1
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- ♪ LA-LA, LA, LA-LA ♪

2
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♪ ♪

3
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- MAX, CAN'T YOU LOOK
ANY MORE EXISTENTIAL?

4
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- EXISTENTIAL?

5
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YOU SAID NIHILISTIC.

6
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- I FEEL LIKE
I SHOULD BE DOING SOMETHING.

7
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- SHOULDN'T HE HAVE A SIGN
THAT SAYS, "HI, MOM"?

8
00:00:23,156 --> 00:00:24,222
- UH, JESSE?

9
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WHY DON'T YOU CUE
THE FOG MACHINE?

10
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[mechanic whirring]

11
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[all coughing]

12
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[clanking and sputtering]

13
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- IT'S GONNA BLOW!

14
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[clanking and sputtering]

15
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[explosion]

16
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- WOW.

17
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REAL-LIFE DRAMA.

18
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- AND I GOT EVERY SECOND OF IT.

19
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crash!

20
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CRAP.

21
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HEY, COME ON BACK.

22
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NOW WE'LL HAVE A WHOLE

23
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POSTAPOCALYPTIC
<i> WATERWORLD</i> FEEL.

24
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GILLS FOR EVERYONE!

25
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- WE JUST STARED THE REAPER
IN THE FACE,

26
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AND YOU WANT US TO KEEP WORKING?

27
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- YEAH, WE'RE, LIKE,
TRAUMATIZED.

28
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- SORRY, JANIE.

29
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WE'RE GONNA NEED
TO TAKE A FEW WEEKS OFF.

30
00:01:00,928 --> 00:01:03,128
- A FEW WEEKS OFF FROM WHAT?

31
00:01:03,130 --> 00:01:06,632
- I HOPE YOUR PARENTS APPRECIATE
DECONSRUCTIONISM.

32
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- THEY WON'T EVEN NOTICE.

33
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BESIDES, THEY'RE IN GREENLAND
DOING THE WALRUS TUSK

34
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FERTILITY FETISH CARVING THING.

35
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- ALWAYS KEEPING UP
WITH THE JONESES.

36
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- TRENT, JANE!

37
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YOU ARE HERE!

38
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- PENNY?

39
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- MY NAME IS OLIVER TWIST, SIR.

40
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- HEY, WIND.

41
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- WHAT ARE YOU DOING HERE?

42
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- KATIE IS LOCKED
IN OUR KITCHEN

43
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TAKING SOME PRIVATE TIME.

44
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AND OUR LIFE CONSULTANT SAYS
I SHOULD RESPECT THAT.

45
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BUT I'M HUNGRY.

46
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OH, NO!

47
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WHAT HAPPENED TO THE GAZEBO?

48
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- WHAT GAZEBO?

49
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- THAT'S WHERE MOM AND DAD
TOOK US WHEN WE WERE BORN

50
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TO DECIDE OUR NAMES.

51
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YOU'VE GOT TO FIX IT.

52
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- UM, WIND?

53
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I DON'T KNOW HOW
TO BREAK THIS TO YOU,

54
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BUT I DON'T THINK
MOMMY AND DADDY

55
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WILL BE BRINGING US HOME
ANY NEW BROTHERS OR SISTERS.

56
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- HMM,
BUMMER.

57
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- YOU DON'T GET IT.

58
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I COULDN'T STAND TO LOSE
SUCH AN IMPORTANT PIECE

59
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OF MY IDENTITY.

60
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OH, WHAT CHANCE DOES LOVE
HAVE IN A WORLD

61
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WHERE EVEN THE NAMING GAZEBO
FALLS TO PIECES?

62
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- "NAMING GAZEBO"?

63
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- PROMISE ME YOU'LL FIX IT.

64
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- HOW MUCH MONEY DO YOU HAVE?

65
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TRENT.

66
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- I HAVE NONE,
SO I SAID NOTHING.

67
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- [sobbing]

68
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- I REALLY SHOULD--

69
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- HEY, MAYBE YOU COULD SELL
SOME OF YOUR PAINTINGS

70
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AT THAT ART IN THE PARK THING
THEY'RE HAVING.

71
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- HMM, THE HARVEST
OF MY INNER TORMENT

72
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ON DISPLAY RIGHT NEXT
TO THE FALAFEL CART.

73
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I LIKE THAT.

74
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- COOL.

75
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- BUT IF I GET THE MONEY,

76
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YOU HAVE THE HANDLE
ALL THE SLUDGE WORK:

77
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CALLING CONTRACTORS,
GETTING BIDS,

78
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SCHEDULING THE JOB,
EVERYTHING.

79
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- I DON'T KNOW.

80
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THE BAND AND I ARE
GONNA BE PRETTY BUSY

81
00:02:37,891 --> 00:02:41,192
PRACTICING THESE NEXT FEW WEEKS,
AND--

82
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OH, YEAH.

83
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WE'RE TRAUMATIZED.

84
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OKAY.

85
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I'M ON IT.

86
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WE'LL GET IT FIXED.

87
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- SANDI, YOU WOULD LOOK SO GREAT
IN A CARICATURE.

88
00:02:53,741 --> 00:02:55,240
- BUT I'D REALLY LIKE TO SEE

89
00:02:55,242 --> 00:02:57,442
HOW THE ARTIST
WOULD DRAW YOU, QUINN.

90
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YOUR FACE IS SO FULL
OF DRAWABLE PARTS.

91
00:03:00,147 --> 00:03:01,313
- I HAVE AN IDEA.

92
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HE COULD DRAW ALL OF US,
YOU KNOW, TOGETHER.

93
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- THAT WOULD REALLY SHOW HOW,
LIKE, FUN WE ARE.

94
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- ALL RIGHT.

95
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CAN YOU WRITE "FRIENDS FOREVER"
ON IT?

96
00:03:10,891 --> 00:03:12,423
- [dryly]
WHAT A LOVELY SENTIMENT.

97
00:03:12,425 --> 00:03:15,293
PLEASE, TAKE A SEAT.

98
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- LOCK IN PROFILES.

99
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- LOOK, JANET,
MICE MADE OF CLAMSHELLS.

100
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- MALE MICE.

101
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A FIREMAN, A POLICEMAN,

102
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A DOCTOR WHO JUST HAPPENS
TO BE A MAN.

103
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I'LL BET HE'S
A GYNECOLOGIST TOO.

104
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- THIS ONE'S WEARING A RAINCOAT,
AND IT'S CALLED "SQUEAKING WET."

105
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ISN'T THAT CLEVER?

106
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- [grunting]

107
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- WELL, WE ARE IN THE PARK,

108
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BUT I'M FAILING TO SEE
THE ART PORTION.

109
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- CLOWNS CRYING?

110
00:03:48,729 --> 00:03:50,395
WHY, I'VE NEVER HEARD
OF SUCH A THING.

111
00:03:50,397 --> 00:03:52,964
- MAYBE THEY'RE SAD THEY LOST
ALL THEIR MONEY

112
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IN THAT POKER GAME
WITH THE DOGS.

113
00:03:55,001 --> 00:03:56,501
- YO, ART LOVERS!

114
00:03:57,805 --> 00:04:00,572
- ONE OF THESE THINGS IS NOT
LIKE THE OTHERS.

115
00:04:00,574 --> 00:04:02,374
HELLO, SELLOUT.

116
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- WOULDN'T I
HAVE TO SELL SOMETHING

117
00:04:03,810 --> 00:04:04,910
FOR THAT TO BE THE CASE?

118
00:04:04,912 --> 00:04:06,311
- HOW MUCH ARE YOU ASKING
FOR THESE?

119
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- MOST OF THEM ARE 25 BUCKS,

120
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EXCEPT FOR THE TOPSY-TURVY
VAN GOGH.

121
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THAT ONE'S $10 MILLION.

122
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- DO YOU KNOW YOU'VE HUNG
THIS VAN GOGH COPY UPSIDE DOWN?

123
00:04:15,689 --> 00:04:17,622
- NO, I PAINTED IT UPSIDE DOWN.

124
00:04:17,624 --> 00:04:18,623
I HUNG IT RIGHT SIDE UP.

125
00:04:19,693 --> 00:04:20,925
- COME ON, HONEY.

126
00:04:20,927 --> 00:04:23,262
LET'S GO FIND
SOME PRETTY BARN PAINTINGS.

127
00:04:23,264 --> 00:04:26,998
- JANE, THESE WORKS OF YOURS
ARE AMONG THE MOST INSPIRED

128
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AND ORIGINAL I'VE SEEN ALL DAY.

129
00:04:28,936 --> 00:04:30,135
- THANKS.

130
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- DO YOU REALIZE THIS VAN GOGH
IS UPSIDE DOWN?

131
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- NONE OF THESE NUMBERS
ARE GAZEBO NUMBERS.

132
00:04:37,244 --> 00:04:38,744
[phone beeping]

133
00:04:38,746 --> 00:04:39,745
HELLO?

134
00:04:39,747 --> 00:04:40,979
PARAMEDICS?

135
00:04:40,981 --> 00:04:43,481
DO YOU FIX GAZEBOS?

136
00:04:45,218 --> 00:04:46,251
[girls gasp]

137
00:04:46,253 --> 00:04:47,653
- I DO NOT LOOK LIKE THAT.

138
00:04:47,655 --> 00:04:51,657
- IT'S LIKE OUR FEATURES
ARE EXAGGERATED OR SOMETHING.

139
00:04:51,659 --> 00:04:53,725
- HEY, IF YOU DON'T WANT IT,
DON'T BUY IT.

140
00:04:53,727 --> 00:04:55,027
I'LL USE IT AS A SAMPLE.

141
00:04:55,029 --> 00:04:57,295
- BUT YOU CAN'T PUT IT
ON DISPLAY.

142
00:04:57,297 --> 00:04:58,363
SOMEONE MIGHT SEE IT!

143
00:04:58,365 --> 00:05:00,932
- I'LL TAKE THAT AS EXHIBIT "A."

144
00:05:00,934 --> 00:05:02,166
COME ON.

145
00:05:02,168 --> 00:05:07,171
MAYBE WE CAN FIND SOMEONE ELSE
TO INSULT US.

146
00:05:10,044 --> 00:05:12,844
- [whistling]

147
00:05:12,846 --> 00:05:14,946
- WELL, GUESS WE
SHOULD HEAD OUT.

148
00:05:14,948 --> 00:05:16,113
- HAVE FUN, KIDS.

149
00:05:16,115 --> 00:05:17,148
- ARE YOU GONNA BE OKAY?

150
00:05:17,150 --> 00:05:18,550
- OKAY?

151
00:05:18,552 --> 00:05:21,386
YOU KNOW, VAN GOGH HARDLY SOLD
ANYTHING DURING HIS LIFE,

152
00:05:21,388 --> 00:05:22,554
AND IT NEVER BOTHERED HIM,

153
00:05:22,556 --> 00:05:24,156
EXCEPT FOR THAT WHOLE
GOING INSANE PART.

154
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- HEY, DID YOU PAINT THIS?

155
00:05:25,159 --> 00:05:26,158
- I KNOW, I KNOW.

156
00:05:26,160 --> 00:05:27,225
IT'S UPSIDE DOWN.

157
00:05:27,227 --> 00:05:28,393
- OF COURSE IT IS.

158
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HANGING A FAMOUS MASTERPIECE
UPSIDE DOWN

159
00:05:30,597 --> 00:05:32,230
ALLOWS THE VIEWER
TO SEE ITS BEAUTY

160
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TOTALLY INDEPENDENT
OF ITS CONTENT.

161
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I LOVE IT.

162
00:05:34,868 --> 00:05:36,033
- YOU DO?

163
00:05:36,035 --> 00:05:38,636
- SURE, AND I KNOW TALENT
WHEN I SEE IT.

164
00:05:38,638 --> 00:05:40,705
I HIRE ARTISTS TO RE-CREATE
THE WORKS

165
00:05:40,707 --> 00:05:42,340
OF THE OLD MASTERS
FOR MY GALLERY.

166
00:05:42,342 --> 00:05:44,442
- WELL, I'M ASKING
TEN MILLION BUCKS,

167
00:05:44,444 --> 00:05:45,777
BUT SINCE YOU'RE
IN THE BUSINESS,

168
00:05:45,779 --> 00:05:46,778
I'LL LET IT GO FOR $50.

169
00:05:46,780 --> 00:05:48,280
- I'VE GOT A BETTER IDEA.

170
00:05:48,282 --> 00:05:50,816
I'LL SELL AS MANY OF THESE
VAN GOGHS AS YOU CAN PAINT,

171
00:05:50,818 --> 00:05:53,651
AND I'LL ONLY TAKE, SAY,
60% COMMISSION.

172
00:05:53,653 --> 00:05:55,020
HERE'S MY CARD.

173
00:05:55,022 --> 00:05:57,389
- YOUR PLACE IS CALLED
"GARY'S GALLERY?"

174
00:05:57,391 --> 00:05:58,790
- "LARRY'S LOUVRE" WAS TAKEN.

175
00:05:58,792 --> 00:05:59,858
- WHAT DO YOU SAY?

176
00:05:59,860 --> 00:06:02,594
- WELL, I COULD USE
A NEW GAZEBO.

177
00:06:11,605 --> 00:06:12,837
- THIS KICKS BUTT.

178
00:06:12,839 --> 00:06:15,206
I'M FINALLY GETTING REAL MONEY
FOR MY ARTWORK.

179
00:06:15,208 --> 00:06:17,475
- YOU'RE NOT WORRIED ABOUT
BECOMING A HACK?

180
00:06:17,477 --> 00:06:19,844
- NOT AS LONG AS I'M ONLY IN IT
FOR THE CASH.

181
00:06:19,846 --> 00:06:21,412
MONEY, MONEY, MONEY.

182
00:06:21,414 --> 00:06:22,614
I LOVE MONEY.

183
00:06:22,616 --> 00:06:24,149
I'D SHOVEL IT DOWN MY THROAT
IF I COULD.

184
00:06:24,151 --> 00:06:25,884
- YOU'RE KIDDING, RIGHT?

185
00:06:25,886 --> 00:06:27,218
- OF COURSE, DARIA.

186
00:06:27,220 --> 00:06:30,087
I'D CHEW IT SLOWLY AND STOP
WHEN I FELT FULL.

187
00:06:30,089 --> 00:06:34,759
- HEY, WEREN'T YOU GUYS SUPPOSED
TO BE HERE TWO DAYS AGO?

188
00:06:34,761 --> 00:06:36,360
- IS THAT A PROBLEM?

189
00:06:36,362 --> 00:06:37,461
- I DON'T KNOW.

190
00:06:37,463 --> 00:06:39,430
FEELS LIKE IT SHOULD BE.

191
00:06:39,432 --> 00:06:41,600
UM, HOW'S THE GAZEBO?

192
00:06:41,602 --> 00:06:42,867
- BAD SHAPE.

193
00:06:42,869 --> 00:06:44,769
WE'LL NEED TO BUILD YOU
A NEW TRANSVERSE ARCH

194
00:06:44,771 --> 00:06:48,173
BEFORE WE CAN EVEN START TALKING
ABOUT GABLE AND BUNTING OPTIONS.

195
00:06:48,175 --> 00:06:49,941
I'D SAY YOU'RE LOOKING
AT 500 BUCKS.

196
00:06:49,943 --> 00:06:50,942
- WHOA.

197
00:06:50,944 --> 00:06:52,143
SO NOW WHAT?

198
00:06:52,145 --> 00:06:54,079
DO I TELL YOU TO GET TO WORK?

199
00:06:54,081 --> 00:06:57,782
OR DO YOU JUST, YOU KNOW,
START UP ON YOUR OWN?

200
00:06:57,784 --> 00:06:59,851
- THAT LAST THING YOU SAID.

201
00:06:59,853 --> 00:07:00,852
- OKAY.

202
00:07:00,854 --> 00:07:02,954
COOL.

203
00:07:02,956 --> 00:07:05,223
- SO ARE WE ALL IN AGREEMENT

204
00:07:05,225 --> 00:07:07,325
THAT WE HAVE BEEN
MALICIOUSLY SLANDERED

205
00:07:07,327 --> 00:07:09,494
AND ARE THEREFORE IN NEED
OF LEGAL COUNSEL?

206
00:07:09,496 --> 00:07:10,962
- YEAH.

207
00:07:10,964 --> 00:07:11,997
SLANDERED.

208
00:07:11,999 --> 00:07:13,364
- VERY WELL.

209
00:07:13,366 --> 00:07:15,266
QUINN, YOUR MOTHER IS A LAWYER.

210
00:07:15,268 --> 00:07:17,636
PERHAPS SHE'D BE WILLING
TO PLEAD OUR CASE.

211
00:07:17,638 --> 00:07:19,137
- UM, I CAN ASK.

212
00:07:19,139 --> 00:07:20,371
- EXCELLENT.

213
00:07:20,373 --> 00:07:22,574
ALL IN FAVOR OF RETAINING
MRS. MORGENDORFFER

214
00:07:22,576 --> 00:07:25,076
SO WE CAN BRING THIS CARICATURE
ASSASSIN TO JUSTICE

215
00:07:25,078 --> 00:07:26,043
AND CLEAR OUR GOOD FACES?

216
00:07:30,983 --> 00:07:34,752
- IT'S NOT OFTEN I GET TREATED
TO A SLICE WITH TWO TOPPINGS.

217
00:07:34,754 --> 00:07:36,354
- WELL, NOW THAT
MY SHIP'S COME IN,

218
00:07:36,356 --> 00:07:38,456
I FIGURE WHY NOT
SPREAD MY WEALTH AROUND

219
00:07:38,458 --> 00:07:39,824
AND HELP THE LITTLE PEOPLE?

220
00:07:39,826 --> 00:07:42,093
MY FIRST COMMISSION: $200.

221
00:07:42,095 --> 00:07:44,195
- TRY TO CONTAIN
YOUR EXUBERANCE.

222
00:07:44,197 --> 00:07:46,297
- I DID THINK IT WOULD BE
MORE EXCITING.

223
00:07:46,299 --> 00:07:47,998
MAYBE IF IT WAS FOR MY OWN WORK.

224
00:07:48,000 --> 00:07:50,702
BUT HEY, IT'S NOT LIKE I'M GONNA
BE PAINTING COPIES FOREVER.

225
00:07:50,704 --> 00:07:53,904
- JUST DON'T SAY
YOU CAN QUIT ANYTIME.

226
00:07:56,476 --> 00:07:57,642
- JANE LANE.

227
00:07:57,644 --> 00:07:59,911
YOUR<i> SUNFLOWERS</i>
SOLD THIS MORNING,

228
00:07:59,913 --> 00:08:02,480
WHICH MEANS I'VE GOT
SOMETHING FOR YOU.

229
00:08:02,482 --> 00:08:03,481
- $350?

230
00:08:03,483 --> 00:08:04,482
WOW.

231
00:08:04,484 --> 00:08:05,583
OKAY, I QUIT.

232
00:08:05,585 --> 00:08:06,584
- QUIT?

233
00:08:06,586 --> 00:08:08,152
YOU CAN'T QUIT GARY'S GALLERY.

234
00:08:08,154 --> 00:08:09,654
- NO, THAT'S THE MAFIA.

235
00:08:09,656 --> 00:08:11,756
SORRY, BUT THIS PAYS OFF
THE WORKMEN AT MY HOUSE

236
00:08:11,758 --> 00:08:13,091
AND MY GIRL SCOUT COOKIE DEBT.

237
00:08:13,093 --> 00:08:14,525
- I CAN'T LET YOU GO.

238
00:08:14,527 --> 00:08:15,861
YOU'RE THE BEST ARTIST I HAVE.

239
00:08:15,863 --> 00:08:18,529
- THANKS, BUT I DON'T FEEL LIKE
MUCH OF AN ARTIST

240
00:08:18,531 --> 00:08:19,964
UNLESS I'M WORKING
ON MY OWN STUFF.

241
00:08:19,966 --> 00:08:21,500
- I UNDERSTAND THAT.

242
00:08:21,502 --> 00:08:24,035
BUT PAINTS AND CANVASSES
ARE EXPENSIVE, YOU KNOW.

243
00:08:24,037 --> 00:08:26,738
BUILD YOUR NEST EGG NOW,
WHILE YOU HAVE THE CHANCE.

244
00:08:26,740 --> 00:08:29,241
THEN YOU CAN AFFORD TO WORK
ON YOUR JANE LANE ORIGINALS.

245
00:08:29,243 --> 00:08:30,675
- MONEY IS NOT THE ISSUE HERE.

246
00:08:30,677 --> 00:08:32,276
- I'LL INCREASE YOUR CUT TO 60%.

247
00:08:32,278 --> 00:08:33,545
- MONEY IS THE ISSUE HERE.

248
00:08:33,547 --> 00:08:34,812
- AND IF YOU'RE THAT BORED,

249
00:08:34,814 --> 00:08:36,714
YOU DON'T HAVE TO DO
VAN GOGHS ANYMORE.

250
00:08:36,716 --> 00:08:37,782
ANY ARTIST YOU LIKE.

251
00:08:37,784 --> 00:08:38,750
WHAT DO YOU SAY?

252
00:08:40,587 --> 00:08:42,186
- [snoring]

253
00:08:42,188 --> 00:08:43,188
[knocking at door]

254
00:08:43,190 --> 00:08:44,188
- QUINN?
COME IN.

255
00:08:44,190 --> 00:08:45,256
- MOM, I NEED YOUR HELP.

256
00:08:45,258 --> 00:08:46,524
THIS REALLY MEAN GUY

257
00:08:46,526 --> 00:08:48,325
DREW AN UGLY PICTURE OF ME
AND THE FASHION CLUB

258
00:08:48,327 --> 00:08:49,527
AT THE ART FAIR,

259
00:08:49,529 --> 00:08:51,296
AND WE WANT TO SUE
FOR DEFAMING OF CHARACTER.

260
00:08:51,298 --> 00:08:54,565
- QUINN, YOU CAN'T SUE
FOR DEFAMATION OF CHARACTER.

261
00:08:54,567 --> 00:08:56,968
HE DIDN'T DO ANYTHING
TO HARM YOUR REPUTATION.

262
00:08:56,970 --> 00:08:58,203
- YES, HE DID.

263
00:08:58,205 --> 00:09:00,872
HE MADE MY FACE LOOK LIKE
ONE BIG FRECKLE.

264
00:09:00,874 --> 00:09:03,908
MOM, THE EMBARRASSMENT,
THE PAIN, THE SUFFERING.

265
00:09:03,910 --> 00:09:05,376
- IN THE EYES OF THE LAW,

266
00:09:05,378 --> 00:09:07,211
"PAIN AND SUFFERING"
ARE WHEN A SURGEON LEAVES

267
00:09:07,213 --> 00:09:08,446
HIS PAGER IN YOUR SPLEEN.

268
00:09:08,448 --> 00:09:09,714
- EW!

269
00:09:09,716 --> 00:09:12,049
WHAT IF YOU WERE ON A DATE
AND IT STARTED BEEPING?

270
00:09:12,051 --> 00:09:13,050
- [sighs]

271
00:09:13,052 --> 00:09:16,921
- [snoring]

272
00:09:18,291 --> 00:09:20,959
- TRENT, THOSE WORKMEN,
SHOULDN'T THEY BE,

273
00:09:20,961 --> 00:09:22,327
I DON'T KNOW, WORKING?

274
00:09:22,329 --> 00:09:23,327
- HMM.

275
00:09:23,329 --> 00:09:24,662
- GO ON.

276
00:09:24,664 --> 00:09:26,698
TELL THEM THEY CAN'T BE
LOLLYGAGGING AROUND ALL DAY.

277
00:09:26,700 --> 00:09:28,332
- UM, OKAY.

278
00:09:28,334 --> 00:09:30,101
- YO, "T."

279
00:09:30,103 --> 00:09:31,302
WHAT'S GOING ON?

280
00:09:31,304 --> 00:09:32,303
- HEY.

281
00:09:32,305 --> 00:09:33,337
I MEAN, "HEY!"

282
00:09:33,339 --> 00:09:34,673
YOU GUYS AREN'T WORKING.

283
00:09:34,675 --> 00:09:35,906
- YES, WE ARE.

284
00:09:35,908 --> 00:09:38,276
WE'RE DISCUSSING
MEASUREMENT CALCULATIONS.

285
00:09:38,278 --> 00:09:39,944
- OH.

286
00:09:39,946 --> 00:09:43,381
WAIT, I DON'T KNOW ANYTHING
ABOUT MEASURING,

287
00:09:43,383 --> 00:09:46,183
BUT I KNOW ALL ABOUT
LYING AROUND.

288
00:09:46,185 --> 00:09:49,220
AND YOU GUYS ARE DEFINITELY
LYING AROUND.

289
00:09:49,222 --> 00:09:50,288
- WHAT'S YOUR POINT?

290
00:09:50,290 --> 00:09:54,025
- UM, WHAT AM I PAYING YOU FOR?

291
00:09:54,027 --> 00:09:55,459
[sighs]

292
00:09:55,461 --> 00:09:56,661
GET TO WORK.

293
00:09:56,663 --> 00:09:57,662
- I DON'T WANT TO.

294
00:09:57,664 --> 00:09:58,663
- OH, MAN!

295
00:09:58,665 --> 00:09:59,664
- OKAY, GUYS, BACK TO WORK.

296
00:09:59,666 --> 00:10:01,165
YOU HEARD<i> THE MAN.</i>

297
00:10:01,167 --> 00:10:02,299
- WHOA.

298
00:10:02,301 --> 00:10:04,435
THAT'S JUST CRUEL.

299
00:10:06,073 --> 00:10:09,574
- SO WITH THE GAZEBO PAID OFF,
I'M IN PURE PROFIT TERRITORY.

300
00:10:09,576 --> 00:10:11,342
AND I'M ONLY PAINTING THESE
IN THE STYLE OF--

301
00:10:11,344 --> 00:10:12,510
- YOU MEAN "COPIES OF."

302
00:10:12,512 --> 00:10:13,778
- FINE.

303
00:10:13,780 --> 00:10:15,580
I'M ONLY PAINTING THEM
SO I CAN SUPPORT MYSELF

304
00:10:15,582 --> 00:10:16,581
WHILE DOING MY OWN STUFF.

305
00:10:16,583 --> 00:10:18,916
- AND BASED
ON YOUR RECENT WORKLOAD,

306
00:10:18,918 --> 00:10:20,551
YOU'LL GET TO YOUR OWN STUFF

307
00:10:20,553 --> 00:10:22,887
RIGHT ABOUT THE TIME YOU START
CLIPPING COUPONS

308
00:10:22,889 --> 00:10:23,855
FOR DENTURE PASTE.

309
00:10:26,693 --> 00:10:29,394
- JANE, YOUR EXPLORATION
OF THE CLASS ASSIGNMENT

310
00:10:29,396 --> 00:10:31,729
LOOKS REMARKABLY SIMILAR
TO VAN GOGH.

311
00:10:31,731 --> 00:10:34,165
- YOU MIGHT WANT TO KEEP
THOSE SAFETY SCISSORS

312
00:10:34,167 --> 00:10:35,467
AWAY FROM HER EARS.

313
00:10:35,469 --> 00:10:38,436
- OKAY, I ADMIT THIS IS
SOMEWHAT EXTRACURRICULAR.

314
00:10:38,438 --> 00:10:40,671
- YOU DON'T NEED
TO EXPLAIN IT TO ME, JANE.

315
00:10:40,673 --> 00:10:43,307
I JUST HOPE YOU NEVER LOSE
YOUR OWN UNIQUE STYLE.

316
00:10:44,677 --> 00:10:47,511
- SHE DIDN'T EVEN SAY ANYTHING
ABOUT MY HORSEY.

317
00:10:49,749 --> 00:10:50,748
- DAMN IT TO HELL!

318
00:10:50,750 --> 00:10:52,150
WHAT SOCIOPATHIC PARALEGAL

319
00:10:52,152 --> 00:10:53,717
KEEPS STEALING MY "SIGN HERE"
POST-ITS?

320
00:10:53,719 --> 00:10:54,886
[phone beeps]

321
00:10:54,888 --> 00:10:56,353
- THERE'S A SANDI GRIFFIN
ON LINE ONE.

322
00:10:56,355 --> 00:10:58,556
- SANDI, IS QUINN ALL RIGHT?

323
00:10:58,558 --> 00:11:01,292
- ACTUALLY,
NONE OF US ARE ALL RIGHT,

324
00:11:01,294 --> 00:11:02,794
GIVEN HOW WE WERE
CRUELLY MALIGNED

325
00:11:02,796 --> 00:11:04,362
BY THAT SO-CALLED ARTIST.

326
00:11:04,364 --> 00:11:06,398
- SANDI, I ALREADY EXPLAINED
TO QUINN

327
00:11:06,400 --> 00:11:08,433
THAT A LAWSUIT IS OUT
OF THE QUESTION.

328
00:11:08,435 --> 00:11:09,700
- YES, SO SHE TOLD ME.

329
00:11:09,702 --> 00:11:12,437
BUT QUINN IS A SIMPLE,
UNCOMPLICATED GIRL

330
00:11:12,439 --> 00:11:14,672
AND PERHAPS DIDN'T CONSIDER
OTHER LEGAL AVENUES

331
00:11:14,674 --> 00:11:16,541
WE COULD EXPLORE TO ADDRESS
OUR PROBLEM.

332
00:11:16,543 --> 00:11:18,008
- I'M REALLY TERRIBLY BUSY.

333
00:11:18,010 --> 00:11:20,644
- YOU SEE, GIVEN THAT THIS
PERSON IS HARDLY AN ARTIST,

334
00:11:20,646 --> 00:11:23,247
AND THEREFORE FALSELY
REPRESENTED HIMSELF,

335
00:11:23,249 --> 00:11:25,917
I THOUGHT WE MIGHT TAKE STEPS
TO HAVE HIM DISBARRED.

336
00:11:25,919 --> 00:11:29,453
- SANDI, DISBARRING ONLY APPLIES
TO LAWYERS.

337
00:11:29,455 --> 00:11:30,655
- EXACTLY.

338
00:11:30,657 --> 00:11:32,824
AND YOU'RE A LAWYER,
SO YOU CAN DO IT.

339
00:11:32,826 --> 00:11:33,825
VOILA.

340
00:11:33,827 --> 00:11:34,826
- [sighs]

341
00:11:34,828 --> 00:11:36,961
- [yawns]

342
00:11:36,963 --> 00:11:38,796
TRENT, YOU'RE UP EARLY.

343
00:11:38,798 --> 00:11:42,733
- THOSE WORKERS PROMISED TO HAVE
SOMETHING DONE BY 2:00.

344
00:11:42,735 --> 00:11:45,270
SO I THOUGHT I'D BETTER GET UP
AND CHECK IT OUT.

345
00:11:45,272 --> 00:11:48,106
HEY, WHY DON'T YOU BRING
YOUR EASEL DOWN,

346
00:11:48,108 --> 00:11:51,876
AND YOU CAN, LIKE, PORTRAY
THE BIRTH OF A NEW GAZEBO.

347
00:11:51,878 --> 00:11:53,644
- TRENT, IF I HAD
A SPARE MOMENT,

348
00:11:53,646 --> 00:11:55,613
I SURE AS HELL WOULDN'T
SPEND IT PAINTING.

349
00:11:55,615 --> 00:11:57,715
- WHOA, COPYING BURNOUT.

350
00:11:57,717 --> 00:12:00,384
THAT'S WHY SPIRAL
DOESN'T PLAY COVERS,

351
00:12:00,386 --> 00:12:03,788
'CAUSE OF WHAT IT WOULD DO
TO OUR CREATIVITY.

352
00:12:03,790 --> 00:12:07,992
AND THE IRONIC THIS IS,
I<i> AM</i> AS FREE AS A BIRD.

353
00:12:07,994 --> 00:12:09,260
- GOOD FOR YOU, TRENT.

354
00:12:09,262 --> 00:12:10,461
STAY TRUE TO YOUR ART.

355
00:12:10,463 --> 00:12:11,729
I'M SURE YOU'LL ALWAYS HAVE

356
00:12:11,731 --> 00:12:13,264
THE NEGATIVE BANK BALANCE
TO PROVE IT.

357
00:12:13,266 --> 00:12:14,666
- HEY, JANIE.

358
00:12:14,668 --> 00:12:17,201
I'D RATHER BALANCE
MY ARTISTIC STATEMENT

359
00:12:17,203 --> 00:12:18,603
THAN MY BANK STATEMENT.

360
00:12:18,605 --> 00:12:19,937
- WHAT?

361
00:12:19,939 --> 00:12:21,071
- I DON'T KNOW.

362
00:12:21,073 --> 00:12:23,874
I THOUGHT I HAD SOMETHING THERE.

363
00:12:23,876 --> 00:12:26,410
- MY ARM'S GETTING TIRED,
DAMN IT.

364
00:12:26,412 --> 00:12:28,279
IT NEVER USED TO.

365
00:12:28,281 --> 00:12:30,114
- WHAT'S MORE HEARTLESS
THAN PILFERING

366
00:12:30,116 --> 00:12:31,282
A ROLL OF TOILET PAPER?

367
00:12:31,284 --> 00:12:33,651
TRANSFORMING IT INTO A ROLL
OF 20s.

368
00:12:33,653 --> 00:12:35,453
THE SQUEEZABLY SOFT
COUNTERFEITER NEXT

369
00:12:35,455 --> 00:12:37,288
ON<i> SICK, SAD WORLD.</i>

370
00:12:37,290 --> 00:12:38,956
- COUNTERFEITING?

371
00:12:38,958 --> 00:12:41,859
- HEY, THIS DOESN'T GO
WITH THE HOUSE!

372
00:12:41,861 --> 00:12:43,795
WHAT ABOUT MY RESALE VALUE?

373
00:12:43,797 --> 00:12:46,430
- LOOK, PAL, THAT'S WHY I RENT.

374
00:12:46,432 --> 00:12:47,932
- HERE'S A FUNNY THOUGHT.

375
00:12:47,934 --> 00:12:49,900
WOULDN'T IT BE HILARIOUS
IF GARY

376
00:12:49,902 --> 00:12:52,270
WERE SOME HUGE
ART COUNTERFEITING KINGPIN?

377
00:12:52,272 --> 00:12:53,637
- YEAH.

378
00:12:53,639 --> 00:12:55,440
YOU'D BE LAUGHING ALL THE WAY
TO THE BIG HOUSE.

379
00:12:55,442 --> 00:12:56,707
- NO, LISTEN.

380
00:12:56,709 --> 00:12:58,609
WHAT IF MY COPIES
ARE GOOD ENOUGH TO FOOL PEOPLE?

381
00:12:58,611 --> 00:13:00,445
IT WOULD BE A CINCH FOR HIM
TO MAKE MILLIONS

382
00:13:00,447 --> 00:13:01,613
OFF MY HARD WORK.

383
00:13:01,615 --> 00:13:04,715
- TO FINANCE
HIS SECRET ROBOT ARMY, NO DOUBT.

384
00:13:04,717 --> 00:13:05,950
- I'M SERIOUS.

385
00:13:05,952 --> 00:13:07,418
WE'RE GONNA HEAD OVER
THERE RIGHT NOW

386
00:13:07,420 --> 00:13:08,620
AND ENACT A STING OPERATION.

387
00:13:08,622 --> 00:13:09,621
- FINE.

388
00:13:09,623 --> 00:13:10,921
YOU WEAR THE MUSTACHE.

389
00:13:10,923 --> 00:13:12,724
I'LL HIDE IN THE CEILING VENT.

390
00:13:20,600 --> 00:13:21,833
- HERE'S THE PLAN.

391
00:13:21,835 --> 00:13:23,534
THERE'S AN INVOICE BOOK
BEHIND THE COUNTER

392
00:13:23,536 --> 00:13:25,369
THAT SHOULD TELL US WHO BOUGHT
MY LAST PAINTING.

393
00:13:25,371 --> 00:13:27,906
BUT YOU HAVE TO DISTRACT GARY
WHILE I'M GRABBING IT.

394
00:13:27,908 --> 00:13:31,309
- AND JUST HOW AM I SUPPOSED
TO DO THAT, MR. PHELPS?

395
00:13:31,311 --> 00:13:32,510
- YOU'LL FIGURE OUT SOMETHING.

396
00:13:32,512 --> 00:13:34,212
USE YOUR WOMANLY ATTRIBUTES.

397
00:13:34,214 --> 00:13:35,980
- GOTCHA;
I'LL GIVE BIRTH.

398
00:13:35,982 --> 00:13:37,581
- THAT'LL WORK.

399
00:13:39,118 --> 00:13:40,218
- HEY, JANE.

400
00:13:40,220 --> 00:13:41,653
HOW'S THAT DALI COMING ALONG?

401
00:13:41,655 --> 00:13:42,987
I THINK I CAN PRESELL IT.

402
00:13:42,989 --> 00:13:44,689
- GREAT, GREAT.

403
00:13:44,691 --> 00:13:46,624
GARY, THIS IS MY FRIEND DARIA.

404
00:13:46,626 --> 00:13:49,060
SHE'S VERY INTERESTED
IN ART RE-CREATIONS.

405
00:13:49,062 --> 00:13:50,594
- UM, YES.

406
00:13:50,596 --> 00:13:54,498
I AM VERY INTERESTED
IN ART RE-CREATIONS.

407
00:13:54,500 --> 00:13:55,533
[sighs]

408
00:13:55,535 --> 00:13:57,802
ALTHOUGH, GEE,
THEY LOOK SO SIMPLE

409
00:13:57,804 --> 00:13:59,403
AS IF ANYONE COULD DO THEM.

410
00:13:59,405 --> 00:14:01,706
- NOTHING COULD BE FURTHER
FROM THE TRUTH.

411
00:14:01,708 --> 00:14:03,741
LET ME SHOW YOU.

412
00:14:03,743 --> 00:14:04,842
WHY DO PEOPLE YEARN

413
00:14:04,844 --> 00:14:06,377
TO SEE GREAT PAINTINGS
FOR THEMSELVES

414
00:14:06,379 --> 00:14:07,678
WHEN THEY CAN JUST LOOK
IN A BOOK?

415
00:14:07,680 --> 00:14:08,679
- PAPER CUTS?

416
00:14:08,681 --> 00:14:11,182
- COLOR, TEXTURE, VIBRANCY,

417
00:14:11,184 --> 00:14:12,817
THE PALPABLE ENERGY THAT COMES

418
00:14:12,819 --> 00:14:15,419
FROM BEING IN THE PRESENCE
OF THE WORK ITSELF.

419
00:14:15,421 --> 00:14:16,854
- THANKS FOR CLEARING
THAT UP, GARY,

420
00:14:16,856 --> 00:14:18,122
BUT WE REALLY NEED TO BE GOING.

421
00:14:18,124 --> 00:14:20,524
- OH, I KNOW WHAT
I WANTED TO ASK YOU.

422
00:14:20,526 --> 00:14:21,759
CAN YOU DO O'KEEFFE?

423
00:14:21,761 --> 00:14:23,428
THE GUY WHO BOUGHT
YOUR LAST PAINTING,

424
00:14:23,430 --> 00:14:25,830
STEVE TAYLOR, WANTS ONE
FOR HIS WIFE'S BIRTHDAY.

425
00:14:25,832 --> 00:14:26,998
- AHA.

426
00:14:27,000 --> 00:14:29,934
OUR CLEVER SUBTERFUGE
HAS UNEARTHED THE TRUTH.

427
00:14:29,936 --> 00:14:31,869
- STEVE TAYLOR BOUGHT
MY LAST PAINTING?

428
00:14:31,871 --> 00:14:33,404
- HE'S A REGULAR CUSTOMER.

429
00:14:33,406 --> 00:14:34,472
YOU KNOW HIM?

430
00:14:36,543 --> 00:14:39,743
- OH, LOOK,<i> </i>
<i> LAWN JOCKEY WITH LANTERN.</i>

431
00:14:39,745 --> 00:14:42,846
YOU THINK IT'S
THE ORIGINAL RODIN OR A COPY?

432
00:14:42,848 --> 00:14:45,015
- GO ON, LAUGH NOW
WHILE YOU CAN.

433
00:14:45,017 --> 00:14:47,484
[doorbell rings]

434
00:14:47,486 --> 00:14:49,353
- JANE, DARIA?

435
00:14:49,355 --> 00:14:50,821
WHAT ARE YOU DOING HERE?

436
00:14:50,823 --> 00:14:52,423
YOU DON'T WANT TO HANG OUT,
DO YOU?

437
00:14:52,425 --> 00:14:53,691
- IS YOUR FATHER HOME?

438
00:14:53,693 --> 00:14:55,626
WE HAVE SOME QUESTIONS
ABOUT HIS ART COLLECTION.

439
00:14:55,628 --> 00:14:58,262
- OH, WHY DIDN'T YOU SAY SO?

440
00:14:58,264 --> 00:15:00,164
I KNOW ALL ABOUT MY DAD'S ART.

441
00:15:00,166 --> 00:15:02,900
HE SAYS I WAS BORN TO BE
AN ART POINTER GIRL.

442
00:15:02,902 --> 00:15:05,602
- KIND OF LIKE
THAT SISTER WENDY ON TV.

443
00:15:06,739 --> 00:15:08,339
- THIS IS AN UMBRELLA HOLDER

444
00:15:08,341 --> 00:15:10,374
MADE OUT OF A REAL
ELEPHANT'S FOOT.

445
00:15:10,376 --> 00:15:11,775
- WHERE'S THE REST
OF THE ELEPHANT?

446
00:15:11,777 --> 00:15:13,444
- HUH?
THERE'S NO ELEPHANT HERE.

447
00:15:13,446 --> 00:15:14,812
- DON'T WORRY.

448
00:15:14,814 --> 00:15:17,515
I'M SURE THE HUNTERS GAVE HIM
A PROSTHETIC FOOT

449
00:15:17,517 --> 00:15:19,116
AND LET HIM RETURN
TO HIS FAMILY.

450
00:15:19,118 --> 00:15:22,053
- GEE, I HOPE SO.

451
00:15:22,055 --> 00:15:24,721
THIS PAINTING IS OF A LION
WITH SOME DEAD ANIMALS.

452
00:15:24,723 --> 00:15:26,791
- BRITTANY, DOES YOUR DAD HAVE
ANY ART

453
00:15:26,793 --> 00:15:28,826
THAT ISN'T FROM
OR ABOUT DEAD BEASTS?

454
00:15:28,828 --> 00:15:30,161
- OH, SURE.

455
00:15:30,163 --> 00:15:32,830
WE HAVE A NEW PICTURE
BY A REALLY FAMOUS ARTIST

456
00:15:32,832 --> 00:15:33,764
IN THE FAMILY ROOM.

457
00:15:39,205 --> 00:15:43,174
DAD SAYS THAT'S AN ORIGINAL,
UM, SOMEONE.

458
00:15:43,176 --> 00:15:44,742
- BRITTANY,
WHY DIDN'T YOU TELL ME

459
00:15:44,744 --> 00:15:46,077
YOU WERE HAVING FRIENDS OVER?

460
00:15:46,079 --> 00:15:48,779
- OH, THEY AREN'T FRIENDS,
JUST DARIA AND JANE.

461
00:15:48,781 --> 00:15:50,815
- YOU GIRLS LOOK FAMILIAR.

462
00:15:50,817 --> 00:15:53,284
- MAYBE YOU'VE SEEN US
ON THE MUSEUM CIRCUIT.

463
00:15:53,286 --> 00:15:54,952
WE'RE BIG ART AFICIONADOS.

464
00:15:54,954 --> 00:15:55,953
- YEAH?

465
00:15:55,955 --> 00:15:57,087
ME TOO.

466
00:15:57,089 --> 00:15:59,290
- I LIKE THIS ONE
ABOVE THE FIREPLACE.

467
00:15:59,292 --> 00:16:00,824
- IS IT AN ORIGINAL VAN GOGH?

468
00:16:00,826 --> 00:16:01,826
- AN ORIGINAL?

469
00:16:01,828 --> 00:16:02,827
HA!

470
00:16:02,829 --> 00:16:04,127
I'D NEED TO BE A BILLIONAIRE.

471
00:16:04,129 --> 00:16:05,629
NO, I FOUND A GREAT GALLERY

472
00:16:05,631 --> 00:16:07,698
THAT'S GOT A BUNCH OF HACKS
CHURNING OUT COPIES.

473
00:16:07,700 --> 00:16:09,466
THEY'RE REALLY PRETTY DECENT
FOR THE PRICE.

474
00:16:09,468 --> 00:16:10,467
- DECENT?

475
00:16:10,469 --> 00:16:11,568
- WELL, YEAH.

476
00:16:11,570 --> 00:16:13,271
I MEAN, NICE BRUSHWORK,
DON'T YOU THINK?

477
00:16:13,273 --> 00:16:15,639
EXCEPT FOR THIS SPOT HERE
WHERE IT GETS KIND OF LAZY.

478
00:16:15,641 --> 00:16:17,175
BUT YOU GET
WHAT YOU PAY FOR, RIGHT?

479
00:16:17,177 --> 00:16:19,276
- YEAH, WHAT YOU PAY FOR.

480
00:16:19,278 --> 00:16:22,013
- SAY, IF YOU GIRLS WANT TO SEE
SOMETHING REALLY IMPRESSIVE,

481
00:16:22,015 --> 00:16:23,715
YOU OUGHT TO CHECK OUT
MY TROPHY ROOM.

482
00:16:23,717 --> 00:16:25,516
I JUST GOT MY EMU HEAD MOUNTED.

483
00:16:25,518 --> 00:16:29,453
- DAD, DID THAT THREE-LEGGED
ELEPHANT LEARN TO WALK AGAIN?

484
00:16:29,455 --> 00:16:30,555
- HUH?

485
00:16:31,991 --> 00:16:33,357
- YOU WANT TO TALK ABOUT IT?

486
00:16:33,359 --> 00:16:34,558
- NO.

487
00:16:34,560 --> 00:16:37,728
JEEZ, DARIA, EVEN A CHEESE BALL
LIKE MR. TAYLOR

488
00:16:37,730 --> 00:16:38,729
CAN TELL I'M A HACK.

489
00:16:38,731 --> 00:16:40,831
"LAZY BRUSHWORK," HE SAID.

490
00:16:40,833 --> 00:16:42,400
- COMING FROM A GUY WHOSE HOME

491
00:16:42,402 --> 00:16:44,969
IS DECORATED
IN EARLY PETTING ZOO,

492
00:16:44,971 --> 00:16:46,270
I WOULDN'T WORRY ABOUT IT.

493
00:16:46,272 --> 00:16:47,905
- BUT HE WAS RIGHT, DAMN IT.

494
00:16:47,907 --> 00:16:50,874
- HEY, GARY CAN'T KEEP
YOUR PAINTINGS IN STOCK.

495
00:16:50,876 --> 00:16:52,343
YOU'RE A STAR COPYIST.

496
00:16:52,345 --> 00:16:54,011
YOU'VE BEEN PAINTING
YOUR BUTT OFF.

497
00:16:54,013 --> 00:16:55,746
THEY CAN'T ALL BE
YOUR BEST WORK.

498
00:16:55,748 --> 00:16:57,614
- NONE OF THEM ARE MY BEST WORK.

499
00:16:57,616 --> 00:16:59,283
HELL, NONE OF THEM ARE MY WORK.

500
00:16:59,285 --> 00:17:02,052
LATELY I HAVEN'T EVEN WANTED
TO DO ORIGINAL STUFF.

501
00:17:02,054 --> 00:17:03,120
DAMN IT, DARIA.

502
00:17:03,122 --> 00:17:04,922
I NEVER GOT
CREATIVE BLOCK BEFORE.

503
00:17:04,924 --> 00:17:07,858
- YOUR CREATIVITY HAS BEEN
CHANNELED INTO OTHER AREAS,

504
00:17:07,860 --> 00:17:10,094
LIKE INVENTING PARANOID
DELUSIONS

505
00:17:10,096 --> 00:17:13,197
CENTERED AROUND NONEXISTENT
ART COUNTERFEITING RINGS.

506
00:17:13,199 --> 00:17:14,398
- YEAH.

507
00:17:14,400 --> 00:17:16,434
MY EGO COULDN'T TAKE
JUST BEING A HACK.

508
00:17:16,436 --> 00:17:18,736
I HAD TO BE A SUPER HACK.

509
00:17:18,738 --> 00:17:20,638
OR MAYBE I JUST WANTED GARY
TO BE A CON MAN

510
00:17:20,640 --> 00:17:22,039
SO I COULD QUIT WITHOUT REMORSE.

511
00:17:22,041 --> 00:17:23,774
- SURE, 'CAUSE IT'S NOT LIKE

512
00:17:23,776 --> 00:17:26,711
YOU'LL HAVE ANY REMORSE
IF YOU STAY.

513
00:17:26,713 --> 00:17:31,382
[all snoring]

514
00:17:31,384 --> 00:17:32,483
- TRENT!

515
00:17:32,485 --> 00:17:33,885
YOU WERE SUPPOSED
TO GET THESE GUYS

516
00:17:33,887 --> 00:17:35,185
TO FINISH THE JOB TODAY.

517
00:17:35,187 --> 00:17:38,823
- IT--IT WAS JUST TOO HARD
YELLING AT THEM, JANIE.

518
00:17:38,825 --> 00:17:42,760
WHEN I LOOK IN THEIR EYES,
I SEE MYSELF.

519
00:17:42,762 --> 00:17:44,328
- OKAY, LOOK.

520
00:17:44,330 --> 00:17:47,097
I ALMOST WENT NUTS WORKING
TO PAY YOU SLOUCHES,

521
00:17:47,099 --> 00:17:48,299
SO HERE'S THE DEAL.

522
00:17:48,301 --> 00:17:50,668
IF YOU WANT TO SEE ONE RED CENT
OF YOUR MONEY,

523
00:17:50,670 --> 00:17:53,804
YOU HAVE PRECISELY FOUR HOURS
TO FINISH THIS STUPID GAZEBO

524
00:17:53,806 --> 00:17:55,206
AND GET THE HELL OUT OF HERE!

525
00:17:55,208 --> 00:17:58,409
- BUT, MA'AM, THERE'S NO WAY
TO FINISH IN THAT TIME.

526
00:17:58,411 --> 00:17:59,910
WE'RE ONLY THREE PEOPLE.

527
00:17:59,912 --> 00:18:02,580
- FUNNY, I COUNT FOUR.

528
00:18:03,783 --> 00:18:05,482
- OH.

529
00:18:05,484 --> 00:18:06,751
EW.

530
00:18:06,753 --> 00:18:08,719
[doorbell rings]

531
00:18:08,721 --> 00:18:09,720
- HI, TIFFANY.

532
00:18:09,722 --> 00:18:10,721
QUINN ISN'T HOME YET.

533
00:18:10,723 --> 00:18:13,690
- ACTUALLY, I CAME TO SEE YOU.

534
00:18:13,692 --> 00:18:16,194
- OH, WELL, I'M JUST
IN THE MIDDLE OF AN ENOR--

535
00:18:16,196 --> 00:18:18,863
- DO YOU KNOW WHAT IT'S ABOUT?

536
00:18:18,865 --> 00:18:20,531
- TIFFANY, I ALREADY EXPLAINED--

537
00:18:20,533 --> 00:18:22,833
- THE CARICATURIST.

538
00:18:22,835 --> 00:18:25,836
- LOOK, TIFFANY, YOU CAN'T SUE
THE CARICATURE ARTIST,

539
00:18:25,838 --> 00:18:28,072
NOR CAN YOU HAVE HIM DISBARRED,
DEPORTED,

540
00:18:28,074 --> 00:18:29,373
IMPRISONED, OR GROUNDED.

541
00:18:29,375 --> 00:18:30,641
DO YOU UNDERSTAND?

542
00:18:30,643 --> 00:18:31,975
- OF COURSE.

543
00:18:31,977 --> 00:18:34,011
YOU DON'T HAVE TO YELL.

544
00:18:34,013 --> 00:18:35,012
- YOU'RE RIGHT.

545
00:18:35,014 --> 00:18:36,113
TIFFANY, I'M SORRY.

546
00:18:36,115 --> 00:18:38,315
- WE NEED SOMEONE
TO BREAK HIS FINGERS

547
00:18:38,317 --> 00:18:42,119
LIKE ON THAT SHOW
ABOUT THOSE GUYS.

548
00:18:42,121 --> 00:18:43,287
- [sighs]

549
00:18:43,289 --> 00:18:47,125
- SO GARY TOOK YOUR RESIGNATION
IN STRIDE?

550
00:18:47,127 --> 00:18:49,893
- HE SAID HIS DOOR IS ALWAYS
OPEN IF I CHANGE MY MIND.

551
00:18:49,895 --> 00:18:51,229
BUT BETWEEN US,

552
00:18:51,231 --> 00:18:53,397
THERE'S SOMETHING FISHY
ABOUT THAT DOOR.

553
00:18:53,399 --> 00:18:54,465
I THINK IT'S A COUNTERFEIT.

554
00:18:54,467 --> 00:18:55,866
- WHOA.

555
00:18:55,868 --> 00:18:58,769
- YOU KNOW, MAYBE I WILL DO
A PAINTING OF THE GAZEBO.

556
00:18:58,771 --> 00:19:01,205
I CAN CALL IT<i> </i>
<i> DESCENT INTO MADNESS.</i>

557
00:19:01,207 --> 00:19:02,606
- OR<i> GAZEBO.</i>

558
00:19:02,608 --> 00:19:05,475
- GOOD THING SPIRAL'S
STILL TRAUMATIZED,

559
00:19:05,477 --> 00:19:07,812
'CAUSE I THINK I'M TOO SORE
TO PLAY.

560
00:19:07,814 --> 00:19:09,646
- WHAT ARE YOU GUYS
DOING OUT HERE?

561
00:19:09,648 --> 00:19:11,315
- MOM, DAD, YOU'RE BACK EARLY.

562
00:19:11,317 --> 00:19:14,651
- OUR HOTEL BROKE OFF
THE MAINLAND AND FLOATED AWAY.

563
00:19:14,653 --> 00:19:16,921
HEY, IT MIGHT NOT BE SAFE
TO SIT IN THERE.

564
00:19:16,923 --> 00:19:18,088
- WE'RE RISK TAKERS.

565
00:19:18,090 --> 00:19:20,691
- WE REALLY SHOULD TEAR DOWN
THAT UGLY THING.

566
00:19:20,693 --> 00:19:23,628
- YEAH, ONLY COUNTRY HOUSE
PHONIES HAVE GAZEBOS THESE DAYS.

567
00:19:23,630 --> 00:19:27,532
- BUT WIND SAID THIS WAS
YOUR NAMING GAZEBO.

568
00:19:27,534 --> 00:19:29,166
- WIND SAID WHAT?

569
00:19:29,168 --> 00:19:30,200
WAIT.

570
00:19:30,202 --> 00:19:31,502
I REMEMBER.

571
00:19:31,504 --> 00:19:35,573
YEARS AGO, HE WANTED TO CHANGE
HIS NAME TO RONALD.

572
00:19:35,575 --> 00:19:38,843
WE MADE UP THAT STORY SO HE'D
APPRECIATE THE NAME WE GAVE HIM.

573
00:19:38,845 --> 00:19:39,844
- RONALD?

574
00:19:39,846 --> 00:19:41,278
- YOU CAN SEE WE HAD NO CHOICE.

575
00:19:41,280 --> 00:19:42,580
TELL YOU WHAT.

576
00:19:42,582 --> 00:19:44,515
AS SOON AS I UNPACK,
TRENT AND I WILL GRAB SOME AXES

577
00:19:44,517 --> 00:19:46,884
AND CHOP THIS GAZEBO UP
INTO KINDLING.

578
00:19:46,886 --> 00:19:47,885
WHAT DO YOU SAY, SON?

579
00:19:47,887 --> 00:19:49,720
- [groans]

580
00:19:49,722 --> 00:19:51,655
- I'M GONNA KILL WIND.

581
00:19:53,059 --> 00:19:56,060
- SO THAT CARICATURIST IS GONNA
GET OFF SCOT-FREE?

582
00:19:56,062 --> 00:19:57,761
- IT SICKENS ME, QUINN.

583
00:19:57,763 --> 00:20:00,464
THE CRIMINALS HAVE MORE RIGHTS
THAN THE VICTIMS.

584
00:20:00,466 --> 00:20:02,066
- YOU SHOULD AT LEAST
BURN THE PICTURE

585
00:20:02,068 --> 00:20:03,634
SO NO ONE EVER SEES IT AGAIN.

586
00:20:03,636 --> 00:20:04,969
- I SHOULD BURN IT?

587
00:20:04,971 --> 00:20:06,670
I THOUGHT YOU HAD IT.

588
00:20:18,751 --> 00:20:21,452
- ♪ LA-LA, LA, LA-LA ♪

589
00:20:21,454 --> 00:20:29,393
♪ ♪

590
00:20:33,666 --> 00:20:38,135
♪ LA-LA, LA ♪

591
00:20:38,137 --> 00:20:43,140
♪ LA-LA, LA ♪

592
00:20:43,142 --> 00:20:45,943
- ♪ LA-LA, LA ♪