1 00:00:02,069 --> 00:00:03,535 - ♪ LA-LA, LA, LA-LA ♪ 2 00:00:03,537 --> 00:00:06,638 ♪ LA-LA, LA, LA-LA ♪ 3 00:00:14,214 --> 00:00:17,115 - STOP FOLLOWING ME, DARIA. 4 00:00:17,117 --> 00:00:18,951 YOU'RE FOLLOWING ME. 5 00:00:18,953 --> 00:00:21,553 - WE GO TO THE SAME SCHOOL. 6 00:00:21,555 --> 00:00:23,155 - HEY, QUINN, CAN I CARRY YOUR BOOKS? 7 00:00:23,157 --> 00:00:25,323 - HEY, QUINN, CAN I CARRY YOUR...PENCIL? 8 00:00:25,325 --> 00:00:28,260 - HEY, QUINN, CAN I CARRY YOUR, UH, UH-- 9 00:00:28,262 --> 00:00:29,594 GOT ANYTHING ELSE? 10 00:00:29,596 --> 00:00:31,263 - A HAIR SCRUNCHIE? 11 00:00:31,265 --> 00:00:32,297 - GREAT. 12 00:00:32,299 --> 00:00:33,698 - CAREFUL. 13 00:00:33,700 --> 00:00:36,634 DON'T HURT YOURSELF WITH THAT SCRUNCHIE. 14 00:00:36,636 --> 00:00:38,103 - IS THAT YOUR SISTER? 15 00:00:38,105 --> 00:00:39,304 - DON'T PRY, JOEY. 16 00:00:39,306 --> 00:00:40,439 - I'M JAMIE. 17 00:00:40,441 --> 00:00:42,374 - WHATEVER. 18 00:00:47,915 --> 00:00:51,783 - PERSPECTIVE IS HARD. 19 00:00:51,785 --> 00:00:53,685 - GOOD WORK, DARIA. 20 00:00:53,687 --> 00:00:57,088 YOUR CUBE IS BURSTING OUT OF THE PICTURE PLANE. 21 00:00:57,090 --> 00:00:59,791 YOU'VE REALLY CREATED THE ILLUSION OF DEPTH. 22 00:00:59,793 --> 00:01:02,360 - I'M THINKING OF GOING INTO POLITICS. 23 00:01:02,362 --> 00:01:05,163 - MS. DEFOE, I NEED A NEW PENCIL. 24 00:01:05,165 --> 00:01:07,399 I USED UP THE ERASER. 25 00:01:07,401 --> 00:01:08,700 - HERE, BRITTANY. 26 00:01:08,702 --> 00:01:11,369 TAKE ANOTHER PENCIL AND A FRESH PIECE OF PAPER, 27 00:01:11,371 --> 00:01:13,205 AND TRY AGAIN. 28 00:01:13,207 --> 00:01:16,208 - IF I DON'T FIGURE THIS PERSPECTIVE THING OUT, 29 00:01:16,210 --> 00:01:18,210 I'LL HAVE TO TAKE REMEDIAL ART. 30 00:01:18,212 --> 00:01:21,980 I HEARD THEY MAKE ALL THE LEFTIES BECOME RIGHTIES. 31 00:01:21,982 --> 00:01:25,183 - BUT YOU ARE A RIGHTY. 32 00:01:26,419 --> 00:01:27,986 - DARIA, YOU'RE SMART. 33 00:01:27,988 --> 00:01:29,855 SHOW ME HOW TO DO THIS. 34 00:01:29,857 --> 00:01:32,890 - WELL, OKAY. 35 00:01:32,892 --> 00:01:37,195 YOU KNOW WHEN THINGS SEEM VERY FAR AWAY? 36 00:01:37,197 --> 00:01:38,430 - LIKE THE WEEKEND? 37 00:01:38,432 --> 00:01:39,798 - DISTANT THINGS, 38 00:01:39,800 --> 00:01:43,668 LIKE MOUNTAINS AND BUILDINGS. 39 00:01:43,670 --> 00:01:46,938 - BUT, DARIA, WE'RE IN A BUILDING. 40 00:01:46,940 --> 00:01:53,412 - YES, BUT MAKE BELIEVE YOU'RE AT THE MALL. 41 00:01:53,414 --> 00:01:56,915 YOU'RE STANDING IN FRONT OF J.J. JEETER'S. 42 00:01:56,917 --> 00:01:59,084 - OH, LIKE I WOULD SHOP THERE. 43 00:01:59,086 --> 00:02:02,954 - YOU DON'T HAVE TO GO IN. 44 00:02:02,956 --> 00:02:05,656 YOU'RE LOOKING AT CASHMAN'S DEPARTMENT STORE... 45 00:02:05,658 --> 00:02:06,825 - NOW YOU'RE TALKING. 46 00:02:06,827 --> 00:02:10,062 - WAY DOWN AT THE OTHER END. 47 00:02:10,064 --> 00:02:12,731 - EVERYTHING SEEMS TO BE POINTING TO THE ENTRANCE 48 00:02:12,733 --> 00:02:15,400 AND SAYING, "COME SHOP. 49 00:02:15,402 --> 00:02:20,739 COME SHOP! ONE-DAY SALE." 50 00:02:20,741 --> 00:02:22,574 - I GET IT! 51 00:02:22,576 --> 00:02:25,443 THAT'S REALLY REALISTIC, DARIA. 52 00:02:25,445 --> 00:02:27,545 - THAT'S ONE-POINT PERSPECTIVE. 53 00:02:27,547 --> 00:02:32,050 ALL THE LINES ARE POINTING TO ONE SPOT ON THE HORIZON. 54 00:02:32,052 --> 00:02:33,217 - I GET IT. 55 00:02:33,219 --> 00:02:34,252 EXCEPT... 56 00:02:34,254 --> 00:02:35,487 - YES? 57 00:02:35,489 --> 00:02:39,358 - IS CASHMAN'S REALLY HAVING A ONE-DAY SALE? 58 00:02:39,360 --> 00:02:40,626 - YO, MACK DADDY. 59 00:02:40,628 --> 00:02:42,127 YOU COMING TO BRITTANY'S PARTY? 60 00:02:42,129 --> 00:02:44,196 - DON'T CALL ME THAT, OKAY? 61 00:02:44,198 --> 00:02:45,863 WHAT'S THIS PARTY FOR, ANYWAY? 62 00:02:45,865 --> 00:02:48,100 - UM... 63 00:02:48,102 --> 00:02:49,534 - STOP IF IT STARTS TO HURT. 64 00:02:49,536 --> 00:02:50,569 - [laughs] 65 00:02:50,571 --> 00:02:51,970 REALLY. 66 00:02:51,972 --> 00:02:54,739 UM, HER BIRTHDAY WAS LAST MONTH. 67 00:02:54,741 --> 00:02:56,975 I HELPED HER EXCHANGE ALL HER PRESENTS. 68 00:02:56,977 --> 00:02:58,843 - EVEN YOURS? - YEAH. 69 00:02:58,845 --> 00:03:00,579 THEN SHE HAD A SALES LADY 70 00:03:00,581 --> 00:03:03,248 EXPLAIN THE DIFFERENCE BETWEEN PERFUME AND COLOGNE. 71 00:03:03,250 --> 00:03:04,849 INTERESTING STUFF, BRO. 72 00:03:04,851 --> 00:03:06,518 NOW I REMEMBER! 73 00:03:06,520 --> 00:03:08,086 THE PARTY'S TO CELEBRATE 74 00:03:08,088 --> 00:03:10,455 HER PARENTS BEING OUT OF TOWN. 75 00:03:10,457 --> 00:03:12,657 HEY, JOEY, JEFFY, JEREMY. 76 00:03:12,659 --> 00:03:14,192 - I'M JAMIE. 77 00:03:14,194 --> 00:03:15,460 - WHATEVER. 78 00:03:15,462 --> 00:03:17,262 YOU GOING TO BRITTANY'S PARTY? 79 00:03:17,264 --> 00:03:18,997 - UH, IF WE'RE INVITED. 80 00:03:18,999 --> 00:03:20,731 - YOU'RE ON THE TEAM, DUDES. 81 00:03:20,733 --> 00:03:22,400 WHEN A CHEERLEADER HAS A PARTY, 82 00:03:22,402 --> 00:03:25,203 ALL THE FOOTBALL PLAYERS ARE AUTOMATICALLY INVITED. 83 00:03:25,205 --> 00:03:27,572 - IT'S ON PAGE SIX OF THE PLAYBOOK. 84 00:03:27,574 --> 00:03:28,706 - REALLY? 85 00:03:28,708 --> 00:03:30,409 HEY, QUINN, WHAT ABOUT YOU? 86 00:03:30,411 --> 00:03:31,876 - CAN I? - SURE. 87 00:03:31,878 --> 00:03:33,345 - HEY, QUINN, YOU WANT TO GO TO THE... 88 00:03:33,347 --> 00:03:34,579 - SO I WAS WONDERING... 89 00:03:34,581 --> 00:03:36,181 - WHAT TIME DO YOU WANT ME TO PICK YOU UP... 90 00:03:36,183 --> 00:03:37,582 - IF YOU AREN'T DOING NOTHING ON... 91 00:03:37,584 --> 00:03:39,050 - DO YOU WANT TO GO TO THE PARTY WITH ME? 92 00:03:39,052 --> 00:03:40,718 - SURE. - WHO, ME? 93 00:03:40,720 --> 00:03:41,753 - WHICH ONE? - HIM OR ME? 94 00:03:41,755 --> 00:03:43,121 - EVERYONE. 95 00:03:43,123 --> 00:03:45,223 YOU CAN'T EXPECT ME TO CHOOSE A BOYFRIEND RIGHT AWAY. 96 00:03:45,225 --> 00:03:46,624 THAT WOULD BE LIKE EATING 97 00:03:46,626 --> 00:03:48,526 THE FIRST PANCAKE OFF THE STOVE. 98 00:03:48,528 --> 00:03:51,563 YOU HAVE TO FEED ONE TO THE DOG. 99 00:03:54,667 --> 00:03:55,833 - UGH! 100 00:03:55,835 --> 00:03:58,436 I HATE IT WHEN THE TRAYS ARE WET. 101 00:03:58,438 --> 00:04:01,672 - THAT WHICH DOES NOT KILL US MAKES US STRONGER. 102 00:04:01,674 --> 00:04:03,475 - IS THAT FROM A SONG? 103 00:04:03,477 --> 00:04:06,211 HEY, THANKS FOR HELPING ME OUT IN ART. 104 00:04:06,213 --> 00:04:07,812 - NO PROBLEM. 105 00:04:07,814 --> 00:04:10,382 - MAYBE I COULD HELP YOU OUT WITH SOMETHING. 106 00:04:10,384 --> 00:04:13,585 - WELL, YOU COULD SHOW ME HOW TO TWIRL HAIR 107 00:04:13,587 --> 00:04:15,988 AROUND MY LITTLE FINGER AND LOOK VACANT. 108 00:04:15,990 --> 00:04:21,159 - I DON'T KNOW IF THAT'S SOMETHING YOU CAN TEACH. 109 00:04:21,161 --> 00:04:22,227 UGH! 110 00:04:22,229 --> 00:04:24,729 I HATE IT WHEN THE PUDDING HAS SKIN. 111 00:04:24,731 --> 00:04:26,064 - I KNOW WHAT YOU MEAN. 112 00:04:26,066 --> 00:04:27,666 AND THAT SCARES ME. 113 00:04:27,668 --> 00:04:30,968 - HEY, EVEN THOUGH I'M MUCH MORE POPULAR, 114 00:04:30,970 --> 00:04:32,537 WE HAVE SOME THINGS IN COMMON. 115 00:04:32,539 --> 00:04:33,538 - BREATHING? 116 00:04:33,540 --> 00:04:35,674 - I MEAN, YOU'RE NOT POPULAR, 117 00:04:35,676 --> 00:04:38,310 BUT YOU'RE NOT SO UNPOPULAR 118 00:04:38,312 --> 00:04:41,179 THAT YOU COULDN'T COME TO MY PARTY SATURDAY NIGHT. 119 00:04:41,181 --> 00:04:43,281 - IS THAT AN INVITATION? 120 00:04:43,283 --> 00:04:44,416 - YES! 121 00:04:44,418 --> 00:04:46,184 JUST THIS ONCE, THOUGH. 122 00:04:46,186 --> 00:04:47,419 - GEE, BRITTANY. 123 00:04:47,421 --> 00:04:49,721 I'M OVERCOME WITH EMOTION. 124 00:04:49,723 --> 00:04:51,155 - YOU NEED A NAPKIN? 125 00:04:51,157 --> 00:04:53,358 ANYWAY, I PROMISED THE OTHER CHEERLEADERS 126 00:04:53,360 --> 00:04:56,695 THAT I WOULDN'T INVITE ANY MORE REALLY ATTRACTIVE GIRLS. 127 00:04:56,697 --> 00:04:59,063 - NOW I'M ESPECIALLY FLATTERED. 128 00:04:59,065 --> 00:05:01,732 - DON'T MENTION IT. 129 00:05:01,734 --> 00:05:03,468 - THESE ARE REALLY GOOD. 130 00:05:03,470 --> 00:05:05,570 I DIDN'T KNOW YOU STUDIED LIFE DRAWING. 131 00:05:05,572 --> 00:05:07,672 - YEAH, LAST SUMMER. 132 00:05:07,674 --> 00:05:11,543 - YOU'RE REALLY BURSTING OUT OF THE PICTURE PLANE HERE. 133 00:05:11,545 --> 00:05:15,146 - OH, YEAH, THAT PARTICULAR MODEL WAS QUITE BURSTY. 134 00:05:15,148 --> 00:05:17,683 I THINK SHE HAD HER BURSTS DONE. 135 00:05:17,685 --> 00:05:21,420 - SPEAKING OF WHICH, BRITTANY INVITED ME TO HER PARTY. 136 00:05:21,422 --> 00:05:23,522 - NO KIDDING. ARE YOU GOING? 137 00:05:23,524 --> 00:05:24,756 - SURE. 138 00:05:24,758 --> 00:05:27,392 AND AFTER THAT, I THINK I'LL SWALLOW GLASS. 139 00:05:27,394 --> 00:05:28,493 WHY? 140 00:05:28,495 --> 00:05:29,861 DO YOU WANT TO GO? 141 00:05:29,863 --> 00:05:31,229 - OH, NO, I'D MUCH RATHER STAY HOME 142 00:05:31,231 --> 00:05:33,664 AND LISTEN TO MY BROTHER PRACTICE THE OPENING 143 00:05:33,666 --> 00:05:35,066 TO COME AS YOU ARE. 144 00:05:35,068 --> 00:05:38,036 I BET I COULD GET SOME GREAT SKETCHES THERE. 145 00:05:38,038 --> 00:05:40,671 - WELL, I'M SURE THERE'LL BE PLENTY OF PEOPLE POSING. 146 00:05:40,673 --> 00:05:43,641 IF YOU WANT TO GO, JUST MAKE BELIEVE YOU'RE ME. 147 00:05:43,643 --> 00:05:44,709 WHEN YOU'RE POPULAR, 148 00:05:44,711 --> 00:05:49,648 ALL UNPOPULAR PEOPLE LOOK ALIKE ANYWAY. 149 00:05:49,650 --> 00:05:52,117 - [in monotone] HI, I'M DARIA. 150 00:05:52,119 --> 00:05:54,085 GO TO HELL. 151 00:05:54,087 --> 00:05:55,386 IT WON'T WORK. 152 00:05:55,388 --> 00:05:58,690 MY FACE IS TOO EXPRESSIVE. 153 00:05:58,692 --> 00:06:03,394 - SHEER, SEMI-SHEER, OR OPAQUE? 154 00:06:03,396 --> 00:06:05,130 TEXTURED! 155 00:06:05,132 --> 00:06:07,065 - ISN'T ONE OF YOU ENOUGH? 156 00:06:07,067 --> 00:06:08,066 - GO AWAY! 157 00:06:08,068 --> 00:06:09,333 I'M CONCENTRATING. 158 00:06:09,335 --> 00:06:10,902 I'M INVITED TO A PARTY SATURDAY NIGHT, 159 00:06:10,904 --> 00:06:13,271 AND I HAVE TO CHOOSE THE PERFECT OUTFIT. 160 00:06:13,273 --> 00:06:14,305 - COUNTDOWN. 161 00:06:14,307 --> 00:06:16,908 ONLY 72 MORE HOURS TO GO. 162 00:06:16,910 --> 00:06:19,811 MIGHT THIS PARTY BE AT BRITTANY'S HOUSE? 163 00:06:19,813 --> 00:06:23,314 - YES, AND MIGHT YOU GO AWAY NOW? 164 00:06:23,316 --> 00:06:26,685 HEY, HOW DO YOU KNOW ABOUT IT? 165 00:06:26,687 --> 00:06:28,687 - I'M INVITED TOO. 166 00:06:28,689 --> 00:06:32,123 BUT I HAVEN'T DECIDED IF I'LL GO. 167 00:06:32,125 --> 00:06:34,559 - YOU CAN'T GO. YOU'LL RUIN EVERYTHING! 168 00:06:34,561 --> 00:06:39,864 - YOU KNOW, I REALLY SHOULD BROADEN MY SOCIAL HORIZONS. 169 00:06:39,866 --> 00:06:42,066 - MOM, DAD! 170 00:06:42,068 --> 00:06:44,736 DARIA IS RUINING MY LIFE AGAIN! 171 00:06:53,180 --> 00:06:55,747 - TELL DARIA SHE CAN'T GO TO BRITTANY'S PARTY. 172 00:06:55,749 --> 00:06:58,416 MY POPULARITY IS AT STAKE. 173 00:06:58,418 --> 00:07:00,285 - NOW, DON'T BEGRUDGE YOUR SISTER A CHANCE 174 00:07:00,287 --> 00:07:02,254 TO EXPAND HER CIRCLE OF FRIENDS. 175 00:07:02,256 --> 00:07:04,055 - MAYBE NOW SHE'LL HAVE TWO. 176 00:07:04,057 --> 00:07:05,556 - TOUCHE, QUINN. 177 00:07:05,558 --> 00:07:08,226 - AND DON'T THINK YOU'RE CONFUSING ME WITH THAT FRENCH. 178 00:07:08,228 --> 00:07:10,161 YOU SHOULD GROUND HER, 179 00:07:10,163 --> 00:07:13,298 BECAUSE... HER ROOM IS A MESS. 180 00:07:13,300 --> 00:07:15,200 - IF I GO DOWN FOR THAT ONE, 181 00:07:15,202 --> 00:07:17,235 I'M TAKING YOU WITH ME. 182 00:07:17,237 --> 00:07:19,136 - WAIT. HERE'S SOMETHING WORSE. 183 00:07:19,138 --> 00:07:24,576 I ASKED HER TO DO MY HOMEWORK FOR ME, AND SHE MADE ME PAY. 184 00:07:24,578 --> 00:07:25,810 NEVER MIND. 185 00:07:25,812 --> 00:07:27,178 - I THINK IT'S GREAT 186 00:07:27,180 --> 00:07:29,681 THAT YOU TWO ARE GOING TO BE SPENDING TIME TOGETHER. 187 00:07:29,683 --> 00:07:31,082 DAD AND I WOULD BE HAPPY 188 00:07:31,084 --> 00:07:33,084 TO DRIVE YOU TO THE PARTY AND PICK YOU UP. 189 00:07:33,086 --> 00:07:35,086 Daria and Quinn: NO. 190 00:07:35,088 --> 00:07:36,320 - THANKS, BUT I'LL FIND 191 00:07:36,322 --> 00:07:38,089 SOME OTHER WAY TO GET THERE. 192 00:07:40,761 --> 00:07:42,627 - DARIA, I'D LIKE IT IF YOU'D KEEP 193 00:07:42,629 --> 00:07:44,496 AN EYE ON QUINN AT THIS PARTY. 194 00:07:44,498 --> 00:07:45,797 I DON'T KNOW WHAT I DID, 195 00:07:45,799 --> 00:07:47,465 BUT IT COULDN'T HAVE BEEN THAT BAD. 196 00:07:47,467 --> 00:07:48,633 - I MEAN IT. 197 00:07:48,635 --> 00:07:50,702 AND SHE DOESN'T HAVE TO KNOW ABOUT IT. 198 00:07:50,704 --> 00:07:52,137 - IS THIS YOUR WAY OF ACKNOWLEDGING 199 00:07:52,139 --> 00:07:54,705 HOW MUCH MORE MATURE AND TRUSTWORTHY I AM? 200 00:07:54,707 --> 00:07:56,875 - IT'S MY WAY OF SAYING, "IF YOU WON'T DO IT, 201 00:07:56,877 --> 00:07:59,144 I'M SENDING YOU BOTH WITH A BABYSITTER." 202 00:07:59,146 --> 00:08:00,411 - I'LL TAKE THAT 203 00:08:00,413 --> 00:08:02,980 AS A RINGING DECLARATION OF PARENTAL APPROVAL. 204 00:08:02,982 --> 00:08:05,850 - JUST THE WAY IT WAS INTENDED, SWEETHEART. 205 00:08:09,056 --> 00:08:11,022 - I LOVE BEING THE HOSTESS. 206 00:08:11,024 --> 00:08:13,224 IT'S SO EASY TO GET HOME AT THE END OF THE NIGHT. 207 00:08:13,226 --> 00:08:15,760 - YOU'RE A GREAT HOSTESS, CUPCAKE. 208 00:08:15,762 --> 00:08:17,095 HEY! 209 00:08:17,097 --> 00:08:19,497 - DID I TELL YOU THAT I DID THIS REALLY NICE THING 210 00:08:19,499 --> 00:08:21,466 AND INVITED DARIA MORGENDORFFER, 211 00:08:21,468 --> 00:08:24,936 EVEN THOUGH SHE NEVER, EVER WEARS NAIL POLISH? 212 00:08:24,938 --> 00:08:26,470 - HER SISTER, QUINN, IS COMING TOO. 213 00:08:26,472 --> 00:08:28,506 - OH, NO! SHE'S TOO CUTE. 214 00:08:28,508 --> 00:08:29,841 MY FRIENDS WILL KILL ME! 215 00:08:29,843 --> 00:08:32,544 KEVIN, YOU'RE MIXING UP THE FLAT ONES 216 00:08:32,546 --> 00:08:33,978 AND THE RIDGY ONES. 217 00:08:33,980 --> 00:08:35,780 - EVERYTHING LOOKS GREAT, MUNCHKIN. 218 00:08:35,782 --> 00:08:37,516 WHY ARE YOU SO NERVOUS? 219 00:08:37,518 --> 00:08:39,083 - I'M JUST AFRAID PEOPLE WILL JUDGE ME 220 00:08:39,085 --> 00:08:42,453 BY MY HOUSE, AND WE DON'T HAVE THE JACUZZI IN YET. 221 00:08:42,455 --> 00:08:45,023 - HEY, STUFF LIKE THAT DOESN'T MATTER. 222 00:08:45,025 --> 00:08:48,092 THE MOST POPULAR PEOPLE WITH THE BEST-LOOKING HAIR, 223 00:08:48,094 --> 00:08:51,596 THAT'S WHAT MAKES A GREAT PARTY. 224 00:08:51,598 --> 00:08:53,531 - THANKS FOR THE RIDE, TRENT. 225 00:08:53,533 --> 00:08:54,699 - NO PROBLEM. 226 00:08:54,701 --> 00:08:56,634 I NEEDED A BREAK ANYWAY. 227 00:08:56,636 --> 00:08:59,304 I'D BEEN PRACTICING FOR TEN HOURS STRAIGHT. 228 00:08:59,306 --> 00:09:02,240 - DARIA, WOULD YOU SAY SLEEPING WITH A GUITAR IN YOUR HANDS 229 00:09:02,242 --> 00:09:03,808 COUNTS AS PRACTICING? 230 00:09:03,810 --> 00:09:05,777 - AS LONG AS YOU DON'T DROP IT. 231 00:09:08,582 --> 00:09:10,248 I'LL LET YOU OFF HERE. 232 00:09:10,250 --> 00:09:13,284 I HAVE A PROBLEM DEALING WITH AUTHORITY. 233 00:09:13,286 --> 00:09:14,886 - SURE YOU DON'T WANT TO CRASH? 234 00:09:14,888 --> 00:09:17,188 - A HIGH SCHOOL PARTY? PLEASE. 235 00:09:17,190 --> 00:09:21,259 DON'T YOU THINK I'M A LITTLE MATURE FOR THAT? 236 00:09:21,261 --> 00:09:23,661 DON'T DO ANYTHING I WOULDN'T. 237 00:09:23,663 --> 00:09:27,031 - BYE. 238 00:09:27,033 --> 00:09:29,300 NICE CONVERSATIONAL SKILLS. 239 00:09:29,302 --> 00:09:32,136 - I HATE YOU. 240 00:09:32,138 --> 00:09:35,607 WE'RE HERE FOR BRITTANY TAYLOR'S PARTY. 241 00:09:35,609 --> 00:09:36,941 - NAMES? 242 00:09:36,943 --> 00:09:39,043 - DARIA MORGENDORFFER. 243 00:09:39,045 --> 00:09:40,811 - OKAY, AND YOU? 244 00:09:40,813 --> 00:09:41,913 WHAT'S YOUR NAME? 245 00:09:41,915 --> 00:09:43,381 - TIFFANY. 246 00:09:43,383 --> 00:09:45,549 THERE'S GOT TO BE ONE. 247 00:09:45,551 --> 00:09:46,617 - TIFFANY HODGE, 248 00:09:46,619 --> 00:09:49,487 TIFFANY DUKE, TIFFANY FAIRCHILD, 249 00:09:49,489 --> 00:09:51,756 OR TIFFANY BLUM-DECKLER? 250 00:09:51,758 --> 00:09:54,058 - UH, TIFFANY DUKE. 251 00:09:54,060 --> 00:09:55,393 - STEE-RIKE! 252 00:09:55,395 --> 00:09:56,461 YOU'RE OUT. 253 00:09:56,463 --> 00:09:58,696 I MADE THAT ONE UP. 254 00:09:58,698 --> 00:10:01,432 - OH. SHE'S NOT ON THE GUEST LIST. 255 00:10:01,434 --> 00:10:03,535 SHE'S BEEN HIRED TO DRAW PORTRAITS. 256 00:10:03,537 --> 00:10:05,870 SHE'S VERY TALENTED. 257 00:10:05,872 --> 00:10:09,073 - AND YOUR NAME IS TIFFANY DUKE, HUH? 258 00:10:09,075 --> 00:10:11,208 - WHAT A COINCIDENCE? 259 00:10:11,210 --> 00:10:14,345 - THESE ARE SOME OF HER SKETCHES FROM ART CLASS. 260 00:10:14,347 --> 00:10:18,149 THEY'RE VERY LIFELIKE. 261 00:10:18,151 --> 00:10:19,584 - HMM. 262 00:10:19,586 --> 00:10:22,520 THESE ARE PRETTY HOT. 263 00:10:22,522 --> 00:10:23,855 UH-HUH. 264 00:10:23,857 --> 00:10:24,922 HMM. 265 00:10:24,924 --> 00:10:25,957 STOP! 266 00:10:25,959 --> 00:10:27,124 HALT THERE! 267 00:10:27,126 --> 00:10:30,094 UH, NEVER MIND. 268 00:10:30,096 --> 00:10:31,396 OOH. 269 00:10:31,398 --> 00:10:34,833 HELLO, GORGEOUS. 270 00:10:36,336 --> 00:10:39,471 - SO I SAID, "JUST BECAUSE PEOPLE ARE CLIQUEY AND SNOTTY 271 00:10:39,473 --> 00:10:41,339 IS NO REASON NOT TO LIKE THEM." 272 00:10:41,341 --> 00:10:43,174 - MM-HMM, YEAH. - I AGREE. 273 00:10:43,176 --> 00:10:44,843 - RIGHT, EXACTLY. 274 00:10:44,845 --> 00:10:46,744 - HOW DO YOU LIKE MY HOUSE? 275 00:10:46,746 --> 00:10:49,747 - UH, IT'S QUITE COORDINATED. 276 00:10:49,749 --> 00:10:53,251 - AND THE CERAMIC TIGERS, THEY'RE GRRREAT. 277 00:10:53,253 --> 00:10:56,021 - WHERE'S THE JACUZZI? 278 00:10:56,023 --> 00:10:58,456 - HERE. I GOT YOU A DRINK. 279 00:10:58,458 --> 00:11:01,426 - THIS ICE ISN'T CRUSHED. 280 00:11:01,428 --> 00:11:02,893 - I'LL GO CRUSH SOME. 281 00:11:02,895 --> 00:11:09,400 [whispers] YOU KNOW, JEFFY STILL SLEEPS WITH A TEDDY BEAR. 282 00:11:09,402 --> 00:11:11,402 - THESE AREN'T TWISTY. 283 00:11:11,404 --> 00:11:13,237 - OH, I'LL GO TWIST SOME. 284 00:11:13,239 --> 00:11:17,108 [whispers] YOU KNOW, JAMIE IS A REALLY SLOPPY KISSER. 285 00:11:17,110 --> 00:11:20,611 I HEARD IT FROM A GIRL! 286 00:11:20,613 --> 00:11:23,114 - I LIKE SQUARE CRACKERS. 287 00:11:25,852 --> 00:11:27,052 - HERE. 288 00:11:27,054 --> 00:11:28,252 YOU KNOW, JOEY WAS ONCE A-- 289 00:11:28,254 --> 00:11:30,522 - OH, GROSS! 290 00:11:30,524 --> 00:11:32,256 - NOW, SHE'S REALLY POPULAR 291 00:11:32,258 --> 00:11:33,758 BUT NOT AS POPULAR AS SHE IS. 292 00:11:33,760 --> 00:11:35,326 HE'S MEDIUM POPULAR, 293 00:11:35,328 --> 00:11:36,761 AND HE JUST BOUGHT A GREAT CAR, 294 00:11:36,763 --> 00:11:38,396 SO SOON HE'LL BE GETTING MORE POPULAR. 295 00:11:38,398 --> 00:11:40,965 THAT GUY WAS JUST POPULAR ENOUGH TO BE INVITED, 296 00:11:40,967 --> 00:11:42,734 BUT NOW HE NEEDS TO HOOK UP WITH A GIRL 297 00:11:42,736 --> 00:11:44,902 WHO'S MORE POPULAR THAN HE IS. 298 00:11:44,904 --> 00:11:46,604 [music blaring] 299 00:11:46,606 --> 00:11:48,372 - YOU REALLY WANT TO DO THIS? 300 00:11:48,374 --> 00:11:52,076 - YOU KNOW, JUST BECAUSE PEOPLE ARE CLIQUEY AND SNOTTY 301 00:11:52,078 --> 00:11:54,078 IS NO REASON NOT TO LIKE THEM. 302 00:11:54,080 --> 00:11:55,879 - OR HATE THEM. 303 00:11:55,881 --> 00:11:56,981 - CHIN UP. 304 00:11:56,983 --> 00:11:58,249 NOSE UP. 305 00:11:58,251 --> 00:12:01,119 LET'S GO. 306 00:12:03,289 --> 00:12:04,723 - DARIA, YOU'RE HERE. 307 00:12:04,725 --> 00:12:05,957 I'M SO GLAD. 308 00:12:05,959 --> 00:12:07,925 NOW WE'RE EVEN. 309 00:12:07,927 --> 00:12:09,594 - THIS IS JANE. 310 00:12:09,596 --> 00:12:11,061 SHE WASN'T INVITED, 311 00:12:11,063 --> 00:12:13,565 BUT SHE'S GOOD IN ART. 312 00:12:13,567 --> 00:12:15,900 - BUT I HAVE YOU FOR THAT. 313 00:12:15,902 --> 00:12:17,168 HMM. 314 00:12:17,170 --> 00:12:19,704 WHAT DO YOU KNOW ABOUT GEOMETRY? 315 00:12:19,706 --> 00:12:23,207 - LOTS OF CIRCLES, SQUARES, AND TRIANGLES. 316 00:12:23,209 --> 00:12:24,308 - WOW. 317 00:12:24,310 --> 00:12:26,610 COME ON IN. 318 00:12:29,483 --> 00:12:30,648 - LOOK. 319 00:12:30,650 --> 00:12:33,118 TWO KINDS OF CHIPS. 320 00:12:33,120 --> 00:12:34,219 - FLAT OR RIDGY. 321 00:12:34,221 --> 00:12:36,121 YOU MAKE THE CALL. 322 00:12:36,123 --> 00:12:37,522 - CHUCK RUTTHEIMER HERE. 323 00:12:37,524 --> 00:12:39,257 AND YOU ARE? 324 00:12:39,259 --> 00:12:40,558 - JANE. 325 00:12:40,560 --> 00:12:42,293 - ESMERALDA. 326 00:12:42,295 --> 00:12:45,330 - I'LL BE YOUR SOCIAL DIRECTOR FOR THE EVENING. 327 00:12:45,332 --> 00:12:47,932 WOULD YOU LADIES LIKE A TOUR OF THE HOUSE? 328 00:12:47,934 --> 00:12:49,968 IT'S FREE. 329 00:12:49,970 --> 00:12:51,336 - DO YOU ACCEPT TIPS? 330 00:12:51,338 --> 00:12:52,903 - OF COURSE. 331 00:12:52,905 --> 00:12:54,572 - DITCH THE BANGS. 332 00:12:54,574 --> 00:12:57,108 - FEISTY. 333 00:13:08,822 --> 00:13:10,254 - THIS FIVE-BEDROOM HOUSE 334 00:13:10,256 --> 00:13:13,390 IS DESIGNED IN A COMBINATION OF SOUTHERN PSEUDO-PLANTATION 335 00:13:13,392 --> 00:13:16,026 AND LATE MOCK TUDOR STYLES. 336 00:13:16,028 --> 00:13:19,630 TO YOUR RIGHT, THE QUASI-VICTORIAN BREAKFAST NOOK. 337 00:13:19,632 --> 00:13:21,699 STRAIGHT AHEAD, THE FAMILY DEN, 338 00:13:21,701 --> 00:13:26,104 WHICH WAS INSPIRED BY THE NOVELS OF ISAK DINESEN. 339 00:13:26,106 --> 00:13:31,442 AND THIS IS THE MAKE-OUT ROOM. 340 00:13:31,444 --> 00:13:33,511 AM I BLUSHING? 341 00:13:33,513 --> 00:13:36,580 CONFIDENTIALLY, IT'S REALLY THE LAUNDRY ROOM. 342 00:13:36,582 --> 00:13:38,182 HEY! 343 00:13:38,184 --> 00:13:40,518 DON'T LEAN ON THE BUTTONS! 344 00:13:40,520 --> 00:13:43,254 - CAN IT, UPCHUCK, OR I'LL BREAK YOUR FACE! 345 00:13:43,256 --> 00:13:45,089 - [girl giggles] 346 00:13:45,091 --> 00:13:46,490 - AS WE REACH THE END OF OUR TOUR, 347 00:13:46,492 --> 00:13:49,460 I'D LIKE TO THANK YOU FOR YOUR UNDIVIDED ATTENTION. 348 00:13:49,462 --> 00:13:51,128 ANY QUESTIONS? 349 00:13:51,130 --> 00:13:53,598 - YES. HOW DO YOU GET INVITED? 350 00:13:53,600 --> 00:13:56,100 - I DISSECTED HER FROG. 351 00:13:56,102 --> 00:13:57,935 - NOW, SHE USED TO BE VERY POPULAR, 352 00:13:57,937 --> 00:14:00,104 BUT THEN THERE WAS THAT UNFORTUNATE NOSE JOB. 353 00:14:00,106 --> 00:14:02,372 THAT ONE BEHIND THE TIGER, SHE WAS NEW AND CUTE, 354 00:14:02,374 --> 00:14:04,274 SO SHE BECAME, LIKE, POPULAR OVERNIGHT. 355 00:14:04,276 --> 00:14:06,444 THOSE THREE AREN'T POPULAR AT ALL. 356 00:14:06,446 --> 00:14:07,946 I DON'T KNOW WHAT THEY'RE DOING HERE. 357 00:14:07,948 --> 00:14:09,614 MAYBE SOME KIND OF EXCHANGE PROGRAM. 358 00:14:09,616 --> 00:14:11,883 - BUT WHAT'S WITH THAT GIRL WITH THE GLASSES? 359 00:14:11,885 --> 00:14:15,820 HER FACE LOOKS WEIRD, ALL THE SAME COLOR. 360 00:14:15,822 --> 00:14:17,521 - SHE'S NOT WEARING MAKEUP. 361 00:14:17,523 --> 00:14:19,757 - IS THAT A NEW LOOK OR SOMETHING? 362 00:14:19,759 --> 00:14:20,859 - BRR! 363 00:14:20,861 --> 00:14:24,762 SCARY. 364 00:14:24,764 --> 00:14:27,565 - THOSE GUYS ARE LOOKIN' AT US. 365 00:14:27,567 --> 00:14:30,335 - DON'T THEY KNOW WE'RE FROM TWO DIFFERENT WORLDS: 366 00:14:30,337 --> 00:14:32,337 REGULAR AND POPULAR? 367 00:14:32,339 --> 00:14:34,672 - THE ONE IN THE GREEN SHIRT IS CUTE... 368 00:14:34,674 --> 00:14:39,143 IN A HEAD-TOO-BIG-FOR-HIS-BODY KIND OF WAY. 369 00:14:39,145 --> 00:14:43,480 I HATE YOU. 370 00:14:43,482 --> 00:14:45,282 - HEY. 371 00:14:45,284 --> 00:14:48,019 PARTYING HARD, OR HARDLY PARTYING? 372 00:14:48,021 --> 00:14:49,821 - HARDLY INTERESTED. 373 00:14:49,823 --> 00:14:50,955 - SO... 374 00:14:50,957 --> 00:14:54,225 WHERE YOU GIRLS BEEN ALL OUR LIVES? 375 00:14:54,227 --> 00:14:56,327 - WAITING HERE FOR YOU. 376 00:14:56,329 --> 00:14:57,795 WE WERE BORN IN THIS ROOM, 377 00:14:57,797 --> 00:14:59,597 WE GREW UP IN THIS ROOM, 378 00:14:59,599 --> 00:15:02,433 AND WE THOUGHT WE WOULD DIE HERE ALONE. 379 00:15:02,435 --> 00:15:05,970 BUT NOW YOU'VE ARRIVED, AND OUR LIVES CAN TRULY BEGIN. 380 00:15:05,972 --> 00:15:08,306 - SHE LIKES YOU! 381 00:15:10,377 --> 00:15:12,843 - HEY, ISN'T THAT QUINN? 382 00:15:12,845 --> 00:15:14,111 - WHERE? 383 00:15:14,113 --> 00:15:18,382 - OVER THERE, HIDING BEHIND THE CERAMIC TIGER. 384 00:15:18,384 --> 00:15:19,683 - YOO-HOO! 385 00:15:19,685 --> 00:15:22,252 SIS! 386 00:15:25,991 --> 00:15:28,226 [crickets chirping] 387 00:15:28,228 --> 00:15:30,395 I--I GOTTA TAKE THIS CLASS. 388 00:15:30,397 --> 00:15:32,730 I GOTTA FIND TIFFANY! 389 00:15:32,732 --> 00:15:34,798 I MEAN, JANE. 390 00:15:37,036 --> 00:15:38,903 [music blaring] 391 00:15:38,905 --> 00:15:40,705 - WHOO-HOO! 392 00:15:40,707 --> 00:15:42,740 PARTY! 393 00:15:42,742 --> 00:15:44,075 [engine revving] 394 00:15:44,077 --> 00:15:46,177 [tires squealing] 395 00:15:49,616 --> 00:15:51,282 - I'M GLAD WE FOUND YOU. 396 00:15:51,284 --> 00:15:52,950 - WE WERE LOOKING ALL OVER. 397 00:15:52,952 --> 00:15:55,352 - I LOOKED THE HARDEST. 398 00:15:55,354 --> 00:15:57,988 - UH, I GOTTA GO TO THE BATHROOM. 399 00:15:57,990 --> 00:15:59,757 - YOU NEED SOME HELP? - I'LL GO WITH YOU. 400 00:15:59,759 --> 00:16:03,094 - IT'S THE BATHROOM! 401 00:16:06,966 --> 00:16:08,466 - HI, SIS. 402 00:16:08,468 --> 00:16:11,001 - AREN'T YOU A LITTLE OUT OF PLACE HERE? 403 00:16:11,003 --> 00:16:14,571 AND EVERYWHERE ELSE ON EARTH? 404 00:16:26,352 --> 00:16:29,487 - HI, I'M QUINN'S BRAINY SISTER. 405 00:16:29,489 --> 00:16:32,689 PEOPLE SAY WE LOOK ALIKE. 406 00:16:32,691 --> 00:16:34,725 - WHAT'S SHE DOING IN THERE? 407 00:16:34,727 --> 00:16:38,363 - MAYBE SHE'S TAKING A JACUZZI. 408 00:16:38,365 --> 00:16:40,398 - AND THE TRAFFIC WAS SO TIED UP 409 00:16:40,400 --> 00:16:43,401 THAT MY MOM FINALLY HANDS QUINN THE EMPTY SODA CUP 410 00:16:43,403 --> 00:16:46,537 AND SAYS, "HERE. YOU GOTTA GO? 411 00:16:46,539 --> 00:16:49,374 THEN GO." 412 00:16:51,077 --> 00:16:53,143 I HAVE THIS GREAT PICTURE AT HOME 413 00:16:53,145 --> 00:16:57,014 OF QUINN IN HER CHUBBY STAGE. 414 00:16:57,016 --> 00:16:59,049 - I'VE GOT $5. 415 00:16:59,051 --> 00:17:02,319 - BOY, YOU TRY TO LOOK OUT FOR YOUR LITTLE SISTER... 416 00:17:02,321 --> 00:17:03,554 - MAKE IT $10. 417 00:17:03,556 --> 00:17:05,857 - WELL, I HAVE BEEN SAVING UP 418 00:17:05,859 --> 00:17:08,693 FOR A PAIR OF SNAPPY ORTHOPEDIC SHOES. 419 00:17:09,896 --> 00:17:10,895 - HELLO? 420 00:17:10,897 --> 00:17:12,563 ANYBODY THERE? 421 00:17:12,565 --> 00:17:15,299 THERE'S A WILD PARTY GOING ON UP AT DEERVIEW COURT. 422 00:17:15,301 --> 00:17:18,069 WHAT DO YOU PLAN TO DO ABOUT IT? 423 00:17:18,071 --> 00:17:19,436 YOU CAN'T IGNORE ME! 424 00:17:19,438 --> 00:17:21,572 I PAY YOUR SALARY. 425 00:17:21,574 --> 00:17:23,040 ARE YOU SLEEPING IN THERE? 426 00:17:23,042 --> 00:17:25,843 YOU'RE NOT A REAL COP, YOU KNOW. 427 00:17:25,845 --> 00:17:28,179 - QUINN, I DON'T CARE IF YOUR SISTER IS A BRAIN. 428 00:17:28,181 --> 00:17:30,214 I WOULD NEVER HOLD IT AGAINST YOU. 429 00:17:30,216 --> 00:17:31,882 SO YOU WANT TO GO IN THE LAUNDRY ROOM? 430 00:17:31,884 --> 00:17:33,450 - HANDS OFF, JAMIE. 431 00:17:33,452 --> 00:17:36,454 QUINN, YOU MAY COME FROM A NERDY FAMILY, 432 00:17:36,456 --> 00:17:39,256 BUT THAT MAKES YOUR POPULARITY, LIKE, EVEN MORE AMAZING. 433 00:17:39,258 --> 00:17:42,026 NOW, WHY DON'T WE DITCH THESE TWO LOSERS? 434 00:17:42,028 --> 00:17:43,194 - TAKE A HIKE, JOEY. 435 00:17:43,196 --> 00:17:44,528 QUINN, IF YOU WERE MY GIRLFRIEND, 436 00:17:44,530 --> 00:17:46,931 WE COULD IGNORE YOUR SISTER TOGETHER. 437 00:17:46,933 --> 00:17:48,666 NOW WILL YOU GO STEADY WITH ME? 438 00:17:48,668 --> 00:17:50,501 AT LEAST FOR A COUPLE OF HOURS? 439 00:17:50,503 --> 00:17:53,304 - OH, NO! 440 00:17:53,306 --> 00:17:56,541 THESE SHOES ARE SUEDE. 441 00:17:58,811 --> 00:18:00,611 - IT'S THE SOUL TRAIN. 442 00:18:00,613 --> 00:18:01,612 BEEP, BEEP. 443 00:18:01,614 --> 00:18:03,514 GET ON BOARD. 444 00:18:03,516 --> 00:18:07,084 [bubbles popping] 445 00:18:09,722 --> 00:18:11,622 WHAT HAPPENED TO BOBBY BIGHEAD? 446 00:18:11,624 --> 00:18:13,857 - I WASN'T REALLY INTERESTED. 447 00:18:13,859 --> 00:18:15,759 - TOO BAD. 448 00:18:15,761 --> 00:18:18,196 IS THIS YOURS? 449 00:18:18,198 --> 00:18:20,531 - OKAY, FINE. 450 00:18:20,533 --> 00:18:22,200 HE THOUGHT MY HEAD WAS A LOLLIPOP. 451 00:18:22,202 --> 00:18:23,701 READY TO GO? 452 00:18:23,703 --> 00:18:26,637 - I WAS READY TO GO BEFORE WE GOT HERE. 453 00:18:31,377 --> 00:18:33,477 - SO...HAVE FUN? 454 00:18:33,479 --> 00:18:36,747 - WELL, I DIDN'T TALK TO A WHOLE BUNCH OF NEW PEOPLE, 455 00:18:36,749 --> 00:18:39,783 I MADE QUINN WANT TO THROW HERSELF DOWN A WELL, 456 00:18:39,785 --> 00:18:42,620 AND I'M GOING HOME WITH A BONUS SOCK. 457 00:18:42,622 --> 00:18:45,856 ALL IN ALL, A GREAT NIGHT. 458 00:18:45,858 --> 00:18:48,259 - JOEY, JEFFY... 459 00:18:48,261 --> 00:18:49,360 JAMIE? 460 00:18:49,362 --> 00:18:51,395 - YOU GOT IT. 461 00:18:51,397 --> 00:18:54,364 - UH, I DON'T THINK THIS IS WORKING OUT. 462 00:18:54,366 --> 00:18:55,533 - WHAT? - WHAT DO YOU MEAN? 463 00:18:55,535 --> 00:18:56,734 - WHAT ARE YOU TALKING ABOUT? 464 00:18:56,736 --> 00:18:58,202 - I MEAN, YOU'RE REALLY SPECIAL GUYS, 465 00:18:58,204 --> 00:19:00,271 AND YOU DESERVE A REALLY GREAT GIRLFRIEND. 466 00:19:00,273 --> 00:19:01,472 THREE, ACTUALLY. 467 00:19:01,474 --> 00:19:02,940 BUT I FEEL THAT YOU'RE PRESSURING ME 468 00:19:02,942 --> 00:19:04,575 TO DO THINGS I'M NOT READY FOR. 469 00:19:04,577 --> 00:19:05,709 - HUH? - I DON'T UNDERSTAND. 470 00:19:05,711 --> 00:19:07,244 WHAT DO YOU MEAN? 471 00:19:07,246 --> 00:19:09,513 - THAT DOESN'T MEAN YOU HAVE TO STOP PAYING ATTENTION TO ME 472 00:19:09,515 --> 00:19:11,181 AND BUYING ME STUFF AND DRIVING ME PLACES, 473 00:19:11,183 --> 00:19:12,783 BUT IT DOES MEAN THAT-- 474 00:19:12,785 --> 00:19:15,720 I THINK WHAT I'M TRYING TO SAY IS... 475 00:19:15,722 --> 00:19:17,755 - "LET'S BE FRIENDS"? 476 00:19:17,757 --> 00:19:19,157 - YEAH. SORRY. 477 00:19:19,159 --> 00:19:20,758 - YOU CAME ON TOO STRONG. 478 00:19:20,760 --> 00:19:22,193 - YOU DIDN'T GIVE HER ENOUGH SPACE. 479 00:19:22,195 --> 00:19:25,096 - YOU SHOULD HAVE BRUSHED YOUR TEETH. 480 00:19:25,098 --> 00:19:29,032 [thuds and groans] 481 00:19:29,034 --> 00:19:30,033 - STOP IT. 482 00:19:30,035 --> 00:19:31,602 STOP FIGHTING. 483 00:19:31,604 --> 00:19:34,639 THIS IS HORRIBLE. 484 00:19:34,641 --> 00:19:36,974 THEY'RE FIGHTING OVER ME. 485 00:19:36,976 --> 00:19:38,242 - THAT'S IT. 486 00:19:38,244 --> 00:19:39,477 EVERYBODY OUT. 487 00:19:39,479 --> 00:19:40,611 VAMOOSE! 488 00:19:40,613 --> 00:19:42,680 YOU TOO, KOJAK. 489 00:19:42,682 --> 00:19:44,515 THE REAL COPS ARE HERE NOW. 490 00:19:44,517 --> 00:19:46,217 - [delighted] OOH, COPS! 491 00:19:46,219 --> 00:19:48,553 DOES THAT MEAN WE'RE ON TV? 492 00:19:48,555 --> 00:19:50,988 - NEW SECURITY PRECAUTIONS. 493 00:19:50,990 --> 00:19:52,990 MAY I SEE SOME I.D., PLEASE? 494 00:19:52,992 --> 00:19:55,726 - YOU SEEM AWFULLY YOUNG TO BE DOING THIS KIND OF WORK. 495 00:19:55,728 --> 00:19:56,893 - IT'S A DISGUISE, MA'AM. 496 00:19:56,895 --> 00:19:58,629 WE'RE ACTUALLY MUCH OLDER. 497 00:19:58,631 --> 00:20:01,198 - NOT AS OLD AS YOU, OF COURSE, MA'AM. 498 00:20:01,200 --> 00:20:03,433 - NOW, WE'LL HAVE TO ASK YOU A FEW QUESTIONS. 499 00:20:03,435 --> 00:20:05,403 - IS THAT YOUR NATURAL HAIR COLOR? 500 00:20:05,405 --> 00:20:07,772 - WELL, I NEVER IN MY LIFE! 501 00:20:07,774 --> 00:20:10,608 - "NEVER COLORS IT." 502 00:20:10,610 --> 00:20:12,577 - KNOWN TO THE GREEKS AS... 503 00:20:12,579 --> 00:20:13,577 - ZEUS. 504 00:20:13,579 --> 00:20:15,112 - EXCELLENT. 505 00:20:15,114 --> 00:20:18,949 - I CAN NAME THAT TUNE IN THREE NOTES. 506 00:20:18,951 --> 00:20:20,918 - THANKS FOR THE PARTY, BRITTANY. 507 00:20:20,920 --> 00:20:22,553 - SORRY ABOUT THE JACUZZI. 508 00:20:22,555 --> 00:20:23,754 - IT'S OKAY. 509 00:20:23,756 --> 00:20:25,589 THE WALL-TO-WALL CARPETING IN THE BATHROOMS 510 00:20:25,591 --> 00:20:27,724 MAKES UP FOR IT. 511 00:20:27,726 --> 00:20:31,963 - JOEY, JEFFY, JAMIE! 512 00:20:31,965 --> 00:20:34,966 HOW AM I GOING TO GET HOME? 513 00:20:34,968 --> 00:20:37,001 [squishing noises] 514 00:20:37,003 --> 00:20:39,971 - WHAT HAPPENED TO YOUR FAN CLUB? 515 00:20:39,973 --> 00:20:41,472 - THEY BEAT EACH OTHER UP. 516 00:20:41,474 --> 00:20:44,442 IT WAS KIND OF-- WHAT'S THAT THING 517 00:20:44,444 --> 00:20:46,677 WHEN STUFF TURNS OUT FUNNY? 518 00:20:46,679 --> 00:20:48,446 "MORONIC." 519 00:20:48,448 --> 00:20:49,547 - "IRONIC." 520 00:20:49,549 --> 00:20:51,649 - SHE WAS RIGHT THE FIRST TIME. 521 00:20:51,651 --> 00:20:53,216 - YOU WANT TO CALL MOM AND DAD? 522 00:20:53,218 --> 00:20:55,352 - AND SHIFT THE BALANCE OF POWER? 523 00:20:55,354 --> 00:20:56,821 WE WALK. 524 00:20:56,823 --> 00:21:00,491 - BUT MY SHOES ARE ALL SQUISHY. 525 00:21:00,493 --> 00:21:03,995 - YOU LADIES IN NEED OF A KNIGHT IN SHINING ARMOR? 526 00:21:03,997 --> 00:21:06,998 - CAN WE JUST TAKE THE ARMOR AND DITCH THE KNIGHT? 527 00:21:07,000 --> 00:21:12,470 - HEY, IT'S A PACKAGE DEAL, TOOTS. 528 00:21:12,472 --> 00:21:14,505 TO YOUR LEFT, THE HOME OF THE TOWN DIRECTOR 529 00:21:14,507 --> 00:21:16,874 OF PUBLIC WORKS, BUILT ON UNSTABLE LANDFILL. 530 00:21:16,876 --> 00:21:19,243 TO YOUR RIGHT, A FLATTENED SQUIRREL. 531 00:21:19,245 --> 00:21:21,278 STRAIGHT AHEAD, THE FUTURE! 532 00:21:21,280 --> 00:21:23,247 - STUFF A SOCK IN IT, UPCHUCK. 533 00:21:23,249 --> 00:21:25,983 - OH, FEISTY! 534 00:21:25,985 --> 00:21:28,185 - ♪ LA-LA, LA, LA-LA ♪ 535 00:21:29,656 --> 00:21:32,590 Captioning by CaptionMax www.captionmax.com 536 00:21:40,933 --> 00:21:45,803 ♪ LA, LA, LA ♪ 537 00:21:45,805 --> 00:21:50,675 ♪ LA, LA, LA ♪ 538 00:21:50,677 --> 00:21:52,743 ♪ LA, LA, LA ♪ 539 00:21:59,819 --> 00:22:02,753 ♪ LA-LA, LA, LA-LA ♪ 540 00:22:04,824 --> 00:22:06,590 ♪ LA-LA, LA, LA-LA ♪