1 00:00:02,069 --> 00:00:04,569 - ♪ LA-LA, LA, LA-LA ♪ 2 00:00:08,009 --> 00:00:09,574 - WHATEVER HAPPENED TO THE BIG 3 00:00:09,576 --> 00:00:12,011 "REVITALIZE DOWNTOWN LAWNDALE" PLAN? 4 00:00:12,013 --> 00:00:13,846 - THEY SPENT ALL THE MONEY ON FLAGS. 5 00:00:13,848 --> 00:00:15,013 COME ON. 6 00:00:15,015 --> 00:00:16,248 WE HAVE TO GET TO THE POST OFFICE 7 00:00:16,250 --> 00:00:17,249 BEFORE IT CLOSES. 8 00:00:17,251 --> 00:00:19,251 - AH, NEW WANTED POSTERS GO UP TODAY? 9 00:00:19,253 --> 00:00:22,854 - NO USE TRYING TO KEEP GOOD NEWS SECRET IN THIS TOWN. 10 00:00:22,856 --> 00:00:24,089 COMING? 11 00:00:24,091 --> 00:00:25,691 - [whistling jovially] 12 00:00:25,693 --> 00:00:27,993 - ACTUALLY, I REALLY NEED AN ERASER, 13 00:00:27,995 --> 00:00:30,295 A NICE, BIG, CUTE ONE. 14 00:00:30,297 --> 00:00:32,063 YOU GUYS GO ON AHEAD AND I'LL CATCH UP WITH YOU 15 00:00:32,065 --> 00:00:35,200 AT THE PIZZA PLACE. 16 00:00:37,438 --> 00:00:39,404 - LADIES, GENTLEMEN, 17 00:00:39,406 --> 00:00:41,072 AND ESPECIALLY LADIES, 18 00:00:41,074 --> 00:00:42,841 RUTTHEIMER THE PRESTIDIGITATOR 19 00:00:42,843 --> 00:00:44,543 BEGS YOUR INDULGENCE. 20 00:00:44,545 --> 00:00:48,147 MAY I SHOW YOU SOMETHING THAT WILL ASTOUND AND AMAZE? 21 00:00:48,149 --> 00:00:49,414 - LOOK, BABE. 22 00:00:49,416 --> 00:00:51,417 UPCHUCK'S DOING MAGIC, LIKE DAVID COPPERTONE. 23 00:00:51,419 --> 00:00:55,387 - A SIMPLE DECK OF CARDS AND NOTHING UP MY SLEEVE, 24 00:00:55,389 --> 00:00:57,589 IF YOU DON'T COUNT MY RIPPLING MUSCULATURE. 25 00:00:57,591 --> 00:00:58,957 - LET'S GO, KEVIE, 26 00:00:58,959 --> 00:01:00,292 OR CASHMAN'S WILL BE ALL OUT 27 00:01:00,294 --> 00:01:02,461 OF THAT THING THAT YOU'RE GONNA WANT TO BUY ME. 28 00:01:04,965 --> 00:01:07,566 - NOW I'LL NEED SOME HELP FROM THE AUDIENCE. 29 00:01:07,568 --> 00:01:09,068 - ME, ME, ME! 30 00:01:09,070 --> 00:01:11,403 - MM, YES, YOU'LL DO NICELY. 31 00:01:11,405 --> 00:01:13,405 PICK A CARD, ANY CARD. 32 00:01:13,407 --> 00:01:17,409 LOOK AT IT AND RETURN IT TO THE DECK. 33 00:01:17,411 --> 00:01:18,744 - THAT WAS AWESOME. 34 00:01:18,746 --> 00:01:19,745 - WE'RE NOT DONE. 35 00:01:19,747 --> 00:01:20,879 - IT WAS STILL COOL. 36 00:01:20,881 --> 00:01:23,481 - NOW, COMELY MISS, IF YOU WILL, 37 00:01:23,483 --> 00:01:26,284 REACH INTO MY SHIRT POCKET WITH YOUR TEETH 38 00:01:26,286 --> 00:01:28,687 AND REMOVE THE CARD YOU FIND THERE. 39 00:01:28,689 --> 00:01:31,423 - UM, OKAY. 40 00:01:31,425 --> 00:01:33,191 - [purrs creepily] 41 00:01:33,193 --> 00:01:35,394 IS THIS YOUR CARD, SIR? 42 00:01:35,396 --> 00:01:37,396 - UM, I FORGOT. 43 00:01:37,398 --> 00:01:39,431 - IT DID HAVE A GUY ON IT. 44 00:01:39,433 --> 00:01:40,665 - OH, RIGHT. 45 00:01:40,667 --> 00:01:41,666 HEY! 46 00:01:41,668 --> 00:01:43,202 YOU TOOK MY CARD, MAN. 47 00:01:43,204 --> 00:01:45,204 [applause] 48 00:01:45,206 --> 00:01:47,839 - BURR, IT'S LIKE HE READ YOUR MIND. 49 00:01:47,841 --> 00:01:49,641 DO YOU THINK HE CAN READ MY MIND? 50 00:01:49,643 --> 00:01:52,377 'CAUSE THAT STUFF I WAS THINKING ABOUT TEDDY WOZNIAK 51 00:01:52,379 --> 00:01:55,880 DOESN'T MEAN I'D ACTUALLY DO THAT STUFF WITH TEDDY WOZNI-- 52 00:01:55,882 --> 00:01:57,148 EEP! 53 00:02:00,153 --> 00:02:03,488 - WOW, THIS PLACE IS SO OLD, THE CRAYONS HAVE EXPIRED. 54 00:02:03,490 --> 00:02:05,657 - IT'S REALLY ORBITING PLANET YESTERDAY, HUH? 55 00:02:05,659 --> 00:02:07,259 THEY DON'T MAKE 'EM LIKE THEY USED TO. 56 00:02:07,261 --> 00:02:09,728 - I LOVE THIS STUFF-- PHOTO CORNERS, 57 00:02:09,730 --> 00:02:11,697 CLOTH TYPEWRITER RIBBON, SEALING WAX. 58 00:02:11,699 --> 00:02:13,999 - OH, LOOK, CARBON PAPER. 59 00:02:14,001 --> 00:02:15,901 I'M NATHAN. - JANE. 60 00:02:15,903 --> 00:02:17,969 - I REALLY OUGHT TO GIVE THIS A TEST SCRIBBLE 61 00:02:17,971 --> 00:02:18,970 BEFORE I BUY IT. 62 00:02:18,972 --> 00:02:20,571 MAYBE I COULD WRITE DOWN, SAY, 63 00:02:20,573 --> 00:02:21,573 A PHONE NUMBER? 64 00:02:21,575 --> 00:02:23,942 - HOW ABOUT MINE? 65 00:02:25,846 --> 00:02:27,145 AND HE WEARS CUFFLINKS 66 00:02:27,147 --> 00:02:29,180 AND DRIVES ONE OF THOSE BIG OLD CARS WITH FINS. 67 00:02:29,182 --> 00:02:30,182 HOW GREAT IS THAT? 68 00:02:30,184 --> 00:02:32,150 - DO YOU THINK IT'S A GOOD IDEA 69 00:02:32,152 --> 00:02:33,918 TO PICK UP A PERFECT STRANGER 70 00:02:33,920 --> 00:02:36,621 WHILE UNDER THE INFLUENCE OF INKWELL FUMES, 71 00:02:36,623 --> 00:02:39,458 EVEN IF HE HAS COME HERE FROM PREHISTORIC TIMES? 72 00:02:39,460 --> 00:02:41,860 - HEY, IF I DIDN'T HAVE THE NERVE TO PICK UP GUYS, 73 00:02:41,862 --> 00:02:43,061 YOU WOULDN'T HAVE A BOYFRIEND. 74 00:02:43,063 --> 00:02:44,362 - OH, GREAT. 75 00:02:44,364 --> 00:02:47,131 I'M NOT GONNA HAVE TO DATE THIS GUY NOW, AM I? 76 00:02:47,133 --> 00:02:48,133 [together] HEY! 77 00:02:48,135 --> 00:02:49,134 - WHAT'D I SAY? 78 00:02:49,136 --> 00:02:50,135 - I DON'T KNOW. 79 00:02:50,137 --> 00:02:51,169 I HATE THE PRESENT TOO, 80 00:02:51,171 --> 00:02:52,503 BUT NOT ENOUGH TO WEAR A ZOOT SUIT. 81 00:02:52,505 --> 00:02:53,939 - HE DOESN'T WEAR A ZOOT SUIT. 82 00:02:53,941 --> 00:02:56,874 HE'S A SNAPPY DRESSER IN THE CLASSICAL, ELEGANT SENSE. 83 00:02:56,876 --> 00:02:59,411 PLUS, HE HAS IMPECCABLE MANNERS AND A BITING WIT. 84 00:02:59,413 --> 00:03:00,512 - OH, SO HE'S-- 85 00:03:00,514 --> 00:03:02,214 - AND HE LOVES GIRLS. 86 00:03:02,216 --> 00:03:04,249 - OKAY, HE'S GOT IT ALL, 87 00:03:04,251 --> 00:03:06,017 NOT LIKE SOME GUYS. 88 00:03:06,019 --> 00:03:07,685 - IT'S TRUE; IF I REALLY CARED, 89 00:03:07,687 --> 00:03:09,254 I'D DRESS LIKE A DEAD MAN TOO. 90 00:03:09,256 --> 00:03:11,189 - THANKS FOR THE ENCOURAGEMENT, YOU TWO. 91 00:03:11,191 --> 00:03:12,591 MAYBE SOMETIME YOU CAN TEACH ME 92 00:03:12,593 --> 00:03:15,527 HOW TO PASS JUDGMENT ON SOMEONE I'VE NEVER MET. 93 00:03:15,529 --> 00:03:17,429 - SHE'S GONNA BE DISAPPOINTED. 94 00:03:17,431 --> 00:03:21,900 - YEAH, THAT'S NOT REALLY THE KIND OF THING YOU CAN TEACH. 95 00:03:21,902 --> 00:03:23,735 - I PLACE THE BALL BENEATH A CUP. 96 00:03:23,737 --> 00:03:25,571 WITH DAZZLING SKILL, I MIX THEM UP. 97 00:03:25,573 --> 00:03:28,440 THE BALL WITHDRAWS LIKE A BASHFUL MAID 98 00:03:28,442 --> 00:03:30,509 WHO RUNS AWAY WHEN ATTENTION'S PAID. 99 00:03:30,511 --> 00:03:33,378 WHERE, OH, WHERE DID MY PRETTY ONE GO? 100 00:03:33,380 --> 00:03:36,114 RISK TEN BILLS IF YOU THINK YOU KNOW. 101 00:03:36,116 --> 00:03:39,283 - DESPITE YOUR DISTRACTING AND POORLY METERED RHYME, 102 00:03:39,285 --> 00:03:41,252 MY EAGLE EYE TELLS ME THE BALL 103 00:03:41,254 --> 00:03:43,254 IS CERTAINLY UNDERNEATH THAT CUP! 104 00:03:43,256 --> 00:03:46,224 AND I'VE GOT THE TEN-SPOT TO PROVE IT! 105 00:03:46,226 --> 00:03:48,559 - I HATE TO CONTRADICT YOU, ANTHONY, 106 00:03:48,561 --> 00:03:51,563 BUT IT'S UNDER THAT ONE. 107 00:03:51,565 --> 00:03:54,166 - WOULD YOU LIKE TO BET, MR. O'NEILL? 108 00:03:54,168 --> 00:03:56,100 - YEAH, I'M NOT AFRAID 109 00:03:56,102 --> 00:03:58,870 TO BACK UP MY SPORTING SUPPOSITION 110 00:03:58,872 --> 00:04:00,339 WITH COLD, HARD CASH! 111 00:04:00,341 --> 00:04:02,374 - WELL, I SUPPOSE I SHOULD 112 00:04:02,376 --> 00:04:05,076 HAVE THE COURAGE OF MY CONVICTIONS. 113 00:04:05,078 --> 00:04:06,878 - OH, NO. 114 00:04:06,880 --> 00:04:11,549 HOW COULD MY RAZOR-SHARP INTELLECT BETRAY ME? 115 00:04:11,551 --> 00:04:13,117 - IN LOSS, THERE IS WISDOM. 116 00:04:13,119 --> 00:04:14,118 - GO AWAY! 117 00:04:14,120 --> 00:04:16,021 - UM, YES. 118 00:04:16,023 --> 00:04:19,458 - THANKS FOR THE ASSISTANCE, MR. DE-PLANT-INO. 119 00:04:19,460 --> 00:04:22,661 - I QUITE ENJOY HELPING THE CREDULOUS HORDES 120 00:04:22,663 --> 00:04:26,364 LEARN A VALUABLE LESSON ABOUT GULLIBILITY AND TRUST. 121 00:04:26,366 --> 00:04:27,599 GIVE ME MY CUT. 122 00:04:27,601 --> 00:04:28,934 - THE CASH IS SWEET, 123 00:04:28,936 --> 00:04:31,570 BUT SWEETER STILL, THE CHANCE TO ATTRACT 124 00:04:31,572 --> 00:04:33,271 THE MOST LUSCIOUS OF LADIES 125 00:04:33,273 --> 00:04:35,640 WITH MY MESMERIZING STAGE PRESENCE. 126 00:04:35,642 --> 00:04:38,209 AHA! IT'S WORKING ALREADY. 127 00:04:38,211 --> 00:04:40,111 BEAUTEOUS MAIDENS, 128 00:04:40,113 --> 00:04:43,481 MAY I SHOW YOU SOMETHING THAT WILL ASTOUND AND AMAZE? 129 00:04:43,483 --> 00:04:45,350 - ONLY IF IT'S A DISAPPEARING ACT. 130 00:04:45,352 --> 00:04:47,786 - NO, A FEAT OF ILLUSION. 131 00:04:47,788 --> 00:04:51,323 - LIKE CONTOURING YOUR NOSE TO MAKE IT LOOK THIN? 132 00:04:51,325 --> 00:04:53,392 - [gasps] - NOT ME. 133 00:04:53,394 --> 00:04:55,494 - PLEASE, SPARE JUST A MOMENT 134 00:04:55,496 --> 00:04:57,829 TO BEHOLD MY ASTONISHING MAGIC SKILLS. 135 00:04:57,831 --> 00:04:59,597 - MAKE IT FAST, CHARLES. 136 00:04:59,599 --> 00:05:00,799 I DON'T WANT TO GET STUCK 137 00:05:00,801 --> 00:05:02,601 IN THE MIDDAY COSMETICS COUNTER CRUSH. 138 00:05:02,603 --> 00:05:05,370 - OBSERVE, GENUINE U.S. CURRENCY, 139 00:05:05,372 --> 00:05:08,473 WHICH I SHALL NOW TEAR INTO TINY PIECES. 140 00:05:08,475 --> 00:05:09,474 [girls gasping] 141 00:05:09,476 --> 00:05:11,243 - THAT IS MOST CERTAINLY ILLEGAL. 142 00:05:11,245 --> 00:05:12,244 - BUT WAIT. 143 00:05:12,246 --> 00:05:13,411 THROUGH THE COMMANDING FORCE 144 00:05:13,413 --> 00:05:14,746 OF MY VIRILE PRESENCE, 145 00:05:14,748 --> 00:05:17,015 THE BILL IS MAGICALLY RESTORED. 146 00:05:17,017 --> 00:05:18,016 [girls sigh] 147 00:05:18,018 --> 00:05:19,350 - TRULY ASTONISHING. 148 00:05:19,352 --> 00:05:20,351 - BUT HOW'D HE DO THAT? 149 00:05:20,353 --> 00:05:23,087 - OH, STACY, YOU ARE SO NAIVE. 150 00:05:23,089 --> 00:05:25,557 HE OBVIOUSLY USED MIRRORS OR SOMETHING. 151 00:05:25,559 --> 00:05:28,192 - BESIDES, WHO CARES IF HE CAN FIX A TEN? 152 00:05:28,194 --> 00:05:29,661 IT'S NOT LIKE IT WAS A 50. 153 00:05:29,663 --> 00:05:33,064 - COME ON; LET'S MAKE SOME REAL MONEY DISAPPEAR. 154 00:05:33,066 --> 00:05:34,899 [laughter] 155 00:05:34,901 --> 00:05:37,201 - THAT WAS A GOOD ONE, SANDY. 156 00:05:38,605 --> 00:05:39,871 - HEY, STRANGER. 157 00:05:39,873 --> 00:05:41,506 HAVEN'T SEEN YOU AROUND MUCH. 158 00:05:41,508 --> 00:05:42,807 - BEEN HANGING OUT WITH NATHAN. 159 00:05:42,809 --> 00:05:43,975 - I HAD A HUNCH. 160 00:05:43,977 --> 00:05:46,511 HEARD ANY GOOD BARBERSHOP QUARTETS LATELY? 161 00:05:46,513 --> 00:05:49,214 - NO, BUT WE WENT TO AN ANTIQUE CAR SHOW SUNDAY, 162 00:05:49,216 --> 00:05:51,083 AND WE'RE STARTING FOXTROT LESSONS TONIGHT. 163 00:05:51,085 --> 00:05:52,184 - SOUNDS GREAT, 164 00:05:52,186 --> 00:05:54,953 EXCEPT FOR THE CAR SHOW AND FOXTROT PART. 165 00:05:54,955 --> 00:05:56,454 - DANCING IS FUN, DARIA, 166 00:05:56,456 --> 00:05:58,423 WHICH IS MORE THAN I CAN SAY FOR YOU THESE DAYS. 167 00:05:58,425 --> 00:06:00,091 - COME ON, A MONTH AGO, 168 00:06:00,093 --> 00:06:02,160 YOU WOULD HAVE BEEN LAUGHING AT THIS TOO. 169 00:06:02,162 --> 00:06:04,262 - YOU DON'T HAVE TO PUT NATHAN AND ME DOWN 170 00:06:04,264 --> 00:06:06,197 JUST BECAUSE YOU AND TOM ARE IN A RUT. 171 00:06:06,199 --> 00:06:08,566 - AT LEAST WE WEREN'T DOING THE FOXTROT 172 00:06:08,568 --> 00:06:10,401 WHEN WE TRIPPED AND FELL INTO IT. 173 00:06:10,403 --> 00:06:12,237 - HA. 174 00:06:12,239 --> 00:06:14,439 - HEY, COME BACK. 175 00:06:14,441 --> 00:06:17,442 DO YOU KNOW YOUR SEAMS ARE CROOKED? 176 00:06:26,853 --> 00:06:29,387 - SO... PIZZA? 177 00:06:29,389 --> 00:06:30,388 WHAT? 178 00:06:30,390 --> 00:06:32,324 - DO YOU THINK WE'RE IN A RUT? 179 00:06:32,326 --> 00:06:33,625 - WHERE'D THAT COME FROM? 180 00:06:33,627 --> 00:06:36,894 - JANE, JUST BECAUSE HER EXCITING SOCIAL LIFE 181 00:06:36,896 --> 00:06:38,730 INVOLVES COPILOTING A TIME MACHINE. 182 00:06:38,732 --> 00:06:40,098 - NATHAN? 183 00:06:40,100 --> 00:06:42,233 - DON'T YOU THINK HE SOUNDS A LITTLE PRETENTIOUS? 184 00:06:42,235 --> 00:06:44,301 - IS THAT ANY WAY TO TALK ABOUT YOUR FUTURE BOYFRIEND? 185 00:06:44,303 --> 00:06:45,637 - HEY. - WHAT'D I SAY? 186 00:06:45,639 --> 00:06:47,204 - [groans] - COME ON. 187 00:06:47,206 --> 00:06:50,575 LET'S SHAKE UP OUR ROUTINE AND GO SOMEPLACE CRAZY. 188 00:06:50,577 --> 00:06:53,878 - WHAT IF HE DOES TURN OUT TO BE A COMPLETE JERK? 189 00:06:53,880 --> 00:06:55,246 - ISN'T THAT JANE'S CALL? 190 00:06:55,248 --> 00:06:57,615 - I FEEL A CERTAIN RESPONSIBILITY 191 00:06:57,617 --> 00:07:00,551 FOR THE HEALTH AND WELL-BEING OF HER SOCIAL LIFE. 192 00:07:00,553 --> 00:07:02,020 - UM, ME TOO. 193 00:07:02,022 --> 00:07:03,621 BUT WE GOT TO GIVE THIS GUY A CHANCE. 194 00:07:03,623 --> 00:07:04,622 - I GUESS. 195 00:07:04,624 --> 00:07:06,557 - HI, I'M DEBBIE, YOUR SERVER. 196 00:07:06,559 --> 00:07:08,760 WOULD YOU CARE FOR A SOUR CREAM SUPREME POTATO SKIN 197 00:07:08,762 --> 00:07:10,228 WITH YOUR ORDER TODAY? 198 00:07:10,230 --> 00:07:13,398 - GEE, I'LL BET YOU SAY THAT TO ALL THE CUSTOMERS. 199 00:07:13,400 --> 00:07:15,032 - IF I DON'T, YOU GET A FREE 200 00:07:15,034 --> 00:07:17,769 $5 PHINEAS T. FIREFLY CERTIFICATE, 201 00:07:17,771 --> 00:07:21,072 GOOD AT ANY OF OUR 240 LOCATIONS ACROSS THE COUNTRY. 202 00:07:21,074 --> 00:07:23,842 - THINK WE CAN CATCH THE LAST RUT OUT OF HERE? 203 00:07:26,112 --> 00:07:28,345 - YOU KNOW, THIS PLACE USED TO BE A SPEAKEASY. 204 00:07:28,347 --> 00:07:30,347 - UNTIL SOME SPOILSPORT REPEALED PROHIBITION 205 00:07:30,349 --> 00:07:31,382 AND RUINED EVERYTHING. 206 00:07:31,384 --> 00:07:32,950 - ACTUALLY, IT WAS THE DEVELOPERS 207 00:07:32,952 --> 00:07:35,086 WHO RUINED EVERYTHING WITH THEIR TRACT HOUSING, 208 00:07:35,088 --> 00:07:38,122 MINI-MALLS, AND CHAIN RESTAURANTS THAT SERVE... 209 00:07:38,124 --> 00:07:39,624 POTATO SKINS. 210 00:07:39,626 --> 00:07:40,859 - YOUSE KNOW THE PASSWORD? 211 00:07:40,861 --> 00:07:41,860 - YAHOOTIE. 212 00:07:41,862 --> 00:07:42,927 - OKAY, JOHNNY BOY. 213 00:07:42,929 --> 00:07:44,329 YOU'RE IN. 214 00:07:44,331 --> 00:07:46,164 - OH, NO, AFTER YOUSE. 215 00:07:46,166 --> 00:07:47,532 - CHIVALRY AIN'T DEAD. 216 00:07:47,534 --> 00:07:49,868 DAMES FIRST. 217 00:07:49,870 --> 00:07:52,938 [jazz music] 218 00:07:52,940 --> 00:07:54,873 - THE PROBLEM WITH MODERN RESTAURANTS IS, 219 00:07:54,875 --> 00:07:56,174 THEY DON'T SERVE ENOUGH 220 00:07:56,176 --> 00:07:58,376 LIME ASPIC WITH MARSHMALLOW SURPRISES. 221 00:07:58,378 --> 00:08:00,478 - TOLD YOU THIS CLUB WAS 18-KARAT. 222 00:08:00,480 --> 00:08:03,514 TOO BAD THE CROWD TONIGHT'S KIND OF FRANKIE-COME-LATELY. 223 00:08:03,516 --> 00:08:05,016 THEY'RE SO POST-KHAKIS AD. 224 00:08:05,018 --> 00:08:06,017 - OOH. 225 00:08:06,019 --> 00:08:07,018 - I'M SERIOUS. 226 00:08:07,020 --> 00:08:08,519 THAT GUY'S TIE IS TOO WIDE, 227 00:08:08,521 --> 00:08:11,022 AND HIS COMPAÑERO'S WEARING SUSPENDERS AND A BELT. 228 00:08:11,024 --> 00:08:12,890 I CAN'T BELIEVE THEY LET THEM IN. 229 00:08:12,892 --> 00:08:15,593 - GEE, MAYBE I SHOULDN'T HAVE PUT ON GLOVES AND A NECKLACE. 230 00:08:15,595 --> 00:08:17,996 - RELAX, YOU'RE WITH NATHAN, SWEETHEART. 231 00:08:17,998 --> 00:08:19,597 YOU CAN'T BE MORE IN THAN THAT. 232 00:08:19,599 --> 00:08:20,765 WANT TO CUT A RUG? 233 00:08:20,767 --> 00:08:23,568 - JUST CALL ME "SCISSORS GIRL." 234 00:08:23,570 --> 00:08:25,704 - JANE, YOU'RE ONE SWELL CHICK. 235 00:08:25,706 --> 00:08:28,306 - AND YOU'RE, UH... ONE SWELL SWELL? 236 00:08:28,308 --> 00:08:29,841 - WOULD YOU MIND IF I KISSED YOU? 237 00:08:29,843 --> 00:08:31,075 - YOU'RE ACTUALLY ASKING? 238 00:08:31,077 --> 00:08:32,711 - HEY, I'M A CLASS ACT. 239 00:08:32,713 --> 00:08:35,680 - THEN, SURE. 240 00:08:35,682 --> 00:08:36,681 - MY HAIR! 241 00:08:36,683 --> 00:08:37,681 - IT'S A QUICK FIX. 242 00:08:37,683 --> 00:08:39,150 - NO, NO, IT'S COMPLICATED. 243 00:08:39,152 --> 00:08:40,751 I GOT TO GET TO A MIRROR. 244 00:08:40,753 --> 00:08:42,320 - [sniffs] POMADE. 245 00:08:42,322 --> 00:08:44,756 I GOT TO GET TO A NAPKIN. 246 00:08:44,758 --> 00:08:48,693 - OH, HOW I WISH I COULD QUENCH YOUR CURIOSITY, MY PET. 247 00:08:48,695 --> 00:08:50,795 BUT I CANNOT REVEAL MY SECRETS. 248 00:08:50,797 --> 00:08:52,263 IT'S THE MAGICIAN'S CODE. 249 00:08:52,265 --> 00:08:54,199 - BUT I HAVE TO KNOW HOW YOU DID IT. 250 00:08:54,201 --> 00:08:55,734 I CAN'T GET IT OUT OF MY MIND. 251 00:08:55,736 --> 00:08:57,068 - I KNOW THE FEELING. 252 00:08:57,070 --> 00:09:00,171 THERE ARE SO MANY THINGS I CAN'T GET OUT OF MY MIND-- 253 00:09:00,173 --> 00:09:03,541 THAT DREAM ABOUT THE MERMAIDS IN THE FUDGE SAUCE, FOR EXAMPLE. 254 00:09:03,543 --> 00:09:06,044 - WAS THAT STACY WITH UPCHUCK? 255 00:09:06,046 --> 00:09:07,879 - NO WAY, IT MUST BE THAT GIRL 256 00:09:07,881 --> 00:09:10,281 WHO LOOKS LIKE STACY EXCEPT WHEN SHE TURNS AROUND. 257 00:09:10,283 --> 00:09:13,184 - OR THAT GIRL WHO LOOKS LIKE THAT GIRL. 258 00:09:15,155 --> 00:09:16,487 - HEY, WAIT UP. 259 00:09:16,489 --> 00:09:18,623 - YOU'RE LUCKY I HAVE TROUBLE WALKING IN HEELS. 260 00:09:18,625 --> 00:09:22,327 - LISTEN, I'M SORRY I GAVE YOU A HARD TIME ABOUT NATHAN. 261 00:09:22,329 --> 00:09:24,129 - WHY DO YOU ALWAYS HAVE TO WRITE PEOPLE OFF 262 00:09:24,131 --> 00:09:25,330 BEFORE YOU EVEN KNOW THEM? 263 00:09:25,332 --> 00:09:27,299 - I THOUGHT THAT'S WHAT YOU LIKED ABOUT ME. 264 00:09:27,301 --> 00:09:29,601 - WELL, I GUESS I CAN FORGIVE YOU. 265 00:09:29,603 --> 00:09:31,770 BESIDES, THIS RETRO THING IS PRETTY SILLY. 266 00:09:31,772 --> 00:09:33,238 I MEAN, I'M WEARING A SNOOD. 267 00:09:33,240 --> 00:09:35,306 - I WAS PRETENDING NOT TO NOTICE. 268 00:09:35,308 --> 00:09:36,874 - BUT WHAT THE HELL? IT'S JUST FOR FUN. 269 00:09:36,876 --> 00:09:39,243 - WHICH IS WHAT I FINALLY FIGURED OUT. 270 00:09:39,245 --> 00:09:42,213 SO CAN I WALK YOU TO YOUR STENO POOL? 271 00:09:42,215 --> 00:09:43,982 - ACTUALLY, NATHAN IS PICKING ME UP. 272 00:09:43,984 --> 00:09:45,617 [horn honking] 273 00:09:45,619 --> 00:09:46,751 NEED A RIDE HOME? 274 00:09:46,753 --> 00:09:48,653 - UM... 275 00:09:48,655 --> 00:09:50,722 MATCHING DRESS AND TIE. 276 00:09:50,724 --> 00:09:52,356 UM... COPACETIC. 277 00:09:52,358 --> 00:09:54,125 - HEY, YOU SPEAKA THE JIVE. 278 00:09:54,127 --> 00:09:57,294 - I DABBLE. 279 00:09:57,296 --> 00:09:59,864 - THAT'S A SWINGIN' LOOK YOU'VE PUT TOGETHER, DARIA-- 280 00:09:59,866 --> 00:10:01,132 CATHOLIC SCHOOL GIRL 281 00:10:01,134 --> 00:10:03,635 MEETS KING'S ROAD, LONDON, CIRCA '83. 282 00:10:03,637 --> 00:10:06,504 - DARN, I WAS GOING FOR CIRCA '82. 283 00:10:06,506 --> 00:10:09,140 - HEY, DARIA, DO YOU AND TOM WANT TO HANG OUT WITH US FRIDAY? 284 00:10:09,142 --> 00:10:11,309 WE'RE GONNA CHECK OUT THIS MOVIE THEATER OUTSIDE TOWN. 285 00:10:11,311 --> 00:10:12,577 - UM, SURE. 286 00:10:12,579 --> 00:10:15,647 THAT SOUNDS...FUN. 287 00:10:18,952 --> 00:10:21,719 - NATHAN, HOW THE HELL ARE YOU KEEPING THAT HAT ON? 288 00:10:21,721 --> 00:10:23,154 - CUSTOM-MADE, MY MAN. 289 00:10:23,156 --> 00:10:24,422 IT'S ALL IN THE FIT. 290 00:10:24,424 --> 00:10:27,826 - AND YET THEY CAN'T FIND A CURE FOR CANCER. 291 00:10:27,828 --> 00:10:29,461 - NATHAN OWNS A PAIR OF PANTS 292 00:10:29,463 --> 00:10:31,162 THAT BELONGED TO SAMMY DAVIS, JR. 293 00:10:31,164 --> 00:10:32,497 - I CAN'T WEAR THEM, THOUGH. 294 00:10:32,499 --> 00:10:34,098 THEY'RE A VERY STRANGE SHAPE. 295 00:10:34,100 --> 00:10:35,667 - THEN WHAT DO YOU PUT ON 296 00:10:35,669 --> 00:10:38,569 WHEN YOU WANT TO TAKE A SUNRISE AND SPRINKLE IT WITH DEW? 297 00:10:38,571 --> 00:10:40,105 - HOW'D YOU GET INTERESTED IN ALL THIS? 298 00:10:40,107 --> 00:10:42,273 - WELL, I'VE ALWAYS DUG THE BEAUTY AND ELEGANCE 299 00:10:42,275 --> 00:10:43,975 OF POSTWAR AMERICAN DESIGN. 300 00:10:43,977 --> 00:10:45,844 PEOPLE HAD A SENSE OF TIMELESS STYLE 301 00:10:45,846 --> 00:10:47,612 AND CIVILIZED DECORUM BACK THEN. 302 00:10:47,614 --> 00:10:50,982 - WELL, YEAH, BUT YOU ALSO HAD THE TIMELESS STYLE 303 00:10:50,984 --> 00:10:52,617 OF COLD WAR CONFORMITY 304 00:10:52,619 --> 00:10:54,952 AND THE CIVILIZED DECORUM OF SEGREGATION. 305 00:10:54,954 --> 00:10:56,955 - I'M NOT SAYING IT WAS ALL STEAK AND ONIONS, 306 00:10:56,957 --> 00:10:58,055 BUT THERE WERE STANDARDS. 307 00:10:58,057 --> 00:11:01,258 - YEAH, DRESS CODES, LOYALTY OATHS. 308 00:11:01,260 --> 00:11:03,461 - OH, THERE IT IS. 309 00:11:03,463 --> 00:11:04,562 - WHAT MOVIE ARE WE SEEING? 310 00:11:04,564 --> 00:11:05,563 - NO MOVIE. 311 00:11:05,565 --> 00:11:07,398 - WOW, EERIE. 312 00:11:07,400 --> 00:11:08,933 LET'S GET OUT AND POKE AROUND. 313 00:11:08,935 --> 00:11:10,167 - IT IS KIND OF BIZARRE. 314 00:11:10,169 --> 00:11:13,037 - NO, HAIRLESS CATS ARE BIZARRE. 315 00:11:13,039 --> 00:11:15,106 THIS IS KIND OF...COOL. 316 00:11:15,108 --> 00:11:17,108 - DARN, WE'RE THE FIRST ONES HERE. 317 00:11:17,110 --> 00:11:18,309 I WANTED TO MAKE AN ENTRANCE. 318 00:11:18,311 --> 00:11:19,844 - FIRST ONES HERE? 319 00:11:19,846 --> 00:11:23,581 - LOOK, HERE COMES CHARLISE AND ASHER. 320 00:11:23,583 --> 00:11:27,085 - OH, GOD, IT'S NIGHT OF THE VINTAGE THREADS. 321 00:11:27,087 --> 00:11:28,086 - COME ON, JANE. 322 00:11:28,088 --> 00:11:29,286 I'LL INTRODUCE YOU TO THE GANG. 323 00:11:29,288 --> 00:11:30,287 - THERE'S A GANG? 324 00:11:30,289 --> 00:11:31,756 - BUT FIRST, HAIR CHECK. 325 00:11:31,758 --> 00:11:33,724 [upbeat jazz music] 326 00:11:33,726 --> 00:11:35,460 - GO, MAN, GO! - YEAH! 327 00:11:35,462 --> 00:11:36,627 - LOOK AT THAT GUY MOVE, MAN! 328 00:11:36,629 --> 00:11:37,762 - HEY, THAT WAS PRETTY GOOD. 329 00:11:37,764 --> 00:11:39,631 - AND I'M SURE THEY DIDN'T SPEND 330 00:11:39,633 --> 00:11:41,366 A GOOD PORTION OF THEIR TEEN YEARS 331 00:11:41,368 --> 00:11:44,535 PRACTICING IT EITHER. 332 00:11:44,537 --> 00:11:45,770 - AREN'T YOU GUYS COMING? 333 00:11:45,772 --> 00:11:47,605 - YOU MEAN OUTSIDE? 334 00:11:47,607 --> 00:11:50,041 YOU DO SEE THE PEOPLE, RIGHT? 335 00:11:50,043 --> 00:11:51,042 - DARIA. 336 00:11:51,044 --> 00:11:52,110 - OKAY, OKAY. 337 00:11:52,112 --> 00:11:54,245 JUST DROP US OFF AT HOME FIRST. 338 00:11:54,247 --> 00:11:55,313 - AH, LEAVE 'EM. 339 00:11:55,315 --> 00:11:56,781 SOME PEOPLE CAN'T MAKE THE SCENE 340 00:11:56,783 --> 00:12:00,184 UNLESS THEY CLEAR IT FIRST WITH THE P.C. POLICE. 341 00:12:00,186 --> 00:12:01,953 - FOR A MINUTE DURING THE RIDE THERE, 342 00:12:01,955 --> 00:12:03,621 I THOUGHT YOU WERE GONNA GO FOR HIS THROAT. 343 00:12:03,623 --> 00:12:06,024 - BELIEVE ME, I'VE BEEN FIGHTING BACK THE URGE 344 00:12:06,026 --> 00:12:08,526 TO STRANGLE HIM WITH SAMMY DAVIS' PANTS. 345 00:12:08,528 --> 00:12:10,862 BUT JANE THINKS HE'S SWINGIN'. 346 00:12:10,864 --> 00:12:11,996 [sighs] 347 00:12:11,998 --> 00:12:14,532 I WISH THE P.C. POLICE WERE HERE. 348 00:12:14,534 --> 00:12:16,934 I BET THEY'D GIVE US A RIDE HOME. 349 00:12:23,676 --> 00:12:25,376 - I HAD A GREAT TIME THE OTHER NIGHT. 350 00:12:25,378 --> 00:12:26,777 - YEAH, ME TOO. 351 00:12:26,779 --> 00:12:29,047 - SORRY WE WOKE YOU GUYS UP WHEN WE GOT BACK IN THE CAR. 352 00:12:29,049 --> 00:12:30,448 - HEY, NO PROBLEM. 353 00:12:30,450 --> 00:12:32,817 WE GOT IN A GOOD THREE HOURS FIRST. 354 00:12:32,819 --> 00:12:36,120 - COME SEE A FEAT OF LEGERDEMAIN SO DANGEROUS, 355 00:12:36,122 --> 00:12:38,823 I'VE TAKEN OUT AN INSURANCE POLICY ON MY BODY 356 00:12:38,825 --> 00:12:41,159 AND MY BODILY FLUIDS. 357 00:12:41,161 --> 00:12:42,493 THIS SATURDAY NIGHT, 358 00:12:42,495 --> 00:12:44,595 I WILL BE HANDCUFFED, STRAIGHT-JACKETED, 359 00:12:44,597 --> 00:12:47,598 AND INTERRED WITHIN AN AIRTIGHT, STEEL-REINFORCED, 360 00:12:47,600 --> 00:12:49,233 MILITARY-GRADE TRUNK. 361 00:12:49,235 --> 00:12:51,836 THEN IT'S ESCAPE... OR ASPHYXIATE. 362 00:12:51,838 --> 00:12:53,438 - DO WE GET TO PICK? 363 00:12:53,440 --> 00:12:54,839 - ALL PROCEEDS-- - AHEM. 364 00:12:54,841 --> 00:12:58,108 - MOST PROCEEDS TO BENEFIT THE SPECIAL EXPENDITURES FUND 365 00:12:58,110 --> 00:13:00,445 FOR EMBEDDING MICROCHIPS IN THE GYM EQUIPMENT. 366 00:13:00,447 --> 00:13:02,447 - UPCHUCK BOUND AND GAGGED. 367 00:13:02,449 --> 00:13:04,115 THAT DOES SOUND ENTERTAINING. 368 00:13:04,117 --> 00:13:05,282 - I'LL TAKE FOUR TICKETS. 369 00:13:05,284 --> 00:13:07,418 - ON BEHALF OF PILFERED BASKETBALLS EVERYWHERE, 370 00:13:07,420 --> 00:13:08,686 MISS LANE, I'D LIKE TO SAY 371 00:13:08,688 --> 00:13:10,922 THAT'S VERY SCHOOL-SPIRITED OF YOU. 372 00:13:10,924 --> 00:13:12,056 - YOU ASK TOM. 373 00:13:12,058 --> 00:13:13,324 I'LL ASK NATHAN. MY TREAT. 374 00:13:13,326 --> 00:13:15,326 - IF THAT'S THE WORD FOR IT. 375 00:13:15,328 --> 00:13:18,495 - BEHOLD, AN APPROACHING QUARTET OF LOVELIES. 376 00:13:18,497 --> 00:13:21,833 IT APPEARS MY MAGIC MOJO IS WORKING OVERTIME. 377 00:13:21,835 --> 00:13:22,834 HI... 378 00:13:22,836 --> 00:13:24,269 STACY. 379 00:13:24,271 --> 00:13:26,437 - UH...HI. [giggles] 380 00:13:26,439 --> 00:13:28,773 - DID YOU JUST SAY HELLO TO UPCHUCK, 381 00:13:28,775 --> 00:13:30,108 OR WAS THAT A HICCUP? 382 00:13:30,110 --> 00:13:32,777 - MUST BE ALL THE DIET SODA I'VE BEEN DRINKING. 383 00:13:32,779 --> 00:13:34,445 [doorbell dings] 384 00:13:34,447 --> 00:13:37,214 - WHOA. CANARY YELLOW. 385 00:13:37,216 --> 00:13:38,383 - HI, I'M NATHAN, 386 00:13:38,385 --> 00:13:39,917 JANE'S ESCORT FOR THE EVENING. 387 00:13:39,919 --> 00:13:40,918 YOU MUST BE TRENT. 388 00:13:40,920 --> 00:13:42,487 IT'S GREAT TO FINALLY MEET YOU. 389 00:13:42,489 --> 00:13:44,522 - YEAH, SAME HERE. 390 00:13:44,524 --> 00:13:47,058 YOU, UM, DRESS LIKE THAT EVERY DAY? 391 00:13:47,060 --> 00:13:48,993 - SURE, DO YOU? - WHAT? 392 00:13:48,995 --> 00:13:49,994 - DRESS LIKE THAT? 393 00:13:49,996 --> 00:13:51,596 I MEAN, THE '60s ARE OVER. 394 00:13:51,598 --> 00:13:53,598 - THE '40s WERE OVER FIRST. 395 00:13:53,600 --> 00:13:56,034 - MAYBE, BUT GREAT STYLE IS TIMELESS. 396 00:13:56,036 --> 00:13:58,702 - THAT'S EXACTLY WHAT I WAS GONNA SAY. 397 00:13:58,704 --> 00:13:59,703 THANKS. 398 00:13:59,705 --> 00:14:01,472 - NO, THANK YOU. 399 00:14:01,474 --> 00:14:04,541 - IT WAS SO MUCH EASIER WHEN I HAD ONE OUTFIT. 400 00:14:04,543 --> 00:14:06,810 [knocking] YO. 401 00:14:06,812 --> 00:14:08,046 - HEY, GORGEOUS. 402 00:14:08,048 --> 00:14:09,647 - HEY. 403 00:14:09,649 --> 00:14:12,050 WOW, YOU REALLY DO OWN A ZOOT SUIT. 404 00:14:12,052 --> 00:14:16,254 - GOT TO HAVE SOMETHING FOR SPECIAL OCCASIONS. 405 00:14:16,256 --> 00:14:17,521 - TROUBLED TRAVELS... 406 00:14:17,523 --> 00:14:18,723 BY TRIKE! 407 00:14:18,725 --> 00:14:22,193 UNDERAGE ROAD RAGE NEXT ON SICK, SAD WORLD. 408 00:14:22,195 --> 00:14:24,195 - HOW CAN ANYONE WATCH THAT CRAP? 409 00:14:24,197 --> 00:14:26,531 THE DECLINE OF MODERN CIVILIZATION, RIGHT? 410 00:14:26,533 --> 00:14:27,632 - EXACTLY. 411 00:14:27,634 --> 00:14:28,799 - READY TO GO? 412 00:14:28,801 --> 00:14:31,035 THE TIKI TAVERN IS GONNA BE PACKED TONIGHT. 413 00:14:31,037 --> 00:14:32,970 - I BOUGHT TICKETS TO SEE UPCHUCK THE IRRITATING. 414 00:14:32,972 --> 00:14:34,138 REMEMBER? 415 00:14:34,140 --> 00:14:35,806 YOU KNOW, FIRST THE FREAKY, THEN THE TIKI. 416 00:14:35,808 --> 00:14:36,807 - OH, COME ON. 417 00:14:36,809 --> 00:14:39,444 MAGIC IS SO OLD AND CORNY. 418 00:14:39,446 --> 00:14:40,544 AND THE GANG'S EXPECTING US 419 00:14:40,546 --> 00:14:42,646 IN TIME FOR THE FLOATING UKULELE REVIEW. 420 00:14:42,648 --> 00:14:44,315 - I TOLD DARIA AND TOM WE'D BE THERE. 421 00:14:44,317 --> 00:14:45,749 YOU KNOW, MY GANG? 422 00:14:45,751 --> 00:14:47,685 - SORRY, IT'S JUST NOT MY SPEED. 423 00:14:47,687 --> 00:14:50,121 UM, YOU KNOW YOU'RE MIXING '40s SHOES 424 00:14:50,123 --> 00:14:51,789 WITH A '50s DRESS, RIGHT? 425 00:14:51,791 --> 00:14:54,224 - OKAY. 426 00:14:56,296 --> 00:14:59,697 - I THINK STACY HAS CONFUSED BEING FASHIONABLY LATE 427 00:14:59,699 --> 00:15:00,965 WITH OUTRIGHT TARDINESS. 428 00:15:00,967 --> 00:15:04,401 - SHE'S BEEN SO WEIRD LATELY. 429 00:15:04,403 --> 00:15:06,604 - SHE HARDLY DIDN'T EAT ANYTHING AT LUNCH. 430 00:15:06,606 --> 00:15:07,939 DID THAT MAKE SENSE? 431 00:15:07,941 --> 00:15:09,407 - I GOT IT. 432 00:15:09,409 --> 00:15:11,675 - WELCOME, ONE AND ALL! 433 00:15:11,677 --> 00:15:13,077 I'D LIKE TO THANK MR. RUTTHEIMER 434 00:15:13,079 --> 00:15:14,979 FOR SUPPORTING A MOST WORTHY CAUSE, 435 00:15:14,981 --> 00:15:16,481 AND FOR GIVING ME SOME POINTERS 436 00:15:16,483 --> 00:15:19,884 ON ADAPTING THE INTERCOM SYSTEM FOR POSTHYPNOTIC SUGGESTION. 437 00:15:19,886 --> 00:15:21,853 I WILL TITHE MY EARNINGS TO LAWNDALE HIGH, 438 00:15:21,855 --> 00:15:23,354 TITHE MY EARNINGS TO LAWNDALE HIGH. 439 00:15:23,356 --> 00:15:26,123 AND NOW, RUTTHEIMER THE PRESTIDIGITATOR 440 00:15:26,125 --> 00:15:28,459 AND HIS LOVELY ASSISTANT STACY! 441 00:15:28,461 --> 00:15:29,726 [crowd gasps] 442 00:15:29,728 --> 00:15:32,263 - EMERGENCY MEETING IMMEDIATELY FOLLOWING SHOW. 443 00:15:32,265 --> 00:15:36,067 - HER COSTUME, IT'S SO SPARKLY. 444 00:15:36,069 --> 00:15:39,336 - GREETINGS, MAGIC AFICIONADOS. 445 00:15:39,338 --> 00:15:41,272 BE GENTLE, MY SWEET. 446 00:15:41,274 --> 00:15:44,442 I HAVE VERY DELICATE... EVERYTHING. 447 00:15:44,444 --> 00:15:45,944 - I HOPE I'M DOING THIS RIGHT. 448 00:15:45,946 --> 00:15:47,845 - NO COMPLAINTS ON THIS END. 449 00:15:47,847 --> 00:15:49,547 [purrs creepily] 450 00:15:49,549 --> 00:15:51,582 AS SOON AS I AM FULLY BONDAGED, 451 00:15:51,584 --> 00:15:54,052 I WILL ENTER THIS STEEL-REINFORCED TRUNK, 452 00:15:54,054 --> 00:15:56,887 WHICH THE LOVELY STACY WILL CLOSE AND LOCK 453 00:15:56,889 --> 00:15:59,290 FROM THE OUTSIDE. 454 00:16:03,797 --> 00:16:04,996 - OH, NO. 455 00:16:04,998 --> 00:16:06,631 WHAT DO I DO NEXT? 456 00:16:06,633 --> 00:16:08,065 [muffled speech] 457 00:16:09,703 --> 00:16:11,368 - WHERE DO YOU THINK JANE AND NATHAN ARE? 458 00:16:11,370 --> 00:16:14,439 - MAYBE THE ROADSTER RAN OUT OF JIVE JUICE. 459 00:16:14,441 --> 00:16:16,374 - DO THESE MEET WITH YOUR APPROVAL? 460 00:16:16,376 --> 00:16:17,908 - THEY'RE FROM THE '40s TOO. 461 00:16:17,910 --> 00:16:20,144 I JUST DON'T THINK YOU'RE READY TO MIX ERAS YET. 462 00:16:20,146 --> 00:16:21,345 - LOOK IN THE MIRROR. 463 00:16:21,347 --> 00:16:22,980 YOU'RE THE ONE WEARING A '40s ZOOT SUIT 464 00:16:22,982 --> 00:16:24,381 TO A '60s TIKI BAR. 465 00:16:24,383 --> 00:16:26,617 - DAMN, WHAT WAS I THINKING? 466 00:16:26,619 --> 00:16:28,820 NOW I HAVE TO GO HOME AND CHANGE. 467 00:16:28,822 --> 00:16:31,455 - WHAT'S TAKING SO LONG? 468 00:16:31,457 --> 00:16:33,124 I RENTED THE AUDITORIUM OUT, 469 00:16:33,126 --> 00:16:35,893 AND THE SINGLE SCIENTOLOGISTS WILL BE IN LESS THAN AN HOUR. 470 00:16:35,895 --> 00:16:37,728 - HE WAS SUPPOSED TO SIGNAL ME! 471 00:16:37,730 --> 00:16:38,829 SOMETHING'S WRONG! 472 00:16:38,831 --> 00:16:40,064 - PANIC! PANIC! 473 00:16:40,066 --> 00:16:42,700 I FORESEE A MASSIVE HIKE IN INSURANCE PREMIUMS. 474 00:16:42,702 --> 00:16:45,135 - WHY DO I ALWAYS END UP BAILING OUT 475 00:16:45,137 --> 00:16:47,572 THE NAIVE AND/OR INCOMPETENT 476 00:16:47,574 --> 00:16:50,441 WHEN THEIR ILL-CONCEIVED PLANS GO AWRY? 477 00:16:50,443 --> 00:16:52,910 - IT'S JUST LIKE A MAN TO BE THERE ONE MINUTE 478 00:16:52,912 --> 00:16:55,446 AND GONE THE NEXT. 479 00:16:55,448 --> 00:16:57,047 - GET OVER YOURSELF! 480 00:16:57,049 --> 00:16:59,216 YOU'RE TAKING THIS ALL WAY TOO SERIOUSLY. 481 00:16:59,218 --> 00:17:01,385 - NO, YOU'RE NOT TAKING IT SERIOUSLY ENOUGH. 482 00:17:01,387 --> 00:17:03,587 - NATHAN, IT'S A FAD. 483 00:17:03,589 --> 00:17:04,855 IT'S JUST FOR FUN, 484 00:17:04,857 --> 00:17:06,424 NOT SOMETHING TO GO TO WAR OVER. 485 00:17:06,426 --> 00:17:07,425 - YOU'RE WRONG. 486 00:17:07,427 --> 00:17:08,659 RETRO WILL NEVER DIE. 487 00:17:08,661 --> 00:17:10,795 IT'S NOT JUST ABOUT BOWLING SHIRTS 488 00:17:10,797 --> 00:17:13,430 AND COCKTAIL SHAKERS AND DICE-SHAPED CUFFLINKS. 489 00:17:13,432 --> 00:17:15,166 IT'S ABOUT PRIDE AND STANDARDS 490 00:17:15,168 --> 00:17:18,202 THAT SET US APART FROM TODAY'S MINDLESS, INSIPID MAINSTREAM. 491 00:17:18,204 --> 00:17:19,904 THE TRENDIES HAVE COME AND GONE. 492 00:17:19,906 --> 00:17:21,371 THE TRUE BELIEVERS ARE LEFT. 493 00:17:21,373 --> 00:17:23,174 ARE YOU WITH US OR AGAINST US? 494 00:17:23,176 --> 00:17:24,775 - NATHAN, IF YOU REALLY LIKED ME, 495 00:17:24,777 --> 00:17:27,411 IT WOULDN'T MATTER IF I WAS WEARING FISHNETS OR SWEATPANTS. 496 00:17:27,413 --> 00:17:29,613 - YOU OWN SWEATPANTS? 497 00:17:29,615 --> 00:17:30,981 - GET OUT. - DILETTANTE. 498 00:17:30,983 --> 00:17:32,149 - POSEUR. - UGH! 499 00:17:32,151 --> 00:17:33,751 I WAS PRE-KHAKIS COMMERCIAL, 500 00:17:33,753 --> 00:17:35,820 AND DON'T YOU FORGET IT! 501 00:17:35,822 --> 00:17:38,255 - [whimpering] 502 00:17:38,257 --> 00:17:41,826 - COME ON, RIGID, STUBBORN BOX OF DEATH! 503 00:17:41,828 --> 00:17:44,094 YIELD, I SAY. YIELD! 504 00:17:44,096 --> 00:17:46,631 - NO GOOD-BYE, NOT EVEN A NOTE, 505 00:17:46,633 --> 00:17:49,767 AFTER I GAVE YOU THE BEST YEARS OF MY LIFE! 506 00:17:49,769 --> 00:17:52,336 - STACY, IT'S JUST TRAGIC 507 00:17:52,338 --> 00:17:55,138 HOW YOU SO COMPLETELY EMBARRASSED YOURSELF. 508 00:17:55,140 --> 00:17:57,608 - YEAH, AND FREAKED OUT. 509 00:17:57,610 --> 00:17:59,176 - AND YOUR MASCARA, 510 00:17:59,178 --> 00:18:00,878 IT'S NOT EVEN WATERPROOF. 511 00:18:00,880 --> 00:18:02,180 OH! I CAN'T LOOK. 512 00:18:02,182 --> 00:18:04,181 - GOOD THING UPCHUCK'S BURIED ALIVE IN THERE 513 00:18:04,183 --> 00:18:06,317 SO YOU WON'T HAVE TO SPEND THE REST OF YOUR LIFE 514 00:18:06,319 --> 00:18:08,785 SEEKING REVENGE FOR THE WAY HE'S HUMILIATED YOU 515 00:18:08,787 --> 00:18:10,454 IN FRONT OF THE WHOLE SCHOOL. 516 00:18:10,456 --> 00:18:14,558 - OH, SANDY, YOU ARE SO NAIVE. 517 00:18:14,560 --> 00:18:15,592 - HUH? 518 00:18:15,594 --> 00:18:17,295 - UGH! 519 00:18:17,297 --> 00:18:18,695 WHERE IS HE? 520 00:18:18,697 --> 00:18:20,864 - PROBABLY CHATTING UP SOME TOOTSIE 521 00:18:20,866 --> 00:18:24,402 IN A SLEAZY ROADSIDE TAVERN, COMPLAINING HOW HE AND HIS WIFE 522 00:18:24,404 --> 00:18:26,270 HAVEN'T SLEPT IN THE SAME BED SINCE-- 523 00:18:26,272 --> 00:18:27,538 - HE'S BACK THERE! 524 00:18:27,540 --> 00:18:30,707 - SHAZAM. 525 00:18:30,709 --> 00:18:32,743 - GOT TO ADMIT, I REALLY THOUGHT HE WAS IN TROUBLE. 526 00:18:32,745 --> 00:18:33,744 - OPTIMIST. 527 00:18:33,746 --> 00:18:37,314 ARE THOSE SAMMY DAVIS' PANTS? 528 00:18:37,316 --> 00:18:39,416 - LET'S HEAR IT FOR MY LOVELY 529 00:18:39,418 --> 00:18:42,286 AND VERY TALENTED ASSISTANT STACY 530 00:18:42,288 --> 00:18:44,989 AND HER OSCAR-WORTHY ACTING JOB. 531 00:18:44,991 --> 00:18:49,059 YOUR CROCODILE TEARS BRING OUT THE TIGER IN ME. 532 00:18:49,061 --> 00:18:50,661 [purrs creepily] 533 00:18:52,665 --> 00:18:55,966 - MAYBE STACY CAN TEACH ME TO CRY. 534 00:18:55,968 --> 00:18:57,334 - IT WOULD BE USEFUL AT HOME 535 00:18:57,336 --> 00:19:01,338 AND IN A VARIETY OF SOCIAL SITUATIONS. 536 00:19:01,340 --> 00:19:03,341 - DRIVE HOME SAFE. TITHE YOUR EARNINGS. 537 00:19:03,343 --> 00:19:05,142 WELCOME, SINGLE SCIENTOLOGISTS. 538 00:19:05,144 --> 00:19:06,410 - DID I MISS ANYTHING? 539 00:19:06,412 --> 00:19:07,411 - NOTHING GOOD. 540 00:19:07,413 --> 00:19:08,612 UPCHUCK SURVIVED. 541 00:19:08,614 --> 00:19:09,914 - WHERE'S SIR SWANKY? 542 00:19:09,916 --> 00:19:10,915 SORRY, I MEAN-- 543 00:19:10,917 --> 00:19:11,916 - WE BROKE UP. 544 00:19:11,918 --> 00:19:13,217 - NO KIDDING. 545 00:19:13,219 --> 00:19:14,885 - AT LEAST NOW I CAN ADMIT I DIDN'T LIKE HIM. 546 00:19:14,887 --> 00:19:16,053 - WHAT IF WE GET BACK TOGETHER? 547 00:19:16,055 --> 00:19:17,554 - OH, CRAP. - RELAX. 548 00:19:17,556 --> 00:19:18,989 - THAT'S NOT GONNA HAPPEN. 549 00:19:18,991 --> 00:19:20,624 YOU KNEW HE WAS A JERK, DIDN'T YOU? 550 00:19:20,626 --> 00:19:22,527 - I DIDN'T FEEL IT WAS MY PLACE 551 00:19:22,529 --> 00:19:25,163 TO STATE THAT INCREDIBLY OBVIOUS FACT-- 552 00:19:25,165 --> 00:19:27,631 I MEAN IMPOSE MY SUBJECTIVE OPINION. 553 00:19:27,633 --> 00:19:30,000 - I SHOULD HAVE KNOWN WHEN YOU DIDN'T TRY TO STEAL HIM FROM ME. 554 00:19:30,002 --> 00:19:31,001 [together] HEY! 555 00:19:31,003 --> 00:19:32,002 - WHAT'D I SAY? 556 00:19:32,004 --> 00:19:33,804 OH, MAYBE I DID ALL THAT GOOFY STUFF 557 00:19:33,806 --> 00:19:35,005 'CAUSE I WAS A LITTLE TOO EAGER 558 00:19:35,007 --> 00:19:36,674 TO BE HANGING OUT WITH A COOL GUY. 559 00:19:36,676 --> 00:19:39,910 - NO, YOU WERE RIGHT ABOUT FUN BEING FUN. 560 00:19:39,912 --> 00:19:41,545 I'M GONNA TRY AND REMEMBER THAT, 561 00:19:41,547 --> 00:19:43,513 ON THE OFF CHANCE THAT ONE DAY 562 00:19:43,515 --> 00:19:45,882 I ACTUALLY ALLOW MYSELF TO HAVE SOME. 563 00:19:45,884 --> 00:19:48,652 - I GUESS NATHAN'S STYLISH GOOD LOOKS BLINDED ME 564 00:19:48,654 --> 00:19:50,721 TO THE PROFOUND JERKINESS UNDERNEATH. 565 00:19:50,723 --> 00:19:54,825 - YOU ALWAYS DID HAVE A WEAKNESS FOR THE CUTE ONES. 566 00:19:54,827 --> 00:19:58,596 - $80, $90, $100. 567 00:19:58,598 --> 00:20:00,363 NOT BAD, CONSIDERING MOST OF THOSE CLOTHES 568 00:20:00,365 --> 00:20:01,632 CAME FROM THE ATTIC. 569 00:20:01,634 --> 00:20:03,867 - HOW DO YOU FEEL ABOUT THE BEAUTY AND ELEGANCE 570 00:20:03,869 --> 00:20:06,070 OF A POSTWAR AMERICAN PIZZA? 571 00:20:06,072 --> 00:20:08,206 - I GUESS I'M BUYING SINCE I'VE GOT THE 100 BUCKS. 572 00:20:08,208 --> 00:20:09,907 - $90. REMEMBER? 573 00:20:09,909 --> 00:20:11,909 YOU HAVE TO GIVE $10 TO MS. LEE. 574 00:20:11,911 --> 00:20:12,976 - OH, YEAH. 575 00:20:12,978 --> 00:20:15,579 DAMN POSTHYPNOTIC SUGGESTION. 576 00:20:15,581 --> 00:20:18,348 - ♪ LA-LA, LA, LA-LA ♪ 577 00:20:30,663 --> 00:20:32,429 ♪ LA LA LA ♪ 578 00:20:35,401 --> 00:20:36,967 ♪ LA LA LA ♪ 579 00:20:38,271 --> 00:20:41,204 Captioning by CaptionMax www.captionmax.com