1 00:00:11,020 --> 00:00:14,300 CHEERING AND APPLAUSE 2 00:00:14,340 --> 00:00:18,180 Welcome to the show. And welcome to The Divine Comedy. 3 00:00:18,220 --> 00:00:20,700 CHEERING AND APPLAUSE 4 00:00:30,060 --> 00:00:32,740 # I saw a man this morning 5 00:00:34,860 --> 00:00:37,980 # Standing on a foreign shore 6 00:00:40,460 --> 00:00:43,380 # From his eyes, tears were falling 7 00:00:45,900 --> 00:00:48,460 # As he made ready for war 8 00:00:50,980 --> 00:00:53,780 # He shouted out a warning 9 00:00:56,260 --> 00:00:59,020 # You slew my sweetest friend 10 00:01:01,820 --> 00:01:04,700 # And as sure as day is dawning 11 00:01:07,220 --> 00:01:10,380 # His death will be avenged 12 00:01:11,540 --> 00:01:16,180 # Was it so hard to die, Achilles 13 00:01:16,220 --> 00:01:16,900 # Was it so hard to die, Achilles 14 00:01:16,940 --> 00:01:20,580 # So very hard to die? 15 00:01:22,260 --> 00:01:26,820 # You know and I know not, Achilles 16 00:01:26,860 --> 00:01:27,100 # You know and I know not, Achilles 17 00:01:27,140 --> 00:01:32,140 # So much the happier I 18 00:01:32,180 --> 00:01:32,940 # So much the happier I 19 00:01:32,980 --> 00:01:37,460 # You breached the walls of Troy, Achilles 20 00:01:37,500 --> 00:01:38,100 # You breached the walls of Troy, Achilles 21 00:01:38,140 --> 00:01:42,740 # Slaughtered a thousand men 22 00:01:42,780 --> 00:01:43,300 # Slaughtered a thousand men 23 00:01:43,340 --> 00:01:48,100 # Patroclus is destroyed, Achilles 24 00:01:48,140 --> 00:01:49,340 # Patroclus is destroyed, Achilles 25 00:01:49,380 --> 00:01:53,220 # And can't come back again 26 00:02:08,500 --> 00:02:11,300 # I saw a man this morning 27 00:02:13,420 --> 00:02:16,620 # Trudging through a muddy field 28 00:02:18,420 --> 00:02:21,580 # From the sky, a shell was falling 29 00:02:24,180 --> 00:02:27,140 # With his name scratched in the steel 30 00:02:29,620 --> 00:02:32,060 # Lend him your shield, Achilles 31 00:02:34,420 --> 00:02:37,500 # Ask the gods to be his guide 32 00:02:39,900 --> 00:02:43,140 # All he has is "A Shropshire Lad" 33 00:02:44,980 --> 00:02:49,620 # With this poem scrawled inside 34 00:02:49,660 --> 00:02:53,940 # Was it so hard to die, Achilles 35 00:02:53,980 --> 00:02:54,620 # Was it so hard to die, Achilles 36 00:02:54,660 --> 00:02:58,300 # So very hard to die? 37 00:02:59,820 --> 00:03:04,580 # You know and I know not, Achilles 38 00:03:04,620 --> 00:03:05,500 # You know and I know not, Achilles 39 00:03:05,540 --> 00:03:09,860 # So much the happier I 40 00:03:09,900 --> 00:03:10,660 # So much the happier I 41 00:03:10,700 --> 00:03:15,180 # Look to the starry skies, Achilles 42 00:03:15,220 --> 00:03:15,660 # Look to the starry skies, Achilles 43 00:03:15,700 --> 00:03:20,500 # Look to the silver seas 44 00:03:20,540 --> 00:03:20,860 # Look to the silver seas 45 00:03:20,900 --> 00:03:25,820 # They do not live or die, Achilles 46 00:03:25,860 --> 00:03:27,460 # They do not live or die, Achilles 47 00:03:27,500 --> 00:03:30,100 # And neither do we 48 00:03:30,140 --> 00:03:32,940 # I saw a man this morning 49 00:03:35,180 --> 00:03:38,100 # He was turning 53 50 00:03:40,420 --> 00:03:43,500 # And his pampered mind was turning 51 00:03:45,580 --> 00:03:48,180 # To thoughts of mortality 52 00:03:50,980 --> 00:03:53,380 # One day I will be nothing 53 00:03:55,700 --> 00:03:58,500 # Think how funny that will feel 54 00:04:02,340 --> 00:04:04,420 # For we, the living 55 00:04:06,220 --> 00:04:08,980 # Death is the Achilles heel 56 00:04:22,660 --> 00:04:26,380 # Ah-ah-ah. # 57 00:04:26,420 --> 00:04:30,140 CHEERING AND APPLAUSE 58 00:04:30,180 --> 00:04:34,380 Wonderful to have them back on the show. Thank you, The Divine Comedy. 59 00:04:35,460 --> 00:04:37,540 Who are our guests? Should we meet them? 60 00:04:37,580 --> 00:04:39,660 CHEERING AND APPLAUSE 61 00:04:39,700 --> 00:04:41,820 From London, Sienna Spiro. 62 00:04:41,860 --> 00:04:44,540 CHEERING AND APPLAUSE 63 00:04:44,580 --> 00:04:46,860 From south-east London, Odeal. 64 00:04:46,900 --> 00:04:48,940 CHEERING AND APPLAUSE 65 00:04:48,980 --> 00:04:51,580 From Karratha, Australia, it is HAAi. 66 00:04:51,620 --> 00:04:53,380 CHEERING AND APPLAUSE 67 00:04:53,420 --> 00:04:56,220 From Arkansas, at the piano, it's Beth Ditto. 68 00:04:56,260 --> 00:05:01,460 From Newton-le-Willows, also at the piano, it's Rick Astley. 69 00:05:01,540 --> 00:05:06,380 But now, from Louisiana, we welcome Robert Finley! 70 00:05:06,420 --> 00:05:08,620 CHEERING AND APPLAUSE 71 00:05:25,420 --> 00:05:28,300 # Don't make me 72 00:05:28,340 --> 00:05:32,940 # Please, don't make me 73 00:05:37,860 --> 00:05:42,860 # Don't make me make a fool of myself 74 00:05:42,900 --> 00:05:43,140 # Don't make me make a fool of myself 75 00:05:44,860 --> 00:05:49,260 # Look like a clown in front of everybody else 76 00:05:49,300 --> 00:05:49,740 # Look like a clown in front of everybody else 77 00:05:51,100 --> 00:05:55,620 # But I can't help the way I feel 78 00:05:55,660 --> 00:05:55,740 # But I can't help the way I feel 79 00:05:57,420 --> 00:06:01,660 # I'm so glad to be here 80 00:06:05,020 --> 00:06:07,580 # I wanna thank You, Lord 81 00:06:07,620 --> 00:06:11,220 # So I just wanna thank the Lord 82 00:06:11,260 --> 00:06:14,780 # I wanna thank You 83 00:06:14,820 --> 00:06:17,700 # For my change in my life 84 00:06:17,740 --> 00:06:20,540 # I wanna thank You, Lord 85 00:06:20,580 --> 00:06:22,900 # I just wanna thank the Lord 86 00:06:29,060 --> 00:06:33,860 # You don't know what I've been through 87 00:06:33,900 --> 00:06:34,540 # You don't know what I've been through 88 00:06:34,580 --> 00:06:38,580 # The same person then made a way for you 89 00:06:40,420 --> 00:06:44,460 # That's who I, I've been talking to 90 00:06:45,740 --> 00:06:47,660 # When I say to myself 91 00:06:47,700 --> 00:06:51,940 # Oh, Lord, I just wanna thank You 92 00:06:51,980 --> 00:06:53,580 # Oh, Lord, I just wanna thank You 93 00:06:53,620 --> 00:06:56,460 # I wanna thank You, Lord 94 00:06:56,500 --> 00:06:59,740 # I just wanna thank the Lord 95 00:06:59,780 --> 00:07:02,860 # I wanna thank You 96 00:07:02,900 --> 00:07:06,140 # You can do anything 97 00:07:06,180 --> 00:07:09,260 # I wanna thank You, Lord 98 00:07:17,660 --> 00:07:22,780 # In the morning, if I wake 99 00:07:22,820 --> 00:07:23,780 # In the morning, if I wake 100 00:07:23,820 --> 00:07:27,780 # I pray for forgiveness for all my mistakes 101 00:07:29,940 --> 00:07:34,180 # But if You just get me through the night 102 00:07:35,620 --> 00:07:40,220 # I'll try to help somebody else get it right 103 00:07:42,340 --> 00:07:45,820 # Oh, Lord, on my own 104 00:07:48,420 --> 00:07:51,020 # Lord, I 105 00:07:51,060 --> 00:07:54,140 # Right here on your word 106 00:07:54,180 --> 00:07:58,900 # I got to do what you tell me to do 107 00:07:58,940 --> 00:07:59,140 # I got to do what you tell me to do 108 00:07:59,180 --> 00:08:02,180 # Right here on your word 109 00:08:02,220 --> 00:08:04,900 # And all my trust in You 110 00:08:04,940 --> 00:08:07,180 # I wanna thank You 111 00:08:07,220 --> 00:08:10,180 # I wanna thank You, Lord 112 00:08:10,220 --> 00:08:12,420 # I just wanna thank the Lord 113 00:08:13,500 --> 00:08:16,420 # I wanna thank You 114 00:08:17,380 --> 00:08:19,620 # For the change in my life 115 00:08:19,660 --> 00:08:22,980 # I wanna thank You, Lord 116 00:08:40,780 --> 00:08:43,100 # Lord, don't let the Devil stop me now 117 00:08:44,420 --> 00:08:47,460 # I wanna thank you, Lord 118 00:08:47,500 --> 00:08:49,340 # Mmm, yeah 119 00:08:50,660 --> 00:08:54,180 # I wanna thank you 120 00:08:54,220 --> 00:08:57,140 # I do 121 00:08:57,180 --> 00:08:59,500 # I wanna thank You, Lord 122 00:08:59,540 --> 00:09:02,300 # I just wanna thank you, Lord 123 00:09:02,340 --> 00:09:06,060 # I wanna thank You 124 00:09:06,100 --> 00:09:08,380 # You've been so good 125 00:09:09,940 --> 00:09:14,300 # You've been so-oh good. # 126 00:09:14,380 --> 00:09:17,020 CHEERING AND APPLAUSE 127 00:09:23,020 --> 00:09:24,740 I Wanna Thank You from his new album, 128 00:09:24,780 --> 00:09:27,020 Hallelujah! Don't Let The Devil Fool Ya. 129 00:09:27,060 --> 00:09:29,300 Thank you, Robert Finley. 130 00:09:29,340 --> 00:09:31,900 CHEERING AND APPLAUSE 131 00:09:33,780 --> 00:09:35,500 And now, just a few paces away, 132 00:09:35,540 --> 00:09:38,100 I go over to here and I can chat to the wonderful Rick Astley. 133 00:09:38,140 --> 00:09:40,700 Rick, welcome to the programme. Thank you. 134 00:09:40,740 --> 00:09:43,100 CHEERING AND APPLAUSE 135 00:09:43,140 --> 00:09:44,900 It's great to have you here, 136 00:09:44,940 --> 00:09:48,900 and since 1987, you've had number one records, 137 00:09:48,940 --> 00:09:53,100 sold millions of records, retired, made a triumphant return, 138 00:09:53,140 --> 00:09:56,940 and you're preparing for an arena tour next year.We are indeed. 139 00:09:56,980 --> 00:10:01,060 What can we expect to see?Same old nonsense. Excellent. 140 00:10:01,100 --> 00:10:02,460 Count me in, I'm coming. 141 00:10:03,860 --> 00:10:05,900 Well, obviously, you just said 1987. 142 00:10:05,940 --> 00:10:07,980 That feels like an aeon ago right now. 143 00:10:09,420 --> 00:10:13,780 But I still kind of get a real joy out of singing the old 144 00:10:13,820 --> 00:10:17,780 tunes as much as I do any new tunes that I've got. 145 00:10:17,820 --> 00:10:19,460 So, yeah, it's always a mix of that, really. 146 00:10:19,500 --> 00:10:21,660 I would never do a gig and not play Never Gonna Give You Up, 147 00:10:21,700 --> 00:10:24,180 because they'd take me outside and give me a good hiding, I think. 148 00:10:24,220 --> 00:10:26,620 APPLAUSE Thank you. 149 00:10:26,660 --> 00:10:30,100 And I would say - I really mean this - I think 150 00:10:30,140 --> 00:10:32,100 your voice is stronger than it's ever been.Thank you. 151 00:10:32,140 --> 00:10:35,260 When artists make a return, which you did, you sort of retired 152 00:10:35,300 --> 00:10:36,380 and went very quiet. 153 00:10:36,420 --> 00:10:38,100 But if they were good in the first place, 154 00:10:38,140 --> 00:10:40,340 their comeback is bigger than the "firstback", 155 00:10:40,380 --> 00:10:41,500 if you see what I mean. 156 00:10:41,540 --> 00:10:44,820 Yeah. Like Oasis. And that's what happened to you, isn't it? 157 00:10:44,860 --> 00:10:47,500 You went and retired and thought, "I'll come and do some more." 158 00:10:47,540 --> 00:10:50,580 And it's a phenomena that happens. People, they loved you even more. 159 00:10:50,620 --> 00:10:52,740 I think also I've got to rely on the fact, 160 00:10:52,780 --> 00:10:55,940 or I do rely on the fact, that I had some hits back in the day. 161 00:10:55,980 --> 00:10:58,020 And they are, if you want to call it, my bread and butter. 162 00:10:58,060 --> 00:11:00,820 They are why people come to the gigs. I'm not fooling myself. 163 00:11:00,860 --> 00:11:03,980 But I just think they've given me a really good spot to be, 164 00:11:04,020 --> 00:11:08,060 to be able to make some new music, where not 70% of the audience 165 00:11:08,100 --> 00:11:10,260 go to the bathroom when I sing a new song, you know what I mean? 166 00:11:10,300 --> 00:11:12,660 Those songs have sort of resonated with people. 167 00:11:12,700 --> 00:11:15,180 But I never fool myself into thinking, like I said, 168 00:11:15,220 --> 00:11:17,220 that I can get away with just playing new ones. 169 00:11:17,260 --> 00:11:19,660 And like I say, they bring a smile to my face, the old ones. 170 00:11:19,700 --> 00:11:22,380 Because I had a long break from it. I didn't sing them for 15 years. 171 00:11:22,420 --> 00:11:25,660 The only time I sang them was when I was a bit tipsy in the pub 172 00:11:25,700 --> 00:11:28,260 with someone and they made me over karaoke. 173 00:11:28,300 --> 00:11:31,100 Or I sang them at friends' weddings. But why did you stop? 174 00:11:31,140 --> 00:11:32,300 I'd just had enough of it. 175 00:11:32,340 --> 00:11:36,140 I mean, let's face it, this business is wonderful and glorious 176 00:11:36,180 --> 00:11:39,340 and beautiful, but it's also completely nonsense. 177 00:11:39,380 --> 00:11:41,500 And there's times, I think, in the pop end, where I was, 178 00:11:41,540 --> 00:11:45,820 I was in the really pointy, frothy pop end, it's super nonsense. 179 00:11:45,860 --> 00:11:48,220 It's just... But it's also, if you're in pop, 180 00:11:48,260 --> 00:11:50,420 it's the hardest thing to be in, because it's very competitive. 181 00:11:50,460 --> 00:11:53,180 Because if you're not in the charts, what do you do?Yeah, it did feel... 182 00:11:53,220 --> 00:11:55,540 Whereas if you're in a different genre of music, you don't 183 00:11:55,580 --> 00:11:58,900 have that sort of huge challenge hanging over you.I agree. 184 00:11:58,940 --> 00:12:03,020 And also, I was super lucky that my first song was a really big hit 185 00:12:03,060 --> 00:12:05,300 and it was number one in a lot of countries. 186 00:12:05,340 --> 00:12:07,260 And it's all been downhill from then. 187 00:12:07,300 --> 00:12:11,780 Literally, how do you repeat that? This being the very sort of depth... 188 00:12:11,820 --> 00:12:12,100 Literally, how do you repeat that? This being the very sort of depth... 189 00:12:12,140 --> 00:12:14,740 This moment now on this show is as low as we could get. 190 00:12:14,780 --> 00:12:18,580 The absolute depth, yeah. No, but, you're absolutely right. 191 00:12:18,620 --> 00:12:21,420 There's a sense of, "OK, we've got to match that." 192 00:12:21,460 --> 00:12:23,860 And we did have some hits after that first one, obviously, 193 00:12:23,900 --> 00:12:26,100 and I hung around for quite a few years. 194 00:12:26,140 --> 00:12:29,900 But you're right, it's a chart for a reason. 195 00:12:29,940 --> 00:12:31,540 There's a number one slot for a reason. 196 00:12:31,580 --> 00:12:33,820 And it can get a bit ugly, that, sometimes. 197 00:12:33,860 --> 00:12:35,140 We'll come onto this later in the show. 198 00:12:35,180 --> 00:12:36,380 You're going to do a song with us. 199 00:12:36,420 --> 00:12:37,980 Tell us about the song you're going to do 200 00:12:38,020 --> 00:12:39,540 and where you heard that first. Yeah. 201 00:12:39,580 --> 00:12:42,500 I think the first version I heard was Dean Martin did it. 202 00:12:42,540 --> 00:12:45,060 It's called You're Nobody Till Somebody Loves You. 203 00:12:45,100 --> 00:12:49,180 And obviously all those great singers from that period did 204 00:12:49,220 --> 00:12:50,620 different songs and they did them again 205 00:12:50,660 --> 00:12:52,100 and they did their own version of them 206 00:12:52,140 --> 00:12:53,940 and all the rest of it and they just kind of went round, didn't they? 207 00:12:53,980 --> 00:12:56,260 Everybody did it. But I guess the Dean Martin one... 208 00:12:56,300 --> 00:12:59,980 Frank did a great vision as well. Dinah Washington did it.Yeah. 209 00:13:00,020 --> 00:13:01,860 And we'll be trying it a bit later in the show. 210 00:13:01,900 --> 00:13:03,060 It's really great to have you. 211 00:13:03,100 --> 00:13:06,020 We'll look forward to hearing that song in a bit very much indeed. 212 00:13:06,060 --> 00:13:07,380 Thank you very much, Rick Astley. 213 00:13:07,420 --> 00:13:09,420 We look forward to hearing him in a moment. 214 00:13:09,460 --> 00:13:11,340 CHEERING AND APPLAUSE 215 00:13:12,820 --> 00:13:17,620 But next, a British-Nigerian artist who releases two EPs a year 216 00:13:17,660 --> 00:13:19,700 But next, a British-Nigerian artist who releases two EPs a year 217 00:13:19,740 --> 00:13:24,020 marking the seasonal changes. One for summer and one for winter. 218 00:13:24,060 --> 00:13:24,220 marking the seasonal changes. One for summer and one for winter. 219 00:13:24,260 --> 00:13:27,980 With London Summers, please welcome Odeal. 220 00:13:28,020 --> 00:13:31,100 CHEERING AND APPLAUSE 221 00:13:57,900 --> 00:14:02,020 # Oh-oh-oh-oh 222 00:14:02,060 --> 00:14:04,900 # Oh-oh 223 00:14:04,940 --> 00:14:07,020 # Oh 224 00:14:08,860 --> 00:14:11,340 # Oh-oh, oh-oh 225 00:14:14,460 --> 00:14:16,460 # It's for certain 226 00:14:16,500 --> 00:14:18,700 # Summer's outside 227 00:14:18,740 --> 00:14:20,740 # That's why we're dancing 228 00:14:20,780 --> 00:14:24,340 # Oh, no, no, no, no, no 229 00:14:24,380 --> 00:14:27,660 # Look at what we lost, baby 230 00:14:27,700 --> 00:14:29,300 # Oh 231 00:14:31,380 --> 00:14:33,180 # Somewhere else 232 00:14:33,220 --> 00:14:36,340 # Don't wanna be nowhere else 233 00:14:36,380 --> 00:14:40,340 # I got it all 234 00:14:40,380 --> 00:14:43,540 # Right here, right here 235 00:14:43,580 --> 00:14:47,940 # That's my obsession with you 236 00:14:47,980 --> 00:14:48,380 # That's my obsession with you 237 00:14:48,420 --> 00:14:52,500 # Always feels brand-new 238 00:14:52,540 --> 00:14:57,060 # There ain't nothing better now 239 00:14:57,100 --> 00:15:00,820 # Name me something better now 240 00:15:02,460 --> 00:15:05,940 # Feels brand-new 241 00:15:05,980 --> 00:15:09,900 # Always feels brand-new 242 00:15:09,940 --> 00:15:14,100 # There ain't nothing better now 243 00:15:14,140 --> 00:15:18,740 # Name me something better now 244 00:15:18,780 --> 00:15:18,860 # Name me something better now 245 00:15:20,300 --> 00:15:22,220 # Uh, got your name 246 00:15:22,260 --> 00:15:24,140 # Headed back to your place 247 00:15:24,180 --> 00:15:26,100 # I done fell in love with your face 248 00:15:26,140 --> 00:15:28,460 # Never get enough of your fragrance 249 00:15:28,500 --> 00:15:30,300 # If it's a slow thing, no, thanks 250 00:15:30,340 --> 00:15:32,500 # Unless it's a lips and slow dance 251 00:15:32,540 --> 00:15:34,980 # Cos I've been holding it down 252 00:15:35,020 --> 00:15:37,460 # So now that you're here, you've got to 253 00:15:37,500 --> 00:15:39,180 # Stay with me 254 00:15:39,220 --> 00:15:41,220 # Now I got you all to myself 255 00:15:41,260 --> 00:15:43,260 # That's why you gotta stay with me 256 00:15:43,300 --> 00:15:45,420 # I can't imagine you so far out 257 00:15:45,460 --> 00:15:47,980 # Like I said, you're the soundtrack 258 00:15:48,020 --> 00:15:49,980 # To bring me back in focus 259 00:15:50,020 --> 00:15:52,180 # If a London summer's pending 260 00:15:52,220 --> 00:15:56,260 # You're sure as hell to find me around 261 00:15:56,300 --> 00:16:00,380 # Always feels brand-new 262 00:16:00,420 --> 00:16:04,900 # There ain't nothing better now 263 00:16:04,940 --> 00:16:09,780 # Name me something better now 264 00:16:09,820 --> 00:16:10,100 # Name me something better now 265 00:16:10,140 --> 00:16:14,060 # Feels brand-new 266 00:16:14,100 --> 00:16:17,740 # Always feels brand-new 267 00:16:17,780 --> 00:16:21,780 # There ain't nothing better now, no, no 268 00:16:21,820 --> 00:16:24,660 # I'm missing on your touch 269 00:16:24,700 --> 00:16:26,620 # All I wanna do, all I wanna 270 00:16:26,660 --> 00:16:28,700 # Is go, baby, go, baby 271 00:16:28,740 --> 00:16:30,540 # All I wanna do, all I wanna do 272 00:16:30,580 --> 00:16:32,820 # Is go, baby, go, baby 273 00:16:32,860 --> 00:16:35,020 # All I wanna do, all I wanna do 274 00:16:35,060 --> 00:16:37,180 # Is go, baby, go, baby 275 00:16:37,220 --> 00:16:39,300 # All I wanna do, all I wanna do 276 00:16:39,340 --> 00:16:41,260 # All I wanna, wanna, I wanna 277 00:16:41,300 --> 00:16:43,260 # All I wanna do, wanna do, wanna do 278 00:16:43,300 --> 00:16:47,140 # Is go, baby, go, baby. # 279 00:16:47,180 --> 00:16:49,980 CHEERING AND APPLAUSE 280 00:17:07,340 --> 00:17:12,460 # You're nobody till somebody loves you 281 00:17:12,500 --> 00:17:15,020 # You're nobody till somebody loves you 282 00:17:18,180 --> 00:17:23,060 # You're nobody till somebody cares 283 00:17:23,100 --> 00:17:25,180 # You're nobody till somebody cares 284 00:17:29,380 --> 00:17:33,660 # You might be the king, you might possess 285 00:17:35,260 --> 00:17:39,820 # All the world and it's gold 286 00:17:39,860 --> 00:17:44,340 # But gold won't bring you happiness 287 00:17:44,380 --> 00:17:45,420 # But gold won't bring you happiness 288 00:17:45,460 --> 00:17:49,060 # Now you're growing old 289 00:17:49,100 --> 00:17:53,900 # Now the world remains the same 290 00:17:53,940 --> 00:17:53,980 # Now the world remains the same 291 00:17:54,020 --> 00:17:57,700 # You're never gonna change it 292 00:17:57,740 --> 00:17:59,860 # Change it 293 00:17:59,900 --> 00:18:04,500 # Just as sure as the stars shine above 294 00:18:04,540 --> 00:18:06,940 # Just as sure as the stars shine above 295 00:18:10,140 --> 00:18:15,140 # You're nobody till somebody loves you 296 00:18:15,180 --> 00:18:18,140 # You're nobody till somebody loves you 297 00:18:19,860 --> 00:18:24,700 # So find yourself somebody to love... # 298 00:18:24,740 --> 00:18:26,180 # So find yourself somebody to love... # 299 00:18:27,100 --> 00:18:29,020 Go find it, Jools. Go find it. 300 00:19:10,340 --> 00:19:14,660 # Now the world remains the same 301 00:19:14,700 --> 00:19:15,180 # Now the world remains the same 302 00:19:15,220 --> 00:19:19,020 # You're never gonna change it 303 00:19:19,060 --> 00:19:20,860 # Change it 304 00:19:20,900 --> 00:19:25,260 # Just as sure as the stars shine above 305 00:19:25,300 --> 00:19:29,180 # Just as sure as the stars shine above 306 00:19:31,140 --> 00:19:35,900 # You're nobody till somebody loves you 307 00:19:35,940 --> 00:19:39,060 # You're nobody till somebody loves you 308 00:19:40,860 --> 00:19:45,460 # So find yourself somebody to love 309 00:19:45,500 --> 00:19:46,700 # So find yourself somebody to love 310 00:19:46,740 --> 00:19:49,340 # Find yourself somebody 311 00:19:50,540 --> 00:19:55,020 I said find yourself somebody to love. # 312 00:19:55,060 --> 00:19:57,820 I said find yourself somebody to love. # 313 00:20:01,060 --> 00:20:04,620 CHEERING AND APPLAUSE 314 00:20:10,820 --> 00:20:13,500 The wonderful voice of Rick Astley. 315 00:20:13,540 --> 00:20:15,620 CHEERING AND APPLAUSE 316 00:20:16,860 --> 00:20:19,500 Dave Richardson and Dave Stewart. Lovely. 317 00:20:19,540 --> 00:20:22,180 Thanks very much indeed, Rick. What a lovely voice. 318 00:20:22,220 --> 00:20:25,820 So, that's just set me in the humour for our next artist. 319 00:20:25,860 --> 00:20:28,020 A producer, a songwriter, 320 00:20:28,060 --> 00:20:31,900 and a DJ who has just released her second album, HUMANiSE. 321 00:20:31,940 --> 00:20:36,460 Joined by south London artist KAM-BU. Please welcome HAAi. 322 00:20:36,500 --> 00:20:36,700 Joined by south London artist KAM-BU. Please welcome HAAi. 323 00:20:36,740 --> 00:20:39,860 CHEERING AND APPLAUSE 324 00:20:55,980 --> 00:20:59,740 # Never said I wouldn't try 325 00:20:59,780 --> 00:21:03,860 # Never was against it at all 326 00:21:03,900 --> 00:21:08,340 # You really held me as I was falling 327 00:21:08,380 --> 00:21:10,260 # You really held me as I was falling 328 00:21:10,300 --> 00:21:13,860 {\an8}# Never said I couldn't see 329 00:21:13,900 --> 00:21:18,180 {\an8}# The stars so clearly 330 00:21:18,220 --> 00:21:23,220 # I really held you as you were falling 331 00:21:23,260 --> 00:21:23,740 # I really held you as you were falling 332 00:21:29,340 --> 00:21:32,860 # And I can't read it 333 00:21:32,900 --> 00:21:36,660 # It's in my head 334 00:21:36,700 --> 00:21:39,980 # But I still breathe it 335 00:21:40,020 --> 00:21:42,940 # It's all I taste 336 00:21:46,220 --> 00:21:49,540 # But it's been a long time kicking round my mind 337 00:21:49,580 --> 00:21:53,020 # I'll let the dizziness fade 338 00:21:53,060 --> 00:21:58,180 # Still a long, long way till all my shit falls into place 339 00:22:00,620 --> 00:22:02,460 # It's a lucid dream 340 00:22:02,500 --> 00:22:06,780 # It's a final scene on the silver screen 341 00:22:06,820 --> 00:22:07,500 # It's a final scene on the silver screen 342 00:22:07,540 --> 00:22:12,100 # Still a long, long way till all my shit falls into place 343 00:22:12,140 --> 00:22:12,980 # Still a long, long way till all my shit falls into place 344 00:22:15,620 --> 00:22:17,860 # I'm living a lie, I'm living a dream 345 00:22:19,540 --> 00:22:21,100 # I'm feeling alive, I'm living it free 346 00:22:21,140 --> 00:22:22,860 # I'm sick of the sights, they're sicker than me 347 00:22:22,900 --> 00:22:24,980 # I'm wishing for highs to trigger my deeds 348 00:22:25,020 --> 00:22:26,580 # Still water's still deep 349 00:22:26,620 --> 00:22:28,580 # There's a lot they don't see on the surface 350 00:22:28,620 --> 00:22:30,420 # Trying to find a time for life's purpose 351 00:22:30,460 --> 00:22:31,660 # Not a wordsmith 352 00:22:31,700 --> 00:22:33,740 # Just a lion from the jungle they tamed in the circus 353 00:22:33,780 --> 00:22:35,660 # Still got no love for cages 354 00:22:35,700 --> 00:22:37,500 # Feel like we ain't spoke in ages 355 00:22:37,540 --> 00:22:38,860 # I see your face in the crowd 356 00:22:38,900 --> 00:22:41,060 # But it's mad cos you don't even know these places 357 00:22:41,100 --> 00:22:42,740 # I don't bestow my hatred 358 00:22:42,780 --> 00:22:44,500 # Feel like it's rogue to shapeshift 359 00:22:44,540 --> 00:22:49,260 # Shapeshift, shapeshift, shapeshift, shapeshift... 360 00:22:49,300 --> 00:22:49,620 # Shapeshift, shapeshift, shapeshift, shapeshift... 361 00:22:59,020 --> 00:23:00,900 # Still got no love for cages 362 00:23:00,940 --> 00:23:02,820 # Feel like we ain't spoke in ages 363 00:23:02,860 --> 00:23:04,540 # Still got no love for cages 364 00:23:04,580 --> 00:23:06,300 # Feel like we ain't spoke in ages 365 00:23:06,340 --> 00:23:08,140 # Still got no love for cages 366 00:23:08,180 --> 00:23:10,020 # Feel like we ain't spoke in ages 367 00:23:10,060 --> 00:23:13,500 # Still got no love for cages Still got no love for cages 368 00:23:43,420 --> 00:23:47,380 # And I can't read it 369 00:23:47,420 --> 00:23:50,820 # It's in my head 370 00:23:50,860 --> 00:23:54,580 # And I still breathe it 371 00:23:54,620 --> 00:23:58,140 # It's all I taste 372 00:23:58,180 --> 00:24:01,500 # And I still read it 373 00:24:01,540 --> 00:24:05,180 # It's in my head 374 00:24:05,220 --> 00:24:09,140 # And I can breathe it 375 00:24:09,180 --> 00:24:11,860 # It's all I taste 376 00:24:15,420 --> 00:24:19,100 # Never said I wouldn't try 377 00:24:19,140 --> 00:24:23,140 # Never was against it at all 378 00:24:23,180 --> 00:24:28,060 # You really held me as I was falling 379 00:24:28,100 --> 00:24:28,260 # You really held me as I was falling 380 00:24:29,700 --> 00:24:33,060 # Never said I couldn't see 381 00:24:33,100 --> 00:24:35,420 # The stars so clearly 382 00:24:37,580 --> 00:24:41,900 # I really held you as you were falling. # 383 00:24:41,940 --> 00:24:42,420 # I really held you as you were falling. # 384 00:24:45,300 --> 00:24:48,500 CHEERING AND APPLAUSE 385 00:24:54,020 --> 00:24:55,940 Shapeshift, 386 00:24:55,980 --> 00:24:57,660 featuring KAM-BU, 387 00:24:57,700 --> 00:24:59,100 thank you, HAAi! 388 00:25:04,420 --> 00:25:09,420 So, our next guest has been opening for Sam Smith on the American tour. 389 00:25:09,460 --> 00:25:12,260 So we now welcome her wonderful voice for the first 390 00:25:12,300 --> 00:25:13,980 time on British television. 391 00:25:14,020 --> 00:25:16,980 Please give it up for Sienna Spiro. 392 00:25:17,020 --> 00:25:20,420 CHEERING AND APPLAUSE 393 00:25:34,660 --> 00:25:39,260 # Got me to stay, said that you need me 394 00:25:39,300 --> 00:25:40,860 # Got me to stay, said that you need me 395 00:25:40,900 --> 00:25:45,660 # Stop, cos these words don't have a meaning 396 00:25:45,700 --> 00:25:46,100 # Stop, cos these words don't have a meaning 397 00:25:46,140 --> 00:25:50,980 # No, they don't, at least not to me 398 00:25:51,020 --> 00:25:53,500 # No, they don't, at least not to me 399 00:25:53,540 --> 00:25:58,420 # There'll be a day I'll be more creative 400 00:25:58,460 --> 00:25:59,620 # There'll be a day I'll be more creative 401 00:25:59,660 --> 00:26:04,780 # A poetic way to say I'm not leaving 402 00:26:04,820 --> 00:26:05,020 # A poetic way to say I'm not leaving 403 00:26:05,060 --> 00:26:10,100 # To the world, not to your face 404 00:26:10,140 --> 00:26:12,300 # To the world, not to your face 405 00:26:13,740 --> 00:26:15,340 # Oh 406 00:26:15,380 --> 00:26:19,660 # I'll take my pride, stand here for you 407 00:26:19,700 --> 00:26:21,380 # I'll take my pride, stand here for you 408 00:26:21,420 --> 00:26:26,020 # No, I'm not blind, just seeing it through 409 00:26:26,060 --> 00:26:27,340 # No, I'm not blind, just seeing it through 410 00:26:27,380 --> 00:26:32,420 # You take my life just for the thrill 411 00:26:32,460 --> 00:26:33,500 # You take my life just for the thrill 412 00:26:33,540 --> 00:26:38,780 # I'll take tonight and die on this hill 413 00:26:38,820 --> 00:26:39,940 # I'll take tonight and die on this hill 414 00:26:39,980 --> 00:26:45,180 # I always will 415 00:26:45,220 --> 00:26:45,380 # I always will 416 00:26:48,500 --> 00:26:53,660 # I know that I look stubborn and patient 417 00:26:53,700 --> 00:26:54,380 # I know that I look stubborn and patient 418 00:26:54,420 --> 00:26:58,980 # But you wrote the book, I just took a page out 419 00:26:59,020 --> 00:26:59,780 # But you wrote the book, I just took a page out 420 00:26:59,820 --> 00:27:04,260 # To be loved, to be loved and nothing more 421 00:27:04,300 --> 00:27:06,180 # To be loved, to be loved and nothing more 422 00:27:06,220 --> 00:27:09,220 # So you kept your word 423 00:27:09,260 --> 00:27:12,020 # Do you want a medal? 424 00:27:12,060 --> 00:27:17,060 # The way that someone leaves this world is all just levels 425 00:27:17,100 --> 00:27:17,340 # The way that someone leaves this world is all just levels 426 00:27:17,380 --> 00:27:22,340 # Tell me now, oh, tell me now 427 00:27:22,380 --> 00:27:27,380 # Tell me now, oh, tell me now 428 00:27:27,420 --> 00:27:31,900 # I'll take my pride, stand here for you 429 00:27:31,940 --> 00:27:33,100 # I'll take my pride, stand here for you 430 00:27:33,140 --> 00:27:38,300 # No, I'm not blind, just seeing it through 431 00:27:38,340 --> 00:27:38,860 # No, I'm not blind, just seeing it through 432 00:27:38,900 --> 00:27:43,580 # You take my life just for the thrill 433 00:27:43,620 --> 00:27:44,620 # You take my life just for the thrill 434 00:27:44,660 --> 00:27:48,940 # I'll take tonight and die on this hill 435 00:27:48,980 --> 00:27:50,700 # I'll take tonight and die on this hill 436 00:27:50,740 --> 00:27:55,300 # I always will 437 00:27:55,340 --> 00:27:56,420 # I always will 438 00:27:56,460 --> 00:27:59,460 # I'll be here the whole night 439 00:27:59,500 --> 00:28:02,340 # I'll be here cos I care 440 00:28:02,380 --> 00:28:04,780 # Yeah, I know you don't care 441 00:28:04,820 --> 00:28:08,620 # I know nothing could matter 442 00:28:08,660 --> 00:28:13,340 # God, I wish something mattered to you 443 00:28:13,380 --> 00:28:15,060 # God, I wish something mattered to you 444 00:28:16,660 --> 00:28:21,860 # I'll take my pride, stand here for you 445 00:28:21,900 --> 00:28:22,420 # I'll take my pride, stand here for you 446 00:28:22,460 --> 00:28:27,180 # No, I'm not blind, just seeing it through 447 00:28:27,220 --> 00:28:28,300 # No, I'm not blind, just seeing it through 448 00:28:28,340 --> 00:28:33,540 # You take my life just for the thrill 449 00:28:33,580 --> 00:28:33,620 # You take my life just for the thrill 450 00:28:33,660 --> 00:28:38,860 # Well, I'll take tonight and die on this hill 451 00:28:38,900 --> 00:28:40,140 # Well, I'll take tonight and die on this hill 452 00:28:40,180 --> 00:28:45,220 # I always, always 453 00:28:45,260 --> 00:28:47,980 # I always, always 454 00:28:49,380 --> 00:28:53,700 # I always will. # 455 00:28:53,740 --> 00:28:57,340 # I always will. # 456 00:28:59,980 --> 00:29:03,340 CHEERING AND APPLAUSE 457 00:29:36,940 --> 00:29:41,540 # The last time I saw the old man 458 00:29:41,580 --> 00:29:43,020 # The last time I saw the old man 459 00:29:46,940 --> 00:29:52,140 # He was moving very slowly 460 00:29:52,180 --> 00:29:53,140 # He was moving very slowly 461 00:29:55,180 --> 00:29:59,620 # And he didn't seem to know me 462 00:29:59,660 --> 00:30:02,740 # And he didn't seem to know me 463 00:30:08,620 --> 00:30:13,420 # His hands seemed so fragile and grey 464 00:30:13,460 --> 00:30:14,700 # His hands seemed so fragile and grey 465 00:30:18,580 --> 00:30:22,980 # I was worried I might break them 466 00:30:23,020 --> 00:30:25,540 # I was worried I might break them 467 00:30:26,900 --> 00:30:31,500 # Showed him pictures but he didn't understand 468 00:30:31,540 --> 00:30:33,940 # Showed him pictures but he didn't understand 469 00:30:33,980 --> 00:30:38,900 # The last time I saw the old man 470 00:30:38,940 --> 00:30:40,780 # The last time I saw the old man 471 00:31:24,380 --> 00:31:28,860 # The last time I saw the old man 472 00:31:28,900 --> 00:31:30,500 # The last time I saw the old man 473 00:31:34,100 --> 00:31:38,420 # He was talking very strangely 474 00:31:38,460 --> 00:31:42,660 # He was talking very strangely 475 00:31:42,700 --> 00:31:46,900 # In ever decreasing circles 476 00:31:46,940 --> 00:31:52,220 # In ever decreasing circles 477 00:31:52,260 --> 00:31:52,700 # In ever decreasing circles 478 00:31:56,060 --> 00:32:00,740 # His eyes looked on landscapes afar 479 00:32:00,780 --> 00:32:02,500 # His eyes looked on landscapes afar 480 00:32:05,620 --> 00:32:10,300 # Full of laughter and forgetting 481 00:32:10,340 --> 00:32:14,220 # Full of laughter and forgetting 482 00:32:14,260 --> 00:32:18,780 # As we left, the sun was setting on the land 483 00:32:18,820 --> 00:32:20,620 # As we left, the sun was setting on the land 484 00:32:23,420 --> 00:32:28,340 # The last time I saw the old man. # 485 00:32:28,380 --> 00:32:32,140 # The last time I saw the old man. # 486 00:33:19,100 --> 00:33:22,460 CHEERING AND APPLAUSE 487 00:33:24,540 --> 00:33:26,260 Sounding better than ever. 488 00:33:26,300 --> 00:33:29,140 The Last Time I Saw The Old Man from their recent top-five album, 489 00:33:29,180 --> 00:33:30,620 Rainy Sunday Afternoon. 490 00:33:30,660 --> 00:33:32,060 Thanks to Divine Comedy. 491 00:33:32,100 --> 00:33:34,860 CHEERING AND APPLAUSE 492 00:33:34,900 --> 00:33:38,260 And before that, we enjoyed very much Sienna Spiro. 493 00:33:38,300 --> 00:33:40,820 CHEERING AND APPLAUSE 494 00:33:40,860 --> 00:33:43,820 And now I'm really excited because an old friend of mine 495 00:33:43,860 --> 00:33:44,940 is back in the studio. 496 00:33:44,980 --> 00:33:47,380 We welcome Beth Ditto! 497 00:33:47,420 --> 00:33:49,780 CHEERING AND APPLAUSE 498 00:33:49,820 --> 00:33:53,380 Ah, hello. Lovely to see you. I ain't seen you in a minute. 499 00:33:53,420 --> 00:33:55,500 I'm so pleased that you're here. 500 00:33:55,540 --> 00:33:59,700 And in fact, not only are you here, but you've... First of all, welcome. 501 00:33:59,740 --> 00:34:02,780 Thank you. Because you have now moved to London. 502 00:34:02,820 --> 00:34:05,700 Yes. But how are you finding it? I love it here. 503 00:34:05,740 --> 00:34:09,180 I always feel homesick for it when I'm gone, so it's just nice to 504 00:34:09,220 --> 00:34:11,860 be out of the United States and it's nice to be here. 505 00:34:11,900 --> 00:34:14,100 So thanks for having me. It's a pleasure. 506 00:34:14,140 --> 00:34:15,700 APPLAUSE You're welcome. 507 00:34:15,740 --> 00:34:20,700 And, of course, now you've actually got a new series on BBC 6 Music. 508 00:34:20,740 --> 00:34:23,340 I do, yeah. Marvellous. What is it? 509 00:34:23,380 --> 00:34:27,900 Well, I think it's called Indie Disco, or something like that. 510 00:34:27,940 --> 00:34:29,580 I don't remember the name of it exactly. 511 00:34:29,620 --> 00:34:32,380 But I'm playing all of these songs from my heyday. 512 00:34:32,420 --> 00:34:34,380 I'm a 45-year-old woman now. 513 00:34:34,420 --> 00:34:36,460 So it's like songs from back in the day. 514 00:34:36,500 --> 00:34:37,940 But it's like... I don't know. 515 00:34:37,980 --> 00:34:41,380 But I get to play songs that I love from bands that I like, basically. 516 00:34:41,420 --> 00:34:43,500 And, basically, you've got the knowledge, you've got the love, 517 00:34:43,540 --> 00:34:45,820 so we're looking forward to hearing it.I get to play these songs. 518 00:34:45,860 --> 00:34:47,660 How great. And also... And talk. I love talking. 519 00:34:47,700 --> 00:34:49,820 Well, you're featuring on Nick Grimshaw's, who is a dear 520 00:34:49,860 --> 00:34:51,820 friend of the show. Nick Grimshaw's a marvel. 521 00:34:51,860 --> 00:34:55,140 But you're going to be on his show, I believe, as an agony aunt. 522 00:34:55,180 --> 00:34:56,780 Which is hilarious. What are your problems? 523 00:34:56,820 --> 00:34:59,500 You are the doyen of good manners, so can I throw some at you? 524 00:34:59,540 --> 00:35:00,700 SHE LAUGHS 525 00:35:00,740 --> 00:35:02,820 Me? You're the doyen of good manners. 526 00:35:02,860 --> 00:35:06,700 Oh, yes, I'm very, very well behaved... 527 00:35:06,740 --> 00:35:10,420 It's called.....polished, coached. ..What Would Beth Ditto Do, right? 528 00:35:10,460 --> 00:35:11,860 Yes. Yes. That's right. OK. 529 00:35:11,900 --> 00:35:14,260 So, boom, through the letterbox, you open it, 530 00:35:14,300 --> 00:35:19,020 it's an invitation to present an award to somebody you can't stand. 531 00:35:19,060 --> 00:35:22,700 Oh, I don't know if there's anybody I don't really like, really. 532 00:35:22,740 --> 00:35:23,780 I can figure out... 533 00:35:23,820 --> 00:35:26,460 I can always find something I don't like about anybody 534 00:35:26,500 --> 00:35:29,580 and something I like about people I don't... You know. 535 00:35:29,620 --> 00:35:31,060 I'm the same, I love everybody. 536 00:35:31,100 --> 00:35:33,500 But you do suck it up, because some day it might be your turn 537 00:35:33,540 --> 00:35:35,420 and they might not like you. But they've got to give it to you, yeah. 538 00:35:35,460 --> 00:35:37,420 That's right. You've got to love everybody. Correct answer. 539 00:35:37,460 --> 00:35:39,060 That's right. I mean, you don't got to love everybody, 540 00:35:39,100 --> 00:35:41,220 but you've got to get with them. Yeah, exactly. 541 00:35:41,260 --> 00:35:45,060 OK, so, I've got a second personal thing that does happen to me. 542 00:35:45,100 --> 00:35:47,260 I was heated. I'm so sorry, let me calm down. 543 00:35:47,300 --> 00:35:49,380 It's a small problem, this one. It's a very small problem.OK. 544 00:35:49,420 --> 00:35:51,220 But I go in often... World peace. What? 545 00:35:51,260 --> 00:35:53,820 I go into hotels, right. You do? 546 00:35:53,860 --> 00:35:55,340 Yeah, in the morning. I don't believe it. 547 00:35:55,380 --> 00:35:57,660 I'm on tour and I say, "A bit of toast and butter." 548 00:35:57,700 --> 00:35:59,540 The toast comes.OK. 549 00:35:59,580 --> 00:36:02,620 And then the cold butter comes here, and by the time the toast has 550 00:36:02,660 --> 00:36:05,380 come, you try and put the butter on it, it's cold. 551 00:36:05,420 --> 00:36:07,420 So you're trying to spread cold butter on cold bread. 552 00:36:07,460 --> 00:36:09,300 Therefore, the butter cannot infuse. 553 00:36:09,340 --> 00:36:11,860 When you say, "Sorry, can you do this again, 554 00:36:11,900 --> 00:36:14,820 "and as soon as it comes out the toaster, put the butter on?" "No." 555 00:36:14,860 --> 00:36:16,100 What do you do? No, this is what you do. 556 00:36:16,140 --> 00:36:17,380 You handle it yourself. 557 00:36:17,420 --> 00:36:19,100 You don't ask people to do your job for you. 558 00:36:19,140 --> 00:36:21,020 You get it done right doing it yourself the first time. 559 00:36:21,060 --> 00:36:22,460 So I should take it...? The butter comes, 560 00:36:22,500 --> 00:36:24,580 you've got your warm cup, you know, 561 00:36:24,620 --> 00:36:26,900 you've got your tea or your coffee, you set it beside that, 562 00:36:26,940 --> 00:36:30,140 your butter, then you put it on the toast. Voila, done. 563 00:36:30,180 --> 00:36:31,780 Thank you, simple as that. APPLAUSE 564 00:36:31,820 --> 00:36:34,540 Make my own toast. I've had this problem myself. Yeah. 565 00:36:34,580 --> 00:36:36,100 Make your own toast, that's right. 566 00:36:36,140 --> 00:36:37,620 Well, melt your own butter. 567 00:36:37,660 --> 00:36:39,060 My last question is this. 568 00:36:39,100 --> 00:36:41,500 If Beth Ditto... That's me. 569 00:36:41,540 --> 00:36:43,900 ..were appearing with me on the show, Jools, that's the two of us... 570 00:36:43,940 --> 00:36:45,420 Nice to meet you. Yeah, lovely. 571 00:36:45,460 --> 00:36:48,260 ..what would it be and why would you choose it?What? 572 00:36:48,300 --> 00:36:50,300 The song.The song... Oh. 573 00:36:50,340 --> 00:36:51,780 Well, this was really fun. 574 00:36:51,820 --> 00:36:54,580 We're doing a honky-tonk song by Kitty Wells. I love honky-tonk. 575 00:36:54,620 --> 00:36:56,060 I love honky-tonk, too. 576 00:36:56,100 --> 00:36:57,700 I was raised on it. 577 00:36:57,740 --> 00:37:00,940 I'd actually like to say that I wish my dad was around to see this, 578 00:37:00,980 --> 00:37:02,940 cos this is right up his alley 579 00:37:02,980 --> 00:37:05,460 and his birthday was the day before yesterday. Well, there you go. 580 00:37:05,500 --> 00:37:06,780 So, this is a really beautiful thing. 581 00:37:06,820 --> 00:37:09,340 So this is Kitty Wells and, you know, 582 00:37:09,380 --> 00:37:11,460 It Wasn't God Who Made Honky Tonk Angels. 583 00:37:11,500 --> 00:37:13,780 And I'm just so happy that you wanted to do it. 584 00:37:13,820 --> 00:37:15,940 I'd love to do it. Ready for it?Thanks, you guys. 585 00:37:15,980 --> 00:37:18,660 CHEERING 586 00:37:29,780 --> 00:37:34,380 # As I sit here tonight, the jukebox playing 587 00:37:34,420 --> 00:37:36,220 # As I sit here tonight, the jukebox playing 588 00:37:36,260 --> 00:37:40,740 # Tunes about the wild side of life 589 00:37:40,780 --> 00:37:41,580 # Tunes about the wild side of life 590 00:37:43,020 --> 00:37:48,140 # As I listen to the words you are saying 591 00:37:48,180 --> 00:37:48,340 # As I listen to the words you are saying 592 00:37:49,820 --> 00:37:54,540 # It brings mem'ries when I was a trusting wife 593 00:37:54,580 --> 00:37:55,820 # It brings mem'ries when I was a trusting wife 594 00:37:55,860 --> 00:38:00,900 # It wasn't God who made honky tonk angels 595 00:38:00,940 --> 00:38:03,140 # It wasn't God who made honky tonk angels 596 00:38:03,180 --> 00:38:08,380 # As you said in the words of your song 597 00:38:08,420 --> 00:38:09,300 # As you said in the words of your song 598 00:38:09,340 --> 00:38:13,660 # Too many times, married men think they're still single 599 00:38:13,700 --> 00:38:15,220 # Too many times, married men think they're still single 600 00:38:16,540 --> 00:38:21,100 # That has caused many a good girl to go wrong 601 00:38:21,140 --> 00:38:23,140 # That has caused many a good girl to go wrong 602 00:38:23,180 --> 00:38:24,140 # Woo, ooh... # 603 00:38:46,500 --> 00:38:47,940 It makes me so happy. 604 00:38:50,020 --> 00:38:55,100 # It's a shame that the blame is on us women 605 00:38:55,140 --> 00:38:55,340 # It's a shame that the blame is on us women 606 00:38:56,540 --> 00:39:01,460 # It's not true only you men feel the pain 607 00:39:01,500 --> 00:39:02,740 # It's not true only you men feel the pain 608 00:39:02,780 --> 00:39:07,860 # Right from the start, most every heart that's ever broken 609 00:39:07,900 --> 00:39:09,100 # Right from the start, most every heart that's ever broken 610 00:39:10,300 --> 00:39:15,300 # Was because there always was a man to blame 611 00:39:15,340 --> 00:39:15,940 # Was because there always was a man to blame 612 00:39:17,140 --> 00:39:21,660 # It wasn't God who made honky tonk angels 613 00:39:21,700 --> 00:39:23,220 # It wasn't God who made honky tonk angels 614 00:39:24,260 --> 00:39:29,100 # As you said in the words of your song 615 00:39:29,140 --> 00:39:30,260 # As you said in the words of your song 616 00:39:30,300 --> 00:39:35,460 # Too many times, married men think they're still single 617 00:39:35,500 --> 00:39:36,460 # Too many times, married men think they're still single 618 00:39:37,780 --> 00:39:42,900 # That has caused many a good girl to go wrong. # 619 00:39:42,940 --> 00:39:44,860 # That has caused many a good girl to go wrong. # 620 00:39:47,740 --> 00:39:49,180 Woo! 621 00:39:53,420 --> 00:39:56,420 CHEERING AND APPLAUSE 622 00:39:57,940 --> 00:39:59,260 We love you, Beth. 623 00:39:59,300 --> 00:40:00,980 Oh, I did my best. 624 00:40:05,900 --> 00:40:06,900 Thank you, Jules. 625 00:40:06,940 --> 00:40:10,460 A great joy to have Beth Ditto in this room. 626 00:40:10,500 --> 00:40:11,580 Beth Ditto! 627 00:40:11,620 --> 00:40:13,660 CHEERING 628 00:40:13,700 --> 00:40:16,460 And now, I'm delighted to welcome back the wonderful 629 00:40:16,500 --> 00:40:18,700 sound of Robert Finley. 630 00:40:48,900 --> 00:40:50,140 # Young man 631 00:40:51,380 --> 00:40:53,100 # Young man 632 00:40:53,140 --> 00:40:55,580 # I need to talk to you 633 00:40:55,620 --> 00:40:57,300 # I need to talk to you 634 00:40:58,780 --> 00:41:01,020 # I know 635 00:41:01,060 --> 00:41:02,500 # I know 636 00:41:02,540 --> 00:41:05,700 # You say you're old enough to do what you wanna do 637 00:41:05,740 --> 00:41:07,300 # What you wanna do 638 00:41:08,460 --> 00:41:12,380 # But I'm trying to tell you something 639 00:41:12,420 --> 00:41:15,660 # That you really do need to know 640 00:41:15,700 --> 00:41:18,980 # That you need to know 641 00:41:19,020 --> 00:41:23,860 # Just in case nobody never told you before 642 00:41:23,900 --> 00:41:25,220 # Just in case nobody never told you before 643 00:41:25,260 --> 00:41:26,900 # Told you before 644 00:41:28,140 --> 00:41:30,860 # You need to get up Get up 645 00:41:30,900 --> 00:41:33,660 # Off your behind Off your behind 646 00:41:33,700 --> 00:41:37,020 # And stop Stop 647 00:41:37,060 --> 00:41:39,660 # Wasting your time 648 00:41:39,700 --> 00:41:42,340 # Yeah Mmm 649 00:41:48,180 --> 00:41:51,620 # You're only in this world Only in this world 650 00:41:51,660 --> 00:41:54,580 You're only gonna live for so long 651 00:41:54,620 --> 00:41:57,780 # Live for so long 652 00:41:57,820 --> 00:42:01,460 # You see, everybody's gonna die one day 653 00:42:01,500 --> 00:42:04,660 # Whether they right or wrong 654 00:42:04,700 --> 00:42:07,300 # Right or wrong 655 00:42:07,340 --> 00:42:08,940 # You need to get up 656 00:42:11,220 --> 00:42:13,380 # Yeah, that you need to know 657 00:42:14,420 --> 00:42:16,180 # Own self back 658 00:42:18,420 --> 00:42:21,740 # Instead of you tryin' to raise your children, teach 'em right 659 00:42:21,780 --> 00:42:23,580 # You bought a Cadillac 660 00:42:23,620 --> 00:42:26,860 # Bought a Cadillac 661 00:42:26,900 --> 00:42:28,940 # You got to get up 662 00:42:28,980 --> 00:42:30,620 # Change Change your ways 663 00:42:30,660 --> 00:42:33,100 # Start doing right 664 00:42:33,140 --> 00:42:36,580 # Learn how to walk in the light Walk in the light 665 00:42:36,620 --> 00:42:39,980 # You got to Do 666 00:42:40,020 --> 00:42:42,540 # The best you can Best you can 667 00:42:42,580 --> 00:42:46,060 Come on, join, and give me a helping hand 668 00:42:46,100 --> 00:42:47,780 # Give me a helping hand 669 00:42:47,820 --> 00:42:52,060 # Get up off your ass 670 00:42:52,100 --> 00:42:52,380 # Get up off your ass 671 00:42:55,700 --> 00:42:57,220 # I tell you 672 00:43:00,260 --> 00:43:02,100 # You're growing up too fast 673 00:43:02,140 --> 00:43:03,700 # Too fast 674 00:43:05,340 --> 00:43:06,660 # Tell the truth 675 00:43:10,020 --> 00:43:12,300 # You got to tell the truth Tell the truth 676 00:43:32,780 --> 00:43:35,500 # Ooh 677 00:43:35,540 --> 00:43:37,620 # You're burnin' Burnin' 678 00:43:37,660 --> 00:43:39,860 # Smoking your weed Smoking your weed 679 00:43:39,900 --> 00:43:43,300 # Kids at home, they're in need 680 00:43:43,340 --> 00:43:47,100 # Babies in need 681 00:43:47,140 --> 00:43:49,740 # Got to stand up and be a man 682 00:43:49,780 --> 00:43:51,500 # Yeah 683 00:43:51,540 --> 00:43:54,780 # Give that woman a helping hand 684 00:43:54,820 --> 00:43:57,740 # Ooh-ooh-ooh. # 685 00:43:59,020 --> 00:44:02,540 CHEERING AND APPLAUSE 686 00:44:05,700 --> 00:44:09,460 Thank you, Robert Finley, and thank you to all of my wonderful guests 687 00:44:09,500 --> 00:44:10,940 tonight in the studio. 688 00:44:10,980 --> 00:44:12,980 Thank you to everybody. Have you had a lovely time? 689 00:44:13,020 --> 00:44:14,380 CHEERING 690 00:44:14,420 --> 00:44:16,540 And I hope you've enjoyed the show too at home. 691 00:44:16,580 --> 00:44:19,580 And if you have, if you'd like to go on iPlayer, you can 692 00:44:19,620 --> 00:44:22,820 catch up on all the shows from the last two series with all 693 00:44:22,860 --> 00:44:24,180 the wonderful guests that we've had. 694 00:44:24,220 --> 00:44:26,940 We will be back with the Hootenanny... 695 00:44:26,980 --> 00:44:28,780 CHEERING 696 00:44:28,820 --> 00:44:29,900 ..on New Year's Eve. 697 00:44:29,940 --> 00:44:32,980 In the meantime, let's enjoy The Divine Comedy. 698 00:44:34,020 --> 00:44:36,500 CHEERING AND APPLAUSE 699 00:44:56,220 --> 00:44:57,260 Woo. 700 00:45:02,820 --> 00:45:07,940 # Take the National Express when your life's in a mess 701 00:45:07,980 --> 00:45:11,100 # It'll make you smile 702 00:45:13,420 --> 00:45:16,100 # All human life is here 703 00:45:16,140 --> 00:45:20,780 # From the feeble old dear to the screaming child 704 00:45:20,820 --> 00:45:22,140 # From the feeble old dear to the screaming child 705 00:45:24,340 --> 00:45:29,300 # From the student who knows that to have one of those would be suicide 706 00:45:29,340 --> 00:45:32,740 # From the student who knows that to have one of those would be suicide 707 00:45:35,220 --> 00:45:37,820 # To the family man 708 00:45:37,860 --> 00:45:43,100 # Manhandling the pram with paternal pride 709 00:45:43,140 --> 00:45:44,100 # Manhandling the pram with paternal pride 710 00:45:44,140 --> 00:45:45,380 # And everybody sings 711 00:45:45,420 --> 00:45:48,340 # Ba-ba-ba-da, ba-da-ba-da Yeah 712 00:45:48,380 --> 00:45:50,700 # Ba-ba-ba-da, ba-da-ba-da Uh-huh 713 00:45:50,740 --> 00:45:53,700 # Ba-ba-ba-da, ba-da-ba-da All right 714 00:45:53,740 --> 00:45:55,740 # Ba-ba-ba-da, ba-da-ba-da 715 00:45:55,780 --> 00:46:00,100 # We're going where the air is free 716 00:46:00,140 --> 00:46:05,420 # We're going where the air is free 717 00:46:05,460 --> 00:46:05,820 # We're going where the air is free 718 00:46:07,740 --> 00:46:12,860 # On the National Express there's a jolly hostess 719 00:46:12,900 --> 00:46:13,100 # On the National Express there's a jolly hostess 720 00:46:13,140 --> 00:46:15,980 # Selling crisps and tea 721 00:46:18,540 --> 00:46:23,460 # She'll provide you with drinks and theatrical winks 722 00:46:23,500 --> 00:46:23,900 # She'll provide you with drinks and theatrical winks 723 00:46:23,940 --> 00:46:28,020 # For a sky-high fee Yeah 724 00:46:29,340 --> 00:46:34,100 # Mini-skirts were in style when she danced down the aisle 725 00:46:34,140 --> 00:46:35,100 # Mini-skirts were in style when she danced down the aisle 726 00:46:35,140 --> 00:46:38,020 # Back in '63 727 00:46:38,060 --> 00:46:40,140 # Yeah, yeah, yeah, yeah 728 00:46:40,180 --> 00:46:44,740 # But it's hard to get by when your arse is the size 729 00:46:44,780 --> 00:46:45,540 # But it's hard to get by when your arse is the size 730 00:46:45,580 --> 00:46:49,460 # Of a small country 731 00:46:49,500 --> 00:46:52,900 # And everybody sings Ba-ba-ba-da, ba-da-ba-da 732 00:46:52,940 --> 00:46:55,460 # Yeah Ba-ba-ba-da, ba-da-ba-da 733 00:46:55,500 --> 00:46:58,100 # Uh-huh Ba-ba-ba-da, ba-da-ba-da 734 00:46:58,140 --> 00:47:01,060 # All right Ba-ba-ba-da, ba-da-ba-da 735 00:47:01,100 --> 00:47:05,980 # We're going where the air is free 736 00:47:06,020 --> 00:47:11,100 # We're going where the air is free 737 00:47:12,500 --> 00:47:17,660 # Tomorrow Tomorrow belongs to me 738 00:47:17,700 --> 00:47:17,820 # Tomorrow Tomorrow belongs to me 739 00:47:17,860 --> 00:47:20,020 # Belongs to me 740 00:47:20,060 --> 00:47:22,620 # When you're sad and feeling blue 741 00:47:22,660 --> 00:47:25,140 # With nothing better to do 742 00:47:25,180 --> 00:47:27,980 # Well, don't just sit there feeling stressed 743 00:47:28,020 --> 00:47:32,540 # Take a little trip on the National Express 744 00:47:32,580 --> 00:47:33,300 # Take a little trip on the National Express 745 00:47:33,340 --> 00:47:36,620 # Yeah, yeah, yeah, yeah, yeah 746 00:47:40,300 --> 00:47:45,300 # On the National Express. # 747 00:47:45,340 --> 00:47:49,180 # On the National Express. # 748 00:47:49,220 --> 00:47:50,660 Woo! 749 00:47:50,700 --> 00:47:51,940 Come on, Tosh. Take me home. 750 00:48:14,660 --> 00:48:17,940 CHEERING AND APPLAUSE 751 00:48:20,100 --> 00:48:22,740 # I'm missin' on your touch 752 00:48:22,780 --> 00:48:25,900 # A-All I wanna do All I wanna do is go, baby 753 00:48:25,940 --> 00:48:27,180 # Go, baby 754 00:48:27,220 --> 00:48:30,300 # All I wanna do All I wanna do is go, baby 755 00:48:30,340 --> 00:48:31,460 # Go, baby 756 00:48:31,500 --> 00:48:34,500 # All I wanna do All I wanna do is go, baby 757 00:48:34,540 --> 00:48:35,740 # Go, baby 758 00:48:35,780 --> 00:48:37,860 # All I wanna do All I wanna do 759 00:48:37,900 --> 00:48:40,020 # All I wanna, wanna, I wanna 760 00:48:40,060 --> 00:48:43,020 # A-All I wanna do, wanna do, wanna do is go, baby 761 00:48:43,060 --> 00:48:44,180 # Go, baby. #