1 00:00:05,806 --> 00:00:07,641 (male announcer) IN THE CRIMINAL JUSTICE SYSTEM, 2 00:00:07,675 --> 00:00:10,144 THE PEOPLE ARE REPRESENTED BY TWO SEPARATE 3 00:00:10,178 --> 00:00:11,712 YET EQUALLY IMPORTANT GROUPS-- 4 00:00:11,745 --> 00:00:13,714 THE POLICE WHO INVESTIGATE CRIME 5 00:00:13,747 --> 00:00:16,550 AND THE DISTRICT ATTORNEYS WHO PROSECUTE THE OFFENDERS. 6 00:00:16,584 --> 00:00:18,752 THESE ARE THEIR STORIES. 7 00:00:18,786 --> 00:00:21,389 (Sweetie) THE WAY MY MOTHER TOLD IT WAS 8 00:00:21,422 --> 00:00:22,690 SHE JUST LOOKED UP ONE DAY 9 00:00:22,723 --> 00:00:24,592 AND SAW HOW PRETTY I AM. 10 00:00:24,625 --> 00:00:26,427 "IT WAS THE LIGHT," SHE SAID. 11 00:00:26,460 --> 00:00:28,662 THE WAY IT CAME THROUGH THE BLINDS. 12 00:00:28,696 --> 00:00:30,731 SHE SAW THAT PRETTY BOY SITTING ACROSS FROM HER 13 00:00:30,764 --> 00:00:33,234 COLORING ON A PLACEMAT 14 00:00:33,267 --> 00:00:36,070 AND SAW A WAY TO BOOST HER INCOME, 15 00:00:36,104 --> 00:00:37,471 TO BUY THAT DOUBLE-WIDE 16 00:00:37,505 --> 00:00:40,574 IN ABILENE SHE HAD HER EYE ON. 17 00:00:40,608 --> 00:00:43,677 THAT WAS THE BEGINNING OF MY LIFE IN HELL. 18 00:00:43,711 --> 00:00:46,380 NO HOPE. NO FUTURE. 19 00:00:46,414 --> 00:00:48,249 JUST THE NEXT CHEAP TRICK 20 00:00:48,282 --> 00:00:49,750 IN A FILTHY TRUCK STOP BATHROOM, 21 00:00:49,783 --> 00:00:52,253 AND THEN THE ONE AFTER THAT. 22 00:00:52,286 --> 00:00:56,390 BUT I SURVIVED, AND I ESCAPED. 23 00:00:56,424 --> 00:00:59,693 AND IT'S ALL IN THIS BOOK. 24 00:00:59,727 --> 00:01:01,829 BUY A COPY, SAVE A SLUT. 25 00:01:01,862 --> 00:01:03,731 [chuckles and applause] 26 00:01:09,670 --> 00:01:10,704 THEY LOVED YOU. 27 00:01:10,738 --> 00:01:12,706 WE JUST GOT INVITED OUT TO ORCHID. 28 00:01:12,740 --> 00:01:14,208 WANNA GO? 29 00:01:14,242 --> 00:01:15,609 WE HAVE THAT BOOK SIGNING TOMORROW. 30 00:01:15,643 --> 00:01:17,511 I DON'T KNOW. KATE. 31 00:01:17,545 --> 00:01:19,747 YOU DON'T EVEN LIKE GIRLS, REMEMBER? 32 00:01:19,780 --> 00:01:21,149 I LIKE ORCHID. 33 00:01:21,182 --> 00:01:23,251 YOU KNOW HOW HARD IT IS TO GET IN THERE. 34 00:01:23,284 --> 00:01:26,187 COME ON, YOU NEVER LET ME HAVE ANY FUN. 35 00:01:26,220 --> 00:01:28,622 FINE. 36 00:01:28,656 --> 00:01:30,424 OH, GIRLS, I AM IN. 37 00:01:33,394 --> 00:01:36,564 CUT LIP. BLOODY NOSE. 38 00:01:36,597 --> 00:01:38,199 TWO GASHES IN THE BELLY 39 00:01:38,232 --> 00:01:39,600 WITH MATCHING SLITS IN THE SHIRT. 40 00:01:39,633 --> 00:01:41,169 SMACKED AROUND THEN STABBED? 41 00:01:41,202 --> 00:01:42,170 YOU FIND A KNIFE? 42 00:01:42,203 --> 00:01:43,404 MY GUYS ARE LOOKING. 43 00:01:43,437 --> 00:01:45,139 HEY, CUTE MR. POLICEMAN, 44 00:01:45,173 --> 00:01:47,808 YOU LOOKING FOR A DATE? 45 00:01:47,841 --> 00:01:49,777 YOU WANT TO MOVE THAT LINE BACK A LITTLE? 46 00:01:49,810 --> 00:01:51,312 THANKS. 47 00:01:51,345 --> 00:01:52,580 UNSAFE SEX CENTRAL. 48 00:01:52,613 --> 00:01:55,349 (Lupo) PANTS ARE BUTTONED UP. 49 00:01:55,383 --> 00:01:57,485 SHIRT'S TUCKED IN, SO HE DIDN'T GET VERY FAR. 50 00:01:57,518 --> 00:01:58,919 NO WALLET, NO I.D. 51 00:01:58,952 --> 00:02:00,521 CELL PHONE'S DEAD. 52 00:02:00,554 --> 00:02:02,656 DETECTIVES. 53 00:02:02,690 --> 00:02:05,659 THIS YOUNG LADY SAYS SHE RECOGNIZES THE BODY. 54 00:02:05,693 --> 00:02:07,295 THAT'S SWEETIE NESS. 55 00:02:07,328 --> 00:02:09,330 I SAW HIM AFTER DELILAH CALLED 911. 56 00:02:09,363 --> 00:02:11,799 IS HE A REGULAR DOWN HERE? THAT HOW YOU KNOW HIM? 57 00:02:11,832 --> 00:02:13,401 YOU'RE KIDDING ME, RIGHT? 58 00:02:13,434 --> 00:02:15,936 DON'T YOU WATCH OPRAH? HE'S A WRITER. 59 00:02:15,969 --> 00:02:17,338 OKAY. 60 00:02:17,371 --> 00:02:19,207 THANK YOU. 61 00:02:19,240 --> 00:02:22,310 SWEETIE NESS, HORRIBLE LIFE AS A CHILD PROSTITUTE. 62 00:02:22,343 --> 00:02:25,779 WROTE A MEMOIR ABOUT HOW HE LEFT IT ALL BEHIND. 63 00:02:25,813 --> 00:02:26,814 OR NOT. 64 00:03:18,466 --> 00:03:19,267 THAT'S HIM. 65 00:03:19,300 --> 00:03:21,435 THAT'S SWEETIE. 66 00:03:21,469 --> 00:03:23,404 WE CALLED HIS PUBLISHER. 67 00:03:23,437 --> 00:03:24,938 THEY GAVE US YOUR NAME. 68 00:03:24,972 --> 00:03:27,241 WE DON'T USUALLY GET REFERRED TO A VICTIM'S AGENT, 69 00:03:27,275 --> 00:03:28,342 MS. TENNY. 70 00:03:28,376 --> 00:03:30,711 DOES HE HAVE A FAMILY? 71 00:03:30,744 --> 00:03:31,945 YOU'RE KIDDING. 72 00:03:31,979 --> 00:03:34,348 DID YOU READ HIS BOOK? 73 00:03:34,382 --> 00:03:35,583 NO. 74 00:03:37,585 --> 00:03:39,587 HIS MOTHER WAS A PROSTITUTE. 75 00:03:39,620 --> 00:03:42,856 SHE STARTED SELLING HIM FOR SEX WHEN HE WAS TEN. 76 00:03:42,890 --> 00:03:45,759 SHE WAS KILLED BY A JOHN WHEN HE WAS 14. 77 00:03:45,793 --> 00:03:47,328 HE GOT OUT AND TURNED HIMSELF AROUND. 78 00:03:47,361 --> 00:03:48,662 THAT'S WHAT THE BOOK WAS ABOUT, RIGHT? 79 00:03:48,696 --> 00:03:50,298 TEN YEARS LATER. 80 00:03:50,331 --> 00:03:54,668 THEN WHY WAS HE AT THE PIERS LAST NIGHT? 81 00:03:54,702 --> 00:03:56,637 I DON'T KNOW. 82 00:03:56,670 --> 00:03:58,739 I THOUGHT HE STOPPED ALL THAT. 83 00:03:58,772 --> 00:04:00,708 (Bernard) HAVING SEX? 84 00:04:00,741 --> 00:04:02,976 ON PIERS, YES. 85 00:04:03,010 --> 00:04:04,478 DO YOU HAVE HIS ADDRESS? 86 00:04:04,512 --> 00:04:05,979 HE DRIFTED. 87 00:04:06,013 --> 00:04:08,516 WHEN HE WAS IN NEW YORK, HE STAYED WITH ME. 88 00:04:08,549 --> 00:04:11,285 DID YOU SEE HIM LAST NIGHT? 89 00:04:11,319 --> 00:04:13,020 HE HAD A READING AT AK-48. 90 00:04:13,053 --> 00:04:16,990 THEN WE WENT TO ORCHID WITH SOME OF HIS FANS. 91 00:04:17,024 --> 00:04:19,560 I LEFT AT 1:00. 92 00:04:19,593 --> 00:04:21,429 HE WAS STILL PARTYING. 93 00:04:21,462 --> 00:04:22,963 HERE. 94 00:04:27,501 --> 00:04:30,304 YOU SHOULD KNOW WHERE HE CAME FROM. 95 00:04:30,338 --> 00:04:33,574 "LITTLE WHORE." 96 00:04:35,676 --> 00:04:37,445 (Bernard) "ONE THING ABOUT MY MOTHER, 97 00:04:37,478 --> 00:04:39,079 "SHE HAD A SENSE OF HUMOR. 98 00:04:39,112 --> 00:04:42,450 "ONE NIGHT SHE GOT DRUNK AND STARTED PUTTING CIGARETTES 99 00:04:42,483 --> 00:04:43,484 "OUT ON MY ASS. 100 00:04:43,517 --> 00:04:44,852 'BUTTS TO BUTT,' SHE SAID." 101 00:04:44,885 --> 00:04:46,654 HILARIOUS. 102 00:04:46,687 --> 00:04:48,055 I'M THE MANAGER. 103 00:04:48,088 --> 00:04:49,690 YOU WERE ASKING ABOUT THAT WRITER? 104 00:04:49,723 --> 00:04:52,025 SWEETIE NESS. HE WAS HERE LAST NIGHT? 105 00:04:52,059 --> 00:04:54,328 FLAVOR OF THE MONTH. DREW QUITE A CROWD. 106 00:04:54,362 --> 00:04:55,363 LIKE WHO? 107 00:04:55,396 --> 00:04:56,597 LIKE EVERYBODY. 108 00:04:56,630 --> 00:04:58,065 MADONNA CAME BY WITH HER ENTOURAGE 109 00:04:58,098 --> 00:04:59,400 AROUND MIDNIGHT. 110 00:04:59,433 --> 00:05:01,369 MR. NESS WAS HANGING WITH SOME OF THEM. 111 00:05:01,402 --> 00:05:02,770 MADONNA THE SINGER? 112 00:05:02,803 --> 00:05:03,904 NO, THE MOTHER OF OUR LORD. 113 00:05:03,937 --> 00:05:06,574 YOU KNOW, I DIDN'T KNOW SHE TRAVELED WITH AN ENTOURAGE. 114 00:05:06,607 --> 00:05:08,542 WHO WAS HE HANGING WITH EXACTLY? 115 00:05:08,576 --> 00:05:10,711 (Lauren) I CAN'T BELIEVE THIS. 116 00:05:10,744 --> 00:05:13,347 IT IS JUST SO SHOCKING. 117 00:05:13,381 --> 00:05:14,882 (Bernard) WE UNDERSTAND THAT YOU 118 00:05:14,915 --> 00:05:16,717 WERE WITH MR. NESS LAST NIGHT, MISS CLAIBORNE. 119 00:05:16,750 --> 00:05:18,051 LAUREN, PLEASE. 120 00:05:18,085 --> 00:05:19,687 I MET HIM AT ORCHID. 121 00:05:19,720 --> 00:05:21,422 HE SEEMED SO SWEET. 122 00:05:21,455 --> 00:05:22,956 THE PAPARAZZI WERE CRAZY, 123 00:05:22,990 --> 00:05:24,858 SO MADONNA DIDN'T STAY. 124 00:05:24,892 --> 00:05:27,461 UM, I ASKED SWEETIE TO TAKE ME TO BLANE'S TAVERN. 125 00:05:27,495 --> 00:05:29,597 IT'S A TOTAL DIVE NEAR THE PIERS. 126 00:05:29,630 --> 00:05:31,399 I WANTED TO EXPERIENCE WHAT IT WAS LIKE 127 00:05:31,432 --> 00:05:33,100 IN THE WORLD THAT SWEETIE NESS CAME FROM. 128 00:05:33,133 --> 00:05:36,103 THAT WOULD BE CHILDREN GETTING RAPED FOR $50. 129 00:05:36,136 --> 00:05:38,572 WHAT A HORRIBLE THING TO SAY. 130 00:05:38,606 --> 00:05:40,608 WHAT HAPPENED AT BLANE'S, MISS CLAIBORNE? 131 00:05:40,641 --> 00:05:42,476 WELL, WE HAD A FEW DRINKS, 132 00:05:42,510 --> 00:05:45,112 AND THEN I LOST TRACK OF HIM. 133 00:05:45,145 --> 00:05:46,947 I MET A GUY WHO SAID HE WAS BISEXUAL. 134 00:05:46,980 --> 00:05:48,749 AND HE ACTUALLY WAS. 135 00:05:48,782 --> 00:05:50,684 THE LAST I SAW SWEETIE 136 00:05:50,718 --> 00:05:52,520 HE WAS BEING HASSLED BY SOME FAT GIRL. 137 00:05:52,553 --> 00:05:54,722 HE TRIED TO GET RID OF HER, BUT SHE WOULDN'T LEAVE. 138 00:05:54,755 --> 00:05:59,693 JUST KEPT ASKING HIM ABOUT THE POEM SHE SENT HIM. 139 00:05:59,727 --> 00:06:01,962 "I FEEL YOUR PAIN. I CRY YOUR TEARS. 140 00:06:01,995 --> 00:06:05,132 "I BREATHE YOU WITH EACH HEAVY BREATH. 141 00:06:05,165 --> 00:06:07,167 "I KNOW YOU KNOW I HAVE NO FEAR 142 00:06:07,200 --> 00:06:09,703 OF MEETING YOU IN DEATH." 143 00:06:09,737 --> 00:06:10,904 THAT'S A CANDIDATE. 144 00:06:10,938 --> 00:06:13,040 SIGNED, HAROLD STUDINSKY. 145 00:06:13,073 --> 00:06:14,174 DO I WANT TO KNOW? 146 00:06:14,207 --> 00:06:16,109 (Lupo) POEMS TO SWEETIE NESS 147 00:06:16,143 --> 00:06:17,811 FROM HIS AGENT'S STALKER FILE. 148 00:06:17,845 --> 00:06:19,580 HALF THE WRITERS WANT TO SAVE HIM. 149 00:06:19,613 --> 00:06:20,914 THE OTHER HALF WANT TO HAVE HIS BABY. 150 00:06:20,948 --> 00:06:22,583 AND SOME WOULD BE MOVED TO KILL HIM 151 00:06:22,616 --> 00:06:24,652 IF THEY KNEW HE DIDN'T SHARE THEIR EMOTION. 152 00:06:24,685 --> 00:06:25,819 OR WANT AN AUTOGRAPHED 153 00:06:25,853 --> 00:06:28,021 PHOTOCOPY OF HIS ASS. 154 00:06:28,055 --> 00:06:29,757 HEY, ANOTHER POEM. JANICE DUNLAP. 155 00:06:29,790 --> 00:06:31,091 BOYDEN, IOWA. 156 00:06:31,124 --> 00:06:32,693 SHE GIVES HER NUMBER. 157 00:06:32,726 --> 00:06:34,194 HMM. 158 00:06:34,227 --> 00:06:35,896 "I'VE HELD YOU IN DREAMS OF DEATH AND DYING 159 00:06:35,929 --> 00:06:37,698 "AS JULIET, HER ROMEO 160 00:06:37,731 --> 00:06:40,167 WHILE BARREN EARTH WAS CRYING." 161 00:06:40,200 --> 00:06:41,735 HI, IS JANICE THERE? 162 00:06:41,769 --> 00:06:43,170 THIS GIRL NEEDS TO CHEER UP. 163 00:06:43,203 --> 00:06:45,906 (Lupo) DO YOU HAVE THE NAME OF HER HOTEL? 164 00:06:45,939 --> 00:06:47,608 OKAY. 165 00:06:47,641 --> 00:06:51,044 SHE'S ON VACATION IN NEW YORK. 166 00:06:53,180 --> 00:06:54,882 (Janice) I WOULD NEVER HURT SWEETIE. I LOVED HIM. 167 00:06:54,915 --> 00:06:56,850 YEAH, WE READ YOUR POEM. 168 00:06:56,884 --> 00:06:58,986 BUT WHEN YOU WENT UP TO HIM AT BLANE'S, 169 00:06:59,019 --> 00:07:01,221 HE DIDN'T EXACTLY LOVE YOU BACK, DID HE? 170 00:07:01,254 --> 00:07:03,624 HE JUST DIDN'T UNDERSTAND WHAT I WAS TRYING TO SAY. 171 00:07:03,657 --> 00:07:06,627 HE BRUSHED YOU OFF. HE REJECTED YOU. 172 00:07:06,660 --> 00:07:08,095 HE JUST COULDN'T HEAR ME. 173 00:07:08,128 --> 00:07:09,096 IT WAS SO CROWDED. 174 00:07:09,129 --> 00:07:10,998 I TOOK OUT MY PHONE TO TRY AND TAKE HIS PICTURE 175 00:07:11,031 --> 00:07:12,966 AND IT GOT KNOCKED OUT OF MY HAND. 176 00:07:13,000 --> 00:07:14,935 I NEVER EVEN FOUND IT. 177 00:07:14,968 --> 00:07:18,138 I WENT OUTSIDE AND WAITED SO I COULD GET HIM ALONE. 178 00:07:18,171 --> 00:07:19,607 DID YOU SEE HIM COME OUT? 179 00:07:19,640 --> 00:07:20,708 YEAH. 180 00:07:20,741 --> 00:07:23,611 AND BEFORE I COULD GET TO HIM, 181 00:07:23,644 --> 00:07:25,846 SOMEONE ELSE CAME AND-- 182 00:07:25,879 --> 00:07:27,615 OH, GOD. 183 00:07:27,648 --> 00:07:28,916 THAT GUY. 184 00:07:28,949 --> 00:07:30,584 WHAT GUY? 185 00:07:30,618 --> 00:07:32,152 THEY WOULDN'T LET ME INTO ORCHID, 186 00:07:32,185 --> 00:07:34,187 SO I WAITED ON THE STREET. 187 00:07:34,221 --> 00:07:36,123 AND THIS GUY WAS THERE TOO. 188 00:07:36,156 --> 00:07:37,791 HE WAS FOLLOWING SWEETIE TOO. 189 00:07:37,825 --> 00:07:39,793 AND HE FOLLOWED SWEETIE OUT OF BLANE'S? 190 00:07:39,827 --> 00:07:41,094 YES. 191 00:07:41,128 --> 00:07:42,129 AND SWEETIE TRIED TO GET AWAY. 192 00:07:42,162 --> 00:07:44,131 BUT THE GUY GRABBED HIS ARM, AND THEY WERE ARGUING. 193 00:07:44,164 --> 00:07:47,200 WHAT DID THIS GUY LOOK LIKE, JANICE? 194 00:07:47,234 --> 00:07:49,570 HE HAD BLOND HAIR, DYED BLOND. 195 00:07:49,603 --> 00:07:52,606 AND HE WAS WEARING A-- 196 00:07:52,640 --> 00:07:55,142 A JACKET THAT SAID "ROYAL" OR SOMETHING. 197 00:07:55,175 --> 00:07:57,945 AND HE WAS AT ORCHID? 198 00:07:57,978 --> 00:07:59,647 HEY, LAUREN CLAIBORNE, SHE SAID THE PAPARAZZI 199 00:07:59,680 --> 00:08:01,281 WAS OUT IN FORCE OVER THERE. 200 00:08:01,314 --> 00:08:02,249 ALL RIGHT. 201 00:08:02,282 --> 00:08:04,151 DON'T LEAVE TOWN. 202 00:08:08,889 --> 00:08:10,691 (Bernard) DID YOU GET ANY PICTURES OF SWEETIE NESS? 203 00:08:10,724 --> 00:08:12,826 NOT ON PURPOSE. 204 00:08:12,860 --> 00:08:14,595 THE ADVOCATE ISN'T A BIG MARKET FOR ME. 205 00:08:14,628 --> 00:08:16,664 DO YOU MIND IF WE LOOK THROUGH WHAT YOU GOT? 206 00:08:16,697 --> 00:08:20,233 UM, DO YOU MIND IF I SEE A WARRANT? 207 00:08:20,267 --> 00:08:22,169 WE COULD GET ONE. 208 00:08:22,202 --> 00:08:24,004 WE MAY HAVE TO SHUT YOU DOWN FOR A COUPLE OF DAYS 209 00:08:24,037 --> 00:08:26,506 WHILE WE TAKE A REAL CAREFUL LOOK AROUND. 210 00:08:29,810 --> 00:08:31,211 HERE. 211 00:08:31,244 --> 00:08:32,713 I'LL BE RIGHT OVER THERE. 212 00:08:32,746 --> 00:08:34,014 MM-HMM. 213 00:08:36,216 --> 00:08:38,285 LET'S SEE WHAT WE GOT HERE. 214 00:08:41,822 --> 00:08:43,957 AM I JUST IGNORANT OR ARE THESE NOT REALLY CELEBRITIES? 215 00:08:43,991 --> 00:08:46,894 OH, JUST IGNORANT. 216 00:08:46,927 --> 00:08:48,161 THERE. 217 00:08:48,195 --> 00:08:52,232 THERE'S SWEETIE NESS AND LAUREN CLAIBORNE. 218 00:08:52,265 --> 00:08:53,266 CHECK BEHIND THEM. 219 00:08:53,300 --> 00:08:55,603 YEAH, THERE'S JANICE. 220 00:08:55,636 --> 00:08:57,638 AND THE BLOND GUY. 221 00:08:57,671 --> 00:09:00,073 "REGAL TOWING." 222 00:09:00,107 --> 00:09:02,042 JIM. 223 00:09:02,075 --> 00:09:04,778 THAT YOUR JACKET? 224 00:09:04,812 --> 00:09:06,179 YEAH. 225 00:09:06,213 --> 00:09:09,116 I LOST THAT ON THE SUBWAY. 226 00:09:09,149 --> 00:09:10,250 WHY DON'T WE TAKE A WALK OVER THERE. 227 00:09:13,253 --> 00:09:15,155 ALL RIGHT, YOU WANT TO TELL US WHAT'S GOING ON, JIM? 228 00:09:15,188 --> 00:09:17,290 OR WE CAN SHOW THE PHOTO TO YOUR FRIENDS, 229 00:09:17,324 --> 00:09:18,626 SEE IF THEY KNOW SOMETHING. 230 00:09:18,659 --> 00:09:21,061 I LOST IT IN A POOL GAME, OKAY? 231 00:09:21,094 --> 00:09:22,763 HMM, A POOL GAME WHERE? 232 00:09:22,796 --> 00:09:24,732 THE MINE SHAFT. 233 00:09:24,765 --> 00:09:25,933 THE MINE WHAT? 234 00:09:25,966 --> 00:09:27,200 THE MINE SHAFT. 235 00:09:27,234 --> 00:09:29,036 MINE SHAFT, THE GAY BAR. 236 00:09:29,069 --> 00:09:31,204 YEAH, I WAS JUST HAVING A BEER. 237 00:09:31,238 --> 00:09:33,741 IS THAT THE GUY YOU LOST IT TO? 238 00:09:33,774 --> 00:09:35,008 YEAH, THAT'S HIM. 239 00:09:35,042 --> 00:09:36,243 THE WRITER, SWEETIE NESS. 240 00:09:36,276 --> 00:09:38,345 NO, NO, NO, NOT HIM. 241 00:09:38,378 --> 00:09:40,380 THE BLOND-HAIRED GUY WEARING YOUR JACKET. 242 00:09:40,413 --> 00:09:42,249 YEAH, HIM. 243 00:09:42,282 --> 00:09:44,251 THAT'S SWEETIE NESS. 244 00:09:52,092 --> 00:09:53,360 YEAH, HE'S BEEN IN. 245 00:09:53,393 --> 00:09:55,996 WHAT DID HE CALL HIMSELF, SWEETIE NESS? 246 00:09:56,029 --> 00:09:58,766 PEOPLE CALL THEMSELVES A LOT OF THINGS AROUND HERE. 247 00:09:58,799 --> 00:10:00,333 YOU JUST MISSED DICK CHENEY. 248 00:10:00,367 --> 00:10:03,070 TRUST ME, I DON'T MISS DICK CHENEY. 249 00:10:03,103 --> 00:10:05,072 NOW, WHAT ABOUT THIS GUY? 250 00:10:05,105 --> 00:10:06,940 YEAH, HE SAID HE WAS SWEETIE NESS, 251 00:10:06,974 --> 00:10:08,642 THE GREAT BIG CELEBRITY. 252 00:10:08,676 --> 00:10:11,011 THAT'S WHY HE COULDN'T AFFORD TO BUY HIS OWN DRINKS. 253 00:10:11,044 --> 00:10:13,013 SO WHO DID? 254 00:10:13,046 --> 00:10:15,315 HE DID, THE GUY AT THE POOL TABLE. 255 00:10:15,348 --> 00:10:17,785 HEY, SWEETHEART, 256 00:10:17,818 --> 00:10:21,689 THEY'RE ASKING ABOUT YOUR FRIEND ERNEST HEMINGWAY. 257 00:10:30,130 --> 00:10:33,166 YOU, UH, STRIKE UP AN ACQUAINTANCESHIP 258 00:10:33,200 --> 00:10:34,802 WITH THIS GUY HERE? 259 00:10:34,835 --> 00:10:36,003 YEAH. 260 00:10:36,036 --> 00:10:38,438 GUESS HE DIDN'T EXACTLY LEVEL WITH ME, 261 00:10:38,471 --> 00:10:40,708 ABOUT WHO HE WAS, I MEAN. 262 00:10:40,741 --> 00:10:42,409 WELL, WHEN DID YOU FIGURE THAT OUT? 263 00:10:42,442 --> 00:10:43,944 WHEN I SAW A PICTURE OF SWEETIE NESS IN THE POST, 264 00:10:43,977 --> 00:10:45,378 AND IT WASN'T HIM. 265 00:10:45,412 --> 00:10:46,947 PRETTY DAMN CONVINCING, THOUGH. 266 00:10:46,980 --> 00:10:49,249 KNEW EVERYTHING THERE WAS TO KNOW ABOUT THE GUY. 267 00:10:49,282 --> 00:10:50,984 EVEN HAD THE CIGARETTE BURNS ON HIS BUTT 268 00:10:51,018 --> 00:10:52,753 JUST LIKE IT SAYS IN THE BOOK. 269 00:10:52,786 --> 00:10:54,021 YOU KNOW THIS HOW? 270 00:10:54,054 --> 00:10:57,290 YOU TWO GET NAKED RIGHT HERE IN THE BAR? 271 00:10:57,324 --> 00:11:00,861 WE, UH, WENT TO HIS HOTEL. 272 00:11:00,894 --> 00:11:02,863 [knocking] 273 00:11:02,896 --> 00:11:04,097 (Bernard) HOUSEKEEPING. 274 00:11:04,131 --> 00:11:05,966 HE CHEEKED IN A WEEK AGO. 275 00:11:05,999 --> 00:11:07,100 AND HE HASN'T CHECKED OUT? 276 00:11:07,134 --> 00:11:07,835 STILL HIS ROOM. 277 00:11:07,868 --> 00:11:09,402 HEY, LET'S GO GET A WARRANT. 278 00:11:09,436 --> 00:11:10,203 HOLD ON. 279 00:11:10,237 --> 00:11:11,471 YOU SPENT THE NIGHT HERE, MR. DEWEY? 280 00:11:11,504 --> 00:11:13,907 UH, YEAH. 281 00:11:13,941 --> 00:11:15,042 THAT MAKES YOU A CO-OCCUPANT. 282 00:11:15,075 --> 00:11:17,110 DO WE HAVE YOUR PERMISSION TO GO IN AND LOOK AROUND? 283 00:11:17,144 --> 00:11:18,345 SURE. 284 00:11:18,378 --> 00:11:21,014 GREAT. PLEASE. 285 00:11:26,086 --> 00:11:27,187 N.Y.P.D. 286 00:11:27,220 --> 00:11:30,023 YOU TWO WAIT HERE, ALL RIGHT? 287 00:11:30,057 --> 00:11:34,127 GUESS THOSE LAW CLASSES ARE PAYING OFF. 288 00:11:34,161 --> 00:11:36,329 FOR THIS I GET EXTRA CREDIT. 289 00:11:36,363 --> 00:11:38,732 HEY. 290 00:11:38,766 --> 00:11:39,900 YEAH. 291 00:11:39,933 --> 00:11:41,101 IT'S YOUR FAVORITE BOOK. 292 00:11:41,134 --> 00:11:42,402 [chuckles] 293 00:11:42,435 --> 00:11:44,304 IT'S ANNOTATED. 294 00:11:44,337 --> 00:11:47,941 STUDIED THIS TO GET HIS STORY STRAIGHT. 295 00:11:47,975 --> 00:11:49,309 HEY, LUPES. 296 00:11:53,413 --> 00:11:55,983 LOOKS LIKE BLOOD. 297 00:11:56,016 --> 00:11:58,018 THE BLOOD ON THE SHIRT'S A TYPE MATCH FOR THE VICTIM. 298 00:11:58,051 --> 00:11:59,953 DNA COMPARISON'S GONNA TAKE A WHILE. 299 00:11:59,987 --> 00:12:02,089 THE BLOND GUY HASN'T GONE BACK TO THE HOTEL YET. 300 00:12:02,122 --> 00:12:04,024 HE MIGHT BE ON THE RUN. 301 00:12:04,057 --> 00:12:05,425 MEANWHILE, OUR PRIME SUSPECT 302 00:12:05,458 --> 00:12:07,027 IN THE KILLING OF SWEETIE NESS 303 00:12:07,060 --> 00:12:08,829 IS STILL SWEETIE NESS. 304 00:12:08,862 --> 00:12:11,865 OR SOMEBODY WHO WANTS PEOPLE TO THINK HE IS SWEETIE NESS. 305 00:12:11,899 --> 00:12:14,034 PUFFS HIMSELF UP BY PLAYING THE PART. 306 00:12:14,067 --> 00:12:16,436 HE WAS GETTING INTO THE ROLE PRETTY GOOD. 307 00:12:16,469 --> 00:12:19,072 THESE ARE THE PHONE RECORDS FROM HIS HOTEL ROOM. 308 00:12:19,106 --> 00:12:21,975 HE MADE THREE CALLS TO KATE TENNY, 309 00:12:22,009 --> 00:12:24,111 THE REAL SWEETIE'S AGENT. 310 00:12:26,013 --> 00:12:28,081 (Kate) WHO IS HE? 311 00:12:28,115 --> 00:12:29,783 YOU DON'T KNOW? HE CALLED YOU THREE TIMES. 312 00:12:29,817 --> 00:12:31,885 YOU SAW THE PILE OF LETTERS THAT I GAVE TO YOU. 313 00:12:31,919 --> 00:12:34,054 WE ALSO GOT A LOT OF CALLS ABOUT SWEETIE, 314 00:12:34,087 --> 00:12:37,157 PEOPLE WANTING INTERVIEWS, SEX, 315 00:12:37,190 --> 00:12:39,092 GOD KNOWS WHAT. 316 00:12:39,126 --> 00:12:40,460 I PRETENDED TO LISTEN. 317 00:12:40,493 --> 00:12:43,163 (Bernard) YEAH, WELL, THIS GUY THINKS HE IS SWEETIE NESS 318 00:12:43,196 --> 00:12:45,532 OR PUTS ON A PRETTY GOOD SHOW. 319 00:12:45,565 --> 00:12:47,901 SO HE'S CRAZY. HE'S NOT THE ONLY ONE. 320 00:12:47,935 --> 00:12:49,870 (Lupo) HE COMMITTED TO THE PART, GAVE HIMSELF CIGARETTE BURNS 321 00:12:49,903 --> 00:12:52,205 TO MATCH THE ONES MAMA GAVE SWEETIE. 322 00:12:52,239 --> 00:12:53,540 OH, GOD. 323 00:12:53,573 --> 00:12:55,943 HE MAY HAVE GONE FURTHER THAN HE NEEDED TO THERE. 324 00:12:55,976 --> 00:12:58,111 (Bernard) WHAT DO YOU MEAN? 325 00:12:58,145 --> 00:13:00,013 I DON'T EXACTLY WANT THE WORLD TO KNOW. 326 00:13:00,047 --> 00:13:02,883 BUT IN HIS BOOK, SWEETIE MAY HAVE EXAGGERATED 327 00:13:02,916 --> 00:13:05,052 A FEW OF THE GORY DETAILS. 328 00:13:05,085 --> 00:13:07,087 POETIC LICENSE? 329 00:13:07,120 --> 00:13:09,156 HE LIKED TO GIVE PEOPLE WHAT THEY WANTED. 330 00:13:09,189 --> 00:13:10,157 [phone rings] 331 00:13:10,190 --> 00:13:11,324 EXCUSE ME. 332 00:13:11,358 --> 00:13:13,060 YES? 333 00:13:15,028 --> 00:13:16,997 DID SHE JUST TELL US SWEETIE DIDN'T REALLY 334 00:13:17,030 --> 00:13:18,431 HAVE THOSE CIGARETTE BURNS? 335 00:13:18,465 --> 00:13:20,968 SHE SAID HE MIGHT NOT. 336 00:13:21,001 --> 00:13:23,370 WHY WOULD SHE MAKE HER STAR WRITER A LIAR? 337 00:13:23,403 --> 00:13:25,072 LET'S GO LOOK AT SOME SKIN. 338 00:13:25,105 --> 00:13:28,041 SMOOTH AS A BABY'S BOTTOM. 339 00:13:28,075 --> 00:13:30,010 AND THERE'S SOMETHING ELSE ABOUT HIS POSTERIOR 340 00:13:30,043 --> 00:13:32,012 YOU MIGHT FIND INTERESTING. 341 00:13:32,045 --> 00:13:34,081 HE'S SUPPOSED TO BE A MALE PROSTITUTE? 342 00:13:34,114 --> 00:13:36,583 WELL, I'M NOT SURE HE WAS SUPPOSED TO BE, BUT HE WAS. 343 00:13:36,616 --> 00:13:39,086 WELL, HE'S THE STRANGEST PROSTITUTE I EVER SAW. 344 00:13:39,119 --> 00:13:41,521 I CHECKED FOR EVIDENCE OF SEX BEFORE HE WAS KILLED. 345 00:13:41,554 --> 00:13:43,056 THERE'S NO INDICATION. 346 00:13:43,090 --> 00:13:45,225 THERE'S ALSO NO INDICATION OF FIBROTIC CHANGES 347 00:13:45,258 --> 00:13:46,559 TO HIS SPHINCTER. 348 00:13:46,593 --> 00:13:49,029 NO SCARS, NO WARTS, NO STDs. 349 00:13:49,062 --> 00:13:52,365 HE'S AN ANAL VIRGIN. 350 00:13:52,399 --> 00:13:54,201 SO HE LIED ABOUT THE CIGARETTE BURNS, 351 00:13:54,234 --> 00:13:55,936 THE RAPES, THE ARRESTS. 352 00:13:55,969 --> 00:13:57,304 IT'S ONE OF THOSE FAKE MEMOIRS. 353 00:13:57,337 --> 00:13:58,906 OR A STOLEN ONE. 354 00:13:58,939 --> 00:14:01,108 WE RAN THE PRINTS FROM THE BLOND GUY'S HOTEL ROOM. 355 00:14:01,141 --> 00:14:02,475 GUESS WHO IS A MALE PROSTITUTE. 356 00:14:02,509 --> 00:14:04,244 CODY LARSON, 24. 357 00:14:04,277 --> 00:14:07,414 BUSTS FOR DRUG POSSESSION, LOITERING, SOLICITING, 358 00:14:07,447 --> 00:14:10,150 MOSTLY IN TRUCK STOPS. 359 00:14:10,183 --> 00:14:12,319 SO CODY LARSON REALLY WAS SWEETIE NESS. 360 00:14:12,352 --> 00:14:13,386 MM-HMM. 361 00:14:13,420 --> 00:14:15,288 HE EVEN HAD THE BURNS. 362 00:14:15,322 --> 00:14:16,656 SO YOU'RE THINKING HE READ THAT BOOK 363 00:14:16,689 --> 00:14:18,892 AND FIGURED SOMEONE HAD STOLEN HIS LIFE? 364 00:14:18,926 --> 00:14:21,161 AND MOTORED UP TO NEW YORK TO GET IT BACK. 365 00:14:21,194 --> 00:14:22,996 WHAT ABOUT THE AGENT, KATE TENNY? 366 00:14:23,030 --> 00:14:25,365 WAS SHE CONNED BY A FAKE SWEETIE NESS 367 00:14:25,398 --> 00:14:27,534 OR WAS SHE IN ON THE GAG? 368 00:14:27,567 --> 00:14:29,169 WELL, SHE DIDN'T HAVE MANY CLIENTS, 369 00:14:29,202 --> 00:14:30,503 CAME OUT OF NOWHERE A COUPLE OF YEARS AGO 370 00:14:30,537 --> 00:14:32,172 AS AN AGENT. 371 00:14:32,205 --> 00:14:36,109 NOW, HER BIO ONLY SAYS SHE USED TO BE A JOURNALIST. 372 00:14:38,178 --> 00:14:39,679 (Bernard) "PRETTY BOYS, 373 00:14:39,712 --> 00:14:42,382 THE TRAGIC LIVES OF CHILD PROSTITUTES." 374 00:14:42,415 --> 00:14:44,051 YEAH, KATE HAD A WAY WITH THOSE KIDS. 375 00:14:44,084 --> 00:14:45,252 REALLY GOT THEM TO OPEN UP. 376 00:14:45,285 --> 00:14:46,619 IT'S LIKE SHE SPOKE THEIR LANGUAGE. 377 00:14:46,653 --> 00:14:48,588 YEAH, SHE INTERVIEWED A BUNCH OF THEM. 378 00:14:48,621 --> 00:14:49,689 TRAILER PARKS, 379 00:14:49,722 --> 00:14:53,060 TRUCK STOPS, DRUGS, RAPES. 380 00:14:53,093 --> 00:14:54,394 "HIS MOTHER WAS A MONSTER. 381 00:14:54,427 --> 00:14:56,163 "SHE SOLD HIM TO HER JOHNS 382 00:14:56,196 --> 00:14:58,265 "AND LAUGHED ABOUT PUTTING OUT CIGARETTES 383 00:14:58,298 --> 00:15:00,200 ON HIS BUTTOCKS." 384 00:15:00,233 --> 00:15:01,701 (Lupo) THAT WAS CODY LARSON, RIGHT? 385 00:15:01,734 --> 00:15:04,504 YOU MET HIM TEN YEARS AGO WHEN YOU WROTE THAT ARTICLE. 386 00:15:04,537 --> 00:15:06,373 I DON'T KNOW. THEY USED MADE-UP NAMES. 387 00:15:06,406 --> 00:15:08,208 YEAH, THEN YOU RIPPED HIM OFF AND WROTE YOUR BOOK 388 00:15:08,241 --> 00:15:10,210 BASED ON HIS LIFE STORY. 389 00:15:10,243 --> 00:15:12,145 HE MUST HAVE BEEN PLENTY PISSED WHEN HE FOUND OUT. 390 00:15:12,179 --> 00:15:14,214 HE CAME TO NEW YORK. HE CALLED YOU. 391 00:15:14,247 --> 00:15:17,117 I TOLD YOU, I GET A LOT OF CRAZY CALLS. 392 00:15:17,150 --> 00:15:18,385 YOU WANT TO HEAR CRAZY, LADY? 393 00:15:18,418 --> 00:15:20,087 THAT BODY THAT WE HAVE IN THE MORGUE, 394 00:15:20,120 --> 00:15:21,354 WE RAN IT THROUGH MISSING PERSONS 395 00:15:21,388 --> 00:15:23,656 AND IT CAME BACK AN ACTOR FROM LOUISVILLE 396 00:15:23,690 --> 00:15:24,857 NAMED DALE MARKS. 397 00:15:24,891 --> 00:15:27,027 HIS MOTHER SAID HE CAME TO NEW YORK FOR SOME KIND OF JOB 398 00:15:27,060 --> 00:15:28,495 AND NEVER CAME HOME. 399 00:15:28,528 --> 00:15:31,031 YOU HIRED HIM TO PLAY SWEETIE NESS, DIDN'T YOU? 400 00:15:31,064 --> 00:15:32,599 BASED ON THE BOOK THAT YOU WROTE, 401 00:15:32,632 --> 00:15:33,967 BASED ON THE LIFE STORY 402 00:15:34,001 --> 00:15:36,669 THAT YOU STOLE FROM CODY LARSON. 403 00:15:36,703 --> 00:15:41,241 OH, GOD. 404 00:15:41,274 --> 00:15:44,044 LOOK, I THOUGHT THE WORLD SHOULD KNOW 405 00:15:44,077 --> 00:15:45,979 WHAT WAS HAPPENING TO THESE CHILDREN. 406 00:15:46,013 --> 00:15:47,747 NO ONE WAS SPEAKING UP FOR THEM. 407 00:15:47,780 --> 00:15:49,116 NO ONE. 408 00:15:49,149 --> 00:15:50,383 SO YOU STEPPED UP? 409 00:15:50,417 --> 00:15:52,052 CODY WASN'T GOING TO WRITE A BOOK. 410 00:15:52,085 --> 00:15:54,087 I DIDN'T EVEN KNOW HE COULD READ. 411 00:15:54,121 --> 00:15:56,089 AND I DIDN'T THINK THAT IT WOULD GET ANYONE KILLED. 412 00:15:56,123 --> 00:15:57,157 YEAH, AND WHILE YOU'VE BEEN 413 00:15:57,190 --> 00:15:59,226 LYING TO US TO PROTECT YOUR PHONY BOOK, 414 00:15:59,259 --> 00:16:01,028 THE KILLER'S BEEN GETTING AWAY. 415 00:16:01,061 --> 00:16:02,695 DO YOU HAVE ANY IDEAS WHERE WE CAN FIND HIM 416 00:16:02,729 --> 00:16:04,097 RIGHT NOW? 417 00:16:04,131 --> 00:16:07,734 HE CALLED ME. HE WAS ANGRY. 418 00:16:07,767 --> 00:16:10,470 HE WANTED THE WORLD TO KNOW THAT HE WAS SWEETIE NESS. 419 00:16:10,503 --> 00:16:12,039 AND HE WANTED SOME MONEY. 420 00:16:12,072 --> 00:16:14,574 SO I SENT HIM A LITTLE, TWICE, 421 00:16:14,607 --> 00:16:16,009 JUST SO THAT I COULD KEEP HIM QUIET 422 00:16:16,043 --> 00:16:17,310 WHILE I FIGURED THINGS OUT. 423 00:16:17,344 --> 00:16:19,346 HOW'D YOU SEND THE MONEY? 424 00:16:19,379 --> 00:16:21,614 THE FIRST WIRE TRANSFER WAS PICKED UP 425 00:16:21,648 --> 00:16:23,183 AT A STORE IN THE WEST VILLAGE. 426 00:16:23,216 --> 00:16:25,252 SHE SENT THE SECOND ONE THE DAY BEFORE THE MURDER. 427 00:16:25,285 --> 00:16:27,020 IT WAS PICKED UP LAST NIGHT 428 00:16:27,054 --> 00:16:28,255 AT THE CROSS BRONX TRUCK PLAZA. 429 00:16:28,288 --> 00:16:31,658 EITHER HE HOPPED ON A TRUCK AND HE'S GONE. 430 00:16:31,691 --> 00:16:33,193 OR HE'S BACK TO HIS OLD TRICKS, 431 00:16:33,226 --> 00:16:34,227 WORKING AT TRUCK STOPS. 432 00:16:34,261 --> 00:16:36,063 HOME SWEET HOME. 433 00:16:36,096 --> 00:16:38,498 YOU KNOW, I KNOW THAT PLACE FROM WHEN I WORKED VICE. 434 00:16:38,531 --> 00:16:40,800 THERE ARE 30 WAYS IN AND OUT. 435 00:16:40,833 --> 00:16:43,336 AND TRUCKERS AND HUSTLERS CAN SMELL COPS 436 00:16:43,370 --> 00:16:45,072 A MILE AWAY. 437 00:16:45,105 --> 00:16:47,174 SO WHAT SHOULD WE SMELL LIKE? 438 00:17:09,462 --> 00:17:11,198 HOW'S MY AUDIO? 439 00:17:11,231 --> 00:17:13,600 (Van Buren) WE CAN HEAR YOUR GEARS GRINDING. 440 00:17:13,633 --> 00:17:16,569 WELL, NEXT TIME GIVE ME A LONGER DRIVING LESSON. 441 00:17:16,603 --> 00:17:19,172 ALL RIGHT, TURN OFF YOUR HEADLIGHTS 442 00:17:19,206 --> 00:17:21,508 AND LEAVE THE PARKING AND ROOF LIGHTS ON. 443 00:17:21,541 --> 00:17:22,842 DONE. 444 00:17:22,875 --> 00:17:24,411 NOW YOU'RE GONNA HAVE TO LOOK FOR A DATE. 445 00:17:24,444 --> 00:17:26,513 SO GO INSIDE, GET THE MOUTH WASH. 446 00:17:26,546 --> 00:17:30,183 MAKE SURE PEOPLE SEE IT. 447 00:17:30,217 --> 00:17:32,119 I DON'T MIND TELLING YOU THIS, 448 00:17:32,152 --> 00:17:34,554 BUT THAT KINDA WEIRDS ME OUT A LITTLE. 449 00:17:34,587 --> 00:17:37,157 THAT'S A BIG TEN-FOUR, BUDDY. 450 00:18:06,253 --> 00:18:07,454 ANYTHING ELSE? 451 00:18:09,456 --> 00:18:12,492 THAT'LL BE IT. THANKS. 452 00:18:21,634 --> 00:18:22,869 YOU LOOKING FOR A PARTY, HANDSOME? 453 00:18:22,902 --> 00:18:25,738 I--I MIGHT BE. 454 00:18:25,772 --> 00:18:28,808 NOT YOU, THOUGH. 455 00:18:28,841 --> 00:18:32,912 I LIKE A MAN WHO'S...ALL MAN. 456 00:18:32,945 --> 00:18:34,447 HONEY. 457 00:18:34,481 --> 00:18:36,183 [chuckles] 458 00:18:36,216 --> 00:18:37,784 I'M MORE MAN THAN YOU CAN HANDLE. 459 00:18:37,817 --> 00:18:40,487 A LITTLE WHITER TOO. 460 00:18:40,520 --> 00:18:44,157 AND YOUNGER. 461 00:18:44,191 --> 00:18:45,925 NO OFFENSE. 462 00:18:45,958 --> 00:18:47,694 NONE TAKEN, HONEY. 463 00:18:47,727 --> 00:18:48,861 THE CUSTOMER'S ALWAYS RIGHT. 464 00:18:48,895 --> 00:18:52,332 YOU KNOW, I GOT A FRIEND THOUGH. 465 00:18:52,365 --> 00:18:55,235 JUST BE SURE TO GIVE HIM AN EXTRA BIG TIP FOR ME, OKAY? 466 00:19:00,273 --> 00:19:02,209 (Lupo) IT'S BEEN A HALF AN HOUR. 467 00:19:02,242 --> 00:19:04,644 YOU THINK HE'S GOT APPOINTMENTS BACKED UP OR WHAT? 468 00:19:04,677 --> 00:19:08,181 SAME OLD STORY, WHITE BOY GETS THE JOB. 469 00:19:08,215 --> 00:19:10,183 [fake chuckle] 470 00:19:10,217 --> 00:19:11,718 HEY. 471 00:19:17,257 --> 00:19:19,359 SOMEONE'S COMING YOUR WAY. 472 00:19:29,769 --> 00:19:31,271 I HEAR YOU'RE LOOKING FOR SOME COMPANY? 473 00:19:31,304 --> 00:19:33,606 COME ON IN. 474 00:19:36,876 --> 00:19:38,911 IT'S 30 FOR ORAL. 475 00:19:38,945 --> 00:19:40,947 50 GETS YOU ANYTHING YOU WANT. 476 00:19:40,980 --> 00:19:42,615 I GOT 50. 477 00:19:42,649 --> 00:19:45,518 AND I GOT ANYTHING YOU WANT. 478 00:19:53,726 --> 00:19:55,995 YOU READ THAT BOOK? 479 00:19:56,028 --> 00:20:00,400 IT'S PRETTY GOOD. 480 00:20:00,433 --> 00:20:02,669 THAT'S ME. 481 00:20:02,702 --> 00:20:04,904 I'M SWEETIE NESS. 482 00:20:04,937 --> 00:20:05,872 I DON'T THINK SO. 483 00:20:05,905 --> 00:20:07,974 THIS GUY GOT HIMSELF KILLED THE OTHER NIGHT. 484 00:20:08,007 --> 00:20:11,311 YOU CAN'T BELIEVE EVERYTHING YOU READ IN THE PAPERS. 485 00:20:11,344 --> 00:20:13,212 THEN WHO GOT HIMSELF KILLED? 486 00:20:15,915 --> 00:20:19,319 YOU DON'T KNOW ANYTHING. THIS GUY WAS FAMOUS. 487 00:20:19,352 --> 00:20:22,289 YOU'RE JUST SOME TRUCK STOP TWINK. 488 00:20:22,322 --> 00:20:25,725 SO WHAT DO YOU WANT TO DO HERE EXACTLY, HUH? 489 00:20:25,758 --> 00:20:27,894 HOLD ON, HOLD ON. 490 00:20:27,927 --> 00:20:30,297 CODY, I'M A COP. YOU'RE UNDER ARREST. 491 00:20:30,330 --> 00:20:33,400 HOLD STILL. 492 00:20:33,433 --> 00:20:36,903 AND I'M GONNA NEED THAT 50 BUCKS BACK. 493 00:20:42,442 --> 00:20:44,043 DOCKET NUMBER 41678. 494 00:20:44,076 --> 00:20:45,878 PEOPLE VERSUS CODY LARSON. 495 00:20:45,912 --> 00:20:47,314 MURDER IN THE SECOND DEGREE. 496 00:20:47,347 --> 00:20:49,549 I DIDN'T KILL THAT FAKER. 497 00:20:49,582 --> 00:20:51,484 OKAY, SO WE'LL MAKE THAT A NOT GUILTY. 498 00:20:51,518 --> 00:20:53,453 HE WAS THE CROOK. HE STOLE MY LIFE. 499 00:20:53,486 --> 00:20:54,754 MR. HAIG, YOU MIGHT SUGGEST 500 00:20:54,787 --> 00:20:57,290 TO YOUR CLIENT THAT HE PUT A SOCK IN IT. 501 00:20:57,324 --> 00:20:58,891 HE HAS A LEGITIMATE GRIEVANCE, YOUR HONOR. 502 00:20:58,925 --> 00:21:01,461 SO DOES THE DEAD GUY. BAIL, MISS RUBIROSA? 503 00:21:01,494 --> 00:21:03,396 NO FIXED ADDRESS. LONG CRIMINAL RECORD. 504 00:21:03,430 --> 00:21:05,465 NOTHING MORE SERIOUS THAN PROSTITUTION AND PETTY THEFT. 505 00:21:05,498 --> 00:21:07,033 GOOD NEWS, FREE ROOM AND BOARD. 506 00:21:07,066 --> 00:21:08,301 REMAND. 507 00:21:08,335 --> 00:21:09,802 [bangs gavel] 508 00:21:09,836 --> 00:21:11,070 (Cutter) I UNDERSTAND WE CAN THANK 509 00:21:11,103 --> 00:21:13,306 YOUR CLIENT FOR BROADCASTING HIS MOTIVE 510 00:21:13,340 --> 00:21:14,674 AT THE ARRAIGNMENT. 511 00:21:14,707 --> 00:21:16,609 DOESN'T MEAN HE KILLED ANYONE. 512 00:21:16,643 --> 00:21:18,378 BUT DALE MARKS DID STEAL YOUR LIFE, 513 00:21:18,411 --> 00:21:19,612 DIDN'T HE, MR. LARSON? 514 00:21:19,646 --> 00:21:21,414 OR YOU THOUGHT HE DID? 515 00:21:21,448 --> 00:21:23,316 YOU OUGHTA CALL ME SWEETIE. 516 00:21:23,350 --> 00:21:24,651 I'M TAKING THE NAME. 517 00:21:24,684 --> 00:21:27,520 HE JUST KEEPS ON GIVING, DOESN'T HE? 518 00:21:27,554 --> 00:21:29,856 HIS PERSONA WAS APPROPRIATED BY MR. MARKS AND MS. TENNY. 519 00:21:29,889 --> 00:21:31,524 WE'RE FILING SUIT TO CLAIM A SHARE OF THE ROYALTIES 520 00:21:31,558 --> 00:21:32,825 FROM THE BOOK THEY PUBLISHED. 521 00:21:32,859 --> 00:21:33,960 LITTLE WHORE? 522 00:21:33,993 --> 00:21:35,362 I ASSUME YOU'RE LOOKING FORWARD 523 00:21:35,395 --> 00:21:36,896 TO YOUR SHARE OF THAT SETTLEMENT, DAVE. 524 00:21:36,929 --> 00:21:39,799 I DON'T USUALLY SEE YOU REPRESENTING INDIGENTS. 525 00:21:39,832 --> 00:21:43,370 WELL, I DO WHAT I CAN. 526 00:21:46,939 --> 00:21:48,841 A MOTION TO EXCLUDE THE BLOODY SHIRT 527 00:21:48,875 --> 00:21:51,344 THE POLICE FOUND IN THE HOTEL ROOM. 528 00:21:51,378 --> 00:21:52,679 I MIGHT HAVE CUT HIS LIP OR SOMETHING, 529 00:21:52,712 --> 00:21:53,846 BUT I DIDN'T KILL HIM. 530 00:21:53,880 --> 00:21:55,114 THEY HAD NO WARRANT, AND MR. LARSON 531 00:21:55,147 --> 00:21:57,450 DIDN'T CONSENT TO THE SEARCH. 532 00:21:57,484 --> 00:21:58,585 HE DIDN'T NEED TO. 533 00:21:58,618 --> 00:22:00,453 THE ROOM'S OTHER OCCUPANT CONSENTED. 534 00:22:00,487 --> 00:22:01,888 MR. DEWEY, HE WASN'T LIVING THERE. 535 00:22:01,921 --> 00:22:03,490 HE WAS RENTING. 536 00:22:03,523 --> 00:22:05,492 WHICH WOULD MAKE HIM A RESIDENT WITH A RIGHT OF PRIVACY 537 00:22:05,525 --> 00:22:07,694 AND THE STANDING TO WAIVE THAT PRIVACY. 538 00:22:07,727 --> 00:22:11,330 THE ROOM ISN'T WHAT HE WAS RENTING. 539 00:22:15,402 --> 00:22:16,969 (Haig) THIS AFFIDAVIT FROM MR. DEWEY 540 00:22:17,003 --> 00:22:18,538 ATTESTS THAT HE PAID MR. LARSON FOR HIS TIME 541 00:22:18,571 --> 00:22:20,072 AND SEXUAL FAVORS. 542 00:22:20,106 --> 00:22:21,441 (Cutter) THAT'S NOT WHAT HE TOLD THE POLICE. 543 00:22:21,474 --> 00:22:22,975 BECAUSE HE WAS EMBARRASSED. 544 00:22:23,009 --> 00:22:25,044 THEY LIKE TO KID THEMSELVES, YOU KNOW? 545 00:22:25,077 --> 00:22:27,146 SO YOU MAKE THEM THINK YOU LIKE THEM. 546 00:22:27,179 --> 00:22:29,081 LIKE YOU WOULDN'T TAKE THE MONEY FROM JUST ANYBODY, 547 00:22:29,115 --> 00:22:30,116 BUT YOU WOULD. 548 00:22:30,149 --> 00:22:32,652 THANK YOU, MR. LARSON. 549 00:22:32,685 --> 00:22:34,987 CLEARLY, MR. DEWEY WAS A CUSTOMER 550 00:22:35,021 --> 00:22:36,055 AND NOT A ROOMMATE. 551 00:22:36,088 --> 00:22:38,391 OVERNIGHT GUESTS HAVE AN EXPECTATION OF PRIVACY. 552 00:22:38,425 --> 00:22:39,526 THE POLICE COULDN'T HAVE SEARCHED 553 00:22:39,559 --> 00:22:41,494 MR. DEWEY'S THINGS WITHOUT A WARRANT. 554 00:22:41,528 --> 00:22:43,463 CONVERSELY, HE HAD STANDING 555 00:22:43,496 --> 00:22:45,432 TO GIVE THEM PERMISSION TO ENTER. 556 00:22:45,465 --> 00:22:46,833 THE SUPREME COURT DECIDED THIS 557 00:22:46,866 --> 00:22:48,134 IN MINNESOTA V. OLSON. 558 00:22:48,167 --> 00:22:50,470 THAT DOESN'T APPLY TO COMMERCIAL VISITORS. 559 00:22:50,503 --> 00:22:51,471 IF I'M SHOPPING AT MACY'S 560 00:22:51,504 --> 00:22:52,972 AND FALL ASLEEP ON A COUCH, 561 00:22:53,005 --> 00:22:54,140 IT DOESN'T MEAN I LIVE THERE. 562 00:22:54,173 --> 00:22:56,042 THE POLICE DIDN'T KNOW THE CIRCUMSTANCES. 563 00:22:56,075 --> 00:22:57,109 THEY HAD REASON TO BELIEVE 564 00:22:57,143 --> 00:23:00,680 MR. LARSON AND MR. DEWEY HAD A PERSONAL RELATIONSHIP. 565 00:23:00,713 --> 00:23:03,716 HOW LONG HAVE THEY BEEN COPS, 11 MINUTES? 566 00:23:03,750 --> 00:23:06,753 THEY SHOULD HAVE GOTTEN A WARRANT. 567 00:23:06,786 --> 00:23:08,921 THE MOTION TO SUPPRESS IS GRANTED. 568 00:23:08,955 --> 00:23:10,022 HE'S WRONG ON THE LAW. 569 00:23:10,056 --> 00:23:11,157 IT'S A GRAY AREA. 570 00:23:11,190 --> 00:23:12,124 SO I HAVE TO LISTEN TO A MURDERER 571 00:23:12,158 --> 00:23:14,193 TELL ME HOW TO PICK UP JOHNS AT THE MINE SHAFT 572 00:23:14,226 --> 00:23:15,562 AND THEN LET HIM WALK? 573 00:23:15,595 --> 00:23:17,430 WE STILL HAVE LARSON'S MOTIVE. 574 00:23:17,464 --> 00:23:19,466 DALE MARKS STOLE HIS LIFE, AND LARSON KNEW IT. 575 00:23:19,499 --> 00:23:21,934 WE HAVE A PHOTO OF HIM STALKING MARKS 576 00:23:21,968 --> 00:23:23,770 AND THE WITNESS WHO SAW HIM ACCOST MARKS 577 00:23:23,803 --> 00:23:24,937 RIGHT BEFORE THE MURDER. 578 00:23:24,971 --> 00:23:26,138 ONE WITNESS. 579 00:23:26,172 --> 00:23:28,007 NAIL HER DOWN. 580 00:23:28,040 --> 00:23:30,477 I DON'T KNOW. IT WAS REALLY DARK OUTSIDE. 581 00:23:30,510 --> 00:23:34,180 YOU TOLD THE POLICE YOU SAW CODY LARSON 582 00:23:34,213 --> 00:23:36,983 FOLLOW DALE MARKS OUTSIDE OF BLANE'S TAVERN. 583 00:23:37,016 --> 00:23:39,752 THEY ARGUED, AND WHEN MR. MARKS WALKED AWAY, 584 00:23:39,786 --> 00:23:41,220 MR. LARSON FOLLOWED. 585 00:23:41,253 --> 00:23:43,823 I'M NOT SURE. 586 00:23:43,856 --> 00:23:45,224 YOU'RE NOT SURE ABOUT WHAT? 587 00:23:45,257 --> 00:23:46,726 MAYBE THEY WERE JUST TALKING. 588 00:23:46,759 --> 00:23:49,762 I WAS JUST SO FOCUSED ON THE ONE THAT GOT KILLED. 589 00:23:49,796 --> 00:23:51,998 I THOUGHT HE WAS SWEETIE. 590 00:23:52,031 --> 00:23:55,201 MISS DUNLAP, I'M ASSUMING THAT YOU DIDN'T LIE TO THE POLICE. 591 00:23:55,234 --> 00:23:58,871 I WAS VERY EMOTIONAL. 592 00:23:58,905 --> 00:24:01,774 I THOUGHT SWEETIE HAD JUST BEEN KILLED. 593 00:24:01,808 --> 00:24:04,644 MAYBE I WAS LOOKING FOR SOMEBODY TO BLAME 594 00:24:04,677 --> 00:24:07,179 ON THE SUBCONSCIOUS LEVEL, YOU KNOW? 595 00:24:07,213 --> 00:24:10,182 MAYBE THAT INFLUENCED MY PERCEIVING. 596 00:24:10,216 --> 00:24:11,751 (Cutter) HER SUBCONSCIOUS MIND 597 00:24:11,784 --> 00:24:13,620 MIGHT HAVE INFLUENCED HER PERCEPTIONS. 598 00:24:13,653 --> 00:24:15,955 WHO'S SHE BEEN HANGING OUT WITH, SIGMUND FREUD? 599 00:24:15,988 --> 00:24:17,189 WORSE. 600 00:24:17,223 --> 00:24:20,126 CHECK OUT THE VISITOR'S LOG FROM RIKERS. 601 00:24:20,159 --> 00:24:22,795 SHE'S BEEN VISITING CODY LARSON IN JAIL. 602 00:24:22,829 --> 00:24:25,264 OR AS HE NOW PREFERS TO BE CALLED, SWEETIE. 603 00:24:25,297 --> 00:24:27,266 SHE'S OBSESSED WITH SWEETIE NESS, 604 00:24:27,299 --> 00:24:29,235 AND NOW SHE KNOWS DALE MARKS WAS AN IMPOSTER. 605 00:24:29,268 --> 00:24:32,104 SHE'S CHANGING HER STORY TO PROTECT THE REAL SWEETIE. 606 00:24:32,138 --> 00:24:33,940 YEAH, BUT IS HE THE REAL SWEETIE? 607 00:24:33,973 --> 00:24:36,275 I UNDERSTAND HE HAS SOME CIGARETTE BURNS ON HIS ASS 608 00:24:36,308 --> 00:24:37,910 THAT MAKE A PRETTY GOOD CASE. 609 00:24:37,944 --> 00:24:39,245 I WAS READING LITTLE WHORE 610 00:24:39,278 --> 00:24:41,781 AND CODY LARSON'S PROBATION RECORD. 611 00:24:41,814 --> 00:24:43,750 HE WAS RAISED BY HIS AUNT WHO PUT HIM IN CATHOLIC SCHOOL 612 00:24:43,783 --> 00:24:45,151 UNTIL HE RAN AWAY. 613 00:24:45,184 --> 00:24:47,186 WELL, THERE'S NO AUNT IN THE BOOK. 614 00:24:47,219 --> 00:24:48,187 NO CATHOLIC SCHOOL. 615 00:24:48,220 --> 00:24:50,256 AND THE BOOK SAYS THAT HE SPENT THREE MONTHS 616 00:24:50,289 --> 00:24:51,858 AT A WORK CAMP IN MICHIGAN. 617 00:24:51,891 --> 00:24:53,893 MICHIGAN CORRECTIONS HAS NO RECORD 618 00:24:53,926 --> 00:24:55,227 OF A CODY LARSON. 619 00:24:55,261 --> 00:24:57,229 KATE TENNY INTERVIEWED A DOZEN KIDS 620 00:24:57,263 --> 00:24:59,866 FOR HER ARTICLE, RIGHT? 621 00:24:59,899 --> 00:25:03,636 SWEETIE NESS IS A COMPOSITE. 622 00:25:03,670 --> 00:25:05,705 (Kate) MY PUBLISHER CALLED ME IN. 623 00:25:05,738 --> 00:25:07,239 THEY'RE TALKING ABOUT PULPING THE BOOK. 624 00:25:07,273 --> 00:25:09,041 WELL, MAYBE IF IT WASN'T A TOTAL FRAUD. 625 00:25:09,075 --> 00:25:11,243 LOOK, I MAY HAVE SCREWED UP. 626 00:25:11,277 --> 00:25:13,179 BUT THIS BOOK IS ABOUT REAL VICTIMS, 627 00:25:13,212 --> 00:25:15,682 ABOUT A SITUATION THAT NEEDS TO BE STOPPED. 628 00:25:15,715 --> 00:25:17,083 WE NEED TO FIND SOME OF THE OTHER HUSTLERS 629 00:25:17,116 --> 00:25:18,150 YOU INTERVIEWED. 630 00:25:18,184 --> 00:25:20,152 THAT'S NOT GONNA BE EASY. THEY'VE ALL GROWN UP. 631 00:25:20,186 --> 00:25:22,822 I DON'T EVEN KNOW IF I HAVE MY NOTES ANYMORE. 632 00:25:22,855 --> 00:25:25,057 WE CAN GET A WARRANT, GO THROUGH YOUR OFFICE 633 00:25:25,091 --> 00:25:26,258 LOOKING FOR THEM. 634 00:25:26,292 --> 00:25:28,561 YEAH, MAYBE EVEN YOUR PUBLISHER'S TOO. 635 00:25:30,730 --> 00:25:32,599 I'LL SEND YOU WHAT I HAVE. 636 00:25:37,003 --> 00:25:38,871 AIN'T NO QUESTION ABOUT IT, THAT'S MY STUFF IN THERE. 637 00:25:38,905 --> 00:25:40,272 YOU'RE BUYING ME LUNCH, RIGHT? 638 00:25:40,306 --> 00:25:41,440 YEAH, SURE. 639 00:25:45,077 --> 00:25:47,580 IS THERE ANY PARTICULAR REASON WHY THIS OFFICE IS FLYING 640 00:25:47,614 --> 00:25:49,315 GAY PROSTITUTES IN FROM ALL OVER THE COUNTRY? 641 00:25:49,348 --> 00:25:52,084 IT'S THE CODY LARSON TRIAL. 642 00:25:52,118 --> 00:25:54,086 HE'S ENTITLED TO A JURY OF HIS PEERS. 643 00:25:54,120 --> 00:25:56,155 THAT'S FELLOW CITIZENS. NOT FELLOW HUSTLERS. 644 00:25:56,188 --> 00:25:57,189 IT'S NOT FOR THE JURY, JACK. 645 00:25:57,223 --> 00:25:59,291 WE HAVE A WITNESS PROBLEM. 646 00:25:59,325 --> 00:26:01,227 AND THESE MEN ARE THE SOLUTION? 647 00:26:01,260 --> 00:26:03,129 HEY, SHE'S HERE. 648 00:26:05,197 --> 00:26:07,166 STAY, WATCH, LEARN. 649 00:26:07,199 --> 00:26:09,836 ROOTED TO THE SPOT. 650 00:26:09,869 --> 00:26:12,605 MISS DUNLAP, THIS IS JACK MCCOY, 651 00:26:12,639 --> 00:26:13,740 OUR DISTRICT ATTORNEY. 652 00:26:13,773 --> 00:26:15,207 UH-HUH. 653 00:26:15,241 --> 00:26:17,043 WHO ARE THEY OUT THERE? 654 00:26:17,076 --> 00:26:18,244 OH, YOU NOTICED. 655 00:26:18,277 --> 00:26:19,345 WHAT DO YOU WANT? 656 00:26:19,378 --> 00:26:21,280 I TOLD THAT LADY THAT I DON'T REMEMBER 657 00:26:21,313 --> 00:26:22,214 ANYTHING FROM THAT NIGHT. 658 00:26:22,248 --> 00:26:24,150 BECAUSE YOU DON'T WANT TO TESTIFY AGAINST 659 00:26:24,183 --> 00:26:25,151 SWEETIE NESS. 660 00:26:25,184 --> 00:26:26,653 BECAUSE I COULDN'T SEE GOOD. 661 00:26:26,686 --> 00:26:28,320 NOW, YOU CAME HERE FROM IOWA 662 00:26:28,354 --> 00:26:29,455 BECAUSE YOU ADMIRE SWEETIE NESS, 663 00:26:29,488 --> 00:26:31,390 AND YOU DON'T WANT TO BE THE ONE TO SEND HIM TO PRISON, 664 00:26:31,423 --> 00:26:34,160 RIGHT? 665 00:26:37,764 --> 00:26:39,198 MISS DUNLAP, SAY HELLO TO MR. DEAN, 666 00:26:39,231 --> 00:26:41,801 MR. RAMIREZ, AND MR. STOCKER. 667 00:26:41,834 --> 00:26:43,870 OH, AND BY THE WAY, 668 00:26:43,903 --> 00:26:45,805 THEY'RE ALL SWEETIE NESS. 669 00:26:45,838 --> 00:26:47,073 WHAT? 670 00:26:47,106 --> 00:26:48,908 THEY WERE ALL INTERVIEWED BY KATE TENNY 671 00:26:48,941 --> 00:26:51,878 WHEN SHE WAS A JOURNALIST. 672 00:26:51,911 --> 00:26:54,080 HERE, "I TOLD HIM NO AND STARTED TO RUN. 673 00:26:54,113 --> 00:26:55,281 "HE SAID, 'COME BACK HERE, BOY, 674 00:26:55,314 --> 00:26:57,316 OR I'LL LET THE DOG LOOSE.'" 675 00:26:57,349 --> 00:26:59,418 DAMN BITCH BIT ME RIGHT HERE. 676 00:26:59,451 --> 00:27:01,120 STILL GOT THE SCAR. 677 00:27:01,153 --> 00:27:03,890 YOU KNOW WHERE UNCLE LOUIE GOT ME. 678 00:27:03,923 --> 00:27:06,859 AND HERE, "MY MOTHER WAS DRUNK AND ROARING. 679 00:27:06,893 --> 00:27:09,161 "SHE TOSSED A BURNT CHICKEN AT ME, 680 00:27:09,195 --> 00:27:11,197 PLATE AND ALL." 681 00:27:11,230 --> 00:27:13,299 PLATE HIT ME HERE, HAD TO GET MY UPPERS REPLACED. 682 00:27:13,332 --> 00:27:15,201 I STILL CAN'T CHEW RIGHT. STOP IT. 683 00:27:15,234 --> 00:27:17,336 KATE TENNY USED ALL THEIR STORIES 684 00:27:17,369 --> 00:27:18,971 IN THIS BOOK. 685 00:27:19,005 --> 00:27:21,140 CODY LARSON IS NO MORE SWEETIE NESS 686 00:27:21,173 --> 00:27:23,209 THAN ANY ONE OF THEM IS. 687 00:27:23,242 --> 00:27:27,346 I DON'T KNOW. 688 00:27:33,986 --> 00:27:38,457 A MAN WAS MURDERED, MISS DUNLAP. 689 00:27:38,490 --> 00:27:40,760 HIS REAL NAME WAS DALE MARKS, 690 00:27:40,793 --> 00:27:43,362 AND HE WAS REALLY MURDERED 691 00:27:43,395 --> 00:27:45,898 BY CODY LARSON. 692 00:27:45,932 --> 00:27:49,736 AND YOU NEED TO TELL THE TRUTH ABOUT WHAT YOU SAW, 693 00:27:49,769 --> 00:27:51,971 ABOUT WHAT YOU KNOW. 694 00:27:56,042 --> 00:27:57,744 (Rubirosa) JUST A MINUTE. 695 00:27:57,777 --> 00:27:58,911 I'LL NEED TO SEE THOSE. 696 00:27:58,945 --> 00:28:00,012 LADY, I GOT THREE SUBPOENAS, 697 00:28:00,046 --> 00:28:03,082 AND NONE OF THEM IS FOR YOU. 698 00:28:03,115 --> 00:28:05,084 HE'S A PROCESS SERVER FROM CODY LARSON'S ATTORNEY. 699 00:28:05,117 --> 00:28:07,787 HE'D LIKE OUR VISITORS TO TESTIFY FOR THE DEFENSE. 700 00:28:07,820 --> 00:28:10,890 HOW'D HE KNOW THEY WERE HERE? 701 00:28:10,923 --> 00:28:12,291 CODY AND ME, WE KEEP IN TOUCH. 702 00:28:12,324 --> 00:28:13,926 I'LL TAKE THOSE. 703 00:28:13,960 --> 00:28:16,729 CONSIDER THEM SERVED. 704 00:28:16,763 --> 00:28:19,098 YOU JUST GAVE THE DEFENSE THREE ALTERNATE THEORIES 705 00:28:19,131 --> 00:28:21,167 OF THE CRIME. 706 00:28:21,200 --> 00:28:22,468 IF THEY'RE ALL SWEETIE NESS, 707 00:28:22,501 --> 00:28:24,771 THEY ALL HAD MOTIVE TO KILL MR. MARKS. 708 00:28:26,773 --> 00:28:30,009 OH, I STAYED, I WATCHED. 709 00:28:30,042 --> 00:28:32,779 WHAT IS IT I WAS SUPPOSED TO LEARN? 710 00:28:41,020 --> 00:28:42,188 CODY CALLED ME A COUPLE MONTHS AGO 711 00:28:42,221 --> 00:28:43,222 AND ASKED ME IF I'D SEEN THAT BOOK. 712 00:28:43,255 --> 00:28:44,523 THIS WAS THE FIRST I HEARD. 713 00:28:44,556 --> 00:28:47,459 AND HOW DID MR. LARSON LIKE THAT BOOK? 714 00:28:47,493 --> 00:28:49,195 HE DIDN'T. 715 00:28:49,228 --> 00:28:51,530 SAID IT WAS FULL OF STORIES, HIS STORIES, 716 00:28:51,563 --> 00:28:53,465 THAT HE'D BEEN RIPPED OFF ROYAL. 717 00:28:53,499 --> 00:28:56,903 DID HE INDICATE WHAT HE WAS GONNA DO ABOUT THAT? 718 00:28:56,936 --> 00:28:59,005 COME UP TO NEW YORK AND SET THINGS STRAIGHT. 719 00:28:59,038 --> 00:29:00,306 (Cutter) I SEE. 720 00:29:00,339 --> 00:29:02,074 THANK YOU. 721 00:29:02,108 --> 00:29:06,112 YOU WERE ALREADY IN NEW YORK, WEREN'T YOU? 722 00:29:06,145 --> 00:29:07,847 YEAH, I'D BEEN LIVING HERE A WHILE. 723 00:29:07,880 --> 00:29:09,215 SOME OF YOUR STORIES WERE IN THE BOOK TOO. 724 00:29:09,248 --> 00:29:11,083 YEAH, I WENT OUT AND FOUND A COPY 725 00:29:11,117 --> 00:29:12,518 AFTER I TALKED TO CODY. 726 00:29:12,551 --> 00:29:15,354 IT HAD THE THING ABOUT MY TEETH, 727 00:29:15,387 --> 00:29:16,222 A BUNCH OF STUFF. 728 00:29:16,255 --> 00:29:19,358 SO YOU'D BEEN RIPPED OFF ROYAL TOO. 729 00:29:19,391 --> 00:29:21,527 (Harvey) YOU COULD SAY. 730 00:29:21,560 --> 00:29:22,929 SO YOU HAD THE SAME REASON TO BE ANGRY AT MR. MARKS 731 00:29:22,962 --> 00:29:23,930 THAT THE DEFENDANT DID. 732 00:29:23,963 --> 00:29:25,932 THE SAME MOTIVE TO KILL HIM. 733 00:29:25,965 --> 00:29:27,366 HE'D STOLEN YOUR LIFE TOO. 734 00:29:27,399 --> 00:29:29,268 EXCEPT I DIDN'T CARE. 735 00:29:29,301 --> 00:29:30,837 REALLY? 736 00:29:30,870 --> 00:29:32,839 YOU DIDN'T CARE ABOUT THE MONEY? 737 00:29:32,872 --> 00:29:34,406 DIDN'T CARE ABOUT THE FAME? 738 00:29:34,440 --> 00:29:36,843 I'M ALL SET, THANKS. 739 00:29:36,876 --> 00:29:38,845 GOT MARRIED A FEW MONTHS AGO TO A VERY NICE MAN, 740 00:29:38,878 --> 00:29:40,346 VERY GENEROUS. 741 00:29:40,379 --> 00:29:43,349 NO, I DO NOT NEED TO ROCK THAT BOAT. 742 00:29:49,288 --> 00:29:50,556 I GOT A LOT OF CALLS ABOUT SWEETIE. 743 00:29:50,589 --> 00:29:53,025 HE ATTRACTED ALL KINDS OF PEOPLE. 744 00:29:53,059 --> 00:29:55,061 BUT DID ANYONE OTHER THAN CODY LARSON 745 00:29:55,094 --> 00:29:56,562 EVER COMPLAIN TO YOU 746 00:29:56,595 --> 00:29:59,098 THAT THE BOOK HAD STOLEN THEIR STORIES? 747 00:29:59,131 --> 00:30:01,067 NO. NO ONE EVER DID. 748 00:30:01,100 --> 00:30:04,536 THAT WOULDN'T HAVE MADE SENSE ANYWAY 749 00:30:04,570 --> 00:30:06,405 SINCE THE STORIES WERE CODY'S. 750 00:30:06,438 --> 00:30:08,407 YOU MEAN SOME OF THE STORIES 751 00:30:08,440 --> 00:30:10,943 IN THE BOOK CAME FROM THINGS 752 00:30:10,977 --> 00:30:13,946 YOU'D HEARD FROM CODY LARSON? 753 00:30:13,980 --> 00:30:15,882 NO, I MAY HAVE HELPED HIM OUT WITH A FEW OTHER THINGS 754 00:30:15,915 --> 00:30:19,018 THAT I PICKED UP, THAT WAS MY JOB. 755 00:30:19,051 --> 00:30:21,487 BUT CODY LARSON IS THE AUTHOR OF LITTLE WHORE. 756 00:30:21,520 --> 00:30:24,456 HE IS SWEETIE NESS. 757 00:30:24,490 --> 00:30:27,326 MISS TENNY, 758 00:30:27,359 --> 00:30:31,463 DIDN'T YOU TELL ME BEFORE THIS TRIAL 759 00:30:31,497 --> 00:30:34,400 THAT YOU WROTE THAT BOOK DRAWING ON THE LIVES 760 00:30:34,433 --> 00:30:36,002 OF A DOZEN YOUNG MEN? 761 00:30:36,035 --> 00:30:38,337 I TOLD YOU WHAT YOU WANTED TO HEAR. 762 00:30:38,370 --> 00:30:40,873 YOU THREATENED ME. 763 00:30:40,907 --> 00:30:42,341 SHE THREATENED ME. 764 00:30:42,374 --> 00:30:46,312 SHE SAID SHE WAS GOING TO SEARCH MY PUBLISHER'S OFFICE. 765 00:30:46,345 --> 00:30:47,546 THEY WOULD HAVE DROPPED ME. 766 00:30:47,579 --> 00:30:50,382 I COULDN'T LET THAT HAPPEN. 767 00:30:50,416 --> 00:30:52,518 SWEETIE, CODY, HE HAS ANOTHER BOOK COMING OUT. 768 00:30:52,551 --> 00:30:54,653 IF CODY IS SWEETIE NESS, 769 00:30:54,686 --> 00:30:56,488 THEN WHY DID YOU STAND NEXT TO DALE MARKS 770 00:30:56,522 --> 00:30:59,491 AND TELL THE WHOLE WORLD HE WAS SWEETIE NESS? 771 00:30:59,525 --> 00:31:01,493 WE HIRED DALE. 772 00:31:01,527 --> 00:31:03,629 CODY WANTED TO PROTECT HIS PRIVACY. 773 00:31:03,662 --> 00:31:08,667 LOOK, CODY WAS IN NO SHAPE TO FACE THE PUBLIC. 774 00:31:08,700 --> 00:31:10,669 THE TYPES OF DEMANDS THAT FANS PLACED ON DALE 775 00:31:10,702 --> 00:31:14,273 WHEN THEY THOUGHT HE WAS SWEETIE-- 776 00:31:14,306 --> 00:31:17,409 IT GOT PRETTY CRAZY. 777 00:31:17,443 --> 00:31:20,312 IT MAY HAVE GOTTEN HIM KILLED. 778 00:31:20,346 --> 00:31:21,480 SHE'S LYING. 779 00:31:21,513 --> 00:31:23,149 SHE'S BEEN SAYING SHE FAKED THAT BOOK 780 00:31:23,182 --> 00:31:25,251 TO SAVE ABUSED CHILDREN, BUT IS MAKING A FORTUNE. 781 00:31:25,284 --> 00:31:27,319 AND THIS PUTS HER BACK IN BUSINESS. 782 00:31:27,353 --> 00:31:30,089 LARSON'S LAWYER PROBABLY BROKERED THE DEAL. 783 00:31:30,122 --> 00:31:31,457 MAYBE. 784 00:31:31,490 --> 00:31:34,360 BUT SHE JUST SHOT YOUR MOTIVE TO HELL. 785 00:31:34,393 --> 00:31:36,628 SWEETIE NESS HAD NO REASON TO KILL SOMEONE 786 00:31:36,662 --> 00:31:39,531 HE'D HIRED TO IMPERSONATE HIMSELF. 787 00:31:39,565 --> 00:31:42,068 CODY LARSON ISN'T SWEETIE NESS. 788 00:31:42,101 --> 00:31:44,036 DROPS HIS PANTS TO THE JURY 789 00:31:44,070 --> 00:31:46,638 AND SHOWS THE BURNS ON HIS BUTT, 790 00:31:46,672 --> 00:31:48,374 THEY MIGHT BELIEVE HE IS. 791 00:31:48,407 --> 00:31:50,142 ARE YOU ENJOYING THIS? 792 00:31:50,176 --> 00:31:53,179 ENJOYING WATCHING MY PROSECUTORS LOSE CONTROL 793 00:31:53,212 --> 00:31:54,646 OF THEIR WITNESSES IN THEIR CASE? 794 00:31:54,680 --> 00:31:56,548 THAT'S NOT THE WORD THAT LEAPS TO MIND. 795 00:31:56,582 --> 00:31:58,517 OKAY, SO WHAT IF IT'S TRUE, WHAT SHE SAID? 796 00:31:58,550 --> 00:31:59,518 OH, PLEASE. 797 00:31:59,551 --> 00:32:01,053 SHE SAID THE FANS GOT CRAZY. 798 00:32:01,087 --> 00:32:03,155 WE KNOW ONE CRAZY FAN WHO WAS NEXT 799 00:32:03,189 --> 00:32:06,058 TO THE FAKE SWEETIE RIGHT BEFORE HE GOT KILLED. 800 00:32:06,092 --> 00:32:09,095 YOUR STAR WITNESS, RIGHT? 801 00:32:09,128 --> 00:32:11,563 (Janice) I JUST GOT THIS, SWEETIE'S BOOK, 802 00:32:11,597 --> 00:32:13,332 FROM PARIS IN FRENCH. 803 00:32:13,365 --> 00:32:16,035 NO ONE ELSE IN AMERICA HAS ONE OF THESE YET. 804 00:32:16,068 --> 00:32:17,269 AND LOOK, 805 00:32:17,303 --> 00:32:19,071 AUTOGRAPHED. 806 00:32:19,105 --> 00:32:21,573 "LOVE TO A VERY SPECIAL FAN." 807 00:32:21,607 --> 00:32:23,742 AND HE SAID THAT HE READ MY POEMS, 808 00:32:23,775 --> 00:32:25,411 HIM AND MISS TENNY. 809 00:32:25,444 --> 00:32:27,513 HE SAID THAT THEY WERE GONNA PUT THEM IN HIS NEXT BOOK. 810 00:32:27,546 --> 00:32:30,316 JANICE, YOU MET THOSE OTHER MEN. 811 00:32:30,349 --> 00:32:34,253 YOU KNOW THAT CODY ISN'T REALLY SWEETIE NESS, RIGHT? 812 00:32:34,286 --> 00:32:35,754 YOU LIED TO ME. 813 00:32:35,787 --> 00:32:38,324 CODY TOLD ME THINGS THAT NO ONE ELSE COULD KNOW. 814 00:32:38,357 --> 00:32:40,559 LIKE HERE... 815 00:32:40,592 --> 00:32:42,294 WHERE HE TALKS ABOUT 816 00:32:42,328 --> 00:32:44,430 THE GREAT LOVE OF HIS LIFE, CHRIS. 817 00:32:44,463 --> 00:32:46,032 THAT'S A GIRL, NOT A GUY. 818 00:32:46,065 --> 00:32:49,301 SWEETIE WASN'T EVEN REALLY GAY. 819 00:32:49,335 --> 00:32:52,104 HE JUST WENT WITH MEN FOR MONEY. 820 00:32:52,138 --> 00:32:53,405 AND CHRIS LIVED IN LITTLE ROCK, 821 00:32:53,439 --> 00:32:55,174 BUT THEN SHE DIED. 822 00:32:55,207 --> 00:32:57,343 JANICE, IF YOU DON'T TESTIFY TRUTHFULLY ABOUT WHAT YOU SAW, 823 00:32:57,376 --> 00:32:59,378 WE'RE GONNA CHARGE YOU WITH PERJURY. 824 00:32:59,411 --> 00:33:02,314 YOU'RE NOT GONNA DROP THE CHARGES? 825 00:33:02,348 --> 00:33:04,450 CODY LARSON KILLED A MAN. 826 00:33:04,483 --> 00:33:06,418 WE'RE NOT GONNA LET IT GO BECAUSE HE GAVE YOU 827 00:33:06,452 --> 00:33:08,320 A PHONY STORY AND AN AUTOGRAPH. 828 00:33:08,354 --> 00:33:11,623 IF HE WASN'T REALLY GAY, JANICE, 829 00:33:11,657 --> 00:33:14,993 THAT MEANS THERE'S A POSSIBILITY THAT YOU AND HE-- 830 00:33:19,365 --> 00:33:21,467 IS THAT WHAT YOU WERE THINKING? 831 00:33:21,500 --> 00:33:25,304 OKAY. 832 00:33:25,337 --> 00:33:26,772 I DID IT. 833 00:33:26,805 --> 00:33:29,075 DID WHAT? 834 00:33:29,108 --> 00:33:32,511 I KILLED THE FAKE SWEETIE. 835 00:33:32,544 --> 00:33:34,680 SHE DIDN'T KILL ANYBODY. 836 00:33:34,713 --> 00:33:36,382 THE WATER'S PRETTY MUDDY, MIKE. 837 00:33:36,415 --> 00:33:38,350 ALL THE DEFENSE HAS TO DO IS PUT HER ON THE STAND. 838 00:33:38,384 --> 00:33:39,518 WELL, THAT WON'T BE NECESSARY. 839 00:33:39,551 --> 00:33:41,220 I WILL. 840 00:33:41,253 --> 00:33:42,621 AND CALL THE AUTHORITIES IN BOYDEN, IOWA 841 00:33:42,654 --> 00:33:44,790 OR WHEREVER THE HELL SHE CAME FROM. 842 00:33:50,829 --> 00:33:52,831 (Janice) I WENT UP TO DALE OUTSIDE THE BAR. 843 00:33:52,864 --> 00:33:54,400 I THOUGHT HE WAS SWEETIE. 844 00:33:54,433 --> 00:33:57,436 AND HE TOLD ME TO GET LOST. 845 00:33:57,469 --> 00:33:59,738 AND I TOLD HIM I JUST WANTED TO TALK. 846 00:33:59,771 --> 00:34:02,374 AND HE SAID I WAS BOTHERING HIM. 847 00:34:02,408 --> 00:34:05,744 AND HE SAID TERRIBLE THINGS. IT WAS AWFUL. 848 00:34:05,777 --> 00:34:09,181 THE REAL SWEETIE WOULD UNDERSTAND. 849 00:34:09,215 --> 00:34:12,184 SO I FOLLOWED HIM AND GOT NEXT TO HIM AGAIN, 850 00:34:12,218 --> 00:34:14,620 AND HE SHOVED ME HARD. 851 00:34:14,653 --> 00:34:16,688 AND I HAD A KNIFE I CARRY FOR PROTECTION, 852 00:34:16,722 --> 00:34:18,090 AND I TOOK IT OUT. 853 00:34:18,124 --> 00:34:19,258 I DON'T KNOW WHY. 854 00:34:19,291 --> 00:34:20,792 AND I DIDN'T MEAN TO STAB HIM. 855 00:34:20,826 --> 00:34:22,294 I'M SO SORRY. 856 00:34:22,328 --> 00:34:23,662 HOW MANY TIMES? WHAT? 857 00:34:23,695 --> 00:34:25,264 HOW MANY TIMES DID YOU STAB HIM 858 00:34:25,297 --> 00:34:26,732 WITHOUT EVEN KNOWING WHY? 859 00:34:26,765 --> 00:34:28,300 I DON'T KNOW. 860 00:34:28,334 --> 00:34:30,702 IT WAS LIKE A DREAM, LIKE A NIGHTMARE. 861 00:34:30,736 --> 00:34:33,872 WELL, YOU DON'T KNOW BECAUSE YOU DIDN'T DO IT. 862 00:34:33,905 --> 00:34:35,207 ISN'T THAT RIGHT? 863 00:34:35,241 --> 00:34:36,275 NO. 864 00:34:36,308 --> 00:34:38,477 YOU TOLD THE POLICE THE LAST TIME YOU SAW THE VICTIM, 865 00:34:38,510 --> 00:34:41,647 HE WAS WITH CODY LARSON. 866 00:34:41,680 --> 00:34:43,249 THAT WAS BEFORE. 867 00:34:43,282 --> 00:34:45,317 WHEN DALE CAME OUT OF THE BAR, 868 00:34:45,351 --> 00:34:47,286 HE WAS MAKING A PHONE CALL. 869 00:34:47,319 --> 00:34:48,687 IT WAS NOISY INSIDE. 870 00:34:48,720 --> 00:34:50,522 THEN SWEETIE CAME AFTER HIM. 871 00:34:50,556 --> 00:34:51,657 YOU MEAN CODY? 872 00:34:51,690 --> 00:34:56,462 CODY IS SWEETIE! 873 00:34:56,495 --> 00:34:59,231 THEY TALKED. 874 00:34:59,265 --> 00:35:01,333 AND THEN SWEETIE-- 875 00:35:01,367 --> 00:35:05,604 I MEAN CODY--LEFT. 876 00:35:05,637 --> 00:35:08,374 AND THEN THAT'S WHEN I CAME UP TO DALE, 877 00:35:08,407 --> 00:35:09,408 AND IT HAPPENED. 878 00:35:09,441 --> 00:35:14,213 JANICE, DO YOU LOVE SWEETIE NESS? 879 00:35:16,648 --> 00:35:19,285 UM, I GUESS IN A WAY. 880 00:35:19,318 --> 00:35:21,420 KIND OF. 881 00:35:21,453 --> 00:35:24,490 DO YOU THINK HE LOVES YOU? 882 00:35:27,959 --> 00:35:30,796 HE'S NEVER SAID ANYTHING LIKE THAT, 883 00:35:30,829 --> 00:35:33,532 BUT HE DID WRITE SOME REALLY NICE NOTES 884 00:35:33,565 --> 00:35:35,167 ABOUT MY POETRY. 885 00:35:35,201 --> 00:35:37,669 BUT HE NEVER WROTE TO YOU ABOUT YOUR POEMS BEFORE, 886 00:35:37,703 --> 00:35:39,471 DID HE, WHEN YOU MAILED THEM TO HIM? 887 00:35:39,505 --> 00:35:41,607 NO. 888 00:35:41,640 --> 00:35:43,642 OF COURSE THAT WAS BEFORE HE NEEDED YOU 889 00:35:43,675 --> 00:35:45,311 TO FALSELY CONFESS TO A MURDER 890 00:35:45,344 --> 00:35:47,779 SO HE COULD GO FREE. 891 00:35:47,813 --> 00:35:51,350 THAT WAS BEFORE WE KNEW EACH OTHER. 892 00:35:51,383 --> 00:35:53,352 AND NOW HE CONFIDES IN YOU, 893 00:35:53,385 --> 00:35:54,520 RIGHT? 894 00:35:54,553 --> 00:35:56,488 HE TELLS YOU THINGS HE WOULDN'T TELL 895 00:35:56,522 --> 00:35:59,291 ANYONE ELSE? 896 00:35:59,325 --> 00:36:01,327 LIKE ABOUT A PERSON NAMED CHRIS, 897 00:36:01,360 --> 00:36:03,329 HIS ONE TRUE LOVE. 898 00:36:03,362 --> 00:36:04,630 YES, CHRIS WAS-- 899 00:36:04,663 --> 00:36:06,665 "NOT EXACTLY WHAT I MADE HIM OUT TO BE. 900 00:36:06,698 --> 00:36:09,201 "THE MAIN THING BEING CHRIS WASN'T A HIM AT ALL. 901 00:36:09,235 --> 00:36:11,337 CHRIS WAS A SHE." 902 00:36:11,370 --> 00:36:13,205 TWO MONTHS AGO, TAKEN FROM AN INTERVIEW 903 00:36:13,239 --> 00:36:15,307 GIVEN BY DALE MARKS AS SWEETIE. 904 00:36:15,341 --> 00:36:17,943 THEY'RE GIVING YOU OLD NEWS, JANICE. 905 00:36:19,945 --> 00:36:22,981 YOU'RE SELLING YOURSELF CHEAP. 906 00:36:23,014 --> 00:36:25,451 I'M NOT SELLING ANYTHING. 907 00:36:25,484 --> 00:36:27,319 THE FAKE SWEETIE BLEW YOU OFF THAT NIGHT, 908 00:36:27,353 --> 00:36:29,788 RIGHT? 909 00:36:29,821 --> 00:36:32,758 BECAUSE HE WAS HANGING OUT 910 00:36:32,791 --> 00:36:35,361 WITH THE BEAUTIFUL PEOPLE. 911 00:36:35,394 --> 00:36:37,696 THAT WASN'T THE REAL SWEETIE. 912 00:36:37,729 --> 00:36:40,266 IF CODY LARSON GETS ACQUITTED, 913 00:36:40,299 --> 00:36:41,800 HE'LL BE RUNNING IN THE SAME CIRCLES. 914 00:36:41,833 --> 00:36:44,703 YOU CAN'T COMPETE WITH THEM. 915 00:36:44,736 --> 00:36:47,339 ALL YOU CAN DO FOR CODY 916 00:36:47,373 --> 00:36:49,575 IS GO TO JAIL FOR HIM. 917 00:36:49,608 --> 00:36:51,510 THAT'S NOT WHAT I'M DOING. 918 00:36:54,513 --> 00:36:56,282 DO YOU HAVE ANY FRIENDS? 919 00:36:56,315 --> 00:36:57,349 SURE. 920 00:36:57,383 --> 00:36:58,417 A BOYFRIEND? 921 00:36:58,450 --> 00:37:00,752 NOT RIGHT NOW. I HAD ONE. 922 00:37:00,786 --> 00:37:04,323 WAS HIS NAME CHUCK, A TRUCK DRIVER? 923 00:37:04,356 --> 00:37:05,891 YES. 924 00:37:05,924 --> 00:37:08,927 THAT WOULD BE CHARLES R. THOMAS, 925 00:37:08,960 --> 00:37:10,629 WHO WAS SO ENAMORED OF YOU 926 00:37:10,662 --> 00:37:12,631 THAT HE WENT TO COURT TO GET A RESTRAINING ORDER 927 00:37:12,664 --> 00:37:15,033 TO KEEP YOU FROM BOTHERING HIM? 928 00:37:15,066 --> 00:37:17,403 THIS RESTRAINING ORDER. 929 00:37:17,436 --> 00:37:19,037 THAT WAS A MISTAKE. 930 00:37:19,070 --> 00:37:21,740 JANICE, HAVEN'T PEOPLE BEEN PUSHING YOU AWAY 931 00:37:21,773 --> 00:37:24,676 AND TELLING YOU TO GET LOST YOUR ENTIRE LIFE? 932 00:37:26,712 --> 00:37:28,046 THEY KNOW THAT. 933 00:37:28,079 --> 00:37:31,883 JANICE, THESE PEOPLE ARE USING YOU. 934 00:37:31,917 --> 00:37:33,552 AND YOU KNOW IT. 935 00:37:33,585 --> 00:37:36,021 NOW LET'S JUST GET THE TRUTH OUT 936 00:37:36,054 --> 00:37:40,359 AND SAY IT HOW IT REALLY IS. 937 00:37:46,532 --> 00:37:49,801 DID YOU KILL DALE MARKS? 938 00:37:56,975 --> 00:37:58,644 NO. 939 00:38:05,451 --> 00:38:07,319 THE LAST TIME I SAW HIM, 940 00:38:07,353 --> 00:38:08,854 HE WAS WITH SWEETIE-- 941 00:38:08,887 --> 00:38:10,422 I MEAN CODY. 942 00:38:10,456 --> 00:38:13,325 I MEAN, I'M SORRY. 943 00:38:13,359 --> 00:38:15,361 I'M SORRY, SWEETIE, 944 00:38:15,394 --> 00:38:17,629 I'M SORRY. 945 00:38:17,663 --> 00:38:19,498 [sobbing] 946 00:38:23,469 --> 00:38:25,036 (McCoy) I UNDERSTAND IT WASN'T PRETTY. 947 00:38:25,070 --> 00:38:26,938 (Cutter) IT SAVED HER FROM GOING TO JAIL 948 00:38:26,972 --> 00:38:28,440 FOR A CRIME SHE DIDN'T COMMIT. 949 00:38:28,474 --> 00:38:29,441 HERE. 950 00:38:29,475 --> 00:38:30,976 TRIAL'S OVER, CONNIE. 951 00:38:31,009 --> 00:38:32,644 WE'RE JUST WAITING FOR THE JURY. 952 00:38:32,678 --> 00:38:34,713 NO, JANICE SAID THAT DALE MARKS 953 00:38:34,746 --> 00:38:36,382 WAS USING A PHONE WHEN HE LEFT THE BAR. 954 00:38:36,415 --> 00:38:37,416 SO? 955 00:38:37,449 --> 00:38:38,817 THE POLICE CHECKED HIS CELL RECORDS. 956 00:38:38,850 --> 00:38:40,085 HE DIDN'T MAKE ANY CALLS THAT NIGHT. 957 00:38:40,118 --> 00:38:41,420 HIS BATTERY WAS DEAD. 958 00:38:41,453 --> 00:38:44,423 SO HOW WAS HE USING A PHONE? 959 00:38:44,456 --> 00:38:46,992 JANICE SAID THAT SHE LOST HERS. MAYBE HE PICKED IT UP. 960 00:38:47,025 --> 00:38:49,495 [cell phone beeping] 961 00:38:49,528 --> 00:38:51,363 JURY'S BACK. 962 00:38:56,535 --> 00:38:57,469 MEMBERS OF THE JURY, 963 00:38:57,503 --> 00:38:59,671 ON THE CHARGE OF MURDER IN THE SECOND DEGREE 964 00:38:59,705 --> 00:39:01,139 AGAINST CODY LARSON, 965 00:39:01,172 --> 00:39:03,041 HOW DO YOU FIND? 966 00:39:03,074 --> 00:39:06,044 WE FIND THE DEFENDANT GUILTY. 967 00:39:06,077 --> 00:39:07,546 [gavel bangs] 968 00:39:18,189 --> 00:39:21,393 PULL JANICE DUNLAP'S CELL PHONE RECORDS. 969 00:39:21,427 --> 00:39:23,161 (Rubirosa) THERE WERE TWO CALLS. 970 00:39:23,194 --> 00:39:24,463 ONE AT 3:00 A.M. TO A LIMO COMPANY 971 00:39:24,496 --> 00:39:25,564 THAT WAS CUT OFF SHORT. 972 00:39:25,597 --> 00:39:27,499 MUST HAVE BEEN THE CALL THAT DALE MARKS WAS MAKING 973 00:39:27,533 --> 00:39:29,601 WHEN HE LEFT THE BAR, AND WAS INTERRUPTED BY CODY. 974 00:39:29,635 --> 00:39:32,137 THE SECOND CALL WAS 30 MINUTES LATER. 975 00:39:32,170 --> 00:39:34,740 I THOUGHT DALE MARKS WAS DEAD 30 MINUTES LATER. 976 00:39:34,773 --> 00:39:36,742 CODY'S STORY IS THAT HE FOUGHT WITH MARKS, 977 00:39:36,775 --> 00:39:39,144 GAVE HIM A BLOODY LIP, BUT LEFT HIM ALIVE. 978 00:39:39,177 --> 00:39:42,147 SO WHOM DID MARKS CALL WITH HIS BLOODY LIP? 979 00:39:42,180 --> 00:39:43,782 KATE TENNY. THE AGENT? 980 00:39:43,815 --> 00:39:46,418 WE LIFTED HER PRINTS OFF A BOOK SHE GAVE THE DETECTIVES, 981 00:39:46,452 --> 00:39:48,019 PUT THEM IN THE SYSTEM, 982 00:39:48,053 --> 00:39:50,489 THIS CAME BACK. 983 00:39:50,522 --> 00:39:53,058 YOU DID JUST CONVICT SOMEBODY ELSE OF YOUR MURDER. 984 00:39:53,091 --> 00:39:55,694 I KNOW. 985 00:39:55,727 --> 00:39:59,064 LET'S GO SEE MISS TENNY. 986 00:39:59,097 --> 00:39:59,931 RUNNING LATE. 987 00:39:59,965 --> 00:40:01,633 MARKETING MEETING AT THE PUBLISHER. 988 00:40:01,667 --> 00:40:03,502 I HEAR THEY'RE DOING SWEETIE'S SECOND BOOK. 989 00:40:03,535 --> 00:40:05,471 200,000 FIRST PRINTING. 990 00:40:05,504 --> 00:40:06,772 FIRST SERIAL IN VANITY FAIR. 991 00:40:06,805 --> 00:40:08,474 HOLLYWOOD'S CALLING. 992 00:40:08,507 --> 00:40:10,075 EVEN THOUGH THE AUTHOR'S LOCKED UP? 993 00:40:10,108 --> 00:40:12,811 OH, THAT DOES KINDA MESS UP THE BOOK TOUR. 994 00:40:12,844 --> 00:40:14,646 BUT THERE IS SOME KIND OF ROMANCE 995 00:40:14,680 --> 00:40:16,147 IN A JAILHOUSE WRITER. 996 00:40:16,181 --> 00:40:18,216 MAYBE YOU COULD DO THE TOUR. 997 00:40:18,249 --> 00:40:20,452 ME? 998 00:40:20,486 --> 00:40:22,688 I DON'T THINK I'D PASS FOR A GAY MALE HOOKER. 999 00:40:22,721 --> 00:40:25,824 NO, BUT YOU WERE A HOOKER. 1000 00:40:25,857 --> 00:40:27,459 WE HAVE YOUR RECORD. 1001 00:40:27,493 --> 00:40:29,828 YOU WERE ARRESTED AT 16 AND AT 18 1002 00:40:29,861 --> 00:40:32,130 FOR PROSTITUTION. 1003 00:40:32,163 --> 00:40:34,533 AND THERE WERE SEALED ARRESTS WHEN YOU WERE 12 AND 13, 1004 00:40:34,566 --> 00:40:36,201 A CHILD. 1005 00:40:36,234 --> 00:40:37,936 THAT'S WHY THE BOOK IS SO CONVINCING, ISN'T IT? 1006 00:40:37,969 --> 00:40:40,572 WHY IT FEELS SO REAL? 1007 00:40:40,606 --> 00:40:42,173 YOU'RE SWEETIE NESS. 1008 00:40:42,207 --> 00:40:44,710 THAT'S RIDICULOUS. 1009 00:40:44,743 --> 00:40:48,146 WHAT WOULD HAPPEN IF WE TRACKED DOWN YOUR MOTHER? 1010 00:40:48,179 --> 00:40:49,781 WHAT WOULD WE FIND? 1011 00:40:49,815 --> 00:40:51,483 WHAT KIND OF MONSTER? 1012 00:40:51,517 --> 00:40:52,884 MY MOTHER'S DEAD, 1013 00:40:52,918 --> 00:40:54,486 GOD REST HER SOUL. 1014 00:40:54,520 --> 00:40:56,021 WHAT HAPPENED, KATE? 1015 00:40:56,054 --> 00:40:58,690 DID DALE MARKS CALL YOU AFTER CODY LARSON KNOCKED HIM AROUND, 1016 00:40:58,724 --> 00:41:01,527 SAY HE'D HAD ENOUGH, HE WANTED OUT. 1017 00:41:01,560 --> 00:41:04,262 SO YOU HAD TO GO DOWN THERE AND KEEP HIM QUIET, 1018 00:41:04,295 --> 00:41:07,032 AND THINGS GOT A LITTLE OUT OF HAND? 1019 00:41:10,168 --> 00:41:12,003 MR. CUTTER, 1020 00:41:12,037 --> 00:41:14,706 WHAT A WONDERFUL IMAGINATION YOU HAVE. 1021 00:41:14,740 --> 00:41:16,775 MAYBE YOU SHOULD WRITE A BOOK. 1022 00:41:19,177 --> 00:41:21,179 OR... 1023 00:41:23,549 --> 00:41:26,084 YOU EVER WANT TO PARTY 1024 00:41:26,117 --> 00:41:28,253 WITH SOMEBODY NICE AND TIGHT, 1025 00:41:28,286 --> 00:41:30,221 SUGAR DADDY, 1026 00:41:30,255 --> 00:41:33,491 YOU JUST GIVE ME A CALL. 1027 00:41:37,963 --> 00:41:39,931 NOW IF YOU'LL EXCUSE ME, 1028 00:41:39,965 --> 00:41:41,499 I'M LATE FOR MY MEETING. 1029 00:41:50,576 --> 00:41:52,544 (Rubirosa) THEY SEARCHED KATE TENNY'S HOME AND OFFICE. 1030 00:41:52,578 --> 00:41:54,746 THERE WAS NO SIGN OF A MURDER WEAPON. 1031 00:41:54,780 --> 00:41:57,082 THEY CANVASSED EVERY HOOKER SOUTH OF 14th STREET. 1032 00:41:57,115 --> 00:41:59,551 NOBODY SAW HER THE NIGHT DALE MARKS WAS MURDERED. 1033 00:41:59,585 --> 00:42:01,587 SO THERE'S NO ACTUAL EVIDENCE? 1034 00:42:01,620 --> 00:42:04,222 I'M FILING TO VACATE THE CONVICTION OF CODY LARSON. 1035 00:42:04,255 --> 00:42:06,157 YOU CAN'T PROVE SHE DID IT. 1036 00:42:06,191 --> 00:42:07,926 SOMETHING MAY TURN UP. 1037 00:42:07,959 --> 00:42:09,160 AND IF IT DOESN'T? 1038 00:42:09,194 --> 00:42:12,931 SHE WINS. WE LOSE. 1039 00:42:20,606 --> 00:42:23,609 Captioning by CaptionMax www.captionmax.com