[theme music]
ANNOUNCER: Coming to you from New
York City, the only city in America, it's The Daily Show.
Tonight, Colorado considers legalizing mushrooms,
Twitter is full of fakes, and Jordan Peele.
This is The Daily Show with Trevor Noah.
[cheering]
Hey, what's going on, everybody?
Welcome to The Daily Show.
I'm Trevor Noah.
Thank you so much for tuning in.
Thank you for coming out in person.
Thank you for being here.
Thank you so much for being here Thank you for being here.
Take a seat, everybody.
Let's do it.
Take a seat.
We've got a fun show lined up for you tonight.
The midterms are getting people high.
Sean Penn just won the war in Ukraine.
And thanks to Elon Musk, now you can be Elon Musk.
Plus, the one and only Jordan Peele
is joining us on the show, everybody!
So let's do this, people.
Let's jump straight into today's headlines.
[music playing]
[cheering]
All right, people, I'm going to be honest.
With all the news happening right now,
I don't think we have enough space in today's show.
And I tried-- I tried everything.
I promise you.
I even put the news in the laundry,
hoping it would shrink.
But then it just came out cleaner
and smelling like lavender.
And we still don't have enough time for it all.
Fortunately, not enough time is just
enough time for a segment we call Ain't Nobody
Got Time for That.
[music playing]
[cheering]
All right, let's kick things off with the midterm
elections, a night so disappointing for Republicans,
Mitch McConnell is flying his jowls at half mast.
[laughter]
As of right now, there are several big races that
are still too close to call.
For instance, will Republican Adam Laxalt hold onto his lead
in the Nevada Senate race?
Will Lauren Boebert squeak one out in Colorado?
Will election denier Kari Lake accept
the results if she loses the Arizona governor's race?
Or will she try to hang whoever Arizona's Mike Pence is?
Nobody knows.
And one reason it's so hard to predict the results
is that Americans cast ballots in so many different ways.
And they all come in differently and
separately, right?
Democrats tend to vote early by mail or dropbox.
Republicans show up on Election Day or use military ballots.
And Herschel Walker votes the way he fathers
his children, absentee.
But there is one unfinished race
that's not all that close, and it's a real trip.
We are still watching proposition 122,
which appears likely to pass.
And if it does, Colorado would essentially legalize
psychedelic mushrooms.
Passing the proposition would decriminalize
personal possession right away.
And then it would allow licensed medical facilities
to administer the natural medicine starting in 2024.
Yeah, that's right.
After being one of the first states to legalize marijuana,
Colorado is now one of the first states
to legalize mushrooms.
And I think it's great.
I think it is.
Yeah, because instead of creating a drug underworld,
Colorado is bringing everything out into the open, you know?
You can legalize it.
You can regulate it.
It's like those parents who give
their kids wine with dinner.
You know?
They're just like, yeah, I'd rather they be drunk in front
of me because it's safer.
And also it's funny to watch them bumping into things.
Go, look at you, Tyler.
And I know right now--
I know right now there are some people
seeing this law going into effect, and they're panicking.
They're like, shrooms are going to be legal?
What?
And I'm like, but, hey, hey, just relax.
Relax.
Breathe.
You're going to be just fine.
Just drink more water and listen to some Enya, OK?
Enya, Enya, Enya-- it's a weird name.
I'm freaking out again!
[shouts]
But, personally, I'm all for drug laws
getting less restrictive.
And if they do officially legalize shrooms,
I'm also excited for their next ballot measure.
Why are my hands so big?
[laughter]
Now if we had more time, we could
talk about whether the acceptance
of recreational drug use can lead to increased
understanding of the therapeutic value
of psychedelics or how weird it is that drugs are
like the one illegal thing we get to vote on to make legal,
you know?
Like, why don't we legalize jaywalking, or even
better, jaydriving?
Why do the pedestrians have the sidewalks
all to themselves, huh?
But we don't have the time for any of that.
Because while the US is abandoning the war on drugs,
Ukraine is still fighting its war with Russia.
And its leader just got some really
strange military assistance.
REPORTER: The actor Sean Penn, most often
doing the unpredictable, he did it again,
this time loaning his Oscar to the president of Ukraine.
But it comes with a condition.
Video posted online shows Penn handing
the Oscar to Ukrainian President Zelensky.
He said Zelensky can keep it until Ukraine
wins the war against Russia.
Penn has visited Ukraine several times
since the fighting began last February.
If I know this is here with you,
then I'll feel better and stronger for the fight.
So great, great honor, but until we win.
When you win, bring it back to Malibu.
- Correct, great. - Yes.
OK.
[laughter]
I don't even know how to process this information.
Am I on mushrooms?
Is it happening already?
Like, I really-- I don't get it.
How does the Oscar help Zelensky fight the war?
He just wants to use it as a weapon?
I mean, if that's the case, at least give him two
so he can use them like nunchucks, like on a chain,
you know?
And it would be strange enough if he just gave him
an Oscar to help win the war.
But he wants Zelensky to return it?
That was the weird part for me.
He's like, make sure you bring this back to me.
That's a lot of responsibility.
The man is already running a war against Russia.
Now he's going to make sure that nothing
happens to Sean Penn's Oscar.
Just like air raid sirens are going off.
They're like, quickly, sir, quickly,
everyone get to the bunker.
He's like, I'm coming.
I just need to find Sean Penn's Oscar.
[shouts] He needs it back!
He needs it back!
The only way I think this could work
is if Zelensky gave the Oscar to Putin.
And then while Putin gave the acceptance speech,
the music just played him off, and then he
had to leave Ukraine. Oh, wait.
I wasn't finished.
OK, good night.
Goodbye, everybody.
I actually hope that Zelensky is
a fan of Sean Penn's movies.
Because we don't know what else happened there.
It might have gotten really awkward.
You know, Sean Penn is like, here, I want you to have
my Best Actor Oscar for Milk.
(IMITATING ZELENSKY) Yes, yes, one of my favorite film.
I remember watching it and thinking,
wow, that is lot of milk.
[laughter]
No way you can drink all that milk.
Powerful story.
Now, if we had more time, we could
talk about the other major development in the war, which
is that Russia was just forced into another embarrassing
retreat from a major Ukrainian city,
probably because they heard Ukraine
has Sean Penn's Oscar now.
But we don't have the time for that.
Because right now the one thing being
mismanaged worse than Putin's war is Elon Musk's websites.
Well, Twitter has officially debuted
it's verified blue checkmarks.
And the feature is already causing a lot of confusion.
Subscribers who pay the $8 monthly fee are now entitled
to some additional perks, namely the blue check mark
previously reserved for verified accounts.
The problem is some of those users
are using their newly-acquired verification
to impersonate celebrities and other public figures.
REPORTER: Someone pretending to be LeBron James
tweeted, I am officially requesting
a trade from the Lakers.
An account that appeared to be from the pharmaceutical
company Eli Lilly announced that all insulin
would now be free.
Meanwhile, a user impersonating George W. Bush
declared, I miss killing Iraqis.
And a fake account for Nintendo simply tweeted a picture
of Mario giving the finger.
[laughter]
Oh, no.
Because anyone can buy verification,
they're now impersonating famous people.
Who could have seen this coming?
What?
Everyone?
Wow.
Where were you guys $44 billion ago?
Look, I'm going to be honest, and I'm
going to be blunt here.
Elon Musk is running Twitter into the ground.
And it's the best Twitter's ever been.
[laughter]
Are you kidding me?
[cheering]
Fake LeBron leaving LA, Mario flipping
the bird, George Bush telling us how he really feels.
The thing is an absolute train wreck, and I'm here for it.
The only reason we know that that wasn't the real Mario
was because Mario would never flip someone the bird.
He's Italian.
Come on.
Yeah, he'd probably do this, right?
Or this.
He's like, (ITALIAN ACCENT) hey,
Koopa, tell your mother I said hello, huh?
[laughter]
But who knows?
Who knows?
Maybe all of this verified real, fake people
on Twitter chaos is actually part of Elon's plan.
Yeah, maybe this is what he's doing on purpose.
Soon, no one will a real account from a fake account.
And then he'll be like, guys, did you
see someone impersonated me and spent $44 billion on Twitter?
That was crazy.
Well, I'm just going to take my money and be on my way.
OK, bye-bye now.
Bye-bye.
Now, if we had the time, we could
discuss how this verified fiasco
isn't just hurting Twitter.
It's also damaging Tesla's stock.
Or we could definitely talk about how Rihanna just
said on Twitter that she wanted me to perform
with her at the Super Bowl.
And, no, it's not a fake account because she even asked
for my Social Security number.
But we don't have the time for any of that.
Because while Twitter is faking celebrities,
a real celebrity is in trouble for faking his life.
Vogue is suing rappers Drake and 21 Savage
for using a fake cover story to promote
their new album, Her Loss.
So back in October, Drake shared
what appeared to be a Vogue magazine cover featuring
himself and 21 Savage with the caption, "Me and My Brother,"
on the newsstand tomorrow, thanking Vogue editors
for their support.
Well, apparently, they did not like this
because the publishers-- they filed a complaint
in federal court this week, saying the stunt
was an infringement of the company's trademark.
So far, no comment on the lawsuit from Drake or
21 Savage.
Yeah, that's right.
Vogue is suing Drake and 21 Savage for $4 million
for photoshopping themselves onto the cover
of the magazine, which, to be honest,
I don't know if Vogue has a case here.
You can clearly tell that this was a fake cover.
I mean, Vogue lighting Black people properly,
this is clearly not real.
[laughter]
We'll know it's parody.
But the beef is very real.
The biggest name in magazines is
going up against the biggest name in hip hop.
That's no joke.
This hasn't happened since Tupac
got shot by Reader's Digest.
That shit was no game.
Now, just for context, this Vogue cover
wasn't the only fake promotion Drake and 21 Savage
have been doing, right?
He also released a fake interview
with Howard Stern, a fake SNL performance, a fake appearance
on NPR, like Tiny Desk, which is a little
weird because he's Drake.
He doesn't have to fake any of these things, you know?
It's so weird to me.
It's like, Drake, if you want to be on NPR,
I'm pretty sure you can be on NPR.
This would be like Obama photoshopping himself
at a Buffalo Wild Wings.
You know?
It's just like, (IMITATING OBAMA) look, Michelle,
it almost looks like I was actually there.
How cool would that be?
But, man, you're the president.
You can go to a Buffalo Wild Wings!
[applause]
Now, if we had the time, we could talk about how Vogue has
inadvertently given Drake and 21 Savage way more than $4
million worth of publicity by suing them,
making this the most successful marketing
campaign ever for their brand.
But we don't have time to talk about that.
Because we have some brands who would like
to tell you about some very real products
they'd like to sell you.
We'll be right back.
[cheering]
Welcome back to The Daily Show.
Tomorrow is Veterans Day in America.
And to commemorate it, we look at a group of veterans who
sometimes get looked over in another edition of Ronny
Chieng teaches you about Asians.
[music playing]
[bell]
Hello, class, thanks for coming.
Although you really had no choice,
since if you don't come to school in America,
your parents get arrested.
Today we're going to learn about some
of the great Asian veterans in US history.
Because Asians have served in the US military
for almost as long as America has fought in wars, which
is basically the whole time.
America loves war so much, it wants to have its babies,
and then send those babies to go fight in the next war.
Anyway, first up is Augustin Feliciano,
who fought in the War of 1812, which happened in--
see now, let's see here-- oh, huh, the teacher's guide
doesn't actually say, so nice going, morons.
Feliciano was the first Filipino
to serve in the US Navy.
But before he sailed with the Navy, he sailed with pirates.
That's right.
American history has Asian veterans and Asian pirates.
I'm blowing your frickin' mind today.
What's next, Asian werewolves?
No, that's beneath us.
Let's fast forward to America's Civil War, the first one,
not the one currently happening every day
in your Twitter feed.
The Civil War is where Chinese-American soldiers
began to make their mark.
Of the roughly 200 Chinese-Americans
living in the Eastern US at the time, 58 of them
served in the war.
That's 58 out of 200.
Can you calculate the percentage from that number?
It's easy.
You just cross out the zeros.
You move the decimal point over.
You flip the whole thing. You multiply by 100.
And you plug your [bleep] phone and use a calculator.
Math is easy, especially for me, a teacher.
One of the most distinguished Chinese Civil War vets
was Joseph Pierce.
He rose in the ranks to corporal, the highest rank
of any Chinese-American in the Union Army,
which I can also relate to because I
am the highest ranking Asian at The Daily Show.
Though, sadly, I do not have as many confirmed kills.
And, yeah, there were white soldiers
in the 1800s who were taking orders from an Asian guy.
Because those guys were #allies.
And they didn't even need to brag about it on Instagram.
All right, Julia, we get it.
You taught your dog Cantonese.
But not every veteran got what they deserve.
Edward Day Cohota was a Chinese immigrant
adopted by an American ship captain
who found the Civil War, and then
served for another 26 years.
But get this-- America still refused to make him a citizen.
Do you believe that?
I mean, this guy risked his life in the military
for almost 30 years.
Most citizens never do anything close to that.
They automatically get citizenship
just by getting pooped out of their mom's butt.
That's right.
I threw in some sex ed for free.
You're welcome.
Let's move on to World War I and one
of its greatest Asian-American heroes, Lau Sing Kee.
He was a runner, which means he ran messages to the front line
all while dodging gunfire and flamethrowers.
That's right.
This guy risked his life to send messages.
I hope this makes you grateful for texting.
In fact, I wish this was still how we had to send messages.
You'd probably think twice if you
had to run across a battlefield to get someone
a picture of your dick.
Now let's turn to World War II, which
saw Asian-American heroes like Daniel Inouye, who fought
in the 442nd Regiment, a unit made up completely
of soldiers of Japanese descent and one of the most decorated
regiments in military history.
During a combat mission in France,
Inouye escaped death when a bullet to his chest
was blocked by two silver dollars.
Try doing that with Bitcoin, you crypto bitches.
Daniel Inouye is why I carry two silver dollars in
my breast pocket at all times.
Wait.
Where are they?
Oh, yeah, I got that vending machine Coke.
OK, nobody shoot me until I can get to the bullion exchange.
Even after his military service,
Inouye went on to serve 50 years in Congress.
So congrats to him on finding the only job
worse than combat.
But maybe the biggest Asian badass
to come out of World War II was captain Nieves Fernandez,
a Filipino schoolteacher who became a guerrilla warfare
fighter and led a squadron that killed
over 200 Japanese soldiers.
You hear that, class?
Schoolteachers can become guerrilla assassins.
Do not mess with us.
Ow, goddamn, that's sharp.
The last veteran we're going to learn about today
is a living legend, and not how that term is usually used,
like if your friend Jake wins a stupid flip cup tournament.
I mean, an actual legend, Tammy Duckworth.
She served as a Blackhawk helicopter pilot in Iraq
until 2004, when her aircraft was hit
by a rocket-propelled grenade.
She lost her legs and partial use of her right arm.
For her sacrifice, she was honored with a Purple Heart.
I don't know why it's purple.
I guess whoever designed it was a huge Prince fan.
But her service didn't end with the military.
She went on to become the first Thai
American woman and disabled woman elected to Congress.
She also became the first woman to bring
a baby onto the Senate floor.
Although it definitely wasn't the first diaper.
Those dudes are old as shit.
So, class, in conclusion, from now on, when you think
of Asians in American history, don't just
think of railroads and that [bleep] guy
from Breakfast at Tiffany's who isn't actually Asian.
Think of Tammy Duckworth, Lau Sing
Kee, and Nieves Fernandez, who Kill Billed half an army.
Speaking of which, I got to go tend to this neck wound.
Knowing how cheap these school districts are,
I probably have lead poisoning.
Class dismissed.
[cheering]
Thank you so much for that, Ronny.
All right, stay tuned, because when we come back,
the one and only Jordan Peele will be joining
me right here on the show.
You don't want to miss it.
[cheering]
Welcome back to The Daily Show.
My guest tonight is an Academy Award winner,
who created the hit films Get Out, Us, and, most
recently, Nope.
He's here to talk about his new Spotify original audio horror
series called Quiet Part Loud.
Please, welcome Jordan Peele.
[cheering]
[music playing]
That feels good.
That feels-- that feels absolutely wonderful.
Feels appropriate.
You think so?
Feels appropriate.
That's what we're going-- it's just going to be half an hour
of applause for you.
That's overwhelming.
That's an overwhelming response.
That's what you deserve.
That's how you make people feel.
That's what you deserve.
No, that's what you deserve, my friend, and I mean that.
[cheering]
I mean this honestly.
You know, I was scrolling on my TV the other day.
And, you know, I was bouncing around everything
between, like, YouTube, and then going to Netflix,
and then bouncing, like, different apps
and watching-- it's amazing to see the impact that you
have had on the culture.
Obviously-- no, really, with Key and Peele,
some of the funniest moments and ideas
still existing on TikTok, kids loving them today,
and then you move into, like, what you did with Keanu,
and then the new range of movies.
I do want to understand this.
JORDAN PEELE: OK.
You're one of the funniest people out there.
You were for a very long time putting out
some of the funniest content.
And now it's just like scary shit.
[laughter]
Is this for balance?
What happened?
Is it weird that I think it's funny?
[laughter]
Is it?
You know, I think the comedy part of my career
is still going.
I think it's still active.
TREVOR NOAH: Wow.
And part of that--
I talk about it as sort of like the difference between comedy
and horror is the music.
And it really does--
it does feel like that.
When we--
I'm sorry. I'm sorry.
[laughter]
What are you--
Now I'm picturing the scene in Get
Out where the guy's running--
like, you know when he's running at the camera,
and he's like head on. But now I'm picturing like--
[harmonizing circus music]
[laughter]
I mean--
Just like Benny Hill, and it's funny.
It's funny.
And it's very funny.
And I could have done that.
I was at the finish line with that film.
- [laughs] - I could have gone either way.
It would have been a very different film.
But thank you for saying that.
Yeah, no, I love comedy.
It became very complex somehow, making comedy
in this world as it is complex, I think,
making anything or getting anything accomplished
in this world right now.
It feels like you were the only person
who wasn't surprised about the filmmaker you would turn into.
And I think it's because you came
from this world of sketch.
And sketch always seems unplanned and unprepared.
It seems off the cuff.
But there's so much work that goes into it.
And now you've turned into-- or rather you've been revealed
to us as this film maker.
Like, when I was watching Nope, you're
sitting in that movie theater.
Nobody knows what's going to happen,
why it's going to happen, how it's going to happen.
You successfully got people to not
spoil any of the plot points.
I don't know how you did that.
Because people who saw, they're like, have you seen Nope?
I was like, no, I haven't. How is it?
They're like, mm.
Nope.
[laughter]
Yeah, yeah.
But you create, like-- you create a feeling.
Thank you.
Well, I just have this love of my audience.
And I think what my audience has been telling
me and responding to is that very thing is
something that they love and that they're
going to show up for it.
And so when-- and you say I knew.
When I made-- when I wrote Get Out,
I didn't even know if they would let me direct it.
I didn't--
TREVOR NOAH: For real?
Yeah, that's how much has changed in my life.
You know, I was trying to push this thing.
And so I-- luckily, I found a wonderful home and
wonderful producers for it.
But when I made Nope, then I was like,
OK, now hold on a second.
They're going to let me direct a film.
They're going to let me direct a big movie.
TREVOR NOAH: Right.
And so there's a responsibility there.
Is there a pressure?
Do you ever feel the weight of your own pressure?
Because Get Out is one of the greatest movies
that has ever been made.
From that moment onwards, everyone
is expecting you to create the greatest movie ever made.
There's always going to be that pressure.
There's always going to be the criticism.
There's always going to be the critics.
Do you feel that as well, or do you find yourself just
making what you want to make?
Well, you know, a lot of people hate Get Out.
And there's a certain--
TREVOR NOAH: Who are these people?
Well, they're out there.
[laughter] They are out there.
TREVOR NOAH: Oh, wow, OK.
I get-- I still get hate from that era.
I mean, there's a lot of people that don't like
the agency that it brought--
Interesting.
--me and other people.
I truly feel that.
And so, you know--
and in Key and Peele as well.
You realize people are going to respond.
But there's always going to be people who don't respond,
and that's OK.
That's part of the adventure of doing something risky,
doing something you're not supposed
to do is that you're going to be pissing people off.
But that's OK.
TREVOR NOAH: I wonder if some people are
pissed off at what you illuminate in the stories
that you tell.
Because it's one thing to create a horror movie.
It's one thing to create thrill and suspense.
It's another thing to weave into that story everything
that we're experiencing in real life, you know?
There are themes of race.
There are themes of gender.
There are themes-- like, everything
is encapsulated in a story.
It's like you went and went, what if there's racism,
and what if there's sexism, and what if there's
also a monster, which seems--
[laughter]
You know?
Which is very much the real world.
It's, once again, a documentary, but no.
I-- yeah, you know, I mean, this one
wanted to be about this idea that was sort of forming
in my head that there's some people,
there are some things in this world
that are these bad miracles.
These are these things that are so entertaining that we're
blinded to the danger of them.
TREVOR NOAH: Wow.
And so I wanted to make a film about the human response
to these things and how we interact with it
and how we will chase it off a cliff.
TREVOR NOAH: Wow.
You do that with everything though.
Because when they told me you had a podcast,
I thought you were going to be interviewing people
or there's going to be a conversation.
They're like, no, he made a horror podcast.
So--
I was like, but that's not possible.
And then they send it to me, and I
was like, oh, this is terrifying because I
just have to use my ears.
We actually have a clip.
Here, we can play a little bit for you.
Just listen to it.
Even close your eyes if you want.
Listen.
OPERATOR: 911, what is your emergency?
RICK: I-- I-- I need to report a-- an accident.
This guy-- he's hurt his head.
There's a lot of blood.
OPERATOR: Is he still breathing, sir?
RICK: Uh, I'm not sure if he--
[gasping]
Yes, yes, he's definitely still breathing.
His head-- his head looks like it's cracked.
Jesus, there's blood everywhere.
OPERATOR: That's what heads do, Rick.
RICK: I'm sorry.
What?
OPERATOR: (CREEPY VOICE) Bleed.
[distant creepy laugh]
[phone tone]
[applause]
So think, important to say, directed by Mimi O'Donnell,
brilliantly directed.
This was something all of us at Monkeypaw Productions
were very excited about, like, trying
to make the scariest horror podcast of all time.
And--
TREVOR NOAH: Do you know what people
normally use podcasts for?
[laughter]
Are you familiar--
It's sort of like you're driving.
You're on, like, a drive.
You know, some people play podcasts go to sleep.
I've heard of this.
And then this slides into your playlist.
You know, and this is something
we talk about in horror all the time, which
is this idea that it's the things you don't
see that are the scariest.
TREVOR NOAH: It is terrifying because you've
created this podcast that is essentially-- it sounds real.
It sounds like an actual conspiracy theorist.
And we're following him and his journey of creating this radio
show that sort of sets in a pre-Trump world.
And he's talking about everything that's happening.
He's digging into conspiracies.
And it feels too real, Jordan.
And this is brilliant, and Tracy Letts wonderfully
plays this character.
And this whole Faustian thing, it ends up being--
I'm not going to give away what is going on.
But then-- - Whatever it is.
Yeah.
But there's something of-- yeah.
Because--
Yeah.
--as discussed, we need to--
but it's a story that needs to be told in the sound medium
because there is a sound element to this parasite.
And it's scary.
I say this all the time.
When you tell your stories-- and this is something that I
feel you've always done-- whether it's in a sketch,
whether it's in a movie, and now even in a podcast,
it feels like you are commenting on the aspects
of the world that we oftentimes take for granted or ignore.
Because they're almost seamlessly happening to us.
And you take them.
You amplify them.
And then it becomes a horror we can't look away from.
Like, why do you think it's important for us
to focus on those moments, to focus on what's
happening in real life?
Well, it is.
It's important for us to pay attention
to the real-life monsters.
And I think it's important to--
and it's important for us to feel fear as it is.
So much of this--
so much of this doomscrolling and stuff,
it really is about us--
the fact that fear is something we bury.
Fear is something that we don't like.
We don't like that feeling.
We will convert it into ang-- other things.
TREVOR NOAH: Yeah, yeah.
And so, anyway--
TREVOR NOAH: And so it numbs us as we scroll.
Yeah. - Yes.
So-- yeah.
[laughter]
Did I answer-- did I answer the question with that?
I--
Well, can I just say, I've loved everything
that you've created.
I enjoy how original your art is.
I also really appreciate how you work with the talent
that you work with.
I mean, Keke Palmer--
people have been loving her forever.
[cheering]
To see her in the movie, to see what you did with her--
obviously, Daniel-- we've loved him since forever.
You don't just create a story.
You also create stars.
You also give people an opportunity
to shine on the screen.
And I would love to know what you
look for in these performers that you think will--
I mean, as it does-- successfully
convey the feelings that you're trying to get to the people?
Well, you know, first of all, I'm also--
I'm trying to hitch my wagon to these moving trains, right?
I'm trying to find people who are
ready to do their greatest role, you know,
and in that perfect place.
So I very much--
I'm so thankful that the Daniels
and the Kekes of the world will come out and do it.
But I'm also looking for somebody
who is really smart enough to take
over the character for me.
I do the work to build this character up
to a certain point.
And then I need somebody to come in and become the expert.
So I can ask them, how does Emerald feel?
And she can answer that question.
We can kind of move from there.
And so, you know, I have the privilege
of working with people like Daniel
and like Keke, who are just the best actors in the world.
And then we have the privilege of enjoying
everything that you all create together,
the privilege of having on the show.
Thank you, my friend.
Absolute, absolute joy.
Thank you again.
Jordan Peele, everybody.
We're going to take a quick break.
But we'll be right back after this.
[cheering]
Well, that's our show for tonight.
Charlamagne is up next.
Now here it is, your moment of zen.
Why did Dr. Oz lose?
Well, it looks like, according to the exit polling,
it's because Fetterman won.