1
00:00:10,886 --> 00:00:12,262
HELP?
2
00:00:12,304 --> 00:00:14,306
WELL, HE MIGHT
NOTICE YOU FASTER
3
00:00:14,348 --> 00:00:16,892
IF, UM, IF YOU
LET ME DO A LITTLE WORK
ON THAT T-SHIRT OF YOURS.
4
00:00:16,934 --> 00:00:19,394
A FEW RIPS,
A FEW TEARS.
5
00:00:19,436 --> 00:00:20,646
DO WONDERS
FOR YOUR TIPS.
6
00:00:20,688 --> 00:00:21,897
MY WHAT?
7
00:00:21,939 --> 00:00:23,524
YOUR TIPS.
8
00:00:23,565 --> 00:00:25,734
YOUR GRATUITIES.
9
00:00:26,819 --> 00:00:27,987
WHAT DID YOU
THINK I SAID?
10
00:00:28,028 --> 00:00:29,363
NOTHING!
11
00:00:30,865 --> 00:00:31,949
YES.
12
00:00:31,991 --> 00:00:33,784
OH. FINALLY.
13
00:00:33,826 --> 00:00:36,244
COULD YOU MAKE ME WAIT
A LITTLE BIT LONGER
THE NEXT TIME?
14
00:00:36,286 --> 00:00:37,538
SORRY, I, UH...
15
00:00:37,579 --> 00:00:39,080
GUESS I FIND YOU
A LITTLE INTIMIDATING
16
00:00:39,122 --> 00:00:41,792
NOW THAT YOU'VE TRIED
TO RAM YOUR TONGUE
DOWN MY THROAT.
17
00:00:41,834 --> 00:00:43,794
I NEED 2 DRAFTS,
A BOILERMAKER,
18
00:00:43,836 --> 00:00:45,713
AND I THOUGHT
WE AGREED TO NEVER
SPEAK OF THAT AGAIN.
19
00:00:45,754 --> 00:00:47,548
YOU KNOW, I DON'T
REMEMBER HAVING
THAT CONVERSATION.
20
00:00:47,589 --> 00:00:49,466
WE DIDN'T.
IT WAS IMPLIED.
21
00:00:49,508 --> 00:00:53,178
SOCIAL CONVENTIONS DICTATE
THAT WHEN SOMETHING
EMBARRASSING HAPPENS,
22
00:00:53,220 --> 00:00:56,515
WE ALL TACITLY AGREE
TO NEVER SPEAK
OF THEM AGAIN.
23
00:00:56,557 --> 00:00:58,433
IT'S WHAT KEEPS US GOING
AS A SOCIETY.
24
00:00:58,475 --> 00:00:59,810
THAT...AND ALCOHOL.
25
00:01:01,269 --> 00:01:02,771
YEAH, WELL, I DON'T.
26
00:01:02,813 --> 00:01:04,231
YOU DON'T WHAT?
27
00:01:04,272 --> 00:01:06,191
DON'T AGREE.
28
00:01:08,109 --> 00:01:09,653
YOU KNOW WHAT?
I REALLY DON'T FEEL
29
00:01:09,695 --> 00:01:11,780
LIKE GETTING
INTO A PHILOSOPHICAL
DISCUSSION ABOUT THIS.
30
00:01:11,822 --> 00:01:13,073
I JUST WOULD
LIKE YOU TO--
31
00:01:13,114 --> 00:01:14,950
OH, GOOD GOD!
32
00:01:14,992 --> 00:01:17,077
YOU TWO AREN'T
FIGHTING AGAIN,
ARE YOU?
33
00:01:17,118 --> 00:01:18,662
NO, NO. APPARENTLY,
WE'RE HAVING
SOME KIND OF...
34
00:01:18,704 --> 00:01:20,205
UH, PHILOSOPHICAL
DISCUSSION.
35
00:01:20,247 --> 00:01:22,332
OH. GOOD.
'CAUSE I'M LEAVING.
36
00:01:24,459 --> 00:01:26,461
OFF TO REHEARSAL,
WHERE I HOPEFULLY
37
00:01:26,503 --> 00:01:29,130
STILL HAVE
A FEW BAND MEMBERS
LEFT TO, UH, FIRE
38
00:01:29,172 --> 00:01:31,090
BEFORE OUR BIG
HELL'S KITCHEN
39
00:01:31,132 --> 00:01:33,134
DEBUT PERFORMANCE
TOMORROW NIGHT.
40
00:01:33,176 --> 00:01:34,720
HEY, IF YOU
WANT ME TO PUT UP
41
00:01:34,762 --> 00:01:36,304
SOME OF THOSE FLYERS
FOR YOU, I CAN.
42
00:01:36,346 --> 00:01:38,891
OH, YOU ARE A LOVE,
43
00:01:38,933 --> 00:01:41,769
AREN'T YOU? MMM! OH,
AND IT'S JUST GETTING
44
00:01:41,810 --> 00:01:43,270
A BIT CROWDED BACK THERE,
SO IF YOU TWO
45
00:01:43,311 --> 00:01:44,897
COULD JUST
KISS AND MAKE UP,
46
00:01:44,939 --> 00:01:46,565
I'M SURE THE CUSTOMERS
WOULD APPRECIATE IT.
47
00:01:52,153 --> 00:01:53,113
YOU TOLD HER.
48
00:01:53,154 --> 00:01:54,031
COINCIDENCE.
49
00:01:55,323 --> 00:01:57,325
WHAT? WHY
WOULD I TELL HER?
50
00:01:57,367 --> 00:01:59,078
TO EMBARRASS ME?
51
00:01:59,119 --> 00:02:02,915
OH, NOW, YOU'RE
DOIN' A PRETTY GOOD JOB
OF THAT ALL BY YOURSELF.
52
00:03:00,139 --> 00:03:01,890
Has anybody
told you how pretty you are?
53
00:03:07,479 --> 00:03:09,023
HEY.
54
00:03:09,064 --> 00:03:09,940
HI.
55
00:03:13,192 --> 00:03:14,736
UH...YOU KNOW WHAT?
56
00:03:14,778 --> 00:03:15,988
IT'S GETTING LATE.
57
00:03:17,739 --> 00:03:19,074
I SHOULD GET TO BED.
58
00:03:19,116 --> 00:03:20,951
BIG DAY TOMORROW.
59
00:03:20,993 --> 00:03:22,161
NOT TO WORRY.
60
00:03:23,328 --> 00:03:24,121
YOU'LL BE GREAT, LUV.
61
00:03:27,916 --> 00:03:30,418
IF YOU WEREN'T
SUCH A DISASTER
62
00:03:30,460 --> 00:03:31,545
WITH WOMEN,
63
00:03:31,586 --> 00:03:35,423
YOU MIGHT BE SNEAKING
OFF TO JOIN HER NOW.
64
00:03:35,465 --> 00:03:37,300
WELL, CARRY ON.
65
00:03:37,342 --> 00:03:39,553
HOLD ON. YOU'RE NOT GETTIN'
RID OF ME THAT FAST.
66
00:03:42,139 --> 00:03:44,016
AS I SUSPECTED,
67
00:03:44,058 --> 00:03:46,185
YOU ARE NOT HERE
TO PARTICIPATE
68
00:03:46,226 --> 00:03:47,895
IN THE GENERAL
DEBAUCHERY.
69
00:03:47,936 --> 00:03:49,437
YOU'RE HERE
TO BORE ME
70
00:03:49,479 --> 00:03:52,482
WITH LITTLE
WORK-RELATED DETAILS.
71
00:03:52,524 --> 00:03:54,902
10 PEOPLE WANT TO KNOW
WHAT PLAN "B" IS FOR FRIDAY.
72
00:03:54,943 --> 00:03:56,737
TELL 'EM THERE
IS NO PLAN "B."
73
00:03:56,778 --> 00:03:58,488
YOU GOTTA AT LEAST
CALL HEATHER TRACY BACK.
74
00:03:58,530 --> 00:04:00,239
SHE'S CALLED,
LIKE, 6 TIMES
IN THE PAST 2 DAYS.
75
00:04:00,281 --> 00:04:04,119
LEERY, YOUR INABILITY
TO RELAX DISTURBS ME.
76
00:04:04,161 --> 00:04:07,330
WE'RE 3 DAYS BEHIND,
UNDER PENALTIES
EVERY DAY THIS WEEK.
77
00:04:07,372 --> 00:04:09,708
WE'VE GOT A MONSTER DAY
TOMORROW, NO SHOT LIST.
78
00:04:09,750 --> 00:04:12,251
THERE'S 70% CHANCE
OF RAIN ON FRIDAY, AND
APPARENTLY NO PLAN "B."
79
00:04:12,293 --> 00:04:13,712
HOW IS THAT
NO WORRIES?
80
00:04:13,754 --> 00:04:15,422
3 DAYS?
81
00:04:15,463 --> 00:04:17,507
I THOUGHT IT WAS 4.
82
00:04:18,842 --> 00:04:20,052
HEATHER!
83
00:04:20,094 --> 00:04:21,970
TODD.
84
00:04:22,012 --> 00:04:24,305
DON'T LOOK
SO SURPRISED.
85
00:04:24,347 --> 00:04:26,850
THIS IS WHAT YOU GET
FOR NOT RETURNING
MY PHONE CALLS.
86
00:04:26,892 --> 00:04:29,895
NO. IT'S LOVELY.
87
00:04:29,937 --> 00:04:31,188
IT'S LOVELY
TO SEE YOU.
88
00:04:34,399 --> 00:04:35,734
DO YOU REMEMBER DAWSON?
89
00:04:35,776 --> 00:04:38,528
YEAH. WE CAN B.S. THE
PLEASANTRIES LATER, SWEETIE.
90
00:04:38,570 --> 00:04:41,322
RIGHT NOW I'M GONNA NEED YOU
TO GET ME A BETTER ROOM.
91
00:04:41,364 --> 00:04:43,658
THE GIRL AT THE FRONT DESK
SAID IT'S IMPOSSIBLE,
92
00:04:43,700 --> 00:04:45,994
BUT I'M SURE YOU CAN WORK
YOUR LITTLE P.A. MAGIC.
93
00:05:06,098 --> 00:05:07,390
WHAT?!
94
00:05:07,432 --> 00:05:08,600
NOTHING!
95
00:05:12,479 --> 00:05:13,605
IS IT GOOD?
96
00:05:13,647 --> 00:05:15,107
IS WHAT GOOD?
97
00:05:15,149 --> 00:05:16,691
THE BOOK.
98
00:05:18,152 --> 00:05:21,280
HONEY, IT'S REQUIRED.
HOW CAN IT BE GOOD?
99
00:05:21,320 --> 00:05:23,364
WELL, YOU KNOW,
IT'S JUST THE FIRST BOOK
100
00:05:23,406 --> 00:05:25,242
THAT I'VE SEEN YOU CRACK
ALL SEMESTER.
101
00:05:27,410 --> 00:05:29,329
SHE DOESN'T ACTUALLY DRINK
THIS GREEN STUFF, DOES SHE?
102
00:05:29,370 --> 00:05:30,664
HEY! AUDREY!
103
00:05:30,705 --> 00:05:32,124
WHAT?
104
00:05:32,166 --> 00:05:32,916
WELL, I'M TRYIN'
TO TALK TO YOU.
105
00:05:32,958 --> 00:05:35,752
OK, I'M LISTENING.
106
00:05:35,794 --> 00:05:37,796
GREAT. THEN MAYBE
YOU CAN TELL ME
107
00:05:37,838 --> 00:05:39,089
WHAT'S BEEN BOTHERIN'
YOU ALL WEEK.
108
00:05:39,131 --> 00:05:41,091
NOTHING IS BOTHERING ME.
109
00:05:41,133 --> 00:05:43,718
REALLY?
110
00:05:43,760 --> 00:05:45,595
'CAUSE I GOTTA SAY
YOU'VE BEEN ACTIN'
A LITTLE WEIRD.
111
00:05:45,637 --> 00:05:47,430
OK, PACEY.
112
00:05:47,472 --> 00:05:48,974
DEFINE WEIRD.
113
00:05:49,016 --> 00:05:51,726
FINE. "WEIRD"
IS STUDIOUS.
114
00:05:51,768 --> 00:05:52,769
"WEIRD" IS QUIET.
115
00:05:52,811 --> 00:05:54,353
WHAT, SO I ACT
LIKE JOEY FOR A CHANGE,
116
00:05:54,395 --> 00:05:56,106
AND ALL OF A SUDDEN,
I'M WEIRD?
117
00:05:58,483 --> 00:06:00,986
OK, FINE. LOOK, I JUST
WANT TO KNOW IF PERHAPS
118
00:06:01,028 --> 00:06:02,737
YOU AND JEN MIGHT'VE
GOTTEN INTO A LITTLE BIT
OF TROUBLE
119
00:06:02,779 --> 00:06:03,989
AT THAT PARTY LAST WEEK.
120
00:06:04,031 --> 00:06:06,449
NO. AND YOU KNOW WHAT?
FOR A FORMER PARTY GIRL,
121
00:06:06,491 --> 00:06:08,743
THAT GIRL'S NOT EVEN
ON A FIRST-NAME BASIS
WITH TROUBLE.
122
00:06:08,785 --> 00:06:10,162
'CAUSE, YOU KNOW,
JACK AND I WERE TALKING,
123
00:06:10,204 --> 00:06:11,579
AND HE SAID THAT HE LOST
YOU AT A CERTAIN POINT
124
00:06:11,621 --> 00:06:12,747
AND YOU WERE A LITTLE
WORRIED, MAYBE.
125
00:06:12,789 --> 00:06:14,291
WELL, YEAH. PACEY,
IT WAS CROWDED,
126
00:06:14,333 --> 00:06:15,792
AND JEN RAN INTO SOMEBODY
THAT SHE KNEW.
127
00:06:15,834 --> 00:06:17,836
OH, REALLY?
128
00:06:17,878 --> 00:06:18,837
A GUY?
129
00:06:18,879 --> 00:06:21,131
YEAH.
130
00:06:21,173 --> 00:06:22,507
A NICE GUY.
131
00:06:22,549 --> 00:06:25,426
A REGULAR KNIGHT
IN SHINING ARMOR.
132
00:06:25,468 --> 00:06:28,263
YEAH, I'M SURE HE WAS.
JUST LIKE ME, RIGHT?
133
00:06:30,724 --> 00:06:32,267
YES, HONEY.
134
00:06:32,309 --> 00:06:33,685
JUST LIKE YOU.
135
00:06:33,727 --> 00:06:36,855
YOU KNOW, FUNNY THING.
136
00:06:36,897 --> 00:06:38,565
WE ARE ALL ALONE
HERE TONIGHT.
137
00:06:38,606 --> 00:06:40,441
MMM.
138
00:06:43,444 --> 00:06:44,363
MMM.
139
00:06:48,116 --> 00:06:50,369
UM...
140
00:06:52,537 --> 00:06:53,872
YEAH.
141
00:06:53,914 --> 00:06:55,040
I'M SORRY.
142
00:06:55,082 --> 00:06:56,457
OH.
143
00:06:56,499 --> 00:06:57,584
OHH.
144
00:06:57,625 --> 00:07:00,128
NO, IT'S JUST THAT
I'M REALLY TIRED AND--
145
00:07:00,170 --> 00:07:02,005
YEAH, COOL.
THAT'S--TIRED.
146
00:07:02,047 --> 00:07:03,506
NO, BECAUSE WE COULD---
NO, NO, NO, NO, NO.
147
00:07:03,548 --> 00:07:05,884
I'M ONLY--
IT'S ALL RIGHT.
JUST...PSHH...NO.
148
00:07:05,926 --> 00:07:07,468
I'M JUST...
149
00:07:10,513 --> 00:07:12,266
IT'S FINE.
150
00:07:15,435 --> 00:07:16,561
HMM.
151
00:07:26,947 --> 00:07:28,489
PACEY!
152
00:07:34,996 --> 00:07:36,206
PACEY!
153
00:07:36,248 --> 00:07:37,540
YES! WHAT?
I DIDN'T DO IT.
154
00:07:37,582 --> 00:07:40,335
YOU STAYED UP AGAIN
ALL LAST NIGHT, HAVEN'T YOU?
155
00:07:40,377 --> 00:07:41,795
YES.
156
00:07:41,836 --> 00:07:44,047
AND YOU FINISHED
ALL THE COFFEE.
157
00:07:44,089 --> 00:07:46,091
OH!
158
00:07:46,133 --> 00:07:48,718
OK, YES. BUT THERE'S
MORE. WE HAVE PLENTY.
159
00:07:48,760 --> 00:07:50,511
AND YOU KNOW,
IT'S REALLY STRANGE.
160
00:07:50,553 --> 00:07:52,389
THAT THING THAT EVERYBODY
SAYS ABOUT IT BEING HARD
TO STAY UP ALL NIGHT--
161
00:07:52,431 --> 00:07:54,599
IT'S REALLY NOT. IT'S
JUST THAT HOUR FROM 4:00
TO 5:00 THAT GETS YOU.
162
00:07:54,641 --> 00:07:56,768
BUT YOU'D BE AMAZED
AT WHAT YOUR MIND
ACTUALLY RETAINS.
163
00:07:56,810 --> 00:07:59,438
I MEAN, I KNOW ALL
ABOUT MARKET OPTIONS,
EQUITY ACCOUNTS,
164
00:07:59,479 --> 00:08:01,189
NONCONVERTIBLE BONDS,
BUT YOU'D--
PACEY!
165
00:08:01,231 --> 00:08:02,523
YES?
166
00:08:02,565 --> 00:08:04,318
COFFEE!
I GOT IT.
167
00:08:06,278 --> 00:08:07,404
THAT'S NOT
YOUR BLOODY GIRLFRIEND
168
00:08:07,446 --> 00:08:08,405
IN THE SHOWER AGAIN,
IS IT?
169
00:08:11,491 --> 00:08:12,867
NOPE. THAT'S JACK.
170
00:08:12,909 --> 00:08:14,535
♪ ALL THE LEAVES
ARE BROWN ♪
171
00:08:14,577 --> 00:08:16,204
♪ THE LEAVES ARE BROWN ♪
172
00:08:16,246 --> 00:08:17,289
♪ AND THE SKY IS GRAY ♪
173
00:08:18,581 --> 00:08:20,459
DO YOU KNOW HOW LONG
SHE'S GONNA BE IN THERE?
174
00:08:20,500 --> 00:08:22,336
UH, THAT DEPENDS,
REALLY,
175
00:08:22,377 --> 00:08:23,795
ON HOW BIG
A WATER TANK YOU HAVE.
176
00:08:23,837 --> 00:08:25,380
DIDN'T WE TALK ABOUT THIS?
177
00:08:25,422 --> 00:08:26,923
YES, WE DID.
SHE'S HERE
178
00:08:26,965 --> 00:08:28,591
ALL THE TIME.
179
00:08:28,633 --> 00:08:31,594
YES, SHE IS.
BUT YOU KNOW WHAT'D
BE A GREAT IDEA?
180
00:08:31,636 --> 00:08:33,221
IF THE TWO OF YOU
WOULD DISCUSS THIS,
181
00:08:33,263 --> 00:08:35,556
AND THEN
I'LL GO TO WORK,
AND YOU TELL ME
182
00:08:35,598 --> 00:08:37,309
HOW IT WORKS OUT
WHEN I GET BACK. OK?
OK. BYE-BYE.
183
00:08:37,351 --> 00:08:38,893
HAVE A GOOD DAY.
BYE.
184
00:08:40,354 --> 00:08:42,189
♪ ALL THE LEAVES
ARE BROWN, THE LEAVES ♪
185
00:08:42,230 --> 00:08:44,024
♪ ARE BROWN ♪
OK.
186
00:08:44,065 --> 00:08:47,861
♪ AND THE SKY IS GRAY ♪
187
00:08:47,902 --> 00:08:50,822
♪ I WENT FOR A--
I WENT FOR A WALK ♪
188
00:08:50,864 --> 00:08:52,991
♪ ON SUCH A WINTER DAY ♪
189
00:08:58,121 --> 00:08:59,789
HEY. SO, WHAT HAPPENED?
190
00:08:59,831 --> 00:09:00,999
WHEN?
191
00:09:01,041 --> 00:09:02,625
AT THE PARTY
AFTER WE LOST YOU.
192
00:09:02,667 --> 00:09:04,794
WHERE'D YOU GUYS
GO, ANYWAY?
NOWHERE.
193
00:09:04,836 --> 00:09:06,338
YEAH, RIGHT.
194
00:09:06,380 --> 00:09:08,006
LOOK, DON'T CHANGE
THE SUBJECT ON ME.
195
00:09:08,048 --> 00:09:09,716
I WANT THE DETAILS.
196
00:09:09,757 --> 00:09:11,176
ALL RIGHT,
LOOK, NOTHIN' HAPPENED.
OK?
197
00:09:11,218 --> 00:09:13,636
I MEAN, WHAT COULD
HAPPEN? THE GUY'S
STRAIGHT. YOU KNOW?
198
00:09:13,678 --> 00:09:16,056
EVEN IF HE MAGICALLY
WOKE UP ONE MORNING
AND HE WAS SUDDENLY GAY,
199
00:09:16,097 --> 00:09:18,933
IT'S NOT LIKE I WOULD
ACTUALLY GET INVOLVED
WITH THE GUY. COME ON.
200
00:09:18,975 --> 00:09:20,601
YOU WOULDN'T?
201
00:09:20,643 --> 00:09:22,396
NO. GOD, NO.
202
00:09:23,771 --> 00:09:26,983
GREETINGS, EVERYONE.
SORRY I'M LATE.
203
00:09:27,025 --> 00:09:30,695
BUT I SEE EXHIBITS
A, B, C, AND D HAVE ARRIVED,
204
00:09:30,737 --> 00:09:32,822
BY WHICH I MEAN, OF COURSE,
MY TEACHING ASSISTANTS,
205
00:09:32,864 --> 00:09:35,200
WHO MAY NOW BEGIN
THE ARDUOUS TASK
206
00:09:35,242 --> 00:09:36,701
OF HANDING YOU BACK
YOUR PAPERS.
207
00:09:36,743 --> 00:09:39,704
UNLESS, OF COURSE,
YOU'D PREFER TO SIT HERE
FOR 50 MINUTES
208
00:09:39,746 --> 00:09:42,582
STARING AT THEM
WHILE I DRONE ON
ABOUT REPRESENTATIONS
209
00:09:42,623 --> 00:09:45,626
OF THE SINGLE FATHER
IN PRE- AND POST-VIETNAM
AMERICAN TELEVISION.
210
00:09:47,295 --> 00:09:50,382
NO? NO,
I DIDN'T THINK SO.
211
00:09:50,424 --> 00:09:53,760
AS YOU KNOW,
THESE PAPERS REPRESENT
20% OF YOUR GRADE,
212
00:09:53,801 --> 00:09:55,845
MOST OF WHICH WERE
GRADED BY THE T.A.s,
OF COURSE.
213
00:09:55,887 --> 00:09:58,306
BUT I DID REVIEW
ALL THE GRADES
THOROUGHLY MYSELF,
214
00:09:58,348 --> 00:10:01,017
AND I AM PREPARED
TO DEAL WITH ANY
AND ALL SOB STORIES
215
00:10:01,059 --> 00:10:02,769
THAT MAY BE
COMING MY WAY.
216
00:10:02,810 --> 00:10:04,771
JUST PLEASE
KEEP IN MIND
YEAH!
217
00:10:04,812 --> 00:10:06,356
THIS IS NOT THE FIRST
TIME I'VE HEARD THE ONE
218
00:10:06,398 --> 00:10:08,442
ABOUT HOW A B-PLUS IS
GONNA RUIN YOUR CHANCES
TURN IT OVER.
219
00:10:08,483 --> 00:10:10,651
OF GETTING INTO
A DECENT LAW SCHOOL.
220
00:10:22,997 --> 00:10:24,416
SHOULD'VE
KEPT WALKIN'.
221
00:10:25,375 --> 00:10:26,334
HERE. LET ME.
222
00:10:26,376 --> 00:10:28,420
NOPE. I GOT IT.
223
00:10:28,462 --> 00:10:30,755
JUST TRYING TO BE NICE.
WELL, DON'T.
224
00:10:30,797 --> 00:10:32,382
I LIKED YOU A LOT BETTER
WHEN YOU WERE SURLY.
225
00:10:32,424 --> 00:10:33,716
I AM NOT--
226
00:10:36,428 --> 00:10:39,055
LOOK, I THINK THAT
WE HAVE BOTH BEEN ACTING
227
00:10:39,097 --> 00:10:41,099
A LITTLE IMMATURE
SINCE THE INCIDENT.
228
00:10:41,141 --> 00:10:42,934
I'VE BEEN ACTING
IMMATURE?
229
00:10:44,978 --> 00:10:46,396
I KNOW THAT I HAVE.
230
00:10:46,438 --> 00:10:47,855
DON'T DO THAT.
231
00:10:47,897 --> 00:10:50,567
DON'T BACK DOWN.
IF YOU DO THAT
IN CLASS TODAY,
232
00:10:50,609 --> 00:10:52,569
HETSON'S GONNA
EAT YOU ALIVE.
233
00:10:54,362 --> 00:10:57,073
I SEE, AND WHEN
WILL YOU BE GRACING US
234
00:10:57,115 --> 00:10:58,950
WITH YOUR
IN-CLASS PRESENTATION?
235
00:10:58,992 --> 00:11:01,786
YOU KNOW, IF YOU THINK
I'M BEING A JERK,
JUST TELL ME.
236
00:11:01,828 --> 00:11:04,247
AND HOW IS THAT
GONNA HELP US
GET ALONG ANY BETTER?
237
00:11:04,289 --> 00:11:06,416
OH, IT'S--IT'S NOT,
BUT LET'S NOT PRETEND
238
00:11:06,458 --> 00:11:08,042
THINGS ARE ALL NICE
WHEN THEY'RE NOT.
239
00:11:08,084 --> 00:11:09,710
THEY'RE NOT?
240
00:11:09,752 --> 00:11:13,381
NO. THE, UH, "INCIDENT,"
AS YOU SO CLINICALLY
REFER TO IT,
241
00:11:13,423 --> 00:11:16,259
WAS YOU KISSING ME
ON THE MOUTH
242
00:11:16,301 --> 00:11:19,137
WITH SOME SORT
OF TWISTED INTENT
WE'VE YET TO CLARIFY.
243
00:11:19,179 --> 00:11:21,097
AGREEABLE, YES,
244
00:11:21,139 --> 00:11:22,723
BUT HARDLY NICE.
245
00:11:22,765 --> 00:11:26,227
WHAT, SO NOW WE HAVE
TO GET INTO SOME SORT
OF SEMANTIC ARGUMENT?
246
00:11:27,646 --> 00:11:29,230
SO, YOU COMING
OR WHAT?
247
00:11:29,272 --> 00:11:30,440
WHAT, TO THE LIBRARY?
248
00:11:30,482 --> 00:11:31,858
YEAH. THAT'S
WHERE WE'RE HEADED.
249
00:11:31,899 --> 00:11:33,443
THAT'S WHERE
YOU WERE HEADED.
250
00:11:33,485 --> 00:11:35,069
AND IF YOU'RE
STILL FEELING "NICE,"
251
00:11:35,111 --> 00:11:36,655
YOU MIGHT WANT TO HANG
SOME OF THESE UP
IN THERE.
252
00:11:49,459 --> 00:11:54,130
YEAH, WELL,
HE WANTS A NEW D.P.,
AND HE WANTS HIM NOW.
253
00:11:54,172 --> 00:11:56,633
IT'S NOT EVEN NOON,
AND SHE'S ALREADY FIRED
PEOPLE ON 3 CONTINENTS.
254
00:11:57,634 --> 00:11:58,593
3-EGG OMELET?
255
00:11:58,635 --> 00:12:00,053
ONE EGG,
2 EGG WHITES.
256
00:12:00,094 --> 00:12:01,471
LET'S DO IT.
257
00:12:02,514 --> 00:12:04,765
YEAH? WELL,
IF I KNEW THAT,
258
00:12:04,807 --> 00:12:06,851
THEN I'D BE
THE ASSISTANT.
259
00:12:07,810 --> 00:12:10,564
LISTEN, SWEETIE,
I GOTTA GO.
260
00:12:10,605 --> 00:12:11,772
BREAKFAST IS SERVED, LUV.
261
00:12:11,814 --> 00:12:13,191
I'M NOT GONNA
BEAT AROUND
THE BUSH, TODD.
262
00:12:13,233 --> 00:12:16,069
AS YOUR LITTLE FRIEND HERE
POINTED OUT LAST NIGHT,
263
00:12:16,110 --> 00:12:18,905
YOU'RE WAY BEHIND SCHEDULE
AND WAY OVER BUDGET,
264
00:12:18,946 --> 00:12:21,199
BOTH OF WHICH WE COULD
LIVE WITH IF THE FOOTAGE
WERE A DREAM.
265
00:12:21,241 --> 00:12:23,493
BUT WE HATE THE GIRL.
266
00:12:23,535 --> 00:12:25,036
NATASHA?
267
00:12:25,078 --> 00:12:26,996
NATASHA, NATALIE,
NADIA, WHATEVER.
268
00:12:27,038 --> 00:12:28,747
THE ONE
WITH THE NICE RACK.
269
00:12:28,789 --> 00:12:30,709
I KNOW YOU SAID
YOU COULD WORK WITH HER,
270
00:12:30,749 --> 00:12:33,961
BUT WE FIGURE WE
SHUT DOWN, WE RECAST--
271
00:12:34,003 --> 00:12:35,046
HOLD ON A BLOODY
MINUTE HERE!
272
00:12:35,088 --> 00:12:36,755
YES, SHE MIGHT'VE
BEEN A BIT UNPREPARED,
273
00:12:36,797 --> 00:12:39,050
BUT YOU DON'T
GO AND SHUT DOWN
AN ENTIRE PRODUCTION--
274
00:12:39,092 --> 00:12:40,427
SHE CAN DO THIS JOB.
275
00:12:42,761 --> 00:12:44,013
FOR A HORROR MOVIE
LIKE THIS TO WORK,
276
00:12:44,055 --> 00:12:46,224
THE HEROINE'S
GOTTA BE BOTH SEXY
AND INTELLIGENT.
277
00:12:46,266 --> 00:12:47,434
NATASHA IS THAT GIRL.
278
00:12:47,475 --> 00:12:48,643
WHY DO I CARE
WHAT HE THINKS?
279
00:12:48,685 --> 00:12:50,437
HE IS THE TARGET
DEMOGRAPHIC.
280
00:12:51,605 --> 00:12:53,064
SHOW HER
SOME CUT FOOTAGE.
281
00:12:53,106 --> 00:12:55,233
WE CAN PUT
SOME TOGETHER
BY THIS AFTERNOON.
282
00:12:55,275 --> 00:12:57,611
YOU REALLY THINK
THAT'S GONNA
CHANGE MY MIND?
283
00:12:57,652 --> 00:12:59,320
COULDN'T HURT.
284
00:13:03,032 --> 00:13:03,950
YEAH?
285
00:13:12,667 --> 00:13:14,502
OK, WELL,
THIS HAS GOTTA BE
SOME KIND OF MISTAKE.
286
00:13:14,544 --> 00:13:16,837
I MEAN, MINE'S
HIGHER THAN YOURS.
287
00:13:16,879 --> 00:13:18,214
LOOKS THAT WAY.
288
00:13:18,256 --> 00:13:20,799
AND YOU'VE ACTUALLY
BEEN WORKING HARD
ALL SEMESTER.
289
00:13:20,841 --> 00:13:22,677
YEAH, WELL, APPARENTLY
NOT HARD ENOUGH.
290
00:13:27,265 --> 00:13:28,516
REAL NICE WORK.
291
00:13:29,350 --> 00:13:30,727
HI.
292
00:13:30,769 --> 00:13:33,187
DON'T TELL ME,
ANOTHER UNSATISFIED
CUSTOMER.
293
00:13:33,229 --> 00:13:35,398
I--I JUST, UM...
294
00:13:35,440 --> 00:13:37,484
HAD A QUESTION
ABOUT MY GRADE.
295
00:13:37,525 --> 00:13:39,694
UH, C-MINUS
SEEMS A LITTLE LOW
296
00:13:39,736 --> 00:13:41,488
FOR A PAPER
THAT YOU ENJOYED.
297
00:13:41,529 --> 00:13:42,989
I SAID THAT, DID I?
298
00:13:43,030 --> 00:13:44,699
YEAH, YOU DID
THE OTHER NIGHT.
299
00:13:44,741 --> 00:13:46,825
OF COURSE.
300
00:13:46,867 --> 00:13:49,537
UH, WHAT I MEANT WAS
I REALLY ENJOYED
THE CONTENT.
301
00:13:49,579 --> 00:13:53,040
YOUR GRASP OF STRUCTURE,
ON THE OTHER HAND,
IS QUITE RUDIMENTARY.
302
00:13:53,082 --> 00:13:55,876
I CAN RECOMMEND
A FEW BOOKS THAT
MIGHT HELP WITH THAT.
303
00:13:55,918 --> 00:13:59,046
HOWEVER, I DO HAVE
ANOTHER CLASS I NEED
TO GET TO RIGHT NOW.
304
00:14:00,799 --> 00:14:03,384
YEAH, SURE.
305
00:14:03,426 --> 00:14:06,471
YOU KNOW, A C-MINUS
REALLY ISN'T
ALL THAT BAD, JACK.
306
00:14:06,513 --> 00:14:09,223
YOU TOLD ME YOURSELF
YOU WEREN'T A VERY
MOTIVATED STUDENT.
307
00:14:09,265 --> 00:14:12,727
WELL, I GUESS I THOUGHT
I WAS DOIN' BETTER THIS TERM.
308
00:14:12,769 --> 00:14:15,188
WELL, MAYBE
YOUR EXPECTATIONS
WERE TOO HIGH.
309
00:14:23,988 --> 00:14:25,114
SLOWER.
310
00:14:26,199 --> 00:14:27,367
SLOWER.
311
00:14:30,203 --> 00:14:32,372
CUT!CUT ON REHEARSAL.
312
00:14:32,413 --> 00:14:34,582
CAN SOMEONE FIND LEERY
FOR ME, PLEASE?
313
00:14:34,624 --> 00:14:35,792
HERE.
314
00:14:35,834 --> 00:14:37,418
RIGHT HERE.
315
00:14:37,460 --> 00:14:38,961
SO, IS SHE GONE?
316
00:14:39,003 --> 00:14:41,422
SHE LEFT 15 MINUTES AGO
WITH DIRECTIONS
TO THE NEAREST GYM.
317
00:14:41,464 --> 00:14:43,633
GONNA MEET WITH HER
AND THE EDITOR WHEN
WE BREAK FOR LUNCH.
318
00:14:43,675 --> 00:14:46,219
TODD, HAIR AND MAKEUP'S
DONE WITH NATASHA. WE'RE
JUST WAITING ON CAMERA.
319
00:14:46,260 --> 00:14:47,804
THANKS.
320
00:14:47,846 --> 00:14:50,056
JUST THE CHANCE
I'VE BEEN WAITING FOR.
321
00:14:50,097 --> 00:14:51,599
WHAT ARE YOU
GONNA DO?
322
00:14:51,641 --> 00:14:53,601
WHAT DO YOU THINK
I'M GONNA DO?
323
00:14:53,643 --> 00:14:55,019
FAVORITE PART
OF THE JOB, MATE.
324
00:14:55,061 --> 00:14:56,187
YOU DON'T MEAN THAT.
325
00:14:56,229 --> 00:14:58,147
COURSE I DO.
NOTHING'S AS MUCH FUN
326
00:14:58,189 --> 00:14:59,858
AS EXPLAINING
TO THE OVERPAID HAIRDOS
327
00:14:59,899 --> 00:15:01,359
HOW IMMINENTLY REPLACEABLE
THEY ALL ARE.
328
00:15:01,401 --> 00:15:02,151
I THOUGHT
YOU LIKED HER.
329
00:15:02,193 --> 00:15:03,444
I DO.
330
00:15:03,486 --> 00:15:04,863
NOT AS MUCH AS YOU DO,
OF COURSE,
331
00:15:04,904 --> 00:15:06,989
WHICH MAY BE
CLOUDING YOUR JUDGMENT
ON THIS MATTER.
332
00:15:07,031 --> 00:15:09,116
POINT TAKEN,
BUT HOW IS YELLIN'
AT HER GONNA HELP?
333
00:15:09,158 --> 00:15:11,369
I MEAN, IF YOU DESTROY
HER CONFIDENCE, THE DAY'S
NOT GONNA GO ANY FASTER.
334
00:15:11,411 --> 00:15:14,163
LISTEN, MATE,
LET ME LET YOU IN
ON A LITTLE SECRET.
335
00:15:14,205 --> 00:15:16,791
2-BIT HORROR MOVIES
THAT GET SHUT DOWN
ONE WEEK INTO PRODUCTION?
336
00:15:16,833 --> 00:15:18,793
THEY DON'T ALWAYS
GET STARTED UP AGAIN.
337
00:15:18,835 --> 00:15:20,378
AND AS SOMEONE
WHO WORKS FOR ME,
338
00:15:20,420 --> 00:15:21,962
MY CONTINUED EMPLOYMENT
MIGHT BE OF SOME INTEREST
TO YOU.
339
00:15:22,004 --> 00:15:23,798
SO YOU'D FIRE HER
JUST LIKE THAT.
340
00:15:23,840 --> 00:15:25,842
IF IT WAS A CHOICE
BETWEEN HER AND ME.
341
00:15:25,884 --> 00:15:27,009
THAT'D BE DEAD EASY
NOW, WOULDN'T IT?
342
00:15:27,051 --> 00:15:28,344
TODD.
343
00:15:28,386 --> 00:15:29,888
THEY NEED YOU
AT CAMERA.
344
00:15:29,929 --> 00:15:32,306
THIS DISCUSSION
IS NOT OVER.
345
00:15:35,560 --> 00:15:36,436
'SCUSE ME.
346
00:15:42,066 --> 00:15:44,110
I THOUGHT
I HAD 5 MINUTES.
347
00:15:44,151 --> 00:15:46,195
OOH!
UM--SORRY.
348
00:15:46,237 --> 00:15:47,572
HA HA HA!
349
00:15:47,614 --> 00:15:49,449
BLACK BRA, WHITE SHIRT.
350
00:15:49,490 --> 00:15:51,576
NEVER A GOOD IDEA.
351
00:15:52,744 --> 00:15:53,620
SO, I, UM...
352
00:15:55,288 --> 00:15:57,039
I HEARD TODD
WANTS TO TALK WITH ME.
353
00:15:57,081 --> 00:15:58,291
UH, YEAH.
IT'S, UH...
354
00:15:58,332 --> 00:16:00,251
ABOUT THIS SHOT.
355
00:16:02,336 --> 00:16:03,546
WHAT, IT'S COMPLICATED?
356
00:16:03,588 --> 00:16:06,549
WELL, HE...LIKES
TO MOVE THE CAMERA.
357
00:16:06,591 --> 00:16:08,551
YEAH, SO I NOTICED.
358
00:16:08,593 --> 00:16:10,929
SO, UM...
359
00:16:10,969 --> 00:16:13,389
WHO'S THAT WOMAN
YOU GUYS WERE TALKING
TO THIS MORNING?
360
00:16:13,431 --> 00:16:15,642
SHE'S THE, UH,
EXECUTIVE IN CHARGE
OF PRODUCTION.
361
00:16:15,683 --> 00:16:18,269
SHE'S WORRIED ABOUT
ALL THE OVERTIME.
362
00:16:18,311 --> 00:16:19,687
COOL.
363
00:16:21,773 --> 00:16:23,399
IS SOMETHING WRONG, DAWSON?
364
00:16:23,441 --> 00:16:26,653
NO, NOTHIN', OTHER
THAN YOU BEING NAKED
WHEN I WALKED IN.
365
00:16:28,488 --> 00:16:29,363
SUCH A PRUDE.
366
00:16:31,282 --> 00:16:32,951
IF WE'RE GONNA WORK TOGETHER,
YOU'RE GONNA HAVE TO LEARN
367
00:16:32,992 --> 00:16:34,285
TO GET OVER THINGS
LIKE THAT.
368
00:16:34,327 --> 00:16:35,870
ALL RIGHT. WELL, YOU'RE
GONNA HAVE TO LEARN
369
00:16:35,912 --> 00:16:37,455
HOW TO NOT LEAVE
EVERY ROOM I WALK INTO.
370
00:16:37,497 --> 00:16:40,875
OK, SO WE BOTH HAVE ROOM
FOR IMPROVEMENT.
371
00:16:46,172 --> 00:16:48,090
I KNOW I'M IN THE DOGHOUSE.
372
00:16:50,176 --> 00:16:51,051
WHAT MAKES YOU THINK THAT?
373
00:16:52,386 --> 00:16:54,096
LOOK...
374
00:16:54,138 --> 00:16:55,890
TODD'S NOT
THE BEST COMMUNICATOR,
375
00:16:55,932 --> 00:16:57,851
AND HE'S NOT EXACTLY
A TOUCHY-FEELY
KIND OF GUY.
376
00:16:57,892 --> 00:16:59,477
A GIRL CAN TELL.
377
00:16:59,519 --> 00:17:02,355
THAT'S WHY I REALLY NEED
TO NAIL THIS BIG SCENE
TONIGHT.
378
00:17:02,396 --> 00:17:03,606
HELP ME?
379
00:17:03,648 --> 00:17:05,232
MY BEST FRIEND'S DYING,
380
00:17:05,274 --> 00:17:07,276
AND I DON'T KNOW
WHAT I'M SUPPOSED
TO BE THINKING.
381
00:17:07,318 --> 00:17:09,362
DON'T THINK.
382
00:17:09,403 --> 00:17:11,197
YOUR BEST FRIEND'S
DYING. WHAT
ARE YOU GONNA DO?
383
00:17:11,238 --> 00:17:13,157
I DON'T KNOW.
384
00:17:14,158 --> 00:17:15,743
SAVE HER? COMFORT HER?
385
00:17:15,785 --> 00:17:16,786
AND IF
THAT DOESN'T WORK?
386
00:17:17,829 --> 00:17:18,997
SAVE MYSELF?
387
00:17:19,038 --> 00:17:21,415
EXACTLY. IT'S--
DON'T THINK. JUST ACT.
388
00:17:21,457 --> 00:17:22,500
JUST--AND WHEN TODD
ASKS YOU TO JUMP...
389
00:17:22,542 --> 00:17:23,668
ASK HOW HIGH.
390
00:17:23,710 --> 00:17:25,294
AND HOW FAR.
391
00:17:25,336 --> 00:17:27,171
ALWAYS BE AWARE
WHERE THE CAMERA IS.
392
00:17:27,213 --> 00:17:28,506
THAT'S HOW YOU
COMMUNICATE WITH HIM.
393
00:17:28,548 --> 00:17:30,216
YOU REALLY THINK
THAT'S GONNA WORK?
394
00:17:31,509 --> 00:17:32,593
THEY'RE READY
FOR YOU, NATASHA.
395
00:17:36,931 --> 00:17:38,140
GUARANTEE IT.
396
00:17:39,350 --> 00:17:40,309
THANK YOU.
397
00:17:45,732 --> 00:17:47,483
YOU'RE
KIDDIN' ME, RIGHT?
398
00:17:47,525 --> 00:17:50,069
I MEAN, STAN, LOOK,
I'M AS RISK-ADVERSE
AS THE NEXT GUY,
399
00:17:50,110 --> 00:17:51,487
BUT YOU'RE JUST QUITTIN'.
400
00:17:51,529 --> 00:17:53,280
Y-YOU'RE NOT EVEN KEEPIN' UP
WITH THE INFLATION,
401
00:17:53,322 --> 00:17:54,908
AND, STAN,
ALL I'M ASKIN' FOR
402
00:17:54,949 --> 00:17:58,578
IS A HINT OF
YOUR INTEREST, AND I W--
403
00:17:58,619 --> 00:18:02,415
UH...YOU KNOW WHAT, STAN?
I'M GONNA HAVE TO CALL
YOU BACK ON THIS,
404
00:18:02,456 --> 00:18:05,167
BUT I WILL BE IN TOUCH,
BECAUSE, BELIEVE ME, THIS
IS GONNA BE A HOT ISSUE.
405
00:18:07,795 --> 00:18:09,964
AH! THERE YOU ARE.
FINALLY!
406
00:18:10,006 --> 00:18:11,632
THAT MEANRECEPTIONIST WAS--
AUDREY.
407
00:18:11,674 --> 00:18:12,926
WHAT ARE YOU
DOING HERE?
408
00:18:12,967 --> 00:18:15,302
NO HELLO?
NO SMOOCH?
409
00:18:15,344 --> 00:18:17,221
I'M TRYING TO TELL YOU
IT TOOK ME FOREVER
TO GET PAST THE--
410
00:18:17,263 --> 00:18:19,057
HONEY. WE CAN'T
DO THIS HERE.
411
00:18:20,433 --> 00:18:21,976
GET A ROOM,
WITTER.
412
00:18:22,018 --> 00:18:24,645
THAT'S A GREAT IDEA.
THANKS FOR THE TIP.
413
00:18:24,687 --> 00:18:26,064
OK, LET'S GO
TO THE CONFERENCE ROOM.
414
00:18:26,105 --> 00:18:27,314
BYE, EVERYONE.
415
00:18:30,944 --> 00:18:32,695
AUDREY.
416
00:18:32,737 --> 00:18:35,239
YOU REALLY CAN'T
JUST POP IN
LIKE THIS.
417
00:18:35,281 --> 00:18:37,450
WELL, WHAT AM I
SUPPOSED TO DO, PACEY?
418
00:18:37,491 --> 00:18:38,743
YOU WON'T TAKE
ANY OF MY PHONE CALLS.
419
00:18:38,785 --> 00:18:40,160
BECAUSE I'M AT WORK.
420
00:18:40,202 --> 00:18:41,704
AND WHEN I'M AT WORK,
I'M ON THE PHONE,
421
00:18:41,746 --> 00:18:43,163
WHICH MAKES IT
PARTICULARLY DIFFICULT
FOR ME
422
00:18:43,205 --> 00:18:44,791
TO TAKE OTHER CALLS.
423
00:18:44,832 --> 00:18:47,543
IN FACT, I SHOULDN'T
BE IN HERE RIGHT NOW.
I SHOULD BE OUTSIDE...
424
00:18:47,585 --> 00:18:48,335
ON THE PHONE.
425
00:18:48,377 --> 00:18:49,796
I GET IT.
426
00:18:49,837 --> 00:18:52,256
OK, PLEASE
DON'T BE MAD AT ME.
PLEASE? PLEASE?
427
00:18:52,298 --> 00:18:54,300
THE ABSOLUTE BEST THING
IN THE WORLD HAS HAPPENED,
428
00:18:54,341 --> 00:18:56,010
AND I WOULDN'T
HAVE COME BY IF IT
WEREN'T COMPLETELY MAJOR.
429
00:18:57,386 --> 00:18:59,013
HOW MAJOR?
430
00:18:59,055 --> 00:19:01,724
EMMA HAS ASKED ME
TO BE IN HER BAND.
431
00:19:01,766 --> 00:19:03,476
ME. FOR REAL.
I MEAN, WELL,
432
00:19:03,517 --> 00:19:05,478
IT'S SORT OF
ON A TRIAL BASIS,
'CAUSE, YOU KNOW,
433
00:19:05,519 --> 00:19:06,938
BASICALLY SHE
STILL CAN'T STAND ME
434
00:19:06,980 --> 00:19:09,023
AND SHE THINKS I ATE
ALL OF HER BASMATI RICE
OR WHATEVER,
435
00:19:09,065 --> 00:19:11,275
BUT WE HAVE BEEN
REHEARSING ALL DAY,
436
00:19:11,317 --> 00:19:12,693
AND WE HAVE A GIG TONIGHT
AT HELL'S KITCHEN.
437
00:19:12,735 --> 00:19:14,445
THAT'S GREAT.
438
00:19:14,487 --> 00:19:15,822
I KNOW! IT IS!
439
00:19:15,863 --> 00:19:17,740
WHICH IS WHY
I HAD TO COME HERE
440
00:19:17,782 --> 00:19:20,451
AND COERCE YOU INTO
COMING OUT THIS EVENING.
441
00:19:20,493 --> 00:19:22,578
HONEY, I NEED YOU THERE.
442
00:19:22,620 --> 00:19:25,331
IT'S KINDA
LIKE MY AUDITION, AND,
FROM WHAT I UNDERSTAND,
443
00:19:25,372 --> 00:19:27,041
EMMA IS A LITTLE BIT
OF A TEMPERAMENTAL
CONTROL FREAK
444
00:19:27,083 --> 00:19:28,375
WHEN IT COMES
TO HER BAND.
SAY NO MORE.
445
00:19:28,417 --> 00:19:30,168
YOU'RE GONNA COME?
I WILL,
JUST SO LONG AS--
446
00:19:30,210 --> 00:19:31,420
I'M LEAVING.
447
00:19:31,462 --> 00:19:33,131
OK.
448
00:19:34,507 --> 00:19:35,133
BYE.
449
00:19:37,176 --> 00:19:39,428
THE GAMES CONTINUE,
AND, OF COURSE,
450
00:19:39,470 --> 00:19:43,307
CULMINATE IN THE EXPLANATION
OF THE CRYPTOGRAMMIC PAPER.
451
00:19:43,349 --> 00:19:44,600
STOP.
452
00:19:44,642 --> 00:19:46,894
I'M SO BORED,
I'M LOSING MY PULSE
HERE, POTTER.
453
00:19:48,729 --> 00:19:50,773
WHEN HUMBERT GETS CALLED AWAY
FOR THE URGENT PHONE CALL,
454
00:19:50,815 --> 00:19:53,943
HE RETURNS TO FIND LOLITA
DOING WHAT WITH THE LIKES
OF CLARE QUILTY?
455
00:19:53,985 --> 00:19:55,653
PLAYING TENNIS.
456
00:19:55,695 --> 00:19:56,487
WHAT KIND OF TENNIS?
457
00:20:01,367 --> 00:20:02,994
GOOD TENNIS?
458
00:20:03,036 --> 00:20:04,662
POTTER!
459
00:20:04,704 --> 00:20:05,997
OH, YOU DISAPPOINT ME.
460
00:20:06,039 --> 00:20:07,247
HOW ARE WE EVER GONNA
LEARN ANYTHING TODAY
461
00:20:07,289 --> 00:20:08,708
WHEN THE PERSON WHO'S
SUPPOSED TO BE TEACHING US
462
00:20:08,749 --> 00:20:11,127
HASN'T EVEN
READ THE BOOK? SOMEBODY?
463
00:20:12,712 --> 00:20:14,797
ANYBODY?
464
00:20:18,009 --> 00:20:19,677
EDDIE.
465
00:20:19,719 --> 00:20:21,888
OF COURSE EDDIE.
466
00:20:21,929 --> 00:20:25,892
EDDIE ALWAYS KNOWS.
I MEAN, RARELY VOLUNTEERS,
BUT ALWAYS KNOWS.
467
00:20:25,933 --> 00:20:27,643
SO, PLEASE,
ENLIGHTEN US.
468
00:20:27,685 --> 00:20:29,311
DOUBLES.
469
00:20:29,353 --> 00:20:32,065
TOLD YOU.
ALWAYS KNOWS.
470
00:20:32,106 --> 00:20:35,484
AND THANK GOD HE'S HERE
TO PICK UP THE SLACK
FOR MISS POTTER, WHO...
471
00:20:35,526 --> 00:20:37,737
MAY NOW RETURN
TO BORING US TO DEATH.
472
00:20:37,778 --> 00:20:40,573
HEY, YOU KNOW,
MAYBE IF YOU LAID OFF HER
FOR 2 SECONDS AT A TIME,
473
00:20:40,614 --> 00:20:41,991
SHE MIGHT
NOT BE SO NERVOUS.
474
00:20:45,285 --> 00:20:47,245
WHAT WAS THAT?
475
00:20:47,287 --> 00:20:49,665
A LITTLE CRITICISM
OF MY TEACHING TECHNIQUES?
476
00:20:49,707 --> 00:20:52,668
BECAUSE I HAVE TO SAY
I'VE ALWAYS CONSIDERED
MYSELF PRETTY LENIENT,
477
00:20:52,710 --> 00:20:55,629
PRETTY WILLING
TO OVERLOOK CERTAIN THINGS
478
00:20:55,671 --> 00:20:59,217
THAT OTHER, MORE TRADITIONAL,
BY-THE-BOOK TEACHERS
MIGHT NOT APPRECIATE.
479
00:21:00,676 --> 00:21:02,220
WHATEVER.
480
00:21:02,261 --> 00:21:04,388
OH, YOU DON'T AGREE?
481
00:21:05,806 --> 00:21:07,558
I'M READY TO MAKE THIS
A LARGER DISCUSSION
482
00:21:07,600 --> 00:21:11,270
ANY TIME YOU ARE.
IN FACT, I'VE BEEN READY
FOR WEEKS NOW.
483
00:21:11,311 --> 00:21:13,355
AM I TEACHING HERE
OR WHAT? BECAUSE...
484
00:21:13,397 --> 00:21:15,733
THE DOUBLES THING IS
ACTUALLY VERY IMPORTANT.
485
00:21:15,775 --> 00:21:17,275
I KNOW.
486
00:21:17,317 --> 00:21:19,195
THAT'S WHY
I BROUGHT IT UP.
487
00:21:19,237 --> 00:21:21,363
I'M GONNA GIVE YOU
ANOTHER CHANCE
TO REDEEM YOURSELF.
488
00:21:21,405 --> 00:21:25,118
CIRCA 1940, A WELL-KNOWN
RUSSIAN EMIGRE WRITER
NAMED VLADIMIR SIRIN
489
00:21:25,159 --> 00:21:26,119
CEASES TO EXIST.
490
00:21:26,160 --> 00:21:27,620
WHY?
491
00:21:32,541 --> 00:21:35,502
S-I-R-I-N.
492
00:21:35,544 --> 00:21:37,213
NO IDEA?
493
00:21:37,255 --> 00:21:40,507
PERHAPS YOU SHOULD ASK
YOUR ALWAYS-MUCH-BETTER-
INFORMED DOPPELGANGER.
494
00:21:40,549 --> 00:21:42,093
EDDIE.
495
00:21:42,135 --> 00:21:43,636
BECAUSE HE NEVER EXISTED
IN THE FIRST PLACE.
496
00:21:43,677 --> 00:21:44,762
NEVER EXISTED!
497
00:21:44,804 --> 00:21:46,931
YOU MEAN HE WAS
A SHADOW? A SHADE?
498
00:21:46,973 --> 00:21:48,182
A DOUBLE, PERHAPS?
499
00:21:48,224 --> 00:21:50,893
SOMEONE PASSING HIMSELF OFF
AS SOMEONE ELSE?
500
00:21:50,935 --> 00:21:53,520
YEAH, YOU COULD SAY THAT,
OR YOU COULD JUST SAY
IT WAS A PEN NAME.
501
00:21:53,562 --> 00:21:56,816
YOU COULD, BUT
IT'S SECRET IDENTITY,
NONETHELESS.
502
00:21:59,235 --> 00:22:01,821
I'M SORRY.
THIS SEEMS A LITTLE...
503
00:22:01,862 --> 00:22:03,197
OFF-TOPIC FOR YOU?
504
00:22:03,239 --> 00:22:06,951
NO. I'M JUST SAYING
I GET THE POINT.
505
00:22:06,993 --> 00:22:08,661
AH.
506
00:22:08,702 --> 00:22:10,163
BUT DO THE REST OF THEM?
507
00:22:10,204 --> 00:22:11,705
DO THEY NEED TO?
508
00:22:11,747 --> 00:22:13,624
YOU TELL ME.
509
00:22:15,793 --> 00:22:17,628
PERSONALLY, I THINK
THE QUESTION IS MOOT.
510
00:22:17,670 --> 00:22:21,465
BUT IF IT REALLY
BOTHERS YOU THAT MUCH,
I'LL GO.
511
00:22:38,649 --> 00:22:40,651
OH, WELL, DON'T JUST
STAND THERE, POTTER. CARRY ON.
512
00:22:40,693 --> 00:22:42,695
IN A MINUTE.
513
00:22:44,362 --> 00:22:45,447
DID YOU JUST SAY
WHAT I THINK YOU SAID?
514
00:22:45,489 --> 00:22:46,782
YES.
515
00:22:50,577 --> 00:22:52,579
HEY. WAIT UP.
516
00:22:52,621 --> 00:22:54,081
OH, ARE YOU
LEAVING, TOO?
517
00:22:54,123 --> 00:22:55,582
NO, YOU'RE COMING BACK.
518
00:22:55,624 --> 00:22:57,084
LOOK, I DON'T KNOW WHAT
JUST HAPPENED BACK THERE,
519
00:22:57,126 --> 00:22:58,878
BUT YOU CAN'T BACK DOWN
FROM HIM WHEN HE--
YOU'RE RIGHT.
520
00:22:58,919 --> 00:23:01,172
YOU DON'T KNOW WHAT
JUST HAPPENED BACK THERE,
SO IN THAT CASE,
521
00:23:01,214 --> 00:23:04,175
MAYBE THE BEST THING
FOR YOU TO DO IS JUST
MIND YOUR OWN DAMN BUSINESS.
522
00:23:13,726 --> 00:23:16,020
WELL, HE'S NOT HERE.
HE MUST NOT BE
WORKING TONIGHT.
523
00:23:16,062 --> 00:23:17,395
HE WORKS
EVERY NIGHT.
524
00:23:17,437 --> 00:23:19,190
WELL, NOT THIS ONE.
525
00:23:20,191 --> 00:23:22,151
WELL, YOU DON'T
HAPPEN TO KNOW
526
00:23:22,193 --> 00:23:23,736
WHERE HE LIVES,
DO YOU?
527
00:23:23,777 --> 00:23:26,197
FLAT SOMEWHERE.
TAKE YOU,
LIKE, 2 HOURS
528
00:23:26,239 --> 00:23:27,907
TO GET THERE
ON PUBLIC TRANSPORT.
529
00:23:27,948 --> 00:23:29,407
YOU MEAN HE DOESN'T
LIVE ON CAMPUS?
530
00:23:29,449 --> 00:23:31,451
WHICH ONE?
WORTHINGTON?
531
00:23:31,493 --> 00:23:33,871
WELL, WHY
WOULD HE LIVE ON THE
WORTHINGTON CAMPUS?
532
00:23:36,665 --> 00:23:37,875
UM, NO REASON.
533
00:23:37,917 --> 00:23:40,294
YOU DIDN'T THINK
HE'S A STUDENT,
DID YOU?
534
00:23:40,336 --> 00:23:41,962
I MEAN, I KNOW
HE READS A LOT.
535
00:23:42,004 --> 00:23:44,382
YEAH, HE DOES. UM...
YOU DON'T THINK
536
00:23:44,422 --> 00:23:46,717
THEY'D HAVE HIS ADDRESS
ON FILE IN THE BACK,
DO YOU?
537
00:23:46,759 --> 00:23:48,552
PROBABLY.
538
00:23:48,594 --> 00:23:51,264
THANKS. AND
I'LL BE BACK
TO CLOSE,
539
00:23:51,305 --> 00:23:53,182
AND GOOD LUCKTONIGHT WITH THE GIG.
540
00:23:53,224 --> 00:23:54,725
THANK YOU.
541
00:23:54,767 --> 00:23:57,019
GOT A BIT OF A SURPRISE
FOR YOU, ACTUALLY.
542
00:23:57,061 --> 00:23:59,355
REALLY!
543
00:24:02,942 --> 00:24:05,236
Natasha,
SOMEBODY!
544
00:24:05,278 --> 00:24:07,405
SOMEBODY,
PLEASE HELP ME!
545
00:24:07,445 --> 00:24:08,614
HELP!
546
00:24:10,616 --> 00:24:12,034
WELL...
547
00:24:12,076 --> 00:24:14,245
THAT CONSTITUTES
IMPROVEMENT.
548
00:24:14,287 --> 00:24:16,454
ADEQUATE INSTEAD OF ABYSMAL.
549
00:24:16,496 --> 00:24:17,497
THAT'S NOT FAIR.
550
00:24:17,539 --> 00:24:19,250
GET ME CHATSWORTH.
551
00:24:19,292 --> 00:24:20,918
I MEAN, COME ON.
552
00:24:20,960 --> 00:24:22,920
IS SHE SUPPOSED
TO BE LOOKING DOWN
AT THE GROUND LIKE THAT,
553
00:24:22,962 --> 00:24:25,047
OR DID SHE JUST NOT KNOW
WHERE HER MARKS ARE?
554
00:24:25,089 --> 00:24:27,507
NEW YORK, L.A.,
I DON'T CARE!
555
00:24:27,549 --> 00:24:29,176
SHE BARELY
EVEN WATCHED IT.
556
00:24:29,218 --> 00:24:30,677
YEAH, I CAN SEE THAT,
BUT EXACTLY WHOSE JOB
557
00:24:30,719 --> 00:24:32,054
ARE YOU TRYIN'
TO SAVE HERE?
558
00:24:32,096 --> 00:24:33,555
EVERYONE'S.
559
00:24:33,597 --> 00:24:34,723
LOOK, THE WORST
POSSIBLE THING
THAT HAPPENS,
560
00:24:34,765 --> 00:24:36,225
YOU GET SHUT DOWN.
RIGHT?
561
00:24:36,267 --> 00:24:38,352
SO YOU GOTTA GET HER
TO WATCH IT AGAIN,
AND THIS TIME,
562
00:24:38,394 --> 00:24:40,354
HIGHLIGHT NATASHA'S
STRENGTHS INSTEAD
OF HER WEAKNESSES.
563
00:24:40,396 --> 00:24:42,273
USE THAT CLOSEUP.
AND CHANGE THAT MUSIC.
564
00:24:43,774 --> 00:24:44,733
DO IT.
565
00:24:44,775 --> 00:24:46,277
FAST.
566
00:24:46,319 --> 00:24:48,362
AND...YOU STAY HERE.
567
00:24:48,404 --> 00:24:50,406
WHAT'S NEEDED NOW IS
SOME COOL PROFESSIONALISM.
568
00:24:51,282 --> 00:24:52,699
RIGHT.
569
00:24:52,741 --> 00:24:54,452
ALL RIGHT.
570
00:24:54,492 --> 00:24:55,911
FINE. I'LL HOLD.
571
00:24:55,953 --> 00:24:57,163
HEATHER, LUV.
572
00:24:57,204 --> 00:24:58,414
YES?
573
00:24:58,456 --> 00:24:59,748
HOW ABOUT WE DISCUSS
THIS RATIONALLY
574
00:24:59,790 --> 00:25:01,625
BEFORE YOU THROW OUT
SEVERAL THOUSAND
FEET OF FILM?
575
00:25:01,667 --> 00:25:02,751
RATIONAL?
576
00:25:02,793 --> 00:25:04,586
RATIONAL, LIKE
THE TIME YOU TOOK ME
577
00:25:04,628 --> 00:25:07,340
TO BERMUDA WITH YOU
AND DUMPED ME FOR
AN EXOTIC DANCE INSTRUCTOR?
578
00:25:07,381 --> 00:25:09,842
LOOK, THERE'S NO REASON
TO GET PERSONAL ABOUT IT.
YOU KNOW WHAT I MEAN?
579
00:25:09,883 --> 00:25:11,509
YOU'RE ENGAGED NOW.
WORKING ON A FILM
580
00:25:11,551 --> 00:25:12,845
THAT'S ABOUT
TO BE SHUT DOWN...
581
00:25:12,886 --> 00:25:14,305
BY ME
582
00:25:14,347 --> 00:25:16,182
AND QUITE POSSIBLY
583
00:25:16,223 --> 00:25:17,433
NEVER STARTED UP AGAIN.
584
00:25:17,475 --> 00:25:18,684
STILL HOLDING.
585
00:25:18,725 --> 00:25:21,020
LOOK! YOU SIGNED OFF ON
THIS GIRL, DID YOU NOT?
586
00:25:21,061 --> 00:25:24,482
IT WASN'T SOME OTHER
PRADA-WEARING NIGHTMARE
I ACCIDENTALLY SHAGGED!
587
00:25:24,564 --> 00:25:27,901
FOR YOUR INFORMATION,
I SIGNED OFF
ON THIS GIRL
588
00:25:27,943 --> 00:25:29,320
BECAUSE I THOUGHT
YOU COULD GET
A PERFORMANCE OUT OF HER.
589
00:25:29,362 --> 00:25:30,154
AND HE DID. YOU JUST
HAVEN'T SEEN IT YET.
590
00:25:30,196 --> 00:25:31,238
SCOTT?
591
00:25:39,330 --> 00:25:41,707
SOMEBODY,
PLEASE HELP ME!
592
00:25:42,791 --> 00:25:43,709
SOMEBODY!
593
00:25:45,878 --> 00:25:46,879
HELP ME!
594
00:25:46,920 --> 00:25:48,381
SOMEBODY!
595
00:25:48,422 --> 00:25:50,466
SOMEBODY,
HELP ME! PLEASE!
596
00:25:50,508 --> 00:25:52,885
PLEASE! SOMEBODY,
PLEASE HELP ME!
597
00:25:52,926 --> 00:25:54,470
BETTER, NO?
598
00:25:54,512 --> 00:25:56,430
BEFORE IT WAS
ALL ABOUT THE LOCATION,
599
00:25:56,472 --> 00:25:59,183
WHEREAS NOW
IT'S LIKE WE'RE ALONE
WITH HER AND HER FEAR.
600
00:25:59,225 --> 00:26:00,976
WHAT DO YOU THINK?
601
00:26:01,018 --> 00:26:03,521
YOUR JOB COULD BE
ON THE LINE HERE,
TOO, YOU KNOW.
602
00:26:06,982 --> 00:26:10,361
WELL, I THINK
YOUR LITTLE FRIEND HERE
MAKES A GOOD POINT.
603
00:26:16,409 --> 00:26:17,535
COME ON.
604
00:26:29,380 --> 00:26:31,589
JACK. SORRY.
I DIDN'T KNOW ANYBODY
ELSE WAS OUT THERE.
605
00:26:31,631 --> 00:26:34,592
YEAH. MUST, UH...
MUST TAKE A WHILE
606
00:26:34,634 --> 00:26:35,719
TO GET
TO THE END OF ALL
YOUR ADORING FANS.
607
00:26:38,013 --> 00:26:39,681
SO, WHAT CAN I
HELP YOU WITH?
608
00:26:39,723 --> 00:26:42,351
LOOK, I'VE BEEN THINKING
ABOUT THIS ALL DAY.
609
00:26:42,393 --> 00:26:44,311
UH, THERE'S JUST ONE
MORE THING I GOTTA ASK
YOU ABOUT THIS PAPER.
610
00:26:44,353 --> 00:26:46,063
SURE.
611
00:26:46,105 --> 00:26:49,691
IF I HADN'T
BEEN SO SHOCKED
612
00:26:49,733 --> 00:26:52,610
ABOUT WHAT
YOU SAID TO ME
THE OTHER NIGHT,
613
00:26:52,652 --> 00:26:55,030
WOULD THIS C-MINUS
HAVE BEEN ANY HIGHER?
614
00:26:55,072 --> 00:26:56,407
LOW BLOW.
615
00:26:56,449 --> 00:26:57,741
YEAH, 'CAUSE, YOU KNOW,
616
00:26:57,783 --> 00:26:59,743
I'M JUST TRYIN' TO MAKE
AN INFORMED DECISION
HERE,
617
00:26:59,785 --> 00:27:01,745
AND IF THAT'S WHAT
THIS IS ALL ABOUT,
HELL, ASK ME AGAIN,
618
00:27:01,787 --> 00:27:03,539
'CAUSE I JUST MIGHT
SAY YES THIS TIME.
619
00:27:03,581 --> 00:27:05,791
I DON'T KNOW
WHAT TO SAY. UM...
620
00:27:05,832 --> 00:27:07,460
SOMETIMES PEOPLE READ
TOO MUCH INTO THINGS.
621
00:27:07,501 --> 00:27:08,586
TOO MUCH?
HOW ABOUT TOO LITTLE?
622
00:27:08,626 --> 00:27:10,129
'CAUSE I'M TOTALLY
WILLIN' TO GO THROUGH--
623
00:27:10,170 --> 00:27:13,882
I GET IT.
I GET YOUR POINT.
624
00:27:13,924 --> 00:27:16,802
YOU KNOW,
IT'S ONE THING TO BE
SOME SCARED TEENAGER,
625
00:27:16,843 --> 00:27:19,054
AFRAID OF HIS--
HIS FRIENDS, HIS FAMILY,
626
00:27:19,096 --> 00:27:22,015
AFRAID OF WHAT EVERYBODY
HE MEETS MIGHT THINK
AND SAY ABOUT HIM.
627
00:27:22,057 --> 00:27:24,226
YOU KNOW,
I CAN FORGIVE THAT.
HELL, I CAN EXPECT THAT.
628
00:27:24,268 --> 00:27:26,312
BUT YOU,
YOU'RE AN ADULT.
629
00:27:26,353 --> 00:27:27,813
OK, SOMEBODY'S
MARRIED TO YOU.
YOU'RE--
630
00:27:27,854 --> 00:27:29,106
YOU'RE RUINING LIVES
HERE ON A MUCH
LARGER SCALE.
631
00:27:30,899 --> 00:27:32,818
WHAT CAN I SAY?
632
00:27:32,859 --> 00:27:34,987
NOT EVERYONE'S
WILLING TO MAKE SACRIFICES
633
00:27:35,028 --> 00:27:36,863
FOR SOME SORT
OF POLITICAL AGENDA.
634
00:27:36,905 --> 00:27:39,116
NOT EVERYBODY'S WILLING
TO SPEND THEIR LIVES
635
00:27:39,158 --> 00:27:41,994
BEING PART
OF A DESPISED MINORITY.
636
00:27:42,035 --> 00:27:43,703
YEAH.
637
00:27:45,498 --> 00:27:46,706
WELL...
638
00:27:46,748 --> 00:27:50,002
THAT'S TRUE.
639
00:27:50,043 --> 00:27:52,588
BUT MAYBE YOU SHOULD
ASK YOURSELF WHO'S
DOIN' THE DESPISING.
640
00:28:04,724 --> 00:28:06,435
SO YOU CHECKED. I MEAN,
HE'S OUT THERE, RIGHT?
641
00:28:06,477 --> 00:28:08,686
WELL,
I'M NOT EXACTLY SURE.
642
00:28:08,728 --> 00:28:09,938
IT'S--IT'S KIND OF
TOO CROWDED TO TELL.
643
00:28:09,980 --> 00:28:11,482
HOW CROWDED?
644
00:28:11,524 --> 00:28:12,816
WAY CROWDED.
645
00:28:12,858 --> 00:28:14,818
WHY? ARE YOU OK?
YOU'RE NOT SCARED,
ARE YOU?
646
00:28:14,860 --> 00:28:17,695
NO! GOD, NO.
WHY WOULD I BE SCARED?
647
00:28:17,737 --> 00:28:19,697
I DON'T KNOW.
YOU J--YOU JUST--
YOU SEEM SORT OF TENSE.
648
00:28:19,739 --> 00:28:21,200
I'M FINE.
649
00:28:21,241 --> 00:28:23,952
HEY. UM...ABOUT
THE OTHER NIGHT.
650
00:28:23,994 --> 00:28:26,288
WHAT OTHER NIGHT?
651
00:28:26,330 --> 00:28:28,499
WHEN WE GOT
REALLY DRUNK.
652
00:28:28,541 --> 00:28:30,459
YOU KNOW WHAT?
653
00:28:30,501 --> 00:28:32,836
TO BE HONEST-TO-GOD
TRUTHFUL WITH YOU, JEN,
654
00:28:32,878 --> 00:28:35,381
I DON'T REALLY REMEMBER
THAT AT ALL, SO--
655
00:28:35,422 --> 00:28:38,716
OK, LADIES, ENOUGH
CHECKIN' YOUR MAKEUP.
656
00:28:38,758 --> 00:28:41,094
I THINK THE CROWD'S
SUITABLY DRUNK BY NOW.
657
00:28:41,136 --> 00:28:42,804
DOES THAT MEAN
THAT WE'RE ON?
658
00:28:43,805 --> 00:28:46,016
IT DOES.
659
00:28:46,058 --> 00:28:48,018
HEY. THE PIERCINGS
ARE A NICE TOUCH,
BY THE WAY.
660
00:28:48,060 --> 00:28:49,395
THANK YOU!
661
00:28:49,436 --> 00:28:50,812
SCREW THIS UP,
AND I'LL KILL YOU.
662
00:28:50,854 --> 00:28:52,398
OK. SURE.
663
00:28:54,650 --> 00:28:57,110
UM...HEY, EVERYBODY.
664
00:28:57,152 --> 00:28:58,862
WE ARE THE HELL'S BELLES,
665
00:28:58,904 --> 00:29:02,074
AND WE THOUGHT WE WOULD PLAY
A FEW SONGS FOR YOU NOW,
666
00:29:02,115 --> 00:29:03,534
YOU KNOW, SOMETHING...
667
00:29:03,576 --> 00:29:04,660
SOOTHING,
668
00:29:04,702 --> 00:29:06,036
SOMETHING RELAXING,
669
00:29:06,078 --> 00:29:07,037
SOMETHING...
670
00:29:14,420 --> 00:29:17,005
♪ ALL THE LEAVES ARE BROWN ♪
671
00:29:17,047 --> 00:29:18,215
♪ AND THE SKY IS ♪
672
00:29:18,257 --> 00:29:19,757
♪ GRAY! ♪
673
00:29:19,799 --> 00:29:22,219
♪ I'VE BEEN FOR A WALK ♪
674
00:29:22,261 --> 00:29:25,639
♪ ON A WINTER DAY ♪
675
00:29:25,681 --> 00:29:28,058
♪ I'D BE SAFE AND WARM,
WARM, WARM ♪
676
00:29:28,100 --> 00:29:30,894
♪ IF I WAS IN L.A.! ♪
677
00:29:30,936 --> 00:29:33,522
♪ CALIFORNIA DREAMIN' ♪
678
00:29:33,564 --> 00:29:36,400
♪ ON SUCH A WINTER DAY! ♪
679
00:29:36,442 --> 00:29:39,069
♪ CALIFORNIA DREAMIN' ♪
680
00:29:39,111 --> 00:29:41,655
♪ ON SUCH A WINTER DAY! ♪
681
00:29:58,797 --> 00:30:00,299
WHAT THE HELL
YOU DOING HERE?
682
00:30:00,340 --> 00:30:02,384
GOD, YOU SCARED ME.
683
00:30:02,426 --> 00:30:03,469
YEAH, OBVIOUSLY.
684
00:30:03,510 --> 00:30:06,138
I ASKED YOU
A QUESTION.
685
00:30:06,179 --> 00:30:10,142
I JUST WANTED TO TALK
TO YOU ABOUT WHAT HAPPENED
IN CLASS TODAY.
686
00:30:10,183 --> 00:30:12,811
YEAH, WELL, SINCE
I'M NOT REALLY IN
THAT CLASS ANYMORE--
687
00:30:12,852 --> 00:30:15,939
LOOK, I KNOW.
I GET IT, OK?
688
00:30:15,981 --> 00:30:18,734
I GET THAT YOU'RE
NOT REALLY A STUDENT.
689
00:30:18,776 --> 00:30:20,235
YOU GET THAT, DO YOU?
690
00:30:20,277 --> 00:30:24,531
YEAH. I MEAN,
I DON'T REALLY GET
WHAT IT WAS ALL FOR, BUT--
691
00:30:27,785 --> 00:30:29,244
YOU KNOW,
I'VE COME A LONG WAY.
692
00:30:29,286 --> 00:30:31,871
MAYBE YOU COULD
JUST GIVE ME A GLASS
OF WATER OR SOMETHING?
693
00:30:44,176 --> 00:30:48,388
SO, MY PRESENTATION
ACTUALLY WENT OK
AFTER YOU LEFT.
694
00:30:48,430 --> 00:30:51,016
I MEAN, I JUST WENT
IN THERE, AND I--
695
00:30:51,057 --> 00:30:54,436
MM-HMM. CONGRATULATIONS,
JOEY. I'M HAPPY FOR YOU.
696
00:30:54,478 --> 00:30:56,021
YEAH. I'M SURE
YOU'RE ONLY SECONDS AWAY
697
00:30:56,062 --> 00:30:58,273
FROM BREAKING THROUGH
HETSON'S CRUSTY EXTERIOR,
698
00:30:58,315 --> 00:31:01,985
EARNING HIS UNDYING
RESPECT, AND GRADUATING
MAGNA CUM LAUDE.
699
00:31:02,027 --> 00:31:03,861
OR YOU COULD JUST SAVE
YOURSELF A LOT OF TROUBLE
700
00:31:03,903 --> 00:31:04,988
AND SLEEP WITH THE MAN.
701
00:31:05,030 --> 00:31:07,658
IS IT JUST ME, OR DO
YOU REACT THIS NICELY
702
00:31:07,700 --> 00:31:08,950
TO EVERYBODY WHO'S
TRYING TO HELP YOU?
703
00:31:10,661 --> 00:31:11,995
WHAT? NO RESPONSE?
704
00:31:12,037 --> 00:31:14,080
YOU'RE GONNA HAVE TO
GIVE ME A SECOND HERE.
705
00:31:14,122 --> 00:31:16,834
I'M STILL TRYING TO PROCESS
THE CONDESCENDING NOTION
706
00:31:16,875 --> 00:31:18,418
THAT HELP
IS ACTUALLY REQUIRED.
707
00:31:18,460 --> 00:31:21,254
OH, YOU DON'T THINK
IT'S POSSIBLE
I COULD UNDERSTAND?
708
00:31:21,296 --> 00:31:22,880
NO, I DON'T.
709
00:31:22,922 --> 00:31:24,924
LOOK, JOEY, I'M SORRY
I DIDN'T TURN OUT
710
00:31:24,966 --> 00:31:26,385
TO BE THE PERSON
YOU THOUGHT I WAS,
711
00:31:26,426 --> 00:31:29,262
BUT YOU KNOW WHAT?
PROBABLY NOT TOO WISE
712
00:31:29,304 --> 00:31:31,264
TO INVEST THAT MUCH
IN PEOPLE YOU BARELY KNOW.
713
00:31:31,306 --> 00:31:33,684
OH, I HAVEN'T INVESTED
ANYTHING IN YOU.
714
00:31:33,726 --> 00:31:36,269
OH, YEAH?
THEN WHY ARE YOU HERE?
715
00:31:36,311 --> 00:31:39,857
SEE, IT SEEMS TO ME
THAT YOU'RE WASTING
VALUABLE TIME
716
00:31:39,939 --> 00:31:41,483
THAT WOULD BE BETTER SPENT
TRYING TO GET BACK
717
00:31:41,525 --> 00:31:44,027
WITH THAT PREPPY
BOYFRIEND OF YOURS
IF HE'LL HAVE YOU.
718
00:31:44,069 --> 00:31:45,362
YOU KNOW WHAT?
YOU REMEMBER
WHEN YOU TOLD ME
719
00:31:45,404 --> 00:31:47,197
TO TELL YOU WHEN YOU
WERE BEING A JERK?
720
00:31:47,239 --> 00:31:49,867
YEAH. YOU COULD HAVE SAVED
YOURSELF A LOT OF TROUBLE
BY JUST CALLING FIRST.
721
00:31:49,908 --> 00:31:52,910
OH. I GUESS
IT DIDN'T SEEM LIKE
TROUBLE AT THE TIME.
722
00:32:19,646 --> 00:32:22,649
OH, MY GOD,
THAT WAS AMAZING!
723
00:32:22,691 --> 00:32:24,025
YEAH, WELL,
IT DIDN'T SUCK!
724
00:32:24,067 --> 00:32:27,696
OH, COME ON!
IT WORKED!
THEY LOVED US!
725
00:32:27,738 --> 00:32:28,781
ADMIT IT.
THEY LOVED US.
726
00:32:28,822 --> 00:32:30,824
ALL RIGHT. YEAH.
THEY LOVED US.
727
00:32:30,866 --> 00:32:32,325
JOEY, HONEY,
YOU MADE IT!
728
00:32:32,367 --> 00:32:33,827
YES. I DIDN'T SEE
THE WHOLE THING,
729
00:32:33,869 --> 00:32:35,078
BUT YOU WERE GREAT!
730
00:32:35,120 --> 00:32:36,246
YOU WERE MORE THAN GREAT.
YOU WERE AMAZING.
731
00:32:36,288 --> 00:32:40,333
SEE? DO YOU
SEE THAT?
WE WERE AMAZING.
732
00:32:40,375 --> 00:32:42,669
WHERE'S PACEY?
733
00:32:50,260 --> 00:32:55,223
HEATHER, THERE'S SOMEONE
I'D LIKE YOU TO MEET.
734
00:32:55,265 --> 00:32:57,517
NATASHA, THIS
IS HEATHER TRACY
FROM THE STUDIO.
735
00:32:57,559 --> 00:32:59,686
HI.
OH, MY GOD!
736
00:32:59,728 --> 00:33:03,106
IT IS SO GREAT--
MWAH!
737
00:33:03,148 --> 00:33:04,900
TO FINALLY
MEET YOU!
738
00:33:04,942 --> 00:33:07,444
YOU HAVE
AMAZING SKIN.
739
00:33:07,486 --> 00:33:09,488
UH...THANKS.
740
00:33:09,529 --> 00:33:10,906
SUCH A TOTAL PRO.
741
00:33:10,948 --> 00:33:13,450
WE ARE SO HAPPY
TO HAVE YOU ON OUR TEAM.
742
00:33:13,492 --> 00:33:16,161
GREAT JOB IN THE SCENE
TONIGHT, BY THE WAY.
743
00:33:16,202 --> 00:33:20,206
THANKS. I DECIDED
NOT TO THINK TONIGHT.
744
00:33:20,248 --> 00:33:23,585
HEATHER, SHALL WE?
GOODY.
745
00:33:23,627 --> 00:33:25,337
I CAN
HARDLY WAIT.
746
00:33:25,378 --> 00:33:28,089
SEE YOU KIDS LATER.
747
00:33:32,427 --> 00:33:34,053
SHE HATES ME, RIGHT?
748
00:33:34,095 --> 00:33:35,221
I WOULDN'T
SAY THAT.
749
00:33:35,263 --> 00:33:37,140
IT'S GENERALLY
NOT A GOOD SIGN
750
00:33:37,182 --> 00:33:38,350
WHEN THE DIRECTOR
LEAVES THE SET AT LUNCH
751
00:33:38,391 --> 00:33:40,352
WITH SOMEONE WHO'S
JUST ARRIVED FROM L.A.
752
00:33:40,393 --> 00:33:42,729
WHAT'D YOU GUYS DO,
GO SHOE SHOPPING?
753
00:33:42,771 --> 00:33:44,648
START AUDITIONING
MY REPLACEMENT?
754
00:33:44,690 --> 00:33:47,818
UH...THE FIRST ONE.
755
00:33:47,860 --> 00:33:49,736
YOU'RE NOT
A GOOD LIAR, DAWSON.
756
00:33:49,778 --> 00:33:53,949
IN FACT, YOU'RE
A SPECTACULARLY BAD LIAR.
757
00:33:53,991 --> 00:33:54,950
COME ON.
758
00:33:54,992 --> 00:33:57,536
YOU CAN
BE HONEST WITH ME.
759
00:33:57,577 --> 00:33:59,538
I KNOW I GOT THIS JOB
ON A FLUKE.
760
00:33:59,579 --> 00:34:01,665
YOU GOT THIS JOB BECAUSE
YOU'RE THE BEST PERSON
FOR THE PART,
761
00:34:01,707 --> 00:34:03,208
BECAUSE YOU'RE
TREMENDOUSLY TALENTED.
762
00:34:03,249 --> 00:34:08,005
YEAH, RIGHT. OR MAYBE
JUST TREMENDOUSLY LUCKY.
763
00:34:08,045 --> 00:34:11,466
I THINK EVERYONE FEELS
THAT WAY ABOUT SUCCESS--
764
00:34:11,508 --> 00:34:13,259
EVERYONE WITH A SOUL.
765
00:34:13,301 --> 00:34:16,513
AND YOU'VE
STILL GOT ONE, RIGHT?
766
00:34:16,555 --> 00:34:18,932
I THINK SO.
767
00:34:18,974 --> 00:34:26,189
I THINK THAT
MAY BE WHY WE ENDED UP
TOGETHER, YOU AND ME.
768
00:34:26,231 --> 00:34:29,651
WHEN WE MET
AT THAT PARTY...
MM-HMM.
769
00:34:29,693 --> 00:34:32,320
I WAS PRETTY DOWN
ON MYSELF.
770
00:34:32,362 --> 00:34:35,156
I THOUGHT MAYBE
I WAS AN IDIOT FOR
TRYING TO DO THIS THING
771
00:34:35,198 --> 00:34:40,913
AND THAT I SHOULD
JUST GIVE UP
AND, I DON'T KNOW,
772
00:34:40,954 --> 00:34:43,623
BE A KINDERGARTEN
TEACHER LIKE MY MOM'S
ALWAYS TELLING ME.
773
00:34:43,665 --> 00:34:45,124
YOUR MOM WANTED YOU
TO BE A KINDERGARTEN
TEACHER?
774
00:34:45,166 --> 00:34:47,753
YEAH.
HA HA!
775
00:34:47,794 --> 00:34:50,380
THERE'S A LOT
SHE DOESN'T KNOW
ABOUT MY TEEN YEARS.
776
00:34:50,422 --> 00:34:52,507
HEH!
ANYWAY...
777
00:34:52,549 --> 00:34:54,300
I REMEMBER THINKING,
778
00:34:54,342 --> 00:34:57,012
IF ONE MORE WORKING ACTOR
SITS DOWN NEXT TO ME
779
00:34:57,054 --> 00:34:58,680
AND STARTS COMPLAINING
ABOUT HIS LIFE,
780
00:34:58,722 --> 00:35:01,391
I WILL SCREAM.
I WILL LITERALLY
GET UP OUT OF THIS CHAIR
781
00:35:01,433 --> 00:35:03,643
AND RUN SCREAMING
TO CALIFORNIA PIZZA KITCHEN,
782
00:35:03,685 --> 00:35:05,645
QUIT MY JOB,
AND MOVE HOME.
783
00:35:05,687 --> 00:35:08,023
AND THEN
YOU CAME OVER.
784
00:35:08,065 --> 00:35:11,276
WHY'D YOU DO THAT,
ANYWAY?
785
00:35:11,317 --> 00:35:12,277
HONESTLY?
786
00:35:12,318 --> 00:35:13,403
MM-HMM.
787
00:35:13,445 --> 00:35:15,030
YOU WERE THE ONLY
HOT GIRL IN THE ROOM
788
00:35:15,072 --> 00:35:16,281
WHO LOOKED
LIKE SHE MIGHT HAVE
ACTUALLY READ A BOOK
789
00:35:16,322 --> 00:35:17,783
AT SOME POINT
IN HER LIFE.
790
00:35:17,824 --> 00:35:20,619
AND YOU KNEW RIGHT THEN
THAT I WAS RIGHT
FOR THIS PART.
791
00:35:20,660 --> 00:35:22,454
AFTER I TALKED TO YOU
FOR A LITTLE WHILE,
YEAH.
792
00:35:22,495 --> 00:35:25,373
SO YOU WEREN'T
JUST CHATTING ME UP?
793
00:35:25,415 --> 00:35:26,458
OH, I WAS
CHATTING YOU UP.
794
00:35:26,499 --> 00:35:28,460
YOU WERE?
OH, YEAH.
795
00:35:28,501 --> 00:35:30,127
BUT I FIGURED
TELLING YOU ABOUT
SOME BIG AUDITION
796
00:35:30,169 --> 00:35:31,546
COULDN'T
EXACTLY HURT.
797
00:35:31,588 --> 00:35:33,339
YEAH. THEN I NAILED IT.
798
00:35:33,381 --> 00:35:35,759
I STILL
CAN'T BELIEVE IT.
799
00:35:35,801 --> 00:35:37,636
GOD, THAT WAS A GREAT DAY.
800
00:35:37,677 --> 00:35:40,847
IT FELT LIKE MY LUCK
WAS FINALLY CHANGING.
801
00:35:40,889 --> 00:35:42,432
IT HAS.
802
00:35:42,474 --> 00:35:45,102
YES, IT HAS.
803
00:35:47,020 --> 00:35:50,523
WELL, I SHOULD
GO GET CHANGED.
804
00:35:50,565 --> 00:35:52,109
ALL RIGHT.
805
00:35:52,150 --> 00:35:56,237
BUT MAYBE TONIGHT
AT THE BAR, WE COULD,
806
00:35:56,279 --> 00:35:59,282
I DON'T KNOW,
PLAY SOME AIR HOCKEY
807
00:35:59,324 --> 00:36:00,408
OR THROW SOME DARTS.
808
00:36:00,450 --> 00:36:02,661
I'D LIKE THAT.
809
00:36:02,702 --> 00:36:05,747
ME, TOO.
810
00:36:14,798 --> 00:36:17,092
IT KIND OF ROCKS
THAT THE BAR'S
RIGHT ACROSS THE STREET.
811
00:36:17,134 --> 00:36:19,260
IT SIMPLIFIES THINGS
A BIT, ACTUALLY.
812
00:36:19,302 --> 00:36:20,929
YOU KNOW, I REALLY
SHOULD THANK YOU.
813
00:36:20,971 --> 00:36:22,305
WHAT FOR?
814
00:36:22,347 --> 00:36:24,141
FOR TAKING A CHANCE ON ME
AND ALL THAT CRAP.
815
00:36:24,182 --> 00:36:26,685
CAN'T REALLY MESS UP
PUNK-ROCK ALL THAT
BAD, NOW, CAN YOU?
816
00:36:26,726 --> 00:36:28,436
I KNOW, BUT STILL
IT WAS IMPORTANT TO YOU,
817
00:36:28,478 --> 00:36:30,856
AND YOU TRUSTED ME, AND...
818
00:36:30,897 --> 00:36:32,398
LET'S NOT HUG
OR ANYTHING.
819
00:36:32,440 --> 00:36:33,984
YOUR PIG OF
A BOYFRIEND'S
LIKELY TO ENJOY THAT.
820
00:36:34,026 --> 00:36:35,485
HE WOULD, ACTUALLY.
821
00:36:35,527 --> 00:36:38,071
OH, DEAR.
822
00:36:38,113 --> 00:36:40,073
POOR SOT.
823
00:36:40,115 --> 00:36:42,492
HE STAYED UP
ALL LAST NIGHT,
YOU KNOW,
824
00:36:42,534 --> 00:36:44,327
AND HE WAS
GONNA CRASH.
825
00:36:44,369 --> 00:36:46,872
OH, WELL.
SEE YOU TOMORROW.
826
00:36:46,913 --> 00:36:48,331
GOOD NIGHT.
827
00:36:54,462 --> 00:36:56,214
UHH!
828
00:36:56,255 --> 00:36:57,549
HEY.
829
00:36:59,592 --> 00:37:01,761
OH, CRAP.
830
00:37:01,803 --> 00:37:03,429
I MISSED IT,
DIDN'T I?
831
00:37:03,471 --> 00:37:04,723
YEAH.
832
00:37:04,764 --> 00:37:07,142
AUDREY, I WAS COMING IN
833
00:37:07,184 --> 00:37:08,685
TO CHANGE MY CLOTHES,
AND I MEANT TO JUST--
834
00:37:08,727 --> 00:37:10,854
YOU DIDN'T GET VERY FAR
WITH THAT, DID YOU?
835
00:37:12,814 --> 00:37:15,067
OK. TELL ME HOW I CAN
MAKE THIS UP TO YOU.
836
00:37:16,026 --> 00:37:18,695
PLEASE.
WHATEVER YOU WANT.
837
00:37:18,737 --> 00:37:24,201
I AM COMPLETELY,
TOTALLY, UTTERLY YOURS,
AT YOUR SERVICE.
838
00:37:24,241 --> 00:37:27,204
I KNOW IT'S KIND OF LATE
AND EVERYTHING,
839
00:37:27,245 --> 00:37:28,872
BUT DO YOU THINK YOU COULD
JUST DRIVE ME HOME?
840
00:37:31,666 --> 00:37:33,501
YEAH, SURE.
OF COURSE.
841
00:37:33,543 --> 00:37:36,213
I JUST KIND OF WANT TO SLEEP
IN MY OWN BED TONIGHT.
842
00:37:36,254 --> 00:37:39,799
ABSOLUTELY.
NOT A PROBLEM.
843
00:37:43,845 --> 00:37:46,431
OK. I'M GONNA
GO GET MY STUFF.
844
00:37:46,472 --> 00:37:50,727
OK. I'LL BE--
I'LL JUST WAIT HERE.
845
00:38:04,032 --> 00:38:06,409
WHAT ARE YOU
DOING HERE?
846
00:38:06,451 --> 00:38:08,828
I KNEW YOU WERE CLOSING,
THOUGHT YOU COULD USE
A LITTLE HELP.
847
00:38:08,870 --> 00:38:11,372
IN WHAT WAY COULD
YOU POSSIBLY HELP?
848
00:38:11,414 --> 00:38:13,583
ALL RIGHT.
THAT WAS FAIR.
849
00:38:13,625 --> 00:38:15,627
NOT TO MENTION HOW
CONDESCENDING IT IS,
850
00:38:15,668 --> 00:38:17,545
YOU KNOW,
THE ASSUMPTION THAT
I ACTUALLY NEED HELP.
851
00:38:17,587 --> 00:38:20,506
OK, I GET IT.
ARE YOU DONE YET?
852
00:38:20,548 --> 00:38:22,717
ONLY FOR
THE TIME BEING.
853
00:38:26,638 --> 00:38:30,892
IT WAS AN ACCIDENT, OK?
THE FIRST TIME I DID IT.
854
00:38:30,934 --> 00:38:33,770
HOW DO YOU ACCIDENTALLY
SIT IN ON A CLASS AND
PRETEND TO BE A STUDENT?
855
00:38:33,812 --> 00:38:38,066
WELL, I'M ON MY LUNCH HOUR,
I'M SITTING UNDER SOME TREE,
856
00:38:38,108 --> 00:38:41,694
AND THIS GRAD STUDENT
COMES OVER WITH HIS WHOLE
SECTION OF "GREAT BOOKS"
857
00:38:41,736 --> 00:38:42,946
ONE-OH-WHATEVER-
THE-HELL-IT-IS,
858
00:38:42,988 --> 00:38:44,614
AND THEY START TALKING
ABOUT SHAKESPEARE.
859
00:38:44,656 --> 00:38:46,950
AND YOU JUST HAPPENED
TO BE READING IT
THAT DAY?
860
00:38:46,992 --> 00:38:49,035
NO. I WAS READING
MOBY DICK.
861
00:38:49,077 --> 00:38:49,995
LATER,
I READ SHAKESPEARE.
862
00:38:50,036 --> 00:38:51,830
ALL OF IT?
863
00:38:51,871 --> 00:38:53,623
NO SENSE IN DOING THINGS
HALFWAY, RIGHT?
864
00:38:56,251 --> 00:38:58,170
I SEE, AND SINCE
IT WAS SO EASY,
865
00:38:58,211 --> 00:39:00,379
YOU JUST
KEPT DOING IT.
866
00:39:00,421 --> 00:39:05,802
IT PREVENTS ME
FROM DELIBERATELY
STEPPING INTO THE STREET
867
00:39:05,844 --> 00:39:07,929
AND METHODICALLY KNOCKING
PEOPLE'S HATS OFF.
868
00:39:11,850 --> 00:39:13,643
MOBY DICK, RIGHT?
869
00:39:13,685 --> 00:39:17,772
HEY, MAYBE YOU'RE NOT
AS DUMB AS HETSON
THINKS YOU ARE.
870
00:39:17,814 --> 00:39:19,440
WE'LL SEE. LOOK.
871
00:39:19,482 --> 00:39:23,028
CONTRARY TO WHAT
YOU MIGHT BELIEVE,
872
00:39:23,069 --> 00:39:25,655
I ONLY CAME BY YOUR PLACE
TONIGHT TO APOLOGIZE.
873
00:39:25,697 --> 00:39:27,448
I FELT LIKE
IT WAS KIND OF MY FAULT
874
00:39:27,490 --> 00:39:28,783
THAT YOU
GOT CAUGHT TODAY.
875
00:39:28,825 --> 00:39:30,243
HOW'S THAT?
876
00:39:30,285 --> 00:39:32,370
HETSON WOULDN'T
HAVE SINGLED YOU OUT
877
00:39:32,411 --> 00:39:34,247
IF YOU WEREN'T TRYING
TO BE SO NICE TO ME.
878
00:39:34,289 --> 00:39:37,125
NICE? YOU THOUGHT
I WAS TRYING
TO BE NICE TO YOU?
879
00:39:37,167 --> 00:39:39,377
YEAH. IT SEEMED
KIND OF OBVIOUS.
880
00:39:39,418 --> 00:39:41,296
WRONG.
881
00:39:41,338 --> 00:39:42,755
WRONG?
882
00:39:42,797 --> 00:39:44,465
YES. THAT WASN'T ME
BEING NICE.
883
00:39:44,507 --> 00:39:46,218
THAT WAS ME
SHOWING OFF.
884
00:39:46,259 --> 00:39:48,761
YOU KNOW,
YOU DISAPPOINT ME,
POTTER.
885
00:39:48,803 --> 00:39:50,638
I DO?
YES.
886
00:39:50,680 --> 00:39:52,849
HOW ARE WE SUPPOSED
TO LEARN ANYTHING
TODAY, PEOPLE?
887
00:39:52,891 --> 00:39:55,685
YOU DIDN'T DO
YOUR GROUNDWORK,
DID YOU?
888
00:39:55,727 --> 00:39:57,520
NO, I DIDN'T.
889
00:39:57,562 --> 00:39:59,814
NO, YOU DIDN'T.
890
00:40:06,779 --> 00:40:08,406
WHAT'S THIS?
891
00:40:08,447 --> 00:40:10,491
YOU LEFT YOUR PAPER
IN MY OFFICE YESTERDAY.
892
00:40:10,533 --> 00:40:12,994
IS THIS SUPPOSED TO
MAKE EVERYTHING OK?
893
00:40:13,036 --> 00:40:16,915
LOOK, MAYBE I DID LET
MY EMOTIONS AFFECT THE WAY
THAT I GRADED YOUR PAPER.
894
00:40:16,956 --> 00:40:18,291
IF I DID,
THAT'S INEXCUSABLE.
895
00:40:18,333 --> 00:40:20,960
I SENSE AN EXCUSE
COMING ON HERE.
896
00:40:21,002 --> 00:40:24,256
YOU HAVE NO IDEA,
DO YOU, OF HOW MUCH
THE WORLD HAS CHANGED?
897
00:40:24,297 --> 00:40:26,049
LOOK, IF THE WORLD'S
CHANGED, IT'S BECAUSE
898
00:40:26,091 --> 00:40:28,134
PEOPLE ARE
WILLING TO STAND UP AND
BE HONEST ABOUT THINGS,
899
00:40:28,176 --> 00:40:30,178
NOT HIDE BEHIND THINGS
THAT ARE EASIER.
900
00:40:30,220 --> 00:40:32,931
WHEN I WAS GROWING UP,
WHEN I WAS--HOW DID YOU
PUT IT--
901
00:40:32,972 --> 00:40:34,891
A SCARED TEENAGER,
902
00:40:34,933 --> 00:40:36,893
YOU DIDN'T HAVE
GAY KIDS COMING OUT
TO THEIR PARENTS ON MTV.
903
00:40:36,935 --> 00:40:40,146
YEAH, AND JACK TRIPPER
WAS THE ONLY GAY MAN
IN AMERICA, RIGHT?
904
00:40:40,188 --> 00:40:41,439
YOU THINK THAT'S
SUCH A SMALL THING,
905
00:40:41,480 --> 00:40:43,942
SUCH A MINUTE
CULTURAL DIFFERENCE?
906
00:40:43,983 --> 00:40:46,569
MAYBE YOU REALLY HAVEN'T
BEEN PAYING ATTENTION
IN MY CLASS, JACK.
907
00:40:48,238 --> 00:40:50,115
JUST DO ME A FAVOR
908
00:40:50,156 --> 00:40:52,784
AND HAVE ONE OF THE
T.A.s GRADE MY PAPERS
FROM NOW ON, PLEASE.
909
00:40:55,036 --> 00:40:56,579
NO PROBLEM.
910
00:41:01,459 --> 00:41:03,378
OOH, NICE.
911
00:41:03,420 --> 00:41:06,714
LITTLE PRIVATE
TEACHER CONFERENCE.
912
00:41:06,756 --> 00:41:08,758
WHAT WAS THAT
ALL ABOUT?
913
00:41:08,800 --> 00:41:11,469
I'M JUST GETTING
THAT THING WITH MY PAPER
STRAIGHTENED OUT.
914
00:41:11,510 --> 00:41:14,055
OH, YEAH. IS IT?
915
00:41:14,097 --> 00:41:15,098
STRAIGHT?
916
00:41:16,557 --> 00:41:19,477
YEAH. PERFECTLY.