1
00:00:07,041 --> 00:00:08,507
DR. RAVELLI.

2
00:00:08,509 --> 00:00:09,608
DR. SOLOMON.

3
00:00:09,610 --> 00:00:11,276
NO, NO.
BEFORE YOU SPEAK,

4
00:00:11,278 --> 00:00:12,677
THERE'S SOMETHING
I NEED YOU TO KNOW.

5
00:00:12,679 --> 00:00:14,013
[CLEARS THROAT]

6
00:00:14,015 --> 00:00:16,247
"WE'VE ONLY BEEN SHARING
THIS OFFICE 3 DAYS,

7
00:00:16,249 --> 00:00:18,917
"AND ALREADY
I HAVE CONCERNS.

8
00:00:18,919 --> 00:00:21,053
"WHAT HAPPENED
BETWEEN US LAST NIGHT,

9
00:00:21,055 --> 00:00:23,955
"AND BY THAT,
I MEAN THE KISS,

10
00:00:23,957 --> 00:00:26,892
WAS, IN HINDSIGHT,
IMPETUOUS, RASH..."

11
00:00:26,894 --> 00:00:27,959
AND PERFECT.

12
00:00:27,961 --> 00:00:30,329
OH, THANK GOD.
I THOUGHT SO, TOO.

13
00:00:30,331 --> 00:00:33,465
NOW I WON'T HAVE TO READ
THE REST OF THIS CRAP.

14
00:00:37,337 --> 00:00:38,904
NOW HOLD STILL.

15
00:00:38,906 --> 00:00:39,971
OH, I CAN'T HOLD STILL.

16
00:00:39,973 --> 00:00:41,573
YOU'VE GOT TO HOLD STILL.

17
00:00:41,575 --> 00:00:43,641
I CAN'T.
I'M SO EXCITED TO BE
GOING OUT WITH JENNIFER.

18
00:00:43,643 --> 00:00:45,210
SHE'S GOT ME
ALL TANGLED UP

19
00:00:45,212 --> 00:00:47,245
IN ONE BIG,
DOUGHY LOVE PRETZEL.

20
00:00:47,247 --> 00:00:49,914
DICK...SIT DOWN.

21
00:00:49,916 --> 00:00:52,150
I'D FORGOTTEN
WHAT NEW LOVE FELT LIKE.

22
00:00:52,152 --> 00:00:53,752
SO IT'S LOVE, HUH?

23
00:00:53,754 --> 00:00:56,287
OH, YES. SHE'S BRILLIANT,
SHE'S KIND,

24
00:00:56,289 --> 00:00:59,658
SHE HAS THE MOST
DELIGHTFUL GIGGLE.

25
00:00:59,660 --> 00:01:01,492
MARY NEVER GIGGLES.

26
00:01:01,494 --> 00:01:04,896
RIGHT. SO WAS THE BREAKUP
WITH MARY MESSY?

27
00:01:04,898 --> 00:01:08,366
NO, NOT AT ALL.
I HAVEN'T DONE IT.

28
00:01:08,368 --> 00:01:09,867
YOU HAVEN'T?

29
00:01:09,869 --> 00:01:12,237
OH, NO. WHO NEEDS
ALL THAT UNPLEASANTNESS?

30
00:01:12,239 --> 00:01:14,306
LIFE IS TOO SHORT.

31
00:01:14,308 --> 00:01:18,243
DICK, 2 LADIES.
THAT COULD BLOW UP
IN YOUR FACE.

32
00:01:18,245 --> 00:01:19,244
WHAT DO YOU MEAN?

33
00:01:19,246 --> 00:01:22,113
AS A MAN WITH AN ACTIVE
FANTASY LIFE,

34
00:01:22,115 --> 00:01:24,916
I CAN RESPECT WHAT
YOU'RE GOING THROUGH,
BUT IT CAN'T WORK.

35
00:01:24,918 --> 00:01:27,653
YOU'VE GOT TO DO RIGHT
BY MARY.

36
00:01:27,655 --> 00:01:31,256
YOU'RE PROBABLY RIGHT.
I'VE GOT IT!

37
00:01:31,258 --> 00:01:35,861
I'LL PICK UP JENNIFER,
THEN I'LL SWING BY THE OFFICE
TO BREAK UP WITH MARY,

38
00:01:35,863 --> 00:01:37,929
BUT I WON'T KISS JENNIFER
UNTIL AFTERWARDS.

39
00:01:37,931 --> 00:01:39,964
NOW YOU'RE TALKING
LIKE A MAN.

40
00:01:41,668 --> 00:01:44,035
I LOOK ABSOLUTELY
PRECIOUS.

41
00:02:05,092 --> 00:02:08,059
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER PRODUCTIONS

42
00:02:08,061 --> 00:02:20,672
AND THE NATIONAL
BROADCASTING COMPANY

43
00:02:22,142 --> 00:02:23,541
HERE WE ARE.

44
00:02:23,543 --> 00:02:25,877
NOW, I JUST HAVE TO
RUN UP TO THE OFFICE
FOR A LITTLE ERRAND.

45
00:02:25,879 --> 00:02:27,078
OK.

46
00:02:27,080 --> 00:02:28,313
YOU STAY IN THE CAR,
AND I'LL TRY TO BE
QUICK.

47
00:02:28,315 --> 00:02:32,517
FEAR NOT. I'LL BE FINE,
MY DEAR DARLING DICK.

48
00:02:32,519 --> 00:02:35,153
WAIT A MINUTE.
WHAT'S THAT
YOU DID THERE?

49
00:02:35,155 --> 00:02:38,557
A PLAYFUL HOMAGE
TO MY GOOD FRIEND MOLIÈRE.

50
00:02:38,559 --> 00:02:40,592
OH, I GET IT.
YOU'RE RHYMING.

51
00:02:40,594 --> 00:02:42,728
AND YOU DO IT
WITH FLAIR.

52
00:02:42,730 --> 00:02:45,597
SCIENTIST AND POET.

53
00:02:45,599 --> 00:02:47,565
HOW EXTRAORDINAIRE!

54
00:02:49,236 --> 00:02:53,639
OK, OK. NO RHYMING
TILL I GET BACK.

55
00:02:57,477 --> 00:02:59,978
NINA, COULD YOU
LEAVE FOR A MINUTE?

56
00:02:59,980 --> 00:03:01,146
NO.

57
00:03:02,649 --> 00:03:04,983
MARY, WE HAVE TO TALK.

58
00:03:04,985 --> 00:03:06,051
OK.

59
00:03:06,053 --> 00:03:07,285
NOW, I WANT YOU
TO HEAR ME OUT

60
00:03:07,287 --> 00:03:09,587
BEFORE YOU START
YELLING AT ME
OR THROWING THINGS.

61
00:03:09,589 --> 00:03:11,122
I'M LISTENING.

62
00:03:11,124 --> 00:03:15,360
MARY, I'VE BEEN TALKING
TO MY GOOD FRIEND DON,

63
00:03:15,362 --> 00:03:17,395
AND WE THINK
THAT IT'S TIME

64
00:03:17,397 --> 00:03:21,200
THAT YOU AND I STARTED
SEEING OTHER PEOPLE.

65
00:03:21,202 --> 00:03:22,400
WHAT?

66
00:03:22,402 --> 00:03:25,103
WHAT WITH YOUR BUSY SCHEDULE
THESE DAYS,

67
00:03:25,105 --> 00:03:27,472
WE BARELY GET TO SEE
EACH OTHER, ANYWAY.

68
00:03:27,474 --> 00:03:29,174
AH, HERE IT IS.

69
00:03:29,176 --> 00:03:32,110
MY CAREER IS
GETTING IN THE WAY OF
OUR RELATIONSHIP AGAIN.

70
00:03:32,112 --> 00:03:34,946
OK, FINE, DICK.
GO AHEAD.

71
00:03:35,949 --> 00:03:36,981
WELL...

72
00:03:38,886 --> 00:03:42,821
WELL, THAT WAS EASIER
THAN I THOUGHT.

73
00:03:42,823 --> 00:03:45,957
I MEAN, WHO AM I
TO STAND IN YOUR WAY?

74
00:03:45,959 --> 00:03:48,793
GO OUT INTO
YOUR WORLD OF OPTIONS.

75
00:03:48,795 --> 00:03:50,529
HAPPY SHOPPING.

76
00:03:58,905 --> 00:04:03,508
DR. ALBRIGHT, YOU KNOW,
IF YOU TAKE THE LEASH
OFF A DOG,

77
00:04:03,510 --> 00:04:05,844
IT WILL GO
IN THE NEIGHBORS' YARD.

78
00:04:05,846 --> 00:04:08,646
NINA...

79
00:04:15,188 --> 00:04:18,389
ALL RIGHT,
DONE IN HERE.

80
00:04:18,391 --> 00:04:19,724
HEY, HARRY,
I'M DONE.

81
00:04:19,726 --> 00:04:21,960
YOU CAN BRING
THE CHAIR
BACK IN NOW.

82
00:04:21,962 --> 00:04:26,964
HARRY? I'M DONE.
YOU CAN BRING
THE CHAIR BACK IN.

83
00:04:26,966 --> 00:04:29,067
I COULD.

84
00:04:30,471 --> 00:04:32,404
WHAT ARE YOU
SAYING?

85
00:04:32,406 --> 00:04:36,741
I'M SAYING THAT
I THINK THAT THIS CHAIR
SHOULD STAY IN THE KITCHEN.

86
00:04:36,743 --> 00:04:39,143
HARRY, THAT'S
A LIVING ROOM CHAIR.

87
00:04:39,145 --> 00:04:41,112
IT'S JUST
A LIVING ROOM CHAIR

88
00:04:41,114 --> 00:04:44,149
BECAUSE YOU'VE BEEN TOLD
IT'S A LIVING ROOM CHAIR.

89
00:04:44,151 --> 00:04:46,418
WAIT UNTIL DICK HEARS
HOW YOU'VE BEEN TALKING.

90
00:04:46,420 --> 00:04:48,520
JUST TRY THE CHAIR.

91
00:04:55,429 --> 00:04:57,361
THIS IS WEIRD.

92
00:04:58,598 --> 00:05:01,866
BIG, FLUFFY CHAIR
IN THE KITCHEN.

93
00:05:01,868 --> 00:05:03,535
AM I RIGHT?

94
00:05:03,537 --> 00:05:05,437
THIS CHAIR BELONGS HERE!

95
00:05:05,439 --> 00:05:07,238
THIS IS MADNESS!

96
00:05:08,241 --> 00:05:09,707
IS IT?

97
00:05:19,119 --> 00:05:20,518
MY GOD.

98
00:05:20,520 --> 00:05:24,022
FEELS LIKE MY EYES
HAVE BEEN BLOWN WIDE OPEN.

99
00:05:24,024 --> 00:05:27,726
IT'S LIKE
I'VE NEVER SEEN
THE KITCHEN BEFORE.

100
00:05:27,728 --> 00:05:32,897
I MEAN, NEVER TRULY
SEEN IT.

101
00:05:32,899 --> 00:05:36,233
WHY SHOULD WE ACCEPT
THE NORMS OF DECORATING?

102
00:05:36,235 --> 00:05:40,706
WHY SHOULD WE
BE BOUND BY SOCIETY'S
DRACONIAN CONSTRICTIONS?

103
00:05:40,708 --> 00:05:43,474
WHY CAN'T I SIT IN
A BIG, FLUFFY CHAIR

104
00:05:43,476 --> 00:05:46,477
WHILE I SCRAMBLE
SOME EGGS?

105
00:05:46,479 --> 00:05:47,913
YOU CAN.

106
00:05:47,915 --> 00:05:49,881
AND WHY CAN'T THE TOASTER
BE IN THE LIVING ROOM

107
00:05:49,883 --> 00:05:52,383
SO I CAN MAKE TOAST
WHILE WATCHING TELEVISION?

108
00:05:52,385 --> 00:05:53,685
OH, WE CAN HAVE
ALL OF THESE THINGS.

109
00:05:53,687 --> 00:05:55,820
OUR HORIZONS
ARE UNLIMITED.

110
00:05:55,822 --> 00:05:56,921
I'M A LITTLE
SCARED.

111
00:05:56,923 --> 00:05:58,657
OH, ME, TOO, HARRY.
ME, TOO.

112
00:06:02,328 --> 00:06:05,096
OH, DICK,
YOU'LL LOVE THIS PLACE.

113
00:06:05,098 --> 00:06:07,031
TOFU DOG?

114
00:06:08,068 --> 00:06:10,234
WHEATGRASS SOUP?

115
00:06:10,236 --> 00:06:12,236
CELERY HAM?

116
00:06:12,238 --> 00:06:15,339
THIS IS VERY FUNNY.

117
00:06:15,341 --> 00:06:19,177
NOW, UH, WHERE'S
THE REAL MENU?

118
00:06:19,179 --> 00:06:23,948
DICK, THIS IS
A LACTO-OVO-VEGETARIAN
RESTAURANT.

119
00:06:23,950 --> 00:06:27,219
I HAVE A LOT
OF ALLERGIES.

120
00:06:27,221 --> 00:06:28,787
ARE THEY BAD?

121
00:06:28,789 --> 00:06:32,157
WELL, IF I EAT
A PEANUT OR A NUT,
MY FACE SWELLS UP,

122
00:06:32,159 --> 00:06:34,159
AND MY BODY
EXPLODES IN HIVES.

123
00:06:34,161 --> 00:06:37,396
OH, THAT IS SO CUTE.

124
00:06:37,398 --> 00:06:40,231
HERE'S AN ODD BIT
OF TRIVIA FOR YOU.

125
00:06:40,233 --> 00:06:41,332
A LOT OF PEOPLE
DON'T KNOW

126
00:06:41,334 --> 00:06:43,334
THAT A PEANUT
IS NOT ACTUALLY A NUT.

127
00:06:43,336 --> 00:06:44,502
IT'S A LEGUME.

128
00:06:44,504 --> 00:06:46,604
OH. AND A LOT OF PEOPLE
DON'T KNOW

129
00:06:46,606 --> 00:06:49,073
THAT A WALNUT IS NOT
ACTUALLY A PEANUT.

130
00:06:49,075 --> 00:06:50,375
IT IS A WALNUT.

131
00:06:50,377 --> 00:06:53,611
[GIGGLES]

132
00:06:53,613 --> 00:06:56,548
YOU NUT.

133
00:06:56,550 --> 00:07:00,751
YOU KNOW, YOU REMIND ME
OF MY GOOD FRIEND
GEOFFREY CHAUCER.

134
00:07:03,290 --> 00:07:05,756
IS HE GAY?
BECAUSE IF HE ISN'T,

135
00:07:05,758 --> 00:07:07,759
I DON'T WANT YOU
HANGING OUT WITH HIM.

136
00:07:07,761 --> 00:07:10,728
FEAR NOT, MY DEAR DICK.
YOU'VE NO COMPETITION.

137
00:07:10,730 --> 00:07:14,299
OH, HOW I CRAVE YOU,
MY ACADEMICIAN.

138
00:07:14,301 --> 00:07:16,267
WHAT SAY WE SKIP DINNER
AND RUSH TO DESSERT?

139
00:07:16,269 --> 00:07:19,337
LISTEN TO YOU,
YOU IMPETUOUS FLIRT.

140
00:07:24,377 --> 00:07:28,346
HOW DID WE LIVE
BEFORE THIS?

141
00:07:33,653 --> 00:07:36,921
IT'S TOUGH TO THINK THAT
IN THOUSANDS OF YEARS
OF HUMAN CIVILIZATION,

142
00:07:36,923 --> 00:07:38,022
NO ONE EVER
THOUGHT OF THIS.

143
00:07:38,024 --> 00:07:42,326
IT JUST TOOK
FRESH EYES
TO SEE IT.

144
00:07:43,663 --> 00:07:45,530
YOU...
AW...

145
00:07:48,101 --> 00:07:50,301
I'LL GO GET 'EM.

146
00:07:50,303 --> 00:07:55,439
YOU KNOW, IT'S NICE TO THINK
WE'LL BE LEAVIN' THIS PLANET

147
00:07:55,441 --> 00:07:58,243
JUST A LITTLE BETTER
THAN WHEN WE FOUND IT.

148
00:07:58,245 --> 00:07:59,477
YEAH.

149
00:07:59,479 --> 00:08:00,612
GUYS, DICK'S HOME.

150
00:08:00,614 --> 00:08:02,580
OH, GOSH, HE'S GONNA
BE SO EXCITED.

151
00:08:02,582 --> 00:08:05,683
[HUMMING THE THEME
FROM<i> LOVE STORY]</i>

152
00:08:19,666 --> 00:08:21,799
DICK...

153
00:08:23,503 --> 00:08:25,169
WHAT DO YOU THINK?

154
00:08:25,171 --> 00:08:27,138
I THINK I FOUND
MY SOUL MATE.

155
00:08:27,140 --> 00:08:28,706
NO. WHAT DO YOU
THINK OF THIS?

156
00:08:28,708 --> 00:08:31,976
THIS?
OH, THIS IS STUPID.

157
00:08:35,482 --> 00:08:36,581
BLASPHEMER!

158
00:08:36,583 --> 00:08:39,383
NO, NO!

159
00:08:39,385 --> 00:08:41,318
IT'S NOT
HIS FAULT.

160
00:08:42,622 --> 00:08:44,122
WE'RE SO
CUTTING-EDGE,

161
00:08:44,124 --> 00:08:45,289
IT JUST
CONFUSES HIM.

162
00:08:45,291 --> 00:08:46,724
PEOPLE HAVE TO BE
EASED INTO THIS.

163
00:08:46,726 --> 00:08:49,093
CUTTING EDGE? YOU JUST
MOVED THE KITCHEN
INTO THE LIVING ROOM.

164
00:08:50,597 --> 00:08:52,630
[ALL GROAN]

165
00:08:54,434 --> 00:08:57,669
WE HAVEN'T MADE
ANY IMPROVEMENTS AT ALL.

166
00:08:57,671 --> 00:08:59,938
THIS IS JUST
2 LESS-GOOD VERSIONS

167
00:08:59,940 --> 00:09:01,806
OF THE SAME OLD ROOM.

168
00:09:01,808 --> 00:09:04,542
OH, GOD, WE'RE IDIOTS.
LET'S MOVE IT ALL BACK.

169
00:09:04,544 --> 00:09:07,211
NOT SO FAST.

170
00:09:09,249 --> 00:09:11,349
WHAT IF THERE
WAS A ROOM

171
00:09:11,351 --> 00:09:14,251
THAT COMBINED
THE COMFORT AND LEISURE
OF THE LIVING ROOM

172
00:09:14,253 --> 00:09:17,221
WITH THE FOOD-MAKING
CAPABILITIES...

173
00:09:18,391 --> 00:09:20,291
OF THE KITCHEN?

174
00:09:20,293 --> 00:09:24,295
EVEN I DON'T BELIEVE
IN THAT XANADU.

175
00:09:24,297 --> 00:09:26,865
HOLD ON A SECOND.

176
00:09:26,867 --> 00:09:29,968
THAT'S A ROOM I'D LIKE
TO HEAR MORE ABOUT.

177
00:09:39,245 --> 00:09:41,146
DR. RAVELLI.

178
00:09:41,148 --> 00:09:42,213
DR. SOLOMON.

179
00:09:44,317 --> 00:09:47,485
A BEAUTIFUL DAY TODAY,
IS IT NOT?

180
00:09:47,487 --> 00:09:52,323
I HAD A NICE WALK
FROM THE PARKING LOT.

181
00:09:52,325 --> 00:09:57,428
I NOTICED YOU HAD
A NICE SHADY SPOT.

182
00:09:57,430 --> 00:09:59,264
IT'S A HANDICAPPED SPACE.

183
00:09:59,266 --> 00:10:02,199
I HOPE I'M NOT CAUGHT.

184
00:10:02,201 --> 00:10:05,336
I'M FEELING A FEELING
I THOUGHT I'D FORGOT.

185
00:10:05,338 --> 00:10:06,403
IS IT ME,

186
00:10:06,405 --> 00:10:09,173
OR IS THIS ROOM
INCREDIBLY HOT?

187
00:10:09,175 --> 00:10:10,374
NINA: AHEM.

188
00:10:10,376 --> 00:10:14,012
METHINKS WE'D BEST
GET BACK TO WORK.

189
00:10:14,014 --> 00:10:17,549
YOUTHINKS? MMM,
THAT'S VERY STREET.

190
00:10:17,551 --> 00:10:21,219
STREET? CIRCA 1638.

191
00:10:22,756 --> 00:10:24,456
THAT'S SO FUNNY.

192
00:10:24,458 --> 00:10:25,724
I'M GONNA GO
WRITE IT DOWN.

193
00:10:25,726 --> 00:10:27,091
GOSH,
SHE'S ANNOYING.

194
00:10:27,093 --> 00:10:28,993
HOW CAN YOU SAY THAT?
YOU BARELY KNOW HER.

195
00:10:28,995 --> 00:10:30,561
DO YOU?

196
00:10:30,563 --> 00:10:31,696
I DON'T NEED TO KNOW HER.
I LOVE HER.

197
00:10:31,698 --> 00:10:33,531
ARE YOU TALKING
ABOUT ME?

198
00:10:33,533 --> 00:10:34,833
OH, YES.

199
00:10:34,835 --> 00:10:36,301
MY EARS ARE BURNING.

200
00:10:36,303 --> 00:10:38,669
LET ME PUT THEM OUT
WITH MY TONGUE.

201
00:10:40,173 --> 00:10:42,139
[GIGGLES]

202
00:10:42,141 --> 00:10:45,176
DICK, I WAS WONDERING
IF I COULD--OH, EXCUSE ME.

203
00:10:45,178 --> 00:10:47,845
EXCUSE ME!

204
00:10:50,884 --> 00:10:52,617
DICK, WHAT'S GOING ON?

205
00:10:52,619 --> 00:10:55,085
MARY, WHAT'S THE BIG
HUMPTY-DOO?

206
00:10:55,087 --> 00:10:57,555
YOU AND I AGREED
TO SEE OTHER PEOPLE.

207
00:10:57,557 --> 00:10:59,990
WELL, I NEVER THOUGHT
YOU'D--

208
00:10:59,992 --> 00:11:01,659
I MEAN, LOOK AT THIS.

209
00:11:01,661 --> 00:11:04,061
I MUST SAY,
THIS IS AWKWARD.

210
00:11:04,063 --> 00:11:05,362
I HAD NO IDEA
YOU TWO HAD A HISTORY.

211
00:11:05,364 --> 00:11:06,630
WELL, WE DID!

212
00:11:06,632 --> 00:11:08,933
WHAT SAY I TAKE A WALK?

213
00:11:10,203 --> 00:11:13,171
DICK, I CAN'T BELIEVE
YOU'D DO THIS.

214
00:11:13,173 --> 00:11:16,807
DO WHAT? FIND SOMEBODY
WHO HAS TIME FOR ME?
WHO'S DEVOTED TO ME?

215
00:11:16,809 --> 00:11:19,177
BIRDS GOTTA FLY, MARY.

216
00:11:19,179 --> 00:11:21,312
FISH GOTTA SWIM.

217
00:11:21,314 --> 00:11:24,648
CAMEL'S GOTTA CARRY WATER
OVER LONG EXPANSES OF DESERT.

218
00:11:24,650 --> 00:11:27,051
YOU KNOW WHAT I'M SAYING.

219
00:11:27,053 --> 00:11:28,452
WELL, TELL ME THIS.

220
00:11:28,454 --> 00:11:30,588
WHAT DOES A RAT DO?

221
00:11:30,590 --> 00:11:32,790
BECAUSE I'M LOOKING AT ONE
RIGHT NOW.

222
00:11:32,792 --> 00:11:35,592
WHERE? AAH! AAH!

223
00:11:35,594 --> 00:11:38,429
OH, YOU MEAN ME.

224
00:11:41,201 --> 00:11:43,201
SO THIS IS IT?

225
00:11:43,203 --> 00:11:45,002
THE END OF US?

226
00:11:45,004 --> 00:11:47,237
ARE YOU HAPPY, DICK?

227
00:11:47,239 --> 00:11:48,239
I AM.

228
00:11:48,241 --> 00:11:49,607
OHH!

229
00:11:50,910 --> 00:11:56,080
WELL, YOU ASKED!

230
00:11:57,850 --> 00:12:00,551
IF I'D KNOWN THAT
YOU AND MARY WERE AN ITEM...

231
00:12:00,553 --> 00:12:01,853
<i> WERE</i> AN ITEM.

232
00:12:01,855 --> 00:12:03,454
PAST TENSE.
IT'S OVER.

233
00:12:03,456 --> 00:12:06,224
MARY AND I
HAD SOME GOOD TIMES.

234
00:12:06,226 --> 00:12:09,960
ACTUALLY, WE HAD--
WOW, 2 YEARS TOGETHER.

235
00:12:09,962 --> 00:12:11,729
AND WHEN DID YOU KNOW
IT WAS OVER?

236
00:12:11,731 --> 00:12:14,632
TUESDAY,
AROUND LUNCHTIME.

237
00:12:14,634 --> 00:12:17,769
WELL, 2 YEARS
IS PRETTY GOOD.

238
00:12:17,771 --> 00:12:20,137
MY LONGEST RELATIONSHIP
WAS A MONTH AND A HALF.

239
00:12:20,139 --> 00:12:21,472
A MONTH AND A HALF?

240
00:12:21,474 --> 00:12:23,374
WELL, MAYBE
NOT THAT LONG.

241
00:12:23,376 --> 00:12:24,441
[GIGGLES]

242
00:12:24,443 --> 00:12:26,511
I'LL HAVE
THE JOY OF SOY.

243
00:12:26,513 --> 00:12:28,812
<i> DEUX.</i>

244
00:12:28,814 --> 00:12:31,282
YOU REALLY LOVE
THAT JOY OF SOY.

245
00:12:31,284 --> 00:12:33,718
IT'S ONE OF THE ONLY
PROTEIN SOURCES I'M ALLOWED.

246
00:12:33,720 --> 00:12:35,620
OH. EVER?

247
00:12:35,622 --> 00:12:38,923
UH...KINDA.

248
00:12:38,925 --> 00:12:41,759
I'M ALLERGIC
TO NUTS AND PEANUTS.

249
00:12:41,761 --> 00:12:44,829
A LOT OF PEOPLE
DON'T KNOW THAT A PEANUT
IS NOT ACTUALLY A NUT...

250
00:12:44,831 --> 00:12:46,230
IT'S A LEGUME.
IT'S A LEGUME.

251
00:12:46,232 --> 00:12:47,832
YES, YOU MENTIONED
THAT BEFORE.

252
00:12:47,834 --> 00:12:51,068
OH, DICK, PRAY TELL,
HAVE I BECOME A BORE?

253
00:12:51,070 --> 00:12:54,438
I FIND YOU DELIGHTFUL.
NOW PLEASE TELL ME MORE.

254
00:12:54,440 --> 00:12:58,308
OOH, OHH, THIS SMELLS--

255
00:12:58,310 --> 00:13:00,912
MMM. THIS SMELLS--

256
00:13:02,215 --> 00:13:04,315
THIS HAS NO SMELL.

257
00:13:04,317 --> 00:13:05,916
NO.

258
00:13:05,918 --> 00:13:07,985
IT'S SO GOOD FOR YOU.

259
00:13:07,987 --> 00:13:09,654
SO, JENNIFER,

260
00:13:09,656 --> 00:13:12,056
TELL ME A LITTLE BIT
ABOUT...YOU.

261
00:13:12,058 --> 00:13:16,794
WELL, I LOVE TO READ BOOKS.
I COULD READ MOLIÈRE ALL DAY.

262
00:13:16,796 --> 00:13:18,863
YES, I KNOW THAT.
BUT BEYOND THAT.

263
00:13:18,865 --> 00:13:21,698
TELL ME ALL ABOUT
JENNIFER RAVELLI.

264
00:13:25,372 --> 00:13:27,272
I HAD A BIRD ONCE.

265
00:13:27,274 --> 00:13:29,273
A BIRD. OH, GOOD.

266
00:13:29,275 --> 00:13:30,975
YES, TELL ME
ABOUT YOUR BIRD.

267
00:13:30,977 --> 00:13:34,411
HIS NAME WAS MOLIÈRE.

268
00:13:35,982 --> 00:13:39,617
YOU HAVE A LITTLE TOFU
ON YOUR LIP.

269
00:13:39,619 --> 00:13:42,353
THIS SMOOTHIE IS DELICIOUS.
PLEASE, HAVE A SIP.

270
00:13:42,355 --> 00:13:44,622
AHH. THANK YOU,
BUT NO.

271
00:13:44,624 --> 00:13:46,290
JUST, PLEASE,
GO LIKE THIS.

272
00:13:46,292 --> 00:13:48,659
I'VE GOT AN IDEA.
HOW ABOUT WE KISS?

273
00:13:48,661 --> 00:13:51,596
OK, TIME-OUT. YOU'RE
MISSING MY POINT.

274
00:13:51,598 --> 00:13:53,397
FINISH YOUR FOOD,
AND WE'LL BLOW THIS JOINT.

275
00:13:53,399 --> 00:13:56,167
JUST LISTEN TO ME!
YOU HAVE TOFU
ON YOUR LIP.

276
00:13:56,169 --> 00:13:58,536
IT'S BEEN THERE
FOR WHAT SEEMS LIKE
AN ETERNITY.

277
00:13:58,538 --> 00:14:01,805
NOW PLEASE JUST FLICK IT
THE HELL OFF YOUR FACE!

278
00:14:17,356 --> 00:14:21,259
THANK YOU.
THAT'S BETTER.
NOW WE CAN EMBRACE.

279
00:14:30,202 --> 00:14:32,637
I LIKE
"LIVING KITCHEN."

280
00:14:32,639 --> 00:14:34,338
I PREFER "KITCHEN ROOM."

281
00:14:34,340 --> 00:14:36,374
KLIVINGTCHEN.

282
00:14:38,445 --> 00:14:41,346
THAT'S WHAT THEY'LL
CALL IT IN GERMANY.

283
00:14:41,348 --> 00:14:43,714
MAYBE WE DON'T
EVEN NEED TO NAME IT.

284
00:14:43,716 --> 00:14:46,484
LOOK, EITHER WE NAME IT,
OR THE MEDIA WILL.

285
00:14:46,486 --> 00:14:49,086
THEN IT'S SETTLED.

286
00:14:49,088 --> 00:14:50,988
KLIVINGTCHEN.

287
00:14:51,991 --> 00:14:53,991
KLIVINGTCHEN.

288
00:14:55,061 --> 00:14:57,595
HELLO, DICK.
DO YOU LIKE?

289
00:14:57,597 --> 00:14:59,664
OH, WHAT'S NOT
TO LIKE?

290
00:14:59,666 --> 00:15:01,933
NO BARRIERS.
NO DISTANCE.

291
00:15:01,935 --> 00:15:04,001
IT'S KIND OF CLOSE.

292
00:15:04,003 --> 00:15:08,873
WE'LL BE LIKE--
LIKE SIAMESE TWINS
CONNECTED AT THE HEAD.

293
00:15:08,875 --> 00:15:11,442
OR WE COULD JUST
MOVE THE DESKS BACK.

294
00:15:11,444 --> 00:15:14,912
I COULD LOOK AT YOU
ALL DAY LONG.

295
00:15:14,914 --> 00:15:18,349
I CAN SEE EVERY SINGLE
PORE ON YOUR FACE.

296
00:15:19,352 --> 00:15:21,318
YOU NUT.

297
00:15:24,591 --> 00:15:26,824
[GIGGLING]

298
00:15:31,865 --> 00:15:34,865
[GIGGLING]

299
00:15:34,867 --> 00:15:38,002
OH, DICK, THIS BIT OF<i> TARTUFFE</i>
<i> IS SIMPLY DELICIOUS.</i>

300
00:15:38,004 --> 00:15:39,070
LET ME READ IT TO YOU.

301
00:15:39,072 --> 00:15:40,438
UH, NO, THANKS.
I'M GOOD.

302
00:15:40,440 --> 00:15:41,572
I'LL SEE YOU TONIGHT.

303
00:15:41,574 --> 00:15:42,874
YEP!

304
00:15:43,877 --> 00:15:44,976
OH, MARY.

305
00:15:44,978 --> 00:15:45,977
HELLO, DICK.

306
00:15:45,979 --> 00:15:47,311
HELLO.

307
00:15:49,983 --> 00:15:51,916
[JENNIFER
LAUGHS LOUDLY]

308
00:15:54,754 --> 00:15:56,854
[DOOR OPENS]

309
00:15:56,856 --> 00:16:00,291
HEY, DR. ALBRIGHT.
HOW ARE YOU DOIN'?

310
00:16:00,293 --> 00:16:01,225
I'M BUSY.

311
00:16:01,227 --> 00:16:02,960
OH, OK.

312
00:16:02,962 --> 00:16:04,228
'CAUSE I'M THE DEAN.

313
00:16:04,230 --> 00:16:05,896
I'M WORKING. I WORK.

314
00:16:05,898 --> 00:16:08,399
TO THE EXCLUSION
OF EVERYTHING ELSE, I WORK.

315
00:16:08,401 --> 00:16:09,767
ARE YOU OK?

316
00:16:09,769 --> 00:16:12,269
I'M THRILLED.
I'M AT MY JOB.

317
00:16:12,271 --> 00:16:14,138
NO TIME
FOR A RELATIONSHIP.

318
00:16:14,140 --> 00:16:17,474
I'M THE BIG DEAN.
CAREER LADY.

319
00:16:17,476 --> 00:16:20,745
COME ON. THAT DOESN'T
GIVE HIM THE RIGHT
TO DO WHAT HE DID.

320
00:16:20,747 --> 00:16:22,113
NO, IT DOESN'T.

321
00:16:22,115 --> 00:16:27,551
HE'S AN IMMATURE,
LOATHSOME, STUPID MAN!

322
00:16:27,553 --> 00:16:30,354
OH, GOD, I MISS HIM.

323
00:16:30,356 --> 00:16:33,958
COME ON, LET'S GO OUT,
GET DRUNK, MAKE FUN OF HIM!

324
00:16:35,662 --> 00:16:38,062
I DON'T FEEL LIKE
GOING OUT.

325
00:16:38,064 --> 00:16:39,230
OK.

326
00:16:39,232 --> 00:16:41,399
SIT DOWN.

327
00:16:47,406 --> 00:16:48,872
DUCK.

328
00:16:50,610 --> 00:16:53,544
HEY, HARRY, WE'RE READY
FOR THAT FRIED CHICKEN.

329
00:16:53,546 --> 00:16:55,246
INCOMING!

330
00:16:56,949 --> 00:16:58,048
TOMMY: DUCK!

331
00:17:00,186 --> 00:17:03,421
YOU KNOW,
MARY USED TO MAKE
EXCELLENT FRIED CHICKEN.

332
00:17:03,423 --> 00:17:04,421
YEAH, WHATEVER. DUCK!

333
00:17:06,292 --> 00:17:10,027
OH, MY GOD, YOU GUYS.
IT'S SHA NA NA.

334
00:17:10,029 --> 00:17:12,229
OH, THAT BOWSER'S
A STITCH.

335
00:17:12,231 --> 00:17:13,397
HARRY, GET BACK TO WORK!

336
00:17:13,399 --> 00:17:15,899
INCOMING!

337
00:17:19,939 --> 00:17:21,071
JENNIFER: HELLO!

338
00:17:21,073 --> 00:17:22,540
OH, SHE'S HERE.

339
00:17:22,542 --> 00:17:23,540
<i> C'EST MOI.</i>

340
00:17:23,542 --> 00:17:25,643
JENNIFER, THIS IS
HARRY, TOMMY,

341
00:17:25,645 --> 00:17:26,978
DON AND SALLY.

342
00:17:26,980 --> 00:17:29,680
WHY, THERE'S SO MANY,
I'LL KEEP A TALLY.

343
00:17:31,183 --> 00:17:32,984
OH, YOU BROUGHT WINE.

344
00:17:32,986 --> 00:17:34,952
A SMALL TOKEN.
THE PLEASURE'S ALL MINE.

345
00:17:34,954 --> 00:17:37,054
NICE GIFT.
GREAT RHYME.

346
00:17:37,056 --> 00:17:38,188
I LOVE THIS ROOM.

347
00:17:38,190 --> 00:17:39,690
YOU LIKE
THE KLIVINGTCHEN?

348
00:17:39,692 --> 00:17:40,691
KLIVINGTCHEN?

349
00:17:40,693 --> 00:17:43,227
LIVING KITCHEN.

350
00:17:43,229 --> 00:17:45,196
I THINK
IT'S BITCHIN'.

351
00:17:47,734 --> 00:17:49,867
AND YOU'RE
SUBVERTING SPACE.

352
00:17:49,869 --> 00:17:51,802
OH, YOU NOTICED. DUCK!

353
00:17:51,804 --> 00:17:55,172
METHINKS YOU'VE
DONE SOMETHING
REALLY SPECIAL HERE.

354
00:17:55,174 --> 00:17:59,343
WELL, METHINKS YOU'RE NOT
SO BAD YOURSELF. INCOMING!

355
00:17:59,345 --> 00:18:01,945
ONE THING THAT I CAN
OBVIOUSLY SEE

356
00:18:01,947 --> 00:18:05,015
IS YOU'VE BEEN SAYING
NICE THINGS ABOUT ME.

357
00:18:05,017 --> 00:18:08,619
YES. YES,
I SUPPOSE I HAVE.

358
00:18:08,621 --> 00:18:10,454
OH, HEY, JENNIFER,
YOU LIKE FRIED CHICKEN?

359
00:18:10,456 --> 00:18:11,955
OOH, I CAN'T
EAT CHICKEN.

360
00:18:11,957 --> 00:18:12,956
TOMMY: DUCK!

361
00:18:12,958 --> 00:18:14,358
NOR DUCK.

362
00:18:14,360 --> 00:18:16,293
BUT I DID BRING ALONG
SOME BOK CHOY.
COULD YOU TOSS THAT IN?

363
00:18:16,295 --> 00:18:17,595
BOK CHOY. SURE.

364
00:18:17,597 --> 00:18:18,696
THAT'S NOT PEANUT OIL,
IS IT?

365
00:18:18,698 --> 00:18:20,264
OH, NO, HON.
IT'S LARD.

366
00:18:20,266 --> 00:18:21,999
GOOD. BECAUSE
I AM ALLERGIC

367
00:18:22,001 --> 00:18:23,767
TO PEANUTS AND NUTS.

368
00:18:23,769 --> 00:18:28,706
YOU NOW, A LOT OF PEOPLE
DON'T KNOW THAT A PEANUT
ISN'T ACTUALLY A NUT.

369
00:18:30,910 --> 00:18:32,343
NO?

370
00:18:32,345 --> 00:18:33,811
WHAT IS IT, THEN?

371
00:18:34,814 --> 00:18:37,481
A LEGUME.

372
00:18:37,483 --> 00:18:38,783
I DIDN'T KNOW THAT.

373
00:18:38,785 --> 00:18:40,951
WE'LL HAVE TO
DISCUSS THIS
OVER DINNER.

374
00:18:40,953 --> 00:18:42,353
WITH FOOD
THIS GOOD,

375
00:18:42,355 --> 00:18:44,622
I WON'T GET
MUCH THINNER.

376
00:18:44,624 --> 00:18:46,123
BRAVO! BRAVO!

377
00:18:46,125 --> 00:18:48,725
YOU DON'T HAVE TO RHYME
IF YOU DON'T WANT TO.

378
00:18:48,727 --> 00:18:51,061
WHO'S READY FOR
FRIED CHICKEN
AND GRAPES?

379
00:18:51,063 --> 00:18:55,366
AND REMEMBER--
DON'T WIPE YOUR HANDS
ON THE DRAPES.

380
00:18:55,368 --> 00:18:57,501
YES! HA HA HA.

381
00:18:57,503 --> 00:19:00,738
INSTEAD OF US RHYMING,
LET'S TRY SOME FREE VERSE.

382
00:19:00,740 --> 00:19:03,974
TO ME, THAT'S A GAME
WHICH IS MUCH MORE
WORSE.

383
00:19:03,976 --> 00:19:05,843
ENCORE!
[WHISTLES]

384
00:19:05,845 --> 00:19:06,911
ENCORE!

385
00:19:09,949 --> 00:19:11,716
CONGRATULATIONS,
DICK.

386
00:19:11,718 --> 00:19:14,218
YOU GOT YOURSELF
A HELL OF A RHYMER.

387
00:19:14,220 --> 00:19:16,220
OHH...

388
00:19:16,222 --> 00:19:18,922
I'VE TRIED TO RHYME,
YOU KNOW.

389
00:19:18,924 --> 00:19:21,392
THERE WAS A DOG
WHO SAT ON A LOG.

390
00:19:21,394 --> 00:19:24,061
HIS NAME WAS...ROG?

391
00:19:24,063 --> 00:19:26,230
THAT SORT OF THING.

392
00:19:26,232 --> 00:19:28,499
HOLD ON TO HER, DICK.
SHE'S ONE OF A KIND.

393
00:19:28,501 --> 00:19:31,669
SO YOU LIKE THE RHYMING, EH?
YOU LIKE THE RHYMING?

394
00:19:31,671 --> 00:19:32,737
YEAH.

395
00:19:32,739 --> 00:19:34,672
AND WHAT IF THE RHYMING
WERE NEVER TO STOP?

396
00:19:34,674 --> 00:19:37,574
ON, ON, AND ON
TILL YOUR HEAD DOTH POP.

397
00:19:37,576 --> 00:19:40,277
OH, LOOK! A BOOK!
A BOOK ON SCHNOOK!

398
00:19:40,279 --> 00:19:42,913
WHAT KIND OF CROOK
TOOK MY SCHNOOK NOOK BOOK?

399
00:19:42,915 --> 00:19:45,883
PERCHANCE, METHINKS, THEE,
HITHER, YON, THOU.

400
00:19:45,885 --> 00:19:49,186
I'M THINK I'M GONNA HAVE
A FREAKIN' COW!

401
00:19:49,188 --> 00:19:52,456
YOU SURE
SEEM TO HATE HER.
SOUNDS REALLY TOUGH.

402
00:19:52,458 --> 00:19:56,026
HATE'S A STRONG WORD, DON,
BUT NOT STRONG ENOUGH.

403
00:19:56,028 --> 00:19:57,661
I GET YOUR POINT.

404
00:19:57,663 --> 00:19:58,963
I DON'T KNOW WHAT HAPPENED.

405
00:19:58,965 --> 00:20:01,933
I FELL FOR JENNIFER
THE SAME WAY I FELL FOR MARY.

406
00:20:01,935 --> 00:20:04,101
HOW COULD IT
HAVE GONE AWAY SO FAST?

407
00:20:04,103 --> 00:20:06,804
IT WAS A CRUSH.
THE HOTS.

408
00:20:06,806 --> 00:20:08,238
YOU WERE JONESIN'.

409
00:20:08,240 --> 00:20:10,007
IT WAS JUST
AN INFATUATION.

410
00:20:10,009 --> 00:20:11,942
IT FELT JUST LIKE
THE REAL THING.

411
00:20:11,944 --> 00:20:14,345
AND NOW I'VE TOSSED
MARY ASIDE.

412
00:20:14,347 --> 00:20:15,812
SHE'LL NEVER
TAKE ME BACK.

413
00:20:15,814 --> 00:20:17,214
YOU DON'T
KNOW THAT, DICK.

414
00:20:17,216 --> 00:20:18,916
SHE CAN BE
PRETTY FORGIVING.

415
00:20:18,918 --> 00:20:20,784
YOU THINK SO?

416
00:20:20,786 --> 00:20:25,922
MARY: DICK SOLOMON,
SHOW YOUR STINKIN' FACE!

417
00:20:25,924 --> 00:20:28,058
THERE'S
YOUR OPENING.

418
00:20:28,060 --> 00:20:31,094
MARY! YOU'RE HERE!

419
00:20:31,096 --> 00:20:32,663
YES, I'M HERE.

420
00:20:32,665 --> 00:20:34,532
JUST LONG ENOUGH
TO TELL YOU

421
00:20:34,534 --> 00:20:37,902
WHAT AN<i> ASS</i> YOU ARE.

422
00:20:39,906 --> 00:20:41,472
THERE. I THINK I'M DONE.

423
00:20:41,474 --> 00:20:43,140
NO, NO, MARY. WAIT.

424
00:20:43,142 --> 00:20:45,309
I'VE BEEN DOING
A LOT OF THINKING.

425
00:20:45,311 --> 00:20:48,078
I'VE BEEN DOING
A LOT OF THINKING, TOO.

426
00:20:48,080 --> 00:20:51,549
ABOUT WHAT AN<i> ASS</i>
<i> YOU ARE!</i>

427
00:20:51,551 --> 00:20:54,885
I WORK LATE
A COUPLE OF NIGHTS,

428
00:20:54,887 --> 00:20:57,688
AND YOU SEIZE
THE OPPORTUNITY

429
00:20:57,690 --> 00:21:01,158
TO CHASE THE FIRST SKIRT
THAT COMES ALONG.

430
00:21:01,160 --> 00:21:02,926
OH, NO. BUT, MARY,
I'VE BEEN THINKING--

431
00:21:02,928 --> 00:21:04,562
OH, DON'T TALK TO ME AGAIN.

432
00:21:04,564 --> 00:21:07,797
EVER, EVER, NEVER EVER.

433
00:21:11,471 --> 00:21:14,205
THAT'S NOT
A VERY GOOD RHYME.

434
00:21:14,207 --> 00:21:16,273
MARY: ASS!

435
00:21:18,211 --> 00:21:21,845
TOMMY: SO, JENNIFER,
TELL US AGAIN ABOUT THAT
WHOLE PEANUT THING.

436
00:21:21,847 --> 00:21:22,846
SURE, TOMMY.

437
00:21:22,848 --> 00:21:24,548
HARRY: YEAH,
AND MAKE IT RHYME.

438
00:21:24,550 --> 00:21:28,685
SURE. THE PEANUT, YOU SEE,
MAY LOOK LIKE A NUT...

439
00:21:28,687 --> 00:21:32,256
OFFICER DON: BUT IT'S
REALLY A LEGUME...
JUST ASK KING TUT!

440
00:21:32,258 --> 00:21:33,657
I DID IT!

441
00:21:38,297 --> 00:21:42,733
THE KLIVINGTCHEN
WAS THE STUPIDEST IDEA
WE EVER HAD.

442
00:21:42,735 --> 00:21:45,469
YEP, I KNOW.
WHAT WERE WE THINKING?

443
00:21:45,471 --> 00:21:50,440
NOW, THIS...THIS MAKES
PERFECT SENSE.

444
00:21:54,180 --> 00:21:56,080
I'M A LITTLE HUNGRY.

445
00:21:56,082 --> 00:21:58,082
INCOMING!

446
00:21:58,084 --> 00:21:59,883
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER PRODUCTIONS AND
THE NATIONAL BROADCASTING
COMPANY

447
00:21:59,885 --> 00:22:01,952
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.

448
00:22:01,954 --> 00:22:06,223
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE