1 00:00:15,454 --> 00:00:18,054 CHEERING AND APPLAUSE 2 00:00:19,874 --> 00:00:23,574 Welcome to another show. A fantastic line-up this evening. 3 00:00:23,614 --> 00:00:26,934 So, let us begin with Sam Smith! 4 00:00:49,254 --> 00:00:52,634 # He's all that I need 5 00:00:55,254 --> 00:00:58,714 # My morning star 6 00:01:01,314 --> 00:01:05,414 # Whenever he leaves 7 00:01:06,694 --> 00:01:10,554 # I know he won't be far 8 00:01:13,254 --> 00:01:16,954 # What more could I want? 9 00:01:18,654 --> 00:01:23,194 # And I always wanted more 10 00:01:26,254 --> 00:01:30,414 # Cos I didn't understand 11 00:01:30,454 --> 00:01:30,854 # Cos I didn't understand 12 00:01:30,894 --> 00:01:35,574 # What my heart was for 13 00:01:35,614 --> 00:01:35,734 # What my heart was for 14 00:01:35,774 --> 00:01:38,334 # Hm-mm 15 00:01:38,374 --> 00:01:41,614 # And like all good things 16 00:01:41,654 --> 00:01:45,774 # It caught me by surprise 17 00:01:45,814 --> 00:01:46,134 # It caught me by surprise 18 00:01:50,454 --> 00:01:55,054 {\an8}# You can dream he's yours all you want 19 00:01:55,094 --> 00:01:56,114 {\an8}# You can dream he's yours all you want 20 00:01:56,154 --> 00:02:01,174 # But he's mine, mine, mine 21 00:02:01,214 --> 00:02:05,254 # He's my guy 22 00:02:06,854 --> 00:02:11,114 # He's my guy 23 00:02:13,174 --> 00:02:16,274 # How could I know 24 00:02:17,934 --> 00:02:21,814 # That love could be this true? 25 00:02:24,614 --> 00:02:28,874 # And how'd I didn't know 26 00:02:28,914 --> 00:02:29,494 # And how'd I didn't know 27 00:02:29,534 --> 00:02:34,014 # A dance could be this slow? 28 00:02:34,054 --> 00:02:35,894 # A dance could be this slow? 29 00:02:37,054 --> 00:02:40,134 # Cos like all good things 30 00:02:40,174 --> 00:02:44,214 # It caught me by surprise 31 00:02:44,254 --> 00:02:45,094 # It caught me by surprise 32 00:02:46,514 --> 00:02:48,774 # Hm-mm 33 00:02:48,814 --> 00:02:53,494 # You can dream he's yours all you want 34 00:02:53,534 --> 00:02:54,254 # You can dream he's yours all you want 35 00:02:54,294 --> 00:02:58,594 # But he's mine, mine, mine 36 00:02:58,634 --> 00:02:59,254 # But he's mine, mine, mine 37 00:02:59,294 --> 00:03:01,554 # He's my guy 38 00:03:01,594 --> 00:03:04,994 # Ooh, ooh 39 00:03:05,034 --> 00:03:07,554 # He's my guy 40 00:03:07,594 --> 00:03:10,274 # Ooh, ooh 41 00:03:10,314 --> 00:03:13,394 # Hm-mm 42 00:03:13,434 --> 00:03:17,494 # You can dream it all you want, but you can't have my boy 43 00:03:17,534 --> 00:03:19,354 # You can't have him 44 00:03:19,394 --> 00:03:22,394 # You can dream it all you want, but you can't have my boy 45 00:03:22,434 --> 00:03:24,494 # You can try, try, try 46 00:03:24,534 --> 00:03:28,474 # You can dream it all you want, but you can't have my boy 47 00:03:28,514 --> 00:03:30,334 # Try, try, try 48 00:03:30,374 --> 00:03:33,934 # You can dream it all you want, but you can't have my boy 49 00:03:33,974 --> 00:03:37,094 # A breath of fresh air 50 00:03:37,134 --> 00:03:39,654 # Ooh, ooh 51 00:03:39,694 --> 00:03:42,174 # A rose on fire 52 00:03:42,214 --> 00:03:45,854 # Ooh, ohh 53 00:03:45,894 --> 00:03:50,854 # Oh, I could just stare 54 00:03:51,974 --> 00:03:57,054 # At him all the time, time, time 55 00:03:57,094 --> 00:03:59,254 # At him all the time, time, time 56 00:04:02,114 --> 00:04:06,294 # He's my guy 57 00:04:06,334 --> 00:04:07,214 # He's my guy 58 00:04:07,254 --> 00:04:11,414 # You can dream it all you want, but you can't have my boy 59 00:04:11,454 --> 00:04:12,134 # You can dream it all you want, but you can't have my boy 60 00:04:12,174 --> 00:04:13,754 # My guy 61 00:04:13,794 --> 00:04:17,774 # You can dream it all you want, but you can't have my boy 62 00:04:17,814 --> 00:04:19,354 # My guy 63 00:04:19,394 --> 00:04:23,374 # You can dream it all you want, but you can't have my boy 64 00:04:23,414 --> 00:04:25,214 # My guy 65 00:04:25,254 --> 00:04:29,894 # You can dream it all you want, but you can't have my boy. # 66 00:04:29,934 --> 00:04:31,094 # You can dream it all you want, but you can't have my boy. # 67 00:04:33,454 --> 00:04:36,814 CHEERING AND APPLAUSE 68 00:04:43,994 --> 00:04:47,254 The ravishing voice of Sam Smith with My Guy. 69 00:04:47,294 --> 00:04:49,014 Sam Smith! 70 00:04:49,054 --> 00:04:51,454 CHEERING AND APPLAUSE 71 00:04:51,494 --> 00:04:54,054 I'll be discussing things with Sam at the piano later on. 72 00:04:54,094 --> 00:04:55,474 Who are my guests this evening? 73 00:04:55,514 --> 00:04:57,654 We welcome, from Newcastle, Knats! 74 00:05:01,314 --> 00:05:03,654 From Hammersmith, West London, 75 00:05:03,694 --> 00:05:06,734 we're delighted to have back in the studio, Arlo Parks! 76 00:05:09,494 --> 00:05:12,094 The queen of country pop from Ontario, Canada, 77 00:05:12,134 --> 00:05:14,114 it is Shania Twain! 78 00:05:18,214 --> 00:05:21,974 But now, from Quebec, Angine de Poitrine. 79 00:05:48,334 --> 00:05:49,874 TRACK:Go! 80 00:07:44,614 --> 00:07:47,614 TEMPO INCREASES 81 00:09:07,474 --> 00:09:09,974 # Go, go, go, go, go, go 82 00:09:10,014 --> 00:09:12,854 # Go, go, go, go, go, go 83 00:09:12,894 --> 00:09:14,894 # Go, go, go, go, go, go. # 84 00:10:23,234 --> 00:10:26,154 CHEERING AND APPLAUSE 85 00:10:30,134 --> 00:10:32,254 Angine de Poitrine! 86 00:10:34,634 --> 00:10:37,634 Who claim to be over 300 years old. 87 00:10:37,674 --> 00:10:40,134 You're over 300 years old, right? 88 00:10:40,174 --> 00:10:43,274 BAND-MATE GRUNTS AFFIRMATIVELY Just checking. Thank you, Poitrine! 89 00:10:43,314 --> 00:10:45,814 Yes! Angine de Poitrine, over 300 years old. 90 00:10:45,854 --> 00:10:50,294 Now, I don't bandy the word "legend" around just like all over the place, 91 00:10:50,334 --> 00:10:51,294 Now, I don't bandy the word "legend" around just like all over the place, 92 00:10:51,334 --> 00:10:52,834 but I'm going to use it now 93 00:10:52,874 --> 00:10:55,674 because we're going to welcome the queen of country pop, 94 00:10:55,714 --> 00:10:57,494 the legendary Shania Twain! 95 00:10:57,534 --> 00:11:00,134 CHEERING AND APPLAUSE 96 00:11:01,394 --> 00:11:04,054 So nice to have you here in the studio with us. 97 00:11:04,094 --> 00:11:06,214 Such a great honour and a thrill for us all. 98 00:11:06,254 --> 00:11:07,954 We're excited to get you here. 99 00:11:07,994 --> 00:11:11,974 And you've been the biggest top selling female country pop artist 100 00:11:12,014 --> 00:11:13,394 of all time, 101 00:11:13,434 --> 00:11:16,054 but you've got a brand-new album, Little Miss Twain, 102 00:11:16,094 --> 00:11:20,034 that's coming out in July, which takes us right back to the beginning. 103 00:11:20,074 --> 00:11:22,554 Who was Little Miss Twain? 104 00:11:22,594 --> 00:11:26,214 Little Miss Twain was a little girl of eight years old 105 00:11:26,254 --> 00:11:28,874 who started singing in bars - 106 00:11:28,914 --> 00:11:31,714 smoky, pub-type places... 107 00:11:32,934 --> 00:11:37,474 ..singing my grandparents' country music, country and western. 108 00:11:37,514 --> 00:11:38,774 ..singing my grandparents' country music, country and western. 109 00:11:39,854 --> 00:11:44,194 And this Little Miss Twain collection of songs 110 00:11:44,234 --> 00:11:47,574 is a reflection from the beginning of those days 111 00:11:47,614 --> 00:11:49,794 all the way through to when I got signed 112 00:11:49,834 --> 00:11:52,794 to my international record deal in Nashville, Tennessee, 113 00:11:52,834 --> 00:11:54,494 which was the ultimate dream. 114 00:11:54,534 --> 00:11:56,894 But that only happened in my late 20s. 115 00:11:56,934 --> 00:12:00,414 So, there's this whole span of time that Little Miss Twain is... 116 00:12:01,954 --> 00:12:04,174 ..the record Little Miss Twain is all about. 117 00:12:04,214 --> 00:12:09,254 Wow. Did you say your first-ever gig, ever, you were eight years old? 118 00:12:09,294 --> 00:12:09,774 Wow. Did you say your first-ever gig, ever, you were eight years old? 119 00:12:09,814 --> 00:12:12,454 Well, that was my first professional gig. Wow. 120 00:12:12,494 --> 00:12:15,894 So, the first time I was ever paid for singing, I was eight years old! 121 00:12:15,934 --> 00:12:18,694 It's quite a thing. That's a remarkable achievement. 122 00:12:18,734 --> 00:12:20,334 That really is. Imagine that. 123 00:12:20,374 --> 00:12:22,134 And you must've been, sort of... 124 00:12:22,174 --> 00:12:24,774 How did you fit behind the guitar? 125 00:12:24,814 --> 00:12:28,354 OK, so I was a little... I was tiny, 126 00:12:28,394 --> 00:12:29,934 and when I came up onstage 127 00:12:29,974 --> 00:12:32,494 with all the other adults that were performing, 128 00:12:32,534 --> 00:12:35,194 the microphone had to come down like this. 129 00:12:35,234 --> 00:12:37,514 JOOLS LAUGHS 130 00:12:37,554 --> 00:12:39,374 So, I had these photos, 131 00:12:39,414 --> 00:12:42,614 and this was all part of my reflection, or looking back at... 132 00:12:42,654 --> 00:12:45,934 These photos where the guitar was bigger than me 133 00:12:45,974 --> 00:12:48,774 and the microphone was always falling down! 134 00:12:48,814 --> 00:12:50,974 Just a little sort of head behind the guitar. 135 00:12:51,014 --> 00:12:52,674 I'm singing up to the microphone. 136 00:12:54,174 --> 00:12:57,174 It's all been a really beautiful reflection, 137 00:12:57,214 --> 00:13:01,554 and I had a very long career as a cover singer in bars 138 00:13:01,594 --> 00:13:03,134 and I had a very long career as a cover singer in bars 139 00:13:03,174 --> 00:13:06,814 before I was signed as a recording artist, so... 140 00:13:06,854 --> 00:13:09,894 You must have learnt a lot of your craft 141 00:13:09,934 --> 00:13:11,534 singing in those bars, 142 00:13:11,574 --> 00:13:13,914 both as a performer, but as a songwriter as well, 143 00:13:13,954 --> 00:13:15,454 doing songs with other people. 144 00:13:15,494 --> 00:13:18,014 Yes, and thank you for bringing that up, 145 00:13:18,054 --> 00:13:21,454 because all the years of being a cover singer 146 00:13:21,494 --> 00:13:26,194 made me crave for... to sing my own songs - 147 00:13:26,234 --> 00:13:26,254 made me crave for... to sing my own songs - 148 00:13:26,294 --> 00:13:29,654 the way Joni Mitchell did and the way Dolly Parton did 149 00:13:29,694 --> 00:13:31,914 and Bob Dylan. 150 00:13:31,954 --> 00:13:36,454 So, I was building up my craft 151 00:13:36,494 --> 00:13:36,974 So, I was building up my craft 152 00:13:37,014 --> 00:13:40,134 in my bedroom during the day 153 00:13:40,174 --> 00:13:43,274 and then going to the bars and singing cover songs at night. 154 00:13:43,314 --> 00:13:45,054 But when you signed you record deal, 155 00:13:45,094 --> 00:13:47,454 you said, "I'm going to do my own songs now," right? 156 00:13:47,494 --> 00:13:50,074 I did not go on tour with... 157 00:13:50,114 --> 00:13:52,434 From when I was signed to my record label, 158 00:13:52,474 --> 00:13:56,214 I did not go on tour until I could sing my own original music. 159 00:13:56,254 --> 00:13:58,394 That was my promise to myself, 160 00:13:58,434 --> 00:14:00,694 that I would never sing a cover song again! 161 00:14:00,734 --> 00:14:03,454 Never say never, but... Also, I've got to ask you this. 162 00:14:03,494 --> 00:14:07,214 Some people, musicians, have unusual but secret passions. 163 00:14:07,254 --> 00:14:10,314 Is there any particular thing you have? Do you collect something? 164 00:14:10,354 --> 00:14:13,754 Do you paint? Is there a secret, quiet, passion that you have? 165 00:14:13,794 --> 00:14:16,514 I have a lot of secrets. I'm happy to share them, 166 00:14:16,554 --> 00:14:18,214 but we don't have all night. 167 00:14:18,254 --> 00:14:20,374 OK. A secret we can share - 168 00:14:20,414 --> 00:14:22,514 that's my kind of a secret.Yeah. 169 00:14:22,554 --> 00:14:25,474 OK, this is definitely something 170 00:14:25,514 --> 00:14:28,474 that only my husband ever discovered, really. 171 00:14:28,514 --> 00:14:32,814 Blimey.Sometimes I will visit my horses in the night. 172 00:14:32,854 --> 00:14:36,174 Blimey.Sometimes I will visit my horses in the night. 173 00:14:36,214 --> 00:14:37,874 When I can't sleep, I will go 174 00:14:37,914 --> 00:14:40,314 with them in the field and I will sit with them 175 00:14:40,354 --> 00:14:42,494 and fall asleep with them. 176 00:14:44,694 --> 00:14:47,814 It's...a beautiful thing. 177 00:14:47,854 --> 00:14:51,134 It's a great therapy and he'll just come find me at three in the morning 178 00:14:51,174 --> 00:14:54,774 and there I am, asleep with my horse. Dreaming with horses... 179 00:14:54,814 --> 00:14:56,774 Dreaming with horses... ..a beautiful vision. 180 00:14:56,814 --> 00:14:59,734 And does he bring you a cup of tea and some hay for them and everything? 181 00:14:59,774 --> 00:15:02,734 Well, he's just happy that he finds me alive somewhere. 182 00:15:02,774 --> 00:15:04,354 Not been trampled. 183 00:15:04,394 --> 00:15:08,734 Exactly! No, my horses are very kind, but it is a safe place for me 184 00:15:08,774 --> 00:15:08,814 Exactly! No, my horses are very kind, but it is a safe place for me 185 00:15:08,854 --> 00:15:11,894 and I write about horses in my album Little Miss Twain. 186 00:15:11,934 --> 00:15:14,214 How great. Now, you've got your guitar. 187 00:15:14,254 --> 00:15:15,814 You said you were never going to do a cover again, 188 00:15:15,854 --> 00:15:17,254 but it would be great to hear what you played. 189 00:15:17,294 --> 00:15:19,014 When you were little Miss Twain, 190 00:15:19,054 --> 00:15:21,614 you listened to the old legendary country music, didn't you? 191 00:15:21,654 --> 00:15:25,094 Yes! Hank Williams, that sort of thing?Like I said, I was growing... 192 00:15:25,134 --> 00:15:26,694 You're going to play with me, aren't you? 193 00:15:26,734 --> 00:15:28,994 I'm going to give it a try. So we're going to jam this out 194 00:15:29,034 --> 00:15:30,094 and I hope I remember the words. 195 00:15:30,134 --> 00:15:33,654 It's been a very, very long time since I've done this song. 196 00:15:33,694 --> 00:15:38,454 When I was eight years old, one of the very first songs I ever learned 197 00:15:38,494 --> 00:15:38,654 When I was eight years old, one of the very first songs I ever learned 198 00:15:38,694 --> 00:15:40,634 was a Hank Williams song, 199 00:15:40,674 --> 00:15:42,334 I'm So Lonesome I Could Cry. 200 00:15:42,374 --> 00:15:44,814 Heavy song!Very heavy song, 201 00:15:44,854 --> 00:15:47,814 but I was intrigued by the fact that there was a minor chord in it, 202 00:15:47,854 --> 00:15:50,814 because at eight years old, I only knew three-chord songs. 203 00:15:50,854 --> 00:15:54,054 You know, D, G, A. That was it. 204 00:15:54,094 --> 00:15:58,274 And so, to have a minor... 205 00:15:58,314 --> 00:16:03,054 ..to take the challenge on of a minor was special and exciting. 206 00:16:03,094 --> 00:16:04,994 ..to take the challenge on of a minor was special and exciting. 207 00:16:07,354 --> 00:16:12,334 The song was deep. It did move me as a lyric, 208 00:16:12,374 --> 00:16:12,574 The song was deep. It did move me as a lyric, 209 00:16:12,614 --> 00:16:17,494 but mostly it took me somewhere beyond my age - 210 00:16:17,534 --> 00:16:18,334 but mostly it took me somewhere beyond my age - 211 00:16:18,374 --> 00:16:21,094 somewhere else in my imagination. 212 00:16:21,134 --> 00:16:25,234 And Hank Williams is one of the greatest songwriters of all time. 213 00:16:25,274 --> 00:16:28,014 So he was one of my songwriting teachers just by listening. 214 00:16:28,054 --> 00:16:32,814 And when I did this song in a theatre, probably similar size, 215 00:16:32,854 --> 00:16:33,774 And when I did this song in a theatre, probably similar size, 216 00:16:33,814 --> 00:16:36,494 much less sophisticated, in Northern Ontario, 217 00:16:36,534 --> 00:16:39,854 I would have been introduced, I was introduced, 218 00:16:39,894 --> 00:16:41,494 something like this - 219 00:16:41,534 --> 00:16:44,694 "Ladies and gentlemen, please welcome to the stage, 220 00:16:44,734 --> 00:16:46,674 "Little Miss Twain." 221 00:16:46,714 --> 00:16:51,254 And I would pull the microphone down and... 222 00:16:51,294 --> 00:16:51,614 And I would pull the microphone down and... 223 00:16:51,654 --> 00:16:54,374 We'll just do a little bit of this one. Yeah, just a little bit. 224 00:17:00,454 --> 00:17:04,594 # Have you ever heard a whippoorwill 225 00:17:04,634 --> 00:17:07,014 # Have you ever heard a whippoorwill 226 00:17:08,034 --> 00:17:12,054 # Who sounds too blue to cry? 227 00:17:15,094 --> 00:17:19,994 # It means he's lost his will to live 228 00:17:20,034 --> 00:17:21,214 # It means he's lost his will to live 229 00:17:21,254 --> 00:17:26,154 # I'm so lonesome I could cry 230 00:17:28,754 --> 00:17:33,334 # Have you ever seen a robin weep 231 00:17:33,374 --> 00:17:34,994 # Have you ever seen a robin weep 232 00:17:36,534 --> 00:17:40,514 # When the leaves began to die? 233 00:17:44,194 --> 00:17:48,734 # The midnight train is whining low 234 00:17:48,774 --> 00:17:50,114 # The midnight train is whining low 235 00:17:50,154 --> 00:17:54,854 # I'm so lonesome I could cry 236 00:17:54,894 --> 00:17:56,114 # I'm so lonesome I could cry 237 00:17:57,414 --> 00:18:02,034 # I'm so lonesome I could cry 238 00:18:02,074 --> 00:18:03,454 # I'm so lonesome I could cry 239 00:18:06,094 --> 00:18:10,234 # I'm so lonesome I could cry. # 240 00:18:10,274 --> 00:18:13,954 # I'm so lonesome I could cry. # 241 00:18:24,854 --> 00:18:27,054 CHEERING AND APPLAUSE 242 00:18:27,094 --> 00:18:29,074 Shania Twain! 243 00:18:31,274 --> 00:18:33,374 Shania Twain being Little Miss Twain. 244 00:18:33,414 --> 00:18:36,814 Thank you, Shania Twain. We'll see you in a moment. 245 00:18:36,854 --> 00:18:40,134 And now, let's go to this corner, where we welcome back in 246 00:18:40,174 --> 00:18:43,174 a Mercury Prize and BRIT Award-winning artist. 247 00:18:43,214 --> 00:18:46,674 Performing 2SIDED from her album, Ambiguous Desire, 248 00:18:46,714 --> 00:18:49,394 please welcome Arlo Parks. 249 00:18:49,434 --> 00:18:53,114 CHEERING AND APPLAUSE 250 00:19:25,634 --> 00:19:29,694 # I've been waiting for this moment all night 251 00:19:29,734 --> 00:19:33,894 # Yeah, I only made it out for you 252 00:19:33,934 --> 00:19:38,214 # Joey's sippin' beer and guarding his decks 253 00:19:38,254 --> 00:19:40,674 # There's a butterfly effect cos 254 00:19:40,714 --> 00:19:45,614 # I, I feel my heartbeat climb 255 00:19:45,654 --> 00:19:46,714 # I, I feel my heartbeat climb 256 00:19:46,754 --> 00:19:51,174 # The moonlight cuts through white 257 00:19:51,214 --> 00:19:54,974 # My friends are all inside 258 00:19:58,134 --> 00:20:00,094 # The heat and the dark 259 00:20:00,134 --> 00:20:02,454 # My head is so clouded 260 00:20:02,494 --> 00:20:04,434 # My head is so clouded 261 00:20:06,614 --> 00:20:08,294 # You know how I feel 262 00:20:08,334 --> 00:20:10,714 # Tell me it's two-sided 263 00:20:10,754 --> 00:20:12,934 # Tell me it's two-sided 264 00:20:14,614 --> 00:20:16,994 # The heat and the dark 265 00:20:17,034 --> 00:20:19,134 # My head is so clouded 266 00:20:19,174 --> 00:20:21,174 # My head is so clouded 267 00:20:23,034 --> 00:20:25,254 # You know how I feel 268 00:20:25,294 --> 00:20:27,454 # Tell me it's two-sided 269 00:20:27,494 --> 00:20:30,294 # Tell me it's two-sided 270 00:20:32,614 --> 00:20:36,534 # There's a sadness that I really can't shake 271 00:20:36,574 --> 00:20:40,594 # But my vision's got a few stripes 272 00:20:40,634 --> 00:20:43,874 # I never really feel at home anywhere 273 00:20:45,134 --> 00:20:47,694 # It's the right place at the wrong time 274 00:20:47,734 --> 00:20:52,274 # I, I feel my heartbeat climb 275 00:20:52,314 --> 00:20:53,814 # I, I feel my heartbeat climb 276 00:20:53,854 --> 00:20:58,014 # The moonlight cuts through white 277 00:20:58,054 --> 00:21:01,794 # My friends are all inside 278 00:21:04,874 --> 00:21:06,934 # The heat and the dark 279 00:21:06,974 --> 00:21:09,174 # My head is so clouded 280 00:21:09,214 --> 00:21:11,254 # My head is so clouded 281 00:21:13,254 --> 00:21:15,334 # You know how I feel 282 00:21:15,374 --> 00:21:17,534 # Tell me it's two-sided 283 00:21:17,574 --> 00:21:19,954 # Tell me it's two-sided 284 00:21:21,654 --> 00:21:23,854 # The heat and the dark 285 00:21:23,894 --> 00:21:25,874 # My head is so clouded 286 00:21:25,914 --> 00:21:28,054 # My head is so clouded 287 00:21:30,054 --> 00:21:32,074 # You know how I feel 288 00:21:32,114 --> 00:21:34,174 # Tell me it's two-sided 289 00:21:34,214 --> 00:21:36,494 # Tell me it's two-sided 290 00:21:38,334 --> 00:21:40,434 # The heat and the dark 291 00:21:40,474 --> 00:21:42,574 # My head is so clouded 292 00:21:42,614 --> 00:21:44,694 # My head is so clouded 293 00:21:46,714 --> 00:21:48,654 # You know how I feel 294 00:21:48,694 --> 00:21:50,774 # Tell me it's two-sided 295 00:21:50,814 --> 00:21:53,334 # Tell me it's two-sided 296 00:21:59,294 --> 00:22:01,354 # My head is so clouded 297 00:22:07,514 --> 00:22:09,654 # Tell me it's two-sided. # 298 00:22:13,174 --> 00:22:17,374 CHEERING AND APPLAUSE 299 00:22:17,414 --> 00:22:18,174 CHEERING AND APPLAUSE 300 00:22:22,674 --> 00:22:25,094 # Looks like we made it 301 00:22:26,814 --> 00:22:30,974 # Look how far we've come, my baby 302 00:22:31,994 --> 00:22:34,714 # Might have took the long way 303 00:22:36,454 --> 00:22:40,474 # We knew we'd get there someday 304 00:22:41,654 --> 00:22:46,094 # They said, "I bet they'll never make it" 305 00:22:46,134 --> 00:22:49,054 # They said, "I bet they'll never make it" 306 00:22:50,194 --> 00:22:54,334 # But just look at us holding on 307 00:22:54,374 --> 00:22:55,474 # But just look at us holding on 308 00:22:56,854 --> 00:23:01,474 # We're still together Still going strong 309 00:23:01,514 --> 00:23:03,294 # We're still together Still going strong 310 00:23:05,894 --> 00:23:09,734 # Still the one I run to 311 00:23:09,774 --> 00:23:13,874 # The one that I belong to 312 00:23:13,914 --> 00:23:18,934 # Still the one I want for life 313 00:23:18,974 --> 00:23:19,194 # Still the one I want for life 314 00:23:21,894 --> 00:23:25,954 # Still the one that I love 315 00:23:25,994 --> 00:23:30,094 # The only one I dream of 316 00:23:30,134 --> 00:23:34,314 # Still the one I kiss goodnight 317 00:23:34,354 --> 00:23:35,034 # Still the one I kiss goodnight 318 00:23:38,334 --> 00:23:40,234 # Ain't nothin' better 319 00:23:42,374 --> 00:23:46,594 # We beat the odds together 320 00:23:46,634 --> 00:23:46,714 # We beat the odds together 321 00:23:46,754 --> 00:23:48,694 # I'm glad we didn't listen 322 00:23:49,914 --> 00:23:53,774 # Just look at what we would be missin' 323 00:23:54,894 --> 00:23:59,974 # They said, "I bet they'll never make it" 324 00:24:00,014 --> 00:24:01,634 # They said, "I bet they'll never make it" 325 00:24:01,674 --> 00:24:06,094 # But just look at us holding on 326 00:24:06,134 --> 00:24:07,054 # But just look at us holding on 327 00:24:08,814 --> 00:24:13,274 # We're still together Still going strong 328 00:24:13,314 --> 00:24:15,374 # We're still together Still going strong 329 00:24:17,034 --> 00:24:18,534 # Oh 330 00:24:18,574 --> 00:24:22,134 # You're still the one I run to 331 00:24:22,174 --> 00:24:26,254 # The one that I belong to 332 00:24:26,294 --> 00:24:30,734 # You're still the one I want for life 333 00:24:30,774 --> 00:24:31,054 # You're still the one I want for life 334 00:24:33,854 --> 00:24:38,154 # You're still the one that I love 335 00:24:38,194 --> 00:24:42,294 # The only one I dream of 336 00:24:42,334 --> 00:24:47,154 # You're still the one I kiss goodnight 337 00:24:47,194 --> 00:24:47,294 # You're still the one I kiss goodnight 338 00:24:50,334 --> 00:24:52,514 # Looks like we made it 339 00:24:53,734 --> 00:24:57,614 # Just look how far we've come 340 00:24:57,654 --> 00:25:02,494 # My baby 341 00:25:02,534 --> 00:25:03,054 # My baby 342 00:25:05,894 --> 00:25:07,234 # Mm, yeah. # 343 00:25:08,574 --> 00:25:12,734 CHEERING AND APPLAUSE 344 00:25:12,774 --> 00:25:14,294 CHEERING AND APPLAUSE 345 00:25:16,554 --> 00:25:18,014 Shania Twain! 346 00:25:18,054 --> 00:25:19,994 CHEERING AND APPLAUSE 347 00:25:20,034 --> 00:25:20,974 Fantastic. 348 00:25:22,594 --> 00:25:24,214 With her wonderful song. 349 00:25:25,634 --> 00:25:26,734 Now, in this corner, 350 00:25:26,774 --> 00:25:29,934 a band who describe their sound as Geordie jazz. 351 00:25:29,974 --> 00:25:33,294 Performing a track from their album, A Great Day In Newcastle, 352 00:25:33,334 --> 00:25:35,454 please welcome Knats! 353 00:25:35,494 --> 00:25:38,694 CHEERING AND APPLAUSE 354 00:25:39,894 --> 00:25:40,874 Picture this. 355 00:25:42,814 --> 00:25:44,034 There's a young lad... 356 00:25:45,614 --> 00:25:48,494 ..he's a good kid, wouldn't hurt a fly. 357 00:25:50,414 --> 00:25:53,934 He's a creative - he likes to sing and dance and paint, you know. 358 00:25:56,074 --> 00:26:00,054 One day, his dad drags him to a boxing gym and says to him, 359 00:26:00,094 --> 00:26:01,714 "You need to learn how to fight." 360 00:26:03,294 --> 00:26:08,114 He thinks to himself, "What?" Says to his dad, "That's not me. 361 00:26:08,154 --> 00:26:09,014 He thinks to himself, "What?" Says to his dad, "That's not me. 362 00:26:09,054 --> 00:26:13,234 "I'm a lover, not a fighter, and I'm never gonna be a boxer." 363 00:26:13,274 --> 00:26:14,154 "I'm a lover, not a fighter, and I'm never gonna be a boxer." 364 00:29:12,654 --> 00:29:15,334 # Damn! I ain't never gonna be a boxer. # 365 00:29:27,694 --> 00:29:29,574 CHEERING AND APPLAUSE 366 00:29:33,894 --> 00:29:37,254 They're never gonna be a boxer. Thanks, Knats! 367 00:29:37,294 --> 00:29:40,394 CHEERING AND APPLAUSE 368 00:29:43,594 --> 00:29:45,774 Our next guest is a global megastar. 369 00:29:45,814 --> 00:29:48,014 They have had over 50 billion streams. 370 00:29:48,054 --> 00:29:50,494 They've got Grammys, Brits, a Golden Gloobe... Globe, 371 00:29:50,534 --> 00:29:54,654 and even an Oscar. I'm delighted to welcome back to the show, Sam Smith! 372 00:29:54,694 --> 00:29:55,914 Great to have you here. 373 00:29:55,954 --> 00:29:58,214 APPLAUSE Great to be here. 374 00:30:00,414 --> 00:30:04,134 And, I mean, let's face it, you first came on the show 375 00:30:04,174 --> 00:30:09,094 in 2013 with Disclosure, then you came in your own right in 2014. 376 00:30:09,134 --> 00:30:09,774 in 2013 with Disclosure, then you came in your own right in 2014. 377 00:30:09,814 --> 00:30:12,174 Any memories of those shows? 378 00:30:12,214 --> 00:30:15,734 I remember the first show I did by myself. 379 00:30:15,774 --> 00:30:18,014 Bono was performing at the same time. Was he? Right. 380 00:30:18,054 --> 00:30:20,234 OK.Yeah. And I got to meet him, which was amazing. 381 00:30:20,274 --> 00:30:23,414 Very good.And just, I have beautiful memories with you. 382 00:30:23,454 --> 00:30:24,974 Since the first time you came on the show, 383 00:30:25,014 --> 00:30:28,394 have you changed in your approach to music, do you think? 384 00:30:28,434 --> 00:30:30,374 Oh, my gosh, yes. In so many ways. 385 00:30:30,414 --> 00:30:34,174 Especially with this last album, you know, I'm... Every album I make, 386 00:30:34,214 --> 00:30:37,594 I'm trying to test myself, push myself as a songwriter, 387 00:30:37,634 --> 00:30:38,694 as a singer. 388 00:30:38,734 --> 00:30:41,114 And with this album as well, 389 00:30:41,154 --> 00:30:43,954 like, really getting into the production side 390 00:30:43,994 --> 00:30:45,614 of the music more than ever. 391 00:30:45,654 --> 00:30:49,174 I've just fallen in love over the last two, three years, 392 00:30:49,214 --> 00:30:53,534 with being with friends, and beautiful people in a room, 393 00:30:53,574 --> 00:30:57,294 and capturing beautiful performances. 394 00:30:57,334 --> 00:30:59,334 Mostly late at night in New York. 395 00:30:59,374 --> 00:31:02,154 Capturing a moment rather than perhaps maybe everything 396 00:31:02,194 --> 00:31:04,914 being precise and sort of computerised? 397 00:31:04,954 --> 00:31:08,334 Capturing the humanity?My third and fourth record that I brought out 398 00:31:08,374 --> 00:31:12,614 were very poptastic records and written in a very pop way, 399 00:31:12,654 --> 00:31:14,374 and I was just craving 400 00:31:14,414 --> 00:31:17,194 some humanity and being with people and, yeah, 401 00:31:17,234 --> 00:31:21,374 it's been about singing songs again and again and again and again 402 00:31:21,414 --> 00:31:22,874 and there's just sometimes, 403 00:31:22,914 --> 00:31:24,974 when you're a little bit weary late at night, 404 00:31:25,014 --> 00:31:28,914 you get these amazing performances that we've captured. 405 00:31:28,954 --> 00:31:31,014 That first song you played for us was fantastic. 406 00:31:31,054 --> 00:31:34,314 Thanks. And it was very spacious as well, so you could really 407 00:31:34,354 --> 00:31:37,754 hear the sound of your voice, which is also fantastic. 408 00:31:37,794 --> 00:31:40,834 Am I right in thinking that the theme on this record, 409 00:31:40,874 --> 00:31:42,774 it's a romantic theme, isn't it?Yes. 410 00:31:42,814 --> 00:31:47,154 Yes. The album's called Hazel Eyes and it's a love story. 411 00:31:47,194 --> 00:31:49,474 It's a very, very romantic love story. 412 00:31:49,514 --> 00:31:53,334 I've moved from England to New York for love and to be with my partner, 413 00:31:53,374 --> 00:31:55,054 and this album and the writing of it 414 00:31:55,094 --> 00:31:59,154 accompanied me from moving from here in North London 415 00:31:59,194 --> 00:32:00,614 to New York. 416 00:32:00,654 --> 00:32:03,134 Is New York very inspirational for your writing? 417 00:32:03,174 --> 00:32:05,494 It's become incredibly inspirational. 418 00:32:05,534 --> 00:32:09,654 It's just... It's... I mean, it's the gay epicentre of the world 419 00:32:09,694 --> 00:32:13,234 in many ways, you know. It's where the gay liberation movement started 420 00:32:13,274 --> 00:32:17,114 and there's just like, there's so much deep queer history there 421 00:32:17,154 --> 00:32:19,834 and I feel like I'm allowed to be more myself than ever before 422 00:32:19,874 --> 00:32:22,794 in that place, which is a beautiful thing. 423 00:32:22,834 --> 00:32:26,494 And I also just love walking around the streets listening to jazz music 424 00:32:26,534 --> 00:32:27,774 in New York. 425 00:32:27,814 --> 00:32:30,734 There's certain genres of music and style of music 426 00:32:30,774 --> 00:32:32,194 comes alive in that city. 427 00:32:32,234 --> 00:32:34,834 Just like in London, there's certain genres that come alive here 428 00:32:34,874 --> 00:32:36,134 more than anywhere else. 429 00:32:36,174 --> 00:32:39,134 And is there anything that you miss about England? 430 00:32:39,174 --> 00:32:40,994 I miss fish and chips. 431 00:32:41,034 --> 00:32:42,574 Every day of my life. 432 00:32:42,614 --> 00:32:43,714 I'll bring some out for you. 433 00:32:43,754 --> 00:32:46,714 Oh, please. All I think about is the silver hotplate. 434 00:32:46,754 --> 00:32:49,634 Oh. Szzzz! Mushy peas with that? 435 00:32:49,674 --> 00:32:51,494 Yeah. And I miss my family, 436 00:32:51,534 --> 00:32:53,694 but luckily, I'm back here quite regularly 437 00:32:53,734 --> 00:32:56,574 to see my family. My sister just had a baby. 438 00:32:56,614 --> 00:32:58,674 Things like that. So I get to be here a lot, 439 00:32:58,714 --> 00:33:00,054 which is still gorgeous. 440 00:33:00,094 --> 00:33:02,534 And visually, a very great creative artist 441 00:33:02,574 --> 00:33:05,294 both in the world of fashion and everything like that. 442 00:33:05,334 --> 00:33:08,494 Have you found new ways of looking at things in New York? 443 00:33:08,534 --> 00:33:12,134 Oh, my God, yeah. I mean, I can wear whatever I want. 444 00:33:12,174 --> 00:33:14,534 I mean, if I wear a mini skirt in New York, 445 00:33:14,574 --> 00:33:17,694 I get wolf-whistled on the street, which is nice. 446 00:33:17,734 --> 00:33:21,894 But I... Every day I wake up, I look at my wardrobe and decide 447 00:33:21,934 --> 00:33:22,174 But I... Every day I wake up, I look at my wardrobe and decide 448 00:33:22,214 --> 00:33:23,934 who I want to be. 449 00:33:23,974 --> 00:33:26,254 And I have so much fun with my clothes. 450 00:33:26,294 --> 00:33:27,894 I love fashion so much. 451 00:33:27,934 --> 00:33:30,094 My partner's a fashion designer, so I'm very lucky. 452 00:33:30,134 --> 00:33:31,914 It's a big part of my life now. 453 00:33:31,954 --> 00:33:33,334 New things to wear every day? 454 00:33:33,374 --> 00:33:35,894 Yeah. Now, if you could go back, we talked about that 455 00:33:35,934 --> 00:33:39,854 when you first came on in 2013, if you could go back in time to then, 456 00:33:39,894 --> 00:33:42,134 now, what would you say to them? Would you give them advice? 457 00:33:42,174 --> 00:33:43,634 What would you say? 458 00:33:43,674 --> 00:33:46,514 I mean, I'd teach them how to breathe. 459 00:33:46,554 --> 00:33:50,574 I'm very scared person. I get very anxious performing, even now. 460 00:33:50,614 --> 00:33:50,854 I'm very scared person. I get very anxious performing, even now. 461 00:33:50,894 --> 00:33:53,254 So, like, I've learned all these tools 462 00:33:53,294 --> 00:33:55,634 of how to, you know, relax, rest the body 463 00:33:55,674 --> 00:33:57,494 before you sing, stuff like that. 464 00:33:57,534 --> 00:33:59,074 So that would be the first thing I'd do. 465 00:33:59,114 --> 00:34:00,574 I'd just give them a hug. 466 00:34:00,614 --> 00:34:04,094 It was a confusing... Being 22 is confusing. Yes. 467 00:34:04,134 --> 00:34:06,774 I think that would be my advice to a lot is... 468 00:34:06,814 --> 00:34:07,874 I'd say, "Don't worry." 469 00:34:07,914 --> 00:34:09,454 Yeah. Don't worry. It's going to be all right. 470 00:34:09,494 --> 00:34:11,114 If you worry, it won't help anyway. Of course. 471 00:34:11,154 --> 00:34:13,134 What's the next thing you're going to be playing for us? 472 00:34:13,174 --> 00:34:15,054 I'm singing a song from the record 473 00:34:15,094 --> 00:34:19,354 called When He's Gone, which is a bit more of a melancholy, 474 00:34:19,394 --> 00:34:19,474 called When He's Gone, which is a bit more of a melancholy, 475 00:34:19,514 --> 00:34:24,494 moody moment in this romantic tale that is Hazel Eyes. 476 00:34:24,534 --> 00:34:24,934 moody moment in this romantic tale that is Hazel Eyes. 477 00:34:24,974 --> 00:34:28,714 And it's very, very inspired by country and western music 478 00:34:28,754 --> 00:34:31,254 and old soul, American soul records. 479 00:34:31,294 --> 00:34:33,214 Well, it's great having you back on the show. 480 00:34:33,254 --> 00:34:35,454 Your voice is sounding more powerful and more beautiful than ever. 481 00:34:35,494 --> 00:34:37,234 So it's fantastic to have you here. 482 00:34:37,274 --> 00:34:39,494 Thank you very much, Sam Smith. It's great to see you.Thank you. 483 00:34:39,534 --> 00:34:40,794 Good to see you. APPLAUSE 484 00:34:40,834 --> 00:34:42,894 Thank you so much. 485 00:34:42,934 --> 00:34:46,474 So, I'm not sure... Ah, you stay there, I'm going to go here. 486 00:34:46,514 --> 00:34:49,134 Right, thank you, thank you, Sam Smith. 487 00:34:49,174 --> 00:34:50,374 CHEERING AND APPLAUSE 488 00:34:50,414 --> 00:34:52,594 And now, please welcome back Arlo Parks! 489 00:34:52,634 --> 00:34:54,934 APPLAUSE 490 00:35:38,574 --> 00:35:43,434 # We're doing dishes The party's starting to thin 491 00:35:43,474 --> 00:35:43,874 # We're doing dishes The party's starting to thin 492 00:35:43,914 --> 00:35:48,334 # Aleda's cousin is out the back being sick 493 00:35:48,374 --> 00:35:52,674 # The walls are scratched up It smells of chips and gin 494 00:35:52,714 --> 00:35:53,494 # The walls are scratched up It smells of chips and gin 495 00:35:58,594 --> 00:36:02,734 # Crash and Ames are back at it 496 00:36:08,414 --> 00:36:13,134 # She kissed his cheek before she split 497 00:36:15,574 --> 00:36:20,294 # And I can hear him say I always knew, always knew 498 00:36:20,334 --> 00:36:22,714 # And I can hear him say I always knew, always knew 499 00:36:22,754 --> 00:36:27,094 # Always knew Always knew 500 00:36:27,134 --> 00:36:31,634 # I would find you I'd find you 501 00:36:31,674 --> 00:36:32,294 # I would find you I'd find you 502 00:36:32,334 --> 00:36:35,254 # I'd find you 503 00:36:36,854 --> 00:36:39,414 # We're smoking hand rolls 504 00:36:39,454 --> 00:36:41,774 # Feel like we're both in a film 505 00:36:41,814 --> 00:36:45,974 # Just being clumsy DJ-ing Goldie and Prince 506 00:36:46,014 --> 00:36:46,634 # Just being clumsy DJ-ing Goldie and Prince 507 00:36:46,674 --> 00:36:51,094 # And when the clock strikes The disco lights go blue 508 00:36:51,134 --> 00:36:51,734 # And when the clock strikes The disco lights go blue 509 00:36:56,114 --> 00:37:00,374 # 15 friends at 10 to 6 510 00:37:00,414 --> 00:37:00,974 # 15 friends at 10 to 6 511 00:37:06,414 --> 00:37:10,634 # This is what I always miss 512 00:37:10,674 --> 00:37:10,954 # This is what I always miss 513 00:37:13,394 --> 00:37:17,814 # And I can hear him say I always knew, always knew 514 00:37:17,854 --> 00:37:21,174 # And I can hear him say I always knew, always knew 515 00:37:21,214 --> 00:37:25,314 # Always knew Always knew 516 00:37:25,354 --> 00:37:30,094 # I would find you I'd find you 517 00:37:30,134 --> 00:37:30,894 # I would find you I'd find you 518 00:37:30,934 --> 00:37:32,774 # I'd find you 519 00:37:32,814 --> 00:37:35,494 # Yeah, I can hear him say 520 00:37:35,534 --> 00:37:40,354 # I always knew, always knew 521 00:37:40,394 --> 00:37:40,474 # I always knew, always knew 522 00:37:40,514 --> 00:37:44,854 # Always knew Always knew 523 00:37:44,894 --> 00:37:47,694 # I would find you 524 00:37:47,734 --> 00:37:50,454 # I'd find you 525 00:37:51,814 --> 00:37:54,694 # The minute I step away 526 00:37:56,614 --> 00:37:59,894 # The minute I step away 527 00:38:01,274 --> 00:38:03,934 # The minute I step away 528 00:38:06,174 --> 00:38:09,694 # The minute I step away 529 00:38:10,994 --> 00:38:14,894 # The minute I step away. # 530 00:38:17,034 --> 00:38:20,154 CHEERING AND APPLAUSE 531 00:39:00,094 --> 00:39:04,014 DISTORTED: # Fabien 532 00:39:06,854 --> 00:39:10,314 DISTORTED: # Fabien 533 00:39:13,274 --> 00:39:16,714 DISTORTED: # Fabien 534 00:39:19,754 --> 00:39:23,074 DISTORTED: # Fabien 535 00:39:25,834 --> 00:39:27,014 # Whoo! 536 00:40:18,814 --> 00:40:19,914 # Whoo! 537 00:42:03,934 --> 00:42:08,974 DISTORTED: # Sebastien. # 538 00:42:09,014 --> 00:42:09,574 DISTORTED: # Sebastien. # 539 00:42:11,334 --> 00:42:14,854 CHEERING AND APPLAUSE 540 00:42:20,734 --> 00:42:22,754 Thank you, Angine de Poitrine! 541 00:42:22,794 --> 00:42:25,514 CHEERING AND APPLAUSE 542 00:42:26,934 --> 00:42:29,254 And thank you to all of our wonderful guests this evening. 543 00:42:29,294 --> 00:42:31,134 I hope you've enjoyed this wonderful show. 544 00:42:31,174 --> 00:42:33,974 And now, let's finish with Sam Smith. 545 00:42:34,014 --> 00:42:36,134 CHEERING AND APPLAUSE 546 00:42:47,414 --> 00:42:49,134 # Hate it when you speak to me 547 00:42:49,174 --> 00:42:52,394 # With cruel and careless words 548 00:42:52,434 --> 00:42:54,534 # Everything you say to me 549 00:42:54,574 --> 00:42:57,014 # Can't you see it hurts? 550 00:42:57,054 --> 00:42:59,574 # Fills my heart with sorrow 551 00:42:59,614 --> 00:43:02,854 # How the hell did we turn down this road? 552 00:43:07,394 --> 00:43:10,014 # Love is not a game to play 553 00:43:10,054 --> 00:43:12,454 Fighting talk is cheap 554 00:43:12,494 --> 00:43:15,054 # Every time you roll the dice 555 00:43:15,094 --> 00:43:17,414 # It just ends in defeat 556 00:43:17,454 --> 00:43:20,194 # Fills my heart with sorrow 557 00:43:20,234 --> 00:43:23,294 # How the hell did we slip down so low? 558 00:43:27,214 --> 00:43:32,034 # When he's walking out on me 559 00:43:32,074 --> 00:43:33,534 # When he's walking out on me 560 00:43:36,814 --> 00:43:41,294 # He takes everything I need 561 00:43:41,334 --> 00:43:44,534 # He takes everything I need 562 00:43:45,654 --> 00:43:49,714 # My whole world's broken when he's gone 563 00:43:49,754 --> 00:43:51,294 # Gone 564 00:43:52,994 --> 00:43:56,934 # When he's gone 565 00:43:57,974 --> 00:43:59,154 # When he's gone 566 00:43:59,194 --> 00:44:00,454 # When he's gone 567 00:44:01,554 --> 00:44:03,454 # When he's gone 568 00:44:03,494 --> 00:44:05,974 # I'm the only one for him 569 00:44:06,014 --> 00:44:08,774 # This much I believe 570 00:44:08,814 --> 00:44:11,194 # If you cut me clean in half 571 00:44:11,234 --> 00:44:13,794 # His name I will bleed 572 00:44:13,834 --> 00:44:16,314 # So it fills my heart with sorrow 573 00:44:16,354 --> 00:44:19,674 # When I become the victim of his heart 574 00:44:21,134 --> 00:44:23,454 # Oh, no 575 00:44:23,494 --> 00:44:28,434 # When he's walking out on me 576 00:44:28,474 --> 00:44:30,894 # When he's walking out on me 577 00:44:32,974 --> 00:44:37,674 # He takes everything I need 578 00:44:37,714 --> 00:44:39,614 # He takes everything I need 579 00:44:41,614 --> 00:44:45,694 # My whole world's broken when he's gone 580 00:44:45,734 --> 00:44:48,894 # Gone 581 00:44:48,934 --> 00:44:52,394 # When he's gone 582 00:44:54,214 --> 00:44:56,934 # When he's gone When he's gone 583 00:44:56,974 --> 00:44:59,234 # When he's gone When he's gone 584 00:44:59,274 --> 00:45:01,794 # When he's gone When he's gone 585 00:45:01,834 --> 00:45:04,214 # When he's gone When he's gone 586 00:45:04,254 --> 00:45:07,054 # Oh 587 00:45:10,214 --> 00:45:12,494 # Well, that's the thing with passion 588 00:45:12,534 --> 00:45:15,014 # It passes like the weather 589 00:45:15,054 --> 00:45:17,294 # If he stays with me tonight 590 00:45:17,334 --> 00:45:20,154 # I promise I'll be better 591 00:45:20,194 --> 00:45:22,634 # I can keep him satisfied 592 00:45:22,674 --> 00:45:26,614 # In his arms is where I belong 593 00:45:27,734 --> 00:45:30,934 # My whole world's broken when he's gone. # 594 00:45:32,734 --> 00:45:35,454 CHEERING AND APPLAUSE 595 00:45:39,574 --> 00:45:43,954 MUSIC: Never Gonna Be A Boxer by Knats 596 00:45:51,734 --> 00:45:55,054 # Damn! I ain't never gonna be a boxer. #