♪ OH, YEAH ♪
♪ SCOOBY-BE-DOOBY- BE-DEE-DEE ♪
♪ WELL, ALL RIGHT ♪
♪ TWEEDLEY-DEEDLEY- DEE-DEE ♪
♪ EVERYONE'S HAVING A PARTY ♪
♪ OH, YEAH ♪
♪ THE CHANDELIER HAS, HAS, HAS FALLEN ♪
♪ WELL, ALL RIGHT ♪
♪ I KNOW IT'S HARD TO RESIST ♪
♪ THIS IS THE PARTY NO ONE WANTED TO MISS ♪
♪ IF YOU DON'T GET HOME ON THE DOUBLE ♪
♪ OH, YEAH ♪
♪ YOU'RE GOING TO BE IN TROUBLE ♪
♪ WELL, ALL RIGHT ♪
♪ I HOPE YOUR MAMA DON'T LOOK IN YOUR ROOM ♪
♪ 'CAUSE IF SHE DOES, SHE'LL BE HERE SOON ♪
♪ BOY ♪
♪ SHE'S GONNA BE MAD ♪
♪ YOU'RE A BAD BOY ♪
♪ YOU'VE GOT IT BAD, BOY ♪
♪ SAY GOOD-BYE TO YOUR FRIENDS ♪
♪ 'CAUSE IT'S GONNA BE A WHILE TILL YOU SEE THEM AGAIN ♪
[DEEP VOICE] ♪ BUST A MOVE ♪
♪ OH, YEAH ♪
♪ HIT IT ♪
♪ OH, YEAH ♪
♪ UHH, GET IT ♪
[RHYTHMIC PANTING]
[LAUGHING]
♪ OH, YEAH ♪
[LAUGHING]
[DEEP VOICE] HA HA HA HA HA HA!
[STATIC ELECTRICITY]
[BUZZING]
[BUZZING CONTINUES]
[BUZZING STOPS]
Pop: HEY, CHRIS! YOU AWAKE?
BREAKFAST IS ON THE TABLE, BOY.
YOU WANT TO COME DOWN AND EAT THIS SLOP?
IT'D HELP IF YOU WOULDN'T CALL IT SLOP, POP.
IT'D HELP ME, TOO, IF YOU GET YOUR ASS DOWN THERE AND EAT IT.
♪ THE LAST SONG ♪
♪ A GOOD SONG, LET'S DANCE A WHILE ♪
♪ FEEL THE GROOVE ♪
♪ I FEEL IT, I FEEL IT NOW ♪
♪ MAKE A LITTLE LOVE NOW ♪
♪ UHH AHH, UHH UHH AHH ♪
♪ WE'RE PARTYIN' AT THE FUNHOUSE ♪
♪ KEEP ON SINGIN', KEEP ON SINGIN' ♪
POP! PLAY... I MEAN PETER'S HAVING A PARTY,
AND I WANTED TO...
[SNORES]
Pop: CHRIS! FINISH YOUR BREAKFAST, BOY!
YO, MAN, YOU ARE WRONG. YOU KNOW YOU'RE WRONG.
WE'RE SUPPOSED TO BE HOMEBOYS.
WHY DON'T YOU WANT TO D.J? LIKE YOU ALL OF THAT.
I DON'T D.J. FOR FREE ANYMORE.
PLUS, YOU NEVER PROVIDE TRANSPORTATION.
YOU TELL ME HOW I'M SUPPOSED TO GET MY TURNTABLES, RECORDS,
AND SPEAKERS OVER THERE ANYWAY.
YO, MAN, I HAVE THE HOUSE KEYS
AS WELL AS THE CAR KEYS.
MY PARENTS... DOWN SOUTH, WAY DOWN SOUTH. WE'RE IN.
LOOK, LET ME RAP, AND THEN WE'LL CONSIDER IT.
YOU ALREADY GOT GONGED IN THE SCHOOL TALENT SHOW.
WHY YOU WANT TO EMBARRASS YOURSELF AGAIN, I DON'T KNOW.
LOOK, I'VE BEEN PRACTICING.
LOOK, I GOT THE DOPE LYRICS.
DEF WOMEN, I'M GONNA BE HOOKING YOU UP WITH.
THIS AIN'T NO TACKHEAD PARTY.
DEF WOMEN LIKE... THOSE.
YOU LIKE THAT? DO YOU LIKE THAT?
I DO, I DO, I DO.
CHECK THIS OUT. IT'S PLAY TIME.
HEY, HOOK ME UP, ALL RIGHT?
NOW, THAT'S A WEAVE, GIRL.
YO, LADIES, LADIES, LADIES.
I KNOW Y'ALL GONNA BE IN ATTENDANCE
AT THE SUPER-DEF, THROW-DOWN JIZZAM OF THE YEAR.
SHARANE, DID YOU HEAR ANYTHING ABOUT A PARTY TONIGHT?
UH-UH. AT LEAST NOT ANY GOOD ONES.
OOH.
YO, WAIT A MINUTE. DON'T EVEN TRY TO PLAY ME.
I'M NOT BEGGIN' Y'ALL, EITHER ONE OF Y'ALL.
YOU HAVE BEFORE. AND YOU WILL AGAIN.
UH, HEH, LISTEN, YOU KNOW THE ADDRESS.
10:30, AND, UM, YEAH, YOU CAN BRING SOME FRIENDS.
HEY, DON'T... DON'T PLAY.
SINCE YOU'RE NOT IN A SHARING MOOD,
I GUESS I HAVE TO GET MY OWN.
WHILE YOU'RE OVER THERE, GIVE THE LADIES MY REGARDS.
RIGHT.
STAB, I'M REALLY SORRY.
I'M SORRY. I'M REALLY SORRY.
NO, NO, NO, DON'T GET UP.
I'LL GET YOU ANOTHER MILK, OK?
I'LL PAY FOR IT MYSELF, OK?
YOU NEED A MILK? I'LL GET YOU ONE.
BE RIGHT BACK.
IF I WAS YOU, I'D KICK HIS FUNKY ASS.
DAMN.
YOU... YOU WENT OUT LIKE A SUCKER.
IF I THROW WITH EM', THEN YOU GOT MY BACK?
OF COURSE. YOU KNOW THAT. YOU KNOW THAT.
I'M YOUR MAN.
I'M YOUR... YOU KNOW I'M GONNA TAKE...
Both: HI, KID.
HI.
ARE YOU FINISHED ALREADY?
WE WERE JUST ABOUT TO SIT WITH YOU.
I WAS GONNA GO BACK AND SIT DOWN A LITTLE LONGER, SO YOU SHOULD.
HEY, ARE YOU GUYS REALLY NOT COMING TO THE PARTY TONIGHT?
WHY? SHOULD WE?
WELL, IT'S UP TO YOU.
IF YOU GUYS WEREN'T GOING, I'D PROBABLY SKIP IT, TOO.
WELL, I THINK YOU SHOULD GO.
WE'LL PROBABLY SEE YOU THERE. MAYBE.
Sidney: YOU SHOULD BE NICE TO HIM.
Sharane: YOU STARTED IT. "WHY? SHOULD WE?"
SHUT UP.
SO, ANYWAY, I WAS OVER THERE, RIGHT? AND...
YO, THAT'S TWICE.
YO, YOU CONSCIOUS MONKEY SUCKER,
UNLESS YOU GOT A SERIOUS SLEEPWALKIN' PROBLEM.
WE CAN STRAIGHTEN THAT RIGHT OUT.
YEAH, WE'LL BREAK YOUR LEGS, AND KICK YOUR FUNKY ASS!
YO, I WILL BREAK MY LEG OFF UP IN YOUR ASS SO FAR
THAT YOU'LL BE SPITTIN' SNEAKER FOR A MONTH.
I'VE DONE IT BEFORE.
AIN'T NO THING TO DO IT AGAIN.
LOOK, GUYS, WHY YOU SWEATIN' ME, MAN?
LOOK, YOU'RE WRINKLING MY SCHOOL CLOTHES.
OOH! "YOU'RE WRINKLING MY SCHOOL CLOTHES."
OOH! OOH!
YO, WAIT, WAIT, WAIT, WAIT.
WHAT'S THE PROBLEM? WHAT'S WRONG?
YOUR MAMA CAN'T AFFORD NO IRON?
TELL HER TO COME ON OVER TO STAB.
I'LL PUT HER ON THE STROLL.
SHE CAN SAVE UP, GET ONE.
[LAUGHTER]
Pee-Wee: HE CAN'T...
YO, WATCH OUT! WATCH OUT, MAN! WATCH IT!
YO, THIS PUNK MONKEY SUCKER THROWIN' STUFF AT US.
I SMELL SOMETHIN', MAN. YOU SMELL SOMETHIN'?
I DEFINITELY SMELL SOMETHIN' OUT HERE.
I SMELL, I SMELL...
I SMELL SISSY!
YO, HE'S A SISSY, MAN!
KICK HIS ASS!
OHH! OHH!
Pew-Wee: YEAH, HOW YOU LIKE THAT, BOY?
DO IT, DO IT, DO IT!
OW! OW!
[PEE-WEE LAUGHING]
GO, GO, GO, GO!
OHH! OHH!
WAIT, WAIT, WAIT, WAIT. OK, NOW, NOW!
OHH! OHH!
OK, FELLAS! OK, FELLAS!
[PEE-WEE LAUGHING]
WHAT YOU GOT TO SAY NOW, PUNK?
YOUR SHAOLIN TECHNIQUE IS VERY GOOD.
THIS GUY THINK WE'RE JOKIN' AROUND WITH... WHOA!
YO!
OH, HOMEBOY, YOU ALRIGHT MAN?
YO, KID, WE HAD YOUR BACK.
YEAH, WAY BACKED, OH.
I'M SORRY I ALMOST HIT MR. WILSON
IN THE BACK OF THE HEAD WITH THE JELLO CUP,
BUT STAB CALLED MY MOTHER A HO, AND I DON'T PLAY THAT.
YOU SEE, MY MOTHER'S DEAD.
WELL, I'M VERY SORRY ABOUT YOUR MOTHER, CHRISTOPHER,
BUT YOU CAN'T GO AROUND GETTING INTO FIGHTS
BECAUSE YOU HAVE A CHIP ON YOUR SHOULDER.
NOW, YOU'RE A GOOD STUDENT,
SO I'M GOING TO SEND YOU BACK TO CLASS.
BUT YOUR FATHER WILL HAVE TO BE NOTIFIED.
AS FOR YOU, YOUNG MAN,
I'M TIRED OF SEEING YOU IN THIS OFFICE.
COULD YOU TELL ME WHY IN GOD'S NAME
YOU CALLED HIS MOTHER A GARDEN TOOL?
HOW MAD COULD HE BE?
MAYBE THE SCHOOL DIDN'T EVEN CALL HIM.
[BLENDER WHIRRING]
CHRIS, I'M SO GLAD YOU'RE HOME.
SIT DOWN. I NEED TO TALK TO YOU.
UH, WHAT'S UP, POP?
I'M MAKIN' ME SOME DICK GREGORY.
WHY, YOU WANT SOME?
NAH. NO, NO, THANKS, POP.
YOU KNOW I NEED THIS STUFF, BOY.
I GOT A WEIGHT PROBLEM. CAN'T WAIT TO EAT.
HEY, UH, POP, ARE THESE THE ONLY...
PIECES OF MAIL YOU GOT TODAY?
THAT'S ALL WE GOT, SOME BILLS.
WHY? YOU WANT TO PAY SOME?
NO.
[TELEPHONE RINGS]
WHAT?
HELLO?
BILA? BILYLE?
WHATEVER YOUR NAME IS. WHAT YOU WANT?
HERE, IT'S FOR YOU.
I'LL TAKE IT UPSTAIRS.
WHY THEM FOLKS NAME THAT BOY THAT AFRICAN NAME,
KNOWIN' THEY FROM CLEVELAND?
YO, YO, WHAT'S UP?
KID, HAVE YOU TALKED TO PLAY?
LOOK, I BEEN CALLIN' HIS HOUSE.
AIN'T NOBODY ANSWER THE PHONE.
HE WAS SUPPOSED TO COME PICK ME UP.
NO, MAN, I HAVEN'T SPOKE TO HIM.
YO, MAN, I'M REALLY SWEATIN' THIS PINK SLIP FROM SCHOOL.
IF POPS FINDS OUT I GOT IN TROUBLE,
I'M DEFINITELY GONNA BE ON PUNISHMENT.
MAN, YOU'RE STILL WORRYING ABOUT THAT?
LOOK, IF YOU AIN'T GOT A LETTER YET...
THEN THEY PROBABLY GONNA CALL AFTER 5:00.
THAT'S WHEN THEY EXPECT YOUR PARENTS TO BE HOME.
I KNOW.
WELL, WHAT DO I DO?
LOOK, JUST LEAVE THE HOUSE AND DON'T COME BACK TILL
AFTER THE PARTY, THAT'S ALL.
I STILL GOT TO GET DRESSED. I CAN'T COME TO THE SET SMELLY.
JUST THROW SOME BRUT ON AND MEET ME AT THE PARTY, ALL RIGHT?
Pop: CHRIS, GET OFF THE PHONE AND COME DOWN HERE.
YO, I GOT TO GO. I'LL SEE YOU TONIGHT.
ALL RIGHT, MAN. PEACE.
CHRIS, DON'T TIE UP THE TELEPHONE TONIGHT
TALKING TO YOUR LITTLE FRIENDS.
I'M EXPECTING A CALL FOR SOME OVERTIME.
OK, POP.
UH, THERE'S A PARTY TONIGHT AT PLAY'S...
I MEAN PETER'S HOUSE. CAN I GO?
ON A SCHOOL NIGHT?
I'LL MAKE SURE I'M BACK BEFORE CURFEW.
OH, MAN. I HAD PLANS FOR US TONIGHT.
I RENTED COUPLE OF VIDEOS. "DOLEMITE".
YOU LIKE "DOLEMITE" DON'T YOU?
YOU GREW UP ON IT.
ALL RIGHT. I GUESS IF YOU GOT TO GO, YOU GOT TO GO.
BUT AFTER YOU FINISH YOUR HOMEWORK.
NO, PROBLEM, POP. NO PROBLEM.
BUT WHAT'S WRONG WITH YOU? DON'T LIKE DOLEMITE?
"WAY DOWN IN THE JUNGLE DEEP
BASS ASS LION STEPPED ON THE SIGNIFYING MONEKY'S FEET."
♪ FOR JUST THE FAMILY ♪
♪ WE'LL HAVE A ♪
♪ HOUSE PARTY ♪
♪ WE GONNA DO WHAT? GET FUNKY ♪
♪ THE FULL FORCE FAMILY ♪
♪ OOH, YEAH ♪
♪ WE'LL HAVE A ♪
♪ OH OH OH OH OH OH, ALL RIGHT ♪
♪ WE GONNA BOOGIE NOW ♪
[VOCALIZING]
Kid: ♪ TOE TO TOE, KID'N PLAY IS ON A ROLL AGAIN ♪
♪ IT'S ONLY RIGHT THAT WE KEEP THE CROWD DANCIN' ♪
♪ RHYMES ARE DOPE, THE TEMPO IS STEADY ♪
♪ YOU READY? LET'S RIP UP THE FLOOR LIKE CONFETTI ♪
Y'ALL, I GOT A GREAT NEW ALBUM IN THE MAIL TODAY.
ONYX COMMUNICATIONS AND HEY LOVE PRODUCTIONS
PROUDLY PRESENT "HEY LOVE."
ALL THE COMMERCAILS THEY SHOWIN' NOWADAYS.
GOD. EVERY TV STATION.
CUT THE TELEVISION OFF COMIN'THROUGH THE DAMN WALLS.
THE INCOMPARABLE DELFONICS AND MUCH, MUCH MORE.
I GOT TO GET THIS FAN FIXED.
IT WAS SO HOT IN HERE LAST
I SWORE I SAW THE DEVIL SITTIN' IN THE LIVING ROOM.
SHOOT. NIGGERS AREN'T GONNA MESS WITH MY MAMA'S GOOD STUFF.
LET'EM FOOL WITH THIS PLASTIC.
[TELEPHONE RINGS]
[RING]
WHAT UP? PLAY MARTIN IN THE PLACE TO BE.
THE PLACE TO BE IS MY HOUSE AN HOUR AGO.
PLAY, IF YOU WANT A D.J., YOU BETTER STOP SMOKIN' CRACK
AND DRIVE YOUR MOTHER'S CHEVY AND PICK ME UP!
CHILL MAN, I'LL JET OVER THERE IN ONE MINUTE, ALL RIGHT?
I DON'T LIKE FOOLING WITH YOU, MAN.
COME ON NOW, PLAY
ALL RIGHT! SHEESH!
I LOVE YOU.
[DOORBELL RINGS]
Pop: KID, ANSWER THE DOOR.
[TELEPHONE RINGS]
EH, EH, EH. ANSWER THE DOOR.
I'LL GET THE PHONE.
HELLO?
YEAH.
YEAH, YEAH, HEY, WHAT'S UP?
OH, MAN, I SURE WAS DEPENDING ON THAT OVERTIME.
UH. UH-HUH.
COME ON, GIVE ME THAT LETTER. YOU RETARDED OR SOMETHING?
NO, MAN, I WASN'T TALKING TO YOU.
CRAZY MOPHEAD BOY OF MINE.
READY TO CUT HIS HAIR OFF.
LOOK LIKE A YOUNG TREE STUMP WALKIN' AROUND HERE.
UH-HUH.
WELL, WHAT'S OLD JAMES UP TO?
YEAH. YEAH.
HEY, LOOK, LET ME CALL YOU BACK LATER.
I GOT SOMETHIN' I GOT TO TAKE CARE OF.
CAN YOU EXPLAIN THIS? HUH?!
HE CALLED MOM OUT A NAME.
BOY, DON'T YOU THINK IT'S BEEN LONG ENOUGH?
I AM SICK AND TIRED OF YOU USING YOUR MOTHER
FOR AN EXCUSE EVERY TIME YOU GET IN TROUBLE.
I WASN'T USING HER AS AN EXCUSE.
WHY DIDN'T YOU TELL ME WHEN YOU GOT HOME?
WHY YOU TRYING TO HIDE IT FROM ME?
I DIDN'T THINK IT WAS THAT IMPORTANT.
YOU DIDN'T? YOUR SCHOOL THOUGHT IT WAS IMPORTANT.
YOU KNOW WHAT?
YOU'LL SPEND TONIGHT THINKING ABOUT YOUR PRIORITIES
AFTER YOU FINISH YOUR DAMN HOMEWORK.
THAT'S WHAT YOU GONNA DO.
YOU SAID I COULD GO TO THE PARTY.
ALL THEM HOODS YOU FOUGHT WITH IS GONNA BE THERE.
YOU DON'T NEED TO BE GETTIN' YOURSELF IN NO MORE TROUBLE.
IT'S THAT TYPE OF CROWD.
ALL MY FRIENDS ARE GONNA BE THERE.
I DON'T GIVE A DAMN IF MARVIN GAYE GONNA BE THERE.
YOU WON'T!
YOU DON'T KNOW HOW TO ACT NO WAY.
LAST TIME, YOU DIDN'T COME IN TILL I WENT WORK.
IF YOU LET ME GO OUT THIS TIME, I'LL BE BACK BEFORE CURFEW.
IT'D BE DIFFERENT IF PETER'S PARENTS WERE THERE.
I WOULDN'T MIND YOU GOING TO THE PARTY, BUT THEY AIN'T.
THEY WORK NIGHTS JUST LIKE I DO.
MATTER OF FACT, THEM FOLKS IS OUT OF TOWN.
YOU KIDS THINK YOU ALL SLICK, DON'T YOU?
EVERY LITTLE STEP YOU TAKE WILL BE AROUND THIS BEDROOM.
YOU CAN BELIEVE THAT. YOU'RE NOT GOIN' NOWHERE.
YOU'RE GONNA MAKE ME A SOCIAL MISFIT.
BOY, I'M TRYIN' TO MAKE YOU A RESPONSIBLE PERSON.
BUT I AM TOO RESPONSIBLE.
LISTEN, GET YOUR ACT TOGETHER.
KEEP YOUR MIND ON THEM BOOKS AND OFF THEM GALS.
'CAUSE YOU'LL MAKE THE SAME MISTAKE I DID.
LOOK, I'M SORRY.
I'M SORRY, OK?
I'M SORRY. I SHOULDN'T HAVE SAID THAT, I'M SORRY.
I'M UNDER A LOT OF PRESSURE. I'M SORRY, OK?
BUT YOU AIN'T GOIN' TO THAT DAMN PARTY.
I DON'T GIVE A DAMN WHAT YOU SAY.
THAT'S WHY I HATE MESSIN' WITH THEM.
[CAR APPROACHES]
[MUSIC PLAYING]
WHAT'S UP, B WE GOT TO GET GOING.
WE CAN'T WASTE TIME.
HEY, WHO'S THAT IN THE CAR? WHO'S THAT IN THE CAR, PLAY?
OH, UH, THAT'S A HONEY. I KNOW WHAT YOU'RE THINKING.
THAT AIN'T FOR YOU, BUT THERE'LL BE A WHOLE LOT MORE.
PLAY, WE CAN'T FIT A LOT OF EQUIPMENT,
AND 3 OTHER PEOPLE IN THE CAR!
SHH. YOUR PROBLEM IS YOU DON'T KNOW
HOW TO LOAD THINGS SCIENTIFICALLY.
ALL RIGHT! NO! LEAVE IT! YOU'RE TEARING MY STUFF!
JU... NO!
NO! DON'T!
WHAT THE... LEAVE...
JUST LEAVE IT ALONE! NO! DON'T!
PLAY, LEAVE IT ALONE!
JUST LEAVE IT! I'LL DO IT!
LEAVE IT ALONE!
HEY! HEY, I'M... HEY!
THERE IT IS. WE GOT IT. WE IN.
THERE AIN'T NO ROOM! WHERE AM I SUPPOSED TO SIT?
GET OUT! SHE'S GONNA WALK. NO, SHE'S GONNA WALK.
OF COURSE YOU CAN FIT. TRY THE OTHER SIDE. NO!
YOU CAN GET IN RIGHT OVER...
LaDonna: PLAY. PLAY!
EXCUSE ME ONE MINUTE. YES, BABY?
UH-UH, I DON'T EVEN APPRECIATE HOW YOU TREATIN' ME.
I'M REAL SORRY, BABY.
I DO APPRECIATE THE WAY YOU LOOK, THOUGH.
YO, UM...
NO, NO, NO. DON'T TOUCH ME! DON'T TOUCH ME!
UM... I'LL TELL YOU WHAT.
I'LL RUN THIS STUFF OVER TO MY CRIB AND BE RIGHT BACK.
BE RIGHT BACK?!
KISS MY BUTT!
YOU GONNA TAKE MY EQUIPMENT AND LEAVE ME?
NO! I AIN'T GOING.
WHAT ELSE CAN I DO? COME HERE.
KICK THAT BEAST TO THE CURB AND LET ME RIDE.
I'M THE D.J., MAN.
BEAST? WHO YOU CALLIN' A BEAST?
YOUR MAMA'S A SORRY BEAST.
HEY, MY MAMA AIN'T NO BEAST.
IF I'M A BEAST, YOUR MAMA'S A BEAST.
HEY, I'LL KICK YOU OUT! HEY, I'LL FIGHT A GIRL!
I KNOW. I SEEN YOU GET BEAT BY A COUPLE.
I CAN'T DO THAT.
BESIDES, SHE'S PACKED IN HERE REAL GOOD.
LOOK, NO, NO, NO.
YOU KNOW WHAT, MAN?
I FOULED UP TODAY. I FOULED UP.
I OWE YOU ONE,
I'LL BE RIGHT BACK FOR YOU.
NO, YOU AIN'T. HE'S GOT NERVE.
I'LL KICK BOTH OF YOUR... PLAY, DON'T PLAY.
HEY, DON'T DO THAT, PLAY!
PLAY! DON'T DRIVE OFF!
PLAY, I'M GONNA SAY IT CALMLY BECAUSE MAYBE I WAS HOLLERING.
PLAY, DON'T PLAY. PLAY!
Play: I LOVE YOU!
PLAY! DAMN!
HOLD ON, MAN. SOMEBODY'S AT THE DOOR.
IT'S SIDNEY.
YEAH, SHE'S A TRIP, MAN.
YEAH, YOU KNOW WHO SHE IS.
HELLO!
GIRL, GO AHEAD AND WAIT IN THE LIVING ROOM...
WITH YOUR BIG NOSE.
PUNK.
HI, EVERYBODY.
Brother: NO, MAN, I SAID 12:00.
I DIDN'T SAY NO 8:00.
I AIN'T GONNA GO TO NO PARTY NO 8:00.
SHARANE!
I'M COMING!
THEY'LL BE SOME FINE WOMEN AT THE PARTY.
WHY YOU BRINGING A GIRL?
Announcer on TV: THE INCOMPARABLE DELFONICS AND MUCH, MUCH MORE.
THIS IS A FANTASTIC ALBUM, MAN.
LET ME BORROW IT. NO, MY BROTHER.
YOU'VE GOT TO BUY YOUR OWN.
COME ON, GIRL.
I SAID I WAS COMING. YOU ALWAYS RUSHIN'.
WHAZZUP? WHAZZUP, WHAZZUP, WHAZZUP?
WAIT, WAIT. MY NAILS ARE WET.
COME ON, LET'S GO OUTSIDE WHILE THEY DRY.
Brother: MAN, AW, MAN, LEAVE HER AT HOME, MAN.
SHE'S UGLY, MAN.
I CAN'T WAIT TO DO THAT DANCE.
YOU KNOW THE ONE WE BEEN DOIN'?
OH, WAIT, I'M COMIN' BACK OUT.
YOU MOVE, YOU LOSE.
OH, COME ON, SHARANE, DAMN.
BYE.
SHE GET ON MY NERVES.
I DON'T KNOW IF I LIKE MY OUTFIT.
WHY? YOU MATCHIN'.
THAT'S WHAT I MEAN. I THINK I MATCH TOO MUCH.
I TOLD YOU ABOUT PUTTIN' TOGETHER
THEM GARANIMAL OUTFITS, GIRL.
SHOPPIN' AT K-MART.
WHY YOU TRYIN' TO DIS ME?
WHY ARE YOU DISSING ME?
YOU WANT SOME KOOL-AID? NO.
PEANUT, BRING US 2 GLASSES OF KOOL-AID.
YOU KNOW I'M GONNA BE ASKIN' YOU TO BORROW THAT TOMORROW.
AIN'T NO MORE. WELL, MAKE SOME.
I AIN'T GIVIN"EM TO YOU NEITHER.
SHARANE! WHAT?
GRAPE OR RED? RED.
PEANUT, FIX ME SOME OF THAT DICK GREGORY.
SO WHO'S SUPPOSED TO BE THERE TONIGHT?
PLAY.
HMM. [LAUGHS]
OH, DRAGON-BREATH BILAL.
AND, UH, YOUR MAN, KID.
YOU GO, GIRL. YOURS.
DON'T EVEN TRY IT! THAT IS YOUR MAN!
YOU KNOW YOU LIKE HIM. I DON'T KNOW WHY YOU SWEATIN' HIM.
ALL RIGHT, HE GOT A CUTE THING HAPPENIN'.
HE'S JUST SO YOUNG-ACTIN', THOUGH.
HE NEEDS TO CHILL FROM HANGIN' WITH HIS CREW AND GROW UP.
THEN MAYBE I'LL GIVE HIM SOME.
OH, YOU AIN'T GIVIN' NOBODY NOTHIN'.
DON'T EVEN TRY IT!
WATCH. WATCH. WATCH WHAT?
AND I'M GONNA GIVE YOU DETAILS BLOW BY BLOW.
I'M GONNA GET MY COAT.
OK. BYE, EVERYBODY.
BYE. BYE, GRANDMA.
[TV PLAYING]
YOU DRINK THAT, PEANUT. WE OUT OF HERE.
LOOK AT ALL THAT SUGAR.
JUST THINKIN' ABOUT IT MAKES MY TEETH HURT.
THAT'S GOOD, GIRL. WHAT YOU TALKIN' ABOUT?
Dolemite on TV: WAY DOWN IN THE JUNGLE DEEP...
THE LION STEPPED ON THE SIGNIFYIN' MONKEY'S FEET.
THE MONKEY SAID, "CAN'T YOU SEE?"
"YOU'RE STANDIN' ON MY DAMN FEET."
[DOOR CLOSES]
♪ OH, YEAH ♪
♪ SCOOBY-BE-DOOBY- BE-DEE-DEE ♪
♪ WELL, ALL RIGHT ♪
♪ TWEEDLEY-DEEDLEY- DEE-DEE ♪
♪ OH, YEAH ♪
♪ WELL, ALL RIGHT ♪
♪ MMM MMM ♪
♪ OHH, YEAH ♪
B-LOVE, YO, BUST IT!
[CLAPS] WHAT'S UP, CUZ?
BET YOU THOUGHT I CUT YOU BUT I CAME AS PROMISED.
I AIN'T GOIN'.
WHAT DO YOU MEAN YOU AIN'T GOIN'?
LOOK, READ MY LIPS.
I'VE BEEN WAITING AN HOUR JUST TO TELL YOU I AM NOT GOING.
YOU'RE JUST A LITTLE UPSET...
THIS IS WHY I DON'T D.J. FOR FREE,
'CAUSE NEGROES DON'T BE APPRECIATING SPIT.
I DON'T APPRECIATE NOTHIN'? NO, YOU DON'T.
TAKE A LOOK IN THAT CAR.
THERE'S TOO MANY FOR ME TO HANDLE.
THEY ALL GOIN' TO THE PARTY,
AND ALL THEY ASKED ABOUT WAS,
"WHO'S THE D.J.?" THAT'S RIGHT.
SO I BROUGHT THEM OVER HERE
SO YOU COULD GET THE JUMP START BEFORE THE OTHER BROTHERS.
YEAH, IS THAT SUPPOSED TO CONVINCE ME?
LADIES, B-LOVE'S IN THE HOUSE.
EW, DRAGON-BREATH.
WHO YOU TALKIN' TO?
HEY, LOOK AT THIS HAIR.
HEY, ERASERHEAD.
WHERE ARE YOU GOING?
WHY DO YOU WANT TO KNOW?
HEY! WE'LL ASK THE QUESTIONS, YOU ANSWER THEM.
YES, SIR.
YOU WANT TO CHECK HIM FOR I.D.?
WE'RE OUT OF DOUGHNUTS.
WHAT?
OH, NO. LET'S GO.
HEY, YOU.
YOU WATCH YOURSELF, YOU UNDERSTAND?
'CAUSE WE ARE.
THANK YOU, CAGNEY AND LACEY.
[BLOWS RASPBERRY]
[TIRES SCREECH]
HEY, HEY, HEY! WHAT ARE YOU DOING?
[TIRES SCREECH]
Kid: AW, MAN! MY RHYMES!
Pee-Wee: ROLL IT BACK! SMASH HIM! KILL HIM!
Zilla: GET HIM! GET HIM! GET HIM!
UH-UH.
[PANTING]
YEHA! YEAH BABY, YEAH.
YEAH.
WHOSE PUSSY IS THIS, BABY? WHO?
WHOSE PUSSY BABY?
OH YOU FINE PUSSY. OH SHIT.
YOU FINE MOTHERFUCKER, YOU COME HERE.
OH SHIT.
YEAH, RIGHT THERE.
RIGHT THERE.
RIGHT THERE!
LET ME SEE, LET ME SEE.
YEAH.
YEAH BABY RIGHT THERE.
YEAH, YEAH.
YEAH BABY, YEAH.
OH, SHIT!
THERE HE IS...
WHAT WAS THAT?
JIVE MOTHERFUCKERS!
STAY AWAY FROM THIS MOTHERFUCKIN' WINDOW!
FUCKIN' PEEP-FREAKS.
YO, YO, YO.
YO, WASN'T THAT KID?
WAS IT? YO, I GOT TO GET TO THE PARTY, MAN.
IT AIN'T NO ROOM IN HERE ANYWAY.
AW, THAT'S COLD.
HI.
AW, MAN.
[SIREN]
OH, SHOOT!
[SIREN PASSES BY]
HERE'S ANOTHER DUSTY ONE FOR YOU DUSTIES.
HOPE YOU ALL GOT YOUR MEDICAID TOGETHER.
WHO'S THAT?
Kid: HEY, POPS. WHAT THEY GOT YOU DOING?
WHAT'S TO IT, MAN?
PLAYIN' FOR THE ELEPHANT GRAVEYARD, MAN.
DEAD TIRED. IT'S A GIG, MAN.
WHAT YOU GOT IN THE CRATE?
SOME PLATTERS, SOME INK SPOTS,
MILLS BROTHERS, COUNT BASIE,
BIG JOE TURNER.
YOU GRAB SOME OF THEM OLD SIDES, SLAP THEM ON THE TURNTABLE,
GET A LITTLE OF THIS SCRATCHIN' AND MIXIN' GOIN' ON,
I'LL GRAB THE MICROPHONE, AND WE CAN GET BUSY, MAN.
DO THAT AGAIN.
LOOK, YOU JUST GRAB...
[SCRATCHES]
[BIG BAND MUSIC PLAYING]
LET'S KICK HIS... YO, CHILL.
THE PUNK IS MINE.
KICK IT, POPS!
[SCRATCHING]
[HIP-HOP MUSIC PLAYING]
1, 2. 1...
1, 2. 1, 2.
HEY, EVERYBODY, MY NAME IS KID.
I WANT TO KNOW HOW Y'ALL FEELIN' OUT THERE.
JUST THROW YOUR HANDS IN THE AIR.
JUST WAVE YOUR HANDS IN THE AIR!
COME ON, WAVE!
WAVE YOUR HANDS IN THE AIR! THAT'S RIGHT.
COME ON.
THROW YOUR HANDS IN THE AIR, ALL RIGHT?
WAVE YOUR HANDS IN THE AIR!
THROW, THROW...
[MUSIC STOPS PLAYING]
OH, DEAR!
GET BACK!
I'M CRAZY NOW. YOU WANT TO SEE HOW CRAZY I AM?
WHAT YOU LOOKIN' AT, MAN?
YO, MANDINGO, LEAVE THE BROTHER ALONE.
SUCKER, YOU WANT ANOTHER PART IN YOUR HEAD?
LIGHTEN UP.
[KID COUGHING]
YEAH, I DID IT.
I MIGHT CRY 2 TEARS IN A BUCKET.
LET'S TAKE IT TO THE STAGE.
OOH! OHH!
♪ OH OH OH OH OH OH-OH OH-OH-OH ♪
SORRY, SIR.
[SIREN]
OFFICER, IT WAS JUST AN ACCIDENT.
AND WE DON'T WANT TO PRESS CHARGES.
THEY'VE BEEN IN A FEW ACCIDENTS THIS EVENING.
I DON'T THINK YOU SHOULD LET THIS SLIDE BY.
THEY NEED DISCIPLINE, NOT SOLITARY CONFINEMENT.
THAT'S TRUE.
THANK YOU VERY MUCH.
TOO SCARED TO MAKE A STATEMENT.
THEY'RE NOT GONNA TALK? NOPE.
THEY'RE NOT GONNA PRESS CHARGES?
NOPE.
YOU PERPETRATORS WERE VERY LUCKY TONIGHT.
APPARENTLY THESE PEOPLE AREN'T GONNA PRESS CHARGES.
SO YOU'RE GONNA GET UP AND GO HOME. BEAT IT!
BUT BEFORE YOU DO...
I WANT YOU TO REPEAT AFTER ME.
WHAT?
I AM...
WHAT?
I AM... COMMON, WITH FEELING.
I AM.
SOMEBODY.
REALLY, PLEASE. THIS IS RIDICULOUS.
ALL RIGHT THAT'S GOOD.
NOW GET UP AND GO HOME.
BEAT IT.
WHOA! HOLD IT!
YO, HEY, HEY, HEY, HEY. LET HIM GO.
YOU GO THAT WAY.
SHUCKS!
♪ OHH ♪
[DANCE MUSIC PLAYING]
♪ FLAVOR FLAV IS THE SUN ♪
♪ PUBLIC ENEMY NUMBER ONE ♪
THE PLACE TO BE. YOU GOT SOME GUM MAN?
GROOVE! WHAT'S UP PLAY?
MAKE YOURSELF AT HOME.
TO MANY HARD LEGS HERE, NEED MORE WOMEN.
LA DONNA! HOW YOU DOIN', BABY.
YOUR LOOKIN' REAL GOOD.
HOW ABOUT GIVING ME THOSE DIGITS.
STEP OFF!
YO BABY, I'M TAKING YOU PLACES.
MEETING PEOPLE.
YO, WHAT'S UP, MAN? WHAT'S UP?
GLAD YOU COULD MAKE IT, MAN.
PLAY, I WANT YOU TO MEET MY LADY UM...
BENITA. YEAH.
IT'S A PLEASURE TO MEET YOU.
I HOPE I CAN DANCE WITH YOU LATER.
YEAH, WE'LL SEE ABOUT THAT.
PLAY.
HEY, LUCIA, HOW YOU DOING?
DON'T YA HAVE ANY REFRESHMENTS?
SOME SODA OR PATATO CHIPS?
OH, YOU SHOULD'VE GOT HERE EARLY. I HAD EVERYTHING.
LITER BOTTLES, PATATO CHIPS, THE WHOLE SHEBANG.
BROTHERS WENT THROUGHT IT.
I ALWAYS GET HERE TO LATE FOR THE SNACKS.
THERE'S A STORE RIGHT UP THE STREET.
ANYTHING YOU WANT, HELP YOURSELF.
MAMA SHOULD HAVE FED YOU BEFORE YOU GOT HERE.
THIS AIN'T NO SOUP KICTCHEN.
YO, WHAT'S UP MAN. WHAT'S UP?
GLAD YOU SHOWED UP. WHAT'S UP WITH YOUR POPS?
HOW MUCH MORE TROUBLE CAN I GET INTO?
A BEAT-DOWN'S A BEAT-DOWN.
LET ME ANNOUNCE YOU.
Y'ALL, LOOK WHO FELL INTO THE GIG!
I GOT TO GO. MAKE YOURSELF AT HOME.
PUT MY STUFF IN ITS SPOT.
YOU GOT IT. ALL RIGHT.
♪ OH, RUNNIN' FOR YOUR LIFE ♪
♪ BY THE KNIFE ♪
♪ RUNNIN' FROM YOUR WIFE ♪
WHAT'S UP?
YO.
♪ YOU BUILT THE MAZE YOU CAN'T GET THROUGH ♪
YO.
HA HA HA! WHAT UP?
WHAT UP, B? HOW YOU LIVIN'?
COOLIN', COOLIN'. YO.
COVER THE LABELS. NIGGERS CAN'T BITE YOUR SHIT.
THAT'S SMOOTH. YO, YOU BROUGHT THE MIKE?
AH, YEAH.
BUT LOOK, MAN, IT'S FOR PLAY.
LOOK, IT'S HIS PARTY. HE'S THE ONLY WHO CAN RAP.
WHAT? THAT MUMBLE-MOUTH MOTHER...
LOOK, I'M THE ONE WITH THE DOPE LYRICS.
I JUST GOT TO GO FOR MINE TONIGHT.
GET MY LYRICS TOGETHER.
OH, MAN.
WORK, SHARANE!
WHERE YOU AT?
OW! GO, GIRL!
♪ OH OH OH OH OH OH, ALL RIGHT ♪
♪ UHH ♪
♪ OH, BOYFRIEND ♪
♪ THIS IS HOW THE STORY GOES ♪
[NEEDLE SCRATCHES, ANOTHER SONG PLAYS]
YO CHILL! DON'T BUMP THE TABLE, I APPRECIATE IT.
YO, PLAY SOMETHING I CAN DANCE TO AND I WON'T.
YO CHILL, CHILL!
DON'T BUMP THE TABLE I'M TRYING TO MIX.
YO, YOU CALL THAT MIXIN', I JUST HELPED YOU OUT.
THANK YOU!
[MUTTERS UNDER HIS BREATH]
[DISTANT MUSIC PLAYING]
WHAT THE...
WHAT THE HELL'S GOING ON HERE?
HEY!
SHUT UP ALL THAT DAMN NOISE! THIS AIN'T SOUL TRAIN!
WHERE'S DON CORNELIUS WITH HIS STIFF NECK?
HEY, HEY. SHUT UP ALL THAT DAMN NOISE.
I PAID $15,000 FOR THIS HOUSE.
WHO ELSE IS OVER THERE, PUBLIC ENEMA?
WHAT'S HIS NAME? PUBLIC ENEMY?
WHAT THE HELL IS A PUBLIC ENEMA ANYWAY?
WALTER.
BROTHER, YOU BY YOURSELF. WHAT'S WRONG?
MAYBE THAT BIG WATER HEAD YOU GOT.
HEY, SHUT UP ALL THIS DAMN NOISE!
HEY, BABY.
YES, YOU HAVE GOT SOME NICE ONES.
WALTER.
BABY, SHUT UP. I'M JUST PLAYING WITH THE KIDS.
YOU SHOULD FIND OUT, WHAT SHE EATIN'
Y'ALL SHUT THE HELL UP DOWN THERE!
I GOT SOMETHING FOR YOU.
YOU STAY RIGHT THERE.
HELL.
[DIALING PHONE]
WHAT ARE YOU DOING?
CALLIN' THE POLICE.
FOR WHAT?
THEY'RE ARE DRIVING ME CRAZY WITH THIS DAMN NOISE.
CALL'EM ON YOURSELF.
YOU THE ONE MAKIN' ALL THE NOISE.
I GOT THE WRONG NUMBER, TOO, BABY.
HOLD ON ONE SECOND.
OH, DANCE NOW WITH YOUR BIG BUTT.
GO ON AND DANCE.
MM-HMM. 911?
I'LL HOLD.
OOH, SCANDALOUS!
SHARANE, MAN. THAT GIRL IS NUBIAN.
I'M TELLING YOU, SHE'S THE FINEST GIRL IN HERE.
THAT AIN'T HARD TO BE IN HERE, BUT STILL...
YOU KNOW, I'M GETTING THOSE DIGITS.
DON'T PLAY YOURSELF, MAN. YOU AIN'T GOT NO RAP.
SHE DON'T KNOW THAT.
SWEET DADDY!
HEY, WHY YOU COCK BLOCKIN' ME?
IT AIN'T LIKE THAT. WE GO WAY BACK.
I USED TO GO WITH HER IN THIRD GRADE.
I DON'T REMEMBER. FOR 3 DAYS.
WHY YOU TRIPPIN'?
JUST MAKE SURE WE DON'T TRIP ON THE DANCE FLOOR.
♪ IS IT ME TO YOU? ♪
♪ I GOT TO HAVE YOUR LOVE ♪
♪ FANCY IN GOLD ♪
♪ TAKING MY HEART, YOU'RE TAKING MY SOUL ♪
♪ ALL MY DREAMS ONCE REVOLVED AROUND YOU ♪
♪ NOW I SEE YOU IN THIS PLACE ♪
♪ SAME PRETTY HAIR, SAME PRETTY FACE ♪
♪ AND I'M WONDERING WHAT WRONG DID I DO? ♪
♪ OHH, OHH ♪
WHY THESE COPS KEEP SWATIN' US, MAN?
THEY ALWAYS FUCKIN' WITH US. THEY ALWAYS FUCKIN' WITH US.
THERE'RE GONE MAN.
DAMN.
LOOK AT US, FELLAS.
THIS IS NOT RIGHT, WE'RE NERVOUS AND TENSE.
WE SEE COP CARS FOLLOWING US AND WE JUST GO TO PIECES.
THIS AIN'T US. THIS AIN'T THE WAY.
THERE'S A REASON BEHIND BEHIND ALL THIS.
YO, YO AND I KNOW WHAT THE REASON IS.
ALL BECAUSE OF SOME FAGGOT HEAD LIKE A ROCKET
STICK YOUR FINGER IN A SOCKET PUNK MOTHERFUCKER NAMED, KID.
THAT'S WHO I AM TALKING ABOUT.
EVER SINCE THIS FOOL CAME INTO MY LIFE.
I CAN'T DO NOTHING BUT SEE HIM, MAN.
I'LL BE ALONE WITH MY WOMAN SOMETIMES
DAMN NEAR READY TO WAX THAT ASS
AND ALL I CAN DO IS VISION THIS FOOL.
WORD? WORD.
I DON'T KNOW ABOUT THAT.
BUT I KNOW WHEN IT COMES TO MY DICK ACTION
ALL I CAN THINK ABOUT IS THE PUSSY.
HE MUST HAVE A MENTAL BLOCK OR SOMETHING.
PEE-WEE, YOU KNOW WHAT I MEAN.
I WAS JUST JOKING.
I'LL DROP YOU LIKE A BAD COLD.
WHY DON'T YOU JUST CHILL THE FUCK OUT.
YA'LL JUST STAND BEHIND ME, I'M GONNA PUT A SERIOUS
BUM RUSH INTO EFFECT AND WE IN THE HOUSE.
OH, I GET IT. WE'LL BE HOUSIN' THE PARTY.
YEAH, WE'LL MAKE IT LIKE A REAL HOUSE PARTY.
WE BE HOUSIN' SHIT. WORD.
LOOK, OFFICER, I SPENT $15,000 ON MY HOUSE.
I DON'T WANT TO HEAR NO HOT DAMN PUBLIC ENEMA AROUND HERE.
YES, SIR.
MM-HMM.
Party guest: SHUT UP, OLD MAN!
OH, YOUR BIG ARE OLD. MR. SO AND SO'LL BE RIGHT OVER.
JUST HOLD ON ONE SECOND. YEAH.
4789. YEAH. COME ON OVER RIGHT NOW, GOD DAMN IT.
WHAT DO YOU MEAN, DON'T CURSE AT YOU?
YOU'RE CURSIN' AT ME! FUCK YOU, TOO.!
HEY, HEY! ALL THAT GODDAMN NOISE.
OFFICER, YOU WOULDN'T BELIEVE THE SKIRT THIS GIRL HAS GOT ON.
IT'S TWO INCHES ABOVE THE THING.
YOU KNOW WHAT I'M TALKING ABOUT. YES, SIR.
HI, LET'S DO THIS, GIRL.
OH, OH, THE TIME IS...
I'M SORRY, BILAL. I JUST FINISHED DANCING.
WH-WHY GIRLS BE GETTIN' TIRED REAL QUICK?
IT'S HOT IN HERE, AND I KNOW MY HAIR IS THROUGH.
PUT SOME USE TO THEM CORNS ON YOUR FEET.
MAYBE LATER, OK?
LOOK, YOU DONE TURNED DOWN 30 BROTHERS.
DON'T MAKE ME WALK ALL THE WAY BACK THERE
AFTER CLIMBING FROM AROUND THE D.J. TABLE,
CROSSING THE ROOM, OBVIOUSLY TO ASK YOU TO DANCE.
I'LL BE THE OBJECT OF RIDICULE.
BILAL, THERE'S A LOT OF GIRLS IN HERE NOT DANCING.
YOU WANT TO KNOW WHY? BECAUSE THEY ARE HOMELY.
THEY NEED TO BE HOME GETTING BEAUTY SLEEP.
AND WHAT YOU THINK THEY SAY ABOUT YOU?
WHAT? YOU HEARD SOMETHING?
OH, NO. SHARANE!
HEY, YO, KID, WHAT'S UP? YOU ENJOYING YOURSELF?
OH, YES, DEFINITELY.
I'VE KNOWN YOU TOO LONG.
WHAT'S THAT LOOK IN YOUR EYE? SCHEMIN'ON SIDNEY OR SHARANE?
ACTUALLY, I KIND OF HAD MY EYE ON...
SIDNEY'S THE ONE FOR YOU. SHARANE, WANTS ME.
OH, SHE WANTS ME. OH, SHE DOES,
EVERY DAY. BESIDES THAT, WITH A FATHER LIKE YOU GOT,
YOU CAN'T BE DEALIN' WITH NO PROJECT GIRL.
YOU GONNA ILL OUT ON A GIRL, FROM THE PROJECTS, MAN?
YOU GOT IT WRONG, MAN.
WITH A FATHER LIKE YOURS, YOU HAVE NO PRIVACY
NO CAR, AND NO MONEY FOR A MOTEL?
NO, I DON'T. YOU SEE MY POINT.
WITH A PROJECT GIRL, SOMEONE'S ALWAYS HOME
AND THAT'S GONNA MESS WITH YOUR DATIN' TIME.
THAT'S MATING TIME. KNOW WHAT I'M SAYING?
AND HOW'S IT GONNA LOOK WATCHING TELEVISION
WITH UNCLE FESTER? IT'S UNCLE OTIS.
WHATEVER. BUT SIDNEY, SHE HAS A HOME,
KNOW WHAT I'M SAYING? A HOUSE WITH A REC ROOM.
YOU KNOW WHAT TIME IT IS. GO DOWNSTAIRS.
SOFA BED, POW! YOU'RE IN.
WHY YOU TRYIN' TO PLAY ME? I'M NOT TRYIN...
JUST CAUSE YOU DON'T HAVE NICE STUFF AT YOUR CRIB,
DON'T MESS WITH MY MOTHER'S SHIT.
YO, MAN, YOUR LIVER GONNA SHRIVEL UP LIKE A PRUNE.
OOH, IT'S HOT.
KID, BECOME A MAN, COME ON. SOME OF THIS.
NO, MAN. YO, YOU BETTER SLOW DOWN YOURSELF.
THAT MONKEY OIL IS GONNA MESS YOU UP GOOD.
I TRIED TO TELL HIM, MAN.
KID, YOU MY MAN
BUT I'TELL YOU YOU'LL BE OUT ON THE SAUCE
IF YOU'RE NOT DOWN WITH THIS.
THIS STUFF HERE MAKES YOUR DICK HARD.
I'M TALKING COCK-DIESIL, BABY.
YO, KID, MAN, YO, DO THAT DANCE STEP YOU WAS DOIN' OUT THERE.
I'VE BEEN TRYING TO GET THAT ALL NIGHT.
I DON'T FEEL LIKE IT. YO, COME ON.
NO, I'M REALLY NOT IN THE MOOD. I'M NOT IN THE MOOD.
DON'T DO IT, THEN. I'LL LEARN ON MY OWN.
WAIT A MINUTE. DON'T GIVE UP SO EASY.
I KNEW YOU WOULDN'T GO OUT ONE ME.
I'LL TEACH YOU, I'LL TEACH YOU.
YO. WORD.
NOW, THIS IS VERY COMPLICATED.
AH, HA HA HA!
WHAT ARE YOU DOING?
THIS AIN'T AEROBICS CLASS.
YOU CAN'T DO IT.
IS THAT A CHALLENGE?
I THINK IT IS.
YOU BETTER COME ON OUT HERE.
COME ON.
AND LOOK, DRUNK.
HE'S DRUNK.
SHALL WE DO THIS?
COME ON, LET'S DO IT.
[FAST HIP-HOP MUSIC PLAYING]
[INDISTINCT LYRICS]
[CROWD CHEERING]
♪ AIN'T MY TYPE OF HYPE ♪
♪ YEAH, RIGHT ♪
♪ ACT YOUR AGE ♪
♪ NOT THE SIZE OF THOSE CLOTHES YOU WEAR ♪
♪ SO TIGHTLY ♪
DON'T BE MOVIN' ME.
♪ LOOK AROUND ♪
♪ LIFT YOUR HEAD UP TO THE SKY ♪
♪ OH, WHY YOU WANT TO MESS AROUND WITH SO MANY GUYS? ♪
[CROWD CHEERING]
♪ IT FEELS RIGHT ♪
♪ I WANT TO KNOW ♪
♪ OH, I WANT TO KNOW ♪
♪ IF YOUR LOVE IS STRONG ♪
♪ IF SO, I COULD NOT COMPETE ♪
♪ GIRL, YOU'RE SOMETHING REAL OH-OH-OH ♪
♪ YOU LOOK SO GOOD ♪
♪ AIN'T MY TYPE OF HYPE, BABY ♪
♪ ME AND YOU IS CRAZY COOL ♪
♪ YOU LOOK SO FINE ♪
♪ AIN'T MY TYPE OF HYPE, BABY ♪
♪ AIN'T MY TYPE OF HYPE ♪
♪ OH, OH ♪
♪ GO, GO ♪
♪ OH, OH ♪
THEY WENT TO THAT RERUN DANCE SCHOOL.
YOU GO AHEAD. WHAT YOU GOT?
♪ GIRL, I'M CRAZY ♪
♪ GIRL, THERE'S SOMETHING YOU DO FOR ME ♪
♪ A GIRL LIKE YOU IS JUST SO FINE ♪
Crowd: GO, GO, GO, GO!
♪ YES, I KNOW WHEN I CAN'T HANG ♪
♪ GIRL, 'CAUSE THAT AIN'T THE HYPE THAT YOU'RE GIVIN' ♪
♪ AIN'T THE WAY YOU'RE LIVIN', BABY ♪
♪ GIRL, WELL, YOU LOOK SO DIVINE ♪
♪ BUT THE NEWS RIGHT HERE ♪
♪ WE USED TO MAKE LOVE EACH AND EVERY NIGHT ♪
♪ BABY, IN LOVE ♪
♪ WE WERE SO GOOD TO GO ♪
SWITCH!
♪ MAN, THIS AIN'T NO FASHION SHOW ♪
♪ YOU'RE ACTIN' LIKE OH-OH-OH-OH ♪
♪ YOU LOOK SO GOOD ♪
SWITCH!
♪ ME AND YOU IS FREAKY COOL ♪
♪ YOU LOOK SO FINE ♪
SWITCH!
♪ AIN'T MY TYPE OF HYPE, BABY ♪
♪ AIN'T MY TYPE OF HYPE ♪
♪ GO, GO ♪
♪ HYPE ♪
YO, BILAL, SWITCH AGAIN!
Kid: COME ON, MAN, SWITCH!
AAH!
♪ HYPE ♪
♪ YOU'RE JUST THE TYPE FOR PROPAGANDA ♪
♪ IN THE LAND OF SUPPLY AND DEMAND ♪
♪ A GIRL WITHOUT A MIND AIN'T HUMAN ♪
♪ YOU GOTTA BE MORE THAN JUST A BUTT THAT'S BOOMIN' ♪
♪ ASSUMIN' THERE'S ROOM IN MY LIFE FOR A LOVER ♪
♪ UNDERCOVER, NOT THE ONE THAT'LL HOVER OVER ME ♪
♪ LIKE A BIRD, SO I SAY WORD ♪
♪ I AIN'T WITH THAT ♪
♪ YES, GIRL, YOU BETTER KICK THAT ♪
♪ GIRL, WE USED TO HAVE FUN ♪
♪ THOUGHT YOU'D BE THE ONE ♪
♪ TO BE BY, TO BE BY MY SIDE FOREVER ♪
DID YOU SEE HOW KID WAS ALL UP ON ME?
ON YOU? YES.
HE WAS SO FAR UP ON ME, I COULD NOT MOVE.
WAIT A MINUTE.
I THOUGHT YOU SAID HE WAS YOUNG-ACTIN'.
I DID, BUT I ALSO SAID HE WAS CUTE.
♪ IT AIN'T MY TYPE OF HYPE, BABY ♪
SWITCH!
I DO EVERYTHING I CAN FOR HIM,
AND HE DON'T COME HOME LIKE HE'S SUPPOSED TO.
HE MUST BE OUT OF HIS MIND.
HE DON'T PAY NO BILLS AROUND THIS HOUSE.
I'LL GIVE HIM ANOTHER MINUTE, AND THAT'S IT.
WHAT'S WRONG WITH THIS WATCH?
MINUTE DON'T TAKE THAT DAMN LONG.
I KNOW WHERE HE'S AT. I KNOW WHERE HE'S AT.
I'M GONNA KILL HIM WHEN I SEE HIM.
I SHOULD'NT HAVE MARRIED THAT WHITE WOMAN.
HOLD IT RIGHT THERE.
OH, SHOOT.
HEY, YOU, WHERE ARE YOU GOING?
I'M GOING TO MIND MY FREAKIN' BUSINESS,
THAT'S WHERE I'M GOING.
DO YOU HAVE A PROBLEM WITH THAT, OFFICER?
AGAIN WITH THE QUESTIONS.
WHAT IS THIS, JEOPARDY?
NO, IT AIN'T JEOPARDY. IT AIN'T MONOPOLY, EITHER,
AND I AIN'T GOING TO JAIL.
FREEZE! FREEZE!
GOT DAMN. Y'ALL SOUND LIKE A SET OF BOOKENDS, MAN.
PUT YOUR HANDS ON TOP OF YOUR HEAD.
THE TOP.
LEAN BACK.
I KNOW WHY YOU STOPPED ME.
I KNOW WHY.
'CAUSE I'M A POOR BLACK MAN IN A BLACK NEIGHBORHOOD
ON A BLACK BLOCK, AND Y'ALL JUST WANT TO BUST MY BLACK HEAD.
NO, NO.
YOU LOOK SUSPICIOUS. AIN'T THAT A BUG?
YEAH, YOU LOOK SUSPICIOUS, AND YOU DEFINITELY LOOK BLACK. TURN AROUND.
YOUR MAMA LOOK BLACK. MAN!
WE'RE RESPONDING TO A 415, DISTURBANCE IN THE NEIGHBORHOOD.
YOU COULD BE COMING FROM THAT DISTURBANCE.
THAT'S WHY WE STOPPED YOU.
MAN, THE ONLY FREAKIN' DISTURBANCE
IS YOU MESSIN' WITH ME.
DON'T THINK I CAN'T READ
NO BADGE NUMBERS, CHUMP.
BOYD AND WARNARSKI.
I'LL TURN YOUR ASS IN.
OK, THAT'S ENOUGH, OK?
WATCH YOUR ATTITUDE, OK, PAL?
AIN'T THAT A BUG?
GO HOME.
FORGET YOU.
YOU OFFICER'S ARE GODDAMN LOW.
GO.
I'M NOT READY TO GO HOME.
GO ON HOME, PAL.
YOU DON'T KNOW WHO YOU'RE MESSING WITH.
I'M FROM A SMALL TOWN CALLED "FRESH OFF A COP'S HEAD,"
AND YOU'RE MAKING ME HOMESICK.
LET ME FIND THAT DAMN BOY. HEAD LOOK LIKE A WHISK BROOM.
SHARANE AND SIDNEY,
THE 2 FINEST WOMEN IN HERE.
NOW, HOW COULD A MAN CHOOSE?
HE BETTER CHOOSE RIGHT.
OOH! IT'S LIKE THAT, HUH?
SHARANE, YOU ARE CRAZY, YOU KNOW THAT?
I REALLY LIKE THAT OUTFIT YOU GOT ON.
IT LIKES YOU, TOO.
MM-HMM. OH, AND YOU GOT THE BOOTS. MM-MMM.
YOU LIKE MY BOOTS?
LOOK AT YOUR HAIR. YOUR HAIR LOOKS SO NICE.
YOU GOT THE BRAID GOING.
THAT'S MY JAM.
Bilal: CHECK OUT THIS MIX, BOY.
YO, SHARANE.
AH, DOPE.
HEY.
YO, BABY.
LET'S DO IT, DARLING.
WANT TO DANCE, BABY?
DAMN.
♪ LET'S DO IT ♪
WOULD YOU LIKE TO DANCE?
NO.
♪ FIGHTING FOR YOUR MAN ♪
YOU SURE YOU DON'T WANT TO DANCE?
THIS IS THE JAM.
I'M QUITE SURE.
WELL, CAN I SIT DOWN?
IT'S A FREE COUNTRY.
YOU KNOW, WHEN I SAW YOU TURN THAT OTHER GUY DOWN,
I KNEW THAT THE ODDS WERE AGAINST ME
THAT YOU'D DANCE WITH ME.
DON'T TAKE IT PERSONAL.
I DIDN'T TAKE IT PERSONAL
WHEN YOU ASKED ME AFTER YOU ASKED SHARANE.
UH, SIDNEY.
UH, WHAT'S YOUR MIDDLE NAME?
LaTOYA.
MM-HMM. SIDNEY. THAT'S A NAME... THAT'S A NICE NAME.
YOU SURE YOU DON'T WANT TO DANCE?
I'M STILL TIRED. MY FEET.
YOUR FEET.
YOU KNOW, YOUR MOTHER SHOULD BUY YOU A BIGGER SHOE SIZE.
THAT WOULD HELP.
YOU KNOW, THAT OUTFIT YOU GOT ON IS REALLY NICE.
THAT'S PIERRE CARDIN, RIGHT?
NO.
I KNEW IT. I KNEW IT WASN'T PIERRE CARDIN.
ALL RIGHT, FELLAS, IT'S TIME TO GO TO WORK.
[HEAT WAVE PLAYING ALWAYS AND FOREVER]
YOU SURE YOU DON'T WANT TO DANCE?
MAYBE ON A FAST SONG.
I'M REALLY NOT INTO SLOW SONGS.
WHAZZUP?
YOU WANT TO DANCE?
CAN'T YOU SEE I'M TRYING TO TALK TO MY GIRL?
I SHOULD HAVE SAT OUT THE LAST ONE LIKE YOU DID.
I'M ABOUT TO DIE.
YOU READY TO GO YET?
WHAT'S WRONG?
YOU CAN'T GO UNTIL YOU GIVE ME WHAT YOU OWE ME.
OWE?
JUST A DANCE.
ONE MORE DANCE?
IT'S GETTING LATE. WE GETTIN' READY TO GO.
LOOK, LET'S JUST DANCE RIGHT NOW.
I USUALLY DON'T DANCE ON SLOW RECORDS,
I'LL MAKE AN EXCEPTION, PROMISE NOT TO GRIND ON ME.
COME ON.
AND DON'T BE FEELIN' ON MY BUTT.
♪ TELL ME ♪
♪ YOU REALLY CARE ♪
♪ AND WE'LL SET... ♪
MAN, YOU SO SOFT AND COMFY,
LIKE MY HUSH PUPPIES.
YOU SO WARM AND FLUFFY
LIKE A BUTTERMILK BISCUIT.
SHOOT.
YOU MAKE ME WANT TO SQUEEZE TIGHTER AND TIGHTER.
NAH, NAH, I AIN'T GONNA LIE.
YOU MAKE A MOTHER WANT TO SING.
Heat Wave: ♪ ALWAYS AND FOREVER ♪
[OFF KEY] ♪ ALWAYS AND FOREVER ♪
♪ EACH MOMENT WITH YOU ♪
♪ IS JUST LIKE A DREAM TO ME ♪
♪ IS JUST LIKE A DREAM TO ME AND YOU ♪
♪ THAT SOMEHOW CAME TRUE ♪
♪ OOH ♪
♪ WILL STILL BE THE SAME ♪
♪ 'CAUSE WE'VE GOT A LIFE OF LOVE ♪
♪ THAT WON'T EVER CHANGE ♪
♪ AND EVERY DAY ♪
♪ LOVE ME YOUR OWN SPECIAL WAY ♪
♪ MELT ALL MY HEART ♪
HONEYS. OH, YES. OH, NO. STOP!
OH, NO! FELLAS! YO, FELLAS!
YO, YO!
IT'S COOL, IT'S COOL.
WHAT'S THE PROBLEM?
YO, THERE IS NO PROBLEM, MAN.
NO HOODS ALLOWED HERE AT MY PARTY.
OH, HOODS, HUH?
YEAH, HOODS. THAT'S RIGHT.
GO ON AND ROB A LIQUOR STORE?
WHY DON'T YOU QUIT PLAYIN'?
I'M NOT PLAYIN', IF I'D KNOWN YOU'RE COMING,
I WOULD HAVE HAD METAL DETECTORS.
OH, THAT STUFF IS REAL FUNNY.
YEAH, REAL FUNNY.
DON'T TOUCH MY BODY, MAN.
I HEAR THAT. BIG MAN. DON'T TOUCH HIS BODY.
LOOK AT THAT, MAN.
BUNCH OF PUNK SUCKERS, MAN.
HEY, ZILLA, YOU SMELL SOMETHING, MAN?
I DEFINITELY SMELL SOMETHING OUT HERE.
I SMELL... I SMELL SISSIES!
Stab: YO, MAN, FORGET THIS, MAN.
FORGET ALL THESE CHUMPS.
YO.
I GUESS WE WOULD SMELL LIKE SISSIES TO A BUNCH OF DORKS!
SHOOT!
YO, YO, IT'S COOL. FORGET THIS, MAN.
I DON'T WANT TO HANG OUT WITH THIS SUCKER SET NO WAY, YOU UNDERSTAND?
I'D REALLY LIKE TO HURT THAT PUNK KID STANDING BEHIND YOU.
IF HE WAS A REAL MAN, HE'D COME OUT, STEP TO ME
AND WE'D SQUASH THIS!
THAT'S RIGHT, PUNK!
LET'S GET HIM WHEN HE'S BY HIMSELF. I TOLD YOU.
THERE ARE TOO MANY PEOPLE HERE. COME ON.
STAB. I'D REALLY LOVE TO COME OUT AND PLAY WITH YOU,
BUT I'M A LITTLE BUSY RIGHT NOW WITH YOUR GIRL ON MY LAP.
SHOOT!
YOU OK, MAN? YOUR SHOULDER OK?
[SIGHS]
YO, WE CAN'T LET THEM GET AWAY WITH THAT, MAN.
YOU SEE WHAT HAPPENED, MAN?
LET'S GO BACK INSIDE AND KICK SOME FUNKY ASS.
YO, DO YOU REALIZE WE JUST GOT DISSED BY SOME PUNK?
WE JUST GOT DISSED BY SOME MONKEY FACES.
IN FRONT OF THEIR GIRLS. IN FRONT OF THEIR FUNNY GIRLS.
I AIN'T GOIN' OUT LIKE THAT.
ALL RIGHT, COOL.
FINALLY, A PROGRAM I'M WITH.
WHATEVER THIS IS, I'M WITH THIS.
OH, I HEAR THAT, I HEAR THAT. WE GONNA BUST'EM UP
AS THEY COME RUNNING OUT THE BURNING HOUSE.
YOU GOT IT. BUST A MOVE.
BURNING HOUSE? BURNING HOUSE?
BURNING HOUSE.
HOLD UP FOR A SECOND, MAN. I WAS JUST TALKING ABOUT GOING INSIDE
AND JUST KICKING SOME FUNKY ASS, NOT BURNING PEOPLE UP.
YEAH, MAN, NOW YOU'RE GOING TOO FAR.
WHAT IS THIS? Y'ALL FRONTIN' ON ME?
WAIT, WAIT, WAIT.
DO I SMELL SISSY?
YO, MAN, I AIN'T NO SISSY, MAN.
SHUT UP! SQUASH THAT, MAN! COME ON!
WHAT THE HECK IS WRONG WITH HIM?
COME ON!
COME ON, COME ON.
HEY, STAB, WHAT'S THE MATTER WITH YOU?
WHY YOU WANT TO BURN THESE PEOPLE UP?
COME ON, COME ON.
HEY, BILAL, WHAT'S UP WITH THE MIKE?
[HIGH VOICE] EASY!
THANK YOU.
PLAY AND KID GOT AN URGE TO MAKE A FOOL OF THEMSELVES IN PUBLIC.
OH.
HEY, HEY, HEY, WAIT A MINUTE, BABY.
LET ME SHOW YOU HOW TO HOLD A PIECE OF STEEL.
SCARED OF YOU. YOU SHOULD BE.
WELL, GO ON, THEN. I WILL.
♪ NA NA NA ♪
AHEM. 1, 2. 1, 2.
GIVE ME A LITTLE VOLUME ON THIS MICROPHONE, MAN.
LET'S GET THIS PARTY JUMPING.
♪ ALL THE LADIES, ALL THE LADIES ♪
♪ ALL THE LADIES IN THE HOUSE SAY OW ♪
♪ OW ♪ ♪ SAY OW ♪
♪ OW ♪
♪ COME ON, COME ON HOMEBOYS, MAKE SOME NOISE ♪
♪ I SAID, HOMEBOYS, MAKE SOME NOISE ♪
♪ LET ME HEAR YOU SAY HO ♪
♪ HO ♪
♪ SAY HO, HO ♪
♪ HO, HO ♪
♪ THE ROOF, THE ROOF ♪
MAN, Y'ALL LIKE THAT OLD PREHISTORIC STUFF?
♪ WE DON'T NEED NO WORRY LET THE MOTHER BURN ♪
♪ WHAT ♪
♪ BURN MOTHER ♪ ♪ WHAT ♪
I DON'T BELIEVE THIS.
DIDN'T THE??? GUY DO THAT RIGHT?
♪ THE ROOF IS ON FIRE ♪
♪ WE DON'T NEED THE??? LET THE MOTHER BURN ♪
YO, WHO GOT A LIGHT?
HOW ABOUT A BUD LIGHT?
AW, SHOOT.
GET IN THERE.
SHOOT.
YO, YO, FORGET YOU TOY COPS, MAN.
ALL RIGHT, HOLD IT. DON'T CALL IT IN.
WHY NOT?
WHY BOTHER WITH THE PAPERWORK?
WE CAN HANDLE THIS STUFF OURSELVES.
WHAT DO YOU GOT IN MIND?
LET'S TAKE THEM DOWN TO THE DOCKS.
NOBODY CAN HEAR THEM SCREAM.
Pee-Wee: AW, MAN!
♪ IT'S THE P-L-A-Y ♪
♪ JUST HERE TO SAY HI ♪
♪ ASKING YOU MAY I TELL YOU ABOUT THE DAY I ♪
♪ PICKED UP A MICROPHONE, A PAD, AND A PEN? ♪
♪ THE LEGEND OF THE CHAMP BEGINS ♪
♪ THE PARTY HOST WITH THE MOST ♪
♪ GIVING YOU A DOSE, SEE? ♪
♪ LEAVING INSTRUCTIONS, SO LISTEN CLOSELY ♪
♪ 2 LINES FORMING ♪
♪ MAKE SURE YOU STEP SOON ♪
♪ FELLAS AT THE BACK DOOR, GIRLS BY THE BEDROOM ♪
♪ THE NAME IS PLAY, DON'T DARE PLAY ME CHEAP ♪
♪ THE MICROPHONE IS A BROOM ♪
♪ AND I'M GOING TO SWEEP YOU OFF YOUR FEET ♪
♪ WITH FEELINGS THAT YOU NEVER FELT ♪
♪ ANOTHER NOTCH IN THE BELT ♪
♪ IT'S NO SECRET ♪
♪ I LIKE TO FREAK WITH THE BEST OF THEM ♪
♪ THEN HEAD TO THE STAGE AND A TEST OF MEN ♪
♪ AND WHEN IT'S DONE AND SAID AND SAID AND DONE ♪
♪ PLAY'S GONNA BE THE VICTORIOUS ONE ♪
[CROWD YELLS]
YEAH, DOPE, AIN'T IT? HEH. YEAH, I KNOW.
GIVE ME THAT MIKE.
WANT SOME OF THIS?
YO, IT'S MY TURN.
♪ I'M NEVER'FESSIN', POSSESSIN' THE TOOLS ♪
♪ THAT IT TAKES TO ROCK ♪
♪ I THINK IT'S TIME FOR THE NEW KID ON THE BLOCK ♪
♪ WITH A STYLE THAT'S WILD, YET SO UNIQUE ♪
♪ I CAN'T BE STOPPED FROM REACHIN' MY PEAK ♪
♪ BECAUSE GIVIN' MY ALL, THAT'S HOW I GOT TO LIVE ♪
♪ IT'S MY PREROGATIVE, SO YOU KNOW I GOTTA GIVE ♪
♪ MORE FOR THE DANCE FLOOR, AND I'LL MAKE YOUR BRAIN SORE ♪
♪ KID'S REVVIN' AND BUZZIN' JUST LIKE A CHAIN SAW ♪
♪ ONE LOOK, YOU'LL SAY, DAMN, MAN ♪
♪ THAT KID NEEDS A GRAND, MAN ♪
♪ 'CAUSE I BUST A HANDSTAND ON AMERICAN BANDSTAND ♪
♪ WITH EASE, I PLEASE AND MAKE YOUR MIND FREEZE ♪
♪ STRAIGHT OUT THE EIGHTIES, RIGHT INTO THE NINETIES ♪
♪ GIVIN' YOU THE HIGHS AND LOWS LIKE A DRAMA ♪
♪ AND IF THE MIKE'S GOT JUICE, YOU KNOW, I'M A-KEEP WAILIN' ♪
♪ YOU KNOW I'LL HAVE YOU STARIN' A WHILE ♪
♪ BECAUSE THE KID'S MUCH MORE THAN HAIR AND A SMILE ♪
HEH HEH.
THERE IT IS, THE HYPE.
OH, I SEE. YOU THINK YOU ALL THAT NOW?
YEP, AND THEN SOME.
BUST IT.
♪ IT'S MY PARTY, AND I RHYME IF I WANT TO ♪
♪ BE CAREFUL AND DON'T YOU STEP TO THE FRONT TO ♪
♪ DIS, 'CAUSE I'M GONNA DISMISS WITH A DEF KISS ♪
♪ AND MAKE YOU SORRY THAT YOU EVER STEPPED TO THIS ♪
♪ MICROPHONE WIZARD, SO COME ON, PLACE YOUR BET ♪
♪ IS IT GONNA BE ME OR ERASERHEAD? ♪
♪ WHY PUT YOUR MONEY ON A SORRY OLD POOR THING ♪
♪ WHEN YOU CAN GET BEHIND A SURE THING? ♪
♪ AND THAT'S ME, THE CAPITAL "P" ON THE HYPE TIP ♪
♪ ONE FALSE MOVE, AND YOU'LL GET YOUR ASS WHIPPED ♪
♪ JUST TELL ME HOW THE RHYMES AND THE CUTS SOUND ♪
♪ YOU WON'T START FEELIN' THE PAIN TILL YOU TOUCH GROUND ♪
♪ BOY, YOU GOIN' WAY OUT, I'M READY TO SERVE YOU ♪
♪ IF YOU CAN STAY OUT PAST YOUR POP'S CURFEW ♪
♪ LOOK AT HIM, ALREADY A HAS-BEEN ♪
♪ LET UNCLE PLAY SAY A RHYME THAT'LL TUCK YOUR ASS IN ♪
[CROWD YELLS]
AM I PAID OR WHAT?
Kid: YOU SOME KIND OF FOUL, YOU KNOW WHAT I'M SAYING?
♪ ONCE AGAIN, THE BOY BLOWS SMOKE ABOUT WHAT HE WANT TO BE ♪
♪ BUT IT ISN'T AND WASN'T, AND IT AIN'T NEVER GONNA BE ♪
♪ POSSIBLE, 'CAUSE I GOT LOTS OF PULL ♪
♪ AND WHEN YOU RHYME, WHOO, THERE'S LOTS OF BULL ♪
♪ WHEN IT COMES TIME TO STEP TO A MIKE ♪
♪ I DON'T SIT AROUND ♪
♪ PLAY, YOU KNOW I DON'T KID AROUND ♪
♪ SO COME WITH IT, BOY, DON'T EVEN HIDE YOUR BEST ♪
♪ 'CAUSE KID SPELLED BACKWARDS DESCRIBES YOU BEST ♪
♪ LOOK AROUND, WATCH THE PEOPLE CLAP HANDS IN UNITY ♪
♪ AS THE MOMENTUM SWINGS FROM YOU TO ME ♪
♪ YOU ISSUED A CHALLENGE, YEAH, YOU THREW IT UP ♪
♪ STEP TO THE STAGE, TOO LATE, I BLEW IT UP ♪
♪ THE KNOWLEDGE TO BUILD, JUST FILLED WITH EXCELLENCE ♪
♪ YOU HEARD THE RHYMES, YOU'VE BEEN PETRO EVER SINCE ♪
♪ THERE'S NO MISSIN' THE WORDS THAT I LAID OUT ♪
♪ YOU DIDN'T PLAY, YOU JUST GOT PLAYED OUT ♪
[CROWD YELLS]
OH, YEAH?
ANYTHING Y'ALL COULD DO,
I... I ALSO COULD DO, BUT I COULD ALSO DO IT BETTER.
[LAUGHTER]
♪ OH OH OH OH OH ♪
[MUSIC CONTINUES FAINTLY]
WHAT THE...
OH, BABY.
THE POLICE BEEN HERE,
AND THEY STILL DOWN THERE DANCING.
MMM, COME BACK TO BED, HARRY.
HARRY?
WHAT'S UP? ENJOYING YOURSELVES?
♪ OH, BABY ♪
DAMN, GROOVE, WHY YOU GOT TO PLAY THE ALKY ROLE AT MY PARTY?
CHILL. CHILL.
[NEEDLE SCRATCHES]
MAN, I TOLD YOU TO GO OVER THERE... WAY OVER THERE.
MAN, YOU BUMP THIS TABLE AGAIN,
I'M GOING TO KICK YOUR FUNKY HEART OUT.
CHILL, CHILL, YO, I'VE BEEN LOOKING ALL OVER FOR YOU.
HELP ME HAUL THIS FOOL HOME.
YOU'RE DOING A GREAT JOB.
Chill: YO, WHY YOU HANG OUT WITH THAT SUCKER, MAN?
THAT AIN'T IMPORTANT. THIS IS IMPORTANT.
HELP ME HAUL THIS FOOL HOME?
MAN, I TOLD YOU DON'T INVITE HIM.
YO!
GROOVE!
YO, GET UP, MAN.
GET UP.
LET ME GO, MAN.
THE TURF!
YO, EXCUSE ME!
EXCUSE ME!
WATCH YOUR BACK! GROOVE MIGHT THROW UP!
I THINK WE'RE GETTING READY TO GO HOME.
YOU WANT TO COME?
OK, UM...
MY POPS WANTS ME HOME BY, LIKE, 11:00, ANYWAY.
11:00? NOT 11:00.
11:30,
11:35.
DID YOU SEE WHERE PLAY WENT?
I THINK I SAW CHILL AND PLAY CARRYING GROOVE HOME.
I JUST ASKED BECAUSE HE PROMISED US A RIDE HOME.
WELL, I DON'T MIND WALKING YOU HOME.
IT'S NOT AS GOOD AS A RIDE, BUT, YOU KNOW...
THAT'S COOL. COME ON. I THINK SIDNEY'S READY TO LEAVE ANYWAY.
HEY, KID SAID HE'S GOING TO WALK US HOME,
SO I'M GOING TO GO WITH HIM TO GET HIS COAT.
I'LL GRAB YOUR PURSE WHILE I'M UP THERE.
WELL, AREN'T YOU GOING TO WAIT FOR PLAY?
DON'T BE UP THERE ALL NIGHT.
Pop: KIDS GOT IT EASY NOWADAYS.
MY FATHER SAID, "STAY YOURSELF AT HOME,"
YOU STAYED YOURSELF AT HOME.
WAIT TILL I FIND HIM. I'M GOING TO KILL HIM!
[DOG BARKING IN DISTANCE]
YOU'RE DRUNK AS A FISH.
COME TOMORROW, YOU THE FIRST ONE IN CHURCH.
WHO SAID SOMETHING ABOUT CHURCH?
♪ I SEE THE LIGHT ♪
[ALL TALKING AT ONCE]
I DON'T WANT TO SEE NOBODY. I DON'T WANT TO SEE YOU.
YOU READY? LET'S GO.
[RINGS DOORBELL]
[DOG BARKING]
Woman: JAMES, IS THAT YOU?
[BANGING ON DOOR]
[SLOW MUSIC PLAYING]
MY BOY HERE? NO, SIR. WHO'S HE?
YOU KNOW WHO HE IS.
HE IN HERE? NO.
YOU OUGHT TO BE ASHAMED OF YOURSELF,
MESSIN' UP THESE FOLKS' HOUSE.
KNOW IT AIN'T PAID FOR.
Y'ALL IN HERE DOING SOME WRONG!
BILAL.
BILAL... WHATEVER YOUR NAME IS.
SOUNDS LIKE SOMETHING YOU CATCH ON YOUR FEET.
YOU SEEN MY BOY?
NAH, I HAVEN'T SEEN HIM, SIR.
YOU SURE?
YOU AIN'T SEEN HIM?
WHY DON'T YOU GO HOME AND WATCH THE LATE SHOW, POPS?
WHY DON'T YOU JUST GO HOME,
LITTLE TEST-TUBE BABY?
WHAT'S YOUR NAME?
CLINTON.
CLINTON WHAT?
CLINTON, UM, X.
CLINTON X, HUH?
YEAH, CLINTON X. I'M A MUSLIM.
UH-HUH. WELL, GO HOME AND BRING ME BACK
2 BEAN PIES AND A PORK CHOP SANDWICH,
YOU LITTLE TROUT-MOUTHED HEATHEN.
OH, HOW YOU DOING? I SHOULD'VE KNOWN YOU WAS IN HERE.
I SAW THE DRIPPINGS FROM THE DRIVEWAY.
WITH THAT JHERI-CURL ON YOUR HEAD, YOU BETTER NOT DO A CRIME.
THE POLICE WOULD HAVE NO PROBLEM FINDING YOU.
FOLLOW THE DRIP. FOLLOW THE DRIP.
THEY'D NEVER HAVE NO PROBLEM FINDING YOU.
BILAL, WHERE'S THE BOY? IS HE UPSTAIRS?
HUH?
HEY, IS THE BOY UPSTAIRS?
W-W-WAIT.
PLAY TOLD ME TO SIT HERE
AND MAKE SURE NOBODY WENT UPSTAIRS,
'CAUSE HIS PARENTS JUST GOT NEW CARPET, RIGHT?
ANH, UH, HE DOESN'T WANT SHIT ALL OVER HIS SHOES,
DID I SAY SHIT? YOU DID.
I'M SORRY. YOU'RE TALKING ABOUT MY SHOES?
NO, I JUST, NOBODY CAN WALK AROUND UP THERE.
I CAN UNDERSTAND THAT. SO NOBODY BEEN UP THERE?
AIN'T NOBODY UP THERE. I DON'T PLAY.
I DON'T PLAY EITHER. THAT'S RIGHT, I DON'T PLAY.
AND I AIN'T GOT TIME TO PLAY NO GAMES WITH YOU DAMN KIDS.
HE'S GOT TO COME HOME, YOU CAN BELIEVE THAT,
AND I'LL BE WAITING ON HIS MONKEY TAIL, TOO.
GET OUT OF MY WAY.
I'LL BE JUST LIKE A SECURITY GUARD. STANDING THERE WAITING.
GET OUT OF MY WAY.
[CLOSES DOOR]
LOOK.
UH, JUST MAKE YOURSELF AT HOME, BABY.
WHAT'S PLAY'S MAMA DOING WITH A DRESS LIKE THIS?
SHE OUGHT TO GIVE THIS TO ME.
NOW THAT YOU MENTION IT, IT DOES LOOK KIND OF NICE.
LET ME HELP YOU WITH THAT DRESS, HUH?
WHAT DO YOU THINK?
HA HA HA!
HOLD, HOLD, HOLD. WHAT YOU DOING?
I'M HELPING YOU WITH THE DRESS, BABE.
YOU GOT TO TAKE THINGS SLOW AT FIRST.
HEY, KID, YOUR...
WH-WHAT?
NOTHING.
I WAS JUST COMING TO GET MY POCKETBOOK.
WE WAS JUST ABOUT TO GET IT.
AND NOW WE'RE NOT.
Sharane: NOW I KNOW IT'S TIME FOR US TO GO.
WELL, LOOK, LET'S GO OUT THE BACK WAY.
I TOLD I'D HELP CLEAN UP. DON'T WANT TO RUN INTO HIM.
COME ON, LET'S GO.
YOU'D BE RUNNING INTO A LOT MORE THAN PLAY
GOING OUT THE FRONT DOOR.
Kid: SO, WHAT ARE YOU DOING ON FRIDAY?
Sharane: I DON'T KNOW.
WHY DON'T YOU CALL ME TOMORROW?
A LOT OF GUYS GET NERVOUS WHEN THEY COME TO THE PROJECTS.
WHY WOULD THEY BE PUNKS LIKE THAT?
WELL, AFTER MR. WILLIAMS' SON WENT CRAZY
AND STARTED SNIPING PEOPLE FROM THE ROOF,
MOST GUYS JUST DROP ME OFF ON THE CORNER
AND TELL ME TO CALL THEM WHEN THEY GET HOME.
[LAUGHS]
I REALLY SHOULDN'T BE MAKING PLANS FOR THIS WEEKEND.
IT DEPENDS IF MY FATHER LETS ME OFF PUNISHMENT
FOR GETTING INTO THAT FIGHT AT SCHOOL TODAY.
WELL, FRIDAY MAY NOT BE GOOD FOR ME, EITHER,
SO WE'LL JUST TALK TOMORROW IN SCHOOL.
COME ON, NOW.
DON'T BEG.
LATER.
GOOD NIGHT. GOOD NIGHT.
Woman: SHARANE.
I'LL BE BACK.
[OPENS DOOR]
[CLOSES DOOR]
[THE STAR-SPANGLED BANNER PLAYING ON TV]
DO I DETECT JEALOUSY?
WHY YOU KEEP TEASING HIM LIKE THAT?
"LET'S GET TOGETHER FRIDAY."
DIDN'T YOU SAY THE SAME STUFF TO PLAY?
ONE'S GOING TO BE IN TROUBLE, ONE'S GOING TO BE AVAILABLE.
I'M JUST PLAYING THE AVERAGES.
SHARANE, THEY'RE FRIENDS.
YOU KNOW, THE CUTE ONES ALWAYS TRAVEL IN PACKS.
IF YOU THINK ABOUT IT, WHY IS OLD UGLY BILAL WITH HIS BREATH
HANGING OUT WITH THEM?
I CAN'T BELIEVE YOU'RE REALLY ACTING LIKE THIS.
SHH!
WHAT?
LET ME TELL YOU SOMETHING.
LIFE IS SHORT, AND IF YOU WANT SOMETHING, LET THE CHIPS FALL.
YOU'RE MAD'CAUSE YOU AIN'T CATCHING ONE TONIGHT.
AND THAT MAY NOT BE BY ACCIDENT.
YOU DIDN'T LIKE HIM UNTIL HE WAS UP... YES.
YOU DIDN'T LIKE HIM TILL HE WAS ON ME.
THAT IS BOGUS. HE WAS UP ON ME.
WHY DO YOU THINK I DIDN'T TALK...
WHY YOU THINK I DIDN'T TALK, EVEN THOUGH YOU WERE PLAYIN'M?
THEN YOU PUT HIM ALL UP IN MY FACE.
I'M OUTTA HERE. SIDNEY.
I DON'T WANT TO HEAR IT.
SIDNEY.
HE'S STILL GOT TO WALK YOU HOME, RIGHT?
IF YOU THINK I'M DOGGING HIM, TRY AND TAKE HIM.
I AIN'T LIKE YOU.
THAT'S WHY YOU MAD NOW. HO. I HEARD YOU.
HEY, WHAT'S WRONG?
YOU DON'T HAVE TO WALK ME HOME. I CAN GET THERE BY MYSELF?
I DON'T MIND.
I KIND OF DO MIND.
YOU BEEN BEEFING AT ME ALL NIGHT. WHAT DID I DO TO YOU?
[SIGHS]
YOU DIDN'T DO ANYTHING.
IT'S JUST I WANT TO BE ALONE, ALL RIGHT?
WELL, I DON'T THINK THAT'S A GOOD IDEA,
SO I'M JUST GOING TO BUG YOU ALL THE WAY HOME.
I THINK YOU SHOULD BE HEADING HOME YOURSELF.
WHY? I'M ALREADY IN TROUBLE.
I MIGHT AS WELL HAVE FUN NOW
AND SUFFER THE CONSEQUENCES LATER.
I CAN ONLY DIE ONCE.
YEAH, BUT PUNISHMENTS ARE FOREVER.
WELL, NOW, THAT'S TRUE.
I REMEMBER ONE TIME, MY FATHER PUT ME ON PUNISHMENT
FOR A MONTH BECAUSE I CAME HOME LATE FROM RECORDIN'.
I STILL GET DEPRESSED THINKING ABOUT THAT ONE.
YOU SHOULD THINK ABOUT IT WHEN THE TIME COMES.
YEAH. MY POPS IS COOL.
BUT HE'S TOO OVER PROTECTIVE.
YOU KNOW, I HEARD ABOUT YOUR MOM'S PAST, I'M SORRY.
YEAH. THAT WAS A WHILE AGO.
WHAT DO YOUR FOLKS DO?
UH, MY DAD OWNS A COUPLE OF GROCERY STORES.
OH??? SNACKY???
CRAZY CHIPS AND DIPS.
AND MY MOM, SHE WORKS IN THE BANK AS A BOOK-KEEPER.
WELL, YOU SHOULD GET A JOB WHEN YOU GRADUATE.
YEAH, BUT I'M GOING TO COLLEGE.
YEAH, SO AM I. I ALREADY STARTED CHECKING OUT THE APPLICATIONS.
REALLY? YOU KNOW??? ESPECIALLY ??? SCHOOLS, MAN.
WELL, I AIN'T GETTIN' ALL THAT FAR, YOU KNOW..
ALL RIGHT. YEAH.
WHAT'S UP, FELLAS? WHAT'S GOING ON?
YOU DIDN'T TAKE ALL THE WOMEN WHILE I WAS GONE?
A FEW.
YEAH, RIGHT.
YO, SOMEONE IS LIVING FOUL.
THAT'S THIS NOBODY RIGHT HERE, MAN.
WOULD YOU TAKE CARE OF THAT, PLEASE?
Y'ALL WATCHED THE STUFF?
BECAUSE IF A BROTHER LIKE PLAY GET VICT,
I'M GOING DO SOME BODY AND FENDER WORK
THERE WAS SOME NEIGHBORS CLOCKING YOUR STUFF REAL HARD.
YOU SHOULD CLOCK THEM CUCKOO BUGS DOWN THE SINK OUT OF YOUR HAIR?
WHY YOU DIS ME, MAN?
HE'S GOT HAIR LIKE BOB, MAN.
BOB WHO? BOB WIRE, MAN.
[LAUGHTER]
Clint: REAL FUNNY, MAN.
YOU'RE CRAZY.
[TOILET DOESN'T FLUSH]
WHO BROKE THE TOILET?
[TRIES HANDLE]
All: I DON'T KNOW.
YO, DON'T EVEN PLAY ME LIKE THIS.
WHO BROKE THE TOILET?
IT WAS LIKE THAT WHEN I CAME IN HERE.
IT WAS THAT BROTHER IN THE LEATHER JACKET.
HE COULD FLOAT SOME BRICKS.
NECK LIKE MIKE TYSON.
"PLAY, WHEN'S YOUR NEXT PARTY?"
PUT YOU IN MY HOUSE, AND YOU DOG ME.
LOOK AT THE LOG IN THAT POISON.
I GOT TO DO SOMETHING BEFORE MY MOTHER GETS BACK.
YOU KNOW I'D HELP YOU, I GOT MY NEW KICKS ON.
NEXT TIME I THROW A PARTY.
WHAT DO WE DO?
I'M OUT OF HERE.
THAT STUFF'S STARTING TO COME OUT.
Y'ALL OUT OF HERE? WAIT, I GOT A BETTER IDEA.
BUST IT. PARTY'S OVER.
PARTY'S OVER? WHAT?
DON'T SAY NOTHING TO ME, MAN.
SAY NOTHING. AS A MATTER OF FACT,
WHEN YOU SEE ME, DON'T SAY NOTHING.
Clint: I AIN'T NO PLUMBER.
WHAT CAN I DO? STEP!
I NEED TO PISS.
THAT'S COLD.
YO, JUST STEP.
REAL COLD.
PEACE, MAN. DAMN.
[GRUMBLING]
HOLD UP, OK?
GOOD. I BEAT THEM HOME.
YOU KNOW, YOU GIRLS BE SCHEMING ON A LEVEL
GUYS DON'T EVEN HAVE A CLUE ABOUT.
[LAUGHS]
YOU KNOW,
I'M GLAD YOU LET ME WALK YOU HOME.
YOU'RE ALL RIGHT, SIDNEY.
YOU PRETTY CHILL YOUR DAMN SELF.
DID YOU KISS HER?
DID I KISS WHO?
TONIGHT.
DID YOU KISS SHARANE?
NO, I DIDN'T.
BUT YOU WANTED TO.
WELL...
BUT I DIDN'T.
AND I DIDN'T KNOW HER THE WAY I KNOW YOU NOW.
[LAUGHS]
OK, SO...
I'LL SEE YOU LATER, ALL RIGHT?
OK.
TOMORROW.
UM, I WOULD LET YOU IN AND EVERYTHING, BUT...
IT'S LATE,
AND YOU GOT TO GET HOME,
AND MY PARENTS WILL BE HERE ANY MINUTE.
I... I UNDERSTAND. I UNDERSTAND COMPLETELY.
OK. YOU KNOW...
IT'S NOT A PROBLEM.
OK...
OK.
♪ YEAH! WHOO! ♪
♪ WE NEED TWO TO MAKE IT GO ALL NIGHT ♪
♪ OOH, OOH, AHH ♪
♪ WE NEED TWO SO WE CAN GO ALL NIGHT ♪
♪ OOH, YEAH ♪
[MUSIC STOPS]
KID, WAIT.
WHAT?
WHAT ARE WE DOING HERE?
WE WERE DOING FINE UNTIL YOU STOPPED ME.
YOU KNOW, A FEW MINUTES AGO,
YOU WERE MAKING A DATE WITH MY FRIEND, NOW WE'RE DOING THIS.
THIS ISN'T RIGHT.
IT'S NOT RIGHT? NO.
WHAT'S NOT RIGHT IS THE WAY YOU KEEP FRONTING ON ME.
THAT AIN'T RIGHT.
ALL YOU WANT IS SEX,
YOU'LL TALK TO FRIENDS TRYING TO GET IT?
LOOK, I AIN'T FORCING YOU TO DO NOTHING.
IF YOU WANT ME TO LEAVE, HEY, FINE.
TCH.
NO PROBLEM.
WAIT, WAIT, WAIT, WAIT, WAIT, WAIT.
SIDNEY, WAIT UP, WAIT UP, WAIT UP.
WHAT IS IT YOU'RE ASKING ME?
I'M NOT ASKING YOU FOR ANYTHING.
IT'S ABOUT WHAT YOU WANT.
THIS IS A TRICK QUESTION, RIGHT?
LOOK, SIDNEY, I AIN'T GOING TO LIE.
I'M ATTRACTED TO BOTH OF YOU,
BUT IF I HAVE TO MAKE A CHOICE...
AND THAT'S WHAT YOU'RE ASKING... THEN I GOT TO TELL YOU...
YOU'RE WHO I WANT AS A FRIEND.
AND I THINK IF YOU GO WITH SOMEONE,
YOU SHOULD BE FRIENDS AS WELL AS LOVERS.
SO, UH...
NOW THAT WE'RE FRIENDS...
LET'S GET WITH THE LOVING.
NO!
[LAUGHS]
AAH! OH...
[LAUGHS]
YOU THINK YOU SLICK, HUH? MM-HMM.
NOW I HAVE A QUESTION FOR YOU.
WHAT?
ARE YOU ON THE PILL?
NO. I DON'T DO THIS REGULAR.
WHAT ABOUT ONE OF THOSE DIAGRAMS?
THAT'S DIAPHRAGM,
AND, NO, I DON'T DO THE SPONGES, EITHER.
DON'T YOU HAVE, UM... A WHATCHAMACALLIT IN YOUR WALLET?
[SNAPS FINGERS]
AH.
YEAH. I KNEW THIS WOULD COME IN HANDY.
IT'S BEEN IN HERE A WHILE.
STILL GOOD.
ALL RIGHT.
UHH.
MMM.
I GUESS IT'S BEEN IN HERE A LITTLE TOO LONG.
SO, NOW WHAT?
HEY, UH, HAVE YOU... HAVE YOU EVER, UH...
NO, I NEVER, NO.
I DON'T EVEN KNOW WHY I ASKED THAT.
AND EVEN ABOUT BIRTH CONTROL.
MOST GUYS WOULDN'T CARE IF YOU HAD BIRTH CONTROL OR NOT.
AND THAT'S WHY I LIKE YOU.
THERE'LL BE OTHER TIMES.
IT'LL PROBABLY BE A LONG TIME FROM NOW.
[INSTRUMENTAL MUSIC]
SORRY, KID.
YEAH, THAT'S WHAT THEY CALL ME.
"SORRY KID."
TCH. HEY.
THAT'S NOT WHAT I CALL YOU.
[CAR DOOR OPENS AND CLOSES]
OHH!
GET OUT OF THE WAY!
[MUSIC CONTINUES]
♪ OW ♪
WHAT ARE YOU DOING?
I'M SUPPOSED TO BE IN MY BEDCLOTHES.
I DON'T KNOW WHETHER TO WATCH OR RUN.
BETTER HURRY UP.
I TELL YOU, I DON'T EVEN KNOW
HOW THOSE HOODLUMS GOT INTO THE PARTY.
YOU SHOULD'VE PRESSED CHARGES.
OH, NOT WITH THOSE FASCIST COPS THERE.
IF I'D MET THAT HOODLUM IN THE STREET,
I'D PUNCH HIM IN HIS SNOT LOCKER.
YOU KNOW I DON'T LIKE TO BE SUCKER-PUNCHED.
OH, YEAH. YOU'VE TRIED IT.
Sidney: WHAT ARE YOU DOING? ARE YOU CRAZY?
HOW AM I SUPPOSED TO GET OUT?
BACK DOOR!
[MUSIC CONTINUES]
[MUSIC BOX MUSIC]
MAMA?
OH, SIDNEY, YOU'RE AWAKE.
MMM.
I DECIDED TO STAY HOME AFTER ALL.
OH, THAT'S MY LITTLE BABY.
OUR LITTLE PUMPKIN STAYED HOME ALL BY HERSELF.
[DOG BARKING]
[DOG GROWLING]
SHH. SHH.
[DOG BARKING]
IS THAT PRINCESS BARKING? I'LL SEE.
OOH! OOH!
IT'S PROBABLY NOTHING. SEE? IT STOPPED.
I'M SLEEPY. I'M GOING TO GO TO BED NOW.
[DOG BARKING INSIDE GRILL]
OW, MY BACK!
THOSE COPS ARE ALWAYS FOOLING WITH...
OH, MY STOMACH!
SHUT UP, PEE-WEE. HE HIT US ALL THE SAME WAY.
I'M TIRED OF GETTIN' BEAT DOWN BY PUNK COPS, MAN.
YO, PEE-WEE, MAN, HOW DOES YOUR RIBS FEEL?
HOW DOES MY RIBS FEEL? I'M AS FOULED AS YOU MAN.
YO, YO! LOOK!
Zilla: OH, YEAH.
AFTER GETTIN' BEAT DOWN BY THEM COPS,
I'M READY TO WHIP SOMEBODY'S TAIL.
Announcer on TV: LET HEY LOVE...
Woman: OH, MY GOD! MY GOD!
WHOA! WHOA!
Card player: MAYBE YOU'LL BE LIKE THAT MAN IN THE FRONT ROW.
Woman: GET SOME CHICKEN, BABY!
Pee-Wee: THERE GOES THAT BROOMHEAD ALBINO!
GET HIM NOW!
GET HIM! GET HIM NOW!
[SCREECHING]
Pee-Wee: GET HIM! COME ON!
Zilla: AAH! FREAKIN' RAT!
A RAT! YO, GET OFF ME.
[SCREECHING]
Pee-Wee: OH, SHOOT!
YO, COME ON.
[MUSIC CONTINUES]
WHAT HAPPENED TO HOMEY'S SHOE?
[DOG GROWLING]
[POLICE SIREN WAILING]
[SIREN STOPS]
FREEZE! FREEZE!
OH, JEEZ! I DON'T BELIEVE THAT!
WHO'S GONNA EXPLAIN THAT?
'WHO IS GOING TO EXPLAIN THAT?'
[DOG GROWLING]
WHAT THE HELL ARE YOU LOOKIN' AT?
YO, KID, SO I GUESS THIS IS HOW YOU GOT
THAT BUCKWHEAT-STYLE FADE, HUH?
YOU STICK YOUR HEAD IN THE ICEBOX, RIGHT?
YO, LISTEN, I HEAR YOU'RE A RAPPER.
WELL, I GOT A RAP FOR YOUR ASS.
♪ YOU RUN AROUND TOWN LIKE A FAGGOT IN HEAT ♪
♪ ME AND MY BOYS CAN'T BE BEAT ♪
♪ WHEREVER YOU GO, WE CAN SMELL YOU LIKE GAS ♪
♪ AND WE'RE GONNA KICK YOUR FUNKY ASS ♪
♪ YOU GOT YOUR SILLY ASS LOCKED IN THE ICEBOX ♪
Stab, Zilla: ♪ WITH NOWHERE TO GO ♪
WHAT WE SHOULD REALLY DO IS JUST TAKE THIS REFRIGERATOR
AND JUST DUMP IT IN THE RIVER.
YOU AIN'T THINKIN'. WHERE'S YOUR HEAD AT?
OK, MAN, LEAVE ME THE HECK ALONE.
FREEZE, NEGROES.
Play: HEY, LET ME OUT! LET ME OUT!
Officer: THIS IS YOUR LUCKY DAY.
IT WAS A JAMMIN' PARTY.
THERE YOU GO, THERE YOU GO, THERE YOU GO.
PLAY, I GOT TO TALK TO YOU, MAN.
TELL ME TOMORROW.
THANKS. I'M SORRY, EV. LISTEN, MAN,
THE BROTHERS KEEP FOOLING WITH ME,
YOU KNOW, BUT YOU'RE COOL.
YOU WERE REAL COOL. ALWAYS REMEMBER THAT.
YEAH, MAN, BUT KID'S DAD...
WHAT HAPPENED? KID WAS SUPPOSED TO HELP ME MAN.
I THOUGHT HE WAS DOWN. PEACE OUT.
[SLOW INSTRUMENTAL MUSIC]
[MUSIC CONTINUES]
Stab: YO, MOVE OVER, MAN.
MOVE! MOVE!
LOOK, STAB, WE'VE BEEN GOING AT THIS ALL DAY,
SINCE EARLIER IN THE LUNCHROOM,
AND IT HAS GOT US HERE, WHERE WE DON'T WANT TO BE.
LOOK, WHY DON'T WE LET BYGONES BE BYGONES
AND WORK TOGETHER TO GET OUT? WHAT DO YOU SAY?
MAN, FORGET YOU, MAN.
YEAH BABE. LOOKS LIKE I'LL BE HERE FOR COUPLE MORE DAYS.
SO HOW IS EVERYTHING ON THE STREET?
YOU TAKING CARE OF MY BUSINESS LIKE YOU WERE SUPPOSED TO?
WHAT THE...
I KNOW THE PARTY'S NOT OVER YET.
THINK SO?
[TELEPHONE RINGS]
THAT WAS WRONG.
PLAY IN FULL EFFECT. WHAT UP?
PLAY, THIS IS KID. LOOK, I'M IN PRISON.
NO, I'M NOT AT HOME. I'M IN JAIL FOR REAL.
I NEED YOU TO COME AND BAIL ME.
'ANYBODY YOU CAN BORROW FROM?'
BILAL HERE PACKING UP.
YOU KNOW BROTHERS AIN'T GOT NO MONEY.
HURRY, MAN. MY BACK'S AGAINST THE WALL.
GIVE ME A MINUTE. WE'LL BE RIGHT THERE
JUST DO ME A FAVOR. DON'T PICK UP THE SOAP.
LIKE I NEED YOU TO TELL ME THAT.
THAT'S WHY YOU CAN'T BE ON C.P.T.
I NEED YOU ON JAPANESE TIME. YEAH, ALRIGHT.
I'M DEPENDING ON YOU. YOU GONNA COME DOWN?
ALL RIGHT. I'M SERIOUS.
ALL RIGHT! ALL RIGHT, BYE.
[KISSES]
HOW MUCH WE GOT? WHAT?
HOW MUCH DO WE HAVE?
YO, DON'T HOLLER AT ME, MAN. I'M TELLING YOU.
YOU THINK THEY'LL TAKE A CHECK?
NOW I GOT TO TAKE UP A COLLECTION
FROM THE BUMS AT MY PARTY.
YOU THINK THEY'LL GIVE YOU MONEY AFTER YOU KICKED THEM OUT?
IT'S THE LEAST THEY CAN DO AFTER BREAKING MY TOILET.
LISTEN, HOW ABOUT THE GIRLS WHO LEFT EARLIER WITH KID?
SHARANE!
[HIGH-PITCHED] SHARANE!
BOY, ARE YOU CRAZY?
HEY, KID'S IN JAIL. WE NEED YOUR HELP.
JAIL? YES.
SO NOW I'M SUPPOSED TO GET IN TROUBLE?
HE DIDN'T DO NOTHING WRONG.
WE'RE HIS FRIENDS. ALL WE NEED IS THE BAIL MONEY.
"ALL WE NEED IS BAIL MONEY." HE GOT A DADDY.
HIS DADDY'D KICK HIM.
HE SHOULD'VE THOUGHT OF THAT BEFORE JAIL.
HE IS MY BOY AND ALL, BUT DAMN.
SHARANE!
AAH!
[INSTRUMENTAL MUSIC]
OH, SHOOT!
[BILAL CONTINUES SCREAMING]
YO, WHY YOU GONNA TRY AND LEAVE ME?
I SAW YOU RUNNING AND NO SENSE OF BOTH OF US GETTING BUSTED.
THAT'S MESSED UP WITH YOU, PLAY.
YOU GET THE MONEY? NO, SHE TRIPPIN'.
THAT'S THE PROBLEM WHEN I SEND A BOY TO DO A MAN'S JOB.
OH, A BOY?
YOU THINK YOU CAN DO ANY BETTER?
Play: HEY, SHARANE!
LOOK, NOW, I TOL... HI, PLAY.
HI. I KNOW YOU AIN'T IN BED.
THE PARTY AIN'T OVER. AFTER WE GET KID,
WE'RE GONNA SHOOT TO BURGER KING.
BURGER KING?
A LITTLE BITE TO EAT. HANG OUT A LITTLE WHILE.
IT'S LATE, PLAY. COME ON, FOR ME.
WAIT OUT FRONT.
DON'T FORGET YOUR PURSE.
HEY, DAISY.
HEARD YOU GOT QUITE A REPUTATION AT YOUR SCHOOL.
SWEETEST MEAT AROUND.
WHEN WE GET FINISHED, YOU GONNA BE EVEN SWEETER.
DO YOU KNOW WHAT THIS MAN DID?
TELL HIM, HATCHETT.
I CUT A MAN'S HEART OUT.
CHECK THAT. TELL HIM WHAT YOU DID, ROCK.
I BEAT A POLICE SERGEANT, WITH HIS OWN CLUB.
AND DIDN'T RUN AFTER HE DID IT.
HELL, NO.
WHAT DID YOU DO?
I USED TO RUN A DAY-CARE CENTER.
[GULP]
I CALLED SIDNEY SHE SAYS SHE WANTS TO COME,
I TOLD HER WE'D PICK HER UP.
HEY, SHARANE. YOU GOT A COUPLE OF GIRLFRIENDS I CAN MEET?
BILAL, HAS ANYBODY EVER TOLD YOU YOUR BREATH STINKS?
DAMN!
FORGET YOU! WHAT?
YOU HEARD. FORGET YOU!
YOU MAD'CAUSE YOU STILL A VIRGIN.
I AIN'T NO VIRGIN. I GOT A GIRLFRIEND.
SHE JUST DON'T LIVE AROUND HERE, RIGHT?
DRAGON-BREATH. HEY, DON'T HIT ME.
DRAGON... YOU GOT DRAGON-BREATH.
YOUR STUFF IS A LITTLE TART, TOO.
NEGRO, PLEASE.
YEAH, BELCH.
SHUT UP. THAT'S WHAT I THOUGHT.
HEY, I GOT SOMETHING TO TELL YOU.
YOU GOT JUICE? YES.
TELL ME.
THIS I KNOW.
HMM? I DON'T BELIEVE YOU.
WHAT?
UH-UH, UH-UH, UH-UH.
THAT'S RIGHT. SO DON'T GET MAD.
I AIN'T TRIPPIN'.
YOU GO, GIRL.
THANK YOU, GIRL.
SO, PLAY, DID I TELL YOU HOW GOOD YOU LOOKED
IN THAT SUIT TONIGHT?
[SLOW MUSIC]
[INDISTINCT CHATTER]
DON'T WORRY ABOUT IT. IT WON'T TAKE BUT A MINUTE.
Hatchett: DEPENDING ON WHO'S IN IT.
IS THERE ANYTHING I CAN DO TO STOP THIS?
WELL, RICHARD PRYOR SAID WHEN HE WAS IN PRISON,
HE KEPT FOLKS LAUGHING
TO KEEP THEIR MINDS OFF HIS BOOTY.
DO YOU KNOW ANY JOKES?
NO, I DON'T KNOW ANY JOKES.
WELL, YOU BETTER THINK OF SOMETHING.
WHAT IF I CAN'T THINK OF ANYTHING?
THE LIGHT'S OUT, THE PARTY'S OVER,
THE CAKE'S ON THE GRIDDLE, AND YOU ALREADY GREASED.
Prisoner: ALL RIGHT. YOU'RE FIRST, MY MAN.
LET'S GO.
ALL RIGHT. LET'S GO.
'COME ON.'
EXCUSE ME, EVERYBODY. UH, WON'T YOU GATHER AROUND?
I GOT SOMETHING TO SAY. WHO IS THIS CLOWN?
♪ JUST A GUY WHO LOOKS AT THINGS DIFFERENTLY ♪
♪ THE WAY THINGS ARE ♪
♪ AREN'T ALWAYS HOW THEY'RE MEANT TO BE ♪
♪ WITH THE BIG MEN HERE IN THE BULLPEN ♪
♪ I DON'T WANT MY KNEES TO TAKE A FULL BEND ♪
♪ STEP BACK, ASK YOURSELF, CAN IT WAIT? ♪
♪ OR DO YOU WANT TO BECOME AN AIDS CANDIDATE? ♪
♪ TAKE YOUR EYES OFF ME, DON'T EVEN WATCH THE KID ♪
♪ OR YOU'LL GO OUT LIKE LIBERACE DID ♪
♪ IN MY OWN CELL I COULD'VE BEEN ALONE ♪
♪ WHY DO YOU ALL WANT ME? I'M ONLY SKIN AND BONES ♪
♪ I'M FEELING FAINT, IT'S KIND OF HOT ♪
♪ MY, WHAT BIG MUSCLES YOU GOT ♪
♪ HOO, LIPS DON'T FAIL ME NOW ♪
♪ UNTIL PLAY COMES TO BAIL ME OUT ♪
Officer: WHAT'S GOING ON IN THERE?
♪ MAN, THIS IS TOO MUCH, LOOK BUT DON'T TOUCH ♪
♪ I'M JUST TRYING TO AVOID THE BUM RUSH ♪
♪ THOUGHT I WAS IN HERE WITH MURDERERS AND STRANGLERS ♪
♪ YOU GUYS ARE A BUNCH OF RUMP WRANGLERS ♪
♪ AND WHY ME? LOOK, I'M NOT THE ONLY MALE ♪
♪ WE GONNA TIE THAT FADE INTO A PONYTAIL ♪
♪ YO, THIS IS A NO-GO, I'M GONNA CALL THE C.O. ♪
♪ ME A HOMO? NAH, MAN, THAT'S A NO-NO ♪
♪ BUT IF YOU BACK OFF NOW, THAT MIGHT SAVE YOU TIME ♪
♪ OFF YOUR SENTENCE FOR GOOD BEHAVIOR ♪
♪ I'M SPEAKING FROM THE HEART, FROM THE CENTER ♪
♪ THE SIGN ON MY BUTT SAYS "DO NOT ENTER" ♪
♪ I'M A RAPPER, I ROCK RHYMES, SO I'M GONNA BUST ONE ♪
♪ I SEE Y'ALL WANNA ROCK, LIKE HUDSON ♪
♪ JUST AN EXAMPLE, I CHILL'EM AND THRILL'EM ♪
♪ WHERE IS PLAY? I'M GONNA KILL HIM ♪
[PLAYING HARMONICA]
Officer: SONGBIRD, YOU HIT THE RIGHT NOTE.
YOU JUST MADE BAIL.
♪ HA, HEY, FELLAS, FELLAS ♪
♪ HA HA, I GOTTA GO, ALL RIGHT? ♪
♪ DON'T FEEL BAD, ALL RIGHT? ♪
♪ HEY, NO LONG FACES, HA HA ♪
♪ THINK OF ALL THE FUN WE HAD ♪
♪ I WANT TO THANK Y'ALL FOR MAKING ME FEEL WELCOME ♪
♪ IT REALLY, REALLY DID THE TRICK, ALL RIGHT? ♪
♪ OH, UH, BY THE WAY ♪
♪ SUCK MY QUIT ♪
[PRISONERS SHOUTING]
'I'LL KICK YOU"
'PUNK!' I'M SORRY.
[INDISTINCT CHATTER]
Play: WITH THAT MOTIVATION, YOU COULD HAVE RAPPED ALL NIGHT.
Kid: I'M JUST GLAD Y'ALL CAME THROUGH FOR ME FINALLY.
COME ON, MAN, WOULD I LET A HOMEBOY DOWN?
SO, UH, YOU WANT TO GO OUT NEXT WEEK?
OKAY.
GOOD.
CALL ME.
I WILL.
SHARANE. I DON'T GET A KISS?
A HUG? SOME FORM OF AFFECTION?
NO.
COME ON, SHARANE, STOP PLAYING.
SHARANE.
ANY LIPSTICK ON ME? YES! HA HA!
I KNEW IT. SMOOTH OPERATOR.
AH!
Bilal: BYE, SIDNEY.
DON'T SLOB TOO LOUD.
YOU DON'T WANT TO WAKE THE NEIGHBORS UP.
I'LL SEE YOU LATER.
BYE.
BYE-BYE.
[ENGINE REVVING]
KID, KID, KID!
THIS HAS BEEN YOUR NIGHT, BOY!
'CANNOT FRONT. YOU ARE THE DUDE.'
'THAT MUST'VE BEEN ONE HELL OF A WALK"
GIVE ME A DESCRIPTION, AND WHAT COLOR WERE THE PANTIES?
YES.
WE GOT INTO IT, BUT THEN, YOU KNOW, WE DIDN'T...
WHAT? SHE WAS ON HER PERIOD?
NO, NO, SHE WASN'T ON HER PERIOD. UH...
WHAT? WHAT'S UP?
I DIDN'T HAVE ANY RUBBERS.
HOLD UP. SHE WAS DOWN.
PLAY KNOWS THESE THINGS. SHE WAS DOWN.
AND I KNOW YOU WAS DOWN, AND YOU DIDN'T
'CAUSE YOU DIDN'T HAVE ANY BIRTH CONTROL?
LOOK, LET ME EXPLAIN...
WE'RE TALKING ABOUT FINE SIDNEY HERE.
GOOD HAIR. BANG!
DEF BODY! PA-POW!
THAT'S WHO WE'RE TALKING ABOUT, KID.
THAT ALL YOU'RE INTO? "GOOD HAIR. DEF BODY."
WHAT ARE YOU TALKING ABOUT? I LOOK AT THE FACE, TOO.
THAT'S FUNNY.
I'M JUST NOT ABOUT HAVING NO BABIES NOW.
YO, MAN, THAT'S HER PROBLEM.
YOU THE MAN. SHE'S GOT TO TAKE CARE OF THAT
OR JUST PAY THE PRICE. YOU OUT OF THERE.
HOW CAN YOU SAY THAT? YOU'RE NAIVE.
I'M NAIVE? YOU'RE A FREAKIN' DOG, AND YOU, TOO, ROVER.
I'M A DOG? YEAH, I'M A DOG.
YOU KNOW WHO YOU SOUND LIKE? YOU SOUND LIKE YOUR POPS.
YOUR AGE, YOU SHOULDN'T BE SOUNDING LIKE YOUR POPS.
YOU'VE GOT A PROBLEM.
YO, KID. KID. CHILL, CHILL FOR A MINUTE.
YO, CHILL, MAN, IT'S STILL EARLY,
I GOT THE CRIB, AND YOU WON'T BELIEVE
WHAT'S ON THE LATE SHOW.
KRUSH GROOVE ANDBEAT STREET.
OH, SHOOT, LET'S GO TO YOUR HOUSE NOW AND WATCH IT.
LOOK, I REALLY WOULD LIKE TO SEE THE MOVIE, MAN,
BUT I GOT TO GO. IT'S REALLY LATE.
TAPE IT, AND WE'LL WATCH IT TOMORROW?
ALRIGHT, PEACE OUT. PEACE OUT.
PEACE, BOY. PEACE.
HEY, YOU KNOW WHAT I LOVE WAS BREAKIN'.
I WONDER WHEN THAT SHOW'S COMING ON.
[ENGINE REVVING]
[SLOW INSTRUMENTAL MUSIC]
[CREAK]
[MUSIC CONTINUES]
Pop: I WOULDN'T DO THAT JUST YET...
'CAUSE YOUR ASS IS MINE.
Kid: POP, I CAN EXPLAIN.
Pop: I'M GONNA WHUP THAT DAMN HIGH-TOP FADE OFF OF YOU!
I DONE WORK TOO HARD AND TOO LONG... OW!
TO LET YOU RUN OVER ME, LIKE YOU OUTTA YOUR DAMN MIND.
I DONE WALK ALL ACROSS THIS DAMN CITY,
GOT STOPPED BY THE DAMN LAW... AAH!
POP!
ALL YOU KIDS OVER THERE JUST SLOW-DANCING... OW!
DOING THE GRIND, AND THE PEEPIN' AND THE HIDIN'.
I KNOW YOU WAS THERE, WASN'T YOU?
WASN'T YOU? WASN'T YOU? WASN'T YOU?
[BELT WHIPS]
I'M RUNNING THE SHOW.
I'M WEARIN' THE PANTS, APRON, AND I'M WEARIN' YOU OUT!
OOH!
UHH! OW!
UHH! YEOW!
UHH! OW!
I'M GONNA WHUP YOU TILL I GET SLEEPY.
AND I'M WIDE AWOKE'CAUSE I JUST WOKE UP. OW!
BECAUSE YOU'RE BIG AND YELLOW, I'M SUPPOSED TO BE LIKE MELLOW.
HELL, NO!
I'LL START A FIGHT IN AN EMPTY ROOM! OW!
YOU CAN CALL CHILD ABUSE IF YOU... IF YOU WANT TO!
BUT I'LL KICK THEM TOO.
UHH! AAH!
UHH! OW!
UHH! OOH!
I'M GONNA GIVE YOU A WHUPPIN' FROM NOW ON.
I'M GONNA WHUP THE COWBOY OUT FROM YOU.
DAMN, POP.
GET TO BED. AND DON'T WAKE UP TILL I TELL YOU TOO.
[MUSIC CONTINUES]
I DIDN'T KNOW THEY'RE THE REST OF THE COOKIES.
I'M SORRY.
MY GRANDMA'S 87 YEARS. SHE HASN'T MANY YEARS LEFT.
OKAY. I'M SORRY.
YOU DIDN'T HAVE TO FINISH THE REST OF THEM.
I DON'T KNOW HOW MANY YEARS I GOT LEFT WITH HER.
HEY, WE'RE GOOD THOUGH.
[SWOOSHING]
LOOK AT THAT.
[SWOOSHING CONTINUES]
AAH! AAH!
[RAP MUSIC]
♪ THEY COME FROM MILES AROUND TO CHECK OUT THE SOUND ♪
♪ WATCH THE WALLS COME TUMBLING DOWN ♪
♪ KID N PLAY IS THE PERFECT TEAM ♪
♪ NOW'S IT'S TIME TO LET OF SOME STEAM ♪
♪ DON'T BE BASHFUL NOW DON'T BE SHY ♪
♪ THIS AIN'T THE TIME TO WONDER WHY ♪
♪ YOU'RE NOT ON THE FLOOR WITH SOMEONE ELSE ♪
♪ DON'T BLAME US BLAME YOURSELF ♪
♪ IF YOU AIN'T GOT THE GUTS TO GET WITH IT ♪
♪ THE TIME IS NOW DON'T SIT, ADMIT ♪
♪ THIS IS THE PERFECT SITUATION TO TAKE A CHANCE IN ♪
♪ CAUSE THIS IS THE HOUSE THAT WE DANCE IN ♪
♪ GOOD AS GONE ♪
♪ FEEL GOOD I FEEL IT, I FEEL IT NOW ♪
♪ THEY'RE ALL DOWN ♪
♪ THIS PARTY'S AT THE FUNHOUSE ♪
♪ KEEP ON SINGING ♪
♪ NOW JUST GO LET THE BEAT FLOW ♪
♪ NOT YOU CROWE, I DON'T WANNA COME SEE YOUR FREAK SHOW ♪
♪ FLOW, SMOOTH NOT SLOW BE A DYNAMO ♪
♪ GETTIN' PLACES, SO IN YO ♪
♪ LET'S FLIP WHEN THE BEAT RIPS ♪
♪ WE HAS GOTTA GET THE WEED GOTTA DO THE TO IT ♪
♪ YOUR PLACE OR MINE? ANYWHERE'S JUST FINE ♪
♪ WHEN YOU'RE IN THE MOOD TO UNWIND ♪
♪ YOU FIND A GOOD TIME I'M LOOKING FOR A GREAT TIME ♪
♪ IF THAT'S TOO MUCH TO ASK THEN I'LL PASS ♪
♪ AND SETTLE FOR A NICE TIME ANYTIME'S THE RIGHT TIME ♪
♪ FOR A KID N PLAY RHYME RIGHT HERE'S JUST FINE ♪
♪ GOOD AS GONE ♪
♪ FEEL GOOD I FEEL IT, I FEEL IT NOW ♪
♪ THEY'RE ALL DOWN ♪
♪ THE PARTY'S AT THE FUNHOUSE ♪
♪ KEEP ON SINGING ♪
♪ THIS PARTY'S AT THE FUN HOUSE ♪
♪ ONLY A FEW MOMENTS LEFT TO STEP ♪
♪ BEST TO STEP TO HER IT'S YOUR LAST CHANCE TO DO HER ♪
♪ YOU WANTED TO KNOW WHAT THE GOOD LIFE IS ♪
♪ BY HER RHYMES KID N PLAY AND THE CUTS BY WIZ ♪
♪ JUST HYPE IT UP FOR THIS HERE CROWD ♪
♪ WE PROVES THAT WOULD MAKE FRED ASTAIRE ♪
♪ LAST CALL FOR ALCOHOL AT THE JAMBOREE ♪
♪ JUST GET OFF THE WALL AND JACKAGEE ♪
♪ JUST ROCK WHEN THE BEAT DROPS ♪
♪ WATCH THE CLOCK IT'S ALMOST TIME TO CLOSE UP SHOP ♪
♪ WE GOT TO HIP HOP HARDER ♪
♪ WHERE'S YOU AND STAN LOOK OUT FOR MY FATHER ♪
♪ KID MAKE SURE AIN'T NOTHING BEEN BROKEN ♪
♪ LAST RECORD YA'LL AND I'M HOPIN' WE DON'T GET CAUGHT ♪
♪ BECAUSE AM NOAH ♪
♪ IF MOM FINDS OUT I'M OVER ♪
♪ GOOD AS GONE ♪
♪ FEEL GOOD I FEEL IT, I FEEL IT NOW ♪
♪ THEY'RE ALL DOWN ♪
♪ THE PARTY'S AT THE FUNHOUSE ♪
♪ GOOD AS GONE ♪
♪ FEEL GOOD I FEEL IT, I FEEL IT NOW ♪
♪ THEY'RE ALL DOWN ♪
♪ THIS PARTY'S AT THE FUNHOUSE ♪
♪ GOOD AS GONE ♪
♪ FEEL GOOD I FEEL IT, I FEEL IT NOW ♪
♪ THEY'RE ALL DOWN ♪
♪ THE PARTY'S AT THE FUNHOUSE ♪
♪ KEEP ON SINGING ♪
♪ THIS PARTY'S AT THE FUN HOUSE ♪
[MUSIC FADES OUT]