1 00:00:01,935 --> 00:00:03,535 - ♪ LA-LA, LA, LA-LA ♪ 2 00:00:03,537 --> 00:00:05,904 ♪ LA-LA, LA, LA-LA ♪ 3 00:00:17,517 --> 00:00:18,917 [thunder booming] 4 00:00:18,919 --> 00:00:21,653 - WOW, LOOK AT THIS PLACE. 5 00:00:21,655 --> 00:00:23,122 I WONDER WHAT IT IS. 6 00:00:23,124 --> 00:00:25,924 - I THINK IT'S THE LIBRARY, BABE. 7 00:00:32,099 --> 00:00:35,667 [both moaning] 8 00:00:35,669 --> 00:00:37,269 - OUCH! 9 00:00:37,271 --> 00:00:38,937 [rain pattering] 10 00:00:38,939 --> 00:00:41,440 [roof cracking] 11 00:00:41,442 --> 00:00:44,543 - I COULD HAVE SWORN I HAD MONEY BUDGETED FOR A NEW ROOF 12 00:00:44,545 --> 00:00:45,878 UNDER "CAPITAL IMPROVEMENTS." 13 00:00:45,880 --> 00:00:48,380 - OH, WELL, EVERYONE MAKES MISTAKES. 14 00:00:48,382 --> 00:00:50,215 - IS THAT A POLYGRAPH MACHINE? 15 00:00:50,217 --> 00:00:53,218 - YES, OH, I WON IT IN A RAFFLE. 16 00:00:53,220 --> 00:00:54,819 - I DON'T KNOW WHERE WE'RE GOING TO GET 17 00:00:54,821 --> 00:00:56,821 THE MONEY FOR REPAIRS: A FUND-RAISER, I GUESS, 18 00:00:56,823 --> 00:00:58,924 BOOGIE-BASH '70s REVIVAL NIGHT? 19 00:00:58,926 --> 00:01:01,093 - WE CAN'T. SOMEONE STOLE THE DISCO BALL. 20 00:01:01,095 --> 00:01:04,029 NO, WE'LL HAVE TO COME UP WITH SOMETHING 21 00:01:04,031 --> 00:01:06,498 THAT TRULY CAPTURES THE SPIRIT OF STUDENT LIFE 22 00:01:06,500 --> 00:01:08,100 AT LAWNDALE HIGH. 23 00:01:08,102 --> 00:01:09,468 [bell ringing] 24 00:01:09,470 --> 00:01:12,737 - NOW, WHY DO YOU THINK IT IS THAT TOLSTOY FELT 25 00:01:12,739 --> 00:01:17,108 HE HAD TO MAKE WAR AND PEACE SO DARNED UNPLEASANT, DARIA? 26 00:01:17,110 --> 00:01:19,478 - SO NO ONE WOULD PESTER HIM TO DO A SEQUEL? 27 00:01:19,480 --> 00:01:20,512 - HMM. 28 00:01:20,514 --> 00:01:22,314 - GOOD MORNING, YOUNG PEOPLE. 29 00:01:22,316 --> 00:01:25,050 I HAVE A VERY SAD ANNOUNCEMENT. 30 00:01:25,052 --> 00:01:28,253 THE LIBRARY WILL BE CLOSED UNTIL FURTHER NOTICE. 31 00:01:28,255 --> 00:01:31,590 - GREAT, THERE GOES THE ONLY PLACE I CAN GO TO BE ALONE. 32 00:01:31,592 --> 00:01:33,692 - OH, YOU KNOW THAT'S NOT TRUE. 33 00:01:33,694 --> 00:01:35,260 - TO RAISE MONEY FOR REPAIRS, 34 00:01:35,262 --> 00:01:37,629 THE SCHOOL WILL BE PRESENTING A MEDIEVAL FAIR 35 00:01:37,631 --> 00:01:40,332 SIMULATING LIFE IN THE MIDDLE AGES. 36 00:01:40,334 --> 00:01:41,333 - YEAH. 37 00:01:41,335 --> 00:01:43,135 - VOLUNTEERS ARE DESPERATELY NEEDED. 38 00:01:43,137 --> 00:01:45,970 THOSE WHO REFUSE TO VOLUNTEER MUST VOLUNTARILY PURCHASE 39 00:01:45,972 --> 00:01:49,841 A TICKET FOR $10 OR VOLUNTARILY FACE SUSPENSION. 40 00:01:49,843 --> 00:01:51,910 HAVE A NICE DAY. 41 00:01:51,912 --> 00:01:54,312 - THAT MAY BE THE STUPIDEST THING I'VE EVER HEARD OF. 42 00:01:54,314 --> 00:01:56,648 - I KNOW. WE'VE GOT TO GO. 43 00:01:56,650 --> 00:01:57,916 [bell ringing] 44 00:01:57,918 --> 00:02:00,418 - BABE, THIS IS VERY IMPORTANT TO ME. 45 00:02:00,420 --> 00:02:02,921 THE CADBURY TALES ARE, LIKE, CLASSIC, 46 00:02:02,923 --> 00:02:04,857 AND I THINK I'D BE GREAT IN THE PLAY. 47 00:02:04,859 --> 00:02:07,960 JUST DO THE AUDITION WITH ME. - OH, BABE. 48 00:02:07,962 --> 00:02:11,796 - BECAUSE NOBODY PLAYS A LOVE SCENE LIKE YOU, KEVVY. 49 00:02:11,798 --> 00:02:13,197 - OOOH. 50 00:02:13,199 --> 00:02:16,535 - NOW, GO PRACTICE. - YES, MA'AM, BREAK. 51 00:02:16,537 --> 00:02:18,503 - YOUR LINES! 52 00:02:18,505 --> 00:02:20,372 - WOW, WHERE'S HE GOING? 53 00:02:20,374 --> 00:02:23,775 - WE'RE GONNA BE IN A PLAY TOGETHER AT THE MEDIEVAL FAIR. 54 00:02:23,777 --> 00:02:25,610 - OH, THAT'S NICE. 55 00:02:25,612 --> 00:02:30,949 - WE'LL BE THE MOST POPULAR ONES THERE. 56 00:02:30,951 --> 00:02:33,719 - SO I THOUGHT, IF I HAVE TO VOLUNTEER ANYWAY, 57 00:02:33,721 --> 00:02:36,254 I MIGHT AS WELL DO SOMETHING THAT CHALLENGES ME AS A TEEN 58 00:02:36,256 --> 00:02:38,223 AND MAYBE BRING SOME JOY INTO THE DRAB LIVES OF OTHERS 59 00:02:38,225 --> 00:02:39,491 WHO ARE LESS POPULAR, 60 00:02:39,493 --> 00:02:41,393 SO THEY'RE GONNA HAVE THIS DINNER THEATER 61 00:02:41,395 --> 00:02:43,195 WITH A PLAY BY THIS GUY, KEN BARRY, 62 00:02:43,197 --> 00:02:45,029 AND I'M GONNA AUDITION FOR EMILY, 63 00:02:45,031 --> 00:02:47,332 THE REALLY CUTE SISTER. 64 00:02:47,334 --> 00:02:50,702 "PRESERVE ME FROM THE VENGEANCE"-- 65 00:02:50,704 --> 00:02:52,036 - THAT'S GREAT, HONEY. 66 00:02:52,038 --> 00:02:55,006 DARIA, WHAT WILL YOU BE DOING AT THE FAIR? 67 00:02:55,008 --> 00:02:57,509 - ADMIRING IT FROM THE SAFE DISTANCE OF MY ROOM. 68 00:02:57,511 --> 00:03:00,612 - DARIA, THIS FAIR IS FOR A VERY GOOD CAUSE. 69 00:03:00,614 --> 00:03:02,280 EVERYONE SHOULD GO. 70 00:03:02,282 --> 00:03:04,515 - ARE YOU GOING? - THAT WON'T BE NECESSARY. 71 00:03:04,517 --> 00:03:06,184 - I MEANT EVERY STUDENT. 72 00:03:06,186 --> 00:03:08,720 - BUT WHAT IF MERYL STREEP HERE GETS THE PART? 73 00:03:08,722 --> 00:03:11,323 NOTHING SAYS SUPPORT LIKE YOU AND DAD LEADING 74 00:03:11,325 --> 00:03:13,091 A ROUSING CHEER FROM THE FOOTLIGHTS. 75 00:03:13,093 --> 00:03:14,092 - [gasps] 76 00:03:14,094 --> 00:03:15,660 - AND JUST THINK OF THE DELICIOUS DINNER. 77 00:03:15,662 --> 00:03:18,730 - HUH? DARN IT. 78 00:03:20,267 --> 00:03:22,867 - SHOULD WE TRY OUT FOR THE PLAY? 79 00:03:22,869 --> 00:03:24,836 WE MIGHT GET ON A POSTER. 80 00:03:24,838 --> 00:03:28,106 - I DON'T THINK THE FASHION CLUB SHOULD PARTICIPATE IN ACTIVITIES 81 00:03:28,108 --> 00:03:31,376 WHERE YOU SURRENDER WARDROBE AUTONOMY TO SOMEONE ELSE. 82 00:03:31,378 --> 00:03:33,812 - YEAH, WE HAVE MORE IMPORTANT THINGS TO DO. 83 00:03:33,814 --> 00:03:35,246 - THAT'S RIGHT. 84 00:03:35,248 --> 00:03:38,249 LET'S GO TO CASHMAN'S AND TRY ON SEQUINED GOWNS. 85 00:03:38,251 --> 00:03:41,019 - HI, SANDI, TIFFANY. GUESS WHAT. 86 00:03:41,021 --> 00:03:43,355 - YOU'RE TRANSFERRING TO A NEW SCHOOL? 87 00:03:43,357 --> 00:03:46,291 - NO, I'M TRYING OUT FOR THE PART OF EMILY 88 00:03:46,293 --> 00:03:47,792 IN THE CANTERBURY TALES. 89 00:03:47,794 --> 00:03:50,995 - THAT'S IS SO WEIRD. I AM TOO. 90 00:03:50,997 --> 00:03:52,431 - BUT.... 91 00:03:52,433 --> 00:03:53,765 - REALLY? 92 00:03:53,767 --> 00:03:55,167 I DIDN'T SEE YOUR NAME ON THE SIGN-UP SHEET. 93 00:03:55,169 --> 00:03:57,636 - QUINN, IF YOU DON'T WANT ME TO AUDITION, 94 00:03:57,638 --> 00:03:59,271 THEN JUST SAY SO. 95 00:03:59,273 --> 00:04:01,439 - STOP THAT FOOLISH TALK, SANDI. 96 00:04:01,441 --> 00:04:03,408 I'M HAPPY YOU'RE AUDITIONING. 97 00:04:03,410 --> 00:04:04,576 IF YOU GET THE PART, 98 00:04:04,578 --> 00:04:06,745 IT WILL BE JUST LIKE ME GETTING IT, ONLY NOT. 99 00:04:06,747 --> 00:04:08,646 - GUYS, YOU'RE NOT GONNA BELIEVE THIS. 100 00:04:08,648 --> 00:04:10,815 BRET STRAND JUST ASKED ME OUT. 101 00:04:10,817 --> 00:04:13,785 - REALLY, IS THAT OKAY WITH YOU, QUINN? 102 00:04:13,787 --> 00:04:15,621 both: HUH? 103 00:04:15,623 --> 00:04:18,156 - MEET THE AVANT-GARDE OBSTETRICIAN 104 00:04:18,158 --> 00:04:20,792 WHO'S TURNED HIS CASTOFFS INTO BIG-TICKET ARTWORK. 105 00:04:20,794 --> 00:04:24,796 UMBILICAL CORD SCULPTURE NEXT ON SICK, SAD WORLD. 106 00:04:24,798 --> 00:04:26,464 - DAD. DAD! 107 00:04:26,466 --> 00:04:27,632 - HUH? 108 00:04:27,634 --> 00:04:29,434 - COULD YOU HELP ME WITH SOMETHING? 109 00:04:29,436 --> 00:04:31,036 - HONESTLY, QUINN, I'M JUST TAPPED OUT. 110 00:04:31,038 --> 00:04:32,904 I WISH I COULD, BUT I'M DEAD-FLAT BROKE. 111 00:04:32,906 --> 00:04:34,739 IF I HAD A BUCK ON ME, YOU KNOW I'D-- 112 00:04:34,741 --> 00:04:36,274 - DA-AAAD, 113 00:04:36,276 --> 00:04:38,609 I NEED SOMEONE TO HELP ME REHEARSE MY LINES. 114 00:04:38,611 --> 00:04:40,178 - OH, SURE. 115 00:04:40,180 --> 00:04:43,048 YOU KNOW, I PLAYED GUILDENSTERN IN COLLEGE. 116 00:04:43,050 --> 00:04:47,052 I THOUGHT I'D BE NERVOUS, BUT I WAS COOL AS A CUCUMBER... 117 00:04:47,054 --> 00:04:48,987 - THAT'S ACTUALLY INTERESTING, BECAUSE I'M JUST A LITTLE-- 118 00:04:48,989 --> 00:04:50,054 - UNTIL I WALKED ONSTAGE 119 00:04:50,056 --> 00:04:52,023 AND FOUND MYSELF IN FRONT OF THE CROWD, 120 00:04:52,025 --> 00:04:53,424 STANDING ROOM ONLY. 121 00:04:53,426 --> 00:04:55,327 I FELT SO...NAKED. 122 00:04:55,329 --> 00:04:57,929 - DAD, YOU'RE NOT HELPING ME-- - I FROZE, COULDN'T SAY A WORD. 123 00:04:57,931 --> 00:05:01,833 THEN "IT" STARTED: THE SNICKERING. 124 00:05:01,835 --> 00:05:04,703 THEY LAUGHED ME OFF THE STAGE, THE JERKS! 125 00:05:04,705 --> 00:05:06,271 - I'LL GO PRACTICE UPSTAIRS. 126 00:05:06,273 --> 00:05:09,041 - QUINN, HONEY, IT WASN'T THAT BAD, REALLY. 127 00:05:09,043 --> 00:05:11,510 AFTER A FEW MONTHS, THE TEASING TAPERED OFF, AND-- 128 00:05:11,512 --> 00:05:13,311 - STOP! 129 00:05:13,313 --> 00:05:16,248 - MAYBE I SHOULD GO TALK TO HER. 130 00:05:16,250 --> 00:05:18,649 HEY, ZIGGY. 131 00:05:21,621 --> 00:05:26,391 - "OOOH, PALAMON, WHO HAS SUCH LOVE FOR ME?" 132 00:05:26,393 --> 00:05:30,562 - "FOR WHICH HE IS DESERVING OF...MMM...DEATH." 133 00:05:30,564 --> 00:05:35,600 - "OH, PALAMON, WHO HAS SUCH LOVE FOR ME?" 134 00:05:35,602 --> 00:05:37,569 - "FOR WHICH HE'S, LIKE, DESERVING OF DEATH." 135 00:05:37,571 --> 00:05:38,903 COOL. 136 00:05:38,905 --> 00:05:43,275 - "OH, PAL-O-MINE, WHO--WHO..." 137 00:05:43,277 --> 00:05:45,977 WHO CAN REMEMBER ALL THIS? 138 00:05:45,979 --> 00:05:48,680 - UH, SHALL WE BEGIN? 139 00:05:48,682 --> 00:05:51,983 - UH, I DO, I GUESS. 140 00:05:51,985 --> 00:05:54,686 - I NOW PRONOUNCE YOU HUSBAND AND WIFE, 141 00:05:54,688 --> 00:05:57,289 AND THUS, WITH PERFECT BLISS AND MELODY, 142 00:05:57,291 --> 00:05:59,658 PALAMON WEDDED EMILY. 143 00:05:59,660 --> 00:06:00,958 - ARGH! - HEY. 144 00:06:00,960 --> 00:06:03,061 - UHH! - WHY FIGHT IT, TOOTS? 145 00:06:03,063 --> 00:06:04,462 WE'RE MAN AND WIFE NOW. 146 00:06:04,464 --> 00:06:07,732 - KEEP DREAMING, CHARLES. - AUGH! 147 00:06:07,734 --> 00:06:09,701 [groaning] 148 00:06:09,703 --> 00:06:13,304 - I DO, KEVVY--I MEAN, PALAMONY. 149 00:06:13,306 --> 00:06:14,372 - YEAH, ME TOO. 150 00:06:14,374 --> 00:06:15,640 - I NOW PRONOUNCE YOU... 151 00:06:15,642 --> 00:06:16,807 [both moaning] 152 00:06:16,809 --> 00:06:19,177 OH, DEAR. OKAY, GUYS. 153 00:06:19,179 --> 00:06:22,514 UM, BRITTANY...BRITTANY? 154 00:06:22,516 --> 00:06:23,515 BRITTANY. 155 00:06:23,517 --> 00:06:24,716 - YES? 156 00:06:24,718 --> 00:06:27,418 - THAT WAS VERY GOOD, BUT NOW IT'S TIME 157 00:06:27,420 --> 00:06:29,488 TO GIVE SOMEONE ELSE A CHANCE TO AUDITION. 158 00:06:29,490 --> 00:06:31,389 - OKAY, COME ON, KEVVY. 159 00:06:31,391 --> 00:06:35,260 - UM, ACTUALLY, I'D LIKE KEVIN TO STAY ONSTAGE. 160 00:06:35,262 --> 00:06:38,196 KEVIN, YOU'RE REALLY DOING SOMETHING SPECIAL WITH PALAMON. 161 00:06:38,198 --> 00:06:40,064 - BUT, AREN'T I PALAMON? 162 00:06:40,066 --> 00:06:42,266 - NOW, WHO'S NEXT FOR EMILY? 163 00:06:42,268 --> 00:06:43,635 AH, QUINN... 164 00:06:43,637 --> 00:06:44,869 QUINN MORGENDORFFER. 165 00:06:44,871 --> 00:06:46,338 - RIGHT HERE. 166 00:06:46,340 --> 00:06:47,972 - EEP! 167 00:06:57,084 --> 00:06:59,851 - "I WILL MAKE A DAINTY GARLAND FOR MY HEAD AND SING. 168 00:06:59,853 --> 00:07:01,953 "I WILL MAKE A DAINTY GARLAND FOR MY HEAD AND SING. 169 00:07:01,955 --> 00:07:05,122 I WILL MAKE A DAINTY GARLAND FOR MY HEAD AND SING." 170 00:07:05,124 --> 00:07:07,592 - WITH A HEY-NONNY-NONNY, TRA-LA, TRA-LA. 171 00:07:07,594 --> 00:07:09,126 WOULD YOU GIVE IT A REST? 172 00:07:09,128 --> 00:07:10,895 - DARIA, I HAVE TO REHEARSE. 173 00:07:10,897 --> 00:07:13,197 IT'S NOT MY FAULT MOM'S MAKING YOU COME TO THIS. 174 00:07:13,199 --> 00:07:14,766 IT'S NOT LIKE I WANT YOU THERE. 175 00:07:14,768 --> 00:07:16,300 - AWW, THANKS. 176 00:07:16,302 --> 00:07:17,769 - STOP IT, YOU TWO. 177 00:07:17,771 --> 00:07:20,972 QUINN, DARIA'S VERY HAPPY TO BE SEEING YOU IN YOUR PLAY, 178 00:07:20,974 --> 00:07:22,407 AREN'T YOU, DARIA? 179 00:07:22,409 --> 00:07:25,811 - I WILL MAKE A DAINTY GARLAND FOR MY NECK AND CHOKE. 180 00:07:25,813 --> 00:07:28,280 - I HOPE THE OTHER GIRLS WEREN'T TOO DISAPPOINTED 181 00:07:28,282 --> 00:07:30,448 THAT YOU GOT THE PART OVER THEM. 182 00:07:30,450 --> 00:07:32,817 - WELL, LET'S SEE. SANDI WAS REALLY NICE ABOUT IT. 183 00:07:32,819 --> 00:07:34,452 SHE SAID SHE'S TOO MATURE TO GET UPSET 184 00:07:34,454 --> 00:07:37,489 AT SOMEBODY ELSE'S INCREDIBLE, UNBELIEVABLE, UNDESERVED LUCK, 185 00:07:37,491 --> 00:07:39,557 AND BRITTANY JUST KIND OF MADE NOISES. 186 00:07:39,559 --> 00:07:41,659 - I GUESS SHE'S SPEECHLESS WITH JOY 187 00:07:41,661 --> 00:07:44,061 THAT YOU AND KEVIN ARE GONNA BE ACTING TOGETHER. 188 00:07:44,063 --> 00:07:45,630 - FOR YOUR INFORMATION, DARIA, 189 00:07:45,632 --> 00:07:48,766 SHE VOLUNTEERED TO DRIVE HIM SO HE COULD WORK ON HIS LINES. 190 00:07:48,768 --> 00:07:50,902 - DID SHE VOLUNTEER TO GET HIM A DAINTY TRANSPLANT 191 00:07:50,904 --> 00:07:53,304 FOR HIS HEAD SO HE COULD REMEMBER THEM? 192 00:07:53,306 --> 00:07:54,806 [tires squealing] 193 00:07:54,808 --> 00:07:56,107 - DAMN KIDS! 194 00:07:56,109 --> 00:07:57,809 - CRAZY, OLD JERK! 195 00:07:57,811 --> 00:08:00,845 I HOPE THAT DIDN'T DISTURB YOUR CONCENTRATION. 196 00:08:00,847 --> 00:08:02,313 - NAH, I'M COOL. 197 00:08:02,315 --> 00:08:04,449 - 'CAUSE, YOU KNOW, I DON'T WANT ANYTHING 198 00:08:04,451 --> 00:08:06,318 TO DISTRACT YOU FROM YOUR PERFORMANCE. 199 00:08:06,320 --> 00:08:08,420 - I KNOW, BABE, THANKS. 200 00:08:08,422 --> 00:08:11,656 UH, BABE, ISN'T THAT THE TURNOFF FOR SCHOOL? 201 00:08:11,658 --> 00:08:14,292 - I DON'T THINK SO. - REALLY? 202 00:08:14,294 --> 00:08:17,228 WOW, I AM CONCENTRATING. 203 00:08:17,230 --> 00:08:20,231 [regal renaissance music] 204 00:08:20,233 --> 00:08:28,506 ♪ ♪ 205 00:08:28,508 --> 00:08:30,375 - DARIA, QUINN? 206 00:08:30,377 --> 00:08:32,177 - THAT'S FUNNY. THEY WERE HERE A MINUTE AGO. 207 00:08:32,179 --> 00:08:35,313 HEY, MY MAN, COOL THREADS. 208 00:08:35,315 --> 00:08:37,015 - ARE YOU CALLING ME A WUSS? 209 00:08:37,017 --> 00:08:38,049 - MM! AHH! OW! 210 00:08:38,051 --> 00:08:39,317 - LINDA, TOM. 211 00:08:39,319 --> 00:08:41,019 together: HELEN, JAKE. 212 00:08:41,021 --> 00:08:43,655 - HAVE YOU MET SAM AND CHRIS? 213 00:08:43,657 --> 00:08:46,791 BOYS, SAY HELLO TO MR. AND MRS. MORGENDORFFER. 214 00:08:46,793 --> 00:08:48,259 - YOU SUCK. YOU SUCK. 215 00:08:48,261 --> 00:08:49,393 - MM! - OW! 216 00:08:49,395 --> 00:08:51,095 - UH, KIDS, COME BACK HERE. 217 00:08:51,097 --> 00:08:54,298 - CONGRATULATIONS ON QUINN GETTING THE LEAD IN THE PLAY. 218 00:08:54,300 --> 00:08:55,667 - WHY, THANK YOU. 219 00:08:55,669 --> 00:08:58,269 I HEARD THE COMPETITION WAS PRETTY STIFF. 220 00:08:58,271 --> 00:09:01,272 - WELL, POOR SANDI'S ACTING IS A LITTLE SUBTLE. 221 00:09:01,274 --> 00:09:03,207 MR. O'NEILL WAS OBVIOUSLY LOOKING FOR SOMEONE 222 00:09:03,209 --> 00:09:04,275 OVER-THE-TOP. 223 00:09:04,277 --> 00:09:07,445 - AH-HA-HA...HA. 224 00:09:07,447 --> 00:09:09,647 - STEP UP AND HAVE YOUR PICTURE TAKEN. 225 00:09:09,649 --> 00:09:11,716 POSE UP AND TAKE HOME FOR A LAUGH. 226 00:09:11,718 --> 00:09:14,519 - MR. WHITE, IF YOU'LL JUST SIGN THIS WAIVER 227 00:09:14,521 --> 00:09:17,155 ABSOLVING LAWNDALE HIGH OF ANY RESPONSIBILITY 228 00:09:17,157 --> 00:09:20,825 FOR YOUR ACCIDENTAL DEATH, WE CAN START THE FUN. 229 00:09:20,827 --> 00:09:22,493 [bugle call] 230 00:09:22,495 --> 00:09:25,230 LET THE SPORT BEGIN. 231 00:09:25,232 --> 00:09:27,765 - WELL, IF IT ISN'T JAMIE. 232 00:09:27,767 --> 00:09:29,767 I HOPE YOU'RE BETTER AT WIELDING A LANCE 233 00:09:29,769 --> 00:09:31,469 THAN YOU ARE AT OPENING A BOOK. 234 00:09:31,471 --> 00:09:33,838 - YOU GOT MY NAME RIGHT. SOMEBODY ACTUALLY REMEM-- 235 00:09:33,840 --> 00:09:34,906 OOH! 236 00:09:34,908 --> 00:09:36,241 - NEXT! 237 00:09:36,243 --> 00:09:37,975 - THANKS FOR MEETING ME HERE. 238 00:09:37,977 --> 00:09:39,744 - HEY, I WANTED TO COME, REMEMBER? 239 00:09:39,746 --> 00:09:41,079 BESIDES, I HAD TO GET OUT. 240 00:09:41,081 --> 00:09:42,647 TRENT DISCOVERED A NEW CHORD. 241 00:09:42,649 --> 00:09:46,551 - WOULD EITHER OF YOU LOVELIES BE INTERESTED IN A MADRIGAL? 242 00:09:46,553 --> 00:09:47,819 - both: NO. 243 00:09:47,821 --> 00:09:50,054 - ♪ I AM THE BRAVE SIR CHUCK, SIR CHUCK ♪ 244 00:09:50,056 --> 00:09:52,990 ♪ MANLY AND STRONG AND QUICK ♪ 245 00:09:52,992 --> 00:09:54,993 - ♪ I'M GOING TO CUT OUT YOUR TONGUE, YOUR TONGUE ♪ 246 00:09:54,995 --> 00:09:57,228 ♪ AND FRY IT UP ON A STICK ♪ 247 00:09:57,230 --> 00:09:59,663 - GRRRR, FEISTY. 248 00:09:59,665 --> 00:10:03,201 HEY, ANDREA, YOU LIKE MADRIGALS? 249 00:10:03,203 --> 00:10:07,004 - DON'T TOUCH ME, YOU HOWDY DOODY-LOOKING CREEP. 250 00:10:08,675 --> 00:10:10,408 - GOOD AFTERNOON, YOUNG MEN. 251 00:10:10,410 --> 00:10:13,110 YOU'RE ABOUT TO LEARN FIRSTHAND 252 00:10:13,112 --> 00:10:16,347 THE PROFIT-GENERATING PRINCIPLES BY WHICH GAMES OF CHANCE... 253 00:10:16,349 --> 00:10:17,482 OH! 254 00:10:17,484 --> 00:10:18,616 - YES! 255 00:10:18,618 --> 00:10:23,388 - HA-HA, MAYBE I SHOULD SAY GAMES OF SKILL? 256 00:10:23,390 --> 00:10:25,656 - [sobbing] 257 00:10:25,658 --> 00:10:27,725 - GOD, STACY, WHAT'S WRONG? 258 00:10:27,727 --> 00:10:29,193 YOU LOOK AWFUL. 259 00:10:29,195 --> 00:10:32,597 - YEAH, REALLY, REALLY BAD. 260 00:10:32,599 --> 00:10:33,865 - IT'S BRET. 261 00:10:33,867 --> 00:10:36,534 HE SAID HE'D CALL ME AFTER OUR FIRST DATE, 262 00:10:36,536 --> 00:10:37,802 BUT HE NEVER DID, 263 00:10:37,804 --> 00:10:40,004 AND I JUST SAW HIM, AND I SAID HI, 264 00:10:40,006 --> 00:10:43,241 AND HE PRETENDED LIKE HE DIDN'T EVEN SEE ME. 265 00:10:43,243 --> 00:10:45,343 - BUMMER. - YEAH. 266 00:10:45,345 --> 00:10:48,479 - THESE LONG SKIRTS ARE SO HARD TO WALK IN. 267 00:10:48,481 --> 00:10:49,580 - I KNOW. 268 00:10:49,582 --> 00:10:51,950 - [sobbing] 269 00:10:51,952 --> 00:10:54,518 - STACY, IT'S GONNA BE ALL RIGHT. 270 00:10:54,520 --> 00:10:57,756 - HE'S NOT WORTH IT. NO GUY IS. 271 00:10:57,758 --> 00:10:59,224 - THANKS, GUYS. 272 00:10:59,226 --> 00:11:03,128 OH, IT'S SO GREAT TO KNOW I CAN COUNT ON MY TRUE FRIENDS. 273 00:11:03,130 --> 00:11:06,931 - SO THEN, HE'S NOT DATING ANYONE NOW? 274 00:11:06,933 --> 00:11:08,666 - OOOOH! 275 00:11:08,668 --> 00:11:12,771 - I CAN'T BELIEVE QUINN GOT THE PART OVER YOU. 276 00:11:12,773 --> 00:11:15,106 THAT'S SO WRONG. 277 00:11:15,108 --> 00:11:18,376 - OH, I'M SURE SHE'LL DO A GOOD JOB. 278 00:11:19,979 --> 00:11:21,045 - HEY. 279 00:11:21,047 --> 00:11:22,480 - IF PRINCE CHARMING KISSES YOU, 280 00:11:22,482 --> 00:11:24,282 YOU THINK YOU'LL WAKE UP FROM THIS NIGHTMARE? 281 00:11:24,284 --> 00:11:26,184 - IT'S FOR A GOOD CAUSE, OKAY? 282 00:11:26,186 --> 00:11:28,219 - YOU JUST KEEP TELLING YOURSELF THAT, 283 00:11:28,221 --> 00:11:29,721 OR HAVE YOUR LADIES IN WAITING DO IT. 284 00:11:29,723 --> 00:11:32,824 - WHERE'S PRINCE MACK? 285 00:11:32,826 --> 00:11:34,793 - RAAAAWWR! 286 00:11:34,795 --> 00:11:36,827 - IT WAS MISS BARCH'S IDEA. 287 00:11:36,829 --> 00:11:38,329 - NO. 288 00:11:38,331 --> 00:11:39,497 - ARE YOU BARNEY? 289 00:11:39,499 --> 00:11:40,832 - RAAAAWWR! 290 00:11:40,834 --> 00:11:42,066 - KILL THE DRAGON. 291 00:11:42,068 --> 00:11:43,501 all: KILL THE DRAGON. 292 00:11:43,503 --> 00:11:45,202 - OW! AUUGH! 293 00:11:45,204 --> 00:11:46,837 AUGH! 294 00:11:46,839 --> 00:11:49,407 - YOU WILL MARRY A MAN WHILE STILL IN YOUR PRIME. 295 00:11:49,409 --> 00:11:51,175 THEN, AFTER PUTTING HIM THROUGH SCHOOL 296 00:11:51,177 --> 00:11:53,277 AND SPENDING 20 LONG, SUFFERING YEARS 297 00:11:53,279 --> 00:11:56,014 BEGGING HIM TO TURN OFF THOSE DAMN BRONCOS 298 00:11:56,016 --> 00:11:57,314 AND GET A REAL JOB, 299 00:11:57,316 --> 00:11:59,717 HE'LL WALK OUT OF YOUR LIFE LEAVING A TRAIL 300 00:11:59,719 --> 00:12:03,054 OF MUDDY FOOTPRINTS BEHIND ON THE FRESHLY CLEANED CARPET, 301 00:12:03,056 --> 00:12:05,924 BUT YOU'LL BE BETTER OFF WITHOUT HIM, MUCH BETTER OFF. 302 00:12:05,926 --> 00:12:07,992 - [crying] 303 00:12:07,994 --> 00:12:09,827 - MUCH, MUCH BETTER OFF. 304 00:12:09,829 --> 00:12:11,596 - AND SHE'S THE LIVING PROOF. 305 00:12:11,598 --> 00:12:12,997 - SHOULD WE GET OUR FORTUNES READ? 306 00:12:12,999 --> 00:12:14,064 - I'LL PASS. 307 00:12:14,066 --> 00:12:15,866 KNOWING THE PRESENT IS BAD ENOUGH. 308 00:12:15,868 --> 00:12:18,035 - THEN HOW ABOUT A FERRIS WHEEL RIDE? 309 00:12:18,037 --> 00:12:19,937 - DO I LOOK DESPERATE TO YOU? 310 00:12:19,939 --> 00:12:21,840 both: CRUSADES, CRUSADES! 311 00:12:21,842 --> 00:12:24,408 - LADIES, WAIT TILL YOU HEAR 312 00:12:24,410 --> 00:12:27,445 THE BALLAD OF THE MISUNDERSTOOD MINSTREL. 313 00:12:27,447 --> 00:12:29,380 - DO I LOOK DESPERATE TO YOU NOW? 314 00:12:29,382 --> 00:12:32,283 - YEP. - LET'S GO. 315 00:12:32,285 --> 00:12:34,385 - YOU'RE IN LUCK, ONE BASKET LEFT. 316 00:12:34,387 --> 00:12:38,022 - HEY, COME ON, LISTEN TO MY SONG. 317 00:12:38,024 --> 00:12:39,423 IT'S ONLY GOT 12 VERSES. 318 00:12:39,425 --> 00:12:40,557 - INQUISITION. - INQUISITION. 319 00:12:40,559 --> 00:12:41,625 both: INQUISITION. 320 00:12:41,627 --> 00:12:43,194 - OW! HEY! 321 00:12:43,196 --> 00:12:45,497 OW! OW. 322 00:12:45,499 --> 00:12:47,398 - [crying] 323 00:12:47,400 --> 00:12:50,635 PLEASE, YOU'VE GOT TO LET ME ON. 324 00:12:50,637 --> 00:12:51,970 - CAN'T. WE'RE FULL UP. 325 00:12:51,972 --> 00:12:54,439 - BUT I DON'T WANT ANYONE TO SEE MY EYE. 326 00:12:54,441 --> 00:12:56,975 THEY'RE THIS REALLY WEIRD SHADE OF RED. 327 00:12:56,977 --> 00:12:59,010 - SORRY, SAFETY REGULATIONS-- 328 00:12:59,012 --> 00:13:00,678 - I'LL PAY YOU DOUBLE. 329 00:13:00,680 --> 00:13:01,813 - ALL ABOARD. 330 00:13:01,815 --> 00:13:04,582 - EXCUSE ME, YOU CAN'T DO THIS. 331 00:13:04,584 --> 00:13:06,785 - WE'RE HUMAN BEINGS, DAMN IT. 332 00:13:06,787 --> 00:13:10,188 - [sobbing] 333 00:13:20,733 --> 00:13:22,767 - AND EVERYONE THOUGHT I'D HAD A CESAREAN, 334 00:13:22,769 --> 00:13:25,836 BECAUSE SANDI'S HEAD WAS SO ROUND AND SMOOTH 335 00:13:25,838 --> 00:13:28,539 AND NOT FLAT AND BUMPY LIKE THE OTHER BABIES. 336 00:13:28,541 --> 00:13:31,876 - WELL, MY LABOR WITH QUINN WAS ONLY 2 HOURS, 20 MINUTES, 337 00:13:31,878 --> 00:13:34,946 SO HER HEAD WAS QUITE ROUND TOO. 338 00:13:34,948 --> 00:13:37,214 - THAT'S GREAT, ESPECIALLY SINCE GIVING BIRTH 339 00:13:37,216 --> 00:13:39,784 CAN BE RISKY FOR WOMEN OVER 35. 340 00:13:42,455 --> 00:13:45,356 - NOW, I WANT EVERYONE TO TAKE A MINUTE 341 00:13:45,358 --> 00:13:47,325 AND VISUALIZE THE AUDIENCE. 342 00:13:47,327 --> 00:13:49,194 AS WE FINISH OUR WONDERFUL PLAY, 343 00:13:49,196 --> 00:13:51,596 THEY FINISH THEIR DELICIOUS DINNER 344 00:13:51,598 --> 00:13:54,899 AND LEAP UP AS ONE IN A STANDING OVATION. 345 00:13:54,901 --> 00:13:58,036 BRAVA, BRAVA. EVERYONE. 346 00:13:58,038 --> 00:14:00,171 all: BRAVA, BRAVA. 347 00:14:00,173 --> 00:14:01,839 - YUM, YUM. 348 00:14:01,841 --> 00:14:04,242 all: YUM...YUM. 349 00:14:04,244 --> 00:14:06,644 - NOW, LET'S BOW OUR HEADS FOR A MOMENT 350 00:14:06,646 --> 00:14:09,914 AND REMEMBER POOR JAMES DEAN. 351 00:14:09,916 --> 00:14:12,917 - OH, PALAMON, WHO HAS SUCH LOVE FOR ME? 352 00:14:12,919 --> 00:14:15,119 I WILL MAKE A DAINTY GARLAND... 353 00:14:15,121 --> 00:14:18,389 SANDI, TIFFANY, WHAT ARE YOU GUYS DOING HERE? 354 00:14:18,391 --> 00:14:21,058 - WE CAME BY TO WISH YOU LUCK. 355 00:14:21,060 --> 00:14:23,728 - NOT THAT YOU'LL NEED IT. - NO WAY. 356 00:14:23,730 --> 00:14:24,996 - YOU REALLY THINK SO? 357 00:14:24,998 --> 00:14:26,964 - YOU'RE REALLY TALENTED, QUINN. 358 00:14:26,966 --> 00:14:29,901 I ESPECIALLY LIKE YOUR UNIQUE INFLECTIONS. 359 00:14:29,903 --> 00:14:31,035 - YOU DO? 360 00:14:31,037 --> 00:14:32,904 - LIKE, SAY A LINE FOR US. 361 00:14:32,906 --> 00:14:34,571 - WELL, OKAY. 362 00:14:34,573 --> 00:14:38,576 I WILL MAKE A DAINTY GARLAND FOR MY HEAD AND SING. 363 00:14:38,578 --> 00:14:39,843 - SEE WHAT I MEAN? 364 00:14:39,845 --> 00:14:41,246 - OH, YEAH. 365 00:14:41,248 --> 00:14:42,914 - WHAT DO YOU MEAN, SANDI? 366 00:14:42,916 --> 00:14:46,217 - WELL, ANYBODY ELSE WOULD HAVE SAID, 367 00:14:46,219 --> 00:14:48,452 "I WILL MAKE A DAINTY GARLAND FOR MY HEAD," 368 00:14:48,454 --> 00:14:52,623 BUT YOU, QUINN, WITH YOUR...SPECIAL TALENT, 369 00:14:52,625 --> 00:14:56,761 YOU SAID, "I WILL MAKE A DAINTY GARLAND FOR MY HEAD." 370 00:14:56,763 --> 00:14:58,463 I MEAN, IT MUST BE TALENT, 371 00:14:58,465 --> 00:15:02,267 BECAUSE YOU WOULDN'T EMPHASIZE THE WRONG WORDS, WOULD YOU? 372 00:15:02,269 --> 00:15:04,936 - NO, OF COURSE NOT. 373 00:15:04,938 --> 00:15:07,939 - I DIDN'T THINK SO. 374 00:15:07,941 --> 00:15:10,007 - I CAN'T BELIEVE SHE THINKS 375 00:15:10,009 --> 00:15:12,009 SHE SHOULD HAVE GOTTEN THE PART OVER YOU. 376 00:15:12,011 --> 00:15:14,111 THAT'S SO WRONG. 377 00:15:14,113 --> 00:15:17,282 - QUINN, HAVE YOU SEEN KEVIN? 378 00:15:17,284 --> 00:15:21,886 - NOW, I KNOW WE DON'T TAKE A HIGHWAY TO SCHOOL, BABE. 379 00:15:21,888 --> 00:15:23,621 - ARE YOU SURE? 380 00:15:23,623 --> 00:15:26,291 - UM, NO. 381 00:15:26,293 --> 00:15:30,795 - I EVEN WORE MY CRUSHED-VELVET TANK TOP, 382 00:15:30,797 --> 00:15:32,863 THE ONE WITH THE SCOOP NECK, 383 00:15:32,865 --> 00:15:35,066 AND HE STILL DIDN'T ASK ME OUT AGAIN. 384 00:15:35,068 --> 00:15:39,703 OOOH, IF ONLY YOU WERE POPULAR ENOUGH TO UNDERSTAND. 385 00:15:39,705 --> 00:15:41,672 - YES, IF ONLY. 386 00:15:41,674 --> 00:15:44,142 - WHEN THE HELL IS THIS RIDE GONNA BE OVER? 387 00:15:44,144 --> 00:15:46,544 - WHAT'S THIS? 388 00:15:46,546 --> 00:15:49,180 - DINNER THEATER: THIS IS DINNER. 389 00:15:49,182 --> 00:15:50,715 - DON'T WE GET UTENSILS? 390 00:15:50,717 --> 00:15:52,750 - HEY, IT'S THE MIDDLE AGES, POPS. 391 00:15:52,752 --> 00:15:54,952 - POPS? - COME ON, JAKE. 392 00:15:54,954 --> 00:15:57,788 - WHAT DO YOU THINK HAPPENED TO THE REST OF THIS TURKEY? 393 00:15:59,258 --> 00:16:01,826 - TRY BLAMING THIS ON DYSLEXIA. 394 00:16:01,828 --> 00:16:03,428 OOH! 395 00:16:03,430 --> 00:16:05,963 - COME ON, QUINN'S PLAY IS ABOUT TO START ANYWAY. 396 00:16:05,965 --> 00:16:07,999 - NEXT! 397 00:16:08,001 --> 00:16:10,034 - OOOOH! 398 00:16:10,036 --> 00:16:11,435 [sobbing] 399 00:16:11,437 --> 00:16:13,837 BUT WHY? 400 00:16:13,839 --> 00:16:16,874 WAS IT SOMETHING I SAID, SOMETHING I WORE? 401 00:16:16,876 --> 00:16:18,676 OOOH, I WISH I WERE DEAD. 402 00:16:18,678 --> 00:16:22,146 - LOOK, DON'T FLUSH YOUR ENTIRE WORLD DOWN THE DRAIN 403 00:16:22,148 --> 00:16:25,450 JUST BECAUSE SOME JERK DIDN'T ASK YOU OUT ON A SECOND DATE. 404 00:16:25,452 --> 00:16:27,819 IT PROBABLY HAD NOTHING TO DO WITH YOU ANYWAY. 405 00:16:27,821 --> 00:16:29,386 - UNLESS YOU DID SOMETHING REALLY STUPID, 406 00:16:29,388 --> 00:16:32,857 LIKE BORE HIM WITH YOUR PETTY PROBLEMS AND CONVOLUTED LOGIC. 407 00:16:32,859 --> 00:16:35,959 - WHY WOULD I DO THAT? 408 00:16:38,765 --> 00:16:41,098 - THIS IS REVOLTING. I THINK I'M GOING TO BE SICK. 409 00:16:41,100 --> 00:16:43,835 - HEY, YOU GONNA EAT THAT? 410 00:16:43,837 --> 00:16:45,970 - I WILL MAKE A DAINTY GARLAND. 411 00:16:45,972 --> 00:16:47,805 I WILL MAKE A DAINTY GARLAND. 412 00:16:47,807 --> 00:16:49,640 I WILL MAKE"-- - HI, QUINN. 413 00:16:49,642 --> 00:16:51,542 I JUST WANTED TO STOP BY AND WISH YOU GOOD LUCK. 414 00:16:51,544 --> 00:16:52,677 - I WANT TO WISH YOU EVEN BETTER LUCK. 415 00:16:52,679 --> 00:16:53,978 - I WANT TO WISH YOU THE BEST-- 416 00:16:53,980 --> 00:16:56,247 - GUYS, IF YOU REALLY WANT TO HELP ME, FIND KEVIN. 417 00:16:56,249 --> 00:16:58,649 HE'S NOT HERE, AND THERE'S NO ONE TO PLAY PALAMON. 418 00:16:58,651 --> 00:17:00,251 all: I'LL PLAY PALAMON. OH, ME, I'M GOOD. 419 00:17:00,253 --> 00:17:01,319 COME ON, MAN, ME. 420 00:17:01,321 --> 00:17:04,188 - GUYS, DON'T FIGHT OVER ME. 421 00:17:04,190 --> 00:17:06,690 - DESPERATE TIMES CALL FOR DESPERATE MEASURES. 422 00:17:06,692 --> 00:17:09,093 EENY, MEANIE, MINIE, MOE. 423 00:17:09,095 --> 00:17:10,761 all: NO WAY. THAT'S NOT FAIR. COME ON. 424 00:17:10,763 --> 00:17:14,064 - NOW, JEFFY, ALL YOU HAVE TO DO IS READ PALAMON'S LINES 425 00:17:14,066 --> 00:17:16,133 UNTIL KEVIN GETS HERE WITH HIS VERY GOOD REASON 426 00:17:16,135 --> 00:17:17,635 FOR SABOTAGING OUR PLAY. 427 00:17:17,637 --> 00:17:19,837 - THANKS, JEFFY. 428 00:17:19,839 --> 00:17:21,305 - WHO AM I SUPPOSED TO BE AGAIN? 429 00:17:21,307 --> 00:17:22,873 IT STARTED WITH A "P". 430 00:17:22,875 --> 00:17:23,941 - THE PARDONER. 431 00:17:23,943 --> 00:17:26,744 - OH, YEAH, HA-HA. 432 00:17:26,746 --> 00:17:31,048 - I WILL MAKE A DAINTY GARLAND 433 00:17:31,050 --> 00:17:32,984 FOR MY HEAD AND SING. 434 00:17:32,986 --> 00:17:35,553 ♪ LA, LA-LA-LA ♪ 435 00:17:35,555 --> 00:17:38,056 - THAT LUST PROCEEDS FROM WINE AND DRUNKENNESS, 436 00:17:38,058 --> 00:17:43,895 CONSIDER HOW DRUNKEN LOT PERVERTEDLY SLEPT WITH... 437 00:17:43,897 --> 00:17:46,697 - WHAT? - THAT LUST PROCEEDS FROM... 438 00:17:46,699 --> 00:17:47,831 - STOP! 439 00:17:47,833 --> 00:17:51,268 [laughter] 440 00:17:51,270 --> 00:17:53,037 UH... 441 00:17:53,039 --> 00:17:57,307 - SNICKER, SNICKER, SNICKER, DAMN IT! 442 00:17:57,309 --> 00:17:58,342 WHO'S LAUGHING? 443 00:17:58,344 --> 00:18:01,345 WHAT'S SO DAMN FUNNY? 444 00:18:01,347 --> 00:18:04,348 UGH! WHY, YOU LITTLE... 445 00:18:04,350 --> 00:18:05,449 ARGH! 446 00:18:05,451 --> 00:18:08,453 [laughter] 447 00:18:08,455 --> 00:18:10,054 - WHAT'S GOING ON? 448 00:18:10,056 --> 00:18:11,422 AHHH! 449 00:18:11,424 --> 00:18:13,224 [sobbing] 450 00:18:13,226 --> 00:18:16,227 [laughter] 451 00:18:16,229 --> 00:18:18,795 - THEN, DO YOU THINK I SHOULD CALL HIM? 452 00:18:18,797 --> 00:18:20,631 - YES, RIGHT NOW, 453 00:18:20,633 --> 00:18:24,201 BEFORE I COMMIT JUSTIFIABLE HOMICIDE. 454 00:18:24,203 --> 00:18:26,904 - MUST...STICK...HEAD... COLD...WATER. 455 00:18:26,906 --> 00:18:28,605 - GUYS, CAN YOU HELP ME OUT? 456 00:18:28,607 --> 00:18:30,975 THERE'S SOME KIND OF RIOT GOING ON IN THE AUDITORIUM. 457 00:18:30,977 --> 00:18:33,344 JUST WATCH THE INFORMATION BOOTH WHILE I FIND MISS LI. 458 00:18:33,346 --> 00:18:34,745 - UH-OH, 459 00:18:34,747 --> 00:18:37,849 SOMEONE JUST PUT US IN A POSITION OF RESPONSIBILITY. 460 00:18:37,851 --> 00:18:41,452 - THE DAY HAS SUDDENLY TURNED SINISTER. 461 00:18:41,454 --> 00:18:44,655 - I JUST WANTED THE PLAY TO GO WELL. 462 00:18:44,657 --> 00:18:46,591 - OF COURSE YOU DID. 463 00:18:46,593 --> 00:18:48,759 SEE, IN ANOTHER LIFE, YOU WERE A WOMAN, 464 00:18:48,761 --> 00:18:50,961 WHICH EXPLAINS WHY YOU HAVE FEELINGS. 465 00:18:50,963 --> 00:18:52,430 - REALLY? 466 00:18:52,432 --> 00:18:55,699 - YOUR CARDS ALSO SAY THAT YOU AND A STILL-ATTRACTIVE COWORKER 467 00:18:55,701 --> 00:18:57,868 HAVE A CHANCE FOR UNPARALLELED BLISS 468 00:18:57,870 --> 00:19:00,103 PROVIDED YOU AVOID THE TROGLODYTIC BEHAVIOR 469 00:19:00,105 --> 00:19:01,439 COMMON TO YOUR SEX. 470 00:19:01,441 --> 00:19:03,107 - REALLY? WHEN? 471 00:19:03,109 --> 00:19:04,675 - VERY, VERY SOON. 472 00:19:04,677 --> 00:19:08,445 OOOH, MWAH, MWAH, MWAH! 473 00:19:09,682 --> 00:19:11,949 - WHY AREN'T YOU WEARING COSTUMES? 474 00:19:11,951 --> 00:19:13,851 - WE WERE, BUT WE DONATED THEM 475 00:19:13,853 --> 00:19:16,954 TO THE MUSEUM OF GLORIFYING VIOLENCE IN MEDIEVAL TIMES. 476 00:19:16,956 --> 00:19:19,256 - THE MEDIEVAL TIMES WERE COOL. 477 00:19:19,258 --> 00:19:22,293 - YEAH, THE AIR WAS CLEANER, AND THERE WAS LESS CROWDING, 478 00:19:22,295 --> 00:19:24,795 SINCE THE BLACK DEATH WIPED OUT 1/3 OF THE POPULATION 479 00:19:24,797 --> 00:19:26,229 IN MANY PLACES. 480 00:19:26,231 --> 00:19:27,831 - MUST HAVE BEEN COOL TO SEE THE OX CARTS 481 00:19:27,833 --> 00:19:28,832 ROLLING THROUGH THE STREETS 482 00:19:28,834 --> 00:19:31,902 PILED HIGH WITH FESTERING CORPSES. 483 00:19:31,904 --> 00:19:35,573 - AND THE REAL ROBIN HOOD ACTUALLY LIVED IN THE 1300s. 484 00:19:35,575 --> 00:19:37,608 KING EDWARD II BUSTED ROBIN 485 00:19:37,610 --> 00:19:39,377 AND HIS BAND OF OUTLAWS POACHING DEER, 486 00:19:39,379 --> 00:19:42,212 BUT RATHER THAN PUNISH HIM, HE PARDONED ROBIN 487 00:19:42,214 --> 00:19:44,047 AND MADE HIM HIS SPECIAL FRIEND. 488 00:19:44,049 --> 00:19:45,516 - ROBIN WAS SO GRATEFUL, 489 00:19:45,518 --> 00:19:49,687 FROM THAT DAY ON, HE INSISTED ON GIVING THE KING HIS BATH. 490 00:19:49,689 --> 00:19:52,890 - ACTUALLY, ANNE BOLEYN WAS NO PRIZE EITHER. 491 00:19:52,892 --> 00:19:55,026 - SHE HAD SIX FINGERS ON HER LEFT HAND, 492 00:19:55,028 --> 00:19:56,460 A BIG MOLE ON HER NECK, 493 00:19:56,462 --> 00:19:59,663 AND DON'T EVEN ASK ME WHAT WAS GOING ON BELOW THAT. 494 00:20:00,999 --> 00:20:02,567 - UM, BABE, 495 00:20:02,569 --> 00:20:05,302 NOW, I KNOW IT DOESN'T TAKE THIS LONG TO DRIVE TO SCHOOL. 496 00:20:05,304 --> 00:20:07,504 - ARE YOU SUUUUUURE? 497 00:20:07,506 --> 00:20:09,840 - OH, MAN. 498 00:20:09,842 --> 00:20:11,809 - ♪ LA-LA, LA, LA-LA ♪ 499 00:20:11,811 --> 00:20:19,750 ♪ ♪ 500 00:20:24,523 --> 00:20:26,123 ♪ LA, LA, LA ♪ 501 00:20:26,125 --> 00:20:29,226 ♪ ♪ 502 00:20:29,228 --> 00:20:30,761 ♪ LA, LA, LA ♪ 503 00:20:30,763 --> 00:20:33,898 ♪ ♪ 504 00:20:33,900 --> 00:20:35,566 ♪ LA, LA, LA ♪ 505 00:20:35,568 --> 00:20:43,507 ♪ ♪ 506 00:20:45,377 --> 00:20:47,578 ♪ LA-LA, LA, LA-LA ♪ 507 00:20:50,215 --> 00:20:52,316 ♪ LA-LA, LA, LA-LA ♪