1
00:00:02,036 --> 00:00:03,469
- ♪ LA-LA, LA, LA-LA ♪

2
00:00:03,471 --> 00:00:07,672
♪ LA-LA, LA, LA-LA ♪

3
00:00:07,674 --> 00:00:08,940
- LOOK, MIKE.

4
00:00:08,942 --> 00:00:11,043
WE'VE BEEN DOING THIS
ON A REGULAR BASIS

5
00:00:11,045 --> 00:00:13,945
FOR SOME TIME NOW,
AND I ENJOY SEEING YOU AND ALL,

6
00:00:13,947 --> 00:00:17,016
BUT I FEEL LIKE OUR RELATIONSHIP
WOULD BE SO MUCH BETTER

7
00:00:17,018 --> 00:00:19,784
IF WE COULD JUST GET PAST
THIS ONE LITTLE HURDLE.

8
00:00:19,786 --> 00:00:21,420
- I AGREE, DARIA.

9
00:00:21,422 --> 00:00:23,288
SHOW ME YOU CAN PARALLEL PARK,

10
00:00:23,290 --> 00:00:25,758
AND WE'LL NEVER
SPEAK OF IT AGAIN.

11
00:00:25,760 --> 00:00:27,993
- WILL YOU AT LEAST TELL ME
HOW I'M DOING?

12
00:00:27,995 --> 00:00:29,127
- YOU KNOW I CAN'T DO THAT

13
00:00:29,129 --> 00:00:31,396
UNTIL I FILL OUT
THE OFFICIAL FORM.

14
00:00:38,005 --> 00:00:39,538
YES, YES!

15
00:00:39,540 --> 00:00:40,805
AT LAST!

16
00:00:40,807 --> 00:00:43,275
- I'LL TAKE THAT AS A HINT.

17
00:00:47,013 --> 00:00:48,012
- WOW.

18
00:00:48,014 --> 00:00:49,348
LICENCED TO DRIVE.

19
00:00:49,350 --> 00:00:51,015
THE GROTESQUE PICTURE
MAKES IT OFFICIAL.

20
00:00:51,017 --> 00:00:52,684
- THANKS.

21
00:00:52,686 --> 00:00:54,920
- SO NOW THAT YOU'RE IN THE
GOVERNMENT'S MASTER COMPUTER

22
00:00:54,922 --> 00:00:58,756
FOR THE REST OF YOUR LIFE,
LET'S CELEBRATE.

23
00:01:00,727 --> 00:01:01,960
TA-DA!

24
00:01:01,962 --> 00:01:04,062
- UM, LOOKS KIND OF OLD.

25
00:01:04,064 --> 00:01:05,663
- YEAH, WELL, I BAKED IT

26
00:01:05,665 --> 00:01:07,732
WAY BACK WHEN YOU TOOK THE TEST
THE FIRST TIME.

27
00:01:07,734 --> 00:01:09,167
- YOU BAKED THIS?

28
00:01:09,169 --> 00:01:10,202
- "BAKED," "BOUGHT"--

29
00:01:10,204 --> 00:01:11,402
LET'S NOT RUIN THE MOMENT

30
00:01:11,404 --> 00:01:13,538
WITH A LOT OF TECHNICAL
MUMBO-JUMBO.

31
00:01:13,540 --> 00:01:14,672
- CAKE.

32
00:01:14,674 --> 00:01:16,408
- COOL.
- IT'S FOR DARIA.

33
00:01:16,410 --> 00:01:17,676
- HE CAN HAVE SOME.

34
00:01:17,678 --> 00:01:19,310
I MEAN, THEY CAN HAVE SOME.

35
00:01:19,312 --> 00:01:21,312
- WHAT'S UP, BIRTHDAY?

36
00:01:21,314 --> 00:01:22,347
- SHE GOT HER LICENCE.

37
00:01:22,349 --> 00:01:23,482
- WHOA!

38
00:01:23,484 --> 00:01:26,284
THIS THING IS REALLY HARD
AND COLD.

39
00:01:26,286 --> 00:01:27,953
YOU THINK IT'S FROZEN?

40
00:01:27,955 --> 00:01:28,954
- COULD BE, NICK.

41
00:01:28,956 --> 00:01:30,054
COULD BE.

42
00:01:30,056 --> 00:01:31,790
IT JUST MIGHT HAVE TO THAW OUT.

43
00:01:31,792 --> 00:01:33,058
- I'LL WAIT.
- NO, YOU WON'T.

44
00:01:33,060 --> 00:01:34,092
WE CAN'T HANG AROUND, MAN.

45
00:01:34,094 --> 00:01:35,760
WE'VE GOT A WORLD TOUR.

46
00:01:35,762 --> 00:01:37,128
WORLD TOUR!

47
00:01:37,130 --> 00:01:38,296
- THEN WE BETTER FIND A HAMMER.

48
00:01:38,298 --> 00:01:39,297
COME ON, NICK.

49
00:01:39,299 --> 00:01:40,799
- HEY, THAT'S DARIA'S.

50
00:01:40,801 --> 00:01:41,967
- LET THEM GO.

51
00:01:41,969 --> 00:01:43,167
THEY'LL GIVE IT A GOOD HOME.

52
00:01:43,169 --> 00:01:44,736
WHAT WORLD TOUR?

53
00:01:44,738 --> 00:01:47,839
- WE GOT A GIG IN FREMONT,
100 MILES AWAY.

54
00:01:47,841 --> 00:01:49,574
- IT'S A SMALL WORLD AFTER ALL.

55
00:01:49,576 --> 00:01:51,343
- IF I COULD TALK
TO THE ANIMALS.

56
00:01:51,345 --> 00:01:53,378
ANYWAY, I TOLD YOU ABOUT THAT,
REMEMBER?

57
00:01:53,380 --> 00:01:55,980
I'M THE ROAD MANAGEMENT
COORDINATOR.

58
00:01:55,982 --> 00:01:58,884
- YOU MEAN WE'RE PAYING YOU
20 BUCKS TO DRIVE US.

59
00:01:58,886 --> 00:02:00,419
- LET'S NOT CLOUD THE HORIZON

60
00:02:00,421 --> 00:02:02,154
WITH A LOT OF SEMANTIC
HAIRSPLITTING.

61
00:02:02,156 --> 00:02:03,555
- YOU OUGHT TO COME ALONG,
DARIA.

62
00:02:03,557 --> 00:02:05,590
- FORGET IT.
I TRIED.

63
00:02:05,592 --> 00:02:06,792
SHE'S HOUSESITTING.

64
00:02:06,794 --> 00:02:09,227
- MY FOLKS ARE GOING AWAY
FOR THE WEEKEND,

65
00:02:09,229 --> 00:02:10,729
AND I TOLD THEM I'D KEEP QUINN

66
00:02:10,731 --> 00:02:12,830
FROM TURNING THE PLACE
INTO A MODELING AGENCY.

67
00:02:12,832 --> 00:02:14,799
- TOO BAD;
IT'S GOING TO BE COOL.

68
00:02:14,801 --> 00:02:17,802
- YEAH, UM, MY DAD TOOK ME
WITH HIM

69
00:02:17,804 --> 00:02:19,571
TO FREMONT ONCE
ON A BUSINESS TRIP.

70
00:02:19,573 --> 00:02:21,240
ISN'T IT EVEN DEADER
THAN LAWNDALE?

71
00:02:21,242 --> 00:02:23,208
- HEY, NOT AFTER THE SPIRAL
GETS THERE.

72
00:02:23,210 --> 00:02:24,376
WE'RE CRIMINALES.

73
00:02:24,378 --> 00:02:25,643
WE LIVE LIFE ON THE EDGE.

74
00:02:25,645 --> 00:02:26,778
YOU GO UP AGAINST THE SPIRAL,

75
00:02:26,780 --> 00:02:28,846
WE'RE GOING TO TAKE YOU DOWN.

76
00:02:28,848 --> 00:02:30,015
- WE BROKE THE CAKE.

77
00:02:30,017 --> 00:02:31,917
- SEE WHAT I MEAN?

78
00:02:31,919 --> 00:02:35,887
- MEET THE KILLER WHALE
WITH A LICENSE TO PRACTICE LAW.

79
00:02:35,889 --> 00:02:39,257
ORCA IN THE COURT TONIGHT
ON<i> SICK, SAD WORLD.</i>

80
00:02:39,259 --> 00:02:41,693
- BUT HOW SHOULD I KNOW
WHERE YOU PUT YOUR EARRINGS?

81
00:02:41,695 --> 00:02:42,994
I DON'T WEAR THE DARN THINGS.

82
00:02:42,996 --> 00:02:45,897
- YES, WELL, I DON'T WEAR
YOUR SHOES,

83
00:02:45,899 --> 00:02:47,933
BUT SOMEHOW
I ALWAYS TRIP OVER THEM.

84
00:02:47,935 --> 00:02:49,267
- I DON'T THINK
THAT MAKES SENSE.

85
00:02:49,269 --> 00:02:51,069
- YOU DON'T MAKE SENSE.
- YOU!

86
00:02:51,071 --> 00:02:52,904
- CAN WE JUST GO, PLEASE?

87
00:02:52,906 --> 00:02:55,240
WE DID TELL HOW YOU PROUD WE ARE
THAT YOU GOT YOUR LICENSE,

88
00:02:55,242 --> 00:02:56,708
DIDN'T WE, SWEETIE?

89
00:02:56,710 --> 00:02:58,143
- OH, I JUST SENSED IT.

90
00:02:58,145 --> 00:02:59,211
- GOOD.

91
00:02:59,213 --> 00:03:00,746
OKAY, IF THERE'S AN EMERGENCY,

92
00:03:00,748 --> 00:03:02,047
YOUR FATHER AND I WILL BE

93
00:03:02,049 --> 00:03:04,549
AT THE MAKING MARRIAGE MAGIC
SEMINAR AT THE RAMADA.

94
00:03:04,551 --> 00:03:05,650
- I THOUGHT YOU SAID IT WAS

95
00:03:05,652 --> 00:03:07,418
FIRST AID FOR THE HEART
AT THE DOUBLETREE.

96
00:03:07,420 --> 00:03:10,388
- OH, JAKE, LET'S JUST HAVE
SILENCE, OKAY?

97
00:03:10,390 --> 00:03:11,489
NO TALKING.

98
00:03:11,491 --> 00:03:12,891
- YOU!
- JAKE?

99
00:03:12,893 --> 00:03:17,062
- AH, MAGIC TIME.

100
00:03:17,064 --> 00:03:18,897
- GOOD, THEY'RE GONE.

101
00:03:18,899 --> 00:03:20,132
WE'RE ALL ALONE.

102
00:03:20,134 --> 00:03:23,268
- UH, EXCUSE ME,
BUT I'M HERE.

103
00:03:23,270 --> 00:03:25,537
- OH, ALL RIGHT,
YOU CAN STAY.

104
00:03:25,539 --> 00:03:27,806
BUT IF YOU COULD BE
REALLY, REALLY QUIET,

105
00:03:27,808 --> 00:03:29,107
THAT WOULD BE GREAT.

106
00:03:29,109 --> 00:03:31,776
- DO YOU THINK I'D LOOK GOOD
WITH THIS HAIR?

107
00:03:31,778 --> 00:03:34,378
- MM, IT'S A LITTLE TOO
PROFESSOR KNOW-IT-ALL.

108
00:03:34,380 --> 00:03:37,382
- OH, YEAH, GOOD POINT.

109
00:03:37,384 --> 00:03:39,217
- HELLO?

110
00:03:39,219 --> 00:03:40,618
YOU'RE WHERE?

111
00:03:40,620 --> 00:03:43,121
- JAIL.
YOU GOTTA COME GET US OUT.

112
00:03:43,123 --> 00:03:44,389
- WHAT HAPPENED?

113
00:03:44,391 --> 00:03:46,692
- THAT'S THE GOOD PART.
I GOT IT ALL ON TAPE.

114
00:03:46,694 --> 00:03:49,628
WHEN MIKE WALLACE GETS THROUGH
WITH THESE BACKWATER COPS,

115
00:03:49,630 --> 00:03:51,963
THEY'RE NOT GOING TO KNOW
WHAT HIT 'EM.

116
00:03:51,965 --> 00:03:53,998
- MAYBE YOU SHOULD PUT
THAT CAMERA AWAY.

117
00:03:54,000 --> 00:03:56,067
WE DON'T WANT TO ANTAGONIZE
THIS GUY.

118
00:03:56,069 --> 00:03:58,937
- HEY, MAX, I THOUGHT YOU WERE
A CRIMINALE.

119
00:03:58,939 --> 00:03:59,971
- I AM.

120
00:03:59,973 --> 00:04:01,240
IT'S THE COP I'M WORRIED ABOUT--

121
00:04:01,242 --> 00:04:02,807
IF HE GOES UP AGAINST ME,
I MEAN.

122
00:04:02,809 --> 00:04:04,008
- DON'T WORRY, MAX.

123
00:04:04,010 --> 00:04:05,611
THIS IS GOING TO LOOK GREAT
IN YOUR VIDEO.

124
00:04:05,613 --> 00:04:07,412
- HI, KIDS.
HI, MOM. PEACE.

125
00:04:07,414 --> 00:04:08,880
[laughs]

126
00:04:08,882 --> 00:04:10,249
I DON'T KNOW IF YOU KNOW IT,

127
00:04:10,251 --> 00:04:11,816
BUT YOU SWERVED OVER
THE DOUBLE LINE

128
00:04:11,818 --> 00:04:13,184
A COUPLE OF TIMES BACK THERE.

129
00:04:13,186 --> 00:04:15,287
AFRAID I'M GOING TO HAVE
TO WRITE YOU UP A TICKET.

130
00:04:15,289 --> 00:04:16,521
CAN I SEE YOUR LICENSE, MISS?

131
00:04:16,523 --> 00:04:18,257
- OKAY, BUT DO YOU THINK

132
00:04:18,259 --> 00:04:20,091
YOU COULD BE JUST A LITTLE
MORE MENACING?

133
00:04:20,093 --> 00:04:21,260
- HOW ABOUT THIS?

134
00:04:21,262 --> 00:04:22,461
A-GRR! A-GRR!

135
00:04:22,463 --> 00:04:23,928
[laughs]

136
00:04:23,930 --> 00:04:25,163
- I WAS HOPING YOU COULD DRAG

137
00:04:25,165 --> 00:04:27,266
ONE OF THESE GUYS OUT OF THE CAR
AND BEAT HIM.

138
00:04:27,268 --> 00:04:28,567
MAX, YOU'RE BY A DOOR.

139
00:04:28,569 --> 00:04:29,868
- NO, CUT IT OUT.

140
00:04:29,870 --> 00:04:31,236
- OH, GEE, I DON'T THINK SO.

141
00:04:31,238 --> 00:04:33,405
- WHAT IF YOU JUST KIND OF
BUMPED HIM A LITTLE?

142
00:04:33,407 --> 00:04:34,672
- HEY!

143
00:04:34,674 --> 00:04:36,241
- WOW, SOUNDS REALLY BRUTAL.

144
00:04:36,243 --> 00:04:38,876
BUT WHY ARE YOU IN JAIL
IF HE JUST GAVE YOU A TICKET?

145
00:04:38,878 --> 00:04:39,944
- WE'RE FROM OUT OF STATE,

146
00:04:39,946 --> 00:04:41,513
SO WE'RE SUPPOSED TO PAY
THE FINE

147
00:04:41,515 --> 00:04:43,081
AT THE SHERIFF'S OFFICE
RIGHT AWAY.

148
00:04:43,083 --> 00:04:45,283
IT'S 100 BUCKS,
AND WE DON'T HAVE IT.

149
00:04:45,285 --> 00:04:46,584
- I DON'T EITHER.

150
00:04:46,586 --> 00:04:47,852
- OBVIOUSLY.

151
00:04:47,854 --> 00:04:48,920
LOOK, GO OVER TO MY HOUSE.

152
00:04:48,922 --> 00:04:50,489
USE THE DOOR
WITH THE BROKEN LOCK.

153
00:04:50,491 --> 00:04:52,224
THERE'S SOME MONEY
IN THE LIVING ROOM TABLE

154
00:04:52,226 --> 00:04:54,593
WITH THE CRACKED LEG IN THE
DRAWER WITH THE MISSING HANDLE.

155
00:04:54,595 --> 00:04:55,827
OH, AND WHILE YOU'RE THERE,

156
00:04:55,829 --> 00:04:57,862
TRENT WANTS YOU TO PICK UP
HIS SONG NOTEBOOK.

157
00:04:57,864 --> 00:04:59,498
IT'S UNDER HIS BED
IN THE BURNT SHOE BOX.

158
00:04:59,500 --> 00:05:01,533
- HOW AM I SUPPOSED
TO GET IT TO YOU?

159
00:05:01,535 --> 00:05:03,434
- YOU HAVE A LICENSE,
DON'T YOU?

160
00:05:03,436 --> 00:05:04,569
AND LISTEN; HURRY UP.

161
00:05:04,571 --> 00:05:05,937
I'M A SURVIVOR,

162
00:05:05,939 --> 00:05:08,372
BUT I'M NOT SO SURE
ABOUT THE OTHER GUYS.

163
00:05:08,374 --> 00:05:09,674
- [sobbing]

164
00:05:09,676 --> 00:05:12,176
HE WAS GOING TO DRAG ME
OUT OF THE CAR AND BEAT ME.

165
00:05:12,178 --> 00:05:13,378
- BE COOL, MAN.

166
00:05:13,380 --> 00:05:15,013
- YOU COULD HAVE HAD HIM.
- DON'T WORRY.

167
00:05:15,015 --> 00:05:16,014
- DON'T WIG OUT.

168
00:05:16,016 --> 00:05:18,116
- YOU COULD HAVE TAKEN HIM.

169
00:05:18,118 --> 00:05:19,484
- OH, BOY.

170
00:05:19,486 --> 00:05:21,886
I KNEW I WASN'T READY FOR THIS.

171
00:05:21,888 --> 00:05:23,088
- WHAT'S THE MATTER?

172
00:05:23,090 --> 00:05:24,322
- IT'S THESE SHOES.

173
00:05:24,324 --> 00:05:26,257
[crying] THEY'RE JUST
SO BEAUTIFUL.

174
00:05:26,259 --> 00:05:27,425
- IT'S OKAY.

175
00:05:27,427 --> 00:05:28,460
- DON'T CRY.

176
00:05:28,462 --> 00:05:30,728
- I CAN LEND YOU SOME MONEY.

177
00:05:33,367 --> 00:05:34,466
- PLEASE, GOD.

178
00:05:34,468 --> 00:05:36,801
NO AMUSING SURPRISES.

179
00:05:36,803 --> 00:05:39,136
AH.

180
00:05:39,138 --> 00:05:42,273
UM, MAYBE JUST A PEEK.

181
00:05:42,275 --> 00:05:44,709
"MY HEART IS LIKE AN OPEN WOUND

182
00:05:44,711 --> 00:05:47,178
THAT READS THE TEA LEAVES
OF ITS DOOM."

183
00:05:47,180 --> 00:05:48,480
WHAT?

184
00:05:48,482 --> 00:05:51,115
"SOOTHE ME WITH
REDEMPTION'S LOVE

185
00:05:51,117 --> 00:05:53,084
LIKE A HEAT-PROOF
KITCHEN GLOVE."

186
00:05:53,086 --> 00:05:55,954
GOD, I HOPE THIS IS
A FIRST DRAFT.

187
00:06:03,029 --> 00:06:04,061
OKAY, CAR.

188
00:06:04,063 --> 00:06:05,730
THIS IS STRICTLY BETWEEN US.

189
00:06:05,732 --> 00:06:08,867
DON'T ASK; DON'T TELL.

190
00:06:08,869 --> 00:06:09,901
- OKAY!

191
00:06:09,903 --> 00:06:11,035
LET'S DO IT.

192
00:06:11,037 --> 00:06:13,004
- QUINN, WHAT ARE YOU DOING?

193
00:06:13,006 --> 00:06:14,438
- I'M NOT GOING
TO JUST SIT HERE

194
00:06:14,440 --> 00:06:16,140
WHILE YOU DRIVE OFF TO SOME FAR,
UNKNOWN LAND

195
00:06:16,142 --> 00:06:17,876
TO GET YOUR FRIENDS OUT OF JAIL.

196
00:06:17,878 --> 00:06:20,846
WHAT IF SOMETHING
UNEXPECTED HAPPENS?

197
00:06:20,848 --> 00:06:21,913
- YOU'RE WORRIED ABOUT ME?

198
00:06:21,915 --> 00:06:23,448
- LET ME REPHRASE THAT.

199
00:06:23,450 --> 00:06:25,350
WHAT IF SOMETHING COOL HAPPENS?

200
00:06:25,352 --> 00:06:27,352
- WELL, I SUPPOSE
IT WOULD BE SMART,

201
00:06:27,354 --> 00:06:28,686
IN CASE THERE'S
SOME EMERGENCY.

202
00:06:28,688 --> 00:06:30,755
- GREAT.
I GET TO PICK THE MUSIC.

203
00:06:30,757 --> 00:06:31,990
[lively music]

204
00:06:31,992 --> 00:06:33,859
- ISN'T THERE SOMETHING ELSE ON?

205
00:06:33,861 --> 00:06:35,961
- FORGET IT; THIS IS THE ONLY
MUSIC I CAN LISTEN TO.

206
00:06:35,963 --> 00:06:37,729
- WELL, CAN YOU TURN IT DOWN,
THEN?

207
00:06:37,731 --> 00:06:39,231
- YOU'RE NOT THE BOSS OF ME.

208
00:06:39,233 --> 00:06:42,334
NOW, ARE WE BUSTING YOUR FRIENDS
OUT OF JAIL OR NOT?

209
00:06:52,813 --> 00:06:54,412
TENSE?
- NO.

210
00:06:54,414 --> 00:06:56,114
THERE'S A LOT OF STUFF GOING ON.

211
00:06:56,116 --> 00:06:58,549
YOU HAVE NO IDEA
HOW COMPLICATED DRIVING IS.

212
00:06:58,551 --> 00:06:59,750
- IT'S NOT SO HARD.

213
00:06:59,752 --> 00:07:01,152
- HOW WOULD YOU KNOW?

214
00:07:01,154 --> 00:07:02,954
AH, A GIANT TRUCK!

215
00:07:02,956 --> 00:07:07,092
- PULL OVER, DARIA.

216
00:07:07,094 --> 00:07:08,526
- I CAN'T BELIEVE
I'M DOING THIS.

217
00:07:08,528 --> 00:07:10,428
I CAN'T BELIEVE
I'M LETTING YOU DO THIS.

218
00:07:10,430 --> 00:07:12,029
I CAN'T BELIEVE
WE'RE DOING THIS.

219
00:07:12,031 --> 00:07:15,033
HEY, WHEN DID YOU LEARN
TO DRIVE?

220
00:07:15,035 --> 00:07:18,503
- GOD, DARIA, WHAT DO YOU THINK
PEOPLE DO ON DATES?

221
00:07:18,505 --> 00:07:19,704
- AREN'T YOU TERRIFIED?

222
00:07:19,706 --> 00:07:21,606
- IT'S ALL ABOUT ATTITUDE.

223
00:07:21,608 --> 00:07:23,341
YOU'RE TOO TIMID, DARIA.

224
00:07:23,343 --> 00:07:24,742
I COULD DO THIS ALL DAY.

225
00:07:24,744 --> 00:07:28,112
- ACTUALLY, I WOULDN'T MIND IF--

226
00:07:28,114 --> 00:07:29,214
- YOUR TURN.

227
00:07:29,216 --> 00:07:31,248
- BUT YOU JUST STARTED.

228
00:07:31,250 --> 00:07:32,717
NO WAY.

229
00:07:32,719 --> 00:07:35,787
WE ARE NOT PICKING UP SOME
INSANE, MURDERING SERIAL KILLER.

230
00:07:35,789 --> 00:07:37,188
HOW RECKLESS CAN YOU GET?

231
00:07:37,190 --> 00:07:38,790
- HE'S NOT A KILLER.

232
00:07:38,792 --> 00:07:40,625
I RECOGNIZE HIM.

233
00:07:40,627 --> 00:07:42,727
IT'S SANDI'S COUSIN
FROM MEMPHIS.

234
00:07:42,729 --> 00:07:44,830
- MOM AND DAD WOULD CRUCIFY US.

235
00:07:44,832 --> 00:07:46,231
- RIGHT, BUT TAKING THE CAR OUT

236
00:07:46,233 --> 00:07:49,000
FOR A 100-MILE JOYRIDE
WON'T BOTHER THEM AT ALL.

237
00:07:49,002 --> 00:07:52,170
FACE IT, DARIA; YOU'RE ALREADY
ACCESSORIZING.

238
00:07:52,172 --> 00:07:53,839
- YOU MEAN I'M AN ACCESSORY?

239
00:07:53,841 --> 00:07:55,606
- WHATEVER.
LOOK, LIGHTEN UP.

240
00:07:55,608 --> 00:07:58,410
YOU DRIVE, AND I'LL KEEP HIM
FROM MURDERING US.

241
00:07:58,412 --> 00:08:00,846
- HOWDY.
I SURE DO APPRECIATE THIS.

242
00:08:00,848 --> 00:08:03,014
- YOU'RE NOT GOING TO MURDER US,
ARE YOU?

243
00:08:03,016 --> 00:08:04,249
- SHOOT, NO.

244
00:08:04,251 --> 00:08:07,184
- SEE?
ALL YOU HAVE TO DO IS ASK.

245
00:08:10,457 --> 00:08:12,022
- HERE; GET TO KNOW
SOME TOURISTS.

246
00:08:12,024 --> 00:08:14,459
- HEY, I KNOW MY RIGHTS.

247
00:08:14,461 --> 00:08:15,793
YOU GUYS A BAND?

248
00:08:15,795 --> 00:08:16,962
- YEAH.

249
00:08:16,964 --> 00:08:19,697
- I USED TO KNOW A FEW MUSICIANS
IN MY TIME,

250
00:08:19,699 --> 00:08:22,700
BACK WHEN THEY DID IT FOR LOVE,
NOT THE MONEY.

251
00:08:22,702 --> 00:08:26,304
PERHAPS YOU FELLOWS HAVE HEARD
OF JIMI HENDRIX.

252
00:08:26,306 --> 00:08:28,106
- YOU KNEW HENDRIX?

253
00:08:28,108 --> 00:08:30,675
- YOU KNOW HOW HE'D PLAY SOLOS
WITH HIS TEETH?

254
00:08:30,677 --> 00:08:32,644
- YOU TAUGHT HIM THAT?

255
00:08:32,646 --> 00:08:35,046
- NO, BUT ONE TIME WHEN HE BROKE
A STRING,

256
00:08:35,048 --> 00:08:36,447
I DROVE HIM TO THE DENTIST.

257
00:08:39,252 --> 00:08:40,685
- THAT'S NOT BAD.

258
00:08:40,687 --> 00:08:42,287
- THANKS.
IT'S A COPY.

259
00:08:42,289 --> 00:08:43,621
- I WANT ONE.

260
00:08:43,623 --> 00:08:45,690
- I THINK YOU CAN GET
A POSTER OF THE ORIGINAL.

261
00:08:45,692 --> 00:08:48,126
- I DON'T WANT IT FOR MY WALL.

262
00:08:48,128 --> 00:08:50,028
- HA.

263
00:08:50,030 --> 00:08:52,296
- WELL, THAT ORNERY BULL
CAUGHT SIGHT OF MY RED SHIRT,

264
00:08:52,298 --> 00:08:53,632
AND THAT WAS ABOUT IT.

265
00:08:53,634 --> 00:08:55,901
HE MUST HAVE CHASED ME AROUND
THAT PASTURE TEN TIMES

266
00:08:55,903 --> 00:08:57,435
BEFORE I COULD CLIMB OVER
THE FENCE.

267
00:08:57,437 --> 00:08:58,803
- WOW, TRAVIS!

268
00:08:58,805 --> 00:09:00,805
WHAT A GREAT STORY.

269
00:09:00,807 --> 00:09:03,441
- YEAH, IT WAS JUST AS GOOD
THE FIRST TIME I SAW IT...

270
00:09:03,443 --> 00:09:05,377
ON<i> LITTLE HOUSE ON THE PRAIRIE.</i>

271
00:09:05,379 --> 00:09:08,946
- HECK, DAH-REA, WE COULD GO
FIND THAT BULL RIGHT NOW.

272
00:09:08,948 --> 00:09:10,715
THE PASTURE'S
ONLY 20 MILES AWAY.

273
00:09:10,717 --> 00:09:13,384
- WE HAVE TO GET TO FREMONT
AND BAIL OUT THE BAND.

274
00:09:13,386 --> 00:09:14,785
- COME ON, DARIA.

275
00:09:14,787 --> 00:09:16,387
STOP BEING TIMID.

276
00:09:16,389 --> 00:09:17,722
- STOP BEING RECKLESS.

277
00:09:17,724 --> 00:09:20,525
- BAND?
HEY, WHAT A COINCIDENCE.

278
00:09:20,527 --> 00:09:22,060
I'M A MUSICIAN TOO.

279
00:09:22,062 --> 00:09:24,396
- WELL, BUST MY LEGS
AND CALL ME "SHORTY."

280
00:09:24,398 --> 00:09:25,897
- PLAY US SOMETHING, TRAVIS.

281
00:09:25,899 --> 00:09:27,832
- DO YOU LIKE COUNTRY MUSIC?

282
00:09:27,834 --> 00:09:31,670
- IT'S PRACTICALLY
THE ONLY MUSIC I CAN LISTEN TO.

283
00:09:31,672 --> 00:09:32,671
- WAIT, I THOUGHT--

284
00:09:32,673 --> 00:09:33,705
- SHUT UP, SHORTY.

285
00:09:33,707 --> 00:09:36,474
GO AHEAD AND PLAY US SOMETHING,
TRAVIS.

286
00:09:36,476 --> 00:09:38,777
- HERE'S A LITTLE TUNE
FROM MR. CONWAY TWITTY.

287
00:09:38,779 --> 00:09:40,145
HOPE YOU LIKE IT.

288
00:09:40,147 --> 00:09:42,581
[twangy country music]

289
00:09:42,583 --> 00:09:43,615
- OH, SHOOT.

290
00:09:43,617 --> 00:09:44,682
THIS DON'T EVEN HURT.

291
00:09:44,684 --> 00:09:46,784
- OF COURSE NOT;
I'M USING A ROLLER BALL.

292
00:09:46,786 --> 00:09:50,121
- WHAT?
I TOLD YOU I WANT A TATTOO.

293
00:09:50,123 --> 00:09:51,122
- IT IS A TATTOO.

294
00:09:51,124 --> 00:09:52,524
IT'S JUST NOT PERMANENT.

295
00:09:52,526 --> 00:09:54,358
- HEY, I DON'T KNOW
WHAT YOU'RE TRYING TO PULL,

296
00:09:54,360 --> 00:09:55,960
BUT I WANT SOMETHING
THAT'S GONNA LAST,

297
00:09:55,962 --> 00:09:59,097
SOME OF YOUR ART THERE,
AND YOU'RE GONNA GIVE IT TO ME.

298
00:09:59,099 --> 00:10:01,432
- HOW'S IT GONNA BE MY ART,
SISTER,

299
00:10:01,434 --> 00:10:03,668
IF YOU'RE DICTATING
THE MEDIUM OF EXPRESSION?

300
00:10:03,670 --> 00:10:06,271
- [grunts]

301
00:10:06,273 --> 00:10:07,972
OKAY, BUT PRESS HARD.

302
00:10:07,974 --> 00:10:11,075
- OH, I'LL BE PRESSING.

303
00:10:11,077 --> 00:10:12,276
- ♪ SO DON'T CALL HIM ♪

304
00:10:12,278 --> 00:10:14,245
♪ A COWBOY ♪

305
00:10:14,247 --> 00:10:20,118
♪ UNTIL YOU SEE HIM RIDE ♪

306
00:10:20,120 --> 00:10:22,754
- WELL, THANKS FOR
THE UNFORGETTABLE TWO HOURS

307
00:10:22,756 --> 00:10:24,522
OF GREAT COUNTRY MUSIC.

308
00:10:24,524 --> 00:10:25,824
- IT WAS SUPER!

309
00:10:25,826 --> 00:10:27,892
- MAN, YOU DON'T KNOW HOW NICE
IT IS

310
00:10:27,894 --> 00:10:29,861
TO MEET SOME REAL CLASSIC
COUNTRY FANS.

311
00:10:29,863 --> 00:10:32,130
- YEAH, WELL, GIVE US A CALL
WHEN YOU DO.

312
00:10:32,132 --> 00:10:33,765
- DON'T LISTEN TO HER, TRAVIS.

313
00:10:33,767 --> 00:10:36,001
- HEY, SHE'S JUST SHOWING OFF
THAT CITY GAL SENSE OF HUMOR.

314
00:10:36,003 --> 00:10:38,336
DEEP DOWN,
I KNOW SHE'S A COWGIRL.

315
00:10:38,338 --> 00:10:39,738
THANK YOU BOTH KINDLY.

316
00:10:39,740 --> 00:10:42,774
BYE, NOW.

317
00:10:42,776 --> 00:10:44,141
- BYE!

318
00:10:44,143 --> 00:10:48,446
GOOD LUCK WITH YOUR AUDITION!

319
00:10:48,448 --> 00:10:50,515
WHAT A NICE GUY--

320
00:10:50,517 --> 00:10:52,383
AND TALENTED.

321
00:10:52,385 --> 00:10:55,854
- YES, HE'S MASTERED THE ART
OF STICKING OUT HIS THUMB.

322
00:10:55,856 --> 00:10:58,056
- AND WE'D NEVER HAVE MET HIM
IF YOU'D HAD YOUR WAY.

323
00:10:58,058 --> 00:11:00,425
I DON'T THINK YOU'RE
A COWGIRL AT ALL.

324
00:11:00,427 --> 00:11:02,761
- I THOUGHT YOU COULDN'T LISTEN
TO COUNTRY MUSIC.

325
00:11:02,763 --> 00:11:04,829
- OH, YEAH.
THANKS FOR REMINDING ME.

326
00:11:04,831 --> 00:11:06,031
[rock music plays]

327
00:11:06,033 --> 00:11:07,899
- THEN SID--SID VICIOUS--

328
00:11:07,901 --> 00:11:10,402
PUT HIS HANDS ON MY SHOULDER
AND SAID,

329
00:11:10,404 --> 00:11:12,971
"STAN, YOU TAUGHT ME
HOW TO PLAY.

330
00:11:12,973 --> 00:11:15,907
"YOU TAUGHT ME HOW TO LOOK.
YOU TAUGHT ME ATTITUDE.

331
00:11:15,909 --> 00:11:18,977
YOU KNOW WHAT YOU DID?
YOU INVENTED PUNK."

332
00:11:18,979 --> 00:11:21,512
TWO DAYS LATER, HE WAS DEAD.

333
00:11:22,882 --> 00:11:24,015
- REALLY?

334
00:11:24,017 --> 00:11:25,049
- NO WAY.

335
00:11:25,051 --> 00:11:26,084
- YES WAY.

336
00:11:26,086 --> 00:11:27,518
THAT'S HOW IT HAPPENED.

337
00:11:27,520 --> 00:11:30,055
I KNOW, BECAUSE I WAS THERE.

338
00:11:30,057 --> 00:11:31,289
- WHOA, COOL.

339
00:11:31,291 --> 00:11:32,823
- YOU GOT A LOT OF STORIES.

340
00:11:32,825 --> 00:11:34,392
I'LL SAY THAT.

341
00:11:34,394 --> 00:11:36,560
- THAT'S JUST THE TIP
OF THE ICEBERG, MY MAN.

342
00:11:36,562 --> 00:11:39,197
GOT MANY MORE, MANY MORE.

343
00:11:39,199 --> 00:11:42,400
BUT I CAN FEEL MY BLOOD SUGAR
ON THE BRINK OF A PLUNGE.

344
00:11:42,402 --> 00:11:44,269
I DON'T SUPPOSE
YOU'VE SQUIRRELED AWAY

345
00:11:44,271 --> 00:11:46,071
ANY EMERGENCY SUSTENANCE?

346
00:11:46,073 --> 00:11:48,073
- HUH?
- YOU GOT ANY FOOD?

347
00:11:48,075 --> 00:11:49,074
- SORRY, MAN.

348
00:11:49,076 --> 00:11:50,075
ALL TAPPED OUT.

349
00:11:50,077 --> 00:11:51,142
- UH-UH.

350
00:11:51,144 --> 00:11:53,144
- WAIT, CAKE.

351
00:11:53,146 --> 00:11:54,479
- EXCELLENT.

352
00:11:54,481 --> 00:11:55,846
WELL, WHERE WAS I?

353
00:11:55,848 --> 00:11:58,416
OH, YES, THE BIRTH OF KISS

354
00:11:58,418 --> 00:12:02,420
AND HOW I TAUGHT GENE SIMMONS
TO PUT ON MAKEUP.

355
00:12:02,422 --> 00:12:06,423
- SO YOU'RE SAYING THAT ALIENS
LIKE ART TOO?

356
00:12:06,425 --> 00:12:08,660
- NO, I'M SIMPLY POSING
THE QUESTION,

357
00:12:08,662 --> 00:12:10,227
WHAT IF AN EGGBEATER
IS CONSIDERED

358
00:12:10,229 --> 00:12:11,295
GREAT ART ON MARS?

359
00:12:11,297 --> 00:12:13,098
WOULD THAT MAKE IT ART TO US?

360
00:12:13,100 --> 00:12:15,166
- HELL, AN EGGBEATER
CAN BE EVIDENCE.

361
00:12:15,168 --> 00:12:16,634
WHY NOT ART?

362
00:12:16,636 --> 00:12:18,970
- WHAT THE HECK
IS GOING ON HERE?

363
00:12:18,972 --> 00:12:20,138
- TEMPORARY TATTOOS.

364
00:12:20,140 --> 00:12:21,940
FUN FOR THE WHOLE FAMILY.

365
00:12:21,942 --> 00:12:24,609
- I MEAN THAT FLAG.
IT'S ALL THE WRONG COLORS.

366
00:12:24,611 --> 00:12:26,211
- IT'S AN HOMAGE
TO JASPER JOHNS,

367
00:12:26,213 --> 00:12:28,480
AN IMPORTANT LATE
20th-CENTURY ARTIST.

368
00:12:28,482 --> 00:12:30,081
BESIDES, I DON'T HAVE RED.

369
00:12:30,083 --> 00:12:32,383
- LADY, YOU JUST CROSSED
A MAJOR LINE.

370
00:12:32,385 --> 00:12:34,752
WE DO NOT MAKE SPORT OF OUR
NATION'S STAR-SPANGLED BANNER

371
00:12:34,754 --> 00:12:36,154
IN THIS HERE ESTABLISHMENT.

372
00:12:36,156 --> 00:12:37,956
- YOU DON'T GET IT.
IT'S ART.

373
00:12:37,958 --> 00:12:39,790
- WRONG; IT'S A TRIP
TO THE SHERIFF,

374
00:12:39,792 --> 00:12:42,293
AND I DON'T THINK HE'S GOING
TO LIKE WHAT HE SEES.

375
00:12:43,496 --> 00:12:45,163
- WE MADE IT.
I DID IT.

376
00:12:45,165 --> 00:12:46,497
I GOT US HERE IN ONE PIECE.

377
00:12:46,499 --> 00:12:47,699
- SLOWLY.

378
00:12:47,701 --> 00:12:48,700
- BUT SURELY.

379
00:12:48,702 --> 00:12:51,803
NOW, LET'S DEAL WITH THE LAW.

380
00:12:51,805 --> 00:12:52,937
OH, BOY.

381
00:12:52,939 --> 00:12:54,538
THIS ISN'T RIGHT.

382
00:12:54,540 --> 00:12:55,739
OH, NO.

383
00:12:55,741 --> 00:12:58,742
THIS IS VERY BAD, VERY BAD.

384
00:12:58,744 --> 00:12:59,944
- WHAT'S WRONG?

385
00:12:59,946 --> 00:13:01,879
- A CUTE COWBOY
STOLE OUR MONEY.

386
00:13:03,884 --> 00:13:06,751
- UM, ACTUALLY,
THAT'S NOT ENTIRELY TRUE.

387
00:13:06,753 --> 00:13:07,785
- WHAT?

388
00:13:07,787 --> 00:13:09,087
- REMEMBER WHEN WE STOPPED

389
00:13:09,089 --> 00:13:11,255
AT THAT LITTLE TOWN SO YOU COULD
UNCLENCH YOUR HANDS?

390
00:13:11,257 --> 00:13:13,324
TRAVIS AND I KIND OF
WENT SHOPPING.

391
00:13:13,326 --> 00:13:15,493
- THAT MONEY WAS FOR JANE
AND TRENT.

392
00:13:15,495 --> 00:13:17,895
- I KNOW, BUT TRAVIS BOUGHT ME
AN OUTFIT,

393
00:13:17,897 --> 00:13:20,598
AND HE WAS SO EXCITED,
HE FORGOT TO PAY,

394
00:13:20,600 --> 00:13:22,200
AND ANYWAY HE DIDN'T HAVE
ANY MONEY.

395
00:13:22,202 --> 00:13:24,002
AND I THINK IT'S REALLY GINGHAM.

396
00:13:24,004 --> 00:13:26,437
- YOU SPENT ALL OF JANE'S MONEY
ON CLOTHES?

397
00:13:26,439 --> 00:13:27,738
- OF COURSE NOT.

398
00:13:27,740 --> 00:13:30,041
I LENT THE REST TO TRAVIS
FOR A BUS TICKET HOME.

399
00:13:30,043 --> 00:13:32,310
DON'T WORRY; HE'S GOING
TO REPAY US WHEN HE GETS BACK.

400
00:13:32,312 --> 00:13:33,644
- YOU MORON.

401
00:13:33,646 --> 00:13:35,680
HOW ARE WE SUPPOSED TO GET JANE
AND TRENT OUT OF JAIL?

402
00:13:35,682 --> 00:13:36,948
- OH.

403
00:13:36,950 --> 00:13:50,127
SEE, I TOLD YOU SOMETHING
UNEXPECTED WOULD HAPPEN.

404
00:13:50,129 --> 00:13:51,562
WHAT ARE YOU GOING
TO SAY TO HIM?

405
00:13:51,564 --> 00:13:52,831
- WHAT AM<i> I</i> GOING TO SAY TO HIM?

406
00:13:52,833 --> 00:13:54,199
YOU'RE GOING TO TELL HIM THE
TRUTH:

407
00:13:54,201 --> 00:13:55,834
YOU GAVE HIM MONEY
THAT WASN'T YOURS,

408
00:13:55,836 --> 00:13:57,468
AND YOU NEED IT BACK.

409
00:13:57,470 --> 00:13:58,736
- OH, DARIA.

410
00:13:58,738 --> 00:14:00,104
ARE WE THAT DESPERATE

411
00:14:00,106 --> 00:14:02,607
THAT WE HAVE TO RESORT
TO THE TRUTH?

412
00:14:02,609 --> 00:14:04,075
- WHEN THIS IS ALL OVER,

413
00:14:04,077 --> 00:14:06,845
REMIND ME TO RUN SCREAMING
INTO THE NIGHT.

414
00:14:06,847 --> 00:14:08,213
- WELL, I TOLD HER,

415
00:14:08,215 --> 00:14:10,248
"IT'S PEOPLE LIKE YOU
THAT MAKE PEOPLE LIKE ME..."

416
00:14:10,250 --> 00:14:12,249
- OKAY, MAYBE THIS WASN'T
SUCH A GREAT IDEA.

417
00:14:12,251 --> 00:14:13,317
- IT'S JUST A BAR.

418
00:14:13,319 --> 00:14:14,552
THEY'RE ALL ALIKE.

419
00:14:14,554 --> 00:14:15,853
- HOW WOULD YOU KNOW?

420
00:14:15,855 --> 00:14:18,623
- GOD, DARIA, WHAT DO YOU THINK
PEOPLE DO ON--

421
00:14:18,625 --> 00:14:20,124
- NEVER MIND.

422
00:14:20,126 --> 00:14:23,928
EXCUSE ME, BUT YOU WOULDN'T HAVE
SEEN A COWBOY COME IN RECENTLY?

423
00:14:29,202 --> 00:14:34,672
UM, HE WAS KIND OF, YOU KNOW,
RUGGED LOOKING.

424
00:14:34,674 --> 00:14:37,208
HE WAS HERE TO AUDITION
FOR A JOB SINGING.

425
00:14:37,210 --> 00:14:40,645
- WE'VE HAD A FEW PEOPLE
IN HERE LIKE THAT.

426
00:14:40,647 --> 00:14:42,547
- THIS GUY SINGS COUNTRY MUSIC.

427
00:14:42,549 --> 00:14:44,382
- LIKE I SAID.

428
00:14:44,384 --> 00:14:45,816
- RIGHT, OF COURSE.

429
00:14:45,818 --> 00:14:48,386
OKAY, WELL, THANKS
FOR YOUR TIME.

430
00:14:48,388 --> 00:14:50,321
GOOD LUCK CLEANING
THOSE GLASSES.

431
00:14:52,525 --> 00:14:53,557
- WHAT WAS THAT?

432
00:14:53,559 --> 00:14:55,393
HE DIDN'T TELL US ANYTHING.

433
00:14:55,395 --> 00:14:56,394
- I KNOW.

434
00:14:56,396 --> 00:14:58,629
THESE COWBOY GUYS ARE ALL ALIKE.

435
00:14:58,631 --> 00:15:00,398
- DARIA, ALL GUYS
ARE ALL ALIKE.

436
00:15:00,400 --> 00:15:02,866
THE SECRET IS KNOWING
HOW TO ASK THEM.

437
00:15:02,868 --> 00:15:04,902
- AND HOW AM I SUPPOSED
TO ASK THEM?

438
00:15:04,904 --> 00:15:07,271
- YOU CAN'T JUST BE ALL MEEK
AND RESPECTFUL.

439
00:15:07,273 --> 00:15:08,706
YOU HAVE TO REMEMBER THAT LINE

440
00:15:08,708 --> 00:15:11,475
ABOUT HOW YOU CATCH MORE FLIES
WITH MONEY.

441
00:15:11,477 --> 00:15:14,745
- EXCUSE ME, BUT IF IT WEREN'T
FOR YOUR TOTAL RECKLESSNESS,

442
00:15:14,747 --> 00:15:16,547
IT WOULDN'T MATTER
THAT I'M MEEK,

443
00:15:16,549 --> 00:15:18,682
BECAUSE WE WOULDN'T BE
IN THIS SITUATION.

444
00:15:18,684 --> 00:15:20,484
- DON'T WORRY,
I MAY BE RECKLESS,

445
00:15:20,486 --> 00:15:22,219
BUT I'M ALSO A PROBLEM SOLVER.

446
00:15:22,221 --> 00:15:25,890
HAND ME THAT BAG, WILL YOU?

447
00:15:25,892 --> 00:15:29,593
[men gasp]

448
00:15:29,595 --> 00:15:31,329
- UH, QUINN?

449
00:15:31,331 --> 00:15:32,663
- ATTENTION, GUYS.

450
00:15:32,665 --> 00:15:35,433
WE'RE JUST TWO LITTLE CITY GALS
FROM LAWNDALE.

451
00:15:35,435 --> 00:15:37,435
- LAWNDALE'S A SUBURB.
- RIGHT.

452
00:15:37,437 --> 00:15:38,936
AND WE KNOW
WE SHOULDN'T BE HERE,

453
00:15:38,938 --> 00:15:40,605
BUT SOME FRIENDS OF OURS

454
00:15:40,607 --> 00:15:42,640
GOT PULLED OVER
BY THE SHERIFF RECENTLY.

455
00:15:42,642 --> 00:15:44,442
WE BROUGHT THE BAIL MONEY
TO GET THEM OUT,

456
00:15:44,444 --> 00:15:47,278
AND NOW SOME MEAN OLD COWBOY'S
STOLEN IT.

457
00:15:47,280 --> 00:15:48,713
NOW, I'M NOT SAYING ALL COWBOYS

458
00:15:48,715 --> 00:15:50,348
ARE MEAN OR OLD
OR THIEVES,

459
00:15:50,350 --> 00:15:52,049
BUT IT DOES MAKE ME
THINK TWICE

460
00:15:52,051 --> 00:15:55,186
ABOUT EVER CONSIDERING A COWBOY
FOR A BOYFRIEND.

461
00:15:55,188 --> 00:15:56,654
[all muttering]

462
00:15:56,656 --> 00:15:58,289
- WELL, HECK, LITTLE LADY.

463
00:15:58,291 --> 00:16:00,324
I'VE BEEN PULLED OVER MYSELF.

464
00:16:00,326 --> 00:16:02,527
IT'S HUMILIATING
AND BAD FOR THE SOUL.

465
00:16:02,529 --> 00:16:03,961
HERE'S TEN BUCKS.

466
00:16:03,963 --> 00:16:06,196
- DOGGONE IT, WE'RE NOT ALL BAD,
LITTLE MISS.

467
00:16:06,198 --> 00:16:07,532
TAKE 20.

468
00:16:07,534 --> 00:16:09,000
- NOW, HOLD ON.

469
00:16:09,002 --> 00:16:11,469
HOW DO YOU KNOW WE'RE NOT
THE ONES BEING FLIMFLAMMED HERE?

470
00:16:11,471 --> 00:16:12,904
YOU FAST-TALKING SUBURBAN GALS

471
00:16:12,906 --> 00:16:15,172
THINK YOU CAN JUST MARCH IN HERE
AND CON SOME COWBOYS?

472
00:16:15,174 --> 00:16:16,574
IS THAT YOUR GAME?

473
00:16:16,576 --> 00:16:18,976
- UM, NO, NOT AT ALL.

474
00:16:18,978 --> 00:16:20,511
- YOU THINK WE'RE A BUNCH
OF DUMB HICKS.

475
00:16:20,513 --> 00:16:21,979
WHAT DO YOU KNOW ABOUT US?

476
00:16:21,981 --> 00:16:24,816
- I DON'T CALL 'EM COWBOYS
TILL I SEE 'EM RIDE.

477
00:16:24,818 --> 00:16:26,116
- WHAT?

478
00:16:26,118 --> 00:16:28,218
- 'CAUSE A STETSON HAT
AND THEM FANCY BOOTS

479
00:16:28,220 --> 00:16:30,321
DON'T TELL ME WHAT'S INSIDE.

480
00:16:30,323 --> 00:16:31,656
- HEY, THAT'S CONWAY TWITTY.

481
00:16:31,658 --> 00:16:33,223
YOU LIKE CONWAY TWITTY MUSIC?

482
00:16:33,225 --> 00:16:36,327
- YOU BET YOUR LONESOME PRAIRIE
CAMPFIRE I DO, PARTNER.

483
00:16:36,329 --> 00:16:38,329
- ALL RIGHT.
NOW, THESE ARE COWGIRLS.

484
00:16:38,331 --> 00:16:40,898
FELLAS, STEP ON UP HERE
AND EMPTY YOUR POCKETS.

485
00:16:40,900 --> 00:16:43,534
- YEAH, SURE.
HERE YOU GO.

486
00:16:43,536 --> 00:16:45,403
- WE'LL BE THROUGH
THE CRIMINAL JUSTICE SYSTEM

487
00:16:45,405 --> 00:16:46,670
AND HOME IN TIME FOR<i> BUFFY.</i>

488
00:16:46,672 --> 00:16:48,306
GOOD THINKING, DARIA.

489
00:16:48,308 --> 00:16:50,908
- SHUT UP, SHORTY.

490
00:16:50,910 --> 00:16:53,277
- NOW, I'M NOT GOING
TO HAVE TO COME OUT AND STOP YOU

491
00:16:53,279 --> 00:16:55,713
FROM CHASING YOUR HUSBAND
WITH A SKILLET AGAIN, AM I?

492
00:16:55,715 --> 00:16:57,048
- WELL, THAT DEPENDS.

493
00:16:57,050 --> 00:16:58,349
YOU THINK YOU CAN COME OUT

494
00:16:58,351 --> 00:17:01,452
AND STOP HIM FROM SAYING
OR DOING SOMETHING STUPID FIRST?

495
00:17:01,454 --> 00:17:03,086
- I WISH, BUT I DON'T HAVE TIME
TO RIDE HERD

496
00:17:03,088 --> 00:17:04,722
ON EVERY STUPID MAN
IN THIS COUNTY,

497
00:17:04,724 --> 00:17:05,723
ESPECIALLY JUDGES.

498
00:17:05,725 --> 00:17:07,024
- UH, HI.

499
00:17:07,026 --> 00:17:09,060
WE'RE HERE TO PICK UP
OUR FRIEND JANE LANE.

500
00:17:09,062 --> 00:17:10,394
- WHO?

501
00:17:10,396 --> 00:17:13,097
- JANE LANE AND TRENT LANE.

502
00:17:13,099 --> 00:17:14,231
THEY'RE WITH A BAND.

503
00:17:14,233 --> 00:17:15,666
- OH, YEAH, THEY'RE NOT HERE
ANYMORE.

504
00:17:15,668 --> 00:17:18,068
THEY'RE WITH THE SHERIFF.

505
00:17:19,705 --> 00:17:22,973
- [children screaming]

506
00:17:22,975 --> 00:17:24,708
- THAT DOESN'T SOUND VERY GOOD.

507
00:17:24,710 --> 00:17:26,076
- YOU GO FIRST.

508
00:17:26,078 --> 00:17:27,111
- YOU GO FIRST.

509
00:17:27,113 --> 00:17:29,247
- TOGETHER.

510
00:17:37,790 --> 00:17:39,356
- FINALLY.

511
00:17:39,358 --> 00:17:41,459
- SORRY.
IT'S BEEN A LONG DAY.

512
00:17:41,461 --> 00:17:42,693
- TELL ME ABOUT IT.

513
00:17:42,695 --> 00:17:44,161
- HOW'D YOU GET OUT OF JAIL?

514
00:17:44,163 --> 00:17:46,530
- WELL, IT WAS A LITTLE DICEY
WITH THAT JERK DEPUTY.

515
00:17:46,532 --> 00:17:47,531
OOPS, SORRY, TINA.

516
00:17:47,533 --> 00:17:48,899
- IT'S OKAY.

517
00:17:48,901 --> 00:17:50,401
WHEN DADDY PUTS ON
THE UNIFORM,

518
00:17:50,403 --> 00:17:52,403
HE'S A WHOLE DIFFERENT PERSON.

519
00:17:52,405 --> 00:17:53,537
- BUT LUCKY FOR ME,

520
00:17:53,539 --> 00:17:56,774
THE SHERIFF'S A BIG FAN
OF PICASSO.

521
00:17:56,776 --> 00:17:59,010
- NOT BAD.
- IT'S HIS DAUGHTER'S BIRTHDAY.

522
00:17:59,012 --> 00:18:00,845
WE'RE WORKING OFF OUR DEBT
TO SOCIETY.

523
00:18:00,847 --> 00:18:01,846
- "WE"?

524
00:18:01,848 --> 00:18:03,147
WHERE'S THE BAND?

525
00:18:03,149 --> 00:18:04,482
- ONE, TWO, THREE, FOUR!

526
00:18:04,484 --> 00:18:05,983
- ♪ I'VE BEEN WORKING
ON THE RAILROAD ♪

527
00:18:05,985 --> 00:18:07,351
- ♪ EVERY POINTLESS DAY ♪

528
00:18:07,353 --> 00:18:09,554
- ♪ I'VE BEEN WORKING
ON THE RAILROAD ♪

529
00:18:09,556 --> 00:18:11,288
- ♪ WHILE MY LIFE
GETS PISSED AWAY ♪

530
00:18:11,290 --> 00:18:13,090
- ♪ CAN'T YOU HEAR
THE WHISTLE BLOWING? ♪

531
00:18:13,092 --> 00:18:15,025
- ♪ SHATTER MY DREAMS
IN THE MORN ♪

532
00:18:15,027 --> 00:18:16,861
- ♪ CAN'T YOU HEAR
THE CAPTAIN SHOUTING? ♪

533
00:18:16,863 --> 00:18:18,863
- ♪ WISH I WAS NEVER BORN ♪

534
00:18:18,865 --> 00:18:20,164
[children cheering]

535
00:18:20,166 --> 00:18:22,299
THANK YOU.
THANK YOU.

536
00:18:22,301 --> 00:18:25,369
- PLAY ALL NIGHT!

537
00:18:25,371 --> 00:18:26,804
- I GUESS WE'RE A LITTLE LATE,

538
00:18:26,806 --> 00:18:28,505
BUT MAYBE YOU WANT THIS
ANYWAY.

539
00:18:28,507 --> 00:18:29,606
- EXCELLENT.

540
00:18:29,608 --> 00:18:31,475
YOU DIDN'T READ ANY OF THIS,
DID YOU?

541
00:18:31,477 --> 00:18:33,544
- UH, NO.

542
00:18:33,546 --> 00:18:36,380
- COOL.
IT'S KIND OF PERSONAL.

543
00:18:36,382 --> 00:18:37,849
OKAY, GUYS.

544
00:18:37,851 --> 00:18:40,184
THIS NEXT NUMBER'S
AN ORIGINAL TUNE.

545
00:18:40,186 --> 00:18:41,853
IT'S CALLED<i> PAINGASM.</i>

546
00:18:41,855 --> 00:18:43,287
HOPE YOU ENJOY IT.

547
00:18:43,289 --> 00:18:44,588
ONE, TWO, THREE, FOUR!

548
00:18:44,590 --> 00:18:47,725
[lively music]

549
00:18:47,727 --> 00:18:49,594
- SO IT APPEARS
YOU MORGENDORFFER GIRLS

550
00:18:49,596 --> 00:18:51,162
CAN ACTUALLY GET ALONG, HUH?

551
00:18:51,164 --> 00:18:53,997
- FOR BRIEF PERIODS
SPACED MANY DAYS APART.

552
00:18:53,999 --> 00:18:56,234
- WE DID MAKE
A PRETTY GOOD TEAM.

553
00:18:56,236 --> 00:18:58,302
- MAYBE YOU SHOULD QUIT
THE FASHION CLUB,

554
00:18:58,304 --> 00:19:00,671
AND WE COULD JUST GO AROUND
SOLVING CRIMES.

555
00:19:00,673 --> 00:19:03,073
- BUT THAT'S WHAT THE FASHION
CLUB IS ALL ABOUT:

556
00:19:03,075 --> 00:19:05,409
SOLVING CRIMES
AGAINST FASHION.

557
00:19:05,411 --> 00:19:07,378
- I HOPE JAIL WASN'T TOO BAD
FOR YOU.

558
00:19:07,380 --> 00:19:08,512
- NAH.

559
00:19:08,514 --> 00:19:10,680
- WE MET THE GUY
WHO INVENTED PUNK MUSIC

560
00:19:10,682 --> 00:19:12,883
AND INTRODUCED RICE
TO THE JAPANESE.

561
00:19:12,885 --> 00:19:14,018
- COOL GUY.

562
00:19:14,020 --> 00:19:16,353
- YOU DIDN'T REALLY BELIEVE HIM,
DID YOU?

563
00:19:16,355 --> 00:19:18,088
- HEY, MAN,
YOU WEREN'T THERE.

564
00:19:18,090 --> 00:19:19,524
HE WAS.

565
00:19:19,526 --> 00:19:20,525
- HEY, LOOK!

566
00:19:20,527 --> 00:19:22,927
THEY MADE ME A JUNIOR DEPUTY!

567
00:19:22,929 --> 00:19:25,229
- THAT WAS NICE,
WHAT YOU SAID,

568
00:19:25,231 --> 00:19:27,031
THAT WE MAKE A GOOD TEAM.

569
00:19:27,033 --> 00:19:28,733
- I GUESS SOMETIMES BEING TIMID

570
00:19:28,735 --> 00:19:30,902
WORKS JUST AS WELL
AS BEING CONFIDENT.

571
00:19:30,904 --> 00:19:32,303
- I'M NOT TIMID.

572
00:19:32,305 --> 00:19:34,138
- OH, MY GOSH, LOOK!

573
00:19:34,140 --> 00:19:35,740
IT'S TRAVIS!

574
00:19:35,742 --> 00:19:38,075
- SERIOUSLY, DO YOU REALLY
THINK I'M TIMID?

575
00:19:38,077 --> 00:19:39,243
- YES, BUT IT DOESN'T MATTER.

576
00:19:39,245 --> 00:19:40,978
IT'S TRAVIS!

577
00:19:40,980 --> 00:19:42,813
- I'M NOT TIMID.

578
00:19:42,815 --> 00:19:45,081
- WHAT ARE YOU DOING?
DARIA.

579
00:19:45,083 --> 00:19:46,416
DARIA!

580
00:19:48,121 --> 00:19:51,355
[screams]

581
00:19:51,357 --> 00:19:53,657
- OKAY, NOW DO YOU THINK
I'M TIMID?

582
00:19:53,659 --> 00:19:54,992
- UM, NO.

583
00:19:54,994 --> 00:19:58,128
WHY DON'T WE JUST PUT ON
SOME MUSIC AND RELAX?

584
00:19:58,130 --> 00:19:59,429
- I'LL PICK THE MUSIC.

585
00:19:59,431 --> 00:20:00,865
- FAIR ENOUGH.

586
00:20:00,867 --> 00:20:02,032
[country music plays]

587
00:20:02,034 --> 00:20:03,067
- ♪ BUT I'M THINKING OF YOU ♪

588
00:20:03,069 --> 00:20:04,535
- EW!

589
00:20:04,537 --> 00:20:07,471
- YOU KNOW, I'M STARTING
TO LIKE THIS STUFF.

590
00:20:10,810 --> 00:20:13,744
Captioning by<font color="#00ff00"> CaptionMax</font>
www.captionmax.com

591
00:20:23,356 --> 00:20:24,988
♪ LA-LA, LA ♪

592
00:20:28,227 --> 00:20:29,993
♪ LA-LA, LA ♪

593
00:20:33,066 --> 00:20:34,998
♪ LA-LA, LA ♪

594
00:20:44,310 --> 00:20:46,743
♪ LA-LA, LA, LA-LA ♪

595
00:20:48,914 --> 00:20:51,848
♪ LA-LA, LA, LA-LA ♪