1
00:01:25,878 --> 00:01:26,962
HEY.
2
00:01:28,338 --> 00:01:29,590
YOU'RE UP.
3
00:01:29,590 --> 00:01:32,175
YEAH. UM, YOU WENT OUT.
4
00:01:33,552 --> 00:01:34,762
YEAH.
5
00:01:34,762 --> 00:01:36,555
COULD YOU...
6
00:01:36,555 --> 00:01:38,724
SURE.
7
00:01:42,394 --> 00:01:43,979
THANKS.
8
00:01:51,278 --> 00:01:52,529
SO I GOT YOU A--
9
00:01:52,529 --> 00:01:54,573
DID YOU GET ME
A LATTE?
10
00:01:54,573 --> 00:01:55,908
ROSES.
11
00:01:57,242 --> 00:01:59,119
ALL OVER WORTHINGTON.
12
00:02:04,207 --> 00:02:06,209
KINDA HOKEY,
DON'T YOU THINK?
13
00:02:06,209 --> 00:02:09,671
YEAH, THAT'S
EXACTLY WHAT I THINK.
14
00:02:09,671 --> 00:02:12,299
WELL, IT'S A $500 FINE
TO PICK ONE OF THESE.
15
00:02:13,801 --> 00:02:15,135
WORTH EVERY PENNY.
16
00:02:17,178 --> 00:02:21,016
SO WE SHOULD PROBABLY
STOP AND THINK ABOUT THIS.
17
00:02:22,309 --> 00:02:24,812
YOU KNOW,
ABOUT WHAT IT MEANS.
18
00:02:24,812 --> 00:02:27,522
I MEAN, ABOUT HOW
THIS WILL CHANGE...
19
00:02:29,066 --> 00:02:30,734
THINGS.
20
00:02:33,487 --> 00:02:34,863
MAYBE LATER.
21
00:02:40,285 --> 00:02:42,579
(GIGGLES)
22
00:03:37,467 --> 00:03:39,386
YES. HELLO.
23
00:03:39,386 --> 00:03:40,804
I WAS WONDERING
IF YOU COULD BRING UP--
24
00:03:40,804 --> 00:03:42,263
NO, NO, NO, NO.
25
00:03:42,263 --> 00:03:43,849
NO ROOM SERVICE
FOR YOU THIS MORNING.
26
00:03:43,849 --> 00:03:45,642
WHAT? WE CAN AFFORD IT.
27
00:03:45,642 --> 00:03:47,853
WE?
28
00:03:47,853 --> 00:03:50,772
OK. MY DAD
CAN AFFORD IT.
29
00:03:50,772 --> 00:03:53,316
WHAT DO YOU SAY,
CHAMPAGNE?
BLOODY MARYS?
30
00:03:53,316 --> 00:03:55,027
I SAY THAT WE'RE NOT
ON THE SET OF DYNASTY
31
00:03:55,027 --> 00:03:56,695
AND YOU HAVE CLASS
IN AN HOUR.
32
00:03:56,695 --> 00:03:57,988
NOW, WHICH TIE?
33
00:03:57,988 --> 00:04:00,281
MMM, I DON'T KNOW.
THEY'RE BOTH
KIND OF HIDEOUS.
34
00:04:00,281 --> 00:04:01,742
OK, LOOK. YOU'LL
HAVE PLENTY OF TIME
FOR FASHION CRITIQUES
35
00:04:01,742 --> 00:04:03,493
ONCE I ACTUALLY
GET THE JOB,
BUT FOR RIGHT NOW,
36
00:04:03,493 --> 00:04:05,370
I JUST DON'T
WANT TO BE LATE
FOR THE INTERVIEW. OK?
37
00:04:05,370 --> 00:04:07,748
I'M SURE THAT IT
IS JUST A TECHNICALITY.
38
00:04:07,748 --> 00:04:11,250
TRUST ME. WHEN MY DAD PULLS
STRINGS, THEY STAY PULLED.
39
00:04:11,250 --> 00:04:13,461
HOW DO YOU THINK
I GOT INTO WORTHINGTON?
40
00:04:13,461 --> 00:04:15,672
OH, OH. ARE THEY ALWAYS
SUPPOSED TO BE THIS TIGHT?
41
00:04:15,672 --> 00:04:17,966
YOU HAVE ACTUALLY WORN A TIE
BEFORE, HAVEN'T YOU, PACEY?
42
00:04:17,966 --> 00:04:19,467
OF COURSE I HAVE. ONCE.
43
00:04:19,467 --> 00:04:20,510
ONCE.
44
00:04:20,510 --> 00:04:21,553
YES, ONCE.
45
00:04:21,553 --> 00:04:23,513
MMM.
46
00:04:23,513 --> 00:04:25,140
OK. WISH ME LUCK.
I'M OUT THE DOOR.
47
00:04:25,140 --> 00:04:26,558
LUCK!
48
00:04:35,734 --> 00:04:39,654
YES, HELLO.
IS THIS ROOM SERVICE?
49
00:04:39,654 --> 00:04:41,782
OH, MY GOSH.
YOU KNOW MY NAME. HOW COOL.
50
00:04:41,782 --> 00:04:44,952
YEAH, I'M FEELING A LITTLE
CONTINENTAL THIS MORNING.
51
00:04:44,952 --> 00:04:47,746
OK, SO WE SHARE
THE ART HISTORY.
52
00:04:47,746 --> 00:04:51,291
UM, ALL THIS KAFKA
IS MINE, AND THEY GAVE US
A MATH BOOK BY MISTAKE.
53
00:04:51,291 --> 00:04:54,128
OH! I'LL TAKE THAT,
THANK YOU VERY MUCH.
54
00:04:54,128 --> 00:04:55,503
WAIT A SECOND. MATH?
55
00:04:55,503 --> 00:04:57,089
DON'T TELL ME YOU
ACTUALLY TOOK MY ADVICE.
56
00:04:57,089 --> 00:05:00,134
STRANGER THINGS
HAVE HAPPENED.
57
00:05:00,134 --> 00:05:01,885
AND I SUPPOSE
THIS HAS NOTHING
TO DO WITH THE FACT
58
00:05:01,885 --> 00:05:04,387
THAT A CERTAIN SOMEONE
ACTUALLY TEACHES MATH?
59
00:05:04,387 --> 00:05:06,181
ARE YOU IMPLYING
THAT THERE'S ANYTHING WRONG
60
00:05:06,181 --> 00:05:09,017
WITH TAKING AN INTEREST
IN SOMEONE'S LIFE'S WORK?
61
00:05:09,017 --> 00:05:11,145
I THINK
IT'S A SLIPPERY SLOPE.
62
00:05:11,145 --> 00:05:13,605
I MEAN, ONE MINUTE
YOU'RE TAKING AN INTEREST
63
00:05:13,605 --> 00:05:16,566
AND THE NEXT YOU'RE
SUBLIMATING YOUR OWN
THOUGHTS AND DESIRES,
64
00:05:16,566 --> 00:05:18,610
AND FOR WHAT?
65
00:05:18,610 --> 00:05:21,280
FOR A GRAND CHANCE
TO PARTICIPATE
66
00:05:21,280 --> 00:05:23,782
IN THE GREAT PATRIARCHAL
HETEROSEXIST FRAUD
67
00:05:23,782 --> 00:05:25,284
THAT IS BETTER KNOWN
AS MONOGAMY?
68
00:05:25,284 --> 00:05:28,954
I MEAN, IS THAT REALLY
HOW YOU WANT TO SPEND
YOUR GOLDEN YEARS,
69
00:05:28,954 --> 00:05:32,457
FOLDING SOME MAN'S LAUNDRY
AND PRETENDING TO ACTUALLY
SHARE AN INTEREST?
70
00:05:32,457 --> 00:05:36,170
I MEAN, HAVEN'T WE COME
FURTHER AS A SEX--WHAT?
71
00:05:36,170 --> 00:05:39,422
HI. I'M SORRY.
72
00:05:37,879 --> 00:05:39,422
ARE WE BOTHERING YOU?
73
00:05:39,422 --> 00:05:40,757
BECAUSE, PERHAPS
IF IT'S NOT
TOO MUCH TROUBLE,
74
00:05:40,757 --> 00:05:42,092
YOU COULD JUST GET
YOUR OWN CONVERSATION.
75
00:05:42,092 --> 00:05:44,803
NO. SORRY.
76
00:05:44,803 --> 00:05:46,387
IT'S JUST THAT I'VE
BEEN SITTING HERE
TRYING TO FIGURE OUT
77
00:05:46,387 --> 00:05:47,764
WHERE I'VE MET YOU
BEFORE,
78
00:05:47,764 --> 00:05:51,101
AND SUDDENLY I
REALIZED I'VE NEVER
MET YOU BEFORE.
79
00:05:51,101 --> 00:05:54,104
GREAT. WELL,
I'M REALLY GLAD THAT WE
GOT THAT FIGURED OUT.
80
00:05:54,104 --> 00:05:56,106
I'VE HEARD YOU
ON THE RADIO.
81
00:05:56,106 --> 00:05:58,357
SHE WAS ON THE RADIO.
82
00:05:59,526 --> 00:06:00,902
WELL, YOU WERE.
83
00:06:00,902 --> 00:06:03,571
SHE WAS VERY GOOD, TOO.
84
00:06:03,571 --> 00:06:05,740
OK, YOU GOT ME.
I'M BUSTED.
I WAS ON THE RADIO.
85
00:06:05,740 --> 00:06:08,035
BUT I'M NOT ANYMORE,
SO...
86
00:06:09,744 --> 00:06:11,872
THANK YOU VERY MUCH
FOR LISTENING
AND BUH-BYE.
87
00:06:11,872 --> 00:06:15,374
SO DID YOU
GET FIRED OR WHAT?
88
00:06:16,918 --> 00:06:17,919
WHAT IS THIS,
AN INTERVIEW?
89
00:06:17,919 --> 00:06:20,130
I'M JUST CURIOUS.
90
00:06:20,130 --> 00:06:22,174
(SIGHS)
91
00:06:22,174 --> 00:06:24,051
WELL, LET'S JUST SAY
THAT I HAD SOME...
92
00:06:24,051 --> 00:06:26,136
ARTISTIC DIFFERENCES
WITH THE NEW MANAGEMENT.
93
00:06:26,136 --> 00:06:28,138
FINE. THEN
WE'LL JUST SAY THAT.
94
00:06:28,138 --> 00:06:29,597
FINE.
95
00:06:33,392 --> 00:06:35,312
EXCUSE ME, YOUNG MAN.
96
00:06:35,312 --> 00:06:37,438
WOULD YOU CARE TO JOIN US?
97
00:06:42,027 --> 00:06:43,987
IT'S 8:35
ON A SATURDAY MORNING.
98
00:06:43,987 --> 00:06:46,365
THE PHONE RINGS.
WHO IS IT?
99
00:06:46,365 --> 00:06:48,075
CABLE COMPANY,
PHONE COMPANY,
100
00:06:48,075 --> 00:06:49,326
DEBT CONSOLIDATORS.
101
00:06:49,326 --> 00:06:51,661
WHY DO THEY
KEEP CALLING BACK?
102
00:06:51,661 --> 00:06:53,412
BECAUSE IT WORKS.
103
00:06:53,412 --> 00:06:58,085
NOW, IF YOU DON'T THINK
YOU CAN DO THAT,
104
00:06:58,085 --> 00:07:00,087
IF YOU DON'T THINK
YOU CAN COMMIT
105
00:07:00,087 --> 00:07:02,339
TO BECOMING
THE LOWEST FORM OF LIFE,
106
00:07:02,339 --> 00:07:04,549
THE KIND
THAT LIVES BY HIS WITS,
107
00:07:04,549 --> 00:07:08,345
THE KIND THAT DOESN'T
TAKE NO FOR AN ANSWER,
108
00:07:08,345 --> 00:07:10,764
THEN I SUGGEST
YOU LEAVE.
109
00:07:10,764 --> 00:07:12,891
NO. YOU KNOW WHAT?
IN FACT, I INSIST YOU LEAVE.
110
00:07:12,891 --> 00:07:14,059
RIGHT NOW!
111
00:07:19,773 --> 00:07:21,983
ALL RIGHT, THEN.
112
00:07:21,983 --> 00:07:23,651
TO CLARIFY:
113
00:07:23,651 --> 00:07:26,321
THE HOURS ARE LONG,
THE PAY IS CRAP,
114
00:07:26,321 --> 00:07:27,781
WHEN YOU'RE NOT WORKING,
YOU WILL BE STUDYING
115
00:07:27,781 --> 00:07:30,325
FOR YOUR SERIES 7
STOCKBROKER EXAM.
116
00:07:30,325 --> 00:07:32,369
THERE ARE
NO SECOND CHANCES HERE.
117
00:07:32,369 --> 00:07:34,537
IF YOU DO NOT PASS THIS TEST
ON YOUR FIRST TRY,
118
00:07:34,537 --> 00:07:37,332
YOU WILL BE LET GO
FROM THE TRAINING PROGRAM
119
00:07:37,332 --> 00:07:40,294
AND REPLACED BY ONE
OF A ZILLION OTHER GUYS
120
00:07:40,294 --> 00:07:42,837
WHO WOULD KILL
TO HAVE THIS JOB.
121
00:07:44,798 --> 00:07:46,465
QUESTIONS?
122
00:07:50,678 --> 00:07:54,141
WELL, GIVEN HOW COMPLETELY
AND HISTORICALLY SCREWED
123
00:07:54,141 --> 00:07:55,474
THE MARKET IS RIGHT NOW,
124
00:07:55,474 --> 00:07:58,019
WHY WOULD ANY SANE PERSON
WANT THIS JOB?
125
00:07:58,019 --> 00:08:00,272
SAME REASON PEOPLE
PLAY THE LOTTERY.
126
00:08:00,272 --> 00:08:01,606
YOU MEAN MONEY?
127
00:08:01,606 --> 00:08:03,566
NO.
128
00:08:03,566 --> 00:08:06,653
NOT THAT THERE'S
ANYTHING WRONG
WITH MONEY.
129
00:08:06,653 --> 00:08:08,655
I MEAN HOPE.
130
00:08:10,615 --> 00:08:13,910
THAT TINY SURGE
OF ADRENALINE
131
00:08:13,910 --> 00:08:15,495
THAT COURSES
THROUGH YOUR VEINS
132
00:08:15,495 --> 00:08:17,872
RIGHT BEFORE YOU CHECK
THE WINNING NUMBERS.
133
00:08:17,872 --> 00:08:20,708
THAT'S WHAT
WE'RE SELLING HERE.
134
00:08:20,708 --> 00:08:23,586
THAT'S WHAT EVERY
STOCKBROKER SELLS,
135
00:08:23,586 --> 00:08:24,796
AND YOU ALL
WOULDN'T BE HERE
136
00:08:24,796 --> 00:08:26,089
IF YOU DIDN'T
WANT SOME OF IT.
137
00:08:26,089 --> 00:08:28,549
SO, THOSE OF YOU
WHO WANT IT BAD ENOUGH,
138
00:08:28,549 --> 00:08:30,051
I'LL SEE YOU
MONDAY MORNING.
139
00:08:30,051 --> 00:08:32,511
OTHERWISE, DISPERSE.
140
00:08:40,479 --> 00:08:43,523
I ACTUALLY DO
HAVE ONE MORE QUESTION.
141
00:08:43,523 --> 00:08:44,941
SHOOT.
142
00:08:44,941 --> 00:08:47,319
WHO THE HELL ARE YOU?
143
00:08:50,613 --> 00:08:51,823
RICH RINALDI.
144
00:08:51,823 --> 00:08:53,950
PACEY WITTER.
145
00:08:53,950 --> 00:08:55,285
AND, MR. RINALDI, I DON'T
NEED TILL MONDAY MORNING.
146
00:08:55,285 --> 00:08:56,619
I'M IN RIGHT NOW.
147
00:08:58,663 --> 00:09:00,499
LOOK FORWARD TO WORKING
WITH YOU, PACEY.
148
00:09:00,499 --> 00:09:02,834
OK.
149
00:09:04,878 --> 00:09:06,296
AND, UH...
150
00:09:06,296 --> 00:09:08,256
YOU MIGHT WANT
TO RETHINK THAT SUIT.
151
00:09:08,256 --> 00:09:10,550
SEEMS A LITTLE GAY.
152
00:09:11,968 --> 00:09:13,136
AHEM.
153
00:09:32,239 --> 00:09:36,117
HI.
154
00:09:36,117 --> 00:09:37,494
YOU LOOK BEAUTIFUL.
155
00:09:37,494 --> 00:09:39,579
THANK YOU.
156
00:09:40,955 --> 00:09:42,665
DO YOU HAVE
TO WORK TODAY?
157
00:09:42,665 --> 00:09:45,043
YEAH. YEAH.
UH, BUT I WAS THINKING
158
00:09:45,043 --> 00:09:46,420
MAYBE WE COULD
GET TOGETHER LATER ON.
159
00:09:46,420 --> 00:09:47,962
GREAT.
LIKE AROUND 5:00?
160
00:09:47,962 --> 00:09:49,339
SURE.
OK.
161
00:09:49,339 --> 00:09:50,631
I'LL, UH,
I'LL CALL YOU.
162
00:09:50,631 --> 00:09:52,008
GREAT.
163
00:09:52,008 --> 00:09:54,135
NOT LIKE,
"I'LL CALL YOU,"
LIKE THE BAD CLICHE,
164
00:09:54,135 --> 00:09:55,887
LIKE I SAY
THAT I'LL CALL YOU
AND I NEVER DO.
165
00:09:55,887 --> 00:09:58,806
YOU MEAN NOT LIKE
THE STANDARD BLOW-OFF
YOU GET FROM A FRAT GUY
166
00:09:58,806 --> 00:10:01,601
TRYING TO MAKE A GRACEFUL EXIT
FROM THE WORLD'S MOST
EMBARRASSING HOOK-UP?
167
00:10:01,601 --> 00:10:04,812
YES. I MEAN, NO.
NOT--NOT LIKE THAT.
168
00:10:04,812 --> 00:10:05,855
NOT EMBARRASSING.
169
00:10:05,855 --> 00:10:07,648
HA HA!
170
00:10:07,648 --> 00:10:10,235
NONE OF THAT. NO.
171
00:10:10,235 --> 00:10:13,447
SO I GUESS
WE'RE IN AGREEMENT
172
00:10:13,447 --> 00:10:16,491
THAT SINCE LAST NIGHT,
WORDS HAVE TOTALLY
LOST ALL MEANING.
173
00:10:16,491 --> 00:10:19,202
BECAUSE I JUST SPENT
15 MINUTES IN THAT BATHROOM
174
00:10:19,202 --> 00:10:20,870
TRYING TO THINK
OF SOMETHING TO SAY TO YOU,
175
00:10:20,870 --> 00:10:23,998
AND, WELL, ALL I COULD
COME UP WITH WAS "HI."
176
00:10:23,998 --> 00:10:26,126
I LIKED IT.
IT WAS HEARTFELT
AND SINCERE.
177
00:10:26,126 --> 00:10:27,586
IT WAS IDIOTIC.
178
00:10:27,586 --> 00:10:28,836
I CAN TOP THAT.
179
00:10:28,836 --> 00:10:30,964
THE NOTE THAT I LEFT
ON YOUR PILLOW
THIS MORNING?
180
00:10:30,964 --> 00:10:32,424
4 DRAFTS.
181
00:10:32,424 --> 00:10:34,134
I SPENT LIKE AN HOUR
TRYING TO COME UP
WITH SOMETHING
182
00:10:34,134 --> 00:10:36,094
HISTORICALLY MEANINGFUL
TO SAY TO YOU,
183
00:10:36,094 --> 00:10:37,345
SOMETHING THAT WOULD
ENCAPSULATE EVERYTHING
184
00:10:37,345 --> 00:10:38,930
ABOUT HOW
I FELT ABOUT US,
185
00:10:38,930 --> 00:10:41,475
ABOUT SEX, ABOUT
THE MOST INCREDIBLE
NIGHT OF MY LIFE,
186
00:10:41,475 --> 00:10:43,059
AND YOU KNOW
WHAT I CAME UP WITH?
187
00:10:43,059 --> 00:10:44,769
"WENT OUT FOR BREAKFAST."
188
00:10:44,769 --> 00:10:46,729
4 OF THE DUMBEST WORDS
IN THE ENGLISH LANGUAGE,
189
00:10:46,729 --> 00:10:48,648
AND NOT ONE OF THEM SAYS
WHAT I MEANT TO SAY.
190
00:10:50,650 --> 00:10:53,278
(TELEPHONE RINGS)
191
00:10:53,278 --> 00:10:55,113
I HAVE TO GET THAT.
192
00:10:58,074 --> 00:10:59,409
HELLO.
193
00:10:59,409 --> 00:11:01,328
Todd:
LEERY, I'M WAITING!
194
00:11:01,328 --> 00:11:02,454
WHY AM I WAITING, YOU ASK?
195
00:11:02,454 --> 00:11:04,080
'CAUSE YOU'RE
NOT BLOODY HERE.
196
00:11:04,080 --> 00:11:05,290
YEAH, SORRY ABOUT THAT.
I WAS--
197
00:11:05,290 --> 00:11:06,625
YOU'RE JUST GONNA
GET YOUR ASS OVER HERE,
198
00:11:06,625 --> 00:11:07,875
THAT'S WHAT
YOU'RE GONNA DO.
199
00:11:09,794 --> 00:11:11,879
GO. CALL ME LATER.
200
00:11:11,879 --> 00:11:13,965
OK. AND THEN
WE CAN TALK.
201
00:11:13,965 --> 00:11:15,216
WE CAN FINISH
WHAT WE WERE--
202
00:11:15,216 --> 00:11:17,344
RIGHT, BUT I HAVE
ONE IMPORTANT THING
203
00:11:17,344 --> 00:11:18,719
TO ASK YOU RIGHT NOW.
204
00:11:18,719 --> 00:11:20,305
WHAT?
205
00:11:20,305 --> 00:11:21,680
WHAT HAPPENED
TO THE OTHER 3 DRAFTS?
206
00:11:21,680 --> 00:11:23,682
OH, I TOSSED THEM
IN THE DUMPSTER.
207
00:11:23,682 --> 00:11:26,102
I SEE. WHEN YOU
WENT OUT TO GET COFFEE?
208
00:11:26,102 --> 00:11:27,562
YEAH.
209
00:11:27,562 --> 00:11:29,897
I THOUGHT THAT
WAS A LITTLE SUSPICIOUS.
210
00:11:29,897 --> 00:11:32,442
IT WAS, ACTUALLY,
AND--AND NOW
THAT YOU MENTION IT,
211
00:11:32,442 --> 00:11:33,901
UM...
212
00:11:33,901 --> 00:11:35,694
(TELEPHONE RINGS)
213
00:11:38,615 --> 00:11:40,241
TODD CALLING.
214
00:11:40,241 --> 00:11:41,909
HOW COULD YOU TELL?
215
00:11:41,909 --> 00:11:44,954
I'M ASSUMING SATAN
COULD ONLY BE ONE PERSON
216
00:11:44,954 --> 00:11:46,956
OTHER THAN
BEELZEBUB HIMSELF.
217
00:11:46,956 --> 00:11:48,041
HELLO.
218
00:11:48,041 --> 00:11:49,334
I'M GONNA NEED
A TRIPLE ESPRESSO
219
00:11:49,334 --> 00:11:51,461
AND SOME SORT
OF PASTRY-TYPE SITUATION,
220
00:11:51,461 --> 00:11:52,879
PREFERABLY ITALIAN.
221
00:11:52,879 --> 00:11:53,921
I'M ON MY...
(CLICK)
222
00:11:53,921 --> 00:11:55,965
WAY.
223
00:11:55,965 --> 00:11:57,509
GO. GET OUT OF HERE.
224
00:11:57,509 --> 00:11:59,594
I'M AFRAID
TO SEE WHAT HAPPENS
225
00:11:59,594 --> 00:12:01,971
IF THE DEVIL CALLS
3 TIMES IN ONE HOUR.
226
00:12:01,971 --> 00:12:02,972
YOU KNOW,
BEFORE I LEAVE,
227
00:12:02,972 --> 00:12:04,057
I JUST WANT TO MAKE
ABSOLUTELY CERTAIN--
228
00:12:04,057 --> 00:12:05,724
DAWSON...
229
00:12:10,146 --> 00:12:11,730
(WHISPERS)
Shut up.
230
00:12:18,071 --> 00:12:19,447
Good-bye.
231
00:12:53,022 --> 00:12:54,482
WOULD YOU MURDER SOMEONE
IN THIS ALLEY?
232
00:12:54,482 --> 00:12:56,610
YEAH, YOU, FOR WANTING
TO CHANGE A LOCATION
233
00:12:56,610 --> 00:12:58,986
18 OTHER PEOPLE
HAVE SIGNED OFF ON. HERE.
234
00:12:58,986 --> 00:13:00,739
WHAT? NO 20-MINUTE SPEECH
ON HOW YOU'RE TOO GOOD
TO GET MY COFFEE?
235
00:13:00,739 --> 00:13:02,657
NO 20-MINUTE TIRADE
ON HOW IT'S COLD?
236
00:13:02,657 --> 00:13:03,866
I MUST BE MELLOWING.
237
00:13:03,866 --> 00:13:05,784
OR I'VE BEEN BRINGING YOU
DECAF ALL SUMMER.
238
00:13:05,784 --> 00:13:07,412
HA HA HA HA! RIGHT.
239
00:13:07,412 --> 00:13:08,955
WHICH WOULD EXPLAIN
THE LACK OF ME
YELLING AT YOU
240
00:13:08,955 --> 00:13:10,123
THIS MORNING
WHEN YOU FAILED
TO SHOW UP
241
00:13:10,123 --> 00:13:11,332
AT OUR PREARRANGED
MEETING PLACE.
242
00:13:11,332 --> 00:13:12,208
THAT WAS
A LACK OF YELLING?
243
00:13:14,377 --> 00:13:15,545
YOU WEREN'T
IN YOUR ROOM, EITHER.
244
00:13:15,545 --> 00:13:18,089
NO.
245
00:13:18,089 --> 00:13:19,674
I SPENT THE NIGHT
AT A FRIEND'S.
246
00:13:19,674 --> 00:13:22,510
A FRIEND'S?
HAD I KNOWN YOU ACTUALLY
HAD ANY FRIENDS,
247
00:13:22,510 --> 00:13:24,845
I WOULDN'T HAVE WASTED
VALUABLE PRODUCTION
DOLLARS ON LODGING YOU.
248
00:13:24,845 --> 00:13:26,805
WELL.
249
00:13:28,516 --> 00:13:30,518
WELL...DETAILS.
250
00:13:30,518 --> 00:13:31,770
NOT A CHANCE.
251
00:13:31,770 --> 00:13:33,688
EVERY GOOD THING
THAT'S HAPPENED IN MY LIFE
252
00:13:33,688 --> 00:13:34,981
I'VE ESSENTIALLY MANAGED
TO TALK OUT OF EXISTENCE.
253
00:13:34,981 --> 00:13:37,233
I'M NOT GONNA DO THAT
THIS TIME.
254
00:13:37,233 --> 00:13:38,485
SUIT YOURSELF.
255
00:13:38,485 --> 00:13:40,194
SO, WHAT AM I
DOING TODAY?
256
00:13:40,194 --> 00:13:41,862
YOU'LL FIND OUT
WHEN YOU GET THERE.
257
00:13:41,862 --> 00:13:42,947
FAIR ENOUGH.
258
00:13:59,297 --> 00:14:00,298
EXCUSE ME.
259
00:14:00,298 --> 00:14:01,882
YEAH.
260
00:14:01,882 --> 00:14:03,884
YOU OBVIOUSLY
DON'T REMEMBER ME, BUT--
261
00:14:03,884 --> 00:14:05,844
OH, YEAH. SURE.
NICE TO SEE YOU AGAIN.
262
00:14:08,055 --> 00:14:09,223
EXCUSE ME.
263
00:14:09,223 --> 00:14:11,685
SORRY, I DON'T REALLY
HAVE TIME TO CHIT-CHAT.
264
00:14:11,685 --> 00:14:14,103
I'M NOT ATTEMPTING
TO FORGE SOME KIND
OF SOCIAL CONNECTION HERE.
265
00:14:14,103 --> 00:14:15,396
WELL, GOOD, BECAUSE--
266
00:14:15,396 --> 00:14:16,564
YOU CAN JUST APOLOGIZE
AND WE'LL MOVE ON.
267
00:14:16,564 --> 00:14:18,232
APOLOGIZE?
YEAH.
268
00:14:18,232 --> 00:14:19,567
LOOK,
IT'S REALLY SIMPLE.
269
00:14:19,567 --> 00:14:20,652
YOU READ THE BOOK,
YOU COME TO CLASS.
270
00:14:20,652 --> 00:14:21,902
PREFERABLY
IN THAT ORDER.
271
00:14:21,902 --> 00:14:23,404
YOU FINISHED?
272
00:14:23,404 --> 00:14:24,863
YES.
GOOD.
273
00:14:24,863 --> 00:14:26,741
YOU BUMPED INTO ME
JUST NOW IN YOUR MAD DASH
274
00:14:26,741 --> 00:14:28,909
TO READ
THE LUNCH SPECIALS.
275
00:14:28,909 --> 00:14:30,203
WELL, I'M SORRY.
276
00:14:30,203 --> 00:14:31,912
THANK YOU.
277
00:14:31,912 --> 00:14:34,957
DIDN'T REALIZE
YOU WERE SO DELICATE.
278
00:14:37,836 --> 00:14:39,379
HEY! YOU CAME BACK.
279
00:14:41,047 --> 00:14:42,215
JOEY, RIGHT,
FROM LAST NIGHT?
280
00:14:42,215 --> 00:14:44,133
YEAH.
281
00:14:44,133 --> 00:14:46,093
SO YOU DECIDED
THE GLAMOUR AND PRESTIGE
282
00:14:46,093 --> 00:14:47,970
OF WAITRESSING
WAS FOR YOU, AFTER ALL.
283
00:14:47,970 --> 00:14:51,265
WELL,
LET'S JUST SAY I'M
CURRENTLY RE-ALIGNING
284
00:14:51,265 --> 00:14:52,684
MY LIFE PRIORITIES.
285
00:14:52,684 --> 00:14:54,769
AND GETTING YOUR BUM
GRABBED BY A BUNCH
OF SADISTIC DRUNKS
286
00:14:54,769 --> 00:14:56,229
IS IN YOUR TOP 5.
287
00:14:56,229 --> 00:14:59,816
NO, BUT...
288
00:14:59,816 --> 00:15:02,151
I'M TRUSTING
MY INSTINCTS
FOR A CHANGE.
289
00:15:02,151 --> 00:15:03,944
SO, IS THE JOB
STILL AVAILABLE?
290
00:15:03,944 --> 00:15:05,572
YEAH. I'LL PUT A WORD IN
WITH THE MANAGER.
291
00:15:05,572 --> 00:15:09,743
OH, IN THE MEANTIME,
FILL THIS OUT.
292
00:15:09,743 --> 00:15:11,911
THANK YOU.
NO PROBLEM.
293
00:15:13,371 --> 00:15:14,831
HE DOESN'T EAT HERE
OFTEN, DOES HE?
294
00:15:14,831 --> 00:15:17,250
HIM? NOT PARTICULARLY, NO.
295
00:15:18,626 --> 00:15:20,961
OH, HE DOES WORK HERE.
296
00:15:20,961 --> 00:15:22,921
HE'S THE BARTENDER.
297
00:15:33,182 --> 00:15:35,935
SO, NO CLASSES
TODAY, EITHER?
298
00:15:35,935 --> 00:15:37,353
NO, I HAD TO SHOP,
299
00:15:37,353 --> 00:15:39,188
YOU KNOW,
FOR THE THING TONIGHT.
300
00:15:39,188 --> 00:15:40,231
OH, HONEY,
DON'T PUT THE--
301
00:15:40,231 --> 00:15:41,982
MMM. SOMETHING
SMELLS GOOD.
302
00:15:41,982 --> 00:15:44,026
HERE.
BON APPETIT.
303
00:15:44,026 --> 00:15:46,070
THAT'S OK.
SO, UH, WHAT'S
THE VERDICT, MAN?
304
00:15:46,070 --> 00:15:49,532
OH, MAN, I LOOKED AT
5 APARTMENTS THIS MORNING,
305
00:15:49,532 --> 00:15:51,910
LEADING ME TO THE INEVITABLE
CONCLUSION THAT EVERYTHING
IN OUR PRICE RANGE
306
00:15:51,910 --> 00:15:53,745
IS BOTH DISGUSTING
AND ROACH-INFESTED.
307
00:15:53,745 --> 00:15:56,289
EXCEPT FOR THIS PLACE
I LOOKED AT YESTERDAY.
308
00:15:56,289 --> 00:15:57,832
YEAH,
BUT IS IT CLEAN?
309
00:15:57,832 --> 00:15:59,250
IT'S IMMACULATE.
310
00:15:59,250 --> 00:16:01,294
WHEW.
311
00:16:01,294 --> 00:16:03,087
JACK, I'M SCANDALIZED.
312
00:16:03,087 --> 00:16:05,840
IS THAT AN OBVIOUSLY
GAY TRAIT THAT YOU'VE
JUST REVEALED TO US?
313
00:16:05,840 --> 00:16:07,550
HEY, I'M CLEAN.
ALL RIGHT? SUE ME.
314
00:16:07,550 --> 00:16:09,302
TRY LIVING WITH
SOMEONE'S GRANDMOTHER
FOR A FEW YEARS.
315
00:16:09,302 --> 00:16:10,929
THE SOLUTION HERE
IS REALLY OBVIOUS.
316
00:16:10,929 --> 00:16:12,639
WE GOTTA GO BACK.
WE GOTTA TRY AGAIN.
317
00:16:12,639 --> 00:16:15,516
WE HAVE TO CONVINCE
THIS WOMAN
OF WHY IT IS
318
00:16:15,516 --> 00:16:16,935
SHE WANTS TO LIVE
WITH THE TWO OF US.
319
00:16:16,935 --> 00:16:17,977
IF SHE DOESN'T WANT
TO LIVE WITH GUYS,
320
00:16:17,977 --> 00:16:19,896
SHE DOESN'T WANT
TO LIVE WITH GUYS.
321
00:16:19,896 --> 00:16:21,272
WHO CAN BLAME HER?
WHO WANTS TO DEAL WITH
322
00:16:21,272 --> 00:16:23,357
ALL THOSE LITTLE
SHAVING HAIRS IN THE SINK
323
00:16:23,357 --> 00:16:24,734
WHEN YOU'RE TRYING
TO BRUSH YOUR TEETH
IN THE MORNING? ECCH.
324
00:16:24,734 --> 00:16:26,360
HONEY, AS MUCH
AS I LOVE YOU,
325
00:16:26,360 --> 00:16:28,947
YOU'RE
MISSING THE POINT.
HE IS A NEAT GUY.
326
00:16:28,947 --> 00:16:30,030
THAT'S ONE WAY
OF PUTTING IT.
327
00:16:30,030 --> 00:16:32,951
AND YOU ARE A SLOB.
ADMIT IT, PACEY,
328
00:16:32,951 --> 00:16:34,702
YOU'RE NOT JUST A GUY,
YOU'RE A GUY'S GUY.
329
00:16:34,702 --> 00:16:37,371
OK, GRANTED,
YESTERDAY I MAY HAVE
BEEN A GUY'S GUY.
330
00:16:37,371 --> 00:16:40,333
TODAY, I AM A GUY
WITH A JOB.
331
00:16:40,333 --> 00:16:41,501
YOU GOT IT?
332
00:16:41,501 --> 00:16:42,961
YEAH.
CONGRATS, DUDE.
333
00:16:42,961 --> 00:16:44,295
WELL,
IT'S NOT SO MUCH
A JOB, REALLY,
334
00:16:44,295 --> 00:16:46,213
AS AN OPPORTUNITY
TO BECOME THE LOWEST
FORM OF LIFE,
335
00:16:46,213 --> 00:16:48,800
WHICH I'LL
EXPLAIN LATER,
BECAUSE RIGHT NOW
336
00:16:48,800 --> 00:16:50,176
WE HAVE AN APARTMENT
TO GET.
337
00:16:50,176 --> 00:16:51,511
MMM. WE?
338
00:16:51,511 --> 00:16:53,304
YES, WE. SWALLOW.
339
00:16:53,304 --> 00:16:55,473
HEH HEH HEH.
340
00:16:55,473 --> 00:16:57,684
HELLO. HI. I WAS, UM...
341
00:16:57,684 --> 00:17:00,728
I WAS WONDERING
IF I COULD COME LOOK
AT THE APARTMENT TODAY.
342
00:17:00,728 --> 00:17:03,898
NO, I THINK IT'S NICE.
343
00:17:03,898 --> 00:17:06,192
YEAH, THAT'S
WHAT EVERYBODY SAYS.
344
00:17:06,192 --> 00:17:10,070
"OH, YOU LIVE
WITH YOUR GRANDMA.
THAT'S SO SWEET."
345
00:17:10,070 --> 00:17:11,322
HOW DO THEY KNOW
I DON'T BEAT HER
WITH A STICK
346
00:17:11,322 --> 00:17:13,491
AND LEAVE HER TIED
TO THE RADIATOR ALL WINTER?
347
00:17:13,491 --> 00:17:14,784
IS THIS A CRY FOR HELP?
348
00:17:14,784 --> 00:17:16,828
DO I LOOK
LIKE I NEED HELP?
349
00:17:16,828 --> 00:17:17,954
NO. ACTUALLY,
YOU LOOK LIKE SOMEONE
350
00:17:17,954 --> 00:17:19,497
WHO'D PROBABLY
BE GOOD AT GIVING IT.
351
00:17:21,207 --> 00:17:22,291
OH, GOD.
352
00:17:22,291 --> 00:17:23,877
WHAT?
353
00:17:23,877 --> 00:17:25,795
OH, NO.
IT'S NOT YOUR FAULT.
354
00:17:25,795 --> 00:17:28,381
THIS IS MY FAULT.
THIS HAS HAPPENED
TO ME BEFORE.
355
00:17:28,381 --> 00:17:32,301
THIS RELIGION THING
IS NOT REALLY--GOD.
356
00:17:32,301 --> 00:17:36,597
NO! NOT GOD.
NOT GOD. I'M GONNA GO.
357
00:17:36,597 --> 00:17:38,892
WAIT, LOOK.
YOU'RE RIGHT.
358
00:17:38,892 --> 00:17:40,768
I DO WANT
SOMETHING FROM YOU.
359
00:17:40,768 --> 00:17:42,562
SEVERAL THINGS,
ACTUALLY.
360
00:17:42,562 --> 00:17:44,772
BUT, FIRST, I WANT YOU
TO SIT BACK DOWN.
361
00:17:44,772 --> 00:17:46,733
SSS...OK. I'LL PERCH.
362
00:17:46,733 --> 00:17:48,067
FINE.
363
00:17:48,067 --> 00:17:49,652
I'M NOT FULLY COMMITTED
TO THE SITTING.
364
00:17:49,652 --> 00:17:52,822
UNDERSTOOD. UM--
365
00:17:52,822 --> 00:17:54,407
I COULD LEAVE AT ANY MOMENT,
ESPECIALLY IF YOU CONTINUE
366
00:17:54,407 --> 00:17:55,658
TO NOT SAY ANYTHING.
367
00:17:55,658 --> 00:17:57,785
SORRY, IT'S--
THIS IS KIND OF
A DIFFICULT THING
368
00:17:57,785 --> 00:18:00,580
TO PHRASE PROPERLY.
UM...
369
00:18:00,580 --> 00:18:04,834
NO MATTER HOW I SAY IT,
I'M GONNA SOUND LIKE
A TOTAL DORK, SO...
370
00:18:04,834 --> 00:18:06,794
HAVE YOU EVER HEARD
OF THE STAND?
371
00:18:06,794 --> 00:18:08,838
BUH-BYE.
372
00:18:08,838 --> 00:18:10,381
W-WAIT A SECOND.
WAIT A SECOND.
373
00:18:10,381 --> 00:18:13,593
IT'S NOT A RELIGION.
IT'S A PEER
COUNSELING PROGRAM.
374
00:18:13,593 --> 00:18:15,302
YOU'RE SAYING YOU THINK
I NEED COUNSELING?
375
00:18:15,302 --> 00:18:18,765
NO. I'M SAYING
I THINK YOU COULD
GIVE COUNSELING.
376
00:18:18,765 --> 00:18:21,350
OH, YOU MEAN HELP PEOPLE.
377
00:18:21,350 --> 00:18:22,685
YEAH. LOOK,
ALL I'M ASKING
378
00:18:22,685 --> 00:18:24,604
IS THAT YOU COME
TO AN INFORMATION
SESSION TONIGHT.
379
00:18:24,604 --> 00:18:25,939
IT STARTS AT 7:00.
380
00:18:25,939 --> 00:18:27,189
AND YOU'LL BE THERE?
381
00:18:27,189 --> 00:18:28,482
YEAH, I'LL BE THERE.
382
00:18:41,245 --> 00:18:43,456
I THINK I MADE
A HUGE MISTAKE.
383
00:18:43,456 --> 00:18:45,374
EXCUSE ME?
384
00:18:45,374 --> 00:18:47,418
A WRONG TURN
OR SOMETHING.
385
00:18:47,418 --> 00:18:48,753
I MEAN, THIS CAN'T BE
THE PLACE I'M SUPPOSED
TO MEET YOU.
386
00:18:48,753 --> 00:18:50,880
THERE'S NO "HERE" HERE.
387
00:18:52,298 --> 00:18:53,299
WRONG AGAIN.
388
00:19:02,934 --> 00:19:04,560
WHAT IS THIS PLACE?
389
00:19:04,560 --> 00:19:06,520
THIS IS WHERE
WE'RE SHOOTING THE MOVIE.
WELL, MOST OF IT.
390
00:19:06,520 --> 00:19:08,106
ACTUALLY, DID I MENTION
IT TAKES PLACE
IN THE SEVENTIES?
391
00:19:08,106 --> 00:19:09,107
NO.
392
00:19:09,107 --> 00:19:10,108
YEAH.
A BUNCH OF TEENAGERS
393
00:19:10,108 --> 00:19:11,609
OBSESSED WITH
THE BOSTON STRANGER
394
00:19:11,609 --> 00:19:14,278
END UP SPENDING
THE WEEKEND AT THIS
OLD HOUSE IN CAPE COD,
395
00:19:14,278 --> 00:19:16,322
SCARING THE CRAP
OUT OF EACH OTHER,
OF COURSE.
396
00:19:16,322 --> 00:19:17,448
SOUNDS FAMILIAR.
397
00:19:17,448 --> 00:19:19,366
YEAH. ACTUALLY,
I'M REALLY PROUD OF THE SET.
398
00:19:19,366 --> 00:19:21,368
TODD LET ME
HAVE A LOT OF INPUT
INTO THE DESIGN.
399
00:19:21,368 --> 00:19:22,369
WHY IS THAT?
400
00:19:22,369 --> 00:19:24,413
BECAUSE I'M
A VALUED ASSISTANT.
401
00:19:24,413 --> 00:19:26,749
I SUSPECTED AS MUCH.
402
00:19:26,749 --> 00:19:29,251
AND HE DOESN'T TRUST
HIS PRODUCTION DESIGNER.
403
00:19:29,251 --> 00:19:31,462
A NOTORIOUSLY SHIFTY
RACE OF PEOPLE?
404
00:19:31,462 --> 00:19:33,422
AND HE SAYS
HE HAS NO FRIGGIN' IDEA
405
00:19:33,422 --> 00:19:35,133
WHAT A TYPICAL AMERICAN HOUSE
SHOULD LOOK LIKE.
406
00:19:35,133 --> 00:19:36,968
A TYPICAL
AMERICAN HOUSE?
407
00:19:49,105 --> 00:19:50,230
COME ON.
408
00:20:37,862 --> 00:20:40,239
DAWSON,
THIS IS INCREDIBLE.
409
00:20:41,824 --> 00:20:43,743
ALL THAT STUFF ABOUT
YOU CAN'T GO HOME AGAIN.
410
00:20:43,743 --> 00:20:44,994
YOU CAN.
411
00:20:44,994 --> 00:20:47,163
THROUGH
THE MAGIC OF MOVIES.
412
00:20:47,163 --> 00:20:49,165
ISN'T YOUR MOM
GONNA FREAK WHEN
SHE SEES YOUR HOUSE
413
00:20:49,165 --> 00:20:50,750
IN A HORROR MOVIE?
414
00:20:50,750 --> 00:20:52,793
HEH HEH. IT PROBABLY
WON'T BE TOO GOOD
FOR PROPERTY VALUES,
415
00:20:52,793 --> 00:20:54,795
BUT YOU GOT TO ADMIT
IT'S KIND OF COOL.
416
00:20:54,795 --> 00:20:57,757
IT'S MORE THAN COOL.
417
00:20:57,757 --> 00:20:59,508
DAWSON,
THIS IS SPECTACULAR.
418
00:20:59,508 --> 00:21:01,969
IT'S LIKE
IT'S YOUR MOVIE.
419
00:21:01,969 --> 00:21:03,303
WELL, EXCEPT IT'S NOT.
420
00:21:03,303 --> 00:21:04,805
I'M JUST THE DIRECTOR'S
ASSISTANT.
421
00:21:04,805 --> 00:21:06,891
COME ON, YOU
HAVE TO ADMIT YOU'VE
COME A LONG WAY
422
00:21:06,891 --> 00:21:08,226
SINCE SEA CREATURES
FROM THE DEEP.
423
00:21:08,226 --> 00:21:09,518
I MEAN...
424
00:21:11,604 --> 00:21:14,648
IT'S LIKE
IT'S THE REAL THING.
425
00:21:14,648 --> 00:21:17,235
AS REAL AS SOMETHING CAN BE
THAT'S ENTIRELY AN ILLUSION.
426
00:21:22,156 --> 00:21:23,490
ENTIRELY?
427
00:21:23,490 --> 00:21:25,283
WELL, SEE FOR YOURSELF.
428
00:21:33,667 --> 00:21:34,835
(CHUCKLES)
429
00:21:34,835 --> 00:21:38,005
YEAH. WE, UH...
430
00:21:38,005 --> 00:21:40,174
KIND OF
RAN OUT OF MONEY.
431
00:21:40,174 --> 00:21:41,467
HMM.
432
00:21:41,467 --> 00:21:42,885
LEERY,
YOU SICK BASTARD!
433
00:21:42,885 --> 00:21:44,095
HOW MANY TIMES
HAVE I TOLD YOU...
434
00:21:46,264 --> 00:21:48,515
HELLO, HELLO, HELLO.
435
00:21:49,850 --> 00:21:52,311
LEERY'S GOT A BIRD.
436
00:21:53,687 --> 00:21:55,022
OH, BOY.
437
00:21:59,401 --> 00:22:02,529
TODD, JOEY.
JOEY...TODD.
438
00:22:02,529 --> 00:22:03,530
HEY.
439
00:22:03,530 --> 00:22:04,782
HI.
440
00:22:04,782 --> 00:22:06,575
JOEY GOES
TO WORTHINGTON.
441
00:22:06,575 --> 00:22:07,910
WHAT'S THAT, LIKE
A COLLEGE OR SOMETHING?
442
00:22:07,910 --> 00:22:10,037
YEAH.
443
00:22:10,037 --> 00:22:11,914
NEVER HEARD OF IT.
444
00:22:11,914 --> 00:22:13,249
SO, WHAT DO YOU
THINK OF OUR SET?
445
00:22:14,834 --> 00:22:16,418
UM, IT'S AMAZING.
446
00:22:16,418 --> 00:22:18,296
IT WILL BE.
DO YOU STILL GOT
THAT LIST WE MADE
447
00:22:18,296 --> 00:22:19,588
OF ALL THE BLOODY THINGS
WRONG WITH IT?
448
00:22:19,588 --> 00:22:21,090
EVERY BLOODY ONE.
I ALREADY GOT
THE ART DEPARTMENT
449
00:22:21,090 --> 00:22:21,966
STARTED
ON THE CORRECTIONS.
450
00:22:21,966 --> 00:22:23,301
EXCELLENT.
451
00:22:23,301 --> 00:22:25,469
WE'RE COMING BACK
AND FILMING
IN 2 WEEKS, YOU KNOW.
452
00:22:25,469 --> 00:22:27,180
THAT'S WHAT I HEARD.
453
00:22:27,180 --> 00:22:29,556
SO, YOU'LL, UH...
454
00:22:29,556 --> 00:22:30,933
YOU'LL COME BACK
AND VISIT US THEN,
THEN?
455
00:22:32,268 --> 00:22:34,228
I HOPE SO.
456
00:22:35,562 --> 00:22:36,563
OK.
457
00:22:36,563 --> 00:22:37,648
BYE.
458
00:22:40,567 --> 00:22:43,154
YOU'VE GIVING ME
THE BUM'S RUSH
OUT OF HERE, ISN'T YOU?
459
00:22:43,154 --> 00:22:44,280
IS THAT SO YOU CAN
TAKE THE NIGHT OFF
460
00:22:44,280 --> 00:22:45,781
AND GO FROLICKING
WITH THAT BIRD?
461
00:22:45,781 --> 00:22:46,949
SOMETHING LIKE THAT.
462
00:22:46,949 --> 00:22:48,742
SO, WHAT TIME'S
THE CAR LEAVE FOR
THE AIRPORT TOMORROW?
463
00:22:48,742 --> 00:22:50,119
8:00.
464
00:22:50,119 --> 00:22:52,205
WAKE-UP CALL 7:30,
SECOND WAKE-UP CALL 7:45.
465
00:22:52,205 --> 00:22:54,290
RIGHT.
466
00:22:54,290 --> 00:22:56,374
SO, I'LL
SEE YOU THEN.
467
00:22:58,878 --> 00:23:01,588
GO GET 'EM, TIGER.
468
00:23:07,887 --> 00:23:09,763
WHOA. NICE PLACE.
469
00:23:09,763 --> 00:23:12,058
YEAH. YEAH, THIS
IS DEFINITELY THE ONE.
470
00:23:12,058 --> 00:23:13,726
ALL RIGHT,
SO WE'RE ALL CLEAR
471
00:23:13,726 --> 00:23:15,228
ON EXACTLY WHAT IT IS
THAT WE NEED
TO DO HERE, RIGHT?
472
00:23:15,228 --> 00:23:16,812
I DON'T KNOW.
IT MIGHT ACTUALLY
BE A LITTLE TOO NICE.
473
00:23:16,812 --> 00:23:18,647
AUDREY--
YES, CLEAR.
474
00:23:18,647 --> 00:23:20,358
AUDREY LIDDELL,
CHARACTER WITNESS
FOR THE DEFENSE.
475
00:23:20,358 --> 00:23:21,567
WHATEVER. HELLO?
476
00:23:23,443 --> 00:23:26,739
HI. I'M, UM,
I'M HERE ABOUT
THE APARTMENT.
477
00:23:26,739 --> 00:23:29,325
I REMEMBER YOU.
FOR YOURSELF?
478
00:23:29,325 --> 00:23:31,827
IN A WAY, YES.
479
00:23:31,827 --> 00:23:34,163
IN A WAY THAT
INVOLVES YOU LIVING HERE
480
00:23:34,163 --> 00:23:37,041
AND ME NEVER HAVING
TO SEE EITHER OF THESE
2 WASTRELS AGAIN
481
00:23:37,041 --> 00:23:38,167
FOR THE REST OF
MY NATURAL-BORN LIFE?
482
00:23:38,167 --> 00:23:40,378
NOT EXACTLY, NO.
483
00:23:40,378 --> 00:23:42,380
I'M AFRAID THERE'S BEEN
SOME SORT OF MISTAKE.
484
00:23:42,380 --> 00:23:43,923
WHOA, HEY.
JUST HOLD ON A SECOND HERE.
485
00:23:43,923 --> 00:23:45,465
YOU'RE NOT EVEN
GONNA LET THE WOMAN
SPEAK HER MIND?
486
00:23:45,465 --> 00:23:47,718
WELL, THE FACT
THAT SHE'S WITH YOU
487
00:23:47,718 --> 00:23:49,553
RAISES SERIOUS DOUBTS
AS TO WHETHER SHE HAS ONE.
488
00:23:49,553 --> 00:23:51,264
(SQUEAKS)
489
00:23:51,264 --> 00:23:52,765
LOOK, I JUST
WANT A SECOND CHANCE
490
00:23:52,765 --> 00:23:54,808
BECAUSE I OBVIOUSLY
DID NOT MAKE THE BEST
491
00:23:54,808 --> 00:23:56,227
FIRST IMPRESSION YESTERDAY,
492
00:23:56,227 --> 00:23:57,435
BUT I AM POSITIVE
THAT IF YOU DID
493
00:23:57,435 --> 00:23:59,313
GIVE ME A SECOND CHANCE,
I COULD SELL YOU
494
00:23:59,313 --> 00:24:01,565
ON THE OBVIOUS BENEFITS
OF LIVING WITH 2 FINE
YOUNG GENTLEMEN LIKE--
495
00:24:01,565 --> 00:24:03,109
YEAH, HI. UM...
496
00:24:03,109 --> 00:24:05,443
WE THOUGHT IT OVER
AND WE'LL TAKE IT.
497
00:24:06,612 --> 00:24:08,446
SORRY. IT'S TOO LATE.
498
00:24:10,241 --> 00:24:12,118
NICE TIE, BY THE WAY.
499
00:24:12,118 --> 00:24:14,620
OK, SO,
AS I WAS SAYING,
500
00:24:14,620 --> 00:24:16,122
MOST OF
WHAT WE DO AROUND HERE
501
00:24:16,122 --> 00:24:18,874
IS SIMPLY INFORMATION
AND REFERRALS.
502
00:24:18,874 --> 00:24:21,585
AND 99 TIMES OUT OF 100
503
00:24:21,585 --> 00:24:24,838
JUST REMINDING SOMEONE
TO TAKE A DEEP BREATH...
504
00:24:24,838 --> 00:24:26,090
(INHALES)
505
00:24:26,090 --> 00:24:28,926
AND TO KEEP ON BREATHING
IS ENOUGH.
506
00:24:28,926 --> 00:24:32,888
TOMORROW
WILL BE ANOTHER DAY,
507
00:24:32,888 --> 00:24:34,598
FOR YOU, TOO.
508
00:24:34,598 --> 00:24:39,061
WHICH BRINGS ME
TO OUR NUMBER ONE
RULE AROUND HERE:
509
00:24:39,061 --> 00:24:42,189
NEVER BE AFRAID
TO ASK FOR A HUG
510
00:24:42,189 --> 00:24:44,066
AT THE END
OF A TOUGH DAY.
511
00:24:54,534 --> 00:24:55,995
HEY, JEN!
512
00:24:57,371 --> 00:24:58,456
HI. YOU MADE IT.
513
00:24:58,456 --> 00:24:59,873
YEP. MADE IT.
514
00:24:59,873 --> 00:25:01,292
WELL, LET'S GO.
WE'RE LATE.
515
00:25:01,292 --> 00:25:03,877
YOU KNOW, I'M SORRY.
I CAN'T GO BACK IN THERE.
516
00:25:03,877 --> 00:25:05,212
BACK IN THERE?
517
00:25:05,212 --> 00:25:07,423
YEAH, I WAS
ALREADY IN THERE.
518
00:25:07,423 --> 00:25:10,508
I SAW THE POSTERS, THE--
519
00:25:10,508 --> 00:25:12,886
IT'S JUST--IT'S JUST
THAT IT'S NOT FOR ME--
520
00:25:12,886 --> 00:25:16,098
THE HUGGING
AND THE ONE DAY AT A TIME.
521
00:25:16,098 --> 00:25:18,017
OH, OK. I SEE.
522
00:25:18,017 --> 00:25:19,643
SO, YOU'RE ONE OF THOSE
PEOPLE WHO'VE FOUND
SOME OTHER WAY TO LIVE,
523
00:25:19,643 --> 00:25:21,854
ONE THAT DOESN'T INVOLVE
ONE DAY AT A TIME.
524
00:25:21,854 --> 00:25:23,356
LOOK, I DON'T WANT
TO KNOCK YOUR SYSTEM.
525
00:25:23,356 --> 00:25:25,399
I'M SURE THAT IT'S
A REALLY GOOD SYSTEM, BUT--
526
00:25:25,399 --> 00:25:27,318
IT'S JUST NOT
COOL ENOUGH FOR YOU.
THAT'S FINE.
527
00:25:27,318 --> 00:25:28,735
NO, I DIDN'T SAY THAT.
528
00:25:28,735 --> 00:25:30,196
I--I MEAN, HONESTLY,
529
00:25:30,196 --> 00:25:32,323
I THINK IT'S REALLY NICE
THAT YOU HAVE SOMETHING
530
00:25:32,323 --> 00:25:33,949
THAT YOU BELIEVE IN
LIKE THAT.
531
00:25:33,949 --> 00:25:35,742
YOU SAY THAT
LIKE IT'S A BAD THING.
532
00:25:35,742 --> 00:25:39,246
NO, IT--IT'S JUST
THAT I'M NOT MUCH
OF A JOINER.
533
00:25:39,246 --> 00:25:41,207
UM...
534
00:25:41,207 --> 00:25:43,917
IT WAS REALLY NICE
TO MEET YOU...
535
00:25:43,917 --> 00:25:47,421
AND GOOD LUCK,
AND...BYE.
536
00:25:50,548 --> 00:25:51,717
SO, THEN,
WHY DID YOU COME?
537
00:25:53,760 --> 00:25:56,554
UM...THAT'S
NOT OBVIOUS?
538
00:25:58,057 --> 00:26:00,142
FOR ARGUMENT'S SAKE,
LET'S SAY IT'S NOT.
539
00:26:02,186 --> 00:26:03,979
I MADE MYSELF THIS PROMISE
OVER THE SUMMER.
540
00:26:03,979 --> 00:26:05,147
WHAT WAS THAT?
541
00:26:05,147 --> 00:26:07,024
THAT, NO MATTER WHAT,
542
00:26:07,024 --> 00:26:10,652
I WOULD REALLY DO THINGS
DIFFERENTLY THIS YEAR,
543
00:26:10,652 --> 00:26:13,197
LIKE TRY TO MAKE
NEW FRIENDS AND STUFF,
AND I CAN'T DO THAT
544
00:26:13,197 --> 00:26:14,990
BY PRETENDING TO BE
SOMEBODY THAT I'M NOT,
545
00:26:14,990 --> 00:26:17,410
BECAUSE THEN THOSE FRIENDS
THAT I MAKE WOULD THINK
546
00:26:17,410 --> 00:26:18,994
THAT I'M SOMETHING
THAT I'M NOT.
547
00:26:18,994 --> 00:26:20,746
AND WHAT AREN'T YOU?
548
00:26:20,746 --> 00:26:23,581
WELL, FOR STARTERS,
I'M NOT AS GREAT AS A PERSON
549
00:26:23,581 --> 00:26:24,958
AS YOU THINK I AM.
550
00:26:24,958 --> 00:26:27,211
WELL, THAT'S TOO BAD.
551
00:26:27,211 --> 00:26:29,922
IT WAS NICE TO MEET YOU.
552
00:26:29,922 --> 00:26:31,840
AND NO MATTER
WHAT HAPPENS THIS YEAR,
553
00:26:31,840 --> 00:26:32,966
I HOPE YOU DO ONE THING.
554
00:26:32,966 --> 00:26:34,427
WHAT'S THAT?
555
00:26:34,427 --> 00:26:36,470
CHANGE YOUR MIND
ABOUT YOURSELF.
556
00:26:49,108 --> 00:26:51,235
LISTEN, EMMA,
YOU'RE GONNA HAVE
TO TAKE MY WORD FOR THIS,
557
00:26:51,235 --> 00:26:54,405
BUT LESBIANS ARE NOTORIOUS
FOR COMMITTING TOO SOON.
558
00:26:54,405 --> 00:26:55,989
YOU GIVE IT A WEEK,
THEY'RE GONNA BE SPLITSVILLE
559
00:26:55,989 --> 00:26:57,615
AND THROWING YOUR APPLIANCES
AT EACH OTHER.
560
00:26:57,615 --> 00:27:00,077
HOW DO YOU KNOW
I'M NOT GONNA BE THROWING
MY APPLIANCES AT YOU?
561
00:27:00,077 --> 00:27:02,496
AND, FOR THAT MATTER,
HOW DO YOU KNOW
I'M NOT A LESBIAN?
562
00:27:05,165 --> 00:27:06,417
THAT'S A GOOD POINT.
563
00:27:06,417 --> 00:27:08,252
AND YOU MAKE YOUR LIVING
SELLING PEOPLE STUFF.
564
00:27:08,252 --> 00:27:09,378
(CHUCKLES)
565
00:27:09,378 --> 00:27:11,547
IT'S JUST I--
566
00:27:11,547 --> 00:27:12,798
WHEN YOU STOP
AND THINK ABOUT THIS,
567
00:27:12,798 --> 00:27:14,174
YOU'RE GOING TO REALIZE
568
00:27:14,174 --> 00:27:15,842
THAT THE BENEFITS
TO LIVING
WITH THE TWO OF US
569
00:27:15,842 --> 00:27:17,511
FAR OUTWEIGH
THE DISADVANTAGES.
570
00:27:17,511 --> 00:27:19,179
SO LET'S JUST THINK
ABOUT IT FOR ONE SECOND,
SHALL WE?
571
00:27:19,179 --> 00:27:20,722
HOW IS IT
THAT 2 SCHLUBS LIKE US
572
00:27:20,722 --> 00:27:22,141
CAN AFFORD TO LIVE
IN A PLACE LIKE THIS,
573
00:27:22,141 --> 00:27:23,892
BECAUSE THE NEIGHBORHOOD
IS NOT THAT GREAT,
AM I RIGHT?
574
00:27:23,892 --> 00:27:25,561
I AM RIGHT, SO YOU
GOTTA GIVE GIVE ME
THAT ONE, RIGHT?
575
00:27:25,561 --> 00:27:26,728
LIVING WITH 2 GUYS,
576
00:27:26,728 --> 00:27:28,105
IT'S LIKE
HAVING FREE SECURITY.
577
00:27:28,105 --> 00:27:30,149
SECONDLY,
I AM A FANTASTIC COOK,
578
00:27:30,149 --> 00:27:32,443
AND I WILL
COOK YOU ANYTHING,
ANYTIME, ANYWHERE,
579
00:27:32,443 --> 00:27:33,611
BUT
THE PIECE DE RESISTANCE,
580
00:27:33,611 --> 00:27:34,987
AND WE DISCUSSED THIS
LAST NIGHT,
581
00:27:34,987 --> 00:27:36,822
I AM
A THOROUGHLY MONOGAMOUS,
582
00:27:36,822 --> 00:27:39,783
DOMESTICATED,
AMERICAN MALE
583
00:27:39,783 --> 00:27:41,701
WITH A GIRLFRIEND,
584
00:27:41,701 --> 00:27:43,996
A STEADY GIRLFRIEND.
585
00:27:43,996 --> 00:27:45,205
YEAH, IT'S TRUE,
YOU KNOW,
586
00:27:45,205 --> 00:27:46,832
ABOUT THE COOKING,
ALTHOUGH...
587
00:27:46,832 --> 00:27:49,335
WE'LL PROBABLY ACTUALLY
BE BREAKING UP SOON,
588
00:27:49,335 --> 00:27:51,211
AND THEN GOD KNOWS
WHAT STRING OF HOS
589
00:27:51,211 --> 00:27:52,338
HE'LL HAVE RUNNING
THROUGH THIS JOINT,
590
00:27:52,338 --> 00:27:53,713
AND HE'S REALLY
NOISY, TOO,
(LAUGHS)
591
00:27:53,713 --> 00:27:55,549
ESPECIALLY WHEN HE'S,
UM, HAVING--
HONEY?
592
00:27:55,549 --> 00:27:56,925
HONEY.
DARLING.
593
00:27:56,925 --> 00:27:58,344
SWEETHEART?
YES.
594
00:27:58,344 --> 00:28:00,678
SIDEBAR.
SURE! EXCUSE ME.
595
00:28:03,849 --> 00:28:05,892
WELL, I MEAN,
YOU KNOW, IT'S
A PRETTY COOL PLACE...
596
00:28:05,892 --> 00:28:08,061
YEAH.
BUT SHE TOLD YOU ABOUT
THE--THE MICE PROBLEM,
RIGHT?
597
00:28:08,061 --> 00:28:09,771
OHH, GOD.
(CHUCKLES)
598
00:28:09,771 --> 00:28:12,065
THOUGHT YOU WERE
GONNA BE HELPING
ON THIS.
599
00:28:12,065 --> 00:28:14,193
I DIDN'T LIKE
THIS SITUATION LAST NIGHT,
600
00:28:14,193 --> 00:28:16,236
AND NOW THAT I SEE YOU
BANTERING BACK AND FORTH
WITH THAT GIRL,
601
00:28:16,236 --> 00:28:17,196
I LIKE IT EVEN LESS!
602
00:28:17,196 --> 00:28:18,322
THAT GIRL?
603
00:28:20,240 --> 00:28:21,534
THAT GIRL HATES ME!
604
00:28:21,534 --> 00:28:22,826
I KNOW.
605
00:28:22,826 --> 00:28:24,286
SHE HATES YOU TOO MUCH.
606
00:28:24,286 --> 00:28:25,663
I DON'T TRUST IT!
607
00:28:25,663 --> 00:28:27,540
THANK YOU.
SURE, NO PROBLEM.
YEAH, ANYTIME. HEY!
608
00:28:27,540 --> 00:28:28,666
THANK YOU
VERY MUCH.
LET'S GO.
609
00:28:28,666 --> 00:28:30,750
HE--HEY--NO! HELLO!
610
00:28:30,750 --> 00:28:32,586
WAIT! PLEASE STOP.
611
00:28:32,586 --> 00:28:34,421
WHERE ARE YOU GOING?
HELLO! HI!
612
00:28:34,421 --> 00:28:36,590
WAIT! WAIT! COME BACK!
613
00:28:39,176 --> 00:28:40,511
WHAT DID YOU SAY?
614
00:28:40,511 --> 00:28:41,970
OH, MY LOVE
FOR THIS APARTMENT
615
00:28:41,970 --> 00:28:43,805
KNOWS NO
ETHICAL BOUNDARIES.
616
00:28:53,399 --> 00:28:54,941
I'M SORRY THAT
TOOK SO LONG.
617
00:28:54,941 --> 00:28:56,151
OH.
618
00:28:56,151 --> 00:28:57,819
NO PROBLEM.
619
00:28:57,819 --> 00:28:58,945
SO, I WAS
THINKING...
620
00:28:58,945 --> 00:29:00,197
MMM.
621
00:29:00,197 --> 00:29:02,074
ALWAYS A DANGEROUS
PROPOSITION.
YEAH.
622
00:29:02,074 --> 00:29:04,784
I'M THINKING I WANNA
TAKE YOU OUT TONIGHT.
623
00:29:04,784 --> 00:29:07,204
FOR YOUR BIRTHDAY,
OFFICIALLY.
624
00:29:07,204 --> 00:29:08,997
IF YOU DON'T
HAVE OTHER PLANS.
625
00:29:08,997 --> 00:29:10,290
WELL, (LAUGHS)
626
00:29:10,290 --> 00:29:11,958
CONSIDERING NO ONE ELSE
EVEN REMEMBERED MY BIRTHDAY,
627
00:29:11,958 --> 00:29:14,503
I CAN'T IMAGINE
ANY OTHER PLANS
I WOULD HAVE.
628
00:29:14,503 --> 00:29:16,672
BUT, DAWSON, I'D KINDA
LIKE TO CHANGE FIRST. I--
629
00:29:20,133 --> 00:29:22,553
I THOUGHT MAYBE WE
COULD HAVE A, UH,
DRINK BEFORE DINNER.
630
00:29:26,724 --> 00:29:28,308
KINDA HOKEY,
DON'T YOU THINK?
631
00:29:28,308 --> 00:29:30,561
YEAH, THAT'S EXACTLY
WHAT I THINK.
632
00:29:33,188 --> 00:29:34,732
YOU PUT A LITTLE
THOUGHT INTO THIS.
633
00:29:34,732 --> 00:29:36,483
JUST A LITTLE.
634
00:29:36,483 --> 00:29:37,735
WHOA!
635
00:29:37,735 --> 00:29:39,278
THERE MUST BE,
LIKE, $100 WORTH
636
00:29:39,278 --> 00:29:40,320
OF STUFF IN HERE.
637
00:29:40,320 --> 00:29:42,072
MMM, IT'S PROBABLY
MORE LIKE, 200.
638
00:29:42,072 --> 00:29:43,907
"DEAR TODD, THANKS
FOR CHOOSING US.
639
00:29:43,907 --> 00:29:47,119
WE LOOK FORWARD
TO PROCESSING
YOUR DAILIES"?
640
00:29:47,119 --> 00:29:49,037
CHAMPAGNE?
641
00:29:49,037 --> 00:29:52,708
DAWSON, ISN'T
SATAN GONNA NOTICE
THAT THIS IS GONE?
642
00:29:52,708 --> 00:29:54,501
(POP)
643
00:29:54,501 --> 00:29:56,211
YOU KNOW HOW MANY GIFT BASKETS
A HOLLYWOOD DIRECTOR GETS
644
00:29:56,211 --> 00:29:57,296
BEFORE HE STARTS
A NEW PRODUCTION?
645
00:29:58,964 --> 00:30:00,048
HOW MANY?
646
00:30:00,048 --> 00:30:01,550
A LOT.
647
00:30:07,055 --> 00:30:08,599
A TOAST.
648
00:30:10,476 --> 00:30:12,394
TO JOEY POTTER...
649
00:30:12,394 --> 00:30:13,729
ON HER 19th BIRTHDAY,
650
00:30:13,729 --> 00:30:16,189
A DAY THAT
WILL LIVE IN INFAMY.
651
00:30:16,189 --> 00:30:18,024
A GREAT DAY.
652
00:30:18,024 --> 00:30:19,610
AND ONE THAT
HASN'T ENDED YET.
653
00:30:49,181 --> 00:30:50,349
IT'S LATE, ISN'T IT?
654
00:30:50,349 --> 00:30:51,600
MMM.
655
00:30:51,600 --> 00:30:52,976
GUESS WE SORT OF
LOST TRACK OF TIME.
656
00:30:52,976 --> 00:30:54,478
YEAH, IN A GOOD WAY.
657
00:30:54,478 --> 00:30:55,937
MEANING?
658
00:30:55,937 --> 00:30:57,105
TIME'S
THE ENEMY, RIGHT?
659
00:30:57,105 --> 00:30:58,482
OUR ENEMY?
660
00:30:58,482 --> 00:30:59,858
MMM, YOU'RE NOT PLANNING
661
00:30:59,858 --> 00:31:01,652
ON TURNING INTO
A PUMPKIN AT MIDNIGHT?
662
00:31:01,652 --> 00:31:03,903
NO, BUT I AM
LEAVING TOMORROW.
663
00:31:06,448 --> 00:31:07,783
AND THEN WHAT?
664
00:31:07,783 --> 00:31:09,660
AND THEN I COME BACK.
665
00:31:09,660 --> 00:31:12,245
BACK TO WHAT, EXACTLY?
666
00:31:12,245 --> 00:31:14,164
TO US.
667
00:31:23,382 --> 00:31:25,008
(CELL PHONE RINGS)
668
00:31:25,008 --> 00:31:26,051
DO YOU HEAR SOMETHING?
669
00:31:26,051 --> 00:31:26,968
NOPE.
670
00:31:32,432 --> 00:31:33,975
YOU SHOULD ANSWER
THAT, YOU KNOW.
671
00:31:33,975 --> 00:31:36,395
WHY?
BECAUSE YOU LOVE
THAT JOB.
672
00:31:36,395 --> 00:31:39,356
(SIGHS AND LAUGHS)
673
00:31:43,193 --> 00:31:44,236
NOT HIM.
674
00:31:46,154 --> 00:31:47,698
YOU'RE LYING.
NO, I'M NOT.
675
00:31:47,698 --> 00:31:49,282
DAWSON, YES, YOU ARE.
I'M NOT.
676
00:31:55,455 --> 00:31:57,249
WHA--
677
00:31:57,249 --> 00:31:58,542
HEY, JOEY!
678
00:31:58,542 --> 00:32:00,210
WHAT--GIV--GIVE ME--
(LAUGHS)
679
00:32:03,589 --> 00:32:04,964
WHO'S THE GIRL?
JOEY...
680
00:32:04,964 --> 00:32:06,884
NO, WHO'S THE GIRL
CALLING YOUR CELL PHONE?
681
00:32:06,884 --> 00:32:08,552
THAT'S NOT FAIR.
682
00:32:08,552 --> 00:32:09,344
NO, TELL ME.
WHO IS IT?
683
00:32:09,344 --> 00:32:11,054
NOBODY.
684
00:32:11,054 --> 00:32:13,098
OH, NOBODY.
THAT'S INTERESTING
BECAUSE SHE--
685
00:32:13,098 --> 00:32:15,100
SHE'S A FRIEND.
SHE'S A--SOME FRIEND
FROM L.A.
686
00:32:15,100 --> 00:32:16,226
WELL, FIRST
SHE'S NOBODY,
AND NOW SHE'S A FRIEND.
687
00:32:16,226 --> 00:32:17,811
WHICH IS IT, DAWSON?
SHE'S JUST A GIRL.
688
00:32:17,811 --> 00:32:20,105
SHE'S A GIRL
I'VE BEEN KIND OF SEEING.
689
00:32:20,105 --> 00:32:21,398
HI!
690
00:32:21,398 --> 00:32:24,150
UM, ARE YOU GUYS
GONNA STAND OUT HERE
ALL NIGHT?
691
00:32:24,150 --> 00:32:25,151
BECAUSE, UM,
WE'RE TRYING--
692
00:32:25,151 --> 00:32:26,403
NOT VERY SUCCESSFULLY,
MIND YOU--
693
00:32:26,403 --> 00:32:28,154
TO THROW YOU
A SURPRISE PARTY.
694
00:32:34,369 --> 00:32:35,412
HEY, SURPRISE!
695
00:32:35,412 --> 00:32:38,290
HAPPY BIRTHDAY!
696
00:32:38,290 --> 00:32:40,208
(GIGGLES)
697
00:32:40,208 --> 00:32:42,502
YOU HATE IT,
DON'T YOU?
698
00:32:42,502 --> 00:32:43,754
NO!
699
00:32:43,754 --> 00:32:45,964
(APPLAUDS)
700
00:32:45,964 --> 00:32:47,549
LUCKY ME!
701
00:32:53,889 --> 00:32:55,140
DO YOU LOVE IT?
702
00:32:55,140 --> 00:32:56,892
I GOT IT AT FRED SEGAL,
SO YOU CAN'T RETURN IT
703
00:32:56,892 --> 00:32:58,226
EVEN IF YOU DON'T,
BUT NOT THAT YOU WOULD
704
00:32:58,226 --> 00:33:00,604
BECAUSE IT'S TOTALLY
STUNNING AND EVERYTHING!
705
00:33:00,604 --> 00:33:02,063
I LOVE IT, AUDREY.
IT'S GREAT.
706
00:33:02,063 --> 00:33:04,023
IT'S JUST WHAT
I WANTED. THANK YOU.
707
00:33:04,023 --> 00:33:05,818
YOU'RE WELCOME!
708
00:33:05,818 --> 00:33:07,527
JOEY, IS
SOMETHING WRONG?
709
00:33:07,527 --> 00:33:08,737
OH, NO!
710
00:33:08,737 --> 00:33:11,239
GOD, NO, I--
711
00:33:11,239 --> 00:33:12,658
WOW, IT--
712
00:33:13,909 --> 00:33:15,911
EXCUSE ME FOR A SECOND.
713
00:33:19,915 --> 00:33:20,916
(DOOR SLAMS)
714
00:33:20,916 --> 00:33:22,375
YOU HAVE A GIRLFRIEND?!
715
00:33:22,375 --> 00:33:25,754
I SLEPT WITH YOU LAST NIGHT,
AND YOU HAVE A GIRLFRIEND?
716
00:33:25,754 --> 00:33:28,214
THIS IS A VERY
UNHAPPY BIRTHDAY.
717
00:33:28,214 --> 00:33:29,591
Dawson: I DIDN'T
SAY THAT. I SAID
I'D BEEN SEEING SOMEONE.
718
00:33:29,591 --> 00:33:32,177
SEEING SOMEONE!
WHAT THE HELL DOES
THAT MEAN, DAWSON?!
719
00:33:32,177 --> 00:33:34,179
I DON'T KNOW,
BUT THE POINT IS, JOEY,
I BROKE UP WITH HER
720
00:33:34,179 --> 00:33:36,222
THE SECOND SOMETHING
HAPPENED BETWEEN US.
HOW?!
721
00:33:36,222 --> 00:33:37,432
HOW, IN YOUR MIND?!
722
00:33:37,432 --> 00:33:38,433
THE FIRST THING
THIS MORNING.
723
00:33:38,433 --> 00:33:39,726
WHERE DO YOU THINK
I WENT WHEN I LEFT?
724
00:33:39,726 --> 00:33:40,978
I THOUGHT YOU WENT OUT
FOR BREAKFAST!
725
00:33:40,978 --> 00:33:42,145
I DIDN'T KNOW YOU WERE
GETTING UP EARLY
726
00:33:42,145 --> 00:33:43,396
TO GO BREAK UP
WITH SOMEONE ELSE!
727
00:33:43,396 --> 00:33:45,482
WELL, WOULD YOU
RATHER I DIDN'T?
NO!
728
00:33:45,482 --> 00:33:47,442
I WOULD RATHER YOU WEREN'T
INVOLVED WITH SOMEONE
729
00:33:47,442 --> 00:33:49,068
WHEN WE FINALLY
SLEEP TOGETHER!
730
00:33:49,068 --> 00:33:50,821
JOEY, I'M SORRY IF THIS
RUINS THE FANTASY,
731
00:33:50,821 --> 00:33:52,364
BUT THIS GIRL
MEANS NOTHING
732
00:33:52,364 --> 00:33:54,240
TO ME COMPARED TO YOU--
YOU SHOULD'VE TOLD ME!
733
00:33:54,240 --> 00:33:55,784
WHEN? WHERE?
BEFORE!
734
00:33:55,784 --> 00:33:56,952
JOEY, STOP!
735
00:33:58,161 --> 00:34:00,205
WHY? WHY STOP NOW?
736
00:34:00,205 --> 00:34:01,999
EVERYONE HERE WHO THINKS
DAWSON SHOULD'VE TOLD ME
737
00:34:01,999 --> 00:34:03,458
HE HAD A GIRLFRIEND
BEFORE HE DECIDED
738
00:34:03,458 --> 00:34:05,251
TO SLEEP WITH ME,
RAISE YOUR HAND.
739
00:34:08,505 --> 00:34:10,131
YOU'RE BLOWING THIS
WAY OUT OF PROPORTION.
740
00:34:10,131 --> 00:34:12,009
Jack: UH--UH, OK,
MAYBE YOU GUYS SHOULD, UH,
741
00:34:12,009 --> 00:34:13,677
JUST TAKE A BREATHER
FOR A MOMENT, LET
COOLER HEADS PREVAIL?
742
00:34:13,677 --> 00:34:15,971
OR WE COULD JUST LEAVE.
743
00:34:15,971 --> 00:34:17,514
Jack: UH,
THAT'S A GREAT IDEA.
LET'S GO.
744
00:34:17,514 --> 00:34:18,724
UH, NO, I CAN'T.
745
00:34:18,724 --> 00:34:19,933
HONEY, NOW'S
NOT THE TIME.
746
00:34:19,933 --> 00:34:22,185
I'M SORRY. I KNOW
THAT DAWSON'S
OUR FRIEND, TOO,
747
00:34:22,185 --> 00:34:24,563
BUT I PERSONALLY
CANNOT LEAVE
UNTIL JOEY SAYS IT'S OK.
748
00:34:24,563 --> 00:34:26,314
IT'S FINE, AUDREY.
749
00:34:26,314 --> 00:34:27,148
OK, GOOD.
750
00:34:29,401 --> 00:34:32,111
HAPPY BIRTHDAY, JO.
751
00:34:32,111 --> 00:34:33,321
THEY ARE GONNA RIP
EACH OTHER'S HEADS OFF.
752
00:34:33,321 --> 00:34:34,280
LET'S JUST GO.
753
00:34:36,950 --> 00:34:38,493
WE DIDN'T TALK AT ALL
THIS SUMMER,
754
00:34:38,493 --> 00:34:40,370
WHICH WAS YOUR CHOICE
AS MUCH AS IT WAS MINE.
755
00:34:40,370 --> 00:34:41,538
SO I ASKED YOU
TO LIE TO ME?
756
00:34:41,538 --> 00:34:43,874
JOEY, YOU AND I
BOTH KNOW
757
00:34:43,874 --> 00:34:45,458
IF EITHER ONE OF US
HAD STOPPED AND THOUGHT
758
00:34:45,458 --> 00:34:47,126
FOR EVEN A SECOND
LAST NIGHT,
759
00:34:47,126 --> 00:34:49,546
THEN WHAT WE DID NEVER
WOULD HAVE HAPPENED,
760
00:34:49,546 --> 00:34:51,297
AND I FOR ONE AM NOT
SORRY THAT IT DID.
761
00:34:51,297 --> 00:34:52,340
IF YOU ARE,
THEN THAT'S--
762
00:34:52,340 --> 00:34:54,009
THAT'S A COMPLETELY
SEPARATE ARGUMENT.
763
00:34:54,009 --> 00:34:55,468
THAT'S ACTUALLY A MUCH
BIGGER DEAL THAN--
764
00:34:55,468 --> 00:34:57,136
DAWSON, YOU HAVE
A GIRLFRIEND!
765
00:34:57,136 --> 00:34:58,805
HOW IS THAT
NOT A BIG DEAL?
766
00:34:58,805 --> 00:35:00,348
HAD A GIRLFRIEND, JOEY.
767
00:35:00,348 --> 00:35:01,558
AND, LOOK,
I'M WILLING TO ADMIT
768
00:35:01,558 --> 00:35:03,727
THAT THE TIMING ON THIS
IS FAR FROM PERFECT,
769
00:35:03,727 --> 00:35:06,145
BUT I'M SICK OF WAITING
FOR THIS SO-CALLED
PERFECT TIMING
770
00:35:06,145 --> 00:35:07,647
THAT'S OBVIOUSLY NEVER
GONNA HAPPEN FOR US.
771
00:35:07,647 --> 00:35:09,482
OH, YEAH, RIGHT.
YOU KNOW, IT'S...
772
00:35:09,482 --> 00:35:11,777
BETTER TO JUST GET IT
OVER WITH AND MOVE ON,
YOU KNOW?
773
00:35:11,777 --> 00:35:13,653
"SLEPT WITH JOEY. JUST...
774
00:35:13,653 --> 00:35:15,113
CROSS THAT OFF MY LIST
OF THINGS TO DO."
775
00:35:15,113 --> 00:35:16,823
YOU KNOW THAT'S
NOT HOW I THINK.
776
00:35:16,823 --> 00:35:19,325
HOW DO I KNOW THAT,
DAWSON? I HAVEN'T TALKED
TO YOU ALL SUMMER.
777
00:35:19,325 --> 00:35:21,118
APPARENTLY
YOU'VE CHANGED SO MUCH
THAT YOU'RE WILLING--
778
00:35:21,118 --> 00:35:22,579
YOU REALLY THINK
I'D WANNA SLEEP WITH YOU
779
00:35:22,579 --> 00:35:23,997
AND NOT WANT IT
TO MEAN MORE, JOEY?
780
00:35:23,997 --> 00:35:25,164
YOU THINK I'VE BEEN
WAITING ALL THESE YEARS
781
00:35:25,164 --> 00:35:26,165
FOR US TO HAVE
ONE NIGHT TOGETHER
782
00:35:26,165 --> 00:35:27,250
AND THEN GO
OUR SEPARATE WAYS?
783
00:35:27,250 --> 00:35:29,753
OH, I'M SORRY YOU GOT
SICK OF WAITING, DAWSON.
784
00:35:29,753 --> 00:35:31,880
I'M SORRY THAT
I WANTED OUR FIRST TIME
785
00:35:31,880 --> 00:35:32,881
TO MEAN SOMETHING
MORE THAN JUST--
786
00:35:32,881 --> 00:35:34,382
IT DOES MEAN MORE,
JOEY! IT--
787
00:35:34,382 --> 00:35:36,718
I MEAN, IT--IT
MEANS EVERYTHING
788
00:35:36,718 --> 00:35:38,470
TO ME. I--
789
00:35:38,470 --> 00:35:40,055
I DON'T KNOW
WHAT IT MEANS TO YOU.
790
00:35:40,055 --> 00:35:41,681
OH, YOU'RE SAYING THAT
I WANTED THIS TO HAPPEN?
791
00:35:41,681 --> 00:35:43,976
NO, 'CAUSE THAT WOULD
INVOLVE YOU ACTUALLY
KNOWING WHAT YOU WANT,
792
00:35:43,976 --> 00:35:45,852
WHICH WE BOTH KNOW
IS NOT LIKELY
793
00:35:45,852 --> 00:35:46,853
TO HAPPEN ANYTIME
THIS DECADE.
794
00:35:46,853 --> 00:35:48,647
OH, GREAT, YOU KNOW?
795
00:35:48,647 --> 00:35:50,649
USE SOMETHING I SAID
WHEN I WAS A CHILD!
796
00:35:50,649 --> 00:35:53,110
YOU'RE STILL
A CHILD, JOEY.
797
00:35:53,110 --> 00:35:55,403
YOU'RE STILL THE SAME
SCARED LITTLE GIRL
WHO--
798
00:35:55,403 --> 00:35:56,780
WHO WHAT?
799
00:35:58,615 --> 00:36:00,784
WHO WHAT, DAWSON?
800
00:36:00,784 --> 00:36:02,160
WHO BROKE YOUR HEART?
801
00:36:03,536 --> 00:36:05,789
GOD! IS THE STATUTE
OF LIMITATIONS
802
00:36:05,789 --> 00:36:08,416
EVER GONNA END
ON THAT ONE? EVER?!
803
00:36:08,416 --> 00:36:10,919
DAWSON, I'M SORRY I DON'T
HAVE THE SAME DREAMS I HAD
804
00:36:10,919 --> 00:36:12,337
WHEN I WAS 15 YEARS OLD,
805
00:36:12,337 --> 00:36:15,090
AND I'M SORRY THAT I MOVED
ON FASTER THAN YOU DID,
806
00:36:15,090 --> 00:36:16,466
BUT YOU KNOW WHAT?
807
00:36:16,466 --> 00:36:19,552
MAYBE NOT EVERYTHING THAT
HAPPENS TO YOU IS MY FAULT!
808
00:36:19,552 --> 00:36:21,930
AND MAYBE JUST BECAUSE I
WANT MORE FROM MY LIFE THAN--
809
00:36:21,930 --> 00:36:24,182
MORE THAN WHAT?
MORE THAN US?
810
00:36:25,976 --> 00:36:28,185
YOU DON'T KNOW, DO YOU?
811
00:36:28,185 --> 00:36:30,563
YOU'VE NEVER KNOWN.
812
00:36:30,563 --> 00:36:31,898
THE ENTIRE TIME
I'VE KNOWN YOU,
ALL YOU'VE WANTED
813
00:36:31,898 --> 00:36:33,108
TO DO IS ESCAPE.
814
00:36:33,108 --> 00:36:35,027
FROM ME, FROM CAPESIDE.
815
00:36:35,027 --> 00:36:36,486
I MEAN, YOU SAY
THAT I'M THE DREAMER.
816
00:36:36,486 --> 00:36:38,488
I'M THE ONE
WHO DOESN'T WANNA LIVE
IN THE REAL WORLD.
817
00:36:38,488 --> 00:36:41,574
WELL, I'M DOING IT,
JOEY.
818
00:36:41,574 --> 00:36:43,994
RIGHT NOW. I'M LIVING
IN THE REAL WORLD.
819
00:36:43,994 --> 00:36:45,203
IT'S YOU
WHO WANTS THE FANTASY.
820
00:36:45,203 --> 00:36:46,913
I WANT THE FANTASY?
821
00:36:46,913 --> 00:36:48,247
YES.
822
00:36:48,247 --> 00:36:50,083
WHO LIT THE CANDLES?
823
00:36:50,083 --> 00:36:51,126
WHO BOUGHT THE CHAMPAGNE?
824
00:36:51,126 --> 00:36:52,878
WHO DUMPED WHO
4 YEARS AGO?
825
00:36:52,878 --> 00:36:54,754
JOEY, I KNOW
WHAT I WANT.
826
00:36:54,754 --> 00:36:57,674
I'VE ALWAYS KNOWN
WHAT I WANT.
827
00:36:57,674 --> 00:37:00,886
BEFORE WE DESTROY
WHATEVER CHANCE
WE MIGHT ACTUALLY HAVE
828
00:37:00,886 --> 00:37:02,846
AT HAVING
A RELATIONSHIP,
829
00:37:02,846 --> 00:37:05,807
I'M ASKING YOU, PLEASE,
830
00:37:05,807 --> 00:37:07,559
STOP AND THINK
ABOUT THIS.
831
00:37:07,559 --> 00:37:09,978
IS THIS REALLY WHAT
YOU WANT? IS THIS...
832
00:37:09,978 --> 00:37:11,479
REALLY THE WAY
833
00:37:11,479 --> 00:37:12,856
THAT YOU WANT THINGS
TO END BETWEEN US?
834
00:37:18,028 --> 00:37:20,321
THEY DO THIS
ALL THE TIME, RIGHT?
NO BIG WHOOP.
835
00:37:20,321 --> 00:37:22,323
I MEAN, IT'S NORMAL
TO FIGHT. IT'S HEALTHY.
836
00:37:22,323 --> 00:37:24,450
OOH, I DON'T KNOW
IF HEALTHY'S
THE WORD I WOULD USE
837
00:37:24,450 --> 00:37:26,078
TO DESCRIBE
THEIR RELATIONSHIP.
838
00:37:26,078 --> 00:37:27,871
I MEAN, I'M
ALL FOR "WILL THEY,
WON'T THEY"
839
00:37:27,871 --> 00:37:29,288
FINALLY GETTING
THEIR SHOT,
840
00:37:29,288 --> 00:37:31,499
BUT FOR 2 PEOPLE
TO BE THAT DEPENDENT
ON EACH OTHER
841
00:37:31,499 --> 00:37:32,792
FOR THEIR LIFE'S
HAPPINESS IS JUST--
842
00:37:32,792 --> 00:37:34,419
INCREDIBLY ROMANTIC?
843
00:37:34,419 --> 00:37:36,880
OR PERHAPS
STRUCTURALLY UNSOUND?
844
00:37:36,880 --> 00:37:39,591
YEAH, I'LL SECOND THAT.
845
00:37:39,591 --> 00:37:41,342
WHOA, WAIT A SECOND.
ALL OF A SUDDEN
YOU'RE COMING OUT
846
00:37:41,342 --> 00:37:43,636
AS SOME SORT OF NONBELIEVER?
847
00:37:43,636 --> 00:37:45,847
HEY, LET'S NOT FORGET
WHO BROKE THEM UP
THE FIRST TIME AROUND.
848
00:37:45,847 --> 00:37:47,807
OOH!
849
00:37:47,807 --> 00:37:50,060
JEN?
850
00:37:50,060 --> 00:37:52,145
OH, DON'T LOOK AT ME.
I'M TOO FAR MESSED UP
851
00:37:52,145 --> 00:37:54,064
IN THIS THING
TO HAVE AN OPINION.
852
00:37:54,064 --> 00:37:55,272
I AM JUST THE ROAD KILL
853
00:37:55,272 --> 00:37:56,858
ON THE DAWSON
AND JOEY HIGHWAY.
854
00:37:56,858 --> 00:37:58,276
(LAUGHS)
855
00:37:59,778 --> 00:38:01,863
OK...
856
00:38:01,863 --> 00:38:05,825
4 INCREDIBLY EXPENSIVE
SOFT DRINKS.
857
00:38:05,825 --> 00:38:07,077
THANKS.
THANK YOU.
858
00:38:07,077 --> 00:38:08,369
CAN I GET YOU LOT
ANYTHING ELSE?
859
00:38:09,704 --> 00:38:12,082
DIDN'T THINK SO.
860
00:38:12,082 --> 00:38:13,708
UH, EMMA,
861
00:38:13,708 --> 00:38:14,960
HOLD ON A SEC.
862
00:38:15,794 --> 00:38:17,545
YES?
863
00:38:17,545 --> 00:38:19,839
LISTEN, I, UH, JUST
WANTED TO APOLOGIZE
FOR THIS AFTERNOON--
864
00:38:19,839 --> 00:38:21,633
YOU CAN HAVE IT.
865
00:38:21,633 --> 00:38:23,009
EXCUSE ME?
866
00:38:23,009 --> 00:38:24,761
THE FLAT.
YOU CAN HAVE IT.
867
00:38:24,761 --> 00:38:27,847
I JUST DIDN'T WANT TO GIVE
YOUR LITTLE FRIEND THERE
THE SATISFACTION,
868
00:38:27,847 --> 00:38:29,891
BUT HE WAS RIGHT
ABOUT THE SECURITY.
869
00:38:29,891 --> 00:38:32,269
THE NEIGHBORS GOT BROKEN
INTO TWICE LAST YEAR.
870
00:38:32,269 --> 00:38:35,272
SO, IF YOU LIKE, YOU CAN
MOVE IN AT THE WEEKEND.
871
00:38:37,732 --> 00:38:38,691
YOU WILL NOT
REGRET THIS.
872
00:38:40,819 --> 00:38:42,445
OH, YES, I WILL.
873
00:38:42,445 --> 00:38:43,655
(CHUCKLES)
874
00:38:43,655 --> 00:38:44,948
THANK YOU.
875
00:38:50,703 --> 00:38:51,913
SO WHAT DID SHE SAY?
876
00:38:54,624 --> 00:38:56,417
WE'RE MOVING IN
THIS WEEKEND.
877
00:38:56,417 --> 00:38:58,544
SERIOUSLY?
878
00:38:58,544 --> 00:39:00,337
YES! GRR!
879
00:39:00,337 --> 00:39:02,924
OK, I SUPPOSE A TOAST
IS IN ORDER,
880
00:39:02,924 --> 00:39:04,383
THOUGH WHY
I SHOULD BE TOASTING
881
00:39:04,383 --> 00:39:06,344
TO YOU LEAVING ME
ALL ALONE AT GRAMS'
IS BEYOND ME.
882
00:39:08,346 --> 00:39:10,598
YEAH, AND I DON'T
REALLY THINK I SHOULD
CELEBRATE SOMETHING
883
00:39:10,598 --> 00:39:13,518
THAT COULD BE
THE DEATH KNELL
OF MY RELATIONSHIP.
884
00:39:13,518 --> 00:39:14,519
WELL, WE'RE IN A BIT
OF A BIND THEN,
885
00:39:14,519 --> 00:39:15,561
'CAUSE WE DO
NEED A TOAST.
886
00:39:15,561 --> 00:39:16,896
WELL, UH...
887
00:39:16,896 --> 00:39:17,897
TO FRIENDSHIP THEN.
888
00:39:17,897 --> 00:39:18,982
TO FRIENDSHIP.
889
00:39:18,982 --> 00:39:19,983
TO FRIENDSHIPS.
890
00:39:19,983 --> 00:39:21,484
TO FRIENDSHIP.
891
00:39:21,484 --> 00:39:22,986
(AUDREY LAUGHS)
892
00:39:30,327 --> 00:39:32,078
(SIGHS)
893
00:39:32,996 --> 00:39:35,414
(CRYING)
894
00:39:57,062 --> 00:39:58,395
(SIGHS)
895
00:40:11,576 --> 00:40:13,328
WHAT TIME'S
YOUR FLIGHT?
896
00:40:13,328 --> 00:40:15,955
10:00.
897
00:40:15,955 --> 00:40:17,749
YOU SHOULD PROBABLY
ALLOW EXTRA TIME--
898
00:40:17,749 --> 00:40:19,125
I WILL.
899
00:40:30,095 --> 00:40:32,347
WHY ARE YOU
DOING THIS, JOEY?
900
00:40:32,347 --> 00:40:36,642
WE'RE DOING THIS,
DAWSON.
901
00:40:36,642 --> 00:40:38,644
IT'S WHAT WE DO.
IT'S WHAT WE ALWAYS DO.
902
00:40:38,644 --> 00:40:42,232
LAST NIGHT WAS REAL.
903
00:40:42,232 --> 00:40:43,858
TODAY WAS REAL.
904
00:40:43,858 --> 00:40:46,444
IT'S YOU, NOT ME,
905
00:40:46,444 --> 00:40:48,071
WHO DOESN'T WANNA DEAL
WITH THE REALITIES
906
00:40:48,071 --> 00:40:49,030
OF AN ADULT RELATIONSHIP.
907
00:40:50,323 --> 00:40:52,158
YOU'RE RIGHT.
908
00:40:53,326 --> 00:40:55,870
THAT'S IT? I'M RIGHT?
909
00:40:55,870 --> 00:40:58,164
I WANT THE FANTASY.
910
00:40:58,164 --> 00:41:00,083
I WANT MORE
THAN ANYTHING
911
00:41:00,083 --> 00:41:01,918
FOR US
TO BE TOGETHER.
912
00:41:03,753 --> 00:41:05,422
BUT NOT LIKE THIS.
913
00:41:05,422 --> 00:41:07,715
NOT SCREAMING
AT THE TOP OF OUR LUNGS
914
00:41:07,715 --> 00:41:09,926
ABOUT THINGS THAT
HAPPENED 4 YEARS AGO.
915
00:41:09,926 --> 00:41:11,261
BUT IF WE CAN'T
ARGUE LIKE THIS
916
00:41:11,261 --> 00:41:13,471
AND GET PAST IT, THEN...
917
00:41:13,471 --> 00:41:16,182
MAYBE THERE'S NOTHING
HERE WORTH SAVING.
918
00:41:18,559 --> 00:41:22,647
MAYBE LAST NIGHT
WAS JUST...
919
00:41:22,647 --> 00:41:24,774
JUST WHAT?
920
00:41:24,774 --> 00:41:27,484
JUST 2 OLD FRIENDS
MAKING A HUGE MISTAKE.
921
00:41:33,992 --> 00:41:35,618
WOW.
922
00:41:38,788 --> 00:41:40,832
IF THAT'S THE WAY
YOU FEEL, THEN--THEN I...
923
00:41:40,832 --> 00:41:41,582
SHOULD GO.
924
00:42:56,115 --> 00:42:57,867
(SIGHS)