1
00:00:04,005 --> 00:00:06,839
NINA, I STILL
DON'T GET IT.

2
00:00:06,841 --> 00:00:08,841
WHICH ONE IS BABY SPICE?

3
00:00:08,843 --> 00:00:11,443
OH, SHE'S THE ONE
THAT GOES LIKE THIS.

4
00:00:13,981 --> 00:00:15,481
I THOUGHT THAT
WAS SCARY SPICE.

5
00:00:15,483 --> 00:00:17,016
NO. SCARY SPICE,
SHE'S ALL,

6
00:00:17,018 --> 00:00:18,517
"WHA!

7
00:00:18,519 --> 00:00:19,584
SSSS!"

8
00:00:19,586 --> 00:00:20,586
MARY!

9
00:00:20,588 --> 00:00:22,087
NO. BECAUSE, SEE--

10
00:00:22,089 --> 00:00:23,088
DADDY!

11
00:00:23,090 --> 00:00:24,089
HEY, MAGPIE.

12
00:00:24,091 --> 00:00:25,591
HA HA HA! OH...

13
00:00:25,593 --> 00:00:26,592
OH.

14
00:00:26,594 --> 00:00:28,093
WHAT A NICE SURPRISE!

15
00:00:28,095 --> 00:00:30,862
WELL, NOT REALLY.
I'VE LEFT YOUR MOTHER.

16
00:00:30,864 --> 00:00:32,297
AGAIN?

17
00:00:32,299 --> 00:00:33,531
OH, I'M SO SORRY.

18
00:00:33,533 --> 00:00:35,267
LET ME GIVE YOU TWO
SOME TIME ALONE.

19
00:00:35,269 --> 00:00:36,769
OH, THAT'S NOT NECESSARY.

20
00:00:36,771 --> 00:00:38,971
THEY DO THIS EVERY YEAR.

21
00:00:38,973 --> 00:00:42,341
I KNOW. I JUST CAN'T
BEAR TO HEAR IT AGAIN.
BUH-BYE.

22
00:00:42,343 --> 00:00:45,844
SO HOW LONG
IS THIS FIGHT
GOING TO LAST?

23
00:00:45,846 --> 00:00:47,412
OH, THIS
WAS A BAD ONE, MARY.

24
00:00:47,414 --> 00:00:49,414
I BROKE HER
<i> SOUND OF MUSIC</i> BOX.

25
00:00:49,416 --> 00:00:50,482
OH, NO!

26
00:00:50,484 --> 00:00:51,483
YEP.

27
00:00:51,485 --> 00:00:53,652
YOUR MOTHER AND I ARE THROUGH!

28
00:00:53,654 --> 00:00:55,654
45 YEARS DOWN THE TOILET.

29
00:00:55,656 --> 00:00:57,822
YOU STILL GOT THAT HIDE-A-BED
IN THE LIVING ROOM?

30
00:00:57,824 --> 00:00:59,024
YES.

31
00:00:59,026 --> 00:01:01,593
AND YOU DON'T MIND
SLEEPING ON IT?

32
00:01:01,595 --> 00:01:03,662
NOT REALLY. NO.

33
00:01:03,664 --> 00:01:05,163
GOOD MORNING, MARY.

34
00:01:05,165 --> 00:01:06,264
OH, GOOD MORNING,
DICK.

35
00:01:06,266 --> 00:01:07,332
GOOD MORNING, DICK.

36
00:01:07,334 --> 00:01:08,566
GOOD MORNING, GEORGE.

37
00:01:08,568 --> 00:01:10,736
AAH!
WHAT?

38
00:01:10,738 --> 00:01:14,106
IF HE'S HERE, THAT MEANS
THE OTHER ONE'S HERE, TOO,

39
00:01:14,108 --> 00:01:16,408
AND--AND SHE SCARES ME.

40
00:01:16,410 --> 00:01:18,944
NO, DICK.
DADDY'S HERE ALONE.

41
00:01:18,946 --> 00:01:20,479
[WHISPERING]
He left Mother.

42
00:01:20,481 --> 00:01:21,479
OH...

43
00:01:21,481 --> 00:01:23,214
FINALLY.

44
00:02:01,288 --> 00:02:02,454
[DOORBELL RINGS]

45
00:02:02,456 --> 00:02:03,888
I'LL GET IT!

46
00:02:06,793 --> 00:02:07,792
HELLO, SOLOMONS.

47
00:02:07,794 --> 00:02:09,228
HELLO, GEORGE!

48
00:02:09,230 --> 00:02:11,396
UH, THIS
IS MY BROTHER HARRY.

49
00:02:11,398 --> 00:02:12,897
CHARMED, I'M SURE.

50
00:02:12,899 --> 00:02:15,366
AND THIS
IS MY SON TOMMY.

51
00:02:15,368 --> 00:02:17,202
HEY, THERE, SPORT!

52
00:02:17,204 --> 00:02:18,636
HEY!
CUT IT OUT!

53
00:02:18,638 --> 00:02:20,738
HE STARTED IT!

54
00:02:20,740 --> 00:02:22,474
IT'S ALL RIGHT.

55
00:02:22,476 --> 00:02:24,809
I LEFT MYSELF WIDE OPEN.

56
00:02:24,811 --> 00:02:25,877
COME ON IN.

57
00:02:25,879 --> 00:02:27,012
ALL RIGHT, THEN.

58
00:02:27,014 --> 00:02:28,379
I'M SORRY.
HI. I'M SALLY.

59
00:02:28,381 --> 00:02:30,816
HI. LET ME TAKE
YOUR COAT, YOUNG LADY.

60
00:02:30,818 --> 00:02:31,817
OH, THANK YOU.

61
00:02:31,819 --> 00:02:34,185
YOU KNOW...

62
00:02:34,187 --> 00:02:37,689
YOU REMIND ME OF A GAL
NAMED BETTY GRABLE,

63
00:02:37,691 --> 00:02:40,158
BUT I BET SHE
WAS BEFORE YOUR TIME.

64
00:02:40,160 --> 00:02:43,861
YEAH, I'VE ONLY BEEN HERE
A COUPLE YEARS.

65
00:02:43,863 --> 00:02:45,330
SIT DOWN AND LET ME
FIX YOU A DRINK.

66
00:02:45,332 --> 00:02:46,831
GREAT. I'LL HAVE A BEER.

67
00:02:46,833 --> 00:02:48,333
A BEER?

68
00:02:48,335 --> 00:02:50,435
A BEER'S NO DRINK
FOR A LADY.

69
00:02:50,437 --> 00:02:52,437
LET ME MAKE YOU
A LADY'S DRINK.

70
00:02:53,640 --> 00:02:54,706
YEAH.

71
00:02:56,610 --> 00:02:58,209
A LADY'S DRINK.

72
00:03:04,785 --> 00:03:06,284
I LIKE THIS SCOTCH.

73
00:03:06,286 --> 00:03:08,554
YEAH. SO DOES
EVERYBODY ELSE.

74
00:03:09,723 --> 00:03:12,357
SO TELL ME ABOUT NORMANDY
AGAIN, GEORGE.

75
00:03:12,359 --> 00:03:15,460
OH, YOU JUST
CAN'T HEAR ENOUGH ABOUT
THE BIG ONE, CAN YA?

76
00:03:15,462 --> 00:03:17,462
NO.

77
00:03:17,464 --> 00:03:19,297
I<i> LOVE</i> WAR.

78
00:03:19,299 --> 00:03:23,635
OH, I MEAN, I HATE WAR,
BUT I LOVE HEARING
ABOUT THE KILLING.

79
00:03:23,637 --> 00:03:28,206
YOU KNOW,
I ONCE KILLED A NAZI
WITH MY BARE HANDS.

80
00:03:28,208 --> 00:03:29,641
OH, PLEASE!

81
00:03:31,511 --> 00:03:32,977
SO, HOW DID IT HAPPEN?

82
00:03:32,979 --> 00:03:35,614
WELL, I WAS ASLEEP IN
THIS BURNED-OUT CHURCH

83
00:03:35,616 --> 00:03:36,981
IN THE FRENCH
COUNTRYSIDE.

84
00:03:36,983 --> 00:03:38,483
AND HE TRIPPED,
AND YOU CHOKED HIM,

85
00:03:38,485 --> 00:03:39,785
AND I THINK
IT'S GETTING LATE.

86
00:03:39,787 --> 00:03:40,786
DICK!

87
00:03:40,788 --> 00:03:41,819
HUH?

88
00:03:41,821 --> 00:03:43,121
OH!

89
00:03:43,123 --> 00:03:44,656
OH, MARY!

90
00:03:44,658 --> 00:03:46,391
OH, THANK GOD
YOU'RE HERE!

91
00:03:46,393 --> 00:03:48,192
I HAD A TERRIBLE DREAM.

92
00:03:48,194 --> 00:03:50,495
YOUR FATHER WAS THERE...

93
00:03:50,497 --> 00:03:51,663
AND--

94
00:03:51,665 --> 00:03:55,667
AND HE WAS TELLING ALL
THESE BORING WAR STORIES.

95
00:03:55,669 --> 00:03:58,570
I COULDN'T KEEP
MY EYES OPEN!

96
00:04:02,175 --> 00:04:03,609
HELLO, GEORGE.

97
00:04:03,611 --> 00:04:05,410
CHOP-CHOP, EVERYONE!
TIME TO GO!

98
00:04:05,412 --> 00:04:09,414
OH, COOL,
I'M STILL KINDA DRUNK.

99
00:04:09,416 --> 00:04:13,084
HEY, THERE'S
NO HAIR ON MY CHEST.

100
00:04:13,086 --> 00:04:14,785
THANK YOU, MARY.

101
00:04:14,787 --> 00:04:16,287
GEORGE, IT WAS
A WONDERFUL EVENING,

102
00:04:16,289 --> 00:04:18,356
BUT I'M AFRAID WE'VE
GOT TO BE OFF. SALLY!

103
00:04:18,358 --> 00:04:19,857
REALLY? SO SOON?

104
00:04:19,859 --> 00:04:23,661
I DIDN'T EVEN GET
A CHANCE TO TELL SALLY
ABOUT MY DISCHARGE.

105
00:04:23,663 --> 00:04:26,264
THAT'S NOT
APPROPRIATE, DAD!

106
00:04:28,302 --> 00:04:30,668
FROM THE AIR FORCE!

107
00:04:30,670 --> 00:04:32,204
OH.

108
00:04:32,206 --> 00:04:33,905
WELL, HEY...

109
00:04:33,907 --> 00:04:37,809
WHY DON'T YOU TAKE SALLY
TO THE RUTHERFORD AIR
AND SPACE MUSEUM TOMORROW.

110
00:04:37,811 --> 00:04:39,311
YOU CAN TELL HER
ALL ABOUT IT.

111
00:04:39,313 --> 00:04:43,148
HEY, BUT I THOUGHT WE
WERE GONNA HAVE LUNCH
TOMORROW, MAGPIE.

112
00:04:43,150 --> 00:04:44,449
OH, THAT'S OK.

113
00:04:44,451 --> 00:04:46,250
WELL, I'D LOVE TO GO.

114
00:04:46,252 --> 00:04:49,454
THEY'VE GOT
A PERFECTLY RECONSTRUCTED
P-38 LIGHTNING.

115
00:04:49,456 --> 00:04:52,690
COULD WE GET IT
AND PRETEND
WE'RE BOMBING CITIES?

116
00:04:52,692 --> 00:04:54,426
I'LL SLIP THE GUARD
A FIVER.

117
00:04:54,428 --> 00:04:56,928
OH, YOU ARE AWESOME!

118
00:05:08,776 --> 00:05:11,777
HEY, TOMMY,
DO YOU LIKE EGG SALAD?

119
00:05:11,779 --> 00:05:13,779
'CAUSE I LIKE EGG SALAD.

120
00:05:13,781 --> 00:05:16,014
HARRY,
IF YOU EAT DICK'S LUNCH
BEFORE WE FIND HIM,

121
00:05:16,016 --> 00:05:18,082
THEN WE HAVE NO REASON
TO FIND DICK.

122
00:05:18,084 --> 00:05:19,751
THAT'S A LOAD OFF.

123
00:05:21,288 --> 00:05:22,920
OOH, LOOK!

124
00:05:22,922 --> 00:05:25,790
AN EXHIBIT ON
THE EARLY DAYS
OF RADIO.

125
00:05:25,792 --> 00:05:29,127
NO. THIS IS JUST
THE COLLEGE'S CRUDDY
OLD RADIO STATION.

126
00:05:29,129 --> 00:05:32,064
NO. I'M PRETTY SURE
THAT GUY'S ANIMATRONIC.

127
00:05:36,970 --> 00:05:37,969
HEY, EDDIE.

128
00:05:37,971 --> 00:05:39,471
ARE YOU THE D.J.?

129
00:05:39,473 --> 00:05:41,839
HUH? NO. HE LEFT
FOR SPRING BREAK.

130
00:05:41,841 --> 00:05:43,308
WHAT? YOU MEAN
THERE IS NO D.J.?

131
00:05:43,310 --> 00:05:45,443
WELL, ISN'T THAT KIND
OF CHEATING PEOPLE?

132
00:05:45,445 --> 00:05:47,612
THIS IS, LIKE, 8 WATTS, MAN.

133
00:05:47,614 --> 00:05:50,815
I MEAN, HOW MANY PEOPLE
IS THAT, LIKE...

134
00:05:50,817 --> 00:05:52,550
8?

135
00:05:52,552 --> 00:05:54,051
OH! EDDIE!

136
00:05:54,053 --> 00:05:55,653
CAN I BE YOUR D.J.?

137
00:05:55,655 --> 00:05:57,689
UH, I DON'T KNOW.

138
00:05:57,691 --> 00:05:59,857
DO YOU HAVE ANY EXPERIENCE?

139
00:05:59,859 --> 00:06:01,125
WHY, YES, I DO!

140
00:06:02,595 --> 00:06:07,265
YES. I WAS IN CHARGE
OF THE MORNING DRIVE TIME
ZOO CREW TEAM

141
00:06:07,267 --> 00:06:09,700
AT WLMNOP.

142
00:06:09,702 --> 00:06:12,603
I CAN WORK THE KNOBS
PERFECT.

143
00:06:12,605 --> 00:06:14,272
OH, KNOCK YOURSELVES OUT.

144
00:06:14,274 --> 00:06:16,107
ALL RIGHT!
OOH!

145
00:06:16,109 --> 00:06:18,009
OH, UH, JUST...

146
00:06:18,011 --> 00:06:19,144
DON'T CURSE...

147
00:06:19,146 --> 00:06:20,778
AND DON'T SPILL NOTHIN',

148
00:06:20,780 --> 00:06:23,348
AND IF YA SPILL SOMETHIN',

149
00:06:23,350 --> 00:06:24,449
DON'T CURSE.

150
00:06:31,291 --> 00:06:32,657
OH, WAIT--
WAIT A SECOND.

151
00:06:32,659 --> 00:06:33,658
WHOA! WHOA!

152
00:06:33,660 --> 00:06:34,793
WHAT DO I SAY?

153
00:06:34,795 --> 00:06:37,795
IN 4...3...2...

154
00:06:37,797 --> 00:06:39,297
GOOD MORNING,
RUTHERFORD.

155
00:06:39,299 --> 00:06:41,532
I'M HARRY SOLOMON.

156
00:06:41,534 --> 00:06:45,103
IT'S 10:52 IN THE A.M.
HERE AT WPDL.

157
00:06:45,105 --> 00:06:46,604
IT'S A SUNNY DAY,

158
00:06:46,606 --> 00:06:50,341
AND I'VE GOT A SUNNY WAY
TO PLAY.

159
00:06:50,343 --> 00:06:52,277
HERE'S ONE
OF MY FAVORITES,

160
00:06:52,279 --> 00:06:54,412
AND I HOPE
IT'S ONE OF YOURS.

161
00:06:54,414 --> 00:06:57,348
SEE IF YOU
RECOGNIZE THIS ONE.

162
00:07:01,121 --> 00:07:02,987
PUT THE TAPE IN.

163
00:07:02,989 --> 00:07:05,156
I DON'T KNOW HOW.

164
00:07:06,493 --> 00:07:09,628
WELCOME TO TALK RADIO,
PEOPLE.

165
00:07:12,266 --> 00:07:14,366
VROOOOM!

166
00:07:14,368 --> 00:07:17,101
RAT-A-TAT-TAT-
TAT-TAT-TAT!

167
00:07:17,103 --> 00:07:19,804
OH, HOW WAS THE AIR
AND SPACE MUSEUM?

168
00:07:19,806 --> 00:07:21,172
IT WAS TERRIFIC!

169
00:07:21,174 --> 00:07:22,541
I HAD THE BEST TIME!

170
00:07:22,543 --> 00:07:23,908
OOH!

171
00:07:23,910 --> 00:07:26,277
SO, YOU SURE
YOU DON'T MIND ME
TAKING THE LINCOLN?

172
00:07:26,279 --> 00:07:27,278
NOT AT ALL.

173
00:07:27,280 --> 00:07:28,846
YOU RUN YOUR ERRANDS
IN STYLE.

174
00:07:28,848 --> 00:07:29,947
THANKS.

175
00:07:29,949 --> 00:07:30,948
I'M GONNA PICK UP
THAT ELLA FITZGERALD CD.

176
00:07:30,950 --> 00:07:32,284
OH, YOU'RE
GONNA LOVE IT!

177
00:07:32,286 --> 00:07:36,020
OH, I KNOW I WILL
'CAUSE YOU KNOW
WHAT I LIKE.

178
00:07:36,022 --> 00:07:39,123
OH, ISN'T SHE SWEET?

179
00:07:39,125 --> 00:07:41,626
YOU KNOW, MUFFIN,
IF I DIDN'T KNOW BETTER,

180
00:07:41,628 --> 00:07:45,162
I'D SAY THAT LITTLE GAL
REALLY LIKES ME.

181
00:07:45,164 --> 00:07:49,200
WELL, OF COURSE SHE DOES.
YOU'RE WONDERFUL.

182
00:07:49,202 --> 00:07:52,770
NO. I MEAN
SHE REALLY<i> LIKES</i> ME.

183
00:07:52,772 --> 00:07:54,572
OH, PLEASE.

184
00:07:54,574 --> 00:07:56,941
SHE DIDN'T WANT TO
LEAVE THE AIR MUSEUM.

185
00:07:56,943 --> 00:08:03,081
WELL, OBVIOUSLY, SHE
HAS SOME PERVERSE INTEREST
IN OLD WAR RELICS.

186
00:08:03,083 --> 00:08:06,918
IN MY OPINION,
IF DOGS WERE MEANT
TO BE ON LEASHES,

187
00:08:06,920 --> 00:08:10,254
THEY WOULD HAVE BEEN
BORN WITH THEM.

188
00:08:10,256 --> 00:08:13,257
AND DON'T GIVE ME
THAT TIRED, OLD ARGUMENT

189
00:08:13,259 --> 00:08:16,460
THAT THEIR TAILS
ARE LEASHES.

190
00:08:16,462 --> 00:08:18,997
OK, LET'S CHECK IN
WITH THE TRAFFIC

191
00:08:18,999 --> 00:08:21,198
WITH OUR GOOD BUDDY
TOMMY G!

192
00:08:21,200 --> 00:08:22,700
THANK YOU VERY MUCH.

193
00:08:22,702 --> 00:08:25,770
WELL, UH...THERE'S
A TRUCK OUT THERE,
AND NOW IT'S GONE.

194
00:08:25,772 --> 00:08:26,971
BACK TO YOU, HARRY!

195
00:08:28,542 --> 00:08:31,109
LET'S BE CAREFUL
OUT THERE,
PEOPLE!

196
00:08:31,111 --> 00:08:34,078
OOH, HEY, WE
GOT AN IN-STUDIO
GUEST:

197
00:08:34,080 --> 00:08:36,882
MISS
NINA CAMPBELL!

198
00:08:36,884 --> 00:08:37,448
HEY, YOU GUYS,
I TURNED ON THE RADIO,
AND I COULDN'T BELIEVE IT!

199
00:08:37,450 --> 00:08:38,983
THIS IS SO GREAT!

200
00:08:38,985 --> 00:08:42,820
YEAH. I WANNA SEND SOME
SHOUTS OUT TO STEVEN
AND BOBBY AND CLARISSE--

201
00:08:42,822 --> 00:08:44,589
OOH! AND REGGIE AND SHY GIRL
AND LITTLE B AND--

202
00:08:44,591 --> 00:08:46,691
NO. THIS IS MY SHOW.

203
00:08:46,693 --> 00:08:49,427
OOH, WE'VE
GOT A CALLER
ON LINE 1.

204
00:08:49,429 --> 00:08:50,862
GO AHEAD, CALLER.

205
00:08:50,864 --> 00:08:54,899
YEAH. I TOTALLY DISAGREE
WITH YOU ON THAT WHOLE
LEASH LAW THING.

206
00:08:54,901 --> 00:08:56,400
OH...

207
00:09:00,240 --> 00:09:01,772
WELL, THAT'S TOO BAD...

208
00:09:03,076 --> 00:09:05,543
BECAUSE YOU,
MY FRIEND, ARE WRONG.

209
00:09:05,545 --> 00:09:07,511
YOU TELL HIM, HARRY!

210
00:09:07,513 --> 00:09:09,013
YEAH! NEXT SOUND
YOU HEAR

211
00:09:09,015 --> 00:09:11,516
WILL BE THE SOUND
OF ME HANGIN' UP
ON A DUMB ASS.

212
00:09:16,255 --> 00:09:20,257
OK, SO FAR YOU'VE
ATTACKED LEASH LAWS,
CITY COUNCIL,

213
00:09:20,259 --> 00:09:22,760
AND SOME OLD LADY.

214
00:09:22,762 --> 00:09:25,763
YEAH, BUT I'M RUNNIN' OUT
OF STUFF TO SAY.

215
00:09:25,765 --> 00:09:27,165
I MEAN, WE NEED A GUEST.

216
00:09:27,167 --> 00:09:29,233
OH, YOU KNOW
WHO YOU SHOULD HAVE ON?

217
00:09:29,235 --> 00:09:30,234
GEORGE ALBRIGHT.

218
00:09:30,236 --> 00:09:32,603
HE KILLED A NAZI
WITH HIS BARE HANDS.

219
00:09:32,605 --> 00:09:34,272
THAT'S COOL.

220
00:09:34,274 --> 00:09:37,308
WELL, YOU CERTAINLY
ARE SPENDING A LOT
OF TIME WITH THAT MAN.

221
00:09:37,310 --> 00:09:38,943
WELL, WHY NOT? HE'S GREAT.

222
00:09:38,945 --> 00:09:40,778
HE'S NOT LIKE ANY GUY
I'VE EVER MET.

223
00:09:40,780 --> 00:09:42,280
HE'S SO CONFIDENT.

224
00:09:42,282 --> 00:09:44,615
I MEAN, LOOK AT ALL
THE PLAID HE WEARS.

225
00:09:44,617 --> 00:09:47,918
WELL, I WILL ADMIT
HE IS JAZZY.

226
00:09:47,920 --> 00:09:50,287
OH, YEAH. HE'S GOT STYLE,

227
00:09:50,289 --> 00:09:52,790
PLUS HE SMELLS LIKE SPICES.

228
00:09:52,792 --> 00:09:55,292
<i> OLD</i> SPICES.

229
00:09:55,294 --> 00:09:58,796
DICK, I FINALLY UNDERSTAND
YOUR ALBRIGHT ATTRACTION.

230
00:09:58,798 --> 00:10:01,732
IT MUST BE THEIR DNA.
THEY'RE IRRESISTIBLE.

231
00:10:01,734 --> 00:10:03,734
YES! AT LAST
I'M UNDERSTOOD!

232
00:10:03,736 --> 00:10:05,503
THERE'S SOMETHING
ABOUT THEM, A CHARM...

233
00:10:05,505 --> 00:10:06,504
A MAGNETISM...

234
00:10:06,506 --> 00:10:07,505
A STRENGTH...

235
00:10:07,507 --> 00:10:08,506
A QUIET FORCE--

236
00:10:08,508 --> 00:10:11,309
THEY'RE BOTH
A PAIN IN THE ASS.

237
00:10:11,311 --> 00:10:12,644
I DON'T KNOW, YOU GUYS.

238
00:10:12,646 --> 00:10:13,978
DO YOU REALLY THINK
A GUY LIKE GEORGE

239
00:10:13,980 --> 00:10:16,047
WOULD BE INTERESTED
IN A GAL LIKE ME?

240
00:10:16,049 --> 00:10:21,152
SALLY, WHY WOULD A GUY
IN HIS 70s WANT TO BE
WITH A WOMAN IN HER 20s?

241
00:10:22,255 --> 00:10:23,187
OH!

242
00:10:26,292 --> 00:10:28,226
[KNOCK ON DOOR]

243
00:10:30,663 --> 00:10:33,164
OH, HEY, ALBRIGHT,
IS GEORGE HERE?

244
00:10:33,166 --> 00:10:34,732
OH, ACTUALLY,
HE JUST WENT OUT.

245
00:10:34,734 --> 00:10:35,733
WITH WHO?

246
00:10:35,735 --> 00:10:37,001
TO GET A PAPER.

247
00:10:37,003 --> 00:10:38,002
OH.

248
00:10:38,004 --> 00:10:39,003
COME IN.

249
00:10:39,005 --> 00:10:39,937
COME IN.
THANKS.

250
00:10:42,175 --> 00:10:43,675
YOU KNOW, SALLY,

251
00:10:43,677 --> 00:10:46,678
MOTHER AND DAD
DO THIS EVERY YEAR,

252
00:10:46,680 --> 00:10:48,680
AND I DO NOT
LOOK FORWARD TO IT,

253
00:10:48,682 --> 00:10:50,014
SO THANK YOU
FOR HELPING ME OUT.

254
00:10:50,016 --> 00:10:52,750
DAD APPRECIATES IT.
HE REALLY DOES.

255
00:10:52,752 --> 00:10:54,285
HE DOES? HE SAID THAT?

256
00:10:54,287 --> 00:10:56,721
TELL ME EXACTLY
WHAT HE SAID, RIGHT NOW.

257
00:10:56,723 --> 00:10:58,723
OH! HE'S HAVING A BALL,

258
00:10:58,725 --> 00:11:01,692
AND I KNOW IT'S NOT EASY
ENTERTAINING DAD
ALL DAY.

259
00:11:01,694 --> 00:11:03,194
NO, NO. I LIKE IT.

260
00:11:03,196 --> 00:11:07,231
YOU'RE SO LUCKY.
YOUR DAD IS AMAZING.

261
00:11:07,233 --> 00:11:10,935
WELL, I'M REALLY GLAD
YOU GET TO SPEND
SOME TIME WITH MY DAD.

262
00:11:10,937 --> 00:11:11,936
OH, YEAH.

263
00:11:11,938 --> 00:11:13,404
BUT I MUST WARN YOU.

264
00:11:13,406 --> 00:11:16,841
SOMETIMES HE GETS
A LITTLE CARRIED AWAY,
AND HE GETS THESE IDEAS.

265
00:11:16,843 --> 00:11:19,810
ALL I'M ASKING
IS THAT YOU BE GENTLE
WITH HIM, OK?

266
00:11:19,812 --> 00:11:22,046
OK. NO MORE WRESTLING.

267
00:11:23,816 --> 00:11:25,649
NO. I'M SERIOUS.
I WON'T DO IT AGAIN.

268
00:11:27,320 --> 00:11:31,556
OK, DON. THANKS
FOR COMING DOWN.

269
00:11:31,558 --> 00:11:33,491
WE KNOW HOW BUSY
YOU ARE.

270
00:11:33,493 --> 00:11:35,493
WE APPRECIATE
YOUR TIME.

271
00:11:35,495 --> 00:11:36,828
OH.

272
00:11:36,830 --> 00:11:38,329
IT'S MY PLEASURE.

273
00:11:38,331 --> 00:11:39,830
IN FACT, I THINK
I GOT AN INTERESTING STORY
FOR YOU GUYS.

274
00:11:39,832 --> 00:11:42,433
IN 4...3...2...

275
00:11:42,435 --> 00:11:43,734
AND WE'RE BACK!

276
00:11:43,736 --> 00:11:47,539
WELL, LOOK WHO
DROPPED BY
TO SAY HELLO.

277
00:11:47,541 --> 00:11:49,840
OFFICER DON ORVEL.

278
00:11:49,842 --> 00:11:53,911
OR AS HE'S KNOWN
ON THE STREETS,
MADGE WITH A BADGE.

279
00:11:55,782 --> 00:11:57,915
I'VE GOT THIS STORY
FOR YOU GUYS.

280
00:11:57,917 --> 00:12:01,352
YEAH, SO TELL ME,
OFFICER BACON BITS...

281
00:12:03,055 --> 00:12:05,556
WHEN YOU'RE
WORKING OVER A SUSPECT,

282
00:12:05,558 --> 00:12:07,224
DOES THAT MAKE YOU
FEEL LIKE A BIG MAN?

283
00:12:07,226 --> 00:12:11,729
[MAN SCREAMS ON TAPE]

284
00:12:11,731 --> 00:12:14,298
WELL, HARRY, I TRY NOT
TO ABUSE MY BADGE,

285
00:12:14,300 --> 00:12:16,133
WHICH BRINGS ME
TO MY STORY.
IT'S ABOUT--

286
00:12:16,135 --> 00:12:18,235
BORING!

287
00:12:21,874 --> 00:12:24,375
SO, DON, TELL ME,
WHAT DO YOU THINK

288
00:12:24,377 --> 00:12:27,378
ABOUT OLD DUDES
DATING YOUNG,
HOT BABES?

289
00:12:27,380 --> 00:12:28,846
IS IT SMART
OR SKANKY?

290
00:12:30,816 --> 00:12:33,651
I DON'T KNOW. I GUESS
I'M DOWN WITH THAT.

291
00:12:33,653 --> 00:12:35,586
MM, YOU'RE DOWN
WITH THAT?

292
00:12:35,588 --> 00:12:38,622
YEAH. I AM.
I'M DOWN WITH THAT.

293
00:12:38,624 --> 00:12:41,825
YEAH! HE'S DOWN
WITH THAT.

294
00:12:41,827 --> 00:12:44,328
WELL, WOULD YOU
STILL BE DOWN WITH IT

295
00:12:44,330 --> 00:12:48,332
IF THE YOUNG, HOT BABE
WAS, OH, SAY, SALLY...

296
00:12:48,334 --> 00:12:51,869
AND THE OLD DUDE
WAS ALBRIGHT'S DAD?

297
00:12:53,273 --> 00:12:55,739
THAT I'M NOT DOWN WITH.

298
00:12:55,741 --> 00:12:59,177
SO, SALLY LIKES MR. ALBRIGHT.
HA, THAT'S MESSED UP.

299
00:13:00,280 --> 00:13:02,781
OH, WE'VE GOT A
CALLER ON LINE ONE.

300
00:13:02,783 --> 00:13:05,283
YOU'RE ON THE AIR
WITH HARRY SOLOMON.

301
00:13:05,285 --> 00:13:07,786
Sally: YEAH,
THIS IS, UM, THELMA...

302
00:13:07,788 --> 00:13:10,288
FROM OHIO.

303
00:13:10,290 --> 00:13:11,790
IT'S NONE OF YOUR
BUSINESS WHAT I DO,

304
00:13:11,792 --> 00:13:13,792
AND IF YOU IDIOTS
KEEP TALKING ABOUT ME,

305
00:13:13,794 --> 00:13:16,727
I'M GONNA BEAT YOUR FACES IN
WITH A MONKEY WRENCH
WHEN YOU GET HOME.

306
00:13:18,264 --> 00:13:20,097
NEW TOPIC.

307
00:13:20,099 --> 00:13:23,067
MICHELLE PFEIFFER'S LIPS.

308
00:13:25,805 --> 00:13:27,104
ARE THEY REAL?

309
00:13:32,812 --> 00:13:35,246
DADDY?
YOU STILL UP?

310
00:13:38,384 --> 00:13:39,383
YES.

311
00:13:39,385 --> 00:13:41,886
OH, MY GOD.
OH, MY GOD.
OH, MY GOD.

312
00:13:41,888 --> 00:13:43,554
OH, MY GOD.
OH, MY GOD.
OH, MY GOD.

313
00:13:43,556 --> 00:13:45,490
ALBRIGHT! ALBRIGHT!

314
00:13:46,692 --> 00:13:48,092
I'M BEING GENTLE.

315
00:13:56,636 --> 00:13:59,570
HEADS UP! I'M COMING
INTO THE ROOM!

316
00:14:01,641 --> 00:14:03,641
I CAN'T SLEEP.
WE HAVE TO TALK.

317
00:14:03,643 --> 00:14:04,909
GREAT.
LET'S TALK.

318
00:14:04,911 --> 00:14:07,378
I'D LIKE TO SPEAK
TO MY FATHER ALONE,
PLEASE?

319
00:14:07,380 --> 00:14:09,013
OH, OK.
GOOD NIGHT, SUGAR.

320
00:14:10,216 --> 00:14:11,716
OH, LISTEN, UM,

321
00:14:11,718 --> 00:14:13,651
GEORGE AND I WANT
TO TAKE YOU AND DICK

322
00:14:13,653 --> 00:14:15,085
OUT TO DINNER
TOMORROW NIGHT.

323
00:14:15,087 --> 00:14:17,588
OH, GOODY. A DOUBLE DATE
WITH MY DAD.

324
00:14:17,590 --> 00:14:18,689
PLEASE GO.

325
00:14:21,795 --> 00:14:24,795
MARY, LISTEN, I JUST
WANT YOU TO KNOW NOW

326
00:14:24,797 --> 00:14:26,797
THAT GEORGE AND I
ARE TOGETHER,

327
00:14:26,799 --> 00:14:30,301
AND I'M NOT GONNA TRY
TO REPLACE YOUR MOTHER,

328
00:14:30,303 --> 00:14:32,537
OK? AND I...

329
00:14:32,539 --> 00:14:35,039
I JUST HOPE TO BECOME
A WAY BETTER MOTHER

330
00:14:35,041 --> 00:14:37,408
AND GRADUALLY TURN YOU
AGAINST HER.

331
00:14:38,678 --> 00:14:41,112
I'M NOT GONNA CALL YOU
MUMMY.

332
00:14:41,114 --> 00:14:42,280
SALLY'S FINE. OH!

333
00:14:42,282 --> 00:14:44,548
LISTEN, I WANT TO
TAKE YOU SHOPPING
NEXT WEEK,

334
00:14:44,550 --> 00:14:45,950
GET YOU A PRETTY
NEW DRESS. WOULD YOU
LIKE THAT?

335
00:14:47,520 --> 00:14:50,521
DID I TELL YOU SHE'S
GOT THE HOTS FOR ME?

336
00:14:50,523 --> 00:14:52,023
WAS I RIGHT?

337
00:14:52,025 --> 00:14:54,625
STOP THIS FOOLISHNESS
AND GO BACK TO MOTHER!

338
00:14:54,627 --> 00:14:58,129
NO! AFTER 45 YEARS
OF PURE MISERY,

339
00:14:58,131 --> 00:15:02,433
I FINALLY THINK
THERE'S A PLAN
FOR THE UNIVERSE.

340
00:15:02,435 --> 00:15:04,168
WHY HER?

341
00:15:04,170 --> 00:15:06,170
WELL, SHE LISTENS
TO ME.

342
00:15:06,172 --> 00:15:07,672
SHE FINDS ME
INTERESTING.

343
00:15:07,674 --> 00:15:10,041
I'M CRAZY ABOUT HER.

344
00:15:10,043 --> 00:15:14,712
AND THAT'S WHY
I THINK I'M GONNA
GIVE HER THIS.

345
00:15:14,714 --> 00:15:16,214
THAT'S MOTHER'S
HEIRLOOM BRACELET.

346
00:15:16,216 --> 00:15:18,716
WELL, MARTHA DOESN'T
WEAR IT ANYMORE.

347
00:15:18,718 --> 00:15:22,653
I'VE BEEN WAITING FOR HER
TO DIE TO GET THAT!

348
00:15:24,390 --> 00:15:26,323
WE ALL HAVE.
WE ALL HAVE.

349
00:15:33,266 --> 00:15:37,768
OH, YEAH? WELL,
WHY DON'T YOU COME
DOWN TO THE STATION

350
00:15:37,770 --> 00:15:40,271
AND MAKE ME,
YA BIG JERK?!

351
00:15:40,273 --> 00:15:41,472
[POW]

352
00:15:41,474 --> 00:15:45,343
HARRY, SHE
WAS 8 YEARS OLD.

353
00:15:47,013 --> 00:15:49,247
SHE JUST WANTED TO KNOW
IF IT WAS GONNA RAIN.

354
00:15:49,249 --> 00:15:52,183
[BOOM]

355
00:15:52,185 --> 00:15:54,718
YOU JUST STIFLE IT,
LITTLE MAN.

356
00:15:57,623 --> 00:16:00,925
SO GEORGE THINKS
WE SHOULD TAKE
A COLD WATER CRUISE,

357
00:16:00,927 --> 00:16:03,728
BECAUSE IT'S FAR MORE
INTERESTING THAN DOING
THAT WHOLE ISLAND THING.

358
00:16:03,730 --> 00:16:04,962
OH, YEAH.

359
00:16:04,964 --> 00:16:06,898
THERE'S NOTHING
LIKE SNUGGLING UP
ON THE DECK

360
00:16:06,900 --> 00:16:08,900
WITH YOUR SWEETIE
AND A HOT TODDY.

361
00:16:08,902 --> 00:16:12,370
WHERE THE HELL HAVE YOU BEEN?
AND DON'T GO TOO FAR!

362
00:16:16,075 --> 00:16:17,575
WOULD YOU LIKE TO DANCE?

363
00:16:17,577 --> 00:16:19,110
OH, I'D LOVE TO.

364
00:16:19,112 --> 00:16:21,712
OH, WHOOPSIE, MARY.
LET ME GET IT.

365
00:16:26,286 --> 00:16:28,786
GOOD DOUBLE-BAKED
POTATOES.

366
00:16:28,788 --> 00:16:30,154
LOOK AT THOSE TWO.

367
00:16:30,156 --> 00:16:31,189
WHO?

368
00:16:31,191 --> 00:16:33,624
WOODY AND SOON-YI
OVER THERE.

369
00:16:35,895 --> 00:16:38,896
THIS WORLD WORKS IN WONDERFUL
AND MYSTERIOUS WAYS.

370
00:16:38,898 --> 00:16:41,165
WHAT DOES THAT MEAN?

371
00:16:41,167 --> 00:16:44,101
THOSE TWO PEOPLE
COULD BE FATED
TO FALL IN LOVE,

372
00:16:44,103 --> 00:16:47,037
JUST WHEN YOUR MOTHER
WAS CONVENIENTLY
OUT OF THE WAY.

373
00:16:48,441 --> 00:16:52,777
LOOK AT HIM DANCING,
GUSHING ALL OVER HER.

374
00:16:52,779 --> 00:16:54,111
DANCING?

375
00:16:54,113 --> 00:16:56,046
MAKING A FOOL
OF HIMSELF.

376
00:16:56,048 --> 00:16:57,548
DANCING.

377
00:16:58,618 --> 00:17:00,117
IS THIS MAYONNAISE
OR HORSERADISH?

378
00:17:00,119 --> 00:17:03,120
OF COURSE I KNOW WHAT
IT IS WITH SALLY.

379
00:17:03,122 --> 00:17:05,623
SHE'S JUST TRYING
TO REPLACE THE FATHER
SHE LOST.

380
00:17:05,625 --> 00:17:07,625
OH! OH!

381
00:17:07,627 --> 00:17:10,127
WHATEVER IT IS,
IT'S HOT.

382
00:17:10,129 --> 00:17:13,130
DON'T TELL ME
I'M JEALOUS,
BECAUSE I'M NOT!

383
00:17:13,132 --> 00:17:15,065
MY MOUTH IS ON FIRE.

384
00:17:16,135 --> 00:17:18,569
THAT'S MY DADDY!

385
00:17:18,571 --> 00:17:20,805
THAT'S MY NAPKIN!

386
00:17:20,807 --> 00:17:23,975
DADDY, YOU WANT
TO DANCE WITH ME?

387
00:17:23,977 --> 00:17:27,712
WELL, SURE...
KITTEN.

388
00:17:28,982 --> 00:17:30,648
I'LL DANCE
WITH YOU, SALLY.

389
00:17:30,650 --> 00:17:32,650
HE CALLED HER KITTEN!

390
00:17:32,652 --> 00:17:33,651
I'M KITTEN!

391
00:17:33,653 --> 00:17:34,785
CAN'T YOU BE
PUMPKIN?

392
00:17:34,787 --> 00:17:36,787
I DON'T WANT
TO BE PUMPKIN!

393
00:17:36,789 --> 00:17:39,156
WE'RE GONNA HAVE
TO GET SOME THINGS
STRAIGHTEN OUT

394
00:17:39,158 --> 00:17:40,791
IF SHE'S GONNA BE
MY MOTHER-IN-LAW.

395
00:17:40,793 --> 00:17:42,693
BUT AREN'T YOU GONNA
BE HER STEPMOTHER?

396
00:17:42,695 --> 00:17:43,628
WHATEVER.

397
00:17:44,697 --> 00:17:47,197
EXCUSE ME.
UH, SHALL WE DANCE?

398
00:17:47,199 --> 00:17:48,132
DAD--

399
00:17:53,806 --> 00:17:55,105
NO!

400
00:17:55,107 --> 00:17:57,608
WHY?

401
00:17:57,610 --> 00:18:00,377
SALLY, PEOPLE
ARE WATCHING.

402
00:18:00,379 --> 00:18:01,478
OH, YEAH?

403
00:18:01,480 --> 00:18:02,747
OHH!

404
00:18:04,951 --> 00:18:07,985
I WAS DANCING
WITH MY DADDY.

405
00:18:07,987 --> 00:18:10,554
NO! YOU WERE DANCING
WITH MY BOYFRIEND.

406
00:18:10,556 --> 00:18:14,158
HE WAS MY DADDY WAY BEFORE
HE WAS YOUR BOYFRIEND.

407
00:18:14,160 --> 00:18:15,960
LISTEN, I THINK
YOU'D BETTER GROW UP.

408
00:18:15,962 --> 00:18:17,462
GEORGE AND I
ARE A THING,

409
00:18:17,464 --> 00:18:19,430
AND YOU JUST BETTER
GET USED TO IT, MISSY.

410
00:18:19,432 --> 00:18:22,899
WELL, YOU JUST BETTER
GET USED TO ME!

411
00:18:22,901 --> 00:18:24,635
IS THERE SOMETHING WRONG,
KITTENS?

412
00:18:24,637 --> 00:18:25,569
NO!             NOTHING!

413
00:18:29,909 --> 00:18:32,142
OK. WE'RE BACK.

414
00:18:32,144 --> 00:18:34,178
LET'S GO
TO THE PHONES.
WHO'S ON?

415
00:18:34,180 --> 00:18:35,413
NOBODY.

416
00:18:35,415 --> 00:18:37,915
YEAH. WE HAVEN'T
HAD A CALL

417
00:18:37,917 --> 00:18:40,284
SINCE YOU MADE FUN
OF THAT LADY'S DEAD CAT.

418
00:18:40,286 --> 00:18:42,753
MAYBE WE NEED A NEW TOPIC.

419
00:18:42,755 --> 00:18:44,755
OOH, THAT'S A GOOD IDEA.

420
00:18:44,757 --> 00:18:48,259
HEY! LET'S GO
ONE-ON-ONE WITH
NINA CAMPBELL.

421
00:18:48,261 --> 00:18:49,494
OK.

422
00:18:49,496 --> 00:18:52,930
OK. SO, NINA,
HOW MANY DATES
HAVE YOU HAD LATELY,

423
00:18:52,932 --> 00:18:53,864
LIKE ZERO?

424
00:18:56,769 --> 00:18:58,202
WHAT?

425
00:18:58,204 --> 00:19:00,604
NO, NO, NO! IT'S OK.
I THINK I KNOW WHAT
THE PROBLEM IS.

426
00:19:00,606 --> 00:19:01,672
OH, REALLY?

427
00:19:01,674 --> 00:19:03,708
YEAH. YOU'RE
A GREAT BIG LOSER.

428
00:19:03,710 --> 00:19:06,210
I DON'T HAVE TO TAKE THIS!

429
00:19:06,212 --> 00:19:07,445
YES, YOU DO
'CAUSE YOU'RE A LOSER.

430
00:19:07,447 --> 00:19:08,612
I'M OUT OF HERE!

431
00:19:08,614 --> 00:19:10,614
WAIT, HARRY,
WHAT ARE YOU DOING?

432
00:19:10,616 --> 00:19:12,616
WELL, I'LL TELL YOU
WHAT I'M NOT DOING.

433
00:19:12,618 --> 00:19:15,653
I'M NOT JUST
SITTING THERE BEING
A PIMPLE RANCHER.

434
00:19:17,123 --> 00:19:20,124
HOW'S THE NEW CROP
THIS YEAR, TEEN BOY?

435
00:19:20,126 --> 00:19:21,125
THIS IS OVER.

436
00:19:21,127 --> 00:19:22,259
I AM GONE!

437
00:19:22,261 --> 00:19:24,628
OH, GO! LEAVE!

438
00:19:24,630 --> 00:19:27,932
I DON'T CARE.
I DON'T NEED
ANY OF YOU.

439
00:19:29,836 --> 00:19:33,137
COME BAAACK!

440
00:19:33,139 --> 00:19:34,571
[KNOCK ON DOOR]

441
00:19:38,878 --> 00:19:39,877
HEY, SALLY.

442
00:19:39,879 --> 00:19:40,878
HEY, GEORGE.

443
00:19:40,880 --> 00:19:42,880
LISTEN,
WE HAVE TO TALK.

444
00:19:42,882 --> 00:19:44,314
WELL, COME IN.

445
00:19:47,453 --> 00:19:48,953
WHAT'S THE MATTER?

446
00:19:48,955 --> 00:19:50,955
WELL, UM,
I'VE BEEN THINKING.

447
00:19:50,957 --> 00:19:54,992
AND, UH, I THINK WE SHOULD
COOL THINGS OFF A BIT.

448
00:19:54,994 --> 00:19:59,663
OH, IF I HAD A NICKEL
FOR EVERY SECRETARY
I'VE SAID THAT TO.

449
00:19:59,665 --> 00:20:02,166
NO, NO, NO, I'M SERIOUS.

450
00:20:02,168 --> 00:20:03,434
WELL, WHY?

451
00:20:03,436 --> 00:20:07,170
WELL, I JUST--
I'M NOT READY TO BE
WITH SOMEBODY

452
00:20:07,172 --> 00:20:08,606
WHO HAS CHILDREN.

453
00:20:09,942 --> 00:20:13,377
WHAT, MARY?
SHE REALLY CAN TAKE
CARE OF HERSELF.

454
00:20:13,379 --> 00:20:15,880
OH, LET'S NOT FOOL
OURSELVES, GEORGE.

455
00:20:15,882 --> 00:20:18,883
SHE'S GONNA BE
A LOT OF WORK.

456
00:20:18,885 --> 00:20:21,786
YOU CAN'T JUST IGNORE HER.
YOU KNOW THAT.

457
00:20:21,788 --> 00:20:23,687
SHE'S OLD.

458
00:20:25,691 --> 00:20:27,691
THIS ISN'T EASY
FOR ME, OK?

459
00:20:27,693 --> 00:20:31,695
I DON'T WANT TO PENALIZE YOU
FOR BEING A GREAT DAD.

460
00:20:31,697 --> 00:20:34,298
IT'S JUST--
I HAVE TO BE SELFISH HERE.

461
00:20:34,300 --> 00:20:37,301
I KNEW I SHOULD'VE
CLOSED THIS DEAL
THE NIGHT WE MET.

462
00:20:37,303 --> 00:20:38,535
I KNEW THAT.

463
00:20:39,705 --> 00:20:41,972
I THINK MAYBE YOU SHOULD
GO BACK TO YOUR WIFE.

464
00:20:41,974 --> 00:20:43,974
AW...

465
00:20:45,144 --> 00:20:47,077
WELL, I USUALLY DO.

466
00:20:48,681 --> 00:20:51,215
WELL, THERE YOU GO.

467
00:20:52,885 --> 00:20:53,817
BYE, SUGAR.

468
00:20:57,457 --> 00:20:58,589
SALLY.

469
00:20:58,591 --> 00:20:59,923
ALBRIGHT.

470
00:20:59,925 --> 00:21:03,160
LOOK. I'M SORRY
FOR THE WAY I ACTED
THE OTHER NIGHT.

471
00:21:03,162 --> 00:21:04,728
MAYBE WE SHOULD ALL
TALK THIS OUT.

472
00:21:04,730 --> 00:21:07,164
NO. THERE'S NOTHING TO
TALK ABOUT. MARTHA AND I--

473
00:21:07,166 --> 00:21:08,632
I'M GOING BACK TO MOTHER.

474
00:21:08,634 --> 00:21:09,633
REALLY?!

475
00:21:09,635 --> 00:21:11,135
YEAH, HE IS.

476
00:21:11,137 --> 00:21:13,637
AND I'M SORRY
IF THIS CAUSED

477
00:21:13,639 --> 00:21:15,639
ANY FRICTION IN
YOUR RELATIONSHIP.

478
00:21:15,641 --> 00:21:19,276
BUT, MARY, I JUST
WANT YOU TO KNOW
SOMETHING.

479
00:21:19,278 --> 00:21:21,645
I COULD'VE HAD HIM.

480
00:21:33,192 --> 00:21:36,927
SHE AIN'T LYING.

481
00:21:36,929 --> 00:21:39,863
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--

482
00:21:43,002 --> 00:21:45,235
DAD, ARE YOU SURE YOU
HAVE EVERYTHING?

483
00:21:45,237 --> 00:21:46,170
YEAH.

484
00:21:49,375 --> 00:21:53,778
MARY, I WOULDN'T
MENTION THIS SALLY
THING TO MOTHER.

485
00:21:53,780 --> 00:21:57,014
GEE, DAD, I DON'T KNOW
IF I CAN DO THAT.

486
00:21:57,016 --> 00:21:58,516
HERE.

487
00:22:00,752 --> 00:22:02,820
MY LIPS ARE SEALED.