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CHEERING AND APPLAUSE
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Yes, I am delighted to welcome
the wonderful St Vincent!
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00:00:32,280 --> 00:00:36,455
# On the street
I'm a king-size killer
4
00:00:36,480 --> 00:00:40,855
# I can make your kingdom come
5
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# On my feet
I'm an earthquake shaking
6
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# So open up, my little one
7
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# Hey, what are you looking at?
Ah
8
00:00:52,680 --> 00:00:54,735
# Who the hell do you think I am?
Ah
9
00:00:57,160 --> 00:00:59,455
# And what are you looking at?
Ah
10
00:01:01,000 --> 00:01:04,735
# Like you've never seen
a broken man
11
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# Lover, nail yourself right to me
12
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# If you go, I won't be well
13
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# I can hold my arms wide open
14
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# But I need you to drive the nail
15
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# Like, what are you looking at?
16
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# Who the hell do you think I am?
17
00:01:35,760 --> 00:01:37,655
# And what are you looking at?
18
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# Like you've never seen
a broken man
19
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#Ah
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#Ah
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# How do you see me now?
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#Ah
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# You built my tower to tear it down
24
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#Ah
25
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# But how could you see me now?
26
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#Ah
27
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# If I stopped cracking up myself
28
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# If I stopped cracking up
29
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# Who the hell do you think I am?
30
00:02:43,600 --> 00:02:46,055
# Like you've never seen
a broken man
31
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# Like you've never seen
a broken man
32
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# Like you've never seen it
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# HEY
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# Lover, nail yourself right to me
35
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# If you go, I won't be well
36
00:03:10,240 --> 00:03:14,935
# I can hold my arms wide open
37
00:03:14,960 --> 00:03:18,495
# I need you to drive the nail
38
00:03:18,520 --> 00:03:24,975
# What are you looking at?
39
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# Hey, hey, hey
40
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# What are you looking at?
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# Hey, hey, heY- #
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APPLAUSE
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00:04:02,000 --> 00:04:06,415
Yes, what a fantastic way
to start the show!
44
00:04:06,440 --> 00:04:08,175
In fact, I can't think
of a better way!
45
00:04:08,200 --> 00:04:09,375
Thank you!
46
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From Dallas, Texas - St Vincent!
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APPLAUSE
48
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Best start of the show
we've had for ages!
49
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That'll set the tone.
50
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We have an amazing
selection of guests.
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Are you ready to meet them?
CH EERING
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From Coventry, it's Pauline Black!
APPLAUSE
53
00:04:25,680 --> 00:04:27,975
From east Wales, Joe Webb!
APPLAUSE
54
00:04:30,520 --> 00:04:33,975
From New York, Arno'; Aflab'.
APPLAUSE
55
00:04:35,160 --> 00:04:38,975
From Maryland, by way of Liverpool,
Jalen Ngonda!
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APPLAUSE
57
00:04:40,600 --> 00:04:43,975
From Ghana, K.O.G!
APPLAUSE
58
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But now, from London and Paris,
Yannis 8; The Yaw!
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00:04:48,000 --> 00:04:49,975
APPLAUSE
60
00:05:12,000 --> 00:05:16,775
# Now between the Devil
and the deep blue sea
61
00:05:16,800 --> 00:05:20,855
# No rest for you
and no peace for me
62
00:05:20,880 --> 00:05:24,935
# You sail the sea
A far-out goal
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00:05:24,960 --> 00:05:28,975
# Flee a fire for all to see
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00:05:29,000 --> 00:05:32,975
# You break through wind
and you burn through bone
65
00:05:33,000 --> 00:05:36,655
# Look for a place that
you call your own
66
00:05:36,680 --> 00:05:38,335
# You once were king
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# But now you're beat
68
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# Long past the time to
concede defeat
69
00:05:48,200 --> 00:05:52,975
# Well, I walk through fire
and I walk through flame
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00:05:53,000 --> 00:05:57,135
# The city burns
while it says my name
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# I feel like war now
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00:05:58,960 --> 00:06:01,175
# I feel the heat
73
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# The time has come
to reclaim the street
74
00:06:12,440 --> 00:06:14,215
# Keep, keep, keep, keeping on
75
00:06:14,240 --> 00:06:16,455
# Keep, keep, keep, keep, keep,
keeping on, I keep
76
00:06:16,480 --> 00:06:18,255
# Keep, keep, keep, keeping on
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00:06:18,280 --> 00:06:20,775
# Keep, keep, keep, keep, keep,
keeping on, I keep
78
00:06:28,520 --> 00:06:33,455
# Now between the Devil
and the deep blue sea
79
00:06:33,480 --> 00:06:37,455
# No rest for you and
no peace for me
80
00:06:37,480 --> 00:06:41,255
# You stand your ground with
the powers that be
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# Flee under fire for all to see
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00:06:45,640 --> 00:06:49,695
# You break the windows
You burn the lines
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00:06:49,720 --> 00:06:53,215
# Lay waste the spires and
you walk back time
84
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# Start it over, start anew
85
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# Salvation comes but for the few
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00:07:08,920 --> 00:07:13,975
# Well, I walk through fire
and I walk through flame
87
00:07:14,000 --> 00:07:18,135
# The city burns while
it says my name
88
00:07:18,160 --> 00:07:21,975
# Feel the war now
Feel the heat
89
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# The time has come to
reclaim the street
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# I walk through fire
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00:07:31,960 --> 00:07:34,095
# I walk through flame
92
00:07:36,160 --> 00:07:38,135
# I walk through fire
93
00:07:39,960 --> 00:07:41,775
# You said my name
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00:07:44,200 --> 00:07:45,975
# You said my name
95
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# You said my name. #
96
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APPLAUSE
97
00:08:22,640 --> 00:08:24,975
Thank you, Yannis 8; The Yaw!
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00:08:25,000 --> 00:08:27,335
Yannis is of course
the front man of Foals
99
00:08:27,360 --> 00:08:29,535
but is here tonight with his
wonderful new project.
100
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Let's big up his amazing musicians!
101
00:08:31,400 --> 00:08:32,935
Yes!
APPLAUSE
102
00:08:34,920 --> 00:08:36,935
Including Dave Okumu, who's here
almost every week.
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00:08:36,960 --> 00:08:38,775
Marvellous to have him back.
104
00:08:38,800 --> 00:08:41,975
Next, over in this corner,
a man with an incredible voice
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who is here tonight performing
his latest single,
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Anyone In Love.
107
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Please welcomejalen Ngonda.
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CHEERING
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00:09:12,680 --> 00:09:14,935
# Anyone in love
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# Knows that you can't just leave
111
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# Roll up your sleeves and say bye
112
00:09:24,600 --> 00:09:28,255
# Knows that hearts break in two
113
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# This can happen to you
114
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# We all play the silly little games
115
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# Call each other names
116
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# And so
117
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# But those in love
118
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# Face each day that hits their eyes
119
00:09:51,000 --> 00:09:54,975
# And it comes with no surprise
that they
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# Could never let go
121
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# Oh, anyone in love
122
00:10:03,360 --> 00:10:06,655
# Fears the past is complete
123
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# No sign of repeating its joys
124
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# Feels each memory, each touch
125
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# But still ain't enough
126
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# Sometimes we look up at the moon
127
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# Hoping very soon
128
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# They'll come
129
00:10:31,760 --> 00:10:34,935
# But those in love
130
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# Spend each night and reminisce
131
00:10:39,160 --> 00:10:44,175
# The days when subtle kissing
was fun
132
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# But those days are gone
133
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# Oh, anyone in love
134
00:10:51,280 --> 00:10:53,935
# Hears a voice through the town
135
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# Though no-one's around at all
136
00:11:00,520 --> 00:11:04,375
# Nearly dies to the thought
137
00:11:04,400 --> 00:11:07,055
# Of a thrill that's lost
138
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# Anyone
139
00:11:26,280 --> 00:11:28,935
# Anyone in love
140
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# Take heed what I say
141
00:11:32,680 --> 00:11:36,575
# One of these days you'll learn
142
00:11:38,640 --> 00:11:41,375
# Those walks in the park
143
00:11:41,400 --> 00:11:44,535
# Will soon lose its spark
144
00:11:44,560 --> 00:11:49,615
# Anyone
145
00:11:49,640 --> 00:11:51,095
# Yeah
146
00:11:51,120 --> 00:11:53,935
#Oh
147
00:11:53,960 --> 00:11:55,375
# Anyone, oh, anyone
148
00:11:55,400 --> 00:11:57,295
# Oh, anyone, oh, babe
149
00:12:02,920 --> 00:12:07,455
# Anyone
150
00:12:07,480 --> 00:12:11,255
. #
151
00:12:13,520 --> 00:12:15,975
APPLAUSE
152
00:12:22,720 --> 00:12:23,975
What a voice!
153
00:12:25,320 --> 00:12:27,975
Jalen Ngonda!
154
00:12:28,000 --> 00:12:30,975
The wonderfuljalen Ngonda,
who can be seen on tour
155
00:12:31,000 --> 00:12:32,935
next year in Britain
and the Netherlands,
156
00:12:32,960 --> 00:12:34,295
all over Europe.
157
00:12:34,320 --> 00:12:36,295
In fact, I had a nice time
with him one night
158
00:12:36,320 --> 00:12:38,495
after a festival in Zurich.
What a marvellous man.
159
00:12:38,520 --> 00:12:40,935
Let's hear it once again!
Yes,Jalen Ngonda!
160
00:12:40,960 --> 00:12:42,975
APPLAUSE
161
00:12:47,440 --> 00:12:51,975
Now, in a moment I'll be talking
to a true icon of British music.
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00:12:52,000 --> 00:12:53,895
Before we meet her,
let's have a look
163
00:12:53,920 --> 00:12:57,935
at this fantastic footage
of Top Of The Pops in 1979.
164
00:12:57,960 --> 00:13:00,735
This is The Selecter
165
00:13:00,760 --> 00:13:03,735
# But when I switch on
I rotate the dial
166
00:13:03,760 --> 00:13:07,415
# I could see it there
driving him so wild
167
00:13:07,440 --> 00:13:10,975
# I bought my baby a red radio
168
00:13:11,000 --> 00:13:13,695
# He said he loved me
but he had to go
169
00:13:16,360 --> 00:13:24,360
# It's just the same old show
On my radio
170
00:13:28,200 --> 00:13:30,975
# On my radio
On my radio
171
00:13:31,000 --> 00:13:34,135
# On my radio... #
APPLAUSE
172
00:13:34,160 --> 00:13:37,775
That was... That was The Selecter.
173
00:13:37,800 --> 00:13:41,135
And I'm delighted to say this is
the wonderful Pauline Black.
174
00:13:41,160 --> 00:13:42,695
MY dear pau
175
00:13:48,600 --> 00:13:51,175
Er, so, welcome to the show.
176
00:13:51,200 --> 00:13:52,935
That was an amazing bit of archive.
177
00:13:52,960 --> 00:13:55,575
Top Of The Pops, 1979.
178
00:13:55,600 --> 00:13:58,415
Video evidence of 2-tone music
being born
179
00:13:58,440 --> 00:14:00,575
and coming into the mainstream.
180
00:14:00,600 --> 00:14:03,935
But first, we should pay tribute
to a very important person
181
00:14:03,960 --> 00:14:05,975
in that clip, Gaps Hendrickson.
182
00:14:06,000 --> 00:14:09,935
What were Gaps' qualities as
an artist and as a human?
183
00:14:09,960 --> 00:14:12,135
Oh, Gaps was just wonderful.
184
00:14:12,160 --> 00:14:14,335
I mean, he was such a gentleman.
185
00:14:14,360 --> 00:14:16,215
Er, he was...
186
00:14:16,240 --> 00:14:17,935
The way he rocked a suit,
187
00:14:17,960 --> 00:14:20,215
the way he performed onstage,
188
00:14:20,240 --> 00:14:21,615
it was just elegance itself.
189
00:14:21,640 --> 00:14:23,975
I miss him, absolutely.
190
00:14:24,000 --> 00:14:26,575
Yeah, it was very sad. We lost him
earlier this year. I know.
191
00:14:26,600 --> 00:14:29,295
But I tell you,
he was never so proud
192
00:14:29,320 --> 00:14:30,975
as when you came and visited him.
193
00:14:31,000 --> 00:14:33,695
Oh, it was... To the end,
he had fantastic vibrations.
194
00:14:33,720 --> 00:14:35,535
You can see it in that film. I know.
195
00:14:35,560 --> 00:14:37,935
You can see his energy,
his life force.
196
00:14:37,960 --> 00:14:39,655
And as soon as he was onstage,
197
00:14:39,680 --> 00:14:42,455
his movement would make
the whole stadium move.
198
00:14:42,480 --> 00:14:44,415
It was unbelievable, wasn't it?
No, no, he was wonderful.
199
00:14:44,440 --> 00:14:46,975
As one of the inventors
of 2-tone music,
200
00:14:47,000 --> 00:14:49,655
what do you think was
important about it?
201
00:14:49,680 --> 00:14:52,455
I think that it was important
because, really,
202
00:14:52,480 --> 00:14:55,295
we had got the idea of
multiculturalism -
203
00:14:55,320 --> 00:14:57,415
in our music, in the way
that we were,
204
00:14:57,440 --> 00:14:59,975
in the way that we were onstage,
offstage -
205
00:15:00,000 --> 00:15:02,255
long before anybody
in this country.
206
00:15:02,280 --> 00:15:04,335
I mean, everybody talks
about diversity
207
00:15:04,360 --> 00:15:06,095
and inclusivity these clays.
208
00:15:06,120 --> 00:15:09,215
But we were doing it back then,
and that's what it was about.
209
00:15:09,240 --> 00:15:11,975
It was melding musics together -
210
00:15:12,000 --> 00:15:16,575
using ska, the dance ability of ska,
but rock music as well.
211
00:15:16,600 --> 00:15:18,655
You know, having a touch
of Tamia in there,
212
00:15:18,680 --> 00:15:19,975
soul in there.
213
00:15:20,000 --> 00:15:21,655
Everything was just put
into the pot.
214
00:15:21,680 --> 00:15:23,975
Ancl it was just great, you know?
215
00:15:24,000 --> 00:15:28,855
Ancl as one of two lead singers who
were female within that genre -
216
00:15:28,880 --> 00:15:31,815
the other being Rhoda Dakar
of The Bodysnatchers -
217
00:15:31,840 --> 00:15:36,975
I mean, what a fantastic thing
for us to have memories of.
218
00:15:37,000 --> 00:15:40,935
Now, there's a wonderful new film,
Pauline Black: A 2-Tone Story.
219
00:15:40,960 --> 00:15:42,575
Let's have a little look at that.
220
00:15:47,520 --> 00:15:49,495
Right - hello, everybody.
221
00:15:49,520 --> 00:15:52,615
# Out on the streets again
222
00:15:52,640 --> 00:15:55,135
# Looking for something... #
223
00:15:55,160 --> 00:15:57,935
I think you grow
your identity over time.
224
00:15:57,960 --> 00:16:00,935
# I don't wanna care... #
225
00:16:02,560 --> 00:16:04,535
# I wanna have some fun. #
226
00:16:04,560 --> 00:16:06,975
When I look back over my life,
it feels full of scenes
227
00:16:07,000 --> 00:16:09,215
and stories, all knit together.
228
00:16:09,240 --> 00:16:11,095
# I feel like a roller-coaster. #
229
00:16:11,120 --> 00:16:13,735
This is howl used to feel in 1979.
230
00:16:13,760 --> 00:16:15,375
Black and blue.
231
00:16:17,760 --> 00:16:20,615
No-one notices a little black girl
sat in a room
232
00:16:20,640 --> 00:16:22,375
full of white older people.
233
00:16:24,200 --> 00:16:26,455
I was never going to be
a nice little white girl.
234
00:16:26,480 --> 00:16:28,815
APPLAUSE
235
00:16:28,840 --> 00:16:29,975
It really is...
236
00:16:30,000 --> 00:16:31,575
I mean, what a fantastic story.
237
00:16:31,600 --> 00:16:33,935
It's a social history of Britain.
238
00:16:33,960 --> 00:16:36,855
It's the story of music that was
being invented in a little place
239
00:16:36,880 --> 00:16:38,455
and then goes
around the world. Yeah.
240
00:16:38,480 --> 00:16:40,135
Where does your story begin?
241
00:16:40,160 --> 00:16:43,015
My story begins in 1953
242
00:16:43,040 --> 00:16:45,295
in Romford in Essex.
243
00:16:46,840 --> 00:16:49,055
We called it
Pauline Black: A 2-Tone Story
244
00:16:49,080 --> 00:16:52,335
because I am a two-tone story,
I mean, literally.
245
00:16:52,360 --> 00:16:53,975
You know, my father was Nigerian.
246
00:16:54,000 --> 00:16:59,535
My mother was Jewish and English
from this country and she had me
247
00:16:59,560 --> 00:17:02,615
in a mother-and-baby home, which
would be an unmarried mothers' home.
248
00:17:02,640 --> 00:17:05,495
Ancl from there I was
adopted into a white family,
249
00:17:05,520 --> 00:17:08,255
white working-class family,
in this country,
250
00:17:08,280 --> 00:17:14,335
so I grew up eavesdropping
on what white people thought.
251
00:17:14,360 --> 00:17:17,855
Ancl I have to say that
some of my family had some
252
00:17:17,880 --> 00:17:21,855
what we would call casual racist
views in those clays.
253
00:17:21,880 --> 00:17:25,055
So I was always looking.
254
00:17:25,080 --> 00:17:28,855
I was always looking
to see what I could find,
255
00:17:28,880 --> 00:17:34,255
if you like, in that family to take
forward and do something about.
256
00:17:34,280 --> 00:17:36,855
I don't like it that people
think that way.
257
00:17:36,880 --> 00:17:40,415
What happened here
in August when, you know,
258
00:17:40,440 --> 00:17:45,055
some of the people on the far-right
decided that it was OK to have
259
00:17:45,080 --> 00:17:48,375
those views and make them
very explicit again,
260
00:17:48,400 --> 00:17:53,655
I'm not going to sit here, having
dedicated 45 years of my life
261
00:17:53,680 --> 00:17:58,135
to fighting those ideas, to have
those resurrected upon the streets
262
00:17:58,160 --> 00:17:59,815
of this country.
263
00:17:59,840 --> 00:18:02,615
Ancl I don't think the British people
are interested in that either
264
00:18:02,640 --> 00:18:04,335
because, let's face it...
265
00:18:04,360 --> 00:18:06,855
CHEERING AND APPLAUSE
Thank you.
266
00:18:06,880 --> 00:18:08,255
I quite agree.
267
00:18:08,280 --> 00:18:12,535
People came out in their droves
and that was stopped.
268
00:18:12,560 --> 00:18:16,415
That was stopped. We have better
values than that in this country.
269
00:18:16,440 --> 00:18:17,735
Yeah.
270
00:18:17,760 --> 00:18:21,495
Now, going back to Coventry,
where the music came from,
271
00:18:21,520 --> 00:18:24,775
that was a different time
and a different place.
272
00:18:24,800 --> 00:18:27,215
When you first went
to Coventry, what was...
273
00:18:27,240 --> 00:18:29,575
When you were sent to Coventry!
274
00:18:29,600 --> 00:18:32,095
What was the stuff that
was going on?
275
00:18:32,120 --> 00:18:34,255
Well, there were all sorts of things
going on there.
276
00:18:34,280 --> 00:18:38,975
I mean, there were lots of people
who were getting into reggae bands.
277
00:18:39,000 --> 00:18:41,655
We'd got Steel Pulse in Birmingham.
278
00:18:41,680 --> 00:18:45,375
You know, everybody remembers,
who was black in this country,
279
00:18:45,400 --> 00:18:48,615
when you first saw Steel Pulse
and, you know,
280
00:18:48,640 --> 00:18:53,015
with the pillowcases on their heads
doing Ku Klux Klan, it was like,
281
00:18:53,040 --> 00:18:57,255
"Whoa, you can do that, can you?
"I didn't realise that."
282
00:18:57,280 --> 00:19:01,935
So, I mean, it was a hop, skip and
a jump, I suppose, for us to say,
283
00:19:01,960 --> 00:19:03,215
"Yeah, let's do that."
284
00:19:03,240 --> 00:19:04,855
But, I mean, at the same time,
285
00:19:04,880 --> 00:19:08,575
you had white folks who were
listening to ska music.
286
00:19:08,600 --> 00:19:11,935
Because it's a very small place,
Coventry - 350,000 people -
287
00:19:11,960 --> 00:19:13,935
so everyone went to school
with each other
288
00:19:13,960 --> 00:19:17,695
ancl they had their parents' records
if you'd come from Jamaica,
289
00:19:17,720 --> 00:19:21,175
and there they were, so we were
listening to that kind of thing,
290
00:19:21,200 --> 00:19:24,255
as well, but we really ran
with it in this country.
291
00:19:24,280 --> 00:19:26,255
As you said, very few women in it.
292
00:19:26,280 --> 00:19:27,655
Was that challenging for you?
293
00:19:27,680 --> 00:19:29,655
Um...
294
00:19:29,680 --> 00:19:33,575
It was challenging in respect of
the fact that I think that women
295
00:19:33,600 --> 00:19:38,175
join a band for entirely different
reasons for what boys join a band.
296
00:19:38,200 --> 00:19:40,135
I mean, you'd have
to tell me about that.
297
00:19:40,160 --> 00:19:43,015
What are those two different
reasons? Those different reasons?
298
00:19:43,040 --> 00:19:46,975
Well, I think largely it's
to drink a lot of beer,
299
00:19:47,000 --> 00:19:50,855
get laid and make some music.
Yes, but why do the boys join?
300
00:19:50,880 --> 00:19:52,615
LAUGHTER
301
00:19:52,640 --> 00:19:53,975
APPLAUSE
302
00:19:54,000 --> 00:19:55,895
I'll ask some of them.
You've been rehearsing that!
303
00:19:55,920 --> 00:19:57,855
You've been rehearsing that.
304
00:19:57,880 --> 00:20:00,855
Well, the film
Pauline Black: A 2-Tone Story
305
00:20:00,880 --> 00:20:02,575
has been showing
in theatres and cinemas
306
00:20:02,600 --> 00:20:04,495
with you doing
a question-and-answer session.
307
00:20:04,520 --> 00:20:06,935
You've got a couple more.
One in Exeter and Newcastle.
308
00:20:06,960 --> 00:20:09,335
Are you enjoying doing them?
Oh, they're fantastic.
309
00:20:09,360 --> 00:20:14,575
I mean, it's beyond my dreams as to
how people have received this film.
310
00:20:14,600 --> 00:20:18,775
It is just great and I'm just so, so
grateful to the London Film Festival
311
00:20:18,800 --> 00:20:20,975
and to Doc'n Roll Festival
for taking it on,
312
00:20:21,000 --> 00:20:22,375
all these wonderful dates.
313
00:20:22,400 --> 00:20:23,815
The Q&As have gone great.
314
00:20:23,840 --> 00:20:25,175
People really love it.
315
00:20:25,200 --> 00:20:26,855
They want to ask questions.
316
00:20:26,880 --> 00:20:30,015
You know,
here we are 45 years later,
317
00:20:30,040 --> 00:20:32,175
I want to answer those
questions for them.
318
00:20:32,200 --> 00:20:33,535
Thank you so much for joining us.
319
00:20:33,560 --> 00:20:35,615
Pauline Black, my dear old pal!
320
00:20:35,640 --> 00:20:37,015
CHEERING AND APPLAUSE
321
00:20:37,040 --> 00:20:39,095
Thank you, my darling. Well done.
322
00:20:40,480 --> 00:20:43,135
Thank you, Pauline Black.
323
00:20:43,160 --> 00:20:44,975
Marvellous to have her here.
324
00:20:46,080 --> 00:20:50,055
Now, with the title track
from his album Don't Take My Soul,
325
00:20:50,080 --> 00:20:53,335
from Ghana, we welcome K.O.G.
326
00:20:53,360 --> 00:20:55,895
CHEERING AND APPLAUSE
327
00:20:58,080 --> 00:21:01,495
CHANTS
328
00:21:25,760 --> 00:21:27,295
Ha!
329
00:21:30,400 --> 00:21:32,535
Yeah!
330
00:21:35,440 --> 00:21:37,655
Ya!
331
00:21:37,680 --> 00:21:39,495
# I don't dull
try to make it on my own
332
00:21:39,520 --> 00:21:41,175
# Live my very best
and I want my throne
333
00:21:41,200 --> 00:21:42,815
# I know reaping all the seeds I sow
334
00:21:42,840 --> 00:21:45,175
# Counting all my blessings
Let the Lord control my soul
335
00:21:45,200 --> 00:21:46,375
# Even though the lights go low
336
00:21:46,400 --> 00:21:48,655
# Even though I never been lost
never felt at home
337
00:21:48,680 --> 00:21:49,975
# Oh, Lord, carry this load
338
00:21:50,000 --> 00:21:52,335
# Oh, Lord, tell them
leave me alone, alone
339
00:21:54,200 --> 00:21:56,015
# Leave me alone, alone
340
00:21:57,560 --> 00:21:59,255
# Leave me alone, alone
341
00:22:00,800 --> 00:22:02,615
# Leave me alone, ah
342
00:22:02,640 --> 00:22:04,735
# Don't, don't, don't, ah
343
00:22:04,760 --> 00:22:08,975
# Don't take my soul,
don't take my soul
344
00:22:09,000 --> 00:22:10,335
# No-no, na
345
00:22:10,360 --> 00:22:11,935
# Don't take my soul
346
00:22:11,960 --> 00:22:17,015
# Don't take my soul,
don't take my soul
347
00:22:17,040 --> 00:22:19,055
# You can't take my
348
00:22:19,080 --> 00:22:23,615
# Don't take my soul,
don't take my soul
349
00:22:23,640 --> 00:22:25,335
# They wanna take my soul
350
00:22:25,360 --> 00:22:29,855
# Don't take my soul,
don't take my soul
351
00:22:29,880 --> 00:22:32,215
# All right, ya
352
00:22:32,240 --> 00:22:34,015
# In the morning
353
00:22:34,040 --> 00:22:35,895
# You hear the stories
354
00:22:35,920 --> 00:22:37,415
# Who know no go know
355
00:22:37,440 --> 00:22:39,575
# Don't you worry
356
00:22:39,600 --> 00:22:42,695
# They been talking,
your soul they wanting
357
00:22:42,720 --> 00:22:44,895
# They wanna take control
358
00:22:44,920 --> 00:22:46,775
# Eh, no-no happen
359
00:22:46,800 --> 00:22:50,975
# You no go take my life, ay-ay-ay
360
00:22:51,000 --> 00:22:53,175
# Dey push ago do something
361
00:22:53,200 --> 00:22:54,215
# I keep on
362
00:22:54,240 --> 00:22:57,455
# You no go take my life my hewale
363
00:22:57,480 --> 00:22:59,375
# Ago dey push ago
Do something
364
00:22:59,400 --> 00:23:00,575
# Don't take my
365
00:23:00,600 --> 00:23:05,815
# Don't take my soul,
don't take my so-o-o-oul
366
00:23:06,920 --> 00:23:12,095
# Don't take my soul
Don't take my-y-y
367
00:23:12,120 --> 00:23:13,815
# Don't take my
368
00:23:13,840 --> 00:23:20,015
# Don't take my soul,
don't take my so-o-o-oul
369
00:23:20,040 --> 00:23:21,695
# Ay, don't take
370
00:23:21,720 --> 00:23:25,535
# Don't take my soul,
don't take my so-o-o-oul... #
371
00:23:26,560 --> 00:23:28,415
Feel it!
372
00:23:52,600 --> 00:23:55,215
Yo! Ow!
373
00:23:55,240 --> 00:23:56,575
# Take my body, my soul will survive
374
00:23:56,600 --> 00:23:58,495
# On my time I live by my lie
375
00:23:58,520 --> 00:24:00,375
# By my side I feel the divine
376
00:24:00,400 --> 00:24:02,095
# By my side when
I'm reaching the sky
377
00:24:02,120 --> 00:24:03,895
# Caution, warn them
Tell them we rise
378
00:24:03,920 --> 00:24:05,495
# We don't watch nobody for life
379
00:24:05,520 --> 00:24:07,455
# Tell them we rise, no compromise
380
00:24:09,040 --> 00:24:11,935
# Don't take my soul,
don't take my soul
381
00:24:11,960 --> 00:24:13,575
# No, no
382
00:24:13,600 --> 00:24:15,735
# Never take mine
383
00:24:15,760 --> 00:24:19,415
# Don't take my soul,
don't take my soul
384
00:24:19,440 --> 00:24:22,655
# They wanna take,
they wanna take my
385
00:24:22,680 --> 00:24:26,215
# Don't take my soul,
don't take my soul
386
00:24:26,240 --> 00:24:29,335
# Oh, Lord, save my soul
387
00:24:29,360 --> 00:24:34,135
# Don't take my soul,
don't take my soul
388
00:24:35,520 --> 00:24:36,735
0w!
389
00:24:36,760 --> 00:24:42,375
# Don't take my soul,
don't take my soul. #
390
00:24:43,880 --> 00:24:47,135
CHEERING AND APPLAUSE
391
00:24:51,240 --> 00:24:53,095
How does he do it?
392
00:24:56,720 --> 00:24:58,415
Wonderful band. Wonderful singing.
393
00:24:58,440 --> 00:25:00,655
And them...
394
00:25:00,680 --> 00:25:01,855
...fantastic.
395
00:25:01,880 --> 00:25:04,615
Thanks, K.O.G!
396
00:25:04,640 --> 00:25:06,895
CHEERING AND APPLAUSE
397
00:25:09,480 --> 00:25:12,095
The opening of this show was
one of the most extraordinary
398
00:25:12,120 --> 00:25:14,415
we've witnessed, and I'm going to
talk to the person that
399
00:25:14,440 --> 00:25:18,335
opened the show for us -
the wonderful St Vincent!
400
00:25:18,360 --> 00:25:20,935
CHEERING AND APPLAUSE
401
00:25:20,960 --> 00:25:22,615
Lovely to see you.
402
00:25:22,640 --> 00:25:25,935
Now, that was one of the most
extraordinary openings
403
00:25:25,960 --> 00:25:27,455
we've ever had.
404
00:25:27,480 --> 00:25:29,335
Oh, thank you.
405
00:25:29,360 --> 00:25:33,335
I mean, actually, between K.O.G
and you, the acrobatic
406
00:25:33,360 --> 00:25:37,135
and the energy has been absolutely
the best I've ever seen.
407
00:25:37,160 --> 00:25:39,775
Let's have a round of applause
for that opening because...
408
00:25:39,800 --> 00:25:41,815
APPLAUSE
409
00:25:45,480 --> 00:25:47,615
And the song, of course,
is Broken Man.
410
00:25:47,640 --> 00:25:49,575
What inspired that song?
411
00:25:49,600 --> 00:25:52,095
I think what inspired that song
412
00:25:52,120 --> 00:25:57,375
is a full feeling that I've had.
413
00:25:57,400 --> 00:26:02,095
You know, it's like the high point
of feeling on top of the world,
414
00:26:02,120 --> 00:26:07,415
but then realising actually
what's beneath the sub-floor is...
415
00:26:09,120 --> 00:26:13,135
...is pain and sadness, and then how
you take that out is rage,
416
00:26:13,160 --> 00:26:14,535
so it's a very human...
417
00:26:14,560 --> 00:26:16,415
Right? Very human.
418
00:26:16,440 --> 00:26:19,895
Yes, and All Born Screaming,
your latest album, there's a song
419
00:26:19,920 --> 00:26:22,135
on there, I was thinking
of this, So Many Planets,
420
00:26:22,160 --> 00:26:23,695
which is another great song,
421
00:26:23,720 --> 00:26:27,535
but it's got almost like a little
bit of a 2-tone styling to it.
422
00:26:27,560 --> 00:26:30,575
Was 2-tone a music that ever
hit you when you were growing up?
423
00:26:30,600 --> 00:26:33,815
That particular song is 100%
424
00:26:33,840 --> 00:26:36,895
an homage to Pauline and Selecter
425
00:26:36,920 --> 00:26:38,495
and 2 Tone Records.
426
00:26:38,520 --> 00:26:42,575
I was like, "What if I tried
to do this but wrong?"
427
00:26:42,600 --> 00:26:45,055
And that's what the song became.
428
00:26:45,080 --> 00:26:47,055
And then it became right.
That's the thing with music.
429
00:26:47,080 --> 00:26:49,095
What's wrong turns out right.
430
00:26:49,120 --> 00:26:52,455
But I think the thing that the
people at home won't know about you,
431
00:26:52,480 --> 00:26:55,735
which I discovered when we
had a chat in the lockdown,
432
00:26:55,760 --> 00:26:58,055
was that you were doing some DIY.
433
00:26:58,080 --> 00:27:01,975
Was it for practical or
therapeutic purposes, the DIY?
434
00:27:02,000 --> 00:27:06,775
Well, it was for both, but if
you asked me how much it cost to
435
00:27:06,800 --> 00:27:11,455
undo the DIY that I did, that's
another conversation entirely.
436
00:27:11,480 --> 00:27:12,975
Don't tell me...
437
00:27:13,000 --> 00:27:15,415
The book shelves, did they stay up?
438
00:27:15,440 --> 00:27:16,935
I learned plumbing.
439
00:27:16,960 --> 00:27:18,735
I learned electrical.
That's what you were doing.
440
00:27:18,760 --> 00:27:22,415
Yeah, yeah, I mean, I learned
plumbing the hard way, as one does.
441
00:27:22,440 --> 00:27:24,855
Well, you're multi-talented. Thanks.
It's wonderful to have you here.
442
00:27:24,880 --> 00:27:27,255
What's the next thing you're going
to do for us at the end of the show?
443
00:27:27,280 --> 00:27:30,415
I'm going to play a song called Flea
with this incredible band here.
444
00:27:30,440 --> 00:27:32,775
They are a great band, aren't they?
Yeah. It's great to have you here.
445
00:27:32,800 --> 00:27:34,695
Thank you so much for joining us.
Thank you for having me.
446
00:27:34,720 --> 00:27:36,495
St Vincent!
447
00:27:36,520 --> 00:27:39,015
CHEERING AND APPLAUSE
448
00:27:43,560 --> 00:27:46,175
Wonderful to have
St Vincent in the studio.
449
00:27:47,400 --> 00:27:52,495
Next, a New York-based Pakistani
artist who has won a Grammy
450
00:27:52,520 --> 00:27:53,935
and toured the world.
451
00:27:53,960 --> 00:27:56,375
With a song from her latest album,
Night Reign -
452
00:27:56,400 --> 00:27:58,495
that "reign" like a king
and a queen would do -
453
00:27:58,520 --> 00:28:01,135
please welcome Arooj Aftab.
454
00:28:01,160 --> 00:28:04,375
CHEERING AND APPLAUSE
455
00:28:27,520 --> 00:28:31,775
# Raat ki rani
456
00:28:31,800 --> 00:28:36,375
# Aate he chaa gaye
457
00:28:36,400 --> 00:28:40,615
# Patata ye hoga
458
00:28:40,640 --> 00:28:44,215
# Leiken phir be
459
00:28:45,960 --> 00:28:49,815
# Raat ki rani
460
00:28:49,840 --> 00:28:55,055
# Aate he chaa gaye
461
00:28:55,080 --> 00:28:59,255
# Patata ye hoga
462
00:28:59,280 --> 00:29:03,295
# Leiken phir be
463
00:29:04,520 --> 00:29:08,495
# Chamak ti niga hoga
464
00:29:08,520 --> 00:29:12,615
# Houa kafi saamna
465
00:29:12,640 --> 00:29:17,895
# Beheljao uhse me
466
00:29:17,920 --> 00:29:21,295
# ltna hai kafi
467
00:29:22,640 --> 00:29:27,175
# Raat ki rani
468
00:29:27,200 --> 00:29:31,775
# Aate he chaa gaye
469
00:29:31,800 --> 00:29:36,255
# Patata ye hoga
470
00:29:36,280 --> 00:29:40,135
# Leiken phir be
471
00:30:35,440 --> 00:30:39,575
# Raat ki rani
472
00:30:39,600 --> 00:30:44,535
# Aate he chaa gaye
473
00:30:44,560 --> 00:30:48,615
# Patata ye hoga
474
00:30:48,640 --> 00:30:53,535
# Leiken phir be
475
00:30:53,560 --> 00:30:57,295
# Chamak ti niga hoga
476
00:30:57,320 --> 00:31:02,415
# Houa kafi saamna
477
00:31:02,440 --> 00:31:07,135
# Beheljao uhse me
478
00:31:07,160 --> 00:31:10,575
# ltna hai kafi
479
00:31:11,960 --> 00:31:15,935
# Raat ki rani
480
00:31:15,960 --> 00:31:20,655
# Aate he chaa gaye
481
00:31:20,680 --> 00:31:25,135
# Patata ye hoga
482
00:31:25,160 --> 00:31:30,495
# Leiken phir
483
00:31:30,520 --> 00:31:33,415
#Be.#
484
00:31:35,760 --> 00:31:38,535
CHEERING AND APPLAUSE
485
00:32:17,080 --> 00:32:19,055
# Troubled times
486
00:32:19,080 --> 00:32:24,255
# Running away from day to day
487
00:32:26,040 --> 00:32:32,895
# Low, we're hiding from the sky
488
00:32:32,920 --> 00:32:36,095
# The rain can't reach us
489
00:32:36,120 --> 00:32:40,775
# The fear of the day
490
00:32:47,880 --> 00:32:51,335
# Lord, when I hear you
491
00:32:51,360 --> 00:32:58,695
# The weight I carry go-o-o-oes
492
00:33:00,120 --> 00:33:06,095
# And the fear about the da-a-a-ay
493
00:33:29,680 --> 00:33:31,935
# Time will tell
494
00:33:31,960 --> 00:33:36,535
# If white horses in the sky
495
00:33:36,560 --> 00:33:38,295
# Will come
496
00:33:38,320 --> 00:33:40,135
# Take our eyes
497
00:33:40,160 --> 00:33:45,135
# Black tornados in the night
498
00:33:53,520 --> 00:33:56,375
# That weight that I feel
499
00:33:56,400 --> 00:34:03,335
# When I fly the field of go-o-o-old
500
00:34:04,640 --> 00:34:09,575
# No trouble up ahead
501
00:34:09,600 --> 00:34:12,575
# Oh, Lord, when I see you
502
00:34:12,600 --> 00:34:20,375
# All the weight I carry goes
503
00:34:21,840 --> 00:34:26,455
# The fear about my day
504
00:34:27,520 --> 00:34:29,015
# All alone
505
00:34:29,040 --> 00:34:32,855
# And a veil to carry me home
506
00:34:34,160 --> 00:34:37,615
# Will come, see my friends
507
00:34:37,640 --> 00:34:42,855
# Under the shadows of the pines
508
00:34:44,000 --> 00:34:46,375
# And in my time
509
00:34:46,400 --> 00:34:51,015
# With protection from the sky
510
00:34:52,160 --> 00:34:54,735
# Rain can't reach me
511
00:34:54,760 --> 00:34:59,095
# Or the fear of the day
512
00:34:59,120 --> 00:35:02,655
# Lord, take my weight
513
00:35:02,680 --> 00:35:06,335
# Give me a better day to day. #
514
00:35:50,040 --> 00:35:53,895
APPLAUSE AND CHEERING
515
00:35:56,560 --> 00:35:58,695
Thanks.
516
00:35:58,720 --> 00:36:01,895
Yannis 81 The Yaw,
with Rain Can't Reach Us.
517
00:36:03,200 --> 00:36:06,495
From their EP, Lagos Paris London.
518
00:36:06,520 --> 00:36:11,935
Now, Hamstrings And Hurricanes is
the new album of our next artist.
519
00:36:11,960 --> 00:36:14,575
He's an extraordinary young
pianist and writer,
520
00:36:14,600 --> 00:36:18,215
who can also illuminate
the works of the great masters.
521
00:36:18,240 --> 00:36:21,175
We're now going to hear
a medley of his own composition,
522
00:36:21,200 --> 00:36:24,095
Collblanc,
and Fats Waller's Squeeze Me.
523
00:36:24,120 --> 00:36:26,295
Please welcome joe Webb.
524
00:36:26,320 --> 00:36:28,855
APPLAUSE AND CHEERING
525
00:40:42,920 --> 00:40:46,015
APPLAUSE AND CHEERING
526
00:40:51,280 --> 00:40:53,815
Thank you. The wonderful,
amazing Joe Webb.
527
00:40:55,880 --> 00:40:58,415
Thank you to all my guests tonight,
and on the series.
528
00:40:58,440 --> 00:41:01,255
You can catch up on iPlayer
if you've missed anything.
529
00:41:01,280 --> 00:41:04,135
In the meantime, I hope
I'll see you on New Year's Eve
530
00:41:04,160 --> 00:41:05,655
for the...Hootenanny.
531
00:41:05,680 --> 00:41:07,095
AUDIENCE: Hootenanny!
532
00:41:07,120 --> 00:41:09,295
But for now let's
finish where we began,
533
00:41:09,320 --> 00:41:11,495
with the wonderful St Vincent!
534
00:41:11,520 --> 00:41:15,735
APPLAUSE AND CHEERING
535
00:41:15,760 --> 00:41:19,975
# I'm just like a hungry little flea
536
00:41:22,320 --> 00:41:26,855
#jumping on somebody's warm body
537
00:41:29,520 --> 00:41:33,975
# When you start to itch
and scratch and scream
538
00:41:36,320 --> 00:41:41,015
# Once I'm in,
you can't get rid of me
539
00:41:43,400 --> 00:41:47,695
# Once I'm in,
you can't get rid of me
540
00:41:49,720 --> 00:41:56,655
# Drip you in diamonds,
pour you in cream
541
00:41:56,680 --> 00:42:01,375
# You will be mine for eternity
542
00:42:03,600 --> 00:42:09,375
# Hair in my shears
Fall at your feet
543
00:42:10,640 --> 00:42:15,935
# You will be mine for eternity
544
00:42:18,040 --> 00:42:22,015
# When you're walking down
your sunny street
545
00:42:22,040 --> 00:42:25,175
# I got it
546
00:42:25,200 --> 00:42:29,255
# Thinking of your bills
or where to eat
547
00:42:29,280 --> 00:42:32,335
# I got it
Oh, I got it
548
00:42:32,360 --> 00:42:35,975
# Then you'll feel that little
prick from me
549
00:42:36,000 --> 00:42:39,175
# I got it
Oh, I got it
550
00:42:39,200 --> 00:42:43,295
# I look at you
and alll see is meat
551
00:42:45,400 --> 00:42:52,095
# Drip you in diamonds,
pour you in cream
552
00:42:52,120 --> 00:42:56,935
# You will be mine for eternity
553
00:42:59,160 --> 00:43:04,575
# I'll bring you china
Milk for your tea
554
00:43:06,160 --> 00:43:10,975
# You will be mine for eternity
555
00:44:33,320 --> 00:44:40,615
# Drip you in diamonds,
pour you in cream
556
00:44:40,640 --> 00:44:45,615
# You will be mine for eternity
557
00:44:46,960 --> 00:44:54,135
# Hair in my shears
Fall at your feet
558
00:44:54,160 --> 00:45:00,895
# You will be mine, my everything. #
559
00:45:03,680 --> 00:45:07,495
APPLAUSE AND CHEERING