1 00:00:02,036 --> 00:00:03,202 - ♪ LA-LA, LA, LA-LA ♪ 2 00:00:03,204 --> 00:00:05,837 ♪ LA-LA, LA, LA-LA ♪ 3 00:00:05,839 --> 00:00:10,042 ♪ ♪ 4 00:00:10,044 --> 00:00:12,811 - AND LIKE A HUSBAND GOING HOME 5 00:00:12,813 --> 00:00:15,580 TO HIS NOBLE AND SELF-SACRIFICING WIFE, 6 00:00:15,582 --> 00:00:18,083 THE RAT KEEPS RETURNING TO THE FOOD BOX-- 7 00:00:18,085 --> 00:00:20,452 THAT IS, THE POSITIVE REINFORCEMENT. 8 00:00:20,454 --> 00:00:24,556 OH, IF ONLY MEN COULD BE MORE LIKE RATS. 9 00:00:24,558 --> 00:00:26,792 OH, SURE, THEY COME HOME AT FIRST. 10 00:00:26,794 --> 00:00:29,161 YOU FEED THEM, YOU WAIT ON THEM, 11 00:00:29,163 --> 00:00:31,930 AND THEN, AFTER 22 THANKLESS YEARS, 12 00:00:31,932 --> 00:00:33,965 THEY JUST UP AND LEAVE. 13 00:00:33,967 --> 00:00:35,934 NO, NO, NO PHONE CALL. 14 00:00:35,936 --> 00:00:37,402 NO NOTHING. 15 00:00:37,404 --> 00:00:40,472 JUST...LIKE...THAT! 16 00:00:40,474 --> 00:00:42,607 - I WONDER WHY HE LEFT. 17 00:00:42,609 --> 00:00:47,146 - NOW, BEFORE I DIVIDE THE CLASS INTO TEAMS OF TWO, 18 00:00:47,148 --> 00:00:52,518 WHO CAN GIVE ME ANOTHER EXAMPLE OF REINFORCEMENT? 19 00:00:52,520 --> 00:00:53,652 FINE, CLASS. 20 00:00:53,654 --> 00:00:57,623 IGNORE ME, JUST LIKE HE DID. 21 00:00:57,625 --> 00:00:58,624 KEVIN? 22 00:00:58,626 --> 00:01:00,559 - UM-- - SHUT UP, KEVIN. 23 00:01:00,561 --> 00:01:01,960 DARIA? 24 00:01:01,962 --> 00:01:03,295 REINFORCEMENT? 25 00:01:03,297 --> 00:01:04,429 - HMM. 26 00:01:04,431 --> 00:01:06,498 TO MAKE A CHILD STOP CRYING, 27 00:01:06,500 --> 00:01:08,900 A MOTHER MIGHT SAY, "THAT'S IT. 28 00:01:08,902 --> 00:01:10,169 "I'M SENDING YOU TO EL PASO 29 00:01:10,171 --> 00:01:12,270 TO LIVE WITH YOUR REAL FATHER." 30 00:01:12,272 --> 00:01:13,939 WHENEVER THE CHILD GETS UPSET, 31 00:01:13,941 --> 00:01:16,074 THE MOTHER MIGHT WAVE AN AIRLINE TICKET IN HER FACE 32 00:01:16,076 --> 00:01:19,444 OR MAYBE EVEN FRAME IT ON THE WALL BY THE CLOWN PICTURE. 33 00:01:19,446 --> 00:01:21,613 THE TICKET STOPS THE GIRL FROM CRYING 34 00:01:21,615 --> 00:01:24,416 OR SHOWING ANY EMOTION... EVER. 35 00:01:24,418 --> 00:01:25,450 - RIGHT, THAT'S-- 36 00:01:25,452 --> 00:01:27,152 - YEARS LATER, SEEING AN AIRPLANE 37 00:01:27,154 --> 00:01:29,587 OR JUST HEARING ONE FLY OVERHEAD CAN UNLEASH 38 00:01:29,589 --> 00:01:31,890 A PANDORA'S BOX OF REPRESSED ANGER, 39 00:01:31,892 --> 00:01:34,092 SHATTERING THE GROWN CHILD'S FRAGILE PSYCHE 40 00:01:34,094 --> 00:01:37,262 AND TRIGGERING A PSYCHOTIC AND POSSIBLY DEADLY EPISODE. 41 00:01:37,264 --> 00:01:38,931 - I LIKE THE WAY YOU THINK. 42 00:01:38,933 --> 00:01:40,232 KEVIN! 43 00:01:40,234 --> 00:01:42,334 DARIA WILL BE YOUR LAB PARTNER. 44 00:01:42,336 --> 00:01:43,802 - squeak! 45 00:01:43,804 --> 00:01:47,239 - YOU TWO WILL DESIGN A MAZE AND CONDITION KEVIN--I MEAN, 46 00:01:47,241 --> 00:01:51,810 CONDITION A MOUSE USING POSITIVE OR NEGATIVE REINFORCEMENT. 47 00:01:51,812 --> 00:01:53,378 - BUT, BABE, WE'VE NEVER BEEN SEPARATED 48 00:01:53,380 --> 00:01:55,247 ON A LAB PROJECT BEFORE. 49 00:01:55,249 --> 00:01:56,581 WHAT'LL WE DO? 50 00:01:56,583 --> 00:01:58,250 - PASS? 51 00:01:58,252 --> 00:02:00,986 - BRITTANY, CHARLES WILL BE YOUR PARTNER. 52 00:02:00,988 --> 00:02:02,020 - [squeaks] 53 00:02:02,022 --> 00:02:04,423 BUT, MS. BARCH, I'M A CHEERLEADER. 54 00:02:04,425 --> 00:02:08,760 - GIVE ME AN... [rolls "R"] 55 00:02:08,762 --> 00:02:10,462 - I REALLY LIKE DOING MAZES. 56 00:02:10,464 --> 00:02:12,698 THOSE ONES ON THE BACK OF CEREAL BOXES ARE COOL. 57 00:02:12,700 --> 00:02:15,100 - WELL, NOW I AM EXCITED. 58 00:02:15,102 --> 00:02:18,202 - SHUT UP, MACK. 59 00:02:18,204 --> 00:02:20,839 - SO NOW KEVIN'S MY LAB PARTNER. 60 00:02:20,841 --> 00:02:22,874 - NEXT BEST THING TO WORKING ALONE. 61 00:02:22,876 --> 00:02:25,677 - OH, NO. HE LIKES MAZES. 62 00:02:25,679 --> 00:02:28,413 - MAYBE YOU COULD GET A WIND-UP TOY TO DISTRACT HIM. 63 00:02:28,415 --> 00:02:31,183 - HIS WIND-UP TOY IS WORKING WITH UPCHUCK. 64 00:02:31,185 --> 00:02:33,018 - HEY, DARIA! 65 00:02:33,020 --> 00:02:34,819 MIND IF WE DO THE MAZE THING AT YOUR HOUSE? 66 00:02:34,821 --> 00:02:38,389 MY CABLE'S BROKEN. 67 00:02:38,391 --> 00:02:42,327 - IT'S 911 IN THE MORNING AND 1-900 IN THE EVENING. 68 00:02:42,329 --> 00:02:46,231 THE PHONE SEX E.M.S. DISPATCHER WHEN SICK, SAD WORLD RETURNS. 69 00:02:46,233 --> 00:02:48,766 - DARIA, I HEARD YOU'RE WORKING WITH KEVIN THOMPSON 70 00:02:48,768 --> 00:02:50,702 ON A SCIENCE PROJECT. 71 00:02:50,704 --> 00:02:54,006 HE'S QUARTERBACK OF THE FOOTBALL TEAM, ISN'T HE? 72 00:02:54,008 --> 00:02:55,774 - BRITTANY WAS SOBBING IN THE BATHROOM. 73 00:02:55,776 --> 00:02:58,443 - SCIENCE IS FASCINATING. 74 00:02:58,445 --> 00:03:00,445 TELL ME ALL ABOUT IT, HONEY. 75 00:03:00,447 --> 00:03:03,448 - I CAN'T; I SIGNED A CONFIDENTIALITY PAPER. 76 00:03:03,450 --> 00:03:05,150 THE OTHER SCIENTISTS WOULD BE MAD. 77 00:03:05,152 --> 00:03:06,951 - OH, FORGET IT, DARIA. 78 00:03:06,953 --> 00:03:08,587 QUINN, HOW WAS YOUR DAY? 79 00:03:08,589 --> 00:03:09,654 - IT SUCKED. 80 00:03:09,656 --> 00:03:11,423 FIRST MY TEACHER GAVE MY PAPER 81 00:03:11,425 --> 00:03:13,992 ON CLEOPATRA'S MAKEUP DON'TS AN "F." 82 00:03:13,994 --> 00:03:16,061 LIKE HE WOULD KNOW! 83 00:03:16,063 --> 00:03:17,262 THEN MY HEEL BROKE. 84 00:03:17,264 --> 00:03:18,729 THEN, LIKE, THE DAY WAS ALMOST OVER, 85 00:03:18,731 --> 00:03:20,598 AND ONLY TWO GUYS HAD ASKED ME OUT. 86 00:03:20,600 --> 00:03:22,700 LUCKILY, JUST BEFORE-- 87 00:03:22,702 --> 00:03:25,570 - DARIA, PLEASE TELL ME ABOUT THE PROJECT. 88 00:03:25,572 --> 00:03:26,738 - [sighs] 89 00:03:26,740 --> 00:03:28,606 IT'S ABOUT HOW BEHAVIOR IS AFFECTED 90 00:03:28,608 --> 00:03:30,709 BY POSITIVE OR NEGATIVE REINFORCEMENT. 91 00:03:30,711 --> 00:03:31,810 - SOUNDS SUPER. 92 00:03:31,812 --> 00:03:34,012 - LIKE, SAY YOU HAVE A FRIEND 93 00:03:34,014 --> 00:03:37,748 WHO RESPONDS TO EVERYTHING YOU SAY WITH, "THAT'S GREAT." 94 00:03:37,750 --> 00:03:40,118 THIS INSINCERE REPLY IS THE SAME 95 00:03:40,120 --> 00:03:42,354 WHETHER YOU SAVED A LIFE OR KILLED A BUG 96 00:03:42,356 --> 00:03:45,523 AND THUS BECOMES NEGATIVE REINFORCEMENT, 97 00:03:45,525 --> 00:03:49,194 CAUSING YOU TO WITHDRAW FROM THAT PERSON OR PERSONS. 98 00:03:49,196 --> 00:03:52,864 - WOW, THAT'S FANTASTIC! 99 00:03:52,866 --> 00:03:54,666 MAYBE IF YOU AND KEVIN WORK WELL TOGETHER, 100 00:03:54,668 --> 00:03:56,968 HE'LL ASSOCIATE YOU WITH FEELING GOOD 101 00:03:56,970 --> 00:03:59,804 AND WANT TO INCLUDE YOU IN HIS CIRCLE OF FRIENDS. 102 00:03:59,806 --> 00:04:01,473 - DO YOU REALLY BELIEVE THAT? 103 00:04:01,475 --> 00:04:03,775 - BELIEVE? IN WHAT SENSE? 104 00:04:03,777 --> 00:04:05,343 - MAYBE I'LL HELP WITH THE PROJECT. 105 00:04:05,345 --> 00:04:06,611 I'M INTO SCIENCE. 106 00:04:06,613 --> 00:04:08,479 - QUINN, THAT'S GREAT! 107 00:04:08,481 --> 00:04:10,716 - WHAT EXACTLY DO YOU LIKE ABOUT IT? 108 00:04:10,718 --> 00:04:13,318 - UM, LIKE, NOW THEY CAN MAKE PERFUME 109 00:04:13,320 --> 00:04:14,619 WITHOUT HURTING LITTLE BUNNIES. 110 00:04:14,621 --> 00:04:16,187 [doorbell rings] DOOR! 111 00:04:16,189 --> 00:04:18,589 [telephone ringing] PHONE! 112 00:04:21,328 --> 00:04:23,261 - [sighs] 113 00:04:23,263 --> 00:04:25,330 HEY, KEVIN. - HI, QUINN. 114 00:04:25,332 --> 00:04:28,400 HEY, DARIA, I'M READY TO START THIS MAZE THING. 115 00:04:28,402 --> 00:04:30,435 - I'M HELPING. LET'S GO. 116 00:04:30,437 --> 00:04:31,569 - WAIT A MINUTE, KEVIN. 117 00:04:31,571 --> 00:04:34,272 THERE'S SOMETHING I WANT YOU TO SEE. 118 00:04:34,274 --> 00:04:36,874 - [snoring] 119 00:04:36,876 --> 00:04:38,476 - LOOK, KEVIN. 120 00:04:38,478 --> 00:04:42,013 THE PIGSKIN CHANNEL: GREAT BIG GUYS 121 00:04:42,015 --> 00:04:44,382 SLAMMING INTO OTHER GREAT BIG GUYS. 122 00:04:44,384 --> 00:04:45,783 FUN. 123 00:04:45,785 --> 00:04:47,185 - COOL! 124 00:04:47,187 --> 00:04:50,656 - THE PIGSKIN CHANNEL, CLASSIC FOOTBALL GAMES 125 00:04:50,658 --> 00:04:54,793 24 HOURS A DAY EVERY DAY ALL THIS MONTH. 126 00:04:54,795 --> 00:04:56,594 - GOOD THING I HAVE NOTHING PLANNED. 127 00:04:56,596 --> 00:04:58,863 - I GUESS IT'S JUST YOU AND ME. 128 00:04:58,865 --> 00:05:00,998 GOT YOUR SAW AND SANDPAPER? 129 00:05:01,000 --> 00:05:04,135 - UM, ACTUALLY, I'M, LIKE, NEEDED HERE MORE. 130 00:05:04,137 --> 00:05:05,636 RIGHT, KEVIN? 131 00:05:05,638 --> 00:05:07,038 - [Jake snores] 132 00:05:07,040 --> 00:05:09,507 - KEVIN, IF YOU WANT A PILLOW OR ANYTHING, 133 00:05:09,509 --> 00:05:10,708 THERE'S ONE ON THAT CHAIR. 134 00:05:10,710 --> 00:05:11,777 - THANKS, BABE. 135 00:05:11,779 --> 00:05:14,745 JUST PUT IT BEHIND MY BACK. 136 00:05:18,352 --> 00:05:21,119 - SHOULDN'T YOU BE WORKING ON YOUR PROJECT? 137 00:05:21,121 --> 00:05:23,855 YOU KNOW, TEACHING A MOUSE TO FETCH OR WHATEVER? 138 00:05:23,857 --> 00:05:27,859 - LOOKS LIKE THERE'S PLENTY OF FETCHING GOING ON ALREADY. 139 00:05:27,861 --> 00:05:28,994 - [coughs] 140 00:05:28,996 --> 00:05:30,528 - KEVIN, IF YOU WANT A SODA OR ANYTHING, 141 00:05:30,530 --> 00:05:31,596 THERE'S SOME IN THE FRIDGE. 142 00:05:31,598 --> 00:05:33,531 I KNOW I'M KIND OF THIRSTY. 143 00:05:33,533 --> 00:05:34,900 - THANKS, BABE. 144 00:05:34,902 --> 00:05:37,435 COULD YOU, LIKE, PUT SOME ICE IN IT? 145 00:05:37,437 --> 00:05:39,370 - HOW MANY CUBES? 146 00:05:39,372 --> 00:05:40,672 - TWO IS COOL. 147 00:05:40,674 --> 00:05:42,607 - UGH! 148 00:05:47,380 --> 00:05:53,151 - WELCOME TO CASA DE CHUCK, BELLA SEÑORITA. 149 00:05:53,153 --> 00:05:54,920 DON'T WORRY, TOOTS. 150 00:05:54,922 --> 00:05:59,190 THIS TORRID AFFAIR SHALL REMAIN OUR LITTLE SECRET, 151 00:05:59,192 --> 00:06:00,292 AS IT MUST. 152 00:06:00,294 --> 00:06:01,526 - LISTEN, UPCHUCK. 153 00:06:01,528 --> 00:06:03,395 YOU COME NEAR ME, AND KEVIN WILL BUST YOUR-- 154 00:06:03,397 --> 00:06:04,562 - KEVIN? 155 00:06:04,564 --> 00:06:08,332 KEVIN'S BUSY NOW... WITH DARIA! 156 00:06:08,334 --> 00:06:10,769 - OOH! - BUT YOU'RE RIGHT. 157 00:06:10,771 --> 00:06:14,272 PASSION CAN WAIT UNTIL WE'VE CONSTRUCTED OUR MAZE. 158 00:06:14,274 --> 00:06:16,141 THERE'S A SAW. 159 00:06:16,143 --> 00:06:19,477 - EXCUSE ME. I DON'T DO SAW. 160 00:06:19,479 --> 00:06:21,546 - OH, MY FRAGILE PETAL. 161 00:06:21,548 --> 00:06:23,548 EITHER YOU DO YOUR SHARE, 162 00:06:23,550 --> 00:06:26,250 OR I TELL EVERYONE WE'RE DATING. 163 00:06:26,252 --> 00:06:28,219 - LIKE ANYONE WOULD BELIEVE THAT. 164 00:06:28,221 --> 00:06:31,956 - BUT THEY WOULD BELIEVE THIS. 165 00:06:31,958 --> 00:06:32,991 - [gasps] 166 00:06:32,993 --> 00:06:34,458 - ISN'T THAT SAM STACK, 167 00:06:34,460 --> 00:06:36,560 QUARTERBACK FOR OAKWOOD, 168 00:06:36,562 --> 00:06:38,429 OUR RIVALS? 169 00:06:38,431 --> 00:06:40,865 - BUT KEVIN AND I BROKE UP THAT WEEK. 170 00:06:40,867 --> 00:06:43,201 WAIT, HOW DID YOU GET THIS? 171 00:06:43,203 --> 00:06:44,469 YOU PERVERT! 172 00:06:44,471 --> 00:06:45,871 - SILLY ME. 173 00:06:45,873 --> 00:06:51,209 I WAS TAKING PICTURES AND FORGOT I HAD THE TELEPHOTO LENS ON. 174 00:06:51,211 --> 00:06:53,611 AH, AH, AH. 175 00:06:53,613 --> 00:06:56,147 ON SECOND THOUGHT, I'LL START THE MAZE. 176 00:06:56,149 --> 00:06:57,849 YOU CAN GET ME A SODA. 177 00:06:57,851 --> 00:06:58,850 - HUH? 178 00:06:58,852 --> 00:07:00,451 - IN THE KITCHEN. 179 00:07:00,453 --> 00:07:02,420 I TAKE TWO CUBES. 180 00:07:02,422 --> 00:07:06,824 NOT ONE, NOT THREE, TWO. 181 00:07:06,826 --> 00:07:08,560 [laughs] 182 00:07:08,562 --> 00:07:11,929 SLAVE FOR A WEEK. 183 00:07:21,175 --> 00:07:22,574 - GO, GO, GO! 184 00:07:22,576 --> 00:07:25,443 - GEE, KEVIN, I HOPE THE STEAK ISN'T TOO MEDIUM RARE. 185 00:07:25,445 --> 00:07:27,845 - YOU SUCK! THAT'S MY TEAM. 186 00:07:27,847 --> 00:07:29,747 OH, THE STEAK? OH, THAT'S COOL. 187 00:07:29,749 --> 00:07:31,982 AND I REALLY LIKE THIS YELLOW DIP. 188 00:07:31,984 --> 00:07:34,085 HEY, TOMORROW NIGHT, LET'S HAVE SLOPPY JOES. 189 00:07:34,087 --> 00:07:36,487 - UM, I WAS THINKING TOMORROW NIGHT 190 00:07:36,489 --> 00:07:38,923 YOU MIGHT TAKE ME TO CHEZ PIERRE. 191 00:07:38,925 --> 00:07:41,159 THE FOOD THERE IS, LIKE, REALLY GOOD, 192 00:07:41,161 --> 00:07:43,194 AND THE WAITERS ARE, LIKE, REALLY FOREIGN. 193 00:07:43,196 --> 00:07:45,730 - GEE, BABE, THERE SEEMS TO BE PLENTY OF GOOD FOOD RIGHT HERE. 194 00:07:45,732 --> 00:07:47,632 - YES, BUT-- - AH, YOU SUCK! 195 00:07:47,634 --> 00:07:48,967 YOU SUCK! YOU SUCK! 196 00:07:48,969 --> 00:07:51,102 [doorbell rings] 197 00:07:53,941 --> 00:07:57,542 - EW! WHAT HAPPENED TO YOU? 198 00:07:57,544 --> 00:07:59,778 - UGH, THAT DESPICABLE UPCHUCK 199 00:07:59,780 --> 00:08:02,113 MADE ME CHANGE THE WATER IN HIS FISH TANKS. 200 00:08:02,115 --> 00:08:03,882 IS KEVIN HERE? 201 00:08:03,884 --> 00:08:05,783 - SORRY, BRITTANY, BUT HE'S VERY BUSY 202 00:08:05,785 --> 00:08:08,220 WORKING ON THE MAZE THING AND CAN'T BE DISTURBED. 203 00:08:08,222 --> 00:08:10,188 - HEY, QUINN, WHAT'S FOR DESSERT? 204 00:08:10,190 --> 00:08:11,823 - BUT-- - GOTTA GO! 205 00:08:11,825 --> 00:08:14,292 - OOH! 206 00:08:20,534 --> 00:08:22,967 - KEVIN, WHAT ARE YOU DOING HERE? 207 00:08:22,969 --> 00:08:24,202 DID YOU GET LOST? 208 00:08:24,204 --> 00:08:27,538 - [laughs] NO. I MEAN, SORT OF. 209 00:08:27,540 --> 00:08:31,108 HEY, COOL! YOU FINISHED THE MAZE. 210 00:08:31,110 --> 00:08:33,745 THAT MUST HAVE TAKEN, LIKE, FOREVER. 211 00:08:33,747 --> 00:08:34,779 OOPS. 212 00:08:34,781 --> 00:08:36,881 SORRY. 213 00:08:36,883 --> 00:08:40,318 - KEVIN, I WANT YOU TO PUT THE DOOR DOWN 214 00:08:40,320 --> 00:08:42,720 AND STEP AWAY FROM THE MAZE, 215 00:08:42,722 --> 00:08:44,255 AND NO ONE WILL GET HURT. 216 00:08:44,257 --> 00:08:45,422 [mouse squeaking] 217 00:08:45,424 --> 00:08:47,324 - HEY, IS THIS THE MOUSE WE'RE TRAINING? 218 00:08:47,326 --> 00:08:50,228 - YOU DON'T RECOGNIZE HIM AFTER ALL YOUR HOURS TOGETHER? 219 00:08:50,230 --> 00:08:51,796 - HEY, CAN YOU MAKE HIM STAND ON HIS HEAD? 220 00:08:51,798 --> 00:08:52,930 - NOT RIGHT NOW. 221 00:08:52,932 --> 00:08:56,101 HE'S EXHAUSTED FROM JUMPING ROPE. 222 00:08:56,103 --> 00:08:58,803 - LOOK WHAT I MADE, KEVIN. 223 00:08:58,805 --> 00:09:00,037 - NO ICE CREAM? 224 00:09:00,039 --> 00:09:01,773 I WOULDN'T PUT UP WITH THAT IF I WERE YOU. 225 00:09:01,775 --> 00:09:03,875 - YEAH, THANKS, QUINN. 226 00:09:03,877 --> 00:09:05,209 LEAVE IT BY THE TV. 227 00:09:05,211 --> 00:09:06,945 - "LEAVE IT BY THE TV." 228 00:09:06,947 --> 00:09:10,248 IT'S LIKE WE'RE ALREADY GOING OUT. 229 00:09:10,250 --> 00:09:11,616 - THERE YOU ARE. 230 00:09:11,618 --> 00:09:12,951 - YO, BABE. 231 00:09:12,953 --> 00:09:16,620 - SO, LIKE, WHAT HAVE YOU BEEN DOING ALL NIGHT? 232 00:09:16,622 --> 00:09:19,023 - UM, WORKING? 233 00:09:19,025 --> 00:09:21,960 - WOW, THIS LOOKS REALLY COMPLICATED. 234 00:09:21,962 --> 00:09:23,862 KEVIN, YOU'RE SO SMART. 235 00:09:23,864 --> 00:09:25,629 EXPLAIN IT TO ME. 236 00:09:25,631 --> 00:09:30,534 - UH, WELL, SEE, THERE'S THIS PATH. 237 00:09:30,536 --> 00:09:32,270 WAIT, HEY. 238 00:09:32,272 --> 00:09:33,738 WELL, THERE'S TWO PATHS. 239 00:09:33,740 --> 00:09:34,773 COOL. 240 00:09:34,775 --> 00:09:35,807 - WORKING, HUH? 241 00:09:35,809 --> 00:09:37,776 YOU COULD AT LEAST HIDE THE EVIDENCE. 242 00:09:37,778 --> 00:09:39,878 NOW, TELL ME; WHAT'S GOING ON HERE? 243 00:09:39,880 --> 00:09:41,246 - RELAX, BRITTANY. 244 00:09:41,248 --> 00:09:43,782 HAVE A NICE BIG PIECE OF THE CHOCOLATE LAYER CAKE 245 00:09:43,784 --> 00:09:44,883 QUINN MADE JUST FOR KEVIN. 246 00:09:44,885 --> 00:09:45,917 - OOH! 247 00:09:45,919 --> 00:09:49,387 YOU--YOU VIXENS! 248 00:09:49,389 --> 00:09:51,589 COME ON; WE'RE LEAVING. 249 00:09:51,591 --> 00:09:53,224 - BUT IT'S ONLY HALFTIME-- 250 00:09:53,226 --> 00:09:55,193 I MEAN, DARIA NEEDS ME. 251 00:09:55,195 --> 00:09:56,194 - YEAH. 252 00:09:56,196 --> 00:09:58,262 HE HAS THREE MORE DOORS TO BREAK. 253 00:09:58,264 --> 00:09:59,263 - YEAH. 254 00:09:59,265 --> 00:10:02,200 - OH, BRITTANY! 255 00:10:02,202 --> 00:10:03,201 - UGH! 256 00:10:03,203 --> 00:10:05,603 ALL RIGHT, I'M GOING. 257 00:10:05,605 --> 00:10:08,906 BUT I'M WARNING YOU, MISS SMARTYNESS, 258 00:10:08,908 --> 00:10:11,009 I KNOW HOW TO FIGHT FOR MY MAN. 259 00:10:11,011 --> 00:10:12,943 - [indignantly] WHAT MAN? 260 00:10:15,916 --> 00:10:18,183 - IF YOU WERE REALLY GOOD, 261 00:10:18,185 --> 00:10:20,618 YOU'D GET THE MOUSE TO STAY OFF BOTH PATHS-- 262 00:10:20,620 --> 00:10:21,819 YOU KNOW, LIKE DADA. 263 00:10:21,821 --> 00:10:23,354 EVERYTHING IS USELESS. 264 00:10:23,356 --> 00:10:25,357 - I WOULDN'T DO THAT TO THE MOUSE. 265 00:10:25,359 --> 00:10:27,058 BUT IT MIGHT BE FUN TO TRY IT ON... 266 00:10:27,060 --> 00:10:28,993 - SO, DARIA, WE STILL HAVE A LOT OF WORK TO DO 267 00:10:28,995 --> 00:10:30,294 ON THIS MAZE THING, RIGHT? 268 00:10:30,296 --> 00:10:32,763 - YEAH, BUT I DON'T EXPECT YOU TO MAINTAIN 269 00:10:32,765 --> 00:10:35,133 YOUR LASERLIKE FOCUS OF THE PAST WEEK. 270 00:10:35,135 --> 00:10:36,767 - COOL! WHATEVER. 271 00:10:36,769 --> 00:10:39,203 HEY, MAYBE I'LL STOP BY THE GARAGE TONIGHT 272 00:10:39,205 --> 00:10:40,538 AFTER THE STEELERS GAME. 273 00:10:40,540 --> 00:10:42,073 - THAT'S NOT REALLY NECESSARY. 274 00:10:42,075 --> 00:10:43,408 - OH, WAIT, I CAN'T. 275 00:10:43,410 --> 00:10:46,144 I PROMISED QUINN I'D HELP HER PRACTICE 276 00:10:46,146 --> 00:10:47,778 HER BACK MASSAGE TECHNIQUE. 277 00:10:47,780 --> 00:10:49,947 - DOES THIS BOY ALWAYS THINK OF OTHERS FIRST? 278 00:10:49,949 --> 00:10:51,382 - WHAT? 279 00:10:51,384 --> 00:10:53,884 - KEVIN'S BEEN HANGING OUT AT THAT DARIA CHICK'S, 280 00:10:53,886 --> 00:10:56,054 LIKE, EVERY NIGHT THIS WEEK. 281 00:10:56,056 --> 00:10:57,288 - BUT THAT CHICK'S A BRAIN. 282 00:10:57,290 --> 00:10:58,857 - THERE MUST BE SOMETHING WE DON'T KNOW. 283 00:10:58,859 --> 00:11:00,891 - WE GOTTA FIND OUT. 284 00:11:00,893 --> 00:11:02,460 - OOH! 285 00:11:02,462 --> 00:11:06,063 CAN YOU BELIEVE DARIA'S TRYING TO TAKE KEVIN AWAY FROM ME? 286 00:11:06,065 --> 00:11:07,232 - I CAN'T BELIEVE ANYONE 287 00:11:07,234 --> 00:11:09,166 WOULD TRY TO TAKE KEVIN AWAY FROM YOU. 288 00:11:09,168 --> 00:11:13,238 - THANKS. YOU'RE A FRIEND. 289 00:11:13,240 --> 00:11:15,640 KEVIN, THE NEW WHITNEY HOUSTON MOVIE IS OUT, 290 00:11:15,642 --> 00:11:17,609 AND I WANT YOU TO TAKE ME...TONIGHT. 291 00:11:17,611 --> 00:11:20,245 - CAN'T, BABE. GOT TO WORK WITH DARIA. 292 00:11:20,247 --> 00:11:22,247 YOU KNOW, SCIENCE. 293 00:11:22,249 --> 00:11:23,748 - THAT'S ALL RIGHT, DR. PASTEUR. 294 00:11:23,750 --> 00:11:25,383 YOU CAN TAKE A NIGHT OFF. 295 00:11:25,385 --> 00:11:27,752 - DARIA, THAT'S A CHICK MOVIE. 296 00:11:27,754 --> 00:11:31,455 - PSST, KEVIN. BRITTANY'S A CHICK. 297 00:11:31,457 --> 00:11:32,623 - I HEARD THAT. 298 00:11:32,625 --> 00:11:34,392 WHAT SHOW ARE WE GOING TO? 299 00:11:34,394 --> 00:11:37,729 - UH-OH, GOTTA GO. PRACTICE. 300 00:11:37,731 --> 00:11:40,264 - IF YOU THINK YOU'RE GOING TO TAKE KEVIN AWAY FROM ME, 301 00:11:40,266 --> 00:11:42,499 YOU'RE WRONG, BECAUSE HE'S MY KEVIN, 302 00:11:42,501 --> 00:11:45,402 AND YOU'RE-- YOU'RE A--A BRAIN. 303 00:11:45,404 --> 00:11:46,604 - YOU KNOW, BRITTANY, 304 00:11:46,606 --> 00:11:48,806 THAT WAS ACTUALLY A VERY ASTUTE OBSERVATION 305 00:11:48,808 --> 00:11:51,342 ABOUT THE LIKELIHOOD OF MY DATING YOUR BOYFRIEND. 306 00:11:51,344 --> 00:11:54,612 - OR IS IT FORMER BOYFRIEND? 307 00:11:54,614 --> 00:11:56,014 - OOH! 308 00:11:56,016 --> 00:11:58,082 HI, JOEY, JEFFY, JIMMY! 309 00:11:58,084 --> 00:12:00,017 - SO, DARIA, ARE YOU DOING ANYTHING TONIGHT? 310 00:12:00,019 --> 00:12:01,953 - SHE JUST CALLED YOU JIMMY. 311 00:12:01,955 --> 00:12:03,887 - WHATEVER. HOW ABOUT TOMORROW NIGHT? 312 00:12:03,889 --> 00:12:07,324 - HI! GUYS! HI, JOEY. 313 00:12:07,326 --> 00:12:09,894 HEY, TELL ME THAT REALLY FUNNY STORY AGAIN 314 00:12:09,896 --> 00:12:12,229 ABOUT HOW YOU MADE CHOCOLATE COME OUT OF YOUR NOSE. 315 00:12:12,231 --> 00:12:14,265 - SO, DARIA, YOU FEEL LIKE HITTING A MOVIE? 316 00:12:14,267 --> 00:12:17,202 YOU CHICKS DIG WHITNEY HOUSTON, RIGHT? 317 00:12:17,204 --> 00:12:19,704 - JOEY, JEFFY, JAMIEL? 318 00:12:19,706 --> 00:12:22,406 WHICH ONE OF YOU GUYS WANTS TO WALK ME HOME? 319 00:12:22,408 --> 00:12:24,842 - ME. - QUINN, HELLO. 320 00:12:24,844 --> 00:12:25,844 - OOH! 321 00:12:25,846 --> 00:12:28,947 HOW CAN I COMPETE AGAINST SISTERS? 322 00:12:28,949 --> 00:12:30,648 THERE'S ONLY ONE OF ME. 323 00:12:30,650 --> 00:12:33,284 - MAYBE YOU CAN GET YOUR BROTHER TO WEAR A SKIRT. 324 00:12:33,286 --> 00:12:35,452 - MY BROTHER. 325 00:12:35,454 --> 00:12:37,454 [beeping] 326 00:12:37,456 --> 00:12:39,323 DAMN IT, UPCHUCK! 327 00:12:41,862 --> 00:12:43,161 - EXCELLENT! 328 00:12:43,163 --> 00:12:45,596 - OKAY, I SHINED YOUR SPOON COLLECTION, 329 00:12:45,598 --> 00:12:47,398 FILED YOUR DISGUSTING MAGAZINES, 330 00:12:47,400 --> 00:12:49,167 AND FINISHED YOUR SHOPPING. 331 00:12:49,169 --> 00:12:52,136 CAN I GO NOW? 332 00:12:52,138 --> 00:12:55,506 - I'M SORRY, BRITTANY, BUT I SPECIFICALLY SAID 333 00:12:55,508 --> 00:12:59,444 I WANTED THE HONEY THAT COMES IN A BEAR, NOT A JAR. 334 00:12:59,446 --> 00:13:03,448 - OOH! YOU--YOU WEASEL. 335 00:13:03,450 --> 00:13:06,016 - "AND REMEMBER, KEVIN, IT WAS A WEEK 336 00:13:06,018 --> 00:13:08,686 "THAT YOU TWO HAD BROKEN UP, SO I DON'T THINK 337 00:13:08,688 --> 00:13:12,923 YOU SHOULD BE TOO ANGRY WITH BACKSEAT BRITTANY." 338 00:13:12,925 --> 00:13:15,193 - OOH! 339 00:13:15,195 --> 00:13:18,462 - I AM KIND OF DATING KEVIN. 340 00:13:18,464 --> 00:13:21,032 YEAH, WELL, OLDER GUYS JUST GO FOR ME. 341 00:13:21,034 --> 00:13:23,500 THEY LIKE TO TAKE ME TO EXPENSIVE RESTAURANTS. 342 00:13:23,502 --> 00:13:24,501 beep! 343 00:13:24,503 --> 00:13:25,703 HOLD ON, ANOTHER CALL. 344 00:13:25,705 --> 00:13:27,105 - QUINN? - RODERICK. 345 00:13:27,107 --> 00:13:28,573 - CAN YOU GO OUT WITH OLDER GUYS? 346 00:13:28,575 --> 00:13:30,375 - SURE, I DATE GUYS YOUR AGE. 347 00:13:30,377 --> 00:13:32,577 - GOOD. - I MEAN, SOMETIMES. 348 00:13:32,579 --> 00:13:33,711 - SURE. 349 00:13:33,713 --> 00:13:36,648 - HEY, HAVE YOU EVER BEEN TO CHEZ PIERRE? 350 00:13:36,650 --> 00:13:38,315 [doorbell rings] 351 00:13:41,153 --> 00:13:42,286 - KEVIN WANTS THIS. 352 00:13:42,288 --> 00:13:44,822 CAN I LEAVE IT IN THE GARAGE? 353 00:13:44,824 --> 00:13:47,291 - SEE YOU ON WEDNESDAY. GOTTA GO. 354 00:13:47,293 --> 00:13:48,493 HELLO? 355 00:13:48,495 --> 00:13:50,294 - QUINN? - MATTHEW? 356 00:13:52,265 --> 00:13:54,265 - NOW, DON'T SAY A WORD. 357 00:13:54,267 --> 00:13:58,769 [mouse squeaking] 358 00:13:58,771 --> 00:14:00,738 OUCH! OOH! 359 00:14:00,740 --> 00:14:04,342 YOU ICKY LITTLE ANIMAL. 360 00:14:04,344 --> 00:14:07,611 OKAY, YOU MORGENDORFFER TEMPTRESSES. 361 00:14:07,613 --> 00:14:09,947 YOU'RE GOING TO HAVE TO FIND A NEW EXCUSE 362 00:14:09,949 --> 00:14:12,583 IF YOU WANT TO DRAG MY KEVIN OVER HERE NOW. 363 00:14:14,687 --> 00:14:17,021 - ♪ LA-LA, LA, LA-LA ♪ 364 00:14:17,023 --> 00:14:19,390 ♪ LA-LA, LA, LA-LA ♪ 365 00:14:26,499 --> 00:14:29,901 - DON'T LET THIS MOUSE OUT OF YOUR SIGHT, OKAY? 366 00:14:31,004 --> 00:14:32,937 - [laughs evilly] 367 00:14:40,880 --> 00:14:42,280 - I DON'T EVEN WANT TO KNOW. 368 00:14:42,282 --> 00:14:45,716 [doorbell rings] 369 00:14:45,718 --> 00:14:48,152 KEVIN, I HAVE SOME BAD NEWS. 370 00:14:48,154 --> 00:14:49,787 - AW, YOUR CABLE'S BROKEN? 371 00:14:49,789 --> 00:14:52,090 - NO, I-- - THE GAME GOT CANCELED? 372 00:14:52,092 --> 00:14:53,291 - NO, LISTEN-- 373 00:14:53,293 --> 00:14:54,926 - THEY'RE RUNNING THE GAME OPPOSITE-- 374 00:14:54,928 --> 00:14:57,528 - LISTEN. OUR MOUSE IS GONE. 375 00:14:57,530 --> 00:14:59,998 - OH, BOY, DARIA. 376 00:15:00,000 --> 00:15:02,300 YOU REALLY HAD ME GOING FOR A MINUTE. 377 00:15:02,302 --> 00:15:04,869 - KEVIN, WITHOUT THE MOUSE, WE FAIL, 378 00:15:04,871 --> 00:15:06,837 AND WE DON'T HAVE TIME TO TRAIN A NEW ONE. 379 00:15:06,839 --> 00:15:08,205 - BUMMER. 380 00:15:08,207 --> 00:15:10,440 I WISH THERE WAS SOMETHING I COULD DO. 381 00:15:10,442 --> 00:15:13,678 BUT WHAT? 382 00:15:13,680 --> 00:15:16,447 - THAT'S RIGHT; EXPERIENCE THE TASTE OF THE WORLD. 383 00:15:16,449 --> 00:15:17,548 AND, BY THE WAY... 384 00:15:17,550 --> 00:15:19,283 - HEY, MR. MORGENDORFFER. 385 00:15:19,285 --> 00:15:21,686 - IT'S JAKE, MY MAN, JAKE. 386 00:15:21,688 --> 00:15:24,088 [music playing on TV] 387 00:15:24,090 --> 00:15:26,691 YOU KNOW, I WENT OUT FOR FOOTBALL IN MILITARY SCHOOL, 388 00:15:26,693 --> 00:15:28,759 BUT THE OTHER KIDS TAUNTED ME, 389 00:15:28,761 --> 00:15:31,696 SAID I RAN FUNNY. 390 00:15:34,167 --> 00:15:37,368 WELL, I'VE SHOWN THEM, THE SMUG LITTLE TURDS. 391 00:15:37,370 --> 00:15:38,602 I'M MY OWN BOSS NOW, DAMN IT. 392 00:15:38,604 --> 00:15:39,937 I'VE GOT THE HOUSE, THE PAYCHECK, 393 00:15:39,939 --> 00:15:41,272 AND THEY'RE ALL LAYING DEAD 394 00:15:41,274 --> 00:15:43,274 IN A STINKIN' RICE PADDY HALFWAY AROUND THE WORLD! 395 00:15:43,276 --> 00:15:45,042 AT LEAST THAT'S THE WAY I LIKE TO THINK OF 'EM. 396 00:15:45,044 --> 00:15:46,711 HEY, HOW ABOUT A SODA? 397 00:15:46,713 --> 00:15:48,646 - SURE. I LIKE TWO ICE CUBES. 398 00:15:48,648 --> 00:15:52,016 - ME TOO. 399 00:15:52,018 --> 00:15:57,255 - KEVIN, DO YOU THINK MY SKIRT IS TOO SHORT? 400 00:15:59,492 --> 00:16:02,426 - GO! GO! GO! 401 00:16:02,428 --> 00:16:06,831 - QUINN, DO YOU KNOW ANYTHING ABOUT THIS? 402 00:16:06,833 --> 00:16:08,232 - OH, RIGHT. 403 00:16:08,234 --> 00:16:10,835 LIKE SOME PLASTIC BEAR IS GOING TO MAKE KEVIN 404 00:16:10,837 --> 00:16:12,770 CHOOSE BRITTANY OVER ME. 405 00:16:12,772 --> 00:16:13,904 - BRITTANY? 406 00:16:13,906 --> 00:16:16,974 - YEAH, SHE LEFT IT IN THE GARAGE FOR KEVIN. 407 00:16:16,976 --> 00:16:20,077 SHOOT ME IF I EVER GET THAT DESPERATE. 408 00:16:20,079 --> 00:16:21,378 HEY, KEVIN? 409 00:16:21,380 --> 00:16:24,916 - MY TEEN YEARS A NIGHTMARE OF SHAME AND GUILT. 410 00:16:24,918 --> 00:16:26,818 THEY DIDN'T CALL IT SELF-LOVE THEN, KEVIN. 411 00:16:26,820 --> 00:16:29,821 THEY CALLED IT SELF-ABUSE. 412 00:16:29,823 --> 00:16:31,856 [bell rings] 413 00:16:31,858 --> 00:16:34,859 - BUT, BABE, I DIDN'T DO ANYTHING WRONG. 414 00:16:34,861 --> 00:16:36,694 - DON'T LIE TO ME, KEVIN. 415 00:16:36,696 --> 00:16:39,097 IT'S ALL OVER SCHOOL YOU'RE DATING BOTH DARIA AND QUINN. 416 00:16:39,099 --> 00:16:43,634 - REALLY? WHOA, TWINS. 417 00:16:43,636 --> 00:16:45,803 - QUIT FOLLOWING KEVIN! 418 00:16:45,805 --> 00:16:48,840 - GEE, BRITTANY, WHAT HAPPENED TO YOUR HAND? 419 00:16:48,842 --> 00:16:52,176 - UH, UM... FAULTY EYELASH CURLER. 420 00:16:52,178 --> 00:16:55,613 - I JUST TOLD MS. BARCH ABOUT THE DISAPPEARING MOUSE. 421 00:16:55,615 --> 00:16:58,049 SHE SAID IF WE DON'T TURN THE PROJECT IN TOMORROW, 422 00:16:58,051 --> 00:16:59,851 WE'LL HAVE TO DO A MAKEUP EXPERIMENT, 423 00:16:59,853 --> 00:17:03,187 A REALLY BIG MAKEUP EXPERIMENT. 424 00:17:03,189 --> 00:17:07,491 IT COULD TAKE WEEKS, EVEN MONTHS. 425 00:17:07,493 --> 00:17:08,992 - COOL. 426 00:17:08,994 --> 00:17:10,327 - DO YOU HAVE A CAMERA? 427 00:17:10,329 --> 00:17:12,129 YOU MIGHT WANT TO TAKE A PICTURE OF KEVIN 428 00:17:12,131 --> 00:17:13,764 SO YOU'LL REMEMBER WHAT HE LOOKS LIKE. 429 00:17:13,766 --> 00:17:15,099 - WHY, YOU-- 430 00:17:15,101 --> 00:17:16,567 - SEE YOU AT 8:00, KEVIN. 431 00:17:16,569 --> 00:17:19,437 OH, AND I'LL TELL QUINN TO FIRE UP THE GRILL. 432 00:17:19,439 --> 00:17:22,006 - WAIT! 433 00:17:22,008 --> 00:17:25,509 OKAY, SO I STOLE THE ROTTEN LITTLE RAT. 434 00:17:25,511 --> 00:17:28,212 BUT I DID IT FOR US AND WHITNEY. 435 00:17:28,214 --> 00:17:31,148 I JUST COULDN'T STAND BEING AWAY FROM YOU ANY LONGER. 436 00:17:31,150 --> 00:17:32,817 - BABE. 437 00:17:32,819 --> 00:17:35,019 - THIS IS ALL VERY TOUCHING. 438 00:17:35,021 --> 00:17:38,055 BRITTANY, A DEAL: THE MOUSE FOR KEVIN. 439 00:17:38,057 --> 00:17:40,291 - DEAL. 440 00:17:40,293 --> 00:17:42,126 - [both thinking] SUCKER! 441 00:17:42,128 --> 00:17:43,760 - LET'S GO, KEVIN. 442 00:17:43,762 --> 00:17:45,529 - DARIA, I CAN STILL COME OVER 443 00:17:45,531 --> 00:17:47,065 AND WATCH THE PIGSKIN CHANNEL, RIGHT? 444 00:17:47,067 --> 00:17:48,665 - [both thinking] JERK! 445 00:17:52,038 --> 00:17:53,537 - LET ME GUESS. 446 00:17:53,539 --> 00:17:55,439 YOU HAVE A LITTLE BROTHER. 447 00:17:55,441 --> 00:17:59,243 - HOW'D YOU KNOW? 448 00:17:59,245 --> 00:18:01,312 - COOL! 449 00:18:01,314 --> 00:18:03,047 THE MAZE THING REALLY WORKS. 450 00:18:03,049 --> 00:18:05,549 - YEAH, THAT MOUSE IS JUST RIPPING UP 451 00:18:05,551 --> 00:18:07,085 THE PATH TO THE FOOD BOX. 452 00:18:07,087 --> 00:18:08,186 - OH. 453 00:18:08,188 --> 00:18:09,520 [sadly] OH, YEAH. 454 00:18:09,522 --> 00:18:10,621 - COME ON. 455 00:18:10,623 --> 00:18:12,055 LET'S GO OVER TO MY PLACE 456 00:18:12,057 --> 00:18:13,724 AND WATCH THE PIGSKIN CHANNEL 457 00:18:13,726 --> 00:18:15,659 ON MY NEW SATELLITE DISH. 458 00:18:15,661 --> 00:18:17,027 - WOW! 459 00:18:17,029 --> 00:18:18,929 HOW'D YOU TALK YOUR PARENTS INTO GETTING A DISH? 460 00:18:18,931 --> 00:18:21,933 - I TOLD THEM I WANTED TO WATCH THE HISTORY CHANNEL. 461 00:18:21,935 --> 00:18:24,068 - [Brittany and Kevin laugh] 462 00:18:24,070 --> 00:18:26,137 - PARENTS! 463 00:18:26,139 --> 00:18:27,872 - KEVIN, WHERE ARE YOU GOING? 464 00:18:27,874 --> 00:18:29,774 - OH, I'M HEADING OVER TO BRITT'S TO WATCH TV. 465 00:18:29,776 --> 00:18:32,209 - WAIT. I CAN GET A BEAR. 466 00:18:32,211 --> 00:18:33,878 I'LL GET TWO BEARS, THREE. 467 00:18:33,880 --> 00:18:36,314 - GOLDILOCKS COMPLEX. 468 00:18:36,316 --> 00:18:37,982 SHE'S SEEING A THERAPIST. 469 00:18:37,984 --> 00:18:40,751 - HEY, KEV! I MISSED YOU, DUDE. 470 00:18:40,753 --> 00:18:42,552 COME ON; THE GAME'S ABOUT TO BEGIN. 471 00:18:42,554 --> 00:18:45,289 OH, AND I FOUND MY OLD JOURNAL. 472 00:18:45,291 --> 00:18:48,359 - WHAT IS IT WITH THIS FAMILY? 473 00:18:48,361 --> 00:18:50,928 [school bell rings] 474 00:18:50,930 --> 00:18:53,530 - BRITTANY, CHARLES, YOU'RE UP. 475 00:18:53,532 --> 00:18:54,598 - WE STARTED WITH-- 476 00:18:54,600 --> 00:18:55,699 - SHUT UP, CHARLES. 477 00:18:55,701 --> 00:18:57,268 BRITTANY, DID YOU GO WITH 478 00:18:57,270 --> 00:19:01,839 NEGATIVE OR POSITIVE REINFORCEMENT? 479 00:19:01,841 --> 00:19:03,640 - gulp! 480 00:19:03,642 --> 00:19:05,910 - UM, NEGATIVE? 481 00:19:05,912 --> 00:19:07,378 I MEAN, POSITIVE? 482 00:19:07,380 --> 00:19:08,979 - PLEASE, MS. BARCH, LET ME-- 483 00:19:08,981 --> 00:19:12,183 - CHARLES, SHUT YOUR MISERABLE LYING, CHEATING MOUTH. 484 00:19:12,185 --> 00:19:16,320 BRITTANY, CONTINUE. 485 00:19:16,322 --> 00:19:17,688 - THE MOUSE. 486 00:19:17,690 --> 00:19:21,926 UM, IT'S SUPPOSED TO RUN DOWN THE PATH, RIGHT? 487 00:19:21,928 --> 00:19:24,061 - BRITTANY AND CHUCK, YOU FAIL. 488 00:19:24,063 --> 00:19:25,062 - AH! 489 00:19:25,064 --> 00:19:28,265 - SHUT UP, UPCHUCK! 490 00:19:28,267 --> 00:19:31,068 DARIA, KEVIN? 491 00:19:31,070 --> 00:19:35,739 - IN CONCLUSION, THIS MOUSE, THROUGH NO FAULT OF MY OWN, 492 00:19:35,741 --> 00:19:39,910 BRITTANY, WAS REPEATEDLY ABUSED BY A TEN-YEAR-OLD BOY. 493 00:19:39,912 --> 00:19:43,981 AS A RESULT, THE MOUSE'S PRIMARY RESPONSE TO EVERYDAY STIMULI 494 00:19:43,983 --> 00:19:45,316 IS FEAR. 495 00:19:45,318 --> 00:19:48,386 SIMILAR REACTIONS ALSO OCCUR IN HUMANS. 496 00:19:48,388 --> 00:19:49,754 TAKE THE MUGGING VICTIM 497 00:19:49,756 --> 00:19:51,855 BEATEN WITH NUNCHUCKS IN AN ALLEYWAY. 498 00:19:51,857 --> 00:19:55,058 AS HE OR SHE RECALLS THE ATTACKER'S FACE, 499 00:19:55,060 --> 00:19:59,096 HIS SCRAGGLY GOATEE AND CHEAP DANGLY EARRING, 500 00:19:59,098 --> 00:20:02,065 SHE LEARNS TO HATE AND FEAR ALL MEN 501 00:20:02,067 --> 00:20:05,235 REGARDLESS OF AGE, RACE, OR TASTE IN JEWELRY. 502 00:20:05,237 --> 00:20:06,303 - REALLY? 503 00:20:06,305 --> 00:20:08,139 - DON'T INTERRUPT, HATEFUL SCUM. 504 00:20:08,141 --> 00:20:10,474 EXCELLENT JOB, DARIA. YOU GET AN "A." 505 00:20:10,476 --> 00:20:11,809 - ALL RIGHT! 506 00:20:11,811 --> 00:20:15,046 - NOT YOU, YOU MAN. YOU GET A "D." 507 00:20:15,048 --> 00:20:16,647 - ALL RIGHT! 508 00:20:16,649 --> 00:20:19,583 [school bell rings] 509 00:20:19,585 --> 00:20:22,185 YOU KNOW, DARIA, I REALLY LIKED HANGING OUT AT YOUR HOUSE 510 00:20:22,187 --> 00:20:23,687 AND WORKING ON THE MAZE THING. 511 00:20:23,689 --> 00:20:26,123 - YEAH, THE WEEK JUST FLEW BY. 512 00:20:26,125 --> 00:20:28,258 IT WAS LIKE YOU WERE HARDLY THERE. 513 00:20:28,260 --> 00:20:29,693 - THANKS. 514 00:20:29,695 --> 00:20:31,862 HEY, DARIA? - YES? 515 00:20:31,864 --> 00:20:33,297 - I'M HAVING A BIG PARTY FRIDAY, 516 00:20:33,299 --> 00:20:34,965 AND I WANT A LOT OF COOL PEOPLE THERE. 517 00:20:34,967 --> 00:20:37,501 COULD YOU... - YES? 518 00:20:37,503 --> 00:20:39,736 - ASK QUINN IF SHE CAN MAKE IT? 519 00:20:39,738 --> 00:20:42,839 - ♪ LA-LA, LA, LA-LA ♪ 520 00:20:42,841 --> 00:20:45,776 Captioning by CaptionMax www.captionmax.com 521 00:20:54,253 --> 00:20:59,089 - ♪ LA, LA, LA ♪ 522 00:20:59,091 --> 00:21:04,227 ♪ LA, LA, LA ♪ 523 00:21:04,229 --> 00:21:05,629 ♪ LA, LA, LA ♪ 524 00:21:05,631 --> 00:21:13,570 ♪ ♪ 525 00:21:15,441 --> 00:21:17,975 ♪ LA-LA, LA, LA-LA ♪ 526 00:21:17,977 --> 00:21:20,211 ♪ ♪ 527 00:21:20,213 --> 00:21:21,712 ♪ LA-LA, LA, LA-LA ♪