1 00:00:02,036 --> 00:00:03,202 - ♪ LA-LA, LA, LA-LA ♪ 2 00:00:03,204 --> 00:00:05,537 ♪ THIS IS MY STOP ♪ 3 00:00:05,539 --> 00:00:08,073 ♪ GOT TO GET OFF ♪ 4 00:00:08,075 --> 00:00:10,175 ♪ I MAY GO POP ♪ 5 00:00:10,177 --> 00:00:12,344 EXCUSE ME. 6 00:00:12,346 --> 00:00:13,345 EXCUSE ME. 7 00:00:13,347 --> 00:00:15,247 [whistle blows] 8 00:00:15,249 --> 00:00:18,450 ♪ I'VE GOT TO BE DIRECT ♪ 9 00:00:18,452 --> 00:00:19,551 ♪ LA, LA, LA ♪ 10 00:00:19,553 --> 00:00:22,887 ♪ IF I'M WRONG, PLEASE CORRECT ♪ 11 00:00:22,889 --> 00:00:24,623 ♪ LA, LA, LA ♪ 12 00:00:24,625 --> 00:00:27,959 ♪ YOU'RE STANDING ON MY NECK ♪ 13 00:00:27,961 --> 00:00:29,228 ♪ LA, LA, LA ♪ 14 00:00:29,230 --> 00:00:32,797 ♪ YOU'RE STANDING ON MY NECK ♪ 15 00:00:32,799 --> 00:00:34,233 ♪ LA, LA, LA ♪ 16 00:00:34,235 --> 00:00:39,170 ♪ YOU'RE STANDING ON MY NECK ♪ 17 00:00:39,172 --> 00:00:41,907 ♪ LA-LA, LA, LA-LA ♪ 18 00:00:41,909 --> 00:00:43,842 ♪ LA-LA, LA, LA-LA ♪ 19 00:00:43,844 --> 00:00:46,478 ♪ LA-LA, LA, LA-LA ♪ 20 00:00:52,552 --> 00:00:53,986 - [blowing] 21 00:00:53,988 --> 00:00:56,889 - HEY, YOU'RE RUINING MY BIRTHDAY CAKE. 22 00:00:56,891 --> 00:00:57,956 [baby gurgles] 23 00:00:57,958 --> 00:00:59,290 IF ONLY THAT WERE ALL SHE RUINED. 24 00:00:59,292 --> 00:01:00,425 MAKE HER STOP. 25 00:01:00,427 --> 00:01:03,094 - OH, DARIA, SHE'S JUST A BABY. 26 00:01:03,096 --> 00:01:04,829 SHE WANTS TO PLAY TOO. 27 00:01:04,831 --> 00:01:06,297 - I'M SUCH A CUTE BABY. 28 00:01:06,299 --> 00:01:08,633 - WHY CAN'T I BE AN ONLY CHILD? 29 00:01:08,635 --> 00:01:10,502 YEAH, WHY CAN'T I? 30 00:01:10,504 --> 00:01:12,871 - [cooing and gurgling] 31 00:01:12,873 --> 00:01:14,640 - ISN'T IT GREAT TO SIT HERE 32 00:01:14,642 --> 00:01:17,142 AND SEE YOUR WHOLE LIFE UNFOLD BEFORE YOUR EYES? 33 00:01:17,144 --> 00:01:19,377 - IT'S ALMOST AS GOOD AS DROWNING. 34 00:01:19,379 --> 00:01:20,979 - GIRLS, GUESS WHAT. 35 00:01:20,981 --> 00:01:22,680 I FOUND A BOX OF OLD HOME MOVIES 36 00:01:22,682 --> 00:01:24,149 MY DAD TOOK OF ME WHEN I WAS A KID. 37 00:01:24,151 --> 00:01:26,685 I'M HAVING THEM TRANSFERRED TO VIDEOTAPE. 38 00:01:26,687 --> 00:01:29,454 - I WONDER HOW COME I NEVER WENT THROUGH AN AWKWARD PHASE. 39 00:01:29,456 --> 00:01:30,588 [car whooshing] 40 00:01:30,590 --> 00:01:31,689 - THANKS. 41 00:01:31,691 --> 00:01:33,859 - HE WANTED YOU TO WATCH HER BIRTH? 42 00:01:33,861 --> 00:01:35,693 THAT COULD SCAR YOU FOR LIFE. 43 00:01:35,695 --> 00:01:37,262 - THE BIRTH ITSELF DID THAT. 44 00:01:37,264 --> 00:01:40,298 - SPEAKING OF PERMANENT DAMAGE... 45 00:01:40,300 --> 00:01:42,600 - I DON'T SEE ANY VEGETABLES. 46 00:01:42,602 --> 00:01:44,036 - YOU SHOULD HAVE MY VIEW. 47 00:01:44,038 --> 00:01:45,270 - WHY VEGETABLES? 48 00:01:45,272 --> 00:01:47,939 - TO THROW AT THE SCREEN DURING THE BIG FOOD FIGHT. 49 00:01:47,941 --> 00:01:49,107 - WHAT FOOD FIGHT? 50 00:01:49,109 --> 00:01:51,343 - DARIA, ARE YOU THICK OR SOMETHING? 51 00:01:51,345 --> 00:01:53,411 THIS IS THE FOOD IN FILM FESTIVAL. 52 00:01:53,413 --> 00:01:55,480 - DIDN'T YOU SEE THE ROCKY HORROR PICTURE SHOW 53 00:01:55,482 --> 00:01:56,715 HERE LAST MONTH? 54 00:01:56,717 --> 00:01:59,184 KEVIN AND I WORE EACH OTHER'S UNDERWEAR. 55 00:01:59,186 --> 00:02:00,518 - AGAIN? 56 00:02:00,520 --> 00:02:01,853 - SORRY TO DISAPPOINT YOU, 57 00:02:01,855 --> 00:02:03,856 BUT I DON'T THINK THIS IS AN INTERACTIVE EVENT. 58 00:02:03,858 --> 00:02:06,558 TONIGHT THEY'RE SHOWING ANDRE SAKHARINSKY'S LAST MEAL. 59 00:02:06,560 --> 00:02:08,426 - A RUSSIAN ART FILM FROM THE 1930s. 60 00:02:08,428 --> 00:02:09,994 - RUSSIAN? 61 00:02:09,996 --> 00:02:13,365 both: SUBTITLES. 62 00:02:16,970 --> 00:02:19,837 [mingled conversation] 63 00:02:19,839 --> 00:02:21,439 - I'M HUNGRY. 64 00:02:21,441 --> 00:02:23,709 YOU DIDN'T HAPPEN TO SAVE ANY OF KEVIN'S PRODUCE, DID YOU? 65 00:02:23,711 --> 00:02:26,478 - DARIA? - UH-OH. 66 00:02:26,480 --> 00:02:29,014 WE'RE ABOUT TO BE SEEN WITH A TEACHER. 67 00:02:29,016 --> 00:02:30,282 HI, MR. O'NEILL. 68 00:02:30,284 --> 00:02:31,517 - HI, GIRLS. 69 00:02:31,519 --> 00:02:33,952 I'M JUST SO INVIGORATED. 70 00:02:33,954 --> 00:02:35,220 GREAT CINEMA IS TIMELESS. 71 00:02:35,222 --> 00:02:37,122 COULDN'T THAT MOVIE BE MADE TODAY? 72 00:02:37,124 --> 00:02:40,526 - I GUESS, IF YOU COULD FIND SOMEONE TO EXHUME THE ACTORS. 73 00:02:40,528 --> 00:02:42,394 - CAN I GIVE YOU TWO A LIFT HOME? 74 00:02:42,396 --> 00:02:44,396 - NO, THAT'S OKAY. WE LOVE TO WALK. 75 00:02:44,398 --> 00:02:46,765 - YEAH, IT'S A PERFECT NIGHT FOR A NICE LONG STROLL. 76 00:02:46,767 --> 00:02:48,534 [thunder crashes] [startled yells] 77 00:02:48,536 --> 00:02:51,870 - LET'S GET OUT OF HERE. 78 00:02:51,872 --> 00:02:53,438 - DON'T YOU WANT TO SIT IN FRONT, DARIA? 79 00:02:53,440 --> 00:02:55,406 - I'D LOVE TO, BUT, UH, 80 00:02:55,408 --> 00:02:58,577 YOU KNOW, I'M AFRAID OF AN AIR BAG INJURY. 81 00:02:58,579 --> 00:03:00,078 - OH, MY GOSH, I'M SO SORRY. WHAT WAS I THINKING? 82 00:03:00,080 --> 00:03:02,414 OF COURSE, YOU MUST SIT IN THE BACK. 83 00:03:02,416 --> 00:03:04,182 SOMETIMES I THINK FILM 84 00:03:04,184 --> 00:03:06,885 IS EVEN MORE A MIRROR OF OUR TIMES THAN THE NOVEL. 85 00:03:06,887 --> 00:03:10,255 DO YOU THINK THAT'S BECAUSE OF ITS GREATER VERISIMILITUDE? 86 00:03:10,257 --> 00:03:11,423 JANE? 87 00:03:11,425 --> 00:03:13,191 - I CAN'T REALLY HEAR YOU BACK HERE. 88 00:03:13,193 --> 00:03:14,426 ROAD NOISE. 89 00:03:14,428 --> 00:03:16,928 PLUS, I DON'T KNOW WHAT VERISA MILITUDE MEANS. 90 00:03:16,930 --> 00:03:19,097 - WHAT ABOUT YOU, DARIA? 91 00:03:19,099 --> 00:03:20,364 - LET'S FACE IT. 92 00:03:20,366 --> 00:03:23,001 MOST PEOPLE WOULD RATHER WATCH A MOVIE THAN READ A BOOK. 93 00:03:23,003 --> 00:03:24,802 IT'S FAST, IT'S EASY, AND YOU DON'T HAVE TO WORRY 94 00:03:24,804 --> 00:03:26,004 ABOUT YOUR LIPS MOVING. 95 00:03:26,006 --> 00:03:30,208 - THAT IS A FABULOUS CLASS ASSIGNMENT, DARIA. 96 00:03:30,210 --> 00:03:32,110 THANK YOU FOR THE SUGGESTION. 97 00:03:32,112 --> 00:03:34,746 - UM, DID I MAKE A SUGGESTION? 98 00:03:34,748 --> 00:03:37,783 BECAUSE IF SO, I'D LIKE TO WITHDRAW IT. 99 00:03:37,785 --> 00:03:38,950 [bell rings] 100 00:03:38,952 --> 00:03:42,320 - SO AS AN EXERCISE IN LIVING LITERATURE, 101 00:03:42,322 --> 00:03:44,188 YOU'LL ALL BE MAKING YOUR OWN MOVIES. 102 00:03:44,190 --> 00:03:46,458 WE HAVE DARIA TO THANK FOR THIS EXCITING SUGGESTION. 103 00:03:46,460 --> 00:03:48,193 - THERE'S THAT WORD AGAIN. 104 00:03:48,195 --> 00:03:50,629 - NOW, BEFORE WE SPLIT INTO MOVIE-MAKING TEAMS, 105 00:03:50,631 --> 00:03:51,663 WHO'D LIKE TO DIRECT? 106 00:03:51,665 --> 00:03:53,397 - I WOULD. - ME, ME, ME. 107 00:03:53,399 --> 00:03:54,933 - LET ME. LET ME. LET ME. - I WILL DO IT. 108 00:03:54,935 --> 00:03:57,802 - REMEMBER, THIS IS A PRECIOUS, PRECISE, 109 00:03:57,804 --> 00:04:00,138 AND VERY, VERY COSTLY INSTRUMENT. 110 00:04:00,140 --> 00:04:02,807 IT'S NOT THE SORT OF THING ONE ORDINARILY LENDS A TEENAGER. 111 00:04:02,809 --> 00:04:04,342 - WE'LL BE CAREFUL. 112 00:04:04,344 --> 00:04:06,611 - I EXPLAINED TO YOU ABOUT THE THREE FOCUS MODES, 113 00:04:06,613 --> 00:04:09,214 THE DEPTH OF FIELD OVERRIDE, AND THE AUTO SLEEP FEATURE. 114 00:04:09,216 --> 00:04:11,383 - I'M ABOUT TO GO INTO AUTO SLEEP MYSELF. 115 00:04:11,385 --> 00:04:15,120 - OKAY, DARIA, JUST TRY NOT TO USE IT TOO MUCH. 116 00:04:15,956 --> 00:04:18,189 - THERE. TREE CAM. 117 00:04:18,191 --> 00:04:19,858 - YOU'RE JUST GONNA LEAVE IT RUNNING? 118 00:04:19,860 --> 00:04:21,326 - ONLY A DAY OR TWO. 119 00:04:21,328 --> 00:04:23,762 IT'LL CATCH EVERYONE PASSING BY THROUGH THE TREE'S 120 00:04:23,764 --> 00:04:26,465 TOTALLY OBJECTIVE POINT OF VIEW. 121 00:04:27,701 --> 00:04:29,000 - RIVETING. 122 00:04:29,002 --> 00:04:31,936 - ANDY WARHOL FILMED EIGHT HOURS OF A GUY SLEEPING, 123 00:04:31,938 --> 00:04:33,472 AND PEOPLE THOUGHT IT WAS BRILLIANT. 124 00:04:33,474 --> 00:04:34,806 - THOSE PEOPLE CHANGED THEIR MINDS 125 00:04:34,808 --> 00:04:36,341 AFTER THEY GOT INTO 12-STEP PROGRAMS. 126 00:04:36,343 --> 00:04:37,442 - WAIT. 127 00:04:37,444 --> 00:04:41,213 I THINK I JUST SAW SOME LEAVES RUSTLE. 128 00:04:41,215 --> 00:04:42,780 - THERE'S OUR CLIMAX. 129 00:04:42,782 --> 00:04:45,350 - MAYBE WE NEED A SCRIPT. 130 00:04:45,352 --> 00:04:47,752 - AND THEN YOU OPEN THE WINDOW AND SAY, 131 00:04:47,754 --> 00:04:50,421 "LIFE IS A MEANINGLESS DECENT INTO THE VOID." 132 00:04:50,423 --> 00:04:52,991 THEN YOU JUMP, AND ON THE WAY DOWN, YOU SCREAM, 133 00:04:52,993 --> 00:04:55,027 "NOW I UNDERSTAND. I UNDERSTAND EVERYTHING." 134 00:04:55,029 --> 00:04:56,628 - CAN YOU GET RID OF THE WINDOW PART 135 00:04:56,630 --> 00:04:57,862 AND GIVE ME SOMETHING FUNNY TO SAY? 136 00:04:57,864 --> 00:04:59,264 AND A POODLE. 137 00:04:59,266 --> 00:05:02,099 I'D REALLY LIKE A SCENE WHERE I'M WALKING A POODLE. 138 00:05:02,101 --> 00:05:04,168 - ACTORS. 139 00:05:04,170 --> 00:05:06,604 IS THERE NO WAY OUT? 140 00:05:06,606 --> 00:05:08,206 - NO EXIT, MY FRIEND. 141 00:05:08,208 --> 00:05:13,044 IT'S JUST US STUCK IN THIS ROOM TOGETHER FOREVER AND EVER. 142 00:05:13,046 --> 00:05:15,380 - HELL, HELL IS OTHER PEOPLE. 143 00:05:15,382 --> 00:05:17,282 - [laughs] 144 00:05:17,284 --> 00:05:20,451 - ON SECOND THOUGHT, HELL IS MYSELF. 145 00:05:20,453 --> 00:05:23,455 [mid-tempo dance music] 146 00:05:23,457 --> 00:05:25,056 ♪ ♪ 147 00:05:25,058 --> 00:05:27,859 - NO, BABE, YOU'VE GOT TO RUN TO ME 148 00:05:27,861 --> 00:05:29,594 LIKE YOU HAVEN'T SEEN ME IN YEARS. 149 00:05:29,596 --> 00:05:31,763 I'VE BEEN IN CHINA, REMEMBER? 150 00:05:31,765 --> 00:05:34,165 - I WAS TRYING TO DO IT IN SLOW MOTION LIKE JODY SAID. 151 00:05:34,167 --> 00:05:37,468 - YOU ADD THE SLOW MOTION PART AFTER, YOU IDIOT. 152 00:05:37,470 --> 00:05:38,503 DON'T YOU? 153 00:05:38,505 --> 00:05:40,572 - WHO CARES? THIS SUCKS. 154 00:05:40,574 --> 00:05:43,674 I REALLY WANT TO DO A FILM ABOUT THE SUPERMARKET STRIKE. 155 00:05:43,676 --> 00:05:45,343 - BUT I ALREADY PAID FOR THIS GOWN. 156 00:05:45,345 --> 00:05:47,279 I CAN'T PLAY A CHECKOUT GIRL IN THIS. 157 00:05:47,281 --> 00:05:49,781 - IT'S A DOCUMENTARY. YOU DON'T NEED THE GOWN. 158 00:05:49,783 --> 00:05:53,084 - OH, NO. I WON'T DO A NUDE SCENE. 159 00:05:53,086 --> 00:05:56,054 UNLESS YOU THINK IT'S CRUCIAL TO MY CHARACTER. 160 00:05:58,759 --> 00:06:00,459 - WHAT ARE YOU DOING? 161 00:06:00,461 --> 00:06:02,060 - CAN I BORROW SOMETHING TO WEAR 162 00:06:02,062 --> 00:06:03,628 TO THE FASHION CLUB PARTY TONIGHT? 163 00:06:03,630 --> 00:06:05,196 - CHECK HER HEAD FOR BUMPS. 164 00:06:05,198 --> 00:06:06,698 - PLEASE, DARIA. 165 00:06:06,700 --> 00:06:09,134 IT'S THE FASHION DON'Ts COSTUME GALA. 166 00:06:09,136 --> 00:06:12,537 - YOU KNOW, A FASHION DON'Ts COSTUME PARTY 167 00:06:12,539 --> 00:06:14,539 COULD BE KIND OF CINEMATIC. 168 00:06:14,541 --> 00:06:17,542 - HMM. YEAH, I'LL TELL YOU WHAT, QUINN. 169 00:06:17,544 --> 00:06:19,377 I'LL LEND YOU AN OUTFIT. 170 00:06:19,379 --> 00:06:22,047 BUT YOU HAVE TO LET ME VIDEOTAPE YOU AND YOUR FRIENDS TONIGHT. 171 00:06:22,049 --> 00:06:23,815 - WHAT, LIKE, WITH A CAMERA? 172 00:06:23,817 --> 00:06:26,117 - YES, FOR A MOVIE FOR CLASS. 173 00:06:26,119 --> 00:06:29,087 - WHY WOULD I SAY NO TO THAT? 174 00:06:31,224 --> 00:06:33,625 - SHE'S STRANGELY MESMERIZING. 175 00:06:33,627 --> 00:06:36,961 - SUPERFICIAL, NARCISSISTIC, SELF-ABSORBED: 176 00:06:36,963 --> 00:06:38,829 SHE'S GOT STAR QUALITY ALL RIGHT. 177 00:06:38,831 --> 00:06:41,232 - I LOVE YOUR DON'T, SANDY. 178 00:06:41,234 --> 00:06:43,101 - BUT LOOK AT YOU, QUINN. 179 00:06:43,103 --> 00:06:46,905 BOXY TOP WITH TOO-LONG BOTTOM AND THE WRONG SHOES? 180 00:06:46,907 --> 00:06:49,440 WHERE DID YOU EVER COME UP WITH THAT? 181 00:06:49,442 --> 00:06:52,077 - QUINN, YOU'RE A GENIUS. 182 00:06:52,079 --> 00:06:53,644 - I'M LIKE AN ARTIST. 183 00:06:53,646 --> 00:06:56,047 AND THIS IS HOW I EXPRESS MYSELF. 184 00:06:56,049 --> 00:06:59,350 both: OH, BAD COLOR. 185 00:06:59,352 --> 00:07:01,719 - SHE'S EVEN SCARIER ON TAPE. 186 00:07:01,721 --> 00:07:04,222 - THIS PARTY IS JUST THE TIP OF THE ICEBERG. 187 00:07:04,224 --> 00:07:05,290 WE FOUND OUR SUBJECT. 188 00:07:05,292 --> 00:07:06,525 - YOU MEAN-- 189 00:07:06,527 --> 00:07:09,694 - A DAY IN THE LIFE OF QUINN MORGENDORFFER. 190 00:07:09,696 --> 00:07:12,531 - ARE YOU SURE YOU WANT TO DO A HORROR MOVIE? 191 00:07:23,810 --> 00:07:26,077 [crickets chirping] 192 00:07:26,079 --> 00:07:28,079 - SO THEY'RE GONNA FOLLOW ME AROUND FOR A WHOLE DAY. 193 00:07:28,081 --> 00:07:29,146 - OR A MINUTE, 194 00:07:29,148 --> 00:07:31,316 DEPENDING ON HOW MUCH WE CAN STAND. 195 00:07:31,318 --> 00:07:33,551 - IT'S SO NICE TO GET HOME EARLY 196 00:07:33,553 --> 00:07:35,486 AND HAVE A CHANCE TO MAKE DINNER. 197 00:07:35,488 --> 00:07:37,421 QUINN, ARE YOU SURE YOU WANT TO DO THIS? 198 00:07:37,423 --> 00:07:38,789 WHAT ABOUT YOUR PRIVACY? 199 00:07:38,791 --> 00:07:39,991 - WHEN DID THIS FAMILY 200 00:07:39,993 --> 00:07:42,660 TURN INTO SUCH A BUNCH OF PRIVACY FREAKS? 201 00:07:42,662 --> 00:07:44,128 - MY VIDEO TRANSFERS. 202 00:07:44,130 --> 00:07:47,199 I CAN'T WAIT TO RELIVE MY CHILDHOOD. 203 00:07:47,201 --> 00:07:48,767 - SHALL WE WATCH AFTER DINNER? 204 00:07:48,769 --> 00:07:50,635 - I THOUGHT I'D WRITE A LITTLE NARRATION 205 00:07:50,637 --> 00:07:52,003 BEFORE THE BIG SCREENING. 206 00:07:52,005 --> 00:07:54,639 I WANT TO CAPTURE THE WHOLE ESSENCE OF THE PERIOD. 207 00:07:54,641 --> 00:07:56,007 - I DON'T REMEMBER YOU HAVING 208 00:07:56,009 --> 00:07:57,508 SUCH FOND MEMORIES OF THOSE DAYS. 209 00:07:57,510 --> 00:07:58,843 - IT'S ALL COMING BACK TO ME. 210 00:07:58,845 --> 00:08:01,612 IT REALLY MAKES YOU FEEL NOSTALGIC FOR YOUR CHILDHOOD. 211 00:08:01,614 --> 00:08:03,681 THIS IS YOUR GOLDEN TIME. 212 00:08:03,683 --> 00:08:05,617 ENJOY YOUR YOUTH, GIRLS. 213 00:08:05,619 --> 00:08:06,818 - I THINK I'LL PASS ON DESSERT. 214 00:08:06,820 --> 00:08:09,087 I DON'T WANT TO LOOK PUFFY TOMORROW. 215 00:08:09,089 --> 00:08:13,624 - GUESS I'LL GO WATCH TV BY MYSELF FOR A WHILE. 216 00:08:13,626 --> 00:08:16,494 - WHEN THESE BALLERINAS WORK OUT AT THE BAR, 217 00:08:16,496 --> 00:08:18,530 THEY WORK OUT AT THE BAR. 218 00:08:18,532 --> 00:08:20,932 "TANKED IN A TUTU" WHEN SICK, SAD WORLD RETURNS. 219 00:08:20,934 --> 00:08:23,268 [knocking] - COME IN. 220 00:08:23,270 --> 00:08:27,439 - DARIA, I WONDER IF YOU'D TELL ME WHAT YOU HAVE IN MIND 221 00:08:27,441 --> 00:08:28,706 FOR THIS MOVIE OF QUINN. 222 00:08:28,708 --> 00:08:30,007 - WHAT DO YOU MEAN? 223 00:08:30,009 --> 00:08:31,876 IT'S JUST A LAME ASSIGNMENT FOR ENGLISH CLASS. 224 00:08:31,878 --> 00:08:34,112 - I MEAN WHY QUINN? 225 00:08:34,114 --> 00:08:36,815 - WELL, SHE'S LIVELY. SHE'S PHOTOGENIC. 226 00:08:36,817 --> 00:08:38,783 YOU KNOW WHAT? SHE'S BUBBLY. 227 00:08:38,785 --> 00:08:40,017 - DARIA. 228 00:08:40,019 --> 00:08:42,186 - WE'RE GONNA FOLLOW QUINN AROUND FOR A DAY 229 00:08:42,188 --> 00:08:43,320 AND SHOW THE WORLD WHAT IT'S LIKE 230 00:08:43,322 --> 00:08:44,722 TO BE ATTRACTIVE AND POPULAR. 231 00:08:44,724 --> 00:08:46,590 I'M KIND OF CURIOUS ABOUT THAT MYSELF. 232 00:08:46,592 --> 00:08:48,994 - IT'S JUST THAT SOMETIMES YOU JUDGE PEOPLE'S BEHAVIOR 233 00:08:48,996 --> 00:08:50,762 BY A PRETTY RIGID SET OF STANDARDS. 234 00:08:50,764 --> 00:08:52,630 NOT EVERYONE CAN LIVE UP TO THEM. 235 00:08:52,632 --> 00:08:54,032 - THAT'S WHAT'S WRONG WITH THE WORLD. 236 00:08:54,034 --> 00:08:57,234 - NOT EVEN YOU LIVE UP TO THEM ALL THE TIME. 237 00:08:57,236 --> 00:08:59,203 - I GUESS I COULD GO EASY ON HER. 238 00:08:59,205 --> 00:09:02,073 - THANKS, SWEETIE. 239 00:09:02,075 --> 00:09:03,574 - BUT DON'T HOLD YOUR BREATH. 240 00:09:03,576 --> 00:09:05,176 [doorbell rings] 241 00:09:05,178 --> 00:09:07,745 - READY? - RARIN'. 242 00:09:07,747 --> 00:09:09,414 REMEMBER, WE'RE EXPOSING 243 00:09:09,416 --> 00:09:11,382 A HOLLOW, SELF-CENTERED EGOMANIAC. 244 00:09:11,384 --> 00:09:12,651 - [gasps] 245 00:09:12,653 --> 00:09:15,086 - TRUST ME. WE WON'T HAVE TO WORK VERY HARD. 246 00:09:15,088 --> 00:09:17,989 LET'S JUST SAY MORNINGS ARE NOT HER BEST TIME. 247 00:09:21,527 --> 00:09:26,430 - [yawns] 248 00:09:26,432 --> 00:09:30,001 GOOD MORNING, BEAUTIFUL WORLD. 249 00:09:30,003 --> 00:09:31,068 - OH. 250 00:09:31,070 --> 00:09:32,370 - DON'T YOU WANT TO SHOOT ME? 251 00:09:32,372 --> 00:09:34,739 - YES, I WANT TO SHOOT YOU. 252 00:09:34,741 --> 00:09:36,841 - BY THE WAY, WHICH IS MY BEST SIDE? 253 00:09:36,843 --> 00:09:40,312 I KNOW THEY'RE BOTH GOOD. 254 00:09:40,314 --> 00:09:42,180 - YOU'RE ALREADY WEARING MAKEUP. 255 00:09:42,182 --> 00:09:43,348 - I AM NOT. 256 00:09:43,350 --> 00:09:45,684 I JUST HAPPEN TO BE THE KIND OF PERSON 257 00:09:45,686 --> 00:09:47,285 WHO DOESN'T REALLY NEED MAKEUP. 258 00:09:47,287 --> 00:09:49,020 - SO YOU'RE PUTTING IT ON BECAUSE-- 259 00:09:49,022 --> 00:09:51,389 - NOT EVERYONE IS AS LUCKY AS I AM. 260 00:09:51,391 --> 00:09:54,459 I WANT TO BE A ROLE MODEL FOR ALL PEOPLE, 261 00:09:54,461 --> 00:09:56,895 EVEN THE ONES WHO NEED MAKEUP REALLY BADLY. 262 00:09:56,897 --> 00:09:58,696 - I THINK I NEED TO SIT DOWN. 263 00:09:58,698 --> 00:10:00,531 I'M GETTING DIZZY. 264 00:10:00,533 --> 00:10:04,502 all: [chanting] THE PEOPLE UNITED WILL NEVER BE DIVIDED. 265 00:10:04,504 --> 00:10:05,536 - I DON'T GET IT. 266 00:10:05,538 --> 00:10:08,206 WHY ARE THEY ALL STANDING THERE? 267 00:10:08,208 --> 00:10:09,974 - THEY'RE HAVING A DISPUTE WITH MANAGEMENT, 268 00:10:09,976 --> 00:10:11,442 SO THEY REFUSE TO WORK. 269 00:10:11,444 --> 00:10:14,445 - SOMEONE SHOULD TELL THEM THEY'RE TAKING UP THE SIDEWALK. 270 00:10:14,447 --> 00:10:17,115 - TELL ME WHY YOU'RE ON STRIKE AND WHAT YOU HOPE TO ACCOMPLISH. 271 00:10:17,117 --> 00:10:18,515 - IT'S SIMPLE ENOUGH: 272 00:10:18,517 --> 00:10:20,918 AN HONEST DAY'S PAY FOR AN HONEST DAY'S WORK. 273 00:10:20,920 --> 00:10:23,088 STOP CHISELING AWAY AT OUR BENEFITS. 274 00:10:23,090 --> 00:10:25,423 - I'M GETTING A CRAVING, BABE. 275 00:10:25,425 --> 00:10:27,925 - HO HOs? - YEAH. 276 00:10:27,927 --> 00:10:30,361 - NO PROBLEM, BABE. 277 00:10:30,363 --> 00:10:32,329 - HEY, HEY, HEY, EXCUSE ME. 278 00:10:32,331 --> 00:10:34,199 EXCUSE ME, YOU CAN'T GO IN THERE. 279 00:10:34,201 --> 00:10:35,600 - COME ON. - WAIT A-- 280 00:10:35,602 --> 00:10:38,803 - POWER YOGA IS A REALLY GOOD THING TO DO 281 00:10:38,805 --> 00:10:42,673 BECAUSE INNER BEAUTY IS JUST AS IMPORTANT AS OUTER BEAUTY. 282 00:10:42,675 --> 00:10:45,743 LIKE, CAN YOU HAVE A CD WITHOUT A CD PLAYER? 283 00:10:45,745 --> 00:10:49,280 I DON'T THINK SO. 284 00:10:49,282 --> 00:10:51,115 - IT WAS A TIME OF INNOCENCE 285 00:10:51,117 --> 00:10:52,550 WHEN YOU LEFT YOUR DOORS UNLOCKED 286 00:10:52,552 --> 00:10:54,018 AND CANDY BARS COST A NICKEL. 287 00:10:54,020 --> 00:10:55,786 NOT THAT THOSE TWO FACTS ARE RELATED. 288 00:10:55,788 --> 00:10:57,121 I'M--AH, DAMN IT. 289 00:10:57,123 --> 00:10:58,623 LET ME START OVER HERE. 290 00:10:58,625 --> 00:11:02,226 IT WAS A CAREFREE TIME WHEN A YOUNG BOY COULD LEARN 291 00:11:02,228 --> 00:11:05,029 TO RIDE A BIKE ON SUN-DAPPLED STREETS. 292 00:11:05,031 --> 00:11:07,665 HEY, HEY, WHY DOESN'T SOMEBODY HELP THAT POOR KID? 293 00:11:07,667 --> 00:11:09,367 HE SKINNED HIS KNEE. 294 00:11:09,369 --> 00:11:11,636 OH, I GET IT. 295 00:11:11,638 --> 00:11:14,406 GET BACK ON THE BIKE, JAKE. BIG BOYS DON'T CRY. 296 00:11:14,408 --> 00:11:16,340 CRYING IS FOR GIRLS, JAKEY. 297 00:11:16,342 --> 00:11:18,510 JAKE, JAKE, QUIVERING QUAKE. 298 00:11:18,512 --> 00:11:20,745 IT'S ALL COMING BACK TO ME NOW. 299 00:11:20,747 --> 00:11:24,582 - ARE YOUR COUSIN AND HER FRIEND GONNA FOLLOW US 300 00:11:24,584 --> 00:11:25,950 EVERYWHERE WE GO? 301 00:11:25,952 --> 00:11:27,585 - I TOLD YOU. JUST IGNORE THEM. 302 00:11:27,587 --> 00:11:29,720 - YOU ALWAYS SAY THAT ABOUT THEM, 303 00:11:29,722 --> 00:11:32,323 BUT THEY DON'T USUALLY HAVE A CAMERA. 304 00:11:32,325 --> 00:11:35,927 - IT'S A LITTLE PROJECT I GOT, UM, FORCED INTO. 305 00:11:35,929 --> 00:11:39,264 BY THE WAY, WHICH DO YOU THINK IS MY BEST SIDE? 306 00:11:39,266 --> 00:11:40,699 - THEY'RE BOTH GOOD. 307 00:11:40,701 --> 00:11:42,100 - I KNOW. 308 00:11:42,102 --> 00:11:43,668 BUT THIS SIDE HAS MY BETTER DIMPLE. 309 00:11:43,670 --> 00:11:46,104 - I DON'T KNOW HOW MUCH MORE OF THIS I CAN TAKE. 310 00:11:46,106 --> 00:11:48,406 - UM, GUY, WOULD YOU FIND OUT 311 00:11:48,408 --> 00:11:49,873 IF THEY HAVE THOSE CHEESELESS PIZZAS? 312 00:11:49,875 --> 00:11:53,278 - SURE, AND, UH, IT'S ZACHARY. 313 00:11:53,280 --> 00:11:55,280 - WHY DID YOU INVITE THAT GUY? 314 00:11:55,282 --> 00:11:58,316 - I THOUGHT YOU WERE GOING STEADY WITH LARRY THIS WEEK. 315 00:11:58,318 --> 00:12:00,084 - LARRY TOTALED HIS CAR. 316 00:12:00,086 --> 00:12:02,220 ZACHARY HAS GOT HIS MOM'S CAR. 317 00:12:02,222 --> 00:12:04,155 - YOU'RE SO SMART, QUINN. 318 00:12:04,157 --> 00:12:05,723 YOU ALWAYS THINK AHEAD. 319 00:12:05,725 --> 00:12:07,525 - DID YOU HEAR THAT? 320 00:12:07,527 --> 00:12:11,329 DID YOU HEAR THAT, GUYS? GUYS. 321 00:12:15,469 --> 00:12:17,401 [tape squealing] 322 00:12:17,403 --> 00:12:21,072 - OH, LOOK AT THAT CUTE LITTLE BOY. 323 00:12:21,074 --> 00:12:24,642 AND HE GREW UP INTO SUCH A HANDSOME MAN. 324 00:12:27,547 --> 00:12:31,849 HONEY, WOULDN'T YOU LIKE A LITTLE MORE LIGHT IN HERE? 325 00:12:31,851 --> 00:12:34,919 OKAY, JAKE, I'M JUST GONNA CATCH UP 326 00:12:34,921 --> 00:12:37,755 ON SOME PAPERWORK IN THE KITCHEN. 327 00:12:37,757 --> 00:12:39,357 - THANKS FOR DRIVING US HERE, AARON, BUT-- 328 00:12:39,359 --> 00:12:40,424 - IT'S ZACHARY. 329 00:12:40,426 --> 00:12:41,458 - THAT'S WHAT I SAID. 330 00:12:41,460 --> 00:12:44,161 BUT SHOPPING IS KIND OF A GIRL THING. 331 00:12:44,163 --> 00:12:46,030 MAYBE YOU COULD MEET US AFTER OR SOMETHING. 332 00:12:46,032 --> 00:12:47,664 - BUT WHAT'LL I DO IN THE MEANTIME? 333 00:12:47,666 --> 00:12:50,567 - I DON'T KNOW. DO YOU HAVE ANY SHOPPING TO DO? 334 00:12:50,569 --> 00:12:53,004 MAYBE THERE'S SOMEONE SPECIAL YOU WANT TO GET A PRESENT FOR. 335 00:12:53,006 --> 00:12:56,340 - UM, WELL, YOU'RE KIND OF SPECIAL, QUINN. 336 00:12:56,342 --> 00:12:59,510 - OH, ZACHARY, YOU DON'T HAVE TO GET ME A PRESENT. 337 00:12:59,512 --> 00:13:01,112 IF YOU ASK FOR TERESA IN JUNIOR 5 338 00:13:01,114 --> 00:13:02,947 AND TELL HER IT'S FOR QUINN, SHE'LL HELP YOU OUT. 339 00:13:02,949 --> 00:13:05,349 - DID YOU GET THAT? I HOPE YOU GOT THAT. 340 00:13:05,351 --> 00:13:08,386 - DO YOU KNOW THAT PORE REFINER SPELLED BACKWARDS 341 00:13:08,388 --> 00:13:09,620 IS RENIFER EROP. 342 00:13:09,622 --> 00:13:11,021 - GIVE ME THAT. 343 00:13:11,023 --> 00:13:13,491 - OH, LOOK, PORE REFINER. 344 00:13:13,493 --> 00:13:14,992 I'M GLAD I DON'T NEED THAT. 345 00:13:14,994 --> 00:13:17,328 HAVE YOU EVER NOTICED HOW POPULAR PEOPLE 346 00:13:17,330 --> 00:13:19,464 ALWAYS HAVE THE TINIEST PORES? 347 00:13:19,466 --> 00:13:20,665 I WONDER WHY THAT IS. 348 00:13:20,667 --> 00:13:23,167 - YOUR PORES ARE REALLY CUTE, QUINN. 349 00:13:23,169 --> 00:13:25,570 - BUT YOU CAN'T SEE THEM, CAN YOU? 350 00:13:25,572 --> 00:13:28,773 - OH, MY GOD, THEY'VE BEEN-- THEY'VE BEEN ZOOMING. 351 00:13:28,775 --> 00:13:30,341 YOU BETTER NOT ZOOM THAT THING. 352 00:13:30,343 --> 00:13:31,643 STOP ZOOMING. I MEAN IT. 353 00:13:31,645 --> 00:13:33,544 IF YOU CAN SEE ANY OF MY PORES ON CAMERA, 354 00:13:33,546 --> 00:13:34,712 I SWEAR I'LL KILL YOU. 355 00:13:34,714 --> 00:13:35,813 STOP THE TAPE. 356 00:13:35,815 --> 00:13:38,048 I DO NOT HAVE PORES. MY PORES ARE CUTE. 357 00:13:38,050 --> 00:13:41,386 MY PORES ARE TINY. YOU'RE FIRED. 358 00:13:41,388 --> 00:13:44,288 - ANYTHING YOU SAY CAN AND WILL BE USED AGAINST YOU. 359 00:13:44,290 --> 00:13:47,124 WE'VE GOT OUR QUINN. - THAT'S A WRAP. 360 00:13:47,126 --> 00:13:49,894 - BUT A WRAP SKIRT IS A DEFINITE DON'T. 361 00:13:49,896 --> 00:13:53,865 OH, MY GOD. DID I REALLY JUST SAY THAT? 362 00:14:04,377 --> 00:14:06,777 I HAVE THE CUTEST LITTLE PORES, DON'T I? 363 00:14:06,779 --> 00:14:08,279 - YOU REALLY DO. 364 00:14:08,281 --> 00:14:11,382 EACH ONE'S LIKE A TINY DIMPLE. 365 00:14:11,384 --> 00:14:14,385 - I WISH I HAD PORES LIKE YOURS, DARIA. 366 00:14:14,387 --> 00:14:15,452 - PORES LIKE YOURS. 367 00:14:15,454 --> 00:14:16,520 THAT WOULD BE A GREAT NAME 368 00:14:16,522 --> 00:14:18,389 FOR A PORE CONDITIONING EXFOLIANT. 369 00:14:18,391 --> 00:14:20,791 - GOD, DARIA, HOW DO YOU DO IT? 370 00:14:20,793 --> 00:14:23,761 HERE WE ARE COMPLIMENTING YOU ON YOUR PERFECT PORES, 371 00:14:23,763 --> 00:14:26,230 AND YOU'RE UNSELFISHLY THINKING 372 00:14:26,232 --> 00:14:29,333 ABOUT HOW YOU CAN IMPROVE THE PORES OF OTHERS. 373 00:14:29,335 --> 00:14:32,904 - DUH. I GUESS WHEN IT RAINS, IT PORES. 374 00:14:32,906 --> 00:14:36,540 [laughter] 375 00:14:36,542 --> 00:14:37,742 [gasps] 376 00:14:37,744 --> 00:14:40,878 DAD, WHAT ARE YOU DOING UP? 377 00:14:40,880 --> 00:14:41,979 - I WAS A CHILD. 378 00:14:41,981 --> 00:14:43,247 I NEEDED ATTENTION. 379 00:14:43,249 --> 00:14:44,949 I HAD A BOO-BOO ON MY KNEE. 380 00:14:44,951 --> 00:14:47,618 - UH, IT'S PRETTY MUCH HEALED NOW, THOUGH, RIGHT? 381 00:14:47,620 --> 00:14:50,154 - DID ANYONE CARE? 382 00:14:50,156 --> 00:14:51,555 NO ONE CARED. 383 00:14:51,557 --> 00:14:54,858 THIS IS WHAT I NEVER HAD, DARIA, WHAT WE'RE DOING NOW, 384 00:14:54,860 --> 00:14:57,128 SIMPLE PARENT-CHILD BONDING, 385 00:14:57,130 --> 00:14:58,229 THE KIND OF CLOSENESS YOUR MOTHER AND I 386 00:14:58,231 --> 00:14:59,764 HAVE WORKED SO HARD TO GIVE YOU. 387 00:14:59,766 --> 00:15:01,065 - GEE, THAT'S FUNNY. 388 00:15:01,067 --> 00:15:03,101 I COULD HAVE SWORN I WOKE UP FROM THE DREAM. 389 00:15:03,103 --> 00:15:05,603 - YOU JUST CAN'T PUT A PRICE ON A MOMENT LIKE THIS, DARIA. 390 00:15:05,605 --> 00:15:08,806 AND ONCE THESE YEARS ARE GONE, THEY'RE GONE. 391 00:15:08,808 --> 00:15:10,941 - DAD, IT'S 4:00 A.M. 392 00:15:10,943 --> 00:15:13,444 I JUST WOKE UP FROM MY WORST NIGHTMARE: 393 00:15:13,446 --> 00:15:14,879 RESEMBLING MY SISTER. 394 00:15:14,881 --> 00:15:16,848 YOU'RE RELIVING AN INSTANCE OF PARENTAL NEGLECT 395 00:15:16,850 --> 00:15:18,216 FROM 40 YEARS AGO. 396 00:15:18,218 --> 00:15:20,251 YOU CALL THIS PARENT-CHILD BONDING? 397 00:15:20,253 --> 00:15:21,552 - WORKS FOR ME. 398 00:15:21,554 --> 00:15:24,855 - LET'S WATCH AGAIN. 399 00:15:24,857 --> 00:15:26,223 THANKS FOR MEETING ME HERE. 400 00:15:26,225 --> 00:15:27,825 - LOOKS LIKE YOU HAD A ROUGH NIGHT. 401 00:15:27,827 --> 00:15:30,661 - JUST PROMISE ME THAT IF I START ACTING, 402 00:15:30,663 --> 00:15:34,465 TALKING, OR THINKING LIKE QUINN, YOU'LL DO THE RIGHT THING. 403 00:15:34,467 --> 00:15:35,966 - IF YOU DON'T RESPOND TO DRUG THERAPY, 404 00:15:35,968 --> 00:15:37,602 I'LL AUTHORIZE ELECTROSHOCK. 405 00:15:37,604 --> 00:15:38,936 OH, AND BY THE WAY, 406 00:15:38,938 --> 00:15:41,539 YOUR TEENSY-WEENSY PORES LOOK REALLY CUTE TODAY. 407 00:15:41,541 --> 00:15:43,574 - BUT WHICH IS MY BEST SIDE, HMM? 408 00:15:43,576 --> 00:15:45,710 I KNOW THEY'RE BOTH GOOD. 409 00:15:45,712 --> 00:15:48,779 - HEY, DARIA. 410 00:15:48,781 --> 00:15:52,216 - DID I FORGET TO MENTION WHO DROVE ME HERE? 411 00:15:52,218 --> 00:15:54,385 - IF YOU CAN SEE ANY OF MY PORES ON CAMERA, 412 00:15:54,387 --> 00:15:55,820 I SWEAR I'LL KILL YOU. 413 00:15:55,822 --> 00:15:57,221 STOP THE TAPE. 414 00:15:57,223 --> 00:15:58,455 - THIS IS TOO EASY. 415 00:15:58,457 --> 00:16:00,725 - SHOOTING DUCKS IN A BARREL. 416 00:16:00,727 --> 00:16:02,560 - HOW IS THAT FILM PROJECT COMING? 417 00:16:02,562 --> 00:16:03,694 - PRETTY GOOD. 418 00:16:03,696 --> 00:16:05,729 - I HAVEN'T SEEN YOU SO AMUSED 419 00:16:05,731 --> 00:16:07,398 SINCE YOUR SISTER FELL AT HER DANCE RECITAL. 420 00:16:07,400 --> 00:16:08,499 [chuckles] 421 00:16:08,501 --> 00:16:09,734 - THAT WAS ME. 422 00:16:09,736 --> 00:16:12,136 - OH, I KNEW IT WAS ONE OF YOU GIRLS 423 00:16:12,138 --> 00:16:14,472 LAUGHING AT ONE OF YOU GIRLS. 424 00:16:14,474 --> 00:16:15,673 CAN I SNEAK A PEEK? 425 00:16:15,675 --> 00:16:16,807 - WE'RE STILL EDITING. 426 00:16:16,809 --> 00:16:19,810 - QUINN'S GOT A REAL SCREEN PRESENCE. 427 00:16:19,812 --> 00:16:21,779 - BY THE WAY, WHICH IS MY BEST SIDE? 428 00:16:21,781 --> 00:16:23,581 I KNOW THEY'RE BOTH GOOD. 429 00:16:23,583 --> 00:16:25,349 IF YOU CAN SEE ANY OF MY PORES ON CAMERA, 430 00:16:25,351 --> 00:16:26,517 I SWEAR I'LL KILL YOU. 431 00:16:26,519 --> 00:16:28,886 STOP THE TAPE. I DO NOT HAVE PORES. 432 00:16:28,888 --> 00:16:31,322 MY PORES ARE CUTE. MY PORES ARE TINY. 433 00:16:31,324 --> 00:16:33,057 YOU'RE FIRED. 434 00:16:33,059 --> 00:16:34,359 - OH, MY. 435 00:16:34,361 --> 00:16:36,194 THIS IS A LITTLE CRUEL. 436 00:16:36,196 --> 00:16:38,563 ARE YOU SURE YOU HAVEN'T TAKEN HER OUT OF CONTEXT? 437 00:16:38,565 --> 00:16:40,164 - SHE CREATES HER OWN CONTEXT. 438 00:16:40,166 --> 00:16:42,933 - YOU KNOW, DARIA, I WOULDN'T LET QUINN 439 00:16:42,935 --> 00:16:45,336 MAKE A MOVIE THAT MADE HER SISTER LOOK RIDICULOUS. 440 00:16:45,338 --> 00:16:47,839 - HOW COULD SHE? SHE DOESN'T ADMIT TO HAVING ONE. 441 00:16:47,841 --> 00:16:51,943 - I TELL YOU WHAT, DARIA. YOU DO WHAT YOU THINK IS RIGHT. 442 00:16:51,945 --> 00:16:53,277 - I DON'T LIKE THE SOUND OF THAT. 443 00:16:53,279 --> 00:16:54,545 - DON'T WORRY. 444 00:16:54,547 --> 00:16:57,114 SHE'S CLEARLY OVERESTIMATING MY CONSCIENCE 445 00:16:57,116 --> 00:16:59,683 BY ASSUMING I HAVE ONE AT ALL. 446 00:16:59,685 --> 00:17:02,186 - BY THE WAY, WHICH IS MY BEST SIDE? 447 00:17:02,188 --> 00:17:04,088 IS THAT MY MOVIE? CAN I SEE? 448 00:17:04,090 --> 00:17:05,689 - SORRY, BUT THAT WOULD INTERFERE 449 00:17:05,691 --> 00:17:07,358 WITH OUR CREATIVE PROCESS. 450 00:17:07,360 --> 00:17:09,026 - SEE, WE'RE LIKE ARTISTS. 451 00:17:09,028 --> 00:17:11,095 AND THIS IS HOW WE EXPRESS OURSELVES. 452 00:17:11,097 --> 00:17:12,597 YOU UNDERSTAND. 453 00:17:12,599 --> 00:17:14,599 - I CAN'T WAIT TO SEE IT. 454 00:17:14,601 --> 00:17:17,068 I JUST HOPE I DON'T SOUND STUPID OR ANYTHING. 455 00:17:17,070 --> 00:17:19,670 [giggles] NOT THAT I WOULD. 456 00:17:19,672 --> 00:17:20,971 - PERISH THE THOUGHT. 457 00:17:20,973 --> 00:17:24,374 - I JUST--I KNOW SOMETIMES CERTAIN TYPES OF PEOPLE, 458 00:17:24,376 --> 00:17:26,143 JEALOUS PEOPLE, MIGHT THINK, 459 00:17:26,145 --> 00:17:27,845 "WHO DOES SHE THINK SHE IS?" 460 00:17:27,847 --> 00:17:29,347 BECAUSE I SOMETIMES THINK THAT. 461 00:17:29,349 --> 00:17:31,782 BUT I CAN'T LET MYSELF GO ON TOO LONG THINKING THAT. 462 00:17:31,784 --> 00:17:33,150 - OR ANYTHING ELSE. 463 00:17:33,152 --> 00:17:35,186 - I MEAN, SOMETIMES I'M WALKING DOWN THE HALL 464 00:17:35,188 --> 00:17:36,821 WITH SANDY AND STACY AND TIFFANY, 465 00:17:36,823 --> 00:17:38,956 AND IT'S LIKE SUDDENLY I'M OUTSIDE MYSELF WATCHING. 466 00:17:38,958 --> 00:17:40,891 AND IT'S LIKE, WHO ARE THESE GIRLS? 467 00:17:40,893 --> 00:17:44,361 CAN'T THEY TALK ABOUT ANYTHING BUT GUYS AND CLOTHES AND CARS? 468 00:17:44,363 --> 00:17:47,098 BUT THEN WHAT WOULD WE TALK ABOUT? 469 00:17:47,100 --> 00:17:49,233 YOU HAVE TO BE GOOD AT SOMETHING. 470 00:17:49,235 --> 00:17:50,668 YOU'RE GOOD AT YOUR READING AND WRITING AND STUFF, 471 00:17:50,670 --> 00:17:52,737 AND YOU'RE GOOD AT YOUR LITTLE PAINTINGS. 472 00:17:52,739 --> 00:17:54,739 - THEY ARE MINUSCULE, AREN'T THEY? 473 00:17:54,741 --> 00:17:56,707 - I FIGURE BEING ATTRACTIVE AND POPULAR, 474 00:17:56,709 --> 00:17:57,875 THAT'S WHAT I'M GOOD AT. 475 00:17:57,877 --> 00:17:59,677 MAYBE IT'S NOT REALLY IMPORTANT, 476 00:17:59,679 --> 00:18:02,179 BUT, YOU KNOW, IT'S WHAT I CAN DO. 477 00:18:02,181 --> 00:18:04,114 [laughs nervously] 478 00:18:06,285 --> 00:18:07,951 - AW, HELL. 479 00:18:07,953 --> 00:18:09,753 - YEAH. 480 00:18:11,357 --> 00:18:14,024 [shouting] 481 00:18:14,026 --> 00:18:15,058 - WHOO-HOO! 482 00:18:15,060 --> 00:18:16,894 - YEAH. - YEAH! 483 00:18:16,896 --> 00:18:18,463 - I LOVED THAT. - GREAT. 484 00:18:18,465 --> 00:18:22,233 - JODY, WHERE DID YOU LEARN TO JUGGLE SYMBOLISM LIKE THAT? 485 00:18:22,235 --> 00:18:24,869 - UM, I WORKED WITH STORYBOARDS. 486 00:18:24,871 --> 00:18:26,570 I THINK THAT HELPED. 487 00:18:26,572 --> 00:18:29,840 - AND NOW A WORK BY DARIA AND JANE. 488 00:18:33,279 --> 00:18:35,213 - [yawns] 489 00:18:37,817 --> 00:18:40,384 I WANT TO BE A ROLE MODEL FOR ALL PEOPLE, 490 00:18:40,386 --> 00:18:43,054 EVEN THE ONES WHO NEED MAKEUP REALLY BADLY. 491 00:18:43,056 --> 00:18:45,255 BY THE WAY, WHICH IS MY BEST SIDE? 492 00:18:45,257 --> 00:18:48,158 LIKE, CAN YOU HAVE A CD WITHOUT A CD PLAYER? 493 00:18:48,160 --> 00:18:49,927 I DON'T THINK SO. 494 00:18:49,929 --> 00:18:52,062 BY THE WAY, WHICH IS MY BEST SIDE? 495 00:18:52,064 --> 00:18:54,398 DON'T LOOK LIKE YOU HAVE ON TOO MUCH MAKEUP. 496 00:18:54,400 --> 00:18:57,000 WEAR ENOUGH TO MAKE IT LOOK LIKE YOU DON'T HAVE MUCH ON. 497 00:18:57,002 --> 00:18:59,203 BY THE WAY, WHICH IS MY BEST SIDE? 498 00:19:03,309 --> 00:19:04,342 GOOD NIGHT. 499 00:19:04,344 --> 00:19:06,510 THANKS FOR SHARING MY DAY WITH ME. 500 00:19:06,512 --> 00:19:09,213 AND REMEMBER, FASHION IS FUN AND EVERYTHING, 501 00:19:09,215 --> 00:19:10,948 BUT WE SHOULD REALLY DO SOMETHING 502 00:19:10,950 --> 00:19:13,917 ABOUT THE RAIN FOREST AND STUFF. 503 00:19:13,919 --> 00:19:15,085 - WHAT WAS THAT? 504 00:19:15,087 --> 00:19:16,987 - I TOLD HER I'D GIVE HER THE OPPORTUNITY 505 00:19:16,989 --> 00:19:19,824 TO SHOW THERE WAS MORE TO HER THAN JUST THE SURFACE QUINN. 506 00:19:19,826 --> 00:19:21,225 TURNS OUT THERE ISN'T. 507 00:19:21,227 --> 00:19:23,361 - AND WHAT EXACTLY HAPPENED TO THE PORES STUFF, 508 00:19:23,363 --> 00:19:24,661 OUR BIG FINISH? 509 00:19:24,663 --> 00:19:26,863 - YOU KNOW THAT CONSCIENCE I DON'T HAVE? 510 00:19:26,865 --> 00:19:28,098 IT GOT TO ME. 511 00:19:28,100 --> 00:19:31,569 - WELL, THE DEPTHS OF SHALLOWNESS. 512 00:19:31,571 --> 00:19:32,870 PROVOCATIVE INDEED. 513 00:19:32,872 --> 00:19:34,104 NOW, WHAT IF WE-- 514 00:19:34,106 --> 00:19:37,842 [scuffling] 515 00:19:37,844 --> 00:19:40,611 [cheering] 516 00:19:45,585 --> 00:19:47,918 - YOUR MOVIE REALLY KICKED BUTT, GUYS. 517 00:19:47,920 --> 00:19:48,985 - OH, SURE. 518 00:19:48,987 --> 00:19:50,054 - I MEAN IT. 519 00:19:50,056 --> 00:19:53,424 IT REALLY CAPTURED A KIND OF DESPAIR. 520 00:19:53,426 --> 00:19:55,993 YOUR SISTER MAKES ME SO SAD. 521 00:19:55,995 --> 00:19:57,094 - YOU AND ME BOTH. 522 00:19:57,096 --> 00:19:58,495 - YOU'RE THE GIRL FROM THE MOVIE. 523 00:19:58,497 --> 00:19:59,496 I LOVE YOU. 524 00:19:59,498 --> 00:20:02,133 - WHICH IS MY BEST SIDE? CAN YOU TELL ME? 525 00:20:02,135 --> 00:20:04,101 - NOW I'M REALLY SAD. 526 00:20:04,103 --> 00:20:07,737 - GOD, I THOUGHT I WAS THE ONLY ONE ASHAMED OF MY PORES. 527 00:20:07,739 --> 00:20:10,040 - WE'RE ALL ASHAMED OF OUR PORES. 528 00:20:10,042 --> 00:20:13,010 BUT YOU MUSTN'T BE ASHAMED OF YOUR SHAME. 529 00:20:13,012 --> 00:20:14,278 - SO YOU DID THE COMPASSIONATE THING, 530 00:20:14,280 --> 00:20:15,913 AND LOOK WHERE IT GOT YOU. 531 00:20:15,915 --> 00:20:17,882 - SHE'S MORE POPULAR THAN EVER. 532 00:20:17,884 --> 00:20:19,950 WE SET OUT TO MAKE AN EXPOSE. 533 00:20:19,952 --> 00:20:21,619 IT ENDS UP A LOVE LETTER. 534 00:20:21,621 --> 00:20:23,587 - SEE, WE'RE LIKE ARTISTS. 535 00:20:23,589 --> 00:20:25,823 AND THIS IS HOW WE SCREW OURSELVES. 536 00:20:25,825 --> 00:20:28,025 - AND YOU, TOO, CAN HAVE BOUNCY HAIR 537 00:20:28,027 --> 00:20:29,593 IF YOU JUST TAKE THE TIME 538 00:20:29,595 --> 00:20:32,196 TO BOUNCE FROM THE INSIDE AS WELL. 539 00:20:32,198 --> 00:20:35,499 COME ON, EVERYONE. BOUNCE WITH ME. 540 00:20:35,501 --> 00:20:37,468 - ♪ LA-LA, LA, LA-LA ♪ 541 00:20:37,470 --> 00:20:45,409 ♪ ♪ 542 00:20:50,349 --> 00:20:51,948 ♪ LA, LA, LA ♪ 543 00:20:51,950 --> 00:20:55,219 ♪ ♪ 544 00:20:55,221 --> 00:20:56,587 ♪ LA, LA, LA ♪ 545 00:20:56,589 --> 00:21:00,056 ♪ ♪ 546 00:21:00,058 --> 00:21:01,391 ♪ LA, LA, LA ♪ 547 00:21:01,393 --> 00:21:09,333 ♪ ♪ 548 00:21:11,704 --> 00:21:14,438 ♪ LA-LA, LA, LA-LA ♪