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- ♪ LA-LA, LA, LA-LA ♪
2
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♪ LA-LA, LA, LA-LA ♪
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- STOP FOLLOWING ME, DARIA.
4
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YOU'RE FOLLOWING ME.
5
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- WE GO TO THE SAME SCHOOL.
6
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- HEY, QUINN, CAN I CARRY
YOUR BOOKS?
7
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- HEY, QUINN, CAN I CARRY
YOUR...PENCIL?
8
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- HEY, QUINN, CAN I CARRY YOUR,
UH, UH--
9
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GOT ANYTHING ELSE?
10
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- A HAIR SCRUNCHIE?
11
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- GREAT.
12
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- CAREFUL.
13
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DON'T HURT YOURSELF
WITH THAT SCRUNCHIE.
14
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- IS THAT YOUR SISTER?
15
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- DON'T PRY, JOEY.
16
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- I'M JAMIE.
17
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- WHATEVER.
18
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- PERSPECTIVE IS HARD.
19
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- GOOD WORK, DARIA.
20
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YOUR CUBE IS BURSTING
OUT OF THE PICTURE PLANE.
21
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YOU'VE REALLY CREATED
THE ILLUSION OF DEPTH.
22
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- I'M THINKING OF GOING
INTO POLITICS.
23
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- MS. DEFOE,
I NEED A NEW PENCIL.
24
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I USED UP THE ERASER.
25
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- HERE, BRITTANY.
26
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TAKE ANOTHER PENCIL
AND A FRESH PIECE OF PAPER,
27
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AND TRY AGAIN.
28
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- IF I DON'T FIGURE
THIS PERSPECTIVE THING OUT,
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I'LL HAVE TO TAKE REMEDIAL ART.
30
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I HEARD THEY MAKE ALL
THE LEFTIES BECOME RIGHTIES.
31
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- BUT YOU ARE A RIGHTY.
32
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- DARIA, YOU'RE SMART.
33
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SHOW ME HOW TO DO THIS.
34
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- WELL, OKAY.
35
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YOU KNOW WHEN THINGS
SEEM VERY FAR AWAY?
36
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- LIKE THE WEEKEND?
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- DISTANT THINGS,
38
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LIKE MOUNTAINS AND BUILDINGS.
39
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- BUT, DARIA,
WE'RE IN A BUILDING.
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- YES, BUT MAKE BELIEVE
YOU'RE AT THE MALL.
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YOU'RE STANDING IN FRONT
OF J.J. JEETER'S.
42
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- OH, LIKE I WOULD SHOP THERE.
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- YOU DON'T HAVE TO GO IN.
44
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YOU'RE LOOKING AT CASHMAN'S
DEPARTMENT STORE...
45
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- NOW YOU'RE TALKING.
46
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- WAY DOWN AT THE OTHER END.
47
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- EVERYTHING SEEMS
TO BE POINTING TO THE ENTRANCE
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AND SAYING, "COME SHOP.
49
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COME SHOP!
ONE-DAY SALE."
50
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- I GET IT!
51
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THAT'S REALLY REALISTIC, DARIA.
52
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- THAT'S ONE-POINT PERSPECTIVE.
53
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ALL THE LINES ARE POINTING
TO ONE SPOT ON THE HORIZON.
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- I GET IT.
55
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EXCEPT...
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- YES?
57
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- IS CASHMAN'S REALLY HAVING
A ONE-DAY SALE?
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- YO, MACK DADDY.
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YOU COMING TO BRITTANY'S PARTY?
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- DON'T CALL ME THAT, OKAY?
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WHAT'S THIS PARTY FOR, ANYWAY?
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- UM...
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- STOP IF IT STARTS TO HURT.
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- [laughs]
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REALLY.
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UM, HER BIRTHDAY WAS LAST MONTH.
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I HELPED HER EXCHANGE
ALL HER PRESENTS.
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- EVEN YOURS?
- YEAH.
69
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THEN SHE HAD A SALES LADY
70
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EXPLAIN THE DIFFERENCE
BETWEEN PERFUME AND COLOGNE.
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INTERESTING STUFF, BRO.
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NOW I REMEMBER!
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THE PARTY'S TO CELEBRATE
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HER PARENTS
BEING OUT OF TOWN.
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HEY, JOEY, JEFFY, JEREMY.
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- I'M JAMIE.
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- WHATEVER.
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YOU GOING TO BRITTANY'S PARTY?
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- UH, IF WE'RE INVITED.
80
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- YOU'RE ON THE TEAM, DUDES.
81
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WHEN A CHEERLEADER HAS A PARTY,
82
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ALL THE FOOTBALL PLAYERS
ARE AUTOMATICALLY INVITED.
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- IT'S ON PAGE SIX
OF THE PLAYBOOK.
84
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- REALLY?
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HEY, QUINN, WHAT ABOUT YOU?
86
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- CAN I?
- SURE.
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- HEY, QUINN, YOU WANT TO GO
TO THE...
88
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- SO I WAS WONDERING...
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- WHAT TIME DO YOU WANT ME
TO PICK YOU UP...
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- IF YOU AREN'T DOING
NOTHING ON...
91
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- DO YOU WANT TO GO
TO THE PARTY WITH ME?
92
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- SURE.
- WHO, ME?
93
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- WHICH ONE?
- HIM OR ME?
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- EVERYONE.
95
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YOU CAN'T EXPECT ME TO CHOOSE
A BOYFRIEND RIGHT AWAY.
96
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THAT WOULD BE LIKE EATING
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THE FIRST PANCAKE
OFF THE STOVE.
98
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YOU HAVE TO FEED ONE TO THE DOG.
99
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- UGH!
100
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I HATE IT WHEN THE TRAYS
ARE WET.
101
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- THAT WHICH DOES NOT KILL US
MAKES US STRONGER.
102
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- IS THAT FROM A SONG?
103
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HEY, THANKS FOR HELPING ME OUT
IN ART.
104
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- NO PROBLEM.
105
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- MAYBE I COULD HELP YOU OUT
WITH SOMETHING.
106
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- WELL, YOU COULD SHOW ME
HOW TO TWIRL HAIR
107
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AROUND MY LITTLE FINGER
AND LOOK VACANT.
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- I DON'T KNOW IF THAT'S
SOMETHING YOU CAN TEACH.
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UGH!
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I HATE IT WHEN THE PUDDING
HAS SKIN.
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- I KNOW WHAT YOU MEAN.
112
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AND THAT SCARES ME.
113
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- HEY, EVEN THOUGH
I'M MUCH MORE POPULAR,
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WE HAVE SOME THINGS IN COMMON.
115
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- BREATHING?
116
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- I MEAN, YOU'RE NOT POPULAR,
117
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BUT YOU'RE NOT SO UNPOPULAR
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THAT YOU COULDN'T COME
TO MY PARTY SATURDAY NIGHT.
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- IS THAT AN INVITATION?
120
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- YES!
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JUST THIS ONCE, THOUGH.
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- GEE, BRITTANY.
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I'M OVERCOME WITH EMOTION.
124
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- YOU NEED A NAPKIN?
125
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ANYWAY, I PROMISED
THE OTHER CHEERLEADERS
126
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THAT I WOULDN'T INVITE ANY MORE
REALLY ATTRACTIVE GIRLS.
127
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- NOW I'M ESPECIALLY FLATTERED.
128
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- DON'T MENTION IT.
129
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- THESE ARE REALLY GOOD.
130
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I DIDN'T KNOW YOU STUDIED
LIFE DRAWING.
131
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- YEAH, LAST SUMMER.
132
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- YOU'RE REALLY BURSTING
OUT OF THE PICTURE PLANE HERE.
133
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- OH, YEAH, THAT PARTICULAR
MODEL WAS QUITE BURSTY.
134
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I THINK SHE HAD HER BURSTS DONE.
135
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- SPEAKING OF WHICH, BRITTANY
INVITED ME TO HER PARTY.
136
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- NO KIDDING.
ARE YOU GOING?
137
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- SURE.
138
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AND AFTER THAT,
I THINK I'LL SWALLOW GLASS.
139
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WHY?
140
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DO YOU WANT TO GO?
141
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- OH, NO, I'D MUCH RATHER
STAY HOME
142
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AND LISTEN TO MY BROTHER
PRACTICE THE OPENING
143
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TO COME AS YOU ARE.
144
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I BET I COULD GET
SOME GREAT SKETCHES THERE.
145
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- WELL, I'M SURE THERE'LL BE
PLENTY OF PEOPLE POSING.
146
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IF YOU WANT TO GO,
JUST MAKE BELIEVE YOU'RE ME.
147
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WHEN YOU'RE POPULAR,
148
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ALL UNPOPULAR PEOPLE LOOK ALIKE
ANYWAY.
149
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- [in monotone] HI, I'M DARIA.
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GO TO HELL.
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IT WON'T WORK.
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MY FACE IS TOO EXPRESSIVE.
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- SHEER, SEMI-SHEER, OR OPAQUE?
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TEXTURED!
155
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- ISN'T ONE OF YOU ENOUGH?
156
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- GO AWAY!
157
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I'M CONCENTRATING.
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I'M INVITED TO A PARTY
SATURDAY NIGHT,
159
00:06:10,904 --> 00:06:13,271
AND I HAVE TO CHOOSE
THE PERFECT OUTFIT.
160
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- COUNTDOWN.
161
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ONLY 72 MORE HOURS TO GO.
162
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MIGHT THIS PARTY BE
AT BRITTANY'S HOUSE?
163
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- YES, AND MIGHT YOU
GO AWAY NOW?
164
00:06:23,316 --> 00:06:26,685
HEY, HOW DO YOU KNOW ABOUT IT?
165
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- I'M INVITED TOO.
166
00:06:28,689 --> 00:06:32,123
BUT I HAVEN'T DECIDED
IF I'LL GO.
167
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- YOU CAN'T GO.
YOU'LL RUIN EVERYTHING!
168
00:06:34,561 --> 00:06:39,864
- YOU KNOW, I REALLY SHOULD
BROADEN MY SOCIAL HORIZONS.
169
00:06:39,866 --> 00:06:42,066
- MOM, DAD!
170
00:06:42,068 --> 00:06:44,736
DARIA IS RUINING MY LIFE AGAIN!
171
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- TELL DARIA SHE CAN'T GO
TO BRITTANY'S PARTY.
172
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MY POPULARITY IS AT STAKE.
173
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- NOW, DON'T BEGRUDGE
YOUR SISTER A CHANCE
174
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TO EXPAND HER CIRCLE OF FRIENDS.
175
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- MAYBE NOW SHE'LL HAVE TWO.
176
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- TOUCHE, QUINN.
177
00:07:05,558 --> 00:07:08,226
- AND DON'T THINK YOU'RE
CONFUSING ME WITH THAT FRENCH.
178
00:07:08,228 --> 00:07:10,161
YOU SHOULD GROUND HER,
179
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BECAUSE...
HER ROOM IS A MESS.
180
00:07:13,300 --> 00:07:15,200
- IF I GO DOWN FOR THAT ONE,
181
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I'M TAKING YOU WITH ME.
182
00:07:17,237 --> 00:07:19,136
- WAIT.
HERE'S SOMETHING WORSE.
183
00:07:19,138 --> 00:07:24,576
I ASKED HER TO DO MY HOMEWORK
FOR ME, AND SHE MADE ME PAY.
184
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NEVER MIND.
185
00:07:25,812 --> 00:07:27,178
- I THINK IT'S GREAT
186
00:07:27,180 --> 00:07:29,681
THAT YOU TWO ARE GOING
TO BE SPENDING TIME TOGETHER.
187
00:07:29,683 --> 00:07:31,082
DAD AND I WOULD BE HAPPY
188
00:07:31,084 --> 00:07:33,084
TO DRIVE YOU TO THE PARTY
AND PICK YOU UP.
189
00:07:33,086 --> 00:07:35,086
Daria and Quinn: NO.
190
00:07:35,088 --> 00:07:36,320
- THANKS, BUT I'LL FIND
191
00:07:36,322 --> 00:07:38,089
SOME OTHER WAY
TO GET THERE.
192
00:07:40,761 --> 00:07:42,627
- DARIA, I'D LIKE IT
IF YOU'D KEEP
193
00:07:42,629 --> 00:07:44,496
AN EYE ON QUINN
AT THIS PARTY.
194
00:07:44,498 --> 00:07:45,797
I DON'T KNOW WHAT I DID,
195
00:07:45,799 --> 00:07:47,465
BUT IT COULDN'T HAVE BEEN
THAT BAD.
196
00:07:47,467 --> 00:07:48,633
- I MEAN IT.
197
00:07:48,635 --> 00:07:50,702
AND SHE DOESN'T HAVE TO KNOW
ABOUT IT.
198
00:07:50,704 --> 00:07:52,137
- IS THIS YOUR WAY
OF ACKNOWLEDGING
199
00:07:52,139 --> 00:07:54,705
HOW MUCH MORE MATURE
AND TRUSTWORTHY I AM?
200
00:07:54,707 --> 00:07:56,875
- IT'S MY WAY OF SAYING,
"IF YOU WON'T DO IT,
201
00:07:56,877 --> 00:07:59,144
I'M SENDING YOU BOTH
WITH A BABYSITTER."
202
00:07:59,146 --> 00:08:00,411
- I'LL TAKE THAT
203
00:08:00,413 --> 00:08:02,980
AS A RINGING DECLARATION
OF PARENTAL APPROVAL.
204
00:08:02,982 --> 00:08:05,850
- JUST THE WAY IT WAS INTENDED,
SWEETHEART.
205
00:08:09,056 --> 00:08:11,022
- I LOVE BEING THE HOSTESS.
206
00:08:11,024 --> 00:08:13,224
IT'S SO EASY TO GET HOME
AT THE END OF THE NIGHT.
207
00:08:13,226 --> 00:08:15,760
- YOU'RE A GREAT HOSTESS,
CUPCAKE.
208
00:08:15,762 --> 00:08:17,095
HEY!
209
00:08:17,097 --> 00:08:19,497
- DID I TELL YOU THAT I DID
THIS REALLY NICE THING
210
00:08:19,499 --> 00:08:21,466
AND INVITED DARIA MORGENDORFFER,
211
00:08:21,468 --> 00:08:24,936
EVEN THOUGH SHE NEVER, EVER
WEARS NAIL POLISH?
212
00:08:24,938 --> 00:08:26,470
- HER SISTER, QUINN,
IS COMING TOO.
213
00:08:26,472 --> 00:08:28,506
- OH, NO!
SHE'S TOO CUTE.
214
00:08:28,508 --> 00:08:29,841
MY FRIENDS WILL KILL ME!
215
00:08:29,843 --> 00:08:32,544
KEVIN, YOU'RE MIXING UP
THE FLAT ONES
216
00:08:32,546 --> 00:08:33,978
AND THE RIDGY ONES.
217
00:08:33,980 --> 00:08:35,780
- EVERYTHING LOOKS GREAT,
MUNCHKIN.
218
00:08:35,782 --> 00:08:37,516
WHY ARE YOU SO NERVOUS?
219
00:08:37,518 --> 00:08:39,083
- I'M JUST AFRAID
PEOPLE WILL JUDGE ME
220
00:08:39,085 --> 00:08:42,453
BY MY HOUSE, AND WE DON'T HAVE
THE JACUZZI IN YET.
221
00:08:42,455 --> 00:08:45,023
- HEY, STUFF LIKE THAT
DOESN'T MATTER.
222
00:08:45,025 --> 00:08:48,092
THE MOST POPULAR PEOPLE
WITH THE BEST-LOOKING HAIR,
223
00:08:48,094 --> 00:08:51,596
THAT'S WHAT MAKES A GREAT PARTY.
224
00:08:51,598 --> 00:08:53,531
- THANKS FOR THE RIDE, TRENT.
225
00:08:53,533 --> 00:08:54,699
- NO PROBLEM.
226
00:08:54,701 --> 00:08:56,634
I NEEDED A BREAK ANYWAY.
227
00:08:56,636 --> 00:08:59,304
I'D BEEN PRACTICING
FOR TEN HOURS STRAIGHT.
228
00:08:59,306 --> 00:09:02,240
- DARIA, WOULD YOU SAY SLEEPING
WITH A GUITAR IN YOUR HANDS
229
00:09:02,242 --> 00:09:03,808
COUNTS AS PRACTICING?
230
00:09:03,810 --> 00:09:05,777
- AS LONG AS YOU DON'T DROP IT.
231
00:09:08,582 --> 00:09:10,248
I'LL LET YOU OFF HERE.
232
00:09:10,250 --> 00:09:13,284
I HAVE A PROBLEM
DEALING WITH AUTHORITY.
233
00:09:13,286 --> 00:09:14,886
- SURE YOU DON'T WANT TO CRASH?
234
00:09:14,888 --> 00:09:17,188
- A HIGH SCHOOL PARTY?
PLEASE.
235
00:09:17,190 --> 00:09:21,259
DON'T YOU THINK
I'M A LITTLE MATURE FOR THAT?
236
00:09:21,261 --> 00:09:23,661
DON'T DO ANYTHING I WOULDN'T.
237
00:09:23,663 --> 00:09:27,031
- BYE.
238
00:09:27,033 --> 00:09:29,300
NICE CONVERSATIONAL SKILLS.
239
00:09:29,302 --> 00:09:32,136
- I HATE YOU.
240
00:09:32,138 --> 00:09:35,607
WE'RE HERE FOR BRITTANY TAYLOR'S
PARTY.
241
00:09:35,609 --> 00:09:36,941
- NAMES?
242
00:09:36,943 --> 00:09:39,043
- DARIA MORGENDORFFER.
243
00:09:39,045 --> 00:09:40,811
- OKAY, AND YOU?
244
00:09:40,813 --> 00:09:41,913
WHAT'S YOUR NAME?
245
00:09:41,915 --> 00:09:43,381
- TIFFANY.
246
00:09:43,383 --> 00:09:45,549
THERE'S GOT TO BE ONE.
247
00:09:45,551 --> 00:09:46,617
- TIFFANY HODGE,
248
00:09:46,619 --> 00:09:49,487
TIFFANY DUKE,
TIFFANY FAIRCHILD,
249
00:09:49,489 --> 00:09:51,756
OR TIFFANY BLUM-DECKLER?
250
00:09:51,758 --> 00:09:54,058
- UH, TIFFANY DUKE.
251
00:09:54,060 --> 00:09:55,393
- STEE-RIKE!
252
00:09:55,395 --> 00:09:56,461
YOU'RE OUT.
253
00:09:56,463 --> 00:09:58,696
I MADE THAT ONE UP.
254
00:09:58,698 --> 00:10:01,432
- OH.
SHE'S NOT ON THE GUEST LIST.
255
00:10:01,434 --> 00:10:03,535
SHE'S BEEN HIRED
TO DRAW PORTRAITS.
256
00:10:03,537 --> 00:10:05,870
SHE'S VERY TALENTED.
257
00:10:05,872 --> 00:10:09,073
- AND YOUR NAME
IS TIFFANY DUKE, HUH?
258
00:10:09,075 --> 00:10:11,208
- WHAT A COINCIDENCE?
259
00:10:11,210 --> 00:10:14,345
- THESE ARE SOME OF HER SKETCHES
FROM ART CLASS.
260
00:10:14,347 --> 00:10:18,149
THEY'RE VERY LIFELIKE.
261
00:10:18,151 --> 00:10:19,584
- HMM.
262
00:10:19,586 --> 00:10:22,520
THESE ARE PRETTY HOT.
263
00:10:22,522 --> 00:10:23,855
UH-HUH.
264
00:10:23,857 --> 00:10:24,922
HMM.
265
00:10:24,924 --> 00:10:25,957
STOP!
266
00:10:25,959 --> 00:10:27,124
HALT THERE!
267
00:10:27,126 --> 00:10:30,094
UH, NEVER MIND.
268
00:10:30,096 --> 00:10:31,396
OOH.
269
00:10:31,398 --> 00:10:34,833
HELLO, GORGEOUS.
270
00:10:36,336 --> 00:10:39,471
- SO I SAID, "JUST BECAUSE
PEOPLE ARE CLIQUEY AND SNOTTY
271
00:10:39,473 --> 00:10:41,339
IS NO REASON NOT TO LIKE THEM."
272
00:10:41,341 --> 00:10:43,174
- MM-HMM, YEAH.
- I AGREE.
273
00:10:43,176 --> 00:10:44,843
- RIGHT, EXACTLY.
274
00:10:44,845 --> 00:10:46,744
- HOW DO YOU LIKE MY HOUSE?
275
00:10:46,746 --> 00:10:49,747
- UH, IT'S QUITE COORDINATED.
276
00:10:49,749 --> 00:10:53,251
- AND THE CERAMIC TIGERS,
THEY'RE GRRREAT.
277
00:10:53,253 --> 00:10:56,021
- WHERE'S THE JACUZZI?
278
00:10:56,023 --> 00:10:58,456
- HERE. I GOT YOU A DRINK.
279
00:10:58,458 --> 00:11:01,426
- THIS ICE ISN'T CRUSHED.
280
00:11:01,428 --> 00:11:02,893
- I'LL GO CRUSH SOME.
281
00:11:02,895 --> 00:11:09,400
[whispers] YOU KNOW, JEFFY STILL
SLEEPS WITH A TEDDY BEAR.
282
00:11:09,402 --> 00:11:11,402
- THESE AREN'T TWISTY.
283
00:11:11,404 --> 00:11:13,237
- OH, I'LL GO TWIST SOME.
284
00:11:13,239 --> 00:11:17,108
[whispers] YOU KNOW,
JAMIE IS A REALLY SLOPPY KISSER.
285
00:11:17,110 --> 00:11:20,611
I HEARD IT FROM A GIRL!
286
00:11:20,613 --> 00:11:23,114
- I LIKE SQUARE CRACKERS.
287
00:11:25,852 --> 00:11:27,052
- HERE.
288
00:11:27,054 --> 00:11:28,252
YOU KNOW, JOEY WAS ONCE A--
289
00:11:28,254 --> 00:11:30,522
- OH, GROSS!
290
00:11:30,524 --> 00:11:32,256
- NOW, SHE'S REALLY POPULAR
291
00:11:32,258 --> 00:11:33,758
BUT NOT AS POPULAR
AS SHE IS.
292
00:11:33,760 --> 00:11:35,326
HE'S MEDIUM POPULAR,
293
00:11:35,328 --> 00:11:36,761
AND HE JUST BOUGHT
A GREAT CAR,
294
00:11:36,763 --> 00:11:38,396
SO SOON HE'LL BE GETTING
MORE POPULAR.
295
00:11:38,398 --> 00:11:40,965
THAT GUY WAS JUST POPULAR ENOUGH
TO BE INVITED,
296
00:11:40,967 --> 00:11:42,734
BUT NOW HE NEEDS TO HOOK UP
WITH A GIRL
297
00:11:42,736 --> 00:11:44,902
WHO'S MORE POPULAR THAN HE IS.
298
00:11:44,904 --> 00:11:46,604
[music blaring]
299
00:11:46,606 --> 00:11:48,372
- YOU REALLY WANT TO DO THIS?
300
00:11:48,374 --> 00:11:52,076
- YOU KNOW, JUST BECAUSE PEOPLE
ARE CLIQUEY AND SNOTTY
301
00:11:52,078 --> 00:11:54,078
IS NO REASON NOT TO LIKE THEM.
302
00:11:54,080 --> 00:11:55,879
- OR HATE THEM.
303
00:11:55,881 --> 00:11:56,981
- CHIN UP.
304
00:11:56,983 --> 00:11:58,249
NOSE UP.
305
00:11:58,251 --> 00:12:01,119
LET'S GO.
306
00:12:03,289 --> 00:12:04,723
- DARIA, YOU'RE HERE.
307
00:12:04,725 --> 00:12:05,957
I'M SO GLAD.
308
00:12:05,959 --> 00:12:07,925
NOW WE'RE EVEN.
309
00:12:07,927 --> 00:12:09,594
- THIS IS JANE.
310
00:12:09,596 --> 00:12:11,061
SHE WASN'T INVITED,
311
00:12:11,063 --> 00:12:13,565
BUT SHE'S GOOD IN ART.
312
00:12:13,567 --> 00:12:15,900
- BUT I HAVE YOU FOR THAT.
313
00:12:15,902 --> 00:12:17,168
HMM.
314
00:12:17,170 --> 00:12:19,704
WHAT DO YOU KNOW ABOUT GEOMETRY?
315
00:12:19,706 --> 00:12:23,207
- LOTS OF CIRCLES, SQUARES,
AND TRIANGLES.
316
00:12:23,209 --> 00:12:24,308
- WOW.
317
00:12:24,310 --> 00:12:26,610
COME ON IN.
318
00:12:29,483 --> 00:12:30,648
- LOOK.
319
00:12:30,650 --> 00:12:33,118
TWO KINDS OF CHIPS.
320
00:12:33,120 --> 00:12:34,219
- FLAT OR RIDGY.
321
00:12:34,221 --> 00:12:36,121
YOU MAKE THE CALL.
322
00:12:36,123 --> 00:12:37,522
- CHUCK RUTTHEIMER HERE.
323
00:12:37,524 --> 00:12:39,257
AND YOU ARE?
324
00:12:39,259 --> 00:12:40,558
- JANE.
325
00:12:40,560 --> 00:12:42,293
- ESMERALDA.
326
00:12:42,295 --> 00:12:45,330
- I'LL BE YOUR SOCIAL DIRECTOR
FOR THE EVENING.
327
00:12:45,332 --> 00:12:47,932
WOULD YOU LADIES LIKE
A TOUR OF THE HOUSE?
328
00:12:47,934 --> 00:12:49,968
IT'S FREE.
329
00:12:49,970 --> 00:12:51,336
- DO YOU ACCEPT TIPS?
330
00:12:51,338 --> 00:12:52,903
- OF COURSE.
331
00:12:52,905 --> 00:12:54,572
- DITCH THE BANGS.
332
00:12:54,574 --> 00:12:57,108
- FEISTY.
333
00:13:08,822 --> 00:13:10,254
- THIS FIVE-BEDROOM HOUSE
334
00:13:10,256 --> 00:13:13,390
IS DESIGNED IN A COMBINATION
OF SOUTHERN PSEUDO-PLANTATION
335
00:13:13,392 --> 00:13:16,026
AND LATE MOCK TUDOR STYLES.
336
00:13:16,028 --> 00:13:19,630
TO YOUR RIGHT, THE
QUASI-VICTORIAN BREAKFAST NOOK.
337
00:13:19,632 --> 00:13:21,699
STRAIGHT AHEAD, THE FAMILY DEN,
338
00:13:21,701 --> 00:13:26,104
WHICH WAS INSPIRED BY THE NOVELS
OF ISAK DINESEN.
339
00:13:26,106 --> 00:13:31,442
AND THIS IS THE MAKE-OUT ROOM.
340
00:13:31,444 --> 00:13:33,511
AM I BLUSHING?
341
00:13:33,513 --> 00:13:36,580
CONFIDENTIALLY, IT'S REALLY
THE LAUNDRY ROOM.
342
00:13:36,582 --> 00:13:38,182
HEY!
343
00:13:38,184 --> 00:13:40,518
DON'T LEAN ON THE BUTTONS!
344
00:13:40,520 --> 00:13:43,254
- CAN IT, UPCHUCK,
OR I'LL BREAK YOUR FACE!
345
00:13:43,256 --> 00:13:45,089
- [girl giggles]
346
00:13:45,091 --> 00:13:46,490
- AS WE REACH THE END
OF OUR TOUR,
347
00:13:46,492 --> 00:13:49,460
I'D LIKE TO THANK YOU
FOR YOUR UNDIVIDED ATTENTION.
348
00:13:49,462 --> 00:13:51,128
ANY QUESTIONS?
349
00:13:51,130 --> 00:13:53,598
- YES.
HOW DO YOU GET INVITED?
350
00:13:53,600 --> 00:13:56,100
- I DISSECTED HER FROG.
351
00:13:56,102 --> 00:13:57,935
- NOW, SHE USED TO BE
VERY POPULAR,
352
00:13:57,937 --> 00:14:00,104
BUT THEN THERE WAS
THAT UNFORTUNATE NOSE JOB.
353
00:14:00,106 --> 00:14:02,372
THAT ONE BEHIND THE TIGER,
SHE WAS NEW AND CUTE,
354
00:14:02,374 --> 00:14:04,274
SO SHE BECAME, LIKE,
POPULAR OVERNIGHT.
355
00:14:04,276 --> 00:14:06,444
THOSE THREE
AREN'T POPULAR AT ALL.
356
00:14:06,446 --> 00:14:07,946
I DON'T KNOW
WHAT THEY'RE DOING HERE.
357
00:14:07,948 --> 00:14:09,614
MAYBE SOME KIND
OF EXCHANGE PROGRAM.
358
00:14:09,616 --> 00:14:11,883
- BUT WHAT'S WITH THAT GIRL
WITH THE GLASSES?
359
00:14:11,885 --> 00:14:15,820
HER FACE LOOKS WEIRD,
ALL THE SAME COLOR.
360
00:14:15,822 --> 00:14:17,521
- SHE'S NOT WEARING MAKEUP.
361
00:14:17,523 --> 00:14:19,757
- IS THAT A NEW LOOK
OR SOMETHING?
362
00:14:19,759 --> 00:14:20,859
- BRR!
363
00:14:20,861 --> 00:14:24,762
SCARY.
364
00:14:24,764 --> 00:14:27,565
- THOSE GUYS ARE LOOKIN' AT US.
365
00:14:27,567 --> 00:14:30,335
- DON'T THEY KNOW
WE'RE FROM TWO DIFFERENT WORLDS:
366
00:14:30,337 --> 00:14:32,337
REGULAR AND POPULAR?
367
00:14:32,339 --> 00:14:34,672
- THE ONE IN THE GREEN SHIRT
IS CUTE...
368
00:14:34,674 --> 00:14:39,143
IN A HEAD-TOO-BIG-FOR-HIS-BODY
KIND OF WAY.
369
00:14:39,145 --> 00:14:43,480
I HATE YOU.
370
00:14:43,482 --> 00:14:45,282
- HEY.
371
00:14:45,284 --> 00:14:48,019
PARTYING HARD,
OR HARDLY PARTYING?
372
00:14:48,021 --> 00:14:49,821
- HARDLY INTERESTED.
373
00:14:49,823 --> 00:14:50,955
- SO...
374
00:14:50,957 --> 00:14:54,225
WHERE YOU GIRLS BEEN
ALL OUR LIVES?
375
00:14:54,227 --> 00:14:56,327
- WAITING HERE FOR YOU.
376
00:14:56,329 --> 00:14:57,795
WE WERE BORN IN THIS ROOM,
377
00:14:57,797 --> 00:14:59,597
WE GREW UP IN THIS ROOM,
378
00:14:59,599 --> 00:15:02,433
AND WE THOUGHT WE WOULD DIE HERE
ALONE.
379
00:15:02,435 --> 00:15:05,970
BUT NOW YOU'VE ARRIVED,
AND OUR LIVES CAN TRULY BEGIN.
380
00:15:05,972 --> 00:15:08,306
- SHE LIKES YOU!
381
00:15:10,377 --> 00:15:12,843
- HEY, ISN'T THAT QUINN?
382
00:15:12,845 --> 00:15:14,111
- WHERE?
383
00:15:14,113 --> 00:15:18,382
- OVER THERE, HIDING BEHIND
THE CERAMIC TIGER.
384
00:15:18,384 --> 00:15:19,683
- YOO-HOO!
385
00:15:19,685 --> 00:15:22,252
SIS!
386
00:15:25,991 --> 00:15:28,226
[crickets chirping]
387
00:15:28,228 --> 00:15:30,395
I--I GOTTA TAKE THIS CLASS.
388
00:15:30,397 --> 00:15:32,730
I GOTTA FIND TIFFANY!
389
00:15:32,732 --> 00:15:34,798
I MEAN, JANE.
390
00:15:37,036 --> 00:15:38,903
[music blaring]
391
00:15:38,905 --> 00:15:40,705
- WHOO-HOO!
392
00:15:40,707 --> 00:15:42,740
PARTY!
393
00:15:42,742 --> 00:15:44,075
[engine revving]
394
00:15:44,077 --> 00:15:46,177
[tires squealing]
395
00:15:49,616 --> 00:15:51,282
- I'M GLAD WE FOUND YOU.
396
00:15:51,284 --> 00:15:52,950
- WE WERE LOOKING ALL OVER.
397
00:15:52,952 --> 00:15:55,352
- I LOOKED THE HARDEST.
398
00:15:55,354 --> 00:15:57,988
- UH, I GOTTA GO
TO THE BATHROOM.
399
00:15:57,990 --> 00:15:59,757
- YOU NEED SOME HELP?
- I'LL GO WITH YOU.
400
00:15:59,759 --> 00:16:03,094
- IT'S THE BATHROOM!
401
00:16:06,966 --> 00:16:08,466
- HI, SIS.
402
00:16:08,468 --> 00:16:11,001
- AREN'T YOU A LITTLE
OUT OF PLACE HERE?
403
00:16:11,003 --> 00:16:14,571
AND EVERYWHERE ELSE ON EARTH?
404
00:16:26,352 --> 00:16:29,487
- HI, I'M QUINN'S BRAINY SISTER.
405
00:16:29,489 --> 00:16:32,689
PEOPLE SAY WE LOOK ALIKE.
406
00:16:32,691 --> 00:16:34,725
- WHAT'S SHE DOING IN THERE?
407
00:16:34,727 --> 00:16:38,363
- MAYBE SHE'S TAKING A JACUZZI.
408
00:16:38,365 --> 00:16:40,398
- AND THE TRAFFIC
WAS SO TIED UP
409
00:16:40,400 --> 00:16:43,401
THAT MY MOM FINALLY HANDS QUINN
THE EMPTY SODA CUP
410
00:16:43,403 --> 00:16:46,537
AND SAYS, "HERE.
YOU GOTTA GO?
411
00:16:46,539 --> 00:16:49,374
THEN GO."
412
00:16:51,077 --> 00:16:53,143
I HAVE THIS GREAT PICTURE
AT HOME
413
00:16:53,145 --> 00:16:57,014
OF QUINN
IN HER CHUBBY STAGE.
414
00:16:57,016 --> 00:16:59,049
- I'VE GOT $5.
415
00:16:59,051 --> 00:17:02,319
- BOY, YOU TRY TO LOOK OUT
FOR YOUR LITTLE SISTER...
416
00:17:02,321 --> 00:17:03,554
- MAKE IT $10.
417
00:17:03,556 --> 00:17:05,857
- WELL, I HAVE BEEN SAVING UP
418
00:17:05,859 --> 00:17:08,693
FOR A PAIR OF SNAPPY
ORTHOPEDIC SHOES.
419
00:17:09,896 --> 00:17:10,895
- HELLO?
420
00:17:10,897 --> 00:17:12,563
ANYBODY THERE?
421
00:17:12,565 --> 00:17:15,299
THERE'S A WILD PARTY GOING ON
UP AT DEERVIEW COURT.
422
00:17:15,301 --> 00:17:18,069
WHAT DO YOU PLAN TO DO ABOUT IT?
423
00:17:18,071 --> 00:17:19,436
YOU CAN'T IGNORE ME!
424
00:17:19,438 --> 00:17:21,572
I PAY YOUR SALARY.
425
00:17:21,574 --> 00:17:23,040
ARE YOU SLEEPING IN THERE?
426
00:17:23,042 --> 00:17:25,843
YOU'RE NOT A REAL COP,
YOU KNOW.
427
00:17:25,845 --> 00:17:28,179
- QUINN, I DON'T CARE
IF YOUR SISTER IS A BRAIN.
428
00:17:28,181 --> 00:17:30,214
I WOULD NEVER HOLD IT
AGAINST YOU.
429
00:17:30,216 --> 00:17:31,882
SO YOU WANT TO GO
IN THE LAUNDRY ROOM?
430
00:17:31,884 --> 00:17:33,450
- HANDS OFF, JAMIE.
431
00:17:33,452 --> 00:17:36,454
QUINN, YOU MAY COME FROM
A NERDY FAMILY,
432
00:17:36,456 --> 00:17:39,256
BUT THAT MAKES YOUR POPULARITY,
LIKE, EVEN MORE AMAZING.
433
00:17:39,258 --> 00:17:42,026
NOW, WHY DON'T WE DITCH
THESE TWO LOSERS?
434
00:17:42,028 --> 00:17:43,194
- TAKE A HIKE, JOEY.
435
00:17:43,196 --> 00:17:44,528
QUINN, IF YOU WERE
MY GIRLFRIEND,
436
00:17:44,530 --> 00:17:46,931
WE COULD IGNORE YOUR SISTER
TOGETHER.
437
00:17:46,933 --> 00:17:48,666
NOW WILL YOU GO STEADY WITH ME?
438
00:17:48,668 --> 00:17:50,501
AT LEAST FOR A COUPLE OF HOURS?
439
00:17:50,503 --> 00:17:53,304
- OH, NO!
440
00:17:53,306 --> 00:17:56,541
THESE SHOES ARE SUEDE.
441
00:17:58,811 --> 00:18:00,611
- IT'S THE SOUL TRAIN.
442
00:18:00,613 --> 00:18:01,612
BEEP, BEEP.
443
00:18:01,614 --> 00:18:03,514
GET ON BOARD.
444
00:18:03,516 --> 00:18:07,084
[bubbles popping]
445
00:18:09,722 --> 00:18:11,622
WHAT HAPPENED TO BOBBY BIGHEAD?
446
00:18:11,624 --> 00:18:13,857
- I WASN'T REALLY INTERESTED.
447
00:18:13,859 --> 00:18:15,759
- TOO BAD.
448
00:18:15,761 --> 00:18:18,196
IS THIS YOURS?
449
00:18:18,198 --> 00:18:20,531
- OKAY, FINE.
450
00:18:20,533 --> 00:18:22,200
HE THOUGHT MY HEAD
WAS A LOLLIPOP.
451
00:18:22,202 --> 00:18:23,701
READY TO GO?
452
00:18:23,703 --> 00:18:26,637
- I WAS READY TO GO
BEFORE WE GOT HERE.
453
00:18:31,377 --> 00:18:33,477
- SO...HAVE FUN?
454
00:18:33,479 --> 00:18:36,747
- WELL, I DIDN'T TALK
TO A WHOLE BUNCH OF NEW PEOPLE,
455
00:18:36,749 --> 00:18:39,783
I MADE QUINN WANT
TO THROW HERSELF DOWN A WELL,
456
00:18:39,785 --> 00:18:42,620
AND I'M GOING HOME
WITH A BONUS SOCK.
457
00:18:42,622 --> 00:18:45,856
ALL IN ALL, A GREAT NIGHT.
458
00:18:45,858 --> 00:18:48,259
- JOEY, JEFFY...
459
00:18:48,261 --> 00:18:49,360
JAMIE?
460
00:18:49,362 --> 00:18:51,395
- YOU GOT IT.
461
00:18:51,397 --> 00:18:54,364
- UH, I DON'T THINK THIS
IS WORKING OUT.
462
00:18:54,366 --> 00:18:55,533
- WHAT?
- WHAT DO YOU MEAN?
463
00:18:55,535 --> 00:18:56,734
- WHAT ARE YOU TALKING ABOUT?
464
00:18:56,736 --> 00:18:58,202
- I MEAN, YOU'RE REALLY
SPECIAL GUYS,
465
00:18:58,204 --> 00:19:00,271
AND YOU DESERVE
A REALLY GREAT GIRLFRIEND.
466
00:19:00,273 --> 00:19:01,472
THREE, ACTUALLY.
467
00:19:01,474 --> 00:19:02,940
BUT I FEEL THAT YOU'RE
PRESSURING ME
468
00:19:02,942 --> 00:19:04,575
TO DO THINGS
I'M NOT READY FOR.
469
00:19:04,577 --> 00:19:05,709
- HUH?
- I DON'T UNDERSTAND.
470
00:19:05,711 --> 00:19:07,244
WHAT DO YOU MEAN?
471
00:19:07,246 --> 00:19:09,513
- THAT DOESN'T MEAN YOU HAVE
TO STOP PAYING ATTENTION TO ME
472
00:19:09,515 --> 00:19:11,181
AND BUYING ME STUFF
AND DRIVING ME PLACES,
473
00:19:11,183 --> 00:19:12,783
BUT IT DOES MEAN THAT--
474
00:19:12,785 --> 00:19:15,720
I THINK WHAT I'M TRYING
TO SAY IS...
475
00:19:15,722 --> 00:19:17,755
- "LET'S BE FRIENDS"?
476
00:19:17,757 --> 00:19:19,157
- YEAH.
SORRY.
477
00:19:19,159 --> 00:19:20,758
- YOU CAME ON TOO STRONG.
478
00:19:20,760 --> 00:19:22,193
- YOU DIDN'T GIVE HER
ENOUGH SPACE.
479
00:19:22,195 --> 00:19:25,096
- YOU SHOULD HAVE BRUSHED
YOUR TEETH.
480
00:19:25,098 --> 00:19:29,032
[thuds and groans]
481
00:19:29,034 --> 00:19:30,033
- STOP IT.
482
00:19:30,035 --> 00:19:31,602
STOP FIGHTING.
483
00:19:31,604 --> 00:19:34,639
THIS IS HORRIBLE.
484
00:19:34,641 --> 00:19:36,974
THEY'RE FIGHTING OVER ME.
485
00:19:36,976 --> 00:19:38,242
- THAT'S IT.
486
00:19:38,244 --> 00:19:39,477
EVERYBODY OUT.
487
00:19:39,479 --> 00:19:40,611
VAMOOSE!
488
00:19:40,613 --> 00:19:42,680
YOU TOO, KOJAK.
489
00:19:42,682 --> 00:19:44,515
THE REAL COPS ARE HERE NOW.
490
00:19:44,517 --> 00:19:46,217
- [delighted] OOH, COPS!
491
00:19:46,219 --> 00:19:48,553
DOES THAT MEAN WE'RE ON TV?
492
00:19:48,555 --> 00:19:50,988
- NEW SECURITY PRECAUTIONS.
493
00:19:50,990 --> 00:19:52,990
MAY I SEE SOME I.D., PLEASE?
494
00:19:52,992 --> 00:19:55,726
- YOU SEEM AWFULLY YOUNG
TO BE DOING THIS KIND OF WORK.
495
00:19:55,728 --> 00:19:56,893
- IT'S A DISGUISE, MA'AM.
496
00:19:56,895 --> 00:19:58,629
WE'RE ACTUALLY MUCH OLDER.
497
00:19:58,631 --> 00:20:01,198
- NOT AS OLD AS YOU,
OF COURSE, MA'AM.
498
00:20:01,200 --> 00:20:03,433
- NOW, WE'LL HAVE TO ASK YOU
A FEW QUESTIONS.
499
00:20:03,435 --> 00:20:05,403
- IS THAT YOUR NATURAL
HAIR COLOR?
500
00:20:05,405 --> 00:20:07,772
- WELL, I NEVER IN MY LIFE!
501
00:20:07,774 --> 00:20:10,608
- "NEVER COLORS IT."
502
00:20:10,610 --> 00:20:12,577
- KNOWN TO THE GREEKS AS...
503
00:20:12,579 --> 00:20:13,577
- ZEUS.
504
00:20:13,579 --> 00:20:15,112
- EXCELLENT.
505
00:20:15,114 --> 00:20:18,949
- I CAN NAME THAT TUNE
IN THREE NOTES.
506
00:20:18,951 --> 00:20:20,918
- THANKS FOR THE PARTY,
BRITTANY.
507
00:20:20,920 --> 00:20:22,553
- SORRY ABOUT THE JACUZZI.
508
00:20:22,555 --> 00:20:23,754
- IT'S OKAY.
509
00:20:23,756 --> 00:20:25,589
THE WALL-TO-WALL CARPETING
IN THE BATHROOMS
510
00:20:25,591 --> 00:20:27,724
MAKES UP FOR IT.
511
00:20:27,726 --> 00:20:31,963
- JOEY, JEFFY, JAMIE!
512
00:20:31,965 --> 00:20:34,966
HOW AM I GOING TO GET HOME?
513
00:20:34,968 --> 00:20:37,001
[squishing noises]
514
00:20:37,003 --> 00:20:39,971
- WHAT HAPPENED
TO YOUR FAN CLUB?
515
00:20:39,973 --> 00:20:41,472
- THEY BEAT EACH OTHER UP.
516
00:20:41,474 --> 00:20:44,442
IT WAS KIND OF--
WHAT'S THAT THING
517
00:20:44,444 --> 00:20:46,677
WHEN STUFF TURNS OUT FUNNY?
518
00:20:46,679 --> 00:20:48,446
"MORONIC."
519
00:20:48,448 --> 00:20:49,547
- "IRONIC."
520
00:20:49,549 --> 00:20:51,649
- SHE WAS RIGHT THE FIRST TIME.
521
00:20:51,651 --> 00:20:53,216
- YOU WANT TO CALL MOM AND DAD?
522
00:20:53,218 --> 00:20:55,352
- AND SHIFT THE BALANCE
OF POWER?
523
00:20:55,354 --> 00:20:56,821
WE WALK.
524
00:20:56,823 --> 00:21:00,491
- BUT MY SHOES ARE ALL SQUISHY.
525
00:21:00,493 --> 00:21:03,995
- YOU LADIES IN NEED
OF A KNIGHT IN SHINING ARMOR?
526
00:21:03,997 --> 00:21:06,998
- CAN WE JUST TAKE THE ARMOR
AND DITCH THE KNIGHT?
527
00:21:07,000 --> 00:21:12,470
- HEY, IT'S A PACKAGE DEAL,
TOOTS.
528
00:21:12,472 --> 00:21:14,505
TO YOUR LEFT, THE HOME
OF THE TOWN DIRECTOR
529
00:21:14,507 --> 00:21:16,874
OF PUBLIC WORKS,
BUILT ON UNSTABLE LANDFILL.
530
00:21:16,876 --> 00:21:19,243
TO YOUR RIGHT,
A FLATTENED SQUIRREL.
531
00:21:19,245 --> 00:21:21,278
STRAIGHT AHEAD, THE FUTURE!
532
00:21:21,280 --> 00:21:23,247
- STUFF A SOCK IN IT, UPCHUCK.
533
00:21:23,249 --> 00:21:25,983
- OH, FEISTY!
534
00:21:25,985 --> 00:21:28,185
- ♪ LA-LA, LA, LA-LA ♪
535
00:21:29,656 --> 00:21:32,590
Captioning by CaptionMax
www.captionmax.com
536
00:21:40,933 --> 00:21:45,803
♪ LA, LA, LA ♪
537
00:21:45,805 --> 00:21:50,675
♪ LA, LA, LA ♪
538
00:21:50,677 --> 00:21:52,743
♪ LA, LA, LA ♪
539
00:21:59,819 --> 00:22:02,753
♪ LA-LA, LA, LA-LA ♪
540
00:22:04,824 --> 00:22:06,590
♪ LA-LA, LA, LA-LA ♪