1
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- ♪ LA-LA, LA, LA-LA ♪

2
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♪ LA-LA, LA, LA-LA ♪

3
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- AN ENCYCLOPEDIA
IS AN UNUSUAL PRODUCT

4
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FOR A SUPERMODEL TO PROMOTE,
ISN'T IT?

5
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- BUT YOU SEE, WHAT'S DIFFERENT
ABOUT MY ENCYCLOPEDIA IS,

6
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YOU ONLY BUY THE LETTERS
YOU FIND ATTRACTIVE.

7
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AND IT'S GOT BIG MARGINS FOR
YOU TO DRAW YOUR OWN PICTURES.

8
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HOW YOU CALL THEM, MARGINS, YES?

9
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- AND YOU SAY YOU WROTE
EVERY WORD YOURSELF?

10
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- I'VE SAID IT BEFORE.

11
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I'LL SAY IT AGAIN.

12
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YOU HAVE THE COOLEST ROOM.

13
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- IT'S GOT PROS AND CONS.

14
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YOU CAN'T HURT YOURSELF
IN HERE,

15
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BUT YOU CAN'T HURT ANYBODY ELSE
IN HERE EITHER.

16
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- I WISH THERE HAD BEEN
A SCHIZOPHRENIC SHUT-IN

17
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LIVING IN OUR HOUSE
BEFORE WE MOVED IN.

18
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OF COURSE, WE'VE GOT TRENT
THERE NOW.

19
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THAT'S ALMOST THE SAME THING.

20
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- MY MOTHER'S THREATENING
TO REDECORATE AGAIN.

21
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EVERY TIME SHE BRINGS IT UP,

22
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I STUMBLE
AND GRAB THE HANDRAIL.

23
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BUT I THINK SHE'S CATCHING ON.

24
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- YOU NEED TO STUMBLE
SOMEWHERE ELSE IN THE HOUSE.

25
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CUT YOURSELF BADLY.

26
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SHE'LL RECONSIDER.

27
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- THANKS FOR YOUR HELP.

28
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- NEXT ON<i> SICK, SAD WORLD,</i>
THE MALIBU PRIMATE DIET.

29
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[bell ringing]

30
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- IS MR. THOREAU REALLY
TURNING HIS BACK ON THE WORLD

31
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BY MOVING TO WALDEN POND?

32
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OR IS HE, BY HIS EXAMPLE,

33
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TRYING DESPERATELY TO SAVE
THE WORLD AFTER ALL?

34
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NORMANDY?

35
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- BRITTANY.

36
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HE WASN'T ON WALDEN POND
BECAUSE HE HATED THE WORLD.

37
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HE WAS JUST MAD AT JANE FONDA.

38
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YOU KNOW HE WAS HER FATHER
IN REAL LIFE TOO?

39
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- UM...

40
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- GOOD MORNING.

41
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I HOPE I'M NOT DISRUPTING
THE LEARNING PROCESS.

42
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- OH, NO.

43
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- I'VE GOT SOME EXCITING
INFORMATION FOR YOU ALL.

44
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A TEAM OF TALENT SCOUTS
FROM AMAZON MODELS

45
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WILL BE HERE THIS WEEK

46
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AS PART OF THEIR NATIONAL
TALENT SEARCH.

47
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AND THE MOST PROMISING
LAWNDALE HIGH STUDENT

48
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WILL RECEIVE A PROFESSIONAL
MODELING CONTRACT.

49
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- THEY GOT MY LETTER.

50
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- WHY HERE?

51
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- I GUESS THEY FOUND OUT

52
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WHAT A GOOD-LOOKING GROUP
YOU ARE.

53
00:02:07,161 --> 00:02:08,594
[laughs]

54
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BUT SERIOUSLY, THIS IS A GREAT
OPPORTUNITY FOR ALL OF YOU

55
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AND FOR THE GREATER GOOD
OF LAWNDALE HIGH.

56
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- EXCUSE ME.
- YES.

57
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- ISN'T MODELING ABOUT
DROPPING OUT OF SCHOOL

58
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TO PURSUE A CAREER BASED SOLELY
ON YOUR YOUTH AND YOUR LOOKS,

59
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BOTH OF WHICH ARE INEVITABLY
DECLARED OVER BY AGE 25?

60
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- DO YOU HAVE A POINT,
MS. MORGENDORFFER?

61
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- AND DON'T FASHION PEOPLE
SQUANDER THEIR LIVES,

62
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LOUDLY WORSHIPPING ALL THAT IS
SUPERFICIAL AND MEANINGLESS

63
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WHILE THE PLANET KEEPS RIDING
A ROLLER COASTER TO HELL?

64
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- MODELING IS A COMPETITIVE
FIELD, YES.

65
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BUT THE FINANCIAL REWARDS
ARE GREAT.

66
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AS PRINCIPAL, I'D BE CHEATING
OUR STUDENT BODY

67
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IF I DIDN'T ALLOW THEM
EVERY OPPORTUNITY

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TO FULFILL THEIR POTENTIAL.

69
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- EXCUSE ME.

70
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CAN WE ASSUME
THE FINANCIAL REWARDS

71
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ARE GREAT FOR THE SCHOOL
AS WELL?

72
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- THAT IS REALLY
NONE OF YOUR BUSINESS.

73
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- BUT I DON'T WANT TO MISS
A LESSON IN APPLIED ECONOMICS.

74
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I'M TRYING TO FULFILL
MY POTENTIAL.

75
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- THE SCHOOL IS RECEIVING A FEE
FOR ITS COOPERATION,

76
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BUT EVERY CENT IS GOING
TO CAPITAL IMPROVEMENTS.

77
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WE'RE FINALLY GOING TO GET
THOSE BULLETPROOF SKYLIGHTS

78
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FOR THE SWIMMING POOL.

79
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- WELL, I FOR ONE
AM VERY EXCITED ABOUT THIS.

80
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I CAN FEEL MYSELF

81
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GETTING INTO THE MODELING
SPIRIT.

82
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- EXCELLENT.

83
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- MAY I BE EXCUSED?

84
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I'D LIKE TO GO TO THE GIRLS'
ROOM AND VOMIT UP BREAKFAST.

85
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- WHERE'S YOUR LUNCH?

86
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- I ATE DURING STUDENT COUNCIL.

87
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- COME ON.
YOU'RE NOT FOOLING ANYBODY.

88
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YOU FED YOUR LUNCH
TO A STRAY DOG.

89
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SHE'S GONNA HAVE THAT MODELING
CONTRACT SEWN UP

90
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BEFORE WE EVEN GET A CHANCE.

91
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- YOU REALLY OUGHT TO STICK
TO MINERAL WATER AND PARSLEY.

92
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- YOU KNOW, YOU DON'T ALWAYS
HAVE TO BE AGAINST EVERYTHING.

93
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IF A KID WANTS TO TAKE
A MODELING CLASS,

94
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YOU CAN'T TELL HER NO.

95
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- MAYBE NOT, BUT YOU DON'T
HAVE TO LET THE FASHION MOB

96
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PUSH THEIR CLASSES
ON SCHOOL GROUNDS EITHER.

97
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- YEAH, IT'S NOT FAIR
TO THE DRUG DEALERS.

98
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THEY HAVE TO WAIT
BEHIND THE PARKING LOT.

99
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- IT'S COMPLETELY VOLUNTARY.

100
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WHAT'S THE PROBLEM?

101
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- NO PROBLEM.

102
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BUT WHY STOP AT MODELING?

103
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MAYBE THERE'S
A GO-GO BAR DOWNTOWN

104
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THAT WOULD LIKE TO COME HERE
AND RECRUIT LAP DANCERS.

105
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- DON'T MENTION THAT IDEA
TO BRITTANY.

106
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- THE FASHION INDUSTRY
MAY BE CONSIDERED

107
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A PERFECT IMPLEMENTER
OF MARKETPLACE PSYCHOLOGY.

108
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THE BUSINESS ENSURES
ITS OWN SURVIVAL

109
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BY TRAINING CONSUMERS

110
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TO FOCUS ON ARBITRARY
STYLING DISTINCTIONS

111
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RATHER THAN QUALITY
AND DURABILITY.

112
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[laughter]

113
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UH, YOU MUST BE
THE REPRESENTATIVES

114
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FROM THE AMAZON MODELING AGENCY.

115
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- WELL, I WOULD HOPE SO.

116
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WE'RE A LITTLE LONG IN THE TOOTH
TO BE ATTENDING HIGH SCHOOL.

117
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- SPEAK FOR YOURSELF,
GRANDPAPA.

118
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[laughter]

119
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- I WAS JUST TELLING THE CLASS

120
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ABOUT HOW THE FASHION INDUSTRY
USES CUSTOMER PSYCHOLOGY

121
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TO PERPETUATE ITSELF
IN THE MARKETPLACE.

122
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- YOU KNOW, IF THE HEM OF THAT
SKIRT WERE AN INCH HIGHER,

123
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YOU'D HAVE A LOOK AS UP-TO-DATE
AS TOMORROW.

124
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- DO YOU THINK SO?

125
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- SHOW OFF THOSE GAMS,
GIRLFRIEND.

126
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- THIS IS THE MOST EXCITING DAY
OF MY LIFE.

127
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BEING A MODEL IS ALL
I'VE EVER WANTED TO BE.

128
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- HEY.

129
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- I MEAN BESIDES
BEING THE GIRLFRIEND

130
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OF THE CUTEST GUY
ON THE TEAM.

131
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OH, AND WINNING

132
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THE NATIONAL HIGH SCHOOL
CHEERLEADING CHAMPIONSHIPS.

133
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OH, YEAH, AND HELPING
THE STARVING KIDS IN THE DESERT

134
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OR WHEREVER.

135
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- WELL, LET'S HAVE A LOOK.

136
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MM.

137
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LOVELY.

138
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WHAT IS YOUR NAME?

139
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- BRITTANY.
IS THAT OKAY?

140
00:05:32,132 --> 00:05:37,035
'CAUSE I WAS THINKING
OF CHANGING IT TO BLUE.

141
00:05:37,037 --> 00:05:39,371
- CAN YOU TAKE OFF YOUR COAT
AND WALK FOR US?

142
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- YES, SLIP OUT OF THAT JACKET
AND DO A LITTLE RUNWAY, SWEETIE.

143
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THAT WAS JUST WONDERFUL.

144
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DON'T YOU THINK SO, CLOUD?

145
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- WONDERFUL?
ASTONISHING.

146
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WE'LL SEE YOU IN CLASS, BLUE.

147
00:06:09,436 --> 00:06:12,504
- NOW, WHO ELSE IN THIS ROOM

148
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IS A POTENTIAL SUPERSTAR
DU FASHION?

149
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YOU, YOU HAVE
A VERY INTERESTING LOOK.

150
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HAVE YOU EVER CONSIDERED

151
00:06:24,584 --> 00:06:29,720
THE ACHINGLY GLAMOROUS LIFE
OF A MODEL?

152
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YOU'RE MORE INTERESTED
IN THE DESIGN END OF THINGS.

153
00:06:33,293 --> 00:06:36,127
- THAT'S AN EXCELLENT LIKENESS
OF YOU, DARLING.

154
00:06:36,129 --> 00:06:38,296
[laughs]

155
00:06:38,298 --> 00:06:43,467
OH, LOOK AT YOU,
SO WAIFLIKE, SO POUTY.

156
00:06:43,469 --> 00:06:45,170
COULD YOU REMOVE YOUR GLASSES?

157
00:06:45,172 --> 00:06:47,339
- COULD YOU REMOVE
YOUR HALTER TOP?

158
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- PARDON?

159
00:06:48,341 --> 00:06:50,375
- I CAN'T TAKE MY GLASSES OFF.

160
00:06:50,377 --> 00:06:54,011
I NEED THEM TO SEE SCAM ARTISTS.

161
00:06:54,013 --> 00:06:55,947
SO THEN MS. LI ADMITS
THEY'RE DOING THIS

162
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TO PAY FOR NEW
BULLETPROOF SKYLIGHTS.

163
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THE WHOLE THING'S ENOUGH
TO TURN YOUR STOMACH,

164
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WHICH I GUESS IS GOOD
IF YOU WANT TO BE A MODEL.

165
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EASES THE TRANSITION
TO BULIMIA.

166
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- YOU REALLY FEEL STRONGLY
ABOUT THIS.

167
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- WHAT DO YOU MEAN?

168
00:07:08,361 --> 00:07:11,362
- WELL, YOU'RE TALKING TO US.

169
00:07:11,364 --> 00:07:13,264
- YEAH, WELL--YEAH.

170
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- I'M GLAD YOU FEEL STRONGLY
ABOUT IT, DARIA.

171
00:07:16,336 --> 00:07:18,236
AND FOR THE RECORD,
I AGREE WITH YOU.

172
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- SO DO I.

173
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- I SUPPOSE YOU REALIZE THAT

174
00:07:20,874 --> 00:07:23,041
NOW I HAVE TO RECONSIDER
MY POSITION.

175
00:07:23,043 --> 00:07:24,676
- THESE PEOPLE SOUND
LIKE OPPORTUNISTS

176
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FEEDING OFF THE VANITY
OF NAIVE YOUNG PEOPLE.

177
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I PITY THE KIDS
WHO GET SUCKED IN BY THEM.

178
00:07:30,250 --> 00:07:32,250
AND I PITY THEIR POOR PARENTS.

179
00:07:32,252 --> 00:07:34,051
- MOM, DAD, GUESS WHAT.

180
00:07:34,053 --> 00:07:38,790
I'VE BEEN ACCEPTED INTO A REALLY
EXCLUSIVE MODELING CLASS.

181
00:07:43,062 --> 00:07:44,662
WHAT?

182
00:07:44,664 --> 00:07:46,897
- ♪ LA-LA, LA, LA-LA ♪

183
00:07:46,899 --> 00:07:49,334
♪ LA-LA, LA, LA-LA ♪

184
00:07:54,408 --> 00:07:56,207
- WHAT DO YOU MEAN
I'M NOT THE MODELING TYPE?

185
00:07:56,209 --> 00:07:57,742
ARE YOU TALKING
ABOUT MY HIPS?

186
00:07:57,744 --> 00:07:59,811
- THIS HAS NOTHING TO DO
WITH YOUR HIPS.

187
00:07:59,813 --> 00:08:00,945
- IT CAN'T BE MY BOOBS.

188
00:08:00,947 --> 00:08:03,148
CLOUD SAID MY BOOBS
WERE PERFECT.

189
00:08:03,150 --> 00:08:04,282
- WHO'S CLOUD?

190
00:08:04,284 --> 00:08:06,551
I'LL KILL HIM IF HE IS A HIM.

191
00:08:06,553 --> 00:08:08,753
- YOU'RE NOT KILLING
ANYONE, JAKE.

192
00:08:08,755 --> 00:08:10,121
- CAN I GO UPSTAIRS THEN?

193
00:08:10,123 --> 00:08:13,190
THIS CONVERSATION IS MAKING ME
REALLY UNCOMFORTABLE.

194
00:08:13,192 --> 00:08:14,626
- SIT DOWN, JAKE.

195
00:08:14,628 --> 00:08:17,362
QUINN, THIS ISN'T
ABOUT YOUR BODY.

196
00:08:17,364 --> 00:08:19,464
I DON'T THINK YOU REALIZE

197
00:08:19,466 --> 00:08:22,500
THAT MODELING IS AN EXTREMELY
COMPETITIVE ACTIVITY.

198
00:08:22,502 --> 00:08:25,103
- SO'S DATING
IF YOU DO IT RIGHT.

199
00:08:25,105 --> 00:08:26,972
- IN WHICH YOUR VALUE
AS A HUMAN BEING

200
00:08:26,974 --> 00:08:30,008
IS DECIDED ENTIRELY ON THE BASIS
OF HOW YOU LOOK.

201
00:08:30,010 --> 00:08:32,177
- WHEN DOES THE BAD PART
COME IN?

202
00:08:32,179 --> 00:08:36,047
[phone ringing]

203
00:08:36,049 --> 00:08:38,683
- WOW, SHE IS UPSET.

204
00:08:38,685 --> 00:08:40,251
HELLO?

205
00:08:40,253 --> 00:08:43,821
- HELLO, MY NAME
IS ROMANIKA DEGREGORY.

206
00:08:43,823 --> 00:08:47,158
- AND I AM DAR-IA
MORGEN-DORF-FER.

207
00:08:47,160 --> 00:08:52,063
- I WONDER IF I MIGHT SPEAK
WITH A HELEN MORGENDORFFER.

208
00:08:52,065 --> 00:08:54,799
- HOLD ON, PLEASE.

209
00:08:54,801 --> 00:08:56,234
- HELLO?

210
00:08:56,236 --> 00:09:00,104
- AM I SPEAKING TO THE MOTHER
OF QUINN MORGENDORFFER?

211
00:09:00,106 --> 00:09:01,872
- YES, THIS IS QUINN'S MOTHER.

212
00:09:01,874 --> 00:09:05,310
- THIS IS ROMANIKA--AIEE!

213
00:09:05,312 --> 00:09:09,046
ROMANIKA DEGREGORY WITH THE
NEW YORK AMAZON FASHION AGENCY.

214
00:09:09,048 --> 00:09:11,116
HAVE I CALLED AT A BAD TIME,
MISSUS--

215
00:09:11,118 --> 00:09:12,550
- PLEASE, CALL ME HELEN.

216
00:09:12,552 --> 00:09:14,219
WHAT CAN I DO FOR YOU,
MONICA?

217
00:09:14,221 --> 00:09:16,988
- PLEASE, CALL ME ROMANIKA.

218
00:09:16,990 --> 00:09:18,789
HELEN, YOUR DAUGHTER
HAS BEEN SELECTED

219
00:09:18,791 --> 00:09:20,759
ALONG WITH A MERE
HANDFUL OF GIRLS

220
00:09:20,761 --> 00:09:23,227
TO PARTICIPATE
IN A COMPLEMENTARY CLASS

221
00:09:23,229 --> 00:09:24,863
IN THE LAWNDALE HIGH AUDITORIUM.

222
00:09:24,865 --> 00:09:27,499
- A COMPLEMENTARY CLASS?
- COMPLEMENTARY?

223
00:09:27,501 --> 00:09:30,001
- ABSOLUTELY COMPLEMENTARY,
HELEN,

224
00:09:30,003 --> 00:09:33,972
AND AN EXPERIENCE THAT WE EXPECT
WILL GENERATE MANY COMPLIMENTS.

225
00:09:33,974 --> 00:09:36,107
[laughs]

226
00:09:36,109 --> 00:09:37,842
ALL THE STUDENTS ARE INVITED,

227
00:09:37,844 --> 00:09:39,911
BUT QUINN WILL BE
AMONG THE LUCKY FEW

228
00:09:39,913 --> 00:09:41,512
TO BE COACHED ON STAGE.

229
00:09:41,514 --> 00:09:45,250
WE'RE LOOKING, OF COURSE, FOR
TOMORROW'S MODELING SUPERSTARS.

230
00:09:45,252 --> 00:09:46,584
- MM-HMM.

231
00:09:46,586 --> 00:09:49,554
- I PROBABLY SHOULDN'T BE
TELLING YOU THIS,

232
00:09:49,556 --> 00:09:52,423
BUT WE FEEL THAT QUINN IS
SOMETHING QUITE SPECIAL.

233
00:09:52,425 --> 00:09:54,759
- WE THINK
SHE'S PRETTY SPECIAL TOO.

234
00:09:54,761 --> 00:09:56,928
- YOU KNOW, HELEN,
I'VE SPENT MUCH TIME

235
00:09:56,930 --> 00:09:58,430
AROUND THE WORLD'S TOP MODELS,

236
00:09:58,432 --> 00:10:00,431
AND THEY'VE ALL HAD
THAT SPECIAL SOMETHING.

237
00:10:00,433 --> 00:10:03,501
I SEE MILLIONS OF GIRLS THAT
HAVE A LITTLE SOMETHING,

238
00:10:03,503 --> 00:10:05,036
BUT IT'S NOT SPECIAL.

239
00:10:05,038 --> 00:10:07,304
WHAT QUINN HAS IS SPECIAL.

240
00:10:07,306 --> 00:10:11,108
QUINN IS A PEARL
IN A BED OF OYSTERS.

241
00:10:11,110 --> 00:10:12,911
- I'LL DISCUSS THIS
WITH MY DAUGHTER, MONICA,

242
00:10:12,913 --> 00:10:13,945
AND WE'LL LET YOU KNOW.

243
00:10:13,947 --> 00:10:16,213
- R-R-RO-MANIKA.

244
00:10:16,215 --> 00:10:17,682
THANK YOU, HELEN.

245
00:10:17,684 --> 00:10:21,553
AND REMEMBER, OPPORTUNITY
KNOCKS, BUT IT DOESN'T BEG.

246
00:10:21,555 --> 00:10:23,254
[ripping noise]
AH!

247
00:10:23,256 --> 00:10:25,690
GOOD-BYE.

248
00:10:25,692 --> 00:10:27,725
- WHAT A STRANGE WOMAN.

249
00:10:27,727 --> 00:10:29,427
- YOU GOT TO LET ME DO THIS.

250
00:10:29,429 --> 00:10:32,129
YOU ALWAYS SAY I CAN BE
ANYTHING I WANT TO BE.

251
00:10:32,131 --> 00:10:33,898
- YES, WE DO SAY THAT.

252
00:10:33,900 --> 00:10:35,066
- THAT REMINDS ME.

253
00:10:35,068 --> 00:10:36,801
MAY I BECOME QUEEN OF BRAZIL?

254
00:10:36,803 --> 00:10:39,437
- ALL RIGHT, YOU CAN
PARTICIPATE IN THE OPEN CLASS,

255
00:10:39,439 --> 00:10:41,005
BUT IT GOES NO FURTHER.

256
00:10:41,007 --> 00:10:44,576
- YES!

257
00:10:44,578 --> 00:10:47,511
- NOW WHAT DO I HAVE TO DO
TO GET YOU TO GO TO THAT CLASS

258
00:10:47,513 --> 00:10:49,213
AND KEEP AN EYE ON HER, HMM?

259
00:10:49,215 --> 00:10:51,515
- NO MORE TALK ABOUT
REDECORATING MY ROOM

260
00:10:51,517 --> 00:10:53,051
FOR 12 MONTHS.

261
00:10:53,053 --> 00:10:54,786
- DONE.
- DONE.

262
00:10:54,788 --> 00:10:56,254
- YOU'RE GETTING SOFTER.

263
00:10:56,256 --> 00:10:57,688
- ON THE CONTRARY.

264
00:10:57,690 --> 00:10:59,657
I WAS THINKING
ABOUT GOING ANYWAY.

265
00:10:59,659 --> 00:11:00,925
- YOU WERE?

266
00:11:00,927 --> 00:11:02,026
- I'M SENSING THE POTENTIAL

267
00:11:02,028 --> 00:11:04,896
FOR TOTAL HUMILIATION
OF QUINN HERE.

268
00:11:04,898 --> 00:11:07,599
I'D NEVER FORGIVE MYSELF
IF I MISSED IT.

269
00:11:07,601 --> 00:11:08,866
- MM.

270
00:11:08,868 --> 00:11:11,369
TELL ME I SHOULD JUST BE GLAD
SHE'S GOING.

271
00:11:11,371 --> 00:11:12,937
- OF COURSE YOU SHOULD.

272
00:11:12,939 --> 00:11:15,540
IT'S GREAT THAT SHE WANTS TO
LOOK OUT FOR HER LITTLE SISTER.

273
00:11:15,542 --> 00:11:19,243
- DO YOU HEAR ANYTHING
THAT GOES ON HERE?

274
00:11:19,245 --> 00:11:21,479
- HAVE YOU SEEN THE PAPER?

275
00:11:22,716 --> 00:11:24,281
- ALL RIGHT, LADIES.

276
00:11:24,283 --> 00:11:27,285
YOUR WORST ENEMY IS
AT THE END OF THE CATWALK,

277
00:11:27,287 --> 00:11:29,487
THE ONE WHO STOLE
YOUR BOYFRIEND.

278
00:11:29,489 --> 00:11:31,756
SHE HAS FALLEN
AND BROKEN HER LEG.

279
00:11:31,758 --> 00:11:34,458
YOUR JOB IS TO TELL HER
WITHOUT WORDS

280
00:11:34,460 --> 00:11:36,928
THAT YOU'VE COME
TO WATCH THEM CUT IT OFF.

281
00:11:38,498 --> 00:11:45,169
VERY GOOD, SANDY, STACY.

282
00:11:46,539 --> 00:11:48,739
- BRILLIANT OF YOU
TO SIGN HER UP.

283
00:11:48,741 --> 00:11:51,609
- NOTHING LIKE A DECOY.

284
00:11:51,611 --> 00:11:54,512
AH, QUINN, THAT IS EXCELLENT.

285
00:11:54,514 --> 00:11:58,183
YOU APPEAR TRULY TO BE SAVORING
ANOTHER'S MISFORTUNE.

286
00:11:58,185 --> 00:12:00,418
- THANKS.

287
00:12:00,420 --> 00:12:03,388
- NOW, GIRLS, YOU'RE LITTLE
KITTENS AT AN ANIMAL SHELTER.

288
00:12:03,390 --> 00:12:05,323
YOU HAVE TO LOOK SAD
AND HELPLESS

289
00:12:05,325 --> 00:12:06,691
SO SOMEONE WILL ADOPT YOU.

290
00:12:06,693 --> 00:12:09,727
OTHERWISE, IT'S KITTY HEAVEN.

291
00:12:09,729 --> 00:12:11,596
- THAT'S SO SAD.

292
00:12:11,598 --> 00:12:14,098
- YOU REALLY GET THE IDEA
HE'S BEEN THERE.

293
00:12:14,100 --> 00:12:15,233
- [chuckles]

294
00:12:15,235 --> 00:12:16,867
KITTY HEAVEN?

295
00:12:16,869 --> 00:12:19,871
- HOW DOES HE KNOW THEY'RE NOT
GOING TO KITTY HELL?

296
00:12:19,873 --> 00:12:21,940
- ALL RIGHT, LADIES.

297
00:12:21,942 --> 00:12:24,909
NOW WHEN YOU STRIDE
DOWN THE RUNWAY,

298
00:12:24,911 --> 00:12:26,644
YOU'RE WALKING TOWARDS YOUR CAR.

299
00:12:26,646 --> 00:12:30,014
YOU'VE SPOTTED
A HEADLESS CORPSE IN IT.

300
00:12:30,016 --> 00:12:31,749
AND IT'S A BRAND-NEW CAR.

301
00:12:31,751 --> 00:12:34,118
- AND A SMELLY OLD CORPSE.

302
00:12:34,120 --> 00:12:36,587
- IN A REALLY BAD OUTFIT.

303
00:12:36,589 --> 00:12:37,588
- HEY, JANIE.

304
00:12:37,590 --> 00:12:39,490
- YO, TRENT.

305
00:12:39,492 --> 00:12:40,992
WHAT ARE YOU DOING HERE?

306
00:12:40,994 --> 00:12:43,928
- OH, YOU KNOW.
WHATEVER.

307
00:12:43,930 --> 00:12:46,964
- DO MOM AND DAD KNOW YOU LEFT
THE HOUSE VOLUNTARILY?

308
00:12:46,966 --> 00:12:49,367
- I'M NOT SURE
HOW TO BREAK IT TO THEM.

309
00:12:49,369 --> 00:12:51,069
YOU GOT ANY IDEAS?

310
00:12:51,071 --> 00:12:52,903
- NO.

311
00:12:52,905 --> 00:12:54,505
HOW ABOUT YOU, DARIA?

312
00:12:54,507 --> 00:12:55,706
- HEY, DARIA.

313
00:12:55,708 --> 00:12:56,707
- [quietly] HI.

314
00:12:56,709 --> 00:12:57,741
- NO, REALLY.

315
00:12:57,743 --> 00:12:58,943
WHAT ARE YOU DOING HERE?

316
00:12:58,945 --> 00:13:02,647
- UM, YOU KNOW,
I THOUGHT I'D CHECK IT OUT,

317
00:13:02,649 --> 00:13:06,317
GET USED TO BEING
AROUND FASHION TYPES.

318
00:13:06,319 --> 00:13:08,986
YOU KNOW, FOR THE FUTURE.

319
00:13:08,988 --> 00:13:10,955
- TRENT, WHAT ARE YOU
TALKING ABOUT?

320
00:13:10,957 --> 00:13:15,360
- YOU KNOW, MODELS,
MUSICIAN.

321
00:13:15,362 --> 00:13:17,361
MODELS, MUSICIAN.

322
00:13:17,363 --> 00:13:20,297
- [sobbing and blubbering]

323
00:13:22,936 --> 00:13:26,304
- BRITTANY, ARE YOU ALL RIGHT?

324
00:13:26,306 --> 00:13:30,475
- DO I LOOK LIKE I'M ALL RIGHT?
NO, I DON'T.

325
00:13:30,477 --> 00:13:33,911
AND I DON'T LOOK LIKE I'M MODEL
MATERIAL EITHER, APPEAR-ANTLY.

326
00:13:33,913 --> 00:13:35,880
- YOU MEAN "APPARENTLY"?

327
00:13:35,882 --> 00:13:38,216
- I MEAN I SHOULD BE UP THERE
ONSTAGE WITH THE WINNERS

328
00:13:38,218 --> 00:13:41,085
INSTEAD OF OUT HERE
IN THE AUDIENCE WITH THE LOSERS.

329
00:13:41,087 --> 00:13:43,754
- HMM, THIS MUST BE TORTURE
FOR YOU.

330
00:13:43,756 --> 00:13:46,057
- OH, BABE.
I FOUND YOU.

331
00:13:46,059 --> 00:13:49,460
- OH, KEVIN,
LIFE IS SO UNFAIR.

332
00:13:49,462 --> 00:13:51,696
- WHAT'S WRONG, BABE?
- IT'S NOT FAIR!

333
00:13:51,698 --> 00:13:53,965
[sobbing]
MODEL!

334
00:13:53,967 --> 00:13:56,734
- SHE'S UPSET BECAUSE SHE'S
STUCK OUT HERE WITH THE LOSERS.

335
00:13:56,736 --> 00:13:58,870
- OH, YEAH.
I CAN SEE THAT.

336
00:13:58,872 --> 00:14:00,638
- [sobbing]

337
00:14:08,414 --> 00:14:10,781
- GIRLS, YOUR RUNWAY WORK IS
TRULY SUPERB.

338
00:14:10,783 --> 00:14:13,884
NOW LET'S TRY A LITTLE
ENSEMBLE POSING.

339
00:14:13,886 --> 00:14:16,153
MIGHT WE HAVE SOME MALE
VOLUNTEERS FROM THE AUDIENCE?

340
00:14:16,155 --> 00:14:17,321
- OOH, ME, LOOK, HEADS UP.

341
00:14:17,323 --> 00:14:18,423
- ME!
- YOU CAN USE ME.

342
00:14:18,425 --> 00:14:20,157
- RIGHT HERE.
- VERY GOOD.

343
00:14:20,159 --> 00:14:22,026
AND ANY MORE?

344
00:14:22,028 --> 00:14:23,728
- YOU OUT THERE.

345
00:14:23,730 --> 00:14:25,463
WHAT'S YOUR NAME?

346
00:14:25,465 --> 00:14:27,332
- UH, KEVIN.

347
00:14:27,334 --> 00:14:30,301
- COME ON UP HERE AND HELP
OUR PRETTY LITTLE SPARROWS

348
00:14:30,303 --> 00:14:33,204
LEARN TO POSE
WITH HANDSOME YOUNG EAGLES.

349
00:14:33,206 --> 00:14:35,606
- SURE.

350
00:14:35,608 --> 00:14:39,477
- [sobbing]

351
00:14:39,479 --> 00:14:42,280
- DON'T BE SAD, BRITTANY.

352
00:14:42,282 --> 00:14:44,081
HE'S WITH THE WINNERS NOW.

353
00:14:44,083 --> 00:14:46,651
- [bawling]

354
00:14:46,653 --> 00:14:48,386
- I HAVE TO MAKE A PHONE CALL.

355
00:14:48,388 --> 00:14:51,322
- [wailing]

356
00:14:51,324 --> 00:14:53,123
- ALL RIGHT.

357
00:14:53,125 --> 00:14:54,825
THESE ARE
THE SORT OF POSES...

358
00:14:54,827 --> 00:14:56,827
- KNOWN IN THE BUSINESS
AS HAYRIDE CRAP...

359
00:14:56,829 --> 00:14:58,963
- YOU COULD FIND YOURSELF DOING
FOR CATALOGUE WORK.

360
00:14:58,965 --> 00:15:01,966
- UNLESS IT'S A REALLY FUN
CATALOGUE.

361
00:15:01,968 --> 00:15:04,669
THEN IT MIGHT BE
A BIT MORE INTERESTING.

362
00:15:04,671 --> 00:15:06,237
FOR INSTANCE, BOYS,

363
00:15:06,239 --> 00:15:07,938
WOULD YOU MIND
TAKING YOUR SHIRTS OFF?

364
00:15:07,940 --> 00:15:09,674
- UM...
- YEAH, I'LL DO IT.

365
00:15:09,676 --> 00:15:11,109
- OKAY.
- JUST TAKE THE SHIRT OFF?

366
00:15:11,111 --> 00:15:12,310
- SURE.
- OKAY.

367
00:15:12,312 --> 00:15:13,645
- YOU TOO, KEVIN.

368
00:15:13,647 --> 00:15:16,847
- UH, ALL RIGHT.

369
00:15:16,849 --> 00:15:19,317
- NOW, GIRLS, I WANT YOU
TO RUB YOUR HANDS

370
00:15:19,319 --> 00:15:21,618
OVER THOSE VIRILE YOUNG CHESTS.

371
00:15:21,620 --> 00:15:23,321
YOU WANT THEM.
THEY WANT YOU.

372
00:15:23,323 --> 00:15:28,259
ALL THAT REMAINS IS TO FIND SOME
PLACE TO LET DESIRE RUN FREE.

373
00:15:28,261 --> 00:15:30,761
- UM, I HAVE TO GO
TO THE BATHROOM.

374
00:15:30,763 --> 00:15:34,431
- ARE YOU SURE
THAT'S WHAT YOU'RE FEELING?

375
00:15:34,433 --> 00:15:36,901
- YES.

376
00:15:36,903 --> 00:15:40,471
- ALL RIGHT, GIRLS, CARESS
THOSE PERFECT PECTORALS.

377
00:15:40,473 --> 00:15:41,772
- [gasps]

378
00:15:41,774 --> 00:15:44,441
OOH!

379
00:15:44,443 --> 00:15:49,313
- TOY WITH
THE SILKEN CHEST HAIR

380
00:15:49,315 --> 00:15:52,850
OR WITH THE AREAS WHERE
THAT HAIR MAY EVENTUALLY BE.

381
00:15:52,852 --> 00:15:54,218
THAT'S IT.

382
00:15:54,220 --> 00:15:55,986
- CARRY ON, CARRY ON.

383
00:15:55,988 --> 00:15:57,789
I JUST THOUGHT I'D DROP IN
TO SEE HOW THINGS--

384
00:15:57,791 --> 00:16:00,624
WH-WHAT THE HELL
IS GOING ON HERE?

385
00:16:00,626 --> 00:16:02,093
YOU THERE, STOP THAT.
YOU, STOP THAT.

386
00:16:02,095 --> 00:16:04,128
- UH-OH.
- I DON'T WANT TO SEE THIS.

387
00:16:04,130 --> 00:16:06,497
- THEY'RE ALL GOING
TO KITTY HEAVEN.

388
00:16:06,499 --> 00:16:10,000
- I KNEW
I SHOULD HAVE STAYED HOME.

389
00:16:12,105 --> 00:16:13,938
- AND THEN I THOUGHT

390
00:16:13,940 --> 00:16:17,108
IF I SIGN UP WITH A CHARITY NOW,
BEFORE I'M FAMOUS,

391
00:16:17,110 --> 00:16:20,244
LATER ON I CAN SAY,
"OH, I WAS HELPING OTHERS

392
00:16:20,246 --> 00:16:22,613
LONG BEFORE
I STARTED MODELING. "

393
00:16:22,615 --> 00:16:25,416
- WE AGREED YOU WOULD TAKE
THE ONE CLASS AND THAT WAS IT.

394
00:16:25,418 --> 00:16:27,952
- I WAS THINKING MAYBE SOME
GROUP THAT WANTS TO HELP ANIMALS

395
00:16:27,954 --> 00:16:29,387
BUT CUTE ANIMALS.

396
00:16:29,389 --> 00:16:31,589
- QUINN, WE MADE A COMMITMENT
TO EACH OTHER.

397
00:16:31,591 --> 00:16:33,724
NOW IT'S TIME
TO HONOR THAT COMMITMENT.

398
00:16:33,726 --> 00:16:35,226
NO MORE MODELING CLASSES.

399
00:16:35,228 --> 00:16:39,530
- MOM, I'M NOT TALKING
ABOUT TAKING CLASSES.

400
00:16:39,532 --> 00:16:43,167
I'M TALKING ABOUT WINNING
THE MODELING CONTRACT.

401
00:16:43,169 --> 00:16:45,869
- SWEETHEART, PLEASE DON'T TAKE
THIS THE WRONG WAY,

402
00:16:45,871 --> 00:16:47,605
BUT WHAT IF YOU DON'T WIN?

403
00:16:47,607 --> 00:16:49,040
- DON'T WIN?

404
00:16:49,042 --> 00:16:51,575
- THEN I GUESS THE ANIMALS
ARE ON THEIR OWN,

405
00:16:51,577 --> 00:16:53,144
EVEN THE CUTE ONES.

406
00:16:53,146 --> 00:16:54,678
- YOU DON'T GET IT.

407
00:16:54,680 --> 00:16:57,848
I'M WRITING A POEM ABOUT
WHAT A GREAT MODEL I'D BE.

408
00:16:57,850 --> 00:17:00,651
I'M GOING TO RECITE IT
FOR CLOUD AND ROMONIKA.

409
00:17:00,653 --> 00:17:02,186
[clears throat]

410
00:17:02,188 --> 00:17:04,021
A MODEL'S
WHAT I'D LIKE TO BE.

411
00:17:04,023 --> 00:17:06,090
LOOKING GOOD COMES NATURALLY.

412
00:17:06,092 --> 00:17:08,659
DA-DA-DA-DA, DA-DA, ME.

413
00:17:08,661 --> 00:17:11,396
- THAT'S IT.
SEND THE OTHER GIRLS HOME.

414
00:17:12,565 --> 00:17:14,298
- I KNOW YOU'RE
ALL ANXIOUS TO FIND OUT

415
00:17:14,300 --> 00:17:17,768
WHO THE WINNER OF THE AMAZON
AGENCY MODELING CONTRACT IS.

416
00:17:17,770 --> 00:17:19,736
BUT FIRST, I MUST SAY SOMETHING

417
00:17:19,738 --> 00:17:21,705
ABOUT WHAT HAPPENED HERE
THE OTHER DAY.

418
00:17:21,707 --> 00:17:23,640
I DON'T WANT
YOU STUDENTS TO THINK

419
00:17:23,642 --> 00:17:26,877
THAT MODELING HAS TO
HAVE ANYTHING TO DO WITH SEX.

420
00:17:26,879 --> 00:17:30,281
[Cloud and Romanika laughing]

421
00:17:30,283 --> 00:17:32,116
ANYWAY, AS I WAS SAYING--

422
00:17:32,118 --> 00:17:35,419
- HOW COULD YOU DO THAT TO ME
IN FRONT OF EVERYONE?

423
00:17:35,421 --> 00:17:37,688
- I WAS JUST MODELING, BABE.

424
00:17:37,690 --> 00:17:40,024
- MAYBE YOU CALL IT MODELING.

425
00:17:40,026 --> 00:17:42,260
I CALL IT HORMONES.

426
00:17:42,262 --> 00:17:44,128
[people cheering and whistling]

427
00:17:44,130 --> 00:17:46,897
ALL RIGHT,
HE'S YOURS NOW,

428
00:17:46,899 --> 00:17:48,999
BUT I'LL ALWAYS BE HIS FIRST.

429
00:17:49,001 --> 00:17:51,402
YOU CAN'T TAKE THAT
AWAY FROM ME.

430
00:17:51,404 --> 00:17:52,470
- I CAN.

431
00:17:52,472 --> 00:17:56,807
- OOH!

432
00:17:56,809 --> 00:17:59,010
- HEY, HEY.

433
00:17:59,012 --> 00:18:00,044
HEY!

434
00:18:00,046 --> 00:18:01,312
[laughter]

435
00:18:01,314 --> 00:18:02,680
- YOU SEE, STUDENTS,

436
00:18:02,682 --> 00:18:04,615
THAT'S WHAT HAPPENS
WHEN GONADS RULE THE ROOST.

437
00:18:04,617 --> 00:18:06,517
NOW I BELIEVE
WE ARE READY TO ANNOUNCE

438
00:18:06,519 --> 00:18:09,386
THE WINNER
OF THE MODELING CONTRACT.

439
00:18:09,388 --> 00:18:13,290
THE AMAZON MODELING AGENCY
OF NEW YORK HAS DECIDED THAT--

440
00:18:13,292 --> 00:18:16,861
- ♪ KILL THE ENEMY ♪

441
00:18:16,863 --> 00:18:19,730
♪ WHOEVER IT HAPPENS TO BE ♪

442
00:18:19,732 --> 00:18:21,098
♪ HUH HUH ♪

443
00:18:21,100 --> 00:18:24,668
♪ WE DON'T DIE AFRAID ♪

444
00:18:24,670 --> 00:18:26,203
♪ THEY MAY END US TOO ♪

445
00:18:26,205 --> 00:18:27,571
- WHAT?

446
00:18:27,573 --> 00:18:28,639
- JUST WATCH.

447
00:18:28,641 --> 00:18:31,041
- ♪ KILL THE ENEMY ♪

448
00:18:31,043 --> 00:18:32,376
- MS. LI, I PRESUME.

449
00:18:32,378 --> 00:18:35,979
HEY, I'LL TAKE IT FROM HERE.

450
00:18:35,981 --> 00:18:38,048
STUDENTS, YOUNG PEOPLE,

451
00:18:38,050 --> 00:18:40,884
RED-BLOODED YOUTH OF AMERICA,

452
00:18:40,886 --> 00:18:42,786
I'M GENERAL BUCK ENROY,

453
00:18:42,788 --> 00:18:46,056
PUBLISHER OF<i> BRUTAL MERCENARY</i>
MAGAZINE.

454
00:18:46,058 --> 00:18:48,292
AND I'VE COME
TO YOUR SCHOOL TODAY

455
00:18:48,294 --> 00:18:51,161
TO FIND OUT WHO AMONG YOU
HAS WHAT IT TAKES

456
00:18:51,163 --> 00:18:52,596
TO BECOME A SOLDIER FOR HIRE

457
00:18:52,598 --> 00:18:56,400
IN TODAY'S EXCITING WORLD
OF GEOPOLITICAL VIOLENCE.

458
00:18:56,402 --> 00:18:58,336
- WHAT IN THE NAME OF GOD?

459
00:18:58,338 --> 00:19:00,605
- NOW, NOW, MA'AM.
A DEAL'S A DEAL.

460
00:19:00,607 --> 00:19:03,440
SAD TO SAY,
AMERICA NO LONGER ENGAGES

461
00:19:03,442 --> 00:19:06,677
IN THE KIND OF GROUND WARS
THAT MADE THIS COUNTRY GREAT.

462
00:19:06,679 --> 00:19:08,579
BUT THAT DOESN'T MEAN THAT

463
00:19:08,581 --> 00:19:10,814
SAVAGE HAND-TO-HAND COMBAT
IS OUT OF YOUR REACH.

464
00:19:10,816 --> 00:19:13,718
MERCENARY SOLDIERS
GO WHERE THE MONEY IS.

465
00:19:13,720 --> 00:19:17,521
YOU NOT ONLY KILL
BUT GET PAID WELL FOR DOING IT.

466
00:19:17,523 --> 00:19:19,356
WHOO, WHAT A RACKET.

467
00:19:19,358 --> 00:19:21,525
IN A FEW DAYS, WE WILL BE
OFFERING A COMPLEMENTARY CLASS

468
00:19:21,527 --> 00:19:22,860
RIGHT IN THIS AUDITORIUM.

469
00:19:22,862 --> 00:19:25,129
- WHAT ARE YOU TALKING ABOUT?
WHO INVITED YOU HERE?

470
00:19:25,131 --> 00:19:26,830
- WHY, YOU DID, MA'AM.

471
00:19:26,832 --> 00:19:28,031
I HAVE YOUR LETTER RIGHT HERE,

472
00:19:28,033 --> 00:19:30,534
AND HERE'S THE FEE
WE AGREED ON.

473
00:19:30,536 --> 00:19:32,236
OH, LOOK.

474
00:19:32,238 --> 00:19:36,540
THE MEDIA.

475
00:19:36,542 --> 00:19:38,509
- AND WHILE PRINCIPAL ANGELA LI

476
00:19:38,511 --> 00:19:41,612
DENIES INVITING THE MERCENARY
RECRUITERS TO LAWNDALE HIGH,

477
00:19:41,614 --> 00:19:44,581
NEWS FIVE HAS LEARNED THAT
SHE DID RECENTLY ALLOW

478
00:19:44,583 --> 00:19:47,217
A MODELING SCHOOL TO SOLICIT
STUDENTS ON SCHOOL GROUNDS.

479
00:19:47,219 --> 00:19:49,487
- WOW.
THAT'S ALL I CAN SAY.

480
00:19:49,489 --> 00:19:52,757
WOW. DOES NO ONE HAVE
ANY ETHICS ANYMORE?

481
00:19:52,759 --> 00:19:55,192
- ONLY YOU AND THOREAU, DAD.

482
00:19:55,194 --> 00:19:58,662
- YOU ARE SO RIGHT.

483
00:19:58,664 --> 00:20:00,664
I GOT TO CALL
THAT BABY FORMULA GUY.

484
00:20:00,666 --> 00:20:03,734
- IF THAT--THAT GENERAL
HADN'T SHOWN UP,

485
00:20:03,736 --> 00:20:07,070
MISS LI WOULDN'T HAVE BANNED
CLOUD AND ROMANIKA FROM SCHOOL.

486
00:20:07,072 --> 00:20:09,206
AND I WOULD HAVE WON
THAT MODELING CONTRACT.

487
00:20:09,208 --> 00:20:10,474
I KNOW IT.

488
00:20:10,476 --> 00:20:12,409
- DON'T BE SO SURE.

489
00:20:12,411 --> 00:20:14,712
"FOOTBALL STAR
HAS WINNING LOOK TOO.

490
00:20:14,714 --> 00:20:17,048
"LAWNDALE HIGH QUARTERBACK
KEVIN THOMPSON

491
00:20:17,050 --> 00:20:20,418
"APPARENTLY HAS A WINNING FORM
OFF THE FIELD TOO.

492
00:20:20,420 --> 00:20:22,986
"THOMPSON HAS JUST BEEN SIGNED
TO AN EXCLUSIVE CONTRACT

493
00:20:22,988 --> 00:20:24,755
WITH THE AMAZON
MODELING AGENCY."

494
00:20:24,757 --> 00:20:26,089
- UGH!

495
00:20:26,091 --> 00:20:27,725
- WHO WOULD HAVE GUESSED?

496
00:20:27,727 --> 00:20:30,628
KEVIN'S A PEARL
IN A BED OF OYSTERS.

497
00:20:30,630 --> 00:20:32,129
- THAT SHOULD HAVE BEEN ME!

498
00:20:32,131 --> 00:20:34,831
I NEVER HAD A CHANCE
TO READ MY POEM.

499
00:20:34,833 --> 00:20:37,767
- THAT'S A LOSS FOR ALL OF US.

500
00:20:46,379 --> 00:20:47,812
- COME ON.

501
00:20:47,814 --> 00:20:51,816
TRY NOT TO LOOK LIKE THE DULL
LITTLE HIGH SCHOOL BOY YOU ARE.

502
00:20:51,818 --> 00:20:54,584
- SMIRK.
I SAID SMIRK, DAMN YOU.

503
00:20:54,586 --> 00:20:56,219
- YOU CALL THAT A POSE?

504
00:20:56,221 --> 00:20:59,657
YOU'RE NOT FLEXING FOR YOUR
MILKMAID GIRLFRIEND ANYMORE.

505
00:20:59,659 --> 00:21:01,758
- WHEN DID HIS CABOOSE
GET SO BIG?

506
00:21:01,760 --> 00:21:05,195
WAS IT THAT BIG
WHEN WE SIGNED HIM?

507
00:21:05,197 --> 00:21:07,664
- ♪ LA-LA, LA, LA-LA ♪

508
00:21:07,666 --> 00:21:10,601
Captioning by<font color="#00ff00"> CaptionMax</font>
www.captionmax.com

509
00:21:20,646 --> 00:21:25,215
- ♪ LA, LA, LA ♪

510
00:21:25,217 --> 00:21:30,020
♪ LA, LA, LA ♪

511
00:21:30,022 --> 00:21:32,490
♪ LA, LA, LA ♪

512
00:21:32,492 --> 00:21:41,598
♪ ♪

513
00:21:41,600 --> 00:21:44,367
♪ LA-LA, LA, LA-LA ♪