1
00:00:02,036 --> 00:00:04,103
THESE DEODORANTS
ARE A RIP-OFF.

2
00:00:04,105 --> 00:00:07,439
THEY ALWAYS RUN OUT
BY THE TIME I GET
TO MY FEET.

3
00:00:07,441 --> 00:00:09,441
DICK, THE MAIL'S HERE.

4
00:00:09,443 --> 00:00:12,677
OOH, IT'S MY PACKAGE
FROM THE CAROUSEL CD CLUB.

5
00:00:12,679 --> 00:00:15,881
- YOU INFILTRATED A CLUB?
- GOOD WORK, HARRY!

6
00:00:15,883 --> 00:00:18,450
I GOT 10 CDs
FOR ONE PENNY.

7
00:00:18,452 --> 00:00:21,686
ALL I'VE GOT TO DO
IS BUY EIGHT MORE
AT REGULAR STORE PRICES

8
00:00:21,688 --> 00:00:25,557
WHICH ARE
OFTEN AT OR BELOW
RETAIL STORE PRICES.

9
00:00:25,559 --> 00:00:29,194
- WELL, WAY TO GO.
- LIKE TAKING CANDY
FROM A BABY.

10
00:00:29,196 --> 00:00:31,196
SUCH PRIMITIVE
TECHNOLOGY.

11
00:00:31,198 --> 00:00:33,765
I WONDER IF THE PEOPLE
ON THIS PLANET
WILL EVER DISCOVER

12
00:00:33,767 --> 00:00:37,002
THE SUPERIOR SOUND
OF VINYL.

13
00:00:37,004 --> 00:00:40,839
- WHAT KIND
OF MUSIC DID YOU GET?
- I TOLD THEM TO SURPRISE ME.

14
00:00:40,841 --> 00:00:42,841
Man:
<i> ♪ Oi ♪</i>

15
00:00:42,843 --> 00:00:45,777
-<i> ( techno pop playing )</i>
- WELL, THIS IS SURPRISING.

16
00:00:45,779 --> 00:00:49,114
UH... WHY AM I
DOING THIS?

17
00:00:49,116 --> 00:00:51,216
<i> ♪ Down on the street</i>
<i> there is violence ♪</i>

18
00:00:51,218 --> 00:00:53,985
SAME REASON I'M DOING
THIS, I SUPPOSE.

19
00:00:56,323 --> 00:00:58,590
THIS IS VERY POWERFUL.

20
00:00:58,592 --> 00:01:00,892
I'M FEELIN' FUNKY.

21
00:01:00,894 --> 00:01:02,428
THIS IS NOT GOOD.

22
00:01:02,430 --> 00:01:05,330
- I CAN'T STOP!
- NOBODY PANIC.

23
00:01:05,332 --> 00:01:07,899
- LET'S GET OUT OF HERE!
-<i> ♪ We gonna rock down to</i>
<i>  Electric Avenue ♪</i>

24
00:01:07,901 --> 00:01:11,703
<i> ♪ And then we'll</i>
<i> take it higher ♪</i>

25
00:01:11,705 --> 00:01:15,207
<i> ♪ Oh, we gonna rock down</i>
<i> to Electric Avenue ♪</i>

26
00:01:15,209 --> 00:01:17,209
<i> ( '50s rock music playing )</i>

27
00:01:47,575 --> 00:01:50,476
ENRICHED WHEAT FLOUR,
BUTYLATED HYDROXYANISOLE,

28
00:01:50,478 --> 00:01:52,478
SODIUM ACID PYROPHOSPHATE.

29
00:01:55,649 --> 00:01:57,849
NEEDS MORE BUTYLATED
HYDROXYANISOLE.

30
00:02:00,187 --> 00:02:02,221
ISN'T THIS INTERESTING?

31
00:02:02,223 --> 00:02:05,824
THEY OPENED UP
A HARD ROCK CAFE
IN VIETNAM.

32
00:02:05,826 --> 00:02:07,826
THE WORLD
HAS CHANGED, HUH?

33
00:02:07,828 --> 00:02:09,828
IT SURE HAS.

34
00:02:09,830 --> 00:02:12,030
ONCE IT WAS COMPLETELY
COVERED WITH ICE.

35
00:02:13,934 --> 00:02:15,934
THE ADMINISTRATION
OFFICE CALLED.

36
00:02:15,936 --> 00:02:18,870
THEY CONTACTED STANFORD
ABOUT TRANSFERRING
YOUR GRADUATE RECORDS,

37
00:02:18,872 --> 00:02:20,872
BUT THEY DON'T SEEM
TO HAVE THEM.

38
00:02:20,874 --> 00:02:22,341
ARE YOU IMPLYING THAT
I DON'T HAVE RECORDS?

39
00:02:22,343 --> 00:02:23,842
ALL HUMANS HAVE RECORDS,
AND I'M A HUMAN.

40
00:02:23,844 --> 00:02:25,344
THEREFORE, I HAVE RECORDS.

41
00:02:25,346 --> 00:02:28,013
I'M SORRY, BUT
STANFORD SAYS THEY HAVE
NO RECORD OF YOU AT ALL.

42
00:02:28,015 --> 00:02:30,015
OH, THOSE INCOMPETENTS.

43
00:02:30,017 --> 00:02:33,318
DO I HAVE TO FLY OUT
TO DENVER AND STRAIGHTEN
THIS OUT MYSELF?

44
00:02:33,320 --> 00:02:36,155
STANFORD'S IN CALIFORNIA,
NOT DENVER.

45
00:02:36,157 --> 00:02:39,525
WELL, THAT EXPLAINS IT.
THEY LOST MY RECORDS
IN THE MOVE.

46
00:02:40,927 --> 00:02:43,862
SO YOU WERE AT STANFORD
IN THE '60s.

47
00:02:43,864 --> 00:02:47,366
- AH, WHO WASN'T?
- I WAS AT BERKELEY.

48
00:02:47,368 --> 00:02:49,434
GOD, THAT TAKES ME BACK.

49
00:02:49,436 --> 00:02:52,904
I REMEMBER I WAS
AT STANFORD ONCE
TO PROTEST AT--

50
00:02:52,906 --> 00:02:55,307
THERE'S ONLY TWO THINGS
I KNOW ABOUT THE '60s:

51
00:02:55,309 --> 00:02:58,143
I WASN'T BORN YET,
AND NO ONE CARES.
PEACE.

52
00:03:01,582 --> 00:03:04,249
- I GUESS YOU
HAD TO BE THERE.
- APPARENTLY SO.

53
00:03:04,251 --> 00:03:06,951
OUT-OF-CONTROL,
MIND-NUMBING,

54
00:03:06,953 --> 00:03:09,854
SELF-DESTRUCTIVE FUN.

55
00:03:09,856 --> 00:03:11,856
IT SOUNDS LIKE A CLICHÉ,

56
00:03:11,858 --> 00:03:13,858
BUT I ACTUALLY REMEMBER
BURNING MY BRA

57
00:03:13,860 --> 00:03:15,860
IN FRONT OF THE LINCOLN
REFLECTING POOL.

58
00:03:15,862 --> 00:03:19,431
I HOPE YOU HAD
THE GOOD SENSE TO JUMP IN
AND PUT YOURSELF OUT.

59
00:03:20,867 --> 00:03:22,801
GOD, I WAS A REBEL.

60
00:03:29,176 --> 00:03:32,344
♪ HOW MANY ROADS ♪

61
00:03:32,346 --> 00:03:34,313
♪ MUST A... ♪

62
00:03:36,817 --> 00:03:40,985
♪ MAN WALK DOWN ♪

63
00:03:40,987 --> 00:03:43,888
♪ BEFORE THEY ♪

64
00:03:43,890 --> 00:03:47,326
♪ CALL... HIM... A... ♪

65
00:03:48,629 --> 00:03:51,196
( discordant note plays )

66
00:03:51,198 --> 00:03:53,865
♪ MAN? ♪

67
00:03:55,168 --> 00:03:57,269
( hums melody )

68
00:03:58,905 --> 00:04:01,240
YOU WOULDN'T BELIEVE IT
TO LOOK AT ME NOW,

69
00:04:01,242 --> 00:04:03,375
BUT BACK THEN
I WAS A WILD WOMAN.

70
00:04:03,377 --> 00:04:06,511
IF I WANTED
TO DO SOMETHING,
I JUST DID IT.

71
00:04:06,513 --> 00:04:10,014
- DID YOU EVER DROP ACID?
- OH, CONSTANTLY.

72
00:04:10,016 --> 00:04:12,984
- YOU DID A LOT OF TRIPPING?
- THAT'S HOW I DROPPED
THE ACID.

73
00:04:14,154 --> 00:04:16,255
NO, SERIOUSLY,
I WANT TO KNOW.

74
00:04:16,257 --> 00:04:19,691
- WERE YOU INVOLVED
IN ANY MOVEMENTS?
- WELL, UH, UH, THIS ONE.

75
00:04:19,693 --> 00:04:22,427
( imitating Three Stooges)
IT'S ONE OF MY FAVORITES.

76
00:04:24,298 --> 00:04:27,031
DR. SOLOMON,
EVERY TIME

77
00:04:27,033 --> 00:04:29,401
I ASK YOU
ABOUT YOUR PAST,

78
00:04:29,403 --> 00:04:31,403
YOU CHANGE THE SUBJECT.

79
00:04:31,405 --> 00:04:34,339
YOU KNOW WHO KEEPS CHANGING
THE SUBJECT ALL THE TIME?
MY STUDENTS.

80
00:04:34,341 --> 00:04:37,208
ONE OF THEM
IS GOING TO ALASKA.
HOW'S YOUR BROTHER?

81
00:04:37,210 --> 00:04:40,812
- DICK, I'M HERE.  LET'S GO.
- YOU HEARD HIM.  GOTTA GO.

82
00:04:40,814 --> 00:04:43,148
- YOU CALL YOUR
FATHER DICK?
- YEAH.

83
00:04:43,150 --> 00:04:46,285
WHEN HE WAS YOUNGER,
I USED TO CALL HIM PEANUT.

84
00:04:46,287 --> 00:04:49,988
HAVE TO RUN.
SEE YOU TOMORROW.
HAVE A WONDERFUL NIGHT.

85
00:04:49,990 --> 00:04:52,991
<i> ♪ WHAT ABOUT TOMMY? ♪</i>

86
00:04:52,993 --> 00:04:57,496
<i> ♪ He'll miss you</i>
<i> when you go ♪</i>

87
00:05:00,334 --> 00:05:02,467
<i> ♪ Ma's on her own ♪</i>

88
00:05:02,469 --> 00:05:04,469
<i> ♪ Karen's almost grown ♪</i>

89
00:05:04,471 --> 00:05:06,705
THIS IS SO SAD.

90
00:05:06,707 --> 00:05:08,973
<i> ♪  Worried so... ♪</i>

91
00:05:08,975 --> 00:05:12,477
COUNTRY SINGERS HAVE
REALLY TOUGH LIVES.

92
00:05:12,479 --> 00:05:16,181
-<i> ♪ Stay with Dad awhile ♪</i>
- WHY?

93
00:05:16,183 --> 00:05:18,183
<i> ( music stops )</i>

94
00:05:18,185 --> 00:05:21,486
WHAT'S HER COMPLAINT?
SHE LIVES IN A TRAILER.

95
00:05:21,488 --> 00:05:24,088
SHE COULD JUST
ROLL AWAY SOMEWHERE,

96
00:05:24,090 --> 00:05:27,759
AND THE CD CLUB
WOULD NEVER FIND HER.

97
00:05:29,930 --> 00:05:31,830
WHAT ARE YOU
TALKING ABOUT?

98
00:05:31,832 --> 00:05:34,399
DO YOU HAVE ANY IDEA
WHAT'S INVOLVED WITH THIS?

99
00:05:34,401 --> 00:05:36,535
THE PAPERWORK,
THE DECISIONS.

100
00:05:36,537 --> 00:05:39,805
WHY DIDN'T I GO
WITH THE CHEESE
OF THE MONTH CLUB?

101
00:05:39,807 --> 00:05:41,807
NO GUESSWORK,

102
00:05:41,809 --> 00:05:44,876
JUST CHEESE.

103
00:05:44,878 --> 00:05:48,714
THAT WAS A FIASCO.
YOU'RE THE INFORMATION
OFFICER.

104
00:05:48,716 --> 00:05:52,283
HOW CAN YOU BRIEF US
ON AMERICAN HISTORY AND
LEAVE OUT AN ENTIRE DECADE?

105
00:05:52,285 --> 00:05:54,085
SO I LEFT OUT THE '60s.

106
00:05:54,087 --> 00:05:56,655
EXACTLY HOW FAR BACK
DID YOU ESTABLISH
OUR IDENTITIES?

107
00:05:56,657 --> 00:05:59,725
FIVE OR SIX... MONTHS.

108
00:05:59,727 --> 00:06:01,727
YOUR ASSIGNMENT
WAS TO PROVIDE

109
00:06:01,729 --> 00:06:03,729
FULL AND COMPLETE
HISTORIES FOR ALL OF US.

110
00:06:03,731 --> 00:06:07,499
I HAD A BOOK REPORT DUE
ON "ARE YOU THERE, GOD?
IT'S ME, MARGARET."

111
00:06:09,102 --> 00:06:11,236
TOMMY, I'M NOT SURE
YOU UNDERSTAND

112
00:06:11,238 --> 00:06:13,304
THE IMPORTANCE OF THIS.

113
00:06:13,306 --> 00:06:16,408
HUMANS ARE CREATIONS
OF THEIR PAST.

114
00:06:16,410 --> 00:06:19,177
SOCIETY, CULTURE,
EVEN BIOLOGY,

115
00:06:19,179 --> 00:06:22,914
DEMAND THAT THEY CARRY AROUND
THEIR PAST LIKE BAGGAGE.

116
00:06:22,916 --> 00:06:26,251
AND YOUR LACK
OF EFFORT ALMOST EXPOSED
THE ENTIRE OPERATION.

117
00:06:26,253 --> 00:06:28,953
FINE.  SO FROM NOW ON,
MY HOMEWORK COMES LAST.

118
00:06:28,955 --> 00:06:31,022
THOSE ARE THE HOUSE
RULES, MISTER.

119
00:06:31,024 --> 00:06:32,591
HELLO!  HELLO!

120
00:06:32,593 --> 00:06:35,427
- I FOUND THOSE BOOKS
ON THE '60s.
- GOOD, GOOD.

121
00:06:35,429 --> 00:06:38,563
- NEVER MIND
THE BOURBON STAINS.
- THANK YOU, MRS. D.

122
00:06:38,565 --> 00:06:42,066
OH, THE '60s.
WHAT A LOVELY,
LOVELY DECADE.

123
00:06:42,068 --> 00:06:45,370
A LOT OF THE STUFF
IN THIS APARTMENT
IS FROM THE '60s.

124
00:06:45,372 --> 00:06:48,139
BOY, CLASSIC THINGS
NEVER GO OUT OF STYLE.

125
00:06:49,543 --> 00:06:52,176
THOSE LONG-HAIRED FREAKS
THOUGHT THEY WERE SO COOL.

126
00:06:52,178 --> 00:06:54,178
LET ME TELL YOU
ONE THING.

127
00:06:54,180 --> 00:06:56,948
I WAS READING POETRY
WITH JACK KEROUAC

128
00:06:56,950 --> 00:06:59,017
IN A CAGE IN 1956,

129
00:06:59,019 --> 00:07:01,753
BOTH OF US BUCK NAKED.

130
00:07:02,823 --> 00:07:04,823
YES, WELL, THANK YOU

131
00:07:04,825 --> 00:07:06,991
FOR THAT DISTURBING VISUAL.

132
00:07:08,796 --> 00:07:11,062
I DIDN'T HEAR
KEROUAC COMPLAIN.

133
00:07:16,236 --> 00:07:19,404
AW, "THE ELECTRIC
KOOL-AID ACID TEST."

134
00:07:19,406 --> 00:07:23,107
- GETTING NOSTALGIC?
- AH, YES, "THOSE WERE
THE DAYS, MY FRIEND."

135
00:07:24,210 --> 00:07:26,210
BUT YOU KNOW,
ALL THIS UPROAR,

136
00:07:26,212 --> 00:07:29,047
ALL THIS RHETORIC,
ALL THIS TALK ABOUT
MASS MOVEMENTS--

137
00:07:29,049 --> 00:07:31,049
WHAT'S HAPPENING HERE?

138
00:07:31,051 --> 00:07:33,952
HISTORY IS MADE
BY THE INDIVIDUAL,
NOT BY THE MASSES.

139
00:07:33,954 --> 00:07:35,487
- WHO SAID THAT?
- I DID.

140
00:07:35,489 --> 00:07:38,056
- NO, WHERE IS THAT FROM?
- MY MOUTH.

141
00:07:38,058 --> 00:07:40,358
NO, SOMEBODY SAID THAT.

142
00:07:40,360 --> 00:07:41,993
HELLO.

143
00:07:43,296 --> 00:07:45,263
THIS IS SO WEIRD.

144
00:07:47,935 --> 00:07:50,034
THIS IS SO WEIRD.

145
00:07:50,036 --> 00:07:53,137
- RIGHT ON.
- YOU'VE BEEN RINSED
AND HUNG OUT TO DRY.

146
00:07:53,139 --> 00:07:55,807
THINK ABOUT IT.
DIG IT, BABE.

147
00:07:55,809 --> 00:07:57,809
THAT'S WHAT'S HAPPENING.

148
00:07:57,811 --> 00:08:01,480
HISTORY IS MADE
BY THE INDIVIDUAL,
NOT BY THE MASSES.

149
00:08:01,482 --> 00:08:05,049
- WHO SAID THAT?
- I DID.

150
00:08:05,051 --> 00:08:06,852
WOW!

151
00:08:06,854 --> 00:08:08,854
- All: WOW!
- THAT'S BEAUTIFUL.

152
00:08:10,991 --> 00:08:12,991
WOW!

153
00:08:12,993 --> 00:08:16,461
- WHAT'S THE MATTER?
- I COULDN'T PUT IT
TOGETHER UNTIL NOW.

154
00:08:16,463 --> 00:08:19,698
IT FINALLY CLICKED--
THE EVASIVENESS,

155
00:08:19,700 --> 00:08:22,033
CONSISTENCIES
IN YOUR PAST.

156
00:08:23,670 --> 00:08:25,804
DICK SOLOMON IS A FALSE
IDENTITY, ISN'T IT?

157
00:08:25,806 --> 00:08:28,507
FALSE IDENTITY?  ME?
( laughs )

158
00:08:30,844 --> 00:08:33,244
YOU COULD HAVE
TRUSTED ME, YOU KNOW.

159
00:08:33,246 --> 00:08:36,815
- WELL, I, I, I, I--
- THERE ARE SO MANY PEOPLE
IN THE GOVERNMENT

160
00:08:36,817 --> 00:08:39,183
WHO WOULD LOVE TO GET
THEIR HANDS ON YOU.

161
00:08:39,185 --> 00:08:41,185
YOU CAN'T
LET THAT HAPPEN.

162
00:08:41,187 --> 00:08:44,155
THEY'D PARADE ME AROUND
LIKE AN ANIMAL.

163
00:08:44,157 --> 00:08:46,157
DON'T WORRY.

164
00:08:46,159 --> 00:08:48,459
YOUR SECRET'S SAFE
WITH ME, MANNY.

165
00:08:50,296 --> 00:08:52,263
MANNY ROSENBERG.

166
00:08:54,267 --> 00:08:57,969
- BUT I'M NOT
MANNY ROSENBERG--
- OF COURSE NOT,

167
00:08:57,971 --> 00:09:00,639
BECAUSE MANNY ROSENBERG

168
00:09:00,641 --> 00:09:02,641
IS STILL BEING HUNTED

169
00:09:02,643 --> 00:09:05,944
BY THE FBI.

170
00:09:05,946 --> 00:09:07,879
FOR FOOD OR SPORT?

171
00:09:10,517 --> 00:09:13,451
<i> ♪ WAKE ME UP</i>
<i> BEFORE YOU GO-GO ♪</i>

172
00:09:13,453 --> 00:09:16,354
<i> ♪ Don't leave me</i>
<i> hanging on</i>
<i> like a yo-yo ♪</i>

173
00:09:16,356 --> 00:09:19,424
<i> ♪ Wake me up</i>
<i> before you go-go... ♪</i>

174
00:09:19,426 --> 00:09:22,827
- SO MANNY ROSENBERG WAS--
-<i> ♪ Wake me up... ♪</i>

175
00:09:22,829 --> 00:09:25,496
- WHAT?
-<i> ♪ Before you go-go ♪</i>

176
00:09:25,498 --> 00:09:27,498
MANNY ROSENBERG
WAS AN ACT--

177
00:09:27,500 --> 00:09:29,434
-<i> ♪ Wake me up... ♪</i>
- WHAT?

178
00:09:29,436 --> 00:09:31,836
EXCUSE ME.

179
00:09:31,838 --> 00:09:33,772
( music stops )

180
00:09:35,842 --> 00:09:38,209
OKAY, WHERE WAS I?

181
00:09:38,211 --> 00:09:40,211
MANNY ROSENBERG
WAS AN ACTIVIST

182
00:09:40,213 --> 00:09:42,781
INVOLVED IN INCITING
A RIOT IN 1971.

183
00:09:42,783 --> 00:09:45,116
- IS THERE ANYTHING ELSE?
- I'M LOOKING, I'M LOOKING.

184
00:09:45,118 --> 00:09:47,752
ALL RIGHT,
I FOUND ANOTHER BOX
IN THE BASEMENT.

185
00:09:47,754 --> 00:09:49,754
- WHAT'S "X-MAS"?
- I DON'T KNOW,

186
00:09:49,756 --> 00:09:52,791
BUT IT'S GOT TO BE
SOMETHING PSYCHEDELIC.
CHECK THIS OUT.

187
00:09:52,793 --> 00:09:54,826
- THIS IS HEAVY.
- FAR OUT.

188
00:09:54,828 --> 00:09:58,096
- MY MIND IS BLOWN.
- WHO IS THIS?

189
00:09:58,098 --> 00:10:00,131
I THINK IT'S
JERRY GARCIA.

190
00:10:01,835 --> 00:10:04,202
LOOK, HERE'S A PICTURE
OF MANNY ROSENBERG.

191
00:10:04,204 --> 00:10:06,204
HE LOOKS EXACTLY
LIKE YOU.

192
00:10:06,206 --> 00:10:08,206
OH, DAMN!

193
00:10:08,208 --> 00:10:10,609
I WAS SUPPOSED TO GET
A COMPLETELY ORIGINAL BODY.

194
00:10:10,611 --> 00:10:12,477
THOSE GUYS IN RESEARCH
CAN'T DO ANYTHING RIGHT.

195
00:10:12,479 --> 00:10:14,512
WHAT DO YOU EXPECT?
THEY'RE NON-UNION.

196
00:10:14,514 --> 00:10:16,347
THIS COULD REALLY
BE TROUBLE.

197
00:10:16,349 --> 00:10:17,916
TOMMY, HOW ARE YOU COMING
ALONG WITH OUR HISTORIES?

198
00:10:17,918 --> 00:10:19,884
I HAVE THEM RIGHT HERE--

199
00:10:19,886 --> 00:10:22,053
LEGAL DOCUMENTS,
SCHOOL RECORDS,

200
00:10:22,055 --> 00:10:24,089
DOCTORED PICTURES,
THE WORKS.

201
00:10:24,091 --> 00:10:26,925
DICK SOLOMON,
CLASS NERD, HELD BACK
BY A DOMINEERING MOTHER,

202
00:10:26,927 --> 00:10:30,595
WENT TO WORK FOR NASA IN '74,
BUT WAS FIRED AFTER A MINOR
PROCUREMENT SCANDAL.

203
00:10:30,597 --> 00:10:32,597
NEWSPAPER CLIPPINGS
ARE ENCLOSED.

204
00:10:32,599 --> 00:10:35,166
MAJOR BURNOUT LED TO
A STRING OF SECOND-RATE
TEACHING JOBS,

205
00:10:35,168 --> 00:10:37,535
- YADA, YADA, YADA,
ENDING UP HERE.
- THIS IS EXCELLENT.

206
00:10:37,537 --> 00:10:40,705
- WHAT ABOUT ME?
- STOCKBROKER DURING
THE GREEDY '80s.

207
00:10:40,707 --> 00:10:43,441
MADE AND LOST
SEVERAL FORTUNES BEFORE
PSYCHOLOGICAL PROBLEMS

208
00:10:43,443 --> 00:10:46,778
AND GENDER CONFUSION
LED TO A SEX CHANGE
OPERATION IN 1988.

209
00:10:48,782 --> 00:10:51,516
- I'M NEXT.
- HARRY, YOU'RE ADOPTED,

210
00:10:51,518 --> 00:10:53,885
BUT WE HAVEN'T
TOLD YOU YET.

211
00:10:55,455 --> 00:10:58,422
OHH, THAT'S GONNA HURT.

212
00:11:05,065 --> 00:11:07,098
DR. ALBRIGHT,
I'M GLAD YOU'RE HERE.

213
00:11:07,100 --> 00:11:09,134
GOOD MORNING,
DR. SOLOMON.

214
00:11:11,171 --> 00:11:13,204
YES, WELL, I'D
LIKE TO CLEAR UP

215
00:11:13,206 --> 00:11:15,506
A FEW MISUNDERSTANDINGS
ABOUT YESTERDAY.

216
00:11:15,508 --> 00:11:17,508
FOR SOME REASON,
YOU MISTAKENLY THINK

217
00:11:17,510 --> 00:11:19,978
THAT I'M THIS
MANNY ROSENBERG FELLOW.

218
00:11:19,980 --> 00:11:22,147
DON'T EVEN BOTHER.

219
00:11:22,149 --> 00:11:24,315
I TOLD YOU
YOU COULD TRUST ME.

220
00:11:24,317 --> 00:11:27,652
YOU PROBABLY DON'T
REMEMBER, BUT WE'VE
ACTUALLY MET BEFORE.

221
00:11:27,654 --> 00:11:29,954
YOU SPOKE
AT MY CAMPUS IN '69.

222
00:11:29,956 --> 00:11:33,224
NOW, THAT'S IMPOSSIBLE.
I WAS IN THE CIRCUS THEN.

223
00:11:33,226 --> 00:11:36,194
THE FLYING SOLOMOSKIS.
THERE WERE SIX OF US.

224
00:11:36,196 --> 00:11:39,363
TWO OF US PLUNGED
TO OUR DEATHS.

225
00:11:39,365 --> 00:11:43,101
I DON'T EXPECT YOU
TO REMEMBER ME, WHAT WITH
ALL THE PEOPLE YOU'VE MET.

226
00:11:43,103 --> 00:11:46,537
YOU'RE SITTING ON MY DESK.
YOU'VE NEVER DONE
THAT BEFORE.

227
00:11:46,539 --> 00:11:49,540
DO YOU REMEMBER EVER BEING
AT BERKELEY, AT A RALLY?

228
00:11:49,542 --> 00:11:53,111
YOU'RE NOT LISTENING TO ME.
I BROUGHT ALL THIS IN
TO PROVE TO YOU--

229
00:11:53,113 --> 00:11:56,114
- THE STORIES
YOU MUST HAVE.
- WHAT?

230
00:11:56,116 --> 00:11:59,050
YOU KNOW I'D BE LYING
IF I SAID I FOUND THIS

231
00:11:59,052 --> 00:12:00,985
LESS THAN INTRIGUING.

232
00:12:08,261 --> 00:12:11,196
WELL, ALL THOSE
YEARS UNDERGROUND,
YOU DO A LOT OF LIVING.

233
00:12:18,071 --> 00:12:20,105
HARRY?

234
00:12:20,107 --> 00:12:23,608
YOU GOT ANOTHER PACKAGE
FROM THE CD CLUB.

235
00:12:23,610 --> 00:12:27,112
I DON'T HAVE TIME TO LISTEN
TO THE ONES I HAVE.

236
00:12:27,114 --> 00:12:30,115
THOSE DEMONS,
THEY'RE NOT HUMAN.

237
00:12:30,117 --> 00:12:32,217
NEITHER ARE WE.

238
00:12:32,219 --> 00:12:35,720
WELL, YEAH, BUT WE HAVE
AN EXCUSE.  HELLO.

239
00:12:37,824 --> 00:12:39,891
I'M OFF TO DR. ALBRIGHT'S.

240
00:12:39,893 --> 00:12:42,827
- SHE BOUGHT
MY PHONY PROFILE, HUH?
- I DON'T EVEN NEED IT.

241
00:12:42,829 --> 00:12:45,529
SHE LIKES ME MUCH BETTER,
NOW THAT SHE THINKS
I'M MANNY.

242
00:12:45,531 --> 00:12:48,032
OH, GREAT,
SO AFTER ALL
I WENT THROUGH

243
00:12:48,034 --> 00:12:50,034
CREATING A BACKGROUND
FOR YOU?

244
00:12:50,036 --> 00:12:52,637
DO YOU REALIZE I GOT YOU
A WEEKEND IN CANCÚN

245
00:12:52,639 --> 00:12:54,906
WITH TWIN GYMNASTS?

246
00:12:54,908 --> 00:12:57,475
ALL I GOT AT THE ORPHANAGE
WAS A BEATING

247
00:12:57,477 --> 00:13:00,411
WHEN I ASKED
FOR MORE GRUEL.

248
00:13:04,084 --> 00:13:07,718
<i> ♪ One pill makes</i>
<i> you larger ♪</i>

249
00:13:07,720 --> 00:13:11,823
-<i> ♪ And one pill</i>
<i> </i> makes you small ♪
- ( knocking )

250
00:13:14,194 --> 00:13:16,194
- HELLO.
- FOR YOU.

251
00:13:16,196 --> 00:13:18,296
YOU SHOULDN'T HAVE.

252
00:13:18,298 --> 00:13:20,298
I'M GLAD YOU CAME.

253
00:13:21,501 --> 00:13:24,402
AND TO THINK
ALL THIS TIME

254
00:13:24,404 --> 00:13:26,470
I WAS JUST A DESK AWAY

255
00:13:26,472 --> 00:13:28,639
FROM DANGER.

256
00:13:28,641 --> 00:13:31,709
THE THOUGHT OF THE FBI
WATCHING US RIGHT NOW

257
00:13:31,711 --> 00:13:33,778
IS SUCH A TURN-ON.

258
00:13:33,780 --> 00:13:36,514
YES.  AND EVEN
IF I WASN'T MANNY,

259
00:13:36,516 --> 00:13:38,516
IT WOULD BE
JUST AS EXCITING.

260
00:13:38,518 --> 00:13:41,219
DON'T BE SILLY.

261
00:13:41,221 --> 00:13:43,688
OOH!

262
00:13:43,690 --> 00:13:45,824
ARE THESE...
"MAGIC" BROWNIES?

263
00:13:45,826 --> 00:13:47,826
PEPPERIDGE FARM.

264
00:13:49,629 --> 00:13:52,964
YOU KNOW, I THINK
I HAVE SOMETHING.

265
00:13:52,966 --> 00:13:56,367
I FOUND IT WHEN
I MOVED EIGHT YEARS AGO.
IT'S IN THE FREEZER.

266
00:13:56,369 --> 00:13:58,369
IT'S A JOINT.

267
00:13:58,371 --> 00:14:00,371
OH, A DOOBIE.

268
00:14:00,373 --> 00:14:02,640
LET'S BOGART
THAT FAT BOY.

269
00:14:04,344 --> 00:14:08,146
YOU KNOW WHAT I REGRET?
I NEVER MADE IT
TO WOODSTOCK.

270
00:14:08,148 --> 00:14:10,915
AH, YES, WOODSTOCK,
THE THREE-DAY CONCERT

271
00:14:10,917 --> 00:14:13,051
HELD ON A FARM
IN UPSTATE NEW YORK

272
00:14:13,053 --> 00:14:16,120
THAT INCLUDED
MANY OF THE MOST POPULAR
MUSIC BANDS OF THE TIME,

273
00:14:16,122 --> 00:14:18,789
FELT TO BE THE CULMINATION
OF THE COUNTERCULTURE
MOVEMENT,

274
00:14:18,791 --> 00:14:22,727
CAPTURED BY
THE SONG, "WOODSTOCK,"
BY JONI MITCHELL.

275
00:14:22,729 --> 00:14:24,729
- FOUND IT!
- THE SONG WAS POPULARIZED

276
00:14:24,731 --> 00:14:27,165
BY CROSBY, STILLS & NASH,
WHICH IS IRONIC

277
00:14:27,167 --> 00:14:29,167
SINCE THEIRS WAS THE MORE
COMMERCIAL VERSION

278
00:14:29,169 --> 00:14:32,103
WHICH IS THE ANTITHESIS
OF THE SPIRIT
OF THE FESTIVAL.

279
00:14:34,074 --> 00:14:36,107
HERE WE GO.

280
00:14:44,384 --> 00:14:46,951
THIS ISN'T A JOINT.

281
00:14:46,953 --> 00:14:48,887
IT'S A FROZEN FRENCH FRY.

282
00:14:51,024 --> 00:14:54,525
OH, WELL, I GUESS WE'LL
JUST SETTLE FOR WINE.

283
00:15:00,100 --> 00:15:02,533
YOU'RE AN INSPIRATION
TO ALL...

284
00:15:02,535 --> 00:15:05,970
NEO-TROTSKYITE
ANTI-STALINIST MARXISTS.

285
00:15:05,972 --> 00:15:08,907
YOU KNOW,
YOU'RE PRETTY TUNED IN
FOR A BOURGEOIS CHICK.

286
00:15:22,122 --> 00:15:24,688
MEET ME ON THE WATERBED
UPSTAIRS IN FIVE MINUTES.

287
00:15:24,690 --> 00:15:26,857
OH, AND, UH...

288
00:15:26,859 --> 00:15:28,826
LOSE THE PINS.

289
00:15:35,201 --> 00:15:37,201
<i> ( beads rattle )</i>

290
00:15:39,572 --> 00:15:41,572
WHAT?

291
00:15:41,574 --> 00:15:44,542
HERE'S TO... WATERBEDS.

292
00:15:44,544 --> 00:15:46,777
HERE'S TO...

293
00:15:46,779 --> 00:15:48,712
FLOOR LAMPS.

294
00:15:52,485 --> 00:15:55,719
HELLO.
CAROUSEL CD CLUB?

295
00:15:55,721 --> 00:15:58,323
- I'LL CALL BACK LATER.
- DO NOT HANG UP THAT PHONE.

296
00:15:58,325 --> 00:16:00,325
YOU CAN DO
THIS, HARRY.

297
00:16:00,327 --> 00:16:03,661
YOU CAN TAKE
YOUR MIND BACK,

298
00:16:03,663 --> 00:16:05,830
OR AT LEAST
WHAT'S LEFT OF IT.

299
00:16:05,832 --> 00:16:08,333
OKAY, SALLY, I WILL.

300
00:16:08,335 --> 00:16:12,170
LISTEN TO ME, BUSTER.
I'M NOT HAPPY, AND I
WANT MY MONEY BACK.

301
00:16:12,172 --> 00:16:15,239
- VERY GOOD.
- I'M SUPPOSED TO
PRESS "2" NOW.

302
00:16:17,143 --> 00:16:20,979
YES.  HELLO?
WE NEED TO TALK.

303
00:16:20,981 --> 00:16:22,981
I'M AT A PLACE
IN MY LIFE

304
00:16:22,983 --> 00:16:25,583
WHERE I'M JUST NOT READY
FOR THIS KIND OF COMMITMENT.

305
00:16:25,585 --> 00:16:28,586
I THINK IT'S BEST
THAT WE BREAK FREE,

306
00:16:28,588 --> 00:16:30,855
GO OUR SEPARATE WAYS.

307
00:16:30,857 --> 00:16:32,857
YOU WILL?

308
00:16:32,859 --> 00:16:35,193
OH, THANKS!

309
00:16:35,195 --> 00:16:37,195
HMM?

310
00:16:37,197 --> 00:16:39,197
WELL...

311
00:16:39,199 --> 00:16:41,532
YES, I GUESS
I DO HAVE A FRIEND

312
00:16:41,534 --> 00:16:44,035
WHO MIGHT BE INTERESTED.

313
00:16:44,037 --> 00:16:46,804
HER NAME IS
SALLY SOLOMON.

314
00:16:53,213 --> 00:16:55,880
OH!  OH,
I CAN'T BELIEVE

315
00:16:55,882 --> 00:16:58,449
WE'RE DOING THIS.

316
00:16:58,451 --> 00:17:01,386
YOUR HANDS ARE
SO SMALL AND DELICATE.

317
00:17:02,822 --> 00:17:04,822
I'M NOT POSITIVE,

318
00:17:04,824 --> 00:17:07,892
BUT I THINK I CAN FIT
YOUR ENTIRE FOOT
IN MY MOUTH.

319
00:17:07,894 --> 00:17:09,894
OH!

320
00:17:09,896 --> 00:17:11,929
YOU ARE A SUPERFREAK.

321
00:17:11,931 --> 00:17:14,298
"THE KIND YOU DON'T
TAKE HOME TO MOTHER."

322
00:17:14,300 --> 00:17:17,668
OH, MANNY, MANNY!

323
00:17:19,572 --> 00:17:21,506
NOW I'M FEELING
A MORAL DILEMMA.

324
00:17:22,808 --> 00:17:25,043
I'M NOT SURE I CAN
GO THROUGH WITH THIS.

325
00:17:25,045 --> 00:17:26,911
MY BEDROOM'S UPSTAIRS.

326
00:17:27,980 --> 00:17:30,181
RACE YA.

327
00:17:31,251 --> 00:17:33,184
OH, WHAT THE HELL.

328
00:17:41,761 --> 00:17:44,195
- WHAT THE HELL...?
- DON'T BE UPTIGHT, BABE.

329
00:17:44,197 --> 00:17:46,164
LEAVE YOUR HANG-UPS
IN SUBURBIA.

330
00:17:48,734 --> 00:17:51,969
- YOU'RE LEAVING?
- YOU BET YOUR BIPPY I AM.

331
00:17:56,943 --> 00:17:59,777
- Dick: HEY!
- YOU MISERABLE CREEP!

332
00:17:59,779 --> 00:18:02,046
- I DON'T UNDERSTAND.
- THINK ABOUT IT.

333
00:18:02,048 --> 00:18:05,015
IT'S LIKE YOU
PUT A PURPLE HAZE
INSIDE MY BRAIN.

334
00:18:05,017 --> 00:18:06,951
GIVE IT A REST.

335
00:18:06,953 --> 00:18:09,920
- WHAT DID I DO WRONG?
- YOU KNOW WHAT YOU DID.

336
00:18:11,357 --> 00:18:14,292
COME ON, MANNY.
BERKELEY.

337
00:18:14,294 --> 00:18:18,096
OH, YOU'RE MAD
AT MANNY.

338
00:18:18,098 --> 00:18:20,465
YES, DR. ALBRIGHT

339
00:18:20,467 --> 00:18:22,500
IS MAD AT MANNY.

340
00:18:22,502 --> 00:18:24,935
OH!  OH, MANNY.
IT'S OKAY

341
00:18:24,937 --> 00:18:27,105
BECAUSE I HAVE SOMETHING
TO TELL YOU

342
00:18:27,107 --> 00:18:29,273
THAT'S GOING TO STRAIGHTEN
THIS WHOLE THING OUT.

343
00:18:29,275 --> 00:18:31,442
I'M NOT MANNY.

344
00:18:32,778 --> 00:18:34,778
ISN'T THAT IRONIC?

345
00:18:34,780 --> 00:18:37,948
RIGHT, YOU'RE
NOT MANNY.

346
00:18:37,950 --> 00:18:39,950
YOU JUST LOOK
EXACTLY LIKE HIM,

347
00:18:39,952 --> 00:18:41,952
KNOW EVERYTHING
ABOUT HIS PAST,

348
00:18:41,954 --> 00:18:45,089
AND HAVE BEEN CARRYING ON
THIS RIDICULOUS CHARADE
FOR THREE DAYS.

349
00:18:45,091 --> 00:18:47,191
YOU KNOW ME SO WELL.

350
00:18:48,661 --> 00:18:50,761
BOY, I HAVE BEEN HANDED

351
00:18:50,763 --> 00:18:52,763
SOME LAME STORIES
IN MY LIFE,

352
00:18:52,765 --> 00:18:54,765
BUT YOU TAKE THE CAKE.

353
00:18:54,767 --> 00:18:57,101
I DON'T WANT THE CAKE.
I WANT YOU.

354
00:19:00,106 --> 00:19:03,541
OH, MY GOD,
YOU<i> ARE</i> DICK SOLOMON.

355
00:19:06,179 --> 00:19:09,680
AND YOU LET ME MAKE
A COMPLETE FOOL OF MYSELF!

356
00:19:09,682 --> 00:19:13,384
- HOW COULD YOU DO THAT?
- I WANTED TO TELL YOU.
I WAS GOING TO TELL YOU.

357
00:19:13,386 --> 00:19:16,720
- WHAT STOPPED YOU?
- I THOUGHT YOU
MIGHT SLEEP WITH ME.

358
00:19:19,492 --> 00:19:21,492
OH.

359
00:19:21,494 --> 00:19:24,195
- NOW I UNDERSTAND.
- OH, THANK GOODNESS.

360
00:19:26,533 --> 00:19:28,666
GET OUT!

361
00:19:28,668 --> 00:19:32,170
YOU SELFISH, INCONSIDERATE,
OPPORTUNISTIC BASTARD!

362
00:19:32,172 --> 00:19:33,871
YOU'RE RIGHT.

363
00:19:35,208 --> 00:19:37,175
I GUESS I'LL BE GOING.

364
00:19:38,844 --> 00:19:41,679
ABOUT INCONSIDERATE,
I DID BRING BROWNIES.

365
00:19:41,681 --> 00:19:43,648
OH...
( mutters )

366
00:19:47,487 --> 00:19:51,322
I SURE AM GLAD WE
WON'T BE GETTING ANY MORE
OF THESE CDs IN THE MAIL.

367
00:19:51,324 --> 00:19:53,691
YEAH, AND EVEN
IF WE DO,

368
00:19:53,693 --> 00:19:57,461
THERE'S NO REASON TO THINK
THAT I WOULD HAVE ANYTHING
TO DO WITH IT

369
00:19:57,463 --> 00:20:00,198
'CAUSE I DIDN'T.

370
00:20:00,200 --> 00:20:02,300
DICK, SOMEONE'S
HERE TO SEE YOU.

371
00:20:02,302 --> 00:20:05,135
I DON'T WANT TO BE SEEN.
TELL THEM THAT
I'M NOT HERE.

372
00:20:05,137 --> 00:20:07,271
HERE'S NOT HERE,
DR. ALBRIGHT,
SO GO AWAY.

373
00:20:07,273 --> 00:20:09,273
MARY!  MARY!

374
00:20:09,275 --> 00:20:12,076
YOU'VE COME
BACK TO ME

375
00:20:12,078 --> 00:20:14,712
BECAUSE YOU'VE FORGIVEN ME
FOR WHAT I'VE DONE

376
00:20:14,714 --> 00:20:17,348
AND-- AND BECAUSE
YOU REALIZE

377
00:20:17,350 --> 00:20:19,584
THAT MY DECEIT,
ALTHOUGH SOPHOMORIC,

378
00:20:19,586 --> 00:20:22,520
WAS MEANT AS A PURE
GESTURE OF AFFECTION.

379
00:20:22,522 --> 00:20:24,755
WELL, SOME OF THAT.

380
00:20:24,757 --> 00:20:27,658
WOULD YOU LEAVE
THE TWO OF US ALONE
FOR A MINUTE?

381
00:20:27,660 --> 00:20:30,428
SURE.

382
00:20:30,430 --> 00:20:32,663
REMEMBER EVERY WORD.
WE WANT ALL THE DETAILS.

383
00:20:32,665 --> 00:20:34,432
WILL DO.

384
00:20:37,002 --> 00:20:39,503
LOOK, I-- I MAY
HAVE OVERREACTED

385
00:20:39,505 --> 00:20:41,772
TO THIS MANNY THING.

386
00:20:41,774 --> 00:20:44,442
AND I UNDERSTAND
THAT MEN HAVE A TENDENCY

387
00:20:44,444 --> 00:20:47,311
TO GO OVERBOARD
TO IMPRESS ME.
I UNDERSTAND THAT.

388
00:20:47,313 --> 00:20:49,647
THE ONLY REASON
I PRETENDED TO BE MANNY

389
00:20:49,649 --> 00:20:52,316
IS BECAUSE YOU LIKED HIM
SO MUCH MORE THAN ME.

390
00:20:52,318 --> 00:20:54,552
MANNY WASN'T
WHAT HE SEEMED,

391
00:20:54,554 --> 00:20:57,722
BUT YOU ARE EXACTLY
WHAT YOU SEEM.

392
00:20:57,724 --> 00:20:59,724
AND I'LL ADMIT THAT

393
00:20:59,726 --> 00:21:01,892
YOUR LACK OF NUANCE
IS REFRESHING.

394
00:21:01,894 --> 00:21:03,894
DAMN, I THINK
I'M WEARING

395
00:21:03,896 --> 00:21:05,829
HARRY'S UNDERWEAR AGAIN.

396
00:21:05,831 --> 00:21:08,599
WELL, A LITTLE NUANCE
WOULDN'T HURT.

397
00:21:08,601 --> 00:21:10,801
SO WE'RE STILL FRIENDS?

398
00:21:11,937 --> 00:21:13,871
PEACE.

399
00:21:15,541 --> 00:21:17,575
<i> ( "A Whiter Shade of Pale"</i>
<i> playing )</i>

400
00:21:21,981 --> 00:21:25,249
<i> ( '50s rock music playing )</i>