1 00:00:03,804 --> 00:00:05,403 GUESS WHAT, YOU GUYS. 2 00:00:05,405 --> 00:00:07,772 DON IS TAKING ME BOWLING. 3 00:00:07,774 --> 00:00:08,807 CAN YOU BELIEVE IT? 4 00:00:08,809 --> 00:00:10,309 BOWLING! 5 00:00:10,311 --> 00:00:12,944 HARD TO BELIEVE. 6 00:00:12,946 --> 00:00:14,312 JUST PICTURE IT: 7 00:00:14,314 --> 00:00:17,950 ME AND DON, ALONE... 8 00:00:17,952 --> 00:00:21,453 OUR SWEATY BODIES INTERTWINE... 9 00:00:23,290 --> 00:00:24,622 BOWLING. 10 00:00:26,026 --> 00:00:28,593 YOU DON'T KNOW WHAT BOWLING IS, DO YOU? 11 00:00:28,595 --> 00:00:29,661 NO. 12 00:00:30,798 --> 00:00:34,633 [JENNIFER LAUGHING] 13 00:00:34,635 --> 00:00:36,468 OH, DICK. 14 00:00:36,470 --> 00:00:40,305 I CAME TO PENDLETON FOR ITS COLLECTION OF RARE BOOKS, 15 00:00:40,307 --> 00:00:42,808 BUT I FOUND SOMETHING MUCH RARER-- 16 00:00:42,810 --> 00:00:45,511 THE LOVE OF A GOOD MAN. 17 00:00:45,513 --> 00:00:46,512 OH HA HA. 18 00:00:46,514 --> 00:00:48,280 THANKS. THANKS A LOT. 19 00:00:48,282 --> 00:00:51,450 WELL, I'M OFF TO SING MADRIGALS WITH MY CHORAL GROUP. 20 00:00:51,452 --> 00:00:52,484 ARE YOU SURE YOU WON'T JOIN ME? 21 00:00:52,486 --> 00:00:54,886 UH, MADRIGALS... NO, I DON'T THINK SO. 22 00:00:54,888 --> 00:00:56,755 ALL RIGHT. I'LL SEE YOU LATER THEN. 23 00:00:56,757 --> 00:00:57,756 OHH! 24 00:00:59,326 --> 00:01:00,492 GOOD-BYE, ALL! 25 00:01:00,494 --> 00:01:03,228 GOOD-BYE, JENNIFER. 26 00:01:03,230 --> 00:01:04,363 SHE'S GREAT, DICK. 27 00:01:04,365 --> 00:01:05,864 OH, YEAH, SHE'S GREAT. 28 00:01:05,866 --> 00:01:07,499 THERE'S JUST ONE PROBLEM REALLY. 29 00:01:07,501 --> 00:01:08,667 WHAT'S THAT? 30 00:01:08,669 --> 00:01:10,202 I CAN'T STAND HER! 31 00:01:10,204 --> 00:01:11,235 HOW DID THAT HAPPEN? 32 00:01:11,237 --> 00:01:12,871 I DON'T KNOW! FOR THE FIRST 3 DAYS 33 00:01:12,873 --> 00:01:14,339 I WAS MADLY IN LOVE WITH HER, 34 00:01:14,341 --> 00:01:16,007 THEN ON THE FOURTH DAY, IT WAS OVER. 35 00:01:16,009 --> 00:01:18,577 WOW. SO IT SOUNDS LIKE IT WAS JUST INFATUATION. 36 00:01:18,579 --> 00:01:21,279 THANK YOU SO MUCH, MR. MONDAY MORNING QUARTERBACK. 37 00:01:21,281 --> 00:01:23,181 YOU WIN THE HINDSIGHT BOWL! 38 00:01:23,183 --> 00:01:24,182 I MISS MARY! 39 00:01:24,184 --> 00:01:25,851 OH, GEE! OHH! 40 00:01:25,853 --> 00:01:28,420 MARY AND I WERE MEANT FOR EACH OTHER. 41 00:01:28,422 --> 00:01:29,788 AND NOW I'VE DUMPED HER 42 00:01:29,790 --> 00:01:31,890 JUST BECAUSE SHE WAS SO BUSY BEING DEAN. 43 00:01:31,892 --> 00:01:33,058 I'VE GOTTA GET HER BACK. 44 00:01:33,060 --> 00:01:34,693 WELL, BUT FIRST YOU GOTTA GET RID OF JENNIFER. 45 00:01:34,695 --> 00:01:35,861 I KNOW, BUT HOW? 46 00:01:35,863 --> 00:01:37,863 WELL, YOU COULD TREAT HER LIKE YOU TREATED MARY. 47 00:01:37,865 --> 00:01:40,064 THAT SEEMS TO DO IRREPARABLE DAMAGE. 48 00:01:40,066 --> 00:01:43,035 LOOK, DICK, YOU JUST GOTTA COME CLEAN. 49 00:01:43,037 --> 00:01:45,103 YOU GOTTA TELL JENNIFER THE TRUTH. 50 00:01:45,105 --> 00:01:46,371 IT'S WHAT DON WOULD DO. 51 00:01:46,373 --> 00:01:49,675 I MEAN, DON ALWAYS SAYS, "THE TRUTH MIGHT HURT, 52 00:01:49,677 --> 00:01:53,411 BUT A LIE WILL ONLY GET YOU A BILLY CLUB TO THE WINDPIPE." 53 00:01:53,413 --> 00:01:55,613 THE TRUTH, HUH? 54 00:01:55,615 --> 00:01:58,616 YOU KNOW, THAT'S SO CRAZY IT JUST MIGHT WORK. 55 00:01:58,618 --> 00:02:34,419 CAPTIONING MADE POSSIBLE BY CARSEY-WERNER PRODUCTIONS AND THE NATIONAL BROADCASTING COMPANY 56 00:02:36,089 --> 00:02:39,791 ♪ DIAPHENIA, LIKE THE DAFFDOWNDILLY ♪ 57 00:02:39,793 --> 00:02:41,492 JENNIFER.♪ WHITE AS THE SUN ♪ 58 00:02:41,494 --> 00:02:43,361 ♪ FAIR AS THE LILY ♪JENNIFER. 59 00:02:43,363 --> 00:02:45,263 ♪ HEIGH-HO, HEIGH-HO ♪EXCUSE ME. 60 00:02:45,265 --> 00:02:47,432 ♪ HOW I DO LOVE THEE ♪ 61 00:02:47,434 --> 00:02:48,633 JENNIFER! 62 00:02:48,635 --> 00:02:52,437 WHAT IS IT, MY PRETTY PRINCE OF FUN AND PHYSICS? 63 00:02:52,439 --> 00:02:54,205 I HAVE SOMETHING TO TELL YOU, 64 00:02:54,207 --> 00:02:56,007 AND IT'S NOT GOING TO BE EASY. 65 00:02:56,009 --> 00:02:58,944 A BIT OF GOSSIP, PERHAPS EVEN SLEAZY? 66 00:03:01,515 --> 00:03:04,215 MAYBE IT'S GONNA BE EASIER THAN I THOUGHT. 67 00:03:04,217 --> 00:03:06,618 JENNIFER, WE'VE HAD SOME GOOD TIMES... 68 00:03:06,620 --> 00:03:08,620 AND MANY MORE TO COME. 69 00:03:08,622 --> 00:03:10,521 YES, WELL, ACTUALLY, WHAT I WAS GETTING AT IS 70 00:03:10,523 --> 00:03:12,558 I THINK IT'S TIME WE MOVED ON. 71 00:03:12,560 --> 00:03:15,760 TO THE NEXT LEVEL? OH, DICK, I COULDN'T AGREE MORE. 72 00:03:15,762 --> 00:03:17,128 [CLASS BELL RINGS] 73 00:03:17,130 --> 00:03:18,497 I'VE GOT A CLASS. WE'LL CELEBRATE LATER. 74 00:03:18,499 --> 00:03:20,199 OH, JENNIFER, NO, YOU MISUNDERSTOOD. 75 00:03:20,201 --> 00:03:23,268 ♪ DIAPHENIA, LIKE THE DAFFDOWNDILLY ♪ 76 00:03:23,270 --> 00:03:25,904 JENNIFER! OH, DAMN! 77 00:03:33,747 --> 00:03:34,813 YES! [STRIKE] 78 00:03:34,815 --> 00:03:36,315 WHOO-HOO! ALL RIGHT, DONNY! 79 00:03:36,317 --> 00:03:37,649 OH, THAT WAS SO GREAT! 80 00:03:37,651 --> 00:03:38,917 WH-WHAT IS THAT CALLED? 81 00:03:38,919 --> 00:03:40,085 THAT'S A STRIKE, BABY. 82 00:03:40,087 --> 00:03:42,955 ALL RIGHT, NOW, REMEMBER WHAT I TOLD YOU, SALLY. 83 00:03:42,957 --> 00:03:47,492 WHEN BOWLING, FIRST OF ALL, YOU PUT YOUR FINGERS INTO THE HOLES HERE. 84 00:03:51,030 --> 00:03:52,764 HOLD IT LIKE THAT. ALL RIGHT. 85 00:03:52,766 --> 00:03:54,666 ALL RIGHT. OK. NOW THE KEY IS THE HEAD PIN. 86 00:03:54,668 --> 00:03:57,002 YOU WANT THAT HEAD PIN, SO YOU WANT TO HOOK AROUND THROUGH-- 87 00:03:57,004 --> 00:03:58,403 YEAH, YEAH, I GOT IT. THROW BALL, KNOCK DOWN PINS. 88 00:03:58,405 --> 00:04:00,405 WELL, THERE'S MORE TO IT THAN THAT. I MEAN-- 89 00:04:00,407 --> 00:04:02,073 DON'T THROW THE BALL! 90 00:04:03,344 --> 00:04:04,343 [STRIKE] 91 00:04:08,816 --> 00:04:12,017 OHH, NO! 92 00:04:12,019 --> 00:04:15,487 PUTTING THE YOU BACK IN HIM? 93 00:04:15,489 --> 00:04:17,856 NOT THE SELF-HELP BOOKS! 94 00:04:17,858 --> 00:04:21,192 I NEED HELP. I MADE A COMPLETE ASS OF MYSELF. 95 00:04:21,194 --> 00:04:23,528 SO YOU GOT DRUNK AND TOLD HIM OFF. BIG DEAL. 96 00:04:23,530 --> 00:04:24,963 YOU WANT HIM BACK, GO GET HIM. 97 00:04:24,965 --> 00:04:28,400 I WAS THE ONE THAT TOLD HIM IT WAS OK TO SEE OTHER PEOPLE. 98 00:04:28,402 --> 00:04:31,336 NOW I THINK THAT'S A BIG RED CHECK IN MY GUILT COLUMN. 99 00:04:31,338 --> 00:04:33,038 OK, YOU WANT HIM BACK? 100 00:04:33,040 --> 00:04:35,106 WELL, IT JUST BOTHERS ME TO SEE HIM WITH HER. 101 00:04:35,108 --> 00:04:37,442 SHUT UP! I SAID, DO YOU WANT HIM BACK? 102 00:04:37,444 --> 00:04:38,643 YES. 103 00:04:38,645 --> 00:04:39,644 REPEAT AFTER ME: 104 00:04:39,646 --> 00:04:40,645 GO GO 105 00:04:40,647 --> 00:04:41,646 GET GET 106 00:04:41,648 --> 00:04:42,847 HIM. HIM. 107 00:04:42,849 --> 00:04:44,148 AGAIN! GO GET GO GET 108 00:04:44,150 --> 00:04:45,183 HIM. HIM. 109 00:04:45,185 --> 00:04:46,717 ALL TOGETHER! GO GET HIM! GO GET HIM! 110 00:04:46,719 --> 00:04:49,154 NOW YOU MARCH IN THERE, TELL HIM HOW YOU FEEL, STRAIGHT UP. 111 00:04:49,156 --> 00:04:50,154 STRAIGHT UP! 112 00:04:50,156 --> 00:04:52,057 GO GET HIM! GO GET HIM! 113 00:04:52,059 --> 00:04:54,659 "AND SO, JENNIFER, LEST THERE BE ANY MISUNDERSTANDING, 114 00:04:54,661 --> 00:04:58,896 "LET ME REPEAT: I DO NOT, CANNOT, AND WILL NOT EVER LOVE YOU 115 00:04:58,898 --> 00:05:00,898 "AS LONG AS WE BOTH SHALL LIVE. 116 00:05:00,900 --> 00:05:03,735 WITH FROSTY ALOOFNESS..." 117 00:05:03,737 --> 00:05:04,736 DICK SOLOMON. 118 00:05:04,738 --> 00:05:07,905 NOW, THAT SHOULD DO THE TRICK. 119 00:05:07,907 --> 00:05:09,707 DICK. MARY, WHAT ARE YOU DOING HERE? 120 00:05:09,709 --> 00:05:12,944 I-I'VE COME HERE TO TELL YOU SOMETHING STRAIGHT UP! 121 00:05:12,946 --> 00:05:14,279 AND HERE IT IS: 122 00:05:14,281 --> 00:05:16,548 WHAT YOU DID REALLY HURT ME. 123 00:05:16,550 --> 00:05:17,683 OH, I KNOW. MARY-- 124 00:05:17,685 --> 00:05:20,351 NO, NO, NO, IT WAS THOUGHTLESS AND PIGHEADED! 125 00:05:20,353 --> 00:05:21,820 THAT'S EXACTLY WHAT I'VE JUST WRITTEN-- 126 00:05:21,822 --> 00:05:22,887 NO. LET ME FINISH. 127 00:05:22,889 --> 00:05:25,256 I DON'T PUT ALL THE BLAME ON YOU. 128 00:05:25,258 --> 00:05:27,659 I MEAN, I WAS CONSUMED BY MY JOB, 129 00:05:27,661 --> 00:05:29,761 AND I DIDN'T HAVE ENOUGH TIME FOR US, 130 00:05:29,763 --> 00:05:31,763 BUT SEEING YOU WITH SOMEONE ELSE 131 00:05:31,765 --> 00:05:33,231 MAKES ME REALIZE WHAT I'VE LOST. 132 00:05:33,233 --> 00:05:34,832 IT DOES? 133 00:05:34,834 --> 00:05:38,770 NOW I CAN'T EXPECT YOU TO JUST COME RUNNING BACK TO ME 134 00:05:38,772 --> 00:05:40,572 WITHOUT ME MAKING SOME SACRIFICES. 135 00:05:40,574 --> 00:05:41,773 NO, OF COURSE NOT. 136 00:05:43,843 --> 00:05:46,378 I MEAN, I'VE JUST GOT TO MAKE MYSELF MORE AVAILABLE TO YOU. 137 00:05:46,380 --> 00:05:48,913 OH, YEAH, THAT WOULD BE A MUST. 138 00:05:48,915 --> 00:05:51,749 I--I CAN'T GIVE YOU A LOT OF TIME, BUT I CAN GIVE YOU QUALITY TIME. 139 00:05:51,751 --> 00:05:55,720 AND SEEING ME WITH JENNIFER MADE YOU REALIZE THIS? 140 00:05:55,722 --> 00:05:56,888 YES, DICK. 141 00:05:56,890 --> 00:06:00,292 I SEE. 142 00:06:00,294 --> 00:06:02,961 WELL, LET ME EXPLAIN SOMETHING TO YOU, MARY. 143 00:06:02,963 --> 00:06:06,298 QUALITY TIME IS GOOD, BUT JENNIFER GIVES ME QUANTITY TIME. 144 00:06:06,300 --> 00:06:10,334 THAT MEANS A LOT OF TIME, MARY. 145 00:06:10,336 --> 00:06:12,637 SHE PUTS ME FIRST. ME. NOT HER JOB. 146 00:06:12,639 --> 00:06:16,941 SOMETHING APPARENTLY YOU ARE NOT WILLING TO DO. 147 00:06:16,943 --> 00:06:19,911 I AM SO TOO WILLING. IT'S JUST THAT YOU'RE BEING-- 148 00:06:19,913 --> 00:06:21,313 NO, NO, IT HURTS TOO MUCH! 149 00:06:21,315 --> 00:06:22,547 OH, DICK! 150 00:06:22,549 --> 00:06:24,482 I'M NOT SAYING THAT YOU SHOULD STOP TRYING, 151 00:06:24,484 --> 00:06:25,483 BUT IT WILL BE HARD. 152 00:06:25,485 --> 00:06:26,818 THERE ARE HURDLES, MARY. 153 00:06:26,820 --> 00:06:27,986 HURDLES! 154 00:06:29,656 --> 00:06:31,055 REMEMBER: HURDLES! 155 00:06:38,732 --> 00:06:41,332 SO THERE I WAS. I'D JUST FINISHED MY BREAK-UP LETTER TO JENNIFER 156 00:06:41,334 --> 00:06:43,334 WHEN MARY COMES IN AND TELLS ME SHE WANTS ME BACK. 157 00:06:43,336 --> 00:06:44,336 NO! YES! 158 00:06:44,338 --> 00:06:46,838 AFTER WHAT YOU DID?! I KNOW! 159 00:06:46,840 --> 00:06:49,274 ODDLY ENOUGH, BEING WITH JENNIFER SEEMS TO HAVE HELPED. 160 00:06:49,276 --> 00:06:52,110 THE LESS AVAILABLE I AM, THE MORE MARY WANTS ME. 161 00:06:52,112 --> 00:06:53,378 SO YOU TOOK MARY BACK? 162 00:06:53,380 --> 00:06:55,113 OHH, NO, NO. 163 00:06:55,115 --> 00:06:56,915 NO, MARY'S OFFER WAS TEMPTING, YES, 164 00:06:56,917 --> 00:06:59,351 BUT I'M NOT CLOSING THIS DEAL JUST YET. 165 00:06:59,353 --> 00:07:00,885 I CAN GET A LOT MORE OUT OF HER. 166 00:07:00,887 --> 00:07:01,920 WHAT MAKES YOU SO SURE? 167 00:07:01,922 --> 00:07:02,954 JENNIFER... 168 00:07:02,956 --> 00:07:04,222 IS MY BARGAINING CHIP. 169 00:07:04,224 --> 00:07:05,557 WELL, WHAT DO YOU WANT? 170 00:07:05,559 --> 00:07:07,358 I WANT THE OLD MARY-- 171 00:07:07,360 --> 00:07:09,027 WALKS IN THE PARK, 172 00:07:09,029 --> 00:07:10,529 BREAKFAST IN BED, 173 00:07:10,531 --> 00:07:12,030 LUNCH IN BED. 174 00:07:12,032 --> 00:07:14,499 CHANGING THE SHEETS, 'CAUSE THERE'S FOOD IN THE BED. 175 00:07:14,501 --> 00:07:15,533 YOU KNOW. 176 00:07:18,037 --> 00:07:19,103 HI, GUYS. 177 00:07:19,105 --> 00:07:20,137 WHERE'S SALLY? 178 00:07:20,139 --> 00:07:21,873 ALL RIGHT, DON, LET'S GET OUTTA HERE. 179 00:07:21,875 --> 00:07:22,874 HEY! 180 00:07:26,079 --> 00:07:28,880 SALLY, ARE WE GOING LUGING? 181 00:07:28,882 --> 00:07:30,982 NO, WE'RE GOING BOWLING. WHY? 182 00:07:30,984 --> 00:07:34,953 WELL, BECAUSE YOU'RE DRESSED LIKE A BIG LUGER. 183 00:07:34,955 --> 00:07:37,388 THAT'S EXACTLY RIGHT. 184 00:07:37,390 --> 00:07:38,522 SLEEK, 185 00:07:38,524 --> 00:07:40,158 AGILE, 186 00:07:40,160 --> 00:07:42,694 AERODYNAMIC, AND... 187 00:07:43,897 --> 00:07:44,896 DANGEROUS. 188 00:07:47,600 --> 00:07:48,532 LET'S BOWL. 189 00:07:52,939 --> 00:07:54,939 ALL RIGHT, EYES ON THE TARGET... 190 00:07:54,941 --> 00:07:58,009 RELAX, CONCENTRATE... 191 00:07:59,112 --> 00:08:02,079 AND...DOH! 192 00:08:02,081 --> 00:08:03,715 AH, THAT'S VERY GOOD, SALLY. 193 00:08:03,717 --> 00:08:06,017 YOU'RE REALLY GETTING THE HANG OF THIS. 194 00:08:06,019 --> 00:08:06,951 OH, THERE'S ONE LEFT. 195 00:08:06,953 --> 00:08:10,422 DIE, YOU BASTARD, DIE! 196 00:08:10,424 --> 00:08:12,323 YES! A SPARE! 197 00:08:12,325 --> 00:08:13,424 I GET TO GO AGAIN. 198 00:08:13,426 --> 00:08:15,994 UH, SALLY! CAN I TALK TO YOU FOR A MINUTE? 199 00:08:15,996 --> 00:08:17,429 YEAH, BUT HURRY UP. I'M IN THE ZONE. 200 00:08:17,431 --> 00:08:18,763 SALLY, HAVE YOU EVER-- 201 00:08:18,765 --> 00:08:21,266 YOU EVER HEARD OF THE TERM, "PLAY BY THE RULES"? 202 00:08:22,269 --> 00:08:23,835 NO. 203 00:08:23,837 --> 00:08:25,103 WELL, THE RULE IS, YOU KNOW, 204 00:08:25,105 --> 00:08:26,604 YOU GET A TURN, AND THEN I GET A TURN. 205 00:08:26,606 --> 00:08:28,039 I DON'T LIKE THAT RULE. 206 00:08:28,041 --> 00:08:30,074 HEY, DON, WHAT'S THE GOAL OF BOWLING? 207 00:08:30,076 --> 00:08:32,176 KNOCK DOWN THE MOST PINS. AND HAVE I? 208 00:08:32,178 --> 00:08:34,845 WELL, YES, SALLY, BUT THERE'S A CERTAIN THING CALLED SPORTSMANSHIP. 209 00:08:34,847 --> 00:08:37,749 FREEZE. 6-PIN STANDING AT 11 O'CLOCK. 210 00:08:37,751 --> 00:08:39,383 SALLY... 211 00:08:39,385 --> 00:08:41,319 THAT'S NOT OUR LANE! 212 00:08:41,321 --> 00:08:42,854 WHAT THE HELL ARE YOU DOING, LADY?! 213 00:08:42,856 --> 00:08:45,456 YOU LEFT 'EM UNPROTECTED. GET YOUR HEAD BACK IN THE GAME. 214 00:08:46,459 --> 00:08:47,458 MARY: NOW I THINK, 215 00:08:47,460 --> 00:08:49,027 THAT ONCE YOU SEE THE NUMBERS, 216 00:08:49,029 --> 00:08:51,897 YOU'LL REALIZE JUST WHAT GOOD SHAPE THIS DEPARTMENT IS IN. 217 00:08:51,899 --> 00:08:52,963 AND NEXT SEMESTER... 218 00:08:52,965 --> 00:08:55,032 DICK, WITH MY ALLERGIES, 219 00:08:55,034 --> 00:08:57,968 I WON'T BE ABLE TO EAT ANYTHING HERE. 220 00:08:57,970 --> 00:08:58,969 UH-HUH. 221 00:08:58,971 --> 00:09:02,140 OH, NO! NO, NO, NO! 222 00:09:02,142 --> 00:09:04,576 MARY'S HERE. THIS IS NO GOOD. 223 00:09:04,578 --> 00:09:05,876 WELL, WE'LL GO SOMEWHERE ELSE. 224 00:09:05,878 --> 00:09:08,846 NO, NO. I WILL NOT LET HER CONTROL MY LIFE. SIR... 225 00:09:08,848 --> 00:09:11,782 WE WOULD LIKE A TABLE AS FAR AWAY FROM THAT WOMAN AS POSSIBLE. 226 00:09:11,784 --> 00:09:12,984 OF COURSE. 227 00:09:12,986 --> 00:09:14,418 HOW IS THE TABLE BY THE WINDOW? 228 00:09:14,420 --> 00:09:15,987 WHAT, IN THE DRAFT? 229 00:09:15,989 --> 00:09:17,822 WELL, WHAT ABOUT NEXT TO THE BAR? 230 00:09:17,824 --> 00:09:20,424 WITH ALL THOSE DRUNKEN BOORS? 231 00:09:20,426 --> 00:09:22,393 WELL, I'M AFRAID THAT LEAVES THIS TABLE HERE. 232 00:09:22,395 --> 00:09:25,630 ALL RIGHT, BUT THIS IS AN OUTRAGE. 233 00:09:25,632 --> 00:09:27,499 YOU'RE SURE YOU'RE ALL RIGHT WITH THIS. 234 00:09:27,501 --> 00:09:31,002 ABSOLUTELY. WE ARE GOING TO HAVE A GOOD TIME. 235 00:09:31,004 --> 00:09:35,339 WHY SHOULD WE LET SOME WACKY COINCIDENCE DAMPEN OUR SPIRITS? 236 00:09:35,341 --> 00:09:36,407 OH. UH. 237 00:09:36,409 --> 00:09:37,408 DICK. 238 00:09:37,410 --> 00:09:38,409 WHY, MARY. 239 00:09:38,411 --> 00:09:39,777 I DIDN'T EXPECT TO SEE YOU HERE. 240 00:09:39,779 --> 00:09:43,514 WHAT A SURPRISE! HELLO, PROVOST, HOW ARE YOU? 241 00:09:43,516 --> 00:09:45,516 SO NICE TO SEE YOU BOTH. 242 00:09:45,518 --> 00:09:47,518 LISTEN, I DON'T WANT TO INTERRUPT YOUR DINNER. 243 00:09:47,520 --> 00:09:49,854 JENNIFER AND I WILL JUST SIT OVER HERE AND NUZZLE. 244 00:09:53,359 --> 00:09:55,826 I CAN'T UNDERSTAND A WORD YOU'RE SAYING. SO LET'S ORDER. 245 00:09:55,828 --> 00:09:58,195 I DON'T KNOW WHY YOU WOULD BRING ME TO A PLACE LIKE THIS. 246 00:09:58,197 --> 00:10:00,197 I'M ALLERGIC TO EVERYTHING ON THE MENU. 247 00:10:00,199 --> 00:10:01,532 WHY, THE BUTTER ALONE-- AAH! 248 00:10:01,534 --> 00:10:04,268 AH! HA HA HA HA HA! 249 00:10:04,270 --> 00:10:05,269 OH, YOU. 250 00:10:19,385 --> 00:10:21,720 QUALITY TIME? 251 00:10:21,722 --> 00:10:24,288 YOU ACTUALLY SAID "QUALITY TIME"? 252 00:10:24,290 --> 00:10:26,857 WELL, I WAS JUST TRYING TO DEFINE-- 253 00:10:26,859 --> 00:10:28,393 IS THAT WHAT WE TALKED ABOUT? 254 00:10:28,395 --> 00:10:30,160 IS THAT WHAT WE TALKED ABOUT?! 255 00:10:30,162 --> 00:10:31,729 NO. 256 00:10:31,731 --> 00:10:33,731 WHEN A MAN HEARS "QUALITY TIME," 257 00:10:33,733 --> 00:10:35,133 HE THINKS IT MEANS 258 00:10:35,135 --> 00:10:38,269 RUB YOUR FEET WHILE YOU WATCH THE LIFETIME CHANNEL. 259 00:10:38,271 --> 00:10:40,204 [WHINING] WELL, WHAT AM I SUPPOSED TO DO? 260 00:10:40,206 --> 00:10:43,207 [MOCKING] WHAT AM I SUPPOSED TO DO? 261 00:10:43,209 --> 00:10:45,276 YOU HAVE REALLY LOST IT. 262 00:10:45,278 --> 00:10:47,211 YOU HAVE LOST YOUR GROOVE THING. 263 00:10:47,213 --> 00:10:48,812 COME ON! 264 00:10:48,814 --> 00:10:52,483 BLOW SMOKE UP HIS EGO, MAKE HIM WANT YOU. 265 00:10:52,485 --> 00:10:53,751 I DON'T KNOW. 266 00:10:53,753 --> 00:10:56,087 YOU... 267 00:10:56,089 --> 00:10:57,688 ARE MARY ALBRIGHT. 268 00:10:57,690 --> 00:11:00,725 YOU FLIRT SHAMELESSLY. 269 00:11:00,727 --> 00:11:04,595 THAT'S WHAT YOU'RE FAMOUS FOR. 270 00:11:04,597 --> 00:11:05,596 I AM? 271 00:11:05,598 --> 00:11:06,630 MM-HMM. 272 00:11:06,632 --> 00:11:09,300 I AM. 273 00:11:09,302 --> 00:11:12,937 NOW, YOU GO OUT THERE AND LIVE UP TO YOUR TRASHY REPUTATION. 274 00:11:12,939 --> 00:11:14,071 I'LL DO IT! 275 00:11:15,775 --> 00:11:16,941 HI, DICK. 276 00:11:16,943 --> 00:11:18,275 MARY. 277 00:11:18,277 --> 00:11:20,745 GEE, I HOPE LAST NIGHT AT THE RESTAURANT 278 00:11:20,747 --> 00:11:22,179 WASN'T TOO AWKWARD FOR YOU. 279 00:11:22,181 --> 00:11:23,881 OHH, NOT AT ALL. 280 00:11:23,883 --> 00:11:25,883 I DON'T KNOW WHETHER YOU NOTICED, BUT, UH, 281 00:11:25,885 --> 00:11:27,618 I WAS WITH JENNIFER. 282 00:11:27,620 --> 00:11:30,221 UH HUH. YOU HAD ON A NEW JACKET LAST NIGHT. I LIKED IT. 283 00:11:30,223 --> 00:11:31,622 OOH, YOU DID, HUH? 284 00:11:31,624 --> 00:11:34,125 I FOUND IT ON A BUS. 285 00:11:34,127 --> 00:11:35,460 PRETTY GOOD FIT, THOUGH, EH? 286 00:11:35,462 --> 00:11:36,628 VERY. 287 00:11:36,630 --> 00:11:38,696 BUT YOU ALWAYS KNOW WHAT LOOKS GOOD ON YOU. 288 00:11:38,698 --> 00:11:39,964 WELL, THAT'S SO TRUE. 289 00:11:39,966 --> 00:11:43,134 HAVE YOU BEEN WORKING OUT? 290 00:11:43,136 --> 00:11:44,302 OH, YEAH. 291 00:11:45,906 --> 00:11:47,738 HEY. WHAT? 292 00:11:47,740 --> 00:11:49,473 I CANCELED MY MEETING TONIGHT. 293 00:11:49,475 --> 00:11:50,475 REALLY? 294 00:11:50,477 --> 00:11:53,845 SO WE CAN DO... WHATEVER YOU WANT. 295 00:11:53,847 --> 00:11:54,913 OH, YEAH? 296 00:11:54,915 --> 00:11:56,781 LET'S SAY WE MAKE IT AN EARLY WEEKEND. 297 00:11:56,783 --> 00:11:58,716 OH, I CAN'T TAKE FRIDAY OFF. 298 00:11:58,718 --> 00:11:59,984 I HAVE A BUDGET MEETING IN THE MORNING. 299 00:11:59,986 --> 00:12:01,752 OHH, LOOK AT THIS. 300 00:12:01,754 --> 00:12:03,654 JENNIFER'S WIDE OPEN ON FRIDAY. 301 00:12:03,656 --> 00:12:06,157 YOU KNOW, SHE IS SO FLEXIBLE. 302 00:12:12,065 --> 00:12:15,500 I'LL SEE HOW OPEN I CAN GET. 303 00:12:19,539 --> 00:12:22,673 MY GOD, IT'S ACTUALLY WORKING! 304 00:12:22,675 --> 00:12:24,742 IF I CAN KEEP THIS GOING ANOTHER FEW DAYS, 305 00:12:24,744 --> 00:12:28,045 I'LL HAVE HER UP TO 6 NIGHTS AND MELROSE MONDAYS. 306 00:12:28,047 --> 00:12:29,513 MELROSEMONDAYS? 307 00:12:29,515 --> 00:12:30,882 OH, JENNIFER. 308 00:12:30,884 --> 00:12:32,283 WHAT HAPPENED TO YOU? 309 00:12:32,285 --> 00:12:33,451 IT'S AN ALLERGIC REACTION. 310 00:12:33,453 --> 00:12:35,720 I TOLD YOU I COULDN'T EAT AT THAT RESTAURANT. 311 00:12:35,722 --> 00:12:37,622 BUT YOU DIDN'T EAT ANYTHING. ALL YOU HAD WAS WATER. 312 00:12:37,624 --> 00:12:40,291 I THINK THERE WAS A LEMON IN IT. 313 00:12:40,293 --> 00:12:41,526 [SNIFFLING] 314 00:12:41,528 --> 00:12:43,695 DICK, I NOTICED SOMETHING LAST NIGHT, 315 00:12:43,697 --> 00:12:47,098 AND I WANT YOU TO BE PERFECTLY HONEST WITH ME. 316 00:12:47,100 --> 00:12:49,634 YOU STILL HAVE FEELINGS FOR MARY, DON'T YOU? 317 00:12:49,636 --> 00:12:52,036 [GASPS] HE DIDN'T ANSWER RIGHT AWAY. 318 00:12:52,038 --> 00:12:54,205 OH, MY GOD. HE DIDN'T ANSWER RIGHT AWAY. 319 00:12:54,207 --> 00:12:55,540 OH, DEAR GOD, JENNIFER, 320 00:12:55,542 --> 00:12:56,641 HE DOES HAVE ARE YOU FEELINGS FOR HER. ALL RIGHT? 321 00:12:56,643 --> 00:12:57,709 [BABBLING] NOW, JENNIFER... 322 00:12:57,711 --> 00:12:59,444 JENNIFER, CALM DOWN! 323 00:12:59,446 --> 00:13:01,779 LOOK, I CAN SEE YOU'RE UPSET, 324 00:13:01,781 --> 00:13:03,381 BUT I THINK IT'S CRUCIAL THAT WE TOUGH IT OUT 325 00:13:03,383 --> 00:13:04,749 FOR ANOTHER 2 OR 3 DAYS, DEPENDING. 326 00:13:04,751 --> 00:13:06,251 OHH. 327 00:13:06,253 --> 00:13:08,186 I SEE WHAT GAME YOU'RE PLAYING. 328 00:13:08,188 --> 00:13:09,587 YOU'VE JUST BEEN USING ME. 329 00:13:09,589 --> 00:13:10,588 NO. 330 00:13:10,590 --> 00:13:12,223 OH, THOU BLIND FOOL, LOVE, 331 00:13:12,225 --> 00:13:14,559 WHAT DOST THOU TO MINE EYES, 332 00:13:14,561 --> 00:13:18,229 THAT THEY BEHOLD, YET SEE NOT WHAT THEY SEE? 333 00:13:18,231 --> 00:13:20,331 J-J-JENNIFER, WAIT! 334 00:13:20,333 --> 00:13:25,236 I DON'T EVEN KNOW WHAT THAT MEANS! 335 00:13:26,739 --> 00:13:28,506 OHH! 336 00:13:28,508 --> 00:13:29,941 WHAT'S THE MATTER? 337 00:13:29,943 --> 00:13:31,075 I'LL TELL YOU WHAT'S THE MATTER. 338 00:13:31,077 --> 00:13:32,577 JENNIFER BROKE UP WITH ME 339 00:13:32,579 --> 00:13:34,812 JUST AS I WAS STARTING TO MAKE SOME REAL HEADWAY WITH MARY! 340 00:13:34,814 --> 00:13:37,948 OH, GOD, WHY DON'T YOU JUST BE HONEST WITH THEM? 341 00:13:37,950 --> 00:13:39,350 IT'S WHAT DON WOULD DO. 342 00:13:39,352 --> 00:13:41,852 I CAN'T! I'VE ALMOST GOT MARY WHERE I WANT HER. 343 00:13:41,854 --> 00:13:43,521 WHAT ARE YOU GONNA DO? 344 00:13:43,523 --> 00:13:46,524 I'VE GOTTA FIND SOME WAY TO WIN THAT HORROR SHOW BACK! 345 00:13:46,526 --> 00:13:48,426 I'M GONNA GO INSANE! 346 00:13:48,428 --> 00:13:50,094 THAT'S NICE. WE'LL MISS YA. 347 00:13:54,934 --> 00:13:56,133 PSST. YOU GUYS READY? 348 00:13:56,135 --> 00:13:58,302 YEAH. WAIT A SECOND, I GOTTA GO GET MY-- 349 00:13:58,304 --> 00:14:00,438 COME ON, COME ON, COME ON! 350 00:14:00,440 --> 00:14:03,408 HEY, GUYS. WHAT ARE YOU GUYS DOING? WHERE YOU GOING? 351 00:14:03,410 --> 00:14:06,277 I-I-I'M JUST TAKING HARRY AND TOMMY... 352 00:14:06,279 --> 00:14:07,445 IN FOR QUESTIONING. 353 00:14:08,748 --> 00:14:11,983 OH, I THOUGHT WE WERE GOIN' BO-- 354 00:14:11,985 --> 00:14:15,452 [STRANGERS IN THE NIGHT] ♪ BO BO-BO-BO ♪ 355 00:14:15,454 --> 00:14:17,789 ♪ BO BO-BO-BO-BO ♪ 356 00:14:22,028 --> 00:14:24,162 ALL RIGHT! ALL RIGHT, TOMMY! 357 00:14:24,164 --> 00:14:25,163 ATTA BOY, BABY! 358 00:14:27,968 --> 00:14:28,967 [BALL HITS PINS] 359 00:14:31,304 --> 00:14:33,304 ALL RIGHT, BOYS, ANOTHER BEER FRAME! 360 00:14:33,306 --> 00:14:35,539 ALL RIGHT! YOU IN THE ZONE, BABY! 361 00:14:35,541 --> 00:14:36,807 COME ON, GET 'EM ALL! 362 00:14:36,809 --> 00:14:37,976 SEE THE BALL, BE THE BALL! 363 00:14:40,813 --> 00:14:41,745 OH, YEAH! 364 00:14:41,747 --> 00:14:42,980 [BALL HITS PINS] AH! 365 00:14:44,317 --> 00:14:45,816 ♪ WHO GOES? ♪ 366 00:14:45,818 --> 00:14:46,817 ♪ WE GOES ♪ 367 00:14:46,819 --> 00:14:48,152 ♪ THE THREE AMIGOS! ♪ 368 00:14:48,154 --> 00:14:51,121 HOO-AHH! 369 00:14:54,994 --> 00:14:56,260 SALLY. 370 00:14:57,497 --> 00:14:58,830 WHERE YA BEEN? 371 00:15:03,536 --> 00:15:07,838 ♪ DIAPHENIA, LIKE THE DAFFDOWNDILLY ♪ 372 00:15:07,840 --> 00:15:11,175 ♪ WHITE AS THE SUN, FAIR AS THE LILY ♪ 373 00:15:11,177 --> 00:15:12,377 ♪ HEIGH-HO ♪ 374 00:15:12,379 --> 00:15:13,677 ♪ HEIGH-HO ♪ 375 00:15:13,679 --> 00:15:15,613 ♪ HOW I DO LOVE THEE ♪ 376 00:15:15,615 --> 00:15:17,882 ♪ I DO LOVE THEE AS MY LAMBS ♪ 377 00:15:17,884 --> 00:15:21,052 ♪ ARE BELOVED OF THEIR DAMS ♪ 378 00:15:21,054 --> 00:15:26,624 ♪ HOW BLEST WERE I IF THOU WOULDST PROVE ME ♪ 379 00:15:26,626 --> 00:15:31,195 ♪ DIAPHENIA, LIKE THE SPREADING ROSES ♪ 380 00:15:31,197 --> 00:15:34,699 ♪ THAT IN THY SWEETS ALL SWEETS ENCLOSES ♪ 381 00:15:34,701 --> 00:15:38,703 ♪ FAIR SWEET, FAIR SWEET, HOW I DO LOVE THEE ♪ 382 00:15:38,705 --> 00:15:41,506 ♪ I DO LOVE THEE AS EACH FLOWER ♪ 383 00:15:41,508 --> 00:15:44,641 ♪ LOVES THE SUN'S LIFE-GIVING POWER ♪ 384 00:15:44,643 --> 00:15:50,881 ♪ FOR, DEAD, THY BREATH TO LIFE MIGHT MOVE ME ♪ 385 00:15:54,220 --> 00:15:56,420 YOU'RE MOCKING MY MADRIGALS. 386 00:15:56,422 --> 00:15:57,788 JENNIFER, NO. 387 00:15:57,790 --> 00:15:59,890 I'M HERE TO WIN BACK YOUR HEART. 388 00:15:59,892 --> 00:16:00,891 [SKEPTICAL] MM-HMM. 389 00:16:00,893 --> 00:16:01,959 FORGIVE ME. 390 00:16:01,961 --> 00:16:04,128 DICK, ARE THOSE ORCHIDS? 391 00:16:04,130 --> 00:16:05,396 YES. 392 00:16:05,398 --> 00:16:06,698 CALL 911. 393 00:16:06,700 --> 00:16:07,899 CALL 911. 394 00:16:07,901 --> 00:16:10,901 NO, NO, NO. IT'S OK. THEY'RE ALL PAID FOR. 395 00:16:10,903 --> 00:16:12,103 GAAAGH! AAH! 396 00:16:12,105 --> 00:16:14,071 OH, MY GOD! SHE'S ALLERGIC! 397 00:16:14,073 --> 00:16:15,139 OH, DAMN! 398 00:16:18,345 --> 00:16:21,245 HONESTLY, SALLY, IT'S NOT WHAT YOU THINK IT IS. 399 00:16:21,247 --> 00:16:24,449 UH, WHAT--WHAT DO YOU THINK IT IS? 400 00:16:24,451 --> 00:16:26,951 YOU WENT BOWLING BEHIND MY BACK. 401 00:16:26,953 --> 00:16:28,919 WITH HARRY AND TOMMY. 402 00:16:28,921 --> 00:16:30,521 HA HA HA HA, NOOOO. 403 00:16:30,523 --> 00:16:31,855 NO. OF COURSE NOT. 404 00:16:31,857 --> 00:16:34,591 WHY ARE YOU WEARING MATCHING BOWLING SHIRTS THEN? 405 00:16:34,593 --> 00:16:36,794 OK, GIVE ME A MINUTE. 406 00:16:39,599 --> 00:16:41,599 HEY, IS--IS THAT A WATER FOUNTAIN? 407 00:16:41,601 --> 00:16:42,600 I THINK IT IS. 408 00:16:42,602 --> 00:16:43,534 LET'S CHECK THAT OUT. 409 00:16:43,536 --> 00:16:45,035 I WOULD LIKE THAT. 410 00:16:45,037 --> 00:16:47,839 WHY DON'T YOU TELL ME THE TRUTH, DON? 411 00:16:47,841 --> 00:16:49,507 JUST BE HONEST. 412 00:16:51,444 --> 00:16:53,077 ALL RIGHT, YOU WANT HONESTY? 413 00:16:53,079 --> 00:16:54,945 I'LL... I'LL GIVE YOU HONESTY. 414 00:16:56,116 --> 00:16:58,216 I HATE BOWLING WITH YOU, SALLY. 415 00:16:58,218 --> 00:17:01,619 I--I ABSOLUTELY HATE IT! 416 00:17:01,621 --> 00:17:03,253 YOU'RE--YOU'RE TERRIBLE. 417 00:17:03,255 --> 00:17:08,459 BY IGNORING THE RULES, YOU JUST SPIT IN THE EYE OF THE PASTIME OF THE GODS. 418 00:17:08,461 --> 00:17:12,630 AND TO BE HONEST, I NEVER WANT TO GO BOWLING WITH YOU AGAIN. 419 00:17:16,703 --> 00:17:18,535 OH, SALLY. 420 00:17:18,537 --> 00:17:20,604 SALLY, I'M KIDDING! 421 00:17:20,606 --> 00:17:22,039 I'M KIDDING! I'M A KIDDER. 422 00:17:22,041 --> 00:17:23,473 I'M JOKING, IT WAS A JOKE. 423 00:17:23,475 --> 00:17:25,008 I--I LOVE BOWLING WITH YOU. 424 00:17:25,010 --> 00:17:26,711 YOU DON'T MEAN THAT. 425 00:17:26,713 --> 00:17:27,878 I... 426 00:17:27,880 --> 00:17:29,213 I DON'T MEAN IT? 427 00:17:29,215 --> 00:17:30,714 YOU DON'T THINK I MEAN IT? 428 00:17:31,984 --> 00:17:34,051 COME ON. 429 00:17:34,053 --> 00:17:35,552 SALLY, IT'S YOUR TURN. 430 00:17:35,554 --> 00:17:37,622 YOU'RE UP. 431 00:17:37,624 --> 00:17:40,658 AND I WANT YOU TO USE... 432 00:17:40,660 --> 00:17:41,826 MY BALL. 433 00:17:43,062 --> 00:17:44,328 YOU MEAN-- 434 00:17:44,330 --> 00:17:45,496 THAT'S RIGHT. 435 00:17:45,498 --> 00:17:46,664 BLUE THUNDER. 436 00:17:48,000 --> 00:17:49,834 [CHOKING BACK SOBS] 437 00:17:53,440 --> 00:17:55,305 OH. OH, DON! 438 00:17:55,307 --> 00:17:57,674 OH! SALLY! 439 00:17:59,178 --> 00:18:00,278 AAH! 440 00:18:00,280 --> 00:18:01,679 DR. SOLOMON! 441 00:18:01,681 --> 00:18:03,681 ♪ HEIGH-HO, HEIGH-HO ♪ 442 00:18:03,683 --> 00:18:05,349 ♪ HOW ARE YOU DOING? ♪ 443 00:18:05,351 --> 00:18:07,184 I'M FINE. ♪ HOW ARE YOU DOING? ♪ 444 00:18:07,186 --> 00:18:08,919 I'M FINE. ♪ HOW ARE YOU DOING? ♪ 445 00:18:08,921 --> 00:18:10,287 I'M FINE! SHUT UP! 446 00:18:10,289 --> 00:18:11,455 WHAT ARE YOU DOING HERE?! 447 00:18:11,457 --> 00:18:13,924 THESE FLOWERS ARE FOR JENNIFER. WHAT?! 448 00:18:13,926 --> 00:18:16,093 IT'S OK. THEY'RE PLASTIC. 449 00:18:16,095 --> 00:18:17,328 BUT SHE'S IN THE HOSPITAL. 450 00:18:17,330 --> 00:18:18,262 NO, SHE'S OUT, 451 00:18:18,264 --> 00:18:19,763 AND COMING HERE. OH! 452 00:18:19,765 --> 00:18:23,800 ♪ DIAPHENIA, LIKE THE SPREADING ROSES ♪ 453 00:18:23,802 --> 00:18:25,702 ♪ THAT IN THY SWEETS ALL SWEETS ENCLOSES ♪ 454 00:18:25,704 --> 00:18:26,703 OH, MY GOD! 455 00:18:26,705 --> 00:18:28,306 WHAT THE HELL WAS THAT? 456 00:18:28,308 --> 00:18:31,476 I'VE GOTTA GET AHOLD OF MARY BEFORE IT'S TOO LATE! 457 00:18:34,847 --> 00:18:36,714 [RING] 458 00:18:36,716 --> 00:18:38,983 DON'T ANSWER THAT! IT'S DR. SOLOMON, 459 00:18:38,985 --> 00:18:40,617 AND HE'S DESPERATE TO TALK TO YOU. 460 00:18:40,619 --> 00:18:41,718 HE IS? 461 00:18:41,720 --> 00:18:43,954 WHOA, WHOA, WHOA, WHOA. 462 00:18:43,956 --> 00:18:46,290 YOU'VE GOT HIM WHERE YOU WANT HIM. 463 00:18:46,292 --> 00:18:51,495 NOW...IT'S TIME TO BE COOL. [SNAP] 464 00:18:51,497 --> 00:18:54,498 HI, MARY, IT'S DICK. I WAS JUST WONDERING HOW YOU WERE DOING. 465 00:18:54,500 --> 00:18:57,101 BUT, UH, YOU JUST WALKED IN, SO WHEN YOU GET THIS MESSAGE, 466 00:18:57,103 --> 00:18:59,403 JUST IGNORE IT. TAKE CARE. BYE. 467 00:18:59,405 --> 00:19:00,938 HELLO, DICK. 468 00:19:00,940 --> 00:19:02,239 MARY, I WAS JUST THINKING ABOUT 469 00:19:02,241 --> 00:19:04,575 WHAT YOU SAID THE OTHER DAY, ABOUT QUALITY TIME. 470 00:19:04,577 --> 00:19:05,576 OH, THAT. 471 00:19:05,578 --> 00:19:08,412 I, UH, JUST WANT YOU TO KNOW 472 00:19:08,414 --> 00:19:10,948 THAT IF YOU'RE STILL WILLING TO MAKE THAT KIND OF COMMITMENT, 473 00:19:10,950 --> 00:19:13,083 I WOULD BE WILLING TO MAKE A SACRIFICE OF MY OWN. 474 00:19:13,085 --> 00:19:14,418 ARE YOU MAKING AN OFFER? 475 00:19:14,420 --> 00:19:17,154 WELL, NO, I'M REALLY JUST PUTTING OUT A FEELER. 476 00:19:17,156 --> 00:19:19,723 I'M NOT SURE IT'S WORTH MY TIME TO RESPOND TO A FEELER. 477 00:19:19,725 --> 00:19:22,493 OH, I THINK THIS IS A FEELER THAT YOU CAN'T REFUSE. 478 00:19:22,495 --> 00:19:27,098 MARY, IF YOU CAN PROMISE ME TO MAKE A GOOD-FAITH EFFORT TO SPEND MORE TIME WITH ME, 479 00:19:27,100 --> 00:19:29,933 I WILL BREAK UP WITH JENNIFER, 480 00:19:29,935 --> 00:19:32,436 DESPITE THE FACT THAT I WILL BE CRUSHING THE FRAIL SOUL 481 00:19:32,438 --> 00:19:34,972 OF A WOMAN ALREADY TEETERING ON THE EDGE OF SANITY. 482 00:19:34,974 --> 00:19:37,474 I CAN LIVE WITH THAT. 483 00:19:37,476 --> 00:19:39,443 OH, MARY! OH, DICK! 484 00:19:39,445 --> 00:19:41,779 OH, MARY! 485 00:19:41,781 --> 00:19:44,282 WHAT DO YOU SAY WE GET OUTTA HERE AND FIND SOMEPLACE NICE? 486 00:19:44,284 --> 00:19:46,950 AND WHEN I SAY GET OUTTA HERE, I MEAN RIGHT NOW! 487 00:19:46,952 --> 00:19:48,652 YOU! JENNIFER! 488 00:19:48,654 --> 00:19:51,122 WHAT WERE YOU DOING TO ME, ORCHIDS?! 489 00:19:51,124 --> 00:19:53,124 I GAVE YOU A LIST OF MY ALLERGIES, 490 00:19:53,126 --> 00:19:55,626 AND WHAT WAS ON THE TOP OF PAGE 6, COLUMN 2? 491 00:19:55,628 --> 00:19:57,094 ORCHIDS! 492 00:19:57,096 --> 00:19:59,030 OK, JENNIFER, BEFORE YOU GO ANY FURTHER, 493 00:19:59,032 --> 00:20:00,464 THERE'S SOMETHING I MUST SAY: 494 00:20:00,466 --> 00:20:02,032 I AM BREAKING UP WITH YOU. 495 00:20:02,034 --> 00:20:03,367 YOU'RE BREAKING UP WITH ME? 496 00:20:03,369 --> 00:20:06,136 YOU'RE BREAKING UP WITH ME?! 497 00:20:06,138 --> 00:20:10,674 I ENDED THIS HIDEOUS TRAVESTY OF A RELATIONSHIP YESTERDAY! 498 00:20:10,676 --> 00:20:12,876 YESTERDAY? SHE--SHE BROKE UP WITH YOU YESTERDAY? 499 00:20:12,878 --> 00:20:15,412 OH, THAT'S RIGHT. YOU BROKE UP WITH ME. 500 00:20:15,414 --> 00:20:16,981 THAT'S HOW IT HAPPENED. 501 00:20:16,983 --> 00:20:18,215 TEETERING. 502 00:20:18,217 --> 00:20:19,650 YOU'RE INCREDIBLE! 503 00:20:19,652 --> 00:20:24,554 YOU ARE SO LUCKY I'M ALLERGIC TO ANY BLOOD OTHER THAN MY OWN, 504 00:20:24,556 --> 00:20:27,858 BECAUSE IF I WEREN'T, I WOULD CUT YOU OPEN FROM STEM TO STERN 505 00:20:27,860 --> 00:20:31,028 AND DANCE IN THE RED, RED RIVER OF YOUR DEATH. 506 00:20:31,030 --> 00:20:32,029 HELP ME, MARY, HELP ME. 507 00:20:32,031 --> 00:20:33,163 OH, GET OUT! 508 00:20:33,165 --> 00:20:37,000 A PLAGUE! A PLAGUE ON YOU, DICK SOLOMON! 509 00:20:37,002 --> 00:20:38,168 AAAAAH! 510 00:20:38,170 --> 00:20:41,271 OH! OH! 511 00:20:41,273 --> 00:20:43,240 I AM SO SORRY, DR. ALBRIGHT. 512 00:20:43,242 --> 00:20:45,242 I DON'T KNOW WHAT CAME OVER ME. 513 00:20:45,244 --> 00:20:47,077 I'M REALLY A VERY DOCILE PERSON. 514 00:20:47,079 --> 00:20:48,212 OH, THAT'S ALL RIGHT. 515 00:20:48,214 --> 00:20:50,681 HE BRINGS THAT OUT IN WOMEN. 516 00:20:50,683 --> 00:20:52,983 COULD I BE TRANSFERRED TO ANOTHER OFFICE? 517 00:20:52,985 --> 00:20:54,284 FIRST THING IN THE MORNING. 518 00:20:54,286 --> 00:20:56,186 I DON'T KNOW WHY I PUT YOU IN HERE IN THE FIRST PLACE. 519 00:20:56,188 --> 00:20:57,487 YOU WANNA GET A DRINK? 520 00:20:57,489 --> 00:20:59,757 OH, I CAN'T GO TO BARS. I'M ALLERGIC TO SMOKE. 521 00:20:59,759 --> 00:21:00,891 I HAVE A FULL BAR IN MY DESK. 522 00:21:00,893 --> 00:21:03,060 LEAD ME. 523 00:21:06,265 --> 00:21:07,531 IT SEEMS LIKE IT SHOULD'VE WORKED. 524 00:21:07,533 --> 00:21:10,200 A TRIANGLE IS THE STRONGEST SHAPE IN GEOMETRY, 525 00:21:10,202 --> 00:21:13,070 BUT SOMEHOW, A LOVE TRIANGLE JUST COLLAPSES. 526 00:21:13,072 --> 00:21:14,538 YEAH, BUT, SEE, THAT'S WHAT I'M TRYING TO TELL YOU. 527 00:21:14,540 --> 00:21:16,974 YOU JUST GOTTA BE HONEST, DICK. LIKE DON. 528 00:21:16,976 --> 00:21:19,343 THERE AREN'T A LOT OF GUYS WHO'D ACTUALLY ADMIT TO-- 529 00:21:19,345 --> 00:21:21,912 WHERE ARE YOU GUYS GOING? 530 00:21:21,914 --> 00:21:23,981 US? WE'RE GOIN' BO-- 531 00:21:23,983 --> 00:21:26,317 ♪ BO-BO BO-BO-BO ♪ 532 00:21:26,319 --> 00:21:29,553 ♪ BO-BO BO-BO-BO ♪ 533 00:21:29,555 --> 00:21:32,556 ♪ BO-BO BO... ♪ 534 00:21:38,130 --> 00:21:41,031 CAPTIONING MADE POSSIBLE BY CARSEY-WERNER PRODUCTIONS AND THE NATIONAL BROADCASTING COMPANY 535 00:21:41,033 --> 00:21:44,234 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 536 00:21:46,172 --> 00:21:47,737 [BALL HITS PINS] AH, STRIKE. 537 00:21:47,739 --> 00:21:49,173 NICE ONE, DON. 538 00:21:49,175 --> 00:21:51,609 BUT THEY'RE STILL WINNING. 539 00:21:51,611 --> 00:21:53,277 WHAT ARE YOU TALKING ABOUT? 540 00:21:53,279 --> 00:21:56,279 AH, WE KEEP KNOCKIN' 'EM DOWN. THEY KEEP COMIN' BACK. 541 00:21:56,281 --> 00:21:58,315 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 542 00:21:58,317 --> 00:22:00,050 I'M GONNA TAKE OUT THEIR HEADQUARTERS. 543 00:22:00,052 --> 00:22:01,485 WHAT? 544 00:22:01,487 --> 00:22:06,089 I'M GONNA DISABLE THE PIN SETTER WITH THIS 16-POUND MAMA.