1
00:00:04,505 --> 00:00:06,924
THIS IS ALL WRONG!
2
00:00:06,924 --> 00:00:09,050
THE ONLY WAY IT COULD BE
ANY WRONGER
3
00:00:09,050 --> 00:00:11,846
IS IF I PAID THEM
TO GET IT THIS WRONG
AND THEY BOTCHED IT UP!
4
00:00:11,846 --> 00:00:13,430
THERE'S A DVD PLAYER
IN THE LIVING ROOM!
5
00:00:13,430 --> 00:00:15,182
FUNNY, THAT...
6
00:00:15,182 --> 00:00:17,601
GIVEN AS THIS MOVIE'S
SUPPOSED TO BE SET
IN THE SEVENTIES!
7
00:00:17,601 --> 00:00:19,561
I TOOK CARE OF IT,
ALSO GOT RID OF THE CDs
AND THE LAPTOP.
8
00:00:19,561 --> 00:00:21,229
BLOODY IDIOTS!
9
00:00:21,229 --> 00:00:23,607
LIGHT?
SORRY, NO.
10
00:00:23,607 --> 00:00:24,984
WHAT'D YOU SAY
TO ME?
11
00:00:24,984 --> 00:00:26,610
YOUR GRANDFATHER
DIED OF LUNG CANCER.
12
00:00:26,610 --> 00:00:28,236
IT TOOK YOU
6 MONTHS TO QUIT.
13
00:00:28,236 --> 00:00:30,029
YOU TOLD ME UNDER
NO CIRCUMSTANCES
WAS I TO LET YOU SMOKE
14
00:00:30,029 --> 00:00:31,365
NO MATTER HOW MUCH
YOU BEGGED OR BRIBED.
15
00:00:31,365 --> 00:00:33,116
I WAS JUST KIDDING, MATE.
SORRY, CAN'T DO IT.
16
00:00:33,116 --> 00:00:34,910
I'LL GIVE YOU $12,000.
UH-UH.
17
00:00:34,910 --> 00:00:37,454
WANKER.
18
00:00:37,454 --> 00:00:39,748
THIS IS WHAT I GET
FOR SIGNING ON TO
THIS HILLBILLY CIRCUS.
19
00:00:39,748 --> 00:00:41,583
COULD HAVE BEEN
DIRECTING A MUSIC VIDEO
IN PARIS RIGHT NOW
20
00:00:41,583 --> 00:00:44,003
FOR ONE OF THOSE
HOMOSEXUAL CROONER BANDS,
21
00:00:44,003 --> 00:00:46,254
YOU KNOW, INSTEP
OR BACKDOOR BOYS
OR WHATEVER.
22
00:00:46,254 --> 00:00:49,048
BUT NO--I HAVE TO
CHOOSE MY ART.
23
00:00:49,048 --> 00:00:51,552
SO I REALLY
WANT TO GET IN CLOSE
ON NATASHA'S NIPPLES,
24
00:00:51,552 --> 00:00:53,762
SO STICK THE A/C
ON THEM, MAKE SURE
THEY REALLY POP, OK?
25
00:00:53,762 --> 00:00:55,806
CLASSY.
RIGHT.
26
00:00:55,806 --> 00:00:57,766
OH, AND YOU MAY
OR MAY NOT KNOW,
27
00:00:57,766 --> 00:00:59,560
BUT THE LOVELY NATASHA
CAN BE A BIT OF A--
HANDFUL.
28
00:00:59,560 --> 00:01:01,061
I WAS GONNA SAY
PAIN IN THE ASS,
29
00:01:01,061 --> 00:01:03,188
BUT OK.
SO LET'S KEEP HER
HAPPY.
30
00:01:03,188 --> 00:01:04,147
RIGHT.
31
00:01:04,147 --> 00:01:05,691
BY ANY MEANS NECESSARY.
32
00:01:05,691 --> 00:01:07,401
IT'S GONNA BE
A BIG NIGHT.
33
00:01:07,401 --> 00:01:08,861
IT'S AN IMPORTANT
SCENE...
34
00:01:08,861 --> 00:01:10,487
SO EVERYTHING
HAS TO GO PERFECTLY.
35
00:01:10,487 --> 00:01:13,824
RELAX. IT'S THE FIRST DAY.
PACE YOURSELF, MAN.
IT'S GONNA BE FUN.
36
00:01:13,824 --> 00:01:16,201
YEAH. YOUR IDEA OF FUN
IS MY PERSONAL HELL.
37
00:01:16,201 --> 00:01:18,704
RIGHT. SEND NATASHA
TO MY TRAILER.
IT'S TIME FOR
38
00:01:18,704 --> 00:01:21,665
"THE CRAZY DIVA ACTRESS
TELLS THE DIRECTOR HER
THOUGHTS ON THE SCENE
39
00:01:21,665 --> 00:01:24,710
SO WE CAN PRETEND
HER OPINION ACTUALLY
MATTERS" TALK.
40
00:01:24,710 --> 00:01:27,546
NATASHA'S NOT HERE
YET.
41
00:01:30,716 --> 00:01:32,593
YOU'RE TELLING ME
SHOOTING STARTS IN ONE HOUR,
42
00:01:32,593 --> 00:01:33,886
AND OUR LEAD ACTRESS--
43
00:01:33,886 --> 00:01:36,055
AT THE AIRPORT
BEING PICKED UP
BY PHIL THE P.A.
44
00:01:36,055 --> 00:01:37,848
NO, SHE ISN'T.
YES, SHE IS.
45
00:01:37,848 --> 00:01:39,934
NO. I FIRED PHIL THE P.A.
THIS AFTERNOON.
46
00:01:39,934 --> 00:01:43,020
WHY WOULD YOU FIRE
PHIL THE P.A.?
47
00:01:43,020 --> 00:01:45,647
BECAUSE PHIL THE P.A.
GETS ALL HUFFY WHEN PEOPLE
THROW CELL PHONES AT HIS HEAD
48
00:01:45,647 --> 00:01:47,106
FOR BUYING THE WRONG
KIND OF BATTERIES.
49
00:01:47,106 --> 00:01:48,817
YOU THREW A CELL PHONE
AT HIS HEAD?
50
00:01:48,817 --> 00:01:51,110
THAT'S NOT THE POINT.
THE POINT IS...
51
00:01:51,110 --> 00:01:53,154
THAT OUR DECIDEDLY
DIFFICULT LEAD ACTRESS
52
00:01:53,154 --> 00:01:55,657
IS, AS WE SPEAK,
SITTING ON AN AIRPORT CURB
53
00:01:55,657 --> 00:01:56,951
WAITIN' FOR NO ONE!
54
00:01:56,951 --> 00:01:59,453
AND SHOOTING STARTS
IN 57 MINUTES!
55
00:01:59,453 --> 00:02:01,329
I'LL GET HER.
56
00:02:01,329 --> 00:02:02,790
GO!
57
00:02:02,790 --> 00:02:04,499
GO, GO, GO, GO, GO,
GO, GO!
58
00:03:09,188 --> 00:03:11,608
ISN'T THE PAPER ON THAT
DUE ON MONDAY?
59
00:03:11,608 --> 00:03:13,360
SHUT UP.
60
00:03:15,612 --> 00:03:17,906
OH, WOW. PAGE 109...
61
00:03:17,906 --> 00:03:20,199
YOU'D BETTER GET
CRACKING.
62
00:03:20,199 --> 00:03:21,618
OH, MY GOD.
WILL YOU PLEASE GO AWAY?
63
00:03:21,618 --> 00:03:24,245
SORRY.
64
00:03:24,245 --> 00:03:26,707
SO...WHAT DO YOU
THINK SO FAR?
65
00:03:26,707 --> 00:03:29,626
IF I TELL YOU,
WILL YOU LEAVE ME
ALONE?
66
00:03:29,626 --> 00:03:31,419
I THINK IT SUCKS.
67
00:03:31,419 --> 00:03:32,713
HUH.
68
00:03:32,713 --> 00:03:34,381
OH, WHAT, JUST BECAUSE
69
00:03:34,381 --> 00:03:37,384
EVERY QUASI-BOHEMIAN
HIPSTER WITH PRETENSIONS
OF LITERARY GREATNESS
70
00:03:37,384 --> 00:03:39,970
WORSHIPS AT THE ALTAR
OF KEROUAC, THAT MEANS
I SHOULD, TOO?
71
00:03:39,970 --> 00:03:41,763
NO.
72
00:03:41,763 --> 00:03:43,974
IT'S JUST BORING.
AND IT MEANDERS.
73
00:03:43,974 --> 00:03:47,186
AND THERE'S NO STORY.
IT'S JUST ONE LONG
RUN-ON SENTENCE.
74
00:03:47,186 --> 00:03:50,271
IT'S ALL MACHO POSTURING
AND MISOGYNY.
75
00:03:51,439 --> 00:03:52,524
HMM.
76
00:03:54,568 --> 00:03:55,861
EXCUSE ME?
77
00:03:55,861 --> 00:03:57,154
I DIDN'T SAY ANYTHING.
78
00:03:57,154 --> 00:03:59,447
YES, YOU DID.
YOU SAID HMM.
DID I?
79
00:03:59,447 --> 00:04:01,909
YES, YOU DID.
IN A VERY LOADED WAY,
I MIGHT ADD.
80
00:04:01,909 --> 00:04:04,995
WELL, IT'S NOTHING.
I JUST...I'M LEARNING
ABOUT YOU.
81
00:04:04,995 --> 00:04:06,705
AND WHAT THE HELL
DOES THAT MEAN?
82
00:04:06,705 --> 00:04:08,082
NOTHING. CHILL.
83
00:04:08,082 --> 00:04:09,457
JUST BECAUSE
I DON'T LIKE A BOOK
84
00:04:09,457 --> 00:04:11,210
MEANS I'M DEFICIENT
IN SOME WAY?
85
00:04:11,210 --> 00:04:13,587
NO, NO. I JUST THOUGHT
THAT YOUR OPINION
WAS INTERESTING.
86
00:04:13,587 --> 00:04:15,130
LOOK, I DON'T NEED YOU
TO PATRONIZE ME.
87
00:04:15,130 --> 00:04:17,340
OH, MY GOD.
WHY ARE YOU SO ANGRY?
88
00:04:17,340 --> 00:04:18,800
I'M NOT ANGRY!
YES, YOU ARE.
89
00:04:18,800 --> 00:04:19,927
NO. I'M ANGRY
AT NO ONE.
90
00:04:19,927 --> 00:04:22,012
I DIDN'T SAY YOU WERE
ANGRY AT SOMEONE.
91
00:04:22,012 --> 00:04:23,430
I JUST SAID
YOU WERE ANGRY.
92
00:04:23,430 --> 00:04:25,432
WELL, I'M NOT.
93
00:04:25,432 --> 00:04:27,726
IS IT A GUY?
94
00:04:27,726 --> 00:04:30,604
IS--IS IT A GUY?
ARE YOU ANGRY
AT A GUY?
95
00:04:30,604 --> 00:04:32,439
OH, RIGHT.
96
00:04:32,439 --> 00:04:34,315
BECAUSE THAT'S WHAT
IT ALWAYS IS, ISN'T IT?
97
00:04:34,315 --> 00:04:36,443
I DON'T LIKE YOU,
THEREFORE, IT MUST BE
98
00:04:36,443 --> 00:04:38,612
BECAUSE SOME GUY
BROKE MY HEART.
99
00:04:38,612 --> 00:04:40,989
IT JUST CAN'T BE BECAUSE
YOU'RE OBJECTIONAL
IN ANY WAY.
100
00:04:40,989 --> 00:04:42,908
REALLY?
YOU DON'T LIKE ME?
101
00:04:42,908 --> 00:04:44,826
YOU KNOW WHAT?
102
00:04:44,826 --> 00:04:46,828
I NEED TO GET BACK
TO WORK,
103
00:04:46,828 --> 00:04:49,497
SO CAN YOU PLEASE
STOP TALKING TO ME?
104
00:04:49,497 --> 00:04:51,458
WOW.
105
00:04:51,458 --> 00:04:54,253
WHOEVER THIS GUY WAS,
HE REALLY MUST HAVE
DONE A NUMBER ON YOU.
106
00:04:54,253 --> 00:04:55,837
YOU KNOW WHAT, EDDIE?
YOU'VE NOW CROSSED--
107
00:04:55,837 --> 00:04:57,172
(TELEPHONE RINGS)
WHOA, WHOA, WHOA, WHOA.
108
00:04:57,172 --> 00:04:59,549
AHEM.
HELL'S KITCHEN.
109
00:04:59,549 --> 00:05:01,843
YEAH, WE DO DELIVERIES.
110
00:05:01,843 --> 00:05:03,637
YEAH, WELL, YEAH...
111
00:05:03,637 --> 00:05:06,681
THAT'S, UH...
THAT'S A PRETTY BIG
ORDER. LET ME CHECK.
112
00:05:06,681 --> 00:05:07,933
ALL RIGHT.
113
00:05:12,187 --> 00:05:14,313
(TELEPHONE RINGS)
114
00:05:17,151 --> 00:05:18,485
AUDREY.
115
00:05:18,485 --> 00:05:19,861
HOW DID YOU KNOW
IT WAS ME?
116
00:05:19,861 --> 00:05:22,614
WELL, I'M PSYCHOTIC.
YOU'RE LATE.
117
00:05:22,614 --> 00:05:25,700
YEAH, I KNOW. LOOK...
I DON'T THINK
I'M GONNA MAKE IT.
118
00:05:25,700 --> 00:05:30,371
NO! NO, NO, NO, NO.
PACEY, YOU CANNOT
BAIL OUT ON ME!
119
00:05:30,371 --> 00:05:33,708
I HAVEN'T SEEN YOU
IN DAYS--LIKE
ACTUAL DAYS.
120
00:05:33,708 --> 00:05:36,670
PLUS, WE HAVE
THIS MONSTER BASH
TO ATTEND THIS EVENING,
121
00:05:36,670 --> 00:05:38,964
AND THE FESTIVITIES
HAVE ALREADY BEGUN
OVER HERE,
122
00:05:38,964 --> 00:05:41,508
SO YOU BETTER
GET YOUR BUTT
IN GEAR PRONTO,
123
00:05:41,508 --> 00:05:43,177
AND I DON'T WANNA HEAR
ANY OF YOUR LAME
EXCUSES.
124
00:05:43,177 --> 00:05:45,637
I GOTTA STUDY.
125
00:05:45,637 --> 00:05:48,890
NO, PACEY,
YOU GOTTA BE WITH YOUR
GIRLFRIEND TONIGHT.
126
00:05:48,890 --> 00:05:51,059
I'M BEGINNING TO FORGET
WHAT SEX IS LIKE.
127
00:05:51,059 --> 00:05:53,561
I MAY BE FORCED
TO SHAG A STRANGER
TO REMEMBER.
128
00:05:55,772 --> 00:05:57,065
OK, LOOK,
129
00:05:57,065 --> 00:05:58,984
TOMORROW NIGHT...
130
00:05:58,984 --> 00:06:02,154
I PROMISE YOU AN ALL-NIGHT
WITTER-LIDDELL SHAG FEST
131
00:06:02,154 --> 00:06:04,405
OF EPIC PROPORTIONS.
132
00:06:04,405 --> 00:06:07,492
PLUS...I'LL DO THAT THING
THAT YOU LIKE...
133
00:06:07,492 --> 00:06:09,536
YOU KNOW,
WITH THE, UH...
134
00:06:09,536 --> 00:06:10,704
WITH THE THING?
135
00:06:10,704 --> 00:06:12,371
YES. THE THING.
136
00:06:13,748 --> 00:06:15,292
DEAL.
137
00:06:15,292 --> 00:06:18,545
BUT YOU KNOW,
THIS STUPID
SERIES 17 THING--
138
00:06:18,545 --> 00:06:20,130
7.
WHATEVER.
139
00:06:20,130 --> 00:06:21,715
IT BETTER BE OVER WITH
SOON,
140
00:06:21,715 --> 00:06:23,675
BECAUSE MATURE,
RESPONSIBLE PACEY...
141
00:06:23,675 --> 00:06:25,302
HE'S KIND OF
A BIG, FAT DRAG.
142
00:06:25,302 --> 00:06:27,179
DULY NOTED.
143
00:06:27,179 --> 00:06:28,471
ALL RIGHT.
144
00:06:28,471 --> 00:06:30,557
YOU'RE ABSOLVED.
145
00:06:30,557 --> 00:06:33,352
GO BE STUDIOUS
AND BORING, MY LOVE.
146
00:06:33,352 --> 00:06:35,354
AND YOU GO BE
DEBAUCHEROUS AND SILLY,
147
00:06:35,354 --> 00:06:36,938
AND I WILL TALK TO YOU
IN THE MORNING.
148
00:06:36,938 --> 00:06:38,523
I LOVE YOU.
YEAH, YEAH.
149
00:06:43,153 --> 00:06:45,113
HEY, YOU GUYS?
150
00:06:45,113 --> 00:06:47,241
I THINK I'M GONNA
GO HOME.
151
00:06:47,241 --> 00:06:49,201
WHAT? ARE YOU INSANE?
152
00:06:49,201 --> 00:06:51,161
YOU CAN'T GO HOME!
TONIGHT IS ONLY LIKE
153
00:06:51,161 --> 00:06:53,330
THE BIGGEST AND BEST
PARTY OF THE YEAR.
154
00:06:53,330 --> 00:06:55,540
YOU CAN'T LEAVE!
YOU CAN'T NOT COME!
155
00:06:55,540 --> 00:06:56,917
JACK, BACK ME UP
ON THIS.
156
00:06:56,917 --> 00:06:58,668
EH. YOU KNOW...
157
00:06:58,668 --> 00:07:00,461
WHAT ARE YOU SAYING?
158
00:07:00,461 --> 00:07:02,421
WELL, I'M SAYING,
YOU KNOW,
159
00:07:02,421 --> 00:07:04,299
I'M A LITTLE TIRED
160
00:07:04,299 --> 00:07:06,176
AND KATE AND LEOPOLD'S
ON CABLE TONIGHT.
161
00:07:06,176 --> 00:07:08,220
REALLY?
KATE AND LEOPOLD?
162
00:07:08,220 --> 00:07:09,512
YEAH. HUGH JACKMAN'S
A HOTTIE.
163
00:07:09,512 --> 00:07:10,805
NO! NO, YOU GUYS,
164
00:07:10,805 --> 00:07:12,974
I WORKED REALLY HARD
ALL WEEK LONG.
165
00:07:12,974 --> 00:07:15,977
I HAVE EARNED THIS NIGHT
OF DEBAUCHERY
AND HEDONISM.
166
00:07:15,977 --> 00:07:18,479
I WANNA GET DRUNK
AT A PARTY, I WANNA
MAKE OUT WITH A STRANGER,
167
00:07:18,479 --> 00:07:20,774
AND IT'S ALL FOR NAUGHT
IF YOU GUYS AREN'T THERE
TO WITNESS IT
168
00:07:20,774 --> 00:07:23,360
AND MAKE FUN OF ME
IN THE MORNING.
169
00:07:23,360 --> 00:07:24,527
OK!
170
00:07:24,527 --> 00:07:25,987
REALLY?
AUDREY?
171
00:07:25,987 --> 00:07:27,614
I'M IN. I'M IN.
YAY!
172
00:07:27,614 --> 00:07:30,158
OK, ALL RIGHT.
LET'S MAKE
A PACT.
173
00:07:30,158 --> 00:07:33,370
TONIGHT WE ARE
GOING TO HAVE
FUN.
174
00:07:33,370 --> 00:07:35,163
WE ARE GOING TO DANCE
ON TABLE TOPS.
175
00:07:35,163 --> 00:07:36,998
WE ARE GOING TO SCREAM
"WHOO HOO."
176
00:07:36,998 --> 00:07:38,541
IN SHORT, WE'RE GONNA
PARTY LIKE IT'S 1999.
177
00:07:38,541 --> 00:07:40,377
NOW, COME ON...
178
00:07:40,377 --> 00:07:43,171
WHOO-HOO!
179
00:07:43,171 --> 00:07:44,464
WHOO.
180
00:07:50,429 --> 00:07:53,014
NATASHA.
NONSENSE.
181
00:07:53,014 --> 00:07:55,225
I TOTALLY DON'T MIND
SITTING HERE WAITING
FOR AN HOUR.
182
00:07:55,225 --> 00:07:56,643
MY ASS IS NOT
THE LEAST BIT NUMB.
183
00:08:09,823 --> 00:08:11,408
(EXHALES)
184
00:08:13,493 --> 00:08:14,911
SO...
185
00:08:14,911 --> 00:08:16,288
LISTEN...
186
00:08:16,288 --> 00:08:18,248
I NEED EVIAN WATER
AND ALTOIDS.
187
00:08:18,248 --> 00:08:19,416
I GOT 'EM.
GLOVE COMPARTMENT.
188
00:08:24,587 --> 00:08:27,007
SO...BIG SCENE
TONIGHT, HUH?
189
00:08:29,926 --> 00:08:31,219
YOU NERVOUS?
190
00:08:32,846 --> 00:08:34,431
NO. SEE, UH...
191
00:08:34,431 --> 00:08:35,682
THAT OTHER ACTOR...
192
00:08:35,682 --> 00:08:38,226
HE'S NOT REALLY
GONNA STRANGLE ME,
DAWSON.
193
00:08:38,226 --> 00:08:40,145
IT'S...
IT'S JUST PRETEND.
194
00:08:43,440 --> 00:08:44,649
ARE YOU...DRINKING?
195
00:08:46,151 --> 00:08:47,361
YOU'RE SMART.
196
00:08:47,361 --> 00:08:48,528
DO YOU REALLY THINK
YOU SHOULD--
197
00:08:48,528 --> 00:08:51,323
I'M FINE. STOP OFF
IF YOU SEE A FLORIST.
198
00:08:51,323 --> 00:08:53,492
I WANT TO GET TODD
SOME LILIES.
199
00:08:53,492 --> 00:08:54,951
I DON'T THINK
THERE'S ONE ON THE WAY.
200
00:08:54,951 --> 00:08:56,577
RIGHT THERE, RIGHT THERE!
PULL OVER.
201
00:08:56,577 --> 00:08:58,038
WE'RE REALLY LATE--
202
00:08:58,038 --> 00:09:00,040
YOU WANNA GET ME MAD?
203
00:09:00,040 --> 00:09:02,542
'CAUSE IF I SHOW UP
ON SET MAD...
204
00:09:10,758 --> 00:09:12,760
COME ON. WE'RE GONNA
HIT SOME CLUBS.
205
00:09:12,760 --> 00:09:14,388
YOU'RE COMIN' WITH.
LET'S GO.
206
00:09:14,388 --> 00:09:16,181
I CAN'T DO IT, MAN.
I GOTTA STUDY.
207
00:09:16,181 --> 00:09:18,475
SORRY. DID I SAY THAT
LIKE IT WAS A QUESTION?
208
00:09:18,475 --> 00:09:20,560
WHAT?
209
00:09:20,560 --> 00:09:22,521
WE'RE GONNA HIT
SOME CLUBS. YOU'RE
COMIN' WITH. LET'S GO.
210
00:09:22,521 --> 00:09:24,523
NO. I'M SERIOUS.
I REALLY GOTTA STUDY.
211
00:09:24,523 --> 00:09:26,107
DO YOU SEE THOSE GUYS?
212
00:09:26,107 --> 00:09:28,360
DO YOU NOTICE
THAT NOT ONE OF THEM
213
00:09:28,360 --> 00:09:29,903
WORKS OUT HERE
WITH YOU GRUNTS?
214
00:09:29,903 --> 00:09:32,030
THAT'S BECAUSE
THEY'RE YOUR BOSSES.
215
00:09:32,030 --> 00:09:33,907
NOT YOUR CO-WORKERS,
NOT YOUR COLLEAGUES.
216
00:09:33,907 --> 00:09:36,576
THEY HOLD THE FUTURE
OF YOUR CAREER
IN THEIR HANDS,
217
00:09:36,576 --> 00:09:38,286
SO THINK HARD, PACEY,
BEFORE YOU SAY NO.
218
00:09:41,456 --> 00:09:43,333
WELL, I SHOULD CALL
MY GIRLFRIEND.
219
00:09:43,333 --> 00:09:45,877
THAT'S ADORABLE.
DO IT LATER.
220
00:09:45,877 --> 00:09:47,212
GRAB YOUR COAT.
LET'S GO.
221
00:09:47,212 --> 00:09:48,629
READY, GENTLEMEN.
222
00:09:53,718 --> 00:09:56,430
Natasha: OH, MY GOD!
LOOK AT ALL THE LIGHTS!
223
00:09:56,430 --> 00:09:58,223
HOW MUCH DID YOU
ACTUALLY DRINK?
224
00:09:58,223 --> 00:10:01,226
OH, DONALD.
DON'T BE SUCH
A SPONGEBOB SQUAREPANTS.
225
00:10:01,226 --> 00:10:02,769
I ONLY HAD A LITTLE NIP.
226
00:10:02,769 --> 00:10:04,438
WHY DO YOU KEEP
CALLING ME DONALD?
227
00:10:04,438 --> 00:10:07,023
WELL, I THINK WE CAN
BOTH AGREE DAWSON'S
A STUPID NAME.
228
00:10:07,023 --> 00:10:09,859
PLUS, YOU
LOOK LIKE A DONALD.
OR IF YOU PREFER--RONALD.
229
00:10:09,859 --> 00:10:12,112
TODD!
230
00:10:12,112 --> 00:10:14,114
WELCOME TO BOSTON!
YOU'RE RADIANT, DARLING!
231
00:10:14,114 --> 00:10:15,865
YOU'RE LATE!
232
00:10:15,865 --> 00:10:17,825
DONALD GOT LOST.
233
00:10:17,825 --> 00:10:19,369
THEY'RE LOVELY.
234
00:10:19,369 --> 00:10:20,328
ARE YOU READY
FOR THE SCENE?
235
00:10:20,328 --> 00:10:22,122
GOT IT ALL UP HERE!
236
00:10:22,122 --> 00:10:24,165
GREAT. WE'RE RUNNING
A WEE BIT BEHIND SCHEDULE,
237
00:10:24,165 --> 00:10:26,000
SO WHY DON'T YOU
POP OFF TO WARDROBE?
238
00:10:26,000 --> 00:10:27,627
SURE!
WRONG WAY, LOVE.
239
00:10:27,627 --> 00:10:29,296
RIGHT.
240
00:10:29,296 --> 00:10:32,340
WHAT THE HELL'S
WRONG WITH HER?
SHE'S TIRED.
241
00:10:32,340 --> 00:10:34,384
WELL, GET HER TO WARDROBE
AND GET HER SOME COFFEE!
242
00:10:34,384 --> 00:10:35,510
RIGHT.
243
00:10:40,681 --> 00:10:42,934
STOP PAWING AT ME,
BUSY HANDS!
244
00:10:42,934 --> 00:10:45,395
I CAN'T BELIEVE
I ACTUALLY LET THOSE
HANDS TOUCH ME NAKED!
245
00:10:45,395 --> 00:10:47,147
THANK GOD NOBODY HERE
KNOWS I ACTUALLY DATED YOU!
246
00:10:47,147 --> 00:10:49,065
NATASHA, LISTEN--
247
00:10:49,065 --> 00:10:51,485
SO HOW'S THAT OLD FRIEND
YOU DUMPED ME FOR
A COUPLE OF WEEKS AGO?
248
00:10:51,485 --> 00:10:53,987
DIDN'T QUITE
CATCH HER NAME.
WAIT, IT IS A GIRL, ISN'T IT?
249
00:10:53,987 --> 00:10:55,155
SHE'S FINE.
250
00:10:55,155 --> 00:10:56,948
DON'T TELL ME
SHE DUMPED YOU ALREADY.
251
00:10:59,033 --> 00:11:00,868
THAT IS...SO SAD.
252
00:11:00,868 --> 00:11:02,203
NATASHA, LISTEN,
253
00:11:02,203 --> 00:11:03,871
I'M SORRY...
ABOUT WHAT I DID TO YOU.
254
00:11:03,871 --> 00:11:05,457
I DON'T BLAME YOU
IF YOU HATE ME.
255
00:11:05,457 --> 00:11:08,418
I DON'T HATE YOU.
I PITY YOU.
256
00:11:08,418 --> 00:11:10,462
WELL, LET ME HELP YOU.
HOW 'BOUT I GET YOU
COFFEE
257
00:11:10,462 --> 00:11:11,838
OR A BAGEL OR SOMETHING?
258
00:11:11,838 --> 00:11:14,007
YOU WANNA HELP ME?
YOU WANNA HELP ME.
259
00:11:14,007 --> 00:11:16,259
THAT IS SO SWEET!
260
00:11:16,259 --> 00:11:18,677
OK...I'LL TELL YOU
HOW YOU CAN HELP ME.
261
00:11:18,677 --> 00:11:19,971
GO TO HELL, DAWSON!
262
00:11:30,148 --> 00:11:31,399
(SOBBING) NO!
263
00:11:31,399 --> 00:11:34,361
PLEASE, SOMEBODY,
HELP ME!
264
00:11:34,361 --> 00:11:36,446
NO! SOMEBODY
PLEASE HELP ME!
265
00:11:36,446 --> 00:11:38,865
SOMEBODY PLEASE
HELP ME! NO!
266
00:11:38,865 --> 00:11:40,158
(CHOKING) AARRRHHH...
267
00:11:40,158 --> 00:11:42,452
HA HA HA HA HA!
268
00:11:44,787 --> 00:11:46,789
I'M GONNA PEE
IN MY PANTS!
269
00:11:46,789 --> 00:11:48,375
Todd:
AND CUT!
270
00:11:48,375 --> 00:11:51,586
I--I'M SORRY, TODD.
271
00:11:51,586 --> 00:11:53,338
THAT'S ALL RIGHT, LOVE.
GO AGAIN.
272
00:11:53,338 --> 00:11:55,048
THIS TIME,
REMEMBER...
273
00:11:55,048 --> 00:11:57,008
TERROR.
274
00:11:57,008 --> 00:11:57,967
UH-HUH.
275
00:12:02,514 --> 00:12:03,515
NO! NO!
276
00:12:03,515 --> 00:12:05,559
PLEASE...
SOMEBODY HELP ME!
277
00:12:05,559 --> 00:12:07,185
SOMEBODY HELP ME--
278
00:12:07,185 --> 00:12:08,186
WHOA--
279
00:12:08,186 --> 00:12:10,355
OW, MY BOOBS!
280
00:12:10,355 --> 00:12:11,730
AND...CUT.
(NATASHA LAUGHING)
281
00:12:12,482 --> 00:12:14,901
NO...NO, PLEASE!
282
00:12:14,901 --> 00:12:15,902
NO! NO. GOD--
283
00:12:15,902 --> 00:12:17,153
Actor: OW!
Natasha: OH!
284
00:12:17,153 --> 00:12:18,988
OH, I GOT YOU
IN THE WHOO-HOO!
285
00:12:18,988 --> 00:12:20,907
TODD!
286
00:12:20,907 --> 00:12:22,950
I CAN'T WORK
LIKE THIS!
287
00:12:22,950 --> 00:12:24,703
CUT.
288
00:12:33,169 --> 00:12:34,962
IS SHE DRUNK?
289
00:12:34,962 --> 00:12:36,297
NO.
290
00:12:36,297 --> 00:12:37,507
DAWSON?
MAYBE A LITTLE.
291
00:12:47,808 --> 00:12:51,312
I MUST ADMIT,
I AM IMPRESSED, WITTER.
292
00:12:51,312 --> 00:12:53,189
WITH WHAT, EXACTLY?
293
00:12:53,189 --> 00:12:55,692
FULLY 3 HOT WOMEN
TRIED TO HIT ON YOU
IN THAT LAST CLUB,
294
00:12:55,692 --> 00:12:57,485
AND YOU TURNED DOWN
EVERY ONE.
295
00:12:57,485 --> 00:12:59,195
I DON'T THINK I COULD BE
THAT FAITHFUL
TO ANY GIRL.
296
00:12:59,195 --> 00:13:00,779
I DON'T CARE
HOW HOT SHE IS.
297
00:13:00,779 --> 00:13:02,907
YOU'RE A BETTER MAN
THAN I.
298
00:13:02,907 --> 00:13:06,411
YOU'RE RIGHT,
BUT I THINK THAT ONE OF
THOSE GIRLS WAS A GUY.
299
00:13:06,411 --> 00:13:08,246
YEAH, BUT I THOUGHT
THAT WAS YOUR THING.
300
00:13:08,246 --> 00:13:10,831
(AUDREY LAUGHING)
301
00:13:10,831 --> 00:13:13,167
OK, SO...WHERE THE HELL
ARE WE GOING AGAIN?
302
00:13:13,167 --> 00:13:14,210
HOUSE PARTY.
303
00:13:14,210 --> 00:13:15,670
RIGHT. RIGHT.
304
00:13:15,670 --> 00:13:17,255
AND...WHERE EXACTLY
IS THAT?
305
00:13:17,255 --> 00:13:18,298
YOU DON'T KNOW?
306
00:13:18,298 --> 00:13:19,591
I DON'T KNOW.
307
00:13:19,591 --> 00:13:20,759
I CERTAINLY
DON'T KNOW.
308
00:13:20,759 --> 00:13:22,927
WELL, IT'S SOMEWHERE
IN BOSTON.
309
00:13:22,927 --> 00:13:25,972
OH, YEAH. YEAH, THAT HELPS.
310
00:13:25,972 --> 00:13:26,973
NICE!
311
00:13:26,973 --> 00:13:29,183
OH, YOU GUYS, YOU GUYS,
I JUST REMEMBERED!
312
00:13:29,183 --> 00:13:31,436
IT'S DOWN ON WAVERLY ROAD
NEXT TO THAT GIANT
SUPERMARKET
313
00:13:31,436 --> 00:13:32,937
THAT HAS THE FREE AISLE!
314
00:13:32,937 --> 00:13:34,522
COOL. LET'S GO.
I'M COLD!
315
00:13:34,522 --> 00:13:35,940
AUDREY, WHAT'S A FREE AISLE?
316
00:13:35,940 --> 00:13:38,192
THE AISLE WITH
THE LITTLE PLASTIC BINS
317
00:13:38,192 --> 00:13:40,945
FILLED WITH THE FOOD
THAT YOU CAN SNACK ON
WHILE YOU SHOP.
318
00:13:40,945 --> 00:13:42,781
NO. THOSE ARE
BULK BINS.
319
00:13:42,781 --> 00:13:44,907
YOU'RE SUPPOSED TO
PUT THE FOOD IN LITTLE
PLASTIC BAGGIES
320
00:13:44,907 --> 00:13:46,493
AND THEN PAY FOR IT.
REALLY?
321
00:13:46,493 --> 00:13:50,288
HEY, WHO'S UP FOR
GOING TO THAT STRIP
CLUB IN WALTHAM?
322
00:13:54,875 --> 00:13:57,086
OH, MY GOD.
323
00:13:57,086 --> 00:13:59,088
OK, AUDREY, I TRIED
TO CALL YOU FROM WO--
324
00:13:59,088 --> 00:14:00,089
DON'T TOUCH ME.
325
00:14:00,089 --> 00:14:02,925
CAN WE JUST
DISCUSS THIS
CALMLY, PLEASE?
326
00:14:02,925 --> 00:14:04,511
WHAT DISCUSS?
THERE'S NOTHING
TO DISCUSS.
327
00:14:04,511 --> 00:14:06,179
YOU LIED.
I DIDN'T LIE.
328
00:14:06,179 --> 00:14:08,682
I WAS STUDYING,
AND THEN THIS WORK THING
JUST CAME UP.
329
00:14:08,682 --> 00:14:10,891
SINCE WHEN DOES A BUNCH
OF JERKS IN SUITS
330
00:14:10,891 --> 00:14:12,851
STUFFING DOLLARS
DOWN A G-STRING
COUNT AS WORK?
331
00:14:15,188 --> 00:14:17,023
YOU CAN'T POSSIBLY
UNDERSTAND
332
00:14:17,023 --> 00:14:18,983
HOW IMPORTANT IT IS
THAT THESE MEN INVITED ME
333
00:14:18,983 --> 00:14:20,985
TO COME OUT WITH THEM.
I COULDN'T SAY NO.
334
00:14:20,985 --> 00:14:23,279
I DON'T EVEN KNOW
WHO YOU ARE ANYMORE,
PACEY.
335
00:14:23,279 --> 00:14:26,825
YOU'RE LIKE SOME
SMARMY STOCKBROKER GUY.
336
00:14:26,825 --> 00:14:28,867
ALL YOU CARE ABOUT
IS YOUR STUPID JOB.
337
00:14:28,867 --> 00:14:31,871
BECAUSE...
338
00:14:31,871 --> 00:14:34,666
I DON'T WANNA
LIVE OFF MAC AND CHEESE
AND RAMEN NOODLES
339
00:14:34,666 --> 00:14:37,001
FOR THE REST OF MY LIFE,
AND THAT'S HOW IT WILL
BE FOR ME
340
00:14:37,001 --> 00:14:40,046
IF I DON'T BUST MY ASS
AND PLAY BY THEIR RULES.
341
00:14:40,046 --> 00:14:43,049
I WISH THAT I COULD
CONTINUE IGNORING REALITY,
BUT I CAN'T,
342
00:14:43,049 --> 00:14:46,386
BECAUSE WE DON'T ALL LIVE
IN AUDREY LAND.
343
00:14:46,386 --> 00:14:48,262
RIGHT.
344
00:14:48,262 --> 00:14:50,890
AND I'M JUST SOME
DUMB, RICH AIRHEAD
WHO DOESN'T GET IT.
345
00:14:50,890 --> 00:14:52,767
THAT'S NOT WHAT
I'M SAYING.
346
00:14:52,767 --> 00:14:55,729
ACTUALLY,
I THINK IT'S EXACTLY
WHAT YOU'RE SAYING.
347
00:14:55,729 --> 00:14:57,647
THEN I'M SORRY...OK?
348
00:14:57,647 --> 00:15:00,525
I'M SORRY.
IT'S JUST THAT
THIS JOB IS IMPORTANT TO ME,
349
00:15:00,525 --> 00:15:02,485
AND I LIKE IT
AND I'M GOOD AT IT,
350
00:15:02,485 --> 00:15:04,571
AND HONESTLY,
I WISH YOU COULD BE A LITTLE
BIT MORE UNDERSTANDING.
351
00:15:07,699 --> 00:15:09,534
I THINK I UNDERSTAND
PERFECTLY.
352
00:15:09,534 --> 00:15:11,118
AND I HOPE YOU HAVE
FUN, PACEY.
353
00:15:11,118 --> 00:15:12,370
COME ON, YOU GUYS.
LET'S GO.
354
00:15:12,370 --> 00:15:13,872
AUDREY, COME ON!
355
00:15:13,872 --> 00:15:14,914
DON'T FOLLOW ME!
356
00:15:20,420 --> 00:15:22,046
SHAKE IT OFF, MAN.
357
00:15:38,229 --> 00:15:40,565
BIG DELIVERY, HUH?
358
00:15:43,443 --> 00:15:45,862
A LOTTA FOOD.
359
00:15:48,072 --> 00:15:50,241
SO...HOW'S
ON THE ROAD?
360
00:15:50,241 --> 00:15:51,576
FINE.
361
00:15:51,576 --> 00:15:52,952
WHAT PAGE
ARE YOU ON?
362
00:15:54,871 --> 00:15:56,623
CAN WE NOT TALK?
DO YOU MIND?
363
00:15:58,165 --> 00:15:59,500
ALL RIGHT.
364
00:15:59,500 --> 00:16:02,712
BUT I THINK I FIGURED OUT
WHY YOU HATE IT SO MUCH.
365
00:16:02,712 --> 00:16:04,171
JOY.
366
00:16:04,171 --> 00:16:05,590
YEAH, I WAS THINKING,
367
00:16:05,590 --> 00:16:08,843
HOW COULD ANYBODY
IN THEIR RIGHT MIND HATE
SUCH A BEAUTIFUL BOOK?
368
00:16:08,843 --> 00:16:10,804
AND THEN I REALIZED...
369
00:16:10,804 --> 00:16:12,555
IT'S BECAUSE
IT MAKES YOU NERVOUS.
370
00:16:12,555 --> 00:16:13,807
REALLY?
371
00:16:13,807 --> 00:16:15,850
YEAH. YEAH,
'CAUSE IT'S ABOUT PEOPLE
372
00:16:15,850 --> 00:16:17,393
WHO DON'T FOLLOW
THE DOMINANT PATH.
373
00:16:17,393 --> 00:16:20,730
YOU KNOW, PEOPLE WHO KINDA
JUST LIVE ON THEIR IMPULSES,
374
00:16:20,730 --> 00:16:22,690
AND THAT MAKES A LOT
OF PEOPLE UNCOMFORTABLE.
375
00:16:22,690 --> 00:16:25,860
BORING PEOPLE?
PEOPLE WHO DON'T FOLLOW
THEIR IMPULSES?
376
00:16:25,860 --> 00:16:28,237
I DIDN'T SAY BORING,
JUST, UH...
377
00:16:28,237 --> 00:16:29,656
SAFE.
378
00:16:31,825 --> 00:16:33,868
YOU DON'T KNOW
ANYTHING ABOUT ME.
379
00:16:35,536 --> 00:16:38,372
EXCEPT FOR THE WAY
PEOPLE FEEL ABOUT BOOKS
380
00:16:38,372 --> 00:16:40,249
OR MOVIES OR MUSIC.
IT SAYS A LOT.
381
00:16:40,249 --> 00:16:42,752
I'LL LET YOU KNOW
I FOLLOW PLENTY
OF MY IMPULSES.
382
00:16:42,752 --> 00:16:45,003
IN FACT, THIS SUMMER
ON A WHIM, WITH ALMOST
NO MONEY TO MY NAME,
383
00:16:45,003 --> 00:16:46,840
I BOUGHT A TICKET TO PARIS.
384
00:16:46,840 --> 00:16:48,007
REALLY?
YOU WENT TO PARIS.
HOW WAS IT?
385
00:16:48,007 --> 00:16:50,760
WELL, NO, I--
386
00:16:50,760 --> 00:16:54,305
THE POINT IS
IS THAT I COULD HAVE GONE.
387
00:16:54,305 --> 00:16:55,890
SO YOU DIDN'T GO.
388
00:16:55,890 --> 00:16:57,600
NO. BUT THE POINT IS
I COULD HAVE.
389
00:16:57,600 --> 00:17:00,854
OH. AND HERE I THOUGHT
LIFE WAS ABOUT
THE THINGS YOU DO,
390
00:17:00,854 --> 00:17:03,773
NOT THE THINGS
YOU COULD HAVE DONE.
THAT'S MY MISTAKE.
391
00:17:07,568 --> 00:17:09,904
HO. WHERE YOU GOING?
392
00:17:09,904 --> 00:17:11,739
UH, BACK TO WORK.
THAT'S ALL OF IT.
393
00:17:11,739 --> 00:17:13,449
YEAH, BUT YOU'RE
COMIN' WITH ME.
NO, I'M NOT.
394
00:17:13,449 --> 00:17:15,827
HOW DO YOU EXPECT ME
TO GET ALL THE FOOD
OUT OF THIS CAR?
395
00:17:15,827 --> 00:17:16,911
WENDY CAN GO WITH YOU.
396
00:17:16,911 --> 00:17:18,746
NO. WENDY IS IN THE BAR
397
00:17:18,746 --> 00:17:20,707
COVERING FOR ME,
WHICH YOU'RE NOT
QUALIFIED TO DO.
398
00:17:20,707 --> 00:17:23,083
SORRY. LET'S GO.
399
00:17:25,545 --> 00:17:28,381
Audrey: I MEAN,
IT'S BAD ENOUGH
THAT HE LIED,
400
00:17:28,381 --> 00:17:31,300
BUT THE FACT THAT HE
WOULD RATHER HANG OUT
WITH THOSE GUYS
401
00:17:31,300 --> 00:17:33,219
THAN WITH ME, I MEAN...
402
00:17:34,971 --> 00:17:36,973
OH, MY GOD.
I AM SORRY, YOU GUYS.
403
00:17:36,973 --> 00:17:38,725
DO I KEEP TALKING
ABOUT THIS?
404
00:17:38,725 --> 00:17:40,184
NO, IT'S FINE.
IT'S FINE.
405
00:17:40,184 --> 00:17:41,561
JUST A LITTLE BIT.
406
00:17:41,561 --> 00:17:43,270
SORRY! I FORGOT
ABOUT OUR PACT.
407
00:17:43,270 --> 00:17:44,397
WE ARE SUPPOSED TO BE
HAVING FUN.
408
00:17:44,397 --> 00:17:46,399
IT'S FINE.
409
00:17:46,399 --> 00:17:47,441
(EXHALES)
410
00:17:47,441 --> 00:17:49,193
IT'S JUST...
411
00:17:49,193 --> 00:17:50,611
YOU KNOW.
412
00:17:50,611 --> 00:17:53,990
YOU USED TO MAKE FUN
OF GUYS LIKE THAT,
YOU KNOW?
413
00:17:53,990 --> 00:17:56,075
HE NEVER WANTS TO HAVE
SEX ANYMORE.
414
00:17:56,075 --> 00:17:58,036
WE'RE LITERALLY DOWN
TO 3 TIMES A WEEK.
415
00:17:58,036 --> 00:17:59,328
OH, GOSH, UM,
416
00:17:59,328 --> 00:18:00,621
I NEED A BEER.
417
00:18:00,621 --> 00:18:02,582
BE RIGHT BACK.
418
00:18:02,582 --> 00:18:04,375
OK.
419
00:18:12,091 --> 00:18:14,010
CAN I GET A BEER?
420
00:18:15,011 --> 00:18:17,179
THANK YOU.
421
00:18:17,179 --> 00:18:20,892
OH! OH, MY GOD!
LOOK WHAT I DID!
422
00:18:20,892 --> 00:18:23,895
THAT'S OK.
IT WAS MY FAULT.
423
00:18:23,895 --> 00:18:25,855
OH, NO, JEEZ,
YOU DON'T EVEN--
424
00:18:25,855 --> 00:18:27,648
YOU'RE--YOU DON'T
EVEN DRINK,
425
00:18:27,648 --> 00:18:30,234
AND I'M SURE
IT'S COLD AND SMELLY
426
00:18:30,234 --> 00:18:33,404
AND I'M TOUCHING YOU,
AND I'M GONNA STOP.
427
00:18:35,615 --> 00:18:36,991
HI.
428
00:18:38,618 --> 00:18:39,911
OK. YOU CAUGHT ME.
429
00:18:39,911 --> 00:18:42,455
I'M DRUNK.
430
00:18:42,455 --> 00:18:44,248
YEP, I'M A DRUNKARD,
431
00:18:44,248 --> 00:18:46,459
ESCAPING REALITY.
THAT'S ME.
432
00:18:46,459 --> 00:18:47,961
BUT YOU KNOW WHAT?
THIS IS A PARTY,
433
00:18:47,961 --> 00:18:50,922
AND AT PARTIES,
PEOPLE DRINK,
434
00:18:50,922 --> 00:18:52,465
AND MAYBE
THAT BOTHERS YOU,
435
00:18:52,465 --> 00:18:53,967
MAYBE YOU THINK
IT'S WEAK,
436
00:18:53,967 --> 00:18:56,052
BUT YOU SHOULDN'T
GO TO A PARTY
437
00:18:56,052 --> 00:18:57,929
WHERE THERE'S GONNA
BE DRUNK PEOPLE,
438
00:18:57,929 --> 00:19:00,180
BECAUSE THAT'S
WHAT'S GONNA HAPPEN
AT A PARTY.
439
00:19:00,180 --> 00:19:01,766
THERE'S DRINKING.
IT'S JUST A PARTY FACT.
440
00:19:01,766 --> 00:19:04,268
YOU THINK I'M THE LAMEST,
MOST SQUARE PERSON
ON THE EARTH, DON'T YOU?
441
00:19:04,268 --> 00:19:06,896
NO! NO, NOT AT ALL.
I'M SURE YOU'RE,
LIKE...
442
00:19:06,896 --> 00:19:08,064
TONS OF FUN.
443
00:19:11,776 --> 00:19:13,402
I'M GONNA GO.
444
00:19:13,402 --> 00:19:16,322
IT'S NOT LIKE
I DON'T HAVE A PHONE,
YOU KNOW?
445
00:19:16,322 --> 00:19:18,783
IT'S RIGHT HERE
IN MY PURSE
WITH ME AT ALL TIMES,
446
00:19:18,783 --> 00:19:20,827
BUT HAS HE EVEN
TRIED TO CALL ME? NO.
447
00:19:20,827 --> 00:19:22,536
Jack:
OH, MY GOD! UH...AHEM.
448
00:19:22,536 --> 00:19:23,997
YEAH. UH--
449
00:19:23,997 --> 00:19:25,623
YEAH. YEAH.
450
00:19:29,877 --> 00:19:31,211
HEY.
451
00:19:31,211 --> 00:19:32,880
I'M SO RELIEVED TO SEE
A FAMILIAR FACE.
452
00:19:32,880 --> 00:19:34,841
WHAT ARE YOU DOING
HERE? MY GOD...
453
00:19:34,841 --> 00:19:37,051
I MEAN, NOT THAT
I'M NOT GLAD
TO SEE YOU.
454
00:19:37,051 --> 00:19:40,054
I THINK IT'S COOL
THAT YOU SHOWED UP,
BUT I DIDN'T EXPECT--
455
00:19:40,054 --> 00:19:42,682
SEEING AS I TEACH
WHAT'S GENERALLY
CONSIDERED TO BE
456
00:19:42,682 --> 00:19:44,809
A COOL, NON-STODGY TOPIC,
457
00:19:44,809 --> 00:19:48,354
EVERY ONCE IN A WHILE,
A STUDENT SEES FIT
TO EXTEND AN INVITATION.
458
00:19:48,354 --> 00:19:52,150
USUALLY IN JEST, I'M SURE.
NEVER THINKING
I'D ACTUALLY SHOW UP.
459
00:19:52,150 --> 00:19:54,902
HEY, AS LONG AS
YOU'RE HERE, WHY
DON'T WE GET A BEER?
460
00:19:54,902 --> 00:19:56,195
SOUNDS LIKE A PLAN.
COOL.
461
00:20:16,966 --> 00:20:20,219
ARE WE DELIVERING THE FOOD
TO A MOVIE SET
BY ANY CHANCE?
462
00:20:20,219 --> 00:20:23,263
YEAH. IT'S SOME
SLASHER MOVIE,
I THINK.
463
00:20:23,263 --> 00:20:24,306
GREAT.
464
00:20:28,895 --> 00:20:30,146
(COINS CLATTER)
465
00:20:30,146 --> 00:20:31,564
(GIGGLING)
466
00:20:31,564 --> 00:20:33,357
YEAH!
WHOA!
467
00:20:33,357 --> 00:20:34,942
I WANNA GO NEXT.
468
00:20:37,486 --> 00:20:38,529
NICE.
469
00:20:38,529 --> 00:20:40,239
NOW YOU GOTTA DRINK.
OK, OK, OK.
470
00:20:41,532 --> 00:20:42,241
(CELL PHONE RINGS)
471
00:20:43,617 --> 00:20:45,703
OOH! IT'S ME, IT'S ME!
472
00:20:47,163 --> 00:20:48,372
HELLO!
473
00:20:48,372 --> 00:20:50,791
YEAH, WHOA--
474
00:20:50,791 --> 00:20:52,960
WILL YOU JUST
HOLD ON A SECOND,
PLEASE?
475
00:20:52,960 --> 00:20:53,961
(EXHALES)
476
00:20:53,961 --> 00:20:55,922
DEEP CLEANSING BREATHS.
477
00:20:57,548 --> 00:20:59,592
PACEY...
478
00:20:59,592 --> 00:21:00,843
I--NO. I JUST--
479
00:21:00,843 --> 00:21:02,386
LET ME JUST SAY THIS.
480
00:21:02,386 --> 00:21:05,973
I WANNA LET YOU KNOW
THAT I AM...SO RICH,
481
00:21:05,973 --> 00:21:10,186
I AM SUCH...
A DUMB...
482
00:21:10,186 --> 00:21:12,605
RICH AIRHEAD
483
00:21:12,605 --> 00:21:15,608
THAT I AM ENTIRELY
CAPABLE
484
00:21:15,608 --> 00:21:18,611
OF DOING THIS!
485
00:21:18,611 --> 00:21:20,446
Jen: OH, MY GOD!
486
00:21:20,446 --> 00:21:23,908
HA HA HA!
YOU JUST TOTALLY
DROWNED YOUR PHONE!
487
00:21:23,908 --> 00:21:26,077
I TOTALLY
DROWNED IT!
488
00:21:31,749 --> 00:21:33,042
HEY...(LAUGHING)
489
00:21:33,042 --> 00:21:34,627
SLOW DOWN.
490
00:21:34,627 --> 00:21:37,421
AUDREY, SERIOUSLY.
491
00:21:37,421 --> 00:21:39,381
OK.
492
00:21:39,381 --> 00:21:40,758
WHOSE TURN IS IT?
493
00:21:40,758 --> 00:21:42,635
(DROPPING COINS)
494
00:21:42,635 --> 00:21:44,262
Audrey:
DID YOU DO THAT?
495
00:21:44,262 --> 00:21:46,388
YOU THINK THEY CAN
FIX THAT? HA HA HA!
496
00:21:46,388 --> 00:21:47,681
WANNA GO NOW?
NO.
497
00:21:47,681 --> 00:21:49,142
WHY NOT?
498
00:21:49,142 --> 00:21:51,060
BECAUSE WE HAVE TO
BE PAID FIRST.
499
00:21:51,060 --> 00:21:52,270
FINE.
500
00:21:54,563 --> 00:21:56,023
EXCUSE ME.
501
00:21:56,023 --> 00:21:57,691
HI. WE BROUGHT
THE FOOD.
502
00:21:57,691 --> 00:21:59,068
OH, AWESOME!
I'M STARVING.
503
00:21:59,068 --> 00:22:00,444
ACTUALLY,
I WAS WONDERING...
504
00:22:00,444 --> 00:22:02,863
WHERE DO WE
GET PAID?
505
00:22:02,863 --> 00:22:05,032
OH, TALK TO DAWSON.
HE IS... RIGHT...
506
00:22:05,032 --> 00:22:06,450
OVER THERE.
507
00:22:08,577 --> 00:22:09,662
GREAT.
508
00:22:20,506 --> 00:22:23,009
HEY.
509
00:22:23,009 --> 00:22:25,886
WHAT ARE YOU DOING
HERE?
510
00:22:25,886 --> 00:22:27,847
NICE TO SEE YOU, TOO.
511
00:22:27,847 --> 00:22:30,183
OH, I'M JUST SURPRISED
IS ALL.
512
00:22:32,143 --> 00:22:34,520
I WAS...
DELIVERING SOME FOOD,
513
00:22:34,520 --> 00:22:37,315
AND I DIDN'T KNOW
IT WAS HERE
UNTIL WE GOT HERE.
514
00:22:37,315 --> 00:22:40,943
BELIEVE ME,
HAD I KNOWN,
I WOULDN'T HAVE--
515
00:22:40,943 --> 00:22:42,360
ALL RIGHT. ALL RIGHT.
516
00:22:42,360 --> 00:22:44,030
IT'S OK.
517
00:22:44,030 --> 00:22:47,116
I WASN'T EXACTLY
APOLOGIZING.
NO, WHY WOULD YOU?
518
00:22:47,116 --> 00:22:49,285
WHAT DOES THAT MEAN?
Natasha: DAWSON,
WHAT ARE WE DOING?
519
00:22:49,285 --> 00:22:52,663
GRAB A BITE QUICK.
I NEED YOU IN MAKEUP
FOR THE NEXT SHOT.
520
00:22:52,663 --> 00:22:54,832
HELLO, LOVE.
NICE TO SEE YOU AGAIN.
HI, TODD.
521
00:22:54,832 --> 00:22:57,293
UH, NATASHA, HAVE YOU
MET DAWSON'S FRIEND--
JOEY, ISN'T IT?
522
00:23:02,380 --> 00:23:03,883
OH, MY GOD.
523
00:23:03,883 --> 00:23:05,718
THIS IS HER, ISN'T IT?
524
00:23:05,718 --> 00:23:06,927
NATASHA--
525
00:23:06,927 --> 00:23:09,513
YOU HAVE THE NERVE
TO BRING HER HERE TONIGHT,
526
00:23:09,513 --> 00:23:12,766
THE GIRL YOU DUMPED ME FOR
AFTER I GAVE YOU
THE BEST SEX OF YOUR LIFE?
527
00:23:12,766 --> 00:23:14,392
CAN WE--
I'M JUST QUOTING YOU,
DAWSON.
528
00:23:15,895 --> 00:23:18,314
SORRY...YOU EMBARRASSED?
529
00:23:18,314 --> 00:23:21,567
'CAUSE I WOULDN'T WANT
TO EMBARRASS DAWSON LEERY,
530
00:23:21,567 --> 00:23:24,153
WHAT WITH HIS CHIVALROUS
NATURE AND OH-SO-QUIET
DIGNITY.S
531
00:23:24,153 --> 00:23:27,156
SEE, DAWSON'S
THE KINDA GUY WHO'LL WALK
A GIRL HOME, YOU KNOW,
532
00:23:27,156 --> 00:23:29,449
HELP HER OVER
A RAIN PUDDLE?
533
00:23:29,449 --> 00:23:31,577
REAL GENTLEMAN.
534
00:23:31,577 --> 00:23:33,329
THEN HE'LL SLEEP WITH HER,
TELL HER SHE'S THE BEST
HE EVER HAD,
535
00:23:33,329 --> 00:23:34,621
AND BREAK UP WITH HER
ANSWERING MACHINE.
536
00:23:36,498 --> 00:23:38,792
SO NICE TO MEET YOU.
537
00:23:38,792 --> 00:23:40,961
I'LL BE IN MY TRAILER
IF YOU NEED ME.
538
00:23:59,813 --> 00:24:02,316
I THINK MY FAVORITE
IS THE ONE WHERE THEY
LEGALIZE GAMBLING
539
00:24:02,316 --> 00:24:03,943
AND MARGE GETS ADDICTED.
540
00:24:03,943 --> 00:24:06,904
ALTHOUGH, THE ONE
WHERE HOMER BECOMES
A MONORAIL CONDUCTOR
541
00:24:06,904 --> 00:24:08,446
IS AWESOME, TOO.
542
00:24:08,446 --> 00:24:11,325
YEAH. MY FAVORITE
IS WHEN SELMA...SHE
MARRIES TROY McCLURE.
543
00:24:11,325 --> 00:24:13,577
HA HA HA! A CLASSIC.
CLASSIC.
544
00:24:13,577 --> 00:24:16,330
I CAN'T EVEN
BELIEVE I'M HAVING
A CONVERSATION LIKE THIS
545
00:24:16,330 --> 00:24:17,915
WITH MY PROFESSOR.
546
00:24:17,915 --> 00:24:20,042
LAST YEAR, I DON'T
EVEN THINK I KNEW
WHO MY PROFESSORS WERE!
547
00:24:20,042 --> 00:24:22,460
REALLY?
NAW, IT'S...
548
00:24:22,460 --> 00:24:24,964
I WAS KINDA...
MESSED UP.
549
00:24:24,964 --> 00:24:26,966
ACADEMICALLY
SPEAKING, ANYWAY.
550
00:24:26,966 --> 00:24:28,717
WELL, I'M SURPRISED
TO HEAR THAT.
551
00:24:28,717 --> 00:24:30,510
I THINK YOUR WORK
IS EXCELLENT.
552
00:24:30,510 --> 00:24:32,596
I REALLY ENJOYED
THAT LAST PAPER YOU WROTE.
553
00:24:32,596 --> 00:24:34,598
AH, WELL--
IT WAS GREAT, JACK.
IT WAS GREAT.
554
00:24:34,598 --> 00:24:37,517
YOU HAVE A NATURAL GIFT
FOR LOOKING BENEATH
THE SURFACE
555
00:24:37,517 --> 00:24:39,603
AND SEEING
WHAT'S REALLY GOING ON.
556
00:24:39,603 --> 00:24:42,273
I DON'T FIND THAT
IN A LOT OF STUDENTS.
YOU SHOULD BE PROUD.
557
00:24:42,273 --> 00:24:43,774
THANKS. BUT...
I REALLY, UH...
558
00:24:43,774 --> 00:24:45,567
ENJOY YOUR CLASS.
559
00:24:45,567 --> 00:24:47,320
THANKS. (CHUCKLES)
560
00:24:50,364 --> 00:24:53,784
YOU KNOW, I MET MY WIFE
AT A PARTY LIKE THIS
WHEN I WAS IN GRAD SCHOOL.
561
00:24:53,784 --> 00:24:56,620
SHE HAD PURPLE HAIR
ALL THE WAY DOWN
TO HER WAIST.
562
00:24:56,620 --> 00:24:58,580
SEEMS LIKE
A MILLION YEARS AGO.
563
00:24:59,457 --> 00:25:01,208
SHE'S PREGNANT.
564
00:25:01,208 --> 00:25:03,419
SHE JUST TOLD ME
YESTERDAY.
565
00:25:03,419 --> 00:25:05,879
SHE'S AT THIS CONFERENCE
IN PHILADELPHIA.
566
00:25:05,879 --> 00:25:08,341
I JUST COULDN'T SIT
IN THAT APARTMENT
BY MYSELF.
567
00:25:08,341 --> 00:25:09,925
I'M JUST SO...
568
00:25:09,925 --> 00:25:11,844
I DON'T KNOW.
569
00:25:11,844 --> 00:25:16,682
EVERYTHING JUST...
FEELS A LITTLE TOO REAL.
570
00:25:16,682 --> 00:25:19,643
MAYBE THAT'S WHY
I CAME HERE TONIGHT.
571
00:25:19,643 --> 00:25:22,062
HEY, I'M SORRY.
I SHOULDN'T BE TELLING
YOU ALL THIS.
572
00:25:22,062 --> 00:25:23,981
NO, NO, IT--IT'S OK.
573
00:25:23,981 --> 00:25:27,026
IT'S ALL RIGHT.
I DON'T MIND.
574
00:25:27,026 --> 00:25:29,278
I JUST FEEL RIDICULOUS
BEING HERE.
575
00:25:29,278 --> 00:25:31,655
WHAT? RIDICULOUS?
576
00:25:31,655 --> 00:25:34,867
IT'S RIDICULOUS
THAT YOU FEEL...
RIDICULOUS.
577
00:25:34,867 --> 00:25:36,952
(LAUGHING)
578
00:25:39,288 --> 00:25:41,539
(BUSY SIGNAL)
579
00:25:42,791 --> 00:25:44,335
ALL RIGHT.
AM I GONNA HAVE TO
580
00:25:44,335 --> 00:25:45,794
TAKE THAT CELL PHONE
AWAY NOW?
581
00:25:45,794 --> 00:25:48,506
LOOK, IT'S A BUMMER
OF A SITUATION,
582
00:25:48,506 --> 00:25:51,175
BUT THERE ARE NAKED
GIRLS OVER THERE,
PACEY,
583
00:25:51,175 --> 00:25:54,845
GYRATING ON STAGE
FOR OUR HARD-EARNED
DOLLAR BILLS.
584
00:25:54,845 --> 00:25:57,139
MANY OF THEM, PERHAPS,
ARE SINGLE MOTHERS
585
00:25:57,139 --> 00:25:58,724
OR STRUGGLING CO-EDS.
586
00:25:58,724 --> 00:26:00,351
DON'T YOU
WANNA HELP THEM
EARN A LIVING?
587
00:26:00,351 --> 00:26:02,228
SURE. BUT I JUST REALLY
MESSED UP WITH MY GIRL--
588
00:26:02,228 --> 00:26:03,645
I KNOW. I WAS THERE.
589
00:26:03,645 --> 00:26:07,024
LOOK, CAN WE
TALK FOR REAL
FOR A MINUTE...
590
00:26:07,024 --> 00:26:11,653
WITHOUT ALL THAT
MACHO, COMPETITIVE
CO-WORKER BANTER STUFF?
591
00:26:11,653 --> 00:26:12,905
SURE.
592
00:26:12,905 --> 00:26:15,074
ALL RIGHT.
593
00:26:15,074 --> 00:26:16,242
HERE'S THE THING.
594
00:26:16,242 --> 00:26:18,035
I CAN SEE YOU LOVE HER.
595
00:26:18,035 --> 00:26:20,079
EVERYTHING ABOUT YOU
PRACTICALLY SCREAMS,
596
00:26:20,079 --> 00:26:22,580
"I AM AN IDIOT IN LOVE,"
AND I RECOGNIZE THAT
597
00:26:22,580 --> 00:26:25,625
BECAUSE I WAS AN IDIOT
IN LOVE ONCE, TOO.
598
00:26:25,625 --> 00:26:28,212
AND I HURT HER,
JUST LIKE YOU DID.
599
00:26:28,212 --> 00:26:30,548
NO. WORSE THAN YOU DID.
600
00:26:30,548 --> 00:26:33,342
AND AFTERWARDS,
I SPENT A WHOLE NIGHT
601
00:26:33,342 --> 00:26:36,636
JUST TRYING TO CALL HER,
CRYING MY EYES OUT
LIKE A BABY.
602
00:26:36,636 --> 00:26:38,847
SHE WOULDN'T
TAKE MY CALL,
SO YOU KNOW WHAT I DID?
603
00:26:38,847 --> 00:26:40,099
WHAT?
604
00:26:40,099 --> 00:26:42,309
SHOWED UP AT HER HOUSE,
KNOCKED ON HER DOOR.
605
00:26:42,309 --> 00:26:43,936
I DIDN'T HAVE
ANY FLOWERS,
606
00:26:43,936 --> 00:26:45,979
DIDN'T HOLD A BOOM BOX
OVER MY HEAD.
607
00:26:45,979 --> 00:26:47,147
IT WAS JUST ME AND HER.
608
00:26:47,147 --> 00:26:49,858
AND I LOOKED AT HER,
AND SHE LOOKED AT ME,
609
00:26:49,858 --> 00:26:52,445
AND I DIDN'T NEED
TO SAY ANYTHING
610
00:26:52,445 --> 00:26:56,073
BECAUSE WE BOTH KNEW
THAT I LOVED HER
AND I WAS SORRY.
611
00:26:56,073 --> 00:26:58,784
THAT'S WHY I DON'T THINK
YOU NEED TO SWEAT THIS.
612
00:26:58,784 --> 00:27:00,119
IF YOU LOVE HER
AND YOU'RE SORRY,
613
00:27:00,119 --> 00:27:02,538
SHE'LL KNOW, MAN.
614
00:27:04,831 --> 00:27:06,459
TCH.
615
00:27:06,459 --> 00:27:08,252
RICH...
616
00:27:08,252 --> 00:27:10,129
YOU ARE...
FULL OF SUCH
617
00:27:10,129 --> 00:27:12,214
UNBELIEVABLE CRAP!
618
00:27:12,214 --> 00:27:13,299
COME ON,
THAT WAS GOLD!
619
00:27:13,299 --> 00:27:15,509
YOU CALL YOURSELF
A SALESMAN SERIOUSLY?
620
00:27:15,509 --> 00:27:17,219
FINE. BUT I AM RIGHT
ABOUT ONE THING.
621
00:27:17,219 --> 00:27:18,929
THERE'S NOTHING MORE
YOU CAN DO NOW,
622
00:27:18,929 --> 00:27:20,931
AND YOU BOTH NEED
TIME TO COOL OFF,
AND YOU'RE HERE,
623
00:27:20,931 --> 00:27:23,183
SO YOU MIGHT AS WELL
HAVE SOME FUN,
DON'T YA THINK?
624
00:27:23,183 --> 00:27:25,311
YEAH, SURE.
ALL RIGHT!
625
00:27:25,311 --> 00:27:27,187
SO LET'S GO
SEE SOME STRIPPERS!
626
00:27:27,187 --> 00:27:29,607
YOU LOOK HER
IN THE EYES
AND YOU'LL JUST KNOW?
627
00:27:29,607 --> 00:27:31,942
YOU JUST KNOW.
YOU LOOK AT HER...
628
00:27:31,942 --> 00:27:33,860
YOU'RE REALLY CUTE,
YOU KNOW THAT?
629
00:27:33,860 --> 00:27:35,070
HA.
630
00:27:35,070 --> 00:27:36,447
YES.
631
00:27:36,447 --> 00:27:38,698
I'M ALSO...
632
00:27:38,698 --> 00:27:41,327
VERY DUMB, THOUGH.
AND DON'T FORGET
RICH.
633
00:27:41,327 --> 00:27:43,537
I DON'T MIND.
634
00:27:43,537 --> 00:27:46,664
YOU'RE SWEET, I THINK.
635
00:27:46,664 --> 00:27:48,250
WHA--
636
00:27:52,087 --> 00:27:53,422
SORRY.
637
00:27:53,422 --> 00:27:55,132
HEY, HEY!
YUP?
638
00:27:55,132 --> 00:27:57,134
WHY DON'T WE GO
FIND A PLACE
639
00:27:57,134 --> 00:27:59,303
WHERE WE CAN BE ALONE?
640
00:27:59,303 --> 00:28:01,679
OK. THAT SOUNDS FINE.
641
00:28:05,267 --> 00:28:07,353
YEAH, UM...
I THINK THEY'RE OK,
642
00:28:07,353 --> 00:28:09,729
BUT I KINDA PREFER
THE WHITE STRIPES.
643
00:28:09,729 --> 00:28:11,982
(JASON LAUGHING,
AUDREY WHOOPING)
644
00:28:11,982 --> 00:28:14,193
AUDREY.
645
00:28:14,193 --> 00:28:16,862
♪ AUDREY! ♪
646
00:28:16,862 --> 00:28:19,365
HEY, AUDREY.
647
00:28:21,534 --> 00:28:23,536
'SCUSE US.
WHAT ARE YOU DOING?
648
00:28:23,536 --> 00:28:24,662
WE'RE GOING
TO THE BEDROOM.
649
00:28:24,662 --> 00:28:26,955
DON'T YOU THINK
SHE'S A LITTLE DRUNK?
650
00:28:26,955 --> 00:28:29,208
DON'T YOU THINK
YOU SHOULD MIND
YOUR OWN BUSINESS?
651
00:28:29,208 --> 00:28:30,501
HI. I'LL BE FINE.
652
00:28:32,378 --> 00:28:34,547
WAIT A MINUTE.
WAIT, WAIT, WAIT.
HANG ON.
653
00:28:34,547 --> 00:28:36,131
WAIT--WHOA.
WHAT ARE YOU DOING?
654
00:28:36,131 --> 00:28:38,758
DON'T WORRY ABOUT THEM.
COME ON, WE WERE TALKING
ABOUT MUSIC.
655
00:28:38,758 --> 00:28:40,302
I'M GONNA GO TALK
TO MY FRIEND.
656
00:28:40,302 --> 00:28:42,555
YOUR FRIEND'S FINE.
SHE'S WITH MY FRIEND.
HE'S A GOOD GUY.
657
00:28:42,555 --> 00:28:45,182
WHY DON'T YOU GET
OUT OF MY WAY?
658
00:28:45,182 --> 00:28:46,933
JUST CHILL OUT.
WE'RE HAVING
A GOOD TIME HERE.
659
00:28:46,933 --> 00:28:49,395
IF YOU DON'T
GET OUT OF MY WAY
IN THE NEXT 5 SECONDS,
660
00:28:49,395 --> 00:28:51,355
I WILL SEPARATE YOU
FROM YOUR GENITALIA.
661
00:28:51,355 --> 00:28:52,606
HEY, WHAT'S THE PROBLEM?
662
00:28:52,606 --> 00:28:53,857
THIS GUY
WON'T LET ME THROUGH.
663
00:28:53,857 --> 00:28:56,151
HIS FRIEND JUST TOOK
AUDREY UP TO A BEDROOM,
664
00:28:56,151 --> 00:28:58,904
AND SHE'S ABOUT TO
PASS OUT.
OK.
665
00:28:58,904 --> 00:29:01,114
THAT'S NOT WHAT'S
HAPPENING. YOUR PSYCHO
CHICK FRIEND HERE
666
00:29:01,114 --> 00:29:02,824
IS JUST
FREAKIN' OUT.
667
00:29:02,824 --> 00:29:04,577
THEN IT WON'T BE
A PROBLEM IF WE GO
CHECK IT OUT, WILL IT?
668
00:29:15,337 --> 00:29:16,672
COME ON. WE'RE GOING.
669
00:29:16,672 --> 00:29:18,006
COME ON,
LEAVE HER ALONE!
670
00:29:18,006 --> 00:29:20,509
HEY, HEY, HEY, EASY!
671
00:29:20,509 --> 00:29:21,968
GIRLS, WHY DON'T YOU
GET OUT OF HERE?
672
00:29:21,968 --> 00:29:23,803
OH, MY GOD.
COME ON. COME ON.
673
00:29:23,803 --> 00:29:27,099
COME ON.
674
00:29:25,472 --> 00:29:27,099
IT'S OK. IT'S OK.
675
00:29:36,900 --> 00:29:38,277
WE NEED TO TALK.
676
00:29:39,528 --> 00:29:40,738
OK.
677
00:29:40,738 --> 00:29:42,197
I'VE JUST COME FROM
NATASHA'S TRAILER.
678
00:29:42,197 --> 00:29:43,532
YEAH.
679
00:29:43,532 --> 00:29:45,576
LOOK, I DON'T KNOW
HOW ELSE TO SAY THIS.
680
00:29:45,576 --> 00:29:48,412
YOU SCREWED UP, MATE.
SHE WON'T COME OUT
UNTIL YOU'RE GONE.
681
00:29:48,412 --> 00:29:51,540
WHICH GIVES ME NO CHOICE
BUT TO DO SOMETHING
I REALLY DON'T WANT TO DO,
682
00:29:51,540 --> 00:29:53,083
BECAUSE YOU'RE THE BEST
ASSISTANT I'VE EVER HAD
683
00:29:53,083 --> 00:29:55,335
AND THE ONLY ONE ON SET
I ACTUALLY
DON'T WANNA FIRE.
684
00:29:55,335 --> 00:29:58,422
BUT FOR THE SAKE OF THE FILM,
IT'S EXACTLY
WHAT I HAVE TO DO.
685
00:29:58,422 --> 00:30:00,549
I UNDERSTAND.
686
00:30:00,549 --> 00:30:02,635
LOOK, IT'S GOT ME
SO UPSET,
687
00:30:02,635 --> 00:30:04,344
I'M SMOKIN' AGAIN.
YOU SHOULDN'T.
688
00:30:04,344 --> 00:30:06,804
YEAH, YOU'RE RIGHT.
689
00:30:10,976 --> 00:30:13,520
WE'VE GOT A BIT OF TIME
BEFORE THE NEXT SET-UP.
690
00:30:13,520 --> 00:30:16,398
WHY DON'T YOU
SAY YOUR GOOD-BYES,
GATHER YOUR THINGS?
691
00:30:16,398 --> 00:30:19,859
AND I WANT YOU
TO KEEP IN TOUCH.
MAYBE ON MY NEXT FILM--
692
00:30:19,859 --> 00:30:21,403
YEAH, YEAH.
693
00:30:25,073 --> 00:30:26,824
I'M GONNA
MISS YOU, MATE.
694
00:30:52,225 --> 00:30:53,477
YOU CAN GO.
695
00:30:53,477 --> 00:30:54,436
I THINK I'M GONNA
STAY HERE TONIGHT.
696
00:30:54,436 --> 00:30:55,437
YOU SURE?
YEAH.
697
00:30:55,437 --> 00:30:56,563
OK.
698
00:31:13,831 --> 00:31:15,290
HEY...
699
00:31:18,168 --> 00:31:19,753
CAN I GET YOU SOMETHING
700
00:31:19,753 --> 00:31:21,338
LIKE A GLASS OF WATER
MAYBE?
701
00:31:21,338 --> 00:31:23,841
WILL YOU JUST GO?
702
00:31:25,718 --> 00:31:26,885
AUDREY...
703
00:31:28,554 --> 00:31:30,222
SERIOUSLY, JEN...
704
00:31:30,222 --> 00:31:31,097
LEAVE.
705
00:31:39,105 --> 00:31:41,024
I'LL CALL YOU
IN THE MORNING.
706
00:32:03,422 --> 00:32:05,465
YOU'RE STILL HERE.
707
00:32:05,465 --> 00:32:07,509
YEAH, I WAS JUST...
708
00:32:07,509 --> 00:32:09,511
UH...GONNA LEAVE
709
00:32:09,511 --> 00:32:11,597
IN A MINUTE.
710
00:32:11,597 --> 00:32:13,891
I'M SORRY.
711
00:32:13,891 --> 00:32:16,518
I GUESS I WAS
KIND OF MEAN TO YOU
TONIGHT AT FIRST, HUH?
712
00:32:16,518 --> 00:32:17,728
NO, NOT REALLY.
713
00:32:24,317 --> 00:32:27,571
YOU KNOW...
714
00:32:27,571 --> 00:32:29,740
WHAT HAPPENED
TO AUDREY TONIGHT...
715
00:32:29,740 --> 00:32:32,743
IT'S HAPPENED TO ME
BEFORE...
716
00:32:32,743 --> 00:32:34,369
MORE THAN ONCE,
717
00:32:34,369 --> 00:32:37,122
AND...
718
00:32:37,122 --> 00:32:40,542
TO WATCH IT...
TO WATCH HER
GO THROUGH IT WAS...
719
00:32:40,542 --> 00:32:42,961
JUST WEIRD.
720
00:32:47,382 --> 00:32:49,718
NOW YOU KNOW
WHAT A MESS I AM.
721
00:32:49,718 --> 00:32:52,805
I DON'T THINK
YOU'RE A MESS.
722
00:32:52,805 --> 00:32:55,390
WELL, THEN YOU HAVEN'T
BEEN PAYING VERY CLOSE
ATTENTION TONIGHT.
723
00:32:55,390 --> 00:32:58,727
NO.
724
00:32:58,727 --> 00:33:00,395
YOU KNOW...
725
00:33:00,395 --> 00:33:02,397
JEN, YOU DIDN'T
DO ANYTHING WRONG
TONIGHT.
726
00:33:02,397 --> 00:33:06,192
AND WHATEVER MISTAKES
YOU HAVE IN YOUR PAST,
THEY'RE OVER,
727
00:33:06,192 --> 00:33:08,194
AND THEY'VE
OBVIOUSLY MADE YOU
A MORE EMPATHETIC
728
00:33:08,194 --> 00:33:10,447
AND MORE
COMPASSIONATE PERSON,
729
00:33:10,447 --> 00:33:13,575
AND I DON'T THINK
THAT'S SUCH A BAD THING.
730
00:33:13,575 --> 00:33:15,577
WELL, THAT'S A VERY NICE
SPIN,
731
00:33:15,577 --> 00:33:17,203
EVEN IF IT'S NOT TRUE.
732
00:33:17,203 --> 00:33:19,997
IT IS TRUE.
YOU JUST HAVE TO LEARN
TO BELIEVE IT.
733
00:33:33,136 --> 00:33:34,554
JOEY.
734
00:33:34,554 --> 00:33:36,515
HI. I WAS SUPPOSED
TO PAY YOU
FOR THE FOOD.
735
00:33:36,515 --> 00:33:38,517
I NEVER DID, SO...
736
00:33:38,517 --> 00:33:39,726
(PAPER CRINKLES)
HERE YOU GO.
737
00:33:39,726 --> 00:33:41,603
THANKS.
738
00:33:41,603 --> 00:33:43,021
SO, LISTEN,
739
00:33:43,021 --> 00:33:45,816
I...THINK I'M GOING
BACK TO CALIFORNIA.
740
00:33:45,816 --> 00:33:49,528
'CAUSE I DON'T REALLY
WORK HERE ANYMORE.
741
00:33:52,155 --> 00:33:53,448
I'M SORRY, DAWSON.
742
00:33:53,448 --> 00:33:54,324
THINGS HAPPEN.
743
00:34:00,580 --> 00:34:03,249
I SHOULD PROBABLY...
744
00:34:03,249 --> 00:34:04,751
GO.
745
00:34:04,751 --> 00:34:06,628
CAN I ASK YOU
A QUESTION?
746
00:34:08,630 --> 00:34:09,923
SURE.
747
00:34:13,259 --> 00:34:15,053
DO YOU THINK
IT WOULD HAVE
WORKED OUT BETWEEN US
748
00:34:15,053 --> 00:34:17,263
IF I--IF WE HADN'T--
749
00:34:18,807 --> 00:34:19,892
IF THINGS HAD BEEN
DIFFERENT?
750
00:34:24,771 --> 00:34:26,815
I DON'T KNOW.
751
00:34:26,815 --> 00:34:28,692
I MEAN,
THAT'S THE THING WITH US.
752
00:34:28,692 --> 00:34:31,277
THEY NEVER ARE, ARE THEY?
753
00:34:31,277 --> 00:34:33,238
NO.
754
00:34:34,447 --> 00:34:36,074
I GUESS NOT.
755
00:34:40,787 --> 00:34:42,998
I THINK...
756
00:34:42,998 --> 00:34:45,042
IN A WAY, THAT...
757
00:34:45,042 --> 00:34:47,419
IT'S GOOD, YOU KNOW?
758
00:34:47,419 --> 00:34:49,755
I MEAN,
MAYBE IT'S THE ONLY WAY
759
00:34:49,755 --> 00:34:51,423
THAT WE COULD FINALLY
STAND ON OUR OWN.
760
00:34:51,423 --> 00:34:55,635
YOU KNOW, TO...
HURT EACH OTHER SO MUCH
761
00:34:55,635 --> 00:34:58,263
THAT WE HAVE NO CHOICE
BUT TO LET GO.
762
00:35:01,098 --> 00:35:03,602
MAYBE OTHERWISE
WE NEVER WOULD.
763
00:35:06,021 --> 00:35:08,314
YEAH.
764
00:35:08,314 --> 00:35:09,148
MAYBE.
765
00:35:15,072 --> 00:35:16,073
I SHOULD GO.
766
00:35:16,073 --> 00:35:17,115
ME, TOO.
767
00:35:31,337 --> 00:35:32,631
Freeman:
THAT ONE?
768
00:35:32,631 --> 00:35:34,132
Jack: YEAH, YEAH.
769
00:35:39,345 --> 00:35:40,889
WELL, THANKS
FOR THE RIDE.
770
00:35:40,889 --> 00:35:43,016
SURE. THANKS FOR
TAKING PITY
771
00:35:43,016 --> 00:35:44,183
AND HANGING OUT
WITH ME ALL NIGHT.
772
00:35:44,183 --> 00:35:45,894
I WASN'T
TAKING PITY ON YOU.
773
00:35:45,894 --> 00:35:47,312
I KNOW.
IT WAS JUST A JOKE.
774
00:35:47,312 --> 00:35:48,855
OH.
HA HA.
775
00:35:48,855 --> 00:35:50,065
I HAD FUN, THOUGH,
TONIGHT.
776
00:35:50,065 --> 00:35:51,566
YEAH, I DID, TOO.
777
00:35:51,566 --> 00:35:52,985
AND I NEEDED IT.
778
00:35:52,985 --> 00:35:54,569
I DON'T THINK I'VE
FELT SO CONFUSED
IN MY WHOLE LIFE.
779
00:35:54,569 --> 00:35:56,947
HERE I AM,
I'M A MARRIED MAN,
780
00:35:56,947 --> 00:35:59,365
MY WIFE IS PREGNANT,
AND, UH...
781
00:35:59,365 --> 00:36:01,910
I'M SHOWING UP
AT A PARTY JUST
'CAUSE I'M HOPING
782
00:36:01,910 --> 00:36:03,787
TO RUN INTO, UH...
A CERTAIN STUDENT.
783
00:36:11,962 --> 00:36:13,630
I JUST SHOCKED YOU,
DIDN'T I?
784
00:36:13,630 --> 00:36:14,631
YOU'RE SHOCKED.
785
00:36:14,631 --> 00:36:16,382
YEAH, YOU DID.
786
00:36:18,343 --> 00:36:20,386
WELL, YOU KNOW,
YOU CAN JUST, UM...
787
00:36:20,386 --> 00:36:21,847
THINK ABOUT IT...
788
00:36:21,847 --> 00:36:23,723
IF YOU WANT, AND...
789
00:36:23,723 --> 00:36:25,391
I'LL, UH...
790
00:36:25,391 --> 00:36:26,685
I'LL JUST KEEP
TEACHING CLASS,
791
00:36:26,685 --> 00:36:28,353
AND I'LL SEE YOU
IN THE CLASS.
792
00:36:28,353 --> 00:36:30,396
YEAH, UH...
793
00:36:30,396 --> 00:36:32,107
I--I'LL SEE YOU
LATER.
794
00:36:32,107 --> 00:36:33,566
RIGHT.
OK.
795
00:36:33,566 --> 00:36:34,526
I'LL SEE YOU.
OK.
796
00:36:34,526 --> 00:36:35,192
BYE.
797
00:36:44,786 --> 00:36:46,663
OH, MY GOD.
798
00:36:52,878 --> 00:36:55,047
(KNOCK ON DOOR)
799
00:37:00,010 --> 00:37:02,179
HI THERE.
800
00:37:02,179 --> 00:37:03,304
HI.
801
00:37:06,516 --> 00:37:07,392
SO...CAN WE TALK?
802
00:37:11,021 --> 00:37:12,898
OK, WELL...
803
00:37:12,898 --> 00:37:14,482
AH...(SIGHS)
804
00:37:14,482 --> 00:37:17,234
CAN I JUST GIVE YOU
A CALL IN THE MORNING?
805
00:37:21,614 --> 00:37:24,159
AUDREY, I DON'T KNOW
WHAT IT IS THAT YOU
WANT ME TO SAY.
806
00:37:24,159 --> 00:37:25,618
I MEAN,
I'M REALLY SORRY, BUT--
807
00:37:25,618 --> 00:37:28,246
MAYBE...
808
00:37:28,246 --> 00:37:30,540
MAYBE YOU CAN JUST
COME INSIDE AND HOLD ME.
809
00:37:33,877 --> 00:37:36,088
YEAH, I CAN DO THAT.
810
00:37:36,088 --> 00:37:38,131
OK.
811
00:38:22,299 --> 00:38:24,052
DAWSON, WAIT.
812
00:38:24,052 --> 00:38:24,928
DON'T GO.
813
00:38:27,973 --> 00:38:29,348
I, UH...
814
00:38:29,348 --> 00:38:31,810
I GOT YOU YOUR JOB
BACK.
815
00:38:31,810 --> 00:38:34,437
SEE, I WAS, UH...
816
00:38:34,437 --> 00:38:36,606
A BIT CRAZY BEFORE.
817
00:38:36,606 --> 00:38:38,150
I, UM...
818
00:38:38,150 --> 00:38:40,235
I SAW THAT GIRL,
AND I FREAKED.
819
00:38:40,235 --> 00:38:44,114
MAYBE PARTLY BECAUSE
I WAS DRUNK...
820
00:38:44,114 --> 00:38:48,118
AND, SEE, I WAS DRUNK
BECAUSE...
821
00:38:48,118 --> 00:38:51,079
I KNEW I WAS
GOING TO SEE YOU
TONIGHT.
822
00:38:51,079 --> 00:38:53,832
AND I WAS AFRAID
OF THAT...
823
00:38:53,832 --> 00:38:57,085
BECAUSE...
WELL, UH...
824
00:38:57,085 --> 00:38:59,671
YOU REALLY HURT ME,
DAWSON.
825
00:38:59,671 --> 00:39:02,841
I MEAN REALLY.
826
00:39:02,841 --> 00:39:05,218
I LIKED YOU A LOT,
827
00:39:05,218 --> 00:39:07,386
AND THEN YOU BROKE UP
WITH ME ON MY
ANSWERING MACHINE--
828
00:39:07,386 --> 00:39:09,346
I KNOW. I'M SO SORRY.
829
00:39:11,599 --> 00:39:14,811
YEAH.
830
00:39:14,811 --> 00:39:16,771
BUT THAT'S NOT WHY
I GOT YOU YOUR JOB
BACK.
831
00:39:16,771 --> 00:39:19,816
OK...THEN WHY?
832
00:39:21,818 --> 00:39:24,279
BECAUSE...
833
00:39:24,279 --> 00:39:26,698
I SAW YOU OUT THERE
TALKING TO HER.
834
00:39:26,698 --> 00:39:29,951
I SAW YOUR FACE
WHEN YOU WERE
WATCHING HER LEAVE,
835
00:39:29,951 --> 00:39:32,662
AND I REALIZED THAT...
836
00:39:32,662 --> 00:39:35,373
SHE HURT YOU WAY MORE
THAN YOU EVER HURT ME.
837
00:39:38,626 --> 00:39:40,503
BUT YOU STILL HURT ME.
838
00:39:40,503 --> 00:39:41,713
A LOT.
839
00:39:41,713 --> 00:39:44,382
I KNOW.
840
00:39:46,259 --> 00:39:47,552
I KNOW YOU KNOW.
841
00:39:51,223 --> 00:39:54,559
COME ON. TODD SAYS
IF YOU'RE NOT BACK
ON SET IN 5 MINUTES,
842
00:39:54,559 --> 00:39:56,477
YOU'RE FIRED AGAIN.
843
00:40:04,819 --> 00:40:07,613
SO, UH, THAT GUY
FROM THE MOVIE SET...
844
00:40:07,613 --> 00:40:09,574
DAWSON?
845
00:40:09,574 --> 00:40:10,992
YEAH.
846
00:40:10,992 --> 00:40:13,245
SO, HE'S, UH...
847
00:40:13,245 --> 00:40:15,788
HE'S NO ONE.
HE'S JUST AN OLD FRIEND.
848
00:40:15,788 --> 00:40:17,165
OH.
849
00:40:17,165 --> 00:40:18,750
SORRY. I DIDN'T
MEAN TO PRY.
850
00:40:18,750 --> 00:40:19,834
I JUST...
851
00:40:19,834 --> 00:40:21,669
CAN I ASK YOU
A QUESTION?
852
00:40:21,669 --> 00:40:22,962
SURE.
853
00:40:22,962 --> 00:40:24,381
WHY DO YOU LIKE
THAT BOOK?
854
00:40:24,381 --> 00:40:27,675
IT CAN'T JUST BE BECAUSE
IT'S ABOUT PEOPLE
WHO FOLLOW THEIR IMPULSES,
855
00:40:27,675 --> 00:40:29,844
BECAUSE
IT STILL HAS NO STORY,
IT MEANDERS,
856
00:40:29,844 --> 00:40:31,096
AND IT'S KIND OF
MISOGYNISTIC.
857
00:40:31,096 --> 00:40:34,015
YEAH.
YEAH, YOU'RE RIGHT.
858
00:40:34,015 --> 00:40:35,767
IT IS ALL THOSE THINGS.
859
00:40:35,767 --> 00:40:37,977
BUT I DON'T KNOW,
I MEAN...
860
00:40:37,977 --> 00:40:40,438
THE FIRST TIME
I READ IT,
IT--IT BLEW MY MIND.
861
00:40:40,438 --> 00:40:43,775
I MEAN, IT'S LIKE
THIS--THIS CELEBRATION
862
00:40:43,775 --> 00:40:45,442
OF MADNESS
863
00:40:45,442 --> 00:40:47,570
ABOUT PEOPLE
WHO AREN'T AFRAID,
864
00:40:47,570 --> 00:40:51,283
WHO TAKE CHANCES,
PEOPLE WHO REALLY
LIVE.
865
00:40:51,283 --> 00:40:54,535
AND I GUESS
THAT I'VE ALWAYS...
866
00:40:54,535 --> 00:40:56,453
WANTED TO BE
ONE OF THOSE PEOPLE,
YOU KNOW?
867
00:41:16,141 --> 00:41:17,225
WHAT WAS THAT?
868
00:41:17,225 --> 00:41:19,394
JUST FOLLOWING
AN IMPULSE.
869
00:41:20,937 --> 00:41:22,230
NO, YOU WEREN'T.
870
00:41:22,230 --> 00:41:24,357
I'M SORRY?
871
00:41:24,357 --> 00:41:27,402
IT'S THAT GUY.
FROM THE MOVIE SET.
872
00:41:27,402 --> 00:41:29,862
YOU'RE ANGRY AT HIM,
AND HE HURT YOU,
873
00:41:29,862 --> 00:41:32,657
AND THAT'S
HOW YOU CHOSE
TO DEAL WITH IT.
874
00:41:32,657 --> 00:41:34,742
OH, THANK YOU,
DR. FREUD.
875
00:41:34,742 --> 00:41:37,036
TELL ME I'M WRONG.
876
00:41:37,036 --> 00:41:39,456
YOU'RE WRONG.
877
00:41:39,456 --> 00:41:42,208
NO. NO, I'M NOT.
878
00:41:42,208 --> 00:41:45,628
LOOK...I DON'T MIND YOU
KISSING ME
879
00:41:45,628 --> 00:41:48,089
IF IT'S BECAUSE
YOU WANT TO KISS ME,
880
00:41:48,089 --> 00:41:51,426
NOT FOR REVENGE
OR TO HELP YOU
FORGET SOMEONE ELSE.
881
00:41:51,426 --> 00:41:53,428
WHATEVER HAPPENED
BETWEEN YOU GUYS,
882
00:41:53,428 --> 00:41:55,554
YOU'RE GONNA HAVE TO
DEAL WITH IT.
883
00:41:55,554 --> 00:41:57,515
YOURSELF.
JUST--JUST YOU.
884
00:42:05,148 --> 00:42:06,441
LOOK, UH...
885
00:42:06,441 --> 00:42:10,111
I'LL GIVE YOU
A RIDE HOME, OK?
886
00:42:10,111 --> 00:42:11,904
I'M JUST GONNA...
887
00:42:11,904 --> 00:42:13,156
GET MY COAT.