1 00:00:02,203 --> 00:00:03,402 - ♪ LA-LA, LA, LA-LA ♪ 2 00:00:03,404 --> 00:00:05,971 ♪ LA-LA, LA, LA-LA ♪ 3 00:00:08,242 --> 00:00:11,676 [Jake sobbing] 4 00:00:11,678 --> 00:00:13,278 - WHAT HAVE I DONE? 5 00:00:13,280 --> 00:00:16,448 OH, GOD, WHAT HAVE I DONE? 6 00:00:16,450 --> 00:00:17,816 - IT'S ALL RIGHT, JAKE. 7 00:00:17,818 --> 00:00:20,119 WE'LL GET THROUGH THIS AS A FAMILY. 8 00:00:20,121 --> 00:00:22,254 - YEAH, DON'T WORRY, DADDY. 9 00:00:22,256 --> 00:00:24,490 WE'RE HERE FOR YOU NO MATTER WHAT. 10 00:00:24,492 --> 00:00:25,657 [gasps] 11 00:00:25,659 --> 00:00:28,393 I'M GONNA MISS THE COMING ATTRACTIONS. 12 00:00:28,395 --> 00:00:29,495 - OH, GOD. 13 00:00:29,497 --> 00:00:30,829 - WHAT'S WRONG? 14 00:00:30,831 --> 00:00:33,331 - YOUR FATHER HAD A LITTLE BUSINESS SETBACK, DEAR. 15 00:00:33,333 --> 00:00:35,333 HE LOST A CLIENT. 16 00:00:35,335 --> 00:00:36,902 - "I GOT A GREAT IDEA," HE SAID. 17 00:00:36,904 --> 00:00:38,637 "MILLION-DOLLAR IDEA. 18 00:00:38,639 --> 00:00:40,138 "CIGARS FOR PETS. 19 00:00:40,140 --> 00:00:41,573 WHAT DO YOU THINK?" HE SAID. 20 00:00:41,575 --> 00:00:43,241 "WANT YOU TO BE HONEST," HE SAID. 21 00:00:43,243 --> 00:00:45,544 WHAT THE HELL MADE ME BELIEVE HIM? 22 00:00:45,546 --> 00:00:48,046 - JAKE, EVERYONE SLIPS UP NOW AND THEN. 23 00:00:48,048 --> 00:00:49,982 - HE FIRED YOU FOR BEING HONEST? 24 00:00:49,984 --> 00:00:51,617 - IT WAS ENTRAPMENT. 25 00:00:51,619 --> 00:00:54,018 - SO IT'S OFF TO THE SNEAKER SWEATSHOP FOR ME AND QUINN? 26 00:00:54,020 --> 00:00:55,887 - DON'T BE RIDICULOUS, YOU TWO. 27 00:00:55,889 --> 00:00:59,090 DARIA, YOU KNOW I'VE GOT MORE WORK THAN I CAN HANDLE. 28 00:00:59,092 --> 00:01:01,493 AND YOU'LL GET BUSY AGAIN, JAKIE. 29 00:01:01,495 --> 00:01:03,128 JUST BE PATIENT. 30 00:01:03,130 --> 00:01:04,696 - WHAT'LL I DO IN THE MEANTIME? 31 00:01:04,698 --> 00:01:07,031 - YOU'RE ALWAYS SAYING YOU WANT TO WORK ON YOUR COOKING. 32 00:01:07,033 --> 00:01:09,367 - IF YOU'RE LOOKING FOR SOME WAY TO OCCUPY YOURSELF, 33 00:01:09,369 --> 00:01:13,505 THERE ARE PLENTY OF CHORES THAT NEED DOING AROUND HERE. 34 00:01:13,507 --> 00:01:14,506 WHAT? 35 00:01:14,508 --> 00:01:15,841 YOU GET TO SAY IT. 36 00:01:15,843 --> 00:01:19,077 - GOOD. 37 00:01:19,079 --> 00:01:22,481 BRITTANY, DID YOU SPILL YOUR PAINT? 38 00:01:22,483 --> 00:01:25,783 - UM, NO. 39 00:01:25,785 --> 00:01:27,552 - IS THIS A GOOD TIME, MISS DEFOE? 40 00:01:27,554 --> 00:01:29,521 - YES, COME ON IN. 41 00:01:29,523 --> 00:01:31,790 CLASS, MISS LI AND MR. O'NEILL 42 00:01:31,792 --> 00:01:33,925 HAVE SOME INTRIGUING NEWS. 43 00:01:33,927 --> 00:01:35,527 - LAWNDALE HIGH IS PARTICIPATING 44 00:01:35,529 --> 00:01:39,031 IN A STATEWIDE STUDENT ART CONTEST. 45 00:01:39,033 --> 00:01:40,632 - THAT'S WHY WE'VE CHOSEN ART CLASS 46 00:01:40,634 --> 00:01:44,870 AS THE PLACE TO ANNOUNCE IT. 47 00:01:44,872 --> 00:01:46,238 - THE THEME OF THE CONTEST 48 00:01:46,240 --> 00:01:48,473 IS STUDENT LIFE AT THE DAWN OF THE MILLENNIUM. 49 00:01:48,475 --> 00:01:50,308 - WHAT'S IT LIKE TO BE A HIGH SCHOOL STUDENT 50 00:01:50,310 --> 00:01:52,678 IN TODAY'S FAST CHANGING WORLD? 51 00:01:54,748 --> 00:01:56,848 - ENTRY IS STRICTLY VOLUNTARY, OF COURSE. 52 00:01:56,850 --> 00:01:59,016 ALTHOUGH, FRANKLY, I DON'T SEE HOW ANY OF YOU COULD THINK 53 00:01:59,018 --> 00:02:00,818 OF PASSING UP THE CHANCE TO BRING HONOR 54 00:02:00,820 --> 00:02:04,823 UNTO YOURSELF AND UNTO LAWNDALE HIGH. 55 00:02:04,825 --> 00:02:05,857 - UNTO? 56 00:02:05,859 --> 00:02:07,559 - BUCKLE MY SHOE. 57 00:02:07,561 --> 00:02:08,994 - MISS DEFOE WILL CHOOSE THE ENTRIES 58 00:02:08,996 --> 00:02:10,195 FROM EACH ART CLASS, 59 00:02:10,197 --> 00:02:12,297 AND I'M CONTEST COORDINATOR FOR THE SCHOOL. 60 00:02:12,299 --> 00:02:13,664 GOOD LUCK, KIDS. 61 00:02:13,666 --> 00:02:16,634 - STUDENTS, I URGE YOU TO TAKE THIS OPPORTUNITY. 62 00:02:16,636 --> 00:02:19,104 CURIOSITY, INQUIRY, EXPRESSION: 63 00:02:19,106 --> 00:02:22,173 THESE ARE THE BUILDING BLOCKS OF EDUCATION. 64 00:02:22,175 --> 00:02:23,174 - MA'AM? 65 00:02:23,176 --> 00:02:24,176 - NO QUESTIONS. 66 00:02:24,178 --> 00:02:26,144 GOOD LUCK, ALL. 67 00:02:26,146 --> 00:02:29,748 - I WANTED TO TELL HER I'VE GOT A GREAT IDEA FOR A POSTER. 68 00:02:29,750 --> 00:02:31,182 - ME TOO. 69 00:02:31,184 --> 00:02:32,784 MINE'S GONNA BE ABOUT CHEERLEADING. 70 00:02:32,786 --> 00:02:33,785 - OH, NO. 71 00:02:33,787 --> 00:02:35,687 NOW WHAT'LL I DO? 72 00:02:35,689 --> 00:02:38,490 - HOW ABOUT SOMETHING ON QUARTERBACKS, BABE? 73 00:02:38,492 --> 00:02:40,726 HEY. 74 00:02:40,728 --> 00:02:44,296 - JANE, COULD YOU STAY A MINUTE? 75 00:02:44,298 --> 00:02:47,332 JANE, I'M EAGER TO SEE WHAT ALL THE STUDENTS COME UP WITH 76 00:02:47,334 --> 00:02:48,800 FOR THIS CONTEST. 77 00:02:48,802 --> 00:02:50,635 - ALL THE STUDENTS WHO CHOOSE TO PARTICIPATE. 78 00:02:50,637 --> 00:02:53,071 - BUT I REALLY CAN'T WAIT TO SEE YOUR ENTRY. 79 00:02:53,073 --> 00:02:54,873 - WELL, YOU KNOW, I DON'T REALLY THINK ARTISTS 80 00:02:54,875 --> 00:02:56,107 SHOULD COMPETE WITH EACH OTHER. 81 00:02:56,109 --> 00:02:58,142 SEE, I BELIEVE IN A COMMUNITY OF CREATIVITY. 82 00:02:58,144 --> 00:03:00,077 - YOU'RE SUCH AN ACCOMPLISHED ARTIST 83 00:03:00,079 --> 00:03:01,613 AND SUCH AN ORIGINAL THINKER. 84 00:03:01,615 --> 00:03:03,147 IF THERE'S ANYONE IN THIS SCHOOL 85 00:03:03,149 --> 00:03:05,984 WHO CAN CAPTURE STUDENT LIFE TODAY, IT'S YOU. 86 00:03:05,986 --> 00:03:08,887 I JUST WANT TO SAY GOOD LUCK. 87 00:03:08,889 --> 00:03:10,755 - THANKS. 88 00:03:10,757 --> 00:03:11,756 DAMN IT. 89 00:03:11,758 --> 00:03:13,358 WHY DID SHE HAVE TO BE SO NICE? 90 00:03:13,360 --> 00:03:15,060 NOW I HAVE TO COME UP WITH SOME STUPID POSTER 91 00:03:15,062 --> 00:03:16,494 ABOUT STUDENT LIFE. 92 00:03:16,496 --> 00:03:17,562 - WHERE TO START? 93 00:03:17,564 --> 00:03:19,631 THERE'S SO MUCH TO HATE ABOUT IT. 94 00:03:19,633 --> 00:03:23,335 - YOU KNOW, NOBODY SAID THE MESSAGE HAD TO BE POSITIVE. 95 00:03:23,337 --> 00:03:26,371 I'M GONNA DO SOMETHING THAT REALLY REPRESENTS STUDENT LIFE. 96 00:03:26,373 --> 00:03:27,672 - YES. 97 00:03:27,674 --> 00:03:29,040 - THAT TELLS THE TRUTH ABOUT HOW MUCH IT CAN SUCK. 98 00:03:29,042 --> 00:03:30,175 - YES. 99 00:03:30,177 --> 00:03:31,609 - THAT BLOWS AWAY THE STORYBOOK FANTASY 100 00:03:31,611 --> 00:03:32,710 ABOUT HOW GREAT IT IS TO BE YOUNG. 101 00:03:32,712 --> 00:03:33,712 - YES. 102 00:03:33,714 --> 00:03:36,181 - AND YOU'RE GONNA HELP. - NO. 103 00:03:36,183 --> 00:03:41,286 - NEONATAL SKINHEADS NEXT ON SICK, SAD WORLD. 104 00:03:41,288 --> 00:03:42,754 - YOU GOT TO HELP ME. 105 00:03:42,756 --> 00:03:44,289 YOU'RE THE MOST NEGATIVE PERSON I KNOW. 106 00:03:44,291 --> 00:03:46,158 - THANKS. - COME ON. 107 00:03:46,160 --> 00:03:47,559 NOW'S YOUR CHANCE TO TELL THE WORLD 108 00:03:47,561 --> 00:03:49,394 WHAT YOU REALLY THINK OF LIFE AT LAWNDALE HIGH. 109 00:03:49,396 --> 00:03:51,729 - TELL THE WORLD THAT I, DARIA MORGENDORFFER, 110 00:03:51,731 --> 00:03:53,365 HAVE SOMETHING I WANT TO SAY. 111 00:03:53,367 --> 00:03:55,167 - YES. - NO. 112 00:03:55,169 --> 00:03:57,102 - COME ON. 113 00:03:57,104 --> 00:03:59,104 - ALL RIGHT, I'LL MAKE MY PERSONAL STATEMENT, 114 00:03:59,106 --> 00:04:00,272 AND I'LL STAND BEHIND IT. 115 00:04:00,274 --> 00:04:01,606 - I KNEW YOU WOULD. 116 00:04:01,608 --> 00:04:04,476 - BUT ONLY ON THE CONDITION OF STRICT ANONYMITY. 117 00:04:04,478 --> 00:04:06,511 - YOU'RE A REAL JOAN OF ARC, YOU KNOW THAT? 118 00:04:06,513 --> 00:04:09,748 - YEAH, AND I THINK I JUST ORDERED A STAKE. 119 00:04:12,719 --> 00:04:15,653 - HOW ABOUT WE CALL IT AMERICA'S FUTURE LEADERS 120 00:04:15,655 --> 00:04:17,923 AND WE JUST ENLARGE A PICTURE OF KEVIN AND BRITTANY? 121 00:04:17,925 --> 00:04:20,559 - COME ON, THAT'S TOO DEPRESSING. 122 00:04:20,561 --> 00:04:23,227 HOW ABOUT WE CALL IT BEAUTY IS ONLY SKIN DEEP 123 00:04:23,229 --> 00:04:25,463 AND WE ATTACH THE SKIN OF AN ACTUAL STUDENT? 124 00:04:25,465 --> 00:04:27,031 - OH, I LIKE THAT. 125 00:04:27,033 --> 00:04:29,534 I WONDER IF I COULD TALK QUINN INTO DONATING HERS. 126 00:04:29,536 --> 00:04:32,070 - I'M STARTING TO THINK THIS IS GONNA REQUIRE MORE PIZZA. 127 00:04:32,072 --> 00:04:34,039 - I'M STARTING TO AGREE WITH YOU. 128 00:04:36,209 --> 00:04:37,542 - WHERE WERE WE? 129 00:04:37,544 --> 00:04:39,811 - WE WERE TALKING ABOUT HANGING A ROLL OF FLYPAPER 130 00:04:39,813 --> 00:04:43,180 AND CALLING IT IT'S IMPORTANT TO BE ATTRACTIVE. 131 00:04:43,182 --> 00:04:44,415 - OH, YEAH. 132 00:04:44,417 --> 00:04:47,451 WITH OR WITHOUT FLIES? 133 00:04:47,453 --> 00:04:50,889 - DID THEY ADD ANOTHER QUART OF GREASE TO THE PIZZA RECIPE? 134 00:04:50,891 --> 00:04:52,290 - ONE MORE SLICE? 135 00:04:52,292 --> 00:04:55,493 - NO, I ALREADY FEEL LIKE I MIGHT THROW UP. 136 00:04:55,495 --> 00:04:57,529 HEY. 137 00:04:57,531 --> 00:04:59,197 [bell rings] 138 00:04:59,199 --> 00:05:01,133 - WELL, IT'S VERY GRATIFYING 139 00:05:01,135 --> 00:05:04,635 TO SEE SO MUCH PARTICIPATION IN THE CONTEST. 140 00:05:04,637 --> 00:05:07,638 CHARLES, WHAT'S THE NAME OF YOUR POSTER? 141 00:05:07,640 --> 00:05:11,476 - I CALL IT RIDE, CHUCKIE, RIDE. 142 00:05:11,478 --> 00:05:13,545 - AND WHAT EXACTLY DOES IT SAY ABOUT STUDENT LIFE 143 00:05:13,547 --> 00:05:15,313 AT THE CENTURY'S EDGE? 144 00:05:15,315 --> 00:05:18,049 - IT'S MORE OF A PERSONAL MISSION STATEMENT. 145 00:05:18,051 --> 00:05:20,452 - MISSION IMPOSSIBLE, HE MEANS. 146 00:05:20,454 --> 00:05:22,754 - TELL US ABOUT YOUR POSTER, BRITTANY. 147 00:05:22,756 --> 00:05:25,157 - I CALL IT DON'T DRINK OR TAKE DRUGS, 148 00:05:25,159 --> 00:05:29,594 AND THE MESSAGE IS, DON'T DRINK OR TAKE DRUGS. 149 00:05:29,596 --> 00:05:32,430 - BUT HOW DO WE GET THAT MESSAGE? 150 00:05:32,432 --> 00:05:34,398 ALL I SEE ARE THE ALCOHOL AND THE DRUGS 151 00:05:34,400 --> 00:05:43,641 WITH NO NEGATIVE IMAGERY TO SYMBOLIZE THEIR DANGERS. 152 00:05:43,643 --> 00:05:44,776 - THERE. 153 00:05:44,778 --> 00:05:46,945 - WELL, BRITTANY, THAT'S UM... 154 00:05:46,947 --> 00:05:49,080 LET'S TALK AFTER CLASS. 155 00:05:49,082 --> 00:05:51,183 AND JANE, WHAT DID YOU DECIDE? 156 00:05:51,185 --> 00:05:53,685 OH, SHE'S BEAUTIFUL. 157 00:05:53,687 --> 00:05:55,320 "SHE KNOWS SHE'S A WINNER. 158 00:05:55,322 --> 00:05:56,822 "SHE COULDN'T BE THINNER. 159 00:05:56,824 --> 00:05:58,523 "NOW SHE GOES IN THE BATHROOM 160 00:05:58,525 --> 00:06:00,925 AND VOMITS UP DINNER"? 161 00:06:00,927 --> 00:06:02,393 OH, JANE. 162 00:06:02,395 --> 00:06:04,129 I DON'T THINK THAT'S FUNNY. 163 00:06:04,131 --> 00:06:05,430 - UM, YOU DON'T? 164 00:06:05,432 --> 00:06:06,764 - DO YOU THINK IT'S FUNNY 165 00:06:06,766 --> 00:06:08,733 TO MAKE FUN OF SOMEONE WITH AN EATING DISORDER? 166 00:06:08,735 --> 00:06:10,768 - NO, BUT-- 167 00:06:10,770 --> 00:06:12,571 - IT'S NOT MEANT TO BE FUNNY. 168 00:06:12,573 --> 00:06:13,972 - IT'S NOT MEANT TO BE FUNNY. 169 00:06:13,974 --> 00:06:15,673 - WELL, THEN, DO YOU THINK IT'S YOUR PLACE 170 00:06:15,675 --> 00:06:18,776 TO PASS JUDGMENT ON SOMEONE WITH A LOW SELF-IMAGE 171 00:06:18,778 --> 00:06:21,412 JUST BECAUSE YOU DON'T HAVE THAT PROBLEM YOURSELF? 172 00:06:21,414 --> 00:06:23,147 - BUT THAT'S NOT WHAT I'M SAYING AT ALL. 173 00:06:23,149 --> 00:06:24,549 - THEN WHAT ARE YOU SAYING? 174 00:06:24,551 --> 00:06:28,320 - I'M SAYING THAT PEOPLE SHOULDN'T, UH... 175 00:06:28,322 --> 00:06:30,822 - SHE'S SAYING THAT ALL THE EMPHASIS ON APPEARANCE TODAY 176 00:06:30,824 --> 00:06:32,591 CAN BE DANGEROUS. 177 00:06:32,593 --> 00:06:33,891 THE GIRL IS VERY PRETTY, 178 00:06:33,893 --> 00:06:35,494 AND YOUR FIRST REACTION IS, 179 00:06:35,496 --> 00:06:37,695 "OH, WHAT A HAPPY TEENAGER." 180 00:06:37,697 --> 00:06:39,664 BUT MAYBE THAT'S NOT THE WHOLE STORY. 181 00:06:39,666 --> 00:06:41,967 MAYBE THAT PRETTINESS COMES AT A PRICE. 182 00:06:41,969 --> 00:06:45,570 - OH, IS THAT WHAT YOU'RE SAYING, JANE? 183 00:06:45,572 --> 00:06:46,671 - PRETTY MUCH. 184 00:06:46,673 --> 00:06:48,472 - AND YOU FELT YOU HAD TO SAY IT 185 00:06:48,474 --> 00:06:53,310 IN SUCH GRAPHIC, UNAPPEALING LANGUAGE? 186 00:06:53,312 --> 00:06:54,779 - THE CHOICE OF WORDS WAS DELIBERATE 187 00:06:54,781 --> 00:06:56,948 TO CONTRAST WITH THE BEAUTY OF THE IMAGE 188 00:06:56,950 --> 00:07:00,017 AND SHOCK THE VIEWER INTO PAYING ATTENTION. 189 00:07:00,019 --> 00:07:01,285 - YOU KNOW WHAT, JANE? 190 00:07:01,287 --> 00:07:03,521 THIS REALLY IS A WORK OF ART, 191 00:07:03,523 --> 00:07:07,024 AND IT REALLY DOES MAKE A STATEMENT IN AN ORIGINAL WAY. 192 00:07:07,026 --> 00:07:10,094 I'D LIKE YOU TO LET ME ENTER IT IN THE STATEWIDE COMPETITION. 193 00:07:10,096 --> 00:07:11,296 - SOUNDS OKAY. 194 00:07:11,298 --> 00:07:14,199 - AND HOW DOES IT SOUND TO YOUR COLLABORATOR? 195 00:07:14,201 --> 00:07:16,567 - NEXT TIME, I GIVE YOU A PREPARED STATEMENT. 196 00:07:27,380 --> 00:07:30,081 - DARIA, JANE, THIS POSTER IS BEAUTIFUL. 197 00:07:30,083 --> 00:07:32,484 - TRULY ACCOMPLISHED. 198 00:07:32,486 --> 00:07:34,719 A REAL CREDIT TO YOURSELVES AND TO LAWNDALE HIGH. 199 00:07:34,721 --> 00:07:39,023 - AND THE POEM, A VERY INTERESTING PERSPECTIVE. 200 00:07:39,025 --> 00:07:41,159 EXCEPT... - YES? 201 00:07:41,161 --> 00:07:43,361 - THERE'S THIS ONE LINE. 202 00:07:43,363 --> 00:07:44,495 EWW. 203 00:07:44,497 --> 00:07:45,730 - YES? 204 00:07:45,732 --> 00:07:47,264 - I'M JUST WONDERING IF YOU'D CONSIDER 205 00:07:47,266 --> 00:07:49,100 CHANGING THE PART ABOUT VOMITING UP DINNER. 206 00:07:49,102 --> 00:07:50,602 IT'S JUST KIND OF YUCKY. 207 00:07:50,604 --> 00:07:53,404 - IT PRESENTS A DISTASTEFUL PICTURE TO THE STUDENT BODY. 208 00:07:53,406 --> 00:07:55,940 YOU KNOW WE WOULDN'T WANT PEOPLE DOING THAT. 209 00:07:55,942 --> 00:07:57,208 - THAT'S THE POINT. 210 00:07:57,210 --> 00:07:58,610 - SO WE'RE ALL ON THE SAME PAGE. 211 00:07:58,612 --> 00:08:00,478 - THE GIRL IS SO OBSESSED WITH BEING BEAUTIFUL 212 00:08:00,480 --> 00:08:02,580 THAT IT TURNS HER INTO SOMETHING REALLY UGLY. 213 00:08:02,582 --> 00:08:05,617 THAT'S THE MESSAGE OF THE POSTER. 214 00:08:05,619 --> 00:08:06,918 SO IT TAKES ME A WHILE. 215 00:08:06,920 --> 00:08:08,886 - BUT SHE LOOKS SO PRETTY AND HAPPY. 216 00:08:08,888 --> 00:08:10,721 WHY NOT MAKE THE THEME POSITIVE? 217 00:08:10,723 --> 00:08:12,290 INSTEAD OF "SHE VOMITS UP DINNER," 218 00:08:12,292 --> 00:08:15,460 HOW ABOUT "SHE BARELY TOUCHES DINNER"? 219 00:08:15,462 --> 00:08:17,228 - YOU MEAN BEING THAT GORGEOUS IS SO TIRING 220 00:08:17,230 --> 00:08:19,030 THAT SHE'S TOO EXHAUSTED TO EAT? 221 00:08:19,032 --> 00:08:20,432 - EXACTLY. 222 00:08:20,434 --> 00:08:22,133 SEE, EVEN BEAUTIFUL PEOPLE HAVE PROBLEMS, 223 00:08:22,135 --> 00:08:24,301 SO HANG IN THERE, KIDS. 224 00:08:24,303 --> 00:08:26,638 - BOY, YOU REALLY DON'T GET IT AT ALL, DO YOU? 225 00:08:26,640 --> 00:08:29,573 - LOOK, I DIDN'T EVEN WANT TO WRITE THE STUPID POEM. 226 00:08:29,575 --> 00:08:31,776 I DON'T REALLY CARE WHAT PEOPLE DO TO THEMSELVES. 227 00:08:31,778 --> 00:08:33,244 BUT IF YOU CHANGE THAT LINE, 228 00:08:33,246 --> 00:08:36,647 THE POEM BECOMES JUST ANOTHER PHONY, DISHONEST MESSAGE. 229 00:08:36,649 --> 00:08:39,117 IT'LL APPLAUD THE SAME THING IT CRITICIZED BEFORE. 230 00:08:39,119 --> 00:08:40,351 DON'T YOU SEE THAT? 231 00:08:40,353 --> 00:08:42,053 - MISS MORGENDORFFER, IS IT SO WRONG 232 00:08:42,055 --> 00:08:45,223 FOR YOUNG PEOPLE TO TAKE PRIDE IN THE WAY THEY LOOK? 233 00:08:45,225 --> 00:08:47,192 - DO WHATEVER YOU WANT TO THE POSTER. 234 00:08:47,194 --> 00:08:48,326 JUST TAKE MY NAME OFF IT. 235 00:08:48,328 --> 00:08:49,561 - AND MINE. 236 00:08:49,563 --> 00:08:52,430 - NOW, NOW, LADIES, EMOTIONS ARE RUNNING HIGH. 237 00:08:52,432 --> 00:08:56,067 LET'S ALL TAKE 24 HOURS TO THINK ABOUT IT, HMM? 238 00:08:56,069 --> 00:08:58,136 - FINE. 239 00:08:58,138 --> 00:09:00,738 - IT'S YOUR DECISION TO MAKE. 240 00:09:00,740 --> 00:09:02,240 CALL THEIR PARENTS. 241 00:09:02,242 --> 00:09:03,808 - "JANE LANE. 242 00:09:03,810 --> 00:09:06,244 MRS. AMANDA LANE." 243 00:09:06,246 --> 00:09:08,679 HELLO, MRS. LANE. 244 00:09:08,681 --> 00:09:10,849 [electronic beeps] 245 00:09:10,851 --> 00:09:13,351 [telephone ringing] 246 00:09:13,353 --> 00:09:14,352 - ♪ NO NO ♪ 247 00:09:14,354 --> 00:09:15,353 ♪ YOU CAN'T GET IN ♪ 248 00:09:15,355 --> 00:09:16,354 ♪ NO, NO, NO ♪ 249 00:09:16,356 --> 00:09:19,290 ♪ NO, YOU CAN'T GET IN ♪ 250 00:09:19,292 --> 00:09:21,292 [hard rock music] 251 00:09:21,294 --> 00:09:24,229 [telephone ringing] 252 00:09:25,298 --> 00:09:27,531 - UM, OKAY. 253 00:09:27,533 --> 00:09:28,933 "HELEN MORGENDORFFER." 254 00:09:28,935 --> 00:09:32,370 HELLO, MRS. MORGENDORFFER. 255 00:09:33,673 --> 00:09:36,107 [electronic beeps] 256 00:09:36,109 --> 00:09:37,575 [telephone ringing] 257 00:09:37,577 --> 00:09:40,177 - I'VE GOT ABSOLUTELY NO PAPERWORK FOR MY 3:00, 258 00:09:40,179 --> 00:09:42,346 I CAN'T FIND THE BRIEF I WAS SUPPOSED TO GET THIS A.M., 259 00:09:42,348 --> 00:09:45,416 AND MY STATIONERY STILL HAS THE WRONG EMAIL ADDRESS. 260 00:09:45,418 --> 00:09:49,153 WHY THE HELL CAN'T ANYTHING EVER GO RIGHT AROUND HERE? 261 00:09:49,155 --> 00:09:51,622 - HELEN, IT'S YOUR DAUGHTER'S TEACHER. 262 00:09:51,624 --> 00:09:52,890 - TELL THEM I'LL MAKE SURE 263 00:09:52,892 --> 00:09:54,859 QUINN TURNS IN THE ASSIGNMENT BY MONDAY. 264 00:09:54,861 --> 00:09:57,528 OH, AND TRY TO FIND OUT WHAT THE ASSIGNMENT IS, OKAY? 265 00:09:57,530 --> 00:10:00,165 AND MAYBE YOU COULD GET STARTED MAKING A FEW NOTES ON IT. 266 00:10:00,167 --> 00:10:01,732 - IT'S YOUR OTHER DAUGHTER, I THINK. 267 00:10:01,734 --> 00:10:03,300 - DARIA? 268 00:10:03,302 --> 00:10:06,337 WELL, THEN, TELL THEM I'LL TALK TO HER ABOUT HER ATTITUDE. 269 00:10:06,339 --> 00:10:08,974 AND TRY TO FIND OUT WHO SHE INSULTED AND WHAT SHE SAID, HMM? 270 00:10:08,976 --> 00:10:10,641 - GET SOME INFORMATION. 271 00:10:10,643 --> 00:10:12,010 HE SAYS SHE HAS A RARE OPPORTUNITY 272 00:10:12,012 --> 00:10:13,544 THAT HE'D HATE TO SEE HER SQUANDER. 273 00:10:13,546 --> 00:10:15,347 - OH, JUST GIVE IT TO ME. 274 00:10:15,349 --> 00:10:16,547 HELEN MORGENDORFFER. 275 00:10:16,549 --> 00:10:18,649 - HELLO, MRS. MOGGENFOFFER-- 276 00:10:18,651 --> 00:10:20,651 OH, UM, MORGENDORFFER. 277 00:10:20,653 --> 00:10:22,854 THIS IS TIMOTHY O'NEILL AT LAWNDALE HIGH. 278 00:10:22,856 --> 00:10:24,822 I'M YOUR DAUGHTER DARIA'S ENGLISH TEACHER. 279 00:10:24,824 --> 00:10:27,125 - YES, IS THIS ABOUT HER ESSAY ON BANNING CAPITAL PUNISHMENT 280 00:10:27,127 --> 00:10:28,659 AND BRINGING BACK TORTURE INSTEAD? 281 00:10:28,661 --> 00:10:30,461 BECAUSE IT WAS OBVIOUSLY A JOKE. 282 00:10:30,463 --> 00:10:32,563 - UM, NO, NO, MRS. MORGENDORFFER. 283 00:10:32,565 --> 00:10:34,665 IT'S ABOUT A POSTER SHE HELPED CREATE. 284 00:10:34,667 --> 00:10:36,134 SEE, WE'RE HAVING THIS CONTEST 285 00:10:36,136 --> 00:10:38,436 CONCERNING STUDENT LIFE AT THE DAWN OF THE MILLENNIUM. 286 00:10:38,438 --> 00:10:40,238 - COULD YOU POSSIBLY SPEED THIS UP A LITTLE? 287 00:10:40,240 --> 00:10:41,639 I'M LATE FOR TWO CONFERENCE CALLS. 288 00:10:41,641 --> 00:10:43,107 - UM, SHE WROTE A VERY UNPLEASANT POEM 289 00:10:43,109 --> 00:10:44,209 TO GO WITH A VERY NICE PICTURE, 290 00:10:44,211 --> 00:10:45,409 AND I WAS HOPING YOU'D TALK TO HER 291 00:10:45,411 --> 00:10:46,778 ABOUT MAYBE RECONSIDERING AND REWRITING IT. 292 00:10:46,780 --> 00:10:48,045 - FINE, I'LL BE HAPPY TO. 293 00:10:48,047 --> 00:10:49,580 IF THIS REQUIRES FURTHER DISCUSSION, 294 00:10:49,582 --> 00:10:51,782 PLEASE FEEL FREE TO CALL MY HUSBAND. 295 00:10:51,784 --> 00:10:54,586 - AH! 296 00:10:54,588 --> 00:10:56,254 "JAKE, JAKE MORGENDORFFER." 297 00:10:56,256 --> 00:10:59,257 HELLO, MR. MORGENDORFFER. 298 00:10:59,259 --> 00:11:01,425 [electronic beeps] 299 00:11:01,427 --> 00:11:03,494 [telephone rings] 300 00:11:03,496 --> 00:11:04,762 - HELLO, JAKE MORGENDORFFER. 301 00:11:04,764 --> 00:11:06,597 JAKE MORGENDORFFER HERE. WHAT CAN I DO FOR YOU? 302 00:11:06,599 --> 00:11:08,199 ANYBODY THERE? - AH! 303 00:11:08,201 --> 00:11:09,200 - HELLO? 304 00:11:09,202 --> 00:11:10,268 YOU'VE REACHED THE OFFICES 305 00:11:10,270 --> 00:11:11,670 OF JAKE MORGENDORFFER CONSULTING. 306 00:11:11,672 --> 00:11:12,904 FOR THE LOVE OF GOD, DO YOU NEED 307 00:11:12,906 --> 00:11:14,272 TO BE CONSULTED? 308 00:11:14,274 --> 00:11:17,208 - MORE PENNE A LA PESTO, ANYONE? 309 00:11:17,210 --> 00:11:18,709 - ALL RIGHT, YOUR FRIEND JANE 310 00:11:18,711 --> 00:11:20,211 ASKED YOU TO HELP HER MAKE A POSTER. 311 00:11:20,213 --> 00:11:23,782 - IF I EVER FIND OUT WHO THE SADIST WAS WHO CALLED ME TODAY-- 312 00:11:23,784 --> 00:11:25,049 - YOU CAME UP WITH THE IDEA 313 00:11:25,051 --> 00:11:26,785 OF A PRETTY GIRL WITH AN EATING DISORDER. 314 00:11:26,787 --> 00:11:30,655 - YEP. - DARIA, THAT IS SO--SO YOU. 315 00:11:30,657 --> 00:11:32,857 - IS THAT A COMPLIMENT OR AN INSULT? 316 00:11:32,859 --> 00:11:34,558 - YOU KNOW, YOU REFRIGERATE THIS STUFF, 317 00:11:34,560 --> 00:11:37,028 THE PESTO STARTS TO GET A LITTLE FUNKY. 318 00:11:37,030 --> 00:11:38,696 IT OXIDIZES OR SOMETHING. 319 00:11:38,698 --> 00:11:40,498 IT'S BEST TO EAT IN THE DAY IT'S MADE. 320 00:11:40,500 --> 00:11:41,766 NOW, WHO'D LIKE A LITTLE MORE? 321 00:11:41,768 --> 00:11:43,434 - JAKE, WILL YOU PUT DOWN THE DAMN MACARONI 322 00:11:43,436 --> 00:11:44,836 AND ASK YOUR DAUGHTER 323 00:11:44,838 --> 00:11:47,071 WHY SHE HAS TO BE SO CYNICAL ALL THE TIME? 324 00:11:47,073 --> 00:11:49,240 - IT'S NOT MACARONI, HELEN. 325 00:11:49,242 --> 00:11:51,609 - SHE'S SUPPOSED TO BE MAKING A POSTER ABOUT STUDENT LIFE, 326 00:11:51,611 --> 00:11:53,377 AND SHE COMES UP 327 00:11:53,379 --> 00:11:55,679 WITH THE MOST NEGATIVE MESSAGE SHE CAN THINK OF. 328 00:11:55,681 --> 00:11:56,981 - IT'S NOT NEGATIVE. 329 00:11:56,983 --> 00:11:58,549 IT'S SUPPORTIVE OF STUDENTS 330 00:11:58,551 --> 00:12:00,318 WHO DON'T WANT TO BE JUDGED BY THEIR LOOKS. 331 00:12:00,320 --> 00:12:03,822 - OH, COME ON, DARIA, PEOPLE LIKE THAT DON'T EXIST. 332 00:12:03,824 --> 00:12:06,825 - JAKE, ASK HER WHY SHE CAN'T BE UPBEAT ONCE IN A WHILE. 333 00:12:06,827 --> 00:12:08,159 - YOU SEE, HELEN, 334 00:12:08,161 --> 00:12:10,094 IF THIS WERE SUPPOSED TO BE MACARONI AND CHEESE, 335 00:12:10,096 --> 00:12:11,262 IT WOULD BE VERY BAD. 336 00:12:11,264 --> 00:12:12,630 BUT IT'S PENNE A LA PESTO, 337 00:12:12,632 --> 00:12:14,565 AND JUDGED BY THE STANDARDS OF PENNE A LA PESTO, 338 00:12:14,567 --> 00:12:16,200 IT'S VERY GOOD. 339 00:12:16,202 --> 00:12:18,102 - JAKE, WHAT THE HELL ARE YOU TALKING ABOUT? 340 00:12:18,104 --> 00:12:19,103 ARE YOU LISTENING? 341 00:12:19,105 --> 00:12:20,271 - OF COURSE, SURE. 342 00:12:20,273 --> 00:12:22,106 WHAT I MEAN IS, WELL, IF THIS POSTER 343 00:12:22,108 --> 00:12:24,408 IS SUPPOSED TO BE PROPAGANDA PROMOTING STUDENT LIFE, 344 00:12:24,410 --> 00:12:25,409 IT'S VERY BAD. 345 00:12:25,411 --> 00:12:26,878 BUT IF IT'S SUPPOSED TO BE ART 346 00:12:26,880 --> 00:12:30,481 EXPRESSING DARIA'S PERSONAL VISION OF STUDENT LIFE, 347 00:12:30,483 --> 00:12:32,183 IT'S VERY GOOD, SEE? 348 00:12:32,185 --> 00:12:33,351 - THANKS, DAD. 349 00:12:33,353 --> 00:12:35,286 - UGH! 350 00:12:39,625 --> 00:12:41,225 - IT'S OXIDIZING. 351 00:12:43,296 --> 00:12:45,063 - SO THEN, SPLAT. 352 00:12:45,065 --> 00:12:47,164 DINNER ENDS UP ON TOP OF MY DAD'S HEAD. 353 00:12:47,166 --> 00:12:48,833 - WOW, EXCELLENT. 354 00:12:48,835 --> 00:12:51,502 YOUR YOUTHFUL INTEGRITY IS TEARING YOUR FAMILY ASUNDER. 355 00:12:51,504 --> 00:12:53,037 - WELL, NOT EXACTLY. 356 00:12:53,039 --> 00:12:55,973 MY MOTHER CAME BACK IN, MUMBLED SOMETHING ABOUT PMS, 357 00:12:55,975 --> 00:12:57,642 AND APOLOGIZED. 358 00:12:57,644 --> 00:12:59,978 BUT AT LEAST WE DON'T HAVE TO EAT LEFTOVER MACARONI TONIGHT. 359 00:12:59,980 --> 00:13:03,280 - WE'RE STILL RESIGNING FROM THE POSTER CONTEST, RIGHT? 360 00:13:03,282 --> 00:13:04,482 DARIA? 361 00:13:04,484 --> 00:13:06,083 - I TOLD THEM I'D AT LEAST LISTEN 362 00:13:06,085 --> 00:13:07,652 TO MR. O'NEILL'S POINT OF VIEW, 363 00:13:07,654 --> 00:13:12,090 BUT I DIDN'T MAKE ANY PROMISES-- I MEAN, OTHER THAN THAT ONE. 364 00:13:22,502 --> 00:13:23,867 - SO YOU SEE, GIRLS, I DON'T WANT 365 00:13:23,869 --> 00:13:25,369 TO CHANGE THE INTENT OF YOUR POSTER. 366 00:13:25,371 --> 00:13:28,272 I JUST WANT TO MAKE IT MORE PALATABLE. 367 00:13:28,274 --> 00:13:29,707 YOU KNOW WHAT THEY SAY: 368 00:13:29,709 --> 00:13:33,010 A SPOONFUL OF SUGAR HELPS THE MEDICINE GO DOWN. 369 00:13:33,012 --> 00:13:34,145 - NOT IF YOU'RE DIABETIC. 370 00:13:34,147 --> 00:13:35,780 - EXCUSE ME, MR. O'NEILL? 371 00:13:35,782 --> 00:13:37,148 - UM, YES? 372 00:13:37,150 --> 00:13:40,151 - I WANT TO ENTER MY NEW POSTER IN THE CONTEST. 373 00:13:40,153 --> 00:13:42,453 - UM, THAT'S REALLY NICE. 374 00:13:42,455 --> 00:13:44,956 WHAT AN AFFIRMATIVE MESSAGE. TOGETHERNESS? 375 00:13:44,958 --> 00:13:48,726 - UM, THE MESSAGE IS, "DON'T JOIN A GANG." 376 00:13:48,728 --> 00:13:51,362 - OH. - THAT'S ALSO THE TITLE. 377 00:13:51,364 --> 00:13:53,965 - UM, BRITTANY, I SEE THE GANG, 378 00:13:53,967 --> 00:13:57,534 BUT I DON'T SEE ANYTHING REPRESENTING "DON'T." 379 00:13:57,536 --> 00:14:00,637 - OH, YEAH. 380 00:14:00,639 --> 00:14:04,342 WHERE'S MY LIPSTICK? 381 00:14:04,344 --> 00:14:07,378 - AND THAT'S HOW GOOD ART BECOMES GREAT ART. 382 00:14:07,380 --> 00:14:09,247 - ANYWAY, I HAD AN IDEA. 383 00:14:09,249 --> 00:14:11,649 HOW ABOUT IF YOU LET ME WORK ON THE POEM A BIT? 384 00:14:11,651 --> 00:14:14,285 MAYBE I CAN COME UP WITH SOMETHING A LITTLE LESS ABRASIVE 385 00:14:14,287 --> 00:14:15,753 THAT GETS YOUR POINT ACROSS. 386 00:14:15,755 --> 00:14:17,321 - AND IF WE DON'T LIKE WHAT YOU DO? 387 00:14:17,323 --> 00:14:18,589 - THEN WE'LL FORGET ABOUT IT 388 00:14:18,591 --> 00:14:20,457 AND LEAVE THE POSTER THE WAY YOU MADE IT. 389 00:14:20,459 --> 00:14:21,459 YOU CAN'T LOSE. 390 00:14:21,461 --> 00:14:23,127 WHAT DO YOU SAY? 391 00:14:23,129 --> 00:14:24,128 - OKAY. 392 00:14:24,130 --> 00:14:25,863 BUT QUOTE MARY POPPINS AGAIN, 393 00:14:25,865 --> 00:14:27,498 AND THE DEAL'S OFF. 394 00:14:29,569 --> 00:14:31,069 - MISS LANE, MISS MORGENDORFFER, 395 00:14:31,071 --> 00:14:32,603 I BELIEVE YOU'RE GOING TO BE PLEASED 396 00:14:32,605 --> 00:14:34,738 WITH WHAT MR. O'NEILL HAS TO SHOW YOU. 397 00:14:34,740 --> 00:14:36,908 - DARIA, JANE, I REALLY THINK I'VE DONE IT. 398 00:14:36,910 --> 00:14:38,642 I'VE CAPTURED THE ESSENCE OF YOUR MESSAGE 399 00:14:38,644 --> 00:14:41,846 WHILE SOFTENING THE "ROUGH EDGES." 400 00:14:41,848 --> 00:14:45,149 - YOU STONEWASHED IT? 401 00:14:45,151 --> 00:14:46,784 "SHE KNOWS SHE'S A WINNER. 402 00:14:46,786 --> 00:14:48,052 "SHE COULDN'T BE THINNER, 403 00:14:48,054 --> 00:14:49,520 "'CAUSE SHE'S CAREFUL WHAT SHE EATS 404 00:14:49,522 --> 00:14:51,289 "FOR BREAKFAST, LUNCH, AND DINNER. 405 00:14:51,291 --> 00:14:52,690 GOOD NUTRITION RULES"? 406 00:14:52,692 --> 00:14:54,025 IS THIS A JOKE? 407 00:14:54,027 --> 00:14:56,593 - SMART EATING HABITS ARE NO JOKE, DARIA. 408 00:14:56,595 --> 00:14:58,529 - WHAT DOES THIS HAVE TO DO WITH OUR POSTER? 409 00:14:58,531 --> 00:15:01,299 - IT TURNS A NEGATIVE MESSAGE INTO A POSITIVE ONE. 410 00:15:01,301 --> 00:15:03,868 SHE'S NOT PRETTY BECAUSE SHE STARVED HERSELF INTO IT. 411 00:15:03,870 --> 00:15:06,704 SHE'S PRETTY BECAUSE SHE TAKES CARE OF HERSELF. 412 00:15:06,706 --> 00:15:10,308 IT'S EVEN MORE POWERFUL THAN BEFORE, BECAUSE IT'S UPBEAT. 413 00:15:10,310 --> 00:15:11,675 - I SEE. 414 00:15:11,677 --> 00:15:14,078 SHE'S NOT GONNA THROW UP ANYMORE, BUT I MIGHT. 415 00:15:14,080 --> 00:15:16,380 - DON'T DO THAT. IT'S DOWNBEAT. 416 00:15:16,382 --> 00:15:18,582 - YOU YOUNG WOMEN SHOULD BE THANKING MR. O'NEILL 417 00:15:18,584 --> 00:15:21,585 FOR HIS HARD WORK PRESERVING YOUR MESSAGE. 418 00:15:21,587 --> 00:15:22,653 - HE DIDN'T PRESERVE IT. 419 00:15:22,655 --> 00:15:23,821 HE PERVERTED IT. 420 00:15:23,823 --> 00:15:25,456 - HE REMOVED ALL THE SUBSTANCE AND IMPACT 421 00:15:25,458 --> 00:15:27,058 AND TURNED IT INTO MEANINGLESS DRIVEL. 422 00:15:27,060 --> 00:15:29,059 - SO WE'D LIKE OUR POSTER BACK NOW, PLEASE. 423 00:15:29,061 --> 00:15:30,328 - MEANING WHAT? 424 00:15:30,330 --> 00:15:32,163 - MEANING WE'RE WITHDRAWING IT FROM THE CONTEST 425 00:15:32,165 --> 00:15:33,697 ACCORDING TO OUR AGREEMENT. 426 00:15:33,699 --> 00:15:34,932 - EXCUSE ME, GIRLS, 427 00:15:34,934 --> 00:15:36,066 I DIDN'T MAKE ANY AGREEMENT. 428 00:15:36,068 --> 00:15:37,568 - MR. O'NEILL DID. 429 00:15:37,570 --> 00:15:40,504 - MR. O'NEILL IS IN NO POSITION TO OFFER SUCH A DEAL. 430 00:15:40,506 --> 00:15:41,638 THE POSTER WILL BE DISPLAYED 431 00:15:41,640 --> 00:15:43,908 DURING THE SCHOOL BOARD MEETING TOMORROW NIGHT. 432 00:15:43,910 --> 00:15:46,043 THEN IT WILL BE ENTERED IN THE CONTEST, 433 00:15:46,045 --> 00:15:49,981 WHERE IT WILL BRING HONOR AND ACCLAIM TO YOU TWO AND TO-- 434 00:15:49,983 --> 00:15:52,083 - BUT, MISS LI, I DID PROMISE. 435 00:15:52,085 --> 00:15:53,751 - I DIDN'T. 436 00:15:53,753 --> 00:15:55,352 - CAN SHE DO THAT? 437 00:15:55,354 --> 00:15:57,287 - NO, THIS IS ALL A TERRIBLE DREAM 438 00:15:57,289 --> 00:15:59,590 BROUGHT ON BY TOO MUCH PENNE A LA PESTO. 439 00:15:59,592 --> 00:16:01,592 - BUT DON'T WE HAVE ANY RECOURSE OR ANYTHING? 440 00:16:01,594 --> 00:16:04,028 CAN'T WE TALK TO MR. O'NEILL? - WE COULD APPEAL TO HIM, 441 00:16:04,030 --> 00:16:06,897 AND HE MIGHT TURN THE FULL FORCE OF HIS OVERWHELMING PERSONALITY 442 00:16:06,899 --> 00:16:08,065 ON MISS LI, 443 00:16:08,067 --> 00:16:09,399 AND THEN SHE'D EAT HIM. 444 00:16:09,401 --> 00:16:10,400 - HOW ABOUT YOUR MOTHER? 445 00:16:10,402 --> 00:16:11,769 - HOW ABOUT YOURS? 446 00:16:11,771 --> 00:16:14,105 - MY MOTHER'S A LITTLE PREOCCUPIED RIGHT NOW. 447 00:16:14,107 --> 00:16:15,506 SHE'S TRACKING DOWN THE SOURCE 448 00:16:15,508 --> 00:16:17,875 OF THE DISTURBING HEAT VARIATIONS IN HER KILN. 449 00:16:17,877 --> 00:16:19,610 BUT YOUR MOTHER IS A LAWYER. 450 00:16:19,612 --> 00:16:21,645 - A LAWYER WHO THINKS IT'S A REALLY GOOD IDEA 451 00:16:21,647 --> 00:16:24,082 FOR ME TO GET INVOLVED IN THE POSTER CONTEST. 452 00:16:24,084 --> 00:16:26,650 THE SYSTEM'S FAILED US. 453 00:16:26,652 --> 00:16:28,886 - THE SYSTEM SUCKS. 454 00:16:28,888 --> 00:16:31,956 WE'RE GONNA HAVE TO GO OUTSIDE THE SYSTEM. 455 00:16:31,958 --> 00:16:34,158 - YOU DON'T MEAN-- - YES. 456 00:16:36,696 --> 00:16:39,363 - YOU DID THE RIGHT THING COMING TO ME. 457 00:16:39,365 --> 00:16:40,831 - SORRY WE WOKE YOU UP. 458 00:16:40,833 --> 00:16:42,466 - DON'T WORRY ABOUT IT. 459 00:16:42,468 --> 00:16:44,768 IT WAS BOUND TO HAPPEN SOONER OR LATER. 460 00:16:47,073 --> 00:16:49,640 ALL RIGHT, HERE'S THE PLAN. 461 00:16:49,642 --> 00:16:52,877 I'LL SIT RIGHT HERE WITH MY FOOT ON THE ACCELERATOR, 462 00:16:52,879 --> 00:16:54,411 READY TO BURN RUBBER. 463 00:16:54,413 --> 00:16:55,546 - TRENT, PULL OVER THERE 464 00:16:55,548 --> 00:16:56,847 AND MAKE SURE YOU TURN OFF THE CAR 465 00:16:56,849 --> 00:16:58,415 IN CASE YOU FALL ASLEEP, OKAY? 466 00:16:58,417 --> 00:16:59,784 - ALTERNATE PLAN. 467 00:16:59,786 --> 00:17:01,519 COOL. 468 00:17:08,127 --> 00:17:09,359 - ALL CLEAR? 469 00:17:09,361 --> 00:17:10,661 - JUST ABOUT. 470 00:17:10,663 --> 00:17:12,463 - WAIT. 471 00:17:12,465 --> 00:17:14,231 - WHAT ARE YOU GUYS DOING HERE? 472 00:17:14,233 --> 00:17:16,033 - OBSERVING. - INNOCENTLY. 473 00:17:16,035 --> 00:17:18,869 - I CAN'T BELIEVE WHAT MISS LI DID TO YOUR POSTER. 474 00:17:18,871 --> 00:17:20,638 WAIT A MINUTE, WHAT ARE YOU GUYS PLANNING? 475 00:17:20,640 --> 00:17:21,772 - GET LOST, LANDON. 476 00:17:21,774 --> 00:17:22,807 - FOR YOUR OWN GOOD. 477 00:17:22,809 --> 00:17:24,208 - YOU GOT A BRIGHT FUTURE, KID. 478 00:17:24,210 --> 00:17:25,475 - YOU DON'T WANT TO BE HERE 479 00:17:25,477 --> 00:17:29,380 WHEN WHAT'S GONNA GO DOWN GOES DOWN. 480 00:17:29,382 --> 00:17:30,815 - LET'S DO IT. 481 00:17:30,817 --> 00:17:31,816 [tires squealing] 482 00:17:31,818 --> 00:17:33,550 - WHAT THE HELL? 483 00:17:33,552 --> 00:17:35,552 - OH, NO. 484 00:17:39,959 --> 00:17:42,359 - DID YOU REALLY THINK YOU WERE GOING TO GET AWAY WITH THIS? 485 00:17:42,361 --> 00:17:45,029 - WELL, IT WOULD BE STUPID TO SAY "YES" NOW. 486 00:17:45,031 --> 00:17:46,564 - THIS IS NO JOKE. 487 00:17:46,566 --> 00:17:48,832 VANDALIZING SCHOOL PROPERTY IS A PUNISHABLE OFFENSE, 488 00:17:48,834 --> 00:17:50,301 AND THE FIRST THING WE'RE GOING TO DO 489 00:17:50,303 --> 00:17:53,370 IS CALL YOUR PARENTS. 490 00:17:53,372 --> 00:17:55,373 [steady hip-hop beat] 491 00:17:55,375 --> 00:17:57,375 [telephone ringing] 492 00:17:57,377 --> 00:17:59,377 [upbeat rock music] 493 00:17:59,379 --> 00:18:02,113 [telephone ringing] 494 00:18:02,115 --> 00:18:04,482 - OH, BOTHER. 495 00:18:04,484 --> 00:18:06,951 [electronic beeps] 496 00:18:06,953 --> 00:18:08,986 - WHO'S BUTT DO I HAVE TO KISS AROUND HERE 497 00:18:08,988 --> 00:18:11,254 TO GET MY INTEROFFICE MAIL BEFORE NIGHTFALL? 498 00:18:11,256 --> 00:18:13,724 - HELEN, IT'S YOUR DAUGHTER'S SCHOOL, THE PRINCIPAL. 499 00:18:13,726 --> 00:18:15,326 - THE PRINCIPAL? 500 00:18:15,328 --> 00:18:16,494 HELLO? 501 00:18:16,496 --> 00:18:17,995 - HELLO, MRS. MORGENDORFFER. 502 00:18:17,997 --> 00:18:21,665 THIS IS ANGELA LI, PRINCIPAL OF LAWNDALE HIGH. 503 00:18:21,667 --> 00:18:22,800 - YES, MISS LI. 504 00:18:22,802 --> 00:18:23,801 HOW MAY I HELP YOU? 505 00:18:23,803 --> 00:18:25,136 - MRS. MORGENDORFFER, 506 00:18:25,138 --> 00:18:27,138 I'M AFRAID I HAVE SOME RATHER BAD NEWS. 507 00:18:27,140 --> 00:18:29,706 YOUR DAUGHTER DARIA APPEARS TO HAVE BEEN INVOLVED 508 00:18:29,708 --> 00:18:30,975 IN AN ACT OF VANDALISM. 509 00:18:30,977 --> 00:18:32,143 - WHAT? 510 00:18:32,145 --> 00:18:33,277 - MRS. MORGENDORFFER, 511 00:18:33,279 --> 00:18:35,112 YOUR DAUGHTER COLLABORATED WITH JANE LANE 512 00:18:35,114 --> 00:18:38,516 IN THE CREATION OF A POSTER FOR OUR ART CONTEST. 513 00:18:38,518 --> 00:18:39,683 - YES, I'M AWARE OF THAT. 514 00:18:39,685 --> 00:18:42,052 - WE FOUND PART OF THE POSTER UNACCEPTABLE, 515 00:18:42,054 --> 00:18:44,021 SO IT WAS ALTERED PRIOR TO ITS ENTRY. 516 00:18:44,023 --> 00:18:46,189 UNFORTUNATELY, SOMEONE DEFACED THE POSTER 517 00:18:46,191 --> 00:18:47,591 WHILE IT WAS ON DISPLAY, 518 00:18:47,593 --> 00:18:49,760 AND SINCE YOUR DAUGHTER AND MISS LANE 519 00:18:49,762 --> 00:18:51,294 HAD OBJECTED TO CHANGING IT, 520 00:18:51,296 --> 00:18:53,364 I MUST ASSUME THEY WERE THE VANDALS. 521 00:18:53,366 --> 00:18:56,367 I AM AFRAID I AM GOING TO HAVE TO TAKE DRASTIC ACTION. 522 00:18:56,369 --> 00:18:57,969 - WAIT A MOMENT. 523 00:18:57,971 --> 00:19:00,271 YOU'RE SAYING THE GIRLS WERE AGAINST CHANGING THE POSTER 524 00:19:00,273 --> 00:19:02,073 BUT ENTERED IT IN THE CONTEST ANYWAY? 525 00:19:02,075 --> 00:19:03,074 - IT WAS ENTERED FOR THEM. 526 00:19:03,076 --> 00:19:04,441 - I'M UNDER THE IMPRESSION 527 00:19:04,443 --> 00:19:07,111 THAT PARTICIPATION IN THIS CONTEST WAS VOLUNTARY. 528 00:19:07,113 --> 00:19:09,113 - IT WAS, BUT YOUR DAUGHTER REFUSED TO VOLUNTEER, 529 00:19:09,115 --> 00:19:11,382 SO IN HER CASE, I MADE IT MANDATORY. 530 00:19:11,384 --> 00:19:14,952 - ALL RIGHT, MISS LI, LET ME MAKE SURE I HAVE THIS STRAIGHT. 531 00:19:14,954 --> 00:19:16,553 YOU TOOK MY DAUGHTER'S POSTER FROM HER, 532 00:19:16,555 --> 00:19:17,554 ALTERED ITS CONTENT, 533 00:19:17,556 --> 00:19:18,923 EXHIBITED IT AGAINST HER WILL, 534 00:19:18,925 --> 00:19:20,424 AND ARE NOW THREATENING DISCIPLINE 535 00:19:20,426 --> 00:19:22,960 BECAUSE YOU CLAIM SHE DEFACED HER OWN PROPERTY, 536 00:19:22,962 --> 00:19:24,127 WHICH YOU ADMIT TO STEALING? 537 00:19:24,129 --> 00:19:26,130 - THAT'S NOT WHAT I SAID AT ALL. 538 00:19:26,132 --> 00:19:28,199 - MISS LI, ARE YOU FAMILIAR WITH THE PHRASE 539 00:19:28,201 --> 00:19:29,867 "VIOLATION OF CIVIL LIBERTIES"? 540 00:19:29,869 --> 00:19:30,868 - I-- 541 00:19:30,870 --> 00:19:33,504 - AND THE PHRASE "BIG, FAT LAWSUIT"? 542 00:19:37,810 --> 00:19:39,409 - SO THE ONLY WAY FOR US TO SAVE OUR WORK 543 00:19:39,411 --> 00:19:41,078 WAS TO DESTROY IT. 544 00:19:41,080 --> 00:19:42,212 - CATCHY PHRASE. 545 00:19:42,214 --> 00:19:43,380 - AND WE GOT AWAY WITH IT. 546 00:19:43,382 --> 00:19:45,248 YOU SHOULD TURN THIS INTO A SHORT STORY. 547 00:19:45,250 --> 00:19:46,617 - THAT'S NOT A BAD IDEA, 548 00:19:46,619 --> 00:19:48,185 AND I THINK I ALREADY HAVE A TITLE FOR IT. 549 00:19:48,187 --> 00:19:49,186 - YEAH? 550 00:19:49,188 --> 00:19:50,621 - I'M GONNA CALL IT 551 00:19:50,623 --> 00:19:53,624 STUDENT LIFE AT THE DAWN OF A NEW MILLENNIUM. 552 00:19:53,626 --> 00:19:55,125 - I WON! 553 00:19:55,127 --> 00:19:57,261 I WON THE ART CONTEST! 554 00:19:57,263 --> 00:20:00,164 - ♪ LA-LA, LA, LA-LA ♪ 555 00:20:00,166 --> 00:20:03,166 Captioning by CaptionMax www.captionmax.com 556 00:20:03,168 --> 00:20:06,170 [rock music] 557 00:20:06,172 --> 00:20:12,676 ♪ ♪ 558 00:20:12,678 --> 00:20:14,444 ♪ LA-LA-LA ♪ 559 00:20:14,446 --> 00:20:17,548 ♪ ♪ 560 00:20:17,550 --> 00:20:19,316 ♪ LA-LA-LA ♪ 561 00:20:19,318 --> 00:20:22,119 ♪ ♪ 562 00:20:22,121 --> 00:20:24,121 ♪ LA-LA-LA ♪ 563 00:20:24,123 --> 00:20:33,764 ♪ ♪ 564 00:20:33,766 --> 00:20:35,933 ♪ LA-LA, LA, LA-LA ♪ 565 00:20:35,935 --> 00:20:38,368 ♪ ♪ 566 00:20:38,370 --> 00:20:40,137 ♪ LA-LA, LA, LA-LA ♪