1
00:00:03,938 --> 00:00:06,304
HARRY: HI.
RESERVATION
FOR SOLOMON.

2
00:00:06,306 --> 00:00:07,172
RIGHT THIS WAY.

3
00:00:07,174 --> 00:00:09,374
UH, YOU MUST
BE NEW HERE.

4
00:00:09,376 --> 00:00:10,308
THAT'S OUR TABLE.

5
00:00:10,310 --> 00:00:11,477
YEAH.

6
00:00:11,479 --> 00:00:13,378
OH, I'M SORRY.
THAT TABLE'S RESERVED.

7
00:00:13,380 --> 00:00:16,681
THAT'S RIGHT.
RESERVED FOR US.

8
00:00:16,683 --> 00:00:20,218
SIR, THIS IS
A GAS RECEIPT.

9
00:00:20,220 --> 00:00:23,588
3 GALLONS WORTH.

10
00:00:23,590 --> 00:00:26,691
UH, LOOK,
DO YOU WANT THIS
TO GET UGLY?

11
00:00:26,693 --> 00:00:28,193
'CAUSE, UM--AHEM--

12
00:00:28,195 --> 00:00:31,430
I AM JONESING
FOR SOME UGLY.

13
00:00:31,432 --> 00:00:33,131
I'M SORRY,
BUT THAT TABLE

14
00:00:33,133 --> 00:00:35,267
IS RESERVED
FOR THE OWNER TONIGHT.

15
00:00:35,269 --> 00:00:37,602
MAYBE YOU DON'T
KNOW WHO YOU'RE
TALKING TO.

16
00:00:37,604 --> 00:00:39,938
WHEN I COME HERE
ON MY BIRTHDAY,

17
00:00:39,940 --> 00:00:41,673
I GET A FREE ENTREE,

18
00:00:41,675 --> 00:00:43,475
WHEN I BUY
AN ENTREE,

19
00:00:43,477 --> 00:00:44,776
PROVIDING I PAY...

20
00:00:44,778 --> 00:00:46,912
FOR THE MORE
EXPENSIVE ENTREE!

21
00:00:46,914 --> 00:00:51,183
JUST GIVE US THE TABLE,
YOU COW-MURDERING BASTARD,
OR I SWEAR I'LL--

22
00:00:54,854 --> 00:00:57,822
WHOA!

23
00:00:57,824 --> 00:00:59,157
DID YOU SEE THAT?!

24
00:00:59,159 --> 00:01:01,993
MY GOD, WE COULD
HAVE BEEN KILLED!

25
00:01:01,995 --> 00:01:05,263
BUT WE WEREN'T, TOMMY.

26
00:01:05,265 --> 00:01:07,599
WE WEREN'T.

27
00:01:07,601 --> 00:01:08,533
WE'RE ALIVE.

28
00:01:08,535 --> 00:01:10,435
WE ARE.

29
00:01:10,437 --> 00:01:14,372
THANK GOD
WE DIDN'T GET
THAT TABLE.

30
00:01:14,374 --> 00:01:16,942
BLESS YOU
FOR BEING
SUCH A JERK!

31
00:01:16,944 --> 00:01:18,976
THANKS, JACKASS!

32
00:01:18,978 --> 00:01:21,313
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER PRODUCTIONS

33
00:01:21,315 --> 00:01:54,112
AND THE NATIONAL
BROADCASTING COMPANY

34
00:01:56,250 --> 00:01:58,984
LOOK AT THE WAY
THAT TREE DIVIDES--

35
00:01:58,986 --> 00:02:02,420
2 ENORMOUS TREES
COMING FROM ONE.

36
00:02:02,422 --> 00:02:06,058
I BELIEVE THEY CALL THAT
THE CROTCH OF THE TREE.

37
00:02:06,060 --> 00:02:09,261
WHY DO YOU THINK
THE TREE DECIDED
TO DO THAT?

38
00:02:09,263 --> 00:02:12,130
LIKE EACH PIECE IS
TAKING ITS OWN PATH.

39
00:02:12,132 --> 00:02:15,033
YEAH, EACH EXPLORING
ITS OWN DESTINY.

40
00:02:15,035 --> 00:02:16,468
BUT STILL UNITED,

41
00:02:16,470 --> 00:02:18,637
RIGHT THERE
IN THE CROTCH.

42
00:02:18,639 --> 00:02:21,707
HOW DID WE NEVER
NOTICE THAT CROTCH?

43
00:02:21,709 --> 00:02:24,910
TOMMY, IT'S NOT JUST
THE CROTCH, YOU SEE?

44
00:02:24,912 --> 00:02:28,747
I MEAN, IT'S LIKE
I'M SEEING EVERYTHING
FOR THE FIRST TIME.

45
00:02:28,749 --> 00:02:31,983
WHAT ARE YOU GUYS
DOING ON THE ROOF
AT 3:00 IN THE MORNING?

46
00:02:31,985 --> 00:02:33,785
WHAT ARE
WE DOING, DICK?
WE'RE LIVING.

47
00:02:33,787 --> 00:02:34,719
YEAH.

48
00:02:34,721 --> 00:02:36,722
AT 3 A.M.,
YOU SHOULD
BE SLEEPING.

49
00:02:36,724 --> 00:02:38,389
WE'VE
BEEN ASLEEP
FOR YEARS.

50
00:02:38,391 --> 00:02:39,558
WE'RE
FINALLY AWAKE.

51
00:02:39,560 --> 00:02:42,593
YOU KNOW, WE WERE
ALMOST KILLED
TONIGHT, DICK.

52
00:02:42,595 --> 00:02:43,695
WHAT? THAT'S AWFUL!

53
00:02:43,697 --> 00:02:46,364
OH, NO, NO, NO.
IT IS SO WONDERFUL.

54
00:02:46,366 --> 00:02:48,634
DO YOU REMEMBER
WHEN WE FIRST LANDED

55
00:02:48,636 --> 00:02:51,603
AND EVERYTHING
SEEMED SO FRESH
AND NEW AND ALIVE?

56
00:02:51,605 --> 00:02:54,172
WELL, THAT'S HOW
WE FEEL RIGHT NOW.

57
00:02:54,174 --> 00:02:57,542
OH, WOW.
LOOK AT THOSE LIGHTS.

58
00:02:57,544 --> 00:02:58,877
OOH.I FEEL
LIKE

59
00:02:58,879 --> 00:03:00,111
THEY'RE
PIERCING
MY SOUL.

60
00:03:00,113 --> 00:03:01,313
OH, YEAH.

61
00:03:01,315 --> 00:03:05,484
THE FLASHING LIGHTS AROUND
THE BIG LIQUOR MART SIGN?

62
00:03:05,486 --> 00:03:08,753
LIGHTS THAT INSIST
ON SHINING EVEN IN
THE DARK OF NIGHT.

63
00:03:08,755 --> 00:03:10,655
DIRECTING YOU TO BUY
DISCOUNT LIQUOR?

64
00:03:10,657 --> 00:03:13,525
OOH, WHOA!
I JUST REALIZED
SOMETHING.

65
00:03:13,527 --> 00:03:15,427
WE'RE ALL
WEARING SHIRTS.
HOW GREAT IS THAT?

66
00:03:15,429 --> 00:03:17,362
OOH, MY BLUE LOOKS
PRETTY IN THE MOONLIGHT.

67
00:03:17,364 --> 00:03:18,963
WHO CAME UP
WITH SHIRTS?

68
00:03:18,965 --> 00:03:21,199
BUT THEY'RE JUST SHIRTS.
WE ALWAYS WEAR SHIRTS.

69
00:03:21,201 --> 00:03:23,835
REMEMBER WHEN
WE WERE THAT BLIND?

70
00:03:23,837 --> 00:03:24,903
HOW SAD.

71
00:03:29,109 --> 00:03:32,377
ALL RIGHT, HERE'S A LIST
OF THE GEAR YOU'LL NEED

72
00:03:32,379 --> 00:03:34,780
FOR THE STAFF RETREAT
ON MOUNT DIGNEY.

73
00:03:34,782 --> 00:03:35,981
THIS'LL
BE FUN.

74
00:03:35,983 --> 00:03:38,717
ARE THERE GONNA BE
SNAKES OUT THERE?

75
00:03:38,719 --> 00:03:40,852
IF YOU'RE ASKING
IF MY LAWYER'S COMING,

76
00:03:40,854 --> 00:03:42,186
THE ANSWER IS NO.

77
00:03:42,188 --> 00:03:45,590
HA HA HA HA HA HA
HA HA HA HA HA HA HA HA!

78
00:03:47,861 --> 00:03:50,028
LOOK AT THIS
PAPER CLIP.

79
00:03:50,030 --> 00:03:52,097
I'M LOOKING.

80
00:03:52,099 --> 00:03:56,535
THIS MUST BE THE MOST
EXTRAORDINARY PAPER CLIP
I'VE EVER SEEN.

81
00:03:56,537 --> 00:03:57,602
WHY?

82
00:03:57,604 --> 00:03:59,103
WELL, LOOK AT IT.

83
00:03:59,105 --> 00:04:01,339
I FEEL LIKE IT'S
PIERCING MY SOUL.

84
00:04:02,676 --> 00:04:04,242
IT'S PIERCING
YOUR SOUL?

85
00:04:04,244 --> 00:04:05,243
YEAH. WHY NOT?

86
00:04:05,245 --> 00:04:06,878
YOU KNOW WHAT
YOUR PROBLEM IS?

87
00:04:06,880 --> 00:04:08,413
YOU TAKE EVERYTHING
FOR GRANTED.

88
00:04:08,415 --> 00:04:10,048
DON'T YOU ALL WISH
YOU COULD BE LIKE ME,

89
00:04:10,050 --> 00:04:12,817
SEEING EVERYTHING
FOR THE FIRST TIME?

90
00:04:12,819 --> 00:04:14,720
HUH? WELL, DON'T YOU?

91
00:04:16,356 --> 00:04:18,957
OK, TELL ME WHAT
YOU SEE EXACTLY.

92
00:04:18,959 --> 00:04:22,527
WELL,
THIS PAPER CLIP IS...

93
00:04:22,529 --> 00:04:24,696
AN UNUSUAL-TYPE
SPECIMEN.

94
00:04:24,698 --> 00:04:27,131
IT'S GRAY, UH...

95
00:04:27,133 --> 00:04:29,667
SLIGHTLY CURLIER
THAN YOURS.

96
00:04:31,972 --> 00:04:34,038
OH, I'M SUCH A FRAUD!

97
00:04:34,040 --> 00:04:36,140
I DON'T EVEN
LIKE PAPER CLIPS!

98
00:04:36,142 --> 00:04:37,909
LEAVE ME ALONE!

99
00:04:39,913 --> 00:04:41,446
TOMMY! TOMMY, LISTEN!

100
00:04:41,448 --> 00:04:42,914
I'VE BEEN THINKING.

101
00:04:42,916 --> 00:04:46,752
I HAVE SPENT MY ENTIRE
TIME ON THIS PLANET
BEING MEAN TO PEOPLE.

102
00:04:46,754 --> 00:04:49,254
ALL I HAVE BEEN DOING
IS SPREADING FEAR.

103
00:04:49,256 --> 00:04:50,221
THAT'S TRUE.

104
00:04:50,223 --> 00:04:51,923
YEAH. SO,
I HAVE DECIDED NOW

105
00:04:51,925 --> 00:04:53,491
I'M JUST
GONNA HELP PEOPLE,

106
00:04:53,493 --> 00:04:55,660
PEOPLE LIKE THESE
POOR, MISERABLE SOULS.

107
00:04:55,662 --> 00:04:56,761
LOOK.

108
00:04:56,763 --> 00:04:59,864
THAT'S THE CAST
OF<i> LES MIZ.</i>

109
00:05:01,969 --> 00:05:04,903
SALLY, LISTEN UP.

110
00:05:04,905 --> 00:05:07,305
IF POOR FOLKS AND LOSERS
ARE YOUR BAG,

111
00:05:07,307 --> 00:05:08,907
THEN GO OUT THERE
AND HELP 'EM.

112
00:05:08,909 --> 00:05:11,375
FOLLOW YOUR DREAM.

113
00:05:11,377 --> 00:05:14,345
I-I'VE NEVER HEARD YOU
TALK LIKE THIS, HARRY.

114
00:05:14,347 --> 00:05:16,147
HARRY? AHH...

115
00:05:16,149 --> 00:05:18,215
HARRY LET OTHER PEOPLE
DEFINE HIM.

116
00:05:18,217 --> 00:05:19,550
HARRY LET OTHER PEOPLE

117
00:05:19,552 --> 00:05:22,087
TELL HARRY
WHO HARRY WAS.

118
00:05:22,089 --> 00:05:25,657
WELL, A CHANDELIER
FELL ON HARRY.

119
00:05:25,659 --> 00:05:27,758
HARRY'S DEAD.

120
00:05:27,760 --> 00:05:30,661
THEN WHO
ARE YOU?
ME?

121
00:05:30,663 --> 00:05:32,263
I'M A.J.

122
00:05:35,436 --> 00:05:37,369
IT'S NICE
TO MEET YOU, A.J.

123
00:05:37,371 --> 00:05:38,303
DICK: HEY, GUYS!

124
00:05:38,305 --> 00:05:40,472
HEY, HEY, HEY, GUYS!

125
00:05:40,474 --> 00:05:43,475
I--I CAN'T FIND JOY
IN THIS PAPER CLIP.

126
00:05:43,477 --> 00:05:46,110
I'M NOT MISSING
ANYTHING, AM I?

127
00:05:47,147 --> 00:05:49,647
SO LITTLE...

128
00:05:49,649 --> 00:05:51,282
BUT SO MUCH.
IT'S BEAUTIFUL.

129
00:05:51,284 --> 00:05:52,417
OH, GOD.

130
00:05:52,419 --> 00:05:54,352
WHAT IS IT?
I DON'T GET IT.

131
00:05:54,354 --> 00:05:56,087
WHAT AM I NOT SEEING?

132
00:05:56,089 --> 00:05:57,021
ALISSA: HELLO!

133
00:05:57,023 --> 00:05:58,590
ALISSA!
HEY.

134
00:05:58,592 --> 00:05:59,924
HI! OHH...HI.
OH!

135
00:05:59,926 --> 00:06:01,826
DID YOU WASH
YOUR HANDS?

136
00:06:01,828 --> 00:06:03,995
OH, IT'S SO GOOD
TO SEE YOU.

137
00:06:03,997 --> 00:06:05,463
YEAH, IT'S GOOD
TO SEE YOU, TOO.

138
00:06:05,465 --> 00:06:07,866
I LOVE YOU SO MUCH.
COME WITH ME.

139
00:06:07,868 --> 00:06:09,934
THERE'S A CROTCH
I WANT TO SHOW YOU.

140
00:06:16,210 --> 00:06:18,209
BLESS YOU,
MISS SALLY.

141
00:06:18,211 --> 00:06:22,346
OH, NO, CHESTER.
BLESS YOU.

142
00:06:24,751 --> 00:06:26,284
SALLY.
HI, DON.

143
00:06:26,286 --> 00:06:29,821
IT'S SO NICE TO SEE YOU
DOWN HERE AT THE MISSION
HELPING OUT.

144
00:06:29,823 --> 00:06:32,690
OH, WELL, HEY, YOU KNOW,
IT'S A WHOLE NEW ME.

145
00:06:32,692 --> 00:06:35,426
I'VE DECIDED
I'M GONNA DEVOTE
MY WHOLE LIFE TO THIS.

146
00:06:35,428 --> 00:06:36,694
WELL, THAT'S GREAT, SALLY.

147
00:06:36,696 --> 00:06:39,497
HOW ABOUT
SOME CHICKEN VEGETABLE
AND DOUBLE CRACKERS?

148
00:06:41,201 --> 00:06:43,068
IT'S FOR THEM.

149
00:06:43,070 --> 00:06:44,703
OH, OF COURSE.

150
00:06:44,705 --> 00:06:45,704
OH, DON.

151
00:06:45,706 --> 00:06:48,039
THANK YOU SO MUCH
FOR HELPING OUT.

152
00:06:48,041 --> 00:06:50,709
WELL, YOU KNOW,
YOU DO WHAT YOU CAN.

153
00:06:50,711 --> 00:06:51,710
THANKS.

154
00:06:51,712 --> 00:06:54,245
GET YOUR HANDS
OFF THAT. COME ON.

155
00:06:56,349 --> 00:06:58,517
SO, UH, YOU
VOLUNTEERING,
TOO, HARRY?

156
00:06:58,519 --> 00:07:00,852
THE NAME'S A.J.

157
00:07:00,854 --> 00:07:02,687
NO, IT'S NOT.
YES, IT IS.

158
00:07:02,689 --> 00:07:04,322
I KNOW WHO I AM.
YOU KNOW WHO YOU ARE?

159
00:07:04,324 --> 00:07:05,557
I'M DON.

160
00:07:05,559 --> 00:07:07,225
WELL, IF YOU
THINK YOU'RE DON,
YOU WILL BE DON.

161
00:07:07,227 --> 00:07:08,326
I KNOW I'M DON.

162
00:07:08,328 --> 00:07:10,428
WELL, THERE YOU GO.

163
00:07:10,430 --> 00:07:11,963
WHAT ARE YOU
TALKING ABOUT?

164
00:07:11,965 --> 00:07:15,066
I'M TALKING ABOUT
DREAMS, PEOPLE.

165
00:07:15,068 --> 00:07:19,137
THERE IS NO LIMIT TO
WHAT YOU CAN ACCOMPLISH
IN YOUR DREAMS--

166
00:07:19,139 --> 00:07:20,972
NO BOUNDARIES, NO FEAR.

167
00:07:20,974 --> 00:07:22,607
BUT THEN WHAT HAPPENS?

168
00:07:22,609 --> 00:07:25,543
YOU WAKE UP,
AND THE DREAM IS GONE.

169
00:07:25,545 --> 00:07:26,745
IT'S OVER.

170
00:07:26,747 --> 00:07:28,980
NOW, WHAT I'M TALKING ABOUT

171
00:07:28,982 --> 00:07:31,616
IS DREAMING
THE POSSIBLE DREAM. YEAH?

172
00:07:32,853 --> 00:07:34,619
WHAT IS YOUR DREAM,
SIR?

173
00:07:34,621 --> 00:07:37,422
I--I ALWAYS WANTED
TO PLAY THE PIANO.

174
00:07:37,424 --> 00:07:38,857
WELL,
WHO'S STOPPING YA?

175
00:07:38,859 --> 00:07:40,192
<i> YOU</i> ARE
STOPPING YOU.

176
00:07:40,194 --> 00:07:41,526
THE ONLY PERSON
STANDING

177
00:07:41,528 --> 00:07:43,929
BETWEEN YOU AND
YOUR DREAM IS YOU.

178
00:07:43,931 --> 00:07:45,530
I DON'T HAVE A PIANO.

179
00:07:47,868 --> 00:07:49,934
WELL, I DON'T
HAVE A PIANO.

180
00:07:49,936 --> 00:07:52,303
LOOK AT ME.
HASN'T HELD ME BACK.

181
00:07:57,177 --> 00:07:59,845
OK, SO YOU WEREN'T
KILLED BY A CHANDELIER.

182
00:07:59,847 --> 00:08:01,079
WHAT'S THE BIG DEAL?

183
00:08:01,081 --> 00:08:02,347
WELL, DON'T YOU SEE?

184
00:08:02,349 --> 00:08:04,583
I MEAN, THERE ARE
CHANDELIERS HANGING
OVER OUR HEADS

185
00:08:04,585 --> 00:08:06,551
EVERYWHERE
THAT WE GO
IN THIS WORLD.

186
00:08:06,553 --> 00:08:08,219
THERE ARE?

187
00:08:08,221 --> 00:08:10,221
YEAH. OK,
SO THE CHANDELIER

188
00:08:10,223 --> 00:08:11,889
CAN COME
IN MANY FORMS.

189
00:08:11,891 --> 00:08:14,558
I MEAN, IT COULD BE
SOMETHING AS HORRIFYING

190
00:08:14,560 --> 00:08:16,761
AS THE BITE
OF A DISEASED RAT

191
00:08:16,763 --> 00:08:19,798
OR AS WHIMSICAL
AS AN OPEN MANHOLE.

192
00:08:19,800 --> 00:08:22,200
I GUESS I JUST NEVER HEARD
THAT EXPRESSION BEFORE.

193
00:08:22,202 --> 00:08:24,069
YEAH, OK,
BUT THE POINT IS

194
00:08:24,071 --> 00:08:25,937
THAT EVERY TIME
I SEE YOU,

195
00:08:25,939 --> 00:08:27,806
IT COULD BE
THE LAST TIME.

196
00:08:27,808 --> 00:08:30,508
YOU KNOW,
EVERY KISS COULD BE
OUR LAST KISS.

197
00:08:30,510 --> 00:08:32,510
TOMMY, DID A RAT BITE YOU?

198
00:08:33,814 --> 00:08:35,479
ALISSA STRUDWICK...

199
00:08:37,417 --> 00:08:38,849
WILL YOU MARRY ME?

200
00:08:40,019 --> 00:08:41,886
SHUT UP.
NO. MARRY ME.

201
00:08:41,888 --> 00:08:43,288
NO, GET UP OFF THE FLOOR.

202
00:08:43,290 --> 00:08:44,822
OK, WELL, IF WE'RE
GONNA GET MARRIED,

203
00:08:44,824 --> 00:08:46,458
YOU'RE GONNA
HAVE TO STOP
BOSSING ME AROUND.

204
00:08:46,460 --> 00:08:47,558
SHUT UP!

205
00:08:50,631 --> 00:08:55,066
WHY DOES THIS WORLD
LEAVE ME SO COLD?

206
00:08:55,068 --> 00:08:59,137
WHY DOES IT HIDE
ITS BEAUTY FROM ME?

207
00:08:59,139 --> 00:09:01,172
HEY!

208
00:09:01,174 --> 00:09:04,175
GET AWAY FROM THAT DAFFODIL,
YOU STUPID HUMMINGBIRD!

209
00:09:06,646 --> 00:09:09,714
DICK, WE STILL
HAVEN'T GOTTEN
YOUR RELEASE FORM

210
00:09:09,716 --> 00:09:11,516
FOR THE STAFF
RETREAT.

211
00:09:11,518 --> 00:09:12,516
OH, THAT.

212
00:09:12,518 --> 00:09:14,418
WE NEED
AN ACCURATE HEAD COUNT

213
00:09:14,420 --> 00:09:16,354
TO GET 10% OFF
ON PARKING.

214
00:09:16,356 --> 00:09:17,955
YOU'RE HOLDING US
BACK, DICK.

215
00:09:17,957 --> 00:09:19,857
WHY SHOULD I GO?

216
00:09:19,859 --> 00:09:22,226
SO THE SUNSET
CAN BORE ME?

217
00:09:22,228 --> 00:09:25,830
SO A MARMOT
CAN LICK MY
OBLIVIOUS FACE?

218
00:09:25,832 --> 00:09:28,833
SO I CAN
BE SO LOST
IN MY ENNUI

219
00:09:28,835 --> 00:09:32,837
THAT I FALL
OFF A CLIFF
AND--AND...

220
00:09:32,839 --> 00:09:34,572
AND NEARLY
PLUMMET TO MY...

221
00:09:39,246 --> 00:09:41,145
I'M IN!

222
00:09:41,147 --> 00:09:43,147
WHAT ARE YOU
SO DAMN EXCITED ABOUT?

223
00:09:43,149 --> 00:09:45,516
I'M IN! I'M GOING
ON THAT CAMPING TRIP,

224
00:09:45,518 --> 00:09:51,589
AND I AM GOING TO HAVE
A NEAR-DEATH EXPERIENCE
IF IT KILLS ME!

225
00:09:53,694 --> 00:09:54,893
THANK YOU,
MISS SALLY.

226
00:09:54,895 --> 00:09:57,128
OH, PLEASE.

227
00:09:57,130 --> 00:09:58,897
YOUR PATHETICNESS
HAS SHOWN ME

228
00:09:58,899 --> 00:10:01,565
HOW FORTUNATE I AM,
SO...

229
00:10:01,567 --> 00:10:03,101
FOR THAT, I THANK YOU.

230
00:10:03,103 --> 00:10:06,670
A CHANDELIER FELL ON HARRY,
BUT WHO WALKED OUT?

231
00:10:06,672 --> 00:10:07,872
A.J.
A.J.
A.J.

232
00:10:07,874 --> 00:10:09,240
THAT'S RIGHT.

233
00:10:10,576 --> 00:10:13,244
LET ME BREAK IT DOWN
FOR YOU, PEOPLE.

234
00:10:13,246 --> 00:10:17,115
HAVE ANY OF YOU EVER FELT
LIKE A SLAVE TO YOUR JOB?

235
00:10:17,117 --> 00:10:18,949
NO.
NO.
NO.

236
00:10:18,951 --> 00:10:21,720
SOMETIMES I DO.

237
00:10:21,722 --> 00:10:23,788
COME ON, RICO.

238
00:10:23,790 --> 00:10:24,989
I DO.

239
00:10:24,991 --> 00:10:27,391
STOP PLANTING IDEAS
IN HIS HEAD, HARRY.

240
00:10:27,393 --> 00:10:29,227
THE NAME'S A.J.

241
00:10:29,229 --> 00:10:30,828
AND I DON'T PLANT IDEAS.

242
00:10:30,830 --> 00:10:32,497
THE SEEDS
ARE ALREADY THERE--

243
00:10:32,499 --> 00:10:34,065
THE SEEDS
OF YOUR DREAMS.

244
00:10:34,067 --> 00:10:36,334
I JUST BRING 'EM ON OUT
INTO THE SUNSHINE.

245
00:10:36,336 --> 00:10:37,802
WELL, LET'S TAKE YOU, DON.

246
00:10:37,804 --> 00:10:39,904
YOU'RE A COP.
YOU CARRY A LOADED GUN.

247
00:10:39,906 --> 00:10:41,238
YEAH.

248
00:10:41,240 --> 00:10:42,841
BUT YOU'RE
NOT SUPERBRIGHT,
NOW, ARE YOU?

249
00:10:42,843 --> 00:10:44,576
NO--
WAIT A MINUTE!

250
00:10:44,578 --> 00:10:47,245
NOT BRIGHT, LOADED GUN--
YOU'LL BE LUCKY
IF YOU SEE 30.

251
00:10:47,247 --> 00:10:49,180
HA. I'M WAY
PAST THAT NOW.

252
00:10:49,182 --> 00:10:51,850
NO, DON!
THIS IS NOT WHO YOU ARE!

253
00:10:51,852 --> 00:10:53,851
THIS IS NOT YOUR LIFE.

254
00:10:53,853 --> 00:10:54,852
IT ISN'T?

255
00:10:54,854 --> 00:10:56,421
NO.

256
00:10:56,423 --> 00:10:59,490
WHAT DO YOU KNOW
ABOUT A PLACE
CALLED BHUTAN?

257
00:10:59,492 --> 00:11:02,427
I THINK THEY
SHUT 'EM DOWN
FOR SERVING DOG.

258
00:11:04,364 --> 00:11:07,498
NO, RICO. IT'S A KINGDOM
IN THE HIMALAYAS.

259
00:11:07,500 --> 00:11:08,632
THEY SPEAK TIBETAN

260
00:11:08,634 --> 00:11:11,302
AND VALUE A LITTLE THING
CALLED SELF-REALIZATION.

261
00:11:11,304 --> 00:11:13,638
WOULD YOU LIKE
TO REALIZE YOURSELF, DON?

262
00:11:13,640 --> 00:11:15,539
WELL, IT SOUNDS GOOD
IN THEORY.

263
00:11:15,541 --> 00:11:16,774
THEN GO!

264
00:11:16,776 --> 00:11:18,776
GO TO BHUTAN!

265
00:11:18,778 --> 00:11:22,580
FOLLOW YOUR DESTINY!

266
00:11:22,582 --> 00:11:24,415
I'M GOING
TO BHUTAN!

267
00:11:25,519 --> 00:11:26,518
RICO!

268
00:11:26,520 --> 00:11:29,187
WE WERE SUPPOSED TO
GO TO COCOA BEACH!

269
00:11:29,189 --> 00:11:30,187
RICO!

270
00:11:31,558 --> 00:11:34,191
♪ ONE BOTTLE OF BEER
ON THE WALL ♪

271
00:11:34,193 --> 00:11:35,793
♪ ONE BOTTLE OF BEER ♪

272
00:11:35,795 --> 00:11:37,829
♪ YOU TAKE IT DOWN
AND PASS IT AROUND ♪

273
00:11:37,831 --> 00:11:43,801
♪ THERE'LL BE NO MORE
BOTTLES OF BEER ON THE WALL ♪

274
00:11:43,803 --> 00:11:45,136
ALL RIGHT.

275
00:11:45,138 --> 00:11:47,439
WE'LL HEAD
TO THE MOUNTAIN
AT 8 A.M. SHARP.

276
00:11:47,441 --> 00:11:48,606
ANY QUESTIONS?

277
00:11:48,608 --> 00:11:50,274
UH, YES. AS WE CLIMB,

278
00:11:50,276 --> 00:11:53,744
WILL YOU POINT OUT
ANY CREVASSES THAT
I MIGHT PLUMMET INTO?

279
00:11:53,746 --> 00:11:55,613
I WILL!

280
00:11:56,750 --> 00:11:58,449
THERE'S NOTHING
LIKE THAT HERE.

281
00:11:58,451 --> 00:12:01,118
WELL, I-IS THERE
A DEAD MAN'S ANYTHING?

282
00:12:01,120 --> 00:12:02,920
YOU SEE, I'M LOOKING
FOR THE KIND--

283
00:12:02,922 --> 00:12:03,988
SHUT UP, DICK!

284
00:12:03,990 --> 00:12:05,256
ALL RIGHT,
I'M TURNING IN.

285
00:12:05,258 --> 00:12:06,724
OH, AND A WORD
TO THE WISE:

286
00:12:06,726 --> 00:12:08,726
EVERYBODY
PUT YOUR FOOD
IN THE BEAR BAGS.

287
00:12:08,728 --> 00:12:09,894
THIS IS
BEAR COUNTRY.

288
00:12:09,896 --> 00:12:10,895
THANK YOU, VINCENT.

289
00:12:10,897 --> 00:12:11,896
NINA:
GOOD NIGHT.

290
00:12:11,898 --> 00:12:12,897
GOOD NIGHT,
VINCENT.

291
00:12:12,899 --> 00:12:13,898
GOOD NIGHT, MARY.

292
00:12:15,435 --> 00:12:18,102
DICK, WHAT ARE YOU DOING
WITH THAT SANDWICH?

293
00:12:18,104 --> 00:12:19,971
VINCENT JUST SAID
THAT WAS DANGEROUS.

294
00:12:19,973 --> 00:12:23,108
WELL, YOU KNOW WHAT
I LOVE ABOUT BEARS.

295
00:12:23,110 --> 00:12:25,510
THEY'LL ALMOST KILL YOU
EVERY TIME.

296
00:12:25,512 --> 00:12:27,612
NO, DICK, THEY<i> WILL</i>
<i> KILL YOU EVERY TIME.</i>

297
00:12:27,614 --> 00:12:29,114
THEY WILL?

298
00:12:42,061 --> 00:12:43,727
GOOD NIGHT, VINCENT.

299
00:12:45,298 --> 00:12:46,730
OK, TOMMY,
I'M REALLY SORRY.

300
00:12:46,732 --> 00:12:48,866
I NEVER MEANT TO HURT
YOUR FEELINGS, YOU KNOW.

301
00:12:48,868 --> 00:12:50,968
IT'S JUST THAT
WE'RE SO YOUNG.
WE HAVE PLENTY OF TIME.

302
00:12:50,970 --> 00:12:52,270
IT'S ALL RIGHT.

303
00:12:52,272 --> 00:12:55,340
I MEAN, YOU CAN'T UNDERSTAND
WHERE I'M COMING FROM

304
00:12:55,342 --> 00:12:57,842
'CAUSE YOU HAVEN'T EXPERIENCED
WHAT I'VE EXPERIENCED, SO...

305
00:12:57,844 --> 00:13:01,345
NOW, WHY DON'T YOU TRY
SOME PERFECTLY ORDINARY
PEANUT BRITTLE?

306
00:13:01,347 --> 00:13:04,215
TOMMY, THAT'S A CAN
FULL OF FAKE SNAKES.

307
00:13:04,217 --> 00:13:06,818
WHAT ARE YOU TALKING ABOU--
IT SAYS PEANUT BRITTLE
RIGHT ON THE FRONT.

308
00:13:06,820 --> 00:13:08,419
LISTEN.
[CLUNKING]

309
00:13:08,421 --> 00:13:10,989
WHEN YOU SHAKE IT,
IT SOUNDS LIKE THERE'S
PEANUT BRITTLE INSIDE.

310
00:13:10,991 --> 00:13:11,989
GO AHEAD.

311
00:13:11,991 --> 00:13:13,257
ALL RIGHT.

312
00:13:13,259 --> 00:13:14,325
AAH! SNAKES!

313
00:13:14,327 --> 00:13:15,893
THEY'RE GONNA KILL YOU!

314
00:13:19,198 --> 00:13:21,198
ALL RIGHT, WELL,
WHAT IF THOSE WERE REAL?

315
00:13:21,200 --> 00:13:24,302
WELL, I WOULD HOPE
YOU WOULDN'T HAVE
OFFERED THEM TO ME.

316
00:13:24,304 --> 00:13:26,036
YEAH, BUT--
BUT THE POINT IS

317
00:13:26,038 --> 00:13:28,239
THAT THERE'S DEADLY
PEANUT BRITTLE OUT THERE
FOR EVERYBODY.

318
00:13:28,241 --> 00:13:30,074
YEAH, I KNOW,
PEANUT BRITTLE AND
CHANDELIERS EVERYWHERE,

319
00:13:30,076 --> 00:13:32,109
AND THAT'S WHY
I HAVE TO MARRY YOU.

320
00:13:32,111 --> 00:13:33,912
YES! GOOD!
I'M GLAD YOU'RE
COMING AROUND.

321
00:13:33,914 --> 00:13:35,480
NO, THAT'S<i> NOT</i>
<i> WHAT I WAS</i>
<i> SAYING.</i>

322
00:13:35,482 --> 00:13:38,782
LOOK, I LOVE YOU.
DON'T MAKE ME CUT
YOUR BRAKE LINES.

323
00:13:39,919 --> 00:13:41,485
OK, NOW YOU'RE
THREATENING ME?

324
00:13:41,487 --> 00:13:44,822
NO! NO, NO.
NO, NO, NO, NO. I...

325
00:13:44,824 --> 00:13:47,491
I JUST WANT YOU
TO BE SUFFICIENTLY SCARED

326
00:13:47,493 --> 00:13:50,028
SO THAT YOU UNDERSTAND
THAT--THAT...

327
00:13:50,030 --> 00:13:53,664
EVERY MOMENT OF LIFE
IS SO PRECIOUS,

328
00:13:53,666 --> 00:13:57,201
AND--AND EVERY MOMENT
THAT I'M NOT WITH YOU,

329
00:13:57,203 --> 00:13:59,504
YOU KNOW, IT'S LIKE
A MOMENT WASTED.

330
00:13:59,506 --> 00:14:01,039
OK.

331
00:14:01,041 --> 00:14:02,006
THAT'S REALLY SWEET.

332
00:14:02,008 --> 00:14:03,007
HA.

333
00:14:03,009 --> 00:14:03,908
SO YOU'LL MARRY ME?

334
00:14:03,910 --> 00:14:05,476
NO.

335
00:14:10,283 --> 00:14:12,417
IS YOUR HARNESS
SECURE?

336
00:14:12,419 --> 00:14:13,518
NOT ESPECIALLY.

337
00:14:13,520 --> 00:14:15,420
AND THAT'S
THE WAY I LIKE IT.

338
00:14:15,422 --> 00:14:17,288
ONE OF THE THRILLS
OF CLIMBING

339
00:14:17,290 --> 00:14:20,591
IS NEVER KNOWING
WHEN YOUR GEAR
IS GOING TO CRAP OUT.

340
00:14:20,593 --> 00:14:22,427
DICK, THE OTHER GROUP
IS OVER THERE.

341
00:14:22,429 --> 00:14:24,495
WHY ARE WE
GOING THIS WAY?

342
00:14:24,497 --> 00:14:26,497
NO, WE'RE LEAVING
THE PACK BEHIND.

343
00:14:26,499 --> 00:14:27,732
CAT'S EYE PEAK AWAITS.

344
00:14:27,734 --> 00:14:31,702
YOU KNOW, THE WHOLE
POINT OF THESE
FACULTY OUTINGS

345
00:14:31,704 --> 00:14:34,004
IS NOT REALLY
AN INTENSE CLIMB,

346
00:14:34,006 --> 00:14:38,008
MORE LIKE A BRISK WALK
FOLLOWED BY A NICE,
LONG HAPPY HOUR.

347
00:14:38,010 --> 00:14:39,344
THIS COULD BE DANGEROUS.

348
00:14:39,346 --> 00:14:43,348
YES, BUT, MARY,
I HAVE TO PERCH
ON THE TEETH OF DEATH

349
00:14:43,350 --> 00:14:47,652
IN ORDER TO STARE
DOWN ONTO THE TONSILS
OF ENLIGHTENMENT.

350
00:14:47,654 --> 00:14:50,087
WHAT, DO YOU HAVE
SOME KIND OF DEATH WISH?

351
00:14:50,089 --> 00:14:52,523
ACTUALLY, IT'S MORE
OF A NEAR-DEATH WISH,

352
00:14:52,525 --> 00:14:54,291
BUT IF WE RULE OUT DEATH,

353
00:14:54,293 --> 00:14:57,028
I REALLY THINK IT UNDERCUTS
THE EXPERIENCE, YOU KNOW.

354
00:14:57,030 --> 00:14:59,530
OH, MY GOD.
I'M CLIMBING A MOUNTAIN

355
00:14:59,532 --> 00:15:01,732
TIED
TO A SUICIDAL MANIAC!

356
00:15:01,734 --> 00:15:03,067
HELP ME! HELP ME!

357
00:15:03,069 --> 00:15:05,236
MARY! MARY!
PLEASE, MARY!   HELP ME!
HELP ME!

358
00:15:07,340 --> 00:15:09,207
REMEMBER
WHAT JUDITH SAID.

359
00:15:09,209 --> 00:15:11,542
ANY LOUD NOISE
CAN CAUSE AN AVALANCHE.

360
00:15:11,544 --> 00:15:13,544
[THUMP, DUST FALLING]

361
00:15:15,081 --> 00:15:16,414
YODEL-OH-OOH-HOO!

362
00:15:16,416 --> 00:15:17,982
OH, SHH! SHH!

363
00:15:17,984 --> 00:15:19,450
AH-YODEL-OH-OOH-HOO!

364
00:15:25,191 --> 00:15:27,692
HEY! YOU BURNED ME.

365
00:15:28,962 --> 00:15:30,694
SORRY. HERE.

366
00:15:30,696 --> 00:15:32,430
HAVE AN EXTRA BREAD.

367
00:15:32,432 --> 00:15:33,498
THANKS FOR NOTHING.

368
00:15:33,500 --> 00:15:37,668
MAN, THIS IS REALLY
STARTING TO GET OLD.

369
00:15:37,670 --> 00:15:39,269
HEY, A.J.,

370
00:15:39,271 --> 00:15:43,007
YOU KNOW, I'VE ALWAYS
DREAMED OF WORKING
IN THE MOVIE INDUSTRY.

371
00:15:43,009 --> 00:15:44,742
CAN YOU HELP ME OUT?

372
00:15:44,744 --> 00:15:49,580
UH, YEAH. I'M GONNA
CALL WARREN BEATTY
FOR YOU RIGHT NOW.

373
00:15:49,582 --> 00:15:53,217
A.J., EVERYBODY
SAYS YOU'RE A REAL
INSPIRATION.

374
00:15:53,219 --> 00:15:55,886
TELL ME, HOW DID YOU
CHANGE YOUR LIFE?

375
00:15:55,888 --> 00:15:59,323
YOU KNOW, YOU GUYS,
I TOLD THIS STORY, LIKE,
A MILLION TIMES ALREADY.

376
00:15:59,325 --> 00:16:01,425
WHY DON'T YOU ASK
ONE OF THESE GUYS?

377
00:16:01,427 --> 00:16:03,494
THEY DON'T SEEM
TO BE DOIN' NOTHIN'.

378
00:16:03,496 --> 00:16:05,530
HEY, SALLY, CAN I
HAVE THAT<i> PEOPLE</i> WHEN
YOU'RE DONE WITH IT?

379
00:16:05,532 --> 00:16:07,031
UH, I'M STUCK
ON A CROSSWORD.

380
00:16:07,033 --> 00:16:08,632
IT'S GONNA
BE A WHILE.
OH.

381
00:16:08,634 --> 00:16:10,667
HEY, GUYS.

382
00:16:10,669 --> 00:16:12,836
ISN'T IT GREAT
TO BE ALIVE?

383
00:16:12,838 --> 00:16:14,671
YEAH.
I FEEL ELECTRIC.

384
00:16:14,673 --> 00:16:16,807
YEAH.
<i> CARPE</i> FREAKIN'<i> DIEM.</i>

385
00:16:16,809 --> 00:16:19,210
HA HA! HA...

386
00:16:19,212 --> 00:16:21,479
UH, WHO ARE
WE KIDDIN'?
IT'S OVER.

387
00:16:21,481 --> 00:16:24,615
I WAS JUST FAKING IT
SO I WOULDN'T HARSH YOUR BUZZ.

388
00:16:24,617 --> 00:16:25,984
HI, GUYS.

389
00:16:25,986 --> 00:16:28,319
I JUST CAME
TO SAY GOOD-BYE.

390
00:16:28,321 --> 00:16:29,787
WHERE YOU GOING, DON?

391
00:16:29,789 --> 00:16:31,155
THE NAME'S NOT DON.

392
00:16:31,157 --> 00:16:32,890
IT'S SKIP.

393
00:16:34,760 --> 00:16:36,461
AND I'M GOING
TO BHUTAN!

394
00:16:37,564 --> 00:16:38,796
NO WAY!

395
00:16:38,798 --> 00:16:39,797
WHAT?!

396
00:16:39,799 --> 00:16:40,798
WHY?

397
00:16:40,800 --> 00:16:43,167
SELF-REALIZATION.

398
00:16:43,169 --> 00:16:45,503
OH. YEAH.

399
00:16:47,006 --> 00:16:49,874
ARE YOU SURE
THIS IS WHAT YOU
WANNA DO, DON?

400
00:16:49,876 --> 00:16:53,611
I'M SURE I SPENT $4,000
ON A PACKAGE DEAL.

401
00:16:53,613 --> 00:16:56,247
WELL, WHEN ARE WE
GONNA SEE YOU AGAIN?

402
00:16:56,249 --> 00:16:57,614
MAYBE NEVER.

403
00:16:57,616 --> 00:17:00,184
MAYBE IN 3 WEEKS.

404
00:17:00,186 --> 00:17:01,718
PROBABLY IN 3 WEEKS.

405
00:17:01,720 --> 00:17:03,054
OH, DON'T BE MAD!

406
00:17:03,056 --> 00:17:03,987
I'M NOT MAD!

407
00:17:08,127 --> 00:17:11,128
DICK, STOP
WHAT YOU'RE DOING
RIGHT NOW!

408
00:17:11,130 --> 00:17:13,831
I DON'T CARE ABOUT
YOUR ADRENALINE HIGH!

409
00:17:13,833 --> 00:17:15,333
I WANT TO LIVE!

410
00:17:15,335 --> 00:17:17,368
I WANT TO LIVE!

411
00:17:17,370 --> 00:17:19,737
YOU'LL LIVE
LIKE NEVER BEFORE.

412
00:17:19,739 --> 00:17:22,707
IMAGINE
TASTING A BLUEBERRY
FOR THE FIRST TIME

413
00:17:22,709 --> 00:17:23,708
EVERY TIME!

414
00:17:23,710 --> 00:17:24,775
FORWARD!

415
00:17:24,777 --> 00:17:27,645
YOU'RE NOT
TAKING ME WITH YOU!

416
00:17:27,647 --> 00:17:29,379
THERE WE GO!

417
00:17:29,381 --> 00:17:32,016
THE GAPING MAW
OF THE UNKNOWN!

418
00:17:32,018 --> 00:17:35,219
I'M ONE FINGERHOLD
AWAY FROM DEATH

419
00:17:35,221 --> 00:17:36,453
AND THUS LIFE!

420
00:17:37,590 --> 00:17:39,557
HI, GUYS.

421
00:17:39,559 --> 00:17:42,860
I LEFT THE WATERMELON
IN THE CAR. STUPID.

422
00:17:45,031 --> 00:17:46,297
I'M COMING WITH YOU.

423
00:17:59,144 --> 00:18:02,312
NOOO!

424
00:18:06,118 --> 00:18:07,851
YES!

425
00:18:07,853 --> 00:18:09,853
WHAT?

426
00:18:09,855 --> 00:18:12,423
THE ANSWER IS YES.

427
00:18:13,459 --> 00:18:15,559
I ASK YOU
A QUESTION?

428
00:18:15,561 --> 00:18:17,895
YOU ASKED ME
TO MARRY YOU.

429
00:18:19,065 --> 00:18:20,931
OH!

430
00:18:20,933 --> 00:18:21,966
RIGHT!

431
00:18:21,968 --> 00:18:23,401
WOW! ALL RIGHT.

432
00:18:23,403 --> 00:18:26,237
WELL, UM, THAT'S
SUPER-DUPER THERE.

433
00:18:26,239 --> 00:18:28,506
YOU WERE JUST
SO INTENSE.

434
00:18:28,508 --> 00:18:31,041
I COULDN'T GET
WHAT YOU WERE SAYING
OUT OF MY HEAD,

435
00:18:31,043 --> 00:18:33,744
SO I ASKED MY MOTHER,
MY PRIEST, ALLISON,
KRISTINA, AND BRITTANY,

436
00:18:33,746 --> 00:18:36,314
AND THEY ALL SAID NO,
BUT--BUT I SAY YES!

437
00:18:36,316 --> 00:18:39,250
W-W-W-WAIT. YOU DIDN'T
LISTEN TO YOUR MOTHER?

438
00:18:39,252 --> 00:18:42,420
I MEAN, I DON'T KNOW
IF I CAN MARRY A GIRL

439
00:18:42,422 --> 00:18:44,488
WHO DOESN'T LISTEN
TO HER MOTHER.

440
00:18:44,490 --> 00:18:47,291
TOMMY, ARE YOU TELLING ME
YOU'VE CHANGED YOUR MIND?

441
00:18:47,293 --> 00:18:49,827
NO, HARDLY. I'M JUST
SAYING THAT WE HAVE TO
CAREFULLY CONSIDER--

442
00:18:49,829 --> 00:18:51,362
YOU'VE CHANGED
YOUR MIND.          YEAH.

443
00:18:51,364 --> 00:18:53,630
I'M AN IDIOT.
YOU KNOW, THIS IS WHY
I SAID NO TWICE.

444
00:18:53,632 --> 00:18:54,731
NO, BUT, ALISSA, I--

445
00:18:54,733 --> 00:18:56,733
BUT THEN I STARTED
THINKING, YOU KNOW,

446
00:18:56,735 --> 00:18:59,904
ABOUT HOW MUCH I LIKE YOU
AND HOW GREAT WE ARE TOGETHER

447
00:18:59,906 --> 00:19:02,206
AND HOW I'D NEVER
WANT TO LOSE THAT.

448
00:19:02,208 --> 00:19:03,707
AND SURE, IT'S IMPULSIVE,

449
00:19:03,709 --> 00:19:06,243
BUT SOME OF THE GREATEST
THINGS YOU COULD DO
IN LIFE ARE IMPULSIVE,

450
00:19:06,245 --> 00:19:08,279
AND, I MEAN,
THINK ABOUT IT, TOMMY,

451
00:19:08,281 --> 00:19:11,815
WE COULD
WAKE UP EVERY MORNING TOGETHER
IN EACH OTHER'S ARMS FOREVER.

452
00:19:11,817 --> 00:19:13,784
GOD, I'M A MORON!

453
00:19:15,755 --> 00:19:17,554
ALISSA,
WILL YOU MARRY ME?

454
00:19:17,556 --> 00:19:19,690
NO!

455
00:19:24,030 --> 00:19:27,464
LOOK, DICK, I--
I DON'T CARE WHAT YOU DO.

456
00:19:27,466 --> 00:19:29,033
YOU CAN SKYDIVE,
BUNGEE-JUMP,

457
00:19:29,035 --> 00:19:32,402
GO OVER NIAGARA FALLS
ON A POGO STICK
FOR ALL I CARE.

458
00:19:32,404 --> 00:19:33,971
JUST DON'T DRAG ME ALONG.

459
00:19:33,973 --> 00:19:36,173
I WOULD THINK
YOU'D BE A LITTLE MORE
GRATEFUL, MARY.

460
00:19:36,175 --> 00:19:37,641
I WANTED YOU
TO SHARE MY EXPERIENCE.

461
00:19:37,643 --> 00:19:38,642
THANK YOU.

462
00:19:38,644 --> 00:19:41,044
THANK YOU
FOR THE GIFT OF DEATH.

463
00:19:41,046 --> 00:19:42,613
IT'S THE THOUGHT
THAT COUNTS.

464
00:19:42,615 --> 00:19:44,615
IF YOU WANNA
GO PICK FLOWERS,

465
00:19:44,617 --> 00:19:46,950
PICK FLOWERS
IN A NICE, SAFE PARK.

466
00:19:46,952 --> 00:19:49,286
OH, BLAH,
BLAH, BLAH, BLAH,
BLAH, BLAH, BLAH.

467
00:19:49,288 --> 00:19:50,253
THERE'S A TRAIN.

468
00:19:50,255 --> 00:19:52,589
OH, I'VE SEEN
TRAINS BEFORE.

469
00:19:52,591 --> 00:19:55,258
THEY NO LONGER HOLD
ANY EXCITEMENT FOR ME.

470
00:19:55,260 --> 00:19:56,427
DICK!

471
00:19:56,429 --> 00:19:58,562
AAH!

472
00:20:00,566 --> 00:20:01,832
AHH.

473
00:20:01,834 --> 00:20:03,200
OHH.

474
00:20:03,202 --> 00:20:05,002
M-MARY,
ARE YOU ALL RIGHT?

475
00:20:05,004 --> 00:20:06,069
YES.

476
00:20:06,071 --> 00:20:08,472
OH, MY GOD. THAT TRAIN
COULD HAVE KILLED US.

477
00:20:08,474 --> 00:20:10,608
WE WERE INCHES AWAY
FROM DEATH!

478
00:20:10,610 --> 00:20:13,443
LOOK WHAT YOU DID
TO MY CAR!

479
00:20:13,445 --> 00:20:16,680
BUT WE'RE ALIVE!
MARY, WE'RE ALIVE!

480
00:20:16,682 --> 00:20:18,448
DICK, DO YOU SMELL GAS?

481
00:20:18,450 --> 00:20:22,119
YES. I FEEL
LIKE I'M SMELLING IT
FOR THE FIRST TIME.

482
00:20:22,121 --> 00:20:24,522
WE'RE ALIVE!

483
00:20:29,462 --> 00:20:30,728
NICE NIGHT,
ISN'T IT?

484
00:20:32,298 --> 00:20:33,564
EH...

485
00:20:35,101 --> 00:20:36,534
GREAT NEWS!

486
00:20:36,536 --> 00:20:38,402
I BLEW UP
MARY'S CAR!

487
00:20:38,404 --> 00:20:41,738
NOW I CAN SEE
LIFE LIKE YOU DO,
WITH ALIVENESS.

488
00:20:41,740 --> 00:20:44,708
I'M NOT ACTUALLY SURE
"ALIVENESS" IS A WORD.

489
00:20:44,710 --> 00:20:46,076
IT IS NOW.

490
00:20:46,078 --> 00:20:50,281
COME, ROLL WITH ME
IN THE DEWY SCENT
OF THE NIGHT JASMINE.

491
00:20:50,283 --> 00:20:53,784
YOU KNOW, WHAT'S WEIRD
IS--IS YOU CAN SMELL IT
EVERY NIGHT,

492
00:20:53,786 --> 00:20:55,319
YOU KNOW
WHAT I'M SAYING?

493
00:20:55,321 --> 00:20:57,021
WHAT'S SALLY
TALKING ABOUT, A.J.?

494
00:20:57,023 --> 00:20:59,824
A.J. WAS
FULL OF CRAP.

495
00:20:59,826 --> 00:21:02,092
HEART OF GOLD,
FULL OF CRAP.

496
00:21:02,094 --> 00:21:05,629
HEY, GUYS,
I JUST HAD ANOTHER
NEAR-DEATH EXPERIENCE.

497
00:21:05,631 --> 00:21:07,364
ALISSA'S FATHER
FOUND OUT I PROPOSED,

498
00:21:07,366 --> 00:21:09,666
AND HE CAME AFTER ME
WITH A BAT.

499
00:21:09,668 --> 00:21:12,503
SO YOU CAN STILL BE
IN MY SOUL POSSE.

500
00:21:12,505 --> 00:21:16,073
UH, IT DIDN'T REALLY WORK
THE SECOND TIME.

501
00:21:16,075 --> 00:21:17,607
BUT LOOK...

502
00:21:17,609 --> 00:21:21,945
IN THE DISTANCE I SEE
THE SHINING BRILLIANCE
OF THE LIQUOR MART SIGN.

503
00:21:23,049 --> 00:21:25,081
REMEMBER THIS MOMENT, DICK.

504
00:21:25,083 --> 00:21:28,185
GOD, I WISH I COULD SEE
WITH YOUR CLARITY.

505
00:21:28,187 --> 00:21:32,088
CAN YOU MAKE OUT
IF THOSE TALL BOYS
ARE STILL ON SALE?

506
00:21:37,863 --> 00:21:41,265
CAPTIONING MADE POSSIBLE BY
CARSEY-WERNER PRODUCTIONS
AND THE NATIONAL
BROADCASTING COMPANY

507
00:21:41,267 --> 00:21:43,401
MAN, THIS PLACE
MUST BE GOOD.

508
00:21:43,403 --> 00:21:44,835
LOOK AT THE LINE.

509
00:21:44,837 --> 00:21:46,937
YEAH. WONDER WHAT SOUP
THEY'VE GOT.

510
00:21:46,939 --> 00:21:50,340
I'VE BEEN HANKERING FOR
A NICE LOBSTER BISQUE ALL DAY.

511
00:21:50,342 --> 00:21:52,576
COME ON, CHESTER,
MOVE IT ALONG.

512
00:21:52,578 --> 00:21:54,244
WE GOT
HUNGRY PEOPLE HERE.

513
00:21:54,246 --> 00:21:58,182
YEAH. SOME OF US HAVE JOBS
TO GET BACK TO, ALL RIGHT?

514
00:21:58,184 --> 00:22:01,384
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING
INSTITUTE, INC.

515
00:22:01,386 --> 00:22:03,320
WHAT ARE YOU
ALL LOOKING AT?

516
00:22:03,322 --> 00:22:07,224
PUBLIC PERFORMANCE OF CAPTIONS
PROHIBITED WITHOUT PERMISSION OF
NATIONAL CAPTIONING INSTITUTE