1 00:00:01,543 --> 00:00:03,712 SO LET ME GET THIS STRAIGHT, PACEY AND AUDREY BROKE UP, 2 00:00:03,712 --> 00:00:05,422 BUT JOEY AND AUDREY ARE FIGHTING. 3 00:00:05,422 --> 00:00:06,674 YES, MAJORLY. 4 00:00:06,674 --> 00:00:08,550 DAWSON, YOU'VE GOT TO CALL MORE OFTEN. 5 00:00:08,550 --> 00:00:10,344 HOLD ON A SECOND, OK? 6 00:00:10,344 --> 00:00:13,514 THE GUY HAS OBVIOUSLY BEEN REALLY BUSY, OK? 7 00:00:13,514 --> 00:00:15,098 I MEAN... 8 00:00:15,098 --> 00:00:17,100 SHE'S--SHE'S-- SHE'S EXAGGERATING, 9 00:00:17,100 --> 00:00:19,394 'CAUSE NOBODY'S BROKEN ANY NAILS YET. 10 00:00:19,394 --> 00:00:20,437 IT'S MORE LIKE THEY'RE 11 00:00:20,437 --> 00:00:22,356 KEEPING THEIR DISTANCE FROM EACH OTHER. 12 00:00:22,356 --> 00:00:24,107 THANK YOU. 13 00:00:24,107 --> 00:00:25,150 NO PROBLEM. 14 00:00:25,150 --> 00:00:26,151 YOU KNOW, I'M SURE THAT 15 00:00:26,151 --> 00:00:27,486 IF WE COULD GET THEM IN THE SAME ROOM, 16 00:00:27,486 --> 00:00:29,321 THEY WOULD WORK THINGS OUT JUST FINE. 17 00:00:29,321 --> 00:00:30,698 JOEY AND AUDREY? 18 00:00:30,698 --> 00:00:33,492 NO, PACEY AND AUDREY. DUH. 19 00:00:33,492 --> 00:00:35,953 HERE WE GO. 20 00:00:35,953 --> 00:00:38,121 UH, NO-- SORRY ABOUT THAT. 21 00:00:38,121 --> 00:00:39,707 WHAT ABOUT YOU, LOVE? 22 00:00:39,707 --> 00:00:41,041 CAN I GET YOU ANYTHING? 23 00:00:41,041 --> 00:00:42,041 UH, NO, THANKS. I CAN'T STAY THAT LONG. 24 00:00:42,041 --> 00:00:43,042 OH. 25 00:00:43,042 --> 00:00:45,337 OH, YEAH, LET ME GUESS. UH... 26 00:00:45,337 --> 00:00:46,380 SHE'S NOT WORKING TONIGHT, 27 00:00:46,380 --> 00:00:47,589 IF THAT'S WHAT YOU'RE ASKING. 28 00:00:47,589 --> 00:00:50,009 YEAH, WHY DON'T YOU STAY AND HAVE A CHEESEBURGER? 29 00:00:50,009 --> 00:00:51,635 COME ON, DAWSON, WE NEVER GET TO SEE YOU ANYMORE. 30 00:00:51,635 --> 00:00:53,220 REALLY, I HAVE TO GO. 31 00:00:53,220 --> 00:00:54,221 DAWSON. 32 00:00:54,221 --> 00:00:56,724 I CAN'T, I SWEAR. I GOT TO GET BACK. 33 00:00:56,724 --> 00:00:57,975 TODD THINKS I'M RUNNING AN ERRAND RIGHT NOW, 34 00:00:57,975 --> 00:01:00,477 WHICH, TECHNICALLY... 35 00:01:00,477 --> 00:01:02,437 I AM. WHAT IS THIS? 36 00:01:02,437 --> 00:01:03,522 IT'S A PRESENT. 37 00:01:03,522 --> 00:01:05,440 OH, YOU FEEL SO BAD 'CAUSE YOU DON'T CALL, 38 00:01:05,440 --> 00:01:07,067 YOU GOT TO GIVE US PRESENTS. 39 00:01:07,067 --> 00:01:09,069 JUST OPEN IT. IT'S NOT A GUILT OFFERING. 40 00:01:09,069 --> 00:01:10,445 I'D USE IT MYSELF IF I COULD. 41 00:01:10,445 --> 00:01:11,780 OH, MY GOD! 42 00:01:11,780 --> 00:01:13,699 THESE ARE TICKETS TO THE NO DOUBT CONCERT. 43 00:01:13,699 --> 00:01:15,492 DAWSON, THIS IS AMAZING. 44 00:01:15,492 --> 00:01:17,036 THERE'S LIKE 10 TICKETS IN HERE. 45 00:01:17,036 --> 00:01:18,203 ARE YOU SURE THAT THIS IS OK? 46 00:01:18,203 --> 00:01:19,663 ABSOLUTELY. TODD GOT THEM FOR FREE. 47 00:01:19,663 --> 00:01:20,915 I THINK HE KNOWS THE BAND OR SOMETHING. 48 00:01:20,915 --> 00:01:22,583 YOU KNOW WHAT? WHY DON'T YOU JUST, UH-- 49 00:01:22,583 --> 00:01:24,501 DON'T GIVE THE MAN A CHANCE TO CHANGE HIS MIND THERE, ALL RIGHT? 50 00:01:24,501 --> 00:01:26,085 ANYWAY, GO, ENJOY IT. HAVE FUN. 51 00:01:26,085 --> 00:01:27,796 AND, UH, LET ME KNOW WHAT HAPPENS ONCE YOU GET 52 00:01:27,796 --> 00:01:29,506 PACEY AND AUDREY IN THE SAME PLACE AT THE SAME TIME. 53 00:01:29,506 --> 00:01:31,383 THANK YOU SO MUCH. 54 00:01:31,383 --> 00:01:33,635 THANKS, MAN. 55 00:01:39,433 --> 00:01:41,602 HEY. 56 00:01:41,602 --> 00:01:43,062 I'M SORRY. I WAS JUST, UH-- 57 00:01:43,062 --> 00:01:46,189 OH, DON'T APOLOGIZE. UM...ARE THEY-- 58 00:01:46,189 --> 00:01:48,442 YEAH, THEY'RE BACK THERE. JACK AND JEN... 59 00:01:48,442 --> 00:01:51,987 OH, GOOD. I WAS HOPING FOR SOME COMPANY. 60 00:01:53,280 --> 00:01:55,198 HOW HAVE YOU BEEN? 61 00:01:55,198 --> 00:01:56,909 GREAT. 62 00:01:56,909 --> 00:01:58,243 REALLY GREAT. I'VE BEEN BUSY. 63 00:01:58,243 --> 00:02:00,829 GREAT. 64 00:02:00,829 --> 00:02:02,497 HEARD YOU AND AUDREY HAD A FIGHT. 65 00:02:02,497 --> 00:02:04,875 YEAH... 66 00:02:04,875 --> 00:02:06,334 THOSE THINGS HAPPEN, I GUESS. 67 00:02:06,334 --> 00:02:08,545 PEOPLE FIGHT. 68 00:02:12,173 --> 00:02:13,341 ALL RIGHT, WELL, I DON'T WANT TO KEEP YOU. 69 00:02:13,341 --> 00:02:16,095 DAWSON, THEY'RE YOUR FRIENDS, TOO. 70 00:02:16,095 --> 00:02:17,512 YEAH, I KNOW. 71 00:02:17,512 --> 00:02:19,598 I JUST--I GOT TO GO. 72 00:02:19,598 --> 00:02:20,682 IT'S NICE SEEING YOU. 73 00:02:20,682 --> 00:02:22,350 YOU, TOO. 74 00:03:19,700 --> 00:03:21,702 NO DOUBT? YEAH. 75 00:03:21,702 --> 00:03:23,244 LOOK, I KNOW IT'S KIND OF A SCHLEP TO WORCESTER, 76 00:03:23,244 --> 00:03:25,204 BUT THEY'RE TOTALLY AMAZING LIVE, 77 00:03:25,204 --> 00:03:27,290 AND YOU DO HAVE A CAR. 78 00:03:27,290 --> 00:03:28,458 WORCESTER? 79 00:03:28,458 --> 00:03:30,002 YEAH, IT'S ONLY LIKE AN HOUR FROM HERE. 80 00:03:30,002 --> 00:03:32,963 I KNOW, I KNOW. SO ON OUR DATE TONIGHT, 81 00:03:32,963 --> 00:03:34,589 YOU WANT ME TO DRIVE YOU TO WORCESTER? 82 00:03:34,589 --> 00:03:36,758 CORRECT. 83 00:03:36,758 --> 00:03:37,759 AND WHEN WE GET THERE, 84 00:03:37,759 --> 00:03:39,678 ALL YOUR FRIENDS WILL BE THERE. 85 00:03:39,678 --> 00:03:41,722 WELL, NOT ALL OF THEM... 86 00:03:41,722 --> 00:03:44,224 OK, MOST. 87 00:03:45,809 --> 00:03:47,853 SO HOW IS THAT A DATE? 88 00:03:47,853 --> 00:03:51,773 WHAT MAKES IT A DATE IS THAT I'M THERE... 89 00:03:51,773 --> 00:03:53,734 AND YOU'RE THERE. 90 00:03:53,734 --> 00:03:55,152 AND IF YOU PLAY YOUR CARDS RIGHT, 91 00:03:55,152 --> 00:03:56,862 YOU MIGHT JUST GET A KISS AT THE END OF THE EVENING. 92 00:03:56,862 --> 00:03:58,238 A KISS? 93 00:03:59,865 --> 00:04:01,950 YEAH, THAT'S USUALLY HOW THE WHOLE FIRST-DATE THING 94 00:04:01,950 --> 00:04:03,827 TRADITIONALLY SHAKES OUT. 95 00:04:03,827 --> 00:04:05,537 YOU KNOW, YOU WALK ME TO MY DOOR, 96 00:04:05,537 --> 00:04:07,288 YOU KISS ME, YOU LEAVE. 97 00:04:07,288 --> 00:04:09,041 BUT I'VE ALREADY GOTTEN A KISS. 98 00:04:09,041 --> 00:04:10,375 2, ACTUALLY. 99 00:04:10,375 --> 00:04:13,336 AND I DON'T KNOW THAT I'M PREPARED 100 00:04:13,336 --> 00:04:15,047 TO DRIVE ALL THE WAY TO WORCESTER FOR, WHAT? 101 00:04:15,047 --> 00:04:19,467 FOR THE POSSIBILITY OF SOME MEASLY LITTLE GOOD-NIGHT KISS? 102 00:04:19,467 --> 00:04:22,012 THERE IS ANOTHER OPTION ON OFFER 103 00:04:22,012 --> 00:04:23,597 FOR THE END OF THE EVENING. 104 00:04:23,597 --> 00:04:25,849 YES? 105 00:04:25,849 --> 00:04:27,851 YOU WALK ME TO MY DOOR, 106 00:04:27,851 --> 00:04:30,311 WE SHAKE HANDS, 107 00:04:30,311 --> 00:04:32,856 AND I REIMBURSE YOU FOR GAS MONEY. 108 00:04:32,856 --> 00:04:34,858 NICE. 109 00:04:34,858 --> 00:04:36,526 SO ARE YOU IN OR OUT? 110 00:04:36,526 --> 00:04:37,778 I'M IN. 111 00:04:39,029 --> 00:04:40,488 IS IT JUST ME, 112 00:04:40,488 --> 00:04:43,324 OR, UH, IS THERE SOMETHING WEIRD ABOUT THIS DAY? 113 00:04:43,324 --> 00:04:46,620 UM, THE FACT THAT WE FINISHED ALL OUR DAY WORK BEFORE LUNCH, 114 00:04:46,620 --> 00:04:47,829 AND NOW WE'RE JUST PAYING ALL THESE PEOPLE 115 00:04:47,829 --> 00:04:50,415 TO STAND AROUND DOING NOTHING UNTIL THE SUN SETS? 116 00:04:50,415 --> 00:04:51,959 OH, THERE ISN'T SOMEPLACE YOU'D RATHER BE, IS THERE? 117 00:04:51,959 --> 00:04:53,293 NO, BUT LOOK AROUND. 118 00:04:53,293 --> 00:04:55,087 EVERYBODY'S EXHAUSTED, INCLUDING YOURSELF. 119 00:04:55,087 --> 00:04:57,047 ALL THESE NIGHT SHOOTS HAVE FINALLY CAUGHT UP WITH US. 120 00:04:57,047 --> 00:04:59,007 OH, I SEE. 121 00:04:59,007 --> 00:05:02,094 SO YOU'RE SAYING I SHOULD GIVE UP 2 NIGHT EXTERIORS I REALLY NEED 122 00:05:02,094 --> 00:05:04,596 SO THE CREW CAN KNOCK OFF 4 HOURS EARLY ON A FRIDAY? 123 00:05:04,596 --> 00:05:07,557 4 HOURS, 35 MINUTES, WOULD BE EVEN BETTER. 124 00:05:07,557 --> 00:05:08,767 THERE'S A BLOODY POOL GOING? 125 00:05:08,767 --> 00:05:09,768 BIG ONE. 126 00:05:09,768 --> 00:05:10,811 THINK ABOUT IT. 127 00:05:10,811 --> 00:05:11,937 I MEAN, HONESTLY, 128 00:05:11,937 --> 00:05:13,230 YOU WRAP EARLY TONIGHT, 129 00:05:13,230 --> 00:05:15,941 EVERYBODY COMES IN MONDAY COMPLETELY REFRESHED. 130 00:05:15,941 --> 00:05:17,609 EVERYONE, INCLUDING YOU? 131 00:05:17,609 --> 00:05:18,860 SURE. 132 00:05:18,860 --> 00:05:20,654 AND NATASHA? SURE. 133 00:05:20,654 --> 00:05:22,405 I GET IT. 134 00:05:22,405 --> 00:05:24,116 SO ALL THIS FRIEND-TO-THE-CREW STUFF 135 00:05:24,116 --> 00:05:25,533 WAS JUST AN EXCUSE TO GET THE NIGHT OFF 136 00:05:25,533 --> 00:05:26,994 SO YOU COULD TAKE HER TO THAT CONCERT? 137 00:05:26,994 --> 00:05:28,620 I'LL SPLIT THE MONEY WITH YOU. 138 00:05:30,705 --> 00:05:33,541 NOT NECESSARY. I ALREADY WON 500 139 00:05:33,541 --> 00:05:36,128 IN THE WHEN-WILL- DAWSON-AND-NATASHA-START- SHAGGING-AGAIN POOL. 140 00:05:38,463 --> 00:05:39,714 HERE. WHAT ARE THESE? 141 00:05:39,714 --> 00:05:41,424 MY TICKETS. 142 00:05:41,424 --> 00:05:43,051 THEY'RE MUCH BETTER THAN THE ONES I GAVE YOU. 143 00:05:43,051 --> 00:05:44,636 AND I THINK THERE'S SOME BACKSTAGE PASS IN THERE, TOO. 144 00:05:44,636 --> 00:05:45,720 YOU DON'T WANT TO GO? 145 00:05:45,720 --> 00:05:47,306 BETWEEN YOU AND ME? 146 00:05:49,975 --> 00:05:51,601 I'M OLD... 147 00:05:51,601 --> 00:05:53,187 AND TIRED, 148 00:05:53,187 --> 00:05:55,981 AND IF WE'RE GOING TO WRAP 4 HOURS AND 35 MINUTES EARLY, 149 00:05:55,981 --> 00:05:59,901 ALL I WANT TO DO IS GO HOME AND GET SOME SLEEP. 150 00:05:59,901 --> 00:06:02,779 GO GET 'EM, TIGER. 151 00:06:09,286 --> 00:06:12,497 SO, YOU'RE COMING, RIGHT? I MEAN, IF THE BAND CAN 152 00:06:12,497 --> 00:06:15,625 OVERCOME THEIR COMPLICATED ROMANTIC ENTANGLEMENTS AND STILL BE FRIENDS, 153 00:06:15,625 --> 00:06:18,503 THE LEAST THAT WE CAN DO IS ALL GET ALONG FOR ONE NIGHT. 154 00:06:18,503 --> 00:06:21,048 ALL RIGHT, I AM WILLING TO GRANT 155 00:06:21,048 --> 00:06:23,300 THAT THERE IS A CERTAIN KARMIC APPROPRIATENESS 156 00:06:23,300 --> 00:06:24,425 TO SEEING ONE'S EX-BOYFRIEND 157 00:06:24,425 --> 00:06:26,594 FOR THE FIRST TIME AT A NO DOUBT CONCERT. 158 00:06:26,594 --> 00:06:27,846 YOU'RE BENDING. 159 00:06:27,846 --> 00:06:29,639 I'M NOT BENDING. 160 00:06:29,639 --> 00:06:32,100 OH, COME ON, YOU KNOW YOU WANT TO. 161 00:06:32,100 --> 00:06:35,394 EMPOWERED FEMALE. INCREDIBLE FASHION SENSE. 162 00:06:36,646 --> 00:06:39,691 I SUPPOSE MOJO JOJO WILL BE ATTENDING. 163 00:06:39,691 --> 00:06:41,442 OH, COME ON, IF YOU CAN-- 164 00:06:41,442 --> 00:06:43,820 IF YOU CAN BE WITH HER IN THAT TINY LITTLE DORM ROOM OF YOURS, 165 00:06:43,820 --> 00:06:46,740 YOU'RE GOING TO BE JUST FINE IN A CROWD OF 14,000 STRANGERS. 166 00:06:48,283 --> 00:06:49,701 SO SHE'S BRINGING THAT GUY, RIGHT? 167 00:06:49,701 --> 00:06:51,661 MM-HMM, 168 00:06:51,661 --> 00:06:53,372 BUT WE DON'T HAVE TO SIT NEXT TO THEM. 169 00:06:53,372 --> 00:06:55,456 WE'RE USING THE GAYS AS A BARRIER 170 00:06:55,456 --> 00:06:57,625 BETWEEN THE BREEDERS AND THE BITTER, SINGLE GIRLS. 171 00:06:57,625 --> 00:06:59,378 SO, WHAT? 172 00:06:59,378 --> 00:07:01,546 ARE THEY, LIKE, DATING NOW? 173 00:07:01,546 --> 00:07:02,881 LOOK AT YOU. 174 00:07:02,881 --> 00:07:05,217 YOU WANT THE GOSSIP SO BAD IT'S KILLING YOU. 175 00:07:05,217 --> 00:07:08,636 I DON'T WANT THE GOSSIP. I JUST...I DON'T KNOW-- 176 00:07:08,636 --> 00:07:11,139 I WANT TO HEAR THAT SHE HAS A PIMPLE OR SOMETHING. 177 00:07:11,139 --> 00:07:14,393 I WANT THERE TO BE ONE TINY LITTLE CHINK IN HER ARMOR OF PERFECTION. 178 00:07:14,393 --> 00:07:17,896 I MEAN, HAS THAT GIRL EVER MADE A MISTAKE? EVER? 179 00:07:17,896 --> 00:07:19,356 YEAH, ACTUALLY, 180 00:07:19,356 --> 00:07:20,440 THE SAME ONE THAT YOU DID. 181 00:07:20,440 --> 00:07:22,483 SHE DUMPED PACEY. 182 00:07:22,483 --> 00:07:24,111 THAT'S FUNNY. 183 00:07:24,111 --> 00:07:26,238 YOU KNOW, THE WAY I ALWAYS HEARD IT, HE DUMPED HER. 184 00:07:26,238 --> 00:07:28,031 OH, WHATEVER. 185 00:07:28,031 --> 00:07:30,284 WHO KNOWS? WHO CARES? 186 00:07:30,284 --> 00:07:32,119 HONESTLY, THE IMPORTANT THING IS 187 00:07:32,119 --> 00:07:34,329 IS THAT THEY'RE STILL FRIENDS... 188 00:07:34,329 --> 00:07:35,538 LIKE US. 189 00:07:37,457 --> 00:07:38,457 DO YOU MEAN THAT? 190 00:07:38,457 --> 00:07:40,001 YES, I DO. 191 00:07:42,254 --> 00:07:43,462 SO YOU COMING? 192 00:07:44,756 --> 00:07:46,841 I'M COMING. YAY! 193 00:07:46,841 --> 00:07:48,343 I'M SO GLAD. 194 00:07:48,343 --> 00:07:49,594 YOU ARE NOT GOING TO REGRET THIS. 195 00:07:49,594 --> 00:07:51,263 WE ARE GOING TO HAVE AN INCREDIBLE NIGHT. 196 00:07:51,263 --> 00:07:52,680 OH, MY GOD. I AM SO SORRY. 197 00:07:52,680 --> 00:07:55,225 HI. HI. 198 00:07:55,225 --> 00:07:57,311 HI. HEY. 199 00:07:57,311 --> 00:07:58,561 I'M SORRY, I WAS JUST... 200 00:07:58,561 --> 00:08:00,981 NOT LOOKING WHERE I WAS GOING. 201 00:08:00,981 --> 00:08:02,816 YEAH, YOU SEEMED PRETTY EXCITED THERE. 202 00:08:02,816 --> 00:08:05,193 YEAH, WELL, WE'RE ACTUALLY GOING TO A NO DOUBT CONCERT TONIGHT. 203 00:08:05,193 --> 00:08:06,653 COOL. 204 00:08:07,862 --> 00:08:09,489 WELL, HAVE FUN. 205 00:08:10,907 --> 00:08:13,034 WELL, SEE 'YA. 206 00:08:16,163 --> 00:08:19,791 LOOK, I DON'T WANT TO PRETEND THAT NOTHING HAPPENED BETWEEN US, AND... 207 00:08:19,791 --> 00:08:22,169 AND I ALSO DON'T WANT TO MAKE A BIG DEAL OUT OF THE... 208 00:08:22,169 --> 00:08:24,629 NOTHING THAT DID HAPPEN BETWEEN US. UM... 209 00:08:26,173 --> 00:08:28,175 HERE, IF YOU WANT TO COME. 210 00:08:28,175 --> 00:08:29,884 YOU'RE GIVING ME A TICKET TO THE NO DOUBT CONCERT? 211 00:08:29,884 --> 00:08:32,095 YEAH, I MEAN, JACK'S GOING, AND DAVID, 212 00:08:32,095 --> 00:08:33,263 AND ALL OF US, REALLY, 213 00:08:33,263 --> 00:08:35,349 SO IT'S--IT'S NOT LIKE A DATE. 214 00:08:39,019 --> 00:08:40,520 NO, I DIDN'T THINK IT WAS. 215 00:08:40,520 --> 00:08:41,896 GREAT. GREAT. 216 00:08:41,896 --> 00:08:43,190 WELL, UM... 217 00:08:43,190 --> 00:08:44,607 LIKE I SAID, COME IF YOU WANT. 218 00:08:44,607 --> 00:08:46,818 ALL RIGHT, I'M PICKING YOU UP AT 7:00. NO BAILING, OK? 219 00:08:54,493 --> 00:08:56,828 SO, WERE YOU EVER GOING TO CALL ME BACK? 220 00:08:56,828 --> 00:08:58,455 I THINK THAT THE ANSWER TO THAT 221 00:08:58,455 --> 00:09:00,040 WOULD BE FAIRLY OBVIOUS. 222 00:09:09,466 --> 00:09:11,343 YOU KNOW, WE DIDN'T DO ANYTHING WRONG. 223 00:09:11,343 --> 00:09:14,513 NO, OF COURSE NOT. WE WERE GREAT, YOU KNOW? 224 00:09:14,513 --> 00:09:17,224 AND WE'LL PROBABLY WIN SOME SORT OF AWARD FOR MORAL FORTITUDE 225 00:09:17,224 --> 00:09:19,267 AND THE PROPER USE OF BIRTH CONTROL. 226 00:09:19,267 --> 00:09:20,601 I DON'T SEE WHAT THE BIG DEAL IS HERE. 227 00:09:20,601 --> 00:09:21,602 IT'S NOT LIKE SHE'S MY GIRLFRIEND, OK? 228 00:09:21,602 --> 00:09:23,604 YEAH? WELL, NEITHER AM I. 229 00:09:23,604 --> 00:09:25,815 I'M JUST... 230 00:09:25,815 --> 00:09:26,983 I'M AN IDIOT. 231 00:09:26,983 --> 00:09:28,651 OH, SO, WHAT? 232 00:09:28,651 --> 00:09:29,944 YOU'RE JUST GOING TO PRETEND LIKE NOTHING EVER HAPPENED? 233 00:09:29,944 --> 00:09:31,446 YES, 234 00:09:31,446 --> 00:09:33,156 AND UNLESS YOU WANT ME TO KILL YOU, 235 00:09:33,156 --> 00:09:34,908 YOU WILL, TOO. 236 00:09:45,001 --> 00:09:46,586 TICKETS. 237 00:09:55,178 --> 00:09:56,637 DISGUSTING, ISN'T IT? 238 00:09:56,637 --> 00:09:57,847 WHEN PEOPLE CAN'T KEEP THEIR HANDS OFF EACH OTHER? 239 00:09:57,847 --> 00:09:59,057 YEAH. 240 00:09:59,057 --> 00:10:00,600 JUST, UH, YEAH. 241 00:10:01,768 --> 00:10:02,977 TICKETS. 242 00:10:02,977 --> 00:10:03,978 TICKETS, PLEASE. 243 00:10:03,978 --> 00:10:05,230 I HAVE THEM. I DO. 244 00:10:05,230 --> 00:10:06,314 I MUST HAVE THEM. 245 00:10:06,314 --> 00:10:07,857 THAT'S WHAT THEY ALL SAY. 246 00:10:07,857 --> 00:10:08,858 NO. I WAS LEAVING, 247 00:10:08,858 --> 00:10:11,570 I PUT THEM IN MY COAT POCKET, AND... 248 00:10:13,196 --> 00:10:14,864 I WORE MY OTHER COAT. 249 00:10:14,864 --> 00:10:16,450 A FASHION TRAGEDY. NEXT. 250 00:10:16,450 --> 00:10:18,452 CRAP! TICKETS. 251 00:10:18,452 --> 00:10:20,370 OK, BUT ARE YOU SURE YOU DIDN'T LEAVE THEM IN THE CAR OR SOMETHING? 252 00:10:20,370 --> 00:10:21,955 YES, I'M POSITIVE. THEY'RE... 253 00:10:21,955 --> 00:10:23,123 THEY'RE IN MY OTHER COAT, 254 00:10:23,123 --> 00:10:25,208 WHICH IS SITTING ON MY BED BACK IN MY DORM ROOM. 255 00:10:25,208 --> 00:10:26,626 WELL, DON'T PANIC OR ANYTHING. 256 00:10:26,626 --> 00:10:28,086 WE'LL JUST GO BACK FOR THEM. 257 00:10:28,086 --> 00:10:29,421 YOU'RE VOLUNTEERING TO DRIVE MORE? 258 00:10:29,421 --> 00:10:30,964 HEY, YOU'RE PAYING FOR GAS. 259 00:10:30,964 --> 00:10:33,841 NO, IT'LL TAKE US AN HOUR JUST TO WALK BACK TO THE CAR. 260 00:10:33,841 --> 00:10:34,968 SO? 261 00:10:34,968 --> 00:10:36,010 SO WITH THAT, PLUS TRAFFIC, 262 00:10:36,010 --> 00:10:37,137 THEY'LL BE ON THEIR THIRD ENCORE 263 00:10:37,137 --> 00:10:38,179 BY THE TIME WE GET BACK. 264 00:10:38,179 --> 00:10:39,347 WHAT DO YOU WANT TO DO? 265 00:10:39,347 --> 00:10:41,099 YOU JUST WANT TO FORGET ABOUT THIS WHOLE THING? 266 00:10:41,099 --> 00:10:42,350 NO. 267 00:10:42,350 --> 00:10:43,977 I DON'T KNOW. 268 00:10:43,977 --> 00:10:46,854 LOOK, YOU REALLY WANT TO GO TO THIS CONCERT, DON'T YOU? 269 00:10:46,854 --> 00:10:48,315 YES. 270 00:10:48,315 --> 00:10:51,943 I'M A DORKY FAN, I ADMIT IT, BUT I LOVE THIS BAND. 271 00:10:51,943 --> 00:10:54,654 THEN WE'RE GOING. 272 00:10:55,489 --> 00:10:56,490 EDDIE, IT'S GOING TO TAKE US-- 273 00:10:56,490 --> 00:10:57,824 SILENCE... 274 00:10:57,824 --> 00:10:59,326 BEFORE I COME TO MY SENSES AND CHANGE MY MIND. 275 00:10:59,326 --> 00:11:00,535 COME ON. 276 00:11:10,337 --> 00:11:14,174 ARE YOU GUYS GOING OR WHAT? 277 00:11:14,174 --> 00:11:16,343 SORRY. SO TACKY WHEN PEOPLE CAN'T KEEP THEIR HANDS 278 00:11:16,343 --> 00:11:17,302 OFF EACH OTHER IN PUBLIC. 279 00:11:17,302 --> 00:11:18,428 SORRY. TICKETS, PLEASE. 280 00:11:18,428 --> 00:11:19,429 HERE YOU GO. 281 00:11:19,429 --> 00:11:20,639 WRONG NIGHT, ROMEO. 282 00:11:20,639 --> 00:11:22,140 EXCUSE ME? THESE ARE FOR SATURDAY. 283 00:11:22,140 --> 00:11:24,476 NO, THEY CAN'T BE. THESE ARE--CRAP. 284 00:11:24,476 --> 00:11:25,893 GOOD SEATS, TOO. 285 00:11:25,893 --> 00:11:27,395 REALLY WOULD HAVE IMPRESSED YOUR GIRLFRIEND HERE. 286 00:11:27,395 --> 00:11:29,189 NEXT! 287 00:11:29,189 --> 00:11:30,148 I CAN'T BELIEVE I DID THIS. 288 00:11:30,148 --> 00:11:31,650 THIS IS--I-- 289 00:11:31,650 --> 00:11:32,691 I SHOULD HAVE KNOWN BETTER THAN TO TRUST TODD. 290 00:11:32,691 --> 00:11:33,985 THE GUY PROBABLY THINKS TODAY IS SATURDAY. 291 00:11:33,985 --> 00:11:35,820 WE STILL HAVE THE BACKSTAGE PASSES THOUGH, DON'T WE? 292 00:11:35,820 --> 00:11:36,779 YEAH, BUT WE CAN'T GET IN WITH THOSE. WE NEED THE TICKETS. 293 00:11:36,779 --> 00:11:37,822 UH, HOLD ON. 294 00:11:37,822 --> 00:11:39,115 HUMOR ME. 295 00:11:39,115 --> 00:11:41,493 I HAVE SPECIAL SKILLS IN THAT DEPARTMENT. 296 00:11:41,493 --> 00:11:43,578 YOU'RE NOT GOING TO REGRET THIS, I SWEAR. 297 00:11:43,578 --> 00:11:45,704 YOU'RE HERE, YOU'RE NOT IN A SUIT. 298 00:11:45,704 --> 00:11:48,416 THIS IS GOOD. THIS IS VERY, VERY GOOD. 299 00:11:48,416 --> 00:11:49,708 WHERE IS EVERYBODY ELSE? 300 00:11:49,708 --> 00:11:51,252 THEY'RE AT THE CONCESSION STAND. 301 00:11:51,252 --> 00:11:54,506 JACK AND EMMA, AND, UH... 302 00:11:54,506 --> 00:11:56,424 THE GUY AND THE GUY'S FRIEND. 303 00:11:56,424 --> 00:11:57,551 YEAH, WELL, HIS NAME IS DAVID, 304 00:11:57,551 --> 00:11:58,468 WHICH YOU MIGHT WANT TO REMEMBER. 305 00:11:58,468 --> 00:12:00,220 I THINK HE'S GOING TO STICK. 306 00:12:00,220 --> 00:12:02,096 WHAT, YOU POSSES THE PSYCHIC ABILITY 307 00:12:02,096 --> 00:12:03,431 TO SEE INTO THE FUTURE OF RELATIONSHIPS NOW? 308 00:12:03,431 --> 00:12:05,850 YES, JUST NOT MY OWN. 309 00:12:05,850 --> 00:12:07,060 AH. 310 00:12:07,060 --> 00:12:08,436 SO WHERE ARE THESE SEATS ANYWAY? 311 00:12:08,436 --> 00:12:09,187 IS THAT WHERE WE'RE GOING NOW? 312 00:12:09,187 --> 00:12:10,188 YEAH. 313 00:12:10,188 --> 00:12:11,648 THEY'RE-- 314 00:12:11,648 --> 00:12:12,773 THEY'RE THAT WAY. 315 00:12:12,773 --> 00:12:15,235 I MEAN, THEY'RE IN THAT GENERAL DIRECTION. 316 00:12:15,235 --> 00:12:17,028 COOL. OK, UM... 317 00:12:18,821 --> 00:12:21,616 AND WHEN YOU GO IN THAT GENERAL DIRECTION... 318 00:12:21,616 --> 00:12:23,826 YES? 319 00:12:23,826 --> 00:12:25,744 THERE'S--THERE'S GOING TO BE SOMEBODY THERE 320 00:12:25,744 --> 00:12:28,747 WHO WANTS TO TALK TO YOU. 321 00:12:31,959 --> 00:12:32,960 OH, COME ON. 322 00:12:32,960 --> 00:12:34,629 YOU DID NOT JUST DO THIS TO ME. 323 00:12:34,629 --> 00:12:37,507 YEAH, WE DID, BUT OUT OF LOVE. 324 00:12:37,507 --> 00:12:40,176 TRUST ME, WHEN YOU LOOK BACK ON THIS EVENT IN A FEW YEARS, 325 00:12:40,176 --> 00:12:41,760 YOU'RE GOING TO BE VERY GRATEFUL, 326 00:12:41,760 --> 00:12:44,055 BECAUSE YOU WILL HAVE DONE THE MATURE THING. 327 00:12:46,057 --> 00:12:47,267 COME ON. 328 00:12:47,267 --> 00:12:50,103 GO. YOU KNOW YOU WANT TO. 329 00:13:09,497 --> 00:13:10,915 EXCUSE ME. 330 00:13:11,958 --> 00:13:13,376 SURPRISE. 331 00:13:13,376 --> 00:13:15,044 HEY. 332 00:13:17,464 --> 00:13:18,339 I DID CALL YOU, YOU KNOW. 333 00:13:18,339 --> 00:13:19,966 I KNOW. 334 00:13:19,966 --> 00:13:21,884 AT LEAST I FIGURED THAT I SHOULDN'T TALK TO YOU 335 00:13:21,884 --> 00:13:23,177 UNTIL I HATED YOU A LITTLE LESS. 336 00:13:23,177 --> 00:13:25,096 OH, WELL... 337 00:13:25,096 --> 00:13:26,306 HOW'S THAT GOING FOR YOU? 338 00:13:26,306 --> 00:13:27,724 IT'S GOING, YEAH. 339 00:13:27,724 --> 00:13:30,809 THE PROBLEM IS NOW I KIND OF HATE MYSELF, BUT, UH... 340 00:13:33,812 --> 00:13:35,940 AUDREY, CAN WE GO TALK A WALK? 341 00:13:35,940 --> 00:13:38,151 MAYBE TALK SOMEPLACE THAT'S A LITTLE QUIETER 342 00:13:38,151 --> 00:13:41,696 AND SLIGHTLY MORE PRIVATE BEFORE ALL THE MADNESS STARTS? 343 00:13:43,156 --> 00:13:44,865 YOU REALLY ARE AN OLD MAN, AREN'T YOU? 344 00:13:46,409 --> 00:13:47,535 SURE. 345 00:13:47,535 --> 00:13:48,827 OK. 346 00:13:50,204 --> 00:13:51,498 EXCUSE US. 347 00:13:51,498 --> 00:13:52,831 LOOK, I'M TELLING YOU, 348 00:13:52,831 --> 00:13:55,251 I'M NOT TRYING TO SNEAK BACKSTAGE, OK? 349 00:13:55,251 --> 00:13:57,337 I'M NOT SOME KIND OF DERANGED FAN. 350 00:13:57,337 --> 00:13:58,713 I JUST NEED TO TALK TO SOMEONE WHO WORKS HERE. 351 00:13:58,713 --> 00:14:01,048 IS IT ME? NO, VERY FUNNY, THOUGH. 352 00:14:01,048 --> 00:14:02,049 GOOD-BYE. 353 00:14:02,049 --> 00:14:03,468 NO, I JUST NEED TO TALK TO SOMEONE FOR-- 354 00:14:09,307 --> 00:14:11,058 JUST TO LET YOU KNOW, WE CAN STOP THIS AT ANY POINT. 355 00:14:11,058 --> 00:14:12,393 BUT IT'S GOING SO WELL. 356 00:14:12,393 --> 00:14:14,395 OH, I CAN SEE THAT. 357 00:14:14,395 --> 00:14:15,938 LOOK, YOU DON'T HAVE TO HARASS SOME POOR GUY 358 00:14:15,938 --> 00:14:17,398 JUST TO IMPRESS ME. 359 00:14:17,398 --> 00:14:18,899 THIS WHOLE THING IS MY FAULT, ANYWAY. 360 00:14:18,899 --> 00:14:22,111 BELIEVE ME, IF THIS WORKS, YOU WILL NOT BE IMPRESSED. 361 00:14:23,154 --> 00:14:25,948 HEY, MORE PEOPLE. THIS IS GOOD. 362 00:14:25,948 --> 00:14:28,326 UH, THIS IS GOOD. I'M GONNA GO ASK THEM-- 363 00:14:28,326 --> 00:14:29,994 OH, NO. NO, YOU'RE NOT! 364 00:14:31,705 --> 00:14:33,540 OK, THIS IS TOTALLY GONNA WORK, 365 00:14:33,540 --> 00:14:36,083 BUT YOU HAVE TO TRUST ME. IT'LL WORK BETTER 366 00:14:36,083 --> 00:14:37,877 IF YOU PRETEND YOU'RE LIKE MY BROTHER OR SOMETHING. 367 00:14:37,877 --> 00:14:39,546 YOU DID NOT JUST DO THAT. 368 00:14:39,546 --> 00:14:41,214 DO YOU WANT TO GET INTO THIS THING OR NOT? 369 00:14:41,214 --> 00:14:42,215 I'D BE PERFECTLY HAPPY IF WE WENT RIGHT BACK TO THE CAR-- 370 00:14:42,215 --> 00:14:44,884 HEY! IT'S OUR NIGHT OFF. WE'RE GOING. 371 00:14:51,098 --> 00:14:54,394 HI. 372 00:14:54,394 --> 00:14:55,478 NOT THAT I CARE-- 373 00:14:55,478 --> 00:14:57,188 SHH! HE'LL SEE US. 374 00:14:57,188 --> 00:14:59,148 WHO? 375 00:15:06,656 --> 00:15:08,115 THAT'S THE GUY FROM THE MOVIE SET. 376 00:15:08,115 --> 00:15:09,409 YES. 377 00:15:10,493 --> 00:15:11,828 AND THE GUY FROM THE MOVIE SET 378 00:15:11,828 --> 00:15:13,329 IS THE FRIEND WHO GAVE YOU THE TICKETS. 379 00:15:13,329 --> 00:15:14,622 YEAH, KIND OF. 380 00:15:14,622 --> 00:15:16,624 AND NOW WE'RE HIDING. WHY? 381 00:15:16,624 --> 00:15:19,836 I DON'T KNOW. GUT INSTINCT. 382 00:15:19,836 --> 00:15:22,380 THIS IS RIDICULOUS. 383 00:15:22,380 --> 00:15:24,591 COME ON. JUST WAIT TILL-- 384 00:15:24,591 --> 00:15:26,593 NO, NO, COME ON, COME ON! 385 00:15:29,345 --> 00:15:32,014 YEAH, IF, UH... 386 00:15:32,014 --> 00:15:35,351 THAT'S TONIGHT'S LIST, WE SHOULD BE ON IT. 387 00:15:38,813 --> 00:15:42,066 CARR, TODD CARR, DAMAGE, INC. 388 00:15:42,066 --> 00:15:43,860 BIG VIDEO DIRECTOR. 389 00:15:43,860 --> 00:15:46,821 YOU KNOW, YOU GUYS PROBABLY SPELLED HIS NAME WITH A "K." 390 00:15:50,116 --> 00:15:53,119 AS MUCH AS IT PAINS ME TO TELL YOU THIS, LADY, 391 00:15:53,119 --> 00:15:54,829 IF YOU'RE NOT THE LIST, YOU'RE NOT ON THE LIST. 392 00:15:54,829 --> 00:15:56,038 WELL, ISN'T THERE SOME OTHER LIST? 393 00:15:56,038 --> 00:15:57,206 NOT TONIGHT THERE'S NOT. 394 00:15:57,206 --> 00:15:58,291 OH, WELL, MAYBE THEY MESSED UP 395 00:15:58,291 --> 00:15:59,542 AND PUT US ON TOMORROW'S LIST. 396 00:15:59,542 --> 00:16:01,294 I MEAN, THAT COULD HAPPEN, THAT'S POSSIBLE RIGHT? 397 00:16:01,294 --> 00:16:02,420 I MEAN, WHY ELSE WOULD WE HAVE THESE BACKSTAGE PASSES? 398 00:16:02,420 --> 00:16:03,337 NOT MY PROBLEM. 399 00:16:03,337 --> 00:16:04,631 WELL--UGH! 400 00:16:04,631 --> 00:16:06,340 CAN'T WE WORK THIS OUT? 401 00:16:06,340 --> 00:16:10,052 AFRAID NOT. 402 00:16:10,052 --> 00:16:12,639 I DIDN'T KNOW AUDREY WAS INVOLVED WITH ANYBODY. 403 00:16:12,639 --> 00:16:14,390 WELL, THEY JUST BROKE UP, 404 00:16:14,390 --> 00:16:16,559 WHICH IS WHY I THINK SHE'S BEEN SO CRAZY RECENTLY. 405 00:16:16,559 --> 00:16:19,896 I THINK THAT SHE'S JUST HAVING A HARD TIME DEALING. 406 00:16:19,896 --> 00:16:21,397 YEAH, THINGS LIKE THAT CAN BE TOUGH. 407 00:16:21,397 --> 00:16:22,649 YOU WANT ANYTHING? NO, I'M FINE. 408 00:16:22,649 --> 00:16:23,650 JUST ONE COKE, THANKS. 409 00:16:23,650 --> 00:16:24,983 YOU KNOW, TO BE HONEST, 410 00:16:24,983 --> 00:16:26,820 SHE SEEMED KIND OF SINGLE TO ME. 411 00:16:26,820 --> 00:16:29,781 WHY, CAUSE OF THAT NIGHT AT THAT PARTY? 412 00:16:29,781 --> 00:16:31,825 YEAH, THAT, AND OTHER THINGS. 413 00:16:31,825 --> 00:16:33,785 YOU KNOW, SHE JUST GOT CONFUSED. 414 00:16:33,785 --> 00:16:35,202 IT HAPPENS TO THE BEST OF US. 415 00:16:35,202 --> 00:16:36,996 YEAH, IT DOES. 416 00:16:40,583 --> 00:16:42,836 YOU KNOW, FOR TWO PEOPLE WHO AREN'T SEEING EACH OTHER, 417 00:16:42,836 --> 00:16:45,922 WE END UP ALONE AN AWFUL LOT OF THE TIME. 418 00:16:45,922 --> 00:16:47,047 YEAH, YOU KNOW, I'VE BEEN THINKING 419 00:16:47,047 --> 00:16:48,675 MAYBE WE SHOULD TALK ABOUT THAT. 420 00:16:48,675 --> 00:16:51,093 NO, I DON'T-- I DON'T THINK THAT THAT IS NECESSARY. 421 00:16:51,093 --> 00:16:52,303 NO, 'CAUSE I FEEL BAD, 422 00:16:52,303 --> 00:16:53,930 AND I DON'T WANT TO END UP FEELING WORSE. 423 00:16:53,930 --> 00:16:55,765 I MEAN, OBVIOUSLY, YOU HAVE THE WRONG IMPRESSION OF ME. 424 00:16:55,765 --> 00:16:58,852 NO. NO, I MEAN, THERE WAS NO ROOM FOR AMBIGUITY 425 00:16:58,852 --> 00:17:00,186 WHEN YOU REFUSED TO KISS ME, SO-- 426 00:17:00,186 --> 00:17:02,647 OK, OK, HOLD ON. I DON'T WANT YOU TO THINK THAT I'M 427 00:17:02,647 --> 00:17:03,773 PLAYING GAMES WITH YOU OR SOMETHING. 428 00:17:03,773 --> 00:17:05,023 BECAUSE YOU'RE NOT? 429 00:17:05,023 --> 00:17:07,193 NO, I'M NOT. I'M ACTUALLY... 430 00:17:07,193 --> 00:17:09,278 INTERESTED IN SOMEBODY ELSE. 431 00:17:10,780 --> 00:17:12,031 OH. 432 00:17:15,368 --> 00:17:16,494 I SEE, SO, ALL THAT STUFF 433 00:17:16,494 --> 00:17:19,205 ABOUT NOT BEING READY TO DATE... 434 00:17:19,205 --> 00:17:20,915 JUST APPLIED TO ME. 435 00:17:20,915 --> 00:17:22,249 NO, JEN, I MEANT ALL THAT. 436 00:17:22,249 --> 00:17:24,126 I DID. I'M NOT READY TO BE SERIOUS WITH SOMEBODY. 437 00:17:24,126 --> 00:17:25,712 THIS OTHER GIRL... 438 00:17:26,754 --> 00:17:28,756 KIND OF TOOK ME BY SURPRISE. 439 00:17:28,756 --> 00:17:30,299 IT JUST KIND OF HAPPENED. I MEAN, 440 00:17:30,299 --> 00:17:31,843 WE WERE AT THE WRONG PLACE AT THE WRONG TIME, THINGS ESCALATED. 441 00:17:31,843 --> 00:17:33,302 DID YOU SLEEP WITH THIS GIRL? 442 00:17:36,806 --> 00:17:38,975 WOW, SO, SLEEPING WITH PEOPLE 443 00:17:38,975 --> 00:17:40,810 DOESN'T VIOLATE YOUR MORAL CODE, 444 00:17:40,810 --> 00:17:42,937 BUT DATING THEM DOES. 445 00:17:42,937 --> 00:17:44,313 JEN, LET ME EXPLAIN SOMETHING TO YOU-- 446 00:17:44,313 --> 00:17:46,774 NO, YOU HAVE. REALLY WELL, TOO. 447 00:17:46,774 --> 00:17:49,109 AND FOR FUTURE REFERENCE, 448 00:17:49,109 --> 00:17:50,570 WHEN THINGS ESCALATE WITH A GIRL, 449 00:17:50,570 --> 00:17:52,906 THAT GENERALLY MEANS THAT SHE'S INTERESTED IN YOU. 450 00:17:52,906 --> 00:17:54,072 YEAH, EXCEPT WHEN SHE'S KIND OF MESSED UP, 451 00:17:54,072 --> 00:17:56,075 ALREADY HAS A BOYFRIEND. 452 00:17:57,243 --> 00:17:58,995 JEN, I THINK YOU'RE GREAT. 453 00:17:58,995 --> 00:18:01,956 I THINK YOU'RE A GREAT PERSON. 454 00:18:01,956 --> 00:18:03,081 YOU'RE OBVIOUSLY A VERY GOOD FRIEND 455 00:18:03,081 --> 00:18:04,792 TO AUDREY, TO EVERYBODY. 456 00:18:04,792 --> 00:18:06,085 WHAT... 457 00:18:07,545 --> 00:18:09,505 WHAT DOES AUDREY HAVE... 458 00:18:11,841 --> 00:18:16,429 OH, MY GOD. IT WAS AUDREY. 459 00:18:16,429 --> 00:18:18,138 YOU SLEPT WITH AUDREY. 460 00:18:18,138 --> 00:18:20,641 IT'S NOT WHAT YOU THINK, ALL RIGHT, SHE-- 461 00:18:22,476 --> 00:18:24,102 I MESSED UP. 462 00:18:32,028 --> 00:18:33,947 SO, THANK YOU 463 00:18:33,947 --> 00:18:35,114 FOR THE T-SHIRT. 464 00:18:37,909 --> 00:18:38,952 WELL, IT IS THE LEAST I CAN DO 465 00:18:38,952 --> 00:18:41,120 FOR ACTING LIKE A SWINE. 466 00:18:41,120 --> 00:18:43,706 YOU WEREN'T A SWINE. YOU WERE JUST... 467 00:18:43,706 --> 00:18:45,750 A GUY. 468 00:18:45,750 --> 00:18:47,293 I'D LIKE TO THINK THAT I GET GRADED 469 00:18:47,293 --> 00:18:48,502 ON A DIFFERENT CURVE THAN THAT. 470 00:18:48,502 --> 00:18:51,129 PERHAPS THE HUMAN BEING ONE. 471 00:18:51,129 --> 00:18:53,674 IT'S NOT YOUR RESPONSIBILITY TO MAKE ME HAPPY, PACEY. 472 00:18:53,674 --> 00:18:55,175 IT'S MINE. 473 00:18:55,175 --> 00:18:57,303 WELL, LET'S BE HONEST. YOU HAVEN'T BEEN DOING 474 00:18:57,303 --> 00:18:59,263 SUCH A BANG-UP JOB OF THAT LATELY, AUDREY. 475 00:18:59,263 --> 00:19:02,016 I MISS YOU, OK? 476 00:19:02,850 --> 00:19:05,144 I MISS YOU, TOO. 477 00:19:07,271 --> 00:19:09,356 AND HONESTLY, I DON'T KNOW HOW MUCH MORE 478 00:19:09,356 --> 00:19:12,068 OF THIS BEING DOWN ON YOURSELF STUFF I CAN TAKE. 479 00:19:12,068 --> 00:19:14,779 YEAH, WELL, WHAT ARE YOU GONNA DO ABOUT IT? 480 00:19:14,779 --> 00:19:16,781 I'M JUST GONNA HAVE TO MAKE YOU FEEL BETTER, AREN'T I? 481 00:19:16,781 --> 00:19:19,158 BY FORCE, IF NECESSARY. 482 00:19:19,158 --> 00:19:21,828 AAH! PACEY, NO ROUGH-HOUSING IN PUBLIC! 483 00:19:21,828 --> 00:19:23,412 WHO'S THE OLD MAN NOW, HUH? 484 00:19:23,412 --> 00:19:26,290 SERIOUSLY, WE MIGHT BE LOST. 485 00:19:26,290 --> 00:19:28,876 I THINK WE SHOULD'VE LEFT LIKE A TRAIL OF POPCORN OR SOMETHING. 486 00:19:28,876 --> 00:19:30,962 WE CAN'T BE LOST. IT'S AN ARENA. 487 00:19:30,962 --> 00:19:32,505 SPEAKING OF, THERE'S JEN. JEN! 488 00:19:32,505 --> 00:19:34,548 JEN! 489 00:19:34,548 --> 00:19:37,593 HEY. SO, IS IT STARTING? 490 00:19:37,593 --> 00:19:39,178 YEAH, ALMOST. 491 00:19:39,178 --> 00:19:41,179 WELL, EXCELLENT. LET'S GET IN THERE, 492 00:19:41,179 --> 00:19:42,723 BECAUSE I PERSONALLY DO NOT WANT TO MISS 493 00:19:42,723 --> 00:19:45,977 A SINGLE SOLITARY SECOND OF... 494 00:19:45,977 --> 00:19:48,021 NO DOUBT. IT'S ON THE T-SHIRT. 495 00:19:48,021 --> 00:19:49,939 RIGHT. NO DOUBT IT IS. SO, LET'S GO. 496 00:19:49,939 --> 00:19:53,067 YOU KNOW, WOULD YOU MIND GOING IN AHEAD, 497 00:19:53,067 --> 00:19:54,944 AND AUDREY AND I ARE JUST GONNA HAVE A LITTLE CHAT? 498 00:19:54,944 --> 00:19:58,197 YEAH, ABSOLUTELY. GIRL TIME. I'LL SEE YOU IN THERE. 499 00:20:00,908 --> 00:20:02,576 WHAT? 500 00:20:02,576 --> 00:20:05,163 I JUST WANTED TO TELL YOU THAT I KNOW 501 00:20:05,163 --> 00:20:07,206 ABOUT WHAT HAPPENED WITH YOU AND C.J. 502 00:20:09,834 --> 00:20:12,170 JEN... 503 00:20:12,170 --> 00:20:13,754 I DIDN'T KNOW THAT YOU LIKED HIM SO MUCH. 504 00:20:13,754 --> 00:20:15,506 LIKE, I THOUGHT THAT YOU DID, BUT I-- 505 00:20:15,506 --> 00:20:17,299 I DON'T WANT TO TALK ABOUT THIS. 506 00:20:17,299 --> 00:20:19,217 I JUST WANTED TO LET YOU KNOW THAT I KNOW. 507 00:20:23,890 --> 00:20:25,933 JEN, NO, SERIOUSLY, WAIT. 508 00:20:25,933 --> 00:20:27,267 LET'S--LET'S DO TALK ABOUT IT. 509 00:20:27,267 --> 00:20:29,062 I DON'T KNOW, YELL AT ME, DO SOMETHING, JUST-- 510 00:20:29,062 --> 00:20:31,064 I DESERVE IT. IT WAS A MISTAKE. 511 00:20:31,064 --> 00:20:32,565 I'M SORRY. IT WAS A BIG MISTAKE. 512 00:20:32,565 --> 00:20:35,359 YEAH, IT WAS A MISTAKE. 513 00:20:36,777 --> 00:20:39,197 SO, THEN YELL AT ME. 514 00:20:39,197 --> 00:20:41,157 I DON'T WANT TO YELL AT YOU. 515 00:20:41,157 --> 00:20:43,784 I DON'T HAVE IT IN ME TO YELL AT YOU. 516 00:20:43,784 --> 00:20:45,369 YOU KNOW, I'VE BEEN HOLDING BACK LATELY 517 00:20:45,369 --> 00:20:48,246 BECAUSE I ACTUALLY HAD SOME SYMPATHY FOR YOU. 518 00:20:48,246 --> 00:20:52,001 I THOUGHT, "AUDREY-- SHE'S JUST CONFUSED. 519 00:20:52,001 --> 00:20:54,545 SHE'S JUST MESSED UP," BUT YOU'RE NOT. 520 00:20:54,545 --> 00:20:55,880 YOU'RE JUST SAD. 521 00:22:30,641 --> 00:22:32,977 WOULDN'T NOW BE A GOOD TIME TO ADMIT THAT WE'RE LOST? 522 00:22:32,977 --> 00:22:35,813 WE'RE NOT LOST. 523 00:22:35,813 --> 00:22:38,899 EDDIE, WE SEEM TO BE MOVING AWAY FROM THE MUSIC. 524 00:22:38,899 --> 00:22:41,235 OH, SO WHAT YOU'RE SAYING IS YOU DON'T TRUST ME. 525 00:22:41,235 --> 00:22:43,737 WELL, IS THERE A REASON I SHOULD? 526 00:22:43,737 --> 00:22:45,198 HAVE YOU DONEANYTHING TO DEMONSTRATE 527 00:22:45,198 --> 00:22:46,866 THAT YOU'RE IN THE LEAST TRUSTWORTHY? 528 00:22:46,866 --> 00:22:49,827 WOW. TRUST ISSUES. 529 00:22:49,827 --> 00:22:50,995 I GUESS WE ARE LEARNING 530 00:22:50,995 --> 00:22:52,830 A FEW THINGS ABOUT EACH OTHER TONIGHT, HUH? 531 00:22:52,830 --> 00:22:54,623 YOU MEAN YOU'RE LEARNING THINGS ABOUT ME. 532 00:22:56,042 --> 00:22:58,544 OK, WAIT HERE. 533 00:22:58,544 --> 00:23:01,421 OH, NO, YOU'RE NOT LEAVING ME ALONE IN THIS PLACE. 534 00:23:01,421 --> 00:23:03,132 I'M PRETTY SURE FREDDY KRUEGER'S SECOND HOME 535 00:23:03,132 --> 00:23:04,258 IS RIGHT AROUND THE CORNER. 536 00:23:04,258 --> 00:23:08,054 2 SECONDS, OK? 2 SECONDS, I SWEAR. 537 00:23:09,763 --> 00:23:11,974 I'M SORRY, JO, BUT YOU'RE JUST GONNA HAVE TO 538 00:23:11,974 --> 00:23:13,475 TRUST ME ON THIS ONE. 539 00:23:13,475 --> 00:23:15,228 FINE. 540 00:23:16,603 --> 00:23:18,396 OK. 541 00:23:47,051 --> 00:23:49,345 OK. WE'RE ALL SET. 542 00:23:49,345 --> 00:23:52,098 SO YOU GONNA TELL ME WHAT'S GOING ON NOW? 543 00:23:52,098 --> 00:23:53,766 OK, YOU KIDS READY TO GO? 544 00:23:53,766 --> 00:23:55,851 UH, YEAH. 545 00:23:55,851 --> 00:23:59,188 JOEY, THIS IS MY DAD. DAD, JOEY. 546 00:23:59,188 --> 00:24:02,024 YEAH. IT'S-- IT'S NICE TO MEET YOU. 547 00:24:02,024 --> 00:24:04,151 YOU, TOO. 548 00:24:08,739 --> 00:24:11,033 WHAT? 549 00:24:11,033 --> 00:24:12,659 NOTHING. 550 00:24:15,246 --> 00:24:19,375 SO HOW DOES THIS WHOLE SCALPING THING WORK EXACTLY? 551 00:24:19,375 --> 00:24:20,918 I DON'T KNOW. I FIGURED IF I STOOD HERE LONG ENOUGH 552 00:24:20,918 --> 00:24:22,753 WITH $600 IN MY HAND, SOMEBODY WOULD COME UP TO US 553 00:24:22,753 --> 00:24:24,671 AND MUTTER "TICKETS" UNDER THEIR BREATH. 554 00:24:24,671 --> 00:24:25,923 HEH! 555 00:24:25,923 --> 00:24:28,050 WELL, I'M COLD. 556 00:24:28,050 --> 00:24:31,511 WHERE'D YOU GET ALL THAT CASH, ANYWAY? 557 00:24:31,511 --> 00:24:33,222 WHAT, JUST BECAUSE I'M A GLORIFIED P.A., 558 00:24:33,222 --> 00:24:34,765 YOU THINK I CAN'T AFFORD TO TAKE MY GIRLFRIEND 559 00:24:34,765 --> 00:24:36,100 TO TOWN EVERY ONCE IN A WHILE? 560 00:24:36,100 --> 00:24:38,852 OH, MY GOD. YOU WON THE POOL, DIDN'T YOU? 561 00:24:38,852 --> 00:24:40,271 WELL... 562 00:24:40,271 --> 00:24:43,149 NO, WAIT. YOU FIXED THE POOL. 563 00:24:46,110 --> 00:24:49,696 YOU'RE A LOT CRAFTIER THAN PEOPLE GIVE YOU CREDIT FOR. 564 00:24:49,696 --> 00:24:50,864 YOU KNOW, I'M STARTING TO THINK 565 00:24:50,864 --> 00:24:51,949 YOU HAD THE RIGHT IDEA 566 00:24:51,949 --> 00:24:55,244 WHEN YOU SUGGESTEDBAILING ON THIS EVENT. 567 00:24:55,244 --> 00:24:56,996 ARE YOU MAKING ME AN OFFER I CAN'T REFUSE, 568 00:24:56,996 --> 00:24:58,872 OR ARE YOU JUST COLD? 569 00:24:58,872 --> 00:25:00,791 UM, BOTH. 570 00:25:00,791 --> 00:25:02,626 PLUS, DATING'S FOR SHMUCKS, 571 00:25:02,626 --> 00:25:05,129 AND WHAT WE'RE DOING IS MUCH MORE FUN. 572 00:25:05,129 --> 00:25:07,631 WHAT, SNEAKING AROUND AT WORK? 573 00:25:07,631 --> 00:25:10,092 I THOUGHT YOU LIKED SNEAKING AROUND AT WORK. 574 00:25:10,092 --> 00:25:11,427 OH, I DO, BUT WE'RE NOT FOOLING ANYBODY. 575 00:25:11,427 --> 00:25:14,847 SURE WE ARE. WE'RE FOOLING OURSELVES, 576 00:25:14,847 --> 00:25:16,056 WHICH IS WHAT MAKES IT ALL 577 00:25:16,056 --> 00:25:19,352 SO INCREDIBLY DANGEROUS. 578 00:25:20,727 --> 00:25:22,520 AND SEXY. 579 00:25:23,814 --> 00:25:25,523 AND FUN. 580 00:25:38,536 --> 00:25:41,665 OH, MY GOD, IT'S BLACK BEAUTY. 581 00:25:41,665 --> 00:25:43,042 HEY, BOY! 582 00:25:46,670 --> 00:25:49,173 YOU KIDS HAVE ANY REASON TO BE HERE, 583 00:25:49,173 --> 00:25:50,090 OTHER THAN THE OBVIOUS ONE? 584 00:25:50,090 --> 00:25:51,300 UH, NO, SIR. 585 00:25:51,300 --> 00:25:52,843 WELL, YEAH, ACTUALLY, WE DO. 586 00:25:52,843 --> 00:25:54,303 WE THOUGHT WE HAD-- WELL, WE DID HAVE TICKETS BUT-- 587 00:25:54,303 --> 00:25:55,762 BUT YOU SOLD THEM? 588 00:25:55,762 --> 00:25:58,015 NO, WE DIDN'T-- WE DIDN'T SELL THEM. 589 00:25:58,015 --> 00:25:59,641 IT TURNED--THEY WERE FOR TOMORROW, 590 00:25:59,641 --> 00:26:01,268 BUT WE GOT THE DATES MESSED UP. 591 00:26:01,268 --> 00:26:02,686 AND THAT EXPLAINS WHY YOU'RE CARRYING 592 00:26:02,686 --> 00:26:03,979 SUCH A LARGE AMOUNT OF CASH ON YOU? 593 00:26:03,979 --> 00:26:05,481 EXCUSE ME? 594 00:26:05,481 --> 00:26:07,607 YOU HAVE SEVERAL HUNDRED DOLLARS THERE, SON. 595 00:26:07,607 --> 00:26:09,693 NO--YEAH, I DO, BUT IT'S-- 596 00:26:09,693 --> 00:26:11,237 IT'S NOT FOR THAT, IT'S FOR THE-- 597 00:26:11,237 --> 00:26:14,281 ME. IT'S FOR ME. 598 00:26:14,281 --> 00:26:15,782 HE WAS TRYING TO SHORT ME, 599 00:26:15,782 --> 00:26:17,701 AND I TOLD HIM, "NO WAY. 600 00:26:17,701 --> 00:26:19,619 "NO WAY AM I GONNA DO YOU IN THIS PARKING LOT 601 00:26:19,619 --> 00:26:21,539 FOR A PENNY LESS THAN $600." 602 00:26:21,539 --> 00:26:23,665 WHAT'S THIS, SOME KIND OF GAME TO YOU, MISS? 603 00:26:23,665 --> 00:26:25,792 NO, IT'S NOT. THAT'S NOT WHAT SHE-- 604 00:26:25,792 --> 00:26:29,338 LOOK, I CAN-- I CAN EXPLAIN THIS, REALLY, I CAN. 605 00:26:29,338 --> 00:26:32,590 AND YOU WILL AT THE STATION. 606 00:26:32,590 --> 00:26:35,010 I NEED A CHECK-BY IN THE SOUTHWEST CORNER, OVER. 607 00:26:35,010 --> 00:26:36,303 YOU'RE ARRESTING US? 608 00:26:36,303 --> 00:26:37,888 NO, I'M TAKING YOU WITH ME. 609 00:26:37,888 --> 00:26:40,891 IF SHE SAYS ONE MORE WORD, I'M ARRESTING YOU. 610 00:26:44,061 --> 00:26:46,188 COOL! LET'S GO. 611 00:26:46,188 --> 00:26:49,191 BYE, HORSEY! 612 00:26:49,191 --> 00:26:51,402 COME HERE. 613 00:29:24,763 --> 00:29:25,972 GO AWAY! 614 00:29:25,972 --> 00:29:27,349 I NEED TO TALK TO YOU. 615 00:29:27,349 --> 00:29:29,476 WELL, I DON'T WANT TO TALK TO YOU. DON'T YOU GET THAT? 616 00:29:29,476 --> 00:29:31,978 IT WAS A MISTAKE, A GIGANTIC MISTAKE. 617 00:29:31,978 --> 00:29:34,231 WHY DIDN'T YOU TELL ME YOU HAD A BOYFRIEND? 618 00:29:34,231 --> 00:29:35,691 JUST LEAVE HIM OUT OF THIS, OK? 619 00:29:35,691 --> 00:29:36,900 NO, COME HERE, COME HERE. 620 00:29:36,900 --> 00:29:38,151 C.J. COME HERE. 621 00:29:38,151 --> 00:29:40,613 C.J., STOP! 622 00:29:40,613 --> 00:29:42,573 YEAH, WELL, HE'S IN THIS, WHETHER YOU LIKE IT OR NOT. 623 00:29:42,573 --> 00:29:44,199 WELL, YOU KNOW WHAT? HE'S NOT! 624 00:29:44,199 --> 00:29:46,118 HE HAS NOTHING TO DO WITH IT. 625 00:29:46,118 --> 00:29:47,536 OK, AND THE REASON YOU CAME HOME WITH ME THE OTHER NIGHT 626 00:29:47,536 --> 00:29:48,995 IS BECAUSE YOU'RE SO OVERWHELMINGLY HAPPY WITH HIM. 627 00:29:48,995 --> 00:29:51,457 UGH! 628 00:29:51,457 --> 00:29:53,542 I'M SORRY. I'M NOT TRYING TO MESS WITH YOUR HEAD HERE. 629 00:29:53,542 --> 00:29:55,335 I JUST--I LIKE YOU, AUDREY, 630 00:29:55,335 --> 00:29:56,962 AND YOU'RE THE ONLY REASON I CAME HERE TONIGHT. 631 00:29:56,962 --> 00:29:59,089 WELL, THEN I GUESS THAT WAS YOUR FIRST MISTAKE. 632 00:29:59,089 --> 00:30:01,007 I KNOW THINGS ARE COMPLICATED, 633 00:30:01,007 --> 00:30:02,426 BUT YOU GOTTA UNDERSTAND 634 00:30:02,426 --> 00:30:04,177 THAT I HAVEN'T FELT LIKE TOWARD SOMEONE IN A LONG TIME. 635 00:30:04,177 --> 00:30:06,430 NO, IT'S BEEN A LONG TIME SINCE YOU HAD SEX, 636 00:30:06,430 --> 00:30:09,015 AND YOU'RE INCREDIBLY GRATEFUL BECAUSE YOU'RE INCREDIBLY MESSED UP, 637 00:30:09,015 --> 00:30:11,101 WHICH SHOULD'VE BEEN OBVIOUS FROM THE SECOND JEN MET YOU, 638 00:30:11,101 --> 00:30:13,437 BECAUSE GENERALLY, PEOPLE WHO ARE INTO HELPING OTHER PEOPLE 639 00:30:13,437 --> 00:30:15,147 ARE ABOUT 10,000 TIMES MORE MESSED UP 640 00:30:15,147 --> 00:30:16,273 THAN THE PEOPLE THEY'RE HELPING. 641 00:30:16,273 --> 00:30:17,608 YOU KNOW WHAT? YOU'RE PROBABLY RIGHT. 642 00:30:17,608 --> 00:30:19,610 BUT THAT DOESN'T CHANGE THE FACT THAT I LIKE YOU. 643 00:30:19,610 --> 00:30:21,528 YOU HAVE GOT TO STOP THIS. 644 00:30:21,528 --> 00:30:23,863 I AM SURE THAT UNDER THERE SOMEWHERE 645 00:30:23,863 --> 00:30:24,782 THERE IS A NICE GUY, AND YOU ARE OBVIOUSLY 646 00:30:24,782 --> 00:30:26,742 JUST TRYING TO HELP ME OUT, 647 00:30:26,742 --> 00:30:28,910 BUT WHAT HAPPENED BETWEEN US, IT'S JUST-- 648 00:30:28,910 --> 00:30:30,537 IT'S THE WAY THAT THE WORLD WORKS, OK? 649 00:30:30,537 --> 00:30:32,164 PRETTY MUCH ALL THE TIME, GIRLS RUN AROUND 650 00:30:32,164 --> 00:30:33,666 AND FEEL BAD ABOUT THEMSELVES. 651 00:30:33,666 --> 00:30:36,834 THEY'RE EITHER TOO WEAK OR TOO STUPID TO GO HOME ALONE. 652 00:30:36,834 --> 00:30:39,212 SO, SOMETIMES GUYS JUST WIN THE LOTTERY. 653 00:30:39,212 --> 00:30:41,465 THAT'S IT. IT DOESN'T MEAN ANYTHING. 654 00:31:00,025 --> 00:31:02,860 HEY, YOU'VE BEEN GONE A YEAR. WHAT'S GOING ON? 655 00:31:02,860 --> 00:31:04,321 NOTHING. I'M SORRY. 656 00:31:06,239 --> 00:31:07,616 YOU GUYS--YOU GUYS HAVING A PROBLEM OUT HERE? 657 00:31:07,616 --> 00:31:09,743 NO. WE BARELY KNOW EACH OTHER. 658 00:31:09,743 --> 00:31:11,036 YEAH, RIGHT. 659 00:31:11,036 --> 00:31:12,078 EXCUSE ME? 660 00:31:12,078 --> 00:31:13,330 NOTHING. I JUST THINK IF YOU TOOK CARE 661 00:31:13,330 --> 00:31:14,665 OF YOUR GIRLFRIEND A LITTLE BIT BETTER-- 662 00:31:14,665 --> 00:31:16,667 IF I DID WHAT? 663 00:31:16,667 --> 00:31:18,877 NOTHING. HE SAID NOTHING. GO AWAY, C.J. 664 00:31:18,877 --> 00:31:20,045 YOU REALLY WANT ME TO LEAVE YOU ALONE WITH THIS GUY 665 00:31:20,045 --> 00:31:21,213 THAT MAKES YOU SO MISERABLE? 666 00:31:21,213 --> 00:31:22,922 YES. NOW. 667 00:31:22,922 --> 00:31:25,091 IS THIS A JOKE? DID HE REALLY JUST SAY THAT TO ME? 668 00:31:25,091 --> 00:31:27,052 C.J., PLEASE, IF WHAT YOU SAID WAS TRUE ABOUT ME, 669 00:31:27,052 --> 00:31:29,304 ABOUT THE OTHER NIGHT, THEN YOU WILL JUST LEAVE, WALK AWAY. 670 00:31:29,304 --> 00:31:30,347 WAIT. WHAT ABOUT THE OTHER NIGHT? 671 00:31:30,347 --> 00:31:32,098 AND IF I DON'T? 672 00:31:32,098 --> 00:31:35,101 C.J., LEAVE, NOW! 673 00:31:35,101 --> 00:31:36,269 YOU REALLY THINK YOU'RE GONNA BE HAPPIER WITH HIM 674 00:31:36,269 --> 00:31:38,230 THAN YOU OBVIOUSLY WERE WITH ME? 675 00:31:50,701 --> 00:31:51,785 YOU GUYS! 676 00:31:51,785 --> 00:31:53,537 COME ON, BREAK IT UP, BREAK IT UP. 677 00:31:53,537 --> 00:31:55,664 COME ON, BREAK IT UP. 678 00:33:32,427 --> 00:33:34,304 YOUR DAD SEEMS NICE. 679 00:33:36,264 --> 00:33:37,683 HE SAID FOUR WORDS TO YOU, 680 00:33:37,683 --> 00:33:39,267 AND HE THINKS YOUR NAME IS JOSIE. 681 00:33:39,267 --> 00:33:40,477 I DON'T MIND. 682 00:33:41,854 --> 00:33:44,189 HE IS...NICE. 683 00:33:44,189 --> 00:33:45,732 YOU KNOW, HE WORKS HARD, 684 00:33:45,732 --> 00:33:46,859 PUTS FOOD ON THE TABLE, 685 00:33:46,859 --> 00:33:49,026 DOESN'T CHEAT ON MY MOM, SOLID, 686 00:33:49,026 --> 00:33:50,863 STEADY, ALWAYS AROUND. 687 00:33:50,863 --> 00:33:53,156 SOUNDS MORE LIKE THE SECOND COMING. 688 00:33:53,156 --> 00:33:55,074 YEAH. YEAH, HE'S JUST 689 00:33:55,074 --> 00:33:56,869 NOT TOO BIG ON THE ENCOURAGEMENT FRONT. 690 00:33:56,869 --> 00:33:59,496 NOT REAL INTO HIGHER EDUCATION. 691 00:33:59,496 --> 00:34:02,666 AND THAT EXPLAINS WHY YOU DIDN'T GO TO COLLEGE. 692 00:34:02,666 --> 00:34:04,083 OH, I WENT TO COLLEGE. 693 00:34:04,083 --> 00:34:05,251 YOU DID? 694 00:34:05,251 --> 00:34:08,630 YEAH. YEAH, ONE SEMESTER. DROPPED OUT. 695 00:34:08,630 --> 00:34:12,009 THINGS HAVE TO HAPPEN TO YOU 696 00:34:12,009 --> 00:34:14,678 AT THE EXACT RIGHT TIME IN YOUR LIFE, 697 00:34:14,678 --> 00:34:16,429 OR THEY'RE MEANINGLESS. 698 00:34:16,429 --> 00:34:18,015 MEANINGLESS? 699 00:34:18,015 --> 00:34:21,267 YEAH. LIKE THIS. 700 00:34:21,267 --> 00:34:22,769 LIKE RIGHT NOW. 701 00:34:22,769 --> 00:34:25,188 I MEAN, THIS COULD'VE HAPPENED YESTERDAY 702 00:34:25,188 --> 00:34:27,566 AND BEEN MEANINGLESS. 703 00:34:27,566 --> 00:34:30,777 BUT IT'S NOT, IS IT? 704 00:34:37,951 --> 00:34:39,995 NO, IT ISN'T. 705 00:35:38,887 --> 00:35:40,639 YOU JUST HAD TO GET US KICKED OUT, DIDN'T YOU? 706 00:35:40,639 --> 00:35:42,515 COULDN'T POSSIBLY HAVE WAITED TILL AFTER THE ACOUSTICAL SET? 707 00:35:42,515 --> 00:35:44,142 FEEL FREE TO GO BACK ANY TIME, 708 00:35:44,142 --> 00:35:45,226 BECAUSE YOU'RE REALLY NOT NEEDED HERE. 709 00:35:45,226 --> 00:35:46,853 WELL, I DID FIGURE I MIGHT DECREASE THE ODDS 710 00:35:46,853 --> 00:35:49,355 OF ANOTHER ONE IN YOUR GROUP EITHER HAVING SEX 711 00:35:49,355 --> 00:35:50,774 OR POSSIBLY BEATING EACH OTHER TO A PULP. 712 00:35:50,774 --> 00:35:52,275 YOU DON'T THINK I HAD THE RIGHT TO PUNCH THAT GUY? 713 00:35:52,275 --> 00:35:54,987 SHE'S NOT YOUR GIRLFRIEND ANYMORE, MATE! 714 00:35:54,987 --> 00:35:57,154 NOT THAT IT WOULD MAKE IT OK EVEN IF SHE WERE. 715 00:35:57,154 --> 00:35:58,991 HE TOOK ADVANTAGE OF HER! 716 00:35:58,991 --> 00:36:00,325 HE SAW THAT SHE WAS MESSED UP 717 00:36:00,325 --> 00:36:01,910 AND HE PREYED ON HER, 718 00:36:01,910 --> 00:36:03,912 WHICH IN MY BOOKS MAKES HIM ONE NOTCH BELOW POND SCUM. 719 00:36:03,912 --> 00:36:05,122 RIGHT, RIGHT, MUST BE THAT, 720 00:36:05,122 --> 00:36:06,581 BECAUSE WOMEN ARE SUCH HELPLESS IDIOTS 721 00:36:06,581 --> 00:36:08,083 THEY COULDN'T POSSIBLY MAKE AN INFORMED DECISION 722 00:36:08,083 --> 00:36:09,918 ABOUT WHO THEY SLEEP WITH, COULD THEY? 723 00:36:09,918 --> 00:36:11,336 I KNOW AUDREY. THIS IS NOT HER. 724 00:36:11,336 --> 00:36:13,672 I CANNOT BELIEVE SHE WOULD SLEEP WITH THAT GUY. 725 00:36:13,672 --> 00:36:15,590 IS IT SO DIFFICULT 726 00:36:15,590 --> 00:36:18,093 FOR YOU JUST TO ADMIT THAT SHE HURT YOU? 727 00:36:18,093 --> 00:36:20,261 OR THAT YOU MIGHT FEEL A LITTLE GUILTY 728 00:36:20,261 --> 00:36:22,055 ABOUT THE WAY THINGS ENDED, OR THAT POSSIBLY, 729 00:36:22,055 --> 00:36:24,599 DESPITE ALL YOUR PROTESTATIONS TO THE CONTRARY, 730 00:36:24,599 --> 00:36:27,310 THAT YOU STILL WANT TO SAVE THIS GIRL? 731 00:36:28,895 --> 00:36:31,106 OF COURSE, IT'S DIFFICULT. 732 00:36:32,607 --> 00:36:34,192 IT JUST IS. 733 00:36:38,113 --> 00:36:40,115 WOULD YOU QUIT SQUIRMING? 734 00:36:40,115 --> 00:36:41,783 YOU'RE LUCKY I'M EVEN TALKING TO YOU RIGHT NOW. 735 00:36:41,783 --> 00:36:44,494 THIS IS BRINGING YOU A GREAT DEAL OF SATISFACTION, ISN'T IT? 736 00:36:44,494 --> 00:36:47,246 NO, ACTUALLY, IT'S NOT. 737 00:36:47,246 --> 00:36:48,623 YOU'RE NOT THINKING TO YOURSELF RIGHT NOW 738 00:36:48,623 --> 00:36:49,916 THAT I DESERVE THIS? 739 00:36:49,916 --> 00:36:53,795 NO. YOU AND AUDREY ARE BOTH ADULTS, 740 00:36:53,795 --> 00:36:55,964 AND I AM NOT GONNA SIT HERE AND APPLY 741 00:36:55,964 --> 00:36:58,466 SOME RIDICULOUS DOUBLE STANDARD TO THE SITUATION, 742 00:36:58,466 --> 00:37:01,219 JUST BECAUSE MY FEELINGS GOT A LITTLE BIT HURT. 743 00:37:03,471 --> 00:37:05,431 I'M SORRY ABOUT THAT. I WISH THAT HADN'T HAPPENED. 744 00:37:05,431 --> 00:37:07,225 YEAH, I KNOW. 745 00:37:09,728 --> 00:37:11,813 YOU KNOW, ALL THAT STUFF THAT YOU'VE BEEN SAYING 746 00:37:11,813 --> 00:37:13,481 IS FINALLY STARTING TO SINK IN, 747 00:37:13,481 --> 00:37:16,026 ALL THAT STUFF THAT YOU'VE BEEN TELLING ME ABOUT YOURSELF, 748 00:37:16,026 --> 00:37:18,153 AND I GUESS THAT IF IT'S TRUE, 749 00:37:18,153 --> 00:37:20,822 THEN IT PROBABLY REALLY SUCKS TO BE YOU RIGHT NOW 750 00:37:20,822 --> 00:37:24,241 BECAUSE NO MATTER HOW NOMINALLY TOGETHER 751 00:37:24,241 --> 00:37:26,078 YOU THINK YOU ARE, IF YOUR FONDEST DESIRE 752 00:37:26,078 --> 00:37:27,996 IS TO START HANGING OUT WITH AUDREY, 753 00:37:27,996 --> 00:37:30,373 THEN CHANCES ARE, IT'S NOT GONNA STAY THAT WAY. 754 00:37:30,373 --> 00:37:32,250 AND YOU KNOW WHAT? IF I EVER GOT IT INTO MY HEAD 755 00:37:32,250 --> 00:37:35,212 TO DO WHAT YOU DO, YOU KNOW, TO HELP PEOPLE, 756 00:37:35,212 --> 00:37:36,713 I WOULD BE A HELL OF A LOT BETTER AT IT 757 00:37:36,713 --> 00:37:38,256 THAN YOU ARE. 758 00:37:42,677 --> 00:37:44,096 SO YOU REALLY DON'T MIND TAKING AUDREY HOME? 759 00:37:44,096 --> 00:37:46,514 WELL, SURE, I MIND, 760 00:37:46,514 --> 00:37:49,017 BUT, YOU KNOW, MY INNER DRAMA QUEEN RESPECTS HER REFUSAL 761 00:37:49,017 --> 00:37:50,476 TO COME OUT OF THE BATHROOM 762 00:37:50,476 --> 00:37:51,937 TILL JEN AND PACEY LEAVE. 763 00:37:51,937 --> 00:37:53,605 HEH HEH HEH! THANKS, MAN. 764 00:37:53,605 --> 00:37:55,398 I JUST DON'T WANT TO DITCH JEN, YOU KNOW. 765 00:37:55,398 --> 00:37:57,400 I MEAN, I DON'T THINK THIS EVENING TURNED OUT 766 00:37:57,400 --> 00:37:58,777 QUITE THE WAY SHE PLANNED. 767 00:37:58,777 --> 00:38:01,863 HMM. YEAH. I KNOW THE FEELING. 768 00:38:01,863 --> 00:38:04,532 SO, WE'RE, UH, NOT DOING TOO WELL AT THIS, ARE WE? 769 00:38:04,532 --> 00:38:06,743 WELL, THE HANGING OUT HAS BEEN GOOD. 770 00:38:06,743 --> 00:38:08,912 BUT THE DATING? 771 00:38:08,912 --> 00:38:10,122 I THINK IT'S SAFE TO SAY 772 00:38:10,122 --> 00:38:11,748 THAT WHEN TWO GAY GUYS GO ON A DATE, 773 00:38:11,748 --> 00:38:13,959 AND EACH ENDS UP GOING HOME WITH A HOT BLOND GIRL, 774 00:38:13,959 --> 00:38:15,043 SOMETHING'S DEFINITELY NOT WORKING. 775 00:38:15,043 --> 00:38:16,377 YEAH. 776 00:38:16,377 --> 00:38:18,755 QUICK, MAKE A BREAK FOR IT BEFORE HE COMES! 777 00:38:18,755 --> 00:38:23,135 I CAN'T--YOU ARE 778 00:38:20,506 --> 00:38:23,135 STILL NOT TAKING THIS SERIOUSLY. 779 00:38:23,135 --> 00:38:26,054 WE DIDN'T GET ARRESTED. THEY JUST GAVE US A WARNING. 780 00:38:26,054 --> 00:38:27,472 THEY GAVE US ONE PHONE CALL. 781 00:38:27,472 --> 00:38:31,517 OHH! THEY WERE HAVING FUN, LIKE US. 782 00:38:31,517 --> 00:38:34,271 OH, COME ON! THIS ENTIRE EVENING HAS BEEN FUN, 783 00:38:34,271 --> 00:38:38,275 FROM START TO FINISH, AND YOU KNOW IT. 784 00:38:38,275 --> 00:38:40,652 YES, THIS HAS BEEN FUN. 785 00:38:40,652 --> 00:38:42,862 I'M STARTING TO THINK YOU MIGHT BE INSANE, BUT-- 786 00:38:42,862 --> 00:38:45,282 BUT WHAT? YOU HAVEN'T EVER GONE OUT WITH AN INSANE PERSON BEFORE? 787 00:38:45,282 --> 00:38:48,701 NO, I HAVE, JUST... NOT IN A GOOD WAY. 788 00:38:48,701 --> 00:38:50,495 MMM. 789 00:38:52,872 --> 00:38:56,793 OK, SHAGWITS, TO THE CAR! 790 00:38:56,793 --> 00:39:00,505 LET'S GO! CHOP, BLOODY CHOP! 791 00:39:00,505 --> 00:39:03,133 OR AM I GONNA HAVE TO THROW COLD WATER ON YOU BOTH? 792 00:39:04,259 --> 00:39:05,510 I THINK HE'S MAD. 793 00:39:05,510 --> 00:39:06,678 REAL MAD. 794 00:39:07,846 --> 00:39:09,555 FOR THE RECORD, 795 00:39:09,555 --> 00:39:11,599 NEVER LET IT BE SAID 796 00:39:11,599 --> 00:39:13,476 THAT TODD CARR IS A MAN WHO'S NOT IN LOVE 797 00:39:13,476 --> 00:39:15,520 WITH BEING IN LOVE. 798 00:39:15,520 --> 00:39:18,064 I THINK BOTH MY MOVIES AND MY LIFE 799 00:39:18,064 --> 00:39:21,567 REFLECT MY DEEP AND ABIDING COMMITMENT 800 00:39:21,567 --> 00:39:23,820 TO GETTING TWO GOOD-LOOKING YOUNG PEOPLE TOGETHER 801 00:39:23,820 --> 00:39:25,655 AND HAVING A BIT OF FUN NOW AND AGAIN. 802 00:39:25,655 --> 00:39:27,157 HOWEVER... 803 00:39:30,535 --> 00:39:32,495 AS LEERY HERE BLOODY WELL KNOWS... 804 00:39:32,495 --> 00:39:35,040 YOU'RE ALSO A MAN WHO'S IN LOVE WITH SLEEP. 805 00:39:37,292 --> 00:39:40,503 TO THE CAR. NOW. 806 00:39:44,549 --> 00:39:46,301 TO THE CAR. 807 00:39:46,301 --> 00:39:48,178 HEH HEH HEH! 808 00:39:51,556 --> 00:39:54,809 SO...THIS IS IT? 809 00:39:54,809 --> 00:39:58,604 YEAH. 810 00:39:59,981 --> 00:40:01,691 END OF THE NIGHT. 811 00:40:01,691 --> 00:40:03,693 YEAH. 812 00:40:03,693 --> 00:40:06,029 HEH HEH. 813 00:40:16,248 --> 00:40:17,790 HEH HEH! 814 00:40:21,336 --> 00:40:23,421 SO YOU NEVER DID TELL ME WHAT YOURS IS LIKE. 815 00:40:24,839 --> 00:40:26,174 MY DAD? 816 00:40:26,174 --> 00:40:28,260 YEAH. 817 00:40:28,260 --> 00:40:30,136 WELL, COME ON. I SHOWED YOU MINE. 818 00:40:30,136 --> 00:40:32,430 MMPH. LET'S JUST 819 00:40:32,430 --> 00:40:34,849 CALL HIM THE OPPOSITE AND LEAVE IT AT THAT. 820 00:40:34,849 --> 00:40:36,309 OPPOSITE. 821 00:40:36,309 --> 00:40:40,605 AS IN NOT SOLID, NOT HARD-WORKING. 822 00:40:40,605 --> 00:40:43,942 UM... 823 00:40:43,942 --> 00:40:45,944 HE'S A BIG FAN OF CHEATING ON MY MOM. 824 00:40:45,944 --> 00:40:48,780 UM, HE'S DEFINITELY NOT THE TYPE 825 00:40:48,780 --> 00:40:50,865 TO DO SOME BACK-BREAKING JOB FOR 25 YEARS 826 00:40:50,865 --> 00:40:52,617 WHEN THERE'S EASY MONEY TO BE MADE 827 00:40:52,617 --> 00:40:54,953 IN THE LESS LAW-ABIDING SECTORS OF THE ECONOMY. 828 00:40:54,953 --> 00:40:57,496 YOU MAKE HIM SOUND LIKE A CRIMINAL. 829 00:40:57,496 --> 00:41:00,208 WELL, THAT'S WHAT THE DISTRICT ATTORNEYS CALL HIM. 830 00:41:00,208 --> 00:41:02,668 HMPH. I STILL THINK OF HIM AS DAD. 831 00:41:02,668 --> 00:41:04,337 WOW. 832 00:41:06,298 --> 00:41:08,841 WELL, YOU KNOW, HE MUST'VE DONE SOMETHING RIGHT. 833 00:41:10,385 --> 00:41:13,263 WHY? 'CAUSE I TURNED OUT SO WELL? 834 00:41:13,263 --> 00:41:14,680 WHAT, YOU THINK BEING ENTOMBED 835 00:41:14,680 --> 00:41:17,683 IN THESE HALLOWED HALLS EQUALS TURNING OUT WELL? 836 00:41:17,683 --> 00:41:20,686 WELL, IT'S A START, ISN'T IT? 837 00:41:20,686 --> 00:41:23,940 I'M GONNA HAVE TO DO MORE WORK ON YOU THAN I THOUGHT. 838 00:41:23,940 --> 00:41:26,443 YOU THINK THERE'S SOMETHING WRONG WITH THESE HALLOWED HALLS? 839 00:41:26,443 --> 00:41:28,611 NO. NOT IF YOU'RE HERE FOR THE RIGHT REASON. 840 00:41:29,988 --> 00:41:33,199 WELL, MY DAD... 841 00:41:33,199 --> 00:41:34,451 WHEN HE ACTUALLY WAS AROUND 842 00:41:34,451 --> 00:41:37,412 WAS VERY GOOD ON THE ENCOURAGEMENT PART 843 00:41:37,412 --> 00:41:40,081 IN THAT "DREAM-BIG, LITTLE-GIRL, 844 00:41:40,081 --> 00:41:42,708 YOU-CAN-BE-ANYTHING YOU-WANT-TO-BE" SORT OF WAY. 845 00:41:42,708 --> 00:41:44,669 I SEE. 846 00:41:47,339 --> 00:41:50,342 AND WHAT IS IT YOU WANT TO BE, LITTLE GIRL? 847 00:41:50,342 --> 00:41:53,261 HMPH! 848 00:41:53,261 --> 00:41:55,221 I DON'T KNOW. 849 00:41:57,432 --> 00:41:59,517 GUESS I'M A WORK IN PROGRESS. 850 00:42:29,047 --> 00:42:32,549 GOOD NIGHT.