1
00:00:15,454 --> 00:00:18,054
CHEERING AND APPLAUSE
2
00:00:19,874 --> 00:00:23,574
Welcome to another show.
A fantastic line-up this evening.
3
00:00:23,614 --> 00:00:26,934
So, let us begin with Sam Smith!
4
00:00:49,254 --> 00:00:52,634
# He's all that I need
5
00:00:55,254 --> 00:00:58,714
# My morning star
6
00:01:01,314 --> 00:01:05,414
# Whenever he leaves
7
00:01:06,694 --> 00:01:10,554
# I know he won't be far
8
00:01:13,254 --> 00:01:16,954
# What more could I want?
9
00:01:18,654 --> 00:01:23,194
# And I always wanted more
10
00:01:26,254 --> 00:01:30,414
# Cos I didn't understand
11
00:01:30,454 --> 00:01:30,854
# Cos I didn't understand
12
00:01:30,894 --> 00:01:35,574
# What my heart was for
13
00:01:35,614 --> 00:01:35,734
# What my heart was for
14
00:01:35,774 --> 00:01:38,334
# Hm-mm
15
00:01:38,374 --> 00:01:41,614
# And like all good things
16
00:01:41,654 --> 00:01:45,774
# It caught me by surprise
17
00:01:45,814 --> 00:01:46,134
# It caught me by surprise
18
00:01:50,454 --> 00:01:55,054
{\an8}# You can dream he's yours
all you want
19
00:01:55,094 --> 00:01:56,114
{\an8}# You can dream he's yours
all you want
20
00:01:56,154 --> 00:02:01,174
# But he's mine, mine, mine
21
00:02:01,214 --> 00:02:05,254
# He's my guy
22
00:02:06,854 --> 00:02:11,114
# He's my guy
23
00:02:13,174 --> 00:02:16,274
# How could I know
24
00:02:17,934 --> 00:02:21,814
# That love could be this true?
25
00:02:24,614 --> 00:02:28,874
# And how'd I didn't know
26
00:02:28,914 --> 00:02:29,494
# And how'd I didn't know
27
00:02:29,534 --> 00:02:34,014
# A dance could be this slow?
28
00:02:34,054 --> 00:02:35,894
# A dance could be this slow?
29
00:02:37,054 --> 00:02:40,134
# Cos like all good things
30
00:02:40,174 --> 00:02:44,214
# It caught me by surprise
31
00:02:44,254 --> 00:02:45,094
# It caught me by surprise
32
00:02:46,514 --> 00:02:48,774
# Hm-mm
33
00:02:48,814 --> 00:02:53,494
# You can dream he's yours
all you want
34
00:02:53,534 --> 00:02:54,254
# You can dream he's yours
all you want
35
00:02:54,294 --> 00:02:58,594
# But he's mine, mine, mine
36
00:02:58,634 --> 00:02:59,254
# But he's mine, mine, mine
37
00:02:59,294 --> 00:03:01,554
# He's my guy
38
00:03:01,594 --> 00:03:04,994
# Ooh, ooh
39
00:03:05,034 --> 00:03:07,554
# He's my guy
40
00:03:07,594 --> 00:03:10,274
# Ooh, ooh
41
00:03:10,314 --> 00:03:13,394
# Hm-mm
42
00:03:13,434 --> 00:03:17,494
# You can dream it all you want,
but you can't have my boy
43
00:03:17,534 --> 00:03:19,354
# You can't have him
44
00:03:19,394 --> 00:03:22,394
# You can dream it all you want,
but you can't have my boy
45
00:03:22,434 --> 00:03:24,494
# You can try, try, try
46
00:03:24,534 --> 00:03:28,474
# You can dream it all you want,
but you can't have my boy
47
00:03:28,514 --> 00:03:30,334
# Try, try, try
48
00:03:30,374 --> 00:03:33,934
# You can dream it all you want,
but you can't have my boy
49
00:03:33,974 --> 00:03:37,094
# A breath of fresh air
50
00:03:37,134 --> 00:03:39,654
# Ooh, ooh
51
00:03:39,694 --> 00:03:42,174
# A rose on fire
52
00:03:42,214 --> 00:03:45,854
# Ooh, ohh
53
00:03:45,894 --> 00:03:50,854
# Oh, I could just stare
54
00:03:51,974 --> 00:03:57,054
# At him all the time, time, time
55
00:03:57,094 --> 00:03:59,254
# At him all the time, time, time
56
00:04:02,114 --> 00:04:06,294
# He's my guy
57
00:04:06,334 --> 00:04:07,214
# He's my guy
58
00:04:07,254 --> 00:04:11,414
# You can dream it all you want,
but you can't have my boy
59
00:04:11,454 --> 00:04:12,134
# You can dream it all you want,
but you can't have my boy
60
00:04:12,174 --> 00:04:13,754
# My guy
61
00:04:13,794 --> 00:04:17,774
# You can dream it all you want,
but you can't have my boy
62
00:04:17,814 --> 00:04:19,354
# My guy
63
00:04:19,394 --> 00:04:23,374
# You can dream it all you want,
but you can't have my boy
64
00:04:23,414 --> 00:04:25,214
# My guy
65
00:04:25,254 --> 00:04:29,894
# You can dream it all you want,
but you can't have my boy. #
66
00:04:29,934 --> 00:04:31,094
# You can dream it all you want,
but you can't have my boy. #
67
00:04:33,454 --> 00:04:36,814
CHEERING AND APPLAUSE
68
00:04:43,994 --> 00:04:47,254
The ravishing voice of Sam Smith
with My Guy.
69
00:04:47,294 --> 00:04:49,014
Sam Smith!
70
00:04:49,054 --> 00:04:51,454
CHEERING AND APPLAUSE
71
00:04:51,494 --> 00:04:54,054
I'll be discussing things with Sam
at the piano later on.
72
00:04:54,094 --> 00:04:55,474
Who are my guests this evening?
73
00:04:55,514 --> 00:04:57,654
We welcome, from Newcastle, Knats!
74
00:05:01,314 --> 00:05:03,654
From Hammersmith, West London,
75
00:05:03,694 --> 00:05:06,734
we're delighted to have back
in the studio, Arlo Parks!
76
00:05:09,494 --> 00:05:12,094
The queen of country pop
from Ontario, Canada,
77
00:05:12,134 --> 00:05:14,114
it is Shania Twain!
78
00:05:18,214 --> 00:05:21,974
But now, from Quebec,
Angine de Poitrine.
79
00:05:48,334 --> 00:05:49,874
TRACK:Go!
80
00:07:44,614 --> 00:07:47,614
TEMPO INCREASES
81
00:09:07,474 --> 00:09:09,974
# Go, go, go, go, go, go
82
00:09:10,014 --> 00:09:12,854
# Go, go, go, go, go, go
83
00:09:12,894 --> 00:09:14,894
# Go, go, go, go, go, go. #
84
00:10:23,234 --> 00:10:26,154
CHEERING AND APPLAUSE
85
00:10:30,134 --> 00:10:32,254
Angine de Poitrine!
86
00:10:34,634 --> 00:10:37,634
Who claim to be over 300 years old.
87
00:10:37,674 --> 00:10:40,134
You're over 300 years old, right?
88
00:10:40,174 --> 00:10:43,274
BAND-MATE GRUNTS AFFIRMATIVELY
Just checking. Thank you, Poitrine!
89
00:10:43,314 --> 00:10:45,814
Yes! Angine de Poitrine,
over 300 years old.
90
00:10:45,854 --> 00:10:50,294
Now, I don't bandy the word "legend"
around just like all over the place,
91
00:10:50,334 --> 00:10:51,294
Now, I don't bandy the word "legend"
around just like all over the place,
92
00:10:51,334 --> 00:10:52,834
but I'm going to use it now
93
00:10:52,874 --> 00:10:55,674
because we're going to welcome
the queen of country pop,
94
00:10:55,714 --> 00:10:57,494
the legendary Shania Twain!
95
00:10:57,534 --> 00:11:00,134
CHEERING AND APPLAUSE
96
00:11:01,394 --> 00:11:04,054
So nice to have you
here in the studio with us.
97
00:11:04,094 --> 00:11:06,214
Such a great honour and a thrill
for us all.
98
00:11:06,254 --> 00:11:07,954
We're excited to get you here.
99
00:11:07,994 --> 00:11:11,974
And you've been the biggest
top selling female country pop artist
100
00:11:12,014 --> 00:11:13,394
of all time,
101
00:11:13,434 --> 00:11:16,054
but you've got a brand-new album,
Little Miss Twain,
102
00:11:16,094 --> 00:11:20,034
that's coming out in July, which
takes us right back to the beginning.
103
00:11:20,074 --> 00:11:22,554
Who was Little Miss Twain?
104
00:11:22,594 --> 00:11:26,214
Little Miss Twain
was a little girl of eight years old
105
00:11:26,254 --> 00:11:28,874
who started singing in bars -
106
00:11:28,914 --> 00:11:31,714
smoky, pub-type places...
107
00:11:32,934 --> 00:11:37,474
..singing my grandparents'
country music, country and western.
108
00:11:37,514 --> 00:11:38,774
..singing my grandparents'
country music, country and western.
109
00:11:39,854 --> 00:11:44,194
And this Little Miss Twain
collection of songs
110
00:11:44,234 --> 00:11:47,574
is a reflection from
the beginning of those days
111
00:11:47,614 --> 00:11:49,794
all the way through
to when I got signed
112
00:11:49,834 --> 00:11:52,794
to my international record deal
in Nashville, Tennessee,
113
00:11:52,834 --> 00:11:54,494
which was the ultimate dream.
114
00:11:54,534 --> 00:11:56,894
But that only happened
in my late 20s.
115
00:11:56,934 --> 00:12:00,414
So, there's this whole span of time
that Little Miss Twain is...
116
00:12:01,954 --> 00:12:04,174
..the record Little Miss Twain
is all about.
117
00:12:04,214 --> 00:12:09,254
Wow. Did you say your first-ever gig,
ever, you were eight years old?
118
00:12:09,294 --> 00:12:09,774
Wow. Did you say your first-ever gig,
ever, you were eight years old?
119
00:12:09,814 --> 00:12:12,454
Well, that was
my first professional gig. Wow.
120
00:12:12,494 --> 00:12:15,894
So, the first time I was ever paid
for singing, I was eight years old!
121
00:12:15,934 --> 00:12:18,694
It's quite a thing.
That's a remarkable achievement.
122
00:12:18,734 --> 00:12:20,334
That really is. Imagine that.
123
00:12:20,374 --> 00:12:22,134
And you must've been, sort of...
124
00:12:22,174 --> 00:12:24,774
How did you fit behind the guitar?
125
00:12:24,814 --> 00:12:28,354
OK, so I was a little...
I was tiny,
126
00:12:28,394 --> 00:12:29,934
and when I came up onstage
127
00:12:29,974 --> 00:12:32,494
with all the other adults
that were performing,
128
00:12:32,534 --> 00:12:35,194
the microphone had to come down
like this.
129
00:12:35,234 --> 00:12:37,514
JOOLS LAUGHS
130
00:12:37,554 --> 00:12:39,374
So, I had these photos,
131
00:12:39,414 --> 00:12:42,614
and this was all part of
my reflection, or looking back at...
132
00:12:42,654 --> 00:12:45,934
These photos where
the guitar was bigger than me
133
00:12:45,974 --> 00:12:48,774
and the microphone
was always falling down!
134
00:12:48,814 --> 00:12:50,974
Just a little sort of head
behind the guitar.
135
00:12:51,014 --> 00:12:52,674
I'm singing up to the microphone.
136
00:12:54,174 --> 00:12:57,174
It's all been
a really beautiful reflection,
137
00:12:57,214 --> 00:13:01,554
and I had a very long career
as a cover singer in bars
138
00:13:01,594 --> 00:13:03,134
and I had a very long career
as a cover singer in bars
139
00:13:03,174 --> 00:13:06,814
before I was signed
as a recording artist, so...
140
00:13:06,854 --> 00:13:09,894
You must have learnt
a lot of your craft
141
00:13:09,934 --> 00:13:11,534
singing in those bars,
142
00:13:11,574 --> 00:13:13,914
both as a performer,
but as a songwriter as well,
143
00:13:13,954 --> 00:13:15,454
doing songs with other people.
144
00:13:15,494 --> 00:13:18,014
Yes, and thank you
for bringing that up,
145
00:13:18,054 --> 00:13:21,454
because all the years
of being a cover singer
146
00:13:21,494 --> 00:13:26,194
made me crave for...
to sing my own songs -
147
00:13:26,234 --> 00:13:26,254
made me crave for...
to sing my own songs -
148
00:13:26,294 --> 00:13:29,654
the way Joni Mitchell did
and the way Dolly Parton did
149
00:13:29,694 --> 00:13:31,914
and Bob Dylan.
150
00:13:31,954 --> 00:13:36,454
So, I was building up my craft
151
00:13:36,494 --> 00:13:36,974
So, I was building up my craft
152
00:13:37,014 --> 00:13:40,134
in my bedroom during the day
153
00:13:40,174 --> 00:13:43,274
and then going to the bars
and singing cover songs at night.
154
00:13:43,314 --> 00:13:45,054
But when you signed you record deal,
155
00:13:45,094 --> 00:13:47,454
you said, "I'm going to do
my own songs now," right?
156
00:13:47,494 --> 00:13:50,074
I did not go on tour with...
157
00:13:50,114 --> 00:13:52,434
From when I was signed
to my record label,
158
00:13:52,474 --> 00:13:56,214
I did not go on tour until
I could sing my own original music.
159
00:13:56,254 --> 00:13:58,394
That was my promise to myself,
160
00:13:58,434 --> 00:14:00,694
that I would never sing
a cover song again!
161
00:14:00,734 --> 00:14:03,454
Never say never, but...
Also, I've got to ask you this.
162
00:14:03,494 --> 00:14:07,214
Some people, musicians,
have unusual but secret passions.
163
00:14:07,254 --> 00:14:10,314
Is there any particular thing
you have? Do you collect something?
164
00:14:10,354 --> 00:14:13,754
Do you paint? Is there a secret,
quiet, passion that you have?
165
00:14:13,794 --> 00:14:16,514
I have a lot of secrets.
I'm happy to share them,
166
00:14:16,554 --> 00:14:18,214
but we don't have all night.
167
00:14:18,254 --> 00:14:20,374
OK. A secret we can share -
168
00:14:20,414 --> 00:14:22,514
that's my kind of a secret.Yeah.
169
00:14:22,554 --> 00:14:25,474
OK, this is definitely something
170
00:14:25,514 --> 00:14:28,474
that only my husband
ever discovered, really.
171
00:14:28,514 --> 00:14:32,814
Blimey.Sometimes I will visit
my horses in the night.
172
00:14:32,854 --> 00:14:36,174
Blimey.Sometimes I will visit
my horses in the night.
173
00:14:36,214 --> 00:14:37,874
When I can't sleep, I will go
174
00:14:37,914 --> 00:14:40,314
with them in the field
and I will sit with them
175
00:14:40,354 --> 00:14:42,494
and fall asleep with them.
176
00:14:44,694 --> 00:14:47,814
It's...a beautiful thing.
177
00:14:47,854 --> 00:14:51,134
It's a great therapy and he'll just
come find me at three in the morning
178
00:14:51,174 --> 00:14:54,774
and there I am, asleep with
my horse. Dreaming with horses...
179
00:14:54,814 --> 00:14:56,774
Dreaming with horses...
..a beautiful vision.
180
00:14:56,814 --> 00:14:59,734
And does he bring you a cup of tea
and some hay for them and everything?
181
00:14:59,774 --> 00:15:02,734
Well, he's just happy
that he finds me alive somewhere.
182
00:15:02,774 --> 00:15:04,354
Not been trampled.
183
00:15:04,394 --> 00:15:08,734
Exactly! No, my horses are very
kind, but it is a safe place for me
184
00:15:08,774 --> 00:15:08,814
Exactly! No, my horses are very
kind, but it is a safe place for me
185
00:15:08,854 --> 00:15:11,894
and I write about horses
in my album Little Miss Twain.
186
00:15:11,934 --> 00:15:14,214
How great. Now, you've got
your guitar.
187
00:15:14,254 --> 00:15:15,814
You said you were never going to do
a cover again,
188
00:15:15,854 --> 00:15:17,254
but it would be great to hear
what you played.
189
00:15:17,294 --> 00:15:19,014
When you were little Miss Twain,
190
00:15:19,054 --> 00:15:21,614
you listened to the old
legendary country music, didn't you?
191
00:15:21,654 --> 00:15:25,094
Yes! Hank Williams, that sort of
thing?Like I said, I was growing...
192
00:15:25,134 --> 00:15:26,694
You're going to play with me,
aren't you?
193
00:15:26,734 --> 00:15:28,994
I'm going to give it a try.
So we're going to jam this out
194
00:15:29,034 --> 00:15:30,094
and I hope I remember the words.
195
00:15:30,134 --> 00:15:33,654
It's been a very, very long time
since I've done this song.
196
00:15:33,694 --> 00:15:38,454
When I was eight years old, one of
the very first songs I ever learned
197
00:15:38,494 --> 00:15:38,654
When I was eight years old, one of
the very first songs I ever learned
198
00:15:38,694 --> 00:15:40,634
was a Hank Williams song,
199
00:15:40,674 --> 00:15:42,334
I'm So Lonesome I Could Cry.
200
00:15:42,374 --> 00:15:44,814
Heavy song!Very heavy song,
201
00:15:44,854 --> 00:15:47,814
but I was intrigued by the fact
that there was a minor chord in it,
202
00:15:47,854 --> 00:15:50,814
because at eight years old,
I only knew three-chord songs.
203
00:15:50,854 --> 00:15:54,054
You know, D, G, A. That was it.
204
00:15:54,094 --> 00:15:58,274
And so, to have a minor...
205
00:15:58,314 --> 00:16:03,054
..to take the challenge on of
a minor was special and exciting.
206
00:16:03,094 --> 00:16:04,994
..to take the challenge on of
a minor was special and exciting.
207
00:16:07,354 --> 00:16:12,334
The song was deep.
It did move me as a lyric,
208
00:16:12,374 --> 00:16:12,574
The song was deep.
It did move me as a lyric,
209
00:16:12,614 --> 00:16:17,494
but mostly it took me somewhere
beyond my age -
210
00:16:17,534 --> 00:16:18,334
but mostly it took me somewhere
beyond my age -
211
00:16:18,374 --> 00:16:21,094
somewhere else in my imagination.
212
00:16:21,134 --> 00:16:25,234
And Hank Williams is one of the
greatest songwriters of all time.
213
00:16:25,274 --> 00:16:28,014
So he was one of my songwriting
teachers just by listening.
214
00:16:28,054 --> 00:16:32,814
And when I did this song in
a theatre, probably similar size,
215
00:16:32,854 --> 00:16:33,774
And when I did this song in
a theatre, probably similar size,
216
00:16:33,814 --> 00:16:36,494
much less sophisticated,
in Northern Ontario,
217
00:16:36,534 --> 00:16:39,854
I would have been introduced,
I was introduced,
218
00:16:39,894 --> 00:16:41,494
something like this -
219
00:16:41,534 --> 00:16:44,694
"Ladies and gentlemen,
please welcome to the stage,
220
00:16:44,734 --> 00:16:46,674
"Little Miss Twain."
221
00:16:46,714 --> 00:16:51,254
And I would pull
the microphone down and...
222
00:16:51,294 --> 00:16:51,614
And I would pull
the microphone down and...
223
00:16:51,654 --> 00:16:54,374
We'll just do a little bit of
this one. Yeah, just a little bit.
224
00:17:00,454 --> 00:17:04,594
# Have you ever heard
a whippoorwill
225
00:17:04,634 --> 00:17:07,014
# Have you ever heard
a whippoorwill
226
00:17:08,034 --> 00:17:12,054
# Who sounds too blue to cry?
227
00:17:15,094 --> 00:17:19,994
# It means he's lost his will
to live
228
00:17:20,034 --> 00:17:21,214
# It means he's lost his will
to live
229
00:17:21,254 --> 00:17:26,154
# I'm so lonesome I could cry
230
00:17:28,754 --> 00:17:33,334
# Have you ever seen a robin weep
231
00:17:33,374 --> 00:17:34,994
# Have you ever seen a robin weep
232
00:17:36,534 --> 00:17:40,514
# When the leaves began to die?
233
00:17:44,194 --> 00:17:48,734
# The midnight train is whining low
234
00:17:48,774 --> 00:17:50,114
# The midnight train is whining low
235
00:17:50,154 --> 00:17:54,854
# I'm so lonesome I could cry
236
00:17:54,894 --> 00:17:56,114
# I'm so lonesome I could cry
237
00:17:57,414 --> 00:18:02,034
# I'm so lonesome I could cry
238
00:18:02,074 --> 00:18:03,454
# I'm so lonesome I could cry
239
00:18:06,094 --> 00:18:10,234
# I'm so lonesome I could cry. #
240
00:18:10,274 --> 00:18:13,954
# I'm so lonesome I could cry. #
241
00:18:24,854 --> 00:18:27,054
CHEERING AND APPLAUSE
242
00:18:27,094 --> 00:18:29,074
Shania Twain!
243
00:18:31,274 --> 00:18:33,374
Shania Twain being
Little Miss Twain.
244
00:18:33,414 --> 00:18:36,814
Thank you, Shania Twain.
We'll see you in a moment.
245
00:18:36,854 --> 00:18:40,134
And now, let's go to this corner,
where we welcome back in
246
00:18:40,174 --> 00:18:43,174
a Mercury Prize
and BRIT Award-winning artist.
247
00:18:43,214 --> 00:18:46,674
Performing 2SIDED from her album,
Ambiguous Desire,
248
00:18:46,714 --> 00:18:49,394
please welcome Arlo Parks.
249
00:18:49,434 --> 00:18:53,114
CHEERING AND APPLAUSE
250
00:19:25,634 --> 00:19:29,694
# I've been waiting
for this moment all night
251
00:19:29,734 --> 00:19:33,894
# Yeah, I only made it out for you
252
00:19:33,934 --> 00:19:38,214
# Joey's sippin' beer
and guarding his decks
253
00:19:38,254 --> 00:19:40,674
# There's a butterfly effect cos
254
00:19:40,714 --> 00:19:45,614
# I, I feel my heartbeat climb
255
00:19:45,654 --> 00:19:46,714
# I, I feel my heartbeat climb
256
00:19:46,754 --> 00:19:51,174
# The moonlight cuts through white
257
00:19:51,214 --> 00:19:54,974
# My friends are all inside
258
00:19:58,134 --> 00:20:00,094
# The heat and the dark
259
00:20:00,134 --> 00:20:02,454
# My head is so clouded
260
00:20:02,494 --> 00:20:04,434
# My head is so clouded
261
00:20:06,614 --> 00:20:08,294
# You know how I feel
262
00:20:08,334 --> 00:20:10,714
# Tell me it's two-sided
263
00:20:10,754 --> 00:20:12,934
# Tell me it's two-sided
264
00:20:14,614 --> 00:20:16,994
# The heat and the dark
265
00:20:17,034 --> 00:20:19,134
# My head is so clouded
266
00:20:19,174 --> 00:20:21,174
# My head is so clouded
267
00:20:23,034 --> 00:20:25,254
# You know how I feel
268
00:20:25,294 --> 00:20:27,454
# Tell me it's two-sided
269
00:20:27,494 --> 00:20:30,294
# Tell me it's two-sided
270
00:20:32,614 --> 00:20:36,534
# There's a sadness
that I really can't shake
271
00:20:36,574 --> 00:20:40,594
# But my vision's got a few stripes
272
00:20:40,634 --> 00:20:43,874
# I never really feel
at home anywhere
273
00:20:45,134 --> 00:20:47,694
# It's the right place
at the wrong time
274
00:20:47,734 --> 00:20:52,274
# I, I feel my heartbeat climb
275
00:20:52,314 --> 00:20:53,814
# I, I feel my heartbeat climb
276
00:20:53,854 --> 00:20:58,014
# The moonlight cuts through white
277
00:20:58,054 --> 00:21:01,794
# My friends are all inside
278
00:21:04,874 --> 00:21:06,934
# The heat and the dark
279
00:21:06,974 --> 00:21:09,174
# My head is so clouded
280
00:21:09,214 --> 00:21:11,254
# My head is so clouded
281
00:21:13,254 --> 00:21:15,334
# You know how I feel
282
00:21:15,374 --> 00:21:17,534
# Tell me it's two-sided
283
00:21:17,574 --> 00:21:19,954
# Tell me it's two-sided
284
00:21:21,654 --> 00:21:23,854
# The heat and the dark
285
00:21:23,894 --> 00:21:25,874
# My head is so clouded
286
00:21:25,914 --> 00:21:28,054
# My head is so clouded
287
00:21:30,054 --> 00:21:32,074
# You know how I feel
288
00:21:32,114 --> 00:21:34,174
# Tell me it's two-sided
289
00:21:34,214 --> 00:21:36,494
# Tell me it's two-sided
290
00:21:38,334 --> 00:21:40,434
# The heat and the dark
291
00:21:40,474 --> 00:21:42,574
# My head is so clouded
292
00:21:42,614 --> 00:21:44,694
# My head is so clouded
293
00:21:46,714 --> 00:21:48,654
# You know how I feel
294
00:21:48,694 --> 00:21:50,774
# Tell me it's two-sided
295
00:21:50,814 --> 00:21:53,334
# Tell me it's two-sided
296
00:21:59,294 --> 00:22:01,354
# My head is so clouded
297
00:22:07,514 --> 00:22:09,654
# Tell me it's two-sided. #
298
00:22:13,174 --> 00:22:17,374
CHEERING AND APPLAUSE
299
00:22:17,414 --> 00:22:18,174
CHEERING AND APPLAUSE
300
00:22:22,674 --> 00:22:25,094
# Looks like we made it
301
00:22:26,814 --> 00:22:30,974
# Look how far we've come, my baby
302
00:22:31,994 --> 00:22:34,714
# Might have took the long way
303
00:22:36,454 --> 00:22:40,474
# We knew we'd get there someday
304
00:22:41,654 --> 00:22:46,094
# They said,
"I bet they'll never make it"
305
00:22:46,134 --> 00:22:49,054
# They said,
"I bet they'll never make it"
306
00:22:50,194 --> 00:22:54,334
# But just look at us holding on
307
00:22:54,374 --> 00:22:55,474
# But just look at us holding on
308
00:22:56,854 --> 00:23:01,474
# We're still together
Still going strong
309
00:23:01,514 --> 00:23:03,294
# We're still together
Still going strong
310
00:23:05,894 --> 00:23:09,734
# Still the one I run to
311
00:23:09,774 --> 00:23:13,874
# The one that I belong to
312
00:23:13,914 --> 00:23:18,934
# Still the one I want for life
313
00:23:18,974 --> 00:23:19,194
# Still the one I want for life
314
00:23:21,894 --> 00:23:25,954
# Still the one that I love
315
00:23:25,994 --> 00:23:30,094
# The only one I dream of
316
00:23:30,134 --> 00:23:34,314
# Still the one I kiss goodnight
317
00:23:34,354 --> 00:23:35,034
# Still the one I kiss goodnight
318
00:23:38,334 --> 00:23:40,234
# Ain't nothin' better
319
00:23:42,374 --> 00:23:46,594
# We beat the odds together
320
00:23:46,634 --> 00:23:46,714
# We beat the odds together
321
00:23:46,754 --> 00:23:48,694
# I'm glad we didn't listen
322
00:23:49,914 --> 00:23:53,774
# Just look at what
we would be missin'
323
00:23:54,894 --> 00:23:59,974
# They said,
"I bet they'll never make it"
324
00:24:00,014 --> 00:24:01,634
# They said,
"I bet they'll never make it"
325
00:24:01,674 --> 00:24:06,094
# But just look at us holding on
326
00:24:06,134 --> 00:24:07,054
# But just look at us holding on
327
00:24:08,814 --> 00:24:13,274
# We're still together
Still going strong
328
00:24:13,314 --> 00:24:15,374
# We're still together
Still going strong
329
00:24:17,034 --> 00:24:18,534
# Oh
330
00:24:18,574 --> 00:24:22,134
# You're still the one I run to
331
00:24:22,174 --> 00:24:26,254
# The one that I belong to
332
00:24:26,294 --> 00:24:30,734
# You're still the one
I want for life
333
00:24:30,774 --> 00:24:31,054
# You're still the one
I want for life
334
00:24:33,854 --> 00:24:38,154
# You're still the one that I love
335
00:24:38,194 --> 00:24:42,294
# The only one I dream of
336
00:24:42,334 --> 00:24:47,154
# You're still the one
I kiss goodnight
337
00:24:47,194 --> 00:24:47,294
# You're still the one
I kiss goodnight
338
00:24:50,334 --> 00:24:52,514
# Looks like we made it
339
00:24:53,734 --> 00:24:57,614
# Just look how far we've come
340
00:24:57,654 --> 00:25:02,494
# My baby
341
00:25:02,534 --> 00:25:03,054
# My baby
342
00:25:05,894 --> 00:25:07,234
# Mm, yeah. #
343
00:25:08,574 --> 00:25:12,734
CHEERING AND APPLAUSE
344
00:25:12,774 --> 00:25:14,294
CHEERING AND APPLAUSE
345
00:25:16,554 --> 00:25:18,014
Shania Twain!
346
00:25:18,054 --> 00:25:19,994
CHEERING AND APPLAUSE
347
00:25:20,034 --> 00:25:20,974
Fantastic.
348
00:25:22,594 --> 00:25:24,214
With her wonderful song.
349
00:25:25,634 --> 00:25:26,734
Now, in this corner,
350
00:25:26,774 --> 00:25:29,934
a band who describe
their sound as Geordie jazz.
351
00:25:29,974 --> 00:25:33,294
Performing a track from their album,
A Great Day In Newcastle,
352
00:25:33,334 --> 00:25:35,454
please welcome Knats!
353
00:25:35,494 --> 00:25:38,694
CHEERING AND APPLAUSE
354
00:25:39,894 --> 00:25:40,874
Picture this.
355
00:25:42,814 --> 00:25:44,034
There's a young lad...
356
00:25:45,614 --> 00:25:48,494
..he's a good kid,
wouldn't hurt a fly.
357
00:25:50,414 --> 00:25:53,934
He's a creative - he likes to sing
and dance and paint, you know.
358
00:25:56,074 --> 00:26:00,054
One day, his dad drags him
to a boxing gym and says to him,
359
00:26:00,094 --> 00:26:01,714
"You need to learn how to fight."
360
00:26:03,294 --> 00:26:08,114
He thinks to himself, "What?"
Says to his dad, "That's not me.
361
00:26:08,154 --> 00:26:09,014
He thinks to himself, "What?"
Says to his dad, "That's not me.
362
00:26:09,054 --> 00:26:13,234
"I'm a lover, not a fighter,
and I'm never gonna be a boxer."
363
00:26:13,274 --> 00:26:14,154
"I'm a lover, not a fighter,
and I'm never gonna be a boxer."
364
00:29:12,654 --> 00:29:15,334
# Damn!
I ain't never gonna be a boxer. #
365
00:29:27,694 --> 00:29:29,574
CHEERING AND APPLAUSE
366
00:29:33,894 --> 00:29:37,254
They're never gonna be a boxer.
Thanks, Knats!
367
00:29:37,294 --> 00:29:40,394
CHEERING AND APPLAUSE
368
00:29:43,594 --> 00:29:45,774
Our next guest is a global megastar.
369
00:29:45,814 --> 00:29:48,014
They have had over
50 billion streams.
370
00:29:48,054 --> 00:29:50,494
They've got Grammys, Brits,
a Golden Gloobe... Globe,
371
00:29:50,534 --> 00:29:54,654
and even an Oscar. I'm delighted to
welcome back to the show, Sam Smith!
372
00:29:54,694 --> 00:29:55,914
Great to have you here.
373
00:29:55,954 --> 00:29:58,214
APPLAUSE
Great to be here.
374
00:30:00,414 --> 00:30:04,134
And, I mean, let's face it,
you first came on the show
375
00:30:04,174 --> 00:30:09,094
in 2013 with Disclosure, then you
came in your own right in 2014.
376
00:30:09,134 --> 00:30:09,774
in 2013 with Disclosure, then you
came in your own right in 2014.
377
00:30:09,814 --> 00:30:12,174
Any memories of those shows?
378
00:30:12,214 --> 00:30:15,734
I remember the first show
I did by myself.
379
00:30:15,774 --> 00:30:18,014
Bono was performing at
the same time. Was he? Right.
380
00:30:18,054 --> 00:30:20,234
OK.Yeah. And I got to meet him,
which was amazing.
381
00:30:20,274 --> 00:30:23,414
Very good.And just,
I have beautiful memories with you.
382
00:30:23,454 --> 00:30:24,974
Since the first time
you came on the show,
383
00:30:25,014 --> 00:30:28,394
have you changed in your approach
to music, do you think?
384
00:30:28,434 --> 00:30:30,374
Oh, my gosh, yes.
In so many ways.
385
00:30:30,414 --> 00:30:34,174
Especially with this last album,
you know, I'm... Every album I make,
386
00:30:34,214 --> 00:30:37,594
I'm trying to test myself,
push myself as a songwriter,
387
00:30:37,634 --> 00:30:38,694
as a singer.
388
00:30:38,734 --> 00:30:41,114
And with this album as well,
389
00:30:41,154 --> 00:30:43,954
like, really getting
into the production side
390
00:30:43,994 --> 00:30:45,614
of the music more than ever.
391
00:30:45,654 --> 00:30:49,174
I've just fallen in love
over the last two, three years,
392
00:30:49,214 --> 00:30:53,534
with being with friends,
and beautiful people in a room,
393
00:30:53,574 --> 00:30:57,294
and capturing
beautiful performances.
394
00:30:57,334 --> 00:30:59,334
Mostly late at night in New York.
395
00:30:59,374 --> 00:31:02,154
Capturing a moment rather than
perhaps maybe everything
396
00:31:02,194 --> 00:31:04,914
being precise
and sort of computerised?
397
00:31:04,954 --> 00:31:08,334
Capturing the humanity?My third
and fourth record that I brought out
398
00:31:08,374 --> 00:31:12,614
were very poptastic records
and written in a very pop way,
399
00:31:12,654 --> 00:31:14,374
and I was just craving
400
00:31:14,414 --> 00:31:17,194
some humanity
and being with people and, yeah,
401
00:31:17,234 --> 00:31:21,374
it's been about singing songs again
and again and again and again
402
00:31:21,414 --> 00:31:22,874
and there's just sometimes,
403
00:31:22,914 --> 00:31:24,974
when you're a little bit
weary late at night,
404
00:31:25,014 --> 00:31:28,914
you get these amazing performances
that we've captured.
405
00:31:28,954 --> 00:31:31,014
That first song you played for us
was fantastic.
406
00:31:31,054 --> 00:31:34,314
Thanks. And it was very spacious
as well, so you could really
407
00:31:34,354 --> 00:31:37,754
hear the sound of your voice,
which is also fantastic.
408
00:31:37,794 --> 00:31:40,834
Am I right in thinking
that the theme on this record,
409
00:31:40,874 --> 00:31:42,774
it's a romantic theme, isn't it?Yes.
410
00:31:42,814 --> 00:31:47,154
Yes. The album's called Hazel Eyes
and it's a love story.
411
00:31:47,194 --> 00:31:49,474
It's a very, very romantic
love story.
412
00:31:49,514 --> 00:31:53,334
I've moved from England to New York
for love and to be with my partner,
413
00:31:53,374 --> 00:31:55,054
and this album and the writing of it
414
00:31:55,094 --> 00:31:59,154
accompanied me from moving
from here in North London
415
00:31:59,194 --> 00:32:00,614
to New York.
416
00:32:00,654 --> 00:32:03,134
Is New York very inspirational
for your writing?
417
00:32:03,174 --> 00:32:05,494
It's become incredibly
inspirational.
418
00:32:05,534 --> 00:32:09,654
It's just... It's... I mean,
it's the gay epicentre of the world
419
00:32:09,694 --> 00:32:13,234
in many ways, you know. It's where
the gay liberation movement started
420
00:32:13,274 --> 00:32:17,114
and there's just like, there's
so much deep queer history there
421
00:32:17,154 --> 00:32:19,834
and I feel like I'm allowed to be
more myself than ever before
422
00:32:19,874 --> 00:32:22,794
in that place,
which is a beautiful thing.
423
00:32:22,834 --> 00:32:26,494
And I also just love walking around
the streets listening to jazz music
424
00:32:26,534 --> 00:32:27,774
in New York.
425
00:32:27,814 --> 00:32:30,734
There's certain genres of music
and style of music
426
00:32:30,774 --> 00:32:32,194
comes alive in that city.
427
00:32:32,234 --> 00:32:34,834
Just like in London, there's certain
genres that come alive here
428
00:32:34,874 --> 00:32:36,134
more than anywhere else.
429
00:32:36,174 --> 00:32:39,134
And is there anything
that you miss about England?
430
00:32:39,174 --> 00:32:40,994
I miss fish and chips.
431
00:32:41,034 --> 00:32:42,574
Every day of my life.
432
00:32:42,614 --> 00:32:43,714
I'll bring some out for you.
433
00:32:43,754 --> 00:32:46,714
Oh, please. All I think about is
the silver hotplate.
434
00:32:46,754 --> 00:32:49,634
Oh. Szzzz!
Mushy peas with that?
435
00:32:49,674 --> 00:32:51,494
Yeah. And I miss my family,
436
00:32:51,534 --> 00:32:53,694
but luckily, I'm back here
quite regularly
437
00:32:53,734 --> 00:32:56,574
to see my family.
My sister just had a baby.
438
00:32:56,614 --> 00:32:58,674
Things like that.
So I get to be here a lot,
439
00:32:58,714 --> 00:33:00,054
which is still gorgeous.
440
00:33:00,094 --> 00:33:02,534
And visually, a very great
creative artist
441
00:33:02,574 --> 00:33:05,294
both in the world of fashion
and everything like that.
442
00:33:05,334 --> 00:33:08,494
Have you found new ways of looking
at things in New York?
443
00:33:08,534 --> 00:33:12,134
Oh, my God, yeah.
I mean, I can wear whatever I want.
444
00:33:12,174 --> 00:33:14,534
I mean, if I wear a mini skirt
in New York,
445
00:33:14,574 --> 00:33:17,694
I get wolf-whistled on the street,
which is nice.
446
00:33:17,734 --> 00:33:21,894
But I... Every day I wake up,
I look at my wardrobe and decide
447
00:33:21,934 --> 00:33:22,174
But I... Every day I wake up,
I look at my wardrobe and decide
448
00:33:22,214 --> 00:33:23,934
who I want to be.
449
00:33:23,974 --> 00:33:26,254
And I have so much fun
with my clothes.
450
00:33:26,294 --> 00:33:27,894
I love fashion so much.
451
00:33:27,934 --> 00:33:30,094
My partner's a fashion designer,
so I'm very lucky.
452
00:33:30,134 --> 00:33:31,914
It's a big part of my life now.
453
00:33:31,954 --> 00:33:33,334
New things to wear every day?
454
00:33:33,374 --> 00:33:35,894
Yeah. Now, if you could go back,
we talked about that
455
00:33:35,934 --> 00:33:39,854
when you first came on in 2013,
if you could go back in time to then,
456
00:33:39,894 --> 00:33:42,134
now, what would you say to them?
Would you give them advice?
457
00:33:42,174 --> 00:33:43,634
What would you say?
458
00:33:43,674 --> 00:33:46,514
I mean, I'd teach them
how to breathe.
459
00:33:46,554 --> 00:33:50,574
I'm very scared person. I get very
anxious performing, even now.
460
00:33:50,614 --> 00:33:50,854
I'm very scared person. I get very
anxious performing, even now.
461
00:33:50,894 --> 00:33:53,254
So, like, I've learned
all these tools
462
00:33:53,294 --> 00:33:55,634
of how to, you know, relax,
rest the body
463
00:33:55,674 --> 00:33:57,494
before you sing, stuff like that.
464
00:33:57,534 --> 00:33:59,074
So that would be
the first thing I'd do.
465
00:33:59,114 --> 00:34:00,574
I'd just give them a hug.
466
00:34:00,614 --> 00:34:04,094
It was a confusing...
Being 22 is confusing. Yes.
467
00:34:04,134 --> 00:34:06,774
I think that would be
my advice to a lot is...
468
00:34:06,814 --> 00:34:07,874
I'd say, "Don't worry."
469
00:34:07,914 --> 00:34:09,454
Yeah. Don't worry.
It's going to be all right.
470
00:34:09,494 --> 00:34:11,114
If you worry, it won't help anyway.
Of course.
471
00:34:11,154 --> 00:34:13,134
What's the next thing you're going
to be playing for us?
472
00:34:13,174 --> 00:34:15,054
I'm singing a song from the record
473
00:34:15,094 --> 00:34:19,354
called When He's Gone, which is
a bit more of a melancholy,
474
00:34:19,394 --> 00:34:19,474
called When He's Gone, which is
a bit more of a melancholy,
475
00:34:19,514 --> 00:34:24,494
moody moment in this romantic tale
that is Hazel Eyes.
476
00:34:24,534 --> 00:34:24,934
moody moment in this romantic tale
that is Hazel Eyes.
477
00:34:24,974 --> 00:34:28,714
And it's very, very inspired
by country and western music
478
00:34:28,754 --> 00:34:31,254
and old soul, American soul records.
479
00:34:31,294 --> 00:34:33,214
Well, it's great having you
back on the show.
480
00:34:33,254 --> 00:34:35,454
Your voice is sounding more powerful
and more beautiful than ever.
481
00:34:35,494 --> 00:34:37,234
So it's fantastic to have you here.
482
00:34:37,274 --> 00:34:39,494
Thank you very much, Sam Smith.
It's great to see you.Thank you.
483
00:34:39,534 --> 00:34:40,794
Good to see you.
APPLAUSE
484
00:34:40,834 --> 00:34:42,894
Thank you so much.
485
00:34:42,934 --> 00:34:46,474
So, I'm not sure... Ah, you stay
there, I'm going to go here.
486
00:34:46,514 --> 00:34:49,134
Right, thank you,
thank you, Sam Smith.
487
00:34:49,174 --> 00:34:50,374
CHEERING AND APPLAUSE
488
00:34:50,414 --> 00:34:52,594
And now, please welcome back
Arlo Parks!
489
00:34:52,634 --> 00:34:54,934
APPLAUSE
490
00:35:38,574 --> 00:35:43,434
# We're doing dishes
The party's starting to thin
491
00:35:43,474 --> 00:35:43,874
# We're doing dishes
The party's starting to thin
492
00:35:43,914 --> 00:35:48,334
# Aleda's cousin
is out the back being sick
493
00:35:48,374 --> 00:35:52,674
# The walls are scratched up
It smells of chips and gin
494
00:35:52,714 --> 00:35:53,494
# The walls are scratched up
It smells of chips and gin
495
00:35:58,594 --> 00:36:02,734
# Crash and Ames are back at it
496
00:36:08,414 --> 00:36:13,134
# She kissed his cheek
before she split
497
00:36:15,574 --> 00:36:20,294
# And I can hear him say
I always knew, always knew
498
00:36:20,334 --> 00:36:22,714
# And I can hear him say
I always knew, always knew
499
00:36:22,754 --> 00:36:27,094
# Always knew
Always knew
500
00:36:27,134 --> 00:36:31,634
# I would find you
I'd find you
501
00:36:31,674 --> 00:36:32,294
# I would find you
I'd find you
502
00:36:32,334 --> 00:36:35,254
# I'd find you
503
00:36:36,854 --> 00:36:39,414
# We're smoking hand rolls
504
00:36:39,454 --> 00:36:41,774
# Feel like we're both in a film
505
00:36:41,814 --> 00:36:45,974
# Just being clumsy
DJ-ing Goldie and Prince
506
00:36:46,014 --> 00:36:46,634
# Just being clumsy
DJ-ing Goldie and Prince
507
00:36:46,674 --> 00:36:51,094
# And when the clock strikes
The disco lights go blue
508
00:36:51,134 --> 00:36:51,734
# And when the clock strikes
The disco lights go blue
509
00:36:56,114 --> 00:37:00,374
# 15 friends at 10 to 6
510
00:37:00,414 --> 00:37:00,974
# 15 friends at 10 to 6
511
00:37:06,414 --> 00:37:10,634
# This is what I always miss
512
00:37:10,674 --> 00:37:10,954
# This is what I always miss
513
00:37:13,394 --> 00:37:17,814
# And I can hear him say
I always knew, always knew
514
00:37:17,854 --> 00:37:21,174
# And I can hear him say
I always knew, always knew
515
00:37:21,214 --> 00:37:25,314
# Always knew
Always knew
516
00:37:25,354 --> 00:37:30,094
# I would find you
I'd find you
517
00:37:30,134 --> 00:37:30,894
# I would find you
I'd find you
518
00:37:30,934 --> 00:37:32,774
# I'd find you
519
00:37:32,814 --> 00:37:35,494
# Yeah, I can hear him say
520
00:37:35,534 --> 00:37:40,354
# I always knew, always knew
521
00:37:40,394 --> 00:37:40,474
# I always knew, always knew
522
00:37:40,514 --> 00:37:44,854
# Always knew
Always knew
523
00:37:44,894 --> 00:37:47,694
# I would find you
524
00:37:47,734 --> 00:37:50,454
# I'd find you
525
00:37:51,814 --> 00:37:54,694
# The minute I step away
526
00:37:56,614 --> 00:37:59,894
# The minute I step away
527
00:38:01,274 --> 00:38:03,934
# The minute I step away
528
00:38:06,174 --> 00:38:09,694
# The minute I step away
529
00:38:10,994 --> 00:38:14,894
# The minute I step away. #
530
00:38:17,034 --> 00:38:20,154
CHEERING AND APPLAUSE
531
00:39:00,094 --> 00:39:04,014
DISTORTED: # Fabien
532
00:39:06,854 --> 00:39:10,314
DISTORTED: # Fabien
533
00:39:13,274 --> 00:39:16,714
DISTORTED: # Fabien
534
00:39:19,754 --> 00:39:23,074
DISTORTED: # Fabien
535
00:39:25,834 --> 00:39:27,014
# Whoo!
536
00:40:18,814 --> 00:40:19,914
# Whoo!
537
00:42:03,934 --> 00:42:08,974
DISTORTED: # Sebastien. #
538
00:42:09,014 --> 00:42:09,574
DISTORTED: # Sebastien. #
539
00:42:11,334 --> 00:42:14,854
CHEERING AND APPLAUSE
540
00:42:20,734 --> 00:42:22,754
Thank you, Angine de Poitrine!
541
00:42:22,794 --> 00:42:25,514
CHEERING AND APPLAUSE
542
00:42:26,934 --> 00:42:29,254
And thank you to all of our
wonderful guests this evening.
543
00:42:29,294 --> 00:42:31,134
I hope you've enjoyed
this wonderful show.
544
00:42:31,174 --> 00:42:33,974
And now,
let's finish with Sam Smith.
545
00:42:34,014 --> 00:42:36,134
CHEERING AND APPLAUSE
546
00:42:47,414 --> 00:42:49,134
# Hate it when you speak to me
547
00:42:49,174 --> 00:42:52,394
# With cruel and careless words
548
00:42:52,434 --> 00:42:54,534
# Everything you say to me
549
00:42:54,574 --> 00:42:57,014
# Can't you see it hurts?
550
00:42:57,054 --> 00:42:59,574
# Fills my heart with sorrow
551
00:42:59,614 --> 00:43:02,854
# How the hell did we turn
down this road?
552
00:43:07,394 --> 00:43:10,014
# Love is not a game to play
553
00:43:10,054 --> 00:43:12,454
Fighting talk is cheap
554
00:43:12,494 --> 00:43:15,054
# Every time you roll the dice
555
00:43:15,094 --> 00:43:17,414
# It just ends in defeat
556
00:43:17,454 --> 00:43:20,194
# Fills my heart with sorrow
557
00:43:20,234 --> 00:43:23,294
# How the hell did we slip down
so low?
558
00:43:27,214 --> 00:43:32,034
# When he's walking out on me
559
00:43:32,074 --> 00:43:33,534
# When he's walking out on me
560
00:43:36,814 --> 00:43:41,294
# He takes everything I need
561
00:43:41,334 --> 00:43:44,534
# He takes everything I need
562
00:43:45,654 --> 00:43:49,714
# My whole world's broken
when he's gone
563
00:43:49,754 --> 00:43:51,294
# Gone
564
00:43:52,994 --> 00:43:56,934
# When he's gone
565
00:43:57,974 --> 00:43:59,154
# When he's gone
566
00:43:59,194 --> 00:44:00,454
# When he's gone
567
00:44:01,554 --> 00:44:03,454
# When he's gone
568
00:44:03,494 --> 00:44:05,974
# I'm the only one for him
569
00:44:06,014 --> 00:44:08,774
# This much I believe
570
00:44:08,814 --> 00:44:11,194
# If you cut me clean in half
571
00:44:11,234 --> 00:44:13,794
# His name I will bleed
572
00:44:13,834 --> 00:44:16,314
# So it fills my heart with sorrow
573
00:44:16,354 --> 00:44:19,674
# When I become the victim
of his heart
574
00:44:21,134 --> 00:44:23,454
# Oh, no
575
00:44:23,494 --> 00:44:28,434
# When he's walking out on me
576
00:44:28,474 --> 00:44:30,894
# When he's walking out on me
577
00:44:32,974 --> 00:44:37,674
# He takes everything I need
578
00:44:37,714 --> 00:44:39,614
# He takes everything I need
579
00:44:41,614 --> 00:44:45,694
# My whole world's broken
when he's gone
580
00:44:45,734 --> 00:44:48,894
# Gone
581
00:44:48,934 --> 00:44:52,394
# When he's gone
582
00:44:54,214 --> 00:44:56,934
# When he's gone
When he's gone
583
00:44:56,974 --> 00:44:59,234
# When he's gone
When he's gone
584
00:44:59,274 --> 00:45:01,794
# When he's gone
When he's gone
585
00:45:01,834 --> 00:45:04,214
# When he's gone
When he's gone
586
00:45:04,254 --> 00:45:07,054
# Oh
587
00:45:10,214 --> 00:45:12,494
# Well, that's the thing
with passion
588
00:45:12,534 --> 00:45:15,014
# It passes like the weather
589
00:45:15,054 --> 00:45:17,294
# If he stays with me tonight
590
00:45:17,334 --> 00:45:20,154
# I promise I'll be better
591
00:45:20,194 --> 00:45:22,634
# I can keep him satisfied
592
00:45:22,674 --> 00:45:26,614
# In his arms is where I belong
593
00:45:27,734 --> 00:45:30,934
# My whole world's broken
when he's gone. #
594
00:45:32,734 --> 00:45:35,454
CHEERING AND APPLAUSE
595
00:45:39,574 --> 00:45:43,954
MUSIC: Never Gonna Be A Boxer
by Knats
596
00:45:51,734 --> 00:45:55,054
# Damn! I ain't never gonna be
a boxer. #