1
00:00:02,336 --> 00:00:04,303
- ♪ LA-LA, LA, LA-LA ♪

2
00:00:04,305 --> 00:00:08,673
♪ LA-LA, LA, LA-LA ♪

3
00:00:08,675 --> 00:00:10,809
- AND SO THE PEN
BEGAT THE PRINTING PRESS,

4
00:00:10,811 --> 00:00:13,344
AND THE PRINTING PRESS
BEGAT THE LINOTYPE MACHINE,

5
00:00:13,346 --> 00:00:17,282
AND TODAY ENTIRE EPICS
ARE SPAWNED INTERACTIVELY

6
00:00:17,284 --> 00:00:20,351
VIA THE WEB AND NEVER SEE
THE PRINTED PAGE AT ALL.

7
00:00:20,353 --> 00:00:23,188
- UNFORTUNATELY, NONE OF OUR
TEXTBOOKS ARE AMONG THEM.

8
00:00:23,190 --> 00:00:25,056
- YOU SEE, THE MESSAGE
A PIECE OF WRITING DELIVERS

9
00:00:25,058 --> 00:00:28,127
IS INFLUENCED BY THE MEDIUM
IN WHICH IT IS CONVEYED.

10
00:00:28,129 --> 00:00:30,028
BUT TODAY'S PROGRESSIVE
COMMUNICATORS ASK,

11
00:00:30,030 --> 00:00:34,699
"WHY STOP AT JUST MEDIUM?
WHY NOT GO FOR"...KEVIN?

12
00:00:34,701 --> 00:00:37,636
- MEDIUM...RARE?

13
00:00:37,638 --> 00:00:38,737
- NO, KEVIN, ACTUALLY,

14
00:00:38,739 --> 00:00:42,541
I WAS LOOKING FOR "MEDIA,"
MULTIMEDIA!

15
00:00:42,543 --> 00:00:44,876
WHICH BRINGS ME
TO OUR EXCITING ASSIGNMENT.

16
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- ISN'T "EXCITING ASSIGNMENT"
A CONTRADICTION IN TERMS?

17
00:00:47,514 --> 00:00:48,713
- I DON'T KNOW.

18
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LET'S ASK
OUR INSPIRING INSTRUCTOR.

19
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- YOU'RE ALL
GOING TO EXPERIENCE

20
00:00:52,619 --> 00:00:55,120
THE CREATIVE POWER
OF MULTIMEDIA.

21
00:00:55,122 --> 00:00:56,455
YOU'LL FORM TEAMS
TO CREATE A WORK

22
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OF YOUR CHOICE
USING THE POWER OF COMPUTING

23
00:00:58,992 --> 00:01:02,961
TO COMBINE WORDS,
IMAGES, AND SOUND.

24
00:01:02,963 --> 00:01:04,830
YOU CAN USE THE SCHOOL'S
COMPUTERS OR YOUR OWN.

25
00:01:04,832 --> 00:01:07,332
ISN'T IT A THRILLING IDEA?
JANE?

26
00:01:07,334 --> 00:01:08,733
- MM-HMM.

27
00:01:08,735 --> 00:01:09,935
IN FACT, MAY I GO
TO THE GIRLS' ROOM

28
00:01:09,937 --> 00:01:11,303
AND DOWN SOME TRANQUILIZERS?

29
00:01:11,305 --> 00:01:13,104
- OH, NO, TRANQUILIZERS?

30
00:01:13,106 --> 00:01:15,974
JANE, HAVE YOU CONSIDERED
HOMEOPATHY?

31
00:01:15,976 --> 00:01:20,279
- I'M GONNA STICK WITH GUYS
FOR NOW, BUT THANKS FOR ASKING.

32
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I HAVE A GOOD FEELING ABOUT
THIS MULTIMEDIA THING, TEAMMATE.

33
00:01:24,251 --> 00:01:26,618
- THAT'S THE NASTIEST NAME
ANYONE'S EVER CALLED ME.

34
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- IF WE GET ANYTHING
ABOVE A "C,"

35
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I'LL GET OFF ACADEMIC PROBATION

36
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AND NOT HAVE TO WORRY
ABOUT TAKING LANGUAGE ARTS OVER,

37
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AND DARIA MORGENDORFFER
DOES NOT GET "C"s.

38
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- WELL, I COULD MAKE
AN EXCEPTION.

39
00:01:36,630 --> 00:01:38,630
- COME ON, THIS IS GONNA BE FUN:
YOU DOING WORDS,

40
00:01:38,632 --> 00:01:39,764
ME PICTURES.

41
00:01:39,766 --> 00:01:40,832
IT'S EXCITING.

42
00:01:40,834 --> 00:01:42,968
- OH, YEAH, VERY EXCITING.

43
00:01:42,970 --> 00:01:45,170
- I KNOW WHAT
WOULD MAKE IT EXCITING.

44
00:01:45,172 --> 00:01:47,639
- WE DO THE WHOLE THING
WHILE WALKING OVER HOT COALS?

45
00:01:47,641 --> 00:01:49,942
- HOW ABOUT WE ADD
A LITTLE MUSIC TO THE MIX?

46
00:01:49,944 --> 00:01:51,509
- WHAT'S SO EXCITING
ABOUT THAT?

47
00:01:51,511 --> 00:01:53,711
- WHAT'S EXCITING IS
THE PARTICULAR MUSICIAN

48
00:01:53,713 --> 00:01:54,880
I HAVE IN MIND.

49
00:01:54,882 --> 00:01:57,315
- OH, NO.
- COME ON, DARIA.

50
00:01:57,317 --> 00:01:59,284
TRENT WILL LOVE
DOING SOME COMPUTER MUSIC.

51
00:01:59,286 --> 00:02:01,486
IT'LL SATISFY THE SECRET
TECHNO DANCE FREAK

52
00:02:01,488 --> 00:02:03,821
HIDING BENEATH
THAT COOL ALTERNATIVE EXTERIOR.

53
00:02:03,823 --> 00:02:06,158
- I DON'T THINK I WANT
TO MEET THAT TECHNO DANCE FREAK.

54
00:02:06,160 --> 00:02:07,492
- SURE, YOU DO.

55
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WE'LL ASK HIM AT
THE MYSTIC SPIRAL GIG TONIGHT.

56
00:02:09,129 --> 00:02:12,964
- THIS DANCE FREAK
DOESN'T WEAR SPANDEX, DOES HE?

57
00:02:12,966 --> 00:02:14,533
[cheers and applause]

58
00:02:14,535 --> 00:02:15,767
- ♪ WHO TRAPPED THE HIPPIES? ♪

59
00:02:15,769 --> 00:02:17,568
♪ WHO LOCKED 'EM IN A ZOO? ♪

60
00:02:17,570 --> 00:02:19,104
♪ WHO GAGGED THE BEATNIKS? ♪

61
00:02:19,106 --> 00:02:20,738
♪ WHO SEALED THEIR MOUTHS
WITH GLUE? ♪

62
00:02:20,740 --> 00:02:22,407
♪ WHO CRUSHED THE BOHOS? ♪

63
00:02:22,409 --> 00:02:24,009
♪ WHO TURNED THEIR WORK
TO POO? ♪

64
00:02:24,011 --> 00:02:25,410
♪ HEY, MR. NORMAL, ♪

65
00:02:25,412 --> 00:02:28,046
♪ IT WAS YOU! ♪

66
00:02:28,048 --> 00:02:29,615
- HEY.

67
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HEY!

68
00:02:30,684 --> 00:02:31,717
- HUH?

69
00:02:31,719 --> 00:02:34,019
SORRY, THAT GUY
KEEPS LOOKING AT ME.

70
00:02:34,021 --> 00:02:37,055
- YEAH, I CAN SEE YOU'RE UPSET
ABOUT THAT.

71
00:02:37,057 --> 00:02:39,591
I'M GOING TO THE BATHROOM.
- OKAY.

72
00:02:39,593 --> 00:02:41,125
- ♪ HEY, MR. NORMAL, ♪

73
00:02:41,127 --> 00:02:43,695
♪ IT WAS YOU! ♪

74
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[cheers and applause]

75
00:02:44,998 --> 00:02:46,164
- YEAH!

76
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- WE'RE MYSTIC SPIRAL.

77
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WE'LL BE BACK FOR A SECOND SET.

78
00:02:49,469 --> 00:02:51,102
- THIS WAS THE FIRST SET.

79
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- UH, YEAH.

80
00:02:57,677 --> 00:02:58,710
- HEY.

81
00:02:58,712 --> 00:03:00,479
- YO.
- GOOD BAND.

82
00:03:00,481 --> 00:03:02,347
- YEAH, THE SINGER'S
MY BROTHER.

83
00:03:02,349 --> 00:03:04,082
- REALLY?
ARE YOU A SINGER TOO?

84
00:03:04,084 --> 00:03:05,984
- OH, YEAH, LISTEN TO THIS.

85
00:03:05,986 --> 00:03:09,053
♪ OLD MCDONALD HAD A FARM,
E-I E-I-O ♪

86
00:03:09,055 --> 00:03:10,622
- THAT'S REALLY AWFUL.

87
00:03:10,624 --> 00:03:12,424
- YOU'RE AN HONEST ONE, EH?

88
00:03:12,426 --> 00:03:13,992
ACTUALLY, I'M AN ARTIST.

89
00:03:13,994 --> 00:03:15,493
- WOW, THAT'S COOL.

90
00:03:15,495 --> 00:03:17,195
- BUT I DO LIKE TO SING
IN MY SPARE TIME.

91
00:03:17,197 --> 00:03:19,264
♪ OLD MCDONALD HAD A FARM,
E-I E-I-O ♪

92
00:03:19,266 --> 00:03:20,265
- MM, VERY NICE.

93
00:03:20,267 --> 00:03:21,266
YOU LIKE CONVERTIBLES?

94
00:03:21,268 --> 00:03:22,734
- SOFAS?
- CARS.

95
00:03:22,736 --> 00:03:24,068
- WHY? YOU GOT ONE?

96
00:03:24,070 --> 00:03:27,372
- UM, NO, BUT THE ROOF
OF MY CAR IS RUSTING THROUGH.

97
00:03:27,374 --> 00:03:28,674
- ALMOST THE SAME THING.

98
00:03:28,676 --> 00:03:29,941
- I THINK THE SAD
DECAY OF IT ALL

99
00:03:29,943 --> 00:03:31,743
MIGHT APPEAL
TO YOUR ARTISTIC SENSIBILITY.

100
00:03:31,745 --> 00:03:33,511
WANT TO CHECK IT OUT,
MAYBE GET SOME FOOD?

101
00:03:33,513 --> 00:03:35,580
- FOOD, THEN BACK HERE?
- SOUND ALL RIGHT?

102
00:03:35,582 --> 00:03:36,848
- LET ME JUST TELL MY FRIEND.

103
00:03:36,850 --> 00:03:39,551
HEY, DARIA, THIS IS, UH...
- TOM.

104
00:03:39,553 --> 00:03:41,219
- HI.
- HEY.

105
00:03:41,221 --> 00:03:43,120
- HIS CAR'S FALLING APART,
SO WE'RE GONNA GO FOR A RIDE.

106
00:03:43,122 --> 00:03:44,489
I'LL BE RIGHT BACK.

107
00:03:44,491 --> 00:03:47,124
- HEY, WE'RE SUPPOSED
TO TALK TO TRENT, REMEMBER?

108
00:03:47,126 --> 00:03:49,494
- YOU TALK.
I'LL BE BACK FOR THE SECOND SET.

109
00:03:49,496 --> 00:03:51,763
LATER.
- NICE MEETING YOU.

110
00:03:51,765 --> 00:03:53,531
- GREAT.

111
00:03:53,533 --> 00:03:55,500
- LOOK, WHEN I'M GOING
FOOM-FOOM-FOOM-FOOM,

112
00:03:55,502 --> 00:03:57,068
WHAT DAMN GOOD DOES IT DO
TO HAVE YOU GOING

113
00:03:57,070 --> 00:03:58,604
BADADA-BADADA-BADADA BLAT?

114
00:03:58,606 --> 00:04:01,073
- IT'S NOT BLAT, MAX.
IT'S BLAM.

115
00:04:01,075 --> 00:04:05,143
- HEY, DARIA, YOU GUYS WANTED
TO TALK TO ME ABOUT SOMETHING?

116
00:04:05,145 --> 00:04:08,179
- MM, YEAH, BUT JANE
WENT OUT FOR SOME FOOD.

117
00:04:08,181 --> 00:04:10,148
- THAT'S OKAY.
YOU'RE HERE.

118
00:04:10,150 --> 00:04:12,583
- WELL, IT'S ABOUT THIS
MULTIMEDIA PROJECT

119
00:04:12,585 --> 00:04:13,818
WE HAVE TO DO FOR SCHOOL.

120
00:04:13,820 --> 00:04:15,253
- MULTIMEDIA?

121
00:04:15,255 --> 00:04:17,989
- YEAH, THE WHOLE THING'S
SUPPOSED TO BE ON COMPUTER,

122
00:04:17,991 --> 00:04:19,524
IMAGES AND SOUND.

123
00:04:19,526 --> 00:04:21,059
- THAT SOUNDS PRETTY COOL.

124
00:04:21,061 --> 00:04:23,061
SO YOU WANT TO DOCUMENT
THE STRUGGLE

125
00:04:23,063 --> 00:04:25,296
OF AN UP-AND-COMING BAND,
IS THAT IT?

126
00:04:25,298 --> 00:04:26,998
A YEAR ON THE EDGE.

127
00:04:27,000 --> 00:04:28,667
OKAY, WE'RE IN.

128
00:04:28,669 --> 00:04:30,935
- UM, ACTUALLY,
WE WERE JUST KIND OF HOPING

129
00:04:30,937 --> 00:04:34,005
YOU MIGHT COMPOSE ABOUT
30 SECONDS OF MUSIC WE CAN USE.

130
00:04:34,007 --> 00:04:35,440
- OH.

131
00:04:35,442 --> 00:04:37,542
SURE, DARIA, THAT'LL BE COOL,

132
00:04:37,544 --> 00:04:40,545
LIKE SOMETHING YOU SAVE
AND PLAY BACK ON A COMPUTER.

133
00:04:40,547 --> 00:04:42,280
- YEAH, EXACTLY.

134
00:04:42,282 --> 00:04:43,548
WE NEED IT IN TWO WEEKS.

135
00:04:43,550 --> 00:04:44,882
- THAT'S NO PROBLEM.

136
00:04:44,884 --> 00:04:48,853
ALL RIGHT, I'M GOING DIGITAL.
EXCELLENT.

137
00:04:48,855 --> 00:04:52,557
SO, UH...WHEN DID JANIE SAY
SHE WAS COMING BACK?

138
00:04:52,559 --> 00:04:55,226
- UH, SHE SAID SHE'D BE HERE
FOR THE SECOND SET.

139
00:04:55,228 --> 00:04:58,430
- OH, OKAY, COOL.

140
00:04:58,432 --> 00:05:01,866
OF COURSE, THE SECOND SET'S
NOT FOR ANOTHER HOUR.

141
00:05:01,868 --> 00:05:03,001
- YEAH.

142
00:05:03,003 --> 00:05:05,604
ACTUALLY, UM, I'M KIND OF BEAT.

143
00:05:05,606 --> 00:05:08,372
I HOPE YOU WON'T BE INSULTED
IF I DON'T HANG AROUND.

144
00:05:08,374 --> 00:05:10,975
- HEY, THE SECOND SET'S
JUST THE STUFF

145
00:05:10,977 --> 00:05:12,911
THAT'S NOT GOOD ENOUGH
FOR THE FIRST.

146
00:05:12,913 --> 00:05:16,148
I WOULDN'T STAY FOR IT MYSELF
IF I WEREN'T IN THE BAND.

147
00:05:16,150 --> 00:05:17,983
- HMM.
- I'VE GOT SOME TIME.

148
00:05:17,985 --> 00:05:21,753
YOU WANT A RIDE HOME?
- UM, SURE.

149
00:05:21,755 --> 00:05:24,723
- SO HOW COME JANIE
WENT OUT FOR FOOD,

150
00:05:24,725 --> 00:05:26,224
AND YOU DIDN'T GO WITH HER?

151
00:05:26,226 --> 00:05:28,059
- SHE KIND OF WENT
WITH THIS GUY.

152
00:05:28,061 --> 00:05:29,661
- OH, FROM SCHOOL?

153
00:05:29,663 --> 00:05:31,663
- ACTUALLY, SHE JUST MET HIM.

154
00:05:31,665 --> 00:05:34,232
I DON'T KNOW WHY SHE THOUGHT SHE
COULD GO FOR A RIDE WITH HIM.

155
00:05:34,234 --> 00:05:36,200
- JANIE CAN TAKE CARE
OF HERSELF.

156
00:05:36,202 --> 00:05:37,535
- I HOPE SO.

157
00:05:37,537 --> 00:05:39,504
- YOU GOT TO RELAX, DARIA.

158
00:05:39,506 --> 00:05:42,073
THINGS WORK OUT, YOU KNOW?
- I GUESS.

159
00:05:42,075 --> 00:05:44,142
OKAY, THANKS FOR THE RIDE.

160
00:05:44,144 --> 00:05:45,777
- THANKS FOR COMING TO THE GIG.

161
00:05:45,779 --> 00:05:48,980
I GOT TO GET BACK BEFORE MAX
AND NICHOLAS KILL EACH OTHER.

162
00:05:48,982 --> 00:05:51,116
- YEAH, YOU DON'T WANT
TO MISS THAT.

163
00:05:51,118 --> 00:05:52,950
- [laughs, coughs]

164
00:05:52,952 --> 00:05:54,419
YOU'RE FUNNY, DARIA.

165
00:05:54,421 --> 00:05:57,022
HEY, IF YOU'RE GONNA BE
AT THE HOUSE TOMORROW,

166
00:05:57,024 --> 00:05:59,724
MAYBE WE CAN TALK
ABOUT THE MUSIC.

167
00:05:59,726 --> 00:06:02,227
- UM, YEAH, MAYBE I'LL SEE YOU
TOMORROW, THEN.

168
00:06:02,229 --> 00:06:04,162
- SEE YA.

169
00:06:07,167 --> 00:06:09,501
[electronic duck quacking]

170
00:06:09,503 --> 00:06:13,237
[phone ringing]

171
00:06:13,239 --> 00:06:14,372
- YEAH?

172
00:06:14,374 --> 00:06:16,708
- OH, GEE, DID I WAKE YOU?

173
00:06:16,710 --> 00:06:18,877
I GUESS THAT MEANS
YOU HAVEN'T BEEN MURDERED.

174
00:06:18,879 --> 00:06:20,378
WELL, THAT'S GOOD.

175
00:06:20,380 --> 00:06:22,514
- DO YOU HAVE ANY IDEA
WHAT TIME IT IS?

176
00:06:22,516 --> 00:06:24,315
- IT'S ALMOST NOON.

177
00:06:24,317 --> 00:06:26,751
- MM, I GUESS
RIGHTEOUS INDIGNATION

178
00:06:26,753 --> 00:06:28,219
ISN'T REALLY APPROPRIATE, THEN.

179
00:06:28,221 --> 00:06:30,054
- NOT FOR YOU, NO.

180
00:06:30,056 --> 00:06:31,890
- WHERE DID YOU DISAPPEAR TO
LAST NIGHT?

181
00:06:31,892 --> 00:06:33,725
- WHERE DID<i> I</i> DISAPPEAR TO?

182
00:06:33,727 --> 00:06:36,228
- UM, I GUESS
I KIND OF LEFT YOU THERE

183
00:06:36,230 --> 00:06:38,062
WHILE I WENT OUT WITH TOM;
SORRY.

184
00:06:38,064 --> 00:06:39,264
- TOM?

185
00:06:39,266 --> 00:06:40,965
- HEY, I THOUGHT
I WOULD GIVE YOU AND TRENT

186
00:06:40,967 --> 00:06:42,534
SOME ONE-ON-ONE
QUALITY TIME.

187
00:06:42,536 --> 00:06:45,903
- YEAH, YOU AND TOM
WERE THINKING OF ME.

188
00:06:45,905 --> 00:06:48,173
- WELL, I WAS BACK FOR
THE SECOND SET, LIKE I PROMISED.

189
00:06:48,175 --> 00:06:50,675
- I THOUGHT WE WEREN'T STAYING
FOR THE SECOND SET.

190
00:06:50,677 --> 00:06:52,177
- I SAID I WAS SORRY!

191
00:06:52,179 --> 00:06:53,945
DID YOU TALK TO TRENT
ABOUT THE PROJECT?

192
00:06:53,947 --> 00:06:56,982
- YES, I TALKED TO TRENT
ABOUT THE PROJECT.

193
00:06:56,984 --> 00:06:58,316
HE SAID HE'D DO IT.

194
00:06:58,318 --> 00:06:59,684
HE SAID IF
I WAS COMING OVER TODAY,

195
00:06:59,686 --> 00:07:01,052
WE COULD ALL DISCUSS IT.

196
00:07:01,054 --> 00:07:02,320
- SO WHAT ARE YOU WAITING FOR?

197
00:07:02,322 --> 00:07:04,055
GET YOUR BUTT OVER HERE A.S.A.P.

198
00:07:04,057 --> 00:07:06,324
- ALL RIGHT.
- ONLY DON'T RUSH.

199
00:07:06,326 --> 00:07:08,159
HE WON'T BE UP
FOR ANOTHER TWO HOURS.

200
00:07:08,161 --> 00:07:10,428
[doorbell rings]

201
00:07:10,430 --> 00:07:12,464
HEY.
- WHAT'S WITH YOU?

202
00:07:12,466 --> 00:07:13,865
- AFTER YOU CALLED, I GOT UP,

203
00:07:13,867 --> 00:07:15,400
GOT DRESSED, AND THEN FELL
BACK ASLEEP.

204
00:07:15,402 --> 00:07:17,035
YOU DID CALL, RIGHT?

205
00:07:17,037 --> 00:07:18,636
'CAUSE I DON'T THINK
I COULD'VE DREAMED

206
00:07:18,638 --> 00:07:20,138
A CONVERSATION THAT NASTY.

207
00:07:20,140 --> 00:07:21,606
- IS TRENT UP YET?

208
00:07:21,608 --> 00:07:23,608
- I HEARD SOMETHING STIRRING
IN HIS ROOM.

209
00:07:23,610 --> 00:07:26,044
I'M HOPING IT WASN'T
A FAMILY OF RACCOONS.

210
00:07:26,046 --> 00:07:27,712
[yawns]

211
00:07:27,714 --> 00:07:29,113
YOU WANT SOME BREAKFAST?

212
00:07:29,115 --> 00:07:30,481
- THANKS,
BUT I DON'T REALLY LIKE

213
00:07:30,483 --> 00:07:32,316
TO EAT BREAKFAST
AFTER LUNCH.

214
00:07:32,318 --> 00:07:34,085
IT SPOILS MY DINNER.

215
00:07:34,087 --> 00:07:36,455
SO YOU WANT TO WORK
ON THIS MULTIMEDIA THING?

216
00:07:36,457 --> 00:07:37,489
- I DON'T KNOW, DARIA.

217
00:07:37,491 --> 00:07:39,558
I'M REALLY BEAT.

218
00:07:39,560 --> 00:07:41,393
HEY, HOW YOU DOING?

219
00:07:41,395 --> 00:07:43,428
- WHAT DO YOU MEAN?
I'M FINE.

220
00:07:43,430 --> 00:07:45,529
- HI.
HI, DARIA.

221
00:07:55,308 --> 00:07:56,374
- I JUST STOPPED BY

222
00:07:56,376 --> 00:07:57,408
TO MAKE SURE
YOU DIDN'T GET SICK

223
00:07:57,410 --> 00:07:58,443
FROM THOSE TWO JUMBO BURGERS.

224
00:07:58,445 --> 00:07:59,710
- ARE YOU KIDDING?

225
00:07:59,712 --> 00:08:01,679
I COULD EAT FIVE OF THOSE BABIES
AND NEVER FEEL A THING.

226
00:08:01,681 --> 00:08:02,747
[burps]

227
00:08:02,749 --> 00:08:04,816
UM, EXCUSE ME.
COME ON IN.

228
00:08:04,818 --> 00:08:06,083
- NO, YOU'VE GOT COMPANY.

229
00:08:06,085 --> 00:08:08,519
- OH, COME ON.

230
00:08:08,521 --> 00:08:11,856
- UH, HEY, HEY, DARIA.
- HEY, TRENT.

231
00:08:11,858 --> 00:08:12,957
- TRENT, THIS IS TOM.

232
00:08:12,959 --> 00:08:14,826
- YOU GUYS WERE EXCELLENT
LAST NIGHT.

233
00:08:14,828 --> 00:08:15,993
- THANKS.

234
00:08:15,995 --> 00:08:18,162
- TRENT, I CAME OVER
TO DISCUSS THAT PROJECT.

235
00:08:18,164 --> 00:08:22,300
- OH, WELL, UM, WHY DON'T WE GO
TALK IN THE KITCHEN, DARIA?

236
00:08:22,302 --> 00:08:24,469
- DON'T YOU WANT JANE
IN ON THE CONVERSATION?

237
00:08:24,471 --> 00:08:25,470
- YOU GO AHEAD.

238
00:08:25,472 --> 00:08:26,771
I'M NOT QUITE UP YET.

239
00:08:26,773 --> 00:08:28,106
I'LL WALK TOM TO HIS CAR.

240
00:08:28,108 --> 00:08:29,840
- BUT--
- YEAH, COME ON, DARIA.

241
00:08:29,842 --> 00:08:33,711
IT'S COOL.
SHE'LL WALK TOM TO HIS CAR.

242
00:08:33,713 --> 00:08:36,881
WE CAN TALK IN HERE
WHILE I MAKE SOME COFFEE.

243
00:08:36,883 --> 00:08:39,717
- YOU AND JANE AREN'T REALLY
MORNING PEOPLE, ARE YOU?

244
00:08:39,719 --> 00:08:42,086
- HEY, THE NIGHT
HOLDS THE KEY.

245
00:08:42,088 --> 00:08:43,388
- THE KEY TO WHAT?

246
00:08:43,390 --> 00:08:45,690
- I DON'T KNOW, DARIA.
IT'S EARLY.

247
00:08:45,692 --> 00:08:48,593
- SO YOU WANT TO TALK
ABOUT THAT MULTIMEDIA PROJECT?

248
00:08:48,595 --> 00:08:51,796
- YEAH, BUT SHOULDN'T JANIE
BE HERE FOR THAT?

249
00:08:51,798 --> 00:08:53,431
- THAT'S WHAT I ASKED<i> YOU.</i>

250
00:08:53,433 --> 00:08:56,568
- OH, WELL, I GUESS I FIGURED
I'D GIVE HER AND WHAT'S-HIS-NAME

251
00:08:56,570 --> 00:08:58,036
A COUPLE OF MINUTES.

252
00:08:58,038 --> 00:09:00,605
- TOM.
- YEAH, TOM.

253
00:09:00,607 --> 00:09:03,308
- DO YOU THINK IT'S WEIRD
THAT THEY JUST MET LAST NIGHT,

254
00:09:03,310 --> 00:09:05,543
AND HE'S ALREADY
INVITING HIMSELF OVER?

255
00:09:05,545 --> 00:09:06,911
- I GUESS HE LIKES HER.

256
00:09:06,913 --> 00:09:08,580
- IT'S JUST SO FAST.

257
00:09:08,582 --> 00:09:11,816
- HEY, SOMETIMES YOU GOT
TO TAKE THINGS AS THEY COME.

258
00:09:11,818 --> 00:09:13,718
RELAX AND SEE WHAT HAPPENS.

259
00:09:13,720 --> 00:09:15,953
- BUT YOU CAN'T BE THAT WAY
ABOUT EVERYTHING.

260
00:09:15,955 --> 00:09:19,491
- EXACTLY; LIKE, I'M RELAXED
ABOUT A LOT OF STUFF,

261
00:09:19,493 --> 00:09:21,225
BUT NOT MY CAREER.

262
00:09:21,227 --> 00:09:22,960
I TAKE THAT VERY SERIOUSLY.

263
00:09:22,962 --> 00:09:24,562
[phone rings]

264
00:09:24,564 --> 00:09:26,864
YO.
HEY, MAX.

265
00:09:26,866 --> 00:09:29,300
WHAT?
OH, DAMN.

266
00:09:29,302 --> 00:09:31,569
OKAY, I'LL BE RIGHT OVER.

267
00:09:31,571 --> 00:09:33,771
UM, DARIA, I KIND OF FORGOT

268
00:09:33,773 --> 00:09:35,973
ABOUT THIS REALLY IMPORTANT
AUDITION.

269
00:09:35,975 --> 00:09:37,875
I GOT TO RUN.

270
00:09:39,412 --> 00:09:43,314
HEY, HELP YOURSELF
TO THE HOT WATER.

271
00:09:43,316 --> 00:09:45,750
- SO I THINK I FINALLY HAVE
SOME SKETCHES I LIKE

272
00:09:45,752 --> 00:09:47,652
FOR THIS MULTIMEDIA THING,

273
00:09:47,654 --> 00:09:48,919
MEANING I SHOULD BE FINISHED
TOMORROW,

274
00:09:48,921 --> 00:09:49,987
AND WE CAN SCAN THEM IN.

275
00:09:49,989 --> 00:09:51,055
- THAT SOUNDS GOOD.

276
00:09:51,057 --> 00:09:52,656
- AND TRENT BOUGHT
A MIDI KEYBOARD

277
00:09:52,658 --> 00:09:54,058
AND A COMPOSING PROGRAM,
AND HE'S BEEN UP, LIKE,

278
00:09:54,060 --> 00:09:55,759
EVERY NIGHT SCREWING AROUND
WITH IT.

279
00:09:55,761 --> 00:09:58,029
- HAS HE PLAYED YOU
ANY OF THE MUSIC HE'S WRITTEN?

280
00:09:58,031 --> 00:09:59,964
- WHO SAID ANYTHING
ABOUT WRITING MUSIC?

281
00:09:59,966 --> 00:10:01,499
HE SAMPLED THE TOILET FLUSHING
AND CREATED

282
00:10:01,501 --> 00:10:03,868
AN ALL-PLUMBING VERSION
OF<i> OH, SUSANNAH.</i>

283
00:10:03,870 --> 00:10:05,169
HOW'S THE SCRIPT COMING?

284
00:10:05,171 --> 00:10:07,271
- THE SCRIPT'S BEEN FINISHED
SINCE MONDAY.

285
00:10:07,273 --> 00:10:08,673
- REALLY? I'M IMPRESSED.

286
00:10:08,675 --> 00:10:12,743
- YES, WELL, I HAD A LOT
OF FREE TIME LAST WEEKEND.

287
00:10:12,745 --> 00:10:15,513
- UM, YEAH.
SORRY WE COULDN'T GET TOGETHER.

288
00:10:15,515 --> 00:10:18,049
- NO BIG DEAL.
HOW'S TOM?

289
00:10:18,051 --> 00:10:20,117
- YOU REALLY DON'T LIKE HIM,
DO YOU?

290
00:10:20,119 --> 00:10:21,753
- IT'S NOT HIM I DON'T LIKE.

291
00:10:21,755 --> 00:10:24,588
IT'S YOU GOING GAGA
OVER THIS GUY YOU JUST MET.

292
00:10:24,590 --> 00:10:25,723
- I'M NOT GAGA.

293
00:10:25,725 --> 00:10:27,025
I'VE GONE OUT WITH HIM
A FEW TIMES.

294
00:10:27,027 --> 00:10:28,393
HE'S A PLEASANT YOUNG FELLOW.

295
00:10:28,395 --> 00:10:30,362
WHAT'S THE PROBLEM?
- NO PROBLEM.

296
00:10:30,364 --> 00:10:32,097
- ANYWAY, HE'S SEEING
HIS FRIENDS TONIGHT,

297
00:10:32,099 --> 00:10:33,999
SO YOU AND I WILL DEFINITELY
GET TOGETHER.

298
00:10:34,001 --> 00:10:37,568
- THANKS FOR FITTING ME IN.
- I DO WHAT I CAN.

299
00:10:37,570 --> 00:10:41,639
- HEY, JANIE,
COME LISTEN TO THIS.

300
00:10:42,975 --> 00:10:44,742
[dogs barking]

301
00:10:44,744 --> 00:10:46,945
[cow moos]

302
00:10:48,848 --> 00:10:51,750
- SO WHAT DO YOU WANT TO DO
AFTER PIZZA, A MOVIE?

303
00:10:51,752 --> 00:10:52,917
- GOOD IDEA.

304
00:10:52,919 --> 00:10:54,318
THEN WHEN WE COME BACK HERE
FOR MORE PIZZA,

305
00:10:54,320 --> 00:10:55,987
THERE'LL BE A NEW CROWD
WHO DIDN'T SEE THE TWO PIES

306
00:10:55,989 --> 00:10:56,988
WE'VE ALREADY EATEN.

307
00:10:56,990 --> 00:10:58,856
- THUS PRESERVING
OUR REPUTATION

308
00:10:58,858 --> 00:11:00,391
FOR HAVING BIRDLIKE APPETITES.

309
00:11:00,393 --> 00:11:02,394
- HEY.
- HEY.

310
00:11:02,396 --> 00:11:03,761
- WHAT ARE YOU DOING HERE?

311
00:11:03,763 --> 00:11:05,130
- THOSE REALLY GOOD
FRIENDS OF MINE,

312
00:11:05,132 --> 00:11:06,164
THEY TOTALLY BLEW ME OFF.

313
00:11:06,166 --> 00:11:07,698
I FIGURED YOU GUYS
MIGHT BE HERE.

314
00:11:07,700 --> 00:11:10,168
- WELL, PULL UP A BENCH.
WE'LL ORDER ANOTHER PIE.

315
00:11:10,170 --> 00:11:12,670
- NO, I'LL JUST GET A SLICE.
I'M ONLY GONNA STAY A MINUTE.

316
00:11:12,672 --> 00:11:14,271
- WANT TO BORROW MY STOPWATCH?

317
00:11:14,273 --> 00:11:16,307
- HEY, DARIA, IF YOU WANT ME
TO LEAVE, JUST SAY SO.

318
00:11:16,309 --> 00:11:18,609
- OKAY. BYE, NOW.
- HEY, COME ON, DARIA.

319
00:11:18,611 --> 00:11:20,078
- I THOUGHT WE WERE GONNA
SEE A MOVIE.

320
00:11:20,080 --> 00:11:21,245
- WHAT MOVIE?

321
00:11:21,247 --> 00:11:22,814
- IT'S CALLED
<i> THE BIG CHICK MOVIE</i>

322
00:11:22,816 --> 00:11:25,849
<i> THAT APPEALS ONLY TO GIRLS</i>
<i> AND MAKES MEN AND BOYS VOMIT.</i>

323
00:11:25,851 --> 00:11:26,951
- HEY, DARIA, DID I SAY

324
00:11:26,953 --> 00:11:28,386
I WANTED TO GO
TO THE MOVIE WITH YOU?

325
00:11:28,388 --> 00:11:29,587
- NO, BUT YOU NEVER MENTIONED

326
00:11:29,589 --> 00:11:31,889
WANTING TO HORN IN
ON OUR PIZZA TIME, EITHER.

327
00:11:31,891 --> 00:11:34,392
- DARIA, YOU'RE SO DARNED
PLEASANT AND FRIENDLY,

328
00:11:34,394 --> 00:11:36,795
I DON'T SEE HOW ANYONE COULD
RESIST AN EVENING WITH YOU,

329
00:11:36,797 --> 00:11:38,162
BUT JUST ON A CRAZY WHIM,

330
00:11:38,164 --> 00:11:40,398
I THINK I'LL GO HOME
AND WATCH TV BY MYSELF.

331
00:11:40,400 --> 00:11:42,634
- HEY, COME ON, TOM.

332
00:11:42,636 --> 00:11:44,836
ARE YOU TRYING TO GET INTO
THE OBNOXIOUS HALL OF FAME

333
00:11:44,838 --> 00:11:46,070
OR SOMETHING?

334
00:11:46,072 --> 00:11:48,706
- GO AHEAD; GO AFTER HIM.
GO FOR A RIDE.

335
00:11:48,708 --> 00:11:50,408
- DARIA, HAVE YOU LOST
YOUR MIND?

336
00:11:50,410 --> 00:11:52,710
- YOU'D GO AFTER HIM
IF I WEREN'T HERE, WOULDN'T YOU?

337
00:11:52,712 --> 00:11:54,044
- I DON'T KNOW.

338
00:11:54,046 --> 00:11:58,349
- WELL, LET ME GIVE YOU
THE OPPORTUNITY TO FIND OUT.

339
00:11:58,351 --> 00:12:00,918
- WHAT THE HELL DID I DO?

340
00:12:00,920 --> 00:12:02,253
[doorbell rings]

341
00:12:02,255 --> 00:12:06,091
WELL, LOOK WHO IT IS:
SUNSHINE GIRL.

342
00:12:06,093 --> 00:12:08,960
- I JUST CAME OVER TO SEE HOW
TRENT'S DOING WITH THAT MUSIC.

343
00:12:08,962 --> 00:12:11,329
- WHY DIDN'T YOU JUST CALL?
- I FELT LIKE TAKING A WALK.

344
00:12:11,331 --> 00:12:14,199
THE ASSIGNMENT'S DUE TOMORROW,
YOU KNOW.

345
00:12:14,201 --> 00:12:15,767
- I KNOW. I'M READY.

346
00:12:15,769 --> 00:12:18,336
HEY, CAN I GET SOME
EYE CONTACT HERE?

347
00:12:18,338 --> 00:12:21,572
- LOOK, MY LANGUAGE ARTS GRADE
IS NOT IN QUESTION.

348
00:12:21,574 --> 00:12:22,874
- YOU MUST BE VERY PROUD.

349
00:12:22,876 --> 00:12:24,241
- I MEAN, IF WE DO BADLY,

350
00:12:24,243 --> 00:12:26,878
YOU'RE THE ONE
TAKING THE CLASS AGAIN,

351
00:12:26,880 --> 00:12:29,113
SO YOU SHOULD BE MORE CONCERNED
WITH HOW TRENT'S DOING.

352
00:12:29,115 --> 00:12:30,381
- I'M CONCERNED.
I'M CONCERNED.

353
00:12:30,383 --> 00:12:31,582
- FINE.
- GOOD.

354
00:12:31,584 --> 00:12:32,683
- GOOD, THEN.

355
00:12:32,685 --> 00:12:33,918
- AND I SUPPOSE
WE'LL JUST PRETEND

356
00:12:33,920 --> 00:12:35,319
LAST NIGHT NEVER HAPPENED.

357
00:12:35,321 --> 00:12:38,156
- WHY? YOU WANT TO TELL ME
HOW YOUR DATE WAS WITH TOM?

358
00:12:38,158 --> 00:12:40,624
- THERE WAS NO DATE WITH TOM.
THERE WAS NOTHING.

359
00:12:40,626 --> 00:12:42,694
HE LEFT. YOU LEFT.
I LEFT.

360
00:12:42,696 --> 00:12:44,061
BIG SATURDAY NIGHT.

361
00:12:44,063 --> 00:12:46,197
- AND I SUPPOSE YOU THINK
THAT'S MY FAULT.

362
00:12:46,199 --> 00:12:47,966
- THE NOTION
HAD CROSSED MY MIND.

363
00:12:47,968 --> 00:12:49,767
- HEY.
HEY, DARIA.

364
00:12:49,769 --> 00:12:51,435
- TRENT, THAT PROJECT
IS DUE TOMORROW!

365
00:12:51,437 --> 00:12:53,070
WHEN IS THAT STUPID MUSIC
GONNA BE FINISHED?

366
00:12:53,072 --> 00:12:56,173
- WHOA. HOW DO YOU KNOW
IT'S STUPID?

367
00:12:56,175 --> 00:12:58,909
- WE DON'T, BECAUSE WE HAVEN'T
HEARD ANYTHING YET.

368
00:12:58,911 --> 00:13:01,145
- WELL, I'M STILL
CONCEPTUALIZING.

369
00:13:01,147 --> 00:13:02,613
- CONCEPTUALIZING, MY ASS.

370
00:13:02,615 --> 00:13:04,515
30 LOUSY SECONDS
OF MUSIC, TRENT.

371
00:13:04,517 --> 00:13:06,484
CAN'T YOU FOR ONCE IN YOUR LIFE
FINISH SOMETHING

372
00:13:06,486 --> 00:13:07,718
WITHIN A MONTH
OF STARTING IT?

373
00:13:07,720 --> 00:13:09,387
- WHAT'S THE MATTER WITH YOU?

374
00:13:09,389 --> 00:13:10,889
- SHE'S GONNA FAIL
LANGUAGE ARTS,

375
00:13:10,891 --> 00:13:13,090
THAT'S WHAT,
AND IT'LL BE YOUR FAULT.

376
00:13:13,092 --> 00:13:15,493
- YOU GUYS ARE ACTING
REALLY WEIRD.

377
00:13:15,495 --> 00:13:16,628
- WHERE ARE YOU GOING?

378
00:13:16,630 --> 00:13:18,729
- ANYWHERE ELSE.
- DEADBEAT.

379
00:13:18,731 --> 00:13:21,432
- SCREW-UP.

380
00:13:21,434 --> 00:13:24,368
UM...OKAY, I GUESS
I'LL GO HOME NOW.

381
00:13:24,370 --> 00:13:26,604
YOU KEEP ON HIM
ABOUT THAT MUSIC.

382
00:13:26,606 --> 00:13:29,974
- WILL DO; HE'S NOT GONNA
MESS THINGS UP FOR US ANYMORE.

383
00:13:29,976 --> 00:13:31,208
HEY, WAIT!

384
00:13:31,210 --> 00:13:33,711
WEREN'T WE FIGHTING
ABOUT SOMETHING?

385
00:13:33,713 --> 00:13:39,149
OKAY, AND HERE'S LITTLE JANE
ALL ALONE ONCE AGAIN.

386
00:13:39,151 --> 00:13:41,085
[sniffs]

387
00:13:51,731 --> 00:13:52,931
[horn honks]

388
00:13:52,933 --> 00:13:54,298
- HEY, DARIA.

389
00:13:54,300 --> 00:13:57,435
- WOW. I CAN SEE WHY JANE
WANTED A RIDE IN THIS CAR.

390
00:13:57,437 --> 00:13:59,370
- YOU KNOW JANE.
SHE'S A THRILL SEEKER.

391
00:13:59,372 --> 00:14:00,871
A GAS TANK THAT COULD BLOW
AT ANY MINUTE:

392
00:14:00,873 --> 00:14:02,873
SHE COULDN'T RESIST.

393
00:14:02,875 --> 00:14:05,610
THAT WAS A JOKE.
- MM, GOOD ONE.

394
00:14:05,612 --> 00:14:07,044
- YOU NEED A LIFT SOMEWHERE?

395
00:14:07,046 --> 00:14:09,981
- WHAT ARE YOU, SOME KIND
OF COMPULSIVE RIDE GIVER?

396
00:14:09,983 --> 00:14:11,348
I'M WALKING, THANKS.

397
00:14:11,350 --> 00:14:12,783
- I'LL WALK WITH YOU A WAYS.

398
00:14:12,785 --> 00:14:13,985
- WHAT ARE YOU DOING?

399
00:14:13,987 --> 00:14:15,886
- LOOK, I'D LIKE
TO TALK TO YOU, OKAY?

400
00:14:15,888 --> 00:14:17,221
- SO TALK.

401
00:14:17,223 --> 00:14:19,323
- LISTEN, YOU DON'T LIKE ME,
AND THAT'S FINE.

402
00:14:19,325 --> 00:14:20,458
THERE'S NO REASON YOU SHOULD.

403
00:14:20,460 --> 00:14:21,459
- I AGREE.

404
00:14:21,461 --> 00:14:22,760
- BUT IT WOULD BE REALLY NICE

405
00:14:22,762 --> 00:14:24,262
IF YOU COULD TRY
AND GET ALONG WITH ME A LITTLE,

406
00:14:24,264 --> 00:14:25,729
AT LEAST IN FRONT OF JANE.

407
00:14:25,731 --> 00:14:27,065
- WHY SHOULD I?

408
00:14:27,067 --> 00:14:28,533
- BECAUSE SHE'S
YOUR BEST FRIEND,

409
00:14:28,535 --> 00:14:30,234
AND I REALLY LIKE HER
AND WANT TO GET TO KNOW HER.

410
00:14:30,236 --> 00:14:31,635
- SO?

411
00:14:31,637 --> 00:14:34,471
- SO YOU HATING ME PUTS HER
IN A VERY AWKWARD POSITION.

412
00:14:34,473 --> 00:14:36,607
- I DON'T HATE YOU.
I DON'T EVEN KNOW YOU.

413
00:14:36,609 --> 00:14:39,443
BUT I'M NOT GONNA SIT BY
WHILE YOU TAKE MY FRIEND AWAY.

414
00:14:39,445 --> 00:14:41,279
- I'M NOT TAKING
YOUR FRIEND AWAY.

415
00:14:41,281 --> 00:14:43,147
ALL SHE TALKS ABOUT IS,
"DARIA SAID THIS."

416
00:14:43,149 --> 00:14:44,348
"DARIA DID THIS."

417
00:14:44,350 --> 00:14:46,117
"LISTEN TO WHAT DARIA
TOLD THIS MORON."

418
00:14:46,119 --> 00:14:47,652
- DON'T BOTHER
WITH THE FLATTERY, TOM.

419
00:14:47,654 --> 00:14:48,786
I'M IMMUNE.

420
00:14:48,788 --> 00:14:50,354
- I'M NOT FLATTERING YOU,
DARIA.

421
00:14:50,356 --> 00:14:51,722
I DON'T CARE
IF YOU DON'T LIKE ME.

422
00:14:51,724 --> 00:14:53,958
I'M JUST SAYING YOU'D
HAVE TO BE PRETTY STUPID

423
00:14:53,960 --> 00:14:55,392
TO THINK ANYTHING OR ANYBODY'S

424
00:14:55,394 --> 00:14:57,061
GONNA SHAKE YOUR FRIENDSHIP
WITH JANE.

425
00:14:57,063 --> 00:14:59,063
- YEAH, PRETTY STUPID.

426
00:14:59,065 --> 00:15:01,899
LOOK, I MAY
CONCEIVABLY HAVE BEEN

427
00:15:01,901 --> 00:15:03,401
ACTING LIKE A JERK
TOWARD YOU.

428
00:15:03,403 --> 00:15:05,302
- IT'S POSSIBLE.
DON'T WORRY ABOUT IT.

429
00:15:05,304 --> 00:15:06,971
- BUT YOU AND I
ARE NOT FRIENDS.

430
00:15:06,973 --> 00:15:08,105
- DEFINITELY NOT.

431
00:15:08,107 --> 00:15:09,907
- AND EVEN IF WE WERE FRIENDS,

432
00:15:09,909 --> 00:15:11,743
I STILL WOULDN'T RIDE
IN THAT CAR.

433
00:15:11,745 --> 00:15:14,879
- THAT'S JUST PLAIN
COMMON SENSE.

434
00:15:14,881 --> 00:15:16,614
SO HOW'S THE MULTIMEDIA
PROJECT COMING?

435
00:15:16,616 --> 00:15:19,884
- IT'D BE FINE IF TRENT EVER
GOT AROUND TO WRITING THE MUSIC.

436
00:15:19,886 --> 00:15:21,418
- YEAH, HE'S A REALLY COOL GUY,

437
00:15:21,420 --> 00:15:23,821
BUT I GUESS HE'S NOT THE MOST
DEPENDABLE PERSON IN THE WORLD.

438
00:15:23,823 --> 00:15:26,223
- I REALLY HOPE HE MAKES IT
AS A MUSICIAN,

439
00:15:26,225 --> 00:15:27,491
'CAUSE I CAN'T THINK
OF ANY OTHER JOB

440
00:15:27,493 --> 00:15:28,592
HE COULD HOLD DOWN.

441
00:15:28,594 --> 00:15:29,993
- I DON'T KNOW.

442
00:15:29,995 --> 00:15:32,330
YOU KNOW THOSE FARMERS THAT GET
PAID NOT TO GROW ANYTHING?

443
00:15:33,399 --> 00:15:36,601
[doorbell rings]

444
00:15:36,603 --> 00:15:38,069
- WHAT ARE YOU DOING HERE?

445
00:15:38,071 --> 00:15:40,004
- I BROUGHT OUR MULTIMEDIA
REPORT OVER.

446
00:15:40,006 --> 00:15:43,440
- UH-HUH, AND HOW MANY MEDIA
ARE ON THIS REPORT?

447
00:15:43,442 --> 00:15:45,442
- UM, TWO: WORDS AND PICTURES.

448
00:15:45,444 --> 00:15:47,077
TRENT FAILED
TO DELIVER THE MUSIC.

449
00:15:47,079 --> 00:15:49,146
- UNFORTUNATELY,
I'M NOT SURPRISED.

450
00:15:49,148 --> 00:15:50,547
WHAT'D HE TELL YOU ABOUT IT?

451
00:15:50,549 --> 00:15:52,883
- NOTHING.
HE NEVER CAME HOME LAST NIGHT.

452
00:15:52,885 --> 00:15:54,919
I'M SORRY I EVEN SUGGESTED
INVOLVING HIM.

453
00:15:54,921 --> 00:15:57,088
- FORGET IT.
YOU THOUGHT IT WAS A GOOD IDEA.

454
00:15:57,090 --> 00:15:58,422
- YOU'RE NOT MAD?

455
00:15:58,424 --> 00:16:00,891
- I HAVE NO REASON
TO BE MAD AT YOU.

456
00:16:00,893 --> 00:16:03,461
- DOES THIS MEAN WE CAN BE
IN THE SAME ROOM FOR A WHILE?

457
00:16:03,463 --> 00:16:04,662
- DON'T PUSH IT.

458
00:16:04,664 --> 00:16:05,696
[bell rings]

459
00:16:05,698 --> 00:16:07,265
- GO, TEAM PLAYERS!

460
00:16:07,267 --> 00:16:08,465
GO, SCHOOL SPIRIT!

461
00:16:08,467 --> 00:16:09,901
- IF YOU HAVE A GOAL TO REACH,

462
00:16:09,903 --> 00:16:12,636
SCHOOL SPORTS WILL HELP YOU
ACHIEVE IT...AND STUFF.

463
00:16:12,638 --> 00:16:15,740
- GO, TEAM!

464
00:16:15,742 --> 00:16:17,308
- WELL, THANK YOU,
KEVIN AND BRITTANY,

465
00:16:17,310 --> 00:16:20,210
FOR THAT CLEVER PRESENTATION
ON THE BENEFITS OF TEAM SPORTS.

466
00:16:20,212 --> 00:16:22,213
- YOU'RE WELCOME.
- I WAS THE QB.

467
00:16:22,215 --> 00:16:23,347
- YES.

468
00:16:23,349 --> 00:16:26,117
AND NOW DARIA AND JANE PRESENT

469
00:16:26,119 --> 00:16:29,954
<i> THE EMOTIONAL TRAUMA CYCLE</i>
<i> OF A HIGH SCHOOL STUDENT.</i>

470
00:16:29,956 --> 00:16:32,223
OH.

471
00:16:32,225 --> 00:16:35,893
- THE EMOTIONAL TRAUMA CYCLE
OF A HIGH SCHOOL STUDENT.

472
00:16:38,498 --> 00:16:40,164
- WELL, THAT WAS WEIRD.

473
00:16:40,166 --> 00:16:43,467
THANK GOD WE NEVER HAVE
TO GO BACK TO THAT FREAK SHOW.

474
00:16:43,469 --> 00:16:46,637
- UM, WE ARE REQUIRED BY LAW
TO SHOW UP

475
00:16:46,639 --> 00:16:48,039
FOR THE NEXT FOUR YEARS.

476
00:16:48,041 --> 00:16:49,407
- WHAT?

477
00:16:52,011 --> 00:16:53,044
NO WAY!

478
00:16:53,046 --> 00:16:54,978
- WAY.

479
00:16:57,517 --> 00:17:01,352
- MOM, IF YOU DON'T MAKE ME
GO BACK TO THAT PLACE,

480
00:17:01,354 --> 00:17:03,220
I'LL CLEAN THE GARAGE
EVERY MONTH

481
00:17:03,222 --> 00:17:05,189
FOR THE REST OF MY LIFE.

482
00:17:05,191 --> 00:17:07,024
- WE HAVE A GARAGE?

483
00:17:09,762 --> 00:17:11,295
- WHAT ARE YOU DOING
WITH THAT MICROPHONE?

484
00:17:11,297 --> 00:17:14,498
WHY ARE YOU HOUNDING ME?
STOP!

485
00:17:17,269 --> 00:17:18,969
- I'VE BEEN ACCEPTED
TO COLLEGE.

486
00:17:18,971 --> 00:17:20,470
I'M OUT OF HERE.

487
00:17:20,472 --> 00:17:22,974
- THANK YOU VERY MUCH.

488
00:17:22,976 --> 00:17:26,777
- WELL, HEH-HEH-HEH,
VERY ENTERTAINING

489
00:17:26,779 --> 00:17:29,213
AND CLEVER USE OF MULTIMEDIA.

490
00:17:29,215 --> 00:17:32,683
NOW HERE'S A WORK
BY CHARLES RUTTHEIMER.

491
00:17:32,685 --> 00:17:35,686
[grand music]

492
00:17:35,688 --> 00:17:41,859
♪ ♪

493
00:17:41,861 --> 00:17:44,862
[timpani pounding]

494
00:17:44,864 --> 00:17:49,033
♪ ♪

495
00:17:49,035 --> 00:17:50,467
- COULD A FAMILY OF GHOSTS

496
00:17:50,469 --> 00:17:52,837
BE LIVING IN YOUR HOUSE
RENT-FREE?

497
00:17:52,839 --> 00:17:54,171
- MEETING.
- GOLF.

498
00:17:54,173 --> 00:17:55,906
- DATE.
- SARCASM.

499
00:17:55,908 --> 00:17:58,776
- FREELOADING FAMILIAL PHANTOMS
NEXT ON<i> SICK, SAD WORLD.</i>

500
00:17:58,778 --> 00:18:01,379
[doorbell rings]

501
00:18:01,381 --> 00:18:03,647
- HEY, DARIA.
- TRENT?

502
00:18:03,649 --> 00:18:05,549
- I HOPE YOU DON'T MIND
ME COMING BY.

503
00:18:05,551 --> 00:18:07,251
I WANT TO TALK TO YOU.

504
00:18:07,253 --> 00:18:08,586
- TAKE A NUMBER.

505
00:18:08,588 --> 00:18:11,822
[rock music]

506
00:18:11,824 --> 00:18:14,092
UM, THANKS.
- NO PROBLEM.

507
00:18:14,094 --> 00:18:16,794
I FEEL BAD
ABOUT LETTING YOU GUYS DOWN.

508
00:18:16,796 --> 00:18:18,796
I WANTED TO EXPLAIN
WHAT HAPPENED.

509
00:18:18,798 --> 00:18:20,598
- OH. WELL, SURE.

510
00:18:20,600 --> 00:18:23,634
- I JUST COULDN'T GET
THE MUSIC TOGETHER.

511
00:18:23,636 --> 00:18:25,536
- YEAH?

512
00:18:25,538 --> 00:18:27,071
- THAT'S IT.

513
00:18:27,073 --> 00:18:29,340
- WHY DIDN'T YOU TELL US
YOU WERE HAVING A PROBLEM?

514
00:18:29,342 --> 00:18:30,975
WE COULD'VE MADE A BACKUP PLAN.

515
00:18:30,977 --> 00:18:33,611
- I FIGURED I'D GET INSPIRED
EVENTUALLY.

516
00:18:33,613 --> 00:18:35,079
I STILL THINK I WILL.

517
00:18:35,081 --> 00:18:36,947
- TRENT, IT WAS
A SCHOOL ASSIGNMENT.

518
00:18:36,949 --> 00:18:38,315
WE HAD A DEADLINE.

519
00:18:38,317 --> 00:18:40,818
- I DON'T BELIEVE
IN DEADLINES, DARIA.

520
00:18:40,820 --> 00:18:42,586
THEY STIFLE CREATIVITY.

521
00:18:42,588 --> 00:18:44,188
- YEAH, BUT AGREEING TO HELP US

522
00:18:44,190 --> 00:18:46,724
MEANT YOU WERE COMMITTING
TO OUR DEADLINE.

523
00:18:46,726 --> 00:18:48,526
- MAYBE WE JUST HAVE
DIFFERENT IDEAS

524
00:18:48,528 --> 00:18:50,795
ABOUT WHAT A COMMITMENT IS.

525
00:18:50,797 --> 00:18:52,129
- I SUPPOSE WE DO.

526
00:18:52,131 --> 00:18:54,564
- I GUESS IT WASN'T
SUCH A GREAT IDEA FOR US

527
00:18:54,566 --> 00:18:56,366
TO GET TOGETHER ON THIS.

528
00:18:56,368 --> 00:18:59,736
- NO, I GUESS THERE WAS NO WAY
IT COULD'VE WORKED OUT.

529
00:18:59,738 --> 00:19:00,905
- MM.

530
00:19:00,907 --> 00:19:02,907
IT'S TOO BAD, DARIA.

531
00:19:02,909 --> 00:19:06,310
I ALWAYS KIND OF FELT
YOU UNDERSTOOD THE WAY I THINK.

532
00:19:06,312 --> 00:19:08,846
- I DO, TRENT.
I DO.

533
00:19:08,848 --> 00:19:10,948
- TRENT, I DON'T CARE
IF SHE FORGIVES YOU.

534
00:19:10,950 --> 00:19:12,482
I'M NEVER SPEAKING TO YOU AGAIN.

535
00:19:12,484 --> 00:19:14,484
- YOU JUST DID.
- DAMN!

536
00:19:14,486 --> 00:19:16,020
SO DID HE GIVE YOU
A PLAUSIBLE REASON

537
00:19:16,022 --> 00:19:17,587
FOR SCREWING UP OUR PROJECT?

538
00:19:17,589 --> 00:19:19,056
- FROM HIS POINT OF VIEW.

539
00:19:19,058 --> 00:19:20,925
- WELL, THAT'S BETTER
THAN NOTHING, I THINK.

540
00:19:20,927 --> 00:19:23,928
- TOUGH DAY ON THE FARM,
HEY, DARIA?

541
00:19:23,930 --> 00:19:24,995
- I DON'T GET IT.

542
00:19:24,997 --> 00:19:26,630
- PRIVATE JOKE.
- OH, NO.

543
00:19:26,632 --> 00:19:28,098
NO PRIVATE JOKES ALLOWED.

544
00:19:28,100 --> 00:19:30,635
COME ON; BUY ME A SLICE.

545
00:19:30,637 --> 00:19:32,336
- THEY DON'T LOOK
SO BAD TOGETHER.

546
00:19:32,338 --> 00:19:34,438
I TOLD YOU HE'S AN OKAY GUY.

547
00:19:34,440 --> 00:19:35,640
- I SUPPOSE.

548
00:19:35,642 --> 00:19:37,441
- LISTEN, I GOT
TO GET TO A REHEARSAL.

549
00:19:37,443 --> 00:19:38,676
I'M LATE.

550
00:19:38,678 --> 00:19:41,312
- HOW DO YOU KNOW?
YOU DON'T WEAR A WATCH.

551
00:19:41,314 --> 00:19:42,846
- I'M ALWAYS LATE.

552
00:19:42,848 --> 00:19:44,581
THAT'S WHY I DON'T WEAR A WATCH.

553
00:19:44,583 --> 00:19:46,083
THEY DEPRESS ME.

554
00:19:46,085 --> 00:19:49,453
- YOU KNOW, TRENT, SOMEHOW
THAT MAKES PERFECT SENSE.

555
00:19:49,455 --> 00:19:52,389
- SORRY AGAIN ABOUT...
YOU KNOW, EVERYTHING.

556
00:19:52,391 --> 00:19:53,691
- THAT'S OKAY.

557
00:19:53,693 --> 00:19:56,060
- ALL RIGHT, THEN, DARIA.
SEE YOU AROUND.

558
00:19:56,062 --> 00:19:58,062
- SEE YA.

559
00:19:58,064 --> 00:20:01,065
[cheerful music]

560
00:20:01,067 --> 00:20:07,071
♪ ♪

561
00:20:08,241 --> 00:20:10,308
both: HEY.
- HEY.

562
00:20:10,310 --> 00:20:11,909
- PIZZA?

563
00:20:11,911 --> 00:20:14,044
- YOU'RE BUYING.

564
00:20:18,584 --> 00:20:20,417
- ♪ LA-LA, LA, LA-LA ♪

565
00:20:20,419 --> 00:20:28,358
♪ ♪

566
00:20:33,433 --> 00:20:34,832
♪ LA, LA, LA ♪

567
00:20:34,834 --> 00:20:38,269
♪ ♪

568
00:20:38,271 --> 00:20:39,603
♪ LA, LA, LA ♪

569
00:20:39,605 --> 00:20:43,006
♪ ♪

570
00:20:43,008 --> 00:20:44,508
♪ LA, LA, LA ♪

571
00:20:44,510 --> 00:20:52,449
♪ ♪

572
00:20:54,420 --> 00:20:56,654
♪ LA-LA, LA, LA-LA ♪

573
00:20:56,656 --> 00:20:59,056
♪ ♪

574
00:20:59,058 --> 00:21:02,192
♪ LA-LA, LA, LA-LA ♪