1 00:00:02,169 --> 00:00:03,402 - ♪ LA-LA, LA, LA-LA ♪ 2 00:00:03,404 --> 00:00:05,770 ♪ LA-LA, LA, LA-LA ♪ 3 00:00:11,445 --> 00:00:13,245 - NOW, AS I'M HANDING BACK YOUR ESSAYS, 4 00:00:13,247 --> 00:00:16,114 YOU MAY HAVE STRONG FEELINGS ABOUT THE COMPETITIVE 5 00:00:16,116 --> 00:00:18,417 AND DISCOURAGING ASPECTS OF GRADING. 6 00:00:18,419 --> 00:00:21,119 I CARE ABOUT WHAT YOU HAVE TO SAY. 7 00:00:21,121 --> 00:00:22,454 WHO WOULD LIKE TO START? 8 00:00:22,456 --> 00:00:24,322 - IS AN F-PLUS THE SAME AS A D-MINUS? 9 00:00:24,324 --> 00:00:27,558 - I DON'T BELIEVE I'VE EVER HEARD OF AN F-PLUS, JORDAN, 10 00:00:27,560 --> 00:00:28,660 BUT WE COULD TALK ABOUT IT. 11 00:00:28,662 --> 00:00:29,961 - SO SHE SAID, 12 00:00:29,963 --> 00:00:32,330 "I GOT THOSE EGGSHELL LEGGINGS LIKE YOU TOLD ME." 13 00:00:32,332 --> 00:00:34,500 AND I SAID, "EGGSHELL? 14 00:00:34,502 --> 00:00:36,802 I TOLD YOU EGGPLANT." 15 00:00:36,804 --> 00:00:37,870 - YOU'RE KIDDING. 16 00:00:37,872 --> 00:00:40,372 [laughter] 17 00:00:40,374 --> 00:00:41,607 - QUINN, 18 00:00:41,609 --> 00:00:43,942 WAS THERE SOMETHING YOU WANTED TO SAY? 19 00:00:43,944 --> 00:00:46,478 - UM...I DIDN'T GET MY ESSAY BACK. 20 00:00:46,480 --> 00:00:47,512 [school bell rings] 21 00:00:47,514 --> 00:00:48,814 - THAT'S TRUE, QUINN. 22 00:00:48,816 --> 00:00:51,183 I'M AFRAID I'LL NEED TO SEE YOU AFTER CLASS. 23 00:00:51,185 --> 00:00:54,753 - I'LL SAVE YOU A PLACE AT THE MIRROR. 24 00:00:54,755 --> 00:00:56,688 - QUINN, I'M SO SORRY, 25 00:00:56,690 --> 00:00:58,723 BUT WE NEED TO TALK ABOUT YOUR PERFORMANCE. 26 00:00:58,725 --> 00:01:00,659 - OKAY, BUT I'M KIND OF IN A RUSH TODAY. 27 00:01:00,661 --> 00:01:02,894 - LET'S GO OVER OUR LAST ASSIGNMENT: 28 00:01:02,896 --> 00:01:05,397 "HOW I FEEL ABOUT POLYCULTURALISM." 29 00:01:05,399 --> 00:01:08,567 YOU WROTE, "I DEFINITELY PREFER ALL-COTTON." 30 00:01:08,569 --> 00:01:10,768 - I DIDN'T COPY IT, IF THAT'S WHAT YOU MEAN. 31 00:01:10,770 --> 00:01:12,870 - NO, NO, I BELIEVE YOU. 32 00:01:12,872 --> 00:01:14,206 THE THING IS-- 33 00:01:14,208 --> 00:01:15,840 NOW, I DON'T WANT TO PANIC OR UPSET YOU. 34 00:01:15,842 --> 00:01:18,744 PLEASE, TAKE THIS IN A CONSTRUCTIVE SPIRIT, 35 00:01:18,746 --> 00:01:23,048 BUT I'M AFRAID YOU'RE NOT DOING WELL IN LANGUAGE ARTS. 36 00:01:23,050 --> 00:01:24,850 - OKAY, SEE YOU TOMORROW. 37 00:01:24,852 --> 00:01:26,518 - I DON'T THINK YOU UNDERSTAND. 38 00:01:26,520 --> 00:01:28,553 YOU'RE GOING TO NEED AN "A" ON YOUR NEXT ESSAY 39 00:01:28,555 --> 00:01:30,222 TO MAINTAIN A PASSING GRADE. 40 00:01:30,224 --> 00:01:32,423 - YOU MEAN "PASSING" AS IN PASSING OR FAILING? 41 00:01:32,425 --> 00:01:34,092 - YES, BUT DON'T WORRY. 42 00:01:34,094 --> 00:01:36,227 ALL IT WILL TAKE IS SOME COMMITMENT, DEDICATION, 43 00:01:36,229 --> 00:01:37,262 AND HARD WORK. 44 00:01:37,264 --> 00:01:38,763 - OH, NO! 45 00:01:38,765 --> 00:01:40,599 - YOU CAN DO IT, QUINN. 46 00:01:40,601 --> 00:01:42,367 YOU KNOW, WHEN I WAS IN HIGH SCHOOL, 47 00:01:42,369 --> 00:01:45,537 I WANTED MORE THAN ANYTHING TO BE ON THE GYMNASTICS TEAM, 48 00:01:45,539 --> 00:01:47,672 BUT I JUST COULDN'T MASTER THE HIGH BAR, 49 00:01:47,674 --> 00:01:50,209 SO I PRACTICED EVERY DAY-- 50 00:01:50,211 --> 00:01:52,610 - AND THE BIG TRYOUT CAME, AND YOU MADE THE TEAM. 51 00:01:52,612 --> 00:01:53,945 - WELL, NO. 52 00:01:53,947 --> 00:01:55,513 BUT THAT WINTER, I LEARNED HOW TO WRITE 53 00:01:55,515 --> 00:01:57,949 HOLDING A PENCIL IN MY TEETH. 54 00:01:57,951 --> 00:02:00,318 - QUINN, WHAT IS THE MEANING OF THIS? 55 00:02:00,320 --> 00:02:01,653 I PUT IN ANOTHER 12-HOUR DAY, 56 00:02:01,655 --> 00:02:03,655 AND THE FIRST THING I SEE WHEN I GET HOME-- 57 00:02:03,657 --> 00:02:05,056 - [snoring] 58 00:02:05,058 --> 00:02:06,657 - JAKE! - HUH? I'M UP! 59 00:02:06,659 --> 00:02:07,726 - WHERE ARE THE GIRLS? 60 00:02:07,728 --> 00:02:09,227 - THEY WERE HERE BEFORE, I THINK. 61 00:02:09,229 --> 00:02:10,629 - I'M VERY UPSET ABOUT THIS. 62 00:02:10,631 --> 00:02:12,030 - OH, YEAH, I KNOW. 63 00:02:12,032 --> 00:02:14,099 SEE, I WAS TRYING TO CALL THE NUMBER FOR MOVIEFONE, 64 00:02:14,101 --> 00:02:16,033 AND OUT OF NOWHERE, THIS WOMAN COMES ON THE LINE-- 65 00:02:16,035 --> 00:02:17,436 - JAKE, WHAT ARE YOU TALKING ABOUT? 66 00:02:17,438 --> 00:02:19,138 - THAT'S NOT THE PHONE BILL. 67 00:02:19,140 --> 00:02:20,939 I--WHAT IS THAT? 68 00:02:20,941 --> 00:02:22,407 - IT'S A LETTER FROM QUINN'S TEACHER. 69 00:02:22,409 --> 00:02:23,608 SHE'S GOING TO FAIL ENGLISH 70 00:02:23,610 --> 00:02:25,277 BECAUSE SHE'S NOT PUTTING IN ANY EFFORT. 71 00:02:25,279 --> 00:02:26,311 I'M GOING UP TO TALK TO HER. 72 00:02:26,313 --> 00:02:27,712 - WAIT A MINUTE. 73 00:02:27,714 --> 00:02:30,516 WHY CAN'T I EVER BE THE ONE TO TALK TO THE GIRLS? 74 00:02:30,518 --> 00:02:32,384 - HONEY, IT'S NOT THAT YOU CAN'T. 75 00:02:32,386 --> 00:02:35,154 IT'S JUST A STRONG PARENTING TEAM 76 00:02:35,156 --> 00:02:36,788 IS LIKE A SINGING GROUP. 77 00:02:36,790 --> 00:02:38,156 THE LEAD SINGER CARRIES THE TUNE, 78 00:02:38,158 --> 00:02:39,925 AND THE BACKUP SINGERS SUPPORT HER. 79 00:02:39,927 --> 00:02:41,059 THAT'S YOU. 80 00:02:41,061 --> 00:02:42,961 - BUT WHAT DO THE BACKUP SINGERS DO? 81 00:02:42,963 --> 00:02:44,830 - YOU CHIME IN AT JUST THE RIGHT MOMENT, 82 00:02:44,832 --> 00:02:46,398 AND THEN YOU FADE INTO THE BACKGROUND. 83 00:02:46,400 --> 00:02:47,465 DOESN'T THAT MAKE SENSE? 84 00:02:47,467 --> 00:02:49,334 - DO I GET A TAMBOURINE OR SOMETHING? 85 00:02:49,336 --> 00:02:52,337 - MOM, CAN I BORROW-- 86 00:02:52,339 --> 00:02:54,539 UM, I'M JUST GONNA RUN DOWN TO THE ANIMAL SHELTER 87 00:02:54,541 --> 00:02:55,840 AND SEE ABOUT VOLUNTEERING. 88 00:02:55,842 --> 00:02:57,642 I HEARD THEY GOT IN A NEW BUNCH OF SICK BIRDS. 89 00:02:57,644 --> 00:03:00,011 - QUINN, THIS NOTE CAME FROM SCHOOL. 90 00:03:00,013 --> 00:03:01,312 - DON'T WORRY. 91 00:03:01,314 --> 00:03:03,247 ALL I HAVE TO DO IS GET, LIKE, AN "A" ON MY NEXT ESSAY, 92 00:03:03,249 --> 00:03:04,415 AND I'M FINE. 93 00:03:04,417 --> 00:03:05,917 - I'LL TAKE THE VEGAS ODDS ON THAT ONE. 94 00:03:05,919 --> 00:03:07,752 - DARIA, WE NEED TO BE ENCOURAGING. 95 00:03:07,754 --> 00:03:09,020 SIT DOWN, QUINN. 96 00:03:09,022 --> 00:03:11,089 HONEY, THIS ISN'T JUST ABOUT ONE ESSAY. 97 00:03:11,091 --> 00:03:13,391 IT'S ABOUT SETTING GOALS IN LIFE AND GOING AFTER THEM. 98 00:03:13,393 --> 00:03:14,793 YOU KNOW, WHEN I WAS IN HIGH SCHOOL, 99 00:03:14,795 --> 00:03:16,861 I WANTED MORE THAN ANYTHING TO JOIN THE SWIM TEAM-- 100 00:03:16,863 --> 00:03:19,464 - NO! NO! 101 00:03:19,466 --> 00:03:20,565 PLEASE, NOT AGAIN. 102 00:03:20,567 --> 00:03:21,666 - HUH? 103 00:03:21,668 --> 00:03:23,201 - MOM, IF YOU'RE GONNA REMINISCE, 104 00:03:23,203 --> 00:03:25,504 I'M AFRAID I'LL BE FORCED TO CALL SOCIAL SERVICES. 105 00:03:25,506 --> 00:03:26,738 - ALL RIGHT, QUINN. 106 00:03:26,740 --> 00:03:28,005 LET ME TRY TO PUT IT ANOTHER WAY. 107 00:03:28,007 --> 00:03:29,541 NO MATTER WHAT YOU DECIDE TO DO IN LIFE, 108 00:03:29,543 --> 00:03:30,876 A SOLID EDUCATION-- 109 00:03:30,878 --> 00:03:33,478 - YOU GAVE THIS TALK WHEN I GOT CAUGHT CUTTING MY-- 110 00:03:33,480 --> 00:03:35,547 WHEN I FORGOT WHERE MY MATH CLASS WAS. 111 00:03:35,549 --> 00:03:37,049 - HELEN, LET ME. 112 00:03:37,051 --> 00:03:39,418 HONEY, DID YOU EVER HEAR THE TALE OF THE ANT 113 00:03:39,420 --> 00:03:41,019 AND THE GRASSHOPPER? 114 00:03:41,021 --> 00:03:42,220 - EW! 115 00:03:42,222 --> 00:03:43,555 BUGS? 116 00:03:43,557 --> 00:03:45,523 - TRY IMAGINING IT THIS WAY, QUINN. 117 00:03:45,525 --> 00:03:47,925 - YOU COULD BE LEFT BACK AND BE THE OLDEST FRESHMAN 118 00:03:47,927 --> 00:03:50,028 IN LAWNDALE HIGH. 119 00:03:50,030 --> 00:03:52,030 - YOU KNOW WHAT? I GOT TO GET TO WORK. BYE. 120 00:03:52,032 --> 00:03:53,531 - THAT'S MY GIRL. 121 00:03:53,533 --> 00:03:55,967 - YOU SEE HOW IT'S DONE? 122 00:03:58,138 --> 00:04:00,405 - DARIA? ARE YOU IN THERE? 123 00:04:00,407 --> 00:04:03,842 - NO, I'M TAKING IT EASY IN TAHITI FOR A FEW DAYS. 124 00:04:03,844 --> 00:04:04,843 [door creaks open] 125 00:04:04,845 --> 00:04:06,244 HANG ON. 126 00:04:06,246 --> 00:04:08,312 I'M JUST ORDERING ANOTHER TRAY OF COCONUT DAIQUIRIS. 127 00:04:08,314 --> 00:04:09,814 - UM, I WAS WONDERING IF-- 128 00:04:09,816 --> 00:04:11,049 - I DON'T THINK SO. 129 00:04:11,051 --> 00:04:13,118 - I JUST NEED A LITTLE HELP WITH MY ESSAY. 130 00:04:13,120 --> 00:04:14,386 LIKE, COULD YOU WRITE IT FOR ME? 131 00:04:14,388 --> 00:04:16,321 - AND WHAT'S MY MOTIVATION AGAIN? 132 00:04:16,323 --> 00:04:18,189 - COME ON, DARIA. WE'RE SISTERS. 133 00:04:18,191 --> 00:04:19,725 WE'VE GOT TO STICK TOGETHER. 134 00:04:19,727 --> 00:04:21,326 - UNLESS WE'RE IN PUBLIC, YOU MEAN. 135 00:04:21,328 --> 00:04:22,694 - BUT YOU'RE SO SMART. 136 00:04:22,696 --> 00:04:24,429 AND THIS ESSAY IS SO IMPORTANT. 137 00:04:24,431 --> 00:04:26,531 BELIEVE ME, I WOULD DO IT MYSELF, 138 00:04:26,533 --> 00:04:27,899 BUT I HAVE A DATE. 139 00:04:27,901 --> 00:04:29,534 - OH, THAT'S DIFFERENT. 140 00:04:29,536 --> 00:04:31,737 WHEN DOES THE SUBJECT OF COMPENSATION COME UP? 141 00:04:31,739 --> 00:04:33,104 - $10? - $20. 142 00:04:33,106 --> 00:04:34,539 - $15. - DONE. 143 00:04:34,541 --> 00:04:36,140 - THANKS, DARIA. 144 00:04:36,142 --> 00:04:37,975 THIS IS GONNA WORK OUT FOR BOTH OF US. 145 00:04:37,977 --> 00:04:39,377 I MEAN, I GET MY ESSAY WRITTEN, 146 00:04:39,379 --> 00:04:41,479 AND FOR ONCE, YOU HAVE SOMETHING TO DO ON FRIDAY NIGHT 147 00:04:41,481 --> 00:04:44,049 INSTEAD OF SITTING AROUND LIKE A LOSER, YOU KNOW? 148 00:04:44,051 --> 00:04:45,583 - THAT'S IT, SHAKESPEARE. 149 00:04:45,585 --> 00:04:48,520 DO YOUR OWN DAMN HOMEWORK. 150 00:04:48,522 --> 00:04:50,989 [doorbell rings] 151 00:04:50,991 --> 00:04:53,624 - UM, IS THIS QUINN'S HOUSE? 152 00:04:53,626 --> 00:04:55,593 - SOMEONE BY THAT NAME DOES LIVE HERE. 153 00:04:55,595 --> 00:04:56,761 - COOL. 154 00:04:56,763 --> 00:04:59,096 - SHE'S UPSTAIRS DOING SCHOOLWORK. 155 00:04:59,098 --> 00:05:01,867 - I GOT TO PAY MORE ATTENTION WHEN I GET THESE ADDRESSES. 156 00:05:01,869 --> 00:05:03,201 - COREY? 157 00:05:03,203 --> 00:05:05,036 I JUST CAME DOWN TO SAY I CAN'T SEE YOU TONIGHT. 158 00:05:05,038 --> 00:05:06,038 I HAVE TO WRITE AN ESSAY. 159 00:05:06,040 --> 00:05:08,740 - [laughs] GOOD ONE. 160 00:05:08,742 --> 00:05:09,807 COME ON. 161 00:05:09,809 --> 00:05:11,576 I GOT A SPECIAL EVENING PLANNED. 162 00:05:11,578 --> 00:05:13,645 LET'S GO BEFORE THERE'S A LINE AT THE DRIVE-THROUGH. 163 00:05:13,647 --> 00:05:14,779 - NO, REALLY, COREY. 164 00:05:14,781 --> 00:05:16,348 I HAVE WORK TO DO, AND YOU HAVE TO LEAVE. 165 00:05:16,350 --> 00:05:17,382 SORRY. 166 00:05:17,384 --> 00:05:19,451 - QUINN, WHAT HAVE THEY DONE TO YOU? 167 00:05:19,453 --> 00:05:22,787 - DID YOU JUST SPEND TWO HOURS DRESSING UP TO GO TO THE DOOR 168 00:05:22,789 --> 00:05:24,722 FOR ONE MINUTE AND DUMP YOUR DATE? 169 00:05:24,724 --> 00:05:28,493 - DARIA, IF YOU LOOK YOUR BEST WHEN YOU BLOW A GUY OFF, 170 00:05:28,495 --> 00:05:30,495 IT MAKES HIM FEEL LIKE YOU CARE. 171 00:05:30,497 --> 00:05:32,997 - WELL, THAT ADVICE SHOULD PROVE VERY HELPFUL. 172 00:05:32,999 --> 00:05:35,066 SOMETIMES YOUR SHALLOWNESS IS SO THOROUGH, 173 00:05:35,068 --> 00:05:36,735 IT'S ALMOST LIKE DEPTH. 174 00:05:36,737 --> 00:05:37,869 - THANKS. 175 00:05:37,871 --> 00:05:39,204 ALL RIGHT, $20. 176 00:05:39,206 --> 00:05:40,805 - NOPE. - FINE! 177 00:05:40,807 --> 00:05:43,508 I HOPE YOU REALIZE YOU'RE MAKING ME DO MY OWN HOMEWORK. 178 00:05:43,510 --> 00:05:46,044 - THAT IS A SCARY THOUGHT. 179 00:05:46,046 --> 00:05:47,746 [school bell rings] 180 00:05:47,748 --> 00:05:51,049 - I HAVE A SPECIAL SURPRISE, EVERYONE. 181 00:05:51,051 --> 00:05:53,484 ONE OF OUR STUDENTS HAS SO IMPROVED 182 00:05:53,486 --> 00:05:54,652 SINCE LAST WEEK'S ESSAY, 183 00:05:54,654 --> 00:05:56,788 I'M GONNA SHARE HER WORK WITH THE CLASS. 184 00:05:56,790 --> 00:05:58,757 - I REALLY LIKE THOSE LEGGINGS. 185 00:05:58,759 --> 00:06:00,926 - YEAH, BUT NOW I HAVE A SHOE THING. 186 00:06:00,928 --> 00:06:02,126 STRAPPIES? 187 00:06:02,128 --> 00:06:03,261 - PLATFORM JELLIES. 188 00:06:03,263 --> 00:06:05,764 - QUINN, YOU'RE SO SMART. 189 00:06:05,766 --> 00:06:07,999 - ONLY ABOUT IMPORTANT STUFF. 190 00:06:08,001 --> 00:06:09,100 - QUINN. 191 00:06:09,102 --> 00:06:10,335 - UM, I DIDN'T GET MY PAPER BACK. 192 00:06:10,337 --> 00:06:11,436 - THAT'S RIGHT, QUINN, 193 00:06:11,438 --> 00:06:13,237 BECAUSE I'M GOING TO READ IT ALOUD. 194 00:06:13,239 --> 00:06:14,239 - OH, NO. 195 00:06:14,241 --> 00:06:17,142 - "ACADEMIC IMPRISONMENT," 196 00:06:17,144 --> 00:06:18,276 BY QUINN MORGENDORFFER. 197 00:06:28,955 --> 00:06:30,321 "SO GO AHEAD, 198 00:06:30,323 --> 00:06:33,090 "LOCK ME UP WITH YOUR HOMEWORK AND YOUR TESTS. 199 00:06:33,092 --> 00:06:35,894 "ROB MY FREEDOM WITH YOUR READING AND YOUR THINKING. 200 00:06:35,896 --> 00:06:37,462 "AS FAR AS I'M CONCERNED, 201 00:06:37,464 --> 00:06:40,631 "THE ONLY DIFFERENCE BETWEEN SCHOOL AND PRISON 202 00:06:40,633 --> 00:06:41,899 "IS THE WARDROBE, 203 00:06:41,901 --> 00:06:45,937 "OR DO YOU WANT TO TAKE AWAY MY OUTFITS TOO? 204 00:06:45,939 --> 00:06:47,639 THE END." 205 00:06:47,641 --> 00:06:48,807 WOW. 206 00:06:48,809 --> 00:06:52,410 WOULD ANYONE LIKE TO SHARE THEIR REACTION? 207 00:06:52,412 --> 00:06:54,646 - MAY I PLEASE CHANGE SCHOOLS? 208 00:06:54,648 --> 00:06:56,615 - THERE. 209 00:06:56,617 --> 00:06:58,916 NOW IT'S ON FULL DISPLAY. 210 00:06:58,918 --> 00:07:00,251 - QUITE THE DOOR OF ACHIEVEMENT. 211 00:07:00,253 --> 00:07:01,520 - COME ON, KIDDO. 212 00:07:01,522 --> 00:07:03,454 YOU WANT TO ENCOURAGE YOUR SISTER, DON'T YOU? 213 00:07:03,456 --> 00:07:04,856 - TO GET HER OWN PLACE, YEAH. 214 00:07:04,858 --> 00:07:06,658 - HEY, IT'S MY DAUGHTER, THE GENIUS. 215 00:07:06,660 --> 00:07:09,361 - OUR OWN ACADEMIC ACHIEVER. 216 00:07:09,363 --> 00:07:10,829 - WE'RE ALL SO PROUD OF YOU. 217 00:07:10,831 --> 00:07:12,530 AREN'T WE, DARIA? 218 00:07:12,532 --> 00:07:13,598 - SURE. 219 00:07:13,600 --> 00:07:15,634 IF YOU MEAN "PROUD" AS IN STUNNED. 220 00:07:15,636 --> 00:07:18,336 - MOM, DAD, MAKING YOU HAPPY 221 00:07:18,338 --> 00:07:20,705 IS THE GREATEST REWARD I COULD ASK FOR. 222 00:07:20,707 --> 00:07:22,841 OF COURSE, WHEN OTHER KIDS GET A GOOD GRADE, 223 00:07:22,843 --> 00:07:24,943 THEY SOMETIMES GET, LIKE, A LITTLE PRESENT. 224 00:07:24,945 --> 00:07:26,144 - NOW, QUINN, I REALLY THINK-- 225 00:07:26,146 --> 00:07:27,244 - I'LL HANDLE THIS. 226 00:07:27,246 --> 00:07:29,514 YOU'RE ABSOLUTELY RIGHT, SWEETHEART. 227 00:07:29,516 --> 00:07:31,516 YOU GOT AN "A." YOU SHOULD BE REWARDED. 228 00:07:31,518 --> 00:07:32,684 HERE YOU GO. 229 00:07:32,686 --> 00:07:34,486 - THANKS, DAD. 230 00:07:34,488 --> 00:07:36,454 - WAIT, ISN'T THAT A DOUBLE STANDARD? 231 00:07:36,456 --> 00:07:37,789 - HUH? 232 00:07:37,791 --> 00:07:39,958 - YOU JUST GAVE HER A $20 FOR GETTING ONE "A." 233 00:07:39,960 --> 00:07:42,160 WHAT ABOUT ALL THE "A"s I GET FOR FREE? 234 00:07:42,162 --> 00:07:44,062 - YEAH, BUT THIS IS A SPECIAL OCCASION, 235 00:07:44,064 --> 00:07:46,497 SO QUINN GETS A SPECIAL REWARD. 236 00:07:46,499 --> 00:07:48,900 IT'S A MOTIVATIONAL THING. 237 00:07:48,902 --> 00:07:51,536 - BUT WON'T THAT DEMOTIVATE YOUR OTHER DAUGHTER 238 00:07:51,538 --> 00:07:53,371 WHOSE WORK IS CONSISTENTLY GOOD? 239 00:07:53,373 --> 00:07:54,539 - YES, JAKE. 240 00:07:54,541 --> 00:07:56,174 WHERE ARE YOU GOING WITH THIS? 241 00:07:56,176 --> 00:07:57,942 - I WASN'T FINISHED. 242 00:07:57,944 --> 00:08:00,312 DARIA SHOULD HAVE A CONSISTENT REWARD 243 00:08:00,314 --> 00:08:01,580 FOR HER CONSISTENTLY GOOD WORK. 244 00:08:01,582 --> 00:08:02,814 - HEY! 245 00:08:02,816 --> 00:08:05,583 - AND QUINN SHOULD HAVE A SPECIAL ONE-TIME REWARD 246 00:08:05,585 --> 00:08:06,817 FOR HER ONE-TIME EFFORT. 247 00:08:06,819 --> 00:08:08,520 - BUT WHAT ABOUT A HIGHER REWARD 248 00:08:08,522 --> 00:08:11,088 FOR MAINTAINING A STANDARD OF EXCELLENCE OVER TIME? 249 00:08:11,090 --> 00:08:13,391 PERHAPS WITH COMPOUND INTEREST? 250 00:08:13,393 --> 00:08:14,725 - HERE, JUST TAKE IT. 251 00:08:14,727 --> 00:08:17,728 HELEN, I TOLD YOU I WAS NO GOOD AT THIS PARENTING CRAP. 252 00:08:20,800 --> 00:08:22,400 - HEY, QUINN, YOU'RE FAMOUS. 253 00:08:22,402 --> 00:08:23,534 - OH, YOU GUYS. 254 00:08:23,536 --> 00:08:25,069 I'M JUST REALLY POPULAR. 255 00:08:25,071 --> 00:08:28,339 - HE'S TALKING ABOUT YOUR ESSAY IN THE LAWNDALE LOWDOWN. 256 00:08:28,341 --> 00:08:30,174 - THE SCHOOL PAPER? 257 00:08:30,176 --> 00:08:33,144 - IT'S IN THE SMART THOUGHTS COLUMN. 258 00:08:33,146 --> 00:08:35,179 - I'M RUINED. 259 00:08:35,181 --> 00:08:37,982 - "ACADEMIC IMPRISONMENT," BY QUINN MORGENDORFFER. 260 00:08:37,984 --> 00:08:39,251 - IT'S GREAT, ISN'T IT? 261 00:08:39,253 --> 00:08:42,153 - "NO LIGHT SHINES THROUGH THESE FOUR BRICK WALLS. 262 00:08:42,155 --> 00:08:43,622 "FOR THE SCHOOL IS MY PRISON 263 00:08:43,624 --> 00:08:46,157 AND ITS TEACHERS, MY IMPRISONERS." 264 00:08:46,159 --> 00:08:49,227 - I'LL BET YOU DIDN'T EVEN KNOW THE WORD "IMPRISONERS" EXISTED. 265 00:08:49,229 --> 00:08:51,629 - YEAH, BUT NOW I CAN'T WAIT TO USE IT. 266 00:08:51,631 --> 00:08:53,198 WHY EXACTLY IS THIS GREAT? 267 00:08:53,200 --> 00:08:55,399 - BECAUSE NOW QUINN'S GOING TO SEE FIRSTHAND 268 00:08:55,401 --> 00:08:57,869 WHAT IT FEELS LIKE TO BE A BRAIN. 269 00:08:57,871 --> 00:08:59,270 - LISTEN TO THIS: 270 00:08:59,272 --> 00:09:01,739 "LIKE A HAMSTER ON ONE OF THOSE WHEEL THINGS, 271 00:09:01,741 --> 00:09:04,442 "SCHOOL RUNS US AROUND AND AROUND 272 00:09:04,444 --> 00:09:06,544 "UNTIL WE YEARN FOR THE LITTLE FOOD PELLET. 273 00:09:06,546 --> 00:09:08,646 BUT ONLY MORE HOMEWORK AWAITS." 274 00:09:08,648 --> 00:09:11,215 YOU KNOW, IT'S LIKE SHE READ MY MIND. 275 00:09:11,217 --> 00:09:14,853 - RIGHT AFTER YOU SUFFERED A SEVERE BLOW TO THE HEAD. 276 00:09:14,855 --> 00:09:16,420 - COULD YOU PUT THAT AWAY? 277 00:09:16,422 --> 00:09:17,688 THEY'RE EVERYWHERE. 278 00:09:17,690 --> 00:09:19,023 - WHAT ARE YOU DOING HERE? 279 00:09:19,025 --> 00:09:20,558 BOMB SCARE AT YOUR TABLE? 280 00:09:20,560 --> 00:09:22,360 - KEEP IT DOWN, OKAY? 281 00:09:22,362 --> 00:09:25,063 I'M TRYING TO KEEP A LOW PROFILE SINCE THE PAPER CAME OUT. 282 00:09:25,065 --> 00:09:27,131 - LUCKY FOR YOU THE PULITZER COMMITTEE 283 00:09:27,133 --> 00:09:28,400 ALREADY FINISHED EATING. 284 00:09:28,402 --> 00:09:30,501 - THEY HAD THE MEATLOAF. - HA. 285 00:09:30,503 --> 00:09:31,769 - YOU MUST BE VERY EXCITED 286 00:09:31,771 --> 00:09:33,304 ABOUT WHAT PEOPLE ARE CALLING YOU. 287 00:09:33,306 --> 00:09:35,639 - WHAT? - BRAINS MORGENDORFFER. 288 00:09:35,641 --> 00:09:37,942 - COME ON. BECAUSE OF ONE LITTLE ESSAY? 289 00:09:37,944 --> 00:09:39,543 - IT'S A SLIPPERY SLOPE. 290 00:09:39,545 --> 00:09:41,713 BEHOLD THE FUTURE. 291 00:09:41,715 --> 00:09:43,047 - [splutters] 292 00:09:43,049 --> 00:09:44,381 [laughter] 293 00:09:44,383 --> 00:09:45,650 - EW. 294 00:09:45,652 --> 00:09:47,718 - LAST WEEK, THEY WERE TRYING OUT FOR FOOTBALL. 295 00:09:47,720 --> 00:09:49,587 THEN THEY WON ONE DEBATE TOURNAMENT. 296 00:09:49,589 --> 00:09:51,722 - WHAT AM I GONNA DO? I CAN'T BE A BRAIN. 297 00:09:51,724 --> 00:09:53,458 MY FRIENDS WILL HATE ME. 298 00:09:53,460 --> 00:09:55,860 - YES, BUT JUST THINK OF ALL THE NEW FRIENDS YOU'LL MAKE 299 00:09:55,862 --> 00:09:56,995 IN CHESS CLUB. 300 00:09:56,997 --> 00:09:58,896 - MAYBE I CAN STEAL ALL THE NEWSPAPERS 301 00:09:58,898 --> 00:10:00,465 BEFORE ANYONE ELSE READS THEM. 302 00:10:00,467 --> 00:10:02,166 - HEY, WAIT A MINUTE, BRAINS. 303 00:10:02,168 --> 00:10:04,102 YOU DON'T EVEN HAVE LUNCH THIS PERIOD, DO YOU? 304 00:10:04,104 --> 00:10:05,203 - OF COURSE NOT. 305 00:10:05,205 --> 00:10:07,405 I CUT SCIENCE TO TALK TO YOU. 306 00:10:07,407 --> 00:10:10,307 YOU THINK I'D SIT WITH YOU WHILE MY GRADE IS AT LUNCH? 307 00:10:10,309 --> 00:10:12,944 - ABOUT THAT BEING MISTAKEN FOR A BRAIN THING. 308 00:10:12,946 --> 00:10:14,378 I WOULDN'T WORRY TOO MUCH ABOUT IT. 309 00:10:14,380 --> 00:10:15,746 [school bell rings] 310 00:10:15,748 --> 00:10:18,716 - WHY DO YOU HAVE TO STUDY DURING STUDY HALL ANYWAY? 311 00:10:18,718 --> 00:10:20,051 - QUINN'S TUTORING ME IN ENGLISH 312 00:10:20,053 --> 00:10:21,652 SO I CAN STAY ON THE FOOTBALL TEAM. 313 00:10:21,654 --> 00:10:22,920 MR. O'NEILL SET IT UP. 314 00:10:22,922 --> 00:10:24,722 - KEVIE, I COULD TUTOR YOU. 315 00:10:24,724 --> 00:10:27,091 I SPEAK ENGLISH TOO, YOU KNOW. 316 00:10:27,093 --> 00:10:29,226 - BABE, I'VE GOT A PLAN. 317 00:10:29,228 --> 00:10:34,265 - I'LL BET YOU DO, YOU-- YOU HIGH SCHOOL CASA BLANCA. 318 00:10:34,267 --> 00:10:36,567 - NO, BABE. I'M DOING THIS FOR US. 319 00:10:36,569 --> 00:10:38,737 I'M GONNA, LIKE, OBSERVE THE WAY A BRAIN ACTS, 320 00:10:38,739 --> 00:10:41,072 AND THEN WE COULD ACT THAT WAY AND BE COOL TOO. 321 00:10:41,074 --> 00:10:44,442 - OH, KEVIE. YOU'RE SO SMART. 322 00:10:44,444 --> 00:10:46,477 YOU'RE ALREADY A BRAIN IN MY EYES. 323 00:10:46,479 --> 00:10:48,479 - THANKS, BABE. 324 00:10:48,481 --> 00:10:51,983 - ONLY QUINN COULD TURN BEING SMART INTO A FAD. 325 00:10:51,985 --> 00:10:53,451 - DON'T WORRY. TODAY IT'S BRAINS. 326 00:10:53,453 --> 00:10:54,618 TOMORROW, PIERCED TONGUES. 327 00:10:54,620 --> 00:10:56,654 THEN THE NEXT DAY, PIERCED BRAINS. 328 00:10:56,656 --> 00:10:59,089 - WELL, IT'S NOT LIKE IT'S GONNA GET HER ANYWHERE. 329 00:10:59,091 --> 00:11:00,458 - SO THEN MR. O'NEILL SAID 330 00:11:00,460 --> 00:11:01,760 I COULD SKIP THE REST OF HIS CLASS 331 00:11:01,762 --> 00:11:02,827 AND GO TO LUNCH EARLY 332 00:11:02,829 --> 00:11:04,228 BECAUSE I WAS CATCHING ON SO FAST. 333 00:11:04,230 --> 00:11:05,930 ISN'T THAT GREAT? 334 00:11:07,834 --> 00:11:09,333 - YOU ASKED TO SEE ME. 335 00:11:09,335 --> 00:11:12,870 - DARIA, YOU KNOW I'M A BIG, BIG FAN OF YOUR WRITING, 336 00:11:12,872 --> 00:11:17,808 BUT LATELY, IT'S SEEMED KIND OF--I DON'T KNOW--FLAT. 337 00:11:17,810 --> 00:11:20,311 I'M LOOKING FOR SOMETHING A LITTLE MORE JAZZY. 338 00:11:20,313 --> 00:11:21,946 - YOU WANT ME TO PUT IN A DRUM SOLO? 339 00:11:21,948 --> 00:11:25,416 - I WAS WONDERING HOW YOU'D FEEL ABOUT SOME ONE-ON-ONE TUTORING? 340 00:11:25,418 --> 00:11:27,452 SORT OF A MINI WRITING WORKSHOP. 341 00:11:27,454 --> 00:11:28,919 THERE'S SOMEBODY I WANT YOU TO MEET. 342 00:11:28,921 --> 00:11:30,088 SHE SHOULD BE HERE ANY-- 343 00:11:30,090 --> 00:11:33,357 - HI, YOU WANTED ME TO HELP...SOMEBODY. 344 00:11:33,359 --> 00:11:35,927 - DO YOU TWO KNOW EACH OTHER? 345 00:11:35,929 --> 00:11:37,462 - I SHOULD HAVE SAID, 346 00:11:37,464 --> 00:11:39,163 "I DON'T NEED TUTORING TO WRITE LIKE HER, 347 00:11:39,165 --> 00:11:40,698 JUST SOME BIG CRAYONS." 348 00:11:40,700 --> 00:11:41,766 - TOUGH DAY. 349 00:11:41,768 --> 00:11:43,635 - I'M NOT LETTING IT GET TO ME. 350 00:11:43,637 --> 00:11:44,903 - YEAH, I CAN SEE THAT. 351 00:11:44,905 --> 00:11:46,204 - LOOK, EVERYONE. 352 00:11:46,206 --> 00:11:48,740 I WROTE ANOTHER POEM WHILE I WAS EATING MY FRIES. 353 00:11:48,742 --> 00:11:51,443 - HEY. - MY TURN TO READ. 354 00:11:51,445 --> 00:11:54,779 "THE GREASY FRY, IT CANNOT LIE. 355 00:11:54,781 --> 00:11:58,382 ITS TRUTH IS WRITTEN ON YOUR THIGH." 356 00:11:58,384 --> 00:11:59,483 - WOW. 357 00:11:59,485 --> 00:12:01,385 QUINN, THAT'S AMAZING. 358 00:12:01,387 --> 00:12:02,419 - BEAUTIFUL. 359 00:12:02,421 --> 00:12:03,455 - GENIUS. 360 00:12:03,457 --> 00:12:04,622 - I KNOW. 361 00:12:04,624 --> 00:12:05,689 - HOLD IT. 362 00:12:05,691 --> 00:12:08,626 I THINK I FEEL A POEM COMING ON. 363 00:12:08,628 --> 00:12:09,660 [belches] 364 00:12:09,662 --> 00:12:12,097 SORRY, FALSE ALARM. 365 00:12:12,099 --> 00:12:14,832 - YEAH, I MIGHT DO WRITING FOR A CAREER. 366 00:12:14,834 --> 00:12:16,801 IT'S NOT, LIKE, REAL WORK OR ANYTHING. 367 00:12:16,803 --> 00:12:17,835 - REALLY. 368 00:12:17,837 --> 00:12:18,936 [chuckles] 369 00:12:18,938 --> 00:12:21,539 I MEAN, HOW HARD IS IT TO TYPE STUFF? 370 00:12:21,541 --> 00:12:23,341 - AND THERE ARE LOTS OF OPPORTUNITIES. 371 00:12:23,343 --> 00:12:25,944 LIKE, DID YOU KNOW THEY PAY MONEY FOR THOSE POEMS 372 00:12:25,946 --> 00:12:27,212 INSIDE GREETING CARDS? 373 00:12:27,214 --> 00:12:28,446 - OH, NO. 374 00:12:28,448 --> 00:12:31,382 I'VE BEEN GIVING MY POEMS AWAY FOR FREE. 375 00:12:31,384 --> 00:12:33,450 - DO ME A FAVOR, WILL YOU? 376 00:12:33,452 --> 00:12:34,518 - YEAH? 377 00:12:34,520 --> 00:12:35,887 - CLOSE MY LOCKER. 378 00:12:35,889 --> 00:12:37,856 [percussive new age music] 379 00:12:37,858 --> 00:12:39,891 - DID A MIME CRAWL IN HERE AND DIE? 380 00:12:39,893 --> 00:12:41,792 - I'M PUTTING TOGETHER AN OUTFIT. 381 00:12:41,794 --> 00:12:44,629 FOR YOUR INFORMATION, THIS IS HOW DEEP PEOPLE DRESS. 382 00:12:44,631 --> 00:12:46,865 - YEAH, DEEPLY AFFECTED PEOPLE. 383 00:12:46,867 --> 00:12:48,166 - THANK YOU. 384 00:12:48,168 --> 00:12:50,468 BY THE WAY, DO YOU KNOW WHAT "EXISTENTIAL" MEANS? 385 00:12:50,470 --> 00:12:52,971 BECAUSE TODAY SOMEONE TOLD ME MY WRITING WAS EXISTENTIAL, 386 00:12:52,973 --> 00:12:54,372 SO I THOUGHT I SHOULD COORDINATE, 387 00:12:54,374 --> 00:12:55,573 YOU KNOW, WITH WARDROBE. 388 00:12:55,575 --> 00:12:57,775 - YEAH, THAT'S WHAT CAMUS WOULD HAVE DONE. 389 00:12:57,777 --> 00:12:59,377 FOR YOUR PURPOSES, 390 00:12:59,379 --> 00:13:02,246 "EXISTENTIAL" MEANS PSEUDO INTELLECTUAL POSEUR 391 00:13:02,248 --> 00:13:03,982 WITH ACCESSORIES FROM THE STREET FAIR. 392 00:13:03,984 --> 00:13:05,416 - LISTEN, I'M STILL AVAILABLE 393 00:13:05,418 --> 00:13:06,851 IF YOU WANT HELP WITH YOUR WRITING. 394 00:13:06,853 --> 00:13:08,253 DOES THIS BLACK MATCH? 395 00:13:08,255 --> 00:13:09,987 - MATCHES MY MOOD. 396 00:13:19,332 --> 00:13:20,498 - COULD A RENEGADE SURGEON 397 00:13:20,500 --> 00:13:22,967 TRANSPLANT YOUR BRAIN WHILE YOU SLEEP? 398 00:13:22,969 --> 00:13:26,137 THE FRIGHTENING TRUTH NEXT ON SICK, SAD WORLD. 399 00:13:26,139 --> 00:13:28,873 - IS SOMETHING BOTHERING YOU, DARIA? 400 00:13:28,875 --> 00:13:30,374 - [muffled] NO. 401 00:13:30,376 --> 00:13:33,077 - YOU KNOW, IT'S ALL RIGHT TO HAVE A HEART-TO-HEART WITH DAD. 402 00:13:33,079 --> 00:13:34,712 [laughs] I'VE BEEN KNOWN 403 00:13:34,714 --> 00:13:37,214 TO DO A BIT OF THE OLD PARENTING IN MY TIME. 404 00:13:37,216 --> 00:13:38,316 - IT'S OKAY. 405 00:13:38,318 --> 00:13:39,684 - WHAT'S ON YOUR MIND? 406 00:13:39,686 --> 00:13:42,086 I'M UP ON THE ISSUES: DRUGS, PEER PRESSURE. 407 00:13:42,088 --> 00:13:44,388 IS IT A PROBLEM WITH YOUR GANG? 408 00:13:44,390 --> 00:13:46,491 - IT'S MORE OF A PERSONAL ISSUE. 409 00:13:46,493 --> 00:13:48,993 - IT'S NOT HYGIENE OR ANYTHING? 410 00:13:48,995 --> 00:13:52,396 - DAD, LET'S SAY YOU HAVE AN IDENTITY YOU DON'T EVEN LIKE. 411 00:13:52,398 --> 00:13:53,998 - OH, SURE. 412 00:13:54,000 --> 00:13:55,600 LIKE, ONE DAY YOU WAKE UP MIDDLE-AGED 413 00:13:55,602 --> 00:13:56,968 AND RESENTING THE HELL OUT OF IT. 414 00:13:56,970 --> 00:13:58,903 - UM, OKAY. 415 00:13:58,905 --> 00:14:01,238 BUT EVEN THOUGH YOU DON'T LIKE THIS IDENTITY, 416 00:14:01,240 --> 00:14:03,875 SOMEBODY SUDDENLY COMES ALONG AND STEALS IT FROM YOU. 417 00:14:03,877 --> 00:14:05,242 - AND YOU'RE UPSET. 418 00:14:05,244 --> 00:14:07,212 YOU'VE EARNED THAT RESENTMENT. IT'S YOUR RIGHT. 419 00:14:07,214 --> 00:14:11,148 - WELL, IT'S MORE LIKE YOU DIDN'T WANT THIS IDENTITY, 420 00:14:11,150 --> 00:14:13,251 BUT IF THEY TAKE IT AWAY, YOU'VE GOT NOTHING. 421 00:14:13,253 --> 00:14:14,519 WHAT DO YOU DO? 422 00:14:14,521 --> 00:14:16,220 - THEY TOOK YOUR IDENTITY, DARIA? 423 00:14:16,222 --> 00:14:18,723 THEN YOU WALK AWAY. YOU CHANGE YOUR NAME. 424 00:14:18,725 --> 00:14:20,324 MOVE TO ANOTHER STATE. GET SOME I.D. 425 00:14:20,326 --> 00:14:22,192 IT'S NOT TOO LATE TO START OVER, DARIA. 426 00:14:22,194 --> 00:14:24,261 IT'S NOT TOO LATE! YOU'RE STILL A YOUNG MAN. 427 00:14:24,263 --> 00:14:25,930 YOU DON'T HAVE TO LIVE WITH YOUR MISTAKES. 428 00:14:25,932 --> 00:14:27,231 GET OUT WHILE YOU CAN! 429 00:14:27,233 --> 00:14:30,100 - UM, YOU'RE NOT GONNA SHAKE ME, ARE YOU? 430 00:14:30,102 --> 00:14:32,603 - WHAT I MEANT WAS, YOU HANG IN THERE, 431 00:14:32,605 --> 00:14:34,038 AND EVERYTHING'S GONNA WORK OUT. 432 00:14:34,040 --> 00:14:35,239 - YOU KNOW, DAD? 433 00:14:35,241 --> 00:14:36,707 TALKING TO YOU HAS ACTUALLY MADE ME 434 00:14:36,709 --> 00:14:38,276 FEEL BETTER ABOUT MYSELF. 435 00:14:38,278 --> 00:14:40,845 - THAT'S WHAT I'M HERE FOR, KIDDO. 436 00:14:40,847 --> 00:14:42,479 BACKUP SINGER, HA. 437 00:14:44,984 --> 00:14:47,785 - YEAH, I JUST FOUND OUT POEMS DON'T EVEN HAVE TO RHYME. 438 00:14:47,787 --> 00:14:49,253 HOW EASY IS THAT? 439 00:14:49,255 --> 00:14:50,321 - WHOA. - WOW. 440 00:14:50,323 --> 00:14:52,456 - THAT'S CRAZY. - THAT'S GREAT. 441 00:14:52,458 --> 00:14:53,524 - SHE'S SO SMART. 442 00:14:53,526 --> 00:14:56,160 [suspenseful music] 443 00:14:56,162 --> 00:14:57,761 - THERE'S A PROBLEM, QUINN. 444 00:14:57,763 --> 00:14:58,829 WE NEED TO TALK. 445 00:14:58,831 --> 00:15:00,297 - WHAT PROBLEM? 446 00:15:00,299 --> 00:15:03,835 - IT SEEMS THAT OTHER GIRLS ARE FOLLOWING YOUR WEIRDO EXAMPLE 447 00:15:03,837 --> 00:15:06,137 AND ABANDONING THEIR FASHION STATEMENTS 448 00:15:06,139 --> 00:15:07,472 TO WEAR ALL BLACK. 449 00:15:07,474 --> 00:15:10,374 - DRESSING IN BLACK IS A FASHION STATEMENT. 450 00:15:10,376 --> 00:15:13,077 IT'S DEEP. IT'S MEANINGFUL. 451 00:15:13,079 --> 00:15:15,079 AND IT'S SLENDERIZING. 452 00:15:15,081 --> 00:15:16,681 - NOT ACCORDING TO THIS. 453 00:15:16,683 --> 00:15:20,585 EVERYONE KNOWS THAT EGGPLANT IS THE CURRENT NEUTRAL. 454 00:15:20,587 --> 00:15:23,721 - WELL, I CAN'T HELP IT IF I HAVE INFLUENCE AROUND HERE. 455 00:15:23,723 --> 00:15:25,924 PEOPLE ADMIRE ME FOR MY BRAINS. 456 00:15:25,926 --> 00:15:28,726 - THAT'S NOT HOW THE FASHION CLUB WORKS. 457 00:15:28,728 --> 00:15:32,162 YOU'RE OFFICIALLY ORDERED TO TAKE A FASHION SABBATICAL 458 00:15:32,164 --> 00:15:34,599 UNTIL YOU GET YOUR PRIORITIES STRAIGHT. 459 00:15:39,772 --> 00:15:41,505 I'M CONCERNED ABOUT QUINN. 460 00:15:41,507 --> 00:15:43,140 WE NEED SOMEONE CLOSE TO HER 461 00:15:43,142 --> 00:15:45,742 TO MAKE HER SEE THE ERROR OF HER WAYS. 462 00:15:45,744 --> 00:15:47,478 - BUT WHO? 463 00:15:47,480 --> 00:15:49,080 - I HAVE A PLAN. 464 00:15:49,082 --> 00:15:50,948 WE'LL TALK TO THAT GIRL SHE KNOWS. 465 00:15:50,950 --> 00:15:52,516 - YOU'RE SO SMART, SANDI. 466 00:15:52,518 --> 00:15:53,784 - AND YOU'LL NOTICE 467 00:15:53,786 --> 00:15:56,453 I DON'T MAKE, LIKE, A BIG THING ABOUT IT. 468 00:15:56,455 --> 00:15:58,990 - BUT THAT GIRL IS SO WEIRD. 469 00:15:58,992 --> 00:16:00,558 SHE FREAKS ME OUT. 470 00:16:00,560 --> 00:16:03,494 - THAT'S WHY I'M PRESIDENT OF THE FASHION CLUB. 471 00:16:03,496 --> 00:16:08,066 I'LL HANDLE HER. 472 00:16:08,068 --> 00:16:10,401 UH, UM, UH. 473 00:16:10,403 --> 00:16:13,471 ER. 474 00:16:13,473 --> 00:16:15,473 - WHAT DO YOU THINK THAT WAS ABOUT? 475 00:16:15,475 --> 00:16:17,741 - I SUPPOSE WE'LL NEVER KNOW. 476 00:16:17,743 --> 00:16:19,743 - JANE, LOOK CAREFULLY. 477 00:16:19,745 --> 00:16:21,179 HAVE I GROWN ANOTHER HEAD? 478 00:16:21,181 --> 00:16:22,313 - HMM. 479 00:16:22,315 --> 00:16:23,648 NO, JUST THE TWO. 480 00:16:23,650 --> 00:16:26,583 - SEE YOU. 481 00:16:26,585 --> 00:16:27,618 - WHAT'S WRONG WITH HER? 482 00:16:27,620 --> 00:16:28,786 - NOTHING. 483 00:16:28,788 --> 00:16:31,322 - ANYTHING A LITTLE BRAINPOWER COULD FIX? 484 00:16:31,324 --> 00:16:33,757 - I THINK SHE'S HAD ABOUT HER FILL OF THAT. 485 00:16:33,759 --> 00:16:35,492 - CAN I ASK YOU SOMETHING? 486 00:16:35,494 --> 00:16:37,594 - I GUESS. WHAT? 487 00:16:37,596 --> 00:16:39,263 - YOU DON'T THINK I'M A BRAIN, DO YOU? 488 00:16:39,265 --> 00:16:41,265 - THE THOUGHT NEVER CROSSED MY MIND. 489 00:16:41,267 --> 00:16:42,700 - MINE EITHER. 490 00:16:42,702 --> 00:16:44,935 I MEAN, I REALLY LIKE THE WAY THIS IS GETTING TO DARIA, 491 00:16:44,937 --> 00:16:46,871 BUT I'M STARTING TO FEEL LIKE A PHONY. 492 00:16:46,873 --> 00:16:48,906 - YOU'RE STARTING TO FEEL LIKE A PHONY? 493 00:16:48,908 --> 00:16:50,207 - SO I WROTE A STUPID ESSAY. 494 00:16:50,209 --> 00:16:52,944 WHAT'S EVERYONE MAKING SUCH A BIG DEAL ABOUT? 495 00:16:52,946 --> 00:16:55,879 - WELL, YOU KNOW, CONDITION PEOPLE TO EXPECT NOTHING, 496 00:16:55,881 --> 00:16:58,416 AND THE LEAST LITTLE SOMETHING GETS THEM ALL EXCITED. 497 00:16:58,418 --> 00:16:59,450 ASK PAVLOV. 498 00:16:59,452 --> 00:17:00,985 - THE CUSTODIAN? 499 00:17:00,987 --> 00:17:03,454 - WHOA. NEVER MIND. 500 00:17:03,456 --> 00:17:05,389 RETURN TO YOUR WORLD, AND I'LL RETURN TO MINE. 501 00:17:08,361 --> 00:17:09,793 - HMM. 502 00:17:09,795 --> 00:17:11,929 BY THE WAY, ANYTHING EATING AWAY AT YOUR SOUL? 503 00:17:11,931 --> 00:17:13,730 - HER WRITING IS BAD. 504 00:17:13,732 --> 00:17:15,900 DON'T PEOPLE KNOW THE DIFFERENCE BETWEEN GOOD AND BAD? 505 00:17:15,902 --> 00:17:17,068 - SHE'S CUTE. 506 00:17:17,070 --> 00:17:19,003 THERE ARE DIFFERENT STANDARDS FOR CUTE PEOPLE. 507 00:17:19,005 --> 00:17:21,638 - YOU MEAN, NO STANDARDS. - RIGHT. 508 00:17:21,640 --> 00:17:23,807 - ISN'T THERE ANY TIME WHEN HOW YOU LOOK 509 00:17:23,809 --> 00:17:25,543 DOESN'T AFFECT HOW YOU'RE JUDGED? 510 00:17:25,545 --> 00:17:28,179 - WHEN YOU DONATE AN ORGAN, UNLESS IT'S YOUR EYES. 511 00:17:28,181 --> 00:17:29,981 LISTEN, IT'S NO BIG DEAL. 512 00:17:29,983 --> 00:17:31,549 - THE THING IS, IF SHE'S A BRAIN, 513 00:17:31,551 --> 00:17:32,583 WHAT DO I GET TO BE? 514 00:17:32,585 --> 00:17:33,917 - YOU'RE STILL A BRAIN. 515 00:17:33,919 --> 00:17:36,420 - YEAH, BUT SHE'S A BRAIN WITH BOUNCY HAIR. 516 00:17:36,422 --> 00:17:37,654 I CAN'T COMPETE. 517 00:17:37,656 --> 00:17:41,024 - OKAY, THEN YOU GET TO BE A SUPER BRAIN, 518 00:17:41,026 --> 00:17:43,394 AN EVEN BIGGER OUTCAST THAN BEFORE. 519 00:17:43,396 --> 00:17:45,963 - I DON'T THINK I CAN SURVIVE BEING A SUPER BRAIN. 520 00:17:45,965 --> 00:17:48,599 - THEN SHE'S GOT TO BE STOPPED. 521 00:17:48,601 --> 00:17:49,834 BUT HOW? 522 00:17:49,836 --> 00:17:51,836 - OH, I KNOW HOW. 523 00:17:51,838 --> 00:17:55,773 I JUST HAVEN'T BEEN ABLE TO BRING MYSELF TO DO IT TILL NOW. 524 00:17:55,775 --> 00:17:58,309 [school bell rings] 525 00:17:58,311 --> 00:17:59,343 YES? 526 00:17:59,345 --> 00:18:03,114 [nervous clamoring] 527 00:18:03,116 --> 00:18:04,415 - WAIT. 528 00:18:04,417 --> 00:18:06,250 - NO, IT'S A MISTAKE. WE THOUGHT, UH-- 529 00:18:06,252 --> 00:18:07,551 - IF YOU SQUINTED HARD ENOUGH, 530 00:18:07,553 --> 00:18:09,720 MAYBE I'D LOOK LIKE A DIFFERENT MORGENDORFFER? 531 00:18:09,722 --> 00:18:10,854 - UM... 532 00:18:10,856 --> 00:18:12,623 - LOOK, DO YOU REALLY WANT QUINN BACK? 533 00:18:12,625 --> 00:18:14,791 - YES. - A THOUSAND TIMES, YES. 534 00:18:14,793 --> 00:18:17,427 - BRING HER BACK. YOU GOT TO BRING HER BACK. 535 00:18:17,429 --> 00:18:19,263 - [sighs] DO EXACTLY WHAT I SAY, 536 00:18:19,265 --> 00:18:21,299 AND I'LL DELIVER THE GOODS. 537 00:18:21,301 --> 00:18:24,302 [techno music] 538 00:18:24,304 --> 00:18:32,243 ♪ ♪ 539 00:18:56,602 --> 00:18:58,669 HI, COULD YOU GET ME A SODA? 540 00:18:58,671 --> 00:19:00,404 [doorbell rings] 541 00:19:00,406 --> 00:19:01,939 [door creaks open] - HEY, DUDES. 542 00:19:01,941 --> 00:19:03,040 - WHAT'S UP? 543 00:19:03,042 --> 00:19:04,174 - QUINN! 544 00:19:04,176 --> 00:19:06,143 YOUR DATES ARE HERE. 545 00:19:06,145 --> 00:19:08,379 - ACTUALLY WE'RE HERE TO ASK DARIA OUT. 546 00:19:08,381 --> 00:19:09,413 - HUH? 547 00:19:09,415 --> 00:19:11,181 - YOU KNOW, YOUR OTHER DAUGHTER. 548 00:19:11,183 --> 00:19:12,416 - BY THE WAY, HOW'S QUINN? 549 00:19:12,418 --> 00:19:13,550 - SHUT UP, JAMIE. 550 00:19:13,552 --> 00:19:14,652 - HI, QUINN. 551 00:19:14,654 --> 00:19:15,720 - HI, DARIA. 552 00:19:15,722 --> 00:19:18,489 - WELL, I'M OFF FOR MY DATES. 553 00:19:18,491 --> 00:19:21,192 ONE, TWO-- 554 00:19:21,194 --> 00:19:23,360 - UH, WAIT! 555 00:19:23,362 --> 00:19:25,329 YOU WIN, ALL RIGHT? 556 00:19:25,331 --> 00:19:28,833 ♪ ♪ 557 00:19:28,835 --> 00:19:30,367 YEAH, I DIDN'T EVEN WRITE THE ESSAY. 558 00:19:30,369 --> 00:19:32,669 I FOUND IT IN THE GARBAGE AND HANDED IT IN. 559 00:19:32,671 --> 00:19:35,139 AND THEN THE WHOLE THING WAS LIKE A RUNAWAY TRAIN. 560 00:19:35,141 --> 00:19:37,474 - WELL, THAT STILL DOESN'T EXPLAIN THE BLACK CLOTHES, 561 00:19:37,476 --> 00:19:39,610 BUT I GUESS I CAN LET IT SLIDE. 562 00:19:39,612 --> 00:19:40,711 - DON'T WORRY. 563 00:19:40,713 --> 00:19:42,213 I'M THROUGH BEING AN INTELLECTUAL. 564 00:19:42,215 --> 00:19:43,380 I'M TOO WELL-ADJUSTED. 565 00:19:43,382 --> 00:19:47,084 - MESSING WITH THE MIND CAN BE SO DANGEROUS. 566 00:19:47,086 --> 00:19:49,353 - TELL ME ABOUT IT. 567 00:19:49,355 --> 00:19:50,921 - I GUESS THINGS ARE BACK TO NORMAL. 568 00:19:50,923 --> 00:19:52,522 - FASHION, GOOD. 569 00:19:52,524 --> 00:19:54,258 THINKING, BAD. 570 00:19:54,260 --> 00:19:56,694 - YEAH, WE WIN. 571 00:19:56,696 --> 00:19:59,030 - I'M ON TOP OF THE WORLD. 572 00:19:59,032 --> 00:20:01,365 - ♪ LA-LA, LA, LA-LA ♪ 573 00:20:01,367 --> 00:20:04,368 Captioning by CaptionMax www.captionmax.com 574 00:20:04,370 --> 00:20:07,371 [rock music] 575 00:20:07,373 --> 00:20:13,877 ♪ ♪ 576 00:20:13,879 --> 00:20:15,646 ♪ LA-LA-LA ♪ 577 00:20:15,648 --> 00:20:18,749 ♪ ♪ 578 00:20:18,751 --> 00:20:20,518 ♪ LA-LA-LA ♪ 579 00:20:20,520 --> 00:20:23,321 ♪ ♪ 580 00:20:23,323 --> 00:20:25,323 ♪ LA-LA-LA ♪ 581 00:20:25,325 --> 00:20:34,965 ♪ ♪ 582 00:20:34,967 --> 00:20:37,134 ♪ LA-LA, LA, LA-LA ♪ 583 00:20:37,136 --> 00:20:39,570 ♪ ♪ 584 00:20:39,572 --> 00:20:41,339 ♪ LA-LA, LA, LA-LA ♪