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Trevor: HAY, WHAT’S GOING

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ON, EVERYBODY.

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WELCOME TO "THE DAILY SOCIAL

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DISTANCING SHOW."

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I’M TREVOR NOAH.

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TODAY IS WEDNESDAY, THE 16th OF

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DECEMBER, WHICH MEANS CHRISTMAS

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IS NOW ONLY NINE DAYS AWAY,

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WHICH MEANS IT MIGHT BE TOO LATE

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TO GET YOUR CHRISTMAS GIFTS

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DELIVERED, BUT NOT TOO LATE TO

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TAKE WHATEVER AMAZON HAS

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DELIVERED TO YOUR NEIGHBOR’S

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STOOP.

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"SUPRISE, GRANDMA!

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I KNOW HOW MUCH YOU’VE WANTED

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THIS!"

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"A REPLACEMENT DOOR HANDLE FOR A

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LAUNDRY MACHINE?"

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"YEP!

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MERRY CHRISTMAS!"

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ANYWAY, COMING UP ON TONIGHT’S

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SHOW:

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TOM CRUISE DOESN’T WANT YOUR

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CORONA, FLORIDA DOESN’T WANT

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DONALD TRUMP!

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PLUS, JAMES CORDON AND TESSA

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THOMPSON ARE JOINING ME ON THE

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SHOW!

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SO LET’S DO THIS, PEOPLE!

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WELCOME TO "THE DAILY SOCIAL
DISTANCING SHOW."

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Announcer: FROM TREVOR’S

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Announcer: FROM TREVOR’S

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COUCH IN NEW YORK CITY TO YOUR

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COUCH SOMEWHERE IN THE WORLD,

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THIS IS "THE DAILY SOCIAL

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DISTANCING SHOW," WITH TREVOR

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NOAH."

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Trevor: LET’S KICK THINGS OFF

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WITH THE BRITISH ROYAL FAMILY.

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A.K.A., ENGLAND’S 1,200-YEAR

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GENETICS EXPERIMENT.

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WHEN PRINCE HARRY AND MEGHAN

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MARKLE QUIT THE FAMILY BUSINESS

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A YEAR AGO, MANY PEOPLE WONDERED

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WHY THEY WOULD LEAVE AN

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INSTITUTION WITH SUCH AWESOME

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WEALTH AND PRESTIGE.

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BUT NOW, IT LOOKS LIKE THEY’VE

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FOUND SOMETHING ALMOST AS GOOD:

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PODCASTING.

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BRITAIN’S PRINCE HARRY AND

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HIS WIFE, MEGHAN, ARE BECOMING

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PODCASTERS.

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IN AN AUDIO ANNOUNCEMENT, THE

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COUPLE SAID THAT THEY WILL HOST

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AND PRODUCE PODCASTS FOR SPOTIFY

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IN CONJUNCTION WITH THEIR

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COMPANY, ARCHEWELL AUDIO.

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SPOTIFY SAYS THE COUPLE’S FIRST

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PODCAST WILL BE A HOLIDAY

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SPECIAL THIS MONTH FEATURING

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STORIES OF HOPE AND COMPASSION

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TO CELEBRATE THE NEW YEAR.

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THE FIRST COMPLETE SERIES IS

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EXPECTED NEXT YEAR.

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( LAUGHING )

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Trevor: YO, GUYS, MEGHAN

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MARKLE HAS COMPLETELY FLIPPED

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THE ROYAL FAMILY ON ITS HEAD.

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FIVE YEARS AGO, THEY WERE LIKE,

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"MEGHAN MARKLE IS NOW THE

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DUCHESS OF SUSSEX AND MUST BE

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ADDRESSED AS SUCH!"

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NOW THEY’RE LIKE, "PRINCE HARRY

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IS OFFERING 20% OFF CASPER

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MATTRESSES WITH PROMO CODE

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BLUEBLOOD2020."

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BUT STILL, GUYS, PODCASTING!

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IT’S GOOD TO SEE THAT, EVEN

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THOUGH THEY’VE LEFT THE ROYAL

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FAMILY, HARRY AND MEGHAN ARE

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CARRYING ON THE TRADITION OF NOT

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HAVING REAL JOBS.

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NAH, I’M JOKING, NO HATE.

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I’M GLAD THAT HARRY IS LIVING

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HIS BEST LIFE NOW.

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AND IT’S GOING TO BE SO

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HILARIOUS WHEN HE EXPLAINS THIS

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TO THE QUEEN.

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( QUEEN )

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"SO, WHAT IS IT THAT YOU, DO

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EXACTLY?"

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( HARRY )

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"WHAT IS IT YOU DO EXACTLY?"

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( QUEEN )

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"AH, TOUCHE."

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LET’S MOVE ON TO A STORY OUT OF

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RUSSIA, YOU KNOW, WHERE EVEN THE

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DOLLS CRAWL INSIDE OF EACH OTHER

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FOR WARMTH.

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YOU MAY REMEMBER THAT OVER THE

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SUMMER, ONE OF VLADIMIR PUTIN’S

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TOP CRITICS, ALEXEI NAVALNY,

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WAS POISONED AND NEARLY KILLED.

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WELL, NOW INVESTIGATORS WORKING

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WITH CNN HAVE TRACKED DOWN THE

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RUSSIAN AGENTS THEY SAY

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CARRIED OUT THE CRIME-- AND NOT

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ONLY THAT, A CNN REPORTER

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ACTUALLY CONFRONTED ONE OF THEM

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AT HOME.

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INVESTIGATION BY THE GROUP

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BELLINGCAT AND CNN HAS UNCOVERED

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EVIDENCE THAT RUSSIA’S SECURITY

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SERVICE, THE F.S.B., FORMED AN

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ELITE TEAM SPECIALIZING IN NERVE

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AGENTS THAT FOLLOWED AND TRAILED

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OPPOSITION LEADER ALEXEI NAVALNY

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FOR YEARS.

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SO WE’RE HERE NOW AT THE HOME

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OF ONE OF THE F.S.B. TEAM, AND

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WE’RE GOING TO SEE IF HE HAS

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ANYTHING TO SAY TO US.

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WE ENTER A RUNDOWN APARTMENT

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BUILDING ON THE OUTSKIRTS

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OF MOSCOW, WHERE OPERATIVE OLEG

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TAYAKIN LIVES.

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( SPEAKING RUSSIAN )

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MY NAME IS CLARISSA WARD.

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I WORK FOR CNN.

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CAN I ASK YOU A COUPLE OF

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QUESTIONS?

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( SPEAKING RUSSIAN )

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WAS IT YOUR TEAM THAT POISONED

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NAVALNY, PLEASE?

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DO YOU HAVE ANY COMMENT?

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HE DOESN’T SEEM TO WANT TO

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TALK TO US.

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Trevor: WHOO!

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THIS REPORTER IS THE MOST STONE-

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COLD GANGSTER I’VE EVER SEEN,

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AND NOT JUST BECAUSE SHE’S IN A

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RUSSIAN WINTER WITH NO HAT OR

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GLOVES.

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SHE’S TRACKED DOWN A RUSSIAN

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ASSASSIN PEOPLE, ASSASSIN.

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"SIR?

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SIR?

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IF YOU WON’T ANSWER ME, IS THERE

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ANOTHER ASSASSIN I CAN SPEAK

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TO?"

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THIS IS THE KIND OF REPORTING

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CNN NEEDS TO DO MORE OF!

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I DON’T WANT TO SEE CHRIS CUOMO

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INTERVIEWING TEN PEOPLE IN A

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BOX.

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I WANT TO SEE CHRIS CUOMO

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BREAKING DOWN KIM JONG-UN’S

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DOOR!

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( CHRIS CUOMO )
"YO, WHO GAVE YOU THAT DUMB-ASS

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"YO, WHO GAVE YOU THAT DUMB-ASS

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HAIRCUT?

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TELL THE PEOPLE!

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WHO GAVE YOU THAT DUMB-ASS

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HAIRCUT!"

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SHE WAS EVEN ROASTING HIS

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APARTMENT!

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ALTHOUGH, SHE IS RIGHT: THAT

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APARTMENT WAS TRASH.

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SPY MOVIES HAVE GIVEN ME A

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TOTALLY WRONG IDEA OF HOW

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GOVERNMENT ASSASSINS LIVE.

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JAMES BOND WOULDN’T BE SEDUCING

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ANYBODY IF HE LIVED IN THAT

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APARTMENT.

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( BOND GIRL )

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NO, MR. BOND, I WILL NOT BE

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GIVING YOU THE SECRET CODE.

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YOUR KITCHEN IS A HOTPLATE,

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BITCH.

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MOVING ON TO THE CORONAVIRUS

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PANDEMIC.

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IT’S THE OTHER REASON YOU CAN’T

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GET INTO THE CLUB.

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EVEN THOUGH VACCINES ARE

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STARTING TO ROLL OUT, WE CAN

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STILL SAVE TENS OF THOUSANDS OF

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LIVES BY WEARING MASKS AND

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SOCIAL DISTANCING UNTIL EVERYONE

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HAS IMMUNITY.

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SO, PLEASE, REMIND ALL YOUR

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FRIENDS AND CO-WORKERS ABOUT

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THIS.

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ALTHOUGH, THERE’S REMINDING AND

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THEN THERE’S WHATEVER TOM CRUISE

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DID.

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TOM CRUISE REPORTEDLY LET HIS

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COVID CONCERNS BE HEARD LOUD AND

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CLEAR WHILE FILMING THE NEW

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"MISSION: IMPOSSIBLE" MOVIE IN

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ENGLAND.

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IN AN AUDIO OBTAINED FROM "THE

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SUN" TABLOID, WHICH HAS NOT BEEN

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AUTHENTICATED BY ABC NEWS,

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CRUISE WAS REPORTEDLY FURIOUS

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WITH STAFFERS FOR IGNORING

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SAFETY PROTOCOLS.

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I DON’T EVER WANT TO SAY IT

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AGAIN, EVER!

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AND IF YOU DON’T DO IT, YOU’RE

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FIRED.

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AND IF I SEE YOU DO IT AGAIN,

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YOU’RE (BLEEP) GONE.

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AND IF ANYONE ON THIS CREW DOES

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IT, THAT’S IT!

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AND YOU, TOO!

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AND YOU, TOO.

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AND YOU!

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DON’T YOU EVER (BLEEP) DO IT

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AGAIN!

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WORK ON THE FILM HAD TO BE
SHUT DOWN IN OCTOBER WHEN 12

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SHUT DOWN IN OCTOBER WHEN 12

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STAFFERS TESTED POSITIVE.

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Trevor: WHOOO-WEEE!

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TOM CRUISE IS PISSED.

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AND SOME PEOPLE ARE SAYING THIS

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IS A BAD LOOK FOR TOM CRUISE,

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BUT I DISAGREE.

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BECAUSE, YEAH, HE’S MAD, BUT

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IT’S FOR A GOOD CAUSE.

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IT’S LIKE GETTING RECORDED

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SCREAMING, "YOU GUYS ARE IN BIG

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TROUBLE IF WE DON’T GET THESE

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TOYS TO THE CHILDREN’S HOSPITAL!

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I WANT TO SEE HAPPY KIDS, OR

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YOU’LL NEVER WORK IN THIS TOWN

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AGAIN!"

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YOU’RE ANGRY, BUT FOR THE RIGHT

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REASON.

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BUT FOR REAL, IF ANYTHING, THIS

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SHOULD TEACH PEOPLE JUST HOW

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SERIOUS THIS CORONA SHIT IS,

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BECAUSE, REMEMBER, TOM CRUISE IS

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USUALLY NOT SCARED OF ANYTHING.

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THIS DUDE HANGS OFF THE SIDE OF

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A PLANE LIKE IT WAS ANY OTHER

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TUESDAY.

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HE’S EVEN BRAVE ENOUGH TO PUT

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HIS DIRTY SHOES ON A BLACK

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WOMAN’S COUCH!

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SO THE FACT THAT EVEN HE’S

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WORRIED ABOUT COVID IS A

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REMINDER THAT NO ONE IS IMMUNE

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FROM THIS VIRUS.

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WELL, ALMOST NO ONE.

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THE PANDEMIC WILL NOT STOP

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SANTA CLAUS.

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THAT’S THE WORD FROM THE WORLD

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HEALTH ORGANIZATION.

261
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W.H.O.’S TOP EXPERTS

262
00:06:32,830 --> 00:06:33,973
ADDRESSED CONCERNS ABOUT SANTA’S

263
00:06:33,974 --> 00:06:35,033
HEALTH DURING A NEWS BRIEFING AT

264
00:06:35,034 --> 00:06:36,977
THEIR HEADQUARTERS IN

265
00:06:36,978 --> 00:06:37,593
SWITZERLAND.

266
00:06:37,595 --> 00:06:39,358
THEY WANT CHILDREN EVERYWHERE TO

267
00:06:39,393 --> 00:06:41,913
KNOW THAT SANTA CLAUS IS IMMUNE

268
00:06:41,914 --> 00:06:43,532
TO CORONAVIRUS.

269
00:06:43,533 --> 00:06:44,603
YEAH.

270
00:06:44,637 --> 00:06:46,341
A NUMBER OF WORLD LEADERS

271
00:06:46,343 --> 00:06:46,983
HAVE RELAXED QUARANTINE MEASURES

272
00:06:46,984 --> 00:06:49,388
SO THAT SANTA CAN ENTER THE AIR

273
00:06:49,389 --> 00:06:52,934
SPACE AND DELIVER GIFTS ON

274
00:06:52,969 --> 00:06:53,461
CHRISTMAS EVE.

275
00:06:53,462 --> 00:06:55,453
Trevor: NOW, THAT IS GREAT

276
00:06:55,487 --> 00:06:55,896
NEWS.

277
00:06:55,897 --> 00:06:57,710
SANTA CLAUS IS IMMUNE FROM

278
00:06:57,712 --> 00:07:00,120
CORONAVIRUS, AND CHLAMYDIA.

279
00:07:00,121 --> 00:07:01,699
OH, JUST CORONA?

280
00:07:01,700 --> 00:07:03,981
NOT-- OH.

281
00:07:03,982 --> 00:07:06,958
NOT CHLAMYDIA AT ALL?

282
00:07:06,960 --> 00:07:07,538
OH.

283
00:07:07,539 --> 00:07:10,685
I DON’T KNOW IF WE SHOULD BE

284
00:07:10,686 --> 00:07:11,745
CELEBRATING THIS.

285
00:07:11,746 --> 00:07:15,096
SANTA IS IMMUNE BECAUSE HE’S

286
00:07:15,130 --> 00:07:15,620
PATIENT ZERO.

287
00:07:15,654 --> 00:07:16,632
THINK ABOUT IT: THIS ALL STARTED

288
00:07:16,634 --> 00:07:17,782
LAST WINTER, RIGHT AROUND THE

289
00:07:17,783 --> 00:07:19,378
TIME SANTA GOES EVERYWHERE

290
00:07:19,379 --> 00:07:22,473
AROUND THE WORLD?

291
00:07:22,474 --> 00:07:25,397
I SEE WHAT YOU DID, SANTA CLAUS!

292
00:07:25,398 --> 00:07:26,589
YOU OWE THE BATS AN APOLOGY!

293
00:07:26,590 --> 00:07:27,442
EITHER WAY, I KNOW THIS IS NICE

294
00:07:27,476 --> 00:07:28,432
FOR KIDS, BUT ISN’T IT RISKY FOR

295
00:07:28,433 --> 00:07:29,063
THE WORLD HEALTH ORGANIZATION TO

296
00:07:29,098 --> 00:07:29,798
BE SAYING THIS?

297
00:07:29,832 --> 00:07:30,420
BECAUSE ADULTS ARE LISTENING,

298
00:07:30,422 --> 00:07:31,797
TOO, AND THEY’RE NOT GREAT AT

299
00:07:31,831 --> 00:07:32,768
TELLING FACT FROM FICTION,

300
00:07:32,803 --> 00:07:33,185
EITHER.

301
00:07:33,219 --> 00:07:35,045
YOU CAN’T BE LIKE, "THE

302
00:07:35,047 --> 00:07:35,992
CORONAVIRUS IS VERY REAL, AND

303
00:07:35,993 --> 00:07:37,537
YOU NEED TO TAKE IT SERIOUSLY,

304
00:07:37,571 --> 00:07:41,775
BUT IT DOESN’T EFFECT SANTA

305
00:07:41,776 --> 00:07:41,987
CLAUS!"

306
00:07:42,021 --> 00:07:43,527
BUT I GUESS IT IS CUTE THAT THE

307
00:07:43,562 --> 00:07:44,909
W.H.O. WENT OUT OF ITS WAY TO

308
00:07:44,910 --> 00:07:45,989
EASE KIDS’ MINDS LIKE THIS.

309
00:07:46,023 --> 00:07:46,877
I JUST WISH THEY DIDN’T FOLLOW

310
00:07:46,878 --> 00:07:49,595
UP BY SAYING THE EASTER BUNNY’S

311
00:07:49,596 --> 00:07:51,893
GOT COLON CANCER.

312
00:07:51,894 --> 00:07:52,111
OOOF!

313
00:07:52,113 --> 00:07:53,174
BUT LET’S MOVE ON TO THE OTHER

314
00:07:53,175 --> 00:07:54,654
PANDEMIC THAT SEEMS IMPOSSIBLE

315
00:07:54,655 --> 00:07:56,392
TO COMPLETELY GET RID OF--

316
00:07:56,394 --> 00:07:56,956
DONALD J. TRUMP.

317
00:07:56,958 --> 00:07:59,350
HE HAS JUST ABOUT ONE MONTH LEFT

318
00:07:59,385 --> 00:08:01,280
IN HIS PRESIDENCY, BUT IN

319
00:08:01,315 --> 00:08:02,117
BETWEEN TWITTER MELTDOWNS AND

320
00:08:02,118 --> 00:08:02,897
GOLF GAMES, TRUMP HAS BEEN HARD

321
00:08:02,898 --> 00:08:04,487
AT WORK TRYING TO SECURE HIS

322
00:08:04,521 --> 00:08:04,932
LEGACY.

323
00:08:04,966 --> 00:08:08,135
AND TODAY, HE CHECKED OFF ONE OF

324
00:08:08,136 --> 00:08:10,102
THE MOST IMPORTANT THINGS ON HIS

325
00:08:10,104 --> 00:08:10,647
PRESIDENTIAL TO-DO LIST.

326
00:08:10,681 --> 00:08:11,920
THE DEPARTMENT OF ENERGY

327
00:08:11,921 --> 00:08:12,747
ROLLING BACK WATER FLOW

328
00:08:12,782 --> 00:08:14,212
RESTRICTIONS ON SHOWER HEADS AND

329
00:08:14,213 --> 00:08:14,829
OTHER APPLIANCES.

330
00:08:14,830 --> 00:08:16,210
IT COMES AFTER PRESIDENT TRUMP

331
00:08:16,244 --> 00:08:18,426
COMPLAINED ABOUT LOW-FLOW

332
00:08:18,461 --> 00:08:21,757
SHOWER HEADS AND TOILETS.

333
00:08:21,758 --> 00:08:24,467
AS YOU GO INTO THE SHOWER

334
00:08:24,501 --> 00:08:26,275
RIGHT, AND, YOU TURN ON THE

335
00:08:26,309 --> 00:08:26,958
WATER-- DRIP. DRIP. DRIP.

336
00:08:26,959 --> 00:08:28,049
I CALL THE GUY, "IS THERE

337
00:08:28,050 --> 00:08:28,733
SOMETHING WRONG WITH THIS?"

338
00:08:28,734 --> 00:08:29,484
"NO, SIR, IT IS JUST THE

339
00:08:29,485 --> 00:08:29,850
RESTRICTOR.

340
00:08:29,885 --> 00:08:31,116
UP UNTIL NOW, SHOWER HEADS

341
00:08:31,117 --> 00:08:32,294
WERE NOT ALLOWED TO USE MORE

342
00:08:32,329 --> 00:08:34,165
THAN 2.5 GALLONS OF WATER PER

343
00:08:34,166 --> 00:08:34,939
MINUTE.

344
00:08:34,973 --> 00:08:36,595
THE REVISED POLICY SAYS EACH

345
00:08:36,629 --> 00:08:38,299
NOZZLE CAN NOW USE THAT AMOUNT.

346
00:08:38,301 --> 00:08:39,422
ENVIRONMENTAL GROUPS ARE CALLING

347
00:08:39,423 --> 00:08:40,382
ON PRESIDENT-ELECT JOE BIDEN TO

348
00:08:40,383 --> 00:08:42,608
GO BACK TO THE OLD REGULATIONS

349
00:08:42,642 --> 00:08:43,801
ONCE HE TAKES OFFICE.

350
00:08:43,835 --> 00:08:46,382
Trevor: NOW THAT’S WHAT YOU

351
00:08:46,383 --> 00:08:47,713
NEED FROM A PRESIDENT.

352
00:08:47,748 --> 00:08:49,394
YEAH, THE COUNTRY IS STRUGGLING

353
00:08:49,429 --> 00:08:51,434
AND PEOPLE ARE DYING EVERYWHERE

354
00:08:51,435 --> 00:08:53,325
BECAUSE OF INEPTITUDE, BUT AT

355
00:08:53,359 --> 00:08:55,255
THE END OF THE DAY, YOU CAN

356
00:08:55,290 --> 00:08:57,106
SHOWER TWO MINUTES QUICKER

357
00:08:57,108 --> 00:08:58,258
BECAUSE THAT SOAP COMES RIGHT

358
00:08:58,292 --> 00:08:59,518
OFF.

359
00:08:59,519 --> 00:09:00,836
MY MAN.

360
00:09:00,871 --> 00:09:03,481
NOW, BECAUSE THIS LAW IS ABOUT

361
00:09:03,515 --> 00:09:05,305
CONSERVING WATER, I WOULDN’T BE

362
00:09:05,340 --> 00:09:08,290
SURPRISED IF JOE BIDEN REVERSED

363
00:09:08,324 --> 00:09:08,845
THIS POLICY.

364
00:09:08,879 --> 00:09:10,105
AND I THINK IT WOULD BE FUNNY IF

365
00:09:10,106 --> 00:09:11,551
JOE BIDEN PUT THE WATER

366
00:09:11,585 --> 00:09:12,746
RESTRICTORS BACK ON WHILE TRUMP

367
00:09:12,781 --> 00:09:15,167
IS IN THE SHOWER.

368
00:09:15,168 --> 00:09:17,072
THAT WOULD BE AMAZING.

369
00:09:17,073 --> 00:09:20,008
"I SAID CERTIFIED FREAK, SEVEN

370
00:09:20,042 --> 00:09:21,830
DAYS A WEEK.

371
00:09:21,864 --> 00:09:22,539
WHAAAA?

372
00:09:22,541 --> 00:09:24,504
WHAT HAPPENED TO THE WATER IN

373
00:09:24,538 --> 00:09:26,428
WHERE’S THE WATER?

374
00:09:26,463 --> 00:09:28,928
I CAN’T BE WET ASS WITHOUT THE

375
00:09:28,963 --> 00:09:29,115
WATER?"

376
00:09:29,149 --> 00:09:29,911
SO NOW THE ONLY QUESTION IS

377
00:09:29,945 --> 00:09:30,684
WHERE WILL TRUMP BE ENJOYING ALL

378
00:09:30,719 --> 00:09:31,431
HIS HIGH-PRESSURE SHOWERS AFTER

379
00:09:31,432 --> 00:09:31,693
JANUARY 20?

380
00:09:31,728 --> 00:09:32,668
BECAUSE HE’S NOT GOING TO BE IN

381
00:09:32,703 --> 00:09:33,440
THE WHITE HOUSE,

382
00:09:33,475 --> 00:09:35,681
AND IT TURNS OUT, HIS NEIGHBORS

383
00:09:35,682 --> 00:09:37,371
AT THE "SOUTHERN WHITE HOUSE"

384
00:09:37,372 --> 00:09:38,379
DON’T WANT HIM THERE, EITHER.

385
00:09:38,414 --> 00:09:40,940
TRUMP’S NEIGHBORS IN FLORIDA

386
00:09:40,975 --> 00:09:43,150
ARE BRACING FOR THE POSSIBILITY

387
00:09:43,185 --> 00:09:44,426
HE JUST MIGHT SPEND HIS

388
00:09:44,427 --> 00:09:45,507
POST-WHITE HOUSE DAYS RIGHT

389
00:09:45,541 --> 00:09:46,678
THERE ALONGSIDE THEM.

390
00:09:46,712 --> 00:09:48,707
TONIGHT, "THE WASHINGTON POST"

391
00:09:48,741 --> 00:09:50,348
IS REPORTING THAT SOME OF THE

392
00:09:50,383 --> 00:09:52,275
NEIGHBORS DOWN IN MAR-A-LAGO

393
00:09:52,276 --> 00:09:55,995
WANT THE CITY OF PALM BEACH TO

394
00:09:56,030 --> 00:09:58,033
PREVENT TRUMP FROM SETTLING DOWN

395
00:09:58,034 --> 00:09:58,893
THERE.

396
00:09:58,927 --> 00:10:01,136
THEY ARGUE HE SIGNED AWAY HIS

397
00:10:01,137 --> 00:10:03,540
LEGAL RIGHT TO LIVE THERE FULL

398
00:10:03,542 --> 00:10:05,462
TIME BACK IN THE ’90S WHEN THE

399
00:10:05,463 --> 00:10:06,119
RESORT WAS ORIGINALLY CONVERTED

400
00:10:06,120 --> 00:10:08,514
FROM A PRIVATE RESIDENCE TO A

401
00:10:08,516 --> 00:10:09,108
PRIVATE CLUB.

402
00:10:09,110 --> 00:10:11,137
IT’S WELL KNOWN THAT BACK IN

403
00:10:11,138 --> 00:10:12,733
1993, TRUMP’S LAWYER TESTIFIED

404
00:10:12,768 --> 00:10:15,393
BEFORE THE TOWN COUNCIL SAYING

405
00:10:15,427 --> 00:10:17,509
THAT TRUMP WOULD NOT BE LIVING

406
00:10:17,510 --> 00:10:18,036
ON PREMISES.

407
00:10:18,071 --> 00:10:18,507
SO THERE’S THAT.

408
00:10:18,509 --> 00:10:20,018
Trevor: OKAY, THAT IS A LOW

409
00:10:20,052 --> 00:10:20,564
BLOW.

410
00:10:20,565 --> 00:10:23,152
DO YOU KNOW HOW CRUSHING IT MUST

411
00:10:23,186 --> 00:10:24,708
BE FOR FLORIDA TO REJECT YOU AS

412
00:10:24,742 --> 00:10:25,791
A CITIZEN?

413
00:10:25,792 --> 00:10:31,288
"LOOK, WE’LL TAKE THE GUY THAT

414
00:10:31,323 --> 00:10:32,347
KICK-BOXES ALLIGATORS, BUT

415
00:10:32,381 --> 00:10:34,035
DONALD TRUMP GUY IS JUST TOO

416
00:10:34,036 --> 00:10:34,281
MUCH."

417
00:10:34,282 --> 00:10:35,143
ALTHOUGH, TRUMP IS PROBABLY

418
00:10:35,144 --> 00:10:35,713
GOING TO FIGHT THIS.

419
00:10:35,715 --> 00:10:36,802
I MEAN, WHO CARES WHAT HIS

420
00:10:36,836 --> 00:10:37,739
LAWYER IN 1993 SAID?

421
00:10:37,741 --> 00:10:39,053
I DON’T KNOW WHO IT WAS, BUT IF

422
00:10:39,087 --> 00:10:40,927
HE WAS TRUMP’S LAWYER, THEN BY

423
00:10:40,928 --> 00:10:42,096
NOW, HE’S EITHER SERVING A LIFE

424
00:10:42,097 --> 00:10:45,658
SENTENCE OR HE’S DEVOLVED INTO A

425
00:10:45,659 --> 00:10:46,576
MUTANT MAN-BAT.

426
00:10:46,577 --> 00:10:50,412
BUT, FROM THE BOTTOM OF MY

427
00:10:50,413 --> 00:10:51,609
HEART, POOR TRUMP, MAN.

428
00:10:51,610 --> 00:10:52,516
NEW YORK DOESN’T WANT HIM,

429
00:10:52,550 --> 00:10:53,474
MAR-A-LAGO DOESN’T WANT HIM.

430
00:10:53,475 --> 00:10:54,376
THE ONLY PLACES THAT WOULD TAKE

431
00:10:54,410 --> 00:10:56,158
HIM ARE STATES HE WANTS NOTHING

432
00:10:56,159 --> 00:10:56,619
TO DO WITH.

433
00:10:56,654 --> 00:10:57,747
I MEAN, IF HE ACTUALLY TRIED TO

434
00:10:57,781 --> 00:10:59,485
LIVE IN THE HEARTLAND, HE’D BE

435
00:10:59,520 --> 00:11:01,891
ON A FLIGHT TO SAUDI ARABIA THE

436
00:11:01,925 --> 00:11:02,295
NEXT DAY.

437
00:11:02,329 --> 00:11:04,702
"THIS IS MY KIND OF PLACE!

438
00:11:04,703 --> 00:11:05,683
EVERYTHING IS COVERED IN GOLD,

439
00:11:05,717 --> 00:11:07,921
AND ALL THE REPORTERS ARE SO

440
00:11:07,955 --> 00:11:08,508
POLITE.

441
00:11:08,542 --> 00:11:10,265
HOW DID THEY ENFORCE THAT?

442
00:11:10,266 --> 00:11:12,407
SO GREAT.

443
00:11:12,409 --> 00:11:13,192
SO COOL."

444
00:11:13,226 --> 00:11:14,317
OF COURSE, BEFORE TRUMP MOVES

445
00:11:14,352 --> 00:11:15,870
ANYWHERE ELSE, SOMEONE HAS TO

446
00:11:15,872 --> 00:11:18,469
TELL HIM THAT HE NEEDS TO

447
00:11:18,471 --> 00:11:20,071
GET HIS ASS OUT OF THE WHITE

448
00:11:20,072 --> 00:11:20,384
HOUSE.

449
00:11:20,418 --> 00:11:22,676
SOMEONE NEEDS TO TELL HIM HE’S

450
00:11:22,678 --> 00:11:24,337
OUT OF THE JOB, WHICH HE’S

451
00:11:24,371 --> 00:11:25,733
CLEARLY RELUCTANT TO ACCEPT.

452
00:11:25,734 --> 00:11:27,907
THE QUESTION IS WHO IS GOOD AT

453
00:11:27,908 --> 00:11:28,991
GETTING RID OF SOMEONE?

454
00:11:29,025 --> 00:11:32,508
WHO IS GOOD AT TELLING SOMEONE

455
00:11:32,542 --> 00:11:34,592
THAT YOUR JOB NO LONGER IS?

456
00:11:34,627 --> 00:11:36,600
TURNS OUT WE KNOW EXACTLY THE

457
00:11:36,601 --> 00:11:38,061
RIGHT PERSON FOR THIS JOB.

458
00:11:38,063 --> 00:11:40,588
SO, YOU TOOK A BEATING.

459
00:11:40,589 --> 00:11:41,788
AND IT’S IMPOSSIBLE THAT THAT

460
00:11:41,822 --> 00:11:42,173
HAPPENED.

461
00:11:42,207 --> 00:11:44,659
THERE IS SOMETHING WRONG.

462
00:11:44,693 --> 00:11:46,709
I’LL TELL YOU WHAT’S WRONG:

463
00:11:46,711 --> 00:11:47,438
VOTER FRAUD.

464
00:11:47,440 --> 00:11:49,337
SO HOW COME THE OTHER TEAM WAS

465
00:11:49,339 --> 00:11:50,775
SO MUCH BETTER THAN YOU?

466
00:11:50,777 --> 00:11:52,033
THEY USED THE PANDEMIC,

467
00:11:52,034 --> 00:11:54,382
SOMETIMES REFERRED TO AS "THE

468
00:11:54,383 --> 00:11:55,891
CHINA VIRUS," WHERE IT

469
00:11:55,892 --> 00:11:58,336
ORIGINATED, AS AN EXCUSE TO MAIL

470
00:11:58,337 --> 00:12:00,612
OUT TENS OF MILLIONS OF BALLOTS.

471
00:12:00,613 --> 00:12:01,873
IT’S SORT OF A DISASTER.

472
00:12:01,908 --> 00:12:03,013
DON’T TAKE OFFENSE.

473
00:12:03,014 --> 00:12:04,750
I MEAN, EVERYONE HATES YOU.

474
00:12:04,751 --> 00:12:06,103
I HAVE A LOT OF FRIENDS IN

475
00:12:06,137 --> 00:12:06,506
DETROIT.

476
00:12:06,508 --> 00:12:08,470
JOE BIDEN CAN’T BE PRESIDENT.

477
00:12:08,505 --> 00:12:10,471
WE’RE TALKING ABOUT HUNDREDS OF

478
00:12:10,472 --> 00:12:12,410
THOUSANDS OF VOTES BUT EVERYBODY

479
00:12:12,411 --> 00:12:13,700
HAS SAID THAT HE’S A GOOD

480
00:12:13,733 --> 00:12:14,078
LEADER.

481
00:12:14,079 --> 00:12:15,677
NOBODY SAID THAT ABOUT YOU.

482
00:12:15,678 --> 00:12:17,733
MANY VERY SMART PEOPLE HAVE

483
00:12:17,768 --> 00:12:18,896
CONGRATULATED ME ON ALL WE’VE

484
00:12:18,930 --> 00:12:19,237
DONE.

485
00:12:19,272 --> 00:12:21,035
IT’S OVER.

486
00:12:21,036 --> 00:12:24,023
DON’T YOU THINK IT’S OVER.

487
00:12:24,057 --> 00:12:25,305
THIS ELECTION WAS RIGGED.

488
00:12:25,339 --> 00:12:26,363
EVERYBODY KNOWS IT.

489
00:12:26,397 --> 00:12:27,715
YOU’VE BOTH COME A LONG WAY.

490
00:12:27,716 --> 00:12:29,186
SOMEBODY HAS TO GO.

491
00:12:29,187 --> 00:12:31,849
SOMEBODY HAS TO GO RIGHT NOW.

492
00:12:31,851 --> 00:12:33,690
YOU’VE DONE PRETTY WELL AND,

493
00:12:33,691 --> 00:12:35,317
YET, YOU’VE ALWAYS BEEN A LOSER.

494
00:12:35,319 --> 00:12:36,504
AS FAR AS I’M CONCERNED.

495
00:12:36,505 --> 00:12:38,664
YOU’VE LOST ALL THE TIME.

496
00:12:38,698 --> 00:12:40,733
I DON’T MIND IF I LOSE AN

497
00:12:40,768 --> 00:12:43,978
ELECTION, BUT I WANT TO LOSE AN

498
00:12:44,012 --> 00:12:46,801
ELECTION FAIR AND SQUARE.

499
00:12:46,803 --> 00:12:47,705
YOU’RE FIRED.

500
00:12:47,706 --> 00:12:48,801
THAT WAS GOOD, RIGHT?

501
00:12:48,836 --> 00:12:50,177
YEAH.
I LOVED IT.

502
00:12:50,178 --> 00:12:52,306
I LOVED IT.

503
00:12:52,340 --> 00:12:55,549
ALL RIGHT.

504
00:12:55,583 --> 00:12:57,584
Trevor: ALL LRIGHT, WE’RE

505
00:12:57,585 --> 00:12:58,985
GOING TO TAKE A QUICK BREAK, BUT

506
00:12:58,987 --> 00:13:00,752
WHEN WE COME BACK, DESI LYDIC

507
00:13:00,753 --> 00:13:01,727
WILL BE SPENDING CHRISTMAS WITH

508
00:13:01,728 --> 00:13:02,325
FOX NEWS.

509
00:13:02,326 --> 00:13:03,995
AND WE’VE GOD JAMES CORDON AND

510
00:13:03,996 --> 00:13:05,147
TESSA THOMPSON STILL COMING UP

511
00:13:05,148 --> 00:13:06,960
ON THE SHOW.
DON’T GO AWAY.

512
00:13:08,955 --> 00:13:09,554
Trevor: WELCOME BACK TO "THE

513
00:13:09,589 --> 00:13:10,650
Trevor: WELCOME BACK TO "THE

514
00:13:10,684 --> 00:13:12,110
DAILY SOCIAL DISTANCING SHOW."

515
00:13:12,144 --> 00:13:12,751
THROUGHOUT THE QUARANTINE,

516
00:13:12,785 --> 00:13:15,080
DESI LYDIC HAS BEEN CHECKING IN

517
00:13:15,081 --> 00:13:16,563
WITH HER FAMILY OVER VIDEO CHAT,

518
00:13:16,565 --> 00:13:17,870
AND WE’VE LEARNED THAT A LOT OF

519
00:13:17,871 --> 00:13:20,385
HER FAMILY ARE FOX NEWS HOSTS.

520
00:13:20,386 --> 00:13:21,541
WELL, YESTERDAY, DESI TRIED TO

521
00:13:21,542 --> 00:13:22,495
BRING THEM ALL TOGETHER FOR A

522
00:13:22,497 --> 00:13:24,390
FAMILY CHRISTMAS PARTY.

523
00:13:24,391 --> 00:13:25,244
CHECK IT OUT.

524
00:13:25,245 --> 00:13:26,642
HI, FAMILY!

525
00:13:26,643 --> 00:13:28,082
SO NICE TO SEE YOU ALL.

526
00:13:28,116 --> 00:13:28,898
GOOD EVENING, EVERYBODY.

527
00:13:28,932 --> 00:13:30,320
CAN YOU HEAR ME?

528
00:13:30,321 --> 00:13:31,573
CAN YOU HEAR ME?

529
00:13:31,608 --> 00:13:32,987
WE CAN HEAR YOU.

530
00:13:33,022 --> 00:13:35,572
MERRY CHRISTMAS.

531
00:13:35,574 --> 00:13:36,454
MERRY CHRISTMAS!

532
00:13:36,455 --> 00:13:38,428
THANK YOU ALL FOR COMING TO THE

533
00:13:38,429 --> 00:13:40,990
VIRTUAL HOLIDAY PARTY.

534
00:13:41,024 --> 00:13:43,012
HI, UNCLE RUDY.

535
00:13:43,046 --> 00:13:44,324
IT’S DESI, ACTUALLY.

536
00:13:44,326 --> 00:13:45,347
AND IT’S 8:00 AT NIGHT.

537
00:13:45,381 --> 00:13:46,804
BUT IT’S SO NICE TO SEE YOU ALL,

538
00:13:46,838 --> 00:13:47,445
EVEN IT IS OVER ZOOM.

539
00:13:47,479 --> 00:13:49,856
I KNOW IT’S, LIKE, HALF AS MUCH

540
00:13:49,891 --> 00:13:50,488
FUN.

541
00:13:50,522 --> 00:13:52,406
I HEARD OTHER PEOPLE SAY 70%,

542
00:13:52,441 --> 00:13:55,373
WHICH A LOT OF FOLKS I KNOW

543
00:13:55,374 --> 00:13:56,645
THOUGHT WAS HIGH.

544
00:13:56,646 --> 00:13:57,074
YEAH.

545
00:13:57,075 --> 00:13:59,740
SO HOW IS EVERYONE?

546
00:13:59,741 --> 00:14:03,348
COUSIN BRYAN, HOW ARE YOU?

547
00:14:03,349 --> 00:14:03,613
OKAY...

548
00:14:03,648 --> 00:14:04,699
HOW ABOUT EVERYONE ELSE?

549
00:14:04,733 --> 00:14:07,333
HEY, HOW WAS YOUR DECEMBER?

550
00:14:07,368 --> 00:14:08,944
NEARLY A MONTH AFTER THE

551
00:14:08,979 --> 00:14:11,803
ELECTION, THOUSANDS OF VOTES

552
00:14:11,837 --> 00:14:12,329
REMAIN UNCOUNTED.

553
00:14:12,331 --> 00:14:13,235
1,500 VOTES FROM PEOPLE WHO

554
00:14:13,269 --> 00:14:13,587
ARE DEAD?

555
00:14:13,588 --> 00:14:14,265
THERE ARE ENOUGH ILLEGAL

556
00:14:14,299 --> 00:14:14,969
IMMIGRANTS THAT VOTED THAT WOULD

557
00:14:14,970 --> 00:14:17,109
CHANGE THE COURSE OF THE

558
00:14:17,110 --> 00:14:17,445
ELECTION.

559
00:14:17,447 --> 00:14:20,620
NO, GUYS, I TOLD YOU ALREADY,

560
00:14:20,621 --> 00:14:22,282
NO POLITICS AT CHRISTMAS.

561
00:14:22,283 --> 00:14:24,623
NOW, LET’S GET INTO THE GIFTS.

562
00:14:24,657 --> 00:14:25,513
SANTA SENT YOUR GIFTS ALREADY,

563
00:14:25,514 --> 00:14:27,100
SO I WANT TO KNOW IF YOU GOT

564
00:14:27,101 --> 00:14:27,322
THEM.

565
00:14:27,323 --> 00:14:28,879
UNCLE RUDY, HOW DO YOU LIKE YOUR

566
00:14:28,880 --> 00:14:29,251
NEW BRIEFCASE?

567
00:14:29,252 --> 00:14:30,606
I THINK IT’S A VERY GOOD

568
00:14:30,607 --> 00:14:31,906
CASE.

569
00:14:31,907 --> 00:14:32,747
WONDERFUL.

570
00:14:32,781 --> 00:14:33,947
COUSIN LAURA, I SENT YOU

571
00:14:33,981 --> 00:14:34,957
SOMETHING OVER E-MAIL.

572
00:14:34,958 --> 00:14:36,443
DID YOU GET IT?

573
00:14:36,444 --> 00:14:37,844
I SAW THE GIFT CARD STUFF.

574
00:14:37,845 --> 00:14:39,501
YES, IT’S A GIFT CARD FOR AN

575
00:14:39,502 --> 00:14:40,769
ONLINE LIQUOR STORE.

576
00:14:40,770 --> 00:14:42,758
I LOVE THIS.

577
00:14:42,759 --> 00:14:44,464
YOU’RE GETTING A HEAD START.

578
00:14:44,466 --> 00:14:45,505
IT ISN’T A HOLIDAY PARTY IF

579
00:14:45,539 --> 00:14:46,934
COUSIN LAURA ISN’T HITTING THE

580
00:14:46,968 --> 00:14:49,070
PEPPERMENT SCHNAPPS.

581
00:14:49,071 --> 00:14:51,463
YOU RAISE A GREAT POINT.

582
00:14:51,464 --> 00:14:53,079
WHAT WAS THE FUNNY DANCE YOU

583
00:14:53,080 --> 00:14:55,935
DID ONE YEAR?

584
00:14:55,936 --> 00:14:57,023
JOEY KANGAROO.

585
00:14:57,025 --> 00:15:00,638
YES, THE KANGAROO DANCE.

586
00:15:00,672 --> 00:15:01,437
SO GOOD!

587
00:15:01,471 --> 00:15:02,580
YEAH, WE’VE REPLACED RELIGION

588
00:15:02,581 --> 00:15:04,086
WITH SOME WEIRD KIND OF

589
00:15:04,087 --> 00:15:04,787
WITCHCRAFT.

590
00:15:04,788 --> 00:15:07,023
AND IT’S WORRISOME.

591
00:15:07,024 --> 00:15:08,404
COUSIN TUCKER!

592
00:15:08,438 --> 00:15:10,394
IT’S CHRISTMAS!

593
00:15:10,395 --> 00:15:13,985
COME OFF IT FOR ONE DAY!

594
00:15:13,987 --> 00:15:15,561
DID YOU EVEN GET ME ANYTHING?

595
00:15:15,596 --> 00:15:19,788
HE SPENT THREE YEARS AND

596
00:15:19,789 --> 00:15:20,454
FOUND NOTHING!

597
00:15:20,455 --> 00:15:21,398
OKAY, YOU KNOW WHAT?

598
00:15:21,400 --> 00:15:21,686
THAT’S FINE.

599
00:15:21,687 --> 00:15:22,303
I DON’T EVEN CARE THAT NO ONE

600
00:15:22,337 --> 00:15:22,722
GOT ME A GIFT.

601
00:15:22,723 --> 00:15:26,117
ALL I CARE ABOUT IS SEEING MY

602
00:15:26,151 --> 00:15:26,434
FAMILY.

603
00:15:26,435 --> 00:15:27,012
( DOORBELL )

604
00:15:27,013 --> 00:15:27,992
SPEAKING OF WHICH, AUNT JEANINE

605
00:15:28,026 --> 00:15:28,775
IS JOINING.

606
00:15:28,809 --> 00:15:30,265
FOR SHAME.

607
00:15:30,266 --> 00:15:31,985
UNCLE LOU, I KNOW YOU AND

608
00:15:31,986 --> 00:15:32,699
AUNT JEANINE ARE SEPARATED, BUT

609
00:15:32,700 --> 00:15:33,399
CAN YOU PLEASE JUST TRY TO GET

610
00:15:33,401 --> 00:15:34,434
ALONG FOR ONE DAY?

611
00:15:34,468 --> 00:15:35,648
IT’S CHRISTMAS.

612
00:15:35,683 --> 00:15:37,518
NONE HAVE BEEN SUCCESSFUL SO

613
00:15:37,519 --> 00:15:37,819
FAR.

614
00:15:37,820 --> 00:15:38,943
WILL THIS ONE BE DIFFERENT?

615
00:15:38,944 --> 00:15:40,241
WE’RE ALSO TALKING ABOUT

616
00:15:40,275 --> 00:15:41,019
FAMILY HARASSMENT.

617
00:15:41,020 --> 00:15:41,767
STOP.

618
00:15:41,801 --> 00:15:43,471
WE HAVE TO GIVE THEM A CHANCE,

619
00:15:43,473 --> 00:15:44,207
ALL RIGHT.

620
00:15:44,208 --> 00:15:45,333
I’M GOING TO LET HER IN.

621
00:15:45,367 --> 00:15:49,071
I’M SURE SHE’S IN THE CHRISTMAS

622
00:15:49,105 --> 00:15:50,290
SPIRIT.

623
00:15:50,324 --> 00:15:51,504
SURPRISE, SURPRISE!

624
00:15:51,506 --> 00:15:53,624
WHY THIS IS BEING TOLERATED

625
00:15:53,658 --> 00:15:54,673
IS BEYOND ME.

626
00:15:54,707 --> 00:15:55,888
HEY, DON’T GIVE ME THIS

627
00:15:55,922 --> 00:15:56,255
NONSENSE.

628
00:15:56,256 --> 00:15:58,475
COME ON, YOU TWO, STOP IT.

629
00:15:58,476 --> 00:15:59,642
IT’S CHRISTMAS!

630
00:15:59,644 --> 00:16:01,303
UNCLE LOU, WHY DON’T YOU TRY

631
00:16:01,304 --> 00:16:03,964
SAYING SOMETHING NICE TO AUNT

632
00:16:03,966 --> 00:16:04,612
JEANINE.

633
00:16:04,646 --> 00:16:07,194
HE HAS THE POWER TO DO IT.

634
00:16:07,229 --> 00:16:08,232
WHY WON’T HE DO IT?

635
00:16:08,234 --> 00:16:09,058
OKAY, WELL, THEN WHY DON’T

636
00:16:09,059 --> 00:16:12,598
YOU SAY SOMETHING NICE ABOUT

637
00:16:12,600 --> 00:16:13,029
UNCLE LOU.

638
00:16:13,063 --> 00:16:14,217
WE’RE NOT GOING TO DO IT.

639
00:16:14,218 --> 00:16:15,324
THIS BREAKS MY HEART.

640
00:16:15,358 --> 00:16:17,086
I MEAN, HOW DID IT GET THIS BAD

641
00:16:17,088 --> 00:16:18,850
BETWEEN YOU TWO.

642
00:16:18,884 --> 00:16:20,537
EXPLAIN YOUR RELATIONSHIP TO

643
00:16:20,572 --> 00:16:22,957
COUPLES OUT THERE WHOSE PROBLEMS

644
00:16:22,958 --> 00:16:25,073
PALE IN COMPARISON TO YOURS.

645
00:16:25,074 --> 00:16:26,794
OKAY, AUNT JEANINE.

646
00:16:26,795 --> 00:16:27,953
TAKE A DEEP BREATH.

647
00:16:27,954 --> 00:16:30,917
WHY DON’T YOU TRY NOT TALKING

648
00:16:30,918 --> 00:16:31,473
FOR A MINUTE.

649
00:16:31,508 --> 00:16:32,635
I THINK THAT WOULD BE A GRAND

650
00:16:32,670 --> 00:16:33,178
IDEA FOR EVERY AMERICAN.

651
00:16:33,180 --> 00:16:33,734
ALL RIGHT, UNCLE LOU, DON’T

652
00:16:33,736 --> 00:16:33,977
YOU START.

653
00:16:33,978 --> 00:16:34,684
DO YOU THINK THAT SHE’S ON TO

654
00:16:34,685 --> 00:16:35,010
SOMETHING?

655
00:16:35,011 --> 00:16:39,682
THIS IS RIDICULOUS!

656
00:16:39,684 --> 00:16:40,959
NEVER-ENDING HARASSMENT.

657
00:16:40,994 --> 00:16:42,217
HOW EXACTLY DID THAT HAPPEN?

658
00:16:42,251 --> 00:16:44,898
I THINK WE KNOW.

659
00:16:44,932 --> 00:16:46,638
I HAVE NO IDEA?

660
00:16:46,672 --> 00:16:47,799
OF COURSE WE KNOW!

661
00:16:47,800 --> 00:16:48,717
THEY’VE HATED EACH OTHER FOR 45

662
00:16:48,718 --> 00:16:49,374
YEARS BUT SMS CHRISTMAS ZOOM SO

663
00:16:49,408 --> 00:16:50,012
YOU ALL NEED TO SHUT UP BECAUSE

664
00:16:50,014 --> 00:16:51,737
THIS IS GOING TO BE ( BLEEP )

665
00:16:51,772 --> 00:16:51,998
MAGICAL!

666
00:16:52,032 --> 00:16:56,813
I MEAN, DOESN’T ANYONE KNOW WHAT

667
00:16:56,847 --> 00:16:59,636
CHRISTMAS ZOOM IS ALL ABOUT?

668
00:16:59,637 --> 00:17:02,789
THIS TIME OF YEAR IS USUALLY

669
00:17:02,791 --> 00:17:03,791
FILLED WITH CHRISTMAS PARTIES,

670
00:17:03,792 --> 00:17:04,728
BUSTLING RESTAURANTS, TRIPS TO

671
00:17:04,762 --> 00:17:05,327
VISIT LOVED ONES.

672
00:17:05,361 --> 00:17:06,478
THIS HAPPENS ALL OVER THE

673
00:17:06,512 --> 00:17:07,198
COUNTRY.

674
00:17:07,199 --> 00:17:09,364
BUT, OF COURSE, BECAUSE OF

675
00:17:09,399 --> 00:17:11,712
COVID, FOR MOST OF US, NOTHING

676
00:17:11,747 --> 00:17:12,640
SEEMS THE SAME.

677
00:17:12,674 --> 00:17:13,961
AND MORE AMERICANS ARE ON EDGE.

678
00:17:13,995 --> 00:17:15,180
YES, COUSIN LAURA.

679
00:17:15,213 --> 00:17:16,394
SHE’S-- SHE’S RIGHT.

680
00:17:16,428 --> 00:17:17,257
WE ARE ON EDGE.

681
00:17:17,259 --> 00:17:19,757
YOU KNOW, BECAUSE WE DON’T HAVE

682
00:17:19,792 --> 00:17:21,177
EACH OTHER.

683
00:17:21,178 --> 00:17:23,249
JUST HAVE THIS STUPID VIRUS.

684
00:17:23,283 --> 00:17:25,848
THIS VIRUS, SHE SAID, CAME

685
00:17:25,882 --> 00:17:27,571
FROM A GOVERNMENT LAB IN CHINA.

686
00:17:27,572 --> 00:17:28,638
AND YOU DON’T HEAR THE--

687
00:17:28,639 --> 00:17:29,252
QUOTE-- EXPERTS TALKING ABOUT IT

688
00:17:29,286 --> 00:17:29,407
ENOUGH.

689
00:17:29,408 --> 00:17:30,536
YOU KNOW WHAT?

690
00:17:30,537 --> 00:17:31,369
FORGET IT.

691
00:17:31,371 --> 00:17:33,224
I’M MUTING YOU ALL, EXCEPT FOR

692
00:17:33,258 --> 00:17:34,917
YOU, COUSIN BRYAN.

693
00:17:34,918 --> 00:17:37,256
I’M GOING TO DRINK.

694
00:17:37,257 --> 00:17:38,826
( BLEEP ) CHRISTMAS.

695
00:17:38,860 --> 00:17:39,572
HI, EVERYBODY.

696
00:17:39,607 --> 00:17:40,353
HOPE YOU’RE HAVING A GREAT

697
00:17:40,354 --> 00:17:41,280
NIGHT.

698
00:17:41,281 --> 00:17:43,104
I HOPE IT GETS BETTER.

699
00:17:43,105 --> 00:17:45,900
Trevor: YOU DID YOUR BEST,

700
00:17:45,901 --> 00:17:46,159
DESI.

701
00:17:46,160 --> 00:17:48,878
ALL RIGHT, WHEN WE COME BACK,

702
00:17:48,879 --> 00:17:50,374
I’LL BE TALKING TO JAMES CORDEN.

703
00:17:50,408 --> 00:17:51,284
AND LATER ON, TESSA THOMPSON IS

704
00:17:51,285 --> 00:17:53,774
STILL JOINING US ON THE SHOW.
DON’T GO AWAY.

705
00:17:54,707 --> 00:17:56,822
Trevor: WELCOME BACK TO "THE

706
00:17:56,856 --> 00:17:59,688
DAILY SOCIAL DISTANCING SHOW."

707
00:17:59,723 --> 00:18:01,371
EARLIER TODAY, I SPOKE WITH

708
00:18:01,372 --> 00:18:02,508
ACCLAIMED ACTOR AND HOST OF "THE

709
00:18:02,509 --> 00:18:04,159
LATE LATE SHOW," JAMES CORDEN.

710
00:18:04,194 --> 00:18:05,242
WE TALKED ABOUT WHAT IT’S BEEN

711
00:18:05,277 --> 00:18:06,567
LIKE MAKING HIS SHOW DURING THE

712
00:18:06,601 --> 00:18:08,582
PANDEMIC AND HIS NEW NETFLIX

713
00:18:08,616 --> 00:18:09,506
MOVIE STARRING ALONGSIDE MERYL

714
00:18:09,540 --> 00:18:10,119
STREEP.

715
00:18:10,120 --> 00:18:11,908
OH, YEAH, WHAT ABOUT THIS

716
00:18:11,909 --> 00:18:12,246
GIRL?

717
00:18:12,247 --> 00:18:13,403
OH, MY GOSH, CHECK THIS OUT.

718
00:18:13,404 --> 00:18:14,801
WHAT GIRL?

719
00:18:14,836 --> 00:18:18,203
IT’S ALL OVER TWITTER!

720
00:18:18,238 --> 00:18:19,518
SHE’S FROM EDGEWATER, INDIANA.

721
00:18:19,519 --> 00:18:20,490
SHE’S A LESBIAN.

722
00:18:20,491 --> 00:18:21,964
SHE WANTED TO TAKE HER

723
00:18:21,965 --> 00:18:22,877
GIRLFRIEND TO THE HIGH SCHOOL

724
00:18:22,878 --> 00:18:23,720
PROM!

725
00:18:23,721 --> 00:18:26,728
AND THE P.T.A. WENT APE SHIT AND

726
00:18:26,729 --> 00:18:28,136
THEY CANCELED IT?

727
00:18:28,137 --> 00:18:29,320
THEY CANCELED PROM?

728
00:18:29,321 --> 00:18:30,506
ARE THEY ALLOWED TO DO THAT?

729
00:18:30,541 --> 00:18:31,145
NO.

730
00:18:31,179 --> 00:18:32,753
THIS PISSES ME OFF!

731
00:18:32,754 --> 00:18:34,455
WE HAVE GOT TO GO DOWN THERE

732
00:18:34,456 --> 00:18:35,589
AND RAISE HOLY HELL.

733
00:18:35,590 --> 00:18:38,386
WE WILL BE THE BIGGEST THING

734
00:18:38,387 --> 00:18:40,544
TO HAPPEN IN INDIANA SINCE...

735
00:18:40,578 --> 00:18:41,595
WHATEVER’S HAPPENED IN INDIANA.

736
00:18:41,596 --> 00:18:42,288
Trevor: JAMES CORDON,

737
00:18:42,289 --> 00:18:43,261
WELCOME TO "THE DAILY SOCIAL

738
00:18:43,295 --> 00:18:44,011
DISTANCING SHOW."

739
00:18:44,046 --> 00:18:46,399
I’M SO HAPPY TO BE HERE.

740
00:18:46,433 --> 00:18:48,492
I FEEL LIKE-- I FEEL LIKE I’VE

741
00:18:48,494 --> 00:18:51,130
BEEN LIVING IN YOUR APARTMENT

742
00:18:51,164 --> 00:18:52,177
NOW FOR MONTHS.

743
00:18:52,211 --> 00:18:55,238
AND I’M VERY, VERY HAPPY TO NOW

744
00:18:55,239 --> 00:18:56,710
JUST BE INVITED IN, IN THIS

745
00:18:56,745 --> 00:18:56,875
CONVERSATION.

746
00:18:56,909 --> 00:18:58,050
I’M VERY HAPPY TO BE HERE.

747
00:18:58,084 --> 00:18:59,265
Trevor: I ALSO FEEL LIKE

748
00:18:59,300 --> 00:19:01,305
YOU’VE BEEN LIVING HERE, AND

749
00:19:01,306 --> 00:19:03,050
YOU’VE BEEN BEHIND ON RENT FOR

750
00:19:03,084 --> 00:19:03,989
ABOUT EIGHT MONTHS, JAMES.

751
00:19:04,024 --> 00:19:05,075
THAT’S WHAT I FEEL LIKE.

752
00:19:05,076 --> 00:19:06,572
I THINK YOUR SHOW WOULD BE

753
00:19:06,606 --> 00:19:08,243
FAR WORSE IF I WAS BEHIND ON THE

754
00:19:08,244 --> 00:19:08,511
RENT.

755
00:19:08,546 --> 00:19:09,014
HOW IS EVERYTHING?

756
00:19:09,048 --> 00:19:10,292
Trevor: OH, MAN.

757
00:19:10,293 --> 00:19:11,911
I FEEL LIKE YOU’RE TRICKING ME

758
00:19:11,945 --> 00:19:14,006
INTO AN INTERVIEW ABOUT ME.

759
00:19:14,040 --> 00:19:15,565
YOU HAVE A DESK-- I’M

760
00:19:15,599 --> 00:19:17,603
INTERVIEWING YOU, JAMES CORDON.

761
00:19:17,605 --> 00:19:19,584
I THOUGHT IT WOULD BE THE

762
00:19:19,585 --> 00:19:19,774
BACK-AND-FORTH.

763
00:19:19,775 --> 00:19:21,058
Trevor: NO.

764
00:19:21,059 --> 00:19:24,101
TELL ME ABOUT YOUR LIFE.

765
00:19:24,102 --> 00:19:27,392
I LOVE HOW YOU HAVE CREATED A

766
00:19:27,394 --> 00:19:29,006
SENSE OF NORMAL IN CALIFORNIA.

767
00:19:29,007 --> 00:19:31,183
I KNOW YOU CAN DRIVE INTO A

768
00:19:31,184 --> 00:19:32,836
STUDIO, AND I SEE HOW YOU SPACED

769
00:19:32,837 --> 00:19:33,798
THINGS OUT.

770
00:19:33,799 --> 00:19:35,383
I LOVE HOW YOU CREATED A

771
00:19:35,384 --> 00:19:37,190
SEMBLANCE-- WHAT IS IT LIKE IN

772
00:19:37,192 --> 00:19:38,181
THE STUDIO BECAUSE YOU DON’T

773
00:19:38,182 --> 00:19:39,063
HAVE YOUR AUDIENCE?

774
00:19:39,098 --> 00:19:40,506
WE REALLY CHANGED THE WHOLE

775
00:19:40,541 --> 00:19:41,319
SET AROUND.

776
00:19:41,320 --> 00:19:43,642
WHERE I SIT NOW IS WHERE THE

777
00:19:43,676 --> 00:19:44,760
AUDIENCE NORMALLY SITS TO WATCH

778
00:19:44,762 --> 00:19:45,089
THE SHOW.

779
00:19:45,123 --> 00:19:46,084
Trevor: OH, OKAY.

780
00:19:46,086 --> 00:19:46,901
AND EVERYBODY SITS OVER

781
00:19:46,936 --> 00:19:47,405
THERE.

782
00:19:47,440 --> 00:19:50,289
I HAVE TO SAY I SORT OF-- I’VE

783
00:19:50,290 --> 00:19:53,003
BECOME SO USED TO IT, I’VE

784
00:19:53,004 --> 00:19:55,820
REALLY ENJOYED THE WHOLE SORT OF

785
00:19:55,855 --> 00:19:56,855
FREEDOM OF...

786
00:19:56,889 --> 00:19:58,733
OF REIMAGINING THE SHOW IN A NEW

787
00:19:58,734 --> 00:19:59,667
WAY.

788
00:19:59,668 --> 00:20:02,469
YOU KNOW, I’VE REALLY FOUND IT

789
00:20:02,470 --> 00:20:03,365
QUITE...

790
00:20:03,366 --> 00:20:05,453
I FOUND IT QUITE FREEING,

791
00:20:05,454 --> 00:20:07,045
ACTUALLY, THE NOTION OF NOW IT

792
00:20:07,046 --> 00:20:09,517
FEELS LIKE WE’RE JUST A GROUP OF

793
00:20:09,519 --> 00:20:11,569
FRIENDS THAT PEOPLE CAN CHECK IN

794
00:20:11,604 --> 00:20:12,716
WITH WHEN THEY WANT TO, YOU

795
00:20:12,718 --> 00:20:13,064
KNOW.

796
00:20:13,099 --> 00:20:14,424
AND THAT’S QUITE A NICE WAY TO

797
00:20:14,426 --> 00:20:15,168
DO IT.

798
00:20:15,169 --> 00:20:16,826
Trevor: ONE THING I ALWAYS

799
00:20:16,827 --> 00:20:18,041
LOVED ABOUT YOU IS YOUR

800
00:20:18,042 --> 00:20:18,867
CHARACTER PERFORMANCES.

801
00:20:18,869 --> 00:20:21,045
YOU ARE A-- I’LL CALL YOU LIKE A

802
00:20:21,079 --> 00:20:21,796
THEATER NERD.

803
00:20:21,797 --> 00:20:24,118
LIKE, YOU’RE A THEATER NERD PUP

804
00:20:24,152 --> 00:20:25,304
LOVE BEING ON STAGE.

805
00:20:25,305 --> 00:20:26,218
YOU LOVE BEING IN CHARACTER.

806
00:20:26,220 --> 00:20:27,373
FOR SURE.

807
00:20:27,375 --> 00:20:29,600
Trevor: I FOUND NOW YOUR

808
00:20:29,635 --> 00:20:31,799
SHOW FEELS LIKE A MINI THEATER

809
00:20:31,800 --> 00:20:32,943
PERFORMANCE IN A WAY.

810
00:20:32,977 --> 00:20:35,055
I FEEL LIKE I’M WATCHING A

811
00:20:35,089 --> 00:20:36,280
THEATER SHOW OF A LATE-NIGHT

812
00:20:36,281 --> 00:20:37,958
SHOW WHICH IS THE MOST FUN THING

813
00:20:37,960 --> 00:20:39,178
I HAVE EVER SEEN.

814
00:20:39,179 --> 00:20:40,342
SOMETIMES YOU’LL BE SHITTING ON

815
00:20:40,343 --> 00:20:41,617
YOUR CAMERA GUYS AND THEY’LL SAY

816
00:20:41,618 --> 00:20:42,717
SOMETHING BAG TO YOU.

817
00:20:42,719 --> 00:20:44,643
DO YOU THINK YOU GUYS HAVE

818
00:20:44,644 --> 00:20:45,876
DEVELOPED MORE OF A CAMARADERIE

819
00:20:45,877 --> 00:20:47,139
DURING THIS TIME?

820
00:20:47,173 --> 00:20:48,125
WITHOUT QUESTION, WITHOUT

821
00:20:48,159 --> 00:20:48,846
QUESTION.

822
00:20:48,848 --> 00:20:51,565
IT REALLY, REALLY HAS BROUGHT

823
00:20:51,566 --> 00:20:53,142
EVERYBODY TOGETHER-- YOU KNOW,

824
00:20:53,176 --> 00:20:55,238
SO MANY OF US ARE STILL DISTANT.

825
00:20:55,239 --> 00:20:58,030
I MEAN, I HAVEN’T SEEN ALMOST

826
00:20:58,031 --> 00:21:01,029
ALL OF OUR WRITERS SINCE, KIND

827
00:21:01,031 --> 00:21:02,598
OF, MARCH, YOU KNOW, IN THE

828
00:21:02,600 --> 00:21:02,809
FLEFN.

829
00:21:02,810 --> 00:21:03,905
Trevor: RIGHT, RIGHT.

830
00:21:03,906 --> 00:21:05,838
BUT THERE’S BEEN A REAL SENSE

831
00:21:05,839 --> 00:21:07,685
WAS-- A GREAT SENSE OF GRATITUDE

832
00:21:07,719 --> 00:21:09,103
IN THE-- I’VE ALWAYS CONSIDERED

833
00:21:09,137 --> 00:21:11,457
IT A PRIVILEGE TO GET TO GO TO

834
00:21:11,458 --> 00:21:13,499
WORK EVERY DAY AND DO A SHOW.

835
00:21:13,500 --> 00:21:14,461
LIKE, THAT’S NEVER BEEN LOST ON

836
00:21:14,462 --> 00:21:14,644
ME.

837
00:21:14,678 --> 00:21:15,205
Trevor: RIGHT, RIGHT,

838
00:21:15,206 --> 00:21:15,606
RIGHT.

839
00:21:15,641 --> 00:21:18,619
BUT IN THIS MOMENT NOW, I

840
00:21:18,653 --> 00:21:21,017
THINK EVERYBODY FEELS LIKE,

841
00:21:21,051 --> 00:21:22,864
WELL, LOOK, WE’RE-- WE’RE

842
00:21:22,865 --> 00:21:25,285
WORKING, AND THAT PUTS US IN THE

843
00:21:25,319 --> 00:21:26,062
LUCKIEST 5% OF PEOPLE.

844
00:21:26,096 --> 00:21:27,207
Trevor: YEAH.

845
00:21:27,208 --> 00:21:29,295
AND IF WE CAN TRY AND HAVE

846
00:21:29,329 --> 00:21:30,385
FUN WHILE WE’RE DOING IT, THAT

847
00:21:30,419 --> 00:21:32,115
WILL BE GREAT.

848
00:21:32,116 --> 00:21:34,237
BUT I’VE NEVER FELT SUCH A SENSE

849
00:21:34,238 --> 00:21:35,503
OF CAMARADERIE ON THE SHOW

850
00:21:35,504 --> 00:21:37,545
REALLY THAN IN THE PAST FEW

851
00:21:37,546 --> 00:21:39,178
MONTHS WE HAVE BEEN DOING IT.

852
00:21:39,179 --> 00:21:41,030
BECAUSE IN A WAY WE HAVE HAD TO

853
00:21:41,065 --> 00:21:41,967
MAKE OUR OWN FUN.

854
00:21:42,001 --> 00:21:43,603
NORMALLY IN THE SHOW WE’RE IN

855
00:21:43,604 --> 00:21:44,973
THE CAR SINGING WITH PEOPLE OR

856
00:21:44,974 --> 00:21:45,935
TRYING TO PUT ON A MUSICAL IN

857
00:21:45,970 --> 00:21:46,324
THE

858
00:21:46,325 --> 00:21:47,363
( CROSSTALK )

859
00:21:47,398 --> 00:21:49,192
NONE OF THOSE THINGS WE CAN DO

860
00:21:49,193 --> 00:21:50,085
IN THE MOMENT.

861
00:21:50,119 --> 00:21:51,703
REALLY, WE THOUGHT IN THIS ROOM

862
00:21:51,737 --> 00:21:53,633
WE’LL TRY TO HAVE A GOOD TIME.

863
00:21:53,634 --> 00:21:55,020
AND IF PEOPLE WOULD LIKE TO JOIN

864
00:21:55,022 --> 00:21:57,311
US ON IT, THAT’S GREAT.

865
00:21:57,312 --> 00:21:59,504
BUT WE’LL BE HERE ANYWAY, YOU

866
00:21:59,505 --> 00:22:00,211
KNOW.

867
00:22:00,245 --> 00:22:01,306
CONTACTUALLY, WE’RE OBLIEDGED

868
00:22:01,340 --> 00:22:01,725
TO.

869
00:22:01,726 --> 00:22:03,903
SO THAT’S WHAT WE’LL DO.

870
00:22:03,904 --> 00:22:05,277
Trevor: YOUR BRAND-NEW FILM

871
00:22:05,278 --> 00:22:06,703
ON NETFLIX, "THE PROM."

872
00:22:06,704 --> 00:22:08,603
I HAD TO PAUSE IT A FEW TIMES

873
00:22:08,604 --> 00:22:10,155
BECAUSE I WAS VERY UNCOMFORTABLE

874
00:22:10,156 --> 00:22:11,930
BECAUSE IT’S LIKE ALL THESE

875
00:22:11,964 --> 00:22:13,911
PEOPLE DANCING AND TOUCHING EACH

876
00:22:13,946 --> 00:22:18,361
OTHER AND SPEAKING CLOSE-- LIKE,

877
00:22:18,396 --> 00:22:20,281
IT’S VERY NON-CORONAVIRUS TIME.

878
00:22:20,283 --> 00:22:22,412
AND I FELT TRIGGERED.

879
00:22:22,414 --> 00:22:23,634
I FELT TRIGGERED-- MANY, MANY

880
00:22:23,635 --> 00:22:24,704
TIMES I HAD TO PAUSE.

881
00:22:24,705 --> 00:22:26,142
BUT YOU SHOT THIS MOVIE, AND

882
00:22:26,176 --> 00:22:27,814
WHAT I LOVED ABOUT THE FILM WAS

883
00:22:27,815 --> 00:22:29,316
AT FIRST I WAS LIKE, WAIT,

884
00:22:29,317 --> 00:22:30,136
WHAT’S GOING ON HERE?

885
00:22:30,138 --> 00:22:31,235
BECAUSE THIS IS MERYL STREEP AND

886
00:22:31,237 --> 00:22:31,940
JAMES CORDON.

887
00:22:31,941 --> 00:22:33,020
BUT, LIKE, THEY’RE BEING VERY

888
00:22:33,054 --> 00:22:33,838
WEIRD RIGHT NOW.

889
00:22:33,839 --> 00:22:37,698
AND THEN I REALIZED THAT THE

890
00:22:37,732 --> 00:22:40,671
WHOLE PLAY IS-- IT’S A REALLY

891
00:22:40,705 --> 00:22:42,123
BEAUTIFUL, ALMOST SATIRICAL TAKE

892
00:22:42,158 --> 00:22:43,337
ON CELEBRITIES AND ON BROADWAY

893
00:22:43,371 --> 00:22:44,769
AND ON, LIKE, PEOPLE ON THE

894
00:22:44,770 --> 00:22:46,331
COAST WHO THINK THEY’RE SUPERIOR

895
00:22:46,332 --> 00:22:47,781
TO PEOPLE IN THE MIDDLE OF

896
00:22:47,816 --> 00:22:48,254
AMERICA.

897
00:22:48,288 --> 00:22:50,155
AND IT’S THIS FUN STORY WHERE

898
00:22:50,189 --> 00:22:52,390
YOU AND MERYL STREEP PLAY THESE

899
00:22:52,391 --> 00:22:54,142
ACTORS WHO ARE SO USED TO BEING

900
00:22:54,143 --> 00:22:55,476
SELF-ABSORBED AND IN YOURSELVES

901
00:22:55,477 --> 00:22:56,800
AND SUCCEEDING, AND THEN YOU HIT

902
00:22:56,834 --> 00:22:57,765
FAILURE HEAD ON FOR THE FIRST

903
00:22:57,799 --> 00:22:58,191
TIME.

904
00:22:58,225 --> 00:23:00,166
TELL ME WHAT IT WAS LIKE MAKING

905
00:23:00,200 --> 00:23:01,125
THIS MOVIE.

906
00:23:01,127 --> 00:23:02,451
BECAUSE YOU FILMED IT BEFORE

907
00:23:02,452 --> 00:23:02,695
CORONAVIRUS?

908
00:23:02,697 --> 00:23:04,625
AND THEN YOU HAD TO COME BACK

909
00:23:04,659 --> 00:23:05,391
AND FINISH IT DURING

910
00:23:05,392 --> 00:23:05,664
CORONAVIRUS.

911
00:23:05,699 --> 00:23:07,642
WELL, I ACTUALLY SHOT ALL OF

912
00:23:07,677 --> 00:23:10,074
MY STUFF BEFORE IT SHUT DOWN.

913
00:23:10,075 --> 00:23:13,262
THE FILM IS AN ADAPTATION OF A

914
00:23:13,297 --> 00:23:15,675
SHOW THAT WAS ON BROADWAY ABOUT

915
00:23:15,676 --> 00:23:18,678
TWO YEARS AGO, 18 MONTHS AGO.

916
00:23:18,712 --> 00:23:23,196
AND I SAW THE SHOW, AND IT’S A--

917
00:23:23,231 --> 00:23:26,161
IT’S A JOYOUS SORT OF BIG, SILLY

918
00:23:26,195 --> 00:23:27,393
MUSICAL, REALLY, THAT THEN

919
00:23:27,394 --> 00:23:28,260
BECOMES ABOUT SOMETHING VERY,

920
00:23:28,294 --> 00:23:28,900
VERY REAL.

921
00:23:28,902 --> 00:23:31,865
AND I LOVE THOSE MOMENT WHERE’S

922
00:23:31,900 --> 00:23:34,398
IT POKES FUN AT THE...

923
00:23:34,399 --> 00:23:35,985
AT SORT OF FAUX ACTIVISM, YOU

924
00:23:35,986 --> 00:23:36,185
KNOW.

925
00:23:36,219 --> 00:23:37,290
Trevor: YES, YES.

926
00:23:37,325 --> 00:23:39,336
I THINK THOSE BITS ARE

927
00:23:39,370 --> 00:23:42,088
REALLY, ARE REALLY GREAT FUN.

928
00:23:42,090 --> 00:23:44,052
AND MERYL STREEP AND I PLAY TWO

929
00:23:44,053 --> 00:23:44,736
TWO...

930
00:23:44,770 --> 00:23:46,919
BROADWAY STARS, MYSELF A LESSER

931
00:23:46,921 --> 00:23:48,787
BROADWAY STAR THAN HER, WHO HAVE

932
00:23:48,821 --> 00:23:49,907
DEVOTED THEIR ENTIRE LIVES TO

933
00:23:49,942 --> 00:23:50,862
THE THEATER.

934
00:23:50,864 --> 00:23:53,107
AND IT STARTS IN THIS BIG SORT

935
00:23:53,141 --> 00:23:54,794
OF BROAD WORLD OF NEW YORK.

936
00:23:54,828 --> 00:23:56,401
AND BASICALLY THEY HEAR A STORY

937
00:23:56,402 --> 00:23:58,342
ABOUT A GIRL IN INDIANA WHO HAS

938
00:23:58,377 --> 00:23:59,750
BEEN TOLD SHE CAN’T ATTEND HER

939
00:23:59,751 --> 00:24:01,276
PROM BECAUSE SHE’S GAY.

940
00:24:01,277 --> 00:24:04,266
AND THEY THINK IF WE GO DOWN

941
00:24:04,267 --> 00:24:06,165
THERE AND WE GET INVOLVED, WE’LL

942
00:24:06,167 --> 00:24:08,200
LOOK SO WOKE, PEOPLE WILL THINK

943
00:24:08,201 --> 00:24:09,981
THAT WE’RE GOOD PEOPLE, AND THAT

944
00:24:09,982 --> 00:24:12,295
WILL GET US BACK ON TOP AGAIN.

945
00:24:12,296 --> 00:24:13,771
AND THEN IT REALLY BECOMES

946
00:24:13,772 --> 00:24:15,574
ABOUT-- IT’S A-- IT’S A FILM

947
00:24:15,575 --> 00:24:18,468
ABOUT ACCEPTANCE, REALLY.

948
00:24:18,470 --> 00:24:22,287
IT’S A FILM ABOUT THE NOTION

949
00:24:22,288 --> 00:24:24,905
THAT LOVE IS LOVE AND ALL OF OUR

950
00:24:24,939 --> 00:24:25,845
HEARTS BEAT THE SAME.

951
00:24:25,846 --> 00:24:27,072
AND I’M VERY, VERY PROUD TO BE

952
00:24:27,107 --> 00:24:27,815
PART OF IT.

953
00:24:27,816 --> 00:24:28,718
I REALLY AM.

954
00:24:28,719 --> 00:24:30,847
IT WAS THE A JOY TO MAKE.

955
00:24:30,881 --> 00:24:32,396
AND I’M SO THRILLED SO MANY

956
00:24:32,430 --> 00:24:33,198
PEOPLE ARE ENJOYING IT, YOU

957
00:24:33,199 --> 00:24:33,443
KNOW,.

958
00:24:33,444 --> 00:24:34,586
Trevor: WELL, I’LL TELL YOU

959
00:24:34,587 --> 00:24:35,189
THIS, MAN.

960
00:24:35,190 --> 00:24:36,718
IT’S FUN SEEING THE TWO OF YOU

961
00:24:36,719 --> 00:24:38,101
INTERACT ON SCREEN.

962
00:24:38,135 --> 00:24:39,420
IT’S FUN SEEING PEOPLE HOLD

963
00:24:39,454 --> 00:24:40,602
HANDS AND KISS.

964
00:24:40,603 --> 00:24:42,324
IT’S A-- IT’S A FUN CELEBRATION

965
00:24:42,325 --> 00:24:44,155
OF BROADWAY, WHICH WE ALL HOPE

966
00:24:44,189 --> 00:24:46,406
WILL COME BACK, YOU KNOW, SEEING

967
00:24:46,440 --> 00:24:47,675
THE EXPLOSION OF CELEBRATIONS.

968
00:24:47,677 --> 00:24:49,087
AND IT WAS COOL SEEING YOU, YOU

969
00:24:49,088 --> 00:24:50,424
KNOW, AWAY FROM THE DESK.

970
00:24:50,425 --> 00:24:51,649
I HOPE TO SEE MORE OF YOU.

971
00:24:51,650 --> 00:24:52,669
THANK YOU SO MUCH FOR JOINING ME

972
00:24:52,703 --> 00:24:53,795
ON THE SHOW.

973
00:24:53,797 --> 00:24:56,309
I CAN JUST TELL YOU, I HAVE

974
00:24:56,344 --> 00:24:58,679
TO SAY THIS, I HAVE TO SAY THIS

975
00:24:58,681 --> 00:25:00,461
BECAUSE IF I DON’T I’LL GET IN

976
00:25:00,462 --> 00:25:01,743
TROUBLE-- YOU’RE ALREADY AWARE

977
00:25:01,744 --> 00:25:03,964
OF THIS THAT MY FATHER IS

978
00:25:03,965 --> 00:25:05,370
OBSESSED WITH YOU, AND I HAVEN’T

979
00:25:05,372 --> 00:25:07,145
SPOKEN TO HIM IN A WEEK, AND HE

980
00:25:07,179 --> 00:25:08,164
CALLED ME TODAY BECAUSE HE

981
00:25:08,198 --> 00:25:09,741
REALIZED THAT I WAS ON THE SHOW.

982
00:25:09,742 --> 00:25:11,182
AND THE ONLY REASON HE CALLED ME

983
00:25:11,217 --> 00:25:12,866
WAS TO SEND YOU HIS LOVE.

984
00:25:12,901 --> 00:25:14,222
HE HAD NOTHING ELSE TO SAY TO

985
00:25:14,223 --> 00:25:14,565
ME.

986
00:25:14,599 --> 00:25:16,199
NOTHING ELSE AT ALL.

987
00:25:16,200 --> 00:25:17,318
NOT, "HOW ARE THE KID?

988
00:25:17,352 --> 00:25:18,720
IS EVERYONE SAFE?"

989
00:25:18,721 --> 00:25:20,168
HE SAID, "PLEASE SEND TREVOR MY

990
00:25:20,170 --> 00:25:20,584
LOVE."

991
00:25:20,585 --> 00:25:22,548
AND I SAID, "WILL DO."

992
00:25:22,549 --> 00:25:23,944
AND THEN HE WENT, "TREVOR IS

993
00:25:23,945 --> 00:25:25,393
DOING THE GRAMMYS."

994
00:25:25,428 --> 00:25:27,003
AND I SAID, "I KNOW."

995
00:25:27,005 --> 00:25:30,081
AND HE WENT, "HE WILL BE THE

996
00:25:30,116 --> 00:25:31,891
BEST HOST OF THAT SHOW THEY

997
00:25:31,892 --> 00:25:33,189
COULD EVER FIND."

998
00:25:33,190 --> 00:25:35,489
AND I SAID, "DAD, YOU MET TREVOR

999
00:25:35,490 --> 00:25:36,816
IN NEW YORK WHEN I WAS HOSTING

1000
00:25:36,817 --> 00:25:38,162
THE AGREEMENTS"

1001
00:25:38,164 --> 00:25:40,094
HE SAID, "I KNOW.

1002
00:25:40,096 --> 00:25:41,615
IT WAS THE HIGHLIGHT OF THE

1003
00:25:41,650 --> 00:25:41,947
NIGHT."

1004
00:25:41,982 --> 00:25:44,609
IF I DON’T PASS ON HIS LOVE,

1005
00:25:44,610 --> 00:25:46,385
I’LL GET ANOTHER PHONE CALL.

1006
00:25:46,418 --> 00:25:47,752
Trevor: TELL HIM I SAID HI,

1007
00:25:47,754 --> 00:25:48,285
JAMES.

1008
00:25:48,287 --> 00:25:49,833
ALWAYS FUN HAVING HIM.

1009
00:25:49,867 --> 00:25:50,468
ALWAYS FUN.

1010
00:25:50,469 --> 00:25:51,845
( LAUGHING )

1011
00:25:51,847 --> 00:25:53,694
OH, MAN, I MISS HIM, MAN.

1012
00:25:53,696 --> 00:25:54,678
I MISS HIM.

1013
00:25:54,679 --> 00:25:57,092
TELL HIM I SAID HI FOR REAL.

1014
00:25:57,094 --> 00:26:00,808
I WILL, BLESS YOU, TREVOR.

1015
00:26:00,809 --> 00:26:03,240
Trevor: THANK YOU SO MUCH.

1016
00:26:03,274 --> 00:26:04,481
."THE LATE LATE SHOW" AIRS

1017
00:26:04,515 --> 00:26:05,951
WEEKNIGHTS ON CBS, AND "THE

1018
00:26:05,952 --> 00:26:06,819
PROM" IS AVAILABLE ON NETFLIX.

1019
00:26:06,854 --> 00:26:08,877
ALL RIGHT, STICK AROUND, BECAUSE

1020
00:26:08,911 --> 00:26:10,956
WHEN WE COME BACK, TESSA

1021
00:26:10,957 --> 00:26:12,109
THOMPSON TALK ABOUT HER

1022
00:26:12,111 --> 00:26:14,110
LEGENDARY FACE MASKS.
YOU DON’T WANT TO MISS IT.

1023
00:26:15,274 --> 00:26:16,716
Trevor: WELCOME BACK TO "THE

1024
00:26:16,717 --> 00:26:18,641
DAILY SOCIAL DISTANCING SHOW."

1025
00:26:18,642 --> 00:26:19,892
EARLIER TODAY, I SPOKE WITH

1026
00:26:19,926 --> 00:26:21,536
ACTOR TESSA THOMPSON.

1027
00:26:21,537 --> 00:26:23,145
WE TALKED ABOUT HER NEW FILM,

1028
00:26:23,179 --> 00:26:24,250
HER AWESOME MASK COLLECTION, AND

1029
00:26:24,284 --> 00:26:26,929
SO MUCH MORE.

1030
00:26:26,964 --> 00:26:30,481
I AM THE PRODUCER OF THE

1031
00:26:30,482 --> 00:26:32,256
COOKING SHOW, SO I CAN ASSURE

1032
00:26:32,257 --> 00:26:36,624
YOU I HAVE NO DESIRE TO CHASE

1033
00:26:36,625 --> 00:26:38,797
YOU AROUND MY OFFICE ALL NIGHT.

1034
00:26:38,798 --> 00:26:40,665
SO, WHY DON’T YOU SIT BACK DOWN

1035
00:26:40,666 --> 00:26:43,398
AND TELL ME, WHY SHOULD I HIRE

1036
00:26:43,399 --> 00:26:45,031
SOMEONE WITH NO EXPERIENCE TO BE

1037
00:26:45,032 --> 00:26:45,582
MY ASSISTANT?

1038
00:26:45,583 --> 00:26:47,034
BECAUSE UNTIL ABOUT FIVE

1039
00:26:47,035 --> 00:26:49,990
SECONDS AGO, I DIDN’T KNOW THAT

1040
00:26:49,991 --> 00:26:51,240
A NEGRO WOMAN TELEVISION

1041
00:26:51,241 --> 00:26:52,319
PRODUCER EVEN EXISTED.

1042
00:26:52,321 --> 00:26:54,058
AND ALL MY LIFE, THAT IS ALL

1043
00:26:54,059 --> 00:26:55,502
I’VE EVER WANTED TO BE.

1044
00:26:55,504 --> 00:26:56,248
Trevor: TESSA THOMPSON,

1045
00:26:56,249 --> 00:26:57,966
WELCOME TO "THE DAILY SOCIAL

1046
00:26:58,000 --> 00:26:59,520
DISTANCING SHOW."

1047
00:26:59,554 --> 00:27:00,841
THANK YOU.

1048
00:27:00,843 --> 00:27:02,315
HI, TREVOR NOAH.

1049
00:27:02,349 --> 00:27:04,293
Trevor: LET ME START BY

1050
00:27:04,294 --> 00:27:05,866
CONGRATULATING YOU.

1051
00:27:05,867 --> 00:27:08,592
YOU HAVE THE COOLEST FACE MASK

1052
00:27:08,593 --> 00:27:10,750
COLLECTION I HAVE EVER SEEN.

1053
00:27:10,751 --> 00:27:12,156
YOU’VE GOT, LIKE, CRYSTALS ON

1054
00:27:12,191 --> 00:27:13,088
SOME.

1055
00:27:13,089 --> 00:27:15,372
YOU’VE GOT LIKE-- THEY’VE GOT

1056
00:27:15,373 --> 00:27:15,626
BEDAZZLES.

1057
00:27:15,661 --> 00:27:17,771
HOW MANY FACE MASKS DO YOU HAVE?

1058
00:27:17,772 --> 00:27:19,542
I-- I HAVEN’T COUNTED.

1059
00:27:19,576 --> 00:27:21,517
I HAVE A GROWING COLLECTION, AND

1060
00:27:21,552 --> 00:27:22,970
I STARTED MAKING THEM-- I’LL

1061
00:27:22,971 --> 00:27:24,908
COUNT AND GET BACK TO YOU.

1062
00:27:24,943 --> 00:27:26,855
BUT I DEFINITELY HAVE UPWARD OF

1063
00:27:26,857 --> 00:27:28,043
AT LEAST, I WOULD SAY, 25.

1064
00:27:28,077 --> 00:27:29,142
EASILY 25.

1065
00:27:29,176 --> 00:27:31,848
BECAUSE I STARTED MAKING THEM.

1066
00:27:31,849 --> 00:27:34,383
I, LIKE, HAVE BEEN BENAS LING

1067
00:27:34,417 --> 00:27:36,406
N95s, AND YEAH, PERFECTED IT.

1068
00:27:36,441 --> 00:27:37,847
AND MY FRIEND GLORIA HAS MADE A

1069
00:27:37,882 --> 00:27:38,868
BUNCH WITH ME.

1070
00:27:38,869 --> 00:27:42,597
Trevor: YOU ARE AS AT HOME

1071
00:27:42,632 --> 00:27:45,556
IN MAJOR BLOC BUSTERS, LIKE A

1072
00:27:45,557 --> 00:27:47,048
MARVEL FRANCHISE, WHETHER "THOR"

1073
00:27:47,049 --> 00:27:50,513
OR "AVENGERS" THAN YOU ARE IN

1074
00:27:50,547 --> 00:27:52,892
THE MOST INTIMATE INDIE FILMS--

1075
00:27:52,926 --> 00:27:53,870
"SORRY TO BOTHER."

1076
00:27:53,871 --> 00:27:55,420
ANYTHING WE SEE YOU IN IT IT

1077
00:27:55,422 --> 00:27:56,989
FEELS LIKE YOU’RE AT HOME.

1078
00:27:56,990 --> 00:27:58,387
I FEEL LIKE YOUR NEW FILM IS NO

1079
00:27:58,422 --> 00:27:58,918
DIFFERENT.

1080
00:27:58,953 --> 00:28:01,069
IT’S A DEPARTURE FROM WHAT WE

1081
00:28:01,070 --> 00:28:03,800
MAY SEE YOU IN, BUT AT THE SAME

1082
00:28:03,801 --> 00:28:04,898
TIME, IT FEELS COMPLETELY

1083
00:28:04,899 --> 00:28:05,994
AUTHENTIC TO WHO YOU ARE.

1084
00:28:05,995 --> 00:28:07,505
BEFORE WE GET INTO THE MOVIE,

1085
00:28:07,506 --> 00:28:08,539
I’D LOVE TO KNOW HOW YOU PICK

1086
00:28:08,540 --> 00:28:09,165
THESE ROLES?

1087
00:28:09,199 --> 00:28:10,709
A COUPLE OF THINGS.

1088
00:28:10,710 --> 00:28:12,561
I FEEL LIKE I LOOK FOR SOMETHING

1089
00:28:12,595 --> 00:28:13,293
THAT SCARES ME.

1090
00:28:13,294 --> 00:28:14,616
IS THERE SOMETHING I NEED TO

1091
00:28:14,650 --> 00:28:16,650
LEARN TO DO OR COMMUNICATE THAT

1092
00:28:16,685 --> 00:28:17,548
I’M FRIGHTENED OR MILDLY

1093
00:28:17,582 --> 00:28:19,520
TERRIFIED THAT I CANNOT.

1094
00:28:19,521 --> 00:28:21,405
I FEEL LIKE THAT’S EXCITING, AN

1095
00:28:21,440 --> 00:28:22,948
EXCITING PLACE OF CREATION.

1096
00:28:22,950 --> 00:28:25,765
AND I ALSO THINK ABOUT A LOT

1097
00:28:25,766 --> 00:28:27,526
ABOUT WHERE HAVE WE NOT BEEN?

1098
00:28:27,527 --> 00:28:29,057
WHERE HAVE WE NOT SEEN BLACK

1099
00:28:29,091 --> 00:28:30,239
PEOPLE, PEOPLE OF COLOR, IN

1100
00:28:30,274 --> 00:28:30,832
CERTAIN SPACES?

1101
00:28:30,833 --> 00:28:33,047
LIKE, HOW DO WE GET US THERE?

1102
00:28:33,048 --> 00:28:34,614
I THINK A LOT ABOUT HOW HAVE WE

1103
00:28:34,648 --> 00:28:36,468
NOT BEEN SEEN IN THE PAST?

1104
00:28:36,502 --> 00:28:37,729
WHY DON’T WE EXIST IN THE FUTURE

1105
00:28:37,730 --> 00:28:38,101
ENOUGH?

1106
00:28:38,135 --> 00:28:40,962
AND THOSE KIND OF THINGS COMPEL

1107
00:28:40,996 --> 00:28:42,546
ME INTO DIFFERENT GENRE POCKETS.

1108
00:28:42,548 --> 00:28:44,398
BECAUSE SOMETIMES IF YOU CHANGE

1109
00:28:44,399 --> 00:28:46,395
JUST WHO THE PROTAGONIST IS,

1110
00:28:46,396 --> 00:28:48,006
THAT CHANGES THE APERTURE IN A

1111
00:28:48,040 --> 00:28:49,053
WAY THAT CAN BE REALLY POLITICAL

1112
00:28:49,054 --> 00:28:50,065
AND INTERESTING.

1113
00:28:50,066 --> 00:28:52,128
Trevor: IT REALLY IS.

1114
00:28:52,162 --> 00:28:53,517
I MEAN, "SYLVIE’S LOVE" IS NO

1115
00:28:53,551 --> 00:28:54,004
DIFFERENT.

1116
00:28:54,039 --> 00:28:55,758
WHEN I FORWARD HEARD OF THE

1117
00:28:55,793 --> 00:28:57,678
MOVIE, I WAS LIKE, OKAY, THIS

1118
00:28:57,679 --> 00:28:59,541
MOVIE TAKES PLACE IN THE 1950s

1119
00:28:59,575 --> 00:29:01,566
AND IT’S PROBABLY GOING TO BE

1120
00:29:01,600 --> 00:29:02,715
ABOUT THE CIVIL RIGHTS.

1121
00:29:02,749 --> 00:29:04,334
AND IT WAS A BEAUTIFUL SURPRISE

1122
00:29:04,368 --> 00:29:07,037
BECAUSE, YES, IT EXISTS IN THAT

1123
00:29:07,072 --> 00:29:09,387
WORLD, BUT IT’S A STORY OF TWO

1124
00:29:09,388 --> 00:29:11,405
PEOPLE FALLING IN LOVE.

1125
00:29:11,406 --> 00:29:13,875
IT’S LOVE DURING ONE HOT SUMMER,

1126
00:29:13,876 --> 00:29:16,034
AND A PART OF IT FELT LIKE IT--

1127
00:29:16,068 --> 00:29:17,886
LIKE YOU WERE ATTRACTED TO THE

1128
00:29:17,887 --> 00:29:19,265
STORY BECAUSE OF THE MUSIC.

1129
00:29:19,299 --> 00:29:21,591
I KNOW THAT YOU LOVE MUSIC.

1130
00:29:21,592 --> 00:29:23,648
I KNOW THAT YOU LOVE JAZZ MUSIC.

1131
00:29:23,650 --> 00:29:26,061
TELL ME HOW IMPORTANT THE MUSIC

1132
00:29:26,063 --> 00:29:27,451
IS IN THIS STORY.

1133
00:29:27,453 --> 00:29:30,241
IT’S HUGE BECAUSE FOR ME IT

1134
00:29:30,243 --> 00:29:32,546
WAS BASICALLY A LOVE LETTER TO

1135
00:29:32,547 --> 00:29:33,646
MUSIC.

1136
00:29:33,679 --> 00:29:36,356
AND EUGENE ASHE, ALL THESE

1137
00:29:36,390 --> 00:29:37,833
FANTASTIC SONGS WRITTEN INTO THE

1138
00:29:37,834 --> 00:29:38,109
SCRIPT.

1139
00:29:38,111 --> 00:29:39,408
WHEN THE SCRIPT WAS SENT TO ME,

1140
00:29:39,409 --> 00:29:40,630
THAT’S WHAT I DID.

1141
00:29:40,632 --> 00:29:42,532
I IMMEDIATELY-- ANY TIME A SONG

1142
00:29:42,533 --> 00:29:44,132
WOULD COME ON, I’D PRESS "PLAY"

1143
00:29:44,166 --> 00:29:46,274
ON THE SONG AND I’D READ THE

1144
00:29:46,275 --> 00:29:47,085
SCRIPT THROUGH WITH THAT

1145
00:29:47,086 --> 00:29:47,769
SOUNDTRACK.

1146
00:29:47,804 --> 00:29:50,185
SO IT WAS REALLY, LIKE, AN

1147
00:29:50,220 --> 00:29:51,109
IMMERSIVE, SONIC EXPERIENCE FOR

1148
00:29:51,143 --> 00:29:51,521
ME.

1149
00:29:51,522 --> 00:29:53,242
AND THEN, YOU KNOW, NOT FOR

1150
00:29:53,244 --> 00:29:55,755
NOTHING, MY FAVORITE LOVE SONG

1151
00:29:55,757 --> 00:29:58,313
OF ALL TIME IS NANCY WILSON’S

1152
00:29:58,314 --> 00:29:59,944
"HOW GLAD I AM."

1153
00:29:59,979 --> 00:30:01,881
NANCY WILSON IS A BIG SORT OF

1154
00:30:01,916 --> 00:30:03,056
TOUCHSTONE IN THIS FILM.

1155
00:30:03,058 --> 00:30:04,489
MUSIC IS PARAMOUNT FOR ME.

1156
00:30:04,490 --> 00:30:05,799
I USE IN MY WORK.

1157
00:30:05,834 --> 00:30:06,960
I USE IT IN MY LIFE.

1158
00:30:06,994 --> 00:30:07,798
THIS WHOLE QUARANTINE HAS BEEN A

1159
00:30:07,832 --> 00:30:08,511
LOT OF MUC.

1160
00:30:08,545 --> 00:30:09,967
Trevor: I WILL SAY WHAT I

1161
00:30:09,968 --> 00:30:13,721
REALLY ENJOYED IN THE FILM, ONE

1162
00:30:13,756 --> 00:30:15,802
OF THE THINGS I ENJOYED WAS

1163
00:30:15,837 --> 00:30:16,728
NNAMDI’S CHARACTER.

1164
00:30:16,763 --> 00:30:19,923
YOU’VE GOT THIS BIG HUMAN BEING

1165
00:30:19,957 --> 00:30:22,147
WHO IS THE SOFTEST, MOST

1166
00:30:22,148 --> 00:30:23,856
ROMANTIC, JUST GENTLE-- IT--

1167
00:30:23,857 --> 00:30:25,291
LIKE THE PARADOX OF THE

1168
00:30:25,325 --> 00:30:27,016
CHARACTER WAS SOMETHING THAT I

1169
00:30:27,050 --> 00:30:27,793
DIDN’T EXPECT.

1170
00:30:27,794 --> 00:30:30,252
WHY DO YOU THINK HE WAS THE

1171
00:30:30,253 --> 00:30:31,943
PERFECT PERSON TO PARTNER WITH

1172
00:30:31,977 --> 00:30:33,462
IN TELLING THE STORY?

1173
00:30:33,496 --> 00:30:35,701
IN GENERAL, I THINK WHAT’S

1174
00:30:35,702 --> 00:30:36,922
EXCITING ABOUT THESE CHARACTERS

1175
00:30:36,923 --> 00:30:38,533
AND FEELS KIND OF MODERN ABOUT

1176
00:30:38,535 --> 00:30:41,127
THEM IS THEY’RE TRYING TO UPEND

1177
00:30:41,129 --> 00:30:43,072
THEIR OWN IDEAS OF GENDER.

1178
00:30:43,073 --> 00:30:45,356
FOR EXAMPLE, SYLVIA IS THIS

1179
00:30:45,390 --> 00:30:47,529
CAREER WOMAN WHO SAYS TO THIS

1180
00:30:47,563 --> 00:30:49,530
MAN-- AND, YOU KNOW, IN THE

1181
00:30:49,531 --> 00:30:51,052
60s-- YET REQUEST WHY DON’T

1182
00:30:51,054 --> 00:30:53,284
YOU LET ME BE THE BREAD WINNER

1183
00:30:53,318 --> 00:30:54,958
SO YOU CAN FOLLOW YOUR DREAM.

1184
00:30:54,959 --> 00:30:56,369
AND I THINK IT’S PARTICULARLY

1185
00:30:56,371 --> 00:30:58,807
COMPELLING TO ME AT A TIME WHEN

1186
00:30:58,842 --> 00:31:00,745
WE ARE STILL TRYING TO UPEND OUR

1187
00:31:00,747 --> 00:31:02,175
IDEAS AROUND GENDER AND BE THE

1188
00:31:02,209 --> 00:31:03,788
FULLEST EXPRESSION OF OURSELVES

1189
00:31:03,822 --> 00:31:06,223
AND NOT FEEL BOXED IN BY WHAT

1190
00:31:06,258 --> 00:31:07,609
SOCIETY AT LARGE TELLS US WE

1191
00:31:07,643 --> 00:31:08,608
OUGHT TO BE BECAUSE OF OUR

1192
00:31:08,609 --> 00:31:09,643
GENDER PRESENTATION.

1193
00:31:09,644 --> 00:31:11,366
SO I FOUND THAT REALLY

1194
00:31:11,367 --> 00:31:11,893
INSPIRING.

1195
00:31:11,927 --> 00:31:14,163
AND I THINK FOR NNAMDI-- IT’S

1196
00:31:14,197 --> 00:31:16,450
FUNNY, BECAUSE HE LIKES TO

1197
00:31:16,452 --> 00:31:17,847
PRETEND THAT IT’S JUST, LIKE,

1198
00:31:17,848 --> 00:31:18,707
SUBLIME ACTING, WHICH OF COURSE

1199
00:31:18,708 --> 00:31:19,476
IT IS.

1200
00:31:19,510 --> 00:31:21,464
HE SPENT A YEAR LEARNING TO PLAY

1201
00:31:21,498 --> 00:31:23,390
SAXOPHONE, BUT I ALSO THINK HE’S

1202
00:31:23,391 --> 00:31:25,642
A BIT OF A SOFTY AND SO THIS

1203
00:31:25,643 --> 00:31:26,623
ROLE GAVE HIM THE OPPORTUNITY TO

1204
00:31:26,624 --> 00:31:28,250
ACCESS THAT.

1205
00:31:28,251 --> 00:31:30,523
AND I HOPE HIS N.F.L. BROTHERS

1206
00:31:30,524 --> 00:31:31,543
TAKE A CUE.

1207
00:31:31,544 --> 00:31:32,750
Trevor: WHAT I ALSO

1208
00:31:32,784 --> 00:31:34,641
APPRECIATE IN THE MOVIE WAS HOW

1209
00:31:34,675 --> 00:31:37,068
YOUR CHARACTER-- AND YOU REALLY

1210
00:31:37,069 --> 00:31:38,478
PORTRAYED THIS WELL-- IS HOW

1211
00:31:38,513 --> 00:31:40,049
SHE-- SHE’S PUSHING AGAINST A

1212
00:31:40,083 --> 00:31:41,607
WORLD THAT IS CONSTANTLY TELLING

1213
00:31:41,608 --> 00:31:43,355
HER THAT SHE CANNOT BE.

1214
00:31:43,357 --> 00:31:45,297
AND I FELT LIKE THAT’S WHAT

1215
00:31:45,299 --> 00:31:46,215
TESSA THOMPSON DOES IN REAL

1216
00:31:46,216 --> 00:31:46,546
LIFE.

1217
00:31:46,547 --> 00:31:48,198
YOU KNOW, YOU’VE BEEN SOMEONE

1218
00:31:48,233 --> 00:31:49,784
WHO HAS BEEN REALLY VOCAL ABOUT

1219
00:31:49,818 --> 00:31:51,356
HOW HOLLYWOOD NEEDS TO CHANGE,

1220
00:31:51,357 --> 00:31:53,416
HOW WOMEN NEED TO BE GIVEN

1221
00:31:53,451 --> 00:31:54,215
OPPORTUNITIES TO DIRECT MORE

1222
00:31:54,216 --> 00:31:54,599
FILMS.

1223
00:31:54,633 --> 00:31:56,292
FIRST OF ALL, DO YOU THINK

1224
00:31:56,293 --> 00:31:57,843
HOLLYWOOD IS DOING ENOUGH, NOW

1225
00:31:57,844 --> 00:31:59,141
THAT PEOPLE ARE SPEAK UP?

1226
00:31:59,143 --> 00:32:00,328
AND, SECONDLY, WHY DO YOU THINK

1227
00:32:00,329 --> 00:32:02,370
IT’S SO IMPORTANT TO HAVE WOMEN

1228
00:32:02,371 --> 00:32:03,528
AT THE HELM OF TELLING THESE

1229
00:32:03,529 --> 00:32:04,218
STORIES?

1230
00:32:04,252 --> 00:32:06,815
SOMETHING THEY FOUND REALLY

1231
00:32:06,850 --> 00:32:08,025
EXCITINGEXCITING ABOUT "SYLVIE’S

1232
00:32:08,026 --> 00:32:10,441
IS INSIDE OF IT, YOU SEE THIS

1233
00:32:10,442 --> 00:32:11,646
YOUNG, WOULD-BE PRODUCER WHO

1234
00:32:11,647 --> 00:32:13,139
SWAMS THAT THAT’S IMPOSSIBLE FOR

1235
00:32:13,140 --> 00:32:15,161
HER, AND SHE IS GIVEN AN

1236
00:32:15,162 --> 00:32:16,199
OPPORTUNITY BY ANOTHER WOMAN OF

1237
00:32:16,201 --> 00:32:16,694
COLOR.

1238
00:32:16,728 --> 00:32:19,381
AND I THINK CERTAINLY IN MY OWN

1239
00:32:19,382 --> 00:32:21,182
TRAJECTORY, I CAN TRACE EVERY

1240
00:32:21,183 --> 00:32:24,113
PIVOTAL MOMENT IN MY CAREER TO A

1241
00:32:24,148 --> 00:32:26,144
PERSON OF COLOR OR A WOMAN, AND

1242
00:32:26,145 --> 00:32:26,984
IN SOME CASES, BOTH.

1243
00:32:26,985 --> 00:32:28,394
AND I THINK THAT REALLY POINTS

1244
00:32:28,395 --> 00:32:30,955
TO THE NECESSITY THAT WE NEED TO

1245
00:32:30,956 --> 00:32:32,314
BE IN THOSE POSITIONS OF POWER,

1246
00:32:32,315 --> 00:32:33,234
OF HIRING POWER.

1247
00:32:33,236 --> 00:32:34,652
AND WHEN WE’RE THERE, IT CAN’T

1248
00:32:34,686 --> 00:32:36,008
BE ENOUGH THAT WE’RE THERE.

1249
00:32:36,009 --> 00:32:37,665
WE HAVE TO MAKE SURE THARG FOLKS

1250
00:32:37,699 --> 00:32:39,673
CAN BE IN THE ROOM WITH US.

1251
00:32:39,675 --> 00:32:41,202
IT’S NOT ENOUGH TO JUST BE IN

1252
00:32:41,203 --> 00:32:42,566
PROXIMITY TO POWER.

1253
00:32:42,568 --> 00:32:44,406
WE ALSO HAVE TO POSSESS IT.

1254
00:32:44,408 --> 00:32:46,485
AND SOME OF THAT HAS TO DO WITH

1255
00:32:46,486 --> 00:32:47,850
MAKING OUR OWN INSTITUTIONS AND

1256
00:32:47,851 --> 00:32:48,945
OUR OWN PLACE WHERE’S WE CAN

1257
00:32:48,946 --> 00:32:49,400
FLOURISH.

1258
00:32:49,402 --> 00:32:50,942
AND I THINK THAT’S SOMETHING

1259
00:32:50,977 --> 00:32:52,294
THAT I AM SEEING.

1260
00:32:52,328 --> 00:32:54,315
THERE ARE ALL OF THESE FRIENDS

1261
00:32:54,316 --> 00:32:55,770
OF MINE CREATING THEIR OWN

1262
00:32:55,772 --> 00:32:58,168
COMPANIES AND DOING IT THEIR OWN

1263
00:32:58,202 --> 00:32:59,629
WAY, AND REALLY THINKING NOT

1264
00:32:59,664 --> 00:33:00,611
JUST ABOUT OPPORTUNITY, BUT

1265
00:33:00,613 --> 00:33:01,462
ABOUT OWNERSHIP.

1266
00:33:01,463 --> 00:33:03,370
AND THAT TO ME IS THE MOST

1267
00:33:03,371 --> 00:33:05,096
EXCITING THING I SEE HAPPENING

1268
00:33:05,097 --> 00:33:06,825
INSIDE OF THIS INDUSTRY.

1269
00:33:06,826 --> 00:33:07,972
IT WILL, LITERALLY, EVENTUALLY

1270
00:33:07,973 --> 00:33:09,652
CHANGE THE FACE OF HOLLYWOOD.

1271
00:33:09,653 --> 00:33:11,243
BUT IN TERMS OF INCLUSION,

1272
00:33:11,278 --> 00:33:12,250
THAT’S NOT SOMETHING THAT

1273
00:33:12,284 --> 00:33:13,740
HAPPENS BY MISTAKE.

1274
00:33:13,741 --> 00:33:15,404
WHICH IS WHY I ADVOCATE FOR

1275
00:33:15,405 --> 00:33:17,276
THINGS LIKE THE 4% CHALLENGE.

1276
00:33:17,310 --> 00:33:19,479
YOU HAVE TO MAKE IT A MANDATE, I

1277
00:33:19,514 --> 00:33:20,787
THINK, AT THE STUDIO LEVEL.

1278
00:33:20,822 --> 00:33:22,644
AND, YOU KNOW, TO ME, THAT WILL

1279
00:33:22,678 --> 00:33:24,844
BE THE REAL MARKER OF CHANGE IS

1280
00:33:24,846 --> 00:33:26,362
WHEN WE CAN MAKE THOSE SYSTEMIC

1281
00:33:26,396 --> 00:33:28,707
CHANGES THAT ARE, YOU KNOW,

1282
00:33:28,708 --> 00:33:29,709
WRITTEN AND ACTIONABLE.

1283
00:33:29,744 --> 00:33:33,099
Trevor: WELL, YOU’RE DOING

1284
00:33:33,133 --> 00:33:34,391
AN AMAZING JOB.

1285
00:33:34,426 --> 00:33:36,009
I LOVED WATCHING YOU IN THIS

1286
00:33:36,043 --> 00:33:37,549
FILM BECAUSE, I DON’T KNOW, IT

1287
00:33:37,551 --> 00:33:39,718
WAS NICE TO SEE HUMAN BEINGS

1288
00:33:39,719 --> 00:33:40,722
LOVING EACH OTHER DURING█ THIS

1289
00:33:40,723 --> 00:33:41,311
TIME.

1290
00:33:41,346 --> 00:33:42,442
ISN’T THAT NICE!

1291
00:33:42,443 --> 00:33:43,663
Trevor: IT WAS.

1292
00:33:43,664 --> 00:33:44,789
IT WAS A WONDERFUL FEELING.

1293
00:33:44,790 --> 00:33:45,472
IT REALLY WAS.

1294
00:33:45,473 --> 00:33:46,569
I LOVED THE MUSIC.

1295
00:33:46,570 --> 00:33:48,521
I LOVED THE FEEL AND THE VIBE.

1296
00:33:48,523 --> 00:33:49,677
IT WAS GREAT TO WATCH A PERIOD

1297
00:33:49,711 --> 00:33:50,872
PIECE LIKE THIS.

1298
00:33:50,906 --> 00:33:52,569
I HAVE NEVER SEEN ANYTHING LIKE

1299
00:33:52,571 --> 00:33:53,797
THIS OR IT’S BEEN AN EXTREMELY

1300
00:33:53,799 --> 00:33:54,175
LONG TIME.

1301
00:33:54,176 --> 00:33:55,315
THANK YOU VERY MUCH FOR YOUR ART

1302
00:33:55,317 --> 00:33:56,084
AS ALWAYS, AND THANK YOU FOR

1303
00:33:56,085 --> 00:33:57,352
JOINING ME ON THE SHOW.

1304
00:33:57,353 --> 00:33:58,336
THANK YOU SO MUCH FOR HAVING

1305
00:33:58,337 --> 00:33:58,700
ME.

1306
00:33:58,701 --> 00:34:00,850
IT’S ALWAYS SUCH A PLEASURE.

1307
00:34:00,851 --> 00:34:02,655
TAKE CARE, TESSA.

1308
00:34:02,689 --> 00:34:03,850
YOU, TOO.

1309
00:34:03,851 --> 00:34:06,322
Trevor: DON’T FORGET,

1310
00:34:06,323 --> 00:34:07,137
"SYLVIE’S LOVE" PREMIERES

1311
00:34:07,171 --> 00:34:08,060
DECEMBER 23 ON AMAZON PRIME

1312
00:34:08,062 --> 00:34:08,358
VIDEO.

1313
00:34:08,393 --> 00:34:10,888
OKAY, WE’RE GOING TO TAKE A

1314
00:34:10,890 --> 00:34:12,588
QUICK BREAK, BUT WE’LL BE RIGHT
BACK AFTER THIS.

1315
00:34:15,252 --> 00:34:19,221
TONIGHT, BUT BEFORE WE GO:

1316
00:34:19,255 --> 00:34:21,598
THIS HOLIDAY SEASON, PLEASE, I

1317
00:34:21,599 --> 00:34:24,961
WANT TO REMIND YOU ONE MORE

1318
00:34:24,995 --> 00:34:26,713
TIME, DON’T FORGET TO SUPPORT

1319
00:34:26,714 --> 00:34:27,255
YOUR LOCAL RESTAURANTS.

1320
00:34:27,289 --> 00:34:28,155
THEY ARE STRUGGLING TO STAY OPEN

1321
00:34:28,156 --> 00:34:28,848
DURING THIS PANDEMIC, AND IF

1322
00:34:28,883 --> 00:34:30,051
THEY DON’T GET THE HELP THEY

1323
00:34:30,052 --> 00:34:30,948
NEED, THEY MIGHT NOT BE OPEN FOR

1324
00:34:30,950 --> 00:34:33,251
YOU WHEN THE PANDEMIC IS OVER.

1325
00:34:33,252 --> 00:34:36,507
YOU CAN BUY FOOD FROM THEM.

1326
00:34:36,508 --> 00:34:39,045
IF YOU WANT TO DO MORE THAN

1327
00:34:39,046 --> 00:34:39,648
ORDER FOOD,

1328
00:34:39,682 --> 00:34:40,620
PLEASE CONSIDER A DONATION TO

1329
00:34:40,655 --> 00:34:41,250
THE JAMES BEARD FOUNDATION’S

1330
00:34:41,284 --> 00:34:42,323
"OPEN FOR GOOD" CAMPAIGN, WHICH

1331
00:34:42,324 --> 00:34:43,957
HELPS INDEPENDENT RESTAURANTS

1332
00:34:43,958 --> 00:34:45,305
SURVIVE THE PANDEMIC AND

1333
00:34:45,307 --> 00:34:48,566
REBUILD STRONGER AFTER THIS IS

1334
00:34:48,600 --> 00:34:49,861
ALL OVER.

1335
00:34:49,862 --> 00:34:54,812
UNTIL THEN, STAY SAFE, WEAR A

1336
00:34:54,846 --> 00:34:55,902
MASK, AND REMEMBER:

1337
00:34:55,937 --> 00:34:57,001
SANTA IS IMMUNE, SO IT’S OKAY

1338
00:34:57,036 --> 00:34:57,642
FOR MOMMY TO KISS HIM.

1339
00:34:57,677 --> 00:34:58,215
YOU DON’T NEED TO SNITCH TO

1340
00:34:58,216 --> 00:34:58,333
DADDY!

1341
00:34:58,367 --> 00:35:01,659
NOW, HERE IT IS, YOUR MOMENT OF

1342
00:35:01,694 --> 00:35:02,101
ZEN.

1343
00:35:02,136 --> 00:35:03,451
♪ ♪ ♪

1344
00:35:03,485 --> 00:35:05,923
SOME CHILDREN HAVE BEEN A LITTLE

1345
00:35:05,924 --> 00:35:07,408
WORRIED ABOUT COMING CHRISTMAS

1346
00:35:07,410 --> 00:35:09,216
DUE TO THIS VERY SPECIAL

1347
00:35:09,217 --> 00:35:11,310
SITUATION IN THE WORLD.

1348
00:35:11,311 --> 00:35:16,116
I CAN TELL YOU THAT ALL THE

1349
00:35:16,117 --> 00:35:17,497
PREPARATIONS HERE RE-ARCTIC

1350
00:35:17,498 --> 00:35:19,415
CIRCLE ARE GOING EXTREMELY WELL.

1351
00:35:19,416 --> 00:35:24,127
WHAT WE ALL HAVE TO BE VERY GOOD

1352
00:35:24,128 --> 00:35:26,154
AND NICE, AND WE HAVE TO FOLLOW

1353
00:35:26,155 --> 00:35:26,911
ALL PUBLIC HEALTH

1354
00:35:26,912 --> 00:35:28,913
RECOMMENDATIONS AND SOCIAL

1355
00:35:28,948 --> 00:35:29,826
DISTANCING RULES.
♪ ♪ ♪