1 00:00:02,560 --> 00:00:05,720 This programme contains some strong language 2 00:00:17,520 --> 00:00:22,120 We welcome, with recent number one triumph, it is Paul Heaton! 3 00:00:22,120 --> 00:00:25,560 CHEERING AND APPLAUSE 4 00:00:36,640 --> 00:00:38,840 # I saw you tie your shoe laces 5 00:00:38,840 --> 00:00:41,320 # You looked so very pleased 6 00:00:41,320 --> 00:00:43,520 # They came undone immediately 7 00:00:43,520 --> 00:00:45,920 # You sank down on your knees 8 00:00:45,920 --> 00:00:48,280 # Later at the light bulb change 9 00:00:48,280 --> 00:00:50,480 # It took you several hours 10 00:00:50,480 --> 00:00:52,880 # I watched you punch the air in joy 11 00:00:52,880 --> 00:00:56,280 # I thought, "The future's ours" 12 00:00:56,280 --> 00:00:58,600 # North Korea on holiday 13 00:00:58,600 --> 00:01:00,960 # Beirut for a midweek break 14 00:01:00,960 --> 00:01:03,000 # We could go just anywhere 15 00:01:03,000 --> 00:01:06,680 # And make the most of our mistake 16 00:01:08,880 --> 00:01:10,000 BOTH: # And if the sun don't shine 17 00:01:10,000 --> 00:01:11,120 # Well, the boys don't mind 18 00:01:11,120 --> 00:01:13,480 # Like a right foot in a left shoe 19 00:01:13,480 --> 00:01:17,840 # My favourite kind of idiot is you, you, you 20 00:01:17,840 --> 00:01:19,120 # You're a little bit cute 21 00:01:19,120 --> 00:01:20,280 # But you ain't no beaut 22 00:01:20,280 --> 00:01:22,360 # But I don't date you for the view 23 00:01:22,360 --> 00:01:25,520 # My favourite kind of idiot is you 24 00:01:29,360 --> 00:01:31,680 # I saw you try to cross the road 25 00:01:31,680 --> 00:01:33,920 # In a fight that you still lose 26 00:01:33,920 --> 00:01:36,280 # Both cycle lane and bus lane 27 00:01:36,280 --> 00:01:38,800 # Still leaving you confused 28 00:01:38,800 --> 00:01:40,960 # Returning a half-hour later 29 00:01:40,960 --> 00:01:43,479 # You still look pretty lost 30 00:01:43,479 --> 00:01:45,560 # Finally reached the other side 31 00:01:45,560 --> 00:01:48,160 # But forgotten why you'd crossed 32 00:01:49,479 --> 00:01:51,600 # New York, London, Milan, Paris 33 00:01:51,600 --> 00:01:53,680 # None of them we've been 34 00:01:53,680 --> 00:01:55,960 # Just the one day trip to the council tip 35 00:01:55,960 --> 00:01:59,640 # Fulfils our every dream 36 00:02:01,440 --> 00:02:02,760 BOTH: # And if the sun don't shine 37 00:02:02,760 --> 00:02:03,920 # Well, the boys don't mind 38 00:02:03,920 --> 00:02:06,160 # Like a right foot in a left shoe 39 00:02:06,160 --> 00:02:10,800 # My favourite kind of idiot is you, you, you 40 00:02:10,800 --> 00:02:12,040 # You're a little bit cute 41 00:02:12,040 --> 00:02:13,120 # But you ain't no beaut 42 00:02:13,120 --> 00:02:15,080 # But I don't date you for the view 43 00:02:15,080 --> 00:02:18,760 # My favourite kind of idiot is you 44 00:02:22,160 --> 00:02:24,680 # I can't believe the things we do 45 00:02:24,680 --> 00:02:26,880 # When just left on our own 46 00:02:26,880 --> 00:02:29,440 # But madness and insanity 47 00:02:29,440 --> 00:02:31,240 # Furnished both our homes 48 00:02:31,240 --> 00:02:33,720 # You're my dream idiot 49 00:02:33,720 --> 00:02:36,120 # I hope I'm your dream fool 50 00:02:36,120 --> 00:02:38,840 # Never mind the law or security door 51 00:02:38,840 --> 00:02:41,560 # If you weren't meant to break the rules 52 00:02:43,480 --> 00:02:45,920 # And if the sun don't shine 53 00:02:45,920 --> 00:02:47,079 # Well, the boys don't mind 54 00:02:47,079 --> 00:02:49,320 # Like a right foot in a left shoe 55 00:02:49,320 --> 00:02:54,040 # My favourite kind of idiot is you, you, you 56 00:02:54,040 --> 00:02:55,160 # You're a little bit cute 57 00:02:55,160 --> 00:02:56,400 # But you ain't no beaut 58 00:02:56,400 --> 00:02:58,360 # But I don't date you for the view 59 00:02:58,360 --> 00:03:01,520 # My favourite kind of idiot is you 60 00:03:02,960 --> 00:03:06,240 # My favourite kind of idiot is you 61 00:03:07,680 --> 00:03:12,440 # My favourite kind of idiot is you. # 62 00:03:14,360 --> 00:03:17,680 CHEERING AND APPLAUSE 63 00:03:20,880 --> 00:03:22,400 Thank you, Paul Heaton. 64 00:03:22,400 --> 00:03:24,480 CHEERING AND APPLAUSE 65 00:03:24,480 --> 00:03:25,840 More from them later. 66 00:03:25,840 --> 00:03:27,920 Let's meet our wonderful guests tonight. 67 00:03:27,920 --> 00:03:31,440 From Northampton, we're going to be welcoming DC3. 68 00:03:31,440 --> 00:03:34,120 CHEERING AND APPLAUSE 69 00:03:34,120 --> 00:03:37,160 From Manchester, the legendary Johnny Marr. 70 00:03:37,160 --> 00:03:40,079 CHEERING AND APPLAUSE 71 00:03:40,079 --> 00:03:43,120 From London, Mary In The Junkyard. Mary In The Junkyard. 72 00:03:43,120 --> 00:03:45,480 CHEERING AND APPLAUSE 73 00:03:47,000 --> 00:03:50,240 From Wiltshire, with his lovely sounding songs at the piano, 74 00:03:50,240 --> 00:03:52,360 we welcome Dermot Henry. 75 00:03:52,360 --> 00:03:54,680 CHEERING AND APPLAUSE 76 00:03:54,680 --> 00:03:58,760 But now, from south-east London, the wonderful voice of Skye Newman. 77 00:03:58,760 --> 00:04:01,640 CHEERING AND APPLAUSE 78 00:04:03,000 --> 00:04:05,000 # You've never worn these shoes 79 00:04:05,000 --> 00:04:07,480 # Don't mean my New Balance in blue 80 00:04:07,480 --> 00:04:09,960 # Raised on pure dysfunction 81 00:04:09,960 --> 00:04:12,560 # But sleep I'll never lose 82 00:04:12,560 --> 00:04:14,680 # Guess you'll never notice 83 00:04:14,680 --> 00:04:17,360 # Cos I always keep it neat 84 00:04:17,360 --> 00:04:19,519 # Got old wounds and fresh ones 85 00:04:19,519 --> 00:04:22,160 # But you won't see me bleed 86 00:04:24,640 --> 00:04:26,760 # Bitching 'bout problems 87 00:04:26,760 --> 00:04:29,640 # Like they're stuck on your lips 88 00:04:29,640 --> 00:04:31,400 # You're so dramatic 89 00:04:31,400 --> 00:04:33,920 # I could tell you 'bout me 90 00:04:33,920 --> 00:04:36,880 # But you won't understand 91 00:04:36,880 --> 00:04:38,760 # Get no caller IDs 92 00:04:38,760 --> 00:04:41,120 # It's the police again 93 00:04:41,120 --> 00:04:43,560 # No pills to be out 94 00:04:43,560 --> 00:04:45,840 # But there's no kids around 95 00:04:45,840 --> 00:04:48,360 # Death knocked down my door 96 00:04:48,360 --> 00:04:50,800 # Walked in unannounced 97 00:04:50,800 --> 00:04:52,960 # A line meant two things 98 00:04:52,960 --> 00:04:55,800 # Since I was, like, five 99 00:04:55,800 --> 00:04:57,760 # Starved cos his words 100 00:04:57,760 --> 00:05:00,240 # But at least I'm alive 101 00:05:00,240 --> 00:05:02,880 # It is what it is 102 00:05:02,880 --> 00:05:04,920 # You call it traumatic 103 00:05:04,920 --> 00:05:07,520 # But it is what it is 104 00:05:07,520 --> 00:05:09,760 # It's just family matters 105 00:05:09,760 --> 00:05:12,320 # There's times I can't keep focused 106 00:05:12,320 --> 00:05:14,760 # Cos they're all fucking raging 107 00:05:14,760 --> 00:05:17,120 # A spliff stops my explosion 108 00:05:17,120 --> 00:05:19,320 # Bad habits I'm not facing 109 00:05:19,320 --> 00:05:21,920 # At school, weed was my perfume 110 00:05:21,920 --> 00:05:24,360 # Then my brother's drugs got harder 111 00:05:24,360 --> 00:05:26,960 # It became substance abuse 112 00:05:26,960 --> 00:05:29,280 # He's a stupid bastard 113 00:05:31,760 --> 00:05:34,000 # Bitching 'bout problems 114 00:05:34,000 --> 00:05:36,440 # Like they're stuck on your lips 115 00:05:36,440 --> 00:05:38,680 # You're so dramatic 116 00:05:38,680 --> 00:05:40,960 # I could tell you 'bout me 117 00:05:40,960 --> 00:05:43,320 # But you won't understand 118 00:05:43,320 --> 00:05:45,800 # Get no caller IDs 119 00:05:45,800 --> 00:05:48,200 # It's the police again 120 00:05:48,200 --> 00:05:50,880 # No pills to be out 121 00:05:50,880 --> 00:05:52,880 # But there's no kids around 122 00:05:52,880 --> 00:05:55,560 # Death knocked down my door 123 00:05:55,560 --> 00:05:58,080 # Walked in unannounced 124 00:05:58,080 --> 00:06:00,200 # A line meant two things 125 00:06:00,200 --> 00:06:03,000 # Since I was, like, five 126 00:06:03,000 --> 00:06:05,080 # Starved cos his words 127 00:06:05,080 --> 00:06:07,480 # But at least I'm alive 128 00:06:07,480 --> 00:06:10,000 # It is what it is 129 00:06:10,000 --> 00:06:12,280 # You call it traumatic 130 00:06:12,280 --> 00:06:14,480 # But it is what it is 131 00:06:14,480 --> 00:06:17,080 # It's just family matters 132 00:06:17,080 --> 00:06:20,240 # I don't eat, I feed 133 00:06:20,240 --> 00:06:22,520 # That's who I am 134 00:06:22,520 --> 00:06:24,800 # You take the piss 135 00:06:24,800 --> 00:06:27,080 # Baby, I burn 136 00:06:27,080 --> 00:06:29,720 # My fire's hot 137 00:06:29,720 --> 00:06:31,720 # Yeah, I'm fucked up 138 00:06:31,720 --> 00:06:34,440 # But you haven't met my family 139 00:06:34,440 --> 00:06:36,320 # So you're in luck 140 00:06:36,320 --> 00:06:39,080 # Lucky you haven't met my family 141 00:06:39,080 --> 00:06:41,159 # Whoa-oh 142 00:06:41,159 --> 00:06:43,960 # Lucky you haven't met my family 143 00:06:43,960 --> 00:06:45,800 # We're all fucked up 144 00:06:51,320 --> 00:06:56,159 # Mm, you're in luck. # 145 00:07:00,000 --> 00:07:02,840 CHEERING AND APPLAUSE 146 00:07:04,680 --> 00:07:08,600 Fantastic. What a great hit single that is, Family Matters. 147 00:07:08,600 --> 00:07:10,360 Skye Newman! 148 00:07:10,360 --> 00:07:13,800 CHEERING AND APPLAUSE 149 00:07:13,800 --> 00:07:15,920 What a wonderful voice she has. 150 00:07:15,920 --> 00:07:17,720 Later on, she's going to join me at the piano. 151 00:07:17,720 --> 00:07:21,040 But now at the piano, we welcome a great songwriter, producer, 152 00:07:21,040 --> 00:07:24,400 guitar player, and amazing fellow. We welcome Johnny Marr. 153 00:07:24,400 --> 00:07:25,840 CHEERING AND APPLAUSE 154 00:07:25,840 --> 00:07:28,080 It's great to have you here. Really good to have you here. 155 00:07:28,080 --> 00:07:30,720 Good to see you, Jools. Welcome back to the studio. 156 00:07:30,720 --> 00:07:33,960 And congratulations on the release of your new album. Yeah. 157 00:07:33,960 --> 00:07:37,760 The Age Of Everything, good title. What inspired the title for you? 158 00:07:37,760 --> 00:07:41,440 It came out in a conversation I was having with somebody, just... 159 00:07:41,440 --> 00:07:43,920 It was... It just went by. 160 00:07:43,920 --> 00:07:47,640 And it struck me as a phrase... 161 00:07:47,640 --> 00:07:49,680 It sort of resonated with me. You know, as a songwriter, 162 00:07:49,680 --> 00:07:54,080 you've always got your antennae up for ideas, titles, concepts. 163 00:07:54,080 --> 00:07:56,480 And it was said to me in passing, 164 00:07:56,480 --> 00:07:59,120 and I thought, "That sounds like a good title," 165 00:07:59,120 --> 00:08:02,720 and it seemed to be something that maybe I think a lot of people 166 00:08:02,720 --> 00:08:03,880 can sort of relate to, 167 00:08:03,880 --> 00:08:06,560 or that it resonates with quite a lot of people. 168 00:08:06,560 --> 00:08:08,680 And then, during the writing and recording of the album, 169 00:08:08,680 --> 00:08:10,760 it sort of hangs over you a little bit, 170 00:08:10,760 --> 00:08:12,200 kind of like a bit of a concept, 171 00:08:12,200 --> 00:08:14,360 and then you start leaning into it a bit more. 172 00:08:14,360 --> 00:08:15,600 And was The Age Of Everything, 173 00:08:15,600 --> 00:08:19,280 was making the album a helpful, cathartic thing? 174 00:08:19,280 --> 00:08:23,360 It was, actually. I didn't realise that I actually needed catharsis 175 00:08:23,360 --> 00:08:25,320 until it came. 176 00:08:25,320 --> 00:08:28,120 When the record was finished, I realised that, lyrically - 177 00:08:28,120 --> 00:08:29,480 and musically, as well, I think - 178 00:08:29,480 --> 00:08:32,120 I had things on my mind that I didn't quite realise until... 179 00:08:32,120 --> 00:08:34,000 I always finish my albums at Abbey Road, 180 00:08:34,000 --> 00:08:37,320 it's become a little bit of a tradition, I master it there. 181 00:08:37,320 --> 00:08:39,400 And I was walking home from the mastering process, 182 00:08:39,400 --> 00:08:42,760 about 1.15 in the morning, and... 183 00:08:42,760 --> 00:08:44,640 On my own, quiet down the streets, and I thought, 184 00:08:44,640 --> 00:08:46,720 "Oh, yeah, I think... I've come out of something 185 00:08:46,720 --> 00:08:48,560 "for about a year and a half that's been a..." 186 00:08:48,560 --> 00:08:51,320 I needed to get some stuff off my chest, really, 187 00:08:51,320 --> 00:08:54,840 and out of my mind, you know, musically and lyrically, I think. 188 00:08:54,840 --> 00:08:56,960 Do you play these songs to anybody before recording them? 189 00:08:56,960 --> 00:08:58,680 Well, the thing about this album, actually, 190 00:08:58,680 --> 00:09:00,960 I was really pleased about, because me and the band, 191 00:09:00,960 --> 00:09:04,560 we took out all the songs, except for a couple, 192 00:09:04,560 --> 00:09:08,160 the entire album, we toured it before we even finished it, 193 00:09:08,160 --> 00:09:10,520 which is... I've been in bands, so many bands before, 194 00:09:10,520 --> 00:09:12,960 that we've said, "You know what we're going to do on the next album? 195 00:09:12,960 --> 00:09:15,600 "We'll go out and we'll play them live." It never happens. 196 00:09:15,600 --> 00:09:17,400 You know what I mean? You must know that. 197 00:09:17,400 --> 00:09:18,840 It's a great idea, but... 198 00:09:18,840 --> 00:09:23,000 In fact, in this case, because I'd announced it to my management, 199 00:09:23,000 --> 00:09:25,120 and I'd announced it to my band and my family, 200 00:09:25,120 --> 00:09:26,920 I kind of had to do it then, really. 201 00:09:26,920 --> 00:09:28,800 And it's an amazing thing that, 202 00:09:28,800 --> 00:09:31,280 when you get out and play in front of audiences, 203 00:09:31,280 --> 00:09:35,080 you don't half get your lyrics together a bit more quickly 204 00:09:35,080 --> 00:09:38,760 and titles and...tempos - that's the thing. 205 00:09:38,760 --> 00:09:42,320 Because when you write songs in the studio or on a laptop, 206 00:09:42,320 --> 00:09:43,640 it's a bit too relaxed, 207 00:09:43,640 --> 00:09:46,640 but when you get out in front of an audience each night, 208 00:09:46,640 --> 00:09:48,560 the tempos become a bit more spritely, 209 00:09:48,560 --> 00:09:50,000 and some bits get a bit shorter, 210 00:09:50,000 --> 00:09:53,680 and your guitar solos get a little bit more exciting. 211 00:09:53,680 --> 00:09:56,800 Get some feedback, proper feedback, like old-school. 212 00:09:56,800 --> 00:09:58,560 Yeah, exactly. You can see the whites of their eyes. 213 00:09:58,560 --> 00:10:00,160 You can see the people, you can read the room. 214 00:10:00,160 --> 00:10:01,520 Well, also, it's very encouraging, 215 00:10:01,520 --> 00:10:03,920 because songs that have gone down well, when you... 216 00:10:03,920 --> 00:10:05,520 You can't wait to record them. Yeah, yeah. 217 00:10:05,520 --> 00:10:07,640 You're thinking, "All right, it's a banger," you know, so... 218 00:10:07,640 --> 00:10:10,200 We've got a film here of you performing live 219 00:10:10,200 --> 00:10:12,760 with It's Time from The Age Of Everything. 220 00:10:12,760 --> 00:10:14,200 Where was this filmed? 221 00:10:14,200 --> 00:10:17,440 That was done at Castlefield Bowl in Manchester in the summer. 222 00:10:17,440 --> 00:10:19,680 I think it was the... It's the biggest sort of headline show 223 00:10:19,680 --> 00:10:22,240 I'd done, and it was in my hometown. 224 00:10:22,240 --> 00:10:24,600 And Castlefield Bowl is a beautiful little venue cos it's - 225 00:10:24,600 --> 00:10:27,520 or big venue - in the centre of town, because it's like a... 226 00:10:28,520 --> 00:10:33,680 It's a natural amphitheatre, but yet it's in the city centre. 227 00:10:33,680 --> 00:10:37,240 Cos I'm a bit of a city boy, really, so I like cities, 228 00:10:37,240 --> 00:10:39,080 but natural amphitheatres are beautiful. 229 00:10:39,080 --> 00:10:44,040 So outdoor, beautiful weather, nice crowd, 230 00:10:44,040 --> 00:10:46,000 it was a really special night, yeah. 231 00:10:46,000 --> 00:10:48,960 # Everybody ain't makin' it 232 00:10:48,960 --> 00:10:51,640 # Oh, oh, oh, oh, oh, oh, oh 233 00:10:51,640 --> 00:10:54,480 # Everybody is crazy 234 00:10:54,480 --> 00:10:57,160 # Oh, oh, oh, oh, oh, oh, oh 235 00:10:57,160 --> 00:11:00,080 # Burning up the sun and moon 236 00:11:00,080 --> 00:11:02,840 # Holding out for too much too soon 237 00:11:02,840 --> 00:11:06,000 # Everybody get crazy 238 00:11:06,000 --> 00:11:08,520 # Oh, oh, oh, oh, oh, oh, oh... # 239 00:11:12,160 --> 00:11:15,640 And you collaborate with lots of different people, you know, 240 00:11:15,640 --> 00:11:18,960 from Bryan Ferry, The Pretenders, Oasis, Franz Ferdinand, 241 00:11:18,960 --> 00:11:21,280 and, recently, with Gorillaz. 242 00:11:21,280 --> 00:11:23,720 Yeah. What was the thing with Gorillaz? They're great. 243 00:11:23,720 --> 00:11:27,000 Yeah, I think it's the fourth or fifth Gorillaz album now. 244 00:11:27,000 --> 00:11:29,880 Damon contacted me, asked me would I be into doing it, 245 00:11:29,880 --> 00:11:33,840 and...the thing with this current Gorillaz album 246 00:11:33,840 --> 00:11:39,720 is a lot of it's informed by Indian and Vedanta philosophy and music. 247 00:11:39,720 --> 00:11:44,160 So when we got to play...when we got to play the songs live - 248 00:11:44,160 --> 00:11:47,440 I mean, I did a few songs on the album, which was great - 249 00:11:47,440 --> 00:11:52,000 but when we got to play live, Anoushka Shankar's playing onstage. 250 00:11:52,000 --> 00:11:56,960 Wow. So playing with Anoushka and all the different musicians, 251 00:11:56,960 --> 00:12:01,600 the diversity of music that Damon employs, it's a... 252 00:12:01,600 --> 00:12:04,960 It's a very, very inspirational thing. 253 00:12:04,960 --> 00:12:07,800 And the vibe of the show, we played a big gig at... 254 00:12:07,800 --> 00:12:11,360 Gorillaz played a big gig at the Tottenham Hotspur Stadium 255 00:12:11,360 --> 00:12:13,920 in the summer, and anyone who was there will tell you 256 00:12:13,920 --> 00:12:15,680 that the atmosphere in the venue was... 257 00:12:15,680 --> 00:12:17,520 It was a really memorable night. 258 00:12:17,520 --> 00:12:20,400 It's very positive, about inclusivity, 259 00:12:20,400 --> 00:12:24,080 people from all walks of life and musicians from all over the world. 260 00:12:24,080 --> 00:12:26,520 I think what he's doing is just remarkable. 261 00:12:26,520 --> 00:12:30,080 They seem to get better with... as they go along, really. 262 00:12:30,080 --> 00:12:31,960 Now, you're a tidy person, I believe. 263 00:12:31,960 --> 00:12:35,320 Tidy studio, tidy record, that's what they say. 264 00:12:35,320 --> 00:12:38,000 And you've recently had a clear-out of your studio. 265 00:12:38,000 --> 00:12:40,520 Is your life a clutter or are you a minimalist? 266 00:12:40,520 --> 00:12:43,040 Er, I'm working on being a minimalist, actually. 267 00:12:43,040 --> 00:12:44,680 I think it's really good for you. 268 00:12:44,680 --> 00:12:48,640 But there's been times in my life where it's been a real clutterfest. 269 00:12:48,640 --> 00:12:49,920 Mm. 270 00:12:49,920 --> 00:12:51,680 But, yeah, I recently... 271 00:12:51,680 --> 00:12:54,480 Well, I auctioned my guitars at Christie's very recently, 272 00:12:54,480 --> 00:12:55,960 and that was a big... 273 00:12:55,960 --> 00:12:57,480 I wouldn't say clear-out, 274 00:12:57,480 --> 00:13:01,400 but that was definitely a moving on of all these instruments. 275 00:13:01,400 --> 00:13:04,920 But they have given me 45 years of loyal service... 276 00:13:04,920 --> 00:13:08,520 Yes. ..so it was a very big... it was a big deal for me 277 00:13:08,520 --> 00:13:10,880 and my family's lives, you know. 278 00:13:10,880 --> 00:13:12,560 It was a great experience. 279 00:13:12,560 --> 00:13:15,160 I mean, out of interest, you sold a lot of guitars, 280 00:13:15,160 --> 00:13:18,480 but if you could have one instrument that had belonged to somebody else 281 00:13:18,480 --> 00:13:20,400 along the line, of any sort, 282 00:13:20,400 --> 00:13:23,360 that had been owned by somebody in history, what would it be? 283 00:13:23,360 --> 00:13:26,520 It would be... It'd have to be... 284 00:13:26,520 --> 00:13:29,760 ..a trumpet owned by Miles Davis, I think. Oh. 285 00:13:29,760 --> 00:13:35,800 Yeah, from the sort of...from the mid '60s period, I'd say. Oh, nice. 286 00:13:35,800 --> 00:13:39,160 Either that or McCoy Tyner's piano. Oh, nice. 287 00:13:39,160 --> 00:13:41,840 But I think the trumpet's easier to lug around with me, really. 288 00:13:41,840 --> 00:13:42,920 Can you play the trumpet? 289 00:13:42,920 --> 00:13:44,960 Not at all. Well, it's clutter. 290 00:13:44,960 --> 00:13:47,760 That's clutter, then, isn't it? You see? Cos it's unnecessary. 291 00:13:47,760 --> 00:13:49,560 Well, I'd just carry it... I'd wear it. 292 00:13:49,560 --> 00:13:51,640 Yeah. Just wear it round... A necklace. 293 00:13:52,680 --> 00:13:54,880 McCoy Tyner came on this programme... I know. 294 00:13:54,880 --> 00:13:56,840 ..and this was the piano he played. 295 00:13:56,840 --> 00:13:58,720 And it is available, if you're interested. 296 00:13:58,720 --> 00:14:01,000 This piano? We can do terms. Yeah. 297 00:14:01,000 --> 00:14:03,680 Yeah, you're grifting now, are you? 298 00:14:03,680 --> 00:14:07,600 Yeah, exactly. Now, the songs on The Age Of Everything are fantastic. 299 00:14:07,600 --> 00:14:09,120 Where can people hear them? 300 00:14:09,120 --> 00:14:14,720 The album's coming out on October 2nd, so that's when it's OUT out. 301 00:14:14,720 --> 00:14:16,760 And I'm going to be playing... 302 00:14:16,760 --> 00:14:20,360 We're going to be announcing a sort of...like, an album concert 303 00:14:20,360 --> 00:14:25,080 sort of for fans where we do the new material, somewhere in London. 304 00:14:25,080 --> 00:14:26,840 I'm not sure yet. 305 00:14:26,840 --> 00:14:28,320 That's going to be any day now. 306 00:14:28,320 --> 00:14:31,520 And then we've... I'm going to South America then, 307 00:14:31,520 --> 00:14:35,320 to Argentina, and Brazil, and Mexico. 308 00:14:35,320 --> 00:14:36,680 And now you've had a clear-out, 309 00:14:36,680 --> 00:14:39,880 great time to buy a load of stuff to bring the clutter back. 310 00:14:39,880 --> 00:14:42,640 Maybe buy a few pianos. Yeah, exactly. 311 00:14:42,640 --> 00:14:44,120 What harm can it do? 312 00:14:44,120 --> 00:14:47,160 Yeah, synthesisers. Always find a little space for it in the corner. 313 00:14:47,160 --> 00:14:49,280 Yeah. It's been wonderful having you here as a guest tonight, 314 00:14:49,280 --> 00:14:51,160 and thank you for joining us. We'll see you again soon. 315 00:14:51,160 --> 00:14:52,400 Thank you, Johnny Marr. 316 00:14:52,400 --> 00:14:53,640 CHEERING AND APPLAUSE 317 00:14:53,640 --> 00:14:55,440 Great to see you. Cheers, Jools. 318 00:14:55,440 --> 00:14:57,000 See you in a bit. 319 00:14:57,000 --> 00:14:58,280 Thank you, Johnny Marr. 320 00:14:58,280 --> 00:15:02,920 Next, a 19-year-old gospel-inspired rapper 321 00:15:02,920 --> 00:15:06,800 and artist who earlier this year won not one, but two Mobos. 322 00:15:06,800 --> 00:15:09,480 Please welcome DC3. 323 00:15:09,480 --> 00:15:12,600 CHEERING AND APPLAUSE 324 00:15:13,920 --> 00:15:20,000 # Ooh, ooh-ooh-ooh, ooh-ooh 325 00:15:20,000 --> 00:15:24,920 # Ooh, ooh-ooh-ooh, ooh-ooh 326 00:15:26,160 --> 00:15:31,320 # Lord, I know we'll fly back home 327 00:15:31,320 --> 00:15:37,760 # I just wanted to know why it takes so long 328 00:15:37,760 --> 00:15:43,240 # You took away our freedom but can't take our souls 329 00:15:43,240 --> 00:15:48,880 # This world is cold, but soon we'll be home 330 00:15:48,880 --> 00:15:51,760 # I know we'll find a way 331 00:15:51,760 --> 00:15:54,720 # I know it's not today 332 00:15:54,720 --> 00:15:57,200 # I know we'll find a way 333 00:15:57,200 --> 00:15:58,760 # We'll find a way 334 00:15:58,760 --> 00:16:00,400 # We'll find a way 335 00:16:00,400 --> 00:16:02,920 # Like Previously on Roots 336 00:16:02,920 --> 00:16:05,320 # Kunta has been captivated by the... 337 00:16:05,320 --> 00:16:07,840 # Mad I feel like Kunta in UK 338 00:16:07,840 --> 00:16:08,960 # I feel like 339 00:16:08,960 --> 00:16:10,320 # Hold up, whoa 340 00:16:10,320 --> 00:16:12,240 # I feel like Kunta in UK UK 341 00:16:12,240 --> 00:16:14,160 # Feel like a weight, great, bro 342 00:16:14,160 --> 00:16:15,960 # I feel like Kunta in UK UK 343 00:16:15,960 --> 00:16:17,640 # Money ain't faster than Usains 344 00:16:17,640 --> 00:16:19,400 # Some said, a minute, you're too late 345 00:16:19,400 --> 00:16:21,840 # To ship along, still you're welcome in UK 346 00:16:21,840 --> 00:16:23,440 # I feel like Kunta in UK 347 00:16:23,440 --> 00:16:24,680 # I feel like 348 00:16:24,680 --> 00:16:25,800 # Hold up, whoa 349 00:16:25,800 --> 00:16:27,720 # I feel like Kunta in UK 350 00:16:27,720 --> 00:16:29,640 # I feel like a weight, great, bro 351 00:16:29,640 --> 00:16:31,440 # I feel like Kunta in UK 352 00:16:31,440 --> 00:16:33,320 # Money ain't fast for the Usains 353 00:16:33,320 --> 00:16:35,000 # Some said, a minute, you're too late 354 00:16:35,000 --> 00:16:37,320 # To ship along, still you're welcome in UK 355 00:16:37,320 --> 00:16:39,200 # Toby, they say what my name is 356 00:16:39,200 --> 00:16:41,360 # Home is no vibes, and it's either the man or kid 357 00:16:41,360 --> 00:16:43,040 # Boy, I try rap to be famous 358 00:16:43,040 --> 00:16:45,040 # Tinoi but spirituals, 21st century 359 00:16:45,040 --> 00:16:46,960 # Now I see fees on my playlist 360 00:16:46,960 --> 00:16:48,360 # Culture vultures to be basic 361 00:16:48,360 --> 00:16:49,600 # In it, you get in with 362 00:16:49,600 --> 00:16:50,920 # From now on freedom is our song 363 00:16:50,920 --> 00:16:52,600 # Even for real, hate the bailiffs 364 00:16:52,600 --> 00:16:56,120 # And to every bailiff in UK say We gon' be all right 365 00:16:56,120 --> 00:16:57,280 # That's right 366 00:16:57,280 --> 00:16:58,360 # In the UK 367 00:16:58,360 --> 00:17:00,520 # Dark in the race, yeah, we bringing the light-light 368 00:17:00,520 --> 00:17:02,040 # That should be making it bright-bright 369 00:17:02,040 --> 00:17:03,840 # Tell your vibes and seraphim for the night-night 370 00:17:03,840 --> 00:17:05,000 # Screaming out, "How long?" 371 00:17:05,000 --> 00:17:06,200 # God said, "It's a marathon" 372 00:17:06,200 --> 00:17:08,119 # Kid in business, hold emotion We standing on 373 00:17:08,119 --> 00:17:09,720 # Putting our foot down, son 374 00:17:09,720 --> 00:17:11,119 # Yeah, six heart, can't play with me 375 00:17:11,119 --> 00:17:12,160 # Look 376 00:17:12,160 --> 00:17:13,200 # Selling my neighbour 377 00:17:13,200 --> 00:17:14,240 # Helping the saviour 378 00:17:14,240 --> 00:17:15,599 # Love is a bullet, I lay 'em with one 379 00:17:15,599 --> 00:17:17,520 # Meant, I'mma lay 'em with two, boy 380 00:17:17,520 --> 00:17:19,359 # Love it when they tell me, "How can we lose?" 381 00:17:19,359 --> 00:17:22,319 # In the gym, it's living up and they're cruising us 382 00:17:22,319 --> 00:17:23,760 # Say what? 383 00:17:23,760 --> 00:17:25,359 # I feel like Kunta in UK 384 00:17:25,359 --> 00:17:26,640 # I feel like 385 00:17:26,640 --> 00:17:27,839 # Hold up, whoa 386 00:17:27,839 --> 00:17:29,440 # I feel like Kunta in UK 387 00:17:29,440 --> 00:17:31,400 # Feel like a weight, great, bro 388 00:17:31,400 --> 00:17:33,320 # I feel like Kunta in UK 389 00:17:33,320 --> 00:17:35,360 # Money ain't fast with the Usains 390 00:17:35,360 --> 00:17:37,200 # Some said, a minute, you're too late 391 00:17:37,200 --> 00:17:39,360 # To ship along, still you're welcome in UK 392 00:17:39,360 --> 00:17:41,080 # I feel like Kunta in UK 393 00:17:41,080 --> 00:17:42,200 # I feel like 394 00:17:42,200 --> 00:17:43,360 # Hold up, whoa 395 00:17:43,360 --> 00:17:44,880 # I feel like Kunta in UK 396 00:17:44,880 --> 00:17:46,880 # Feel like a weight, great, bro 397 00:17:46,880 --> 00:17:48,840 # I feel like Kunta in UK 398 00:17:48,840 --> 00:17:50,720 # Money ain't fast with the Usains 399 00:17:50,720 --> 00:17:52,720 # Some said, a minute, you're too late 400 00:17:52,720 --> 00:17:54,920 # To ship along, still you're welcome in UK 401 00:17:54,920 --> 00:17:57,600 # Been 18 years round here, now in '25 402 00:17:57,600 --> 00:17:58,760 # Took me a touch 403 00:17:58,760 --> 00:18:00,520 # Meant to be moving like Christ 404 00:18:00,520 --> 00:18:02,760 # Pride in the mind, harder to love 405 00:18:02,760 --> 00:18:04,400 # Being on your guard in case of these snakes 406 00:18:04,400 --> 00:18:06,400 # To be in my lane, harder to trust 407 00:18:06,400 --> 00:18:08,240 # You're all looking at me with disgust 408 00:18:08,240 --> 00:18:10,920 # Judge, but we bleed the same colour 409 00:18:10,920 --> 00:18:12,960 # We seem the same, brother 410 00:18:12,960 --> 00:18:14,760 # Bleed the same colour 411 00:18:14,760 --> 00:18:16,400 # They're livin' like brave mothers 412 00:18:16,400 --> 00:18:18,520 # Tell 'em, we bleed the same colour 413 00:18:18,520 --> 00:18:20,640 # Though we ain't the same colour 414 00:18:20,640 --> 00:18:22,320 # Outside, they hate others 415 00:18:22,320 --> 00:18:24,520 # Still, we ain't the same We ain't the 416 00:18:24,520 --> 00:18:26,520 # We ain't the same, same, same, same 417 00:18:26,520 --> 00:18:28,920 # Same, same, same, same We ain't the 418 00:18:28,920 --> 00:18:30,600 # We ain't the same, same, same, same 419 00:18:30,600 --> 00:18:32,720 # Same, same, same, same We ain't the 420 00:18:32,720 --> 00:18:34,440 # We ain't the same, same, same, same 421 00:18:34,440 --> 00:18:35,840 # Same, same, same, same 422 00:18:35,840 --> 00:18:38,240 # We gotta change, change, change, change 423 00:18:38,240 --> 00:18:39,840 # Same, same, same, same 424 00:18:41,720 --> 00:18:44,680 # I know we'll find a way 425 00:18:44,680 --> 00:18:47,400 # I know we'll find a way 426 00:18:47,400 --> 00:18:50,200 # I know we'll find a way 427 00:18:50,200 --> 00:18:51,600 # We'll find a way 428 00:18:51,600 --> 00:18:53,480 # We'll find a way 429 00:18:53,480 --> 00:18:56,160 # I know we'll find a way 430 00:18:56,160 --> 00:18:59,080 # I know we'll find a way 431 00:18:59,080 --> 00:19:01,960 # I know we'll find a way 432 00:19:01,960 --> 00:19:03,240 # We'll find a way 433 00:19:03,240 --> 00:19:05,000 # We'll find a way. # 434 00:19:07,960 --> 00:19:11,440 CHEERING AND APPLAUSE 435 00:19:13,160 --> 00:19:14,920 Wonderful. Thank you. 436 00:19:14,920 --> 00:19:16,280 DC3. 437 00:19:18,320 --> 00:19:21,520 CHEERING AND APPLAUSE 438 00:19:21,520 --> 00:19:23,160 Next, over in this direction, 439 00:19:23,160 --> 00:19:26,680 a south London trio who tonight perform for the first time 440 00:19:26,680 --> 00:19:29,480 on British television with a song from their debut album 441 00:19:29,480 --> 00:19:30,920 Role Model Hermit. 442 00:19:30,920 --> 00:19:33,960 Please welcome Mary In The Junkyard. 443 00:19:33,960 --> 00:19:37,000 CHEERING AND APPLAUSE 444 00:19:37,000 --> 00:19:38,120 # Ah! 445 00:19:58,120 --> 00:20:05,520 # Spot of blood 446 00:20:07,720 --> 00:20:15,720 # On the floor 447 00:20:17,000 --> 00:20:19,120 # I won't let you down 448 00:20:22,040 --> 00:20:23,800 # If you let me in 449 00:20:26,920 --> 00:20:28,880 # You can forget about 450 00:20:32,080 --> 00:20:33,920 # All the pain, babe 451 00:20:36,760 --> 00:20:40,120 # But there is nothing to see here 452 00:20:41,760 --> 00:20:44,640 # Except sweetness 453 00:20:46,920 --> 00:20:50,080 # And I've got nothing to hide 454 00:20:51,920 --> 00:20:55,200 # In your mattress 455 00:20:57,320 --> 00:20:59,880 # And when I see you walking towards me 456 00:20:59,880 --> 00:21:02,320 # Yeah, you know what I'm talking about 457 00:21:02,320 --> 00:21:04,880 # And later when you undress me 458 00:21:04,880 --> 00:21:07,120 # I know that you know that I feel it 459 00:21:07,120 --> 00:21:09,240 # I've been thinking about you all day 460 00:21:09,240 --> 00:21:11,920 # Yeah, it's all that I can think about 461 00:21:11,920 --> 00:21:14,240 # They say that love makes you naked 462 00:21:14,240 --> 00:21:17,680 # And I need you to cover me up 463 00:21:17,680 --> 00:21:19,040 # Ah 464 00:21:38,720 --> 00:21:46,480 # Spot of new love 465 00:21:47,480 --> 00:21:57,040 # I believe in us 466 00:21:57,040 --> 00:21:59,800 # I won't let you down 467 00:22:02,560 --> 00:22:04,680 # If you let me in 468 00:22:07,560 --> 00:22:09,480 # You can forget about 469 00:22:12,720 --> 00:22:14,400 # All the pain, babe 470 00:22:17,520 --> 00:22:21,160 # But there is nothing to see here 471 00:22:22,320 --> 00:22:25,480 # Except sweetness 472 00:22:27,960 --> 00:22:31,200 # And I've got nothing to hide 473 00:22:32,920 --> 00:22:36,440 # In your mattress 474 00:22:38,280 --> 00:22:41,920 # There is nothing to see here 475 00:22:42,960 --> 00:22:46,200 # Except sweetness 476 00:22:48,080 --> 00:22:51,240 # And I've got nothing to hide 477 00:22:53,080 --> 00:22:58,560 # In your mattress 478 00:22:58,560 --> 00:23:01,080 # When I see you walking towards me 479 00:23:01,080 --> 00:23:03,680 # Yeah, you know what I'm talking about 480 00:23:03,680 --> 00:23:05,760 # And later when you undress me 481 00:23:05,760 --> 00:23:08,360 # I know that you know that I feel it 482 00:23:08,360 --> 00:23:10,480 # I've been thinking about you all day 483 00:23:10,480 --> 00:23:13,000 # Yeah, it's all that I can think about 484 00:23:13,000 --> 00:23:15,400 # They say that love makes you naked 485 00:23:15,400 --> 00:23:18,960 # And I need you to cover me up 486 00:23:18,960 --> 00:23:21,040 # Ah. # 487 00:23:23,240 --> 00:23:26,640 CHEERING AND APPLAUSE 488 00:23:30,040 --> 00:23:32,600 Thank you, Mary In The Junkyard. 489 00:23:35,240 --> 00:23:38,800 And now, over here to one of my favourite new friends at the moment. 490 00:23:38,800 --> 00:23:42,400 I'm delighted to have at the piano Skye Newman. 491 00:23:42,400 --> 00:23:45,160 CHEERING AND APPLAUSE 492 00:23:45,160 --> 00:23:46,640 So lovely to have you here. 493 00:23:46,640 --> 00:23:48,040 Thank you for having me. 494 00:23:49,440 --> 00:23:53,360 Now, we first got to know each other at a big King's Trust concert. 495 00:23:53,360 --> 00:23:54,600 Yeah, a few months ago now. 496 00:23:54,600 --> 00:23:56,040 And you sat in with my band, 497 00:23:56,040 --> 00:23:58,720 and I was just so knocked out with your voice. Thank you. 498 00:23:58,720 --> 00:24:00,960 Cos your own music's great, but you've got this powerful voice 499 00:24:00,960 --> 00:24:03,200 that just, like, kind of... Loud. 500 00:24:03,200 --> 00:24:07,280 Well, powerful and just full of spirit, which is great. Thank you. 501 00:24:07,280 --> 00:24:11,360 And in the last year, you've released SE9 project in two parts. 502 00:24:11,360 --> 00:24:14,080 For people who don't know what SE9 is, how would you describe it? 503 00:24:14,080 --> 00:24:20,920 I would describe SE9 as pretty much the name of it, SE9, it's my area. 504 00:24:20,920 --> 00:24:23,320 I think that your area builds who you are so much, 505 00:24:23,320 --> 00:24:25,120 the people that you're around. 506 00:24:25,120 --> 00:24:29,960 And I think that to understand me, you have to understand that. 507 00:24:29,960 --> 00:24:33,560 I come from a council estate, love it, loved the way I grew up. 508 00:24:33,560 --> 00:24:37,040 As much as it was dysfunctional, and a whirlwind, and crazy, 509 00:24:37,040 --> 00:24:40,200 it's made me who I am, so I'm blessed beyond... 510 00:24:40,200 --> 00:24:41,800 And I love SE9. 511 00:24:41,800 --> 00:24:45,640 But we're getting out of that now, 512 00:24:45,640 --> 00:24:48,280 and we're moving on to better things, hopefully. 513 00:24:48,280 --> 00:24:50,200 But I'll always love my home. Yeah. 514 00:24:50,200 --> 00:24:52,440 And a great community there, family and everything. 515 00:24:52,440 --> 00:24:55,640 Listen, there's nothing better than the people around you. Yeah. 516 00:24:55,640 --> 00:24:57,960 And now you're preparing for four sold-out nights 517 00:24:57,960 --> 00:24:59,720 at the O2 Academy in Brixton, 518 00:24:59,720 --> 00:25:03,280 and you're about to be joining Harry Styles on tour in Australia... 519 00:25:03,280 --> 00:25:07,800 Crazy. ..doing gigantic places. How did that come about? 520 00:25:07,800 --> 00:25:12,840 I got a call from one of my managers 521 00:25:12,840 --> 00:25:14,760 and was like, "We've got an offer through." 522 00:25:14,760 --> 00:25:17,960 I was in the kitchen with my sister, and they was like, 523 00:25:17,960 --> 00:25:23,080 "Would you like to go and do a stadium tour with Harry Styles?" 524 00:25:23,080 --> 00:25:27,400 And I was like, "Yes, obviously." I mean, who wouldn't? 525 00:25:27,400 --> 00:25:29,240 And I was like, "This is just surreal," 526 00:25:29,240 --> 00:25:31,880 because I think not long before that I'd got to go on tour 527 00:25:31,880 --> 00:25:33,480 with Lewis Capaldi, and even that... 528 00:25:33,480 --> 00:25:36,320 He's a man I've listened to for a very long time. 529 00:25:36,320 --> 00:25:39,120 So it's mad. Standing in front of these people is wild. 530 00:25:39,120 --> 00:25:41,160 Like, when you get to meet these people and you think, 531 00:25:41,160 --> 00:25:43,120 "I've watched you my whole life and now you're here." 532 00:25:43,120 --> 00:25:44,920 They're all just normal, as well, by the way, guys. 533 00:25:44,920 --> 00:25:46,440 They're all just normal people. 534 00:25:46,440 --> 00:25:47,920 There you are. Normal. 535 00:25:47,920 --> 00:25:51,120 So who inspired you to sing and be musical in the first place? 536 00:25:51,120 --> 00:25:55,200 My first inspiration was my auntie. She was a singer-songwriter. 537 00:25:55,200 --> 00:25:57,800 And no-one that you would know, but she loved music 538 00:25:57,800 --> 00:26:03,080 with every bone in her body, and she raised me pretty much, and... 539 00:26:04,280 --> 00:26:07,560 ..I lost her when I was ten. Oh, I'm sorry. 540 00:26:07,560 --> 00:26:09,760 But she was the most incredible woman, 541 00:26:09,760 --> 00:26:13,680 and she showed me that music really can save your life. 542 00:26:13,680 --> 00:26:15,160 As much as she lost hers, 543 00:26:15,160 --> 00:26:19,120 it gave her so much light in such dark situations, so... 544 00:26:19,120 --> 00:26:20,360 Thankful for it. 545 00:26:20,360 --> 00:26:22,800 We're going to do something at the piano. What should we do? 546 00:26:22,800 --> 00:26:24,320 We're going to do Ain't No Sunshine, 547 00:26:24,320 --> 00:26:27,640 because I actually sung it at her funeral. 548 00:26:27,640 --> 00:26:30,440 Cos there ain't no sunshine when she's gone, 549 00:26:30,440 --> 00:26:33,160 and I think so many people hear this song in such a different light, 550 00:26:33,160 --> 00:26:37,280 but for me, it's exactly that, it's grief. 551 00:26:37,280 --> 00:26:39,360 Skye Newman. Thank you. 552 00:26:39,360 --> 00:26:41,680 APPLAUSE 553 00:26:49,040 --> 00:26:55,640 # Ain't no sunshine when she's gone 554 00:26:55,640 --> 00:27:01,880 # It's not warm when she's away 555 00:27:01,880 --> 00:27:05,560 # Ain't no sunshine when she's gone 556 00:27:05,560 --> 00:27:08,640 # And she's always gone too long 557 00:27:08,640 --> 00:27:14,760 # Any time she goes away 558 00:27:14,760 --> 00:27:21,000 # Wonder this time where she's gone 559 00:27:21,000 --> 00:27:27,120 # Wonder if she's gone to stay 560 00:27:27,120 --> 00:27:30,520 # Ain't no sunshine when she's gone 561 00:27:30,520 --> 00:27:33,640 # And this house just ain't no home 562 00:27:33,640 --> 00:27:39,440 # Any time she goes away 563 00:27:39,440 --> 00:27:42,120 # And I know, I know, I know, I know 564 00:27:42,120 --> 00:27:44,720 # I know, I know, I know, I know 565 00:27:44,720 --> 00:27:47,200 # I know, I know, I know, I know 566 00:27:47,200 --> 00:27:49,720 # I know, I know, I know, I know 567 00:27:49,720 --> 00:27:52,320 # I know, I know, I know, I know 568 00:27:52,320 --> 00:27:57,960 # I know I oughta leave this young thing alone 569 00:27:57,960 --> 00:28:03,280 # But ain't no sunshine when she's gone 570 00:28:04,600 --> 00:28:10,600 # Only darkness every day 571 00:28:10,600 --> 00:28:13,920 # Ain't no sunshine when she's gone 572 00:28:13,920 --> 00:28:17,160 # And this house just ain't no home 573 00:28:17,160 --> 00:28:21,680 # Any time she goes away 574 00:28:29,720 --> 00:28:34,080 # Oh, oh, oh, oh, oh 575 00:28:34,080 --> 00:28:37,400 # Oh, ay 576 00:28:37,400 --> 00:28:44,560 # Oh, ain't no sunshine when she's gone 577 00:28:46,600 --> 00:28:52,240 # Ain't no sunshine when she's gone 578 00:28:52,240 --> 00:28:58,480 # It's not warm when she's away 579 00:28:58,480 --> 00:29:02,560 # Ain't no sunshine when she's gone 580 00:29:02,560 --> 00:29:06,080 # And she's always gone too long 581 00:29:06,080 --> 00:29:14,000 # Any time she goes away 582 00:29:15,240 --> 00:29:19,280 # Mm, mm, mm. # 583 00:29:20,880 --> 00:29:23,920 CHEERING AND APPLAUSE 584 00:29:39,640 --> 00:29:41,960 # I was end of third year 585 00:29:41,960 --> 00:29:44,400 # Lonely and confused 586 00:29:44,400 --> 00:29:46,800 # Too old for the youth club 587 00:29:46,800 --> 00:29:49,320 # Too young for the blues 588 00:29:49,320 --> 00:29:51,720 # Barely out of primary 589 00:29:51,720 --> 00:29:54,200 # Still they had me choose 590 00:29:54,200 --> 00:29:57,600 # Exactly what I wanted from career 591 00:30:01,200 --> 00:30:03,600 # They came up with suggestions 592 00:30:03,600 --> 00:30:06,160 # I thanked them for advice 593 00:30:06,160 --> 00:30:08,440 # Lifted an index finger 594 00:30:08,440 --> 00:30:11,080 # And pointed it outside 595 00:30:11,080 --> 00:30:12,920 # Thank you for your presence 596 00:30:12,920 --> 00:30:15,920 # Thank you, miss Thank you, sir 597 00:30:15,920 --> 00:30:19,960 # I'm afraid I want the job of kissing her 598 00:30:21,240 --> 00:30:24,720 BOTH: # I want the job of kissing her 599 00:30:25,960 --> 00:30:30,640 # I want the job of holding hands 600 00:30:30,640 --> 00:30:33,960 # Sitting next to her at every lunchtime 601 00:30:35,600 --> 00:30:39,520 # And quietly talk of future plans 602 00:30:47,280 --> 00:30:49,800 # Years later at the Jobcentre 603 00:30:49,800 --> 00:30:52,000 # They sat me down again 604 00:30:52,000 --> 00:30:54,560 # Asked if I was happy 605 00:30:54,560 --> 00:30:57,040 # Had the situation changed? 606 00:30:57,040 --> 00:30:59,400 # Any interviews, appointments 607 00:30:59,400 --> 00:31:01,920 # I'd recently arranged 608 00:31:01,920 --> 00:31:05,280 # That could help me decide upon career 609 00:31:06,920 --> 00:31:09,200 # All of your proposals 610 00:31:09,200 --> 00:31:11,600 # They sound so very great 611 00:31:11,600 --> 00:31:13,760 # From the scrubbing of the toilet 612 00:31:13,760 --> 00:31:16,480 # To the cleaning of the plate 613 00:31:16,480 --> 00:31:18,840 # Thank you for your time today 614 00:31:18,840 --> 00:31:21,360 # I'm afraid I can't concur 615 00:31:21,360 --> 00:31:25,520 # I've got myself the job of loving her 616 00:31:26,760 --> 00:31:30,320 # I got the job of kissing her 617 00:31:31,520 --> 00:31:35,280 # I got the job of holding hands 618 00:31:36,280 --> 00:31:39,520 # Sit next to her at every lunchtime 619 00:31:41,160 --> 00:31:44,800 # And quietly talk of future plans 620 00:31:48,560 --> 00:31:51,480 # When love for woman seems to happen 621 00:31:53,400 --> 00:31:56,480 # The more the envious seem to stare 622 00:31:58,120 --> 00:32:01,240 # And the more I'd be determined 623 00:32:03,040 --> 00:32:06,360 # To keep the job of loving her 624 00:32:14,840 --> 00:32:16,960 # Finally at the graveyard 625 00:32:16,960 --> 00:32:19,480 # My job at last is done 626 00:32:19,480 --> 00:32:21,920 # And when you reach retirement 627 00:32:21,920 --> 00:32:24,280 # Regrets, there should be none 628 00:32:24,280 --> 00:32:26,800 # Cover me in gold 629 00:32:26,800 --> 00:32:29,200 # In frankincense and myrrh 630 00:32:29,200 --> 00:32:32,720 # Cos nothing brought the riches I had 631 00:32:32,720 --> 00:32:36,920 # With the job of loving her 632 00:32:36,920 --> 00:32:41,800 # I had the job of kissing her 633 00:32:41,800 --> 00:32:46,360 # I had the job of holding hands 634 00:32:46,360 --> 00:32:51,320 # Sat next to her at every lunchtime 635 00:32:51,320 --> 00:32:55,160 # And quietly talk of future plans 636 00:32:58,560 --> 00:33:01,920 # When love for woman used to happen 637 00:33:03,720 --> 00:33:06,840 # The more the envious seemed to stare 638 00:33:08,640 --> 00:33:12,360 # And the more I'd be determined 639 00:33:13,400 --> 00:33:17,960 # To keep the job of loving her. # 640 00:33:25,800 --> 00:33:29,360 CHEERING AND APPLAUSE 641 00:33:30,680 --> 00:33:35,200 How wonderful. Thank you, Paul Heaton, featuring Rianne Downey... 642 00:33:36,440 --> 00:33:38,000 ..with I Want The Job 643 00:33:38,000 --> 00:33:41,720 from his recent number one album Jenius, spelt with a J. 644 00:33:41,720 --> 00:33:43,760 Marvellous to have you here. Thank you, Paul Heaton. 645 00:33:43,760 --> 00:33:45,400 APPLAUSE 646 00:33:45,400 --> 00:33:48,200 Our next guest over here began his career 647 00:33:48,200 --> 00:33:50,720 busking on the streets of Paris. 648 00:33:50,720 --> 00:33:54,800 His debut album, Bad Throw, Good Catch, is out in November. 649 00:33:54,800 --> 00:33:57,640 Please welcome Dermot Henry. 650 00:33:57,640 --> 00:33:59,880 CHEERING AND APPLAUSE 651 00:34:18,679 --> 00:34:24,960 # I haven't paid my phone bill since the water ran out 652 00:34:24,960 --> 00:34:32,560 # I can't put petrol in my car, gotta stay in the house 653 00:34:32,560 --> 00:34:39,560 # Grandad's had his eyes done, they're healing OK 654 00:34:39,560 --> 00:34:46,480 # I had him round for dinner and he stopped me to say 655 00:34:46,480 --> 00:34:49,120 # "Son, I can't see 656 00:34:49,120 --> 00:34:52,400 # "But I know you've got tall 657 00:34:52,400 --> 00:34:54,639 # "Thanks for the food 658 00:34:54,639 --> 00:34:57,760 # "I love you, that's all" 659 00:34:59,360 --> 00:35:06,600 # I feel more like I'm different each time I come home 660 00:35:06,600 --> 00:35:14,480 # Honey, I feel like more like I'm stagnant when you tell me I've grown 661 00:35:14,480 --> 00:35:21,120 # I'm talking to Matthew, he's telling me he's fine 662 00:35:21,120 --> 00:35:28,160 # As he swallows the crying he's trying so hard to hide 663 00:35:28,160 --> 00:35:34,400 # And he got upset when the tears wouldn't fall 664 00:35:34,400 --> 00:35:39,800 # But that's OK, I love you, that's all 665 00:35:41,800 --> 00:35:48,600 # When I lived in a postcard that I couldn't send 666 00:35:48,600 --> 00:35:55,680 # You were waiting for a painting in metal to bend 667 00:35:55,680 --> 00:36:01,280 # You held me when I landed down from the air 668 00:36:01,280 --> 00:36:08,920 # You said, "Your bones, your skin, your hair" 669 00:36:08,920 --> 00:36:16,160 # And what once was enormous is now perfectly small 670 00:36:16,160 --> 00:36:23,200 # You're here, I love you, that's all 671 00:36:23,200 --> 00:36:27,520 # Well, there's a man on my TV 672 00:36:27,520 --> 00:36:31,480 # He says to love my neighbour 673 00:36:31,480 --> 00:36:38,760 # But he goes home past his gateway and he slams his front door 674 00:36:38,760 --> 00:36:44,360 # The next programme shows him, he points at a map 675 00:36:44,360 --> 00:36:48,240 # He says, "These lines are final 676 00:36:48,240 --> 00:36:52,200 # "Why do you think it's a trap?" 677 00:36:52,200 --> 00:36:58,360 # And he got excited as the sky starts to fall 678 00:36:58,360 --> 00:37:06,360 # On the side of a missile, God loves you, that's all 679 00:37:17,360 --> 00:37:20,560 # Now our love is changing 680 00:37:20,560 --> 00:37:23,960 # We're both people now, I know 681 00:37:23,960 --> 00:37:31,160 # We have things to remember, honey, things to let go 682 00:37:31,160 --> 00:37:37,680 # We have warm sighs to carry, laughter to hold 683 00:37:37,680 --> 00:37:44,480 # To keep throwing back up into the toilet bowl 684 00:37:45,440 --> 00:37:52,000 # Close your eyes, my favourite darling girl 685 00:37:52,000 --> 00:37:59,640 # I love you, I love you, I love you, I love you 686 00:37:59,640 --> 00:38:06,120 # I love you, I love you, that's all. # 687 00:38:13,280 --> 00:38:17,760 CHEERING AND APPLAUSE 688 00:38:34,360 --> 00:38:39,520 # I climb out the window, you shout down the walls 689 00:38:39,520 --> 00:38:44,240 # You'll make a madness from something so small 690 00:38:44,240 --> 00:38:49,680 # To you it's illegal when I talk back loud 691 00:38:49,680 --> 00:38:53,840 # It's never simple with the man of this house 692 00:38:53,840 --> 00:38:59,120 # You'd argue grass is purple so you can tell me I'm wrong 693 00:38:59,120 --> 00:39:02,000 # It goes on and on 694 00:39:02,000 --> 00:39:06,880 # I wish I didn't love you, but I do 695 00:39:06,880 --> 00:39:12,320 # I wish it wasn't always another excuse 696 00:39:12,320 --> 00:39:15,040 # You're always fucking round 697 00:39:15,040 --> 00:39:17,280 # You never fix your mouth 698 00:39:17,280 --> 00:39:20,120 # When you put it on me, well, it says it all, 699 00:39:20,120 --> 00:39:22,320 # Says it all, says it all 700 00:39:22,320 --> 00:39:26,240 # I wish I didn't love you 701 00:39:26,240 --> 00:39:29,880 # But I do, I do, I do 702 00:39:34,080 --> 00:39:37,000 # You never let go of me 703 00:39:37,000 --> 00:39:39,520 # Watch me like your shitty TV 704 00:39:39,520 --> 00:39:41,520 # Even when I'm smoking green 705 00:39:41,520 --> 00:39:44,360 # I still can't smoke you out 706 00:39:44,360 --> 00:39:47,480 # It's clear you can't be alone 707 00:39:47,480 --> 00:39:49,880 # I don't wanna be near you 708 00:39:49,880 --> 00:39:54,680 # The I love I needed most was sniffed in lines before school 709 00:39:54,680 --> 00:39:59,760 # And now another sleepless night followed by a fucked up high 710 00:39:59,760 --> 00:40:04,120 # Leaving me with swollen eyes again 711 00:40:04,120 --> 00:40:09,920 # You'd argue grass is purple so you can tell me I'm wrong 712 00:40:09,920 --> 00:40:12,720 # It goes on and on 713 00:40:12,720 --> 00:40:17,640 # I wish I didn't love you, but I do 714 00:40:17,640 --> 00:40:22,720 # I wish it wasn't always another excuse 715 00:40:22,720 --> 00:40:25,360 # You're always fucking round Around 716 00:40:25,360 --> 00:40:27,920 # You never fix your mouth Mouth 717 00:40:27,920 --> 00:40:30,800 # When you put it on me, well, it says it all, 718 00:40:30,800 --> 00:40:32,840 # Says it all, says it all 719 00:40:32,840 --> 00:40:37,560 # I wish I didn't love you 720 00:40:37,560 --> 00:40:40,640 # But I do, I do, I do 721 00:40:43,080 --> 00:40:47,240 # I wish I didn't love you 722 00:40:47,240 --> 00:40:53,640 # But I do, I do, I do. # 723 00:40:56,400 --> 00:41:01,520 CHEERING AND APPLAUSE 724 00:41:01,520 --> 00:41:03,520 Fantastic. Skye Newman! 725 00:41:03,520 --> 00:41:07,640 CHEERING AND APPLAUSE 726 00:41:07,640 --> 00:41:10,320 Thanks to all my guests this evening. Thank you, Dermot. 727 00:41:10,320 --> 00:41:12,280 You sounded very good there in the middle of the room. 728 00:41:12,280 --> 00:41:14,600 And I think we're going to finish with Paul Heaton. 729 00:41:14,600 --> 00:41:18,760 Now, Paul, any chance of a Beautiful South song? 730 00:41:18,760 --> 00:41:21,640 Well, I'd normally say no, but as it's you... 731 00:41:21,640 --> 00:41:23,000 Oh, you're very kind. 732 00:41:23,000 --> 00:41:25,280 We want to hear a Beautiful South song. It'd be lovely, wouldn't it? 733 00:41:25,280 --> 00:41:26,520 CHEERING AND APPLAUSE 734 00:41:26,520 --> 00:41:28,040 What one have you got up your sleeve? 735 00:41:28,040 --> 00:41:29,240 You Keep It All In. 736 00:41:29,240 --> 00:41:31,600 You Keep It All In. Thank you very much for joining us, Paul Heaton! 737 00:41:31,600 --> 00:41:32,800 And thank you to all my guests! 738 00:41:32,800 --> 00:41:34,680 Thank you for joining us. See you next week. 739 00:41:34,680 --> 00:41:37,560 CHEERING AND APPLAUSE 740 00:41:48,800 --> 00:41:51,280 # You know your problem 741 00:41:51,280 --> 00:41:55,280 # You keep it all in 742 00:41:55,280 --> 00:41:57,440 # You know your problem 743 00:41:57,440 --> 00:41:59,840 # You keep it all in 744 00:42:00,800 --> 00:42:02,640 # That's right 745 00:42:02,640 --> 00:42:05,600 # The conversation we had last night 746 00:42:05,600 --> 00:42:07,840 # When all I wanted to do was 747 00:42:07,840 --> 00:42:09,640 # Knife you in the heart 748 00:42:09,640 --> 00:42:11,720 # I kept it all in 749 00:42:13,480 --> 00:42:15,520 # You know your problem 750 00:42:15,520 --> 00:42:18,320 # You keep it all in 751 00:42:19,920 --> 00:42:22,000 # You know your problem 752 00:42:22,000 --> 00:42:25,680 # You keep it all in 753 00:42:25,680 --> 00:42:27,320 # Midnight 754 00:42:27,320 --> 00:42:30,200 # A husband getting ready to fight 755 00:42:30,200 --> 00:42:33,960 # A daughter sleeps alone with the light turned on, she hears 756 00:42:33,960 --> 00:42:36,600 # But keeps it all in 757 00:42:39,760 --> 00:42:43,080 # Just like that murder in '73 758 00:42:43,080 --> 00:42:46,400 # Just like that robbery in '62 759 00:42:46,400 --> 00:42:49,360 # With all these things that have happened to me 760 00:42:49,360 --> 00:42:51,680 # I kept them all in 761 00:42:51,680 --> 00:42:53,720 # So why do you keep on telling me now? 762 00:42:59,520 --> 00:43:03,280 # Ah-ah 763 00:43:05,640 --> 00:43:09,800 # Ah-ah 764 00:43:11,680 --> 00:43:14,160 # You know your problem 765 00:43:14,160 --> 00:43:17,960 # You keep it all in 766 00:43:17,960 --> 00:43:20,560 # You know your problem 767 00:43:20,560 --> 00:43:23,880 # You keep it all in 768 00:43:23,880 --> 00:43:25,720 # That's sweet 769 00:43:25,720 --> 00:43:28,560 # That conversation we had last week 770 00:43:28,560 --> 00:43:30,720 # When you gagged and bound me up to my seat 771 00:43:30,720 --> 00:43:32,320 # You're right, I do 772 00:43:32,320 --> 00:43:34,280 # I keep it all in 773 00:43:38,120 --> 00:43:41,280 # Just like that murder in '73 774 00:43:41,280 --> 00:43:44,640 # Just like that robbery in '62 775 00:43:44,640 --> 00:43:47,440 # With all these things that have happened to me 776 00:43:47,440 --> 00:43:50,600 # I kept them all in 777 00:43:50,600 --> 00:43:52,000 # I kept it all in 778 00:43:52,000 --> 00:43:53,600 # Ba, ba-da-ba-da, ba 779 00:43:53,600 --> 00:43:55,040 # I kept it all in 780 00:43:55,040 --> 00:43:56,920 # Ba, ba-da-ba-da, ba 781 00:43:56,920 --> 00:43:58,400 # I kept it all in 782 00:43:58,400 --> 00:44:00,000 # Ba, ba-da-ba-da, ba 783 00:44:00,000 --> 00:44:01,360 # I kept it all in 784 00:44:01,360 --> 00:44:02,960 # Ba, ba-da-ba-da, ba 785 00:44:02,960 --> 00:44:05,200 # I kept it all in, now, now, now people 786 00:44:05,200 --> 00:44:07,080 # Ba, ba-da-ba-da, ba I kept it all in 787 00:44:07,080 --> 00:44:09,160 # Ba, ba-da-ba-da, ba Right in 788 00:44:09,160 --> 00:44:11,800 # I kept it all in, now, now, now people 789 00:44:11,800 --> 00:44:13,480 # Ba, ba-da-ba-da, ba I kept it all in 790 00:44:13,480 --> 00:44:15,480 # Ba, ba-da-ba-da, ba Right in 791 00:44:15,480 --> 00:44:16,800 # Uh-huh-huh 792 00:44:16,800 --> 00:44:20,480 # Hey, hey, hey, hey. # 793 00:44:20,480 --> 00:44:25,960 CHEERING AND APPLAUSE 794 00:44:31,480 --> 00:44:34,360 # I know we'll find a way 795 00:44:34,360 --> 00:44:37,320 # I know we'll find a way 796 00:44:37,320 --> 00:44:39,800 # I know we'll find a way 797 00:44:39,800 --> 00:44:41,320 # We'll find a way 798 00:44:41,320 --> 00:44:43,120 # We'll find a way 799 00:44:43,120 --> 00:44:46,160 # I know we'll find a way 800 00:44:46,160 --> 00:44:49,040 # I know we'll find a way 801 00:44:49,040 --> 00:44:51,440 # I know we'll find a way 802 00:44:51,440 --> 00:44:52,960 # We'll find a way 803 00:44:52,960 --> 00:44:54,800 # We'll find a way. #