1 00:00:02,103 --> 00:00:03,335 - ♪ LA-LA, LA, LA-LA ♪ 2 00:00:03,337 --> 00:00:05,937 ♪ LA-LA, LA, LA-LA ♪ 3 00:00:12,713 --> 00:00:14,646 [tires screech] 4 00:00:17,050 --> 00:00:18,984 [tires screech] 5 00:00:21,088 --> 00:00:23,655 - ALL RIGHT, DARIA, DON'T START YOUR TURN 6 00:00:23,657 --> 00:00:26,358 TILL YOUR FRONT WHEELS ARE PAST THE CORNER. 7 00:00:26,360 --> 00:00:27,659 THAT'S IT. 8 00:00:27,661 --> 00:00:29,794 NOW ACCELERATE AS YOU START TO STRAIGHTEN. 9 00:00:29,796 --> 00:00:31,363 GOOD. 10 00:00:31,365 --> 00:00:32,831 WATCH OUT FOR THE DOG. 11 00:00:32,833 --> 00:00:34,132 WATCH OUT, DARIA! 12 00:00:34,134 --> 00:00:35,933 - OH, MY GOD. DID I KILL HIM? 13 00:00:35,935 --> 00:00:37,001 I NEVER EVEN SAW HIM. 14 00:00:37,003 --> 00:00:38,069 I'M A DOG KILLER. 15 00:00:38,071 --> 00:00:39,905 - LOOK, HONEY. 16 00:00:39,907 --> 00:00:41,573 - [barking] 17 00:00:41,575 --> 00:00:42,774 - GOD, THAT WAS CLOSE. 18 00:00:42,776 --> 00:00:44,243 - NO HARM DONE. 19 00:00:44,245 --> 00:00:47,212 - I COULDN'T LIVE WITH MYSELF IF I HIT A DOG. 20 00:00:47,214 --> 00:00:49,247 WOULD YOU MIND TELLING QUINN I KILLED HIM? 21 00:00:49,249 --> 00:00:50,749 - OH! 22 00:00:50,751 --> 00:00:51,884 DIDN'T YOU SEE HIM? 23 00:00:51,886 --> 00:00:54,552 HE CAME RUNNING RIGHT UP ON YOUR SIDE OF THE CAR. 24 00:00:54,554 --> 00:00:57,089 - I DON'T SEE WAY OFF TO THE SIDE TOO WELL. 25 00:00:57,091 --> 00:00:58,657 MY GLASSES SORT OF BLOCK THE VIEW. 26 00:00:58,659 --> 00:01:00,091 - I DIDN'T KNOW THAT. 27 00:01:00,093 --> 00:01:01,393 ISN'T THAT A PROBLEM? 28 00:01:01,395 --> 00:01:03,462 - IT IS FOR DOGS. 29 00:01:03,464 --> 00:01:06,030 - WHEN HE TURNED UP HIS NOSE AT ACCORDION LESSONS, 30 00:01:06,032 --> 00:01:08,600 THEY CUT OFF HIS INHERITANCE MOLTO ALLEGRO. 31 00:01:08,602 --> 00:01:12,004 THE SEVERED PIANIST, NEXT ON SICK, SAD WORLD. 32 00:01:12,006 --> 00:01:13,238 [knocking] 33 00:01:13,240 --> 00:01:14,405 - ENTER. 34 00:01:14,407 --> 00:01:15,641 - DARIA? 35 00:01:15,643 --> 00:01:17,109 - CORRECT. 36 00:01:17,111 --> 00:01:20,312 - YOU KNOW, I WAS THINKING ABOUT YOUR PERIPHERAL VISION. 37 00:01:20,314 --> 00:01:21,846 - THAT'S REALLY STRANGE. 38 00:01:21,848 --> 00:01:24,249 I WAS THINKING ABOUT YOUR HIGH-FREQUENCY HEARING. 39 00:01:24,251 --> 00:01:26,652 - HOW WOULD YOU FEEL ABOUT TRYING CONTACT LENSES? 40 00:01:26,654 --> 00:01:28,286 - POORLY. - WHY? 41 00:01:28,288 --> 00:01:30,522 - BECAUSE THERE'S NOTHING WRONG WITH WEARING GLASSES. 42 00:01:30,524 --> 00:01:33,258 - BUT WHAT ABOUT THAT DOG TODAY? - EXACTLY. 43 00:01:33,260 --> 00:01:36,261 IF HE'D HAD HIS GLASSES ON, HE WOULD HAVE SEEN THE DAMN CAR 44 00:01:36,263 --> 00:01:38,163 AND WE WOULDN'T BE HAVING THIS CONVERSATION. 45 00:01:38,165 --> 00:01:40,032 - DARIA, I JUST THINK THAT YOUR FIELD OF VISION 46 00:01:40,034 --> 00:01:41,500 COULD REALLY BE ENHANCED-- 47 00:01:41,502 --> 00:01:42,934 - COME ON, MOM. 48 00:01:42,936 --> 00:01:44,769 IT'S NOT MY FIELD OF VISION YOU WANT TO ENHANCE. 49 00:01:44,771 --> 00:01:46,004 - WHAT DO YOU MEAN? 50 00:01:46,006 --> 00:01:47,673 - WE'VE HAD THIS CONVERSATION BEFORE. 51 00:01:47,675 --> 00:01:49,307 YOU THINK IF I GET CONTACTS, 52 00:01:49,309 --> 00:01:51,176 I'LL SUDDENLY TURN INTO THE HOMECOMING QUEEN. 53 00:01:51,178 --> 00:01:53,178 - DARIA, GIVE ME SOME CREDIT. 54 00:01:53,180 --> 00:01:54,746 YOU CAN STILL WEAR YOUR GLASSES. 55 00:01:54,748 --> 00:01:56,849 NOBODY'S GONNA TAKE THEM AWAY FROM YOU. 56 00:01:56,851 --> 00:01:58,217 - BUT? 57 00:01:58,219 --> 00:02:00,652 - BUT CONTACTS ARE BETTER FOR SOME THINGS, 58 00:02:00,654 --> 00:02:03,021 LIKE DRIVING OR SPORTS. 59 00:02:03,023 --> 00:02:05,357 - YOU MEAN I'LL FINALLY MAKE THE WRESTLING TEAM? 60 00:02:05,359 --> 00:02:08,126 - DARIA, YOU CAN'T POSSIBLY HAVE SOME ETHICAL ISSUE 61 00:02:08,128 --> 00:02:09,595 WITH WEARING CONTACTS. 62 00:02:09,597 --> 00:02:12,564 - HOW ABOUT THINKING PEOPLE SHOULD ACCEPT ME FOR WHO I AM 63 00:02:12,566 --> 00:02:13,898 WITHOUT MY HAVING TO CHANGE? 64 00:02:13,900 --> 00:02:14,933 - RIGHT. 65 00:02:14,935 --> 00:02:17,102 THEY SHOULD ACCEPT YOU FOR WHO YOU ARE: 66 00:02:17,104 --> 00:02:20,205 A COMPLEX AND INTERESTING YOUNG LADY WORTH KNOWING, 67 00:02:20,207 --> 00:02:21,873 INSTEAD OF SEEING YOUR GLASSES AND JUMPING 68 00:02:21,875 --> 00:02:25,544 TO SOME MORONIC CONCLUSION BASED ON RIDICULOUS STEREOTYPES 69 00:02:25,546 --> 00:02:27,512 AND THEIR OWN IGNORANCE. 70 00:02:27,514 --> 00:02:28,747 - MMM. 71 00:02:28,749 --> 00:02:30,215 GOOD ONE. 72 00:02:30,217 --> 00:02:33,218 [contemplative music] 73 00:02:33,220 --> 00:02:41,159 ♪ ♪ 74 00:02:47,968 --> 00:02:51,169 I ALMOST KILLED A DOG YESTERDAY. 75 00:02:51,171 --> 00:02:53,304 - GONNA WORK YOUR WAY UP TO HUMANS SLOWLY? 76 00:02:53,306 --> 00:02:54,873 - DURING MY DRIVING LESSON. 77 00:02:54,875 --> 00:02:57,309 NOW MY MOTHER'S BUGGING ME ABOUT CONTACTS AGAIN. 78 00:02:57,311 --> 00:02:59,244 - BOY, SHE JUST DOESN'T GET IT, DOES SHE? 79 00:02:59,246 --> 00:03:01,012 - NOPE; SHE REALLY DOESN'T. 80 00:03:01,014 --> 00:03:02,747 GET WHAT? - YOU. 81 00:03:02,749 --> 00:03:05,249 THE WHOLE DARIA MORGENDORFFER PERSONA. 82 00:03:05,251 --> 00:03:07,185 YOU DON'T CARE WHAT PEOPLE THINK ABOUT YOUR LOOKS. 83 00:03:07,187 --> 00:03:08,587 - OF COURSE NOT. 84 00:03:08,589 --> 00:03:09,988 - THE GLASSES ARE YOU. 85 00:03:09,990 --> 00:03:11,723 THEY'RE SYMBOLIC OF THE WHOLE DARIA THING. 86 00:03:11,725 --> 00:03:15,827 "I WEAR GLASSES, AND I'M NOT GOING TO APOLOGIZE FOR IT." 87 00:03:15,829 --> 00:03:16,828 MM. 88 00:03:16,830 --> 00:03:18,896 - YEAH, EXACTLY. 89 00:03:18,898 --> 00:03:21,433 OF COURSE, YOU DON'T WEAR GLASSES, 90 00:03:21,435 --> 00:03:23,936 SO FROM YOUR POINT OF VIEW, IT'S ALL THEORETICAL. 91 00:03:23,938 --> 00:03:24,937 - WHAT? 92 00:03:24,939 --> 00:03:26,871 - PASS THE COOKIE DOUGH. 93 00:03:28,909 --> 00:03:32,677 - CARAMEL, PLUM, OF COURSE. BLACK IS ALWAYS GOOD. 94 00:03:32,679 --> 00:03:33,678 [knocking] 95 00:03:33,680 --> 00:03:35,480 COME IN. 96 00:03:35,482 --> 00:03:37,549 DARIA? WHAT ARE YOU DOING HERE? 97 00:03:37,551 --> 00:03:40,252 - NOTHING. JUST PASSING BY. 98 00:03:40,254 --> 00:03:41,253 SAW YOUR LIGHT ON. 99 00:03:41,255 --> 00:03:43,054 - WHAT ARE YOU TALKING ABOUT? 100 00:03:43,056 --> 00:03:45,624 - UH, QUINN, COULD I ASK-- 101 00:03:45,626 --> 00:03:46,891 - YES? A QUESTION? 102 00:03:46,893 --> 00:03:48,126 A FAVOR? 103 00:03:48,128 --> 00:03:50,028 - COULD I ASK YOUR OPINION ON SOMETHING? 104 00:03:50,030 --> 00:03:51,362 - WHAT, IS THIS A TRICK? 105 00:03:51,364 --> 00:03:52,531 WHAT'S THE CATCH? 106 00:03:52,533 --> 00:03:53,932 WHY DON'T YOU ASK YOUR FRIEND JANE? 107 00:03:53,934 --> 00:03:55,099 - JANE CAN'T HELP ME. 108 00:03:55,101 --> 00:03:56,835 I NEED TO SPEAK TO SOMEONE MORE ATTUNED 109 00:03:56,837 --> 00:03:58,804 TO MATTERS OF APPEARANCE. 110 00:03:58,806 --> 00:04:02,440 - YOU'RE ASKING MY ADVICE, AREN'T YOU? 111 00:04:02,442 --> 00:04:04,643 - QUINN, PLEASE. THIS IS HARD ENOUGH. 112 00:04:04,645 --> 00:04:06,544 - I ALWAYS KNEW THIS DAY WOULD COME 113 00:04:06,546 --> 00:04:07,812 AND WONDERED HOW IT WOULD BE, 114 00:04:07,814 --> 00:04:12,183 YET NOW THAT IT HAS, I FEEL STRANGELY SERENE. 115 00:04:12,185 --> 00:04:13,251 SIT DOWN, DARIA. 116 00:04:13,253 --> 00:04:14,419 I CAN HELP YOU. 117 00:04:14,421 --> 00:04:15,821 - WHO SAID I NEED HELP? 118 00:04:15,823 --> 00:04:17,722 - DARIA, IF WE'RE TO MAKE ANY PROGRESS AT ALL, 119 00:04:17,724 --> 00:04:19,590 YOU MUST BE ABSOLUTELY HONEST WITH ME. 120 00:04:19,592 --> 00:04:22,460 NOW, WHEN DID YOU FIRST BEGIN TO SUSPECT 121 00:04:22,462 --> 00:04:23,729 THAT YOUR OUTFIT SUCKED? 122 00:04:23,731 --> 00:04:25,096 - IT'S NOT MY OUTFIT. 123 00:04:25,098 --> 00:04:28,967 - OKAAAAY, WHEN DID YOUR FRIEND FIRST BEGIN TO SUSPECT 124 00:04:28,969 --> 00:04:30,535 THAT YOUR OUTFIT SUCKED? 125 00:04:30,537 --> 00:04:33,038 - SUPPOSE YOU WERE WELL-KNOWN FOR NOT CARING 126 00:04:33,040 --> 00:04:34,606 WHAT OTHER PEOPLE THINK OF YOU 127 00:04:34,608 --> 00:04:36,541 AND THEN SUDDENLY YOU DID SOMETHING THAT SHOWED 128 00:04:36,543 --> 00:04:39,478 MAYBE YOU DO CARE A LITTLE ABOUT WHAT OTHER PEOPLE THINK OF YOU. 129 00:04:39,480 --> 00:04:42,346 WOULD THAT INVALIDATE EVERYTHING YOU'D DONE AND SAID UP TO THEN 130 00:04:42,348 --> 00:04:43,548 AND MAKE YOU A HYPOCRITE? 131 00:04:43,550 --> 00:04:47,586 - DARIA, YOU'RE GIVING ME A HEADACHE! 132 00:04:47,588 --> 00:04:49,421 - WHAT WOULD YOU THINK IF I GOT CONTACTS? 133 00:04:49,423 --> 00:04:51,055 - CONTACTS? GREAT! 134 00:04:51,057 --> 00:04:52,624 BUT WHAT COLOR ARE YOU THINKING? 135 00:04:52,626 --> 00:04:55,059 BECAUSE CLEAR ONES DON'T CALL ATTENTION TO THEMSELVES SO MUCH, 136 00:04:55,061 --> 00:04:56,994 WHICH MAYBE YOU WANT, BUT THEN WHO COULD RESIST 137 00:04:56,996 --> 00:04:58,897 BEING ABLE TO CHANGE THEIR EYE COLOR AT WILL? 138 00:04:58,899 --> 00:05:00,065 - WAIT A MINUTE. 139 00:05:00,067 --> 00:05:01,633 - BLUE GOES WITH JUST ABOUT ANY OUTFIT, 140 00:05:01,635 --> 00:05:03,301 BUT GREEN ADDS THAT TOUCH OF EXOTICA 141 00:05:03,303 --> 00:05:04,969 THAT MANY YOUNG WOMEN CRAVE. 142 00:05:04,971 --> 00:05:06,371 - HANG ON. ALL I ASKED WAS-- 143 00:05:06,373 --> 00:05:08,306 - THEN, OF COURSE, YOU'LL WANT TO CHANGE YOUR HAIR 144 00:05:08,308 --> 00:05:10,709 TO FRAME YOUR NEW FACE, A DECISION UNTO ITSELF. 145 00:05:10,711 --> 00:05:12,611 AND OBVIOUSLY, A NEW WARDROBE. 146 00:05:12,613 --> 00:05:15,313 - UGH. - DARIA, WAIT! 147 00:05:15,315 --> 00:05:16,681 I KNOW YOU'RE SCARED. 148 00:05:16,683 --> 00:05:19,951 WE'LL START SLOW, WITH SOME SCRUNCHIES! 149 00:05:21,488 --> 00:05:22,954 - OH, THAT SISTER OF MINE. 150 00:05:22,956 --> 00:05:24,789 SHE'S AS TWISTED AS A CORKSCREW. 151 00:05:24,791 --> 00:05:26,158 - MM. - DAMN SIBLINGS. 152 00:05:26,160 --> 00:05:27,692 - HONESTLY, I THINK THE ONLY REASON 153 00:05:27,694 --> 00:05:29,394 SHE EVER GETS IN TOUCH AT ALL 154 00:05:29,396 --> 00:05:31,530 IS SO THAT SHE CAN GET UNDER MY SKIN. 155 00:05:31,532 --> 00:05:33,298 - MM. - DAMN SUBDERMAL IRRITANTS. 156 00:05:33,300 --> 00:05:36,234 - I MEAN, LISTEN TO THIS NOTE SHE SENT WHEN SHE WAS IN HAWAII. 157 00:05:36,236 --> 00:05:39,270 "DEAR SIS, YOU'D LOVE ISLAND LIFE: 158 00:05:39,272 --> 00:05:40,739 "BEAUTIFUL SUN, WONDERFUL PEOPLE, 159 00:05:40,741 --> 00:05:42,040 "UMBRELLA DRINKS AT THE KANILEA. 160 00:05:42,042 --> 00:05:43,975 "ONLY THING IS, YOU'D HAVE TO A TAKE A VACATION. 161 00:05:43,977 --> 00:05:45,710 "OH, WELL, SORRY I BROUGHT IT UP. 162 00:05:45,712 --> 00:05:47,011 MY LOVE TO ALL, AMY." 163 00:05:47,013 --> 00:05:49,147 GOD, ISN'T THAT ANNOYING? 164 00:05:49,149 --> 00:05:50,849 - MM. - DAMN SUBTLE BARBS. 165 00:05:50,851 --> 00:05:53,785 - LOOK AT THIS PICTURE OF HER SMILING BY THE POOL, 166 00:05:53,787 --> 00:05:56,655 LIKE SHE CAN EVEN SEE THE CAMERA WITHOUT HER GLASSES. 167 00:05:56,657 --> 00:05:58,156 - AUNT AMY? 168 00:05:58,158 --> 00:05:59,424 - MM. 169 00:06:00,928 --> 00:06:03,528 [phone ringing] 170 00:06:03,530 --> 00:06:04,763 - HELLO? 171 00:06:04,765 --> 00:06:07,098 - AUNT AMY? - HEY, MY FAVORITE NIECE. 172 00:06:07,100 --> 00:06:08,733 - OH. - WHO IS THIS? 173 00:06:08,735 --> 00:06:09,968 - UM, IT'S-- 174 00:06:09,970 --> 00:06:12,437 - I'M JOKING, DARIA. HOW ARE YOU? 175 00:06:12,439 --> 00:06:14,439 YOUR MOTHER HASN'T HAD A STROKE, HAS SHE? 176 00:06:14,441 --> 00:06:16,674 - WELL, I HAVEN'T CHECKED HER IN THE LAST HALF-HOUR. 177 00:06:16,676 --> 00:06:17,676 HOW WAS HAWAII? 178 00:06:17,678 --> 00:06:19,110 - WISH I WERE STILL THERE. 179 00:06:19,112 --> 00:06:20,445 WHAT CAN I DO FOR YOU? 180 00:06:20,447 --> 00:06:23,381 - UM, I WANTED TO ASK YOUR ADVICE ABOUT SOMETHING. 181 00:06:23,383 --> 00:06:26,484 I'M THINKING ABOUT GETTING CONTACT LENSES. 182 00:06:26,486 --> 00:06:27,986 - UH-HUH. SOUNDS GOOD. 183 00:06:27,988 --> 00:06:28,987 - IT DOES? 184 00:06:28,989 --> 00:06:30,188 - WHY NOT? 185 00:06:30,190 --> 00:06:32,424 - WELL, ISN'T IT KIND OF VAIN? 186 00:06:32,426 --> 00:06:34,525 DO YOU HAVE MIRRORS IN YOUR HOUSE, DARIA? 187 00:06:34,527 --> 00:06:35,660 - YEAH. 188 00:06:35,662 --> 00:06:37,128 - DO YOU LOOK IN THEM BEFORE YOU GO OUT? 189 00:06:37,130 --> 00:06:38,363 - YEAH. 190 00:06:38,365 --> 00:06:40,031 - WELL, THEN, YOU'RE ALREADY GOING TO HELL, 191 00:06:40,033 --> 00:06:41,566 SO YOU MIGHT AS WELL GET THE LENSES. 192 00:06:41,568 --> 00:06:43,201 YOU'LL SEE THE BRIMSTONE BETTER. 193 00:06:43,203 --> 00:06:44,335 - WHAT DO YOU MEAN? 194 00:06:44,337 --> 00:06:46,304 - I MEAN, HAVING CONTACTS IS NO MORE VAIN 195 00:06:46,306 --> 00:06:47,739 THAN PRIMPING IN THE MIRROR. 196 00:06:47,741 --> 00:06:50,008 IT JUST GIVES YOU DIFFERENT OPTIONS ABOUT THE WAY YOU LOOK. 197 00:06:50,010 --> 00:06:51,910 IT WOULDN'T CHANGE YOUR PERSONALITY, 198 00:06:51,912 --> 00:06:53,411 IT WOULDN'T CHANGE YOUR VALUES, 199 00:06:53,413 --> 00:06:55,714 AND IT WOULD SET YOUR PARENTS BACK A COUPLE HUNDRED BUCKS, 200 00:06:55,716 --> 00:06:57,649 SO I DON'T SEE ANY DOWNSIDE AT ALL. 201 00:06:57,651 --> 00:06:58,850 - THANKS, AUNT AMY. 202 00:06:58,852 --> 00:07:00,385 - I'D LOVE TO SEE HOW IT TURNS OUT. 203 00:07:00,387 --> 00:07:01,652 SEND ME A PICTURE, OKAY? 204 00:07:01,654 --> 00:07:03,688 - YOU WANT A PICTURE OF ME WITH MY CONTACTS? 205 00:07:03,690 --> 00:07:05,891 - EITHER THAT OR A SHOT OF RALPH FIENNES, 206 00:07:05,893 --> 00:07:07,592 WHICHEVER. 207 00:07:08,762 --> 00:07:10,529 - DARIA? - MM? 208 00:07:10,531 --> 00:07:12,364 - I JUST WANT YOU TO KNOW THAT I WAS THINKING 209 00:07:12,366 --> 00:07:13,999 ABOUT OUR CONVERSATION THE OTHER DAY, 210 00:07:14,001 --> 00:07:15,967 AND I DON'T WANT YOU TO BELIEVE FOR A SECOND 211 00:07:15,969 --> 00:07:18,737 THAT I THINK YOU NEED CONTACT LENSES. 212 00:07:18,739 --> 00:07:21,339 YOU'RE BEAUTIFUL INSIDE AND OUT NO MATTER WHAT, 213 00:07:21,341 --> 00:07:24,609 AND I UNDERSTAND AND RESPECT YOUR OBJECTION TO CONTACTS, 214 00:07:24,611 --> 00:07:26,577 AND THERE'LL BE NO MORE DISCUSSIONS ABOUT IT. 215 00:07:26,579 --> 00:07:27,579 OKAY? 216 00:07:27,581 --> 00:07:29,380 - [sighs] 217 00:07:29,382 --> 00:07:30,448 ALL RIGHT. 218 00:07:30,450 --> 00:07:31,683 YOU TALKED ME INTO IT. 219 00:07:31,685 --> 00:07:32,984 - I DID? 220 00:07:32,986 --> 00:07:36,120 - MOM, THAT REVERSE PSYCHOLOGY OF YOURS IS KILLER. 221 00:07:37,224 --> 00:07:39,023 - ♪ EXCUSE ME ♪ 222 00:07:39,025 --> 00:07:40,792 ♪ EXCUSE ME ♪ 223 00:07:47,301 --> 00:07:48,566 - SO LET'S SEE. 224 00:07:48,568 --> 00:07:50,769 THERE'S REALLY NOTHING TO WORRY ABOUT 225 00:07:50,771 --> 00:07:53,438 OTHER THAN A SLIGHT RISK OF EPITHELIAL EDEMA, 226 00:07:53,440 --> 00:07:55,673 POSSIBLE CONCERN OVER BULBAR HYPEREMIA, 227 00:07:55,675 --> 00:07:57,909 THE OUTSIDE CHANCE OF KERATOCONUS 228 00:07:57,911 --> 00:08:01,413 AND POLYMEGATHISM, AND THE USUAL TIRESOME WORRIES 229 00:08:01,415 --> 00:08:03,781 ABOUT GIANT PAPILLARY CONJUNCTIVITIS. 230 00:08:03,783 --> 00:08:06,784 - UM, IS THERE ANY CHANCE MY EYES WON'T FALL OUT? 231 00:08:06,786 --> 00:08:09,354 - THERE'S NO REASON TO EXPECT ANY COMPLICATIONS WHATSOEVER 232 00:08:09,356 --> 00:08:11,623 IF YOU WEAR YOUR LENSES ACCORDING TO INSTRUCTIONS 233 00:08:11,625 --> 00:08:13,258 AND TAKE CARE OF THEM PROPERLY. 234 00:08:13,260 --> 00:08:15,693 - SO IF ANYTHING DOES GO WRONG, IT'S MY FAULT. 235 00:08:15,695 --> 00:08:16,894 - THAT'LL BE OUR POSITION. 236 00:08:16,896 --> 00:08:20,131 NOW, SHOW ME ONCE AGAIN HOW YOU PUT THE LENS IN. 237 00:08:24,037 --> 00:08:25,370 THAT'S IT. 238 00:08:25,372 --> 00:08:27,972 RIGHT UP AGAINST THE EYEBALL. 239 00:08:27,974 --> 00:08:29,908 - AHHHHH! 240 00:08:33,814 --> 00:08:36,080 [doorbell rings] 241 00:08:36,082 --> 00:08:37,882 READY? - MM. 242 00:08:37,884 --> 00:08:38,916 - OKAY THEN. 243 00:08:38,918 --> 00:08:41,152 TIME TO GO. - MM. 244 00:08:41,154 --> 00:08:44,222 - YOU'RE NOT REALLY MUCH OF A MORNING PERSON, ARE YOU? 245 00:08:44,224 --> 00:08:46,724 - WHERE ARE YOUR GLASSES? 246 00:08:46,726 --> 00:08:48,125 - I'M NOT WEARING THEM. 247 00:08:48,127 --> 00:08:49,260 - HUH? 248 00:08:49,262 --> 00:08:50,895 - I GOT CONTACTS. 249 00:08:50,897 --> 00:08:52,330 - HMM. 250 00:08:52,332 --> 00:08:54,432 - I HOPE THIS ISN'T GONNA CHANGE YOUR OPINION OF ME. 251 00:08:54,434 --> 00:08:56,434 I HOPE YOU DON'T THINK I'VE CHANGED OR COMPROMISED 252 00:08:56,436 --> 00:08:59,303 OR BECOME A SHALLOW PERSON WHO ONLY CARES ABOUT THEIR LOOKS, 253 00:08:59,305 --> 00:09:01,339 'CAUSE IT WOULD REALLY BOTHER ME IF YOU THOUGHT THAT. 254 00:09:01,341 --> 00:09:03,241 - NO, I DON'T THINK ANYTHING LIKE THAT. 255 00:09:03,243 --> 00:09:04,509 - GOOD. 256 00:09:04,511 --> 00:09:06,845 - WHERE ARE YOUR GLASSES? 257 00:09:08,382 --> 00:09:10,982 - OKAY, SO NOW THAT YOU'RE MORE OR LESS AWAKE, 258 00:09:10,984 --> 00:09:13,084 ARE YOU READY TO TELL ME I'VE SOLD OUT? 259 00:09:13,086 --> 00:09:14,252 - YOU LOOK PRETTY COOL. 260 00:09:14,254 --> 00:09:15,253 - OH, YEAH? 261 00:09:15,255 --> 00:09:16,554 THEN WHAT DID I LOOK LIKE BEFORE? 262 00:09:16,556 --> 00:09:19,424 - HEY, GLASSES, NO GLASSES-- EITHER WAY WORKS FOR ME. 263 00:09:19,426 --> 00:09:21,225 - AND YOU CALL YOURSELF A FRIEND. 264 00:09:21,227 --> 00:09:22,594 [bell rings] 265 00:09:22,596 --> 00:09:25,363 - NOW, WHEN HE SHED HIS REGAL VESTMENTS 266 00:09:25,365 --> 00:09:27,265 AND BEGAN DRESSING AS IF HE HAD NO MONEY, 267 00:09:27,267 --> 00:09:30,402 A VERY FUNNY THING HAPPENED TO THE PRINCE. 268 00:09:30,404 --> 00:09:32,670 WHAT WAS THAT? KEVIN? 269 00:09:32,672 --> 00:09:35,239 - HE BECAME THE POOR GUY FORMERLY KNOWN AS THE PRINCE? 270 00:09:35,241 --> 00:09:37,441 - KEVIN, I MUST SAY, I'M MYSTIFIED 271 00:09:37,443 --> 00:09:40,477 BY YOUR CONTINUING INABILITY TO ABSORB ANYTHING 272 00:09:40,479 --> 00:09:41,879 FROM THIS CLASS. 273 00:09:41,881 --> 00:09:43,581 - UM, IS THAT BAD? 274 00:09:43,583 --> 00:09:45,716 - I'M SORRY TO SPEAK SO HARSHLY, KEVIN, 275 00:09:45,718 --> 00:09:47,818 BUT I WOULDN'T DO SO IF I DIDN'T THINK YOU HAD 276 00:09:47,820 --> 00:09:51,055 THE INNER STRENGTH TO HEAR AND TO HEED. 277 00:09:51,057 --> 00:09:52,357 - THANKS! 278 00:09:52,359 --> 00:09:55,826 - BRITTANY, HOW DOES THE PRINCE CHANGE IN THIS STORY? 279 00:09:55,828 --> 00:09:59,964 - HE, UM, HE DOESN'T TURN INTO A FROG, DOES HE? 280 00:09:59,966 --> 00:10:01,132 - [sighs] 281 00:10:01,134 --> 00:10:02,467 DA--HUH. 282 00:10:02,469 --> 00:10:04,368 I WISH DARIA WERE HERE. 283 00:10:04,370 --> 00:10:05,370 - I'M HERE. 284 00:10:05,372 --> 00:10:06,471 - DARIA? 285 00:10:06,473 --> 00:10:07,639 IS THAT YOU? 286 00:10:07,641 --> 00:10:09,207 WHAT HAPPENED TO YOUR GLASSES? 287 00:10:09,209 --> 00:10:11,910 - UM, I'M WEARING CONTACT LENSES. 288 00:10:11,912 --> 00:10:13,577 - GOOD FOR YOU, DARIA. 289 00:10:13,579 --> 00:10:15,513 WHAT A POSITIVE GESTURE. 290 00:10:15,515 --> 00:10:17,215 YOU'RE TAKING COMMAND OF YOUR APPEARANCE 291 00:10:17,217 --> 00:10:20,718 AND EMPOWERING YOURSELF TO CARVE YOUR OWN IDENTITY. 292 00:10:20,720 --> 00:10:23,120 - ACTUALLY, I'M NOT SURE THAT I WANT AN IDENTITY 293 00:10:23,122 --> 00:10:24,389 BASED ON APPEARANCE. 294 00:10:24,391 --> 00:10:25,690 - OF COURSE NOT. 295 00:10:25,692 --> 00:10:27,792 THE INNER YOU, THAT'S WHAT'S IMPORTANT. 296 00:10:27,794 --> 00:10:29,694 I JUST MEANT THAT A REVISED OUTER YOU 297 00:10:29,696 --> 00:10:32,664 IS AN EVEN MORE CONFIDENT MANIFESTATION 298 00:10:32,666 --> 00:10:35,700 OF THE UNCHANGED INNER YOU, THE REAL YOU: 299 00:10:35,702 --> 00:10:37,468 THE YOU-NESS INSIDE. 300 00:10:37,470 --> 00:10:38,970 - I GOT THEM FOR DRIVING. 301 00:10:38,972 --> 00:10:40,471 - EXCELLENT. 302 00:10:40,473 --> 00:10:42,907 SO WHY ARE YOU WEARING THEM NOW? 303 00:10:42,909 --> 00:10:45,310 - CLASS, I HAVE SOME EXTREMELY DISTURBING NEWS. 304 00:10:45,312 --> 00:10:48,346 SOMEONE HAS APPARENTLY PILFERED THE SCHOOL'S FINGERPRINTING KIT. 305 00:10:48,348 --> 00:10:49,347 MS. MORGENDORFFER? 306 00:10:49,349 --> 00:10:50,581 - IT WASN'T ME. 307 00:10:50,583 --> 00:10:52,650 I MUCH PREFER FIBER SPECTROANALYSIS. 308 00:10:52,652 --> 00:10:54,152 - DID YOU GET CONTACT LENSES? 309 00:10:54,154 --> 00:10:55,653 - UM, YES. 310 00:10:55,655 --> 00:10:57,055 - WELL DONE. 311 00:10:57,057 --> 00:10:58,223 - EXCUSE ME? 312 00:10:58,225 --> 00:10:59,790 - YOU'RE INVITING YOUR FELLOW STUDENTS 313 00:10:59,792 --> 00:11:01,126 TO GET TO KNOW YOU A LITTLE BETTER. 314 00:11:01,128 --> 00:11:03,561 YOU'RE DROPPING THAT STANDOFFISH PERSONA. 315 00:11:03,563 --> 00:11:04,662 KUDOS! 316 00:11:04,664 --> 00:11:06,264 - I GOT THEM FOR DRIVING. 317 00:11:06,266 --> 00:11:07,832 - AH. 318 00:11:07,834 --> 00:11:10,301 SO WHY ARE YOU WEARING THEM NOW? 319 00:11:12,739 --> 00:11:14,839 - I'M REALLY PSYCHED, BABE. 320 00:11:14,841 --> 00:11:16,574 ALL THAT BENCH-PRESSING IS PAYING OFF. 321 00:11:16,576 --> 00:11:18,743 - HUH? - TONE, BABE. 322 00:11:18,745 --> 00:11:21,913 YOU HEARD WHAT MR. O. SAID ABOUT SEEING MY INNER STRENGTH. 323 00:11:21,915 --> 00:11:25,983 - UM, BABE, HE WAS TRYING TO SAY YOU'RE NOT GETTING ANY SMARTER. 324 00:11:25,985 --> 00:11:27,886 - OH. WELL, AM I SUPPOSED TO? 325 00:11:27,888 --> 00:11:28,887 - YEAH. 326 00:11:28,889 --> 00:11:31,723 THAT'S WHAT SCHOOL'S FOR... 327 00:11:31,725 --> 00:11:33,958 FROM A TEACHER'S POINT OF VIEW. 328 00:11:33,960 --> 00:11:36,461 - OH. 329 00:11:36,463 --> 00:11:38,930 - DO YOU THINK CONTACTS REVEAL THE YOU-NESS INSIDE? 330 00:11:38,932 --> 00:11:40,432 - I DON'T KNOW. 331 00:11:40,434 --> 00:11:43,668 WHO'S EUNICE, AND WHY DOESN'T SHE GET HER OWN BODY? 332 00:11:43,670 --> 00:11:46,738 - WHOEVER SHE IS, SHE MUST BE VERY SAD. 333 00:11:46,740 --> 00:11:48,106 I CAN'T STOP TEARING UP. 334 00:11:48,108 --> 00:11:51,375 - DARIA, I LIKE YOUR NEW LOOK. 335 00:11:51,377 --> 00:11:52,676 - UM, THANKS. 336 00:11:52,678 --> 00:11:54,812 - YEAH, YOU'RE, LIKE, PRACTICALLY NORMAL. 337 00:11:54,814 --> 00:11:57,115 - KEVIN, HOW COME YOU ALWAYS KNOW JUST WHAT TO SAY? 338 00:11:57,117 --> 00:11:58,282 - IT'S A GIFT. 339 00:11:58,284 --> 00:12:00,452 BUT WHY DID YOU GET CONTACT LENSES? 340 00:12:00,454 --> 00:12:01,719 - I WANTED TO FIT IN BETTER. 341 00:12:01,721 --> 00:12:03,053 - COOL. 342 00:12:03,055 --> 00:12:05,890 - I WAS AFRAID MY GLASSES WERE MAKING ME TOO SMART. 343 00:12:05,892 --> 00:12:07,825 - REALLY? 344 00:12:12,065 --> 00:12:13,631 - YO. WHAT'S GOING ON? 345 00:12:13,633 --> 00:12:16,100 - THESE CONTACTS ARE ITCHING THE HELL OUT OF ME. 346 00:12:16,102 --> 00:12:17,268 I GOT TO TAKE 'EM OUT, 347 00:12:17,270 --> 00:12:18,703 BUT I DON'T HAVE MY GLASSES HERE. 348 00:12:18,705 --> 00:12:20,271 - WELL, THERE'S ONLY TWO PERIODS LEFT. 349 00:12:20,273 --> 00:12:21,305 CAN YOU HOLD OUT? 350 00:12:21,307 --> 00:12:23,408 - GUESS I HAVE TO. 351 00:12:23,410 --> 00:12:25,610 - BIG CRACK IN THE SIDEWALK COMING UP. 352 00:12:25,612 --> 00:12:26,778 WANT TO WATCH THAT. 353 00:12:26,780 --> 00:12:28,112 LOOK OUT FOR THAT BRANCH. 354 00:12:28,114 --> 00:12:29,647 THERE'S SOME KIDS COMING. 355 00:12:29,649 --> 00:12:31,282 NEVER MIND. THEY TURNED THE CORNER. 356 00:12:31,284 --> 00:12:32,349 [car honking] 357 00:12:32,351 --> 00:12:34,219 - WHO'S THAT? - IT'S TRENT. 358 00:12:34,221 --> 00:12:37,588 - HEY, DARIA, LOOKS GOOD. 359 00:12:37,590 --> 00:12:39,357 - NOW, WATCH OUT FOR THE GIRL WITH THE RED FACE 360 00:12:39,359 --> 00:12:40,525 WHO'S FORGOTTEN HOW TO WALK. 361 00:12:40,527 --> 00:12:43,160 OH, NEVER MIND, THAT'S YOU. 362 00:12:45,232 --> 00:12:48,233 [screeching electronic music] 363 00:12:48,235 --> 00:12:56,173 ♪ ♪ 364 00:13:19,832 --> 00:13:21,766 - [gasps] 365 00:13:34,214 --> 00:13:35,212 OW. 366 00:13:35,214 --> 00:13:36,947 UGH. 367 00:13:36,949 --> 00:13:38,649 NO CONTACTS TODAY. 368 00:13:41,321 --> 00:13:43,954 NO GLASSES EITHER. 369 00:13:46,326 --> 00:13:48,359 [doorbell rings] 370 00:13:48,361 --> 00:13:50,795 - HEY, THE CONTACTS ARE BACK, HUH? 371 00:13:50,797 --> 00:13:52,463 YOUR EYES MUST BE FEELING BETTER. 372 00:13:52,465 --> 00:13:54,832 - UM, YEAH, BETTER. 373 00:13:54,834 --> 00:13:58,569 BUT, UM, I'M STILL A LITTLE BLURRY. 374 00:13:58,571 --> 00:14:00,271 - ♪ LA, LA-LA ♪ 375 00:14:00,273 --> 00:14:02,640 ♪ LA-LA, LA-LA ♪ 376 00:14:02,642 --> 00:14:05,910 ♪ LA-LA, LA-LA, LA-LA ♪ 377 00:14:09,048 --> 00:14:11,449 - HEY! - SORRY. 378 00:14:13,419 --> 00:14:14,919 - OW! 379 00:14:14,921 --> 00:14:16,754 - OH, UH, SORRY, UPCHUCK. 380 00:14:16,756 --> 00:14:19,690 - SWEET DARIA, YOU DON'T HAVE TO RESORT TO A RUSE 381 00:14:19,692 --> 00:14:21,792 TO GET INTO MY PERSONAL SPACE. 382 00:14:21,794 --> 00:14:23,761 ALL YOU NEED DO IS ASK. 383 00:14:23,763 --> 00:14:26,597 - YOUR PERSONAL SPACE IS THE FINAL FRONTIER, UPCHUCK, 384 00:14:26,599 --> 00:14:28,766 ONE WHERE I INTEND NEVER TO BOLDLY GO. 385 00:14:28,768 --> 00:14:30,201 - YOU'LL BE BACK. 386 00:14:30,203 --> 00:14:32,036 THEY ALL COME BACK. 387 00:14:32,038 --> 00:14:33,437 - NAME TWO. 388 00:14:33,439 --> 00:14:35,273 - I COULD. 389 00:14:36,343 --> 00:14:39,477 - FOOD-LADEN STUDENT AT 3:00. 390 00:14:39,479 --> 00:14:41,846 BOY, YOU WEREN'T KIDDING ABOUT STILL BEING BLURRY. 391 00:14:41,848 --> 00:14:44,315 YOU'RE WALKING INTO MORE PEOPLE THAN YOU'RE WALKING BY. 392 00:14:44,317 --> 00:14:46,217 - I'M SURE MY VISION WILL CLEAR UP SOON. 393 00:14:46,219 --> 00:14:47,751 - WELL, IF IT DOESN'T WORK OUT, 394 00:14:47,753 --> 00:14:49,153 YOU CAN ALWAYS GO OUT FOR FOOTBALL. 395 00:14:49,155 --> 00:14:50,421 - FUNNY. 396 00:14:50,423 --> 00:14:52,223 - HEY, NOW'S YOUR CHANCE TO SIGN UP. 397 00:14:52,225 --> 00:14:53,624 - HEY, DARIA, JANE. 398 00:14:53,626 --> 00:14:55,126 NOTICE ANYTHING DIFFERENT? 399 00:14:55,128 --> 00:14:57,061 - HE'S WEARING GLASSES, RIGHT? 400 00:14:57,063 --> 00:14:59,797 - WHY, YES, HE'S WEARING GLASSES, 401 00:14:59,799 --> 00:15:02,033 ALTHOUGH, IRONICALLY, HE DOESN'T NEED THEM. 402 00:15:02,035 --> 00:15:03,301 WHAT'S GOING ON? 403 00:15:03,303 --> 00:15:05,169 - WELL, I GOT TO THINKING ABOUT WHAT YOU SAID 404 00:15:05,171 --> 00:15:07,204 ABOUT GLASSES MAKING YOU SMART, DARIA, 405 00:15:07,206 --> 00:15:08,939 AND, HEY, YOU MAY NOT BELIEVE THIS, 406 00:15:08,941 --> 00:15:10,675 BUT I COULD STAND TO BE A LITTLE SMARTER, 407 00:15:10,677 --> 00:15:11,743 SO I GOT SOME. 408 00:15:11,745 --> 00:15:14,112 - YOU? A LITTLE SMARTER? 409 00:15:14,114 --> 00:15:15,747 NOT POSSIBLE. - NAH, NAH, NO. 410 00:15:15,749 --> 00:15:19,050 THAT'S WHAT I THOUGHT TOO, BUT BELIEVE ME, IT IS. 411 00:15:19,052 --> 00:15:21,919 BUT YOU KNOW, I DON'T WANT TO BE A BRAIN OR ANYTHING. 412 00:15:21,921 --> 00:15:23,654 I MEAN, I LIKE HAVING FRIENDS, 413 00:15:23,656 --> 00:15:25,723 SO I GOT A PAIR WITHOUT ANY LENSES. 414 00:15:25,725 --> 00:15:26,991 SEE? 415 00:15:26,993 --> 00:15:29,060 SO NOW I'LL BE SMART BUT NOT TOO SMART. 416 00:15:29,062 --> 00:15:31,763 - UM, I'M NOT SURE IF IT'LL WORK WITHOUT ANY LENSES. 417 00:15:31,765 --> 00:15:33,231 - REALLY? - YEAH. 418 00:15:33,233 --> 00:15:35,800 WHY DON'T YOU TRY ONE LENS AND SEE HOW THAT GOES? 419 00:15:35,802 --> 00:15:37,568 - GREAT IDEA. THANKS. 420 00:15:37,570 --> 00:15:40,438 - OH, MR. EINSTEIN. 421 00:15:40,440 --> 00:15:41,806 - BRIT REALLY LOVES 'EM. 422 00:15:41,808 --> 00:15:44,309 GOTTA GO. 423 00:15:44,311 --> 00:15:46,177 - I CAN SEE THAT, FUNNY GAL. 424 00:15:46,179 --> 00:15:47,178 - HOW MANY FINGERS? 425 00:15:47,180 --> 00:15:48,680 - I'VE GOT ONE FOR YOU. 426 00:15:48,682 --> 00:15:50,514 - YOU'RE NOT WEARING YOUR CONTACTS AT ALL. 427 00:15:50,516 --> 00:15:53,184 - NOT IF YOU WANT TO GET TECHNICAL ABOUT IT. 428 00:15:53,186 --> 00:15:54,919 - OKAY, I GET THAT THEY WERE IRRITATING YOU, 429 00:15:54,921 --> 00:15:56,354 SO YOU THOUGHT YOU'D GIVE 'EM A REST. 430 00:15:56,356 --> 00:15:58,656 - YEAH. - BUT WHY NO GLASSES? 431 00:15:58,658 --> 00:16:00,424 - UM, SHEER VANITY? 432 00:16:00,426 --> 00:16:02,293 - YES, YES, VERY WITTY. NOW REALLY? 433 00:16:04,497 --> 00:16:05,496 DARIA! 434 00:16:05,498 --> 00:16:06,764 - YOU HATE ME. 435 00:16:06,766 --> 00:16:08,599 - THIS IS GREAT. YOU WANT TO BORROW MY LIPSTICK? 436 00:16:08,601 --> 00:16:09,600 - UGH. 437 00:16:09,602 --> 00:16:11,302 - HEY, COME ON, DARIA, WAIT. 438 00:16:11,304 --> 00:16:12,303 - OW! 439 00:16:12,305 --> 00:16:14,238 - SORRY. 440 00:16:16,075 --> 00:16:18,008 - DARIA? 441 00:16:20,079 --> 00:16:21,913 DARIA. 442 00:16:21,915 --> 00:16:24,916 TALKING TOILET? 443 00:16:24,918 --> 00:16:28,686 DARIA'S BOOTS, CAN YOU TELL ME WHERE DARIA IS? 444 00:16:28,688 --> 00:16:30,455 COME ON, DARIA. WHAT'S THE MATTER? 445 00:16:30,457 --> 00:16:32,523 - I'M A HYPOCRITE AND A PHONY. 446 00:16:32,525 --> 00:16:33,757 THAT'S WHAT'S THE MATTER. 447 00:16:33,759 --> 00:16:35,293 - WHAT ARE YOU TALKING ABOUT? 448 00:16:35,295 --> 00:16:36,728 - YOU DON'T HAVE TO PRETEND. 449 00:16:36,730 --> 00:16:38,062 YOU SAID IT YOURSELF. 450 00:16:38,064 --> 00:16:41,632 THE GLASSES ARE ME: UNCOMPROMISING AND UNCONCEITED. 451 00:16:41,634 --> 00:16:43,167 WELL, NOT ANYMORE. 452 00:16:43,169 --> 00:16:44,935 - FOR GOD'S SAKE, DARIA, WHO TOLD YOU 453 00:16:44,937 --> 00:16:46,403 YOU HAD TO BE A MARTYR TO PRINCIPLE? 454 00:16:46,405 --> 00:16:48,873 YOU'RE A TEENAGE GIRL, NOT NELSON MANDELA. 455 00:16:48,875 --> 00:16:50,240 - HE WEARS GLASSES. 456 00:16:50,242 --> 00:16:52,577 - WHAT'S GOING ON? - OH, IT'S DARIA. 457 00:16:52,579 --> 00:16:54,144 SHE COULDN'T GET HER CONTACTS IN TODAY, 458 00:16:54,146 --> 00:16:55,713 AND SHE DIDN'T WANT TO WEAR HER GLASSES, 459 00:16:55,715 --> 00:16:57,715 SO SHE'S STUMBLING AROUND AND BUMPING INTO STUFF. 460 00:16:57,717 --> 00:16:59,383 - ARE YOU OKAY, DARIA? - NO. 461 00:16:59,385 --> 00:17:01,352 - WHAT'D SHE HURT? - HER PRIDE. 462 00:17:01,354 --> 00:17:03,421 - THANKS FOR RESPECTING MY CONFIDENCE. 463 00:17:03,423 --> 00:17:04,922 - HEY, JODIE KNOWS WHAT IT'S LIKE. 464 00:17:04,924 --> 00:17:06,090 - WHAT WHAT'S LIKE? 465 00:17:06,092 --> 00:17:08,092 - TO HAVE STANDARDS TOO HIGH TO LIVE UP TO. 466 00:17:08,094 --> 00:17:09,827 - DON'T TELL ME SHE'S MAD AT HERSELF 467 00:17:09,829 --> 00:17:11,228 FOR CARING HOW SHE LOOKS. 468 00:17:11,230 --> 00:17:13,931 - SEE? - NO, ACTUALLY, I CAN'T SEE. 469 00:17:13,933 --> 00:17:17,034 - DARIA, WHAT'S WRONG WITH ADMITTING TO A LITTLE VANITY? 470 00:17:17,036 --> 00:17:19,002 YOU'RE NOT MOTHER TERESA, YOU KNOW. 471 00:17:19,004 --> 00:17:20,371 - SHE WORE GLASSES. 472 00:17:20,373 --> 00:17:22,072 - NO, SHE GAVE 'EM TO AN ORPHAN. 473 00:17:22,074 --> 00:17:24,308 - HEY, WHAT'S GOING ON? - NOTHING. 474 00:17:24,310 --> 00:17:25,409 - EVERYTHING'S FINE. 475 00:17:25,411 --> 00:17:27,678 - SO WHY ARE YOU TALKING TO THE STALL? 476 00:17:27,680 --> 00:17:29,814 OH. HI, DARIA. 477 00:17:29,816 --> 00:17:30,848 - HI, BRITTANY. 478 00:17:30,850 --> 00:17:32,617 - IS SHE LOCKED IN OR SOMETHING? 479 00:17:32,619 --> 00:17:34,619 - SHE'S FEELING A LITTLE ALIENATED TODAY. 480 00:17:34,621 --> 00:17:35,987 - ALIENATED? 481 00:17:35,989 --> 00:17:37,254 WHY, DARIA? 482 00:17:37,256 --> 00:17:39,457 IT'S NOT LIKE YOU'RE E.T. OR SOMEBODY. 483 00:17:39,459 --> 00:17:40,691 - DID HE WEAR GLASSES? 484 00:17:40,693 --> 00:17:42,893 - BY THE WAY, DARIA, I JUST WANT YOU TO KNOW 485 00:17:42,895 --> 00:17:44,929 THAT I THINK IT'S REALLY BRAVE OF YOU 486 00:17:44,931 --> 00:17:47,965 TO GET THOSE CONTACT LENSES AND ADMIT THAT YOU CARE 487 00:17:47,967 --> 00:17:50,735 ABOUT THE WAY YOU LOOK, EVEN JUST A LITTLE, 488 00:17:50,737 --> 00:17:53,670 BECAUSE KNOWING THAT A BRAIN CAN BE WORRIED ABOUT HER LOOKS 489 00:17:53,672 --> 00:17:57,942 MAKES ME FEEL, UM, I DON'T KNOW, NOT SO SHALLOW OR SOMETHING, 490 00:17:57,944 --> 00:17:59,210 LIKE WE'RE NOT THAT DIFFERENT. 491 00:17:59,212 --> 00:18:00,744 JUST HUMAN OR WHATEVER. 492 00:18:03,049 --> 00:18:04,315 - WELL, THANK YOU, BRITTANY. 493 00:18:04,317 --> 00:18:05,516 YOU'RE RIGHT. 494 00:18:05,518 --> 00:18:08,019 WE ARE JUST HUMAN OR WHATEVER. 495 00:18:08,021 --> 00:18:09,787 OOF. 496 00:18:11,658 --> 00:18:13,490 - THAT WAS REALLY NICE, BRITTANY. 497 00:18:13,492 --> 00:18:14,859 - IT WAS? 498 00:18:14,861 --> 00:18:16,828 - I GOT TO ADMIT, THAT WAS THE RIGHT THING TO SAY. 499 00:18:16,830 --> 00:18:17,929 - WOW! 500 00:18:17,931 --> 00:18:19,864 THESE THINGS REALLY DO WORK. 501 00:18:22,335 --> 00:18:23,935 - SO NOW WHAT, EAGLE EYE? 502 00:18:23,937 --> 00:18:27,238 - WELL, I CAN'T WEAR MY CONTACTS UNTIL I SEE THE DOCTOR AGAIN, 503 00:18:27,240 --> 00:18:28,405 THAT'S FOR SURE. 504 00:18:28,407 --> 00:18:30,108 AND IF I BANG INTO ANYONE ELSE AT SCHOOL, 505 00:18:30,110 --> 00:18:31,709 I'LL BE ARRESTED FOR ASSAULT, 506 00:18:31,711 --> 00:18:34,445 SO I GUESS IT'S BACK TO THE GLASSES TOMORROW. 507 00:18:34,447 --> 00:18:37,014 - OR WE GO DOWNTOWN AND APPLY FOR A SEEING EYE DOG. 508 00:18:37,016 --> 00:18:38,716 - I TELL YOU THE TRUTH, 509 00:18:38,718 --> 00:18:40,718 THIS WHOLE THING'S GOT ME VERY CONFUSED. 510 00:18:40,720 --> 00:18:42,720 I WANT MY GLASSES BACK. 511 00:18:42,722 --> 00:18:44,755 - ARE YOU STILL HUNG UP ON THAT VANITY THING? 512 00:18:44,757 --> 00:18:45,823 - THAT'S NOT IT. 513 00:18:45,825 --> 00:18:47,291 EVERYONE ALREADY KNOWS I'M VAIN. 514 00:18:47,293 --> 00:18:50,628 - OH, YEAH, YOU'RE ONE HUGE NARCISSIST. 515 00:18:50,630 --> 00:18:52,363 SO IF NOT THAT, THEN WHAT? 516 00:18:52,365 --> 00:18:54,598 - THIS IS KIND OF HARD TO EXPLAIN. 517 00:18:54,600 --> 00:18:57,601 IT'S, LIKE, I KNOW MY GLASSES SET ME APART. 518 00:18:57,603 --> 00:18:59,270 WHEN I LOOK IN THE MIRROR WITHOUT THEM, 519 00:18:59,272 --> 00:19:01,505 I CAN'T SEE A THING, BUT WHEN I PUT THEM ON 520 00:19:01,507 --> 00:19:03,474 AND LOOK IN THE MIRROR AGAIN, I THINK... 521 00:19:03,476 --> 00:19:04,642 - YEAH? 522 00:19:04,644 --> 00:19:07,278 - I THINK TO MYSELF, "NEVER MIND THE GLASSES. 523 00:19:07,280 --> 00:19:09,814 "YOU CAN SEE THINGS THAT OTHER PEOPLE CAN'T. 524 00:19:09,816 --> 00:19:11,615 "YOU CAN SEE BETTER THAN OTHER PEOPLE, 525 00:19:11,617 --> 00:19:13,417 "SO TO HELL WITH THEM AND WHAT THEY THINK OF YOU 526 00:19:13,419 --> 00:19:14,752 AND YOUR GLASSES." 527 00:19:14,754 --> 00:19:17,521 - YOU'RE NOT TALKING ABOUT EYESIGHT ANYMORE, ARE YOU? 528 00:19:17,523 --> 00:19:18,656 - NO. 529 00:19:18,658 --> 00:19:20,157 - AND YOU LIKE THAT DARIA BETTER 530 00:19:20,159 --> 00:19:21,992 THAN THE DARIA WHO CARES ABOUT HER LOOKS. 531 00:19:21,994 --> 00:19:23,161 - UM, YEAH. 532 00:19:23,163 --> 00:19:24,462 - I DON'T BLAME YOU. 533 00:19:24,464 --> 00:19:26,597 WHY SETTLE FOR VANITY WHEN YOU CAN HAVE PURE EGOTISM? 534 00:19:26,599 --> 00:19:28,666 YOU'RE A TWISTED LITTLE CRULLER, AIN'T YOU? 535 00:19:28,668 --> 00:19:30,001 - YEAH. 536 00:19:30,003 --> 00:19:32,103 - THAT'S WHY I'M PROUD TO BE YOUR FRIEND. 537 00:19:33,406 --> 00:19:35,572 SO NO MORE CONTACTS. 538 00:19:35,574 --> 00:19:37,508 YOUR MOTHER'S GONNA BE DISAPPOINTED. 539 00:19:37,510 --> 00:19:39,776 - WELL, I HAVE ALL AFTERNOON TO FIGURE OUT 540 00:19:39,778 --> 00:19:41,012 HOW TO BREAK IT TO HER. 541 00:19:41,014 --> 00:19:42,513 - HI, GIRLS. 542 00:19:42,515 --> 00:19:44,415 - HI, MRS. MORGENDORFFER. - HI. 543 00:19:44,417 --> 00:19:47,285 - DARIA, MY DEPOSITION WAS POSTPONED TILL TOMORROW, 544 00:19:47,287 --> 00:19:50,521 SO I THOUGHT, "WHY NOT TRY OUT THOSE NEW CONTACTS 545 00:19:50,523 --> 00:19:53,324 WITH AN UNSCHEDULED DRIVING LESSON?" 546 00:19:53,326 --> 00:19:56,427 [dogs barking] 547 00:19:56,429 --> 00:19:59,830 - MOM, I HAVE SOMETHING TO TELL YOU. 548 00:19:59,832 --> 00:20:02,233 - ♪ LA-LA, LA, LA-LA ♪ 549 00:20:02,235 --> 00:20:05,236 [rock music] 550 00:20:05,238 --> 00:20:13,177 ♪ ♪ 551 00:20:14,847 --> 00:20:17,248 ♪ LA-LA, LA ♪ 552 00:20:19,418 --> 00:20:21,351 ♪ LA-LA, LA ♪ 553 00:20:24,390 --> 00:20:26,023 ♪ LA-LA, LA ♪ 554 00:20:35,701 --> 00:20:38,135 ♪ LA-LA, LA, LA-LA ♪ 555 00:20:40,472 --> 00:20:42,907 ♪ LA-LA, LA, LA-LA ♪