1
00:00:14,381 --> 00:00:15,280
[glass shattering]
2
00:00:15,382 --> 00:00:17,282
[alarm ringing]
3
00:00:17,384 --> 00:00:20,318
[sirens blaring]
4
00:00:23,690 --> 00:00:25,290
- COME ON, MACK DADDY.
5
00:00:25,392 --> 00:00:26,858
I'LL GET THE COACH
TO WRITE US A NOTE,
6
00:00:26,960 --> 00:00:29,227
SAY WE NEED EXTRA TIME
ON THE FREE WEIGHTS.
7
00:00:29,329 --> 00:00:31,163
- DON'T CALL ME THAT, OKAY?
8
00:00:31,265 --> 00:00:32,998
AND THEY'RE NOT GONNA
EXCUSE YOU FROM ENGLISH
9
00:00:33,100 --> 00:00:34,433
FOR WEIGHT TRAINING.
10
00:00:34,535 --> 00:00:37,001
- I CAN'T TAKE ANY MORE
OF THIS SHAKESPEARE DUDE, BRO.
11
00:00:37,103 --> 00:00:39,571
HE'S, LIKE,
A TOTAL CHICK WRITER.
12
00:00:39,673 --> 00:00:41,306
- HI, MACK.
13
00:00:41,408 --> 00:00:44,576
HI, ROMEO.
14
00:00:44,678 --> 00:00:45,777
- SEE?
15
00:00:45,880 --> 00:00:47,178
- MAYBE WE'LL
START HAMLET TODAY.
16
00:00:47,280 --> 00:00:48,380
THAT HAS A SKULL IN IT.
17
00:00:48,482 --> 00:00:49,748
- REALLY?
18
00:00:49,850 --> 00:00:53,318
- EXCUSE ME.
19
00:00:53,420 --> 00:00:55,353
- DARIA, YOU'RE A CHICK, RIGHT?
20
00:00:55,455 --> 00:00:56,388
- WHY?
21
00:00:56,490 --> 00:00:58,022
YOU HAVE A BIOLOGY TEST TODAY?
22
00:00:58,124 --> 00:01:00,625
- LIKE, WHY
SHOULD I BE INTERESTED
23
00:01:00,727 --> 00:01:02,527
IN ANYTHING
THIS SHAKESPEARE GUY SAYS?
24
00:01:02,629 --> 00:01:03,795
- YOU?
25
00:01:03,897 --> 00:01:05,464
WELL...
26
00:01:05,566 --> 00:01:07,632
HAMLET
HAS A SKULL IN IT.
27
00:01:07,734 --> 00:01:08,934
[bell rings]
28
00:01:09,036 --> 00:01:12,770
- CLASS, I THOUGHT TODAY
WE'D TAKE A BREAK
29
00:01:12,873 --> 00:01:15,006
FROM THE TRAGEDY
OF ROMEO AND JULIET
30
00:01:15,108 --> 00:01:17,509
TO DISCUSS
THE REAL-LIFE TRAGEDY
31
00:01:17,611 --> 00:01:19,811
THAT HAPPENED LAST NIGHT
HERE IN LAWNDALE.
32
00:01:19,913 --> 00:01:23,081
LET'S SHARE OUR FEELINGS
OF VIOLATION
33
00:01:23,183 --> 00:01:26,651
FOLLOWING THE LOSS
OF OUR BELOVED CYBER CAFE,
34
00:01:26,753 --> 00:01:28,887
ALT.LAWNDALE.COM.
35
00:01:28,989 --> 00:01:31,123
WHO WOULD LIKE TO START?
36
00:01:31,225 --> 00:01:33,358
CHARLES?
37
00:01:33,460 --> 00:01:36,261
CHARLES, DID YOU HEAR ME?
38
00:01:36,363 --> 00:01:37,595
- YOU MEAN KEVIN?
39
00:01:40,467 --> 00:01:42,534
- KEVIN, I'M SORRY.
40
00:01:42,636 --> 00:01:45,003
YOU LOOK LIKE SOMEBODY ELSE.
41
00:01:45,105 --> 00:01:48,006
WHAT DO YOU HAVE TO SAY ABOUT
LAST NIGHT'S HORRIBLE EVENT?
42
00:01:48,108 --> 00:01:49,107
- I WAS HOME ALL NIGHT.
43
00:01:49,209 --> 00:01:50,308
YOU CAN ASK MY PARENTS.
44
00:01:50,410 --> 00:01:51,976
BESIDES, I ALREADY HAVE
A COMPUTER.
45
00:01:52,078 --> 00:01:53,779
- NO, KEVIN.
46
00:01:53,881 --> 00:01:57,415
I MEAN, HOW DID THE THEFT
MAKE YOU FEEL?
47
00:01:57,517 --> 00:01:59,417
- UM...SAD?
48
00:01:59,519 --> 00:02:01,252
- ARE YOU ASKING ME
OR TELLING ME?
49
00:02:01,354 --> 00:02:02,688
- ANGRY?
50
00:02:02,790 --> 00:02:04,289
- HMM.
51
00:02:04,391 --> 00:02:05,657
JODIE, HOW ABOUT YOU?
52
00:02:05,759 --> 00:02:07,359
- I THINK THE CYBER CAFE
53
00:02:07,461 --> 00:02:09,361
SERVED ONE
VERY PARTICULAR SEGMENT
54
00:02:09,463 --> 00:02:10,662
OF THE COMMUNITY,
55
00:02:10,764 --> 00:02:12,130
BUT IT STILL PISSES ME OFF
56
00:02:12,232 --> 00:02:14,032
WHEN PEOPLE TAKE
WHAT ISN'T THEIRS.
57
00:02:14,134 --> 00:02:15,066
- THAT'S HOW I FEEL.
58
00:02:15,168 --> 00:02:16,601
- THANK YOU, KEVIN.
59
00:02:16,703 --> 00:02:19,437
- JODIE, ABOUT THAT WORD
"COMMUNITY,"
60
00:02:19,540 --> 00:02:22,340
ISN'T THAT THE WHOLE IDEA
OF A CYBER CAFE,
61
00:02:22,442 --> 00:02:25,544
TO JACK US IN
TO THE GLOBAL COMMUNITY?
62
00:02:25,646 --> 00:02:27,979
I THINK WHAT'S MOST DISTURBING
ABOUT THIS CRIME
63
00:02:28,081 --> 00:02:30,214
IS THE SYMBOLISM INVOLVED.
64
00:02:30,317 --> 00:02:31,482
DON'T YOU AGREE, JANE?
65
00:02:31,585 --> 00:02:32,584
- NO.
66
00:02:32,686 --> 00:02:34,118
- SUDDENLY, WE'RE CUT OFF.
67
00:02:34,220 --> 00:02:37,255
WE CAN'T HAIL OUR FRIENDS
ACROSS THE GLOBE AND SAY,
68
00:02:37,357 --> 00:02:39,958
"IT'S A BEAUTIFUL DAY
IN THE CYBER-HOOD."
69
00:02:40,060 --> 00:02:42,160
THEY DIDN'T JUST TAKE
A FEW COMPUTERS.
70
00:02:42,262 --> 00:02:46,531
THEY TOOK THE SYMBOL
OF OUR VIRTUAL COMMUNITY.
71
00:02:46,633 --> 00:02:52,137
TO VISIT ALT.LAWNDALE.COM WAS TO
COME TOGETHER WITH THE PLANET.
72
00:02:52,239 --> 00:02:53,538
- OH, COME ON.
73
00:02:53,640 --> 00:02:54,706
- YES?
74
00:02:54,808 --> 00:02:56,875
- "COME TOGETHER
WITH THE PLANET"?
75
00:02:56,977 --> 00:02:58,977
BY STARING AT A SCREEN
FOR HOURS,
76
00:02:59,079 --> 00:03:02,647
SITTING IN A ROOM FULL OF PEOPLE
YOU NEVER SAY A WORD TO?
77
00:03:02,749 --> 00:03:05,216
- HMM, INTERESTING POINT,
DORIAN.
78
00:03:05,318 --> 00:03:06,217
- DARIA.
79
00:03:06,319 --> 00:03:10,522
- UGH.
DAMN SPIDERS.
80
00:03:10,624 --> 00:03:14,092
DARIA, YOU BELIEVE THAT WHILE
CONNECTING LAWNDALE CITIZENS
81
00:03:14,194 --> 00:03:15,460
TO OUR GLOBAL NEIGHBORS,
82
00:03:15,562 --> 00:03:18,429
THE CAFE WAS ALIENATING US
FROM EACH OTHER.
83
00:03:18,532 --> 00:03:20,765
- I'M SAYING,
IF YOU REALLY MISS THE PLACE,
84
00:03:20,868 --> 00:03:23,101
PUT A MR. COFFEE
IN THE COMPUTER LAB.
85
00:03:23,203 --> 00:03:25,904
- SO IN YOUR OPINION,
86
00:03:26,006 --> 00:03:28,139
WHAT WE REALLY NEED
IS A RETURN
87
00:03:28,241 --> 00:03:30,108
TO THE TRADITIONAL
COFFEEHOUSE OF YORE,
88
00:03:30,210 --> 00:03:32,176
WHERE YOU'D WATCH
SOME PERFORMERS
89
00:03:32,278 --> 00:03:35,446
AND SHARE A CUP
WITH YOUR FRIENDS FACE-TO-FACE.
90
00:03:35,548 --> 00:03:36,714
- YOU'RE A VISIONARY.
91
00:03:36,816 --> 00:03:38,116
- RIGHT HERE AND NOW,
92
00:03:38,218 --> 00:03:42,120
LET'S PLEDGE TO MAKE
DARIA'S DREAM A REALITY.
93
00:03:42,222 --> 00:03:44,923
- YOU MEAN, THE ONE WHERE PEOPLE
WALKING DOWN THE STREET
94
00:03:45,025 --> 00:03:46,458
BURST INTO FLAMES?
95
00:03:46,560 --> 00:03:48,126
- THE COFFEEHOUSE.
96
00:03:48,228 --> 00:03:52,431
WE'LL PLAN IT, LOCATE IT,
RAISE THE MONEY, AND OPEN IT.
97
00:03:52,533 --> 00:03:55,567
- WOULD THAT QUALIFY AS
AN EXTRACURRICULAR ACTIVITY?
98
00:03:55,669 --> 00:03:57,135
- OF COURSE.
99
00:03:57,237 --> 00:04:00,172
- THEN I'D LIKE TO REGISTER
AS A CONSCIENTIOUS OBJECTOR.
100
00:04:05,646 --> 00:04:06,978
- HI.
101
00:04:07,080 --> 00:04:09,348
GOT TO CHANGE.
DINNER MEETING.
102
00:04:09,450 --> 00:04:10,749
- DID SOMETHING HAPPEN?
103
00:04:10,851 --> 00:04:12,917
- MM, DEPENDS ON
YOUR PERSPECTIVE.
104
00:04:13,019 --> 00:04:14,419
- HI.
NO DINNER FOR ME.
105
00:04:14,521 --> 00:04:16,722
EMERGENCY MEETING
OF THE FASHION CLUB.
106
00:04:16,823 --> 00:04:18,557
- I'LL MAKE UP
A NICE PLATE FOR YOU
107
00:04:18,659 --> 00:04:20,091
AND COVER IT WITH CLING-WRAP.
108
00:04:20,193 --> 00:04:21,560
- THAT WAS QUINN.
109
00:04:21,662 --> 00:04:24,463
- YES, BUT YOU
STILL HAVEN'T IDENTIFIED
110
00:04:24,565 --> 00:04:26,164
OUR FIRST MYSTERY GUEST.
111
00:04:26,267 --> 00:04:27,399
- DAMN IT.
112
00:04:27,501 --> 00:04:29,268
I JUST CALLED ERIC
FOR DIRECTIONS,
113
00:04:29,370 --> 00:04:31,002
AND HE SAID
THE MEETING'S CANCELLED.
114
00:04:31,104 --> 00:04:33,672
WELL, THAT GIVES US THE CHANCE
FOR A FAMILY DINNER.
115
00:04:33,774 --> 00:04:35,874
- I'LL THROW ANOTHER STEAK
ON THE GRILL.
116
00:04:35,976 --> 00:04:36,875
- LATER.
117
00:04:36,977 --> 00:04:38,343
- WHERE'S SHE GOING?
118
00:04:38,445 --> 00:04:40,345
- CRISIS AT THE FASHION CLUB.
119
00:04:40,447 --> 00:04:42,313
SOMEONE WOKE UP
WITH FROSTED HAIR.
120
00:04:42,415 --> 00:04:43,414
- YOU KNOW, DARIA,
121
00:04:43,516 --> 00:04:45,016
IT WOULDN'T HURT YOU
TO GET INVOLVED
122
00:04:45,119 --> 00:04:47,385
IN SOME AFTER-SCHOOL PROJECTS
ONCE IN A WHILE.
123
00:04:47,487 --> 00:04:48,787
- CAN'T TALK NOW.
124
00:04:48,888 --> 00:04:51,756
I'M CHAIRING A MEETING
OF THE RESTING QUIETLY CLUB.
125
00:04:51,858 --> 00:04:53,225
- I'M SERIOUS.
126
00:04:53,327 --> 00:04:54,726
WHEN YOU APPLY TO COLLEGE,
127
00:04:54,828 --> 00:04:57,161
THEY'RE GOING TO BE LOOKING FOR
THAT KIND OF THING, RIGHT, JAKE?
128
00:04:57,263 --> 00:04:58,296
- MM.
129
00:04:58,398 --> 00:04:59,764
- THEY'RE GOING TO BE
LOOKING TO SEE
130
00:04:59,866 --> 00:05:02,200
WHETHER I CAN PAY FOR SCHOOL.
131
00:05:02,302 --> 00:05:05,470
THIS MIGHT BE A GOOD TIME TO
TALK ABOUT SETTING UP A TRUST.
132
00:05:05,572 --> 00:05:07,806
- JAKE, TELL HER.
133
00:05:07,908 --> 00:05:08,840
TELL HER!
134
00:05:08,942 --> 00:05:10,208
- YES, WHAT?
135
00:05:10,310 --> 00:05:12,711
- ABOUT THE IMPORTANCE
OF EXTRACURRICULAR ACTIVITIES
136
00:05:12,813 --> 00:05:13,845
FOR GETTING INTO COLLEGE.
137
00:05:13,947 --> 00:05:14,913
- NO, WELL, THESE DAYS,
138
00:05:15,015 --> 00:05:16,414
IT'S MORE ABOUT
WHETHER YOU CAN PAY.
139
00:05:16,516 --> 00:05:18,650
- YOU'RE NOT HELPING ME.
140
00:05:18,752 --> 00:05:21,252
- HAVE YOU THOUGHT
ABOUT A LIVING WILL, DAD?
141
00:05:21,354 --> 00:05:22,721
- YOU THINK I NEED ONE?
142
00:05:22,823 --> 00:05:24,155
- JUST THINK ABOUT IT, DARIA.
143
00:05:24,257 --> 00:05:25,489
THAT'S ALL I ASK.
144
00:05:25,592 --> 00:05:26,691
- FAIR ENOUGH.
145
00:05:26,793 --> 00:05:27,859
- BECAUSE, OTHERWISE,
146
00:05:27,961 --> 00:05:29,694
WE MIGHT HAVE TO MAKE UP
FOR IT OVER THE SUMMER,
147
00:05:29,796 --> 00:05:31,028
SEND YOU TO MUSIC CAMP.
148
00:05:31,130 --> 00:05:32,363
- YOU WOULDN'T.
149
00:05:32,465 --> 00:05:34,266
- WHAT A GREAT IDEA.
150
00:05:34,367 --> 00:05:36,935
HOW COME YOU DON'T EVER PLAY
YOUR FLUTE ANYMORE, DARIA?
151
00:05:37,037 --> 00:05:40,038
- BECAUSE YOU RAN OVER IT
WHEN I WAS IN FIFTH GRADE,
152
00:05:40,140 --> 00:05:43,074
WHICH WAS TWO YEARS
AFTER I QUIT PLAYING ANYWAY,
153
00:05:43,176 --> 00:05:45,977
WHICH IS WHY I'D HAVE TO
INTERPRET MUSIC CAMP
154
00:05:46,079 --> 00:05:49,748
AS PUNISHMENT FOR DOING
SOMETHING VERY, VERY WRONG.
155
00:05:49,850 --> 00:05:50,782
- NONSENSE.
156
00:05:50,884 --> 00:05:51,916
IT WOULD JUST BE AN EASY WAY
157
00:05:52,019 --> 00:05:53,618
OF GETTING
SOME EXTRACURRICULAR ACTIVITY
158
00:05:53,720 --> 00:05:55,053
ON YOUR COLLEGE APPLICATIONS
159
00:05:55,155 --> 00:05:58,489
IF YOU WEREN'T ABLE TO COME UP
WITH ANY ON YOUR OWN.
160
00:05:58,592 --> 00:05:59,925
- YOU'RE GOOD.
161
00:06:00,027 --> 00:06:02,960
WHEN YOU PUT YOUR MIND TO IT,
YOU'RE VERY, VERY GOOD.
162
00:06:03,062 --> 00:06:04,329
- SURE, SHE IS.
163
00:06:09,903 --> 00:06:12,170
- YOU'LL FIND SOMETHING
TO GET INVOLVED WITH.
164
00:06:12,272 --> 00:06:14,806
IT'LL BE FUN.
165
00:06:14,908 --> 00:06:16,174
- WHERE'S QUINN?
166
00:06:16,276 --> 00:06:18,710
- ♪ LA-LA, LA, LA-LA ♪
167
00:06:18,812 --> 00:06:21,346
♪ LA-LA, LA, LA-LA ♪
168
00:06:28,988 --> 00:06:30,188
- OH.
169
00:06:32,659 --> 00:06:34,359
- IT'S DARIA.
170
00:06:34,461 --> 00:06:36,327
- HI, DARIA.
171
00:06:36,429 --> 00:06:37,929
WHAT'S UP?
172
00:06:38,031 --> 00:06:40,866
- I WANT TO VOLUNTEER
TO WORK ON THE COFFEEHOUSE.
173
00:06:40,968 --> 00:06:42,134
- FANTASTIC.
174
00:06:42,235 --> 00:06:43,768
WHAT MADE YOU CHANGE YOUR MIND?
175
00:06:43,870 --> 00:06:47,171
- DID ANYONE EVER MAKE YOU
PRACTICE POP GOES THE WEASEL
176
00:06:47,273 --> 00:06:49,474
ON THE FLUTE
EVERY DAY FOR A YEAR?
177
00:06:49,576 --> 00:06:53,144
- UM, NO, BUT I ONCE HAD TO
RECITE THE GETTYSBURG ADDRESS
178
00:06:53,246 --> 00:06:55,680
WEARING A RAINBOW WIG
AND PANTIES THAT SAID "TUESDAY."
179
00:06:55,782 --> 00:06:58,283
WHATEVER MADE ME WANT
TO JOIN A FRATERNITY?
180
00:06:58,385 --> 00:06:59,818
[laughs]
181
00:06:59,920 --> 00:07:02,087
ANYWAY, THAT'S GREAT.
182
00:07:02,189 --> 00:07:03,955
I GUESS YOU'LL WANT TO READ
ONE OF YOUR ESSAYS.
183
00:07:04,057 --> 00:07:06,925
- NO, I WASN'T ACTUALLY THINKING
ABOUT PERFORMING.
184
00:07:07,027 --> 00:07:09,327
- MAYBE THAT ONE ABOUT
FEELING LIKE A BIG MISFIT
185
00:07:09,429 --> 00:07:10,561
WHOM EVERYBODY HATES.
186
00:07:10,663 --> 00:07:13,064
THE OTHER KIDS'LL REALLY
RELATE TO THAT.
187
00:07:13,166 --> 00:07:14,399
I KNOW I DO.
188
00:07:14,501 --> 00:07:17,502
- I DON'T KNOW
IF THAT'S SUCH A GREAT IDEA.
189
00:07:17,604 --> 00:07:20,105
THAT'S THE ONE THAT COMPARES
THE SOPHOMORE CLASS
190
00:07:20,207 --> 00:07:21,639
TO BARNYARD ANIMALS.
191
00:07:21,741 --> 00:07:23,207
IT NAMES NAMES.
192
00:07:23,309 --> 00:07:24,409
- OH, YEAH.
193
00:07:24,511 --> 00:07:26,812
- I'M REALLY NOT MUCH
OF A PERFORMER.
194
00:07:26,914 --> 00:07:29,380
I'M THINKING MORE ALONG
THE LINES OF FUND-RAISING.
195
00:07:29,482 --> 00:07:31,049
- OH...
196
00:07:31,151 --> 00:07:33,985
WELL, WE'RE SELLING MAGAZINES,
CDs, AND WRAPPING PAPER.
197
00:07:34,087 --> 00:07:35,053
JUMP IN.
198
00:07:35,155 --> 00:07:36,721
- CAN I GO WITH MY FRIEND JANE?
199
00:07:36,824 --> 00:07:37,789
- SURE.
200
00:07:37,891 --> 00:07:38,990
SHE WANTS TO HELP OUT?
201
00:07:39,092 --> 00:07:40,124
- MM-HMM.
202
00:07:40,226 --> 00:07:42,327
SHE'S A BIG JOINER.
203
00:07:42,429 --> 00:07:44,195
- NO WAY, BABY.
204
00:07:44,297 --> 00:07:45,363
- COME ON.
205
00:07:45,465 --> 00:07:46,397
DO IT FOR FRIENDSHIP.
206
00:07:46,499 --> 00:07:48,066
- I HAVE NO FRIENDS.
207
00:07:48,168 --> 00:07:49,333
I WALK ALONE.
208
00:07:49,435 --> 00:07:51,770
- WELL, THEN DO IT
FOR SISTERHOOD OR SOMETHING.
209
00:07:51,872 --> 00:07:53,071
- ARE YOU NUTS?
210
00:07:53,173 --> 00:07:55,006
- THEN DO IT
FOR THE OPPORTUNITY
211
00:07:55,108 --> 00:07:56,641
TO LOOK INSIDE PEOPLE'S HOUSES
212
00:07:56,743 --> 00:08:00,678
AND FIND OUT WHAT
SCREWED-UP TASTE THEY HAVE.
213
00:08:00,780 --> 00:08:03,214
- I'M BRINGING A POLAROID.
214
00:08:04,517 --> 00:08:06,417
- THIS IS FUN.
215
00:08:06,519 --> 00:08:08,820
- YEAH, PEOPLE GET A KICK
OUT OF SEEING SOMEONE
216
00:08:08,922 --> 00:08:10,322
FROM THE LAWNDALE LIONS.
217
00:08:10,424 --> 00:08:13,124
- YOU WERE SO SMART
TO WEAR YOUR JERSEY, KEVIN.
218
00:08:13,226 --> 00:08:14,759
- AWW.
219
00:08:14,861 --> 00:08:16,261
[doorbell rings]
220
00:08:16,363 --> 00:08:18,830
- HAVE YOU BEEN PRACTICING
YOUR LINES FOR THE COFFEEHOUSE?
221
00:08:18,932 --> 00:08:21,098
- AH, THEY GIVE ME
A HEADACHE, BABE.
222
00:08:21,200 --> 00:08:24,769
- KEVIN, PLEASE LEARN THEM,
OR I MIGHT GET A HEADACHE.
223
00:08:24,871 --> 00:08:26,671
- WHAT DO YOU MEAN?
224
00:08:26,773 --> 00:08:31,976
- WELL, WELL,
KEVIN AND BRITTANY.
225
00:08:32,078 --> 00:08:34,445
WHAT A DELIGHTFUL SURPRISE.
226
00:08:34,547 --> 00:08:36,147
- UH, HI.
227
00:08:36,249 --> 00:08:38,583
- YOU'VE COME, NO DOUBT,
TO APOLOGIZE
228
00:08:38,685 --> 00:08:40,618
FOR YOUR ACADEMIC PERFORMANCE.
229
00:08:40,720 --> 00:08:42,353
- UH, NO.
230
00:08:42,456 --> 00:08:45,289
- BUT WE ARE SORRY ABOUT, LIKE,
OUR GRADES AND STUFF.
231
00:08:45,391 --> 00:08:46,357
- WELL, THEN.
232
00:08:46,459 --> 00:08:49,126
TO WHAT DO I OWE THE PLEASURE?
233
00:08:49,228 --> 00:08:50,428
- WE'RE RAISING MONEY
FOR THE NEW
234
00:08:50,530 --> 00:08:51,863
LAWNDALE YOUNG ADULTS
COFFEEHOUSE.
235
00:08:51,965 --> 00:08:53,865
WOULD YOU LIKE TO BUY
SOME HOLIDAY WRAPPING PAPER?
236
00:08:53,967 --> 00:08:58,870
- WE'VE GOT RELIGIOUS, FESTIVE,
AND/OR MONTEL DOMITATIONAL.
237
00:08:58,972 --> 00:09:00,939
- THAT'S NON-DOMINATIONAL, BABE.
238
00:09:01,041 --> 00:09:03,808
- YEAH, NON-DOMINATIONAL.
239
00:09:03,910 --> 00:09:05,543
- WHAT AN ATTRACTIVE OFFER.
240
00:09:05,645 --> 00:09:07,912
TOO BAD THE HOLIDAYS
AREN'T FOR MONTHS.
241
00:09:08,014 --> 00:09:09,580
- HOW ABOUT
A MAGAZINE SUBSCRIPTION?
242
00:09:09,682 --> 00:09:12,317
- WOULD YOU LIKE TO JOIN
A CD OR A CASSETTE CLUB?
243
00:09:12,418 --> 00:09:15,887
20 ALBUMS FOR A PENNY,
AND NO OBLIGATION TO BUY, EVER.
244
00:09:15,989 --> 00:09:17,055
- HOW WOULD YOU LIKE TO RECEIVE
245
00:09:17,157 --> 00:09:19,390
FRAGRANT BLOOMING FLOWER SEEDS
EVERY MONTH?
246
00:09:19,492 --> 00:09:22,060
- IT'S GOOD TO SEE YOU BOTH
SO ENTERPRISING.
247
00:09:22,162 --> 00:09:23,995
I COULD MAKE
A TRITE OBSERVATION
248
00:09:24,097 --> 00:09:25,830
ABOUT WISHING
YOU WERE AS ENTERPRISING
249
00:09:25,932 --> 00:09:28,933
TOWARDS YOUR SCHOOLWORK
AS YOU ARE IN THIS EFFORT
250
00:09:29,035 --> 00:09:32,370
TO FIND FINANCING
FOR A NEW PLACE TO LOAF,
251
00:09:32,472 --> 00:09:34,271
BUT AM I THE SORT OF MAN
252
00:09:34,373 --> 00:09:37,341
WHO ENGAGES
IN TRITE OBSERVATIONS, BRITTANY?
253
00:09:37,443 --> 00:09:39,377
- UH...NO?
254
00:09:39,479 --> 00:09:40,712
- EXCELLENT, BRITTANY.
255
00:09:40,814 --> 00:09:42,379
NOW, WHILE YOU'RE ON A ROLL,
256
00:09:42,482 --> 00:09:44,616
AM I THE SORT OF MAN
WHO YOU SUPPOSE
257
00:09:44,718 --> 00:09:46,584
BELIEVES IN UNDERWRITING
THE INDOLENCE
258
00:09:46,686 --> 00:09:50,855
OF STUDENTS WHO ALREADY DISPLAY
THE WORK HABITS OF GARDEN SLUGS?
259
00:09:50,957 --> 00:09:53,858
- UH...I'LL GO WITH NO AGAIN?
260
00:09:53,960 --> 00:09:55,260
- VERY GOOD, BRITTANY.
261
00:09:55,361 --> 00:09:58,029
NOW, KEVIN,
GIVEN WHAT WE HAVE LEARNED
262
00:09:58,131 --> 00:10:00,031
FROM BRITTANY'S
RAZOR-SHARP OBSERVATIONS,
263
00:10:00,133 --> 00:10:02,733
IS THERE ANYTHING MORE
YOU'D LIKE TO SAY
264
00:10:02,836 --> 00:10:04,436
BEFORE DEPARTING
FROM MY DOORSTEP
265
00:10:04,537 --> 00:10:05,970
IN AN UNCOMFORTABLE HURRY?
266
00:10:06,072 --> 00:10:09,240
- UH...YOU WANT TO BUY
A CHOCOLATE BAR?
267
00:10:11,144 --> 00:10:13,611
- HI, I'M SELLING
LONG-DISTANCE PHONE CARDS.
268
00:10:13,713 --> 00:10:15,746
- I JUST USE A CREDIT CARD.
269
00:10:15,848 --> 00:10:18,950
- OH, WELL, ARE YOU REALLY HAPPY
WITH THE SERVICE?
270
00:10:19,052 --> 00:10:20,718
- UH...IT'S FINE.
271
00:10:20,820 --> 00:10:23,354
- I MEAN, ARE YOU REALLY HAPPY?
272
00:10:23,456 --> 00:10:24,655
- I DON'T GET YOU.
273
00:10:24,757 --> 00:10:26,223
WHY SHOULDN'T I BE?
274
00:10:26,325 --> 00:10:27,424
- I MEAN, ARE YOU EVER, LIKE,
275
00:10:27,527 --> 00:10:29,260
REALLY LOOKING FORWARD
TO TALKING TO SOMEONE,
276
00:10:29,362 --> 00:10:31,862
AND THEN YOU CAN'T HEAR THEM
BECAUSE OF CRACKLING AND STATIC?
277
00:10:31,964 --> 00:10:32,964
- NOT--
278
00:10:33,066 --> 00:10:34,399
- I MEAN, I KNOW
IF I WERE YOUR FRIEND
279
00:10:34,500 --> 00:10:35,666
AND YOU WERE CALLING ME,
280
00:10:35,768 --> 00:10:39,203
I'D WANT TO LISTEN TO YOU,
NOT SOME STATIC.
281
00:10:39,306 --> 00:10:42,406
I MEAN, YOU HAVE
A REALLY NICE VOICE.
282
00:10:42,508 --> 00:10:43,975
YOUR FRIENDS
SHOULD BE ABLE TO HEAR IT.
283
00:10:44,077 --> 00:10:45,043
- THEY USUALLY--
284
00:10:45,145 --> 00:10:46,444
- LIKE, PRETEND
YOU'RE CALLING ME.
285
00:10:46,546 --> 00:10:47,479
- WHAT?
286
00:10:47,580 --> 00:10:48,579
- REALLY, JUST TRY IT.
287
00:10:48,681 --> 00:10:49,747
MY NAME'S QUINN.
288
00:10:49,849 --> 00:10:50,915
WHAT'S YOUR NAME?
289
00:10:51,018 --> 00:10:52,217
- DANNY.
290
00:10:52,319 --> 00:10:54,619
- SO CALL ME, DANNY.
291
00:10:54,721 --> 00:10:57,022
- HELLO?
292
00:10:57,124 --> 00:10:58,823
UH, QUINN?
293
00:10:58,925 --> 00:11:00,492
- DANNY, IS THAT YOU?
294
00:11:00,593 --> 00:11:02,693
- HI, QUINN.
295
00:11:02,795 --> 00:11:03,928
- SPEAK UP, DANNY.
296
00:11:04,031 --> 00:11:04,963
I CAN'T HEAR YOU.
297
00:11:05,065 --> 00:11:06,797
- HI, QUINN.
298
00:11:06,899 --> 00:11:07,999
IT'S ME, DANNY.
299
00:11:08,101 --> 00:11:10,435
- I'VE BEEN THINKING
ABOUT YOU ALL DAY.
300
00:11:10,536 --> 00:11:13,438
THE WAY YOUR HAIR FALLS
OVER YOUR EYES WHEN YOU LAUGH,
301
00:11:13,539 --> 00:11:15,006
I CAN'T GET IT OUT OF MY HEAD.
302
00:11:15,108 --> 00:11:16,040
- REALLY?
303
00:11:16,142 --> 00:11:17,341
- YOU GOT TO SPEAK UP, DANNY.
304
00:11:17,443 --> 00:11:19,110
LISTEN, DO YOU WANT
TO COME OVER TONIGHT?
305
00:11:19,212 --> 00:11:20,978
MY FOLKS WENT AWAY
FOR THE WHOLE WEEKEND.
306
00:11:21,080 --> 00:11:22,012
- YEAH!
307
00:11:22,115 --> 00:11:24,048
I MEAN, SURE, QUINN.
308
00:11:24,150 --> 00:11:25,449
- OH, THAT'S OKAY, DANNY.
309
00:11:25,552 --> 00:11:26,685
I UNDERSTAND.
310
00:11:26,787 --> 00:11:28,853
I'LL SEE IF PETE
WANTS TO COME OVER, HMM.
311
00:11:28,955 --> 00:11:30,354
- BUT I SAID--
- BYE.
312
00:11:30,456 --> 00:11:32,123
- WAIT.
- CLICK.
313
00:11:32,225 --> 00:11:35,727
SEE WHAT CAN HAPPEN WITH BAD
LONG-DISTANCE SERVICE, DANNY?
314
00:11:35,829 --> 00:11:37,295
- WHO'S PETE?
315
00:11:39,499 --> 00:11:41,766
[doorbell rings]
316
00:11:44,504 --> 00:11:46,003
- UH, HI.
317
00:11:46,105 --> 00:11:49,707
I'M SELLING CHOCOLATE BARS FOR
THE NEW STUDENT COFFEEHOUSE.
318
00:11:49,809 --> 00:11:51,342
- [breathing heavily]
NEW COFFEEHOUSE?
319
00:11:51,444 --> 00:11:53,778
- OUR CYBER CAFE GOT TRASHED.
320
00:11:53,880 --> 00:11:56,347
- WELL, I ENJOY CHOCOLATE.
321
00:11:56,449 --> 00:11:59,117
DOCTOR SAYS I'M NOT SUPPOSED
TO HAVE TOO MUCH OF IT,
322
00:11:59,219 --> 00:12:02,353
BUT HE WOULDN'T MIND
IF IT'S FOR A GOOD CAUSE.
323
00:12:02,455 --> 00:12:03,621
[breathing heavily]
324
00:12:09,896 --> 00:12:11,662
JUST A SECOND, GIRLS.
325
00:12:11,764 --> 00:12:14,265
- ARE YOU ALL RIGHT?
326
00:12:14,367 --> 00:12:16,101
- YEAH, YEAH, JUST--
327
00:12:16,203 --> 00:12:19,170
I WAS IN THE BASEMENT
WHEN THE DOORBELL RANG.
328
00:12:19,272 --> 00:12:21,840
NEED TO CATCH MY BREATH
A LITTLE.
329
00:12:21,942 --> 00:12:24,041
HOW MANY CHOCOLATE BARS
YOU GOT THERE?
330
00:12:24,143 --> 00:12:26,243
- WE'VE GOT ABOUT TWO BOXES.
331
00:12:26,346 --> 00:12:28,279
THAT'S 24.
332
00:12:28,381 --> 00:12:30,714
- TELL YOU WHAT,
I'LL TAKE ALL OF 'EM.
333
00:12:30,816 --> 00:12:32,850
- ALL OF 'EM?
REALLY?
334
00:12:32,952 --> 00:12:35,086
- YOU SURE THAT'S OKAY
WITH YOUR DOCTOR?
335
00:12:35,188 --> 00:12:38,289
- IT'S OKAY AS LONG AS
HE DON'T KNOW ABOUT IT.
336
00:12:38,391 --> 00:12:40,391
DAMN IT, WHERE'S THAT PURSE?
337
00:12:40,493 --> 00:12:44,028
[coughing]
338
00:12:46,433 --> 00:12:51,336
[rock music]
339
00:12:56,409 --> 00:12:57,341
- UH-OH.
340
00:12:57,443 --> 00:12:58,910
- DID SHE HIT HER HEAD?
341
00:12:59,012 --> 00:13:00,344
- I DON'T THINK SO.
342
00:13:00,446 --> 00:13:02,180
- DO YOU KNOW CPR OR ANYTHING?
343
00:13:02,282 --> 00:13:05,082
- I ONCE GAVE
THE HEIMLICH MANEUVER TO QUINN.
344
00:13:05,185 --> 00:13:06,117
- DID IT WORK?
345
00:13:06,219 --> 00:13:07,719
- SHE WASN'T CHOKING.
346
00:13:09,455 --> 00:13:10,922
- WE SHOULD BE
DOING SOMETHING NOW.
347
00:13:11,024 --> 00:13:12,156
I'M SURE OF IT.
348
00:13:12,258 --> 00:13:15,159
- YEAH, I THINK YOU'RE RIGHT.
349
00:13:15,261 --> 00:13:16,460
[camera clicking and whirring]
350
00:13:16,562 --> 00:13:18,696
- DAMN HYPOGLYCEMIA.
351
00:13:18,798 --> 00:13:21,098
I'M SORRY, GIRLS.
I'M HOLDING UP THE WORKS.
352
00:13:21,200 --> 00:13:24,568
OKAY, NOW, HOW MUCH APIECE
ON THOSE CHOCOLATE BARS?
353
00:13:24,671 --> 00:13:28,205
- MA'AM, I'M NOT SURE I CAN
SELL YOU ANY CHOCOLATE BARS.
354
00:13:28,307 --> 00:13:29,340
- WHAT'S THE MATTER?
355
00:13:29,442 --> 00:13:31,175
MY MONEY'S NOT GOOD ENOUGH
FOR YOU?
356
00:13:31,277 --> 00:13:36,180
- IT'S NOT THAT; IT'S JUST--
MAYBE IT'S NOT SUCH A GOOD IDEA.
357
00:13:36,282 --> 00:13:38,015
- GIMME THOSE CHOCOLATE BARS.
358
00:13:38,117 --> 00:13:39,650
- THANK YOU FOR YOUR OFFER,
THOUGH, MA'AM,
359
00:13:39,752 --> 00:13:41,752
AND FOR CARING ABOUT
THE STUDENTS OF LAWNDALE HIGH.
360
00:13:41,855 --> 00:13:44,955
- WE COULD CALL YOUR DOCTOR
OR THE HOSPITAL IF YOU LIKE.
361
00:13:45,057 --> 00:13:46,891
OTHERWISE, WE'LL BE GOING.
362
00:13:46,993 --> 00:13:48,325
- I DON'T NEED A DAMN DOCTOR.
363
00:13:48,428 --> 00:13:50,294
I NEED A DAMN CHOCOLATE BAR.
364
00:13:50,396 --> 00:13:52,529
GIMME.
I'LL PAY YA FIVE BUCKS APIECE.
365
00:13:52,632 --> 00:13:54,232
- HAVE A NICE DAY, MA'AM.
366
00:13:54,333 --> 00:13:56,000
- I WANT THOSE CHOCOLATE BARS.
367
00:13:56,102 --> 00:13:58,202
I WANT CHOCOLATE, DAMN IT!
368
00:13:58,304 --> 00:14:00,638
- FIVE DOLLARS APIECE.
369
00:14:00,740 --> 00:14:02,973
WE WOULD HAVE MADE
OVER 100 BUCKS.
370
00:14:03,075 --> 00:14:06,511
- YEAH, AND ALL WE HAD TO DO
WAS TAKE A HUMAN LIFE.
371
00:14:06,613 --> 00:14:09,714
- YOU ALWAYS SEE THE DOWNSIDE,
DON'T YOU?
372
00:14:09,816 --> 00:14:10,748
[bell ringing]
373
00:14:10,850 --> 00:14:12,050
- DARIA, JANE.
374
00:14:12,152 --> 00:14:13,751
DARIA, JANE.
375
00:14:13,853 --> 00:14:16,554
DARIA, JANE.
376
00:14:16,656 --> 00:14:19,891
- COME IN, MS. MORGENDORFFER,
MS. LANE.
377
00:14:19,993 --> 00:14:21,159
SIT DOWN.
378
00:14:21,261 --> 00:14:23,027
THE SCHOOL RECEIVED
A PHONE CALL THIS MORNING
379
00:14:23,129 --> 00:14:24,962
FROM A MRS. JOHANSEN.
380
00:14:25,064 --> 00:14:26,798
SHE SAID TWO GIRLS
CAME TO HER DOOR
381
00:14:26,900 --> 00:14:28,533
TO SELL HER CHOCOLATE BARS
382
00:14:28,635 --> 00:14:30,835
AND THEN SUDDENLY
REFUSED TO DO SO, HMM.
383
00:14:30,937 --> 00:14:33,437
EVEN AFTER SHE OFFERED
$5 A BAR
384
00:14:33,540 --> 00:14:35,807
OR MORE THAN TWICE
THE ASKING PRICE.
385
00:14:35,909 --> 00:14:37,374
- SHE WAS HYPOGLYCEMIC.
386
00:14:37,477 --> 00:14:39,210
THE CHOCOLATE
WOULD HAVE KILLED HER.
387
00:14:39,312 --> 00:14:41,412
- SHE PASSED OUT
WHILE WE WERE STANDING THERE.
388
00:14:41,514 --> 00:14:44,215
- DID SHE ASK YOU TO FEED HER
THE CHOCOLATE?
389
00:14:44,317 --> 00:14:45,583
- NO.
390
00:14:45,685 --> 00:14:48,218
- HOW DO YOU KNOW
IT WASN'T FOR HER FAMILY?
391
00:14:48,320 --> 00:14:50,888
- SHE HAS NO FAMILY.
SHE ATE THEM.
392
00:14:50,990 --> 00:14:54,558
- DARIA, JEAN,
WE'RE $200 SHORT
393
00:14:54,660 --> 00:14:56,560
OF WHAT WE NEED TO OPEN
THE COFFEEHOUSE.
394
00:14:56,662 --> 00:15:00,197
- SO YOUR REFUSAL TO SELL
CHOCOLATE TO THIS WOMAN
395
00:15:00,299 --> 00:15:03,134
WAS BASED PURELY ON CONCERN
FOR HER WELFARE.
396
00:15:03,236 --> 00:15:06,370
- AND NOT WANTING TO DO TIME
FOR MANSLAUGHTER.
397
00:15:06,472 --> 00:15:08,572
- YOU HAVE NO OVERALL PROBLEM
398
00:15:08,674 --> 00:15:10,708
WITH RAISING MONEY
FOR THE COFFEEHOUSE?
399
00:15:10,810 --> 00:15:12,343
- I BELIEVE IN COFFEE.
400
00:15:12,445 --> 00:15:13,711
COFFEE FOR EVERYONE,
401
00:15:13,813 --> 00:15:16,280
BUT I DON'T WANT TO SELL
ANY MORE CHOCOLATE BARS.
402
00:15:16,382 --> 00:15:18,049
IT MAKES ME FEEL DIRTY.
403
00:15:18,151 --> 00:15:19,717
- THE BAD KIND OF DIRTY.
404
00:15:19,819 --> 00:15:22,754
- WELL, I CAN'T FORCE YOU
TO DO FUND-RAISING,
405
00:15:22,856 --> 00:15:26,157
BUT I CAN'T GIVE YOU CREDIT
FOR PARTICIPATING
406
00:15:26,259 --> 00:15:28,459
IN THE COFFEEHOUSE PROJECT
EITHER.
407
00:15:28,561 --> 00:15:31,162
- WAIT, DARIA,
WHAT ABOUT WHAT WE DISCUSSED,
408
00:15:31,264 --> 00:15:32,997
READING SOMETHING
ON OPENING NIGHT?
409
00:15:33,099 --> 00:15:34,398
- I DON'T THINK SO.
410
00:15:34,500 --> 00:15:37,335
- YOU DO WANT
THIS EXTRACURRICULAR ACTIVITY,
411
00:15:37,437 --> 00:15:38,436
DON'T YOU?
412
00:15:38,538 --> 00:15:41,572
- ♪ POP GOES THE WEASEL ♪
413
00:15:41,674 --> 00:15:43,207
- FINE.
414
00:15:43,309 --> 00:15:47,011
- FABULOUS.
415
00:15:47,113 --> 00:15:48,713
- ALTHOUGH I STILL DON'T KNOW
416
00:15:48,815 --> 00:15:50,815
WHERE WE'RE GOING TO FIND
THAT $200.
417
00:15:50,917 --> 00:15:53,251
WELL, MAYBE
THE FRESHMEN VOLUNTEERS
418
00:15:53,352 --> 00:15:54,885
WILL MAKE UP SOME OF IT.
419
00:15:54,987 --> 00:15:58,055
- HI, YOU GOT ANY MORE
OF THOSE PHONE CARDS?
420
00:16:00,627 --> 00:16:03,360
- HOW ABOUT THE BLEAKNESS
THAT LIES AHEAD?
421
00:16:03,462 --> 00:16:04,962
- TOO SENTIMENTAL.
422
00:16:05,064 --> 00:16:07,431
- NO LIFE, NO HOPE, NO FUTURE.
423
00:16:07,533 --> 00:16:09,667
- TOO PIE-IN-THE-SKY.
424
00:16:09,769 --> 00:16:11,268
- MOMMY'S LITTLE HYPOCRITE.
425
00:16:11,370 --> 00:16:13,004
- TOO MUCH LIKE
A CHILDREN'S BOOK.
426
00:16:13,106 --> 00:16:14,839
- I WISH I WERE DEAD.
427
00:16:14,941 --> 00:16:17,007
- THAT SOUNDS PROMISING.
428
00:16:17,110 --> 00:16:19,510
LISTEN, YOU GOT TO
GIVE THEM SOMETHING
429
00:16:19,612 --> 00:16:21,278
THEY'LL REALLY APPRECIATE.
430
00:16:21,380 --> 00:16:24,015
PICTURE KEVIN AND BRITTANY
DRINKING IN YOUR WORDS
431
00:16:24,117 --> 00:16:29,286
LIKE AN ELIXIR OF KNOWLEDGE,
HEADY, POTENT, SEDUCTIVE.
432
00:16:29,388 --> 00:16:31,756
- ARE YOU MARKETING
YOUR OWN FRAGRANCE NOW?
433
00:16:31,858 --> 00:16:36,761
I'M GONNA HAVE TO WRITE
SOMETHING NEW FOR THE OCCASION.
434
00:16:36,863 --> 00:16:38,129
[screeching guitar music]
435
00:16:38,231 --> 00:16:39,597
- ♪ CAN'T STAND YOUR LIPS ♪
436
00:16:39,699 --> 00:16:41,599
♪ CAN'T STAND YOUR EYES ♪
437
00:16:41,701 --> 00:16:43,568
♪ CAN'T STAND YOUR TEETH ♪
438
00:16:43,670 --> 00:16:45,870
♪ CAN'T STAND YOUR THIGHS ♪
439
00:16:45,972 --> 00:16:53,111
♪ THAT'S WHY I LOVE YOU ♪
440
00:16:53,213 --> 00:16:57,815
DAMN IT! DAMN IT!
DAMN IT! DAMN IT!
441
00:16:57,917 --> 00:17:02,019
- OH, ROMEO, ROMEO.
442
00:17:02,121 --> 00:17:06,423
WHEREFORE ART THOU, ROMEO?
443
00:17:06,525 --> 00:17:07,658
- I'M RIGHT HERE, BABE.
444
00:17:07,760 --> 00:17:10,895
[cheers and catcalls]
445
00:17:10,996 --> 00:17:14,966
- DENY THY FATHER
AND REFUSE THY NAME,
446
00:17:15,068 --> 00:17:17,334
OR IF THOU WILT NOT,
447
00:17:17,436 --> 00:17:20,371
BE BUT SWORN MY LOVE,
448
00:17:20,473 --> 00:17:24,275
AND I'LL NO LONGER BE
A CAPULET.
449
00:17:24,377 --> 00:17:26,210
- HEY, YO, I'M DOWN HERE.
450
00:17:26,312 --> 00:17:27,278
CHECK IT OUT.
451
00:17:27,380 --> 00:17:29,313
- "CHECK IT OUT"?
452
00:17:29,415 --> 00:17:31,215
YOU PROMISED TO LEARN
YOUR LINES.
453
00:17:31,317 --> 00:17:32,816
YOU, YOU CLOWN!
454
00:17:32,918 --> 00:17:35,186
AND WHAT'S THAT SKULL
SUPPOSED TO BE?
455
00:17:35,288 --> 00:17:37,221
UGH.
456
00:17:37,323 --> 00:17:38,722
- THE SKULL'S COOL.
457
00:17:38,824 --> 00:17:41,125
- I'M HERE.
458
00:17:41,227 --> 00:17:43,127
BUT WHERE ARE YOU?
459
00:17:43,229 --> 00:17:45,862
SURE, I SEE YOUR BODY.
460
00:17:45,965 --> 00:17:49,266
ANYBODY HOME
IN THAT ROTTING BAG OF FLESH?
461
00:17:51,503 --> 00:17:52,636
- SEE?
462
00:17:52,738 --> 00:17:54,638
YOU DON'T WANT TO DO POETRY
FOR THIS CROWD.
463
00:17:54,740 --> 00:17:57,107
- YOU THINK IT'S TOO LATE
FOR ME TO LEARN JUGGLING?
464
00:17:57,209 --> 00:17:59,076
- YEP.
465
00:17:59,178 --> 00:18:02,446
- THANK YOU VERY MUCH, ANDREA.
466
00:18:02,548 --> 00:18:04,248
IT TAKES A LOT OF COURAGE
467
00:18:04,350 --> 00:18:08,819
TO EXPOSE YOUR RAW EMOTIONS
THAT WAY.
468
00:18:08,921 --> 00:18:12,322
NOW, SPEAKING OF RAW EMOTIONS,
469
00:18:12,425 --> 00:18:15,092
IT'S MY PLEASURE TO INTRODUCE
470
00:18:15,194 --> 00:18:18,262
ONE OF LAWNDALE HIGH'S
MOST GIFTED WRITERS,
471
00:18:18,364 --> 00:18:20,764
DARIA MORGENDORFFER.
472
00:18:20,866 --> 00:18:23,600
[scattered applause]
473
00:18:23,702 --> 00:18:25,236
- THANK YOU.
474
00:18:25,338 --> 00:18:27,771
TONIGHT I'D LIKE TO READ
A NEW STORY I'VE WRITTEN
475
00:18:27,873 --> 00:18:30,307
TITLED
WHERE THE FUTURE TAKES US.
476
00:18:30,410 --> 00:18:31,608
- YOU INSENSITIVE JERK!
477
00:18:31,710 --> 00:18:32,643
[glass shattering]
478
00:18:32,745 --> 00:18:34,045
- OW.
479
00:18:34,147 --> 00:18:37,447
- "AS STUDENTS STANDING AT
THE DAWN OF A BRAND-NEW CENTURY,
480
00:18:37,549 --> 00:18:39,183
"WE FACE CERTAIN CHOICES.
481
00:18:39,285 --> 00:18:41,352
"HOW DO WE PREPARE
FOR THE FUTURE?
482
00:18:41,454 --> 00:18:44,689
"MELODY POWERS KNEW
HOW SHE WAS GOING TO PREPARE.
483
00:18:44,791 --> 00:18:46,390
"AS SHE CHECKED THE FIT
ONE MORE TIME
484
00:18:46,492 --> 00:18:48,425
"ON HER TOOL LEATHER
SHOULDER HOLSTER,
485
00:18:48,527 --> 00:18:49,960
"SHE THOUGHT ABOUT
ALL THE COMMUNISTS
486
00:18:50,062 --> 00:18:51,929
"SHE'D BE TAKING OUT TONIGHT.
487
00:18:52,031 --> 00:18:53,797
"MELODY HARBORED NO ILLUSIONS
488
00:18:53,900 --> 00:18:57,301
"ABOUT UNILATERALLY STEMMING
THE RESURGING RED TIDE,
489
00:18:57,403 --> 00:18:59,803
"BUT, SHE REFLECTED
WITH A GRIM SMILE,
490
00:18:59,905 --> 00:19:02,440
"WHAT SPECIAL AGENT COULD RESIST
THE OPPORTUNITY
491
00:19:02,542 --> 00:19:06,410
TO FILL A FEW
BOLSHEVIK CEMETERIES?"
492
00:19:06,512 --> 00:19:09,046
"AS MELODY SUNBATHED
ON THE RIO BEACH,
493
00:19:09,148 --> 00:19:10,881
"SHE LOOKED BACK
UPON THE PAST FEW DAYS
494
00:19:10,983 --> 00:19:13,384
"WITH A CERTAIN
QUIET SATISFACTION.
495
00:19:13,486 --> 00:19:16,887
"TWELVE DEAD RUSSIANS,
FIVE DEAD CHINESE,
496
00:19:16,989 --> 00:19:19,189
"THREE OR FOUR DEAD CUBANS.
497
00:19:19,292 --> 00:19:22,293
"'THE WORLD WAS ONCE AGAIN
SAFE FOR DEMOCRACY,'
498
00:19:22,395 --> 00:19:25,663
"SHE REFLECTED WHILE WATCHING
TONIO'S EXQUISITE CHEST
499
00:19:25,765 --> 00:19:28,332
"RISE AND FALL
WITH HIS LIGHT SNORING.
500
00:19:28,434 --> 00:19:33,470
"SAFE FOR DEMOCRACY,
OR ALMOST SAFE.
501
00:19:33,572 --> 00:19:37,274
"MELODY BRUSHED SOME ERRANT
GRAINS OF SAND OFF HER FINGERS,
502
00:19:37,376 --> 00:19:40,677
"TIED HER TOP BACK ON,
AND REACHED INTO HER BEACH BAG.
503
00:19:40,779 --> 00:19:44,481
"TONIO HEARD NOTHING,
AND THAT WAS A PITY,
504
00:19:44,583 --> 00:19:47,551
"BECAUSE HE WOULD NEVER HEAR
ANYTHING AGAIN.
505
00:19:47,653 --> 00:19:51,455
"'SO LONG, TONIO,' SHE THOUGHT
AS SHE CALMLY STOOD UP.
506
00:19:51,557 --> 00:19:52,756
"'I COULD HAVE LOVED YOU
507
00:19:52,858 --> 00:19:54,491
"'IF YOU WEREN'T AS RED
AS THE BLOOD STAIN
508
00:19:54,594 --> 00:19:56,894
"NOW SPREADING
ACROSS THE SAND.'
509
00:19:56,996 --> 00:20:00,264
"MELODY WALKED CALMLY AWAY
TOWARD THE HOTEL.
510
00:20:00,366 --> 00:20:02,600
"THERE'D BE A MESSAGE THERE
FROM HQ, NO DOUBT.
511
00:20:02,702 --> 00:20:06,536
SHE HOPED SHE HAD TIME
FOR A SHOWER."
512
00:20:06,638 --> 00:20:08,573
- YEAH.
513
00:20:08,675 --> 00:20:12,309
[cheers and applause]
514
00:20:16,549 --> 00:20:20,117
- "CAFE LAWNDALE CLOSED
UNTIL FURTHER NOTICE."
515
00:20:20,219 --> 00:20:22,453
ISN'T THAT THE COFFEEHOUSE
YOU WERE WORKING FOR?
516
00:20:22,555 --> 00:20:24,922
- YEAH, BUT I ALREADY GOT
MY EXTRA CREDIT.
517
00:20:25,024 --> 00:20:26,857
THEY CAN'T TAKE IT AWAY NOW.
518
00:20:26,959 --> 00:20:29,026
- "SCHOOL AUTHORITIES
HAVE DECIDED TO CLOSE
519
00:20:29,128 --> 00:20:31,195
"LAWNDALE'S NEW
YOUNG ADULT COFFEEHOUSE
520
00:20:31,297 --> 00:20:32,596
"AFTER ITS OPENING NIGHT
521
00:20:32,699 --> 00:20:36,400
"SOMEHOW TURNED
INTO AN ANTICOMMUNIST RALLY.
522
00:20:36,502 --> 00:20:38,769
"'SOME UNSCHEDULED
PROPAGANDIZING WENT ON,
523
00:20:38,871 --> 00:20:41,205
"AND THE STUDENTS REACTED
A LITTLE TOO FAVORABLY,'
524
00:20:41,307 --> 00:20:43,240
"EXPLAINED COFFEEHOUSE DIRECTOR
TIMOTHY O'NEAL,
525
00:20:43,342 --> 00:20:44,975
A TEACHER AT LAWNDALE HIGH."
526
00:20:45,077 --> 00:20:47,411
- BREAKFAST MEETING
AT THE ROYALTON.
527
00:20:47,513 --> 00:20:49,947
- BUT YOU HAVEN'T EVEN TASTED
MY SOUFFLE.
528
00:20:50,049 --> 00:20:52,616
- "FOLLOWING A READING
OF SOME RIGHT-WING LITERATURE,
529
00:20:52,718 --> 00:20:54,485
"SEVERAL MEMBERS
OF THE FOOTBALL TEAM
530
00:20:54,587 --> 00:20:56,654
"MARCHED DOWN NORTH AVENUE,
531
00:20:56,756 --> 00:20:59,156
"INTENDING TO STONE
THE RUSSIAN EMBASSY.
532
00:20:59,258 --> 00:21:01,358
OF COURSE, THERE ARE
NO EMBASSIES IN LAWNDALE."
533
00:21:01,460 --> 00:21:04,028
WOW, DID YOU GIRLS KNOW
ANYTHING ABOUT THIS?
534
00:21:04,130 --> 00:21:05,562
- I WASN'T THERE.
535
00:21:05,665 --> 00:21:07,331
I HAD A REAL DATE.
536
00:21:07,433 --> 00:21:09,933
- "'TEENS ARE IMPRESSIONABLE,'
O'NEAL SAID,
537
00:21:10,035 --> 00:21:12,503
"'AND THE LAST THING WE WANT IS
TO PROVIDE A BASE OF OPERATIONS
538
00:21:12,605 --> 00:21:14,271
FOR POLITICAL EXTREMISTS.'"
539
00:21:14,373 --> 00:21:15,539
DARIA, DID YOU HAVE ANY IDEA
540
00:21:15,642 --> 00:21:17,441
WE HAD THESE KINDS OF RADICALS
HERE IN TOWN?
541
00:21:17,543 --> 00:21:20,978
- NO, BUT WE'VE GOT TO MAINTAIN
CONSTANT VIGILANCE
542
00:21:21,080 --> 00:21:22,546
AGAINST THOSE
WHO WOULD MANIPULATE US
543
00:21:22,649 --> 00:21:24,782
INTO ACTIONS WE'D NEVER TAKE
ON OUR OWN.
544
00:21:24,884 --> 00:21:26,483
- I'LL SAY.
545
00:21:26,585 --> 00:21:30,821
- [humming Pop Goes the Weasel]
546
00:21:32,591 --> 00:21:34,024
[glass shattering]
547
00:21:34,126 --> 00:21:36,694
[alarm ringing]
548
00:21:36,796 --> 00:21:38,996
[sirens blaring]
549
00:21:39,098 --> 00:21:41,232
- ♪ LA-LA, LA, LA-LA ♪
550
00:21:41,334 --> 00:21:44,234
[dissonant rock music]
551
00:21:44,336 --> 00:21:52,242
♪ ♪
552
00:21:52,344 --> 00:21:54,177
Captioning by CaptionMax
www.captionmax.com