1 00:00:14,381 --> 00:00:15,280 [glass shattering] 2 00:00:15,382 --> 00:00:17,282 [alarm ringing] 3 00:00:17,384 --> 00:00:20,318 [sirens blaring] 4 00:00:23,690 --> 00:00:25,290 - COME ON, MACK DADDY. 5 00:00:25,392 --> 00:00:26,858 I'LL GET THE COACH TO WRITE US A NOTE, 6 00:00:26,960 --> 00:00:29,227 SAY WE NEED EXTRA TIME ON THE FREE WEIGHTS. 7 00:00:29,329 --> 00:00:31,163 - DON'T CALL ME THAT, OKAY? 8 00:00:31,265 --> 00:00:32,998 AND THEY'RE NOT GONNA EXCUSE YOU FROM ENGLISH 9 00:00:33,100 --> 00:00:34,433 FOR WEIGHT TRAINING. 10 00:00:34,535 --> 00:00:37,001 - I CAN'T TAKE ANY MORE OF THIS SHAKESPEARE DUDE, BRO. 11 00:00:37,103 --> 00:00:39,571 HE'S, LIKE, A TOTAL CHICK WRITER. 12 00:00:39,673 --> 00:00:41,306 - HI, MACK. 13 00:00:41,408 --> 00:00:44,576 HI, ROMEO. 14 00:00:44,678 --> 00:00:45,777 - SEE? 15 00:00:45,880 --> 00:00:47,178 - MAYBE WE'LL START HAMLET TODAY. 16 00:00:47,280 --> 00:00:48,380 THAT HAS A SKULL IN IT. 17 00:00:48,482 --> 00:00:49,748 - REALLY? 18 00:00:49,850 --> 00:00:53,318 - EXCUSE ME. 19 00:00:53,420 --> 00:00:55,353 - DARIA, YOU'RE A CHICK, RIGHT? 20 00:00:55,455 --> 00:00:56,388 - WHY? 21 00:00:56,490 --> 00:00:58,022 YOU HAVE A BIOLOGY TEST TODAY? 22 00:00:58,124 --> 00:01:00,625 - LIKE, WHY SHOULD I BE INTERESTED 23 00:01:00,727 --> 00:01:02,527 IN ANYTHING THIS SHAKESPEARE GUY SAYS? 24 00:01:02,629 --> 00:01:03,795 - YOU? 25 00:01:03,897 --> 00:01:05,464 WELL... 26 00:01:05,566 --> 00:01:07,632 HAMLET HAS A SKULL IN IT. 27 00:01:07,734 --> 00:01:08,934 [bell rings] 28 00:01:09,036 --> 00:01:12,770 - CLASS, I THOUGHT TODAY WE'D TAKE A BREAK 29 00:01:12,873 --> 00:01:15,006 FROM THE TRAGEDY OF ROMEO AND JULIET 30 00:01:15,108 --> 00:01:17,509 TO DISCUSS THE REAL-LIFE TRAGEDY 31 00:01:17,611 --> 00:01:19,811 THAT HAPPENED LAST NIGHT HERE IN LAWNDALE. 32 00:01:19,913 --> 00:01:23,081 LET'S SHARE OUR FEELINGS OF VIOLATION 33 00:01:23,183 --> 00:01:26,651 FOLLOWING THE LOSS OF OUR BELOVED CYBER CAFE, 34 00:01:26,753 --> 00:01:28,887 ALT.LAWNDALE.COM. 35 00:01:28,989 --> 00:01:31,123 WHO WOULD LIKE TO START? 36 00:01:31,225 --> 00:01:33,358 CHARLES? 37 00:01:33,460 --> 00:01:36,261 CHARLES, DID YOU HEAR ME? 38 00:01:36,363 --> 00:01:37,595 - YOU MEAN KEVIN? 39 00:01:40,467 --> 00:01:42,534 - KEVIN, I'M SORRY. 40 00:01:42,636 --> 00:01:45,003 YOU LOOK LIKE SOMEBODY ELSE. 41 00:01:45,105 --> 00:01:48,006 WHAT DO YOU HAVE TO SAY ABOUT LAST NIGHT'S HORRIBLE EVENT? 42 00:01:48,108 --> 00:01:49,107 - I WAS HOME ALL NIGHT. 43 00:01:49,209 --> 00:01:50,308 YOU CAN ASK MY PARENTS. 44 00:01:50,410 --> 00:01:51,976 BESIDES, I ALREADY HAVE A COMPUTER. 45 00:01:52,078 --> 00:01:53,779 - NO, KEVIN. 46 00:01:53,881 --> 00:01:57,415 I MEAN, HOW DID THE THEFT MAKE YOU FEEL? 47 00:01:57,517 --> 00:01:59,417 - UM...SAD? 48 00:01:59,519 --> 00:02:01,252 - ARE YOU ASKING ME OR TELLING ME? 49 00:02:01,354 --> 00:02:02,688 - ANGRY? 50 00:02:02,790 --> 00:02:04,289 - HMM. 51 00:02:04,391 --> 00:02:05,657 JODIE, HOW ABOUT YOU? 52 00:02:05,759 --> 00:02:07,359 - I THINK THE CYBER CAFE 53 00:02:07,461 --> 00:02:09,361 SERVED ONE VERY PARTICULAR SEGMENT 54 00:02:09,463 --> 00:02:10,662 OF THE COMMUNITY, 55 00:02:10,764 --> 00:02:12,130 BUT IT STILL PISSES ME OFF 56 00:02:12,232 --> 00:02:14,032 WHEN PEOPLE TAKE WHAT ISN'T THEIRS. 57 00:02:14,134 --> 00:02:15,066 - THAT'S HOW I FEEL. 58 00:02:15,168 --> 00:02:16,601 - THANK YOU, KEVIN. 59 00:02:16,703 --> 00:02:19,437 - JODIE, ABOUT THAT WORD "COMMUNITY," 60 00:02:19,540 --> 00:02:22,340 ISN'T THAT THE WHOLE IDEA OF A CYBER CAFE, 61 00:02:22,442 --> 00:02:25,544 TO JACK US IN TO THE GLOBAL COMMUNITY? 62 00:02:25,646 --> 00:02:27,979 I THINK WHAT'S MOST DISTURBING ABOUT THIS CRIME 63 00:02:28,081 --> 00:02:30,214 IS THE SYMBOLISM INVOLVED. 64 00:02:30,317 --> 00:02:31,482 DON'T YOU AGREE, JANE? 65 00:02:31,585 --> 00:02:32,584 - NO. 66 00:02:32,686 --> 00:02:34,118 - SUDDENLY, WE'RE CUT OFF. 67 00:02:34,220 --> 00:02:37,255 WE CAN'T HAIL OUR FRIENDS ACROSS THE GLOBE AND SAY, 68 00:02:37,357 --> 00:02:39,958 "IT'S A BEAUTIFUL DAY IN THE CYBER-HOOD." 69 00:02:40,060 --> 00:02:42,160 THEY DIDN'T JUST TAKE A FEW COMPUTERS. 70 00:02:42,262 --> 00:02:46,531 THEY TOOK THE SYMBOL OF OUR VIRTUAL COMMUNITY. 71 00:02:46,633 --> 00:02:52,137 TO VISIT ALT.LAWNDALE.COM WAS TO COME TOGETHER WITH THE PLANET. 72 00:02:52,239 --> 00:02:53,538 - OH, COME ON. 73 00:02:53,640 --> 00:02:54,706 - YES? 74 00:02:54,808 --> 00:02:56,875 - "COME TOGETHER WITH THE PLANET"? 75 00:02:56,977 --> 00:02:58,977 BY STARING AT A SCREEN FOR HOURS, 76 00:02:59,079 --> 00:03:02,647 SITTING IN A ROOM FULL OF PEOPLE YOU NEVER SAY A WORD TO? 77 00:03:02,749 --> 00:03:05,216 - HMM, INTERESTING POINT, DORIAN. 78 00:03:05,318 --> 00:03:06,217 - DARIA. 79 00:03:06,319 --> 00:03:10,522 - UGH. DAMN SPIDERS. 80 00:03:10,624 --> 00:03:14,092 DARIA, YOU BELIEVE THAT WHILE CONNECTING LAWNDALE CITIZENS 81 00:03:14,194 --> 00:03:15,460 TO OUR GLOBAL NEIGHBORS, 82 00:03:15,562 --> 00:03:18,429 THE CAFE WAS ALIENATING US FROM EACH OTHER. 83 00:03:18,532 --> 00:03:20,765 - I'M SAYING, IF YOU REALLY MISS THE PLACE, 84 00:03:20,868 --> 00:03:23,101 PUT A MR. COFFEE IN THE COMPUTER LAB. 85 00:03:23,203 --> 00:03:25,904 - SO IN YOUR OPINION, 86 00:03:26,006 --> 00:03:28,139 WHAT WE REALLY NEED IS A RETURN 87 00:03:28,241 --> 00:03:30,108 TO THE TRADITIONAL COFFEEHOUSE OF YORE, 88 00:03:30,210 --> 00:03:32,176 WHERE YOU'D WATCH SOME PERFORMERS 89 00:03:32,278 --> 00:03:35,446 AND SHARE A CUP WITH YOUR FRIENDS FACE-TO-FACE. 90 00:03:35,548 --> 00:03:36,714 - YOU'RE A VISIONARY. 91 00:03:36,816 --> 00:03:38,116 - RIGHT HERE AND NOW, 92 00:03:38,218 --> 00:03:42,120 LET'S PLEDGE TO MAKE DARIA'S DREAM A REALITY. 93 00:03:42,222 --> 00:03:44,923 - YOU MEAN, THE ONE WHERE PEOPLE WALKING DOWN THE STREET 94 00:03:45,025 --> 00:03:46,458 BURST INTO FLAMES? 95 00:03:46,560 --> 00:03:48,126 - THE COFFEEHOUSE. 96 00:03:48,228 --> 00:03:52,431 WE'LL PLAN IT, LOCATE IT, RAISE THE MONEY, AND OPEN IT. 97 00:03:52,533 --> 00:03:55,567 - WOULD THAT QUALIFY AS AN EXTRACURRICULAR ACTIVITY? 98 00:03:55,669 --> 00:03:57,135 - OF COURSE. 99 00:03:57,237 --> 00:04:00,172 - THEN I'D LIKE TO REGISTER AS A CONSCIENTIOUS OBJECTOR. 100 00:04:05,646 --> 00:04:06,978 - HI. 101 00:04:07,080 --> 00:04:09,348 GOT TO CHANGE. DINNER MEETING. 102 00:04:09,450 --> 00:04:10,749 - DID SOMETHING HAPPEN? 103 00:04:10,851 --> 00:04:12,917 - MM, DEPENDS ON YOUR PERSPECTIVE. 104 00:04:13,019 --> 00:04:14,419 - HI. NO DINNER FOR ME. 105 00:04:14,521 --> 00:04:16,722 EMERGENCY MEETING OF THE FASHION CLUB. 106 00:04:16,823 --> 00:04:18,557 - I'LL MAKE UP A NICE PLATE FOR YOU 107 00:04:18,659 --> 00:04:20,091 AND COVER IT WITH CLING-WRAP. 108 00:04:20,193 --> 00:04:21,560 - THAT WAS QUINN. 109 00:04:21,662 --> 00:04:24,463 - YES, BUT YOU STILL HAVEN'T IDENTIFIED 110 00:04:24,565 --> 00:04:26,164 OUR FIRST MYSTERY GUEST. 111 00:04:26,267 --> 00:04:27,399 - DAMN IT. 112 00:04:27,501 --> 00:04:29,268 I JUST CALLED ERIC FOR DIRECTIONS, 113 00:04:29,370 --> 00:04:31,002 AND HE SAID THE MEETING'S CANCELLED. 114 00:04:31,104 --> 00:04:33,672 WELL, THAT GIVES US THE CHANCE FOR A FAMILY DINNER. 115 00:04:33,774 --> 00:04:35,874 - I'LL THROW ANOTHER STEAK ON THE GRILL. 116 00:04:35,976 --> 00:04:36,875 - LATER. 117 00:04:36,977 --> 00:04:38,343 - WHERE'S SHE GOING? 118 00:04:38,445 --> 00:04:40,345 - CRISIS AT THE FASHION CLUB. 119 00:04:40,447 --> 00:04:42,313 SOMEONE WOKE UP WITH FROSTED HAIR. 120 00:04:42,415 --> 00:04:43,414 - YOU KNOW, DARIA, 121 00:04:43,516 --> 00:04:45,016 IT WOULDN'T HURT YOU TO GET INVOLVED 122 00:04:45,119 --> 00:04:47,385 IN SOME AFTER-SCHOOL PROJECTS ONCE IN A WHILE. 123 00:04:47,487 --> 00:04:48,787 - CAN'T TALK NOW. 124 00:04:48,888 --> 00:04:51,756 I'M CHAIRING A MEETING OF THE RESTING QUIETLY CLUB. 125 00:04:51,858 --> 00:04:53,225 - I'M SERIOUS. 126 00:04:53,327 --> 00:04:54,726 WHEN YOU APPLY TO COLLEGE, 127 00:04:54,828 --> 00:04:57,161 THEY'RE GOING TO BE LOOKING FOR THAT KIND OF THING, RIGHT, JAKE? 128 00:04:57,263 --> 00:04:58,296 - MM. 129 00:04:58,398 --> 00:04:59,764 - THEY'RE GOING TO BE LOOKING TO SEE 130 00:04:59,866 --> 00:05:02,200 WHETHER I CAN PAY FOR SCHOOL. 131 00:05:02,302 --> 00:05:05,470 THIS MIGHT BE A GOOD TIME TO TALK ABOUT SETTING UP A TRUST. 132 00:05:05,572 --> 00:05:07,806 - JAKE, TELL HER. 133 00:05:07,908 --> 00:05:08,840 TELL HER! 134 00:05:08,942 --> 00:05:10,208 - YES, WHAT? 135 00:05:10,310 --> 00:05:12,711 - ABOUT THE IMPORTANCE OF EXTRACURRICULAR ACTIVITIES 136 00:05:12,813 --> 00:05:13,845 FOR GETTING INTO COLLEGE. 137 00:05:13,947 --> 00:05:14,913 - NO, WELL, THESE DAYS, 138 00:05:15,015 --> 00:05:16,414 IT'S MORE ABOUT WHETHER YOU CAN PAY. 139 00:05:16,516 --> 00:05:18,650 - YOU'RE NOT HELPING ME. 140 00:05:18,752 --> 00:05:21,252 - HAVE YOU THOUGHT ABOUT A LIVING WILL, DAD? 141 00:05:21,354 --> 00:05:22,721 - YOU THINK I NEED ONE? 142 00:05:22,823 --> 00:05:24,155 - JUST THINK ABOUT IT, DARIA. 143 00:05:24,257 --> 00:05:25,489 THAT'S ALL I ASK. 144 00:05:25,592 --> 00:05:26,691 - FAIR ENOUGH. 145 00:05:26,793 --> 00:05:27,859 - BECAUSE, OTHERWISE, 146 00:05:27,961 --> 00:05:29,694 WE MIGHT HAVE TO MAKE UP FOR IT OVER THE SUMMER, 147 00:05:29,796 --> 00:05:31,028 SEND YOU TO MUSIC CAMP. 148 00:05:31,130 --> 00:05:32,363 - YOU WOULDN'T. 149 00:05:32,465 --> 00:05:34,266 - WHAT A GREAT IDEA. 150 00:05:34,367 --> 00:05:36,935 HOW COME YOU DON'T EVER PLAY YOUR FLUTE ANYMORE, DARIA? 151 00:05:37,037 --> 00:05:40,038 - BECAUSE YOU RAN OVER IT WHEN I WAS IN FIFTH GRADE, 152 00:05:40,140 --> 00:05:43,074 WHICH WAS TWO YEARS AFTER I QUIT PLAYING ANYWAY, 153 00:05:43,176 --> 00:05:45,977 WHICH IS WHY I'D HAVE TO INTERPRET MUSIC CAMP 154 00:05:46,079 --> 00:05:49,748 AS PUNISHMENT FOR DOING SOMETHING VERY, VERY WRONG. 155 00:05:49,850 --> 00:05:50,782 - NONSENSE. 156 00:05:50,884 --> 00:05:51,916 IT WOULD JUST BE AN EASY WAY 157 00:05:52,019 --> 00:05:53,618 OF GETTING SOME EXTRACURRICULAR ACTIVITY 158 00:05:53,720 --> 00:05:55,053 ON YOUR COLLEGE APPLICATIONS 159 00:05:55,155 --> 00:05:58,489 IF YOU WEREN'T ABLE TO COME UP WITH ANY ON YOUR OWN. 160 00:05:58,592 --> 00:05:59,925 - YOU'RE GOOD. 161 00:06:00,027 --> 00:06:02,960 WHEN YOU PUT YOUR MIND TO IT, YOU'RE VERY, VERY GOOD. 162 00:06:03,062 --> 00:06:04,329 - SURE, SHE IS. 163 00:06:09,903 --> 00:06:12,170 - YOU'LL FIND SOMETHING TO GET INVOLVED WITH. 164 00:06:12,272 --> 00:06:14,806 IT'LL BE FUN. 165 00:06:14,908 --> 00:06:16,174 - WHERE'S QUINN? 166 00:06:16,276 --> 00:06:18,710 - ♪ LA-LA, LA, LA-LA ♪ 167 00:06:18,812 --> 00:06:21,346 ♪ LA-LA, LA, LA-LA ♪ 168 00:06:28,988 --> 00:06:30,188 - OH. 169 00:06:32,659 --> 00:06:34,359 - IT'S DARIA. 170 00:06:34,461 --> 00:06:36,327 - HI, DARIA. 171 00:06:36,429 --> 00:06:37,929 WHAT'S UP? 172 00:06:38,031 --> 00:06:40,866 - I WANT TO VOLUNTEER TO WORK ON THE COFFEEHOUSE. 173 00:06:40,968 --> 00:06:42,134 - FANTASTIC. 174 00:06:42,235 --> 00:06:43,768 WHAT MADE YOU CHANGE YOUR MIND? 175 00:06:43,870 --> 00:06:47,171 - DID ANYONE EVER MAKE YOU PRACTICE POP GOES THE WEASEL 176 00:06:47,273 --> 00:06:49,474 ON THE FLUTE EVERY DAY FOR A YEAR? 177 00:06:49,576 --> 00:06:53,144 - UM, NO, BUT I ONCE HAD TO RECITE THE GETTYSBURG ADDRESS 178 00:06:53,246 --> 00:06:55,680 WEARING A RAINBOW WIG AND PANTIES THAT SAID "TUESDAY." 179 00:06:55,782 --> 00:06:58,283 WHATEVER MADE ME WANT TO JOIN A FRATERNITY? 180 00:06:58,385 --> 00:06:59,818 [laughs] 181 00:06:59,920 --> 00:07:02,087 ANYWAY, THAT'S GREAT. 182 00:07:02,189 --> 00:07:03,955 I GUESS YOU'LL WANT TO READ ONE OF YOUR ESSAYS. 183 00:07:04,057 --> 00:07:06,925 - NO, I WASN'T ACTUALLY THINKING ABOUT PERFORMING. 184 00:07:07,027 --> 00:07:09,327 - MAYBE THAT ONE ABOUT FEELING LIKE A BIG MISFIT 185 00:07:09,429 --> 00:07:10,561 WHOM EVERYBODY HATES. 186 00:07:10,663 --> 00:07:13,064 THE OTHER KIDS'LL REALLY RELATE TO THAT. 187 00:07:13,166 --> 00:07:14,399 I KNOW I DO. 188 00:07:14,501 --> 00:07:17,502 - I DON'T KNOW IF THAT'S SUCH A GREAT IDEA. 189 00:07:17,604 --> 00:07:20,105 THAT'S THE ONE THAT COMPARES THE SOPHOMORE CLASS 190 00:07:20,207 --> 00:07:21,639 TO BARNYARD ANIMALS. 191 00:07:21,741 --> 00:07:23,207 IT NAMES NAMES. 192 00:07:23,309 --> 00:07:24,409 - OH, YEAH. 193 00:07:24,511 --> 00:07:26,812 - I'M REALLY NOT MUCH OF A PERFORMER. 194 00:07:26,914 --> 00:07:29,380 I'M THINKING MORE ALONG THE LINES OF FUND-RAISING. 195 00:07:29,482 --> 00:07:31,049 - OH... 196 00:07:31,151 --> 00:07:33,985 WELL, WE'RE SELLING MAGAZINES, CDs, AND WRAPPING PAPER. 197 00:07:34,087 --> 00:07:35,053 JUMP IN. 198 00:07:35,155 --> 00:07:36,721 - CAN I GO WITH MY FRIEND JANE? 199 00:07:36,824 --> 00:07:37,789 - SURE. 200 00:07:37,891 --> 00:07:38,990 SHE WANTS TO HELP OUT? 201 00:07:39,092 --> 00:07:40,124 - MM-HMM. 202 00:07:40,226 --> 00:07:42,327 SHE'S A BIG JOINER. 203 00:07:42,429 --> 00:07:44,195 - NO WAY, BABY. 204 00:07:44,297 --> 00:07:45,363 - COME ON. 205 00:07:45,465 --> 00:07:46,397 DO IT FOR FRIENDSHIP. 206 00:07:46,499 --> 00:07:48,066 - I HAVE NO FRIENDS. 207 00:07:48,168 --> 00:07:49,333 I WALK ALONE. 208 00:07:49,435 --> 00:07:51,770 - WELL, THEN DO IT FOR SISTERHOOD OR SOMETHING. 209 00:07:51,872 --> 00:07:53,071 - ARE YOU NUTS? 210 00:07:53,173 --> 00:07:55,006 - THEN DO IT FOR THE OPPORTUNITY 211 00:07:55,108 --> 00:07:56,641 TO LOOK INSIDE PEOPLE'S HOUSES 212 00:07:56,743 --> 00:08:00,678 AND FIND OUT WHAT SCREWED-UP TASTE THEY HAVE. 213 00:08:00,780 --> 00:08:03,214 - I'M BRINGING A POLAROID. 214 00:08:04,517 --> 00:08:06,417 - THIS IS FUN. 215 00:08:06,519 --> 00:08:08,820 - YEAH, PEOPLE GET A KICK OUT OF SEEING SOMEONE 216 00:08:08,922 --> 00:08:10,322 FROM THE LAWNDALE LIONS. 217 00:08:10,424 --> 00:08:13,124 - YOU WERE SO SMART TO WEAR YOUR JERSEY, KEVIN. 218 00:08:13,226 --> 00:08:14,759 - AWW. 219 00:08:14,861 --> 00:08:16,261 [doorbell rings] 220 00:08:16,363 --> 00:08:18,830 - HAVE YOU BEEN PRACTICING YOUR LINES FOR THE COFFEEHOUSE? 221 00:08:18,932 --> 00:08:21,098 - AH, THEY GIVE ME A HEADACHE, BABE. 222 00:08:21,200 --> 00:08:24,769 - KEVIN, PLEASE LEARN THEM, OR I MIGHT GET A HEADACHE. 223 00:08:24,871 --> 00:08:26,671 - WHAT DO YOU MEAN? 224 00:08:26,773 --> 00:08:31,976 - WELL, WELL, KEVIN AND BRITTANY. 225 00:08:32,078 --> 00:08:34,445 WHAT A DELIGHTFUL SURPRISE. 226 00:08:34,547 --> 00:08:36,147 - UH, HI. 227 00:08:36,249 --> 00:08:38,583 - YOU'VE COME, NO DOUBT, TO APOLOGIZE 228 00:08:38,685 --> 00:08:40,618 FOR YOUR ACADEMIC PERFORMANCE. 229 00:08:40,720 --> 00:08:42,353 - UH, NO. 230 00:08:42,456 --> 00:08:45,289 - BUT WE ARE SORRY ABOUT, LIKE, OUR GRADES AND STUFF. 231 00:08:45,391 --> 00:08:46,357 - WELL, THEN. 232 00:08:46,459 --> 00:08:49,126 TO WHAT DO I OWE THE PLEASURE? 233 00:08:49,228 --> 00:08:50,428 - WE'RE RAISING MONEY FOR THE NEW 234 00:08:50,530 --> 00:08:51,863 LAWNDALE YOUNG ADULTS COFFEEHOUSE. 235 00:08:51,965 --> 00:08:53,865 WOULD YOU LIKE TO BUY SOME HOLIDAY WRAPPING PAPER? 236 00:08:53,967 --> 00:08:58,870 - WE'VE GOT RELIGIOUS, FESTIVE, AND/OR MONTEL DOMITATIONAL. 237 00:08:58,972 --> 00:09:00,939 - THAT'S NON-DOMINATIONAL, BABE. 238 00:09:01,041 --> 00:09:03,808 - YEAH, NON-DOMINATIONAL. 239 00:09:03,910 --> 00:09:05,543 - WHAT AN ATTRACTIVE OFFER. 240 00:09:05,645 --> 00:09:07,912 TOO BAD THE HOLIDAYS AREN'T FOR MONTHS. 241 00:09:08,014 --> 00:09:09,580 - HOW ABOUT A MAGAZINE SUBSCRIPTION? 242 00:09:09,682 --> 00:09:12,317 - WOULD YOU LIKE TO JOIN A CD OR A CASSETTE CLUB? 243 00:09:12,418 --> 00:09:15,887 20 ALBUMS FOR A PENNY, AND NO OBLIGATION TO BUY, EVER. 244 00:09:15,989 --> 00:09:17,055 - HOW WOULD YOU LIKE TO RECEIVE 245 00:09:17,157 --> 00:09:19,390 FRAGRANT BLOOMING FLOWER SEEDS EVERY MONTH? 246 00:09:19,492 --> 00:09:22,060 - IT'S GOOD TO SEE YOU BOTH SO ENTERPRISING. 247 00:09:22,162 --> 00:09:23,995 I COULD MAKE A TRITE OBSERVATION 248 00:09:24,097 --> 00:09:25,830 ABOUT WISHING YOU WERE AS ENTERPRISING 249 00:09:25,932 --> 00:09:28,933 TOWARDS YOUR SCHOOLWORK AS YOU ARE IN THIS EFFORT 250 00:09:29,035 --> 00:09:32,370 TO FIND FINANCING FOR A NEW PLACE TO LOAF, 251 00:09:32,472 --> 00:09:34,271 BUT AM I THE SORT OF MAN 252 00:09:34,373 --> 00:09:37,341 WHO ENGAGES IN TRITE OBSERVATIONS, BRITTANY? 253 00:09:37,443 --> 00:09:39,377 - UH...NO? 254 00:09:39,479 --> 00:09:40,712 - EXCELLENT, BRITTANY. 255 00:09:40,814 --> 00:09:42,379 NOW, WHILE YOU'RE ON A ROLL, 256 00:09:42,482 --> 00:09:44,616 AM I THE SORT OF MAN WHO YOU SUPPOSE 257 00:09:44,718 --> 00:09:46,584 BELIEVES IN UNDERWRITING THE INDOLENCE 258 00:09:46,686 --> 00:09:50,855 OF STUDENTS WHO ALREADY DISPLAY THE WORK HABITS OF GARDEN SLUGS? 259 00:09:50,957 --> 00:09:53,858 - UH...I'LL GO WITH NO AGAIN? 260 00:09:53,960 --> 00:09:55,260 - VERY GOOD, BRITTANY. 261 00:09:55,361 --> 00:09:58,029 NOW, KEVIN, GIVEN WHAT WE HAVE LEARNED 262 00:09:58,131 --> 00:10:00,031 FROM BRITTANY'S RAZOR-SHARP OBSERVATIONS, 263 00:10:00,133 --> 00:10:02,733 IS THERE ANYTHING MORE YOU'D LIKE TO SAY 264 00:10:02,836 --> 00:10:04,436 BEFORE DEPARTING FROM MY DOORSTEP 265 00:10:04,537 --> 00:10:05,970 IN AN UNCOMFORTABLE HURRY? 266 00:10:06,072 --> 00:10:09,240 - UH...YOU WANT TO BUY A CHOCOLATE BAR? 267 00:10:11,144 --> 00:10:13,611 - HI, I'M SELLING LONG-DISTANCE PHONE CARDS. 268 00:10:13,713 --> 00:10:15,746 - I JUST USE A CREDIT CARD. 269 00:10:15,848 --> 00:10:18,950 - OH, WELL, ARE YOU REALLY HAPPY WITH THE SERVICE? 270 00:10:19,052 --> 00:10:20,718 - UH...IT'S FINE. 271 00:10:20,820 --> 00:10:23,354 - I MEAN, ARE YOU REALLY HAPPY? 272 00:10:23,456 --> 00:10:24,655 - I DON'T GET YOU. 273 00:10:24,757 --> 00:10:26,223 WHY SHOULDN'T I BE? 274 00:10:26,325 --> 00:10:27,424 - I MEAN, ARE YOU EVER, LIKE, 275 00:10:27,527 --> 00:10:29,260 REALLY LOOKING FORWARD TO TALKING TO SOMEONE, 276 00:10:29,362 --> 00:10:31,862 AND THEN YOU CAN'T HEAR THEM BECAUSE OF CRACKLING AND STATIC? 277 00:10:31,964 --> 00:10:32,964 - NOT-- 278 00:10:33,066 --> 00:10:34,399 - I MEAN, I KNOW IF I WERE YOUR FRIEND 279 00:10:34,500 --> 00:10:35,666 AND YOU WERE CALLING ME, 280 00:10:35,768 --> 00:10:39,203 I'D WANT TO LISTEN TO YOU, NOT SOME STATIC. 281 00:10:39,306 --> 00:10:42,406 I MEAN, YOU HAVE A REALLY NICE VOICE. 282 00:10:42,508 --> 00:10:43,975 YOUR FRIENDS SHOULD BE ABLE TO HEAR IT. 283 00:10:44,077 --> 00:10:45,043 - THEY USUALLY-- 284 00:10:45,145 --> 00:10:46,444 - LIKE, PRETEND YOU'RE CALLING ME. 285 00:10:46,546 --> 00:10:47,479 - WHAT? 286 00:10:47,580 --> 00:10:48,579 - REALLY, JUST TRY IT. 287 00:10:48,681 --> 00:10:49,747 MY NAME'S QUINN. 288 00:10:49,849 --> 00:10:50,915 WHAT'S YOUR NAME? 289 00:10:51,018 --> 00:10:52,217 - DANNY. 290 00:10:52,319 --> 00:10:54,619 - SO CALL ME, DANNY. 291 00:10:54,721 --> 00:10:57,022 - HELLO? 292 00:10:57,124 --> 00:10:58,823 UH, QUINN? 293 00:10:58,925 --> 00:11:00,492 - DANNY, IS THAT YOU? 294 00:11:00,593 --> 00:11:02,693 - HI, QUINN. 295 00:11:02,795 --> 00:11:03,928 - SPEAK UP, DANNY. 296 00:11:04,031 --> 00:11:04,963 I CAN'T HEAR YOU. 297 00:11:05,065 --> 00:11:06,797 - HI, QUINN. 298 00:11:06,899 --> 00:11:07,999 IT'S ME, DANNY. 299 00:11:08,101 --> 00:11:10,435 - I'VE BEEN THINKING ABOUT YOU ALL DAY. 300 00:11:10,536 --> 00:11:13,438 THE WAY YOUR HAIR FALLS OVER YOUR EYES WHEN YOU LAUGH, 301 00:11:13,539 --> 00:11:15,006 I CAN'T GET IT OUT OF MY HEAD. 302 00:11:15,108 --> 00:11:16,040 - REALLY? 303 00:11:16,142 --> 00:11:17,341 - YOU GOT TO SPEAK UP, DANNY. 304 00:11:17,443 --> 00:11:19,110 LISTEN, DO YOU WANT TO COME OVER TONIGHT? 305 00:11:19,212 --> 00:11:20,978 MY FOLKS WENT AWAY FOR THE WHOLE WEEKEND. 306 00:11:21,080 --> 00:11:22,012 - YEAH! 307 00:11:22,115 --> 00:11:24,048 I MEAN, SURE, QUINN. 308 00:11:24,150 --> 00:11:25,449 - OH, THAT'S OKAY, DANNY. 309 00:11:25,552 --> 00:11:26,685 I UNDERSTAND. 310 00:11:26,787 --> 00:11:28,853 I'LL SEE IF PETE WANTS TO COME OVER, HMM. 311 00:11:28,955 --> 00:11:30,354 - BUT I SAID-- - BYE. 312 00:11:30,456 --> 00:11:32,123 - WAIT. - CLICK. 313 00:11:32,225 --> 00:11:35,727 SEE WHAT CAN HAPPEN WITH BAD LONG-DISTANCE SERVICE, DANNY? 314 00:11:35,829 --> 00:11:37,295 - WHO'S PETE? 315 00:11:39,499 --> 00:11:41,766 [doorbell rings] 316 00:11:44,504 --> 00:11:46,003 - UH, HI. 317 00:11:46,105 --> 00:11:49,707 I'M SELLING CHOCOLATE BARS FOR THE NEW STUDENT COFFEEHOUSE. 318 00:11:49,809 --> 00:11:51,342 - [breathing heavily] NEW COFFEEHOUSE? 319 00:11:51,444 --> 00:11:53,778 - OUR CYBER CAFE GOT TRASHED. 320 00:11:53,880 --> 00:11:56,347 - WELL, I ENJOY CHOCOLATE. 321 00:11:56,449 --> 00:11:59,117 DOCTOR SAYS I'M NOT SUPPOSED TO HAVE TOO MUCH OF IT, 322 00:11:59,219 --> 00:12:02,353 BUT HE WOULDN'T MIND IF IT'S FOR A GOOD CAUSE. 323 00:12:02,455 --> 00:12:03,621 [breathing heavily] 324 00:12:09,896 --> 00:12:11,662 JUST A SECOND, GIRLS. 325 00:12:11,764 --> 00:12:14,265 - ARE YOU ALL RIGHT? 326 00:12:14,367 --> 00:12:16,101 - YEAH, YEAH, JUST-- 327 00:12:16,203 --> 00:12:19,170 I WAS IN THE BASEMENT WHEN THE DOORBELL RANG. 328 00:12:19,272 --> 00:12:21,840 NEED TO CATCH MY BREATH A LITTLE. 329 00:12:21,942 --> 00:12:24,041 HOW MANY CHOCOLATE BARS YOU GOT THERE? 330 00:12:24,143 --> 00:12:26,243 - WE'VE GOT ABOUT TWO BOXES. 331 00:12:26,346 --> 00:12:28,279 THAT'S 24. 332 00:12:28,381 --> 00:12:30,714 - TELL YOU WHAT, I'LL TAKE ALL OF 'EM. 333 00:12:30,816 --> 00:12:32,850 - ALL OF 'EM? REALLY? 334 00:12:32,952 --> 00:12:35,086 - YOU SURE THAT'S OKAY WITH YOUR DOCTOR? 335 00:12:35,188 --> 00:12:38,289 - IT'S OKAY AS LONG AS HE DON'T KNOW ABOUT IT. 336 00:12:38,391 --> 00:12:40,391 DAMN IT, WHERE'S THAT PURSE? 337 00:12:40,493 --> 00:12:44,028 [coughing] 338 00:12:46,433 --> 00:12:51,336 [rock music] 339 00:12:56,409 --> 00:12:57,341 - UH-OH. 340 00:12:57,443 --> 00:12:58,910 - DID SHE HIT HER HEAD? 341 00:12:59,012 --> 00:13:00,344 - I DON'T THINK SO. 342 00:13:00,446 --> 00:13:02,180 - DO YOU KNOW CPR OR ANYTHING? 343 00:13:02,282 --> 00:13:05,082 - I ONCE GAVE THE HEIMLICH MANEUVER TO QUINN. 344 00:13:05,185 --> 00:13:06,117 - DID IT WORK? 345 00:13:06,219 --> 00:13:07,719 - SHE WASN'T CHOKING. 346 00:13:09,455 --> 00:13:10,922 - WE SHOULD BE DOING SOMETHING NOW. 347 00:13:11,024 --> 00:13:12,156 I'M SURE OF IT. 348 00:13:12,258 --> 00:13:15,159 - YEAH, I THINK YOU'RE RIGHT. 349 00:13:15,261 --> 00:13:16,460 [camera clicking and whirring] 350 00:13:16,562 --> 00:13:18,696 - DAMN HYPOGLYCEMIA. 351 00:13:18,798 --> 00:13:21,098 I'M SORRY, GIRLS. I'M HOLDING UP THE WORKS. 352 00:13:21,200 --> 00:13:24,568 OKAY, NOW, HOW MUCH APIECE ON THOSE CHOCOLATE BARS? 353 00:13:24,671 --> 00:13:28,205 - MA'AM, I'M NOT SURE I CAN SELL YOU ANY CHOCOLATE BARS. 354 00:13:28,307 --> 00:13:29,340 - WHAT'S THE MATTER? 355 00:13:29,442 --> 00:13:31,175 MY MONEY'S NOT GOOD ENOUGH FOR YOU? 356 00:13:31,277 --> 00:13:36,180 - IT'S NOT THAT; IT'S JUST-- MAYBE IT'S NOT SUCH A GOOD IDEA. 357 00:13:36,282 --> 00:13:38,015 - GIMME THOSE CHOCOLATE BARS. 358 00:13:38,117 --> 00:13:39,650 - THANK YOU FOR YOUR OFFER, THOUGH, MA'AM, 359 00:13:39,752 --> 00:13:41,752 AND FOR CARING ABOUT THE STUDENTS OF LAWNDALE HIGH. 360 00:13:41,855 --> 00:13:44,955 - WE COULD CALL YOUR DOCTOR OR THE HOSPITAL IF YOU LIKE. 361 00:13:45,057 --> 00:13:46,891 OTHERWISE, WE'LL BE GOING. 362 00:13:46,993 --> 00:13:48,325 - I DON'T NEED A DAMN DOCTOR. 363 00:13:48,428 --> 00:13:50,294 I NEED A DAMN CHOCOLATE BAR. 364 00:13:50,396 --> 00:13:52,529 GIMME. I'LL PAY YA FIVE BUCKS APIECE. 365 00:13:52,632 --> 00:13:54,232 - HAVE A NICE DAY, MA'AM. 366 00:13:54,333 --> 00:13:56,000 - I WANT THOSE CHOCOLATE BARS. 367 00:13:56,102 --> 00:13:58,202 I WANT CHOCOLATE, DAMN IT! 368 00:13:58,304 --> 00:14:00,638 - FIVE DOLLARS APIECE. 369 00:14:00,740 --> 00:14:02,973 WE WOULD HAVE MADE OVER 100 BUCKS. 370 00:14:03,075 --> 00:14:06,511 - YEAH, AND ALL WE HAD TO DO WAS TAKE A HUMAN LIFE. 371 00:14:06,613 --> 00:14:09,714 - YOU ALWAYS SEE THE DOWNSIDE, DON'T YOU? 372 00:14:09,816 --> 00:14:10,748 [bell ringing] 373 00:14:10,850 --> 00:14:12,050 - DARIA, JANE. 374 00:14:12,152 --> 00:14:13,751 DARIA, JANE. 375 00:14:13,853 --> 00:14:16,554 DARIA, JANE. 376 00:14:16,656 --> 00:14:19,891 - COME IN, MS. MORGENDORFFER, MS. LANE. 377 00:14:19,993 --> 00:14:21,159 SIT DOWN. 378 00:14:21,261 --> 00:14:23,027 THE SCHOOL RECEIVED A PHONE CALL THIS MORNING 379 00:14:23,129 --> 00:14:24,962 FROM A MRS. JOHANSEN. 380 00:14:25,064 --> 00:14:26,798 SHE SAID TWO GIRLS CAME TO HER DOOR 381 00:14:26,900 --> 00:14:28,533 TO SELL HER CHOCOLATE BARS 382 00:14:28,635 --> 00:14:30,835 AND THEN SUDDENLY REFUSED TO DO SO, HMM. 383 00:14:30,937 --> 00:14:33,437 EVEN AFTER SHE OFFERED $5 A BAR 384 00:14:33,540 --> 00:14:35,807 OR MORE THAN TWICE THE ASKING PRICE. 385 00:14:35,909 --> 00:14:37,374 - SHE WAS HYPOGLYCEMIC. 386 00:14:37,477 --> 00:14:39,210 THE CHOCOLATE WOULD HAVE KILLED HER. 387 00:14:39,312 --> 00:14:41,412 - SHE PASSED OUT WHILE WE WERE STANDING THERE. 388 00:14:41,514 --> 00:14:44,215 - DID SHE ASK YOU TO FEED HER THE CHOCOLATE? 389 00:14:44,317 --> 00:14:45,583 - NO. 390 00:14:45,685 --> 00:14:48,218 - HOW DO YOU KNOW IT WASN'T FOR HER FAMILY? 391 00:14:48,320 --> 00:14:50,888 - SHE HAS NO FAMILY. SHE ATE THEM. 392 00:14:50,990 --> 00:14:54,558 - DARIA, JEAN, WE'RE $200 SHORT 393 00:14:54,660 --> 00:14:56,560 OF WHAT WE NEED TO OPEN THE COFFEEHOUSE. 394 00:14:56,662 --> 00:15:00,197 - SO YOUR REFUSAL TO SELL CHOCOLATE TO THIS WOMAN 395 00:15:00,299 --> 00:15:03,134 WAS BASED PURELY ON CONCERN FOR HER WELFARE. 396 00:15:03,236 --> 00:15:06,370 - AND NOT WANTING TO DO TIME FOR MANSLAUGHTER. 397 00:15:06,472 --> 00:15:08,572 - YOU HAVE NO OVERALL PROBLEM 398 00:15:08,674 --> 00:15:10,708 WITH RAISING MONEY FOR THE COFFEEHOUSE? 399 00:15:10,810 --> 00:15:12,343 - I BELIEVE IN COFFEE. 400 00:15:12,445 --> 00:15:13,711 COFFEE FOR EVERYONE, 401 00:15:13,813 --> 00:15:16,280 BUT I DON'T WANT TO SELL ANY MORE CHOCOLATE BARS. 402 00:15:16,382 --> 00:15:18,049 IT MAKES ME FEEL DIRTY. 403 00:15:18,151 --> 00:15:19,717 - THE BAD KIND OF DIRTY. 404 00:15:19,819 --> 00:15:22,754 - WELL, I CAN'T FORCE YOU TO DO FUND-RAISING, 405 00:15:22,856 --> 00:15:26,157 BUT I CAN'T GIVE YOU CREDIT FOR PARTICIPATING 406 00:15:26,259 --> 00:15:28,459 IN THE COFFEEHOUSE PROJECT EITHER. 407 00:15:28,561 --> 00:15:31,162 - WAIT, DARIA, WHAT ABOUT WHAT WE DISCUSSED, 408 00:15:31,264 --> 00:15:32,997 READING SOMETHING ON OPENING NIGHT? 409 00:15:33,099 --> 00:15:34,398 - I DON'T THINK SO. 410 00:15:34,500 --> 00:15:37,335 - YOU DO WANT THIS EXTRACURRICULAR ACTIVITY, 411 00:15:37,437 --> 00:15:38,436 DON'T YOU? 412 00:15:38,538 --> 00:15:41,572 - ♪ POP GOES THE WEASEL ♪ 413 00:15:41,674 --> 00:15:43,207 - FINE. 414 00:15:43,309 --> 00:15:47,011 - FABULOUS. 415 00:15:47,113 --> 00:15:48,713 - ALTHOUGH I STILL DON'T KNOW 416 00:15:48,815 --> 00:15:50,815 WHERE WE'RE GOING TO FIND THAT $200. 417 00:15:50,917 --> 00:15:53,251 WELL, MAYBE THE FRESHMEN VOLUNTEERS 418 00:15:53,352 --> 00:15:54,885 WILL MAKE UP SOME OF IT. 419 00:15:54,987 --> 00:15:58,055 - HI, YOU GOT ANY MORE OF THOSE PHONE CARDS? 420 00:16:00,627 --> 00:16:03,360 - HOW ABOUT THE BLEAKNESS THAT LIES AHEAD? 421 00:16:03,462 --> 00:16:04,962 - TOO SENTIMENTAL. 422 00:16:05,064 --> 00:16:07,431 - NO LIFE, NO HOPE, NO FUTURE. 423 00:16:07,533 --> 00:16:09,667 - TOO PIE-IN-THE-SKY. 424 00:16:09,769 --> 00:16:11,268 - MOMMY'S LITTLE HYPOCRITE. 425 00:16:11,370 --> 00:16:13,004 - TOO MUCH LIKE A CHILDREN'S BOOK. 426 00:16:13,106 --> 00:16:14,839 - I WISH I WERE DEAD. 427 00:16:14,941 --> 00:16:17,007 - THAT SOUNDS PROMISING. 428 00:16:17,110 --> 00:16:19,510 LISTEN, YOU GOT TO GIVE THEM SOMETHING 429 00:16:19,612 --> 00:16:21,278 THEY'LL REALLY APPRECIATE. 430 00:16:21,380 --> 00:16:24,015 PICTURE KEVIN AND BRITTANY DRINKING IN YOUR WORDS 431 00:16:24,117 --> 00:16:29,286 LIKE AN ELIXIR OF KNOWLEDGE, HEADY, POTENT, SEDUCTIVE. 432 00:16:29,388 --> 00:16:31,756 - ARE YOU MARKETING YOUR OWN FRAGRANCE NOW? 433 00:16:31,858 --> 00:16:36,761 I'M GONNA HAVE TO WRITE SOMETHING NEW FOR THE OCCASION. 434 00:16:36,863 --> 00:16:38,129 [screeching guitar music] 435 00:16:38,231 --> 00:16:39,597 - ♪ CAN'T STAND YOUR LIPS ♪ 436 00:16:39,699 --> 00:16:41,599 ♪ CAN'T STAND YOUR EYES ♪ 437 00:16:41,701 --> 00:16:43,568 ♪ CAN'T STAND YOUR TEETH ♪ 438 00:16:43,670 --> 00:16:45,870 ♪ CAN'T STAND YOUR THIGHS ♪ 439 00:16:45,972 --> 00:16:53,111 ♪ THAT'S WHY I LOVE YOU ♪ 440 00:16:53,213 --> 00:16:57,815 DAMN IT! DAMN IT! DAMN IT! DAMN IT! 441 00:16:57,917 --> 00:17:02,019 - OH, ROMEO, ROMEO. 442 00:17:02,121 --> 00:17:06,423 WHEREFORE ART THOU, ROMEO? 443 00:17:06,525 --> 00:17:07,658 - I'M RIGHT HERE, BABE. 444 00:17:07,760 --> 00:17:10,895 [cheers and catcalls] 445 00:17:10,996 --> 00:17:14,966 - DENY THY FATHER AND REFUSE THY NAME, 446 00:17:15,068 --> 00:17:17,334 OR IF THOU WILT NOT, 447 00:17:17,436 --> 00:17:20,371 BE BUT SWORN MY LOVE, 448 00:17:20,473 --> 00:17:24,275 AND I'LL NO LONGER BE A CAPULET. 449 00:17:24,377 --> 00:17:26,210 - HEY, YO, I'M DOWN HERE. 450 00:17:26,312 --> 00:17:27,278 CHECK IT OUT. 451 00:17:27,380 --> 00:17:29,313 - "CHECK IT OUT"? 452 00:17:29,415 --> 00:17:31,215 YOU PROMISED TO LEARN YOUR LINES. 453 00:17:31,317 --> 00:17:32,816 YOU, YOU CLOWN! 454 00:17:32,918 --> 00:17:35,186 AND WHAT'S THAT SKULL SUPPOSED TO BE? 455 00:17:35,288 --> 00:17:37,221 UGH. 456 00:17:37,323 --> 00:17:38,722 - THE SKULL'S COOL. 457 00:17:38,824 --> 00:17:41,125 - I'M HERE. 458 00:17:41,227 --> 00:17:43,127 BUT WHERE ARE YOU? 459 00:17:43,229 --> 00:17:45,862 SURE, I SEE YOUR BODY. 460 00:17:45,965 --> 00:17:49,266 ANYBODY HOME IN THAT ROTTING BAG OF FLESH? 461 00:17:51,503 --> 00:17:52,636 - SEE? 462 00:17:52,738 --> 00:17:54,638 YOU DON'T WANT TO DO POETRY FOR THIS CROWD. 463 00:17:54,740 --> 00:17:57,107 - YOU THINK IT'S TOO LATE FOR ME TO LEARN JUGGLING? 464 00:17:57,209 --> 00:17:59,076 - YEP. 465 00:17:59,178 --> 00:18:02,446 - THANK YOU VERY MUCH, ANDREA. 466 00:18:02,548 --> 00:18:04,248 IT TAKES A LOT OF COURAGE 467 00:18:04,350 --> 00:18:08,819 TO EXPOSE YOUR RAW EMOTIONS THAT WAY. 468 00:18:08,921 --> 00:18:12,322 NOW, SPEAKING OF RAW EMOTIONS, 469 00:18:12,425 --> 00:18:15,092 IT'S MY PLEASURE TO INTRODUCE 470 00:18:15,194 --> 00:18:18,262 ONE OF LAWNDALE HIGH'S MOST GIFTED WRITERS, 471 00:18:18,364 --> 00:18:20,764 DARIA MORGENDORFFER. 472 00:18:20,866 --> 00:18:23,600 [scattered applause] 473 00:18:23,702 --> 00:18:25,236 - THANK YOU. 474 00:18:25,338 --> 00:18:27,771 TONIGHT I'D LIKE TO READ A NEW STORY I'VE WRITTEN 475 00:18:27,873 --> 00:18:30,307 TITLED WHERE THE FUTURE TAKES US. 476 00:18:30,410 --> 00:18:31,608 - YOU INSENSITIVE JERK! 477 00:18:31,710 --> 00:18:32,643 [glass shattering] 478 00:18:32,745 --> 00:18:34,045 - OW. 479 00:18:34,147 --> 00:18:37,447 - "AS STUDENTS STANDING AT THE DAWN OF A BRAND-NEW CENTURY, 480 00:18:37,549 --> 00:18:39,183 "WE FACE CERTAIN CHOICES. 481 00:18:39,285 --> 00:18:41,352 "HOW DO WE PREPARE FOR THE FUTURE? 482 00:18:41,454 --> 00:18:44,689 "MELODY POWERS KNEW HOW SHE WAS GOING TO PREPARE. 483 00:18:44,791 --> 00:18:46,390 "AS SHE CHECKED THE FIT ONE MORE TIME 484 00:18:46,492 --> 00:18:48,425 "ON HER TOOL LEATHER SHOULDER HOLSTER, 485 00:18:48,527 --> 00:18:49,960 "SHE THOUGHT ABOUT ALL THE COMMUNISTS 486 00:18:50,062 --> 00:18:51,929 "SHE'D BE TAKING OUT TONIGHT. 487 00:18:52,031 --> 00:18:53,797 "MELODY HARBORED NO ILLUSIONS 488 00:18:53,900 --> 00:18:57,301 "ABOUT UNILATERALLY STEMMING THE RESURGING RED TIDE, 489 00:18:57,403 --> 00:18:59,803 "BUT, SHE REFLECTED WITH A GRIM SMILE, 490 00:18:59,905 --> 00:19:02,440 "WHAT SPECIAL AGENT COULD RESIST THE OPPORTUNITY 491 00:19:02,542 --> 00:19:06,410 TO FILL A FEW BOLSHEVIK CEMETERIES?" 492 00:19:06,512 --> 00:19:09,046 "AS MELODY SUNBATHED ON THE RIO BEACH, 493 00:19:09,148 --> 00:19:10,881 "SHE LOOKED BACK UPON THE PAST FEW DAYS 494 00:19:10,983 --> 00:19:13,384 "WITH A CERTAIN QUIET SATISFACTION. 495 00:19:13,486 --> 00:19:16,887 "TWELVE DEAD RUSSIANS, FIVE DEAD CHINESE, 496 00:19:16,989 --> 00:19:19,189 "THREE OR FOUR DEAD CUBANS. 497 00:19:19,292 --> 00:19:22,293 "'THE WORLD WAS ONCE AGAIN SAFE FOR DEMOCRACY,' 498 00:19:22,395 --> 00:19:25,663 "SHE REFLECTED WHILE WATCHING TONIO'S EXQUISITE CHEST 499 00:19:25,765 --> 00:19:28,332 "RISE AND FALL WITH HIS LIGHT SNORING. 500 00:19:28,434 --> 00:19:33,470 "SAFE FOR DEMOCRACY, OR ALMOST SAFE. 501 00:19:33,572 --> 00:19:37,274 "MELODY BRUSHED SOME ERRANT GRAINS OF SAND OFF HER FINGERS, 502 00:19:37,376 --> 00:19:40,677 "TIED HER TOP BACK ON, AND REACHED INTO HER BEACH BAG. 503 00:19:40,779 --> 00:19:44,481 "TONIO HEARD NOTHING, AND THAT WAS A PITY, 504 00:19:44,583 --> 00:19:47,551 "BECAUSE HE WOULD NEVER HEAR ANYTHING AGAIN. 505 00:19:47,653 --> 00:19:51,455 "'SO LONG, TONIO,' SHE THOUGHT AS SHE CALMLY STOOD UP. 506 00:19:51,557 --> 00:19:52,756 "'I COULD HAVE LOVED YOU 507 00:19:52,858 --> 00:19:54,491 "'IF YOU WEREN'T AS RED AS THE BLOOD STAIN 508 00:19:54,594 --> 00:19:56,894 "NOW SPREADING ACROSS THE SAND.' 509 00:19:56,996 --> 00:20:00,264 "MELODY WALKED CALMLY AWAY TOWARD THE HOTEL. 510 00:20:00,366 --> 00:20:02,600 "THERE'D BE A MESSAGE THERE FROM HQ, NO DOUBT. 511 00:20:02,702 --> 00:20:06,536 SHE HOPED SHE HAD TIME FOR A SHOWER." 512 00:20:06,638 --> 00:20:08,573 - YEAH. 513 00:20:08,675 --> 00:20:12,309 [cheers and applause] 514 00:20:16,549 --> 00:20:20,117 - "CAFE LAWNDALE CLOSED UNTIL FURTHER NOTICE." 515 00:20:20,219 --> 00:20:22,453 ISN'T THAT THE COFFEEHOUSE YOU WERE WORKING FOR? 516 00:20:22,555 --> 00:20:24,922 - YEAH, BUT I ALREADY GOT MY EXTRA CREDIT. 517 00:20:25,024 --> 00:20:26,857 THEY CAN'T TAKE IT AWAY NOW. 518 00:20:26,959 --> 00:20:29,026 - "SCHOOL AUTHORITIES HAVE DECIDED TO CLOSE 519 00:20:29,128 --> 00:20:31,195 "LAWNDALE'S NEW YOUNG ADULT COFFEEHOUSE 520 00:20:31,297 --> 00:20:32,596 "AFTER ITS OPENING NIGHT 521 00:20:32,699 --> 00:20:36,400 "SOMEHOW TURNED INTO AN ANTICOMMUNIST RALLY. 522 00:20:36,502 --> 00:20:38,769 "'SOME UNSCHEDULED PROPAGANDIZING WENT ON, 523 00:20:38,871 --> 00:20:41,205 "AND THE STUDENTS REACTED A LITTLE TOO FAVORABLY,' 524 00:20:41,307 --> 00:20:43,240 "EXPLAINED COFFEEHOUSE DIRECTOR TIMOTHY O'NEAL, 525 00:20:43,342 --> 00:20:44,975 A TEACHER AT LAWNDALE HIGH." 526 00:20:45,077 --> 00:20:47,411 - BREAKFAST MEETING AT THE ROYALTON. 527 00:20:47,513 --> 00:20:49,947 - BUT YOU HAVEN'T EVEN TASTED MY SOUFFLE. 528 00:20:50,049 --> 00:20:52,616 - "FOLLOWING A READING OF SOME RIGHT-WING LITERATURE, 529 00:20:52,718 --> 00:20:54,485 "SEVERAL MEMBERS OF THE FOOTBALL TEAM 530 00:20:54,587 --> 00:20:56,654 "MARCHED DOWN NORTH AVENUE, 531 00:20:56,756 --> 00:20:59,156 "INTENDING TO STONE THE RUSSIAN EMBASSY. 532 00:20:59,258 --> 00:21:01,358 OF COURSE, THERE ARE NO EMBASSIES IN LAWNDALE." 533 00:21:01,460 --> 00:21:04,028 WOW, DID YOU GIRLS KNOW ANYTHING ABOUT THIS? 534 00:21:04,130 --> 00:21:05,562 - I WASN'T THERE. 535 00:21:05,665 --> 00:21:07,331 I HAD A REAL DATE. 536 00:21:07,433 --> 00:21:09,933 - "'TEENS ARE IMPRESSIONABLE,' O'NEAL SAID, 537 00:21:10,035 --> 00:21:12,503 "'AND THE LAST THING WE WANT IS TO PROVIDE A BASE OF OPERATIONS 538 00:21:12,605 --> 00:21:14,271 FOR POLITICAL EXTREMISTS.'" 539 00:21:14,373 --> 00:21:15,539 DARIA, DID YOU HAVE ANY IDEA 540 00:21:15,642 --> 00:21:17,441 WE HAD THESE KINDS OF RADICALS HERE IN TOWN? 541 00:21:17,543 --> 00:21:20,978 - NO, BUT WE'VE GOT TO MAINTAIN CONSTANT VIGILANCE 542 00:21:21,080 --> 00:21:22,546 AGAINST THOSE WHO WOULD MANIPULATE US 543 00:21:22,649 --> 00:21:24,782 INTO ACTIONS WE'D NEVER TAKE ON OUR OWN. 544 00:21:24,884 --> 00:21:26,483 - I'LL SAY. 545 00:21:26,585 --> 00:21:30,821 - [humming Pop Goes the Weasel] 546 00:21:32,591 --> 00:21:34,024 [glass shattering] 547 00:21:34,126 --> 00:21:36,694 [alarm ringing] 548 00:21:36,796 --> 00:21:38,996 [sirens blaring] 549 00:21:39,098 --> 00:21:41,232 - ♪ LA-LA, LA, LA-LA ♪ 550 00:21:41,334 --> 00:21:44,234 [dissonant rock music] 551 00:21:44,336 --> 00:21:52,242 ♪ ♪ 552 00:21:52,344 --> 00:21:54,177 Captioning by CaptionMax www.captionmax.com