1
00:00:09,885 --> 00:00:10,636
HEY.
2
00:00:10,678 --> 00:00:12,763
YOU OUTTA HERE?
3
00:00:12,805 --> 00:00:14,682
YEAH. I GOT SOME STUFF
TO DO ON CAMPUS.
4
00:00:15,641 --> 00:00:17,643
3:00?
5
00:00:17,685 --> 00:00:20,771
YEAH, I KNOW WHEN
HETSON'S CLASS IS,
JOEY.
6
00:00:20,813 --> 00:00:22,648
I KNOW.
I JUST DIDN'T WANT YOU
7
00:00:22,690 --> 00:00:24,232
TO FEEL WEIRD
OR SOMETHING.
8
00:00:24,274 --> 00:00:26,443
YOU KNOW,
IT'S NO FUN WITHOUT YOU.
9
00:00:26,485 --> 00:00:29,237
NO ONE
TO CONTEST MY OPINIONS
WITH SNARKY FEEDBACK.
10
00:00:29,279 --> 00:00:30,364
I'M STARTING TO FEEL
SMART OR SOMETHING.
11
00:00:30,405 --> 00:00:31,657
YEAH, WELL,
FINALS SHOULD NIP
12
00:00:31,699 --> 00:00:33,659
THAT PESKY EGO
IN THE BUTT.
13
00:00:35,243 --> 00:00:37,037
I CAN'T BELIEVE
THIS SEMESTER
IS ALMOST OVER.
14
00:00:37,078 --> 00:00:39,039
I KNOW.
15
00:00:39,080 --> 00:00:40,541
ARE YOU GOING HOME
FOR THE HOLIDAYS?
16
00:00:40,582 --> 00:00:44,169
WHAT COULD BE HOMIER
THAN THIS CLEAN,
WELL-LIGHTED PLACE?
17
00:00:44,211 --> 00:00:46,463
SERIOUSLY.
WHERE ARE YOU FROM?
18
00:00:46,505 --> 00:00:47,798
DOES IT MAKE
A DIFFERENCE?
19
00:00:47,840 --> 00:00:49,842
WHERE ARE YOU FROM?
20
00:00:49,967 --> 00:00:51,593
CAPESIDE.
21
00:00:51,635 --> 00:00:53,428
WHAT?
22
00:00:53,470 --> 00:00:55,514
NOTHING.
IT'S JUST...
23
00:00:55,556 --> 00:00:56,640
CAPESIDE.
24
00:00:56,682 --> 00:00:57,850
I GUESS
THAT'S ABOUT RIGHT.
25
00:00:57,892 --> 00:00:58,934
ABOUT RIGHT FOR WHAT?
26
00:00:58,976 --> 00:00:59,894
HEY, RELAX.
27
00:00:59,935 --> 00:01:00,978
NOTHING TO BE ASHAMED OF.
28
00:01:01,020 --> 00:01:02,145
HAVE YOU EVER EVEN
BEEN TO CAPESIDE?
29
00:01:02,187 --> 00:01:03,689
THEY DON'T LET MY KIND
GO THAT FAR EAST.
30
00:01:03,731 --> 00:01:05,900
WELL, THANK GOODNESS
WE HAVE NEUTRAL GROUND
TO SPAR ON.
31
00:01:05,941 --> 00:01:08,276
YEAH. YEAH.
WE'RE A REGULAR
SAM AND DIANE--
32
00:01:08,318 --> 00:01:09,653
ME WITH
MY RUGGED CHARMS,
33
00:01:09,695 --> 00:01:11,154
YOU WITH YOUR
FANCY BOOK LEARNING.
34
00:01:11,196 --> 00:01:12,990
YOU KNOW,
YOU'VE GOT IT ALL WRONG
ABOUT ME, EDDIE DOLING.
35
00:01:13,032 --> 00:01:14,449
I'M A GIRL FROM
THE WRONG SIDE OF THE TRACKS.
36
00:01:14,491 --> 00:01:15,993
YOU DON'T WANNA MESS
WITH THE LIKES OF ME.
37
00:01:16,035 --> 00:01:17,411
I DON'T KNOW.
I KINDA LIKE IT
38
00:01:17,452 --> 00:01:19,329
WHEN YOU GET
ALL "FOXFIRE" ON ME.
39
00:01:19,371 --> 00:01:21,456
NOTHIN' LIKE
A FANCY GIRL
SLUMMIN' IT.
40
00:01:23,000 --> 00:01:24,209
YOU KNOW WHAT?
41
00:01:24,251 --> 00:01:25,920
YOU'RE VERY LUCKY
I HAVE CLASS RIGHT NOW,
42
00:01:25,961 --> 00:01:28,296
BECAUSE TONIGHT,
WE RUMBLE.
43
00:01:28,338 --> 00:01:30,966
I WILL BE HERE.
I'M WORKIN'
A DOUBLE TODAY,
44
00:01:31,008 --> 00:01:33,844
AND DON'T YOU HAVE
ANYTHING BETTER TO DO
ON YOUR NIGHT OFF
45
00:01:33,886 --> 00:01:35,512
THAN LOLL AROUND
YOUR PLACE OF WORK?
46
00:01:37,765 --> 00:01:39,850
YOU KNOW,
IT JUST SO HAPPENS
THAT HELL'S BELLES
47
00:01:39,892 --> 00:01:41,518
IS GOING TO THOROUGHLY
ROCK THE HOUSE DOWN.
48
00:01:41,560 --> 00:01:42,895
MMM.
49
00:01:42,937 --> 00:01:45,188
KINDA LIKE
THE ONION RINGS.
50
00:01:46,815 --> 00:01:47,900
I'LL SEE YOU
LATER, JOEY.
51
00:02:43,497 --> 00:02:46,249
SO WHAT IS GOING ON
WITH YOU AND
THIS DAVID FELLOW?
52
00:02:46,291 --> 00:02:47,918
KEEP TO YOUR OWN
FURTIVE GROPINGS,
53
00:02:47,960 --> 00:02:48,919
THANK YOU VERY MUCH.
54
00:02:48,961 --> 00:02:51,713
OH, JACK.
55
00:02:51,755 --> 00:02:52,798
NO, IT WASN'T LIKE THAT.
56
00:02:52,840 --> 00:02:54,466
I MEAN, THERE WAS--
THERE WAS COFFEE,
57
00:02:54,508 --> 00:02:55,467
THERE WAS TALKING,
58
00:02:55,509 --> 00:02:57,594
AND I DON'T
WANNA JINX IT.
59
00:02:57,636 --> 00:03:00,722
AW, WHY SO SHY?
60
00:03:00,764 --> 00:03:03,266
COME ON, SOMEBODY'S
GOTTA BE GETTING SOME.
61
00:03:03,308 --> 00:03:04,601
GOD.
62
00:03:04,643 --> 00:03:05,769
CRACKING THIS C.J. CASE
63
00:03:05,811 --> 00:03:07,521
IS PROVING
FAR TOO DIFFICULT
64
00:03:07,562 --> 00:03:08,730
FOR THE DELICATE
LIKES OF ME.
65
00:03:08,772 --> 00:03:09,940
EASY, EASY.
66
00:03:09,982 --> 00:03:11,566
YOUR SEXUAL
FRUSTRATION'S
HITTING A VEIN.
67
00:03:11,608 --> 00:03:15,779
ANYWAY, WE'RE MEETING
IN THE CAFETERIA
AFTER CLASS.
68
00:03:17,572 --> 00:03:18,490
CAN I COME?
69
00:03:19,491 --> 00:03:20,659
C.J. WILL
PROBABLY BE THERE.
70
00:03:20,701 --> 00:03:23,162
JEN, DON'T YOU THINK
YOU'VE GIVEN THIS ONE
71
00:03:23,202 --> 00:03:24,788
THE OLD COLLEGE TRY?
72
00:03:24,830 --> 00:03:26,205
THIS MUCH EFFORT'S
BENEATH YOU.
73
00:03:26,247 --> 00:03:27,749
YOU SAID SO YOURSELF,
DIDN'T YOU?
74
00:03:27,791 --> 00:03:32,295
OH, YOU CAN'T
HOLD THE ULTIMATUMS
OF PARTY JEN AGAINST ME.
75
00:03:32,337 --> 00:03:33,839
I WAS WEARING A WIG.
I WAS FEELING CRAZY.
76
00:03:33,881 --> 00:03:35,090
ALL RIGHT.
77
00:03:35,132 --> 00:03:36,257
HEY, I TELL YOU WHAT.
BRING GRAMS, TOO.
78
00:03:36,299 --> 00:03:37,885
MAYBE I WILL.
79
00:03:37,926 --> 00:03:39,344
AFTERNOON, EVERYONE.
80
00:03:39,386 --> 00:03:41,429
I WANTED TO
START CLASS TODAY
BY TELLING YOU ALL
81
00:03:41,471 --> 00:03:43,891
THAT YOU WON'T BE
SEEING ME AFTER FINALS.
82
00:03:43,932 --> 00:03:46,101
THE PUBLICATION
OF MY CRITICAL ESSAYS
83
00:03:46,143 --> 00:03:49,146
HAS SECURED MY ACADEMIC
VISITATION IN CHICAGO.
84
00:03:49,188 --> 00:03:50,564
SO I'LL BE
LEAVING BOSTON BAY
85
00:03:50,605 --> 00:03:51,690
AT THE END
OF THE SEMESTER.
86
00:03:51,732 --> 00:03:53,108
SINCE OUR TIME
IS LIMITED,
87
00:03:53,150 --> 00:03:54,693
I WANTED TO
INVITE ALL OF YOU
88
00:03:54,735 --> 00:03:57,112
TO THE BOOK-SIGNING
TONIGHT OVER AT
WINTHROP HALL.
89
00:03:57,154 --> 00:03:58,030
YOU'VE BEEN
A GREAT CLASS,
90
00:03:58,072 --> 00:03:59,114
ONE OF MY FAVORITES.
91
00:03:59,156 --> 00:04:01,575
DID YOU KNOW ABOUT THIS?
92
00:04:03,451 --> 00:04:04,786
NO. I HAD NO IDEA.
93
00:04:09,208 --> 00:04:11,168
AAH.
94
00:04:12,211 --> 00:04:13,294
OK, OK.
95
00:04:16,423 --> 00:04:17,883
YOU DECIDED TO BLESS
THE ORPHANS OF THE WORLD
96
00:04:17,925 --> 00:04:19,134
WITH YOUR BETSY JOHNSONS?
97
00:04:19,176 --> 00:04:21,178
HARDLY. I AM
AUDITIONING OUTFITS,
98
00:04:21,220 --> 00:04:22,637
AND EVERYTHING IS
FAILING MISERABLY.
99
00:04:22,679 --> 00:04:25,224
WHERE HAVE ALL
MY SEX CLOTHES GONE?
100
00:04:25,265 --> 00:04:28,227
PACEY WITTER
HAS PILLAGED
MY FASHION SENSE.
101
00:04:28,268 --> 00:04:29,436
YOU MEAN THERE
ARE CLOTHES OUT THERE
102
00:04:29,477 --> 00:04:30,771
THAT ACTUALLY SHOW OFF
YOUR CHEST EVEN MORE?
103
00:04:30,812 --> 00:04:31,855
YES.
104
00:04:31,897 --> 00:04:33,107
AND QUITE FRANKLY,
105
00:04:33,148 --> 00:04:34,942
THE GIRLS ARE
FEELING SHUNNED.
106
00:04:34,983 --> 00:04:36,443
THE BAND IS PLAYING
TONIGHT AT YOUR
LITTLE DIVE BAR,
107
00:04:36,484 --> 00:04:37,611
AND I WANT THEM
TO BE RESPLENDENT.
108
00:04:37,652 --> 00:04:39,071
I KNOW.
I WOULDN'T MISS IT
FOR THE WORLD.
109
00:04:39,113 --> 00:04:40,488
IN FACT, I'M NOT
EVEN WORKING TONIGHT.
110
00:04:40,530 --> 00:04:42,407
SO YOU WILL HAVE MY FULL
AND UNDIVIDED ATTENTION.
111
00:04:42,449 --> 00:04:43,951
OOH, WELL, MIGHT BE NICE
112
00:04:43,992 --> 00:04:45,284
IF YOU SHOWED YOUR FACE
AROUND THESE PARTS.
113
00:04:45,326 --> 00:04:46,912
I KNOW I'M USUALLY
LOW MAINTENANCE AND ALL.
114
00:04:46,954 --> 00:04:47,996
I WOULDN'T GO THAT FAR.
115
00:04:48,038 --> 00:04:50,165
BESIDES, I FIGURE
THAT YOU AND PACEY
116
00:04:50,207 --> 00:04:51,750
WOULD APPRECIATE
THE PRIVATE TIME.
117
00:04:51,792 --> 00:04:52,834
YEAH, WELL.
118
00:04:52,876 --> 00:04:54,128
THAT WAS A GREAT HELP.
119
00:04:54,169 --> 00:04:56,255
NOW I'VE DUMPED PACEY
4 MONTHS TOO LATE
120
00:04:56,296 --> 00:04:57,965
AND NOT A SLUTTY FROCK
HAS SURVIVED.
121
00:04:58,006 --> 00:04:58,715
NOT A ONE, I TELL YOU.
122
00:04:58,757 --> 00:05:00,134
WHAT?
123
00:05:00,175 --> 00:05:01,676
WHEN DID YOU DUMP PACEY?
124
00:05:01,718 --> 00:05:04,429
HELLO? MID-MID-LIFE CRISIS,
THANKS FOR WATCHING.
125
00:05:04,471 --> 00:05:06,223
JEEZ, JOEY, WOULD IT
KILL YOU TO KEEP UP?
126
00:05:07,766 --> 00:05:10,018
LOOK, AUDREY, I'M SORRY.
I'VE BEEN--
127
00:05:10,060 --> 00:05:12,229
WAIT, WHEN DID
THIS HAPPEN?
128
00:05:12,271 --> 00:05:14,273
THE HORROR
THAT WAS HALLOWEEN.
129
00:05:14,313 --> 00:05:15,274
WHATEVER.
130
00:05:15,315 --> 00:05:16,524
I DON'T WANT
TO TALK ABOUT IT.
131
00:05:16,566 --> 00:05:19,111
AUDREY, HOW COULD YOU
NOT TELL ME ABOUT THIS?
132
00:05:19,153 --> 00:05:21,571
LOOK, I KNOW
I'VE BEEN GONE A LOT,
133
00:05:21,613 --> 00:05:23,364
BUT A LITTLE
BATHROOM SIDEBAR
MIGHT HAVE BEEN IN ORDER.
134
00:05:23,406 --> 00:05:25,200
I DON'T KNOW.
135
00:05:25,242 --> 00:05:27,119
I GUESS I JUST FIGURED
THAT YOU'D HEAR IT
FROM PACEY
136
00:05:27,161 --> 00:05:29,370
IN SOME "HOW HAS LIFE
BEEN SINCE YOU?"
CONVERSATION.
137
00:05:29,412 --> 00:05:31,123
OF COURSE NOT.
138
00:05:31,165 --> 00:05:32,666
WE LIVE TOGETHER.
139
00:05:32,707 --> 00:05:34,375
I MEAN, JUST
BECAUSE I'VE BEEN
RUNNING AROUND
140
00:05:34,417 --> 00:05:35,794
DOESN'T MEAN I DON'T
HAVE TIME FOR YOU.
141
00:05:35,836 --> 00:05:36,837
YEAH, WELL, LISTEN,
142
00:05:36,878 --> 00:05:38,213
IT WOULD HAVE BEEN GREAT
143
00:05:38,255 --> 00:05:39,756
TO HEAR YOUR EX-GIRLFRIEND
WISDOM AT THE TIME,
144
00:05:39,798 --> 00:05:42,134
BUT NOW, I'M KINDA DONE
RELIVING IT.
145
00:05:46,013 --> 00:05:47,639
OK.
146
00:05:47,681 --> 00:05:48,932
JACK, HAVE YOU
EVER NOTICED HOW
MUCH YOUR APARTMENT
147
00:05:48,974 --> 00:05:50,976
LOOKS LIKE THE ONE
ON MY TWO DADS?
148
00:05:51,018 --> 00:05:52,644
I THINK IT'S
THE SPIRAL STAIRCASE.
149
00:05:52,686 --> 00:05:54,688
WELL, I DON'T KNOW
IF YOU AND PACEY
ARE EMBROILED
150
00:05:54,729 --> 00:05:56,439
IN SOME WHOSE SPERM
IS WHOSE BATTLE,
151
00:05:56,481 --> 00:05:58,275
BUT WOULD YOU MAYBE WANT
TO GO OUT TONIGHT, JACK?
152
00:06:00,401 --> 00:06:02,403
I CANNOT BELIEVE
THAT YOU JUST DID THAT.
153
00:06:02,445 --> 00:06:03,488
WHAT?
154
00:06:03,530 --> 00:06:05,532
NO HEDGING,
NO SUBTEXT.
155
00:06:05,573 --> 00:06:06,950
NO HORRIBLE PUNS.
156
00:06:06,992 --> 00:06:08,618
GAYS HAVE IT SO EASY.
157
00:06:08,660 --> 00:06:10,120
STRAIGHT BOYS
ARE NEVER SO...
158
00:06:10,162 --> 00:06:11,121
STRAIGHT.
159
00:06:11,163 --> 00:06:13,665
LOVE TO.
COOL.
160
00:06:13,707 --> 00:06:15,416
OH, YOU KNOW WHAT?
EMMA AND AUDREY
ARE PLAYING TONIGHT.
161
00:06:15,458 --> 00:06:16,960
YEAH, THAT'S RIGHT.
THAT'S RIGHT.
162
00:06:17,002 --> 00:06:18,170
WE SHOULD GO TO THAT.
IS THAT OK?
163
00:06:18,212 --> 00:06:19,420
AND THEN AFTERWARDS,
WE'LL DO SOMETHING ELSE?
164
00:06:19,462 --> 00:06:20,922
YEAH.
OK, WAIT, WAIT.
165
00:06:20,964 --> 00:06:22,757
GO WITH ME HERE
FOR A SECOND, UM,
BEFORE C.J. GETS HERE.
166
00:06:22,799 --> 00:06:24,926
SO WE'RE GONNA GO SEE
THE PRETTY GIRLS PLAY.
167
00:06:24,968 --> 00:06:26,385
WE CAN ASK C.J.
TO JOIN US ON THIS--
168
00:06:26,427 --> 00:06:29,139
THIS VERY INNOCENT
GROUP OUTING.
169
00:06:29,181 --> 00:06:31,474
OR, YOU KNOW, WHY BOTHER
WITH THE SUBTLETIES?
170
00:06:31,516 --> 00:06:32,934
WE CAN JUST, UH,
CLUB HIM OVER THE HEAD
171
00:06:32,976 --> 00:06:34,186
AND DRAG HIM OUT.
172
00:06:34,228 --> 00:06:35,354
JACK, WORK WITH ME HERE.
173
00:06:35,394 --> 00:06:36,437
NO, NO, NO.
174
00:06:36,479 --> 00:06:37,647
WE SHOULD DEFINITELY
ASK HIM TO COME.
175
00:06:37,689 --> 00:06:39,440
IT'D BE FUN
IF WE ALL WENT.
176
00:06:39,482 --> 00:06:41,276
IT'S JUST, UH...
177
00:06:41,318 --> 00:06:43,820
WELL, C.J. DOESN'T
REALLY DATE.
178
00:06:43,862 --> 00:06:46,405
WHAT? DOES HE JUST
JUMP STRAIGHT
INTO THE SACK?
179
00:06:46,447 --> 00:06:47,657
COFFEE TO CONDOMS?
WHAT ARE WE
TALKING HERE?
180
00:06:47,699 --> 00:06:49,076
UM, NO.
181
00:06:49,117 --> 00:06:50,744
YOU SEE, I MEAN,
HE DOESN'T DATE AT ALL.
182
00:06:50,785 --> 00:06:53,038
WELL, HIS LIFE IS
SORT OF COMPLICATED.
183
00:06:53,080 --> 00:06:55,123
HE, UM...
184
00:06:55,165 --> 00:06:56,917
NAH, I SHOULDN'T
REALLY TALK ABOUT IT.
185
00:06:56,958 --> 00:06:57,918
WHATEVER IT IS,
I'M SURE IT'S NOT THAT BAD.
186
00:06:57,959 --> 00:06:59,336
COME ON, BRING IT ON.
PLEASE?
187
00:06:59,378 --> 00:07:00,879
JEN, WILL YOU STOP
USING MY FRIEND
188
00:07:00,921 --> 00:07:01,963
AS YOUR DEEP THROAT,
PLEASE?
189
00:07:03,757 --> 00:07:05,092
UH, YEAH.
190
00:07:05,133 --> 00:07:06,718
F-F-FORGET I SAID
THAT ONE.
191
00:07:07,761 --> 00:07:08,929
HERE COMES C.J.
192
00:07:08,970 --> 00:07:10,430
OH, HEY.
HEY.
193
00:07:10,471 --> 00:07:12,933
UM, LOOK, THIS IS
TOTALLY LAST MINUTE,
194
00:07:12,974 --> 00:07:15,060
BUT I DON'T SUPPOSE
THAT YOU'D WANNA
COME WITH US TONIGHT
195
00:07:15,102 --> 00:07:17,145
AND SEE OUR FRIEND
PLAY IN A BAND?
196
00:07:17,187 --> 00:07:19,231
IT'S AUDREY.
YOU KNOW AUDREY.
197
00:07:19,273 --> 00:07:20,857
THE ONE THAT'S
GUARANTEED TO ENTERTAIN.
198
00:07:20,899 --> 00:07:22,109
I RECALL.
199
00:07:22,150 --> 00:07:23,235
YEAH, SOUNDS LIKE FUN.
200
00:07:23,277 --> 00:07:24,611
EXCELLENT.
201
00:07:26,905 --> 00:07:28,198
JACK.
202
00:07:28,240 --> 00:07:31,034
UM, SOON-TO-BE-EXTINCT
FREEMAN APPROACHES
203
00:07:31,076 --> 00:07:33,828
AND KINDA LOOKS LIKE
HE NEEDS TO PEE.
204
00:07:33,870 --> 00:07:35,496
I THINK MAYBE
HE JUST WANTS
TO TALK TO YOU.
205
00:07:35,538 --> 00:07:37,040
YEAH.
206
00:07:37,082 --> 00:07:38,166
UH, EXCUSE ME, GUYS.
207
00:07:38,208 --> 00:07:39,667
I'M SORRY.
I'LL BE RIGHT BACK.
208
00:07:43,588 --> 00:07:45,132
WANNA SIT?
YEP.
209
00:07:45,173 --> 00:07:47,092
I'M SORRY. I DIDN'T
MEAN TO INTERRUPT
YOU AND YOUR FRIENDS.
210
00:07:47,134 --> 00:07:48,260
THAT'S OKAY.
THAT'S ALL RIGHT.
211
00:07:48,302 --> 00:07:49,594
I, UH--
PLENTY OF TIME TO EAT.
212
00:07:52,222 --> 00:07:53,681
SO CLASS TODAY,
HOW ABOUT THAT?
213
00:07:56,059 --> 00:07:58,853
UM, JACK...
214
00:07:58,895 --> 00:08:01,440
I KEEP THINKING
ABOUT THAT FIRST
CONVERSATION WE HAD,
215
00:08:01,481 --> 00:08:03,400
WHEN YOU SAID THAT
THIS WAS THE FIRST TIME
216
00:08:03,442 --> 00:08:04,943
YOU'D FELT MOTIVATED
IN A LONG WHILE.
217
00:08:04,985 --> 00:08:06,486
I'D HATE TO THINK
THAT I'D TAKEN AWAY
218
00:08:06,527 --> 00:08:08,322
THE COLLEGE EXPERIENCE
YOU DESERVE.
219
00:08:08,363 --> 00:08:10,240
WELL, I'LL KEEP ON
APPLYING MYSELF.
220
00:08:12,700 --> 00:08:15,412
LOOK, UM, NEXT WEEK
IS READING WEEK,
221
00:08:15,454 --> 00:08:16,496
AND AFTER THAT,
THERE'S FINALS,
222
00:08:16,537 --> 00:08:18,081
AND AFTER THAT, WELL...
223
00:08:18,123 --> 00:08:19,291
I'M GONE.
224
00:08:20,459 --> 00:08:22,461
IT WOULD JUST--
225
00:08:22,501 --> 00:08:23,462
IT WOULD MEAN
A LOT TO ME
226
00:08:23,503 --> 00:08:24,629
IF YOU WERE THERE
TONIGHT, JACK.
227
00:08:27,966 --> 00:08:29,384
I'LL THINK ABOUT IT.
228
00:08:35,640 --> 00:08:38,310
I HOPE YOU GUYS
PACKED CONDOMS AND
TOOTHPASTE THIS MORNING
229
00:08:38,352 --> 00:08:40,395
'CAUSE WE'RE TAKING
A LITTLE TRIP.
230
00:08:40,437 --> 00:08:43,315
YOU ALL PASSED
YOUR SERIES 7s,
231
00:08:43,357 --> 00:08:44,899
SOME OF YOU
WITH FLYING COLORS,
232
00:08:44,941 --> 00:08:47,277
YOU SMARTY-PANTS
PANSIES.
233
00:08:47,319 --> 00:08:49,654
SO TONIGHT,
WE CELEBRATE.
234
00:08:49,696 --> 00:08:51,072
NEW ORLEANS?
HOW ABOUT THAT, HUH?
235
00:08:51,114 --> 00:08:53,367
YES, WE ARE SO
OBNOXIOUSLY WEALTHY
236
00:08:53,408 --> 00:08:55,369
WE ARE FLYING
TO THE BIG EASY
237
00:08:55,410 --> 00:08:57,287
TO INDULGE IN
ALL ITS PLEASURES
238
00:08:57,329 --> 00:08:59,580
FOR 24 SICKENING HOURS.
239
00:08:59,622 --> 00:09:01,958
SO DON'T TELL ME
YOU HAVE TO CALL YOUR
MOMMIES OR ANYTHING.
240
00:09:02,000 --> 00:09:04,919
JUST ADMIT
THAT FIRST CLASS,
FREE HOTEL ROOMS,
241
00:09:04,961 --> 00:09:06,921
AND GOOD OLD
SOUTHERN GIRLS
242
00:09:06,963 --> 00:09:09,674
WHO LEARNED TO DRINK
BEFORE YOU
PLAYED NINTENDO
243
00:09:09,716 --> 00:09:11,801
ARE ALL TOO GOOD
TO PASS UP.
244
00:09:11,843 --> 00:09:12,802
PACK IT UP, GENTLEMEN.
245
00:09:12,844 --> 00:09:14,012
LOGAN, 1 HOUR.
246
00:09:15,055 --> 00:09:16,139
YEAH, BABY.
247
00:09:31,321 --> 00:09:33,365
SO YOU GUYS ARE HERE
FOR THE WEEKEND, HUH?
248
00:09:33,407 --> 00:09:34,366
JUST THE NIGHT
ACTUALLY.
249
00:09:34,408 --> 00:09:35,574
OH, THAT'S TOO BAD.
250
00:09:35,616 --> 00:09:37,411
THERE'S A LOT OF FUN
TO BE HAD HERE.
251
00:09:37,452 --> 00:09:39,329
YEAH, I CAN SEE THAT.
252
00:09:39,371 --> 00:09:40,621
I COULD SHOW YOU AROUND.
253
00:09:40,663 --> 00:09:41,415
YOU KNOW, I'VE ACTUALLY
BEEN HERE BEFORE.
254
00:09:41,456 --> 00:09:42,416
OH.
255
00:09:42,457 --> 00:09:43,417
YEAH, MY GIRLFRIEND AND I,
256
00:09:43,458 --> 00:09:45,043
WE CAME THROUGH HERE
THIS SUMMER.
257
00:09:45,085 --> 00:09:46,044
SO YOU HAVE
A GIRLFRIEND.
258
00:09:46,086 --> 00:09:48,088
OH, NO. NO, NO.
SHE DUMPED ME.
259
00:09:48,129 --> 00:09:49,423
HEH.
260
00:09:49,464 --> 00:09:50,549
WELL, I THINK MY FRIENDS
ARE WAITING FOR ME,
261
00:09:50,589 --> 00:09:52,300
BUT IT'S NICE
MEETING YOU, PERCY.
262
00:09:59,974 --> 00:10:00,934
HI, THERE.
263
00:10:00,975 --> 00:10:03,311
I DON'T DO GUYS
IN MOURNING.
264
00:10:03,353 --> 00:10:05,063
WITTER, MAN.
265
00:10:05,105 --> 00:10:07,690
YOU ARE PATHETIC,
266
00:10:07,732 --> 00:10:10,360
AND HERE I THOUGHT YOU'D
BE MY ONLY COMPETITION.
267
00:10:10,402 --> 00:10:11,570
YOU'RE MAKING THIS
TOO EASY.
268
00:10:11,611 --> 00:10:13,488
WELL, LOOK, RINALDI,
269
00:10:13,530 --> 00:10:14,489
IT WOULD BE A LOT DIFFERENT
270
00:10:14,531 --> 00:10:15,656
IF I WAS ACTUALLY
IN THIS GAME,
271
00:10:15,698 --> 00:10:16,991
WHICH I'M NOT
272
00:10:17,033 --> 00:10:19,244
BECAUSE WOMEN DO ACTUALLY
LIKE THE SENSITIVE TYPE.
273
00:10:19,286 --> 00:10:21,829
YEAH, OK,
274
00:10:21,871 --> 00:10:23,790
'CAUSE THAT'S WHAT'S
BEEN WORKING FOR ME.
275
00:10:25,166 --> 00:10:26,167
RIGHT?
276
00:10:33,383 --> 00:10:35,843
EVERYTHING SEEMS MAGICAL
277
00:10:35,885 --> 00:10:37,845
WHEN YOU SEE IT FROM
THE OTHER SIDE, RIGHT?
278
00:10:37,887 --> 00:10:40,974
THE COMMAND WITH WHICH
YOU POUR IS STAGGERING.
279
00:10:41,015 --> 00:10:42,142
THANK YOU.
280
00:10:42,183 --> 00:10:43,560
HOW'S CLASS TODAY?
281
00:10:43,602 --> 00:10:45,479
THE USUAL.
282
00:10:45,520 --> 00:10:46,687
WE'RE ENDING
GRAVITY'S RAINBOW,
283
00:10:46,729 --> 00:10:48,356
AND HETSON SPENT
A GOOD 5 MINUTES
284
00:10:48,398 --> 00:10:49,566
INSISTING I'D
NEVER UNDERSTAND
285
00:10:49,608 --> 00:10:50,984
THE EXPERIMENTAL
RAMBLINGS.
286
00:10:51,025 --> 00:10:52,402
WELL, THAT'S SILLY.
287
00:10:52,444 --> 00:10:55,655
DIANE CHAMBERS
IS AN EXTREMELY
WELL-READ CHARACTER.
288
00:10:55,696 --> 00:10:57,157
I'M SURE
SHE WOULD HAVE
SCHOOLED HETSON.
289
00:10:57,198 --> 00:11:00,827
AND, YOU KNOW,
YOUR WHOLE SAM-DIANE
CLASS ARGUMENT THING,
290
00:11:00,868 --> 00:11:02,621
IT'S VERY WEAK.
291
00:11:02,661 --> 00:11:04,289
HE DEFINITELY MADE
MORE MONEY THAN HER.
292
00:11:04,331 --> 00:11:05,915
YEAH, AND I MAKE
MORE MONEY THAN YOUR
WORTHINGTON COLLEAGUES
293
00:11:05,957 --> 00:11:07,417
WHO DON'T NEED A JOB,
BUT THAT DOESN'T PUT US
294
00:11:07,459 --> 00:11:08,627
IN THE SAME BRACKET,
NOW DOES IT?
295
00:11:08,668 --> 00:11:10,337
HEY, CUTE BAR BOY.
296
00:11:10,378 --> 00:11:11,254
GIVE ME A SHOT,
WILL YA?
297
00:11:11,296 --> 00:11:13,214
I GOT THE SHAKES.
298
00:11:13,256 --> 00:11:17,260
YOU ARE SO AWESOME
FOR COMING
TO SEE ME PLAY,
299
00:11:17,302 --> 00:11:18,803
AND HERE,
BUY A ROUND OF SHOTS
300
00:11:18,845 --> 00:11:21,181
FOR THE FUTURE
BOYFRIENDS OF AMERICA.
301
00:11:22,557 --> 00:11:24,476
MMM.
302
00:11:24,518 --> 00:11:26,645
OH, GOD. AH--
303
00:11:26,685 --> 00:11:27,728
GOD, WHO DID
HER PARENTS BUY OFF
304
00:11:27,770 --> 00:11:28,938
TO GET HER
INTO WORTHINGTON?
305
00:11:30,023 --> 00:11:31,858
YOU'RE MORE ACERBIC
THAN USUAL TONIGHT,
306
00:11:31,899 --> 00:11:33,652
IF THAT'S POSSIBLE.
307
00:11:33,692 --> 00:11:34,819
EVERYTHING OK?
308
00:11:34,861 --> 00:11:35,945
YEAH.
309
00:11:35,987 --> 00:11:36,946
I'M SORRY. I JUST--
310
00:11:36,988 --> 00:11:38,239
I HATE WORKING DOUBLES,
311
00:11:38,281 --> 00:11:40,283
AND I--I DON'T LIKE
WORKING WITH SAM.
312
00:11:40,325 --> 00:11:42,118
NO ONE TO FLIRT WITH, HUH?
313
00:11:42,160 --> 00:11:44,329
YEAH, OR CLUMSILY INSULT,
314
00:11:44,371 --> 00:11:45,788
WHICHEVER YOU PREFER.
315
00:11:47,582 --> 00:11:49,917
WELL, I'LL COME
BACK UP LATER.
316
00:11:49,959 --> 00:11:52,253
RIGHT NOW, I HAVE TO
GO STROKE AUDREY'S EGO.
317
00:11:52,295 --> 00:11:53,380
SOUNDS ENTICING.
318
00:11:56,383 --> 00:11:57,342
HEY.
319
00:11:57,384 --> 00:11:59,219
HI, SWEETIE.
320
00:11:59,260 --> 00:12:00,345
OH, GOOD, GOOD.
321
00:12:00,387 --> 00:12:02,305
WHAT ABOUT THAT?
322
00:12:02,347 --> 00:12:04,516
WELL, THANKS FOR COMING.
HOPE YOU ENJOY.
323
00:12:09,979 --> 00:12:10,980
JACK, YOU CAME.
324
00:12:11,022 --> 00:12:12,524
YEAH.
325
00:12:12,566 --> 00:12:13,900
I, UH...
326
00:12:13,941 --> 00:12:15,652
I DON'T LIKE TO LET
FREE FOOD GO TO WASTE.
327
00:12:15,694 --> 00:12:17,654
WELL, WHATEVER THE REASON,
I'M GLAD.
328
00:12:19,322 --> 00:12:21,157
IT LOOKS LIKE
A LOT OF PEOPLE
SUPPORT YOUR DECISION.
329
00:12:21,199 --> 00:12:24,369
EH, SLOW NIGHT
ON CAMPUS MAYBE.
330
00:12:24,411 --> 00:12:27,247
IT'S TRICKY PUTTING
TOGETHER PROJECTS
LIKE THIS BOOK.
331
00:12:27,288 --> 00:12:28,707
THERE'S ALWAYS GONNA BE
A HANDFUL OF PEOPLE
332
00:12:28,747 --> 00:12:30,041
WHO'LL THINK THAT IT'S
BATHROOM MATERIAL,
333
00:12:30,083 --> 00:12:32,293
BUT I ALWAYS HELD OUT
THE NAIVE BELIEF
334
00:12:32,335 --> 00:12:34,753
THAT THERE WOULD BE
A READER OR TWO
335
00:12:34,795 --> 00:12:37,215
WHO MIGHT FIND
SOMETHING STIMULATING
336
00:12:37,257 --> 00:12:38,883
BEYOND EASY
CULTURAL REFERENCES.
337
00:12:38,925 --> 00:12:40,343
YEAH, SOME OF
MY FRIENDS ASSUMED
338
00:12:40,385 --> 00:12:41,802
THAT YOUR CLASS WAS
CULTURAL CLIFF NOTES
339
00:12:41,844 --> 00:12:43,012
WHICH WOULD
PRETTY MUCH MAKE IT
340
00:12:43,054 --> 00:12:44,514
ENTERTAINMENT WEEKLY,
I GUESS.
341
00:12:46,140 --> 00:12:47,517
DID YOU FEEL THAT WAY?
342
00:12:47,559 --> 00:12:50,729
ALL THINGS ASIDE,
DID I EVER SEEM
LESS THAN RIVETED?
343
00:12:57,360 --> 00:13:00,154
UM, Y-YOUR WIFE, UM...
344
00:13:00,196 --> 00:13:01,322
MUST NOT BE TOO PSYCHED
345
00:13:01,364 --> 00:13:03,116
MOVING TO CHICAGO
IN THE HEIGHT OF WINTER.
346
00:13:03,157 --> 00:13:05,243
ACTUALLY, SHE'S NOT GOING
TO MAKE THE MOVE WITH ME.
347
00:13:08,413 --> 00:13:09,414
I'M--I'M SORRY.
348
00:13:09,456 --> 00:13:11,499
WELL, LET'S--LET'S NOT.
349
00:13:11,541 --> 00:13:13,501
I CAN TALK IN CIRCLES
ABOUT WHERE I WENT WRONG,
350
00:13:13,543 --> 00:13:16,170
AND A MAUDLIN FREEMAN
ISN'T GONNA DO
EITHER OF US ANY GOOD.
351
00:13:16,212 --> 00:13:17,213
YEAH.
352
00:13:18,381 --> 00:13:19,591
SO I GOTTA ASK.
353
00:13:19,633 --> 00:13:20,634
WHY DID YOU
DECIDE TO COME?
354
00:13:20,675 --> 00:13:22,385
DON'T YOU HAVE
SOMEWHERE TO BE?
355
00:13:22,427 --> 00:13:24,262
UM.
356
00:13:24,304 --> 00:13:25,680
NO, NO. I--
357
00:13:25,722 --> 00:13:26,847
I HAVE SOME TIME.
358
00:13:26,889 --> 00:13:28,224
THAT'S GREAT.
359
00:13:28,266 --> 00:13:29,934
LET ME INTRODUCE YOU
TO SOME PEOPLE.
360
00:13:29,976 --> 00:13:32,103
I HAVE NO IDEA
WHAT IS KEEPING JACK, DAVID.
361
00:13:32,145 --> 00:13:34,188
I'M SURE IT'S--
IT'S A HAIR-RELATED ISSUE.
362
00:13:34,230 --> 00:13:35,440
NAH, IT'S OK.
363
00:13:35,482 --> 00:13:36,483
IT'S FLATTERING TO THINK
364
00:13:36,524 --> 00:13:37,358
THAT EACH CAREFULLY
MISPLACED STRAND
365
00:13:37,400 --> 00:13:38,359
MIGHT BE FOR ME.
366
00:13:38,401 --> 00:13:39,778
AWW.
367
00:13:39,818 --> 00:13:41,279
I'M GONNA HEAD UP
TO THE BAR.
368
00:13:41,321 --> 00:13:42,280
YOU GUYS NEED ANYTHING?
369
00:13:42,322 --> 00:13:43,323
NO, I'M GOOD.
I'M FINE.
370
00:13:47,410 --> 00:13:50,163
WELL, I'M GLAD
THAT YOU CAME TONIGHT.
371
00:13:50,204 --> 00:13:53,207
I KNOW THAT
THIS MIGHT NOT
REALLY BE YOUR THING.
372
00:13:53,249 --> 00:13:54,250
HOW DO YOU FIGURE THAT?
373
00:13:54,292 --> 00:13:56,503
I'VE NOTHING
AGAINST GOOD COMPANY...
374
00:13:56,544 --> 00:13:59,922
AND I GUESS I CAN'T
SPEAK TO THE QUALITY
OF THE MUSIC YET, BUT...
375
00:13:59,964 --> 00:14:04,427
OH, WELL, AUDREY
IS NOTHING IF NOT
A STELLAR PERFORMER.
376
00:14:04,469 --> 00:14:05,386
HOW'S SHE BEEN LATELY?
377
00:14:05,428 --> 00:14:07,096
AUDREY?
378
00:14:07,138 --> 00:14:08,139
YEAH.
GREAT. GOOD.
379
00:14:08,181 --> 00:14:10,642
WHOO! AAH!
380
00:14:12,352 --> 00:14:13,894
WELL, MAYBE NOT
THE GREATEST OF GREATS,
381
00:14:13,936 --> 00:14:15,689
BUT I WOULD GIVE HER
A SOLID GOOD.
382
00:14:19,066 --> 00:14:20,443
WHY DO YOU ASK?
383
00:14:20,485 --> 00:14:22,612
WELL, SHE SEEMS LIKE
SHE MIGHT BE
A LITTLE DEPRESSED.
384
00:14:24,905 --> 00:14:26,491
SHE DOESN'T
LOOK DEPRESSED.
385
00:14:26,533 --> 00:14:28,368
WELL, IT'S EASY
NOT TO LOOK IT
386
00:14:28,409 --> 00:14:31,204
WHEN YOU'RE DOING
YOU'RE DAMNDEST
NOT TO FEEL IT...
387
00:14:31,245 --> 00:14:33,206
OR ANYTHING,
FOR THAT MATTER.
388
00:14:40,296 --> 00:14:41,255
HELLO.
389
00:14:41,297 --> 00:14:42,841
UH, DAVID, HEY.
UH, IT'S ME.
390
00:14:42,882 --> 00:14:44,091
LOOK, I AM SO SORRY.
391
00:14:44,133 --> 00:14:45,926
OH, DON'T WORRY ABOUT IT.
ARE YOU ON YOUR WAY?
392
00:14:45,968 --> 00:14:48,513
UH, NO, NOT EXACTLY.
393
00:14:48,555 --> 00:14:50,306
SHOULD I CALL
THE POLICE MAYBE?
394
00:14:50,348 --> 00:14:51,349
IS THERE SOMETHING
YOU CAN'T SAY
395
00:14:51,391 --> 00:14:52,350
IN FRONT OF
THE KIDNAPPERS?
396
00:14:52,392 --> 00:14:54,352
I'M COMING. I PROMISE.
397
00:14:54,394 --> 00:14:57,689
I JUST GOT SUCKED
INTO THIS NIGHTMARE
ACADEMIC SCHMOOZE-FEST.
398
00:14:57,731 --> 00:14:58,857
I HAVE, LIKE, 2 MORE
PROFOUND THINGS TO SAY,
399
00:14:58,897 --> 00:15:00,191
AND I'M OUT OF HERE.
400
00:15:00,233 --> 00:15:01,275
I SWEAR.
401
00:15:01,317 --> 00:15:02,360
HEY, DON'T WORRY ABOUT IT.
402
00:15:02,402 --> 00:15:03,528
UH, C.J.'s HERE,
403
00:15:03,570 --> 00:15:04,571
AND YOUR FRIENDS
HAVE ALL MASTERED
404
00:15:04,612 --> 00:15:05,905
THE ART OF POLITE
CONVERSATION.
405
00:15:05,946 --> 00:15:07,365
SO, I WILL SEE YOU
WHEN I SEE YOU.
406
00:15:07,407 --> 00:15:08,491
ALL RIGHT, COOL.
I'LL SEE YA.
407
00:15:20,253 --> 00:15:22,171
HOW YOU DOIN'?
408
00:15:22,213 --> 00:15:23,256
FINE.
409
00:15:23,297 --> 00:15:24,883
I DIDN'T ASK
HOW YOU WERE LOOKING.
410
00:15:24,924 --> 00:15:25,966
I ASKED HOW
YOU WERE DOIN'.
411
00:15:26,008 --> 00:15:28,177
OH, COME ON, RICH.
412
00:15:28,219 --> 00:15:29,679
EVEN I GOTTA STOP YOU
ON THAT ONE.
413
00:15:29,721 --> 00:15:31,180
I MEAN, WHO SAYS THAT?
414
00:15:31,222 --> 00:15:32,599
YOUR FRIEND
DOES APPARENTLY.
415
00:15:32,640 --> 00:15:34,517
OH, NO.
HE'S NOT MY FRIEND.
416
00:15:34,559 --> 00:15:35,894
THAT'S RIGHT.
I'M HIS BOSS.
417
00:15:35,935 --> 00:15:36,853
RICH RINALDI.
418
00:15:38,396 --> 00:15:39,606
I'M DENISE.
419
00:15:39,647 --> 00:15:43,025
THAT'S A BEAUTIFUL NAME
FOR A BEAUTIFUL GIRL.
420
00:15:43,067 --> 00:15:46,487
I THINK DENISE MEANS DRAMA
IN ITS GREEK ORIGIN,
421
00:15:46,529 --> 00:15:48,865
AND MIGHT I SAY, DENISE,
422
00:15:48,907 --> 00:15:51,826
THAT YOU HAVE BREASTS
THAT ARE BEGGING
TO BE TOUCHED.
423
00:15:51,868 --> 00:15:53,661
OH, THAT'S
A COINCIDENCE,
424
00:15:53,703 --> 00:15:55,413
SINCE YOU APPARENTLY
HAVE TESTICLES
425
00:15:55,455 --> 00:15:57,081
THAT ARE BEGGING
TO BE CASTRATED.
426
00:15:57,123 --> 00:15:58,833
OK, THEN.
427
00:15:58,875 --> 00:16:01,544
I'LL TAKE
MY GOODS ELSEWHERE.
428
00:16:01,586 --> 00:16:02,754
PLEASE DO.
429
00:16:04,964 --> 00:16:07,258
YOU KNOW, I THINK RICH
ACTUALLY MEANS SLIMEBALL
430
00:16:07,300 --> 00:16:08,384
IN ITS ORIGINAL FORM,
431
00:16:08,426 --> 00:16:09,803
BUT I'D HAVE TO CHECK
THE BOOKS ON THAT.
432
00:16:11,095 --> 00:16:11,971
WHAT'S YOUR NAME?
433
00:16:12,012 --> 00:16:13,765
I'M PACEY,
434
00:16:13,807 --> 00:16:15,892
AND I AM TRULY
SORRY FOR THAT,
435
00:16:15,934 --> 00:16:17,560
THOUGH I'M SURE YOU'RE
USED TO HAVING MEN SAYING
436
00:16:17,602 --> 00:16:19,520
ALL KINDS OF
INAPPROPRIATE THINGS
TO YOU ALL THE TIME.
437
00:16:19,562 --> 00:16:21,105
I AM.
438
00:16:21,147 --> 00:16:22,189
I'M NOT USED
TO THEM LEAVING
439
00:16:22,231 --> 00:16:24,358
THEIR CONSIDERABLY
MORE ATTRACTIVE
440
00:16:24,400 --> 00:16:25,526
AND LIKABLE
FRIENDS BEHIND.
441
00:16:29,155 --> 00:16:30,281
MISS ME?
442
00:16:30,323 --> 00:16:31,699
HOW COULD I WHEN I'VE
BEEN WAITING ON YOU
443
00:16:31,741 --> 00:16:32,992
AND YOUR FRIENDS
ALL NIGHT, YOU KNOW?
444
00:16:33,033 --> 00:16:34,452
GOOD POINT.
445
00:16:34,494 --> 00:16:35,369
SO WHAT ARE YOU
DOING AFTER?
446
00:16:35,411 --> 00:16:36,621
TONIGHT?
447
00:16:36,663 --> 00:16:37,747
WELL, YEAH, I MEAN,
448
00:16:37,789 --> 00:16:38,748
I KNOW WHENEVER
I GET OFF WORK
449
00:16:38,790 --> 00:16:39,874
THERE'S NOTHING
MORE DEPRESSING
450
00:16:39,916 --> 00:16:41,292
THAN TRYING TO GO
DIRECTLY ASLEEP
451
00:16:41,334 --> 00:16:44,712
WITH VISIONS OF DRUNKARDS
DANCING IN MY HEAD, SO...
452
00:16:44,754 --> 00:16:46,547
I WAS THINKING SOME SORT
OF SOCIAL ACTIVITY
453
00:16:46,589 --> 00:16:48,007
WOULD BE A GOOD SEGUE.
454
00:16:49,634 --> 00:16:50,927
I DON'T KNOW.
WE COULD--
455
00:16:50,969 --> 00:16:52,679
HEY! LET ME HAVE ANOTHER
BEER FOR THE STAGE.
456
00:16:52,720 --> 00:16:54,012
NAH, I CAN'T LET YOU
TAKE THAT UP THERE.
457
00:16:54,054 --> 00:16:56,474
COME ON, YOU GUYS
BOTH WORK HERE,
458
00:16:56,516 --> 00:16:57,600
LIKE ANYONE CARES.
459
00:16:57,642 --> 00:16:58,768
WELL, I CARE ACTUALLY,
460
00:16:58,810 --> 00:17:00,186
AND IT SEEMS TO ME
YOU'RE ALREADY WASTED.
461
00:17:00,227 --> 00:17:01,521
WELL, WHO'S FAULT IS THAT?
462
00:17:01,562 --> 00:17:03,063
UH, YOURS.
463
00:17:04,148 --> 00:17:06,985
YEAH, WELL,
YOU SERVED ME, SUCKER.
464
00:17:07,025 --> 00:17:08,653
YEAH, NOW I'M
CUTTING YOU OFF.
465
00:17:08,695 --> 00:17:10,446
LOOKS LIKE YOU'RE
GONNA HAVE TO LISTEN
TO YOURSELF SING SOBER.
466
00:17:10,488 --> 00:17:11,489
SORRY.
467
00:17:13,407 --> 00:17:15,869
COME ON, EDDIE, I MEAN...
468
00:17:15,910 --> 00:17:16,953
IT'S NOT LIKE
SHE'S GOING OUT DRIVING.
469
00:17:16,995 --> 00:17:18,872
IT'S JUST--SHE'S NERVOUS.
470
00:17:18,913 --> 00:17:20,665
HAVEN'T YOU EVER
CONSIDERED OUR ASSES
MIGHT BE ON THE LINE
471
00:17:20,707 --> 00:17:21,958
FOR SERVING
UNDERAGE PEOPLE?
472
00:17:22,000 --> 00:17:23,334
OR DID THAT JUST
KINDA SLIP YOUR MIND
473
00:17:23,376 --> 00:17:24,335
'CAUSE YOU'RE
NOT WORKING TONIGHT?
474
00:17:24,377 --> 00:17:25,712
WHAT ARE YOU
TALKING ABOUT?
475
00:17:25,753 --> 00:17:27,296
THIS IS A COLLEGE BAR.
476
00:17:27,338 --> 00:17:30,090
I MEAN, YOU'VE
NEVER CARED BEFORE.
477
00:17:30,132 --> 00:17:32,134
YEAH, WELL, I CARE
WHEN AN UNDERAGE GIRL
478
00:17:32,176 --> 00:17:35,053
GETS DRUNK AND TRASHES
THE PLACE ON MY WATCH.
479
00:17:35,095 --> 00:17:36,430
I'M CUTTING HER OFF.
THAT'S IT.
480
00:17:36,472 --> 00:17:38,474
GAH, SOMEBODY
NEEDS TO GET LAID.
481
00:17:38,516 --> 00:17:39,726
AUDREY.
WHATEVER.
482
00:17:39,767 --> 00:17:42,395
HE CLEARLY
TAKES HIS JOB
TOO SERIOUSLY.
483
00:17:42,436 --> 00:17:44,022
TELL ME SOMETHING,
EDDIE.
484
00:17:44,062 --> 00:17:46,440
WHAT'S IT LIKE
LOOKING DOWN
THE BARREL OF A GUN
485
00:17:46,482 --> 00:17:48,985
AND SEEING
A JANITOR'S UNIFORM
AND A BUS PASS?
486
00:17:51,571 --> 00:17:53,280
YOU'LL GET ME ANOTHER BEER,
WON'T YOU, SWEETIE?
487
00:17:53,322 --> 00:17:54,699
I'M THINKING NO.
488
00:17:54,741 --> 00:17:56,325
JEEZ! IT'S LIKE
THIS BAR'S RUN
489
00:17:56,367 --> 00:17:59,328
BY DONNA REED
AND MR. ROGERS.
490
00:17:59,370 --> 00:18:00,788
ALL RIGHT,
GET HER OUT OF HERE.
491
00:18:00,830 --> 00:18:03,499
DID YOU NOT JUST WITNESS
MY MAGNIFICENT FORCE?
492
00:18:03,541 --> 00:18:05,543
YEAH, AUDREY,
DID YOU NOT HEAR US
WARMING UP UP THERE?
493
00:18:05,585 --> 00:18:06,502
THINK WE'RE DOING IT
FOR A LARK?
494
00:18:06,544 --> 00:18:08,046
GET UP THERE.
495
00:18:08,087 --> 00:18:10,256
I LOVE YOU,
YOU CRAZY BIRD!
496
00:18:10,297 --> 00:18:12,633
HEY, SPREAD
THE JOY ON STAGE,
COURTNEY LOVE.
497
00:18:12,675 --> 00:18:14,218
OK? WE'RE ON.
498
00:18:14,260 --> 00:18:16,136
BAH!
GO, GO, GO.
499
00:18:18,639 --> 00:18:20,099
I'M NOT HER KEEPER.
500
00:18:20,140 --> 00:18:21,976
NO, IT'S WORSE ACTUALLY.
YOU'RE HER FRIEND.
501
00:18:29,191 --> 00:18:31,193
HEY, HOW ARE WE ALL
DOIN' TONIGHT?
502
00:18:32,278 --> 00:18:34,447
WE'RE HELL'S BELLES,
503
00:18:34,488 --> 00:18:37,116
AND WE ARE HERE
TO THROW DOWN
THIS FASCIST REGIME.
504
00:18:37,157 --> 00:18:38,993
SEEMS LIKE
THE ESTABLISHMENT
505
00:18:39,035 --> 00:18:41,161
DON'T WANT US
TO HAVE A GOOD TIME.
506
00:18:41,203 --> 00:18:43,915
WHO WANTS TO STICK IT
TO THE MAN?
507
00:21:21,030 --> 00:21:23,449
OH. YEAH, OK.
508
00:21:23,490 --> 00:21:25,451
I THINK THAT'S EVERYTHING.
509
00:21:25,492 --> 00:21:28,829
I THINK THAT THERE IS
SOME INTESTINE IN THERE.
510
00:21:28,871 --> 00:21:30,998
OK. WHY DON'T WE GO
GET YOU SOME WATER?
511
00:21:35,878 --> 00:21:37,004
HOW MUCH
DID YOU DRINK?
512
00:21:40,674 --> 00:21:42,218
CLEARLY,
I DON'T REMEMBER.
513
00:21:42,260 --> 00:21:44,428
WERE YOU DRINKING
IN THE CHANGING ROOM?
514
00:21:44,470 --> 00:21:46,430
BECAUSE I DIDN'T SEE YOU
HAVE THAT MUCH AT THE BAR.
515
00:21:46,472 --> 00:21:48,224
I SAID
I DON'T REMEMBER.
516
00:21:48,266 --> 00:21:50,643
THIS--
AUDREY,
517
00:21:50,684 --> 00:21:52,228
NOT TO SOUND LIKE
AN AFTER SCHOOL SPECIAL,
518
00:21:52,270 --> 00:21:56,274
BUT THIS KIND OF
ISN'T LIKE YOU.
519
00:21:56,314 --> 00:21:58,901
AND WHAT EXACTLY
IS LIKE ME?
520
00:21:58,943 --> 00:22:02,071
YOU KNOW, I COULD'VE BEEN
AN ALKIE SINCE AGE 6.
YOU DON'T KNOW.
521
00:22:02,113 --> 00:22:03,072
IT'S JUST--
522
00:22:03,114 --> 00:22:04,322
I'M FINE!
523
00:22:04,364 --> 00:22:06,909
HAVE YOU NEVER
GOTTEN DRUNK BEFORE?
524
00:22:06,951 --> 00:22:08,661
YEAH, ACTUALLY, I HAVE,
AND IT'S USUALLY BEEN
525
00:22:08,702 --> 00:22:11,080
BECAUSE I FELT
PRETTY AWFUL
ABOUT SOMETHING, SO...
526
00:22:11,122 --> 00:22:13,707
LOOK, I WAS
JUST WONDERING
IF YOU FELT AWFUL.
527
00:22:13,749 --> 00:22:16,294
I FEEL LIKE I DON'T WANT
TO HAVE A SOULFUL EXCHANGE
528
00:22:16,335 --> 00:22:18,587
ABOUT HOW I'M BAD
AND YOU'RE GOOD,
IF THAT'S WHAT YOU MEAN.
529
00:22:18,629 --> 00:22:20,089
YOU KNOW, THAT'S NOT
WHERE I WAS GOING.
530
00:22:20,131 --> 00:22:22,591
LIKE HELL IT WASN'T.
YOU KNOW,
YOU'VE MASTERED THE ART
531
00:22:22,633 --> 00:22:25,385
OF HOLIER THAN THOU, JOEY.
YOU KNOW, DON'T FEED ME
A BUNCH OF CRAP
532
00:22:25,427 --> 00:22:27,721
ABOUT HOW YOU DON'T NEED TO
DRINK OR DO DRUGS TO HAVE FUN
533
00:22:27,763 --> 00:22:29,974
BECAUSE I'VE GIVEN IT
SOME THOUGHT,
AND YOU KNOW WHAT?
534
00:22:30,016 --> 00:22:32,350
I'VE NEVER SEEN YOU
HAVE FUN A DAY IN MY LIFE.
535
00:22:32,392 --> 00:22:34,103
EXCEPT FOR THAT WHOLE
SINGING THING,
536
00:22:34,145 --> 00:22:36,022
AND EVEN THEN YOU
WERE JUST IMITATING ME.
537
00:22:36,063 --> 00:22:38,232
OK, YOU KNOW WHAT?
MAYBE WE SHOULD JUST SAVE
THIS FOR THE MORNING
538
00:22:38,274 --> 00:22:39,775
BECAUSE WE DON'T WANT
TO SAY ANYTHING
WE'LL REGRET.
539
00:22:39,817 --> 00:22:41,902
GOD! WILL YOU STOP
PROTECTING ME?!
540
00:22:41,944 --> 00:22:44,697
I'M SO SICK OF LIVING
IN THIS LITTLE ANTISEPTIC
UNIVERSE
541
00:22:44,738 --> 00:22:46,157
YOU'VE ALL CREATED.
542
00:22:46,199 --> 00:22:48,993
ALL WE DO IS WE SIT AROUND
AND WE DRINK SODA AND WE TALK
543
00:22:49,035 --> 00:22:50,703
ABOUT HOW GLAD WE ARE
THAT WE'RE ALL FRIENDS,
544
00:22:50,744 --> 00:22:52,621
WHICH IS RIDICULOUS, JOEY,
545
00:22:52,663 --> 00:22:55,041
BECAUSE WHAT KIND OF FRIEND
WOULDN'T KNOW THAT I BROKE UP
WITH MY BOYFRIEND?
546
00:22:55,082 --> 00:22:58,169
YOU KNOW WHAT, AUDREY?
I SAID I WAS SORRY
ABOUT THAT.
547
00:22:58,211 --> 00:23:02,048
YOU KNOW WHAT?
I DON'T EVEN CARE.
548
00:23:02,089 --> 00:23:07,636
I JUST DON'T WANT SOMEONE
WHO'S COMPLETELY DROPPED OUT
OF MY LIFE SUDDENLY JUDGING IT.
549
00:23:07,678 --> 00:23:09,222
I MEAN, DID YOU EVEN NOTICE
THAT I WAS DEPRESSED
550
00:23:09,263 --> 00:23:11,807
BEFORE I UPSET YOUR LITTLE
BOYFRIEND FROM SOUTHIE?
551
00:23:11,849 --> 00:23:12,975
EDDIE IS NOT
MY BOYFRIEND.
552
00:23:13,017 --> 00:23:15,019
RIGHT.
553
00:23:15,061 --> 00:23:17,437
I THINK IT'S REALLY
FRIGGING PATHETIC
554
00:23:17,479 --> 00:23:19,899
THAT THAT'S THE ONLY THING
YOU HAD THE NEED TO COMMENT ON.
555
00:23:25,988 --> 00:23:27,865
SO HAVE FUN TONIGHT,
WHEREVER YOU'RE GOING.
556
00:23:27,907 --> 00:23:30,659
TO BE HONEST, I DON'T KNOW
IF THERE'S SOMEWHERE
LEFT TO GO.
557
00:23:30,701 --> 00:23:33,411
I DIDN'T MEAN TO KEEP YOU
IN THERE WITH MY BORING
SCHOLASTIC JABBER.
558
00:23:33,453 --> 00:23:35,122
NO. NO, I WASN'T BORED.
559
00:23:35,164 --> 00:23:36,790
IT'S WHY I'M BRAVING
SOCIAL LEPROSY.
560
00:23:38,834 --> 00:23:40,711
I'M GLAD YOU CAME.
561
00:23:40,753 --> 00:23:44,298
THERE'S A PART OF MY BOOK
THAT I WROTE AFTER CLASS
EARLY IN THE SEMESTER,
562
00:23:44,340 --> 00:23:47,927
YOU'D MADE A COMMENT IN CLASS
ABOUT THE ASEXUALITY
OF GOOD GUYS IN FILM.
563
00:23:47,968 --> 00:23:51,097
IT WAS A SMALL THING I REMEMBER,
BUT IT SPARKED SOMETHING,
564
00:23:51,138 --> 00:23:54,850
AND I THOUGHT NO ONE
DOES THAT ANYMORE.
SPARKS SOMETHING.
565
00:23:54,892 --> 00:23:57,686
YOU WERE RIGHT.
NOT JUST IN CLASS.
566
00:23:57,728 --> 00:23:59,688
YOU WERE JUST...
567
00:23:59,730 --> 00:24:00,814
YOU WERE RIGHT ABOUT
A LOT OF THINGS.
568
00:24:02,440 --> 00:24:04,402
I WASN'T WAITING FOR YOU
TO TELL ME THAT,
569
00:24:04,442 --> 00:24:06,404
IF THAT'S WHY YOU THINK
I'M STANDING OUT HERE
IN THE COLD.
570
00:24:06,444 --> 00:24:07,529
THEN WHY ARE YOU?
571
00:24:11,200 --> 00:24:16,830
IT'S SAD...THAT YOU'RE
PROBABLY THE MOST
POPULAR PROFESSOR HERE,
572
00:24:16,872 --> 00:24:19,083
THE MOST INSPIRATIONAL,
573
00:24:19,125 --> 00:24:22,628
AND YET YOU FELT YOU HAD
TO HIDE THAT PART
OF YOURSELF THAT'S REAL.
574
00:24:22,669 --> 00:24:25,172
BUT YOU KNOW WHAT?
575
00:24:25,214 --> 00:24:30,803
HOWEVER LONG IT TOOK
FOR YOU TO GET HERE,
AT LEAST YOU DID IT.
576
00:24:32,305 --> 00:24:34,390
AND THAT'S WHY
I'M STANDING OUT HERE
IN THE COLD.
577
00:24:36,725 --> 00:24:39,312
A WEEK AGO I WAS THIS
UNAVAILABLE MARRIED MAN.
578
00:24:39,353 --> 00:24:43,023
THERE USED TO BE ABOUT
6 DIFFERENT VERSIONS OF MYSELF
I PRESENTED TO THE WORLD.
579
00:24:43,065 --> 00:24:46,026
NOW THERE'S JUST...THIS.
580
00:24:48,321 --> 00:24:50,197
AND NOW I KIND OF WISH
I'D NOTICED IT SOONER.
581
00:24:51,907 --> 00:24:53,367
OR THAT I'D NOTICED YOU.
582
00:25:04,170 --> 00:25:05,296
MAYBE IT'S TOO LATE.
583
00:25:07,006 --> 00:25:08,506
YOU TELL ME.
584
00:25:17,183 --> 00:25:19,226
I CAN'T.
585
00:25:19,268 --> 00:25:22,896
I'M SORRY, I CAN'T.
586
00:25:22,938 --> 00:25:24,982
I'VE KEPT SOMEONE
WAITING ALL NIGHT
587
00:25:25,024 --> 00:25:26,733
THAT THE TIMING WAS
ACTUALLY RIGHT WITH.
588
00:25:29,611 --> 00:25:30,528
IT'S LATE.
589
00:25:34,200 --> 00:25:35,409
I GOTTA GO.
590
00:25:37,203 --> 00:25:39,413
YEAH, I GOTTA GO.
591
00:25:44,542 --> 00:25:46,753
GUESS YOU WEREN'T SO OFF BASE
WITH THE WHOLE AUDREY THING.
592
00:25:46,795 --> 00:25:49,840
YOU MEAN HER PERFORMANCES
AREN'T TYPICALLY
THAT INSPIRED?
593
00:25:49,882 --> 00:25:55,012
UH, NOT SO JENNIFER JASON LEIGH
IN GEORGIA, NO.
594
00:25:55,054 --> 00:25:57,014
THANK YOU.
595
00:25:58,640 --> 00:26:01,435
AUDREY'S ONE OF THE FEW
PEOPLE THAT I KNOW
596
00:26:01,477 --> 00:26:07,191
WHO SEEMED TO ENTER THE FOLD
WELL ADJUSTED AND CONFIDENT.
597
00:26:07,233 --> 00:26:09,567
SHE MADE ALL OF US
SEEM DRAMATIC.
598
00:26:09,609 --> 00:26:10,568
IT'S HARD TO KEEP
PUTTING UP A FRONT
LIKE THAT,
599
00:26:10,610 --> 00:26:11,820
ONCE PEOPLE
EXPECT IT FROM YOU.
600
00:26:11,862 --> 00:26:13,822
YOU KNOW, YOU WAKE UP
IN THE MORNING,
601
00:26:13,864 --> 00:26:15,032
YOU DON'T FEEL SO GREAT,
602
00:26:15,074 --> 00:26:17,201
SO YOU NEED SOMETHING
TO TAKE OFF THE EDGE.
603
00:26:17,243 --> 00:26:18,911
THAT'S WHAT I USED TO DO.
604
00:26:18,952 --> 00:26:22,039
I TOOK MY FIRST DRINK
WHEN I WAS 12.
605
00:26:22,081 --> 00:26:26,210
WHEN I HIT HIGH SCHOOL,
I WAS SHAKING BY NOON
IF I WASN'T DRUNK.
606
00:26:26,252 --> 00:26:28,795
SO RATHER THAN THINKING
LIKE, "HEY,
THAT CAN'T BE NORMAL"
607
00:26:28,837 --> 00:26:30,672
I JUST KEPT DRINKING.
608
00:26:30,714 --> 00:26:35,802
PROVIDED A STEADY
NUMB RIDE THROUGH THOSE
AWKWARD TEEN YEARS.
609
00:26:35,844 --> 00:26:37,513
IT'S TOUGH
TO GET OFF OF.
610
00:26:37,555 --> 00:26:40,558
YEAH. YEAH, BUT YOU DID.
611
00:26:41,641 --> 00:26:43,394
SO YOU MUST'VE DONE
SOMETHING RIGHT.
612
00:26:43,436 --> 00:26:45,603
YEAH. YEAH.
I HIT ROCK BOTTOM.
613
00:26:45,645 --> 00:26:48,232
SURE FIRE WAY TO
SNAP OUT OF SOMETHING
614
00:26:48,274 --> 00:26:51,026
IS TO WAKE UP
FROM A BLACKOUT
615
00:26:51,068 --> 00:26:52,570
REALIZING THAT YOU WERE THE GUY
AT THE PARTY
616
00:26:52,610 --> 00:26:54,654
WHO TOLD EVERYBODY
EXACTLY WHAT THEY
DIDN'T WANT TO HEAR
617
00:26:54,696 --> 00:26:59,659
AND THEN ALIENATING
THE ONE PERSON
THAT YOU CARED ABOUT.
618
00:27:02,704 --> 00:27:06,500
SO, THERE'S THAT,
WHICH IS WHY I
DON'T DATE ANYMORE.
619
00:27:09,378 --> 00:27:12,714
I REALLY--I DON'T THINK
YOU HAVE TO BE SO HARD
ON YOURSELF.
620
00:27:12,756 --> 00:27:14,967
I--WE ALL MESS UP.
621
00:27:15,008 --> 00:27:18,262
JEN, YOU REALLY DON'T
WANT TO KNOW THAT MUCH
ABOUT ME, I PROMISE.
622
00:27:26,812 --> 00:27:29,106
UH, PROBABLY GONNA NEED
A KEY FOR THIS.
623
00:27:29,148 --> 00:27:30,441
THAT MIGHT HELP.
624
00:27:30,483 --> 00:27:32,359
WHERE WOULD YOU
HAVE PUT THAT?
625
00:27:32,401 --> 00:27:33,651
UH, HOLD ON ONE SECOND.
626
00:27:34,778 --> 00:27:36,447
I'M NOT SO GOOD
AT WAITING.
627
00:27:41,577 --> 00:27:42,495
HERE WE GO.
628
00:27:43,579 --> 00:27:44,497
OK.
629
00:28:06,268 --> 00:28:07,436
SOME NIGHT, HUH?
630
00:28:07,478 --> 00:28:08,395
YEP.
631
00:28:11,273 --> 00:28:13,609
I'M SORRY ABOUT...
632
00:28:14,985 --> 00:28:17,863
SORRY ABOUT
THE WHOLE DRINKING,
SINGING DEBACLE.
633
00:28:17,904 --> 00:28:19,448
I DIDN'T KNOW
IT WAS GONNA GO THAT WAY.
634
00:28:19,490 --> 00:28:20,866
IT WASN'T YOUR PROBLEM,
RIGHT?
635
00:28:20,907 --> 00:28:22,493
YOU WEREN'T WORKING,
SO WHY SHOULD IT MATTER
636
00:28:22,535 --> 00:28:24,495
THAT YOUR FRIENDS WERE
GONNA TRASH THE PLACE?
637
00:28:24,537 --> 00:28:26,830
IT'S NOT LIKE THEY
INTENDED TO DO THAT.
638
00:28:26,872 --> 00:28:28,790
THAT'S NOT REALLY
THE POINT, JOEY.
639
00:28:28,832 --> 00:28:30,792
WELL, CARE TO FILL ME IN
ON WHAT THE POINT IS?
640
00:28:30,834 --> 00:28:32,794
WHY SHOULD I MAKE YOU
STAND HERE AND LISTEN
TO MY DIATRIBE
641
00:28:32,836 --> 00:28:35,214
WHEN YOU CLEARLY HAVE
BETTER THINGS TO DO?
EXCUSE ME.
642
00:28:35,255 --> 00:28:37,591
WHY ARE YOU SO INSISTENT
TONIGHT THAT I'M WASTING
MY TIME WITH YOU
643
00:28:37,633 --> 00:28:39,593
WHEN EVERY TIME
I APPROACH YOU,
644
00:28:39,635 --> 00:28:40,969
IT'S BEEN BECAUSE
I WANTED TO TALK?
645
00:28:41,011 --> 00:28:42,596
MAYBE I'VE HAD A HARD TIME
TALKING TO YOU
646
00:28:42,638 --> 00:28:44,181
BECAUSE I CAN'T FIGURE OUT
WHO I'M TALKING TO.
647
00:28:44,223 --> 00:28:46,308
IS THIS JOEY POTTER
MY BARTENDING BUDDY,
648
00:28:46,350 --> 00:28:48,768
OR IS THIS JOEY POTTER WHO RUNS
WITH THE WORTHINGTON ELITE?
649
00:28:50,187 --> 00:28:51,813
THAT'S FUNNY.
650
00:28:51,855 --> 00:28:53,649
I THOUGHT THERE WAS MORE OF
AN INTIMATE MIDDLE GROUND.
651
00:28:53,691 --> 00:28:55,609
LOOK, YOU JUST LEARN
A LOT ABOUT PEOPLE
652
00:28:55,651 --> 00:28:57,777
WHEN YOU SEE THEM
WITH THEIR FRIENDS, OK?
653
00:28:57,819 --> 00:28:59,863
YOU SEE ME WITH MY FRIENDS
IN HERE ALL THE TIME.
654
00:28:59,905 --> 00:29:01,114
HOW IS THIS DIFFERENT?
655
00:29:01,156 --> 00:29:02,282
IT'S DIFFERENT
WHEN YOUR FRIENDS
656
00:29:02,324 --> 00:29:03,492
ARE FLAUNTING
STATE DRINKING LAWS
657
00:29:03,534 --> 00:29:04,784
AND INSULTING ME
TO MY FACE.
658
00:29:04,826 --> 00:29:06,161
LOOK, I'M SORRY
ABOUT THAT, OK?
659
00:29:06,203 --> 00:29:07,787
IF IT MAKES YOU FEEL
ANY BETTER,
660
00:29:07,829 --> 00:29:10,123
I JUST GOT A PRETTY
NASTY TONGUE LASHING
FROM AUDREY IN THERE.
661
00:29:10,165 --> 00:29:11,917
WHAT WOULD'VE MADE ME
FEEL BETTER IS IF YOU
WOULD'VE DEFENDED ME.
662
00:29:11,958 --> 00:29:15,087
IF YOU HAD MENTALLY
SHOWN UP THERE, JOEY,
THAT MIGHT'VE BEEN NICE.
663
00:29:15,128 --> 00:29:17,089
EDDIE, SHE WAS DRUNK.
664
00:29:17,130 --> 00:29:19,425
WE DEAL
WITH THOSE PEOPLE
ALL OF THE TIME.
665
00:29:19,466 --> 00:29:21,468
YOU'RE RIGHT, JOEY.
WHY SHOULD I MAKE YOU FEEL BAD
666
00:29:21,510 --> 00:29:23,596
FOR LETTING YOUR FRIEND RIDE OUT
HER HIGH-CLASS PROBLEMS?
667
00:29:23,637 --> 00:29:26,014
I SHOULD BE USED TO IT
BY NOW, RIGHT?
668
00:29:26,056 --> 00:29:28,267
MY MISTAKE WAS JUST
THINKING YOU WERE DIFFERENT
FROM THE REST OF THEM.
669
00:29:28,308 --> 00:29:31,437
HOW CAN YOU SAY THAT
WHEN YOU'VE BARELY EVEN
TRIED TO FIND OUT?
670
00:29:31,478 --> 00:29:32,938
I DON'T KNOW, MAYBE
YOU'RE JUST THREATENED
671
00:29:32,979 --> 00:29:34,981
BECAUSE I TRIED TO
FIND OUT MORE ABOUT YOU,
672
00:29:35,023 --> 00:29:36,233
BUT THAT'S JUST
BECAUSE I WAS TRYING
TO HELP YOU--
673
00:29:36,275 --> 00:29:38,652
I KNOW WHAT YOU WERE
TRYING TO DO, JOEY,
674
00:29:38,694 --> 00:29:40,404
AND I DON'T THINK
YOU SHOULD BOTHER.
675
00:29:40,446 --> 00:29:43,490
I DON'T THINK EITHER OF US
SHOULD BECAUSE I'VE BEEN
THINKING ABOUT IT,
676
00:29:43,532 --> 00:29:49,037
AND THIS LITTLE DANCE WE DO,
IT'S NOTHING MORE THAN THAT.
IT'S JUST FLIRTING.
677
00:29:51,915 --> 00:29:53,709
YOU DON'T THINK THERE'S
ANYTHING MORE HERE?
678
00:29:53,751 --> 00:29:56,336
I DON'T THINK
THERE'S ANYTHING GOOD.
679
00:30:18,858 --> 00:30:20,193
CAN I ASK YOU SOMETHING?
680
00:30:20,235 --> 00:30:21,820
ABSOLUTELY.
681
00:30:21,861 --> 00:30:24,406
THIS ISN'T YOUR FIRST TIME,
IS IT?
682
00:30:25,865 --> 00:30:27,451
AM I REALLY THAT BAD?
683
00:30:27,493 --> 00:30:32,456
NO. JUST MOST GUYS
DON'T BOTHER WITH
THE OBLIGATORY FOREPLAY.
684
00:30:32,498 --> 00:30:34,458
WHICH IS GREATLY
APPRECIATED AND ALL,
685
00:30:34,500 --> 00:30:36,960
BUT I'M KIND OF
A SURE THING.
686
00:30:40,130 --> 00:30:44,259
OK, WELL, I'LL DO
MY BEST TO NOT TEND
TO ANY OF YOUR NEEDS,
687
00:30:44,301 --> 00:30:46,762
BUT I CAN'T PROMISE
ANYTHING.
688
00:30:52,434 --> 00:30:55,853
SERIOUSLY, WE'VE BEEN
AT THIS FOR A WHILE NOW,
689
00:30:55,895 --> 00:30:57,564
AND YOUR FRIEND
DIDN'T PAY FOR THE NIGHT.
690
00:31:01,193 --> 00:31:02,986
MM...
691
00:31:03,028 --> 00:31:05,947
LISTEN IT WAS
A NICE THING HE WAS DOING.
692
00:31:05,989 --> 00:31:08,450
YOU SHOULD JUST ENJOY IT.
693
00:31:10,410 --> 00:31:12,329
BUT I REALLY...
694
00:31:12,371 --> 00:31:13,664
I CAN'T.
695
00:31:15,499 --> 00:31:17,042
I CAN'T. I'M SORRY.
696
00:31:18,711 --> 00:31:20,713
I DON'T HAVE TO LEAVE.
697
00:31:20,754 --> 00:31:23,298
NO. YOU ABSOLUTELY
DON'T HAVE TO LEAVE.
698
00:31:23,340 --> 00:31:24,758
YOU CAN STAY HERE
AS LONG AS YOU LIKE,
699
00:31:24,800 --> 00:31:27,511
BUT...I--I JUST...
700
00:31:27,553 --> 00:31:30,138
I CAN'T DO THIS.
701
00:31:30,180 --> 00:31:32,808
I JUST THOUGHT YOU
WERE A BEAUTIFUL WOMAN
THAT I MET DOWN IN THE BAR.
702
00:31:32,850 --> 00:31:35,352
AND THAT THERE WAS
A LITTLE...
703
00:31:35,394 --> 00:31:37,646
SOMETHING BETWEEN US,
BUT THERE'S OBVIOUSLY NOT.
AND THAT'S FINE.
704
00:31:37,688 --> 00:31:41,899
BUT I NOW HAVE TO GO
TO TALK TO SOMEONE,
SO YOU STAY HERE AND...
705
00:31:41,941 --> 00:31:43,276
I'M REALLY SORRY.
706
00:31:52,411 --> 00:31:54,371
SO YOU'RE SURE DAVID'S
GONNA BE OK IN THERE
ALL BY HIMSELF?
707
00:31:54,413 --> 00:31:55,706
OH, YEAH. YEAH.
HE SAID HE'D HANG AROUND
FOR ANOTHER HALF HOUR,
708
00:31:55,748 --> 00:31:57,123
THEN CALL IT A NIGHT.
709
00:31:57,165 --> 00:31:59,334
GOD, I DON'T KNOW WHAT
JACK'S PROBLEM IS,
710
00:31:59,376 --> 00:32:00,960
BUT I'M GONNA KICK HIS ASS.
711
00:32:01,002 --> 00:32:04,423
WELL, LUCKILY DAVID'S
A VERY PATIENT MAN.
712
00:32:04,464 --> 00:32:07,801
YOU KNOW, I'M JUST REALLY GLAD
YOU CAME OUT TONIGHT.
713
00:32:07,843 --> 00:32:10,345
I WAS WORRIED YOU
WOULDN'T WANT TO.
714
00:32:10,387 --> 00:32:12,055
YOU KNOW, YOU KEEP
SAYING THAT.
715
00:32:12,097 --> 00:32:13,766
JUST 'CAUSE I DON'T
DRINK DOESN'T MEAN
I DON'T SOCIALIZE.
716
00:32:15,267 --> 00:32:16,976
BUT YOU DON'T DATE.
717
00:32:17,018 --> 00:32:18,645
NO.
718
00:32:18,687 --> 00:32:22,858
YOU TOLD ME ONCE THAT I SHOULD
CHANGE MY MIND ABOUT MYSELF,
719
00:32:22,900 --> 00:32:26,152
AND I THINK THAT YOU SHOULD
PROBABLY DO THE SAME THING.
720
00:32:37,247 --> 00:32:38,206
JEN.
721
00:32:39,332 --> 00:32:40,709
I CAN'T.
722
00:32:42,461 --> 00:32:44,463
I'M SORRY, IT'S...
723
00:32:44,504 --> 00:32:46,465
IT'S GOT NOTHING
TO DO WITH YOU,
I PROMISE.
724
00:32:46,506 --> 00:32:50,051
YOU'RE...
YOU'RE BEAUTIFUL,
AND YOU'RE GREAT.
725
00:32:50,093 --> 00:32:52,262
I JUST REALLY CAN'T.
726
00:32:53,346 --> 00:32:54,264
OK.
727
00:32:57,935 --> 00:32:59,436
I'M GONNA GET YOU
A CAB HOME, OK?
728
00:32:59,478 --> 00:33:00,646
OK.
729
00:33:10,988 --> 00:33:12,407
YOU GONNA BE OK?
730
00:33:12,449 --> 00:33:14,618
YEAH. I'M FINE.
731
00:33:14,660 --> 00:33:16,870
NOTHING A LITTLE SLEEP
AND REGRET WON'T CURE.
732
00:33:19,331 --> 00:33:21,249
GOOD NIGHT.
733
00:33:38,517 --> 00:33:41,436
I ONLY HAD A COUPLE
OF PUFFS, I SWEAR.
734
00:33:41,478 --> 00:33:42,604
I DON'T CARE
IF YOU SMOKE.
735
00:33:42,646 --> 00:33:44,815
WELL, THAT'S SHOCKING.
736
00:33:44,857 --> 00:33:48,443
BECAUSE I THOUGHT FOR
SURE THERE WAS SOME SORT
OF LO-JACK SYSTEM ON ME,
737
00:33:48,485 --> 00:33:50,821
AND ANYONE
WITHIN A MILE RADIUS
WAS GONNA CHASTISE ME
738
00:33:50,863 --> 00:33:52,990
FOR PARTAKING IN
ANY SORT OF SUBSTANCE.
739
00:33:53,031 --> 00:33:54,825
YOU KNOW, I WONDER
IF SUGAR'S OK
740
00:33:54,867 --> 00:33:56,827
BECAUSE I HAVE
SOME SWEET TARTS
IN MY POCKET,
741
00:33:56,869 --> 00:33:59,412
AND I'M NOT AFRAID
TO EAT THEM.
742
00:33:59,454 --> 00:34:02,123
PEOPLE HAVE BEEN
PRETTY HARD ON YOU TONIGHT,
HAVEN'T THEY?
743
00:34:02,165 --> 00:34:05,919
YOU KNOW THE FUNNY THING
IS THAT IT WAS ALL GREAT
WHEN I WAS DRUNK.
744
00:34:05,961 --> 00:34:07,921
THAT WAS
A SUPER OLD TIME.
745
00:34:07,963 --> 00:34:11,466
NOW I'M SOBER,
AND EVERYTHING'S
GONE TO HELL.
746
00:34:13,969 --> 00:34:15,929
YOU KNOW, YOUR FRIENDS
WERE JUST TRYING TO
LET YOU KNOW THEY CARED.
747
00:34:15,971 --> 00:34:18,264
MAYBE THEY DIDN'T GO
ABOUT IT THE RIGHT WAY.
748
00:34:21,184 --> 00:34:23,729
IT'S NOT LIKE
I'M A DRUNK, YOU KNOW.
749
00:34:23,770 --> 00:34:26,899
GOD, WE'RE IN COLLEGE,
FOR CRYING OUT LOUD.
750
00:34:26,940 --> 00:34:28,817
DOESN'T ANYONE JUST EVER
HAVE A WEEK THAT SUCKS,
751
00:34:28,859 --> 00:34:30,944
AND THEY WANT TO
FORGET ABOUT IT?
752
00:34:30,986 --> 00:34:32,320
DOES IT MAKE YOU FEEL BETTER...
753
00:34:32,362 --> 00:34:35,365
WHEN YOU...DRINK?
754
00:34:37,993 --> 00:34:40,078
I FEEL NOTHING,
WHICH IS IDEAL.
755
00:34:40,119 --> 00:34:41,538
HOW LONG YOU GONNA
KEEP THAT UP FOR?
756
00:34:41,580 --> 00:34:42,915
I DON'T KNOW.
757
00:34:44,541 --> 00:34:46,292
I DON'T KNOW.
758
00:34:54,801 --> 00:34:56,261
IF YOU WANNA TALK OR...
759
00:34:56,302 --> 00:34:59,556
YOU DON'T HAVE TO SIT
WITH ME, REALLY.
760
00:34:59,598 --> 00:35:01,516
YOU DON'T HAVE TO SAY THAT.
761
00:35:03,476 --> 00:35:04,937
IF I DON'T WANT TO BE HERE,
I'D HAVE WALKED AWAY ALREADY.
762
00:35:12,069 --> 00:35:13,653
OK.
763
00:35:13,695 --> 00:35:15,614
SO WE'LL SIT.
764
00:35:19,076 --> 00:35:20,827
I DON'T WANNA TALK
FOR A WHILE.
765
00:35:47,813 --> 00:35:49,522
YOU OWE ME 20 BUCKS,
RINALDI.
766
00:35:49,564 --> 00:35:51,316
RICH!
767
00:35:51,357 --> 00:35:53,526
HEY, RINALDI!
COME HERE.
768
00:35:53,568 --> 00:35:56,029
WHAT'S YOUR PROBLEM, WITTER?
769
00:35:56,071 --> 00:35:58,615
MY PROBLEM IS THE
LITTLE TRICK YOU JUST
TRIED TO PLAY ON ME.
770
00:35:58,657 --> 00:36:01,827
YOU'RE NOT MORALLY OPPOSED
TO LADIES OF THE NIGHT,
ARE YOU?
771
00:36:01,868 --> 00:36:04,454
DUDE, WITTER STUFFED A WHORE!
772
00:36:04,496 --> 00:36:07,206
ACTUALLY, I DIDN'T,
KATZ, BUT YOU KEEP
TALKING.
773
00:36:07,248 --> 00:36:08,875
YOU WATCH
HOW QUICKLY
YOUR NIGHT ENDS.
774
00:36:08,917 --> 00:36:10,209
YOU DIDN'T EVEN DO IT?
775
00:36:10,251 --> 00:36:12,129
WHAT, YOU GOT A PROBLEM
DOWN THERE, WITTER,
776
00:36:12,170 --> 00:36:13,839
OR JUST HAVE TROUBLE TAKING
OFF YOUR LITTLE DRESS?
777
00:36:13,880 --> 00:36:17,174
IS THIS A JOKE TO YOU?
'CAUSE LET ME TELL YOU,
I'M NOT LAUGHING.
778
00:36:17,216 --> 00:36:19,385
TELL ME ABOUT IT. NO.
IT WAS MY IDEA OF
SHOWING YOU A GOOD TIME.
779
00:36:19,427 --> 00:36:21,638
BELIEVE ME.
SHE DIDN'T COME CHEAP.
780
00:36:21,680 --> 00:36:24,975
I FORGOT THAT ABOUT YOU.
IT ALL RELATES BACK
TO MONEY.
781
00:36:25,017 --> 00:36:26,643
YOU BUY YOUR FRIENDS,
YOU BUY YOUR WOMEN,
782
00:36:26,685 --> 00:36:28,812
YOU BUY WOMEN FOR
YOUR FRIENDS. THAT WAY
IT'S CLEAN, IT'S EASY.
783
00:36:28,854 --> 00:36:30,814
NO EMOTION, RIGHT? WELL,
LET ME TELL YOU, RICH.
784
00:36:30,856 --> 00:36:33,108
THE ONLY FAVOR
I WANT YOU TO DO FOR ME
785
00:36:33,150 --> 00:36:34,818
IS TAKE ME OFF
YOUR CHARITY LIST.
786
00:36:34,860 --> 00:36:36,028
'CAUSE YOU'RE PATHETIC,
MAN.
787
00:36:36,069 --> 00:36:38,030
HONESTLY, MAN,
I'M NOT GETTING IT.
788
00:36:38,071 --> 00:36:40,824
A COUPLE OF SOLID HOURS
WITH A REALLY HOT GIRL YOU
NEVER HAVE TO CALL AGAIN,
789
00:36:40,866 --> 00:36:42,492
AND WHAT,
YOU PLAY TIDDLY WINKS?
790
00:36:42,534 --> 00:36:46,163
I MUST BE REAL DUMB
BECAUSE IT SEEMS
LIKE YOU OWE ME.
791
00:36:48,123 --> 00:36:49,875
YOU'RE RIGHT. I DO.
I ABSOLUTELY--
792
00:36:51,168 --> 00:36:52,585
HOW DARE YOU
DO THAT TO ME?!
793
00:36:52,627 --> 00:36:54,838
I'M PISSED!
I'M REALLY PISSED AT
YOUR MORAL OUTRAGE.
794
00:36:54,880 --> 00:36:56,339
NO NEED TO GET VIOLENT.
795
00:36:58,341 --> 00:37:00,426
WHEN ARE YOU GONNA REALIZE
FIGHTING THE GOOD FIGHT'S
NOT WORTH IT?
796
00:37:10,979 --> 00:37:12,939
HEY, DAVID.
797
00:37:12,981 --> 00:37:15,775
DAVID, I AM SO SORRY.
798
00:37:15,817 --> 00:37:18,361
I--I CAN'T BELIEVE
THAT YOU'RE STILL HERE.
799
00:37:18,403 --> 00:37:19,946
WHAT, YOU WERE
HOPING I'D BE GONE?
800
00:37:19,988 --> 00:37:22,949
NO! NO. NO. OF COURSE NOT.
I'M GLAD YOU STAYED.
801
00:37:22,991 --> 00:37:25,202
I JUST KEPT MISSING
MY WINDOW OF OPPORTUNITY
TO GET OUT OF THERE.
802
00:37:25,243 --> 00:37:26,494
THAT MUST'VE BEEN ROUGH.
803
00:37:26,536 --> 00:37:27,829
YEAH.
804
00:37:30,623 --> 00:37:32,333
I'M NOT BEING
TOO CONVINCING, AM I?
805
00:37:32,375 --> 00:37:36,213
LOOK, JACK, I'M NOT SO NAIVE
COMING INTO THIS
806
00:37:36,254 --> 00:37:37,923
THAT I DIDN'T EXPECT THERE
TO BE SOME BAGGAGE.
807
00:37:37,964 --> 00:37:41,218
YOU CAN'T REALLY MOVE
INTO A NEW RELATIONSHIP
808
00:37:41,259 --> 00:37:44,971
UNTIL YOU KNOW THE OLD ONE
ISN'T GONNA LURCH UP
FROM THE DEAD ONE LAST TIME.
809
00:37:45,013 --> 00:37:47,599
SO, DO WHAT YOU GOTTA DO.
810
00:37:47,640 --> 00:37:50,602
I DID. I MEAN, I DIDN'T.
I...
811
00:37:50,643 --> 00:37:52,145
I DIDN'T HAVE TO.
812
00:37:52,187 --> 00:37:54,313
YOU DON'T HAVE
TO REPORT TO ME.
813
00:37:54,355 --> 00:37:57,316
WELL, YOU'RE RIGHT
ABOUT THE BAGGAGE.
814
00:37:57,358 --> 00:37:58,985
IT'S JUST NOT...
815
00:37:59,027 --> 00:38:00,820
BEFORE WE GOT
INTO THIS, I JUST
WANTED TO MAKE SURE
816
00:38:00,862 --> 00:38:03,031
THAT I WAS DONE
REPEATING MY MISTAKES.
817
00:38:03,949 --> 00:38:05,158
AND I AM.
818
00:38:06,576 --> 00:38:07,493
THAT WORKS FOR ME.
819
00:38:07,535 --> 00:38:08,703
COOL.
820
00:38:08,745 --> 00:38:09,913
YEAH.
821
00:38:09,955 --> 00:38:11,539
COOL.
822
00:38:11,581 --> 00:38:14,667
SO WHY DID YOU
EVEN BOTHER STICKING
AROUND HERE?
823
00:38:14,709 --> 00:38:17,254
HEY, DON'T THINK I WAS WAITING
FOR THE CONFUSED LIKES OF YOU.
824
00:38:18,588 --> 00:38:20,006
I WAS HAVING
A GOOD TIME,
825
00:38:20,048 --> 00:38:21,716
AND YOU MISSED
A HELL OF AN ACT.
826
00:38:21,758 --> 00:38:23,384
HUH. DID I?
827
00:38:23,426 --> 00:38:25,553
YES. IT WAS
ONE MAGICAL NIGHT
YOU'LL NEVER GET BACK.
828
00:38:25,595 --> 00:38:27,806
SO THIS ONE'S GONNA
BE TOUGH TO TOP.
829
00:38:27,847 --> 00:38:29,808
THAT'S AWFULLY
PRESUMPTUOUS TO ASSUME
WE'RE GOING OUT AGAIN.
830
00:38:29,849 --> 00:38:33,145
OH, HA! I SEE HOW IT IS.
I SEE HOW IT IS.
831
00:39:35,165 --> 00:39:37,876
WOW! SO THIS IS HOW
THE OTHER HALF LIVES.
832
00:39:37,917 --> 00:39:39,961
WHAT ARE YOU DOING HERE?
833
00:39:40,003 --> 00:39:44,132
UH, YOUR LITTLE FRIEND
LEFT HER WALLET
AT THE BAR LAST NIGHT.
834
00:39:44,174 --> 00:39:45,591
CAN'T IMAGINE
HOW SHE FORGOT IT,
835
00:39:45,633 --> 00:39:48,678
WITH THE DRUNKEN
SPECTACLE AND
THE VOMITING AND ALL.
836
00:39:48,720 --> 00:39:49,929
THANKS.
837
00:39:49,971 --> 00:39:50,930
WAIT A MINUTE.
WAIT, JOEY.
838
00:39:54,893 --> 00:39:58,855
LAST NIGHT I SAID A LOT
OF THINGS I DIDN'T MEAN.
839
00:39:58,897 --> 00:40:00,899
YEAH, WHAT THINGS?
840
00:40:00,940 --> 00:40:02,650
MANY THINGS.
841
00:40:06,238 --> 00:40:09,991
IT COULD BE THAT I HAVE
SOME UNRESOLVED ANGER
TOWARDS SOCIETY
842
00:40:10,033 --> 00:40:12,911
THAT HAS NOTHING
TO DO WITH YOU.
843
00:40:12,952 --> 00:40:14,913
THAT'S GOOD.
844
00:40:16,248 --> 00:40:18,499
YEAH, I'VE BEEN WORKING
ON THAT ONE A WHILE.
845
00:40:18,541 --> 00:40:21,169
IT ALMOST RESEMBLED AN APOLOGY.
846
00:40:21,211 --> 00:40:26,258
WELL, YOU KNOW,
I BEEN THINKING
ABOUT IT ALL NIGHT.
847
00:40:26,299 --> 00:40:27,633
WHAT'S IT?
848
00:40:27,675 --> 00:40:28,301
THIS.
849
00:40:28,343 --> 00:40:29,761
ME, YOU.
850
00:40:31,096 --> 00:40:32,680
IT DIDN'T FEEL GOOD.
851
00:40:36,017 --> 00:40:39,062
WHAT PART?
852
00:40:39,104 --> 00:40:41,522
THE NOT PURSUING IT PART.
853
00:40:50,031 --> 00:40:51,783
YOU KNOW, UH...
854
00:40:54,286 --> 00:40:59,999
THE PUSHING AWAY USUALLY
COMES WHEN THERE'S SOMETHING
TO PUSH AWAY FROM.
855
00:41:00,041 --> 00:41:03,836
PLEASE, JOEY, I WOULD
LOVE TO GET TO THE POINT
WHERE I CAN RESENT YOU,
856
00:41:03,878 --> 00:41:06,172
IF YOU'LL ONLY
GIVE ME THE CHANCE.
857
00:41:08,674 --> 00:41:10,843
WE CAN'T KEEP DOING THIS.
858
00:41:10,885 --> 00:41:12,053
WHAT?
859
00:41:12,095 --> 00:41:15,681
THIS. THIS...SAYING THINGS
WE DON'T MEAN.
860
00:41:15,723 --> 00:41:18,684
DANCING AROUND THE SUBJECT.
I MEAN, DON'T YOU FIND IT
MADDENING?
861
00:41:18,726 --> 00:41:20,853
WELL, YEAH,
BUT I MEANT THAT THING
ABOUT THE RESENTMENT.
862
00:41:26,859 --> 00:41:30,363
OK. ALL RIGHT, I GET
WHAT YOU'RE TALKING ABOUT.
863
00:41:32,698 --> 00:41:36,869
SO, WHAT WOULD YOU SAY
IF YOU SAID WHAT YOU MEANT?
864
00:41:42,250 --> 00:41:43,835
I'D LIKE TO GO
ON A DATE WITH YOU.
865
00:41:43,876 --> 00:41:46,671
AN ACTUAL DATE.
866
00:41:46,712 --> 00:41:51,384
WITHOUT THE OBSTACLES
OF PRE-TEEN GIRLS
AND DRUNKEN ROOMMATES.
867
00:41:54,053 --> 00:41:55,221
WHAT WOULD YOU SAY?
868
00:41:58,891 --> 00:42:02,437
WELL, I'D LIKE TO GET
TO KNOW YOU AND PROVE
MYSELF WRONG.
869
00:42:03,938 --> 00:42:07,066
ABOUT?
870
00:42:07,108 --> 00:42:09,527
THINKING YOU REPRESENT
EVERYTHING I HATE.
871
00:42:11,988 --> 00:42:16,575
I THINK YOU JUST MIGHT
REPRESENT EVERYTHING
I'M MISSING.
872
00:42:20,913 --> 00:42:25,251
HOO, OK, SO...
IT'S A DATE.
873
00:42:36,137 --> 00:42:37,763
SEE YOU LATER, JOEY.