1
00:00:45,921 --> 00:00:48,465
OH, MY GOD!
2
00:00:48,465 --> 00:00:51,677
YOU'RE STILL THERE,
LIKE A VEGETABLE.
3
00:00:51,677 --> 00:00:53,804
WRITING A GOOD E-MAIL
IS HARD.
4
00:00:53,804 --> 00:00:56,264
YES, ESPECIALLY WHEN
IT IS A HUGE MISTAKE.
5
00:00:56,264 --> 00:00:57,265
SHUT UP.
6
00:00:57,265 --> 00:00:58,851
JOEY, I AM SERIOUS.
7
00:00:58,851 --> 00:01:01,020
E-MAIL EXPRESSION
IS THE SCOURGE
OF THE MODERN AGE.
8
00:01:01,020 --> 00:01:03,689
THE INTERNET HAS MADE IT
WAY TOO EASY TO EXPRESS ONESELF.
9
00:01:03,689 --> 00:01:05,858
OK, YOU HAVE
SOME FLEETING THOUGHT.
10
00:01:05,858 --> 00:01:08,027
YOU SEND IT.
IT LANDS WITH A THUD
11
00:01:08,027 --> 00:01:09,862
IN SOME UNSUSPECTING
PERSON'S MAILBOX.
12
00:01:09,862 --> 00:01:13,574
SAID PERSON THEN READS IT,
GETS IRKED BECAUSE YOU'VE
RECAPPED A CONVERSATION
13
00:01:13,574 --> 00:01:14,658
THAT YOU PRESUMABLY
ALREADY HAD.
14
00:01:14,658 --> 00:01:17,619
THEY FAIL TO RESPOND.
YOU FEEL SLIGHTED.
15
00:01:17,619 --> 00:01:21,164
BUT IF YOU MUST BE ONE
16
00:01:21,164 --> 00:01:24,919
OF THESE PATHETIC
-PASSIVE/
-AGGRESSIVE
E-MAIL TYPES,
17
00:01:24,919 --> 00:01:26,085
FAR BE IT FROM ME
TO STOP YOU.
18
00:01:28,005 --> 00:01:31,090
WHAT DO YOU HAVE SO FAR?
19
00:01:31,090 --> 00:01:34,720
WELL...
I HAD "DEAR DAWSON,"
AND THEN I ERASED IT.
20
00:01:34,720 --> 00:01:36,680
WHY? I THINK
THAT'S A NICE START.
21
00:01:36,680 --> 00:01:38,432
I SEEMED COLD.
TRUE.
22
00:01:38,432 --> 00:01:40,726
I MEAN, YOU DID
JUST NUDE-UP WITH THE GUY.
23
00:01:40,726 --> 00:01:43,144
OH, I'M SORRY, OR DID YOU GUYS
DO IT THROUGH A HOLE IN A SHEET
24
00:01:43,144 --> 00:01:44,312
BECAUSE THAT'S VERY DAWSON.
25
00:01:44,312 --> 00:01:45,856
AGAIN, SHUT UP.
26
00:01:45,856 --> 00:01:48,734
SORRY. OK, SO WHAT
DO YOU WANT TO SAY?
27
00:01:48,734 --> 00:01:50,027
I DON'T KNOW. I MEAN,
28
00:01:50,027 --> 00:01:52,112
I DON'T LIKE
THE WAY THINGS ENDED,
29
00:01:52,112 --> 00:01:55,616
AND I WANT HIM TO KNOW
THAT I CARE,
30
00:01:55,616 --> 00:01:59,119
BUT I ALSO
WANT TO HOLD ON TO MY
RIGHTEOUS INDIGNATION.
31
00:01:59,119 --> 00:02:02,581
OBVIOUSLY. WELL,
WHY DON'T YOU JUST PICK UP
THE PHONE AND CALL HIM?
32
00:02:02,581 --> 00:02:05,876
I'M AFRAID WE'LL JUST
FALL RIGHT BACK INTO
OUR OLD PATTERNS.
33
00:02:05,876 --> 00:02:09,880
TRUST ME. E-MAIL IS
A FAR SAFER ALTERNATIVE
AT THE MOMENT.
34
00:02:09,880 --> 00:02:14,093
OK, IF YOU MUST DO THIS,
THEN I SAY THAT YOU GO FOR IT.
35
00:02:14,093 --> 00:02:17,054
YOU KNOW, BE GOOEY
AND BE EMBARRASSING,
36
00:02:17,054 --> 00:02:19,514
BUT MOST OF ALL,
JUST BE REAL, JOEY.
37
00:02:19,514 --> 00:02:22,851
SAY ALL OF THE THINGS
THAT YOU CAN'T SAY
TO HIS FACE, THE WHOLE NINE.
38
00:02:22,851 --> 00:02:26,480
YOU'RE RIGHT.
I BETTER GET TO WORK.
39
00:02:26,480 --> 00:02:30,567
BUT...THANK YOU, AUDREY.
40
00:02:30,567 --> 00:02:32,611
NO PROBLEM, SISTER CHRISTIAN.
41
00:04:48,622 --> 00:04:51,166
THAT'S GROSS.
42
00:04:51,166 --> 00:04:52,167
YEAH.
43
00:04:52,167 --> 00:04:53,835
I THOUGHT
YOU'D BE MORE--
44
00:04:53,835 --> 00:04:55,837
SENSITIVE? WELL-GROOMED?
45
00:04:55,837 --> 00:04:57,798
UP BY 6:00
DRINKING A ZONE SHAKE?
46
00:04:57,798 --> 00:04:59,091
TO BEGIN WITH.
47
00:04:59,091 --> 00:05:00,259
AND I THOUGHT
YOU'D BE LITTLE MORE--
48
00:05:00,259 --> 00:05:02,010
SNAGGLETOOTHED?
SUCKING DOWN THE TEA?
49
00:05:02,010 --> 00:05:02,928
CHOKING ON BANGERS
AND MASH?
50
00:05:02,928 --> 00:05:04,304
(CHUCKLES) YEAH.
51
00:05:04,304 --> 00:05:06,265
WELL, IT'S A SERVICE
WE PROVIDE
52
00:05:06,265 --> 00:05:08,183
TO THOSE LESS EDUCATED
OF OUR CULTURES--
53
00:05:08,183 --> 00:05:11,186
YOU AND I...
WE KEEP THEM GUESSING.
54
00:05:11,186 --> 00:05:14,189
(SNICKERING)
55
00:05:14,189 --> 00:05:17,901
OK, OK. YUCK IT UP, KIDDIES,
56
00:05:17,901 --> 00:05:19,736
'CAUSE THIS IS HOW
I WILL APPEAR EVERY MORNING
57
00:05:19,736 --> 00:05:21,320
IN ALL MY FORMAL GLORY.
58
00:05:21,320 --> 00:05:22,656
SOME OF US ACTUALLY
HAVE TO WORK FOR A LIVING.
59
00:05:22,656 --> 00:05:25,242
OH, POOR PACEY WITTER HAS
A JOB THAT MILLION WOULD WANT
60
00:05:25,242 --> 00:05:26,743
THAT HE'S VASTLY
UNDERQUALIFIED FOR.
61
00:05:26,743 --> 00:05:28,120
OH, COME ON.
62
00:05:28,120 --> 00:05:29,496
WHAT'S UP
WITH THAT HAIR, MAN?
63
00:05:29,496 --> 00:05:31,915
WHY IS IT...
THE WAY IT IS?
64
00:05:31,915 --> 00:05:33,834
IT'S TOO MUCH PRODUCT?
65
00:05:33,834 --> 00:05:36,128
NOW, ARE YOU SURE
THAT BLONDE OF YOURS
ISN'T A RUSE, PACEY?
66
00:05:36,128 --> 00:05:38,588
EMMA, YOU KNOW,
IF YOU CAN'T DEAL
WITH THE MAN LOVE,
67
00:05:38,588 --> 00:05:39,881
(SLAP)
I DON'T THINK
THIS THING'S
GONNA WORK OUT.
68
00:05:39,881 --> 00:05:41,549
DON'T REMIND ME.
69
00:05:41,549 --> 00:05:44,219
AND I KNOW YOU'VE
GOT THIS BRILLIANT JOB
AND ALL,
70
00:05:44,219 --> 00:05:47,388
BUT YOU'RE STILL GOING
TO HAVE TO PUT THE DISHES
IN THE WASH BEFORE YOU GO.
71
00:05:47,388 --> 00:05:49,348
WHICH IS EXACTLY WHY
I CAME DOWN HERE.
72
00:05:49,348 --> 00:05:51,185
AND YOU, JACK,
73
00:05:51,185 --> 00:05:52,811
LEFT THE DOOR UNLOCKED
LAST NIGHT
74
00:05:52,811 --> 00:05:55,563
AFTER THE HARD SELL
YOU TWO BOYS GAVE ME
ABOUT FREE SECURITY.
75
00:05:55,563 --> 00:05:56,857
THAT WASN'T ME.
THAT WAS HIM.
76
00:05:56,857 --> 00:05:59,276
I'M TOTALLY
NONCONFRONTATIONAL.
77
00:05:59,276 --> 00:06:01,444
ALL RIGHT, OK.
ALL RIGHT, DULY NOTED.
78
00:06:01,444 --> 00:06:04,447
MAN, BETWEEN THE SUIT
AND NAGGING
79
00:06:04,447 --> 00:06:06,908
IT'S LIKE A GOOD
OLD-FASHIONED AMERICAN
FAMILY AROUND HERE.
80
00:06:48,367 --> 00:06:49,826
AUDREY!
81
00:06:49,826 --> 00:06:50,952
WHAT?
82
00:06:50,952 --> 00:06:52,662
AUDREY, WAKE UP.
83
00:06:52,662 --> 00:06:54,706
WHAT?
THE E-MAIL.
WHAT ABOUT IT?
84
00:06:54,706 --> 00:06:57,334
I SENT IT TO EVERYONE,
NOT LIKE "THE GANG"
EVERYONE--
85
00:06:57,334 --> 00:06:59,253
COUNTLESS STRANGERS,
"CAMPUS WIDE" EVERYONE.
86
00:06:59,253 --> 00:07:01,129
WELL, HONEY,
WHY WOULD YOU DO THAT?
87
00:07:01,129 --> 00:07:03,382
IT WAS A MISTAKE.
I WAS TIRED.
88
00:07:03,382 --> 00:07:05,342
I CLICKED
ON THE WRONG ADDRESS.
89
00:07:05,342 --> 00:07:07,510
SEE? I TOLD YOU
THAT WASN'T A GOOD IDEA.
90
00:07:07,510 --> 00:07:09,846
THAT'S ALL YOU HAVE TO SAY?
91
00:07:09,846 --> 00:07:12,640
I DON'T KNOW.
92
00:07:12,640 --> 00:07:14,559
SUCKS TO BE YOU?
93
00:07:18,646 --> 00:07:20,857
(HUMMING)
94
00:07:24,111 --> 00:07:25,570
WITTER!
95
00:07:25,570 --> 00:07:26,738
RINALDI.
96
00:07:26,738 --> 00:07:28,990
THAT'S "SIR"
UNTIL YOU BUY ME
FLOWERS, WITTER.
97
00:07:28,990 --> 00:07:30,450
WHERE HAVE YOU BEEN?
98
00:07:30,450 --> 00:07:32,160
I'M REALLY SORRY.
I WAS JUST UNDER
THE IMPRESSION
99
00:07:32,160 --> 00:07:33,412
THAT I WASN'T SUPPOSED
TO BE HERE UNTIL 9:00.
100
00:07:33,412 --> 00:07:35,372
AHH, "SUPPOSED TO."
WELL, THAT'S CUTE.
101
00:07:35,372 --> 00:07:36,998
ARE YOU SUPPOSED
TO DRESS YOURSELF,
102
00:07:36,998 --> 00:07:39,334
OR DOES YOUR MOMMY
ACTUALLY WANT YOU
TO LOOK LIKE A PANSY?
103
00:07:39,334 --> 00:07:41,128
LOOK AROUND.
YOU SEE THESE GUYS?
104
00:07:41,128 --> 00:07:44,172
APPARENTLY,
THESE GENTLEMEN
ARE FREE THINKERS.
105
00:07:44,172 --> 00:07:46,174
SINCE YOU'VE YET
TO GROW A PAIR,
106
00:07:46,174 --> 00:07:47,634
YOU GET STUCK
WITH THESE.
107
00:07:47,634 --> 00:07:50,053
AND WHAT'S ALL THIS?
108
00:07:50,053 --> 00:07:53,265
THAT IS A COLLECTION
OF ABOUT 30 COLD DAYS
IN HELL:
109
00:07:53,265 --> 00:07:55,474
RICH GUYS SITTIN' ON
PILES OF MONEY SO HIGH
110
00:07:55,474 --> 00:07:56,684
THAT
THEIR DAUGHTERS ELOPED
111
00:07:56,684 --> 00:07:58,186
AND SOLD
THEIR OWN BABIES
ON THE BLACK MARKET
112
00:07:58,186 --> 00:07:59,896
JUST TO PUT RAMEN
ON THE TABLE.
113
00:07:59,896 --> 00:08:02,107
WE HAVE NEVER BEEN
ABLE TO SELL THEM STOCK,
114
00:08:02,107 --> 00:08:04,985
AND THEY WILL CERTAINLY
NEVER BUY IT FROM
THE TARDY LIKES OF YOU.
115
00:08:04,985 --> 00:08:06,361
YOU BETTER
GET ON THE PHONE.
116
00:08:06,361 --> 00:08:07,946
WE WORK
ON COMMISSION HERE.
117
00:08:07,946 --> 00:08:10,657
AND THE GUYS
ON YOUR LIST DON'T KNOW
HOW DREAMY YOU ARE,
118
00:08:10,657 --> 00:08:14,202
SO I WOULD WORK
THAT BLUE COLLAR CHARM
FULL-THROTTLE.
119
00:08:14,202 --> 00:08:16,121
STOP BATTIN'
YOUR EYES AT ME.
120
00:08:16,121 --> 00:08:19,791
IS THIS SOME SORT
OF PUNISHMENT?
121
00:08:19,791 --> 00:08:21,209
I'M JUST TRYIN' TO
GET YOU TO LEAVE.
122
00:08:21,209 --> 00:08:23,086
I DON'T HAVE
ENOUGH DESKS.
123
00:08:23,086 --> 00:08:25,588
(CHUCKLES)
124
00:08:35,932 --> 00:08:37,684
NO, JEN. JEN, CAN I
SIT ON THE INSIDE?
125
00:08:37,684 --> 00:08:39,644
I WANT TO SIT
ON THE INSIDE. SORRY.
126
00:08:39,644 --> 00:08:42,272
WHAT? AHH...
127
00:08:42,272 --> 00:08:43,564
SORRY.
128
00:08:43,564 --> 00:08:45,525
ARE WE DONE PLAYING
MUSICAL CHAIRS YET?
129
00:08:45,525 --> 00:08:47,110
I JUST WANT TO BE ABLE
TO SEE THE BOARD.
130
00:08:47,110 --> 00:08:49,529
DON'T INSULT ME WITH
YOUR SCHOLARLY GUISE.
131
00:08:49,529 --> 00:08:50,905
YOU JUST WANT TO
GET A GOOD LOOK
AT FREEMAN.
132
00:08:50,905 --> 00:08:51,948
AND WHY NOT?
133
00:08:51,948 --> 00:08:54,493
MOTHER, MAY I?
134
00:08:54,493 --> 00:08:57,371
AUDREY, NOT
THAT WE DON'T ENJOY
HAVING YOU HERE,
135
00:08:57,371 --> 00:08:58,705
BECAUSE WE DO,
136
00:08:58,705 --> 00:09:00,165
BUT DON'T YOU
HAVE YOUR OWN CLASSES
TO GO TO?
137
00:09:00,165 --> 00:09:02,459
WORTHINGTON'S CHARMS
ARE LOST ON ME.
138
00:09:02,459 --> 00:09:04,127
MISS ONE MORE WEEK,
AND MAYBE THEY'LL JUST
KICK YOU OUT.
139
00:09:04,127 --> 00:09:05,212
AWESOME.
140
00:09:05,212 --> 00:09:07,047
GUYS, SHH!
141
00:09:07,047 --> 00:09:10,008
OK, I FORGOT
TO TELL YOU.
142
00:09:10,008 --> 00:09:13,636
THIS IS STUDIOUS JACK,
NOT TO BE CONFUSED
WITH FUN-TIME JACK.
143
00:09:13,636 --> 00:09:15,180
HE DOESN'T
LIKE TO MISS A WORD
OF FREEMAN'S LECTURE,
144
00:09:15,180 --> 00:09:16,139
SO YOU SHOULD JUST TRY
TO KEEP IT DOWN.
145
00:09:16,139 --> 00:09:17,682
SO TELL ME SOMETHING.
146
00:09:17,682 --> 00:09:19,559
BETWEEN HIM AND GRAMS,
HOW DO NAP DURING CLASS?
147
00:09:19,559 --> 00:09:21,019
Freeman: OK, EVERYONE...
Jack: SHH! SHH!
148
00:09:21,019 --> 00:09:22,145
GUYS, GUYS, GUYS.
149
00:09:22,145 --> 00:09:23,438
BEFORE WE GET STARTED,
150
00:09:23,438 --> 00:09:25,857
I JUST WANTED TO
INFORM THOSE AMONG YOU
151
00:09:25,857 --> 00:09:27,817
WHO ARE TRULY ENAMORED
WITH OUR TWISTED CULTURE.
152
00:09:27,817 --> 00:09:31,779
THAT THERE'S A LITTLE
EXTRA CREDIT ASSIGNMENT TODAY.
153
00:09:31,779 --> 00:09:34,115
NOW, MY HEART WON'T BE BROKEN
IF NOBODY SHOWS UP.
154
00:09:34,115 --> 00:09:35,992
I WILL, HOWEVER,
SILENTLY JUDGE YOU
155
00:09:35,992 --> 00:09:37,244
FOR THE REST
OF THE SEMESTER.
156
00:09:37,244 --> 00:09:40,788
THERE'S A THEATER DOWNTOWN
THAT'S SHOWIN'
A DOUBLE-FEATURE
157
00:09:40,788 --> 00:09:43,500
WHICH EXEMPLIFIES
OUR CULTURE'S OBSESSION
158
00:09:43,500 --> 00:09:45,252
WITH THE BEAUTIFUL GIRL
WHO PLAYS UGLY.
159
00:09:45,252 --> 00:09:48,129
THE PLAIN JANES WHO GO ON
TO GRACE THE COVERS OF COSMO
160
00:09:48,129 --> 00:09:50,257
THE SAME MONTH THEIR
MAKEOVER MOVIES COME OUT.
161
00:09:50,257 --> 00:09:52,426
OH, NO. SCHOLARLY JACK
IS GONNA
162
00:09:52,426 --> 00:09:54,052
MAKE ME WATCH
MISS CONGENIALITY
AGAIN.
163
00:09:54,052 --> 00:09:55,178
I LOVE THAT MOVIE.
164
00:09:55,178 --> 00:09:56,679
EH-HEH!
165
00:09:56,679 --> 00:09:59,598
Freeman: SO, SEE ME
AFTER CLASS FOR DETAILS.
166
00:10:02,477 --> 00:10:05,646
Heston: OK, KIDDIES,
KNOCK BACK YOUR RITALIN
AND SETTLE DOWN.
167
00:10:08,400 --> 00:10:11,611
YOU MAY RECALL,
WE WERE WRAPPING UP
A RATHER DEPRAVED DISCUSSION
168
00:10:11,611 --> 00:10:13,321
OF PORTNOY'S COMPLAINT
LAST WEEK.
169
00:10:13,321 --> 00:10:14,989
SADLY, WE WON'T BE DABBLING
170
00:10:14,989 --> 00:10:18,910
IN ROTH'S
STREAM-OF-CONSCIOUSNESS
SEXUAL RIVERS MUCH LONGER,
171
00:10:18,910 --> 00:10:24,374
BUT FATE ASSIGNED US
SOME ADDITIONAL READING
LAST NIGHT VIA E-MAIL.
172
00:10:24,374 --> 00:10:27,335
I THINK YOU ALL GOT A COPY,
SO WHY NOT?
173
00:10:27,335 --> 00:10:30,046
LET'S DISCUSS SOMETHING YOU
ACTUALLY MIGHT'VE READ.
174
00:10:30,046 --> 00:10:32,299
"DEAR DAWSON,
175
00:10:32,299 --> 00:10:34,384
I DON'T KNOW
WHERE TO BEGIN."
176
00:10:34,384 --> 00:10:35,843
UH, PROFESSOR HETSON--
177
00:10:35,843 --> 00:10:37,804
NOBODY LIKES A SHOW-OFF,
POTTER.
178
00:10:37,804 --> 00:10:40,557
YOU DON'T REACH A POINT
FOR SEVERAL PARAGRAPHS,
179
00:10:40,557 --> 00:10:42,267
SO I'LL SKIP AHEAD.
180
00:10:42,267 --> 00:10:44,394
"IN THE MOMENT
WHEN WE TOUCHED,
181
00:10:44,394 --> 00:10:46,146
"MAYBE WE WENT
SOMEWHERE ELSE
182
00:10:46,146 --> 00:10:49,649
"THAT ROSE ABOVE ALL THIS,
BUT THEN WE LANDED,
183
00:10:49,649 --> 00:10:51,985
AND I THINK
MAYBE WE CRASHED."
184
00:10:51,985 --> 00:10:53,361
(LAUGHTER)
185
00:10:53,361 --> 00:10:55,905
WHY, WHEN BROACHING
THE TOPIC OF SEX,
186
00:10:55,905 --> 00:10:58,199
DO SO MANY WRITERS TRY TO
WRITE THEMSELVES OUT OF IT?
187
00:10:58,199 --> 00:10:59,618
SEXUALITY
AND ALL ITS DYSFUNCTIONS
188
00:10:59,618 --> 00:11:02,162
ARE INTRINSIC
TO THE HUMAN EXPERIENCE,
189
00:11:02,162 --> 00:11:05,081
MAYBE THE ONE THING
WE CAN ALL RELATE TO
AT THE END OF THE DAY--
190
00:11:05,081 --> 00:11:08,543
WELL, NEUROSIS
AND THE GOD THING ASIDE.
191
00:11:08,543 --> 00:11:11,296
AND THE REASON
THAT ROTH SEDUCED US
192
00:11:11,296 --> 00:11:13,423
AND MISS MORNING AFTER
HERE DIDN'T
193
00:11:13,423 --> 00:11:17,760
IS THAT WHILE ROTH ISN'T
AFRAID TO GET HIS HANDS
QUITE LITERALLY DIRTY
194
00:11:17,760 --> 00:11:20,847
WITH RAPID-FIRE
SENSUAL DESCRIPTION,
195
00:11:20,847 --> 00:11:22,474
OUR E-MAIL AUTHOR HERE
196
00:11:22,474 --> 00:11:25,268
DISTANCES HERSELF
FROM THE ACT
197
00:11:25,268 --> 00:11:27,061
WITH VAGUE METAPHORS.
198
00:11:27,061 --> 00:11:30,357
CAN'T BE STREAM OF CONSCIOUSNESS
199
00:11:30,357 --> 00:11:32,984
IF YOU'RE OBSERVING
FROM THE SHORES...
200
00:11:32,984 --> 00:11:34,569
RIGHT?
201
00:11:37,531 --> 00:11:39,866
RIGHT.
202
00:11:55,298 --> 00:11:58,801
WELL...NO. I MEAN,
I CERTAINLY UNDERSTAND
THAT LOGIC, MR..."ENGEL."
203
00:11:58,801 --> 00:12:00,803
BUT I'M TELLING YOU,
IF YOU INVEST IN
THIS STOCK RIGHT NOW,
204
00:12:00,803 --> 00:12:04,641
YOUR VALUE, I MEAN, IT'S--
IT'LL DOUBLE...EVENTUALLY.
205
00:12:04,641 --> 00:12:07,352
THE STOCK? WELL, THE STOCK--
THE STOCK IS STRONG.
206
00:12:07,352 --> 00:12:09,187
I MEAN, IF YOU--
207
00:12:09,187 --> 00:12:10,855
PERCENTAGE WISE?
208
00:12:10,855 --> 00:12:15,068
WELL, YEAH. YOU'RE PROBABLY
LOOKING AT A GOOD 15--HELLO?
209
00:12:15,068 --> 00:12:17,195
SMOOTH, WITTER.
210
00:12:17,195 --> 00:12:18,697
AH, THE GUY JUST
CAUGHT ME OFF-GUARD.
211
00:12:18,697 --> 00:12:20,781
LISTEN, YOU GOTTA
STOP MAKING EXCUSES.
212
00:12:20,781 --> 00:12:22,242
I'VE HEARD YOU ON
THE PHONE THIS MORNING.
213
00:12:22,242 --> 00:12:23,451
YOU THINK PEOPLE
ARE GONNA RELATE
214
00:12:23,451 --> 00:12:25,328
TO A PLUCKY, BLUE-COLLAR
KID FROM SOUTHIE?
215
00:12:25,328 --> 00:12:26,496
CAPESIDE.
WHATEVER.
216
00:12:26,496 --> 00:12:28,623
IT STILL REEKS
OF THE WHITE PICKET
AND THE BLACK LAB.
217
00:12:28,623 --> 00:12:29,999
YOU'RE TALKING
TO THESE PEOPLE
218
00:12:29,999 --> 00:12:31,459
LIKE YOU'RE
TRYING TO GET A DATE
FOR FRIDAY NIGHT.
219
00:12:31,459 --> 00:12:32,419
"I'M PACEY.
I'M SENSITIVE.
220
00:12:32,419 --> 00:12:34,254
I CARE
ABOUT YOUR NEEDS."
221
00:12:34,254 --> 00:12:36,464
THAT'S THE ANGLE
OF THE GUY THAT'S TRYING
TO SELL THE HERALD.
222
00:12:36,464 --> 00:12:38,799
DON'T MAKE HIM FEEL LIKE
THE PRETTIEST GIRL
IN THE ROOM.
223
00:12:38,799 --> 00:12:42,053
MAKE THEM FEEL
LIKE MORONS FOR DOUBTING
YOUR FINANCIAL PROWESS.
224
00:12:42,053 --> 00:12:43,597
SO YOU ACTUALLY
WANT THESE PEOPLE
TO HANG UP ON ME?
225
00:12:43,597 --> 00:12:45,390
NO. I WANT THEM
TO BELIEVE YOU,
226
00:12:45,390 --> 00:12:46,641
WHICH IS NEVER
GOING TO HAPPEN
227
00:12:46,641 --> 00:12:48,268
UNLESS YOU
PUT SOME HEART
INTO IT, WITTER.
228
00:12:48,268 --> 00:12:50,395
OK, FINE. HOW AM I SUPPOSED
TO SELL THEM THE STOCK?
229
00:12:50,395 --> 00:12:51,563
I DON'T EVEN KNOW WHAT
THE DAMNED THING IS.
230
00:12:51,563 --> 00:12:54,482
FIND YOUR IN
WITH THESE GUYS.
231
00:12:54,482 --> 00:12:56,568
BECOME THEM. BECOME
WHO THEY WANT TO BE.
232
00:12:56,568 --> 00:12:59,153
THINK WITH THOSE
JUDGMENTAL, AGEIST,
233
00:12:59,153 --> 00:13:02,365
RACIST, SEXIST,
STEREOTYPING PARTS
OF YOUR BRAIN
234
00:13:02,365 --> 00:13:04,534
THAT YOU'VE WORKED
SO HARD TO CONQUER.
235
00:13:04,534 --> 00:13:06,578
BELIEVE ME, YOU'RE
NEVER GONNA LAND A GUY
LIKE TOPPER
236
00:13:06,578 --> 00:13:07,786
PLAYIN' THE NICE GUY.
237
00:13:07,786 --> 00:13:09,914
AND WHO EXACTLY IS TOPPER?
238
00:13:09,914 --> 00:13:13,334
MR. ELI TOPPER
IS THE NEXT GUY
IN YOUR PILE,
239
00:13:13,334 --> 00:13:14,586
FANTASTICALLY HARD SELL.
240
00:13:14,586 --> 00:13:16,379
HE LIVES
IN A LITTLE APARTMENT
241
00:13:16,379 --> 00:13:17,672
ON THE OUTSKIRTS
OF BOSTON,
242
00:13:17,672 --> 00:13:19,132
DOESN'T WANT TO
PAY THE CITY TAX.
243
00:13:19,132 --> 00:13:20,508
HE MADE HIS MONEY
IN THE EIGHTIES,
244
00:13:20,508 --> 00:13:22,051
AND NOW HE'S JUST
SITTIN' ON IT.
245
00:13:22,051 --> 00:13:23,637
WHY DO YOU BOTHER
GOING TO ALL THE TROUBLE
OF GETTIN' THAT MONEY
246
00:13:23,637 --> 00:13:24,971
IF YOU'RE NOT GONNA USE IT
TO BETTER YOUR LIFE?
247
00:13:24,971 --> 00:13:29,058
GUYS LIKE TOPPER
BELIEVE IT CAN BUY THEM
AN UPGRADE IN HEAVEN.
248
00:13:29,058 --> 00:13:31,894
SINCE YOU AND I KNOW
WE'RE NEVER GOING THERE,
249
00:13:31,894 --> 00:13:33,812
GRAB YOUR KEYS.
WE'RE GOIN' OFF CAMPUS.
250
00:13:41,195 --> 00:13:43,698
OK, SO REMEMBER,
YOU CAN'T TECHNICALLY
POUR THE ALCOHOL,
251
00:13:43,698 --> 00:13:45,450
AT LEAST NOT WHILE
I'M ON WITH YOU.
252
00:13:45,450 --> 00:13:47,201
NO NEED TO BRING IN
THE VISA BEASTS.
253
00:13:47,201 --> 00:13:49,954
NO OFFENSE, EMMA,
BUT YOU DO KNOW I'VE WORKED
IN A RESTAURANT BEFORE.
254
00:13:49,954 --> 00:13:52,206
I'VE SEEN THEM BUILT.
I'VE SEEN THEM BURN DOWN,
255
00:13:52,206 --> 00:13:53,541
NOT THAT I HAD ANYTHING
TO DO WITH THAT.
256
00:13:53,541 --> 00:13:55,084
FASCINATING,
257
00:13:55,084 --> 00:13:57,170
BUT YOU'VE NEVER WORKED
IN THIS DIVE, NOW, HAVE YOU?
258
00:13:57,170 --> 00:14:00,089
COME ON, THEN.
HAVE A GO AT TABLE 3.
259
00:14:00,089 --> 00:14:03,092
ALL I KNOW IS THAT
I WOULD THINK LONG
AND HARD
260
00:14:03,092 --> 00:14:05,261
BEFORE SENDING AN E-MAIL
LIKE THAT TO A GUY
I JUST SLEPT WITH.
261
00:14:05,261 --> 00:14:06,721
I KNOW, RIGHT?
262
00:14:06,721 --> 00:14:09,265
I MEAN, UNLESS YOU JUST
NEVER WANTED TO HEAR
FROM HIM AGAIN.
263
00:14:09,265 --> 00:14:10,933
DO YOU GUYS KNOW
WHAT YOU WANT?
264
00:14:10,933 --> 00:14:12,435
COME ON.
NOT ALL GUYS
ARE LIKE THAT.
265
00:14:12,435 --> 00:14:14,354
OH, WHATEVER, MIKE.
YOU'RE GAY.
266
00:14:14,354 --> 00:14:15,980
CAN I HAVE A QUESADILLA
AND A PALE ALE?
267
00:14:15,980 --> 00:14:17,524
WELL, MAYBE
THE GUY IS GAY, TOO,
268
00:14:17,524 --> 00:14:18,692
AND THAT'S WHY
HE SCREWED HER OVER.
269
00:14:18,692 --> 00:14:19,858
OK, LOOK,
270
00:14:19,858 --> 00:14:22,069
SHE IS OBVIOUSLY
STARVING FOR ATTENTION,
271
00:14:22,069 --> 00:14:23,738
BROADCASTING IT
LIKE THAT?
272
00:14:23,738 --> 00:14:25,448
I MEAN, REALLY,
WHAT'S THE POINT?
273
00:14:25,448 --> 00:14:28,075
UNLESS YOU'RE ON
THE REAL WORLD
OR WHATEVER.
274
00:14:28,075 --> 00:14:30,662
YOU KNOW, MAYBE--
AND THIS IS JUST A SHOT
IN THE DARK--
275
00:14:30,662 --> 00:14:32,664
SHE DIDN'T MEAN TO
SEND IT TO THE GOSSIPS
AT LARGE.
276
00:14:32,664 --> 00:14:34,708
MAYBE SHE'S JUST
TRYING TO GET SOME
PRIVATE CLOSURE,
277
00:14:34,708 --> 00:14:36,125
NEVER DREAMED
SHE'D BE SUBJECTED
278
00:14:36,125 --> 00:14:38,877
TO THE OPRAH PSYCHOBABBLE
OF HER LIFE-LACKING PEERS.
279
00:14:38,877 --> 00:14:40,254
NOW, DO YOU GUYS
WANT SOMETHING TO EAT,
280
00:14:40,254 --> 00:14:41,922
OR SHOULD I JUST BRING
OVER A NICE TRAY OF BON-BONS
281
00:14:41,922 --> 00:14:44,467
SO YOU GUYS CAN HUNKER DOWN
AND WATCH YOUR STORIES?
282
00:14:44,467 --> 00:14:46,469
EH-HEE!
MAYBE LATER.
283
00:14:46,469 --> 00:14:48,887
(LAUGHTER)
284
00:14:51,432 --> 00:14:53,560
BOSTON BAY IS NOT
A PARTY SCHOOL, AUDREY.
285
00:14:53,560 --> 00:14:55,102
SPARE ME YOUR LIES,
JEN.
286
00:14:55,102 --> 00:14:56,771
I AM NOT GOING BACK
TO MY EVIL DEN
OF HIGHER LEARNING.
287
00:14:56,771 --> 00:14:58,439
THIS IS CLEARLY
WHERE IT'S AT.
288
00:14:58,439 --> 00:14:59,649
HEY, THE MIDDAY KEGGERS
289
00:14:59,649 --> 00:15:01,609
GET A LITTLE OLD
AFTER A FEW SEMESTERS,
TRUST ME.
290
00:15:01,609 --> 00:15:03,737
I TELL YOU WHAT,
I'M GONNA MEET
YOU GUYS IN THERE.
291
00:15:03,737 --> 00:15:05,196
I'M GONNA GO TALK
TO PROFESSOR FREEMAN.
292
00:15:05,196 --> 00:15:06,989
DON'T YOU THINK
THAT'S A TAD TRACEY FLICK?
293
00:15:06,989 --> 00:15:08,867
HE DOESN'T KNOW
WHO YOU ARE.
294
00:15:08,867 --> 00:15:10,368
SURE HE DOES.
295
00:15:10,368 --> 00:15:12,036
I'VE RAISED MY HAND
AND TALKED IN CLASS
A LOTTA TIMES.
296
00:15:12,036 --> 00:15:13,413
HE'S NOTICED.
297
00:15:13,413 --> 00:15:15,331
HE HAS.
298
00:15:15,331 --> 00:15:18,042
ALL RIGHT...
SWIM FAN.
299
00:15:18,042 --> 00:15:20,127
SOMEBODY HAS GOT TO
TALK TO THAT BOY
300
00:15:20,127 --> 00:15:21,254
ABOUT HIS LOVE
OF THE STRAIGHTS.
301
00:15:21,254 --> 00:15:22,921
WHATEVER.
IT'S TOTALLY HOT.
302
00:15:25,550 --> 00:15:26,676
HEY.
303
00:15:26,676 --> 00:15:30,304
NOT A VERY BIG
TURN OUT, HUH?
304
00:15:30,304 --> 00:15:32,098
NO, UM,
APPARENTLY NOT.
305
00:15:32,098 --> 00:15:35,351
I GUESS NOT EVERYBODY
306
00:15:35,351 --> 00:15:38,479
IS AS ENTHUSIASTIC ABOUT
THE GIRL WHO CRIED UGLY
AS WE ARE.
307
00:15:38,479 --> 00:15:40,939
RIGHT.
308
00:15:40,939 --> 00:15:42,776
I'M SORRY.
DO I KNOW YOU?
309
00:15:45,361 --> 00:15:48,615
UH, NO. SORRY.
JACK McPHEE.
310
00:15:48,615 --> 00:15:49,949
I'M IN YOUR POP CULTURE CLASS?
311
00:15:49,949 --> 00:15:52,076
OH, I'M SORRY, JACK.
THAT CLASS IS MASSIVE,
312
00:15:52,076 --> 00:15:53,244
HARD TO
KEEP PEOPLE STRAIGHT.
313
00:15:53,244 --> 00:15:55,204
HEH HEH! I'LL BET.
314
00:15:55,204 --> 00:15:56,581
AHEM.
315
00:15:56,581 --> 00:15:58,499
I'LL--I'LL
SEE YOU IN THERE.
316
00:15:58,499 --> 00:16:00,084
OK.
317
00:16:05,715 --> 00:16:08,092
YOU'RE SURE I HAVEN'T
MADE A FANTASTIC
MISTAKE, THEN,
318
00:16:08,092 --> 00:16:09,093
LIVING WITH THOSE 2?
319
00:16:09,093 --> 00:16:10,720
NOPE. I'M SURE YOU
WON'T BE BORED.
320
00:16:10,720 --> 00:16:12,012
NOW, THAT'S
A COLD COMFORT.
321
00:16:14,766 --> 00:16:18,018
YOU'VE GOTTA
BE KIDDING ME.
322
00:16:18,018 --> 00:16:20,563
HIM? YEAH, HE COMES
IN HERE ALL THE TIME.
323
00:16:20,563 --> 00:16:22,106
OH, OF COURSE HE DOES.
324
00:16:22,106 --> 00:16:24,150
HE'S OBVIOUSLY BEEN ASSIGNED
TO RUIN MY LIFE,
325
00:16:24,150 --> 00:16:25,944
AND HE SEEMS DETERMINED
TO DO IT IN RECORD TIME.
326
00:16:25,944 --> 00:16:29,196
LISTEN, I'M NOT GOING
TO RUN FOR COVER
327
00:16:29,196 --> 00:16:31,282
EVERY TIME A DARK CLOUD
FORMS OVER YOUR HEAD.
328
00:16:31,282 --> 00:16:33,493
SO I SUGGEST
YOU NIP THIS IN THE BUD.
329
00:16:33,493 --> 00:16:34,661
IT'S ALL YOURS.
330
00:16:42,376 --> 00:16:45,087
I CAN SEE
WHY THIS JOINT WOULD
BE MUCH MORE ALLURING
331
00:16:45,087 --> 00:16:46,631
THAT THE CONFINES OF
THE ENGLISH DEPARTMENT:
332
00:16:46,631 --> 00:16:49,007
ALL THAT SILENCE,
ALL THOSE BOOKS.
333
00:16:49,007 --> 00:16:51,552
AND THEN, OF COURSE,
YOUR CONSTANT
POSITIVE REINFORCEMENT.
334
00:16:51,552 --> 00:16:53,387
YEAH. RIGHT.
335
00:16:53,387 --> 00:16:54,848
THAT WOULD
GET REALLY ANNOYING
AFTER A WHILE.
336
00:16:56,766 --> 00:16:59,644
ARE YOU WAITING
FOR ME TO ORDER,
337
00:16:59,644 --> 00:17:01,270
OR DID YOU HAVE
SOMETHIN' TO SAY?
338
00:17:01,270 --> 00:17:03,230
'CAUSE IT KINDA LOOKS
LIKE YOU'VE GOT YOUR
BONE-TO-PICK FACE ON.
339
00:17:03,230 --> 00:17:04,691
AND HOW WOULD YOU KNOW
WHAT THAT LOOKS LIKE?
340
00:17:04,691 --> 00:17:06,024
WORD GETS AROUND.
341
00:17:06,024 --> 00:17:08,611
I'LL JUST HAVE
A TUNA MELT
AND A BEER.
342
00:17:08,611 --> 00:17:09,821
SURE.
343
00:17:10,905 --> 00:17:11,906
PROFESSOR HETSON--
344
00:17:11,906 --> 00:17:14,283
OH, THERE YOU GO.
YEAH, HERE I GO.
345
00:17:14,283 --> 00:17:17,370
LOOK, I'M SURE YOUR
HARD-AS-NAILS THING
REALLY WORKS FOR YOU.
346
00:17:17,370 --> 00:17:18,746
I'M SURE IT
EARNS YOU RESPECT,
347
00:17:18,746 --> 00:17:21,499
AND I'M SURE THAT I
WILL LEARN A LOT
IN YOUR CLASS.
348
00:17:21,499 --> 00:17:23,626
BUT AFTER TODAY,
349
00:17:23,626 --> 00:17:25,336
I REALLY WISH YOU
WOULD'VE TURNED ME AWAY
WHEN YOU HAD THE CHANCE.
350
00:17:25,336 --> 00:17:27,046
I THOUGHT
YOU'D BE FLATTERED
TO BE IN THE SPOTLIGHT.
351
00:17:27,046 --> 00:17:28,631
I DON'T SINGLE PEOPLE
OUT THAT OFTEN.
352
00:17:28,631 --> 00:17:31,634
CONTRARY TO WHAT
YOU APPARENTLY BELIEVE,
353
00:17:31,634 --> 00:17:33,845
I'M NOT AN IDIOT,
PROFESSOR HETSON,
354
00:17:33,845 --> 00:17:37,765
AND I'M FAIRLY CERTAIN
IN THE 20 MINUTES YOU SPENT
MOCKING MY FORMATIVE YEARS
355
00:17:37,765 --> 00:17:39,642
WAS A MAJOR OFF RAMP
FROM MODERN COMP LIT.
356
00:17:39,642 --> 00:17:43,938
AND I'D JUST LIKE TO KNOW,
DOES TODAY'S
TOTAL EVISCERATION
357
00:17:43,938 --> 00:17:46,106
EXONERATE ME, SAY,
THROUGH NOVEMBER,
358
00:17:46,106 --> 00:17:49,360
OR DOES THIS SORT
OF PUBLIC RIDICULE
DELIGHT YOU INDEFINITELY?
359
00:17:49,360 --> 00:17:51,404
WHY, I DON'T KNOW.
I MEAN,
360
00:17:51,404 --> 00:17:53,781
WE'RE ABOUT TO GET INTO
THE POIGNANT RAMBLINGS
OF JOYCE AND WOOLF,
361
00:17:53,781 --> 00:17:55,950
AND YOUR WORK PROVIDES
SUCH A MARKED CONTRAST.
362
00:17:58,452 --> 00:18:00,079
HEY, JOEY...
363
00:18:00,079 --> 00:18:03,416
YOU DO FANCY YOURSELF
A WRITER, CORRECT?
364
00:18:03,416 --> 00:18:05,251
YEAH, YOU COULD
CALL IT A HOBBY.
365
00:18:05,251 --> 00:18:07,045
SO I'M SURE
THAT YOU'VE GATHERED
AT THIS POINT
366
00:18:07,045 --> 00:18:08,588
THAT ON TOP OF
BEING NEUROTIC
367
00:18:08,588 --> 00:18:10,506
AND PLAGUED
WITH SELF-DOUBT,
368
00:18:10,506 --> 00:18:12,592
WRITERS HAVE TO ENDURE
PUBLIC HUMILIATION
EVERY ONCE IN A WHILE.
369
00:18:12,592 --> 00:18:14,928
YOU WERE THE ONE
THAT WALKED
INTO MY OFFICE
370
00:18:14,928 --> 00:18:16,763
PROMISING ME
FEARLESS ACADEMIC EGO,
371
00:18:16,763 --> 00:18:18,180
BUT I HAVE YET
TO SEE IT.
372
00:18:18,180 --> 00:18:20,099
IF YOU CAN'T
HANDLE MY CLASS--
373
00:18:20,099 --> 00:18:22,727
AND COUNTLESS
HAVE DIED TRYING--
374
00:18:22,727 --> 00:18:24,228
WHY DON'T YOU JUST QUIT?
375
00:18:24,228 --> 00:18:25,730
I'M NOT A QUITTER.
376
00:18:25,730 --> 00:18:27,565
PEOPLE LOVE SAYING THAT.
377
00:18:27,565 --> 00:18:29,108
IT'S LIKE THEY SAW IT
IN SOME MOVIE ONCE
378
00:18:29,108 --> 00:18:30,484
AND THEY LIKED
THE WAY IT SOUNDED.
379
00:18:30,484 --> 00:18:31,611
I'M NOT JUST SAYING IT, OK?
380
00:18:31,611 --> 00:18:33,529
I WANTED TO TAKE YOUR CLASS
381
00:18:33,529 --> 00:18:35,448
BECAUSE I WANTED TO
LEARN SOMETHING,
AND I WANTED TO WORK HARD,
382
00:18:35,448 --> 00:18:37,533
BUT I DIDN'T WANT TO BE
PERSONALLY RIDICULED
IN THE PROCESS.
383
00:18:37,533 --> 00:18:39,577
YOUR HEARTFELT RANT
TO WHAT'S HIS NAME
384
00:18:39,577 --> 00:18:41,746
PROVED GOOD FODDER
FOR THE TOPIC AT HAND.
385
00:18:41,746 --> 00:18:44,248
IT'S HARD TO
WRITE THAT SEX STUFF,
386
00:18:44,248 --> 00:18:46,834
WHICH YOU APTLY PROVED.
387
00:18:46,834 --> 00:18:49,087
AND IF,
BY CHANCE, ONE DAY
388
00:18:49,087 --> 00:18:51,297
YOU MANAGE TO GET
YOUR WRITING CIRCULATED
389
00:18:51,297 --> 00:18:52,924
BEYOND
THE CAMPUS IN BOX,
390
00:18:52,924 --> 00:18:56,636
THERE WILL ALWAYS BE
AN IRRITABLE WRITER TYPE
CLAIMING TO DO BETTER.
391
00:18:56,636 --> 00:18:59,013
MAYBE YOU DIDN'T MEAN
FOR THIS ONE TO GO OUT
INTO THE WORLD.
392
00:18:59,013 --> 00:19:00,681
WHATEVER. BYGONES.
393
00:19:00,681 --> 00:19:02,224
DECLARE VICTORY
AND MOVE ON.
394
00:19:02,224 --> 00:19:04,518
WHERE'S THE VICTORY
IN THIS LITTLE SCENARIO?
395
00:19:04,518 --> 00:19:07,647
ONE DOWN, ONLY
A LIFETIME OF PROVING
YOURSELF LEFT TO GO.
396
00:19:07,647 --> 00:19:11,025
AND IF YOU'RE
STAYING IN MY CLASS,
397
00:19:11,025 --> 00:19:13,736
START PROVING
THAT IT'S WORTH IT...
398
00:19:13,736 --> 00:19:15,404
TO ONE OF US, AT LEAST.
399
00:19:23,997 --> 00:19:28,084
MAN, YOU DON'T ACTUALLY
SLEEP IN THIS CAR, DO YOU?
400
00:19:28,084 --> 00:19:29,460
NOT RECENTLY.
401
00:19:29,460 --> 00:19:32,130
I JUST MOVED
INTO A NEW PLACE.
402
00:19:32,130 --> 00:19:35,883
GOOD 'CAUSE I DON'T WANT
TO START FEELING SORRY
FOR YOU OR ANYTHING.
403
00:19:35,883 --> 00:19:38,552
YOU DON'T, UH, SEE THESE
AROUND MUCH ANYMORE.
404
00:19:38,552 --> 00:19:41,472
OH, COME ON, MAN.
THIS IS A GREAT CAR.
405
00:19:41,472 --> 00:19:42,890
I MEAN, SURE,
IT'S A LOT OF WORK,
406
00:19:42,890 --> 00:19:44,266
BUT SHE'S WORTH IT,
YOU KNOW?
407
00:19:44,266 --> 00:19:45,935
YEAH. TURN
INTO THAT DEALERSHIP
RIGHT OVER THERE.
408
00:19:45,935 --> 00:19:48,896
WHAT? ARE WE GOIN'
FOR A TEST DRIVE?
409
00:19:48,896 --> 00:19:50,731
EH HEH HEH!
410
00:19:50,731 --> 00:19:54,110
THAT'S ONE BONDING EXPERIENCE
THAT'S PASSED US BY.
411
00:19:54,110 --> 00:19:56,112
NO. THIS ONE IS SIGNED
AND PAID FOR.
412
00:19:56,112 --> 00:19:57,446
JUST PICKIN' IT UP.
413
00:20:02,827 --> 00:20:04,037
YOU'VE GOTTA BE KIDDING.
414
00:20:06,122 --> 00:20:08,541
YOU CANNOT POSSIBLY
BE GETTING A Z8.
415
00:20:08,541 --> 00:20:10,126
NICE, HUH?
416
00:20:10,126 --> 00:20:11,335
NICE?
417
00:20:11,335 --> 00:20:13,337
HOW COULD YOU POSSIBLE
AFFORD A CAR LIKE THAT?
418
00:20:13,337 --> 00:20:14,881
YOU'RE NOT
THAT MUCH OLDER THAN ME.
419
00:20:14,881 --> 00:20:17,050
YES, BUT I'M SO MUCH WISER.
420
00:20:17,050 --> 00:20:18,176
DON'T SWEAT IT.
421
00:20:18,176 --> 00:20:19,844
MAYBE
IF YOU SNAG TOPPER,
422
00:20:19,844 --> 00:20:21,345
ALL THIS'LL BE YOURS
BEFORE YOU KNOW IT.
423
00:20:21,345 --> 00:20:23,430
NICE CAR.
424
00:20:23,430 --> 00:20:24,974
I'LL TAKE IT FROM HERE.
425
00:20:24,974 --> 00:20:26,517
HEY, I HAPPEN
426
00:20:26,517 --> 00:20:28,268
TO LIKE MY CAR,
THANK YOU VERY MUCH.
427
00:20:28,268 --> 00:20:31,147
YEAH. YOU'VE GOT A WAY
TO GET AROUND TOWN,
428
00:20:31,147 --> 00:20:34,650
BUT IT'S ALL ABOUT
WHAT YOUR CAR
SAYS ABOUT YOU.
429
00:20:34,650 --> 00:20:36,027
OK, I'LL BITE.
430
00:20:36,027 --> 00:20:37,653
WHAT DOES MY CAR
SAY ABOUT ME?
431
00:20:37,653 --> 00:20:41,782
THAT YOU'RE
A SENTIMENTAL FOOL
OF A MAN-CHILD.
432
00:20:41,782 --> 00:20:43,242
YOU'RE TOO WEAK
FOR A REAL CAR,
433
00:20:43,242 --> 00:20:45,619
SO YOU TINKER WITH
YOUR LITTLE MEDIUM-COOL
VINTAGE ONE.
434
00:20:45,619 --> 00:20:49,540
YOU SURROUND YOURSELF
WITH ALL THINGS GOOD,
BUT NOT GOOD ENOUGH.
435
00:20:49,540 --> 00:20:52,418
YOU DON'T
WANT TO GROW UP, SO YOU
DON'T GO TO SCHOOL
436
00:20:52,418 --> 00:20:54,253
AND YOU BORROW
YOUR SUITS
437
00:20:54,253 --> 00:20:56,254
AND YOU
LET YOUR FACIAL HAIR
RUN AMUCK.
438
00:20:56,254 --> 00:20:59,466
THAT'S FINE, BUT THEN
WHY BOTHER GETTING
IN THE RING AT ALL
439
00:20:59,466 --> 00:21:01,260
IF YOU'RE
NOT EVEN GONNA THROW
A FRIGGIN' PUNCH?
440
00:21:01,260 --> 00:21:03,554
WHAT? ARE YOU GONNA GO
IN THAT OFFICE EVERY DAY
441
00:21:03,554 --> 00:21:05,098
AND WATCH GUYS
COLLECT THEIR MONEY
442
00:21:05,098 --> 00:21:07,058
SO YOU CAN WRITE
A THOUGHTFUL PIECE
ABOUT IT IN YOUR MEMOIRS?
443
00:21:07,058 --> 00:21:10,561
WELL, MAYBE I DON'T CARE
ABOUT ANY OF THAT STUFF.
444
00:21:10,561 --> 00:21:11,896
MAYBE I'M JUST TRYIN'
TO PAY MY RENT.
445
00:21:11,896 --> 00:21:14,857
COME ON, PACEY.
I SEE SOMETHIN'
GOIN' ON IN THERE.
446
00:21:14,857 --> 00:21:17,568
YOU'RE NOT SUBJECTING
YOURSELF TO ME
BECAUSE YOU LIKE MY TIE.
447
00:21:17,568 --> 00:21:18,694
YOU'RE HUNGRY.
448
00:21:18,694 --> 00:21:20,863
SO QUIT EFFIN' AROUND
AND GO FOR IT ALREADY.
449
00:21:34,460 --> 00:21:35,544
HEY, I HEAR YOU, MR. TOPPER.
450
00:21:35,544 --> 00:21:37,088
WHEN MY FATHER NEEDED
AN OPEN HEART,
451
00:21:37,088 --> 00:21:39,173
I DIDN'T EVEN TOUCH MY SAVINGS.
HE GOT HIMSELF INTO THAT MESS,
452
00:21:39,173 --> 00:21:40,674
HE CAN GET HIMSELF OUT.
RIGHT?
453
00:21:40,674 --> 00:21:43,094
BUT LOOK, YOU AND I
ARE BOTH VERY BUSY MEN,
454
00:21:43,094 --> 00:21:46,346
AND IF YOU DON'T WANT
TO HEAR ABOUT THIS STOCK
TODAY, THAT'S FINE BY ME.
455
00:21:46,346 --> 00:21:48,307
I'M JUST GONNA CALL ONE
OF OUR MORE ACTIVE BUYERS.
456
00:21:51,393 --> 00:21:53,520
WELL, YES. THE...
THE PACKET OF INFORMATION
457
00:21:53,520 --> 00:21:55,856
THAT MY COMPANY SENT YOU
IS CERTAINLY WORTH
TAKING A LOOK AT...
458
00:21:55,856 --> 00:21:58,901
BUT IT IS NOTHING COMPARED
TO WHAT LANDED ON MY DESK
THIS MORNING.
459
00:21:58,901 --> 00:22:00,778
BUT, LOOK, YOU AND I...
WE BOTH KNOW--
460
00:22:00,778 --> 00:22:02,488
YOU'RE NOT ONE OF OUR
MORE ACTIVE BUYERS,
461
00:22:02,488 --> 00:22:04,573
SO IF YOU'RE NOT
INTERESTED IN THIS,
THAT'S FINE BY ME.
462
00:22:04,573 --> 00:22:07,910
JUST TELL ME RIGHT NOW, OK?
SPARE ME THE NICETIES, 'CAUSE
I AM NOT YOUR PROM DATE.
463
00:22:07,910 --> 00:22:10,579
I'LL JUST CALL MY OTHER GUY.
I MEAN, I MADE HIM
50 GRAND LAST WEEK.
464
00:22:10,579 --> 00:22:12,331
I'M PRETTY SURE
HE'LL BE HAPPY TO TAKE
MY CALL. RIGHT?
465
00:22:16,002 --> 00:22:19,088
OK, SO HERE'S THE STORY.
466
00:22:19,088 --> 00:22:22,008
THE BUYERS IN THE MARKET
ARE PLAYING IT PRETTY CLOSE
TO THE VEST RIGHT NOW.
467
00:22:22,008 --> 00:22:23,425
BUT WHEN THEY WAKE UP
IN THE MORNING,
468
00:22:23,425 --> 00:22:24,885
THEY'RE GONNA BE KICKIN'
THEMSELVES, LITERALLY,
469
00:22:24,885 --> 00:22:27,930
BECAUSE THE BUYING PRICE
ON THIS WILL HAVE DOUBLED.
470
00:22:27,930 --> 00:22:31,225
AND IF YOU GET IN RIGHT NOW,
YOU'RE GONNA BE BEATIN' THE GUYS
WHO WAKE UP IN THE MORNING,
471
00:22:31,225 --> 00:22:33,060
REMEMBER THAT THEY
ACTUALLY HAVE A PAIR,
472
00:22:33,060 --> 00:22:36,605
AND THAT GREED IS GOOD, ELI.
AND THE SUCKER DOWN THE STREET,
473
00:22:36,605 --> 00:22:38,649
HE'S NEVER GONNA KNOW
THE JOY THAT YOU KNOW
474
00:22:38,649 --> 00:22:42,069
BECAUSE BY GETTING IN EARLY,
YOU MADE 10 TIMES THE PROFIT
THAT HE DID,
475
00:22:42,069 --> 00:22:43,570
AND THAT'S SOMETHIN'
YOU'LL BE ABLE
TO RUB IN HIS FACE
476
00:22:43,570 --> 00:22:46,199
EVERY TIME
YOU PICK UP YOUR PAPER.
477
00:22:49,367 --> 00:22:51,871
AH. I KNEW YOU WERE
A SMART MAN
478
00:22:51,871 --> 00:22:53,371
THE SECOND YOU PICKED UP
THE PHONE, ELI.
479
00:22:53,371 --> 00:22:56,000
(CHUCKLES) UM, LET ME
JUST PUT YOU THROUGH
TO MY ASSISTANT,
480
00:22:56,000 --> 00:22:58,544
AND, UH, YOU CAN GIVE HER
ALL YOUR INFORMATION.
481
00:22:58,544 --> 00:23:01,005
IT HAS BEEN A PLEASURE
DOIN' BUSINESS WITH YOU.
482
00:23:04,008 --> 00:23:06,802
Rich: THANKS, GUYS.
LATHAM, GET ME
THAT SPREADSHEET BY 3:00.
483
00:23:09,638 --> 00:23:12,016
DON'T YOU KNOCK, WITTER?
I COULD'VE BEEN HAVIN'
A NOONER.
484
00:23:12,016 --> 00:23:13,142
OH, I THOUGHT
YOU WERE.
485
00:23:13,142 --> 00:23:15,061
ANYWAY, GUESS WHAT.
IN FACT,
486
00:23:15,061 --> 00:23:16,687
YOU KNOW WHAT?
DON'T GUESS.
YOU'LL RUIN IT FOR ME.
487
00:23:16,687 --> 00:23:18,689
I...JUST CLOSED TOPPER.
488
00:23:18,689 --> 00:23:21,025
YOU'RE KIDDING ME.
NO, MY FRIEND, I'M NOT.
I CLOSED TOPPER.
489
00:23:21,025 --> 00:23:23,861
I SOLD HIM SOME BS LINE
FROM AN EIGHTIES MOVIE,
AND HE BOUGHT IT.
490
00:23:23,861 --> 00:23:25,279
IT WAS LIKE
I WAS A PROFILER.
491
00:23:25,279 --> 00:23:26,822
I COULD SMELL
THE CHEAP BEER
ON THIS GUY'S BREATH.
492
00:23:26,822 --> 00:23:29,449
HE WOULD RATHER
BUY STOCK TODAY AND
ASK QUESTIONS TOMORROW
493
00:23:29,449 --> 00:23:32,036
JUST SO LONG AS
HE'S THE RICHEST GUY
ON THE BLOCK THAT WEEK.
494
00:23:32,036 --> 00:23:33,954
IT'S AMAZING.
I SELL, HE BUYS.
IT'S THAT SIMPLE.
495
00:23:33,954 --> 00:23:35,622
CAN YOU BELIEVE IT?
496
00:23:35,622 --> 00:23:38,084
YOU KNOW WHAT?
I CAN'T.
497
00:23:38,084 --> 00:23:41,295
MAN. WITTER,
I KNEW YOU WERE
A SNEAKY LITTLE TWERP,
498
00:23:41,295 --> 00:23:43,421
BUT I NEVER THOUGHT
YOU'D PULL THIS ON ME.
499
00:23:43,421 --> 00:23:45,423
NOT TODAY. COME HERE.
GIVE ME A HUG.
500
00:23:45,423 --> 00:23:46,800
YOU SERIOUS?
501
00:23:46,800 --> 00:23:49,553
NO. BUT GO
TO THAT REFRIGERATOR
AND GET US
502
00:23:49,553 --> 00:23:51,597
SOME ICY-COLD BEVERAGES.
I'M PROUD OF YOU, SON.
503
00:23:51,597 --> 00:23:52,430
WILL DO!
504
00:23:56,727 --> 00:23:58,687
(SIGHS)
505
00:23:58,687 --> 00:24:00,522
SO ANYWAY,
I'LL SEE YOU TUESDAY.
506
00:24:01,982 --> 00:24:03,401
HEY,
PROFESSOR FREEMAN.
507
00:24:04,151 --> 00:24:05,152
HI. JACK, RIGHT?
508
00:24:05,152 --> 00:24:08,697
YEAH. THAT'S JACK.
509
00:24:06,237 --> 00:24:08,697
I'M JEN.
510
00:24:08,697 --> 00:24:10,116
I'M IN YOUR CLASS,
TOO.
511
00:24:10,116 --> 00:24:11,284
THAT'S RIGHT. I'VE SEEN
YOU TWO SIT TOGETHER.
512
00:24:11,284 --> 00:24:12,410
MM-HMM.
513
00:24:12,410 --> 00:24:13,577
HI.
514
00:24:13,577 --> 00:24:16,205
AM I LOSING MY MIND?
ARE YOU IN MY CLASS, TOO?
515
00:24:16,205 --> 00:24:19,666
NO! NO, I'M JUST
A REALLY BIG FAN
OF YOUR WORK. YOU KNOW?
516
00:24:19,666 --> 00:24:22,586
AND THE--AND THE WORK
OF...BEAUTIFUL, UGLY
WOMEN EVERYWHERE,
517
00:24:22,586 --> 00:24:25,256
AND I'M--I'M REALLY
JUST...INTERESTED
518
00:24:25,256 --> 00:24:27,133
IN THIS PURE CULTURE
OF OURS, AND...
519
00:24:27,133 --> 00:24:30,552
YEAH, SO...
DO YOU GUYS WANT TO GO
VISIT JOEY AT WORK
520
00:24:30,552 --> 00:24:32,138
AND PARTAKE
IN SOME REFRESHMENTS?
PROFESSOR,
521
00:24:32,138 --> 00:24:34,640
YOU'RE MORE THAN WELCOME
TO JOIN US IF YOU'RE
INTO THE WHOLE
522
00:24:34,640 --> 00:24:36,142
CROSSING THE LINE
KIND OF THING.
YOU KNOW WHAT?
523
00:24:36,142 --> 00:24:37,143
THAT SOUNDS GREAT.
I'LL TELL YOU WHAT.
524
00:24:37,143 --> 00:24:38,185
WHY DON'T YOU GUYS
GET THE CAR,
525
00:24:38,185 --> 00:24:39,770
AND I'LL MEET YOU
AT THE CORNER.
526
00:24:39,770 --> 00:24:40,813
YOU'RE GONNA LET ME
DRIVE THE SAAB?
527
00:24:40,813 --> 00:24:42,315
(CHUCKLES)
528
00:24:42,315 --> 00:24:43,732
OF COURSE, JENNIFER.
WHY WOULDN'T I?
529
00:24:43,732 --> 00:24:45,234
UH, SO WHY DON'T
YOU TWO SKEDADDLE,
530
00:24:45,234 --> 00:24:46,235
AND I'LL SEE YOU
IN A SECOND?
531
00:24:46,235 --> 00:24:48,528
OK.
532
00:24:48,528 --> 00:24:49,989
(GIGGLE)
533
00:24:49,989 --> 00:24:52,116
(BOTH MEN CHUCKLE)
534
00:24:52,116 --> 00:24:53,742
WELL, THERE YOU GO.
AT LEAST I KNOW WHO'S
NOT IN MY CLASS. RIGHT?
535
00:24:53,742 --> 00:24:55,077
YEAH.
536
00:24:56,454 --> 00:24:58,289
DID YOU FORGET SOMETHING
INSIDE, JACK?
537
00:24:58,289 --> 00:25:02,418
OH. NO. UH, NO.
LOOK, I DON'T EXPECT YOU
TO KNOW WHO I AM.
538
00:25:02,418 --> 00:25:05,212
I JUST WANTED TO TELL
YOU THAT, UH, I REALLY
ENJOY YOUR CLASS.
539
00:25:05,212 --> 00:25:07,589
OH, W--
AND I HAVEN'T REALLY
CARED ABOUT SCHOOL
IN A WHILE.
540
00:25:07,589 --> 00:25:09,383
IN FACT, I HAVEN'T
REALLY CARED ABOUT
ANYTHING IN A WHILE.
541
00:25:09,383 --> 00:25:12,094
BUT, YOU KNOW, SEEING
THE WORK THAT YOU PUT
INTO YOUR LECTURES
542
00:25:12,094 --> 00:25:13,887
AND SEEING A TEACHER
THAT'S INVESTED
IN BEING INTERESTING
543
00:25:13,887 --> 00:25:16,474
AND DYNAMIC IN CLASS
AND NOT JUST TRYIN'
TO BLOW
544
00:25:16,474 --> 00:25:19,517
THROUGH ANOTHER 50 MINUTES,
IT JUST, YOU KNOW, REALLY...
MEANS A LOT TO ME.
545
00:25:19,517 --> 00:25:22,021
I DIDN'T EVEN REALLY KNOW
WHAT I WAS GONNA DECLARE
AS A MAJOR,
546
00:25:22,021 --> 00:25:24,606
BUT NOW IT'S, I DON'T KNOW
IF IT'S THE WAY
THAT YOU WORD THINGS
547
00:25:24,606 --> 00:25:26,817
OR IT'S
THE SUBJECT MATTER,
BUT...
548
00:25:26,817 --> 00:25:29,987
I WALK AWAY FROM CLASS
STILL THINKING' ABOUT IT,
AND--AND, YOU KNOW,
549
00:25:29,987 --> 00:25:32,031
I JUST LOOK FORWARD
TO THE NEXT TIME,
AND, UH...
550
00:25:32,031 --> 00:25:34,783
I WAS JUST WONDERIN'
HOW I COULD BECOME
MORE...
551
00:25:34,783 --> 00:25:35,868
INVOLVED.
552
00:25:35,868 --> 00:25:36,618
YOU KNOW.
553
00:25:38,745 --> 00:25:40,998
(CHUCKLES UNCOMFORTABLY)
ARE WE TALKIN'
ABOUT THE CLASS, JACK,
554
00:25:40,998 --> 00:25:42,500
OR ARE WE TALKIN'
ABOUT ME?
555
00:25:42,500 --> 00:25:45,503
W-WHA--NO. NO.
556
00:25:45,503 --> 00:25:48,964
OH. UM...NO, THAT'S
NOT WHAT I MEANT.
557
00:25:48,964 --> 00:25:50,966
IT'S JUST, YOU KNOW--
I--I MEAN, I'M NOT--
WELL, I AM, BUT--
558
00:25:50,966 --> 00:25:52,718
DON'T SWEAT IT.
UM...
559
00:25:52,718 --> 00:25:54,512
LOOK, I'M GLAD
YOU LIKE THE CLASS.
560
00:25:54,512 --> 00:25:57,056
AND, UH...AND I THINK
IT'LL SHOW IN YOUR WORK
THIS SEMESTER.
561
00:25:59,058 --> 00:26:00,809
I-I'M WALKIN'
THIS WAY.
ARE YOU?
562
00:26:01,727 --> 00:26:03,354
YEAH. YEAH.
563
00:26:05,439 --> 00:26:07,066
Pacey: BUT, MR. FRICKEE,
I'M TELLING YOU,
564
00:26:07,066 --> 00:26:08,025
IT'S A ONE-TIME--
565
00:26:08,025 --> 00:26:09,693
HELLO?
566
00:26:09,693 --> 00:26:11,195
CHEAP BASTARD.
567
00:26:11,195 --> 00:26:12,570
ANY LUCK?
568
00:26:12,570 --> 00:26:14,532
UH, NO,
NOT ON THAT ONE.
569
00:26:14,532 --> 00:26:16,992
YEAH, KNEW YOU WERE
A ONE-HIT WONDER.
570
00:26:16,992 --> 00:26:18,494
YOU WISH, MAN.
571
00:26:18,494 --> 00:26:20,578
HERE, SPORT. BUY
YOURSELF SOME LUNCH.
572
00:26:21,872 --> 00:26:23,290
ARE YOU KIDDING?
573
00:26:23,290 --> 00:26:25,583
NO, YOU GOTTA WORK
YOUR WAY UP HERE.
COME ON, DO IT FAST.
574
00:26:25,583 --> 00:26:26,919
NO ONE ELSE IS
GETTING LUNCH TODAY.
575
00:26:26,919 --> 00:26:28,212
THEY'LL THINK
I'VE GONE SOFT.
576
00:26:28,212 --> 00:26:29,587
5 MINUTES.
577
00:26:37,012 --> 00:26:38,472
Man: DID ANYONE HEAR IT?
578
00:26:38,472 --> 00:26:40,015
NO, MAN, BUT JOHNSON
SAID IT WAS KILLER.
579
00:26:40,015 --> 00:26:41,267
YEAH?
YEAH.
580
00:26:41,267 --> 00:26:42,518
SAID IT WAS LIKE
HE SMELLED THE BLOOD
581
00:26:42,518 --> 00:26:44,602
AND DIDN'T STOP
UNTIL HE TASTED IT.
582
00:26:44,602 --> 00:26:46,105
(ALL LAUGH)
583
00:26:46,105 --> 00:26:48,648
HE IS SO FRICKIN'
AWESOME.
MMM.
584
00:26:48,648 --> 00:26:49,691
WHAT'S GOING ON?
585
00:26:49,691 --> 00:26:50,817
OH, YOU DIDN'T HEAR?
586
00:26:50,817 --> 00:26:52,027
THAT'S WHY I'M ASKING.
587
00:26:52,027 --> 00:26:53,362
RINALDI, MAN.
588
00:26:53,362 --> 00:26:54,488
HE CLOSED TOPPER.
589
00:26:54,488 --> 00:26:55,864
(ALL LAUGH)
590
00:26:55,864 --> 00:26:57,074
WHAT?
591
00:26:57,074 --> 00:26:58,075
THEY SAID IT
COULDN'T BE DONE.
592
00:26:58,075 --> 00:27:00,618
THE GUY IS, LIKE,
MY PERSONAL GOD.
593
00:27:00,618 --> 00:27:02,788
(ALL LAUGH)
HEY, EASE UP,
HENDERSON.
594
00:27:02,788 --> 00:27:05,082
YOU'RE LOOKIN'
A LITTLE LIGHT
IN THE LOAFERS.
595
00:27:05,082 --> 00:27:06,292
HEY, YOU THINK
HE'LL GET A PARTNER
FOR THAT?
596
00:27:06,292 --> 00:27:07,625
OH, HE'LL
GET SOMETHING.
597
00:27:08,794 --> 00:27:10,463
YOU GONNA PICK
SOMETHING OR NOT?
598
00:27:11,130 --> 00:27:13,048
UH, NO, MAN. UH...
599
00:27:13,048 --> 00:27:14,174
LOOK, IN FACT,
600
00:27:14,174 --> 00:27:15,675
THIS ONE'S ON ME.
601
00:27:15,675 --> 00:27:17,052
ENJOY YOURSELF,
ALL RIGHT?
602
00:27:24,017 --> 00:27:25,852
HEY. YOU START TODAY?
603
00:27:25,852 --> 00:27:26,644
SO IT WOULD APPEAR.
604
00:27:28,397 --> 00:27:30,441
UH, I NEED 2 BEERS
AND A VODKA TONIC.
605
00:27:30,441 --> 00:27:32,401
UM, EMMA'S IN THE BACK.
606
00:27:32,401 --> 00:27:35,321
OH, YEAH, RIGHT, YOU CAN'T
POUR YOUR OWN DRINKS.
607
00:27:35,321 --> 00:27:36,696
WELL, THIS SHOULD BE FUN,
608
00:27:36,696 --> 00:27:38,532
BABY-SITTING YOU ON TOP
OF EVERYTHING ELSE.
609
00:27:38,532 --> 00:27:39,866
AND WHAT'S THAT
SUPPOSED TO MEAN?
610
00:27:39,866 --> 00:27:41,535
OH, DON'T GET
ALL FIRED UP, OK?
611
00:27:41,535 --> 00:27:42,911
YOU KNOW, I'M JUST
NOT IN THE MOOD
612
00:27:42,911 --> 00:27:44,871
TO TAKE ON YOUR RAGE
AT THE WORLD TONIGHT.
613
00:27:44,871 --> 00:27:47,374
I'M SURE YOU'LL BE JUST
AS OVERSENSITIVE TOMORROW.
614
00:27:47,374 --> 00:27:50,002
OH, I GET IT. YOU WANNA
SEE ME CRACK, HUH?
615
00:27:50,002 --> 00:27:51,837
THE ENDLESS HORRORS
OF THE DAY ARE A WASTE
616
00:27:51,837 --> 00:27:53,671
UNLESS THEY RESULT
IN MY NERVOUS BREAKDOWN?
617
00:27:53,671 --> 00:27:55,299
OH, WHAT, DID YOU HAVE
A BAD DAY OR SOMETHING?
618
00:27:55,299 --> 00:27:56,716
OH, LIKE YOU DON'T KNOW.
619
00:27:56,716 --> 00:27:58,218
TOO BAD YOU DIDN'T
SHOW UP FOR CLASS TODAY
620
00:27:58,218 --> 00:28:00,804
AND HEAR HETSON'S
BRILLIANT CRITIQUE
OF MY E-MAIL.
621
00:28:00,804 --> 00:28:02,640
THAT WAS THE HIGH POINT,
I THINK,
622
00:28:02,640 --> 00:28:05,434
ALTHOUGH I ALSO LOVED
WALKING INTO ROOMS
623
00:28:05,434 --> 00:28:07,478
TO HEAR PEOPLE WHISPERING
AND LAUGHING AT ME,
624
00:28:07,478 --> 00:28:08,604
AND THEN THERE'S
NOTHING BETTER
625
00:28:08,604 --> 00:28:10,022
THAN REACHING
FOR THE LAST JELL-O
626
00:28:10,022 --> 00:28:12,274
AND GETTING
UNSOLICITED SEXUAL ADVICE
FROM A STRANGER.
627
00:28:12,274 --> 00:28:13,817
SOUNDS FASCINATING.
628
00:28:13,817 --> 00:28:14,860
SORRY I MISSED IT.
629
00:28:14,860 --> 00:28:16,694
YOU KNOW, CONTRARY
TO POPULAR BELIEF,
630
00:28:16,694 --> 00:28:17,863
I DIDN'T SEND THAT E-MAIL
631
00:28:17,863 --> 00:28:19,823
TO GET FEEDBACK FROM YOU
AND EVERYONE ELSE,
632
00:28:19,823 --> 00:28:21,699
AND I WAS KIND OF THINKING
THAT SINCE I'VE BEEN MOCKED
633
00:28:21,699 --> 00:28:23,035
FOR THE BETTER PART
OF THE DAY,
634
00:28:23,035 --> 00:28:24,702
MAYBE YOU COULD SPARE ME
AND CONCENTRATE
635
00:28:24,702 --> 00:28:27,747
ON YOUR OWN DEEP UNHAPPINESS
FOR A WHILE.
636
00:28:27,747 --> 00:28:30,125
YOU KNOW, STRANGELY,
BEFORE YOU GOT ALL...
637
00:28:30,125 --> 00:28:31,418
CRAZY CONFESSIONAL
ON ME,
638
00:28:31,418 --> 00:28:33,629
THAT'S EXACTLY
WHAT I WAS DOING.
639
00:28:33,629 --> 00:28:35,755
I HADN'T BEEN PLANNING
HOW TO BEST TORTURE YOU.
640
00:28:35,755 --> 00:28:38,592
YOU SEE, WE DON'T JUST
WALK OFF INTO A VOID
641
00:28:38,592 --> 00:28:39,843
WHEN WE LEAVE
YOUR LINE OF VISION.
642
00:28:39,843 --> 00:28:42,054
SOME OF US EVEN HAVE
OUR OWN LIVES
643
00:28:42,054 --> 00:28:44,806
AND DON'T EVEN TALK
ABOUT YOU AT ALL.
644
00:28:44,806 --> 00:28:48,686
NOW, I'M SORRY
THAT SOME BRUTAL
IVY LEAGUE KIDS
645
00:28:48,686 --> 00:28:50,312
MADE FUN
OF YOUR E-MAIL TODAY.
646
00:28:50,312 --> 00:28:51,730
TO TELL YOU THE TRUTH,
647
00:28:51,730 --> 00:28:53,106
I'M NOT MUCH OF
AN INTERNET KIND OF GUY,
648
00:28:53,106 --> 00:28:54,567
SO, SADLY,
649
00:28:54,567 --> 00:28:56,109
I HAVE MISSED
YET ANOTHER ASPECT
650
00:28:56,109 --> 00:28:57,944
OF YOUR RIVETING,
CHARMED LIFE.
651
00:28:57,944 --> 00:29:01,490
BUT IF YOU CAN'T
POUR THE DRINKS,
652
00:29:01,490 --> 00:29:04,159
CAN YOU AT LEAST
SERVE THEM?
653
00:29:04,159 --> 00:29:06,286
THANKS.
654
00:29:14,503 --> 00:29:16,296
AHH...
655
00:29:18,756 --> 00:29:20,259
WITTER.
656
00:29:20,259 --> 00:29:21,301
THOUGHT YOU'D GONE HOME.
657
00:29:21,301 --> 00:29:22,678
YEAH, I FIGURED
YOU WERE WAITING
658
00:29:22,678 --> 00:29:25,055
SO YOU COULD SNEAK OUT
THE BACK DOOR.
659
00:29:25,055 --> 00:29:26,473
BUT I JUST HAD A QUESTION
I HAD TO ASK YOU,
660
00:29:26,473 --> 00:29:28,475
AND--AND, PLEASE,
661
00:29:28,475 --> 00:29:30,436
DO ME A FAVOR AND JUST
SPARE ME THE DIME STORE SPEECH
662
00:29:30,436 --> 00:29:32,563
ON WHAT A SUCKER I AM
UNTIL I'VE LEFT, OKAY?
663
00:29:32,563 --> 00:29:33,813
I CAN'T PROMISE YOU
ANYTHING.
664
00:29:33,813 --> 00:29:35,232
YEAH, I'M GETTIN' THAT.
665
00:29:35,232 --> 00:29:37,484
I JUST--I WANTED TO ASK YOU
666
00:29:37,484 --> 00:29:39,445
WHY YOU BOTHER WITH THE ACT,
667
00:29:39,445 --> 00:29:40,946
WITH THE WHOLE, YOU KNOW--
THE "TOUGH LOVE,
668
00:29:40,946 --> 00:29:42,822
LET ME SHOW YOU
THE ROPES" ACT?
669
00:29:42,822 --> 00:29:45,618
'CAUSE YOU DON'T ACTUALLY
WANT ME TO SUCCEED, DO YOU?
670
00:29:45,618 --> 00:29:47,453
IN FACT, YOU'RE PRAYING
FOR ME TO FAIL.
671
00:29:47,453 --> 00:29:49,829
THAT WAY YOU HAVE
ONE LESS SHEEP
IN THE HERD, RIGHT?
672
00:29:49,829 --> 00:29:51,831
AND IF I DO SUCCEED,
THEN YOU'RE GONNA
BE MY FRIEND?
673
00:29:51,831 --> 00:29:54,042
NO, THEN YOU'RE GONNA
KEEP ON TAKING MY MONEY
674
00:29:54,042 --> 00:29:55,502
THAT I EARNED
675
00:29:55,502 --> 00:29:57,129
AND COUNTING IT AS YOUR OWN.
676
00:29:57,129 --> 00:29:59,298
DO YOU NEED ME HERE
FOR THIS, OR...
677
00:29:59,298 --> 00:30:01,550
WELL, I JUST WANNA KNOW
WHY YOU BOTHER!
678
00:30:01,550 --> 00:30:03,135
WHY WOULD YOU
TAKE THE TIME
679
00:30:03,135 --> 00:30:05,345
OUT OF A BUSY DAY
TO BUILD SOMEONE UP
680
00:30:05,345 --> 00:30:06,972
AND MAKE THEM FEEL LIKE
THEY WERE WORTH SOMETHING
681
00:30:06,972 --> 00:30:09,391
IF YOU'RE JUST GONNA
STEAL ALL THEIR GLORY
AT THE END ANYWAY?
682
00:30:09,391 --> 00:30:11,184
THIS IS A BUSINESS.
683
00:30:11,184 --> 00:30:13,103
I DIDN'T WAKE UP
THIS MORNING LOOKING
FOR SOME PLUCKY KID
684
00:30:13,103 --> 00:30:14,480
TO TAKE UNDER MY WING.
685
00:30:14,480 --> 00:30:17,357
I CAME HERE TO DO MY JOB,
JUST LIKE EVERY DAY.
686
00:30:17,357 --> 00:30:18,900
RUNNING YOU HARD?
YEAH, THAT'S MY JOB.
687
00:30:18,900 --> 00:30:20,653
SINGING YOUR PRAISES ISN'T.
688
00:30:20,653 --> 00:30:22,028
LANDING TOPPER,
THAT WAS A FLUKE.
689
00:30:22,028 --> 00:30:24,239
A GENIUS FLUKE,
BUT A FLUKE NONETHELESS.
690
00:30:24,239 --> 00:30:26,742
WE DON'T HAND THOSE DEALS
OVER TO THE LITTLE GUYS.
691
00:30:26,742 --> 00:30:28,285
YOU HAVEN'T EVEN
TAKEN YOUR SERIES 7.
692
00:30:28,285 --> 00:30:30,036
THAT BODES WELL
FOR THE FUTURE,
693
00:30:30,036 --> 00:30:31,830
BUT TODAY? IT MEANS NOTHING.
694
00:30:31,830 --> 00:30:33,624
SO, WHAT,
I'M JUST SUPPOSED
695
00:30:33,624 --> 00:30:35,083
TO TURN THE OTHER WAY
ON THIS?
696
00:30:35,083 --> 00:30:36,627
I'M SUPPOSED TO SLAP
YOU ON THE BACK,
697
00:30:36,627 --> 00:30:37,711
CONGRATULATE YOU
ON A JOB WELL DONE
698
00:30:37,711 --> 00:30:38,920
LIKE THE REST
OF YOUR MINIONS?
699
00:30:38,920 --> 00:30:42,424
NO, MAN! THAT IS NOT
WHY I CAME HERE.
700
00:30:42,424 --> 00:30:44,259
YOU CAN DO
WHAT YOU WANNA DO.
701
00:30:44,259 --> 00:30:46,386
MAYBE YOU'D RATHER
CONTINUE FLOATING NUMBLY
702
00:30:46,386 --> 00:30:47,887
IN THE STATUS QUO.
703
00:30:47,887 --> 00:30:49,431
MAYBE YOU WANNA BE ME,
704
00:30:49,431 --> 00:30:51,975
AND THAT'S SO SCARY
YOU CAN'T THINK STRAIGHT.
705
00:30:51,975 --> 00:30:53,435
SO WALK AWAY, WITTER.
706
00:30:53,435 --> 00:30:54,894
IT'S WHAT YOU DO.
707
00:30:54,894 --> 00:30:56,563
AND THIS IS WHAT I DO,
708
00:30:56,563 --> 00:30:58,190
AND I'M FREAKIN' GOOD AT IT.
709
00:30:58,190 --> 00:30:59,399
YOU WISH YOU WERE THIS GOOD,
710
00:30:59,399 --> 00:31:00,567
AND THAT'S WHY
YOU BOTHER TRYING.
711
00:31:04,237 --> 00:31:06,532
YOU THINK SOMEONE DIDN'T DO
THE EXACT SAME THING TO ME?
712
00:31:09,242 --> 00:31:11,662
(LAUGHS)
713
00:31:20,379 --> 00:31:22,464
Jack: DONE LIKE
A TRUE PROFESSIONAL.
714
00:31:22,464 --> 00:31:24,049
MORE LIKE
A PERMANENT BAR WENCH.
715
00:31:24,049 --> 00:31:25,884
SORRY IT WAS
SUCH A BAD DAY, JO.
716
00:31:25,884 --> 00:31:27,344
SERVES ME RIGHT.
WE DON'T TAKE KINDLY
717
00:31:27,344 --> 00:31:28,679
TO CLOSURE
IN THESE PARTS.
718
00:31:28,679 --> 00:31:30,597
YOU KNOW,
IF IT MAKES YOU
FEEL ANY BETTER,
719
00:31:30,597 --> 00:31:32,808
I HARDLY HEARD
ABOUT THE E-MAIL
ALL DAY LONG.
720
00:31:32,808 --> 00:31:34,309
AUDREY, YOU WEREN'T
ON CAMPUS ALL DAY.
721
00:31:34,309 --> 00:31:35,977
DETAILS, JOEY!
722
00:31:35,977 --> 00:31:37,479
DOES DAWSON
EVEN KNOW ABOUT IT?
723
00:31:37,479 --> 00:31:38,897
NO, THAT'S THE THING.
724
00:31:38,897 --> 00:31:40,940
I MEAN, IT WASN'T
EVEN ADDRESSED TO HIM.
725
00:31:40,940 --> 00:31:43,610
MY INTIMATE AFTERMATH WAS
DISCUSSED IN ENGLISH CLASS,
726
00:31:43,610 --> 00:31:45,904
BUT DAWSON
WILL NEVER KNOW.
727
00:31:45,904 --> 00:31:47,906
WELL, MAYBE THAT'S
NOT SUCH A BAD THING,
728
00:31:47,906 --> 00:31:49,658
BECAUSE THIS WAY
729
00:31:49,658 --> 00:31:51,493
THERE'S A LITTLE MORE SPACE
BETWEEN YOU GUYS,
730
00:31:51,493 --> 00:31:52,910
AND, UH, TECHNICALLY,
731
00:31:52,910 --> 00:31:54,079
YOU STILL HAVE
A CLEAN SLATE.
732
00:31:54,079 --> 00:31:55,163
Jack: YEAH,
SERIOUSLY, I MEAN,
733
00:31:55,163 --> 00:31:57,249
PERSONAL HUMILIATION
COULD'VE BEEN
A LOT WORSE
734
00:31:57,249 --> 00:31:59,000
THAN THE PUBLIC KIND.
YEAH.
735
00:31:59,000 --> 00:32:00,586
WHAT DREAM WORLD
ARE YOU TWO
LIVING IN?
736
00:32:01,670 --> 00:32:02,962
Audrey: OH...
737
00:32:02,962 --> 00:32:04,381
RIGHT. SORRY.
738
00:32:04,381 --> 00:32:05,799
OK, SO, I HAVE AN IDEA,
739
00:32:05,799 --> 00:32:07,676
I'LL BE,
LIKE, YOUR SPONSOR,
740
00:32:07,676 --> 00:32:09,803
AND THEN THE NEXT TIME
YOU'RE JONESING
741
00:32:09,803 --> 00:32:11,137
TO EXPRESS YOURSELF,
YOU CAN JUST CALL ME.
742
00:32:12,389 --> 00:32:14,224
HEY.
743
00:32:14,224 --> 00:32:15,141
Audrey: PACEY!
744
00:32:15,141 --> 00:32:16,268
OHH!
745
00:32:16,268 --> 00:32:18,103
OH, DEAR, LORD.
AAH!
746
00:32:18,103 --> 00:32:19,354
TODAY WAS TERRIBLE!
747
00:32:19,354 --> 00:32:20,522
DON'T EVER
GO BACK TO WORK,
748
00:32:20,522 --> 00:32:21,398
NEVER, NEVER,
NEVER, NEVER, NEVER!
749
00:32:21,398 --> 00:32:22,608
DON'T TEMPT ME.
750
00:32:22,608 --> 00:32:24,401
OHH, YOU KNOW
I WILL!
751
00:32:24,401 --> 00:32:25,861
HEY, GUYS.
752
00:32:25,861 --> 00:32:28,113
HELLO, MR. WITTER. WE'RE
NOT DRINKING, WE SWEAR.
753
00:32:28,113 --> 00:32:29,114
ROUGH DAY.
754
00:32:29,114 --> 00:32:30,824
OH, YOU DON'T KNOW
THE HALF OF IT.
755
00:32:30,824 --> 00:32:32,200
CAN YOU SAVE A SEAT
FOR ME? I'M GONNA
GO FRESHEN UP.
756
00:32:32,200 --> 00:32:33,702
YEAH.
757
00:32:36,455 --> 00:32:37,831
IS HE OK?
758
00:32:37,831 --> 00:32:38,707
I DON'T KNOW,
BUT IT'S NOT
MY FAULT,
759
00:32:38,707 --> 00:32:39,708
I SWEAR.
760
00:32:39,708 --> 00:32:40,958
JOEY,
761
00:32:40,958 --> 00:32:42,252
WHO IS THAT?
762
00:32:45,589 --> 00:32:46,757
EDDIE.
763
00:32:46,757 --> 00:32:48,842
HE IS A RUGGEDLY
DREAMY SORT.
764
00:32:48,842 --> 00:32:50,594
HE'S GOT A MAJOR CHIP
ON HIS SHOULDER,
765
00:32:50,594 --> 00:32:52,220
THE SIZE OF WHICH RIVALS
766
00:32:52,220 --> 00:32:54,180
ONLY THE ONE
ON MY SHOULDER.
767
00:32:54,180 --> 00:32:55,265
HE'S OK.
768
00:32:55,265 --> 00:32:56,391
IS EMMA STILL HERE?
769
00:32:56,391 --> 00:32:58,059
UH, NO, SHE LEFT
ABOUT AN HOUR AGO.
770
00:32:58,059 --> 00:32:59,561
I THINK
SHE WAS HEADING HOME.
771
00:32:59,561 --> 00:33:00,896
HOW IS IT LIVING
WITH HER?
772
00:33:00,896 --> 00:33:02,272
DOES SHE RUN AROUND
IN HER UNDERWEAR
773
00:33:02,272 --> 00:33:04,065
AND ASK YOU GUYS
TO ZIP THINGS UP
FOR HER?
774
00:33:04,065 --> 00:33:05,734
THAT'S FUNNY.
775
00:33:05,734 --> 00:33:08,236
ACTUALLY, THE THREE OF US
TOOK A BATH TOGETHER
THIS MORNING.
776
00:33:08,236 --> 00:33:10,238
AND I THOUGHT YOU ONLY
TOOK BATHS WITH GRAMS.
777
00:33:10,238 --> 00:33:12,950
HEY, CAN WE GO GET
A BREATH OF FRESH AIR
FOR A SEC?
778
00:33:12,950 --> 00:33:13,992
OF COURSE, HONEY.
779
00:33:19,957 --> 00:33:21,917
Audrey: PACEY,
THAT IS BULL!
780
00:33:21,917 --> 00:33:23,418
YOU CAN'T LET THIS GUY
GET AWAY WITH IT.
781
00:33:23,418 --> 00:33:24,795
HE'S JUST GONNA
KEEP DOING IT!
782
00:33:24,795 --> 00:33:25,879
I HAVE NO DOUBT
THAT HE WILL,
783
00:33:25,879 --> 00:33:26,839
BUT I DON'T THINK
TATTLING ON HIM
784
00:33:26,839 --> 00:33:28,047
IS GONNA DO ANY GOOD.
785
00:33:28,047 --> 00:33:29,341
THIS IS THE WAY
THAT THEY DO BUSINESS.
786
00:33:29,341 --> 00:33:30,383
I DIDN'T KNOW THAT
GETTING IN,
787
00:33:30,383 --> 00:33:31,510
BUT I KNOW IT NOW.
788
00:33:31,510 --> 00:33:32,803
THE ONLY QUESTION
THAT REMAINS IS
789
00:33:32,803 --> 00:33:33,929
HOW DO I GET
THROUGH THE DAYS?
790
00:33:35,263 --> 00:33:36,264
WELL,
THAT DOESN'T SOUND
791
00:33:36,264 --> 00:33:38,517
LIKE THE GREATEST
WAY TO LIVE.
792
00:33:38,517 --> 00:33:39,768
PACEY, YOU'RE
20 YEARS OLD
793
00:33:39,768 --> 00:33:43,021
AND YOU'RE
ALREADY WAITING
FOR TIME TO PASS.
794
00:33:43,021 --> 00:33:45,273
HONEY,
WHY DON'T YOU QUIT?
795
00:33:45,273 --> 00:33:47,400
OHH, BECAUSE
IT'S NOT THAT EASY.
796
00:33:47,400 --> 00:33:48,986
YES, IT IS!
797
00:33:48,986 --> 00:33:50,529
PACEY, THESE ARE
SUPPOSED TO BE,
798
00:33:50,529 --> 00:33:52,948
LIKE, THE EASIEST DAYS
OF OUR LIVES.
799
00:33:52,948 --> 00:33:54,407
I MEAN, WE'RE SUPPOSED
TO BE IN THERE
800
00:33:54,407 --> 00:33:56,033
WITH OUR FRIENDS,
YOU KNOW,
801
00:33:56,033 --> 00:33:57,995
COMING UP WITH
RIDICULOUS DRINKING GAMES
802
00:33:57,995 --> 00:34:00,497
AND MAKING
EACH OTHER LAUGH.
803
00:34:00,497 --> 00:34:02,123
I THINK WE'VE ALL
KIND OF FIGURED OUT
804
00:34:02,123 --> 00:34:04,001
THAT THE REAL WORLD IS
A PRETTY CRAPPY PLACE,
805
00:34:04,001 --> 00:34:05,669
SO WHAT'S THE RUSH
IN GETTING THERE?
806
00:34:05,669 --> 00:34:06,837
BECAUSE SOONER
OR LATER YOU RUN OUT
807
00:34:06,837 --> 00:34:08,005
OF PLACES TO HIDE.
808
00:34:08,005 --> 00:34:10,883
AUDREY, YOU SEEM
TO BE OPERATING
809
00:34:10,883 --> 00:34:12,009
UNDER THE ASSUMPTION
THAT YOU CAN DO
810
00:34:12,009 --> 00:34:14,344
WHATEVER YOU LIKE,
AND YOU JUST CAN'T!
811
00:34:14,344 --> 00:34:16,221
I MADE THE GRAVE MISTAKE
OF PEEKING BEHIND THE CURTAIN,
812
00:34:16,221 --> 00:34:17,806
AND NOW I CAN'T PRETEND
THAT I THINK THE FANTASY
813
00:34:17,806 --> 00:34:19,098
IS THE SAME AS THE REALITY.
814
00:34:19,098 --> 00:34:20,475
PLUS, I'VE BEEN KILLING
TIME FOR TOO LONG.
815
00:34:20,475 --> 00:34:22,185
I WANNA MAKE
SOMETHING FOR MYSELF,
816
00:34:22,185 --> 00:34:23,186
WHETHER IT'S EASY OR NOT.
817
00:34:23,186 --> 00:34:24,730
WELL, I'M SORRY
THAT YOU FEEL
818
00:34:24,730 --> 00:34:27,315
LIKE I'VE BEEN
A COLOSSAL WASTE
OF YOUR TIME.
819
00:34:29,275 --> 00:34:30,360
THAT'S NOT WHAT I MEAN,
820
00:34:30,360 --> 00:34:31,695
AND YOU KNOW IT.
821
00:34:31,695 --> 00:34:33,906
YOU AND I COME FROM
VERY DIFFERENT WORLDS,
822
00:34:33,906 --> 00:34:35,532
YOU KNOW THAT, RIGHT?
823
00:34:35,532 --> 00:34:37,200
I MEAN, I DON'T EVEN THINK
I REALIZED HOW DIFFERENT
824
00:34:37,200 --> 00:34:38,744
UNTIL I WENT OUT TO L.A.
WITH YOU THIS SUMMER.
825
00:34:38,744 --> 00:34:40,620
MY DAD IS
A HEARTLESS OLD FOOL
826
00:34:40,620 --> 00:34:41,872
JUST LIKE YOUR DAD.
827
00:34:41,872 --> 00:34:43,498
HE JUST WEARS
MORE EXPENSIVE SUITS,
THAT'S ALL.
828
00:34:43,498 --> 00:34:45,083
YES, HE DOES.
829
00:34:45,083 --> 00:34:46,167
I'M NOT EXPRESSING THIS
VERY WELL, AM I?
830
00:34:48,879 --> 00:34:51,840
I'M TRYING TO SAY THAT...
831
00:34:53,592 --> 00:34:54,593
I NEED RESPECT.
832
00:34:55,802 --> 00:34:57,804
I RESPECT YOU!
833
00:34:57,804 --> 00:34:59,598
I KNOW YOU RESPECT ME,
AND I LOVE YOU FOR IT,
834
00:34:59,598 --> 00:35:01,182
BUT THAT'S NOT
WHAT I'M TALKIN' ABOUT.
835
00:35:01,182 --> 00:35:03,643
I NEED RESPECT OUT THERE.
836
00:35:03,643 --> 00:35:05,228
AND MAYBE I GOTTA
TAKE A DIFFERENT PATH
837
00:35:05,228 --> 00:35:07,480
THAN I THOUGHT
I WAS GOING TO,
838
00:35:07,480 --> 00:35:09,148
BUT C'EST LA VIE.
839
00:35:10,567 --> 00:35:12,778
THE ONLY THING I KNOW
FOR SURE RIGHT NOW...
840
00:35:12,778 --> 00:35:14,112
IS I NEED SLEEP!
841
00:35:14,112 --> 00:35:16,322
MMM.
MM-HMM.
842
00:35:16,322 --> 00:35:18,700
SO IF YOU AND I
GO HOME RIGHT NOW,
843
00:35:18,700 --> 00:35:19,868
WE WILL SLEEP, RIGHT?
844
00:35:19,868 --> 00:35:22,245
WE CAN DO
WHATEVER YOU WANT.
845
00:35:23,956 --> 00:35:25,206
IS IT ALWAYS
GONNA BE LIKE THIS?
846
00:35:26,750 --> 00:35:28,001
I DON'T KNOW.
847
00:35:28,001 --> 00:35:29,127
I CAN'T TELL.
848
00:35:37,427 --> 00:35:38,553
COME ON.
849
00:35:40,680 --> 00:35:42,557
NOW, WE'RE NOT TALKIN'
IMMEDIATE SLEEP HERE,
850
00:35:42,557 --> 00:35:44,768
ARE WE, BABY?
NO.
851
00:35:44,768 --> 00:35:45,936
GOOD!
852
00:35:47,104 --> 00:35:49,147
(BOTH LAUGH)
853
00:35:50,482 --> 00:35:51,483
UHH!
854
00:35:51,483 --> 00:35:52,985
JO.
855
00:35:52,985 --> 00:35:53,986
THANKS.
WE'RE OUTTA HERE.
856
00:35:53,986 --> 00:35:55,695
GOOD NIGHT.
BYE, GUYS.
857
00:36:08,667 --> 00:36:10,043
THAT'S YOUR SHARE.
858
00:36:11,503 --> 00:36:12,796
THANKS.
859
00:36:14,297 --> 00:36:15,882
LOOK, EDDIE,
ABOUT EARLIER--
860
00:36:15,882 --> 00:36:16,842
HEY, DON'T SWEAT IT.
861
00:36:22,221 --> 00:36:23,682
HEY, I DIDN'T
MISS ANYTHING BIG
862
00:36:23,682 --> 00:36:25,266
IN CLASS TODAY, DID I?
863
00:36:25,266 --> 00:36:27,268
I MEAN,
ASIDE FROM THE, UH,
864
00:36:27,268 --> 00:36:29,354
AFOREMENTIONED
E-MAIL THING?
865
00:36:29,354 --> 00:36:33,650
WHICH LED
TO THE AFOREWITNESSED
FREAK-OUT?
866
00:36:33,650 --> 00:36:34,818
NO.
867
00:36:36,277 --> 00:36:39,238
(SONG PLAYS ON JUKEBOX)
868
00:36:47,998 --> 00:36:49,875
MAN, I--I HATE THIS SONG.
869
00:36:53,753 --> 00:36:55,463
YEAH, ME, TOO.
870
00:37:05,473 --> 00:37:07,559
(THUD)
871
00:37:07,559 --> 00:37:08,810
(CHUCKLES)
872
00:37:08,810 --> 00:37:10,103
(THUD)
873
00:37:10,103 --> 00:37:11,646
(SONG STOPS)
THANK YOU.
874
00:37:24,076 --> 00:37:25,869
UH, THANKS FOR
DOING THE DISHES.
875
00:37:25,869 --> 00:37:27,120
OH, I THINK THAT WAS PACEY.
876
00:37:27,120 --> 00:37:28,121
I HEARD HIM GET UP
877
00:37:28,121 --> 00:37:29,915
SOMEWHERE AROUND
THE CRACK OF DAWN.
878
00:37:29,915 --> 00:37:32,584
WELL, HE CLEANS
AND HE LEAVES
BEFORE I WAKE UP.
879
00:37:32,584 --> 00:37:34,586
THAT'S MORE THAN
I CAN SAY FOR
MY LAST BOYFRIEND.
880
00:37:34,586 --> 00:37:36,588
(CHUCKLES)
881
00:37:36,588 --> 00:37:39,007
MAN, DO I NOT WANNA
GO TO CLASSES TODAY.
882
00:37:39,007 --> 00:37:41,509
WHY? I MEAN, ASIDE
FROM TYPICAL SLOTH?
883
00:37:41,509 --> 00:37:42,761
YEAH.
884
00:37:42,761 --> 00:37:44,387
AH, IT'S--
IT'S MY PROFESSOR.
885
00:37:44,387 --> 00:37:46,347
HE JUST...
886
00:37:46,347 --> 00:37:47,515
(SIGHS) NEVER MIND.
887
00:37:47,515 --> 00:37:49,142
NO, WHAT?
888
00:37:49,142 --> 00:37:51,228
WELL...
889
00:37:51,228 --> 00:37:52,812
I DON'T KNOW. I MEAN, WE--
890
00:37:52,812 --> 00:37:57,150
WE HAD THIS REALLY WEIRD
MOMENT YESTERDAY
891
00:37:57,150 --> 00:37:59,694
WHERE IT SEEMED LIKE
I WAS INTO HIM.
892
00:37:59,694 --> 00:38:01,029
WELL, DID IT SEEM LIKE
YOU'RE INTO HIM
893
00:38:01,029 --> 00:38:03,364
OR DO YOU REALLY
FANCY HIM?
894
00:38:03,364 --> 00:38:04,866
YEAH, I REALLY
FANCY HIM, OK,
895
00:38:04,866 --> 00:38:06,325
BUT I DON'T WANT HIM
TO KNOW THAT.
896
00:38:06,325 --> 00:38:08,536
(LAUGHS) WELL, MAYBE
HE WAS FLATTERED.
897
00:38:08,536 --> 00:38:10,122
UH, OR MAYBE
HE WAS...
898
00:38:10,122 --> 00:38:11,123
MARRIED?
899
00:38:11,123 --> 00:38:12,832
WELL, HE SHOULD
BE FLATTERED.
900
00:38:12,832 --> 00:38:13,959
YEAH, YOU KNOW WHAT?
901
00:38:13,959 --> 00:38:15,293
GIVE ME--GIVE ME
SOME OF THAT STUFF.
902
00:38:17,003 --> 00:38:18,379
YEAH...
903
00:38:18,379 --> 00:38:19,464
OK...
904
00:38:22,801 --> 00:38:24,594
OHH! GOD!
(GIGGLING)
905
00:38:24,594 --> 00:38:26,554
THIS STUFF IS HORRIBLE!
(LAUGHING)
906
00:38:26,554 --> 00:38:27,847
YES, I KNOW!
HOW DO YOU DRINK THIS CRAP?
907
00:38:27,847 --> 00:38:28,932
WELL...
908
00:38:28,932 --> 00:38:30,016
COME ON...
YEAH, COME--
909
00:38:30,016 --> 00:38:31,643
AAH!
910
00:38:31,643 --> 00:38:33,270
(LAUGHING)
911
00:38:49,494 --> 00:38:50,662
GOOD MORNING.
912
00:38:51,746 --> 00:38:53,123
GOOD MORNING.
913
00:39:11,933 --> 00:39:13,185
OH, SORRY!
914
00:39:25,947 --> 00:39:27,490
OH, IT'S SO NICE
TO SEE YOU, POTTER.
915
00:39:27,490 --> 00:39:29,117
HOPE OUR PESKY CLASS
DIDN'T INTERFERE
916
00:39:29,117 --> 00:39:31,203
WITH YOUR ALL-IMPORTANT
E-MAIL SCHEDULE.
917
00:39:31,203 --> 00:39:33,579
WHIP OUT ANOTHER DIATRIBE
LAST NIGHT?
918
00:39:33,579 --> 00:39:35,540
(CLASS LAUGHS)
919
00:39:35,540 --> 00:39:36,875
ACTUALLY, I DID.
920
00:39:36,875 --> 00:39:38,043
I WAS HOPING
THIS WAS IT.
921
00:39:38,043 --> 00:39:40,003
DID YOU GUYS
NOT GET IT?
922
00:39:40,003 --> 00:39:42,130
OH, THIS IS ACTUALLY A COPY
923
00:39:42,130 --> 00:39:44,465
OF THE ARTICLE THAT I ASSIGNED
TO FOLLOW UP THE READING.
924
00:39:44,465 --> 00:39:47,135
I KNOW YOUR MINI-DRAMA
PROBABLY PREVENTED YOU
925
00:39:47,135 --> 00:39:50,096
FROM EVEN LOOKING
AT THE SYLLABUS.
926
00:39:51,890 --> 00:39:53,558
WELL, MOST
OF YESTERDAY CONSISTED
927
00:39:53,558 --> 00:39:55,727
OF EVISCERATING
MY PERSONAL LIFE,
928
00:39:55,727 --> 00:39:58,479
AND EVERY OTHER LESSON
IS A RANT COMPOSED
OF YOUR DATED THEORIES.
929
00:39:58,479 --> 00:40:00,815
I'M SORRY I'M LATE,
PROFESSOR HETSON,
930
00:40:00,815 --> 00:40:02,650
BUT THE FIRST HALF
OF CLASS IS USUALLY
931
00:40:02,650 --> 00:40:04,194
WHEN YOU REVEAL
HOW BITTER YOU ARE,
932
00:40:04,194 --> 00:40:05,403
HOW MORONIC WE ARE,
933
00:40:05,403 --> 00:40:07,364
AND HOW LITERATURE IS DEAD.
934
00:40:07,364 --> 00:40:09,199
WERE YOU THINKING
OF MOVING ON
935
00:40:09,199 --> 00:40:11,284
TO SOMETHING SLIGHTLY
MORE STIMULATING TODAY?
936
00:40:16,748 --> 00:40:18,333
WELL, I--
937
00:40:18,333 --> 00:40:19,834
I THINK WE'VE BEEN
SPENDING TOO MUCH TIME
TOGETHER, POTTER,
938
00:40:19,834 --> 00:40:20,877
IF THAT'S YOUR ATTITUDE.
939
00:40:20,877 --> 00:40:22,503
I MEAN, I WAS THINKING
OF TEACHING TODAY,
940
00:40:22,503 --> 00:40:24,172
BUT I DON'T KNOW
IF I'VE GOT A LOT TO OFFER,
941
00:40:24,172 --> 00:40:26,465
WHAT WITH THE TENURE
AND THE PUBLISHED ARTICLES
AND ALL.
942
00:40:26,465 --> 00:40:29,302
BUT IF YOU ALL INSIST
ON BEING STIMULATED,
943
00:40:29,302 --> 00:40:31,637
WHY DON'T WE DISCUSS
JAMES JOYCE'S DESCRIPTION
944
00:40:31,637 --> 00:40:33,181
OF THE GIRL ON THE BEACH.
945
00:40:33,181 --> 00:40:36,017
I MEAN, I'M TOO HACKNEYED
TO ILLUMINATE THE SUBJECT,
946
00:40:36,017 --> 00:40:38,144
BUT MAYBE YOU CAN
SHED SOME LIGHT.
947
00:40:39,771 --> 00:40:42,357
WILSON...
948
00:40:42,357 --> 00:40:43,691
WHAT DO YOU THINK?
949
00:41:33,658 --> 00:41:35,076
Man: LEERY!
950
00:41:35,076 --> 00:41:36,828
COME ON, BREAK'S OVER!