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- ♪ LA-LA, LA, LA-LA ♪
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♪ LA-LA, LA, LA-LA ♪
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- NOW, AS I'M HANDING BACK
YOUR ESSAYS,
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YOU MAY HAVE STRONG FEELINGS
ABOUT THE COMPETITIVE
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AND DISCOURAGING ASPECTS
OF GRADING.
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I CARE ABOUT
WHAT YOU HAVE TO SAY.
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WHO WOULD LIKE TO START?
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- IS AN F-PLUS THE SAME
AS A D-MINUS?
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- I DON'T BELIEVE I'VE EVER
HEARD OF AN F-PLUS, JORDAN,
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BUT WE COULD TALK ABOUT IT.
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- SO SHE SAID,
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"I GOT THOSE EGGSHELL LEGGINGS
LIKE YOU TOLD ME."
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AND I SAID, "EGGSHELL?
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I TOLD YOU EGGPLANT."
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- YOU'RE KIDDING.
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[laughter]
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- QUINN,
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WAS THERE SOMETHING
YOU WANTED TO SAY?
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- UM...I DIDN'T GET
MY ESSAY BACK.
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[school bell rings]
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- THAT'S TRUE, QUINN.
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I'M AFRAID I'LL NEED TO SEE YOU
AFTER CLASS.
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- I'LL SAVE YOU A PLACE
AT THE MIRROR.
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- QUINN, I'M SO SORRY,
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BUT WE NEED TO TALK ABOUT
YOUR PERFORMANCE.
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- OKAY, BUT I'M KIND OF
IN A RUSH TODAY.
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- LET'S GO OVER
OUR LAST ASSIGNMENT:
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"HOW I FEEL
ABOUT POLYCULTURALISM."
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YOU WROTE, "I DEFINITELY
PREFER ALL-COTTON."
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- I DIDN'T COPY IT,
IF THAT'S WHAT YOU MEAN.
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- NO, NO, I BELIEVE YOU.
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THE THING IS--
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NOW, I DON'T WANT
TO PANIC OR UPSET YOU.
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PLEASE, TAKE THIS
IN A CONSTRUCTIVE SPIRIT,
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BUT I'M AFRAID YOU'RE NOT
DOING WELL IN LANGUAGE ARTS.
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- OKAY, SEE YOU TOMORROW.
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- I DON'T THINK YOU UNDERSTAND.
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YOU'RE GOING TO NEED AN "A"
ON YOUR NEXT ESSAY
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TO MAINTAIN A PASSING GRADE.
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- YOU MEAN "PASSING"
AS IN PASSING OR FAILING?
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- YES, BUT DON'T WORRY.
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ALL IT WILL TAKE IS
SOME COMMITMENT, DEDICATION,
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AND HARD WORK.
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- OH, NO!
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- YOU CAN DO IT, QUINN.
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YOU KNOW, WHEN I WAS
IN HIGH SCHOOL,
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I WANTED MORE THAN ANYTHING
TO BE ON THE GYMNASTICS TEAM,
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BUT I JUST COULDN'T MASTER
THE HIGH BAR,
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SO I PRACTICED EVERY DAY--
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- AND THE BIG TRYOUT CAME,
AND YOU MADE THE TEAM.
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- WELL, NO.
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BUT THAT WINTER,
I LEARNED HOW TO WRITE
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HOLDING A PENCIL IN MY TEETH.
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- QUINN, WHAT IS
THE MEANING OF THIS?
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I PUT IN ANOTHER 12-HOUR DAY,
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AND THE FIRST THING I SEE
WHEN I GET HOME--
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- [snoring]
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- JAKE!
- HUH? I'M UP!
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- WHERE ARE THE GIRLS?
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- THEY WERE HERE BEFORE,
I THINK.
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- I'M VERY UPSET ABOUT THIS.
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- OH, YEAH, I KNOW.
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SEE, I WAS TRYING TO CALL
THE NUMBER FOR MOVIEFONE,
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AND OUT OF NOWHERE,
THIS WOMAN COMES ON THE LINE--
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- JAKE, WHAT ARE YOU
TALKING ABOUT?
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- THAT'S NOT THE PHONE BILL.
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I--WHAT IS THAT?
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- IT'S A LETTER
FROM QUINN'S TEACHER.
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SHE'S GOING TO FAIL ENGLISH
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BECAUSE SHE'S NOT PUTTING IN
ANY EFFORT.
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I'M GOING UP TO TALK TO HER.
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- WAIT A MINUTE.
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WHY CAN'T I EVER BE THE ONE
TO TALK TO THE GIRLS?
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- HONEY, IT'S NOT
THAT YOU CAN'T.
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IT'S JUST
A STRONG PARENTING TEAM
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IS LIKE A SINGING GROUP.
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THE LEAD SINGER
CARRIES THE TUNE,
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AND THE BACKUP SINGERS
SUPPORT HER.
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THAT'S YOU.
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- BUT WHAT DO
THE BACKUP SINGERS DO?
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- YOU CHIME IN
AT JUST THE RIGHT MOMENT,
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AND THEN YOU FADE
INTO THE BACKGROUND.
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DOESN'T THAT MAKE SENSE?
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- DO I GET A TAMBOURINE
OR SOMETHING?
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- MOM, CAN I BORROW--
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UM, I'M JUST GONNA RUN DOWN
TO THE ANIMAL SHELTER
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AND SEE ABOUT VOLUNTEERING.
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I HEARD THEY GOT IN
A NEW BUNCH OF SICK BIRDS.
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- QUINN, THIS NOTE
CAME FROM SCHOOL.
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- DON'T WORRY.
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ALL I HAVE TO DO IS GET, LIKE,
AN "A" ON MY NEXT ESSAY,
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AND I'M FINE.
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- I'LL TAKE THE VEGAS ODDS
ON THAT ONE.
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- DARIA, WE NEED TO BE
ENCOURAGING.
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SIT DOWN, QUINN.
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HONEY, THIS ISN'T JUST
ABOUT ONE ESSAY.
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IT'S ABOUT SETTING GOALS IN LIFE
AND GOING AFTER THEM.
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YOU KNOW,
WHEN I WAS IN HIGH SCHOOL,
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I WANTED MORE THAN ANYTHING
TO JOIN THE SWIM TEAM--
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- NO!
NO!
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PLEASE, NOT AGAIN.
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- HUH?
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- MOM, IF YOU'RE
GONNA REMINISCE,
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I'M AFRAID I'LL BE FORCED
TO CALL SOCIAL SERVICES.
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- ALL RIGHT, QUINN.
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LET ME TRY TO PUT IT
ANOTHER WAY.
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NO MATTER WHAT YOU DECIDE
TO DO IN LIFE,
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A SOLID EDUCATION--
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- YOU GAVE THIS TALK
WHEN I GOT CAUGHT CUTTING MY--
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WHEN I FORGOT
WHERE MY MATH CLASS WAS.
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- HELEN, LET ME.
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HONEY, DID YOU EVER HEAR
THE TALE OF THE ANT
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AND THE GRASSHOPPER?
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- EW!
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BUGS?
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- TRY IMAGINING IT
THIS WAY, QUINN.
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- YOU COULD BE LEFT BACK
AND BE THE OLDEST FRESHMAN
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IN LAWNDALE HIGH.
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- YOU KNOW WHAT?
I GOT TO GET TO WORK. BYE.
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- THAT'S MY GIRL.
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- YOU SEE HOW IT'S DONE?
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- DARIA?
ARE YOU IN THERE?
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- NO, I'M TAKING IT EASY
IN TAHITI FOR A FEW DAYS.
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[door creaks open]
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HANG ON.
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I'M JUST ORDERING ANOTHER TRAY
OF COCONUT DAIQUIRIS.
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- UM, I WAS WONDERING IF--
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- I DON'T THINK SO.
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- I JUST NEED A LITTLE HELP
WITH MY ESSAY.
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LIKE, COULD YOU WRITE IT FOR ME?
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- AND WHAT'S
MY MOTIVATION AGAIN?
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- COME ON, DARIA.
WE'RE SISTERS.
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WE'VE GOT TO STICK TOGETHER.
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- UNLESS WE'RE IN PUBLIC,
YOU MEAN.
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- BUT YOU'RE SO SMART.
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AND THIS ESSAY IS SO IMPORTANT.
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BELIEVE ME,
I WOULD DO IT MYSELF,
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BUT I HAVE A DATE.
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- OH, THAT'S DIFFERENT.
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WHEN DOES THE SUBJECT
OF COMPENSATION COME UP?
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- $10?
- $20.
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- $15.
- DONE.
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- THANKS, DARIA.
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THIS IS GONNA WORK OUT
FOR BOTH OF US.
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I MEAN, I GET MY ESSAY WRITTEN,
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AND FOR ONCE, YOU HAVE
SOMETHING TO DO ON FRIDAY NIGHT
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INSTEAD OF SITTING AROUND
LIKE A LOSER, YOU KNOW?
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- THAT'S IT, SHAKESPEARE.
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DO YOUR OWN DAMN HOMEWORK.
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[doorbell rings]
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- UM, IS THIS QUINN'S HOUSE?
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- SOMEONE BY THAT NAME
DOES LIVE HERE.
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- COOL.
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- SHE'S UPSTAIRS
DOING SCHOOLWORK.
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- I GOT TO PAY MORE ATTENTION
WHEN I GET THESE ADDRESSES.
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- COREY?
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I JUST CAME DOWN TO SAY
I CAN'T SEE YOU TONIGHT.
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I HAVE TO WRITE AN ESSAY.
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- [laughs] GOOD ONE.
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COME ON.
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I GOT A SPECIAL EVENING PLANNED.
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LET'S GO BEFORE THERE'S A LINE
AT THE DRIVE-THROUGH.
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- NO, REALLY, COREY.
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I HAVE WORK TO DO,
AND YOU HAVE TO LEAVE.
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SORRY.
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- QUINN, WHAT HAVE THEY
DONE TO YOU?
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- DID YOU JUST SPEND TWO HOURS
DRESSING UP TO GO TO THE DOOR
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FOR ONE MINUTE
AND DUMP YOUR DATE?
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- DARIA, IF YOU LOOK YOUR BEST
WHEN YOU BLOW A GUY OFF,
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IT MAKES HIM FEEL LIKE YOU CARE.
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- WELL, THAT ADVICE
SHOULD PROVE VERY HELPFUL.
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SOMETIMES YOUR SHALLOWNESS
IS SO THOROUGH,
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IT'S ALMOST LIKE DEPTH.
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- THANKS.
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ALL RIGHT, $20.
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- NOPE.
- FINE!
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I HOPE YOU REALIZE YOU'RE
MAKING ME DO MY OWN HOMEWORK.
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- THAT IS A SCARY THOUGHT.
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[school bell rings]
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- I HAVE A SPECIAL SURPRISE,
EVERYONE.
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ONE OF OUR STUDENTS
HAS SO IMPROVED
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SINCE LAST WEEK'S ESSAY,
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I'M GONNA SHARE HER WORK
WITH THE CLASS.
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- I REALLY LIKE THOSE LEGGINGS.
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- YEAH, BUT NOW I HAVE
A SHOE THING.
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STRAPPIES?
187
00:06:02,128 --> 00:06:03,261
- PLATFORM JELLIES.
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- QUINN, YOU'RE SO SMART.
189
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- ONLY ABOUT IMPORTANT STUFF.
190
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- QUINN.
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- UM, I DIDN'T GET
MY PAPER BACK.
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- THAT'S RIGHT, QUINN,
193
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BECAUSE I'M GOING TO
READ IT ALOUD.
194
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- OH, NO.
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- "ACADEMIC IMPRISONMENT,"
196
00:06:17,144 --> 00:06:18,276
BY QUINN MORGENDORFFER.
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"SO GO AHEAD,
198
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"LOCK ME UP WITH YOUR HOMEWORK
AND YOUR TESTS.
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"ROB MY FREEDOM WITH
YOUR READING AND YOUR THINKING.
200
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"AS FAR AS I'M CONCERNED,
201
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"THE ONLY DIFFERENCE
BETWEEN SCHOOL AND PRISON
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"IS THE WARDROBE,
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"OR DO YOU WANT TO TAKE AWAY
MY OUTFITS TOO?
204
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THE END."
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00:06:47,641 --> 00:06:48,807
WOW.
206
00:06:48,809 --> 00:06:52,410
WOULD ANYONE LIKE TO SHARE
THEIR REACTION?
207
00:06:52,412 --> 00:06:54,646
- MAY I PLEASE CHANGE SCHOOLS?
208
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- THERE.
209
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NOW IT'S ON FULL DISPLAY.
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00:06:58,918 --> 00:07:00,251
- QUITE THE DOOR
OF ACHIEVEMENT.
211
00:07:00,253 --> 00:07:01,520
- COME ON, KIDDO.
212
00:07:01,522 --> 00:07:03,454
YOU WANT TO ENCOURAGE
YOUR SISTER, DON'T YOU?
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00:07:03,456 --> 00:07:04,856
- TO GET HER OWN PLACE, YEAH.
214
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- HEY, IT'S MY DAUGHTER,
THE GENIUS.
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- OUR OWN ACADEMIC ACHIEVER.
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- WE'RE ALL SO PROUD OF YOU.
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AREN'T WE, DARIA?
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- SURE.
219
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IF YOU MEAN "PROUD"
AS IN STUNNED.
220
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- MOM, DAD,
MAKING YOU HAPPY
221
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IS THE GREATEST REWARD
I COULD ASK FOR.
222
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OF COURSE, WHEN OTHER KIDS
GET A GOOD GRADE,
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THEY SOMETIMES GET, LIKE,
A LITTLE PRESENT.
224
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- NOW, QUINN, I REALLY THINK--
225
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- I'LL HANDLE THIS.
226
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YOU'RE ABSOLUTELY RIGHT,
SWEETHEART.
227
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YOU GOT AN "A."
YOU SHOULD BE REWARDED.
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HERE YOU GO.
229
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- THANKS, DAD.
230
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- WAIT, ISN'T THAT
A DOUBLE STANDARD?
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- HUH?
232
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- YOU JUST GAVE HER A $20
FOR GETTING ONE "A."
233
00:07:39,960 --> 00:07:42,160
WHAT ABOUT ALL THE "A"s
I GET FOR FREE?
234
00:07:42,162 --> 00:07:44,062
- YEAH, BUT THIS IS
A SPECIAL OCCASION,
235
00:07:44,064 --> 00:07:46,497
SO QUINN GETS
A SPECIAL REWARD.
236
00:07:46,499 --> 00:07:48,900
IT'S A MOTIVATIONAL THING.
237
00:07:48,902 --> 00:07:51,536
- BUT WON'T THAT DEMOTIVATE
YOUR OTHER DAUGHTER
238
00:07:51,538 --> 00:07:53,371
WHOSE WORK
IS CONSISTENTLY GOOD?
239
00:07:53,373 --> 00:07:54,539
- YES, JAKE.
240
00:07:54,541 --> 00:07:56,174
WHERE ARE YOU GOING WITH THIS?
241
00:07:56,176 --> 00:07:57,942
- I WASN'T FINISHED.
242
00:07:57,944 --> 00:08:00,312
DARIA SHOULD HAVE
A CONSISTENT REWARD
243
00:08:00,314 --> 00:08:01,580
FOR HER CONSISTENTLY GOOD WORK.
244
00:08:01,582 --> 00:08:02,814
- HEY!
245
00:08:02,816 --> 00:08:05,583
- AND QUINN SHOULD HAVE
A SPECIAL ONE-TIME REWARD
246
00:08:05,585 --> 00:08:06,817
FOR HER ONE-TIME EFFORT.
247
00:08:06,819 --> 00:08:08,520
- BUT WHAT ABOUT
A HIGHER REWARD
248
00:08:08,522 --> 00:08:11,088
FOR MAINTAINING A STANDARD
OF EXCELLENCE OVER TIME?
249
00:08:11,090 --> 00:08:13,391
PERHAPS WITH COMPOUND INTEREST?
250
00:08:13,393 --> 00:08:14,725
- HERE, JUST TAKE IT.
251
00:08:14,727 --> 00:08:17,728
HELEN, I TOLD YOU I WAS NO GOOD
AT THIS PARENTING CRAP.
252
00:08:20,800 --> 00:08:22,400
- HEY, QUINN, YOU'RE FAMOUS.
253
00:08:22,402 --> 00:08:23,534
- OH, YOU GUYS.
254
00:08:23,536 --> 00:08:25,069
I'M JUST REALLY POPULAR.
255
00:08:25,071 --> 00:08:28,339
- HE'S TALKING ABOUT YOUR ESSAY
IN THE LAWNDALE LOWDOWN.
256
00:08:28,341 --> 00:08:30,174
- THE SCHOOL PAPER?
257
00:08:30,176 --> 00:08:33,144
- IT'S IN THE SMART THOUGHTS
COLUMN.
258
00:08:33,146 --> 00:08:35,179
- I'M RUINED.
259
00:08:35,181 --> 00:08:37,982
- "ACADEMIC IMPRISONMENT,"
BY QUINN MORGENDORFFER.
260
00:08:37,984 --> 00:08:39,251
- IT'S GREAT, ISN'T IT?
261
00:08:39,253 --> 00:08:42,153
- "NO LIGHT SHINES THROUGH
THESE FOUR BRICK WALLS.
262
00:08:42,155 --> 00:08:43,622
"FOR THE SCHOOL IS MY PRISON
263
00:08:43,624 --> 00:08:46,157
AND ITS TEACHERS,
MY IMPRISONERS."
264
00:08:46,159 --> 00:08:49,227
- I'LL BET YOU DIDN'T EVEN KNOW
THE WORD "IMPRISONERS" EXISTED.
265
00:08:49,229 --> 00:08:51,629
- YEAH, BUT NOW I CAN'T WAIT
TO USE IT.
266
00:08:51,631 --> 00:08:53,198
WHY EXACTLY IS THIS GREAT?
267
00:08:53,200 --> 00:08:55,399
- BECAUSE NOW QUINN'S
GOING TO SEE FIRSTHAND
268
00:08:55,401 --> 00:08:57,869
WHAT IT FEELS LIKE
TO BE A BRAIN.
269
00:08:57,871 --> 00:08:59,270
- LISTEN TO THIS:
270
00:08:59,272 --> 00:09:01,739
"LIKE A HAMSTER
ON ONE OF THOSE WHEEL THINGS,
271
00:09:01,741 --> 00:09:04,442
"SCHOOL RUNS US
AROUND AND AROUND
272
00:09:04,444 --> 00:09:06,544
"UNTIL WE YEARN
FOR THE LITTLE FOOD PELLET.
273
00:09:06,546 --> 00:09:08,646
BUT ONLY MORE HOMEWORK AWAITS."
274
00:09:08,648 --> 00:09:11,215
YOU KNOW,
IT'S LIKE SHE READ MY MIND.
275
00:09:11,217 --> 00:09:14,853
- RIGHT AFTER YOU SUFFERED
A SEVERE BLOW TO THE HEAD.
276
00:09:14,855 --> 00:09:16,420
- COULD YOU PUT THAT AWAY?
277
00:09:16,422 --> 00:09:17,688
THEY'RE EVERYWHERE.
278
00:09:17,690 --> 00:09:19,023
- WHAT ARE YOU DOING HERE?
279
00:09:19,025 --> 00:09:20,558
BOMB SCARE AT YOUR TABLE?
280
00:09:20,560 --> 00:09:22,360
- KEEP IT DOWN, OKAY?
281
00:09:22,362 --> 00:09:25,063
I'M TRYING TO KEEP A LOW PROFILE
SINCE THE PAPER CAME OUT.
282
00:09:25,065 --> 00:09:27,131
- LUCKY FOR YOU
THE PULITZER COMMITTEE
283
00:09:27,133 --> 00:09:28,400
ALREADY FINISHED EATING.
284
00:09:28,402 --> 00:09:30,501
- THEY HAD THE MEATLOAF.
- HA.
285
00:09:30,503 --> 00:09:31,769
- YOU MUST BE VERY EXCITED
286
00:09:31,771 --> 00:09:33,304
ABOUT WHAT PEOPLE
ARE CALLING YOU.
287
00:09:33,306 --> 00:09:35,639
- WHAT?
- BRAINS MORGENDORFFER.
288
00:09:35,641 --> 00:09:37,942
- COME ON.
BECAUSE OF ONE LITTLE ESSAY?
289
00:09:37,944 --> 00:09:39,543
- IT'S A SLIPPERY SLOPE.
290
00:09:39,545 --> 00:09:41,713
BEHOLD THE FUTURE.
291
00:09:41,715 --> 00:09:43,047
- [splutters]
292
00:09:43,049 --> 00:09:44,381
[laughter]
293
00:09:44,383 --> 00:09:45,650
- EW.
294
00:09:45,652 --> 00:09:47,718
- LAST WEEK, THEY WERE
TRYING OUT FOR FOOTBALL.
295
00:09:47,720 --> 00:09:49,587
THEN THEY WON
ONE DEBATE TOURNAMENT.
296
00:09:49,589 --> 00:09:51,722
- WHAT AM I GONNA DO?
I CAN'T BE A BRAIN.
297
00:09:51,724 --> 00:09:53,458
MY FRIENDS WILL HATE ME.
298
00:09:53,460 --> 00:09:55,860
- YES, BUT JUST THINK OF ALL
THE NEW FRIENDS YOU'LL MAKE
299
00:09:55,862 --> 00:09:56,995
IN CHESS CLUB.
300
00:09:56,997 --> 00:09:58,896
- MAYBE I CAN STEAL
ALL THE NEWSPAPERS
301
00:09:58,898 --> 00:10:00,465
BEFORE ANYONE ELSE READS THEM.
302
00:10:00,467 --> 00:10:02,166
- HEY, WAIT A MINUTE, BRAINS.
303
00:10:02,168 --> 00:10:04,102
YOU DON'T EVEN HAVE LUNCH
THIS PERIOD, DO YOU?
304
00:10:04,104 --> 00:10:05,203
- OF COURSE NOT.
305
00:10:05,205 --> 00:10:07,405
I CUT SCIENCE TO TALK TO YOU.
306
00:10:07,407 --> 00:10:10,307
YOU THINK I'D SIT WITH YOU
WHILE MY GRADE IS AT LUNCH?
307
00:10:10,309 --> 00:10:12,944
- ABOUT THAT BEING MISTAKEN
FOR A BRAIN THING.
308
00:10:12,946 --> 00:10:14,378
I WOULDN'T WORRY TOO MUCH
ABOUT IT.
309
00:10:14,380 --> 00:10:15,746
[school bell rings]
310
00:10:15,748 --> 00:10:18,716
- WHY DO YOU HAVE TO STUDY
DURING STUDY HALL ANYWAY?
311
00:10:18,718 --> 00:10:20,051
- QUINN'S TUTORING ME
IN ENGLISH
312
00:10:20,053 --> 00:10:21,652
SO I CAN STAY
ON THE FOOTBALL TEAM.
313
00:10:21,654 --> 00:10:22,920
MR. O'NEILL SET IT UP.
314
00:10:22,922 --> 00:10:24,722
- KEVIE, I COULD TUTOR YOU.
315
00:10:24,724 --> 00:10:27,091
I SPEAK ENGLISH TOO, YOU KNOW.
316
00:10:27,093 --> 00:10:29,226
- BABE, I'VE GOT A PLAN.
317
00:10:29,228 --> 00:10:34,265
- I'LL BET YOU DO, YOU--
YOU HIGH SCHOOL CASA BLANCA.
318
00:10:34,267 --> 00:10:36,567
- NO, BABE.
I'M DOING THIS FOR US.
319
00:10:36,569 --> 00:10:38,737
I'M GONNA, LIKE,
OBSERVE THE WAY A BRAIN ACTS,
320
00:10:38,739 --> 00:10:41,072
AND THEN WE COULD ACT THAT WAY
AND BE COOL TOO.
321
00:10:41,074 --> 00:10:44,442
- OH, KEVIE.
YOU'RE SO SMART.
322
00:10:44,444 --> 00:10:46,477
YOU'RE ALREADY A BRAIN
IN MY EYES.
323
00:10:46,479 --> 00:10:48,479
- THANKS, BABE.
324
00:10:48,481 --> 00:10:51,983
- ONLY QUINN COULD TURN
BEING SMART INTO A FAD.
325
00:10:51,985 --> 00:10:53,451
- DON'T WORRY.
TODAY IT'S BRAINS.
326
00:10:53,453 --> 00:10:54,618
TOMORROW, PIERCED TONGUES.
327
00:10:54,620 --> 00:10:56,654
THEN THE NEXT DAY,
PIERCED BRAINS.
328
00:10:56,656 --> 00:10:59,089
- WELL, IT'S NOT LIKE
IT'S GONNA GET HER ANYWHERE.
329
00:10:59,091 --> 00:11:00,458
- SO THEN MR. O'NEILL SAID
330
00:11:00,460 --> 00:11:01,760
I COULD SKIP THE REST
OF HIS CLASS
331
00:11:01,762 --> 00:11:02,827
AND GO TO LUNCH EARLY
332
00:11:02,829 --> 00:11:04,228
BECAUSE I WAS CATCHING ON
SO FAST.
333
00:11:04,230 --> 00:11:05,930
ISN'T THAT GREAT?
334
00:11:07,834 --> 00:11:09,333
- YOU ASKED TO SEE ME.
335
00:11:09,335 --> 00:11:12,870
- DARIA, YOU KNOW I'M
A BIG, BIG FAN OF YOUR WRITING,
336
00:11:12,872 --> 00:11:17,808
BUT LATELY, IT'S SEEMED
KIND OF--I DON'T KNOW--FLAT.
337
00:11:17,810 --> 00:11:20,311
I'M LOOKING FOR SOMETHING
A LITTLE MORE JAZZY.
338
00:11:20,313 --> 00:11:21,946
- YOU WANT ME TO PUT IN
A DRUM SOLO?
339
00:11:21,948 --> 00:11:25,416
- I WAS WONDERING HOW YOU'D FEEL
ABOUT SOME ONE-ON-ONE TUTORING?
340
00:11:25,418 --> 00:11:27,452
SORT OF A MINI WRITING WORKSHOP.
341
00:11:27,454 --> 00:11:28,919
THERE'S SOMEBODY
I WANT YOU TO MEET.
342
00:11:28,921 --> 00:11:30,088
SHE SHOULD BE HERE ANY--
343
00:11:30,090 --> 00:11:33,357
- HI, YOU WANTED ME
TO HELP...SOMEBODY.
344
00:11:33,359 --> 00:11:35,927
- DO YOU TWO KNOW EACH OTHER?
345
00:11:35,929 --> 00:11:37,462
- I SHOULD HAVE SAID,
346
00:11:37,464 --> 00:11:39,163
"I DON'T NEED TUTORING
TO WRITE LIKE HER,
347
00:11:39,165 --> 00:11:40,698
JUST SOME BIG CRAYONS."
348
00:11:40,700 --> 00:11:41,766
- TOUGH DAY.
349
00:11:41,768 --> 00:11:43,635
- I'M NOT LETTING IT GET TO ME.
350
00:11:43,637 --> 00:11:44,903
- YEAH, I CAN SEE THAT.
351
00:11:44,905 --> 00:11:46,204
- LOOK, EVERYONE.
352
00:11:46,206 --> 00:11:48,740
I WROTE ANOTHER POEM
WHILE I WAS EATING MY FRIES.
353
00:11:48,742 --> 00:11:51,443
- HEY.
- MY TURN TO READ.
354
00:11:51,445 --> 00:11:54,779
"THE GREASY FRY,
IT CANNOT LIE.
355
00:11:54,781 --> 00:11:58,382
ITS TRUTH IS WRITTEN
ON YOUR THIGH."
356
00:11:58,384 --> 00:11:59,483
- WOW.
357
00:11:59,485 --> 00:12:01,385
QUINN, THAT'S AMAZING.
358
00:12:01,387 --> 00:12:02,419
- BEAUTIFUL.
359
00:12:02,421 --> 00:12:03,455
- GENIUS.
360
00:12:03,457 --> 00:12:04,622
- I KNOW.
361
00:12:04,624 --> 00:12:05,689
- HOLD IT.
362
00:12:05,691 --> 00:12:08,626
I THINK I FEEL A POEM
COMING ON.
363
00:12:08,628 --> 00:12:09,660
[belches]
364
00:12:09,662 --> 00:12:12,097
SORRY, FALSE ALARM.
365
00:12:12,099 --> 00:12:14,832
- YEAH, I MIGHT DO WRITING
FOR A CAREER.
366
00:12:14,834 --> 00:12:16,801
IT'S NOT, LIKE, REAL WORK
OR ANYTHING.
367
00:12:16,803 --> 00:12:17,835
- REALLY.
368
00:12:17,837 --> 00:12:18,936
[chuckles]
369
00:12:18,938 --> 00:12:21,539
I MEAN, HOW HARD IS IT
TO TYPE STUFF?
370
00:12:21,541 --> 00:12:23,341
- AND THERE ARE LOTS
OF OPPORTUNITIES.
371
00:12:23,343 --> 00:12:25,944
LIKE, DID YOU KNOW
THEY PAY MONEY FOR THOSE POEMS
372
00:12:25,946 --> 00:12:27,212
INSIDE GREETING CARDS?
373
00:12:27,214 --> 00:12:28,446
- OH, NO.
374
00:12:28,448 --> 00:12:31,382
I'VE BEEN GIVING MY POEMS AWAY
FOR FREE.
375
00:12:31,384 --> 00:12:33,450
- DO ME A FAVOR, WILL YOU?
376
00:12:33,452 --> 00:12:34,518
- YEAH?
377
00:12:34,520 --> 00:12:35,887
- CLOSE MY LOCKER.
378
00:12:35,889 --> 00:12:37,856
[percussive new age music]
379
00:12:37,858 --> 00:12:39,891
- DID A MIME CRAWL IN HERE
AND DIE?
380
00:12:39,893 --> 00:12:41,792
- I'M PUTTING TOGETHER
AN OUTFIT.
381
00:12:41,794 --> 00:12:44,629
FOR YOUR INFORMATION,
THIS IS HOW DEEP PEOPLE DRESS.
382
00:12:44,631 --> 00:12:46,865
- YEAH, DEEPLY AFFECTED PEOPLE.
383
00:12:46,867 --> 00:12:48,166
- THANK YOU.
384
00:12:48,168 --> 00:12:50,468
BY THE WAY, DO YOU KNOW
WHAT "EXISTENTIAL" MEANS?
385
00:12:50,470 --> 00:12:52,971
BECAUSE TODAY SOMEONE TOLD ME
MY WRITING WAS EXISTENTIAL,
386
00:12:52,973 --> 00:12:54,372
SO I THOUGHT
I SHOULD COORDINATE,
387
00:12:54,374 --> 00:12:55,573
YOU KNOW, WITH WARDROBE.
388
00:12:55,575 --> 00:12:57,775
- YEAH, THAT'S WHAT CAMUS
WOULD HAVE DONE.
389
00:12:57,777 --> 00:12:59,377
FOR YOUR PURPOSES,
390
00:12:59,379 --> 00:13:02,246
"EXISTENTIAL" MEANS
PSEUDO INTELLECTUAL POSEUR
391
00:13:02,248 --> 00:13:03,982
WITH ACCESSORIES
FROM THE STREET FAIR.
392
00:13:03,984 --> 00:13:05,416
- LISTEN, I'M STILL AVAILABLE
393
00:13:05,418 --> 00:13:06,851
IF YOU WANT HELP
WITH YOUR WRITING.
394
00:13:06,853 --> 00:13:08,253
DOES THIS BLACK MATCH?
395
00:13:08,255 --> 00:13:09,987
- MATCHES MY MOOD.
396
00:13:19,332 --> 00:13:20,498
- COULD A RENEGADE SURGEON
397
00:13:20,500 --> 00:13:22,967
TRANSPLANT YOUR BRAIN
WHILE YOU SLEEP?
398
00:13:22,969 --> 00:13:26,137
THE FRIGHTENING TRUTH NEXT
ON SICK, SAD WORLD.
399
00:13:26,139 --> 00:13:28,873
- IS SOMETHING BOTHERING YOU,
DARIA?
400
00:13:28,875 --> 00:13:30,374
- [muffled] NO.
401
00:13:30,376 --> 00:13:33,077
- YOU KNOW, IT'S ALL RIGHT TO
HAVE A HEART-TO-HEART WITH DAD.
402
00:13:33,079 --> 00:13:34,712
[laughs] I'VE BEEN KNOWN
403
00:13:34,714 --> 00:13:37,214
TO DO A BIT OF THE OLD PARENTING
IN MY TIME.
404
00:13:37,216 --> 00:13:38,316
- IT'S OKAY.
405
00:13:38,318 --> 00:13:39,684
- WHAT'S ON YOUR MIND?
406
00:13:39,686 --> 00:13:42,086
I'M UP ON THE ISSUES:
DRUGS, PEER PRESSURE.
407
00:13:42,088 --> 00:13:44,388
IS IT A PROBLEM WITH YOUR GANG?
408
00:13:44,390 --> 00:13:46,491
- IT'S MORE OF A PERSONAL ISSUE.
409
00:13:46,493 --> 00:13:48,993
- IT'S NOT HYGIENE OR ANYTHING?
410
00:13:48,995 --> 00:13:52,396
- DAD, LET'S SAY YOU HAVE
AN IDENTITY YOU DON'T EVEN LIKE.
411
00:13:52,398 --> 00:13:53,998
- OH, SURE.
412
00:13:54,000 --> 00:13:55,600
LIKE, ONE DAY YOU WAKE UP
MIDDLE-AGED
413
00:13:55,602 --> 00:13:56,968
AND RESENTING
THE HELL OUT OF IT.
414
00:13:56,970 --> 00:13:58,903
- UM, OKAY.
415
00:13:58,905 --> 00:14:01,238
BUT EVEN THOUGH YOU DON'T LIKE
THIS IDENTITY,
416
00:14:01,240 --> 00:14:03,875
SOMEBODY SUDDENLY COMES ALONG
AND STEALS IT FROM YOU.
417
00:14:03,877 --> 00:14:05,242
- AND YOU'RE UPSET.
418
00:14:05,244 --> 00:14:07,212
YOU'VE EARNED THAT RESENTMENT.
IT'S YOUR RIGHT.
419
00:14:07,214 --> 00:14:11,148
- WELL, IT'S MORE LIKE
YOU DIDN'T WANT THIS IDENTITY,
420
00:14:11,150 --> 00:14:13,251
BUT IF THEY TAKE IT AWAY,
YOU'VE GOT NOTHING.
421
00:14:13,253 --> 00:14:14,519
WHAT DO YOU DO?
422
00:14:14,521 --> 00:14:16,220
- THEY TOOK YOUR IDENTITY,
DARIA?
423
00:14:16,222 --> 00:14:18,723
THEN YOU WALK AWAY.
YOU CHANGE YOUR NAME.
424
00:14:18,725 --> 00:14:20,324
MOVE TO ANOTHER STATE.
GET SOME I.D.
425
00:14:20,326 --> 00:14:22,192
IT'S NOT TOO LATE
TO START OVER, DARIA.
426
00:14:22,194 --> 00:14:24,261
IT'S NOT TOO LATE!
YOU'RE STILL A YOUNG MAN.
427
00:14:24,263 --> 00:14:25,930
YOU DON'T HAVE TO LIVE
WITH YOUR MISTAKES.
428
00:14:25,932 --> 00:14:27,231
GET OUT WHILE YOU CAN!
429
00:14:27,233 --> 00:14:30,100
- UM, YOU'RE NOT GONNA
SHAKE ME, ARE YOU?
430
00:14:30,102 --> 00:14:32,603
- WHAT I MEANT WAS,
YOU HANG IN THERE,
431
00:14:32,605 --> 00:14:34,038
AND EVERYTHING'S GONNA WORK OUT.
432
00:14:34,040 --> 00:14:35,239
- YOU KNOW, DAD?
433
00:14:35,241 --> 00:14:36,707
TALKING TO YOU
HAS ACTUALLY MADE ME
434
00:14:36,709 --> 00:14:38,276
FEEL BETTER ABOUT MYSELF.
435
00:14:38,278 --> 00:14:40,845
- THAT'S WHAT I'M HERE FOR,
KIDDO.
436
00:14:40,847 --> 00:14:42,479
BACKUP SINGER, HA.
437
00:14:44,984 --> 00:14:47,785
- YEAH, I JUST FOUND OUT
POEMS DON'T EVEN HAVE TO RHYME.
438
00:14:47,787 --> 00:14:49,253
HOW EASY IS THAT?
439
00:14:49,255 --> 00:14:50,321
- WHOA.
- WOW.
440
00:14:50,323 --> 00:14:52,456
- THAT'S CRAZY.
- THAT'S GREAT.
441
00:14:52,458 --> 00:14:53,524
- SHE'S SO SMART.
442
00:14:53,526 --> 00:14:56,160
[suspenseful music]
443
00:14:56,162 --> 00:14:57,761
- THERE'S A PROBLEM, QUINN.
444
00:14:57,763 --> 00:14:58,829
WE NEED TO TALK.
445
00:14:58,831 --> 00:15:00,297
- WHAT PROBLEM?
446
00:15:00,299 --> 00:15:03,835
- IT SEEMS THAT OTHER GIRLS ARE
FOLLOWING YOUR WEIRDO EXAMPLE
447
00:15:03,837 --> 00:15:06,137
AND ABANDONING
THEIR FASHION STATEMENTS
448
00:15:06,139 --> 00:15:07,472
TO WEAR ALL BLACK.
449
00:15:07,474 --> 00:15:10,374
- DRESSING IN BLACK
IS A FASHION STATEMENT.
450
00:15:10,376 --> 00:15:13,077
IT'S DEEP.
IT'S MEANINGFUL.
451
00:15:13,079 --> 00:15:15,079
AND IT'S SLENDERIZING.
452
00:15:15,081 --> 00:15:16,681
- NOT ACCORDING TO THIS.
453
00:15:16,683 --> 00:15:20,585
EVERYONE KNOWS THAT EGGPLANT
IS THE CURRENT NEUTRAL.
454
00:15:20,587 --> 00:15:23,721
- WELL, I CAN'T HELP IT
IF I HAVE INFLUENCE AROUND HERE.
455
00:15:23,723 --> 00:15:25,924
PEOPLE ADMIRE ME FOR MY BRAINS.
456
00:15:25,926 --> 00:15:28,726
- THAT'S NOT HOW
THE FASHION CLUB WORKS.
457
00:15:28,728 --> 00:15:32,162
YOU'RE OFFICIALLY ORDERED
TO TAKE A FASHION SABBATICAL
458
00:15:32,164 --> 00:15:34,599
UNTIL YOU GET
YOUR PRIORITIES STRAIGHT.
459
00:15:39,772 --> 00:15:41,505
I'M CONCERNED ABOUT QUINN.
460
00:15:41,507 --> 00:15:43,140
WE NEED SOMEONE CLOSE TO HER
461
00:15:43,142 --> 00:15:45,742
TO MAKE HER SEE
THE ERROR OF HER WAYS.
462
00:15:45,744 --> 00:15:47,478
- BUT WHO?
463
00:15:47,480 --> 00:15:49,080
- I HAVE A PLAN.
464
00:15:49,082 --> 00:15:50,948
WE'LL TALK TO THAT GIRL
SHE KNOWS.
465
00:15:50,950 --> 00:15:52,516
- YOU'RE SO SMART, SANDI.
466
00:15:52,518 --> 00:15:53,784
- AND YOU'LL NOTICE
467
00:15:53,786 --> 00:15:56,453
I DON'T MAKE, LIKE,
A BIG THING ABOUT IT.
468
00:15:56,455 --> 00:15:58,990
- BUT THAT GIRL IS SO WEIRD.
469
00:15:58,992 --> 00:16:00,558
SHE FREAKS ME OUT.
470
00:16:00,560 --> 00:16:03,494
- THAT'S WHY I'M PRESIDENT
OF THE FASHION CLUB.
471
00:16:03,496 --> 00:16:08,066
I'LL HANDLE HER.
472
00:16:08,068 --> 00:16:10,401
UH, UM, UH.
473
00:16:10,403 --> 00:16:13,471
ER.
474
00:16:13,473 --> 00:16:15,473
- WHAT DO YOU THINK
THAT WAS ABOUT?
475
00:16:15,475 --> 00:16:17,741
- I SUPPOSE WE'LL NEVER KNOW.
476
00:16:17,743 --> 00:16:19,743
- JANE, LOOK CAREFULLY.
477
00:16:19,745 --> 00:16:21,179
HAVE I GROWN ANOTHER HEAD?
478
00:16:21,181 --> 00:16:22,313
- HMM.
479
00:16:22,315 --> 00:16:23,648
NO, JUST THE TWO.
480
00:16:23,650 --> 00:16:26,583
- SEE YOU.
481
00:16:26,585 --> 00:16:27,618
- WHAT'S WRONG WITH HER?
482
00:16:27,620 --> 00:16:28,786
- NOTHING.
483
00:16:28,788 --> 00:16:31,322
- ANYTHING A LITTLE BRAINPOWER
COULD FIX?
484
00:16:31,324 --> 00:16:33,757
- I THINK SHE'S HAD ABOUT
HER FILL OF THAT.
485
00:16:33,759 --> 00:16:35,492
- CAN I ASK YOU SOMETHING?
486
00:16:35,494 --> 00:16:37,594
- I GUESS.
WHAT?
487
00:16:37,596 --> 00:16:39,263
- YOU DON'T THINK I'M A BRAIN,
DO YOU?
488
00:16:39,265 --> 00:16:41,265
- THE THOUGHT
NEVER CROSSED MY MIND.
489
00:16:41,267 --> 00:16:42,700
- MINE EITHER.
490
00:16:42,702 --> 00:16:44,935
I MEAN, I REALLY LIKE THE WAY
THIS IS GETTING TO DARIA,
491
00:16:44,937 --> 00:16:46,871
BUT I'M STARTING TO FEEL
LIKE A PHONY.
492
00:16:46,873 --> 00:16:48,906
- YOU'RE STARTING TO FEEL
LIKE A PHONY?
493
00:16:48,908 --> 00:16:50,207
- SO I WROTE A STUPID ESSAY.
494
00:16:50,209 --> 00:16:52,944
WHAT'S EVERYONE MAKING
SUCH A BIG DEAL ABOUT?
495
00:16:52,946 --> 00:16:55,879
- WELL, YOU KNOW, CONDITION
PEOPLE TO EXPECT NOTHING,
496
00:16:55,881 --> 00:16:58,416
AND THE LEAST LITTLE SOMETHING
GETS THEM ALL EXCITED.
497
00:16:58,418 --> 00:16:59,450
ASK PAVLOV.
498
00:16:59,452 --> 00:17:00,985
- THE CUSTODIAN?
499
00:17:00,987 --> 00:17:03,454
- WHOA.
NEVER MIND.
500
00:17:03,456 --> 00:17:05,389
RETURN TO YOUR WORLD,
AND I'LL RETURN TO MINE.
501
00:17:08,361 --> 00:17:09,793
- HMM.
502
00:17:09,795 --> 00:17:11,929
BY THE WAY, ANYTHING
EATING AWAY AT YOUR SOUL?
503
00:17:11,931 --> 00:17:13,730
- HER WRITING IS BAD.
504
00:17:13,732 --> 00:17:15,900
DON'T PEOPLE KNOW THE DIFFERENCE
BETWEEN GOOD AND BAD?
505
00:17:15,902 --> 00:17:17,068
- SHE'S CUTE.
506
00:17:17,070 --> 00:17:19,003
THERE ARE DIFFERENT STANDARDS
FOR CUTE PEOPLE.
507
00:17:19,005 --> 00:17:21,638
- YOU MEAN, NO STANDARDS.
- RIGHT.
508
00:17:21,640 --> 00:17:23,807
- ISN'T THERE ANY TIME
WHEN HOW YOU LOOK
509
00:17:23,809 --> 00:17:25,543
DOESN'T AFFECT
HOW YOU'RE JUDGED?
510
00:17:25,545 --> 00:17:28,179
- WHEN YOU DONATE AN ORGAN,
UNLESS IT'S YOUR EYES.
511
00:17:28,181 --> 00:17:29,981
LISTEN, IT'S NO BIG DEAL.
512
00:17:29,983 --> 00:17:31,549
- THE THING IS,
IF SHE'S A BRAIN,
513
00:17:31,551 --> 00:17:32,583
WHAT DO I GET TO BE?
514
00:17:32,585 --> 00:17:33,917
- YOU'RE STILL A BRAIN.
515
00:17:33,919 --> 00:17:36,420
- YEAH, BUT SHE'S A BRAIN
WITH BOUNCY HAIR.
516
00:17:36,422 --> 00:17:37,654
I CAN'T COMPETE.
517
00:17:37,656 --> 00:17:41,024
- OKAY, THEN YOU GET TO BE
A SUPER BRAIN,
518
00:17:41,026 --> 00:17:43,394
AN EVEN BIGGER OUTCAST
THAN BEFORE.
519
00:17:43,396 --> 00:17:45,963
- I DON'T THINK I CAN SURVIVE
BEING A SUPER BRAIN.
520
00:17:45,965 --> 00:17:48,599
- THEN SHE'S GOT TO BE STOPPED.
521
00:17:48,601 --> 00:17:49,834
BUT HOW?
522
00:17:49,836 --> 00:17:51,836
- OH, I KNOW HOW.
523
00:17:51,838 --> 00:17:55,773
I JUST HAVEN'T BEEN ABLE TO
BRING MYSELF TO DO IT TILL NOW.
524
00:17:55,775 --> 00:17:58,309
[school bell rings]
525
00:17:58,311 --> 00:17:59,343
YES?
526
00:17:59,345 --> 00:18:03,114
[nervous clamoring]
527
00:18:03,116 --> 00:18:04,415
- WAIT.
528
00:18:04,417 --> 00:18:06,250
- NO, IT'S A MISTAKE.
WE THOUGHT, UH--
529
00:18:06,252 --> 00:18:07,551
- IF YOU SQUINTED HARD ENOUGH,
530
00:18:07,553 --> 00:18:09,720
MAYBE I'D LOOK LIKE
A DIFFERENT MORGENDORFFER?
531
00:18:09,722 --> 00:18:10,854
- UM...
532
00:18:10,856 --> 00:18:12,623
- LOOK, DO YOU REALLY WANT
QUINN BACK?
533
00:18:12,625 --> 00:18:14,791
- YES.
- A THOUSAND TIMES, YES.
534
00:18:14,793 --> 00:18:17,427
- BRING HER BACK.
YOU GOT TO BRING HER BACK.
535
00:18:17,429 --> 00:18:19,263
- [sighs]
DO EXACTLY WHAT I SAY,
536
00:18:19,265 --> 00:18:21,299
AND I'LL DELIVER THE GOODS.
537
00:18:21,301 --> 00:18:24,302
[techno music]
538
00:18:24,304 --> 00:18:32,243
♪ ♪
539
00:18:56,602 --> 00:18:58,669
HI, COULD YOU GET ME A SODA?
540
00:18:58,671 --> 00:19:00,404
[doorbell rings]
541
00:19:00,406 --> 00:19:01,939
[door creaks open]
- HEY, DUDES.
542
00:19:01,941 --> 00:19:03,040
- WHAT'S UP?
543
00:19:03,042 --> 00:19:04,174
- QUINN!
544
00:19:04,176 --> 00:19:06,143
YOUR DATES ARE HERE.
545
00:19:06,145 --> 00:19:08,379
- ACTUALLY WE'RE HERE
TO ASK DARIA OUT.
546
00:19:08,381 --> 00:19:09,413
- HUH?
547
00:19:09,415 --> 00:19:11,181
- YOU KNOW,
YOUR OTHER DAUGHTER.
548
00:19:11,183 --> 00:19:12,416
- BY THE WAY, HOW'S QUINN?
549
00:19:12,418 --> 00:19:13,550
- SHUT UP, JAMIE.
550
00:19:13,552 --> 00:19:14,652
- HI, QUINN.
551
00:19:14,654 --> 00:19:15,720
- HI, DARIA.
552
00:19:15,722 --> 00:19:18,489
- WELL, I'M OFF FOR MY DATES.
553
00:19:18,491 --> 00:19:21,192
ONE, TWO--
554
00:19:21,194 --> 00:19:23,360
- UH, WAIT!
555
00:19:23,362 --> 00:19:25,329
YOU WIN, ALL RIGHT?
556
00:19:25,331 --> 00:19:28,833
♪ ♪
557
00:19:28,835 --> 00:19:30,367
YEAH, I DIDN'T EVEN WRITE
THE ESSAY.
558
00:19:30,369 --> 00:19:32,669
I FOUND IT IN THE GARBAGE
AND HANDED IT IN.
559
00:19:32,671 --> 00:19:35,139
AND THEN THE WHOLE THING
WAS LIKE A RUNAWAY TRAIN.
560
00:19:35,141 --> 00:19:37,474
- WELL, THAT STILL DOESN'T
EXPLAIN THE BLACK CLOTHES,
561
00:19:37,476 --> 00:19:39,610
BUT I GUESS I CAN LET IT SLIDE.
562
00:19:39,612 --> 00:19:40,711
- DON'T WORRY.
563
00:19:40,713 --> 00:19:42,213
I'M THROUGH BEING
AN INTELLECTUAL.
564
00:19:42,215 --> 00:19:43,380
I'M TOO WELL-ADJUSTED.
565
00:19:43,382 --> 00:19:47,084
- MESSING WITH THE MIND
CAN BE SO DANGEROUS.
566
00:19:47,086 --> 00:19:49,353
- TELL ME ABOUT IT.
567
00:19:49,355 --> 00:19:50,921
- I GUESS THINGS
ARE BACK TO NORMAL.
568
00:19:50,923 --> 00:19:52,522
- FASHION, GOOD.
569
00:19:52,524 --> 00:19:54,258
THINKING, BAD.
570
00:19:54,260 --> 00:19:56,694
- YEAH, WE WIN.
571
00:19:56,696 --> 00:19:59,030
- I'M ON TOP OF THE WORLD.
572
00:19:59,032 --> 00:20:01,365
- ♪ LA-LA, LA, LA-LA ♪
573
00:20:01,367 --> 00:20:04,368
Captioning by CaptionMax
www.captionmax.com
574
00:20:04,370 --> 00:20:07,371
[rock music]
575
00:20:07,373 --> 00:20:13,877
♪ ♪
576
00:20:13,879 --> 00:20:15,646
♪ LA-LA-LA ♪
577
00:20:15,648 --> 00:20:18,749
♪ ♪
578
00:20:18,751 --> 00:20:20,518
♪ LA-LA-LA ♪
579
00:20:20,520 --> 00:20:23,321
♪ ♪
580
00:20:23,323 --> 00:20:25,323
♪ LA-LA-LA ♪
581
00:20:25,325 --> 00:20:34,965
♪ ♪
582
00:20:34,967 --> 00:20:37,134
♪ LA-LA, LA, LA-LA ♪
583
00:20:37,136 --> 00:20:39,570
♪ ♪
584
00:20:39,572 --> 00:20:41,339
♪ LA-LA, LA, LA-LA ♪