1
00:00:02,036 --> 00:00:03,202
- ♪ LA-LA, LA, LA-LA ♪
2
00:00:03,204 --> 00:00:05,537
♪ THIS IS MY STOP ♪
3
00:00:05,539 --> 00:00:08,073
♪ GOT TO GET OFF ♪
4
00:00:08,075 --> 00:00:10,175
♪ I MAY GO POP ♪
5
00:00:10,177 --> 00:00:12,344
EXCUSE ME.
6
00:00:12,346 --> 00:00:13,345
EXCUSE ME.
7
00:00:13,347 --> 00:00:15,247
[whistle blows]
8
00:00:15,249 --> 00:00:18,450
♪ I'VE GOT TO BE DIRECT ♪
9
00:00:18,452 --> 00:00:19,551
♪ LA, LA, LA ♪
10
00:00:19,553 --> 00:00:22,887
♪ IF I'M WRONG, PLEASE CORRECT ♪
11
00:00:22,889 --> 00:00:24,623
♪ LA, LA, LA ♪
12
00:00:24,625 --> 00:00:27,959
♪ YOU'RE STANDING ON MY NECK ♪
13
00:00:27,961 --> 00:00:29,228
♪ LA, LA, LA ♪
14
00:00:29,230 --> 00:00:32,797
♪ YOU'RE STANDING ON MY NECK ♪
15
00:00:32,799 --> 00:00:34,233
♪ LA, LA, LA ♪
16
00:00:34,235 --> 00:00:39,170
♪ YOU'RE STANDING ON MY NECK ♪
17
00:00:39,172 --> 00:00:41,907
♪ LA-LA, LA, LA-LA ♪
18
00:00:41,909 --> 00:00:43,842
♪ LA-LA, LA, LA-LA ♪
19
00:00:43,844 --> 00:00:46,478
♪ LA-LA, LA, LA-LA ♪
20
00:00:52,552 --> 00:00:53,986
- [blowing]
21
00:00:53,988 --> 00:00:56,889
- HEY, YOU'RE RUINING
MY BIRTHDAY CAKE.
22
00:00:56,891 --> 00:00:57,956
[baby gurgles]
23
00:00:57,958 --> 00:00:59,290
IF ONLY THAT WERE
ALL SHE RUINED.
24
00:00:59,292 --> 00:01:00,425
MAKE HER STOP.
25
00:01:00,427 --> 00:01:03,094
- OH, DARIA,
SHE'S JUST A BABY.
26
00:01:03,096 --> 00:01:04,829
SHE WANTS TO PLAY TOO.
27
00:01:04,831 --> 00:01:06,297
- I'M SUCH A CUTE BABY.
28
00:01:06,299 --> 00:01:08,633
- WHY CAN'T I BE AN ONLY CHILD?
29
00:01:08,635 --> 00:01:10,502
YEAH, WHY CAN'T I?
30
00:01:10,504 --> 00:01:12,871
- [cooing and gurgling]
31
00:01:12,873 --> 00:01:14,640
- ISN'T IT GREAT TO SIT HERE
32
00:01:14,642 --> 00:01:17,142
AND SEE YOUR WHOLE LIFE
UNFOLD BEFORE YOUR EYES?
33
00:01:17,144 --> 00:01:19,377
- IT'S ALMOST
AS GOOD AS DROWNING.
34
00:01:19,379 --> 00:01:20,979
- GIRLS, GUESS WHAT.
35
00:01:20,981 --> 00:01:22,680
I FOUND A BOX OF OLD HOME MOVIES
36
00:01:22,682 --> 00:01:24,149
MY DAD TOOK OF ME
WHEN I WAS A KID.
37
00:01:24,151 --> 00:01:26,685
I'M HAVING THEM
TRANSFERRED TO VIDEOTAPE.
38
00:01:26,687 --> 00:01:29,454
- I WONDER HOW COME I NEVER
WENT THROUGH AN AWKWARD PHASE.
39
00:01:29,456 --> 00:01:30,588
[car whooshing]
40
00:01:30,590 --> 00:01:31,689
- THANKS.
41
00:01:31,691 --> 00:01:33,859
- HE WANTED YOU
TO WATCH HER BIRTH?
42
00:01:33,861 --> 00:01:35,693
THAT COULD SCAR YOU FOR LIFE.
43
00:01:35,695 --> 00:01:37,262
- THE BIRTH ITSELF DID THAT.
44
00:01:37,264 --> 00:01:40,298
- SPEAKING
OF PERMANENT DAMAGE...
45
00:01:40,300 --> 00:01:42,600
- I DON'T SEE ANY VEGETABLES.
46
00:01:42,602 --> 00:01:44,036
- YOU SHOULD HAVE MY VIEW.
47
00:01:44,038 --> 00:01:45,270
- WHY VEGETABLES?
48
00:01:45,272 --> 00:01:47,939
- TO THROW AT THE SCREEN
DURING THE BIG FOOD FIGHT.
49
00:01:47,941 --> 00:01:49,107
- WHAT FOOD FIGHT?
50
00:01:49,109 --> 00:01:51,343
- DARIA, ARE YOU THICK
OR SOMETHING?
51
00:01:51,345 --> 00:01:53,411
THIS IS THE FOOD
IN FILM FESTIVAL.
52
00:01:53,413 --> 00:01:55,480
- DIDN'T YOU SEE
THE ROCKY HORROR PICTURE SHOW
53
00:01:55,482 --> 00:01:56,715
HERE LAST MONTH?
54
00:01:56,717 --> 00:01:59,184
KEVIN AND I
WORE EACH OTHER'S UNDERWEAR.
55
00:01:59,186 --> 00:02:00,518
- AGAIN?
56
00:02:00,520 --> 00:02:01,853
- SORRY TO DISAPPOINT YOU,
57
00:02:01,855 --> 00:02:03,856
BUT I DON'T THINK THIS IS
AN INTERACTIVE EVENT.
58
00:02:03,858 --> 00:02:06,558
TONIGHT THEY'RE SHOWING
ANDRE SAKHARINSKY'S LAST MEAL.
59
00:02:06,560 --> 00:02:08,426
- A RUSSIAN ART FILM
FROM THE 1930s.
60
00:02:08,428 --> 00:02:09,994
- RUSSIAN?
61
00:02:09,996 --> 00:02:13,365
both: SUBTITLES.
62
00:02:16,970 --> 00:02:19,837
[mingled conversation]
63
00:02:19,839 --> 00:02:21,439
- I'M HUNGRY.
64
00:02:21,441 --> 00:02:23,709
YOU DIDN'T HAPPEN TO SAVE ANY
OF KEVIN'S PRODUCE, DID YOU?
65
00:02:23,711 --> 00:02:26,478
- DARIA?
- UH-OH.
66
00:02:26,480 --> 00:02:29,014
WE'RE ABOUT TO BE SEEN
WITH A TEACHER.
67
00:02:29,016 --> 00:02:30,282
HI, MR. O'NEILL.
68
00:02:30,284 --> 00:02:31,517
- HI, GIRLS.
69
00:02:31,519 --> 00:02:33,952
I'M JUST SO INVIGORATED.
70
00:02:33,954 --> 00:02:35,220
GREAT CINEMA IS TIMELESS.
71
00:02:35,222 --> 00:02:37,122
COULDN'T THAT MOVIE
BE MADE TODAY?
72
00:02:37,124 --> 00:02:40,526
- I GUESS, IF YOU COULD FIND
SOMEONE TO EXHUME THE ACTORS.
73
00:02:40,528 --> 00:02:42,394
- CAN I GIVE YOU TWO
A LIFT HOME?
74
00:02:42,396 --> 00:02:44,396
- NO, THAT'S OKAY.
WE LOVE TO WALK.
75
00:02:44,398 --> 00:02:46,765
- YEAH, IT'S A PERFECT NIGHT
FOR A NICE LONG STROLL.
76
00:02:46,767 --> 00:02:48,534
[thunder crashes]
[startled yells]
77
00:02:48,536 --> 00:02:51,870
- LET'S GET OUT OF HERE.
78
00:02:51,872 --> 00:02:53,438
- DON'T YOU WANT TO SIT
IN FRONT, DARIA?
79
00:02:53,440 --> 00:02:55,406
- I'D LOVE TO, BUT, UH,
80
00:02:55,408 --> 00:02:58,577
YOU KNOW, I'M AFRAID
OF AN AIR BAG INJURY.
81
00:02:58,579 --> 00:03:00,078
- OH, MY GOSH, I'M SO SORRY.
WHAT WAS I THINKING?
82
00:03:00,080 --> 00:03:02,414
OF COURSE,
YOU MUST SIT IN THE BACK.
83
00:03:02,416 --> 00:03:04,182
SOMETIMES I THINK FILM
84
00:03:04,184 --> 00:03:06,885
IS EVEN MORE A MIRROR
OF OUR TIMES THAN THE NOVEL.
85
00:03:06,887 --> 00:03:10,255
DO YOU THINK THAT'S BECAUSE
OF ITS GREATER VERISIMILITUDE?
86
00:03:10,257 --> 00:03:11,423
JANE?
87
00:03:11,425 --> 00:03:13,191
- I CAN'T REALLY
HEAR YOU BACK HERE.
88
00:03:13,193 --> 00:03:14,426
ROAD NOISE.
89
00:03:14,428 --> 00:03:16,928
PLUS, I DON'T KNOW WHAT
VERISA MILITUDE MEANS.
90
00:03:16,930 --> 00:03:19,097
- WHAT ABOUT YOU, DARIA?
91
00:03:19,099 --> 00:03:20,364
- LET'S FACE IT.
92
00:03:20,366 --> 00:03:23,001
MOST PEOPLE WOULD RATHER
WATCH A MOVIE THAN READ A BOOK.
93
00:03:23,003 --> 00:03:24,802
IT'S FAST, IT'S EASY,
AND YOU DON'T HAVE TO WORRY
94
00:03:24,804 --> 00:03:26,004
ABOUT YOUR LIPS MOVING.
95
00:03:26,006 --> 00:03:30,208
- THAT IS A FABULOUS CLASS
ASSIGNMENT, DARIA.
96
00:03:30,210 --> 00:03:32,110
THANK YOU FOR THE SUGGESTION.
97
00:03:32,112 --> 00:03:34,746
- UM, DID I MAKE A SUGGESTION?
98
00:03:34,748 --> 00:03:37,783
BECAUSE IF SO,
I'D LIKE TO WITHDRAW IT.
99
00:03:37,785 --> 00:03:38,950
[bell rings]
100
00:03:38,952 --> 00:03:42,320
- SO AS AN EXERCISE
IN LIVING LITERATURE,
101
00:03:42,322 --> 00:03:44,188
YOU'LL ALL BE MAKING
YOUR OWN MOVIES.
102
00:03:44,190 --> 00:03:46,458
WE HAVE DARIA TO THANK
FOR THIS EXCITING SUGGESTION.
103
00:03:46,460 --> 00:03:48,193
- THERE'S THAT WORD AGAIN.
104
00:03:48,195 --> 00:03:50,629
- NOW, BEFORE WE SPLIT
INTO MOVIE-MAKING TEAMS,
105
00:03:50,631 --> 00:03:51,663
WHO'D LIKE TO DIRECT?
106
00:03:51,665 --> 00:03:53,397
- I WOULD.
- ME, ME, ME.
107
00:03:53,399 --> 00:03:54,933
- LET ME. LET ME. LET ME.
- I WILL DO IT.
108
00:03:54,935 --> 00:03:57,802
- REMEMBER,
THIS IS A PRECIOUS, PRECISE,
109
00:03:57,804 --> 00:04:00,138
AND VERY,
VERY COSTLY INSTRUMENT.
110
00:04:00,140 --> 00:04:02,807
IT'S NOT THE SORT OF THING
ONE ORDINARILY LENDS A TEENAGER.
111
00:04:02,809 --> 00:04:04,342
- WE'LL BE CAREFUL.
112
00:04:04,344 --> 00:04:06,611
- I EXPLAINED TO YOU
ABOUT THE THREE FOCUS MODES,
113
00:04:06,613 --> 00:04:09,214
THE DEPTH OF FIELD OVERRIDE,
AND THE AUTO SLEEP FEATURE.
114
00:04:09,216 --> 00:04:11,383
- I'M ABOUT TO GO
INTO AUTO SLEEP MYSELF.
115
00:04:11,385 --> 00:04:15,120
- OKAY, DARIA,
JUST TRY NOT TO USE IT TOO MUCH.
116
00:04:15,956 --> 00:04:18,189
- THERE.
TREE CAM.
117
00:04:18,191 --> 00:04:19,858
- YOU'RE JUST GONNA
LEAVE IT RUNNING?
118
00:04:19,860 --> 00:04:21,326
- ONLY A DAY OR TWO.
119
00:04:21,328 --> 00:04:23,762
IT'LL CATCH EVERYONE
PASSING BY THROUGH THE TREE'S
120
00:04:23,764 --> 00:04:26,465
TOTALLY OBJECTIVE POINT OF VIEW.
121
00:04:27,701 --> 00:04:29,000
- RIVETING.
122
00:04:29,002 --> 00:04:31,936
- ANDY WARHOL FILMED
EIGHT HOURS OF A GUY SLEEPING,
123
00:04:31,938 --> 00:04:33,472
AND PEOPLE THOUGHT
IT WAS BRILLIANT.
124
00:04:33,474 --> 00:04:34,806
- THOSE PEOPLE CHANGED
THEIR MINDS
125
00:04:34,808 --> 00:04:36,341
AFTER THEY GOT
INTO 12-STEP PROGRAMS.
126
00:04:36,343 --> 00:04:37,442
- WAIT.
127
00:04:37,444 --> 00:04:41,213
I THINK I JUST SAW
SOME LEAVES RUSTLE.
128
00:04:41,215 --> 00:04:42,780
- THERE'S OUR CLIMAX.
129
00:04:42,782 --> 00:04:45,350
- MAYBE WE NEED A SCRIPT.
130
00:04:45,352 --> 00:04:47,752
- AND THEN YOU
OPEN THE WINDOW AND SAY,
131
00:04:47,754 --> 00:04:50,421
"LIFE IS A MEANINGLESS DECENT
INTO THE VOID."
132
00:04:50,423 --> 00:04:52,991
THEN YOU JUMP,
AND ON THE WAY DOWN, YOU SCREAM,
133
00:04:52,993 --> 00:04:55,027
"NOW I UNDERSTAND.
I UNDERSTAND EVERYTHING."
134
00:04:55,029 --> 00:04:56,628
- CAN YOU GET RID
OF THE WINDOW PART
135
00:04:56,630 --> 00:04:57,862
AND GIVE ME
SOMETHING FUNNY TO SAY?
136
00:04:57,864 --> 00:04:59,264
AND A POODLE.
137
00:04:59,266 --> 00:05:02,099
I'D REALLY LIKE A SCENE
WHERE I'M WALKING A POODLE.
138
00:05:02,101 --> 00:05:04,168
- ACTORS.
139
00:05:04,170 --> 00:05:06,604
IS THERE NO WAY OUT?
140
00:05:06,606 --> 00:05:08,206
- NO EXIT, MY FRIEND.
141
00:05:08,208 --> 00:05:13,044
IT'S JUST US STUCK IN THIS ROOM
TOGETHER FOREVER AND EVER.
142
00:05:13,046 --> 00:05:15,380
- HELL, HELL IS OTHER PEOPLE.
143
00:05:15,382 --> 00:05:17,282
- [laughs]
144
00:05:17,284 --> 00:05:20,451
- ON SECOND THOUGHT,
HELL IS MYSELF.
145
00:05:20,453 --> 00:05:23,455
[mid-tempo dance music]
146
00:05:23,457 --> 00:05:25,056
♪ ♪
147
00:05:25,058 --> 00:05:27,859
- NO, BABE,
YOU'VE GOT TO RUN TO ME
148
00:05:27,861 --> 00:05:29,594
LIKE YOU HAVEN'T SEEN ME
IN YEARS.
149
00:05:29,596 --> 00:05:31,763
I'VE BEEN IN CHINA, REMEMBER?
150
00:05:31,765 --> 00:05:34,165
- I WAS TRYING TO DO IT
IN SLOW MOTION LIKE JODY SAID.
151
00:05:34,167 --> 00:05:37,468
- YOU ADD THE SLOW MOTION PART
AFTER, YOU IDIOT.
152
00:05:37,470 --> 00:05:38,503
DON'T YOU?
153
00:05:38,505 --> 00:05:40,572
- WHO CARES?
THIS SUCKS.
154
00:05:40,574 --> 00:05:43,674
I REALLY WANT TO DO A FILM
ABOUT THE SUPERMARKET STRIKE.
155
00:05:43,676 --> 00:05:45,343
- BUT I ALREADY PAID
FOR THIS GOWN.
156
00:05:45,345 --> 00:05:47,279
I CAN'T PLAY A CHECKOUT GIRL
IN THIS.
157
00:05:47,281 --> 00:05:49,781
- IT'S A DOCUMENTARY.
YOU DON'T NEED THE GOWN.
158
00:05:49,783 --> 00:05:53,084
- OH, NO.
I WON'T DO A NUDE SCENE.
159
00:05:53,086 --> 00:05:56,054
UNLESS YOU THINK IT'S CRUCIAL
TO MY CHARACTER.
160
00:05:58,759 --> 00:06:00,459
- WHAT ARE YOU DOING?
161
00:06:00,461 --> 00:06:02,060
- CAN I BORROW
SOMETHING TO WEAR
162
00:06:02,062 --> 00:06:03,628
TO THE FASHION CLUB
PARTY TONIGHT?
163
00:06:03,630 --> 00:06:05,196
- CHECK HER HEAD FOR BUMPS.
164
00:06:05,198 --> 00:06:06,698
- PLEASE, DARIA.
165
00:06:06,700 --> 00:06:09,134
IT'S THE FASHION DON'Ts
COSTUME GALA.
166
00:06:09,136 --> 00:06:12,537
- YOU KNOW, A FASHION DON'Ts
COSTUME PARTY
167
00:06:12,539 --> 00:06:14,539
COULD BE KIND OF CINEMATIC.
168
00:06:14,541 --> 00:06:17,542
- HMM.
YEAH, I'LL TELL YOU WHAT, QUINN.
169
00:06:17,544 --> 00:06:19,377
I'LL LEND YOU AN OUTFIT.
170
00:06:19,379 --> 00:06:22,047
BUT YOU HAVE TO LET ME VIDEOTAPE
YOU AND YOUR FRIENDS TONIGHT.
171
00:06:22,049 --> 00:06:23,815
- WHAT, LIKE, WITH A CAMERA?
172
00:06:23,817 --> 00:06:26,117
- YES, FOR A MOVIE FOR CLASS.
173
00:06:26,119 --> 00:06:29,087
- WHY WOULD I SAY NO TO THAT?
174
00:06:31,224 --> 00:06:33,625
- SHE'S STRANGELY MESMERIZING.
175
00:06:33,627 --> 00:06:36,961
- SUPERFICIAL, NARCISSISTIC,
SELF-ABSORBED:
176
00:06:36,963 --> 00:06:38,829
SHE'S GOT STAR QUALITY
ALL RIGHT.
177
00:06:38,831 --> 00:06:41,232
- I LOVE YOUR DON'T, SANDY.
178
00:06:41,234 --> 00:06:43,101
- BUT LOOK AT YOU, QUINN.
179
00:06:43,103 --> 00:06:46,905
BOXY TOP WITH TOO-LONG BOTTOM
AND THE WRONG SHOES?
180
00:06:46,907 --> 00:06:49,440
WHERE DID YOU EVER
COME UP WITH THAT?
181
00:06:49,442 --> 00:06:52,077
- QUINN, YOU'RE A GENIUS.
182
00:06:52,079 --> 00:06:53,644
- I'M LIKE AN ARTIST.
183
00:06:53,646 --> 00:06:56,047
AND THIS IS HOW
I EXPRESS MYSELF.
184
00:06:56,049 --> 00:06:59,350
both: OH, BAD COLOR.
185
00:06:59,352 --> 00:07:01,719
- SHE'S EVEN SCARIER ON TAPE.
186
00:07:01,721 --> 00:07:04,222
- THIS PARTY IS JUST
THE TIP OF THE ICEBERG.
187
00:07:04,224 --> 00:07:05,290
WE FOUND OUR SUBJECT.
188
00:07:05,292 --> 00:07:06,525
- YOU MEAN--
189
00:07:06,527 --> 00:07:09,694
- A DAY IN THE LIFE
OF QUINN MORGENDORFFER.
190
00:07:09,696 --> 00:07:12,531
- ARE YOU SURE YOU WANT
TO DO A HORROR MOVIE?
191
00:07:23,810 --> 00:07:26,077
[crickets chirping]
192
00:07:26,079 --> 00:07:28,079
- SO THEY'RE GONNA FOLLOW ME
AROUND FOR A WHOLE DAY.
193
00:07:28,081 --> 00:07:29,146
- OR A MINUTE,
194
00:07:29,148 --> 00:07:31,316
DEPENDING ON HOW MUCH
WE CAN STAND.
195
00:07:31,318 --> 00:07:33,551
- IT'S SO NICE
TO GET HOME EARLY
196
00:07:33,553 --> 00:07:35,486
AND HAVE A CHANCE
TO MAKE DINNER.
197
00:07:35,488 --> 00:07:37,421
QUINN, ARE YOU SURE
YOU WANT TO DO THIS?
198
00:07:37,423 --> 00:07:38,789
WHAT ABOUT YOUR PRIVACY?
199
00:07:38,791 --> 00:07:39,991
- WHEN DID THIS FAMILY
200
00:07:39,993 --> 00:07:42,660
TURN INTO SUCH A BUNCH
OF PRIVACY FREAKS?
201
00:07:42,662 --> 00:07:44,128
- MY VIDEO TRANSFERS.
202
00:07:44,130 --> 00:07:47,199
I CAN'T WAIT TO RELIVE
MY CHILDHOOD.
203
00:07:47,201 --> 00:07:48,767
- SHALL WE WATCH AFTER DINNER?
204
00:07:48,769 --> 00:07:50,635
- I THOUGHT I'D WRITE
A LITTLE NARRATION
205
00:07:50,637 --> 00:07:52,003
BEFORE THE BIG SCREENING.
206
00:07:52,005 --> 00:07:54,639
I WANT TO CAPTURE
THE WHOLE ESSENCE OF THE PERIOD.
207
00:07:54,641 --> 00:07:56,007
- I DON'T REMEMBER YOU HAVING
208
00:07:56,009 --> 00:07:57,508
SUCH FOND MEMORIES
OF THOSE DAYS.
209
00:07:57,510 --> 00:07:58,843
- IT'S ALL COMING BACK TO ME.
210
00:07:58,845 --> 00:08:01,612
IT REALLY MAKES YOU FEEL
NOSTALGIC FOR YOUR CHILDHOOD.
211
00:08:01,614 --> 00:08:03,681
THIS IS YOUR GOLDEN TIME.
212
00:08:03,683 --> 00:08:05,617
ENJOY YOUR YOUTH, GIRLS.
213
00:08:05,619 --> 00:08:06,818
- I THINK I'LL PASS ON DESSERT.
214
00:08:06,820 --> 00:08:09,087
I DON'T WANT
TO LOOK PUFFY TOMORROW.
215
00:08:09,089 --> 00:08:13,624
- GUESS I'LL GO WATCH TV
BY MYSELF FOR A WHILE.
216
00:08:13,626 --> 00:08:16,494
- WHEN THESE BALLERINAS
WORK OUT AT THE BAR,
217
00:08:16,496 --> 00:08:18,530
THEY WORK OUT AT THE BAR.
218
00:08:18,532 --> 00:08:20,932
"TANKED IN A TUTU"
WHEN SICK, SAD WORLD RETURNS.
219
00:08:20,934 --> 00:08:23,268
[knocking]
- COME IN.
220
00:08:23,270 --> 00:08:27,439
- DARIA, I WONDER IF YOU'D
TELL ME WHAT YOU HAVE IN MIND
221
00:08:27,441 --> 00:08:28,706
FOR THIS MOVIE OF QUINN.
222
00:08:28,708 --> 00:08:30,007
- WHAT DO YOU MEAN?
223
00:08:30,009 --> 00:08:31,876
IT'S JUST A LAME ASSIGNMENT
FOR ENGLISH CLASS.
224
00:08:31,878 --> 00:08:34,112
- I MEAN WHY QUINN?
225
00:08:34,114 --> 00:08:36,815
- WELL, SHE'S LIVELY.
SHE'S PHOTOGENIC.
226
00:08:36,817 --> 00:08:38,783
YOU KNOW WHAT?
SHE'S BUBBLY.
227
00:08:38,785 --> 00:08:40,017
- DARIA.
228
00:08:40,019 --> 00:08:42,186
- WE'RE GONNA FOLLOW QUINN
AROUND FOR A DAY
229
00:08:42,188 --> 00:08:43,320
AND SHOW THE WORLD
WHAT IT'S LIKE
230
00:08:43,322 --> 00:08:44,722
TO BE ATTRACTIVE AND POPULAR.
231
00:08:44,724 --> 00:08:46,590
I'M KIND OF CURIOUS
ABOUT THAT MYSELF.
232
00:08:46,592 --> 00:08:48,994
- IT'S JUST THAT SOMETIMES
YOU JUDGE PEOPLE'S BEHAVIOR
233
00:08:48,996 --> 00:08:50,762
BY A PRETTY RIGID SET
OF STANDARDS.
234
00:08:50,764 --> 00:08:52,630
NOT EVERYONE
CAN LIVE UP TO THEM.
235
00:08:52,632 --> 00:08:54,032
- THAT'S WHAT'S WRONG
WITH THE WORLD.
236
00:08:54,034 --> 00:08:57,234
- NOT EVEN YOU
LIVE UP TO THEM ALL THE TIME.
237
00:08:57,236 --> 00:08:59,203
- I GUESS
I COULD GO EASY ON HER.
238
00:08:59,205 --> 00:09:02,073
- THANKS, SWEETIE.
239
00:09:02,075 --> 00:09:03,574
- BUT DON'T HOLD YOUR BREATH.
240
00:09:03,576 --> 00:09:05,176
[doorbell rings]
241
00:09:05,178 --> 00:09:07,745
- READY?
- RARIN'.
242
00:09:07,747 --> 00:09:09,414
REMEMBER, WE'RE EXPOSING
243
00:09:09,416 --> 00:09:11,382
A HOLLOW,
SELF-CENTERED EGOMANIAC.
244
00:09:11,384 --> 00:09:12,651
- [gasps]
245
00:09:12,653 --> 00:09:15,086
- TRUST ME.
WE WON'T HAVE TO WORK VERY HARD.
246
00:09:15,088 --> 00:09:17,989
LET'S JUST SAY MORNINGS
ARE NOT HER BEST TIME.
247
00:09:21,527 --> 00:09:26,430
- [yawns]
248
00:09:26,432 --> 00:09:30,001
GOOD MORNING, BEAUTIFUL WORLD.
249
00:09:30,003 --> 00:09:31,068
- OH.
250
00:09:31,070 --> 00:09:32,370
- DON'T YOU WANT TO SHOOT ME?
251
00:09:32,372 --> 00:09:34,739
- YES, I WANT TO SHOOT YOU.
252
00:09:34,741 --> 00:09:36,841
- BY THE WAY,
WHICH IS MY BEST SIDE?
253
00:09:36,843 --> 00:09:40,312
I KNOW THEY'RE BOTH GOOD.
254
00:09:40,314 --> 00:09:42,180
- YOU'RE ALREADY
WEARING MAKEUP.
255
00:09:42,182 --> 00:09:43,348
- I AM NOT.
256
00:09:43,350 --> 00:09:45,684
I JUST HAPPEN TO BE
THE KIND OF PERSON
257
00:09:45,686 --> 00:09:47,285
WHO DOESN'T REALLY NEED MAKEUP.
258
00:09:47,287 --> 00:09:49,020
- SO YOU'RE PUTTING IT ON
BECAUSE--
259
00:09:49,022 --> 00:09:51,389
- NOT EVERYONE
IS AS LUCKY AS I AM.
260
00:09:51,391 --> 00:09:54,459
I WANT TO BE A ROLE MODEL
FOR ALL PEOPLE,
261
00:09:54,461 --> 00:09:56,895
EVEN THE ONES WHO NEED MAKEUP
REALLY BADLY.
262
00:09:56,897 --> 00:09:58,696
- I THINK I NEED TO SIT DOWN.
263
00:09:58,698 --> 00:10:00,531
I'M GETTING DIZZY.
264
00:10:00,533 --> 00:10:04,502
all: [chanting] THE PEOPLE
UNITED WILL NEVER BE DIVIDED.
265
00:10:04,504 --> 00:10:05,536
- I DON'T GET IT.
266
00:10:05,538 --> 00:10:08,206
WHY ARE THEY ALL STANDING THERE?
267
00:10:08,208 --> 00:10:09,974
- THEY'RE HAVING
A DISPUTE WITH MANAGEMENT,
268
00:10:09,976 --> 00:10:11,442
SO THEY REFUSE TO WORK.
269
00:10:11,444 --> 00:10:14,445
- SOMEONE SHOULD TELL THEM
THEY'RE TAKING UP THE SIDEWALK.
270
00:10:14,447 --> 00:10:17,115
- TELL ME WHY YOU'RE ON STRIKE
AND WHAT YOU HOPE TO ACCOMPLISH.
271
00:10:17,117 --> 00:10:18,515
- IT'S SIMPLE ENOUGH:
272
00:10:18,517 --> 00:10:20,918
AN HONEST DAY'S PAY
FOR AN HONEST DAY'S WORK.
273
00:10:20,920 --> 00:10:23,088
STOP CHISELING AWAY
AT OUR BENEFITS.
274
00:10:23,090 --> 00:10:25,423
- I'M GETTING A CRAVING, BABE.
275
00:10:25,425 --> 00:10:27,925
- HO HOs?
- YEAH.
276
00:10:27,927 --> 00:10:30,361
- NO PROBLEM, BABE.
277
00:10:30,363 --> 00:10:32,329
- HEY, HEY, HEY, EXCUSE ME.
278
00:10:32,331 --> 00:10:34,199
EXCUSE ME,
YOU CAN'T GO IN THERE.
279
00:10:34,201 --> 00:10:35,600
- COME ON.
- WAIT A--
280
00:10:35,602 --> 00:10:38,803
- POWER YOGA
IS A REALLY GOOD THING TO DO
281
00:10:38,805 --> 00:10:42,673
BECAUSE INNER BEAUTY IS JUST
AS IMPORTANT AS OUTER BEAUTY.
282
00:10:42,675 --> 00:10:45,743
LIKE, CAN YOU HAVE A CD
WITHOUT A CD PLAYER?
283
00:10:45,745 --> 00:10:49,280
I DON'T THINK SO.
284
00:10:49,282 --> 00:10:51,115
- IT WAS A TIME OF INNOCENCE
285
00:10:51,117 --> 00:10:52,550
WHEN YOU LEFT
YOUR DOORS UNLOCKED
286
00:10:52,552 --> 00:10:54,018
AND CANDY BARS COST A NICKEL.
287
00:10:54,020 --> 00:10:55,786
NOT THAT THOSE TWO FACTS
ARE RELATED.
288
00:10:55,788 --> 00:10:57,121
I'M--AH, DAMN IT.
289
00:10:57,123 --> 00:10:58,623
LET ME START OVER HERE.
290
00:10:58,625 --> 00:11:02,226
IT WAS A CAREFREE TIME WHEN
A YOUNG BOY COULD LEARN
291
00:11:02,228 --> 00:11:05,029
TO RIDE A BIKE
ON SUN-DAPPLED STREETS.
292
00:11:05,031 --> 00:11:07,665
HEY, HEY, WHY DOESN'T SOMEBODY
HELP THAT POOR KID?
293
00:11:07,667 --> 00:11:09,367
HE SKINNED HIS KNEE.
294
00:11:09,369 --> 00:11:11,636
OH, I GET IT.
295
00:11:11,638 --> 00:11:14,406
GET BACK ON THE BIKE, JAKE.
BIG BOYS DON'T CRY.
296
00:11:14,408 --> 00:11:16,340
CRYING IS FOR GIRLS, JAKEY.
297
00:11:16,342 --> 00:11:18,510
JAKE, JAKE, QUIVERING QUAKE.
298
00:11:18,512 --> 00:11:20,745
IT'S ALL COMING BACK TO ME NOW.
299
00:11:20,747 --> 00:11:24,582
- ARE YOUR COUSIN AND HER FRIEND
GONNA FOLLOW US
300
00:11:24,584 --> 00:11:25,950
EVERYWHERE WE GO?
301
00:11:25,952 --> 00:11:27,585
- I TOLD YOU.
JUST IGNORE THEM.
302
00:11:27,587 --> 00:11:29,720
- YOU ALWAYS SAY THAT
ABOUT THEM,
303
00:11:29,722 --> 00:11:32,323
BUT THEY DON'T USUALLY
HAVE A CAMERA.
304
00:11:32,325 --> 00:11:35,927
- IT'S A LITTLE PROJECT I GOT,
UM, FORCED INTO.
305
00:11:35,929 --> 00:11:39,264
BY THE WAY, WHICH DO YOU THINK
IS MY BEST SIDE?
306
00:11:39,266 --> 00:11:40,699
- THEY'RE BOTH GOOD.
307
00:11:40,701 --> 00:11:42,100
- I KNOW.
308
00:11:42,102 --> 00:11:43,668
BUT THIS SIDE
HAS MY BETTER DIMPLE.
309
00:11:43,670 --> 00:11:46,104
- I DON'T KNOW HOW MUCH MORE
OF THIS I CAN TAKE.
310
00:11:46,106 --> 00:11:48,406
- UM, GUY, WOULD YOU FIND OUT
311
00:11:48,408 --> 00:11:49,873
IF THEY HAVE
THOSE CHEESELESS PIZZAS?
312
00:11:49,875 --> 00:11:53,278
- SURE, AND, UH, IT'S ZACHARY.
313
00:11:53,280 --> 00:11:55,280
- WHY DID YOU INVITE THAT GUY?
314
00:11:55,282 --> 00:11:58,316
- I THOUGHT YOU WERE GOING
STEADY WITH LARRY THIS WEEK.
315
00:11:58,318 --> 00:12:00,084
- LARRY TOTALED HIS CAR.
316
00:12:00,086 --> 00:12:02,220
ZACHARY HAS GOT HIS MOM'S CAR.
317
00:12:02,222 --> 00:12:04,155
- YOU'RE SO SMART, QUINN.
318
00:12:04,157 --> 00:12:05,723
YOU ALWAYS THINK AHEAD.
319
00:12:05,725 --> 00:12:07,525
- DID YOU HEAR THAT?
320
00:12:07,527 --> 00:12:11,329
DID YOU HEAR THAT, GUYS?
GUYS.
321
00:12:15,469 --> 00:12:17,401
[tape squealing]
322
00:12:17,403 --> 00:12:21,072
- OH, LOOK
AT THAT CUTE LITTLE BOY.
323
00:12:21,074 --> 00:12:24,642
AND HE GREW UP
INTO SUCH A HANDSOME MAN.
324
00:12:27,547 --> 00:12:31,849
HONEY, WOULDN'T YOU LIKE
A LITTLE MORE LIGHT IN HERE?
325
00:12:31,851 --> 00:12:34,919
OKAY, JAKE,
I'M JUST GONNA CATCH UP
326
00:12:34,921 --> 00:12:37,755
ON SOME PAPERWORK
IN THE KITCHEN.
327
00:12:37,757 --> 00:12:39,357
- THANKS FOR DRIVING US HERE,
AARON, BUT--
328
00:12:39,359 --> 00:12:40,424
- IT'S ZACHARY.
329
00:12:40,426 --> 00:12:41,458
- THAT'S WHAT I SAID.
330
00:12:41,460 --> 00:12:44,161
BUT SHOPPING
IS KIND OF A GIRL THING.
331
00:12:44,163 --> 00:12:46,030
MAYBE YOU COULD MEET US
AFTER OR SOMETHING.
332
00:12:46,032 --> 00:12:47,664
- BUT WHAT'LL I DO
IN THE MEANTIME?
333
00:12:47,666 --> 00:12:50,567
- I DON'T KNOW.
DO YOU HAVE ANY SHOPPING TO DO?
334
00:12:50,569 --> 00:12:53,004
MAYBE THERE'S SOMEONE SPECIAL
YOU WANT TO GET A PRESENT FOR.
335
00:12:53,006 --> 00:12:56,340
- UM, WELL,
YOU'RE KIND OF SPECIAL, QUINN.
336
00:12:56,342 --> 00:12:59,510
- OH, ZACHARY, YOU DON'T
HAVE TO GET ME A PRESENT.
337
00:12:59,512 --> 00:13:01,112
IF YOU ASK FOR TERESA
IN JUNIOR 5
338
00:13:01,114 --> 00:13:02,947
AND TELL HER IT'S FOR QUINN,
SHE'LL HELP YOU OUT.
339
00:13:02,949 --> 00:13:05,349
- DID YOU GET THAT?
I HOPE YOU GOT THAT.
340
00:13:05,351 --> 00:13:08,386
- DO YOU KNOW THAT
PORE REFINER SPELLED BACKWARDS
341
00:13:08,388 --> 00:13:09,620
IS RENIFER EROP.
342
00:13:09,622 --> 00:13:11,021
- GIVE ME THAT.
343
00:13:11,023 --> 00:13:13,491
- OH, LOOK, PORE REFINER.
344
00:13:13,493 --> 00:13:14,992
I'M GLAD I DON'T NEED THAT.
345
00:13:14,994 --> 00:13:17,328
HAVE YOU EVER NOTICED
HOW POPULAR PEOPLE
346
00:13:17,330 --> 00:13:19,464
ALWAYS HAVE
THE TINIEST PORES?
347
00:13:19,466 --> 00:13:20,665
I WONDER WHY THAT IS.
348
00:13:20,667 --> 00:13:23,167
- YOUR PORES
ARE REALLY CUTE, QUINN.
349
00:13:23,169 --> 00:13:25,570
- BUT YOU CAN'T SEE THEM,
CAN YOU?
350
00:13:25,572 --> 00:13:28,773
- OH, MY GOD, THEY'VE BEEN--
THEY'VE BEEN ZOOMING.
351
00:13:28,775 --> 00:13:30,341
YOU BETTER NOT ZOOM THAT THING.
352
00:13:30,343 --> 00:13:31,643
STOP ZOOMING.
I MEAN IT.
353
00:13:31,645 --> 00:13:33,544
IF YOU CAN SEE
ANY OF MY PORES ON CAMERA,
354
00:13:33,546 --> 00:13:34,712
I SWEAR I'LL KILL YOU.
355
00:13:34,714 --> 00:13:35,813
STOP THE TAPE.
356
00:13:35,815 --> 00:13:38,048
I DO NOT HAVE PORES.
MY PORES ARE CUTE.
357
00:13:38,050 --> 00:13:41,386
MY PORES ARE TINY.
YOU'RE FIRED.
358
00:13:41,388 --> 00:13:44,288
- ANYTHING YOU SAY CAN
AND WILL BE USED AGAINST YOU.
359
00:13:44,290 --> 00:13:47,124
WE'VE GOT OUR QUINN.
- THAT'S A WRAP.
360
00:13:47,126 --> 00:13:49,894
- BUT A WRAP SKIRT
IS A DEFINITE DON'T.
361
00:13:49,896 --> 00:13:53,865
OH, MY GOD.
DID I REALLY JUST SAY THAT?
362
00:14:04,377 --> 00:14:06,777
I HAVE THE CUTEST LITTLE PORES,
DON'T I?
363
00:14:06,779 --> 00:14:08,279
- YOU REALLY DO.
364
00:14:08,281 --> 00:14:11,382
EACH ONE'S LIKE A TINY DIMPLE.
365
00:14:11,384 --> 00:14:14,385
- I WISH I HAD PORES
LIKE YOURS, DARIA.
366
00:14:14,387 --> 00:14:15,452
- PORES LIKE YOURS.
367
00:14:15,454 --> 00:14:16,520
THAT WOULD BE A GREAT NAME
368
00:14:16,522 --> 00:14:18,389
FOR A PORE CONDITIONING
EXFOLIANT.
369
00:14:18,391 --> 00:14:20,791
- GOD, DARIA, HOW DO YOU DO IT?
370
00:14:20,793 --> 00:14:23,761
HERE WE ARE COMPLIMENTING YOU
ON YOUR PERFECT PORES,
371
00:14:23,763 --> 00:14:26,230
AND YOU'RE UNSELFISHLY THINKING
372
00:14:26,232 --> 00:14:29,333
ABOUT HOW YOU CAN IMPROVE
THE PORES OF OTHERS.
373
00:14:29,335 --> 00:14:32,904
- DUH.
I GUESS WHEN IT RAINS, IT PORES.
374
00:14:32,906 --> 00:14:36,540
[laughter]
375
00:14:36,542 --> 00:14:37,742
[gasps]
376
00:14:37,744 --> 00:14:40,878
DAD, WHAT ARE YOU DOING UP?
377
00:14:40,880 --> 00:14:41,979
- I WAS A CHILD.
378
00:14:41,981 --> 00:14:43,247
I NEEDED ATTENTION.
379
00:14:43,249 --> 00:14:44,949
I HAD A BOO-BOO ON MY KNEE.
380
00:14:44,951 --> 00:14:47,618
- UH, IT'S PRETTY MUCH HEALED
NOW, THOUGH, RIGHT?
381
00:14:47,620 --> 00:14:50,154
- DID ANYONE CARE?
382
00:14:50,156 --> 00:14:51,555
NO ONE CARED.
383
00:14:51,557 --> 00:14:54,858
THIS IS WHAT I NEVER HAD, DARIA,
WHAT WE'RE DOING NOW,
384
00:14:54,860 --> 00:14:57,128
SIMPLE PARENT-CHILD BONDING,
385
00:14:57,130 --> 00:14:58,229
THE KIND OF CLOSENESS
YOUR MOTHER AND I
386
00:14:58,231 --> 00:14:59,764
HAVE WORKED SO HARD TO GIVE YOU.
387
00:14:59,766 --> 00:15:01,065
- GEE, THAT'S FUNNY.
388
00:15:01,067 --> 00:15:03,101
I COULD HAVE SWORN
I WOKE UP FROM THE DREAM.
389
00:15:03,103 --> 00:15:05,603
- YOU JUST CAN'T PUT A PRICE
ON A MOMENT LIKE THIS, DARIA.
390
00:15:05,605 --> 00:15:08,806
AND ONCE THESE YEARS ARE GONE,
THEY'RE GONE.
391
00:15:08,808 --> 00:15:10,941
- DAD, IT'S 4:00 A.M.
392
00:15:10,943 --> 00:15:13,444
I JUST WOKE UP
FROM MY WORST NIGHTMARE:
393
00:15:13,446 --> 00:15:14,879
RESEMBLING MY SISTER.
394
00:15:14,881 --> 00:15:16,848
YOU'RE RELIVING AN INSTANCE
OF PARENTAL NEGLECT
395
00:15:16,850 --> 00:15:18,216
FROM 40 YEARS AGO.
396
00:15:18,218 --> 00:15:20,251
YOU CALL THIS
PARENT-CHILD BONDING?
397
00:15:20,253 --> 00:15:21,552
- WORKS FOR ME.
398
00:15:21,554 --> 00:15:24,855
- LET'S WATCH AGAIN.
399
00:15:24,857 --> 00:15:26,223
THANKS FOR MEETING ME HERE.
400
00:15:26,225 --> 00:15:27,825
- LOOKS LIKE YOU HAD
A ROUGH NIGHT.
401
00:15:27,827 --> 00:15:30,661
- JUST PROMISE ME
THAT IF I START ACTING,
402
00:15:30,663 --> 00:15:34,465
TALKING, OR THINKING LIKE QUINN,
YOU'LL DO THE RIGHT THING.
403
00:15:34,467 --> 00:15:35,966
- IF YOU DON'T RESPOND
TO DRUG THERAPY,
404
00:15:35,968 --> 00:15:37,602
I'LL AUTHORIZE ELECTROSHOCK.
405
00:15:37,604 --> 00:15:38,936
OH, AND BY THE WAY,
406
00:15:38,938 --> 00:15:41,539
YOUR TEENSY-WEENSY PORES
LOOK REALLY CUTE TODAY.
407
00:15:41,541 --> 00:15:43,574
- BUT WHICH IS MY BEST SIDE,
HMM?
408
00:15:43,576 --> 00:15:45,710
I KNOW THEY'RE BOTH GOOD.
409
00:15:45,712 --> 00:15:48,779
- HEY, DARIA.
410
00:15:48,781 --> 00:15:52,216
- DID I FORGET TO MENTION
WHO DROVE ME HERE?
411
00:15:52,218 --> 00:15:54,385
- IF YOU CAN SEE
ANY OF MY PORES ON CAMERA,
412
00:15:54,387 --> 00:15:55,820
I SWEAR I'LL KILL YOU.
413
00:15:55,822 --> 00:15:57,221
STOP THE TAPE.
414
00:15:57,223 --> 00:15:58,455
- THIS IS TOO EASY.
415
00:15:58,457 --> 00:16:00,725
- SHOOTING DUCKS IN A BARREL.
416
00:16:00,727 --> 00:16:02,560
- HOW IS THAT
FILM PROJECT COMING?
417
00:16:02,562 --> 00:16:03,694
- PRETTY GOOD.
418
00:16:03,696 --> 00:16:05,729
- I HAVEN'T SEEN YOU SO AMUSED
419
00:16:05,731 --> 00:16:07,398
SINCE YOUR SISTER FELL
AT HER DANCE RECITAL.
420
00:16:07,400 --> 00:16:08,499
[chuckles]
421
00:16:08,501 --> 00:16:09,734
- THAT WAS ME.
422
00:16:09,736 --> 00:16:12,136
- OH, I KNEW IT WAS
ONE OF YOU GIRLS
423
00:16:12,138 --> 00:16:14,472
LAUGHING AT ONE OF YOU GIRLS.
424
00:16:14,474 --> 00:16:15,673
CAN I SNEAK A PEEK?
425
00:16:15,675 --> 00:16:16,807
- WE'RE STILL EDITING.
426
00:16:16,809 --> 00:16:19,810
- QUINN'S GOT
A REAL SCREEN PRESENCE.
427
00:16:19,812 --> 00:16:21,779
- BY THE WAY,
WHICH IS MY BEST SIDE?
428
00:16:21,781 --> 00:16:23,581
I KNOW THEY'RE BOTH GOOD.
429
00:16:23,583 --> 00:16:25,349
IF YOU CAN SEE
ANY OF MY PORES ON CAMERA,
430
00:16:25,351 --> 00:16:26,517
I SWEAR I'LL KILL YOU.
431
00:16:26,519 --> 00:16:28,886
STOP THE TAPE.
I DO NOT HAVE PORES.
432
00:16:28,888 --> 00:16:31,322
MY PORES ARE CUTE.
MY PORES ARE TINY.
433
00:16:31,324 --> 00:16:33,057
YOU'RE FIRED.
434
00:16:33,059 --> 00:16:34,359
- OH, MY.
435
00:16:34,361 --> 00:16:36,194
THIS IS A LITTLE CRUEL.
436
00:16:36,196 --> 00:16:38,563
ARE YOU SURE YOU HAVEN'T
TAKEN HER OUT OF CONTEXT?
437
00:16:38,565 --> 00:16:40,164
- SHE CREATES HER OWN CONTEXT.
438
00:16:40,166 --> 00:16:42,933
- YOU KNOW, DARIA,
I WOULDN'T LET QUINN
439
00:16:42,935 --> 00:16:45,336
MAKE A MOVIE THAT MADE
HER SISTER LOOK RIDICULOUS.
440
00:16:45,338 --> 00:16:47,839
- HOW COULD SHE?
SHE DOESN'T ADMIT TO HAVING ONE.
441
00:16:47,841 --> 00:16:51,943
- I TELL YOU WHAT, DARIA.
YOU DO WHAT YOU THINK IS RIGHT.
442
00:16:51,945 --> 00:16:53,277
- I DON'T LIKE
THE SOUND OF THAT.
443
00:16:53,279 --> 00:16:54,545
- DON'T WORRY.
444
00:16:54,547 --> 00:16:57,114
SHE'S CLEARLY OVERESTIMATING
MY CONSCIENCE
445
00:16:57,116 --> 00:16:59,683
BY ASSUMING I HAVE ONE AT ALL.
446
00:16:59,685 --> 00:17:02,186
- BY THE WAY,
WHICH IS MY BEST SIDE?
447
00:17:02,188 --> 00:17:04,088
IS THAT MY MOVIE?
CAN I SEE?
448
00:17:04,090 --> 00:17:05,689
- SORRY, BUT THAT
WOULD INTERFERE
449
00:17:05,691 --> 00:17:07,358
WITH OUR CREATIVE PROCESS.
450
00:17:07,360 --> 00:17:09,026
- SEE, WE'RE LIKE ARTISTS.
451
00:17:09,028 --> 00:17:11,095
AND THIS IS HOW
WE EXPRESS OURSELVES.
452
00:17:11,097 --> 00:17:12,597
YOU UNDERSTAND.
453
00:17:12,599 --> 00:17:14,599
- I CAN'T WAIT TO SEE IT.
454
00:17:14,601 --> 00:17:17,068
I JUST HOPE I DON'T SOUND STUPID
OR ANYTHING.
455
00:17:17,070 --> 00:17:19,670
[giggles]
NOT THAT I WOULD.
456
00:17:19,672 --> 00:17:20,971
- PERISH THE THOUGHT.
457
00:17:20,973 --> 00:17:24,374
- I JUST--I KNOW SOMETIMES
CERTAIN TYPES OF PEOPLE,
458
00:17:24,376 --> 00:17:26,143
JEALOUS PEOPLE,
MIGHT THINK,
459
00:17:26,145 --> 00:17:27,845
"WHO DOES SHE THINK SHE IS?"
460
00:17:27,847 --> 00:17:29,347
BECAUSE I SOMETIMES THINK THAT.
461
00:17:29,349 --> 00:17:31,782
BUT I CAN'T LET MYSELF GO ON
TOO LONG THINKING THAT.
462
00:17:31,784 --> 00:17:33,150
- OR ANYTHING ELSE.
463
00:17:33,152 --> 00:17:35,186
- I MEAN, SOMETIMES I'M WALKING
DOWN THE HALL
464
00:17:35,188 --> 00:17:36,821
WITH SANDY AND STACY
AND TIFFANY,
465
00:17:36,823 --> 00:17:38,956
AND IT'S LIKE SUDDENLY
I'M OUTSIDE MYSELF WATCHING.
466
00:17:38,958 --> 00:17:40,891
AND IT'S LIKE,
WHO ARE THESE GIRLS?
467
00:17:40,893 --> 00:17:44,361
CAN'T THEY TALK ABOUT ANYTHING
BUT GUYS AND CLOTHES AND CARS?
468
00:17:44,363 --> 00:17:47,098
BUT THEN WHAT WOULD WE
TALK ABOUT?
469
00:17:47,100 --> 00:17:49,233
YOU HAVE TO BE GOOD
AT SOMETHING.
470
00:17:49,235 --> 00:17:50,668
YOU'RE GOOD AT YOUR READING
AND WRITING AND STUFF,
471
00:17:50,670 --> 00:17:52,737
AND YOU'RE GOOD
AT YOUR LITTLE PAINTINGS.
472
00:17:52,739 --> 00:17:54,739
- THEY ARE MINUSCULE,
AREN'T THEY?
473
00:17:54,741 --> 00:17:56,707
- I FIGURE BEING ATTRACTIVE
AND POPULAR,
474
00:17:56,709 --> 00:17:57,875
THAT'S WHAT I'M GOOD AT.
475
00:17:57,877 --> 00:17:59,677
MAYBE IT'S NOT REALLY IMPORTANT,
476
00:17:59,679 --> 00:18:02,179
BUT, YOU KNOW,
IT'S WHAT I CAN DO.
477
00:18:02,181 --> 00:18:04,114
[laughs nervously]
478
00:18:06,285 --> 00:18:07,951
- AW, HELL.
479
00:18:07,953 --> 00:18:09,753
- YEAH.
480
00:18:11,357 --> 00:18:14,024
[shouting]
481
00:18:14,026 --> 00:18:15,058
- WHOO-HOO!
482
00:18:15,060 --> 00:18:16,894
- YEAH.
- YEAH!
483
00:18:16,896 --> 00:18:18,463
- I LOVED THAT.
- GREAT.
484
00:18:18,465 --> 00:18:22,233
- JODY, WHERE DID YOU LEARN
TO JUGGLE SYMBOLISM LIKE THAT?
485
00:18:22,235 --> 00:18:24,869
- UM, I WORKED
WITH STORYBOARDS.
486
00:18:24,871 --> 00:18:26,570
I THINK THAT HELPED.
487
00:18:26,572 --> 00:18:29,840
- AND NOW A WORK
BY DARIA AND JANE.
488
00:18:33,279 --> 00:18:35,213
- [yawns]
489
00:18:37,817 --> 00:18:40,384
I WANT TO BE A ROLE MODEL
FOR ALL PEOPLE,
490
00:18:40,386 --> 00:18:43,054
EVEN THE ONES WHO NEED MAKEUP
REALLY BADLY.
491
00:18:43,056 --> 00:18:45,255
BY THE WAY,
WHICH IS MY BEST SIDE?
492
00:18:45,257 --> 00:18:48,158
LIKE, CAN YOU HAVE A CD
WITHOUT A CD PLAYER?
493
00:18:48,160 --> 00:18:49,927
I DON'T THINK SO.
494
00:18:49,929 --> 00:18:52,062
BY THE WAY,
WHICH IS MY BEST SIDE?
495
00:18:52,064 --> 00:18:54,398
DON'T LOOK LIKE YOU HAVE ON
TOO MUCH MAKEUP.
496
00:18:54,400 --> 00:18:57,000
WEAR ENOUGH TO MAKE IT LOOK LIKE
YOU DON'T HAVE MUCH ON.
497
00:18:57,002 --> 00:18:59,203
BY THE WAY,
WHICH IS MY BEST SIDE?
498
00:19:03,309 --> 00:19:04,342
GOOD NIGHT.
499
00:19:04,344 --> 00:19:06,510
THANKS FOR SHARING MY DAY
WITH ME.
500
00:19:06,512 --> 00:19:09,213
AND REMEMBER, FASHION IS FUN
AND EVERYTHING,
501
00:19:09,215 --> 00:19:10,948
BUT WE SHOULD REALLY
DO SOMETHING
502
00:19:10,950 --> 00:19:13,917
ABOUT THE RAIN FOREST AND STUFF.
503
00:19:13,919 --> 00:19:15,085
- WHAT WAS THAT?
504
00:19:15,087 --> 00:19:16,987
- I TOLD HER I'D GIVE HER
THE OPPORTUNITY
505
00:19:16,989 --> 00:19:19,824
TO SHOW THERE WAS MORE TO HER
THAN JUST THE SURFACE QUINN.
506
00:19:19,826 --> 00:19:21,225
TURNS OUT THERE ISN'T.
507
00:19:21,227 --> 00:19:23,361
- AND WHAT EXACTLY HAPPENED
TO THE PORES STUFF,
508
00:19:23,363 --> 00:19:24,661
OUR BIG FINISH?
509
00:19:24,663 --> 00:19:26,863
- YOU KNOW THAT CONSCIENCE
I DON'T HAVE?
510
00:19:26,865 --> 00:19:28,098
IT GOT TO ME.
511
00:19:28,100 --> 00:19:31,569
- WELL, THE DEPTHS
OF SHALLOWNESS.
512
00:19:31,571 --> 00:19:32,870
PROVOCATIVE INDEED.
513
00:19:32,872 --> 00:19:34,104
NOW, WHAT IF WE--
514
00:19:34,106 --> 00:19:37,842
[scuffling]
515
00:19:37,844 --> 00:19:40,611
[cheering]
516
00:19:45,585 --> 00:19:47,918
- YOUR MOVIE REALLY
KICKED BUTT, GUYS.
517
00:19:47,920 --> 00:19:48,985
- OH, SURE.
518
00:19:48,987 --> 00:19:50,054
- I MEAN IT.
519
00:19:50,056 --> 00:19:53,424
IT REALLY CAPTURED
A KIND OF DESPAIR.
520
00:19:53,426 --> 00:19:55,993
YOUR SISTER MAKES ME SO SAD.
521
00:19:55,995 --> 00:19:57,094
- YOU AND ME BOTH.
522
00:19:57,096 --> 00:19:58,495
- YOU'RE THE GIRL
FROM THE MOVIE.
523
00:19:58,497 --> 00:19:59,496
I LOVE YOU.
524
00:19:59,498 --> 00:20:02,133
- WHICH IS MY BEST SIDE?
CAN YOU TELL ME?
525
00:20:02,135 --> 00:20:04,101
- NOW I'M REALLY SAD.
526
00:20:04,103 --> 00:20:07,737
- GOD, I THOUGHT I WAS THE ONLY
ONE ASHAMED OF MY PORES.
527
00:20:07,739 --> 00:20:10,040
- WE'RE ALL ASHAMED
OF OUR PORES.
528
00:20:10,042 --> 00:20:13,010
BUT YOU MUSTN'T BE ASHAMED
OF YOUR SHAME.
529
00:20:13,012 --> 00:20:14,278
- SO YOU DID
THE COMPASSIONATE THING,
530
00:20:14,280 --> 00:20:15,913
AND LOOK WHERE IT GOT YOU.
531
00:20:15,915 --> 00:20:17,882
- SHE'S MORE POPULAR THAN EVER.
532
00:20:17,884 --> 00:20:19,950
WE SET OUT TO MAKE AN EXPOSE.
533
00:20:19,952 --> 00:20:21,619
IT ENDS UP A LOVE LETTER.
534
00:20:21,621 --> 00:20:23,587
- SEE, WE'RE LIKE ARTISTS.
535
00:20:23,589 --> 00:20:25,823
AND THIS IS HOW
WE SCREW OURSELVES.
536
00:20:25,825 --> 00:20:28,025
- AND YOU, TOO,
CAN HAVE BOUNCY HAIR
537
00:20:28,027 --> 00:20:29,593
IF YOU JUST TAKE THE TIME
538
00:20:29,595 --> 00:20:32,196
TO BOUNCE
FROM THE INSIDE AS WELL.
539
00:20:32,198 --> 00:20:35,499
COME ON, EVERYONE.
BOUNCE WITH ME.
540
00:20:35,501 --> 00:20:37,468
- ♪ LA-LA, LA, LA-LA ♪
541
00:20:37,470 --> 00:20:45,409
♪ ♪
542
00:20:50,349 --> 00:20:51,948
♪ LA, LA, LA ♪
543
00:20:51,950 --> 00:20:55,219
♪ ♪
544
00:20:55,221 --> 00:20:56,587
♪ LA, LA, LA ♪
545
00:20:56,589 --> 00:21:00,056
♪ ♪
546
00:21:00,058 --> 00:21:01,391
♪ LA, LA, LA ♪
547
00:21:01,393 --> 00:21:09,333
♪ ♪
548
00:21:11,704 --> 00:21:14,438
♪ LA-LA, LA, LA-LA ♪