1
00:00:03,938 --> 00:00:05,337
HEY, CARYN.
2
00:00:05,339 --> 00:00:06,604
OH, HEY, SALLY, LOOK,
3
00:00:06,606 --> 00:00:07,639
YOU'VE GOT TO COME
TO OUR PROTEST.
4
00:00:07,641 --> 00:00:08,807
WHAT'S GOING ON?
5
00:00:08,809 --> 00:00:10,708
PLAYPEN MAGAZINEIS
COMING HERE NEXT WEEK
6
00:00:10,710 --> 00:00:12,377
TO LOOK FOR STUDENTS
TO POSE NAKED.
7
00:00:12,379 --> 00:00:14,179
IT'S THEIR "COEDS
OF THE MIDWEST" ISSUE.
8
00:00:14,181 --> 00:00:15,880
OH, MY GOD.
THEY'RE COMING HERE?
9
00:00:15,882 --> 00:00:18,450
THEY'RE OFFERING $600
TO POSE NAKED.
10
00:00:18,452 --> 00:00:20,152
I MEAN,
HOW DEGRADING IS THAT?
11
00:00:20,154 --> 00:00:22,888
I'M SO SORRY.
DID YOU SAY $600?
12
00:00:22,890 --> 00:00:24,356
CAN YOU BELIEVE THIS?
13
00:00:24,358 --> 00:00:27,158
I MEAN, THEY HAVE
SOME NERVE EXPECTING
THAT THE WOMEN AROUND HERE
14
00:00:27,160 --> 00:00:29,228
ARE JUST GOING TO LINE UP
TO EXPLOIT THEMSELVES.
15
00:00:29,230 --> 00:00:32,630
YEAH, I HATE
WAITING IN LINE.
16
00:00:40,774 --> 00:00:42,474
DR. SOLOMON,
WHAT ARE YOU DOING?
17
00:00:42,476 --> 00:00:45,377
MEASURING MY FACE.
18
00:00:45,379 --> 00:00:47,279
WHY?
19
00:00:47,281 --> 00:00:48,380
I'VE BEEN
PUTTING IT OFF.
20
00:00:51,385 --> 00:00:53,418
OH, DICK, I BROUGHT YOU
YOUR LUNCH. LOOK!
21
00:00:53,420 --> 00:00:57,322
LOOK. PLAYPEN MAGAZINE IS
COMING TO PENDLETON UNIVERSITY
22
00:00:57,324 --> 00:00:59,992
TO LOOK FOR WOMEN
WHO WILL POSE NAKED,
AND I WAS THINKING...
23
00:00:59,994 --> 00:01:02,494
I AM PERFECT FOR THAT.
24
00:01:02,496 --> 00:01:04,562
YOU, SALLY?
25
00:01:04,564 --> 00:01:06,865
MY LITTLE SISTER
POSING FOR A NUDIE RAG.
26
00:01:06,867 --> 00:01:10,535
YOUR EXPOSED BODY
PINNED UP INSIDE EVERY
SCHOOL BOY'S LOCKER
27
00:01:10,537 --> 00:01:12,838
AND MECHANIC'S GARAGE
ACROSS THIS
ENTIRE COUNTRY?
28
00:01:13,840 --> 00:01:15,741
GOOD FOR YOU!
29
00:01:15,743 --> 00:01:18,877
SALLY!
30
00:01:18,879 --> 00:01:20,712
I'M GOING TO GO NOW
AND SIGN UP.
31
00:01:20,714 --> 00:01:23,281
GOOD LUCK, BABY!
32
00:01:23,283 --> 00:01:24,449
SIGN UP FOR WHAT?
33
00:01:24,451 --> 00:01:26,685
TO POSE FOR
PLAYPEN MAGAZINE.
34
00:01:26,687 --> 00:01:28,553
PRETTY NIFTY, HUH?
35
00:01:28,555 --> 00:01:30,655
POSING NUDE. YOU DON'T
HAVE A PROBLEM WITH THAT?
36
00:01:30,657 --> 00:01:31,757
WHY SHOULD I?
37
00:01:31,759 --> 00:01:32,791
BECAUSE IT'S SO DEMEANING.
38
00:01:32,793 --> 00:01:35,327
WHY DO YOU HAVE
SO MANY HANG-UPS
39
00:01:35,329 --> 00:01:37,462
ABOUT THE HUMAN BODY?
40
00:01:37,464 --> 00:01:40,799
IS IT BECAUSE
OF ALL THE HANG-DOWNS?
41
00:01:40,801 --> 00:01:43,235
THIS IS YOUR SISTER
WE'RE TALKING ABOUT.
42
00:01:43,237 --> 00:01:45,403
SO? SHE'S JUST LIKE
ANY OTHER WOMAN.
43
00:01:45,405 --> 00:01:47,972
WOMEN SHOW THEIR BODIES
ALL THE TIME.
44
00:01:47,974 --> 00:01:50,908
GRANTED,
THERE ARE VARIATIONS
IN THE TOPOGRAPHY,
45
00:01:50,910 --> 00:01:53,245
BUT ESSENTIALLY,
IT'S ALL THE SAME MAP.
46
00:01:55,849 --> 00:01:57,782
I JUST THINK THERE'S
SOMETHING TO BE SAID
47
00:01:57,784 --> 00:02:00,285
FOR GOOD
OLD-FASHIONED MODESTY.
48
00:02:00,287 --> 00:02:02,454
WOW, DR. ALBRIGHT,
IT ONLY TOOK YOU
49
00:02:02,456 --> 00:02:04,656
20 YEARS
TO CHANGE YOUR TUNE.
50
00:02:07,261 --> 00:02:09,094
WHAT'S THAT
SUPPOSED TO MEAN?
51
00:02:09,096 --> 00:02:10,361
THAT'S WHEN
SHE POSED NAKED.
52
00:02:10,363 --> 00:02:12,364
NINA!
MARY...
53
00:02:12,366 --> 00:02:13,632
YOU POSED NAKED?
54
00:02:13,634 --> 00:02:15,033
BUH-BYE.
55
00:02:17,204 --> 00:02:18,836
ARE YOU TRYING
TO TELL ME THAT
THERE ARE PICTURES
56
00:02:18,838 --> 00:02:21,172
SOMEWHERE OUT THERE
OF MY MARY ALBRIGHT
57
00:02:21,174 --> 00:02:22,841
NAKED AS A JAYWALKER?
58
00:02:24,411 --> 00:02:27,412
THEY WERE VERY TASTEFUL.
JUST SOME BLACK AND WHITE
ART PHOTOS.
59
00:02:27,414 --> 00:02:29,013
ART PHOTOS!
60
00:02:29,015 --> 00:02:31,483
A SEPIA-TONED SNAPSHOT
OF OLD FAITHFUL--
61
00:02:31,485 --> 00:02:32,851
THAT'S AN ART PHOTO.
62
00:02:32,853 --> 00:02:36,021
BUT YOU JUST SAID
POSING NUDE WAS FINE.
63
00:02:36,023 --> 00:02:39,891
FOR MY LITTLE SISTER,
NOT MY GIRLFRIEND!
64
00:03:10,157 --> 00:03:15,227
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER PRODUCTIONS
AND THE NATIONAL
BROADCASTING COMPANY
65
00:03:17,130 --> 00:03:20,632
ART...SMUT...SMUT...
66
00:03:20,634 --> 00:03:23,201
ART...SMUT.
67
00:03:23,203 --> 00:03:24,302
WAIT A MINUTE.
THAT'S SMUT?
68
00:03:24,304 --> 00:03:25,403
YEAH.
69
00:03:25,405 --> 00:03:27,539
BUT SHE'S SO MUCH
NAKEDER THAN THEY ARE.
70
00:03:27,541 --> 00:03:31,543
YEAH, BUT, YOU SEE,
THIS IS MICHELANGELO
AND THIS IS--
71
00:03:31,545 --> 00:03:33,911
WELL, THIS IS
MICHAEL AND ANGELO.
72
00:03:37,017 --> 00:03:39,350
I'M SORRY. I JUST
DON'T SEE THE DIFFERENCE.
73
00:03:39,352 --> 00:03:42,154
I MEAN, YOU TELL ME THAT
THIS IS MEANT FOR AROUSAL,
74
00:03:42,156 --> 00:03:44,923
AND THIS IS MEANT FOR
AESTHETIC APPRECIATION.
75
00:03:44,925 --> 00:03:46,591
BUT WHEN I LOOK AT THEM,
76
00:03:46,593 --> 00:03:48,626
WELL, THIS WOMAN
WASHING HER SPORTS CAR,
77
00:03:48,628 --> 00:03:50,429
SHE DOES NOTHING FOR ME.
78
00:03:50,431 --> 00:03:53,131
BUT THIS WOMAN WITH
THE APPLE AND THE SNAKE.
79
00:03:55,970 --> 00:03:58,437
WELL, THAT'S JUST HOT.
80
00:04:01,508 --> 00:04:03,041
TOMMY, DO YOU HAVE
A LAB PARTNER?
81
00:04:03,043 --> 00:04:04,076
NO.
82
00:04:04,078 --> 00:04:06,545
HERS IS OUT SICK,
SO SHE'S WITH YOU.
83
00:04:10,183 --> 00:04:11,349
THANKS.
84
00:04:11,351 --> 00:04:12,851
HI. I'M ALISSA.
85
00:04:12,853 --> 00:04:15,153
YEAH, I KNOW. UH, NO,
I MEAN I'M TOMMY.
86
00:04:15,155 --> 00:04:17,055
THAT'S MY NAME.
I'M TOMMY.
87
00:04:17,057 --> 00:04:18,623
YOU KNOW, I THINK WE'VE BEEN
IN CLASS TOGETHER ALL YEAR
88
00:04:18,625 --> 00:04:19,624
AND WE'VE NEVER MET.
89
00:04:19,626 --> 00:04:22,560
NO, WE HAVE NOT
NEVER MET.
90
00:04:22,562 --> 00:04:24,062
I'M--I'M TOMMY.
91
00:04:24,064 --> 00:04:27,732
YEAH, SO, WE'RE TRYING
TO GET THESE FRUIT FLIES
TO MATE, HUH?
92
00:04:27,734 --> 00:04:28,933
YEAH.
93
00:04:28,935 --> 00:04:30,134
WELL, THAT'S KIND
OF COLD, ISN'T IT?
94
00:04:30,136 --> 00:04:32,170
I MEAN,
THEY JUST MET.
95
00:04:32,172 --> 00:04:34,038
WHAT?
96
00:04:34,040 --> 00:04:36,608
CAN YOU IMAGINE
MEETING SOMEBODY
FOR THE FIRST TIME,
97
00:04:36,610 --> 00:04:39,378
AND THEN ALL OF A SUDDEN,
THERE'S PEOPLE TRYING
TO FORCE YOU TO MATE?
98
00:04:39,380 --> 00:04:42,113
THAT'S A LOT OF PRESSURE.
I COULDN'T DO IT.
99
00:04:42,115 --> 00:04:44,583
WELL, IF MY LIFE SPAN
WAS ONLY FOR, LIKE, A DAY,
100
00:04:44,585 --> 00:04:47,052
I THINK I'D BE OK WITH IT.
101
00:04:49,123 --> 00:04:51,156
LET'S LET THEM GO.
102
00:04:51,158 --> 00:04:52,357
ARE YOU SERIOUS?
103
00:04:52,359 --> 00:04:53,925
NO, I MEAN, THEY ONLY
HAVE ONE DAY TO LIVE,
104
00:04:53,927 --> 00:04:55,127
THEY SHOULD
ENJOY THEIR LIVES.
105
00:04:55,129 --> 00:04:56,361
LET THEM GO.
106
00:04:57,897 --> 00:04:59,664
ALL RIGHT. OK.
NO, I'LL LET THEM GO.
107
00:04:59,666 --> 00:05:01,266
I AM LETTING THEM GO.
108
00:05:03,170 --> 00:05:05,136
SOLOMON,
WHAT ARE YOU DOING?
109
00:05:05,138 --> 00:05:06,871
UH, I SLIPPED.
110
00:05:06,873 --> 00:05:08,106
WELL, YOU GET AN "F."
111
00:05:12,012 --> 00:05:14,012
THANK YOU SO MUCH.
112
00:05:14,014 --> 00:05:15,647
I'M SORRY.
I WAS JUST KIDDING.
113
00:05:15,649 --> 00:05:16,881
YOU WERE KIDDING?
114
00:05:16,883 --> 00:05:18,750
I DIDN'T KNOW
YOU'D ACTUALLY DO IT.
115
00:05:18,752 --> 00:05:19,884
YEAH, WELL,
I'M THE KIND OF GUY
116
00:05:19,886 --> 00:05:21,486
THAT ACTUALLY
DOES THINGS.
117
00:05:22,856 --> 00:05:24,522
HOW WAS I
SUPPOSED TO KNOW?
118
00:05:24,524 --> 00:05:27,459
GO AHEAD AND LAUGH.
I'M VERY UPSET.
119
00:05:27,461 --> 00:05:29,260
NO, YOU'RE NOT.
120
00:05:31,564 --> 00:05:32,964
NO, I'M NOT.
121
00:05:35,102 --> 00:05:36,267
I LIKE YOUR LAUGH.
122
00:05:36,269 --> 00:05:37,602
OH, THANK YOU.
123
00:05:37,604 --> 00:05:40,172
[SNORTS]
124
00:05:43,243 --> 00:05:45,310
OK, SALLY,
FIRST THING.
125
00:05:45,312 --> 00:05:49,681
IF YOU WANT TO POSE,
YOU GOT TO HAVE
ALL THE RIGHT MOVES.
126
00:05:49,683 --> 00:05:52,783
I GOT THE RIGHT MOVES,
BABY.
127
00:05:52,785 --> 00:05:54,286
YOU DON'T HAVE
THE MOVES, DO YOU?
128
00:05:54,288 --> 00:05:55,420
NO.
129
00:05:55,422 --> 00:05:56,521
ALL RIGHT.
130
00:05:56,523 --> 00:05:57,655
WELL, THE FIRST THING
YOU GOT TO REMEMBER
131
00:05:57,657 --> 00:05:59,825
IS THE WOMEN
IN THESE MAGAZINES,
132
00:05:59,827 --> 00:06:04,429
THEY ALWAYS
SEEMED SURPRISED
TO SEE THEIR BOOBS.
133
00:06:06,132 --> 00:06:09,067
LIKE THEY'RE SEEING THEM
FOR THE FIRST TIME.
134
00:06:09,069 --> 00:06:10,602
THAT IS SO SEXY.
135
00:06:10,604 --> 00:06:12,737
SO TRY TO REMEMBER
HOW IT FELT
136
00:06:12,739 --> 00:06:15,373
THE FIRST TIME
YOU SAW YOUR BOOBS.
137
00:06:15,375 --> 00:06:18,676
YOU KNOW,
LIKE RIGHT AFTER
WE LANDED ON EARTH.
138
00:06:20,347 --> 00:06:23,214
AAH!
139
00:06:27,754 --> 00:06:30,989
THAT'S GOOD.
140
00:06:30,991 --> 00:06:34,759
NOW TRY IT AFTER YOU
DISCOVERED HOW MUCH
FUN THEY WERE.
141
00:06:36,863 --> 00:06:38,763
THERE YOU GO!
142
00:06:40,434 --> 00:06:42,434
OH, NOW, YOU ALSO
GOT TO REMEMBER
143
00:06:42,436 --> 00:06:45,337
TO LOOK SORT OF
SLEEPY AND PARANOID.
144
00:06:45,339 --> 00:06:46,671
SLEEPY AND PARANOID?
145
00:06:46,673 --> 00:06:48,706
YEAH, YEAH,
'CAUSE THE WOMEN
IN THESE MAGAZINES,
146
00:06:48,708 --> 00:06:51,076
THEY'RE ALWAYS
STRETCHING,
147
00:06:51,078 --> 00:06:54,779
LOOKING BEHIND
THEMSELVES TO SEE IF
SOMEBODY'S WATCHING.
148
00:06:56,249 --> 00:06:58,916
OH, I GOT THIS,
BABY, HUH?
149
00:06:58,918 --> 00:07:01,386
OOH, BUT
DON'T SMILE, OK?
150
00:07:01,388 --> 00:07:03,988
GUYS DON'T LIKE IT
WHEN A WOMAN SMILES.
151
00:07:03,990 --> 00:07:05,122
THEY LIKE THEM POUTY.
152
00:07:05,124 --> 00:07:06,958
OR ANGRY.
153
00:07:06,960 --> 00:07:08,025
ANGRIER!
154
00:07:08,027 --> 00:07:10,127
HATE ME. GOOD!
155
00:07:11,665 --> 00:07:13,631
NOW, YOU'RE
ON A SAFARI.
156
00:07:13,633 --> 00:07:15,367
YOU'RE LISTENING
TO THE BIRDS,
157
00:07:15,369 --> 00:07:16,534
BUT YOU'RE SLEEPY.
158
00:07:16,536 --> 00:07:17,869
GOOD!
159
00:07:19,239 --> 00:07:20,638
YOU'RE LOOKING
THROUGH BINOCULARS,
160
00:07:20,640 --> 00:07:21,906
BUT YOU'RE ANGRY.
161
00:07:21,908 --> 00:07:23,174
NICE!
162
00:07:23,176 --> 00:07:24,275
YOU'RE BEING CHASED
BY A TIGER,
163
00:07:24,277 --> 00:07:26,043
AND IT'S JUST ABOUT
TO CATCH YOU.
164
00:07:26,045 --> 00:07:28,612
ALL OF A SUDDEN,
YOU SEE YOUR BOOBS!
165
00:07:34,554 --> 00:07:36,387
[MUTTERING]
166
00:07:40,460 --> 00:07:43,894
DR. SOLOMON, I WOULDN'T
NORMALLY ASK THIS,
167
00:07:43,896 --> 00:07:46,097
BUT ARE YOU GOING
TO TEACH?
168
00:07:46,099 --> 00:07:47,398
I'VE GOT TOO MUCH
ON MY MIND.
169
00:07:47,400 --> 00:07:48,766
LIKE WHAT?
170
00:07:48,768 --> 00:07:51,436
LIKE WOMEN LEWDLY
EXPOSING THEMSELVES
171
00:07:51,438 --> 00:07:53,404
TO PRURIENT AND
LASCIVIOUS SHUTTERBUGS.
172
00:07:53,406 --> 00:07:54,439
THAT'S WHAT.
173
00:07:54,441 --> 00:07:57,075
OH, WELL, I KNOW HOW
YOU FEEL, DR. SOLOMON,
174
00:07:57,077 --> 00:07:59,944
WHICH IS WHY WE'RE STAGING
A PROTEST THIS FRIDAY.
175
00:07:59,946 --> 00:08:01,012
OH, SHUT UP, CARYN.
176
00:08:03,083 --> 00:08:04,883
THIS HAS NOTHING
TO DO WITH YOUR
STUPID LITTLE PEP RALLY.
177
00:08:04,885 --> 00:08:06,884
THIS IS ABOUT SOMEONE THAT
I'M DEEPLY INVOLVED WITH.
178
00:08:06,886 --> 00:08:07,886
DR. ALBRIGHT?
179
00:08:07,888 --> 00:08:09,587
HOW DID YOU KNOW?
180
00:08:09,589 --> 00:08:11,322
HAVE YOU SEEN
THE PICTURES?
181
00:08:11,324 --> 00:08:13,458
WHAT, THERE ARE PICTURES
OF DR. ALBRIGHT?
182
00:08:13,460 --> 00:08:16,294
THERE ARE
NO NAKED PICTURES!
183
00:08:16,296 --> 00:08:18,262
NAKED PICTURES
OF DR. ALBRIGHT?
184
00:08:18,264 --> 00:08:19,330
COOL.
185
00:08:19,332 --> 00:08:20,531
I'D LIKE TO SEE THOSE.
186
00:08:20,533 --> 00:08:22,834
OH, OVER MY DEAD BODY!
187
00:08:22,836 --> 00:08:24,536
LOOK AT YOU. YOU'RE ALL
OBSESSED WITH NUDITY.
188
00:08:24,538 --> 00:08:26,938
AND IT'S DIRTY,
FILTHY, AND VILE!
189
00:08:26,940 --> 00:08:28,405
IT'S NOT DIRTY,
DR. SOLOMON.
190
00:08:28,407 --> 00:08:30,108
WE ALL COME INTO
THIS WORLD NAKED.
191
00:08:30,110 --> 00:08:32,210
I DIDN'T.
192
00:08:52,465 --> 00:08:53,698
HI, DICK.
193
00:08:58,471 --> 00:09:00,571
HARRY, ARE YOU NAKED
OR AM I SEEING THINGS?
194
00:09:02,141 --> 00:09:03,874
WHY, ACTUALLY,
IT'S A LITTLE OF BOTH.
195
00:09:05,812 --> 00:09:07,579
NO, YOU KNOW, I WAS
JUST TRYING TO FIGURE OUT
196
00:09:07,581 --> 00:09:09,814
IF THIS WHOLE CLOTHING THING
IS JUST A BIG SCAM.
197
00:09:09,816 --> 00:09:10,982
AND YOU KNOW WHAT?
198
00:09:10,984 --> 00:09:12,717
I'M STARTING TO THINK
THAT IT IS.
199
00:09:13,820 --> 00:09:15,220
HEY, GUYS,
WHAT DO YOU THINK
200
00:09:15,222 --> 00:09:16,487
I SHOULD WEAR
TO SCHOOL TOMORROW?
201
00:09:16,489 --> 00:09:18,489
EL NADA!
202
00:09:19,759 --> 00:09:21,226
WHY? WHAT'S GOING ON
AT SCHOOL?
203
00:09:21,228 --> 00:09:24,796
THIS GIRL ALISSA.
204
00:09:24,798 --> 00:09:27,265
I'VE NEVER FELT THIS WAY
ABOUT A GIRL BEFORE.
205
00:09:27,267 --> 00:09:29,534
SHE'S SO DIFFERENT.
YOU KNOW WHAT I MEAN?
206
00:09:29,536 --> 00:09:32,237
I DON'T EVEN KNOW
HOW TO EXPLAIN IT,
BUT SHE'S--
207
00:09:32,239 --> 00:09:34,906
SHE'S JUST
ABSOLUTELY AMAZING.
208
00:09:34,908 --> 00:09:36,341
AM I--AM I NUTS?
209
00:09:36,343 --> 00:09:39,110
TOMMY, TOMMY, TOMMY.
210
00:09:39,112 --> 00:09:42,613
OH, YES, I'VE RIDDEN
ON THAT BUS, TOO.
211
00:09:42,615 --> 00:09:46,017
WHAT YOU'RE GOING THROUGH
IS EXACTLY WHAT I FELT
212
00:09:46,019 --> 00:09:47,285
WHEN I FIRST MET MARY.
213
00:09:47,287 --> 00:09:52,256
MARY? THIS IS NOTHING
LIKE HOW YOU FELT
ABOUT MARY.
214
00:09:52,258 --> 00:09:54,425
THIS IS LOVE.
DO YOU UNDERSTAND?
215
00:09:54,427 --> 00:09:57,228
LOVE. YOU DON'T KNOW
WHAT LOVE IS.
216
00:09:57,230 --> 00:10:00,999
YOU WILL NEVER KNOW
WHAT LOVE IS.
217
00:10:01,001 --> 00:10:02,066
TOMMY, WHEN MARY AND I--
218
00:10:02,068 --> 00:10:04,835
CAN'T I HAVE ANYTHING
OF MY OWN?
219
00:10:09,309 --> 00:10:10,642
YOU WANT ME TO GO
KICK HIS BUTT?
220
00:10:10,644 --> 00:10:12,109
STAY WHERE YOU ARE!
221
00:10:14,681 --> 00:10:15,980
♪ HE'S A COMPLICATED MAN ♪
222
00:10:15,982 --> 00:10:19,250
♪ AND NO ONE UNDERSTANDS
HIM BUT HIS WOMAN ♪
223
00:10:19,252 --> 00:10:20,851
♪ DON SHAFT ♪
224
00:10:22,122 --> 00:10:23,888
OH, DON, I'M SO GLAD
YOU'RE STILL HERE.
225
00:10:23,890 --> 00:10:25,189
HEY, SALLY, WHAT'S UP?
226
00:10:25,191 --> 00:10:27,291
YOU KNOW
PLAYPEN MAGAZINE?
227
00:10:27,293 --> 00:10:30,361
NO.
228
00:10:30,363 --> 00:10:32,797
SURE, YOU DO. YOU KEEP
THEM UNDER THE COUCH.
229
00:10:34,968 --> 00:10:36,467
OH, THOSE?
THOSE AREN'T MINE.
230
00:10:36,469 --> 00:10:38,703
THOSE CAME
WITH THE COUCH.
231
00:10:38,705 --> 00:10:41,406
OH, GOD, NOW YOU
THINK I'M A PERV.
232
00:10:41,408 --> 00:10:44,475
NO, I DON'T. YOU LIKE
TO LOOK AT NAKED LADIES.
233
00:10:44,477 --> 00:10:46,210
IT'S PERFECTLY NORMAL.
234
00:10:46,212 --> 00:10:49,013
WHY, YES, IT IS.
235
00:10:49,015 --> 00:10:50,415
THAT'S WHY I COULDN'T
WAIT TO TELL YOU.
236
00:10:50,417 --> 00:10:52,150
I AM SO EXCITED.
237
00:10:52,152 --> 00:10:54,986
I'VE DECIDED TO POSE
FOR PLAYPEN.
238
00:10:57,490 --> 00:10:58,423
ISN'T THAT GREAT?
239
00:10:59,725 --> 00:11:02,093
YOU, SALLY, POSE NAKED?!
240
00:11:02,095 --> 00:11:03,495
WHAT'S THE MATTER, DON?
241
00:11:03,497 --> 00:11:04,862
WHAT'S THE MATTER?
242
00:11:04,864 --> 00:11:07,265
SALLY, I DON'T WANT
YOU POSING NAKED
FOR SOME MAGAZINE.
243
00:11:07,267 --> 00:11:09,934
BUT YOU LOVE
THESE MAGAZINES.
244
00:11:09,936 --> 00:11:13,070
I MEAN, YOU MUST.
THIS ONE'S FALLING APART.
245
00:11:13,072 --> 00:11:14,405
NO!
246
00:11:14,407 --> 00:11:16,040
THAT'S DIFFERENT.
247
00:11:16,042 --> 00:11:18,710
HOW?
WELL, THEY'RE NOT YOU,
THAT'S HOW.
248
00:11:18,712 --> 00:11:21,078
LISTEN, SALLY, I KNOW
WHAT KIND OF PEOPLE
READ THESE THINGS
249
00:11:21,080 --> 00:11:23,414
AND WHAT THEY'RE
THINKING WHEN I DO.
250
00:11:25,485 --> 00:11:29,920
AND I'M SORRY,
BUT YOU ARE NOT POSING
AND THAT'S FINAL!
251
00:11:36,496 --> 00:11:41,599
WELL, TAKE A GOOD LONG LOOK
AT THESE BABIES, DON,
252
00:11:41,601 --> 00:11:43,901
'CAUSE THE NEXT TIME
YOU SEE THEM,
253
00:11:43,903 --> 00:11:46,471
THEY'LL BE IN A MAGAZINE!
254
00:11:46,473 --> 00:11:47,671
AAH!
255
00:11:51,644 --> 00:11:53,477
WHAT'S THE MATTER
WITH THESE WOMEN?
256
00:11:53,479 --> 00:11:56,214
YOU GIVE AND GIVE, AND
ALL THEY WANT TO DO
IS POSE NAKED.
257
00:11:56,216 --> 00:11:57,749
YEAH.
258
00:11:57,751 --> 00:12:00,451
AND THEN THEY COVER IT
UP BY CALLING IT ART.
WHAT A BUNCH OF HOOEY.
259
00:12:00,453 --> 00:12:01,785
WHEN THOSE PICTURES
COME OUT,
260
00:12:01,787 --> 00:12:03,687
MY LIFE IS GOING
TO BE A LIVING HELL.
261
00:12:03,689 --> 00:12:05,489
IT MAKES
MY BLOOD RUN COLD.
262
00:12:05,491 --> 00:12:08,526
MY ANGEL IS A CENTERFOLD.
263
00:12:10,029 --> 00:12:12,196
SOME SCUM OF THE EARTH
DIRT PEDDLER
264
00:12:12,198 --> 00:12:14,398
IS OUT THERE
WITH PICTURES
OF MY MARY ALBRIGHT,
265
00:12:14,400 --> 00:12:16,367
AND WHAT CAN I DO?
266
00:12:16,369 --> 00:12:18,469
YOU CAN GET
THOSE PICTURES BACK.
267
00:12:18,471 --> 00:12:19,570
WILL YOU HELP ME?
268
00:12:19,572 --> 00:12:20,838
DAMN RIGHT I WILL.
269
00:12:20,840 --> 00:12:22,941
WILL YOU ABUSE
YOUR POLICE POWERS
TO DO IT?
270
00:12:22,943 --> 00:12:25,777
I THINK THAT'S A GIVEN.
271
00:12:25,779 --> 00:12:27,611
YOU'RE A MAN
AMONG MEN, DON.
272
00:12:27,613 --> 00:12:29,947
A MAN AMONG MEN.
273
00:12:29,949 --> 00:12:30,982
MORE CHIPS?
274
00:12:30,984 --> 00:12:32,116
YEAH.
275
00:12:39,158 --> 00:12:40,858
I'M JUST GETTING
A COOKIE.
276
00:12:44,630 --> 00:12:46,097
MAYBE A CHIP.
277
00:12:54,407 --> 00:12:56,707
♪ MY ANGEL
IS A CENTERFOLD ♪
278
00:12:58,011 --> 00:13:00,445
HEY, I THOUGHT YOU GUYS
WERE COMING OVER.
279
00:13:00,447 --> 00:13:01,512
WHAT?
280
00:13:01,514 --> 00:13:03,381
OH, RIGHT. I FORGOT
TO INVITE YOU.
281
00:13:04,817 --> 00:13:05,950
WELL, HEY,
NOW THAT I'M HERE,
282
00:13:05,952 --> 00:13:07,952
I WAS WONDERING
IF I COULD, UM,
283
00:13:07,954 --> 00:13:09,420
DISCUSS SOMETHING
WITH YOU.
284
00:13:09,422 --> 00:13:11,923
YOU KNOW,
ONE PIN-UP TO ANOTHER.
285
00:13:11,925 --> 00:13:15,493
OH, WELL, I HARDLY
CONSIDER MYSELF A PIN-UP.
286
00:13:15,495 --> 00:13:18,362
HA HA, WELL, DUH,
NOT ANYMORE.
287
00:13:18,364 --> 00:13:19,898
YOU SEE, LISTEN...
288
00:13:19,900 --> 00:13:22,399
DON AND I GOT INTO
THIS REAL HUGE FIGHT
289
00:13:22,401 --> 00:13:25,002
AND NOW HE'S FORBIDDING ME
TO POSE IN THE MAGAZINE.
290
00:13:25,004 --> 00:13:26,270
OH, THAT IS SO TYPICAL.
291
00:13:26,272 --> 00:13:28,239
MEN ARE SO TERRITORIAL.
292
00:13:28,241 --> 00:13:30,074
LIKE THEY HAVE A DEED
TO YOUR BODY.
293
00:13:30,076 --> 00:13:33,944
EXACTLY. I POSE
FOR A FEW PHOTOS
IN AN ART CLASS
294
00:13:33,946 --> 00:13:35,880
20 YEARS BEFORE
I EVEN KNEW DICK,
295
00:13:35,882 --> 00:13:38,082
AND HE IS SO BENT
OUT OF SHAPE.
296
00:13:38,084 --> 00:13:41,952
YOU GUYS, IT'S JUST THAT
DON IS REALLY, REALLY UPSET.
297
00:13:41,954 --> 00:13:44,555
WELL, BOO-HOO
FOR DON.
298
00:13:44,557 --> 00:13:46,925
SEE, I JUST DON'T KNOW
IF I SHOULD POSE OR NOT.
299
00:13:46,927 --> 00:13:48,959
WHY, JUST BECAUSE
DON THINKS HE OWNS YOU?
300
00:13:48,961 --> 00:13:51,095
HE CAN'T TELL YOU
WHAT TO DO WITH YOUR BODY.
301
00:13:51,097 --> 00:13:54,299
THAT'S RIGHT. IF WE ARE
EVER GOING TO MAKE
ANY PROGRESS AS WOMEN,
302
00:13:54,301 --> 00:13:56,100
WE'VE GOT TO DO
WHAT WE WANT TO DO
303
00:13:56,102 --> 00:13:58,436
AND NOT WHAT
OUR BOYFRIENDS
TELL US TO DO.
304
00:13:58,438 --> 00:13:59,904
SO, I SHOULD POSE?
305
00:13:59,906 --> 00:14:03,474
IF YOU WANT DON
TO RESPECT YOU
AS A WOMAN,
306
00:14:03,476 --> 00:14:05,009
YOU HAVE TO.
307
00:14:18,758 --> 00:14:21,426
HEY, TOMMY,
YOU WANT A BLT?
308
00:14:21,428 --> 00:14:22,559
NO, I'M NOT HUNGRY.
309
00:14:22,561 --> 00:14:24,028
OH, WHAT'S WRONG?
310
00:14:24,030 --> 00:14:26,363
OH! AH! AH! AH! AAH!
311
00:14:29,269 --> 00:14:31,702
IT'S THIS GIRL ALISSA,
YOU KNOW.
312
00:14:31,704 --> 00:14:33,070
SHE DIDN'T SHOW UP
TO CLASS TODAY.
313
00:14:33,072 --> 00:14:34,338
SO?
314
00:14:34,340 --> 00:14:37,108
SO--SO OBVIOUSLY SHE THINKS
I'M SUCH A LOSER
315
00:14:37,110 --> 00:14:39,744
THAT SHE'D RATHER TRANSFER
TO ANOTHER CLASS
316
00:14:39,746 --> 00:14:41,245
THAN BE MY LAB PARTNER.
317
00:14:41,247 --> 00:14:43,781
MAYBE SHE'S SICK.
318
00:14:43,783 --> 00:14:44,882
SICK?
319
00:14:44,884 --> 00:14:47,085
YEAH, YOU KNOW,
THE FLU'S GOING AROUND.
320
00:14:48,220 --> 00:14:51,822
SICK. SHE'S SICK.
THAT'S GREAT!
321
00:14:51,824 --> 00:14:53,023
HARRY, YOU'RE BRILLIANT!
322
00:14:53,025 --> 00:14:54,525
OH, I KNOW--
323
00:14:54,527 --> 00:14:56,661
OH, AH, AH, AH, AAH!
324
00:14:57,997 --> 00:14:59,363
AAH!
325
00:15:05,071 --> 00:15:08,539
HA HA, LOOK AT THIS SMUT.
326
00:15:08,541 --> 00:15:09,673
HI, CAN I HELP YOU?
327
00:15:09,675 --> 00:15:11,308
ALL RIGHT, BUDDY,
WHERE ARE THEY?
DICK!
328
00:15:11,310 --> 00:15:12,677
WHAT ARE YOU
TALKING ABOUT, MAN?
329
00:15:12,679 --> 00:15:14,245
DON'T PLAY DUMB WITH ME,
BUSTER, THE PICTURES.
330
00:15:14,247 --> 00:15:15,246
WHERE ARE THE PICTURES?
331
00:15:15,248 --> 00:15:18,215
DICK, SIT DOWN,
SIT DOWN, SIT DOWN!
332
00:15:18,217 --> 00:15:20,652
I'LL HANDLE THIS.
333
00:15:20,654 --> 00:15:22,787
HE'S A LITTLE UPSET.
334
00:15:22,789 --> 00:15:25,322
IT SEEMS THAT YOU
TOOK NAKED PICTURES
335
00:15:25,324 --> 00:15:27,224
OF HIS GIRLFRIEND
20 YEARS AGO
336
00:15:27,226 --> 00:15:29,026
AND HE WANTS THEM BACK.
337
00:15:29,028 --> 00:15:30,661
20 YEARS AGO?
338
00:15:30,663 --> 00:15:32,729
MAN, I'VE TAKEN PICTURES
OF THOUSANDS OF PEOPLE.
339
00:15:32,731 --> 00:15:34,831
THERE'S NO WAY I'M
GOING TO REMEMBER HER.
340
00:15:34,833 --> 00:15:36,300
THE NAME'S
MARY ALBRIGHT.
341
00:15:36,302 --> 00:15:38,269
OH, YEAH,
WHAT A HOTTIE!
342
00:15:38,271 --> 00:15:39,370
OH, I'LL KILL HIM!
343
00:15:39,372 --> 00:15:41,639
LET HIM GO!
LET HIM GO!
344
00:15:41,641 --> 00:15:44,008
LET...HIM...GO!
345
00:15:48,381 --> 00:15:49,680
[SIGHS]
346
00:15:52,385 --> 00:15:53,884
[DOORBELL RINGS]
347
00:15:59,291 --> 00:16:00,391
TOMMY.
348
00:16:00,393 --> 00:16:01,391
HI.
349
00:16:01,393 --> 00:16:02,860
WHAT ARE YOU
DOING HERE?
350
00:16:02,862 --> 00:16:05,496
UH, WELL, I WAS JUST
IN THE NEIGHBORHOOD,
351
00:16:05,498 --> 00:16:07,365
AND I THOUGHT I'D STOP BY
AND, YOU KNOW,
352
00:16:07,367 --> 00:16:09,033
SEE--SEE HOW
YOU'RE FEELING.
353
00:16:09,035 --> 00:16:12,203
OH, UH, WELL, I WAS
BARFING A LOT EARLIER
354
00:16:12,205 --> 00:16:16,173
AND NOW I'M NOT
BARFING AS MUCH.
355
00:16:16,175 --> 00:16:17,975
OH, I BROUGHT YOU
SOME SOUP.
356
00:16:17,977 --> 00:16:21,545
UH, YOU KNOW THAT THEY SAY
THAT IT'S GOOD, UM, FOOD.
357
00:16:21,547 --> 00:16:22,913
YOU BROUGHT ME SOUP.
358
00:16:22,915 --> 00:16:25,216
YEAH, YEAH,
TO HELP YOU FEEL BETTER.
359
00:16:25,218 --> 00:16:27,752
DO YOU ALWAYS BRING SOUP
TO GIRLS YOU LIKE?
360
00:16:27,754 --> 00:16:31,722
L-L-LIKE? YOU?
NO, NO, I DON'T LIKE YOU.
361
00:16:31,724 --> 00:16:34,025
NO, NO, NO, I MEAN
I DON'T HATE YOU.
362
00:16:34,027 --> 00:16:36,694
I MEAN I JUST MET YOU,
BUT I DON'T LIKE YOU,
363
00:16:36,696 --> 00:16:38,095
YOU KNOW, LIKE YOU.
364
00:16:38,097 --> 00:16:39,763
THEN WHY'D YOU
BRING ME SOUP?
365
00:16:39,765 --> 00:16:42,633
BECAUSE--BECAUSE
YOU'RE MY LAB PARTNER,
THAT'S WHY.
366
00:16:42,635 --> 00:16:46,070
IT'S STRICTLY, UH, STRICTLY
LAB-RELATED GESTURE HERE.
367
00:16:47,640 --> 00:16:48,939
YEAH, BUT TO JUMP
TO ME LIKING YOU,
368
00:16:48,941 --> 00:16:50,408
THAT'S UH, THAT'S VERY, UH,
YOU'RE JUMPING.
369
00:16:50,410 --> 00:16:52,676
I MEAN, MAYBE YOU LIKE ME.
370
00:16:52,678 --> 00:16:53,877
YOU KNOW, MAYBE THAT'S IT.
371
00:16:53,879 --> 00:16:55,979
IN--IN WHICH CASE,
WE CAN TALK.
372
00:16:55,981 --> 00:16:57,347
BUT--BUT OK, LOOK,
373
00:16:57,349 --> 00:16:58,849
I'M TRYING TO PRESERVE
A LITTLE DIGNITY HERE.
374
00:16:58,851 --> 00:17:02,419
YOU KNOW, SO WHY DON'T YOU
JUST GIVE ME BACK MY SOUP?
375
00:17:02,421 --> 00:17:04,254
TOMMY, I'M SORRY.
376
00:17:04,256 --> 00:17:05,690
I SHOULDN'T HAVE
SAID ANYTHING.
NOW I FEEL STUPID.
377
00:17:05,692 --> 00:17:07,457
YEAH, WELL,
THERE YOU HAVE IT.
378
00:17:08,961 --> 00:17:10,795
SEE YA!
YEAH, OK.
379
00:17:17,970 --> 00:17:19,837
[DOORBELL RINGS]
380
00:17:27,814 --> 00:17:29,814
GOOD-BYE, NAKED MARY.
381
00:17:31,450 --> 00:17:34,151
YOU SHALL
TAUNT ME NO MORE.
382
00:17:42,995 --> 00:17:45,029
OH, MY GOD!
383
00:17:45,031 --> 00:17:46,931
THESE ARE BEAUTIFUL.
384
00:17:46,933 --> 00:17:48,199
THE LIGHT...
385
00:17:48,201 --> 00:17:49,666
THE LINES...
386
00:17:49,668 --> 00:17:51,202
THE LEGS...
387
00:17:51,204 --> 00:17:52,703
THE LOINS.
388
00:17:55,475 --> 00:17:56,640
WHAT ARE YOU DOING?
389
00:17:56,642 --> 00:17:59,177
MARY, I WAS LOOKING
AT YOUR PICTURES.
390
00:17:59,179 --> 00:18:00,244
WHAT PICTURES?
OF YOU.
391
00:18:00,246 --> 00:18:01,712
FROM WHERE?
IN THE BUFF.
392
00:18:01,714 --> 00:18:03,380
NO!
YES!
393
00:18:03,382 --> 00:18:04,581
WHERE DID YOU GET THOSE?
394
00:18:04,583 --> 00:18:05,849
I ROUGHED UP
THE PHOTOGRAPHER.
395
00:18:05,851 --> 00:18:06,784
YOU WHAT?!
396
00:18:06,786 --> 00:18:07,918
AND I WAS GOING
TO DESTROY THEM.
397
00:18:07,920 --> 00:18:10,120
OH, YOU'RE A JEALOUS FOOL,
DICK SOLOMON.
398
00:18:11,223 --> 00:18:13,657
AND THEN I SAW THEM.
399
00:18:13,659 --> 00:18:14,725
LOOK.
NO.
400
00:18:14,727 --> 00:18:16,527
NO, NO, MARY, LOOK.
401
00:18:18,331 --> 00:18:20,898
BOY, I WAS A HOTTIE,
WASN'T I?
402
00:18:22,034 --> 00:18:23,867
YOU SURE WERE.
403
00:18:23,869 --> 00:18:25,469
I WISH I LOOKED
LIKE THAT NOW.
404
00:18:25,471 --> 00:18:27,505
OH, MARY, NO.
405
00:18:27,507 --> 00:18:31,074
I THINK THAT YOU'VE AGED
LIKE A FINE WINE.
406
00:18:31,076 --> 00:18:32,876
AND I'VE BEEN OFF
THE BOTTLE FOR TOO LONG.
407
00:18:39,785 --> 00:18:43,253
OH, DICK...STOP.
408
00:18:43,255 --> 00:18:46,724
COME ON, MARY. LET'S
TAKE SOME PICTURES.
409
00:18:46,726 --> 00:18:48,492
OH, WE CAN'T.
410
00:18:48,494 --> 00:18:49,560
THEN LET'S
JUST GET NAKED.
411
00:18:49,562 --> 00:18:51,295
DICK!
412
00:18:51,297 --> 00:18:52,430
LOCK THE DOORS!
413
00:19:03,208 --> 00:19:04,408
CHUNKY CHICKEN.
414
00:19:04,410 --> 00:19:05,709
WHAT?
415
00:19:05,711 --> 00:19:08,245
THE SOUP. GOOD CALL.
416
00:19:08,247 --> 00:19:13,417
OH, THANK YOU.
I'M GLAD YOU LIKED IT.
417
00:19:13,419 --> 00:19:14,785
EXCUSE ME
FOR JUST A SECOND.
418
00:19:34,874 --> 00:19:37,174
SALLY, AREN'T YOU
SUPPOSED TO BE
419
00:19:37,176 --> 00:19:39,843
CAVORTING NAKED IN
FRONT OF A CAMERA
RIGHT NOW?
420
00:19:41,247 --> 00:19:44,414
YEAH, I'M SUPPOSED TO BE,
BUT THEY DIDN'T WANT ME.
421
00:19:44,416 --> 00:19:46,050
WHY?
422
00:19:46,052 --> 00:19:48,085
I'M TOO OLD.
423
00:19:48,087 --> 00:19:50,187
WHAT? NO.
424
00:19:50,189 --> 00:19:54,325
HE SAID THAT
I WAS TOO OLD-LOOKING
TO BE A COLLEGE STUDENT.
425
00:19:54,327 --> 00:19:57,060
I MEAN, REALLY, DICK,
DO I LOOK TOO OLD
TO BE A COLLEGE STUDENT?
426
00:19:57,062 --> 00:19:58,529
YOU?
427
00:20:01,834 --> 00:20:03,300
WELL, IF YOU THINK
OF YOURSELF AS SOMEONE
428
00:20:03,302 --> 00:20:05,836
WHO'S DROPPED OUT
FOR A FEW YEARS
TO EXPLORE THE WORLD,
429
00:20:05,838 --> 00:20:10,407
THEN, YEAH, YEAH, YOU DO
LOOK A LITTLE OLD.
430
00:20:10,409 --> 00:20:12,543
OH, DICK.
431
00:20:12,545 --> 00:20:14,712
OH, COME HERE.
432
00:20:14,714 --> 00:20:18,516
OH, SALLY,
SALLY, SALLY.
433
00:20:20,353 --> 00:20:24,121
THERE'S A RIPENESS THAT
COMES WITH GROWING OLDER.
434
00:20:24,123 --> 00:20:25,589
MAYBE IT'S WHAT
THEY CALL MATURITY,
435
00:20:25,591 --> 00:20:27,591
BUT IT'S
WHAT I CALL BEAUTY.
436
00:20:27,593 --> 00:20:29,226
AND YOU, SALLY...
437
00:20:29,228 --> 00:20:32,363
YOU GROW MORE BEAUTIFUL
EVERY DAY.
438
00:20:33,799 --> 00:20:34,931
YOU THINK SO?
439
00:20:34,933 --> 00:20:36,733
WELL, LOOK AT YOU.
440
00:20:36,735 --> 00:20:39,002
YOUR BIG, BEAUTIFUL EYES...
441
00:20:39,004 --> 00:20:41,338
YOUR LONG, SILKY HAIR...
442
00:20:41,340 --> 00:20:43,541
THE CURVE OF YOUR NECK...
443
00:20:43,543 --> 00:20:46,377
YOUR SUPPLE WHITE SKIN...
444
00:20:46,379 --> 00:20:48,578
YOUR SEXY RED LIPS.
445
00:20:50,516 --> 00:20:53,017
I'M A LITTLE CREEPED OUT
RIGHT NOW.
446
00:20:57,123 --> 00:20:58,455
SO, DON MUST
HAVE BEEN RELIEVED
447
00:20:58,457 --> 00:21:00,090
THAT YOU'RE NOT
POSING FOR PLAYPEN.
448
00:21:00,092 --> 00:21:01,591
YEAH, WELL,
HE WAS AT FIRST,
449
00:21:01,593 --> 00:21:03,694
THEN HE GOT TICKED OFF
THAT THEY TURNED ME DOWN.
450
00:21:03,696 --> 00:21:05,562
HE GOT SO ANGRY,
451
00:21:05,564 --> 00:21:08,532
HE CANCELED
HIS LIFETIME SUBSCRIPTION.
452
00:21:08,534 --> 00:21:10,567
WHOA, REALLY?
453
00:21:10,569 --> 00:21:13,137
YEAH. HE'S GOING
YEAR TO YEAR NOW.
454
00:21:14,606 --> 00:21:15,973
YEAH, HE'S
A GREAT GUY, DON.
455
00:21:15,975 --> 00:21:19,143
YEAH, SO, HEY,
YOU SEEN ALISSA NAKED YET?
456
00:21:19,145 --> 00:21:20,778
OH, NO, NO, NO, SALLY,
IT'S NOT LIKE THAT.
457
00:21:20,780 --> 00:21:22,413
YOU SEE, WHAT I FEEL
TOWARDS HER,
458
00:21:22,415 --> 00:21:24,515
IT'S ON A MUCH
HIGHER PLANE, YOU KNOW.
459
00:21:24,517 --> 00:21:27,718
BASED ON
HER INTELLIGENCE
AND HER CHARISMA
460
00:21:27,720 --> 00:21:30,754
AND HER INNER BEAUTY.
461
00:21:30,756 --> 00:21:32,723
BUT, BOY, I'D LIKE TO.
462
00:21:32,725 --> 00:21:37,327
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER PRODUCTIONS
AND THE NATIONAL
BROADCASTING COMPANY
463
00:21:38,163 --> 00:21:39,563
NOW, DO YOU SEE THE USE
464
00:21:39,565 --> 00:21:41,298
OF SHADOW AND LIGHT
IN THIS ONE?
465
00:21:41,300 --> 00:21:42,399
NOW, THAT IS ART.
466
00:21:42,401 --> 00:21:43,500
OH, YEAH.
467
00:21:43,502 --> 00:21:44,968
DID YOU SEE
THIS ONE, LEON?
468
00:21:44,970 --> 00:21:45,969
NO.
469
00:21:45,971 --> 00:21:48,238
OH, DR. SOLOMON,
470
00:21:48,240 --> 00:21:49,239
YOU'RE A LUCKY MAN.
471
00:21:49,241 --> 00:21:51,374
THANK YOU, BUG.
472
00:21:51,376 --> 00:21:53,009
DR. SOLOMON,
I JUST DON'T THINK
THAT THIS IS AT ALL--
473
00:21:53,011 --> 00:21:54,812
OH, SHUT UP, CARYN.
474
00:21:54,814 --> 00:21:56,880
AND THIS ONE
SHE JUST GOES ALL OUT.
475
00:21:56,882 --> 00:21:58,215
THAT'S WHAT I LIKE
ABOUT IT.
476
00:21:58,217 --> 00:21:59,784
DICK, YOU WANTED
TO SEE ME?
477
00:21:59,786 --> 00:22:01,251
HERE SHE IS, GUYS!
478
00:22:01,253 --> 00:22:04,121
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.
479
00:22:04,123 --> 00:22:06,257
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE