1
00:00:02,466 --> 00:00:04,483
[grunting]

2
00:00:06,150 --> 00:00:07,266
What are you doing?

3
00:00:07,300 --> 00:00:10,283
We're arm wrestling
to see who gets your room.

4
00:00:10,316 --> 00:00:13,216
Niles, she's a little girl.

5
00:00:13,250 --> 00:00:15,830
[sobs] You're hurting me.

6
00:00:15,116 --> 00:00:16,150
Oh, I'm sorry.

7
00:00:16,183 --> 00:00:17,116
Ow!

8
00:00:17,150 --> 00:00:18,483
Sucker.

9
00:00:19,160 --> 00:00:21,116
Meanwhile, you're so busy
deciding who gets my room

10
00:00:21,150 --> 00:00:22,350
where am I supposed to sleep?

11
00:00:22,383 --> 00:00:25,000
Well, Fran, once you're married
you'll move in with Daddy.

12
00:00:25,330 --> 00:00:26,166
Oh, my God.

13
00:00:26,200 --> 00:00:28,830
This just keeps getting
better and better.

14
00:00:29,316 --> 00:00:32,333
Oh, there's my adorable
new roommate now.

15
00:00:32,366 --> 00:00:34,166
-Morning, darling.
-You know, sweetie

16
00:00:34,200 --> 00:00:36,166
last night, you didn't give me
that little something

17
00:00:36,200 --> 00:00:38,333
that I'm used to getting
from you every week.

18
00:00:38,366 --> 00:00:40,483
Oh, Fran, since we got engaged

19
00:00:41,160 --> 00:00:43,166
I didn't think I had to
give it you anymore.

20
00:00:45,233 --> 00:00:47,830
Wait. I know what
I'm talking about.

21
00:00:47,116 --> 00:00:50,100
-What are you talking about?
-Your paycheck.

22
00:00:50,133 --> 00:00:53,250
Oh, thank God. That's what
I'm talking about, too.

23
00:00:53,283 --> 00:00:57,200
But honey, even though
we're getting married,
I still wanna work.

24
00:00:57,233 --> 00:00:59,433
We have always been
a two-income family.

25
00:01:01,200 --> 00:01:04,483
Yes, dear, but your income
always came out of my income.

26
00:01:06,000 --> 00:01:08,116
I still wanna have a career.

27
00:01:08,150 --> 00:01:11,330
I don't wanna be
one of those wives
that just sits around

28
00:01:11,660 --> 00:01:13,450
having lunch with the girls,
or shopping

29
00:01:13,483 --> 00:01:15,483
or getting their hair done.

30
00:01:16,160 --> 00:01:17,200
All right, well, you know what?

31
00:01:17,233 --> 00:01:19,100
Maybe I'll try it
for a couple of weeks.

32
00:01:21,316 --> 00:01:23,433
[theme song playing]

33
00:01:23,466 --> 00:01:26,250
♪<i>She was working</i>
<i>In a bridal shop</i>
<i>In Flushing, Queens</i>

34
00:01:26,283 --> 00:01:28,830
♪<i>Till her boyfriend</i>
<i>Kicked her out</i>

35
00:01:28,116 --> 00:01:29,366
♪<i>In one of those</i>
<i>Crushing scenes</i>

36
00:01:29,400 --> 00:01:31,333
♪<i>What was she to do?</i>
<i>Where was she to go?</i>

37
00:01:31,366 --> 00:01:34,350
♪<i>She was out on her fanny</i>

38
00:01:34,383 --> 00:01:37,100
♪<i>So over the bridge</i>
<i>From Flushing</i>
<i>To the Sheffield's door</i>

39
00:01:37,133 --> 00:01:40,160
♪<i>She was there to sell make-up</i>
<i>But the father saw more</i>

40
00:01:40,500 --> 00:01:42,100
♪<i>She had style! She had flair!</i>
<i>She was there!</i>

41
00:01:42,133 --> 00:01:45,433
♪<i>That's how she became</i>
<i>The Nanny</i>

42
00:01:45,466 --> 00:01:48,450
♪<i>Who would have guessed</i>
<i>That the girl we described</i>

43
00:01:48,483 --> 00:01:51,500
♪<i>Was just exactly</i>
<i>What the doctor prescribed?</i>

44
00:01:51,830 --> 00:01:52,250
♪<i>Now, the father</i>
<i>Finds her beguiling</i>

45
00:01:52,283 --> 00:01:54,160
♪<i>Watch out C.C.!</i>

46
00:01:54,500 --> 00:01:55,216
♪<i>And the kids</i>
<i>Are actually smiling</i>

47
00:01:55,250 --> 00:01:56,250
♪<i>Such joie de vivre</i>

48
00:01:56,283 --> 00:01:57,466
♪<i>She's the lady in red</i>

49
00:01:58,000 --> 00:02:02,660
♪<i>When everybody else</i>
<i>Is wearing tan</i>

50
00:02:02,100 --> 00:02:04,330
♪<i>The flashy girl</i>
<i>From Flushing</i>

51
00:02:04,660 --> 00:02:05,300
♪<i>The Nanny named Fran!</i>

52
00:02:07,166 --> 00:02:10,166
[music playing]

53
00:02:12,400 --> 00:02:15,116
C.C., I'm going through
these wedding responses

54
00:02:15,150 --> 00:02:18,830
and I see that you've only
R.S.V.P.-ed for one.

55
00:02:18,116 --> 00:02:20,200
You sure you don't want
to bring a guest with you?

56
00:02:20,233 --> 00:02:22,383
Well, I thought
I might go with you.

57
00:02:26,450 --> 00:02:28,283
Is that inappropriate?

58
00:02:30,250 --> 00:02:33,233
Well, I am marrying Fran.
I thought I might sit with her.

59
00:02:35,100 --> 00:02:37,250
Of course.
You think I'm serious?

60
00:02:39,500 --> 00:02:40,466
Can I catch a ride
with you guys?

61
00:02:42,350 --> 00:02:47,200
Maxwell, I have two
very important things

62
00:02:47,233 --> 00:02:49,000
to talk to you
about the wedding.

63
00:02:49,330 --> 00:02:50,383
I say we honeymoon
in the Caribbean

64
00:02:50,416 --> 00:02:53,383
and we don't leave our suite
for 36 hours.

65
00:02:53,416 --> 00:02:56,166
Wow, I was thinking
kishka or potato,

66
00:02:56,200 --> 00:02:57,416
but your way is good, too.

67
00:02:59,216 --> 00:03:01,450
Maxwell, will you get off
this damn wedding!

68
00:03:01,483 --> 00:03:04,830
We are on a deadline
for this musical.

69
00:03:04,116 --> 00:03:05,366
Maybe we should just cancel it.

70
00:03:05,400 --> 00:03:07,450
C.C., we have investors
we have to answer to.

71
00:03:07,483 --> 00:03:09,150
I meant the wedding.

72
00:03:10,466 --> 00:03:14,416
You know, C.C.,
I am a little concerned
about this whole idea

73
00:03:14,450 --> 00:03:17,250
of us producing
an urban rap musical
in the first place.

74
00:03:17,283 --> 00:03:19,333
We're not exactly cutting edge,
are we?

75
00:03:19,366 --> 00:03:22,450
Oh, come on. Who is more
cutting edge than you?

76
00:03:22,483 --> 00:03:25,433
Who is the one that thought of
putting Charles Nelson Reilly

77
00:03:25,466 --> 00:03:27,400
and Rip Taylor in<i>Love Letters</i>

78
00:03:28,300 --> 00:03:30,133
Ooh, in love!

79
00:03:30,166 --> 00:03:33,150
Nanny Fine, we have work to do.

80
00:03:33,183 --> 00:03:36,450
Now he may belong to you
in every other room
in this house

81
00:03:36,483 --> 00:03:39,116
but in this room, he is mine!

82
00:03:39,150 --> 00:03:41,316
-C.C., would you
give us a minute?
-Okay!

83
00:03:42,150 --> 00:03:45,133
[music playing]

84
00:03:51,000 --> 00:03:53,000
Ma, put the rosette down.

85
00:03:53,330 --> 00:03:54,383
It's plaster.

86
00:03:54,416 --> 00:03:57,330
You wanna scrape
your esophagus again?

87
00:03:58,416 --> 00:04:00,266
Miss Fine, Mrs. Fine.

88
00:04:00,300 --> 00:04:02,500
-Welcome, welcome.
-Hi.

89
00:04:02,830 --> 00:04:04,330
I'm Dirk,
your wedding coordinator.

90
00:04:04,660 --> 00:04:07,116
And may I say,
we are honored that
you selected us

91
00:04:07,150 --> 00:04:09,330
for the Fine-Sheffield
reception.

92
00:04:09,660 --> 00:04:11,166
It's truly
the wedding of the century.

93
00:04:11,200 --> 00:04:14,330
Well, it took nearly
that long to happen.

94
00:04:15,483 --> 00:04:17,483
Now, Dirk,
I just wanna tell you,

95
00:04:18,160 --> 00:04:19,416
ours is a mixed marriage.

96
00:04:19,450 --> 00:04:22,000
He's from drinkers,
we're from eaters,

97
00:04:22,330 --> 00:04:23,333
so let's plan the menu
accordingly.

98
00:04:23,366 --> 00:04:26,116
Oh, fun, fun, funny, fun, fun.

99
00:04:27,316 --> 00:04:30,383
Now, may I suggest,
as your guests arrive

100
00:04:30,416 --> 00:04:33,450
we wow them
with an ice sculpture
of the Trevi Fountain.

101
00:04:33,483 --> 00:04:35,000
-Oh!
-Oh!

102
00:04:35,330 --> 00:04:36,116
A fountain sounds nice,

103
00:04:36,150 --> 00:04:38,216
but can they make it
out of chopped liver?

104
00:04:38,250 --> 00:04:40,183
Oh, challenge,
challenge, challenge.

105
00:04:40,216 --> 00:04:42,266
I love it. I love it.

106
00:04:42,300 --> 00:04:46,266
Okay, now we have
over 75 hors d'oeuvres
to choose from.

107
00:04:46,300 --> 00:04:48,466
Would you like to taste them,
or would you trust me--

108
00:04:49,000 --> 00:04:50,300
-[both] Taste.
-Okay.

109
00:04:50,333 --> 00:04:53,300
<i>Assistant! Assistant!</i>

110
00:04:53,333 --> 00:04:56,350
Oh. [clears throat]
I'm working with a new person.
Forgive me.

111
00:04:56,383 --> 00:04:59,660
Look at me, I'm like Regis
without Kathie Lee.

112
00:05:03,333 --> 00:05:06,466
Ma, you know,
I have a little problem
I need to talk to you about.

113
00:05:07,000 --> 00:05:10,000
Mr. Sheffield doesn't want me
to work anymore.

114
00:05:10,330 --> 00:05:12,830
And the conundrum would be...

115
00:05:13,433 --> 00:05:16,216
I mean, it's not as if
I'm not gonna be busy enough

116
00:05:16,250 --> 00:05:17,483
performing my wifely duties

117
00:05:18,160 --> 00:05:21,433
and God knows I've had that
stored up for five years.

118
00:05:23,000 --> 00:05:26,200
Who's gonna have
the energy to work?

119
00:05:26,233 --> 00:05:29,400
But still, I wanna feel like
I contribute something
to the marriage.

120
00:05:29,433 --> 00:05:33,830
Oh, sure you will.
You're his partner in life.

121
00:05:33,116 --> 00:05:35,350
You're the woman behind the man.

122
00:05:35,383 --> 00:05:37,830
Help him. Support him.

123
00:05:37,116 --> 00:05:38,450
Be there for him.

124
00:05:38,483 --> 00:05:40,316
Never refuse him.

125
00:05:40,350 --> 00:05:42,183
You get me?

126
00:05:42,216 --> 00:05:44,283
Yeah, I get you.
You're talking about dinner,
right?

127
00:05:46,233 --> 00:05:48,830
What else is there?

128
00:05:51,133 --> 00:05:55,100
Now, would it be
too presumptuous to ask about
the releasing of the doves?

129
00:05:55,133 --> 00:05:58,200
Oh, no doves.
There's no meat on them.

130
00:05:58,233 --> 00:06:01,216
[music playing]

131
00:06:05,160 --> 00:06:07,150
You call this a wedding menu?

132
00:06:07,183 --> 00:06:10,400
Ceviche, sashimi, squid?

133
00:06:10,433 --> 00:06:13,200
Who the heck is the chef,
Jules Verne?

134
00:06:15,166 --> 00:06:16,450
The seating plan is a nightmare.

135
00:06:16,483 --> 00:06:18,433
I've got a lord,
a lady and a countess

136
00:06:18,466 --> 00:06:21,483
sitting next to a Cookie,
an Izzy, and a Schmooey.

137
00:06:22,160 --> 00:06:24,266
We're back. Sammy, Yetta,

138
00:06:24,300 --> 00:06:26,660
we're leaving in an hour.

139
00:06:26,100 --> 00:06:28,660
So start putting on
your coats...

140
00:06:28,100 --> 00:06:29,200
now.

141
00:06:30,350 --> 00:06:32,333
-Uh, Fran.
-Yeah?

142
00:06:32,366 --> 00:06:34,250
Before we hit the road,

143
00:06:34,283 --> 00:06:36,283
I have a favor to ask of you.

144
00:06:36,316 --> 00:06:41,333
Do you think Mr. Sheffield
could get my grandson
a job on Broadway?

145
00:06:41,366 --> 00:06:44,100
Oh, I don't know, Sammy.

146
00:06:44,133 --> 00:06:46,116
I mean, I really don't like
to interfere

147
00:06:46,150 --> 00:06:47,383
in Maxwell's business.

148
00:06:47,416 --> 00:06:49,000
[all] Since when?

149
00:06:51,366 --> 00:06:55,830
Since I got a lot more
than six bucks an hour to lose.

150
00:06:55,116 --> 00:06:58,500
Oh, he's a brilliant rapper.

151
00:06:58,830 --> 00:06:59,350
A great artist.

152
00:06:59,383 --> 00:07:01,500
Last December,

153
00:07:01,830 --> 00:07:03,283
uh, he rapped for Puff Daddy.

154
00:07:03,316 --> 00:07:06,216
Oh! A brilliant rap artist?

155
00:07:06,250 --> 00:07:08,166
Oh, Ma. Ma, come here.

156
00:07:08,200 --> 00:07:10,416
Did you hear that?
This is my opportunity.

157
00:07:10,450 --> 00:07:14,233
Maxwell is producing
a rap musical.

158
00:07:14,266 --> 00:07:17,660
It's all about violent gangs

159
00:07:17,100 --> 00:07:19,383
that fight in the street
and every so often

160
00:07:19,416 --> 00:07:22,116
stop to sing poignantly
about it.

161
00:07:23,166 --> 00:07:25,450
Well, darling,
here's your chance.

162
00:07:25,483 --> 00:07:27,350
What are you waiting for?

163
00:07:27,383 --> 00:07:30,350
Now you can be the woman
behind the man.

164
00:07:30,383 --> 00:07:32,383
You know where your father
would be today

165
00:07:32,416 --> 00:07:34,216
if I hadn't pushed him?

166
00:07:34,250 --> 00:07:36,283
Not collecting disability?

167
00:07:39,150 --> 00:07:43,000
Well, Ty,
you can rest easily tonight.

168
00:07:43,330 --> 00:07:46,416
Yes, I have found
the perfect star
for your rap musical.

169
00:07:46,450 --> 00:07:48,416
Mm-hmm.
Oh, he's fresh off the streets,

170
00:07:48,450 --> 00:07:50,433
he's talented, he's dynamic.

171
00:07:50,466 --> 00:07:52,366
You can see for yourself
Tuesday night.

172
00:07:52,400 --> 00:07:54,330
Have you found someone yet?

173
00:07:55,433 --> 00:07:57,233
Make that Wednesday night.

174
00:07:59,500 --> 00:08:03,160
Oh, God, I knew
this was a mistake
to try and do this musical.

175
00:08:03,500 --> 00:08:05,350
Maxwell, you know what you need?
You need a break.

176
00:08:05,383 --> 00:08:07,383
Why don't you and I
charter a yacht

177
00:08:07,416 --> 00:08:10,660
and just sail down
to St. Barths.

178
00:08:11,383 --> 00:08:14,233
C.C., that's where
I'm taking Fran
for our honeymoon.

179
00:08:14,266 --> 00:08:17,366
Well, doesn't Miss Special
get to do everything!

180
00:08:18,316 --> 00:08:20,500
Oh, Maxwell,

181
00:08:20,830 --> 00:08:23,400
I have found the perfect star
for your new musical.

182
00:08:23,433 --> 00:08:25,830
It's a relative of mine.

183
00:08:26,383 --> 00:08:29,250
Nanny Fine,
no one wants to hear
your relative speak,

184
00:08:29,283 --> 00:08:31,330
let alone sing.

185
00:08:32,433 --> 00:08:36,166
Darling, you shouldn't go
worrying your pretty little head

186
00:08:36,200 --> 00:08:38,500
with all our business.

187
00:08:38,830 --> 00:08:40,466
No, you should be busy
planning our wedding.

188
00:08:41,000 --> 00:08:42,283
Are you patronizing me?

189
00:08:42,316 --> 00:08:44,366
No, no, baby.

190
00:08:44,400 --> 00:08:47,500
No, of course not.

191
00:08:47,830 --> 00:08:49,366
Wait a minute. Wait a minute.
Why won't you let me help you?

192
00:08:49,400 --> 00:08:51,383
I mean, it's not as if
I've ever screwed up...

193
00:08:51,416 --> 00:08:54,660
Okay, switching gears.

194
00:08:54,100 --> 00:08:57,466
My guy Irwin
rapped with Puff Daddy.

195
00:08:58,000 --> 00:08:59,116
-Really?
-That's right.

196
00:08:59,150 --> 00:09:00,233
Well, he turned us down.

197
00:09:00,266 --> 00:09:02,660
He didn't think
we were hip enough for him.

198
00:09:02,100 --> 00:09:05,330
Oh, no, don't tell me
you bored him

199
00:09:05,660 --> 00:09:07,300
with that Mary Martin trivia.

200
00:09:07,333 --> 00:09:10,200
Well, a lot of people don't know
she's Larry Hagman's mother.

201
00:09:12,150 --> 00:09:13,466
C.C., look,
maybe it's worth a chance.

202
00:09:14,000 --> 00:09:15,466
Maybe this Irwin
has some talent.

203
00:09:16,000 --> 00:09:18,383
Maxwell, our entire
professional reputation

204
00:09:18,416 --> 00:09:21,330
is resting on the expertise
of a woman

205
00:09:21,660 --> 00:09:23,500
who thinks
<i>The Importance of Being Earnest</i>

206
00:09:23,830 --> 00:09:26,183
is the sequel
to<i>Ernest Scared Stupid!</i>

207
00:09:28,100 --> 00:09:30,283
Well, it's not like
we've done any better, is it?

208
00:09:30,316 --> 00:09:33,433
Besides, maybe Fran
has exactly what we need.

209
00:09:33,466 --> 00:09:36,233
Whoa! Now just wait a minute.

210
00:09:36,266 --> 00:09:39,116
This is business
and business is my turf!

211
00:09:39,150 --> 00:09:41,300
-No, I want to go with her guy.
-Okay!

212
00:09:46,160 --> 00:09:49,366
Oh, are you still upset
about the wedding?

213
00:09:49,400 --> 00:09:51,350
I have something
that'll cheer you up.

214
00:09:52,450 --> 00:09:54,333
Single girls, gather round.

215
00:10:00,100 --> 00:10:02,283
Listen, I still have a chance
with Maxwell

216
00:10:02,316 --> 00:10:04,316
as long as
I am his business partner

217
00:10:04,350 --> 00:10:07,500
and I am in this house
every single day.

218
00:10:09,100 --> 00:10:11,166
Yes, and why should you
lose your job?

219
00:10:11,200 --> 00:10:13,830
I mean, it's not as though
she's in there

220
00:10:13,116 --> 00:10:14,300
with some brilliant
casting idea.

221
00:10:16,283 --> 00:10:20,830
Come on.
That won't break up
your partnership.

222
00:10:20,116 --> 00:10:23,233
When Yoko married John,
did that break up The Beatles?

223
00:10:27,330 --> 00:10:30,160
[music playing]

224
00:10:35,166 --> 00:10:37,000
Fran, I know that
this is last minute,

225
00:10:37,330 --> 00:10:39,150
but can I bring a date
to the wedding?

226
00:10:39,183 --> 00:10:40,300
He's really cute.

227
00:10:40,333 --> 00:10:42,283
[gasps] Does he have a brother?

228
00:10:42,316 --> 00:10:44,333
Force of habit.
I got to stop that.

229
00:10:46,300 --> 00:10:48,133
Sure, sweetie.

230
00:10:48,166 --> 00:10:49,450
-[bell dings]
-Ooh!

231
00:10:49,483 --> 00:10:51,200
That's Sammy's grandson,

232
00:10:51,233 --> 00:10:53,400
the future star
of your father's new musical,

233
00:10:53,433 --> 00:10:54,483
thanks to me.

234
00:10:55,160 --> 00:10:56,283
But I don't want to
toot my own horn.

235
00:10:56,316 --> 00:10:57,283
Beep, beep.

236
00:11:00,660 --> 00:11:03,466
Oh, hi, Sammy.
I didn't know you were coming.

237
00:11:04,000 --> 00:11:06,133
Well, somebody
had to drive Irwin.

238
00:11:08,416 --> 00:11:11,000
Well, where is he?

239
00:11:15,433 --> 00:11:17,366
Hi. I'm Irwin.

240
00:11:17,400 --> 00:11:20,116
Hi. I'm scared.

241
00:11:22,160 --> 00:11:24,160
Do you always
dress that way to sing

242
00:11:24,500 --> 00:11:25,433
or were you just audited?

243
00:11:26,350 --> 00:11:27,416
I don't sing

244
00:11:27,450 --> 00:11:29,366
and I don't make enough
to get audited.

245
00:11:31,216 --> 00:11:33,333
What do you mean you don't sing?

246
00:11:33,366 --> 00:11:36,660
Your grandfather told me
that you're a great rapper.

247
00:11:36,100 --> 00:11:38,660
Oh, I'm the best, I'm the best.

248
00:11:38,100 --> 00:11:40,200
You got Scotch tape,
paper, and a ribbon?

249
00:11:43,160 --> 00:11:46,330
You're a gift-wrapper?

250
00:11:46,660 --> 00:11:49,450
Sammy, why did you tell me
that he rapped for Puff Daddy?

251
00:11:49,483 --> 00:11:51,350
Well, he did last Christmas.

252
00:11:54,133 --> 00:11:57,300
Yeah. Puff likes lots of bows
and those little plastic Santas.

253
00:11:57,333 --> 00:11:58,416
Who cares!

254
00:12:00,400 --> 00:12:02,333
Why did you
tell your grandfather

255
00:12:02,366 --> 00:12:04,400
that you wanted
to work on Broadway?

256
00:12:04,433 --> 00:12:08,100
Well, I live on 8th Avenue.
I figured I could just walk.

257
00:12:10,830 --> 00:12:12,660
[music playing]

258
00:12:14,660 --> 00:12:16,660
[music playing]

259
00:12:18,283 --> 00:12:20,300
Sammy, do you realize
that Mr. Sheffield

260
00:12:20,333 --> 00:12:23,150
has one of the most important
composers on Broadway

261
00:12:23,183 --> 00:12:25,166
coming here to listen
to a gift-wrapper

262
00:12:25,200 --> 00:12:27,166
from Crate and Barrel?

263
00:12:29,400 --> 00:12:32,330
Pottery Barn. We were first.

264
00:12:33,366 --> 00:12:35,400
Look. It's not the first time
that I've screwed up.

265
00:12:35,433 --> 00:12:38,250
What's he going to do?
Take back the ring? [gasps]

266
00:12:38,283 --> 00:12:40,133
Give me something salty.
I'll bloat.

267
00:12:40,166 --> 00:12:42,330
He'll never get this ring off.

268
00:12:44,116 --> 00:12:47,183
Listen, I don't want to ruin
everything for you.

269
00:12:47,216 --> 00:12:50,330
You know, maybe this is
a blessing in disguise.

270
00:12:50,660 --> 00:12:52,830
I don't want to be
a gift-wrapper all my life.

271
00:12:53,150 --> 00:12:54,483
Maybe I do have some talent.

272
00:12:55,160 --> 00:12:57,250
My grand-daddy,
he plays the piano
and sings great.

273
00:12:57,283 --> 00:12:59,483
Oh, stop,
you're making me blush.

274
00:13:02,183 --> 00:13:03,283
Just let me try.

275
00:13:03,316 --> 00:13:06,433
Okay, well,
what have I got to lose?

276
00:13:06,466 --> 00:13:08,466
Try really hard.

277
00:13:11,316 --> 00:13:15,660
♪<i>Home, home on the range</i>

278
00:13:15,100 --> 00:13:18,166
♪<i>Where the deer</i>
<i>And the antelope play</i>

279
00:13:19,283 --> 00:13:20,466
-Who's that?
-Irwin.

280
00:13:21,160 --> 00:13:22,300
Miss Fine!

281
00:13:22,333 --> 00:13:24,830
Oh, oh, oh, oh.

282
00:13:24,116 --> 00:13:26,383
Mr. Sheffield, um, uh...

283
00:13:26,416 --> 00:13:28,200
you know what,
I was just thinking.

284
00:13:28,233 --> 00:13:30,316
-Rap is dead.
-What are you talking about?

285
00:13:30,350 --> 00:13:32,150
It's the hottest thing
on Broadway.

286
00:13:32,183 --> 00:13:35,233
Well, then it must be me
that's dead.

287
00:13:35,266 --> 00:13:37,250
Now would you excuse us
a minute, please?

288
00:13:37,283 --> 00:13:39,150
I want to see you in my office.

289
00:13:39,183 --> 00:13:41,100
Get something salty!
Salty pretzels!

290
00:13:43,330 --> 00:13:44,350
Wait till you meet the mother.

291
00:13:47,166 --> 00:13:50,233
I have a very important composer
coming to this house

292
00:13:50,266 --> 00:13:51,483
in less than 24 hours

293
00:13:52,160 --> 00:13:54,660
expecting to meet
Puff Daddy's protege.

294
00:13:54,100 --> 00:13:55,466
Well, I never said protege.

295
00:13:56,000 --> 00:13:57,416
That was your embellishment.
Bye, now.

296
00:13:57,450 --> 00:13:59,150
Miss Fine!

297
00:13:59,183 --> 00:14:01,366
You're calling me Miss Fine?
That can't be a good thing.

298
00:14:02,133 --> 00:14:03,250
Oh.

299
00:14:03,283 --> 00:14:05,333
It's not. Trust me.

300
00:14:05,366 --> 00:14:07,000
Why did I listen to you?

301
00:14:07,330 --> 00:14:09,660
Why did I think things
were going to be different

302
00:14:09,100 --> 00:14:10,250
just because we got engaged?

303
00:14:10,283 --> 00:14:11,483
Well, first of all,

304
00:14:12,160 --> 00:14:13,450
we are still engaged, aren't we?

305
00:14:15,283 --> 00:14:17,216
Oh, now,
'Home, Home On The Range'

306
00:14:17,250 --> 00:14:20,500
happens to be
a very complicated number.

307
00:14:20,830 --> 00:14:23,466
That does not mean
he isn't an excellent rapper.

308
00:14:24,000 --> 00:14:26,830
So why don't you
stop adding gray

309
00:14:26,116 --> 00:14:28,150
to that beautiful
head of hair of yours?

310
00:14:30,150 --> 00:14:33,660
He does rap?
You're not patronizing me?

311
00:14:34,000 --> 00:14:36,133
No, baby.

312
00:14:38,133 --> 00:14:41,216
No, I can look you straight
in the eyes and say

313
00:14:41,250 --> 00:14:44,133
Irwin is one
professional wrapper.

314
00:14:46,116 --> 00:14:49,216
Yes, a gift wrapper
for Crate and Barrel.

315
00:14:52,160 --> 00:14:53,183
Is that true?

316
00:14:53,216 --> 00:14:55,830
No, it is not.

317
00:14:56,333 --> 00:14:58,100
It's Pottery Barn.
They were first.

318
00:14:59,183 --> 00:15:01,183
[music playing]

319
00:15:06,660 --> 00:15:09,830
Niles, have you seen
Mr. Sheffield?

320
00:15:09,116 --> 00:15:12,216
Oh, I have never seen him
this angry at me before.

321
00:15:12,250 --> 00:15:15,330
Well, I have, but not today.

322
00:15:16,200 --> 00:15:17,250
I'm not speaking to you.

323
00:15:18,316 --> 00:15:20,300
Why? What did I do to you?

324
00:15:20,333 --> 00:15:22,466
You have ruined our wedding.

325
00:15:23,000 --> 00:15:25,000
For five years,
I've been waiting for this day.

326
00:15:25,330 --> 00:15:27,216
What am I going to say
to the other butlers
in the market?

327
00:15:27,250 --> 00:15:29,466
Do you know what it's like
to be the only one in the park

328
00:15:30,000 --> 00:15:31,183
with no wedding pictures
to show?

329
00:15:32,466 --> 00:15:34,300
Yes, I do.

330
00:15:34,333 --> 00:15:36,183
Well, don't just stand there.

331
00:15:36,216 --> 00:15:39,330
I beat Miss Grace playing hoops
and I want your room.

332
00:15:40,000 --> 00:15:41,266
Well, what am I supposed to do?

333
00:15:41,300 --> 00:15:43,366
Turn Irwin into some kind
of a street rapper?

334
00:15:43,400 --> 00:15:45,166
I don't know anything about rap.

335
00:15:45,200 --> 00:15:46,433
Well, either that
or call your mother

336
00:15:46,466 --> 00:15:48,830
and tell her the wedding's off.

337
00:15:49,250 --> 00:15:53,333
Whuzzup, Irwin?
It's time to get bomb-biggity.

338
00:15:56,266 --> 00:15:57,266
You go, girl.

339
00:15:58,466 --> 00:16:01,450
[hip-hop music playing]

340
00:16:50,283 --> 00:16:53,183
♪<i>So Mr. Twister</i>
<i>Hit him with her</i>
<i>Fame's M.C.'s quicker</i>

341
00:16:53,216 --> 00:16:56,500
♪<i>This is what I picture</i>
<i>When tipsy off liquor</i>

342
00:16:56,830 --> 00:16:58,350
♪<i>Sitting thinking of a style</i>
<i>Like no other</i>

343
00:16:58,383 --> 00:17:01,450
♪<i>Honk and run for cover</i>
<i>Dipping in my Hummer</i>

344
00:17:04,160 --> 00:17:05,266
And so.

345
00:17:05,300 --> 00:17:07,830
Thank you, Blue.

346
00:17:07,116 --> 00:17:10,100
Oh, excellent.
Really. Truly, excellent.

347
00:17:10,133 --> 00:17:12,483
Well, I'll be getting in touch
with your, uh, posse.

348
00:17:16,150 --> 00:17:17,300
No, no, no, no.

349
00:17:17,333 --> 00:17:20,250
Why can't I express to you
what I'm looking for?

350
00:17:20,283 --> 00:17:22,333
It's in the rhythm, Max,
the rhythm.

351
00:17:22,366 --> 00:17:25,416
You see, I see things
in geometric shapes.

352
00:17:30,483 --> 00:17:32,200
This is what I want.

353
00:17:34,116 --> 00:17:36,330
You know, bring me this guy.

354
00:17:36,366 --> 00:17:38,660
Uh, yes.

355
00:17:38,100 --> 00:17:40,400
Uh, can't get him.
He's in Ragtime.

356
00:17:43,000 --> 00:17:45,500
So is that it?
Is that all of them?

357
00:17:45,830 --> 00:17:47,416
What about the guy
you hyped on the phone?

358
00:17:47,450 --> 00:17:50,416
Well, you know,
he turned out to be a bust.

359
00:17:50,450 --> 00:17:54,266
He was discovered by Maxwell's
nanny slash fiancée

360
00:17:54,300 --> 00:17:56,466
slash back to nanny again.

361
00:17:58,333 --> 00:18:01,333
Listen, Ty, if you can
see your way to give us
a few more days,

362
00:18:01,366 --> 00:18:03,333
I know there has to be another

363
00:18:03,366 --> 00:18:05,250
him in this town.

364
00:18:05,283 --> 00:18:07,133
I'm sorry, Max, but, uh...

365
00:18:08,233 --> 00:18:10,216
I don't think
we're on the same page.

366
00:18:10,250 --> 00:18:12,483
[hip-hop music playing]

367
00:18:14,330 --> 00:18:15,283
♪<i>You can try to throw salt</i>

368
00:18:15,316 --> 00:18:17,500
♪<i>But I keep my game face on</i>

369
00:18:17,830 --> 00:18:18,316
♪<i>And the only thing</i>
<i>On your mind</i>

370
00:18:18,350 --> 00:18:19,416
♪<i>Is stalking more digits</i>
<i>Than a telephone</i>

371
00:18:19,450 --> 00:18:20,450
♪<i>Me and thirty-nine thieves</i>

372
00:18:20,483 --> 00:18:22,366
♪<i>Jumping out of white Hummer</i>

373
00:18:22,400 --> 00:18:24,283
♪<i>From Compton</i>
<i>While your crew</i>
<i>Get dumb and dumber</i>

374
00:18:24,316 --> 00:18:27,160
♪<i>Grew up</i>
<i>Straight out of low cash</i>
<i>Like C.B. fo'</i>

375
00:18:27,500 --> 00:18:30,000
♪<i>Now I got dough</i>
<i>And you got one night stands</i>
<i>Like gangsta, yo</i>

376
00:18:30,330 --> 00:18:32,100
♪<i>See on the low</i>
<i>It's all gravy</i>

377
00:18:32,133 --> 00:18:35,160
♪<i>But the threat</i>
<i>Of this new world order</i>
<i>Is about to drive me crazy</i>

378
00:18:35,500 --> 00:18:37,116
♪<i>And all you want</i>
<i>Is the Lex and gold Visa</i>

379
00:18:37,150 --> 00:18:39,366
♪<i>And bomb singles</i>
<i>And stacking your chips</i>
<i>Like Pringles</i>

380
00:18:39,400 --> 00:18:41,400
♪<i>While my rhymes</i>
<i>Jack for platinum plaques</i>

381
00:18:41,433 --> 00:18:44,350
♪<i>Quicker than one time</i>
<i>Jack Blacks</i>
<i>I twist sacks and sip yac</i>

382
00:18:44,383 --> 00:18:47,200
♪<i>Plus the Invisible Man</i>
<i>Got my back like a spine</i>

383
00:18:47,233 --> 00:18:49,200
♪<i>So why you all up in mine?</i>

384
00:18:49,233 --> 00:18:52,330
♪<i>Keep the money and the fame</i>
<i>Because all I really</i>
<i>Want to hold</i>

385
00:18:52,660 --> 00:18:54,416
♪<i>Is my artistic freedom</i>
<i>And control of my soul</i>

386
00:18:54,450 --> 00:18:56,000
Bravo.

387
00:19:02,316 --> 00:19:05,400
The guy's great.
What are you saving
the best for last?

388
00:19:05,433 --> 00:19:07,333
Yes, he was

389
00:19:07,366 --> 00:19:09,483
because that's his style.

390
00:19:10,160 --> 00:19:13,330
Slow to the point of madness

391
00:19:13,660 --> 00:19:15,400
and then he proposes.

392
00:19:15,433 --> 00:19:18,433
Well, Ty, why don't we
step into my office
and talk some business, huh?

393
00:19:18,466 --> 00:19:21,316
-Fran, why don't you
bring Irwin along.
-Okay.

394
00:19:21,350 --> 00:19:24,266
-Oh, Irwin. Irwin.
-I'm so excited.

395
00:19:24,300 --> 00:19:28,100
Fran, this is so phat, Fran.

396
00:19:28,133 --> 00:19:30,450
Oh, Irwin, I know that phat
is a good thing,

397
00:19:30,483 --> 00:19:32,416
but please don't say it
so near to my name.

398
00:19:40,133 --> 00:19:42,000
Well, Niles.

399
00:19:42,483 --> 00:19:44,300
I guess I know where I stand.

400
00:19:45,383 --> 00:19:47,266
Outside the door.

401
00:19:50,000 --> 00:19:52,660
Well, at least it's over.

402
00:19:52,100 --> 00:19:53,300
The pain.

403
00:19:53,333 --> 00:19:55,500
The degradation.

404
00:19:56,660 --> 00:19:57,283
The shame.

405
00:20:00,250 --> 00:20:01,250
I'm frightened.

406
00:20:04,250 --> 00:20:06,150
I don't want to be alone.

407
00:20:09,116 --> 00:20:11,116
Well, you finally went crackers.

408
00:20:17,266 --> 00:20:19,416
Yes, hello, Dr. Balk.
This is Niles.

409
00:20:19,450 --> 00:20:21,400
Yes, it's about Miss Babcock.

410
00:20:21,433 --> 00:20:23,416
Yes, well, I think
we have a little problem.

411
00:20:23,450 --> 00:20:26,450
She's behaving
in a very strange way.

412
00:20:26,483 --> 00:20:29,500
Well, I wouldn't
call it delusional.

413
00:20:29,830 --> 00:20:31,330
Grandmama, is that you?

414
00:20:33,316 --> 00:20:35,133
Yes, child. Maybe I would.

415
00:20:37,183 --> 00:20:38,416
Come along.

416
00:20:38,450 --> 00:20:41,433
[music playing]

417
00:20:45,660 --> 00:20:46,483
Come on, Chester. Yes.

418
00:20:47,160 --> 00:20:49,160
-Hi, Chester.
-There you go.

419
00:20:49,500 --> 00:20:51,000
Hi, sweetie.

420
00:20:51,330 --> 00:20:53,450
Fran, this fun.
How long do we get
to keep Chester here?

421
00:20:53,483 --> 00:20:55,316
Oh, until Miss Babcock
is released...

422
00:20:55,350 --> 00:20:57,133
I mean comes home.

423
00:20:58,383 --> 00:21:01,500
Yeah, you mean,
from her vacation?

424
00:21:01,830 --> 00:21:02,366
Uh-huh.

425
00:21:02,400 --> 00:21:04,133
You know, it's really so funny.

426
00:21:04,166 --> 00:21:06,200
Usually when a pet
misses its master,

427
00:21:06,233 --> 00:21:09,100
it's really depressed
and walks around whimpering.

428
00:21:10,400 --> 00:21:11,383
Hey.

429
00:21:18,100 --> 00:21:19,400
-Frannie.
-Oh. Hi, kids.

430
00:21:19,433 --> 00:21:23,266
Sammy has a niece that wants
to sing at your wedding.

431
00:21:23,300 --> 00:21:25,283
Oh, I'm sorry, Sammy,

432
00:21:25,316 --> 00:21:27,283
but Maxwell has a new policy.

433
00:21:27,316 --> 00:21:29,233
No more relatives.

434
00:21:30,400 --> 00:21:33,000
Okay, Aretha, she said no.

435
00:21:33,330 --> 00:21:35,216
Aretha? Aretha?

436
00:21:35,250 --> 00:21:38,330
Call her back! Call her back!

437
00:21:38,660 --> 00:21:41,116
-You want her?
-Yes! Wait till Maxwell hears.

438
00:21:44,660 --> 00:21:45,200
Uh, D.M.V.

439
00:21:46,150 --> 00:21:47,450
Aretha Jones, please.

440
00:21:48,333 --> 00:21:51,316
[music playing]

441
00:22:01,100 --> 00:22:04,830
[theme music playing]

442
00:22:18,266 --> 00:22:20,830
[music playing]