1
00:00:03,937 --> 00:00:07,606
OH, DON, WHY DO
YOU HAVE TO GO?
2
00:00:07,608 --> 00:00:09,274
WHY, SALLY?
3
00:00:09,276 --> 00:00:12,444
BECAUSE 10 YEARS AGO,
I TOOK AN OATH--
4
00:00:12,446 --> 00:00:15,280
AN OATH TO PROTECT
AND SERVE THIS CITY,
5
00:00:15,282 --> 00:00:19,784
AND NOTHING--
NOT EVEN THE PROSPECT
OF LYING IN BED, NAKED,
6
00:00:19,786 --> 00:00:22,287
WITH THE SEXIEST,
MOST BEAUTIFUL WOMAN--
7
00:00:22,289 --> 00:00:24,722
WHAT THE HELL
AM I DOING?!
8
00:00:30,231 --> 00:00:33,365
OH...OH, SALLY...
I'VE GOTTA TELL YOU
9
00:00:33,367 --> 00:00:36,635
THAT THIS IS
THE BEST RELATIONSHIP
I'VE EVER BEEN IN.
10
00:00:36,637 --> 00:00:41,139
OH, WOW, DON...
THAT IS SO...
11
00:00:44,144 --> 00:00:45,343
SO...
12
00:00:47,581 --> 00:00:49,581
WOW.
13
00:00:49,583 --> 00:00:51,316
WHAT'S THE MATTER?
14
00:00:51,318 --> 00:00:54,987
NOTHING. I GUESS I
JUST NEVER THOUGHT
15
00:00:54,989 --> 00:00:58,323
ABOUT YOU HAVING
ANOTHER RELATIONSHIP
BEFORE.
16
00:00:58,325 --> 00:01:01,726
NO ONE CAN HOLD
A CANDLE TO YOU, SALLY.
17
00:01:03,931 --> 00:01:05,496
THAT'S REAL SWEET,
DON.
18
00:01:10,704 --> 00:01:13,772
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER PRODUCTIONS
AND THE NATIONAL
BROADCASTING COMPANY
19
00:01:13,774 --> 00:01:16,842
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
20
00:01:16,844 --> 00:01:19,978
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE
21
00:01:48,274 --> 00:01:51,877
TO PENDELTON'S NEW DEAN
OF ARTS AND SCIENCES.
22
00:01:51,879 --> 00:01:53,044
OHH...
23
00:01:53,046 --> 00:01:54,513
THAT'S YOU, MARY.
24
00:01:54,515 --> 00:01:56,781
I KNOW.
25
00:01:56,783 --> 00:02:00,284
NOW, IF YOU WOULDN'T
MIND TALKING BUSINESS
JUST FOR A MOMENT--
26
00:02:00,286 --> 00:02:02,387
OH, DICK, CAN'T IT
WAIT UNTIL MONDAY?
27
00:02:02,389 --> 00:02:03,722
OH, I UNDERSTAND.
28
00:02:07,328 --> 00:02:09,027
ON MONDAY, I'M
GONNA BE ASKING YOU
29
00:02:09,029 --> 00:02:11,029
WHAT THE SCHOOL
INTENDS TO DO ABOUT
30
00:02:11,031 --> 00:02:13,097
THE DECAYING STATUE
OF ADMIRAL PENDELTON.
31
00:02:13,099 --> 00:02:14,566
THE ONE WITH
THE MISSING ARM?
32
00:02:14,568 --> 00:02:16,635
IT'S AN EYESORE.
WHAT'S GOING TO BE DONE?
33
00:02:16,637 --> 00:02:19,404
I WANT AN ANSWER,
AND I WANT IT NOW!
34
00:02:19,406 --> 00:02:22,741
THAT'S WHAT I'LL BE
SAYING ON MONDAY.
35
00:02:22,743 --> 00:02:26,043
DICK, THE UNIVERSITY IS
IN A FINANCIAL CRUNCH.
36
00:02:26,045 --> 00:02:28,713
THE BIOLOGY LAB IS
DISSECTING ROAD KILL.
37
00:02:28,715 --> 00:02:31,316
THE STATUE IS
NOT A PRIORITY.
38
00:02:31,318 --> 00:02:34,986
YES, WELL, I'LL BE
INTERESTED IN HEARING
WHAT YOU THINK ON MONDAY.
39
00:02:34,988 --> 00:02:35,987
THANK YOU,
MY GOOD MAN.
40
00:02:35,989 --> 00:02:37,822
OH, NO. HERE,
LET ME GET--
41
00:02:37,824 --> 00:02:41,059
OH, NO, NO,
NO, NO, NO.
NO, NO, NO,
NO, NO, NO.
42
00:02:41,061 --> 00:02:43,128
THIS IS MY TREAT.
43
00:02:43,130 --> 00:02:44,396
DICK, I'M A DEAN.
44
00:02:44,398 --> 00:02:46,698
THAT PROMOTION CAME
WITH A NICE RAISE.
45
00:02:46,700 --> 00:02:49,168
WELL, YOU'RE NOT MAKING
ANY MORE THAN ME.
46
00:02:49,170 --> 00:02:50,435
A LITTLE MORE.
47
00:02:51,538 --> 00:02:53,205
HOW MUCH MORE?
48
00:02:54,407 --> 00:02:55,407
A LOT MORE.
49
00:02:55,409 --> 00:02:56,674
REALLY?
50
00:02:56,676 --> 00:02:59,144
WELL, I DON'T CARE.
IT MAKES NO DIFFERENCE
TO ME.
51
00:02:59,146 --> 00:03:00,745
I'M THE MAN
AT THIS TABLE,
52
00:03:00,747 --> 00:03:02,748
AND I INSIST ON
PAYING FOR DINNER.
53
00:03:02,750 --> 00:03:03,748
FINE.
54
00:03:03,750 --> 00:03:05,316
OH!
55
00:03:05,318 --> 00:03:07,319
WOWSIE.
56
00:03:07,321 --> 00:03:09,721
MARY, COULD I
BORROW $200?
57
00:03:11,291 --> 00:03:13,324
DICK, THIS
IS ONLY $80.
58
00:03:13,326 --> 00:03:16,328
I KNOW. I ALSO WANT
TO BUY A CUISINART.
59
00:03:19,433 --> 00:03:22,033
TOMMY! TOMMY!
60
00:03:22,035 --> 00:03:24,636
DUBCEK'S GRANDSON
IS SELLING LEMONADE
DOWN THE STREET
61
00:03:24,638 --> 00:03:27,138
FOR 25 CENTS A SHOT.
62
00:03:27,140 --> 00:03:29,474
25 CENTS?
FOR A LOUSY CUP
OF LEMONADE?
63
00:03:29,476 --> 00:03:31,876
DO YOU KNOW WHAT KIND
OF MARKUP THAT MUST BE?
64
00:03:31,878 --> 00:03:33,812
THIS KID'S GOTTA BE
MAKING A FORTUNE.
65
00:03:33,814 --> 00:03:36,948
WELL, HE WAS WEARING
A DIGITAL WATCH.
66
00:03:36,950 --> 00:03:38,517
SEE?
67
00:03:38,519 --> 00:03:41,353
WELL, I JUST FOUND OUT
SOMETHING ABOUT DON
I NEVER KNEW.
68
00:03:41,355 --> 00:03:44,723
THAT HIS BACK IS
LITERALLY COVERED
IN PIMPLES.
69
00:03:46,526 --> 00:03:49,927
WORSE. HE HAD ANOTHER
RELATIONSHIP BEFORE ME.
70
00:03:49,929 --> 00:03:50,996
NO.
NO.
71
00:03:50,998 --> 00:03:53,198
YES!
72
00:03:53,200 --> 00:03:56,334
OH, MY GOD, YOU GUYS...
WHAT DO YOU THINK?
73
00:03:56,336 --> 00:03:59,004
YOU THINK SHE'S PRETTY?
74
00:04:00,107 --> 00:04:02,340
TALL...BLOND...
75
00:04:02,342 --> 00:04:04,142
WOW. SHE SOUNDS HOT.
76
00:04:04,144 --> 00:04:05,143
SHUT UP.
77
00:04:06,679 --> 00:04:09,347
I GOTTA FIGURE OUT
WHERE SHE WORKS,
WHAT SHE DOES.
78
00:04:09,349 --> 00:04:11,016
I GOTTA KNOW
EVERYTHING ABOUT HER.
79
00:04:11,018 --> 00:04:12,150
WHY?
80
00:04:12,152 --> 00:04:14,219
'CAUSE I DON'T KNOW
ANYTHING ABOUT HER.
81
00:04:14,221 --> 00:04:15,620
WELL, SALLY, I'M OFF.
82
00:04:15,622 --> 00:04:17,222
UH, DON, UM...
83
00:04:17,224 --> 00:04:20,225
THI-THIS TABLE'S
A LITTLE WOBBLY.
84
00:04:20,227 --> 00:04:26,131
UM, COULD I USE
YOUR ADDRESS BOOK
TO PROP IT UP?
85
00:04:26,133 --> 00:04:28,433
CAN'T YOU JUST
USE A MATCHBOOK?
86
00:04:28,435 --> 00:04:30,535
I DON'T WANNA USE
A MATCHBOOK.
87
00:04:33,874 --> 00:04:38,409
I WANNA USE
YOUR WIDDLE
ADDWESS BOOK.
88
00:04:38,411 --> 00:04:41,479
WELL, WHY DIDN'T YOU
SAY SO TO BEGIN WITH?
89
00:05:10,977 --> 00:05:13,378
I'M SUPPOSED
TO GIVE YOU THIS.
90
00:05:13,380 --> 00:05:15,814
"DR. AND MRS.
ALBRIGHT"?
91
00:05:15,816 --> 00:05:17,214
NO, THIS ISN'T
FOR ME.
92
00:05:17,216 --> 00:05:20,418
THIS IS FOR MARY
AND HER WIFE.
93
00:05:20,420 --> 00:05:22,620
I THINK YOU'RE
MRS. ALBRIGHT.
94
00:05:22,622 --> 00:05:27,292
ME? AH, HA
HA HA HA HA!
95
00:05:27,294 --> 00:05:28,626
OH, THAT'S RICH!
96
00:05:28,628 --> 00:05:31,195
WAIT'LL MARY
HEARS ABOUT THIS.
97
00:05:31,197 --> 00:05:34,399
HA HA HA HA
HA HA HA HA!
98
00:05:36,336 --> 00:05:38,302
RIGHT OVER YOUR HEADS.
99
00:05:38,304 --> 00:05:40,972
MARY! MARY!
100
00:05:40,974 --> 00:05:43,307
MARY--HA HA HA!
101
00:05:43,309 --> 00:05:46,878
LOOK AT THIS INVITATION.
IT'S HILARIOUS!
102
00:05:46,880 --> 00:05:48,112
IT'S A TYPO.
103
00:05:48,114 --> 00:05:50,716
YES! HA HA HA!
104
00:05:50,718 --> 00:05:53,719
DICK, I'VE BEEN
MEANING TO TALK
TO YOU ABOUT THIS.
105
00:05:53,721 --> 00:05:56,922
NOW, YOU'RE GOING
TO BE ON MY ARM
AT THIS EVENT,
106
00:05:56,924 --> 00:05:59,257
SO I WANT YOU
TO LOOK YOUR BEST.
107
00:05:59,259 --> 00:06:01,860
SO, HERE, TAKE
MY CREDIT CARD
108
00:06:01,862 --> 00:06:04,596
AND GO OUT
AND BUY YOURSELF
A NICE OUTFIT.
109
00:06:04,598 --> 00:06:06,198
HOW MUCH CAN I SPEND?
110
00:06:06,200 --> 00:06:07,332
WHATEVER.
111
00:06:07,334 --> 00:06:10,535
WHAT IF I FIND A BELT
THAT GOES WITH MY SOCKS?
112
00:06:10,537 --> 00:06:11,837
FINE.
113
00:06:11,839 --> 00:06:13,538
CAN I BUY A CUISINART?
114
00:06:13,540 --> 00:06:15,240
YOU ALREADY BOUGHT
A CUISINART.
115
00:06:15,242 --> 00:06:17,508
ER...SOMEBODY
PUT PENCILS IN IT.
116
00:06:24,317 --> 00:06:29,087
HI. I'M CALLING ON BEHALF OF
J.D. POWER AND ASSOCIATES.
117
00:06:29,089 --> 00:06:32,657
HOW MANY LICENSED DRIVERS DO
YOU HAVE IN YOUR HOUSEHOLD?
118
00:06:32,659 --> 00:06:38,163
MM-HMM. AND HOW MANY HAVE
DATED POLICE OFFICERS?
119
00:06:38,165 --> 00:06:42,267
YOUR OLD ROOMMATE DID.
OK, CAN YOU DESCRIBE HIM?
120
00:06:42,269 --> 00:06:46,671
"USED TO SNEAK HOME
DURING THE SHIFT." UH-HUH...
121
00:06:46,673 --> 00:06:50,675
"STRIPPED TO HIS
UNDERWEAR." RIGHT...
122
00:06:52,345 --> 00:06:54,179
AND WATCH HIS SOAP OPERA?
123
00:06:55,515 --> 00:06:58,316
THE BOLD AND
THE BEAUTIFUL?
124
00:06:58,318 --> 00:07:00,552
I AM IN BUSINESS!
125
00:07:06,859 --> 00:07:08,526
HI. CAN I HELP YOU?
126
00:07:08,528 --> 00:07:09,627
ARE YOU TINA?
127
00:07:09,629 --> 00:07:11,196
NO.
GO AWAY.
128
00:07:12,265 --> 00:07:13,565
HI. I'M TINA.
129
00:07:13,567 --> 00:07:15,099
WERE YOU LOOKING
FOR A CROCKPOT?
130
00:07:15,101 --> 00:07:16,834
YOU'RE TINA?
YEAH.
131
00:07:16,836 --> 00:07:17,835
HAVE YOU LOOKED
AT THIS ONE?
132
00:07:17,837 --> 00:07:19,170
THANK YOU, GOD.
133
00:07:21,207 --> 00:07:23,875
I AM SO MUCH HOTTER
THAN YOU!
134
00:07:25,178 --> 00:07:26,177
THANK YOU!
135
00:07:29,082 --> 00:07:31,149
HEY, HELLO, THERE.
136
00:07:31,151 --> 00:07:33,184
WELL, IF IT ISN'T
CHANCELLOR STEVENS.
137
00:07:33,186 --> 00:07:36,221
DEAN ALBRIGHT,
HELLO.
138
00:07:36,223 --> 00:07:37,722
CHANCELLOR, IT'S
GOOD TO SEE YOU.
139
00:07:37,724 --> 00:07:39,224
TELL ME, MARY,
140
00:07:39,226 --> 00:07:41,559
I HEARD YOU HAD A MOST
PROMISING MEETING
141
00:07:41,561 --> 00:07:43,060
WITH PROFESSOR GOLLIN.
142
00:07:43,062 --> 00:07:44,395
I THINK IT WENT WELL.
KEEP YOUR FINGERS CROSSED.
143
00:07:44,397 --> 00:07:45,663
[CLEARS THROAT]
144
00:07:45,665 --> 00:07:47,131
HE'S AN INTERESTING MAN.
145
00:07:47,133 --> 00:07:49,233
YOU'VE READ HIS PAPER
ON ETHNOBOTANY?
146
00:07:49,235 --> 00:07:50,568
[CLEARS THROAT]
147
00:07:50,570 --> 00:07:52,937
I'VE JUST STARTED IT,
BUT IT'S FASCINATING.
148
00:07:52,939 --> 00:07:54,706
[CLEARS THROAT]
149
00:07:54,708 --> 00:07:56,575
[HAWKING LOUDLY]
150
00:08:00,580 --> 00:08:02,580
HELLO.
151
00:08:02,582 --> 00:08:05,283
I'M SORRY. THIS IS
MY BOYFRIEND DICK.
152
00:08:05,285 --> 00:08:06,851
NICE TO MEET YOU.
153
00:08:06,853 --> 00:08:07,985
ACTUALLY,
I'M A PHYSICS--
154
00:08:07,987 --> 00:08:10,921
YOU MADE A GREAT END-AROUND
ON THE SUBCOMMITTEE.
155
00:08:10,923 --> 00:08:12,056
OH, THAT.
156
00:08:12,058 --> 00:08:13,824
IT TURNS OUT IT WAS
PROFESSOR BRIGGS
157
00:08:13,826 --> 00:08:15,260
THAT WAS CREATING
THE LOGJAM.
158
00:08:15,262 --> 00:08:16,427
YOU KNOW, I FIND--
HOW'D YOU DO IT?
159
00:08:16,429 --> 00:08:17,928
I JUST DANGLED
THAT ARTS GRANT
IN FRONT OF HIM.
160
00:08:17,930 --> 00:08:18,929
THE INTERESTING--
161
00:08:18,931 --> 00:08:20,465
THE ARTS GRANT IS
A MIGHTY BIG CARROT.
162
00:08:20,467 --> 00:08:21,899
IT SURE IS.
163
00:08:21,901 --> 00:08:23,434
CARROTS--
AND THEN?
164
00:08:23,436 --> 00:08:24,702
I--
OH, IT'S JUST
WAIT AND SEE.
165
00:08:24,704 --> 00:08:26,271
CARROTS--
YES, I SUPPOSE.
166
00:08:26,273 --> 00:08:28,105
HOW, UH...IF--
167
00:08:28,107 --> 00:08:29,106
DRINK?
168
00:08:29,108 --> 00:08:30,041
CARROTS--
SURE.
169
00:08:30,043 --> 00:08:31,042
I--
170
00:08:31,044 --> 00:08:32,977
BYE.
171
00:08:32,979 --> 00:08:35,680
HELLO. I'M DEAN
GUTHRIDGE'S WIFE.
172
00:08:35,682 --> 00:08:37,715
AND I'M DEAN
SMITH'S WIFE.
173
00:08:37,717 --> 00:08:39,551
HI. I'M DEAN ALBRIGHT'S
WIFE.
174
00:08:45,859 --> 00:08:47,759
HARRY, IS IT
REALLY NECESSARY
175
00:08:47,761 --> 00:08:49,393
THAT I WEAR
A BLINDFOLD?
176
00:08:51,531 --> 00:08:56,100
TOMMY, IT'S A BLIND
TASTE TEST. OK?
177
00:08:56,102 --> 00:08:58,169
NOW, IF WE'RE GONNA BE
IN THE LEMONADE GAME,
178
00:08:58,171 --> 00:09:00,438
WE'VE GOTTA HAVE
A COMPETITIVE PRODUCT.
179
00:09:00,440 --> 00:09:02,874
NOW, WHICH ONE
TASTES BETTER?
180
00:09:05,612 --> 00:09:07,278
WELL, THIS ONE'S
A LITTLE BLAND.
181
00:09:07,280 --> 00:09:08,779
A LITTLE BLAND.
182
00:09:11,084 --> 00:09:13,017
OK. THIS ONE'S
ROOT BEER.
183
00:09:15,555 --> 00:09:16,554
YOU GUYS!
184
00:09:16,556 --> 00:09:17,755
I SAW HER!
I SAW HER!
185
00:09:17,757 --> 00:09:18,856
YOU SAW TINA?
186
00:09:18,858 --> 00:09:20,691
YES, AND I'M SO MUCH
HOTTER THAN SHE IS,
187
00:09:20,693 --> 00:09:22,460
IT'S NOT EVEN FUNNY.
188
00:09:22,462 --> 00:09:23,928
GOOD. GOOD FOR YOU.
189
00:09:23,930 --> 00:09:25,230
AND YOU KNOW WHAT
THE BEST PART IS?
190
00:09:25,232 --> 00:09:26,932
WHAT?
191
00:09:26,934 --> 00:09:28,599
WELL, THAT IS
THE BEST PART.
192
00:09:28,601 --> 00:09:30,502
YOU KNOW, I WONDER WHAT
DON EVER SAW IN HER
193
00:09:30,504 --> 00:09:31,970
IN THE FIRST PLACE.
194
00:09:31,972 --> 00:09:35,039
AH, WELL, YOU GOT--
195
00:09:35,041 --> 00:09:38,143
WELL, I MEAN, IT--
196
00:09:38,145 --> 00:09:39,377
OBVIOUSLY--
197
00:09:42,082 --> 00:09:43,815
YEAH, WHAT COULD IT BE?
198
00:09:43,817 --> 00:09:46,084
WHAT DIFFERENCE
DOES IT MAKE?
199
00:09:46,086 --> 00:09:47,985
I MEAN, YOU'RE
NOT IN COMPETITION
WITH THIS PERSON.
200
00:09:47,987 --> 00:09:51,022
OF COURSE I'M IN COMPETITION
WITH HER, TOMMY.
201
00:09:51,024 --> 00:09:52,824
SHE'S HIS EX-GIRLFRIEND.
202
00:09:52,826 --> 00:09:53,825
YEAH. EX.
203
00:09:53,827 --> 00:09:55,259
WHY AM I EVEN
TALKING TO YOU?
204
00:09:55,261 --> 00:09:56,794
YOU'RE NOT A WOMAN.
205
00:09:56,796 --> 00:09:58,295
OOCH! THAT'S GOTTA HURT.
206
00:09:58,297 --> 00:10:00,732
I MEAN, WHAT DOES
THIS TINA HAVE
THAT I DON'T?
207
00:10:00,734 --> 00:10:04,135
HER BACK IS LITERALLY
COVERED IN PIMPLES.
208
00:10:07,040 --> 00:10:09,741
I GOTTA FIGURE OUT WHAT
I'M UP AGAINST HERE.
209
00:10:09,743 --> 00:10:11,676
I'M GONNA GO BUY
THAT CROCKPOT.
210
00:10:11,678 --> 00:10:12,877
WE HAVE A CROCKPOT.
211
00:10:18,952 --> 00:10:20,885
WE JUST LOST
ONE CROCKPOT
212
00:10:20,887 --> 00:10:22,820
AND GAINED
ONE CRACKPOT.
213
00:10:23,824 --> 00:10:25,790
I SEE WHAT YOU DID THERE.
214
00:10:31,331 --> 00:10:32,697
HI, DICK.
215
00:10:32,699 --> 00:10:33,964
DEAN ALBRIGHT.
216
00:10:35,935 --> 00:10:37,702
TONIGHT WAS FUN,
WASN'T IT?
217
00:10:37,704 --> 00:10:39,837
BOY, IF THIS IS
WHAT IT'S LIKE
BEING DEAN,
218
00:10:39,839 --> 00:10:42,640
I SAY BRING IT ON!
219
00:10:42,642 --> 00:10:45,743
I'M SLEEPY.
220
00:10:45,745 --> 00:10:47,045
WHAT'S WRONG?
221
00:10:47,047 --> 00:10:50,415
WELL, IF YOU DON'T KNOW,
I'M NOT GONNA TELL YOU.
222
00:10:50,417 --> 00:10:52,717
IT WAS THE PARTY,
WASN'T IT?
223
00:10:52,719 --> 00:10:55,320
I'M CLOSING MY EYES NOW.
224
00:10:55,322 --> 00:10:57,589
OH. OK.
225
00:11:00,427 --> 00:11:02,260
COME ON,
PROFESSOR SOLOMON.
226
00:11:02,262 --> 00:11:03,694
TEACH ME A LESSON.
227
00:11:08,168 --> 00:11:09,934
NO.
228
00:11:09,936 --> 00:11:13,605
OK. IF YOU'RE NOT
GOING TO GIVE IT TO ME,
229
00:11:13,607 --> 00:11:15,707
I'M GONNA COME
OVER THERE AND GET IT.
230
00:11:17,043 --> 00:11:18,776
FINE!
231
00:11:18,778 --> 00:11:20,277
JUST MAKE IT QUICK.
232
00:11:23,849 --> 00:11:25,349
DICK, I'M SORRY.
233
00:11:25,351 --> 00:11:28,553
I KNOW
I'VE BEEN A LITTLE
SELF-INVOLVED LATELY,
234
00:11:28,555 --> 00:11:29,954
BUT YOU'VE GOT TO ADMIT
I'VE BEEN BUSY.
235
00:11:29,956 --> 00:11:31,422
BUSY DOING WHAT?
236
00:11:31,424 --> 00:11:32,757
WELL...
237
00:11:32,759 --> 00:11:35,426
THINKING ABOUT
THAT IDEA OF YOURS
238
00:11:35,428 --> 00:11:37,461
ABOUT RESTORING
THE STATUE.
239
00:11:37,463 --> 00:11:39,430
I THOUGHT WE DIDN'T
HAVE ENOUGH MONEY.
240
00:11:39,432 --> 00:11:42,333
WELL, YOU'RE JUST GONNA
HAVE TO RAISE THE MONEY.
241
00:11:42,335 --> 00:11:43,501
A FUND-RAISER!
242
00:11:43,503 --> 00:11:45,636
THAT WILL BE
YOUR PROJECT.
243
00:11:45,638 --> 00:11:47,504
MARY, YOU MEAN IT?
244
00:11:47,506 --> 00:11:48,672
YES, DICK.
245
00:11:48,674 --> 00:11:50,174
OH, THANKS, MARY.
246
00:11:50,176 --> 00:11:51,175
THANK YOU.
247
00:11:51,177 --> 00:11:55,113
OH, I CAN SEE IT NOW,
ALL RESTORED,
248
00:11:55,115 --> 00:11:57,314
THE MAJESTIC IMAGE
OF ADMIRAL PENDELTON
249
00:11:57,316 --> 00:11:59,316
RIDING HIS WIFE
INTO BATTLE.
250
00:12:03,689 --> 00:12:05,890
THAT'S HIS HORSE.
251
00:12:05,892 --> 00:12:07,158
AH.
252
00:12:07,160 --> 00:12:12,163
THAT DOES MAKE
MORE SENSE.
253
00:12:13,767 --> 00:12:15,233
SO I'M RACKING
MY BRAIN--
254
00:12:15,235 --> 00:12:17,668
WHAT'S A FRESH, FUN NEW
WAY TO RAISE $10,000?
255
00:12:17,670 --> 00:12:18,836
SOMETHING CRAZY,
256
00:12:18,838 --> 00:12:21,973
BUT MAKES PERFECT SENSE
ALL AT ONCE.
257
00:12:21,975 --> 00:12:23,674
AND I'M WALKING BY
FASHIONS BY PEPE,
258
00:12:23,676 --> 00:12:25,176
AND IT HITS ME LIKE
A CAPE TO THE THROAT--
259
00:12:25,178 --> 00:12:26,911
FASHION SHOW.
260
00:12:30,950 --> 00:12:32,250
FASHION SHOW.
261
00:12:32,252 --> 00:12:34,252
HOT WINTER NIGHTS.
262
00:12:34,254 --> 00:12:35,486
THAT'S THE THEME.
263
00:12:35,488 --> 00:12:37,989
FOR THE...FASHION SHOW.
264
00:12:37,991 --> 00:12:38,990
YEAH.
265
00:12:38,992 --> 00:12:40,491
NOW HELP ME OUT.
266
00:12:40,493 --> 00:12:43,561
TICKET PRICES--
I WAS THINKING $50
267
00:12:43,563 --> 00:12:44,696
FOR SEATS
BY THE RUNWAY.
268
00:12:44,698 --> 00:12:47,231
YOU KNOW, FOR THE
MICKEY ROURKE TYPES.
269
00:12:47,233 --> 00:12:49,433
I WISH I WAS GOING TO BE
IN TOWN THAT WEEKEND.
270
00:12:49,435 --> 00:12:51,002
WHEN IS IT?
271
00:12:51,004 --> 00:12:52,503
OH, GOOD.
DEAN ALBRIGHT,
272
00:12:52,505 --> 00:12:54,672
DICK WAS JUST
TELLING US THIS IDEA--
273
00:12:54,674 --> 00:12:56,974
OH, HE TOLD YOU ABOUT
THE FASHION SHOW.
274
00:12:56,976 --> 00:12:59,510
HE TOLD US
ALL ABOUT IT.
275
00:12:59,512 --> 00:13:01,145
ISN'T IT GREAT?
276
00:13:01,147 --> 00:13:02,981
FABULOUS!
COUNT ME IN!
277
00:13:02,983 --> 00:13:03,982
JUST GREAT!
278
00:13:03,984 --> 00:13:05,149
HOT WINTER NIGHTS.
279
00:13:05,151 --> 00:13:06,717
WHERE DID YOU COME UP
WITH THE IDEA?
280
00:13:06,719 --> 00:13:07,919
RIGHT HERE.
281
00:13:13,360 --> 00:13:15,693
TINA, HI.
REMEMBER ME?
282
00:13:15,695 --> 00:13:18,196
YOU'RE THE ONE
WHO SAID I WASN'T
HALF AS HOT AS YOU ARE.
283
00:13:18,198 --> 00:13:19,164
YEAH, RIGHT. THAT'S ME.
284
00:13:19,166 --> 00:13:20,698
ANYWAY, I'M BACK
FOR THAT CROCKPOT.
285
00:13:20,700 --> 00:13:22,333
OH, SURE. YEAH,
THEY'RE RIGHT OVER HERE.
286
00:13:26,839 --> 00:13:28,239
OH. THOSE ARE
NICE SHOES.
287
00:13:28,241 --> 00:13:29,674
OH, THANKS.
I JUST GOT THEM.
288
00:13:29,676 --> 00:13:30,808
THEY'RE FRANK ROSS.
289
00:13:30,810 --> 00:13:32,943
FRANK ROSS.
YOU MUST BE LOADED.
290
00:13:32,945 --> 00:13:34,411
LOADED? NO, NO.
291
00:13:34,413 --> 00:13:36,114
WELL, THEN WHERE'D
YOU GET THE CASH
TO PAY FOR THEM?
292
00:13:36,116 --> 00:13:37,681
CREDIT CARD.
293
00:13:37,683 --> 00:13:39,917
YOU HAVE A CREDIT CARD.
OH, MY GOD.
294
00:13:39,919 --> 00:13:43,687
ANYWAY, THESE CROCKPOTS
ARE SO EASY TO USE.
295
00:13:43,689 --> 00:13:45,423
THEY'RE ALL I COOKED WITH
WHEN I WAS IN COLLEGE.
296
00:13:45,425 --> 00:13:46,657
SHE WENT TO COLLEGE.
297
00:13:46,659 --> 00:13:48,426
YOU SET THE TIMER,
GO OUT,
298
00:13:48,428 --> 00:13:49,960
AND THE FOOD'S READY
WHEN YOU COME BACK.
299
00:13:49,962 --> 00:13:52,363
COME BACK FROM WHERE?
I--I DON'T KNOW.
300
00:13:52,365 --> 00:13:54,032
TENNIS? IS THAT
WHERE YOU GO?
301
00:13:54,034 --> 00:13:57,235
TO PLAY TENNIS--
WITH THE BALLS
AND THE RACKETS,
302
00:13:57,237 --> 00:13:58,903
LIKE SOME EXPERT
TENNIS PLAYER?
303
00:13:58,905 --> 00:14:00,437
MISS, IS EVERYTHING OK?
304
00:14:00,439 --> 00:14:02,206
OH, YEAH,
EVERYTHING'S GREAT,
305
00:14:02,208 --> 00:14:03,941
EXCEPT YOU'RE RUINING
MY RELATIONSHIP
WITH DON.
306
00:14:03,943 --> 00:14:05,576
DON?
YEAH, LADY!
307
00:14:05,578 --> 00:14:06,877
DON ORVILLE.
308
00:14:06,879 --> 00:14:09,380
WE'VE BEEN GOING OUT
FOR OVER A YEAR,
309
00:14:09,382 --> 00:14:10,848
AND ALL OF A SUDDEN
YOUR NAME COMES UP.
310
00:14:10,850 --> 00:14:12,650
AND WHAT ARE YOU
TRYING TO DO TO US?
311
00:14:12,652 --> 00:14:15,352
LOOK, I WAS ONLY WITH DON
FOR 6 MONTHS.
312
00:14:15,354 --> 00:14:16,754
AND 2 WEEKS AFTER
WE BROKE UP,
313
00:14:16,756 --> 00:14:17,955
HE WAS ALREADY GOING OUT
WITH CHERYL FASSLER
314
00:14:17,957 --> 00:14:19,957
AND LAURA BROCKMAN
AFTER THAT--
315
00:14:19,959 --> 00:14:21,292
WAIT, WAIT, WAIT,
WAIT, WAIT, WAIT.
316
00:14:21,294 --> 00:14:22,794
WAIT, WAIT, WAIT,
WAIT, WAIT, WAIT.
317
00:14:22,796 --> 00:14:24,695
WAIT, WAIT, WAIT,
WAIT, WAIT, WAIT.
318
00:14:24,697 --> 00:14:26,798
WAIT, WAIT...
319
00:14:26,800 --> 00:14:28,565
WAIT.
320
00:14:30,536 --> 00:14:32,337
THERE WERE OTHERS?
321
00:14:47,454 --> 00:14:49,354
WELL, I THINK
WE SHOULD EXPAND.
322
00:14:50,590 --> 00:14:52,623
EXPAND.
323
00:14:52,625 --> 00:14:54,125
ARE YOU OUT
OF YOUR MIND?
324
00:14:54,127 --> 00:14:55,293
WE HAVEN'T
SOLD A CUP.
325
00:14:55,295 --> 00:14:57,261
WELL, WAIT TILL WE GET
TO THE BIG CITIES.
326
00:14:57,263 --> 00:15:01,165
THAT'S WHERE
THE THIRSTY PEOPLE ARE.
327
00:15:01,167 --> 00:15:02,566
YOU ARE A MEATHEAD.
328
00:15:04,337 --> 00:15:05,336
LEMONADE.
329
00:15:06,339 --> 00:15:08,940
OOH! LEMONADE?
330
00:15:08,942 --> 00:15:10,107
YOU KNOW,
331
00:15:10,109 --> 00:15:11,742
WHEN LITTLE KIDS
SELL LEMONADE,
332
00:15:11,744 --> 00:15:12,877
IT'S CUTE.
333
00:15:12,879 --> 00:15:15,746
BUT WHEN GROWN MEN
SELL LEMONADE,
334
00:15:15,748 --> 00:15:17,448
IT'S CREEPY.
335
00:15:19,586 --> 00:15:20,585
WHAT?
336
00:15:20,587 --> 00:15:22,152
QUIT SELLING LEMONADE.
337
00:15:22,154 --> 00:15:24,889
YOU'RE CREEPING OUT
THE WHOLE NEIGHBORHOOD.
338
00:15:27,293 --> 00:15:28,993
WELL, SHE'S THE MEATHEAD.
339
00:15:30,663 --> 00:15:31,728
NO, HARRY.
340
00:15:31,730 --> 00:15:32,997
NO. SHE'S RIGHT.
341
00:15:32,999 --> 00:15:34,331
I MEAN, COME ON,
LOOK AT US.
342
00:15:34,333 --> 00:15:35,966
WE ARE DISGUSTING.
343
00:15:37,303 --> 00:15:39,237
I'M THROUGH.
344
00:15:39,239 --> 00:15:40,905
YECCH.
345
00:15:40,907 --> 00:15:42,039
WELL--
346
00:15:42,041 --> 00:15:43,808
OH, WELL,
THAT'S JUST FINE.
347
00:15:43,810 --> 00:15:46,611
YOU JUST GO HOME, TOMMY.
348
00:15:46,613 --> 00:15:48,212
IT DOESN'T MATTER TO ME.
349
00:15:48,214 --> 00:15:50,047
I'LL JUST STAY HERE
ALL DAY,
350
00:15:50,049 --> 00:15:51,482
HOLD DOWN THE FORT.
351
00:15:53,252 --> 00:15:55,052
AHH.
352
00:15:55,054 --> 00:15:56,387
ROOT BEER.
353
00:15:58,891 --> 00:16:01,192
THANK YOU, KITTY.
354
00:16:02,695 --> 00:16:03,694
NEXT UP,
355
00:16:03,696 --> 00:16:06,196
WE HAVE CHARLENE...
356
00:16:06,198 --> 00:16:10,234
IN A SASSY CARDIGAN
357
00:16:10,236 --> 00:16:13,237
AND FLIRTY PLAID
KNEE-LENGTH SKIRT.
358
00:16:13,239 --> 00:16:15,039
TOWN OR COUNTRY,
359
00:16:15,041 --> 00:16:15,907
SHE'S READY TO PLAY.
360
00:16:15,909 --> 00:16:18,910
SHE SHOOTS, SHE SCORES.
361
00:16:18,912 --> 00:16:20,244
NUMBER 8
ON YOUR PROGRAM.
362
00:16:20,246 --> 00:16:21,345
THIS ONE'S
GONNA GO FAST.
363
00:16:21,347 --> 00:16:24,215
THANK YOU, CHARLENE.
364
00:16:26,418 --> 00:16:28,085
HERE COMES GINNY.
365
00:16:28,087 --> 00:16:32,022
SAY, GINNY, WHAT'S
UNDERNEATH THE PARKA?
366
00:16:32,024 --> 00:16:33,791
HEY.
367
00:16:33,793 --> 00:16:35,660
IT'S A SMART FRENCH
TERRY PULLOVER
368
00:16:35,662 --> 00:16:38,395
AND SOME SNUGLY LEGGINGS.
369
00:16:40,332 --> 00:16:42,266
HER HUSBAND
MAY BE A TRUSTEE,
370
00:16:42,268 --> 00:16:44,535
BUT YOU CAN'T
TRUST HER.
371
00:16:44,537 --> 00:16:47,071
YOU'RE DANGEROUS, GINNY.
372
00:16:47,073 --> 00:16:48,372
YOU'RE DANGEROUS--
373
00:16:48,374 --> 00:16:50,408
IN FASHIONS BY PEPE.
374
00:16:52,278 --> 00:16:54,278
COME ON OUT, BETTY.
375
00:16:54,280 --> 00:16:56,580
[LAUGHTER]
376
00:16:56,582 --> 00:16:59,683
THAT IS SICK!
377
00:16:59,685 --> 00:17:00,818
OK. ALL RIGHT,
ALL RIGHT.
378
00:17:00,820 --> 00:17:02,186
WAIT, WAIT.
SO, LAURA,
379
00:17:02,188 --> 00:17:04,521
YOU WERE WITH DON
FROM '92 TO '93.
380
00:17:04,523 --> 00:17:06,056
AND THEN, CHERYL,
381
00:17:06,058 --> 00:17:08,192
YOU WERE WITH HIM
THE SUMMER OF '95.
382
00:17:08,194 --> 00:17:10,761
BUT, UH, THERE'S STILL
THIS GAP HERE IN '94.
383
00:17:10,763 --> 00:17:14,165
OH! THAT'S WHEN HE
HAD THE PONYTAIL.
384
00:17:16,269 --> 00:17:18,836
I REMEMBER
ONE NIGHT,
ME AND DINGO--
385
00:17:18,838 --> 00:17:20,571
OH, THAT'S WHAT
I USED TO CALL HIM.
386
00:17:20,573 --> 00:17:22,006
DINGO.
387
00:17:22,008 --> 00:17:24,909
HE DOES LOOK LIKE
A DINGO!
388
00:17:24,911 --> 00:17:26,377
OH, MY GOD!
389
00:17:29,282 --> 00:17:30,481
LADIES.
390
00:17:30,483 --> 00:17:33,350
SALLY, HAVE YOU FOUND
A CLIP OF 9MM AMMO?
391
00:17:33,352 --> 00:17:34,518
I WAS LOOKING AT--
392
00:17:34,520 --> 00:17:36,820
GAH! JEEZ! DOH!
393
00:17:36,822 --> 00:17:37,922
[SPUTTERING]
394
00:17:41,427 --> 00:17:44,395
HI, DON. WE WERE JUST
TALKING ABOUT YOU.
395
00:17:44,397 --> 00:17:46,497
HEY, RECOGNIZE ANYBODY?
396
00:17:46,499 --> 00:17:48,165
YES.
397
00:17:48,167 --> 00:17:50,133
YE-YES.
398
00:17:50,135 --> 00:17:53,470
I--I RECOGNIZE
EVERYBODY.
399
00:17:53,472 --> 00:17:54,705
HELLO, LADIES.
400
00:17:54,707 --> 00:17:57,108
HEY, DON.
HI, DON.
HI, DON.
401
00:17:57,110 --> 00:17:59,210
SALLY, CAN I TALK
TO YOU FOR A SEC?
402
00:17:59,212 --> 00:18:01,278
OH, SURE, SWEETIE.
403
00:18:01,280 --> 00:18:02,580
HE SQUINTS WHEN
HE'S NERVOUS.
404
00:18:02,582 --> 00:18:03,514
AM I RIGHT?
405
00:18:03,516 --> 00:18:04,548
DON: SALLY!
406
00:18:04,550 --> 00:18:06,083
OH. COMING.
407
00:18:08,988 --> 00:18:10,154
WHAT'S UP?
408
00:18:10,156 --> 00:18:12,656
WHY ARE ALL MY OLD
GIRLFRIENDS HERE?
409
00:18:12,658 --> 00:18:15,059
SWEETIE, LOOK...
410
00:18:15,061 --> 00:18:17,027
I LOST IT
WHEN I FOUND OUT
411
00:18:17,029 --> 00:18:18,396
YOU HAD RELATIONSHIPS
BEFORE ME.
412
00:18:18,398 --> 00:18:20,064
BUT NOW THAT
I'VE MET THEM ALL,
413
00:18:20,066 --> 00:18:22,266
I'M COOL WITH IT.
414
00:18:22,268 --> 00:18:23,234
THAT'S GREAT, SALLY.
415
00:18:23,236 --> 00:18:25,336
I KNOW HOW YOU GOT
TOGETHER WITH THEM,
416
00:18:25,338 --> 00:18:26,870
I KNOW WHAT YOU DID
WITH THEM,
417
00:18:26,872 --> 00:18:29,239
AND I KNOW
WHY YOU BROKE UP.
THAT'S NICE.
418
00:18:29,241 --> 00:18:30,541
I KNOW
WHERE YOU'VE BEEN,
I KNOW WHAT YOU'VE HAD,
419
00:18:30,543 --> 00:18:32,910
AND I KNOW HOW
YOU GOT RID OF IT.
420
00:18:32,912 --> 00:18:34,011
OK!
421
00:18:36,949 --> 00:18:40,517
OK. I'M--I'M GLAD
YOU FEEL BETTER.
422
00:18:40,519 --> 00:18:41,952
I DO, DON.
423
00:18:43,356 --> 00:18:45,223
I REALLY DO.
424
00:18:45,225 --> 00:18:47,358
OH, SALLY.
425
00:18:47,360 --> 00:18:49,060
OH, DINGO.
426
00:18:51,030 --> 00:18:52,529
RUFF!
427
00:18:52,531 --> 00:18:54,531
GRR!
428
00:19:01,975 --> 00:19:03,574
HERE'S THE MAN
OF THE HOUR!
429
00:19:03,576 --> 00:19:04,642
OH!
430
00:19:04,644 --> 00:19:06,310
THANK YOU, MARY.
THANK YOU. OH!
431
00:19:06,312 --> 00:19:07,845
AND THANK GOD IT'S OVER!
432
00:19:07,847 --> 00:19:11,081
NINA, HOW DID WE DO?
433
00:19:11,083 --> 00:19:15,019
LET'S SEE. SUBTRACTING
FOR THE CATERER, THE DJ,
434
00:19:15,021 --> 00:19:18,689
AND BETTY WALKING OFF
WITH THE WEDDING GOWN...
435
00:19:18,691 --> 00:19:22,360
WE MADE $104.
436
00:19:22,362 --> 00:19:25,363
YOU MEAN
104 MILLION DOLLARS.
437
00:19:25,365 --> 00:19:28,299
NO. 104 DOLLARS DOLLARS.
438
00:19:28,301 --> 00:19:30,801
WHAT, THAT'S ALL?
AFTER ALL THAT?!
439
00:19:30,803 --> 00:19:31,769
IT'S A GREAT START, DICK.
440
00:19:31,771 --> 00:19:32,770
YOU SHOULD BE PROUD.
441
00:19:32,772 --> 00:19:33,771
OF WHAT?!
442
00:19:33,773 --> 00:19:35,973
$104?!
443
00:19:35,975 --> 00:19:38,675
THAT WON'T BUY
ADMIRAL PENDELTON AN ARM!
444
00:19:38,677 --> 00:19:44,215
THAT WON'T EVEN PAY TO
PRESSURE-WASH THE BIRD CRAP
OFF HIS WIFE!
445
00:19:44,217 --> 00:19:46,616
STILL...WHAT A NIGHT.
446
00:19:46,618 --> 00:19:48,819
THE GALA EVENT
OF THE SEASON.
447
00:19:48,821 --> 00:19:53,724
THIS?! 12 PROFESSOR'S
WIVES TRUDGING DOWN
A MAKESHIFT RUNWAY
448
00:19:53,726 --> 00:19:57,061
IN POLY BLENDS
AND SUPPORT HOSE?!
449
00:19:57,063 --> 00:19:59,230
THE RUMAKI
WAS DELICIOUS.
450
00:20:03,536 --> 00:20:05,869
WHAT'S GOING ON?
451
00:20:05,871 --> 00:20:08,306
WHY AM I BEING TREATED
LIKE THIS?
452
00:20:08,308 --> 00:20:10,507
WHENEVER I'VE DONE SOMETHING
STUPID OR FOOLISH,
453
00:20:10,509 --> 00:20:13,577
YOU'VE ALWAYS BEEN THERE
TO RIDICULE ME FOR IT.
454
00:20:13,579 --> 00:20:14,645
WHAT'S CHANGED?!
455
00:20:14,647 --> 00:20:17,281
I--I THINK EVERYONE
HAD A LOVELY TIME.
456
00:20:17,283 --> 00:20:18,749
I KNOW I DID.
457
00:20:21,854 --> 00:20:22,920
YOU!
458
00:20:22,922 --> 00:20:24,522
WHAT?!
459
00:20:24,524 --> 00:20:26,857
YOU'RE THE REASON
THEY'RE ALL BEING
SO NICE!
460
00:20:26,859 --> 00:20:29,827
THEY'RE KISSING UP TO ME
BECAUSE I'M THE DEAN'S
BOYFRIEND, AREN'T YOU?!
461
00:20:29,829 --> 00:20:30,861
OH, PSHAW!
462
00:20:30,863 --> 00:20:32,329
WELL,
I'M MORE THAN THAT!
463
00:20:32,331 --> 00:20:34,331
I HAVE MY OWN IDENTITY!
464
00:20:34,333 --> 00:20:36,434
I'M DICK SOLOMON,
DAMN IT!
465
00:20:36,436 --> 00:20:39,303
AND I DEMAND
TO BE CONDEMNED
FOR MY FAILURES!
466
00:20:39,305 --> 00:20:42,072
AND THIS, THIS WASN'T
JUST A FAILURE.
467
00:20:42,074 --> 00:20:44,808
THIS WAS
A TOWERING FIASCO!
468
00:20:44,810 --> 00:20:47,043
SO IF ANY OF YOU
RESPECTS ME AS A PERSON,
469
00:20:47,045 --> 00:20:48,812
YOU WILL STAND UP,
COME FORWARD,
470
00:20:48,814 --> 00:20:52,215
AND RIDICULE ME
FOR THE IDIOT THAT I AM!
471
00:20:52,217 --> 00:20:55,052
DO IT, DAMN IT!
CALL ME AN IDIOT!
472
00:20:59,458 --> 00:21:01,392
I THINK YOU BETTER
CALL HIM AN IDIOT.
473
00:21:01,394 --> 00:21:02,826
YOU'RE AN IDIOT!
474
00:21:02,828 --> 00:21:04,761
A COLOSSAL IDIOT!
475
00:21:04,763 --> 00:21:06,430
THANK YOU, JUDITH.
476
00:21:06,432 --> 00:21:07,932
VINCENT, THANK YOU.
477
00:21:07,934 --> 00:21:10,901
AND YOU, MARY...
478
00:21:10,903 --> 00:21:13,704
YOU...MOST OF ALL.
479
00:21:13,706 --> 00:21:16,173
IF YOU DON'T,
I WILL.
480
00:21:18,177 --> 00:21:19,843
OK, DICK.
481
00:21:19,845 --> 00:21:22,446
YOU'RE A BIG,
FAT, BUMBLING,
482
00:21:22,448 --> 00:21:26,450
OBLIVIOUS, PEPE-WEARING,
MEGA-IDIOT!
483
00:21:26,452 --> 00:21:28,552
OH, THANK YOU, MARY!
484
00:21:29,788 --> 00:21:37,227
I LOVE YOU, TOO.
485
00:21:39,666 --> 00:21:40,597
DR. SOLOMON.
486
00:21:40,599 --> 00:21:41,799
YES, LUCY.
487
00:21:41,801 --> 00:21:45,469
I JUST WANTED TO TELL YOU,
YOU'RE AN IDIOT.
488
00:21:45,471 --> 00:21:48,072
THANK YOU, LUCY,
BUT THAT'S REALLY
NOT NECESSARY.
489
00:21:48,074 --> 00:21:51,442
NO. I REALLY
WANTED YOU TO KNOW.
YOU'RE AN IDIOT.
490
00:21:51,444 --> 00:21:55,979
LOOK, I'VE REALLY
GOTTEN OVER THAT WHOLE
FASHION SHOW DEBACLE.
491
00:21:55,981 --> 00:21:58,014
BUT...THANK YOU.
492
00:21:58,016 --> 00:21:59,383
WHAT FASHION SHOW?
493
00:22:00,953 --> 00:22:03,353
IDIOT.