1
00:00:03,971 --> 00:00:06,472
DICK, I AM TELLING YOU,
YOU NEED A VEST!
2
00:00:06,474 --> 00:00:07,973
I'M WEARING A VEST.
3
00:00:07,975 --> 00:00:10,509
YEAH, BUT IT'S WOOL.
YOU NEED KEVLAR.
4
00:00:10,511 --> 00:00:12,411
I'M JUST GOING
TO THE OFFICE.
5
00:00:12,413 --> 00:00:15,514
YEAH. THE OFFICE
WHERE YOU WORK
WITH YOUR EX-FIANCEE.
6
00:00:15,516 --> 00:00:18,516
YOU REMEMBER HER--
THE BITTER WOMAN
WHO WANTS YOU DEAD.
7
00:00:18,518 --> 00:00:21,986
OH, THAT. OH, LOOK,
MARY'S HAD AN ENTIRE NIGHT
TO SLEEP ON IT.
8
00:00:21,988 --> 00:00:23,988
BESIDES, DEEP DOWN
SHE LOVES ME.
9
00:00:23,990 --> 00:00:27,359
AND I SAID I WAS SORRY.
WHAT MORE COULD SHE ASK FOR?
10
00:00:27,361 --> 00:00:32,531
OK. DICK, I AM
PRACTICALLY A WOMAN, OK?
11
00:00:32,533 --> 00:00:34,533
I BASICALLY KNOW
HOW WOMEN FEEL,
12
00:00:34,535 --> 00:00:37,803
AND SHE'S GONNA WANT
A WHOLE LOT MORE
THAN "I'M SORRY."
13
00:00:37,805 --> 00:00:39,304
SO YOU
HAVE A CHOICE.
14
00:00:39,306 --> 00:00:40,672
THE VEST OR ME.
15
00:00:42,209 --> 00:00:45,878
OH, FINE.
YOU CARRY MY LUNCHBOX.
16
00:00:45,880 --> 00:00:48,980
DON'T BRUISE MY BANANA.
17
00:01:02,429 --> 00:01:04,496
CLEAR!
18
00:01:04,498 --> 00:01:07,933
YOU SEE, SALLY,
THERE'S NOTHING
TO BE CONCERNED ABOUT.
19
00:01:07,935 --> 00:01:09,901
YOU'VE GOT TO GET--
20
00:01:09,903 --> 00:01:11,402
OH, MY GOD!
21
00:01:11,404 --> 00:01:12,904
MR. POTATO MAN!
22
00:01:12,906 --> 00:01:15,574
WHO WOULD
DO SUCH A THING?
23
00:01:15,576 --> 00:01:17,542
HELLO, DICK.
OH, SALLY.
24
00:01:17,544 --> 00:01:19,010
HOW COULD YOU
DO THIS?
25
00:01:19,012 --> 00:01:21,013
I WAS MAD AT YOU,
26
00:01:21,015 --> 00:01:23,916
AND I GUESS I TOOK IT OUT
ON A PERFECTLY INNOCENT...
27
00:01:23,918 --> 00:01:25,517
PLASTIC POTATO.
28
00:01:25,519 --> 00:01:27,753
BE GLAD
IT WASN'T YOUR BUTT.
29
00:01:29,622 --> 00:01:31,623
LOOK, WHY CAN'T YOU
JUST DROP THIS?
30
00:01:31,625 --> 00:01:35,627
FINE. I GOT ENGAGED TO YOU
AND DIDN'T TELL YOU
I HAD A WIFE.
31
00:01:35,629 --> 00:01:37,129
I SAID I WAS SORRY.
32
00:01:37,131 --> 00:01:38,630
IT MADE ME FEEL TERRIBLE,
33
00:01:38,632 --> 00:01:40,966
BUT I'VE STOPPED
BEATING MYSELF UP ABOUT IT.
34
00:01:40,968 --> 00:01:43,468
WELL, THAT MAKES
ONE OF YOU.
35
00:01:43,470 --> 00:01:44,936
IT'S OK, NINA.
NOTHING TO WORRY ABOUT.
36
00:01:44,938 --> 00:01:46,939
I'M OVER IT.
I'M AN ADULT.
37
00:01:46,941 --> 00:01:48,440
I'M MOVING ON.
38
00:01:48,442 --> 00:01:50,108
IN FACT, SALLY,
I'M GLAD YOU'RE HERE.
39
00:01:50,110 --> 00:01:53,111
I HAVE MY YOGA CLASS
TONIGHT AND
JUDITH CAN'T MAKE IT.
40
00:01:53,113 --> 00:01:55,113
I HAVE A GROIN PULL.
41
00:01:55,115 --> 00:01:57,916
I'D LOVE FOR YOU
TO JOIN ME.
42
00:01:57,918 --> 00:01:59,717
WHY?
43
00:01:59,719 --> 00:02:01,153
BECAUSE I'M AN ADULT,
44
00:02:01,155 --> 00:02:03,321
AND WHAT DICK DID
DOES NOT AFFECT
OUR FRIENDSHIP.
45
00:02:03,323 --> 00:02:05,724
DON AND I ARE GOING
TO THE RUTHERFORD
RENAISSANCE FAIR TONIGHT.
46
00:02:05,726 --> 00:02:06,958
OH, NO, YOU'RE NOT.
47
00:02:06,960 --> 00:02:08,960
YOU'RE CANCELING
YOUR PLANS
AND GOING WITH MARY.
48
00:02:08,962 --> 00:02:10,462
THERE'S NO WAY
I'M GONNA DO--
49
00:02:10,464 --> 00:02:11,462
FINE!
50
00:02:11,464 --> 00:02:12,497
THANK YOU.
51
00:02:12,499 --> 00:02:14,499
[BLOWS RASPBERRY]
52
00:02:14,501 --> 00:02:17,068
THERE, YOU SEE?
I CAN BE AN ADULT, TOO.
53
00:02:17,070 --> 00:02:18,670
I'M SURE YOU CAN.
54
00:02:18,672 --> 00:02:21,940
THAT'S WHY I'M GOING
TO CONTINUE TO ALLOW YOU
TO USE MY OFFICE.
55
00:02:21,942 --> 00:02:23,741
YOUR OFFICE?
IT'S OUR OFFICE.
56
00:02:23,743 --> 00:02:25,243
CHECK THE DOOR, DICK!
57
00:02:25,245 --> 00:02:26,644
IT'S MY OFFICE!
58
00:02:26,646 --> 00:02:28,814
ALWAYS WAS,
ALWAYS WILL BE!
59
00:02:28,816 --> 00:02:32,650
[CALM VOICE]
BUT I SAY THAT
JUST TO LET YOU KNOW.
60
00:02:32,652 --> 00:02:35,253
I DON'T STRESS IT.
I JUST GLOSS OVER IT.
61
00:02:35,255 --> 00:02:37,322
SEE? ADULT.
62
00:02:42,496 --> 00:02:44,997
NINA, I WANT MY NAME
PAINTED ON THIS DOOR,
63
00:02:44,999 --> 00:02:49,368
AND I WANT IT
TWICE THE SIZE OF HERS--
3 TIMES THE SIZE!
64
00:02:49,370 --> 00:02:52,703
I'M GOING TO BE
THE BIGGEST ADULT
IN THIS WHOLE STUPID OFFICE!
65
00:03:33,547 --> 00:03:34,546
SOLOMON!
66
00:03:34,548 --> 00:03:36,414
YOU GOT A GUITAR,
RIGHT?
67
00:03:36,416 --> 00:03:37,415
NO.
68
00:03:37,417 --> 00:03:38,716
YES, YOU DO.
69
00:03:38,718 --> 00:03:40,585
Tommy: NO, NOT REALLY.
YOU ANY GOOD?
70
00:03:40,587 --> 00:03:42,186
YES, YOU ARE.
71
00:03:42,188 --> 00:03:43,688
WE'RE FORMING
A NEW BAND.
72
00:03:43,690 --> 00:03:45,189
A NEW BAND?
73
00:03:45,191 --> 00:03:47,692
WELL, WHAT HAPPENED
TO STATE OF CONTUSION?
74
00:03:47,694 --> 00:03:49,193
CREATIVE DIFFERENCES.
75
00:03:49,195 --> 00:03:51,195
NOW WE'RE
WHISKEY KITTEN.
76
00:03:51,197 --> 00:03:53,364
AND YOU'RE
OUR LEAD GUITARIST.
77
00:03:53,366 --> 00:03:55,734
I'VE ALWAYS WANTED
TO DATE A GUY IN A BAND.
78
00:03:55,736 --> 00:03:58,870
AND THAT'S EXACTLY WHY
I'M JOINING THIS BAND.
79
00:03:58,872 --> 00:04:00,371
THAT'S THE SPIRIT,
SOLOMON.
80
00:04:00,373 --> 00:04:03,641
REHEARSAL TONIGHT.
YOUR PLACE.
81
00:04:03,643 --> 00:04:06,344
[STRUMS ELECTRIC GUITAR]
82
00:04:09,649 --> 00:04:11,649
CAN I BE YOUR ROADIE?
83
00:04:11,651 --> 00:04:12,950
CAN I?
84
00:04:12,952 --> 00:04:15,453
SO YOU WANT TO LUG AROUND
HEAVY EQUIPMENT FOR US
85
00:04:15,455 --> 00:04:16,854
WHILE WE TREAT YOU
LIKE DIRT?
86
00:04:16,856 --> 00:04:18,856
YEAH.
87
00:04:18,858 --> 00:04:22,894
PLUS I GET
MY PICK OF THE
LESS ATTRACTIVE WOMEN.
88
00:04:22,896 --> 00:04:24,162
[JANGLING]
89
00:04:25,866 --> 00:04:27,899
[JANGLING]
90
00:04:27,901 --> 00:04:29,467
SALLY!
91
00:04:29,469 --> 00:04:30,969
SHALL WE GO, MILADY?
92
00:04:30,971 --> 00:04:33,237
I'M SORRY, DON,
I'M RUNNING LATE
FOR SOMETHING!
93
00:04:33,239 --> 00:04:35,607
I'LL CALL YOU LATER.
BYE-BYE!
94
00:04:35,609 --> 00:04:37,742
DON'T FORGET
TO TELL MARY
95
00:04:37,744 --> 00:04:40,412
THAT I'M ROLLER-SKATING
WITH SUPERMODELS!
96
00:04:40,414 --> 00:04:42,113
WHAT THE HELL
WAS THAT?
97
00:04:42,115 --> 00:04:45,083
SHE JUST
MADE ME LOOK LIKE
A COMPLETE JACKASS.
98
00:04:46,252 --> 00:04:49,187
AH...
99
00:04:49,189 --> 00:04:51,022
WOMEN.
100
00:04:51,024 --> 00:04:52,190
I HEAR YOU, MY FRIEND.
101
00:04:52,192 --> 00:04:53,258
A WOMAN MAY SAY
102
00:04:53,260 --> 00:04:55,127
THAT SHE WANTS A MAN
TO BE OBEDIENT AND NICE,
103
00:04:55,129 --> 00:04:56,260
BUT DOES SHE
REALLY WANT THAT?
104
00:04:56,262 --> 00:04:58,362
YES, SHE DOES.
105
00:04:58,364 --> 00:04:59,698
NO, SHE DOESN'T,
106
00:04:59,700 --> 00:05:01,566
BECAUSE THEN SHE'LL
JUST WALK ALL OVER YOU.
107
00:05:01,568 --> 00:05:03,869
AMEN TO THAT, MY FRIEND.
108
00:05:03,871 --> 00:05:05,370
WOMEN ARE MADDENING.
109
00:05:05,372 --> 00:05:07,372
THEY PRETEND
TO BE SO ADULT,
110
00:05:07,374 --> 00:05:08,874
BUT JUST LIKE THAT,
111
00:05:08,876 --> 00:05:11,876
THEY'LL SINK
ALL THE WAY DOWN
TO YOUR LEVEL.
112
00:05:13,646 --> 00:05:15,146
TELL ME, MY FRIEND,
113
00:05:15,148 --> 00:05:16,681
IS THAT FAIR?
114
00:05:16,683 --> 00:05:18,182
YES, IT IS.
115
00:05:18,184 --> 00:05:19,684
NO, IT'S NOT.
116
00:05:19,686 --> 00:05:22,687
LET ME ASK YOU SOMETHING,
MY FRIEND.
117
00:05:22,689 --> 00:05:24,890
DO YOU WANT SALLY
TO WANT YOU MORE THAN EVER?
118
00:05:24,892 --> 00:05:26,257
NO, HE DOESN'T.
119
00:05:26,259 --> 00:05:27,391
YES, I DO.
120
00:05:27,393 --> 00:05:29,894
THIS JUST
ISN'T MY DAY.
121
00:05:29,896 --> 00:05:32,396
THEN YOU'VE GOT
TO SHOW HER WHO'S BOSS.
122
00:05:32,398 --> 00:05:33,898
LAY DOWN THE LAW.
123
00:05:33,900 --> 00:05:35,399
YOU THINK?
I KNOW.
124
00:05:35,401 --> 00:05:36,801
BE FIRM, MY FRIEND.
125
00:05:36,803 --> 00:05:37,902
POWER!
126
00:05:37,904 --> 00:05:40,805
IT'S THE ONLY LANGUAGE
WOMEN UNDERSTAND.
127
00:05:40,807 --> 00:05:43,474
YOU SHOW SALLY
WHO WEARS THE PANTS,
MY FRIEND.
128
00:05:43,476 --> 00:05:45,810
THAT'S THE WAY.
129
00:05:45,812 --> 00:05:48,579
THANK YOU, MY FRIENDS.
130
00:05:48,581 --> 00:05:49,914
YOU'RE RIGHT!
131
00:05:49,916 --> 00:05:51,850
I WEAR THE PANTS!
132
00:05:57,724 --> 00:06:00,391
AND INHALE...
133
00:06:00,393 --> 00:06:02,594
AND EXHALE.
134
00:06:03,663 --> 00:06:05,162
ISN'T THIS
GREAT EXERCISE?
135
00:06:05,164 --> 00:06:07,866
YEAH. I HAVEN'T HAD
THIS HARD A WORKOUT
136
00:06:07,868 --> 00:06:10,801
SINCE THE LAST TIME
I WENT BREATHING.
137
00:06:10,803 --> 00:06:14,405
WELL, THAT'S IT, EVERYBODY.
THANKS FOR COMING.
138
00:06:15,875 --> 00:06:18,943
DOESN'T IT MAKE YOU
FEEL TALLER?
139
00:06:21,781 --> 00:06:25,283
OH, GOD.
I KNEW THAT DWEEB
WAS LOOKIN' OVER HERE.
140
00:06:25,285 --> 00:06:27,285
HERE COMES
THE OLD PICKUP.
141
00:06:27,287 --> 00:06:28,286
EXCUSE ME.
142
00:06:28,288 --> 00:06:29,287
YEAH.
143
00:06:29,289 --> 00:06:30,888
I HOPE THIS
ISN'T BEING RUDE--
144
00:06:30,890 --> 00:06:32,790
JUST GET IT OVER WITH.
145
00:06:32,792 --> 00:06:35,793
I WAS JUST WONDERING,
IS YOUR FRIEND ATTACHED?
146
00:06:35,795 --> 00:06:37,229
LOOK, I'M NOT--
147
00:06:40,533 --> 00:06:42,033
HER?
148
00:06:42,035 --> 00:06:45,036
MM-HMM. COULD I
INTEREST YOU
IN SOME COFFEE?
149
00:06:45,038 --> 00:06:46,604
OH, NO, THANK YOU.
150
00:06:46,606 --> 00:06:50,141
I'M SORRY,
BUT DID YOU SEE ME?
151
00:06:50,143 --> 00:06:53,078
YES, YES. AND
YOU DID JUST FINE
FOR A BEGINNER.
152
00:06:53,080 --> 00:06:54,579
ARE YOU SURE?
153
00:06:54,581 --> 00:06:56,348
OH, POSITIVE.
154
00:06:56,350 --> 00:06:57,515
THANKS.
155
00:06:57,517 --> 00:07:00,384
WELL--LOOK AT ME.
156
00:07:00,386 --> 00:07:01,586
[SQUEAKY VOICE]
ME!
157
00:07:05,658 --> 00:07:08,960
DR. ALBRIGHT!
DR. ALBRIGHT!
158
00:07:08,962 --> 00:07:10,728
YOU GOT SOMETHING
FROM THE WHITE HOUSE!
159
00:07:10,730 --> 00:07:12,363
OPEN IT!
WHAT?!
160
00:07:12,365 --> 00:07:13,698
OPEN IT!
161
00:07:13,700 --> 00:07:15,199
"DEAR DR. MARY ALBRIGHT,
162
00:07:15,201 --> 00:07:17,201
"IN RECOGNITION
OF YOUR ACHIEVEMENTS
163
00:07:17,203 --> 00:07:19,704
"IN THE FIELD OF
UNDERGRADUATE EDUCATION,
164
00:07:19,706 --> 00:07:22,206
"YOU ARE HEREBY INVITED
TO THE PRESIDENT'S DINNER
165
00:07:22,208 --> 00:07:24,109
HONORING
ACADEMIC EXCELLENCE."
166
00:07:25,612 --> 00:07:26,611
OH, MY GOD.
167
00:07:26,613 --> 00:07:28,112
"ENCLOSED ITINERARY..."
168
00:07:28,114 --> 00:07:29,113
BLAH, BLAH, BLAH...
169
00:07:29,115 --> 00:07:30,615
"CHERRY TREE INN
ON THE POTOMAC.
170
00:07:30,617 --> 00:07:32,116
"LOOKING FORWARD
TO MEETING YOU,
171
00:07:32,118 --> 00:07:34,619
"SINCERELY,
BILL AND HILLARY RODHAM--
172
00:07:34,621 --> 00:07:36,054
POTATO HEAD."
173
00:07:37,824 --> 00:07:40,825
HA HA HA HA HA HA HA!
174
00:07:40,827 --> 00:07:44,029
AH HA HA HA HA HA HA HA!
175
00:07:46,032 --> 00:07:47,264
VERY FUNNY.
176
00:07:47,266 --> 00:07:48,666
I'M SORRY!
177
00:07:48,668 --> 00:07:50,401
I'M SORRY!
I JUST HAD TO!
178
00:07:50,403 --> 00:07:51,936
HA HA HA HA HA!
179
00:07:51,938 --> 00:07:53,771
THIS WAS STUPID
AND CHILDISH.
180
00:07:53,773 --> 00:07:56,507
I KNOW. BUT WE'RE
EVEN NOW, RIGHT?
181
00:07:56,509 --> 00:07:58,009
OH, YEAH.
LIVE THAT FANTASY.
182
00:07:58,011 --> 00:08:00,011
DID YOU SEE THE PART
ABOUT THE CHERRY--
183
00:08:00,013 --> 00:08:02,513
I GOT A WORK ORDER
TO PAINT THE DOOR.
184
00:08:02,515 --> 00:08:04,015
OHH! OH, YES. RIGHT.
185
00:08:04,017 --> 00:08:05,516
YEAH, RIGHT HERE.
186
00:08:05,518 --> 00:08:06,918
RIGHT OVER THIS NAME.
187
00:08:06,920 --> 00:08:08,519
AND BIGGER! AND BOLDER!
188
00:08:08,521 --> 00:08:10,521
SO WHEN ONE
APPROACHES THE DOOR,
189
00:08:10,523 --> 00:08:13,024
A MERE GLANCE
WILL ESTABLISH
JUST WHO'S WHO...
190
00:08:13,026 --> 00:08:15,060
IN THIS OFFICE.
191
00:08:15,062 --> 00:08:17,595
HA HA HA HA HA HA!
192
00:08:17,597 --> 00:08:20,765
OOH HOO HOO HOO HOO!
193
00:08:20,767 --> 00:08:23,134
OH, NO, NO, NO,
NO, NO. NO.
194
00:08:23,136 --> 00:08:25,070
OH, HE'D BE VERY UPSET.
195
00:08:25,072 --> 00:08:26,571
OH HO HO.
196
00:08:26,573 --> 00:08:28,073
THIS SAYS "DICK SOLOMON."
197
00:08:28,075 --> 00:08:30,075
HE GETS THAT A LOT.
198
00:08:30,077 --> 00:08:31,576
IT'S DICK...
199
00:08:31,578 --> 00:08:34,979
S-A-L-M-O-N.
200
00:08:36,783 --> 00:08:38,283
SALMON.
201
00:08:38,285 --> 00:08:41,919
YOU KNOW,
LIKE THE BIG,
PINK, STINKY FISH.
202
00:08:41,921 --> 00:08:43,688
[BAND PLAYING]
203
00:08:51,597 --> 00:08:52,763
ALL RIGHT,
204
00:08:52,765 --> 00:08:54,098
LET'S ROCK.
205
00:08:54,100 --> 00:08:56,301
Drummer:
1, 2, 3, 4!
206
00:09:02,142 --> 00:09:05,209
HEY, HEY, HEY, HEY.
WHAT ARE YOU DOING?
207
00:09:05,211 --> 00:09:06,510
PLAYING.
208
00:09:06,512 --> 00:09:08,880
COME ON, MAN.
WE'RE A SPEED METAL BAND.
209
00:09:08,882 --> 00:09:11,182
NO, WE'RE NOT.
WE'RE A DEF METAL BAND.
210
00:09:11,184 --> 00:09:13,818
IT'S NOT ABOUT LABELS, OK?
IT'S ABOUT THE MUSIC.
211
00:09:13,820 --> 00:09:16,253
ABOUT THAT MUSIC,
UM, HOW MANY SONGS
DO WE HAVE?
212
00:09:16,255 --> 00:09:17,621
JUST THE ONE.
213
00:09:17,623 --> 00:09:18,856
WE NEED
MORE THAN ONE SONG.
214
00:09:18,858 --> 00:09:20,591
THIS ISN'T ABOUT
COUNTING SONGS, SOLOMON.
215
00:09:20,593 --> 00:09:22,059
THIS IS ABOUT THE MUSIC.
216
00:09:22,061 --> 00:09:23,561
WELL, AS FAR AS
I'M CONCERNED,
217
00:09:23,563 --> 00:09:25,062
IT'S ABOUT
IMPRESSING AUGUST,
218
00:09:25,064 --> 00:09:26,731
AND ONE SONG
AIN'T GONNA CUT IT.
219
00:09:26,733 --> 00:09:28,867
HEY, MAN,
IF YOU'RE TRUE
TO THE MUSIC,
220
00:09:28,869 --> 00:09:30,267
WOMEN,
THEY CAN SENSE IT.
221
00:09:30,269 --> 00:09:34,271
WELL, IF THE WOMEN
CAN COUNT,
WE'RE SCREWED.
222
00:09:34,273 --> 00:09:35,406
LET'S ROCK.
223
00:09:42,816 --> 00:09:45,617
♪ ONE MO'! ♪
224
00:09:45,619 --> 00:09:46,985
♪ ONE MO'! ♪
225
00:09:46,987 --> 00:09:49,087
WHOOOOO!
226
00:09:49,089 --> 00:09:51,155
OOOOOHHH!
227
00:09:51,157 --> 00:09:52,991
♪ ONE MO'! ♪
228
00:09:56,329 --> 00:09:57,629
I'M SORRY.
229
00:10:01,668 --> 00:10:02,767
MATTHEW?
230
00:10:04,203 --> 00:10:05,637
HEY, MATTHEW?
231
00:10:06,907 --> 00:10:08,239
MATTHEW!
232
00:10:10,076 --> 00:10:11,075
YES.
233
00:10:11,077 --> 00:10:13,845
YOU--YOU LOOK
REALLY NICE TODAY.
234
00:10:15,281 --> 00:10:17,649
IS THERE A PROBLEM?
'CAUSE I'M REALLY BUSY.
235
00:10:17,651 --> 00:10:21,152
YEAH. I THINK
I PULLED MY BUTT MUSCLE!
236
00:10:21,154 --> 00:10:25,022
LET ME SEE
IF I CAN GO RUN DOWN
A NURSE FOR YOU.
237
00:10:25,024 --> 00:10:26,023
[DOOR CLOSES]
238
00:10:26,025 --> 00:10:26,991
DAMN!
239
00:10:30,963 --> 00:10:32,897
HI. ARE YOU FROM
THE SWEDISH MOTOR PLACE?
240
00:10:32,899 --> 00:10:34,765
[SPANISH ACCENT]
SÍ. I AM SWEDISH.
241
00:10:36,669 --> 00:10:39,670
YEAH. IT'S THE RED VOLVO,
UM, OVER THERE.
242
00:10:39,672 --> 00:10:43,141
WHEN I CHANGE GEARS,
IT MAKES A GRINDING NOISE.
243
00:10:43,143 --> 00:10:44,642
IS A GRINDING?
244
00:10:44,644 --> 00:10:46,343
YES!
IS A GRINDING.
245
00:10:46,345 --> 00:10:49,380
AH! RECOGNITION
AT LAST.
246
00:10:49,382 --> 00:10:52,984
NOW ALL WHO PASS
THROUGH THE HALLOWED
GATES OF HUFF HALL
247
00:10:52,986 --> 00:10:55,452
WILL KNOW
THAT THIS OFFICE
IS OCCUPIED
248
00:10:55,454 --> 00:10:58,556
BY DR. DICK SALMON.
249
00:11:08,701 --> 00:11:12,703
CUANDO EL CAR
CHANGES LAS GEARS,
250
00:11:12,705 --> 00:11:13,838
UH, NO ES BUENO.
251
00:11:13,840 --> 00:11:15,206
UH, IT MAKES A...
252
00:11:15,208 --> 00:11:16,941
RRRRRRRR!
253
00:11:16,943 --> 00:11:18,143
RRRRRRRR!
254
00:11:18,145 --> 00:11:19,543
YES. RRRRRRR!
255
00:11:19,545 --> 00:11:21,779
RRRRRRR!
256
00:11:21,781 --> 00:11:22,780
WHAT?
257
00:11:22,782 --> 00:11:23,781
ALLOW ME, MARY.
258
00:11:23,783 --> 00:11:25,416
CON PERMISO, SEÑOR.
259
00:11:25,418 --> 00:11:27,919
LA PALANCA DEL CARRO
DE LA SEÑORA
260
00:11:27,921 --> 00:11:29,921
SALTA CUANDO
HACE EL CAMBIO.
261
00:11:29,923 --> 00:11:32,223
OH, SÍ, SÍ.
262
00:11:32,225 --> 00:11:34,759
TAMBIEN, QUIERE
QUE LE INSTALE
263
00:11:34,761 --> 00:11:36,761
UN EQUIPO EN STEREO
264
00:11:36,763 --> 00:11:38,262
DE DOSCIENTOS MATIOS
265
00:11:38,264 --> 00:11:39,764
CON ESOS PALANTES GIGANTES
266
00:11:39,766 --> 00:11:41,766
EN LA PARTE DE ATRAS.
267
00:11:41,768 --> 00:11:43,234
AH! NO HAY PROBLEMA.
268
00:11:43,236 --> 00:11:44,302
OH, GREAT.
269
00:11:44,304 --> 00:11:46,036
Y...POR FAVOR,
270
00:11:46,038 --> 00:11:47,538
A LOS COSTADOS,
271
00:11:47,540 --> 00:11:50,441
PINTE LLAMAS
DE COLOR NARANJA ENCENDIDO.
272
00:11:50,443 --> 00:11:51,876
ESO SERá MUY CARO.
273
00:11:51,878 --> 00:11:53,378
OH, NO HAY PROBLEMA.
274
00:11:53,380 --> 00:11:55,380
ELLA ESTA LLENA DE DINERO.
275
00:11:55,382 --> 00:11:58,249
¡BUENO, BUENO!
276
00:11:58,251 --> 00:12:00,084
THANK YOU VERY MUCH,
DICK.
277
00:12:00,086 --> 00:12:01,852
NO PROBLEMA.
278
00:12:02,989 --> 00:12:06,490
THE TIME HAS COME
TO LAY DOWN THE LAW.
279
00:12:06,492 --> 00:12:10,494
IF YOU'RE NOT READY
TO GIVE THIS
RELATIONSHIP 110%...
280
00:12:10,496 --> 00:12:14,431
THEN MAYBE WE SHOULD
START SEEING OTHER PEOPLE.
281
00:12:14,433 --> 00:12:17,368
DON! I CAN'T BELIEVE
YOU'RE SAYING THIS.
282
00:12:17,370 --> 00:12:18,869
WELL, I AM.
283
00:12:18,871 --> 00:12:21,772
IF IT TURNS OUT
THERE'S SOMEBODY
THAT WE WANT,
284
00:12:21,774 --> 00:12:24,074
WE SHOULD BE FREE
TO JUST MOVE ON.
285
00:12:24,076 --> 00:12:26,810
DON, IT'S LIKE
YOU CAN READ MY MIND!
286
00:12:26,812 --> 00:12:28,646
IT IS?
287
00:12:28,648 --> 00:12:31,649
YEAH. YOU SEE,
THERE'S THIS GUY
I MET--MATTHEW--
288
00:12:31,651 --> 00:12:34,152
AND I GOTTA LEVEL WITH YOU.
I WANT HIM BAD!
289
00:12:35,288 --> 00:12:36,620
YOU DO?
290
00:12:36,622 --> 00:12:37,922
WELL...
291
00:12:37,924 --> 00:12:39,123
GOOD.
292
00:12:39,125 --> 00:12:41,759
NO NEED WASTING
PRECIOUS SECONDS
PINING OVER DON.
293
00:12:41,761 --> 00:12:43,260
EXACTLY!
294
00:12:43,262 --> 00:12:45,863
OH, DON, YOU REALLY
UNDERSTAND ME.
295
00:12:45,865 --> 00:12:47,765
I MEAN,
YOU KNOW WHAT I NEED
296
00:12:47,767 --> 00:12:49,767
AND YOU TELL ME
TO GO FOR IT.
297
00:12:49,769 --> 00:12:51,268
IT'S LIKE...
298
00:12:51,270 --> 00:12:54,205
YOU'RE THE BEST FRIEND
A GAL LIKE ME COULD HAVE.
299
00:12:54,207 --> 00:12:56,373
SALLY, WOULD YOU
DO ME A FAVOR?
300
00:12:56,375 --> 00:12:57,374
ABSOLUTELY.
301
00:12:57,376 --> 00:12:59,443
HOLD ON TO MY GUN.
302
00:13:00,947 --> 00:13:06,016
[BAND PLAYING LOUDLY]
303
00:13:06,018 --> 00:13:07,518
[MUSIC DROWNS OUT
CONVERSATION]
304
00:13:07,520 --> 00:13:09,420
GET ME SOME PARSLEY!
305
00:13:11,724 --> 00:13:13,290
NO. PARSLEY!
306
00:13:15,929 --> 00:13:17,428
NO, NOT PEPPER!
PARSLEY!
307
00:13:17,430 --> 00:13:18,796
THIS IS PEPPER!
308
00:13:18,798 --> 00:13:20,064
PEPPER!
PARSLEY!
309
00:13:23,669 --> 00:13:25,669
TURN IT DOWN!
310
00:13:25,671 --> 00:13:27,171
[TURNS AMPLIFIER OFF]
311
00:13:27,173 --> 00:13:30,441
THIS ROCK AND ROLL
MUSIC HAS GOT TO STOP!
312
00:13:30,443 --> 00:13:31,542
WHY?
313
00:13:31,544 --> 00:13:33,043
BECAUSE IT'S LOUD!
314
00:13:33,045 --> 00:13:34,345
AND RHYTHMIC!
315
00:13:34,347 --> 00:13:36,414
AND RHYTHM
CAN LEAD TO DANCING.
316
00:13:36,416 --> 00:13:39,417
ROCK AND ROLL MUSIC
PREACHES A GOSPEL
317
00:13:39,419 --> 00:13:41,852
OF EASY SEXUALITY
AND RELAXED MORALITY,
318
00:13:41,854 --> 00:13:44,389
AND I WILL NOT
ENDORSE AN ENTERPRISE
319
00:13:44,391 --> 00:13:46,524
WHICH IS
AS FRAUGHT WITH PERIL
320
00:13:46,526 --> 00:13:49,527
AS I BELIEVE
THIS ONE TO BE!
321
00:13:54,033 --> 00:13:56,533
SO, YOU RESENT US
FOR BEING YOUNG
322
00:13:56,535 --> 00:13:59,036
AND LIVING IN A WORLD
FULL OF CARNAL POSSIBILITIES
323
00:13:59,038 --> 00:14:00,672
WHICH YOU CAN'T
POSSIBLY ENJOY.
324
00:14:02,509 --> 00:14:03,775
YES!
325
00:14:03,777 --> 00:14:05,743
NOW KNOCK IT OFF!
326
00:14:05,745 --> 00:14:08,179
AH, DON'T LISTEN
TO HIM, BOYS.
327
00:14:08,181 --> 00:14:10,247
I LOVE ROCK AND ROLL.
328
00:14:10,249 --> 00:14:13,384
I USED TO BE A GROUPIE
FOR THE KINGSTON TRIO.
329
00:14:13,386 --> 00:14:16,087
OK. I'M SORRY,
BUT YOU'RE GOING
TO HAVE TO GO.
330
00:14:16,089 --> 00:14:18,589
I HAD AN ALL-ACCESS PASS.
331
00:14:18,591 --> 00:14:21,592
AS A MATTER OF FACT,
SO DID THEY.
332
00:14:21,594 --> 00:14:22,993
ALL RIGHT, WE GET IT.
333
00:14:26,132 --> 00:14:29,833
DR. SOLOMON,
COME ON, ENOUGH WITH
THE PRACTICAL JOKES.
334
00:14:29,835 --> 00:14:32,836
BUT, NINA, THERE'S NOTHING
PRACTICAL ABOUT THIS JOKE.
335
00:14:32,838 --> 00:14:36,273
IT'S AN UTTERLY POINTLESS,
HURTFUL, AND ASININE
WASTE OF TIME.
336
00:14:36,275 --> 00:14:37,342
[GIGGLES]
337
00:14:37,344 --> 00:14:39,210
YOU SURE YOU DON'T
WANT THIS FURNITURE?
338
00:14:39,212 --> 00:14:40,210
ABSOLUTELY NOT.
339
00:14:40,212 --> 00:14:43,147
AS A STUDENT OF
THE ANCIENT CHINESE ART
340
00:14:43,149 --> 00:14:44,649
OF FENG SHUI,
341
00:14:44,651 --> 00:14:47,652
I CAN ASSURE YOU
THAT THE SPIRITUAL
HARMONY OF THIS ROOM
342
00:14:47,654 --> 00:14:49,853
WAS UPSET BY HAVING
THAT BITCH SITTING THERE.
343
00:14:51,357 --> 00:14:52,856
[GIGGLING]
344
00:14:52,858 --> 00:14:55,859
THANKS FOR COMING OVER
ON SUCH SHORT NOTICE,
DON.
345
00:14:55,861 --> 00:14:58,662
I KNEW YOU'D CALL, SALLY.
IT WAS JUST A MATTER OF TIME.
346
00:14:58,664 --> 00:15:00,664
I NEED YOU, DON.
I NEED YOU BAD.
347
00:15:00,666 --> 00:15:02,033
WELL, YOU'RE LUCKY
I WAS AVAILABLE.
348
00:15:02,035 --> 00:15:05,669
YOU KNOW, I GOT A LOT
ON MY PLATE RIGHT NOW.
349
00:15:05,671 --> 00:15:08,672
YOU KNOW,
MY--MY LADY PLATE.
350
00:15:08,674 --> 00:15:10,742
LISTEN, YOU CAN
DO SOMETHING FOR ME
351
00:15:10,744 --> 00:15:12,576
THAT NOBODY ELSE
CAN DO.
352
00:15:12,578 --> 00:15:14,678
I KNOW I CAN, BABY.
353
00:15:14,680 --> 00:15:18,182
BUT IF YOU EXPECT ME
TO COME CRAWLING BACK
TO YOU NOW,
354
00:15:18,184 --> 00:15:19,683
YOU GOT
ANOTHER THINK COMING.
355
00:15:19,685 --> 00:15:21,385
OH, NO, I DON'T
WANT THAT AT ALL.
356
00:15:21,387 --> 00:15:25,156
ARE YOU SURE?
'CAUSE I CAN CRAWL
LIKE A BAT OUT OF HELL.
357
00:15:25,158 --> 00:15:26,156
OH, NO.
358
00:15:26,158 --> 00:15:28,158
THANKS, SWEETIE,
BUT WHAT I NEED FROM YOU
359
00:15:28,160 --> 00:15:29,660
IS A BACKGROUND CHECK
ON MATTHEW.
360
00:15:29,662 --> 00:15:31,161
WHO IS HE?
WHAT ARE HIS WEAKNESSES?
361
00:15:31,163 --> 00:15:33,130
HOW CAN I
CUT HIM OUT OF THE HERD
AND BRING HIM DOWN?
362
00:15:33,132 --> 00:15:36,633
WHY BOTHER WHEN YOU HAVE
A SICK, HOBBLED WILDEBEEST
363
00:15:36,635 --> 00:15:38,535
RIGHT IN
YOUR OWN FRONT YARD?
364
00:15:38,537 --> 00:15:42,306
[RHYTHMIC BANGING]
365
00:15:42,308 --> 00:15:43,474
HEY, TOMMY.
366
00:15:43,476 --> 00:15:45,309
HOW'S THE BAND?
367
00:15:45,311 --> 00:15:48,479
WELL, UH,
WE'VE AVOIDED THE TRAP
OF OVER-REHEARSING,
368
00:15:48,481 --> 00:15:51,949
WHICH CAN BE A PROBLEM,
YOU KNOW, WHEN YOU'VE
ONLY GOT ONE SONG.
369
00:15:51,951 --> 00:15:54,218
I WROTE A SONG.
370
00:15:54,220 --> 00:15:55,686
DID YOU?
371
00:15:55,688 --> 00:16:01,459
[SINGING BADLY]
♪ PICTURE WINDOW
PAINTS MY MIND ♪
372
00:16:03,529 --> 00:16:11,736
♪ BLACK HORIZON'S
VALENTINE ♪
373
00:16:11,738 --> 00:16:15,539
ROCK AND ROLL, BABY!
374
00:16:24,750 --> 00:16:26,284
MARY.
375
00:16:28,621 --> 00:16:30,120
DICK.
376
00:16:30,122 --> 00:16:33,057
YOUR DESK WAS GONE
WHEN I GOT HERE.
377
00:16:33,059 --> 00:16:35,125
I BELIEVE YOU.
378
00:16:35,127 --> 00:16:37,395
HA HA HA HA HA HA!
379
00:16:37,397 --> 00:16:38,896
IT WAS ME!
380
00:16:38,898 --> 00:16:41,399
I HAD THEM
TAKE AWAY YOUR DESK! ME!
381
00:16:41,401 --> 00:16:42,767
HA HA HA HA HA HA!
382
00:16:42,769 --> 00:16:44,034
THIS HAS GOT TO STOP.
383
00:16:44,036 --> 00:16:46,971
OH, YOU JUST WANT TO QUIT
'CAUSE YOU CAN'T WIN.
384
00:16:46,973 --> 00:16:49,039
OH, MY POOR DEFEATED MARY.
385
00:16:49,041 --> 00:16:50,541
YOU'RE JUST OUTMATCHED,
THAT'S ALL.
386
00:16:50,543 --> 00:16:52,910
BUT IT TAKES
A BIG WOMAN TO ADMIT THAT.
387
00:16:52,912 --> 00:16:55,313
AND JUST TO SHOW
THERE ARE NO HARD FEELINGS,
388
00:16:55,315 --> 00:16:56,447
I'M GOING TO--
389
00:17:02,755 --> 00:17:04,622
MY ARM IS STUCK.
390
00:17:05,758 --> 00:17:07,758
THAT'S STRANGE.
SO IS THIS ONE.
391
00:17:07,760 --> 00:17:10,861
IT'S ALMOST AS IF
THERE WAS GLUE ON MY DESK.
392
00:17:10,863 --> 00:17:12,362
DICK,
DON'T BE RIDICULOUS.
393
00:17:12,364 --> 00:17:13,997
IT COULDN'T BE GLUE.
394
00:17:13,999 --> 00:17:17,067
IT MUST BE THERMAL BOND
EPOXY.
395
00:17:17,069 --> 00:17:18,302
NO!
396
00:17:18,304 --> 00:17:20,638
UHHHH!
397
00:17:20,640 --> 00:17:21,772
UHH!
398
00:17:21,774 --> 00:17:23,007
OHH!
399
00:17:24,844 --> 00:17:27,078
HA HA HA HA HA HA!
400
00:17:28,648 --> 00:17:29,781
MISTAKE.
401
00:17:29,783 --> 00:17:31,215
HUGE MISTAKE.
402
00:17:32,285 --> 00:17:33,284
OH, THANKS.
403
00:17:33,286 --> 00:17:35,486
OH, WAIT A SECOND.
404
00:17:35,488 --> 00:17:37,055
THAT'S BETTER.
405
00:17:42,361 --> 00:17:43,728
OHH!
406
00:17:43,730 --> 00:17:44,729
YOU CAME!
407
00:17:44,731 --> 00:17:46,630
HOW COULD I REFUSE?
408
00:17:46,632 --> 00:17:48,632
WELL, WHAT WAS IT
THAT CONVINCED YOU?
409
00:17:48,634 --> 00:17:50,901
THE FLOWERS?
THE RADIO DEDICATIONS?
410
00:17:50,903 --> 00:17:52,603
THE SKYWRITING?
411
00:17:52,605 --> 00:17:54,505
YOU HIRED
A SKYWRITER.
412
00:17:54,507 --> 00:17:56,274
WELL, HE WAS MORE
OF A CROP DUSTER,
413
00:17:56,276 --> 00:17:59,977
BUT HE WROTE "SALLY"
OVER YOUR HOUSE
WITH DIOPROPYLENE, SO...
414
00:17:59,979 --> 00:18:01,746
THAT EXPLAINS
THE VOMITING.
415
00:18:01,748 --> 00:18:03,247
YEAH.
416
00:18:03,249 --> 00:18:04,748
LOOK, I'VE
GOT TO TELL YOU,
417
00:18:04,750 --> 00:18:06,918
I HAVE NEVER HAD
A WOMAN WORK SO HARD
418
00:18:06,920 --> 00:18:08,419
TO GET MY ATTENTION.
419
00:18:08,421 --> 00:18:09,553
IT'S FLATTERING.
420
00:18:09,555 --> 00:18:11,823
MEANING...YOU WANT
TO GO OUT WITH ME?
421
00:18:11,825 --> 00:18:12,823
SURE.
422
00:18:12,825 --> 00:18:15,259
YES!
423
00:18:15,261 --> 00:18:16,260
HA!
424
00:18:16,262 --> 00:18:17,394
I GOT YOU.
425
00:18:17,396 --> 00:18:18,896
YOU GOT ME.
426
00:18:18,898 --> 00:18:19,897
HA!
427
00:18:19,899 --> 00:18:20,898
OHH!
428
00:18:20,900 --> 00:18:23,067
[LAUGHS]
429
00:18:28,908 --> 00:18:30,440
WELL, NOW WHAT?
430
00:18:31,710 --> 00:18:35,212
OK, I WAS THINKING
YOU COULD START OFF
IN JEANS,
431
00:18:35,214 --> 00:18:38,482
BUT THEN YOU COULD CHANGE
INTO VINTAGE TUXEDOS
BETWEEN SONGS.
432
00:18:38,484 --> 00:18:40,484
BETWEEN SONGS?
433
00:18:40,486 --> 00:18:43,420
WE ONLY
HAVE ONE SONG!
434
00:18:43,422 --> 00:18:47,057
WELL, YOU COULD CHANGE
DURING THE DRUM SOLO.
435
00:18:47,059 --> 00:18:49,293
THE SONG PROBLEM
IS OVER, TOMMY.
436
00:18:49,295 --> 00:18:51,428
I WROTE 4 NEW SONGS
LAST NIGHT.
437
00:18:51,430 --> 00:18:54,565
EXCUSE ME,
BUT SINCE WHEN
ARE YOU IN THIS BAND?
438
00:18:54,567 --> 00:18:56,466
TOMMY, TELL THEM.
439
00:18:56,468 --> 00:18:58,802
TELL THEM WHAT?
YOU'RE NOT IN THE BAND.
440
00:18:58,804 --> 00:19:00,737
WELL, IF
THAT'S HOW YOU FEEL,
441
00:19:00,739 --> 00:19:02,239
I QUIT THE BAND.
442
00:19:02,241 --> 00:19:04,809
WELL, MAYBE YOU
SHOULD REPHRASE THAT
TO ACKNOWLEDGE THE FACT
443
00:19:04,811 --> 00:19:08,879
THAT YOU WERE NEVER
IN THIS PATHETIC,
NON-PERFORMING BAND!
444
00:19:08,881 --> 00:19:10,481
YOU KNOW, THAT IS IT,
SOLOMON.
445
00:19:10,483 --> 00:19:12,883
YOUR ATTITUDE IS JUST
TEARING THIS BAND APART.
446
00:19:12,885 --> 00:19:14,818
YOU'RE OUT OF THE BAND!
447
00:19:14,820 --> 00:19:16,653
I NEVER WANTED
TO BE IN THE BAND!
448
00:19:16,655 --> 00:19:18,655
I'M SORRY,
BUT YOU'RE
GONNA HAVE TO GO.
449
00:19:18,657 --> 00:19:19,656
WHAT?
450
00:19:19,658 --> 00:19:21,158
HARRY!
451
00:19:21,160 --> 00:19:23,728
WE'LL SEND YOU A T-SHIRT.
452
00:19:26,799 --> 00:19:30,000
WHEN I LOOK AT YOU,
I WONDER, WHAT TOOK ME
SO LONG TO--
453
00:19:30,002 --> 00:19:31,168
UH-HUH.
454
00:19:31,170 --> 00:19:34,271
I MEAN,
YOU'RE BEAUTIFUL,
YOU'RE SEXY.
455
00:19:34,273 --> 00:19:35,239
UH-HUH.
456
00:19:40,212 --> 00:19:41,345
UHHH! UHHH!
457
00:19:41,347 --> 00:19:42,346
OW!
458
00:19:42,348 --> 00:19:43,347
YEOW!
459
00:19:43,349 --> 00:19:44,348
OW!
460
00:19:44,350 --> 00:19:46,850
OH, DICK,
I'M SO EMBARRASSED.
461
00:19:46,852 --> 00:19:49,020
WHEN WE BROKE UP,
I WAS SO MAD AT YOU,
462
00:19:49,022 --> 00:19:51,722
BUT NOW I'VE
JUST MADE IT WORSE
BY ACTING LIKE A CHILD.
463
00:19:51,724 --> 00:19:52,723
TRUCE?
464
00:19:52,725 --> 00:19:53,857
TRUCE.
465
00:19:53,859 --> 00:19:56,827
GREAT. NOW WE CAN GO BACK
TO ACTING LIKE ADULTS.
466
00:19:56,829 --> 00:19:58,228
YES, MARY.
467
00:19:58,230 --> 00:19:59,296
ADULTS.
468
00:19:59,298 --> 00:20:00,297
[WHIMPERING]
469
00:20:00,299 --> 00:20:02,799
[MUSIC BOOMING]
470
00:20:02,801 --> 00:20:07,304
MARY, IT APPEARS YOUR VOLVO
IS BACK FROM THE SHOP.
471
00:20:07,306 --> 00:20:08,573
WHAT?!
472
00:20:11,811 --> 00:20:13,276
DAMN!
473
00:20:13,278 --> 00:20:16,513
HEE HEE HEE HA HA HA!
474
00:20:16,515 --> 00:20:18,582
HA HA HA HA HA HA HA!
475
00:20:21,720 --> 00:20:22,719
WOMEN.
476
00:20:22,721 --> 00:20:23,720
WOMEN.
477
00:20:23,722 --> 00:20:25,222
WOMEN.
478
00:20:25,224 --> 00:20:26,657
[HIGH-PITCHED
SQUEAL]
♪ WOMEN! ♪
479
00:20:29,294 --> 00:20:30,627
YOU CAN'T LIVE WITH 'EM,
480
00:20:30,629 --> 00:20:34,331
AND YOU CAN'T HAVE
HETEROSEXUAL SEX
WITHOUT 'EM.
481
00:20:34,333 --> 00:20:36,767
THAT'S PROBABLY TRUE.
482
00:20:37,970 --> 00:20:40,337
WELL, I'M OUTTA HERE.
483
00:20:40,339 --> 00:20:42,907
WHEN SALLY SHOWS UP
WITH MR. YOGA,
484
00:20:42,909 --> 00:20:45,676
I'M LIABLE TO GO MEDIEVAL
ON HIS ASS.
485
00:20:45,678 --> 00:20:47,311
BYE, DON.
486
00:20:49,148 --> 00:20:51,281
WHAT CAN YOU DO?
YOU DO THINGS YOUR WAY,
THEY'RE NOT HAPPY.
487
00:20:51,283 --> 00:20:53,284
YOU DO THINGS THEIR WAY,
THEY'RE STILL NOT HAPPY.
488
00:20:53,286 --> 00:20:56,654
WHEN ARE WE GONNA LEARN
YOU CAN'T DEAL WITH WOMEN?
489
00:20:56,656 --> 00:21:00,291
THE FEMALE FEIGNS WEAKNESS
ONLY TO USE IT
AS A WEAPON.
490
00:21:00,293 --> 00:21:03,093
IT'S LIKE THE
PRAYING MANTIS. YEAH.
491
00:21:03,095 --> 00:21:05,629
SHE ACTS SO FRAGILE
AND WILLOWY,
492
00:21:05,631 --> 00:21:06,863
BUT WHEN
THE MALE APPROACHES,
493
00:21:06,865 --> 00:21:09,700
SHE SPRAYS
POISONOUS MUCUS
FROM HER EYELIDS,
494
00:21:09,702 --> 00:21:12,002
AND HE BURSTS
INTO FLAMES.
495
00:21:13,572 --> 00:21:15,238
PRAYING MANTISES
DON'T DO THAT.
496
00:21:16,475 --> 00:21:20,277
SO WHAT?
THE ANALOGY STANDS.
497
00:21:20,279 --> 00:21:22,345
YOU CAN'T NEGOTIATE
WITH THEM, TOMMY.
498
00:21:22,347 --> 00:21:23,814
YOU GOTTA GIVE
AS GOOD AS YOU GET.
499
00:21:23,816 --> 00:21:25,315
NOW,
MARY FOUND THAT OUT.
500
00:21:25,317 --> 00:21:26,817
OH, YEAH.
501
00:21:26,819 --> 00:21:28,218
THE HARD WAY.
502
00:21:29,388 --> 00:21:30,421
WHY ARE THERE
OFFICE SUPPLIES
503
00:21:30,423 --> 00:21:34,357
STUCK TO THE SIDE
OF YOUR HEAD?
504
00:21:34,359 --> 00:21:36,393
THAT'S WHERE
I KEEP THEM.
505
00:21:41,300 --> 00:21:42,966
1, 2, 3, 4!
506
00:21:44,637 --> 00:21:45,636
WOMEN!
507
00:21:45,638 --> 00:21:49,005
WHOOOO-HOOO!
508
00:21:54,347 --> 00:21:55,278
HEY!
509
00:21:57,650 --> 00:21:59,650
WHAT ARE YOU DOING?!
510
00:21:59,652 --> 00:22:01,652
THAT'S MY DAD'S GUITAR!
511
00:22:01,654 --> 00:22:03,086
HE'S GONNA KILL ME!
512
00:22:05,357 --> 00:22:07,958
I GUESS I'M GONNA
HAVE TO GO.
513
00:22:07,960 --> 00:22:10,894
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
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