00:16:17,409
especially 'cause she's
carrying all this shame
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00:16:17,476 --> 00:16:20,479
and regret.
>> Brooke: It sounds like
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00:16:20,546 --> 00:16:23,949
you're doing everything that
you can and I will too.
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00:16:24,016 --> 00:16:27,686
I will be there for you
and your mother.
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00:16:27,753 --> 00:16:30,222
>> Steffy: Thank you.
>> Brooke: Just glad you
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00:16:30,289 --> 00:16:32,691
came to me.
>> Steffy: Honestly, I didn't
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00:16:32,758 --> 00:16:36,362
really know where to turn.
You and my mom have built
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00:16:36,428 --> 00:16:41,834
a nice friendship, although
I'm still getting used
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00:16:41,900 --> 00:16:45,437
to sharing my mom with you.
>> Brooke: I like your mom
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00:16:45,504 --> 00:16:48,507
very much.
She's become a very dear
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00:16:48,574 --> 00:16:53,178
friend to me and I know what
it's like to feel isolated
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00:16:53,245 --> 00:16:59,651
and fall into a depression.
So, we need to make sure that
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00:16:59,718 --> 00:17:03,956
your mom doesn't do anything
that she regrets.
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00:17:11,964 --> 00:17:17,903
♪♪
[ Taylor sighing ]
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00:17:20,239 --> 00:17:21,240
[ door creaking ]
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00:17:27,179 --> 00:17:27,813
[ gun firing ]
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00:17:37,556 --> 00:17:40,159
>> Taylor: Sheila Carter's
a free woman, but she's far
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00:17:40,225 --> 00:17:44,930
from innocent.
However, she's not the only
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00:17:44,997 --> 00:17:48,300
one whose crimes should be
brought to justice.
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00:17:48,367 --> 00:17:53,672
I am too.
I'm the person who shot
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00:17:53,739 --> 00:18:01,580
Bill Spencer.
Who shot Bill Spencer...
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00:18:04,950 --> 00:18:06,051
Who shot Bill Spencer...
♪♪