1
00:00:01,335 --> 00:00:03,253
FULLY REFUNDABLE, RIGHT?
YOU BET.
2
00:00:03,253 --> 00:00:04,505
IT'S A SHAME
YOU CAN'T USE THIS.
3
00:00:04,505 --> 00:00:06,507
PARIS IS SUPPOSED
TO BE AMAZING
IN THE SPRING.
4
00:00:06,507 --> 00:00:08,258
YEAH, THAT'S WHAT I HEAR.
5
00:00:16,600 --> 00:00:18,477
SO I DIDN'T GO TO PARIS.
6
00:00:18,477 --> 00:00:21,647
BUT I TOTALLY COULD'VE.
I MEAN, WHAT DAWSON
SAID THAT NIGHT
7
00:00:21,647 --> 00:00:23,148
DEFINITELY RANG TRUE.
8
00:00:23,148 --> 00:00:25,609
COME ON, RAIN MAN.
9
00:00:25,609 --> 00:00:26,652
YOUR LIFE AWAITS.
10
00:00:26,652 --> 00:00:28,320
YOURS, TOO, YOU KNOW.
11
00:00:28,320 --> 00:00:30,948
HE WAS RIGHT. MY LIFE
WAS WAITING FOR ME OUT THERE.
12
00:00:30,948 --> 00:00:33,408
BUT THAT DOESN'T MEAN
I HAD TO MAX OUT
MY ONE AND ONLY CREDIT CARD
13
00:00:33,408 --> 00:00:35,995
AND FLY HALFWAY ACROSS
THE WORLD TO FIND IT.
SCREW THAT.
14
00:00:35,995 --> 00:00:39,498
INSTEAD, I EMBRACED
THE SIMPLE, RELATIVELY
ANGST-FREE PLEASURES
15
00:00:39,498 --> 00:00:41,375
OF A SUMMER IN CAPESIDE.
I READ A LOT OF BOOKS,
16
00:00:41,375 --> 00:00:42,668
LISTENED TO A LOT OF CDs,
17
00:00:42,668 --> 00:00:44,085
WAITED A LOT OF TABLES
AT THE YACHT CLUB.
18
00:00:44,085 --> 00:00:46,839
OH...AND I MET A BOY.
19
00:00:46,839 --> 00:00:48,716
HE WAS VERY CUTE
AND VERY NICE,
20
00:00:48,716 --> 00:00:50,759
AND THINGS WERE GOING VERY WELL
RIGHT UP UNTIL THE MOMENT
HE SAID...
21
00:00:50,759 --> 00:00:53,804
I THINK I'M IN LOVE
WITH YOU.
22
00:00:53,804 --> 00:00:55,389
I KNOW. POOR JOEY POTTER.
23
00:00:55,389 --> 00:00:57,516
CUTE BOY FALLS
IN LOVE WITH HER.
HOW TRAGIC.
24
00:00:57,516 --> 00:01:00,435
BUT IT WAS A COMPLETELY
INAPPROPRIATE DISPLAY
OF AFFECTION.
25
00:01:00,435 --> 00:01:03,355
NOW, PACEY AND AUDREY,
ON THE OTHER HAND,
THEY WERE SMART.
26
00:01:03,355 --> 00:01:05,774
THEY WERE KEEPING IT SIMPLE.
THEY WERE ALL ABOUT THE FUN.
27
00:01:05,774 --> 00:01:08,944
THEY CAME, THEY SAW,
THEY PRETTY MUCH
KICKED L.A.'s ASS.
28
00:01:12,155 --> 00:01:14,867
BACK IN BEANTOWN, ERIC
THE CLOSETED FRAT BOY
29
00:01:14,867 --> 00:01:16,117
CAME BARRELING
OUT OF THE CLOSET,
30
00:01:16,117 --> 00:01:17,661
AND THE TWO OF THEM
HAD A GRAND OLD SUMMER
31
00:01:17,661 --> 00:01:20,831
DOING ALL THE THINGS
THAT YOUNG PEOPLE IN LOVE
ARE WONT TO DO.
32
00:01:20,831 --> 00:01:24,668
BUT THEN JACK SUCCUMBED
TO A FATE TYPICALLY RESERVED
FOR HETEROSEXUAL WOMEN--
33
00:01:24,668 --> 00:01:27,462
HE WAS DUMPED FOR SOMEONE
FAR YOUNGER AND PRETTIER
THAN HIMSELF...
34
00:01:27,462 --> 00:01:28,881
BY E-MAIL, NO LESS.
35
00:01:28,881 --> 00:01:30,799
HE WAS DEPRESSED.
THIS MUCH IS TRUE.
36
00:01:30,799 --> 00:01:32,676
BUT HE GOT UP,
DUSTED HIMSELF OFF,
37
00:01:32,676 --> 00:01:35,054
AND GOT RIGHT
BACK IN THE GAME.
38
00:01:37,890 --> 00:01:41,100
MEANWHILE,
IN THE TONY HAMPTONS,
39
00:01:41,100 --> 00:01:42,853
MISS JENNIFER LINDLEY
WAS THE RECIPIENT
40
00:01:42,853 --> 00:01:44,438
OF SOME VERY ALARMING NEWS.
41
00:01:44,438 --> 00:01:47,315
MR. AND MRS. THEODORE LINDLEY
SAT THEIR ONLY CHILD DOWN
42
00:01:47,315 --> 00:01:49,610
AND INFORMED HER THAT
THEY WERE GETTING A DIVORCE.
43
00:01:51,028 --> 00:01:54,782
SHE WAS HAPPY...
REALLY, TRULY HAPPY.
44
00:01:54,782 --> 00:01:57,910
SHE THOUGHT IT WAS
THE MOST FUNCTIONAL THING
HER PARENTS HAD EVER DONE.
45
00:01:57,910 --> 00:02:01,663
AND ODDLY ENOUGH, WHAT FOLLOWED
WAS PERHAPS THE BEST SUMMER
OF HER YOUNG LIFE.
46
00:02:01,663 --> 00:02:03,707
AND THEN THERE'S DAWSON.
47
00:02:03,707 --> 00:02:06,501
TRUTH IS, WE DIDN'T TALK
THIS SUMMER.
48
00:02:06,501 --> 00:02:07,795
NOT A WORD.
49
00:02:07,795 --> 00:02:10,547
WHICH IS WEIRD, I GUESS,
BUT AT THE SAME TIME, NOT.
50
00:02:10,547 --> 00:02:13,341
I...I KEPT MEANING
TO CALL HIM. I DID.
51
00:02:13,341 --> 00:02:15,594
BUT ONE WEEK
TURNED INTO A MONTH,
AND BEFORE YOU KNOW IT...
52
00:02:15,594 --> 00:02:17,972
HERE WE ARE, BACK AT SCHOOL.
53
00:02:17,972 --> 00:02:20,849
WHAT DAWSON SAID THAT NIGHT
DEFINITELY RANG TRUE--
54
00:02:20,849 --> 00:02:23,435
MY LIFE IS WAITING
FOR ME OUT THERE.
I KNOW IT.
55
00:02:23,435 --> 00:02:27,272
AND WHAT'S REALLY COOL
IS THAT I HAVE
ABSOLUTELY NO IDEA
56
00:02:27,272 --> 00:02:29,984
WHAT TO EXPECT.
BUT WHATEVER IT IS...
57
00:02:29,984 --> 00:02:31,401
I'M READY FOR IT.
58
00:02:31,401 --> 00:02:32,569
I'M EXCITED.
59
00:02:32,569 --> 00:02:34,154
BRING IT ON.
60
00:03:38,301 --> 00:03:39,219
WHOA!
61
00:03:43,140 --> 00:03:45,475
WOW. YOU HIT PRETTY HARD
FOR A GIRL.
62
00:03:45,475 --> 00:03:47,394
I'M SO SORRY.
I'M LATE FOR SOMETHING.
63
00:03:47,394 --> 00:03:48,729
EVER HEARD
OF AN ALARM CLOCK?
64
00:03:48,729 --> 00:03:50,689
I SAID I'M SORRY.
65
00:03:52,524 --> 00:03:55,234
YEAH, WELL, SORRY'S
NOT GONNA UNBRUISE MY ASS,
NOW, IS IT?
66
00:03:59,447 --> 00:04:02,283
HI. UM...JOEY POTTER
FOR PROFESSOR HETSON.
67
00:04:02,283 --> 00:04:04,285
I'M...REALLY SORRY
I'M LATE.
68
00:04:04,285 --> 00:04:07,288
OH, NO WORRIES, DEAR.
HE'S RUNNING A BIT LATE
HIMSELF.
69
00:04:15,547 --> 00:04:16,715
FUDGE.
70
00:04:29,561 --> 00:04:31,312
WE SHOULD PROBABLY
WAKE HIM UP.
71
00:04:31,312 --> 00:04:32,981
DO WE HAVE TO?
72
00:04:32,981 --> 00:04:36,359
LISTEN, I KNOW
YOU WEREN'T THAT KEEN
ON GIVING HIM A RIDE OUT HERE,
73
00:04:36,359 --> 00:04:38,612
BUT WHAT WAS I
SUPPOSED TO DO, PACEY?
74
00:04:38,612 --> 00:04:40,405
I GREW UP
NEXT TO THE KID.
75
00:04:40,405 --> 00:04:43,533
HIS MOM AND DAD WANT HIM
TO GO TO WORTHINGTON.
COME ON.
76
00:04:43,533 --> 00:04:45,786
HE'S NOT THAT BAD,
IS HE?
77
00:04:45,786 --> 00:04:48,580
WELL...APART FROM SHOVING
HIS SOMEWHAT DUBIOUS
MUSICAL TASTE
78
00:04:48,580 --> 00:04:50,999
DOWN MY THROAT,
HE DID TAKE
EVERY OPPORTUNITY
79
00:04:50,999 --> 00:04:52,500
TO TELL ME
HOW MANY TIMES
HE'S SEEN YOU NAKED.
80
00:04:52,500 --> 00:04:54,962
HE'S NEVER SEEN ME NAKED.
81
00:04:54,962 --> 00:04:57,505
REALLY! HE KNOWS
ABOUT THE TATTOO.
82
00:04:59,633 --> 00:05:01,260
WAKE UP, YOU LITTLE PERV!
WHAT THE (BLEEP)?!
83
00:05:01,260 --> 00:05:02,261
WHAT'S THIS ABOUT
YOU SEEING ME NAKED?
84
00:05:02,261 --> 00:05:03,303
WHAT THE
DID YOU TELL HER?
85
00:05:03,303 --> 00:05:04,345
JUST WHAT
YOU TOLD ME, CHIEF.
86
00:05:04,345 --> 00:05:06,347
THANKS A LOT.
THANKS A LOT.
87
00:05:06,347 --> 00:05:08,267
I CONFIDE IN YOU,
AND THIS IS WHAT I GET?
88
00:05:08,267 --> 00:05:10,393
I'M LISTENING, JACK.
89
00:05:10,393 --> 00:05:13,396
DO YOU REMEMBER
THE TELESCOPE
IN MY BEDROOM?
90
00:05:13,396 --> 00:05:15,149
WELL, I DIDN'T REALLY
DO MUCH STARGAZING.
91
00:05:15,149 --> 00:05:17,276
I'M SO TELLING
YOUR FATHER ON YOU.
GO AHEAD.
92
00:05:17,276 --> 00:05:18,777
HE HAD A PEEK, TOO.
OH!
93
00:05:18,777 --> 00:05:20,320
BUT DON'T WORRY, HE SAID
REALLY GOOD THINGS.
94
00:05:20,320 --> 00:05:22,363
OK. WELL, THEN,
I'M TELLING YOUR MOTHER,
95
00:05:22,363 --> 00:05:23,907
AND SHE'S GONNA KICK
YOUR ASS, JACK.
96
00:05:23,907 --> 00:05:25,117
YEAH, YEAH, YEAH.
WHATEVER.
97
00:05:25,117 --> 00:05:26,952
LET ME OUT.
I GOTTA TAKE
A PISS.
98
00:05:26,952 --> 00:05:28,453
OHHH!
99
00:05:28,453 --> 00:05:29,370
Gahh.
100
00:05:31,456 --> 00:05:32,457
MMM!
101
00:05:32,457 --> 00:05:35,252
MMM...
102
00:05:35,252 --> 00:05:36,253
MMM!
103
00:05:36,253 --> 00:05:37,420
WHAT THE HELL
WAS THAT FOR?
104
00:05:37,420 --> 00:05:40,215
MMM. THE END
IS NIGH, MY DEAR.
105
00:05:40,215 --> 00:05:41,633
WHAT ARE YOU
TALKIN' ABOUT, WOMAN?
106
00:05:41,633 --> 00:05:44,261
DON'T YOU GET IT, PACEY?
NONE OF THE GREAT COUPLES
107
00:05:44,261 --> 00:05:45,846
EVER MAKE IT
IN THE REAL WORLD--
108
00:05:45,846 --> 00:05:48,182
SID AND NANCY,
BONNIE AND CLYDE,
DAWSON AND JOEY.
109
00:05:48,182 --> 00:05:50,184
HOW THE HELL
DO YOU EVER EXPECT US
TO HAVE A FIGHTING CHANCE?
110
00:05:50,184 --> 00:05:51,643
OK, STELLA ADLER,
WHAT'S UP WITH YOU?
111
00:05:53,061 --> 00:05:54,855
THE SUMMER
IS OVER, PACEY.
112
00:05:54,855 --> 00:05:58,150
THE RETURN TO DULL NORMALCY
BEGINS NOW.
113
00:05:58,150 --> 00:06:00,902
I MEAN, LOOK
AT ALL OF THESE...
114
00:06:00,902 --> 00:06:03,446
CIVILIANS GOING
ABOUT THEIR BUSINESS...
115
00:06:03,446 --> 00:06:05,824
MARCHING OFF TO CLASS,
BUYING THEIR LITTLE BOOKS.
116
00:06:05,824 --> 00:06:07,575
IT'S ENOUGH
TO MAKE A GIRL
WANNA BLOW CHUNKS.
117
00:06:07,575 --> 00:06:10,495
SPEAKING OF,
WHY AREN'T YOU
MARCHIN' OFF WITH 'EM?
118
00:06:10,495 --> 00:06:13,707
BECAUSE NOTHING EVER HAPPENS
ON THE FIRST DAY OF CLASS.
119
00:06:13,707 --> 00:06:14,708
IT'S A TOTAL WASTE.
120
00:06:14,708 --> 00:06:16,001
NATURALLY.
121
00:06:19,671 --> 00:06:20,839
DID YOU HAVE
A NICE SUMMER, PACEY?
122
00:06:23,675 --> 00:06:25,468
I HAD
A FANTASTIC SUMMER.
123
00:06:25,468 --> 00:06:26,887
THANK YOU SO MUCH
FOR SHOWING ME
YOUR L.A.
124
00:06:26,887 --> 00:06:28,972
AND THANK YOU
FOR INTRODUCING ME
TO YOUR FATHER,
125
00:06:28,972 --> 00:06:31,225
WITHOUT WHOM I WOULDN'T
HAVE A SINGLE JOB
PROSPECT AT THE MOMENT.
126
00:06:31,225 --> 00:06:32,809
YEAH, YOU WANT
TO KNOW SOMETHING?
127
00:06:32,809 --> 00:06:35,270
YOU WEREN'T SUPPOSED
TO ACTUALLY IMPRESS
MY FATHER, PACEY.
128
00:06:35,270 --> 00:06:36,980
WHAT WAS I
SUPPOSE TO DO,
CREEP THE GUY OUT?
129
00:06:36,980 --> 00:06:38,148
YES. BUT THAT'S
NOT THE POINT.
130
00:06:38,148 --> 00:06:39,816
REALLY?
WHAT'S THE POINT?
131
00:06:39,816 --> 00:06:41,735
THE POINT IS THAT
I DON'T WANT YOU
132
00:06:41,735 --> 00:06:43,904
TO TURN INTO SOME LAME
9-TO-5er ON ME, PACEY.
133
00:06:46,489 --> 00:06:48,283
WELL, I'LL...TRY,
MISS LIDDELL,
134
00:06:48,283 --> 00:06:50,244
BUT I DO
ACTUALLY NEED A JOB,
135
00:06:50,244 --> 00:06:51,661
AND IT WOULD BE NICE
TO HAVE JUST
136
00:06:51,661 --> 00:06:54,206
A LITTLE BIT
OF DISPOSABLE CASH
FOR A CHANGE.
137
00:06:54,206 --> 00:06:56,415
WE LIVE IN A CITY
WITH, LIKE, 8 MILLION
RESTAURANTS.
138
00:06:56,415 --> 00:06:57,542
TAKE YOUR PICK.
139
00:06:57,542 --> 00:06:59,169
OR MAYBE I WANT
SOMETHING BETTER FOR MYSELF.
140
00:06:59,169 --> 00:07:01,129
PERHAPS PACEY
ACTUALLY WANTS
141
00:07:01,129 --> 00:07:02,463
HIS VERY OWN SHOT
AT GREATNESS.
142
00:07:05,508 --> 00:07:07,426
BESIDES, THE PARTY
CAN'T GO ON
FOREVER, BABY.
143
00:07:10,264 --> 00:07:12,140
BLAH BLAH,
BLAH BLAH.
144
00:07:12,140 --> 00:07:13,100
WILL YOU BRING
MY BAGS IN?
145
00:07:13,100 --> 00:07:14,684
YES.
146
00:07:15,560 --> 00:07:19,189
OK.
147
00:07:21,691 --> 00:07:23,526
WHAT?
148
00:07:23,526 --> 00:07:26,280
I--I CAN'T BELIEVE
THAT YOU SAID FUDGE.
149
00:07:26,280 --> 00:07:29,408
OH. IT JUST...
KIND OF CAME OUT.
150
00:07:29,408 --> 00:07:30,450
I MEAN, IT'S SO SILLY.
151
00:07:30,450 --> 00:07:32,452
EVEN DORIS,
MY SECRETARY,
152
00:07:32,452 --> 00:07:33,703
WOULD PROBABLY GO
FOR THE MORE HARD-CORE
153
00:07:33,703 --> 00:07:34,871
VERSION OF MY FAVORITE
EXPLETIVE.
154
00:07:34,871 --> 00:07:37,707
WELL, DORIS IS CLEARLY
A TOUGH BROAD.
155
00:07:37,707 --> 00:07:38,708
UH-HUH.
156
00:07:38,708 --> 00:07:39,500
HEY, TOMORROW'S
YOUR BIRTHDAY.
157
00:07:41,128 --> 00:07:42,129
THAT'S RIGHT.
158
00:07:42,129 --> 00:07:43,671
ANY BIG PLANS?
159
00:07:43,671 --> 00:07:45,090
UH, NO.
160
00:07:45,090 --> 00:07:47,592
OH,
IT'S JUST AS WELL.
161
00:07:47,592 --> 00:07:48,635
YOU DON'T HAVE
MUCH TO CELEBRATE.
162
00:07:48,635 --> 00:07:50,971
IT SAYS HERE THAT,
UH, YOUR SCHOLARSHIP
163
00:07:50,971 --> 00:07:52,347
BARELY COVERS
YOUR TUITION.
164
00:07:52,347 --> 00:07:54,099
DO YOU HAVE A JOB?
UH, NO.
165
00:07:54,099 --> 00:07:55,600
ARE YOU
LOOKING FOR ONE?
YES.
166
00:07:55,600 --> 00:07:57,477
THERE'S AN OPENING
IN THE ENGLISH
DEPARTMENT.
167
00:07:57,477 --> 00:07:59,187
RESEARCH ASSISTANT.
168
00:07:59,187 --> 00:08:00,230
YOU INTERESTED?
169
00:08:00,230 --> 00:08:02,357
SURE, MAYBE.
170
00:08:02,357 --> 00:08:03,691
"SURE, MAYBE."
171
00:08:03,691 --> 00:08:04,901
THIS IS A JOB, JOEY,
172
00:08:04,901 --> 00:08:06,820
THAT STUDENTS
STAB EACH OTHER
IN THE BACK FOR.
173
00:08:06,820 --> 00:08:09,364
THINK ABOUT IT.
LET ME KNOW.
174
00:08:09,364 --> 00:08:12,284
OH, NOW, THIS--
THIS IS A PROBLEM.
175
00:08:12,284 --> 00:08:13,660
WHAT?
176
00:08:13,660 --> 00:08:14,869
IT SAYS HERE
YOU'RE SIGNED UP
FOR MY LIT CLASS.
177
00:08:14,869 --> 00:08:16,997
OH, YEAH, I...
178
00:08:16,997 --> 00:08:18,539
THOUGHT IT LOOKED
INTERESTING.
179
00:08:18,539 --> 00:08:19,874
IT'S ALSO
A LITTLE ADVANCED
FOR A SOPHOMORE.
180
00:08:19,874 --> 00:08:22,294
OBVIOUSLY YOU DON'T
KNOW ME, PROFESSOR HETSON,
181
00:08:22,294 --> 00:08:23,920
BECAUSE, IF YOU DID,
YOU WOULD REALIZE
182
00:08:23,920 --> 00:08:25,130
THAT MY SOPHOMORE STATUS,
183
00:08:25,130 --> 00:08:27,215
IT'S A TOTAL NON-ISSUE.
184
00:08:27,215 --> 00:08:31,052
UM, BESIDES, I'VE READ
MOST OF THE BOOKS
ON THE READING LIST.
185
00:08:31,052 --> 00:08:32,387
HOW ABOUT
LAST EXIT TO BROOKLYN?
DID YOU READ THAT BOOK?
186
00:08:34,848 --> 00:08:36,933
LAST EXIT TO BROOKLYN.
187
00:08:36,933 --> 00:08:38,559
UM...
188
00:08:41,688 --> 00:08:42,856
I'LL MAKE YOU A DEAL.
189
00:08:42,856 --> 00:08:44,732
YOU FINISH IT
BEFORE THE FIRST CLASS
190
00:08:44,732 --> 00:08:46,318
AND I'LL TRY
AND FORGET THE FACT
191
00:08:46,318 --> 00:08:50,071
THAT YOU'RE JUST
A LOWLY SOPHOMORE. OK?
192
00:08:50,071 --> 00:08:51,406
OK.
193
00:08:53,283 --> 00:08:55,994
WAIT--BEFORE
THE FIRST CLASS?
194
00:08:55,994 --> 00:08:57,412
THE FIRST CLASS
IS TODAY.
195
00:08:57,412 --> 00:08:58,830
THAT'S RIGHT.
AT 3:00.
196
00:08:58,830 --> 00:09:00,040
YEAH.
WHAT'S YOUR POINT?
197
00:09:04,294 --> 00:09:06,754
NOTHING. FORGET IT.
198
00:09:08,256 --> 00:09:09,549
GOOD MORNING,
GRANDMOTHER.
199
00:09:09,549 --> 00:09:11,343
GOOD MORNING,
GRANDDAUGHTER.
200
00:09:11,343 --> 00:09:14,513
GRAMS, DO YOU NOTICE
ANYTHING DIFFERENT
ABOUT ME THIS MORNING?
201
00:09:14,513 --> 00:09:16,181
NO.
202
00:09:16,181 --> 00:09:19,267
WELL, AS IT
JUST SO HAPPENS,
I'M HAPPY.
203
00:09:19,267 --> 00:09:21,102
TODAY'S THE FIRST DAY
OF MY SOPHOMORE YEAR
204
00:09:21,102 --> 00:09:22,687
AND, REALLY,
I COULDN'T BE MORE PLEASED.
205
00:09:22,687 --> 00:09:23,688
I DON'T KNOW
IF YOU'VE NOTICED THIS,
206
00:09:23,688 --> 00:09:25,524
BUT I'M GENERALLY
A DOUR SORT.
207
00:09:25,524 --> 00:09:27,775
NO. REALLY?
I WASN'T AWARE OF THAT.
208
00:09:27,775 --> 00:09:30,904
YES, AND WHILE
I'M STILL SOMEWHAT
DISGUSTED WITH LIFE,
209
00:09:30,904 --> 00:09:33,407
I FIND MYSELF
SUDDENLY HAPPY
TO BE HERE.
210
00:09:33,407 --> 00:09:35,325
WELL, THAT'S--
THAT'S NICE, DEAR.
211
00:09:35,325 --> 00:09:36,868
YOU KNOW
WHAT I THINK IT IS?
212
00:09:36,868 --> 00:09:40,497
I THINK
THAT THE DISILLUSION
OF THE LINDLEY MARRIAGE
213
00:09:40,497 --> 00:09:43,708
HAS ACTUALLY RESTORED
MY FAITH IN HUMANITY.
214
00:09:43,708 --> 00:09:45,126
I MEAN, IF THOSE 2 LOONS
CAN TAKE STEPS
215
00:09:45,126 --> 00:09:47,045
TO IMPROVE THE QUALITY
OF THEIR LIVES
216
00:09:47,045 --> 00:09:48,880
AND--AND THE LIVES
OF THOSE AROUND THEM,
217
00:09:48,880 --> 00:09:50,048
THEN ANYTHING
IS POSSIBLE.
218
00:09:51,883 --> 00:09:54,219
WHAT?
WHAT'S HAPPENED
TO MY GRANDDAUGHTER?
219
00:09:54,219 --> 00:09:57,097
IF YOU'VE EATEN HER
I WANT YOU TO SPIT HER
OUT THIS INSTANT.
220
00:10:03,853 --> 00:10:05,688
HELLO?
221
00:10:05,688 --> 00:10:09,025
OH, HELLO,
MR. SMALLS.
222
00:10:09,025 --> 00:10:11,111
NO, I DON'T
HAVE ANY PLANS.
223
00:10:11,111 --> 00:10:14,364
I'D LOVE
TO ACCOMPANY YOU
TO TEA
224
00:10:14,364 --> 00:10:15,698
AT THE BOSTON
MUSEUM OF ART.
225
00:10:15,698 --> 00:10:17,992
OH, MY. OH, MY.
THAT WOULD JUST
BE LOVELY.
226
00:10:29,087 --> 00:10:30,255
HEY, YOU.
227
00:10:30,255 --> 00:10:31,881
OH, JOEY. THANK GOD.
228
00:10:31,881 --> 00:10:33,674
LOOK, THERE'S NO TIME
RIGHT NOW, BUT,
229
00:10:33,674 --> 00:10:34,968
NO MATTER WHAT HAPPENS
IN THE NEXT 30 SECONDS,
230
00:10:34,968 --> 00:10:36,344
NO MATTER WHAT I SAY
OR WHAT I DO,
231
00:10:36,344 --> 00:10:39,055
YOU DO NOT WANT ME
TO CRASH HERE WITH YOU GUYS.
232
00:10:39,055 --> 00:10:40,515
GOT IT? JUST--HI.
233
00:10:40,515 --> 00:10:43,351
JOEY POTTER,
AS I LIVE AND BREATHE.
234
00:10:43,351 --> 00:10:45,061
MY NEMESIS.
WELCOME BACK.
235
00:10:45,061 --> 00:10:46,563
THANK YOU.
HEY, CAN, UM,
236
00:10:46,563 --> 00:10:49,483
PACEY STAY WITH US
FOR A COUPLE DAYS?
237
00:10:49,483 --> 00:10:50,775
UM...
238
00:10:50,775 --> 00:10:53,361
UH, YOU KNOW WHAT?
239
00:10:53,361 --> 00:10:55,614
NOW IS NOT REALLY
THE BEST TIME. UH...
240
00:10:55,614 --> 00:10:57,782
I'VE GOT A LOT
OF STUDYING TO DO, AND,
241
00:10:57,782 --> 00:10:59,367
WELL, I MEAN,
YOU KNOW PACEY.
242
00:10:59,367 --> 00:11:00,952
I MEAN, HE'S KIND OF
LIKE A CHILD.
243
00:11:00,952 --> 00:11:02,412
IF HE DOESN'T GET
ENOUGH ATTENTION,
HE STARTS TO ACT OUT,
244
00:11:02,412 --> 00:11:04,747
AND THEN THERE'S
THE BURPING,
245
00:11:04,747 --> 00:11:05,915
THE FARTING,
THE CHRONIC HAL--
246
00:11:05,915 --> 00:11:07,125
IT'S DISGUSTING,
REALLY.
247
00:11:07,125 --> 00:11:08,209
DON'T I KNOW IT.
248
00:11:08,209 --> 00:11:09,794
HEY, I'M STANDING
RIGHT HERE.
249
00:11:09,794 --> 00:11:11,796
I'M SORRY, I CAN'T
BE A PARTY TO IT.
250
00:11:11,796 --> 00:11:13,214
I UNDERSTAND.
ALL RIGHT, WELL,
IT LOOKS LIKE
251
00:11:13,214 --> 00:11:14,673
YOU'RE SHACKING UP
WITH GRAMS, AMIGO.
252
00:11:14,673 --> 00:11:17,010
WELL, THAT'S JUST GREAT.
253
00:11:17,010 --> 00:11:19,053
YOU KNOW, AFTER
ALL WE'VE BEEN THROUGH
TOGETHER, JOEY,
254
00:11:19,053 --> 00:11:21,055
I REALLY THOUGHT
YOU'D BE COOLER
ABOUT THIS.
255
00:11:21,055 --> 00:11:22,223
I'M ACTUALLY
A LITTLE HURT.
256
00:11:22,223 --> 00:11:23,808
WELL, WHEN YOU
PUT IT THAT WAY--
257
00:11:23,808 --> 00:11:25,435
OH, NO. NO, NO, NO.
258
00:11:25,435 --> 00:11:26,853
DON'T YOU TRY
TO WEASEL OUT OF THIS NOW.
259
00:11:26,853 --> 00:11:28,687
THE DAMAGE IS DONE.
LET'S GO, LIDDELL.
260
00:11:30,857 --> 00:11:32,609
OH, HEY!
WHAT ARE WE
DOING TONIGHT?
261
00:11:32,609 --> 00:11:34,944
WELL, I DON'T KNOW.
WE COULD GO OUT
AND CELEBRATE.
262
00:11:34,944 --> 00:11:37,656
AH, YOU WANT TO CELEBRATE
MY RETURN TO WORTHINGTON?
263
00:11:37,656 --> 00:11:39,366
THAT IS SO SWEET, JOEY.
264
00:11:39,366 --> 00:11:41,493
RIGHT, 'CAUSE
THAT'S THE ONLY THING
265
00:11:41,493 --> 00:11:42,994
WE COULD
POTENTIALLY CELEBRATE.
266
00:11:42,994 --> 00:11:43,995
OBVIOUSLY.
267
00:11:43,995 --> 00:11:45,664
ALL RIGHT, WELL,
LATER, BUNNY.
268
00:12:05,892 --> 00:12:09,479
Dawson,
JOEY. HEY, IT'S ME, DAWSON.
269
00:12:09,479 --> 00:12:12,023
LONG TIME,
NO TALK, HUH? HEH.
270
00:12:12,023 --> 00:12:14,859
UH, LISTEN,
I'M IN TOWN, ACTUALLY,
FOR THE WEEKEND.
271
00:12:14,859 --> 00:12:16,319
UM, I WAS WONDERING
IF YOU WANTED
TO GET TOGETHER,
272
00:12:16,319 --> 00:12:17,987
MAYBE FOR, UH,
SOME COFFEE OR SOMETHING.
273
00:12:17,987 --> 00:12:19,531
GET OFF
THE BLOODY PHONE, LEERY!
274
00:12:19,531 --> 00:12:21,074
I'M NOT PAYING YOU
TO CHAT UP SOME BIRD!
275
00:12:21,074 --> 00:12:22,200
HOLD ON.
ONE SECOND, TODD.
276
00:12:22,200 --> 00:12:24,035
UH, JOEY,
IF YOU GET THIS,
277
00:12:24,035 --> 00:12:26,538
MEET ME AT 2:00
AT, UM, THIS COFFEE SHOP.
278
00:12:26,538 --> 00:12:28,873
PALEO SUN.
IT'S ON THE CORNER
OF FRONT AND PRINCESS.
279
00:12:28,873 --> 00:12:30,584
OK? I GOTTA GO. BYE.
280
00:12:30,584 --> 00:12:31,750
LEERY!
281
00:12:45,139 --> 00:12:46,765
NUMBER 7
TAKES THE OFFENSE
282
00:12:46,765 --> 00:12:48,767
TO THE LINE OF SCRIMMAGE
ON THIS BIG--
283
00:12:48,767 --> 00:12:50,687
WHAT DO YOU THINK?
284
00:12:51,770 --> 00:12:53,607
YEAH. YEAH,
THAT'S, UH,
285
00:12:53,607 --> 00:12:54,899
PRETTY SLICK, DUDE.
NICE FIT.
286
00:12:54,899 --> 00:12:56,610
LOOKS BETTER ON YOU,
ACTUALLY, THAN IT DOES ON ME.
287
00:12:56,610 --> 00:12:57,902
YOU DON'T THINK
IT'S TOO FLASHY, DO YOU?
288
00:12:57,902 --> 00:12:59,571
UH...WHAT'S THE JOB AGAIN?
289
00:12:59,571 --> 00:13:01,197
WELL,
I'M SELLING STOCKS.
290
00:13:01,197 --> 00:13:02,365
WHAT DO YOU KNOW
ABOUT SELLING STOCKS?
291
00:13:02,365 --> 00:13:04,451
NOT A DAMN THING,
BUT AUDREY'S FATHER
292
00:13:04,451 --> 00:13:05,744
SEEMS TO THINK
I'D BE GOOD AT IT.
293
00:13:05,744 --> 00:13:06,911
HE TOLD ME I'M
A NATURAL BORN HUSTLER
AND I SHOULD
294
00:13:06,911 --> 00:13:08,455
TAKE ADVANTAGE OF IT
WHILE I CAN.
295
00:13:08,455 --> 00:13:10,039
WELL, YOU GOT TO ADMIT,
PACE, YOU DO POSSESS
296
00:13:10,039 --> 00:13:11,999
THE APPROPRIATE DEGREE
OF OBNOXIOUSNESS
297
00:13:11,999 --> 00:13:13,334
FOR THAT PARTICULAR
VOCATION.
298
00:13:13,334 --> 00:13:14,919
THANKS, PAL.
MM-HMM.
299
00:13:21,760 --> 00:13:23,386
SO, THIS IS LIFE
AT GRAM'S HOUSE, HUH?
300
00:13:23,386 --> 00:13:25,346
YEAH.
I HAVE A GOOD LIFE.
301
00:13:27,265 --> 00:13:28,391
IT'S KIND OF...
302
00:13:28,391 --> 00:13:29,559
LAME?
303
00:13:31,018 --> 00:13:32,395
I WAS GONNA
SAY QUAINT,
BUT, YEAH,
304
00:13:32,395 --> 00:13:34,188
LAME PRETTY MUCH
SUMS IT UP. YEAH.
305
00:13:34,188 --> 00:13:36,274
PLUS, IT'S GETTING
INCREASINGLY DIFFICULT
TO HAVE A LIFE,
306
00:13:36,274 --> 00:13:37,275
IF YOU KNOW
WHAT I MEAN.
307
00:13:37,275 --> 00:13:38,817
OH, YEAH.
I KNOW WHAT YOU MEAN.
308
00:13:40,361 --> 00:13:41,362
NO, I DON'T.
WHAT DO YOU MEAN?
309
00:13:41,362 --> 00:13:43,072
COME ON, YOU KNOW.
310
00:13:43,072 --> 00:13:45,158
YOU MEET SOMEBODY,
YOU LIKE THEM,
311
00:13:45,158 --> 00:13:47,118
YOU WANT TO TAKE THEM
SOMEPLACE A BIT
MORE INTIMATE--
312
00:13:47,118 --> 00:13:49,036
OH. MMM.
313
00:13:49,036 --> 00:13:50,622
YOU PROBABLY DON'T
WANT TO HEAR THE REST, SO--
314
00:13:50,622 --> 00:13:52,624
WELL, DON'T CENSOR
YOURSELF ON MY ACCOUNT.
315
00:13:52,624 --> 00:13:53,832
I MEAN, PACEY WITTER
IS NOTHING
316
00:13:53,832 --> 00:13:55,418
IF NOT A CARD-CARRYING
FRIEND OF THE GAY.
317
00:13:55,418 --> 00:13:58,004
YEAH.
318
00:13:59,756 --> 00:14:01,758
YOU EVER THINK
ABOUT GETTING
A PLACE OF YOUR OWN?
319
00:14:01,758 --> 00:14:04,719
YEAH. ALL THE TIME.
JUST CAN'T AFFORD IT.
320
00:14:04,719 --> 00:14:08,055
RIGHT, AND NEITHER
CAN I, BUT...
321
00:14:08,055 --> 00:14:09,223
WHAT IF YOU AND I
WERE TO GET
A PLACE TOGETHER?
322
00:14:09,223 --> 00:14:12,226
YOU AND ME, ROOMMATES?
SURE. WHY NOT?
323
00:14:12,226 --> 00:14:13,394
I CAN THINK OF ABOUT
A MILLION REASONS WHY NOT.
324
00:14:13,394 --> 00:14:16,105
NAME ONE.
WELL...
325
00:14:16,105 --> 00:14:17,231
CAN I GET BACK
TO YOU ON THAT?
326
00:14:17,231 --> 00:14:18,817
OK, I'M FINDING US
A PLACE.
327
00:14:33,832 --> 00:14:35,249
IS THIS ART HISTORY?
328
00:14:35,249 --> 00:14:36,209
OHH!
329
00:14:39,546 --> 00:14:40,880
WHAT ARE YOU
DOING HERE?
330
00:14:40,880 --> 00:14:41,881
SAME THING
YOU ARE, DEAR.
331
00:14:44,133 --> 00:14:45,385
WHAT,
YOU'RE IN MY CLASS?
332
00:14:45,385 --> 00:14:47,637
MM-HMM.
333
00:14:47,637 --> 00:14:49,764
OH, THIS IS
SO UNCOOL.
334
00:14:49,764 --> 00:14:51,182
I TRIED TO TELL YOU
THIS MORNING,
335
00:14:51,182 --> 00:14:52,933
BUT YOU WERE
JUST PRATTLING
ON AND ON
336
00:14:52,933 --> 00:14:55,812
AND I COULD BARELY GET
A WORD IN EDGEWISE.
337
00:14:55,812 --> 00:14:57,230
HOW DID THIS HAPPEN?
338
00:14:57,230 --> 00:15:00,191
WELL, I ATTENDED
ONE OF CLIFTON'S
SUMMER SCHOOL CLASSES
339
00:15:00,191 --> 00:15:02,068
AND IT WAS
SUCH A DELIGHT.
340
00:15:02,068 --> 00:15:04,111
I'D FORGOTTEN
HOW MUCH I ENJOYED
THE CLASSROOM,
341
00:15:04,111 --> 00:15:06,614
SO I DECIDED
RIGHT THERE AND THEN
342
00:15:06,614 --> 00:15:07,948
TO GO BACK TO SCHOOL.
343
00:15:07,948 --> 00:15:09,576
GREAT. SO NOT ONLY
ARE YOU GOING
344
00:15:09,576 --> 00:15:10,910
TO EMBARRASS ME
INTO AN EARLY GRAVE,
345
00:15:10,910 --> 00:15:12,328
BUT YOU'RE
ALSO DOING THIS
FOR A MAN?
346
00:15:12,328 --> 00:15:14,914
JENNIFER,
GIVE AN OLD WOMAN
SOME CREDIT.
347
00:15:14,914 --> 00:15:17,124
I AM DOING THIS
FOR MYSELF.
348
00:15:17,124 --> 00:15:19,586
OK, FINE, BUT WHY
DID IT HAVE TO BE
ART HISTORY?
349
00:15:19,586 --> 00:15:21,421
WHY CAN'T YOU
TAKE A NICE
LITTLE MATH CLASS?
350
00:15:21,421 --> 00:15:22,672
YOU KNOW,
FROM WHAT I HEAR
351
00:15:22,672 --> 00:15:23,757
USING THAT PART
OF THE BRAIN
352
00:15:23,757 --> 00:15:24,758
HELPS THE ELDERLY
STAVE OFF
353
00:15:24,758 --> 00:15:26,133
THE EARLY ONSET
OF ALZHEIMERS.
354
00:15:26,133 --> 00:15:29,763
LADIES, AM I GONNA HAVE
TO SEPARATE YOU TWO?
355
00:15:46,613 --> 00:15:49,198
HI.
HEY. EMMA.
356
00:15:49,198 --> 00:15:50,533
PACEY.
357
00:15:50,533 --> 00:15:52,326
COME ON IN THEN,
PACEY.
358
00:15:52,326 --> 00:15:53,994
THANKS.
359
00:15:55,162 --> 00:15:56,748
WOW.
360
00:15:56,748 --> 00:15:58,625
EMMA, THIS PLACE
IS FANTASTIC.
361
00:15:58,625 --> 00:16:00,543
YEAH, IT IS.
EXPENSIVE, TOO.
362
00:16:04,839 --> 00:16:05,840
THESE YOURS?
363
00:16:05,840 --> 00:16:07,300
UH, NO, THEY'RE
MY BOYFRIEND'S.
364
00:16:07,300 --> 00:16:10,010
'CAUSE, YOU KNOW,
IT'S SO F-ing
IMPOSSIBLE TO BELIEVE
365
00:16:10,010 --> 00:16:11,011
THAT A GIRL
COULD PLAY
A MUSICAL INSTRUMENT
366
00:16:11,011 --> 00:16:13,180
THAT THEY MUST BE
SOMEONE ELSE'S, RIGHT?
367
00:16:13,180 --> 00:16:14,682
THAT'S NOT WHAT I--
368
00:16:14,682 --> 00:16:16,392
I GOT A BIT
OF FOOT-IN-MOUTH DISEASE.
369
00:16:16,392 --> 00:16:18,185
BUT IF IT'S ANY CONSOLATION,
YOU SOUNDED GREAT.
370
00:16:18,185 --> 00:16:20,480
LIKE I SAID,
THE PLACE IS EXPENSIVE.
371
00:16:20,480 --> 00:16:21,355
ARE YOU A STUDENT?
372
00:16:21,355 --> 00:16:22,857
NO, NO. YOU?
373
00:16:22,857 --> 00:16:24,150
YEAH. BERKLEE
SCHOOL OF MUSIC.
374
00:16:24,150 --> 00:16:25,610
THE DRUMS.
YEAH.
375
00:16:25,610 --> 00:16:26,778
RIGHT.
YOU HAVE A JOB?
376
00:16:26,778 --> 00:16:28,822
UH, ACTUALLY,
NO, NOT REALLY--
377
00:16:28,822 --> 00:16:30,907
WELL, IT WAS LOVELY
TO MEET YOU, PACEY.
378
00:16:30,907 --> 00:16:33,159
OH, NO, NO, NO.
I HAVE THIS HUGE
JOB INTERVIEW TOMORROW.
379
00:16:33,159 --> 00:16:34,953
IF THAT COUNTS
FOR ANYTHING.
DOES IT?
380
00:16:34,953 --> 00:16:38,915
OK. EMMA, YOU HAVE
A FANTASTIC PLACE HERE.
381
00:16:38,915 --> 00:16:40,040
AND IF YOU
GAVE ME A CHANCE
382
00:16:40,040 --> 00:16:41,334
I'M PRETTY SURE
I COULD SWING IT
383
00:16:41,334 --> 00:16:42,627
'CAUSE I ALSO HAVE
ANOTHER FRIEND
WHO'S LOOKING--
384
00:16:42,627 --> 00:16:44,002
ANOTHER GUY?
YEAH, A GREAT GUY.
385
00:16:44,002 --> 00:16:45,713
NO, LIVING WITH GUYS
IS A TERRIBLE IDEA.
386
00:16:45,713 --> 00:16:47,715
IT ALWAYS ENDS
IN DISASTER.
387
00:16:47,715 --> 00:16:50,134
I HAVE A LESBIAN COUPLE
COMING OVER TO LOOK AT
THE PLACE AGAIN TOMORROW,
388
00:16:50,134 --> 00:16:53,012
AND BOTH DEBBIE
AND DONNA ARE
GAINFULLY EMPLOYED.
389
00:16:53,012 --> 00:16:54,889
BUT DO YOU THINK
THEY COULD HELP YOU
WITH THE DRUM KIT
390
00:16:54,889 --> 00:16:56,056
DOWN THE STAIRS
EVERY TIME YOU HAVE A GIG?
391
00:16:56,056 --> 00:16:57,976
FROM THE LOOK
OF THEM, YEAH,
THEY COULD.
392
00:16:57,976 --> 00:17:00,019
AND THEY LOOK
BETTER THAN YOU,
IN FACT.
393
00:17:00,019 --> 00:17:02,104
OK, I CAN TAKE THAT.
394
00:17:02,104 --> 00:17:03,648
IF YOU NEED
TO EMASCULATE ME
THAT'S FINE,
395
00:17:03,648 --> 00:17:04,858
BUT GIVE ME A CHANCE.
396
00:17:04,858 --> 00:17:05,942
LET ME BRING JACK BY,
INTRODUCE YOU.
397
00:17:05,942 --> 00:17:08,486
LOOK, I'M SURE THIS JACK
IS A WORLD-CLASS CHARMER,
398
00:17:08,486 --> 00:17:10,363
BUT IT'S REALLY
NOT NECESSARY.
399
00:17:10,363 --> 00:17:11,531
I'M NOT REALLY UNDERSTANDING
WHAT IT IS
400
00:17:11,531 --> 00:17:12,740
THAT YOU'RE
SO FEARFUL OF HERE.
401
00:17:12,740 --> 00:17:13,741
IS IT THE SEXUAL
TENSION THING?
402
00:17:13,741 --> 00:17:15,326
'CAUSE I KNOW
THAT COULD BE AWKWARD,
403
00:17:15,326 --> 00:17:16,953
TWO GUYS AND A GIRL
LIVING TOGETHER,
404
00:17:16,953 --> 00:17:18,120
BUT I CAN PRETTY MUCH
GUARANTEE YOU
405
00:17:18,120 --> 00:17:19,998
THAT THERE IS
ABSOLUTELY NO POSSIBILITY
406
00:17:19,998 --> 00:17:22,000
OF EITHER JACK OR MYSELF
FALLING IN LOVE WITH YOU
407
00:17:22,000 --> 00:17:24,002
BECAUSE IT--
408
00:17:24,002 --> 00:17:27,087
BECAUSE--
THAT DIDN'T COME OUT RIGHT.
409
00:17:27,087 --> 00:17:28,798
BUT THERE'S A GOOD REASON.
LET ME TRY AGAIN.
410
00:17:28,798 --> 00:17:30,383
LOOK, IT WON'T
BE NECESSARY.
411
00:17:30,383 --> 00:17:31,551
NO, WHAT I'M SAYING
IS THAT NEITHER--
412
00:17:31,551 --> 00:17:33,386
BUGGER OFF, CHUM.
413
00:17:42,603 --> 00:17:44,062
WHAT ARE YOU DOING?
414
00:17:44,062 --> 00:17:45,272
I'M TRYING TO MAKE SURE
THAT GRAMS ISN'T
415
00:17:45,272 --> 00:17:47,149
IN THIS CLASS, TOO.
416
00:17:47,149 --> 00:17:49,276
COME ON.
GIVE THE OLD GIRL
A BREAK.
417
00:17:49,276 --> 00:17:52,238
BESIDES, I DON'T
THINK THE HISTORY
OF POP CULTURE
418
00:17:52,238 --> 00:17:54,032
IS EXACTLY
HER SPEED.
419
00:17:54,032 --> 00:17:55,742
WHO KNOWS?
THE WOMAN'S CRAZY.
420
00:17:55,742 --> 00:17:58,619
LIKE A FOX.
OK, OK. I--
421
00:17:58,619 --> 00:17:59,913
WHOA.
422
00:17:59,913 --> 00:18:01,455
WHAT?
423
00:18:05,376 --> 00:18:06,794
Oh, he's beautiful.
424
00:18:06,794 --> 00:18:08,087
YEAH.
WHAT YOU SAID.
425
00:18:13,718 --> 00:18:15,762
WELCOME,
FRIENDS AND NEIGHBORS,
426
00:18:15,762 --> 00:18:17,638
TO WHAT I HOPE WILL BE
AN ENJOYABLE SEMESTER.
427
00:18:17,638 --> 00:18:20,558
I'M BETTING YOU GUYS
THINK IT'S GONNA BE
AN EASY RIDE.
428
00:18:20,558 --> 00:18:21,851
AND WHEN YOU LOOK
AT SOME OF THE THINGS
429
00:18:21,851 --> 00:18:23,519
WE'RE GOING
TO BE STUDYING--
430
00:18:23,519 --> 00:18:25,187
THINGS LIKE THE FILMS
OF KEANU REEVES,
431
00:18:25,187 --> 00:18:27,398
THE RISE OF THE WB,
432
00:18:27,398 --> 00:18:30,276
AND WHY REALITY TV SHOWS
ARE BAD FOR THE SOUL--
433
00:18:30,276 --> 00:18:31,611
Do you think he's gay?
434
00:18:31,611 --> 00:18:34,072
You're asking me?
435
00:18:34,072 --> 00:18:36,074
Come on,
I got the worst
gaydar going.
436
00:18:36,074 --> 00:18:38,242
I think he's gay.
How much you wanna bet?
437
00:18:38,242 --> 00:18:43,039
How about $1 million?
438
00:18:43,039 --> 00:18:45,332
Done.
All right.
439
00:18:45,332 --> 00:18:48,086
I'M AVAILABLE TO ANSWER
ANY QUESTIONS AT ANY TIME.
440
00:18:48,086 --> 00:18:50,964
TRUTH BE TOLD,
I'M PRETTY MUCH
JUST LIKE YOU GUYS.
441
00:18:50,964 --> 00:18:53,007
A POP CULTURE JUNKIE.
442
00:18:53,007 --> 00:18:55,802
MY WIFE THINKS
I WATCH TOO MUCH TV,
443
00:18:55,802 --> 00:18:56,970
AND SHE'S PROBABLY RIGHT,
444
00:18:56,970 --> 00:18:59,013
BUT I HAVE
A BUILT-IN EXCUSE.
445
00:18:59,013 --> 00:19:00,807
IT'S MY JOB.
446
00:19:00,807 --> 00:19:02,140
How do you want it?
447
00:19:02,140 --> 00:19:03,434
Hundreds.
448
00:19:03,434 --> 00:19:06,186
I'm all about
the Benjamins,
baby.
449
00:19:34,966 --> 00:19:36,843
LAST EXIT TO BROOKLYN
IS CONSIDERED A CLASSIC
450
00:19:36,843 --> 00:19:38,511
OF POST-WAR
AMERICAN WRITING.
451
00:19:38,511 --> 00:19:40,178
THERE ARE IN MY--
452
00:19:43,432 --> 00:19:44,558
HELLO.
453
00:19:44,558 --> 00:19:47,394
HOW ARE YOU?
454
00:19:47,394 --> 00:19:48,395
GOOD.
455
00:19:48,395 --> 00:19:50,230
HAVE A SEAT,
PLEASE.
456
00:19:55,402 --> 00:19:57,237
CAN WE GET YOU ANYTHING?
457
00:19:57,237 --> 00:19:59,073
MAKE SURE THAT SEAT'S OK
'CAUSE THERE SEEM TO BE
458
00:19:59,073 --> 00:20:01,200
SOME AVAILABLE
OVER THERE.
459
00:20:02,785 --> 00:20:03,911
THIS IS FINE.
460
00:20:03,911 --> 00:20:05,913
WHERE WAS I? OH.
461
00:20:05,913 --> 00:20:08,541
RIGHT.
462
00:20:08,541 --> 00:20:10,292
LAST EXIT TO BROOKLYN
IS CONSIDERED A CLASSIC
463
00:20:10,292 --> 00:20:11,585
OF POST-WAR
AMERICAN WRITING.
464
00:20:11,585 --> 00:20:12,753
THERE ARE--
465
00:20:25,474 --> 00:20:26,851
IF YOU CAN'T
MAKE IT STOP,
466
00:20:26,851 --> 00:20:27,935
WILL YOU JUST
ANSWER IT ALREADY?
467
00:20:27,935 --> 00:20:29,020
I DON'T WANT
TO BE RUDE.
468
00:20:30,479 --> 00:20:31,731
FINE.
469
00:20:31,731 --> 00:20:34,400
YOU DON'T WANT
TO ANSWER IT,
I WILL.
470
00:20:34,400 --> 00:20:36,110
HELLO?
WHO'S THIS?
471
00:20:36,110 --> 00:20:37,111
AUDREY.
472
00:20:37,111 --> 00:20:40,990
NO, THIS IS
PROFESSOR GREG HETSON.
473
00:20:40,990 --> 00:20:42,700
NO, JOEY CAN'T COME
TO THE PHONE RIGHT NOW.
474
00:20:42,700 --> 00:20:45,786
BUT IS THERE ANY MESSAGE
YOU'D LIKE FOR ME TO RELAY?
475
00:20:45,786 --> 00:20:48,455
SURE. YEAH. NO, OK.
I GOT IT.
476
00:20:48,455 --> 00:20:50,541
YEAH, RIGHT BACK AT YOU.
477
00:20:55,504 --> 00:20:58,841
SO, WHERE WERE WE?
478
00:20:58,841 --> 00:21:01,844
YOU KNOW WHAT?
BEFORE I FORGET, JOEY,
479
00:21:01,844 --> 00:21:04,263
TURNS OUT DAWSON
COULDN'T MAKE IT.
480
00:21:04,263 --> 00:21:05,514
HE WAS A LITTLE CRAZED,
481
00:21:05,514 --> 00:21:07,433
BUT HE WANTS TO MEET YOU
AND THE GANG
482
00:21:07,433 --> 00:21:10,019
AT HELL'S KITCHEN
AT, LIKE, 8:30. OK?
483
00:21:10,019 --> 00:21:11,687
THANKS.
MY PLEASURE.
484
00:21:11,687 --> 00:21:13,814
SO, WHERE WERE WE?
485
00:21:13,814 --> 00:21:15,357
RIGHT, OK.
486
00:21:15,357 --> 00:21:18,819
LAST EXIT TO BROOKLYN.
ANY THOUGHTS?
487
00:21:22,656 --> 00:21:23,824
JOEY?
488
00:21:27,661 --> 00:21:29,872
UH...
489
00:21:33,667 --> 00:21:37,838
HONESTLY THE TRUTH IS
I ONLY HAD A CHANCE TO READ
490
00:21:37,838 --> 00:21:38,923
ONE OF THE VIGNETTES.
491
00:21:38,923 --> 00:21:41,675
JOEY...
492
00:21:41,675 --> 00:21:43,094
IT'S THE FIRST DAY
OF CLASS
493
00:21:43,094 --> 00:21:44,845
AND ALREADY
YOU'VE BROKEN A PROMISE.
494
00:21:44,845 --> 00:21:47,723
I'M SORRY, BUT--
495
00:21:47,723 --> 00:21:49,600
ACTION, JOEY.
496
00:21:49,600 --> 00:21:50,309
NOT EXCUSES.
497
00:21:54,647 --> 00:21:56,107
SO, UH...
498
00:21:56,107 --> 00:21:58,317
WHAT DID YOU THINK
OF WHAT YOU DID
MANAGE TO READ?
499
00:22:02,989 --> 00:22:04,615
I THOUGHT THAT
IT WAS HEARTBREAKING.
500
00:22:04,615 --> 00:22:07,201
UM...
501
00:22:07,201 --> 00:22:10,997
I MEAN, THE PEOPLE,
THEY'RE...DOOMED.
502
00:22:10,997 --> 00:22:14,083
IT'S LIKE A WORLD
WHERE THE SUN NEVER SHINES.
503
00:22:19,130 --> 00:22:20,798
YOU.
504
00:22:20,798 --> 00:22:22,466
WHAT'S YOUR NAME?
505
00:22:22,466 --> 00:22:24,135
HELLO?
506
00:22:24,135 --> 00:22:25,803
RIGHT, YEAH.
EDDIE.
507
00:22:25,803 --> 00:22:26,929
MY NAME'S EDDIE.
508
00:22:26,929 --> 00:22:28,181
EDDIE. HI, EDDIE.
509
00:22:28,181 --> 00:22:29,765
WHAT'S YOUR BEEF, EDDIE?
510
00:22:29,765 --> 00:22:31,349
I GOT NO BEEF.
511
00:22:31,349 --> 00:22:34,103
OH, NO, THAT'S CRAP.
I SENSE AN OPPOSING VIEWPOINT.
512
00:22:34,103 --> 00:22:38,274
NO, NO, I JUST,
UH--
513
00:22:38,274 --> 00:22:40,318
JUST, UH...
514
00:22:40,318 --> 00:22:41,777
WELL, COME ON.
OUT WITH IT.
515
00:22:41,777 --> 00:22:45,239
I DON'T KNOW,
I JUST FEEL LIKE IT'S
A LITTLE CONDESCENDING
516
00:22:45,239 --> 00:22:47,116
TO FEEL SORRY
FOR THESE PEOPLE.
517
00:22:47,116 --> 00:22:49,409
I MEAN, WHO SAYS
THERE CAN'T BE BEAUTY
518
00:22:49,409 --> 00:22:50,870
IN A WORLD WHERE
THE SUN DOESN'T SHINE?
519
00:22:50,870 --> 00:22:52,621
YOU'VE READ THE WHOLE BOOK,
HAVEN'T YOU, EDDIE?
520
00:22:52,621 --> 00:22:53,831
YEAH.
521
00:22:53,831 --> 00:22:55,499
YEARS AGO.
IT'S AWESOME.
522
00:22:55,499 --> 00:22:58,794
WELL, YOU'VE GOT ONE UP
ON MS. POTTER, ANYWAY.
523
00:22:58,794 --> 00:22:59,837
SO, MOVING ON.
524
00:23:16,729 --> 00:23:18,898
OOH!
I'M SO SORRY. HI.
525
00:23:18,898 --> 00:23:21,359
YOU AGAIN.
526
00:23:21,359 --> 00:23:23,694
WELL, THIS HAS GOT TO BE
SOME KIND OF SIGN,
DON'T YOU THINK?
527
00:23:23,694 --> 00:23:25,905
I THINK
IT'S MORE LIKE AN OMEN
OF BAD THINGS TO COME.
528
00:23:25,905 --> 00:23:27,656
WHO'S THIS?
529
00:23:27,656 --> 00:23:29,033
THIS, MY DEAR,
IS MS. EMMA JONES.
530
00:23:29,033 --> 00:23:31,202
THE ONE WHO HAS
THAT FANTASTIC APARTMENT
I WAS TELLING YOU ABOUT.
531
00:23:31,202 --> 00:23:32,745
OH, RIGHT.
532
00:23:32,745 --> 00:23:34,955
AND THIS, MS. EMMA JONES,
533
00:23:34,955 --> 00:23:36,916
IS MY SWEETHEART
OF A GIRLFRIEND AUDREY.
534
00:23:36,916 --> 00:23:38,251
KEY WORD BEING
"GIRLFRIEND."
535
00:23:38,251 --> 00:23:39,335
WHAT ARE YOU GOING ON
ABOUT, EXACTLY?
536
00:23:39,335 --> 00:23:41,212
THAT I HAVE A GIRLFRIEND.
537
00:23:41,212 --> 00:23:42,629
RIGHT HERE. A BEAUTIFUL,
WONDERFUL GIRLFRIEND.
538
00:23:42,629 --> 00:23:44,048
GOOD FOR YOU, MATE.
539
00:23:44,048 --> 00:23:45,591
BUT I HAVE A GIRLFRIEND.
540
00:23:45,591 --> 00:23:47,467
SO YOU HAVE
NOTHING TO WORRY ABOUT.
YOU KNOW WHAT I MEAN?
541
00:23:47,467 --> 00:23:49,387
NOT REALLY, NO.
OK, YOU TELL HER.
542
00:23:49,387 --> 00:23:50,554
TELL HER WHAT?
543
00:23:50,554 --> 00:23:52,348
TELL HER
WHAT A GOOD GUY I AM.
544
00:23:52,348 --> 00:23:53,473
WHAT A GREAT ROOMMATE
I WOULD MAKE.
545
00:23:53,473 --> 00:23:54,641
I'M NOT TELLING
HER ANYTHING.
SHE'S HOT.
546
00:23:54,641 --> 00:23:55,893
WELL, THANK YOU.
547
00:23:55,893 --> 00:23:57,061
YOU'RE WELCOME.
548
00:23:57,061 --> 00:23:58,436
I DON'T WANT YOU
LIVING WITH
A HOT GIRL.
549
00:24:00,022 --> 00:24:01,607
YOU TWO SEEM TO GET ALONG.
THAT'S GREAT.
550
00:24:01,607 --> 00:24:03,192
CHANGING GEARS FOR A SECOND,
551
00:24:03,192 --> 00:24:04,235
I'D LIKE TO INTRODUCE YOU
TO MY FRIEND JACK.
552
00:24:04,235 --> 00:24:05,778
JACK, THIS IS EMMA.
553
00:24:05,778 --> 00:24:07,154
HMM?
554
00:24:07,154 --> 00:24:08,155
SAY HI, JACK.
555
00:24:08,155 --> 00:24:09,323
OH. HI.
556
00:24:09,823 --> 00:24:11,075
JACK'S GAY.
557
00:24:11,075 --> 00:24:12,368
HE DOESN'T LOOK VERY GAY.
558
00:24:12,368 --> 00:24:13,702
JACK?
HMM?
559
00:24:13,702 --> 00:24:14,870
YOU? GAY.
OH, YEAH.
560
00:24:14,870 --> 00:24:16,122
SEE?
561
00:24:16,122 --> 00:24:17,248
WELL, GOOD FOR JACK, THEN.
562
00:24:17,248 --> 00:24:18,332
SO, ARE WE ANY CLOSER
TO GETTING THE APARTMENT?
563
00:24:18,332 --> 00:24:19,499
NO.
564
00:24:19,499 --> 00:24:20,960
I DIDN'T THINK SO.
565
00:24:35,099 --> 00:24:37,017
HEY!
AHH!
566
00:24:47,403 --> 00:24:49,613
THIS IS SO UNFAIR.
WHEN ARE THEY GONNA
PLAY MY SONG?
567
00:24:49,613 --> 00:24:52,199
WELL, MAYBE THE JUKEBOX
REJECTED IT
568
00:24:52,199 --> 00:24:55,035
ON THE GROUNDS THERE'S
BEEN PLENTY ENOUGH WHINY
CHICK-ROCK FOR ONE NIGHT,
569
00:24:55,035 --> 00:24:56,162
THANK YOU VERY MUCH.
570
00:24:56,162 --> 00:24:57,746
BITE ME.
571
00:24:57,746 --> 00:24:59,457
ROWR.
572
00:24:59,457 --> 00:25:02,084
PACEY. GROSS.
573
00:25:02,084 --> 00:25:05,629
SO. NOW WOULD YOU LIKE
TO EXPLAIN YOURSELF?
574
00:25:05,629 --> 00:25:07,465
WHY WOULD I WANT
TO DO THAT, EXACTLY?
575
00:25:07,465 --> 00:25:09,425
EARLIER TODAY.
A CERTAIN FRANTIC DESIRE
576
00:25:09,425 --> 00:25:11,469
NOT TO BE CONFINED
TO A CERTAIN DORM ROOM
577
00:25:11,469 --> 00:25:14,096
WITH A CERTAIN BOSOMY BLONDE
WITH WHOM YOU SPENT
THE ENTIRE SUMMER.
578
00:25:14,096 --> 00:25:15,889
OH, THAT.
YES, THAT.
579
00:25:19,643 --> 00:25:21,312
DO YOU REMEMBER
OUR PARTICULAR
SUMMER TOGETHER?
580
00:25:21,312 --> 00:25:22,813
RINGS A BELL
OR 2.
OK, GOOD.
581
00:25:22,813 --> 00:25:24,190
YOU REMEMBER HOW
WHEN WE CAME BACK
582
00:25:24,190 --> 00:25:25,732
WE WERE ALL
LOVEY-DOVEY
583
00:25:25,732 --> 00:25:27,443
AND WE DIDN'T REALLY
WANT THE SUMMER TO END,
AS SUCH?
584
00:25:27,443 --> 00:25:29,945
SPEAK FOR YOURSELF,
BUT...
585
00:25:29,945 --> 00:25:32,781
I DO RECALL
SOMETHING TO THAT EFFECT.
586
00:25:36,369 --> 00:25:37,870
LET'S SAY
FOR THE SAKE OF ARGUMENT
587
00:25:37,870 --> 00:25:40,956
THAT I AM NOT AT ALL UNHAPPY
THAT THIS SUMMER IS ENDING.
588
00:25:40,956 --> 00:25:43,209
WHICH IS NOT TO SAY THAT
I DIDN'T HAVE A GOOD TIME,
589
00:25:43,209 --> 00:25:44,377
BECAUSE I DID, ABSOLUTELY.
590
00:25:44,377 --> 00:25:45,669
IT'S JUST THAT
A DIFFERENT HOLLYWOOD PARTY
591
00:25:45,669 --> 00:25:47,463
WITH DIFFERENT HOLLYWOOD
FRIENDS EVERY NIGHT
592
00:25:47,463 --> 00:25:49,923
AND "HOLLYWOOD AUDREY"
IS A LITTLE...
593
00:25:49,923 --> 00:25:51,008
EXHAUSTING.
594
00:25:51,008 --> 00:25:53,969
IN A WORD, YES.
595
00:25:53,969 --> 00:25:58,432
LOOK, I'VE GOT A CONFLICT HERE,
BECAUSE...
596
00:25:58,432 --> 00:26:04,230
SEE, THE PART OF ME THAT HAPPENS
TO BE YOUR CLOSE FRIEND
AND ERSTWHILE PARAMOUR
597
00:26:04,230 --> 00:26:07,565
SAYS, HEY, LIFE'S TOO SHORT.
YOU GOTTA DO WHAT MAKES
YOU HAPPY, RIGHT?
598
00:26:07,565 --> 00:26:09,235
BUT THEN THE OTHER PART OF ME,
599
00:26:09,235 --> 00:26:11,820
THE PART THAT HAPPENS TO BE
AUDREY'S CLOSE FRIEND
AND COLLEGE ROOMMATE
600
00:26:11,820 --> 00:26:14,240
SAYS, YOU KNOW WHAT?
601
00:26:14,240 --> 00:26:17,034
YOU BREAK HER HEART,
I BREAK YOUR FACE.
602
00:26:17,034 --> 00:26:18,285
GOT IT?
603
00:26:19,912 --> 00:26:20,871
I GOT IT.
604
00:26:20,871 --> 00:26:22,039
COME ON.
605
00:26:24,791 --> 00:26:26,752
SO, WHERE IS HE?
606
00:26:26,752 --> 00:26:28,879
"GODOT" LEERY,
YOU MEAN?
607
00:26:28,879 --> 00:26:31,424
I DON'T KNOW. THIS IS WHAT
IT WAS LIKE ALL SUMMER LONG.
608
00:26:31,424 --> 00:26:32,758
HE WAS OUT THE DOOR
BEFORE WE GOT UP
609
00:26:32,758 --> 00:26:34,468
AND HE WAS NEVER HOME
ANY EARLIER THAN MIDNIGHT.
610
00:26:34,468 --> 00:26:36,095
TODD KEPT HIM REALLY BUSY,
I GUESS.
611
00:26:36,095 --> 00:26:37,096
WHO'S TODD?
612
00:26:37,096 --> 00:26:38,514
DO YOU REMEMBER
613
00:26:38,514 --> 00:26:40,766
THE DIRECTOR THAT FIRED HIM
LAST SUMMER?
614
00:26:40,766 --> 00:26:44,311
WELL, HE HIRED HIM AS
HIS ASSISTANT THIS SUMMER.
615
00:26:44,311 --> 00:26:45,312
THAT'S HOLLYWOOD FOR YOU.
616
00:26:45,312 --> 00:26:46,604
WHAT ABOUT OLIVER?
617
00:26:48,357 --> 00:26:50,192
HE FLIPPED OUT,
HATED L.A.,
618
00:26:50,192 --> 00:26:53,362
KEPT SAYING THAT HE COULD
LITERALLY SEE HIS SOUL
LEAVING HIS BODY.
619
00:26:53,362 --> 00:26:55,573
HE LEFT THIS NOTE
ON DAWSON'S PILLOW
620
00:26:55,573 --> 00:26:57,408
THAT SAID, "I'LL SEE YOU
IN HELL, LEERY."
621
00:26:57,408 --> 00:26:59,410
DRAMATIC TO THE END,
THAT ONE.
622
00:26:59,410 --> 00:27:00,618
DIDN'T YOU TALK TO HIM
AT ALL?
623
00:27:00,618 --> 00:27:02,204
OLIVER?
DAWSON.
624
00:27:02,204 --> 00:27:05,249
OH. UM...
625
00:27:05,249 --> 00:27:06,624
NO.
626
00:27:06,624 --> 00:27:10,837
I KEPT MEANING
TO CALL, BUT...
627
00:27:10,837 --> 00:27:11,838
INTERESTING.
628
00:27:11,838 --> 00:27:13,132
I'M GONNA GO
CHECK ON MY SONG.
629
00:27:15,217 --> 00:27:16,718
I'M TELLING YOU,
THIS THING
ATE MY DOLLAR.
630
00:27:16,718 --> 00:27:19,012
WELL, IT'S A JUKEBOX,
NOT A VENDING MACHINE.
631
00:27:19,012 --> 00:27:20,973
YOU WERE EXPECTING IT
TO SPIT OUT A CANDY BAR,
WERE YOU?
632
00:27:20,973 --> 00:27:22,057
ARE YOU GETTING SMART
WITH ME?
633
00:27:22,057 --> 00:27:22,724
I'M AFRAID
THAT'S UNAVOIDABLE.
634
00:27:24,310 --> 00:27:25,436
WHAT ARE YOU LOOKIN' AT?
635
00:27:25,436 --> 00:27:26,479
A DRUNK GUY
WITH HIS FLY OPEN.
636
00:27:26,479 --> 00:27:27,645
WHAT ARE YOU
LOOKING AT?
637
00:27:30,274 --> 00:27:31,691
THAT WAS PRETTY GOOD.
638
00:27:31,691 --> 00:27:34,278
IT WAS NOTHING.
YOU WERE DOING
PRETTY WELL YOURSELF.
639
00:27:34,278 --> 00:27:36,322
YEAH, WORKING
IN A PLACE LIKE THIS
DEFINITELY SHARPENS YOUR TONGUE.
640
00:27:36,322 --> 00:27:37,573
TELL ME ABOUT IT.
641
00:27:37,573 --> 00:27:38,574
I SPENT
MY HIGH SCHOOL YEARS
642
00:27:38,574 --> 00:27:39,950
WAITING TABLES AT
A PLACE LIKE THIS.
643
00:27:39,950 --> 00:27:41,994
TURNED ME INTO
A SURLY WENCH.
644
00:27:41,994 --> 00:27:44,204
YOU WOULDN'T HAPPEN TO BE
LOOKING FOR A JOB, WOULD YOU?
645
00:27:44,204 --> 00:27:46,499
'CAUSE WE COULD DEFINITELY USE
A SURLY WENCH WHO CAN
HANDLE HERSELF.
646
00:27:46,499 --> 00:27:48,208
UM...
647
00:27:48,208 --> 00:27:49,293
I DON'T KNOW. MAYBE.
648
00:27:49,293 --> 00:27:51,003
UM, WHAT'S YOUR NAME?
649
00:27:51,003 --> 00:27:52,630
I'M JOEY. JOEY POTTER.
650
00:27:52,630 --> 00:27:55,673
I'M EMMA JONES.
WELL, THINK ABOUT IT, JOEY.
651
00:27:55,673 --> 00:27:56,883
I WILL.
652
00:27:56,883 --> 00:27:58,302
AND I KNOW THE JUKEBOX
IS ALL BACKED UP.
653
00:27:58,302 --> 00:27:59,970
I'M STILL WAITING TO HEAR
"WHITE WEDDING," MYSELF.
654
00:28:05,976 --> 00:28:07,311
ALL RIGHT,
WELL, LOOK, IT'S BEEN
A BARREL OF MONKEYS,
655
00:28:07,311 --> 00:28:08,937
BUT I'M GOING HOME.
656
00:28:08,937 --> 00:28:09,980
WHAT?!
657
00:28:09,980 --> 00:28:12,149
YOU AMATEUR!
658
00:28:12,149 --> 00:28:13,900
I GOTTA GET SOME REST,
SWEETHEART.
659
00:28:13,900 --> 00:28:15,986
I DON'T KNOW, PACEY.
IF I WERE IN A HIRING POSITION,
660
00:28:15,986 --> 00:28:20,115
I'D WANNA SEE SOMEBODY COME IN
WITH SUITCASES UNDER THEIR EYES
AND REEKING OF BOOZE AND SEX.
661
00:28:20,115 --> 00:28:22,201
OK, WELL,
I WILL TAKE THAT
UNDER CONSIDERATION,
662
00:28:22,201 --> 00:28:23,285
BUT I'M STILL GONNA GO.
663
00:28:23,285 --> 00:28:25,538
I DON'T LIKE THIS NEW PACEY.
664
00:28:25,538 --> 00:28:28,790
NOT ONE BIT.
WHAT HAPPENED TO
THE PACEY OF YORE?
665
00:28:28,790 --> 00:28:30,792
THE PACEY OF YORE
IS EXHAUSTED.
666
00:28:30,792 --> 00:28:34,046
THE PACEY OF YORE
JUST DROVE 3,000
MILES IN 3 DAYS.
667
00:28:34,046 --> 00:28:36,423
AREN'T YOU TIRED?
AND DON'T YOU HAVE
CLASSES TOMORROW?
668
00:28:36,423 --> 00:28:39,259
WELL, YES. BUT I ALSO
HAVE MY PRIORITIES.
669
00:28:43,096 --> 00:28:44,598
OK, DEMANDA.
670
00:28:44,598 --> 00:28:46,225
I'M GOING HOME.
671
00:28:46,225 --> 00:28:47,393
BROTHERS, SISTERS.
672
00:28:58,111 --> 00:28:59,279
HEY, WITTER! WAIT UP.
673
00:28:59,279 --> 00:29:00,698
AW, COME ON, AUDREY.
674
00:29:00,698 --> 00:29:01,823
HOW MANY TIMES DO I
HAVE TO TELL YOU?
675
00:29:01,823 --> 00:29:03,283
I NEED SOME REST.
676
00:29:03,283 --> 00:29:05,619
PLEASE DON'T BE ANNOYED
WITH ME, PACEY.
677
00:29:05,619 --> 00:29:08,539
TRUST ME. IN, LIKE, 2 MINUTES
YOU'RE GONNA BE SORRY THAT
YOU WERE SO ANNOYED WITH ME
678
00:29:08,539 --> 00:29:10,082
AND YOU'RE GONNA FEEL
LIKE A JERK, AND I WANT
TO SAVE YOU THAT PAIN.
679
00:29:11,917 --> 00:29:12,918
WHAT ARE YOU
TALKING ABOUT?
680
00:29:15,003 --> 00:29:16,171
WHAT'S THAT?
681
00:29:16,171 --> 00:29:17,797
IT IS A KEY TO A ROOM
682
00:29:17,797 --> 00:29:22,219
IN THE MOST RIDICULOUSLY SWANKY
HOTEL IN ALL OF BOSTON.
683
00:29:22,219 --> 00:29:26,806
I THOUGHT THAT WE SHOULD SPEND
THE LAST NIGHT OF OUR SUMMER
VACATION TOGETHER IN STYLE.
684
00:29:26,806 --> 00:29:30,060
I MEAN, WITH ALL THE MOTEL 6s
AND WHATNOT,
685
00:29:30,060 --> 00:29:32,062
I THOUGHT IT MIGHT BE
A NICE CHANGE OF PACE, PACE.
686
00:29:32,062 --> 00:29:34,314
AND I PROMISE
I WILL LET YOU REST.
687
00:29:34,314 --> 00:29:37,276
NO SEXUAL MISCONDUCT.
NOTHING.
688
00:29:37,276 --> 00:29:40,112
JUST TOTAL HARDCORE
REM SLEEP.
689
00:29:40,112 --> 00:29:42,656
YOU'RE RIGHT.
I FEEL LIKE A JERK.
690
00:29:42,656 --> 00:29:46,826
SEE? I TOLD YOU
THAT WAS GONNA HAPPEN.
691
00:29:46,826 --> 00:29:49,037
DID YOU, NOW?
692
00:29:49,037 --> 00:29:53,125
LOOK, I'M SORRY. I JUST--
I REALLY WANT TO MAKE
A GOOD IMPRESSION TOMORROW.
693
00:29:53,125 --> 00:29:55,628
YOUR FATHER WAS KIND ENOUGH
TO GO OUT ON A LIMB FOR ME,
694
00:29:55,628 --> 00:29:58,088
AND I DON'T WANT TO LET HIM
DOWN BECAUSE THAT WOULD KIND
OF BE LIKE LETTING YOU DOWN,
695
00:29:58,088 --> 00:29:59,214
AND THAT WOULD SUCK.
696
00:29:59,214 --> 00:30:01,800
PACEY...
YES.
697
00:30:01,800 --> 00:30:03,802
YOU'RE GETTING
ALL SERIOUS ON ME.
698
00:30:05,095 --> 00:30:06,221
COME ON.
699
00:30:06,221 --> 00:30:07,805
LET'S GO REST.
700
00:30:09,600 --> 00:30:13,353
I DON'T KNOW HOW STRICT
WE HAVE TO BE ABOUT THAT
WHOLE "REST" THING.
701
00:30:13,353 --> 00:30:15,606
SO I CAN EITHER WORK FOR
THIS CRANKY PROFESSOR
702
00:30:15,606 --> 00:30:17,316
AND ADVANCE
MY ACADEMIC CAREER
703
00:30:17,316 --> 00:30:18,942
OR I CAN WORK HERE,
704
00:30:18,942 --> 00:30:21,361
BE HIT ON
BY DRUNKEN LOUTS
AND MAKE EXCELLENT TIPS.
705
00:30:21,361 --> 00:30:23,029
WHAT'S A GIRL TO DO?
706
00:30:23,029 --> 00:30:24,323
I DON'T EVEN THINK
IT'S A CHOICE
FOR YOU, JO.
707
00:30:24,323 --> 00:30:25,365
YEAH, ME NEITHER.
708
00:30:25,365 --> 00:30:26,450
WHAT DO YOU MEAN?
709
00:30:26,450 --> 00:30:28,160
COME ON, GIVEN A CHOICE,
710
00:30:28,160 --> 00:30:30,245
JOEY POTTER WILL ALWAYS
VENTURE DOWN THE SENSIBLE PATH,
711
00:30:30,245 --> 00:30:33,373
AND THE SENSIBLE PATH
IN THIS CASE WOULD BE TO WORK
FOR PROFESSOR CRANKYPANTS.
712
00:30:33,373 --> 00:30:34,416
NICELY PUT.
THANK YOU.
713
00:30:34,416 --> 00:30:36,084
I'M SHOCKED AND APPALLED.
714
00:30:36,084 --> 00:30:37,461
THAT'S WHAT YOU THINK OF ME?
715
00:30:37,461 --> 00:30:39,087
JO, IT'S NOT
A BAD THING.
716
00:30:39,087 --> 00:30:40,589
IT'S JUST, YOU KNOW,
IT'S WHO YOU ARE.
717
00:30:40,589 --> 00:30:41,881
AND WE LOVE YOU FOR IT.
718
00:30:41,881 --> 00:30:45,678
ALL RIGHT.
I GOTTA GO HOME.
719
00:30:45,678 --> 00:30:48,347
OUR LADY OF CONTINUING EDUCATION
WANTS TO HIT THE BOOKSTORES
BRIGHT AND EARLY,
720
00:30:48,347 --> 00:30:51,350
SO I NEED TO GET
SOME BEAUTY REST.
YOU COMING, JACKERS?
721
00:30:51,350 --> 00:30:53,435
YOU TALKED ME INTO IT.
JO, YOU COMING?
722
00:30:53,435 --> 00:30:57,856
UM, NO, I THINK
I'M GONNA STICK AROUND HERE
A LITTLE WHILE LONGER.
723
00:31:00,984 --> 00:31:01,985
WHAT?
724
00:31:01,985 --> 00:31:05,030
NOTHING. IT'S CUTE.
725
00:31:05,030 --> 00:31:06,865
GO. GO ON.
GET OUT OF HERE.
726
00:31:49,908 --> 00:31:50,908
JOEY!
727
00:32:06,299 --> 00:32:07,426
ALL RIGHT,
SO GUESS WHAT?
728
00:32:07,426 --> 00:32:08,968
WHAT?
729
00:32:08,968 --> 00:32:10,178
TAKE A GUESS.
730
00:32:10,178 --> 00:32:11,388
YOU'RE GAY.
731
00:32:11,388 --> 00:32:14,307
THAT AND...
732
00:32:14,307 --> 00:32:17,060
I WAS ON THE PHONE
WITH STEVEN SPIELBERG
THE OTHER DAY.
733
00:32:17,060 --> 00:32:18,645
REALLY?
SORT OF.
734
00:32:18,645 --> 00:32:19,730
WHAT DO YOU MEAN
"SORT OF"?
735
00:32:19,730 --> 00:32:21,565
HE CALLED FOR TODD,
736
00:32:21,565 --> 00:32:24,401
AND I SAID, "HOLD ON
A SECOND, PLEASE,"
737
00:32:24,401 --> 00:32:25,444
AND I PUT TODD ON.
738
00:32:25,444 --> 00:32:26,820
THAT'S IT?
739
00:32:26,820 --> 00:32:28,822
MY HANDS WERE SHAKING.
740
00:32:28,822 --> 00:32:32,618
"HOLD ON A SECOND, PLEASE"?
THAT'S THE BEST YOU COULD DO
FOR YOUR CHILDHOOD HERO?
741
00:32:36,747 --> 00:32:38,832
I THOUGHT FOR SURE
I WAS GONNA MISS YOU
AGAIN.
742
00:32:38,832 --> 00:32:42,043
YOU ALMOST DID.
EVERYONE LEFT.
I WAS NEXT.
743
00:32:42,043 --> 00:32:44,880
BUT YOU COULDN'T
BRING YOURSELF TO LEAVE,
COULD YOU?
744
00:32:44,880 --> 00:32:47,466
YOU HAD TO SEE ME.
745
00:32:47,466 --> 00:32:50,009
GET OVER YOURSELF.
I'LL HAVE YOU KNOW
746
00:32:50,009 --> 00:32:52,721
THAT I STUCK A DOLLAR
IN THAT JUKEBOX
OVER 3 HOURS AGO.
747
00:32:52,721 --> 00:32:54,807
I WAS NOT GONNA LEAVE
UNTIL I HEARD MY SONG.
748
00:32:54,807 --> 00:32:56,975
OK. ALL RIGHT.
MY MISTAKE.
749
00:32:56,975 --> 00:32:59,937
SO TELL ME ABOUT
THIS MOVIE YOU'RE MAKING.
750
00:32:59,937 --> 00:33:03,273
UM, IT'S A HORROR MOVIE...
751
00:33:03,273 --> 00:33:05,233
NO MATTER WHAT TODD SAYS.
752
00:33:05,233 --> 00:33:07,277
HE LIKES TO TELL PEOPLE
THAT IT'S A HITCHCOCKIAN
THRILLER,
753
00:33:07,277 --> 00:33:09,738
BUT THAT'S KIND OF LIKE
SAYING HAPPY GILMORE
IS AN HOMAGE TO WOODY ALLEN.
754
00:33:13,325 --> 00:33:15,452
YOU LOOK GREAT,
BY THE WAY.
755
00:33:15,452 --> 00:33:16,912
THANK YOU.
756
00:33:16,912 --> 00:33:18,538
I DON'T SAY THINGS
LIKE THAT NEARLY ENOUGH.
757
00:33:18,538 --> 00:33:21,834
THE SECOND I SAW YOU
I THOUGHT TO MYSELF,
"GOD, SHE LOOKS GREAT,"
758
00:33:21,834 --> 00:33:24,085
BUT I DIDN'T SAY
ANYTHING, SO...
759
00:33:24,085 --> 00:33:25,170
I'M SAYING IT NOW.
760
00:33:25,170 --> 00:33:27,004
IS THIS SOME PLAYER ROUTINE
761
00:33:27,004 --> 00:33:30,133
YOU WORKSHOPPED IN L.A.
OVER THE SUMMER?
762
00:33:30,133 --> 00:33:32,093
CAN A GUY NOT TELL A GIRL
THAT SHE LOOKS GREAT
763
00:33:32,093 --> 00:33:33,971
WITHOUT THERE
BEING SOME SORT
OF MANIPULATION INVOLVED?
764
00:33:33,971 --> 00:33:36,556
GENERALLY, NO.
765
00:33:36,556 --> 00:33:38,183
OK, GOOD POINT.
766
00:33:38,183 --> 00:33:40,017
BUT THIS IS YOU AND ME.
767
00:33:40,017 --> 00:33:42,479
GENERAL RULES DO NOT
APPLY TO YOU AND ME.
768
00:33:42,479 --> 00:33:43,939
THEY NEVER HAVE.
769
00:33:46,692 --> 00:33:47,693
CAN I ASK YOU A QUESTION?
770
00:33:47,693 --> 00:33:49,194
OK.
771
00:33:49,194 --> 00:33:53,657
WE DIDN'T TALK THIS SUMMER.
AT ALL. WHY IS THAT?
772
00:33:53,657 --> 00:33:56,451
QUICK AND EASY ANSWER
WOULD BE THAT I WAS
REALLY, REALLY BUSY
773
00:33:56,451 --> 00:33:58,203
AND THERE
JUST WASN'T ANY TIME.
774
00:33:58,203 --> 00:34:01,915
WHICH IS TRUE, BUT...
IT'S NOT REALLY IT,
775
00:34:01,915 --> 00:34:04,751
BECAUSE I THOUGHT
ABOUT YOU ALL THE TIME,
AND ABOUT WHAT YOU SAID
776
00:34:04,751 --> 00:34:07,587
ABOUT HOW EVERYTHING
WOULD JUST KIND OF
WORK ITSELF OUT BETWEEN US
777
00:34:07,587 --> 00:34:10,841
AND IT JUST...
778
00:34:10,841 --> 00:34:12,759
MADE ME FEEL
SO GOOD ABOUT US.
779
00:34:12,759 --> 00:34:17,723
I JUST...WELL, I GUESS
I DIDN'T WANT TO RUIN
THAT FEELING.
780
00:34:17,723 --> 00:34:19,474
DOES THAT MAKE ANY SENSE?
781
00:34:19,474 --> 00:34:22,728
IT MAKES A LOT OF SENSE,
ACTUALLY.
782
00:34:22,728 --> 00:34:25,772
YOU KNOW WHAT THIS MEANS.
783
00:34:25,772 --> 00:34:27,858
WHAT?
784
00:34:27,858 --> 00:34:29,526
DARE I SAY
WE MIGHT BE GROWING UP?
785
00:34:29,526 --> 00:34:31,611
OH, GOD.
WHAT?
786
00:34:31,611 --> 00:34:32,738
THAT SOUNDS
SO BORING.
787
00:34:32,738 --> 00:34:34,948
TRUE.
SAD BUT TRUE.
788
00:34:34,948 --> 00:34:38,451
BUT I MEAN...
789
00:34:38,451 --> 00:34:40,787
CASE IN POINT.
790
00:34:40,787 --> 00:34:43,498
YOU SEEM...DIFFERENT.
791
00:34:43,498 --> 00:34:44,791
DIFFERENT HOW?
792
00:34:44,791 --> 00:34:47,293
JUST DIFFERENT.
A GOOD DIFFERENT...
793
00:34:50,047 --> 00:34:52,089
LIKE LIVING YOUR DREAM
AGREES WITH YOU.
794
00:34:52,089 --> 00:34:55,010
I DON'T KNOW
THAT FETCHING LATTES
795
00:34:55,010 --> 00:34:56,428
AND HAVING TODD'S
PORSCHE DETAILED
796
00:34:56,428 --> 00:34:57,679
QUALIFIES AS
LIVING THE DREAM, BUT...
797
00:34:57,679 --> 00:34:58,764
YOU KNOW WHAT I MEAN.
798
00:35:02,100 --> 00:35:03,852
YEAH, I DO.
799
00:35:08,607 --> 00:35:09,649
SO WHAT ABOUT YOU?
800
00:35:09,649 --> 00:35:11,109
WHAT ABOUT ME?
801
00:35:11,109 --> 00:35:12,986
DID YOU DO ANYTHING
SPECIAL THIS SUMMER?
802
00:35:12,986 --> 00:35:13,987
DID YOU MEET
ANYONE SPECIAL?
803
00:35:13,987 --> 00:35:16,782
MMM, NO ONE
WORTH MENTIONING.
804
00:35:16,782 --> 00:35:19,451
AND YOU?
805
00:35:19,451 --> 00:35:23,121
AH! FINALLY!
806
00:35:23,121 --> 00:35:24,497
I KNOW THIS SONG.
THIS IS A GREAT SONG.
807
00:35:24,497 --> 00:35:25,999
YEAH, IT IS.
808
00:35:30,003 --> 00:35:31,671
WHAT?
NOTHING.
809
00:35:31,671 --> 00:35:34,883
IT JUST REMINDS ME
OF SOMETHING.
810
00:35:34,883 --> 00:35:37,844
THE SUMMER BETWEEN
SEVENTH AND EIGHTH GRADE,
811
00:35:37,844 --> 00:35:39,096
AND CLUELESS.
812
00:35:39,096 --> 00:35:40,055
WAS IT ON THE SOUNDTRACK
OR SOMETHING?
813
00:35:40,055 --> 00:35:42,390
NO. AT LEAST,
I DON'T THINK SO.
814
00:35:42,390 --> 00:35:44,476
UM...
815
00:35:44,476 --> 00:35:47,145
WE WENT TO SEE IT
AT THE RIALTO, REMEMBER?
816
00:35:47,145 --> 00:35:50,565
AND WHEN WE GOT OUT
IT WAS POURING RAIN,
817
00:35:50,565 --> 00:35:54,069
YOUR MOM CAME TO PICK US UP,
BUT THE CAR WAS, LIKE,
WAY ACROSS THE STREET
818
00:35:54,069 --> 00:35:57,030
SO YOU GRABBED MY HAND
AND WE RAN FOR IT.
819
00:35:57,030 --> 00:36:00,742
AND IT WAS PROBABLY ONLY
ABOUT 10 SECONDS OR SO,
820
00:36:00,742 --> 00:36:03,578
BUT WHEN WE GOT IN THE CAR,
821
00:36:03,578 --> 00:36:06,790
ALL I COULD THINK ABOUT
WAS THE FACT THAT...
822
00:36:06,790 --> 00:36:08,625
YOU HAD HELD MY HAND.
823
00:36:14,131 --> 00:36:15,799
SO WHAT DOES IT
HAVE TO DO WITH THE SONG?
824
00:36:15,799 --> 00:36:18,343
IT WAS PLAYING ON THE RADIO
IN YOUR MOM'S CAR.
825
00:36:18,343 --> 00:36:19,511
OH.
826
00:36:23,849 --> 00:36:25,100
WHAT ARE YOU DOING?
827
00:36:25,100 --> 00:36:27,268
I WAS GONNA ASK YOU
TO DANCE.
828
00:36:27,268 --> 00:36:30,271
ARE YOU CRAZY?
829
00:36:30,271 --> 00:36:33,150
YEAH, BUT THE OFFER
STILL STANDS.
830
00:37:28,038 --> 00:37:30,082
THANK YOU
FOR WALKING ME HOME.
831
00:37:30,082 --> 00:37:32,125
NO THANKS NECESSARY.
IT'S WHAT I DO.
832
00:37:34,086 --> 00:37:35,628
ALL RIGHT,
I SHOULD PROBABLY GO.
833
00:37:35,628 --> 00:37:37,547
YOU DON'T HAVE TO, YOU KNOW.
834
00:37:37,547 --> 00:37:38,965
I DON'T?
835
00:37:38,965 --> 00:37:39,925
AUDREY'S WITH PACEY TONIGHT.
836
00:37:39,925 --> 00:37:42,219
OH, COOL.
837
00:37:42,219 --> 00:37:44,429
SO YOU CAN TAKE HER BED
IF YOU WANT.
838
00:37:44,429 --> 00:37:46,848
I COULD VERY EASILY GET
A CAB BACK TO THE HOTEL.
839
00:37:46,848 --> 00:37:49,475
OF COURSE NOT. I DON'T WANT
YOU WALKING AROUND OUT THERE
THIS LATE.
840
00:37:52,020 --> 00:37:53,021
THANKS.
841
00:37:53,021 --> 00:37:56,691
NO THANKS NECESSARY.
842
00:37:56,691 --> 00:37:57,943
IT'S WHAT I DO.
843
00:38:43,488 --> 00:38:45,573
JO, YOU AWAKE?
844
00:38:45,573 --> 00:38:46,783
YEAH.
845
00:38:46,783 --> 00:38:48,285
I'M SORRY.
I FELL ASLEEP.
846
00:38:48,285 --> 00:38:49,828
YOU MUST BE EXHAUSTED.
GET SOME SLEEP.
847
00:38:49,828 --> 00:38:50,787
WE CAN TALK
IN THE MORNING.
848
00:38:50,787 --> 00:38:52,789
WHAT TIME IS IT?
849
00:38:52,789 --> 00:38:53,873
5 OF 12:00.
850
00:38:53,873 --> 00:38:55,333
DAMN.
851
00:38:57,002 --> 00:38:58,336
WHAT'S WRONG?
852
00:39:00,880 --> 00:39:02,924
WHAT ARE YOU DOING?
853
00:39:02,924 --> 00:39:05,260
CHEATING.
I CAN'T WAIT ANYMORE.
854
00:39:12,433 --> 00:39:14,227
HAPPY BIRTHDAY, JO.
855
00:39:18,648 --> 00:39:20,108
YOU'RE THE ONLY ONE
WHO REMEMBERED.
856
00:39:20,108 --> 00:39:21,318
YEAH, I'M GOOD LIKE THAT.
857
00:39:32,871 --> 00:39:34,206
THANK YOU, DAWSON.
858
00:39:34,206 --> 00:39:36,415
IT'S CHEESY. I KNOW.
859
00:39:36,415 --> 00:39:38,375
NO, IT'S NOT CHEESY
AT ALL. IT'S PERFECT.
860
00:39:45,466 --> 00:39:47,093
YOU KNOW
WHAT YOU WERE SAYING BEFORE,
861
00:39:47,093 --> 00:39:50,680
ABOUT HOW LIVING MY DREAM
AGREES WITH ME?
862
00:39:50,680 --> 00:39:55,143
I'VE BEEN THINKING ABOUT THAT
AND I WANT YOU TO KNOW
863
00:39:55,143 --> 00:39:58,521
THAT I PROBABLY WOULD NOT BE
LIVING ANY DREAM AT ALL
IF IT WEREN'T FOR YOU.
864
00:39:58,521 --> 00:40:01,024
I MEAN, MORE AND MORE
I KEEP ON FINDING MYSELF
865
00:40:01,024 --> 00:40:05,195
IN THESE INCREDIBLY
SURREAL SITUATIONS
866
00:40:05,195 --> 00:40:08,323
AND EVERY TIME...
867
00:40:08,323 --> 00:40:10,700
I ALWAYS KIND OF, IN THE BACK
OF MY HEAD JUST THINK,
868
00:40:10,700 --> 00:40:14,829
"WHAT WOULD JOEY THINK
IF SHE COULD SEE ME RIGHT NOW?"
869
00:40:14,829 --> 00:40:19,918
YOU KNOW, I GUESS EVERYONE HAS
SOMEONE WHO CHALLENGES THEM.
870
00:40:19,918 --> 00:40:25,382
AND MAKES THEM
SHOOT FOR SOMETHING
JUST BEYOND THEIR REACH.
871
00:40:29,010 --> 00:40:30,511
YOU'RE THAT PERSON FOR ME.
872
00:40:30,511 --> 00:40:35,934
SO, YEAH, MAYBE WE DIDN'T
TALK THIS SUMMER,
873
00:40:35,934 --> 00:40:39,020
AND WHO KNOWS,
MAYBE WE'LL FIND OURSELVES
TALKING LESS AND LESS
874
00:40:39,020 --> 00:40:42,607
AS TIME GOES ON AND LIFE
GETS MORE AND MORE IN THE WAY,
875
00:40:42,607 --> 00:40:45,277
BUT...
876
00:40:45,277 --> 00:40:47,528
I GOTTA SAY, JO,
I DON'T FEEL IT.
877
00:40:50,407 --> 00:40:51,532
'CAUSE YOU'RE WITH ME
EVERYWHERE I GO.
878
00:41:03,128 --> 00:41:04,212
HAPPY BIRTHDAY.
879
00:41:18,810 --> 00:41:20,686
THANK YOU.