1
00:00:25,150 --> 00:00:26,443
HEY...
2
00:00:26,485 --> 00:00:27,945
YOU SURE ABOUT THIS?
3
00:00:27,987 --> 00:00:31,699
AS SURE AS I'VE EVER BEEN
ABOUT ANYTHING
IN MY ENTIRE LIFE.
4
00:00:31,740 --> 00:00:32,867
GROOVY.
5
00:01:05,106 --> 00:01:06,567
CUT!
6
00:01:06,608 --> 00:01:09,110
EXCUSE ME, ANDREW.
MUST BE MY TRICK EAR.
7
00:01:09,152 --> 00:01:10,612
DID YOU JUST YELL CUT?
8
00:01:10,654 --> 00:01:12,907
YELLING CUT IS ONE
OF THE FEW BRIGHT SPOTS
9
00:01:12,948 --> 00:01:15,283
IN AN OTHERWISE
BLEAK EXISTENCE,
10
00:01:15,325 --> 00:01:19,120
AND I WILL NOT ALLOW
SOME HACK STUNTMAN
TO DENY ME THE PLEASURE.
11
00:01:19,162 --> 00:01:21,916
YOU DO NOT BREAK CHARACTER
UNTIL I YELL CUT.
12
00:01:21,957 --> 00:01:23,417
DO YOU UNDERSTAND ME?
YEAH.
13
00:01:23,458 --> 00:01:24,376
GOOD.
14
00:01:27,755 --> 00:01:29,088
THAT WAS FUN.
15
00:01:29,130 --> 00:01:31,174
SOMETIMES I FORGET HOW MUCH
I LIKE YELLING AT PEOPLE.
16
00:01:31,216 --> 00:01:33,301
YOU'RE A SICK MAN,
TODD CARR.
17
00:01:33,343 --> 00:01:34,845
GREAT. NOW I'M NOT
GONNA MAKE MY DAY.
18
00:01:34,887 --> 00:01:36,931
THIS IS WHAT I GET
FOR SHOOTING ON A BLOODY
HAUNTED SOUNDSTAGE
19
00:01:36,972 --> 00:01:38,097
THE DAY BEFORE
BLOODY HALLOWEEN.
20
00:01:38,139 --> 00:01:39,725
WHAT DO YOU MEAN
HAUNTED?
21
00:01:39,767 --> 00:01:41,476
YOU DON'T KNOW?
WHAT?
22
00:01:41,518 --> 00:01:44,021
ABOUT THE BIRD WHO DIED HERE--
MELANIE RAY?
23
00:01:44,063 --> 00:01:45,522
YOU'VE HEARD
OF MELANIE RAY?
NO.
24
00:01:45,564 --> 00:01:46,941
AND YOU CALL YOURSELF
A FILM GEEK.
25
00:01:46,982 --> 00:01:49,068
SHAME ON YOU, LEERY.
26
00:01:49,109 --> 00:01:50,652
YOU'VE HEARD OF MELANIE RAY,
RIGHT, DARLING?
27
00:01:50,694 --> 00:01:51,946
OF COURSE.
28
00:01:51,987 --> 00:01:53,321
MELANIE RAY
WAS THE JAMIE LEE CURTIS
OF HER DAY.
29
00:01:53,363 --> 00:01:54,531
THE ORIGINAL SCREAM QUEEN.
30
00:01:54,573 --> 00:01:56,283
SHE WAS SHOOTING
THIS B-MOVIE HERE IN BOSTON.
31
00:01:56,324 --> 00:01:57,952
WHAT WAS IT CALLED AGAIN?
32
00:01:57,993 --> 00:01:59,453
UH, KISS THE GIRLS
AND MAKE THEM DIE.
33
00:01:59,494 --> 00:02:01,914
THAT'S RIGHT.
THEY SHOT IT RIGHT HERE
BACK IN THE FIFTIES.
34
00:02:01,956 --> 00:02:05,042
AND YOUNG MELANIE WAS HAVING
AN AFFAIR WITH HER DIRECTOR.
35
00:02:06,668 --> 00:02:07,795
(SIGHS)
36
00:02:07,836 --> 00:02:08,963
WHERE WAS I?
37
00:02:09,004 --> 00:02:10,380
AHEM. UH, AFFAIR
WITH THE DIRECTOR.
38
00:02:10,422 --> 00:02:12,132
OH, RIGHT. YEAH. ANYWAY,
IT WAS ALL COMPLICATED
39
00:02:12,173 --> 00:02:15,552
BY THE FACT THAT MELANIE
WAS MARRIED TO HER COSTAR
NICK MARCH.
40
00:02:15,594 --> 00:02:18,639
AND WHEN NICK FOUND OUT
ABOUT THE AFFAIR, HE WENT
FRIGGING BALLISTIC.
41
00:02:18,680 --> 00:02:21,809
THEY WERE DOING THIS SCENE
WHERE THE 2 CHARACTERS
HAD TO GET INTO A FIGHT.
42
00:02:21,850 --> 00:02:23,644
HE STRANGLED HER...
43
00:02:24,394 --> 00:02:26,563
TO DEATH.
44
00:02:26,605 --> 00:02:28,356
THAT SUCKS.
45
00:02:28,398 --> 00:02:32,778
THAT'S WHY THEY SAY
HER SPIRIT STILL HAUNTS
THE SOUNDSTAGE TO THIS DAY.
46
00:02:32,820 --> 00:02:35,280
IF YOU BELIEVE
IN THAT SORT OF THING.
47
00:02:36,615 --> 00:02:38,408
THEY'RE READY FOR YOU,
NATASHA.
48
00:02:40,035 --> 00:02:40,995
WHAT?
49
00:02:41,036 --> 00:02:42,746
NOTHING.
50
00:02:42,788 --> 00:02:45,206
WHAT?
51
00:02:45,248 --> 00:02:46,875
IS THERE SOMETHING GOING ON
BETWEEN THE TWO OF YOU?
52
00:02:46,917 --> 00:02:49,795
LEERY, MY BOY,
I LEARNED A LONG TIME AGO
53
00:02:49,837 --> 00:02:51,463
NOT TO SCREW AROUND
WITH MY LEADING LADIES.
54
00:02:51,505 --> 00:02:53,256
THAT'S WHAT EXTRAS ARE FOR.
55
00:02:53,298 --> 00:02:56,384
BUT IF I WAS GONNA UNLEARN
THAT PARTICULAR LESSON,
56
00:02:56,426 --> 00:02:58,929
THE LOVELY NATASHA WOULD BE
THE ONE TO DO IT WITH.
57
00:02:58,971 --> 00:03:00,764
RIGHT, WHILE I STILL HAVE
MY HAIR, PEOPLE,
58
00:03:00,806 --> 00:03:03,350
ENERGY UP. CAMERA.
59
00:03:03,391 --> 00:03:04,101
Associate Director:
MARKER.
60
00:03:05,184 --> 00:03:07,146
AND...ACTION.
61
00:04:07,748 --> 00:04:08,749
Actor, on tape:
HEY...
62
00:04:08,790 --> 00:04:10,542
YOU SURE ABOUT THIS?
63
00:04:10,584 --> 00:04:11,752
Natasha, on tape:
AS SURE AS I'VE EVER BEEN
ABOUT ANYTHING
64
00:04:11,793 --> 00:04:13,336
IN MY WHOLE ENTIRE LIFE.
65
00:04:13,378 --> 00:04:16,381
BOY, EH,
HOW'S MY PARTY COMING?
66
00:04:16,423 --> 00:04:19,218
I'M PLEASED TO ANNOUNCE
THE ART DEPARTMENT'S
TURNED STAGE 7
67
00:04:19,259 --> 00:04:20,928
INTO A PLAYGROUND
FOR THE MORALLY IMPAIRED.
68
00:04:20,969 --> 00:04:24,098
OH, EXCELLENT.
I LOVE HALLOWEEN.
69
00:04:24,139 --> 00:04:26,016
MY FAVORITE HOLIDAY.
ALWAYS HAS BEEN.
70
00:04:26,058 --> 00:04:28,060
YEAH. MINE, TOO.
ACTUALLY I'M KINDA FAMOUS
71
00:04:28,102 --> 00:04:29,978
FOR PLAYING THESE ELABORATE
PRANKS ON MY FRIENDS BACK HOME.
72
00:04:30,020 --> 00:04:32,397
GOOD FOR YOU, GILLIGAN.
HOW'S MY COSTUME COMING?
73
00:04:32,439 --> 00:04:34,024
PICKING IT UP FROM WARDROBE
RIGHT AFTER THIS.
74
00:04:34,066 --> 00:04:35,442
AM I GONNA LOOK
LIKE A STUD?
75
00:04:35,483 --> 00:04:37,277
IS THERE ANY DOUBT?
76
00:04:37,318 --> 00:04:39,988
BUT WILL IT
GET ME LAID, DAWSON?
THAT IS THE QUESTION.
77
00:04:40,030 --> 00:04:42,032
TELL YOU WHAT. IF YOU
CAN'T CLOSE THE DEAL,
78
00:04:42,074 --> 00:04:45,493
I'LL HAVE A FEW EXTRAS
LINED UP FOR YOU.
79
00:04:45,535 --> 00:04:48,288
SEE, THAT'S WHAT I
LIKE ABOUT YOU, LEERY.
ALWAYS THINKING AHEAD.
80
00:04:48,329 --> 00:04:50,373
Todd, on tape: CAMERA. ACTION.
81
00:04:50,415 --> 00:04:53,794
GENTLEMEN, NATASHA
LOOKS SO HOT
IN THESE DAILIES,
82
00:04:53,835 --> 00:04:55,462
I THINK I'M GONNA
HAVE TO ASK YOU ALL
TO LEAVE THE ROOM
83
00:04:55,503 --> 00:04:57,172
SO I CAN BE ALONE
WITH MYSELF. DO YOU
KNOW WHAT I MEAN?
84
00:04:58,339 --> 00:05:01,093
WHAT'S YOUR PROBLEM?
NOTHING.
85
00:05:01,135 --> 00:05:03,595
YOU'RE A BIT TERRITORIAL
ABOUT THE LOVELY NATASHA,
AREN'T YOU, LEERY?
86
00:05:03,637 --> 00:05:04,805
NO.
87
00:05:04,846 --> 00:05:06,265
GOOD. BECAUSE YOU
SHOULDN'T BE.
88
00:05:06,306 --> 00:05:07,808
YOU DUMPED HER,
REMEMBER?
89
00:05:07,849 --> 00:05:08,976
FOR THE PRISSY ONE.
90
00:05:09,017 --> 00:05:10,102
IT'S NOT THAT SIMPLE, TODD.
91
00:05:10,144 --> 00:05:11,603
SURE IT WAS.
92
00:05:11,645 --> 00:05:13,563
YOUR PUNY
LITTLE MIND COULDN'T
PROCESS THE FACT
93
00:05:13,605 --> 00:05:15,107
THAT YOU WERE SHAGGING
94
00:05:15,149 --> 00:05:16,733
ONE OF THE HOTTEST
YOUNG STARLETS HOLLYWOOD
HAS TO OFFER,
95
00:05:16,775 --> 00:05:18,986
SO YOU JACKED IT
ALL IN FOR ANOTHER GO
AT YOUR PROM DATE.
96
00:05:19,027 --> 00:05:20,862
SHE WASN'T MY PROM DATE.
97
00:05:20,904 --> 00:05:22,572
(TODD CHUCKLES)
98
00:05:22,614 --> 00:05:25,117
IT WAS--IT WAS JUNIOR PROM.
THAT DOESN'T COUNT.
99
00:05:25,159 --> 00:05:26,618
DOESN'T COUNT.
100
00:05:26,660 --> 00:05:29,537
HEY, TODD, YOU SHOULD
TAKE A LOOK AT THIS.
101
00:05:43,093 --> 00:05:44,594
WHAT IS THAT?
102
00:05:44,636 --> 00:05:46,596
IS THIS A JOKE?
103
00:05:46,638 --> 00:05:47,973
THIS IS WHAT
WE GOT BACK
FROM THE LAB.
104
00:05:48,015 --> 00:05:50,349
I DON'T BELIEVE THIS.
SOMEONE'S SCREWING WITH ME.
105
00:05:50,391 --> 00:05:53,979
IS THIS ONE OF THOSE
PRACTICAL JOKES YOU CLAIM
TO BE FAMOUS FOR?
106
00:05:54,021 --> 00:05:55,147
WHAT ARE YOU TALKING ABOUT?
107
00:05:55,189 --> 00:05:56,355
REMEMBER
THAT LITTLE STORY
108
00:05:56,397 --> 00:05:57,816
I TOLD YOU
ABOUT YESTERDAY?
109
00:05:57,858 --> 00:05:58,817
ABOUT THE ACTRESS
WHO DIED ON STAGE 7?
110
00:05:58,859 --> 00:05:59,901
YEAH.
111
00:05:59,943 --> 00:06:02,112
THAT'S HER.
112
00:06:04,072 --> 00:06:06,365
WHAT IS SHE DOING
IN OUR DAILIES?
113
00:06:07,617 --> 00:06:09,244
I HAVE NO IDEA.
114
00:06:16,960 --> 00:06:18,712
SID!
115
00:06:23,175 --> 00:06:26,761
OOH, BABY!
YOU LOOK AWESOME!
116
00:06:26,803 --> 00:06:27,929
BUT...
117
00:06:27,971 --> 00:06:29,181
BUT WHAT?
118
00:06:29,223 --> 00:06:31,183
WELL, DON'T SHOOT
THE MESSENGER HERE,
119
00:06:31,225 --> 00:06:32,767
BUT IF WE'RE GOING
FOR AUTHENTICITY,
120
00:06:32,809 --> 00:06:34,602
LEATHER PANTS
WOULD REALLY DO THE TRICK.
121
00:06:34,644 --> 00:06:36,104
FRANKLY, IT'S
A MIRACLE THAT I'M
EVEN GOING ALONG
122
00:06:36,146 --> 00:06:37,856
WITH THIS WHOLE
SID AND NANCY THING.
123
00:06:37,898 --> 00:06:39,816
HEY, YOU PROMISED
NOT TO BE CRANKY TONIGHT.
124
00:06:39,858 --> 00:06:44,029
SORRY. I'M JUST NOT
REALLY A COSTUME PARTY
KIND OF GUY.
125
00:06:44,071 --> 00:06:45,989
SEEM TO LOVE PUTTING ON
THAT LITTLE MONKEY SUIT
OF YOURS EVERY MORNING.
126
00:06:46,031 --> 00:06:47,282
EASY.
127
00:06:47,324 --> 00:06:49,201
ALL RIGHT. SORRY.
LOW BLOW.
128
00:06:49,243 --> 00:06:51,328
I HAVE NO DESIRE TO GET
INTO YET ANOTHER TIFF
129
00:06:51,370 --> 00:06:53,496
ABOUT OUR EVER-WIDENING
IDEOLOGICAL DIFFERENCES.
130
00:06:53,538 --> 00:06:54,831
I'LL BE READY IN A SECOND.
131
00:06:54,873 --> 00:06:55,790
OK.
132
00:07:10,555 --> 00:07:11,556
YOU READY?
133
00:07:12,891 --> 00:07:14,059
WHAT'S WRONG?
134
00:07:14,101 --> 00:07:16,061
NOTHING.
LET'S GO.
135
00:07:16,103 --> 00:07:17,271
OK.
YEAH.
136
00:07:19,273 --> 00:07:20,899
I'M TELLING YOU,
JUST CALL THE GUY.
137
00:07:20,941 --> 00:07:24,152
I'M TELLING YOU,
IT'S TOO LATE.
138
00:07:24,194 --> 00:07:27,488
THE MINUSCULE WINDOW OF
OPPORTUNITY THAT ONCE WAS
HAS OFFICIALLY CLOSED.
139
00:07:27,530 --> 00:07:29,532
YEAH, BUT YOU
LIKE THE GUY.
I CAN TELL.
140
00:07:29,574 --> 00:07:31,285
WHICH GUY IS THIS?
141
00:07:31,326 --> 00:07:32,660
C.J.
STRAPPING YOUNG LAD.
142
00:07:32,702 --> 00:07:34,288
I SEE.
143
00:07:34,329 --> 00:07:36,081
I THINK THAT MAYBE
THE THING TO DO HERE, JACK,
144
00:07:36,123 --> 00:07:37,874
IS TO JUST CRUSH FROM AFAR.
145
00:07:37,916 --> 00:07:40,585
THAT WAY THERE
ARE NO BROKEN HEARTS,
THERE ARE NO DASHED DREAMS,
146
00:07:40,627 --> 00:07:42,921
THERE ARE NO MORNING-AFTER PILLS
TO CONTEND WITH.
147
00:07:42,963 --> 00:07:43,922
THE GIRL'S GOT A POINT.
148
00:07:43,964 --> 00:07:45,506
NO, SHE DOESN'T.
149
00:07:45,548 --> 00:07:46,841
SHE'S JUST AFRAID
THIS GUY IS TOO GOOD
FOR HER.
150
00:07:49,136 --> 00:07:50,929
AND SHE'S WRONG
ABOUT THAT.
151
00:07:50,971 --> 00:07:53,390
UH, NO. HE'S PROBABLY
WORKING RIGHT NOW,
152
00:07:53,432 --> 00:07:54,933
DOING GOOD FOR OTHERS
AND WHATNOT,
153
00:07:54,975 --> 00:07:58,728
WHICH IS ANNOYING,
BUT UNDENIABLY CHARMING.
154
00:07:58,770 --> 00:08:00,355
DIAL.
155
00:08:00,397 --> 00:08:01,606
WHAT? I DON'T KNOW
HIS NUMBER.
156
00:08:01,648 --> 00:08:02,774
CALL THE HELP LINE.
157
00:08:02,816 --> 00:08:03,817
NO. DOESN'T THAT SEEM WRONG?
158
00:08:03,858 --> 00:08:04,859
JUST DO IT.
159
00:08:04,901 --> 00:08:05,944
ARRR!
160
00:08:10,282 --> 00:08:12,075
HELP LINE.
HAPPY HALLOWEEN.
161
00:08:12,117 --> 00:08:13,868
UM, HI. IS C.J. THERE?
162
00:08:13,910 --> 00:08:15,036
SPEAKING.
163
00:08:15,078 --> 00:08:17,038
OH. HI.
164
00:08:17,080 --> 00:08:19,249
UH, THIS IS JEN.
165
00:08:19,291 --> 00:08:22,085
LINDLEY. DO YOU--
DO YOU REMEMBER ME?
166
00:08:22,127 --> 00:08:24,045
HELLO, JEN LINDLEY.
167
00:08:24,087 --> 00:08:25,922
WHAT CAN I DO
FOR YOU?
168
00:08:25,964 --> 00:08:28,258
WELL, I WAS JUST WONDERING
WHAT YOU WERE DOING TONIGHT.
169
00:08:28,300 --> 00:08:32,095
UM, BUT YOU'RE WORKING,
AREN'T YOU?
170
00:08:32,137 --> 00:08:33,972
UH, YEAH, FOR JUST,
LIKE, ANOTHER HOUR.
171
00:08:34,014 --> 00:08:35,015
I'M FILLING IN
FOR SOMEBODY WHO'S
RUNNING LATE.
172
00:08:36,099 --> 00:08:38,101
OH, WELL--I MEAN,
173
00:08:38,143 --> 00:08:40,145
DO YOU HAVE PLANS
AFTER THAT OR--
174
00:08:40,187 --> 00:08:41,771
WELL, IF...
GOING BACK TO MY ROOM
175
00:08:41,813 --> 00:08:44,983
AND WATCHING HALLOWEEN H20
ON CABLE QUALIFIES AS PLANS,
176
00:08:45,025 --> 00:08:45,984
THEN YEAH,
I'M ALL BOOKED UP.
177
00:08:46,026 --> 00:08:48,569
OH...WELL,
178
00:08:48,611 --> 00:08:50,155
DO YOU HAVE ANY INTEREST
IN COMING TO A PARTY?
179
00:08:50,197 --> 00:08:52,282
C.J.: WITH YOU?
ALONE?
180
00:08:52,324 --> 00:08:55,327
WELL, NO. I MEAN,
I'LL BE THERE,
181
00:08:55,369 --> 00:08:57,662
BUT MY FRIENDS
ARE COMING, TOO.
182
00:08:57,704 --> 00:09:00,081
C.J.: HMM, I DON'T KNOW
ABOUT THAT.
183
00:09:00,123 --> 00:09:02,125
WAIT A SECOND, DID YOU
JUST CALL THE HELP LINE
TO INVITE ME TO A PARTY?
184
00:09:02,167 --> 00:09:04,544
YEAH. IS THAT WRONG?
185
00:09:06,046 --> 00:09:07,255
WHAT'S THE ADDRESS?
186
00:09:12,677 --> 00:09:13,636
GOOD NEWS.
187
00:09:13,678 --> 00:09:14,595
WHAT?
188
00:09:14,637 --> 00:09:16,223
YOU CAN COME BACK
TO CLASS.
189
00:09:16,264 --> 00:09:18,141
WHAT ARE YOU
TALKING ABOUT?
190
00:09:18,183 --> 00:09:20,143
I TALKED HETSON INTO
LETTING YOU COME BACK.
191
00:09:20,185 --> 00:09:22,896
I MADE A DEAL WITH HIM.
192
00:09:22,937 --> 00:09:24,314
YOU TALKED TO HETSON
ABOUT ME?
193
00:09:24,356 --> 00:09:25,815
YEAH.
194
00:09:25,857 --> 00:09:27,108
UH-HUH.
195
00:09:27,150 --> 00:09:29,069
WHICH WAS CLEARLY
A MISTAKE.
196
00:09:29,110 --> 00:09:30,320
MY BAD.
197
00:09:32,364 --> 00:09:34,657
WHOEVER SAID I WANTED
TO COME BACK TO CLASS?
198
00:09:34,699 --> 00:09:36,743
YOU SEEMED TO GO
THROUGH A LOT
OF TROUBLE TO ATTEND
199
00:09:36,784 --> 00:09:38,953
SO I JUST--I THOUGHT
IT MIGHT'VE MEANT
SOMETHING TO YOU,
200
00:09:38,995 --> 00:09:40,663
BUT AGAIN, SORRY.
201
00:09:42,832 --> 00:09:44,251
UHH!
202
00:09:44,292 --> 00:09:45,835
COULD YOU MAYBE
WATCH WHERE
YOU'RE GOING?
203
00:09:45,877 --> 00:09:47,546
HOW OLD ARE YOU?
204
00:09:47,587 --> 00:09:49,256
THAT'D BE NONE
OF YOUR BUSINESS.
205
00:09:49,297 --> 00:09:51,425
JUST TELL ME WHERE
CAN I FIND SOME GIRL
206
00:09:51,466 --> 00:09:53,218
WITH THE UNFORTUNATE
NAME OF JOEY.
207
00:09:53,260 --> 00:09:55,554
OH, I SEE YOU TWO
HAVE ALREADY MET.
208
00:09:55,595 --> 00:09:57,431
THIS IS YOUR DAUGHTER?
209
00:09:57,472 --> 00:09:59,807
MEET MY DAUGHTER HARLEY.
HARLEY, THIS IS JOEY POTTER.
210
00:09:59,849 --> 00:10:02,727
(SCOFFS) HI.
211
00:10:04,145 --> 00:10:05,105
WHAT?
212
00:10:05,146 --> 00:10:06,273
I THOUGHT SHE WAS 5.
213
00:10:06,314 --> 00:10:07,441
WHATEVER GAVE YOU
THAT IDEA?
214
00:10:07,482 --> 00:10:09,067
THE PICTURE ON YOUR DESK.
215
00:10:09,109 --> 00:10:11,486
WELL, SHE WAS 5 WHEN
THAT PICTURE WAS TAKEN.
216
00:10:11,528 --> 00:10:13,113
THAT'S FALSE ADVERTISING.
217
00:10:13,154 --> 00:10:14,573
AW, JEEZ, WOULD YOU
LOOK AT THE TIME?
218
00:10:14,613 --> 00:10:16,616
I'LL PICK
THE LITTLE ANGEL UP
AT 11:00. HAVE FUN.
219
00:10:16,657 --> 00:10:18,993
AND--WELL,
THANKS AGAIN, JOEY.
220
00:10:19,035 --> 00:10:20,787
BYE, SWEETIE.
221
00:10:20,828 --> 00:10:24,249
DAD! I'M GONNA GIVE YOU
ONE MORE CHANCE HERE
NOT TO BAIL ON ME.
222
00:10:24,291 --> 00:10:26,543
(SIGHS) SWEETIE,
I'M NOT BAILING ON YOU.
223
00:10:26,585 --> 00:10:29,588
NO. YOU'RE
FOREGOING TRADITION,
OUR TRADITION.
224
00:10:29,629 --> 00:10:32,257
TO GO OUT
WITH SOME SKANK.
225
00:10:32,299 --> 00:10:35,051
A--SHE'S NOT A BAD KIND
OF SKANK, AND B--WE'LL GO TO
THE MOVIES TOMORROW NIGHT.
226
00:10:35,093 --> 00:10:36,344
IT'S NOT THE SAME!
227
00:10:36,386 --> 00:10:38,096
WE GO TO THE MOVIES
ON HALLOWEEN.
228
00:10:38,138 --> 00:10:40,014
WE GO SEE SOME SCARY
OLD MOVIE AT THE CREST.
229
00:10:40,056 --> 00:10:41,433
IT'S WHAT WE DO.
230
00:10:41,475 --> 00:10:43,310
Hetson: HARLEY, YOU GOTTA
GIVE ME A BREAK HERE.
231
00:10:45,019 --> 00:10:47,855
I'LL MAKE IT UP TO YOU,
I PROMISE, OK?
232
00:10:54,112 --> 00:10:55,530
WHAT ARE YOU LOOKING AT?
233
00:11:14,673 --> 00:11:15,800
Voice, whispering:
Dawson.
234
00:11:47,748 --> 00:11:49,917
(BAND PLAYS)
235
00:12:22,701 --> 00:12:24,703
TODD! CAN I TALK
TO YOU FOR A SECOND?
236
00:12:24,743 --> 00:12:26,913
ABSOLUTELY NOT, LEERY.
I'M BUSY.
237
00:12:26,954 --> 00:12:29,332
TODD, I'M SERIOUS.
I REALLY NEED TO TALK TO YOU.
238
00:12:29,374 --> 00:12:32,419
WOULD YOU 2 BEAUTIFUL LADIES
EXCUSE ME, PLEASE?
239
00:12:32,460 --> 00:12:33,670
JUST FOR A MINUTE.
240
00:12:33,712 --> 00:12:36,755
ALL RIGHT,
YOU BETTER BE DYING.
241
00:12:36,797 --> 00:12:38,049
I SAW HER.
242
00:12:38,091 --> 00:12:39,342
WHO?
HER.
243
00:12:39,384 --> 00:12:41,469
MELANIE RAY.
244
00:12:41,511 --> 00:12:43,179
YOU'RE SCREWING
WITH ME.
I'M NOT.
245
00:12:43,221 --> 00:12:44,180
I SAW HER.
WHERE?
246
00:12:44,222 --> 00:12:45,348
IN HERE, ON STAGE.
247
00:12:45,390 --> 00:12:47,267
WELL, YOU LIKE.
248
00:12:47,308 --> 00:12:48,602
YOU PROBABLY SAW SOMEONE
DRESSED UP LIKE HER.
249
00:12:48,643 --> 00:12:50,144
IT'S A FRIGGING
COSTUME PARTY, LEERY.
250
00:12:50,186 --> 00:12:51,354
THIS WAS HOURS AGO,
BEFORE ANYBODY EVEN GOT THERE.
251
00:12:51,396 --> 00:12:52,689
COME ON, MATE.
252
00:12:52,731 --> 00:12:54,608
YOUR MIND'S PLAYING
TRICKS ON YOU.
253
00:12:54,649 --> 00:12:56,317
TAKE THE NIGHT OFF.
HAVE A LITTLE FUN.
254
00:12:56,359 --> 00:12:57,652
KNOCK BACK SOME
BYE-BYE-PAIN JUICE.
255
00:12:57,694 --> 00:12:59,862
SADDLE UP WITH
A COUPLE OF BIRDS.
256
00:13:03,408 --> 00:13:05,993
GOD SAVE THE QUEEN.
257
00:13:09,497 --> 00:13:10,998
HELLO, BOYS.
258
00:13:11,040 --> 00:13:12,208
HI.
259
00:13:12,250 --> 00:13:13,209
Todd: YOU WANNA DANCE,
DARLING?
260
00:13:13,251 --> 00:13:15,128
LOVE TO.
261
00:13:15,169 --> 00:13:16,087
YEAH.
262
00:13:22,427 --> 00:13:24,137
DO YOU HAVE
A GIRLFRIEND, EDDIE?
263
00:13:24,178 --> 00:13:26,139
I MOST CERTAINLY DO NOT.
264
00:13:26,180 --> 00:13:27,515
OH, WELL, HOW COME?
265
00:13:27,557 --> 00:13:29,142
WELL, I'VE FOUND
THAT GIRLFRIENDS
266
00:13:29,183 --> 00:13:30,477
ARE GENERALLY MORE TROUBLE
THAN THEY'RE WORTH.
267
00:13:30,518 --> 00:13:33,062
WELL, THAT SEEMS
LIKE A TOTAL WASTE,
IF YOU ASK ME.
268
00:13:33,104 --> 00:13:34,689
HOW OLD ARE YOU?
269
00:13:34,731 --> 00:13:37,317
I'VE FOUND THAT AGE
IS BUT A NUMBER, EDDIE.
270
00:13:37,358 --> 00:13:38,693
ALL RIGHT, YOU TWO,
BREAK IT UP.
271
00:13:38,735 --> 00:13:40,570
YOU READY TO HAVE
SOME FUN, HARLEY?
272
00:13:40,612 --> 00:13:42,656
AND WHERE IS THIS FUN
YOU SPEAK OF?
273
00:13:42,697 --> 00:13:44,240
WELL, I WAS GOING TO
TAKE YOU TRICK OR TREATING,
274
00:13:44,282 --> 00:13:46,033
BUT THAT WAS WHEN
I THOUGHT YOU WERE 5.
275
00:13:46,075 --> 00:13:47,786
SO I WAS THINKING
WE COULD GO TO THE MOVIES
OR SOMETHING.
276
00:13:47,826 --> 00:13:49,912
I HEARD YOU SAY
SOMETHING TO YOUR DAD
ABOUT WANTING TO SEE--
277
00:13:49,954 --> 00:13:51,164
THAT SOUNDS LAME.
278
00:13:51,205 --> 00:13:52,873
I WANT TO STAY HERE.
279
00:13:52,915 --> 00:13:55,543
WELL, I'M SUPPOSED TO BE
TAKING CARE OF YOU,
280
00:13:55,585 --> 00:13:58,254
AND I DON'T THINK YOUR DAD
WOULD WANT YOU HANGING OUT IN
SOME COLLEGE BAR ALL NIGHT.
281
00:13:58,296 --> 00:13:59,838
TRUST ME.
HE WOULDN'T CARE.
282
00:13:59,880 --> 00:14:02,216
OK, LOOK,
YOU'RE TALKING TO SOMEBODY
283
00:14:02,258 --> 00:14:04,135
WHO COULD HOST A DAYTIME
TALK SHOW ON DEADBEAT DADS,
284
00:14:04,177 --> 00:14:05,637
SO LET'S NOT GO THERE.
285
00:14:05,679 --> 00:14:07,180
COME ON,
LET'S HAVE SOME FUN.
286
00:14:07,221 --> 00:14:11,058
NO! YOU'RE NOT GONNA
MAKE ME GO ANYWHERE
I DON'T WANNA GO.
287
00:14:11,100 --> 00:14:13,394
I'M GONNA STAY
RIGHT HERE UNTIL
MY FATHER GETS BACK.
288
00:14:13,436 --> 00:14:16,272
HEY, YOU KNOW, I READ
ABOUT THIS HAUNTED HOUSE
IN THE PAPER TODAY.
289
00:14:16,314 --> 00:14:17,898
IT'S SUPPOSED TO BE
PRETTY SCARY.
290
00:14:17,940 --> 00:14:19,400
I LOVE HAUNTED HOUSES.
291
00:14:19,442 --> 00:14:21,235
YEAH, MAYBE YOU GUYS
COULD DO SOMETHING LIKE THAT.
292
00:14:21,277 --> 00:14:22,862
WELL, I'LL GO
IF YOU GO.
293
00:14:22,903 --> 00:14:23,863
EDDIE'S WORKING.
294
00:14:23,904 --> 00:14:25,323
OFF IN 5, ACTUALLY.
295
00:14:25,365 --> 00:14:26,449
WELL, I'M SURE HE HAS PLANS.
296
00:14:26,491 --> 00:14:29,703
NOT PARTICULARLY, NO.
297
00:14:29,744 --> 00:14:33,080
WELL, THEN, BY ALL MEANS,
PLEASE JOIN US.
298
00:14:33,122 --> 00:14:34,791
Harley: COOL.
COOL.
299
00:14:38,877 --> 00:14:40,213
YOU DIDN'T HAVE TO DO THAT.
300
00:14:40,254 --> 00:14:42,006
I WAS HANDLING IT.
301
00:14:42,048 --> 00:14:44,133
YEAH. YOU WERE DOING
JUST SWELL.
302
00:14:44,175 --> 00:14:46,636
IT SUCKS WHEN PEOPLE BUTT
INTO YOUR BUSINESS, DON'T IT?
303
00:14:48,137 --> 00:14:51,182
JEN, DID YOU TELL C.J.
IT WAS A COSTUME PARTY?
304
00:14:51,224 --> 00:14:54,686
YEAH. YEAH, I THINK SO.
GOD, I HOPE SO. WHY?
305
00:14:54,728 --> 00:14:56,604
AHEM. CHECK IT OUT.
306
00:14:59,858 --> 00:15:01,984
YOU COULD HAVE TOLD ME
IT WAS A COSTUME PARTY.
307
00:15:02,026 --> 00:15:04,153
OH, MY GOD.
I'M SO SORRY.
308
00:15:04,195 --> 00:15:05,530
I FEEL LIKE SUCH A DORK.
309
00:15:05,572 --> 00:15:07,323
AND YOU ARE?
310
00:15:07,365 --> 00:15:08,867
SORRY.
THIS IS DAVID.
311
00:15:08,908 --> 00:15:10,368
HI, I'M JEN.
312
00:15:10,410 --> 00:15:12,161
HI.
THIS IS JACK.
313
00:15:12,203 --> 00:15:14,080
HEY, DAVID.
HEY.
314
00:15:14,121 --> 00:15:16,666
SO, WE'RE GONNA GO
GRAB SOME REFRESHMENTS.
YOU GUYS NEED ANYTHING?
315
00:15:16,708 --> 00:15:17,667
COOL.
316
00:15:17,709 --> 00:15:18,668
FINE.
317
00:15:22,213 --> 00:15:27,176
OH, MY GOD!
I AM LIKE FLYPAPER FOR
THE HOMOSEXUAL COMMUNITY.
318
00:15:27,218 --> 00:15:29,095
YEAH. WHAT?
319
00:15:29,136 --> 00:15:32,139
HE'S OBVIOUSLY GAY.
I SHOULD'VE KNOWN.
320
00:15:32,181 --> 00:15:33,892
WHO, C.J.?
321
00:15:33,933 --> 00:15:35,602
IT FIGURES. I INVITE
A BOY TO A PARTY,
322
00:15:35,643 --> 00:15:37,103
AND HE BRINGS HIS BOYFRIEND.
323
00:15:37,144 --> 00:15:38,104
WHAT MAKES YOU SO SURE
THEY'RE A COUPLE?
324
00:15:38,145 --> 00:15:40,064
WHATEVER.
EVEN IF HE'S STRAIGHT,
325
00:15:40,106 --> 00:15:43,777
I CAN'T TAKE THIS C.J. ANYMORE.
HE'S WAY TOO STANDOFFISH.
326
00:15:43,818 --> 00:15:45,820
WHEN I MAKE
MY INTENTIONS CLEAR,
327
00:15:45,862 --> 00:15:47,906
I WANT THEM TO BE ACKNOWLEDGED
AND RECIPROCATED.
328
00:15:47,947 --> 00:15:48,823
IN THAT ORDER.
329
00:15:48,865 --> 00:15:50,949
I HEAR YA.
ALL RIGHT.
330
00:15:50,991 --> 00:15:52,993
WE'RE GONNA DELVE
A LITTLE DEEPER
INTO THIS, OK?
331
00:15:53,035 --> 00:15:54,579
I'M GONNA TAKE C.J.,
332
00:15:54,621 --> 00:15:56,915
AND YOU'RE GONNA
TAKE THE "ALLEGED"
HOMOSEXUAL,
333
00:15:56,955 --> 00:15:58,207
AND WE'RE GONNA
MEET BACK HERE
IN A LITTLE BIT.
334
00:15:58,249 --> 00:15:59,208
DEAL.
335
00:15:59,250 --> 00:16:00,251
BREAK!
BREAK.
336
00:16:14,849 --> 00:16:15,934
AAH!
337
00:16:17,351 --> 00:16:19,813
OH, MY GOD.
YOU'RE SO RETARDED.
338
00:16:19,854 --> 00:16:21,940
WHO ASKED YOU,
YOU LITTLE TWERP?
339
00:16:24,233 --> 00:16:27,445
HEY, GO EASY
ON THE POOR KID.
340
00:16:27,487 --> 00:16:28,655
OK? SHE'S GOT PROBLEMS.
341
00:16:31,825 --> 00:16:33,409
AND WHAT DO YOU KNOW
ABOUT THAT?
342
00:16:33,451 --> 00:16:36,162
COME ON, IT'S OBVIOUS
THE GIRL HAS SOME ISSUES
WITH HER FATHER.
343
00:16:37,831 --> 00:16:39,666
DON'T WE ALL?
344
00:16:39,707 --> 00:16:41,584
HEY, UH, LOOK,
345
00:16:41,626 --> 00:16:44,671
I'M SORRY ABOUT
BUTTING INTO YOUR LIFE
AND ALL THAT.
346
00:16:44,712 --> 00:16:47,465
I SAW AN OPPORTUNITY
TO HELP, AND I
WENT FOR IT.
347
00:16:47,507 --> 00:16:49,759
IT'S JUST THAT
YOU'RE REALLY SMART.
348
00:16:49,801 --> 00:16:51,511
YOU'RE A LOT SMARTER
THAN ANYBODY ELSE
IN THAT CLASS.
349
00:16:51,552 --> 00:16:53,763
AND IT JUST
MAKES ME SAD
350
00:16:53,805 --> 00:16:55,723
TO SEE ALL
OF THAT POTENTIAL
JUST GOING TO WASTE.
351
00:16:55,765 --> 00:16:58,351
WHAT POTENTIAL?
WHAT--WHAT WASTE?
352
00:16:58,392 --> 00:17:00,102
LOOK, I LIKE TO READ BOOKS.
353
00:17:00,144 --> 00:17:02,730
BIG DEAL. WHAT, MY LIFE
WOULD BE SO MUCH BETTER
IF I WENT TO COLLEGE?
354
00:17:02,772 --> 00:17:04,148
AND, UH...
355
00:17:04,190 --> 00:17:05,650
WHAT?
356
00:17:05,692 --> 00:17:07,443
I DON'T NEED YOUR PITY.
357
00:17:07,485 --> 00:17:10,613
AND I DON'T NEED TO BE
SOME RICH KID'S CHARITY CASE.
358
00:17:10,655 --> 00:17:12,365
YOU THINK
I'M A RICH KID?
359
00:17:14,283 --> 00:17:15,159
WOW.
360
00:17:15,201 --> 00:17:16,410
WHAT?
361
00:17:16,452 --> 00:17:18,245
IT'S JUST FUNNY...
362
00:17:18,287 --> 00:17:20,707
HOW LITTLE YOU
ACTUALLY KNOW ABOUT ME.
363
00:17:20,748 --> 00:17:22,291
YOU KNOW WHAT'S EVEN FUNNIER?
364
00:17:22,333 --> 00:17:25,336
ALL OF THIS COULD'VE BEEN
SO EASILY AVOIDED.
365
00:17:25,378 --> 00:17:28,088
I MEAN, I WASN'T EVEN
GONNA COME BACK
TO HETSON'S CLASS.
366
00:17:28,130 --> 00:17:30,424
I MEAN, HE'S TOO CYNICAL,
HE'S TOO IMPRESSED WITH HIMSELF.
367
00:17:30,466 --> 00:17:32,886
SO WHY DID YOU
COME BACK?
368
00:17:32,927 --> 00:17:33,845
YOU.
369
00:17:34,971 --> 00:17:37,807
YOU, UH, YOU GOT
UNDER MY SKIN.
370
00:17:37,849 --> 00:17:40,935
I FOUND MYSELF
HAVING THESE SERIES
371
00:17:40,977 --> 00:17:43,270
OF ANNOYING CONVERSATIONS
WITH YOU IN MY HEAD,
372
00:17:43,312 --> 00:17:46,691
WHICH MUST BE A SIGN
OF SOMETHING, SO I KEPT
COMING BACK FOR MORE,
373
00:17:46,733 --> 00:17:49,736
WHICH ULTIMATELY PROVED
TO BE MY UNDOING.
374
00:17:51,404 --> 00:17:52,822
AAH!
375
00:17:53,990 --> 00:17:55,867
MAN, YOU'RE SUCH
A SCAREDY CAT.
376
00:17:55,909 --> 00:17:57,201
THAT'S WHAT
THEY TELL ME.
377
00:18:01,748 --> 00:18:03,917
COULD YOU LET ME GO NOW?
378
00:18:05,418 --> 00:18:06,961
YOU KNOW WHAT?
379
00:18:08,128 --> 00:18:10,006
I DON'T THINK SO.
380
00:18:17,638 --> 00:18:19,265
OH, CRAP.
WHAT?
381
00:18:19,306 --> 00:18:20,767
HARLEY.
382
00:18:38,952 --> 00:18:40,369
WOW! I'VE DIED
AND GONE TO HELL!
383
00:18:40,411 --> 00:18:41,788
HAIL, SATAN!
384
00:18:41,829 --> 00:18:44,082
ALL OF A SUDDEN,
I FEEL VERY OLD.
385
00:18:44,123 --> 00:18:45,458
OH, PACEY,
COME DANCE WITH ME.
386
00:18:45,499 --> 00:18:46,375
DANCE? WHERE?
387
00:18:46,417 --> 00:18:48,002
OVER THERE.
388
00:18:48,044 --> 00:18:50,129
THAT'S NOT DANCING.
THAT'S CAVORTING.
389
00:18:50,170 --> 00:18:52,339
OH, WHEN DID YOU BECOME
SUCH A DULL NORMAL?
390
00:18:52,381 --> 00:18:54,842
ABOUT THE SAME TIME
YOU STARTED
FAILING TESTS.
391
00:18:54,884 --> 00:18:56,552
WHAT'S THAT
SUPPOSED TO MEAN?
392
00:18:56,594 --> 00:18:58,345
WHAT? COME ON,
WHAT'S WITH THE "F,"
AUDREY?
393
00:18:58,387 --> 00:18:59,889
IT'S A LETTER GRADE, PACEY.
394
00:18:59,931 --> 00:19:01,265
IT'S TYPICALLY GIVEN
WHEN A STUDENT
395
00:19:01,307 --> 00:19:03,350
FAILS TO MEET
THE REQUIREMENTS
OF AN ASSIGNMENT.
396
00:19:03,392 --> 00:19:04,351
THANKS, WISE ASS.
397
00:19:04,393 --> 00:19:06,729
I'M JUST ASKING
IF EVERYTHING'S OK.
398
00:19:06,771 --> 00:19:08,439
I GOT IT TOTALLY
UNDER CONTROL, BABY.
399
00:19:08,481 --> 00:19:10,108
YEAH, 'CAUSE YOU KNOW
IN MY EXPERIENCE,
400
00:19:10,149 --> 00:19:11,149
THERE'S NEVER
JUST ONE "F."
401
00:19:11,191 --> 00:19:13,152
THOSE THINGS TEND
TO COME IN BUNCHES.
402
00:19:13,193 --> 00:19:15,529
YOU KNOW WHAT?
I HAVE A REALLY GOOD IDEA.
LET'S NOT TALK ABOUT THIS.
403
00:19:15,571 --> 00:19:18,198
OK, FINE. I'M JUST
LETTING YOU KNOW
I'M WORRIED. THAT'S ALL.
404
00:19:18,240 --> 00:19:19,533
YOU KNOW WHAT? IT REALLY
DOESN'T SEEM LIKE YOU ARE.
405
00:19:19,575 --> 00:19:20,743
IT SEEMS LIKE
YOU'RE TOO BUSY
406
00:19:20,785 --> 00:19:22,244
RUNNING AROUND
LIKE GLENGARRY GLEN LOSER
407
00:19:22,286 --> 00:19:23,955
TO BE WORRIED ABOUT MUCH
OF ANYTHING THESE DAYS.
408
00:19:23,997 --> 00:19:25,247
THAT'S NICE OF YOU.
TAKE A SWING AT ME
409
00:19:25,289 --> 00:19:26,749
BECAUSE I GOTTA WORK
FOR A LIVING.
THAT'S GREAT.
410
00:19:26,791 --> 00:19:29,376
I DON'T MIND THAT YOU HAVE
TO WORK FOR A LIVING, PACEY.
411
00:19:29,418 --> 00:19:31,545
I'M JUST SAYING DON'T LOSE
YOURSELF IN IT. THAT'S ALL.
412
00:19:31,587 --> 00:19:32,880
WHY ARE WE BICKERING
ABOUT THIS?
413
00:19:32,922 --> 00:19:34,548
I JUST WANNA KNOW
WHAT'S GOING ON
WITH YOU.
414
00:19:34,590 --> 00:19:37,217
OK. YOU WANNA KNOW WHAT'S
GOING ON WITH ME? HERE GOES.
415
00:19:37,259 --> 00:19:39,720
I HAVEN'T REALLY BEEN GOING TO
CLASS MUCH THIS SEMESTER, PACEY.
416
00:19:39,762 --> 00:19:42,807
WHY IS THAT? YOU MIGHT ASK.
BECAUSE I'VE BEEN KINDA
DEPRESSED.
417
00:19:42,849 --> 00:19:44,558
YEAH, YOU SEE,
I HAVE THIS BOYFRIEND,
418
00:19:44,600 --> 00:19:47,269
AND I THOUGHT
EVERYTHING WAS GOING GREAT,
BUT APPARENTLY IT'S NOT.
419
00:19:47,311 --> 00:19:49,187
APPARENTLY, HE CARES
ABOUT HIS JOB MORE THAN
HE CARES ABOUT ME,
420
00:19:49,229 --> 00:19:51,440
AND I KNOW HE WOULD PROBABLY
SAY THAT WASN'T TRUE
421
00:19:51,482 --> 00:19:53,567
AND THAT I'M JUST BEING SOME
HYSTERICAL DRAMA QUEEN,
422
00:19:53,609 --> 00:19:56,403
BUT I SUPPOSE IF IT
WASN'T TRUE, HE'D PRETTY
MUCH KNOW EVERYTHING
423
00:19:56,445 --> 00:19:58,156
THAT WAS GOING ON IN MY LIFE,
WOULDN'T HE, PACEY?
424
00:20:00,033 --> 00:20:01,617
HEY, GUYS.
425
00:20:01,659 --> 00:20:03,161
LOVE THE COSTUMES.
426
00:20:15,006 --> 00:20:16,799
NO, I'M NOT
THE DIRECTOR.
427
00:20:16,841 --> 00:20:18,092
I'M THE DIRECTOR'S
ASSISTANT.
428
00:20:18,134 --> 00:20:20,219
REALLY?
THAT'S AWESOME!
429
00:20:21,387 --> 00:20:22,555
YEAH.
430
00:20:40,073 --> 00:20:41,032
ARE YOU OK?
431
00:20:41,074 --> 00:20:43,117
CAN YOU EXCUSE ME
FOR A SEC?
432
00:21:55,564 --> 00:21:56,983
Todd: RIGHT.
(LAUGHS)
433
00:21:57,024 --> 00:21:59,193
Natasha: I WAS THINKING
ABOUT NEAR THE END.
WELL, SO...
434
00:22:00,486 --> 00:22:01,988
WHAT'S WRONG, DAWSON?
435
00:22:02,029 --> 00:22:06,159
NOTHING. UH, I WAS JUST,
UH, LOOKING FOR SOMEBODY.
436
00:22:07,493 --> 00:22:09,328
SO...
437
00:22:09,369 --> 00:22:11,580
SO, I MEAN 60 MILLION PEOPLE
ARE WATCHING IT.
438
00:22:11,622 --> 00:22:12,790
RIGHT.
439
00:22:12,832 --> 00:22:14,374
AND THAT'S
4 TIMES AS MANY.
440
00:22:17,170 --> 00:22:19,297
(CELL PHONE RINGS)
441
00:22:21,590 --> 00:22:22,633
HELLO.
442
00:22:24,260 --> 00:22:25,343
I WAS GETTING READY
TO LEAVE FOR THE PARTY
443
00:22:25,385 --> 00:22:27,345
WHEN A NEW BATCH
OF DAILIES CAME IN.
444
00:22:27,387 --> 00:22:30,348
I GO TO DIGITIZE THEM,
AND THIS IS WHAT SHOWED UP.
445
00:23:45,465 --> 00:23:46,424
HEY, YOU.
446
00:23:46,466 --> 00:23:49,345
HEY.
447
00:23:49,387 --> 00:23:52,348
YOU--YOU LOOK
AMAZING.
448
00:23:52,390 --> 00:23:54,808
I'M SURE YOU'VE
PROBABLY HEARD THAT,
LIKE, 1,000 TIMES.
449
00:23:54,850 --> 00:23:57,811
YEAH, I'VE GOTTEN A COUPLE
MARRIAGE PROPOSALS
450
00:23:57,853 --> 00:24:01,023
AND ONE GUY SAID
HE'D SIGN OVER HIS CAR
IF I SLEPT WITH HIM, BUT...
451
00:24:01,065 --> 00:24:02,440
THANKS,
IT NEVER GETS OLD.
452
00:24:02,482 --> 00:24:04,151
CAN I ASK YOU
SOMETHING?
453
00:24:04,193 --> 00:24:05,319
IF YOU MUST.
454
00:24:05,361 --> 00:24:07,363
THIS MELANIE RAY--
WHY DID SHE START
455
00:24:07,405 --> 00:24:08,572
HAVING AN AFFAIR
WITH THE DIRECTOR?
456
00:24:08,614 --> 00:24:11,784
WHO KNOWS? MAYBE SHE
FELL IN LOVE WITH HIM
457
00:24:11,825 --> 00:24:14,287
OR MAYBE
SHE JUST WANTED SOMEONE
TO PAY ATTENTION TO HER.
458
00:24:14,328 --> 00:24:15,955
BUT SHE HAD SOMEONE
TO PAY ATTENTION TO HER.
SHE WAS MARRIED.
459
00:24:15,996 --> 00:24:18,540
YEAH, WELL,
NOT ALL RELATIONSHIPS
ARE PERFECT, DAWSON.
460
00:24:18,582 --> 00:24:20,209
THEY DON'T ALL
LAST FOREVER.
461
00:24:20,251 --> 00:24:23,003
MAYBE HE HAD A SHOT.
MAYBE HE BLEW IT.
462
00:24:23,045 --> 00:24:25,672
MAYBE SHE JUST
DIDN'T GIVE HIM
ENOUGH OF A CHANCE.
463
00:24:25,714 --> 00:24:27,300
IF YOU'RE ASKING
IF THERE'S SOMETHING GOING ON
BETWEEN ME AND TODD,
464
00:24:27,341 --> 00:24:28,466
THE ANSWER IS
NONE OF YOUR BUSINESS.
465
00:24:28,508 --> 00:24:29,760
THAT'S NOT
WHAT I'M ASKING.
466
00:24:29,802 --> 00:24:31,137
OH, PLEASE.
467
00:24:31,178 --> 00:24:32,930
YOU ARE NOT SO GOOD
WITH THE SUBTEXT, BABY.
468
00:24:32,972 --> 00:24:35,433
AND YOU HAVE NO RIGHT
TO BE JEALOUS.
469
00:24:35,473 --> 00:24:38,018
JEALOUS? I'M...
WHO SAID I WAS JEALOUS?
470
00:24:38,060 --> 00:24:39,353
UH-HUH.
471
00:24:39,395 --> 00:24:41,063
YOU JUST KEEP TELLING YOURSELF
THAT, SWEETIE.
472
00:24:49,363 --> 00:24:51,073
HEY, WAIT UP.
WAIT UP.
473
00:24:51,115 --> 00:24:52,699
LOOK, I DON'T THINK
YOU FULLY COMPREHEND
THE DIRE HERE, OK?
474
00:24:52,741 --> 00:24:54,076
I LOST AN ENTIRE
HUMAN BEING.
475
00:24:54,118 --> 00:24:55,828
A TOTALLY ANNOYING
HUMAN BEING, YES,
476
00:24:55,869 --> 00:24:57,704
BUT I WAS
RESPONSIBLE FOR HER.
477
00:24:57,746 --> 00:24:58,831
YOU KNOW, EVERYTHING
WAS GOING JUST FINE
478
00:24:58,872 --> 00:25:00,166
UNTIL YOU HAD TO GO
AND KISS ME.
479
00:25:00,207 --> 00:25:01,041
OH, SO NOW IT'S MY FAULT.
480
00:25:01,083 --> 00:25:02,500
YES, IT IS YOUR FAULT.
481
00:25:02,542 --> 00:25:04,295
I'LL ACCEPT YOUR APOLOGY
AND WE CAN MOVE ON.
482
00:25:04,337 --> 00:25:06,046
HEY, IF YOU WANT TO GET
TECHNICAL ABOUT IT,
483
00:25:06,088 --> 00:25:08,382
YOU KISSED ME FIRST,
WHICH WOULD MAKE IT
YOUR FAULT.
484
00:25:08,424 --> 00:25:09,925
SHUT UP AND
MAKE YOURSELF USEFUL.
485
00:25:09,967 --> 00:25:10,926
NOW, IF YOU WERE
A BRATTY TEENAGE GIRL,
486
00:25:10,968 --> 00:25:12,594
WHERE WOULD YOU
DISAPPEAR OFF TO?
487
00:25:12,636 --> 00:25:15,306
OH, LISTEN, IF I
WAS A TEENAGE GIRL,
BRATTY OR OTHERWISE,
488
00:25:15,348 --> 00:25:18,058
I WOULD NEVER LEAVE THE HOUSE.
I'D BE TOO BUSY
CHECKING MYSELF OUT.
489
00:25:18,100 --> 00:25:19,768
CLASSY.
AND I'LL THANK YOU
FOR THAT IMAGE.
490
00:25:19,810 --> 00:25:21,354
AND YOU KNOW, IF YOU REALLY
WANT TO GET TECHNICAL,
491
00:25:21,395 --> 00:25:23,814
IT'S HETSON'S FAULT.
HE'S THE ONE
WHO BAILED ON HER.
492
00:25:23,856 --> 00:25:25,065
HE WAS THE ONE
WHO WAS SUPPOSED
TO TAKE HER TO THE MOVIES.
493
00:25:27,193 --> 00:25:30,070
EDDIE DOLAN,
YOU ARE A GENIUS!
494
00:25:30,112 --> 00:25:31,030
COME ON!
495
00:25:45,461 --> 00:25:46,628
(FOOTSTEPS)
496
00:26:05,356 --> 00:26:06,524
HELLO.
497
00:26:07,525 --> 00:26:09,235
HI.
498
00:26:09,276 --> 00:26:10,568
IS EVERYTHING OK?
499
00:26:10,610 --> 00:26:12,570
OH, YEAH, YEAH.
500
00:26:12,612 --> 00:26:15,199
IF YOUR DEFINITION OF "OK"
IS HAVING THE STRONG DESIRE
501
00:26:15,241 --> 00:26:16,909
TO DRAW A WARM BATH
AND SLIT YOUR WRISTS,
502
00:26:16,950 --> 00:26:18,160
THEN I AM PEACHY.
503
00:26:18,202 --> 00:26:20,996
AHH. YOU AND THE OLD LADY
HAVING SOME TROUBLES?
504
00:26:21,038 --> 00:26:22,540
YOU MIGHT SAY THAT.
505
00:26:22,580 --> 00:26:25,418
UH-OH. DO YOU NEED
TO HAVE A BIT OF A CHAT?
506
00:26:25,459 --> 00:26:28,128
THAT'S NOT REALLY
OUR THING, NOW IS IT?
507
00:26:28,170 --> 00:26:30,130
NO, BUT WE ARE
FLATMATES,
508
00:26:30,172 --> 00:26:32,049
AND I SUPPOSE
THAT ENTITLES YOU
TO SOMETHING.
509
00:26:32,091 --> 00:26:33,509
OK.
510
00:26:35,802 --> 00:26:38,347
I USED TO THINK
THAT AUDREY AND I
WERE THE PERFECT FIT.
511
00:26:38,389 --> 00:26:41,767
AND WE WERE,
'CAUSE FOR THE FIRST TIME
IN ANY OF MY RELATIONSHIPS,
512
00:26:41,808 --> 00:26:44,019
WE WERE ON EQUAL FOOTING.
THERE WAS NO MIND GAMES,
513
00:26:44,061 --> 00:26:47,856
NO HIGH DRAMA, NO ANGST.
IT WAS JUST FUN.
514
00:26:47,898 --> 00:26:49,108
SOUNDS GOOD...
515
00:26:49,149 --> 00:26:52,236
IN THEORY.
516
00:26:52,278 --> 00:26:54,696
IT'S A BIT DIFFICULT
TO SUSTAIN THAT SORT
OF THING.
517
00:26:54,738 --> 00:26:56,282
THAT'S WHAT
I'M FINDING OUT.
518
00:26:56,323 --> 00:26:57,783
YEAH.
519
00:26:57,824 --> 00:27:00,202
AND IT'S MAKING ME
SECOND-GUESS MYSELF.
520
00:27:00,244 --> 00:27:03,539
'CAUSE I'M NOT REALLY SURE
IF THE REASON I'M CHECKING OUT
521
00:27:03,581 --> 00:27:06,750
IS BECAUSE I JUST
CAN'T HANDLE THE ROUGH SPOTS
522
00:27:06,792 --> 00:27:07,751
OR IF IT'S...
523
00:27:11,171 --> 00:27:12,756
BECAUSE I JUST DON'T
LOVE HER ANYMORE.
524
00:27:12,798 --> 00:27:14,800
HMM.
525
00:27:14,841 --> 00:27:18,220
OR REALLY, FOR THAT MATTER,
IF I EVER TRULY LOVED HER.
526
00:27:18,262 --> 00:27:20,055
(INHALES) YEAH.
527
00:27:20,097 --> 00:27:21,474
I'M AFRAID ONLY YOU
CAN ANSWER THAT ONE.
528
00:27:21,515 --> 00:27:23,476
AND TO BE PERFECTLY HONEST,
529
00:27:23,517 --> 00:27:25,060
I DON'T REALLY WANT
TO FIND OUT TONIGHT.
530
00:27:25,102 --> 00:27:26,979
SO WHAT DO YOU SAY
YOU AND I GO AND
REJOIN THE PARTY, HUH?
531
00:27:27,020 --> 00:27:27,938
OK.
532
00:27:29,982 --> 00:27:30,690
THANKS FOR LISTENING,
THOUGH.
533
00:27:32,192 --> 00:27:33,444
IT'S OK.
534
00:27:33,486 --> 00:27:35,028
BUT, YOU KNOW,
535
00:27:35,070 --> 00:27:36,989
JUST 'CAUSE WE HAD
ONE PROPER CONVERSATION,
536
00:27:37,030 --> 00:27:38,656
DON'T THINK YOU CAN
CRY ON MY SHOULDER
ANY TIME YOU LIKE.
537
00:27:59,011 --> 00:28:00,596
SO...
538
00:28:00,638 --> 00:28:02,973
YES?
539
00:28:03,015 --> 00:28:04,891
HOW LONG
HAVE YOU BEEN TOGETHER?
540
00:28:04,933 --> 00:28:06,393
UH, WHAT DO YOU MEAN
"TOGETHER"?
541
00:28:06,435 --> 00:28:09,104
OR, I MEAN, HOW--LIKE,
HOW LONG HAVE YOU
KNOWN EACH OTHER?
542
00:28:09,146 --> 00:28:11,898
OH. UH, ABOUT A YEAR.
543
00:28:11,940 --> 00:28:13,150
WE MET AT THE STAND.
544
00:28:13,192 --> 00:28:16,529
OHHH. SO YOU'RE ONE OF THOSE.
545
00:28:16,570 --> 00:28:18,614
YEP. JUST ANOTHER
SCREWED-UP GAY KID
546
00:28:18,656 --> 00:28:21,325
TRYING TO REMAKE
THE WORLD IN HIS IMAGE.
547
00:28:21,367 --> 00:28:22,201
YOU SHOULD COME BY
SOMETIME.
548
00:28:22,242 --> 00:28:23,410
NO. NO, THANKS.
549
00:28:23,452 --> 00:28:25,287
C.J. ALREADY GAVE ME
THE HARD SELL.
550
00:28:25,329 --> 00:28:28,415
SO YOU'RE THE JEN
HE'S ALWAYS
TALKING ABOUT.
551
00:28:28,457 --> 00:28:30,125
HE TALKS ABOUT ME?
552
00:28:30,167 --> 00:28:31,043
ALL THE TIME.
553
00:28:31,084 --> 00:28:33,128
HE WANTS YOU SO BAD.
554
00:28:33,170 --> 00:28:34,672
REALLY?
YEAH.
555
00:28:34,712 --> 00:28:37,090
HE THINKS YOU'D MAKE
A GREAT COUNSELOR.
556
00:28:37,132 --> 00:28:38,050
OH!
557
00:28:41,136 --> 00:28:43,389
FOR A SECOND--
FOR A SECOND I THOUGHT THAT--
558
00:28:43,430 --> 00:28:46,225
THAT YOU MEANT
THAT HE "WANTED" ME.
559
00:28:46,266 --> 00:28:47,393
BUT OF COURSE NOT.
HE'S--HE'S GAY.
560
00:28:47,434 --> 00:28:49,186
WHY WOULD HE WANT ME
THAT WAY?
561
00:28:49,228 --> 00:28:50,979
WHO, C.J.?
YEAH.
562
00:28:51,021 --> 00:28:53,065
C.J.'S NOT GAY.
563
00:28:53,106 --> 00:28:54,358
HE'S NOT?
564
00:28:54,400 --> 00:28:56,652
NO. NOT AT ALL.
565
00:28:56,694 --> 00:28:59,112
Jack: SORRY.
566
00:28:59,154 --> 00:29:00,614
I'M NOT OFFENDED,
I'M JUST NOT GAY.
567
00:29:00,656 --> 00:29:03,367
DAVID'S GAY.
ME, NOT SO MUCH.
568
00:29:03,409 --> 00:29:06,119
WELL, I KNOW SOMEBODY
WHO WILL BE VERY GLAD
TO HEAR THAT.
569
00:29:06,161 --> 00:29:07,287
WHO?
570
00:29:07,329 --> 00:29:08,914
A LITTLE DENSE.
571
00:29:08,955 --> 00:29:12,334
UH, JEN.
CUTE LITTLE BLONDE
TRAVELING COMPANION,
572
00:29:12,376 --> 00:29:14,086
CALLED THE HELP LINE
TO INVITE YOU
TO THIS SHINDIG.
573
00:29:14,127 --> 00:29:17,297
OH, THAT'S NICE TO HEAR.
574
00:29:17,339 --> 00:29:20,050
AND YOU'RE NOT VERY
INTERESTED, ARE YOU?
575
00:29:20,092 --> 00:29:21,301
TRUTH IS, I'M NOT.
576
00:29:21,343 --> 00:29:23,554
I MEAN, I THINK SHE'S REALLY
COOL AND EVERYTHING,
577
00:29:23,596 --> 00:29:25,472
I THINK SHE'D BE A REAL BENEFIT
TO THE STAND,
578
00:29:25,514 --> 00:29:28,141
IT'S JUST...THAT'S NOT
WHAT I'M LOOKING FOR RIGHT NOW.
579
00:29:28,183 --> 00:29:30,644
BUT IF YOU WERE LOOKING
FOR THAT RIGHT NOW...
580
00:29:30,686 --> 00:29:31,978
SHE'S NOT MY TYPE.
581
00:29:38,193 --> 00:29:40,362
Eddie: HAUNTED HOUSE
IS DOWN ONE BLOCK,
582
00:29:40,404 --> 00:29:43,532
MAKE A RIGHT AND JUST KEEP
FOLLOWING YOUR NOSE.
583
00:29:43,574 --> 00:29:45,075
KNOW WHAT I'M SAYING?
IT'S GREAT.
584
00:29:45,117 --> 00:29:49,329
CHILD ABUSE. CHILD ABUSE.
NOT SO ROUGH! HI, EDDIE.
585
00:29:49,371 --> 00:29:51,081
YOU GAVE US QUITE A SCARE
TONIGHT, YOUNG LADY.
586
00:29:51,123 --> 00:29:52,499
OH, DON'T BE CUTE
WITH HER.
587
00:29:52,541 --> 00:29:54,668
SHE DOESN'T DESERVE
CUTE.
588
00:29:54,710 --> 00:29:56,587
DON'T WORRY, JOEY.
THE NIGHT'S ALMOST OVER.
589
00:29:56,629 --> 00:29:58,088
YOU'LL BE RID OF ME
SOON ENOUGH.
590
00:29:58,130 --> 00:30:01,508
THEN YOU CAN GO BACK
TO YOUR MISERABLE
LITTLE EXISTENCE.
591
00:30:01,550 --> 00:30:03,218
WOULD YOU MIND
GIVING US A SECOND?
592
00:30:03,260 --> 00:30:04,177
YEAH.
593
00:30:06,555 --> 00:30:09,683
UM...(CLEARS THROAT)
594
00:30:09,725 --> 00:30:12,686
LISTEN, I KNOW THAT
YOU'RE PISSED AT YOUR DAD
FOR FLAKING ON YOU,
595
00:30:12,728 --> 00:30:15,522
BUT IT DOESN'T MEAN
HE'S A BAD DAD
596
00:30:15,564 --> 00:30:17,608
AND IT DOESN'T MEAN
THAT HE DOESN'T LOVE YOU.
597
00:30:17,650 --> 00:30:19,610
NO, IT JUST MEANS
HE'S A DICK.
598
00:30:19,652 --> 00:30:21,487
HARLEY--
DO YOU EVEN
LIKE HIM?
599
00:30:21,528 --> 00:30:23,489
SOMETIMES I DON'T SEE
HOW ANYONE COULD EVER
LIKE HIM.
600
00:30:23,530 --> 00:30:25,324
HE'S VERY ABRASIVE.
601
00:30:25,365 --> 00:30:27,159
TRUE, BUT HE'S ALSO VERY...
602
00:30:31,163 --> 00:30:33,791
EVERY TIME I'M SUPPOSED
TO COME SEE HIM
603
00:30:33,831 --> 00:30:37,877
I TRICK MYSELF INTO
THINKING THAT IT'S GONNA
BE DIFFERENT THIS TIME.
604
00:30:37,919 --> 00:30:40,172
BUT IT NEVER IS.
605
00:30:40,213 --> 00:30:43,925
IT'S ALWAYS JUST DIFFERENT
SHADES OF THE SAME.
606
00:31:36,895 --> 00:31:38,355
LEERY!
607
00:31:38,397 --> 00:31:41,066
UH...THIS ISN'T
WHAT IT LOOKS LIKE?
608
00:31:41,107 --> 00:31:43,026
REALLY. YOU GUYS AREN'T
SCREWING BEHIND MY BACK?
609
00:31:43,068 --> 00:31:44,152
NO, WE ARE.
610
00:31:44,194 --> 00:31:45,696
BUT LOOK AT HER,
DO YOU KNOW WHAT I MEAN?
611
00:31:45,738 --> 00:31:46,946
SHE'S VERY PERSUASIVE.
612
00:31:46,988 --> 00:31:47,865
SHUT UP.
613
00:31:47,906 --> 00:31:50,158
YOU CAN'T TELL ME
TO SHUT UP.
614
00:31:50,200 --> 00:31:52,035
WHAT ARE YOU GONNA DO,
FIRE ME? YOU TRIED THAT
BEFORE. IT DOESN'T TAKE.
615
00:31:52,077 --> 00:31:56,039
LISTEN, NATASHA, I'M--
I'M REALLY SORRY
THAT I HURT YOU.
616
00:31:56,081 --> 00:31:59,585
I MEAN, THAT WAS THE LAST
THING THAT I WANTED TO
HAVE HAPPEN, BELIEVE ME.
617
00:31:59,626 --> 00:32:04,047
I GOT INVOLVED IN THE MIDDLE
OF AN INCREDIBLY COMPLICATED
SITUATION,
618
00:32:04,089 --> 00:32:07,259
AND I MADE A CHOICE
WITHOUT THINKING
AND IT WAS THE WRONG CHOICE,
619
00:32:07,300 --> 00:32:09,428
WHICH IS WHAT I DON'T THINK
I'VE REALLY BEEN ABLE TO...
620
00:32:09,469 --> 00:32:13,432
COMMUNICATE TO YOU,
WHICH IS I--I LIKE YOU.
621
00:32:13,473 --> 00:32:17,936
I KEEP ON SAYING THAT
I'M NOT JEALOUS,
BUT I--I AM.
622
00:32:17,977 --> 00:32:20,856
I'M VERY JEALOUS. THIS IS--
THE THOUGHT OF SOME OTHER
GUY TOUCHING YOU,
623
00:32:20,898 --> 00:32:24,025
ESPECIALLY HIM--
I MEAN, HE'S...
624
00:32:24,067 --> 00:32:26,027
TODD.
625
00:32:26,069 --> 00:32:28,697
LEERY, I'M NOT ADVERSE TO
GIVING THIS WHOLE FIRING THING
ANOTHER GO, YOU KNOW.
626
00:32:28,739 --> 00:32:29,989
TOO LATE. I QUIT.
627
00:32:32,992 --> 00:32:33,911
I...
628
00:32:36,371 --> 00:32:38,039
GOOD LUCK WITH
THE REST OF THE MOVIE.
629
00:32:38,081 --> 00:32:39,583
I'M OUTTA HERE.
630
00:33:30,884 --> 00:33:31,844
(LAUGHS)
631
00:33:35,347 --> 00:33:37,390
LEERY, THIS IS
BLOODY GOLD, MATE!
632
00:33:37,432 --> 00:33:39,016
WHAT THE--
633
00:33:39,058 --> 00:33:40,853
HAPPY HALLOWEEN,
DAWSON.
634
00:33:40,894 --> 00:33:41,937
WE'VE HAD
THE IMMENSE PLEASURE
635
00:33:41,979 --> 00:33:43,062
OF SCREWING WITH YOUR MIND
THIS EVENING.
636
00:33:43,104 --> 00:33:45,064
(EXHALES)
637
00:33:45,106 --> 00:33:45,983
WAIT.
638
00:33:46,024 --> 00:33:46,984
SO YOU TWO
AREN'T EVEN--
639
00:33:47,024 --> 00:33:50,487
NO WAY. TOO OLD,
TOO MANY EXTRAS.
640
00:33:50,529 --> 00:33:52,280
YEAH, I'M NOT TOO INTO
MY ASSISTANT'S SLOPPY
SECONDS, EITHER.
641
00:33:52,322 --> 00:33:54,449
WATCH IT.
642
00:33:54,491 --> 00:33:55,951
WHAT ABOUT THE FOOTAGE?
643
00:33:55,993 --> 00:33:57,703
THE MAGIC OF
MOVIE-MAKING, MATE.
644
00:33:57,744 --> 00:34:00,246
WASN'T THAT A LOT
TO GO THROUGH JUST TO GET
A LAUGH AT MY EXPENSE?
645
00:34:00,288 --> 00:34:04,083
NO.
WORTH EVERY SECOND.
646
00:34:04,125 --> 00:34:06,252
RIGHT. I'M GONNA
GO GET DANNY BOY TO
EDIT THIS TOGETHER.
647
00:34:06,294 --> 00:34:07,253
OOH, I WANNA SEE.
648
00:34:07,295 --> 00:34:08,296
COME ON, THEN.
649
00:34:08,338 --> 00:34:09,798
UM...
650
00:34:09,840 --> 00:34:13,719
YOU WEREN'T SERIOUS
ABOUT THE WHOLE
QUITTING THING, RIGHT?
651
00:34:13,760 --> 00:34:16,304
'CAUSE I SORT OF
NEED SOME HELP WITH
MY SHOT LISTS TONIGHT.
652
00:34:16,346 --> 00:34:18,056
YOU UP FOR IT?
653
00:34:18,097 --> 00:34:19,016
YOU'RE A SCHOLAR.
654
00:34:26,732 --> 00:34:30,235
WE DIDN'T REALLY
GET MUCH OF A CHANCE
TO TALK TONIGHT.
655
00:34:30,276 --> 00:34:32,571
WELL, YOU COULD ALWAYS
CALL THE HELP LINE
AGAIN.
656
00:34:32,612 --> 00:34:37,659
YOU KNOW, I WAS
ACTUALLY THINKING ABOUT
RECONSIDERING THE STAND.
657
00:34:37,701 --> 00:34:40,746
I FEEL LIKE MAYBE
I WAS JUST TOO JUDGMENTAL
THE FIRST TIME AROUND.
658
00:34:40,787 --> 00:34:42,831
WELL, WE'D LOVE
TO HAVE YOU.
659
00:34:42,873 --> 00:34:46,251
JUST, YOU KNOW, MAKE
SURE YOU'RE DOING IT
FOR THE RIGHT REASONS.
660
00:34:46,292 --> 00:34:48,461
ARE THERE
ANY OTHER REASONS?
661
00:34:48,503 --> 00:34:51,590
I DON'T KNOW.
662
00:34:51,631 --> 00:34:55,052
YOU KNOW, YOU COULD SAVE ME
A LOT OF TROUBLE BY JUST
GOING OUT WITH ME.
663
00:34:56,970 --> 00:34:58,680
Jack: THIS IS
MAKING ME SAD.
664
00:34:58,722 --> 00:35:00,974
David: WHY?
665
00:35:01,016 --> 00:35:03,351
WELL,
HE'S NOT INTO HER,
666
00:35:03,393 --> 00:35:05,645
AND I'M THE ONE
WHO TOLD HER TO CALL HIM.
667
00:35:05,687 --> 00:35:07,856
TRUST ME,
SHE'S BETTER OFF.
668
00:35:07,898 --> 00:35:10,776
WHAT DO YOU MEAN?
669
00:35:10,817 --> 00:35:13,111
UH...IT'S A LONG STORY.
670
00:35:13,152 --> 00:35:16,782
WANT TO TELL ME ABOUT IT
SOMETIME OVER COFFEE?
671
00:35:16,823 --> 00:35:17,783
COFFEE?
672
00:35:17,824 --> 00:35:18,867
HOT CAFFEINATED BEVERAGE.
673
00:35:18,909 --> 00:35:20,744
IT'S ALL THE RAGE THESE DAYS.
674
00:35:20,786 --> 00:35:21,995
SEEMS TO BE AN EXCUSE
FOR PEOPLE TO GET TOGETHER
675
00:35:22,037 --> 00:35:24,122
AND FIND OUT
IF THEY LIKE ONE ANOTHER.
676
00:35:24,163 --> 00:35:25,958
YEAH, I THINK I'D BE UP
FOR SOMETHING LIKE THAT.
677
00:35:25,999 --> 00:35:26,917
COOL.
678
00:35:29,086 --> 00:35:30,712
YOU READY?
YEAH.
679
00:35:30,754 --> 00:35:32,089
WELL, IT WAS NICE
MEETING YOU.
680
00:35:32,130 --> 00:35:33,048
LIKEWISE.
681
00:35:33,090 --> 00:35:34,800
JACK.
C.J.
682
00:35:34,841 --> 00:35:36,175
AND I GUESS
I'LL TALK TO YOU SOON.
683
00:35:36,217 --> 00:35:37,302
DAVE, DEFINITELY.
OK.
684
00:35:37,343 --> 00:35:38,553
BYE.
685
00:35:41,765 --> 00:35:43,100
HOW'D THAT GO?
686
00:35:43,141 --> 00:35:45,143
WELL, HE'S PLAYING
A LITTLE HARD TO GET,
687
00:35:45,184 --> 00:35:46,812
WHICH IS SOMEWHAT
DISCONCERTING,
688
00:35:46,853 --> 00:35:48,438
BUT NO WORRIES.
HE'LL BE MINE.
689
00:35:48,480 --> 00:35:50,732
(SIGHS)
690
00:35:50,774 --> 00:35:52,776
COME ON.
LET'S GET OUT OF HERE.
691
00:35:58,573 --> 00:35:59,741
HI, SWEETHEART.
692
00:36:01,409 --> 00:36:03,620
HEY, DAD.
HOW WAS THE DATE?
693
00:36:03,662 --> 00:36:05,664
WENT GREAT.
694
00:36:05,705 --> 00:36:07,916
RIGHT UP TO THE MOMENT
WHEN SHE SAID I HAD
A TOXIC PERSONALITY.
695
00:36:07,958 --> 00:36:10,877
IS THAT BAD?
696
00:36:10,919 --> 00:36:11,962
HOW'D EVERYTHING GO
HERE?
697
00:36:12,004 --> 00:36:14,714
GREAT. SHE WAS
A PERFECT ANGEL.
698
00:36:14,756 --> 00:36:16,257
COOL.
699
00:36:16,299 --> 00:36:17,592
YOU READY?
700
00:36:17,634 --> 00:36:19,136
GIMME A SECOND,
DAD.
701
00:36:24,599 --> 00:36:27,019
SORRY I WAS SUCH
AN UBER-BITCH.
702
00:36:27,060 --> 00:36:28,812
WE ALL HAVE OUR MOMENTS.
703
00:36:30,480 --> 00:36:33,525
YOU KNOW WHAT?
704
00:36:33,566 --> 00:36:35,527
DON'T STOP HOPING THAT THINGS
WILL BE DIFFERENT WITH HIM.
705
00:36:35,568 --> 00:36:37,946
YOU'RE WAY TOO YOUNG
TO BE SO BITTER.
706
00:36:42,868 --> 00:36:44,494
CAN I GIVE YOU
SOME ADVICE?
707
00:36:44,536 --> 00:36:45,829
SURE.
708
00:36:45,871 --> 00:36:47,664
EDDIE
TOTALLY LIKES YOU.
709
00:36:47,706 --> 00:36:50,959
I HOPE A GUY
LIKE HIM LOOKS AT ME
THAT WAY SOMEDAY.
710
00:36:51,001 --> 00:36:53,294
DON'T MESS IT UP.
711
00:36:53,336 --> 00:36:54,796
OK.
712
00:37:03,429 --> 00:37:04,890
(CLEARS THROAT)
713
00:37:04,931 --> 00:37:06,516
ONE ROOT BEER FLOAT.
714
00:37:06,558 --> 00:37:08,894
WHERE IS SHE?
715
00:37:08,935 --> 00:37:10,269
GONE. HETSON
JUST PICKED HER UP.
716
00:37:10,311 --> 00:37:11,688
WANNA SPLIT THIS?
717
00:37:11,730 --> 00:37:12,689
SHAME TO SEE IT
GO TO WASTE,
718
00:37:12,731 --> 00:37:13,523
LIKE MY POTENTIAL.
719
00:37:13,565 --> 00:37:15,400
SHUT UP.
720
00:37:19,237 --> 00:37:20,989
CAN I ASK YOU
A QUESTION?
721
00:37:21,031 --> 00:37:22,615
IF YOU MUST.
722
00:37:22,657 --> 00:37:25,577
WHAT'S GOING ON WITH US?
723
00:37:25,618 --> 00:37:26,953
WHAT DO YOU MEAN?
724
00:37:26,995 --> 00:37:31,290
I MEAN...I KISS YOU,
YOU KISS ME.
725
00:37:31,332 --> 00:37:33,292
IN SOME STATES
THAT COULD BE
CONSTRUED AS DATING.
726
00:37:33,334 --> 00:37:34,335
WE'RE NOT DATING.
727
00:37:34,377 --> 00:37:36,171
OH, GOD, NO.
728
00:37:36,213 --> 00:37:39,507
AND I'M NOT GOING BACK
TO HETSON'S CLASS.
729
00:37:39,549 --> 00:37:40,926
THAT'S FINE.
730
00:37:40,967 --> 00:37:41,968
IS IT?
731
00:37:42,010 --> 00:37:43,469
ABSOLUTELY.
732
00:37:43,511 --> 00:37:45,263
YOU ARE WHO YOU ARE,
EDDIE.
733
00:37:45,304 --> 00:37:47,057
I HAVE NO DESIRE
TO CHANGE THAT.
734
00:37:47,099 --> 00:37:50,102
YOU KNOW WHAT, JOEY?
735
00:37:50,143 --> 00:37:52,896
I DON'T KNOW
WHAT'S GOING ON WITH US...
736
00:37:52,938 --> 00:37:55,190
BUT I KIND OF
LIKE IT THAT WAY.
737
00:37:55,232 --> 00:37:56,149
ME, TOO.
738
00:38:02,321 --> 00:38:04,699
HEY. THERE YOU ARE.
739
00:38:04,741 --> 00:38:06,325
I'VE BEEN LOOKING
EVERYWHERE FOR YOU.
740
00:38:09,662 --> 00:38:11,039
IS EVERYTHING OK?
741
00:38:11,081 --> 00:38:14,459
I THINK WE SHOULD BREAK UP,
PACEY.
742
00:38:14,500 --> 00:38:16,211
(CHUCKLES) WHAT?
743
00:38:21,507 --> 00:38:22,592
LET'S JUST GO HOME
AND SLEEP ON IT.
744
00:38:22,634 --> 00:38:24,010
WE CAN TALK ABOUT IT
IN THE MORNING.
745
00:38:24,052 --> 00:38:25,553
NO.
746
00:38:25,595 --> 00:38:27,180
THIS IS WHAT I WANT.
747
00:38:32,144 --> 00:38:33,686
THIS IS NOT
THE WAY I WANTED
FOR THIS TO HAPPEN.
748
00:38:33,728 --> 00:38:35,354
SHUT UP, PACEY!
749
00:38:35,396 --> 00:38:38,150
JUST SHUT UP, OK?
750
00:38:38,191 --> 00:38:40,986
YOU ARE GETTING OFF EASY HERE
AND YOU KNOW IT.
751
00:38:41,027 --> 00:38:43,321
I'M NOT GONNA LET YOU PUT UP
SOME FALSE PROTEST
752
00:38:43,362 --> 00:38:45,406
SO THAT YOU CAN FEEL BETTER
ABOUT YOURSELF.
753
00:38:45,448 --> 00:38:47,826
I AM ENDING IT NOW.
754
00:38:56,334 --> 00:38:58,295
THAT'S HOW I KNOW
THAT IT'S OVER.
755
00:39:00,088 --> 00:39:01,965
YOU DIDN'T SAY A WORD,
PACEY,
756
00:39:02,007 --> 00:39:04,342
NOT A WORD.
757
00:39:04,383 --> 00:39:07,929
'CAUSE YOU DON'T HAVE
THE ENERGY TO FIGHT IT, AND...
758
00:39:07,971 --> 00:39:09,931
I DESERVE BETTER THAN THAT.
759
00:39:09,973 --> 00:39:12,391
YOU'RE RIGHT. YOU DO.
760
00:39:12,433 --> 00:39:13,643
YOU DESERVE
WAY BETTER THAN THAT.
761
00:39:13,685 --> 00:39:16,646
GO AHEAD, PACEY.
WHY DON'T YOU FOLLOW THE SCRIPT?
762
00:39:16,688 --> 00:39:19,732
YOU KNOW, SAY ALL OF THE THINGS
THAT YOU'RE SUPPOSED
TO SAY TO ME.
763
00:39:19,774 --> 00:39:21,151
YOU GOT ANYTHING ELSE?
764
00:39:21,193 --> 00:39:22,610
HOW MANY EMPTY WORDS
IS IT GONNA TAKE
765
00:39:22,652 --> 00:39:24,029
FOR YOU TO BE ABLE
TO SLEEP EASY TONIGHT?
766
00:39:24,070 --> 00:39:25,113
WHAT DO YOU
WANT FROM ME, AUDREY?
767
00:39:25,155 --> 00:39:27,032
YOU KNOW
THAT'S NOT HOW IT IS,
768
00:39:27,073 --> 00:39:28,449
BUT THE NEGATIVITY
GETS TO ME, TOO, OK?
769
00:39:28,491 --> 00:39:30,368
SO I AGREE WITH YOU.
770
00:39:30,409 --> 00:39:34,413
DON'T YOU DARE TRY TO MAKE
YOURSELF FEEL NOBLE, PACEY.
771
00:39:34,455 --> 00:39:38,668
YOU ARE NOT SOME
KNIGHT IN SHINING ARMOR.
772
00:39:38,710 --> 00:39:42,088
YOU'RE JUST A GUY WHO'S GROWN
TIRED OF SCREWING THE SAME GIRL
773
00:39:42,130 --> 00:39:44,632
AND YOU FEEL GUILTY
ABOUT IT.
774
00:39:44,674 --> 00:39:46,676
YOU THINK THAT SUCKS?
775
00:39:53,308 --> 00:39:55,518
WHY DON'T YOU--
WHY DON'T YOU TRY BEING THE ONE
776
00:39:55,560 --> 00:39:59,772
WHO HAS TO WONDER WHY
ALL THE PEOPLE THAT SHE LOVES
DON'T LOVE HER BACK.
777
00:39:59,814 --> 00:40:01,358
OH, AUDREY, COME ON.
778
00:40:02,901 --> 00:40:04,819
OHH.
(SOBBING)
779
00:40:34,266 --> 00:40:35,433
STILL MAD AT ME?
780
00:40:37,227 --> 00:40:38,561
I WAS NEVER MAD AT YOU.
I WAS--
781
00:40:38,603 --> 00:40:40,313
INSANELY JEALOUS?
782
00:40:40,355 --> 00:40:42,481
(SIGHS)
I DON'T THINK I REALIZED
783
00:40:42,523 --> 00:40:43,649
HOW MUCH I ACTUALLY
WANTED TO BE WITH YOU
784
00:40:43,691 --> 00:40:45,110
UNTIL I THOUGHT
YOU WERE SLEEPING WITH TODD.
785
00:40:45,151 --> 00:40:46,903
SAY IT AGAIN.
786
00:40:46,945 --> 00:40:48,446
WHAT, THAT I WAS JEALOUS?
787
00:40:48,487 --> 00:40:50,907
NO. THAT YOU LIKE ME.
788
00:40:50,949 --> 00:40:52,867
I LIKE YOU, NATASHA.
789
00:40:52,909 --> 00:40:55,203
I REALLY LIKE YOU.
790
00:40:55,245 --> 00:40:57,372
GOOD, BECAUSE...
791
00:40:57,414 --> 00:41:00,458
I LIKE YOU, TOO.
792
00:41:00,499 --> 00:41:03,461
A LOT OF PEOPLE WALK IN
AND OUT OF MY LIFE,
DAWSON, AND...
793
00:41:03,502 --> 00:41:05,546
YOU MIGHT NOT BELIEVE
WHAT I'M ABOUT TO SAY,
794
00:41:05,588 --> 00:41:09,175
BECAUSE I'M AN ACTOR
AND I LIE FOR A LIVING,
795
00:41:09,217 --> 00:41:10,843
BUT...
796
00:41:10,885 --> 00:41:14,471
YOU'RE ONE OF THE ONLY
PEOPLE I EVER REALLY
WANTED TO STICK AROUND.
797
00:41:14,513 --> 00:41:16,473
I DON'T KNOW
WHAT TO BELIEVE...
798
00:41:16,515 --> 00:41:19,436
BUT I LOVE MY LIFE.
I...
799
00:41:19,477 --> 00:41:21,104
WAKE UP MOST MORNINGS
PINCHING MYSELF
800
00:41:21,146 --> 00:41:24,399
THAT I GET TO TAKE
EVEN A SMALL PART
IN ALL OF THIS. BUT...
801
00:41:26,525 --> 00:41:31,072
I CAN'T HELP BUT FEEL LIKE
IT'S ALL AN ILLUSION.
802
00:41:31,114 --> 00:41:34,659
YOU KNOW? I MEAN, IT'S LIKE
IT'S ALL JUST ONE MOMENT AWAY
FROM DISAPPEARING FOREVER.
803
00:41:34,700 --> 00:41:36,453
THAT'S BECAUSE IT IS.
804
00:41:36,493 --> 00:41:40,915
FOR ALL I KNOW, THIS
COULD BE MY LAST JOB.
805
00:41:42,417 --> 00:41:44,794
YEAH.
806
00:41:44,836 --> 00:41:49,382
SO I'M GOING TO
ENJOY THE EXPERIENCE
WHILE IT LASTS,
807
00:41:49,424 --> 00:41:52,635
HUG EVERYBODY NOW,
BECAUSE THEY MIGHT NOT
BE HERE TOMORROW,
808
00:41:52,677 --> 00:41:56,639
AND TAKE THE EXPERIENCE
WITH ME.
809
00:41:56,681 --> 00:42:02,187
AND IF MEETING YOU
IS ALL I GET
OUT OF THIS ONE,
810
00:42:02,228 --> 00:42:05,315
WELL, IT MIGHT JUST
BE ENOUGH FOR ME.
811
00:42:16,617 --> 00:42:17,994
GOD, I MISSED YOU.
812
00:42:19,578 --> 00:42:20,955
I ALWAYS WANTED YOU
BACK, YOU KNOW.
813
00:42:20,997 --> 00:42:22,748
YOU JUST HAD TO
PAY FOR YOUR SINS.
814
00:42:22,790 --> 00:42:25,293
ARE WE EVEN NOW?
815
00:42:25,335 --> 00:42:26,585
JUST ABOUT.
816
00:42:39,598 --> 00:42:41,767
WAIT, ARE YOU...
SURE ABOUT THIS?
817
00:42:41,809 --> 00:42:45,188
AS SURE AS I'VE EVER BEEN ABOUT
ANYTHING IN MY ENTIRE LIFE.
818
00:42:45,230 --> 00:42:46,939
GROOVY.